WEBVTT - Best of Part 1

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<v Speaker 1>Welcome to River Cafe Table four, a production of iHeartRadio

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<v Speaker 1>and Adam I Studios.

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<v Speaker 2>Okay, let's get the show on the road, shall we.

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<v Speaker 2>It's now twenty to six and people are coming in soon,

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<v Speaker 2>so the two of you better get going. What are

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<v Speaker 2>you going to make We are making Kelly. Kelly happy

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<v Speaker 2>with that chef.

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<v Speaker 3>I'm more than happy with that, yah, David.

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<v Speaker 4>Okay, David, it's going to okay.

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<v Speaker 2>Over the last year, forty six guests of Sat at

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<v Speaker 2>the River Cafe Table four, not at the same time,

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<v Speaker 2>Michael Caine, Jake Jillanol, Nancy Pelosi, Pete Davidson, Paul McCartney,

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<v Speaker 2>and many many more, but only one. David Beckham walked

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<v Speaker 2>past the bright pink wood oven and headed straight into

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<v Speaker 2>the kitchen.

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<v Speaker 5>Give it a really good shake, Yeah, take it, shake it.

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<v Speaker 5>I gotta go, and a.

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<v Speaker 6>Bit of parsley.

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<v Speaker 5>Oh yeah, what do you like cook at home?

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<v Speaker 2>David?

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<v Speaker 3>To be honest, my kids are upsets.

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<v Speaker 7>We have Italian food.

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<v Speaker 3>They get me to make like a ragged yeah, because

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<v Speaker 3>the kids love.

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<v Speaker 4>I can tell when you're shaking the pane that you

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<v Speaker 4>work just in office.

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<v Speaker 8>I want a job.

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<v Speaker 3>I would love a job. I need a job up there, you.

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<v Speaker 7>Need a job.

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<v Speaker 9>We need.

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<v Speaker 2>Most episodes of River Cafe Table four began not with

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<v Speaker 2>a job offer, but with reading a recipe, and with

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<v Speaker 2>more than twelve River Cafe books, there were plenty to

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<v Speaker 2>choose from. Jeff Goblum's recipe was one of my favorites.

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<v Speaker 10>So I've got this book in front of me and

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<v Speaker 10>I've turned to I've dog hereed the slow cook funnel. Well,

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<v Speaker 10>there's not much to read. It's like a high coup.

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<v Speaker 10>I see ready, here's my You don't like it, you

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<v Speaker 10>can say, take take two. Waited, I haven't taken one yet.

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<v Speaker 5>Just a second.

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<v Speaker 10>Okay, here's there's take one. You don't how many takes

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<v Speaker 10>Stanley Kubrick would do sometimes for a movie. No tell

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<v Speaker 10>me famously eighty seven.

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<v Speaker 2>Okay, come on, read the recipe.

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<v Speaker 10>You are a good interviewer. I like when the interviewer

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<v Speaker 10>claps your hands and says, come.

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<v Speaker 2>On, get that all right, come on there.

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<v Speaker 8>Okay, here it goes, slow cooked fennel serves six, six

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<v Speaker 8>fennel bulbs, five tablespoons olive oil.

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<v Speaker 11>The River Cafe have a dessert which is my favorite,

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<v Speaker 11>and it's called panacotta with grapper.

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<v Speaker 2>This voice, of course is Michael Kayane's.

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<v Speaker 11>So what I'm going to do is I'm going to

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<v Speaker 11>give you the recipe in case you want to make

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<v Speaker 11>it for yourself. Okay, pour nine hundred milligrams of cream

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<v Speaker 11>into a pan, add the vanilla pods and the lemon ride,

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<v Speaker 11>bring to the boil, simmer, and reduce by a third

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<v Speaker 11>pass through a sip. Then scrape the seeds from inside

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<v Speaker 11>the vanilla pods back into the cream and discard the

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<v Speaker 11>alta pods. Remove the jelatine from the middle.

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<v Speaker 12>Oh no, now you just played me, Michael Caine. How

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<v Speaker 12>am I supposed to this is?

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<v Speaker 9>Like?

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<v Speaker 12>How the hell am I supposed to do this?

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<v Speaker 13>This is?

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<v Speaker 2>But you got tomato sauce.

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<v Speaker 12>Maybe I should do an intro to Okay, I'll do this.

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<v Speaker 12>Then I'm Jake Jillenhall, and there is truly nothing like

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<v Speaker 12>Ruthie slow cooked tomato sauce.

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<v Speaker 14>Hello, this is Wes Anderson. I'm going to read you

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<v Speaker 14>the recipe for the River Cafe roast pigeon stuffed with cotaquino.

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<v Speaker 14>You'll need six breast pigeons. That's six pigeons from the breast.

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<v Speaker 14>I guess these are French pigeons. Now, preheat the oven

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<v Speaker 14>to two hundred and thirty degrees celsius to make the

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<v Speaker 14>stuffing soft. From the onion and celery in the two

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<v Speaker 14>tablespoons of olive oil for ten minutes. Remove the skin

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<v Speaker 14>from the cotaquino and crumble the meat with your hands.

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<v Speaker 14>Add the cotaquino and sage to the onion and celery

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<v Speaker 14>and fry together for a few minutes. Then pour off

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<v Speaker 14>the fat from the pan and add two hundred and

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<v Speaker 14>fifty mili liters red wine and boil to reduce by

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<v Speaker 14>at least half, season with black pepper, and allow to cool.

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<v Speaker 14>Before stuffing into the six birds, heat the two hundred

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<v Speaker 14>and fifty milli liters of olive oil in a roasting

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<v Speaker 14>tin over a medium high heat. Then brown each bird

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<v Speaker 14>all over season with sea salt and black pepper, and

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<v Speaker 14>roast for twenty minutes. Pour any excess oil out of

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<v Speaker 14>the tin. Then add the remaining red wine over a

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<v Speaker 14>high heat. Reduce us we got half the wine still

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<v Speaker 14>to go? I think yes, over a high heat, reduce

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<v Speaker 14>the liquid by half, so cook it until half it

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<v Speaker 14>goes away.

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<v Speaker 8>I think old.

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<v Speaker 14>The people who cook know this.

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<v Speaker 3>I don't.

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<v Speaker 14>I don't know that, then seasoned with sea salt and

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<v Speaker 14>black pepper, and then this is your sauce, poured over

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<v Speaker 14>the pigeons to serve.

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<v Speaker 12>Thank you.

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<v Speaker 2>The food we smell and taste as a child seems

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<v Speaker 2>imprinted on our memories. And almost every guest took me

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<v Speaker 2>back to their early years. We heard about family recipes,

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<v Speaker 2>noisy school canteens, first restaurant meals, and childhood kitchens. Here's

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<v Speaker 2>Victoria Beckham to start us off.

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<v Speaker 5>Ruthie, here's a story my mother. You know what to

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<v Speaker 5>uses her oven for.

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<v Speaker 2>Let me guess by her stockings.

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<v Speaker 5>No, she used it as a filing cabinet. Oh, I'm

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<v Speaker 5>a filing cabinet.

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<v Speaker 3>Yeah.

