1 00:00:01,639 --> 00:00:04,880 Speaker 1: Hi, I'm Kristin Davis, and I want to know are 2 00:00:04,880 --> 00:00:10,440 Speaker 1: you a Charlotte? So you guys, everybody, welcome back to 3 00:00:10,480 --> 00:00:14,560 Speaker 1: Are You a Charlotte? We still have the amazing Brian 4 00:00:14,680 --> 00:00:19,280 Speaker 1: van Holp. What worked so incredibly well for the part 5 00:00:19,760 --> 00:00:24,639 Speaker 1: of Wiley is that you knew the character that you 6 00:00:24,640 --> 00:00:27,760 Speaker 1: were playing, but you weren't that. So there's a sweetness 7 00:00:27,840 --> 00:00:31,880 Speaker 1: underneath where you totally understand why Charlotte is so excited 8 00:00:31,920 --> 00:00:33,160 Speaker 1: and so into you, right. 9 00:00:33,320 --> 00:00:35,920 Speaker 2: And then this kind of goes in a horrible direction, and. 10 00:00:35,840 --> 00:00:38,159 Speaker 1: Thank god she got up because I was like, I 11 00:00:38,200 --> 00:00:40,320 Speaker 1: don't remember what happens now because I blocked this whole 12 00:00:40,320 --> 00:00:42,040 Speaker 1: part out right, and thank god I get. 13 00:00:41,960 --> 00:00:43,760 Speaker 2: Up and very politely leave. Thank god. 14 00:00:43,840 --> 00:00:48,080 Speaker 1: Right. But to me, that's a great combination of when 15 00:00:48,120 --> 00:00:51,840 Speaker 1: you know the milu that you're playing like the life 16 00:00:51,960 --> 00:00:54,920 Speaker 1: the people, what they're like, but you're not actually that. 17 00:00:55,400 --> 00:01:01,560 Speaker 3: Of course, Well, thank you, I certainly hope not. Yeah, yeah, yeah, 18 00:01:01,760 --> 00:01:02,120 Speaker 3: it was good. 19 00:01:02,160 --> 00:01:03,400 Speaker 2: All right, let's recap a little. 20 00:01:03,480 --> 00:01:07,000 Speaker 1: So let's say again, Alison Andrews directed such a joy 21 00:01:07,200 --> 00:01:07,800 Speaker 1: to work with. 22 00:01:07,720 --> 00:01:11,759 Speaker 3: Her, absolutely, that was that was what a gift. Phenomenal 23 00:01:11,800 --> 00:01:15,000 Speaker 3: director and to prive me to have her on this. 24 00:01:16,080 --> 00:01:18,520 Speaker 3: She was so nice and so kind and so such 25 00:01:18,520 --> 00:01:23,120 Speaker 3: a great uh director in allowing me to just do 26 00:01:23,760 --> 00:01:26,959 Speaker 3: you know what I do, and also made me feel 27 00:01:26,959 --> 00:01:29,120 Speaker 3: comfortable because again I was pretty you know well, I 28 00:01:29,800 --> 00:01:31,520 Speaker 3: was really nervous and I was really excited. 29 00:01:31,720 --> 00:01:34,840 Speaker 2: Sweet, so sweet, like so positive. I never had a 30 00:01:34,880 --> 00:01:37,200 Speaker 2: director just be like good baby. 31 00:01:36,920 --> 00:01:41,839 Speaker 3: Good right, yes, very nurturing. Yeah, yeah exactly. 32 00:01:42,120 --> 00:01:46,200 Speaker 2: He's like, okay, right, just do it again, like so easy. 33 00:01:46,319 --> 00:01:48,520 Speaker 2: I love her, love it so much, me too. 34 00:01:48,800 --> 00:01:51,480 Speaker 1: And then Darren Star wrote this, which I didn't realize 35 00:01:51,520 --> 00:01:53,360 Speaker 1: at this point that he's still actively writing. 36 00:01:53,360 --> 00:01:55,280 Speaker 2: I thought he was kind of a little bit moving 37 00:01:55,280 --> 00:01:56,000 Speaker 2: on to his next show. 38 00:01:56,000 --> 00:01:58,000 Speaker 1: But no, he's still around. He's writing, which is cool 39 00:01:58,040 --> 00:02:01,559 Speaker 1: because I love this episode. Wrote that I bet he did. 40 00:02:01,960 --> 00:02:04,280 Speaker 2: Just let's not even think about that anymore. 41 00:02:05,920 --> 00:02:07,880 Speaker 3: Are we going to avoid that? So keep going? 42 00:02:08,080 --> 00:02:11,640 Speaker 1: What else can I say when we I have the 43 00:02:11,680 --> 00:02:12,680 Speaker 1: whole show on my list. 44 00:02:12,720 --> 00:02:14,200 Speaker 2: It's a lot, but I know we're going to talk 45 00:02:14,240 --> 00:02:15,120 Speaker 2: about the import parts. 46 00:02:15,160 --> 00:02:17,440 Speaker 1: So one of the things that I love when I'm rewatching, 47 00:02:18,400 --> 00:02:20,800 Speaker 1: you have so many feelings watching I mean I do 48 00:02:20,880 --> 00:02:22,880 Speaker 1: as an actor, but also just as a viewer, like 49 00:02:22,919 --> 00:02:24,680 Speaker 1: it lets me be objective as a viewer. 50 00:02:24,919 --> 00:02:25,600 Speaker 2: So when this. 51 00:02:25,480 --> 00:02:27,880 Speaker 1: Episode starts and it has those beautiful shots of New 52 00:02:27,919 --> 00:02:28,440 Speaker 1: York in the. 53 00:02:28,400 --> 00:02:31,800 Speaker 3: Spring, it was that the whole opening that's felt the 54 00:02:31,840 --> 00:02:33,800 Speaker 3: same way when I saw that when I rewatched it, 55 00:02:33,840 --> 00:02:38,359 Speaker 3: the whole opening of the episode. It's a thing. Springtime 56 00:02:38,560 --> 00:02:41,239 Speaker 3: in New York is so special and there's so beautiful 57 00:02:41,360 --> 00:02:42,880 Speaker 3: for some of the shots that she was using, But 58 00:02:42,960 --> 00:02:45,400 Speaker 3: it's it's that vibe. It's that feeling, and I know 59 00:02:45,440 --> 00:02:48,160 Speaker 3: you know what I'm talking about. Yeah, it's the town 60 00:02:48,280 --> 00:02:51,960 Speaker 3: just goes from such a positive energy and vibe. 61 00:02:51,960 --> 00:02:53,280 Speaker 2: It's magic, so magical. 62 00:02:53,360 --> 00:02:56,239 Speaker 1: Maybe captured it so right at the top of the show, 63 00:02:56,280 --> 00:02:58,000 Speaker 1: you're just flooded with feelings. 64 00:02:58,080 --> 00:03:01,440 Speaker 2: I love that. So impressed us, you know, in respect, 65 00:03:01,800 --> 00:03:05,160 Speaker 2: it's amazing. So we hear Carrie. She's giving us some. 66 00:03:05,200 --> 00:03:10,120 Speaker 1: Froieover and she's talking about how she wants to tell 67 00:03:10,120 --> 00:03:11,000 Speaker 1: Big that she loves him. 68 00:03:11,040 --> 00:03:13,040 Speaker 2: This is what her theme of the episode. Each you know, 69 00:03:13,120 --> 00:03:14,079 Speaker 2: each of us are. 70 00:03:14,280 --> 00:03:16,760 Speaker 1: We're now getting to wear the kind of themes are 71 00:03:16,760 --> 00:03:19,800 Speaker 1: playing into each character really really well, weaving them together, 72 00:03:19,840 --> 00:03:23,560 Speaker 1: which I thought was great, And she wants to tell 73 00:03:23,600 --> 00:03:25,240 Speaker 1: them and you know, this is one of those times 74 00:03:25,240 --> 00:03:27,520 Speaker 1: where I really have been having this love hate thing 75 00:03:27,520 --> 00:03:29,519 Speaker 1: with Big when I'm looking back on it, right, which 76 00:03:29,560 --> 00:03:31,560 Speaker 1: I never had at the time. I never thought twice 77 00:03:31,600 --> 00:03:34,120 Speaker 1: about how I felt about the Big character while we 78 00:03:34,160 --> 00:03:34,600 Speaker 1: were on it. 79 00:03:34,639 --> 00:03:36,320 Speaker 2: Of course, I love the Big character. 80 00:03:36,520 --> 00:03:39,320 Speaker 1: You personally, Yeah, I mean personally, I never thought about it. 81 00:03:40,000 --> 00:03:42,640 Speaker 1: You're playing your character, you know, you're not really thinking 82 00:03:42,640 --> 00:03:45,280 Speaker 1: about it effectively, at least I'm not that kind of actor. 83 00:03:45,680 --> 00:03:47,480 Speaker 1: But when I look back on it, and also, everyone 84 00:03:47,520 --> 00:03:49,640 Speaker 1: has so much to say in social media about that, 85 00:03:49,760 --> 00:03:52,120 Speaker 1: which I get. I totally get, and sometimes I just 86 00:03:52,200 --> 00:03:55,920 Speaker 1: hate him, passionately hate him like that. Withholding Guy, it 87 00:03:56,040 --> 00:03:58,080 Speaker 1: was such a thing we all went through and we 88 00:03:58,200 --> 00:03:58,800 Speaker 1: just thought it was. 89 00:03:58,840 --> 00:04:00,600 Speaker 2: Normal and whatever. 90 00:04:00,640 --> 00:04:03,720 Speaker 1: It's still happening obviously, but like, at least there's conversation 91 00:04:03,880 --> 00:04:06,600 Speaker 1: around it in deeper understanding. I think of like that 92 00:04:06,680 --> 00:04:10,040 Speaker 1: you need to ask for more and or walk away, 93 00:04:10,480 --> 00:04:12,800 Speaker 1: you know what I'm saying, like simp I know. 94 00:04:13,040 --> 00:04:15,600 Speaker 3: I know from I'm not that guy. I'm that guy 95 00:04:15,680 --> 00:04:17,920 Speaker 3: yet Yeah to your party, to the fault, but yeah, 96 00:04:18,440 --> 00:04:20,760 Speaker 3: I hear you, no fault, no fault, no fault. 97 00:04:20,920 --> 00:04:22,599 Speaker 1: But this is one of the times when Big is 98 00:04:22,720 --> 00:04:23,720 Speaker 1: actually adorable. 99 00:04:23,960 --> 00:04:27,080 Speaker 3: Thank god, that's that's the same thing I saw that 100 00:04:28,160 --> 00:04:30,240 Speaker 3: Chris not and that I actually was for I hung 101 00:04:30,279 --> 00:04:31,920 Speaker 3: out with him a bunch of times back in the day. 102 00:04:33,360 --> 00:04:38,880 Speaker 3: But if there's a moment where I'm seeing him be vulnerable, yes, ever, yes, 103 00:04:39,040 --> 00:04:40,560 Speaker 3: and in that episode he. 104 00:04:40,560 --> 00:04:43,480 Speaker 1: Really is, you know what I mean, moment moments, not 105 00:04:43,520 --> 00:04:46,440 Speaker 1: the whole time, a moment, you know, even when his 106 00:04:46,560 --> 00:04:49,320 Speaker 1: look on his face when she touched definitely, you know. 107 00:04:49,320 --> 00:04:51,160 Speaker 2: What I mean, Yeah, because you know he hates. 