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Speaker 1: It's Memorial Day. We're recording this today, Memorial Day. We

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Speaker 1: should be at a barbecue together.

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Speaker 2: Yeah, we should be eating ribs. We should be Wait,

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Speaker 2: are you really trying wait, hold on, let me get

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Speaker 2: this straight going. Are you really trying not to eat

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Speaker 2: meat nowadays?

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Speaker 1: I am a pescatarian. I'm trying that out.

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Speaker 2: When did you become a pescatarian?

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Speaker 1: I watched this documentary that really got me inspired about

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Speaker 1: stopping eating animals besides fish.

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Speaker 2: You sound like my dad. My dad is the same

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Speaker 2: way right now.

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Speaker 1: The documentary was it's called the Game Changers. Is that

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Speaker 1: what it's called? Yes, game changers. So, but I've never

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Speaker 1: done anything. I love burgers, I love I love all

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Speaker 1: the shit we all have eaten our whole lives. But

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Speaker 1: we have all this time on our hands, right, it's

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Speaker 1: like an experimentation time on every front, right, Like you

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Speaker 1: can experiment with you know, I've been experimenting with all

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Speaker 1: sorts of things in my life. Is I'm sure a

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Speaker 1: lot of people have. And one was like, okay, well

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Speaker 1: let me just try this this during this time to

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Speaker 1: only be a fitter. And I do feel better, I

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Speaker 1: do feel healthier.

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Speaker 2: Well that's great, but I know you're I.

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Speaker 1: Know you're very meat passionate.

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Speaker 3: Donald.

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Speaker 2: You know, I'm trying to stay away from the red meat.

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Speaker 2: That's the hardest thing to stay away from. It's so tasty.

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Speaker 2: So I've been trying to figure out different ways to

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Speaker 2: cook a chicken, and I've been doing that a lot lately.

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Speaker 2: But yeah, you're right. I do agree that too much

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Speaker 2: meat is bad for you, obviously, because you know, cholesterol

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Speaker 2: says something about that, blood pressure says something about that,

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Speaker 2: heart disease, colorectal cancer says a lot about that, you

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Speaker 2: know what I mean, And that's when you eat too

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Speaker 2: much red meat, usually or processed foods. I'm having a

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Speaker 2: hard time getting off of all of that stuff though.

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Speaker 3: That's the problem.

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Speaker 1: I I gotta tell you. Last night we had a

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Speaker 1: fake burger.

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Speaker 2: You had Beyond Burger.

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Speaker 1: It wasn't one of the fancy ones. Beyond It wasn't

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Speaker 1: Beyond it impossible. It was the only two names I know,

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Speaker 1: and we just got it at a supermarket. It was

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Speaker 1: a nice brand. I forgot the brand, but it was amazing.

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Speaker 1: I mean, once you put cheese on it and all

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Speaker 1: the fixens and your spices, it's great.

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Speaker 2: But once you put the cheese on it. You're no

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Speaker 2: longer presbytarian whatever it is that you're trescutarian.

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Speaker 1: That's yeah, I'm I can eat cheese. I'm just not

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Speaker 1: eating I'm not eating meat. I'm not eating I'm not

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Speaker 1: eating any form of meat other than fish.

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Speaker 2: All right, well should we sing?

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Speaker 1: You don't seem happy. I want you to get happy.

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Speaker 1: You seem very dumb. You can't sing unless you're happy.

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Speaker 2: Donald very old song, hold on, hold on, hold on.

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Speaker 1: You just you have a furrowed brow.

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Speaker 2: I am very happy. First of all.

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Speaker 1: Well, okay, well, let's let me see it. We're about

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Speaker 1: to bring on Randall Winston, one of the most exciting people.

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Speaker 2: I'm really excited, but I don't want him.

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Speaker 1: To see you. Better turn that motherfucking bearded frown upside down.

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Speaker 2: I'm telling you something right now. Randall Winston is responsible

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Speaker 2: for some of the most happiest moments of my life.

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Speaker 2: So I can't wait to have him on.

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Speaker 1: Okay, well, then count these motherfuckers in.

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Speaker 2: Five, six, seven, eight. Motherfucker's here some stories I'm not show.

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Speaker 1: We made about a bunch of tops and nurses.

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Speaker 2: He said he's a stormy so YadA around you here,

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Speaker 2: YadA around here, No.

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Speaker 1: There he is. Why is he wearing like a gaming headset?

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Speaker 3: That's the only headset I can find.

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Speaker 1: Oh my god, you're so inorgle.

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Speaker 2: You can play an Xbox later, buddy.

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Speaker 1: Did we interrupt you from call of duty? Or are

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Speaker 1: you flying atop? Are you flying a chopper anytime soon?

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Speaker 2: We Oh my god, we're so excited to have you

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Speaker 2: on the show. Yeah, we hear you.

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Speaker 3: Just awesome. Yes, these are this is my son's gaming

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Speaker 3: heads I knew it.

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Speaker 1: By the way, this is gonna be I wish the

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Speaker 1: audience could see Randel is wearing a gaming headset. But

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Speaker 1: if you don't play games, picture a helicopter headset and

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Speaker 1: he's in his beautiful garden and he's wearing his kids

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Speaker 1: gaming indset.

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Speaker 2: That literally is it? Literally is a game?

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Speaker 3: Lights up?

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Speaker 2: I love it. I love it.

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Speaker 3: How are you man?

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Speaker 1: How are you? Randy?

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Speaker 3: I am fantastic. I mean, of things considered, I'm great.

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Speaker 2: You know, congratulations on your pickup.

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Speaker 3: Yes we did.

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Speaker 2: We didn't get picked up Randall, but.

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Speaker 1: I didn't know you didn't get picked up. I'm sorry.

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Speaker 2: It's all good. ABC decided not to go further with emergents,

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Speaker 2: but better News. ABC decided to go further with Mixed Dish,

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Speaker 2: which is Randall's show. Now, let me get this straight. Randal,

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Speaker 2: you're executive producer on the show.

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Speaker 3: Now that is correct.

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Speaker 2: Look at you man started.

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Speaker 1: At a rand We gotta go back because Randall's career

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Speaker 1: is on and I think if for people that want

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Speaker 1: to go into Hollywood, Randall is a really exciting case

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Speaker 1: of someone that's on Fuego right now.

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Speaker 2: Well not only is Antuego. I remember a video. I

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Speaker 2: don't know how I saw this video, but it was

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Speaker 2: a video of you pretty much manifesting your destiny, you

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Speaker 2: know what I mean, saying this is what I want

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Speaker 2: to do. I want to move to Hollywood. I want

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Speaker 2: to be a I want to be a big time producer.

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Speaker 2: And you know, and you're very young in this video too.

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Speaker 2: I don't know how I saw this video.

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Speaker 3: It was it was posted by a friend of mine.

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Speaker 3: It was we were like it was our twenty first

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Speaker 3: birthday or something like that. This is a girl who

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Speaker 3: I met on the journey to Los Angeles. We met

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Speaker 3: at a rest stop in Oklahoma and became life for friends.

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Speaker 3: We are on our way to come find our dreams

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Speaker 3: and she was very into documenting everything, and Donald, I

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Speaker 3: can't believe you saw that. That's that's crazy.

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Speaker 1: Donald and I are very into well, I don't know, Donald,

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Speaker 1: I think you are, but I'm very pro right now

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Speaker 1: manifesting your shit and making everything happen. My friend, our friend,

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Speaker 1: Amanda is missed like whiteboard and writing everything down. And

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Speaker 1: actually I became friendly with John Legend's manager. I think

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Speaker 1: I've told you this story, Donald, who said that everything

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Speaker 1: that John Legend has accomplished they put on a whiteboard

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Speaker 1: when they were kids, like out of college, and they

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Speaker 1: were like writing down, like they were laughing, like I

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Speaker 1: don't know this many Grammys and cover a Time magazine

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Speaker 1: and they were just like cracking each other up. And

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Speaker 1: She's like, every single thing we put on that whiteboard happened.

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Speaker 2: Yeah, John Legend got an egot.

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Speaker 1: He's got well, Randall's gonna get a fucking egot, especially

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Speaker 1: for his acting skills.

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Speaker 2: Oh boy, here we go.

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Speaker 1: No, we had to get into it because Donald called

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Speaker 1: me out to Randall saying that I dissed his work

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Speaker 1: as Death in the show, and Randall texted me very

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Speaker 1: upset about his work is Death being criticized?

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Speaker 3: I mean, I think I played the part that was

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Speaker 3: required of death. And I also you know, death is

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Speaker 3: not the only role that they played on Scrubs, you know.

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Speaker 2: No, you also well, we haven't gotten to the to

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Speaker 2: the security guard yet. He hasn't been introduced yet, the

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Speaker 2: hook the hook handed security guard.

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Speaker 1: Oh, I forgot that you were the hook handed security guard.

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Speaker 3: Leonard who had Leonard, who had tens of fans?

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Speaker 1: Randall, how many episodes did Leonard do?

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Speaker 3: Do you think? I don't know exactly how many episodes

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Speaker 3: he did, but I will tell you this, all fans

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Speaker 3: that wrote to me, so many people from Men's prison

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Speaker 3: got some sort of treat assigned script or something from Scrubs.

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Speaker 2: So you were you weren't able to you weren't you

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Speaker 2: were able to do it and not get carpor tunnel,

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Speaker 2: is what you're saying, because there's only like tens of them.

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Speaker 1: Exactly would you really give fan mail?

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Speaker 3: Yeah? Yeah, I got like.

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Speaker 1: Leonard, not a lot, but you got more fam mail

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Speaker 1: Leonard or death.

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Speaker 3: Leonard? For sure.

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Speaker 2: All right, let's go back to the beginning.

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Speaker 1: Yes, let's start at the very beginning.

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Speaker 2: I tried to do that with you manifesting your destiny,

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Speaker 2: but at some point things changed for you, Like you

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Speaker 2: lived in New York for a little bit and then

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Speaker 2: you moved to Los Angeles. Can you just tell us

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Speaker 2: how it all started and how you got connected with Bill,

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Speaker 2: and how this became and how this all trans sent

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Speaker 2: it into scrubs.

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Speaker 3: Yes, the truth is Bill and I met socially first.

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Speaker 3: As a matter of fact, on scrubs. We kept a

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Speaker 3: graduation photo in Turk and JD's apartment and told everybody

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Speaker 3: that was our graduation picture. But we really we met

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Speaker 3: on the basketball court. I had an I had an

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Speaker 3: old room, so I had I had driven out from

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Speaker 3: the Midwest, you know, I trying to try to find

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Speaker 3: my dream, got to Los Angeles, snuck onto all the

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Speaker 3: lots in town, got myself a job, and I started

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Speaker 3: creating my circle, you know, your chosen family, your LA family,

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Speaker 3: and a guy who was my best friend, who I

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Speaker 3: lived with, a guy named Greg Malon's who went on

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Speaker 3: to run friends, and how I met your mother, and

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Speaker 3: a bunch of other stuff. He and Bill had this

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Speaker 3: played in this Saturday game and invited me to play

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Speaker 3: a few times. And that's how that was how I

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Speaker 3: originally met Bill. I went from working for a guy

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Speaker 3: named Gary Dave Goldberg. That was my very first job.

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Speaker 3: He's the guy who created Family Ties. Yeah. He was amazing.

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Speaker 3: He was an amazing mentor and he had taken Bill

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Speaker 3: under his wing. So Gary is in some ways the

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Speaker 3: reason that we started working together. And the first show

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Speaker 3: we did together was a show called Champs. That was

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Speaker 3: the first show we did together, and Kevin Neelan was

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Speaker 3: in it, and it was it was DreamWork's very first

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Speaker 3: TV show, So.

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Speaker 2: That kind of okay. Just to so Kevin Nielan, who

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Speaker 2: Zach remembers being at the first party we ever had

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Speaker 2: in our scrubs up. That's why Kevin Nielan was there, Zach.

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Speaker 2: He wasn't there because he was a fan of the show.

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Speaker 2: He was there because he worked with Bill and Randall.

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Speaker 1: Okay, well he may have been a coincidence, but okay,

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Speaker 1: I'll hear you.

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Speaker 2: Okay, Randal V.

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Speaker 1: Froze, are you still there? Oh boy?

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Speaker 2: And that was when we lost random.

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Speaker 1: Oh god, what are you drinking there?

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Speaker 2: Mamosa Little Mimosa.

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Speaker 1: Memorial Day, Yeah, buddy. The think about Memorial Day is

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Speaker 1: it's just another weekday that you can rationalize. It's okay

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Speaker 1: to drink early. Yeah, in this day and age, it

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Speaker 1: doesn't feel any different. My girlfriend was it's Memorial Day.

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Speaker 1: I'm like, how is that going to be different from

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Speaker 1: any other day that we're living in hibernation right now?

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Speaker 1: What a kid can drink?

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Speaker 2: Yeah, the kids don't have to get on zoom today.

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Speaker 1: Okay, I guess if you have kids, they don't have

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Speaker 1: to get on their zoom things.

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Speaker 2: But but today is a is a day where you know,

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Speaker 2: my wife looked at me and it was like, you're drinking already.

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Speaker 2: And I was like, it's.

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Speaker 1: A Memorial day.

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Speaker 2: It's a Memorial Day.

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Speaker 1: So did she then join you?

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Speaker 3: No? She did not.

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Speaker 2: She was like, you're an alcoholic.

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Speaker 1: I was like, oh shit, be like, baby, it's a

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Speaker 1: Memorial Day.

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Speaker 2: And on that note, I'm going upstairs to do my podcast.

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Speaker 3: Okay.

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Speaker 2: Randall says he's resetting the Wi Fi. Oh god, that's

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Speaker 2: that's that's unfortunate.

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Speaker 1: You know, we lost all the momentum of blowing this

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Speaker 1: guy up. We're gonna have to regenerate it.

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Speaker 2: We're gonna have to regenerate it.

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Speaker 1: We're gonna have to regenerate our Randall blow up.

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Speaker 2: He said, fucking spectrum.

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Speaker 4: I just had my dad switch off of Spectrum for

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Speaker 4: the same reason that ship is do do.

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Speaker 1: Trum is bad Dan, you don't support No, guys, I

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Speaker 1: want you to listen. This is a very very technical

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Speaker 1: man here and he's saying fuck Spectrum. So if you're

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Speaker 1: choosing a provider, listen to Dan. The only way.

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Speaker 4: That I found that you get good internet service is

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Speaker 4: if you just switched from provider to provider every year

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Speaker 4: or so. Because they don't reward loyalty. There's no like

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Speaker 4: your bill is reduced, your service is better. It just

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Speaker 4: gets worse and worse and worse, and they want to

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Speaker 4: keep getting new customers. So I have gigabit Internet a

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Speaker 4: thousand megabytes up and down for seventy five bucks a month,

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Speaker 4: which is the cheapest Internet I've ever had.

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Speaker 3: And it's just because I switched.

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Speaker 1: I got What are you using now, Dan? AT and

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Speaker 1: T and T? All right, Well, guys, you're hearing it

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Speaker 1: a year first that Dan really recommends AT and T.

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Speaker 1: It's really about you can work the companies against each

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Speaker 1: other if you're constantly quitting one and saying no, fuck off,

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Speaker 1: you suck, and then they give you a better rate.

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Speaker 1: So if you have the time, which you do now,

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Speaker 1: you two can have fancy fast internet like Dan Randall,

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Speaker 1: welcome back, blowing you up. And then you had to

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Speaker 1: do a Wi Fi problem.

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Speaker 2: All right, so let's get back into it.

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Speaker 1: So you let's just jumped to in the spirit of time,

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Speaker 1: let's just keep this moving. You start work on Spin

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Speaker 1: City with Bill and you hit it off. You become besties.

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Speaker 1: You're partying around the city, your young men in Manhattan go.

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Speaker 3: From LA.

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Speaker 2: How did you get from LA to Manhattan? How did

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Speaker 2: that happen? Well, we're playing Donald, no doubt you man

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Speaker 2: the fight. If I could reach through this right.

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Speaker 3: Now, Uh, you know what, it goes back to basketball.

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Speaker 3: We came off to the basketball court one night playing

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Speaker 3: and uh, Gary and Bill pulled me aside and they said,

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Speaker 3: you know, we just wrote this pilot.

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Speaker 5: Uh.

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Speaker 3: We sent it to uh. We sent it to Michael J.

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Speaker 3: Fox and they said, there's a character. The mayor is

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Speaker 3: named after you. I think your mother would be very proud.

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Speaker 3: So had Mayor Randall Winston and uhlaid by the Great

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Speaker 3: Barry box work and with the show Gut. We did

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Speaker 3: the pilot in LA, but Michael was living in New

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Speaker 3: York and said he would only do this series if

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Speaker 3: we took it to New York. So that was the

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Speaker 3: opportunity of a lifetime, you know, change my life. I

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Speaker 3: got the chance to go to New York. Garry took

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Speaker 3: a select group of people and Donald you know Sebastians.

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Speaker 3: Do you guys know Sebastian gents.

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Speaker 2: We moved.

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Speaker 3: We all went to New York with all excitement, like

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Speaker 3: nobody was over anything. Everybody just was into going to

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Speaker 3: the city. You were, How old were you I was?

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Speaker 3: I think I was twenty nine. I think I turned

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Speaker 3: thirty that year. But Bill was. Bill's like a year

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Speaker 3: younger than me, and he had like the first American

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Speaker 3: Express black card and he would say, you know, randall

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Speaker 3: go out and find us in after hours every Friday.

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Speaker 3: So we were there'd be lines at these after ours

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Speaker 3: clubs and they're like, you know, absolutely, we don't have

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Speaker 3: any room. I'd be like, you got room now, motherfucker.

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Speaker 3: Now Now I say, I say, I need two cases

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Speaker 3: of champagne and a private room. And that was just

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Speaker 3: the beginning.

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Speaker 2: Right now. I got to tell you something. Some of

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Speaker 2: my favorite moments, some of the best moments of my

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Speaker 2: life I've shared with you. Rend you have been present

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Speaker 2: at some of the most special moments, some of the

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Speaker 2: most wildest moments, some of the craziest moments of my

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Speaker 2: life have been with you there.

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Speaker 3: I love that.

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Speaker 1: Everything, everything from partying in Vegas to marrying him and

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Speaker 1: his wife and everything in between. Randall has been there.

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Speaker 2: He has been there.

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Speaker 1: How many people have you married, Randall?

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Speaker 3: U seventeen successful couples? Donald? What I said? I said,

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Speaker 3: you gotta be serious, because everybody I marry stays together? Right?

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Speaker 2: How many? How many people have gotten divorced?

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Speaker 3: Zero?

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Speaker 1: You got a good streak.

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Speaker 3: I don't have people messing my streak up. Now.

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Speaker 1: Now, Randal, if I'm listening to this, I was preparing

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Speaker 1: for this, and I thought, if I'm listening to this

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Speaker 1: and I'm interested in production, but I don't know anything

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Speaker 1: about it. I see in the credits all the time

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Speaker 1: a line producer, but I see exec producer, I see

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Speaker 1: associate producer. I see all these titles. Could you explain

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Speaker 1: to people that I have nothing to do with the

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Speaker 1: business what a line producer does?

