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Speaker 1: Sabrina Will, did you have any friends that weren't really

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Speaker 1: friends that were then enemies that were then for I

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Speaker 1: don't even want to use the word yet, I'm just

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Speaker 1: wondering if you had.

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Speaker 2: Yeah, of course you do. I think remember I had

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Speaker 2: like different lives, right. I had girls that when I

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Speaker 2: was auditioning, especially in the dance world, that we were

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Speaker 2: cool because we would book things together and we work together,

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Speaker 2: and we'd see each other on auditions all the time dancing.

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Speaker 2: But like when it came to the actual audition part

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Speaker 2: in the beginning, the lobby, while we're waiting to get in, right,

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Speaker 2: you're cool, You're hanging out like, oh you want sharing

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Speaker 2: snacks things like that, right, yeah, And then you get

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Speaker 2: into the audition and it's like game on. And you know,

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Speaker 2: especially when you had somebody who looked a lot like

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Speaker 2: you, you know you it was like you loved them and

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Speaker 2: you wanted them to get them. But if it was

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Speaker 2: going to be them or you, it had to be you,

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Speaker 2: black guy exactly. Yeah, there were times where you know,

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Speaker 2: if someone was going to take the job from you,

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Speaker 2: it was that person.

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Speaker 1: Was it cut through? I mean, was it ever like

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Speaker 1: oh my god.

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Speaker 2: You know it was more so cut through. I feel

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Speaker 2: like with some of the stage mom life on the

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Speaker 2: dance tample is so real. It's so so real. Mom's that.

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Speaker 2: I mean. My dad was always the one that was

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Speaker 2: with me, and he would just say, don't you let

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Speaker 2: that mom psych you out? Don't you Oh you they

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Speaker 2: really care cry oh yeah, oh you know, Sabrina, they're

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Speaker 2: only taking twelve and I heard there's only room for

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Speaker 2: two brunettes, you know, and it's like, wow, okay, okay.

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Speaker 2: You know, my dad would be like, don't you let

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Speaker 2: them psych you out. If there's gonna be two bernttes,

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Speaker 2: you're gonna be number one. So you just go out

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Speaker 2: there and do your thing. You know. My dad had

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Speaker 2: to like help me like kind of maintain the mental

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Speaker 2: state of what it is. But you know, I think

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Speaker 2: in school it's different because there's really not supposed to

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Speaker 2: be any kind of competitive drive. School it was you

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Speaker 2: were friends with everyone. But I think the hardest part

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Speaker 2: was frenemies were more so like friends that you were

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Speaker 2: really close with and then for whatever reason that friendship

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Speaker 2: kind of went away and a new friend came along

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Speaker 2: or whatever it was. But it wasn't like a competitive

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Speaker 2: thing that I think a lot of times happens.

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Speaker 1: You can also notice it a lot with girls sometimes,

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Speaker 1: like you would always see the girls that would do

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Speaker 1: the big out hug, like they'd hug each other to

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Speaker 1: the top, but their way.

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Speaker 2: Out of the voices get a little higher exactly.

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Speaker 1: Where guys just like you or they fight, that's just okay.

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Speaker 2: So I was going to ask you, did you have

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Speaker 2: any friends out you have.

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Speaker 1: Friends or you have enemies? You don't, there's no there's

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Speaker 1: because very little fakeness with with younger guys where it's

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Speaker 1: like I'm gonna fake this friendship. It's you, I like

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Speaker 1: you or I don't like you. It's yeah, kind of

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Speaker 1: very straightforward. I don't know which one's healthier.

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Speaker 2: Frankly, I honestly I don't either. I think what's nice

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Speaker 2: about watching guy friendships too, was like you were right

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Speaker 2: if there was a problem, you know, I don't I

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Speaker 2: didn't don't necessarily love that I had to be a

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Speaker 2: physical altercation. But it was like once it got out

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Speaker 2: of their systems, they were settled. They either went their

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Speaker 2: separate ways or it was settled in some where.

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Speaker 3: Girls man that last for years, right, girl, I remember

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Speaker 3: in high school, I would see girls and like after

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Speaker 3: I was like done with college and like had already

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Speaker 3: done the Cheetah girls and all that and stuff, and

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Speaker 3: then you know, pops up and they're still going.

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Speaker 1: Now I've ever been in my life everything Landa, Oh,

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Speaker 1: don't get me started. I was just in a good mood, Sabrita. No,

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Speaker 1: the only fist fight I've ever had in my life

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Speaker 1: was with Andy Foss at the library. We fought, he

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Speaker 1: won that night. We were at a party. We were

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Speaker 1: friends before and after. It's just the way boys are

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Speaker 1: very very strange. Wow, oh my, well, everybody, welcome back

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Speaker 1: to Magical Rewind, the show that makes you want to

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Speaker 1: grab your friends, your pjs and your popcorn and go

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Speaker 1: back to a time and all the houses were marched,

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Speaker 1: the wave tsunamis and I was getting beaten up behind

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Speaker 1: a library. I'm Wilfred Andy and.

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Speaker 2: Of Sabrina Brian.

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Speaker 1: This week on Magical Rewind, we love the drama. We're

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Speaker 1: ready to spill all the teenage tea with twenty twelves

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Speaker 1: teen comedy anthology Frenemies. First, Sabrina, were you aware of

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Speaker 1: what an anthology film was and that this was an

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Speaker 1: anthology film before we went in.

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Speaker 2: I did not. I did not enlighten me unlike Nah,

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Speaker 2: I didn't know that it was one. I don't even

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Speaker 2: know what you're talking about. Enlighten me, miss so well.

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Speaker 1: Anthology movies consists of multiple short stories seen over one movie,

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Speaker 1: often connected by a common theme or framing device. Some

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Speaker 1: famous anthologies include creep Show, Pulp Fiction, Twilight Zone, the

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Speaker 1: movie The Ballad of Buster Scrubs. There's plenty out there.

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Speaker 1: I would also put in even though they're comedic sketches,

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Speaker 1: stuff like Amazon Women on the Moon, so it's like

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Speaker 1: different sketches altogether that might have one through line going

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Speaker 1: through that as an anthology, and.

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Speaker 2: I had because that would have saved me lots and

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Speaker 2: lots of minutes of being very freaking confused, I.

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Speaker 1: Used by what's going on. So well, let's get into it.

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Speaker 1: Let's see if we can untie some of both of

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Speaker 1: our confusion. Because Frenemies was based on the novel the

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Speaker 1: same name by author Alexi Young, but the term Frenemies

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Speaker 1: actually was coined all the way back in nineteen fifty

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Speaker 1: three by American gossip colonists the famous Walter Winchell, who

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Speaker 1: used it to describe the tense relationship between the United

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Speaker 1: States and the Soviet Union frenemies. The movie debuted on

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Speaker 1: the Disney Channel on January thirteenth, twenty twelve, and were

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Speaker 1: shot in Toronto, Canada. Yes, Worry are back in Canada.

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Speaker 1: People using flip the coin and at Canadian heads using

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Speaker 1: local school our Lady Queen of the World Catholic Academy

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Speaker 1: say that five times fast where their actual students were

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Speaker 1: background actors, and in this case something rare occurred. While

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Speaker 1: in Canada. Usually the production companies do a great job

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Speaker 1: transforming the Great North to look like anywhere they want.

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Speaker 1: I you know, throw your gaze to every movie we've

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Speaker 1: talked about. My date with the President's daughter is in Washington,

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Speaker 1: d C. Girls was where New York City. It can

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Speaker 1: be anywhere and they never you never know. But in

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Speaker 1: some scenes in this movie you can actually see Conservative

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Speaker 1: Party of Canada general election signs in the background. So

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Speaker 1: you can run, but you cannot hide from Canada in

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Speaker 1: the end. It was a very rare mistake, but one

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Speaker 1: that was fun to see. It had a large audience

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Speaker 1: for the premiere, actually clocking in four point two million

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Speaker 1: viewers domestically, with a huge international rollout as well with

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Speaker 1: promos in Ireland, the UK, South Africa, and the Philippines

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Speaker 1: who knew Team Gossip was so universally understood. Also, for

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Speaker 1: all you true Rewinders out there, this was the last

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Speaker 1: dcom to end with the two thousand and seven Disney

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Speaker 1: Channel original logo. Since Radio Rebel was a co production

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Speaker 1: with a Canadian company, this one got that distinction. One

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Speaker 1: other common thread in analogy movies is a very large cast,

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Speaker 1: since we're seeing many stories, each with their own group

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Speaker 1: of actors, and for Disney, this is obviously a perfect

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Speaker 1: way to spotlight a ton of their homegrown talent, especially

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Speaker 1: one that was on a meteor rise throughout Hollywood and

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Speaker 1: I think you know who that is. Also, with a

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Speaker 1: cast this big, it will create a bit of a

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Speaker 1: summer camp feeling when they film out of the country,

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Speaker 1: especially tons of teens just filming a movie together. And reportedly,

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Speaker 1: and this is really cool, the lead actresses all had

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Speaker 1: slumber parties while shooting. Is not cute. And as usual,

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Speaker 1: Frenemies is on Disney Plus for your viewing pleasure, So

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Speaker 1: stream it now or wait after you hear our opinions.

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Speaker 1: If you aren't sure how you want to do it,

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Speaker 1: ask a teacher, ask a local priest. Whoever you trust,

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Speaker 1: they'll help you out, but make sure that you really

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Speaker 1: trust them, Sabrina, had you heard of Frenemies before it

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Speaker 1: became required homework viewing for our lovely podcast?

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Speaker 2: The only thing I knew about Frenemies was that had

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Speaker 2: our amazing lead actress in it, or one of them.

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Speaker 2: There's two of them. I didn't know the second one,

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Speaker 2: but the first one I did, and I was excited

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Speaker 2: to watch. I am a huge fan. Actually not a

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Speaker 2: big fan of hers when, like I said two thousand

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Speaker 2: and seven, that time wasn't really a time where I

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Speaker 2: was watching a lot of Disney Channel. But I am

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Speaker 2: a fan of as she's grown into her now adult

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Speaker 2: career and will literally watch her in anything I don't care,

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Speaker 2: I will purchase, I will do it all just to

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Speaker 2: see her because she's a shining star.

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Speaker 1: She she really does light up the screen. I'd never

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Speaker 1: heard of it, obviously, Yeah, but let's get to our

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Speaker 1: synopsis for the people out there that haven't heard of

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Speaker 1: it and for the people that have. Frenemies follows three

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Speaker 1: intertwined stories of friends whose relationships are tested and as

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Speaker 1: conflicts arise, each duo must decide whether their friendship is

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Speaker 1: worth saving or if they're better off as enemies, which

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Speaker 1: is something Sabrina and I plan on doing at the

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Speaker 1: end of this episode, to stick around and find out

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Speaker 1: if we stay friends or not. All right, Early thoughts

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Speaker 1: on the movie, Sabrina, what did you think of friend?

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Speaker 2: I had a hard time with the stagnant story changes

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Speaker 2: and things like that. I think if I knew that

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Speaker 2: going in, it would have been a little bit more.

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Speaker 2: But for me, I was trying to figure out what

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Speaker 2: the hell's going on, how these characters relate to each other.

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Speaker 2: It was really tough. I mean to the point where

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Speaker 2: I got twelve minutes in I paused it and went, shit,

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Speaker 2: I'm watching the wrong one. It has to be the

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Speaker 2: wrong one.

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Speaker 1: Zanda has not come on.

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Speaker 2: The scene yet. Where is this? Like I literally I

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Speaker 2: was so confused, and so I stopped it. I like

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Speaker 2: turned my app on and off like everything on my

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Speaker 2: TV to just figure out what why this was not

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Speaker 2: going correctly. I wasted lots of time with it, realized Okay,

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Speaker 2: this is it because she's you know. It was. It

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Speaker 2: was confusing, So I was like kind of irritated at

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Speaker 2: the beginning of it, halfway through that first of the

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Speaker 2: three segments, and then you know, it really wasn't as

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Speaker 2: much each of the segments were. But again I was

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Speaker 2: trying to figure out how this all, this one thing

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Speaker 2: was going to turn out to be one big movie,

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Speaker 2: and then also waiting for the musical production that I

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Speaker 2: knew was going to happen, and that just wasn't coming

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Speaker 2: around for a very long time.

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Speaker 1: Yeah, what about you? Not a good movie?

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Speaker 4: Come on?

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Speaker 1: This was? It starts as a kid being mean to

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Speaker 1: his dog, and then then it's the middle story is

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Speaker 1: a story that doesn't matter in any way, shape or form.

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Speaker 1: There's no repercussions for anything that happens. And then the

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Speaker 1: last one, they're all dancing again without actually knowing anything

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Speaker 1: about it, and it comes out of nowhere.

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Speaker 2: Well none of them are singing though, Like this is

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Speaker 2: a full just like dance.

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Speaker 1: This is a weird movie thing.

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Speaker 2: I actually like that would like made it a little

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Speaker 2: bit better for me than made for you, because it

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Speaker 2: was Yeah, I just I of course I love musical members,

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Speaker 2: so yes.

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Speaker 1: I know at least have some context to a musical note.

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Speaker 2: Really really really had a hard time with the dog

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Speaker 2: being mistreated.

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Speaker 1: Don't get me start the second anybody's upset with the dog.

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Speaker 1: It's like that that one comic dog.

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Speaker 2: Was one of my first three diseases. I'm obsessed with

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Speaker 2: this dog. This dog has to be getting paid millions

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Speaker 2: of dollars.

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Speaker 1: This dog is.

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Speaker 2: Trained.

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Speaker 1: But it reminded me of the comic who said he's

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Speaker 1: like the first time I saw John Wick, he was like, seriously,

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Speaker 1: this guy's killing everybody because they hurt his dog. He

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Speaker 1: goes and then I got a dog, and I'd kill

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Speaker 1: everybody in front of me, if everybody and so it's like,

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Speaker 1: you're mean to this dog. Oh yeah, I was not.

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Speaker 1: I know.

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Speaker 2: I had a really hard time with that party. I mean,

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Speaker 2: talk about hating a character so much.

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Speaker 3: It was poor girl, super cute, super cute girl hated her.

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Speaker 1: Okay, Well, anyway, we somehow luckily have avoided Paul Hoan

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Speaker 1: this week. Not luckily because Paul's amazing, but we got

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Speaker 1: no Paul hoe enjoined this week and have a brand

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Speaker 1: new director, a woman by the name of Daisy von

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Speaker 1: Schurler Mayer. Von Schurler Mayer began her career with the

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Speaker 1: movie Party Girl, a nineteen ninety five indie darling about

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Speaker 1: the rave scene that helped establish Parker Posey as a

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Speaker 1: star of the scene. The film won the Grand Jury

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Speaker 1: Prize at Sundance, which is a very big deal. So

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Speaker 1: this hiring was really cool for Disney to go with

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Speaker 1: this kind of hip young movie. Definitely more artsy than

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Speaker 1: they tend to go. Daisy also directed the movie Madeline

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Speaker 1: before transitioning into TV, or at Madeline either way. Before

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Speaker 1: transitioning into TV, where she established herself as a real powerhouse,

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Speaker 1: she is still killing it today. She's worked on shows

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Speaker 1: like Madmen, Shameless, Ray Donovan, Yellowjackets, and Inventing Anna. Quite

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Speaker 1: a list, and it's also quite a cast. So let's

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Speaker 1: start listening. We've got Young Zendia as Halle Brandon. Zendeia

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Speaker 1: has become the modern face of Disney Evolution, turning her

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Speaker 1: once child acting career into a massive Hollywood brand. She

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Speaker 1: was best known as Rocky Blue, one of the stars

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Speaker 1: of Disney Shake it Up, with small roles on Good Luck,

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Speaker 1: Charlie and Ant Farm. But this is the true definition

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Speaker 1: of a homegrown Disney superstar in the tradition of Miley cyrus,

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Speaker 1: Selena Gomez and of course Sabrina Carpenter. And like all

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Speaker 1: three of those ladies. Zendeia also did have the Hollywood

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Speaker 1: Records pop Star push during this time as well, releasing

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Speaker 1: a ton of music. But Zendeia went on to be

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Speaker 1: one of Hollywood's biggest names in movies and TV, starring

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Speaker 1: in not only the Spider Man franchise, but The Greatest Showman,

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Speaker 1: Dune Challengers, and the HBO show Euphoria, which she won

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Speaker 1: two Emmys for for Best Actress in a Drama Series

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Speaker 1: and made me super glad I never had children. Oh god,

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Speaker 1: all the stuff they're doing in there. I'm like, I'm

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Speaker 1: glad my stepdaughter's older than this and I never had

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Speaker 1: to deal with kids doing whatever the hell they're doing

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Speaker 1: on that show. No, thank you.

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Speaker 2: She is glorious. I am a gienormous Sendaa fan.

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Speaker 1: She's great.

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Speaker 2: This list does it even talk about her time on

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Speaker 2: Dancey with the Stars, which she freaking rocked.

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Speaker 1: Oh my gosh, did anyone know she did.

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Speaker 2: Contestants they've had on the show only crap. She was amazing. Okay,

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Speaker 2: I did not know that she was so good. Yes,

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Speaker 2: I am a huge fan of her.

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Speaker 4: Okay.

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Speaker 1: Next, we've got Bella Thorn is Avalon Green. Thorn was

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Speaker 1: Inda's co star and Shake it Up. So Disney knew

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Speaker 1: this partnership well and they obviously knew it would work.

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Speaker 1: Thorn is another double threat, releasing music still today alongside

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Speaker 1: collaborators like Liam Payne, Olivertree, and Juicy Jay. Thorn would

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Speaker 1: also appear in movies like The Duff Blended and Tyler

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Speaker 1: Perry's Boo a Medea Halloween, also in TV shows like Dirty,

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Speaker 1: Sexy Money and Scream Now. While Zendia's career has gone

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Speaker 1: more mainstream, Bella has gone a little more risque. This

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Speaker 1: was amazing to me. In twenty twenty, she joined OnlyFans

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Speaker 1: and became the first person to ever earn a million

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Speaker 1: dollars in her first twenty four hours on the platform,

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Speaker 1: a million bucks in a day. She never really released

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Speaker 1: anything nude either, which became its own controversy, but Thorn

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Speaker 1: has become universally known for pushing the envelope, even directing

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Speaker 1: her own adult film, Her and Him. I can promise

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Speaker 1: you got to watch it on your own, because we

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Speaker 1: will not be covering that movie. No, that's woo. I

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Speaker 1: don't even want to know what the reshow chatter for

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Speaker 1: that one would be, like, I know know. Now I'm saying,

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Speaker 1: now we have to do it because I just want

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Speaker 1: to see Sabrina try to recap it. And I'm gonna

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Speaker 1: let you do all the recap for it too, because, oh,

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Speaker 1: it would be the funniest thing I know. That's why

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Speaker 1: it might need to happen.

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Speaker 2: My god, oh God.

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Speaker 1: I'm guessing we could get the actors to come on

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Speaker 1: to interview them. Mary Mouser is Savannah and Emma a

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Speaker 1: double duty. Here's it's a big lift for the young actress.

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Speaker 1: Mouser is most recognizable now as one of the stars

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Speaker 1: of Cobra Kai, playing Samantha LaRusso, but some of our

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Speaker 1: listeners may recognize her from the movie Alexander and the Terrible, Horrible,

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Speaker 1: No Good, Very Bad Day, which is a great title.