108 00:04:50,920 --> 00:04:53,960 Speaker 3: That hates he went from him, he went to back 109 00:04:54,000 --> 00:04:55,400 Speaker 3: to being a ten year old kid. 110 00:04:55,600 --> 00:04:57,000 Speaker 2: Definitely. It was adorable. 111 00:04:57,000 --> 00:05:00,719 Speaker 1: It was adorable, adorable. And this really funny just for 112 00:05:00,760 --> 00:05:04,000 Speaker 1: the girl he's listening. This is when Big gets Carrie 113 00:05:04,279 --> 00:05:08,560 Speaker 1: the supposedly semi ugly Judith liber which this was so 114 00:05:08,640 --> 00:05:12,480 Speaker 1: funny that the thing that's funny about it is that 115 00:05:12,760 --> 00:05:16,080 Speaker 1: to me, now obviously there's the animal Judith liber then 116 00:05:16,120 --> 00:05:19,120 Speaker 1: there's like the classic Judith Lieber. Like Judith liber was 117 00:05:19,160 --> 00:05:21,080 Speaker 1: such a part of our whole lives that at one 118 00:05:21,080 --> 00:05:24,400 Speaker 1: point HBO gave us Judith Libers as a rap gift, 119 00:05:24,640 --> 00:05:29,720 Speaker 1: but they weren't acting. Yeah, I know, it's adorable, it's adorable, 120 00:05:29,760 --> 00:05:31,960 Speaker 1: but it's funny because and also in the movie it 121 00:05:32,040 --> 00:05:35,200 Speaker 1: ends up being a huge point because my little fake 122 00:05:35,279 --> 00:05:39,039 Speaker 1: child puts Carrie's phone in her cupcake. Judith liber that 123 00:05:39,080 --> 00:05:41,039 Speaker 1: I have bought her like a four thousand dollars purse 124 00:05:41,120 --> 00:05:44,000 Speaker 1: to go to the wedding. She is insane but very Charlotte, 125 00:05:44,080 --> 00:05:47,040 Speaker 1: and that's why Carrie doesn't get Biggs calls when he's 126 00:05:47,040 --> 00:05:47,760 Speaker 1: not going to come. 127 00:05:47,680 --> 00:05:50,960 Speaker 2: To the wedding and Judith Leber. So Judith Lieber is 128 00:05:51,000 --> 00:05:53,120 Speaker 2: a huge through line for a show. 129 00:05:53,120 --> 00:05:56,400 Speaker 1: But it's funny because Carrie is so upset about not 130 00:05:56,520 --> 00:05:57,279 Speaker 1: liking It's. 131 00:05:57,120 --> 00:05:59,000 Speaker 2: A swan, right, is it a swan? Is that what 132 00:05:59,080 --> 00:05:59,520 Speaker 2: it says? 133 00:05:59,680 --> 00:06:01,520 Speaker 1: You can't really even tell what the heck it is. 134 00:06:01,720 --> 00:06:07,279 Speaker 1: It's an animal, yeah, it looks like it. And then 135 00:06:07,440 --> 00:06:10,040 Speaker 1: they go to this party where all the women have 136 00:06:10,120 --> 00:06:13,360 Speaker 1: different animal and it's on Park Avenue, and Carrie hates 137 00:06:13,440 --> 00:06:16,880 Speaker 1: Park Avenue, which is interesting, right, because Charlotte ends up 138 00:06:16,880 --> 00:06:19,040 Speaker 1: living on Park Avenue. I was like, oh my gosh, 139 00:06:19,120 --> 00:06:21,080 Speaker 1: But obviously this was kind of like a different group. 140 00:06:21,120 --> 00:06:23,640 Speaker 1: It was like Bigs friends and not her friends. And 141 00:06:23,680 --> 00:06:25,960 Speaker 1: then she gets together with or it doesn't get together 142 00:06:26,000 --> 00:06:29,320 Speaker 1: with whatever something does something with this young waiter guy 143 00:06:29,560 --> 00:06:32,680 Speaker 1: who's a performance artist but also produces the flower out 144 00:06:32,720 --> 00:06:34,920 Speaker 1: of his hand, which would imply that he's a magician. 145 00:06:35,360 --> 00:06:39,760 Speaker 2: So I was a little confused. 146 00:06:39,360 --> 00:06:47,080 Speaker 1: Clown, but he's adorable, so who cares, right, Jeremiah and 147 00:06:47,279 --> 00:06:49,400 Speaker 1: I have to say out of order here. It is 148 00:06:49,480 --> 00:06:52,800 Speaker 1: one of my all time favorite Sarah Jessica moments when 149 00:06:52,839 --> 00:06:54,839 Speaker 1: she is walking down the street with that guy singing. 150 00:06:54,880 --> 00:06:58,960 Speaker 1: Jeremiah was a bu from She is so great and 151 00:06:59,000 --> 00:07:03,120 Speaker 1: she's drunk, but she's not stereotypical drum she's singing and 152 00:07:03,120 --> 00:07:03,799 Speaker 1: then she goes. 153 00:07:03,640 --> 00:07:09,560 Speaker 3: Up the wrong I don't know, it's so I sat 154 00:07:09,600 --> 00:07:10,560 Speaker 3: the same thing when I saw that. 155 00:07:10,560 --> 00:07:13,360 Speaker 1: Scene, and she and that guy whoever his name, is 156 00:07:13,720 --> 00:07:15,120 Speaker 1: an incredible. 157 00:07:17,360 --> 00:07:18,920 Speaker 2: I didn't even get to meet him or work with 158 00:07:19,000 --> 00:07:19,440 Speaker 2: him at all. 159 00:07:19,480 --> 00:07:24,200 Speaker 3: I don't think a few times it was sweet guy too. 160 00:07:24,280 --> 00:07:26,800 Speaker 1: Oh, he seems like a sweet guy and she had 161 00:07:26,880 --> 00:07:28,040 Speaker 1: great chemistry with him. 162 00:07:28,680 --> 00:07:34,360 Speaker 4: He's very handsome, Duey and Louise, And it's interesting because 163 00:07:34,440 --> 00:07:37,120 Speaker 4: at that point, so bigg has started out being adorable 164 00:07:37,200 --> 00:07:39,080 Speaker 4: and then we go to this party and he's super 165 00:07:39,240 --> 00:07:44,080 Speaker 4: not adorable because he's like with these uptight people, right. 166 00:07:44,320 --> 00:07:45,640 Speaker 2: And that lady who's having. 167 00:07:45,440 --> 00:07:48,200 Speaker 1: The party is like bitchy to carry and he seems 168 00:07:48,240 --> 00:07:51,480 Speaker 1: to not care, which is not cool, right, And I'm like, yes, 169 00:07:51,600 --> 00:07:53,200 Speaker 1: leave with the cute guy, waiter. 170 00:07:53,520 --> 00:07:54,960 Speaker 2: Leave with the cute guy, waiter carry. 171 00:07:55,000 --> 00:07:57,680 Speaker 1: I support that, And it's interesting because I also think 172 00:07:57,760 --> 00:07:59,520 Speaker 1: when we're looking back, because there's been this whole thing 173 00:07:59,560 --> 00:08:02,080 Speaker 1: where people talk about Kerry being narcissistic, which I think 174 00:08:02,160 --> 00:08:05,600 Speaker 1: is very misplaced criticism. I think she's a very complex 175 00:08:05,720 --> 00:08:08,240 Speaker 1: character that we've had for thirty years and you're hearing 176 00:08:08,280 --> 00:08:14,160 Speaker 1: her internal right voiceover, of course she seems narcissistic. 177 00:08:13,600 --> 00:08:14,520 Speaker 2: In all ways. 178 00:08:14,680 --> 00:08:16,760 Speaker 3: Yeah, you know what I mean? Yeah, yeah, right, I do. 179 00:08:17,040 --> 00:08:20,320 Speaker 1: And why can't a woman be complicated and complex and 180 00:08:20,360 --> 00:08:22,120 Speaker 1: never do the not never do the right thing? 181 00:08:22,200 --> 00:08:23,480 Speaker 2: Sometimes do not do the right thing? 182 00:08:23,600 --> 00:08:24,080 Speaker 1: You know what I mean? 183 00:08:24,200 --> 00:08:28,480 Speaker 3: Of course? Yeah, I mean we are all complicated. Women 184 00:08:28,520 --> 00:08:32,360 Speaker 3: are complicated. Absolute men are complicated, right, Like men can. 185 00:08:32,280 --> 00:08:34,320 Speaker 2: Be serial killers and still be the lead of a 186 00:08:34,360 --> 00:08:35,520 Speaker 2: show and much beloved. 187 00:08:35,800 --> 00:08:39,440 Speaker 1: Right, you know what I mean, You've played one, yes, exactly, exactly. Yeah, 188 00:08:39,640 --> 00:08:41,960 Speaker 1: it's a very common thing and everybody's like, that's the 189 00:08:42,040 --> 00:08:45,439 Speaker 1: hot actor, the one who plays a serial cat killers. 190 00:08:45,600 --> 00:08:48,400 Speaker 2: You know it's weird, right if you think about. 191 00:08:48,200 --> 00:08:51,040 Speaker 3: It, it is. You know, we all have our quirks 192 00:08:51,080 --> 00:08:52,440 Speaker 3: and wrinkles. 193 00:08:52,360 --> 00:08:56,320 Speaker 1: Of course, and what kind of interesting character wouldn't exactly right? 194 00:08:56,640 --> 00:08:57,920 Speaker 2: So then okay, let's keep going. 195 00:08:57,960 --> 00:08:58,720 Speaker 3: So I agree with you. 196 00:08:58,800 --> 00:09:00,640 Speaker 2: That's thank you so much, Brian, And right, I mean 197 00:09:00,640 --> 00:09:01,280 Speaker 2: it's unfair. 198 00:09:01,320 --> 00:09:03,440 Speaker 1: I think it was unfair at the time that there 199 00:09:03,520 --> 00:09:06,760 Speaker 1: was kind of a general kind of a sexist conversation 200 00:09:06,840 --> 00:09:08,840 Speaker 1: about these four women talking about sex List. I mean, 201 00:09:08,840 --> 00:09:11,240 Speaker 1: obviously we still succeeded, but to us, we just heard 202 00:09:11,280 --> 00:09:12,319 Speaker 1: the criticism of like. 203 00:09:12,679 --> 00:09:16,240 Speaker 3: Fascinating, it was interesting to see what you know it did. 204 00:09:16,679 --> 00:09:19,959 Speaker 3: And I'll say mostly men obviously would get intimidated or 205 00:09:20,080 --> 00:09:23,920 Speaker 3: upset about the show. And I have four sisters, so 206 00:09:23,960 --> 00:09:25,920 Speaker 3: I know what it's like awesome and I go and 207 00:09:25,960 --> 00:09:29,160 Speaker 3: I'm like, what are you yeah, just quip being so weak. 208 00:09:29,240 --> 00:09:32,760 Speaker 3: And I was really surprised by a lot of the 209 00:09:32,760 --> 00:09:36,080 Speaker 3: the opposite sex reaction to your show. 210 00:09:36,200 --> 00:09:38,360 Speaker 1: I'm glad you remember it, because some people don't even 211 00:09:38,400 --> 00:09:40,000 Speaker 1: remember it and look at me funny when I talk 212 00:09:40,000 --> 00:09:40,320 Speaker 1: about it. 213 00:09:40,320 --> 00:09:43,400 Speaker 2: I'm like no, I'm like, no, they were upset. It 214 00:09:43,520 --> 00:09:45,280 Speaker 2: was a change. 