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<v Speaker 5>If he didn't go in the microwave, Missus Adams wasn't

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<v Speaker 5>interested in it. But this was the eighties when I

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<v Speaker 5>was growing up. But it's all about microwaveable food, all

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<v Speaker 5>being super super quick. So you know, as I I

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<v Speaker 5>began my life in the Spice girls, we were eating

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<v Speaker 5>out a lot, going to lovely restaurants, and that was

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<v Speaker 5>something really quite new.

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<v Speaker 15>A middle class family in Mexico growing up in the

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<v Speaker 15>sixties and the seventies.

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<v Speaker 2>Alfonso Couran told me about growing up in Mexico City.

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<v Speaker 15>There was still a mentality of making things last. I

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<v Speaker 15>remember the refrigerator in the kitchen was probably a refrigerator

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<v Speaker 15>of the fifties, you know, the rattle a lot. By

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<v Speaker 15>the way, my first memory was a very old woman

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<v Speaker 15>called Benita, and Benita was the cook because she knew

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<v Speaker 15>how to cook.

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<v Speaker 16>She was great.

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<v Speaker 15>But also my grandmother would come with her big book

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<v Speaker 15>of recipes that it was one of those ancient books

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<v Speaker 15>you know. Well, it was not a book, it was

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<v Speaker 15>a notebook. It was all written, handwritten, probably from her family,

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<v Speaker 15>her mom or whatever. It was a very old kind

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<v Speaker 15>of note book and she would go through the pages

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<v Speaker 15>and find like the recipe that was going to be

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<v Speaker 15>for that day. So that means that those recipes will

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<v Speaker 15>come from from way before.

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<v Speaker 2>It's interesting because yesterday I did a conversation with someone Rushti,

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<v Speaker 2>and so there's someone who grew up in Bombay with

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<v Speaker 2>a book like that in his kitchen.

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<v Speaker 17>Middle class kitchen's kitchens which employ cooks, there's always a

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<v Speaker 17>copy book. It's called hanging on a hook, and in

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<v Speaker 17>that book are the recipes of the family. And I've

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<v Speaker 17>always thought if somebody could just go and gather the

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<v Speaker 17>recipes in those copy books. That would be the greatest

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<v Speaker 17>Indian cookbook of all.

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<v Speaker 2>Do you remember your grandmother was your mother's mother a cook?

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<v Speaker 17>Yeah, my mother's mother was not a cook. My mother's

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<v Speaker 17>mother sort of shouted.

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<v Speaker 2>At cooks, ah, okay, yeah in that way. I do

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<v Speaker 2>you think she knew what she wanted?

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<v Speaker 5>Well?

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<v Speaker 17>Yeah, she was a grubby old lady. I don't know.

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<v Speaker 17>I wouldn't have liked to be cooking at.

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<v Speaker 2>Her kitchen really, And what about your mother and her?

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<v Speaker 17>But my mother was very a gentle person, you know.

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<v Speaker 17>And I also had an Ayah, a nanny from South India,

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<v Speaker 17>came from Mangalore, which has its own very distinctive cooking.

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<v Speaker 17>Her kind of pickles and chutney's got into Midnight's Children

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<v Speaker 17>because I grew up on those. There was a particular

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<v Speaker 17>green chutney which is famously in the book. It was

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<v Speaker 17>just a lot of green things chopped up with a

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<v Speaker 17>lot of chilies. It was very particular South Indian recipe

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<v Speaker 17>that arrived in our house through her go and South

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<v Speaker 17>Indian Aya Mary mayonnaises. She was called lived to one

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<v Speaker 17>hundred and two. She spoke seven languages and was illiterate.

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<v Speaker 17>There's a line somewhere in Midnight's Children where where the

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<v Speaker 17>character the narrator talks about stirring feelings into food. And

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<v Speaker 17>I always believe that that if you're in a good mood,

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<v Speaker 17>the food tastes one way, and if you're in a

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<v Speaker 17>bad mood, the food tastes another way. You know, that

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<v Speaker 17>sense of emotion, your own emotion getting into the cooking.

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<v Speaker 17>You know, it's something I always thought.

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<v Speaker 2>Did your mother put an emotion into her cooking?

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<v Speaker 17>Yeah? I mean she actually she wasn't like a great chef,

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<v Speaker 17>but she enjoyed it. Yeah, she enjoyed it. So the

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<v Speaker 17>food was enjoyable.

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<v Speaker 2>But cooking for a family is not only enjoyable, it

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<v Speaker 2>can also stir up complex emotions. Here's Nigella Larson talking

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<v Speaker 2>about her mother.

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<v Speaker 18>She married very young, she was nineteen nineteen and had

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<v Speaker 18>to have her child at twenties.

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<v Speaker 19>You know, my older brother.

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<v Speaker 18>She felt things very deeply, but didn't always express it,

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<v Speaker 18>so would erupt quite a bit. And you know, she

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<v Speaker 18>was fantastically impatient. And one of the jobs we had

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<v Speaker 18>to do, my sister Thomasina, we used to have to

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<v Speaker 18>make mayonnaise together and one of us would whisk, and

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<v Speaker 18>one would pour the oil. And whoever was whisking, you know,

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<v Speaker 18>you weren't whisking fast enough, and whoever was poor and

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<v Speaker 18>you weren't to sing slowly, you weren't. And the tension,

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<v Speaker 18>you know. So it's so difficult because I remember what

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<v Speaker 18>I learned, and I remember being in the kitchen with

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<v Speaker 18>fondness and gratitude, and yet it would be so unfaithful

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<v Speaker 18>to the truth if I didn't say it was also

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<v Speaker 18>a source of great tension. I mean, it was frightening,

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<v Speaker 18>but I think that. But I think I did learn

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<v Speaker 18>a lot. And she was a very spontaneous cook.

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<v Speaker 2>But imagine being nineteen and or twenty and having to

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<v Speaker 2>embrace motherhood and domestic life and cook. Do you think

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<v Speaker 2>she liked cooking? Did she like he?

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<v Speaker 18>Didn't I associate my mother with food, And yet she

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<v Speaker 18>had a very troubled relationship and had eating disorders, which

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<v Speaker 18>I didn't really think. I didn't really take on board

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<v Speaker 18>until I was in my teens, I think, and I

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<v Speaker 18>don't know when it started. And it was difficult because

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<v Speaker 18>it it was really a repudiation of something that gave

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<v Speaker 18>her pleasure. And the heartbreaking thing is, you know, She

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<v Speaker 18>died when she was forty eight, and she hit pretty

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<v Speaker 18>quickly because she got diagnosed, well, she didn't get diagnosed.

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<v Speaker 18>I was told by the doctor three weeks before she died.

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<v Speaker 18>I didn't tell until two weeks because I was waiting

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<v Speaker 18>a bit just to get it for you know, more

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<v Speaker 18>tests and things. And she said it was the first

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<v Speaker 18>time being terminally ill was the first time she could

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<v Speaker 18>eat without anxiety or guilt. I mean, that's that's and

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<v Speaker 18>I think that so on the one hand, you know,

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<v Speaker 18>I've learnt everything about what cooking is from her, not

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<v Speaker 18>everything I've learned from you. I've learned from anadel Conte.

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<v Speaker 18>I've learned from Claudia Rodin. But I also learned what

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<v Speaker 18>path I didn't want to go down, and it wasn't

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<v Speaker 18>That was your father.

