WEBVTT - Frenemies

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<v Speaker 1>Sabrina Will, did you have any friends that weren't really

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<v Speaker 1>friends that were then enemies that were then for I

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<v Speaker 1>don't even want to use the word yet, I'm just

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<v Speaker 1>wondering if you had.

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<v Speaker 2>Yeah, of course you do. I think remember I had

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<v Speaker 2>like different lives, right. I had girls that when I

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<v Speaker 2>was auditioning, especially in the dance world, that we were

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<v Speaker 2>cool because we would book things together and we work together,

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<v Speaker 2>and we'd see each other on auditions all the time dancing.

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<v Speaker 2>But like when it came to the actual audition part

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<v Speaker 2>in the beginning, the lobby, while we're waiting to get in, right,

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<v Speaker 2>you're cool, You're hanging out like, oh you want sharing

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<v Speaker 2>snacks things like that, right, yeah, And then you get

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<v Speaker 2>into the audition and it's like game on. And you know,

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<v Speaker 2>especially when you had somebody who looked a lot like

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<v Speaker 2>you, you know you it was like you loved them and

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<v Speaker 2>you wanted them to get them. But if it was

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<v Speaker 2>going to be them or you, it had to be you,

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<v Speaker 2>black guy exactly. Yeah, there were times where you know,

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<v Speaker 2>if someone was going to take the job from you,

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<v Speaker 2>it was that person.

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<v Speaker 1>Was it cut through? I mean, was it ever like

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<v Speaker 1>oh my god.

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<v Speaker 2>You know it was more so cut through. I feel

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<v Speaker 2>like with some of the stage mom life on the

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<v Speaker 2>dance tample is so real. It's so so real. Mom's that.

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<v Speaker 2>I mean. My dad was always the one that was

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<v Speaker 2>with me, and he would just say, don't you let

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<v Speaker 2>that mom psych you out? Don't you Oh you they

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<v Speaker 2>really care cry oh yeah, oh you know, Sabrina, they're

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<v Speaker 2>only taking twelve and I heard there's only room for

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<v Speaker 2>two brunettes, you know, and it's like, wow, okay, okay.

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<v Speaker 2>You know, my dad would be like, don't you let

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<v Speaker 2>them psych you out. If there's gonna be two bernttes,

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<v Speaker 2>you're gonna be number one. So you just go out

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<v Speaker 2>there and do your thing. You know. My dad had

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<v Speaker 2>to like help me like kind of maintain the mental

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<v Speaker 2>state of what it is. But you know, I think

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<v Speaker 2>in school it's different because there's really not supposed to

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<v Speaker 2>be any kind of competitive drive. School it was you

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<v Speaker 2>were friends with everyone. But I think the hardest part

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<v Speaker 2>was frenemies were more so like friends that you were

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<v Speaker 2>really close with and then for whatever reason that friendship

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<v Speaker 2>kind of went away and a new friend came along

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<v Speaker 2>or whatever it was. But it wasn't like a competitive

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<v Speaker 2>thing that I think a lot of times happens.

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<v Speaker 1>You can also notice it a lot with girls sometimes,

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<v Speaker 1>like you would always see the girls that would do

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<v Speaker 1>the big out hug, like they'd hug each other to

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<v Speaker 1>the top, but their way.

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<v Speaker 2>Out of the voices get a little higher exactly.

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<v Speaker 1>Where guys just like you or they fight, that's just okay.

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<v Speaker 2>So I was going to ask you, did you have

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<v Speaker 2>any friends out you have.

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<v Speaker 1>Friends or you have enemies? You don't, there's no there's

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<v Speaker 1>because very little fakeness with with younger guys where it's

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<v Speaker 1>like I'm gonna fake this friendship. It's you, I like

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<v Speaker 1>you or I don't like you. It's yeah, kind of

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<v Speaker 1>very straightforward. I don't know which one's healthier.

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<v Speaker 2>Frankly, I honestly I don't either. I think what's nice

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<v Speaker 2>about watching guy friendships too, was like you were right

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<v Speaker 2>if there was a problem, you know, I don't I

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<v Speaker 2>didn't don't necessarily love that I had to be a

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<v Speaker 2>physical altercation. But it was like once it got out

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<v Speaker 2>of their systems, they were settled. They either went their

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<v Speaker 2>separate ways or it was settled in some where.

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<v Speaker 3>Girls man that last for years, right, girl, I remember

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<v Speaker 3>in high school, I would see girls and like after

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<v Speaker 3>I was like done with college and like had already

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<v Speaker 3>done the Cheetah girls and all that and stuff, and

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<v Speaker 3>then you know, pops up and they're still going.

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<v Speaker 1>Now I've ever been in my life everything Landa, Oh,

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<v Speaker 1>don't get me started. I was just in a good mood, Sabrita. No,

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<v Speaker 1>the only fist fight I've ever had in my life

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<v Speaker 1>was with Andy Foss at the library. We fought, he

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<v Speaker 1>won that night. We were at a party. We were

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<v Speaker 1>friends before and after. It's just the way boys are

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<v Speaker 1>very very strange. Wow, oh my, well, everybody, welcome back

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<v Speaker 1>to Magical Rewind, the show that makes you want to

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<v Speaker 1>grab your friends, your pjs and your popcorn and go

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<v Speaker 1>back to a time and all the houses were marched,

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<v Speaker 1>the wave tsunamis and I was getting beaten up behind

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<v Speaker 1>a library. I'm Wilfred Andy and.

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<v Speaker 2>Of Sabrina Brian.

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<v Speaker 1>This week on Magical Rewind, we love the drama. We're

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<v Speaker 1>ready to spill all the teenage tea with twenty twelves

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<v Speaker 1>teen comedy anthology Frenemies. First, Sabrina, were you aware of

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<v Speaker 1>what an anthology film was and that this was an

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<v Speaker 1>anthology film before we went in.

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<v Speaker 2>I did not. I did not enlighten me unlike Nah,

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<v Speaker 2>I didn't know that it was one. I don't even

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<v Speaker 2>know what you're talking about. Enlighten me, miss so well.

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<v Speaker 1>Anthology movies consists of multiple short stories seen over one movie,

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<v Speaker 1>often connected by a common theme or framing device. Some

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<v Speaker 1>famous anthologies include creep Show, Pulp Fiction, Twilight Zone, the

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<v Speaker 1>movie The Ballad of Buster Scrubs. There's plenty out there.

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<v Speaker 1>I would also put in even though they're comedic sketches,

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<v Speaker 1>stuff like Amazon Women on the Moon, so it's like

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<v Speaker 1>different sketches altogether that might have one through line going

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<v Speaker 1>through that as an anthology, and.

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<v Speaker 2>I had because that would have saved me lots and

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<v Speaker 2>lots of minutes of being very freaking confused, I.

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<v Speaker 1>Used by what's going on. So well, let's get into it.

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<v Speaker 1>Let's see if we can untie some of both of

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<v Speaker 1>our confusion. Because Frenemies was based on the novel the

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<v Speaker 1>same name by author Alexi Young, but the term Frenemies

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<v Speaker 1>actually was coined all the way back in nineteen fifty

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<v Speaker 1>three by American gossip colonists the famous Walter Winchell, who

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<v Speaker 1>used it to describe the tense relationship between the United

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<v Speaker 1>States and the Soviet Union frenemies. The movie debuted on

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<v Speaker 1>the Disney Channel on January thirteenth, twenty twelve, and were

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<v Speaker 1>shot in Toronto, Canada. Yes, Worry are back in Canada.

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<v Speaker 1>People using flip the coin and at Canadian heads using

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<v Speaker 1>local school our Lady Queen of the World Catholic Academy

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<v Speaker 1>say that five times fast where their actual students were

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<v Speaker 1>background actors, and in this case something rare occurred. While

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<v Speaker 1>in Canada. Usually the production companies do a great job

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<v Speaker 1>transforming the Great North to look like anywhere they want.

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<v Speaker 1>I you know, throw your gaze to every movie we've

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<v Speaker 1>talked about. My date with the President's daughter is in Washington,

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<v Speaker 1>d C. Girls was where New York City. It can

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<v Speaker 1>be anywhere and they never you never know. But in

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<v Speaker 1>some scenes in this movie you can actually see Conservative

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<v Speaker 1>Party of Canada general election signs in the background. So

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<v Speaker 1>you can run, but you cannot hide from Canada in

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<v Speaker 1>the end. It was a very rare mistake, but one

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<v Speaker 1>that was fun to see. It had a large audience

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<v Speaker 1>for the premiere, actually clocking in four point two million

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<v Speaker 1>viewers domestically, with a huge international rollout as well with

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<v Speaker 1>promos in Ireland, the UK, South Africa, and the Philippines

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<v Speaker 1>who knew Team Gossip was so universally understood. Also, for

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<v Speaker 1>all you true Rewinders out there, this was the last

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<v Speaker 1>dcom to end with the two thousand and seven Disney

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<v Speaker 1>Channel original logo. Since Radio Rebel was a co production

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<v Speaker 1>with a Canadian company, this one got that distinction. One

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<v Speaker 1>other common thread in analogy movies is a very large cast,

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<v Speaker 1>since we're seeing many stories, each with their own group

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<v Speaker 1>of actors, and for Disney, this is obviously a perfect

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<v Speaker 1>way to spotlight a ton of their homegrown talent, especially

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<v Speaker 1>one that was on a meteor rise throughout Hollywood and

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<v Speaker 1>I think you know who that is. Also, with a

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<v Speaker 1>cast this big, it will create a bit of a

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<v Speaker 1>summer camp feeling when they film out of the country,

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<v Speaker 1>especially tons of teens just filming a movie together. And reportedly,

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<v Speaker 1>and this is really cool, the lead actresses all had

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<v Speaker 1>slumber parties while shooting. Is not cute. And as usual,

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<v Speaker 1>Frenemies is on Disney Plus for your viewing pleasure, So

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<v Speaker 1>stream it now or wait after you hear our opinions.

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<v Speaker 1>If you aren't sure how you want to do it,

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<v Speaker 1>ask a teacher, ask a local priest. Whoever you trust,

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<v Speaker 1>they'll help you out, but make sure that you really

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<v Speaker 1>trust them, Sabrina, had you heard of Frenemies before it

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<v Speaker 1>became required homework viewing for our lovely podcast?

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<v Speaker 2>The only thing I knew about Frenemies was that had

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<v Speaker 2>our amazing lead actress in it, or one of them.

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<v Speaker 2>There's two of them. I didn't know the second one,

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<v Speaker 2>but the first one I did, and I was excited

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<v Speaker 2>to watch. I am a huge fan. Actually not a

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<v Speaker 2>big fan of hers when, like I said two thousand

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<v Speaker 2>and seven, that time wasn't really a time where I

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<v Speaker 2>was watching a lot of Disney Channel. But I am

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<v Speaker 2>a fan of as she's grown into her now adult

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<v Speaker 2>career and will literally watch her in anything I don't care,

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<v Speaker 2>I will purchase, I will do it all just to

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<v Speaker 2>see her because she's a shining star.

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<v Speaker 1>She she really does light up the screen. I'd never

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<v Speaker 1>heard of it, obviously, Yeah, but let's get to our

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<v Speaker 1>synopsis for the people out there that haven't heard of

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<v Speaker 1>it and for the people that have. Frenemies follows three

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<v Speaker 1>intertwined stories of friends whose relationships are tested and as

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<v Speaker 1>conflicts arise, each duo must decide whether their friendship is

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<v Speaker 1>worth saving or if they're better off as enemies, which

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<v Speaker 1>is something Sabrina and I plan on doing at the

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<v Speaker 1>end of this episode, to stick around and find out

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<v Speaker 1>if we stay friends or not. All right, Early thoughts

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<v Speaker 1>on the movie, Sabrina, what did you think of friend?

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<v Speaker 2>I had a hard time with the stagnant story changes

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<v Speaker 2>and things like that. I think if I knew that

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<v Speaker 2>going in, it would have been a little bit more.

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<v Speaker 2>But for me, I was trying to figure out what

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<v Speaker 2>the hell's going on, how these characters relate to each other.

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<v Speaker 2>It was really tough. I mean to the point where

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<v Speaker 2>I got twelve minutes in I paused it and went, shit,

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<v Speaker 2>I'm watching the wrong one. It has to be the

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<v Speaker 2>wrong one.

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<v Speaker 1>Zanda has not come on.

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<v Speaker 2>The scene yet. Where is this? Like I literally I

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<v Speaker 2>was so confused, and so I stopped it. I like

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<v Speaker 2>turned my app on and off like everything on my

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<v Speaker 2>TV to just figure out what why this was not

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<v Speaker 2>going correctly. I wasted lots of time with it, realized Okay,

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<v Speaker 2>this is it because she's you know. It was. It

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<v Speaker 2>was confusing, So I was like kind of irritated at

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<v Speaker 2>the beginning of it, halfway through that first of the

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<v Speaker 2>three segments, and then you know, it really wasn't as

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<v Speaker 2>much each of the segments were. But again I was

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<v Speaker 2>trying to figure out how this all, this one thing

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<v Speaker 2>was going to turn out to be one big movie,

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<v Speaker 2>and then also waiting for the musical production that I

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<v Speaker 2>knew was going to happen, and that just wasn't coming

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<v Speaker 2>around for a very long time.

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<v Speaker 1>Yeah, what about you? Not a good movie?

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<v Speaker 4>Come on?

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<v Speaker 1>This was? It starts as a kid being mean to

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<v Speaker 1>his dog, and then then it's the middle story is

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<v Speaker 1>a story that doesn't matter in any way, shape or form.

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<v Speaker 1>There's no repercussions for anything that happens. And then the

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<v Speaker 1>last one, they're all dancing again without actually knowing anything

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<v Speaker 1>about it, and it comes out of nowhere.

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<v Speaker 2>Well none of them are singing though, Like this is

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<v Speaker 2>a full just like dance.

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<v Speaker 1>This is a weird movie thing.

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<v Speaker 2>I actually like that would like made it a little

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<v Speaker 2>bit better for me than made for you, because it

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<v Speaker 2>was Yeah, I just I of course I love musical members,

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<v Speaker 2>so yes.

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<v Speaker 1>I know at least have some context to a musical note.

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<v Speaker 2>Really really really had a hard time with the dog

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<v Speaker 2>being mistreated.

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<v Speaker 1>Don't get me start the second anybody's upset with the dog.

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<v Speaker 1>It's like that that one comic dog.

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<v Speaker 2>Was one of my first three diseases. I'm obsessed with

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<v Speaker 2>this dog. This dog has to be getting paid millions

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<v Speaker 2>of dollars.

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<v Speaker 1>This dog is.

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<v Speaker 2>Trained.

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<v Speaker 1>But it reminded me of the comic who said he's

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<v Speaker 1>like the first time I saw John Wick, he was like, seriously,

0:11:02.960 --> 0:11:06.120
<v Speaker 1>this guy's killing everybody because they hurt his dog. He

0:11:06.120 --> 0:11:07.679
<v Speaker 1>goes and then I got a dog, and I'd kill

0:11:07.679 --> 0:11:09.920
<v Speaker 1>everybody in front of me, if everybody and so it's like,

0:11:10.000 --> 0:11:12.440
<v Speaker 1>you're mean to this dog. Oh yeah, I was not.

0:11:12.720 --> 0:11:13.160
<v Speaker 1>I know.

0:11:13.360 --> 0:11:16.679
<v Speaker 2>I had a really hard time with that party. I mean,

0:11:16.760 --> 0:11:19.560
<v Speaker 2>talk about hating a character so much.

0:11:19.640 --> 0:11:24.040
<v Speaker 3>It was poor girl, super cute, super cute girl hated her.

0:11:24.240 --> 0:11:27.720
<v Speaker 1>Okay, Well, anyway, we somehow luckily have avoided Paul Hoan

0:11:27.760 --> 0:11:30.280
<v Speaker 1>this week. Not luckily because Paul's amazing, but we got

0:11:30.280 --> 0:11:32.160
<v Speaker 1>no Paul hoe enjoined this week and have a brand

0:11:32.240 --> 0:11:35.120
<v Speaker 1>new director, a woman by the name of Daisy von

0:11:35.640 --> 0:11:38.960
<v Speaker 1>Schurler Mayer. Von Schurler Mayer began her career with the

0:11:39.000 --> 0:11:42.040
<v Speaker 1>movie Party Girl, a nineteen ninety five indie darling about

0:11:42.040 --> 0:11:44.520
<v Speaker 1>the rave scene that helped establish Parker Posey as a

0:11:44.520 --> 0:11:46.960
<v Speaker 1>star of the scene. The film won the Grand Jury

0:11:46.960 --> 0:11:49.439
<v Speaker 1>Prize at Sundance, which is a very big deal. So

0:11:49.600 --> 0:11:52.160
<v Speaker 1>this hiring was really cool for Disney to go with

0:11:52.200 --> 0:11:54.920
<v Speaker 1>this kind of hip young movie. Definitely more artsy than

0:11:54.920 --> 0:11:58.040
<v Speaker 1>they tend to go. Daisy also directed the movie Madeline

0:11:58.040 --> 0:12:01.600
<v Speaker 1>before transitioning into TV, or at Madeline either way. Before

0:12:01.640 --> 0:12:04.720
<v Speaker 1>transitioning into TV, where she established herself as a real powerhouse,

0:12:04.720 --> 0:12:06.960
<v Speaker 1>she is still killing it today. She's worked on shows

0:12:06.960 --> 0:12:11.280
<v Speaker 1>like Madmen, Shameless, Ray Donovan, Yellowjackets, and Inventing Anna. Quite

0:12:11.360 --> 0:12:14.400
<v Speaker 1>a list, and it's also quite a cast. So let's

0:12:14.400 --> 0:12:17.920
<v Speaker 1>start listening. We've got Young Zendia as Halle Brandon. Zendeia

0:12:17.960 --> 0:12:20.800
<v Speaker 1>has become the modern face of Disney Evolution, turning her

0:12:20.880 --> 0:12:24.280
<v Speaker 1>once child acting career into a massive Hollywood brand. She

0:12:24.400 --> 0:12:26.640
<v Speaker 1>was best known as Rocky Blue, one of the stars

0:12:26.640 --> 0:12:29.320
<v Speaker 1>of Disney Shake it Up, with small roles on Good Luck,

0:12:29.400 --> 0:12:32.640
<v Speaker 1>Charlie and Ant Farm. But this is the true definition

0:12:32.720 --> 0:12:35.600
<v Speaker 1>of a homegrown Disney superstar in the tradition of Miley cyrus,

0:12:35.600 --> 0:12:38.319
<v Speaker 1>Selena Gomez and of course Sabrina Carpenter. And like all

0:12:38.360 --> 0:12:41.440
<v Speaker 1>three of those ladies. Zendeia also did have the Hollywood

0:12:41.480 --> 0:12:43.840
<v Speaker 1>Records pop Star push during this time as well, releasing

0:12:43.880 --> 0:12:46.080
<v Speaker 1>a ton of music. But Zendeia went on to be

0:12:46.080 --> 0:12:48.960
<v Speaker 1>one of Hollywood's biggest names in movies and TV, starring

0:12:48.960 --> 0:12:51.600
<v Speaker 1>in not only the Spider Man franchise, but The Greatest Showman,

0:12:51.920 --> 0:12:55.679
<v Speaker 1>Dune Challengers, and the HBO show Euphoria, which she won

0:12:55.720 --> 0:12:57.880
<v Speaker 1>two Emmys for for Best Actress in a Drama Series

0:12:57.920 --> 0:13:02.440
<v Speaker 1>and made me super glad I never had children. Oh god,

0:13:02.480 --> 0:13:04.080
<v Speaker 1>all the stuff they're doing in there. I'm like, I'm

0:13:04.080 --> 0:13:06.760
<v Speaker 1>glad my stepdaughter's older than this and I never had

0:13:06.760 --> 0:13:09.080
<v Speaker 1>to deal with kids doing whatever the hell they're doing

0:13:09.120 --> 0:13:10.560
<v Speaker 1>on that show. No, thank you.

0:13:11.320 --> 0:13:17.679
<v Speaker 2>She is glorious. I am a gienormous Sendaa fan.

0:13:17.679 --> 0:13:18.160
<v Speaker 1>She's great.

0:13:18.200 --> 0:13:20.800
<v Speaker 2>This list does it even talk about her time on

0:13:20.880 --> 0:13:23.480
<v Speaker 2>Dancey with the Stars, which she freaking rocked.

0:13:23.559 --> 0:13:25.280
<v Speaker 1>Oh my gosh, did anyone know she did.

0:13:25.720 --> 0:13:30.360
<v Speaker 2>Contestants they've had on the show only crap. She was amazing. Okay,

0:13:30.480 --> 0:13:32.160
<v Speaker 2>I did not know that she was so good. Yes,

0:13:32.240 --> 0:13:33.400
<v Speaker 2>I am a huge fan of her.

0:13:33.480 --> 0:13:33.800
<v Speaker 4>Okay.