215 00:09:45,320 --> 00:09:48,560 Speaker 3: It was a big some dudes would say they, you know, 216 00:09:48,880 --> 00:09:53,120 Speaker 3: did ruin my dating life? Man, I was like, you 217 00:09:53,280 --> 00:09:58,480 Speaker 3: ruined your dating life, dude, don't project your issues. Good 218 00:09:58,559 --> 00:10:00,040 Speaker 3: for you, beautiful women. 219 00:10:00,080 --> 00:10:01,600 Speaker 2: Thank you, excellent job. 220 00:10:01,800 --> 00:10:04,439 Speaker 1: Okay, then we have a really adorable storyline with Miranda 221 00:10:04,440 --> 00:10:07,920 Speaker 1: and Steve. I had not remembered this either. It's so 222 00:10:08,000 --> 00:10:08,880 Speaker 1: incredibly good. 223 00:10:09,040 --> 00:10:10,120 Speaker 3: Good is that moment? 224 00:10:10,240 --> 00:10:12,920 Speaker 2: Oh my god, Iigenberg is just so great. She's so 225 00:10:13,280 --> 00:10:13,920 Speaker 2: so good. 226 00:10:13,760 --> 00:10:16,160 Speaker 3: In the door scene he breaks up. I wanted to 227 00:10:16,200 --> 00:10:20,719 Speaker 3: cry right there. She's so good. She's just so good overall, obviously. 228 00:10:20,600 --> 00:10:22,920 Speaker 1: So incredible moment, and he's so good. 229 00:10:22,920 --> 00:10:27,040 Speaker 2: So bray together, right, I mean they're both incredible. 230 00:10:27,080 --> 00:10:30,560 Speaker 1: So basically Miranda, who's trying to climb the ladder at 231 00:10:30,559 --> 00:10:31,040 Speaker 1: her law firm. 232 00:10:31,080 --> 00:10:32,080 Speaker 2: She wants to be made partner. 233 00:10:32,120 --> 00:10:34,439 Speaker 1: This has been true since the show started, right the 234 00:10:34,480 --> 00:10:36,959 Speaker 1: whole through line for her, and she's getting this bartender. 235 00:10:37,160 --> 00:10:40,320 Speaker 1: We have a very funny and interesting conversation about money 236 00:10:40,360 --> 00:10:42,719 Speaker 1: and dating that's in this episode. 237 00:10:42,400 --> 00:10:48,640 Speaker 3: Right, Yeah, the most memorable scene of the show. The 238 00:10:48,720 --> 00:10:52,439 Speaker 3: unions are getting pedicure. Sorry, yes, okay, you're good. The 239 00:10:52,480 --> 00:10:53,520 Speaker 3: pedicure scene, go ahead. 240 00:10:53,520 --> 00:10:56,800 Speaker 2: It's a good scene, right, amazing, Yes, and like. 241 00:10:58,440 --> 00:11:02,480 Speaker 1: By the way out there, like like with the truth. 242 00:11:02,720 --> 00:11:03,040 Speaker 2: You know. 243 00:11:03,440 --> 00:11:07,079 Speaker 1: So basically we're talking about dating and money, which I 244 00:11:07,120 --> 00:11:10,800 Speaker 1: think is still such a big, big topic. Right. 245 00:11:12,160 --> 00:11:13,240 Speaker 2: Did you watch White Lotus? 246 00:11:13,559 --> 00:11:17,360 Speaker 1: Of course, you know that beautiful girl who's dating the 247 00:11:17,400 --> 00:11:20,040 Speaker 1: guy who we think killed Jennifer Coolidge but he didn't 248 00:11:20,120 --> 00:11:21,280 Speaker 1: or what he says he didn't. 249 00:11:21,280 --> 00:11:23,200 Speaker 2: Whatever, Ja, thank. 250 00:11:23,080 --> 00:11:23,560 Speaker 3: You so much. 251 00:11:23,679 --> 00:11:27,079 Speaker 1: He's so good and you know he's got the boat 252 00:11:27,120 --> 00:11:28,720 Speaker 1: and the money and everything that he has. 253 00:11:29,840 --> 00:11:33,720 Speaker 3: No, oh my god, Mike, you're just not right for it. 254 00:11:33,960 --> 00:11:35,240 Speaker 2: You are not right for that. 255 00:11:35,160 --> 00:11:39,719 Speaker 3: Part, Jonathan, I really wanted. 256 00:11:39,760 --> 00:11:41,080 Speaker 2: You're connected to everything? 257 00:11:41,280 --> 00:11:43,600 Speaker 3: Right if I'm old, No you're not. 258 00:11:44,040 --> 00:11:47,480 Speaker 2: I'm old too, babe. Connect Being connected is great. 259 00:11:47,679 --> 00:11:47,880 Speaker 1: Yeah. 260 00:11:48,640 --> 00:11:52,880 Speaker 3: I love Mike, what a great love him? 261 00:11:53,080 --> 00:11:55,080 Speaker 1: Do you remember when so they so there are all 262 00:11:55,080 --> 00:12:00,160 Speaker 1: those beautiful girls on the boat, and is it Parker's like, 263 00:12:00,160 --> 00:12:02,480 Speaker 1: why are these beautiful women with these ugly men. 264 00:12:02,880 --> 00:12:03,680 Speaker 3: Man with the money? 265 00:12:03,920 --> 00:12:06,679 Speaker 1: You know? It's so interesting, right, like because it's still 266 00:12:06,720 --> 00:12:10,040 Speaker 1: it's still an important conversation about hundred percent right. But 267 00:12:10,120 --> 00:12:13,240 Speaker 1: yet somehow it's expected that the rich men who are 268 00:12:13,240 --> 00:12:15,960 Speaker 1: older are going to have the beautiful young girlfriend slash 269 00:12:16,040 --> 00:12:18,600 Speaker 1: want to be wife and that that's cool, but it's 270 00:12:18,679 --> 00:12:21,680 Speaker 1: not okay to have a rich woman who is dating 271 00:12:21,679 --> 00:12:26,280 Speaker 1: a bartender, because that's somehow not okay. And so the 272 00:12:26,800 --> 00:12:29,680 Speaker 1: end of the storyline in this particular episode, as we know, 273 00:12:29,720 --> 00:12:31,840 Speaker 1: it's not the end of Miranda and Steve, but the 274 00:12:31,960 --> 00:12:35,920 Speaker 1: end is that, you know, basically, Steve says, I feel uncomfortable. 275 00:12:36,120 --> 00:12:38,160 Speaker 1: She tries to buy him in an aeen hundred dollars 276 00:12:38,160 --> 00:12:40,640 Speaker 1: suit to go to this very you know, sheishi law 277 00:12:40,720 --> 00:12:41,440 Speaker 1: firm party. 278 00:12:41,800 --> 00:12:44,160 Speaker 2: He won't let her buy it. He's uncomfortable. I totally 279 00:12:44,200 --> 00:12:44,520 Speaker 2: get that. 280 00:12:44,640 --> 00:12:48,199 Speaker 1: I feel that it's an uncomfortable thing in a relationship, 281 00:12:48,320 --> 00:12:49,840 Speaker 1: you know that someone is. 282 00:12:50,000 --> 00:12:52,360 Speaker 3: I've been there, me too, I get it. Indifferent, I 283 00:12:52,400 --> 00:12:55,360 Speaker 3: get it. I've been exactly a nice sort of similar position. 284 00:12:55,400 --> 00:12:59,160 Speaker 3: So I totally understand me too. Dynamic, and but go ahead, 285 00:12:59,200 --> 00:13:00,239 Speaker 3: because there's a trillion. 286 00:13:00,400 --> 00:13:02,400 Speaker 1: Well because when he comes and says to her, he 287 00:13:02,440 --> 00:13:04,360 Speaker 1: comes on the evening that they're supposed to go to 288 00:13:04,440 --> 00:13:07,160 Speaker 1: the party, and she's ready and waiting and he comes in. 289 00:13:07,280 --> 00:13:09,160 Speaker 1: He's wearing jeans and T shirt and she says, why 290 00:13:09,200 --> 00:13:10,880 Speaker 1: are you dressed like that? And he says, I can't go. 291 00:13:11,000 --> 00:13:12,760 Speaker 1: I took the soup back. I couldn't afford it, and 292 00:13:12,760 --> 00:13:16,400 Speaker 1: she's like, oh, and then he goes, you're an amazing lady, 293 00:13:16,559 --> 00:13:18,560 Speaker 1: I believe, he says, And she goes, are you breaking 294 00:13:18,640 --> 00:13:21,959 Speaker 1: up with me because I'm successful? Basically, and he says, no, 295 00:13:22,160 --> 00:13:25,720 Speaker 1: I don't mean it like that, and she's so emotionally 296 00:13:25,760 --> 00:13:30,560 Speaker 1: present and moved and upset and like devastated really because 297 00:13:30,679 --> 00:13:31,240 Speaker 1: it's true. 298 00:13:31,280 --> 00:13:33,520 Speaker 3: It's like what her line was, I'm being punished for 299 00:13:33,559 --> 00:13:37,839 Speaker 3: being successful. Yeah, well, and that's that's pretty profound. And 300 00:13:38,840 --> 00:13:44,160 Speaker 3: there's a lot of truth to that, obviously, and it's 301 00:13:44,200 --> 00:13:47,040 Speaker 3: still to this day. You still exists to this day, 302 00:13:47,160 --> 00:13:49,599 Speaker 3: I can't can't fix that. We're going backwards in a 303 00:13:49,600 --> 00:13:51,760 Speaker 3: lot of certain areas too, I think in our culture. 304 00:13:51,800 --> 00:13:56,040 Speaker 3: But it's it is, it is still, it's interesting. It's 305 00:13:56,040 --> 00:13:57,960 Speaker 3: a real thing. Even this we know, this ship, we 306 00:13:58,240 --> 00:14:00,840 Speaker 3: this this time of rife was like twenty five almost 307 00:14:00,960 --> 00:14:01,679 Speaker 3: thirty years ago. 308 00:14:01,720 --> 00:14:04,960 Speaker 1: Yeah, and it's still completely true, exactly. 309 00:14:05,320 --> 00:14:07,360 Speaker 3: We have unbelievable unbelievable right. 310 00:14:07,760 --> 00:14:11,199 Speaker 1: But I love the writing, and I obviously love the acting, 311 00:14:11,760 --> 00:14:14,120 Speaker 1: and they're so good together and you so want them 312 00:14:14,120 --> 00:14:16,240 Speaker 1: to work. But you can also understand, you can totally 313 00:14:16,320 --> 00:14:20,200 Speaker 1: understand her viewpoint of like, why can't you just. 314 00:14:20,160 --> 00:14:22,600 Speaker 2: Be okay with this? Yeah, just let me buy you 315 00:14:22,640 --> 00:14:23,960 Speaker 2: a suit? Who cares? 