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Speaker 3: Yes, yes, it is. It's true that the TV credits

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Speaker 3: are lousy with producers, and usually if the credit is

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Speaker 3: line producer or produced by that credit is reserved for

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Speaker 3: the person who is essentially responsible for keeping the train

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Speaker 3: running on time, making sure that you've got the right

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Speaker 3: group people in the right place, making sure that the

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Speaker 3: show is on budget, that it is getting delivered on time,

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Speaker 3: not just within the time constricts of your time slot,

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Speaker 3: but delivered the day that it's supposed to be delivered,

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Speaker 3: you know, sort of soup to nuts. That it starts

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Speaker 3: with the prep which is, as it sounds, the preparing

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Speaker 3: of the show. When you first get a little bit

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Speaker 3: of information about the about the series and each episode, you know,

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Speaker 3: you start to break it down with your team. You know,

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Speaker 3: how many actors are we going to need, do we

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Speaker 3: need to build sets? Are we going out anywhere? And

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Speaker 3: what is it going to take? And I think that

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Speaker 3: job at its best is a negotiator and a translator.

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Speaker 3: You know, that's somebody who you know, oftentimes it was

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Speaker 3: between I'm working between Bill on scrubs, between Bill who

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Speaker 3: created the show, and the studio and the network. So

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Speaker 3: everybody's getting what they need and even when they're not

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Speaker 3: speaking the same language, or figure out what the best

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Speaker 3: thing to accomplish what's in the script is can be

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Speaker 3: accomplished within the box that's been built.

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Speaker 1: Yeah, and the line bruisers. Also, if you think about it,

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Speaker 1: the keeper of the purse in a sense that when

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Speaker 1: you're directing or show running, you will often think, oh,

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Speaker 1: I think we should I wrote this big scene. It'd

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Speaker 1: be great to shoot it in this amazing restaurant. And

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Speaker 1: then I want to get a crane outside that's gonna

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Speaker 1: come down here. And then it'd be cool if it

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Speaker 1: was raining outside. And this is when the line producer

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Speaker 1: starts to sweat, when we start to go, wait, we

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Speaker 1: need rain, need rain.

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Speaker 3: Every every time. Every time Zach got a directing assignment,

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Speaker 3: before there was even a script, he could come here and.

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Speaker 1: Say, I need a crane exactly exactly. I don't even

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Speaker 1: know what the fucking script says, but I'm gonna need

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Speaker 1: a big ass craan. But so it's the line producer's job,

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Speaker 1: almost like a parent, to be like, look, you use

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Speaker 1: the dollar and you got your candy bar. You should

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Speaker 1: have saved it and you could have gotten ice.

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Speaker 3: Cream, yes, right, you could have. You could have you

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Speaker 3: could have one big thing or two little things.

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Speaker 1: Right right. And a lot of times it's negotiation, like

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Speaker 1: you like, hey, you know the keeper of the money.

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Speaker 1: But in terms of the money, it's not just the

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Speaker 1: camera gear, but how many crew, how many extras are

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Speaker 1: you're gonna be able to afford, Are you gonna be

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Speaker 1: able to do any overtime? All of that as all

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Speaker 1: the relationship I often have with the line producer. As

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Speaker 1: they say it, think of it like a Chinese food menu,

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Speaker 1: in that you're choosing from a myriad of things that

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Speaker 1: you can have, but you can't exceed that budget. So

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Speaker 1: if you do want a big ass crane, then maybe

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Speaker 1: you can't have as many background at the wedding.

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Speaker 3: It's so funny that you say that. I, oftentimes it

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Speaker 3: crossed my career have literally made a Chinese menu for

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Speaker 3: directors and producers, you know, because you inevitably get to

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Speaker 3: a point and Bill and I used to have, you

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Speaker 3: know something back then it was it was like the

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Speaker 3: thousand dollars deal, which was once we had locked the budget,

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Speaker 3: he was not allowed to bring me any problems that

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Speaker 3: cost more than one thousand dollars. Like I could figure

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Speaker 3: it out, you know, if it was a thousand or under.

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Speaker 3: But you know, you can't be adding stuff once we're

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Speaker 3: once we started rolling.

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Speaker 1: Now on screen. Back in the day, we would do

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Speaker 1: a lot of overtime, which which now people don't really

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Speaker 1: do anymore, right, I mean, on your jobs now, are

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Speaker 1: people pretty much keeping it to twelve hours these days?

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Speaker 3: It depends, really, I mean for the for the most part, yes,

404
00:20:04,359 --> 00:20:06,800
Speaker 3: but a lot has changed. You know, we did for

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Speaker 3: a big chunk of that show a true single camera show,

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Speaker 3: which is almost all shows have more than one camera

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Speaker 3: rolling at the time now, so you can get more

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Speaker 3: work done within the hours you can get you know,

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Speaker 3: for those who do people you know that just between

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Speaker 3: single and multi like usually on the single camera show,

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Speaker 3: you're getting one angle at a time, shooting one actors

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Speaker 3: close up, and then you turn around and get the

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Speaker 3: other actor, and the more actors in a scene, you know,

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Speaker 3: the more times you're turning, And if you have multiple cameras,

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00:20:33,680 --> 00:20:37,560
Speaker 3: then you can get multiple shots. But on a show

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Speaker 3: like Mixed Dish, you know, or you know, American Housewife

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00:20:42,320 --> 00:20:44,520
Speaker 3: or any show that's got a family, you know, family

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Speaker 3: show as opposed to community, you're up against kid hours.

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Speaker 3: So those shows in particular are held to a bricter standard.

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Speaker 2: Powers I'm gonna be honest with you, I love it

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Speaker 2: when kids are on the show now and you're working

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Speaker 2: the show because you're not going past twelve hours. Dude,

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Speaker 2: you might not even do eight hours that day, you

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Speaker 2: know what I mean? I mean, I love it. I

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Speaker 2: love so I did Emergence this uh this last year.

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Speaker 2: It didn't get picked up ABC. Thank you.

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Speaker 3: You were great in it.

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Speaker 1: Donald, by the way, you were great in that show.

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Speaker 1: I think we should pour some out for emergence emergents.

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Speaker 2: But I remember we had two very young ladies on

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Speaker 2: the show and they were in school, and once they

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Speaker 2: showed up to set, we had the clock was ticking.

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Speaker 2: We had eight hours to get them done or they

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Speaker 2: would they turned into a pumpkin.

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Speaker 3: And so.

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Speaker 2: I used to love that. It would be like, are

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Speaker 2: the kids working today? And they'd be like yeah, And

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Speaker 2: I'd be like, great. That means I'm done before you know,

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00:21:38,280 --> 00:21:40,399
Speaker 2: I'm done before the sun goes down. Is when the

440
00:21:40,480 --> 00:21:42,800
Speaker 2: kids weren't working that you were like, oh my god,

441
00:21:42,800 --> 00:21:44,040
Speaker 2: I'm gonna be here forever.

442
00:21:44,720 --> 00:21:45,520
Speaker 1: Will random you.

443
00:21:45,480 --> 00:21:47,800
Speaker 3: See kids on there? You can make it right? Yeah?

444
00:21:47,840 --> 00:21:49,479
Speaker 2: Right, You'd be like, I can make that eight o'clock

445
00:21:49,520 --> 00:21:50,040
Speaker 2: movie tonight.

446
00:21:50,480 --> 00:21:53,800
Speaker 1: Randall, you and I always got along so well. You know,

447
00:21:53,920 --> 00:21:57,680
Speaker 1: sometimes the relationship between a director and a line prosher

448
00:21:57,720 --> 00:22:00,680
Speaker 1: could be contentious because the director feels like, oh taking away,

449
00:22:00,680 --> 00:22:02,600
Speaker 1: you're not you're not working with me, you're not making it,

450
00:22:02,800 --> 00:22:05,200
Speaker 1: you're not helping me realize all the things I want

451
00:22:05,240 --> 00:22:07,439
Speaker 1: to do. Of course, the line producer has a stressful job.

452
00:22:07,440 --> 00:22:09,320
Speaker 1: You're like, dude, you're killing me. You're so over budget,

453
00:22:09,320 --> 00:22:11,719
Speaker 1: what the hell are you talking about. But but when

454
00:22:11,760 --> 00:22:14,280
Speaker 1: the two are friends and they feel like, hey, let's

455
00:22:14,280 --> 00:22:16,800
Speaker 1: work it out, then it then then it never gets contentious.

456
00:22:16,840 --> 00:22:19,879
Speaker 1: But of course sometimes when people don't get along, the

457
00:22:19,920 --> 00:22:22,120
Speaker 1: line producer and the director don't always like each other.

458
00:22:22,560 --> 00:22:26,040
Speaker 3: Well, I think that, uh it has been to the

459
00:22:26,080 --> 00:22:28,640
Speaker 3: great benefit of my career in general. Part of it

460
00:22:28,680 --> 00:22:30,760
Speaker 3: is just I think the way that I like to

461
00:22:30,800 --> 00:22:33,639
Speaker 3: work is that the goal is to be symbiotic. Like

462
00:22:33,680 --> 00:22:36,320
Speaker 3: you know, when people think that it's contentious, it is contentious,

463
00:22:36,359 --> 00:22:38,359
Speaker 3: but you know, we're all rowing in the same direction.

464
00:22:38,440 --> 00:22:40,800
Speaker 3: You want, you want a great show, you want and

465
00:22:40,960 --> 00:22:44,600
Speaker 3: comedies in particular, you know, like I think about the episode,

466
00:22:44,680 --> 00:22:47,240
Speaker 3: not that the episode of Talk About Day, but your

467
00:22:47,320 --> 00:22:50,960
Speaker 3: episode when you when you go into the puddle and

468
00:22:51,000 --> 00:22:55,960
Speaker 3: you see, uh.

469
00:22:55,880 --> 00:22:58,280
Speaker 1: Se monster, do you see a sea monster? It was

470
00:22:58,320 --> 00:23:02,000
Speaker 1: not a sea monster rand named Julian.

471
00:23:02,080 --> 00:23:02,439
Speaker 3: Julian.

472
00:23:04,880 --> 00:23:07,439
Speaker 1: I love that you said sea monsters. What was the

473
00:23:07,480 --> 00:23:08,360
Speaker 1: sea monster's name?

474
00:23:10,560 --> 00:23:14,760
Speaker 3: So that's a perfect example of that script had so

475
00:23:15,080 --> 00:23:18,760
Speaker 3: much in it. But that was the biggest joke in

476
00:23:18,760 --> 00:23:21,639
Speaker 3: the show. And you know, we had to call the

477
00:23:21,640 --> 00:23:23,600
Speaker 3: city and get Diggler and it was the first time

478
00:23:23,640 --> 00:23:25,040
Speaker 3: I got to use a Jack Cameron and we're like

479
00:23:25,320 --> 00:23:28,600
Speaker 3: digging holes in the parking lot and creating a swimming

480
00:23:28,640 --> 00:23:31,159
Speaker 3: pool that we're gonna have to fill in. But but

481
00:23:31,280 --> 00:23:34,639
Speaker 3: the question was, you know, is this one of the

482
00:23:34,640 --> 00:23:36,840
Speaker 3: funniest things in the script. What are we what are

483
00:23:36,840 --> 00:23:38,960
Speaker 3: we gonna give up or combined so that we can

484
00:23:39,040 --> 00:23:44,040
Speaker 3: keep that and that trusting relationship, you know, with with

485
00:23:44,040 --> 00:23:46,720
Speaker 3: with the actor, with the director, with the writers, you know,

486
00:23:47,640 --> 00:23:49,160
Speaker 3: builds that thing that you're talking.

487
00:23:49,000 --> 00:23:51,239
Speaker 1: And Renald, you're the kind of person that was like

488
00:23:51,359 --> 00:23:53,320
Speaker 1: so on board. You'd be like, oh my god, we

489
00:23:53,400 --> 00:23:55,280
Speaker 1: have to figure out we have to figure out a way.

490
00:23:55,440 --> 00:23:58,639
Speaker 1: I know because I think that I think that gag,

491
00:23:58,680 --> 00:24:02,240
Speaker 1: which involved building two different small swimming pools to code

492
00:24:02,320 --> 00:24:04,359
Speaker 1: because the city was not gonna let anyone not do

493
00:24:04,440 --> 00:24:06,880
Speaker 1: it to code, was one of the most expensive gags

494
00:24:06,880 --> 00:24:07,680
Speaker 1: and Scrubs history.

495
00:24:07,680 --> 00:24:12,359
Speaker 3: As I recall, yes it was, Yes it was very expensive.

496
00:24:12,520 --> 00:24:16,040
Speaker 2: But that's you're right, Zach. That's a very important point.

497
00:24:16,520 --> 00:24:19,320
Speaker 2: If you have a line producer who's game, and it's

498
00:24:19,440 --> 00:24:22,359
Speaker 2: like I can figure this out. If you work with me,

499
00:24:23,000 --> 00:24:25,359
Speaker 2: we can figure this out. You're gonna get some of

500
00:24:25,400 --> 00:24:26,959
Speaker 2: the best stuff, you know what I mean?

501
00:24:26,960 --> 00:24:28,879
Speaker 1: Of course, of course I was so worried about Randall

502
00:24:28,960 --> 00:24:30,760
Speaker 1: was he wasn't you know some of these guys and

503
00:24:30,800 --> 00:24:32,760
Speaker 1: gals are sitting in office and they're rolling your eyes

504
00:24:32,760 --> 00:24:34,920
Speaker 1: when you walk in. Randon was out there with the jackhammer,

505
00:24:34,960 --> 00:24:36,359
Speaker 1: being like, I can't believe o're building to.

506
00:24:45,080 --> 00:24:45,960
Speaker 3: Totally true?

507
00:24:46,600 --> 00:24:48,000
Speaker 2: All right, should we get into the episode.

508
00:24:48,119 --> 00:24:52,040
Speaker 1: Let's get into the episode. So Randal, this one is supersized.

509
00:24:52,080 --> 00:24:55,680
Speaker 1: Let's talk about that. Very rare. Most episodes thus far

510
00:24:55,760 --> 00:24:58,320
Speaker 1: in the show are been twenty two minutes without commercials.

511
00:24:58,359 --> 00:25:00,240
Speaker 1: This one is twenty eight, which is a bit big

512
00:25:00,359 --> 00:25:01,640
Speaker 1: leap to supersize.

513
00:25:01,760 --> 00:25:03,760
Speaker 3: Right, It was a big It was a big issue

514
00:25:03,800 --> 00:25:07,199
Speaker 3: at the time, this show with the pizza clock as

515
00:25:07,200 --> 00:25:11,000
Speaker 3: we as we called it. But the network was very

516
00:25:11,119 --> 00:25:14,199
Speaker 3: contemptous about this episode and they did not rerun it again.

517
00:25:14,440 --> 00:25:17,760
Speaker 3: In certainly not that season, and I don't think for

518
00:25:18,560 --> 00:25:24,359
Speaker 3: years because being supersized and it's a it's a very

519
00:25:24,840 --> 00:25:28,119
Speaker 3: thoughtful episode, you know, very emotional goes inside where are

520
00:25:28,320 --> 00:25:31,119
Speaker 3: where the characters are? And I think at the time,

521
00:25:31,359 --> 00:25:33,080
Speaker 3: you know, we were still in season one and they

522
00:25:33,160 --> 00:25:36,719
Speaker 3: wanted it to just to be you know, more JD falling.

523
00:25:37,080 --> 00:25:40,119
Speaker 1: Yeah, exactly, they were like, what are you doing this

524
00:25:40,200 --> 00:25:43,800
Speaker 1: weird documentary style interludes? I mean, where's JD running into

525
00:25:43,800 --> 00:25:46,600
Speaker 1: a wall? And you know, but it's a great episode.

526
00:25:46,600 --> 00:25:50,360
Speaker 1: I just want to say. Written by Gabrielle Allen and

527
00:25:50,400 --> 00:25:54,800
Speaker 1: directed by Lawrence Trilling, who became one of our favorites

528
00:25:55,040 --> 00:25:58,520
Speaker 1: early on. He then went on to do Pushing Daisies

529
00:25:58,560 --> 00:26:02,800
Speaker 1: and Parenthood and I just googled now that he's on Goliath.

530
00:26:03,200 --> 00:26:04,720
Speaker 1: But super talented guy.

531
00:26:05,119 --> 00:26:07,600
Speaker 2: I think Lawrence Trilling and I did Felicity together.

532
00:26:07,720 --> 00:26:10,520
Speaker 1: You did? You did? He did? Were we ever on Alias? Done?

533
00:26:11,080 --> 00:26:11,199
Speaker 3: No?

534
00:26:11,240 --> 00:26:12,359
Speaker 2: I was never on Alias?

535
00:26:12,480 --> 00:26:14,600
Speaker 1: Okay, well he also did Alias, but yeah, he directed

536
00:26:15,480 --> 00:26:17,080
Speaker 1: Young Donald Faison and Felicity.

537
00:26:17,400 --> 00:26:21,800
Speaker 3: He's a really great guy, really fun, good director. And

538
00:26:21,880 --> 00:26:23,040
Speaker 3: Gabby got I love her.

539
00:26:24,760 --> 00:26:28,040
Speaker 1: Good team, great team, and and I just thought there's

540
00:26:28,040 --> 00:26:30,600
Speaker 1: a lot of style to this. So so there became

541
00:26:30,640 --> 00:26:33,800
Speaker 1: this convention a few conventions. There's the pizza clock thing

542
00:26:33,800 --> 00:26:36,080
Speaker 1: if you look down at the pizza guys, in case

543
00:26:36,119 --> 00:26:38,240
Speaker 1: you didn't notice, the idea was that it was mimicking

544
00:26:38,240 --> 00:26:42,480
Speaker 1: a clock. And so as the episode is cutting between

545
00:26:42,600 --> 00:26:45,159
Speaker 1: that one night of Satura and I in bed, and

546
00:26:45,200 --> 00:26:48,119
Speaker 1: then back to the few weeks that follow us trying

547
00:26:48,119 --> 00:26:52,200
Speaker 1: to date, whenever it cuts back the pizzas trying to

548
00:26:52,240 --> 00:26:55,160
Speaker 1: look like a clock from that night. So there's that

549
00:26:55,240 --> 00:26:58,640
Speaker 1: sort of gag, the timeline shake up, and then there's

550
00:26:58,680 --> 00:27:03,480
Speaker 1: these documentary stuff, shaky cam, grainy film, as though we're

551
00:27:03,520 --> 00:27:08,240
Speaker 1: all being interviewed for a psychologist project on why people

552
00:27:08,280 --> 00:27:09,080
Speaker 1: become doctors?

553
00:27:09,160 --> 00:27:13,600
Speaker 2: Right, all right, okay, that's that. I thought that was

554
00:27:13,640 --> 00:27:15,480
Speaker 2: the next episode, but okay.

555
00:27:15,680 --> 00:27:18,480
Speaker 1: No, that's my bed banter. And beyond that's like inter

556
00:27:18,600 --> 00:27:22,840
Speaker 1: cutting Salen I and our big epic fuck fest for

557
00:27:22,920 --> 00:27:23,360
Speaker 1: lack of a.

558
00:27:23,320 --> 00:27:26,639
Speaker 2: Better term, I gotta tell you something, man, nobod miss that.

559
00:27:27,480 --> 00:27:30,480
Speaker 2: Let's go back. Are you said the word? And now

560
00:27:30,480 --> 00:27:32,639
Speaker 2: I'm gonna now we can talk about it. I guess

561
00:27:32,840 --> 00:27:35,960
Speaker 2: I missed those days. I missed the days when it

562
00:27:36,000 --> 00:27:39,840
Speaker 2: was just sex all day, you know, before kids, when

563
00:27:39,880 --> 00:27:43,119
Speaker 2: you could just bone all day, then go out to

564
00:27:43,200 --> 00:27:47,359
Speaker 2: dinner that night and then bone some more. My wife

565
00:27:47,440 --> 00:27:49,840
Speaker 2: and I, you know what, we gotta make an appointment

566
00:27:49,960 --> 00:27:51,399
Speaker 2: now and it sucks?

