1
00:00:01,120 --> 00:00:10,520
Speaker 1: Real people, real celebrity joined the Breakfast six morning. Everybody

2
00:00:10,640 --> 00:00:13,400
Speaker 1: is DJ m vy Angela, Ye, Charlomagne, the guy. We

3
00:00:13,440 --> 00:00:15,760
Speaker 1: are the Breakfast Club. We got a special guest with

4
00:00:15,920 --> 00:00:18,640
Speaker 1: us this morning. Yes, he's slumming this morning. He decided

5
00:00:18,680 --> 00:00:20,520
Speaker 1: to come to the ghetto. That's right and kick it

6
00:00:20,560 --> 00:00:27,440
Speaker 1: with the ghetto folks. It's only downstairs. Doesn't feel like

7
00:00:27,440 --> 00:00:29,800
Speaker 1: slumming it that much. So what made you decide to

8
00:00:29,840 --> 00:00:31,520
Speaker 1: come to the Breakfast Club? We were asking for a while,

9
00:00:32,240 --> 00:00:36,280
Speaker 1: what are you? Yeah? Oh, I personally requested it. Yeah,

10
00:00:36,440 --> 00:00:40,680
Speaker 1: I met last year the iHeartRadio Music Festival. Bobby Bones

11
00:00:40,720 --> 00:00:42,919
Speaker 1: introduced us, and I was shocked that he even knew

12
00:00:42,920 --> 00:00:45,880
Speaker 1: who the hell I was. But he watches the Breakfast Club. Really.

13
00:00:46,400 --> 00:00:50,240
Speaker 1: Of my favorite one is uh Kalid going on about

14
00:00:50,920 --> 00:00:58,040
Speaker 1: not going down on women like how's dinner wearing a

15
00:00:58,080 --> 00:01:01,360
Speaker 1: lot of people were very upset about that. Do that? Yeah, yeah, Sharon,

16
00:01:01,400 --> 00:01:04,920
Speaker 1: I'm sure you do that. I mean, I'm a man,

17
00:01:06,640 --> 00:01:09,120
Speaker 1: you eat vagina. I don't do the sucking the farts

18
00:01:09,160 --> 00:01:11,480
Speaker 1: out though, stuck the far out of girls, but I

19
00:01:11,520 --> 00:01:14,200
Speaker 1: don't like doing it no more. I just don't think

20
00:01:14,240 --> 00:01:17,320
Speaker 1: it's I don't think it's a I don't know, it's

21
00:01:17,319 --> 00:01:19,560
Speaker 1: a bit a bit old in it says you eat

22
00:01:19,600 --> 00:01:22,360
Speaker 1: the booty like groceries. Okay, yeah, it's just got too

23
00:01:22,400 --> 00:01:24,280
Speaker 1: commercial for me. Now I don't like to do it.

24
00:01:24,319 --> 00:01:26,080
Speaker 1: I was doing it when it was underground, main stream.

25
00:01:26,720 --> 00:01:29,160
Speaker 1: I don't want to stuck far out everybody's singing about it.

26
00:01:29,200 --> 00:01:32,520
Speaker 1: So you never ate the booty before ate the booty seat. No,

27
00:01:32,760 --> 00:01:35,520
Speaker 1: well he's only twenty, you're still young already. This is like,

28
00:01:35,600 --> 00:01:41,640
Speaker 1: this is like, yeah, I was, I was expecting something

29
00:01:41,680 --> 00:01:44,399
Speaker 1: like this. Yeah, well we read this morning that you

30
00:01:44,440 --> 00:01:47,280
Speaker 1: were on a campaign trail in San Francisco and you

31
00:01:47,560 --> 00:01:49,680
Speaker 1: didn't want to kiss the baby somebody wanted to do it.

32
00:01:49,720 --> 00:01:52,720
Speaker 1: Wasn't a baby nine year old? Yeah, no, it was.

33
00:01:53,120 --> 00:01:56,720
Speaker 1: She was a baby because someone else, someone asked. Someone asked,

34
00:01:56,760 --> 00:01:58,480
Speaker 1: you have intense fans, and I don't really have intense

35
00:01:58,520 --> 00:02:01,040
Speaker 1: fans with Aarons, and the fans are really like full on.

36
00:02:01,200 --> 00:02:03,480
Speaker 1: And she she comes up and she's she's like, um,

37
00:02:03,560 --> 00:02:06,360
Speaker 1: Carrie Underwood, was this eleven year old boys first kiss?

38
00:02:06,360 --> 00:02:07,720
Speaker 1: And I just think that's so rare. Can you be

39
00:02:07,800 --> 00:02:10,640
Speaker 1: my daughter's first kiss? I was like, you know, an

40
00:02:10,680 --> 00:02:12,600
Speaker 1: eleven year old boy going into school, Like if it

41
00:02:12,720 --> 00:02:14,640
Speaker 1: like if I was like eleven and my first kiss

42
00:02:14,680 --> 00:02:16,400
Speaker 1: was Brittany and you walk in and you're like yeah.

43
00:02:16,440 --> 00:02:18,160
Speaker 1: But if you're like a nine year old boy, someone's

44
00:02:18,600 --> 00:02:20,639
Speaker 1: a nine year old girl, you're getting You're getting police

45
00:02:20,720 --> 00:02:24,440
Speaker 1: called a creek. That's definitely a creepish. So yeah, I know,

46
00:02:24,639 --> 00:02:26,560
Speaker 1: I think I think the article is quite negative though.

47
00:02:26,600 --> 00:02:28,120
Speaker 1: It says like turns down a kiss from a fan,

48
00:02:28,160 --> 00:02:32,040
Speaker 1: But it's okay when you explain, it makes perfect thing. Yeah,

49
00:02:32,080 --> 00:02:34,280
Speaker 1: so you clearly don't agree with what Tiger and Kylie

50
00:02:34,320 --> 00:02:38,520
Speaker 1: are doing. Then what are they doing? Oh? They yeah, okay,

51
00:02:38,600 --> 00:02:40,960
Speaker 1: guy kissing younger girl. Well, he has not confirmed that

52
00:02:41,600 --> 00:02:45,799
Speaker 1: allegedly it's alleged. Allegedly she's seventeen and he's worked twenty four. Yeah.

53
00:02:45,800 --> 00:02:47,440
Speaker 1: I haven't really kept up with this. Is this is

54
00:02:47,440 --> 00:02:53,160
Speaker 1: this a thing? Good answer? No, I haven't really haven't

55
00:02:53,160 --> 00:02:55,720
Speaker 1: really kept up. I did know. I watched um, I

56
00:02:55,760 --> 00:02:58,679
Speaker 1: did watch the Kardashians once. I actually enjoyed it ugly.

57
00:02:58,680 --> 00:03:00,840
Speaker 1: I enjoyed it. Yeah, it was the one where Kanye's

58
00:03:00,880 --> 00:03:04,360
Speaker 1: had that song awesome that baby, You're awesome, but also

59
00:03:04,760 --> 00:03:07,840
Speaker 1: I'm also awesome that one. Oh God, I don't know

60
00:03:07,880 --> 00:03:12,359
Speaker 1: that it's it's it's a song about being awesome. That's

61
00:03:12,360 --> 00:03:14,639
Speaker 1: speaking the song. There's a few things that make me cry. Man,

62
00:03:14,680 --> 00:03:18,000
Speaker 1: when Ricky got shoting Boys in the Hood, When have

63
00:03:18,040 --> 00:03:25,760
Speaker 1: you seen boys in the Hood? Who I'm sorry? Yeah, no,

64
00:03:25,840 --> 00:03:28,720
Speaker 1: it's my Cousin's my cousin's favorite film. He yeah, he's

65
00:03:28,800 --> 00:03:31,760
Speaker 1: you know, he he really just like, as I know,

66
00:03:32,080 --> 00:03:36,040
Speaker 1: he found his father figure in that film. Again, it

67
00:03:36,200 --> 00:03:39,840
Speaker 1: was um yeah, I was gonna say Morpheus for a second,

68
00:03:40,040 --> 00:03:41,920
Speaker 1: so you know how you know how you know powerful

69
00:03:41,920 --> 00:03:44,000
Speaker 1: that scene is when Ricky gets shot, and like when

70
00:03:44,360 --> 00:03:46,640
Speaker 1: Vada is crying over Tommy not being able to have

71
00:03:46,680 --> 00:03:48,800
Speaker 1: his glasses in my Girl, that makes me cry. I

72
00:03:48,800 --> 00:03:52,600
Speaker 1: haven't seen Yeah, And Michael Jackson man in the mirror

73
00:03:52,600 --> 00:03:55,480
Speaker 1: in your song and kicking out loud thank you very much,

74
00:03:55,480 --> 00:03:57,200
Speaker 1: brings tears my eyes. Like he was playing a little

75
00:03:57,200 --> 00:03:59,680
Speaker 1: while to turn off. He was throwing things at me.

76
00:04:00,680 --> 00:04:02,960
Speaker 1: That's like everybody's a wedding song now though everybody's like,

77
00:04:02,960 --> 00:04:05,040
Speaker 1: I want to get married to that song. Yeah, it's not.

78
00:04:05,080 --> 00:04:07,440
Speaker 1: It's not. I keep meeting couples that get late to

79
00:04:07,440 --> 00:04:08,680
Speaker 1: it all the time, and it's it's a bit I

80
00:04:08,680 --> 00:04:12,000
Speaker 1: had Michael my cousin. Michael my cousin said she she

81
00:04:12,080 --> 00:04:14,280
Speaker 1: keeps getting cop blocks because she keeps getting guys like

82
00:04:14,520 --> 00:04:16,599
Speaker 1: being like, hey, they come back to come back to

83
00:04:16,640 --> 00:04:19,000
Speaker 1: mind and then they put on that. She's like, nah,

84
00:04:19,040 --> 00:04:23,719
Speaker 1: I'm not. Who's the girl that made you right there record?

85
00:04:23,720 --> 00:04:26,719
Speaker 1: And how amazing is her? I can't see the word.

86
00:04:26,960 --> 00:04:31,680
Speaker 1: I'm sorry, my bad. Um, she's um, she's she's great,

87
00:04:31,720 --> 00:04:35,000
Speaker 1: she's great. So clearly you're still with her because you

88
00:04:35,000 --> 00:04:36,919
Speaker 1: want to be marrid with her till she's seven. You're seven.

89
00:04:37,120 --> 00:04:41,000
Speaker 1: I no, I'm not actually, oh god, and don't do that. Sorry, Really,

90
00:04:41,279 --> 00:04:43,400
Speaker 1: things happen, but you you're in a long term thing, right,

91
00:04:43,440 --> 00:04:46,200
Speaker 1: I'm married, buddy. I like that. That's a good reflection.

92
00:04:48,800 --> 00:04:50,800
Speaker 1: We're not we're not. We're not media trained, but I've

93
00:04:50,800 --> 00:04:54,120
Speaker 1: had enough. It's the thing. English people aren't media trained,

94
00:04:54,160 --> 00:04:58,440
Speaker 1: so we just come out with with random but it's um, yeah,

95
00:04:56,880 --> 00:05:01,360
Speaker 1: I think so. Yeah. Well, journalists definitely like us a

96
00:05:01,360 --> 00:05:03,440
Speaker 1: lot because we we we we say the wrong thing

97
00:05:03,440 --> 00:05:05,960
Speaker 1: at the right time. Now, what was these porno clips

98
00:05:06,000 --> 00:05:08,400
Speaker 1: that Elton John sent you? Oh? No, that I mean

99
00:05:09,000 --> 00:05:12,800
Speaker 1: John sent you clips. He he runs the management company

100
00:05:13,240 --> 00:05:16,599
Speaker 1: I'm I'm I'm signed to and I got to US Customs.

