WEBVTT - S2E9 - Bound by Blood

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<v Speaker 1>Hello, Bye, I had a change of scenery. I'm fucking

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<v Speaker 1>so excited. I've stolen Dan's chair, so much more comfy

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<v Speaker 1>than on this stool. Anyone who was listening in the

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<v Speaker 1>last episode. We we recorded these episodes back to back

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<v Speaker 1>and then usually I sit on a stool, and I

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<v Speaker 1>just got this new reclinate chair. I'm very excited about

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<v Speaker 1>it because i'm now and these are the things that

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<v Speaker 1>excite me. But normally Dan is on it. Again, if

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<v Speaker 1>you were listening to the last episode, I explained this

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<v Speaker 1>is and his chair. He was trying to interrupt quite

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<v Speaker 1>a lot, but he hopped off. So I've reclaimed it

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<v Speaker 1>and now I'm really comfortable. But I'm just like, this

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<v Speaker 1>is my fingertips touching my computers. I'm just too far,

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<v Speaker 1>Like I have to get off the chair. Then I'm

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<v Speaker 1>away from the mic, and it's a whole thing. So

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<v Speaker 1>if you see me doing that, or if my voice

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<v Speaker 1>dissipates for a second and then it comes back, that's

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<v Speaker 1>why I'm doing my best. You'll get through it. I

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<v Speaker 1>know that, and I think so I have faith, have faith,

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<v Speaker 1>like rearranged everything. It's fantastic. I don't know why I'm

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<v Speaker 1>a I forgot my tea so much better. Okay, what

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<v Speaker 1>we're saying, I forgot my faith. Goddamn it. Stop. I

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<v Speaker 1>can even recline a little bit. Oh, this is the

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<v Speaker 1>best purchase I ever made. Man, lucky you. I'm so excited. Okay.

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<v Speaker 1>I mean to set up like a real podcast office

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<v Speaker 1>in my I mean it's like it's my office is

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<v Speaker 1>like a little inlay under my stairs and it's I

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<v Speaker 1>love it, like it's my little space and I do

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<v Speaker 1>my audition work and stuff in it. But it's like

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<v Speaker 1>fucking chaos and not even worse. Now I'm gonna have

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<v Speaker 1>to like fix all of this ship that I've just

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<v Speaker 1>made terrible. But you've got like a little Harry Potter room,

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<v Speaker 1>a little Hrry Potter room. Yeah, And like my I've

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<v Speaker 1>got all sorts any like tools and I can see

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<v Speaker 1>it all now, like tools and boxes and spare pillow

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<v Speaker 1>cases are all in the like in this little bit

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<v Speaker 1>that I can figure out where they were supposed to go,

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<v Speaker 1>and all sorts of nuts stuff. Well, shall we dive in, Yeah,

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<v Speaker 1>let's dive in. Welcome back to return to the shadows.

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<v Speaker 1>Because it's been so long since we've spoken and done this.

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<v Speaker 1>It's not like it's been three minutes or anything since

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<v Speaker 1>the last episode, but we returned to season two episode nine,

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<v Speaker 1>Bound by Blood, which aired originally on February seventeen, Written

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<v Speaker 1>by the Great Peter bin Swinger, directed by the also

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<v Speaker 1>great Matthew Hastings, starring Katherine Matamara, Dominic sher with Albert

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<v Speaker 1>was Andy, Matthew Gario and around be A, Isaiah Mustafa,

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<v Speaker 1>Harry Sham Jr. Guest starring Elephant Sprang, Alicia Wayne Right,

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<v Speaker 1>Ariana Williams, David castro Jas, Sooner, Vanessa, Matt Suey Next

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<v Speaker 1>sig Are Josh war Vath and Lawrence Dickinson. You stuck,

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<v Speaker 1>You stuck a breath in there, but it was a

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<v Speaker 1>very Broadway breath. It was very good. I was listening

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<v Speaker 1>for it because when I did this, I tried to

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<v Speaker 1>get all of that plus the guest stars out in

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<v Speaker 1>one breath, and I couldn't do it. But I smoked

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<v Speaker 1>for a long time. So maybe that's why you've never

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<v Speaker 1>done that, which I'm very proud of you for. But

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<v Speaker 1>you right at the end, it was so close. I

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<v Speaker 1>think it was between let me see here, it was

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<v Speaker 1>between like Josh, It was between Nick and Josh, So

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<v Speaker 1>it was like so close to getting all the way through.

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<v Speaker 1>That should be a challenge. I want to I want

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<v Speaker 1>to try and get one of these all the way

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<v Speaker 1>through without having to breathe anyway. I digress. In this episode,

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<v Speaker 1>Clary faces a world of trouble. Clary is sidelined. I

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<v Speaker 1>need to bring it closer. I can can't see ship logline.

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<v Speaker 1>Fucking honestly, got to bring things a little close, no kidding, yes, seriously, um,

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<v Speaker 1>what happens in this episode, Clary faces a world of trouble.

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<v Speaker 1>Clary is sidelined by Iris's blood oath, while the down

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<v Speaker 1>world begins to fall apart, with word getting out that

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<v Speaker 1>Clary is a key part of Valentine's plan. The down

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<v Speaker 1>world as are odds on how to handle the issue,

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<v Speaker 1>but when Iris activates her blood oath, Clary has more

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<v Speaker 1>to worry about than hiding from Valentine and the down worlders. Meanwhile,

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<v Speaker 1>Isabelle and Raphael get closer as Alec tries to figure

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<v Speaker 1>out what's going on with his sister. Oh my goodness,

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<v Speaker 1>it's going to be cut together perfectly. But if you

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<v Speaker 1>guys could hear the fucking polava I just had trying

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<v Speaker 1>to get that out. Nah, it was no one would

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<v Speaker 1>ever hire me as a first time. It was perfect.

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<v Speaker 1>I got nothing wrong. Goodness, no, never, you never do that.

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<v Speaker 1>This is an interesting book to screen moment which I

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<v Speaker 1>think we should kind of talk about. This is the

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<v Speaker 1>first time we get to see the down World Council,

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<v Speaker 1>which is a bigger deal in the book that it

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<v Speaker 1>is in the show. But I thought they did a

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<v Speaker 1>really beautiful job of it in the show, bringing in

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<v Speaker 1>this sort of um you know, there's a representative from

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<v Speaker 1>each of the down World communities and they come together

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<v Speaker 1>and you know, deal with the shadow Hunters in their

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<v Speaker 1>own way. It's a bit of United Nations of the

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<v Speaker 1>Shadow World kind of thing. But the way that they

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<v Speaker 1>do it in our show is so beautiful. They have

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<v Speaker 1>all the banners and they bring it in in such

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<v Speaker 1>a beautiful way. I can't remember if we actually see

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<v Speaker 1>that full set up in this episode, but I can't

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<v Speaker 1>remember that scene. If I'm honest, I'm very excited. But

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<v Speaker 1>do you remember that, you know they do it sometimes

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<v Speaker 1>in the training room, they transform it into the council

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<v Speaker 1>room where they have the banner for each of the

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<v Speaker 1>things in the big round table. I sort of vaguely

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<v Speaker 1>remember one of those from season three where we all

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<v Speaker 1>get each other's powers. It's similar to that, but not quite.

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<v Speaker 1>Was I in the scene. I think we entered the

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<v Speaker 1>scene it was. It was a point where we were

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<v Speaker 1>dealing with the Seeley Queen and I had to come

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<v Speaker 1>and in Sassa Lola and uh I did that a lot. Yeah. Anyway,

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<v Speaker 1>here we are as the episode begins, we get to

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<v Speaker 1>see where do I forget how it starts? Starts with

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<v Speaker 1>you guys about to fuck it? Oh my god? Okay,

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<v Speaker 1>can I just say it was fun for you, but

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<v Speaker 1>it was fun for us too. But I'll tell you

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<v Speaker 1>I got the scare of my life during this scene.

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<v Speaker 1>The way that we shot it, because the canoe itself

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<v Speaker 1>was so high up in the boat basin. In order

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<v Speaker 1>to shoot Alberto's in my coverage, they set it up

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<v Speaker 1>in just sort of a dark corner of the studio.

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<v Speaker 1>They brought one of the canoes down and just stacked

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<v Speaker 1>two of them on top of each other so the

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<v Speaker 1>cameras could get in and around us more easily, and

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<v Speaker 1>of course, as is want to do when you're nearing

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<v Speaker 1>the end of season two on a series, and the

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<v Speaker 1>crew and the cast is very close Albert and I,

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<v Speaker 1>and I think it's in the Bloopers. Albert and I

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<v Speaker 1>were doing the scene and mid making out and all

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<v Speaker 1>this stuff, and Isaiah pops his head out from behind

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<v Speaker 1>the canoe in the middle of a take and scares

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<v Speaker 1>the living daylights out of me. Really good. You've ever

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<v Speaker 1>had a parent walking on you making out with someone?

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<v Speaker 1>That's that going? And it was never, That's never happened

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<v Speaker 1>to me. No that I don't think that. I mean,

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<v Speaker 1>I'm an adult now, like mom sees me kiss decks

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<v Speaker 1>all the time, but like never in this never in

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<v Speaker 1>a canoe day that much. It's never been My mom

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<v Speaker 1>just texts me that's weird. Literally, as I was talking

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<v Speaker 1>about it, someone's ears burning. I remember this scene being

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<v Speaker 1>a lot of fun, and Alberto and I got to

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<v Speaker 1>have so much fun with this, like annoyance with each other.

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<v Speaker 1>We really got to play with it. Some of this

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<v Speaker 1>is in the Bloopers as well. Yeah, nobody ever knocks

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<v Speaker 1>in the shadow world. Nobody, But why would you knock

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<v Speaker 1>at a boat basin? And it's not a standard place

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<v Speaker 1>you would need to knock in. This is when he

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<v Speaker 1>was in really good shape as well. I mean He's

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<v Speaker 1>always been in fantastic shape. But he Alberto little little

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<v Speaker 1>fun note. You know. I think it was right at

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<v Speaker 1>the end of the It was in the mid season break.

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<v Speaker 1>He got in such good shape that he got told

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<v Speaker 1>to lose muscle mass. He had to slim up a

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<v Speaker 1>little because he got in such phenomenal shape that he

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<v Speaker 1>didn't look vampire anymore. He started to look a little

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<v Speaker 1>more werewolf. And they were like, you need to slim

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<v Speaker 1>up a little bit because he was. We were all

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<v Speaker 1>so jealous when he turned up at the gym that

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<v Speaker 1>day and turned it, took a shot off for the

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<v Speaker 1>first time. We were like, it was wild. He had

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<v Speaker 1>like wings, no joke, he had like wings of muscle

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<v Speaker 1>down his back. Was insane to picture that. You know,

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<v Speaker 1>our trainer, our trainer was doing the pull ups and

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<v Speaker 1>his back is just zero. Yeah. That's the thing with

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<v Speaker 1>Alberto too. He's he's always been such an athlete. He

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<v Speaker 1>has so much he has so much muscle memory. He

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<v Speaker 1>can sneeze near a weight and just be totally stab

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<v Speaker 1>He's working out with new No again. Now I am too.