0:13:34.200 --> 0:13:37.040
<v Speaker 1>Next, we've got Bella Thorn is Avalon Green. Thorn was

0:13:37.040 --> 0:13:39.240
<v Speaker 1>Inda's co star and Shake it Up. So Disney knew

0:13:39.240 --> 0:13:42.000
<v Speaker 1>this partnership well and they obviously knew it would work.

0:13:42.120 --> 0:13:45.120
<v Speaker 1>Thorn is another double threat, releasing music still today alongside

0:13:45.160 --> 0:13:49.920
<v Speaker 1>collaborators like Liam Payne, Olivertree, and Juicy Jay. Thorn would

0:13:49.960 --> 0:13:53.080
<v Speaker 1>also appear in movies like The Duff Blended and Tyler

0:13:53.120 --> 0:13:56.680
<v Speaker 1>Perry's Boo a Medea Halloween, also in TV shows like Dirty,

0:13:56.679 --> 0:14:00.240
<v Speaker 1>Sexy Money and Scream Now. While Zendia's career has gone

0:14:00.280 --> 0:14:03.520
<v Speaker 1>more mainstream, Bella has gone a little more risque. This

0:14:03.600 --> 0:14:06.600
<v Speaker 1>was amazing to me. In twenty twenty, she joined OnlyFans

0:14:07.040 --> 0:14:10.280
<v Speaker 1>and became the first person to ever earn a million

0:14:10.400 --> 0:14:13.560
<v Speaker 1>dollars in her first twenty four hours on the platform,

0:14:13.760 --> 0:14:16.480
<v Speaker 1>a million bucks in a day. She never really released

0:14:16.480 --> 0:14:19.400
<v Speaker 1>anything nude either, which became its own controversy, but Thorn

0:14:19.480 --> 0:14:22.320
<v Speaker 1>has become universally known for pushing the envelope, even directing

0:14:22.320 --> 0:14:25.840
<v Speaker 1>her own adult film, Her and Him. I can promise

0:14:25.920 --> 0:14:27.440
<v Speaker 1>you got to watch it on your own, because we

0:14:27.520 --> 0:14:32.800
<v Speaker 1>will not be covering that movie. No, that's woo. I

0:14:32.800 --> 0:14:34.920
<v Speaker 1>don't even want to know what the reshow chatter for

0:14:34.960 --> 0:14:40.960
<v Speaker 1>that one would be, like, I know know. Now I'm saying,

0:14:41.000 --> 0:14:42.600
<v Speaker 1>now we have to do it because I just want

0:14:42.600 --> 0:14:44.840
<v Speaker 1>to see Sabrina try to recap it. And I'm gonna

0:14:44.880 --> 0:14:46.800
<v Speaker 1>let you do all the recap for it too, because, oh,

0:14:46.880 --> 0:14:49.840
<v Speaker 1>it would be the funniest thing I know. That's why

0:14:49.840 --> 0:14:50.560
<v Speaker 1>it might need to happen.

0:14:50.640 --> 0:14:53.160
<v Speaker 2>My god, oh God.

0:14:52.920 --> 0:14:54.760
<v Speaker 1>I'm guessing we could get the actors to come on

0:14:54.800 --> 0:14:58.480
<v Speaker 1>to interview them. Mary Mouser is Savannah and Emma a

0:14:58.840 --> 0:15:01.400
<v Speaker 1>double duty. Here's it's a big lift for the young actress.

0:15:01.440 --> 0:15:03.800
<v Speaker 1>Mouser is most recognizable now as one of the stars

0:15:03.800 --> 0:15:06.840
<v Speaker 1>of Cobra Kai, playing Samantha LaRusso, but some of our

0:15:06.840 --> 0:15:10.240
<v Speaker 1>listeners may recognize her from the movie Alexander and the Terrible, Horrible,

0:15:10.320 --> 0:15:12.360
<v Speaker 1>No Good, Very Bad Day, which is a great title.

0:15:12.880 --> 0:15:15.320
<v Speaker 1>And Nick Robinson is Jake. Nick was first seen in

0:15:15.360 --> 0:15:17.720
<v Speaker 1>the TV show Melissa and Joey, but is best known

0:15:17.720 --> 0:15:19.960
<v Speaker 1>as the star of the movie Love Simon and the

0:15:20.000 --> 0:15:23.160
<v Speaker 1>spinoff Disney Plus show Love Victor. He also starred in

0:15:23.160 --> 0:15:26.400
<v Speaker 1>movies like the blockbuster Jurassic World he played the Giant Dinosaur,

0:15:26.440 --> 0:15:29.520
<v Speaker 1>and the critically acclaimed TV show Maybe He Might He

0:15:29.600 --> 0:15:31.200
<v Speaker 1>was probably the guy. Actually he might not have been

0:15:31.240 --> 0:15:35.400
<v Speaker 1>the dust. Stephanie Scott plays Julianne Bryan. Scott was the

0:15:35.400 --> 0:15:37.680
<v Speaker 1>star of the previously mentioned Disney show at Farm and

0:15:37.720 --> 0:15:39.880
<v Speaker 1>what is a common theme for many a female star

0:15:39.920 --> 0:15:42.520
<v Speaker 1>in the channel. She's also a singer. You've also seen

0:15:42.560 --> 0:15:45.120
<v Speaker 1>her in movies like Insidious Chapter three and Jim and

0:15:45.120 --> 0:15:48.000
<v Speaker 1>the Holograms. And also we have a lot of great

0:15:48.160 --> 0:15:52.120
<v Speaker 1>Canadian local talent as well, and some that I'm guessing

0:15:52.160 --> 0:15:54.640
<v Speaker 1>were Canadian and weren't that great. There was a couple

0:15:54.720 --> 0:15:56.400
<v Speaker 1>misses in this movie for me where it was like,

0:15:56.880 --> 0:15:59.120
<v Speaker 1>that's not the best acting I've ever seen in my life,

0:15:59.200 --> 0:16:01.840
<v Speaker 1>but not from any the main main cast, that's true.

0:16:02.200 --> 0:16:05.960
<v Speaker 1>But most importantly, Frenemies is per that's my horrible drum

0:16:06.040 --> 0:16:09.960
<v Speaker 1>roll sound. Eighty seven minutes. Oh, we missed the mark

0:16:10.000 --> 0:16:11.600
<v Speaker 1>by three, but still on the right side of history

0:16:11.640 --> 0:16:14.560
<v Speaker 1>because rather short than long, which is not something Bella

0:16:14.640 --> 0:16:20.560
<v Speaker 1>Thorne said while directing her adult movie, like my favorite

0:16:20.880 --> 0:16:23.480
<v Speaker 1>writing credits here are a bit complicated with Frenemies since

0:16:23.520 --> 0:16:26.360
<v Speaker 1>it's broken up into acts, so we have a handful

0:16:26.360 --> 0:16:28.280
<v Speaker 1>of people to mention. It all starts with the book's

0:16:28.280 --> 0:16:30.760
<v Speaker 1>author Alexi Young. Then for all three acts we have

0:16:30.960 --> 0:16:33.600
<v Speaker 1>David Savell, a season TV writer dating back to the

0:16:33.680 --> 0:16:36.480
<v Speaker 1>nineties with credits on Grace, Underfire and Ellen, then moving

0:16:36.480 --> 0:16:39.320
<v Speaker 1>into family television as an EP on That So Raven

0:16:39.360 --> 0:16:41.600
<v Speaker 1>and Sonny with a Chance. Then in Act two we

0:16:41.680 --> 0:16:44.480
<v Speaker 1>have Wendy Weiner, who, per the formula, is the writer

0:16:44.600 --> 0:16:46.440
<v Speaker 1>with very little credits that got paired up with someone

0:16:46.440 --> 0:16:49.360
<v Speaker 1>they trusted. Weiner worked on only two other shows, dating

0:16:49.440 --> 0:16:52.040
<v Speaker 1>Rules for My Future Self and The Talent Show, but

0:16:52.120 --> 0:16:54.920
<v Speaker 1>has not worked in the business since Frenemies. And then

0:16:55.000 --> 0:16:57.960
<v Speaker 1>Act three brought in James Kreig, another prolific writer who

0:16:57.960 --> 0:17:00.000
<v Speaker 1>I have worked with in animation. First, he worked on

0:17:00.040 --> 0:17:02.640
<v Speaker 1>TV shows like Monk and Supernatural, but has become the

0:17:02.680 --> 0:17:05.920
<v Speaker 1>go to writer for cartoon superhero projects like Batman, Lego, DC,

0:17:06.119 --> 0:17:09.240
<v Speaker 1>Green Lantern, and the recent Justice League movies. I was

0:17:09.240 --> 0:17:19.760
<v Speaker 1>in all those. Woo woo. Okay, let's get fashion forward

0:17:19.760 --> 0:17:21.720
<v Speaker 1>with all three acts of Frenemies. But before we do,

0:17:21.800 --> 0:17:24.200
<v Speaker 1>I want to add one more to the list because

0:17:24.200 --> 0:17:26.440
<v Speaker 1>I think this is very important. This movie was also

0:17:26.640 --> 0:17:29.919
<v Speaker 1>cast by two people named Barbie Block and Sally Steiner,

0:17:29.920 --> 0:17:32.200
<v Speaker 1>who also cast a young Wilfred Ell in a show

0:17:32.240 --> 0:17:34.919
<v Speaker 1>called Boy Meets World. So they cast a lot a

0:17:35.000 --> 0:17:36.919
<v Speaker 1>lot of these d cooms. We will have them on

0:17:36.960 --> 0:17:39.440
<v Speaker 1>at some point as well. We have to say they're great,

0:17:39.520 --> 0:17:42.360
<v Speaker 1>So shout out to Barbie and Sally who are amazing.

0:17:42.960 --> 0:17:45.480
<v Speaker 1>So here we go, though with frenemies. We start zoomed

0:17:45.480 --> 0:17:48.119
<v Speaker 1>in on Halleb's iPad, the modern version of seeing our

0:17:48.119 --> 0:17:51.359
<v Speaker 1>main character's bedroom. We quickly learned through narration and images

0:17:51.400 --> 0:17:53.640
<v Speaker 1>on the screen that her and her best friend Avalon

0:17:53.760 --> 0:17:57.679
<v Speaker 1>created the awesome webazine Geekly Chic. Now, for all the

0:17:57.680 --> 0:18:00.560
<v Speaker 1>things that became popular on the internet, webs were not

0:18:00.600 --> 0:18:02.960
<v Speaker 1>one of them. Did you know what a webazine was?

0:18:03.000 --> 0:18:04.560
<v Speaker 1>I mean, other than by the name, Had you ever

0:18:05.600 --> 0:18:08.520
<v Speaker 1>read a webzine on one? Yeah?

0:18:08.600 --> 0:18:11.120
<v Speaker 2>I probably have. I think it was. It was something

0:18:11.200 --> 0:18:13.919
<v Speaker 2>that kind of came in and out really really fast.

0:18:14.240 --> 0:18:18.159
<v Speaker 2>But it was a lot of the different gossip sites

0:18:18.400 --> 0:18:21.800
<v Speaker 2>or magazines kind of went this way very quickly and

0:18:21.840 --> 0:18:24.960
<v Speaker 2>then transitioned out of them into like social media stuff.

0:18:25.320 --> 0:18:25.439
<v Speaker 4>Right.

0:18:25.800 --> 0:18:28.119
<v Speaker 2>But yeah, so I think I probably kept for the

0:18:28.160 --> 0:18:30.439
<v Speaker 2>ones that I randomly kept up, I don't keep up

0:18:30.520 --> 0:18:32.479
<v Speaker 2>that much on it, but I do remember seeing it,

0:18:32.560 --> 0:18:35.640
<v Speaker 2>and then I remember probably going and going where did

0:18:35.680 --> 0:18:35.919
<v Speaker 2>this go?

0:18:36.400 --> 0:18:36.600
<v Speaker 1>Yeah?

0:18:36.640 --> 0:18:38.440
<v Speaker 2>It's no longer here right.

0:18:38.760 --> 0:18:41.080
<v Speaker 1>Well, for all our listeners out there who do not

0:18:41.119 --> 0:18:43.080
<v Speaker 1>know what a webzine is, it is obviously a combination

0:18:43.160 --> 0:18:47.080
<v Speaker 1>of a website and benzene. Geglely Sheik appears to be

0:18:47.119 --> 0:18:50.400
<v Speaker 1>a fashion zcene with articles, blogs and pictures. But were

0:18:50.400 --> 0:18:53.639
<v Speaker 1>told it almost turned best friends into total enemies or

0:18:54.400 --> 0:18:57.920
<v Speaker 1>frenemies the title of the movie. But getting ahead of

0:18:57.920 --> 0:19:00.720
<v Speaker 1>ourselves here, this also happened to another at school too,

0:19:00.800 --> 0:19:03.560
<v Speaker 1>but his bestie wasn't a human, it was a dog.

0:19:04.040 --> 0:19:07.200
<v Speaker 1>So Haley swipes into a new video and boom, we're

0:19:07.240 --> 0:19:09.639
<v Speaker 1>somehow in story one. What do you think of the

0:19:09.640 --> 0:19:12.760
<v Speaker 1>iPad mechanism here, like using that to kind of get

0:19:12.800 --> 0:19:13.000
<v Speaker 1>us in.

0:19:13.200 --> 0:19:14.920
<v Speaker 2>I think it's the best we've seen so far.

0:19:15.600 --> 0:19:17.520
<v Speaker 1>It's not bad. It's not bad.

0:19:17.600 --> 0:19:21.680
<v Speaker 2>I mean, I again, they don't have trillions and trillions

0:19:21.680 --> 0:19:24.920
<v Speaker 2>of dollars to do these dcoms, so you know, the

0:19:25.400 --> 0:19:28.800
<v Speaker 2>bar hasn't been set very high to you know when

0:19:28.840 --> 0:19:31.280
<v Speaker 2>it comes to the graphics. But I think the way

0:19:31.320 --> 0:19:34.480
<v Speaker 2>it went around and kind of popped up like I thought,

0:19:34.480 --> 0:19:37.320
<v Speaker 2>it looked of its time and was the best that

0:19:37.400 --> 0:19:37.920
<v Speaker 2>we've seen.

0:19:38.080 --> 0:19:41.160
<v Speaker 1>In my opinion, I don't disagree. We start with Jake

0:19:41.200 --> 0:19:43.400
<v Speaker 1>sleeping next to his big dog and best friend Murray.

0:19:43.480 --> 0:19:46.000
<v Speaker 1>When his mom calls him down for breakfast. Murray licks

0:19:46.000 --> 0:19:47.879
<v Speaker 1>his owner's face to wake him, but no luck. So

0:19:47.920 --> 0:19:51.680
<v Speaker 1>then Murray wiggles his butt into Jake's face and farts.

0:19:52.280 --> 0:19:54.680
<v Speaker 1>One minute fifteen seconds in, We've got a fart people,

0:19:54.720 --> 0:19:57.359
<v Speaker 1>a new dcom record, And I knew what this movie

0:19:57.400 --> 0:20:00.080
<v Speaker 1>was going to be right from that moment on. And

0:20:00.080 --> 0:20:02.359
<v Speaker 1>this does, of course, jolt Jake awake, forcing him to

0:20:02.359 --> 0:20:04.840
<v Speaker 1>notice he's late. He runs downstairs and eat cereal, right

0:20:04.840 --> 0:20:07.119
<v Speaker 1>next to Murray doing the same thing. Then they both

0:20:07.240 --> 0:20:10.560
<v Speaker 1>belch on minute forty two win, We've got a belch,

0:20:10.600 --> 0:20:12.639
<v Speaker 1>also a new record, and we are off to a

0:20:12.680 --> 0:20:15.880
<v Speaker 1>great and gassy start again. One thing I like about

0:20:15.880 --> 0:20:17.960
<v Speaker 1>most of these D comms is they avoid this kind

0:20:18.000 --> 0:20:20.680
<v Speaker 1>of stuff, the stupid kind of fart jokes and stuff

0:20:20.720 --> 0:20:23.240
<v Speaker 1>like that. So when you're opening with one, I was like, ah,

0:20:23.280 --> 0:20:25.320
<v Speaker 1>here we go. Yikes.

0:20:25.600 --> 0:20:29.080
<v Speaker 2>No, But I thought this dog was so cute. I

0:20:29.160 --> 0:20:31.440
<v Speaker 2>was in love with this dog the second It's great

0:20:31.960 --> 0:20:33.919
<v Speaker 2>he came on the screen. He was so cute.

0:20:34.600 --> 0:20:37.640
<v Speaker 1>Oh yeah, wasn't he? Because it's twenty twelve, that dog

0:20:38.200 --> 0:20:40.800
<v Speaker 1>is long dead. Jake asks his mom if the mail

0:20:40.840 --> 0:20:44.040
<v Speaker 1>has come. He's expecting an award from NASA for outstanding

0:20:44.080 --> 0:20:47.400
<v Speaker 1>work in molecular astrophysics, you know, like all kids do.

0:20:48.119 --> 0:20:49.879
<v Speaker 1>And we're now outside and the two best friends are

0:20:49.880 --> 0:20:52.240
<v Speaker 1>walking together, Murray on his hind legs, using luggage on

0:20:52.280 --> 0:20:54.679
<v Speaker 1>wheels as a walker, you know, like dogs do, and

0:20:54.800 --> 0:20:57.120
<v Speaker 1>Jake reminds him he's not allowed at school, so Murray

0:20:57.200 --> 0:21:00.280
<v Speaker 1>runs off to greet the mailman and recycle the junk

0:21:00.320 --> 0:21:02.280
<v Speaker 1>mail we're supposed to see that this dog is obviously

0:21:02.520 --> 0:21:07.679
<v Speaker 1>like super superhuman doggie powers. Basically. At school, Jake is

0:21:07.680 --> 0:21:10.240
<v Speaker 1>in science class, surrounded by board classmates, and he knows

0:21:10.320 --> 0:21:12.520
<v Speaker 1>everything so much so that everyone wants to be his

0:21:12.560 --> 0:21:16.479
<v Speaker 1>project partner, including Julie, the most beautiful popular girl in school.

0:21:16.800 --> 0:21:19.000
<v Speaker 1>She butters him up, saying people who use people for

0:21:19.040 --> 0:21:21.800
<v Speaker 1>schoolwork are totally lame. He agrees to be her partner,

0:21:21.840 --> 0:21:23.879
<v Speaker 1>and she's gonna come to his house after school. He

0:21:23.920 --> 0:21:27.920
<v Speaker 1>can't believe it. Jay's gonna get some soon after a

0:21:28.000 --> 0:21:30.240
<v Speaker 1>Jake's house, he enters his room with Julianne and immediately

0:21:30.280 --> 0:21:32.239
<v Speaker 1>introduces her to Murray, which is always the hot thing

0:21:32.280 --> 0:21:33.800
<v Speaker 1>to do. Hi, welcome to my house. This is my

0:21:33.840 --> 0:21:36.359
<v Speaker 1>best friend, my dog Murray. Now, as a dog person,

0:21:36.400 --> 0:21:39.240
<v Speaker 1>I love to do that, but it's it's kind of weird.

0:21:39.800 --> 0:21:43.280
<v Speaker 1>Is my best friend exactly? Murray, of course, is a

0:21:43.280 --> 0:21:45.840
<v Speaker 1>good boy, wants to shake her hand. She reluctantly obliges

0:21:45.920 --> 0:21:49.320
<v Speaker 1>and quickly disinfects, and I was like, doesn't like dogs.

0:21:49.720 --> 0:21:51.720
<v Speaker 1>Kick her out out of the house already, get her out,

0:21:52.040 --> 0:21:55.920
<v Speaker 1>big big red flag. Her phone rings and she excuses herself.

0:21:55.960 --> 0:21:58.640
<v Speaker 1>It's two of her cool girl pals. She tells them,

0:21:58.680 --> 0:22:00.400
<v Speaker 1>I'm using this nerd to get myself of a nice

0:22:00.440 --> 0:22:03.920
<v Speaker 1>grade in science. And now we hate her fly good

0:22:03.960 --> 0:22:06.639
<v Speaker 1>news for us. Murray has heard everything and he's growling.

0:22:06.720 --> 0:22:09.000
<v Speaker 1>She now hates the dog even more and quickly goes

0:22:09.040 --> 0:22:12.040
<v Speaker 1>back to Jake, who has started working on a cowpoop

0:22:12.080 --> 0:22:15.359
<v Speaker 1>experiment lots of poop jokes, another hot thing to do

0:22:15.400 --> 0:22:17.639
<v Speaker 1>on a date. Murray is still bothered though, by what

0:22:17.720 --> 0:22:20.479
<v Speaker 1>he heard, so he's blocking Julianne's chair, not letting her

0:22:20.480 --> 0:22:23.240
<v Speaker 1>sit in it. Eventually, Julianne kicks the defeated dog out

0:22:23.280 --> 0:22:26.480
<v Speaker 1>of the room like the real female dog. She is

0:22:27.720 --> 0:22:30.240
<v Speaker 1>Jake's mom. Then makes her way upstairs with a special delivery.