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Speaker 1: And Nick Robinson is Jake. Nick was first seen in

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Speaker 1: the TV show Melissa and Joey, but is best known

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Speaker 1: as the star of the movie Love Simon and the

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Speaker 1: spinoff Disney Plus show Love Victor. He also starred in

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Speaker 1: movies like the blockbuster Jurassic World he played the Giant Dinosaur,

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Speaker 1: and the critically acclaimed TV show Maybe He Might He

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Speaker 1: was probably the guy. Actually he might not have been

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Speaker 1: the dust. Stephanie Scott plays Julianne Bryan. Scott was the

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Speaker 1: star of the previously mentioned Disney show at Farm and

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Speaker 1: what is a common theme for many a female star

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Speaker 1: in the channel. She's also a singer. You've also seen

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Speaker 1: her in movies like Insidious Chapter three and Jim and

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Speaker 1: the Holograms. And also we have a lot of great

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Speaker 1: Canadian local talent as well, and some that I'm guessing

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Speaker 1: were Canadian and weren't that great. There was a couple

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Speaker 1: misses in this movie for me where it was like,

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Speaker 1: that's not the best acting I've ever seen in my life,

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Speaker 1: but not from any the main main cast, that's true.

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Speaker 1: But most importantly, Frenemies is per that's my horrible drum

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Speaker 1: roll sound. Eighty seven minutes. Oh, we missed the mark

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Speaker 1: by three, but still on the right side of history

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Speaker 1: because rather short than long, which is not something Bella

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Speaker 1: Thorne said while directing her adult movie, like my favorite

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Speaker 1: writing credits here are a bit complicated with Frenemies since

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Speaker 1: it's broken up into acts, so we have a handful

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Speaker 1: of people to mention. It all starts with the book's

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Speaker 1: author Alexi Young. Then for all three acts we have

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Speaker 1: David Savell, a season TV writer dating back to the

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Speaker 1: nineties with credits on Grace, Underfire and Ellen, then moving

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Speaker 1: into family television as an EP on That So Raven

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Speaker 1: and Sonny with a Chance. Then in Act two we

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Speaker 1: have Wendy Weiner, who, per the formula, is the writer

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Speaker 1: with very little credits that got paired up with someone

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Speaker 1: they trusted. Weiner worked on only two other shows, dating

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Speaker 1: Rules for My Future Self and The Talent Show, but

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Speaker 1: has not worked in the business since Frenemies. And then

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Speaker 1: Act three brought in James Kreig, another prolific writer who

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Speaker 1: I have worked with in animation. First, he worked on

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Speaker 1: TV shows like Monk and Supernatural, but has become the

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Speaker 1: go to writer for cartoon superhero projects like Batman, Lego, DC,

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Speaker 1: Green Lantern, and the recent Justice League movies. I was

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Speaker 1: in all those. Woo woo. Okay, let's get fashion forward

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Speaker 1: with all three acts of Frenemies. But before we do,

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Speaker 1: I want to add one more to the list because

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Speaker 1: I think this is very important. This movie was also

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Speaker 1: cast by two people named Barbie Block and Sally Steiner,

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Speaker 1: who also cast a young Wilfred Ell in a show

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Speaker 1: called Boy Meets World. So they cast a lot a

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Speaker 1: lot of these d cooms. We will have them on

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Speaker 1: at some point as well. We have to say they're great,

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Speaker 1: So shout out to Barbie and Sally who are amazing.

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Speaker 1: So here we go, though with frenemies. We start zoomed

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Speaker 1: in on Halleb's iPad, the modern version of seeing our

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Speaker 1: main character's bedroom. We quickly learned through narration and images

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Speaker 1: on the screen that her and her best friend Avalon

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Speaker 1: created the awesome webazine Geekly Chic. Now, for all the

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Speaker 1: things that became popular on the internet, webs were not

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Speaker 1: one of them. Did you know what a webazine was?

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Speaker 1: I mean, other than by the name, Had you ever

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Speaker 1: read a webzine on one? Yeah?

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Speaker 2: I probably have. I think it was. It was something

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Speaker 2: that kind of came in and out really really fast.

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Speaker 2: But it was a lot of the different gossip sites

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Speaker 2: or magazines kind of went this way very quickly and

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Speaker 2: then transitioned out of them into like social media stuff.

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Speaker 4: Right.

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Speaker 2: But yeah, so I think I probably kept for the

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Speaker 2: ones that I randomly kept up, I don't keep up

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Speaker 2: that much on it, but I do remember seeing it,

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Speaker 2: and then I remember probably going and going where did

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Speaker 2: this go?

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00:18:36,400 --> 00:18:36,600
Speaker 1: Yeah?

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Speaker 2: It's no longer here right.

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Speaker 1: Well, for all our listeners out there who do not

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Speaker 1: know what a webzine is, it is obviously a combination

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Speaker 1: of a website and benzene. Geglely Sheik appears to be

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Speaker 1: a fashion zcene with articles, blogs and pictures. But were

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Speaker 1: told it almost turned best friends into total enemies or

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Speaker 1: frenemies the title of the movie. But getting ahead of

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Speaker 1: ourselves here, this also happened to another at school too,

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Speaker 1: but his bestie wasn't a human, it was a dog.

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00:19:04,040 --> 00:19:07,200
Speaker 1: So Haley swipes into a new video and boom, we're

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Speaker 1: somehow in story one. What do you think of the

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00:19:09,640 --> 00:19:12,760
Speaker 1: iPad mechanism here, like using that to kind of get

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Speaker 1: us in.

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00:19:13,200 --> 00:19:14,920
Speaker 2: I think it's the best we've seen so far.

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00:19:15,600 --> 00:19:17,520
Speaker 1: It's not bad. It's not bad.

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Speaker 2: I mean, I again, they don't have trillions and trillions

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00:19:21,680 --> 00:19:24,920
Speaker 2: of dollars to do these dcoms, so you know, the

405
00:19:25,400 --> 00:19:28,800
Speaker 2: bar hasn't been set very high to you know when

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Speaker 2: it comes to the graphics. But I think the way

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Speaker 2: it went around and kind of popped up like I thought,

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Speaker 2: it looked of its time and was the best that

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Speaker 2: we've seen.

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Speaker 1: In my opinion, I don't disagree. We start with Jake

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Speaker 1: sleeping next to his big dog and best friend Murray.

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Speaker 1: When his mom calls him down for breakfast. Murray licks

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Speaker 1: his owner's face to wake him, but no luck. So

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Speaker 1: then Murray wiggles his butt into Jake's face and farts.

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Speaker 1: One minute fifteen seconds in, We've got a fart people,

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Speaker 1: a new dcom record, And I knew what this movie

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Speaker 1: was going to be right from that moment on. And

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Speaker 1: this does, of course, jolt Jake awake, forcing him to

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Speaker 1: notice he's late. He runs downstairs and eat cereal, right

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Speaker 1: next to Murray doing the same thing. Then they both

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Speaker 1: belch on minute forty two win, We've got a belch,

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Speaker 1: also a new record, and we are off to a

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Speaker 1: great and gassy start again. One thing I like about

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Speaker 1: most of these D comms is they avoid this kind

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Speaker 1: of stuff, the stupid kind of fart jokes and stuff

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Speaker 1: like that. So when you're opening with one, I was like, ah,

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Speaker 1: here we go. Yikes.

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Speaker 2: No, But I thought this dog was so cute. I

429
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Speaker 2: was in love with this dog the second It's great

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Speaker 2: he came on the screen. He was so cute.

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Speaker 1: Oh yeah, wasn't he? Because it's twenty twelve, that dog

432
00:20:38,200 --> 00:20:40,800
Speaker 1: is long dead. Jake asks his mom if the mail

433
00:20:40,840 --> 00:20:44,040
Speaker 1: has come. He's expecting an award from NASA for outstanding

434
00:20:44,080 --> 00:20:47,400
Speaker 1: work in molecular astrophysics, you know, like all kids do.

435
00:20:48,119 --> 00:20:49,879
Speaker 1: And we're now outside and the two best friends are

436
00:20:49,880 --> 00:20:52,240
Speaker 1: walking together, Murray on his hind legs, using luggage on

437
00:20:52,280 --> 00:20:54,679
Speaker 1: wheels as a walker, you know, like dogs do, and

438
00:20:54,800 --> 00:20:57,120
Speaker 1: Jake reminds him he's not allowed at school, so Murray

439
00:20:57,200 --> 00:21:00,280
Speaker 1: runs off to greet the mailman and recycle the junk

440
00:21:00,320 --> 00:21:02,280
Speaker 1: mail we're supposed to see that this dog is obviously

441
00:21:02,520 --> 00:21:07,679
Speaker 1: like super superhuman doggie powers. Basically. At school, Jake is

442
00:21:07,680 --> 00:21:10,240
Speaker 1: in science class, surrounded by board classmates, and he knows

443
00:21:10,320 --> 00:21:12,520
Speaker 1: everything so much so that everyone wants to be his

444
00:21:12,560 --> 00:21:16,479
Speaker 1: project partner, including Julie, the most beautiful popular girl in school.

445
00:21:16,800 --> 00:21:19,000
Speaker 1: She butters him up, saying people who use people for

446
00:21:19,040 --> 00:21:21,800
Speaker 1: schoolwork are totally lame. He agrees to be her partner,

447
00:21:21,840 --> 00:21:23,879
Speaker 1: and she's gonna come to his house after school. He

448
00:21:23,920 --> 00:21:27,920
Speaker 1: can't believe it. Jay's gonna get some soon after a

449
00:21:28,000 --> 00:21:30,240
Speaker 1: Jake's house, he enters his room with Julianne and immediately

450
00:21:30,280 --> 00:21:32,239
Speaker 1: introduces her to Murray, which is always the hot thing

451
00:21:32,280 --> 00:21:33,800
Speaker 1: to do. Hi, welcome to my house. This is my

452
00:21:33,840 --> 00:21:36,359
Speaker 1: best friend, my dog Murray. Now, as a dog person,

453
00:21:36,400 --> 00:21:39,240
Speaker 1: I love to do that, but it's it's kind of weird.

454
00:21:39,800 --> 00:21:43,280
Speaker 1: Is my best friend exactly? Murray, of course, is a

455
00:21:43,280 --> 00:21:45,840
Speaker 1: good boy, wants to shake her hand. She reluctantly obliges

456
00:21:45,920 --> 00:21:49,320
Speaker 1: and quickly disinfects, and I was like, doesn't like dogs.

457
00:21:49,720 --> 00:21:51,720
Speaker 1: Kick her out out of the house already, get her out,

458
00:21:52,040 --> 00:21:55,920
Speaker 1: big big red flag. Her phone rings and she excuses herself.

459
00:21:55,960 --> 00:21:58,640
Speaker 1: It's two of her cool girl pals. She tells them,

460
00:21:58,680 --> 00:22:00,400
Speaker 1: I'm using this nerd to get myself of a nice

461
00:22:00,440 --> 00:22:03,920
Speaker 1: grade in science. And now we hate her fly good

462
00:22:03,960 --> 00:22:06,639
Speaker 1: news for us. Murray has heard everything and he's growling.

463
00:22:06,720 --> 00:22:09,000
Speaker 1: She now hates the dog even more and quickly goes

464
00:22:09,040 --> 00:22:12,040
Speaker 1: back to Jake, who has started working on a cowpoop

465
00:22:12,080 --> 00:22:15,359
Speaker 1: experiment lots of poop jokes, another hot thing to do

466
00:22:15,400 --> 00:22:17,639
Speaker 1: on a date. Murray is still bothered though, by what

467
00:22:17,720 --> 00:22:20,479
Speaker 1: he heard, so he's blocking Julianne's chair, not letting her

468
00:22:20,480 --> 00:22:23,240
Speaker 1: sit in it. Eventually, Julianne kicks the defeated dog out

469
00:22:23,280 --> 00:22:26,480
Speaker 1: of the room like the real female dog. She is

470
00:22:27,720 --> 00:22:30,240
Speaker 1: Jake's mom. Then makes her way upstairs with a special delivery.

471
00:22:30,280 --> 00:22:32,680
Speaker 1: It's the NASA letter. He tears it open and it's

472
00:22:32,720 --> 00:22:36,639
Speaker 1: the award. Wow, he's basically an astronaut. Julianne comes running out.

473
00:22:36,640 --> 00:22:39,560
Speaker 1: What did she miss? This shocks Jake's mom. Why and

474
00:22:39,600 --> 00:22:43,840
Speaker 1: who is this fluozy in his son's room. Julianne, who

475
00:22:43,880 --> 00:22:46,040
Speaker 1: thought the NASA award was a gift certificate and is

476
00:22:46,080 --> 00:22:49,720
Speaker 1: calling him Jakie, introduces herself. Jake pushes his mom away

477
00:22:49,760 --> 00:22:51,840
Speaker 1: and warns her that Murray has been acting up. He

478
00:22:51,840 --> 00:22:54,880
Speaker 1: doesn't know why. Julianne thinks it's as bad breath as

479
00:22:54,920 --> 00:22:58,360
Speaker 1: the rivalry heats up between her and the pet. Now,

480
00:22:58,440 --> 00:23:00,199
Speaker 1: Jake and Julianna are at the park studying, or at

481
00:23:00,280 --> 00:23:02,520
Speaker 1: least Jake is studying. Julianne is pretending to read a

482
00:23:02,520 --> 00:23:06,080
Speaker 1: magazine called Science Spree, but is hiding a fashion magazine

483
00:23:06,080 --> 00:23:08,160
Speaker 1: inside of it. Jake throws a ball from Murray to fetch,

484
00:23:08,160 --> 00:23:10,639
Speaker 1: and the dog eventually stops to talk to a pretty poodle.

485
00:23:10,840 --> 00:23:14,080
Speaker 1: Beyonce is girlfriend. And that's a real thing because my

486
00:23:14,160 --> 00:23:17,320
Speaker 1: dog Sammy has a boyfriend up the street that she

487
00:23:17,440 --> 00:23:19,119
Speaker 1: loves and they hang out all the time. So that's

488
00:23:19,119 --> 00:23:23,080
Speaker 1: an absolutely real thing. Ye well, well exactly, they're not frienemies.

489
00:23:23,680 --> 00:23:26,000
Speaker 1: Julianne wants to leave the smelly park that is ruining

490
00:23:26,000 --> 00:23:28,840
Speaker 1: her shoes, but Jake says dogs need exercise. Murray then

491
00:23:28,880 --> 00:23:31,959
Speaker 1: drops the ball on Julienne's fifty percent silk dress, and

492
00:23:32,040 --> 00:23:34,640
Speaker 1: she is disgusted. She hurls the ball to the other

493
00:23:34,680 --> 00:23:36,680
Speaker 1: side of the park, showing an arm the Chicago White

494
00:23:36,680 --> 00:23:39,320
Speaker 1: Sox could use this season. What to throw? The ball

495
00:23:39,359 --> 00:23:42,600
Speaker 1: lands in a girl's sketchbook, and this girl is very,

496
00:23:42,760 --> 00:23:46,679
Speaker 1: very nice to the dog. Meanwhile, Julianne suggests that Jakie

497
00:23:46,800 --> 00:23:50,359
Speaker 1: maybe finish the project without her. He's offended, obviously that

498
00:23:50,400 --> 00:23:52,440
Speaker 1: she ditch him, but she says it's because she can't

499
00:23:52,480 --> 00:23:57,440
Speaker 1: even think straight around him. He's just too darn cute, right.

500
00:23:58,800 --> 00:24:01,199
Speaker 1: She assumes he has a girlfriend, but he assures her

501
00:24:01,240 --> 00:24:03,440
Speaker 1: he does not. She then grabs his hand and says,

502
00:24:03,520 --> 00:24:08,720
Speaker 1: then today is your lucky day. Oh no, I'm sorry.

503
00:24:08,800 --> 00:24:11,639
Speaker 2: Hatred just grows, and the hatred grows.

504
00:24:11,920 --> 00:24:15,240
Speaker 1: I was just thinking about Yolanda, though, don't get me started.

505
00:24:15,280 --> 00:24:18,960
Speaker 1: And then he sees Murray he's skateboarding back with the

506
00:24:18,960 --> 00:24:20,520
Speaker 1: ball in his mouth and that nice girl with the

507
00:24:20,520 --> 00:24:23,399
Speaker 1: sketchbook is running beside him. Her name is Savannah, and

508
00:24:23,520 --> 00:24:26,320
Speaker 1: Jake thanks her for bringing his dog back. She recognizes

509
00:24:26,400 --> 00:24:28,840
Speaker 1: Jake from school as a science whiz, and Julianne, his

510
00:24:28,920 --> 00:24:32,479
Speaker 1: new girlfriend, marks her territory, telling Savannah to get lost,

511
00:24:32,680 --> 00:24:36,080
Speaker 1: just flat out just get lost. Savannah skates off casually,

512
00:24:36,080 --> 00:24:38,600
Speaker 1: doing a perfect kickflip on her way out, forcing Jake

513
00:24:38,600 --> 00:24:40,720
Speaker 1: to compare her to Tony Hawk, and this might be

514
00:24:40,760 --> 00:24:43,160
Speaker 1: one of the greatest moments in dcom history. Just a casual,

515
00:24:43,280 --> 00:24:45,920
Speaker 1: very difficult skating trick. As she leaves, no big at all,

516
00:24:45,960 --> 00:24:49,520
Speaker 1: we knew she was super cool. Julianne calls her Tony Gawk,

517
00:24:50,280 --> 00:24:52,359
Speaker 1: which is not at all a well crafted joke because

518
00:24:52,440 --> 00:24:55,520
Speaker 1: Gawk is in an insult. It's just dumb. Why not

519
00:24:55,760 --> 00:25:00,600
Speaker 1: use Phony Hawk, which would have been better anyway, Julianne

520
00:25:00,600 --> 00:25:03,879
Speaker 1: has to leave. It is many petty time. As she leaves,

521
00:25:03,960 --> 00:25:06,600
Speaker 1: Murray growls again and she wishes for him stay out

522
00:25:06,640 --> 00:25:08,960
Speaker 1: of my way, doggo, and he sneezes on her face.

523
00:25:09,440 --> 00:25:11,159
Speaker 1: We are now back at Jack's house. He's sleeping in

524
00:25:11,200 --> 00:25:12,919
Speaker 1: again and Murray is licking his face to wake him up,

525
00:25:12,920 --> 00:25:17,200
Speaker 1: but this time he's fantasizing the tongue is Julianne's, because

526
00:25:17,240 --> 00:25:19,160
Speaker 1: that's what you want from a girlfriend, is to wake

527
00:25:19,200 --> 00:25:22,480
Speaker 1: you by lick at your face. Eventually, Murray farts on

528
00:25:22,560 --> 00:25:25,680
Speaker 1: him again and he wakes up. Once downstairs, Jake shows

529
00:25:25,680 --> 00:25:28,600
Speaker 1: off a new cool dude wardrobe. He's dressed like he's

530
00:25:28,600 --> 00:25:30,959
Speaker 1: in the band, plain white teas, but also wearing Johnny

531
00:25:30,960 --> 00:25:34,280
Speaker 1: Depp scarves. His mom is startled and Murray covers his eyes.

532
00:25:34,400 --> 00:25:36,720
Speaker 1: Jake leaves about even having breakfast with his best dog

533
00:25:36,760 --> 00:25:39,560
Speaker 1: pal because Julianne is waiting for him. When the mail

534
00:25:39,640 --> 00:25:42,080
Speaker 1: is delivered. Rather than just focusing on recycling the junk,

535
00:25:42,400 --> 00:25:45,040
Speaker 1: Murray grabs what looks like a love litter. Jake wants

536
00:25:45,080 --> 00:25:46,639
Speaker 1: him to drop it, but the dog takes it right

537
00:25:46,680 --> 00:25:48,880
Speaker 1: to the toilet and tries to flush it. Then Jake

538
00:25:48,920 --> 00:25:52,960
Speaker 1: looks Murray in the face and says, dumb dog, this

539
00:25:53,040 --> 00:25:56,840
Speaker 1: really hurt my feelings, don't. Then Murray watches Jake leave,

540
00:25:56,960 --> 00:25:59,880
Speaker 1: looking sad as hell. So now you've got this girl

541
00:25:59,880 --> 00:26:02,399
Speaker 1: you hate, You've got a guy who's being mean to dogs,

542
00:26:02,400 --> 00:26:04,840
Speaker 1: And I'm like, don't like this movie. Farting yelling at

543
00:26:04,840 --> 00:26:07,320
Speaker 1: dogs not a great start for me to this film.