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<v Speaker 1>Oh are you nice? Yeah? I forgot that. Clary hits

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<v Speaker 1>you in the face with his shirt. Yeah, that was annoying,

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<v Speaker 1>and that's an annoying thing to film. There were two

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<v Speaker 1>two that are jumping to me right now, irritating face

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<v Speaker 1>shots in the show. There was one was this one

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<v Speaker 1>because ballistically don't ever fly where you want them to fly,

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<v Speaker 1>Like ball off the shirt as tight as you can

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<v Speaker 1>and try and launch it across the room. It's going

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<v Speaker 1>to make it three ft and then open up like

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<v Speaker 1>a parachute. And then I don't remember if you were

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<v Speaker 1>here for this one. You remember that you had to

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<v Speaker 1>have been there, because you open a portal to somewhere

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<v Speaker 1>and like paper starts flying around the room. And they

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<v Speaker 1>had a big fucking jet engine basically is what it

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<v Speaker 1>looked like, like a massive six ft tall fan, and

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<v Speaker 1>they were just throwing bits of like sort of half

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<v Speaker 1>crumpled paper. But as soon as it hit the air,

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<v Speaker 1>it got such velocity that it would hit me in

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<v Speaker 1>the face and it felt like punched in the face.

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<v Speaker 1>And I was trying to sort of do dialogue, and

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<v Speaker 1>every now and then this thing would like crunch me

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<v Speaker 1>in the face. And you can't really I think I

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<v Speaker 1>was reading something. I was looking at you, you were

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<v Speaker 1>looking at me, So it wasn't looking and so it

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<v Speaker 1>catches you really by surprise. We'll have to talk about

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<v Speaker 1>that when we reached the episode, because that was very

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<v Speaker 1>poor planning because you had paper in the face and

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<v Speaker 1>my hair was just was it. Yeah, we'll get there.

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<v Speaker 1>That's we got another season before that. Um, currently, my

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<v Speaker 1>hand is turning necrotic. Yeah, it's not good, not good,

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<v Speaker 1>not good. Spot. I thought it looked like I thought

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<v Speaker 1>it started in the middle of your hand for some reason,

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<v Speaker 1>but it doesn't. Yeah, it doesn't look great because she

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<v Speaker 1>pricks my finger to sign the blood to take the Yeah. Yeah, yeah,

0:10:16.960 --> 0:10:19.280
<v Speaker 1>that bit. So it starts from the point where she

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<v Speaker 1>pricked my finger and then it goes from there. I

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<v Speaker 1>do have to give Randy Doddlin and his team such

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<v Speaker 1>a huge shout out for the practical effects, because that

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<v Speaker 1>was the necrotic hand was done in stages practically throughout

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<v Speaker 1>the episode, and they what they did the first time

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<v Speaker 1>they did it, they just kind of painted it and

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<v Speaker 1>did it manually. But then they started making patches, and

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<v Speaker 1>so they prepaint these silicon patches and put them on

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<v Speaker 1>my hand and put everything else and I don't know

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<v Speaker 1>how much of it ended up in the episode. But Randy,

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<v Speaker 1>we know his propensity for loving little gross details and

0:10:52.160 --> 0:10:55.040
<v Speaker 1>just making it as gory as possible. We had one

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<v Speaker 1>fingernail that was off and another one that was darribling,

0:10:58.400 --> 0:11:02.120
<v Speaker 1>and all this stuff. They we did some exposed bone

0:11:02.160 --> 0:11:07.480
<v Speaker 1>on different knuckles and it was fucking grim. There are things,

0:11:07.480 --> 0:11:09.439
<v Speaker 1>there are some things no matter how gory it gets,

0:11:09.440 --> 0:11:11.760
<v Speaker 1>there are some things that you're like first too much.

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<v Speaker 1>Like I have a friend who can't it doesn't matter

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<v Speaker 1>how fake it is, how fake it looks. Cannot deal

0:11:16.840 --> 0:11:19.360
<v Speaker 1>with throats being split, and he can't even do it

0:11:19.559 --> 0:11:22.680
<v Speaker 1>with his eyes closed because the noise of that then

0:11:22.840 --> 0:11:25.040
<v Speaker 1>sort of triggers him into this place. And for me,

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<v Speaker 1>it's fingernails. Do you ever see a fingernail come off?

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<v Speaker 1>And I've never lost a fingernail, so I don't know

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<v Speaker 1>where this like trepid fear comes from, but it's something

0:11:34.679 --> 0:11:36.600
<v Speaker 1>for me that I watched this movie the other day

0:11:36.760 --> 0:11:39.600
<v Speaker 1>where zombie movie where the not the other day? I

0:11:39.600 --> 0:11:41.600
<v Speaker 1>watched it years ago, but and I haven't watched it

0:11:41.600 --> 0:11:44.760
<v Speaker 1>since because this one shot, one of the zombies scratches

0:11:44.800 --> 0:11:47.199
<v Speaker 1>at like a door, and as they scratched it, all

0:11:47.240 --> 0:11:49.079
<v Speaker 1>of their fingernails peel off the back of their hand,

0:11:49.120 --> 0:11:53.040
<v Speaker 1>and I was like, that's me done. I'm never watching

0:11:53.080 --> 0:11:58.080
<v Speaker 1>this movie ever again. No, sorry, I think Alan's in

0:11:58.120 --> 0:12:02.960
<v Speaker 1>it is true. I'm sure Allen's and everything and fucking

0:12:02.960 --> 0:12:07.240
<v Speaker 1>everything good for him, but you know that is true.

0:12:07.280 --> 0:12:11.559
<v Speaker 1>It's uh. I have it with with skin slices. If

0:12:11.920 --> 0:12:13.679
<v Speaker 1>it was like a first cut, even made into a

0:12:13.679 --> 0:12:16.600
<v Speaker 1>cadaver or somebody you know gets it, even just needles

0:12:16.600 --> 0:12:19.840
<v Speaker 1>going into skin on him, I don't know what interesting

0:12:20.000 --> 0:12:21.839
<v Speaker 1>the first one. If it happens the second time, you're

0:12:21.840 --> 0:12:26.000
<v Speaker 1>all right, yeah, yeah, it's like the initial cut of it.

0:12:26.040 --> 0:12:28.520
<v Speaker 1>I don't know. I can't that's so interesting. Have kins

0:12:28.559 --> 0:12:30.680
<v Speaker 1>he tell you the story about how he, like cheese,

0:12:30.679 --> 0:12:33.400
<v Speaker 1>grated his finger once and it came out in is

0:12:33.400 --> 0:12:35.760
<v Speaker 1>it like Julienne when you made Julian potatoes and they

0:12:35.760 --> 0:12:37.720
<v Speaker 1>come out in a little zig zag. He hit his

0:12:37.760 --> 0:12:39.959
<v Speaker 1>finger with that and it took out a zigzag chunk

0:12:40.000 --> 0:12:41.480
<v Speaker 1>of his hand. He has a photo of it. It's

0:12:41.480 --> 0:12:43.760
<v Speaker 1>really grim to ask him to next time you see him,

0:12:43.760 --> 0:12:47.719
<v Speaker 1>ask him to tell you about it. Go on. So

0:12:49.040 --> 0:12:52.679
<v Speaker 1>Alex Kinsey, who actually has new music coming out as well,

0:12:52.720 --> 0:12:55.719
<v Speaker 1>so make sure you can listen to that as and

0:12:55.760 --> 0:12:58.480
<v Speaker 1>when it comes out. Hot Messes hands down like my

0:12:58.480 --> 0:13:00.360
<v Speaker 1>favorite song of all time. So you need to if

0:13:00.400 --> 0:13:03.199
<v Speaker 1>you're not already doing it, you're not already doing this,

0:13:03.320 --> 0:13:05.760
<v Speaker 1>but as soon as you're done after this, going download

0:13:05.760 --> 0:13:07.640
<v Speaker 1>and listen to hot Mess by I love hot mess

0:13:07.640 --> 0:13:10.240
<v Speaker 1>It's one of my favorites. Show. Now, what's happening here?

0:13:10.520 --> 0:13:13.120
<v Speaker 1>Magnus and Alec are talking and they're in the daylight,

0:13:13.240 --> 0:13:15.800
<v Speaker 1>and I really like we get such a rare They

0:13:15.800 --> 0:13:18.320
<v Speaker 1>started happening a little more through season two, but it

0:13:18.360 --> 0:13:20.840
<v Speaker 1>was so rare that we got these like really nice,

0:13:21.280 --> 0:13:24.079
<v Speaker 1>sort of seemingly naturally lit daytime scenes. This is in

0:13:24.120 --> 0:13:25.959
<v Speaker 1>the studio because the balcony was in the studio, but

0:13:26.040 --> 0:13:28.800
<v Speaker 1>it looks fantastic, and there's something really nice about the

0:13:29.320 --> 0:13:33.440
<v Speaker 1>sort of dichotomy of like, it's what's it called, it's

0:13:33.440 --> 0:13:37.240
<v Speaker 1>a pathetic fallacy where the weather directly relates to the

0:13:37.280 --> 0:13:41.800
<v Speaker 1>emotions of the characters, Right, is that? Right? Yeah? I

0:13:42.000 --> 0:13:44.640
<v Speaker 1>think the one thing I learned in school is pathetic fallacy,

0:13:44.640 --> 0:13:46.720
<v Speaker 1>and it's like locked in my brain somewhere. I can't

0:13:46.720 --> 0:13:50.160
<v Speaker 1>do simultaneous equations or a tax, but simultaneous equations, that's

0:13:50.240 --> 0:13:53.319
<v Speaker 1>up there, staying up there. Yeah, it looks fantastic. I

0:13:53.360 --> 0:13:55.760
<v Speaker 1>love a good daytime scene. We come to Magnus for help.

0:13:55.840 --> 0:13:58.800
<v Speaker 1>That's what's happening. They have they're having a nice moment

0:13:58.840 --> 0:14:02.760
<v Speaker 1>and I need to help learning. Yeah, you're dying. It

0:14:02.760 --> 0:14:09.120
<v Speaker 1>does look gross. Yeah, Les brulet is what it's called.

0:14:10.080 --> 0:14:15.920
<v Speaker 1>The burnt flesh. Fantastic. Thanks Iris. Once the magic reaches

0:14:15.920 --> 0:14:20.280
<v Speaker 1>your heart, you're a gonna Yeah, that's not good. No,

0:14:20.440 --> 0:14:22.520
<v Speaker 1>it doesn't have that long. It's moving like in the

0:14:22.520 --> 0:14:24.000
<v Speaker 1>time it took us to get from the boat base

0:14:24.080 --> 0:14:27.600
<v Speaker 1>into there. It's taken over most of your hand. Yeah,

0:14:27.640 --> 0:14:31.720
<v Speaker 1>it's pretty quick. It doesn't say a timeline. It's probably

0:14:31.760 --> 0:14:34.960
<v Speaker 1>smart filmmaking wise. Is it smart not to give it

0:14:35.400 --> 0:14:38.760
<v Speaker 1>an exact like it's going to take exactly twelve minutes

0:14:39.440 --> 0:14:42.120
<v Speaker 1>it's going to be dead. Sometimes you need that though,

0:14:42.320 --> 0:14:46.280
<v Speaker 1>but not not in this case. Nicks back, Wait, welcome

0:14:46.320 --> 0:14:48.800
<v Speaker 1>back alder Tree. Where was he for a whole episode?