567
00:27:51,840 --> 00:27:52,560
Speaker 1: Is it in your eye?

568
00:27:52,640 --> 00:27:52,800
Speaker 6: Cow?

569
00:27:53,840 --> 00:27:56,440
Speaker 2: Dude? I'll be like, it's you think it's a joke,

570
00:27:56,520 --> 00:27:58,840
Speaker 2: and a lot of stand up comics have made this joke,

571
00:27:58,880 --> 00:28:01,600
Speaker 2: but it's real. You'll be like, how about sex Thursday?

572
00:28:01,640 --> 00:28:06,600
Speaker 2: Can we do Thursday? I'm having my hair done right, No, no, no, no,

573
00:28:06,600 --> 00:28:08,840
Speaker 2: no no no. The kid's got zoom all day. I'm

574
00:28:08,840 --> 00:28:11,680
Speaker 2: gonna be exhausted by eight o'clock. There's no way. And

575
00:28:11,880 --> 00:28:14,400
Speaker 2: Ozark comes on. I gotta watch Ozark?

576
00:28:15,160 --> 00:28:18,880
Speaker 1: Okay, Well, Jason Baman, Jason Bateman is stealing your sex night.

577
00:28:19,440 --> 00:28:21,480
Speaker 2: Jason Bateman is fucking it.

578
00:28:21,480 --> 00:28:22,400
Speaker 3: Up for me right now.

579
00:28:22,520 --> 00:28:23,520
Speaker 1: Dude.

580
00:28:23,880 --> 00:28:26,439
Speaker 2: I hear the shows of the good looking Man. I

581
00:28:26,480 --> 00:28:30,000
Speaker 2: hear the shows great, but damn you, Jason Bateman. I

582
00:28:30,040 --> 00:28:31,960
Speaker 2: just wish he could get through the show already. I

583
00:28:32,080 --> 00:28:34,240
Speaker 2: just missed those days. I missed the days where it

584
00:28:34,320 --> 00:28:36,240
Speaker 2: was like and not. Granted. I love my children and

585
00:28:36,880 --> 00:28:39,840
Speaker 2: I love having them in my life, but I just

586
00:28:39,880 --> 00:28:44,280
Speaker 2: missed the days of freaking, waking up boning, going to

587
00:28:44,520 --> 00:28:50,920
Speaker 2: Hugo's to get breakfast or brunch, right, brunch, whatever it is,

588
00:28:51,440 --> 00:28:53,640
Speaker 2: coming back home and being like, well, what do you

589
00:28:53,680 --> 00:28:56,440
Speaker 2: want to do? Well, we haven't fucked in like five hours,

590
00:28:56,480 --> 00:28:57,800
Speaker 2: we might as well fuck again.

591
00:28:58,040 --> 00:29:03,959
Speaker 3: Perfect Donald, I am sitting outside looking longingly at my

592
00:29:04,000 --> 00:29:06,920
Speaker 3: blackout shutters and how will you to use them so

593
00:29:07,000 --> 00:29:10,480
Speaker 3: much more? Right? Like craik it down, black out the

594
00:29:10,520 --> 00:29:13,560
Speaker 3: bedroom and.

595
00:29:12,280 --> 00:29:15,120
Speaker 2: And do what you gotta do right them? Days is

596
00:29:15,160 --> 00:29:16,760
Speaker 2: over them? Days?

597
00:29:17,000 --> 00:29:19,600
Speaker 1: Is you guys are really doing a great ad for

598
00:29:19,640 --> 00:29:20,760
Speaker 1: having children right now?

599
00:29:21,280 --> 00:29:24,520
Speaker 2: No, you should do it. It's great, It's wonderful.

600
00:29:25,160 --> 00:29:27,360
Speaker 1: As you both drink your white claw.

601
00:29:29,200 --> 00:29:29,400
Speaker 3: Now.

602
00:29:29,440 --> 00:29:32,400
Speaker 1: Elliott has said in previous episodes that she's never had

603
00:29:32,400 --> 00:29:35,640
Speaker 1: an orgasm, and she said that she doesn't like sex.

604
00:29:35,720 --> 00:29:40,680
Speaker 1: So is JD the first person to not only bring

605
00:29:40,720 --> 00:29:43,600
Speaker 1: her to orgasm but show her the wondrous world of

606
00:29:43,760 --> 00:29:45,640
Speaker 1: epic sex days?

607
00:29:45,720 --> 00:29:47,200
Speaker 2: I'm sure you would like to think so.

608
00:29:47,600 --> 00:29:51,800
Speaker 1: I think, Yes, I'm not JD Donald, I'm Zach Braff,

609
00:29:51,840 --> 00:29:55,760
Speaker 1: but I'm character of JD. Probably was good in bed.

610
00:29:55,920 --> 00:29:58,200
Speaker 2: Well, you know, in the beginning of it all, JD

611
00:29:58,360 --> 00:30:00,480
Speaker 2: was kind of a sucker when he's like he almost

612
00:30:00,560 --> 00:30:02,960
Speaker 2: let her walk out of the house, and she was

613
00:30:03,040 --> 00:30:06,440
Speaker 2: obviously very much into JD.

614
00:30:06,760 --> 00:30:09,040
Speaker 1: Well, I don't know, dude, I disagree. I was watching

615
00:30:09,080 --> 00:30:11,360
Speaker 1: it with fresh eyes and I was thinking I couldn't

616
00:30:11,400 --> 00:30:14,640
Speaker 1: read where she was. Was she like, hey, I should go?

617
00:30:15,240 --> 00:30:17,640
Speaker 1: And then you know, you know what that's like back

618
00:30:17,640 --> 00:30:18,120
Speaker 1: in the day, you.

619
00:30:18,200 --> 00:30:20,880
Speaker 2: Do hate that shit. I hate that shit? Why to test?

620
00:30:21,120 --> 00:30:23,600
Speaker 2: Why I gotta be tested for? How come you can't

621
00:30:23,640 --> 00:30:26,360
Speaker 2: just be like, you know what? Maybe, uh if this

622
00:30:26,440 --> 00:30:29,240
Speaker 2: was a mistake. Was it a mistake though? Or did

623
00:30:29,400 --> 00:30:31,280
Speaker 2: you know what I mean? Like I remember saying to

624
00:30:31,320 --> 00:30:34,160
Speaker 2: my wife when she was my girlfriend, like, you know,

625
00:30:34,280 --> 00:30:37,040
Speaker 2: I don't know, I don't know if this is if

626
00:30:37,040 --> 00:30:39,280
Speaker 2: this is working out, you know what I mean, and

627
00:30:39,320 --> 00:30:44,920
Speaker 2: her being like, you don't wait a second, this is

628
00:30:44,960 --> 00:30:46,920
Speaker 2: the best thing that's ever happened to you. What do

629
00:30:46,920 --> 00:30:48,800
Speaker 2: you mean you don't know if this is working out?

630
00:30:49,320 --> 00:30:52,280
Speaker 2: Like that was real talk. The fact that JD almost

631
00:30:52,360 --> 00:30:55,080
Speaker 2: had her out the door before he was before she

632
00:30:55,160 --> 00:30:57,480
Speaker 2: turned around and was like, yo, just say you want

633
00:30:57,480 --> 00:30:59,800
Speaker 2: me to stay and stop being a sucker, stop being

634
00:30:59,840 --> 00:31:02,880
Speaker 2: a little punk about this. Just say you want me

635
00:31:02,920 --> 00:31:04,760
Speaker 2: to stay, and I'll stay and we can go have

636
00:31:04,840 --> 00:31:07,840
Speaker 2: sex again, and then he's finally like, will you stay?

637
00:31:08,360 --> 00:31:10,200
Speaker 2: She's like, yeah, you gotta pay for that though, because

638
00:31:10,240 --> 00:31:11,400
Speaker 2: I almost will.

639
00:31:11,440 --> 00:31:13,800
Speaker 1: But don't you remember back in the day when you weren't,

640
00:31:13,840 --> 00:31:16,080
Speaker 1: when you weren't in such a long term relationship, when

641
00:31:16,120 --> 00:31:19,160
Speaker 1: something's new and you're kind of insecure about it, You're like,

642
00:31:19,240 --> 00:31:21,760
Speaker 1: did this person have as good of fun as I did?

643
00:31:21,800 --> 00:31:23,080
Speaker 1: I don't want to be the one who put I

644
00:31:23,080 --> 00:31:24,720
Speaker 1: don't want to put my one. I don't want to

645
00:31:24,720 --> 00:31:26,880
Speaker 1: be the one who puts myself out there and and

646
00:31:26,880 --> 00:31:29,160
Speaker 1: and gets dissed. Like you're you're you're in a very

647
00:31:29,240 --> 00:31:31,680
Speaker 1: vulnerable state. You're like, I kind of like this person,

648
00:31:31,720 --> 00:31:32,320
Speaker 1: do they like me?

649
00:31:32,680 --> 00:31:32,920
Speaker 3: You know?

650
00:31:33,480 --> 00:31:34,120
Speaker 2: Well, did I ja?

651
00:31:34,280 --> 00:31:34,400
Speaker 5: Do you?

652
00:31:34,480 --> 00:31:36,920
Speaker 3: The character just wasn't he in the friend zone a

653
00:31:36,960 --> 00:31:38,640
Speaker 3: couple episodes before that? Yeah?

654
00:31:38,720 --> 00:31:41,680
Speaker 2: Yeah they were. They were friend zoned. Yeah, like, uh,

655
00:31:41,720 --> 00:31:45,440
Speaker 2: maybe seven episodes before he gets friend zoned and.

656
00:31:45,360 --> 00:31:47,400
Speaker 1: Then he and then we gotta go to break. We'll

657
00:31:47,440 --> 00:31:50,200
Speaker 1: be right back with the legendary Randall Winster.

658
00:31:57,880 --> 00:32:05,160
Speaker 2: Random where instand. We're very excited.

659
00:32:05,200 --> 00:32:08,360
Speaker 1: We're very excited Randall's here. We're talking about sex. JD

660
00:32:08,440 --> 00:32:12,240
Speaker 1: and Elliott have an epic epic twenty four hours of sex.

661
00:32:13,320 --> 00:32:15,680
Speaker 1: And it seems that JD has found a way to

662
00:32:16,240 --> 00:32:19,280
Speaker 1: bring Elliott all the way to the Promised Land because

663
00:32:19,320 --> 00:32:20,880
Speaker 1: she seems to be really enjoying sex.

664
00:32:21,160 --> 00:32:23,080
Speaker 2: Well, the fact that they have it like six or

665
00:32:23,120 --> 00:32:25,440
Speaker 2: seven times is ridiculous. And she even brings up, I'm

666
00:32:25,440 --> 00:32:26,720
Speaker 2: gonna need a vagina transport.

667
00:32:26,760 --> 00:32:28,560
Speaker 1: Yeah, she says, she said, you av giinant transport, which

668
00:32:28,560 --> 00:32:31,160
Speaker 1: is a very funny fantasy. Cutting to the guys, uh

669
00:32:32,000 --> 00:32:32,800
Speaker 1: running through.

670
00:32:33,840 --> 00:32:40,120
Speaker 2: Don't go Bucks Cooler.

671
00:32:40,520 --> 00:32:41,400
Speaker 1: Randall was that.

672
00:32:41,680 --> 00:32:43,640
Speaker 3: They should have done the song vagainaa Bucks.

673
00:32:44,200 --> 00:32:47,720
Speaker 1: Randall was vagina transplant something that anyone was worried about

674
00:32:47,720 --> 00:32:50,760
Speaker 1: getting through the sensors, because it seems pretty pretty risque

675
00:32:50,800 --> 00:32:52,280
Speaker 1: to have a vagina in a box.

676
00:32:53,400 --> 00:32:58,240
Speaker 3: Yes, I remember there being like some conversation, but I

677
00:32:58,280 --> 00:33:00,120
Speaker 3: can't remember whether it was whether it was a lot

678
00:33:00,120 --> 00:33:02,680
Speaker 3: of crimps. But the great thing about Scrubs was that

679
00:33:03,400 --> 00:33:05,680
Speaker 3: there was always something else to point at, like, you know,

680
00:33:06,040 --> 00:33:08,000
Speaker 3: another red herring. I was like, well, we have a

681
00:33:08,080 --> 00:33:10,600
Speaker 3: giant in the box, but he says dick three times

682
00:33:11,200 --> 00:33:13,120
Speaker 3: two pages later, we'll get rid of that and let

683
00:33:13,200 --> 00:33:14,000
Speaker 3: us keep the giant.

684
00:33:14,160 --> 00:33:17,840
Speaker 1: So part of Randall's job was was being Bill's liaison

685
00:33:17,920 --> 00:33:20,040
Speaker 1: to the studio and being like, listen, guys, it's just

686
00:33:20,160 --> 00:33:23,240
Speaker 1: one vagina in a box. We're not gonna have vaginas

687
00:33:23,240 --> 00:33:24,400
Speaker 1: in boxes every.

688
00:33:24,200 --> 00:33:29,920
Speaker 3: Week, and and the and the great thing about about

689
00:33:29,960 --> 00:33:33,320
Speaker 3: the uh, the working with the person. There was a

690
00:33:34,800 --> 00:33:37,520
Speaker 3: woman I can't remember this if this was Sandy Christmas,

691
00:33:37,560 --> 00:33:39,880
Speaker 3: it was this Sandy Christmas. It was this very sweet

692
00:33:39,920 --> 00:33:43,360
Speaker 3: woman who used to have these conversations with so I'd

693
00:33:43,360 --> 00:33:45,240
Speaker 3: get on the phone and she'd be like, now, Randa,

694
00:33:45,520 --> 00:33:51,040
Speaker 3: I pack the vagina in the box and you know,

695
00:33:51,280 --> 00:33:53,800
Speaker 3: and then you later say, Penis you know do we

696
00:33:53,920 --> 00:33:56,840
Speaker 3: have to have all of that in the show? Yeah.

697
00:33:56,880 --> 00:33:59,360
Speaker 1: And what's funny is they'll often give you they'll often

698
00:33:59,400 --> 00:34:01,600
Speaker 1: give you a sheet of all their objections and it's

699
00:34:01,640 --> 00:34:04,320
Speaker 1: a negotiation, and then even when you get it through,

700
00:34:04,400 --> 00:34:06,480
Speaker 1: they'd be like, Okay, we're fine with the vagina in

701
00:34:06,520 --> 00:34:09,520
Speaker 1: the box, please do not show a vagina in a box.

702
00:34:10,080 --> 00:34:14,440
Speaker 1: Like even shit, You're like, really, guys, you had to

703
00:34:14,440 --> 00:34:16,239
Speaker 1: write that on the paper, like you think we were

704
00:34:16,280 --> 00:34:19,080
Speaker 1: gonna cut into a vagina on for NBC in the box.

705
00:34:19,680 --> 00:34:22,319
Speaker 3: And sometimes they say sometimes they say stuff and you're thinking,

706
00:34:22,600 --> 00:34:25,160
Speaker 3: oh damn, you're weight dirtier than I thought. Right now,

707
00:34:26,200 --> 00:34:31,600
Speaker 3: that is not what we meant. This is a true story.

708
00:34:31,800 --> 00:34:36,279
Speaker 3: We had to go into the effects visual effects and

709
00:34:36,440 --> 00:34:39,560
Speaker 3: adjust Donald scrubs in a particular scene because they thought

710
00:34:39,600 --> 00:34:40,719
Speaker 3: were seeing too much of a bob.

711
00:34:40,920 --> 00:34:46,919
Speaker 2: Oh, that is how we do, Dan, how about thunder

712
00:34:46,960 --> 00:34:47,959
Speaker 2: and we do.

713
00:34:48,600 --> 00:34:49,640
Speaker 1: Let's have some thunders.

714
00:34:49,640 --> 00:34:51,640
Speaker 2: Applause or as applause from my junk.

715
00:34:54,160 --> 00:34:55,880
Speaker 1: And then Dan, if you wouldn't mind put him?

716
00:34:57,640 --> 00:34:59,880
Speaker 3: That was I used to do a Loma at the

717
00:35:00,680 --> 00:35:02,680
Speaker 3: and most of my yes inspired me to just go

718
00:35:03,080 --> 00:35:03,520
Speaker 3: mm hmm.

719
00:35:05,719 --> 00:35:08,840
Speaker 1: Whenever Nurse Roberts couldn't be at the table, read Randa

720
00:35:08,880 --> 00:35:11,640
Speaker 1: would would play her. And his favorite part was doing.

721
00:35:11,480 --> 00:35:16,400
Speaker 2: Her speaking of speaking of Aloma. Holy cow, she's amazing

722
00:35:16,440 --> 00:35:20,400
Speaker 2: in this episode, very funny. Every one of her lines

723
00:35:20,520 --> 00:35:21,280
Speaker 2: lands hard.

724
00:35:21,440 --> 00:35:22,000
Speaker 3: You know what I mean?

725
00:35:22,280 --> 00:35:26,080
Speaker 2: White boys? Uh you mean it was a secret. All

726
00:35:26,120 --> 00:35:29,279
Speaker 2: of that stuff, everything that everything that she said in

727
00:35:29,320 --> 00:35:31,000
Speaker 2: this episode, I laughed out loud.

728
00:35:31,000 --> 00:35:33,799
Speaker 1: Now let's get ready into it right away, you know.

729
00:35:33,960 --> 00:35:38,520
Speaker 1: Let's you know, the janitor sees Aloma and she sees him,

730
00:35:39,560 --> 00:35:42,080
Speaker 1: and she looks at him like, get the fuck out

731
00:35:42,120 --> 00:35:45,120
Speaker 1: of my way, and Randall Bill is still hanging on

732
00:35:45,200 --> 00:35:49,320
Speaker 1: to his his his dream that the Janitor was only

733
00:35:49,400 --> 00:35:52,759
Speaker 1: seen by JD in season one, and we we are

734
00:35:53,000 --> 00:35:55,680
Speaker 1: Donald and I are detectives that are quickly proving him

735
00:35:55,719 --> 00:35:57,320
Speaker 1: wrong in every other episode.

736
00:35:57,640 --> 00:36:00,800
Speaker 3: Yes, yes, I was. I never into that that that

737
00:36:01,080 --> 00:36:03,520
Speaker 3: he was a figment of JD's imagination.

738
00:36:03,760 --> 00:36:05,240
Speaker 2: It's mister snuffles.

739
00:36:05,680 --> 00:36:09,120
Speaker 3: Yeah, yeah, I mean, and I remember he had because

740
00:36:09,200 --> 00:36:12,160
Speaker 3: there's some episodes later. I remember an episode I directed

741
00:36:12,160 --> 00:36:14,680
Speaker 3: where he has a group of henchmen played by our

742
00:36:14,719 --> 00:36:19,719
Speaker 3: grip team, you know, and they are all in it

743
00:36:19,760 --> 00:36:20,160
Speaker 3: with him.

744
00:36:20,600 --> 00:36:24,400
Speaker 2: And isn't his his side He has two sidekicks, Troy

745
00:36:24,600 --> 00:36:25,240
Speaker 2: and Randall.

746
00:36:25,360 --> 00:36:26,440
Speaker 1: Right, yeah, Randall.