101
00:05:16,600 --> 00:05:18,120
Speaker 1: This is about two years ago, and I had like

102
00:05:18,200 --> 00:05:20,200
Speaker 1: seventeen new emails from him, and I was like, this

103
00:05:20,279 --> 00:05:22,080
Speaker 1: might be quite important. I clicked on one of them

104
00:05:22,240 --> 00:05:27,799
Speaker 1: and it was a girl bent over and then a

105
00:05:27,800 --> 00:05:31,560
Speaker 1: penis like a catapult like like but with like a ball,

106
00:05:31,920 --> 00:05:34,280
Speaker 1: and they fired it in and I know it was

107
00:05:34,279 --> 00:05:37,279
Speaker 1: that customs like because they don't let English people in

108
00:05:37,279 --> 00:05:39,360
Speaker 1: the country for anything, so like, yeah, it was that's

109
00:05:39,360 --> 00:05:41,400
Speaker 1: supposed to be on your phone in customs. No you're not,

110
00:05:41,480 --> 00:05:45,600
Speaker 1: You're not. Well yeah, yeah, I mean I still fly commercial.

111
00:05:45,680 --> 00:05:49,320
Speaker 1: I'll keep it real. You've got a lot of industry

112
00:05:49,320 --> 00:05:51,680
Speaker 1: friends for like such a regular guy, Like, do you've

113
00:05:51,800 --> 00:05:53,800
Speaker 1: really valued all the industry relationships, Like do you think

114
00:05:53,800 --> 00:05:56,720
Speaker 1: they're real? Some of them, Yeah, some of them, some

115
00:05:56,760 --> 00:06:00,320
Speaker 1: of them. You know. It's it's uh, it's it's interesting

116
00:06:00,320 --> 00:06:03,240
Speaker 1: because I I dropped out of school at a young

117
00:06:03,279 --> 00:06:05,160
Speaker 1: age and kind of found most of my friends in

118
00:06:05,680 --> 00:06:07,599
Speaker 1: older people, and it wasn't until I got into the

119
00:06:07,600 --> 00:06:09,640
Speaker 1: industry that I started really making Like I got my

120
00:06:09,680 --> 00:06:12,160
Speaker 1: school friends and stuff, but making friends of people that

121
00:06:12,240 --> 00:06:13,880
Speaker 1: were a similar age to me. So it's um and

122
00:06:13,920 --> 00:06:15,560
Speaker 1: they're all kind of doing the same sort of thing,

123
00:06:15,680 --> 00:06:18,719
Speaker 1: and it's it's hard to have a conversation with someone

124
00:06:18,720 --> 00:06:21,760
Speaker 1: that doesn't really know what is happening in your life.

125
00:06:21,760 --> 00:06:23,960
Speaker 1: But if someone yeah, it's it's it's cool, it's cool.

126
00:06:24,000 --> 00:06:26,279
Speaker 1: You can have good chats. Do you think these guys

127
00:06:26,320 --> 00:06:28,479
Speaker 1: would be your friends if you weren't like ed Sharing

128
00:06:28,520 --> 00:06:32,080
Speaker 1: the star recording artist. Yeah, because most of them of

129
00:06:32,160 --> 00:06:34,840
Speaker 1: my friends when nothing was really happening here. So yeah,

130
00:06:35,000 --> 00:06:37,760
Speaker 1: I guess, I guess. So I hope so well your

131
00:06:37,800 --> 00:06:39,680
Speaker 1: industry friends. Who would you get to your industry friends?

132
00:06:39,680 --> 00:06:44,160
Speaker 1: Did Jamie Faxton you know she discovered you? Yeah? I did.

133
00:06:44,680 --> 00:06:46,840
Speaker 1: I did a gig and my first American gig was

134
00:06:46,880 --> 00:06:50,080
Speaker 1: in Englewood at a place called the Savoy Entertainment Theater

135
00:06:50,160 --> 00:06:52,880
Speaker 1: for a night called Fly Poet, which is a fantastic night.

136
00:06:52,920 --> 00:06:54,800
Speaker 1: And I turned up that night and I just said,

137
00:06:54,920 --> 00:06:57,320
Speaker 1: if anyone knows any other shows, can you can you

138
00:06:57,480 --> 00:06:58,800
Speaker 1: book me in? I'm here for a month, I've got

139
00:06:58,800 --> 00:07:02,920
Speaker 1: no plans. Noticed and John, the guy that ran it,

140
00:07:02,960 --> 00:07:05,440
Speaker 1: took me around. He got me booked in for the Foxhoul.

141
00:07:05,640 --> 00:07:08,560
Speaker 1: I met Jamie Fox's manager there who invited me on

142
00:07:08,600 --> 00:07:11,360
Speaker 1: the radio show. And then I was like, I don't

143
00:07:11,360 --> 00:07:13,520
Speaker 1: really have a place to stay, and he was like, well,

144
00:07:13,520 --> 00:07:15,840
Speaker 1: come and stay with me. So just did come stay

145
00:07:15,880 --> 00:07:17,480
Speaker 1: with me? Yeah, at his house. Yeah, and we went

146
00:07:17,520 --> 00:07:20,560
Speaker 1: to It was mad like because I arrived at the house,

147
00:07:20,560 --> 00:07:21,960
Speaker 1: I didn't really know what was happening to me. He's like, right,

148
00:07:21,960 --> 00:07:23,480
Speaker 1: we're going to my make's birthday party. As soon as

149
00:07:23,480 --> 00:07:25,520
Speaker 1: I arrived. And we went and Rafael said was the

150
00:07:25,520 --> 00:07:27,520
Speaker 1: house band. Everyone was dressed up as a cowboy and

151
00:07:27,600 --> 00:07:33,800
Speaker 1: it was whoa wait a minute, a coboy. It was

152
00:07:33,800 --> 00:07:35,960
Speaker 1: a bunch of guys and they dressed up like cowboys,

153
00:07:35,720 --> 00:07:37,120
Speaker 1: girls and girls and it was like it was like

154
00:07:37,200 --> 00:07:41,640
Speaker 1: a Rodeo themed birthday party. Look, did you see the

155
00:07:41,640 --> 00:07:43,280
Speaker 1: wall where he keeps all his hair lines? You know,

156
00:07:43,320 --> 00:07:46,840
Speaker 1: he got a bunch of hair lines like snack backs. Yeah.

157
00:07:46,840 --> 00:07:49,680
Speaker 1: I saw the awards cabinet. That was pretty impressive. He's

158
00:07:49,440 --> 00:07:51,880
Speaker 1: he's he's to win a Grammy. Annon Oscar is pretty

159
00:07:51,920 --> 00:07:54,400
Speaker 1: like legit. Yeah, So does he make money off you

160
00:07:54,480 --> 00:07:56,440
Speaker 1: being there? He kind of like he really did discover you,

161
00:07:56,440 --> 00:07:59,200
Speaker 1: Like did he take you to other people? Well? I

162
00:07:59,360 --> 00:08:02,000
Speaker 1: flew back to England about three days after arriving at

163
00:08:02,040 --> 00:08:05,240
Speaker 1: his house. And yeah, so I I basically went to

164
00:08:05,280 --> 00:08:06,840
Speaker 1: go and build it back over in England. I think

165
00:08:06,880 --> 00:08:10,360
Speaker 1: if I'd have stayed over in America there would have

166
00:08:10,360 --> 00:08:12,920
Speaker 1: been something, but yeah, I had to go back to

167
00:08:12,960 --> 00:08:15,800
Speaker 1: England and do it. Do it. You got a lot

168
00:08:15,800 --> 00:08:17,960
Speaker 1: of lot for Cally. You got a whole album with

169
00:08:18,040 --> 00:08:21,480
Speaker 1: the game done. Yeah that was interesting. Yeah. He took

170
00:08:21,480 --> 00:08:25,040
Speaker 1: me to Compton to work and we well we did

171
00:08:25,080 --> 00:08:27,840
Speaker 1: like ten songs in two days. It was take another drink.

172
00:08:27,880 --> 00:08:29,680
Speaker 1: So well, I need to know more about you. So

173
00:08:30,320 --> 00:08:34,200
Speaker 1: what do you mean Compton? What did y'all do? I

174
00:08:34,240 --> 00:08:36,000
Speaker 1: made a lot of songs, made a lot of songs.

175
00:08:37,240 --> 00:08:39,440
Speaker 1: I mean he's obliged. He wears ray Jo red headed.

176
00:08:39,440 --> 00:08:41,800
Speaker 1: Didn't you know what I'm I've He's one of my

177
00:08:41,800 --> 00:08:46,640
Speaker 1: favorite rappers just like lyrically but also like with singers,

178
00:08:46,640 --> 00:08:49,120
Speaker 1: you can hear the emotion, but sometimes with rappers just

179
00:08:49,480 --> 00:08:54,120
Speaker 1: lyrics and flows, whereas him it's very emotive and very

180
00:08:54,240 --> 00:08:57,920
Speaker 1: um I feel everything that he says. So I got

181
00:08:57,920 --> 00:09:01,559
Speaker 1: a cool random cool is like what up? It's game?

182
00:09:01,640 --> 00:09:03,360
Speaker 1: My girls? A fan? Can she say hi? And I

183
00:09:03,400 --> 00:09:05,400
Speaker 1: think the phone was like hey, and then I said.

184
00:09:05,520 --> 00:09:07,040
Speaker 1: He went back on the phone and I said, I'm

185
00:09:07,080 --> 00:09:09,200
Speaker 1: going to be in La tomorrow. Do you want to

186
00:09:09,200 --> 00:09:11,240
Speaker 1: hook up and do a song? So I went there

187
00:09:11,440 --> 00:09:13,200
Speaker 1: and we did like five songs in a day. I

188
00:09:13,200 --> 00:09:15,320
Speaker 1: went back the next day we did another five and

189
00:09:15,320 --> 00:09:18,640
Speaker 1: it was he's a really good worker. He just kind

190
00:09:18,640 --> 00:09:21,840
Speaker 1: of smashes them out. But that he had loads of

191
00:09:21,880 --> 00:09:26,360
Speaker 1: girls in the studio just eating McDonald's and you could

192
00:09:26,040 --> 00:09:28,800
Speaker 1: you could find out when a song was good because

193
00:09:28,920 --> 00:09:30,280
Speaker 1: we'd make a song and I'd be like, oh, this

194
00:09:30,320 --> 00:09:31,840
Speaker 1: is really good, but they'd just be kind of there

195
00:09:31,840 --> 00:09:34,000
Speaker 1: just eating their nuggets, just like whatever. And then as

196
00:09:34,040 --> 00:09:36,559
Speaker 1: soon as one that, you know, we did a mustard

197
00:09:36,600 --> 00:09:42,120
Speaker 1: beat one and they'd be Oh, that's that's how you

198
00:09:42,160 --> 00:09:44,720
Speaker 1: know they were And I think I think he keeps

199
00:09:44,760 --> 00:09:47,720
Speaker 1: them like like um like Farrell. Farrell does it as

200
00:09:47,720 --> 00:09:50,880
Speaker 1: well where he tests songs out on groups of women

201
00:09:50,920 --> 00:09:53,280
Speaker 1: to see because they're the ones that are the consumers,

202
00:09:53,320 --> 00:09:55,559
Speaker 1: like that, they're the ones that would love the music.

203
00:09:55,559 --> 00:09:56,920
Speaker 1: I mean, guys are kind of go on what the

204
00:09:56,960 --> 00:10:00,440
Speaker 1: girls going. So yeah, Farrell test tests out on women

205
00:10:00,559 --> 00:10:02,120
Speaker 1: women as well. I think it's a good it's a

206
00:10:02,160 --> 00:10:05,360
Speaker 1: good thing. And now listen your music, and you seem

207
00:10:05,440 --> 00:10:07,360
Speaker 1: like such a nice guy, and it seems like you're

208
00:10:07,440 --> 00:10:10,240
Speaker 1: always like kind of looking for love, Like is that

209
00:10:10,360 --> 00:10:12,640
Speaker 1: a real thing? Are you just you know? Is that

210
00:10:12,679 --> 00:10:15,880
Speaker 1: just game to get the girls? Ah? No, I think

211
00:10:15,920 --> 00:10:19,400
Speaker 1: you know. I I come from a like Irish Catholic family.

212
00:10:19,520 --> 00:10:21,640
Speaker 1: My parents been married for thirty one years. My grandparents

213
00:10:21,679 --> 00:10:23,480
Speaker 1: are married for sixty six years. I have like a

214
00:10:23,480 --> 00:10:25,480
Speaker 1: bunch of cousins. Everyone's married and has loads of kids.