316 00:14:24,320 --> 00:14:26,640 Speaker 1: Right, But as a guy, I think the way men 317 00:14:26,680 --> 00:14:29,360 Speaker 1: are conditioned, it's not okay. 318 00:14:29,640 --> 00:14:32,360 Speaker 3: He hasn't lied too, it was I get it. It's 319 00:14:32,600 --> 00:14:34,840 Speaker 3: but it's also came off. It's like also pathetic and 320 00:14:34,880 --> 00:14:36,840 Speaker 3: we get there. But he's like, you know, I don't 321 00:14:36,880 --> 00:14:39,520 Speaker 3: feel good about myself when I'm around you, right, that's 322 00:14:39,520 --> 00:14:43,840 Speaker 3: who saunds. I'm like, well, that's not that's your issue. 323 00:14:44,240 --> 00:14:46,400 Speaker 3: It's not her. I guess, true, you. 324 00:14:46,360 --> 00:14:47,080 Speaker 2: Know, true. 325 00:14:47,920 --> 00:14:51,200 Speaker 1: And obviously he I can't remember the details of how 326 00:14:51,240 --> 00:14:51,920 Speaker 1: they come back together. 327 00:14:51,960 --> 00:14:52,880 Speaker 2: I can't wait to see. 328 00:14:53,000 --> 00:14:55,200 Speaker 3: But he's also valid to have those feelings. It's a 329 00:14:55,280 --> 00:14:59,880 Speaker 3: very complicated, you know, yes, dynamic and humans are calm 330 00:15:00,000 --> 00:15:03,560 Speaker 3: implicated for sure, for surely understand what both those. 331 00:15:03,520 --> 00:15:05,800 Speaker 1: Me too, and I think society you know, does a 332 00:15:05,920 --> 00:15:09,160 Speaker 1: number on people, you know, and like this whole the 333 00:15:09,240 --> 00:15:12,640 Speaker 1: idea when when Charlotte says to the girls, you know, 334 00:15:12,880 --> 00:15:15,080 Speaker 1: you all are pretending that we live in a classless 335 00:15:15,120 --> 00:15:17,360 Speaker 1: society because they're just talking about money and they're not 336 00:15:17,400 --> 00:15:20,640 Speaker 1: talking about class. And I say, you know, you can't 337 00:15:20,840 --> 00:15:23,520 Speaker 1: think about being with a guy whose income is based 338 00:15:23,560 --> 00:15:26,120 Speaker 1: on tips, which is like so practical and weird, Like 339 00:15:26,200 --> 00:15:29,040 Speaker 1: I would never say that in life. Who never occur 340 00:15:29,160 --> 00:15:30,840 Speaker 1: to me in life, you know what I'm saying. But 341 00:15:30,920 --> 00:15:33,200 Speaker 1: Charlotte's going to be practical, and she's obviously got her 342 00:15:33,320 --> 00:15:35,760 Speaker 1: endgame in mind, and she thinks other people too or 343 00:15:35,840 --> 00:15:38,880 Speaker 1: should have the same endgame whatever. But it is true 344 00:15:38,920 --> 00:15:43,920 Speaker 1: I think still today that the class situation in America 345 00:15:44,160 --> 00:15:47,480 Speaker 1: is complex and not worked out. 346 00:15:47,880 --> 00:15:51,640 Speaker 3: You know, it's hard it it's hard to date outside 347 00:15:51,680 --> 00:15:52,560 Speaker 3: your class or right. 348 00:15:52,680 --> 00:15:55,400 Speaker 1: And also I say, I say, yeah, you're you're ignoring 349 00:15:55,400 --> 00:15:57,040 Speaker 1: because they're just talking about the money in Morano. 350 00:15:57,160 --> 00:15:59,600 Speaker 2: Samantha's like, it's totally that's not true. 351 00:15:59,640 --> 00:16:01,720 Speaker 1: You know, she'd be able to be successful indeed whoever 352 00:16:01,760 --> 00:16:03,200 Speaker 1: they want, where they have the money, you're ant, And 353 00:16:03,200 --> 00:16:05,600 Speaker 1: of course I agree with her. But then Charlotte says, 354 00:16:05,600 --> 00:16:08,080 Speaker 1: but you all are forgetting class. You're pretending that class 355 00:16:08,120 --> 00:16:10,520 Speaker 1: doesn't exist. And that's a really true point, I think, 356 00:16:10,560 --> 00:16:12,840 Speaker 1: and I think part of what's happening in America currently 357 00:16:12,880 --> 00:16:17,280 Speaker 1: culturally is based in the fact that we have a 358 00:16:17,320 --> 00:16:21,720 Speaker 1: society that's based on like achievement and class based on achievement, 359 00:16:22,160 --> 00:16:24,280 Speaker 1: which is not great. 360 00:16:24,560 --> 00:16:27,360 Speaker 2: You know, it's a great way to be. 361 00:16:27,840 --> 00:16:29,120 Speaker 3: No, you know, I know. 362 00:16:39,680 --> 00:16:41,600 Speaker 1: And that's the other thing you got to really respect 363 00:16:41,680 --> 00:16:44,000 Speaker 1: when I look back at these episodes, like we go 364 00:16:44,080 --> 00:16:46,800 Speaker 1: to some places like bam, you know what I'm saying, Like, oh, 365 00:16:46,800 --> 00:16:49,080 Speaker 1: I said, we're in deep like we're getting a pedicure, 366 00:16:49,080 --> 00:16:50,520 Speaker 1: and I'm like, well, you're all. 367 00:16:50,600 --> 00:16:52,680 Speaker 2: Thinking that you don't live in a classless society. 368 00:16:52,880 --> 00:16:54,480 Speaker 1: And Charlotte is supposed to be like that, you know, 369 00:16:54,560 --> 00:16:56,360 Speaker 1: kind of naive one or whatever, but here she is 370 00:16:56,360 --> 00:16:56,800 Speaker 1: with the two. 371 00:16:57,200 --> 00:17:00,200 Speaker 3: No. No, that's that's a through line throughout your the 372 00:17:00,600 --> 00:17:03,320 Speaker 3: whole show and every you know, every season and all 373 00:17:03,360 --> 00:17:09,160 Speaker 3: the episodes. It's it's a very smart and the writing 374 00:17:09,200 --> 00:17:14,560 Speaker 3: and obviously the acting, but variant what's the word I'm 375 00:17:14,560 --> 00:17:19,040 Speaker 3: trying to look for, you know, socially relevant with with 376 00:17:19,359 --> 00:17:21,200 Speaker 3: you know, our current culture. 377 00:17:21,520 --> 00:17:24,399 Speaker 2: Yes, at that time, yes, and like kudos to our writers. 378 00:17:24,440 --> 00:17:26,720 Speaker 3: Yeah, and you were you were you were definitely like 379 00:17:26,840 --> 00:17:27,400 Speaker 3: going there. 380 00:17:27,640 --> 00:17:28,640 Speaker 2: I know I was going. 381 00:17:28,640 --> 00:17:31,280 Speaker 3: There was a lot of boundaries to which which is great. 382 00:17:31,560 --> 00:17:33,679 Speaker 2: It's true. So wait, this is when you come in. 383 00:17:34,040 --> 00:17:36,160 Speaker 1: I just want to mention how cute that art art 384 00:17:36,200 --> 00:17:37,880 Speaker 1: scene is when you want to buy. 385 00:17:37,720 --> 00:17:44,399 Speaker 3: This, it's hysterical. It's so good the writing and that 386 00:17:44,480 --> 00:17:48,720 Speaker 3: in that moment is and it's I collect art to 387 00:17:49,280 --> 00:17:53,159 Speaker 3: one of my best friends is a big art consultant. 388 00:17:53,200 --> 00:17:56,280 Speaker 3: I'll say, my I have a lot of experience in 389 00:17:56,520 --> 00:18:00,760 Speaker 3: that world, but I do some of the ridiculousness of what. 390 00:18:00,920 --> 00:18:02,760 Speaker 2: Right, like, isn't there a banana piol on a wall? 391 00:18:02,960 --> 00:18:05,760 Speaker 1: Isn't that is that in the those commercials with Chris? 392 00:18:06,040 --> 00:18:09,800 Speaker 3: Yeah? Right, it's real, right, So, but yeah, I mean 393 00:18:09,840 --> 00:18:12,680 Speaker 3: some of the some of the art that it's it's 394 00:18:13,320 --> 00:18:13,879 Speaker 3: it's funny. 395 00:18:13,880 --> 00:18:17,359 Speaker 1: So you're not wrong to think that that fire extinguisher 396 00:18:17,359 --> 00:18:19,439 Speaker 1: in the wall might be the art and that's the 397 00:18:19,480 --> 00:18:20,040 Speaker 1: one you're. 398 00:18:19,840 --> 00:18:23,679 Speaker 3: Gonna buy in Charlotte wasn't wrong either. I take it. 399 00:18:23,760 --> 00:18:24,600 Speaker 3: Someone's going to think. 400 00:18:25,119 --> 00:18:27,400 Speaker 2: Exactly you should take it's. 401 00:18:28,600 --> 00:18:30,440 Speaker 3: You take it out and sitting in the middle table 402 00:18:30,440 --> 00:18:31,320 Speaker 3: and that's that's. 403 00:18:31,240 --> 00:18:34,080 Speaker 1: You know, totally totally, or just put a frame around it. 404 00:18:33,680 --> 00:18:36,520 Speaker 3: Put a frame around it. You know, it becomes art 405 00:18:36,520 --> 00:18:39,359 Speaker 3: if you just put a frame around it totally. 406 00:18:39,400 --> 00:18:42,240 Speaker 1: And but you're so funny and you keep your cool, 407 00:18:42,359 --> 00:18:46,480 Speaker 1: which I think is so amazing, Like you're so naturally 408 00:18:46,720 --> 00:18:50,240 Speaker 1: just cool and calm and collected, and I'm so like, goofball, 409 00:18:50,680 --> 00:18:55,080 Speaker 1: you know, goofball Charlotte, which I really enjoyed watching, you 410 00:18:55,160 --> 00:18:56,840 Speaker 1: know what I mean, Like it really it took me 411 00:18:56,880 --> 00:18:58,080 Speaker 1: back to the nineties. 