0:22:30.280 --> 0:22:32.680
<v Speaker 1>It's the NASA letter. He tears it open and it's

0:22:32.720 --> 0:22:36.639
<v Speaker 1>the award. Wow, he's basically an astronaut. Julianne comes running out.

0:22:36.640 --> 0:22:39.560
<v Speaker 1>What did she miss? This shocks Jake's mom. Why and

0:22:39.600 --> 0:22:43.840
<v Speaker 1>who is this fluozy in his son's room. Julianne, who

0:22:43.880 --> 0:22:46.040
<v Speaker 1>thought the NASA award was a gift certificate and is

0:22:46.080 --> 0:22:49.720
<v Speaker 1>calling him Jakie, introduces herself. Jake pushes his mom away

0:22:49.760 --> 0:22:51.840
<v Speaker 1>and warns her that Murray has been acting up. He

0:22:51.840 --> 0:22:54.880
<v Speaker 1>doesn't know why. Julianne thinks it's as bad breath as

0:22:54.920 --> 0:22:58.360
<v Speaker 1>the rivalry heats up between her and the pet. Now,

0:22:58.440 --> 0:23:00.199
<v Speaker 1>Jake and Julianna are at the park studying, or at

0:23:00.280 --> 0:23:02.520
<v Speaker 1>least Jake is studying. Julianne is pretending to read a

0:23:02.520 --> 0:23:06.080
<v Speaker 1>magazine called Science Spree, but is hiding a fashion magazine

0:23:06.080 --> 0:23:08.160
<v Speaker 1>inside of it. Jake throws a ball from Murray to fetch,

0:23:08.160 --> 0:23:10.639
<v Speaker 1>and the dog eventually stops to talk to a pretty poodle.

0:23:10.840 --> 0:23:14.080
<v Speaker 1>Beyonce is girlfriend. And that's a real thing because my

0:23:14.160 --> 0:23:17.320
<v Speaker 1>dog Sammy has a boyfriend up the street that she

0:23:17.440 --> 0:23:19.119
<v Speaker 1>loves and they hang out all the time. So that's

0:23:19.119 --> 0:23:23.080
<v Speaker 1>an absolutely real thing. Ye well, well exactly, they're not frienemies.

0:23:23.680 --> 0:23:26.000
<v Speaker 1>Julianne wants to leave the smelly park that is ruining

0:23:26.000 --> 0:23:28.840
<v Speaker 1>her shoes, but Jake says dogs need exercise. Murray then

0:23:28.880 --> 0:23:31.959
<v Speaker 1>drops the ball on Julienne's fifty percent silk dress, and

0:23:32.040 --> 0:23:34.640
<v Speaker 1>she is disgusted. She hurls the ball to the other

0:23:34.680 --> 0:23:36.680
<v Speaker 1>side of the park, showing an arm the Chicago White

0:23:36.680 --> 0:23:39.320
<v Speaker 1>Sox could use this season. What to throw? The ball

0:23:39.359 --> 0:23:42.600
<v Speaker 1>lands in a girl's sketchbook, and this girl is very,

0:23:42.760 --> 0:23:46.679
<v Speaker 1>very nice to the dog. Meanwhile, Julianne suggests that Jakie

0:23:46.800 --> 0:23:50.359
<v Speaker 1>maybe finish the project without her. He's offended, obviously that

0:23:50.400 --> 0:23:52.440
<v Speaker 1>she ditch him, but she says it's because she can't

0:23:52.480 --> 0:23:57.440
<v Speaker 1>even think straight around him. He's just too darn cute, right.

0:23:58.800 --> 0:24:01.199
<v Speaker 1>She assumes he has a girlfriend, but he assures her

0:24:01.240 --> 0:24:03.440
<v Speaker 1>he does not. She then grabs his hand and says,

0:24:03.520 --> 0:24:08.720
<v Speaker 1>then today is your lucky day. Oh no, I'm sorry.

0:24:08.800 --> 0:24:11.639
<v Speaker 2>Hatred just grows, and the hatred grows.

0:24:11.920 --> 0:24:15.240
<v Speaker 1>I was just thinking about Yolanda, though, don't get me started.

0:24:15.280 --> 0:24:18.960
<v Speaker 1>And then he sees Murray he's skateboarding back with the

0:24:18.960 --> 0:24:20.520
<v Speaker 1>ball in his mouth and that nice girl with the

0:24:20.520 --> 0:24:23.399
<v Speaker 1>sketchbook is running beside him. Her name is Savannah, and

0:24:23.520 --> 0:24:26.320
<v Speaker 1>Jake thanks her for bringing his dog back. She recognizes

0:24:26.400 --> 0:24:28.840
<v Speaker 1>Jake from school as a science whiz, and Julianne, his

0:24:28.920 --> 0:24:32.479
<v Speaker 1>new girlfriend, marks her territory, telling Savannah to get lost,

0:24:32.680 --> 0:24:36.080
<v Speaker 1>just flat out just get lost. Savannah skates off casually,

0:24:36.080 --> 0:24:38.600
<v Speaker 1>doing a perfect kickflip on her way out, forcing Jake

0:24:38.600 --> 0:24:40.720
<v Speaker 1>to compare her to Tony Hawk, and this might be

0:24:40.760 --> 0:24:43.160
<v Speaker 1>one of the greatest moments in dcom history. Just a casual,

0:24:43.280 --> 0:24:45.920
<v Speaker 1>very difficult skating trick. As she leaves, no big at all,

0:24:45.960 --> 0:24:49.520
<v Speaker 1>we knew she was super cool. Julianne calls her Tony Gawk,

0:24:50.280 --> 0:24:52.359
<v Speaker 1>which is not at all a well crafted joke because

0:24:52.440 --> 0:24:55.520
<v Speaker 1>Gawk is in an insult. It's just dumb. Why not

0:24:55.760 --> 0:25:00.600
<v Speaker 1>use Phony Hawk, which would have been better anyway, Julianne

0:25:00.600 --> 0:25:03.879
<v Speaker 1>has to leave. It is many petty time. As she leaves,

0:25:03.960 --> 0:25:06.600
<v Speaker 1>Murray growls again and she wishes for him stay out

0:25:06.640 --> 0:25:08.960
<v Speaker 1>of my way, doggo, and he sneezes on her face.

0:25:09.440 --> 0:25:11.159
<v Speaker 1>We are now back at Jack's house. He's sleeping in

0:25:11.200 --> 0:25:12.919
<v Speaker 1>again and Murray is licking his face to wake him up,

0:25:12.920 --> 0:25:17.200
<v Speaker 1>but this time he's fantasizing the tongue is Julianne's, because

0:25:17.240 --> 0:25:19.160
<v Speaker 1>that's what you want from a girlfriend, is to wake

0:25:19.200 --> 0:25:22.480
<v Speaker 1>you by lick at your face. Eventually, Murray farts on

0:25:22.560 --> 0:25:25.680
<v Speaker 1>him again and he wakes up. Once downstairs, Jake shows

0:25:25.680 --> 0:25:28.600
<v Speaker 1>off a new cool dude wardrobe. He's dressed like he's

0:25:28.600 --> 0:25:30.959
<v Speaker 1>in the band, plain white teas, but also wearing Johnny

0:25:30.960 --> 0:25:34.280
<v Speaker 1>Depp scarves. His mom is startled and Murray covers his eyes.

0:25:34.400 --> 0:25:36.720
<v Speaker 1>Jake leaves about even having breakfast with his best dog

0:25:36.760 --> 0:25:39.560
<v Speaker 1>pal because Julianne is waiting for him. When the mail

0:25:39.640 --> 0:25:42.080
<v Speaker 1>is delivered. Rather than just focusing on recycling the junk,

0:25:42.400 --> 0:25:45.040
<v Speaker 1>Murray grabs what looks like a love litter. Jake wants

0:25:45.080 --> 0:25:46.639
<v Speaker 1>him to drop it, but the dog takes it right

0:25:46.680 --> 0:25:48.880
<v Speaker 1>to the toilet and tries to flush it. Then Jake

0:25:48.920 --> 0:25:52.960
<v Speaker 1>looks Murray in the face and says, dumb dog, this

0:25:53.040 --> 0:25:56.840
<v Speaker 1>really hurt my feelings, don't. Then Murray watches Jake leave,

0:25:56.960 --> 0:25:59.880
<v Speaker 1>looking sad as hell. So now you've got this girl

0:25:59.880 --> 0:26:02.399
<v Speaker 1>you hate, You've got a guy who's being mean to dogs,

0:26:02.400 --> 0:26:04.840
<v Speaker 1>And I'm like, don't like this movie. Farting yelling at

0:26:04.840 --> 0:26:07.320
<v Speaker 1>dogs not a great start for me to this film.

0:26:07.520 --> 0:26:10.720
<v Speaker 1>Oh yeah, So now we're back at school and Jake's

0:26:10.760 --> 0:26:14.960
<v Speaker 1>classmates thinks he looks duded up and totally cracking, whatever

0:26:15.000 --> 0:26:17.920
<v Speaker 1>that means. Then we get a story crossover. We see

0:26:17.920 --> 0:26:20.639
<v Speaker 1>the webazine writers Halle and Avalon walk by. They stopped

0:26:20.640 --> 0:26:23.240
<v Speaker 1>dead in their tracks for a fashion intervention, calling the

0:26:23.280 --> 0:26:26.440
<v Speaker 1>Scars a serious faux pa. They say, not even zac

0:26:26.680 --> 0:26:30.280
<v Speaker 1>Efron is worrying them anymore, and they help him out

0:26:30.280 --> 0:26:32.440
<v Speaker 1>with some changes. So this means, and I'm trying to

0:26:32.440 --> 0:26:33.760
<v Speaker 1>figure this out, if this is the first time this

0:26:33.800 --> 0:26:38.120
<v Speaker 1>has happened that High School Musical exists in this universe.

0:26:38.680 --> 0:26:42.560
<v Speaker 1>So is this our first d com that talks about

0:26:43.000 --> 0:26:44.320
<v Speaker 1>somebody from another DCM?

0:26:44.359 --> 0:26:46.520
<v Speaker 2>Is this the first time if it's the first one

0:26:46.720 --> 0:26:49.520
<v Speaker 2>that this happened to, But it's definitely the first one

0:26:49.600 --> 0:26:53.359
<v Speaker 2>we've watched, right, well, I mean except for kind of

0:26:53.440 --> 0:26:56.680
<v Speaker 2>Miley Cyrus showing up in High School Musical two at

0:26:56.680 --> 0:26:57.040
<v Speaker 2>the end.

0:26:57.400 --> 0:26:59.960
<v Speaker 1>Oh right, okay, so this kind of cross.

0:27:00.040 --> 0:27:03.520
<v Speaker 2>So this wasn't like a oh you know, a Miley

0:27:03.560 --> 0:27:06.680
<v Speaker 2>Cyrus fan poster in the back of the room.

0:27:07.000 --> 0:27:10.160
<v Speaker 1>This is them that talking about another d com.

0:27:10.359 --> 0:27:14.639
<v Speaker 2>Actually, stop and go, I wonder why Disney didn't do

0:27:14.680 --> 0:27:17.000
<v Speaker 2>that more often, especially in the D coms. I get her,

0:27:17.000 --> 0:27:19.800
<v Speaker 2>I guess in the shows, but especially in the d coms,

0:27:19.800 --> 0:27:23.560
<v Speaker 2>Like it's kind of like that, that's interesting why they

0:27:23.560 --> 0:27:26.159
<v Speaker 2>wouldn't have done it a little bit more, just like

0:27:26.200 --> 0:27:27.840
<v Speaker 2>a little bit of a couple.

0:27:27.560 --> 0:27:31.879
<v Speaker 1>Of It's interesting to see how they try to incorporate

0:27:32.080 --> 0:27:35.199
<v Speaker 1>different universes together, but sometimes they don't. I don't know,

0:27:35.240 --> 0:27:37.200
<v Speaker 1>it's just it was so funny to have him be like, oh,

0:27:37.240 --> 0:27:40.920
<v Speaker 1>they mentioned another dcom kind of so totally very interesting.

0:27:41.640 --> 0:27:44.280
<v Speaker 1>As the writer's scurry off, Julianne walks up, she thinks

0:27:44.320 --> 0:27:47.560
<v Speaker 1>he looks so fly and pushes him to finish the project.

0:27:47.880 --> 0:27:49.600
<v Speaker 1>We're now back at Jake's house and Jake's mom is

0:27:49.640 --> 0:27:51.800
<v Speaker 1>painting the walls hanging out with Murray. When Jake and

0:27:51.880 --> 0:27:55.399
<v Speaker 1>Julianne arrived to do homework upstairs, okay, so were you

0:27:55.440 --> 0:27:59.080
<v Speaker 1>allowed to go upstairs to like your room was one.

0:27:58.920 --> 0:28:02.520
<v Speaker 2>Of the stuff our stars stars on My Sabrina seas

0:28:02.760 --> 0:28:07.720
<v Speaker 2>what in the world is happening? No? No, I mean

0:28:07.960 --> 0:28:10.879
<v Speaker 2>even when I mean especially not a new person that

0:28:10.920 --> 0:28:14.400
<v Speaker 2>my parents didn't even know. And then again, like when

0:28:14.400 --> 0:28:17.200
<v Speaker 2>I had a boyfriend in high school. I had a

0:28:17.200 --> 0:28:19.560
<v Speaker 2>boyfriend for a long time in high school, and if

0:28:19.600 --> 0:28:21.520
<v Speaker 2>he was up, he was allowed to go up in

0:28:21.600 --> 0:28:23.800
<v Speaker 2>my room. But the door was open. And like I

0:28:23.840 --> 0:28:27.040
<v Speaker 2>told you, Kathy was a ninja, so there was we

0:28:27.119 --> 0:28:29.239
<v Speaker 2>never knew when she was just gonna pop in and

0:28:29.280 --> 0:28:32.080
<v Speaker 2>be like hey, you know, like you just never knew.

0:28:32.400 --> 0:28:35.359
<v Speaker 2>So it was very it was you know, made to

0:28:35.400 --> 0:28:37.520
<v Speaker 2>be known that if he was in my room to

0:28:38.120 --> 0:28:41.479
<v Speaker 2>if we were studying or studying. He was never studying.

0:28:41.480 --> 0:28:44.320
<v Speaker 2>What are we talking about? Probably playing I don't know,

0:28:44.440 --> 0:28:45.960
<v Speaker 2>video games. I don't even know what we would have

0:28:46.040 --> 0:28:48.400
<v Speaker 2>really needed to be doing in my room unless we

0:28:48.400 --> 0:28:49.440
<v Speaker 2>were like making out.

0:28:49.600 --> 0:28:51.000
<v Speaker 1>I was gonna say, were you sneaking kisses?

0:28:51.040 --> 0:28:52.960
<v Speaker 2>There's really I don't need to be in the room

0:28:53.120 --> 0:28:54.600
<v Speaker 2>to be honest, guys, come on you to.

0:28:54.600 --> 0:28:56.160
<v Speaker 1>Answer my question, were sneaking kisses?

0:28:56.160 --> 0:28:59.600
<v Speaker 2>Were you sneaking kisses? Are what a good place for

0:29:00.200 --> 0:29:03.600
<v Speaker 2>a boyfriend and a girlfriend to be, you know, even

0:29:03.640 --> 0:29:05.760
<v Speaker 2>with a ninja as a mom, which I have to

0:29:05.760 --> 0:29:09.040
<v Speaker 2>be practicing my ninja skills because I tend to be

0:29:09.240 --> 0:29:11.320
<v Speaker 2>I am like down to be as good as Kathy was.

0:29:11.360 --> 0:29:13.640
<v Speaker 2>Because you're gonna have she was just like mom.

0:29:15.800 --> 0:29:17.960
<v Speaker 1>She just comes down from the wall like dressed to

0:29:17.960 --> 0:29:20.160
<v Speaker 1>the same color, Like, what are you guys up to? Yeah, no,

0:29:20.880 --> 0:29:21.760
<v Speaker 1>you don't want to do that.

0:29:21.920 --> 0:29:24.560
<v Speaker 2>Well, when we were downstairs, we had there was definitely

0:29:24.680 --> 0:29:26.480
<v Speaker 2>a couple of the stairs that you could not get

0:29:26.520 --> 0:29:30.440
<v Speaker 2>around to not creak. And somehow, I don't know, sliding

0:29:30.480 --> 0:29:32.520
<v Speaker 2>down the band she knew.

0:29:32.560 --> 0:29:36.080
<v Speaker 1>What. Oh, that's the best that is. I just see

0:29:36.080 --> 0:29:39.320
<v Speaker 1>the visual. That's awesome. Yeah, no reason for the boys

0:29:39.320 --> 0:29:40.840
<v Speaker 1>and girls to be in the room together. There's too

0:29:40.920 --> 0:29:45.560
<v Speaker 1>much chance for monkey shines, my friend, monkeys, too many

0:29:45.640 --> 0:29:49.840
<v Speaker 1>opportunities for monkey shines. I don't buy it. Monkey shines,

0:29:49.920 --> 0:29:53.720
<v Speaker 1>goings on and shenanigans. We don't need any of those things.

0:29:53.960 --> 0:29:54.840
<v Speaker 1>You don't need any of them.

0:29:54.960 --> 0:29:57.240
<v Speaker 2>I know this is a big thing because it happened twice.

0:29:57.360 --> 0:30:01.000
<v Speaker 1>It No, that's not okay. Once they get into his room, though,

0:30:01.080 --> 0:30:03.640
<v Speaker 1>Jake is shocked to see everything has been torn apart.

0:30:04.000 --> 0:30:06.360
<v Speaker 1>Julianne spots her love letter, now fully chewed up. She

0:30:06.400 --> 0:30:10.000
<v Speaker 1>demands he take the dog to the pound. Jake scolds

0:30:10.040 --> 0:30:12.680
<v Speaker 1>the dog, and Julienne steals his NASA award If he

0:30:12.680 --> 0:30:14.719
<v Speaker 1>doesn't get rid of that dog. She will, I mean,

0:30:14.760 --> 0:30:17.480
<v Speaker 1>trying to get rid of his pet. It's oh my god,

0:30:17.520 --> 0:30:18.320
<v Speaker 1>it's nefarious.

0:30:18.480 --> 0:30:24.760
<v Speaker 2>Moving so fast, get this idea. I'm starting to realize, Oh,

0:30:24.800 --> 0:30:29.080
<v Speaker 2>this is gonna be like a short Yeah, it's a

0:30:29.080 --> 0:30:31.800
<v Speaker 2>little short film. It's not, it's not the whole thing. Absolutely,

0:30:31.960 --> 0:30:33.880
<v Speaker 2>this is moving so fast. I can't keep it up

0:30:33.960 --> 0:30:34.560
<v Speaker 2>too fast.

0:30:35.080 --> 0:30:37.400
<v Speaker 1>Later, Julianne jogs to Jake's house and pretends to be

0:30:37.440 --> 0:30:39.640
<v Speaker 1>the mailman, but instead of junk mail, she delivers the

0:30:39.720 --> 0:30:42.680
<v Speaker 1>NASA ward, now sprayed with her perfume, with the stench

0:30:42.720 --> 0:30:44.720
<v Speaker 1>now and the house. Murray thinks it's another love letter

0:30:44.760 --> 0:30:47.880
<v Speaker 1>and flushes it down the toilet. Jake is barely able

0:30:47.880 --> 0:30:50.400
<v Speaker 1>to save it, but the family is shocked. Why would

0:30:50.480 --> 0:30:53.840
<v Speaker 1>Murray do that? Jake is furious. He says he hates

0:30:53.960 --> 0:30:56.360
<v Speaker 1>Murray and tells him to get out. And I wanted

0:30:56.400 --> 0:30:57.240
<v Speaker 1>to just smack him in.

0:30:57.200 --> 0:31:01.040
<v Speaker 2>The head because I could not imagine and actually filming

0:31:01.080 --> 0:31:03.600
<v Speaker 2>this way. You've gotta like yell at the dog like

0:31:03.680 --> 0:31:06.400
<v Speaker 2>I hate you, frustrated that the dog is just so

0:31:07.280 --> 0:31:08.480
<v Speaker 2>looking at you, so cute.

0:31:09.080 --> 0:31:12.680
<v Speaker 1>I know. Yeah. Murray sprints out, angrily, running through the neighborhood.