0:14:49.000 --> 0:14:52.440
<v Speaker 1>Good grief. I don't know man doing something nefarious, Like

0:14:52.480 --> 0:14:55.440
<v Speaker 1>he has the Art of War on his book shelf

0:14:55.480 --> 0:14:57.880
<v Speaker 1>and that's how we started it. Yeah, you know what

0:14:57.960 --> 0:15:00.680
<v Speaker 1>I mean, Like that's that's his priority. Who's the Arts

0:15:00.680 --> 0:15:03.000
<v Speaker 1>of War. But is it some sue? Yeah? Have you

0:15:03.040 --> 0:15:06.240
<v Speaker 1>read The Arts of War? I have read parts of it.

0:15:06.280 --> 0:15:07.680
<v Speaker 1>I had to read part of it for school, but

0:15:07.680 --> 0:15:09.040
<v Speaker 1>I don't think I ever read the whole thing. To

0:15:09.120 --> 0:15:13.240
<v Speaker 1>read the Arts of Wolf for school part of school.

0:15:13.960 --> 0:15:38.920
<v Speaker 1>M hmm, International literature section. Yeah. Interesting. Um where were we?

0:15:38.960 --> 0:15:42.960
<v Speaker 1>Back to older Tree? So he's getting his claws back

0:15:43.000 --> 0:15:47.920
<v Speaker 1>into Isabel's situation. Yeah, this is creepy. This is a

0:15:47.960 --> 0:15:51.760
<v Speaker 1>creepy little sub story. Yeah, but then we cut to

0:15:52.040 --> 0:15:57.320
<v Speaker 1>Jade Wolf and Luke is is gone, Oh no, not

0:15:57.440 --> 0:16:04.240
<v Speaker 1>again again. Some pickle just on the phone in the background. Awesome, Okay,

0:16:04.400 --> 0:16:06.760
<v Speaker 1>some of my best work right there by the ducks again.

0:16:07.040 --> 0:16:11.320
<v Speaker 1>I remember them. Oh that's right. It's because they put

0:16:11.360 --> 0:16:13.600
<v Speaker 1>me by the ducks again. And I remember talking about

0:16:13.600 --> 0:16:15.640
<v Speaker 1>it and they told me that it wasn't that they

0:16:15.720 --> 0:16:18.920
<v Speaker 1>cut the scene from the previous episode. So I was like, oh,

0:16:18.960 --> 0:16:20.480
<v Speaker 1>I just I'm not going to I guess I'm not

0:16:20.480 --> 0:16:22.320
<v Speaker 1>going to react to them a second time. It doesn't

0:16:22.360 --> 0:16:24.480
<v Speaker 1>make any sense. Don't cut it again. So they don't

0:16:24.480 --> 0:16:27.680
<v Speaker 1>cut it again. Yeah, so it just got that whole

0:16:27.880 --> 0:16:29.800
<v Speaker 1>like arc just got kind of next. I thought it

0:16:29.840 --> 0:16:32.280
<v Speaker 1>was a fun little thing that he This is such

0:16:32.280 --> 0:16:34.120
<v Speaker 1>a weird thing to be afraid of. Afraid of ducks,

0:16:34.360 --> 0:16:37.600
<v Speaker 1>there you go, even dead ducks. It's true, it should be.

0:16:37.760 --> 0:16:41.440
<v Speaker 1>But speaking of dead things, Clarie ends the scene by

0:16:41.600 --> 0:16:44.240
<v Speaker 1>putting her foot down and saying, Simon's coming with them,

0:16:44.280 --> 0:16:46.760
<v Speaker 1>because you know, if I'm gonna die, I'm going to

0:16:46.880 --> 0:16:49.880
<v Speaker 1>have time in with me or something. Then I go

0:16:49.960 --> 0:16:52.000
<v Speaker 1>to the boat basin to try and get him. But

0:16:52.120 --> 0:16:54.400
<v Speaker 1>I will say this is one of my favorite scenes

0:16:54.720 --> 0:16:58.000
<v Speaker 1>and one of the silliest scenes I ever had to do.

0:16:58.360 --> 0:17:00.880
<v Speaker 1>Oh yeah, the with the vampire confiding a c G

0:17:01.000 --> 0:17:04.560
<v Speaker 1>I with vampire werewolf. That's it with the werewolf. This

0:17:04.640 --> 0:17:07.400
<v Speaker 1>was fine. You this fucked you up? Do you remember?

0:17:07.840 --> 0:17:09.960
<v Speaker 1>I do? Remember I do. This is why you should

0:17:09.960 --> 0:17:13.119
<v Speaker 1>always listen to Darren McGuire, because I didn't. I was

0:17:13.119 --> 0:17:17.119
<v Speaker 1>supposed to be standing this whole fight, or sitting like

0:17:17.160 --> 0:17:21.000
<v Speaker 1>I am here at first, and you know, as things go,

0:17:21.240 --> 0:17:23.720
<v Speaker 1>when Simon passes me this boat or I ended up

0:17:23.720 --> 0:17:26.200
<v Speaker 1>on my knee and Darren, after we blocked the scene,

0:17:26.240 --> 0:17:27.600
<v Speaker 1>Darren said to me, he goes, you know, do you

0:17:27.600 --> 0:17:29.480
<v Speaker 1>want to put on like a shin pad or something,

0:17:29.520 --> 0:17:31.280
<v Speaker 1>because it's gonna be a while, and you know you're

0:17:31.280 --> 0:17:34.280
<v Speaker 1>gonna be and I went, no, I'm fine. I was

0:17:34.680 --> 0:17:39.360
<v Speaker 1>My shin was black after because it was half a day. Well,

0:17:39.760 --> 0:17:41.960
<v Speaker 1>you know, it's we've talked about this before as well,

0:17:42.040 --> 0:17:44.400
<v Speaker 1>like it's part of it. You don't you don't feel

0:17:44.400 --> 0:17:46.439
<v Speaker 1>it at the time. You have the adrenaline running through you.

0:17:46.440 --> 0:17:49.040
<v Speaker 1>You're doing what you enjoy, like and the stunts became

0:17:49.080 --> 0:17:51.560
<v Speaker 1>such a heavy part of what we do that you

0:17:51.600 --> 0:17:53.520
<v Speaker 1>don't feel it at the time, but you, especially you

0:17:53.560 --> 0:17:59.119
<v Speaker 1>Brew so easily. Aleshasa but this was I remember you

0:17:59.119 --> 0:18:02.840
<v Speaker 1>showing me. I was like, that's bad, really bad. There

0:18:02.880 --> 0:18:05.879
<v Speaker 1>you go. You learn, you learn, you gotta listen. I

0:18:05.920 --> 0:18:09.200
<v Speaker 1>had one, not as bad as you, but I Bruce

0:18:09.240 --> 0:18:11.720
<v Speaker 1>fairly easily also. And they had one in at the

0:18:11.840 --> 0:18:14.199
<v Speaker 1>end of season three where I have to go to

0:18:14.240 --> 0:18:17.520
<v Speaker 1>elbow someone and I'm supposed to miss and hit the

0:18:17.520 --> 0:18:19.320
<v Speaker 1>wall behind them, and they were like, just don't hit

0:18:19.320 --> 0:18:21.000
<v Speaker 1>the wall, and I was like, okay, I won't hit

0:18:21.040 --> 0:18:23.639
<v Speaker 1>the wall, and then take number one sure enough, just

0:18:23.680 --> 0:18:25.760
<v Speaker 1>went straight past it, put a little dink in the

0:18:25.840 --> 0:18:28.080
<v Speaker 1>set like whatever, and did the rest of the scene.

0:18:28.119 --> 0:18:30.199
<v Speaker 1>And they're like, I think it was either Darryn or

0:18:30.240 --> 0:18:32.040
<v Speaker 1>Max who came up and said they'd seen it, and

0:18:32.040 --> 0:18:34.640
<v Speaker 1>they went, you want some ice? And I was like, yes, please,

0:18:34.680 --> 0:18:37.600
<v Speaker 1>please don't tell anyone, Yes, please had like some ice

0:18:37.680 --> 0:18:39.800
<v Speaker 1>and some advilt, but don't say I would like some ice.

0:18:39.880 --> 0:18:42.679
<v Speaker 1>And Advil shout out to Drew our set metic, who

0:18:42.720 --> 0:18:45.360
<v Speaker 1>would sneak us? Advil and I at at need give

0:18:45.359 --> 0:18:47.960
<v Speaker 1>it a moment, so you keep going, um, this is

0:18:48.080 --> 0:18:51.160
<v Speaker 1>this scene. Though I do remember talking to Matt Hastings,

0:18:51.160 --> 0:18:53.320
<v Speaker 1>who directed this, and to Darren about how we were

0:18:53.320 --> 0:18:56.200
<v Speaker 1>going to do this, because obviously the werewolf is entirely

0:18:56.240 --> 0:19:00.240
<v Speaker 1>c g I, but it can look really odd you're

0:19:00.280 --> 0:19:02.960
<v Speaker 1>fighting something and there's nothing there. And we tried in

0:19:03.000 --> 0:19:04.760
<v Speaker 1>a few different ways. So we did. We did a

0:19:04.800 --> 0:19:06.320
<v Speaker 1>lot of takes, and I think what they ended up

0:19:06.400 --> 0:19:11.680
<v Speaker 1>using were takes where I was just battling by myself. Um.

0:19:11.720 --> 0:19:15.640
<v Speaker 1>But what we tried it first was they put they

0:19:15.680 --> 0:19:18.920
<v Speaker 1>put one of our stunt doubles in a full green

0:19:19.000 --> 0:19:22.919
<v Speaker 1>suit and had her be the werewolf and fight me,

0:19:22.960 --> 0:19:25.159
<v Speaker 1>and I was I was glad we did that first

0:19:25.320 --> 0:19:27.320
<v Speaker 1>because then I had at least felt what it was

0:19:27.359 --> 0:19:29.879
<v Speaker 1>like to have somebody there and to have some force

0:19:29.960 --> 0:19:32.960
<v Speaker 1>to kind of work against. But I think in the

0:19:33.040 --> 0:19:35.960
<v Speaker 1>end they ended up not using her until there was

0:19:35.960 --> 0:19:38.359
<v Speaker 1>the because there was that moment where she flies over

0:19:38.400 --> 0:19:41.439
<v Speaker 1>the trash can um and they used her for that.

0:19:41.520 --> 0:19:46.600
<v Speaker 1>I think this sprint too. You ran so fast at this, Yeah,

0:19:46.920 --> 0:19:49.000
<v Speaker 1>that sprint essentially, this is in the bloopers as well.

0:19:49.040 --> 0:19:51.119
<v Speaker 1>I was like trying to stop because it's all gravel

0:19:51.160 --> 0:19:54.480
<v Speaker 1>out there. If you remember before, it's fully graveled, and

0:19:54.520 --> 0:19:57.520
<v Speaker 1>the stop it was like it was like a four

0:19:57.560 --> 0:20:00.600
<v Speaker 1>ft slide. And I managed to stop this lied right

0:20:00.920 --> 0:20:03.199
<v Speaker 1>sort of on my mark, which is very rare for me.