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<v Speaker 2>Do you ever cook?

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<v Speaker 16>No?

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<v Speaker 3>He didn't.

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<v Speaker 18>Occasionally later on he would make his own breakfast breakfast,

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<v Speaker 18>which I think is quite an old fashional male thing

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<v Speaker 18>to do that somehow they don't feel, you know, cooking

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<v Speaker 18>eggs is too much of a dent to their dignity.

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<v Speaker 4>My dad came here in nineteen forty eight on a

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<v Speaker 4>ten pound ticket from Cyprus, and then my mom's a gypsy,

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<v Speaker 4>so it's really quite exotic.

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<v Speaker 2>Actually, this is the artist Tracy Emmon.

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<v Speaker 4>Up until we were about six, we would go to

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<v Speaker 4>Turkey regularly once a year, and we spent when we

0:12:50.320 --> 0:12:53.280
<v Speaker 4>were really tiny, we spent two periods of six months there.

0:12:53.360 --> 0:12:55.480
<v Speaker 4>Once when I was about three or four, and then

0:12:55.480 --> 0:12:58.439
<v Speaker 4>another time when I was six, we spent six months there,

0:12:58.840 --> 0:13:02.839
<v Speaker 4>and all that time it would have been Mediterranean food

0:13:02.920 --> 0:13:06.480
<v Speaker 4>and Mediterranean cooking. And we used to drive to Turkey,

0:13:06.840 --> 0:13:10.320
<v Speaker 4>and this is really cool. We used to have in

0:13:10.400 --> 0:13:13.040
<v Speaker 4>the back of the our car. We had a Zodiac

0:13:13.520 --> 0:13:16.360
<v Speaker 4>with these little tiny wooden chairs, you know, with the

0:13:17.040 --> 0:13:21.520
<v Speaker 4>wrap seats, and my dad just with a brand new Zodiac,

0:13:21.520 --> 0:13:23.880
<v Speaker 4>and my dad just stuck a hole through the roof

0:13:24.000 --> 0:13:28.040
<v Speaker 4>through the you know the bits, and then got bongee

0:13:28.800 --> 0:13:31.839
<v Speaker 4>elastic things around the chairs and then just sat us

0:13:31.920 --> 0:13:34.520
<v Speaker 4>in the back of the car bouncing up. And we

0:13:34.520 --> 0:13:37.160
<v Speaker 4>were twins bouncing up and down on these chairs with

0:13:37.200 --> 0:13:40.120
<v Speaker 4>those little knotty dogs. And we'd drive to Turkey and

0:13:40.240 --> 0:13:43.080
<v Speaker 4>we'd stop on the way all the time, and my

0:13:43.160 --> 0:13:45.600
<v Speaker 4>dad would get the calor gas stove out and fry

0:13:45.640 --> 0:13:49.440
<v Speaker 4>eggs and cook and everything, and we'd go go to

0:13:49.520 --> 0:13:53.360
<v Speaker 4>fields and take watermelons and things. So it was really

0:13:53.400 --> 0:13:58.840
<v Speaker 4>exciting and like adventurous these drives and romanticizing about it

0:13:58.880 --> 0:14:02.400
<v Speaker 4>now because it is romantic and it was different and

0:14:02.440 --> 0:14:05.640
<v Speaker 4>it was different from everybody else's upbringing that I knew.

0:14:05.960 --> 0:14:09.000
<v Speaker 4>And so we went from that to this light to

0:14:09.160 --> 0:14:12.360
<v Speaker 4>squatting in a cottage and my mom working in a

0:14:12.400 --> 0:14:16.320
<v Speaker 4>hotel as a waitress and a chamber mate, and so

0:14:16.400 --> 0:14:20.000
<v Speaker 4>it was like from high to low really fast, a

0:14:20.040 --> 0:14:24.280
<v Speaker 4>reversal of fortune when you were having to cook for yourselves.

0:14:25.360 --> 0:14:26.520
<v Speaker 2>Did you eat? What did you do?

0:14:27.080 --> 0:14:30.480
<v Speaker 4>There was so my mom was out a lot most

0:14:30.480 --> 0:14:33.720
<v Speaker 4>of the time working lady, and weekends as well, she'd

0:14:33.720 --> 0:14:36.080
<v Speaker 4>be out to free in the morning. So we were

0:14:36.160 --> 0:14:38.600
<v Speaker 4>on our own and often my mom would leave us

0:14:38.640 --> 0:14:42.520
<v Speaker 4>sandwiches and whatever. But my big thing was just like orange,

0:14:42.640 --> 0:14:47.400
<v Speaker 4>just orange squash and just tons of orange squash, and

0:14:47.440 --> 0:14:50.360
<v Speaker 4>sitting up at night crocher and in bed. We and

0:14:50.400 --> 0:14:53.600
<v Speaker 4>also for example, like Christmas, like you said about this,

0:14:53.720 --> 0:14:56.080
<v Speaker 4>a lot of this podcast is about people sitting around

0:14:56.120 --> 0:14:59.120
<v Speaker 4>the table and remembering it. Oh, there was no sitting

0:14:59.120 --> 0:15:02.360
<v Speaker 4>around the table for me. It was sitting and watching

0:15:02.400 --> 0:15:05.200
<v Speaker 4>the telly with a tray with egg and chips, you know,

0:15:05.240 --> 0:15:08.720
<v Speaker 4>when my mom come home and Christmas was not Christmas.

0:15:08.840 --> 0:15:11.680
<v Speaker 4>We didn't have Christmas because my mom was always working.

0:15:12.280 --> 0:15:15.040
<v Speaker 4>Our Christmas was like a week after and kind of

0:15:15.120 --> 0:15:17.240
<v Speaker 4>cobbled together, but it was never going to feel the

0:15:17.280 --> 0:15:21.720
<v Speaker 4>same as the real Christmas. And I remember we had

0:15:21.760 --> 0:15:24.880
<v Speaker 4>Salvation Army one year, you know, coming around with food

0:15:24.960 --> 0:15:27.920
<v Speaker 4>and presents because we didn't have anything. My mom, if

0:15:27.960 --> 0:15:32.240
<v Speaker 4>she didn't work, we had nothing. And that is a

0:15:32.400 --> 0:15:35.400
<v Speaker 4>very different upbringing to a lot of people.

0:15:35.480 --> 0:15:35.760
<v Speaker 3>I know.

0:15:37.600 --> 0:15:41.680
<v Speaker 2>The singer Rag and Boneman shared a fantastic story of

0:15:41.840 --> 0:15:44.840
<v Speaker 2>childhood ingenuity.

0:15:45.200 --> 0:15:49.520
<v Speaker 20>Yeah, there's the truth to the story. In the summer,

0:15:50.080 --> 0:15:54.120
<v Speaker 20>the kids from our street we used to sometimes get

0:15:54.120 --> 0:15:57.840
<v Speaker 20>together and so we had a house full of instruments.