0:31:12.720 --> 0:31:16.800
<v Speaker 1>Eventually reuniting with the skateboarding Savannah. No Tony Gawk kickflip

0:31:16.880 --> 0:31:20.280
<v Speaker 1>this time, but she assumes he's lost and takes him

0:31:20.400 --> 0:31:22.200
<v Speaker 1>home with her, which why would you not just take

0:31:22.240 --> 0:31:24.640
<v Speaker 1>him back to anyway. Jake is trying to drive the

0:31:24.720 --> 0:31:26.880
<v Speaker 1>Nassau ward with a fan and his mom thinks Murray

0:31:26.960 --> 0:31:29.160
<v Speaker 1>ran away. She reminds Jake that's his best friend, but

0:31:29.320 --> 0:31:33.360
<v Speaker 1>Jake corrects her they were best friends. Now they're enemies,

0:31:33.480 --> 0:31:38.000
<v Speaker 1>and his mom suggests maybe they're just frenemies because that's

0:31:38.040 --> 0:31:40.800
<v Speaker 1>the name of the movie. But again, the dog does

0:31:40.840 --> 0:31:42.840
<v Speaker 1>one thing and now he's like the dog runs away

0:31:42.880 --> 0:31:44.360
<v Speaker 1>and he's not even out looking for him. He's like,

0:31:44.440 --> 0:31:46.440
<v Speaker 1>that's it. We're not friends anymore, Like, what the hell

0:31:47.160 --> 0:31:52.760
<v Speaker 1>that's your dog? Dude? Ugh Yolanda. Jake needs to finish

0:31:52.840 --> 0:31:55.840
<v Speaker 1>his project, but his mom notices that Julianne isn't helping.

0:31:55.960 --> 0:31:58.040
<v Speaker 1>Jake defends her, it's just what a boyfriend does for

0:31:58.120 --> 0:32:00.640
<v Speaker 1>his girlfriend. But what he really wants to know is

0:32:00.720 --> 0:32:04.040
<v Speaker 1>if Murray is coming back. His mom sarcastically responds, it

0:32:04.200 --> 0:32:08.520
<v Speaker 1>matters on what guys do for their Dogso that night,

0:32:08.560 --> 0:32:11.760
<v Speaker 1>Savannah is with Murray and she's showing him Jake's picture

0:32:11.760 --> 0:32:14.120
<v Speaker 1>in the yearbook, she admits that she has a crush

0:32:14.160 --> 0:32:16.520
<v Speaker 1>on him. Murray is excited at the prospect, but Savannah

0:32:16.520 --> 0:32:18.719
<v Speaker 1>doesn't think he'll ever like her and pulls out her

0:32:18.760 --> 0:32:22.480
<v Speaker 1>phone to call, finally telling Jake, Hey, you know I

0:32:22.680 --> 0:32:25.120
<v Speaker 1>have your dog, which maybe she should have done hours ago,

0:32:25.360 --> 0:32:27.200
<v Speaker 1>but as she picks up the phone, Murray steals it.

0:32:27.720 --> 0:32:32.320
<v Speaker 1>Apparently he doesn't want to be found. Ooh Murray. The

0:32:32.400 --> 0:32:34.240
<v Speaker 1>next morning, Jake wakes up late with no Murray to

0:32:34.280 --> 0:32:36.640
<v Speaker 1>fart on him, so he has to get up. Once

0:32:36.680 --> 0:32:39.239
<v Speaker 1>at school, Jake is carrying his project and Julianne, who

0:32:39.280 --> 0:32:42.520
<v Speaker 1>is fleecing some other boy, Leonard for a book report.

0:32:43.000 --> 0:32:46.040
<v Speaker 1>She now has more than one boyfriend. What a floozy.

0:32:46.560 --> 0:32:49.280
<v Speaker 1>But the good news Savannah saw it all go down.

0:32:49.600 --> 0:32:53.320
<v Speaker 1>She closely tails Julianne and then another boyfriend, this one

0:32:53.400 --> 0:32:54.920
<v Speaker 1>with the homework from another class.

0:32:55.160 --> 0:32:58.040
<v Speaker 2>This girl is just six disgusting.

0:32:58.520 --> 0:33:01.120
<v Speaker 1>Right back at savannah house, Murray is still looking at

0:33:01.160 --> 0:33:04.120
<v Speaker 1>Jake's yearbook photo, remembering what used to be. He eventually

0:33:04.200 --> 0:33:06.400
<v Speaker 1>jumps up and runs back out on the streets. He

0:33:06.560 --> 0:33:08.920
<v Speaker 1>is now on a mission at school. A beautiful drawing

0:33:08.960 --> 0:33:11.160
<v Speaker 1>of Murray is on Jake's locker. It says I found him,

0:33:11.200 --> 0:33:13.240
<v Speaker 1>which is either a very nice realization or some sort

0:33:13.240 --> 0:33:15.959
<v Speaker 1>of a threat. I couldn't figure that out. Jake admits

0:33:16.040 --> 0:33:18.240
<v Speaker 1>that his dog ran away because he's been spending all

0:33:18.280 --> 0:33:20.640
<v Speaker 1>of his time with Julianne, but his friends assure him

0:33:20.640 --> 0:33:23.000
<v Speaker 1>that Murray would never have destroyed the NASA award if

0:33:23.000 --> 0:33:25.680
<v Speaker 1>he knew it was important, And then it all starts

0:33:25.720 --> 0:33:28.360
<v Speaker 1>to come together for Jake. He realizes Julianne must have

0:33:28.400 --> 0:33:30.960
<v Speaker 1>sprayed something on the paper, which seems like quite a

0:33:31.040 --> 0:33:32.920
<v Speaker 1>big conclusion to jump to in ten seconds, but he

0:33:32.920 --> 0:33:35.120
<v Speaker 1>picks it up right away. He now knows his dog

0:33:35.360 --> 0:33:38.320
<v Speaker 1>was framed by his girlfriend. Jake is really mad. He

0:33:38.400 --> 0:33:40.479
<v Speaker 1>can't believe she used him. He says, the next time

0:33:40.520 --> 0:33:42.479
<v Speaker 1>he sees her face, she'd better watch out and then

0:33:43.000 --> 0:33:45.960
<v Speaker 1>set it up. She walks right up, but instead of

0:33:46.040 --> 0:33:48.960
<v Speaker 1>doing anything, he just turns into a smiling, spineless boyfriend.

0:33:49.280 --> 0:33:51.760
<v Speaker 1>She pretends she loves Murray and his heart broken, he's

0:33:51.840 --> 0:33:57.160
<v Speaker 1>never coming back hopefully. Ew why does she say hopefully? So?

0:33:57.480 --> 0:33:59.880
<v Speaker 1>It totally busts her and she did it for no

0:34:00.000 --> 0:34:03.080
<v Speaker 1>reason whatsoever. She let herself get busted which I thought

0:34:03.160 --> 0:34:06.760
<v Speaker 1>was kind of strange. Weird it is, but this helps

0:34:06.800 --> 0:34:09.120
<v Speaker 1>him realize she used him. He didn't figure it out,

0:34:09.160 --> 0:34:11.520
<v Speaker 1>but his dog did, and that's why she wanted to

0:34:11.560 --> 0:34:14.120
<v Speaker 1>get rid of Murray. Jakie storms off to class, with

0:34:14.239 --> 0:34:16.960
<v Speaker 1>Julianne close behind, defending herself but also making sure he

0:34:17.120 --> 0:34:20.680
<v Speaker 1>finished the project for her, and that's when Savannah burst in,

0:34:20.960 --> 0:34:26.399
<v Speaker 1>flanked by Julianne's other boyfriends. Busted, Julianne calls Savannah weird,

0:34:26.440 --> 0:34:28.880
<v Speaker 1>but Jake disagrees he likes Savannah and breaks up with

0:34:28.960 --> 0:34:31.600
<v Speaker 1>Julianne right there. Jake doesn't even care about the project.

0:34:31.640 --> 0:34:34.120
<v Speaker 1>He can always get another A. He's disgusted with how

0:34:34.160 --> 0:34:36.440
<v Speaker 1>he treated Murray, and that's all that matters right now.

0:34:36.600 --> 0:34:39.319
<v Speaker 1>He passes the project to Julianne, who gloats. But here

0:34:39.360 --> 0:34:41.240
<v Speaker 1>comes Murray. Why does he give her the project?

0:34:41.560 --> 0:34:43.640
<v Speaker 2>Why did he get that to her? I would have.

0:34:44.000 --> 0:34:46.560
<v Speaker 2>I mean, he's saying he doesn't care, he'll get another A.

0:34:47.000 --> 0:34:49.480
<v Speaker 1>Right, I'm like, smash that thing.

0:34:49.760 --> 0:34:51.719
<v Speaker 2>I thought the same thing, shit right over your knee,

0:34:51.960 --> 0:34:54.440
<v Speaker 2>threw it on the ground, stop on it, wind her

0:34:54.480 --> 0:34:56.360
<v Speaker 2>face and say you suck.

0:34:56.719 --> 0:35:01.719
<v Speaker 1>Julianne, you suck dog. Hater. But here comes Murray. He

0:35:01.760 --> 0:35:04.600
<v Speaker 1>gallops into the room and tackles Julianne, throwing her the ground,

0:35:04.719 --> 0:35:06.960
<v Speaker 1>breaking the project in pieces, and stabbing her with a

0:35:07.040 --> 0:35:09.879
<v Speaker 1>homemade shive. I'm kidding. I'm just seeing if everybody's still

0:35:09.920 --> 0:35:12.840
<v Speaker 1>with me. Jake knows. He owes Murray an apology. He

0:35:12.880 --> 0:35:14.919
<v Speaker 1>says a girl will never get in between them again,

0:35:15.000 --> 0:35:17.120
<v Speaker 1>and this is slightly awkward for Savannah, who came in

0:35:17.200 --> 0:35:19.680
<v Speaker 1>hoping she was going to get some his upcoming girlfriend,

0:35:19.719 --> 0:35:22.520
<v Speaker 1>who announces she's leaving. She says goodbye to Murray and

0:35:22.560 --> 0:35:24.480
<v Speaker 1>trades a smile with Jake. As soon as she's gone,

0:35:24.560 --> 0:35:27.440
<v Speaker 1>Murray starts to pull at his best friend Scarf. He

0:35:27.520 --> 0:35:30.000
<v Speaker 1>doesn't like to look either, and that is the end

0:35:31.120 --> 0:35:34.719
<v Speaker 1>of our first story. Act one, who we pull back

0:35:34.760 --> 0:35:36.800
<v Speaker 1>and we are on the iPad once again. Avalon and

0:35:36.880 --> 0:35:39.960
<v Speaker 1>Halle say they included Jake's story in the webazine because

0:35:39.960 --> 0:35:43.360
<v Speaker 1>of their own frenemy story. We see Hallie sitting on

0:35:43.400 --> 0:35:45.480
<v Speaker 1>the bed and finishing an email. She feels around her

0:35:45.520 --> 0:35:48.920
<v Speaker 1>dresser and finds her flip phone. Love a flip phone?

0:35:48.960 --> 0:35:49.799
<v Speaker 1>Did you have a flip phone?

0:35:50.120 --> 0:35:50.759
<v Speaker 4>I don't, he.

0:35:50.800 --> 0:35:56.040
<v Speaker 2>Missed, No, I feel like I had one. The first

0:35:56.120 --> 0:35:59.920
<v Speaker 2>phone I had was actually one of those like bonger ones.

0:36:00.200 --> 0:36:03.800
<v Speaker 2>It was skinny, but it was it was yes, and

0:36:03.920 --> 0:36:06.279
<v Speaker 2>I put all the faces on it I had. I

0:36:06.400 --> 0:36:10.000
<v Speaker 2>had different faces for different outfits. I was so light.

0:36:11.560 --> 0:36:13.440
<v Speaker 1>Did you have, like the one that was blinging out

0:36:13.520 --> 0:36:15.400
<v Speaker 1>was like blinged out, and then one was paying.

0:36:15.640 --> 0:36:17.880
<v Speaker 2>One, one that was pink, one that would go with blue,

0:36:18.080 --> 0:36:22.080
<v Speaker 2>one that was neutral. I had them all. It's so sad.

0:36:22.160 --> 0:36:25.160
<v Speaker 2>I mean, I was like a frequent shoper at those

0:36:25.239 --> 0:36:25.840
<v Speaker 2>places in.

0:36:25.960 --> 0:36:29.080
<v Speaker 1>The ball the kiosks in the middle that had the difference, so.

0:36:29.200 --> 0:36:31.560
<v Speaker 2>Many more, I promise you. I can't even like, I'm

0:36:31.640 --> 0:36:34.080
<v Speaker 2>so embarrassed how much I used to go to one.

0:36:34.640 --> 0:36:36.800
<v Speaker 2>Oh Mom, I gotta go, mom, I gotta get to know.

0:36:36.880 --> 0:36:39.239
<v Speaker 2>I gotta get on it, like, oh man, so I

0:36:39.280 --> 0:36:41.200
<v Speaker 2>don't have I don't have one for this outfit, and

0:36:41.239 --> 0:36:42.320
<v Speaker 2>I'm really excited to wear it.

0:36:42.360 --> 0:36:47.080
<v Speaker 1>I gotta get of course you did. I love that.

0:36:47.600 --> 0:36:49.680
<v Speaker 1>It's just it's I gotta be honest. It seems on

0:36:49.800 --> 0:36:52.080
<v Speaker 1>brand for you in high school. It really does. If

0:36:52.160 --> 0:36:53.879
<v Speaker 1>I'm honest, Arena, it seems.

0:36:53.600 --> 0:36:56.720
<v Speaker 2>On Brand's so embarrassing.

0:36:58.520 --> 0:36:58.560
<v Speaker 1>Me.

0:37:00.680 --> 0:37:01.320
<v Speaker 4>I love it.

0:37:01.920 --> 0:37:03.319
<v Speaker 1>You had a cheetah one. Dude, didn't you.

0:37:04.160 --> 0:37:06.960
<v Speaker 2>Oh my god, if you would have even understood what

0:37:07.200 --> 0:37:10.640
<v Speaker 2>my dorm room looked like, Like my bedding was, well,

0:37:10.719 --> 0:37:12.960
<v Speaker 2>it was in high schools. My senior year, I got

0:37:13.040 --> 0:37:15.920
<v Speaker 2>a brand new one and it was black and white, different,

0:37:16.160 --> 0:37:16.400
<v Speaker 2>like it.

0:37:16.480 --> 0:37:19.680
<v Speaker 1>Was like a like a cow pattern kind of.

0:37:20.000 --> 0:37:22.399
<v Speaker 2>There was cow, there was zebra, there was cheetah, there

0:37:22.520 --> 0:37:26.200
<v Speaker 2>was like all these like it was like different, quiltic

0:37:26.360 --> 0:37:30.560
<v Speaker 2>kind of you're living. Oh my gosh, if you could

0:37:30.600 --> 0:37:33.520
<v Speaker 2>even see it, it's just so embarrassing.

0:37:33.719 --> 0:37:35.320
<v Speaker 1>I love it so much, you know what.

0:37:35.760 --> 0:37:37.239
<v Speaker 2>Sometimes I just got to own it.

0:37:37.480 --> 0:37:40.839
<v Speaker 1>Own it. Hallie calls someone and announces that she sent

0:37:41.200 --> 0:37:43.600
<v Speaker 1>the email. On the other end of the phone is Avalon,

0:37:43.640 --> 0:37:46.840
<v Speaker 1>and they're both so excited. She sent their webazine, Geekly

0:37:46.960 --> 0:37:49.279
<v Speaker 1>Chic to Burn's publication and hopes that they can do

0:37:49.360 --> 0:37:52.120
<v Speaker 1>business together. They pull the shades on their windows, and

0:37:52.239 --> 0:37:54.239
<v Speaker 1>this is where we realized that the two besties live

0:37:54.360 --> 0:37:56.840
<v Speaker 1>right across from each other. They complement their outfits and

0:37:56.880 --> 0:37:59.520
<v Speaker 1>get ready to leave. Haley's older brother, Kendall, drives his

0:37:59.560 --> 0:38:01.839
<v Speaker 1>sister Avalon to school, and this is where we learn

0:38:01.960 --> 0:38:05.200
<v Speaker 1>he's falling in love with his multi language GPS system

0:38:06.120 --> 0:38:08.279
<v Speaker 1>at school, the same as Jakes. Of course, the girls

0:38:08.320 --> 0:38:11.359
<v Speaker 1>are approached by their bullies, a preppy school newspaper editor

0:38:11.440 --> 0:38:14.279
<v Speaker 1>named Walker and his two goons, who were the least

0:38:14.360 --> 0:38:17.720
<v Speaker 1>gooney goons that have ever gooned. He's rejected their attempt

0:38:17.760 --> 0:38:19.680
<v Speaker 1>to buy an ad for geekly chic in the paper,

0:38:19.800 --> 0:38:22.919
<v Speaker 1>even though they're serious they have business cards. He holds

0:38:22.960 --> 0:38:25.239
<v Speaker 1>up the business card and says, geeklyshek dot com is

0:38:25.320 --> 0:38:28.239
<v Speaker 1>for losers. Avalon quickly snaps a photo and texts it

0:38:28.320 --> 0:38:30.080
<v Speaker 1>to the whole school, which is a thing that happens

0:38:30.120 --> 0:38:33.399
<v Speaker 1>in movies a lot and can't actually happen in real

0:38:33.440 --> 0:38:36.359
<v Speaker 1>life right anyway, so it looks like he's endorsing it now,

0:38:36.520 --> 0:38:38.719
<v Speaker 1>and the little duive is mad and angrily walks away.

0:38:39.160 --> 0:38:41.920
<v Speaker 1>Avalon stood up to Walker, but Hallie is still unable

0:38:42.000 --> 0:38:44.319
<v Speaker 1>to be aggressive. Now. In the computer lab, the girls

0:38:44.400 --> 0:38:46.239
<v Speaker 1>check out a new feature on their site where they

0:38:46.320 --> 0:38:48.880
<v Speaker 1>can track the location of visitors. Right now, it's just

0:38:49.000 --> 0:38:51.720
<v Speaker 1>them and Hallie's mom, but then they noticed that someone

0:38:51.840 --> 0:38:54.400
<v Speaker 1>in New York is visiting the site. Who could that be?

0:38:55.000 --> 0:38:57.960
<v Speaker 1>Halle's phone rings? And believe it or not, it's Burns Publishing.

0:38:58.120 --> 0:39:02.200
<v Speaker 1>It is Sherry Saint Clair, the editor. She wants to

0:39:02.239 --> 0:39:04.920
<v Speaker 1>meet with the girls in Manhattan tomorrow. Their biggest issue

0:39:05.120 --> 0:39:09.080
<v Speaker 1>what will they wear? This leads to an insane transition

0:39:09.280 --> 0:39:11.680
<v Speaker 1>which again are not my favorites, but I'm sure other

0:39:11.719 --> 0:39:14.800
<v Speaker 1>people loved it. A music video back in the iPad

0:39:14.880 --> 0:39:18.400
<v Speaker 1>with Avalon dancing in different costumes in front of green screens,

0:39:18.520 --> 0:39:22.480
<v Speaker 1>a flapper, a cowgirl, an alien in space, et cetera.

0:39:22.640 --> 0:39:24.680
<v Speaker 1>What did you think of this kind of stuff?

0:39:26.840 --> 0:39:30.400
<v Speaker 2>You know what I I didn't understand. I mean, I

0:39:30.520 --> 0:39:33.320
<v Speaker 2>know that we've got it set up to where Avalon

0:39:33.520 --> 0:39:37.359
<v Speaker 2>is this little fashionista and whatever. But what I did

0:39:37.560 --> 0:39:41.080
<v Speaker 2>notice is that she could dance. So then I went ooh,

0:39:41.800 --> 0:39:44.400
<v Speaker 2>we are definite. I know that Zendeia can dance. So

0:39:44.480 --> 0:39:47.920
<v Speaker 2>now I'm going, Yes, we're gonna get a dance We're

0:39:47.960 --> 0:39:50.880
<v Speaker 2>gonna get a dance sequence. It's gonna happen. It's gonna happen.

0:39:51.000 --> 0:39:51.680
<v Speaker 2>I'm ready for it.

0:39:51.880 --> 0:39:54.120
<v Speaker 1>And that's what I was going, Oh, we're gonna get

0:39:54.120 --> 0:39:58.120
<v Speaker 1>a dance sequence, kind of get a dance sequence.

0:39:59.120 --> 0:40:03.520
<v Speaker 2>It All this little bit took me to was the

0:40:03.600 --> 0:40:06.560
<v Speaker 2>excitement that I'm gonna get to see these two girls dance.

0:40:06.760 --> 0:40:09.600
<v Speaker 1>It was this moment that really made me realize that

0:40:09.840 --> 0:40:13.880
<v Speaker 1>this movie especially is really for the younger Disney Channel crowd.

0:40:14.040 --> 0:40:16.120
<v Speaker 2>This whole movie felt a lot, yes.

0:40:16.280 --> 0:40:18.680
<v Speaker 1>A lot younger than and when I kind of got

0:40:18.760 --> 0:40:21.120
<v Speaker 1>into that mindset, I had a little bit easier time

0:40:21.160 --> 0:40:23.520
<v Speaker 1>with it where I was like, oh, even for Disney Channel,

0:40:23.760 --> 0:40:26.440
<v Speaker 1>they're skewing to like nine and ten year old.

0:40:26.719 --> 0:40:30.319
<v Speaker 2>Yeah, we're looking at that. We're looking before high school. Yes,

0:40:30.520 --> 0:40:35.560
<v Speaker 2>demo exactly is why. That's yeah, that middle school between stuff. Yes, yeah.