412 00:18:57,680 --> 00:18:59,520 Speaker 3: So much, right to me too. 413 00:18:59,680 --> 00:19:01,600 Speaker 2: Yeah, yeah, I love it. I love it, and you're 414 00:19:01,640 --> 00:19:03,960 Speaker 2: so good. Then all of a sudden we're in the 415 00:19:04,040 --> 00:19:08,920 Speaker 2: car making out. I mean, man, it was like smash cut. 416 00:19:09,359 --> 00:19:13,120 Speaker 3: I mean, wow, I know we Yeah. I forgot about 417 00:19:13,119 --> 00:19:16,760 Speaker 3: it too until I watched the episode again and smash 418 00:19:16,800 --> 00:19:19,240 Speaker 3: cut to the limous scene and it was you know. 419 00:19:22,520 --> 00:19:26,200 Speaker 1: That's what you did back then, right, I was like, whoa, yeah, 420 00:19:27,200 --> 00:19:28,399 Speaker 1: just jump on in there. 421 00:19:28,440 --> 00:19:32,919 Speaker 3: No intimacy, no discussion, an intimacy coordinator. Yeah, no, we 422 00:19:33,080 --> 00:19:35,159 Speaker 3: just go. Yeah, we didn't have that back in this. 423 00:19:36,119 --> 00:19:38,560 Speaker 3: But it was fun. It was good. You made me 424 00:19:38,600 --> 00:19:40,640 Speaker 3: feel very because it's awkward, this. 425 00:19:40,640 --> 00:19:42,040 Speaker 2: Is yeah, I mean, it's strange. 426 00:19:42,200 --> 00:19:44,280 Speaker 3: Yeah, and it is. It is a weird thing, but 427 00:19:44,320 --> 00:19:47,959 Speaker 3: you're so cool. You made it very you know, you know, 428 00:19:48,119 --> 00:19:51,760 Speaker 3: very comfortable and you know, and enjoyable. 429 00:19:51,800 --> 00:19:54,840 Speaker 1: And yes, yes, yes, I enjoyed it. 430 00:19:54,880 --> 00:19:57,040 Speaker 3: There was to be honest, there was a crush for sure. 431 00:19:57,200 --> 00:19:57,440 Speaker 2: I was. 432 00:19:57,640 --> 00:20:02,119 Speaker 3: I was definitely a fan. Sweet, I am a a 433 00:20:02,200 --> 00:20:06,119 Speaker 3: I'm a Charlotte for sure. I have a tie. You 434 00:20:06,160 --> 00:20:10,240 Speaker 3: know my history a little. I'm gonna I have a type. Yes, 435 00:20:10,640 --> 00:20:13,800 Speaker 3: you see my wife, my wife. Oh, I can't wait, 436 00:20:13,960 --> 00:20:14,640 Speaker 3: I can't wait. 437 00:20:14,680 --> 00:20:16,560 Speaker 2: I'm so excited. I'm so happy for you. 438 00:20:16,760 --> 00:20:18,680 Speaker 1: But I definitely had a crush back and thank god 439 00:20:18,800 --> 00:20:20,720 Speaker 1: if you hadn't been dating Mani Pede, I don't know 440 00:20:20,760 --> 00:20:21,480 Speaker 1: what I would have done. 441 00:20:21,600 --> 00:20:23,400 Speaker 2: I would have lost my cool in every which way, 442 00:20:23,520 --> 00:20:24,239 Speaker 2: do you know what I mean? 443 00:20:24,680 --> 00:20:24,840 Speaker 3: Right? 444 00:20:24,840 --> 00:20:27,399 Speaker 1: But I had to keep even near a professionalism on 445 00:20:27,440 --> 00:20:28,000 Speaker 1: top of it. 446 00:20:28,160 --> 00:20:32,040 Speaker 3: Well, we tried me too. But it was funny, made 447 00:20:32,040 --> 00:20:34,639 Speaker 3: it very comfortable in and awkward, which mostly most of 448 00:20:34,640 --> 00:20:38,720 Speaker 3: the times those scenes can be incredibly awkward, weird, and 449 00:20:38,920 --> 00:20:42,600 Speaker 3: but it was, it was it was a chemist change. 450 00:20:43,119 --> 00:20:43,600 Speaker 3: It was great. 451 00:20:43,720 --> 00:20:44,800 Speaker 2: It was great. It was great. 452 00:20:44,800 --> 00:20:46,560 Speaker 1: It's great, which is why I think that's really the 453 00:20:46,560 --> 00:20:47,960 Speaker 1: only part of the episode I remembered. 454 00:20:53,080 --> 00:20:55,520 Speaker 2: No, there's that crazy bar scene. So this is also 455 00:20:55,560 --> 00:20:55,880 Speaker 2: when we. 456 00:20:55,840 --> 00:20:59,200 Speaker 1: Get to Samantha's kind of bonkers storyline, which I also 457 00:20:59,200 --> 00:21:01,600 Speaker 1: didn't remember, where she's doing this very wealthy man who 458 00:21:01,680 --> 00:21:02,520 Speaker 1: has a servant. 459 00:21:02,640 --> 00:21:06,480 Speaker 3: Oh my god, this servant's funny too. What's her character's name. 460 00:21:06,560 --> 00:21:10,359 Speaker 1: It's some some are just scary, funny funny. 461 00:21:10,000 --> 00:21:12,520 Speaker 2: But it's scary, Okay, it's scary. 462 00:21:12,560 --> 00:21:14,919 Speaker 1: So basically, the gist of that storyline is that this 463 00:21:15,000 --> 00:21:16,800 Speaker 1: man is like, oh, something's going to take such good 464 00:21:16,840 --> 00:21:17,199 Speaker 1: care of you. 465 00:21:17,240 --> 00:21:19,080 Speaker 2: And the second he's gone, she's like, get out of 466 00:21:19,119 --> 00:21:21,880 Speaker 2: the bed or get one way. He's like, you slut 467 00:21:21,920 --> 00:21:25,119 Speaker 2: you are You're like, oh my god, and I it 468 00:21:25,200 --> 00:21:27,120 Speaker 2: was so real, seeming so real. 469 00:21:27,200 --> 00:21:29,240 Speaker 3: The actress was so good. I don't know her name, 470 00:21:29,280 --> 00:21:30,280 Speaker 3: but anyways. 471 00:21:29,840 --> 00:21:34,960 Speaker 1: She was Gina, you know, you did a great job. 472 00:21:35,040 --> 00:21:38,040 Speaker 1: And it's very terrifying. And Samantha, of course is very scary. 473 00:21:38,240 --> 00:21:40,800 Speaker 1: But there's also this whole facade where she's acting one 474 00:21:40,800 --> 00:21:42,480 Speaker 1: way to her boss and the other way to the 475 00:21:42,520 --> 00:21:45,760 Speaker 1: woman with her cross. And then the very end, when 476 00:21:46,720 --> 00:21:48,720 Speaker 1: I think you try, oh, he's in the shower and 477 00:21:49,359 --> 00:21:53,600 Speaker 1: I guess the lady who works at the house, I 478 00:21:53,600 --> 00:21:55,560 Speaker 1: hate to say the word servant comes in. 479 00:21:55,600 --> 00:21:57,359 Speaker 2: It's just like, get off the sheets, I have to 480 00:21:57,600 --> 00:21:58,000 Speaker 2: wash them. 481 00:21:58,040 --> 00:21:59,720 Speaker 3: But she finds a condom wrapper. 482 00:22:00,119 --> 00:22:03,800 Speaker 2: Is that yes the time? Yeah, it must be. 483 00:22:04,040 --> 00:22:05,600 Speaker 1: I feel like there's a couple of scenes with her 484 00:22:05,640 --> 00:22:08,520 Speaker 1: where she's mean to Samantha and then the guy comes out, 485 00:22:08,920 --> 00:22:15,840 Speaker 1: and then the lady pretends that Samantha devastating I mean 486 00:22:16,119 --> 00:22:19,400 Speaker 1: awkward and awful, but I mean, you know, these kind 487 00:22:19,400 --> 00:22:21,760 Speaker 1: of things happen, and it's kind of scary, you know 488 00:22:21,800 --> 00:22:22,280 Speaker 1: what I mean. 489 00:22:22,600 --> 00:22:25,440 Speaker 3: I can imagine, you know, I haven't had too much 490 00:22:25,480 --> 00:22:26,480 Speaker 3: experience with the. 491 00:22:26,800 --> 00:22:29,560 Speaker 1: Servant I haven't either, not the servant life, but but 492 00:22:29,800 --> 00:22:34,080 Speaker 1: like complications with people. Like I had this guy who 493 00:22:34,160 --> 00:22:38,520 Speaker 1: was doing like, uh, what do you call it? Like 494 00:22:38,560 --> 00:22:40,879 Speaker 1: putting in my video audio video? 495 00:22:41,000 --> 00:22:41,920 Speaker 2: What do you call it? 496 00:22:41,920 --> 00:22:47,840 Speaker 1: It's like a word, ye, yes, av audiovisual tech. And 497 00:22:48,000 --> 00:22:50,720 Speaker 1: because I'm a I'm a I'm a woman, single woman 498 00:22:50,840 --> 00:22:53,359 Speaker 1: who owns my house and pays for everything right, and 499 00:22:53,400 --> 00:22:56,359 Speaker 1: I also have I think at the time I had 500 00:22:56,400 --> 00:22:59,000 Speaker 1: an assistant that I had him, so he'd been dealing 501 00:22:59,000 --> 00:22:59,600 Speaker 1: with the assistant. 502 00:22:59,600 --> 00:23:00,439 Speaker 2: But one day I came in. 503 00:23:00,480 --> 00:23:02,600 Speaker 1: He was still there, and he had his people were there, 504 00:23:02,640 --> 00:23:05,240 Speaker 1: like installing wiring or something, and he didn't know who 505 00:23:05,280 --> 00:23:09,040 Speaker 1: I was. And I was wearing my regular very unimpressive clothes, 506 00:23:09,320 --> 00:23:10,360 Speaker 1: and he just turned to me and. 507 00:23:10,320 --> 00:23:12,560 Speaker 2: Started talking to me like it's such a mean way. 508 00:23:13,000 --> 00:23:15,520 Speaker 2: And I was like, what's going on? You know what 509 00:23:15,560 --> 00:23:15,840 Speaker 2: I mean? 510 00:23:15,960 --> 00:23:17,920 Speaker 1: And I could see the guy behind him who worked 511 00:23:17,920 --> 00:23:20,200 Speaker 1: for him knew who I was, right, but he did 512 00:23:20,200 --> 00:23:21,920 Speaker 1: not know who I was, and he thought that I 513 00:23:22,000 --> 00:23:24,200 Speaker 1: might have been the assistant or a different assistant maybe, 514 00:23:24,280 --> 00:23:26,520 Speaker 1: and he was like just mean is anything? 515 00:23:26,800 --> 00:23:28,320 Speaker 2: And I was like, oh my god, what do I do? 516 00:23:28,359 --> 00:23:28,639 Speaker 2: What I do? 517 00:23:28,880 --> 00:23:35,560 Speaker 1: So I was like, uh, should I go and come back? 518 00:23:36,000 --> 00:23:38,280 Speaker 1: And then he was like, why the billing? And I 519 00:23:38,320 --> 00:23:41,480 Speaker 1: was like, well, I'm the billing. I'm I'm the billing. 520 00:23:41,680 --> 00:23:43,760 Speaker 1: And then you could just see his face just like, 521 00:23:43,880 --> 00:23:46,720 Speaker 1: oh no, I thought this was a different person. And 522 00:23:46,760 --> 00:23:48,520 Speaker 1: then he changed back to the person that I had 523 00:23:48,560 --> 00:23:51,840 Speaker 1: previously seen, which was super polite but awful. 524 00:23:52,640 --> 00:23:53,639 Speaker 3: I don't understand that. 525 00:23:53,720 --> 00:23:54,560 Speaker 2: I know it's awful. 