0:15:57.920 --> 0:16:00.200
<v Speaker 20>We had guitars that were hanging on the walls and

0:16:00.560 --> 0:16:03.440
<v Speaker 20>sometimes there are old crappy ones that no one played anymore,

0:16:04.160 --> 0:16:08.640
<v Speaker 20>or old keyboard that doesn't really work. We would get

0:16:08.960 --> 0:16:10.880
<v Speaker 20>those instruments and put them out on the front lawn,

0:16:12.480 --> 0:16:15.480
<v Speaker 20>open the windows and play like whatever music it was

0:16:15.520 --> 0:16:19.120
<v Speaker 20>through the stereo as loud as possible, and act like

0:16:19.240 --> 0:16:22.640
<v Speaker 20>we were playing it and put a basket there in

0:16:22.760 --> 0:16:26.120
<v Speaker 20>front of us to ask for money. So we could

0:16:26.200 --> 0:16:28.440
<v Speaker 20>go and buy ice cream from the ice cream Vand

0:16:28.520 --> 0:16:30.880
<v Speaker 20>did it we it did. I mean people came out

0:16:30.880 --> 0:16:33.160
<v Speaker 20>and gave us money. I think we made enough to

0:16:33.200 --> 0:16:34.040
<v Speaker 20>get some ice cream.

0:16:34.240 --> 0:16:36.640
<v Speaker 2>That's the version of I grew up, you know, selling

0:16:36.720 --> 0:16:38.520
<v Speaker 2>lemonade when I was a kid. You know, we take

0:16:38.600 --> 0:16:41.040
<v Speaker 2>lemonade and then put a table on the front lawn

0:16:41.080 --> 0:16:43.800
<v Speaker 2>and at five cents please. Yeah, we were like buskingto

0:16:43.840 --> 0:16:47.840
<v Speaker 2>like guns and roses for aff for hersh The scent

0:16:48.000 --> 0:16:51.160
<v Speaker 2>of food was almost more important than the taste of food.

0:16:52.200 --> 0:16:55.040
<v Speaker 21>I remember so clearly. I didn't go to Garner until

0:16:55.040 --> 0:16:59.360
<v Speaker 21>I was fourteen, and my first memory was stepping off

0:16:59.360 --> 0:17:03.000
<v Speaker 21>the plane and two things hit me. The first was

0:17:03.040 --> 0:17:06.040
<v Speaker 21>the heat, and the second thing was the smell. And

0:17:06.080 --> 0:17:09.080
<v Speaker 21>the smell has never left me, and I still every

0:17:09.080 --> 0:17:16.760
<v Speaker 21>time I go to Ghana instantly hit with this intoxicating smell.

0:17:17.080 --> 0:17:18.840
<v Speaker 21>And I've tried to work out what it is. I

0:17:18.880 --> 0:17:21.959
<v Speaker 21>think it's a combination of just heat and sea air

0:17:22.000 --> 0:17:24.560
<v Speaker 21>because it's very the capital is on the coast and

0:17:24.600 --> 0:17:27.800
<v Speaker 21>it's a quite rough Atlantic coast. There's a lot of

0:17:27.840 --> 0:17:31.480
<v Speaker 21>sea breeze and mist and salt in the air. And

0:17:31.520 --> 0:17:34.280
<v Speaker 21>then one of my favorite Ganeian dishes, which because the

0:17:34.680 --> 0:17:38.720
<v Speaker 21>BA flight from Ghana lands basically at dusk, and at

0:17:38.840 --> 0:17:42.720
<v Speaker 21>dusk is when food vendors in the city start selling

0:17:43.080 --> 0:17:46.720
<v Speaker 21>this afterwork snack which they fry outside. It's called kellolee

0:17:47.240 --> 0:17:53.240
<v Speaker 21>and it's ripe plantain diced that seasoned with ginger, black pepper,

0:17:53.359 --> 0:17:56.920
<v Speaker 21>tiny bit of nutmeg, chili and salt, and then it's

0:17:57.000 --> 0:18:00.200
<v Speaker 21>deep fried, absolutely delicious. I made some last I.

0:18:00.160 --> 0:18:02.639
<v Speaker 2>Actually, you season it first, and then you do you

0:18:02.720 --> 0:18:04.159
<v Speaker 2>season it and then you take.

0:18:04.480 --> 0:18:05.120
<v Speaker 16>You eat it hot.

0:18:05.200 --> 0:18:06.160
<v Speaker 21>Yeah, you eat it hot.

0:18:06.600 --> 0:18:07.440
<v Speaker 2>And it's street food.

0:18:07.520 --> 0:18:12.400
<v Speaker 21>It's street food, and that makes the entire city have

0:18:12.880 --> 0:18:18.040
<v Speaker 21>a fragrance of kind of slightly sweet spicy nut maggy

0:18:18.840 --> 0:18:21.440
<v Speaker 21>air and I honestly think it's it's a little hint

0:18:21.520 --> 0:18:22.440
<v Speaker 21>on the air and a cross.

0:18:23.400 --> 0:18:26.800
<v Speaker 2>Glenn Close spent part of her childhood in Africa and

0:18:26.920 --> 0:18:30.679
<v Speaker 2>can still remember the plaintive cries of the family chicken.

0:18:31.440 --> 0:18:35.000
<v Speaker 6>We had a rooster called Pretzel and he would crow

0:18:35.080 --> 0:18:40.200
<v Speaker 6>during the night, and my brother cut a oil drum

0:18:40.200 --> 0:18:42.960
<v Speaker 6>in half and cleaned it out, and at night, Pretzel

0:18:42.960 --> 0:18:44.960
<v Speaker 6>would be put under the oil drum, but you still

0:18:44.960 --> 0:18:45.440
<v Speaker 6>could hear it.

0:18:45.520 --> 0:18:48.000
<v Speaker 19>Worm.

0:18:48.040 --> 0:18:51.679
<v Speaker 22>Finally, finally, everybody thought it was time for pretzel to

0:18:51.720 --> 0:18:53.840
<v Speaker 22>be butchered, and he was, and he was put in

0:18:53.840 --> 0:18:56.160
<v Speaker 22>the freezer. And then I happened to be there when

0:18:56.160 --> 0:18:59.520
<v Speaker 22>they brought pretzel out and said let's let's roast pretzel.

0:19:02.240 --> 0:19:03.400
<v Speaker 6>He was inedible.

0:19:03.600 --> 0:19:06.000
<v Speaker 22>You could even get a knife into where my mother

0:19:06.200 --> 0:19:09.600
<v Speaker 22>was pretzels revenge.

0:19:10.200 --> 0:19:12.040
<v Speaker 2>Do you remember going to the markets in Tehran?

0:19:12.640 --> 0:19:16.160
<v Speaker 19>Not markets? Oh well, actually no I did. They're called bazaars.

0:19:16.680 --> 0:19:19.240
<v Speaker 2>Christian Amanpour grew up in Tehran.

