WEBVTT - The Eltanin Antenna

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.

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<v Speaker 2>Hey, welcome to Stuff to Blow your Mind. My name

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<v Speaker 2>is Robert.

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<v Speaker 3>Lamb, and I am Joe McCormick. And oh boy, I'm

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<v Speaker 3>excited because it's Anomalous historical photograph Day on Stuff to

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<v Speaker 3>Blow Your Mind. Today, we are going to be talking

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<v Speaker 3>about a moderately famous underwater image that has been classified

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<v Speaker 3>by some as an anomaly. Now, I think it's debatable

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<v Speaker 3>whether the word anomaly could or should still be applied

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<v Speaker 3>to it, because I guess normally anomaly is defined as

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<v Speaker 3>something that is different from what is normal or expected,

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<v Speaker 3>or at least appears to be different from what is

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<v Speaker 3>normal or expected. I don't know if you can still

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<v Speaker 3>apply that to a photo that you pretty much have

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<v Speaker 3>conclusively identified and soared into the mundane category now, but

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<v Speaker 3>still looks weird. Maybe we can adjudicate that later in

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<v Speaker 3>the episode. But anyway, one thing that is interesting about

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<v Speaker 3>anomalist photographs in our culture is that the anomaly kind

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<v Speaker 3>of has a secondary definition beyond just something that is

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<v Speaker 3>or appears to be different from what is normal or expected,

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<v Speaker 3>and that secondary definition is proof of aliens confirmed.

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<v Speaker 2>Yes, yeah, this is a this is a topic we've

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<v Speaker 2>we've touched on a little bit before. I mean, things

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<v Speaker 2>have come up, like, you know, supposed ancient etchings or

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<v Speaker 2>carvings of dinosaurs. I remember we did at least in

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<v Speaker 2>that one episode on that in the past. And then

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<v Speaker 2>you can also apply this to things like photographs of bigfoot,

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<v Speaker 2>photographs of strange lights in the sky, and so forth.

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<v Speaker 2>And granted, especially in those two categories, you often get

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<v Speaker 2>into situations where there is often a strong case to

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<v Speaker 2>be made for intentional fiery on top of all the

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<v Speaker 2>other things that can be going on with a photograph,

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<v Speaker 2>you know, actual photographic anomalies, atmospheric anomalies, and so forth.

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<v Speaker 2>Today's episode deals with an image that is not a

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<v Speaker 2>work of fakery. It is an actual image that was

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<v Speaker 2>gathered through scientific exploration. But without proper expertise, you can

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<v Speaker 2>easily see well basically anything you want out of it.

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<v Speaker 2>You know. The thing about an anomaly like this quote

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<v Speaker 2>unquote is that, yeah, whatever your preconceived notions happen to be,

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<v Speaker 2>you can easily attach them to this thing, especially if

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<v Speaker 2>you don't have that expertise and you don't have that

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<v Speaker 2>sort of I don't know, general open mindedness about what

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<v Speaker 2>it might be right.

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<v Speaker 3>This is one of many cases where if you don't

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<v Speaker 3>have the requisite contextual knowledge, something that is initially just

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<v Speaker 3>a weird looking photograph can take on all kinds of significance,

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<v Speaker 3>and in fact, there has been a historical mythology built

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<v Speaker 3>around this one weird photo we're going to talk about today.

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<v Speaker 3>But I think before we get into the photo we're

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<v Speaker 3>talking about in today's episode, since this is going to

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<v Speaker 3>touch on the idea of proof of aliens confirmed and

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<v Speaker 3>UFO lore and all that, I feel like it's fair

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<v Speaker 3>to sort of just announce where we're coming from. We've

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<v Speaker 3>talked about this somewhat on the show before, and we've

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<v Speaker 3>actually gotten some recent listener mail where people were asking

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<v Speaker 3>us to address the recent news about so called UFO disclosures,

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<v Speaker 3>So to do that at the top, Rob, I don't

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<v Speaker 3>want to speak for you, but I think we're probably

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<v Speaker 3>on roughly the same page here. You can correct me

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<v Speaker 3>if I'm wrong. Despite the recent flurry of excitement, and

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<v Speaker 3>if you haven't kept up with it, the short version

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<v Speaker 3>is there was recently whistleblower testimony in front of a

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<v Speaker 3>House Oversight subcommittee in the US Congress from a man

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<v Speaker 3>who claims that people have told him that the US

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<v Speaker 3>government knows aliens exist and we are in possession of

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<v Speaker 3>crash spacecraft and alien bodies, etc. There is no hard

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<v Speaker 3>evidence publicly available. He's saying people told him this. So

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<v Speaker 3>despite the excited media coverage about this, my personal position

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<v Speaker 3>remains basically unchanged. And I would characterize that as regarding

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<v Speaker 3>the topic of alien contact or alien visitation of Earth

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<v Speaker 3>with curiosity and open mindedness, but strong skepticism.

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<v Speaker 2>Yeah, yeah, and I do want to drive on. It's

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<v Speaker 2>perfectly all right to be excited by all of this.

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<v Speaker 2>I mean, the idea that somebody's testifying about this in

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<v Speaker 2>front of the House Oversight Subcommittee is pretty exciting, and

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<v Speaker 2>he's saying some pretty exciting things, and you can't help

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<v Speaker 2>but ask, well, if true, what does that mean? And

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<v Speaker 2>raises a lot of questions. But yeah, I think there

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<v Speaker 2>are some legitimate questions to be raised before you really

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<v Speaker 2>take all that to the bank. And plus, as we've

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<v Speaker 2>talked about on the show before, the idea of alien life,

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<v Speaker 2>it's a complex question, you know. The deeper you go,

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<v Speaker 2>there's obviously a big difference between saying yes, I think

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<v Speaker 2>there is something else alive in the universe and saying yes,

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<v Speaker 2>I think there are other life forms. They're technologically advanced,

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<v Speaker 2>they have spaceships, and they have visited us. And oh,

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<v Speaker 2>some of our secreted advanced technology today is based on

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<v Speaker 2>things that we were able to pilfer from their crashes.

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<v Speaker 2>So like, is their life? Is there intelligent life? To

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<v Speaker 2>paraphrase Arthur C. Clark, Any answer to any such question

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<v Speaker 2>I think is equally mind blowing.

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<v Speaker 3>Right, that's right, And I think it's very good to

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<v Speaker 3>disentangle those two questions. One the question of whether aliens

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<v Speaker 3>exist at all somewhere out there. On that question, I

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<v Speaker 3>think we just don't have enough information to decide. So there,

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<v Speaker 3>I don't even really lean one way or another on

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<v Speaker 3>that as of today. I think it's just totally open question,

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<v Speaker 3>not enough information to judge.

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<v Speaker 2>Yeah, I mean there you could basically say well, there is,

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<v Speaker 2>there isn't. And to get more directly to the Arthur C.

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<v Speaker 2>Clark quote about this, like either answer is just absolutely

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<v Speaker 2>stunning to say that we are completely alone in the universe,

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<v Speaker 2>that we are the anomaly our planet of life, or

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<v Speaker 2>to say oh, yeah, there is somewhere out there, there

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<v Speaker 2>is a planet of life. And it may be just

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<v Speaker 2>so far from us. It's so far from us that

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<v Speaker 2>also questions of when become complex to think about. But yeah,

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<v Speaker 2>it could be out there and we will simply never

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<v Speaker 2>know about it, and it will never know about us,

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<v Speaker 2>you know. I mean, it's all this is just mind

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<v Speaker 2>blowing to contemplate.

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<v Speaker 3>But while I think alien existence overall is a totally

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<v Speaker 3>open question, visitation is a question where I guess my

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<v Speaker 3>standards are a little bit different, and I do start

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<v Speaker 3>to have a lean on that question. I will say

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<v Speaker 3>I'm not one of those people who thinks it's like

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<v Speaker 3>gross or shameful to even investigate the idea of of

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<v Speaker 3>alien contact on Earth, like I sometimes see skeptical scientists

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<v Speaker 3>like getting angry about like Avi Lo coming out in

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<v Speaker 3>the news and saying, Oh, I'm combing the seafloor looking

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<v Speaker 3>for metal spheres to run tests on them, and I

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<v Speaker 3>think maybe they're aliens. I understand their frustration with him

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<v Speaker 3>sort of maybe jumping the gun on the conclusion and

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<v Speaker 3>over hyping results to say I think there are aliens.

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<v Speaker 3>But I mean, I think it's fine to investigate if

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<v Speaker 3>that interests you, as long as you are objective about

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<v Speaker 3>what you find and you don't misrepresent or overhype in

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<v Speaker 3>conclusive results to the media, which I think is a

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<v Speaker 3>legitimate thing to get kind of annoyed about. And that

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<v Speaker 3>is the main thing that I think a lot of

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<v Speaker 3>skeptics find annoying about that sort of project.

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<v Speaker 2>It is kind of interesting that if a scientist is

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<v Speaker 2>talking about putting like shrimp on a treadmill or something

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<v Speaker 2>to that effect or of that sort of nature, there's

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<v Speaker 2>always the follow up question, oh, have you said if

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<v Speaker 2>you have you solved the problem of cancer yet? Have

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<v Speaker 2>you have you? I guess you've You've You've tackled all

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<v Speaker 2>of these other big scientific problems. But generally I don't

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<v Speaker 2>hear that criticism leveled at UFO scientists and so forth.

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<v Speaker 2>They're not like, well, wait, why are you not not

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<v Speaker 2>curing cancer? Why are you looking for UFOs? I don't know.

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<v Speaker 2>You can interpret that how you wish.

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<v Speaker 3>Well, that is interesting, I mean, I guess I would say, uh, scientifically,

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<v Speaker 3>and looking for evidence of alien visitation of Earth is

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<v Speaker 3>like a kind of a high risk, high reward strategy.

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<v Speaker 3>It's sort of a gambit. It's like you, I mean, here,

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<v Speaker 3>I'm speaking with you know, my personal opinion I'd say,

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<v Speaker 3>you are very very likely wasting your time, but on

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<v Speaker 3>the off chance you're not, you will make the most

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<v Speaker 3>important discovery in human history.

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<v Speaker 2>True. Yeah, So it's a it's a big gamble. It's

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<v Speaker 2>it's like, you know it's the Latto, right, you know

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<v Speaker 2>that the odds are just astronomical, but the prize is enormous.

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<v Speaker 2>So you go ahead and you your ticket, you scratch

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<v Speaker 2>it off.

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<v Speaker 3>But anyway, but coming back to the question of evidence

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<v Speaker 3>for alien visitation, I would be you know, I'm not

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<v Speaker 3>like somebody who doesn't want to find out about this.

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<v Speaker 3>I would be extremely interested and excited if there were

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<v Speaker 3>any good reason to believe aliens ever came to Earth.

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<v Speaker 3>But I have been interested in this topic and never

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<v Speaker 3>seen evidence that was even close to convincing. And furthermore,

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<v Speaker 3>what I have seen is like a pattern of behavior,

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<v Speaker 3>a pattern of behavior from alien contact advocates of presenting

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<v Speaker 3>bad evidence as good or promising that there is good

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<v Speaker 3>evidence somewhere else, maybe being hidden from you, maybe soon

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<v Speaker 3>to be revealed, and you'd be really convinced if you

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<v Speaker 3>saw that, but for some reason you can't. And so

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<v Speaker 3>that pattern of behavior, I would say, has conditioned me

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<v Speaker 3>like it puts my guard up about any explosive claims

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<v Speaker 3>on this subject, even if they're being listened to by Congress.

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<v Speaker 3>So you know, at this point, I'm still I would say,

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<v Speaker 3>I am still waiting for good evidence, and I reserve

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<v Speaker 3>judgment until good evidence actually shows up. That you know,

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<v Speaker 3>like that people can look.

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<v Speaker 2>At I like how you're always up for the possibility.

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<v Speaker 2>For me, if I'm being honest, there's some weeks where

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<v Speaker 2>I'm like, this is not a good week, y'all. If

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<v Speaker 2>we are going to discover that the alien visitations have

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<v Speaker 2>been occurring and there's like definite proof that, I just

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<v Speaker 2>would prefer that it happened like maybe next month, because

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<v Speaker 2>I've got a lot going on right now.

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<v Speaker 3>Well that's a good point, i'd say. Also, yeah, there

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<v Speaker 3>are some weeks I'm more ready to meet the grays

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<v Speaker 3>than other ones.

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<v Speaker 2>Now, one thing I want to stress is, you know

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<v Speaker 2>we're talking about here is the sort of questing for

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<v Speaker 2>objective evidence and how often there is a lack of

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<v Speaker 2>objective evidence here. And I do want to stress something

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<v Speaker 2>that we've touched on before regarding subjective experiences. Subjective paranormal

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<v Speaker 2>experiences are certainly real to those who experience them, and

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<v Speaker 2>they can clearly be life changing in a number of ways.

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<v Speaker 2>So you know, you or people you know may have

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<v Speaker 2>had these experiences. You may have seen something you couldn't

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<v Speaker 2>completely explain. And as humans, we've always had such experiences,

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<v Speaker 2>and we can apply skepticism and scientific logic to why

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<v Speaker 2>these experiences occurred. You know, in short, supernatural or the

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<v Speaker 2>other worldly explanations are rarely necessary, but we still have

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<v Speaker 2>to acknowledge the impact of the experience.

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<v Speaker 3>Right, And this is a thing that I think makes

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<v Speaker 3>the UFO subjects kind of difficult because a lot of

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<v Speaker 3>people who are very devoted to belief in UFOs have

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<v Speaker 3>in some sense had like an experience of their own

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<v Speaker 3>or they think, you know, they're like personally connected to

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<v Speaker 3>this subject. And so it's very important to stress that, like,

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<v Speaker 3>while you've got to keep your skeptical standards of evidence

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<v Speaker 3>up when you're actually saying have aliens really been here?

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<v Speaker 3>You know, you want to have a high standard of evidence,

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<v Speaker 3>but at the same time be sensitive to people and say,

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<v Speaker 3>like us looking for that standard of evidence is not

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<v Speaker 3>a personal critique of you as a person have had

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<v Speaker 3>an experience. You know, it is very common for people

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<v Speaker 3>to have strange experiences that they don't know how to explain.

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<v Speaker 3>And it's even if maybe aliens are not the best

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<v Speaker 3>actual explanation according to the evidence we have, it's not

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<v Speaker 3>unreasonable that some people would, I don't know, seek an

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<v Speaker 3>explanation of that sort when they've had a very powerful,

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<v Speaker 3>unexplainable experience.

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<v Speaker 2>Right, something you can't explain happens. You look for answers.

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<v Speaker 2>You also look for patterns in the world around you.

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<v Speaker 2>But as you look for answers, you also encounter pre

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<v Speaker 2>existing scripts to try and make sense of what that was.

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<v Speaker 2>And if it's lights in the sky, well, there are

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<v Speaker 2>a few ready made scripts that are probably the easiest

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<v Speaker 2>to absorb, that have like social support, some of them

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<v Speaker 2>are religious, some of them do relate to things like space,

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<v Speaker 2>aliens and so forth, and so it makes sense that

0:12:48.640 --> 0:12:50.560
<v Speaker 2>you would latch onto those to make sense of what

0:12:50.640 --> 0:12:53.920
<v Speaker 2>happened to you. And yeah, then you go out into

0:12:53.960 --> 0:12:56.400
<v Speaker 2>the world, you look for patterns, you look for supporting information.