544
00:26:07,520 --> 00:26:10,720
Speaker 1: Oh yeah, So now we're back at school and Jake's

545
00:26:10,760 --> 00:26:14,960
Speaker 1: classmates thinks he looks duded up and totally cracking, whatever

546
00:26:15,000 --> 00:26:17,920
Speaker 1: that means. Then we get a story crossover. We see

547
00:26:17,920 --> 00:26:20,639
Speaker 1: the webazine writers Halle and Avalon walk by. They stopped

548
00:26:20,640 --> 00:26:23,240
Speaker 1: dead in their tracks for a fashion intervention, calling the

549
00:26:23,280 --> 00:26:26,440
Speaker 1: Scars a serious faux pa. They say, not even zac

550
00:26:26,680 --> 00:26:30,280
Speaker 1: Efron is worrying them anymore, and they help him out

551
00:26:30,280 --> 00:26:32,440
Speaker 1: with some changes. So this means, and I'm trying to

552
00:26:32,440 --> 00:26:33,760
Speaker 1: figure this out, if this is the first time this

553
00:26:33,800 --> 00:26:38,120
Speaker 1: has happened that High School Musical exists in this universe.

554
00:26:38,680 --> 00:26:42,560
Speaker 1: So is this our first d com that talks about

555
00:26:43,000 --> 00:26:44,320
Speaker 1: somebody from another DCM?

556
00:26:44,359 --> 00:26:46,520
Speaker 2: Is this the first time if it's the first one

557
00:26:46,720 --> 00:26:49,520
Speaker 2: that this happened to, But it's definitely the first one

558
00:26:49,600 --> 00:26:53,359
Speaker 2: we've watched, right, well, I mean except for kind of

559
00:26:53,440 --> 00:26:56,680
Speaker 2: Miley Cyrus showing up in High School Musical two at

560
00:26:56,680 --> 00:26:57,040
Speaker 2: the end.

561
00:26:57,400 --> 00:26:59,960
Speaker 1: Oh right, okay, so this kind of cross.

562
00:27:00,040 --> 00:27:03,520
Speaker 2: So this wasn't like a oh you know, a Miley

563
00:27:03,560 --> 00:27:06,680
Speaker 2: Cyrus fan poster in the back of the room.

564
00:27:07,000 --> 00:27:10,160
Speaker 1: This is them that talking about another d com.

565
00:27:10,359 --> 00:27:14,639
Speaker 2: Actually, stop and go, I wonder why Disney didn't do

566
00:27:14,680 --> 00:27:17,000
Speaker 2: that more often, especially in the D coms. I get her,

567
00:27:17,000 --> 00:27:19,800
Speaker 2: I guess in the shows, but especially in the d coms,

568
00:27:19,800 --> 00:27:23,560
Speaker 2: Like it's kind of like that, that's interesting why they

569
00:27:23,560 --> 00:27:26,159
Speaker 2: wouldn't have done it a little bit more, just like

570
00:27:26,200 --> 00:27:27,840
Speaker 2: a little bit of a couple.

571
00:27:27,560 --> 00:27:31,879
Speaker 1: Of It's interesting to see how they try to incorporate

572
00:27:32,080 --> 00:27:35,199
Speaker 1: different universes together, but sometimes they don't. I don't know,

573
00:27:35,240 --> 00:27:37,200
Speaker 1: it's just it was so funny to have him be like, oh,

574
00:27:37,240 --> 00:27:40,920
Speaker 1: they mentioned another dcom kind of so totally very interesting.

575
00:27:41,640 --> 00:27:44,280
Speaker 1: As the writer's scurry off, Julianne walks up, she thinks

576
00:27:44,320 --> 00:27:47,560
Speaker 1: he looks so fly and pushes him to finish the project.

577
00:27:47,880 --> 00:27:49,600
Speaker 1: We're now back at Jake's house and Jake's mom is

578
00:27:49,640 --> 00:27:51,800
Speaker 1: painting the walls hanging out with Murray. When Jake and

579
00:27:51,880 --> 00:27:55,399
Speaker 1: Julianne arrived to do homework upstairs, okay, so were you

580
00:27:55,440 --> 00:27:59,080
Speaker 1: allowed to go upstairs to like your room was one.

581
00:27:58,920 --> 00:28:02,520
Speaker 2: Of the stuff our stars stars on My Sabrina seas

582
00:28:02,760 --> 00:28:07,720
Speaker 2: what in the world is happening? No? No, I mean

583
00:28:07,960 --> 00:28:10,879
Speaker 2: even when I mean especially not a new person that

584
00:28:10,920 --> 00:28:14,400
Speaker 2: my parents didn't even know. And then again, like when

585
00:28:14,400 --> 00:28:17,200
Speaker 2: I had a boyfriend in high school. I had a

586
00:28:17,200 --> 00:28:19,560
Speaker 2: boyfriend for a long time in high school, and if

587
00:28:19,600 --> 00:28:21,520
Speaker 2: he was up, he was allowed to go up in

588
00:28:21,600 --> 00:28:23,800
Speaker 2: my room. But the door was open. And like I

589
00:28:23,840 --> 00:28:27,040
Speaker 2: told you, Kathy was a ninja, so there was we

590
00:28:27,119 --> 00:28:29,239
Speaker 2: never knew when she was just gonna pop in and

591
00:28:29,280 --> 00:28:32,080
Speaker 2: be like hey, you know, like you just never knew.

592
00:28:32,400 --> 00:28:35,359
Speaker 2: So it was very it was you know, made to

593
00:28:35,400 --> 00:28:37,520
Speaker 2: be known that if he was in my room to

594
00:28:38,120 --> 00:28:41,479
Speaker 2: if we were studying or studying. He was never studying.

595
00:28:41,480 --> 00:28:44,320
Speaker 2: What are we talking about? Probably playing I don't know,

596
00:28:44,440 --> 00:28:45,960
Speaker 2: video games. I don't even know what we would have

597
00:28:46,040 --> 00:28:48,400
Speaker 2: really needed to be doing in my room unless we

598
00:28:48,400 --> 00:28:49,440
Speaker 2: were like making out.

599
00:28:49,600 --> 00:28:51,000
Speaker 1: I was gonna say, were you sneaking kisses?

600
00:28:51,040 --> 00:28:52,960
Speaker 2: There's really I don't need to be in the room

601
00:28:53,120 --> 00:28:54,600
Speaker 2: to be honest, guys, come on you to.

602
00:28:54,600 --> 00:28:56,160
Speaker 1: Answer my question, were sneaking kisses?

603
00:28:56,160 --> 00:28:59,600
Speaker 2: Were you sneaking kisses? Are what a good place for

604
00:29:00,200 --> 00:29:03,600
Speaker 2: a boyfriend and a girlfriend to be, you know, even

605
00:29:03,640 --> 00:29:05,760
Speaker 2: with a ninja as a mom, which I have to

606
00:29:05,760 --> 00:29:09,040
Speaker 2: be practicing my ninja skills because I tend to be

607
00:29:09,240 --> 00:29:11,320
Speaker 2: I am like down to be as good as Kathy was.

608
00:29:11,360 --> 00:29:13,640
Speaker 2: Because you're gonna have she was just like mom.

609
00:29:15,800 --> 00:29:17,960
Speaker 1: She just comes down from the wall like dressed to

610
00:29:17,960 --> 00:29:20,160
Speaker 1: the same color, Like, what are you guys up to? Yeah, no,

611
00:29:20,880 --> 00:29:21,760
Speaker 1: you don't want to do that.

612
00:29:21,920 --> 00:29:24,560
Speaker 2: Well, when we were downstairs, we had there was definitely

613
00:29:24,680 --> 00:29:26,480
Speaker 2: a couple of the stairs that you could not get

614
00:29:26,520 --> 00:29:30,440
Speaker 2: around to not creak. And somehow, I don't know, sliding

615
00:29:30,480 --> 00:29:32,520
Speaker 2: down the band she knew.

616
00:29:32,560 --> 00:29:36,080
Speaker 1: What. Oh, that's the best that is. I just see

617
00:29:36,080 --> 00:29:39,320
Speaker 1: the visual. That's awesome. Yeah, no reason for the boys

618
00:29:39,320 --> 00:29:40,840
Speaker 1: and girls to be in the room together. There's too

619
00:29:40,920 --> 00:29:45,560
Speaker 1: much chance for monkey shines, my friend, monkeys, too many

620
00:29:45,640 --> 00:29:49,840
Speaker 1: opportunities for monkey shines. I don't buy it. Monkey shines,

621
00:29:49,920 --> 00:29:53,720
Speaker 1: goings on and shenanigans. We don't need any of those things.

622
00:29:53,960 --> 00:29:54,840
Speaker 1: You don't need any of them.

623
00:29:54,960 --> 00:29:57,240
Speaker 2: I know this is a big thing because it happened twice.

624
00:29:57,360 --> 00:30:01,000
Speaker 1: It No, that's not okay. Once they get into his room, though,

625
00:30:01,080 --> 00:30:03,640
Speaker 1: Jake is shocked to see everything has been torn apart.

626
00:30:04,000 --> 00:30:06,360
Speaker 1: Julianne spots her love letter, now fully chewed up. She

627
00:30:06,400 --> 00:30:10,000
Speaker 1: demands he take the dog to the pound. Jake scolds

628
00:30:10,040 --> 00:30:12,680
Speaker 1: the dog, and Julienne steals his NASA award If he

629
00:30:12,680 --> 00:30:14,719
Speaker 1: doesn't get rid of that dog. She will, I mean,

630
00:30:14,760 --> 00:30:17,480
Speaker 1: trying to get rid of his pet. It's oh my god,

631
00:30:17,520 --> 00:30:18,320
Speaker 1: it's nefarious.

632
00:30:18,480 --> 00:30:24,760
Speaker 2: Moving so fast, get this idea. I'm starting to realize, Oh,

633
00:30:24,800 --> 00:30:29,080
Speaker 2: this is gonna be like a short Yeah, it's a

634
00:30:29,080 --> 00:30:31,800
Speaker 2: little short film. It's not, it's not the whole thing. Absolutely,

635
00:30:31,960 --> 00:30:33,880
Speaker 2: this is moving so fast. I can't keep it up

636
00:30:33,960 --> 00:30:34,560
Speaker 2: too fast.

637
00:30:35,080 --> 00:30:37,400
Speaker 1: Later, Julianne jogs to Jake's house and pretends to be

638
00:30:37,440 --> 00:30:39,640
Speaker 1: the mailman, but instead of junk mail, she delivers the

639
00:30:39,720 --> 00:30:42,680
Speaker 1: NASA ward, now sprayed with her perfume, with the stench

640
00:30:42,720 --> 00:30:44,720
Speaker 1: now and the house. Murray thinks it's another love letter

641
00:30:44,760 --> 00:30:47,880
Speaker 1: and flushes it down the toilet. Jake is barely able

642
00:30:47,880 --> 00:30:50,400
Speaker 1: to save it, but the family is shocked. Why would

643
00:30:50,480 --> 00:30:53,840
Speaker 1: Murray do that? Jake is furious. He says he hates

644
00:30:53,960 --> 00:30:56,360
Speaker 1: Murray and tells him to get out. And I wanted

645
00:30:56,400 --> 00:30:57,240
Speaker 1: to just smack him in.

646
00:30:57,200 --> 00:31:01,040
Speaker 2: The head because I could not imagine and actually filming

647
00:31:01,080 --> 00:31:03,600
Speaker 2: this way. You've gotta like yell at the dog like

648
00:31:03,680 --> 00:31:06,400
Speaker 2: I hate you, frustrated that the dog is just so

649
00:31:07,280 --> 00:31:08,480
Speaker 2: looking at you, so cute.

650
00:31:09,080 --> 00:31:12,680
Speaker 1: I know. Yeah. Murray sprints out, angrily, running through the neighborhood.

651
00:31:12,720 --> 00:31:16,800
Speaker 1: Eventually reuniting with the skateboarding Savannah. No Tony Gawk kickflip

652
00:31:16,880 --> 00:31:20,280
Speaker 1: this time, but she assumes he's lost and takes him

653
00:31:20,400 --> 00:31:22,200
Speaker 1: home with her, which why would you not just take

654
00:31:22,240 --> 00:31:24,640
Speaker 1: him back to anyway. Jake is trying to drive the

655
00:31:24,720 --> 00:31:26,880
Speaker 1: Nassau ward with a fan and his mom thinks Murray

656
00:31:26,960 --> 00:31:29,160
Speaker 1: ran away. She reminds Jake that's his best friend, but

657
00:31:29,320 --> 00:31:33,360
Speaker 1: Jake corrects her they were best friends. Now they're enemies,

658
00:31:33,480 --> 00:31:38,000
Speaker 1: and his mom suggests maybe they're just frenemies because that's

659
00:31:38,040 --> 00:31:40,800
Speaker 1: the name of the movie. But again, the dog does

660
00:31:40,840 --> 00:31:42,840
Speaker 1: one thing and now he's like the dog runs away

661
00:31:42,880 --> 00:31:44,360
Speaker 1: and he's not even out looking for him. He's like,

662
00:31:44,440 --> 00:31:46,440
Speaker 1: that's it. We're not friends anymore, Like, what the hell

663
00:31:47,160 --> 00:31:52,760
Speaker 1: that's your dog? Dude? Ugh Yolanda. Jake needs to finish

664
00:31:52,840 --> 00:31:55,840
Speaker 1: his project, but his mom notices that Julianne isn't helping.

665
00:31:55,960 --> 00:31:58,040
Speaker 1: Jake defends her, it's just what a boyfriend does for

666
00:31:58,120 --> 00:32:00,640
Speaker 1: his girlfriend. But what he really wants to know is

667
00:32:00,720 --> 00:32:04,040
Speaker 1: if Murray is coming back. His mom sarcastically responds, it

668
00:32:04,200 --> 00:32:08,520
Speaker 1: matters on what guys do for their Dogso that night,

669
00:32:08,560 --> 00:32:11,760
Speaker 1: Savannah is with Murray and she's showing him Jake's picture

670
00:32:11,760 --> 00:32:14,120
Speaker 1: in the yearbook, she admits that she has a crush

671
00:32:14,160 --> 00:32:16,520
Speaker 1: on him. Murray is excited at the prospect, but Savannah

672
00:32:16,520 --> 00:32:18,719
Speaker 1: doesn't think he'll ever like her and pulls out her

673
00:32:18,760 --> 00:32:22,480
Speaker 1: phone to call, finally telling Jake, Hey, you know I

674
00:32:22,680 --> 00:32:25,120
Speaker 1: have your dog, which maybe she should have done hours ago,

675
00:32:25,360 --> 00:32:27,200
Speaker 1: but as she picks up the phone, Murray steals it.

676
00:32:27,720 --> 00:32:32,320
Speaker 1: Apparently he doesn't want to be found. Ooh Murray. The

677
00:32:32,400 --> 00:32:34,240
Speaker 1: next morning, Jake wakes up late with no Murray to

678
00:32:34,280 --> 00:32:36,640
Speaker 1: fart on him, so he has to get up. Once

679
00:32:36,680 --> 00:32:39,239
Speaker 1: at school, Jake is carrying his project and Julianne, who

680
00:32:39,280 --> 00:32:42,520
Speaker 1: is fleecing some other boy, Leonard for a book report.

681
00:32:43,000 --> 00:32:46,040
Speaker 1: She now has more than one boyfriend. What a floozy.

682
00:32:46,560 --> 00:32:49,280
Speaker 1: But the good news Savannah saw it all go down.

683
00:32:49,600 --> 00:32:53,320
Speaker 1: She closely tails Julianne and then another boyfriend, this one

684
00:32:53,400 --> 00:32:54,920
Speaker 1: with the homework from another class.

685
00:32:55,160 --> 00:32:58,040
Speaker 2: This girl is just six disgusting.

686
00:32:58,520 --> 00:33:01,120
Speaker 1: Right back at savannah house, Murray is still looking at

687
00:33:01,160 --> 00:33:04,120
Speaker 1: Jake's yearbook photo, remembering what used to be. He eventually

688
00:33:04,200 --> 00:33:06,400
Speaker 1: jumps up and runs back out on the streets. He

689
00:33:06,560 --> 00:33:08,920
Speaker 1: is now on a mission at school. A beautiful drawing

690
00:33:08,960 --> 00:33:11,160
Speaker 1: of Murray is on Jake's locker. It says I found him,

691
00:33:11,200 --> 00:33:13,240
Speaker 1: which is either a very nice realization or some sort

692
00:33:13,240 --> 00:33:15,959
Speaker 1: of a threat. I couldn't figure that out. Jake admits

693
00:33:16,040 --> 00:33:18,240
Speaker 1: that his dog ran away because he's been spending all

694
00:33:18,280 --> 00:33:20,640
Speaker 1: of his time with Julianne, but his friends assure him

695
00:33:20,640 --> 00:33:23,000
Speaker 1: that Murray would never have destroyed the NASA award if

696
00:33:23,000 --> 00:33:25,680
Speaker 1: he knew it was important, And then it all starts

697
00:33:25,720 --> 00:33:28,360
Speaker 1: to come together for Jake. He realizes Julianne must have

698
00:33:28,400 --> 00:33:30,960
Speaker 1: sprayed something on the paper, which seems like quite a

699
00:33:31,040 --> 00:33:32,920
Speaker 1: big conclusion to jump to in ten seconds, but he

700
00:33:32,920 --> 00:33:35,120
Speaker 1: picks it up right away. He now knows his dog

701
00:33:35,360 --> 00:33:38,320
Speaker 1: was framed by his girlfriend. Jake is really mad. He

702
00:33:38,400 --> 00:33:40,479
Speaker 1: can't believe she used him. He says, the next time

703
00:33:40,520 --> 00:33:42,479
Speaker 1: he sees her face, she'd better watch out and then

704
00:33:43,000 --> 00:33:45,960
Speaker 1: set it up. She walks right up, but instead of

705
00:33:46,040 --> 00:33:48,960
Speaker 1: doing anything, he just turns into a smiling, spineless boyfriend.

706
00:33:49,280 --> 00:33:51,760
Speaker 1: She pretends she loves Murray and his heart broken, he's

707
00:33:51,840 --> 00:33:57,160
Speaker 1: never coming back hopefully. Ew why does she say hopefully? So?

708
00:33:57,480 --> 00:33:59,880
Speaker 1: It totally busts her and she did it for no

709
00:34:00,000 --> 00:34:03,080
Speaker 1: reason whatsoever. She let herself get busted which I thought

710
00:34:03,160 --> 00:34:06,760
Speaker 1: was kind of strange. Weird it is, but this helps

711
00:34:06,800 --> 00:34:09,120
Speaker 1: him realize she used him. He didn't figure it out,

712
00:34:09,160 --> 00:34:11,520
Speaker 1: but his dog did, and that's why she wanted to

713
00:34:11,560 --> 00:34:14,120
Speaker 1: get rid of Murray. Jakie storms off to class, with

714
00:34:14,239 --> 00:34:16,960
Speaker 1: Julianne close behind, defending herself but also making sure he

715
00:34:17,120 --> 00:34:20,680
Speaker 1: finished the project for her, and that's when Savannah burst in,

716
00:34:20,960 --> 00:34:26,399
Speaker 1: flanked by Julianne's other boyfriends. Busted, Julianne calls Savannah weird,

717
00:34:26,440 --> 00:34:28,880
Speaker 1: but Jake disagrees he likes Savannah and breaks up with

718
00:34:28,960 --> 00:34:31,600
Speaker 1: Julianne right there. Jake doesn't even care about the project.

719
00:34:31,640 --> 00:34:34,120
Speaker 1: He can always get another A. He's disgusted with how

720
00:34:34,160 --> 00:34:36,440
Speaker 1: he treated Murray, and that's all that matters right now.

