1
00:00:03,400 --> 00:00:06,400
Speaker 1: Yeah, it's way up and I guess this is my friend.

2
00:00:06,480 --> 00:00:09,600
Speaker 2: You know what I'm saying. Lynn Whitfield is in the building. Hi,

3
00:00:09,760 --> 00:00:10,280
Speaker 2: my love.

4
00:00:10,800 --> 00:00:12,840
Speaker 1: And before we started this, I was like, we'll wait

5
00:00:12,880 --> 00:00:14,920
Speaker 1: till the cameras are rolling. Yes, but you got us

6
00:00:15,000 --> 00:00:18,360
Speaker 1: so lit when you came and did the lip Service podcast.

7
00:00:18,560 --> 00:00:21,639
Speaker 3: Oh I had so much fun. Good, I had so

8
00:00:21,760 --> 00:00:24,959
Speaker 3: much fun. I mean I did not know what I

9
00:00:25,040 --> 00:00:29,560
Speaker 3: was walking into. And when everything started to get real,

10
00:00:29,600 --> 00:00:32,320
Speaker 3: I was like, oh, okay, well I'm roll with you.

11
00:00:32,479 --> 00:00:33,640
Speaker 3: We all roll with this.

12
00:00:34,560 --> 00:00:36,680
Speaker 2: I love that. And now you're like the bar.

13
00:00:36,960 --> 00:00:39,440
Speaker 1: So if somebody's like all lipservy, I said, Lyn Whitfield

14
00:00:39,440 --> 00:00:42,040
Speaker 1: did it, and then it's like oh okay. And then

15
00:00:42,240 --> 00:00:44,959
Speaker 1: in the comments, people were like, how did y'all get

16
00:00:45,040 --> 00:00:48,080
Speaker 1: Lynn Whitfield on lip Service? Like it was such a

17
00:00:48,080 --> 00:00:50,559
Speaker 1: big deal. You know, Jamil Hill was in there, like

18
00:00:50,640 --> 00:00:52,360
Speaker 1: I've been trying to get an interview with her for

19
00:00:52,400 --> 00:00:52,920
Speaker 1: the longest.

20
00:00:52,960 --> 00:00:55,040
Speaker 2: Can we make that happen? Oh?

21
00:00:55,040 --> 00:00:57,120
Speaker 3: Well, you know what, you got me in there because

22
00:00:57,160 --> 00:01:01,000
Speaker 3: it's you, and I trust you. I trust you as

23
00:01:01,040 --> 00:01:04,759
Speaker 3: an interviewer. I mean we've been we've I think this

24
00:01:04,840 --> 00:01:07,720
Speaker 3: is our third interview that we've done, and I just

25
00:01:07,800 --> 00:01:11,560
Speaker 3: trust you that you're gonna land it where it's supposed

26
00:01:11,560 --> 00:01:15,080
Speaker 3: to go, that you know where you're going is a

27
00:01:15,120 --> 00:01:18,480
Speaker 3: safe space for us to go. And so because I

28
00:01:18,480 --> 00:01:19,520
Speaker 3: trust you, it's easy.

29
00:01:19,680 --> 00:01:20,600
Speaker 2: That's important too.

30
00:01:20,920 --> 00:01:23,399
Speaker 1: You know that you say that because sometimes people feel

31
00:01:23,440 --> 00:01:26,240
Speaker 1: like interviews have to be like you know, it can

32
00:01:26,280 --> 00:01:28,960
Speaker 1: be scary sometimes for people to go to places where

33
00:01:28,959 --> 00:01:30,720
Speaker 1: you don't feel like, is this a safe space for

34
00:01:30,760 --> 00:01:31,319
Speaker 1: me to be in?

35
00:01:31,800 --> 00:01:34,400
Speaker 3: Yeah, but even if it's edgy, and even if it's

36
00:01:34,480 --> 00:01:42,119
Speaker 3: even controversial in a way, I trust that you're headed.

37
00:01:42,600 --> 00:01:43,959
Speaker 3: Is there's a reason to the.

38
00:01:43,920 --> 00:01:46,640
Speaker 2: Madness, and the intentions are always good. Yes.

39
00:01:46,800 --> 00:01:48,640
Speaker 1: We never want you to feel like, oh, I want

40
00:01:48,640 --> 00:01:51,200
Speaker 1: you to walk away and be like that was fun, yes,

41
00:01:51,880 --> 00:01:52,560
Speaker 1: if nothing else.

42
00:01:52,640 --> 00:01:55,880
Speaker 3: And I did feel so, you know everywhere I went

43
00:01:56,040 --> 00:01:58,800
Speaker 3: like girl, Magic City.

44
00:01:58,840 --> 00:02:02,680
Speaker 2: What if you pop up there? It's all and popping.

45
00:02:03,240 --> 00:02:06,080
Speaker 1: But listen, part of what we're here for is the

46
00:02:06,120 --> 00:02:10,120
Speaker 1: shy and you have that on fire right now.

47
00:02:10,520 --> 00:02:11,720
Speaker 2: You know what people are saying.

48
00:02:12,680 --> 00:02:16,440
Speaker 1: Tell me they want Alicia to take over everything, Okay, they.

49
00:02:16,840 --> 00:02:19,120
Speaker 2: Want your character to be in charge.

50
00:02:19,160 --> 00:02:22,680
Speaker 1: They want you to kill someone, they want to kill

51
00:02:22,760 --> 00:02:27,120
Speaker 1: Duda basically, Yeah, and you know, we haven't seen the

52
00:02:27,240 --> 00:02:30,280
Speaker 1: last episode. Yeah, so we don't know what's going to happen.

53
00:02:30,320 --> 00:02:33,079
Speaker 1: But I'm just saying from what I've seen so far

54
00:02:33,320 --> 00:02:35,960
Speaker 1: and from what my thoughts are, I keep saying, everybody's

55
00:02:35,960 --> 00:02:38,560
Speaker 1: really me. But first of all, I love to see

56
00:02:38,600 --> 00:02:42,400
Speaker 1: a powerful woman who is in charge, and a lot

57
00:02:42,400 --> 00:02:44,640
Speaker 1: of times we love the villain. And I'm trying to

58
00:02:44,639 --> 00:02:47,400
Speaker 1: figure out how much of a villain you are. So

59
00:02:47,440 --> 00:02:50,639
Speaker 1: when you think about how you are playing this role

60
00:02:50,639 --> 00:02:54,240
Speaker 1: of Alisha on the Shy, what did you decide, like,

61
00:02:54,280 --> 00:02:56,520
Speaker 1: as far do you consider yourself a villain? Do you

62
00:02:56,560 --> 00:02:59,800
Speaker 1: consider yourself just somebody that's been had a lot of

63
00:03:00,280 --> 00:03:00,960
Speaker 1: things done.

64
00:03:00,800 --> 00:03:03,160
Speaker 2: To you that you're just kind of coping with.