526 00:23:54,600 --> 00:23:56,240 Speaker 1: And you could see the guy behind him who worked 527 00:23:56,240 --> 00:23:58,560 Speaker 1: for him was dying a million deaths, do you know 528 00:23:58,600 --> 00:23:59,000 Speaker 1: what I mean? 529 00:23:59,240 --> 00:24:01,720 Speaker 2: But couldn't say. I couldn't get in front of them, like, 530 00:24:01,800 --> 00:24:02,480 Speaker 2: don't do it. 531 00:24:04,240 --> 00:24:07,000 Speaker 1: I just hate that. I don't want that to be true. 532 00:24:07,320 --> 00:24:10,840 Speaker 1: But in reality, there's things in reality that we don't 533 00:24:11,119 --> 00:24:12,000 Speaker 1: want that are true. 534 00:24:12,200 --> 00:24:14,760 Speaker 3: You know, Like somebody I agree with you. It's horrible 535 00:24:14,800 --> 00:24:17,399 Speaker 3: and it makes me so uncomfortable when in those moments like, 536 00:24:17,400 --> 00:24:20,040 Speaker 3: for example, you probably had this experience too, when you're 537 00:24:20,040 --> 00:24:22,920 Speaker 3: out to dinner with a friend or whoever, and it 538 00:24:23,080 --> 00:24:27,280 Speaker 3: just some people treat waiters with little or no respect. 539 00:24:27,400 --> 00:24:28,440 Speaker 2: It's upsetting. 540 00:24:29,840 --> 00:24:33,159 Speaker 3: Exactly. I mean, I was the worst waiter to it 541 00:24:33,200 --> 00:24:38,120 Speaker 3: was briefly I got fired. Yeah, I brought out the 542 00:24:38,240 --> 00:24:39,080 Speaker 3: this is when I went to U c. 543 00:24:39,240 --> 00:24:39,399 Speaker 1: L A. 544 00:24:40,359 --> 00:24:42,520 Speaker 3: I graduated right on the corner by the way where 545 00:24:42,600 --> 00:24:46,240 Speaker 3: we're my old stomping grounds. I didn't. I didn't. The 546 00:24:46,240 --> 00:24:49,280 Speaker 3: faeatas weren't sizzling enough. Any guy goes take them back 547 00:24:49,280 --> 00:24:51,399 Speaker 3: and I'm like, they're not enough. You eat them anyway. 548 00:24:51,600 --> 00:24:54,480 Speaker 3: I was terrible. But anyway, it's a hard job and 549 00:24:54,920 --> 00:24:58,680 Speaker 3: very hard and it's like they worked their asses off. Yeah, 550 00:24:58,720 --> 00:25:02,080 Speaker 3: and its just it troubles me when when. 551 00:25:01,960 --> 00:25:07,200 Speaker 1: Oh it's rough man, it's someone's no, no me neither. 552 00:25:07,240 --> 00:25:09,040 Speaker 2: If you're not nice to the waiter, it's it's a 553 00:25:09,240 --> 00:25:12,520 Speaker 2: very very bad look, really uncomfortable. I agree, really bad look. 554 00:25:12,560 --> 00:25:15,119 Speaker 1: And I don't think the same about you as they 555 00:25:15,160 --> 00:25:18,440 Speaker 1: did previously to that basically, just for anyone, I was 556 00:25:18,520 --> 00:25:22,360 Speaker 1: curious Okay. Then we're back at this Park Avenue party 557 00:25:22,440 --> 00:25:25,119 Speaker 1: with Carrie, and then she runs into Jeremayah who's so 558 00:25:25,200 --> 00:25:28,200 Speaker 1: adorable with the flower, which is mysterious, as we said, 559 00:25:28,720 --> 00:25:32,400 Speaker 1: and then we go to the poor Samantha Miranda. I mean, 560 00:25:32,600 --> 00:25:34,560 Speaker 1: there's really a lot of sadness when you look at 561 00:25:34,560 --> 00:25:37,320 Speaker 1: this episode, which is interesting because it starts with just 562 00:25:37,400 --> 00:25:38,919 Speaker 1: that love of the springs. 563 00:25:39,200 --> 00:25:40,439 Speaker 3: Right, I didn't even think about it. 564 00:25:40,760 --> 00:25:42,280 Speaker 1: Yeah, but now that I'm looking at that's the other 565 00:25:42,320 --> 00:25:44,360 Speaker 1: thing when you reflect back, like how much we could 566 00:25:44,440 --> 00:25:45,919 Speaker 1: pack into twenty two minutes. 567 00:25:46,359 --> 00:25:48,480 Speaker 2: A lot, so much, a lot, right. 568 00:25:48,680 --> 00:25:50,439 Speaker 3: I didn't realize how much you guys did until I 569 00:25:50,480 --> 00:25:53,120 Speaker 3: watched it again, right, and it's talking to you right now, 570 00:25:53,240 --> 00:25:56,680 Speaker 3: realizing you know, you're going over the episode, just a 571 00:25:56,720 --> 00:25:58,160 Speaker 3: lot of information to cover with it. 572 00:25:58,160 --> 00:26:00,000 Speaker 2: It is a lot, and it's highs and lows. 573 00:26:01,160 --> 00:26:04,200 Speaker 3: And it works so somehow it connects and it's smooth 574 00:26:04,240 --> 00:26:06,639 Speaker 3: and it's for the most part seamless. 575 00:26:06,840 --> 00:26:07,360 Speaker 2: Yeah, with the. 576 00:26:07,400 --> 00:26:09,760 Speaker 1: Editing and everything, it's amazing. We have the same editor 577 00:26:09,840 --> 00:26:11,560 Speaker 1: on it, just like that, and he's an amazing guy. 578 00:26:11,600 --> 00:26:13,359 Speaker 2: Michael Barrem. Mom, thank you very much. 579 00:26:24,040 --> 00:26:27,560 Speaker 1: So then here I here, I am you at the 580 00:26:28,880 --> 00:26:31,760 Speaker 1: I get up to be a waitress at this dinner 581 00:26:31,880 --> 00:26:34,160 Speaker 1: that we're at, which is also I'm just like, oh 582 00:26:34,200 --> 00:26:38,240 Speaker 1: my god, Charlotte, sit down. But it is very Charlotte 583 00:26:38,240 --> 00:26:42,000 Speaker 1: to be like, okay, everyone's I know, Oh my god. 584 00:26:42,119 --> 00:26:43,880 Speaker 2: And then I'm not going to repeat your line. 585 00:26:43,920 --> 00:26:46,880 Speaker 1: They wrote it down here like I would you funny people, 586 00:26:47,400 --> 00:26:50,480 Speaker 1: I'm not going to repeat this line, but thank god, 587 00:26:50,640 --> 00:26:51,680 Speaker 1: you push me too far. 588 00:26:52,320 --> 00:26:54,159 Speaker 2: Your wily character pushes me too far. 589 00:26:54,160 --> 00:26:55,440 Speaker 3: You're not going to repeat the line. 590 00:26:55,640 --> 00:26:59,720 Speaker 2: I'm not, are you? You can't when you said that 591 00:26:59,800 --> 00:27:02,199 Speaker 2: this would come back to you, how did so? 592 00:27:02,240 --> 00:27:05,640 Speaker 3: This's just for the for your audience. I won't say that. 593 00:27:05,720 --> 00:27:07,719 Speaker 2: Oh yeah, you're right. The audience needs to know. 594 00:27:07,840 --> 00:27:10,600 Speaker 3: No, No, I would I would? You know? My character 595 00:27:10,760 --> 00:27:12,960 Speaker 3: got to you know again one of the I've been 596 00:27:13,000 --> 00:27:16,600 Speaker 3: so blessed in my career to have delivered something insane 597 00:27:17,280 --> 00:27:20,600 Speaker 3: one liner, you know, you know. I told Kyle Score, 598 00:27:20,680 --> 00:27:22,840 Speaker 3: I asked him if he likes he likes my nice, 599 00:27:22,840 --> 00:27:24,639 Speaker 3: hard ass, over and over again. 600 00:27:24,880 --> 00:27:26,120 Speaker 2: Oh my god, I. 601 00:27:26,080 --> 00:27:29,760 Speaker 3: Won't go over all. There's some there's monumental moments, but 602 00:27:29,840 --> 00:27:33,000 Speaker 3: this was the Hall of Fame line, the moment of 603 00:27:33,000 --> 00:27:36,719 Speaker 3: my entire career, and I still hear from it. I 604 00:27:36,760 --> 00:27:39,959 Speaker 3: still get recognized from it to this day, and not 605 00:27:40,000 --> 00:27:43,479 Speaker 3: really recognized because now I'm, you know, one hundred years old, 606 00:27:44,200 --> 00:27:48,080 Speaker 3: and it's just like a baby. And that thing my 607 00:27:48,160 --> 00:27:50,600 Speaker 3: voice is, I don't think my balls dropped chet because 608 00:27:50,600 --> 00:27:52,359 Speaker 3: my voice is I don't know what. 609 00:27:56,080 --> 00:27:56,440 Speaker 2: I didn't know. 610 00:27:56,800 --> 00:27:57,719 Speaker 3: I was pretty nervous. 611 00:27:58,200 --> 00:27:59,040 Speaker 2: That is cute. 612 00:27:59,119 --> 00:28:01,800 Speaker 3: But and then but I'm like, oh my god, how 613 00:28:01,800 --> 00:28:04,480 Speaker 3: am I going to do this? But I just channeled 614 00:28:04,520 --> 00:28:07,240 Speaker 3: my you know, my inner douchebag, and I got to 615 00:28:07,280 --> 00:28:10,440 Speaker 3: deliver the line of like, you know, Charlene. First of all, 616 00:28:10,600 --> 00:28:12,960 Speaker 3: I would there's some of that guy who wouldn't even 617 00:28:13,080 --> 00:28:14,600 Speaker 3: you know, have enough respect to call you by your 618 00:28:14,880 --> 00:28:17,000 Speaker 3: right Charlie is not a bad name either. 619 00:28:18,960 --> 00:28:19,160 Speaker 1: Mind. 620 00:28:20,840 --> 00:28:24,320 Speaker 3: It's like, Charlie, I want you to go to the bathroom, 621 00:28:24,960 --> 00:28:28,000 Speaker 3: stick your finger in your who had come back, and 622 00:28:28,080 --> 00:28:31,679 Speaker 3: let me smell it. I'm like, oh my god. And 623 00:28:31,960 --> 00:28:33,560 Speaker 3: the fact that we were able to do that, I'm like, 624 00:28:33,560 --> 00:28:35,199 Speaker 3: there's no way they're going to let me do this. 625 00:28:35,359 --> 00:28:39,600 Speaker 1: I'm so sorry, so stressed, like I'm sure I did 626 00:28:39,640 --> 00:28:40,120 Speaker 1: at the time. 627 00:28:41,320 --> 00:28:42,280 Speaker 2: It's so interesting. 