215
00:10:25,520 --> 00:10:29,560
Speaker 1: And I just come from a background of love and family.

216
00:10:29,600 --> 00:10:31,880
Speaker 1: And I guess that's what I tried to convey in

217
00:10:32,120 --> 00:10:34,000
Speaker 1: the music. Now mean that a lot of your friends

218
00:10:34,000 --> 00:10:36,000
Speaker 1: are music industry friends. Does that mean that the women

219
00:10:36,040 --> 00:10:37,559
Speaker 1: that you date, because I know you write a lot

220
00:10:37,600 --> 00:10:40,160
Speaker 1: about celebrity women that you've dated, you feel like you

221
00:10:40,200 --> 00:10:42,360
Speaker 1: have to be with the celebrity woman because you'll understand

222
00:10:42,360 --> 00:10:45,320
Speaker 1: you more. No, I just I just think. I just

223
00:10:45,360 --> 00:10:47,720
Speaker 1: think if if if you get on with the person,

224
00:10:47,800 --> 00:10:50,040
Speaker 1: they can understand, they can understand you. It's not I

225
00:10:50,080 --> 00:10:54,280
Speaker 1: don't think it's necessarily celebrity women. I think, you know,

226
00:10:54,280 --> 00:10:56,839
Speaker 1: it just depends on the situation and in times, what

227
00:10:56,960 --> 00:11:00,120
Speaker 1: you say you've been heartbroken so far, probably about as

228
00:11:00,120 --> 00:11:01,800
Speaker 1: many times as I've done it. You know. It's um,

229
00:11:01,840 --> 00:11:04,680
Speaker 1: you know, I think I think in in life you

230
00:11:04,720 --> 00:11:06,319
Speaker 1: break hearts and have your heart broken, and I think

231
00:11:06,360 --> 00:11:09,000
Speaker 1: that's just the way, especially when you're telling girls you

232
00:11:09,000 --> 00:11:10,559
Speaker 1: want to grow old with them and be with them

233
00:11:10,559 --> 00:11:15,240
Speaker 1: to their seventy. Man. Okay, I'm just gonna drink my coffee,

234
00:11:15,880 --> 00:11:18,200
Speaker 1: you know, but not for nothing. Charlotmagne about a year ago,

235
00:11:18,320 --> 00:11:21,720
Speaker 1: was telling the girls the same exact story and same

236
00:11:21,720 --> 00:11:24,880
Speaker 1: exact line. You're married, right, yes, So what were you

237
00:11:24,920 --> 00:11:29,880
Speaker 1: telling the girls that I was lying? That was lying everyone, everyone,

238
00:11:30,360 --> 00:11:32,760
Speaker 1: to everyone, that I was telling them what they want

239
00:11:32,760 --> 00:11:35,360
Speaker 1: to do? Her me as a faithful memo. Right now,

240
00:11:35,400 --> 00:11:39,760
Speaker 1: I am now. Man, Well, I got married in September. Oh,

241
00:11:39,800 --> 00:11:41,160
Speaker 1: I don't know what the same girl for a long

242
00:11:41,200 --> 00:11:43,400
Speaker 1: time safe. So those vials really mean something to me.

243
00:11:43,440 --> 00:11:47,480
Speaker 1: So I've been good. So you wan't good before? Absolutely not.

244
00:11:47,720 --> 00:11:50,240
Speaker 1: Does she know that? Yes? Good? Everyone knows that. Yes.

245
00:11:50,240 --> 00:11:53,400
Speaker 1: You gotta be honest. Honesty is the because then you

246
00:11:53,400 --> 00:11:55,160
Speaker 1: know if you really love a preson, because you're like, okay,

247
00:11:55,320 --> 00:11:57,840
Speaker 1: you love them through all their mistakes, through all their flaws,

248
00:11:58,120 --> 00:11:59,920
Speaker 1: and you have to have favorite that that person will

249
00:12:00,240 --> 00:12:04,080
Speaker 1: be better. I mean absolutely. Now you work with Lupe,

250
00:12:04,240 --> 00:12:06,120
Speaker 1: you work with the game. Who somebody that you want

251
00:12:06,160 --> 00:12:09,160
Speaker 1: to work with that you have it. Uh. One of

252
00:12:09,160 --> 00:12:11,880
Speaker 1: the most interesting experiences actually was working with Rick Ross

253
00:12:11,880 --> 00:12:15,400
Speaker 1: because he's such a character you didn't word with. Yeah,

254
00:12:15,880 --> 00:12:18,520
Speaker 1: well he remix the song of Mine. But the way,

255
00:12:18,559 --> 00:12:21,000
Speaker 1: the way I met him was Julie Greenwood that runs

256
00:12:21,280 --> 00:12:24,120
Speaker 1: Atlantic and and Warner. She I was in the building

257
00:12:24,120 --> 00:12:27,960
Speaker 1: and she grows a nice woman. I don't think I've

258
00:12:28,000 --> 00:12:35,040
Speaker 1: ever but she she rings me up and she's like,

259
00:12:35,320 --> 00:12:37,040
Speaker 1: I got I got someone who has to meet you.

260
00:12:37,120 --> 00:12:40,320
Speaker 1: Come come in the office right now. And the only

261
00:12:40,360 --> 00:12:42,360
Speaker 1: way I can describe it is just this presence just

262
00:12:42,400 --> 00:12:45,560
Speaker 1: walks out a big homie and kind of like like

263
00:12:45,600 --> 00:12:47,280
Speaker 1: comes in for the hug. And then and then she's like,

264
00:12:47,320 --> 00:12:49,560
Speaker 1: you gotta remix this record. Let me play the record.

265
00:12:49,800 --> 00:12:52,160
Speaker 1: And so he sits down. I sit next to him,

266
00:12:52,679 --> 00:12:54,360
Speaker 1: and I don't know whether he likes the song. He's

267
00:12:54,360 --> 00:12:56,559
Speaker 1: just kind of sitting there and the song's playing, and

268
00:12:56,600 --> 00:12:58,120
Speaker 1: every now and then he just looks over and goes

269
00:13:00,360 --> 00:13:05,160
Speaker 1: every sort of like ten. I've started doing this. I've

270
00:13:05,200 --> 00:13:08,120
Speaker 1: started doing this. But yeah, and then as soon as

271
00:13:08,120 --> 00:13:10,439
Speaker 1: it ends, he's just like a just stands out and

272
00:13:10,480 --> 00:13:12,400
Speaker 1: gets really excited. He's like, right, I got the video

273
00:13:12,480 --> 00:13:15,280
Speaker 1: a deal, right, some dusty ass low income house and

274
00:13:15,280 --> 00:13:17,640
Speaker 1: places that Arkansas. You win a house, I'm coming to

275
00:13:17,720 --> 00:13:21,280
Speaker 1: get you. All you see is dust dust dust. Then

276
00:13:21,440 --> 00:13:24,199
Speaker 1: suddenly rolls Royce Fan and puts out, pulls up in

277
00:13:24,200 --> 00:13:26,679
Speaker 1: front of the house. You getting them bam vegas, seacup

278
00:13:26,720 --> 00:13:30,840
Speaker 1: titties to rack mmg, it's all going on, he said,

279
00:13:30,880 --> 00:13:36,680
Speaker 1: seacup titties, seacup can work all right, right, yeah, but yeah,

280
00:13:36,679 --> 00:13:38,040
Speaker 1: we never got to make that video. I think that

281
00:13:38,080 --> 00:13:40,559
Speaker 1: would have been fun. Has never come out, like the

282
00:13:40,640 --> 00:13:43,000
Speaker 1: labels came out, came out, well, even on the start

283
00:13:43,080 --> 00:13:44,880
Speaker 1: of the game that came out, that came out. That

284
00:13:44,880 --> 00:13:47,319
Speaker 1: hasn't come out yet just because I haven't properly finished it.

285
00:13:48,480 --> 00:13:50,920
Speaker 1: I did it with drum and based band called Rudimental

286
00:13:51,040 --> 00:13:53,200
Speaker 1: as as as well, and they'd be making their album

287
00:13:53,200 --> 00:13:55,480
Speaker 1: once they've finished making their album making tweak bits and stuff.

288
00:13:55,640 --> 00:13:58,320
Speaker 1: But um, I'd really like to put it out some

289
00:13:58,520 --> 00:14:00,480
Speaker 1: there's some cool stuff now. The true If you're planning

290
00:14:00,520 --> 00:14:02,240
Speaker 1: on taking a break from music, for a year so

291
00:14:02,280 --> 00:14:06,680
Speaker 1: you can do normal things, do you know what I

292
00:14:06,679 --> 00:14:09,040
Speaker 1: I The first thing I bought in my career was

293
00:14:09,080 --> 00:14:11,280
Speaker 1: a house and I haven't really lived in it. And

294
00:14:11,640 --> 00:14:14,280
Speaker 1: I want to just live for a bit, uh here

295
00:14:14,280 --> 00:14:16,440
Speaker 1: in America or no, it's in It's it's it's where

296
00:14:16,440 --> 00:14:19,840
Speaker 1: I grew up. But yeah, I think the thing it's

297
00:14:19,880 --> 00:14:23,480
Speaker 1: not necessarily just live. It's just not tall like not

298
00:14:23,560 --> 00:14:26,160
Speaker 1: spend a different every day in a different place making

299
00:14:26,240 --> 00:14:29,480
Speaker 1: money though, Yeah I know, but you know, publishing, you

300
00:14:29,520 --> 00:14:31,520
Speaker 1: can sit still and you can come home and write

301
00:14:31,520 --> 00:14:33,600
Speaker 1: and do stuff with the other people and collaborations and

302
00:14:33,880 --> 00:14:36,120
Speaker 1: go back on tour later. Yeah, I mean I'd like to.

303
00:14:36,760 --> 00:14:38,880
Speaker 1: I'd like to just live in my hometown for a

304
00:14:38,920 --> 00:14:42,000
Speaker 1: little bit, you know, do stuff, watch films and I

305
00:14:42,040 --> 00:14:44,200
Speaker 1: don't know. You've also said they label didn't think Living

306
00:14:44,200 --> 00:14:45,920
Speaker 1: out Loud was going to be like a huge hit song.

307
00:14:45,960 --> 00:14:47,640
Speaker 1: They didn't even want it to be the single. No,

308
00:14:47,720 --> 00:14:50,400
Speaker 1: well it's a weird thing because um the song, the

309
00:14:50,440 --> 00:14:52,280
Speaker 1: single at the moment song called Photograph and that was

310
00:14:52,600 --> 00:14:54,960
Speaker 1: always meant to be the big single. And when we

311
00:14:55,000 --> 00:14:57,840
Speaker 1: released the album in England, Thinking out Loud, which just

312
00:14:57,880 --> 00:14:59,520
Speaker 1: I mean thinking of it yeah, that's all right. M

313
00:15:00,280 --> 00:15:03,040
Speaker 1: It was just picked off the record just on iTunes

314
00:15:03,080 --> 00:15:05,560
Speaker 1: and it just went top twenty up until we decided

315
00:15:05,600 --> 00:15:06,920
Speaker 1: to make a video for it. So it was more

316
00:15:07,200 --> 00:15:09,240
Speaker 1: the public's reaction because when you put out a record

317
00:15:09,280 --> 00:15:11,760
Speaker 1: now you can work out what the most popular song

318
00:15:11,840 --> 00:15:14,240
Speaker 1: is just based on iTunes. So so yeah, it was that.

319
00:15:14,640 --> 00:15:17,640
Speaker 1: Um and yeah it worked out, it was I think

320
00:15:17,720 --> 00:15:19,520
Speaker 1: I think it did all right. Yeah, let's cool. Who

321
00:15:19,520 --> 00:15:22,040
Speaker 1: the hell is Nina? I liked that song off off

322
00:15:22,160 --> 00:15:24,520
Speaker 1: X Nina? Is that a fictional character or not somebody?