721
00:34:36,600 --> 00:34:39,319
Speaker 1: He passes the project to Julianne, who gloats. But here

722
00:34:39,360 --> 00:34:41,240
Speaker 1: comes Murray. Why does he give her the project?

723
00:34:41,560 --> 00:34:43,640
Speaker 2: Why did he get that to her? I would have.

724
00:34:44,000 --> 00:34:46,560
Speaker 2: I mean, he's saying he doesn't care, he'll get another A.

725
00:34:47,000 --> 00:34:49,480
Speaker 1: Right, I'm like, smash that thing.

726
00:34:49,760 --> 00:34:51,719
Speaker 2: I thought the same thing, shit right over your knee,

727
00:34:51,960 --> 00:34:54,440
Speaker 2: threw it on the ground, stop on it, wind her

728
00:34:54,480 --> 00:34:56,360
Speaker 2: face and say you suck.

729
00:34:56,719 --> 00:35:01,719
Speaker 1: Julianne, you suck dog. Hater. But here comes Murray. He

730
00:35:01,760 --> 00:35:04,600
Speaker 1: gallops into the room and tackles Julianne, throwing her the ground,

731
00:35:04,719 --> 00:35:06,960
Speaker 1: breaking the project in pieces, and stabbing her with a

732
00:35:07,040 --> 00:35:09,879
Speaker 1: homemade shive. I'm kidding. I'm just seeing if everybody's still

733
00:35:09,920 --> 00:35:12,840
Speaker 1: with me. Jake knows. He owes Murray an apology. He

734
00:35:12,880 --> 00:35:14,919
Speaker 1: says a girl will never get in between them again,

735
00:35:15,000 --> 00:35:17,120
Speaker 1: and this is slightly awkward for Savannah, who came in

736
00:35:17,200 --> 00:35:19,680
Speaker 1: hoping she was going to get some his upcoming girlfriend,

737
00:35:19,719 --> 00:35:22,520
Speaker 1: who announces she's leaving. She says goodbye to Murray and

738
00:35:22,560 --> 00:35:24,480
Speaker 1: trades a smile with Jake. As soon as she's gone,

739
00:35:24,560 --> 00:35:27,440
Speaker 1: Murray starts to pull at his best friend Scarf. He

740
00:35:27,520 --> 00:35:30,000
Speaker 1: doesn't like to look either, and that is the end

741
00:35:31,120 --> 00:35:34,719
Speaker 1: of our first story. Act one, who we pull back

742
00:35:34,760 --> 00:35:36,800
Speaker 1: and we are on the iPad once again. Avalon and

743
00:35:36,880 --> 00:35:39,960
Speaker 1: Halle say they included Jake's story in the webazine because

744
00:35:39,960 --> 00:35:43,360
Speaker 1: of their own frenemy story. We see Hallie sitting on

745
00:35:43,400 --> 00:35:45,480
Speaker 1: the bed and finishing an email. She feels around her

746
00:35:45,520 --> 00:35:48,920
Speaker 1: dresser and finds her flip phone. Love a flip phone?

747
00:35:48,960 --> 00:35:49,799
Speaker 1: Did you have a flip phone?

748
00:35:50,120 --> 00:35:50,759
Speaker 4: I don't, he.

749
00:35:50,800 --> 00:35:56,040
Speaker 2: Missed, No, I feel like I had one. The first

750
00:35:56,120 --> 00:35:59,920
Speaker 2: phone I had was actually one of those like bonger ones.

751
00:36:00,200 --> 00:36:03,800
Speaker 2: It was skinny, but it was it was yes, and

752
00:36:03,920 --> 00:36:06,279
Speaker 2: I put all the faces on it I had. I

753
00:36:06,400 --> 00:36:10,000
Speaker 2: had different faces for different outfits. I was so light.

754
00:36:11,560 --> 00:36:13,440
Speaker 1: Did you have, like the one that was blinging out

755
00:36:13,520 --> 00:36:15,400
Speaker 1: was like blinged out, and then one was paying.

756
00:36:15,640 --> 00:36:17,880
Speaker 2: One, one that was pink, one that would go with blue,

757
00:36:18,080 --> 00:36:22,080
Speaker 2: one that was neutral. I had them all. It's so sad.

758
00:36:22,160 --> 00:36:25,160
Speaker 2: I mean, I was like a frequent shoper at those

759
00:36:25,239 --> 00:36:25,840
Speaker 2: places in.

760
00:36:25,960 --> 00:36:29,080
Speaker 1: The ball the kiosks in the middle that had the difference, so.

761
00:36:29,200 --> 00:36:31,560
Speaker 2: Many more, I promise you. I can't even like, I'm

762
00:36:31,640 --> 00:36:34,080
Speaker 2: so embarrassed how much I used to go to one.

763
00:36:34,640 --> 00:36:36,800
Speaker 2: Oh Mom, I gotta go, mom, I gotta get to know.

764
00:36:36,880 --> 00:36:39,239
Speaker 2: I gotta get on it, like, oh man, so I

765
00:36:39,280 --> 00:36:41,200
Speaker 2: don't have I don't have one for this outfit, and

766
00:36:41,239 --> 00:36:42,320
Speaker 2: I'm really excited to wear it.

767
00:36:42,360 --> 00:36:47,080
Speaker 1: I gotta get of course you did. I love that.

768
00:36:47,600 --> 00:36:49,680
Speaker 1: It's just it's I gotta be honest. It seems on

769
00:36:49,800 --> 00:36:52,080
Speaker 1: brand for you in high school. It really does. If

770
00:36:52,160 --> 00:36:53,879
Speaker 1: I'm honest, Arena, it seems.

771
00:36:53,600 --> 00:36:56,720
Speaker 2: On Brand's so embarrassing.

772
00:36:58,520 --> 00:36:58,560
Speaker 1: Me.

773
00:37:00,680 --> 00:37:01,320
Speaker 4: I love it.

774
00:37:01,920 --> 00:37:03,319
Speaker 1: You had a cheetah one. Dude, didn't you.

775
00:37:04,160 --> 00:37:06,960
Speaker 2: Oh my god, if you would have even understood what

776
00:37:07,200 --> 00:37:10,640
Speaker 2: my dorm room looked like, Like my bedding was, well,

777
00:37:10,719 --> 00:37:12,960
Speaker 2: it was in high schools. My senior year, I got

778
00:37:13,040 --> 00:37:15,920
Speaker 2: a brand new one and it was black and white, different,

779
00:37:16,160 --> 00:37:16,400
Speaker 2: like it.

780
00:37:16,480 --> 00:37:19,680
Speaker 1: Was like a like a cow pattern kind of.

781
00:37:20,000 --> 00:37:22,399
Speaker 2: There was cow, there was zebra, there was cheetah, there

782
00:37:22,520 --> 00:37:26,200
Speaker 2: was like all these like it was like different, quiltic

783
00:37:26,360 --> 00:37:30,560
Speaker 2: kind of you're living. Oh my gosh, if you could

784
00:37:30,600 --> 00:37:33,520
Speaker 2: even see it, it's just so embarrassing.

785
00:37:33,719 --> 00:37:35,320
Speaker 1: I love it so much, you know what.

786
00:37:35,760 --> 00:37:37,239
Speaker 2: Sometimes I just got to own it.

787
00:37:37,480 --> 00:37:40,839
Speaker 1: Own it. Hallie calls someone and announces that she sent

788
00:37:41,200 --> 00:37:43,600
Speaker 1: the email. On the other end of the phone is Avalon,

789
00:37:43,640 --> 00:37:46,840
Speaker 1: and they're both so excited. She sent their webazine, Geekly

790
00:37:46,960 --> 00:37:49,279
Speaker 1: Chic to Burn's publication and hopes that they can do

791
00:37:49,360 --> 00:37:52,120
Speaker 1: business together. They pull the shades on their windows, and

792
00:37:52,239 --> 00:37:54,239
Speaker 1: this is where we realized that the two besties live

793
00:37:54,360 --> 00:37:56,840
Speaker 1: right across from each other. They complement their outfits and

794
00:37:56,880 --> 00:37:59,520
Speaker 1: get ready to leave. Haley's older brother, Kendall, drives his

795
00:37:59,560 --> 00:38:01,839
Speaker 1: sister Avalon to school, and this is where we learn

796
00:38:01,960 --> 00:38:05,200
Speaker 1: he's falling in love with his multi language GPS system

797
00:38:06,120 --> 00:38:08,279
Speaker 1: at school, the same as Jakes. Of course, the girls

798
00:38:08,320 --> 00:38:11,359
Speaker 1: are approached by their bullies, a preppy school newspaper editor

799
00:38:11,440 --> 00:38:14,279
Speaker 1: named Walker and his two goons, who were the least

800
00:38:14,360 --> 00:38:17,720
Speaker 1: gooney goons that have ever gooned. He's rejected their attempt

801
00:38:17,760 --> 00:38:19,680
Speaker 1: to buy an ad for geekly chic in the paper,

802
00:38:19,800 --> 00:38:22,919
Speaker 1: even though they're serious they have business cards. He holds

803
00:38:22,960 --> 00:38:25,239
Speaker 1: up the business card and says, geeklyshek dot com is

804
00:38:25,320 --> 00:38:28,239
Speaker 1: for losers. Avalon quickly snaps a photo and texts it

805
00:38:28,320 --> 00:38:30,080
Speaker 1: to the whole school, which is a thing that happens

806
00:38:30,120 --> 00:38:33,399
Speaker 1: in movies a lot and can't actually happen in real

807
00:38:33,440 --> 00:38:36,359
Speaker 1: life right anyway, so it looks like he's endorsing it now,

808
00:38:36,520 --> 00:38:38,719
Speaker 1: and the little duive is mad and angrily walks away.

809
00:38:39,160 --> 00:38:41,920
Speaker 1: Avalon stood up to Walker, but Hallie is still unable

810
00:38:42,000 --> 00:38:44,319
Speaker 1: to be aggressive. Now. In the computer lab, the girls

811
00:38:44,400 --> 00:38:46,239
Speaker 1: check out a new feature on their site where they

812
00:38:46,320 --> 00:38:48,880
Speaker 1: can track the location of visitors. Right now, it's just

813
00:38:49,000 --> 00:38:51,720
Speaker 1: them and Hallie's mom, but then they noticed that someone

814
00:38:51,840 --> 00:38:54,400
Speaker 1: in New York is visiting the site. Who could that be?

815
00:38:55,000 --> 00:38:57,960
Speaker 1: Halle's phone rings? And believe it or not, it's Burns Publishing.

816
00:38:58,120 --> 00:39:02,200
Speaker 1: It is Sherry Saint Clair, the editor. She wants to

817
00:39:02,239 --> 00:39:04,920
Speaker 1: meet with the girls in Manhattan tomorrow. Their biggest issue

818
00:39:05,120 --> 00:39:09,080
Speaker 1: what will they wear? This leads to an insane transition

819
00:39:09,280 --> 00:39:11,680
Speaker 1: which again are not my favorites, but I'm sure other

820
00:39:11,719 --> 00:39:14,800
Speaker 1: people loved it. A music video back in the iPad

821
00:39:14,880 --> 00:39:18,400
Speaker 1: with Avalon dancing in different costumes in front of green screens,

822
00:39:18,520 --> 00:39:22,480
Speaker 1: a flapper, a cowgirl, an alien in space, et cetera.

823
00:39:22,640 --> 00:39:24,680
Speaker 1: What did you think of this kind of stuff?

824
00:39:26,840 --> 00:39:30,400
Speaker 2: You know what I I didn't understand. I mean, I

825
00:39:30,520 --> 00:39:33,320
Speaker 2: know that we've got it set up to where Avalon

826
00:39:33,520 --> 00:39:37,359
Speaker 2: is this little fashionista and whatever. But what I did

827
00:39:37,560 --> 00:39:41,080
Speaker 2: notice is that she could dance. So then I went ooh,

828
00:39:41,800 --> 00:39:44,400
Speaker 2: we are definite. I know that Zendeia can dance. So

829
00:39:44,480 --> 00:39:47,920
Speaker 2: now I'm going, Yes, we're gonna get a dance We're

830
00:39:47,960 --> 00:39:50,880
Speaker 2: gonna get a dance sequence. It's gonna happen. It's gonna happen.

831
00:39:51,000 --> 00:39:51,680
Speaker 2: I'm ready for it.

832
00:39:51,880 --> 00:39:54,120
Speaker 1: And that's what I was going, Oh, we're gonna get

833
00:39:54,120 --> 00:39:58,120
Speaker 1: a dance sequence, kind of get a dance sequence.

834
00:39:59,120 --> 00:40:03,520
Speaker 2: It All this little bit took me to was the

835
00:40:03,600 --> 00:40:06,560
Speaker 2: excitement that I'm gonna get to see these two girls dance.

836
00:40:06,760 --> 00:40:09,600
Speaker 1: It was this moment that really made me realize that

837
00:40:09,840 --> 00:40:13,880
Speaker 1: this movie especially is really for the younger Disney Channel crowd.

838
00:40:14,040 --> 00:40:16,120
Speaker 2: This whole movie felt a lot, yes.

839
00:40:16,280 --> 00:40:18,680
Speaker 1: A lot younger than and when I kind of got

840
00:40:18,760 --> 00:40:21,120
Speaker 1: into that mindset, I had a little bit easier time

841
00:40:21,160 --> 00:40:23,520
Speaker 1: with it where I was like, oh, even for Disney Channel,

842
00:40:23,760 --> 00:40:26,440
Speaker 1: they're skewing to like nine and ten year old.

843
00:40:26,719 --> 00:40:30,319
Speaker 2: Yeah, we're looking at that. We're looking before high school. Yes,

844
00:40:30,520 --> 00:40:35,560
Speaker 2: demo exactly is why. That's yeah, that middle school between stuff. Yes, yeah.

845
00:40:35,880 --> 00:40:39,640
Speaker 2: And I do think that this middle one, out of

846
00:40:39,920 --> 00:40:42,160
Speaker 2: all of them, this middle one was my favorite one

847
00:40:42,200 --> 00:40:43,920
Speaker 2: out of the three of them. None of them made

848
00:40:43,960 --> 00:40:46,360
Speaker 2: sense together really, of course, very much to do anything,

849
00:40:46,600 --> 00:40:49,520
Speaker 2: but this little the middle one. The relationship between the

850
00:40:49,600 --> 00:40:52,360
Speaker 2: two of them, I mean, this took me to like

851
00:40:52,400 --> 00:40:53,840
Speaker 2: when I was a little girl, like I had a

852
00:40:53,920 --> 00:40:56,200
Speaker 2: best friend that was down the street, but having her

853
00:40:56,280 --> 00:40:58,960
Speaker 2: next door where I could just like open my windows

854
00:40:59,239 --> 00:41:02,400
Speaker 2: the best thing ever, Like, oh my gosh. I was like, oh,

855
00:41:02,480 --> 00:41:05,080
Speaker 2: this is so this is cute and yes, very young.

856
00:41:05,040 --> 00:41:06,640
Speaker 1: No, I get it. And and this is one of

857
00:41:06,680 --> 00:41:09,960
Speaker 1: the problems I often come across when we're doing magical

858
00:41:10,000 --> 00:41:13,400
Speaker 1: rewind Is am I supposed to judge it as is

859
00:41:13,480 --> 00:41:16,120
Speaker 1: it a good movie? Or am I supposed to judge

860
00:41:16,120 --> 00:41:18,120
Speaker 1: it as is it a good movie for somebody?

861
00:41:18,280 --> 00:41:18,440
Speaker 2: Ten?

862
00:41:19,120 --> 00:41:21,520
Speaker 1: Yeah, so that because that's two different things. It does.

863
00:41:21,640 --> 00:41:24,120
Speaker 1: That is two different things. But that's why the great

864
00:41:24,239 --> 00:41:27,759
Speaker 1: dcom is the one that's a great movie period. Yeah

865
00:41:27,760 --> 00:41:30,719
Speaker 1: for the fan, so yes, so yeah, anyway, I.

866
00:41:30,719 --> 00:41:33,319
Speaker 2: Don't think like a family would sit down and dad

867
00:41:33,360 --> 00:41:34,399
Speaker 2: would be into this one.

868
00:41:36,400 --> 00:41:39,120
Speaker 1: This is kid yeah exactly.

869
00:41:39,200 --> 00:41:39,920
Speaker 2: It could really just.

870
00:41:40,000 --> 00:41:42,840
Speaker 1: Be yes, this is not going to the mat or

871
00:41:42,960 --> 00:41:44,239
Speaker 1: one of the other ones we've talked abou where the

872
00:41:44,280 --> 00:41:46,279
Speaker 1: whole family can watch it and everybody can enjoy it.

873
00:41:46,400 --> 00:41:48,239
Speaker 1: This seemed like a movie for little kids, so that's

874
00:41:48,280 --> 00:41:50,800
Speaker 1: a different way to score it. But anyway, yeah this

875
00:41:51,000 --> 00:41:52,640
Speaker 1: Now we cut to the big city and the girls

876
00:41:52,680 --> 00:41:55,360
Speaker 1: are in the burned skyscraper office, sent directly to a

877
00:41:55,440 --> 00:41:58,759
Speaker 1: conference room with a very intimidating Sherry Saint Clair. She

878
00:41:58,960 --> 00:42:01,239
Speaker 1: is shocked to see their young but loves their fresh

879
00:42:01,320 --> 00:42:04,759
Speaker 1: new voices and geekly chic. She loves that too. She

880
00:42:04,880 --> 00:42:08,440
Speaker 1: wants Halle and Avalon to launch a new website, a magazine,

881
00:42:08,520 --> 00:42:11,400
Speaker 1: and a fabulous clothing line. This will become an empire

882
00:42:11,600 --> 00:42:15,280
Speaker 1: like Goop or Panera Bread. The girls are so excited,

883
00:42:15,360 --> 00:42:17,560
Speaker 1: but Sherry is confused. She had a call with Halle

884
00:42:17,880 --> 00:42:19,960
Speaker 1: the editor this morning. She wants to know who this

885
00:42:20,120 --> 00:42:23,440
Speaker 1: avalon is. Is this her assistant? And once she reveals

886
00:42:23,520 --> 00:42:27,279
Speaker 1: them as co editors in chief, Cherry hates it. Now

887
00:42:27,520 --> 00:42:29,480
Speaker 1: why would she hate it? That doesn't make any sense.

888
00:42:29,520 --> 00:42:32,960
Speaker 1: Who cares? You've got two young girls running the thing.

889
00:42:33,000 --> 00:42:34,879
Speaker 1: Who gives you if it's both of them? I didn't

890
00:42:34,920 --> 00:42:35,400
Speaker 1: understand that.

891
00:42:35,600 --> 00:42:37,920
Speaker 2: If you love if you love the site, you love

892
00:42:38,000 --> 00:42:41,000
Speaker 2: the site. That's it. Who cares how it's made up?

893
00:42:41,239 --> 00:42:44,000
Speaker 1: Yeah, it seemed like unnecessary drama, but we get a

894
00:42:44,160 --> 00:42:47,960
Speaker 1: half explanation about how Sherry wants to staff it herself

895
00:42:48,080 --> 00:42:51,560
Speaker 1: with underpaid designers but only one editor. Again, this makes

896
00:42:51,600 --> 00:42:53,680
Speaker 1: no sense either way. She wants to break up the

897
00:42:53,719 --> 00:42:56,040
Speaker 1: team so they must choose which one of the best

898
00:42:56,080 --> 00:42:58,800
Speaker 1: friends moves on. So basically, the woman is just evil

899
00:42:58,880 --> 00:43:00,360
Speaker 1: throwing two little girls in a p it to have

900
00:43:00,440 --> 00:43:02,640
Speaker 1: them fight to the death. To make it fair, she

901
00:43:02,719 --> 00:43:04,320
Speaker 1: gives them both one week to come up with a

902
00:43:04,360 --> 00:43:07,880
Speaker 1: cover story for the very first Geekly Chic issue. Whoever's

903
00:43:07,880 --> 00:43:10,359
Speaker 1: the best gets the job back at school. The girls,

904
00:43:10,400 --> 00:43:13,080
Speaker 1: of course, Field defeated. This is the worst possible case scenario,

905
00:43:13,440 --> 00:43:17,319
Speaker 1: but Halle has found a cover story. Indie musician Jean

906
00:43:17,480 --> 00:43:20,600
Speaker 1: Frank is coming to America for the first local concert

907
00:43:20,680 --> 00:43:22,640
Speaker 1: and she wants to interview him before he blows up.