747
00:36:27,719 --> 00:36:32,000
Speaker 2: I remember Randall played by Martin, played by Martin Martin.

748
00:36:31,800 --> 00:36:33,920
Speaker 1: Who was also in Oz the Great and Powerful with Me,

749
00:36:33,960 --> 00:36:35,840
Speaker 1: and he was also in Pirates of the Caribbean.

750
00:36:36,360 --> 00:36:38,400
Speaker 2: Yes, I love that.

751
00:36:40,239 --> 00:36:42,600
Speaker 1: Let's talk about colleco Vision, which comes up at seven

752
00:36:42,640 --> 00:36:44,680
Speaker 1: twenty one. Did you have Collecovision either one of you?

753
00:36:45,320 --> 00:36:47,480
Speaker 2: I did not. My friend had calleco Vision, and I

754
00:36:47,520 --> 00:36:50,200
Speaker 2: remember colleco Vision being so awesome because the video games

755
00:36:50,200 --> 00:36:52,799
Speaker 2: looked exactly like they look in the arcade. So if

756
00:36:52,800 --> 00:36:55,480
Speaker 2: we had Donkey Kong it looked like Donkey Kong from

757
00:36:55,520 --> 00:36:56,879
Speaker 2: the Arcade. Yeah, I thought that.

758
00:36:56,840 --> 00:36:57,400
Speaker 3: Was the thing.

759
00:36:57,680 --> 00:36:59,640
Speaker 1: And you at first do you remember that game?

760
00:37:00,280 --> 00:37:02,080
Speaker 2: I don't. I don't remember the Smurf.

761
00:37:02,160 --> 00:37:04,480
Speaker 1: Well, if you are interested in video games, please go.

762
00:37:04,600 --> 00:37:07,280
Speaker 1: I'm sure on YouTube they can play you the theme

763
00:37:07,360 --> 00:37:11,320
Speaker 1: music from Smurfs on Cleacovision. And that jam was fire?

764
00:37:11,680 --> 00:37:11,840
Speaker 3: Was it?

765
00:37:12,080 --> 00:37:15,800
Speaker 7: La la la la la la la la la la.

766
00:37:16,040 --> 00:37:18,960
Speaker 2: Come on, that was the dope ship La la la

767
00:37:19,040 --> 00:37:22,440
Speaker 2: la la la la la la la la.

768
00:37:22,480 --> 00:37:22,800
Speaker 1: Ahead.

769
00:37:23,000 --> 00:37:24,840
Speaker 2: Let me, let's put it this way. If jay Z

770
00:37:25,080 --> 00:37:27,480
Speaker 2: can make a song from Hard Knock Life.

771
00:37:27,280 --> 00:37:30,160
Speaker 1: Yes, dude, do that again and I'll kick in my

772
00:37:30,160 --> 00:37:31,600
Speaker 1: beat box and we got a jam halfway there.

773
00:37:33,400 --> 00:37:39,879
Speaker 2: Hey, la la.

774
00:37:39,840 --> 00:37:43,960
Speaker 7: La la la la la la la la la la

775
00:37:44,320 --> 00:37:48,480
Speaker 7: la la la la la la la la la.

776
00:37:48,080 --> 00:37:50,279
Speaker 1: Dam And you're gonna have to line that up with

777
00:37:50,320 --> 00:37:52,480
Speaker 1: some delay, but we I think it's fire and I

778
00:37:52,520 --> 00:37:54,480
Speaker 1: think we can beat a Hard Knocked Life.

779
00:37:56,320 --> 00:38:00,200
Speaker 3: You you did me that donald On set you to

780
00:38:00,320 --> 00:38:03,200
Speaker 3: do Transformers as a dude.

781
00:38:03,600 --> 00:38:07,120
Speaker 2: Late Neil Diamond, Neil Diamond singing Transformers. I thought I

782
00:38:07,120 --> 00:38:09,240
Speaker 2: did it already, but if I haven't, if you missed

783
00:38:09,239 --> 00:38:17,279
Speaker 2: it to Transformers more than meets the eye. Keep going,

784
00:38:17,440 --> 00:38:22,920
Speaker 2: keep going, bus face the battles to destroy the evil

785
00:38:23,040 --> 00:38:28,000
Speaker 2: forces of the Decepticons.

786
00:38:30,000 --> 00:38:32,640
Speaker 1: By the meay Neil Diamonds your best impersonation. You also

787
00:38:32,680 --> 00:38:35,000
Speaker 1: do a pretty good U. I don't know how much.

788
00:38:36,320 --> 00:38:38,560
Speaker 2: My Well, you do a better version of Aaron Neville

789
00:38:38,560 --> 00:38:51,479
Speaker 2: than I do. Here mine's trash that maybe. Yeah, yours

790
00:38:51,560 --> 00:38:53,759
Speaker 2: is way better than mine, way better than mine.

791
00:38:53,760 --> 00:38:55,920
Speaker 1: There you go. That's the extent of our impressions. Coleco

792
00:38:55,960 --> 00:38:58,360
Speaker 1: Vision great game system. I felt like a baller because

793
00:38:58,360 --> 00:39:01,200
Speaker 1: I had it, and uh, you know, I remember that

794
00:39:01,440 --> 00:39:04,400
Speaker 1: control was like it was like a long rectangle and

795
00:39:04,440 --> 00:39:06,000
Speaker 1: then there was a circle.

796
00:39:05,760 --> 00:39:06,240
Speaker 2: On the bottom.

797
00:39:06,320 --> 00:39:09,600
Speaker 1: Yeah, not to be confused within television, which I didn't have.

798
00:39:10,000 --> 00:39:13,560
Speaker 2: Or in television. Wow was it in television? It was

799
00:39:13,640 --> 00:39:14,440
Speaker 2: Kalico Vision.

800
00:39:15,880 --> 00:39:18,680
Speaker 1: I start with the Atari twenty six hundred. I remember

801
00:39:18,680 --> 00:39:22,440
Speaker 1: that everybody had that. Yeah, and then there was Kalkovision.

802
00:39:22,480 --> 00:39:24,920
Speaker 1: Go ahead, Randall, I feel like the guy with the

803
00:39:24,960 --> 00:39:26,040
Speaker 1: gaming head that you weigh in.

804
00:39:29,239 --> 00:39:31,279
Speaker 3: But this makes me said one hundred years old. I

805
00:39:31,320 --> 00:39:36,240
Speaker 3: am currently doing a puzzle during COVID that is all

806
00:39:36,800 --> 00:39:41,080
Speaker 3: of the original video games Atari and like, yeah, so it's.

807
00:39:41,480 --> 00:39:45,000
Speaker 1: I need that puzzle. We we got a Van Goes

808
00:39:45,080 --> 00:39:47,319
Speaker 1: Starry Night, and we are not even getting anywhere near

809
00:39:47,360 --> 00:39:48,680
Speaker 1: to starting it. But I feel like if it was

810
00:39:48,719 --> 00:39:50,960
Speaker 1: the old game consoles, we've had it done already.

811
00:39:51,160 --> 00:39:52,000
Speaker 3: I'm sending it to you.

812
00:39:52,560 --> 00:39:56,320
Speaker 2: There's an Alf mentioned in this show ALF. I was

813
00:39:56,360 --> 00:39:57,480
Speaker 2: a huge fan of Alf.

814
00:39:57,320 --> 00:40:00,959
Speaker 1: When I too, Max Right, what do you doing out?

815
00:40:03,719 --> 00:40:07,360
Speaker 2: The puppet from out of space who loved to eat cats?

816
00:40:07,640 --> 00:40:10,240
Speaker 1: I remember being a little kid and the trailer teaser

817
00:40:10,360 --> 00:40:12,480
Speaker 1: for ALF came on and I remember being a little kid,

818
00:40:12,480 --> 00:40:16,000
Speaker 1: my first film critic going that looks so stupid. Cut

819
00:40:16,040 --> 00:40:19,320
Speaker 1: to me loving Alf, like having alf stuffed animals?

820
00:40:20,680 --> 00:40:23,120
Speaker 3: What was not to love about ALF? I visited the

821
00:40:23,120 --> 00:40:25,640
Speaker 3: ALF set, you did, I remember? Yes?

822
00:40:25,760 --> 00:40:27,319
Speaker 1: That was it raised up so they could have a

823
00:40:27,320 --> 00:40:27,879
Speaker 1: puppet teer.

824
00:40:28,640 --> 00:40:30,920
Speaker 3: Yes, And it was like it was. It wasn't at

825
00:40:30,920 --> 00:40:33,360
Speaker 3: a real stage. It was at uh An warehouse in

826
00:40:33,400 --> 00:40:34,040
Speaker 3: Culver City.

827
00:40:34,840 --> 00:40:37,480
Speaker 1: Is I Paul Max Wright, who was who played the father,

828
00:40:37,520 --> 00:40:41,560
Speaker 1: who was an accomplished theater actor and Shakespearean actor and

829
00:40:41,800 --> 00:40:44,799
Speaker 1: genius act all around, fucking hated it. I think that's

830
00:40:44,880 --> 00:40:47,799
Speaker 1: part of the lore, is that he absolutely hated doing

831
00:40:47,800 --> 00:40:48,479
Speaker 1: a puppet show.

832
00:40:51,480 --> 00:40:54,719
Speaker 3: Now did you did you watch all the Alps. We

833
00:40:54,719 --> 00:40:55,920
Speaker 3: were religious elf because.

834
00:40:55,719 --> 00:40:57,759
Speaker 1: There's episodes on Mitch. I mean, I'm not ready to

835
00:40:57,760 --> 00:40:59,120
Speaker 1: do the rewatch podcast.

836
00:40:58,719 --> 00:41:02,840
Speaker 3: But there's a very special ALF where I remember mostly

837
00:41:02,920 --> 00:41:05,560
Speaker 3: is crying. During ALF. ALF would to visit the girl

838
00:41:05,640 --> 00:41:08,120
Speaker 3: in the hospital. It was like, you know, tonight on

839
00:41:08,160 --> 00:41:09,080
Speaker 3: a very special ALF.

840
00:41:11,239 --> 00:41:13,080
Speaker 1: Do you remember when they would do you remember when

841
00:41:13,080 --> 00:41:14,759
Speaker 1: they would like back in the day, for those of

842
00:41:14,840 --> 00:41:16,880
Speaker 1: you who are too young, they when there was a

843
00:41:16,960 --> 00:41:19,480
Speaker 1: sad like on Scrubs. We had sad episodes all the time,

844
00:41:19,760 --> 00:41:22,200
Speaker 1: but on the old school sitcoms, they would always warn you,

845
00:41:22,280 --> 00:41:27,280
Speaker 1: like tonight on a very special silver Spoons, the ricker

846
00:41:27,360 --> 00:41:31,520
Speaker 1: will the ricker will kill a deer. We recommend and

847
00:41:31,560 --> 00:41:34,160
Speaker 1: they would go, we recommend parents watch with their children.

848
00:41:34,360 --> 00:41:35,799
Speaker 1: Do you remember that for sure?

849
00:41:35,920 --> 00:41:38,399
Speaker 3: But on Scrubs if it was sad, we just would

850
00:41:38,400 --> 00:41:39,520
Speaker 3: play the theme song a little.

851
00:41:40,040 --> 00:41:49,839
Speaker 1: Yeah, so there was silver Spoons when the wrecker killed

852
00:41:49,840 --> 00:41:52,880
Speaker 1: the deer. There was different strokes. When Dudley got molested

853
00:41:52,880 --> 00:41:55,160
Speaker 1: by the bike shop owner, remember that.

854
00:41:55,239 --> 00:41:58,960
Speaker 2: I do remember that, and everything happened to Dudley or Arnold.

855
00:41:59,320 --> 00:42:01,120
Speaker 1: Yeah, and then I don't know what happened on ALF

856
00:42:01,160 --> 00:42:02,400
Speaker 1: but I don't know if they made the announcement. It

857
00:42:02,480 --> 00:42:03,600
Speaker 1: must have been serious.

858
00:42:07,520 --> 00:42:08,960
Speaker 2: Special episode of Alf.

859
00:42:09,320 --> 00:42:10,880
Speaker 1: Alf learns to touch himself.

860
00:42:11,320 --> 00:42:14,359
Speaker 2: Oh boy, oh boy, but you can't handle it.

861
00:42:14,480 --> 00:42:17,279
Speaker 1: I used to have an alf stuffed animal and uh, well,

862
00:42:17,360 --> 00:42:20,479
Speaker 1: never mind without that, man, it sound like I fucked

863
00:42:20,480 --> 00:42:21,080
Speaker 1: the doll. I didn't.

864
00:42:21,080 --> 00:42:23,080
Speaker 2: I just I just it did sound like you were

865
00:42:23,080 --> 00:42:26,480
Speaker 2: about to say it sounded like you were about to say, yeah,

866
00:42:26,480 --> 00:42:27,160
Speaker 2: I fucked the doll.

867
00:42:27,600 --> 00:42:28,640
Speaker 1: Did Alf have a tail?

868
00:42:30,080 --> 00:42:31,800
Speaker 2: I don't know. No, no, no, he did not.

869
00:42:32,040 --> 00:42:33,000
Speaker 3: I don't think so. Well.

870
00:42:33,040 --> 00:42:34,600
Speaker 1: Can you please look up if Alf had a tail?

871
00:42:34,680 --> 00:42:35,759
Speaker 2: Alf did not have a tail.

872
00:42:36,400 --> 00:42:38,360
Speaker 1: You're feeling really confident about that. You didn't see You

873
00:42:39,000 --> 00:42:40,680
Speaker 1: didn't see Alf's ask that much.

874
00:42:41,520 --> 00:42:44,360
Speaker 2: Okay, let's talk about how well Johnny does in this episode.

875
00:42:44,480 --> 00:42:47,959
Speaker 1: Yeah, in the monologue, in the monologue section, everybody's great.

876
00:42:48,000 --> 00:42:50,440
Speaker 1: In the Oh, Joelle, what you look? Your face lit up?

877
00:42:51,080 --> 00:42:53,400
Speaker 2: Alf does have a tail?

878
00:42:57,760 --> 00:42:59,600
Speaker 1: Donald, You fucking liar.

879
00:43:00,200 --> 00:43:03,279
Speaker 2: I just don't remember out for the long tail. List No,

880
00:43:03,719 --> 00:43:06,759
Speaker 2: it's like a dog's tail, and it only because you

881
00:43:06,800 --> 00:43:08,880
Speaker 2: can see him like he's looking out the window in

882
00:43:08,880 --> 00:43:11,400
Speaker 2: a single shot. Listen, but I want to see if

883
00:43:11,400 --> 00:43:13,920
Speaker 2: the album I barely remember episodes of Scrubs. How am

884
00:43:13,960 --> 00:43:15,040
Speaker 2: I supposed to remember Alf?

885
00:43:16,680 --> 00:43:19,480
Speaker 1: He does have a tail, so I have a memory.

886
00:43:19,680 --> 00:43:20,759
Speaker 1: I think what I was trying to say with the

887
00:43:20,760 --> 00:43:24,120
Speaker 1: stuffed animals, I used to pull Alf's tail through his

888
00:43:24,239 --> 00:43:26,520
Speaker 1: legs to make it look like it was Alb's peenis.

889
00:43:37,520 --> 00:43:41,480
Speaker 2: Oh my gosh, all right, all right is good in

890
00:43:41,480 --> 00:43:41,920
Speaker 2: this episode?

891
00:43:42,000 --> 00:43:42,799
Speaker 1: Yes, he's not only that.

892
00:43:42,880 --> 00:43:45,200
Speaker 2: Before we do that, let's go back a little bit. Uh,

893
00:43:45,440 --> 00:43:49,719
Speaker 2: I didn't know that Kelso's actual name was Kelso Kelso.

894
00:43:51,640 --> 00:43:54,439
Speaker 1: Kelsanovitch. Yeah, well, I don't think that comes up again.

895
00:43:54,480 --> 00:43:56,440
Speaker 1: But this is the first episode where he introduces his

896
00:43:56,480 --> 00:43:57,759
Speaker 1: wife's name, Enid.

897
00:43:58,000 --> 00:44:01,080
Speaker 2: Right, And I thought that was just it's very interesting that,

898
00:44:01,640 --> 00:44:03,680
Speaker 2: you know, he changed his name to fit in to

899
00:44:03,760 --> 00:44:07,000
Speaker 2: be to sound more American. So instead of kel Sonovich,

900
00:44:07,520 --> 00:44:08,760
Speaker 2: it then became Kelso.

901
00:44:09,840 --> 00:44:14,720
Speaker 1: I think everybody did, including uh, Donald Faison and Judy

902
00:44:15,000 --> 00:44:18,880
Speaker 1: and Sarah. Everybody was great in these monologue sections. They

903
00:44:18,920 --> 00:44:21,000
Speaker 1: were Oh, it was kind of a cool. It's funny

904
00:44:21,040 --> 00:44:23,640
Speaker 1: because that documentary style became very common in shows like

905
00:44:23,920 --> 00:44:27,440
Speaker 1: the Office and and Modern Family that were doing sort

906
00:44:27,440 --> 00:44:30,320
Speaker 1: of the shaky cam documentary style was not a style

907
00:44:30,360 --> 00:44:33,120
Speaker 1: we did on Scrubs. But because of this segment, I

908
00:44:33,160 --> 00:44:35,120
Speaker 1: don't know why the interviewer was so hirky jerky with

909
00:44:35,160 --> 00:44:36,600
Speaker 1: the damn camera. I mean, put the fucking thing on

910
00:44:36,600 --> 00:44:40,440
Speaker 1: a tripod and calm down. But it was the interviewer

911
00:44:40,600 --> 00:44:43,239
Speaker 1: was making like his own shaky cam TV show. But

912
00:44:43,920 --> 00:44:46,680
Speaker 1: I thought everyone it seemed like the mandate was that

913
00:44:46,719 --> 00:44:48,040
Speaker 1: they were not going to have cuts in them and they

914
00:44:48,000 --> 00:44:50,919
Speaker 1: would all be long takes. And yeah, and I thought

915
00:44:50,920 --> 00:44:52,720
Speaker 1: everyone did a really nice job in those scenes.

916
00:44:52,880 --> 00:44:54,960
Speaker 2: Do you call it? They prepared us for that, because

917
00:44:55,360 --> 00:44:58,439
Speaker 2: the fact that I knew my lines like that was.

918
00:44:58,960 --> 00:45:00,680
Speaker 1: Very weird yourself.

919
00:45:01,520 --> 00:45:03,359
Speaker 2: I'm watching it and I'm like, they're gonna cut soon,

920
00:45:03,400 --> 00:45:05,080
Speaker 2: because there's no way I remember all of this.

921
00:45:06,520 --> 00:45:09,440
Speaker 3: We talked about it a lot, and we knew it

922
00:45:09,440 --> 00:45:12,640
Speaker 3: was gonna be one take. If I remember correctly, those

923
00:45:12,719 --> 00:45:15,960
Speaker 3: are half the monologue that we did. I mean, part

924
00:45:15,960 --> 00:45:17,239
Speaker 3: of the reason why the episode is so long is

925
00:45:17,239 --> 00:45:20,319
Speaker 3: because those chunks. And I remember Johnny C I feel

926
00:45:20,360 --> 00:45:25,360
Speaker 3: like he was disappointed because there was another long take.

927
00:45:25,800 --> 00:45:27,880
Speaker 3: You know. So even though this episode is what do

928
00:45:27,960 --> 00:45:31,160
Speaker 3: we say? Twenty four eight, twenty eight, twenty eight, I

929
00:45:31,160 --> 00:45:34,200
Speaker 3: think the editor's cut was closer to forty.