323
00:15:25,120 --> 00:15:27,320
Speaker 1: That was? Yeah? No, I was, I was with I

324
00:15:27,360 --> 00:15:29,680
Speaker 1: was with her for a while. Yeah. Um, and I

325
00:15:29,760 --> 00:15:32,400
Speaker 1: wrote that song well, well still with her actually um.

326
00:15:32,440 --> 00:15:35,840
Speaker 1: And and photograph actually but photographs about Nina tool Yeah

327
00:15:35,920 --> 00:15:40,560
Speaker 1: yeah but yeah no, that that was um Yeah, Now

328
00:15:40,600 --> 00:15:42,280
Speaker 1: I see why you and Taylor Swift get along. So

329
00:15:42,360 --> 00:15:44,920
Speaker 1: were you like writing songs about your exes? I think

330
00:15:44,960 --> 00:15:48,640
Speaker 1: any musician, like all love songs are about someone's ex

331
00:15:49,160 --> 00:15:53,280
Speaker 1: or current I don't know, Yeah, well you never hooked

332
00:15:53,320 --> 00:15:56,320
Speaker 1: up with Tailor swiftf you never smashed it? No? No, Um,

333
00:15:56,600 --> 00:15:58,920
Speaker 1: I don't know, because well I I met have a

334
00:15:59,000 --> 00:16:02,800
Speaker 1: drink in then are for that? Question, you just trying

335
00:16:02,800 --> 00:16:08,440
Speaker 1: to get me drunk? Uh. I met a professionally. First

336
00:16:08,440 --> 00:16:11,120
Speaker 1: we were writing songs and then um, I don't know.

337
00:16:11,160 --> 00:16:12,920
Speaker 1: I just I get on really well with her, and

338
00:16:13,360 --> 00:16:16,760
Speaker 1: you know you don't want to ruin your friendship. Well not.

339
00:16:16,880 --> 00:16:19,680
Speaker 1: I mean that sounds a bit weird. But have you

340
00:16:19,720 --> 00:16:27,080
Speaker 1: ever tried to smash no too tall, the short man

341
00:16:27,160 --> 00:16:29,160
Speaker 1: of nothing better than the tire Woman. I don't know, man,

342
00:16:29,400 --> 00:16:32,080
Speaker 1: I don't know. I feel like we look like cast

343
00:16:32,160 --> 00:16:35,440
Speaker 1: members of the Hobbit. Like she's like she's like in

344
00:16:35,480 --> 00:16:38,200
Speaker 1: the Elven Kingdom. She's like, you know, hanging out with

345
00:16:38,240 --> 00:16:41,120
Speaker 1: glad reel and stuff, and um, you know, got hairy feet.

346
00:16:41,120 --> 00:16:43,360
Speaker 1: And in a couple of years, if we see you

347
00:16:43,400 --> 00:16:45,640
Speaker 1: all together, we shouldn't be like he lied at us,

348
00:16:45,680 --> 00:16:47,720
Speaker 1: because things could you know. I don't know. You know,

349
00:16:47,840 --> 00:16:51,160
Speaker 1: I've I've got like my best friend from home, who

350
00:16:51,160 --> 00:16:53,720
Speaker 1: I live opposite, who's who's Who's on tour is female,

351
00:16:53,760 --> 00:16:55,920
Speaker 1: And I think it's healthy to have female friends that

352
00:16:55,960 --> 00:16:58,880
Speaker 1: you don't smash. Got you now, did you used to

353
00:16:58,880 --> 00:17:06,440
Speaker 1: get girls before your music popped off? Yeah, look like you.

354
00:17:07,000 --> 00:17:13,280
Speaker 1: I've been out here christ for him now. So you

355
00:17:13,359 --> 00:17:15,119
Speaker 1: was getting chicks in the UK, And I mean, I'm

356
00:17:15,119 --> 00:17:16,959
Speaker 1: sure more now I know I was in a long

357
00:17:17,000 --> 00:17:22,000
Speaker 1: term relationship from school up until up until it sort

358
00:17:22,080 --> 00:17:24,359
Speaker 1: sort of it's taking off. Yeah, that's what most of

359
00:17:24,359 --> 00:17:25,800
Speaker 1: the first albums about. And did you feel like you

360
00:17:25,800 --> 00:17:28,560
Speaker 1: couldn't be in a relationship because you were just too busy.

361
00:17:29,080 --> 00:17:32,440
Speaker 1: I think a relationship needs time to like grow, and

362
00:17:32,680 --> 00:17:35,280
Speaker 1: to make it grow, you need to be there and

363
00:17:35,320 --> 00:17:39,280
Speaker 1: I just was not there at all. You guys still friends? Yeah, yeah,

364
00:17:39,359 --> 00:17:42,000
Speaker 1: she's in my friendship group like all my school friends.

365
00:17:42,640 --> 00:17:45,600
Speaker 1: We're like it quite the hell is a friendship friendship group?

366
00:17:46,040 --> 00:17:48,040
Speaker 1: Circle of trust? Yeah No, it's like all the all

367
00:17:48,080 --> 00:17:51,199
Speaker 1: the people I grew up with. We're just all. We

368
00:17:51,840 --> 00:17:55,639
Speaker 1: go to the same parties, chat check, we have a

369
00:17:55,680 --> 00:17:57,439
Speaker 1: we have a WhatsApp. We group were group trapp on

370
00:17:57,440 --> 00:17:59,600
Speaker 1: that and send weird pictures to each other and stuff.

371
00:17:59,600 --> 00:18:01,159
Speaker 1: You say, I'm very interesting. You said you want to

372
00:18:01,200 --> 00:18:02,720
Speaker 1: go back to your hometown and live and you know

373
00:18:02,760 --> 00:18:04,879
Speaker 1: it's different in like hip hop and hip hop, a

374
00:18:04,920 --> 00:18:06,920
Speaker 1: lot of people don't want to live in their hometown

375
00:18:06,960 --> 00:18:09,919
Speaker 1: because you know, people grow jealous, they grow envious, and

376
00:18:09,960 --> 00:18:12,399
Speaker 1: sometimes it's not safe. That can still happen like it's not.

377
00:18:12,480 --> 00:18:14,840
Speaker 1: It's not just in the hip hop world. The amount

378
00:18:14,840 --> 00:18:18,000
Speaker 1: of like, the amount of similarities I've I've found just

379
00:18:18,080 --> 00:18:20,480
Speaker 1: in terms of like people expecting things like you know,

380
00:18:20,520 --> 00:18:23,880
Speaker 1: I watched I watched that that thirty for thirty documentary

381
00:18:23,880 --> 00:18:29,360
Speaker 1: on NFL players a million, Yeah, and it's it's it's

382
00:18:29,359 --> 00:18:31,000
Speaker 1: the same sort of you get people coming up to

383
00:18:31,040 --> 00:18:33,320
Speaker 1: you and you know, I saying, here's a business plan,

384
00:18:33,440 --> 00:18:35,200
Speaker 1: or can you pay this? Or my tax bills a

385
00:18:35,200 --> 00:18:37,640
Speaker 1: bit hi this month or just like. But I think

386
00:18:37,680 --> 00:18:41,520
Speaker 1: I think I think in in life, um, not just

387
00:18:41,560 --> 00:18:43,200
Speaker 1: in hip hop. I just think in life it's it's

388
00:18:43,200 --> 00:18:45,439
Speaker 1: good to be it's good to be generous. Um. But

389
00:18:45,560 --> 00:18:49,080
Speaker 1: I don't think it's as intense as that. Since it's

390
00:18:49,119 --> 00:18:56,520
Speaker 1: so good to be generous, Oh shucks, don't you give it? No,

391
00:18:56,680 --> 00:19:00,679
Speaker 1: don't don't take his money? You can? Are you crazy?

392
00:19:01,680 --> 00:19:06,560
Speaker 1: Thank you, mister Shearing. I will bless you for the

393
00:19:06,600 --> 00:19:08,520
Speaker 1: rest of your life for giving to the less fortunate.

394
00:19:13,000 --> 00:19:15,359
Speaker 1: You know what, Give it to a homeless man today.

395
00:19:15,560 --> 00:19:19,760
Speaker 1: He's not gonna do that. He's not gonna do that. Kids,

396
00:19:20,680 --> 00:19:22,480
Speaker 1: have a beautiful sick your daughter, give it to you.

397
00:19:23,480 --> 00:19:25,880
Speaker 1: I will do that actually, actually, you know what. Take

398
00:19:25,720 --> 00:19:28,000
Speaker 1: take take your toys r us and say you can

399
00:19:28,000 --> 00:19:30,080
Speaker 1: have whatever you want for budding. I'm gonna have you

400
00:19:30,119 --> 00:19:31,520
Speaker 1: signed it. I'm gonna give it to it from Ed

401
00:19:31,920 --> 00:19:34,320
Speaker 1: put in her better than bank account. What you mean

402
00:19:34,320 --> 00:19:36,760
Speaker 1: I'm to strip club. You're gonna have to sign it

403
00:19:37,240 --> 00:19:41,640
Speaker 1: on the bank account. The pen. Now, that's that's all

404
00:19:41,640 --> 00:19:44,000
Speaker 1: I had on me, by the way, so that's not

405
00:19:44,040 --> 00:19:46,200
Speaker 1: all you have, ed, mister. I'm taking a break for

406
00:19:46,240 --> 00:19:49,679
Speaker 1: a year and let the publishing checks. This guy's a

407
00:19:49,680 --> 00:19:51,119
Speaker 1: bird over. You gotta light it. I mean you got

408
00:19:51,160 --> 00:19:53,840
Speaker 1: some weed on you want to take that too, Stell,

409
00:19:53,880 --> 00:19:56,760
Speaker 1: take it all stop. I'll give you some weird. I

410
00:19:56,760 --> 00:19:58,160
Speaker 1: got some weed in the next room. So that's kind

411
00:19:58,160 --> 00:19:59,280
Speaker 1: of like you boughtch some weird from me, but you

412
00:19:59,320 --> 00:20:00,640
Speaker 1: didn't buy to sell. You get me drunk and give

413
00:20:00,640 --> 00:20:08,600
Speaker 1: me how long these white people come from? God, I've

414
00:20:08,640 --> 00:20:11,199
Speaker 1: never seen anyway. You just get what people here, I mean,

415
00:20:11,240 --> 00:20:12,680
Speaker 1: we do. We're not like this. I just looked like

416
00:20:12,720 --> 00:20:17,199
Speaker 1: a drug train, a drug dealer. Now listen, have you

417
00:20:17,200 --> 00:20:21,520
Speaker 1: been taking care of yourself because you keep giving your drinks? Well?

418
00:20:21,520 --> 00:20:23,560
Speaker 1: I did, I did. I was very fat once because

419
00:20:23,560 --> 00:20:26,000
Speaker 1: you said, because of the liquor and then keep getting

420
00:20:27,200 --> 00:20:29,720
Speaker 1: the beer. Yeah, spirits are all right, but no, it

421
00:20:29,800 --> 00:20:31,719
Speaker 1: was I got I was on tour for a year

422
00:20:31,760 --> 00:20:34,840
Speaker 1: with with Taylor in America and just drunk a lot

423
00:20:34,840 --> 00:20:39,399
Speaker 1: of beer and got quote road tons. I think is

424
00:20:39,680 --> 00:20:44,480
Speaker 1: is I was very round and sweaty. Everybody always talks

425
00:20:44,480 --> 00:20:46,720
Speaker 1: about how approachable you are, and I've seen you out

426
00:20:46,720 --> 00:20:48,360
Speaker 1: in about a few times, like I've seen you at

427
00:20:48,680 --> 00:20:50,480
Speaker 1: you know, Brooklyn Nets Games. We saw you at the

428
00:20:50,640 --> 00:20:53,720
Speaker 1: Heart Festival. Yeah, I was with Kaiser, That's the only

429
00:20:53,720 --> 00:20:55,360
Speaker 1: one I've come to. Yeah, I was. I was there

430
00:20:55,440 --> 00:20:57,200
Speaker 1: that day and you were just kind of working around

431
00:20:57,200 --> 00:21:00,280
Speaker 1: by yourself. Is it is it harder now though, because

432
00:21:00,320 --> 00:21:02,240
Speaker 1: don't you feel like you have to have security? Because

433
00:21:02,280 --> 00:21:05,840
Speaker 1: it does feel like I just sift rush you right now.