65
00:03:04,200 --> 00:03:06,840
Speaker 3: No. I I don't think of her as a villain,

66
00:03:07,400 --> 00:03:12,040
Speaker 3: you know. I think if if dudahaddn't killed her brother

67
00:03:13,680 --> 00:03:20,080
Speaker 3: and her ex husband, Oh that hurt, right, Leon? I

68
00:03:20,080 --> 00:03:21,560
Speaker 3: mean we still we just see I.

69
00:03:21,480 --> 00:03:27,200
Speaker 1: Mean, Leon, I know so and you loved him, Yeah,

70
00:03:27,840 --> 00:03:30,600
Speaker 1: you could see yeah that you were like please, like

71
00:03:30,680 --> 00:03:32,480
Speaker 1: it was like you wanted to get back together with him.

72
00:03:32,639 --> 00:03:33,960
Speaker 2: You could see yeah.

73
00:03:33,760 --> 00:03:37,680
Speaker 3: Because there were no lines too that said no. It

74
00:03:37,720 --> 00:03:43,600
Speaker 3: was quite add but Okay, good good, yes, because you know, oh,

75
00:03:43,640 --> 00:03:46,960
Speaker 3: she loved comfortable love sometimes is like that, like we

76
00:03:47,080 --> 00:03:49,840
Speaker 3: can't be together, but I love you, right, and I

77
00:03:49,880 --> 00:03:53,320
Speaker 3: would try if you would, you know, but getting all

78
00:03:53,360 --> 00:03:58,040
Speaker 3: that and nonverbal communication and behavior, so thank you so

79
00:03:58,120 --> 00:04:02,320
Speaker 3: much for getting it. But I think that Alicia had

80
00:04:04,240 --> 00:04:07,880
Speaker 3: had that not happened, had those two men in her

81
00:04:07,960 --> 00:04:11,160
Speaker 3: life not been taken from her, I don't think that

82
00:04:11,320 --> 00:04:15,520
Speaker 3: she would be out gunning for somebody. She'd be you know,

83
00:04:15,680 --> 00:04:19,560
Speaker 3: buying up more property and doing the scholarship raising thing

84
00:04:19,960 --> 00:04:25,840
Speaker 3: and doing it. I mean, you know it. She was provoked. Yeah,

85
00:04:25,839 --> 00:04:27,480
Speaker 3: all right, so let's there was provocation.

86
00:04:27,640 --> 00:04:28,880
Speaker 2: Let's dig into that a little.

87
00:04:29,120 --> 00:04:34,600
Speaker 1: Okay, So first of all, let me see where do

88
00:04:34,680 --> 00:04:37,520
Speaker 1: we start with this. When we think about that, though,

89
00:04:37,600 --> 00:04:40,400
Speaker 1: it also feels like you're willing to, as the queen,

90
00:04:41,279 --> 00:04:44,240
Speaker 1: use your son as a pawn to go out there

91
00:04:44,640 --> 00:04:48,040
Speaker 1: and risk his own life on the front. So so

92
00:04:48,560 --> 00:04:49,880
Speaker 1: which is emi Shmper's carriage?

93
00:04:49,920 --> 00:04:53,480
Speaker 3: Okay, okay, but here's the thing, not a pawn? Right

94
00:04:55,880 --> 00:05:03,279
Speaker 3: In all kinds of family legacy rate, there's you want

95
00:05:03,279 --> 00:05:07,240
Speaker 3: to know that your offspring is strong enough if you

96
00:05:07,400 --> 00:05:12,800
Speaker 3: came tomorrow, right, something happens you want to know that

97
00:05:12,839 --> 00:05:19,320
Speaker 3: they can handle everything, okay, Right, So Alicia was used

98
00:05:19,320 --> 00:05:23,000
Speaker 3: to Alicia was used to having her brother handle all

99
00:05:23,040 --> 00:05:28,239
Speaker 3: the heavy lifting of retribution or whatever needed to happen.

100
00:05:28,440 --> 00:05:32,320
Speaker 3: She didn't have to like know and Leon and Leon

101
00:05:32,839 --> 00:05:33,640
Speaker 3: what's his name on there?

102
00:05:33,640 --> 00:05:33,880
Speaker 2: Again?

103
00:05:33,920 --> 00:05:40,280
Speaker 3: I keep calling I can't what let's call it because

104
00:05:40,320 --> 00:05:43,960
Speaker 3: if we can't add Alonzo. So so really she was

105
00:05:44,040 --> 00:05:48,000
Speaker 3: kind of like protected from all from having to do

106
00:05:48,279 --> 00:05:49,800
Speaker 3: any of that stuff herself.

107
00:05:49,920 --> 00:05:51,000
Speaker 2: Right, So.

108
00:05:52,760 --> 00:05:56,000
Speaker 3: She didn't use her son as a pawn, but she

109
00:05:56,160 --> 00:05:59,760
Speaker 3: did send him out there in the world to do

110
00:05:59,800 --> 00:06:03,920
Speaker 3: something that was danger for him to do. So I

111
00:06:03,960 --> 00:06:07,440
Speaker 3: agree with that, but not as a pawn. Do you

112
00:06:07,480 --> 00:06:10,040
Speaker 3: think she wanted him to be stronger?

113
00:06:10,080 --> 00:06:14,279
Speaker 1: Did at least I realize how powerful Duda was, though,

114
00:06:14,440 --> 00:06:18,320
Speaker 1: you feel like when she did that, because he's really dangerous,

115
00:06:18,760 --> 00:06:19,840
Speaker 1: that's the type of thing.

116
00:06:20,480 --> 00:06:26,440
Speaker 3: Well, they not for years, and Curtis and I decided

117
00:06:26,520 --> 00:06:33,320
Speaker 3: that Curtis, who plays Duda, and I you know, decided

118
00:06:33,360 --> 00:06:37,080
Speaker 3: that they probably found each other attractive back in the day,

119
00:06:37,279 --> 00:06:39,920
Speaker 3: maybe didn't act on it, but there was that kind

120
00:06:39,920 --> 00:06:45,719
Speaker 3: of tension as well. Uh, I don't think that because

121
00:06:45,720 --> 00:06:49,200
Speaker 3: she's not really in the street. The time that she

122
00:06:49,360 --> 00:06:53,840
Speaker 3: didn't realize how but for her it was more of

123
00:06:53,880 --> 00:06:57,280
Speaker 3: a manhood test for him. Okay, I get it that

124
00:06:57,320 --> 00:06:59,560
Speaker 3: you're going to be strong enough to match your back

125
00:07:00,120 --> 00:07:04,120
Speaker 3: because I mean he's getting all the time, he's he

126
00:07:04,240 --> 00:07:08,640
Speaker 3: still speaks to her as if he were a little boy.

127
00:07:09,240 --> 00:07:13,880
Speaker 2: You know, mom, what, Yeah, I'm not feeling like he's capable.

128
00:07:15,360 --> 00:07:16,800
Speaker 2: I'm not feeling like he's capable.