0:12:57.320 --> 0:12:59.280
<v Speaker 3>Now here's where we're going to start moving back toward

0:12:59.520 --> 0:13:03.080
<v Speaker 3>our anomalist photo of the day, or supposedly anomalous photo

0:13:03.160 --> 0:13:05.800
<v Speaker 3>of the day. There is a counter to everything we've

0:13:05.840 --> 0:13:10.000
<v Speaker 3>been saying so far, which is sometimes people will say, well, okay,

0:13:10.000 --> 0:13:12.920
<v Speaker 3>maybe you're not impressed with everything you've seen so far,

0:13:13.000 --> 0:13:17.120
<v Speaker 3>but what about this photo of a triangular arrangement of lights,

0:13:17.320 --> 0:13:22.559
<v Speaker 3>or this video of a white object moving across the sky,

0:13:22.840 --> 0:13:25.720
<v Speaker 3>or this object on the seafloor that looks like a

0:13:25.760 --> 0:13:29.440
<v Speaker 3>piece of alien radar equipment, etc. There are a lot

0:13:29.480 --> 0:13:32.480
<v Speaker 3>of pieces of media out there, a lot of photo

0:13:32.600 --> 0:13:36.000
<v Speaker 3>and video and sometimes sound recording and stuff where people

0:13:36.040 --> 0:13:39.320
<v Speaker 3>can say this looks weird or this sounds weird. I

0:13:39.440 --> 0:13:42.160
<v Speaker 3>can't think of anything that I know of on Earth

0:13:42.160 --> 0:13:45.600
<v Speaker 3>that would produce an image like this, So shouldn't all

0:13:45.640 --> 0:13:49.440
<v Speaker 3>of that stuff count as evidence of aliens? And this

0:13:49.559 --> 0:13:52.640
<v Speaker 3>brings me to a concept that I've been thinking about

0:13:52.640 --> 0:13:57.400
<v Speaker 3>recently that is really just based on an offhand phrase

0:13:57.440 --> 0:14:01.080
<v Speaker 3>I heard when I honestly, I don't remember exactly which

0:14:01.120 --> 0:14:02.760
<v Speaker 3>interview this came from, but I was listening to a

0:14:02.760 --> 0:14:07.080
<v Speaker 3>series of interviews with a science writer and skeptical UFO

0:14:07.200 --> 0:14:12.040
<v Speaker 3>researcher named Mick West. West He's written articles for skeptical

0:14:12.080 --> 0:14:16.240
<v Speaker 3>publications about all kinds of subjects, written about Kim Trail's

0:14:16.280 --> 0:14:18.920
<v Speaker 3>and things like that, but also about UFOs of late,

0:14:18.960 --> 0:14:24.640
<v Speaker 3>and has done analysis of popular UFO or UAP videos

0:14:24.960 --> 0:14:27.119
<v Speaker 3>to try to figure out if you can actually identify

0:14:27.200 --> 0:14:29.400
<v Speaker 3>what is it we're looking at in this video, where's

0:14:29.440 --> 0:14:32.480
<v Speaker 3>some kind of weird object appears to move across the sky,

0:14:33.040 --> 0:14:35.680
<v Speaker 3>and in many cases he is able to identify, in

0:14:35.720 --> 0:14:38.960
<v Speaker 3>some cases he's not. And so I apologize if I'm

0:14:39.000 --> 0:14:42.720
<v Speaker 3>not using West's exact preferred terminology here, but this is

0:14:42.800 --> 0:14:45.440
<v Speaker 3>just what I heard him say offhand in one moment,

0:14:46.560 --> 0:14:48.720
<v Speaker 3>and it was the idea of something called the low

0:14:48.920 --> 0:14:53.280
<v Speaker 3>information zone. I think maybe another way to think about

0:14:53.280 --> 0:14:55.840
<v Speaker 3>the same idea would be to call it the zone

0:14:56.040 --> 0:15:00.480
<v Speaker 3>of low resolution, with low resolution referm ring in the

0:15:00.520 --> 0:15:04.600
<v Speaker 3>specific sense to photographs and other attempts at imaging that

0:15:04.680 --> 0:15:09.120
<v Speaker 3>produce a blurry or fuzzy or indistinct product, but also

0:15:09.200 --> 0:15:12.080
<v Speaker 3>to think about low resolution in a broader sense, where

0:15:12.080 --> 0:15:16.680
<v Speaker 3>it would refer to records or pieces of media, or accounts,

0:15:16.720 --> 0:15:21.440
<v Speaker 3>any type of evidence that contain lower than desirable ratios

0:15:21.600 --> 0:15:26.720
<v Speaker 3>of identifying detail and are generally lacking in context and clarity.

0:15:27.240 --> 0:15:30.320
<v Speaker 3>I think this concept is really useful when talking about

0:15:30.400 --> 0:15:35.280
<v Speaker 3>UFOs or UAPs, where it seems to me West's sort

0:15:35.320 --> 0:15:40.280
<v Speaker 3>of generalization is that all of the pieces of evidence

0:15:40.400 --> 0:15:43.960
<v Speaker 3>for aliens or other non human intelligence making contact on

0:15:44.000 --> 0:15:48.320
<v Speaker 3>Earth that remain somewhat interesting or still seem kind of

0:15:48.520 --> 0:15:53.280
<v Speaker 3>unsolved or viable tend to exist in this zone of

0:15:53.440 --> 0:15:57.600
<v Speaker 3>low information or low resolution, where there's a lot of vagueness,

0:15:57.800 --> 0:16:02.120
<v Speaker 3>lack of verifiable detail, or lack of context. Essentially, there's

0:16:02.200 --> 0:16:06.880
<v Speaker 3>not enough information in them that a reasonable observer can

0:16:06.920 --> 0:16:10.600
<v Speaker 3>be confident that they understand what they're looking at. Meanwhile,

0:16:10.800 --> 0:16:14.240
<v Speaker 3>when there is evidence in the sort of high information zone,

0:16:14.520 --> 0:16:17.360
<v Speaker 3>say when there's like really good video that's in focus

0:16:17.480 --> 0:16:21.520
<v Speaker 3>and has proper foreground background for scale, and has a

0:16:21.520 --> 0:16:24.680
<v Speaker 3>lot of information in it, it seems like it's specifically

0:16:24.720 --> 0:16:28.280
<v Speaker 3>those cases that are more likely to turn out to

0:16:28.360 --> 0:16:33.680
<v Speaker 3>have provable, clear, identifiable, mundane explanations. These turn out to

0:16:33.720 --> 0:16:38.920
<v Speaker 3>be plastic bags or balloons or airplanes or stars or

0:16:39.320 --> 0:16:42.720
<v Speaker 3>well known digital artifacts produced by cameras and other types

0:16:42.760 --> 0:16:43.400
<v Speaker 3>of sensors.

0:16:44.160 --> 0:16:47.600
<v Speaker 2>Yeah, this is also where intentional fakery tends to come

0:16:47.600 --> 0:16:48.200
<v Speaker 2>out as well.

0:16:48.520 --> 0:16:51.680
<v Speaker 3>Oh yeah, and I thought this was interesting because I

0:16:51.880 --> 0:16:54.240
<v Speaker 3>do not at all want to represent myself as a

0:16:54.320 --> 0:16:57.240
<v Speaker 3>UFO expert. I'm not in any way, but It just

0:16:57.280 --> 0:17:00.800
<v Speaker 3>sort of squares with my experience as a generalist researching

0:17:01.480 --> 0:17:05.920
<v Speaker 3>extremely variegated, supposedly anomalous phenomena throughout history. You know, we've

0:17:05.960 --> 0:17:08.200
<v Speaker 3>covered a lot of subjects like this on the show

0:17:08.200 --> 0:17:11.160
<v Speaker 3>at some point, especially with things that have been claimed

0:17:11.200 --> 0:17:14.159
<v Speaker 3>as proof of aliens or proof of the supernatural or

0:17:14.200 --> 0:17:17.840
<v Speaker 3>whatever it seems. It's very often in the cases where

0:17:17.880 --> 0:17:22.520
<v Speaker 3>information quality is high that you're most likely to nail

0:17:22.680 --> 0:17:26.840
<v Speaker 3>down an alternative explanation to figure out, ah, here's what's

0:17:26.880 --> 0:17:30.480
<v Speaker 3>going on. It does have an explanation, the explanation is

0:17:30.560 --> 0:17:33.920
<v Speaker 3>mundane or within the range of known causes and so forth.

0:17:34.080 --> 0:17:37.200
<v Speaker 3>And it's in cases where the information quality is very low,

0:17:37.280 --> 0:17:42.520
<v Speaker 3>where details are vague or uncheckable, where crucial context is missing,

0:17:42.600 --> 0:17:45.119
<v Speaker 3>and so forth, that you end up having to shrug

0:17:45.119 --> 0:17:47.320
<v Speaker 3>your shoulders and say, I don't know what we're looking at.

0:17:47.400 --> 0:17:49.000
<v Speaker 3>I don't know what this is, don't know what the

0:17:49.040 --> 0:17:53.400
<v Speaker 3>explanation is. And in that case, if a UFO enthusiast

0:17:53.200 --> 0:17:56.399
<v Speaker 3>is so inclined, they could say, ah, you don't know

0:17:56.440 --> 0:17:58.920
<v Speaker 3>what it is. Therefore proof of aliens confirmed.

0:17:59.320 --> 0:18:01.639
<v Speaker 2>Yeah, this reminds me too of you know, you can

0:18:01.680 --> 0:18:07.960
<v Speaker 2>also look at various signals that have been it seemed

0:18:08.000 --> 0:18:11.640
<v Speaker 2>to be observed, you know, coming from elsewhere in the cosmos,

0:18:11.680 --> 0:18:14.920
<v Speaker 2>sounds that have been recorded coming from the deep ocean,

0:18:15.400 --> 0:18:18.000
<v Speaker 2>things where you know, there's some there are some, definitely

0:18:18.000 --> 0:18:24.119
<v Speaker 2>some strong hypotheses regarding these various anomalies. But at the

0:18:24.200 --> 0:18:25.920
<v Speaker 2>end of the day, can you one hundred percent say

0:18:25.920 --> 0:18:29.919
<v Speaker 2>what it is? Well, not necessarily, and therefore the window

0:18:30.080 --> 0:18:34.119
<v Speaker 2>is left cracked at least a little bit, maybe maybe

0:18:34.280 --> 0:18:37.520
<v Speaker 2>cracked a lot, a lot further open, depending on your

0:18:37.560 --> 0:18:42.080
<v Speaker 2>willingness to interpret it a certain way. But it remains

0:18:42.119 --> 0:18:45.160
<v Speaker 2>open somewhat to some of these more far fetched explanations.

0:18:46.040 --> 0:18:48.160
<v Speaker 2>And then you can go the extra mile and say, oh, well,

0:18:48.280 --> 0:18:50.240
<v Speaker 2>prove to me that the bloop is not the sound

0:18:50.280 --> 0:18:52.240
<v Speaker 2>of mighty Cuthulea rising in the deep.

0:18:52.600 --> 0:19:06.040
<v Speaker 3>Yeah, elder gods, disprove or except so, I guess the

0:19:06.200 --> 0:19:10.160
<v Speaker 3>question from a reasoning standpoint is if you accept and

0:19:10.200 --> 0:19:13.240
<v Speaker 3>I think most people will probably recognize this at some level.

0:19:13.240 --> 0:19:15.159
<v Speaker 3>You be kind of familiar with this, even beyond like

0:19:15.280 --> 0:19:17.720
<v Speaker 3>UFOs and stuff. This is just kind of true in life.

0:19:18.200 --> 0:19:22.280
<v Speaker 3>If you accept this pattern is generally true, that evidence

0:19:22.320 --> 0:19:24.960
<v Speaker 3>one could hold up as viable in terms of proving

0:19:25.040 --> 0:19:28.879
<v Speaker 3>something weird. A weird explanation tends to exist in the

0:19:28.880 --> 0:19:32.960
<v Speaker 3>low information zone, whereas evidence in the high information zone

0:19:33.359 --> 0:19:37.359
<v Speaker 3>is very likely to end up pointing to a mundane explanation.

0:19:38.040 --> 0:19:42.040
<v Speaker 3>Should this pattern itself influence how you think about evidence

0:19:42.040 --> 0:19:45.720
<v Speaker 3>of alien life, I would say personally, I don't think

0:19:45.720 --> 0:19:48.440
<v Speaker 3>it should bias at all your starting assumptions about whether

0:19:48.560 --> 0:19:52.320
<v Speaker 3>aliens exist, because, as we said again early on, that's

0:19:52.680 --> 0:19:55.399
<v Speaker 3>that's just like not really within our search space for

0:19:55.480 --> 0:19:59.280
<v Speaker 3>evidence at least so far, so open question there. But

0:20:00.000 --> 0:20:05.119
<v Speaker 3>think it probably should increase your resistance to putting apparently

0:20:05.200 --> 0:20:10.440
<v Speaker 3>anomalous but low information observations into the could be alien's basket,

0:20:11.119 --> 0:20:14.400
<v Speaker 3>because you know this pattern exists. There's lots of stuff

0:20:14.640 --> 0:20:18.800
<v Speaker 3>like this. There are many analogies. But usually the higher

0:20:18.840 --> 0:20:21.840
<v Speaker 3>you are able to turn up the resolution on what

0:20:21.880 --> 0:20:24.639
<v Speaker 3>you're looking at, the more information you can add, the

0:20:24.680 --> 0:20:29.119
<v Speaker 3>more context you can get, the more the sharper you

0:20:29.160 --> 0:20:32.320
<v Speaker 3>can make the contours of the image itself. The less

0:20:32.480 --> 0:20:34.560
<v Speaker 3>likely it is that aliens are going to seem like

0:20:34.600 --> 0:20:36.919
<v Speaker 3>a good explanation, and the more likely you are to

0:20:36.960 --> 0:20:40.399
<v Speaker 3>be like, oh, that's a plastic bag, or like oh,

0:20:40.520 --> 0:20:43.920
<v Speaker 3>that's a recognizable animal. And I think maybe that'll bring

0:20:44.000 --> 0:20:47.720
<v Speaker 3>us to the case today, a case of an underwater

0:20:47.760 --> 0:20:53.560
<v Speaker 3>photograph that has been dubbed the Eltannin antenna, or maybe

0:20:53.560 --> 0:20:56.000
<v Speaker 3>if we don't think it's an antenna in the end,

0:20:56.040 --> 0:20:58.280
<v Speaker 3>should we call it like the eltannan object.