908
00:43:22,920 --> 00:43:24,560
Speaker 1: The girls agree this is a great idea, but now

909
00:43:24,600 --> 00:43:27,279
Speaker 1: they're fighting over who can do it. And let's be

910
00:43:27,360 --> 00:43:29,279
Speaker 1: real here, this was Halle's idea.

911
00:43:29,440 --> 00:43:32,040
Speaker 2: Absolutely, so he came up and talked about it.

912
00:43:32,120 --> 00:43:34,400
Speaker 1: And then Avalon was like, it's my idea.

913
00:43:34,560 --> 00:43:37,680
Speaker 2: How are you taking this partial owner? You can't just

914
00:43:37,920 --> 00:43:42,080
Speaker 2: like bring up an idea, a business idea of any

915
00:43:42,280 --> 00:43:45,680
Speaker 2: sort and then say I think you should pronounce it

916
00:43:46,360 --> 00:43:49,640
Speaker 2: this way instead of that way, or make one little

917
00:43:49,920 --> 00:43:53,640
Speaker 2: like tweet and then and then take ownership of get

918
00:43:53,719 --> 00:43:56,120
Speaker 2: out of here, not yours Avalon.

919
00:43:57,239 --> 00:43:57,880
Speaker 4: That was weird.

920
00:43:58,320 --> 00:44:00,920
Speaker 1: So yeah, it's obviously Halle's story. I don't even know

921
00:44:01,000 --> 00:44:03,920
Speaker 1: why that was even a question, but whatever. But it

922
00:44:04,000 --> 00:44:06,680
Speaker 1: doesn't really matter either way because the concert is sold out,

923
00:44:07,080 --> 00:44:09,040
Speaker 1: so now the competition is on. Each girl is going

924
00:44:09,080 --> 00:44:11,280
Speaker 1: to try to get into the show and get the interview.

925
00:44:11,640 --> 00:44:16,880
Speaker 1: It's Avalon's aggressive talking style versus Hallie's impressive writing skills

926
00:44:17,200 --> 00:44:18,799
Speaker 1: Avalon and of course they're trying to make it where

927
00:44:18,800 --> 00:44:21,560
Speaker 1: it only works when they work together. But yeah, that's

928
00:44:21,560 --> 00:44:23,879
Speaker 1: why I knew it was very young again. I was like, Okay,

929
00:44:23,880 --> 00:44:27,719
Speaker 1: they're really hitting overhead with this. Hallie immediately tries winning

930
00:44:27,760 --> 00:44:29,600
Speaker 1: tickets from a local radio station, but was just one

931
00:44:29,680 --> 00:44:32,200
Speaker 1: call off where Avalon, on the other hand, has set

932
00:44:32,280 --> 00:44:35,400
Speaker 1: up a table in the school hallway free fashion makeovers

933
00:44:35,400 --> 00:44:38,879
Speaker 1: in exchange for Jean Frank tickets. Not even a goth

934
00:44:39,000 --> 00:44:42,120
Speaker 1: girl is interested. Eventually Walker approaches her and says he

935
00:44:42,239 --> 00:44:44,520
Speaker 1: knows a guy whose daughter is engaged to the dry

936
00:44:44,640 --> 00:44:48,360
Speaker 1: cleaner who fluffs and folds Jean Frank's clothes, so she

937
00:44:48,600 --> 00:44:51,680
Speaker 1: finally has an inn. Avalon immediately finds Hallie just to

938
00:44:51,760 --> 00:44:53,920
Speaker 1: rub the ticket in her face. Good friend. They enter

939
00:44:53,960 --> 00:44:56,320
Speaker 1: class together and hand over their cell phones to the teacher.

940
00:44:56,640 --> 00:44:59,480
Speaker 1: Then Hallie comes up with another idea. She finagles back

941
00:44:59,560 --> 00:45:03,360
Speaker 1: avalon phone and calls Jean Frank herself. He's in Paris

942
00:45:03,480 --> 00:45:06,960
Speaker 1: yelling at a maid and only speaks franch Somehow, she

943
00:45:07,080 --> 00:45:09,560
Speaker 1: pretends to be Avalon's assistant and secures the ticket for

944
00:45:09,640 --> 00:45:12,919
Speaker 1: herself and a pre interview beating her to the punch.

945
00:45:13,080 --> 00:45:16,600
Speaker 1: It worked, but she sees that Walker has hurt it all.

946
00:45:16,960 --> 00:45:19,919
Speaker 1: This is going to backfire, and of course, instantly it does.

947
00:45:20,280 --> 00:45:22,040
Speaker 1: We are back in her room. Halle gets an urgent

948
00:45:22,120 --> 00:45:24,960
Speaker 1: call from Avalon. Shaight up now, and we reveal that

949
00:45:25,080 --> 00:45:29,440
Speaker 1: Avalon is with Walker and his goons again. Still not gooning,

950
00:45:29,760 --> 00:45:33,080
Speaker 1: but wow, that was fast. She knows that Hallie stole

951
00:45:33,120 --> 00:45:36,120
Speaker 1: her ticket and now they're best friends for never.

952
00:45:37,280 --> 00:45:37,920
Speaker 2: I loved that.

953
00:45:38,520 --> 00:45:41,560
Speaker 1: I loved that this is best friends for never. This

954
00:45:41,920 --> 00:45:45,400
Speaker 1: is a disaster. That night, Avalon sneaks into Halle's brother's car,

955
00:45:45,560 --> 00:45:47,680
Speaker 1: you know, the one with the sexy GPS system, and

956
00:45:47,800 --> 00:45:50,359
Speaker 1: she fidgets with the settings and proves two can play

957
00:45:50,600 --> 00:45:53,960
Speaker 1: at the sabotage game. You don't say sabotage, I say sabotage.

958
00:45:54,000 --> 00:45:56,520
Speaker 1: You say sabotage. So when Halle and her brother get

959
00:45:56,560 --> 00:45:59,120
Speaker 1: into the car, excited to go to the Jean Frank concert,

960
00:45:59,160 --> 00:46:03,040
Speaker 1: they noticed the GP has been switched to Urdu, which

961
00:46:03,120 --> 00:46:06,839
Speaker 1: is a very much more difficult language. And when Halle

962
00:46:06,960 --> 00:46:10,160
Speaker 1: finds one of Avalon's earrings, she knows who did this?

963
00:46:10,520 --> 00:46:11,799
Speaker 1: How are they going to get to the show. Now.

964
00:46:11,880 --> 00:46:14,320
Speaker 1: They bust out an analog map that is a paper

965
00:46:14,400 --> 00:46:17,120
Speaker 1: map people, but that of course is no help. Those

966
00:46:17,239 --> 00:46:21,600
Speaker 1: are for olds at Club Butterfly for the Jean Frank show.

967
00:46:22,000 --> 00:46:25,000
Speaker 1: Avalon has arrived and picks up the tickets for Halle Brandon.

968
00:46:25,239 --> 00:46:26,600
Speaker 1: She makes her way to the dressing room for the

969
00:46:26,640 --> 00:46:29,040
Speaker 1: pre interview, and he wants to know where Halle from

970
00:46:29,080 --> 00:46:31,120
Speaker 1: the phone call is people in this movie, shure, do

971
00:46:31,160 --> 00:46:33,759
Speaker 1: you get nervous about phone calls and meeting in real life?

972
00:46:34,400 --> 00:46:36,680
Speaker 1: But the map did work for Halle. Eventually, and she's

973
00:46:36,760 --> 00:46:38,759
Speaker 1: arrived at the sold out show. She gets crafty and

974
00:46:38,800 --> 00:46:41,400
Speaker 1: walks around the back right as Avalon starts her interview

975
00:46:41,480 --> 00:46:43,759
Speaker 1: with tell me about your music, then pivots to a

976
00:46:43,840 --> 00:46:47,720
Speaker 1: horrible question about his ripped jeans. Then boom, Halle falls

977
00:46:47,760 --> 00:46:50,520
Speaker 1: through the window, interrupting the interview. The former friends go

978
00:46:50,640 --> 00:46:52,800
Speaker 1: at it about who should be there. While Jean Frank

979
00:46:52,920 --> 00:46:57,040
Speaker 1: is just happy he has crazy fans, Halle is immediately nervous,

980
00:46:57,040 --> 00:46:59,919
Speaker 1: trying to blurt out the question she wrote. Eventually, Jean

981
00:47:00,120 --> 00:47:02,360
Speaker 1: Frank steps in and yells at them, but without his

982
00:47:02,520 --> 00:47:06,120
Speaker 1: French accent. Wait what he admits he's not French at all.

983
00:47:06,239 --> 00:47:08,960
Speaker 1: He's Johnny Frankowski. I think he says his name is.

984
00:47:09,480 --> 00:47:11,640
Speaker 1: People only listen to him when he pretended to be

985
00:47:11,719 --> 00:47:13,800
Speaker 1: someone else. The girls tell him that being true to

986
00:47:13,880 --> 00:47:17,200
Speaker 1: himself will inspire their fans, and he quickly agrees. With

987
00:47:17,560 --> 00:47:20,600
Speaker 1: very little fight. He just gives up his entire persona.

988
00:47:21,080 --> 00:47:23,760
Speaker 1: The scam is suddenly over. Is just gonna be himself

989
00:47:23,800 --> 00:47:24,719
Speaker 1: and play acoustic.

990
00:47:25,120 --> 00:47:28,960
Speaker 2: It happened, has acoustic guitar ready in hand.

991
00:47:31,120 --> 00:47:34,600
Speaker 1: It just happens, And that's where Murray comes in and

992
00:47:34,760 --> 00:47:39,120
Speaker 1: farts on them all. Callie and Avalon are so happy.

993
00:47:39,200 --> 00:47:41,320
Speaker 1: The story is incredible, but they still don't know who's

994
00:47:41,360 --> 00:47:43,680
Speaker 1: gonna write it. We cut to the girls in Sherry

995
00:47:43,719 --> 00:47:46,960
Speaker 1: Burns's publishing office. She's impressed with a Jean frank expose,

996
00:47:47,360 --> 00:47:49,960
Speaker 1: but wants to see the other article. The girls explain

997
00:47:50,040 --> 00:47:52,000
Speaker 1: there's only the one. Cherry will have to make the

998
00:47:52,080 --> 00:47:54,040
Speaker 1: decision off of that, So the editor thinks for a

999
00:47:54,120 --> 00:47:57,520
Speaker 1: second and picks neither of them. She thinks they are

1000
00:47:57,600 --> 00:47:59,839
Speaker 1: two little girls who can't do anything without each other,

1001
00:48:00,120 --> 00:48:03,400
Speaker 1: and is this the meanest human being in dcom history?

1002
00:48:03,640 --> 00:48:05,960
Speaker 1: This is one step below Corella Deville. Wanting to make

1003
00:48:06,000 --> 00:48:07,120
Speaker 1: a coat out of puppies.

1004
00:48:09,600 --> 00:48:13,440
Speaker 2: Just I mean, it's just it is so harsh, and

1005
00:48:13,680 --> 00:48:17,240
Speaker 2: I was thinking at this point, I'm trying to ride

1006
00:48:17,400 --> 00:48:20,880
Speaker 2: for this stupid character and going, oh, you know what

1007
00:48:20,960 --> 00:48:22,960
Speaker 2: she's going to do. She's testing them, and they're going

1008
00:48:23,000 --> 00:48:25,160
Speaker 2: to stick up for themselves. She's going to have her

1009
00:48:25,360 --> 00:48:27,480
Speaker 2: assistant when she gets on the phone, she's going to

1010
00:48:27,520 --> 00:48:30,439
Speaker 2: have her assistant go, you know what, tell those girls

1011
00:48:30,520 --> 00:48:31,840
Speaker 2: they've got the job or whatever.

1012
00:48:32,800 --> 00:48:36,920
Speaker 1: It didn't happen. Nope, didn't happen. She's just a bad person.

1013
00:48:38,160 --> 00:48:40,640
Speaker 1: As they leave, Halle finally fights back, though she's conquered

1014
00:48:40,640 --> 00:48:42,839
Speaker 1: her fear of speaking up in high pressure situations. Why

1015
00:48:42,960 --> 00:48:45,680
Speaker 1: can't best friends work together? If Sherry won't accept them,

1016
00:48:45,760 --> 00:48:48,520
Speaker 1: they'll go to a bigger, better publication. The girls leave

1017
00:48:48,520 --> 00:48:51,560
Speaker 1: with a high five, but Sherry is sweating back at school.

1018
00:48:51,600 --> 00:48:53,880
Speaker 1: Avalon is proud of her best friends standing up for herself.

1019
00:48:54,080 --> 00:48:56,680
Speaker 1: Even Walker is impressed. He heard about their little run

1020
00:48:56,760 --> 00:48:58,760
Speaker 1: in with Burns, and he has a cousin in Memphis

1021
00:48:58,760 --> 00:49:03,960
Speaker 1: who drives a limo for Anyway Teens Now wants to

1022
00:49:04,000 --> 00:49:06,719
Speaker 1: do a huge story on geekly Ic, and the best

1023
00:49:06,760 --> 00:49:11,120
Speaker 1: friends are thrilled. Obviously Avalon is even now crushing on Walker.

1024
00:49:11,840 --> 00:49:14,719
Speaker 1: They're former nemesis. We cut to the girls now laying

1025
00:49:14,760 --> 00:49:17,080
Speaker 1: in bed watching the team now report about themselves with

1026
00:49:17,160 --> 00:49:22,480
Speaker 1: a newscast. Her name Lucy del Gussie and we have

1027
00:49:22,680 --> 00:49:24,960
Speaker 1: to add this to our best d COM's names list.

1028
00:49:25,000 --> 00:49:26,440
Speaker 1: Am I right, it's been a while, but how do

1029
00:49:26,560 --> 00:49:26,759
Speaker 1: we know?

1030
00:49:28,040 --> 00:49:30,600
Speaker 2: I had to rewrite and write it down. This is

1031
00:49:30,719 --> 00:49:34,200
Speaker 2: a good one, Jackal Johnson, I mean these this is good.

1032
00:49:34,560 --> 00:49:37,759
Speaker 1: Lucy del Goosey is certainly up there. It appears Sherry

1033
00:49:37,840 --> 00:49:40,759
Speaker 1: came crawling back because Geekly Sheick reportedly turned down and

1034
00:49:40,840 --> 00:49:44,000
Speaker 1: offered to sell to Burns. They want to keep it independent.

1035
00:49:44,120 --> 00:49:47,000
Speaker 1: So really the entire segment of this movie was about nothing.

1036
00:49:47,480 --> 00:49:49,480
Speaker 1: They're in the same position they were in before. They're

1037
00:49:49,520 --> 00:50:01,759
Speaker 1: still friends. It was just very strange. Yeah, Geekly Chic

1038
00:50:01,920 --> 00:50:05,680
Speaker 1: will publish the Jean frank story or John Frankowski story,

1039
00:50:06,160 --> 00:50:08,200
Speaker 1: and both girls will get the credit. Their website is

1040
00:50:08,239 --> 00:50:10,160
Speaker 1: now being visited by people all over the world. So

1041
00:50:10,200 --> 00:50:13,680
Speaker 1: the girls dance on the bed. Then Lucy del Goosey

1042
00:50:13,840 --> 00:50:16,080
Speaker 1: in the TV says, girls stop jumping on that bed.

1043
00:50:16,160 --> 00:50:18,400
Speaker 1: Then her finger comes out of the screen and pauses

1044
00:50:18,480 --> 00:50:21,400
Speaker 1: them and we're back on the iPad and what the

1045
00:50:21,920 --> 00:50:22,520
Speaker 1: just happened?

1046
00:50:22,640 --> 00:50:24,160
Speaker 2: Yeah? That was so weird.

1047
00:50:24,280 --> 00:50:25,600
Speaker 4: I know.

1048
00:50:26,560 --> 00:50:30,360
Speaker 1: There were several times in this movie also where the

1049
00:50:30,640 --> 00:50:35,160
Speaker 1: actors looked at the camera without meaning to. This was

1050
00:50:35,200 --> 00:50:36,840
Speaker 1: not we're going to break the fourth wall on purpose.

1051
00:50:36,880 --> 00:50:39,520
Speaker 1: It was just the actors accidentally looking on at the

1052
00:50:39,560 --> 00:50:41,480
Speaker 1: camera and they kept it in. And then we had

1053
00:50:41,560 --> 00:50:44,040
Speaker 1: these with like weird wall breaking. I didn't get what

1054
00:50:44,239 --> 00:50:44,600
Speaker 1: was going on.

1055
00:50:45,120 --> 00:50:49,640
Speaker 2: Yeah, yeah, I again. When you see those, you're going,

1056
00:50:49,719 --> 00:50:51,080
Speaker 2: did they not have another cut?

1057
00:50:52,320 --> 00:50:56,000
Speaker 1: Yeah? Is this the best one you picked? She's looking

1058
00:50:56,080 --> 00:50:56,800
Speaker 1: right at the camera.

1059
00:50:56,960 --> 00:50:59,560
Speaker 2: It was you did have one other cut?

1060
00:51:00,239 --> 00:51:01,440
Speaker 1: See something?

1061
00:51:01,719 --> 00:51:02,919
Speaker 2: You could see her look at the camera?

1062
00:51:03,320 --> 00:51:06,359
Speaker 1: Yeah? You kit? Yeah, I know. Well this is where

1063
00:51:06,360 --> 00:51:09,960
Speaker 1: we're now finally introduced to the last story. It follows.

1064
00:51:11,160 --> 00:51:11,640
Speaker 2: A minute.

1065
00:51:12,880 --> 00:51:14,359
Speaker 1: You're kidding me right now.

1066
00:51:14,440 --> 00:51:15,640
Speaker 2: We've got another one.

1067
00:51:15,880 --> 00:51:17,960
Speaker 1: We got another one. We ain't done, people, we got

1068
00:51:18,000 --> 00:51:18,400
Speaker 1: another one.

1069
00:51:18,480 --> 00:51:21,320
Speaker 2: Hey, I'm sorry but to break it to you, but

1070
00:51:21,440 --> 00:51:23,200
Speaker 2: we are not freaking done.

1071
00:51:23,440 --> 00:51:24,160
Speaker 1: We're not done yet.

1072
00:51:24,280 --> 00:51:27,800
Speaker 2: We are still in Canada, people in Canada with the

1073
00:51:27,840 --> 00:51:30,160
Speaker 2: Canada flags waving everywhere.