628 00:28:42,360 --> 00:28:44,560 Speaker 3: Go ahead, But first of all, I'm like there's no 629 00:28:44,640 --> 00:28:46,520 Speaker 3: way after reading this, they're gonna let me do this. 630 00:28:47,240 --> 00:28:49,320 Speaker 2: Oh you didn't realize I read it? 631 00:28:49,400 --> 00:28:50,920 Speaker 3: You know. You know how many times I've read a 632 00:28:51,000 --> 00:28:54,360 Speaker 3: script that was and then it's changed because of the ist. 633 00:28:54,440 --> 00:28:57,680 Speaker 3: You know, I forgot about it. 634 00:28:57,840 --> 00:28:59,360 Speaker 2: Yes, we didn't have that. 635 00:29:00,160 --> 00:29:03,720 Speaker 3: No, I didn't have that. We reveled, especially in johnthan Cincinnati, 636 00:29:03,840 --> 00:29:06,640 Speaker 3: definitely didn't have that. That's another. But I couldn't believe 637 00:29:06,680 --> 00:29:07,920 Speaker 3: I was going to be able to say this and 638 00:29:07,960 --> 00:29:11,360 Speaker 3: get away with it, and I did. 639 00:29:11,720 --> 00:29:13,920 Speaker 2: You did, And you know what I like about it? 640 00:29:14,440 --> 00:29:17,040 Speaker 2: You deliver it. First of all, you start out like 641 00:29:17,120 --> 00:29:18,480 Speaker 2: the way you start out, you know. 642 00:29:18,760 --> 00:29:20,840 Speaker 1: Charlotte is because I have just brought the drinks for 643 00:29:20,880 --> 00:29:23,440 Speaker 1: the table, right and you and you could see your 644 00:29:23,440 --> 00:29:26,440 Speaker 1: little mind turning like what could I do to her? 645 00:29:26,520 --> 00:29:26,760 Speaker 3: Now? 646 00:29:27,000 --> 00:29:28,840 Speaker 1: You know, You're just like what could I come up 647 00:29:28,880 --> 00:29:30,720 Speaker 1: with now? And You're like, this is what I want 648 00:29:30,720 --> 00:29:31,040 Speaker 1: you to do it? 649 00:29:31,040 --> 00:29:32,720 Speaker 2: And I'm like, uh huh, you know. 650 00:29:33,120 --> 00:29:35,480 Speaker 3: Like that's so funny. You said I think I created 651 00:29:35,520 --> 00:29:37,080 Speaker 3: as an actor, like how am I going to get 652 00:29:37,080 --> 00:29:37,600 Speaker 3: to this place? 653 00:29:37,760 --> 00:29:37,960 Speaker 1: Right? 654 00:29:38,200 --> 00:29:39,840 Speaker 2: But you did a great job story. 655 00:29:40,160 --> 00:29:42,600 Speaker 3: It was like I just dared. What if someone dared me? 656 00:29:42,720 --> 00:29:44,840 Speaker 1: Or I just whatever, of course, because you do talk 657 00:29:44,880 --> 00:29:47,200 Speaker 1: to that guy right next to you. Yeah, yeah, you 658 00:29:47,240 --> 00:29:50,680 Speaker 1: do talk that guy the way that you deliver it 659 00:29:50,720 --> 00:29:52,200 Speaker 1: to me at the time. 660 00:29:52,800 --> 00:29:55,320 Speaker 2: You do not see what's coming at all, do you 661 00:29:55,400 --> 00:29:55,880 Speaker 2: know what I mean? 662 00:29:56,160 --> 00:29:58,120 Speaker 1: Like, that's what I love the most about it, right, Like, 663 00:29:58,200 --> 00:30:00,600 Speaker 1: and you're very charming, right You're like, this is what 664 00:30:00,640 --> 00:30:02,840 Speaker 1: I want you to do, and I'm as Charlotte, I'm 665 00:30:02,840 --> 00:30:04,880 Speaker 1: like yes, uh huh, yes, And then. 666 00:30:04,920 --> 00:30:06,760 Speaker 2: You're like, I want you to get up, I want 667 00:30:06,760 --> 00:30:08,720 Speaker 2: you to go back. I'm like, uh huh, and I'm 668 00:30:08,760 --> 00:30:11,160 Speaker 2: still halfway. I'm so like, well, this is interesting, you 669 00:30:11,240 --> 00:30:13,000 Speaker 2: know what I mean. And then you just deliver it 670 00:30:13,240 --> 00:30:15,720 Speaker 2: super super basic, you know what I mean. 671 00:30:15,760 --> 00:30:18,280 Speaker 1: And I think that was the joy of your choice there, 672 00:30:18,520 --> 00:30:21,240 Speaker 1: because you don't deliver it like it is like a crazy, 673 00:30:21,320 --> 00:30:22,600 Speaker 1: crazy thing to say. 674 00:30:22,600 --> 00:30:25,800 Speaker 3: You that's fun I mean, it's it was funny being 675 00:30:25,840 --> 00:30:27,480 Speaker 3: on the other side of that. Look. I was looking 676 00:30:27,560 --> 00:30:29,520 Speaker 3: at you your response when I was in real time. 677 00:30:29,560 --> 00:30:32,960 Speaker 3: I remember saying and going, oh my god, that I 678 00:30:32,960 --> 00:30:37,640 Speaker 3: don't think you were acting your neck this goa and 679 00:30:37,680 --> 00:30:39,280 Speaker 3: you can see I could do I could tell I 680 00:30:39,360 --> 00:30:41,720 Speaker 3: was so you could tell when you look at it again. 681 00:30:41,840 --> 00:30:42,120 Speaker 3: I was. 682 00:30:42,480 --> 00:30:42,720 Speaker 1: I was. 683 00:30:42,840 --> 00:30:45,360 Speaker 3: It was awkward for me to even say those lines, 684 00:30:45,400 --> 00:30:49,520 Speaker 3: for sure, but had actually say that, you could seem 685 00:30:49,600 --> 00:30:51,920 Speaker 3: like there's like these little weird quirks that you notice. 686 00:30:51,920 --> 00:30:55,520 Speaker 3: It's true, that's true, but oh my god. 687 00:30:55,440 --> 00:30:57,440 Speaker 1: But I think it's so great because of the way 688 00:30:57,440 --> 00:30:59,840 Speaker 1: that it was already set up, right that, like, you know, 689 00:31:00,040 --> 00:31:01,320 Speaker 1: I'm the only one not smoking pot. 690 00:31:01,320 --> 00:31:03,239 Speaker 2: Where'm like, no, no, I don't smoke pot, you know, 691 00:31:03,480 --> 00:31:03,760 Speaker 2: and you. 692 00:31:03,720 --> 00:31:05,120 Speaker 1: Blow it in my mouth, right, and then I get 693 00:31:05,160 --> 00:31:08,200 Speaker 1: up and get everyone Like it's already so created that 694 00:31:08,280 --> 00:31:11,680 Speaker 1: I'm the eyeball out right. But Charlotte's still doing her 695 00:31:11,760 --> 00:31:13,600 Speaker 1: best to hang in there because that's who. 696 00:31:13,520 --> 00:31:15,640 Speaker 2: She is, right, She's like, I'm going to be okay 697 00:31:15,680 --> 00:31:15,920 Speaker 2: with this. 698 00:31:16,240 --> 00:31:17,840 Speaker 1: I'm going to just sit here and be okay with it, 699 00:31:18,280 --> 00:31:21,600 Speaker 1: I mean, and then all of a sudden, it just 700 00:31:22,080 --> 00:31:24,920 Speaker 1: one step too far, and thank God, because there is. 701 00:31:24,840 --> 00:31:27,080 Speaker 2: A moment of pause there where I'm like, please God. 702 00:31:27,840 --> 00:31:33,080 Speaker 3: I didn't remember you're contemplating maybe doing it or right, I'm. 703 00:31:32,960 --> 00:31:36,239 Speaker 1: Contemplating, like I think I'm contemplating how to politely get out, 704 00:31:36,240 --> 00:31:39,000 Speaker 1: because Charlotte always wants to be polite, right, But also, 705 00:31:39,120 --> 00:31:41,200 Speaker 1: you have pushed me too far, and I'm definitely not 706 00:31:41,240 --> 00:31:41,680 Speaker 1: going to do that. 707 00:31:41,720 --> 00:31:44,520 Speaker 2: And I think at that point I might be remembering 708 00:31:44,520 --> 00:31:47,680 Speaker 2: that Carrie said leave right now when I first call 709 00:31:47,760 --> 00:31:49,880 Speaker 2: her from the car, right, which was the good advice. 710 00:31:50,120 --> 00:31:50,320 Speaker 3: Right. 711 00:31:50,600 --> 00:31:55,240 Speaker 2: She knew she did way better than missus Charlotte. 712 00:31:55,320 --> 00:31:57,920 Speaker 3: She kind of knew exactly where this was going, It's true. 713 00:31:57,960 --> 00:31:59,280 Speaker 2: And then let's get to the end. 714 00:31:59,600 --> 00:32:02,840 Speaker 1: So Carrie tells Big she loves him in the beginning, 715 00:32:02,880 --> 00:32:05,000 Speaker 1: and then she feels really uncomfortable because he doesn't say 716 00:32:05,000 --> 00:32:05,320 Speaker 1: it back. 717 00:32:05,360 --> 00:32:07,800 Speaker 2: Of course, of course he doesn't like you know, he's 718 00:32:07,840 --> 00:32:08,840 Speaker 2: not easy like that. 719 00:32:08,920 --> 00:32:11,480 Speaker 1: Right, And then she's all stressed about the handbag and 720 00:32:11,560 --> 00:32:13,360 Speaker 1: she thinks it's ugly. And then he has these friends 721 00:32:13,360 --> 00:32:14,840 Speaker 1: who are mean to her, and she goes home with 722 00:32:14,880 --> 00:32:18,160 Speaker 1: the you know whatever he is waiter slash performance artist, 723 00:32:18,600 --> 00:32:20,280 Speaker 1: and then he calls her. 724 00:32:20,200 --> 00:32:22,360 Speaker 2: The next day. The guys in her bed. 725 00:32:22,360 --> 00:32:25,640 Speaker 1: They're fully clothed, which I think is great, and she 726 00:32:25,640 --> 00:32:27,720 Speaker 1: doesn't remember because she was drunk. And he calls her 727 00:32:27,760 --> 00:32:29,760 Speaker 1: and he says, I just have to tell you that 728 00:32:29,840 --> 00:32:31,200 Speaker 1: I have to do something in my I have to 729 00:32:31,200 --> 00:32:34,040 Speaker 1: do things in my own time, and she's like, okay, 730 00:32:34,080 --> 00:32:36,400 Speaker 1: and she's hung over and feeling guilty. He doesn't realize this, 731 00:32:36,640 --> 00:32:38,640 Speaker 1: and then he goes, doesn't he say. 732 00:32:38,480 --> 00:32:39,520 Speaker 2: I do love you? 733 00:32:39,640 --> 00:32:41,920 Speaker 3: Yes, which exactly. 734 00:32:42,040 --> 00:32:44,680 Speaker 1: Yeah, it's so him, but it is satisfying for her 735 00:32:44,720 --> 00:32:46,560 Speaker 1: because he does do it in his own way. 736 00:32:46,480 --> 00:32:49,440 Speaker 2: Right, you know, and he sticks to who he is. 737 00:32:49,680 --> 00:32:50,520 Speaker 2: Really that's a. 738 00:32:50,440 --> 00:32:53,360 Speaker 3: Good point, right, yeah. I mean he came around. 