0:40:35.880 --> 0:40:39.640
<v Speaker 2>And I do think that this middle one, out of

0:40:39.920 --> 0:40:42.160
<v Speaker 2>all of them, this middle one was my favorite one

0:40:42.200 --> 0:40:43.920
<v Speaker 2>out of the three of them. None of them made

0:40:43.960 --> 0:40:46.360
<v Speaker 2>sense together really, of course, very much to do anything,

0:40:46.600 --> 0:40:49.520
<v Speaker 2>but this little the middle one. The relationship between the

0:40:49.600 --> 0:40:52.360
<v Speaker 2>two of them, I mean, this took me to like

0:40:52.400 --> 0:40:53.840
<v Speaker 2>when I was a little girl, like I had a

0:40:53.920 --> 0:40:56.200
<v Speaker 2>best friend that was down the street, but having her

0:40:56.280 --> 0:40:58.960
<v Speaker 2>next door where I could just like open my windows

0:40:59.239 --> 0:41:02.400
<v Speaker 2>the best thing ever, Like, oh my gosh. I was like, oh,

0:41:02.480 --> 0:41:05.080
<v Speaker 2>this is so this is cute and yes, very young.

0:41:05.040 --> 0:41:06.640
<v Speaker 1>No, I get it. And and this is one of

0:41:06.680 --> 0:41:09.960
<v Speaker 1>the problems I often come across when we're doing magical

0:41:10.000 --> 0:41:13.400
<v Speaker 1>rewind Is am I supposed to judge it as is

0:41:13.480 --> 0:41:16.120
<v Speaker 1>it a good movie? Or am I supposed to judge

0:41:16.120 --> 0:41:18.120
<v Speaker 1>it as is it a good movie for somebody?

0:41:18.280 --> 0:41:18.440
<v Speaker 2>Ten?

0:41:19.120 --> 0:41:21.520
<v Speaker 1>Yeah, so that because that's two different things. It does.

0:41:21.640 --> 0:41:24.120
<v Speaker 1>That is two different things. But that's why the great

0:41:24.239 --> 0:41:27.759
<v Speaker 1>dcom is the one that's a great movie period. Yeah

0:41:27.760 --> 0:41:30.719
<v Speaker 1>for the fan, so yes, so yeah, anyway, I.

0:41:30.719 --> 0:41:33.319
<v Speaker 2>Don't think like a family would sit down and dad

0:41:33.360 --> 0:41:34.399
<v Speaker 2>would be into this one.

0:41:36.400 --> 0:41:39.120
<v Speaker 1>This is kid yeah exactly.

0:41:39.200 --> 0:41:39.920
<v Speaker 2>It could really just.

0:41:40.000 --> 0:41:42.840
<v Speaker 1>Be yes, this is not going to the mat or

0:41:42.960 --> 0:41:44.239
<v Speaker 1>one of the other ones we've talked abou where the

0:41:44.280 --> 0:41:46.279
<v Speaker 1>whole family can watch it and everybody can enjoy it.

0:41:46.400 --> 0:41:48.239
<v Speaker 1>This seemed like a movie for little kids, so that's

0:41:48.280 --> 0:41:50.800
<v Speaker 1>a different way to score it. But anyway, yeah this

0:41:51.000 --> 0:41:52.640
<v Speaker 1>Now we cut to the big city and the girls

0:41:52.680 --> 0:41:55.360
<v Speaker 1>are in the burned skyscraper office, sent directly to a

0:41:55.440 --> 0:41:58.759
<v Speaker 1>conference room with a very intimidating Sherry Saint Clair. She

0:41:58.960 --> 0:42:01.239
<v Speaker 1>is shocked to see their young but loves their fresh

0:42:01.320 --> 0:42:04.759
<v Speaker 1>new voices and geekly chic. She loves that too. She

0:42:04.880 --> 0:42:08.440
<v Speaker 1>wants Halle and Avalon to launch a new website, a magazine,

0:42:08.520 --> 0:42:11.400
<v Speaker 1>and a fabulous clothing line. This will become an empire

0:42:11.600 --> 0:42:15.280
<v Speaker 1>like Goop or Panera Bread. The girls are so excited,

0:42:15.360 --> 0:42:17.560
<v Speaker 1>but Sherry is confused. She had a call with Halle

0:42:17.880 --> 0:42:19.960
<v Speaker 1>the editor this morning. She wants to know who this

0:42:20.120 --> 0:42:23.440
<v Speaker 1>avalon is. Is this her assistant? And once she reveals

0:42:23.520 --> 0:42:27.279
<v Speaker 1>them as co editors in chief, Cherry hates it. Now

0:42:27.520 --> 0:42:29.480
<v Speaker 1>why would she hate it? That doesn't make any sense.

0:42:29.520 --> 0:42:32.960
<v Speaker 1>Who cares? You've got two young girls running the thing.

0:42:33.000 --> 0:42:34.879
<v Speaker 1>Who gives you if it's both of them? I didn't

0:42:34.920 --> 0:42:35.400
<v Speaker 1>understand that.

0:42:35.600 --> 0:42:37.920
<v Speaker 2>If you love if you love the site, you love

0:42:38.000 --> 0:42:41.000
<v Speaker 2>the site. That's it. Who cares how it's made up?

0:42:41.239 --> 0:42:44.000
<v Speaker 1>Yeah, it seemed like unnecessary drama, but we get a

0:42:44.160 --> 0:42:47.960
<v Speaker 1>half explanation about how Sherry wants to staff it herself

0:42:48.080 --> 0:42:51.560
<v Speaker 1>with underpaid designers but only one editor. Again, this makes

0:42:51.600 --> 0:42:53.680
<v Speaker 1>no sense either way. She wants to break up the

0:42:53.719 --> 0:42:56.040
<v Speaker 1>team so they must choose which one of the best

0:42:56.080 --> 0:42:58.800
<v Speaker 1>friends moves on. So basically, the woman is just evil

0:42:58.880 --> 0:43:00.360
<v Speaker 1>throwing two little girls in a p it to have

0:43:00.440 --> 0:43:02.640
<v Speaker 1>them fight to the death. To make it fair, she

0:43:02.719 --> 0:43:04.320
<v Speaker 1>gives them both one week to come up with a

0:43:04.360 --> 0:43:07.880
<v Speaker 1>cover story for the very first Geekly Chic issue. Whoever's

0:43:07.880 --> 0:43:10.359
<v Speaker 1>the best gets the job back at school. The girls,

0:43:10.400 --> 0:43:13.080
<v Speaker 1>of course, Field defeated. This is the worst possible case scenario,

0:43:13.440 --> 0:43:17.319
<v Speaker 1>but Halle has found a cover story. Indie musician Jean

0:43:17.480 --> 0:43:20.600
<v Speaker 1>Frank is coming to America for the first local concert

0:43:20.680 --> 0:43:22.640
<v Speaker 1>and she wants to interview him before he blows up.

0:43:22.920 --> 0:43:24.560
<v Speaker 1>The girls agree this is a great idea, but now

0:43:24.600 --> 0:43:27.279
<v Speaker 1>they're fighting over who can do it. And let's be

0:43:27.360 --> 0:43:29.279
<v Speaker 1>real here, this was Halle's idea.

0:43:29.440 --> 0:43:32.040
<v Speaker 2>Absolutely, so he came up and talked about it.

0:43:32.120 --> 0:43:34.400
<v Speaker 1>And then Avalon was like, it's my idea.

0:43:34.560 --> 0:43:37.680
<v Speaker 2>How are you taking this partial owner? You can't just

0:43:37.920 --> 0:43:42.080
<v Speaker 2>like bring up an idea, a business idea of any

0:43:42.280 --> 0:43:45.680
<v Speaker 2>sort and then say I think you should pronounce it

0:43:46.360 --> 0:43:49.640
<v Speaker 2>this way instead of that way, or make one little

0:43:49.920 --> 0:43:53.640
<v Speaker 2>like tweet and then and then take ownership of get

0:43:53.719 --> 0:43:56.120
<v Speaker 2>out of here, not yours Avalon.

0:43:57.239 --> 0:43:57.880
<v Speaker 4>That was weird.

0:43:58.320 --> 0:44:00.920
<v Speaker 1>So yeah, it's obviously Halle's story. I don't even know

0:44:01.000 --> 0:44:03.920
<v Speaker 1>why that was even a question, but whatever. But it

0:44:04.000 --> 0:44:06.680
<v Speaker 1>doesn't really matter either way because the concert is sold out,

0:44:07.080 --> 0:44:09.040
<v Speaker 1>so now the competition is on. Each girl is going

0:44:09.080 --> 0:44:11.280
<v Speaker 1>to try to get into the show and get the interview.

0:44:11.640 --> 0:44:16.880
<v Speaker 1>It's Avalon's aggressive talking style versus Hallie's impressive writing skills

0:44:17.200 --> 0:44:18.799
<v Speaker 1>Avalon and of course they're trying to make it where

0:44:18.800 --> 0:44:21.560
<v Speaker 1>it only works when they work together. But yeah, that's

0:44:21.560 --> 0:44:23.879
<v Speaker 1>why I knew it was very young again. I was like, Okay,

0:44:23.880 --> 0:44:27.719
<v Speaker 1>they're really hitting overhead with this. Hallie immediately tries winning

0:44:27.760 --> 0:44:29.600
<v Speaker 1>tickets from a local radio station, but was just one

0:44:29.680 --> 0:44:32.200
<v Speaker 1>call off where Avalon, on the other hand, has set

0:44:32.280 --> 0:44:35.400
<v Speaker 1>up a table in the school hallway free fashion makeovers

0:44:35.400 --> 0:44:38.879
<v Speaker 1>in exchange for Jean Frank tickets. Not even a goth

0:44:39.000 --> 0:44:42.120
<v Speaker 1>girl is interested. Eventually Walker approaches her and says he

0:44:42.239 --> 0:44:44.520
<v Speaker 1>knows a guy whose daughter is engaged to the dry

0:44:44.640 --> 0:44:48.360
<v Speaker 1>cleaner who fluffs and folds Jean Frank's clothes, so she

0:44:48.600 --> 0:44:51.680
<v Speaker 1>finally has an inn. Avalon immediately finds Hallie just to

0:44:51.760 --> 0:44:53.920
<v Speaker 1>rub the ticket in her face. Good friend. They enter

0:44:53.960 --> 0:44:56.320
<v Speaker 1>class together and hand over their cell phones to the teacher.

0:44:56.640 --> 0:44:59.480
<v Speaker 1>Then Hallie comes up with another idea. She finagles back

0:44:59.560 --> 0:45:03.360
<v Speaker 1>avalon phone and calls Jean Frank herself. He's in Paris

0:45:03.480 --> 0:45:06.960
<v Speaker 1>yelling at a maid and only speaks franch Somehow, she

0:45:07.080 --> 0:45:09.560
<v Speaker 1>pretends to be Avalon's assistant and secures the ticket for

0:45:09.640 --> 0:45:12.919
<v Speaker 1>herself and a pre interview beating her to the punch.

0:45:13.080 --> 0:45:16.600
<v Speaker 1>It worked, but she sees that Walker has hurt it all.

0:45:16.960 --> 0:45:19.919
<v Speaker 1>This is going to backfire, and of course, instantly it does.

0:45:20.280 --> 0:45:22.040
<v Speaker 1>We are back in her room. Halle gets an urgent

0:45:22.120 --> 0:45:24.960
<v Speaker 1>call from Avalon. Shaight up now, and we reveal that

0:45:25.080 --> 0:45:29.440
<v Speaker 1>Avalon is with Walker and his goons again. Still not gooning,

0:45:29.760 --> 0:45:33.080
<v Speaker 1>but wow, that was fast. She knows that Hallie stole

0:45:33.120 --> 0:45:36.120
<v Speaker 1>her ticket and now they're best friends for never.

0:45:37.280 --> 0:45:37.920
<v Speaker 2>I loved that.

0:45:38.520 --> 0:45:41.560
<v Speaker 1>I loved that this is best friends for never. This

0:45:41.920 --> 0:45:45.400
<v Speaker 1>is a disaster. That night, Avalon sneaks into Halle's brother's car,

0:45:45.560 --> 0:45:47.680
<v Speaker 1>you know, the one with the sexy GPS system, and

0:45:47.800 --> 0:45:50.359
<v Speaker 1>she fidgets with the settings and proves two can play

0:45:50.600 --> 0:45:53.960
<v Speaker 1>at the sabotage game. You don't say sabotage, I say sabotage.

0:45:54.000 --> 0:45:56.520
<v Speaker 1>You say sabotage. So when Halle and her brother get

0:45:56.560 --> 0:45:59.120
<v Speaker 1>into the car, excited to go to the Jean Frank concert,

0:45:59.160 --> 0:46:03.040
<v Speaker 1>they noticed the GP has been switched to Urdu, which

0:46:03.120 --> 0:46:06.839
<v Speaker 1>is a very much more difficult language. And when Halle

0:46:06.960 --> 0:46:10.160
<v Speaker 1>finds one of Avalon's earrings, she knows who did this?

0:46:10.520 --> 0:46:11.799
<v Speaker 1>How are they going to get to the show. Now.

0:46:11.880 --> 0:46:14.320
<v Speaker 1>They bust out an analog map that is a paper

0:46:14.400 --> 0:46:17.120
<v Speaker 1>map people, but that of course is no help. Those

0:46:17.239 --> 0:46:21.600
<v Speaker 1>are for olds at Club Butterfly for the Jean Frank show.

0:46:22.000 --> 0:46:25.000
<v Speaker 1>Avalon has arrived and picks up the tickets for Halle Brandon.

0:46:25.239 --> 0:46:26.600
<v Speaker 1>She makes her way to the dressing room for the

0:46:26.640 --> 0:46:29.040
<v Speaker 1>pre interview, and he wants to know where Halle from

0:46:29.080 --> 0:46:31.120
<v Speaker 1>the phone call is people in this movie, shure, do

0:46:31.160 --> 0:46:33.759
<v Speaker 1>you get nervous about phone calls and meeting in real life?

0:46:34.400 --> 0:46:36.680
<v Speaker 1>But the map did work for Halle. Eventually, and she's

0:46:36.760 --> 0:46:38.759
<v Speaker 1>arrived at the sold out show. She gets crafty and

0:46:38.800 --> 0:46:41.400
<v Speaker 1>walks around the back right as Avalon starts her interview

0:46:41.480 --> 0:46:43.759
<v Speaker 1>with tell me about your music, then pivots to a

0:46:43.840 --> 0:46:47.720
<v Speaker 1>horrible question about his ripped jeans. Then boom, Halle falls

0:46:47.760 --> 0:46:50.520
<v Speaker 1>through the window, interrupting the interview. The former friends go

0:46:50.640 --> 0:46:52.800
<v Speaker 1>at it about who should be there. While Jean Frank

0:46:52.920 --> 0:46:57.040
<v Speaker 1>is just happy he has crazy fans, Halle is immediately nervous,

0:46:57.040 --> 0:46:59.919
<v Speaker 1>trying to blurt out the question she wrote. Eventually, Jean

0:47:00.120 --> 0:47:02.360
<v Speaker 1>Frank steps in and yells at them, but without his

0:47:02.520 --> 0:47:06.120
<v Speaker 1>French accent. Wait what he admits he's not French at all.

0:47:06.239 --> 0:47:08.960
<v Speaker 1>He's Johnny Frankowski. I think he says his name is.

0:47:09.480 --> 0:47:11.640
<v Speaker 1>People only listen to him when he pretended to be

0:47:11.719 --> 0:47:13.800
<v Speaker 1>someone else. The girls tell him that being true to

0:47:13.880 --> 0:47:17.200
<v Speaker 1>himself will inspire their fans, and he quickly agrees. With

0:47:17.560 --> 0:47:20.600
<v Speaker 1>very little fight. He just gives up his entire persona.

0:47:21.080 --> 0:47:23.760
<v Speaker 1>The scam is suddenly over. Is just gonna be himself

0:47:23.800 --> 0:47:24.719
<v Speaker 1>and play acoustic.

0:47:25.120 --> 0:47:28.960
<v Speaker 2>It happened, has acoustic guitar ready in hand.

0:47:31.120 --> 0:47:34.600
<v Speaker 1>It just happens, And that's where Murray comes in and

0:47:34.760 --> 0:47:39.120
<v Speaker 1>farts on them all. Callie and Avalon are so happy.

0:47:39.200 --> 0:47:41.320
<v Speaker 1>The story is incredible, but they still don't know who's

0:47:41.360 --> 0:47:43.680
<v Speaker 1>gonna write it. We cut to the girls in Sherry

0:47:43.719 --> 0:47:46.960
<v Speaker 1>Burns's publishing office. She's impressed with a Jean frank expose,

0:47:47.360 --> 0:47:49.960
<v Speaker 1>but wants to see the other article. The girls explain

0:47:50.040 --> 0:47:52.000
<v Speaker 1>there's only the one. Cherry will have to make the

0:47:52.080 --> 0:47:54.040
<v Speaker 1>decision off of that, So the editor thinks for a

0:47:54.120 --> 0:47:57.520
<v Speaker 1>second and picks neither of them. She thinks they are

0:47:57.600 --> 0:47:59.839
<v Speaker 1>two little girls who can't do anything without each other,

0:48:00.120 --> 0:48:03.400
<v Speaker 1>and is this the meanest human being in dcom history?

0:48:03.640 --> 0:48:05.960
<v Speaker 1>This is one step below Corella Deville. Wanting to make

0:48:06.000 --> 0:48:07.120
<v Speaker 1>a coat out of puppies.

0:48:09.600 --> 0:48:13.440
<v Speaker 2>Just I mean, it's just it is so harsh, and

0:48:13.680 --> 0:48:17.240
<v Speaker 2>I was thinking at this point, I'm trying to ride

0:48:17.400 --> 0:48:20.880
<v Speaker 2>for this stupid character and going, oh, you know what

0:48:20.960 --> 0:48:22.960
<v Speaker 2>she's going to do. She's testing them, and they're going

0:48:23.000 --> 0:48:25.160
<v Speaker 2>to stick up for themselves. She's going to have her

0:48:25.360 --> 0:48:27.480
<v Speaker 2>assistant when she gets on the phone, she's going to

0:48:27.520 --> 0:48:30.439
<v Speaker 2>have her assistant go, you know what, tell those girls

0:48:30.520 --> 0:48:31.840
<v Speaker 2>they've got the job or whatever.

0:48:32.800 --> 0:48:36.920
<v Speaker 1>It didn't happen. Nope, didn't happen. She's just a bad person.

0:48:38.160 --> 0:48:40.640
<v Speaker 1>As they leave, Halle finally fights back, though she's conquered

0:48:40.640 --> 0:48:42.839
<v Speaker 1>her fear of speaking up in high pressure situations. Why

0:48:42.960 --> 0:48:45.680
<v Speaker 1>can't best friends work together? If Sherry won't accept them,

0:48:45.760 --> 0:48:48.520
<v Speaker 1>they'll go to a bigger, better publication. The girls leave

0:48:48.520 --> 0:48:51.560
<v Speaker 1>with a high five, but Sherry is sweating back at school.

0:48:51.600 --> 0:48:53.880
<v Speaker 1>Avalon is proud of her best friends standing up for herself.

0:48:54.080 --> 0:48:56.680
<v Speaker 1>Even Walker is impressed. He heard about their little run

0:48:56.760 --> 0:48:58.760
<v Speaker 1>in with Burns, and he has a cousin in Memphis

0:48:58.760 --> 0:49:03.960
<v Speaker 1>who drives a limo for Anyway Teens Now wants to

0:49:04.000 --> 0:49:06.719
<v Speaker 1>do a huge story on geekly Ic, and the best

0:49:06.760 --> 0:49:11.120
<v Speaker 1>friends are thrilled. Obviously Avalon is even now crushing on Walker.

0:49:11.840 --> 0:49:14.719
<v Speaker 1>They're former nemesis. We cut to the girls now laying

0:49:14.760 --> 0:49:17.080
<v Speaker 1>in bed watching the team now report about themselves with

0:49:17.160 --> 0:49:22.480
<v Speaker 1>a newscast. Her name Lucy del Gussie and we have

0:49:22.680 --> 0:49:24.960
<v Speaker 1>to add this to our best d COM's names list.

0:49:25.000 --> 0:49:26.440
<v Speaker 1>Am I right, it's been a while, but how do

0:49:26.560 --> 0:49:26.759
<v Speaker 1>we know?

0:49:28.040 --> 0:49:30.600
<v Speaker 2>I had to rewrite and write it down. This is

0:49:30.719 --> 0:49:34.200
<v Speaker 2>a good one, Jackal Johnson, I mean these this is good.

0:49:34.560 --> 0:49:37.759
<v Speaker 1>Lucy del Goosey is certainly up there. It appears Sherry

0:49:37.840 --> 0:49:40.759
<v Speaker 1>came crawling back because Geekly Sheick reportedly turned down and

0:49:40.840 --> 0:49:44.000
<v Speaker 1>offered to sell to Burns. They want to keep it independent.

0:49:44.120 --> 0:49:47.000
<v Speaker 1>So really the entire segment of this movie was about nothing.