1074
00:51:29,840 --> 00:51:33,399
Speaker 1: Waving everywhere. This one follows Savannah the skater girl from

1075
00:51:33,440 --> 00:51:36,120
Speaker 1: story one, she almost got well, it turns out that

1076
00:51:36,200 --> 00:51:39,479
Speaker 1: she almost got frenemiede by a girl she didn't even

1077
00:51:39,560 --> 00:51:42,400
Speaker 1: know existed. So we see her stunt double shredding on

1078
00:51:42,400 --> 00:51:44,360
Speaker 1: a half pipe and it's clearly her stunt double shredding

1079
00:51:44,360 --> 00:51:45,680
Speaker 1: on a half pipe, and her dad calls her in

1080
00:51:45,760 --> 00:51:48,279
Speaker 1: for breakfast. We think she has two Brady brothers and

1081
00:51:48,320 --> 00:51:51,000
Speaker 1: a sister, or she has three Brady brothers. Go back

1082
00:51:51,040 --> 00:51:53,480
Speaker 1: and watch for yourself, because we've had different people saying

1083
00:51:53,520 --> 00:51:56,480
Speaker 1: different things, producers not knowing, us not knowing, We don't

1084
00:51:56,560 --> 00:51:59,480
Speaker 1: know what's going on. But she either has two Brady

1085
00:51:59,520 --> 00:52:03,400
Speaker 1: brothers in a we're just amazed that we have to

1086
00:52:03,480 --> 00:52:06,879
Speaker 1: do this at all, that we're not done yet. Yeah,

1087
00:52:06,880 --> 00:52:08,560
Speaker 1: it's like we Oh my god, I didn't I knock

1088
00:52:08,600 --> 00:52:09,960
Speaker 1: him out last round. I can't believe we have to

1089
00:52:10,000 --> 00:52:11,680
Speaker 1: go out. The fights not over yet, but they're all

1090
00:52:11,760 --> 00:52:13,840
Speaker 1: fighting for bacon. They're running out of school. Savannah couldn't

1091
00:52:13,840 --> 00:52:15,560
Speaker 1: get any foods, so her dad gives her cash for

1092
00:52:15,640 --> 00:52:19,080
Speaker 1: school breakfast and something pretty like sneakers from them all,

1093
00:52:19,480 --> 00:52:21,320
Speaker 1: And maybe we've got a decom dead mom here. I

1094
00:52:21,320 --> 00:52:23,360
Speaker 1: don't know, or because they know, they're not divorced, but

1095
00:52:23,440 --> 00:52:26,080
Speaker 1: we didn't. We didn't ever talk about the mom in anyway,

1096
00:52:26,200 --> 00:52:29,879
Speaker 1: never even talk about the dad, the dad in Jake's story.

1097
00:52:30,000 --> 00:52:32,680
Speaker 1: So we've got a lot of single zero parents. Yeah,

1098
00:52:33,040 --> 00:52:35,360
Speaker 1: that's why they're running off to New York by themselves

1099
00:52:35,400 --> 00:52:37,400
Speaker 1: at eleven? Who allows that? Oh wait, that was my

1100
00:52:37,520 --> 00:52:41,839
Speaker 1: life to anyway. Savannah skates to school, eventually running into

1101
00:52:41,880 --> 00:52:44,359
Speaker 1: Jake and Murray. She says hi, and then crashes into

1102
00:52:44,440 --> 00:52:47,160
Speaker 1: some bushes, falling out of sight. Jake leaves, assuming she's

1103
00:52:47,200 --> 00:52:49,480
Speaker 1: time traveled or was swallowed by sinkhole. Maybe he doesn't

1104
00:52:49,560 --> 00:52:51,800
Speaker 1: ever really look into it. She eventually gets up and

1105
00:52:51,840 --> 00:52:54,319
Speaker 1: brushes herself off, saying goodbye to Murray and skates out

1106
00:52:54,360 --> 00:52:57,560
Speaker 1: of frame. And that's when a stretch limo passes by,

1107
00:52:57,760 --> 00:53:00,200
Speaker 1: with a familiar looking girl rolling down her wind to

1108
00:53:00,239 --> 00:53:02,719
Speaker 1: say hi to the dog. It is a British girl,

1109
00:53:02,880 --> 00:53:07,360
Speaker 1: Emma Reynolds, wearing a proper uniform for Legit Academy, that

1110
00:53:07,440 --> 00:53:10,600
Speaker 1: is what they called it. And she looks just like Savannah.

1111
00:53:10,600 --> 00:53:12,399
Speaker 1: I mean so much so that it's actually the same

1112
00:53:12,440 --> 00:53:14,400
Speaker 1: actress playing both roles, So that makes sense that they

1113
00:53:14,440 --> 00:53:17,840
Speaker 1: look alike, She tells her butler Pemberley that she wishes

1114
00:53:17,920 --> 00:53:19,799
Speaker 1: she could have a dog, but he says her parents

1115
00:53:19,840 --> 00:53:22,720
Speaker 1: are not open to the idea. Right here, just curious.

1116
00:53:22,840 --> 00:53:24,920
Speaker 1: What did you think of her accent? Was it passable

1117
00:53:25,040 --> 00:53:27,000
Speaker 1: enough for a d comm Yeah, I thought so too.

1118
00:53:27,520 --> 00:53:30,120
Speaker 1: I thought so too. Was it perfect? No, But for

1119
00:53:30,440 --> 00:53:33,080
Speaker 1: an actress of that age doing multiple roles like this

1120
00:53:33,239 --> 00:53:35,960
Speaker 1: and doing the different accents, I thought she was frankly

1121
00:53:36,080 --> 00:53:37,120
Speaker 1: the best one of the movie.

1122
00:53:37,640 --> 00:53:41,160
Speaker 2: My first thought was we just did Double Team and said,

1123
00:53:41,760 --> 00:53:43,959
Speaker 2: I mean, you know, this was years prior or years

1124
00:53:44,000 --> 00:53:46,719
Speaker 2: after Double Team, but we just said the amount of

1125
00:53:46,880 --> 00:53:49,080
Speaker 2: production value you have to have to be able to

1126
00:53:49,200 --> 00:53:52,560
Speaker 2: pull off doubles or twins, this movie is big. And

1127
00:53:52,600 --> 00:53:54,520
Speaker 2: I'm like, we just talked about this, Yes, we just

1128
00:53:54,600 --> 00:53:54,800
Speaker 2: did it.

1129
00:53:54,840 --> 00:53:56,279
Speaker 1: So here we go by the way, I'd like to

1130
00:53:56,320 --> 00:53:59,359
Speaker 1: be fully and totally transparent. Or we've released our double

1131
00:53:59,400 --> 00:54:02,839
Speaker 1: Teamed episode and from what I've heard, Oh, Sabrina, We're

1132
00:54:02,840 --> 00:54:04,839
Speaker 1: gonna get some for what we talked about Double Team.

1133
00:54:04,920 --> 00:54:07,200
Speaker 1: That's all I want to say about that. People love

1134
00:54:07,560 --> 00:54:11,000
Speaker 1: that movie. They love that. It's gonna be brink for

1135
00:54:11,120 --> 00:54:14,840
Speaker 1: me all over again. But anyway, we're back at school.

1136
00:54:15,520 --> 00:54:18,120
Speaker 1: Savannah makes it just As the bell rings, Jake opens

1137
00:54:18,160 --> 00:54:20,160
Speaker 1: the door for her and they have an awkward exchange

1138
00:54:20,160 --> 00:54:23,200
Speaker 1: about muscles. We then travel over to the British girl's mansion.

1139
00:54:23,280 --> 00:54:25,799
Speaker 1: She's returned with Pemberley and is greeted by her very

1140
00:54:25,880 --> 00:54:28,799
Speaker 1: pompous parents near the indoor pool. She gets some money

1141
00:54:28,840 --> 00:54:31,120
Speaker 1: for new shoes too, then broaches the subject of getting

1142
00:54:31,120 --> 00:54:33,680
Speaker 1: a dog. They are disgusted by the idea of getting

1143
00:54:33,680 --> 00:54:37,279
Speaker 1: a pet, just like Pemberley predicted. And now all three

1144
00:54:37,360 --> 00:54:40,600
Speaker 1: stories are combining. Here we see Halle and Avalon at

1145
00:54:40,600 --> 00:54:42,680
Speaker 1: the shoe store and they spot Emma and her butler,

1146
00:54:43,000 --> 00:54:45,680
Speaker 1: but Hallie thinks it's Savannah, but it can't be because

1147
00:54:45,760 --> 00:54:48,759
Speaker 1: skater Savannah is also in the store. There are two

1148
00:54:48,800 --> 00:54:52,120
Speaker 1: different people, and the geeky sheet girls, well, their minds

1149
00:54:52,120 --> 00:54:54,520
Speaker 1: are just blown. Now Savannah and Emma are back to back,

1150
00:54:54,600 --> 00:54:57,040
Speaker 1: showing off some of that Disney special effects budget. They

1151
00:54:57,120 --> 00:54:59,239
Speaker 1: pick up a shoe and ask in unison, do these

1152
00:54:59,280 --> 00:55:01,600
Speaker 1: come in an eight. This causes them to notice each

1153
00:55:01,600 --> 00:55:04,480
Speaker 1: other and their similarities, as does Pemberley. Though these two

1154
00:55:04,560 --> 00:55:07,680
Speaker 1: live completely different lifestyles, they are like twins from different planets.

1155
00:55:07,920 --> 00:55:11,320
Speaker 1: That's when the geekly sheic ladies officially introduced Savannah and

1156
00:55:11,360 --> 00:55:13,480
Speaker 1: Emma to each other. They know this is the perfect

1157
00:55:13,520 --> 00:55:16,879
Speaker 1: story for the webasine, and I get what they're doing.

1158
00:55:17,920 --> 00:55:20,440
Speaker 1: I just felt like there's maybe a bigger reaction to

1159
00:55:20,520 --> 00:55:27,040
Speaker 1: turning around and seeing essentially your identical twin right something

1160
00:55:27,160 --> 00:55:27,840
Speaker 1: freaky Friday.

1161
00:55:28,320 --> 00:55:34,879
Speaker 2: It's like, whoah, moved past that whole point of them

1162
00:55:35,600 --> 00:55:39,319
Speaker 2: being the same person. I mean, they are identical. It's

1163
00:55:39,400 --> 00:55:42,040
Speaker 2: not like we got the two actresses from.

1164
00:55:42,200 --> 00:55:47,000
Speaker 1: No Double Team, Double Team, or even when Tam did it.

1165
00:55:47,040 --> 00:55:49,000
Speaker 1: Remember when Tia and Tamara did it, and they they

1166
00:55:49,080 --> 00:55:51,920
Speaker 1: had the moment of like, wow, you were twins. You

1167
00:55:52,000 --> 00:55:53,600
Speaker 1: look just like me, right, and.

1168
00:55:53,640 --> 00:55:56,440
Speaker 2: They're not even They don't even talk about the idea

1169
00:55:56,520 --> 00:55:59,040
Speaker 2: that they could be twins, especially when and I know

1170
00:55:59,200 --> 00:56:02,600
Speaker 2: we can't do you know, parent trap type situation. But

1171
00:56:02,680 --> 00:56:05,200
Speaker 2: it's like your dad, I don't know where your mom.

1172
00:56:05,280 --> 00:56:07,040
Speaker 2: I was thinking, oh my gosh, we're kind of doing

1173
00:56:07,080 --> 00:56:12,400
Speaker 2: part and then we saw the mom of her, you know,

1174
00:56:13,120 --> 00:56:13,840
Speaker 2: the rich parents.

1175
00:56:13,880 --> 00:56:15,239
Speaker 1: So yeah, they saw both of.

1176
00:56:15,320 --> 00:56:18,239
Speaker 2: Them, but you know, could be remarried. I don't know,

1177
00:56:19,360 --> 00:56:20,520
Speaker 2: it was weird for this.

1178
00:56:20,680 --> 00:56:21,200
Speaker 1: I felt they.

1179
00:56:23,560 --> 00:56:24,720
Speaker 2: They have to be sisters.

1180
00:56:24,800 --> 00:56:29,520
Speaker 1: There's something you're literally identical anyway. Yeah, they use identical

1181
00:56:30,320 --> 00:56:32,439
Speaker 1: twins when they shouldn't use identical twins, and they don't

1182
00:56:32,520 --> 00:56:34,640
Speaker 1: use identical twins when they need to use identical twins.

1183
00:56:34,760 --> 00:56:36,040
Speaker 2: What's going on?

1184
00:56:36,560 --> 00:56:38,600
Speaker 1: We cut to Emma and Savannah having lunch at the

1185
00:56:38,600 --> 00:56:41,000
Speaker 1: food court. Emma says her mom would freak out if

1186
00:56:41,040 --> 00:56:43,160
Speaker 1: she started eating there. These two seem to really be

1187
00:56:43,239 --> 00:56:45,600
Speaker 1: getting along. They share stories and think that if they

1188
00:56:45,680 --> 00:56:48,040
Speaker 1: had each other's lives for a week, they'd be happier

1189
00:56:48,080 --> 00:56:51,720
Speaker 1: than ever. And so, with the help of Hawie and Avalon,

1190
00:56:52,120 --> 00:56:55,279
Speaker 1: they decide for one week they will trade places. The

1191
00:56:55,360 --> 00:56:57,279
Speaker 1: girls go off to the bathroom and reappear in each

1192
00:56:57,320 --> 00:56:59,120
Speaker 1: other's clothes. The only way we can tell the difference

1193
00:56:59,200 --> 00:57:01,320
Speaker 1: is the accent and the fact that Emma can't skate.

1194
00:57:01,800 --> 00:57:03,719
Speaker 1: And again, Mary Mouser does a very good job here.

1195
00:57:03,800 --> 00:57:07,839
Speaker 1: She's basically playing four different characters and doing it really well. Yeah,

1196
00:57:08,480 --> 00:57:10,520
Speaker 1: we are now at Emma's mansion. The Limma returns and

1197
00:57:10,560 --> 00:57:12,919
Speaker 1: Savannah can't believe what she's seeing, but she quickly throws

1198
00:57:13,000 --> 00:57:15,240
Speaker 1: on the accent and jumps right into a gown fitting

1199
00:57:15,320 --> 00:57:18,480
Speaker 1: for her upcoming birthday ball. Meanwhile, Savannah meets one of

1200
00:57:18,520 --> 00:57:20,960
Speaker 1: her new little brothers and experiences the chaos of having

1201
00:57:21,040 --> 00:57:23,240
Speaker 1: a big family. She tests out her American accent and

1202
00:57:23,320 --> 00:57:26,000
Speaker 1: it's pretty brutal. She meets her new dad and everything

1203
00:57:26,080 --> 00:57:28,000
Speaker 1: is awkward, especially when she gets to her room and

1204
00:57:28,160 --> 00:57:30,919
Speaker 1: one of her brothers is cutting his toenails in her bed.

1205
00:57:31,560 --> 00:57:33,800
Speaker 1: Back at the mansion, Savannah joins her new parents at

1206
00:57:33,840 --> 00:57:35,640
Speaker 1: a regal feast. She doesn't know what to do with

1207
00:57:35,680 --> 00:57:37,360
Speaker 1: her napkin and is grossed out when she finds out

1208
00:57:37,360 --> 00:57:39,720
Speaker 1: she's been eating snails, but her dad lets her know

1209
00:57:39,920 --> 00:57:42,240
Speaker 1: they got an opera singer for her birthday ball, like

1210
00:57:42,280 --> 00:57:46,520
Speaker 1: every kid wants, but Savannah suggests a taco truck. Then

1211
00:57:46,560 --> 00:57:51,600
Speaker 1: the dad doesn't doesn't know what tacos are, And are

1212
00:57:51,600 --> 00:57:53,960
Speaker 1: we supposed to assume that rich people don't know what

1213
00:57:54,320 --> 00:57:59,160
Speaker 1: tacos are? Really, yeah, that was kind of yeah, you

1214
00:57:59,280 --> 00:58:00,640
Speaker 1: don't know bacos are.

1215
00:58:01,120 --> 00:58:03,720
Speaker 2: But again, this takes us to the fact that we

1216
00:58:03,840 --> 00:58:07,600
Speaker 2: are watching a movie that's demo is targeted towards me

1217
00:58:07,880 --> 00:58:11,320
Speaker 2: very very young crowd. I agree, that would maybe be

1218
00:58:11,560 --> 00:58:13,680
Speaker 2: funny to them, right, That's what I kind of thought,

1219
00:58:13,720 --> 00:58:15,440
Speaker 2: like that, Oh, it doesn't even.

1220
00:58:15,240 --> 00:58:17,440
Speaker 1: Know what they don't know what tacos are. Yeah, and

1221
00:58:17,480 --> 00:58:21,000
Speaker 1: I'm only right. Okay. So the next morning, savannahs woken

1222
00:58:21,040 --> 00:58:24,440
Speaker 1: by an aggressive fencing instructor and exhausted from a ballet session,

1223
00:58:24,840 --> 00:58:27,040
Speaker 1: all while Emma finds herself waiting for the bathroom and

1224
00:58:27,120 --> 00:58:29,840
Speaker 1: fighting off brothers with a plunger. They already want to

1225
00:58:29,840 --> 00:58:32,000
Speaker 1: switch back, and they're like, let's just do this for

1226
00:58:32,040 --> 00:58:35,600
Speaker 1: one day. Yeah, yeah, done. So when Pemberley tells Emma

1227
00:58:35,680 --> 00:58:38,320
Speaker 1: she has a date with a boy named Lawns, I

1228
00:58:38,400 --> 00:58:42,320
Speaker 1: love how you say it Longs. It's Lance, but it's Lngs.

1229
00:58:42,920 --> 00:58:45,560
Speaker 1: This is the last straw. She decides to tell Pemberley

1230
00:58:45,600 --> 00:58:47,760
Speaker 1: that she is Savannah, and at first he's shocked but

1231
00:58:47,880 --> 00:58:50,880
Speaker 1: quickly says he'll keep the secret. Why would he do

1232
00:58:51,000 --> 00:58:53,360
Speaker 1: that for her? I don't know. Also, the way the

1233
00:58:53,400 --> 00:58:55,160
Speaker 1: actor played it was weird, where it was like he

1234
00:58:55,400 --> 00:58:58,040
Speaker 1: was shocked, but almost looked like he was pretending to

1235
00:58:58,120 --> 00:58:59,680
Speaker 1: be shocked, like he knew the whole time, But then

1236
00:58:59,680 --> 00:59:04,680
Speaker 1: they never recovered it was an odd acting moment. So Lance,

1237
00:59:04,880 --> 00:59:07,800
Speaker 1: it turns out, is Emma's boyfriend, a cute, little rich

1238
00:59:07,880 --> 00:59:09,920
Speaker 1: polo player that Savannah now has to pretend to know.

1239
00:59:10,360 --> 00:59:13,400
Speaker 1: And Savannah meets Jake, who can't stop talking about his dog.

1240
00:59:13,840 --> 00:59:16,480
Speaker 1: It's a bit much. He doesn't even say hi, he

1241
00:59:16,680 --> 00:59:17,960
Speaker 1: just brags about Murray doing the.

1242
00:59:18,000 --> 00:59:20,480
Speaker 2: Makarina mycerino, Oh my gosh.

1243
00:59:20,760 --> 00:59:23,400
Speaker 1: Emma quickly realizes that Jake is the boy Savannah likes

1244
00:59:23,440 --> 00:59:24,840
Speaker 1: and sets up a date with him. So this is

1245
00:59:24,880 --> 00:59:27,040
Speaker 1: starting to get a little tricky. On the date, Emma

1246
00:59:27,120 --> 00:59:30,320
Speaker 1: is sitting with Jake, with Savannah hiding nearby, keeping tabs

1247
00:59:30,320 --> 00:59:32,800
Speaker 1: on the whole thing. Jake holds her hand and Savannah,

1248
00:59:32,800 --> 00:59:35,080
Speaker 1: of course gets jealous. She perfectly throws a towel from

1249
00:59:35,080 --> 00:59:37,760
Speaker 1: behind a bush, landing right on her double's face. The

1250
00:59:37,840 --> 00:59:40,480
Speaker 1: two girls rendezvous and start bickering. This is not working out,

1251
00:59:40,720 --> 00:59:45,040
Speaker 1: but Savannah reveals she'll now be going for Lance in retaliation.

1252
00:59:45,560 --> 00:59:47,720
Speaker 1: Keep in mind, people, we're still in the same movie.

1253
00:59:48,160 --> 00:59:50,600
Speaker 1: So Lance and Savannah are now on their date at

1254
00:59:50,600 --> 00:59:53,800
Speaker 1: the park and run into the throttle of Emma, Jake,

1255
00:59:53,880 --> 00:59:56,440
Speaker 1: and Murray because he's obviously as involved in this relationship

1256
00:59:56,480 --> 00:59:59,480
Speaker 1: as anybody else. They have an icy exchange while the

1257
00:59:59,520 --> 01:00:01,560
Speaker 1: dude's real lies. These two girls look a lot alike.