0:20:03.400 --> 0:20:06.240
<v Speaker 1>I very rarely hit my mark. It's just ask anyone

0:20:06.280 --> 0:20:09.600
<v Speaker 1>I've ever worked with. It's I had this this camera

0:20:09.640 --> 0:20:11.520
<v Speaker 1>operator Patrick, I should text so much. You see how

0:20:11.520 --> 0:20:15.040
<v Speaker 1>he's doing on that on partner track, and he could,

0:20:15.080 --> 0:20:17.399
<v Speaker 1>like by the end of the show, he would go,

0:20:17.480 --> 0:20:20.359
<v Speaker 1>dumb that mark on the floor. It's not a fucking suggestion,

0:20:20.400 --> 0:20:22.200
<v Speaker 1>all right, that's where you gotta stand. I was like, oh,

0:20:22.200 --> 0:20:27.119
<v Speaker 1>ship bad, you say, the nicest guy who's doing everything

0:20:27.119 --> 0:20:29.680
<v Speaker 1>in jest obviously, but like he was right, I wasn't

0:20:29.680 --> 0:20:33.040
<v Speaker 1>on my mark every time for camera team trying to

0:20:33.080 --> 0:20:35.600
<v Speaker 1>adjust to me just being fucking useless the whole time.

0:20:35.640 --> 0:20:39.720
<v Speaker 1>There you go, Yeah, that's all right. And again the

0:20:39.760 --> 0:20:43.800
<v Speaker 1>clever this is something again in Supernatural series that I

0:20:43.800 --> 0:20:48.000
<v Speaker 1>always find charmingly funny when you know somebody's naked but

0:20:48.000 --> 0:20:49.320
<v Speaker 1>they don't want to show it. There's just like a

0:20:49.400 --> 0:20:55.320
<v Speaker 1>cleverly placed box. Yeah yeah, or or you know when

0:20:55.320 --> 0:21:00.199
<v Speaker 1>it's pg. Thirteen and like you're like wearing underwear right

0:21:00.240 --> 0:21:03.520
<v Speaker 1>after sex. Yeah, you know what I mean, Like when

0:21:03.520 --> 0:21:05.600
<v Speaker 1>did your boxes come on? Like why is your why

0:21:05.680 --> 0:21:08.280
<v Speaker 1>is your bra on? The sense at all? But like

0:21:08.359 --> 0:21:11.840
<v Speaker 1>because it's Pg. Thirteen, that's why we're not allowed to

0:21:11.880 --> 0:21:14.800
<v Speaker 1>show any of this, you know what I mean. And

0:21:14.840 --> 0:21:18.840
<v Speaker 1>then you know Alicia wearing a rock solid Panda T

0:21:18.920 --> 0:21:23.119
<v Speaker 1>shirt and a Simon hoodie. Yeah, this is this is

0:21:23.160 --> 0:21:25.000
<v Speaker 1>solid though, that she does such a good job here

0:21:25.040 --> 0:21:27.080
<v Speaker 1>because this is the first, the first time we get

0:21:27.080 --> 0:21:30.200
<v Speaker 1>to see this, Like she doesn't like being caged, right,

0:21:30.240 --> 0:21:32.600
<v Speaker 1>she doesn't like being put in? Isn't she afraid of that?

0:21:32.640 --> 0:21:35.320
<v Speaker 1>She's like intensely claustrophobic, And this is the first time

0:21:35.359 --> 0:21:37.720
<v Speaker 1>we get to see a little element of that face

0:21:37.800 --> 0:21:39.320
<v Speaker 1>sort of coming out in her, which I think is

0:21:39.359 --> 0:21:42.600
<v Speaker 1>really cool and it's done very well, and it's this

0:21:42.840 --> 0:21:45.120
<v Speaker 1>this thing too with you know, all of the down

0:21:45.240 --> 0:21:48.919
<v Speaker 1>roaders in this episode have, particularly Simon and Luke, have

0:21:49.119 --> 0:21:55.359
<v Speaker 1>such a conflict to confront here because technically speaking, Clary

0:21:55.440 --> 0:21:58.520
<v Speaker 1>has to die to save the world. Yeah, if from

0:21:58.560 --> 0:22:02.160
<v Speaker 1>what the characters know at this point, and that's why.

0:22:02.200 --> 0:22:08.480
<v Speaker 1>I mean, you know, Meliorn Maya, everyone's trying to kill her. Yeah,

0:22:08.520 --> 0:22:11.239
<v Speaker 1>but you know, given the fact that they're heroes and

0:22:11.800 --> 0:22:14.240
<v Speaker 1>good people, they are trying to find another way. But

0:22:14.359 --> 0:22:17.240
<v Speaker 1>it's one of those things. Do we save the personal work,

0:22:17.320 --> 0:22:21.080
<v Speaker 1>do we save our our communities? Yeah? The acceptable loss? Right, Like,

0:22:21.119 --> 0:22:24.840
<v Speaker 1>what do you I mean if Clary isn't a part

0:22:24.840 --> 0:22:29.120
<v Speaker 1>of your direct community? That answer is fairly obvious, right,

0:22:29.200 --> 0:22:31.000
<v Speaker 1>Like do you save your version of Clary? Or do

0:22:31.040 --> 0:22:33.800
<v Speaker 1>you say this stranger who is Clary to somebody else?

0:22:33.840 --> 0:22:35.640
<v Speaker 1>Like it's a fairly obvious answer. And then you get

0:22:35.680 --> 0:22:39.679
<v Speaker 1>into the more sort of political military version of this,

0:22:39.720 --> 0:22:42.240
<v Speaker 1>which is acceptable loss, like do you kill one to

0:22:42.320 --> 0:22:45.040
<v Speaker 1>save two? Probably not? Do you kill want to save

0:22:45.080 --> 0:22:47.840
<v Speaker 1>a hundred? Maybe? Do you kill want to save a thousand?

0:22:48.280 --> 0:22:49.840
<v Speaker 1>Now you're starting to tip the vote a little bit,

0:22:49.880 --> 0:22:51.320
<v Speaker 1>you know, what I mean, like that interesting. I think

0:22:51.320 --> 0:22:54.600
<v Speaker 1>we've spoken about it before. Um, but that's sort of yeah,

0:22:54.640 --> 0:22:57.679
<v Speaker 1>that interesting world where you like interesting, there is a

0:22:57.800 --> 0:23:02.200
<v Speaker 1>number that you would say yes too. Yeah. It just

0:23:02.440 --> 0:23:05.600
<v Speaker 1>depends on the person and the yeah and the parties

0:23:05.640 --> 0:23:08.760
<v Speaker 1>involved this scene. There's so many scenes in the show

0:23:08.800 --> 0:23:11.440
<v Speaker 1>that I've forgotten about this. That's one, for example, where

0:23:11.480 --> 0:23:14.639
<v Speaker 1>Luke is like, I have to stay behind, and Clary

0:23:14.720 --> 0:23:19.680
<v Speaker 1>is going, oh you're not are you past it? Okay? Well,

0:23:20.160 --> 0:23:22.119
<v Speaker 1>where Luke goes, hey, I gotta stay behind, and you

0:23:22.200 --> 0:23:24.760
<v Speaker 1>get to see once again father and daughters say goodbye

0:23:25.280 --> 0:23:27.800
<v Speaker 1>because they both know that if they don't figure this out,

0:23:27.800 --> 0:23:31.560
<v Speaker 1>if they don't find Madzie and Luca is technically our

0:23:31.600 --> 0:23:34.280
<v Speaker 1>best tracker as well, but because the down world is

0:23:34.320 --> 0:23:36.119
<v Speaker 1>also trying to kill Clary, that's the thing they have

0:23:36.160 --> 0:23:38.240
<v Speaker 1>to do. And you see it. You see it in

0:23:38.240 --> 0:23:41.560
<v Speaker 1>Isaiah's eyes, so clearly you can tell he's a dad.

0:23:41.600 --> 0:23:50.240
<v Speaker 1>Sometimes it's just oh, dots back, oh, zombie dot Oh, yeah,

0:23:50.280 --> 0:23:52.280
<v Speaker 1>I forgot about zombie. Oh and we're taking the van.

0:23:52.600 --> 0:23:56.280
<v Speaker 1>Oh this was that's right. This is Valentine's fun house. Yeah,

0:23:56.400 --> 0:23:58.879
<v Speaker 1>just fucking creepyr set. The one thing I remember on

0:23:59.040 --> 0:24:01.639
<v Speaker 1>this set, and it sticks my mind so fervently, and

0:24:01.640 --> 0:24:03.399
<v Speaker 1>I don't know if it's in this episode or or

0:24:03.440 --> 0:24:06.119
<v Speaker 1>a later episode. I can't remember, but your chain to

0:24:06.160 --> 0:24:08.800
<v Speaker 1>the floor at some point in this set, and it's

0:24:08.880 --> 0:24:11.160
<v Speaker 1>I think the one and only time that I got

0:24:11.200 --> 0:24:14.400
<v Speaker 1>you with the sword in the entire four years of filming,

0:24:14.800 --> 0:24:19.240
<v Speaker 1>and I felt fucking dreadful. Really remember that I clipped

0:24:19.240 --> 0:24:20.879
<v Speaker 1>you in the leg. I think, like I have to,

0:24:21.040 --> 0:24:24.320
<v Speaker 1>I have to cut the chain. Yeah, I'm pretty sure

0:24:24.320 --> 0:24:26.639
<v Speaker 1>it's in this set because now, like my heart rate

0:24:26.760 --> 0:24:29.439
<v Speaker 1>is going, I feel so guilty that it happened. But

0:24:29.520 --> 0:24:32.480
<v Speaker 1>I clipped you in the leg and you you muscled

0:24:32.480 --> 0:24:34.480
<v Speaker 1>through and like, you know, everything's fine, don't worry about it.

0:24:34.480 --> 0:24:36.639
<v Speaker 1>You did a very good job. But I still feel

0:24:36.840 --> 0:24:39.040
<v Speaker 1>bad to this day about that because I'm sorry. I'm

0:24:39.080 --> 0:24:41.520
<v Speaker 1>sorry I got you. Well, if it makes you feel

0:24:41.520 --> 0:24:44.359
<v Speaker 1>any better, I have no recollection of that. So it

0:24:44.359 --> 0:24:50.479
<v Speaker 1>does make me feel a little bite poor Dot again

0:24:51.440 --> 0:24:53.760
<v Speaker 1>one of those characters that just goes through it. But

0:24:53.800 --> 0:24:58.280
<v Speaker 1>I will say, you know, team megap team fantastic job.

0:24:58.720 --> 0:25:01.639
<v Speaker 1>But also that asked and I would always joke because

0:25:01.760 --> 0:25:04.359
<v Speaker 1>she came back from the dead, so many times. I

0:25:04.400 --> 0:25:06.520
<v Speaker 1>remember sitting there on this day talking to her, and

0:25:06.560 --> 0:25:09.080
<v Speaker 1>she's going, this has got to be my last episode, right,

0:25:09.440 --> 0:25:12.120
<v Speaker 1>I mean, this is got Like I'm just never know

0:25:13.320 --> 0:25:16.680
<v Speaker 1>sci fi and fantasy, baby, you just never know. Like

0:25:16.840 --> 0:25:20.479
<v Speaker 1>nobody really stays dead. Who stays dead on our show, Lilith?

0:25:21.440 --> 0:25:23.400
<v Speaker 1>But only really because we didn't do a season four.

0:25:23.480 --> 0:25:26.560
<v Speaker 1>I'm sure she would have come back. They fucking adored Anna. Yeah.