0:20:58.800 --> 0:21:01.840
<v Speaker 2>Ah, yeah, that's fair. I have wondered that everyone keeps

0:21:01.960 --> 0:21:04.000
<v Speaker 2>calling it the l ten and antenna. Why not just

0:21:04.040 --> 0:21:06.520
<v Speaker 2>call it the Eltenna. It seems like that like the

0:21:06.600 --> 0:21:09.720
<v Speaker 2>natural direction to go in. But but yeah, the the

0:21:10.240 --> 0:21:11.960
<v Speaker 2>this is going to be a good one to discuss

0:21:12.000 --> 0:21:16.439
<v Speaker 2>because it is a thing that an image that that

0:21:16.800 --> 0:21:22.040
<v Speaker 2>was completely embraced by ufologists and and sort of paranormal

0:21:22.040 --> 0:21:25.800
<v Speaker 2>interpretations and continues to be held up in many circles

0:21:26.960 --> 0:21:29.760
<v Speaker 2>as being this kind of icon of the paranormal, in

0:21:29.880 --> 0:21:33.760
<v Speaker 2>proof of something. You know what that's something is depending

0:21:33.800 --> 0:21:35.879
<v Speaker 2>on you know, your exact case that you're making for

0:21:35.960 --> 0:21:39.359
<v Speaker 2>like the secret nature of reality. And yet at the

0:21:39.400 --> 0:21:43.040
<v Speaker 2>same time we know exactly what it is. I mean,

0:21:43.800 --> 0:21:49.000
<v Speaker 2>experts who know their way around deep sea organisms and

0:21:49.000 --> 0:21:51.320
<v Speaker 2>and the sorts of things you'd expect to find in

0:21:51.400 --> 0:21:55.040
<v Speaker 2>the deep ocean do not seem to have had any

0:21:55.119 --> 0:21:57.000
<v Speaker 2>They don't seem like they've had any doubts about this

0:21:57.359 --> 0:22:01.320
<v Speaker 2>for a number of decades. In fact, it's not that

0:22:01.520 --> 0:22:04.439
<v Speaker 2>long after the image was taken that we have a

0:22:04.480 --> 0:22:07.520
<v Speaker 2>pretty solid and convincing answer that everyone seems to be

0:22:07.600 --> 0:22:12.200
<v Speaker 2>satisfied with outside of the paranormal investigation world.

0:22:12.720 --> 0:22:15.359
<v Speaker 3>Yes, I would say, to be as fair as possible

0:22:15.440 --> 0:22:19.800
<v Speaker 3>to the people who want a paranormal or alien explanation,

0:22:20.359 --> 0:22:23.760
<v Speaker 3>you can't know for sure what it is because, like

0:22:23.800 --> 0:22:26.080
<v Speaker 3>you can't go back and check it, Like this was

0:22:26.080 --> 0:22:28.440
<v Speaker 3>a sort of transient phenomenon somewhere in the bottom of

0:22:28.480 --> 0:22:31.240
<v Speaker 3>the ocean, so we can't go back to the exact

0:22:31.280 --> 0:22:34.159
<v Speaker 3>spot and say, oh, is it still there and check it.

0:22:34.480 --> 0:22:36.960
<v Speaker 3>But I'd say ninety nine point nine percent sure we

0:22:37.040 --> 0:22:40.320
<v Speaker 3>know what it was. There's something else that would explain

0:22:40.400 --> 0:22:43.400
<v Speaker 3>this photo and would be found naturally in the place

0:22:43.400 --> 0:22:44.200
<v Speaker 3>where it was taken.

0:22:44.680 --> 0:22:46.960
<v Speaker 2>All right, let's roll out the story here. And the story,

0:22:47.000 --> 0:22:49.000
<v Speaker 2>I have to say, does start off with a number

0:22:49.000 --> 0:22:53.840
<v Speaker 2>of elements that already sound kind of supernatural, because the

0:22:53.880 --> 0:22:58.040
<v Speaker 2>story concerns the us NSL Tennant, an ice breaking cargo

0:22:58.119 --> 0:23:01.679
<v Speaker 2>vessel named after a star in the Draco constellation, and

0:23:01.720 --> 0:23:04.080
<v Speaker 2>I believe the name L ten And derives from the

0:23:04.119 --> 0:23:07.760
<v Speaker 2>Arabic for the great serpent. That's all just too good

0:23:08.000 --> 0:23:11.399
<v Speaker 2>off to a good stard. Yes, yeah, so it already

0:23:11.680 --> 0:23:16.080
<v Speaker 2>leans into some supernatural ideas here, right, But basically, back

0:23:16.080 --> 0:23:19.720
<v Speaker 2>in nineteen sixty four it was working as an oceanographic

0:23:20.040 --> 0:23:23.320
<v Speaker 2>research vessel in the Antarctic Ocean, which it did for

0:23:23.359 --> 0:23:26.479
<v Speaker 2>more than a decade. The research crew used it to

0:23:26.640 --> 0:23:30.840
<v Speaker 2>gather a great deal of data and it was used

0:23:31.400 --> 0:23:34.800
<v Speaker 2>to discover the hypothetical L ten And Impact Crater in

0:23:34.880 --> 0:23:40.040
<v Speaker 2>nineteen eighty one via sediment cores collected earlier. That's something

0:23:40.080 --> 0:23:41.359
<v Speaker 2>to keep in mind with a lot of this, like

0:23:41.400 --> 0:23:43.760
<v Speaker 2>the data is gathered and then the data has to

0:23:43.760 --> 0:23:47.119
<v Speaker 2>be analyzed. It's not necessarily being analyzed on the ship.

0:23:47.560 --> 0:23:50.600
<v Speaker 2>It's bringing this back home and sometimes it's years later

0:23:51.040 --> 0:23:54.479
<v Speaker 2>that some particular find is made. Anyway, the L ten

0:23:54.560 --> 0:23:56.359
<v Speaker 2>And Impact crater, this was in the South Pacific and

0:23:56.400 --> 0:23:58.080
<v Speaker 2>it would have occurred somewhere in the neighborhood of two

0:23:58.119 --> 0:23:59.240
<v Speaker 2>and a half million years ago.

0:23:59.520 --> 0:24:01.359
<v Speaker 3>The impact that caused it would have been two and

0:24:01.400 --> 0:24:02.480
<v Speaker 3>a half million years ago.

0:24:02.560 --> 0:24:06.480
<v Speaker 2>Yeah, yeah, the not the al Tannin which then goes

0:24:06.520 --> 0:24:10.160
<v Speaker 2>back in time in a twilight zone scenario. The ship

0:24:10.240 --> 0:24:12.960
<v Speaker 2>was also used in part to discover Hollister Ridge, a

0:24:13.000 --> 0:24:16.240
<v Speaker 2>group of seamounts in nineteen sixty five, and the ship's

0:24:16.280 --> 0:24:19.520
<v Speaker 2>work also provided plenty of evidence to support the continental

0:24:19.600 --> 0:24:22.600
<v Speaker 2>drift theory. And I believe actual specimens of many marine

0:24:22.680 --> 0:24:25.560
<v Speaker 2>organisms were also collected. So to be clear, this is

0:24:25.600 --> 0:24:27.760
<v Speaker 2>a hard working, serious science vessel.

0:24:28.680 --> 0:24:32.119
<v Speaker 3>YEP gave us a lot of useful knowledge about the

0:24:32.160 --> 0:24:34.119
<v Speaker 3>seafloor and the Antarctic oceans.

0:24:34.359 --> 0:24:37.760
<v Speaker 2>Yeah. On August twenty ninth, nineteen sixty four, the crew

0:24:37.800 --> 0:24:41.960
<v Speaker 2>took sample cores and photographed the seabed west of Cape Horn,

0:24:42.480 --> 0:24:45.400
<v Speaker 2>and it took a strange photo. Like it is strange.

0:24:45.760 --> 0:24:46.960
<v Speaker 2>I mean, I look at it and I have to

0:24:47.000 --> 0:24:50.119
<v Speaker 2>admit this is weird looking. It's a photo of something

0:24:50.160 --> 0:24:52.440
<v Speaker 2>at a depth of about three nine hundred and four

0:24:52.480 --> 0:24:56.280
<v Speaker 2>meters or twelve eight hundred and eight feet. This is

0:24:56.680 --> 0:24:59.920
<v Speaker 2>the image of the so called El Tannin and ten.

0:25:00.800 --> 0:25:03.720
<v Speaker 2>Now I'll probably throw this image up on our various

0:25:04.240 --> 0:25:07.440
<v Speaker 2>accounts where listeners discuss episodes, but in general, you can

0:25:07.480 --> 0:25:10.200
<v Speaker 2>look up il Tan and Antenna on Wikipedia and you'll

0:25:10.240 --> 0:25:15.040
<v Speaker 2>see this kind of vertical image of the eltan and antenna.

0:25:15.119 --> 0:25:18.480
<v Speaker 2>But there's also this is like apparently a zoom in

0:25:18.680 --> 0:25:22.920
<v Speaker 2>a crop of a wider image, and this one is

0:25:23.480 --> 0:25:28.560
<v Speaker 2>less reproduced. But for instance, I've found it initially on

0:25:28.640 --> 0:25:32.840
<v Speaker 2>a Twitter post by science writer Tyler Greenfield from June

0:25:32.880 --> 0:25:36.280
<v Speaker 2>of twenty twenty three, so you will see it posted

0:25:36.280 --> 0:25:40.240
<v Speaker 2>in various places. And this is this image in particular,

0:25:40.280 --> 0:25:41.919
<v Speaker 2>I believe it's from a book that I'm going to

0:25:42.080 --> 0:25:43.160
<v Speaker 2>reference here in just a bit.

0:25:43.920 --> 0:25:46.639
<v Speaker 3>If you've never seen it or are not able to

0:25:46.640 --> 0:25:49.439
<v Speaker 3>look it up right now, it looks like a pole

0:25:49.920 --> 0:25:53.440
<v Speaker 3>jutting up from the seafloor straight up, and then it

0:25:53.520 --> 0:25:58.720
<v Speaker 3>has radial poles that extend out from the central pole

0:25:58.880 --> 0:26:03.320
<v Speaker 3>at ninety degree angles. So it does look very strange

0:26:03.440 --> 0:26:05.679
<v Speaker 3>for something you would see on the seafloor.

0:26:06.240 --> 0:26:08.560
<v Speaker 2>Yeah, it kind of like the image itself is kind

0:26:08.600 --> 0:26:10.200
<v Speaker 2>of haunting because it's all, you know, black and white.

0:26:10.200 --> 0:26:12.200
<v Speaker 2>It kind of looks like a reverse negative image of

0:26:12.280 --> 0:26:16.080
<v Speaker 2>a popcorn ceiling, only upside down. This is the sea

0:26:16.119 --> 0:26:20.200
<v Speaker 2>floor with this strange multi armed antenna like structure or

0:26:20.240 --> 0:26:23.199
<v Speaker 2>perhaps weather vane like or kind of like a surrealist

0:26:23.200 --> 0:26:27.200
<v Speaker 2>street sign has those big gum knobs on the end

0:26:27.280 --> 0:26:28.879
<v Speaker 2>that you know, kind of reminds you of like a

0:26:29.040 --> 0:26:34.480
<v Speaker 2>jacks that you know, yeah, you're throwing and yeah, I mean,

0:26:34.520 --> 0:26:37.040
<v Speaker 2>if you if you want to see an antenna, you know,

0:26:37.240 --> 0:26:39.520
<v Speaker 2>you might say, well, this, this looks like an antenna,

0:26:39.560 --> 0:26:43.040
<v Speaker 2>not necessarily an antenna I've seen before. But I guess

0:26:43.080 --> 0:26:45.000
<v Speaker 2>you could make that case, because on the other hand,

0:26:45.400 --> 0:26:49.000
<v Speaker 2>I don't think this really looks like human technology. But

0:26:49.080 --> 0:26:50.800
<v Speaker 2>at the same time, there do appear to be right

0:26:50.840 --> 0:26:53.280
<v Speaker 2>angles in the positioning of the arms relative to its

0:26:53.320 --> 0:26:56.080
<v Speaker 2>trunk or its spine, and so you can see why

0:26:56.119 --> 0:26:59.160
<v Speaker 2>this image might elicit mystery in many viewers.

0:26:59.640 --> 0:27:04.720
<v Speaker 3>Now, it's interesting that the comparison to technology goes back

0:27:04.760 --> 0:27:09.280
<v Speaker 3>to the very first published article about this. This actually

0:27:09.840 --> 0:27:12.199
<v Speaker 3>is so. I could not find the text of the

0:27:12.240 --> 0:27:16.560
<v Speaker 3>original article in full, but I found it reproduced in

0:27:16.800 --> 0:27:19.640
<v Speaker 3>a very good article from the Fourteen Times by Peter

0:27:19.760 --> 0:27:23.600
<v Speaker 3>Brooksmith from May two thousand and four called the Eltannan Enigma.

0:27:24.240 --> 0:27:27.400
<v Speaker 3>This is a very good skeptical article that pretty much

0:27:27.440 --> 0:27:30.280
<v Speaker 3>lays out the whole history of the case and tells

0:27:30.320 --> 0:27:33.760
<v Speaker 3>about the various interpretations, as well as gives the almost

0:27:33.800 --> 0:27:38.359
<v Speaker 3>certain correct mundane explanation of what this is. But in

0:27:38.400 --> 0:27:43.360
<v Speaker 3>this article Brooksmith finds and reproduces the original article from

0:27:43.400 --> 0:27:47.240
<v Speaker 3>the New Zealand Herald from December nineteen sixty four called

0:27:47.359 --> 0:27:51.760
<v Speaker 3>puzzle Picture from Seabed, which was published apparently right after

0:27:52.160 --> 0:27:56.840
<v Speaker 3>the Eltannan came into Auckland and was I guess processing

0:27:56.920 --> 0:28:01.920
<v Speaker 3>or analyzing some of its research materials, and so it's

0:28:02.080 --> 0:28:04.159
<v Speaker 3>docked here in New Zealand, and we get this New

0:28:04.280 --> 0:28:08.800
<v Speaker 3>Zealand News article which says, among other things, quote the photograph,

0:28:08.840 --> 0:28:12.520
<v Speaker 3>which to a layman shows something like a complex radio

0:28:12.680 --> 0:28:15.639
<v Speaker 3>aerial jutting out of the mud bottom, was taken on

0:28:15.680 --> 0:28:19.040
<v Speaker 3>August twenty nine by a submarine camera. The camera is

0:28:19.080 --> 0:28:21.919
<v Speaker 3>housed in a metal cylinder, pulled along by a cable

0:28:21.960 --> 0:28:25.280
<v Speaker 3>from the ship. It bounces along the seabed, taking pictures

0:28:25.320 --> 0:28:29.919
<v Speaker 3>at regular intervals. Doctor Thomas Hopkins, senior marine biologist on

0:28:29.960 --> 0:28:33.800
<v Speaker 3>board who specializes in plankton studies, says the object could

0:28:33.880 --> 0:28:37.159
<v Speaker 3>hardly be a plant. Quote At that depth there is

0:28:37.240 --> 0:28:40.720
<v Speaker 3>no light, so photosynthesis could not take place and plants

0:28:40.760 --> 0:28:44.120
<v Speaker 3>could not live. If it is some strange choral formation,

0:28:44.200 --> 0:28:47.120
<v Speaker 3>then no one on board has ever heard about it before.