739 00:32:53,240 --> 00:32:55,440 Speaker 2: He did in his own way, in his own way. 740 00:32:55,520 --> 00:32:57,640 Speaker 3: It's never going to be easy, you know, and there 741 00:32:57,720 --> 00:33:00,760 Speaker 3: is some validity to doing things in your own way, 742 00:33:00,800 --> 00:33:03,920 Speaker 3: whether you know, you might ruffle some feathers or you know, 743 00:33:04,120 --> 00:33:05,760 Speaker 3: swim upstream or going against the current. 744 00:33:05,760 --> 00:33:07,440 Speaker 2: But yeah, well you don't want to get pushed into 745 00:33:07,480 --> 00:33:08,360 Speaker 2: a corner or whatever. 746 00:33:08,600 --> 00:33:10,480 Speaker 3: Got to be your authentic self. And I think, you know, 747 00:33:11,760 --> 00:33:15,440 Speaker 3: how often are we pretending to be or participating in 748 00:33:16,400 --> 00:33:19,960 Speaker 3: behavior or something that's not necessarily our authentic self, but 749 00:33:20,040 --> 00:33:23,640 Speaker 3: we're trying to make somebody else happy or steel good. 750 00:33:23,840 --> 00:33:26,479 Speaker 2: Absolutely, you know. But that's what Carrie does a lot of. 751 00:33:26,520 --> 00:33:28,720 Speaker 1: And that's what I see when I look back on it, 752 00:33:28,840 --> 00:33:32,120 Speaker 1: not this narcissistic Carrie, but a Carrie who's like pushing 753 00:33:32,160 --> 00:33:35,120 Speaker 1: down her own wants and desires to try to be 754 00:33:35,200 --> 00:33:36,480 Speaker 1: with him, right, which is. 755 00:33:36,440 --> 00:33:38,800 Speaker 2: I think other people also see that obviously, and which 756 00:33:38,840 --> 00:33:39,720 Speaker 2: she had gone to therapy. 757 00:33:39,720 --> 00:33:41,480 Speaker 1: But if she'd gone to therapy, we might not have 758 00:33:41,520 --> 00:33:44,360 Speaker 1: gotten to continue there, you know. 759 00:33:44,560 --> 00:33:45,840 Speaker 2: Right, No, she I forgot. 760 00:33:45,880 --> 00:33:47,560 Speaker 1: She did go to therapy where she met John bon 761 00:33:47,640 --> 00:33:51,000 Speaker 1: Jovi's character, and when she had quit therapy, so she didn't. 762 00:33:50,800 --> 00:33:51,800 Speaker 2: Run into him anymore. 763 00:33:52,320 --> 00:33:55,160 Speaker 1: That was just is it coming, It's coming, isn't it? 764 00:33:55,160 --> 00:33:55,640 Speaker 2: It's coming? 765 00:33:55,680 --> 00:33:56,680 Speaker 3: You get John bon Jovi. 766 00:33:56,920 --> 00:33:58,840 Speaker 2: John bon Jovi was, oh, no, he doesn't want to 767 00:33:58,840 --> 00:34:01,280 Speaker 2: do my podcast. I know, I don't know why will 768 00:34:01,520 --> 00:34:02,440 Speaker 2: Maybe we could try them. 769 00:34:02,520 --> 00:34:04,800 Speaker 3: We're gonna, we're gonna we're gonna circle back with John. 770 00:34:05,080 --> 00:34:06,080 Speaker 2: Okay, let's circle back. 771 00:34:07,240 --> 00:34:08,279 Speaker 3: You did it. 772 00:34:09,000 --> 00:34:11,399 Speaker 2: Yeah, you're a joy, Brian, You're That was so good 773 00:34:11,440 --> 00:34:15,040 Speaker 2: to see you discuss more in depth. Are you a Charlotte? 774 00:34:15,080 --> 00:34:19,720 Speaker 3: I am definitely a Charlotte. 775 00:34:20,000 --> 00:34:23,600 Speaker 2: That was, by the way, just for you're your own version. 776 00:34:23,719 --> 00:34:26,360 Speaker 3: I was wild for I am definitely a Charlotte. 777 00:34:26,520 --> 00:34:27,480 Speaker 2: That's a great thing. 778 00:34:27,719 --> 00:34:28,600 Speaker 3: Oh my god, big time. 779 00:34:28,840 --> 00:34:31,200 Speaker 2: I don't meet many men who are like, yes, I 780 00:34:31,239 --> 00:34:33,840 Speaker 2: am a Charlotte. I love that so much. 781 00:34:34,560 --> 00:34:38,520 Speaker 3: Yes, And for you do you trust? I mean yeah, look, 782 00:34:38,800 --> 00:34:41,120 Speaker 3: I have a I have a you know, I have 783 00:34:41,200 --> 00:34:44,759 Speaker 3: a type, and it's Charlotte's type. 784 00:34:44,920 --> 00:34:48,759 Speaker 2: Love it, love it so much. We need nice men 785 00:34:48,920 --> 00:34:49,880 Speaker 2: to be Charlotte's. 786 00:34:50,440 --> 00:34:53,879 Speaker 3: Oh really, you better. It does make the world better. 787 00:34:54,080 --> 00:34:56,160 Speaker 3: I didn't know we had a shortage of Charlotte's. But 788 00:34:56,440 --> 00:34:59,200 Speaker 3: I think I'm gonna Now I'm on a mission. Now 789 00:34:59,239 --> 00:35:03,080 Speaker 3: I'm gonna I'm gonna correct that. Do it, Charlotte, Charlotte Nation. 790 00:35:03,200 --> 00:35:09,239 Speaker 3: Here we go, Charlotte Nation. That's the next podcast. I 791 00:35:09,320 --> 00:35:11,320 Speaker 3: do want it to before we go, A quick story 792 00:35:11,400 --> 00:35:14,399 Speaker 3: to that. Damn line man comes back and everybody knows 793 00:35:14,640 --> 00:35:16,759 Speaker 3: that's probably I get recognized or people want to talk 794 00:35:16,760 --> 00:35:22,600 Speaker 3: about the most, especially with the female audience. But after 795 00:35:22,640 --> 00:35:25,240 Speaker 3: it aired in New York City, walking down the street, 796 00:35:25,719 --> 00:35:29,239 Speaker 3: construction dudes, which the construction guys, and either they're working 797 00:35:29,239 --> 00:35:30,840 Speaker 3: for the city or they're part of the building. I 798 00:35:30,880 --> 00:35:32,920 Speaker 3: don't know where they were building something, but it was 799 00:35:33,719 --> 00:35:37,920 Speaker 3: men like that weren't known to watch the show. Of course, Yeah, anyway, 800 00:35:37,960 --> 00:35:40,319 Speaker 3: these dudes, and I felt it. You can't even feel 801 00:35:40,320 --> 00:35:41,840 Speaker 3: the dudes look at you and recognize you for a 802 00:35:41,880 --> 00:35:45,720 Speaker 3: second then and they waited till I got far enough away, dude. 803 00:35:49,200 --> 00:35:51,320 Speaker 3: I heard that more than one time. I've heard it 804 00:35:51,400 --> 00:35:57,600 Speaker 3: multiple times in the street. Yeah, like a Costco street. 805 00:35:59,200 --> 00:36:02,640 Speaker 3: I'm like, how do you respond to that? I'm like, no, 806 00:36:03,560 --> 00:36:07,799 Speaker 3: just say no, I know, yeah I did phenomena. I mean, 807 00:36:07,840 --> 00:36:12,120 Speaker 3: what do you do? You just got to look at 808 00:36:12,120 --> 00:36:13,560 Speaker 3: me to come on, man. 809 00:36:13,880 --> 00:36:17,240 Speaker 2: That's really I like that those moments. 810 00:36:17,160 --> 00:36:20,399 Speaker 3: Just have people just remember those. It's so true. 811 00:36:20,400 --> 00:36:21,440 Speaker 2: But you know what I mean. 812 00:36:21,480 --> 00:36:23,840 Speaker 1: On the one hand, sometimes I feel like apologizing to 813 00:36:23,880 --> 00:36:25,720 Speaker 1: the guys who are on the show because of those 814 00:36:25,760 --> 00:36:28,759 Speaker 1: things following them through life, right, because obviously you're not 815 00:36:28,840 --> 00:36:30,000 Speaker 1: that character at all. 816 00:36:30,239 --> 00:36:31,279 Speaker 2: But on the other. 817 00:36:31,120 --> 00:36:33,040 Speaker 1: Hand, it's kind of amazing to be a part of 818 00:36:33,080 --> 00:36:34,840 Speaker 1: something that people remember it is. 819 00:36:35,320 --> 00:36:37,840 Speaker 3: You're exactly right, it is. Sometimes it's cringey, but in 820 00:36:37,920 --> 00:36:39,120 Speaker 3: the same time, it feels good. 821 00:36:39,320 --> 00:36:41,399 Speaker 2: I'm glad. I'm glad, and you did it so well. 822 00:36:42,120 --> 00:36:44,799 Speaker 3: And thank you, thank you, thank you so much for 823 00:36:44,800 --> 00:36:47,120 Speaker 3: for everything, for the for for being my my my, 824 00:36:47,239 --> 00:36:49,480 Speaker 3: you know, my rock on the set, and I was 825 00:36:49,560 --> 00:36:52,040 Speaker 3: so glad, and also for inviting me to come back 826 00:36:52,080 --> 00:36:53,160 Speaker 3: here my pleasure. 827 00:36:53,200 --> 00:36:53,840 Speaker 2: I'm so happy. 828 00:36:54,320 --> 00:36:56,680 Speaker 1: It's the best part of doing the podcast to get 829 00:36:56,719 --> 00:36:58,520 Speaker 1: to have the actors on. I mean, I love the 830 00:36:58,560 --> 00:37:02,200 Speaker 1: writers too, I love everybody, but to reconnect and hear 831 00:37:02,320 --> 00:37:05,240 Speaker 1: memories because you have your own right and you're different 832 00:37:05,239 --> 00:37:06,880 Speaker 1: from mine, and then also what it was like for 833 00:37:06,960 --> 00:37:08,560 Speaker 1: you after and where you were at the time. 834 00:37:08,600 --> 00:37:09,439 Speaker 2: I love it so much. 835 00:37:09,640 --> 00:37:12,239 Speaker 3: Well, I can't wait to see uh and hear more 836 00:37:12,280 --> 00:37:15,160 Speaker 3: about what when, other actors and more stories because it's 837 00:37:15,160 --> 00:37:17,640 Speaker 3: it's fun, such a good Yeah, it's bringing me back 838 00:37:17,640 --> 00:37:19,400 Speaker 3: and it's such a good, good podcast, and you talk 839 00:37:19,440 --> 00:37:21,880 Speaker 3: about so many interesting things and I love hearing the 840 00:37:21,960 --> 00:37:23,000 Speaker 3: stories me too. 841 00:37:23,840 --> 00:37:26,279 Speaker 2: You know it's me too, me too. Thanks for contributing 842 00:37:26,320 --> 00:37:27,720 Speaker 2: to Oh My Pleasure Anytime. 843 00:37:27,880 --> 00:37:28,040 Speaker 1: Yes,