0:19:19.720 --> 0:19:22.760
<v Speaker 19>I mean, if anybody's been to the Great Bazaar in Istanbul,

0:19:23.119 --> 0:19:26.560
<v Speaker 19>imagine that in all the other Middle Eastern countries. And

0:19:26.800 --> 0:19:29.600
<v Speaker 19>we used to go. I do remember. My mother would

0:19:29.640 --> 0:19:31.960
<v Speaker 19>do the shopping. Obviously, I would just be amazed by

0:19:32.000 --> 0:19:34.399
<v Speaker 19>the color and the vibrancy, and that I want this

0:19:34.480 --> 0:19:35.840
<v Speaker 19>and I want that, even if I didn't know what

0:19:35.880 --> 0:19:39.840
<v Speaker 19>it was. I'm afraid that the men at that time

0:19:39.920 --> 0:19:44.679
<v Speaker 19>were very cheeky and quite intrusive. So I used to go,

0:19:44.880 --> 0:19:47.240
<v Speaker 19>not knowing any better, in my shorts or my short

0:19:47.240 --> 0:19:49.879
<v Speaker 19>skirt or whatever and get my bum pinched. That was

0:19:49.960 --> 0:19:52.840
<v Speaker 19>quite derry ger in those days. My mom told me

0:19:53.680 --> 0:19:56.280
<v Speaker 19>from now on I had to bring a flip flop

0:19:56.359 --> 0:19:59.639
<v Speaker 19>you know, sandal hold it behind my bum and if

0:19:59.640 --> 0:20:05.520
<v Speaker 19>anybody he dead, you know, bang them. It really worked.

0:20:07.640 --> 0:20:11.960
<v Speaker 23>I can't remember when I discovered pasta, but I can

0:20:12.080 --> 0:20:15.240
<v Speaker 23>remember when I discovered pasta and risotto.

0:20:15.840 --> 0:20:18.840
<v Speaker 2>Norman Foster one of my oldest friends.

0:20:19.040 --> 0:20:23.880
<v Speaker 23>I was a student and i'd cycled and ended up

0:20:24.600 --> 0:20:30.480
<v Speaker 23>in Milan, and I associated rice with rice pudding, which

0:20:30.640 --> 0:20:35.240
<v Speaker 23>was sweet and sickly and really for me, not very nice.

0:20:35.880 --> 0:20:40.320
<v Speaker 23>And I discovered rice and pasta and it was just

0:20:40.760 --> 0:20:44.000
<v Speaker 23>a great discovery. That was a very very long time ago.

0:20:44.200 --> 0:20:47.560
<v Speaker 2>How old were you then, ah.

0:20:46.840 --> 0:20:48.400
<v Speaker 23>I must have been in my teens.

0:20:49.640 --> 0:20:53.960
<v Speaker 2>Paul McCartney and John Lennon were also intrepid teenagers. Here's

0:20:54.040 --> 0:20:56.600
<v Speaker 2>Paul recalling their first trip abroad.

0:20:57.320 --> 0:21:02.240
<v Speaker 9>John and I hitch hiked to Paris. He got given

0:21:02.920 --> 0:21:06.959
<v Speaker 9>a fabulous birthday present by his rich relatives in Scotland,

0:21:07.600 --> 0:21:10.280
<v Speaker 9>and one of them gave him one hundred pounds for

0:21:10.320 --> 0:21:13.720
<v Speaker 9>his birthday. You know, I mean, I still think that's

0:21:13.720 --> 0:21:14.760
<v Speaker 9>a reasonable gift.

0:21:14.920 --> 0:21:15.960
<v Speaker 2>It's very reasonable.

0:21:16.200 --> 0:21:20.639
<v Speaker 9>No one hundred quid I have it anyway. So we

0:21:20.760 --> 0:21:24.000
<v Speaker 9>hitchied to Paris and then we used the money to

0:21:24.040 --> 0:21:26.719
<v Speaker 9>get food and stuff, and we thought, oh, we've got

0:21:26.800 --> 0:21:29.800
<v Speaker 9>to have a wine experience. We're in France, you know.

0:21:30.400 --> 0:21:34.119
<v Speaker 9>So we went into a cafe corner cafe and we

0:21:34.200 --> 0:21:37.119
<v Speaker 9>sort of sidled up to the bar and said, do

0:21:38.320 --> 0:21:44.760
<v Speaker 9>van ordinaire ceavow play? And she gave us two glasses

0:21:44.800 --> 0:21:49.560
<v Speaker 9>of red wine and we took a sip and thought, oh,

0:21:49.840 --> 0:21:54.040
<v Speaker 9>that is terrible. It's like vinegar. God, I don't know

0:21:54.040 --> 0:21:56.239
<v Speaker 9>what the fuss is about all these people going on

0:21:56.280 --> 0:21:58.240
<v Speaker 9>about wine. They're crazy, We're saying.

0:21:58.840 --> 0:21:59.000
<v Speaker 3>So.

0:21:59.040 --> 0:22:02.240
<v Speaker 9>We never liked wine till we got down to London.

0:22:02.280 --> 0:22:06.480
<v Speaker 9>And the first time I ever remember really liking wine,

0:22:07.080 --> 0:22:10.080
<v Speaker 9>it was with George Martin. My girlfriend at the time

0:22:10.160 --> 0:22:13.199
<v Speaker 9>was Jane Asher, and Jane and I went out with

0:22:13.560 --> 0:22:17.280
<v Speaker 9>George and his wife Judy, and we went to a

0:22:17.320 --> 0:22:21.520
<v Speaker 9>little restaurant in Charlotte Street called Latroale.

0:22:20.800 --> 0:22:23.240
<v Speaker 3>I probably know that, I remember that.

0:22:23.480 --> 0:22:27.200
<v Speaker 9>Yeah, I was treating so the way to the wine waiter,

0:22:27.200 --> 0:22:30.399
<v Speaker 9>Somelia came up to me and said, would you like

0:22:30.400 --> 0:22:30.879
<v Speaker 9>a wine?

0:22:30.880 --> 0:22:31.080
<v Speaker 19>Sir?

0:22:31.200 --> 0:22:33.959
<v Speaker 9>He leaned in all very intimate, and I sort of

0:22:34.119 --> 0:22:37.359
<v Speaker 9>equally whispering. I said, I'd like you to recommend to me.

0:22:37.480 --> 0:22:39.879
<v Speaker 9>I don't know much about wine. Said, oh, yes, sir,

0:22:40.040 --> 0:22:42.280
<v Speaker 9>thank you very much, leave it to me. And then

0:22:42.320 --> 0:22:47.520
<v Speaker 9>he brought back a bottle of Louis Latour's Caught on

0:22:47.760 --> 0:22:53.600
<v Speaker 9>Graci nineteen fifty nine, and I took a taste of it.

0:22:54.080 --> 0:22:57.399
<v Speaker 9>Oh it was like velvet, was it? And I thought,

0:22:57.520 --> 0:22:59.879
<v Speaker 9>now I get it, And I see why people go

0:23:00.080 --> 0:23:01.160
<v Speaker 9>crazy about one.

0:23:01.840 --> 0:23:06.720
<v Speaker 16>I think, in a way, we all love food because

0:23:07.359 --> 0:23:09.440
<v Speaker 16>Richard was a great eater.

0:23:10.080 --> 0:23:13.600
<v Speaker 2>My husband, Richard was also a great lover of restaurants.

0:23:13.920 --> 0:23:16.520
<v Speaker 2>As our son Rue remembers.