434
00:21:05,880 --> 00:21:07,720
Speaker 1: I just got a security guard. I didn't have one

435
00:21:07,720 --> 00:21:10,679
Speaker 1: for like four years. There's too many people out there.

436
00:21:10,760 --> 00:21:13,840
Speaker 1: We went to we went to Manila and it was

437
00:21:15,400 --> 00:21:20,040
Speaker 1: like I've never experienced anything like that. It was pure mentalness.

438
00:21:20,240 --> 00:21:25,119
Speaker 1: Um yeah, so it's the word mental mentalness. Yeah. Just well,

439
00:21:25,160 --> 00:21:27,760
Speaker 1: the thing is Manila was like first you'd get like

440
00:21:27,800 --> 00:21:29,679
Speaker 1: all the fans that come over and rush you. But

441
00:21:29,680 --> 00:21:31,520
Speaker 1: then you get all the people that want to know

442
00:21:31,640 --> 00:21:33,080
Speaker 1: what's going on, and then then they come and rush,

443
00:21:33,080 --> 00:21:35,000
Speaker 1: and then there's the others that just want to see

444
00:21:35,000 --> 00:21:36,959
Speaker 1: what's going on with the what's going on, And it

445
00:21:37,000 --> 00:21:38,320
Speaker 1: was just it was just a lot. So I got

446
00:21:38,320 --> 00:21:42,360
Speaker 1: I got a security guard and life. Life is easier.

447
00:21:42,520 --> 00:21:45,680
Speaker 1: Life is easier. I can leave clubs um and I'll

448
00:21:45,720 --> 00:21:48,440
Speaker 1: take it a million one pictures. Well, I still do that.

449
00:21:48,520 --> 00:21:51,159
Speaker 1: But what kind of instructions did you give your security like,

450
00:21:51,480 --> 00:21:52,919
Speaker 1: you know, because you don't want them to be too

451
00:21:53,000 --> 00:21:56,160
Speaker 1: much of a jerk shooper. But at the same time,

452
00:21:56,200 --> 00:21:59,960
Speaker 1: it's difficult because it's I don't really give him any instruction,

453
00:22:00,160 --> 00:22:02,320
Speaker 1: to be honest, I just he just he loves being

454
00:22:02,400 --> 00:22:05,359
Speaker 1: nasty and I and I like being nice. So it's

455
00:22:05,440 --> 00:22:07,600
Speaker 1: kind of see, you know, you meet in the middle

456
00:22:07,720 --> 00:22:10,080
Speaker 1: and it's feel bad sometime, like he pushes somebody too hard,

457
00:22:10,080 --> 00:22:13,200
Speaker 1: you like, he doesn't do that, he'd he'd get fired

458
00:22:13,200 --> 00:22:15,360
Speaker 1: if he did that. Yeah, you can't. You can't be

459
00:22:15,400 --> 00:22:18,960
Speaker 1: a violent person. Yeah, although actually am I think it

460
00:22:19,000 --> 00:22:22,040
Speaker 1: was a TMZ dude started on him and said like

461
00:22:22,200 --> 00:22:24,680
Speaker 1: it was like, oh fuck you up, bro, And keV

462
00:22:24,800 --> 00:22:27,040
Speaker 1: used to be like back in the day, quite a

463
00:22:27,119 --> 00:22:32,520
Speaker 1: dangerous dude. And yeah, he wasn't having it. It's good up, no,

464
00:22:32,760 --> 00:22:37,000
Speaker 1: he laughed. But um yeah, yeah, I think I think

465
00:22:37,000 --> 00:22:39,400
Speaker 1: his job is to not get into anything. That that's

466
00:22:39,400 --> 00:22:41,240
Speaker 1: the whole thing with the security you don't like. It

467
00:22:41,280 --> 00:22:43,280
Speaker 1: isn't like a muscle thing. It's just a prevention thing.

468
00:22:43,520 --> 00:22:46,800
Speaker 1: But yeah, we don't want to meet him. He's out

469
00:22:46,840 --> 00:22:50,119
Speaker 1: there outside the true You raise forty thousand dollars that

470
00:22:50,160 --> 00:22:52,760
Speaker 1: are showing bristel for sex screet workers. That was a

471
00:22:52,800 --> 00:22:56,159
Speaker 1: while ago. Yeah, I did. I did. It was you know,

472
00:22:56,240 --> 00:23:00,240
Speaker 1: my my my first single was written about a I'm

473
00:23:00,640 --> 00:23:02,040
Speaker 1: homeless woman that I met when I was working in

474
00:23:02,040 --> 00:23:06,199
Speaker 1: a shelter and I you had sex word? No, I

475
00:23:06,280 --> 00:23:09,080
Speaker 1: just I tried to, um know, it's a song. It's

476
00:23:09,080 --> 00:23:10,920
Speaker 1: a song called Deep the eighteen, which is about which

477
00:23:10,920 --> 00:23:15,679
Speaker 1: is about her. And because that song gave me a career,

478
00:23:15,840 --> 00:23:17,800
Speaker 1: I tried to do as much as I can to

479
00:23:17,800 --> 00:23:20,240
Speaker 1: give back to that sort of community. But this is

480
00:23:20,240 --> 00:23:21,960
Speaker 1: a big different between meeting somebody in a homeless shelter

481
00:23:22,040 --> 00:23:24,240
Speaker 1: in a sex screed worker, like a homeless person. Just

482
00:23:24,720 --> 00:23:28,840
Speaker 1: was she a sex screed worker? Uh? I mean, I

483
00:23:28,880 --> 00:23:32,720
Speaker 1: don't really know. I didn't really ask. Um, I guess

484
00:23:32,720 --> 00:23:35,919
Speaker 1: assumptions were made, but yeah, I don't know. No, it

485
00:23:35,960 --> 00:23:38,200
Speaker 1: was it was it was. It was involved with there's

486
00:23:38,200 --> 00:23:40,760
Speaker 1: a charity in Anglical crisis, another one called Shelter, and

487
00:23:40,800 --> 00:23:42,520
Speaker 1: it was involved with that, with that whole thing, and

488
00:23:42,560 --> 00:23:45,119
Speaker 1: they were all kind of under the same same thing. Oh,

489
00:23:45,200 --> 00:23:46,800
Speaker 1: somebody has to stand up a price to tools. I

490
00:23:46,840 --> 00:23:50,440
Speaker 1: don't you know what, what's the problem. Why don't you

491
00:23:50,440 --> 00:23:52,200
Speaker 1: give him a hundred hours he just gave you. Nope,

492
00:23:53,000 --> 00:23:55,040
Speaker 1: you can't. You can't keep that. I know he's I'm

493
00:23:55,040 --> 00:23:57,480
Speaker 1: gonna give it to my daughter. He's hating. Don't worry.

494
00:23:57,480 --> 00:24:01,520
Speaker 1: What does she does she like? What does what she's like? Um,

495
00:24:02,040 --> 00:24:03,760
Speaker 1: she wasn't the door. It explore she's kind of offt

496
00:24:03,800 --> 00:24:06,560
Speaker 1: that she's into like the I Carlie now and stuff

497
00:24:06,600 --> 00:24:09,080
Speaker 1: like that. It seems like you're when to maybe have

498
00:24:09,200 --> 00:24:13,040
Speaker 1: kids soon. Uh, I don't know. I don't know. I

499
00:24:13,040 --> 00:24:15,520
Speaker 1: think you're using condoms and everything. Yeah, I think it

500
00:24:15,560 --> 00:24:17,840
Speaker 1: needs somebody time for condoms when you're in your position,

501
00:24:18,880 --> 00:24:22,280
Speaker 1: especially when he's in his position. You know, I don't

502
00:24:22,359 --> 00:24:24,080
Speaker 1: want to end up with like sixteen kids from different

503
00:24:24,080 --> 00:24:27,480
Speaker 1: mothers make a great one. I want one family. It

504
00:24:27,480 --> 00:24:29,480
Speaker 1: would make a really good reality show. Actually, that would

505
00:24:29,480 --> 00:24:32,600
Speaker 1: be that would be interesting. Jesus, can you imagine I

506
00:24:32,640 --> 00:24:34,439
Speaker 1: probably have to do a reality show because I wouldn't.

507
00:24:34,440 --> 00:24:37,440
Speaker 1: I will all the child spool would go off and yeah,

508
00:24:37,480 --> 00:24:39,320
Speaker 1: and you wrap two like you know a guy. It's

509
00:24:39,320 --> 00:24:41,200
Speaker 1: like it's like two songs on your album when you're

510
00:24:41,200 --> 00:24:44,040
Speaker 1: actually spitting. Can we hear something you wrap old school though?

511
00:24:44,240 --> 00:24:51,160
Speaker 1: Old school something? Can we hear something? Yeah? I feel

512
00:24:51,200 --> 00:24:52,560
Speaker 1: like it's a hit, but I'm not. I'm not really

513
00:24:52,560 --> 00:24:58,600
Speaker 1: a rapper. Something I don't really know. Charlomagne had a

514
00:24:58,640 --> 00:25:01,720
Speaker 1: rap name. His name was Dizzy Dizzy Van Winkles in

515
00:25:01,800 --> 00:25:05,800
Speaker 1: me Slam King Kong and pick up free Trains. I

516
00:25:05,920 --> 00:25:08,920
Speaker 1: bet you could be there. I don't ever want to

517
00:25:08,960 --> 00:25:11,680
Speaker 1: be perfect because I'm a singer that you never want

518
00:25:11,720 --> 00:25:13,600
Speaker 1: to see shirt less, and I accept the fact that

519
00:25:13,600 --> 00:25:15,520
Speaker 1: someone's got a win worse dressed. I'm taking my first

520
00:25:15,520 --> 00:25:17,639
Speaker 1: steps into the scene, keeping me focused. I'm putting on

521
00:25:17,640 --> 00:25:20,240
Speaker 1: a brave face like Timothy Dalton considering the name change,

522
00:25:20,280 --> 00:25:23,119
Speaker 1: thinking it was hopeless. I'm rhyming over recordings, avoiding tradition

523
00:25:23,119 --> 00:25:25,200
Speaker 1: because every day some lyrics and a melody could be written.

524
00:25:25,400 --> 00:25:27,800
Speaker 1: Absent can make your heartbreak, but drinking absent can change

525
00:25:27,840 --> 00:25:29,760
Speaker 1: your mind state vividly. I need to let my liver be.

526
00:25:30,359 --> 00:25:31,920
Speaker 1: I'll say it again, I'm living life on the edge

527
00:25:31,920 --> 00:25:34,320
Speaker 1: with a cold, closed handful of friends. It's good advice.

528
00:25:34,359 --> 00:25:35,560
Speaker 1: And the man who took his life in a row

529
00:25:35,600 --> 00:25:36,800
Speaker 1: with me and I hope to see him blowing up

530
00:25:36,800 --> 00:25:39,080
Speaker 1: globally because that's how it's supposed to be, screaming up vocally.

531
00:25:39,080 --> 00:25:41,560
Speaker 1: It might seem totally impossible achieving live streams, but I

532
00:25:41,640 --> 00:25:43,720
Speaker 1: just write schemes. I'm never having a stylus giving me

533
00:25:43,760 --> 00:25:45,879
Speaker 1: tight jeans, Madison Square gardeners where I might be, But

534
00:25:45,960 --> 00:25:47,480
Speaker 1: more likely you'll find me in the backroom of a

535
00:25:47,520 --> 00:25:50,000
Speaker 1: dive bar, my mates having a point with McDade, discussing

536
00:25:50,000 --> 00:25:51,600
Speaker 1: records we made and every single second, no one that

537
00:25:51,640 --> 00:25:53,480
Speaker 1: will never betray the way it will raise. Remember in

538
00:25:53,480 --> 00:25:56,160
Speaker 1: our background, sat down, that's how we plan it out.

539
00:25:56,160 --> 00:26:00,600
Speaker 1: It's time to take it back now. I'm gonna tell

540
00:26:00,600 --> 00:26:02,760
Speaker 1: you how you know he's a rapper because rappers bit written.