0:25:26.760 --> 0:25:30.560
<v Speaker 1>I mean I was going to say Jocelyn, but no, no, no,

0:25:30.720 --> 0:25:34.119
<v Speaker 1>she comes back in a memory, gone but not gone,

0:25:34.200 --> 0:25:39.040
<v Speaker 1>like the actor came back. M Valentine. Nope, got him back.

0:25:40.520 --> 0:25:44.040
<v Speaker 1>Oh alder tree, We're an alder tree. We're an alder tree.

0:25:44.480 --> 0:25:46.800
<v Speaker 1>Oh there it is. I found it. I was reading

0:25:46.800 --> 0:25:50.080
<v Speaker 1>The Art of War now, just a slight bit of

0:25:50.119 --> 0:25:53.480
<v Speaker 1>a symbolism, that little, yeah, little light reading. Do you

0:25:53.480 --> 0:25:56.760
<v Speaker 1>think Sun Sue's family still get like a pushback? Do

0:25:56.800 --> 0:25:59.320
<v Speaker 1>you think they get any money for us putting this in? Like?

0:25:59.359 --> 0:26:02.520
<v Speaker 1>When was the Art of War? And let's see that.

0:26:02.720 --> 0:26:06.560
<v Speaker 1>I mean it has to have been forever ago. Jesus Christ.

0:26:06.640 --> 0:26:08.840
<v Speaker 1>You want to know when the Art of War was written?

0:26:09.200 --> 0:26:11.320
<v Speaker 1>It's hard to know exactly when the Art of War

0:26:11.359 --> 0:26:14.040
<v Speaker 1>was written. But most scholars think it was written between

0:26:14.160 --> 0:26:18.160
<v Speaker 1>four seventy five and to twenty one b C. I'm

0:26:18.160 --> 0:26:21.040
<v Speaker 1>pretty sure it's common law copyright. I think so. I

0:26:21.080 --> 0:26:23.439
<v Speaker 1>want to say so. But also someone should do that

0:26:23.440 --> 0:26:25.280
<v Speaker 1>tracking and see if Shadow Unt Zoe is the many

0:26:25.280 --> 0:26:29.320
<v Speaker 1>money like family dream, Like, yeah, we are used seventeen

0:26:29.359 --> 0:26:37.040
<v Speaker 1>dollars for using inflation or does it? Just imagine? Yeah,

0:26:37.119 --> 0:26:39.879
<v Speaker 1>can you imagine like if it's the one like notice

0:26:39.920 --> 0:26:41.960
<v Speaker 1>of the thing and it's like twelve million dollars or

0:26:42.040 --> 0:26:47.800
<v Speaker 1>something insane? Oh my god, the entire budget of an episode. Um, okay,

0:26:47.800 --> 0:26:50.240
<v Speaker 1>So now moving on from that because we don't want

0:26:50.240 --> 0:26:56.680
<v Speaker 1>to any past past two before we get everyone in trouble. Um,

0:26:56.800 --> 0:27:01.760
<v Speaker 1>we have Isabelle and Raphael making Tomlis to malays. Also,

0:27:01.840 --> 0:27:04.440
<v Speaker 1>can we just talk about Raphael's apartment real quick and

0:27:04.480 --> 0:27:08.000
<v Speaker 1>how fantastic it is? Okay in New York as well.

0:27:08.040 --> 0:27:10.040
<v Speaker 1>I don't think people realize how expensive New York is

0:27:10.119 --> 0:27:13.960
<v Speaker 1>unless you live in New York. It is wild, like

0:27:14.200 --> 0:27:17.720
<v Speaker 1>what I spent I spent eight months filming Partner Track

0:27:17.800 --> 0:27:20.639
<v Speaker 1>there and it the rent Like I I almost punched

0:27:20.640 --> 0:27:22.000
<v Speaker 1>the lady in the face when she told me how

0:27:22.080 --> 0:27:24.520
<v Speaker 1>much I was playing for end. I was like, you

0:27:24.520 --> 0:27:26.240
<v Speaker 1>had in your mind, I want to I want to

0:27:26.240 --> 0:27:28.040
<v Speaker 1>rent it. I don't want to buy it as a condo.

0:27:28.160 --> 0:27:29.640
<v Speaker 1>And they were like, no, that's the price per month.

0:27:29.680 --> 0:27:31.879
<v Speaker 1>I was like, oh fuck me, holy sh it. Okay,

0:27:31.920 --> 0:27:34.239
<v Speaker 1>well there you go. Just cost of living in New

0:27:34.320 --> 0:27:36.760
<v Speaker 1>York is so much anyway. But you know, vampires don't

0:27:36.760 --> 0:27:39.080
<v Speaker 1>have to worry about that. Really, that's true. That's true.

0:27:39.200 --> 0:27:43.080
<v Speaker 1>Another pro vampire thing. Oh and then Luke goes all

0:27:43.119 --> 0:27:45.160
<v Speaker 1>tough love with Maya. This is what you were talking about.

0:27:45.200 --> 0:27:49.360
<v Speaker 1>How you get to see her come to the surface.

0:27:50.359 --> 0:27:53.000
<v Speaker 1>But at least he leaves their snacks. I've got lots

0:27:53.000 --> 0:27:56.359
<v Speaker 1>of snacks, lots and lots of snacks. She does do

0:27:56.440 --> 0:28:00.680
<v Speaker 1>such a good job in these scenes again same as Nicola,

0:28:00.800 --> 0:28:03.440
<v Speaker 1>like it's very it's all just very like real, it's

0:28:03.520 --> 0:28:06.240
<v Speaker 1>very grounded, it's very raw. She does such a beautiful

0:28:06.320 --> 0:28:09.280
<v Speaker 1>job with all of these moments. And here's the park.

0:28:09.440 --> 0:28:12.280
<v Speaker 1>So last episode I mentioned, oh there's that park. Now

0:28:12.280 --> 0:28:15.000
<v Speaker 1>we're back at this tracking dads and we're trying to

0:28:15.040 --> 0:28:19.280
<v Speaker 1>figure it out. I do love the sort of relationship

0:28:19.320 --> 0:28:21.000
<v Speaker 1>that you two have in this episode. It brings me

0:28:21.040 --> 0:28:23.840
<v Speaker 1>so much joy. You both do such a great job

0:28:23.880 --> 0:28:27.800
<v Speaker 1>at that writing that line of this this triangle. Oh yeah,

0:28:27.840 --> 0:28:30.040
<v Speaker 1>I don't think this would have worked if we disliked

0:28:30.080 --> 0:28:32.639
<v Speaker 1>each other in real life. Oh no, I don't think

0:28:32.680 --> 0:28:34.600
<v Speaker 1>there's a way that this could happen. Like, you have to.

0:28:35.080 --> 0:28:37.160
<v Speaker 1>We talk We talked about it all the time. It's

0:28:37.200 --> 0:28:40.840
<v Speaker 1>all about trusting the person who's working with you and

0:28:40.880 --> 0:28:43.080
<v Speaker 1>them trusting you and proving to them that they can

0:28:43.080 --> 0:28:46.760
<v Speaker 1>trust you and vice versa. Like there's no there's no

0:28:46.800 --> 0:28:49.320
<v Speaker 1>other world to that that this relationship works. Like you

0:28:49.360 --> 0:28:51.920
<v Speaker 1>have to, you have to you have to trust that

0:28:52.000 --> 0:28:54.680
<v Speaker 1>person well, and you know, we talked about this all

0:28:54.720 --> 0:28:56.680
<v Speaker 1>the time with the show, but we were so lucky

0:28:56.800 --> 0:29:01.400
<v Speaker 1>because all of us fell into that trusting kind of

0:29:01.600 --> 0:29:05.320
<v Speaker 1>relationship very quickly and each of these that's why each

0:29:05.360 --> 0:29:08.479
<v Speaker 1>of these relationships on the show means so much and

0:29:08.520 --> 0:29:10.840
<v Speaker 1>why I think the audience connects so much to them

0:29:10.840 --> 0:29:13.960
<v Speaker 1>as well, because we trust each other and it allowed

0:29:14.000 --> 0:29:15.680
<v Speaker 1>us to kind of go to places and play with

0:29:15.760 --> 0:29:18.440
<v Speaker 1>things and find moments that otherwise we wouldn't have if

0:29:18.480 --> 0:29:23.400
<v Speaker 1>we had our guards up. Yeah, I agree. Also remember this,

0:29:23.640 --> 0:29:25.840
<v Speaker 1>remember this truck and how it smelled like gasoline? The

0:29:25.840 --> 0:29:29.400
<v Speaker 1>whole time. Yeah, we can never really figure out exactly

0:29:29.400 --> 0:29:32.000
<v Speaker 1>why it smelled like gasoline because it run like it

0:29:32.080 --> 0:29:35.680
<v Speaker 1>was functioned. But there was definitely a gas leak in

0:29:35.720 --> 0:29:38.720
<v Speaker 1>it somewhere yep. And inevitably, every time we did a

0:29:38.760 --> 0:29:43.600
<v Speaker 1>scene in there, we'd always get a little bit delirious

0:29:43.520 --> 0:29:47.040
<v Speaker 1>as a kite. And this scene we actually shot so

0:29:47.080 --> 0:29:49.480
<v Speaker 1>I don't I don't know if folks know this, but

0:29:49.600 --> 0:29:51.760
<v Speaker 1>so we shot this scene inside our studio on the

0:29:51.760 --> 0:29:54.440
<v Speaker 1>blue screen. But as you can see, the van is

0:29:54.440 --> 0:29:58.160
<v Speaker 1>still moving when you so this scene, Simon Jason Clary

0:29:58.320 --> 0:30:01.440
<v Speaker 1>are in the pandavans. They're driving to the next location

0:30:01.560 --> 0:30:03.640
<v Speaker 1>trying to find Massie, but they know they're running out

0:30:03.640 --> 0:30:07.160
<v Speaker 1>of time, and you know, Clari is going, look if

0:30:07.200 --> 0:30:11.400
<v Speaker 1>it costs me my life, just don't let the down

0:30:11.400 --> 0:30:14.040
<v Speaker 1>world go to waste, you know, don't let it be wasted.

0:30:15.080 --> 0:30:19.360
<v Speaker 1>But technically speaking, the van is moving as though the

0:30:19.360 --> 0:30:22.160
<v Speaker 1>word driving down a road. What it actually is is

0:30:22.200 --> 0:30:24.600
<v Speaker 1>it consists of a lot of our our grips and

0:30:24.640 --> 0:30:27.320
<v Speaker 1>a lot of our crew members outside the van bumping

0:30:27.360 --> 0:30:30.840
<v Speaker 1>into it and rugby tackling it as hard as rugby

0:30:30.920 --> 0:30:34.640
<v Speaker 1>tackling the van over and overcame basically like our six

0:30:34.720 --> 0:30:37.600
<v Speaker 1>biggest crew members, like our biggest, strongest dudes, and they

0:30:37.640 --> 0:30:41.640
<v Speaker 1>were like, hey, come on, we're gonna like shoulder barge this. Normally.