0:23:16.000 --> 0:23:18.359
<v Speaker 16>I do really think that being a great eater is

0:23:18.400 --> 0:23:22.280
<v Speaker 16>a really fundamental skill. It can be very frustrating great

0:23:22.280 --> 0:23:25.560
<v Speaker 16>because everything is being analyzed all the time, but it

0:23:25.680 --> 0:23:29.719
<v Speaker 16>is a very beautiful thing because you're constantly searching for

0:23:29.800 --> 0:23:33.720
<v Speaker 16>that new taste and that new experience and anything else

0:23:33.840 --> 0:23:38.720
<v Speaker 16>is not exciting for that. I mean, I remember the

0:23:38.840 --> 0:23:42.800
<v Speaker 16>Michelin Guide with yellow post it notes and written notes,

0:23:42.960 --> 0:23:46.000
<v Speaker 16>and I mean like obsession, and then like going into

0:23:46.000 --> 0:23:48.600
<v Speaker 16>bookstores and saying, we found this restaurant, but we haven't

0:23:48.600 --> 0:23:51.680
<v Speaker 16>been do you recommend it? Like the amount of diligence

0:23:51.680 --> 0:23:54.879
<v Speaker 16>we did just to have lunch because Dad wanted a

0:23:54.880 --> 0:23:57.479
<v Speaker 16>great meal and you wanted to make that possible. But

0:23:57.520 --> 0:24:00.360
<v Speaker 16>you you know, and we did it. So I think

0:24:00.400 --> 0:24:03.879
<v Speaker 16>a lot of thats of you know, curiosity and food

0:24:03.880 --> 0:24:07.239
<v Speaker 16>cooking and food quality comes to Dad's real keenness and

0:24:07.280 --> 0:24:08.159
<v Speaker 16>passion for eating.

0:24:08.560 --> 0:24:10.639
<v Speaker 2>Actually, it's interested to say that, because I do remember

0:24:10.680 --> 0:24:12.880
<v Speaker 2>that we used to. He had this theory. I don't

0:24:12.880 --> 0:24:14.840
<v Speaker 2>know where it came from that if you wanted to

0:24:14.880 --> 0:24:17.440
<v Speaker 2>find a good restaurant, you always asked it a bookstore.

0:24:17.640 --> 0:24:20.359
<v Speaker 2>That there was a people who loved books would probably

0:24:20.359 --> 0:24:35.600
<v Speaker 2>know where to eat. The River Cafe is thirty five

0:24:35.720 --> 0:24:39.119
<v Speaker 2>years old, and the subject of restaurants is close to

0:24:39.160 --> 0:24:43.600
<v Speaker 2>my heart. Planning menus, juggling staff, road is, sourcing ingredients,

0:24:44.359 --> 0:24:48.919
<v Speaker 2>most of all, cooking a restaurant is all consuming. On

0:24:49.080 --> 0:24:52.920
<v Speaker 2>River Cafe Table four, we shared our restaurant memories. Let's

0:24:52.960 --> 0:24:57.359
<v Speaker 2>start with comedian Pete Davidson. There is quite a lot

0:24:57.400 --> 0:25:00.640
<v Speaker 2>of drama going on in a restaurant, do you think absolutely.

0:25:00.640 --> 0:25:02.479
<v Speaker 24>I mean, when I worked at a restaurant, it was

0:25:02.560 --> 0:25:05.480
<v Speaker 24>for like three or four years, but the bus boys

0:25:05.480 --> 0:25:08.639
<v Speaker 24>hated the waiters, and the waiters hated the bus boys,

0:25:08.720 --> 0:25:11.439
<v Speaker 24>and I mean like afterwards hated the chefs. Yeah, they

0:25:12.240 --> 0:25:15.240
<v Speaker 24>but after work everything was fine. Everybody was like cool,

0:25:15.359 --> 0:25:19.080
<v Speaker 24>but during work it was like, we're gonna be in

0:25:19.119 --> 0:25:20.520
<v Speaker 24>each other's faces all day.

0:25:20.720 --> 0:25:21.639
<v Speaker 5>Yeah, you know.

0:25:21.800 --> 0:25:24.040
<v Speaker 24>But my favorite thing was always sneaking off in the

0:25:24.119 --> 0:25:27.239
<v Speaker 24>back and eating whatever somebody didn't need.

0:25:27.560 --> 0:25:29.520
<v Speaker 3>Oh really, off somebody's plate.

0:25:29.720 --> 0:25:33.280
<v Speaker 24>Yeah I didn't. I didn't give other people like you're gross,

0:25:33.320 --> 0:25:35.000
<v Speaker 24>and I'd be like, it's chicken palm.

0:25:37.920 --> 0:25:41.920
<v Speaker 2>So tell me about the restaurant you've worked in called Nucci's.

0:25:41.480 --> 0:25:45.600
<v Speaker 24>South since that island. It's right under the bridge. My

0:25:45.920 --> 0:25:49.320
<v Speaker 24>dad's good friend runs it. It's it's like pretty well

0:25:49.359 --> 0:25:52.560
<v Speaker 24>known on the island and well respected, and they serve

0:25:52.640 --> 0:25:56.040
<v Speaker 24>classic Italian food, and you know, they have a playlist

0:25:56.040 --> 0:25:59.560
<v Speaker 24>of sixty songs on a loop and it's all Frank Sinatra.

0:26:00.600 --> 0:26:01.720
<v Speaker 20>Yeah all day?

0:26:01.840 --> 0:26:02.840
<v Speaker 2>Can you sing that some more?

0:26:04.320 --> 0:26:07.159
<v Speaker 24>I burned it out of my brain. I used to

0:26:07.359 --> 0:26:09.359
<v Speaker 24>be able to tell what time it was in the

0:26:09.440 --> 0:26:11.320
<v Speaker 24>restaurant by what song was playing.

0:26:11.560 --> 0:26:13.360
<v Speaker 16>What songs would they say playlist?

0:26:13.720 --> 0:26:14.240
<v Speaker 5>I mean.

0:26:15.560 --> 0:26:18.119
<v Speaker 25>Just like fly Me to the Moon, Yeah, fly Me

0:26:18.400 --> 0:26:21.840
<v Speaker 25>to the Moon, just like every yeah, And I would

0:26:21.880 --> 0:26:24.200
<v Speaker 25>hear that every six hours, So like if I fly

0:26:24.320 --> 0:26:26.479
<v Speaker 25>Me to the Moon came back, I would know we

0:26:26.480 --> 0:26:28.160
<v Speaker 25>were halfway through with the day.

0:26:30.400 --> 0:26:34.600
<v Speaker 2>Stanley Tucci and Darren Walker, CEO of the Ford Foundation,

0:26:35.160 --> 0:26:38.639
<v Speaker 2>look back at long shifts in restaurant kitchens or waiting

0:26:38.680 --> 0:26:42.920
<v Speaker 2>on tables, and many guests stories of eating out, whether

0:26:42.960 --> 0:26:48.680
<v Speaker 2>in Michelin start restaurants, backstreet bars, or beach checks. Here's

0:26:48.760 --> 0:26:52.200
<v Speaker 2>David Beckham talking about a Paris restaurant we both love.

0:26:52.840 --> 0:26:56.119
<v Speaker 3>One of my favorite restaurants in the world is Lammy Louis.

0:26:56.280 --> 0:26:58.400
<v Speaker 2>Yeah, w I agree.