930
00:45:34,320 --> 00:45:37,399
Speaker 1: Ye, And there's a really cool section later on where

931
00:45:37,440 --> 00:45:40,160
Speaker 1: Donald and Judy are side by side and they're still

932
00:45:40,200 --> 00:45:42,840
Speaker 1: not cutting, so they were able to time out. I

933
00:45:42,880 --> 00:45:44,879
Speaker 1: don't know, was Judy in the room reading with you? Donald,

934
00:45:44,880 --> 00:45:45,360
Speaker 1: do you remember?

935
00:45:45,400 --> 00:45:45,480
Speaker 3: No?

936
00:45:45,600 --> 00:45:51,120
Speaker 2: That was it. They gave us earwigs, I think for that, because.

937
00:45:51,360 --> 00:45:53,399
Speaker 1: Earwig, for those who don't know, is a tiny ear

938
00:45:53,440 --> 00:45:55,640
Speaker 1: piece that goes in your ear that you can't see,

939
00:45:55,719 --> 00:45:56,760
Speaker 1: the camera can't see.

940
00:45:56,920 --> 00:46:01,359
Speaker 2: I remember rehearsing it with the voice track. I think

941
00:46:01,360 --> 00:46:04,560
Speaker 2: they recorded Judy first. I could be wrong, though, I

942
00:46:04,560 --> 00:46:08,880
Speaker 2: think they recorded Judy first and then I went in

943
00:46:09,120 --> 00:46:10,280
Speaker 2: after her to record.

944
00:46:10,280 --> 00:46:12,560
Speaker 1: Well, the timing of that was perfect because you you know,

945
00:46:12,800 --> 00:46:14,640
Speaker 1: you had to stall, so you were like thinking and

946
00:46:14,640 --> 00:46:16,279
Speaker 1: then you took a sip of your water and like

947
00:46:16,320 --> 00:46:18,319
Speaker 1: it totally looked natural, but it was. It was well

948
00:46:18,320 --> 00:46:20,759
Speaker 1: done by by Larry Trilling trilling Man.

949
00:46:21,200 --> 00:46:22,719
Speaker 2: That was one of the That was one of the

950
00:46:22,960 --> 00:46:27,600
Speaker 2: highlights in my notes that I wrote. You know, this

951
00:46:27,800 --> 00:46:29,920
Speaker 2: was his first episode to direct for us, and we

952
00:46:29,960 --> 00:46:32,000
Speaker 2: gave him a pretty you know, you guys gave him

953
00:46:32,000 --> 00:46:34,880
Speaker 2: a big randall and you and Bill gave him a

954
00:46:35,080 --> 00:46:37,600
Speaker 2: pretty big episode to produce. I wondered if it was

955
00:46:37,640 --> 00:46:40,160
Speaker 2: ever like, Yo, what money do I get to make

956
00:46:40,200 --> 00:46:42,879
Speaker 2: this go easier for me? You know what I mean?

957
00:46:43,040 --> 00:46:45,480
Speaker 1: Like, I'm guessing he was told that it was going

958
00:46:45,520 --> 00:46:48,720
Speaker 1: to be a long one because right Randall or was

959
00:46:48,360 --> 00:46:49,880
Speaker 1: it was decided after the fact.

960
00:46:51,200 --> 00:46:52,960
Speaker 3: It was decided after the fact. We didn't know it

961
00:46:53,000 --> 00:46:55,160
Speaker 3: was going to come out, but we knew from timing

962
00:46:55,200 --> 00:46:57,799
Speaker 3: the table read that we were up against it and

963
00:46:57,840 --> 00:47:01,080
Speaker 3: that we didn't want to make cuts in those you know,

964
00:47:01,200 --> 00:47:05,640
Speaker 3: soliloquy pieces, you know, directly to the camera. For some reason,

965
00:47:05,760 --> 00:47:08,520
Speaker 3: I feel like production wise, there was just a lot

966
00:47:08,560 --> 00:47:10,960
Speaker 3: of talk about the pizza clock, like getting the right

967
00:47:11,000 --> 00:47:13,440
Speaker 3: angle and how much pizzad it take out. And you know,

968
00:47:13,800 --> 00:47:16,439
Speaker 3: we were we were in that bedroom for so long,

969
00:47:16,480 --> 00:47:17,479
Speaker 3: which was a tight set.

970
00:47:17,920 --> 00:47:20,080
Speaker 1: Yeah, and Sarah and I, you know, we were friends

971
00:47:21,320 --> 00:47:24,360
Speaker 1: and we really loved each other. But that was a

972
00:47:24,480 --> 00:47:28,719
Speaker 1: very bizarre thing to have that much fake sex all

973
00:47:28,760 --> 00:47:30,960
Speaker 1: over one set for many days on end.

974
00:47:31,480 --> 00:47:33,680
Speaker 2: Well, yeah, not just that you guys were very much

975
00:47:33,719 --> 00:47:36,000
Speaker 2: in each other's face. I was going to ask you,

976
00:47:36,000 --> 00:47:38,800
Speaker 2: you guys made out a lot in this episode. Yeah,

977
00:47:38,840 --> 00:47:40,359
Speaker 2: how awkward was that? For you.

978
00:47:41,560 --> 00:47:45,640
Speaker 1: I think it was uh, you know, you always hear

979
00:47:45,680 --> 00:47:47,600
Speaker 1: actors talking about, oh it's you know, it's all very

980
00:47:47,840 --> 00:47:49,960
Speaker 1: you know, choreographed, and it's not weird at all. It

981
00:47:50,040 --> 00:47:52,480
Speaker 1: is weird. You know, there's everyone standing around, you're making

982
00:47:52,520 --> 00:47:56,920
Speaker 1: out with your good friend. Uh, it's you know, it was.

983
00:47:57,080 --> 00:47:59,279
Speaker 1: It was bizarre. I remember being because also a lot

984
00:47:59,280 --> 00:48:01,640
Speaker 1: of most times it's like, okay, there's a quick makeout scene.

985
00:48:01,680 --> 00:48:03,960
Speaker 1: It's a TV show, you know, That's that's all it

986
00:48:04,000 --> 00:48:07,080
Speaker 1: ever is. This was like, you know, wrestling around and

987
00:48:07,120 --> 00:48:10,520
Speaker 1: groping each other and for days. So it was.

988
00:48:10,480 --> 00:48:14,360
Speaker 2: Weird face to face and not only face.

989
00:48:14,160 --> 00:48:17,759
Speaker 1: To Fanaka Donald, you gotta have Banaka. We had a

990
00:48:17,800 --> 00:48:20,520
Speaker 1: boom man named Kevin what was his last name, Randall?

991
00:48:21,000 --> 00:48:21,480
Speaker 1: Do you remember?

992
00:48:22,160 --> 00:48:23,080
Speaker 3: I can't figure it right now.

993
00:48:25,920 --> 00:48:28,040
Speaker 1: Also hires the whole crew everybody, so he should really

994
00:48:28,120 --> 00:48:31,920
Speaker 1: know Kevin's last name. But Kevin used to see that

995
00:48:31,960 --> 00:48:33,440
Speaker 1: we all used to have banaka. This is like back

996
00:48:33,440 --> 00:48:35,200
Speaker 1: in the day still that we had like spray the

997
00:48:35,320 --> 00:48:38,680
Speaker 1: aerosol banokam and uh we made a joke like, oh,

998
00:48:38,640 --> 00:48:40,359
Speaker 1: it'll be great because the boom mike's right over your head.

999
00:48:40,440 --> 00:48:42,040
Speaker 1: We're like it'd be great if there was a boom,

1000
00:48:42,280 --> 00:48:44,200
Speaker 1: if there was banaka on the boom, because then we

1001
00:48:44,200 --> 00:48:46,080
Speaker 1: can just reach up, pull the boom mic down and

1002
00:48:46,080 --> 00:48:47,960
Speaker 1: grab it off. Next day we show up and he

1003
00:48:48,000 --> 00:48:51,160
Speaker 1: had velcrowed a banaka to the end of the boom

1004
00:48:51,200 --> 00:48:54,399
Speaker 1: mic not not the mic itself, the stick and poll

1005
00:48:55,280 --> 00:48:59,160
Speaker 1: and Kevin santy, thank you and uh and and literally

1006
00:48:59,280 --> 00:49:00,759
Speaker 1: he wasn't just a joke. He kept it up there

1007
00:49:00,760 --> 00:49:03,600
Speaker 1: for like months, and whenever you need a banaka, you

1008
00:49:03,680 --> 00:49:05,879
Speaker 1: just reach up, grab the boom pole, pull it off

1009
00:49:05,880 --> 00:49:07,960
Speaker 1: to a spray. They'll crow it back and stick it off.

1010
00:49:08,400 --> 00:49:10,279
Speaker 2: I used to go crazy with the banaka because I

1011
00:49:10,280 --> 00:49:12,960
Speaker 2: felt like maybe if I spray enough in my mouth

1012
00:49:13,000 --> 00:49:16,640
Speaker 2: the aarosow and the freaking mint will get me high enough.

1013
00:49:18,920 --> 00:49:21,759
Speaker 1: When your weed was wearing off. So Donald, this weed

1014
00:49:21,840 --> 00:49:23,279
Speaker 1: had worn off and he was on set too long.

1015
00:49:23,280 --> 00:49:24,840
Speaker 1: He's like, let me try and get high on banaka.

1016
00:49:24,880 --> 00:49:25,040
Speaker 3: Yeah.

1017
00:49:25,280 --> 00:49:27,799
Speaker 2: I remember one day Randall came into the room. Randall,

1018
00:49:27,840 --> 00:49:29,319
Speaker 2: tell me if you remember this, and you were like

1019
00:49:29,440 --> 00:49:32,040
Speaker 2: Donald and we were on set and you were like, Donald,

1020
00:49:32,120 --> 00:49:33,880
Speaker 2: wake up. Do I need to splash cold water in

1021
00:49:33,920 --> 00:49:36,600
Speaker 2: your face and something? Wake ass up? When you high

1022
00:49:36,680 --> 00:49:43,799
Speaker 2: or something no no, no, no no no no no.

1023
00:49:44,000 --> 00:49:46,839
Speaker 2: But in my mind, I was like, they know, they know.

1024
00:49:48,920 --> 00:49:50,400
Speaker 1: It was probably because you were taking too long to

1025
00:49:50,440 --> 00:49:51,720
Speaker 1: get to set. No.

1026
00:49:52,320 --> 00:49:54,000
Speaker 2: The only time I took a long time to get

1027
00:49:54,000 --> 00:49:56,719
Speaker 2: to set was when Grand Theft Auto Vice City came out.

1028
00:49:56,960 --> 00:49:58,640
Speaker 2: And I remember one time they were trying to get

1029
00:49:58,640 --> 00:50:00,719
Speaker 2: me the set and I was on my way out

1030
00:50:00,760 --> 00:50:03,520
Speaker 2: the door and Randall's pushing my door in as I'm

1031
00:50:03,560 --> 00:50:06,880
Speaker 2: pulling it and I was like hi, and he was like,

1032
00:50:07,440 --> 00:50:12,720
Speaker 2: get upstairs, random.

1033
00:50:12,760 --> 00:50:13,719
Speaker 1: You had to be bad cop.

1034
00:50:14,120 --> 00:50:15,919
Speaker 3: I had to get with the gripe. Yeah, grab people,

1035
00:50:16,280 --> 00:50:18,959
Speaker 3: steer them. I remember sending a PA to your house

1036
00:50:19,000 --> 00:50:21,520
Speaker 3: one time, Zach. Somebody had to climb over the fence

1037
00:50:21,840 --> 00:50:23,359
Speaker 3: to get you to like wait.

1038
00:50:23,600 --> 00:50:25,400
Speaker 1: It was a really bad moment. Know what happened was

1039
00:50:25,520 --> 00:50:28,080
Speaker 1: the power. What had happened was the power went out.

1040
00:50:29,239 --> 00:50:31,279
Speaker 1: The power went out in my in my on my

1041
00:50:31,320 --> 00:50:34,800
Speaker 1: street or my neighborhood, and so the alarms didn't go off,

1042
00:50:35,400 --> 00:50:38,319
Speaker 1: and and also the phones didn't work, and so I

1043
00:50:38,400 --> 00:50:42,680
Speaker 1: woke up to a PA knocking on my window, and

1044
00:50:42,960 --> 00:50:45,200
Speaker 1: which is the worst sight if you're an actor. It's

1045
00:50:45,239 --> 00:50:48,120
Speaker 1: like the most horrible feeling. And I remember getting to

1046
00:50:48,200 --> 00:50:50,520
Speaker 1: set really late and Bill looked at me and he's like, no, no,

1047
00:50:50,480 --> 00:50:52,000
Speaker 1: don't worry, we'll split the fifty grand.

1048
00:50:55,560 --> 00:50:58,799
Speaker 3: I think during scrubs I had a real moment of

1049
00:50:58,840 --> 00:51:02,880
Speaker 3: peace about producing, which was I gave up on the

1050
00:51:02,920 --> 00:51:05,959
Speaker 3: idea of everything being okay for more than five minutes

1051
00:51:06,000 --> 00:51:09,160
Speaker 3: at a time, because nothing's ever always okay. It's like,

1052
00:51:10,520 --> 00:51:15,879
Speaker 3: and nobody comes to my door to be like everything's great.

1053
00:51:16,320 --> 00:51:20,000
Speaker 3: It's like, you know, somebody took my candy. We don't

1054
00:51:20,000 --> 00:51:21,919
Speaker 3: have any film. You know, somebody's late.

1055
00:51:22,280 --> 00:51:24,840
Speaker 2: Did we ever run out of film?

1056
00:51:25,160 --> 00:51:27,600
Speaker 3: We came, We came close. We used a lot of

1057
00:51:27,600 --> 00:51:30,120
Speaker 3: short ends one particular week because part of the reason

1058
00:51:30,520 --> 00:51:35,120
Speaker 3: that we were able to fly under the radar financially,

1059
00:51:35,400 --> 00:51:37,319
Speaker 3: and one of the reasons that that show was one

1060
00:51:37,320 --> 00:51:41,120
Speaker 3: of the last shows to be on film is because

1061
00:51:41,200 --> 00:51:44,040
Speaker 3: we shot on sixteen. We shot Super sixteen, not thirty five,

1062
00:51:44,120 --> 00:51:46,719
Speaker 3: So we cut our production costs, you know, by a lot,

1063
00:51:47,200 --> 00:51:49,680
Speaker 3: but we made a great print. I mean, we showed

1064
00:51:49,719 --> 00:51:53,759
Speaker 3: that show on a DJA in the GGA screening room

1065
00:51:53,760 --> 00:51:54,399
Speaker 3: and held up.

1066
00:51:55,760 --> 00:51:57,040
Speaker 1: So yeah, those of you who don't know, this was

1067
00:51:57,080 --> 00:52:00,680
Speaker 1: one of the last shows still being shot on film,

1068
00:52:00,760 --> 00:52:04,280
Speaker 1: especially sixteen millimeter film. Probably at the time. Probably nothing

1069
00:52:04,400 --> 00:52:07,520
Speaker 1: is right now, I would guess, unless it's like a

1070
00:52:07,520 --> 00:52:11,200
Speaker 1: big budget feature on Netflix or something. But most people

1071
00:52:11,239 --> 00:52:13,719
Speaker 1: don't do that anymore anyway, And it's one of the

1072
00:52:13,719 --> 00:52:15,960
Speaker 1: reasons why people always ask how come there's no blu

1073
00:52:16,160 --> 00:52:21,800
Speaker 1: ray and high resolution sixteen by nine version of the show.

1074
00:52:22,239 --> 00:52:24,440
Speaker 1: It's because when we made it, we didn't and we

1075
00:52:24,440 --> 00:52:27,720
Speaker 1: were done with it. No one anticipated all this streaming stuff,

1076
00:52:27,760 --> 00:52:31,239
Speaker 1: so it was never like upres to be four K video.

1077
00:52:31,320 --> 00:52:34,799
Speaker 3: Right, They didn't cut the film and then we do it,

1078
00:52:34,840 --> 00:52:37,000
Speaker 3: and some of the film that we used you can't

1079
00:52:37,000 --> 00:52:40,080
Speaker 3: even get anymore. A lot of the flashback scenes I think,

1080
00:52:40,480 --> 00:52:43,400
Speaker 3: I think you'll see it in season one are shot

1081
00:52:43,640 --> 00:52:47,040
Speaker 3: on something that was called reversal film, which was like

1082
00:52:47,080 --> 00:52:50,000
Speaker 3: from the Vietnam War. It could had this look of.

1083
00:52:50,440 --> 00:52:53,440
Speaker 1: Yeah, that's why they have a specific texture, though in

1084
00:52:53,440 --> 00:52:56,000
Speaker 1: fact there's different clearly a different film stock being shot

1085
00:52:56,200 --> 00:52:59,080
Speaker 1: for these interview sequences, because they're very grainy and have

1086
00:52:59,120 --> 00:53:02,720
Speaker 1: a different color sort of palette than the show itself.

1087
00:53:03,120 --> 00:53:05,560
Speaker 2: When did we switch When did we switch over to chip?

1088
00:53:05,560 --> 00:53:07,520
Speaker 2: Then when did we switch over to digital?

1089
00:53:07,719 --> 00:53:09,279
Speaker 1: Because I know, did you do it in season nine.

1090
00:53:09,320 --> 00:53:10,720
Speaker 1: It would only be in season nine.

1091
00:53:11,040 --> 00:53:13,120
Speaker 2: I think it was before season nine, to be honest

1092
00:53:13,160 --> 00:53:13,480
Speaker 2: with you.

1093
00:53:13,800 --> 00:53:17,200
Speaker 3: I don't think so. I mean because because it was

1094
00:53:17,239 --> 00:53:19,920
Speaker 3: talked about so much shows, because NBC had made this

1095
00:53:19,960 --> 00:53:22,160
Speaker 3: mandate that everybody was going digital. But then when they

1096
00:53:22,200 --> 00:53:23,960
Speaker 3: looked at our numbers, they were like, hey, keep doing

1097
00:53:23,960 --> 00:53:27,160
Speaker 3: what you're doing. Like I think, I think maybe in

1098
00:53:27,160 --> 00:53:29,680
Speaker 3: that season nine we went digital, Like I honestly can't

1099
00:53:29,680 --> 00:53:30,719
Speaker 3: remember us the top of my head.

1100
00:53:30,920 --> 00:53:33,320
Speaker 2: I remember that. I remember that that was very interesting

1101
00:53:33,360 --> 00:53:37,080
Speaker 2: when you would see them changing mags or somebody getting

1102
00:53:37,120 --> 00:53:40,000
Speaker 2: the film ready for the day and having to put

1103
00:53:40,040 --> 00:53:43,239
Speaker 2: the film in a mag so that it could fit

1104
00:53:43,360 --> 00:53:47,440
Speaker 2: on the camera and reaching into this like bag. It

1105
00:53:47,480 --> 00:53:49,600
Speaker 2: looked like a bag, is what it looked like.

1106
00:53:49,800 --> 00:53:52,319
Speaker 1: Well, it was a picture like a miniature camping tent

1107
00:53:53,160 --> 00:53:55,120
Speaker 1: like that would fit on a desktop, and it was

1108
00:53:55,120 --> 00:53:57,319
Speaker 1: blacked out so that they could put their hands in

1109
00:53:57,360 --> 00:54:00,120
Speaker 1: there and not expose the film while loading them of

1110
00:54:00,200 --> 00:54:01,080
Speaker 1: camera magazines.