129
00:07:17,240 --> 00:07:24,760
Speaker 3: Like and it's but you tried, but that that is alicious.

130
00:07:24,880 --> 00:07:28,840
Speaker 3: You know, that's her achilles heel. She should be able

131
00:07:28,880 --> 00:07:32,760
Speaker 3: to see. That's not That's who your brother was, That's

132
00:07:32,800 --> 00:07:34,960
Speaker 3: who your ex husband was able.

133
00:07:35,520 --> 00:07:38,480
Speaker 1: This is not your son's had a good life and

134
00:07:38,520 --> 00:07:39,440
Speaker 1: a good upbringing.

135
00:07:39,600 --> 00:07:42,000
Speaker 3: Well. Yeah, in the first scene we ever had together,

136
00:07:42,040 --> 00:07:44,840
Speaker 3: in the first episode that I was in in the

137
00:07:44,880 --> 00:07:47,680
Speaker 3: sixth season. You know, how do you think you got

138
00:07:47,680 --> 00:07:49,960
Speaker 3: to go to all those private schools? I think you

139
00:07:50,000 --> 00:07:51,960
Speaker 3: got to do all that stuff? How did you walk

140
00:07:52,000 --> 00:07:55,080
Speaker 3: around and come from and where did it come from?

141
00:07:55,120 --> 00:07:59,560
Speaker 3: You know? So, But as a cautionary tale, I think

142
00:07:59,640 --> 00:08:04,160
Speaker 3: that happens often right in real families where the parents

143
00:08:04,560 --> 00:08:09,560
Speaker 3: want to force their kids into being able to take

144
00:08:09,600 --> 00:08:13,360
Speaker 3: over the family business, being something that they're not. You know,

145
00:08:13,880 --> 00:08:15,720
Speaker 3: I think there's a cautionary tale in that.

146
00:08:16,160 --> 00:08:18,600
Speaker 1: For parents, Right, It's like, we want you to have

147
00:08:18,640 --> 00:08:20,600
Speaker 1: these streetsmarts, but we don't put you in all these

148
00:08:20,640 --> 00:08:22,120
Speaker 1: private schools and.

149
00:08:22,520 --> 00:08:24,720
Speaker 2: Made you.

150
00:08:25,560 --> 00:08:28,520
Speaker 1: And you know, and you're a girl mom obviously, you know.

151
00:08:28,560 --> 00:08:31,640
Speaker 1: We love Grace Gibson. Yes, So do you ever think

152
00:08:31,640 --> 00:08:34,240
Speaker 1: about what life would be like with a son? Also

153
00:08:34,480 --> 00:08:37,840
Speaker 1: when you're filming something like this, it's probably a whole different.

154
00:08:37,720 --> 00:08:41,040
Speaker 3: It would be a whole different thing. And when I

155
00:08:41,080 --> 00:08:44,480
Speaker 3: got pregnant, I wanted a boy. I wanted a boy

156
00:08:44,520 --> 00:08:49,880
Speaker 3: so bad that I was at the opening it was

157
00:08:50,000 --> 00:08:55,719
Speaker 3: opening night of Josephine Baker and it was going to

158
00:08:55,800 --> 00:08:58,160
Speaker 3: be a MoMA the premiere, right the part of the

159
00:08:58,160 --> 00:09:01,560
Speaker 3: premiere party, and the doctor called and said, you're having

160
00:09:01,600 --> 00:09:06,480
Speaker 3: a girl. I cried off all my makeup. But why

161
00:09:06,840 --> 00:09:08,600
Speaker 3: Because I knew I'd have to grow up.

162
00:09:08,760 --> 00:09:09,400
Speaker 2: Yeah.

163
00:09:09,480 --> 00:09:12,800
Speaker 3: Absolutely, And it's like I have to be a strong

164
00:09:12,880 --> 00:09:18,320
Speaker 3: woman if I'm going to have a girl child. And

165
00:09:18,440 --> 00:09:22,000
Speaker 3: I just didn't want to give up my own childhood,

166
00:09:22,760 --> 00:09:26,760
Speaker 3: you know, So yes, but I would never ever send

167
00:09:27,240 --> 00:09:31,000
Speaker 3: Grace out. Lynn would never send Grace out to do

168
00:09:31,080 --> 00:09:34,560
Speaker 3: something that would put her in harm's way to have

169
00:09:34,679 --> 00:09:35,920
Speaker 3: her grow up.

170
00:09:36,520 --> 00:09:40,040
Speaker 1: Now listen, let's get into this. Because when you did Lipsabers,

171
00:09:40,040 --> 00:09:42,040
Speaker 1: we were like, who could Lynn Whitfield date?

172
00:09:42,320 --> 00:09:44,599
Speaker 3: You know, younger guys, you think of somebody.

173
00:09:44,640 --> 00:09:45,240
Speaker 2: Well listen.

174
00:09:45,600 --> 00:09:48,800
Speaker 1: Then when we watched The Shy and we see these

175
00:09:48,840 --> 00:09:52,079
Speaker 1: steamy scenes with Jason Weavers.

176
00:09:51,400 --> 00:09:57,280
Speaker 3: I am so enjoying working with him. Well we have fun, you.

177
00:09:57,280 --> 00:09:59,880
Speaker 1: Know, And I saw him giving you all the praises

178
00:10:00,400 --> 00:10:02,360
Speaker 1: and the interviews that he's doing and how you really

179
00:10:02,440 --> 00:10:04,640
Speaker 1: raised the bar and helped him step it up and

180
00:10:04,679 --> 00:10:06,520
Speaker 1: everybody as an actor.

181
00:10:06,960 --> 00:10:10,440
Speaker 3: Oh, I you know, I don't see that. If if

182
00:10:10,480 --> 00:10:12,599
Speaker 3: I if I was looking at that, I would it

183
00:10:12,600 --> 00:10:15,640
Speaker 3: would be like the professor being in the classroom. I'm

184
00:10:15,880 --> 00:10:23,760
Speaker 3: just people are responding to being present, you know, like

185
00:10:23,920 --> 00:10:27,360
Speaker 3: every interview we have were present, right, But you've interviewed

186
00:10:27,360 --> 00:10:31,840
Speaker 3: people were they're not really present, you know, Okay, but

187
00:10:32,000 --> 00:10:36,880
Speaker 3: when somebody is present. But I mean with Jason, it's

188
00:10:37,120 --> 00:10:40,920
Speaker 3: it's really great because people to go through all kinds

189
00:10:40,960 --> 00:10:44,079
Speaker 3: of mascinations to show passion and all kinds of stuff,

190
00:10:44,120 --> 00:10:46,560
Speaker 3: and we've been able to do it with a kiss.

191
00:10:46,600 --> 00:10:53,200
Speaker 3: It just lit. When the internet let off, you said

192
00:10:53,320 --> 00:10:57,400
Speaker 3: like a daughter. That's what Grace said. Grace said, Mom,

193
00:10:57,480 --> 00:10:59,920
Speaker 3: I just couldn't watch. I sound like some hand Greek

194
00:11:00,200 --> 00:11:02,280
Speaker 3: around your neck and you're like, yeah.