0:28:47.520 --> 0:28:50.920
<v Speaker 3>Doctor Hopkins, a graduate of the University of Southern California

0:28:51.040 --> 0:28:54.160
<v Speaker 3>said the ship's photographer had been thoroughly questioned on how

0:28:54.160 --> 0:28:57.440
<v Speaker 3>he had developed the photograph. However, everyone was certain the

0:28:57.480 --> 0:29:00.760
<v Speaker 3>picture was not faked. I wouldn't like to say that

0:29:00.840 --> 0:29:03.160
<v Speaker 3>the thing is man made, because this brings up the

0:29:03.200 --> 0:29:05.880
<v Speaker 3>problem of how one would get it there, he says,

0:29:06.240 --> 0:29:09.160
<v Speaker 3>But it's fairly symmetrical, and the offshoots are all ninety

0:29:09.200 --> 0:29:12.080
<v Speaker 3>degrees apart. This is why it has been argued over

0:29:12.200 --> 0:29:14.520
<v Speaker 3>for so long. And then the article goes on to

0:29:14.560 --> 0:29:17.440
<v Speaker 3>say the object is probably about sixty centimeters high or

0:29:17.480 --> 0:29:20.760
<v Speaker 3>about two feet high. The photograph is being sent for

0:29:20.840 --> 0:29:24.360
<v Speaker 3>analysis to some I think some labs or the University

0:29:24.360 --> 0:29:27.080
<v Speaker 3>of Southern California, and that's about the end of it.

0:29:27.120 --> 0:29:31.120
<v Speaker 3>But ooh, it's funny that while nowhere in the article

0:29:31.240 --> 0:29:36.080
<v Speaker 3>is it actually suggested in seriousness that this object is

0:29:36.200 --> 0:29:42.560
<v Speaker 3>alien or anything like that. I think they accidentally laid

0:29:42.600 --> 0:29:46.080
<v Speaker 3>the groundwork for that kind of mythology to evolve, because

0:29:46.600 --> 0:29:51.320
<v Speaker 3>there is kind of offhanded suggestion of ruling out mundane

0:29:51.320 --> 0:29:54.320
<v Speaker 3>explanations like couldn't be a plant because you know, no

0:29:54.440 --> 0:29:58.560
<v Speaker 3>light gets down there, so that almost sounds too you know,

0:29:58.680 --> 0:30:02.760
<v Speaker 3>a very a very enthusiastic pro UFO type reader was

0:30:02.800 --> 0:30:05.120
<v Speaker 3>saying like, oh, well, then it couldn't be organic at all.

0:30:06.040 --> 0:30:08.680
<v Speaker 3>And then you say, well, it couldn't be human made,

0:30:08.720 --> 0:30:10.280
<v Speaker 3>because you know, how would you get it down to

0:30:10.320 --> 0:30:12.600
<v Speaker 3>the bottom of the ocean. And somebody could say that

0:30:12.600 --> 0:30:15.480
<v Speaker 3>that's right. Couldn't be human, couldn't be couldn't be a plant,

0:30:15.560 --> 0:30:18.800
<v Speaker 3>so it couldn't be organic. So, I mean, what's left?

0:30:19.200 --> 0:30:21.240
<v Speaker 2>So just to refresh, the image has been taken, it's

0:30:21.280 --> 0:30:24.560
<v Speaker 2>hit the mainstream presses, and yes, at this point it

0:30:24.680 --> 0:30:28.320
<v Speaker 2>is picked up by the ufology and sort of fringe

0:30:29.040 --> 0:30:33.000
<v Speaker 2>segment of the population. And you know, it seems I

0:30:33.000 --> 0:30:34.600
<v Speaker 2>don't know if this was the case with you, Joe,

0:30:34.800 --> 0:30:37.240
<v Speaker 2>It seems like there might be a lot of this

0:30:37.320 --> 0:30:41.240
<v Speaker 2>sort of material, especially from like the mid to late sixties,

0:30:41.280 --> 0:30:45.320
<v Speaker 2>that perhaps just hasn't survived, that isn't isn't archive, that

0:30:45.640 --> 0:30:48.960
<v Speaker 2>hasn't been recorded, or that has where the information has

0:30:49.000 --> 0:30:55.080
<v Speaker 2>been reprinted and reused. Maybe the attribution system involved there

0:30:55.160 --> 0:30:57.680
<v Speaker 2>isn't as rigorous as you would find and like scientific

0:30:57.720 --> 0:30:58.920
<v Speaker 2>reporting and so forth.

0:30:59.720 --> 0:31:04.200
<v Speaker 3>Yeah, I mean, I was wondering about how many things

0:31:04.280 --> 0:31:07.520
<v Speaker 3>there are like this photo that just like nobody ever

0:31:07.720 --> 0:31:11.400
<v Speaker 3>noticed and attached any mythology to you know, like they

0:31:11.480 --> 0:31:17.680
<v Speaker 3>just like never became a nucleation point for lore. But

0:31:18.000 --> 0:31:20.760
<v Speaker 3>there are just like a weird photo out there that

0:31:20.880 --> 0:31:23.440
<v Speaker 3>was taken maybe published in a newspaper article and then

0:31:23.480 --> 0:31:27.000
<v Speaker 3>forgotten like it, you know. So this originally was just

0:31:27.000 --> 0:31:30.160
<v Speaker 3>published in a New Zealand Herald article. I don't know

0:31:30.160 --> 0:31:34.120
<v Speaker 3>how many people read that, but the right people saw

0:31:34.160 --> 0:31:36.840
<v Speaker 3>it and found out about it, and that led to

0:31:37.800 --> 0:31:42.240
<v Speaker 3>a whole burgeoning mythology and to its inclusion and books

0:31:42.360 --> 0:31:46.240
<v Speaker 3>and articles about UFOs and the paranormal and so forth.

0:31:46.720 --> 0:31:48.920
<v Speaker 2>Yeah, so it seems to sort of maybe make the

0:31:49.000 --> 0:31:51.640
<v Speaker 2>rounds a little bit, but it definitely gets picked up

0:31:52.360 --> 0:31:54.840
<v Speaker 2>in what, at least in my research, was the earliest

0:31:54.880 --> 0:31:57.640
<v Speaker 2>book reference that I could actually like pull up on

0:31:57.720 --> 0:32:04.120
<v Speaker 2>my end, the earliest book reference to the Altannan antenna,

0:32:04.400 --> 0:32:07.080
<v Speaker 2>and this is this would stem from I believe nineteen

0:32:07.160 --> 0:32:13.160
<v Speaker 2>sixty eight. The book is Harmonic thirty three by Bruce Kathy,

0:32:13.680 --> 0:32:16.480
<v Speaker 2>a New Zealand airline pilot who went on to write

0:32:16.520 --> 0:32:20.920
<v Speaker 2>seven books about UFOs, as well as a supposed world

0:32:21.160 --> 0:32:25.360
<v Speaker 2>energy grid, the powers flying saucers and permits the detonation

0:32:25.440 --> 0:32:28.880
<v Speaker 2>of atomic explosions, but only at particular juncture points and

0:32:28.920 --> 0:32:30.120
<v Speaker 2>at specific times.

0:32:30.520 --> 0:32:34.560
<v Speaker 3>Kathy's work is explored extensively in this article in the

0:32:34.600 --> 0:32:38.120
<v Speaker 3>fourteen Times from two thousand and four by Brooksmith, and

0:32:38.520 --> 0:32:44.160
<v Speaker 3>it is what's the right word, I guess just complex.

0:32:44.280 --> 0:32:48.080
<v Speaker 3>There is a lot of maps and annotation and reading

0:32:48.160 --> 0:32:54.480
<v Speaker 3>deeply into systems of geographical coordinates and making plots a

0:32:54.600 --> 0:32:57.240
<v Speaker 3>sort of a pattern seeking run amock.

0:32:57.880 --> 0:33:00.480
<v Speaker 2>Yeah, what I gather is that Bruce Kathy, he was

0:33:00.800 --> 0:33:05.160
<v Speaker 2>an intelligent, determined man who, having had a paranormal encounter

0:33:05.360 --> 0:33:09.040
<v Speaker 2>of his own, attempted to find some meaning and pattern

0:33:09.200 --> 0:33:12.400
<v Speaker 2>in alleged sightings around the world. You know, creating maps,

0:33:12.440 --> 0:33:17.000
<v Speaker 2>drawing these lines, working out different coordinates, and you know,

0:33:17.080 --> 0:33:20.280
<v Speaker 2>working with descriptions of things that seem like antenna's, either

0:33:20.560 --> 0:33:25.160
<v Speaker 2>antennas that are described on UFOs or in this case,

0:33:25.200 --> 0:33:27.720
<v Speaker 2>an image of something that can be interpreted as an antenna.

0:33:28.720 --> 0:33:30.960
<v Speaker 2>The problem, of course, is that the whole enterprise is

0:33:31.000 --> 0:33:34.760
<v Speaker 2>constructed with narrow focus and a preconceived conclusion, you know,

0:33:34.840 --> 0:33:38.080
<v Speaker 2>based in part in sighting subjective experiences and also the

0:33:38.120 --> 0:33:42.720
<v Speaker 2>sort of low res information. So anyway, the first edition

0:33:42.760 --> 0:33:44.800
<v Speaker 2>of this book comes out, I believe in nineteen sixty eight,

0:33:45.280 --> 0:33:48.160
<v Speaker 2>but then the nineteen seventy two or nineteen seventy three

0:33:48.320 --> 0:33:52.400
<v Speaker 2>reprint of the book actually features that photograph of the

0:33:52.440 --> 0:33:55.600
<v Speaker 2>altana and antenna on the cover, you know, with some

0:33:55.680 --> 0:33:59.160
<v Speaker 2>added you know, jazzy title design and like a blue tint,

0:33:59.520 --> 0:34:02.400
<v Speaker 2>and it is very eye catching, and I think it's

0:34:02.440 --> 0:34:05.480
<v Speaker 2>important that eye catching aspect of this cover in this illustration.

0:34:05.560 --> 0:34:08.840
<v Speaker 2>I think it's important because you have to imagine that

0:34:08.880 --> 0:34:11.160
<v Speaker 2>this book, you know, certainly it's going to connect with

0:34:11.239 --> 0:34:15.160
<v Speaker 2>various individuals that are interested in the paranormal and UFOs

0:34:15.200 --> 0:34:17.719
<v Speaker 2>and so forth, but also it's just going to be

0:34:17.760 --> 0:34:21.320
<v Speaker 2>on the shelf or you know, in the layout perhaps

0:34:21.360 --> 0:34:24.440
<v Speaker 2>in a magazine with other books of this nature. And

0:34:24.719 --> 0:34:27.480
<v Speaker 2>in a sense you can imagine how it becomes solidified

0:34:27.520 --> 0:34:30.000
<v Speaker 2>as a symbol, you know, as one of these sort

0:34:30.000 --> 0:34:33.799
<v Speaker 2>of articles of faith in the paranormal, alongside things like

0:34:33.880 --> 0:34:38.000
<v Speaker 2>famous UFO sightings or illustrations, images of stone hinge and

0:34:38.080 --> 0:34:39.440
<v Speaker 2>so forth. Ah.

0:34:39.480 --> 0:34:44.120
<v Speaker 3>So it's not just one instrumental piece of evidence that

0:34:44.239 --> 0:34:47.960
<v Speaker 3>helps prove your theory about UFOs and alien contact and everything,

0:34:48.400 --> 0:34:50.719
<v Speaker 3>but it takes on a meaning. It has a kind

0:34:50.719 --> 0:34:54.400
<v Speaker 3>of significance where it might emotionally feel like if this

0:34:54.480 --> 0:34:59.000
<v Speaker 3>particular piece of evidence were explained as something actually mundane,

0:34:59.400 --> 0:35:02.480
<v Speaker 3>it would kind of be an insult to the whole project.

0:35:02.680 --> 0:35:05.080
<v Speaker 2>Yeah, But also I think, just I don't know, part

0:35:05.080 --> 0:35:07.680
<v Speaker 2>of this is me going back to like being in

0:35:07.760 --> 0:35:10.040
<v Speaker 2>you know, being in stores, whether they're like they're you know,

0:35:10.320 --> 0:35:12.920
<v Speaker 2>movies or or albums. You know, even if it's not

0:35:12.960 --> 0:35:15.239
<v Speaker 2>an album that you've listened to or a book you've

0:35:15.280 --> 0:35:18.359
<v Speaker 2>read or a movie you've seen, like that poster art

0:35:18.400 --> 0:35:22.160
<v Speaker 2>being displayed among all the others, that album cover being

0:35:22.200 --> 0:35:24.960
<v Speaker 2>displayed among all the others, there's kind of this codifying

0:35:24.960 --> 0:35:29.399
<v Speaker 2>effect I feel. Yeah, But at any rate, Yeah, it's

0:35:29.440 --> 0:35:32.000
<v Speaker 2>no accident though that the altan and antenna is on

0:35:32.040 --> 0:35:33.799
<v Speaker 2>the cover there, because it does seem kind of like

0:35:34.200 --> 0:35:38.640
<v Speaker 2>key to his main ideas here. In particular, in the book,

0:35:38.680 --> 0:35:42.960
<v Speaker 2>he describes the altan and antenna and briefly explains why

0:35:42.960 --> 0:35:45.919
<v Speaker 2>he thinks humans couldn't have made it, and doesn't even

0:35:46.040 --> 0:35:49.080
<v Speaker 2>mention the possibility of organic origin even to dispute it,

0:35:49.440 --> 0:35:52.240
<v Speaker 2>Like it doesn't even say anything like, well, some people

0:35:52.239 --> 0:35:54.560
<v Speaker 2>think this might be an organism, but it's not or

0:35:54.560 --> 0:35:56.719
<v Speaker 2>it doesn't look like an organism, there's none of that.

0:35:57.200 --> 0:35:59.920
<v Speaker 2>He describes it as a quote bit of iron mongery

0:36:00.680 --> 0:36:03.560
<v Speaker 2>unquote that no humans could have possibly placed.

0:36:04.239 --> 0:36:07.200
<v Speaker 3>Okay, so as he presents, it's just axiomatic. This is

0:36:07.239 --> 0:36:10.200
<v Speaker 3>made of metal, and it's some piece of technology. And

0:36:10.239 --> 0:36:13.040
<v Speaker 3>the question is could it be human or must it

0:36:13.080 --> 0:36:15.680
<v Speaker 3>be other than human? And here's the argument why it

0:36:15.719 --> 0:36:16.760
<v Speaker 3>could not be human?

0:36:17.440 --> 0:36:20.520
<v Speaker 2>Right He In the book, he writes the following quote,

0:36:20.680 --> 0:36:22.880
<v Speaker 2>it would be interesting to know what the Americans have

0:36:22.960 --> 0:36:25.759
<v Speaker 2>made of that picture and whether any attempt has been

0:36:25.760 --> 0:36:29.360
<v Speaker 2>made to salvage the strange object they photographed by accident.

0:36:29.920 --> 0:36:34.000
<v Speaker 2>In view of my earlier sighting in the Capara Harbor,

0:36:34.320 --> 0:36:36.799
<v Speaker 2>I was willing to accept that the aerial had been

0:36:36.800 --> 0:36:42.160
<v Speaker 2>placed there by an unidentified submarine object or USO. Can

0:36:42.200 --> 0:36:43.680
<v Speaker 2>you offer a better explanation.