0:49:47.480 --> 0:49:49.480
<v Speaker 1>They're in the same position they were in before. They're

0:49:49.520 --> 0:50:01.759
<v Speaker 1>still friends. It was just very strange. Yeah, Geekly Chic

0:50:01.920 --> 0:50:05.680
<v Speaker 1>will publish the Jean frank story or John Frankowski story,

0:50:06.160 --> 0:50:08.200
<v Speaker 1>and both girls will get the credit. Their website is

0:50:08.239 --> 0:50:10.160
<v Speaker 1>now being visited by people all over the world. So

0:50:10.200 --> 0:50:13.680
<v Speaker 1>the girls dance on the bed. Then Lucy del Goosey

0:50:13.840 --> 0:50:16.080
<v Speaker 1>in the TV says, girls stop jumping on that bed.

0:50:16.160 --> 0:50:18.400
<v Speaker 1>Then her finger comes out of the screen and pauses

0:50:18.480 --> 0:50:21.400
<v Speaker 1>them and we're back on the iPad and what the

0:50:21.920 --> 0:50:22.520
<v Speaker 1>just happened?

0:50:22.640 --> 0:50:24.160
<v Speaker 2>Yeah? That was so weird.

0:50:24.280 --> 0:50:25.600
<v Speaker 4>I know.

0:50:26.560 --> 0:50:30.360
<v Speaker 1>There were several times in this movie also where the

0:50:30.640 --> 0:50:35.160
<v Speaker 1>actors looked at the camera without meaning to. This was

0:50:35.200 --> 0:50:36.840
<v Speaker 1>not we're going to break the fourth wall on purpose.

0:50:36.880 --> 0:50:39.520
<v Speaker 1>It was just the actors accidentally looking on at the

0:50:39.560 --> 0:50:41.480
<v Speaker 1>camera and they kept it in. And then we had

0:50:41.560 --> 0:50:44.040
<v Speaker 1>these with like weird wall breaking. I didn't get what

0:50:44.239 --> 0:50:44.600
<v Speaker 1>was going on.

0:50:45.120 --> 0:50:49.640
<v Speaker 2>Yeah, yeah, I again. When you see those, you're going,

0:50:49.719 --> 0:50:51.080
<v Speaker 2>did they not have another cut?

0:50:52.320 --> 0:50:56.000
<v Speaker 1>Yeah? Is this the best one you picked? She's looking

0:50:56.080 --> 0:50:56.800
<v Speaker 1>right at the camera.

0:50:56.960 --> 0:50:59.560
<v Speaker 2>It was you did have one other cut?

0:51:00.239 --> 0:51:01.440
<v Speaker 1>See something?

0:51:01.719 --> 0:51:02.919
<v Speaker 2>You could see her look at the camera?

0:51:03.320 --> 0:51:06.359
<v Speaker 1>Yeah? You kit? Yeah, I know. Well this is where

0:51:06.360 --> 0:51:09.960
<v Speaker 1>we're now finally introduced to the last story. It follows.

0:51:11.160 --> 0:51:11.640
<v Speaker 2>A minute.

0:51:12.880 --> 0:51:14.359
<v Speaker 1>You're kidding me right now.

0:51:14.440 --> 0:51:15.640
<v Speaker 2>We've got another one.

0:51:15.880 --> 0:51:17.960
<v Speaker 1>We got another one. We ain't done, people, we got

0:51:18.000 --> 0:51:18.400
<v Speaker 1>another one.

0:51:18.480 --> 0:51:21.320
<v Speaker 2>Hey, I'm sorry but to break it to you, but

0:51:21.440 --> 0:51:23.200
<v Speaker 2>we are not freaking done.

0:51:23.440 --> 0:51:24.160
<v Speaker 1>We're not done yet.

0:51:24.280 --> 0:51:27.800
<v Speaker 2>We are still in Canada, people in Canada with the

0:51:27.840 --> 0:51:30.160
<v Speaker 2>Canada flags waving everywhere.

0:51:29.840 --> 0:51:33.399
<v Speaker 1>Waving everywhere. This one follows Savannah the skater girl from

0:51:33.440 --> 0:51:36.120
<v Speaker 1>story one, she almost got well, it turns out that

0:51:36.200 --> 0:51:39.479
<v Speaker 1>she almost got frenemiede by a girl she didn't even

0:51:39.560 --> 0:51:42.400
<v Speaker 1>know existed. So we see her stunt double shredding on

0:51:42.400 --> 0:51:44.360
<v Speaker 1>a half pipe and it's clearly her stunt double shredding

0:51:44.360 --> 0:51:45.680
<v Speaker 1>on a half pipe, and her dad calls her in

0:51:45.760 --> 0:51:48.279
<v Speaker 1>for breakfast. We think she has two Brady brothers and

0:51:48.320 --> 0:51:51.000
<v Speaker 1>a sister, or she has three Brady brothers. Go back

0:51:51.040 --> 0:51:53.480
<v Speaker 1>and watch for yourself, because we've had different people saying

0:51:53.520 --> 0:51:56.480
<v Speaker 1>different things, producers not knowing, us not knowing, We don't

0:51:56.560 --> 0:51:59.480
<v Speaker 1>know what's going on. But she either has two Brady

0:51:59.520 --> 0:52:03.400
<v Speaker 1>brothers in a we're just amazed that we have to

0:52:03.480 --> 0:52:06.879
<v Speaker 1>do this at all, that we're not done yet. Yeah,

0:52:06.880 --> 0:52:08.560
<v Speaker 1>it's like we Oh my god, I didn't I knock

0:52:08.600 --> 0:52:09.960
<v Speaker 1>him out last round. I can't believe we have to

0:52:10.000 --> 0:52:11.680
<v Speaker 1>go out. The fights not over yet, but they're all

0:52:11.760 --> 0:52:13.840
<v Speaker 1>fighting for bacon. They're running out of school. Savannah couldn't

0:52:13.840 --> 0:52:15.560
<v Speaker 1>get any foods, so her dad gives her cash for

0:52:15.640 --> 0:52:19.080
<v Speaker 1>school breakfast and something pretty like sneakers from them all,

0:52:19.480 --> 0:52:21.320
<v Speaker 1>And maybe we've got a decom dead mom here. I

0:52:21.320 --> 0:52:23.360
<v Speaker 1>don't know, or because they know, they're not divorced, but

0:52:23.440 --> 0:52:26.080
<v Speaker 1>we didn't. We didn't ever talk about the mom in anyway,

0:52:26.200 --> 0:52:29.879
<v Speaker 1>never even talk about the dad, the dad in Jake's story.

0:52:30.000 --> 0:52:32.680
<v Speaker 1>So we've got a lot of single zero parents. Yeah,

0:52:33.040 --> 0:52:35.360
<v Speaker 1>that's why they're running off to New York by themselves

0:52:35.400 --> 0:52:37.400
<v Speaker 1>at eleven? Who allows that? Oh wait, that was my

0:52:37.520 --> 0:52:41.839
<v Speaker 1>life to anyway. Savannah skates to school, eventually running into

0:52:41.880 --> 0:52:44.359
<v Speaker 1>Jake and Murray. She says hi, and then crashes into

0:52:44.440 --> 0:52:47.160
<v Speaker 1>some bushes, falling out of sight. Jake leaves, assuming she's

0:52:47.200 --> 0:52:49.480
<v Speaker 1>time traveled or was swallowed by sinkhole. Maybe he doesn't

0:52:49.560 --> 0:52:51.800
<v Speaker 1>ever really look into it. She eventually gets up and

0:52:51.840 --> 0:52:54.319
<v Speaker 1>brushes herself off, saying goodbye to Murray and skates out

0:52:54.360 --> 0:52:57.560
<v Speaker 1>of frame. And that's when a stretch limo passes by,

0:52:57.760 --> 0:53:00.200
<v Speaker 1>with a familiar looking girl rolling down her wind to

0:53:00.239 --> 0:53:02.719
<v Speaker 1>say hi to the dog. It is a British girl,

0:53:02.880 --> 0:53:07.360
<v Speaker 1>Emma Reynolds, wearing a proper uniform for Legit Academy, that

0:53:07.440 --> 0:53:10.600
<v Speaker 1>is what they called it. And she looks just like Savannah.

0:53:10.600 --> 0:53:12.399
<v Speaker 1>I mean so much so that it's actually the same

0:53:12.440 --> 0:53:14.400
<v Speaker 1>actress playing both roles, So that makes sense that they

0:53:14.440 --> 0:53:17.840
<v Speaker 1>look alike, She tells her butler Pemberley that she wishes

0:53:17.920 --> 0:53:19.799
<v Speaker 1>she could have a dog, but he says her parents

0:53:19.840 --> 0:53:22.720
<v Speaker 1>are not open to the idea. Right here, just curious.

0:53:22.840 --> 0:53:24.920
<v Speaker 1>What did you think of her accent? Was it passable

0:53:25.040 --> 0:53:27.000
<v Speaker 1>enough for a d comm Yeah, I thought so too.

0:53:27.520 --> 0:53:30.120
<v Speaker 1>I thought so too. Was it perfect? No, But for

0:53:30.440 --> 0:53:33.080
<v Speaker 1>an actress of that age doing multiple roles like this

0:53:33.239 --> 0:53:35.960
<v Speaker 1>and doing the different accents, I thought she was frankly

0:53:36.080 --> 0:53:37.120
<v Speaker 1>the best one of the movie.

0:53:37.640 --> 0:53:41.160
<v Speaker 2>My first thought was we just did Double Team and said,

0:53:41.760 --> 0:53:43.959
<v Speaker 2>I mean, you know, this was years prior or years

0:53:44.000 --> 0:53:46.719
<v Speaker 2>after Double Team, but we just said the amount of

0:53:46.880 --> 0:53:49.080
<v Speaker 2>production value you have to have to be able to

0:53:49.200 --> 0:53:52.560
<v Speaker 2>pull off doubles or twins, this movie is big. And

0:53:52.600 --> 0:53:54.520
<v Speaker 2>I'm like, we just talked about this, Yes, we just

0:53:54.600 --> 0:53:54.800
<v Speaker 2>did it.

0:53:54.840 --> 0:53:56.279
<v Speaker 1>So here we go by the way, I'd like to

0:53:56.320 --> 0:53:59.359
<v Speaker 1>be fully and totally transparent. Or we've released our double

0:53:59.400 --> 0:54:02.839
<v Speaker 1>Teamed episode and from what I've heard, Oh, Sabrina, We're

0:54:02.840 --> 0:54:04.839
<v Speaker 1>gonna get some for what we talked about Double Team.

0:54:04.920 --> 0:54:07.200
<v Speaker 1>That's all I want to say about that. People love

0:54:07.560 --> 0:54:11.000
<v Speaker 1>that movie. They love that. It's gonna be brink for

0:54:11.120 --> 0:54:14.840
<v Speaker 1>me all over again. But anyway, we're back at school.

0:54:15.520 --> 0:54:18.120
<v Speaker 1>Savannah makes it just As the bell rings, Jake opens

0:54:18.160 --> 0:54:20.160
<v Speaker 1>the door for her and they have an awkward exchange

0:54:20.160 --> 0:54:23.200
<v Speaker 1>about muscles. We then travel over to the British girl's mansion.

0:54:23.280 --> 0:54:25.799
<v Speaker 1>She's returned with Pemberley and is greeted by her very

0:54:25.880 --> 0:54:28.799
<v Speaker 1>pompous parents near the indoor pool. She gets some money

0:54:28.840 --> 0:54:31.120
<v Speaker 1>for new shoes too, then broaches the subject of getting

0:54:31.120 --> 0:54:33.680
<v Speaker 1>a dog. They are disgusted by the idea of getting

0:54:33.680 --> 0:54:37.279
<v Speaker 1>a pet, just like Pemberley predicted. And now all three

0:54:37.360 --> 0:54:40.600
<v Speaker 1>stories are combining. Here we see Halle and Avalon at

0:54:40.600 --> 0:54:42.680
<v Speaker 1>the shoe store and they spot Emma and her butler,

0:54:43.000 --> 0:54:45.680
<v Speaker 1>but Hallie thinks it's Savannah, but it can't be because

0:54:45.760 --> 0:54:48.759
<v Speaker 1>skater Savannah is also in the store. There are two

0:54:48.800 --> 0:54:52.120
<v Speaker 1>different people, and the geeky sheet girls, well, their minds

0:54:52.120 --> 0:54:54.520
<v Speaker 1>are just blown. Now Savannah and Emma are back to back,

0:54:54.600 --> 0:54:57.040
<v Speaker 1>showing off some of that Disney special effects budget. They

0:54:57.120 --> 0:54:59.239
<v Speaker 1>pick up a shoe and ask in unison, do these

0:54:59.280 --> 0:55:01.600
<v Speaker 1>come in an eight. This causes them to notice each

0:55:01.600 --> 0:55:04.480
<v Speaker 1>other and their similarities, as does Pemberley. Though these two

0:55:04.560 --> 0:55:07.680
<v Speaker 1>live completely different lifestyles, they are like twins from different planets.

0:55:07.920 --> 0:55:11.320
<v Speaker 1>That's when the geekly sheic ladies officially introduced Savannah and

0:55:11.360 --> 0:55:13.480
<v Speaker 1>Emma to each other. They know this is the perfect

0:55:13.520 --> 0:55:16.879
<v Speaker 1>story for the webasine, and I get what they're doing.

0:55:17.920 --> 0:55:20.440
<v Speaker 1>I just felt like there's maybe a bigger reaction to

0:55:20.520 --> 0:55:27.040
<v Speaker 1>turning around and seeing essentially your identical twin right something

0:55:27.160 --> 0:55:27.840
<v Speaker 1>freaky Friday.

0:55:28.320 --> 0:55:34.879
<v Speaker 2>It's like, whoah, moved past that whole point of them

0:55:35.600 --> 0:55:39.319
<v Speaker 2>being the same person. I mean, they are identical. It's

0:55:39.400 --> 0:55:42.040
<v Speaker 2>not like we got the two actresses from.

0:55:42.200 --> 0:55:47.000
<v Speaker 1>No Double Team, Double Team, or even when Tam did it.

0:55:47.040 --> 0:55:49.000
<v Speaker 1>Remember when Tia and Tamara did it, and they they

0:55:49.080 --> 0:55:51.920
<v Speaker 1>had the moment of like, wow, you were twins. You

0:55:52.000 --> 0:55:53.600
<v Speaker 1>look just like me, right, and.

0:55:53.640 --> 0:55:56.440
<v Speaker 2>They're not even They don't even talk about the idea

0:55:56.520 --> 0:55:59.040
<v Speaker 2>that they could be twins, especially when and I know

0:55:59.200 --> 0:56:02.600
<v Speaker 2>we can't do you know, parent trap type situation. But

0:56:02.680 --> 0:56:05.200
<v Speaker 2>it's like your dad, I don't know where your mom.

0:56:05.280 --> 0:56:07.040
<v Speaker 2>I was thinking, oh my gosh, we're kind of doing

0:56:07.080 --> 0:56:12.400
<v Speaker 2>part and then we saw the mom of her, you know,

0:56:13.120 --> 0:56:13.840
<v Speaker 2>the rich parents.

0:56:13.880 --> 0:56:15.239
<v Speaker 1>So yeah, they saw both of.

0:56:15.320 --> 0:56:18.239
<v Speaker 2>Them, but you know, could be remarried. I don't know,

0:56:19.360 --> 0:56:20.520
<v Speaker 2>it was weird for this.

0:56:20.680 --> 0:56:21.200
<v Speaker 1>I felt they.

0:56:23.560 --> 0:56:24.720
<v Speaker 2>They have to be sisters.

0:56:24.800 --> 0:56:29.520
<v Speaker 1>There's something you're literally identical anyway. Yeah, they use identical

0:56:30.320 --> 0:56:32.439
<v Speaker 1>twins when they shouldn't use identical twins, and they don't

0:56:32.520 --> 0:56:34.640
<v Speaker 1>use identical twins when they need to use identical twins.

0:56:34.760 --> 0:56:36.040
<v Speaker 2>What's going on?

0:56:36.560 --> 0:56:38.600
<v Speaker 1>We cut to Emma and Savannah having lunch at the

0:56:38.600 --> 0:56:41.000
<v Speaker 1>food court. Emma says her mom would freak out if

0:56:41.040 --> 0:56:43.160
<v Speaker 1>she started eating there. These two seem to really be

0:56:43.239 --> 0:56:45.600
<v Speaker 1>getting along. They share stories and think that if they

0:56:45.680 --> 0:56:48.040
<v Speaker 1>had each other's lives for a week, they'd be happier

0:56:48.080 --> 0:56:51.720
<v Speaker 1>than ever. And so, with the help of Hawie and Avalon,

0:56:52.120 --> 0:56:55.279
<v Speaker 1>they decide for one week they will trade places. The

0:56:55.360 --> 0:56:57.279
<v Speaker 1>girls go off to the bathroom and reappear in each

0:56:57.320 --> 0:56:59.120
<v Speaker 1>other's clothes. The only way we can tell the difference

0:56:59.200 --> 0:57:01.320
<v Speaker 1>is the accent and the fact that Emma can't skate.

0:57:01.800 --> 0:57:03.719
<v Speaker 1>And again, Mary Mouser does a very good job here.

0:57:03.800 --> 0:57:07.839
<v Speaker 1>She's basically playing four different characters and doing it really well. Yeah,

0:57:08.480 --> 0:57:10.520
<v Speaker 1>we are now at Emma's mansion. The Limma returns and

0:57:10.560 --> 0:57:12.919
<v Speaker 1>Savannah can't believe what she's seeing, but she quickly throws

0:57:13.000 --> 0:57:15.240
<v Speaker 1>on the accent and jumps right into a gown fitting

0:57:15.320 --> 0:57:18.480
<v Speaker 1>for her upcoming birthday ball. Meanwhile, Savannah meets one of

0:57:18.520 --> 0:57:20.960
<v Speaker 1>her new little brothers and experiences the chaos of having

0:57:21.040 --> 0:57:23.240
<v Speaker 1>a big family. She tests out her American accent and

0:57:23.320 --> 0:57:26.000
<v Speaker 1>it's pretty brutal. She meets her new dad and everything

0:57:26.080 --> 0:57:28.000
<v Speaker 1>is awkward, especially when she gets to her room and

0:57:28.160 --> 0:57:30.919
<v Speaker 1>one of her brothers is cutting his toenails in her bed.

0:57:31.560 --> 0:57:33.800
<v Speaker 1>Back at the mansion, Savannah joins her new parents at

0:57:33.840 --> 0:57:35.640
<v Speaker 1>a regal feast. She doesn't know what to do with

0:57:35.680 --> 0:57:37.360
<v Speaker 1>her napkin and is grossed out when she finds out

0:57:37.360 --> 0:57:39.720
<v Speaker 1>she's been eating snails, but her dad lets her know

0:57:39.920 --> 0:57:42.240
<v Speaker 1>they got an opera singer for her birthday ball, like

0:57:42.280 --> 0:57:46.520
<v Speaker 1>every kid wants, but Savannah suggests a taco truck. Then

0:57:46.560 --> 0:57:51.600
<v Speaker 1>the dad doesn't doesn't know what tacos are, And are

0:57:51.600 --> 0:57:53.960
<v Speaker 1>we supposed to assume that rich people don't know what

0:57:54.320 --> 0:57:59.160
<v Speaker 1>tacos are? Really, yeah, that was kind of yeah, you

0:57:59.280 --> 0:58:00.640
<v Speaker 1>don't know bacos are.

0:58:01.120 --> 0:58:03.720
<v Speaker 2>But again, this takes us to the fact that we

0:58:03.840 --> 0:58:07.600
<v Speaker 2>are watching a movie that's demo is targeted towards me

0:58:07.880 --> 0:58:11.320
<v Speaker 2>very very young crowd. I agree, that would maybe be

0:58:11.560 --> 0:58:13.680
<v Speaker 2>funny to them, right, That's what I kind of thought,

0:58:13.720 --> 0:58:15.440
<v Speaker 2>like that, Oh, it doesn't even.

0:58:15.240 --> 0:58:17.440
<v Speaker 1>Know what they don't know what tacos are. Yeah, and

0:58:17.480 --> 0:58:21.000
<v Speaker 1>I'm only right. Okay. So the next morning, savannahs woken

0:58:21.040 --> 0:58:24.440
<v Speaker 1>by an aggressive fencing instructor and exhausted from a ballet session,

0:58:24.840 --> 0:58:27.040
<v Speaker 1>all while Emma finds herself waiting for the bathroom and

0:58:27.120 --> 0:58:29.840
<v Speaker 1>fighting off brothers with a plunger. They already want to

0:58:29.840 --> 0:58:32.000
<v Speaker 1>switch back, and they're like, let's just do this for

0:58:32.040 --> 0:58:35.600
<v Speaker 1>one day. Yeah, yeah, done. So when Pemberley tells Emma

0:58:35.680 --> 0:58:38.320
<v Speaker 1>she has a date with a boy named Lawns, I

0:58:38.400 --> 0:58:42.320
<v Speaker 1>love how you say it Longs. It's Lance, but it's Lngs.