195
00:11:01,840 --> 00:11:04,559
Speaker 1: But that was an amazing scene though, Let's be clear, okay,

196
00:11:04,559 --> 00:11:06,280
Speaker 1: because I was like, what is he about to do?

197
00:11:06,360 --> 00:11:08,920
Speaker 1: And if you guys haven't watched that scene alone should

198
00:11:08,920 --> 00:11:10,600
Speaker 1: make you be like, let me go back to the

199
00:11:10,600 --> 00:11:13,360
Speaker 1: beginning of season six, so I know exactly what's happening,

200
00:11:13,760 --> 00:11:15,560
Speaker 1: but there is just a scene where y'all are going

201
00:11:15,640 --> 00:11:18,079
Speaker 1: at it with each other. But so funny is that

202
00:11:18,280 --> 00:11:20,720
Speaker 1: And this is not really a spoiler, but you have

203
00:11:20,840 --> 00:11:22,839
Speaker 1: him wearing your ex husband's coat.

204
00:11:23,240 --> 00:11:25,720
Speaker 2: Yeah, Leon Leon comes in and he's like, is that

205
00:11:25,800 --> 00:11:26,199
Speaker 2: my coat?

206
00:11:26,440 --> 00:11:27,240
Speaker 3: Yes?

207
00:11:27,880 --> 00:11:30,240
Speaker 1: First of all, Grimy, how are you gonna have this

208
00:11:30,280 --> 00:11:32,239
Speaker 1: man wearing your ex husband's coat?

209
00:11:32,800 --> 00:11:37,520
Speaker 3: That's where you know, Thank god, I'm Lennon. She's delicious.

210
00:11:38,920 --> 00:11:41,160
Speaker 3: It's like having a girlfriend. And it's like, come on,

211
00:11:41,240 --> 00:11:45,480
Speaker 3: I can't like explain her bad behavior because I'm not

212
00:11:45,840 --> 00:11:48,599
Speaker 3: I am not her. It was a nice coat of

213
00:11:49,240 --> 00:11:50,880
Speaker 3: kind a shafty.

214
00:11:51,360 --> 00:11:55,880
Speaker 4: Then took a leather now, oh yeah, but how could you?

215
00:11:56,400 --> 00:12:00,480
Speaker 3: Yes, she she doesn't always make the right decision, you know,

216
00:12:01,000 --> 00:12:07,040
Speaker 3: But let's see what happens, because I think her she

217
00:12:07,280 --> 00:12:11,040
Speaker 3: wants him, she wants she wants them to be more

218
00:12:11,080 --> 00:12:15,880
Speaker 3: of their own men. That's really what she needs. Whether

219
00:12:16,000 --> 00:12:18,520
Speaker 3: she knows it or not, that's what she needs. And

220
00:12:18,559 --> 00:12:21,480
Speaker 3: I think basically that's really what she wants. So let's

221
00:12:21,480 --> 00:12:22,400
Speaker 3: see how it shakes out.

222
00:12:22,480 --> 00:12:24,080
Speaker 2: But just think about this ego situation.

223
00:12:24,160 --> 00:12:26,480
Speaker 1: Let's go back to wear is somebody else's clothes for

224
00:12:26,520 --> 00:12:29,640
Speaker 1: a second. Can you imagine what if you were dating

225
00:12:29,640 --> 00:12:31,559
Speaker 1: somebody and they gave you a purse that was somebody

226
00:12:31,600 --> 00:12:35,760
Speaker 1: else's purse. Girl, I couldn't exactly you had this man

227
00:12:35,800 --> 00:12:37,160
Speaker 1: wearing your ex husband's He.

228
00:12:37,200 --> 00:12:38,160
Speaker 3: Didn't know, though.

229
00:12:38,720 --> 00:12:42,080
Speaker 1: That's what the argument was about to find out. So yeah,

230
00:12:42,080 --> 00:12:44,240
Speaker 1: that's how the argument started. And then next thing you know,

231
00:12:44,280 --> 00:12:47,640
Speaker 1: he's and it's a whole.

232
00:12:47,520 --> 00:12:50,000
Speaker 2: Sexy scene because you liked it.

233
00:12:50,120 --> 00:12:51,240
Speaker 3: I liked it.

234
00:12:51,320 --> 00:12:56,120
Speaker 2: She did? Yeah she did. Okay, here we go, let's

235
00:12:59,400 --> 00:12:59,920
Speaker 2: she did?

236
00:13:00,120 --> 00:13:05,560
Speaker 3: She did? I mean, but I told Christina, the woman

237
00:13:05,600 --> 00:13:09,920
Speaker 3: who Christiana, who wrote that episode, who came up with

238
00:13:09,960 --> 00:13:12,720
Speaker 3: that idea, It was like, who would have thought that

239
00:13:12,840 --> 00:13:16,880
Speaker 3: anything about that would like I could see is stepping

240
00:13:16,920 --> 00:13:21,880
Speaker 3: into delicious shoes. That is right, that that could be exciting,

241
00:13:23,080 --> 00:13:25,680
Speaker 3: you know, because she's like, I want you to be yeah,

242
00:13:25,880 --> 00:13:26,640
Speaker 3: more aggressive.

243
00:13:26,720 --> 00:13:26,960
Speaker 2: Yeah.

244
00:13:27,440 --> 00:13:31,160
Speaker 3: So yeah, it was really interesting to see how the

245
00:13:32,040 --> 00:13:34,400
Speaker 3: and when I read it, I was like, oh my god,

246
00:13:34,520 --> 00:13:37,680
Speaker 3: this is like so and you know, you never want

247
00:13:37,720 --> 00:13:42,480
Speaker 3: anything to be like is this like beyond the realm

248
00:13:42,600 --> 00:13:43,880
Speaker 3: of like is.

249
00:13:43,840 --> 00:13:45,120
Speaker 2: It cringey for you?

250
00:13:45,120 --> 00:13:50,599
Speaker 3: Oh? Not cringey, but is it I don't want to

251
00:13:50,640 --> 00:13:52,400
Speaker 3: say that because there but you know, you just don't

252
00:13:52,480 --> 00:13:54,320
Speaker 3: know if it's going to come off to an audience.

253
00:13:54,360 --> 00:13:58,240
Speaker 3: Is something corny, yeah, camp or whatever?

254
00:13:59,080 --> 00:14:01,840
Speaker 2: And you don't want it to be like soap opera is.

255
00:14:02,160 --> 00:14:06,000
Speaker 3: Yeah, okay, like soap opera is. But we were both

256
00:14:06,040 --> 00:14:10,320
Speaker 3: so present in the moment and the writers had the

257
00:14:10,440 --> 00:14:15,880
Speaker 3: right instinct that it between the energies of those two actors,

258
00:14:16,040 --> 00:14:18,800
Speaker 3: and it really turned into something.