0:30:41.680 --> 0:30:43.840
<v Speaker 1>This is like a low budget way of doing it. Normally,

0:30:44.320 --> 0:30:45.960
<v Speaker 1>what would happen is you put it on something called

0:30:45.960 --> 0:30:50.040
<v Speaker 1>a gimbal, which is a big machine, and it literally

0:30:50.280 --> 0:30:54.440
<v Speaker 1>does this underneath it and it like drives. You've seen cars, you,

0:30:54.520 --> 0:30:56.880
<v Speaker 1>I promise you every listener out there has seen a

0:30:56.920 --> 0:30:58.880
<v Speaker 1>car in a gimble at some point, because if you've

0:30:58.920 --> 0:31:01.480
<v Speaker 1>ever seen someone driving and doing this with the steering wheel,

0:31:01.960 --> 0:31:04.200
<v Speaker 1>cars on a gimbal, whether it's on the street or

0:31:04.240 --> 0:31:06.800
<v Speaker 1>not on the street, because nobody drives like this, because

0:31:06.840 --> 0:31:09.760
<v Speaker 1>you'd be doing this on the road, be going all

0:31:09.800 --> 0:31:13.080
<v Speaker 1>over the place. Um, that was very visual, and I'm

0:31:13.080 --> 0:31:15.800
<v Speaker 1>aware of that, and we're doing a podcast. I'm aware

0:31:15.840 --> 0:31:17.640
<v Speaker 1>that that was a very visual thing for me to do.

0:31:18.120 --> 0:31:22.080
<v Speaker 1>But you know what, maybe we'll chake picture well I

0:31:22.160 --> 0:31:25.080
<v Speaker 1>think so, yeah, thanks clear And just at the end

0:31:25.080 --> 0:31:30.239
<v Speaker 1>of the scene, Clary slowly just passes out. That might

0:31:30.280 --> 0:31:32.160
<v Speaker 1>have just been you, That might have been a youth

0:31:32.160 --> 0:31:34.120
<v Speaker 1>thing like you were getting more ghastline than the rest

0:31:34.120 --> 0:31:58.480
<v Speaker 1>of us. You just slowly went out, she goes. So

0:31:58.520 --> 0:32:00.680
<v Speaker 1>now we're back with the down world counts. But instead

0:32:00.760 --> 0:32:02.960
<v Speaker 1>we don't have the room at the institute yet, so

0:32:03.080 --> 0:32:06.640
<v Speaker 1>they're at Hunters. Mhmm. Here's what they did with this

0:32:06.800 --> 0:32:10.360
<v Speaker 1>Milion's look in this is fucking unreal. Like the change

0:32:10.400 --> 0:32:13.280
<v Speaker 1>here with the armor and the scar across his face.

0:32:13.360 --> 0:32:17.400
<v Speaker 1>This looks so good, so so good. He's just so

0:32:18.520 --> 0:32:22.400
<v Speaker 1>unequivocally badass. He always makes an entrance and just the

0:32:22.440 --> 0:32:26.000
<v Speaker 1>presence with which he brings every moment that he gets

0:32:26.040 --> 0:32:29.880
<v Speaker 1>as Meliorn, I just can't get over it. Calm, it's

0:32:29.920 --> 0:32:34.520
<v Speaker 1>the calm mhm, brilliant stuff. Also, why is he the

0:32:34.560 --> 0:32:38.480
<v Speaker 1>only one who brought back up buddies? Yeah, they were

0:32:38.520 --> 0:32:41.640
<v Speaker 1>all confident enough to not need it otherwise. I can't

0:32:41.640 --> 0:32:46.320
<v Speaker 1>believe you gave way my jacket, Rascal. I know the

0:32:46.400 --> 0:32:49.000
<v Speaker 1>holsters as well. I miss putting putting my holsters on

0:32:49.040 --> 0:32:52.680
<v Speaker 1>every day. I miss it too. There was something really

0:32:52.720 --> 0:32:54.360
<v Speaker 1>cool about it. It made me feel like him and

0:32:54.400 --> 0:32:57.480
<v Speaker 1>made me feel badass. I missed doing it. I was

0:32:57.480 --> 0:33:00.480
<v Speaker 1>on the see that's much clary dead Okay, well, dang it.

0:33:01.000 --> 0:33:04.160
<v Speaker 1>And Mayas Mays having a moment. Alicia does such beautiful

0:33:04.200 --> 0:33:06.600
<v Speaker 1>work here, and it's it's the way it's so phrenetically

0:33:06.640 --> 0:33:09.920
<v Speaker 1>cut together and the way it's shot with the fan

0:33:10.120 --> 0:33:14.560
<v Speaker 1>doing that oscillating light throughout the scene, quite honest and lovely.

0:33:15.440 --> 0:33:17.719
<v Speaker 1>Oh yeah, I forget she because she will stout at

0:33:17.720 --> 0:33:20.400
<v Speaker 1>the end. That's right, just to tear the place to shreds.

0:33:20.480 --> 0:33:22.240
<v Speaker 1>That's always fun when you get to have a scene

0:33:22.240 --> 0:33:26.000
<v Speaker 1>where they just go just destroy. Everything's breakable, break everything

0:33:26.160 --> 0:33:29.120
<v Speaker 1>is breakaway, except I have a seen like this in

0:33:29.200 --> 0:33:33.560
<v Speaker 1>season three. Everything's breakable and it no, it fucking wasn't.

0:33:35.080 --> 0:33:37.680
<v Speaker 1>It wasn't. There was one thing that wasn't. I punched

0:33:37.680 --> 0:33:40.280
<v Speaker 1>the ship out of that thing and split my knuckles open.

0:33:40.600 --> 0:33:43.520
<v Speaker 1>I was like, oh no, that's the one. And they

0:33:43.520 --> 0:33:45.480
<v Speaker 1>literally gave to you after as they were like, literally

0:33:45.480 --> 0:33:48.480
<v Speaker 1>the one thing, the one thing, this is the one

0:33:48.520 --> 0:33:52.800
<v Speaker 1>thing that is unbreakable. Like, sorry, yeah, did you I've

0:33:52.920 --> 0:33:55.880
<v Speaker 1>totally forgot about the run up the van that Alberto

0:33:55.960 --> 0:33:58.320
<v Speaker 1>does in this next thing New Vamp runs up the

0:33:58.360 --> 0:34:02.200
<v Speaker 1>front of the van. Yeah, so, which was awesome. What

0:34:02.280 --> 0:34:05.480
<v Speaker 1>are you watching? Sorry, I'm Simon and Clarie on top

0:34:05.480 --> 0:34:08.000
<v Speaker 1>of the van and just given our van conversation earlier.

0:34:08.239 --> 0:34:10.080
<v Speaker 1>The first thing I say in the scene is if

0:34:10.080 --> 0:34:11.560
<v Speaker 1>I'm going to die, it's not going to be in

0:34:11.600 --> 0:34:15.919
<v Speaker 1>this van. Thank you Pete been swinger because he picks

0:34:16.000 --> 0:34:18.760
<v Speaker 1>up on every detail. I mean, it's a really lovely

0:34:18.760 --> 0:34:22.000
<v Speaker 1>scene between you two, though, really lovely. I remember, Yeah,

0:34:22.080 --> 0:34:23.879
<v Speaker 1>both of you do a really fucking good job here.

0:34:23.920 --> 0:34:27.200
<v Speaker 1>This was in the studio. I was here this here

0:34:27.200 --> 0:34:29.760
<v Speaker 1>this day for some reason because I'm not in this scene.

0:34:29.760 --> 0:34:30.920
<v Speaker 1>But I don't know why I was here, but I

0:34:30.960 --> 0:34:33.040
<v Speaker 1>remember watching it and being like, Wow, this is this

0:34:33.080 --> 0:34:36.799
<v Speaker 1>is fucking awesome. Thank you. It's one of those things

0:34:36.840 --> 0:34:40.360
<v Speaker 1>where the our crew was so wonderful with this, and

0:34:40.400 --> 0:34:42.160
<v Speaker 1>we had so many directors that were great with us.

0:34:42.200 --> 0:34:45.399
<v Speaker 1>They would just give us the space to to really

0:34:45.440 --> 0:34:48.160
<v Speaker 1>play out these emotional things and to go there and

0:34:48.200 --> 0:34:53.160
<v Speaker 1>stay there and be in that space. I miss getting

0:34:53.200 --> 0:34:57.280
<v Speaker 1>to play with you guys. Yeah, I mean too, me too.

0:34:57.440 --> 0:35:00.279
<v Speaker 1>What are you guys arguing about Magnus and Alec arguing

0:35:00.320 --> 0:35:04.439
<v Speaker 1>about something Alter Tree? I want to say, No, it's

0:35:04.560 --> 0:35:08.160
<v Speaker 1>a she thing, something to do with she. Maybe Iris

0:35:08.320 --> 0:35:11.160
<v Speaker 1>Isabel as a warlock. They were talking about a warlock.

0:35:11.400 --> 0:35:14.200
<v Speaker 1>Couldn't be Iris. I think they're talking about because Isabel

0:35:14.480 --> 0:35:17.480
<v Speaker 1>went because he knows that Isabel's after you, Infann because

0:35:17.480 --> 0:35:19.120
<v Speaker 1>she went to the Hunter's Moon to try and get

0:35:19.120 --> 0:35:22.279
<v Speaker 1>it off a warlock because he's got the warlock to

0:35:22.320 --> 0:35:25.200
<v Speaker 1>the ground of Warlock. And they figure out that she's

0:35:25.200 --> 0:35:30.359
<v Speaker 1>going to Raphael because Meliorn called out Raphael for fratt

0:35:30.440 --> 0:35:33.400
<v Speaker 1>nosing with Isabel and Magnus. There it is. There, it

0:35:33.560 --> 0:35:39.560
<v Speaker 1>is again with the treats. Again with the treats. Ariana's

0:35:39.560 --> 0:35:45.719
<v Speaker 1>a little smirk gets me every time. Is this the

0:35:45.760 --> 0:35:47.799
<v Speaker 1>scene you were talking about with Alan? Yeah, it was.

0:35:47.920 --> 0:35:50.120
<v Speaker 1>It was actually Matt Hastings's idea and did a very

0:35:50.120 --> 0:35:53.120
<v Speaker 1>good job. He wanted that he like gun slingers, right,

0:35:53.160 --> 0:35:55.040
<v Speaker 1>so like you sat at the poker table and you

0:35:55.160 --> 0:35:58.440
<v Speaker 1>just you just get your trigger fingers sort of hovering

0:35:58.480 --> 0:36:00.759
<v Speaker 1>over the trigger of your gun but not quite there yet.

0:36:01.080 --> 0:36:03.560
<v Speaker 1>But you have to be smiling because nobody else can

0:36:03.560 --> 0:36:05.160
<v Speaker 1>know what's going to happen until it happens. And it

0:36:05.239 --> 0:36:09.560
<v Speaker 1>was I remember this being a really cool scene and

0:36:09.560 --> 0:36:11.960
<v Speaker 1>it was something new for us because normally it is

0:36:12.000 --> 0:36:15.520
<v Speaker 1>all blood and guts right away, you know, fighting whatever,

0:36:15.880 --> 0:36:17.759
<v Speaker 1>and this was a nice sort of change of pace.

0:36:17.800 --> 0:36:20.280
<v Speaker 1>Where it did get to be very still still very tense,

0:36:20.360 --> 0:36:23.480
<v Speaker 1>but very still. Yeah, and once again you have the

0:36:23.520 --> 0:36:26.200
<v Speaker 1>ace in the hole going, hey, sure you can do

0:36:26.239 --> 0:36:28.560
<v Speaker 1>everything you want, but Claire is going to die. Claire

0:36:28.640 --> 0:36:30.800
<v Speaker 1>is going to die, and she's your she's your tool.