0:58:42.920 --> 0:58:45.560
<v Speaker 1>This is the last straw. She decides to tell Pemberley

0:58:45.600 --> 0:58:47.760
<v Speaker 1>that she is Savannah, and at first he's shocked but

0:58:47.880 --> 0:58:50.880
<v Speaker 1>quickly says he'll keep the secret. Why would he do

0:58:51.000 --> 0:58:53.360
<v Speaker 1>that for her? I don't know. Also, the way the

0:58:53.400 --> 0:58:55.160
<v Speaker 1>actor played it was weird, where it was like he

0:58:55.400 --> 0:58:58.040
<v Speaker 1>was shocked, but almost looked like he was pretending to

0:58:58.120 --> 0:58:59.680
<v Speaker 1>be shocked, like he knew the whole time, But then

0:58:59.680 --> 0:59:04.680
<v Speaker 1>they never recovered it was an odd acting moment. So Lance,

0:59:04.880 --> 0:59:07.800
<v Speaker 1>it turns out, is Emma's boyfriend, a cute, little rich

0:59:07.880 --> 0:59:09.920
<v Speaker 1>polo player that Savannah now has to pretend to know.

0:59:10.360 --> 0:59:13.400
<v Speaker 1>And Savannah meets Jake, who can't stop talking about his dog.

0:59:13.840 --> 0:59:16.480
<v Speaker 1>It's a bit much. He doesn't even say hi, he

0:59:16.680 --> 0:59:17.960
<v Speaker 1>just brags about Murray doing the.

0:59:18.000 --> 0:59:20.480
<v Speaker 2>Makarina mycerino, Oh my gosh.

0:59:20.760 --> 0:59:23.400
<v Speaker 1>Emma quickly realizes that Jake is the boy Savannah likes

0:59:23.440 --> 0:59:24.840
<v Speaker 1>and sets up a date with him. So this is

0:59:24.880 --> 0:59:27.040
<v Speaker 1>starting to get a little tricky. On the date, Emma

0:59:27.120 --> 0:59:30.320
<v Speaker 1>is sitting with Jake, with Savannah hiding nearby, keeping tabs

0:59:30.320 --> 0:59:32.800
<v Speaker 1>on the whole thing. Jake holds her hand and Savannah,

0:59:32.800 --> 0:59:35.080
<v Speaker 1>of course gets jealous. She perfectly throws a towel from

0:59:35.080 --> 0:59:37.760
<v Speaker 1>behind a bush, landing right on her double's face. The

0:59:37.840 --> 0:59:40.480
<v Speaker 1>two girls rendezvous and start bickering. This is not working out,

0:59:40.720 --> 0:59:45.040
<v Speaker 1>but Savannah reveals she'll now be going for Lance in retaliation.

0:59:45.560 --> 0:59:47.720
<v Speaker 1>Keep in mind, people, we're still in the same movie.

0:59:48.160 --> 0:59:50.600
<v Speaker 1>So Lance and Savannah are now on their date at

0:59:50.600 --> 0:59:53.800
<v Speaker 1>the park and run into the throttle of Emma, Jake,

0:59:53.880 --> 0:59:56.440
<v Speaker 1>and Murray because he's obviously as involved in this relationship

0:59:56.480 --> 0:59:59.480
<v Speaker 1>as anybody else. They have an icy exchange while the

0:59:59.520 --> 1:00:01.560
<v Speaker 1>dude's real lies. These two girls look a lot alike.

1:00:01.640 --> 1:00:06.800
<v Speaker 1>Case somebody notices you guys look a lot alike? Savannah mentioned, Yeah, Savannah.

1:00:06.600 --> 1:00:10.200
<v Speaker 2>A little bit like are you twins? Did you just

1:00:10.320 --> 1:00:11.000
<v Speaker 2>find each other?

1:00:11.200 --> 1:00:11.720
<v Speaker 1>Did you do?

1:00:11.760 --> 1:00:13.840
<v Speaker 2>You guys each have half of a locket? Like what's

1:00:13.880 --> 1:00:14.360
<v Speaker 2>happening here?

1:00:14.800 --> 1:00:17.760
<v Speaker 1>Yes, seriously, let's find out what is going on with

1:00:17.840 --> 1:00:19.760
<v Speaker 1>these people because this is a question that maybe we

1:00:19.760 --> 1:00:23.840
<v Speaker 1>should look into. Yeah, you'd think. Savannah mentions this weekend's

1:00:23.880 --> 1:00:27.600
<v Speaker 1>birthday ball and invites everyone, infuriating Emma. We are now

1:00:27.640 --> 1:00:29.640
<v Speaker 1>at the ball. We're moving very quickly. This is very

1:00:29.720 --> 1:00:32.200
<v Speaker 1>stuffy and a high class party, and the opera singer

1:00:32.280 --> 1:00:34.760
<v Speaker 1>is in full effect. Jake reveals he likes all the

1:00:34.840 --> 1:00:38.680
<v Speaker 1>tomboys stuff from normal Savannah. He's weirded out seeing Emma

1:00:38.960 --> 1:00:41.640
<v Speaker 1>in address. Savannah then enters the party to applause and

1:00:41.640 --> 1:00:46.400
<v Speaker 1>adulation from Lawnce. She's looking for her doppelganger and egotistical Lance.

1:00:46.560 --> 1:00:50.240
<v Speaker 1>I can't keep saying. It doesn't get why those Yeah,

1:00:50.240 --> 1:00:52.160
<v Speaker 1>it doesn't get why she's looking for him because those

1:00:52.240 --> 1:00:55.120
<v Speaker 1>dog park people are beneath them. This type of attitude

1:00:55.160 --> 1:00:57.960
<v Speaker 1>makes her finally break up with Lance, but again not

1:00:58.080 --> 1:00:59.640
<v Speaker 1>her boyfriend in real life, so who knows she just

1:00:59.680 --> 1:01:01.760
<v Speaker 1>broke up with the dude that she's not even really dating.

1:01:02.440 --> 1:01:04.720
<v Speaker 1>Savannah then runs into Emma and Jake, and the two

1:01:04.760 --> 1:01:07.200
<v Speaker 1>admit their prank. They can't do it any longer. Savannah

1:01:07.200 --> 1:01:09.560
<v Speaker 1>gives the tiara to Emma. It's her party after all.

1:01:09.960 --> 1:01:12.840
<v Speaker 1>The geekly sheet girls are there too, because why not.

1:01:13.440 --> 1:01:15.800
<v Speaker 1>They take some pictures for the blog and keep moving.

1:01:16.160 --> 1:01:18.280
<v Speaker 1>Emma learns that Savannah broke up with Lance for her,

1:01:18.360 --> 1:01:20.240
<v Speaker 1>but Emma isn't mad at all. She's wanted to do

1:01:20.360 --> 1:01:22.640
<v Speaker 1>that since the third grade. Lance thinks this is all

1:01:22.760 --> 1:01:24.920
<v Speaker 1>Jake's fault and jumps him right there at the party,

1:01:25.360 --> 1:01:28.120
<v Speaker 1>so his fall covers him in chocolate and splashes the

1:01:28.200 --> 1:01:30.920
<v Speaker 1>opera singer. Emma's parents think the party is ruined, but

1:01:31.160 --> 1:01:35.000
<v Speaker 1>the geekly sheet girls know it's just getting started. Everyone

1:01:35.080 --> 1:01:37.440
<v Speaker 1>then starts dancing to a pop song that just magically

1:01:37.480 --> 1:01:40.480
<v Speaker 1>starts playing, and then everyone breaks into a synchronized dance

1:01:40.680 --> 1:01:44.960
<v Speaker 1>my fave. Emma and Savannah also realize neither of them

1:01:45.000 --> 1:01:48.280
<v Speaker 1>invited Hallie and Avalon. Emma's parents love the taco truck,

1:01:49.080 --> 1:01:52.320
<v Speaker 1>and the dancing continues, and Pemberley gives his gift to Emma.

1:01:52.520 --> 1:01:55.120
<v Speaker 1>It's the dog she always wanted. The movie ends with

1:01:55.280 --> 1:01:57.960
<v Speaker 1>more of the magically learned dance routine that everyone just

1:01:58.040 --> 1:02:01.480
<v Speaker 1>somehow seems to know. It also include skateboard time, double

1:02:01.520 --> 1:02:03.760
<v Speaker 1>claps we pull out to show the party on the

1:02:03.840 --> 1:02:06.760
<v Speaker 1>iPad once again. It's all been part of the geekly

1:02:06.840 --> 1:02:12.080
<v Speaker 1>chic webazine of an oncoming Frenemies because that's the title

1:02:12.160 --> 1:02:16.080
<v Speaker 1>of the movie. And then we get bloopers sort of,

1:02:16.360 --> 1:02:19.040
<v Speaker 1>it's just mistakes from Murray the Dog. None of them

1:02:19.080 --> 1:02:20.800
<v Speaker 1>are really funny. They just show the audience just how

1:02:20.840 --> 1:02:24.360
<v Speaker 1>hard it is to work with animals. And that is

1:02:24.480 --> 1:02:34.920
<v Speaker 1>our movie, Sabrina. Let's do some real reviews. I think

1:02:34.960 --> 1:02:36.560
<v Speaker 1>you have the one star this week. What do we got?

1:02:40.560 --> 1:02:44.680
<v Speaker 2>Uh? I kind of don't this is it somewhat goes

1:02:44.720 --> 1:02:47.400
<v Speaker 2>into another little language for me. I don't really understand

1:02:47.400 --> 1:02:48.440
<v Speaker 2>one hundred percent of it.

1:02:48.600 --> 1:02:51.600
<v Speaker 1>This is a little too cool, I guess for I

1:02:51.640 --> 1:02:52.480
<v Speaker 1>think it's for the youngs.

1:02:52.920 --> 1:02:58.960
<v Speaker 2>Yeah, the one stars from Isaiah are this movie is trash, puke, emoji,

1:03:00.480 --> 1:03:07.120
<v Speaker 2>l ratio, bozo, clown emoji, stick to Spider Man, Comma bozo.

1:03:07.600 --> 1:03:09.280
<v Speaker 1>Okay, I didn't get a lot of it either, but

1:03:09.360 --> 1:03:10.280
<v Speaker 1>it's one star.

1:03:10.960 --> 1:03:11.840
<v Speaker 2>But it's a one star.

1:03:12.520 --> 1:03:14.480
<v Speaker 1>I have the five star this week and it's a

1:03:14.560 --> 1:03:17.720
<v Speaker 1>great five star review from Justin d It says, I

1:03:17.800 --> 1:03:20.320
<v Speaker 1>don't remember anything about this movie. All I remember from

1:03:20.320 --> 1:03:22.400
<v Speaker 1>the promos is a kid yelling at his dog. That's

1:03:22.440 --> 1:03:29.200
<v Speaker 1>animal abuse. Five stars, five stars, Justin, Why did you care?

1:03:29.480 --> 1:03:32.760
<v Speaker 1>I don't. I don't weird. I looked the other day

1:03:32.800 --> 1:03:35.479
<v Speaker 1>on the magical rewind feed. I was looking at something

1:03:35.520 --> 1:03:37.560
<v Speaker 1>and I looked at our reviews and one of them

1:03:37.640 --> 1:03:41.840
<v Speaker 1>said this is I love this podcast. It's so wonderful.

1:03:42.040 --> 1:03:46.080
<v Speaker 1>I listened to it all the time. One star, and

1:03:46.200 --> 1:03:49.320
<v Speaker 1>I thought that was great. We are now, of course,

1:03:49.440 --> 1:03:52.320
<v Speaker 1>at Sabrina's favorite portion of the podcast. It is our

1:03:52.480 --> 1:03:57.080
<v Speaker 1>feature this week, stretch it out because producer Jensen has

1:03:57.080 --> 1:03:58.840
<v Speaker 1>come up with a good one arm.

1:04:00.400 --> 1:04:01.800
<v Speaker 4>Twin Jay Dog.

1:04:02.560 --> 1:04:05.160
<v Speaker 1>It is called twin Flames. In this movie, we have

1:04:05.240 --> 1:04:07.800
<v Speaker 1>Mary Mouse are playing two characters who apparently look just

1:04:07.920 --> 1:04:10.480
<v Speaker 1>alike in surprise everybody. So we're gonna be getting the

1:04:10.560 --> 1:04:12.440
<v Speaker 1>name of a celebrity and we have to guess if

1:04:12.440 --> 1:04:16.080
<v Speaker 1>they are surprisingly a twin or not. If we can

1:04:16.160 --> 1:04:19.320
<v Speaker 1>guess yes or no correctly, three out of five we win.

1:04:19.680 --> 1:04:20.920
<v Speaker 1>Producer Jensen, are you with us?

1:04:21.080 --> 1:04:24.280
<v Speaker 4>Oh yeah, yeah, I'm a true twin to winning this week,

1:04:24.360 --> 1:04:24.840
<v Speaker 4>so good luck.

1:04:27.560 --> 1:04:32.240
<v Speaker 1>Number one Giselle Buncheon. Oh gosh, is she a twin?

1:04:32.320 --> 1:04:34.560
<v Speaker 1>Because if there's two of them, this is the most

1:04:34.640 --> 1:04:35.680
<v Speaker 1>magical thing in the world.

1:04:36.120 --> 1:04:39.240
<v Speaker 2>You gotta be Come on, give I'm gonna say.

1:04:39.200 --> 1:04:42.160
<v Speaker 1>A chance, but I'm gonna say yes, just because I

1:04:42.320 --> 1:04:45.520
<v Speaker 1>hope it's true. I'm gonna say.

1:04:45.480 --> 1:04:47.360
<v Speaker 4>Yes, she's a twin.

1:04:48.480 --> 1:04:51.240
<v Speaker 2>No identical?

1:04:51.720 --> 1:04:53.120
<v Speaker 4>Yeah, I mean they look a lot alike.

1:04:53.200 --> 1:04:58.200
<v Speaker 1>It's for sure, there's two of them. Wow, Canell's sister

1:04:58.320 --> 1:05:00.720
<v Speaker 1>being like, how am I not famous? We look the same.

1:05:00.880 --> 1:05:03.000
<v Speaker 2>I was just gonna say, how annoying would it be

1:05:03.120 --> 1:05:05.120
<v Speaker 2>of me? Like you look a lot like Giselle?

1:05:05.840 --> 1:05:09.560
<v Speaker 1>And she's like, my sister, Oh, can you imagine my

1:05:10.280 --> 1:05:17.880
<v Speaker 1>twin sister? Number two KEI for Sutherland, I'm gonna say no,

1:05:19.080 --> 1:05:20.920
<v Speaker 1>I'm say yes. I'm gonna say no.

1:05:21.320 --> 1:05:24.200
<v Speaker 4>I'm say yes for Sutherland is a twin?

1:05:24.760 --> 1:05:27.800
<v Speaker 1>Oh man, he is? So we're one on one, there's

1:05:27.880 --> 1:05:34.360
<v Speaker 1>two Sutherlands. Number three Johnny Knoxville. That's such a random name.

1:05:34.440 --> 1:05:36.280
<v Speaker 1>But oh god, it's so random because he's either a

1:05:36.320 --> 1:05:38.880
<v Speaker 1>twin or Jensen. Just pulling random names. That's the problem

1:05:38.920 --> 1:05:39.400
<v Speaker 1>with this guy.

1:05:39.520 --> 1:05:44.080
<v Speaker 2>I honestly feel like I think he's a twin too.

1:05:44.360 --> 1:05:44.960
<v Speaker 2>I think he is.

1:05:45.400 --> 1:05:46.840
<v Speaker 1>Okay, Well, would you think this is going to be

1:05:46.880 --> 1:05:48.320
<v Speaker 1>one of those lists where all five of them are

1:05:48.360 --> 1:05:49.120
<v Speaker 1>actually twins?

1:05:50.400 --> 1:05:50.760
<v Speaker 2>Maybe?

1:05:51.040 --> 1:05:53.840
<v Speaker 1>Okay, so then I'll say yes that then he's a

1:05:53.920 --> 1:05:54.480
<v Speaker 1>twin with you.

1:05:55.480 --> 1:05:58.360
<v Speaker 4>Okay, I will say that. My favorite part about writing

1:05:58.440 --> 1:06:03.120
<v Speaker 4>these quizzes finding a name that feels like it's real

1:06:03.280 --> 1:06:06.280
<v Speaker 4>but it's n He did it, honestly. If I could

1:06:06.280 --> 1:06:07.760
<v Speaker 4>do it all day for a living. I don't know

1:06:07.840 --> 1:06:09.440
<v Speaker 4>how I would make that job, but i'd like to.

1:06:09.560 --> 1:06:11.080
<v Speaker 4>And no, dine out. Sill is not a twin.

1:06:11.440 --> 1:06:14.720
<v Speaker 2>Ah, Okay, man, you know what, because I feel like

1:06:14.800 --> 1:06:17.560
<v Speaker 2>if he was, he'd be in he'd have to be

1:06:17.760 --> 1:06:20.280
<v Speaker 2>in his shows, like they would prank him like crazy

1:06:20.600 --> 1:06:21.840
<v Speaker 2>or use him for pers Oh.

1:06:21.960 --> 1:06:24.520
<v Speaker 1>Yeah that's true. Yeah that's true. Okay, See now you're okay.

1:06:24.720 --> 1:06:27.400
<v Speaker 1>So we've we've each gotten one right so far, so

1:06:27.440 --> 1:06:30.160
<v Speaker 1>we've got to get the next two right. Number four.

1:06:30.640 --> 1:06:31.560
<v Speaker 1>Parker Posey.

1:06:32.640 --> 1:06:33.479
<v Speaker 2>I don't know who Parker.

1:06:33.840 --> 1:06:35.840
<v Speaker 1>You don't know Parker Posey is? Parker Posey is great?

1:06:36.000 --> 1:06:37.440
<v Speaker 1>Do you ever see like waiting for Guffman.

1:06:38.920 --> 1:06:40.400
<v Speaker 4>Well, she's having a big moment right now.

1:06:40.480 --> 1:06:42.760
<v Speaker 1>She's having she's on Yes, she's on white loads.

1:06:43.200 --> 1:06:45.160
<v Speaker 4>She's the star of the new white loadus to stand out.

1:06:45.360 --> 1:06:51.960
<v Speaker 2>Oh okay, yes, okay, okay, okay, I'm gonna say no, no.

1:06:52.760 --> 1:06:56.560
<v Speaker 4>No, Parker posey positively a twin?

1:06:57.240 --> 1:06:59.280
<v Speaker 1>Oh come on? Really? Yep?

1:07:00.080 --> 1:07:03.280
<v Speaker 4>I mean, I don't know why that matters, Sabrina, but

1:07:03.400 --> 1:07:08.920
<v Speaker 4>I think I like, she can't believe that it's.

1:07:10.440 --> 1:07:15.200
<v Speaker 2>Because because it's you. If you say, okay, this, don't come,

1:07:15.560 --> 1:07:17.600
<v Speaker 2>don't come for me. But when it's like you're doing

1:07:17.680 --> 1:07:20.640
<v Speaker 2>something like this and it's a twin that's not even

1:07:20.680 --> 1:07:22.640
<v Speaker 2>the same sex as you, like it's like a boy.

1:07:22.520 --> 1:07:25.000
<v Speaker 4>Twin, it's like it is it is a boy twin.

1:07:25.480 --> 1:07:28.080
<v Speaker 2>Okay, that makes a difference. Like Giselle, if it was

1:07:28.080 --> 1:07:31.040
<v Speaker 2>a boy twin, I would not get definitely that it's

1:07:31.080 --> 1:07:33.360
<v Speaker 2>a girl that's killing.

1:07:33.640 --> 1:07:36.080
<v Speaker 1>I saw a picture of Jazelle's twin or Patricia. It's

1:07:36.120 --> 1:07:37.800
<v Speaker 1>on your phone. You can look at it. It's she's

1:07:37.880 --> 1:07:38.640
<v Speaker 1>she's pretty.

1:07:38.520 --> 1:07:40.200
<v Speaker 4>She's pretty, stunning, she looks like.

1:07:43.480 --> 1:07:50.160
<v Speaker 1>Pretty, she's pretty. Man number five weird Al Yankovic.

1:07:52.120 --> 1:07:54.120
<v Speaker 2>Now, this makes me feel after he said that about

1:07:54.160 --> 1:07:56.320
<v Speaker 2>Johnny Knoxville. But he might have said it just set

1:07:56.400 --> 1:07:57.680
<v Speaker 2>me up. But it makes me feel like.

1:07:57.720 --> 1:07:59.600
<v Speaker 1>I'm gonna say no. I'm gonna say no, I'm gonna

1:07:59.600 --> 1:08:01.880
<v Speaker 1>say no, can't No, it's not.

1:08:02.280 --> 1:08:04.920
<v Speaker 4>But I wish you did. I wish it was normal.

1:08:05.080 --> 1:08:05.840
<v Speaker 4>Sally Yanka that.

1:08:10.040 --> 1:08:11.120
<v Speaker 1>Did you get three? Did you win?