1258
01:00:01,640 --> 01:00:06,800
Speaker 1: Case somebody notices you guys look a lot alike? Savannah mentioned, Yeah, Savannah.

1259
01:00:06,600 --> 01:00:10,200
Speaker 2: A little bit like are you twins? Did you just

1260
01:00:10,320 --> 01:00:11,000
Speaker 2: find each other?

1261
01:00:11,200 --> 01:00:11,720
Speaker 1: Did you do?

1262
01:00:11,760 --> 01:00:13,840
Speaker 2: You guys each have half of a locket? Like what's

1263
01:00:13,880 --> 01:00:14,360
Speaker 2: happening here?

1264
01:00:14,800 --> 01:00:17,760
Speaker 1: Yes, seriously, let's find out what is going on with

1265
01:00:17,840 --> 01:00:19,760
Speaker 1: these people because this is a question that maybe we

1266
01:00:19,760 --> 01:00:23,840
Speaker 1: should look into. Yeah, you'd think. Savannah mentions this weekend's

1267
01:00:23,880 --> 01:00:27,600
Speaker 1: birthday ball and invites everyone, infuriating Emma. We are now

1268
01:00:27,640 --> 01:00:29,640
Speaker 1: at the ball. We're moving very quickly. This is very

1269
01:00:29,720 --> 01:00:32,200
Speaker 1: stuffy and a high class party, and the opera singer

1270
01:00:32,280 --> 01:00:34,760
Speaker 1: is in full effect. Jake reveals he likes all the

1271
01:00:34,840 --> 01:00:38,680
Speaker 1: tomboys stuff from normal Savannah. He's weirded out seeing Emma

1272
01:00:38,960 --> 01:00:41,640
Speaker 1: in address. Savannah then enters the party to applause and

1273
01:00:41,640 --> 01:00:46,400
Speaker 1: adulation from Lawnce. She's looking for her doppelganger and egotistical Lance.

1274
01:00:46,560 --> 01:00:50,240
Speaker 1: I can't keep saying. It doesn't get why those Yeah,

1275
01:00:50,240 --> 01:00:52,160
Speaker 1: it doesn't get why she's looking for him because those

1276
01:00:52,240 --> 01:00:55,120
Speaker 1: dog park people are beneath them. This type of attitude

1277
01:00:55,160 --> 01:00:57,960
Speaker 1: makes her finally break up with Lance, but again not

1278
01:00:58,080 --> 01:00:59,640
Speaker 1: her boyfriend in real life, so who knows she just

1279
01:00:59,680 --> 01:01:01,760
Speaker 1: broke up with the dude that she's not even really dating.

1280
01:01:02,440 --> 01:01:04,720
Speaker 1: Savannah then runs into Emma and Jake, and the two

1281
01:01:04,760 --> 01:01:07,200
Speaker 1: admit their prank. They can't do it any longer. Savannah

1282
01:01:07,200 --> 01:01:09,560
Speaker 1: gives the tiara to Emma. It's her party after all.

1283
01:01:09,960 --> 01:01:12,840
Speaker 1: The geekly sheet girls are there too, because why not.

1284
01:01:13,440 --> 01:01:15,800
Speaker 1: They take some pictures for the blog and keep moving.

1285
01:01:16,160 --> 01:01:18,280
Speaker 1: Emma learns that Savannah broke up with Lance for her,

1286
01:01:18,360 --> 01:01:20,240
Speaker 1: but Emma isn't mad at all. She's wanted to do

1287
01:01:20,360 --> 01:01:22,640
Speaker 1: that since the third grade. Lance thinks this is all

1288
01:01:22,760 --> 01:01:24,920
Speaker 1: Jake's fault and jumps him right there at the party,

1289
01:01:25,360 --> 01:01:28,120
Speaker 1: so his fall covers him in chocolate and splashes the

1290
01:01:28,200 --> 01:01:30,920
Speaker 1: opera singer. Emma's parents think the party is ruined, but

1291
01:01:31,160 --> 01:01:35,000
Speaker 1: the geekly sheet girls know it's just getting started. Everyone

1292
01:01:35,080 --> 01:01:37,440
Speaker 1: then starts dancing to a pop song that just magically

1293
01:01:37,480 --> 01:01:40,480
Speaker 1: starts playing, and then everyone breaks into a synchronized dance

1294
01:01:40,680 --> 01:01:44,960
Speaker 1: my fave. Emma and Savannah also realize neither of them

1295
01:01:45,000 --> 01:01:48,280
Speaker 1: invited Hallie and Avalon. Emma's parents love the taco truck,

1296
01:01:49,080 --> 01:01:52,320
Speaker 1: and the dancing continues, and Pemberley gives his gift to Emma.

1297
01:01:52,520 --> 01:01:55,120
Speaker 1: It's the dog she always wanted. The movie ends with

1298
01:01:55,280 --> 01:01:57,960
Speaker 1: more of the magically learned dance routine that everyone just

1299
01:01:58,040 --> 01:02:01,480
Speaker 1: somehow seems to know. It also include skateboard time, double

1300
01:02:01,520 --> 01:02:03,760
Speaker 1: claps we pull out to show the party on the

1301
01:02:03,840 --> 01:02:06,760
Speaker 1: iPad once again. It's all been part of the geekly

1302
01:02:06,840 --> 01:02:12,080
Speaker 1: chic webazine of an oncoming Frenemies because that's the title

1303
01:02:12,160 --> 01:02:16,080
Speaker 1: of the movie. And then we get bloopers sort of,

1304
01:02:16,360 --> 01:02:19,040
Speaker 1: it's just mistakes from Murray the Dog. None of them

1305
01:02:19,080 --> 01:02:20,800
Speaker 1: are really funny. They just show the audience just how

1306
01:02:20,840 --> 01:02:24,360
Speaker 1: hard it is to work with animals. And that is

1307
01:02:24,480 --> 01:02:34,920
Speaker 1: our movie, Sabrina. Let's do some real reviews. I think

1308
01:02:34,960 --> 01:02:36,560
Speaker 1: you have the one star this week. What do we got?

1309
01:02:40,560 --> 01:02:44,680
Speaker 2: Uh? I kind of don't this is it somewhat goes

1310
01:02:44,720 --> 01:02:47,400
Speaker 2: into another little language for me. I don't really understand

1311
01:02:47,400 --> 01:02:48,440
Speaker 2: one hundred percent of it.

1312
01:02:48,600 --> 01:02:51,600
Speaker 1: This is a little too cool, I guess for I

1313
01:02:51,640 --> 01:02:52,480
Speaker 1: think it's for the youngs.

1314
01:02:52,920 --> 01:02:58,960
Speaker 2: Yeah, the one stars from Isaiah are this movie is trash, puke, emoji,

1315
01:03:00,480 --> 01:03:07,120
Speaker 2: l ratio, bozo, clown emoji, stick to Spider Man, Comma bozo.

1316
01:03:07,600 --> 01:03:09,280
Speaker 1: Okay, I didn't get a lot of it either, but

1317
01:03:09,360 --> 01:03:10,280
Speaker 1: it's one star.

1318
01:03:10,960 --> 01:03:11,840
Speaker 2: But it's a one star.

1319
01:03:12,520 --> 01:03:14,480
Speaker 1: I have the five star this week and it's a

1320
01:03:14,560 --> 01:03:17,720
Speaker 1: great five star review from Justin d It says, I

1321
01:03:17,800 --> 01:03:20,320
Speaker 1: don't remember anything about this movie. All I remember from

1322
01:03:20,320 --> 01:03:22,400
Speaker 1: the promos is a kid yelling at his dog. That's

1323
01:03:22,440 --> 01:03:29,200
Speaker 1: animal abuse. Five stars, five stars, Justin, Why did you care?

1324
01:03:29,480 --> 01:03:32,760
Speaker 1: I don't. I don't weird. I looked the other day

1325
01:03:32,800 --> 01:03:35,479
Speaker 1: on the magical rewind feed. I was looking at something

1326
01:03:35,520 --> 01:03:37,560
Speaker 1: and I looked at our reviews and one of them

1327
01:03:37,640 --> 01:03:41,840
Speaker 1: said this is I love this podcast. It's so wonderful.

1328
01:03:42,040 --> 01:03:46,080
Speaker 1: I listened to it all the time. One star, and

1329
01:03:46,200 --> 01:03:49,320
Speaker 1: I thought that was great. We are now, of course,

1330
01:03:49,440 --> 01:03:52,320
Speaker 1: at Sabrina's favorite portion of the podcast. It is our

1331
01:03:52,480 --> 01:03:57,080
Speaker 1: feature this week, stretch it out because producer Jensen has

1332
01:03:57,080 --> 01:03:58,840
Speaker 1: come up with a good one arm.

1333
01:04:00,400 --> 01:04:01,800
Speaker 4: Twin Jay Dog.

1334
01:04:02,560 --> 01:04:05,160
Speaker 1: It is called twin Flames. In this movie, we have

1335
01:04:05,240 --> 01:04:07,800
Speaker 1: Mary Mouse are playing two characters who apparently look just

1336
01:04:07,920 --> 01:04:10,480
Speaker 1: alike in surprise everybody. So we're gonna be getting the

1337
01:04:10,560 --> 01:04:12,440
Speaker 1: name of a celebrity and we have to guess if

1338
01:04:12,440 --> 01:04:16,080
Speaker 1: they are surprisingly a twin or not. If we can

1339
01:04:16,160 --> 01:04:19,320
Speaker 1: guess yes or no correctly, three out of five we win.

1340
01:04:19,680 --> 01:04:20,920
Speaker 1: Producer Jensen, are you with us?

1341
01:04:21,080 --> 01:04:24,280
Speaker 4: Oh yeah, yeah, I'm a true twin to winning this week,

1342
01:04:24,360 --> 01:04:24,840
Speaker 4: so good luck.

1343
01:04:27,560 --> 01:04:32,240
Speaker 1: Number one Giselle Buncheon. Oh gosh, is she a twin?

1344
01:04:32,320 --> 01:04:34,560
Speaker 1: Because if there's two of them, this is the most

1345
01:04:34,640 --> 01:04:35,680
Speaker 1: magical thing in the world.

1346
01:04:36,120 --> 01:04:39,240
Speaker 2: You gotta be Come on, give I'm gonna say.

1347
01:04:39,200 --> 01:04:42,160
Speaker 1: A chance, but I'm gonna say yes, just because I

1348
01:04:42,320 --> 01:04:45,520
Speaker 1: hope it's true. I'm gonna say.

1349
01:04:45,480 --> 01:04:47,360
Speaker 4: Yes, she's a twin.

1350
01:04:48,480 --> 01:04:51,240
Speaker 2: No identical?

1351
01:04:51,720 --> 01:04:53,120
Speaker 4: Yeah, I mean they look a lot alike.

1352
01:04:53,200 --> 01:04:58,200
Speaker 1: It's for sure, there's two of them. Wow, Canell's sister

1353
01:04:58,320 --> 01:05:00,720
Speaker 1: being like, how am I not famous? We look the same.

1354
01:05:00,880 --> 01:05:03,000
Speaker 2: I was just gonna say, how annoying would it be

1355
01:05:03,120 --> 01:05:05,120
Speaker 2: of me? Like you look a lot like Giselle?

1356
01:05:05,840 --> 01:05:09,560
Speaker 1: And she's like, my sister, Oh, can you imagine my

1357
01:05:10,280 --> 01:05:17,880
Speaker 1: twin sister? Number two KEI for Sutherland, I'm gonna say no,

1358
01:05:19,080 --> 01:05:20,920
Speaker 1: I'm say yes. I'm gonna say no.

1359
01:05:21,320 --> 01:05:24,200
Speaker 4: I'm say yes for Sutherland is a twin?

1360
01:05:24,760 --> 01:05:27,800
Speaker 1: Oh man, he is? So we're one on one, there's

1361
01:05:27,880 --> 01:05:34,360
Speaker 1: two Sutherlands. Number three Johnny Knoxville. That's such a random name.

1362
01:05:34,440 --> 01:05:36,280
Speaker 1: But oh god, it's so random because he's either a

1363
01:05:36,320 --> 01:05:38,880
Speaker 1: twin or Jensen. Just pulling random names. That's the problem

1364
01:05:38,920 --> 01:05:39,400
Speaker 1: with this guy.

1365
01:05:39,520 --> 01:05:44,080
Speaker 2: I honestly feel like I think he's a twin too.

1366
01:05:44,360 --> 01:05:44,960
Speaker 2: I think he is.

1367
01:05:45,400 --> 01:05:46,840
Speaker 1: Okay, Well, would you think this is going to be

1368
01:05:46,880 --> 01:05:48,320
Speaker 1: one of those lists where all five of them are

1369
01:05:48,360 --> 01:05:49,120
Speaker 1: actually twins?

1370
01:05:50,400 --> 01:05:50,760
Speaker 2: Maybe?

1371
01:05:51,040 --> 01:05:53,840
Speaker 1: Okay, so then I'll say yes that then he's a

1372
01:05:53,920 --> 01:05:54,480
Speaker 1: twin with you.

1373
01:05:55,480 --> 01:05:58,360
Speaker 4: Okay, I will say that. My favorite part about writing

1374
01:05:58,440 --> 01:06:03,120
Speaker 4: these quizzes finding a name that feels like it's real

1375
01:06:03,280 --> 01:06:06,280
Speaker 4: but it's n He did it, honestly. If I could

1376
01:06:06,280 --> 01:06:07,760
Speaker 4: do it all day for a living. I don't know

1377
01:06:07,840 --> 01:06:09,440
Speaker 4: how I would make that job, but i'd like to.

1378
01:06:09,560 --> 01:06:11,080
Speaker 4: And no, dine out. Sill is not a twin.

1379
01:06:11,440 --> 01:06:14,720
Speaker 2: Ah, Okay, man, you know what, because I feel like

1380
01:06:14,800 --> 01:06:17,560
Speaker 2: if he was, he'd be in he'd have to be

1381
01:06:17,760 --> 01:06:20,280
Speaker 2: in his shows, like they would prank him like crazy

1382
01:06:20,600 --> 01:06:21,840
Speaker 2: or use him for pers Oh.

1383
01:06:21,960 --> 01:06:24,520
Speaker 1: Yeah that's true. Yeah that's true. Okay, See now you're okay.

1384
01:06:24,720 --> 01:06:27,400
Speaker 1: So we've we've each gotten one right so far, so

1385
01:06:27,440 --> 01:06:30,160
Speaker 1: we've got to get the next two right. Number four.

1386
01:06:30,640 --> 01:06:31,560
Speaker 1: Parker Posey.

1387
01:06:32,640 --> 01:06:33,479
Speaker 2: I don't know who Parker.

1388
01:06:33,840 --> 01:06:35,840
Speaker 1: You don't know Parker Posey is? Parker Posey is great?

1389
01:06:36,000 --> 01:06:37,440
Speaker 1: Do you ever see like waiting for Guffman.

1390
01:06:38,920 --> 01:06:40,400
Speaker 4: Well, she's having a big moment right now.

1391
01:06:40,480 --> 01:06:42,760
Speaker 1: She's having she's on Yes, she's on white loads.

1392
01:06:43,200 --> 01:06:45,160
Speaker 4: She's the star of the new white loadus to stand out.

1393
01:06:45,360 --> 01:06:51,960
Speaker 2: Oh okay, yes, okay, okay, okay, I'm gonna say no, no.

1394
01:06:52,760 --> 01:06:56,560
Speaker 4: No, Parker posey positively a twin?

1395
01:06:57,240 --> 01:06:59,280
Speaker 1: Oh come on? Really? Yep?

1396
01:07:00,080 --> 01:07:03,280
Speaker 4: I mean, I don't know why that matters, Sabrina, but

1397
01:07:03,400 --> 01:07:08,920
Speaker 4: I think I like, she can't believe that it's.

1398
01:07:10,440 --> 01:07:15,200
Speaker 2: Because because it's you. If you say, okay, this, don't come,

1399
01:07:15,560 --> 01:07:17,600
Speaker 2: don't come for me. But when it's like you're doing

1400
01:07:17,680 --> 01:07:20,640
Speaker 2: something like this and it's a twin that's not even

1401
01:07:20,680 --> 01:07:22,640
Speaker 2: the same sex as you, like it's like a boy.

1402
01:07:22,520 --> 01:07:25,000
Speaker 4: Twin, it's like it is it is a boy twin.

1403
01:07:25,480 --> 01:07:28,080
Speaker 2: Okay, that makes a difference. Like Giselle, if it was

1404
01:07:28,080 --> 01:07:31,040
Speaker 2: a boy twin, I would not get definitely that it's

1405
01:07:31,080 --> 01:07:33,360
Speaker 2: a girl that's killing.

1406
01:07:33,640 --> 01:07:36,080
Speaker 1: I saw a picture of Jazelle's twin or Patricia. It's

1407
01:07:36,120 --> 01:07:37,800
Speaker 1: on your phone. You can look at it. It's she's

1408
01:07:37,880 --> 01:07:38,640
Speaker 1: she's pretty.

1409
01:07:38,520 --> 01:07:40,200
Speaker 4: She's pretty, stunning, she looks like.

1410
01:07:43,480 --> 01:07:50,160
Speaker 1: Pretty, she's pretty. Man number five weird Al Yankovic.

1411
01:07:52,120 --> 01:07:54,120
Speaker 2: Now, this makes me feel after he said that about

1412
01:07:54,160 --> 01:07:56,320
Speaker 2: Johnny Knoxville. But he might have said it just set

1413
01:07:56,400 --> 01:07:57,680
Speaker 2: me up. But it makes me feel like.

1414
01:07:57,720 --> 01:07:59,600
Speaker 1: I'm gonna say no. I'm gonna say no, I'm gonna

1415
01:07:59,600 --> 01:08:01,880
Speaker 1: say no, can't No, it's not.

1416
01:08:02,280 --> 01:08:04,920
Speaker 4: But I wish you did. I wish it was normal.

1417
01:08:05,080 --> 01:08:05,840
Speaker 4: Sally Yanka that.

1418
01:08:10,040 --> 01:08:11,120
Speaker 1: Did you get three? Did you win?

1419
01:08:11,680 --> 01:08:15,320
Speaker 2: I finally, yes, I did. I said no for the

1420
01:08:15,400 --> 01:08:16,599
Speaker 2: fifth one, which means I won.

1421
01:08:17,080 --> 01:08:18,360
Speaker 1: Did you get three?

1422
01:08:18,479 --> 01:08:21,400
Speaker 4: I'm so used to saying no, I'm sorry, Okay, I

1423
01:08:21,479 --> 01:08:21,920
Speaker 4: didn't wait.

1424
01:08:22,760 --> 01:08:25,200
Speaker 2: Oh I no, I didn't win. I thought I said

1425
01:08:25,240 --> 01:08:28,519
Speaker 2: no to yourself. I got number two, right, I got

1426
01:08:28,600 --> 01:08:30,160
Speaker 2: number two, number five?

1427
01:08:31,439 --> 01:08:38,160
Speaker 1: Ok, thank you so much. Producer Jet said, yikes, can

1428
01:08:38,240 --> 01:08:44,240
Speaker 1: we now do a Sabrina SAEs? Okay?

1429
01:08:44,479 --> 01:08:47,040
Speaker 2: So I really didn't have a lot. There were things

1430
01:08:47,080 --> 01:08:51,640
Speaker 2: that just threw me off, like this is how I

1431
01:08:51,760 --> 01:08:54,439
Speaker 2: had to I had to kind of rewatch things because

1432
01:08:54,479 --> 01:08:58,880
Speaker 2: I was going, I'm so lost and so not not

1433
01:08:59,160 --> 01:09:01,240
Speaker 2: in these that I had to kind of rewatch. So

1434
01:09:01,280 --> 01:09:03,200
Speaker 2: I was trying to find just random stuff like the

1435
01:09:03,320 --> 01:09:06,479
Speaker 2: dusty rose color for the wall, like what a weird

1436
01:09:06,600 --> 01:09:08,000
Speaker 2: color for a living room wall?