259
00:14:19,160 --> 00:14:27,040
Speaker 2: He was definitely present a career highlight. So I'm sure

260
00:14:27,040 --> 00:14:27,480
Speaker 2: it is.

261
00:14:27,640 --> 00:14:33,480
Speaker 3: But listen, the responses were so funny. I was rolling

262
00:14:34,560 --> 00:14:38,200
Speaker 3: about four or five days later I started reading the responses.

263
00:14:38,240 --> 00:14:42,120
Speaker 3: They were so hysterical. Yeah, they were like, oh.

264
00:14:41,800 --> 00:14:44,320
Speaker 4: Look at it, Lady May is making it because they

265
00:14:44,320 --> 00:14:51,640
Speaker 4: can't making Simba making Simba Mustafa. It's like, what are

266
00:14:51,720 --> 00:14:54,440
Speaker 4: y'all talking about like, how do you even come up

267
00:14:54,440 --> 00:14:55,320
Speaker 4: with these things?

268
00:14:55,680 --> 00:14:58,160
Speaker 2: Well, that's good that you can laugh and read those things.

269
00:14:58,400 --> 00:15:00,800
Speaker 1: Yes, has there ever been a time since we're talking

270
00:15:00,840 --> 00:15:03,320
Speaker 1: about this that you were like you read something in

271
00:15:03,360 --> 00:15:05,160
Speaker 1: a script on a role and you were like, Eh,

272
00:15:05,320 --> 00:15:09,960
Speaker 1: I'm not feeling this because I can imagine you having

273
00:15:10,040 --> 00:15:11,840
Speaker 1: the because some people might feel like, all right, I

274
00:15:11,920 --> 00:15:12,400
Speaker 1: just got to do this.

275
00:15:12,440 --> 00:15:13,160
Speaker 2: I gotta do my job.

276
00:15:13,160 --> 00:15:15,440
Speaker 1: But to me, you seem like the type of person

277
00:15:15,440 --> 00:15:17,600
Speaker 1: who would be like, this doesn't feel right.

278
00:15:18,800 --> 00:15:27,120
Speaker 3: Well, I will say it. Sometimes directors and writers don't agree.

279
00:15:28,000 --> 00:15:31,320
Speaker 3: But the great thing about our business, about what we

280
00:15:31,400 --> 00:15:36,520
Speaker 3: do in filmmaking, storytelling, is that it's collaborative. Right, just

281
00:15:36,840 --> 00:15:40,640
Speaker 3: going way back eaves by you. I kept saying to

282
00:15:40,720 --> 00:15:49,040
Speaker 3: Casey Lemon, look, she needs to let him have it.

283
00:15:49,800 --> 00:15:55,320
Speaker 3: She needs to really go in on him for being

284
00:15:55,440 --> 00:15:59,240
Speaker 3: such a cheater. Yeah, And she said no, no, No.

285
00:15:59,640 --> 00:16:03,360
Speaker 3: I said, listen, she might not have a stroke, but

286
00:16:03,440 --> 00:16:05,760
Speaker 3: I feel like I'm about to have a stroke. Let

287
00:16:05,800 --> 00:16:08,680
Speaker 3: me just letting this happen and just being the silent

288
00:16:09,200 --> 00:16:15,760
Speaker 3: fifty something woman. And she said no, you can't, no,

289
00:16:17,080 --> 00:16:20,200
Speaker 3: And I was so upset about it. She said you'll

290
00:16:20,280 --> 00:16:22,400
Speaker 3: understand later. And when I saw it, it was so

291
00:16:22,480 --> 00:16:27,160
Speaker 3: much more powerful that she stayed that she didn't, you know,

292
00:16:27,880 --> 00:16:32,840
Speaker 3: go to that place of and then you know, poof,

293
00:16:32,640 --> 00:16:35,280
Speaker 3: he lost his life. She didn't have to do anything,

294
00:16:36,240 --> 00:16:39,360
Speaker 3: you know what I mean. So sometimes, and you know,

295
00:16:39,520 --> 00:16:43,000
Speaker 3: sometimes in the show, I'll say I what do you think?

296
00:16:43,400 --> 00:16:45,480
Speaker 3: And it's like, no, we like it like this, And

297
00:16:45,520 --> 00:16:51,080
Speaker 3: so you have to then make what is written work,

298
00:16:51,320 --> 00:16:54,120
Speaker 3: whether or not it's your instinct or not, okay, but

299
00:16:54,240 --> 00:16:59,120
Speaker 3: that's part of the craft sometimes to do so I

300
00:16:59,160 --> 00:17:06,800
Speaker 3: had it was Craig was on the showrunner on Greenleaf.

301
00:17:06,880 --> 00:17:10,919
Speaker 3: Was was extremely collaborative, uh, and we were able to

302
00:17:10,960 --> 00:17:16,240
Speaker 3: do But sometimes the restraint, like not being able to

303
00:17:16,320 --> 00:17:17,800
Speaker 3: recraft something.

304
00:17:18,080 --> 00:17:22,880
Speaker 2: Just pushes you to challenges. You challenge, challenge.

305
00:17:23,320 --> 00:17:25,560
Speaker 3: How do I make this work? Then? How can I

306
00:17:25,720 --> 00:17:29,240
Speaker 3: get this rooted in some kind of truth in the character?

307
00:17:30,200 --> 00:17:30,439
Speaker 2: You know?

308
00:17:30,560 --> 00:17:32,919
Speaker 1: And the meme that I love that people always say, like,

309
00:17:33,480 --> 00:17:36,560
Speaker 1: you know, I, what does it say that you played

310
00:17:36,560 --> 00:17:37,920
Speaker 1: crazy but you never played broke?

311
00:17:38,359 --> 00:17:42,080
Speaker 3: I know, but that's not always my fault though I

312
00:17:42,160 --> 00:17:46,000
Speaker 3: swear I never been broken anything, but yes I have.

313
00:17:46,560 --> 00:17:49,359
Speaker 3: I played a maid and Sophie and the Moon anger.

314
00:17:49,800 --> 00:17:52,440
Speaker 1: Okay, we gotta flash back to that. But that's a rarity.

315
00:17:52,520 --> 00:17:54,760
Speaker 1: I feel like it is.

316
00:17:54,800 --> 00:17:57,960
Speaker 3: The kind of u the woman in the room of

317
00:17:58,000 --> 00:18:01,040
Speaker 3: Brewster Place, she didn't have any money, Okay, all right now, No,

318
00:18:01,440 --> 00:18:04,119
Speaker 3: it's just that those those ones stand out, you know,

319
00:18:04,600 --> 00:18:07,520
Speaker 3: And then I think people hire you because they know

320
00:18:07,560 --> 00:18:09,280
Speaker 3: what you do well and they feel like, I can

321
00:18:10,200 --> 00:18:13,440
Speaker 3: I pulled that off in a believabul way. But sometimes

322
00:18:13,480 --> 00:18:15,719
Speaker 3: I'm like, can it just be a little bit more simple?