0:36:45.560 --> 0:36:49.640
<v Speaker 3>Some of the writers who prefer an alien explanation specifically

0:36:50.200 --> 0:36:53.400
<v Speaker 3>cite the claim that, well, it was too far down

0:36:53.600 --> 0:36:57.200
<v Speaker 3>on the bottom of the ocean for a human made submarine,

0:36:57.200 --> 0:37:00.640
<v Speaker 3>any human made submarine at that time to have posited it.

0:37:00.800 --> 0:37:04.279
<v Speaker 3>Submarines couldn't go that deep. And I don't want to

0:37:04.840 --> 0:37:07.239
<v Speaker 3>I'm not mocking here or anything but I mean, I

0:37:07.280 --> 0:37:09.720
<v Speaker 3>do kind of think could you not think of another

0:37:09.920 --> 0:37:13.000
<v Speaker 3>way that, like a piece of metal could made by humans,

0:37:13.040 --> 0:37:14.960
<v Speaker 3>could have gotten to the bottom of the ocean other

0:37:15.040 --> 0:37:18.040
<v Speaker 3>than being deposited by a deep sea submersible.

0:37:18.760 --> 0:37:20.680
<v Speaker 2>Yeah, it seems like there's a rather obvious way to

0:37:20.680 --> 0:37:21.560
<v Speaker 2>get something down.

0:37:21.400 --> 0:37:23.600
<v Speaker 3>There, right, Otherwise you'd have to say the same thing

0:37:23.600 --> 0:37:26.880
<v Speaker 3>about like metal drums and barrels and stuff that end

0:37:26.960 --> 0:37:29.040
<v Speaker 3>up at the bottom of the ocean. I mean, there's gravity,

0:37:29.120 --> 0:37:31.680
<v Speaker 3>things can fall to the bottom. I guess there is

0:37:31.960 --> 0:37:35.640
<v Speaker 3>some reasoning militating against this that says, well, but it's

0:37:35.640 --> 0:37:38.400
<v Speaker 3>standing upright though, I guess you could explain that just

0:37:38.440 --> 0:37:40.319
<v Speaker 3>by like it being weighted a certain way.

0:37:41.239 --> 0:37:46.319
<v Speaker 2>Yeah, Okay. For Kathy, his argument seems to be, well, okay,

0:37:46.400 --> 0:37:48.880
<v Speaker 2>you could probably get some sort of submersible down there,

0:37:49.040 --> 0:37:51.160
<v Speaker 2>but you wouldn't be able to do this kind of work.

0:37:51.239 --> 0:37:56.680
<v Speaker 2>So still I agree. It seems like it doesn't seem

0:37:56.719 --> 0:38:00.440
<v Speaker 2>like that logic would necessarily rule it out. But anyway,

0:38:00.440 --> 0:38:02.759
<v Speaker 2>Elsewhere in the book, he frequently comes back to the

0:38:02.960 --> 0:38:06.800
<v Speaker 2>alten and antenna as being part of this elaborate global

0:38:06.920 --> 0:38:09.880
<v Speaker 2>energy grid, and he also connects the knobs or its

0:38:09.920 --> 0:38:13.360
<v Speaker 2>apparent knobs, two objects described on the bottoms of UFOs.

0:38:14.040 --> 0:38:19.880
<v Speaker 2>So if you were encountering images of this artifact, this object,

0:38:19.960 --> 0:38:23.840
<v Speaker 2>or this antenna in this book or in books inspired

0:38:23.880 --> 0:38:27.879
<v Speaker 2>by it, or in the same sort of realm, could

0:38:27.920 --> 0:38:30.480
<v Speaker 2>you might well think, well, this is truly a mystery,

0:38:30.840 --> 0:38:34.040
<v Speaker 2>and we've got to go back there and find it someday,

0:38:34.360 --> 0:38:36.759
<v Speaker 2>or maybe we won't find it because someone else has

0:38:36.800 --> 0:38:41.400
<v Speaker 2>already come and and harvested it, et cetera. So you

0:38:41.440 --> 0:38:44.319
<v Speaker 2>can imagine how this kind of takes up and takes

0:38:44.400 --> 0:38:48.000
<v Speaker 2>up of this energy and becomes this again, this kind

0:38:48.000 --> 0:38:51.560
<v Speaker 2>of like icon within the realm of like paranormal UFO investigation.

0:38:52.520 --> 0:38:57.120
<v Speaker 3>But as we have teased now multiple times, there's really

0:38:57.600 --> 0:38:59.960
<v Speaker 3>not much of a question anymore what it actually is.

0:39:00.520 --> 0:39:04.080
<v Speaker 3>And this is the result of marine biologists weighing.

0:39:03.800 --> 0:39:07.160
<v Speaker 2>In that's right. And that's one of the key things

0:39:07.200 --> 0:39:10.320
<v Speaker 2>about this one is that if you're looking at individuals

0:39:10.360 --> 0:39:15.840
<v Speaker 2>that actually have the expertise regarding things that might appear

0:39:16.239 --> 0:39:18.879
<v Speaker 2>on the ocean floor in this part of the world, yeah,

0:39:18.880 --> 0:39:20.920
<v Speaker 2>there seems to be no mystery, and there hasn't been

0:39:20.960 --> 0:39:27.640
<v Speaker 2>any mystery for decades and decades. In particular, I mentioned earlier,

0:39:27.640 --> 0:39:30.200
<v Speaker 2>how there's this the horizontal version of the image, and

0:39:30.200 --> 0:39:33.120
<v Speaker 2>then there's this wider version of the image that hasn't

0:39:33.160 --> 0:39:37.800
<v Speaker 2>been cropped. This appears in a nineteen seventy one book

0:39:38.440 --> 0:39:41.400
<v Speaker 2>titled The Face of the Deep. This was published by

0:39:41.480 --> 0:39:45.680
<v Speaker 2>Oxford University Press and was authored by he's In, Bruce C.

0:39:45.840 --> 0:39:49.120
<v Speaker 2>Heasen and Charles D. Hollister. This book was not a

0:39:49.920 --> 0:39:53.480
<v Speaker 2>UFOology work, but rather set out to present quote, a

0:39:53.520 --> 0:39:56.240
<v Speaker 2>selection of the best photographs of the deep sea floor

0:39:56.239 --> 0:39:59.680
<v Speaker 2>for you to look at and contemplate, which maybe wasn't

0:39:59.680 --> 0:40:03.719
<v Speaker 2>taking far enough, because you know, Bruce Cathy and others

0:40:03.760 --> 0:40:07.359
<v Speaker 2>were certainly contemplating it, but they were going off in an

0:40:07.400 --> 0:40:10.040
<v Speaker 2>entirely different direction. In the book they note that about it.

0:40:10.080 --> 0:40:12.240
<v Speaker 2>One third of the photographs in the book were obtained

0:40:12.760 --> 0:40:16.000
<v Speaker 2>quote over the past few years in Antarctic waters by

0:40:16.040 --> 0:40:19.680
<v Speaker 2>the National Science Foundation's research ship El Tatin.

0:40:20.600 --> 0:40:22.480
<v Speaker 3>All right, so what do they say about the photo

0:40:22.520 --> 0:40:22.920
<v Speaker 3>in question?

0:40:23.760 --> 0:40:27.440
<v Speaker 2>All right, Well, the caption for the photo and alone says,

0:40:27.880 --> 0:40:33.000
<v Speaker 2>note antenna like sponge clattaresa in the lower photograph.

0:40:33.200 --> 0:40:35.200
<v Speaker 3>All right, So not only are they noting this is

0:40:35.200 --> 0:40:38.760
<v Speaker 3>an animal, it is a sponge they specify a genus

0:40:38.840 --> 0:40:42.560
<v Speaker 3>name which was at the time Clatterisa. Now, as a

0:40:42.800 --> 0:40:45.839
<v Speaker 3>kind of confusing note, it seems to me that the

0:40:45.880 --> 0:40:49.319
<v Speaker 3>same animal they're talking about, this type of sponge, was

0:40:49.360 --> 0:40:52.600
<v Speaker 3>at the time taxonomized in the genus Clatterresa, so it

0:40:52.640 --> 0:40:57.520
<v Speaker 3>was known as Clatterresa concretions. But now the same species

0:40:57.600 --> 0:41:02.680
<v Speaker 3>is sorted into a different genus and known as Chondrocladia concretions.

0:41:03.200 --> 0:41:04.800
<v Speaker 2>Yeah, and this sort of thing's fairly common.

0:41:05.040 --> 0:41:09.440
<v Speaker 3>Yeah, things get differently taxonomized when they get further studied.

0:41:09.960 --> 0:41:12.040
<v Speaker 2>Now Elsewhere in the book The Face of the Deep,

0:41:12.080 --> 0:41:15.280
<v Speaker 2>the authors go into a little more detail. They're right. Quote.

0:41:15.520 --> 0:41:19.400
<v Speaker 2>While the bath sponges are limited to the warmest shallow

0:41:19.480 --> 0:41:22.600
<v Speaker 2>waters of the continental shelf, a few of their bizarre

0:41:22.640 --> 0:41:26.719
<v Speaker 2>relatives are rather commonly found in the deep sea. Clatteriza,

0:41:26.840 --> 0:41:30.640
<v Speaker 2>a particularly dramatic one which sometimes resembles a space age

0:41:30.680 --> 0:41:34.880
<v Speaker 2>microwave antenna, was not uncommon in the early dredge halls

0:41:35.120 --> 0:41:41.920
<v Speaker 2>of Challenger and Blake. Alexander Agassi observed that quote they

0:41:41.920 --> 0:41:45.760
<v Speaker 2>are sponges with a long stem ending in ramifying roots

0:41:46.160 --> 0:41:49.680
<v Speaker 2>sunk deeply in the mud. The stem has nodes with

0:41:49.880 --> 0:41:54.160
<v Speaker 2>four to six clublike appendages they evidently cover like Bush's

0:41:54.239 --> 0:41:57.760
<v Speaker 2>extensive tracts of the bottom. Now, a couple of notes

0:41:57.760 --> 0:42:02.000
<v Speaker 2>here about what they're referring to. Alexander Agassi lived eighteen

0:42:02.040 --> 0:42:04.120
<v Speaker 2>thirty five through nineteen ten, and he was a noted

0:42:04.160 --> 0:42:08.359
<v Speaker 2>Swiss American scientist and inventor. He was also a rather

0:42:08.440 --> 0:42:12.160
<v Speaker 2>infamous supporter of scientific racism, but his contributions in non

0:42:12.280 --> 0:42:16.040
<v Speaker 2>human biology and geology of the time seem pretty sound.

0:42:16.680 --> 0:42:20.200
<v Speaker 3>And the Challenger there would be referring to the Challenger expedition,

0:42:20.239 --> 0:42:21.879
<v Speaker 3>which we've talked about on the show before. I think

0:42:21.920 --> 0:42:24.839
<v Speaker 3>maybe we talked about it in the context of like

0:42:25.239 --> 0:42:26.880
<v Speaker 3>maybe William Beebe or something.

0:42:27.520 --> 0:42:31.000
<v Speaker 2>Yeah, I think so, some deep sea exploration dredging up

0:42:31.719 --> 0:42:33.720
<v Speaker 2>life forms and so forth from the bottom.

0:42:34.120 --> 0:42:36.360
<v Speaker 3>Right, But this would have been in the nineteenth century,

0:42:36.440 --> 0:42:38.720
<v Speaker 3>so like a long time ago. But they're in nineteenth

0:42:38.760 --> 0:42:43.080
<v Speaker 3>century ships like running sort of devices along the seafloor

0:42:43.120 --> 0:42:45.479
<v Speaker 3>to try to pull things up and see what's down there.

0:42:45.920 --> 0:42:49.440
<v Speaker 2>Yeah. So at this point, this particular species had been

0:42:49.480 --> 0:42:53.200
<v Speaker 2>known about for decades. This was not like, oh, this

0:42:53.239 --> 0:42:56.160
<v Speaker 2>is some unknown creature. No, they when people wh knew

0:42:56.160 --> 0:42:58.640
<v Speaker 2>what they were talking about looked at it, they were

0:42:58.680 --> 0:43:02.640
<v Speaker 2>able to match it up with some actual organisms in

0:43:02.680 --> 0:43:03.400
<v Speaker 2>the record book.

0:43:03.800 --> 0:43:06.919
<v Speaker 3>Right, Well, people who knew about deep sea sponges would

0:43:06.920 --> 0:43:08.560
<v Speaker 3>know what they were looking at. Yeah, But to the

0:43:08.600 --> 0:43:11.280
<v Speaker 3>average person, it just looks like a really weird shape

0:43:11.320 --> 0:43:13.760
<v Speaker 3>that could well be in antenna. Like you wouldn't expect

0:43:13.840 --> 0:43:17.160
<v Speaker 3>any just regular person off the street to recognize this

0:43:17.239 --> 0:43:19.160
<v Speaker 3>species of sponge.

0:43:18.719 --> 0:43:20.880
<v Speaker 2>Right, yeah, this is specialized information to be it to

0:43:20.880 --> 0:43:23.120
<v Speaker 2>be clear. Now, in the book, they note that the

0:43:23.600 --> 0:43:26.400
<v Speaker 2>photo in question, in a zoomed in horizontal version, is

0:43:26.520 --> 0:43:30.600
<v Speaker 2>of quote a bizarre antenna like abysal sponge which quote

0:43:30.840 --> 0:43:36.160
<v Speaker 2>stands erect towering over the manganese nodules in the bellings

0:43:36.200 --> 0:43:40.160
<v Speaker 2>Housen basin South Pacific. There were apparently sixteen different images

0:43:40.160 --> 0:43:42.799
<v Speaker 2>from this location. And again remember we were talking about

0:43:42.800 --> 0:43:44.400
<v Speaker 2>how those images were taken. They were kind of like

0:43:44.440 --> 0:43:49.919
<v Speaker 2>fired off automatically by this large capsule being pulled at

0:43:49.960 --> 0:43:53.959
<v Speaker 2>depth behind the ship. But of those sixteen images, only

0:43:54.000 --> 0:43:56.120
<v Speaker 2>one image captured this sponge.

0:43:56.560 --> 0:43:59.960
<v Speaker 3>Now, it's mentioned that the sponge is often found in

0:44:00.080 --> 0:44:03.399
<v Speaker 3>sort of little forests on the seafloor, where there would

0:44:03.400 --> 0:44:06.680
<v Speaker 3>be others of the same type surrounding it. In this case,

0:44:06.719 --> 0:44:09.239
<v Speaker 3>it was standing alone, and I wonder how it would

0:44:09.280 --> 0:44:12.280
<v Speaker 3>have been received differently if there were other similarly shaped

0:44:12.320 --> 0:44:13.560
<v Speaker 3>objects all around it.