541
00:26:02,880 --> 00:26:06,119
Speaker 1: Yeah that on your album sir. I'm not going to

542
00:26:06,200 --> 00:26:10,520
Speaker 1: freestyle on this show. Imagine I heard that on your

543
00:26:10,520 --> 00:26:12,760
Speaker 1: albums in that same song you wrapped about being in

544
00:26:12,760 --> 00:26:15,280
Speaker 1: a movie star or something like that. Maybe maybe I

545
00:26:15,320 --> 00:26:18,760
Speaker 1: don't I don't recall. Yeah, maybe no. I just you know,

546
00:26:18,960 --> 00:26:21,760
Speaker 1: you know, I I like I like saying a lot

547
00:26:21,760 --> 00:26:24,359
Speaker 1: of things, and I really like rap music, and I

548
00:26:24,359 --> 00:26:26,480
Speaker 1: feel like there's no point in doing a rap something

549
00:26:26,560 --> 00:26:29,480
Speaker 1: unless you used to do it properly. Um. So I've

550
00:26:29,480 --> 00:26:32,400
Speaker 1: only done three because they take around the year to write,

551
00:26:32,520 --> 00:26:36,199
Speaker 1: because I'll write like one bar a month just to

552
00:26:36,200 --> 00:26:39,000
Speaker 1: make sure it's it's it's it's a bit more melodic

553
00:26:39,080 --> 00:26:41,600
Speaker 1: than that. You know, that sounded like a spoken word

554
00:26:41,680 --> 00:26:43,800
Speaker 1: thing by ork an Englishman, but it sounds all right.

555
00:26:44,280 --> 00:26:48,119
Speaker 1: Every Friday we do our Friday songs and we're not

556
00:26:48,240 --> 00:26:49,960
Speaker 1: asking you because you're wait, but we're asking you because

557
00:26:50,000 --> 00:26:53,399
Speaker 1: you you're the only pop singers came up here. And

558
00:26:54,000 --> 00:27:01,200
Speaker 1: he's not justin Bieber, Mary, Mariah, Jerry. Do you even

559
00:27:01,240 --> 00:27:05,720
Speaker 1: work here? Are you your first time here? Huh? Would

560
00:27:05,800 --> 00:27:08,920
Speaker 1: you mind singing with us our Friday song today? Yeah?

561
00:27:08,960 --> 00:27:12,320
Speaker 1: That's what is t G I by Katy Perry And

562
00:27:12,320 --> 00:27:16,640
Speaker 1: then we sing Rebecca Black Friday. I love that song.

563
00:27:16,680 --> 00:27:20,760
Speaker 1: You know love that we come back like another drink

564
00:27:20,760 --> 00:27:25,040
Speaker 1: just because I've had three notes. Okay, okay, let's go Friday,

565
00:27:26,600 --> 00:27:28,920
Speaker 1: all right, Special edition of the Goon Tunes this morning.

566
00:27:29,000 --> 00:27:34,320
Speaker 1: What you want to do? Hashtagon, don't. I don't know

567
00:27:34,320 --> 00:27:36,800
Speaker 1: if I'm doing wonders for your street cred. Yes you are.

568
00:27:37,119 --> 00:27:42,120
Speaker 1: You're helping the South. Yeah. We have a group called

569
00:27:42,160 --> 00:27:45,520
Speaker 1: No Direction. That's right. Okay, you're our Harry style Wrong Direction.

570
00:27:45,560 --> 00:27:47,600
Speaker 1: I'm in there, you go, all right? Absolutely? Do you

571
00:27:47,600 --> 00:27:50,520
Speaker 1: know Katie Perry? Yeah, yeah, I do. I did well,

572
00:27:50,560 --> 00:27:52,440
Speaker 1: she because she came out to me after the Grammy,

573
00:27:52,440 --> 00:27:54,960
Speaker 1: because I've I've never wanted Grammy. I lost my sixth

574
00:27:55,000 --> 00:27:56,440
Speaker 1: this year and she came up to me and said

575
00:27:56,480 --> 00:27:58,520
Speaker 1: that she lost thirteen, so don't worry about it, and

576
00:27:58,560 --> 00:28:01,120
Speaker 1: then asked if I wanted to smell her own But really,

577
00:28:01,160 --> 00:28:04,240
Speaker 1: did you smell it? I didn't, come on. You gotta

578
00:28:04,280 --> 00:28:05,679
Speaker 1: do that for the brothers like me. We don't get

579
00:28:05,720 --> 00:28:08,680
Speaker 1: those opportunities, man, smell it and then sneak a lick?

580
00:28:09,280 --> 00:28:12,159
Speaker 1: What a lick? Right under her armpits discussed Yeah, I

581
00:28:12,200 --> 00:28:14,280
Speaker 1: mean yeah, Katy Peary has got some of the best

582
00:28:14,320 --> 00:28:17,240
Speaker 1: breasts in the game. There you are you ready? Are

583
00:28:17,240 --> 00:28:19,680
Speaker 1: you ready? I'm ready? You got your black hood on? Y?

584
00:28:19,720 --> 00:28:22,720
Speaker 1: Are you ready? I'm ready? And Sharon, are you ready? Yeah?

585
00:28:22,760 --> 00:28:24,920
Speaker 1: I'll go really terrible. I sight so I'm trying to

586
00:28:24,920 --> 00:28:32,720
Speaker 1: read this. Here we go. It's Friday. It's Friday. It's Friday.

587
00:28:32,920 --> 00:28:35,600
Speaker 1: There's a stranger in my bad come up. There's a pounding,

588
00:28:35,720 --> 00:28:38,920
Speaker 1: ain't my head? Hey, glad all over the room? Hey,

589
00:28:38,960 --> 00:28:41,000
Speaker 1: man goes in the pool, Come out. I smell like

590
00:28:41,120 --> 00:28:44,080
Speaker 1: a manny bar. Hey, DJ pounds out in the come out.

591
00:28:44,120 --> 00:28:52,680
Speaker 1: Bobby's on the bobbecue pictures. Hey, hey, I'm screwed. What

592
00:28:52,840 --> 00:29:01,080
Speaker 1: you say? Oh, well, he's blacked out by Shaw and Bro. Damn.

593
00:29:01,840 --> 00:29:05,440
Speaker 1: Last Friday ain't night. Yeah. We dance on table times

594
00:29:05,480 --> 00:29:08,360
Speaker 1: and we do many shots. I think we gets money

595
00:29:08,360 --> 00:29:11,920
Speaker 1: out of god. Last Friday night. Yeah, we manage on

596
00:29:12,040 --> 00:29:14,959
Speaker 1: credit cars. Ain't gonna get out of the bars, so

597
00:29:15,040 --> 00:29:18,720
Speaker 1: we hit the bulling mark. That's Friday. Ain't night. We

598
00:29:18,760 --> 00:29:22,080
Speaker 1: went drinking in the bark, skinny dipping in the dark.

599
00:29:22,320 --> 00:29:31,000
Speaker 1: Damn n Oh, I didn't know she had a threesmon. Sorry, whoa?

600
00:29:31,760 --> 00:29:45,200
Speaker 1: It's Friday day? Do it all night? Do it? Oh again? Okay,

601
00:29:45,280 --> 00:29:49,360
Speaker 1: come on, your trying to cut that. Come on, just

602
00:29:49,360 --> 00:29:51,959
Speaker 1: don't know what to tell my boss, can't take the city,

603
00:29:52,040 --> 00:29:56,440
Speaker 1: told my car lyrics on the floor, my favorite party dress,

604
00:29:56,600 --> 00:30:00,600
Speaker 1: scoring stop for my arrest an need a ginger? That

605
00:30:00,800 --> 00:30:04,680
Speaker 1: was such an epic fail pictures last night, ain't head

606
00:30:04,800 --> 00:30:10,080
Speaker 1: up only I'm what you say? He I said, Yeah,

607
00:30:10,160 --> 00:30:17,360
Speaker 1: it's a black sure it ruled. Damn last Friday, ain't

608
00:30:17,440 --> 00:30:19,480
Speaker 1: n there we go? Yeah, we danced on the table

609
00:30:19,560 --> 00:30:22,960
Speaker 1: time damn man, he shot sting. We kiss, but I

610
00:30:23,080 --> 00:30:26,360
Speaker 1: forgot last Friday, ain't n therein go. Yeah, we mixed

611
00:30:26,400 --> 00:30:29,080
Speaker 1: our credit cards. Ain't got kicked out up the ball,

612
00:30:29,320 --> 00:30:32,480
Speaker 1: so we hit the bullet bar last Friday. Ain't night.

613
00:30:32,880 --> 00:30:35,800
Speaker 1: Sharry was standing in the straight in the I can't

614
00:30:35,800 --> 00:30:41,280
Speaker 1: even read it. Last Friday night. Yeah, I think we

615
00:30:41,440 --> 00:30:45,440
Speaker 1: broke the ball. Weren't going to stop, but a whoa

616
00:30:46,440 --> 00:30:51,120
Speaker 1: hit this harmony? D here me go do it? Oh again,

617
00:30:51,320 --> 00:30:54,800
Speaker 1: there we go? Okay, one more time, more time, here

618
00:30:54,840 --> 00:31:00,640
Speaker 1: we go, do it? Oh again, ladies and gentlemen, Sharon,

619
00:31:00,720 --> 00:31:05,600
Speaker 1: let's get lo t g I f t g I

620
00:31:05,640 --> 00:31:10,360
Speaker 1: f t g I f t g I t g

621
00:31:11,680 --> 00:31:22,400
Speaker 1: t g I f t g Friday, Friday, Friday, Friday, Friday,

622
00:31:25,480 --> 00:31:31,680
Speaker 1: Good Friday, Friday, Friday, Friday and Friday and Friday and

623
00:31:31,720 --> 00:31:34,680
Speaker 1: Friday Friday. I feel like that went on one verse

624
00:31:34,680 --> 00:31:37,080
Speaker 1: too long. You know, you know how I know ed

625
00:31:37,160 --> 00:31:38,560
Speaker 1: has a lot of black in them, because when black

626
00:31:38,600 --> 00:31:40,760
Speaker 1: people don't know the words, they just hum like I

627
00:31:40,760 --> 00:31:42,640
Speaker 1: think everyone does that. That's what I do with that.

628
00:31:42,720 --> 00:31:45,360
Speaker 1: Young I have no idea what he's saying. Nobody does

629
00:31:45,880 --> 00:31:48,600
Speaker 1: except for young Thug. Oh, I'm rich homey corn that

630
00:31:50,000 --> 00:31:52,040
Speaker 1: I saw you that you like rich on me kun

631
00:31:52,120 --> 00:31:53,880
Speaker 1: he was just here. I love it. Did you respond

632
00:31:53,920 --> 00:31:58,440
Speaker 1: to your tweet? I doubt it, rich Fan, Okay, you

633
00:31:58,520 --> 00:32:03,080
Speaker 1: gotta to keep going. It's till goon tune time reads

634
00:32:03,080 --> 00:32:06,480
Speaker 1: messing up my floor too much. No, I'm a much

635
00:32:06,520 --> 00:32:10,000
Speaker 1: better singer than at least for these two songs. We

636
00:32:10,040 --> 00:32:12,520
Speaker 1: should carry on asking all good questions. I thought. I

637
00:32:12,520 --> 00:32:14,560
Speaker 1: thought this industry is going to be more difficult. I agree. No,

638
00:32:14,600 --> 00:32:16,080
Speaker 1: I want to talk to you about your eyes because

639
00:32:16,080 --> 00:32:19,640
Speaker 1: you said I looked. You said you couldn't hardly read. Yeah,

640
00:32:19,680 --> 00:32:21,560
Speaker 1: And when I first saw you, I thought something was

641
00:32:21,600 --> 00:32:23,800
Speaker 1: actually wrong with your eyes really like they looked like

642
00:32:23,840 --> 00:32:27,520
Speaker 1: they were too far apart. I got. I got a

643
00:32:27,560 --> 00:32:30,240
Speaker 1: lazy eye. I got lazy. I had a birthmark on

644
00:32:30,280 --> 00:32:34,480
Speaker 1: my eye. Um that was turning into glau coma, which

645
00:32:34,520 --> 00:32:39,520
Speaker 1: meant I would have gone blind. Um story, and I

646
00:32:39,520 --> 00:32:43,400
Speaker 1: got it, lays it off, which gave me a stutter

647
00:32:43,480 --> 00:32:45,840
Speaker 1: for a while, and also a lazy eye. Got an

648
00:32:45,880 --> 00:32:50,360
Speaker 1: eye that goes that way? Really yeah, No, this was

649
00:32:50,360 --> 00:32:54,280
Speaker 1: when I was like to, oh, yeah, but my eye

650
00:32:54,280 --> 00:32:57,160
Speaker 1: still goes off that way. That scares me sometimes. That's whatever.