0:36:31.280 --> 0:36:34.240
<v Speaker 1>You two are so fantastic. You wouldn't kill your falcon

0:36:34.280 --> 0:36:36.919
<v Speaker 1>when you're a boy. Get out of my face with that.

0:36:37.440 --> 0:36:39.760
<v Speaker 1>Keep throwing in the falcon. Get out of my face?

0:36:40.200 --> 0:36:42.920
<v Speaker 1>You kidding me? Where is my falcon? Yeah? Where is

0:36:42.960 --> 0:36:46.440
<v Speaker 1>your falcon? I think Decca has it. I definitely stole

0:36:46.480 --> 0:36:48.800
<v Speaker 1>it from set. I remember that because it was big

0:36:48.840 --> 0:36:50.920
<v Speaker 1>and heavy and uncomfortable, and I remember trying to stuff

0:36:50.920 --> 0:36:55.919
<v Speaker 1>it in my jacket and that was hard work. Ah. Yeah,

0:36:55.960 --> 0:36:59.440
<v Speaker 1>this apartment, man, you had your mind. An apartment not

0:36:59.480 --> 0:37:01.360
<v Speaker 1>only big enough to have a grand piano in it

0:37:01.400 --> 0:37:03.160
<v Speaker 1>in New York is going to cost you a fortune.

0:37:03.200 --> 0:37:05.439
<v Speaker 1>But they're enough to have a grand piano and then

0:37:05.560 --> 0:37:09.320
<v Speaker 1>some with like extra space. No way, you're out of

0:37:09.360 --> 0:37:19.480
<v Speaker 1>your mind. As Yeah, brutal tum. Oh man, you wouldn't

0:37:19.520 --> 0:37:21.640
<v Speaker 1>want him coming at you, Matt. He's a big dude

0:37:21.719 --> 0:37:25.600
<v Speaker 1>and he's very athletic. You wouldn't want him to be

0:37:25.680 --> 0:37:27.239
<v Speaker 1>mad at you, you know what I mean. I don't

0:37:27.239 --> 0:37:29.080
<v Speaker 1>think he would ever. I think he's too intelligent to

0:37:29.200 --> 0:37:33.120
<v Speaker 1>ever throw a punch at someone. But you wouldn't want

0:37:33.200 --> 0:37:37.000
<v Speaker 1>him to. No, he'd be one of those quiet ones too,

0:37:38.080 --> 0:37:43.080
<v Speaker 1>because he's he's yeah, most because I've seen Matt Doocen

0:37:43.239 --> 0:37:46.560
<v Speaker 1>where like this. Yeah, and you know, once he's it's

0:37:46.760 --> 0:37:50.719
<v Speaker 1>he's just so good at damn all, he's already going

0:37:50.760 --> 0:37:53.360
<v Speaker 1>for it. Well, and you know between him and David,

0:37:53.400 --> 0:37:55.120
<v Speaker 1>you know they're both going to commit. And then Harry

0:37:55.160 --> 0:38:00.239
<v Speaker 1>comes in it does that? Oh yeah, oh oh, some

0:38:00.440 --> 0:38:07.439
<v Speaker 1>real serious stuff. Alec angry, Alec pisted it both rafaelam Magnus.

0:38:07.920 --> 0:38:10.359
<v Speaker 1>Magnus is in a difficult spot. You know, he cares

0:38:10.360 --> 0:38:13.200
<v Speaker 1>for Rafael, but Rafael also did a bad things much

0:38:13.200 --> 0:38:15.520
<v Speaker 1>as he tried to go against it. Yeah. Like, no,

0:38:15.640 --> 0:38:18.759
<v Speaker 1>I don't think anyone's anger is misplaced necessarily, or I

0:38:18.760 --> 0:38:22.400
<v Speaker 1>don't think anyone's anger is unjustified, but it is misplaced

0:38:22.600 --> 0:38:24.840
<v Speaker 1>maybe maybe ye. Well, and all of the down worlders

0:38:25.120 --> 0:38:28.920
<v Speaker 1>are in a really heightened spot because there they just

0:38:29.000 --> 0:38:32.000
<v Speaker 1>learned that their entire existence could evaporate at any second

0:38:33.080 --> 0:38:35.680
<v Speaker 1>given the Soul Sword. So it's you know, everything's a

0:38:35.680 --> 0:38:40.280
<v Speaker 1>little bit more intensified at this point. That beautiful car.

0:38:40.400 --> 0:38:42.880
<v Speaker 1>Why didn't we see that car anymore? It's like a

0:38:42.920 --> 0:38:47.960
<v Speaker 1>classic Lincoln. I guess it's I guess it's Rafael's. But like,

0:38:48.000 --> 0:38:50.440
<v Speaker 1>why didn't we put that in more? At such a

0:38:50.480 --> 0:38:53.560
<v Speaker 1>cool car. It may not have been hours. It may

0:38:53.560 --> 0:38:56.920
<v Speaker 1>have been a just for this episode, for the shot

0:38:56.680 --> 0:38:58.719
<v Speaker 1>for this car, and then never see it again. Never

0:38:58.760 --> 0:39:00.640
<v Speaker 1>had like we had the Va, but we never had

0:39:00.640 --> 0:39:02.759
<v Speaker 1>like a Shadow Hunters mobile, which I think was a

0:39:02.760 --> 0:39:06.560
<v Speaker 1>wasted opportunity. Well shadow and just don't drive. Yeah, but

0:39:06.600 --> 0:39:09.439
<v Speaker 1>we changed a lot of things. I drive one time,

0:39:09.960 --> 0:39:13.480
<v Speaker 1>drove up with the bloody nose. You drive, Yeah, but

0:39:13.640 --> 0:39:15.560
<v Speaker 1>like I figured it then, I would, Yeah, I drive.

0:39:15.719 --> 0:39:19.960
<v Speaker 1>I drive one time right lamp post um. I would

0:39:19.960 --> 0:39:22.320
<v Speaker 1>have figured it out. Maybe not the best idea at

0:39:22.360 --> 0:39:25.239
<v Speaker 1>Alec knows how to drive, Yeah, but he knows, but

0:39:25.280 --> 0:39:29.520
<v Speaker 1>he just won't do it. Yeah, it's none. I'm still dying,

0:39:29.920 --> 0:39:34.200
<v Speaker 1>dying slowly. Yeah. They added these patches of it right

0:39:34.239 --> 0:39:36.040
<v Speaker 1>at the end. They added a patch up my neck

0:39:36.120 --> 0:39:39.480
<v Speaker 1>and catch it down like these fingers reaching down towards

0:39:39.480 --> 0:39:43.000
<v Speaker 1>my heart. Yeah, you don't go long I'll touch your

0:39:43.000 --> 0:39:47.160
<v Speaker 1>face with my good hand. Yeah, like yeah, just simon

0:39:47.280 --> 0:39:49.239
<v Speaker 1>being the German phol. This is how much he loves

0:39:49.280 --> 0:39:51.560
<v Speaker 1>you because he's like, oh yeah, you can. Like is

0:39:51.560 --> 0:39:55.040
<v Speaker 1>it contagious though, because it looks like I don't wanna

0:39:55.400 --> 0:39:58.400
<v Speaker 1>I don't know if this is the right option here, Ah,

0:39:58.600 --> 0:40:02.719
<v Speaker 1>straight into the arms, okay, And so this shot as

0:40:02.800 --> 0:40:05.480
<v Speaker 1>Clarie and Madsig reconnect and the blow to this healed.

0:40:06.680 --> 0:40:08.719
<v Speaker 1>We we had to do the scene of my hand

0:40:08.800 --> 0:40:11.040
<v Speaker 1>transforming back at the last minute. Was one of those

0:40:11.040 --> 0:40:12.919
<v Speaker 1>reshoot days where we didn't have a lot of time

0:40:12.960 --> 0:40:16.440
<v Speaker 1>and we were picking up all the spots on do

0:40:16.480 --> 0:40:20.640
<v Speaker 1>you remember this? So Sarah our stand in our female

0:40:20.680 --> 0:40:23.719
<v Speaker 1>stand in the healed hand you see is actually her

0:40:23.800 --> 0:40:26.480
<v Speaker 1>hand because mine had all the gross stuff on it.

0:40:26.560 --> 0:40:29.799
<v Speaker 1>And then she knelt behind me and hid under the

0:40:29.840 --> 0:40:32.480
<v Speaker 1>camera and I put my hand behind me and she,

0:40:32.719 --> 0:40:35.680
<v Speaker 1>you know whose line is it anyway, style, stuck her

0:40:35.719 --> 0:40:40.439
<v Speaker 1>hand through mine and just held it up. And yeah,

0:40:40.560 --> 0:40:42.839
<v Speaker 1>Luke popped his shoulder, didn't he. So towards the end

0:40:43.440 --> 0:40:47.399
<v Speaker 1>there are a couple like someone else's arm I think

0:40:47.480 --> 0:40:54.520
<v Speaker 1>literally at the end, someone else's arm through Luke's jacket

0:40:55.840 --> 0:40:57.520
<v Speaker 1>when we when we have Luke on the show, we'll

0:40:57.560 --> 0:40:59.239
<v Speaker 1>have to talk to him about this, because what it

0:40:59.360 --> 0:41:02.040
<v Speaker 1>was is they literally wrapped his stunt double in a

0:41:02.080 --> 0:41:05.399
<v Speaker 1>green sheet and put on the green screen and then

0:41:05.480 --> 0:41:07.880
<v Speaker 1>had this double stick the I don't know, we'll have

0:41:07.920 --> 0:41:09.920
<v Speaker 1>to have Luke explain it. He's got a video somewhere.

0:41:10.640 --> 0:41:13.360
<v Speaker 1>But now we're back in Valentine's fun House of Horrors.

0:41:13.440 --> 0:41:15.200
<v Speaker 1>Here it is, this is the scene. This is the

0:41:15.200 --> 0:41:17.200
<v Speaker 1>scene where I have to do your chain. Yeah, I

0:41:17.200 --> 0:41:19.399
<v Speaker 1>don't know. I missed how we got here? How did

0:41:19.440 --> 0:41:21.759
<v Speaker 1>we get here? So we got here. So as soon

0:41:21.800 --> 0:41:26.319
<v Speaker 1>as Madzie Madie heals me, we poured it away and

0:41:26.440 --> 0:41:29.799
<v Speaker 1>we're back in the Carnival of Horrors. Because you bribe

0:41:29.800 --> 0:41:32.040
<v Speaker 1>a girl with enough frozen hot chocolate and she'll bring

0:41:32.040 --> 0:41:34.799
<v Speaker 1>you your angel daughter. Apparently, how did they get all

0:41:34.840 --> 0:41:37.200
<v Speaker 1>that ship in there? And this is the studio right,

0:41:37.239 --> 0:41:40.560
<v Speaker 1>This is Studio B. This is Studio B. But remember

0:41:40.600 --> 0:41:42.680
<v Speaker 1>they would just open an elephant door and they could

0:41:42.680 --> 0:41:44.520
<v Speaker 1>bring all of it in because that we never saw

0:41:44.560 --> 0:41:46.920
<v Speaker 1>them open hardly, but they were kind of on the

0:41:46.960 --> 0:41:52.640
<v Speaker 1>far side between all this stuff collapses and all of

0:41:52.680 --> 0:41:55.839
<v Speaker 1>this stuff can like you woh, I was like, how

0:41:55.840 --> 0:41:57.360
<v Speaker 1>did you get a merry go around in there? But

0:41:57.400 --> 0:42:00.080
<v Speaker 1>I guess it will kind of comes apart and how

0:42:00.120 --> 0:42:03.279
<v Speaker 1>they move it in pieces. Yeah, I remember we all

0:42:03.320 --> 0:42:05.399
<v Speaker 1>had probably an hour or two just to run around

0:42:05.400 --> 0:42:08.360
<v Speaker 1>and take pictures on this set and just literally horse around.