323
00:18:16,320 --> 00:18:20,640
Speaker 3: And they're like, this is you, but she is all

324
00:18:20,680 --> 00:18:25,480
Speaker 3: that right, like really when they yeah, we've sat to

325
00:18:26,160 --> 00:18:29,040
Speaker 3: that red coat. You know what the coat was in

326
00:18:29,080 --> 00:18:32,960
Speaker 3: the beginning, you know, the full length red fox coat.

327
00:18:33,680 --> 00:18:39,159
Speaker 3: It was a red leather coat with fox cuffs and

328
00:18:39,240 --> 00:18:44,400
Speaker 3: a fox collar. When I left my fitting, that's what

329
00:18:44,480 --> 00:18:47,600
Speaker 3: she was going to wear in that scene. When we

330
00:18:47,800 --> 00:18:51,679
Speaker 3: came to the day that we're shooting, we're outside the

331
00:18:51,720 --> 00:18:54,359
Speaker 3: cigar bar, you know, in the green room of that place.

332
00:18:55,160 --> 00:18:59,080
Speaker 3: They unzipped this bag and they start pulling out this,

333
00:19:01,240 --> 00:19:06,760
Speaker 3: I mean and pulling it is a full length, train

334
00:19:06,920 --> 00:19:09,160
Speaker 3: length red fough.

335
00:19:09,920 --> 00:19:13,600
Speaker 2: I'm like, what it's you in the hell it's this.

336
00:19:14,560 --> 00:19:16,720
Speaker 3: I was like, I can't pull it off. How can

337
00:19:16,800 --> 00:19:20,440
Speaker 3: you seriously think you might go shoot somebody with this song?

338
00:19:20,480 --> 00:19:23,640
Speaker 3: They're not gonna take her seriously. I was freaked out.

339
00:19:23,880 --> 00:19:24,680
Speaker 2: That's even better.

340
00:19:25,600 --> 00:19:28,479
Speaker 3: I was freaked out, and I started walking up and

341
00:19:28,560 --> 00:19:32,639
Speaker 3: down the street trying to own it, to own it

342
00:19:32,760 --> 00:19:37,119
Speaker 3: and walk in there believable, because I wanted her to

343
00:19:37,200 --> 00:19:39,359
Speaker 3: have authority. I didn't want her to look like she

344
00:19:39,560 --> 00:19:44,600
Speaker 3: was right, you know, so, but that's what Quincy and DeAndre,

345
00:19:44,720 --> 00:19:50,640
Speaker 3: they're the you know, on site executive producers, and that's

346
00:19:50,640 --> 00:19:51,280
Speaker 3: what they wanted.

347
00:19:51,600 --> 00:19:51,800
Speaker 2: Yeah.

348
00:19:51,880 --> 00:19:54,399
Speaker 1: No, honestly, like I love to hear your process of

349
00:19:54,480 --> 00:19:58,040
Speaker 1: how you kind of get into these roles and for

350
00:19:58,080 --> 00:20:00,679
Speaker 1: people to understand like what you go through. I feel,

351
00:20:01,520 --> 00:20:03,439
Speaker 1: you know that you really become a person.

352
00:20:04,280 --> 00:20:06,320
Speaker 3: Well, yeah, I think it's a I think it's very

353
00:20:06,359 --> 00:20:11,439
Speaker 3: important to take human beings seriously and if you're going

354
00:20:11,520 --> 00:20:14,760
Speaker 3: to take charge of one and start to communicate, even

355
00:20:14,800 --> 00:20:17,800
Speaker 3: if they're doing wrong things, they don't always have to,

356
00:20:18,440 --> 00:20:28,520
Speaker 3: but it's my responsibility to channel shift that character's instincts

357
00:20:28,600 --> 00:20:32,600
Speaker 3: through me, right, right, And so I do protect them

358
00:20:32,920 --> 00:20:36,239
Speaker 3: because I think I feel so often that you know,

359
00:20:36,600 --> 00:20:41,760
Speaker 3: black women characters or women characters just thrown down the

360
00:20:41,840 --> 00:20:45,359
Speaker 3: river you know with some like bullshit that's not like

361
00:20:45,640 --> 00:20:50,160
Speaker 3: really authentically who a human being is, right, or what

362
00:20:50,320 --> 00:20:52,920
Speaker 3: a woman what she would really do, and so yeah,

363
00:20:52,920 --> 00:20:57,560
Speaker 3: I just try to keep it, keep it real simply. Yeah, yeah,

364
00:20:57,880 --> 00:21:00,919
Speaker 3: but just keep it real, keep it really, keep it tryful.

365
00:21:00,600 --> 00:21:00,960
Speaker 2: All right.

366
00:21:01,000 --> 00:21:04,480
Speaker 1: So as we are gearing up towards the finale for

367
00:21:04,640 --> 00:21:06,720
Speaker 1: the show for this season, I am praying that we

368
00:21:06,760 --> 00:21:08,840
Speaker 1: see you in the next season because I know they've

369
00:21:08,840 --> 00:21:10,280
Speaker 1: already started filming.

370
00:21:10,440 --> 00:21:13,320
Speaker 3: For they have, they have, they have.

371
00:21:14,560 --> 00:21:16,680
Speaker 2: She's like, Angela, you are not getting it all right.

372
00:21:16,880 --> 00:21:18,960
Speaker 3: And well they have started.

373
00:21:21,119 --> 00:21:21,840
Speaker 2: I said, they've.

374
00:21:21,640 --> 00:21:24,840
Speaker 1: Started filming for season seven, so I need to make

375
00:21:24,840 --> 00:21:27,840
Speaker 1: sure we see miss Lane Winfield on there, so.

376
00:21:27,960 --> 00:21:29,359
Speaker 2: I know we don't know what's gonna happen.

377
00:21:30,560 --> 00:21:34,880
Speaker 1: Oh yeah, Alicia, Yeah, sorry, Yes, I was really sad

378
00:21:34,920 --> 00:21:37,639
Speaker 1: about Leona. I'm not gonna lie because it was And

379
00:21:37,720 --> 00:21:40,399
Speaker 1: y'all have such a fun cast, Like when I watched

380
00:21:40,400 --> 00:21:45,000
Speaker 1: it to see Candy on here, Yeah, Like it's amazing

381
00:21:45,400 --> 00:21:48,720
Speaker 1: to see all the characters on the show, I.

382
00:21:48,840 --> 00:21:50,919
Speaker 3: Know, and everybody kind of standing in the middle of

383
00:21:50,960 --> 00:21:54,200
Speaker 3: who they are, on the authenticity of people, of of

384
00:21:54,200 --> 00:21:59,560
Speaker 3: of of people that our audiences can relate to. You know,

385
00:21:59,680 --> 00:22:03,600
Speaker 3: each and every character represents another part of a demographic

386
00:22:04,119 --> 00:22:09,040
Speaker 3: of who we are, and people are relating to absolutely

387
00:22:09,119 --> 00:22:09,680
Speaker 3: all of them.