1437
01:09:08,040 --> 01:09:08,960
Speaker 4: Please don't do that.

1438
01:09:09,080 --> 01:09:12,560
Speaker 2: That looks that's crazy. Then a big home alone with

1439
01:09:12,680 --> 01:09:15,160
Speaker 2: the girl or in the room with the girl that

1440
01:09:15,320 --> 01:09:19,040
Speaker 2: was like still just a huge thing for me. They

1441
01:09:19,120 --> 01:09:23,120
Speaker 2: had I I missed him when I rewatched it because

1442
01:09:23,160 --> 01:09:27,439
Speaker 2: I was again finding myself halfway rewatching. But they had

1443
01:09:27,479 --> 01:09:29,479
Speaker 2: a lot of things like when she talks about the

1444
01:09:29,560 --> 01:09:32,360
Speaker 2: manny petty, then she does like a little like so

1445
01:09:32,560 --> 01:09:35,880
Speaker 2: I can hand in my paper. And then when the

1446
01:09:36,000 --> 01:09:38,760
Speaker 2: twin one that they she I couldn't find which way

1447
01:09:38,800 --> 01:09:40,240
Speaker 2: it was, but I was trying to find that. They

1448
01:09:40,280 --> 01:09:43,000
Speaker 2: had like a couple of those little like nerd nerderder,

1449
01:09:45,320 --> 01:09:47,720
Speaker 2: and it was again just going just going for that

1450
01:09:47,960 --> 01:09:50,560
Speaker 2: young comedy for the kids, like a lot of it

1451
01:09:50,720 --> 01:09:52,120
Speaker 2: was just a lot of young comedy.

1452
01:09:53,200 --> 01:09:55,000
Speaker 4: And then I was just.

1453
01:09:55,080 --> 01:09:58,400
Speaker 2: Gonna say that the first one really took me back

1454
01:09:58,439 --> 01:10:02,439
Speaker 2: to I had my dog Rocky, who's no longer with

1455
01:10:02,640 --> 01:10:04,920
Speaker 2: me and I miss him all the time. Was the

1456
01:10:05,000 --> 01:10:09,360
Speaker 2: best little dog, right, And I had a boyfriend very

1457
01:10:09,520 --> 01:10:13,080
Speaker 2: early on or just pretty close to before I met Jordan.

1458
01:10:13,160 --> 01:10:17,640
Speaker 2: The boyfriend I had before Rocky hated him, hated him,

1459
01:10:17,680 --> 01:10:19,680
Speaker 2: and he's a little mini shit so he doesn't really

1460
01:10:19,720 --> 01:10:22,000
Speaker 2: honestly care about anyone. He was like the dog that

1461
01:10:22,200 --> 01:10:24,680
Speaker 2: just like would just cuddle you'd forget he was there.

1462
01:10:25,200 --> 01:10:27,800
Speaker 2: Hated him so much, and he would antagonize him so

1463
01:10:27,920 --> 01:10:31,800
Speaker 2: much that one time Rocky wet for his face. He

1464
01:10:31,920 --> 01:10:33,720
Speaker 2: was like in his face, like growling at him, and

1465
01:10:33,840 --> 01:10:37,439
Speaker 2: Rocky went for him, got him, and I grabbed Rocky

1466
01:10:37,479 --> 01:10:39,160
Speaker 2: and ran out the door because I thought he was

1467
01:10:39,200 --> 01:10:42,040
Speaker 2: going to kill him. And I was like, dogs, do

1468
01:10:42,439 --> 01:10:46,519
Speaker 2: know when people come into your life, you must listen

1469
01:10:46,640 --> 01:10:49,360
Speaker 2: to them, because I wish it was that moment that

1470
01:10:49,439 --> 01:10:50,800
Speaker 2: I was like, you gotta go, and.

1471
01:10:50,840 --> 01:10:53,360
Speaker 1: He was Rocky in your dog's face.

1472
01:10:53,840 --> 01:10:56,200
Speaker 2: Yeah, he was just like playing like but it wasn't

1473
01:10:56,320 --> 01:10:59,240
Speaker 2: like how you like. It was like he was being mean.

1474
01:11:00,160 --> 01:11:02,240
Speaker 2: Ask him to stop doing that because I could tell Rocky,

1475
01:11:02,320 --> 01:11:04,880
Speaker 2: and Rocky was not a hyper dog in any sense.

1476
01:11:05,040 --> 01:11:07,400
Speaker 2: He was a shit to He just chilled. Yeah, he

1477
01:11:07,439 --> 01:11:09,479
Speaker 2: could take him anywhere. No one ever really knew he

1478
01:11:09,600 --> 01:11:12,439
Speaker 2: was with me because it was just an awesome little dog.

1479
01:11:12,880 --> 01:11:14,800
Speaker 2: And when he grew, when he got him, he got

1480
01:11:14,920 --> 01:11:15,240
Speaker 2: him good.

1481
01:11:15,280 --> 01:11:18,680
Speaker 1: And I was like, that's he break skin? Was he believing? Oh?

1482
01:11:18,800 --> 01:11:20,920
Speaker 2: Yeah he did? And I mean that was crazy to

1483
01:11:21,000 --> 01:11:24,120
Speaker 2: because Rocky had never bit anyone, like, not even anything

1484
01:11:24,360 --> 01:11:24,600
Speaker 2: like that.

1485
01:11:25,040 --> 01:11:25,960
Speaker 1: He knew he knew.

1486
01:11:26,200 --> 01:11:29,439
Speaker 2: So listeners out there, if you have dogs that don't

1487
01:11:30,000 --> 01:11:32,559
Speaker 2: like someone that you are bringing into their lives because

1488
01:11:32,600 --> 01:11:33,960
Speaker 2: it is their lives as well.

1489
01:11:34,200 --> 01:11:37,840
Speaker 1: Yeah, they got it, got it go? Yes, I agree,

1490
01:11:37,840 --> 01:11:41,439
Speaker 1: one hundred percent, one hundred percent. Okay, So it's now time,

1491
01:11:41,479 --> 01:11:43,840
Speaker 1: of course, to rate our program. And we're gonna do

1492
01:11:43,880 --> 01:11:45,920
Speaker 1: one out of ten this week, I think, and we're

1493
01:11:45,920 --> 01:11:48,640
Speaker 1: gonna make ten the best. Let's do that. It's just

1494
01:11:48,680 --> 01:11:51,559
Speaker 1: fun to switch it up. So here are options. This week.

1495
01:11:51,600 --> 01:11:54,640
Speaker 1: We've got one out of ten Tony Hawk kickflips, one

1496
01:11:54,680 --> 01:11:59,599
Speaker 1: out of ten cow poop experiments, Johnny Depp scarves, sexy

1497
01:11:59,720 --> 01:12:04,680
Speaker 1: GPS systems, totally cracking, duded up wardrobes, one out of ten,

1498
01:12:04,840 --> 01:12:08,559
Speaker 1: Best Friends for Never, one at a ten, Lucy del

1499
01:12:08,600 --> 01:12:12,840
Speaker 1: Goosey's or one out of ten titles of the movie.

1500
01:12:13,120 --> 01:12:16,559
Speaker 1: I also like Tony Gox or rich people who don't

1501
01:12:16,640 --> 01:12:19,360
Speaker 1: know Tacos. I think I get to pick this this,

1502
01:12:19,680 --> 01:12:22,360
Speaker 1: I think you do? I think I do. Now, this

1503
01:12:22,520 --> 01:12:24,519
Speaker 1: is tough for me because I would love to do

1504
01:12:24,640 --> 01:12:28,240
Speaker 1: best Friends for Never because it's great. But rich people

1505
01:12:28,240 --> 01:12:30,400
Speaker 1: who don't know Tacos is just kind of awesome. So

1506
01:12:30,560 --> 01:12:32,040
Speaker 1: I think we have to do one out of ten

1507
01:12:32,600 --> 01:12:34,599
Speaker 1: rich people who don't know Tacos. I also think it's

1508
01:12:34,680 --> 01:12:36,640
Speaker 1: my turn to go first, isn't it. I think you

1509
01:12:36,720 --> 01:12:37,639
Speaker 1: went first last time.

1510
01:12:38,760 --> 01:12:42,760
Speaker 2: I honestly we got track.

1511
01:12:44,040 --> 01:12:47,799
Speaker 1: Yeah, I think, I think, so I'll go first this time. Okay,

1512
01:12:50,720 --> 01:12:55,040
Speaker 1: if I watch this as a ten year old, it's

1513
01:12:55,160 --> 01:12:58,519
Speaker 1: probably a six or a seven six and a half

1514
01:12:59,439 --> 01:13:01,439
Speaker 1: rich people don't know Tacos. I still don't think it's

1515
01:13:01,479 --> 01:13:03,240
Speaker 1: a great movie for kids ten or eleven, but it's

1516
01:13:04,400 --> 01:13:08,559
Speaker 1: clearly focused on the younger crowd, so I could see

1517
01:13:09,240 --> 01:13:12,240
Speaker 1: if I was judging it that way, I could say

1518
01:13:12,720 --> 01:13:15,280
Speaker 1: it's a six point five, maybe even a soft seven

1519
01:13:16,000 --> 01:13:18,240
Speaker 1: rich people who don't know tacos. But I didn't watch

1520
01:13:18,280 --> 01:13:21,360
Speaker 1: it that way. I watched it as a movie, and

1521
01:13:21,640 --> 01:13:24,920
Speaker 1: watching it as a movie, I'm gonna give this four

1522
01:13:24,960 --> 01:13:29,680
Speaker 1: and a half rich people who don't know Tacos. I know.

1523
01:13:30,080 --> 01:13:33,719
Speaker 1: First of all, Zindai is great. She's great, Bella Thorne

1524
01:13:33,840 --> 01:13:36,479
Speaker 1: was great. None of the there's great. Some of the

1525
01:13:36,600 --> 01:13:41,440
Speaker 1: small acting bits were not great. But Mary Mouser phenomenal

1526
01:13:41,520 --> 01:13:44,320
Speaker 1: in the movie. She played like four characters, the guy

1527
01:13:44,320 --> 01:13:46,919
Speaker 1: who played Jake, none of that. None of the acting

1528
01:13:47,560 --> 01:13:50,160
Speaker 1: was bad at all. I mean it was not, But

1529
01:13:50,400 --> 01:13:53,160
Speaker 1: the story didn't make any sense. They didn't really connect

1530
01:13:53,479 --> 01:13:55,240
Speaker 1: A lot of it just didn't make it, and then

1531
01:13:55,280 --> 01:13:57,680
Speaker 1: they'd break into random stuff for no re. I just

1532
01:13:58,040 --> 01:14:00,720
Speaker 1: I didn't get it. I could go. So I'll make

1533
01:14:00,720 --> 01:14:03,000
Speaker 1: it a soft five. We'll do that. It's gonna be

1534
01:14:03,320 --> 01:14:06,400
Speaker 1: five rich people who don't know tacos for me because

1535
01:14:06,400 --> 01:14:08,599
Speaker 1: I can only watch it as I am. I can't

1536
01:14:08,640 --> 01:14:10,559
Speaker 1: watch it as a ten year old, so I get

1537
01:14:10,600 --> 01:14:12,439
Speaker 1: what they were going for. But this was not a

1538
01:14:12,520 --> 01:14:13,599
Speaker 1: particularly good movie.

1539
01:14:14,120 --> 01:14:18,519
Speaker 2: Yeah, I wish they would have gotten taken that middle section,

1540
01:14:19,000 --> 01:14:21,040
Speaker 2: give it a little bit of a rewrite, and make.

1541
01:14:20,960 --> 01:14:23,400
Speaker 1: It what the whole make it the movie cam was.

1542
01:14:23,479 --> 01:14:26,439
Speaker 2: I don't think we it was necessary to have these three.

1543
01:14:26,960 --> 01:14:29,439
Speaker 2: I don't know if this had to do with bringing

1544
01:14:29,520 --> 01:14:31,800
Speaker 2: in a new director or like what it was, and

1545
01:14:31,840 --> 01:14:33,680
Speaker 2: they were trying to just I think they were just

1546
01:14:33,800 --> 01:14:36,639
Speaker 2: trying something different, you know what I mean? Maybe nine,

1547
01:14:36,960 --> 01:14:40,080
Speaker 2: which is fine. It just means I'm hoping that this

1548
01:14:40,200 --> 01:14:42,760
Speaker 2: didn't wasn't a trend that continued, because if we have

1549
01:14:42,840 --> 01:14:45,559
Speaker 2: to watch fifteen of these kinds of movies, I'm gonna

1550
01:14:45,560 --> 01:14:51,880
Speaker 2: really so I'm hoping they saw it was kind of

1551
01:14:51,960 --> 01:14:57,400
Speaker 2: a miss, and you know, zendeya watching her on film,

1552
01:14:57,840 --> 01:15:01,240
Speaker 2: I would watch She's that middle se for ninety minutes,

1553
01:15:01,320 --> 01:15:02,479
Speaker 2: no problem, and the.

1554
01:15:02,520 --> 01:15:06,000
Speaker 1: Two of them were great together that it made me go.

1555
01:15:06,080 --> 01:15:08,120
Speaker 2: God, I want to kind of go back and start

1556
01:15:08,160 --> 01:15:11,880
Speaker 2: watching their show because their connection and their chemistry was

1557
01:15:12,320 --> 01:15:16,120
Speaker 2: so adorable and so amazing. But when it comes to

1558
01:15:16,280 --> 01:15:20,160
Speaker 2: this movie, like I said, I had to go back

1559
01:15:20,240 --> 01:15:23,200
Speaker 2: and rewatch stuff because I zoned out, I got up,

1560
01:15:23,280 --> 01:15:26,679
Speaker 2: I paused. It wasn't a movie that I watched front

1561
01:15:26,720 --> 01:15:29,040
Speaker 2: to back. Like I love watching so many of these

1562
01:15:29,160 --> 01:15:33,919
Speaker 2: d cooms. I'm positive there's going to be another Zendeia

1563
01:15:34,000 --> 01:15:36,720
Speaker 2: movie out there for us to watch d coms. There's

1564
01:15:36,800 --> 01:15:39,439
Speaker 2: definitely another one, at least I want to say there's

1565
01:15:39,439 --> 01:15:43,800
Speaker 2: at least one more. There is, thank you, Lisa, and

1566
01:15:43,880 --> 01:15:45,840
Speaker 2: I want to watch that soon because I need to

1567
01:15:45,880 --> 01:15:47,559
Speaker 2: see her in a better dcom than what we.

1568
01:15:47,600 --> 01:15:51,120
Speaker 4: Had this movie. You say that, I think Zendaya in

1569
01:15:51,320 --> 01:15:53,880
Speaker 4: Challengers was like the best movie of last year. I

1570
01:15:54,000 --> 01:15:55,559
Speaker 4: thought it was really really great.

1571
01:15:55,720 --> 01:16:00,320
Speaker 1: So I watched Okay for whatever she does, That's what

1572
01:16:00,400 --> 01:16:01,439
Speaker 1: I mean. That's what I mean.

1573
01:16:01,600 --> 01:16:03,280
Speaker 2: So I think my rating is going to be a

1574
01:16:03,280 --> 01:16:05,840
Speaker 2: little bit higher because of that, and I'm gonna go

1575
01:16:06,320 --> 01:16:10,639
Speaker 2: with the six point five Wow okay, rich peoples without tacos,

1576
01:16:10,720 --> 01:16:14,040
Speaker 2: because I do think that this the channel does have

1577
01:16:14,200 --> 01:16:16,720
Speaker 2: to switch who they're catering to. They can't always cater

1578
01:16:16,800 --> 01:16:19,840
Speaker 2: to the exact audience. This was a young movie, too

1579
01:16:19,960 --> 01:16:21,479
Speaker 2: young for me to watch at this point.

1580
01:16:21,800 --> 01:16:22,200
Speaker 4: I agree.

1581
01:16:22,200 --> 01:16:23,720
Speaker 1: I agree with you one hundred percent. I think that's fair.

1582
01:16:23,840 --> 01:16:26,720
Speaker 1: I get I'm harsh, but only because it just wasn't

1583
01:16:26,760 --> 01:16:28,639
Speaker 1: good for me. But anyway, thank you so much.

1584
01:16:29,000 --> 01:16:34,040
Speaker 2: The dance that dance part for me exactly pushed it

1585
01:16:34,120 --> 01:16:36,080
Speaker 2: up for me. It made me go, I'm so glad.

1586
01:16:36,080 --> 01:16:38,040
Speaker 2: I waited till the end of this movie to be

1587
01:16:38,080 --> 01:16:39,920
Speaker 2: able to finally see the two of them do a

1588
01:16:39,960 --> 01:16:41,840
Speaker 2: little dance number where and I was watching.

1589
01:16:42,240 --> 01:16:44,960
Speaker 1: They're dancing a sudden what the hell is happening?

1590
01:16:45,120 --> 01:16:48,719
Speaker 2: The skateboard adding the skateboard propping because of the skater

1591
01:16:48,920 --> 01:16:51,160
Speaker 2: in the movie like that was cute. I liked it,

1592
01:16:51,280 --> 01:16:52,920
Speaker 2: I was in it, and I thought the choreography was

1593
01:16:52,960 --> 01:16:54,679
Speaker 2: pretty good. So six point five.

1594
01:16:54,720 --> 01:16:58,639
Speaker 1: There you good anyway. Anyway, thank you everybody for joining

1595
01:16:58,720 --> 01:17:00,719
Speaker 1: us for this episode of Magical rein On. Our next

1596
01:17:00,880 --> 01:17:03,440
Speaker 1: movie is going to be two thousand and five's American

1597
01:17:03,600 --> 01:17:08,360
Speaker 1: Western Buffalo Dreams, available now on Disney Plus. What is

1598
01:17:08,400 --> 01:17:09,160
Speaker 1: it you know this movie?

1599
01:17:09,880 --> 01:17:13,200
Speaker 2: No? I just we have on our chat been talking

1600
01:17:13,280 --> 01:17:16,400
Speaker 2: about this movie and I everyone that keeps coming up

1601
01:17:16,520 --> 01:17:19,599
Speaker 2: in this cast. I am so excited to watch.

1602
01:17:19,840 --> 01:17:21,920
Speaker 1: I know nothing about this so I can't wait. This

1603
01:17:22,040 --> 01:17:24,360
Speaker 1: is gonna be fun. Yeah, So you go ahead and

1604
01:17:24,360 --> 01:17:25,599
Speaker 1: watch it if you want to prep for our little

1605
01:17:25,600 --> 01:17:28,640
Speaker 1: analysis there, And as always, please remember to subscribe to

1606
01:17:28,800 --> 01:17:31,599
Speaker 1: our dedicated Magical Rewind feed because we have week after

1607
01:17:31,720 --> 01:17:35,160
Speaker 1: week after week of exciting interviews of Disney and dcom legends.

1608
01:17:35,600 --> 01:17:37,600
Speaker 1: Just search for us on your favorite streaming service like

1609
01:17:37,600 --> 01:17:41,240
Speaker 1: Apple Podcasts, the iHeartRadio app, or wherever you get your podcasts.

1610
01:17:41,240 --> 01:17:43,560
Speaker 1: I promise you it's well worth it. And if you

1611
01:17:43,600 --> 01:17:45,400
Speaker 1: want more info, you can follow us at the Magical

1612
01:17:45,439 --> 01:17:48,120
Speaker 1: Rewind Pod on the Instagram Machine. You can go do

1613
01:17:48,280 --> 01:17:50,639
Speaker 1: that now. Thanks everybody, We'll see you next time. Bye

1614
01:17:51,200 --> 01:18:02,600
Speaker 1: bye U