0:44:13.960 --> 0:44:16.120
<v Speaker 2>Yeah, it's an interesting question because on one hand, you

0:44:16.120 --> 0:44:19.279
<v Speaker 2>can imagine exactly the same thing occurring. But you could

0:44:19.320 --> 0:44:22.640
<v Speaker 2>also make an argument that, yes, by standing alone and

0:44:22.920 --> 0:44:27.480
<v Speaker 2>standing out on the seafloor scape around it made it

0:44:27.560 --> 0:44:31.160
<v Speaker 2>more iconic, made it more mysterious seeming. But the authors

0:44:31.160 --> 0:44:34.680
<v Speaker 2>here note that while the Challenger and Blake expeditions dredged

0:44:34.920 --> 0:44:37.920
<v Speaker 2>in an area with considerably more of these, yeah, this

0:44:37.960 --> 0:44:41.160
<v Speaker 2>one does seem to have stood alone. Hagacy drew the

0:44:41.840 --> 0:44:46.800
<v Speaker 2>sponge in illustrations with drooping or arching limbs curved in

0:44:46.840 --> 0:44:50.120
<v Speaker 2>either case, while this image shows the organism erect with

0:44:50.280 --> 0:44:54.240
<v Speaker 2>horizontally positioned appendages. They also note that quote, the tops

0:44:54.239 --> 0:44:57.000
<v Speaker 2>of the appendages show up so brightly in the photographs

0:44:57.080 --> 0:44:59.640
<v Speaker 2>to suggest they are either of an extremely light color

0:45:00.160 --> 0:45:05.000
<v Speaker 2>or that they phosphores. So I think that's that's a

0:45:05.000 --> 0:45:08.320
<v Speaker 2>good point. We'll probably come back to that. But also

0:45:08.520 --> 0:45:11.399
<v Speaker 2>this whole idea of well, Agasi drew it one way

0:45:11.600 --> 0:45:13.680
<v Speaker 2>and it looks a different way. I mean that that

0:45:13.760 --> 0:45:15.440
<v Speaker 2>pretty much matches up with a lot of what we've

0:45:15.480 --> 0:45:18.839
<v Speaker 2>talked about regarding deep sea organisms. If you dredge them

0:45:18.880 --> 0:45:21.319
<v Speaker 2>up for the deep or pull them up even in

0:45:22.040 --> 0:45:25.080
<v Speaker 2>I mean even in like a cage or something, there's

0:45:25.080 --> 0:45:27.040
<v Speaker 2>a lot that can happen on its way to the surface.

0:45:27.360 --> 0:45:30.080
<v Speaker 2>You're taking it out of one environment and bring it

0:45:30.120 --> 0:45:32.960
<v Speaker 2>into a drastically different one. All sorts of things can

0:45:33.000 --> 0:45:38.520
<v Speaker 2>occur to you know, decompression, explosions and so forth. So

0:45:38.560 --> 0:45:41.759
<v Speaker 2>it's not that crazy to imagine that, well, it looked

0:45:41.760 --> 0:45:43.840
<v Speaker 2>different once they had dredged it up from the bottom

0:45:43.840 --> 0:45:47.080
<v Speaker 2>as opposed to how it is positioned in its natural habitat.

0:45:47.400 --> 0:45:50.920
<v Speaker 3>Absolutely yeah, changes in pressure, changes in temperature, and possibly

0:45:51.040 --> 0:45:54.320
<v Speaker 3>damage caused just by whatever device you're using to remove

0:45:54.360 --> 0:45:56.200
<v Speaker 3>it from its habitat and drag it up.

0:45:56.680 --> 0:46:10.200
<v Speaker 2>Right. So, we're at an interesting point here with this one,

0:46:10.239 --> 0:46:15.200
<v Speaker 2>because on one hand, the paranormal the UFO explanation for

0:46:15.239 --> 0:46:18.520
<v Speaker 2>this is weird and strange and tantalizing. But then the

0:46:18.600 --> 0:46:25.120
<v Speaker 2>natural world explanation is equally, if not more, amazing and

0:46:25.239 --> 0:46:29.400
<v Speaker 2>strange and tantalizing. But of course you have to certainly

0:46:29.680 --> 0:46:32.560
<v Speaker 2>in decades past, you had to have specialized information or

0:46:32.600 --> 0:46:37.680
<v Speaker 2>access to scientific data to be able to really get

0:46:37.680 --> 0:46:42.880
<v Speaker 2>an understanding of the natural world explanation for this object,

0:46:43.400 --> 0:46:47.440
<v Speaker 2>and perhaps in some circles, the paranormal explanation is going

0:46:47.480 --> 0:46:49.040
<v Speaker 2>to be a little easier to get your hands on.

0:46:49.480 --> 0:46:53.480
<v Speaker 3>I think that's right. And it's also important to emphasize

0:46:53.840 --> 0:46:56.360
<v Speaker 3>how easy it is to look at some things in

0:46:56.480 --> 0:46:59.160
<v Speaker 3>nature and just say, well, that looks really weird. I've

0:46:59.200 --> 0:47:02.400
<v Speaker 3>never seen anything like that in nature, so it must

0:47:02.440 --> 0:47:05.640
<v Speaker 3>not be natural, and so I think it is time

0:47:05.680 --> 0:47:08.719
<v Speaker 3>to take a short diversion just to talk about sponges

0:47:08.840 --> 0:47:11.879
<v Speaker 3>and sponges that look like machines or sponges that look

0:47:12.000 --> 0:47:13.000
<v Speaker 3>like aliens.

0:47:13.440 --> 0:47:14.160
<v Speaker 2>Yeah.

0:47:14.480 --> 0:47:17.719
<v Speaker 3>So again, the identification of the Altannan object as a

0:47:17.760 --> 0:47:23.919
<v Speaker 3>specimen of Chondrocladia concrescens or concretions seems pretty much rock

0:47:23.960 --> 0:47:26.640
<v Speaker 3>solid to me. Like that, that's almost got to be

0:47:26.680 --> 0:47:28.879
<v Speaker 3>what it was. But I thought it would be worth

0:47:28.920 --> 0:47:31.800
<v Speaker 3>it to look at some other sponges as well, especially

0:47:31.840 --> 0:47:36.400
<v Speaker 3>carnivorous sponges of which this species is an example. Concrescens

0:47:36.400 --> 0:47:39.200
<v Speaker 3>as a carnivorous sponge. So rob, let's look at a

0:47:39.200 --> 0:47:43.000
<v Speaker 3>photo of a different but closely related species of sponge.

0:47:43.360 --> 0:47:45.239
<v Speaker 3>I've got one for you to look at. Here for

0:47:45.880 --> 0:47:48.239
<v Speaker 3>you people at home, I will describe it. So this

0:47:48.280 --> 0:47:51.480
<v Speaker 3>is a species from the same genus, both from Chondrocladia.

0:47:51.920 --> 0:47:56.239
<v Speaker 3>This one is Chondrocladia lira, or the lyre sponge, or

0:47:56.280 --> 0:47:59.839
<v Speaker 3>more commonly, I think the harp sponge. Now, I dare

0:48:00.080 --> 0:48:04.720
<v Speaker 3>say that in some photos this animal looks even more

0:48:05.160 --> 0:48:09.160
<v Speaker 3>like technology than its cousin. Looks even more like technology

0:48:09.200 --> 0:48:10.200
<v Speaker 3>than concrescence.

0:48:10.440 --> 0:48:13.680
<v Speaker 2>Oh yeah, this one is a really weird looking organism.

0:48:14.560 --> 0:48:20.040
<v Speaker 2>Like I instantly think about the various illustrations of supposed

0:48:20.080 --> 0:48:23.200
<v Speaker 2>alien life in one season the art of Wayne Barlow,

0:48:23.480 --> 0:48:27.440
<v Speaker 2>you know that, and then fantastic illustrator of monsters and aliens,

0:48:27.440 --> 0:48:31.200
<v Speaker 2>but also paleontology as well. He also did some wonderful

0:48:31.200 --> 0:48:34.680
<v Speaker 2>dinosaur illustrations. But some of his stuff looks this wild

0:48:34.880 --> 0:48:39.319
<v Speaker 2>and believable, but you know, not something of this world.

0:48:39.960 --> 0:48:43.080
<v Speaker 3>Can you imagine the hype you could churn up around

0:48:43.080 --> 0:48:47.400
<v Speaker 3>a good, grainy or blurry, low resolution photo of this

0:48:47.480 --> 0:48:50.640
<v Speaker 3>creature if it had not yet been identified. It looks

0:48:50.719 --> 0:48:53.919
<v Speaker 3>like a device that one of James Bond's enemies would

0:48:54.000 --> 0:48:56.600
<v Speaker 3>use to generate a deadly field of rays.

0:48:57.400 --> 0:48:59.399
<v Speaker 2>Oh yeah, absolutely, so.

0:48:59.400 --> 0:49:01.319
<v Speaker 3>I'll try to if you're not able to look it

0:49:01.400 --> 0:49:04.279
<v Speaker 3>up again. It's called the harp sponge or chondrocladia era.

0:49:05.000 --> 0:49:07.239
<v Speaker 3>But I'll try to describe it as plainly as I can.

0:49:07.280 --> 0:49:11.120
<v Speaker 3>So it is a creature made up of multiple intersecting

0:49:11.360 --> 0:49:16.240
<v Speaker 3>horizontal veins that run parallel to the seafloor. So imagine

0:49:16.239 --> 0:49:20.120
<v Speaker 3>a pattern of intersecting sort of bars or branches that

0:49:20.239 --> 0:49:23.120
<v Speaker 3>run along the bottom of the ocean. You can think

0:49:23.160 --> 0:49:26.800
<v Speaker 3>of these as kind of base bars. And they could

0:49:26.880 --> 0:49:29.960
<v Speaker 3>just be a couple of veins running basically in a

0:49:29.960 --> 0:49:32.759
<v Speaker 3>line symmetrically at the base, or there might be many

0:49:32.840 --> 0:49:35.879
<v Speaker 3>of these veins intersecting. In the photo we're looking at,

0:49:36.200 --> 0:49:39.800
<v Speaker 3>there are five intersecting veins arranged in a star pattern.

0:49:40.280 --> 0:49:43.080
<v Speaker 3>This base structure is anchored to the sediment at the

0:49:43.080 --> 0:49:46.759
<v Speaker 3>bottom with a root like structure called a rhizoid, and

0:49:46.840 --> 0:49:50.920
<v Speaker 3>then jutting straight up at ninety degree angles from the

0:49:50.960 --> 0:49:54.960
<v Speaker 3>base veins are the branches. And these are arranged like

0:49:55.040 --> 0:49:57.960
<v Speaker 3>the bars of a wrought iron fence. It looks like

0:49:58.000 --> 0:50:02.840
<v Speaker 3>a metal fence standing straight up, evenly spaced and parallel

0:50:02.880 --> 0:50:05.600
<v Speaker 3>to each other, so they look like a fence or

0:50:05.640 --> 0:50:09.400
<v Speaker 3>an array of antenna parts or some other electronic device,

0:50:09.880 --> 0:50:14.200
<v Speaker 3>And on some of these animals, the branches gradually increase

0:50:14.360 --> 0:50:16.759
<v Speaker 3>in height as they get closer to the middle of

0:50:16.800 --> 0:50:18.760
<v Speaker 3>the star. So out at the end of the veins

0:50:18.800 --> 0:50:22.000
<v Speaker 3>the branches are very short, and then they slope gently

0:50:22.160 --> 0:50:26.000
<v Speaker 3>up in smooth slope toward the middle, so that the

0:50:26.080 --> 0:50:30.600
<v Speaker 3>fence posts or the antenna bars form a pyramid shape

0:50:30.880 --> 0:50:34.080
<v Speaker 3>with these these smooth sloping edges going up to the middle.

0:50:34.360 --> 0:50:37.239
<v Speaker 3>What on earth would you make of a blurry photograph

0:50:37.360 --> 0:50:38.040
<v Speaker 3>of this thing?

0:50:38.920 --> 0:50:41.120
<v Speaker 2>Oh, yeah, I would see it would clearly feel like

0:50:41.200 --> 0:50:44.920
<v Speaker 2>nothing of this earth, some sort of a strange radar

0:50:45.040 --> 0:50:47.160
<v Speaker 2>array or something, or some an array placed on the

0:50:47.200 --> 0:50:49.000
<v Speaker 2>bottom of the ocean by who knows what.

0:50:49.840 --> 0:50:52.399
<v Speaker 3>Oh and then also they're on the top of these

0:50:52.440 --> 0:50:56.480
<v Speaker 3>little posts. They are bulbs. Apparently those are sperm sacks.

0:50:57.040 --> 0:51:01.120
<v Speaker 3>But the species was first described in the literature in

0:51:01.160 --> 0:51:05.239
<v Speaker 3>a paper from twenty twelve published in the Journal Invertebrate Biology.

0:51:05.400 --> 0:51:07.799
<v Speaker 3>So twenty twelve, there have been a photo of this thing.

0:51:07.840 --> 0:51:10.759
<v Speaker 3>Grany photo from decades ago. You wouldn't even have any

0:51:10.960 --> 0:51:14.440
<v Speaker 3>knowledge to compare it to. So to cite the paper,

0:51:14.520 --> 0:51:19.280
<v Speaker 3>it was by Welton L. Lee, Henry M. Riiswig, William C. Austen,

0:51:19.400 --> 0:51:23.440
<v Speaker 3>and Lonnie Lunstein. It was called an extraordinary new carnivorous

0:51:23.440 --> 0:51:29.640
<v Speaker 3>sponge Chondrocladia lira in the new subgenus Symmetrocladia from off

0:51:29.680 --> 0:51:32.960
<v Speaker 3>of northern California, USA. A few notes from the paper

0:51:32.960 --> 0:51:36.240
<v Speaker 3>here They say it was observed quote from Northeast Pacific

0:51:36.280 --> 0:51:40.600
<v Speaker 3>sites at the Escanaba Ridge and Monterey Canyon at depths

0:51:40.640 --> 0:51:44.680
<v Speaker 3>of three three one six to three three nine nine meters,

0:51:44.920 --> 0:51:47.920
<v Speaker 3>and the scientists described the structure like this. They say, quote.

0:51:47.960 --> 0:51:51.920
<v Speaker 3>The basic structure termed a vein is harp or liar

0:51:52.040 --> 0:51:56.240
<v Speaker 3>shaped from one to six veins extend by radial growth

0:51:56.280 --> 0:51:59.400
<v Speaker 3>from the organism's center. The orientation among the veins is

0:51:59.440 --> 0:52:05.440
<v Speaker 3>approximate equiangular, such that together they display pinta, radiate, tetra, radiate,

0:52:05.680 --> 0:52:09.920
<v Speaker 3>tri radiate, or biradiate symmetries. Each vein is formed by

0:52:09.960 --> 0:52:15.280
<v Speaker 3>a horizontal stolon supporting a series of upright equidistantly spaced branches,

0:52:15.360 --> 0:52:18.800
<v Speaker 3>each of which terminates at its apex in a swollen ball.

0:52:18.920 --> 0:52:22.880
<v Speaker 3>In all observed specimens except the paratype, so the veins.

0:52:23.440 --> 0:52:26.120
<v Speaker 3>They can be oriented as a sort of two sided

0:52:26.200 --> 0:52:29.280
<v Speaker 3>comb or with three arms or four or five, always

0:52:29.320 --> 0:52:33.640
<v Speaker 3>roughly radially symmetrical. Now, the big question I think worth

0:52:33.680 --> 0:52:36.880
<v Speaker 3>asking is why would it be shaped like this? Like,

0:52:36.960 --> 0:52:39.680
<v Speaker 3>why does it look that way? Why would evolution make

0:52:39.840 --> 0:52:42.080
<v Speaker 3>a weird looking animal that could be a sort of

0:52:42.160 --> 0:52:46.440
<v Speaker 3>technomorph structure. Well, a passage from this paper illuminates that.