388
00:22:09,840 --> 00:22:11,720
Speaker 1: Now, I gotta ask you because I've also seen that

389
00:22:11,960 --> 00:22:15,320
Speaker 1: in another movie called Albany Road. Yes, so please tell

390
00:22:15,400 --> 00:22:17,800
Speaker 1: us something about that, because I've only had a chance

391
00:22:17,840 --> 00:22:19,719
Speaker 1: to like just see what the description is.

392
00:22:20,359 --> 00:22:21,520
Speaker 2: I need some details.

393
00:22:21,800 --> 00:22:27,240
Speaker 3: Okay. So Albany Road is was directed by Christine Swanson,

394
00:22:27,880 --> 00:22:32,600
Speaker 3: produced by her husband Michael Swanson. They have been doing

395
00:22:32,680 --> 00:22:37,159
Speaker 3: independent film since they were in college. Okay, this is

396
00:22:37,440 --> 00:22:45,200
Speaker 3: what they do. They financed this movie and it's an

397
00:22:45,280 --> 00:22:51,000
Speaker 3: unlikely road trip that happens between this woman played by

398
00:22:51,000 --> 00:22:56,359
Speaker 3: me not glamorous, okay not, she's like a flat Yeah,

399
00:22:56,400 --> 00:23:04,320
Speaker 3: she's a whole different human and this other woman played

400
00:23:04,359 --> 00:23:10,199
Speaker 3: by Ranelli's Goldsbery and back in the day, like a

401
00:23:10,240 --> 00:23:16,159
Speaker 3: few years before, my character broke up an engagement that

402
00:23:16,240 --> 00:23:21,280
Speaker 3: she had with my son. Okayo, and we end up

403
00:23:22,000 --> 00:23:26,760
Speaker 3: having to take an absolutely unwanted road trip together because

404
00:23:26,760 --> 00:23:29,960
Speaker 3: there's a snowstorm okay, and you can't get to where

405
00:23:30,000 --> 00:23:31,120
Speaker 3: we're going any other way.

406
00:23:31,880 --> 00:23:33,479
Speaker 2: I want to make sure because I seen you were

407
00:23:33,520 --> 00:23:34,320
Speaker 2: at ABFF.

408
00:23:34,960 --> 00:23:39,520
Speaker 3: Yeah, we went to ABFF. We're going to be at

409
00:23:39,600 --> 00:23:43,840
Speaker 3: Martha's Vineyard Film Festival. We got the Thumbs Up award

410
00:23:43,840 --> 00:23:46,879
Speaker 3: at the Robert Roger Eberts Festival.

411
00:23:47,119 --> 00:23:50,400
Speaker 1: Like, you have been in this business, killing it for

412
00:23:50,440 --> 00:23:53,360
Speaker 1: such a long time. And when I tell you our

413
00:23:53,440 --> 00:23:56,600
Speaker 1: lip service episode, like normally people will be sometimes hating

414
00:23:56,640 --> 00:24:01,240
Speaker 1: our stuff, it was like unanimously they loved you on there.

415
00:24:01,440 --> 00:24:04,320
Speaker 1: And I think that's a true testament, like to just

416
00:24:04,359 --> 00:24:06,679
Speaker 1: what you bring when you walk in the room, just

417
00:24:06,720 --> 00:24:10,080
Speaker 1: like what you exude for people who are paying attention

418
00:24:10,160 --> 00:24:10,720
Speaker 1: and watching.

419
00:24:10,960 --> 00:24:14,320
Speaker 3: Well, you know, I think if you have respect and

420
00:24:14,359 --> 00:24:18,600
Speaker 3: regard for people and if you just come you know,

421
00:24:18,640 --> 00:24:21,400
Speaker 3: if you're just coming to the table to share and

422
00:24:21,440 --> 00:24:26,040
Speaker 3: not have all the confusion going on, you know, all

423
00:24:26,080 --> 00:24:29,679
Speaker 3: the things and holding back and this and that and

424
00:24:29,760 --> 00:24:34,840
Speaker 3: grudges and complex feelings that I it's it's like a

425
00:24:34,880 --> 00:24:39,640
Speaker 3: no brainer. And people like feeling included, right, And that's

426
00:24:39,640 --> 00:24:42,159
Speaker 3: what I that's what I have to get in the

427
00:24:42,200 --> 00:24:43,520
Speaker 3: social media because.

428
00:24:43,560 --> 00:24:46,200
Speaker 1: Listen, you take these long breaks, but now you've been active.

429
00:24:46,560 --> 00:24:52,399
Speaker 3: I know, but I keep saying, like do people really care?

430
00:24:52,920 --> 00:24:54,760
Speaker 1: Listen, I'm gonna tell you what you have that no

431
00:24:54,800 --> 00:24:58,280
Speaker 1: one else has the most amazing throwback pictures.

432
00:24:58,880 --> 00:25:01,560
Speaker 2: There was one that recently went viral. It was you.

433
00:25:01,960 --> 00:25:07,440
Speaker 1: It was Vanessa Williams, Vanessa Cali and Jasmine Guy. Yeah,

434
00:25:07,440 --> 00:25:10,760
Speaker 1: and Jasmin Guy was up here the other day. But

435
00:25:11,240 --> 00:25:13,400
Speaker 1: that picture is like I think that's like a piece

436
00:25:13,400 --> 00:25:14,640
Speaker 1: of art, but.

437
00:25:14,840 --> 00:25:17,199
Speaker 3: It's really has stood the test of time too.

438
00:25:17,440 --> 00:25:18,720
Speaker 2: It looks like artwork.

439
00:25:18,880 --> 00:25:21,480
Speaker 1: Things like that, yeah, you know, and just seeing that,

440
00:25:21,520 --> 00:25:23,600
Speaker 1: but then also seeing you with the met Gala, like

441
00:25:23,680 --> 00:25:26,440
Speaker 1: all these different things back in the day, you and

442
00:25:26,560 --> 00:25:30,840
Speaker 1: Halle Berry and you know, I feel like for social media,

443
00:25:30,920 --> 00:25:34,240
Speaker 1: you have the most amazing like you know, and then.

444
00:25:34,240 --> 00:25:36,720
Speaker 3: I got to do more. I gotta do more because

445
00:25:36,720 --> 00:25:41,160
Speaker 3: I can say you have a conversation yes, say yeah, yeah, yeah,

446
00:25:41,520 --> 00:25:44,800
Speaker 3: encouraged me, encouraged me and you and people want to

447
00:25:45,240 --> 00:25:48,440
Speaker 3: people want to know they do, and you have the resume,

448
00:25:48,640 --> 00:25:51,680
Speaker 3: you have the relationships I saw, like even you and

449
00:25:51,720 --> 00:25:54,760
Speaker 3: Lena Waite have known each other, you know, for some time,

450
00:25:54,840 --> 00:25:57,280
Speaker 3: so that must be nice for you to have those

451
00:25:57,320 --> 00:25:59,520
Speaker 3: relationships where people are like, we want you on here.