651
00:32:57,920 --> 00:33:01,200
Speaker 1: You know, I'm perfectly imperfect. You said on your album,

652
00:33:01,240 --> 00:33:04,280
Speaker 1: you said we are what Guard made us. We are. Yeah,

653
00:33:04,360 --> 00:33:07,280
Speaker 1: and thankfully like the way I look at it. Because

654
00:33:07,280 --> 00:33:08,920
Speaker 1: I was a weird kid and I wasn't. I wasn't

655
00:33:08,960 --> 00:33:11,720
Speaker 1: like I had big blue glasses and I was odd.

656
00:33:12,160 --> 00:33:14,480
Speaker 1: But I think God looked down at some point and

657
00:33:14,520 --> 00:33:16,680
Speaker 1: said you need some help getting laid. Here is a

658
00:33:16,760 --> 00:33:23,160
Speaker 1: guitar going forward to my son, We got you into

659
00:33:23,240 --> 00:33:25,520
Speaker 1: hip paps almost because you love hip hop music. Do

660
00:33:25,560 --> 00:33:29,080
Speaker 1: you know what funny story, My uncle Jim, who we

661
00:33:29,120 --> 00:33:32,520
Speaker 1: call Jim Shady Jim, shurned up at my house when

662
00:33:32,520 --> 00:33:35,040
Speaker 1: I was nine and started going my life's like kind

663
00:33:35,080 --> 00:33:37,560
Speaker 1: of what my wife's like and I didn't really know

664
00:33:37,600 --> 00:33:38,920
Speaker 1: what he was going on about. And he told my

665
00:33:39,000 --> 00:33:43,120
Speaker 1: dad that the Marshall Mathers LP was the next Bob Dylan.

666
00:33:43,400 --> 00:33:44,880
Speaker 1: He said that Eminem was the next Bob Dylan and

667
00:33:44,920 --> 00:33:47,920
Speaker 1: you should buy it for so my dad bought me

668
00:33:48,200 --> 00:33:51,640
Speaker 1: Marshal Mada Zelpi at nine. He didn't really know what

669
00:33:51,760 --> 00:33:53,840
Speaker 1: was on it. Um and that that kind that kind

670
00:33:53,840 --> 00:33:56,640
Speaker 1: of opened the gateway because through through that you discovered

671
00:33:56,680 --> 00:33:58,800
Speaker 1: Dre and then you discovered two Pack and Biggie and

672
00:33:59,040 --> 00:34:01,040
Speaker 1: Big Part and then they just kind of who happens

673
00:34:01,560 --> 00:34:04,920
Speaker 1: that big, big, big, big pun one thing you said,

674
00:34:04,920 --> 00:34:06,840
Speaker 1: that's interesting that you said, how you know God blessed

675
00:34:06,840 --> 00:34:08,800
Speaker 1: you with the ability to play guitar. And I always

676
00:34:08,840 --> 00:34:11,960
Speaker 1: say that because Biggie had a line um black and ugly.

677
00:34:12,400 --> 00:34:16,319
Speaker 1: As ever, however, as long as you gotta however, you

678
00:34:16,360 --> 00:34:20,560
Speaker 1: can always prosper. Yeah, well I think I justly he

679
00:34:20,680 --> 00:34:23,360
Speaker 1: might have the Biggie line. And I said when Biggie said, however,

680
00:34:24,040 --> 00:34:25,640
Speaker 1: he also said you were so fine and suck your

681
00:34:25,719 --> 00:34:29,719
Speaker 1: daddy dick. He did say that say that actually came

682
00:34:29,719 --> 00:34:33,359
Speaker 1: from a Richard Pryor stand up special. Yes, I love

683
00:34:33,400 --> 00:34:37,120
Speaker 1: that line. I don't need Biggie can get away with that.

684
00:34:37,200 --> 00:34:41,040
Speaker 1: That's had some of the most pause worthy lyrics that

685
00:34:41,120 --> 00:34:48,800
Speaker 1: when it comes to sex, love to thriller and Biggie

686
00:34:48,800 --> 00:34:52,319
Speaker 1: squeeze it. Make this. I got the pack up in

687
00:34:52,360 --> 00:34:55,200
Speaker 1: the back of the pack five. You know Jame car

688
00:34:55,400 --> 00:34:57,719
Speaker 1: spiff again swift with the librical gift that hit him

689
00:34:57,760 --> 00:35:01,160
Speaker 1: with my dick and ship go here we go. I'm

690
00:35:01,160 --> 00:35:03,160
Speaker 1: the Domino. I got the funk flow to make your

691
00:35:03,200 --> 00:35:07,960
Speaker 1: draws drop slow, so recognize the dick size and what

692
00:35:07,960 --> 00:35:10,359
Speaker 1: I mean around and hit you with the hanness grip.

693
00:35:10,440 --> 00:35:12,439
Speaker 1: Don't remember me, but you don't forget to see ship.

694
00:35:12,600 --> 00:35:15,160
Speaker 1: Jesus my way deep throat on route. So when the

695
00:35:15,200 --> 00:35:21,200
Speaker 1: moon rises, I'm coming in her eyes. Isn't just the

696
00:35:21,200 --> 00:35:23,560
Speaker 1: wild players play? Leave it up to me. I get

697
00:35:23,600 --> 00:35:27,120
Speaker 1: a fuck told day, drunk, old day, counting, stuck in cheese,

698
00:35:27,160 --> 00:35:33,080
Speaker 1: fucking bitches to the assholes. That's on big booty hose

699
00:35:33,440 --> 00:35:41,040
Speaker 1: Yeah second the second, Yeah big. He also said his

700
00:35:41,160 --> 00:35:43,279
Speaker 1: man fuck little kids in the ass and throws them

701
00:35:43,280 --> 00:35:45,920
Speaker 1: over a bridge. Yeah he did. You know, my man

702
00:35:46,040 --> 00:35:49,080
Speaker 1: got a kid naps kids, fuck them in the ass,

703
00:35:49,400 --> 00:35:51,279
Speaker 1: both with the bridge. Yeah he did say that too.

704
00:35:53,320 --> 00:35:57,800
Speaker 1: Jesus Christ's Who's your favorite rapper of all time? Uh?

705
00:35:57,960 --> 00:36:00,840
Speaker 1: The first two Eminem albums two of my favorite albums

706
00:36:00,920 --> 00:36:04,439
Speaker 1: of all time. Rapper, it just changes day by day. Um.

707
00:36:04,440 --> 00:36:07,200
Speaker 1: I only just I discovered Big Pun late, probably about

708
00:36:07,200 --> 00:36:10,160
Speaker 1: four years ago, five years ago actually, Um. I was

709
00:36:10,200 --> 00:36:13,239
Speaker 1: on tour in England with a rapper who had um

710
00:36:14,400 --> 00:36:18,799
Speaker 1: the ninety seven twins and um, just from from that

711
00:36:18,880 --> 00:36:22,160
Speaker 1: he used to wrap over it and yeah, and then

712
00:36:22,200 --> 00:36:24,160
Speaker 1: he played me you know you ain't a killer, you're

713
00:36:24,160 --> 00:36:25,759
Speaker 1: just learning how the world from New York to kill

714
00:36:26,239 --> 00:36:29,040
Speaker 1: that one. Um, So you learned from the Deep Cup joint. Yeah,

715
00:36:29,080 --> 00:36:32,320
Speaker 1: the Deep cover him. Yeah, it was just the first

716
00:36:32,640 --> 00:36:36,399
Speaker 1: eight bars of that song is just what Yeah. But um,

717
00:36:36,480 --> 00:36:39,440
Speaker 1: have you met fair Joel? No, never met Fat Joe.

718
00:36:40,800 --> 00:36:42,520
Speaker 1: I met him all Technique the other day. That was

719
00:36:42,600 --> 00:36:44,480
Speaker 1: that was that. That was cool. He's a really nice guy.

720
00:36:44,480 --> 00:36:45,560
Speaker 1: I was a big fan of him when I was young.

721
00:36:45,600 --> 00:36:48,600
Speaker 1: What about Eminem? I had the opportunity I made. I

722
00:36:48,640 --> 00:36:51,840
Speaker 1: made my album with Rick Rick Rubin, and Rick was

723
00:36:51,880 --> 00:36:53,120
Speaker 1: in New York when I was in New York, and

724
00:36:53,160 --> 00:36:55,080
Speaker 1: he said, I'm doing SNL with Eminem, do you want

725
00:36:55,080 --> 00:36:56,560
Speaker 1: to come down? So I went down. He said, you

726
00:36:56,600 --> 00:36:57,960
Speaker 1: want to meet him? And I said, would he know

727
00:36:57,960 --> 00:36:59,600
Speaker 1: who I am? And he said, unless you're an underground

728
00:36:59,640 --> 00:37:02,680
Speaker 1: rapping from Detroit, he wouldn't. So I said, okay, I'll wait, because, um,

729
00:37:02,800 --> 00:37:06,040
Speaker 1: I waited. I waited to meet jay Z. I had

730
00:37:06,080 --> 00:37:08,399
Speaker 1: a few opportunities to meet him, and I don't want

731
00:37:08,400 --> 00:37:09,799
Speaker 1: to be the dude that just gets a picture and

732
00:37:09,840 --> 00:37:11,719
Speaker 1: then that that's it. And I waited to meet jay

733
00:37:11,800 --> 00:37:13,319
Speaker 1: Z and it was it was worth it because I

734
00:37:13,320 --> 00:37:14,840
Speaker 1: got to go for dinner and actually have a proper

735
00:37:14,840 --> 00:37:17,600
Speaker 1: conversation with him. And I want to do that with eminem.

736
00:37:17,640 --> 00:37:19,680
Speaker 1: I just I don't want to like foto. I want

737
00:37:19,680 --> 00:37:21,600
Speaker 1: to actually have a conversation. Now, what do you think

738
00:37:21,600 --> 00:37:24,920
Speaker 1: about people who say that a white guy like yourself

739
00:37:24,960 --> 00:37:29,600
Speaker 1: and Sam Smith are stealing black people sell I think

740
00:37:29,640 --> 00:37:34,120
Speaker 1: we're embracing it. I think I think, um, it's it's

741
00:37:34,120 --> 00:37:40,040
Speaker 1: something that should be celebrated. I never um, I never

742
00:37:40,080 --> 00:37:42,399
Speaker 1: don't give credit where it's due, you know, I'm I'm

743
00:37:42,520 --> 00:37:46,520
Speaker 1: very open of who influences me, what albums I'm listening to.

744
00:37:46,560 --> 00:37:50,200
Speaker 1: I take people on tour. I don't think it's for

745
00:37:50,280 --> 00:37:52,960
Speaker 1: me anyway. And Sam, I don't think it's necessarily a

746
00:37:53,320 --> 00:37:57,040
Speaker 1: theft thing. I think it's a celebration of music, and

747
00:37:57,080 --> 00:37:59,600
Speaker 1: I think if you do it correctly and respectfully, um

748
00:38:00,000 --> 00:38:02,360
Speaker 1: one can really knock it, you know. I think you know,

749
00:38:02,400 --> 00:38:06,600
Speaker 1: timber Lake's done a very good job of really embracing

750
00:38:06,600 --> 00:38:10,040
Speaker 1: it and really kind of um yeah, it was kind

751
00:38:10,080 --> 00:38:13,200
Speaker 1: of hypocritical. Or when you hear black singer say you

752
00:38:13,239 --> 00:38:15,799
Speaker 1: shouldn't do this kind of music because you're away, I've

753
00:38:15,800 --> 00:38:18,880
Speaker 1: never heard anyone say that for me to me. Um.