0:52:46.640 --> 0:52:50.359
<v Speaker 3>It says, quote, a linear row of filaments project from

0:52:50.440 --> 0:52:53.840
<v Speaker 3>the sides front and back of each branch, and also

0:52:54.120 --> 0:52:58.719
<v Speaker 3>from the tops of each stolon. Enclosed Crustacean prey on

0:52:58.840 --> 0:53:04.160
<v Speaker 3>branches and stolones provide direct evidence of carnivory. The structure

0:53:04.280 --> 0:53:09.080
<v Speaker 3>of the veins maximize the surface area for passive suspension feeding.

0:53:09.680 --> 0:53:13.440
<v Speaker 3>So this sponge is a predator. It is a carnivore

0:53:14.000 --> 0:53:18.759
<v Speaker 3>feeding by catching small animal prey in the filaments that

0:53:18.880 --> 0:53:22.560
<v Speaker 3>extend between these branches, between the posts of the wrought

0:53:22.600 --> 0:53:25.960
<v Speaker 3>iron fence, the little catch hooks that spread out between

0:53:26.000 --> 0:53:28.640
<v Speaker 3>the bars, And if you zoom in close enough on

0:53:28.680 --> 0:53:31.400
<v Speaker 3>any of the pictures, you can see the little filaments,

0:53:31.440 --> 0:53:34.560
<v Speaker 3>these little hair like hooks. And of course the scientists

0:53:34.600 --> 0:53:39.920
<v Speaker 3>say that they found tiny, half digested remnants of crustaceans

0:53:39.960 --> 0:53:45.759
<v Speaker 3>of animals caught in those branches. I was reading a

0:53:45.800 --> 0:53:49.480
<v Speaker 3>press release about this research from the Monterey Bay Aquarium

0:53:49.520 --> 0:53:53.319
<v Speaker 3>Research Institute, which was involved in the discovery, and the

0:53:53.360 --> 0:53:56.960
<v Speaker 3>release was written by Dana Lecano, and they write quote

0:53:57.360 --> 0:54:00.680
<v Speaker 3>clinging with root like rhizoids to the soft sediment, the

0:54:00.719 --> 0:54:03.960
<v Speaker 3>harp sponge captures tiny animals that are swept into its

0:54:04.040 --> 0:54:08.520
<v Speaker 3>branches by deep sea currents. Typically, sponges feed by straining

0:54:08.600 --> 0:54:12.319
<v Speaker 3>bacteria and bits of organic material from the seawater they

0:54:12.400 --> 0:54:18.200
<v Speaker 3>filter through their bodies. However, carnivorous harp sponges snare their prey,

0:54:18.680 --> 0:54:22.840
<v Speaker 3>tiny crustaceans with barbed hooks that cover the sponges branching limbs.

0:54:23.200 --> 0:54:25.760
<v Speaker 3>Once the harp sponge has the prey in its clutches,

0:54:26.120 --> 0:54:29.719
<v Speaker 3>it envelops the animal in a thin membrane, then slowly

0:54:29.800 --> 0:54:32.759
<v Speaker 3>begins to digest it. So when you look at it

0:54:32.800 --> 0:54:35.680
<v Speaker 3>with this in mind, the design makes perfect sense. It

0:54:35.680 --> 0:54:38.520
<v Speaker 3>looks like some kind of antenna array or a fence

0:54:38.600 --> 0:54:42.480
<v Speaker 3>or something else. Because it's trying to maximize surface area

0:54:42.640 --> 0:54:46.000
<v Speaker 3>for catching things swimming or flowing through the water. It

0:54:46.040 --> 0:54:49.360
<v Speaker 3>wants to spread out sort of a net across the

0:54:49.400 --> 0:54:52.800
<v Speaker 3>sea currents and to catch prey. But also the authors

0:54:52.840 --> 0:54:56.759
<v Speaker 3>say the animal's surface area is sort of spread out

0:54:56.880 --> 0:55:00.200
<v Speaker 3>maximized like that for spermatophor capture, so it helps the

0:55:00.200 --> 0:55:04.640
<v Speaker 3>sponge reproduce. And then I was reading, so what are

0:55:04.680 --> 0:55:08.160
<v Speaker 3>the branches on the original elt Hannan organism for you know,

0:55:08.239 --> 0:55:11.759
<v Speaker 3>the branches coming off of the so called antenna that

0:55:11.920 --> 0:55:16.480
<v Speaker 3>is identified as Chondrocladia concrescens. Those are also for feeding.

0:55:16.680 --> 0:55:19.720
<v Speaker 3>They also have filaments coming off of them that catch

0:55:19.800 --> 0:55:22.920
<v Speaker 3>prey and help cover it in a membrane and digest it.

0:55:23.600 --> 0:55:26.359
<v Speaker 2>So really, in a way, you could compare them to

0:55:26.440 --> 0:55:29.840
<v Speaker 2>an antenna because they are they're spread out to collect,

0:55:30.560 --> 0:55:35.040
<v Speaker 2>but instead of collecting you know, waves or transmissions or information,

0:55:35.400 --> 0:55:38.480
<v Speaker 2>they're collecting prey. They're collecting these tiny crustaceans.

0:55:39.000 --> 0:55:40.919
<v Speaker 3>Oh, I guess in a weird way, they also could

0:55:40.960 --> 0:55:45.200
<v Speaker 3>be like a transmitting antenna because they are releasing sperm

0:55:44.960 --> 0:55:48.520
<v Speaker 3>from the sperm sacks at the top and then collecting

0:55:48.600 --> 0:55:51.360
<v Speaker 3>it along the for reproduction purposes.

0:55:51.480 --> 0:55:53.440
<v Speaker 2>Yeah. Now I did want to mention just a couple

0:55:53.480 --> 0:55:55.719
<v Speaker 2>of other sponges to sort of drive home the weirdness

0:55:55.719 --> 0:55:59.120
<v Speaker 2>of all of this. Another sponge worth mentioning. Here is

0:56:00.120 --> 0:56:06.240
<v Speaker 2>at Vena magnifica. That's Latin apparently for magnificent alien, named

0:56:06.280 --> 0:56:10.279
<v Speaker 2>in twenty twenty after explorations in the Pacific by the

0:56:10.480 --> 0:56:15.600
<v Speaker 2>NAA ship Okinos Explorer. This is a quote from an

0:56:15.680 --> 0:56:19.760
<v Speaker 2>NAA article about this quote. Among the different sponges within

0:56:19.840 --> 0:56:23.400
<v Speaker 2>this alien like community was one that could not be missed.

0:56:23.800 --> 0:56:26.800
<v Speaker 2>Rising high on a stalk. This sponge had a body

0:56:26.840 --> 0:56:30.040
<v Speaker 2>with two large holes, oddly reminiscent of the large eyes

0:56:30.080 --> 0:56:33.880
<v Speaker 2>of the alien from the beloved movie ET the Extraterrestrial.

0:56:34.760 --> 0:56:37.480
<v Speaker 2>I included comparison images here for you, Joe, in case

0:56:37.480 --> 0:56:39.480
<v Speaker 2>you don't remember what ET looks like and you want

0:56:39.480 --> 0:56:40.960
<v Speaker 2>to know what the ET sponge looks like.

0:56:41.040 --> 0:56:44.680
<v Speaker 3>Here, it's uncanny. I mean, I think it's they're copying

0:56:44.719 --> 0:56:47.960
<v Speaker 3>Steven Spielberg. This is just it is ET's head.

0:56:49.400 --> 0:56:52.799
<v Speaker 2>It's maybe less, it's not one to one, but you

0:56:52.840 --> 0:56:54.840
<v Speaker 2>can see it. Yeah, I mean to be clear, this

0:56:54.840 --> 0:56:56.640
<v Speaker 2>one doesn't look like a machine. This one doesn't look

0:56:56.719 --> 0:56:59.000
<v Speaker 2>like an antenna, and it only I guess a little

0:56:59.000 --> 0:57:01.879
<v Speaker 2>bit looks like he's head. But still, you know, we're

0:57:01.880 --> 0:57:05.080
<v Speaker 2>dealing with organisms that, by their very nature feel entirely

0:57:05.120 --> 0:57:07.279
<v Speaker 2>alien to us, and in this case they just went

0:57:07.320 --> 0:57:10.320
<v Speaker 2>ahead and named it after an alien. Now, I also

0:57:10.360 --> 0:57:13.319
<v Speaker 2>suppose I need to mention SpongeBob square Pants and all

0:57:13.360 --> 0:57:17.280
<v Speaker 2>of those. The cartoon character is, if you're not familiar

0:57:17.320 --> 0:57:20.800
<v Speaker 2>with him, a sentient talking sponge, and his shape and

0:57:20.840 --> 0:57:25.040
<v Speaker 2>coloration are clearly based on the common artificial bright yellow

0:57:25.040 --> 0:57:30.560
<v Speaker 2>cleaning sponge, so not you know, upper depth depth sponges

0:57:30.600 --> 0:57:32.720
<v Speaker 2>that are harvested and used for sponges, but of course

0:57:32.720 --> 0:57:36.520
<v Speaker 2>the artificial kind that are manufactured to you know, to

0:57:36.560 --> 0:57:39.320
<v Speaker 2>help us clean our dishes and so forth. And that's

0:57:39.320 --> 0:57:41.480
<v Speaker 2>always been kind of the clear joke here with SpongeBob

0:57:41.560 --> 0:57:45.960
<v Speaker 2>square Pants. But interestingly enough, in twenty twenty one, you

0:57:46.000 --> 0:57:50.280
<v Speaker 2>know AA's North Atlantic Stepping Stones expedition happened to snap

0:57:50.320 --> 0:57:53.560
<v Speaker 2>a high quality photograph a mile beneath the waves of

0:57:53.680 --> 0:57:58.520
<v Speaker 2>a not a perfect square, but a very square like

0:57:59.480 --> 0:58:03.439
<v Speaker 2>bright yellow sponge, and beside it there's a c star

0:58:03.600 --> 0:58:07.520
<v Speaker 2>that it doesn't look exactly like Spungebob Squarepants's friend Patrick,

0:58:07.760 --> 0:58:10.600
<v Speaker 2>but enough like Patrick to where people were like, behold,

0:58:10.960 --> 0:58:16.400
<v Speaker 2>we have found him, what are the odds? Yeah, it

0:58:16.440 --> 0:58:18.680
<v Speaker 2>also should be pointed out that it doesn't have pants on,

0:58:19.120 --> 0:58:21.640
<v Speaker 2>but it is square. The color seems right, it's pretty

0:58:21.720 --> 0:58:25.440
<v Speaker 2>eye catching. It is a yellow glass sponge of the

0:58:25.520 --> 0:58:28.600
<v Speaker 2>genus Hertwigia. I'm going to read. This is from a

0:58:28.720 --> 0:58:31.600
<v Speaker 2>National Museum of Natural History article from twenty twenty one

0:58:31.640 --> 0:58:35.880
<v Speaker 2>by Chris ma Quote. The yellow Hertwigia sponge is what's

0:58:36.040 --> 0:58:39.600
<v Speaker 2>known as a hexat tittlid or glass sponge that is

0:58:39.600 --> 0:58:44.240
<v Speaker 2>composed of biologically secreted silica or glass. Its bright yellow

0:58:44.280 --> 0:58:47.080
<v Speaker 2>color is unusual for deep sea animals, which are often

0:58:47.120 --> 0:58:51.480
<v Speaker 2>white or orange. Many sponges have strong chemical defenses, which

0:58:52.120 --> 0:58:56.720
<v Speaker 2>have made them very intriguing to pharmaceutical and other biochemical industries.

0:58:57.240 --> 0:59:00.600
<v Speaker 2>Also of note from this article is that the c

0:59:00.800 --> 0:59:05.520
<v Speaker 2>star here that is sometimes referred to as Patrick, this

0:59:05.600 --> 0:59:09.920
<v Speaker 2>is a possibly new species of a Crown's raster and

0:59:10.000 --> 0:59:13.760
<v Speaker 2>it is likely about to attempt to eat the sponge.

0:59:13.080 --> 0:59:16.720
<v Speaker 2>So if this is SpongeBob SquarePants, Yeah, Patrick is about

0:59:16.760 --> 0:59:17.680
<v Speaker 2>to eat SpongeBob.

0:59:18.440 --> 0:59:21.280
<v Speaker 3>That would be a good plot twist. Yes, I don't

0:59:21.320 --> 0:59:23.960
<v Speaker 3>know how horrifying that is. I'm not a SpongeBob watcher.

0:59:24.320 --> 0:59:26.280
<v Speaker 2>I don't know. SpongeBob is pretty weird, so I don't

0:59:26.320 --> 0:59:29.320
<v Speaker 2>think it's necessarily out of character. There may be an

0:59:29.320 --> 0:59:32.040
<v Speaker 2>episode where Patrick tries to eat SpongeBob. I mean, this

0:59:32.120 --> 0:59:34.320
<v Speaker 2>is the show that gave us stuff like a handsome

0:59:34.360 --> 0:59:35.520
<v Speaker 2>squid word and so forth.

0:59:35.920 --> 0:59:39.360
<v Speaker 3>Okay, so sponges are very weird and can look very

0:59:39.360 --> 0:59:42.680
<v Speaker 3>weird in multiple ways. They can look like known cartoon characters,

0:59:42.720 --> 0:59:45.560
<v Speaker 3>they can look like known alien characters, they can look

0:59:45.680 --> 0:59:50.360
<v Speaker 3>like weird suggestive, unknown technology. They're all over the map.

0:59:50.680 --> 0:59:53.200
<v Speaker 3>But I want to add another fact onto this, which is,

0:59:53.360 --> 0:59:55.959
<v Speaker 3>anytime you see an object in the ocean and you're

0:59:56.080 --> 0:59:59.720
<v Speaker 3>tempted to say, this looks weird, and it doesn't look

0:59:59.800 --> 1:00:04.360
<v Speaker 3>like any known organism, so it can't be biological. Keep

1:00:04.400 --> 1:00:07.800
<v Speaker 3>in mind another fact. There are organisms in the ocean

1:00:07.840 --> 1:00:12.400
<v Speaker 3>that have never been photographed, never been described, documented, or classified.

1:00:12.880 --> 1:00:15.400
<v Speaker 3>There are lots of creatures we don't know about yet.

1:00:16.240 --> 1:00:18.880
<v Speaker 3>And you might think, yeah, well, but I mean we've

1:00:18.880 --> 1:00:21.479
<v Speaker 3>probably found most of them, right, I mean, how many

1:00:21.560 --> 1:00:24.840
<v Speaker 3>could there be out there that nobody's ever seen before? Well?

1:00:24.960 --> 1:00:27.600
<v Speaker 3>I dug up a paper from twenty eleven that was

1:00:27.680 --> 1:00:30.680
<v Speaker 3>just trying to estimate and it wasn't commenting on aliens

1:00:30.760 --> 1:00:33.320
<v Speaker 3>or anything. It was just trying to answer a basic question,

1:00:33.720 --> 1:00:38.520
<v Speaker 3>which was how many yet unidentified species are there out

1:00:38.920 --> 1:00:41.880
<v Speaker 3>there in the world that we have not documented yet.