452
00:26:00,040 --> 00:26:01,480
Speaker 3: How did that even work for you to be on

453
00:26:01,520 --> 00:26:04,520
Speaker 3: the shot? Did she just yeah, it was I was

454
00:26:05,240 --> 00:26:07,879
Speaker 3: I was invited to be and it was only for

455
00:26:07,920 --> 00:26:11,000
Speaker 3: three episodes or so, like a small arc, and then

456
00:26:11,040 --> 00:26:11,880
Speaker 3: it just kept going.

457
00:26:11,960 --> 00:26:17,720
Speaker 2: Keeper, she's a keeper. Well, listen, I appreciate you so much.

458
00:26:17,760 --> 00:26:19,240
Speaker 1: I know you have a whole ton of press that

459
00:26:19,280 --> 00:26:21,840
Speaker 1: you're doing, but honestly, like it means a lot to

460
00:26:21,880 --> 00:26:23,520
Speaker 1: me that you always stopped by. I heard you walked

461
00:26:23,520 --> 00:26:25,840
Speaker 1: here from your hotel. Yeah, never gonna get here because

462
00:26:25,880 --> 00:26:26,920
Speaker 1: everyone's going to stop her.

463
00:26:27,160 --> 00:26:31,040
Speaker 3: Yes, no, it was. The street was almost like empty.

464
00:26:31,400 --> 00:26:33,320
Speaker 3: And you know they have those little tunnels and you can.

465
00:26:33,200 --> 00:26:36,320
Speaker 2: Just shoot, okay, say we just we took that.

466
00:26:36,520 --> 00:26:40,359
Speaker 3: Yeah, we took that down, we took the little short cut. Yeah.

467
00:26:40,400 --> 00:26:43,000
Speaker 3: But yeah. And also I want to say, like I

468
00:26:43,160 --> 00:26:46,440
Speaker 3: met you, you know what, I don't know when we

469
00:26:46,480 --> 00:26:52,280
Speaker 3: did the breakfast club, but just seeing how you've grown

470
00:26:52,480 --> 00:26:57,240
Speaker 3: and continue to develop and build your pillars of how

471
00:26:57,359 --> 00:27:00,760
Speaker 3: you do it, it's so inspiring.

472
00:27:01,080 --> 00:27:01,639
Speaker 2: I will thank you.

473
00:27:01,560 --> 00:27:03,040
Speaker 1: You know, you're the bar. I told you that when

474
00:27:03,040 --> 00:27:04,960
Speaker 1: you walked in here. You're the bar for everybody in

475
00:27:05,000 --> 00:27:06,960
Speaker 1: every industry, no matter what it is that we're doing.

476
00:27:07,040 --> 00:27:10,000
Speaker 1: To be consistent. You know, the only thing you're lacking

477
00:27:10,040 --> 00:27:11,480
Speaker 1: is you need to do your social medium.

478
00:27:11,520 --> 00:27:14,040
Speaker 3: But I know, I know, I'm going to stay stay

479
00:27:14,080 --> 00:27:14,359
Speaker 3: on me.

480
00:27:14,520 --> 00:27:16,720
Speaker 1: You Yeah, send you a DM like you haven't posted

481
00:27:16,760 --> 00:27:18,840
Speaker 1: in a few days, okay, yes, And I like even

482
00:27:18,840 --> 00:27:20,920
Speaker 1: when you post the clips from the work that you're doing,

483
00:27:21,440 --> 00:27:23,720
Speaker 1: you know, But I feel like people love to hear

484
00:27:23,760 --> 00:27:25,359
Speaker 1: the personal side of you too, because you give us

485
00:27:25,400 --> 00:27:27,320
Speaker 1: a lot of gems, you know.

486
00:27:27,560 --> 00:27:30,480
Speaker 3: And yes, I'm gonna learn, well, I'm going to learn

487
00:27:30,520 --> 00:27:33,840
Speaker 3: to do that on you know. It's different when I'm

488
00:27:33,840 --> 00:27:36,000
Speaker 3: sitting here with you, right right, I understand that like

489
00:27:36,080 --> 00:27:41,199
Speaker 3: your aspiring, you're you know it. I want to be

490
00:27:41,240 --> 00:27:43,280
Speaker 3: honest with you. If you ask me something, I want

491
00:27:43,280 --> 00:27:47,200
Speaker 3: to answer it rapidly, right, But just sitting down by

492
00:27:47,280 --> 00:27:53,640
Speaker 3: myself and turn it on a camera like y'all are wondering,

493
00:27:53,720 --> 00:27:57,000
Speaker 3: like how I'm feeling. This is all like who gives up?

494
00:27:57,680 --> 00:27:59,640
Speaker 2: They do? Trust me? Nobody care.

495
00:28:00,440 --> 00:28:03,600
Speaker 3: I'm sorry. It's just so odd to out and start

496
00:28:03,640 --> 00:28:04,520
Speaker 3: talking about yourself.

497
00:28:04,600 --> 00:28:07,080
Speaker 1: You went grace, y'all did that that photo shoot together

498
00:28:07,160 --> 00:28:11,560
Speaker 1: from meth Eater a while? Yeah, beautiful, amazing. People need

499
00:28:11,600 --> 00:28:15,280
Speaker 1: to see that, you know, like, yes, what you're.

500
00:28:15,119 --> 00:28:18,320
Speaker 3: Doing, Oh, yes, she's doing great stuff. And like you said,

501
00:28:18,359 --> 00:28:21,359
Speaker 3: she's gonna come on when she when she releases her

502
00:28:21,440 --> 00:28:22,439
Speaker 3: epee and things.

503
00:28:22,560 --> 00:28:26,800
Speaker 2: Yeah we're going we outside, Okay, we outside?

504
00:28:26,920 --> 00:28:27,120
Speaker 3: Right?

505
00:28:27,359 --> 00:28:30,400
Speaker 2: Yeah, all right, Well, listen, I appreciate you so much.

506
00:28:30,480 --> 00:28:32,280
Speaker 1: I'll be tuning in to see what's gonna happen on

507
00:28:32,280 --> 00:28:33,520
Speaker 1: this season finale, and.

508
00:28:33,840 --> 00:28:34,920
Speaker 2: Please I will.

509
00:28:35,160 --> 00:28:37,520
Speaker 1: I'm trying to think, if you're not on season seven,

510
00:28:37,600 --> 00:28:42,240
Speaker 1: would I still wash?

511
00:28:42,480 --> 00:28:43,040
Speaker 2: Yeah?

512
00:28:43,280 --> 00:28:46,000
Speaker 1: No, no, but no, honestly, thank you so much. It's

513
00:28:46,040 --> 00:28:47,560
Speaker 1: always a pleasure to see your face.

514
00:28:48,000 --> 00:28:50,200
Speaker 3: Oh, thank you, thank you so much for having me.

515
00:28:50,520 --> 00:28:54,720
Speaker 2: All right, it is way up