1111
00:54:01,320 --> 00:54:01,560
Speaker 3: Right.

1112
00:54:01,640 --> 00:54:03,840
Speaker 2: I used to I used to be like, I remember

1113
00:54:03,840 --> 00:54:06,319
Speaker 2: when we switched over to I guess it was season

1114
00:54:06,400 --> 00:54:08,560
Speaker 2: nine where we switched over to CHIP and I remember

1115
00:54:08,600 --> 00:54:10,640
Speaker 2: being like, this is the easiest thing in the world.

1116
00:54:10,640 --> 00:54:13,839
Speaker 2: Why didn't we do this before? Like we could do

1117
00:54:13,960 --> 00:54:18,320
Speaker 2: takes for days and days and days. All I remember

1118
00:54:18,400 --> 00:54:21,640
Speaker 2: all my fuck ups, every time I missed a line

1119
00:54:21,719 --> 00:54:23,680
Speaker 2: or forgot a line and everything like that. I remember

1120
00:54:23,760 --> 00:54:26,239
Speaker 2: being like, how much how much more room do we

1121
00:54:26,280 --> 00:54:29,080
Speaker 2: have on the mag before before you know what I mean,

1122
00:54:29,120 --> 00:54:30,680
Speaker 2: before we're out and we have to and we have

1123
00:54:30,719 --> 00:54:32,080
Speaker 2: to change the mag again.

1124
00:54:32,440 --> 00:54:34,640
Speaker 1: You'd have eleven you'd have about eleven minutes on a

1125
00:54:34,640 --> 00:54:37,719
Speaker 1: sixty millimeter magazine and uh and and you'd be like

1126
00:54:37,880 --> 00:54:39,239
Speaker 1: trying to trying to get it, be like, how much

1127
00:54:39,280 --> 00:54:40,719
Speaker 1: how much more fun we got before you roll out?

1128
00:54:40,800 --> 00:54:42,320
Speaker 1: I got it? I got I got it. Let's go.

1129
00:54:42,400 --> 00:54:42,840
Speaker 2: Let's don't go.

1130
00:54:43,760 --> 00:54:44,440
Speaker 1: You can go forever.

1131
00:54:44,560 --> 00:54:46,480
Speaker 2: Now you'd be like, don't cut, don't cut, we gotta cut,

1132
00:54:46,480 --> 00:54:49,120
Speaker 2: we gotta cut. We only got like nineteen feet all right.

1133
00:54:49,000 --> 00:54:53,080
Speaker 1: If I cut. When I say to Sarah, we're gonna

1134
00:54:53,080 --> 00:54:56,000
Speaker 1: need a stool sample, not for medical reasons, my robot

1135
00:54:56,200 --> 00:55:01,279
Speaker 1: needs food. I made that, I'm proud to say, and

1136
00:55:01,480 --> 00:55:05,120
Speaker 1: Sarah cracked up at it. And it's so random and weird,

1137
00:55:05,120 --> 00:55:08,520
Speaker 1: but I love it. Okay, I gotta feed my robot

1138
00:55:09,440 --> 00:55:10,479
Speaker 1: yo poo, pooh.

1139
00:55:10,920 --> 00:55:15,200
Speaker 2: Yeah, nobody's pooh, patient pooh, patient poof for the rover.

1140
00:55:15,320 --> 00:55:17,160
Speaker 3: It all comes down to pooh.

1141
00:55:17,840 --> 00:55:20,640
Speaker 1: And I laughed out loud when Sarah is seventeen oh four.

1142
00:55:20,719 --> 00:55:22,680
Speaker 1: Sarah is making fun of my laugh because she's like

1143
00:55:22,719 --> 00:55:23,840
Speaker 1: already over me, and she's.

1144
00:55:23,719 --> 00:55:27,000
Speaker 3: Like, yeah, oh my god, that is so funny that

1145
00:55:27,120 --> 00:55:30,839
Speaker 3: she does a funny impression of you, because I mean

1146
00:55:31,320 --> 00:55:34,920
Speaker 3: that laugh has got a lot of genuine laughs with

1147
00:55:35,040 --> 00:55:38,000
Speaker 3: the silly JD laugh all through the season. Yeah.

1148
00:55:38,360 --> 00:55:40,319
Speaker 2: I feel like that's how every I think that's how

1149
00:55:40,360 --> 00:55:42,959
Speaker 2: every relationship should be. What you see is what you get,

1150
00:55:43,320 --> 00:55:47,440
Speaker 2: you know what I mean. Unfortunately, unfortunately what you see

1151
00:55:47,719 --> 00:55:50,359
Speaker 2: and what you get sometimes you think you want it

1152
00:55:50,400 --> 00:55:52,920
Speaker 2: and then eventually it makes you want to kill the

1153
00:55:52,920 --> 00:55:55,239
Speaker 2: person what it turns out to, which turns out to

1154
00:55:55,239 --> 00:55:57,719
Speaker 2: be with Elliott and JD. She loved the laugh in

1155
00:55:57,800 --> 00:56:00,879
Speaker 2: the beginning, Oh, I love it so cute, and then

1156
00:56:00,880 --> 00:56:04,520
Speaker 2: at the end of the show she's like, fuck that laugh, dude,

1157
00:56:04,920 --> 00:56:08,000
Speaker 2: laugh like that again one more time, I dare you.

1158
00:56:08,360 --> 00:56:09,359
Speaker 1: It's like, say what again?

1159
00:56:09,520 --> 00:56:12,920
Speaker 2: Say again, motherfucker, say what one more time?

1160
00:56:13,800 --> 00:56:15,680
Speaker 1: I know I hear you. Isn't that so sad? Though?

1161
00:56:15,680 --> 00:56:17,920
Speaker 1: When a relationship goes sour and all the things you

1162
00:56:17,920 --> 00:56:20,160
Speaker 1: thought were so adorable you now just fucking hate.

1163
00:56:20,800 --> 00:56:24,919
Speaker 2: Yeah, that was my life back in the day. Oh,

1164
00:56:24,920 --> 00:56:26,239
Speaker 2: he's got such potential.

1165
00:56:26,680 --> 00:56:29,400
Speaker 1: We have some guests here, Randall. So we have a

1166
00:56:29,480 --> 00:56:31,200
Speaker 1: guest that come on the show. Randal, I know that

1167
00:56:31,239 --> 00:56:32,440
Speaker 1: you don't listen to the podcast.

1168
00:56:32,560 --> 00:56:35,279
Speaker 2: So Randall listens to the podcast.

1169
00:56:35,520 --> 00:56:36,919
Speaker 1: He does. I don't know he does.

1170
00:56:37,440 --> 00:56:39,399
Speaker 2: Yeah, he does because somebody was like, Yo, they talked

1171
00:56:39,400 --> 00:56:40,759
Speaker 2: about you on the podcast the other.

1172
00:56:40,719 --> 00:56:43,919
Speaker 1: Yeah, that means. That means that Randall was told by

1173
00:56:43,960 --> 00:56:45,600
Speaker 1: someone and he went and listened to one.

1174
00:56:45,719 --> 00:56:48,879
Speaker 2: He was like, oh, they got a podcast. Check that out.

1175
00:56:48,920 --> 00:56:50,280
Speaker 1: Oh, somebody's on the podcast.

1176
00:56:52,480 --> 00:56:56,080
Speaker 3: They talked his real friends. I was like, oh.

1177
00:56:55,400 --> 00:56:57,359
Speaker 1: Nice, Hey, yeah, I got shut out.

1178
00:56:57,480 --> 00:56:58,799
Speaker 2: All right, we're gonna go to a break and when

1179
00:56:58,840 --> 00:57:03,839
Speaker 2: we come back, we'll have our guests.

1180
00:57:07,280 --> 00:57:10,080
Speaker 1: So Randall, when we do the commercial breaks and the

1181
00:57:10,120 --> 00:57:13,239
Speaker 1: song comes back, it doesn't have them. A lot of

1182
00:57:13,640 --> 00:57:15,439
Speaker 1: a lot of our fans like to add their own.

1183
00:57:16,080 --> 00:57:19,000
Speaker 1: That's part of Barbara.

1184
00:57:20,120 --> 00:57:20,600
Speaker 3: Robbie.

1185
00:57:21,560 --> 00:57:26,360
Speaker 1: Barbara and Robbie are twins.

1186
00:57:26,400 --> 00:57:27,480
Speaker 2: One of your is a doctor.

1187
00:57:27,640 --> 00:57:30,640
Speaker 1: My god, things are getting weird. You guys, two different

1188
00:57:30,640 --> 00:57:33,280
Speaker 1: women have entered and they appear to be identical twins

1189
00:57:33,640 --> 00:57:35,200
Speaker 1: in different parts of the world.

1190
00:57:35,160 --> 00:57:36,520
Speaker 2: Where you guys call it from.

1191
00:57:36,800 --> 00:57:39,960
Speaker 8: I'm calling from UK, in the UK.

1192
00:57:42,240 --> 00:57:46,160
Speaker 2: And you're so you guys. Are you a doctor?

1193
00:57:47,320 --> 00:57:50,360
Speaker 8: Yes I am, Yes, I am, but I'm not working yet.

1194
00:57:50,960 --> 00:57:51,320
Speaker 2: Okay.

1195
00:57:51,800 --> 00:57:57,880
Speaker 8: I had some problems for coronavirus which delayed some technical issues.

1196
00:57:58,480 --> 00:58:01,760
Speaker 2: Okay, okay. And then Robbie, what about you? Are you

1197
00:58:01,800 --> 00:58:03,680
Speaker 2: a doctor too? No?

1198
00:58:03,680 --> 00:58:07,080
Speaker 6: No, I got doited in law last February.

1199
00:58:07,600 --> 00:58:09,120
Speaker 2: So you've got a lawyer and a doctor.

1200
00:58:09,400 --> 00:58:13,680
Speaker 1: Your parents will be very happy, very proud. Yeah.

1201
00:58:13,720 --> 00:58:16,800
Speaker 6: And last time we saw each other was at the

1202
00:58:16,880 --> 00:58:21,040
Speaker 6: beginning of March when I brought Bobby to the airport

1203
00:58:21,600 --> 00:58:24,760
Speaker 6: to take her flight to go to the UK and

1204
00:58:24,800 --> 00:58:25,400
Speaker 6: move there.

1205
00:58:25,600 --> 00:58:25,680
Speaker 3: Ah.

1206
00:58:25,760 --> 00:58:27,360
Speaker 1: So you've been apart for a long time. I just

1207
00:58:27,440 --> 00:58:28,080
Speaker 1: miss each other.

1208
00:58:28,480 --> 00:58:31,960
Speaker 8: Yes, a lot, a lot. That's why I also asked

1209
00:58:32,000 --> 00:58:36,120
Speaker 8: you to do this meeting, because I knew that it

1210
00:58:36,160 --> 00:58:38,960
Speaker 8: was very important to her. It is important also for me.

1211
00:58:39,080 --> 00:58:42,720
Speaker 8: But she had a very rough time, so oh well, we're.

1212
00:58:42,600 --> 00:58:44,240
Speaker 1: Here to cheer her up. I'm so glad that you

1213
00:58:44,280 --> 00:58:46,640
Speaker 1: called in because not only do you have the legendary

1214
00:58:46,680 --> 00:58:50,480
Speaker 1: Donald Faizon here, and he's always funny. You have Randall Winston,

1215
00:58:50,840 --> 00:58:53,040
Speaker 1: who was our line producer, but you may know him

1216
00:58:53,040 --> 00:58:56,200
Speaker 1: as Leonard the security guard. And also he played Death.

1217
00:58:56,600 --> 00:58:59,200
Speaker 1: And you know, we've gotten a lot of questions for

1218
00:58:59,320 --> 00:59:04,040
Speaker 1: Death on our Instagram pages. So finally you can ask

1219
00:59:04,120 --> 00:59:05,240
Speaker 1: Death any question you have.

1220
00:59:06,880 --> 00:59:15,720
Speaker 6: Oh, that's wonderful, thayed.

1221
00:59:11,960 --> 00:59:15,000
Speaker 2: Much Mouth from the Yeah, you did play much Mouth

1222
00:59:15,200 --> 00:59:16,840
Speaker 2: from Freaking the Fat Out Jump.

1223
00:59:17,720 --> 00:59:20,920
Speaker 1: Yes, three different you had three different parts.

1224
00:59:21,000 --> 00:59:23,600
Speaker 2: Rand you had that big ass helmet on your head too.

1225
00:59:26,080 --> 00:59:27,240
Speaker 2: All right, so let's get it.

1226
00:59:27,240 --> 00:59:28,720
Speaker 1: Go ahead, ladies, ask a question.

1227
00:59:29,120 --> 00:59:31,160
Speaker 6: I would like to start it because I am in

1228
00:59:31,200 --> 00:59:36,400
Speaker 6: a theater company as well, so sometimes we argue about

1229
00:59:36,440 --> 00:59:40,560
Speaker 6: the best ways to perform. You know, when you have

1230
00:59:40,680 --> 00:59:45,919
Speaker 6: to feel in character and you have to feel what

1231
00:59:46,040 --> 00:59:50,720
Speaker 6: your character is feeling in order to act. So I

1232
00:59:50,760 --> 00:59:55,400
Speaker 6: was wondering whether sometimes you had some difficulties with that

1233
00:59:55,760 --> 00:59:59,680
Speaker 6: and to make a very strange scene you couldn't really

1234
01:00:00,200 --> 01:00:04,840
Speaker 6: feel what JD or Turk or Death or Leonard.

1235
01:00:07,000 --> 01:00:10,600
Speaker 1: Thank you, Bobby, thank you for including him.

1236
01:00:11,600 --> 01:00:15,720
Speaker 6: My pleasure, So if you had to find some strange

1237
01:00:15,760 --> 01:00:19,360
Speaker 6: way to perform. I thought about this question when I

1238
01:00:19,440 --> 01:00:23,120
Speaker 6: was listening to your podcast last week, and Donald said

1239
01:00:23,640 --> 01:00:27,200
Speaker 6: when he had to memorize the line, you need the

1240
01:00:27,240 --> 01:00:32,400
Speaker 6: surgical counsole, so you had to make a song about it.

1241
01:00:32,760 --> 01:00:36,480
Speaker 6: So if if my question is not about memorizing things,

1242
01:00:36,520 --> 01:00:38,640
Speaker 6: it's more about like acting the feeling.

1243
01:00:38,840 --> 01:00:43,840
Speaker 2: Yeah, uh, you know, let.

1244
01:00:43,720 --> 01:00:46,440
Speaker 1: Leonard go first. When I strapped on the arm.

1245
01:00:47,880 --> 01:00:52,760
Speaker 2: Here's here's the thing. You you work hard. You work

1246
01:00:53,040 --> 01:00:56,520
Speaker 2: so hard to try to feel everything, and that's what

1247
01:00:56,640 --> 01:00:59,880
Speaker 2: comes with being an actor. You're gonna work hard hard

1248
01:01:00,000 --> 01:01:01,880
Speaker 2: and then you've ever worked in your life to try

1249
01:01:01,880 --> 01:01:05,600
Speaker 2: to feel it. But when the camera rolls and you

1250
01:01:05,640 --> 01:01:08,200
Speaker 2: don't feel it, you better act the shit out of it,

1251
01:01:08,400 --> 01:01:10,960
Speaker 2: you know what I mean, Because at the end of

1252
01:01:11,000 --> 01:01:13,240
Speaker 2: the day, it still has to be made. So you're

1253
01:01:13,280 --> 01:01:15,640
Speaker 2: gonna work your hard is to try and feel the

1254
01:01:15,680 --> 01:01:19,760
Speaker 2: emotion and find the emotion and pinpoint what it is

1255
01:01:19,760 --> 01:01:21,520
Speaker 2: that you're You know, you'll make notes and you'll do

1256
01:01:21,560 --> 01:01:24,240
Speaker 2: all of that stuff, But there comes a time when

1257
01:01:24,280 --> 01:01:27,280
Speaker 2: you're doing it where all of that preparation and stuff

1258
01:01:27,600 --> 01:01:30,040
Speaker 2: isn't helping, you know what I mean, And so when

1259
01:01:30,080 --> 01:01:32,160
Speaker 2: it's not helping, it's time for you to act the

1260
01:01:32,200 --> 01:01:34,680
Speaker 2: shit out of it. And that's just how it goes,

1261
01:01:35,040 --> 01:01:35,520
Speaker 2: you know what I mean.

1262
01:01:35,560 --> 01:01:38,560
Speaker 1: I would say there's times when it's really just natural,

1263
01:01:38,600 --> 01:01:40,800
Speaker 1: and then there's times where it feels forced and you

1264
01:01:40,840 --> 01:01:43,360
Speaker 1: don't feel present. You can see the cameraman and you

1265
01:01:43,400 --> 01:01:47,080
Speaker 1: can see the crew, and your stomach's growling because you're hungry,

1266
01:01:47,200 --> 01:01:49,360
Speaker 1: and you know, you had an argument with someone in

1267
01:01:49,400 --> 01:01:51,880
Speaker 1: your family and all these things that happen in any job,

1268
01:01:51,920 --> 01:01:53,960
Speaker 1: and you and you're in your head and you're distracted,

1269
01:01:54,400 --> 01:01:56,640
Speaker 1: and the trick with acting is to always be as

1270
01:01:56,840 --> 01:01:59,720
Speaker 1: present as possible. The good news about acting on film

1271
01:01:59,760 --> 01:02:01,640
Speaker 1: and television is you really only need to do it

1272
01:02:01,680 --> 01:02:06,440
Speaker 1: in spurts because you're you're you're trying to shine for

1273
01:02:06,520 --> 01:02:08,680
Speaker 1: your other actor, but also when the camera's on you,

1274
01:02:08,720 --> 01:02:11,000
Speaker 1: when it's on when you're no matter what the shot is.

1275
01:02:11,440 --> 01:02:14,080
Speaker 1: When you're doing a play, you have to maintain that

1276
01:02:14,160 --> 01:02:17,360
Speaker 1: for for two hours and and scene real. But with

1277
01:02:17,440 --> 01:02:20,160
Speaker 1: with film and TV acting, the real challenge is to

1278
01:02:20,200 --> 01:02:22,439
Speaker 1: get it in spurts enough so that it will cut

1279
01:02:22,480 --> 01:02:25,880
Speaker 1: together and be believable. But but yeah, it can be

1280
01:02:25,880 --> 01:02:28,720
Speaker 1: really it can be really challenging, especially when you're there's

1281
01:02:28,760 --> 01:02:31,919
Speaker 1: so much distraction. You know, there's phones ringing, and there's

1282
01:02:31,920 --> 01:02:35,640
Speaker 1: a helicopter overhead, and and you're upset about something in

1283
01:02:35,680 --> 01:02:37,919
Speaker 1: your private life. You know, it's it's it's a real

1284
01:02:38,040 --> 01:02:41,960
Speaker 1: challenge to do everything you can to be present in

1285
01:02:42,120 --> 01:02:42,560
Speaker 1: the moment.

1286
01:02:43,080 --> 01:02:45,920
Speaker 2: And when you can't be present, that's what that's what

1287
01:02:46,080 --> 01:02:46,680
Speaker 2: acting is.