0:26:58.440 --> 0:27:01.200
<v Speaker 3>You know all the ways addressed in those white jackets,

0:27:01.440 --> 0:27:04.879
<v Speaker 3>and whether you're wearing a bomber jacket or whether the

0:27:04.920 --> 0:27:08.600
<v Speaker 3>most elegant lady walks in and the Chanel coat. They

0:27:08.640 --> 0:27:11.040
<v Speaker 3>take your coat off, they fold it up and they

0:27:11.080 --> 0:27:14.199
<v Speaker 3>throw it above the head on the car. It's like

0:27:14.280 --> 0:27:19.119
<v Speaker 3>a train carriage. And my record for eating escargo is

0:27:19.240 --> 0:27:22.919
<v Speaker 3>I've eaten thirty two escargoes at one dinner.

0:27:23.240 --> 0:27:25.560
<v Speaker 2>To the listener, Can I tell you those are big?

0:27:26.480 --> 0:27:27.400
<v Speaker 2>I've had that many.

0:27:27.280 --> 0:27:29.960
<v Speaker 3>Times big and they come on trays of six or

0:27:30.080 --> 0:27:32.600
<v Speaker 3>nine I think, and they come and I was in

0:27:32.640 --> 0:27:35.159
<v Speaker 3>there for about four hours with Victoria once and we

0:27:35.200 --> 0:27:38.760
<v Speaker 3>had the most amazing wine and everything about that restaurant

0:27:38.760 --> 0:27:39.680
<v Speaker 3>and the palm free.

0:27:39.560 --> 0:27:41.960
<v Speaker 2>The little potatoes.

0:27:41.720 --> 0:27:46.280
<v Speaker 3>The bread, and everything about. It's just unbelievable.

0:27:46.359 --> 0:27:49.000
<v Speaker 2>When you go to a restaurant, what do you look

0:27:49.040 --> 0:27:51.639
<v Speaker 2>for it? Do you look for the food, the atmosphere,

0:27:51.840 --> 0:27:54.480
<v Speaker 2>the people, the energy.

0:27:55.240 --> 0:27:59.000
<v Speaker 26>I look for the vibe Darren Walker and the vibe

0:27:59.040 --> 0:28:05.800
<v Speaker 26>to meet lutes. What does it smell like? What does

0:28:05.840 --> 0:28:10.640
<v Speaker 26>the menu look like? What is the decor? I mean

0:28:10.720 --> 0:28:17.360
<v Speaker 26>for me, I really like energy. Some people, for example, say, oh,

0:28:17.400 --> 0:28:18.720
<v Speaker 26>this restaurant's too loud.

0:28:19.320 --> 0:28:19.720
<v Speaker 12>I don't know.

0:28:19.800 --> 0:28:23.640
<v Speaker 26>I like a loud restaurant. If I want an intimate dinner, yes,

0:28:24.280 --> 0:28:28.959
<v Speaker 26>I'll choose something that is quiet with very little background noise.

0:28:29.760 --> 0:28:34.120
<v Speaker 26>But if I want to have a great evening, I'll

0:28:34.119 --> 0:28:36.359
<v Speaker 26>book a table at Balthasar Or.

0:28:36.440 --> 0:28:42.520
<v Speaker 27>It's loud, it's boisterous. It feels like New York on steroids.

0:28:43.880 --> 0:28:47.479
<v Speaker 27>That's why I live in New York to drink New

0:28:47.560 --> 0:28:48.960
<v Speaker 27>York from the fire hose.

0:28:49.800 --> 0:28:53.480
<v Speaker 2>Jude Law filmed The Talented Mister Ripley in Italy. What

0:28:53.600 --> 0:28:55.720
<v Speaker 2>was it like being in Positana? Did you stay there

0:28:55.720 --> 0:28:56.719
<v Speaker 2>when you were doing Ripley?

0:28:56.800 --> 0:28:58.120
<v Speaker 14>Was that was that?

0:28:58.560 --> 0:29:05.120
<v Speaker 7>We want that so long? And my memory of Ripley

0:29:05.800 --> 0:29:08.120
<v Speaker 7>is more on the island of Iskia.

0:29:08.240 --> 0:29:13.400
<v Speaker 28>Oh, I've never been there, Yeah, just off Naples and

0:29:13.520 --> 0:29:18.240
<v Speaker 28>next to Caprian Prody that and we found this extraordinary

0:29:18.240 --> 0:29:21.640
<v Speaker 28>restaurant right on the sea and it was almost as

0:29:21.640 --> 0:29:23.280
<v Speaker 28>if they could sort of fish out of.

0:29:23.280 --> 0:29:25.800
<v Speaker 7>The back window and cook what they caught.

0:29:25.880 --> 0:29:26.160
<v Speaker 28>You know.

0:29:26.400 --> 0:29:28.280
<v Speaker 7>We just sort of as a crew took that over

0:29:28.320 --> 0:29:32.800
<v Speaker 7>and it became the sort of heart of the film

0:29:32.840 --> 0:29:35.800
<v Speaker 7>really where everyone would congregate there after a day shooting

0:29:35.960 --> 0:29:40.040
<v Speaker 7>and eat wonderful fresh fish food.

0:29:40.640 --> 0:29:42.760
<v Speaker 13>Something that's really nice and Ghana now is it's all

0:29:42.760 --> 0:29:45.960
<v Speaker 13>about chefs making food in their homes, especially during this

0:29:46.040 --> 0:29:48.440
<v Speaker 13>COVID times for just like for just two or three.

0:29:48.320 --> 0:29:51.320
<v Speaker 2>People, the architect David Aja, and.

0:29:51.240 --> 0:29:54.120
<v Speaker 13>That's been kind of amazing to experience. You just get

0:29:54.200 --> 0:29:56.200
<v Speaker 13>like half a dozen people invited and it's in the

0:29:56.240 --> 0:29:58.959
<v Speaker 13>garden because the weather is so great. It's socially distanced

0:29:59.000 --> 0:29:59.560
<v Speaker 13>in the garden.

0:29:59.760 --> 0:29:59.960
<v Speaker 28>You know.

0:30:00.000 --> 0:30:02.160
<v Speaker 13>As a chef called Selassian, she has a kind of

0:30:02.200 --> 0:30:05.080
<v Speaker 13>pop up Comandoonia. She's doing incredible things with Gannian food.

0:30:05.760 --> 0:30:07.720
<v Speaker 13>So she's been a kind of whenever she does a

0:30:07.800 --> 0:30:10.520
<v Speaker 13>real run to go eat. So this idea of like

0:30:10.640 --> 0:30:13.240
<v Speaker 13>eating in a place where you know where somebody really

0:30:13.480 --> 0:30:15.120
<v Speaker 13>you know, I think the best way to describe, is

0:30:15.160 --> 0:30:17.160
<v Speaker 13>that where the food is hard, you know, it's not

0:30:17.280 --> 0:30:21.040
<v Speaker 13>just product, not just stuff like exactly what you do.

0:30:21.160 --> 0:30:23.520
<v Speaker 13>You sort of taught the world that Ruthie and I

0:30:23.520 --> 0:30:27.160
<v Speaker 13>think it's it's going around. I see versions of you

0:30:27.200 --> 0:30:30.080
<v Speaker 13>in the younger generations all around as they try to

0:30:30.480 --> 0:30:33.360
<v Speaker 13>really connect with food in a much more powerful way.