0:42:08.960 --> 0:42:11.120
<v Speaker 1>It was too much fun. I think they sort of

0:42:11.200 --> 0:42:13.040
<v Speaker 1>let us do it on purpose too, because they knew

0:42:13.080 --> 0:42:15.040
<v Speaker 1>if we if they didn't give us time to do it,

0:42:15.040 --> 0:42:17.759
<v Speaker 1>we would do it while we were working instead. I remember, yeah,

0:42:17.800 --> 0:42:21.000
<v Speaker 1>the first time I saw like my bedroom set, Silk

0:42:21.239 --> 0:42:23.200
<v Speaker 1>was like everything in here is practical, and I was like,

0:42:23.200 --> 0:42:24.440
<v Speaker 1>what do you mean? He was like everything like the

0:42:24.480 --> 0:42:26.719
<v Speaker 1>pull up bars, the punch bag, like everything has been

0:42:26.760 --> 0:42:28.680
<v Speaker 1>made so it works. And I was like, oh that's cool.

0:42:28.680 --> 0:42:30.080
<v Speaker 1>Why did you do that? And they were like, because

0:42:30.120 --> 0:42:32.239
<v Speaker 1>we know you. The first thing you're going to do

0:42:32.280 --> 0:42:33.680
<v Speaker 1>is jump up on the pull up bar and start

0:42:33.680 --> 0:42:35.359
<v Speaker 1>doing pull ups and if it wasn't attached, you gonna

0:42:35.400 --> 0:42:36.600
<v Speaker 1>rip it right out of the roof. I was like,

0:42:36.640 --> 0:42:40.160
<v Speaker 1>you right, or kick the bag or something. And so

0:42:42.440 --> 0:42:45.399
<v Speaker 1>they don't proved it, they domproved it. They did. Yeah,

0:42:45.719 --> 0:42:50.759
<v Speaker 1>bless him a nice little face off. Father. Daughter been like, hey,

0:42:50.800 --> 0:42:53.600
<v Speaker 1>could you could you have a slice of humanity? He

0:42:53.680 --> 0:42:57.919
<v Speaker 1>goes no, Um, oh yeah, then Jason Simon are trying

0:42:57.920 --> 0:43:03.759
<v Speaker 1>to find Clary as always? What these creatures very vampires? Right? Yeah?

0:43:03.840 --> 0:43:05.640
<v Speaker 1>Were they? Why don't they have all this stuff on

0:43:05.680 --> 0:43:08.920
<v Speaker 1>their face? Hold on, it was a vampire and a

0:43:09.040 --> 0:43:12.800
<v Speaker 1>sey No, No, they're just I'm pretty sure they're just vampires.

0:43:13.560 --> 0:43:16.920
<v Speaker 1>Might be vampires addicted the infan No, it's goin on here,

0:43:17.080 --> 0:43:19.680
<v Speaker 1>let's find out. Oh, it's the uprising, the beginning of

0:43:19.719 --> 0:43:23.000
<v Speaker 1>the uprising, beginning of the Downwold Uprising. There must be

0:43:23.080 --> 0:43:26.680
<v Speaker 1>listeners who watched the show, and it's like screaming as

0:43:26.719 --> 0:43:30.640
<v Speaker 1>you fucking idiot, How do you not know? It's the

0:43:30.680 --> 0:43:35.680
<v Speaker 1>creatures from valentine Zoo. Yeah, we know. We did a

0:43:35.680 --> 0:43:38.160
<v Speaker 1>lot of episodes. It's been a lot of years. It's

0:43:38.160 --> 0:43:41.359
<v Speaker 1>been a lot of years. Yeah, because this is basically, yeah,

0:43:41.480 --> 0:43:44.759
<v Speaker 1>Valentine's trying to create a situation in which people want

0:43:44.800 --> 0:43:49.640
<v Speaker 1>the downworld to disappear. See, they don't look like normal vampires. No,

0:43:49.880 --> 0:43:55.319
<v Speaker 1>so these are Valentine's experiments from Chernobyl. So these guys

0:43:55.440 --> 0:43:57.919
<v Speaker 1>saw all the cages that you saw in Valentine's bow

0:43:58.160 --> 0:43:59.640
<v Speaker 1>and all the stuff and the people you saw kind

0:43:59.640 --> 0:44:02.880
<v Speaker 1>of around edges of the carnival there, they're his you know,

0:44:03.040 --> 0:44:06.080
<v Speaker 1>creations that he's unfishing on the world to to show

0:44:06.120 --> 0:44:09.200
<v Speaker 1>how bad demons are basically or anything with demonic blood.

0:44:09.880 --> 0:44:11.640
<v Speaker 1>They look a little like vampires and a little like

0:44:11.760 --> 0:44:16.120
<v Speaker 1>werewolves and a little so it's sort of indeterminate downworlder. Yeah,

0:44:16.239 --> 0:44:20.080
<v Speaker 1>there you go, Jace, Yeah, and Simon, let's go look

0:44:20.080 --> 0:44:25.680
<v Speaker 1>at us working together. Oh that takedown, we'd go, Wow,

0:44:25.760 --> 0:44:28.680
<v Speaker 1>there's a lot of anger in this episode. Yeah, Luke

0:44:29.160 --> 0:44:34.160
<v Speaker 1>in to save the day. My hair in this episode

0:44:34.239 --> 0:44:38.439
<v Speaker 1>has changed lengths like three different times. What's going on?

0:44:39.160 --> 0:44:42.960
<v Speaker 1>That is mental? What is happening. I'm into it. I'm

0:44:43.000 --> 0:44:46.879
<v Speaker 1>super into it. And then back to Maya who gets out.

0:44:47.440 --> 0:44:50.520
<v Speaker 1>Poor Maya shared a rough time and now you finally

0:44:50.520 --> 0:44:54.279
<v Speaker 1>found the carnival. H Oh. We have Alex facing off

0:44:54.280 --> 0:44:57.319
<v Speaker 1>of Alder Tree once and f all oh because now

0:44:57.400 --> 0:45:01.759
<v Speaker 1>he knows what Alder Tree is hiding. Correct, correct, Oh,

0:45:01.960 --> 0:45:04.040
<v Speaker 1>that's why he was so in tune with the infan

0:45:04.960 --> 0:45:08.200
<v Speaker 1>Aldert Tree was an ex field medic from the War

0:45:08.239 --> 0:45:11.279
<v Speaker 1>of the Uprising. That's what it was. These little details man,

0:45:11.520 --> 0:45:15.160
<v Speaker 1>way to go, Pete Way to go, Pete. I love

0:45:15.200 --> 0:45:17.920
<v Speaker 1>Pete's dialogue. Every time there's a Pete ben Signer episode,

0:45:17.960 --> 0:45:22.680
<v Speaker 1>I can tell Yeah, we're back in creepy Carnival. This

0:45:22.719 --> 0:45:24.760
<v Speaker 1>is where I got. Yeah, I feel bad. I remember

0:45:24.800 --> 0:45:28.319
<v Speaker 1>it all happening. Oh man, I could probably count the

0:45:28.360 --> 0:45:30.440
<v Speaker 1>times that I hit someone on the show on one

0:45:30.480 --> 0:45:35.560
<v Speaker 1>hand and this was one of them. Sorry again, don't

0:45:35.719 --> 0:45:39.520
<v Speaker 1>don't even don't worry about it. Oh he's so at

0:45:39.560 --> 0:45:43.480
<v Speaker 1>the freezing moment. These are hard work that when you

0:45:43.520 --> 0:45:47.799
<v Speaker 1>get frozen in place, they're hard work. Yeah, I forgot that.

0:45:47.960 --> 0:45:54.200
<v Speaker 1>Alberto got to fight Alan mhm, little little vampi Valentine fistfight. Yeah,

0:45:54.320 --> 0:45:57.680
<v Speaker 1>he gets some fun Alberto Allen fights stuff or not

0:45:57.760 --> 0:46:00.600
<v Speaker 1>fight stuff, but they get some fun scenes together. Oh

0:46:00.640 --> 0:46:03.440
<v Speaker 1>that's right. Little foreshadowing there that he hasn't by the throat,

0:46:03.760 --> 0:46:08.239
<v Speaker 1>by the throat and by the forehead. Oh interesting, Yeah,

0:46:08.280 --> 0:46:12.120
<v Speaker 1>well spotted. And that's the end of the episode. Oh

0:46:12.160 --> 0:46:19.960
<v Speaker 1>my goodness. Valentine drags Simon through a portal. Oh dear, yeah, oh,

0:46:20.080 --> 0:46:23.160
<v Speaker 1>sorts of stuff going on. Poor little misguided Madsie. You know,

0:46:23.320 --> 0:46:28.960
<v Speaker 1>she's just trying to get some hot chokolate. She doesn't

0:46:29.000 --> 0:46:33.880
<v Speaker 1>know raised the wrong way. It's not her fault. Yeah, man,

0:46:34.080 --> 0:46:37.200
<v Speaker 1>nobody's born evil, you know what I mean. Well, next

0:46:37.200 --> 0:46:40.919
<v Speaker 1>episode is the end of the first half of season two,

0:46:41.080 --> 0:46:44.080
<v Speaker 1>and I can't believe we're already this far. But next

0:46:44.120 --> 0:46:46.200
<v Speaker 1>episode is a big one. I don't know if if

0:46:46.239 --> 0:46:49.400
<v Speaker 1>you remember, but there's a lot do you remember? I remember?

0:46:49.400 --> 0:46:53.560
<v Speaker 1>Lots of stuff happening. Um, well, but that's for next episode,

0:46:54.200 --> 0:46:55.880
<v Speaker 1>which we are filming tomorrow, so we don't have to

0:46:55.920 --> 0:46:58.600
<v Speaker 1>wait very long. You guys have to wait for a while,

0:46:58.600 --> 0:47:02.120
<v Speaker 1>but we don't have to wait, It's true. But we

0:47:02.200 --> 0:47:09.640
<v Speaker 1>will see you tomorrow. Yes, we will thank you again. Bye.

0:47:13.080 --> 0:47:16.000
<v Speaker 1>Returned to the Shadows is hosted an executive produced by Me,

0:47:16.160 --> 0:47:20.000
<v Speaker 1>Katherine McNamara, and Dominic Sherwood. Our executive producer is Langley.

0:47:20.200 --> 0:47:23.440
<v Speaker 1>Our senior producers are Liz Hayes and Diego Tapia. Our

0:47:23.480 --> 0:47:26.480
<v Speaker 1>producers are Hannah Harris and Kristin Vermeilia, and our intern

0:47:26.600 --> 0:47:30.040
<v Speaker 1>is Sam Katz. Original music by Alex Kinsey and performed

0:47:30.080 --> 0:47:31.840
<v Speaker 1>by Alex Kinsey and Katherine McNamara.