1288
01:02:46,960 --> 01:02:48,600
Speaker 1: Then you fake it till you make it, fake it

1289
01:02:48,640 --> 01:02:51,520
Speaker 1: till you make it. Now, Randall, when you were playing Leonard,

1290
01:02:53,000 --> 01:02:56,480
Speaker 1: did you did you didn't? Didn't Leonard have a love interest?

1291
01:02:56,480 --> 01:02:59,520
Speaker 3: By the way, Oh, yes, I had to miss it

1292
01:02:59,560 --> 01:03:01,240
Speaker 3: was a scene. Yes she was?

1293
01:03:04,840 --> 01:03:07,720
Speaker 1: Uh And wasn't she a fellow security guarden?

1294
01:03:07,800 --> 01:03:10,880
Speaker 3: No, no, she was. Maybe she was a candy striper

1295
01:03:10,960 --> 01:03:11,919
Speaker 3: or something. I just.

1296
01:03:15,640 --> 01:03:20,760
Speaker 1: Oh, Robbie knows she was an old Yes, that was

1297
01:03:21,360 --> 01:03:24,080
Speaker 1: I had to Were you open mouth kissing her?

1298
01:03:25,760 --> 01:03:29,040
Speaker 3: That was specifically requested.

1299
01:03:31,640 --> 01:03:33,000
Speaker 1: By her? Was it in the script?

1300
01:03:35,440 --> 01:03:41,800
Speaker 3: That parts a little foggy? But you know, I think.

1301
01:03:42,560 --> 01:03:45,480
Speaker 1: Robbie's question, how did you maintain being president in the

1302
01:03:45,520 --> 01:03:47,560
Speaker 1: moment when you were kissing the senior citizen?

1303
01:03:47,960 --> 01:03:50,240
Speaker 3: You know what, Robbie, I should have been listening and

1304
01:03:50,320 --> 01:03:51,600
Speaker 3: I've been listening to her.

1305
01:03:51,680 --> 01:03:59,040
Speaker 1: Yeah, you were listening to her mouth? Okay, ladies, good question, Yes,

1306
01:03:59,280 --> 01:04:01,600
Speaker 1: go ahead with an one Donald left. He was so

1307
01:04:01,840 --> 01:04:03,600
Speaker 1: offended by that question he left.

1308
01:04:05,000 --> 01:04:08,760
Speaker 8: Okay, So my question is we watched Scrubs a lot

1309
01:04:08,840 --> 01:04:11,200
Speaker 8: of time, and the first time we watched it we

1310
01:04:11,200 --> 01:04:14,800
Speaker 8: were just teenagers, and so we watched it in Italian.

1311
01:04:15,480 --> 01:04:19,680
Speaker 8: So I wondered, have you ever listened to yourself dubbed

1312
01:04:19,840 --> 01:04:23,320
Speaker 8: in other languages such as Alan or Spanish or Japanese.

1313
01:04:23,360 --> 01:04:23,520
Speaker 3: Yes.

1314
01:04:23,840 --> 01:04:26,680
Speaker 2: Yeah, I hate how they dubbed me in Spanish and

1315
01:04:26,720 --> 01:04:29,320
Speaker 2: Italian and stuff like that. I never have a deep voice.

1316
01:04:29,360 --> 01:04:39,960
Speaker 5: I'm always like, yeah, I prefer your voice.

1317
01:04:39,080 --> 01:04:40,320
Speaker 3: You know.

1318
01:04:40,400 --> 01:04:43,480
Speaker 1: It's funny is that in most countries, when you become

1319
01:04:43,520 --> 01:04:46,800
Speaker 1: a known actor, they pick the same actor to always

1320
01:04:46,840 --> 01:04:50,080
Speaker 1: do you. So if Donald's in one, if he's in

1321
01:04:50,120 --> 01:04:53,040
Speaker 1: Scrubs and then he goes off to do another film

1322
01:04:53,040 --> 01:04:54,600
Speaker 1: that is not even to do with Scrubs, it's usually

1323
01:04:54,640 --> 01:04:57,439
Speaker 1: the same actor being Donald. And I hate that.

1324
01:04:57,560 --> 01:05:00,360
Speaker 2: I hate that that one person is like, oh no,

1325
01:05:00,920 --> 01:05:02,920
Speaker 2: was he playing in this? Oh, don't worry about it.

1326
01:05:03,000 --> 01:05:04,800
Speaker 2: I did him on Scrubs. I got this.

1327
01:05:11,200 --> 01:05:15,160
Speaker 1: So to Donald's to Donald's dismay, that voice will always

1328
01:05:15,200 --> 01:05:15,960
Speaker 1: be his voice.

1329
01:05:18,520 --> 01:05:20,040
Speaker 2: That pisses me off.

1330
01:05:20,160 --> 01:05:25,040
Speaker 1: Man, Yeah, I have I've heard myself in almost so

1331
01:05:25,120 --> 01:05:27,200
Speaker 1: many voices traveling around there, especially when the show was

1332
01:05:27,200 --> 01:05:30,200
Speaker 1: on NonStop. We'd travel around the world and you turn

1333
01:05:30,240 --> 01:05:32,680
Speaker 1: on the TV and there you were speaking German. It

1334
01:05:32,720 --> 01:05:34,840
Speaker 1: was very funny. I remember, Uh, then there was a

1335
01:05:34,880 --> 01:05:36,840
Speaker 1: thing where we had Germans in the show Herman the

1336
01:05:36,880 --> 01:05:39,920
Speaker 1: German right with the with the balloon things. And then

1337
01:05:40,240 --> 01:05:42,400
Speaker 1: I remember in Germany they had to change where they

1338
01:05:42,400 --> 01:05:44,640
Speaker 1: were from because it made no sense that their language

1339
01:05:44,640 --> 01:05:46,760
Speaker 1: was different, like you know, so you know, like think

1340
01:05:46,760 --> 01:05:48,680
Speaker 1: about it. If the show has a character that's speaking

1341
01:05:48,680 --> 01:05:50,480
Speaker 1: of the language, and all of a sudden, the show's

1342
01:05:50,520 --> 01:05:52,560
Speaker 1: dubbed into that language, they then have to switch that

1343
01:05:52,600 --> 01:05:55,000
Speaker 1: person's language, so it doesn't make sense.

1344
01:05:55,400 --> 01:05:56,840
Speaker 3: I think we made them Belgium.

1345
01:05:57,200 --> 01:06:00,960
Speaker 1: Yes, I think you're right. No, Randall, how do you

1346
01:06:01,000 --> 01:06:03,720
Speaker 1: feel as being dubbed as Death and Leonard.

1347
01:06:06,480 --> 01:06:09,640
Speaker 3: As long as my fan base all?

1348
01:06:10,400 --> 01:06:13,320
Speaker 2: Did you ever hear? Have you ever heard yourself dubbed

1349
01:06:13,520 --> 01:06:14,880
Speaker 2: in other languages?

1350
01:06:14,960 --> 01:06:16,360
Speaker 3: Randall? I have not.

1351
01:06:16,920 --> 01:06:18,760
Speaker 1: The good thing about dubbing Death is that you don't

1352
01:06:18,760 --> 01:06:21,760
Speaker 1: see his mouth moves, so it doesn't look bad exactly.

1353
01:06:22,960 --> 01:06:25,040
Speaker 1: I prefer subtitles, but they don't. They don't do that.

1354
01:06:25,080 --> 01:06:26,680
Speaker 1: A lot of countries just dub it.

1355
01:06:27,800 --> 01:06:31,120
Speaker 2: I don't prefer subtitles. I do not like subtitles.

1356
01:06:31,240 --> 01:06:32,480
Speaker 1: You know you'd rather be dubbed.

1357
01:06:32,840 --> 01:06:35,640
Speaker 2: Yeah, I'm a I'm a very poor reader. So having

1358
01:06:35,680 --> 01:06:38,200
Speaker 2: to read subtitles.

1359
01:06:37,640 --> 01:06:41,480
Speaker 1: Does your poor screen? Does your dyslexia? I've never asked

1360
01:06:41,520 --> 01:06:44,240
Speaker 1: you this before, but does that make you less likely

1361
01:06:44,280 --> 01:06:45,400
Speaker 1: to watch subtitled films?

1362
01:06:46,400 --> 01:06:46,520
Speaker 4: Uh?

1363
01:06:46,840 --> 01:06:48,959
Speaker 2: No, you know, a good movie is a good movie,

1364
01:06:49,000 --> 01:06:52,920
Speaker 2: no matter what, even with a learning disability, even if

1365
01:06:52,920 --> 01:06:56,480
Speaker 2: it is written on the screen. My dyslexia isn't so

1366
01:06:56,680 --> 01:06:59,720
Speaker 2: bad that I can't keep up right.

1367
01:07:00,080 --> 01:07:01,600
Speaker 1: I just never asked you. I wondered if you if

1368
01:07:01,600 --> 01:07:03,760
Speaker 1: you said, ah, fuck, it's be paying the ass for

1369
01:07:03,800 --> 01:07:05,320
Speaker 1: me to read these subtitles.

1370
01:07:04,920 --> 01:07:07,960
Speaker 2: Or no, I would though I would prefer not to read.

1371
01:07:08,000 --> 01:07:11,680
Speaker 2: I'd prefer to listen to a dubbed mix. Right, do

1372
01:07:11,680 --> 01:07:12,680
Speaker 2: you guys have another question?

1373
01:07:13,120 --> 01:07:15,640
Speaker 1: Oh, you're giving them three because they're separated sisters.

1374
01:07:15,720 --> 01:07:18,840
Speaker 2: They're separated sisters. This is the first time they've talked

1375
01:07:18,880 --> 01:07:19,960
Speaker 2: to each other since March.

1376
01:07:20,160 --> 01:07:22,840
Speaker 1: Right, they're using us. They don't care about scrubs. They

1377
01:07:22,920 --> 01:07:24,760
Speaker 1: just want to, you know, get on our zoom and

1378
01:07:24,760 --> 01:07:25,720
Speaker 1: talk to each other.

1379
01:07:26,080 --> 01:07:28,400
Speaker 2: Like I did a show back in a day called

1380
01:07:28,440 --> 01:07:30,200
Speaker 2: free to Be a family, and we did a space

1381
01:07:30,240 --> 01:07:33,400
Speaker 2: bridge to Russia and this is like our space bridge

1382
01:07:33,400 --> 01:07:35,320
Speaker 2: between the UK and Italy.

1383
01:07:35,640 --> 01:07:37,200
Speaker 1: Was that like free to be? Was that like free

1384
01:07:37,200 --> 01:07:37,760
Speaker 1: to be you and me?

1385
01:07:38,080 --> 01:07:39,360
Speaker 2: Yeah, it was free to be you and me.

1386
01:07:39,720 --> 01:07:41,760
Speaker 1: We're we're gonna have to see free to be You

1387
01:07:41,800 --> 01:07:42,840
Speaker 1: and Me song one day.

1388
01:07:43,000 --> 01:07:45,480
Speaker 2: We're free to be I could say in a Russian

1389
01:07:46,120 --> 01:07:52,640
Speaker 2: glee weebeat e e t t E glee. Weeat nos sennoy, Right, Wow,

1390
01:07:52,840 --> 01:07:54,720
Speaker 2: we're free to be you and me. You and me

1391
01:07:54,800 --> 01:07:55,800
Speaker 2: were free to be a family.

1392
01:07:56,120 --> 01:07:58,160
Speaker 1: I only know a little Russian from the Billy Joel

1393
01:07:58,240 --> 01:08:04,080
Speaker 1: Coleopt album when he played Ussia and he said Milly

1394
01:08:04,200 --> 01:08:06,360
Speaker 1: Joe and the crowd went crazy.

1395
01:08:06,760 --> 01:08:09,400
Speaker 2: I know that because I got to rap We're free

1396
01:08:09,400 --> 01:08:11,720
Speaker 2: to be you and me with the Fat Boys. There

1397
01:08:11,720 --> 01:08:14,040
Speaker 2: a lot of people don't remember the Fat Boys, but

1398
01:08:15,320 --> 01:08:18,600
Speaker 2: one of them was an amazing beat boxer, and he

1399
01:08:18,760 --> 01:08:21,360
Speaker 2: beat boxed while I rapped.

1400
01:08:21,840 --> 01:08:24,720
Speaker 3: Anyway, So if you guys have another do you ever

1401
01:08:24,800 --> 01:08:27,920
Speaker 3: answer any any any calls on the scrubs phone that

1402
01:08:27,960 --> 01:08:29,160
Speaker 3: were from out of the country.

1403
01:08:29,560 --> 01:08:30,760
Speaker 2: No, I never answered any.

1404
01:08:30,880 --> 01:08:33,519
Speaker 1: When we did this episode with call Turk and we

1405
01:08:33,600 --> 01:08:36,639
Speaker 1: had cal Turk. We had to get a real phone line,

1406
01:08:37,080 --> 01:08:39,760
Speaker 1: and Bill thought it would be I don't know if

1407
01:08:39,760 --> 01:08:42,120
Speaker 1: it was you or Bill Randall, but said, you know,

1408
01:08:42,240 --> 01:08:44,200
Speaker 1: rather than do a five five five number, let's get

1409
01:08:44,200 --> 01:08:47,000
Speaker 1: a real number and have it all ring on a

1410
01:08:47,040 --> 01:08:48,960
Speaker 1: cell phone. And so the cell phone was in the

1411
01:08:48,960 --> 01:08:52,479
Speaker 1: Scrubs production office and it would just ring all the time,

1412
01:08:53,000 --> 01:08:54,960
Speaker 1: and when you were randomly just walking through and you

1413
01:08:55,000 --> 01:08:57,080
Speaker 1: had a minute to kill, you just answer it and

1414
01:08:57,120 --> 01:09:00,320
Speaker 1: talk to fans because it would just ring NonStop, right.

1415
01:09:01,280 --> 01:09:03,479
Speaker 3: Done stop for like five years. And we kep the

1416
01:09:03,520 --> 01:09:05,479
Speaker 3: map and we put pins in it, you know, every

1417
01:09:05,479 --> 01:09:07,280
Speaker 3: time we would get calls.

1418
01:09:07,560 --> 01:09:10,679
Speaker 1: Yeah, that was cool. It's all over the world, all right, ladies,

1419
01:09:10,680 --> 01:09:11,880
Speaker 1: one last question, go ahead.

1420
01:09:12,680 --> 01:09:13,240
Speaker 5: That's the thing.

1421
01:09:13,720 --> 01:09:17,040
Speaker 6: I started to really watch the show as well during

1422
01:09:17,080 --> 01:09:20,120
Speaker 6: this quarantine because my boyfriend was with me and he

1423
01:09:20,320 --> 01:09:23,519
Speaker 6: never watched Scrubs before, so I wanted to rewatch it

1424
01:09:23,560 --> 01:09:26,840
Speaker 6: with him, and we watched it on Amazon Prime. And

1425
01:09:27,080 --> 01:09:30,240
Speaker 6: I noticed the thing that you mentioned sometimes in the

1426
01:09:30,280 --> 01:09:34,240
Speaker 6: podcast that they changed a few songs, especially one it

1427
01:09:34,320 --> 01:09:36,519
Speaker 6: really pissed me off they changed it. It was the

1428
01:09:36,920 --> 01:09:39,599
Speaker 6: one in the second season when j D and Elliott

1429
01:09:39,840 --> 01:09:44,360
Speaker 6: kiss again and they start again and it's dreaming of you,

1430
01:09:45,439 --> 01:09:50,639
Speaker 6: of the choral and I was so waiting for that scene,

1431
01:09:51,280 --> 01:09:53,800
Speaker 6: and when it arrived, the song was a different one.

1432
01:09:53,880 --> 01:09:55,760
Speaker 6: So I was so pissed off.

1433
01:09:55,840 --> 01:09:57,599
Speaker 1: And we are too.

1434
01:09:58,600 --> 01:10:02,240
Speaker 6: Yeah, So I I was wondering whether you have some

1435
01:10:02,960 --> 01:10:06,519
Speaker 6: one song or two that you really really like and

1436
01:10:06,560 --> 01:10:10,640
Speaker 6: you're attached to it, you know, in one seat of Scrubs,

1437
01:10:11,120 --> 01:10:16,120
Speaker 6: and you would really be angry if someone changed.

1438
01:10:16,160 --> 01:10:17,200
Speaker 1: Wow. Good question.

1439
01:10:17,400 --> 01:10:20,360
Speaker 2: Well, you know, anytime Josh Rayden did music on the show,

1440
01:10:21,960 --> 01:10:24,559
Speaker 2: if that got taken off of the show, I would

1441
01:10:24,600 --> 01:10:27,880
Speaker 2: be very upset. One because Josh is a very close

1442
01:10:27,920 --> 01:10:33,120
Speaker 2: body of mine. And two his songs it seems like

1443
01:10:33,920 --> 01:10:38,560
Speaker 2: were made for the episodes of Scrubs, you know what

1444
01:10:38,600 --> 01:10:41,160
Speaker 2: I mean. Like, I don't know if Zach and Josh

1445
01:10:41,160 --> 01:10:43,120
Speaker 2: had a thing where Zach would be like, yo, I

1446
01:10:43,160 --> 01:10:45,479
Speaker 2: need you to write a song about this, and he'd

1447
01:10:45,479 --> 01:10:46,320
Speaker 2: be like, I got it.

1448
01:10:46,760 --> 01:10:49,400
Speaker 1: No. But I mean the example that comes to mind

1449
01:10:49,400 --> 01:10:52,400
Speaker 1: the same thing with me is is Robbie is Josh's song?

1450
01:10:52,520 --> 01:10:55,080
Speaker 1: Because you know we've told this on the podcast before,

1451
01:10:55,160 --> 01:10:57,960
Speaker 1: but when he wrote that song Winter that played at

1452
01:10:57,960 --> 01:11:01,599
Speaker 1: Benefaer's character's funeral, it was the first song you'd ever written,

1453
01:11:01,640 --> 01:11:03,439
Speaker 1: but he didn't have. Everyone was like, oh my god,

1454
01:11:03,479 --> 01:11:06,479
Speaker 1: this is amazing. Where's your album? He's like, album, this

1455
01:11:06,560 --> 01:11:09,479
Speaker 1: is the only time ever written. So that one was

1456
01:11:09,560 --> 01:11:11,960
Speaker 1: particularly special to all of us because Josh was our friend.

1457
01:11:12,760 --> 01:11:14,760
Speaker 1: He started playing guitar late in life. He wasn't someone

1458
01:11:14,800 --> 01:11:17,320
Speaker 1: who played as a kid, and all of a sudden,

1459
01:11:17,520 --> 01:11:19,600
Speaker 1: you know, with the thanks to Bill putting him in

1460
01:11:19,600 --> 01:11:22,400
Speaker 1: the show, his career blew up and he travels, you know,

1461
01:11:22,439 --> 01:11:24,680
Speaker 1: when the world is not under lockdown. He travels all

1462
01:11:24,720 --> 01:11:26,720
Speaker 1: around the world. And you guy should see him when

1463
01:11:26,720 --> 01:11:29,160
Speaker 1: he comes to Italy because you'll see you recognize a

1464
01:11:29,160 --> 01:11:31,280
Speaker 1: lot of his music that was in scrubs. Another person

1465
01:11:31,320 --> 01:11:33,040
Speaker 1: I want to just mention was Colin Hay, who was

1466
01:11:33,120 --> 01:11:35,800
Speaker 1: really special for the show. And yeah, we're trying to

1467
01:11:35,800 --> 01:11:37,360
Speaker 1: get brandall. I need your help. By the way, the

1468
01:11:37,400 --> 01:11:41,120
Speaker 1: fans are all listening. Yes, I need to get Colin's

1469
01:11:41,160 --> 01:11:43,240
Speaker 1: information because we'd like to have him on for the

1470
01:11:43,280 --> 01:11:44,960
Speaker 1: episode he was on in season two.