0:30:33.640 --> 0:30:35.760
<v Speaker 2>I think that is, you know, what does it mean

0:30:35.840 --> 0:30:37.760
<v Speaker 2>to go to a restaurant? What does it mean to

0:30:38.680 --> 0:30:42.040
<v Speaker 2>go with your friends? And something we've all missed enormously,

0:30:42.760 --> 0:30:45.479
<v Speaker 2>certainly when people have come back to the River Cafe

0:30:45.640 --> 0:30:48.680
<v Speaker 2>having been away for so long, it's quite emotion being

0:30:48.720 --> 0:30:49.600
<v Speaker 2>in a room with people.

0:30:49.640 --> 0:30:49.920
<v Speaker 3>Do that.

0:30:50.000 --> 0:30:51.920
<v Speaker 2>Is there a certain restaurant you'd like or don't like

0:30:51.960 --> 0:30:53.680
<v Speaker 2>it that you feel comfortable in.

0:30:54.200 --> 0:30:57.200
<v Speaker 13>Yeah, I'm very specific about the kinds of places that

0:30:57.280 --> 0:30:58.320
<v Speaker 13>I like and don't like.

0:30:58.520 --> 0:31:00.800
<v Speaker 2>Yeah, let's go for the positive. What do you like

0:31:00.880 --> 0:31:01.560
<v Speaker 2>in a restaurant?

0:31:01.840 --> 0:31:04.120
<v Speaker 13>I like it to have a certain kind of authenticity,

0:31:04.720 --> 0:31:08.400
<v Speaker 13>to feel like it's not trying to bamboozle me with effects,

0:31:08.920 --> 0:31:12.280
<v Speaker 13>but it's confident in itself and it's trying to reflect

0:31:12.280 --> 0:31:13.680
<v Speaker 13>a little bit of what its culture is.

0:31:14.040 --> 0:31:16.920
<v Speaker 2>And what about designing, Because you're in art you've designed, Yeah,

0:31:17.040 --> 0:31:20.280
<v Speaker 2>public buildings, restaurants, have you designed.

0:31:19.800 --> 0:31:22.480
<v Speaker 13>That you I haven't designed a restaurant yet, but I'm

0:31:22.560 --> 0:31:25.800
<v Speaker 13>right now designing the restaurant for Princeton Art Museum. That's

0:31:25.880 --> 0:31:27.760
<v Speaker 13>that's probably the closest I'm getting to my first ever

0:31:27.800 --> 0:31:29.800
<v Speaker 13>a restaurant. Actually, ironically, do you.

0:31:29.720 --> 0:31:30.600
<v Speaker 2>Know what it will be like?

0:31:30.840 --> 0:31:32.120
<v Speaker 19>The restaurant in the museum.

0:31:32.800 --> 0:31:36.200
<v Speaker 13>Yeah, it's trying to really the things I said have

0:31:36.240 --> 0:31:38.560
<v Speaker 13>a certain kind of quality that has a certain sort

0:31:38.560 --> 0:31:40.440
<v Speaker 13>of openness. It kind of has its own terrace, so

0:31:40.480 --> 0:31:43.200
<v Speaker 13>it's open onto a really beautiful terrast that overlooks the grounds.

0:31:43.760 --> 0:31:45.960
<v Speaker 13>Trying to make it feel not in any way that

0:31:46.040 --> 0:31:49.640
<v Speaker 13>it's exclusive, but it has a kind of egalitarian quality.

0:31:49.680 --> 0:31:52.600
<v Speaker 13>But it's really good quality. There's a kind of quality

0:31:52.640 --> 0:31:55.080
<v Speaker 13>in the kind of pieces that are around you, the

0:31:55.080 --> 0:31:56.800
<v Speaker 13>things that you touch, the things that you kind of

0:31:56.800 --> 0:31:59.200
<v Speaker 13>got next to. But it also kind of honors the

0:31:59.280 --> 0:32:02.120
<v Speaker 13>idea of food that it has a certain ritual quality

0:32:02.160 --> 0:32:03.920
<v Speaker 13>to it as well. I think that that's really lovely.

0:32:03.960 --> 0:32:06.200
<v Speaker 13>You know a restaurant that it feels like a ritual.

0:32:06.920 --> 0:32:09.880
<v Speaker 2>You come usually on a Wednesday or Thursday. You always

0:32:09.880 --> 0:32:12.360
<v Speaker 2>sit on table for and you always sit at the

0:32:12.360 --> 0:32:14.680
<v Speaker 2>same seat, and I was just wondering how you feel

0:32:14.720 --> 0:32:16.600
<v Speaker 2>about restaurants and food.

0:32:16.640 --> 0:32:20.320
<v Speaker 11>Well, I love restaurants. I've owned a couple, Michael Kaine Again,

0:32:20.640 --> 0:32:24.120
<v Speaker 11>I don't use restaurants for occasions, restaurants for a part

0:32:24.200 --> 0:32:24.760
<v Speaker 11>of my life.

0:32:26.240 --> 0:32:27.400
<v Speaker 2>Tell us about Jason's.

0:32:27.720 --> 0:32:32.040
<v Speaker 11>Jason's was almost like a club. I should go there

0:32:32.080 --> 0:32:36.120
<v Speaker 11>every Friday and you look around the room and Alfred

0:32:36.200 --> 0:32:39.320
<v Speaker 11>Hitchcock was always sitting there. Kerry Grant was over there,

0:32:39.920 --> 0:32:43.160
<v Speaker 11>you know, and it was one of those incredible places.

0:32:43.240 --> 0:32:47.680
<v Speaker 11>You know, the stars everywhere, just all the movie stars

0:32:47.720 --> 0:32:49.520
<v Speaker 11>I've been seeing in movies all my life.

0:32:50.960 --> 0:32:54.040
<v Speaker 2>The restaurant I know best is, of course, the River Cafe.

0:32:54.480 --> 0:32:58.320
<v Speaker 2>And in the next episode, I'll be talking to executive

0:32:58.400 --> 0:33:03.120
<v Speaker 2>chefs Sean Renoan and Joseph Travelli. We'll also hear more

0:33:03.160 --> 0:33:06.080
<v Speaker 2>food memories and stories from my guests at Table four

0:33:06.480 --> 0:33:09.479
<v Speaker 2>as we talk about the joy, the comfort, and the

0:33:09.480 --> 0:33:13.560
<v Speaker 2>politics of food. To play us out, here's Rag and

0:33:13.600 --> 0:33:19.840
<v Speaker 2>Bone mass. You make me have me when skies are great?

0:33:21.080 --> 0:33:26.560
<v Speaker 20>You love knowd how much I love you?

0:33:26.640 --> 0:33:30.200
<v Speaker 2>Please don't my son shine?

0:33:30.320 --> 0:33:30.360
<v Speaker 13>No?

0:33:36.280 --> 0:33:36.960
<v Speaker 20>You want to come on.

0:33:37.080 --> 0:33:46.320
<v Speaker 2>Tour to visit the online shop of the River Cafe.

0:33:46.680 --> 0:33:51.440
<v Speaker 2>Go to shop the Rivercafe dot co dot UK.

0:33:53.400 --> 0:33:56.280
<v Speaker 1>River Cafe Table four is a production of iHeartRadio and

0:33:56.280 --> 0:34:01.480
<v Speaker 1>Adami Studios. For more podcasts from iHeartRadio, visit the iHeartRadio app,

0:34:01.640 --> 0:34:04.600
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.