1:08:11.680 --> 1:08:15.320
<v Speaker 2>I finally, yes, I did. I said no for the

1:08:15.400 --> 1:08:16.599
<v Speaker 2>fifth one, which means I won.

1:08:17.080 --> 1:08:18.360
<v Speaker 1>Did you get three?

1:08:18.479 --> 1:08:21.400
<v Speaker 4>I'm so used to saying no, I'm sorry, Okay, I

1:08:21.479 --> 1:08:21.920
<v Speaker 4>didn't wait.

1:08:22.760 --> 1:08:25.200
<v Speaker 2>Oh I no, I didn't win. I thought I said

1:08:25.240 --> 1:08:28.519
<v Speaker 2>no to yourself. I got number two, right, I got

1:08:28.600 --> 1:08:30.160
<v Speaker 2>number two, number five?

1:08:31.439 --> 1:08:38.160
<v Speaker 1>Ok, thank you so much. Producer Jet said, yikes, can

1:08:38.240 --> 1:08:44.240
<v Speaker 1>we now do a Sabrina SAEs? Okay?

1:08:44.479 --> 1:08:47.040
<v Speaker 2>So I really didn't have a lot. There were things

1:08:47.080 --> 1:08:51.640
<v Speaker 2>that just threw me off, like this is how I

1:08:51.760 --> 1:08:54.439
<v Speaker 2>had to I had to kind of rewatch things because

1:08:54.479 --> 1:08:58.880
<v Speaker 2>I was going, I'm so lost and so not not

1:08:59.160 --> 1:09:01.240
<v Speaker 2>in these that I had to kind of rewatch. So

1:09:01.280 --> 1:09:03.200
<v Speaker 2>I was trying to find just random stuff like the

1:09:03.320 --> 1:09:06.479
<v Speaker 2>dusty rose color for the wall, like what a weird

1:09:06.600 --> 1:09:08.000
<v Speaker 2>color for a living room wall?

1:09:08.040 --> 1:09:08.960
<v Speaker 4>Please don't do that.

1:09:09.080 --> 1:09:12.560
<v Speaker 2>That looks that's crazy. Then a big home alone with

1:09:12.680 --> 1:09:15.160
<v Speaker 2>the girl or in the room with the girl that

1:09:15.320 --> 1:09:19.040
<v Speaker 2>was like still just a huge thing for me. They

1:09:19.120 --> 1:09:23.120
<v Speaker 2>had I I missed him when I rewatched it because

1:09:23.160 --> 1:09:27.439
<v Speaker 2>I was again finding myself halfway rewatching. But they had

1:09:27.479 --> 1:09:29.479
<v Speaker 2>a lot of things like when she talks about the

1:09:29.560 --> 1:09:32.360
<v Speaker 2>manny petty, then she does like a little like so

1:09:32.560 --> 1:09:35.880
<v Speaker 2>I can hand in my paper. And then when the

1:09:36.000 --> 1:09:38.760
<v Speaker 2>twin one that they she I couldn't find which way

1:09:38.800 --> 1:09:40.240
<v Speaker 2>it was, but I was trying to find that. They

1:09:40.280 --> 1:09:43.000
<v Speaker 2>had like a couple of those little like nerd nerderder,

1:09:45.320 --> 1:09:47.720
<v Speaker 2>and it was again just going just going for that

1:09:47.960 --> 1:09:50.560
<v Speaker 2>young comedy for the kids, like a lot of it

1:09:50.720 --> 1:09:52.120
<v Speaker 2>was just a lot of young comedy.

1:09:53.200 --> 1:09:55.000
<v Speaker 4>And then I was just.

1:09:55.080 --> 1:09:58.400
<v Speaker 2>Gonna say that the first one really took me back

1:09:58.439 --> 1:10:02.439
<v Speaker 2>to I had my dog Rocky, who's no longer with

1:10:02.640 --> 1:10:04.920
<v Speaker 2>me and I miss him all the time. Was the

1:10:05.000 --> 1:10:09.360
<v Speaker 2>best little dog, right, And I had a boyfriend very

1:10:09.520 --> 1:10:13.080
<v Speaker 2>early on or just pretty close to before I met Jordan.

1:10:13.160 --> 1:10:17.640
<v Speaker 2>The boyfriend I had before Rocky hated him, hated him,

1:10:17.680 --> 1:10:19.680
<v Speaker 2>and he's a little mini shit so he doesn't really

1:10:19.720 --> 1:10:22.000
<v Speaker 2>honestly care about anyone. He was like the dog that

1:10:22.200 --> 1:10:24.680
<v Speaker 2>just like would just cuddle you'd forget he was there.

1:10:25.200 --> 1:10:27.800
<v Speaker 2>Hated him so much, and he would antagonize him so

1:10:27.920 --> 1:10:31.800
<v Speaker 2>much that one time Rocky wet for his face. He

1:10:31.920 --> 1:10:33.720
<v Speaker 2>was like in his face, like growling at him, and

1:10:33.840 --> 1:10:37.439
<v Speaker 2>Rocky went for him, got him, and I grabbed Rocky

1:10:37.479 --> 1:10:39.160
<v Speaker 2>and ran out the door because I thought he was

1:10:39.200 --> 1:10:42.040
<v Speaker 2>going to kill him. And I was like, dogs, do

1:10:42.439 --> 1:10:46.519
<v Speaker 2>know when people come into your life, you must listen

1:10:46.640 --> 1:10:49.360
<v Speaker 2>to them, because I wish it was that moment that

1:10:49.439 --> 1:10:50.800
<v Speaker 2>I was like, you gotta go, and.

1:10:50.840 --> 1:10:53.360
<v Speaker 1>He was Rocky in your dog's face.

1:10:53.840 --> 1:10:56.200
<v Speaker 2>Yeah, he was just like playing like but it wasn't

1:10:56.320 --> 1:10:59.240
<v Speaker 2>like how you like. It was like he was being mean.

1:11:00.160 --> 1:11:02.240
<v Speaker 2>Ask him to stop doing that because I could tell Rocky,

1:11:02.320 --> 1:11:04.880
<v Speaker 2>and Rocky was not a hyper dog in any sense.

1:11:05.040 --> 1:11:07.400
<v Speaker 2>He was a shit to He just chilled. Yeah, he

1:11:07.439 --> 1:11:09.479
<v Speaker 2>could take him anywhere. No one ever really knew he

1:11:09.600 --> 1:11:12.439
<v Speaker 2>was with me because it was just an awesome little dog.

1:11:12.880 --> 1:11:14.800
<v Speaker 2>And when he grew, when he got him, he got

1:11:14.920 --> 1:11:15.240
<v Speaker 2>him good.

1:11:15.280 --> 1:11:18.680
<v Speaker 1>And I was like, that's he break skin? Was he believing? Oh?

1:11:18.800 --> 1:11:20.920
<v Speaker 2>Yeah he did? And I mean that was crazy to

1:11:21.000 --> 1:11:24.120
<v Speaker 2>because Rocky had never bit anyone, like, not even anything

1:11:24.360 --> 1:11:24.600
<v Speaker 2>like that.

1:11:25.040 --> 1:11:25.960
<v Speaker 1>He knew he knew.

1:11:26.200 --> 1:11:29.439
<v Speaker 2>So listeners out there, if you have dogs that don't

1:11:30.000 --> 1:11:32.559
<v Speaker 2>like someone that you are bringing into their lives because

1:11:32.600 --> 1:11:33.960
<v Speaker 2>it is their lives as well.

1:11:34.200 --> 1:11:37.840
<v Speaker 1>Yeah, they got it, got it go? Yes, I agree,

1:11:37.840 --> 1:11:41.439
<v Speaker 1>one hundred percent, one hundred percent. Okay, So it's now time,

1:11:41.479 --> 1:11:43.840
<v Speaker 1>of course, to rate our program. And we're gonna do

1:11:43.880 --> 1:11:45.920
<v Speaker 1>one out of ten this week, I think, and we're

1:11:45.920 --> 1:11:48.640
<v Speaker 1>gonna make ten the best. Let's do that. It's just

1:11:48.680 --> 1:11:51.559
<v Speaker 1>fun to switch it up. So here are options. This week.

1:11:51.600 --> 1:11:54.640
<v Speaker 1>We've got one out of ten Tony Hawk kickflips, one

1:11:54.680 --> 1:11:59.599
<v Speaker 1>out of ten cow poop experiments, Johnny Depp scarves, sexy

1:11:59.720 --> 1:12:04.680
<v Speaker 1>GPS systems, totally cracking, duded up wardrobes, one out of ten,

1:12:04.840 --> 1:12:08.559
<v Speaker 1>Best Friends for Never, one at a ten, Lucy del

1:12:08.600 --> 1:12:12.840
<v Speaker 1>Goosey's or one out of ten titles of the movie.

1:12:13.120 --> 1:12:16.559
<v Speaker 1>I also like Tony Gox or rich people who don't

1:12:16.640 --> 1:12:19.360
<v Speaker 1>know Tacos. I think I get to pick this this,

1:12:19.680 --> 1:12:22.360
<v Speaker 1>I think you do? I think I do. Now, this

1:12:22.520 --> 1:12:24.519
<v Speaker 1>is tough for me because I would love to do

1:12:24.640 --> 1:12:28.240
<v Speaker 1>best Friends for Never because it's great. But rich people

1:12:28.240 --> 1:12:30.400
<v Speaker 1>who don't know Tacos is just kind of awesome. So

1:12:30.560 --> 1:12:32.040
<v Speaker 1>I think we have to do one out of ten

1:12:32.600 --> 1:12:34.599
<v Speaker 1>rich people who don't know Tacos. I also think it's

1:12:34.680 --> 1:12:36.640
<v Speaker 1>my turn to go first, isn't it. I think you

1:12:36.720 --> 1:12:37.639
<v Speaker 1>went first last time.

1:12:38.760 --> 1:12:42.760
<v Speaker 2>I honestly we got track.

1:12:44.040 --> 1:12:47.799
<v Speaker 1>Yeah, I think, I think, so I'll go first this time. Okay,

1:12:50.720 --> 1:12:55.040
<v Speaker 1>if I watch this as a ten year old, it's

1:12:55.160 --> 1:12:58.519
<v Speaker 1>probably a six or a seven six and a half

1:12:59.439 --> 1:13:01.439
<v Speaker 1>rich people don't know Tacos. I still don't think it's

1:13:01.479 --> 1:13:03.240
<v Speaker 1>a great movie for kids ten or eleven, but it's

1:13:04.400 --> 1:13:08.559
<v Speaker 1>clearly focused on the younger crowd, so I could see

1:13:09.240 --> 1:13:12.240
<v Speaker 1>if I was judging it that way, I could say

1:13:12.720 --> 1:13:15.280
<v Speaker 1>it's a six point five, maybe even a soft seven

1:13:16.000 --> 1:13:18.240
<v Speaker 1>rich people who don't know tacos. But I didn't watch

1:13:18.280 --> 1:13:21.360
<v Speaker 1>it that way. I watched it as a movie, and

1:13:21.640 --> 1:13:24.920
<v Speaker 1>watching it as a movie, I'm gonna give this four

1:13:24.960 --> 1:13:29.680
<v Speaker 1>and a half rich people who don't know Tacos. I know.

1:13:30.080 --> 1:13:33.719
<v Speaker 1>First of all, Zindai is great. She's great, Bella Thorne

1:13:33.840 --> 1:13:36.479
<v Speaker 1>was great. None of the there's great. Some of the

1:13:36.600 --> 1:13:41.440
<v Speaker 1>small acting bits were not great. But Mary Mouser phenomenal

1:13:41.520 --> 1:13:44.320
<v Speaker 1>in the movie. She played like four characters, the guy

1:13:44.320 --> 1:13:46.919
<v Speaker 1>who played Jake, none of that. None of the acting

1:13:47.560 --> 1:13:50.160
<v Speaker 1>was bad at all. I mean it was not, But

1:13:50.400 --> 1:13:53.160
<v Speaker 1>the story didn't make any sense. They didn't really connect

1:13:53.479 --> 1:13:55.240
<v Speaker 1>A lot of it just didn't make it, and then

1:13:55.280 --> 1:13:57.680
<v Speaker 1>they'd break into random stuff for no re. I just

1:13:58.040 --> 1:14:00.720
<v Speaker 1>I didn't get it. I could go. So I'll make

1:14:00.720 --> 1:14:03.000
<v Speaker 1>it a soft five. We'll do that. It's gonna be

1:14:03.320 --> 1:14:06.400
<v Speaker 1>five rich people who don't know tacos for me because

1:14:06.400 --> 1:14:08.599
<v Speaker 1>I can only watch it as I am. I can't

1:14:08.640 --> 1:14:10.559
<v Speaker 1>watch it as a ten year old, so I get

1:14:10.600 --> 1:14:12.439
<v Speaker 1>what they were going for. But this was not a

1:14:12.520 --> 1:14:13.599
<v Speaker 1>particularly good movie.

1:14:14.120 --> 1:14:18.519
<v Speaker 2>Yeah, I wish they would have gotten taken that middle section,

1:14:19.000 --> 1:14:21.040
<v Speaker 2>give it a little bit of a rewrite, and make.

1:14:20.960 --> 1:14:23.400
<v Speaker 1>It what the whole make it the movie cam was.

1:14:23.479 --> 1:14:26.439
<v Speaker 2>I don't think we it was necessary to have these three.

1:14:26.960 --> 1:14:29.439
<v Speaker 2>I don't know if this had to do with bringing

1:14:29.520 --> 1:14:31.800
<v Speaker 2>in a new director or like what it was, and

1:14:31.840 --> 1:14:33.680
<v Speaker 2>they were trying to just I think they were just

1:14:33.800 --> 1:14:36.639
<v Speaker 2>trying something different, you know what I mean? Maybe nine,

1:14:36.960 --> 1:14:40.080
<v Speaker 2>which is fine. It just means I'm hoping that this

1:14:40.200 --> 1:14:42.760
<v Speaker 2>didn't wasn't a trend that continued, because if we have

1:14:42.840 --> 1:14:45.559
<v Speaker 2>to watch fifteen of these kinds of movies, I'm gonna

1:14:45.560 --> 1:14:51.880
<v Speaker 2>really so I'm hoping they saw it was kind of

1:14:51.960 --> 1:14:57.400
<v Speaker 2>a miss, and you know, zendeya watching her on film,

1:14:57.840 --> 1:15:01.240
<v Speaker 2>I would watch She's that middle se for ninety minutes,

1:15:01.320 --> 1:15:02.479
<v Speaker 2>no problem, and the.

1:15:02.520 --> 1:15:06.000
<v Speaker 1>Two of them were great together that it made me go.

1:15:06.080 --> 1:15:08.120
<v Speaker 2>God, I want to kind of go back and start

1:15:08.160 --> 1:15:11.880
<v Speaker 2>watching their show because their connection and their chemistry was

1:15:12.320 --> 1:15:16.120
<v Speaker 2>so adorable and so amazing. But when it comes to

1:15:16.280 --> 1:15:20.160
<v Speaker 2>this movie, like I said, I had to go back

1:15:20.240 --> 1:15:23.200
<v Speaker 2>and rewatch stuff because I zoned out, I got up,

1:15:23.280 --> 1:15:26.679
<v Speaker 2>I paused. It wasn't a movie that I watched front

1:15:26.720 --> 1:15:29.040
<v Speaker 2>to back. Like I love watching so many of these

1:15:29.160 --> 1:15:33.919
<v Speaker 2>d cooms. I'm positive there's going to be another Zendeia

1:15:34.000 --> 1:15:36.720
<v Speaker 2>movie out there for us to watch d coms. There's

1:15:36.800 --> 1:15:39.439
<v Speaker 2>definitely another one, at least I want to say there's

1:15:39.439 --> 1:15:43.800
<v Speaker 2>at least one more. There is, thank you, Lisa, and

1:15:43.880 --> 1:15:45.840
<v Speaker 2>I want to watch that soon because I need to

1:15:45.880 --> 1:15:47.559
<v Speaker 2>see her in a better dcom than what we.

1:15:47.600 --> 1:15:51.120
<v Speaker 4>Had this movie. You say that, I think Zendaya in

1:15:51.320 --> 1:15:53.880
<v Speaker 4>Challengers was like the best movie of last year. I

1:15:54.000 --> 1:15:55.559
<v Speaker 4>thought it was really really great.

1:15:55.720 --> 1:16:00.320
<v Speaker 1>So I watched Okay for whatever she does, That's what

1:16:00.400 --> 1:16:01.439
<v Speaker 1>I mean. That's what I mean.

1:16:01.600 --> 1:16:03.280
<v Speaker 2>So I think my rating is going to be a

1:16:03.280 --> 1:16:05.840
<v Speaker 2>little bit higher because of that, and I'm gonna go

1:16:06.320 --> 1:16:10.639
<v Speaker 2>with the six point five Wow okay, rich peoples without tacos,

1:16:10.720 --> 1:16:14.040
<v Speaker 2>because I do think that this the channel does have

1:16:14.200 --> 1:16:16.720
<v Speaker 2>to switch who they're catering to. They can't always cater

1:16:16.800 --> 1:16:19.840
<v Speaker 2>to the exact audience. This was a young movie, too

1:16:19.960 --> 1:16:21.479
<v Speaker 2>young for me to watch at this point.

1:16:21.800 --> 1:16:22.200
<v Speaker 4>I agree.

1:16:22.200 --> 1:16:23.720
<v Speaker 1>I agree with you one hundred percent. I think that's fair.

1:16:23.840 --> 1:16:26.720
<v Speaker 1>I get I'm harsh, but only because it just wasn't

1:16:26.760 --> 1:16:28.639
<v Speaker 1>good for me. But anyway, thank you so much.

1:16:29.000 --> 1:16:34.040
<v Speaker 2>The dance that dance part for me exactly pushed it

1:16:34.120 --> 1:16:36.080
<v Speaker 2>up for me. It made me go, I'm so glad.

1:16:36.080 --> 1:16:38.040
<v Speaker 2>I waited till the end of this movie to be

1:16:38.080 --> 1:16:39.920
<v Speaker 2>able to finally see the two of them do a

1:16:39.960 --> 1:16:41.840
<v Speaker 2>little dance number where and I was watching.

1:16:42.240 --> 1:16:44.960
<v Speaker 1>They're dancing a sudden what the hell is happening?

1:16:45.120 --> 1:16:48.719
<v Speaker 2>The skateboard adding the skateboard propping because of the skater

1:16:48.920 --> 1:16:51.160
<v Speaker 2>in the movie like that was cute. I liked it,

1:16:51.280 --> 1:16:52.920
<v Speaker 2>I was in it, and I thought the choreography was

1:16:52.960 --> 1:16:54.679
<v Speaker 2>pretty good. So six point five.

1:16:54.720 --> 1:16:58.639
<v Speaker 1>There you good anyway. Anyway, thank you everybody for joining

1:16:58.720 --> 1:17:00.719
<v Speaker 1>us for this episode of Magical rein On. Our next

1:17:00.880 --> 1:17:03.440
<v Speaker 1>movie is going to be two thousand and five's American

1:17:03.600 --> 1:17:08.360
<v Speaker 1>Western Buffalo Dreams, available now on Disney Plus. What is

1:17:08.400 --> 1:17:09.160
<v Speaker 1>it you know this movie?

1:17:09.880 --> 1:17:13.200
<v Speaker 2>No? I just we have on our chat been talking

1:17:13.280 --> 1:17:16.400
<v Speaker 2>about this movie and I everyone that keeps coming up

1:17:16.520 --> 1:17:19.599
<v Speaker 2>in this cast. I am so excited to watch.

1:17:19.840 --> 1:17:21.920
<v Speaker 1>I know nothing about this so I can't wait. This

1:17:22.040 --> 1:17:24.360
<v Speaker 1>is gonna be fun. Yeah, So you go ahead and

1:17:24.360 --> 1:17:25.599
<v Speaker 1>watch it if you want to prep for our little

1:17:25.600 --> 1:17:28.640
<v Speaker 1>analysis there, And as always, please remember to subscribe to

1:17:28.800 --> 1:17:31.599
<v Speaker 1>our dedicated Magical Rewind feed because we have week after

1:17:31.720 --> 1:17:35.160
<v Speaker 1>week after week of exciting interviews of Disney and dcom legends.

1:17:35.600 --> 1:17:37.600
<v Speaker 1>Just search for us on your favorite streaming service like

1:17:37.600 --> 1:17:41.240
<v Speaker 1>Apple Podcasts, the iHeartRadio app, or wherever you get your podcasts.

1:17:41.240 --> 1:17:43.560
<v Speaker 1>I promise you it's well worth it. And if you

1:17:43.600 --> 1:17:45.400
<v Speaker 1>want more info, you can follow us at the Magical

1:17:45.439 --> 1:17:48.120
<v Speaker 1>Rewind Pod on the Instagram Machine. You can go do

1:17:48.280 --> 1:17:50.639
<v Speaker 1>that now. Thanks everybody, We'll see you next time. Bye

1:17:51.200 --> 1:18:02.600
<v Speaker 1>bye U