1471
01:11:45,560 --> 01:11:48,919
Speaker 3: Okay, I get you. Whatever I had is my last contact.

1472
01:11:49,120 --> 01:11:51,200
Speaker 3: But Colin was a real friend of the show and

1473
01:11:51,680 --> 01:11:53,360
Speaker 3: fun and funny and had a good sense of humor

1474
01:11:53,360 --> 01:11:56,160
Speaker 3: about himself. There was a song I think it's in

1475
01:11:56,200 --> 01:11:59,880
Speaker 3: this season, the Christmas episode in Donald you are running

1476
01:12:00,080 --> 01:12:03,719
Speaker 3: and we play Centerman. Yeah, that song fels was super

1477
01:12:03,760 --> 01:12:07,360
Speaker 3: powerful in the episode. And and we were all disappointed

1478
01:12:07,360 --> 01:12:10,200
Speaker 3: when songs got changed out, particularly in those first couple

1479
01:12:10,160 --> 01:12:14,479
Speaker 3: of seasons, because we were sort of like the bastard

1480
01:12:14,520 --> 01:12:16,880
Speaker 3: step child over there and like always held to a

1481
01:12:17,000 --> 01:12:22,000
Speaker 3: very strict low budget number. We licensed a lot of

1482
01:12:22,080 --> 01:12:25,760
Speaker 3: songs not for forever. You know, when you license a

1483
01:12:25,760 --> 01:12:28,120
Speaker 3: song may have something called in perpetuity and all of

1484
01:12:28,160 --> 01:12:30,519
Speaker 3: the media that is now known or yet to be

1485
01:12:30,560 --> 01:12:34,040
Speaker 3: figured out, and you can keep the song in. So

1486
01:12:34,320 --> 01:12:36,519
Speaker 3: there's one and two. The music wasn't licensed that way,

1487
01:12:36,600 --> 01:12:39,280
Speaker 3: so we had to make some of those decisions about

1488
01:12:39,280 --> 01:12:40,360
Speaker 3: which baby kill.

1489
01:12:41,680 --> 01:12:41,840
Speaker 2: Say.

1490
01:12:41,880 --> 01:12:44,559
Speaker 1: I always assumed it was that I didn't know. What

1491
01:12:44,600 --> 01:12:46,880
Speaker 1: you're implying is that as the seasons go on, you

1492
01:12:47,000 --> 01:12:50,400
Speaker 1: then did shot started doing contracts that would cover streaming,

1493
01:12:50,560 --> 01:12:52,040
Speaker 1: but no one knew what streaming was at the.

1494
01:12:52,000 --> 01:12:56,080
Speaker 9: Time, exactly exactly, So like the first couple of seasons,

1495
01:12:56,360 --> 01:12:58,920
Speaker 9: the first couple of seasons, if the licensing has run

1496
01:12:58,920 --> 01:13:03,439
Speaker 9: out and then and they didn't renegotiate or sign on

1497
01:13:04,000 --> 01:13:05,760
Speaker 9: to continue the licensing.

1498
01:13:06,479 --> 01:13:08,599
Speaker 2: The network automatically just changed the song.

1499
01:13:09,080 --> 01:13:11,719
Speaker 3: Yeah. I mean I actually had to sit with music

1500
01:13:11,800 --> 01:13:15,800
Speaker 3: editor and music licensing for like a week or so

1501
01:13:16,080 --> 01:13:19,200
Speaker 3: after the seasons were over in the summertime to figure

1502
01:13:19,240 --> 01:13:21,760
Speaker 3: out like what songs were. Oh.

1503
01:13:21,840 --> 01:13:24,360
Speaker 1: I always wondered who was who was putting these songs on.

1504
01:13:24,479 --> 01:13:26,280
Speaker 1: We've we talked about that on the podcast that you

1505
01:13:26,280 --> 01:13:30,519
Speaker 1: don't listen to, But we always wondered, what what intern?

1506
01:13:30,760 --> 01:13:34,800
Speaker 1: What intern somewhere is choosing these like second best songs.

1507
01:13:35,200 --> 01:13:38,400
Speaker 3: It's it was an exercise and killing babies like everything.

1508
01:13:38,439 --> 01:13:40,799
Speaker 3: It was great. But they're like, they're like, you absolutely

1509
01:13:40,840 --> 01:13:43,880
Speaker 3: cannot have all of this. You know what do you

1510
01:13:43,920 --> 01:13:45,559
Speaker 3: want to save? Right?

1511
01:13:45,600 --> 01:13:49,960
Speaker 1: You're not gonna have Center Man forever. Wow, all right, ladies,

1512
01:13:50,000 --> 01:13:52,320
Speaker 1: we have to move on because death has to take

1513
01:13:52,360 --> 01:13:56,120
Speaker 1: his kids swimming. And but thank you. I I'm sorry

1514
01:13:56,120 --> 01:13:58,160
Speaker 1: that you're I feel sad that your two sisters that

1515
01:13:58,200 --> 01:14:00,479
Speaker 1: are separated. That's horrible.

1516
01:14:00,600 --> 01:14:02,120
Speaker 2: Is there anything you want to say to each other?

1517
01:14:02,200 --> 01:14:03,439
Speaker 1: Yeah? Is there anything want to say to each other

1518
01:14:03,439 --> 01:14:04,439
Speaker 1: while everyone's listening.

1519
01:14:04,640 --> 01:14:05,400
Speaker 2: It's a free call.

1520
01:14:06,080 --> 01:14:06,200
Speaker 4: Ye.

1521
01:14:09,160 --> 01:14:11,040
Speaker 6: We actually rehearsed it before.

1522
01:14:15,120 --> 01:14:16,400
Speaker 3: Can we take a picture with you.

1523
01:14:16,479 --> 01:14:17,280
Speaker 1: Yes, of course.

1524
01:14:17,400 --> 01:14:18,640
Speaker 2: Yeah, let me just get fresh for you.

1525
01:14:18,720 --> 01:14:19,280
Speaker 1: Let me get fresh.

1526
01:14:19,320 --> 01:14:19,680
Speaker 2: Here we go.

1527
01:14:21,680 --> 01:14:25,080
Speaker 1: Thank you, thank you, Thank you lady so much, Thank

1528
01:14:25,120 --> 01:14:30,000
Speaker 1: you be saying so much. Nineteen oh nine, in the

1529
01:14:30,040 --> 01:14:32,760
Speaker 1: Bowling Alley, two people on the left side of the

1530
01:14:32,760 --> 01:14:36,639
Speaker 1: screen spike the lens looked directly into the camera. I'm

1531
01:14:36,680 --> 01:14:37,040
Speaker 1: not sure.

1532
01:14:37,160 --> 01:14:39,840
Speaker 3: Oh my god, the Bowling Alley. Is that not the

1533
01:14:39,960 --> 01:14:45,559
Speaker 3: day when our prop man got stuck in the under Yes,

1534
01:14:45,640 --> 01:14:49,840
Speaker 3: it is. It does to retrieve the ball that he

1535
01:14:49,960 --> 01:14:51,400
Speaker 3: reached it it was proper set.

1536
01:14:51,320 --> 01:14:52,920
Speaker 1: Or Patrick my name Patrick Bolton.

1537
01:14:52,960 --> 01:14:55,640
Speaker 3: No, it wasn't. Wasn't because it was somebody who we

1538
01:14:55,800 --> 01:14:57,920
Speaker 3: laughed at much longer before we helped him. It was

1539
01:14:58,760 --> 01:15:01,600
Speaker 3: because the th the thing came down on him and

1540
01:15:01,680 --> 01:15:03,439
Speaker 3: we thought it was hilarious. It was like a cartoon.

1541
01:15:03,400 --> 01:15:05,479
Speaker 3: You just saw's legs kick it up, and then suddenly

1542
01:15:05,520 --> 01:15:08,000
Speaker 3: somebody was like, oh my god, we should.

1543
01:15:07,720 --> 01:15:13,559
Speaker 2: Probably take get him out of there. I remember. He

1544
01:15:13,600 --> 01:15:15,840
Speaker 2: wasn't with us very much longer after that either.

1545
01:15:16,080 --> 01:15:16,479
Speaker 3: He was.

1546
01:15:18,200 --> 01:15:20,040
Speaker 1: Soon after he hid rowdy in the ceiling.

1547
01:15:21,479 --> 01:15:24,560
Speaker 3: He went to that guy. That guy went to uh

1548
01:15:24,640 --> 01:15:26,200
Speaker 3: Jimmy Kimmel. Ah.

1549
01:15:26,360 --> 01:15:29,160
Speaker 1: Okay, So anyway, two people at the bowling eye, look

1550
01:15:29,240 --> 01:15:31,120
Speaker 1: right in the lens. If you're interested in your in

1551
01:15:31,200 --> 01:15:33,759
Speaker 1: your new hobby of finding people who spiked the lens.

1552
01:15:34,320 --> 01:15:36,719
Speaker 1: Donald you say, my baby knows how to knock him down.

1553
01:15:36,840 --> 01:15:37,479
Speaker 1: That was funny.

1554
01:15:38,120 --> 01:15:40,320
Speaker 2: My baby does know. Not that was a lot of

1555
01:15:40,360 --> 01:15:43,320
Speaker 2: fun I don't remember. Okay, like most episodes we've watched

1556
01:15:43,360 --> 01:15:46,320
Speaker 2: so far, when watching this, I didn't remember any of it.

1557
01:15:46,840 --> 01:15:48,840
Speaker 2: And I thought that was the cutest thing. I thought

1558
01:15:48,920 --> 01:15:51,599
Speaker 2: Turk and Carla was so cute and so on point

1559
01:15:52,080 --> 01:15:56,280
Speaker 2: for the joke when JD's like, you know, couples go

1560
01:15:56,400 --> 01:15:58,640
Speaker 2: through this, this is what happens. Name show me a

1561
01:15:58,640 --> 01:16:01,479
Speaker 2: happy couple, and then away you see Turk and Carla

1562
01:16:01,600 --> 01:16:02,560
Speaker 2: enjoying themselves.

1563
01:16:02,720 --> 01:16:04,120
Speaker 3: Yeah, yes, that was wonderful.

1564
01:16:04,240 --> 01:16:06,400
Speaker 1: And they're so sweet together. I mean, you just you

1565
01:16:06,520 --> 01:16:08,400
Speaker 1: just love them. And then especially of course, when you

1566
01:16:08,400 --> 01:16:11,479
Speaker 1: cut to the documentary footage thing and they're you know,

1567
01:16:11,600 --> 01:16:14,679
Speaker 1: and they're being so adorable and and and both saying

1568
01:16:14,680 --> 01:16:15,680
Speaker 1: how much they love each other.

1569
01:16:16,120 --> 01:16:19,599
Speaker 2: No, and you're rooting for them yeah yeah, yeah, and

1570
01:16:19,640 --> 01:16:22,879
Speaker 2: not necessarily for Elliott and j D in this episode,

1571
01:16:22,920 --> 01:16:24,880
Speaker 2: even though it starts off where you're rooting for them.

1572
01:16:24,920 --> 01:16:28,679
Speaker 2: You can tell, uh, once it gets to the bad times,

1573
01:16:28,720 --> 01:16:32,160
Speaker 2: you're like, wow, these guys really aren't good for each other.

1574
01:16:32,280 --> 01:16:35,600
Speaker 2: Went sour so quick though, very well, you only have

1575
01:16:35,600 --> 01:16:37,040
Speaker 2: a half an hour to tell the story.

1576
01:16:37,120 --> 01:16:39,080
Speaker 1: No, I'm saying like, in the world of the show,

1577
01:16:39,160 --> 01:16:41,160
Speaker 1: they dated for like in two weeks and then they

1578
01:16:41,160 --> 01:16:42,160
Speaker 1: were like, this isn't working.

1579
01:16:42,880 --> 01:16:45,880
Speaker 3: But I think that was acision by Bill because he wanted,

1580
01:16:46,040 --> 01:16:50,880
Speaker 3: you know, he didn't want to have that protracted will

1581
01:16:50,960 --> 01:16:53,840
Speaker 3: they Yeah, they will, they won't they the friends thing,

1582
01:16:54,240 --> 01:16:54,760
Speaker 3: you know, and.

1583
01:16:54,800 --> 01:16:55,960
Speaker 1: Then he ended up doing it anyway.

1584
01:16:56,640 --> 01:16:59,639
Speaker 2: Yes, well, but that's it works well even at the end, right,

1585
01:16:59,800 --> 01:17:04,120
Speaker 2: But even at the end of the episode, you say,

1586
01:17:04,600 --> 01:17:06,519
Speaker 2: you know that the therap do I think it'll work?

1587
01:17:06,960 --> 01:17:07,200
Speaker 3: Yeah?

1588
01:17:07,240 --> 01:17:12,080
Speaker 2: I do. And JD's right. JD's right, it does work.

1589
01:17:12,560 --> 01:17:15,760
Speaker 2: It just doesn't work at that moment in time. In

1590
01:17:15,840 --> 01:17:20,040
Speaker 2: the long run, in the in the grand scheme of things,

1591
01:17:20,880 --> 01:17:22,360
Speaker 2: these two are meant to be together.

1592
01:17:22,439 --> 01:17:24,760
Speaker 1: So sad though I was, I was sad watching it

1593
01:17:24,800 --> 01:17:26,599
Speaker 1: that the two people who love each other who can't

1594
01:17:26,720 --> 01:17:29,800
Speaker 1: I'm just a sucker for unrequited love and and love

1595
01:17:29,840 --> 01:17:32,160
Speaker 1: that cannot be And here's two people that we want

1596
01:17:32,200 --> 01:17:33,960
Speaker 1: to be together, but they can't.

1597
01:17:34,200 --> 01:17:37,080
Speaker 2: But that's when Harry met Sally. Like you said, that's it,

1598
01:17:37,120 --> 01:17:39,160
Speaker 2: That's when Harry met Sally all over again, you know

1599
01:17:39,200 --> 01:17:42,200
Speaker 2: what I mean? Like, that's such one of my favorite

1600
01:17:42,280 --> 01:17:44,040
Speaker 2: that's first of all one of my favorite movies Billy

1601
01:17:44,080 --> 01:17:48,400
Speaker 2: Crystal and Meg Ryan. But that story is great, you know.

1602
01:17:49,840 --> 01:17:52,960
Speaker 1: It reminds me of that Fiona Apple lyric when she says,

1603
01:17:53,200 --> 01:17:56,240
Speaker 1: only kisses on the cheek from now on.

1604
01:17:56,520 --> 01:18:03,759
Speaker 7: And in a little woly they have to wave, no, no,

1605
01:18:06,640 --> 01:18:09,240
Speaker 7: all right, if I need you, I'll just use your

1606
01:18:09,479 --> 01:18:10,599
Speaker 7: simple name.

1607
01:18:11,080 --> 01:18:12,680
Speaker 1: Keep going. Finish it.

1608
01:18:13,520 --> 01:18:18,600
Speaker 2: Only kisses on the cheek from now on and in

1609
01:18:18,720 --> 01:18:22,320
Speaker 2: a little while, we'll only have to wave.

1610
01:18:22,880 --> 01:18:25,320
Speaker 1: That's so fucked up. They don't have to wave. Hey,

1611
01:18:25,479 --> 01:18:26,919
Speaker 1: how you doing? Hey?

1612
01:18:27,560 --> 01:18:30,360
Speaker 2: I remember breaking up with someone and then going to

1613
01:18:30,479 --> 01:18:33,320
Speaker 2: give them a kiss and they gave me the cheek,

1614
01:18:33,360 --> 01:18:36,280
Speaker 2: and being like, yeah, that's probably where what I should.

1615
01:18:36,280 --> 01:18:38,160
Speaker 2: We should probably gets on a cheek from one one

1616
01:18:38,200 --> 01:18:40,400
Speaker 2: oh yeah, and now I just wave.

1617
01:18:40,560 --> 01:18:42,639
Speaker 1: The last thing I want to say is that when

1618
01:18:42,680 --> 01:18:45,160
Speaker 1: I liked how Judy a her delivering and also the writing.

1619
01:18:45,160 --> 01:18:48,880
Speaker 1: When she she ends the documentary section and she says

1620
01:18:49,320 --> 01:18:52,479
Speaker 1: he seems to like who I am and I just

1621
01:18:52,520 --> 01:18:55,880
Speaker 1: thought that was so sweet, Like, you know, all bullshit aside,

1622
01:18:56,200 --> 01:18:59,400
Speaker 1: it seems like he genuinely likes who I genuinely am,

1623
01:18:59,479 --> 01:19:03,599
Speaker 1: and I just thought that was really pretty. Yeah, man, Randall,

1624
01:19:03,720 --> 01:19:04,960
Speaker 1: you've been a phenomenal guest.

1625
01:19:06,320 --> 01:19:07,200
Speaker 3: Thank you for having me.

1626
01:19:07,160 --> 01:19:08,840
Speaker 1: I feel like we're one step away from getting in

1627
01:19:08,880 --> 01:19:10,920
Speaker 1: your car with you, so we want to let you go.

1628
01:19:11,840 --> 01:19:14,880
Speaker 2: We should you just promise us she'll come back.

1629
01:19:14,920 --> 01:19:16,639
Speaker 1: And do you come back? Randall? I feel like you're

1630
01:19:16,640 --> 01:19:20,920
Speaker 1: gonna be a fan favorite, because delight here, Randall. Randall,

1631
01:19:20,960 --> 01:19:23,160
Speaker 1: do you use a washcloth in the shower? Uh?

1632
01:19:23,600 --> 01:19:23,880
Speaker 3: Yes?

1633
01:19:24,240 --> 01:19:25,639
Speaker 1: Okay, Randall's black, dude.

1634
01:19:25,640 --> 01:19:28,479
Speaker 2: I'm trying to tell you this. I'm trying to tell

1635
01:19:28,520 --> 01:19:31,320
Speaker 2: you this. All black people use wash cloths.

1636
01:19:31,520 --> 01:19:36,000
Speaker 1: We have a house, right, Randall? We love you. You can

1637
01:19:36,000 --> 01:19:38,120
Speaker 1: count us into our theme song. Thank you everybody for

1638
01:19:38,160 --> 01:19:40,720
Speaker 1: listening to Fake Doctor's Real Friends. Randall count us in

1639
01:19:41,479 --> 01:19:48,080
Speaker 1: three two one. Now. He doesn't listen to the doesn't

1640
01:19:48,080 --> 01:19:54,160
Speaker 1: listen to the podcast. He's been outed. He's just been outed,

1641
01:19:54,240 --> 01:19:55,040
Speaker 1: you guys.

1642
01:19:55,200 --> 01:19:58,559
Speaker 2: He doesn't listen to the podcast six seven eight.

1643
01:19:58,479 --> 01:20:04,080
Speaker 4: S that show we made about a bunch of talks

1644
01:20:04,080 --> 01:20:05,839
Speaker 4: and nurses in Canada.

1645
01:20:06,120 --> 01:20:09,519
Speaker 5: Nov I said, here's a story next.

1646
01:20:09,560 --> 01:20:15,120
Speaker 7: All should know, so gather round you here, up, gather

1647
01:20:15,439 --> 01:20:17,200
Speaker 7: round you here, up scuse me.

1648
01:20:17,720 --> 01:20:18,799
Speaker 1: Shows and