754
00:38:18,920 --> 00:38:22,560
Speaker 1: I got nominated for Music of Black Origin Awards in

755
00:38:22,600 --> 00:38:25,399
Speaker 1: England and actually three years in a row, and didn't

756
00:38:25,440 --> 00:38:27,400
Speaker 1: turn up for that very reason because I feel like

757
00:38:27,400 --> 00:38:30,160
Speaker 1: it should go to someone a bit more deserving than me.

758
00:38:30,239 --> 00:38:34,680
Speaker 1: But um yeah, other than other than awards, I haven't

759
00:38:34,680 --> 00:38:38,680
Speaker 1: had anyone say anything like that. We appreciate you joining

760
00:38:38,760 --> 00:38:41,040
Speaker 1: us a lot of fun and anytime you're in town,

761
00:38:41,040 --> 00:38:42,440
Speaker 1: you come on through. You ain't even got a call,

762
00:38:42,520 --> 00:38:44,959
Speaker 1: you ain't got a nactors come with turn up. Let's

763
00:38:45,000 --> 00:38:50,640
Speaker 1: come turn up. Have you seen him? He's got so thin?

764
00:38:52,360 --> 00:38:55,080
Speaker 1: I like it, Gastric Band. I was watching Entourage the

765
00:38:55,080 --> 00:38:56,960
Speaker 1: other day. I didn't because I only know big Boy

766
00:38:57,000 --> 00:39:00,280
Speaker 1: from being skinny skinny boy. Yeah. Yeah, and I didn't

767
00:39:00,280 --> 00:39:04,919
Speaker 1: realize he was big before. That's amazing. Big boy was big.

768
00:39:04,400 --> 00:39:08,440
Speaker 1: I'm not I'm not. I'm not American. I'm not American.

769
00:39:08,600 --> 00:39:11,400
Speaker 1: So we don't really we have two radios, were up

770
00:39:11,480 --> 00:39:15,360
Speaker 1: three three radio stations in England and then one on

771
00:39:15,480 --> 00:39:18,480
Speaker 1: He's on Capital one. Yeah it was no, he was

772
00:39:18,520 --> 00:39:21,640
Speaker 1: on Radio one. I think he's think he's moved over. Yeah,

773
00:39:21,680 --> 00:39:24,240
Speaker 1: and then there's Radio one Capital and then the Battle

774
00:39:24,239 --> 00:39:27,759
Speaker 1: Network and yeah, they which I just don't I haven't

775
00:39:27,760 --> 00:39:30,320
Speaker 1: really paid much. You'll probably the only show I actually

776
00:39:30,480 --> 00:39:33,719
Speaker 1: played attention. I shouldn't say that politically, but like I

777
00:39:33,800 --> 00:39:35,440
Speaker 1: do check every time there's a new video up, or

778
00:39:35,440 --> 00:39:38,239
Speaker 1: do check and watch the interviews, because I find like

779
00:39:38,640 --> 00:39:42,080
Speaker 1: your interviews are quite challenging. They're not like you haven't

780
00:39:42,120 --> 00:39:43,680
Speaker 1: you haven't got a list of questions in front of

781
00:39:43,719 --> 00:39:45,360
Speaker 1: you and you're just going through the motions. It's like

782
00:39:45,400 --> 00:39:47,319
Speaker 1: you really pushed people's buttons. Well you said this was

783
00:39:47,360 --> 00:39:49,319
Speaker 1: easy for you, thought it is going to be worse. Yeah, well,

784
00:39:49,320 --> 00:39:51,799
Speaker 1: Howard Stern, Howard Stern, I was shitting it for and

785
00:39:51,840 --> 00:39:55,040
Speaker 1: that that that that was a lot easier than I expected.

786
00:39:55,400 --> 00:39:57,000
Speaker 1: But I came in here knowing that we were going

787
00:39:57,040 --> 00:39:59,480
Speaker 1: to have fun, and yeah, knowing that you'd ask about

788
00:39:59,560 --> 00:40:02,880
Speaker 1: eating the box. Yeah, you actually brought that. That's the

789
00:40:02,920 --> 00:40:06,799
Speaker 1: first question a quottion. You talked about eating as we

790
00:40:06,880 --> 00:40:12,520
Speaker 1: talked about colorism. Goon squads admit that. Yes, yeah, ye

791
00:40:13,000 --> 00:40:15,879
Speaker 1: admitted that you make assholes bleed. Oh I did not.

792
00:40:22,560 --> 00:40:25,000
Speaker 1: Tims have always been quite good to me. They yeah,

793
00:40:25,040 --> 00:40:27,520
Speaker 1: they haven't. Really. There's one girl that really doesn't like

794
00:40:27,600 --> 00:40:31,880
Speaker 1: me in the office. She's she's really anti No, I

795
00:40:31,920 --> 00:40:33,960
Speaker 1: don't know. I got to talk to Van and Harvey

796
00:40:33,960 --> 00:40:36,560
Speaker 1: about that. There are people actually I've never met them,

797
00:40:36,600 --> 00:40:38,799
Speaker 1: but they're Yeah, they're always They're always nice to me.

798
00:40:38,920 --> 00:40:40,360
Speaker 1: I think until I fuck up, they're going to be

799
00:40:40,440 --> 00:40:45,080
Speaker 1: nice to me. When you suck up the thing about

800
00:40:45,120 --> 00:40:46,839
Speaker 1: the roomal meal in the blogs, if you don't give

801
00:40:46,880 --> 00:40:49,279
Speaker 1: them nothing, they don't have anything to feed off, right. Yeah.

802
00:40:49,280 --> 00:40:51,080
Speaker 1: But I think I think it's healthy just to be

803
00:40:51,239 --> 00:40:54,000
Speaker 1: human and live. I think I think the moment you

804
00:40:54,000 --> 00:40:56,760
Speaker 1: start hiding stuff is when you get caught, the moment

805
00:40:56,800 --> 00:40:58,600
Speaker 1: you're kind of like, no, I don't do this, and

806
00:40:58,600 --> 00:41:00,800
Speaker 1: then when you call everyone's like, oh no, you actually

807
00:41:00,800 --> 00:41:03,719
Speaker 1: do Um. Yeah, so I think like i've I've always

808
00:41:03,760 --> 00:41:07,839
Speaker 1: been very open with this sort of thing music. You know,

809
00:41:07,920 --> 00:41:10,120
Speaker 1: you do, you have sex, you do drugs, you drink,

810
00:41:10,160 --> 00:41:12,040
Speaker 1: you got and cheated on you. Sound like a regular

811
00:41:12,040 --> 00:41:14,120
Speaker 1: guy to me. Sound like Charlotage's trying to take advantage

812
00:41:14,120 --> 00:41:17,120
Speaker 1: of it. He's giving you four drinks. Listen. I like

813
00:41:17,200 --> 00:41:20,239
Speaker 1: the guy we could tell thank you do do men

814
00:41:20,320 --> 00:41:24,040
Speaker 1: ever hit on you? Do you know what? Actually I went?

815
00:41:24,120 --> 00:41:26,120
Speaker 1: I took It was one of Taylor's dances when we

816
00:41:26,120 --> 00:41:28,760
Speaker 1: were on tour, and it was one of her dancers birthdays,

817
00:41:29,000 --> 00:41:32,279
Speaker 1: and I took him and well, I didn't I didn't

818
00:41:32,320 --> 00:41:33,680
Speaker 1: know I was going to this place, but it ended

819
00:41:33,760 --> 00:41:36,200
Speaker 1: up being quite quite fun and interesting. But it was

820
00:41:36,239 --> 00:41:43,080
Speaker 1: a place in Atlantic Swinging Richards, which is a game.

821
00:41:44,040 --> 00:41:46,040
Speaker 1: So I took and do you know what? We were

822
00:41:46,040 --> 00:41:48,400
Speaker 1: playing in Atlanta the next day and Bob was the

823
00:41:48,440 --> 00:41:50,560
Speaker 1: guest and he said, oh, you got it up to

824
00:41:50,600 --> 00:41:51,960
Speaker 1: anything at Atlanta And I was like, oh, I went

825
00:41:52,000 --> 00:41:54,200
Speaker 1: to Swinging Richards last night. And him and his manager

826
00:41:54,239 --> 00:41:58,960
Speaker 1: were just like another gay thing in the industry. Hey,

827
00:41:59,040 --> 00:42:05,400
Speaker 1: but no, you know I whatever, whatever I bought I bought,

828
00:42:05,680 --> 00:42:07,759
Speaker 1: I bought Ricky the guy, the dancer, I bought him

829
00:42:07,760 --> 00:42:10,080
Speaker 1: a dance. The thing, the thing that I was surprised

830
00:42:10,120 --> 00:42:13,160
Speaker 1: at was all the dudes and there were straight and

831
00:42:13,320 --> 00:42:16,239
Speaker 1: they were just earning a lot of money just to

832
00:42:16,320 --> 00:42:20,320
Speaker 1: have a six pack and just windmill. That's how I

833
00:42:20,480 --> 00:42:25,120
Speaker 1: describe it. Sam Smith's cool man, you know. But you

834
00:42:25,160 --> 00:42:27,840
Speaker 1: know I have I have gay friends, are straight friends.

835
00:42:27,840 --> 00:42:30,200
Speaker 1: I have friends that swing both ways. I just, you know,

836
00:42:30,239 --> 00:42:34,239
Speaker 1: I think I think like humans, humans are fun to

837
00:42:34,239 --> 00:42:36,359
Speaker 1: hang around with. And I don't. I don't, I don't like,

838
00:42:36,600 --> 00:42:45,080
Speaker 1: I don't like, you know, I I have no I

839
00:42:45,120 --> 00:42:47,879
Speaker 1: have no objections to the way that anyone lives their

840
00:42:47,920 --> 00:42:51,680
Speaker 1: life unless it's really negative and bad and then means people.

841
00:42:51,719 --> 00:42:53,279
Speaker 1: But I think I think if you're like, Sam's a

842
00:42:53,360 --> 00:42:56,680
Speaker 1: really fucking cool guy. Um, and I really enjoy his company.

843
00:42:56,800 --> 00:42:59,760
Speaker 1: I have a quote, I'm too dumb to be closed minded. Okay,

844
00:43:00,000 --> 00:43:03,480
Speaker 1: takes a certain level of intelligence to be clothed minded.

845
00:43:03,560 --> 00:43:06,160
Speaker 1: I don't know nothing. Yeah, but if you're closed minded,

846
00:43:06,200 --> 00:43:08,680
Speaker 1: you spend your whole life angry at things. Yeah, And

847
00:43:08,719 --> 00:43:10,680
Speaker 1: I think I think it's it's it's easier just to

848
00:43:10,680 --> 00:43:15,520
Speaker 1: be whatever. Let's just let's all hang out, dumb and free. Yeah,

849
00:43:15,560 --> 00:43:17,560
Speaker 1: I doeah, I don't. I don't get the whole closed

850
00:43:17,600 --> 00:43:20,359
Speaker 1: minded this thing. Um, yeah, it's not it's not really

851
00:43:20,400 --> 00:43:24,480
Speaker 1: something I've really lived by, but I agree. Like my

852
00:43:23,760 --> 00:43:27,839
Speaker 1: my mum and dad work in the art like painting industry.

853
00:43:27,560 --> 00:43:29,680
Speaker 1: They don't paint, but they used to working out, So

854
00:43:30,040 --> 00:43:33,000
Speaker 1: you know, that's a massive thing in that in that world,

855
00:43:33,000 --> 00:43:34,960
Speaker 1: and I just grew up around it and it's just

856
00:43:35,000 --> 00:43:38,680
Speaker 1: never really affects me. My brother, we appreciate you joining us.

857
00:43:38,880 --> 00:43:40,880
Speaker 1: ED sharing is the practice club Good Marning