1:00:42.840 --> 1:00:45.560
<v Speaker 3>So the paper was called how Many Species Are There

1:00:45.560 --> 1:00:49.080
<v Speaker 3>on Earth and in the Ocean in plus Biology in

1:00:49.120 --> 1:00:53.800
<v Speaker 3>twenty eleven by Camillo Mora at all and from the

1:00:53.840 --> 1:00:56.880
<v Speaker 3>author's summary, they say, quote, here we document that the

1:00:56.960 --> 1:01:02.200
<v Speaker 3>taxonomic classification of subspecies into higher taxonomic groups from genera

1:01:02.240 --> 1:01:06.480
<v Speaker 3>to phyla follows a consistent pattern from which the total

1:01:06.560 --> 1:01:10.920
<v Speaker 3>number of species in any taxonomic group can be predicted.

1:01:11.320 --> 1:01:13.600
<v Speaker 3>So does that make sense? They're like, we don't have

1:01:13.640 --> 1:01:17.000
<v Speaker 3>a way to count the species that haven't been found yet,

1:01:17.080 --> 1:01:18.960
<v Speaker 3>but you can come up with a pretty good estimate

1:01:19.000 --> 1:01:22.000
<v Speaker 3>of how many are out there because we know from

1:01:22.040 --> 1:01:23.960
<v Speaker 3>like the tree of the sort of the bush of

1:01:24.040 --> 1:01:27.160
<v Speaker 3>life in a way how phyla breakdown, you can form

1:01:27.280 --> 1:01:30.880
<v Speaker 3>reasonable estimates of how many organisms are in each group,

1:01:30.960 --> 1:01:33.680
<v Speaker 3>and so just what we know about the higher parts

1:01:33.680 --> 1:01:36.200
<v Speaker 3>of the branches, you can guess how many are out

1:01:36.240 --> 1:01:40.880
<v Speaker 3>there that haven't been documented yet. And their estimate is quote.

1:01:40.960 --> 1:01:43.440
<v Speaker 3>Assessment of this pattern for all kingdoms of life on

1:01:43.480 --> 1:01:47.360
<v Speaker 3>Earth predicts about eight point seven million plus or minus

1:01:47.960 --> 1:01:51.640
<v Speaker 3>an error of one point three million species globally, of

1:01:51.680 --> 1:01:54.440
<v Speaker 3>which about two point two million plus or minus an

1:01:54.440 --> 1:01:58.400
<v Speaker 3>era of zero point eighteen million are marine. Our results

1:01:58.400 --> 1:02:01.960
<v Speaker 3>suggests that some eighty six percent of species on Earth

1:02:02.000 --> 1:02:05.800
<v Speaker 3>and ninety one percent in the ocean still await description.

1:02:06.760 --> 1:02:09.200
<v Speaker 2>Oh wow, so there is room for just about everything

1:02:09.200 --> 1:02:10.880
<v Speaker 2>down there. We may find handsome.

1:02:10.560 --> 1:02:15.960
<v Speaker 3>Squids, maybe ninety one percent. That is still a lot

1:02:16.000 --> 1:02:18.880
<v Speaker 3>of room to see something bizarre in the ocean that

1:02:19.040 --> 1:02:22.680
<v Speaker 3>matches the appearance of nothing known to marine biology, and

1:02:22.720 --> 1:02:25.000
<v Speaker 3>then have it turn out to be another sponge or

1:02:25.160 --> 1:02:29.480
<v Speaker 3>just turned out to be another Nigerian or another weird crustacean.

1:02:29.920 --> 1:02:34.720
<v Speaker 3>Remember again that Chondracladia Lira, the harp sponge, the one

1:02:34.720 --> 1:02:38.160
<v Speaker 3>that looks, in our opinion, even more like technology than

1:02:38.240 --> 1:02:42.160
<v Speaker 3>the Altanan object was first described in the scientific literature

1:02:42.320 --> 1:02:45.000
<v Speaker 3>in the last decade or so. The first articles were

1:02:45.040 --> 1:02:46.080
<v Speaker 3>from like twenty twelve.

1:02:46.800 --> 1:02:49.320
<v Speaker 2>Yeah, that's a great point. I also couldn't help but

1:02:49.360 --> 1:02:51.880
<v Speaker 2>think about the giant squid and all of this, because

1:02:52.400 --> 1:02:56.920
<v Speaker 2>giant squid, based on an expert analysis, they seem to

1:02:56.920 --> 1:02:59.840
<v Speaker 2>be abundant enough in the sea that sperm whales eat

1:02:59.840 --> 1:03:03.480
<v Speaker 2>them by the millions. Perhaps even hundreds of millions each year,

1:03:04.080 --> 1:03:07.040
<v Speaker 2>and yet we don't know their true numbers. We didn't

1:03:07.080 --> 1:03:10.440
<v Speaker 2>have any footage of a living giant squid until the

1:03:10.480 --> 1:03:13.960
<v Speaker 2>twenty first century, and mostly new of them from their

1:03:14.000 --> 1:03:17.120
<v Speaker 2>remains or the scars on the outside or the inside

1:03:17.120 --> 1:03:20.400
<v Speaker 2>of sperm whales. You know, it's a highly novel organism.

1:03:20.480 --> 1:03:23.160
<v Speaker 2>In this case, it's a pretty big organism, but it's

1:03:23.200 --> 1:03:26.840
<v Speaker 2>an elusive one that lives in an extreme environment. And

1:03:27.160 --> 1:03:29.960
<v Speaker 2>ultimately it illustrates how little we know, even if we

1:03:30.000 --> 1:03:30.520
<v Speaker 2>think we know.

1:03:31.560 --> 1:03:34.240
<v Speaker 3>That is a really excellent point. But so I want

1:03:34.240 --> 1:03:39.480
<v Speaker 3>to come back to thinking about information in allegedly anomalous

1:03:39.480 --> 1:03:41.880
<v Speaker 3>photographs or videos or other things that are used as

1:03:41.920 --> 1:03:47.160
<v Speaker 3>evidence for alien intelligence or alien technology or other paranormal phenomena.

1:03:48.040 --> 1:03:53.320
<v Speaker 3>It seems to me that the photograph of the Eltannan

1:03:53.400 --> 1:03:58.040
<v Speaker 3>object could inspire the belief that it was an antenna

1:03:58.680 --> 1:04:01.840
<v Speaker 3>or was a piece of alien technology because of certain

1:04:01.960 --> 1:04:07.040
<v Speaker 3>low information conditions. So it's a fairly low resolution photographs,

1:04:07.080 --> 1:04:09.920
<v Speaker 3>kind of grainy black and white photograph, or actually, in

1:04:09.960 --> 1:04:12.480
<v Speaker 3>the ways it's reproduced, it's black and white. I don't

1:04:12.520 --> 1:04:15.080
<v Speaker 3>know what it was in the original. I don't know

1:04:15.160 --> 1:04:17.720
<v Speaker 3>if I've ever seen. I've never seen like a color

1:04:17.800 --> 1:04:18.640
<v Speaker 3>original of it.

1:04:19.040 --> 1:04:20.960
<v Speaker 2>Yeah, I've just seen the black and white.

1:04:21.320 --> 1:04:25.560
<v Speaker 3>But so in various ways, it's low resolution, and it

1:04:25.640 --> 1:04:30.520
<v Speaker 3>was being shared among people who didn't have important informational context,

1:04:30.640 --> 1:04:34.000
<v Speaker 3>like knowledge of what types of deep sea sponges there

1:04:34.000 --> 1:04:37.280
<v Speaker 3>were and what they look like. So it's in this

1:04:37.480 --> 1:04:42.040
<v Speaker 3>low information environment, with lack of important context and lack

1:04:42.080 --> 1:04:45.360
<v Speaker 3>of resolution in the photo, that it seems viable. This

1:04:45.400 --> 1:04:47.720
<v Speaker 3>could be an alien antenna. But like if you had

1:04:47.720 --> 1:04:51.040
<v Speaker 3>gotten a really sharp photograph of this original thing, even

1:04:51.080 --> 1:04:53.320
<v Speaker 3>if you didn't have deep sea knowledge, you'd probably be

1:04:53.400 --> 1:04:55.280
<v Speaker 3>able to look at it and say, ah, just like

1:04:55.360 --> 1:04:58.680
<v Speaker 3>the textures on it, this does look more like something organic.

1:04:58.760 --> 1:05:01.520
<v Speaker 3>This is some kind of organistm And likewise, if the

1:05:01.520 --> 1:05:04.080
<v Speaker 3>people originally looking at it had had knowledge of deep

1:05:04.120 --> 1:05:07.280
<v Speaker 3>sea sponges that already existed at the time the photo

1:05:07.400 --> 1:05:10.520
<v Speaker 3>was taken, they would have been able to say, oh, yeah,

1:05:10.560 --> 1:05:14.080
<v Speaker 3>this is one of those sponges. So low information or

1:05:14.160 --> 1:05:18.920
<v Speaker 3>low resolution is really it creates a friendly environment for

1:05:20.400 --> 1:05:24.760
<v Speaker 3>paranormal explanations and mythologies to arise around a piece of

1:05:24.800 --> 1:05:27.720
<v Speaker 3>media or piece of evidence. And Rob, I wonder what

1:05:27.760 --> 1:05:29.800
<v Speaker 3>you think about this, I kind of wonder if this

1:05:29.960 --> 1:05:36.560
<v Speaker 3>is why underwater photos in particular are so popular in

1:05:36.680 --> 1:05:40.320
<v Speaker 3>this sort of media domain, in the you know, fringe

1:05:40.320 --> 1:05:46.120
<v Speaker 3>and alternative conspiracy theory domain. There are so many videos

1:05:46.120 --> 1:05:49.320
<v Speaker 3>that are like, you know, mysterious objects underwater that are

1:05:49.400 --> 1:05:52.320
<v Speaker 3>based on like a sonar image or a kind of

1:05:52.440 --> 1:05:56.360
<v Speaker 3>murky photograph taken underwater where you can't really tell exactly

1:05:56.360 --> 1:05:59.280
<v Speaker 3>what you're looking at, but it looks weird, and so

1:05:59.800 --> 1:06:04.040
<v Speaker 3>it just like invites you to start applying strange stories

1:06:04.080 --> 1:06:04.440
<v Speaker 3>to it.

1:06:05.080 --> 1:06:07.520
<v Speaker 2>Yeah, and you have, and also just trying to interpret

1:06:07.520 --> 1:06:10.680
<v Speaker 2>what you're seeing based on things you have seen before.

1:06:11.240 --> 1:06:14.800
<v Speaker 2>And in some cases your mind is going to turn

1:06:14.920 --> 1:06:18.720
<v Speaker 2>to technology or architecture, and those are going to be

1:06:18.760 --> 1:06:20.840
<v Speaker 2>the forms that you use to try and make sense

1:06:20.880 --> 1:06:23.920
<v Speaker 2>of this, this this new confusing information.

1:06:24.480 --> 1:06:26.360
<v Speaker 3>The one thing I do want to call out. In fact,

1:06:26.480 --> 1:06:28.880
<v Speaker 3>I found this to be true with the altanna and antenna,

1:06:29.240 --> 1:06:31.200
<v Speaker 3>and true with a bunch of these other underwater things.

1:06:31.280 --> 1:06:34.440
<v Speaker 3>There will be like the original image that inspired the

1:06:34.840 --> 1:06:38.120
<v Speaker 3>all the speculation, and then there will be modified, doctored,

1:06:38.240 --> 1:06:41.640
<v Speaker 3>or fully faked versions of that image where people have

1:06:42.200 --> 1:06:45.240
<v Speaker 3>added in new information to make it look more like

1:06:45.280 --> 1:06:48.200
<v Speaker 3>whatever they're saying it is. So they're like versions of

1:06:48.240 --> 1:06:50.800
<v Speaker 3>the eltanna and antenna that are not the original image

1:06:50.880 --> 1:06:53.120
<v Speaker 3>that somebody made to look like an antenna.

1:06:53.720 --> 1:06:58.880
<v Speaker 2>Yeah. Yeah, they're enhancing on their own. And you see

1:06:58.880 --> 1:07:02.120
<v Speaker 2>that with yeah, with this this photo, but also other

1:07:02.160 --> 1:07:05.320
<v Speaker 2>photographs as well, And honestly, it can become a little

1:07:05.360 --> 1:07:09.840
<v Speaker 2>confusing in our modern you know, Google image search world,

1:07:10.240 --> 1:07:13.240
<v Speaker 2>because you'll look up something like this and you'll you'll

1:07:13.280 --> 1:07:16.960
<v Speaker 2>find hopefully you'll still find those original images. Generally, the

1:07:17.000 --> 1:07:19.000
<v Speaker 2>original image is going to be what's grounded on any

1:07:19.040 --> 1:07:25.440
<v Speaker 2>Wikipedia article, but on other wikis then it's kind of

1:07:25.520 --> 1:07:28.280
<v Speaker 2>up in the air. You may find that original image

1:07:28.360 --> 1:07:33.120
<v Speaker 2>right next to these enhanced images and artist interpretations of

1:07:33.120 --> 1:07:35.880
<v Speaker 2>what it might look like if it were an antenna

1:07:36.120 --> 1:07:39.040
<v Speaker 2>built by aliens, if this other thing was a spaceship,

1:07:39.040 --> 1:07:42.000
<v Speaker 2>if this other thing was the work of ancient aliens.

1:07:42.400 --> 1:07:45.240
<v Speaker 2>And yeah, it can be kind of it can be

1:07:45.320 --> 1:07:46.080
<v Speaker 2>kind of confusing.

1:07:46.120 --> 1:07:49.800
<v Speaker 3>I think, you know, there are some other interesting underwater

1:07:49.880 --> 1:07:55.880
<v Speaker 3>anomaly images that have actually pretty pretty good scientific tie

1:07:55.920 --> 1:07:57.720
<v Speaker 3>ins that we can maybe even come back to you

1:07:57.800 --> 1:07:58.760
<v Speaker 3>next week if you wanted.

1:07:59.320 --> 1:08:02.480
<v Speaker 2>Yeah, could be that could be fun. There's also There

1:08:02.800 --> 1:08:06.640
<v Speaker 2>are also a couple of examples from ancient Egypt that

1:08:07.000 --> 1:08:12.760
<v Speaker 2>are often misinterpreted that have fascinating, you know, actual stories

1:08:13.240 --> 1:08:16.519
<v Speaker 2>without having to drag ancient technology and ancient aliens into

1:08:16.520 --> 1:08:17.080
<v Speaker 2>the scenario.

1:08:17.439 --> 1:08:21.320
<v Speaker 3>Perhaps we will return to this subject in the near future, all.

1:08:21.320 --> 1:08:22.840
<v Speaker 2>Right, but for now we're going to go ahead and

1:08:22.840 --> 1:08:26.200
<v Speaker 2>close out, and we'll just remind you, Hey, if you

1:08:26.200 --> 1:08:27.760
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1:08:38.720 --> 1:08:40.840
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1:09:00.479 --> 1:09:03.040
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