1 00:00:00,040 --> 00:00:13,400 Speaker 1: Yes, Brandon being an Iron Rapports Stereo podcast is here, Katie, 2 00:00:13,440 --> 00:00:17,440 Speaker 1: have no fear on today's Brandon Banging I Am Rappaport 3 00:00:17,520 --> 00:00:21,159 Speaker 1: Stereo Punts, going solo on the mic, breaking down the 4 00:00:21,239 --> 00:00:25,880 Speaker 1: week at large, Happy Russia, Shanna, Happy New Year, talking 5 00:00:25,920 --> 00:00:29,880 Speaker 1: about fasting or not fasting for Young kippor All My 6 00:00:29,960 --> 00:00:34,160 Speaker 1: Way to Minnesota talking about how the mood stabilizers sometimes 7 00:00:34,200 --> 00:00:38,040 Speaker 1: are not enough and you need to dig deep and 8 00:00:38,080 --> 00:00:40,120 Speaker 1: do a little better and do a little more for 9 00:00:40,159 --> 00:00:44,200 Speaker 1: yourself when you're not feeling mentally okay and talking shit 10 00:00:44,320 --> 00:00:48,159 Speaker 1: about whiney ass vegetarians and their fake tune Official. It's 11 00:00:48,159 --> 00:00:52,240 Speaker 1: a fantastic, hard hitting classic back to basics. I Am 12 00:00:52,360 --> 00:00:56,400 Speaker 1: Rappaport Stereo Podcast coming at you right now. Miles Jordan 13 00:00:56,480 --> 00:01:00,480 Speaker 1: Ak the Bleaks a k a. The Dust Brothers, start 14 00:01:00,520 --> 00:01:02,680 Speaker 1: to puppy up with something real nice. Start this puppy 15 00:01:02,720 --> 00:01:05,039 Speaker 1: up with something real but most impoorly Miles, turn that 16 00:01:05,160 --> 00:01:08,280 Speaker 1: ship up and start just pupping up with something real punky. 17 00:01:08,360 --> 00:01:11,880 Speaker 1: This is the Iron Wrap Reports Stereo Pocket. Let's fucking go. 18 00:01:23,200 --> 00:01:30,720 Speaker 1: Oh yeah, I'll say it again, Oh giggy Yeah, have 19 00:01:30,880 --> 00:01:35,080 Speaker 1: no fear of the Iron rapp Reports stereo podcast is here. 20 00:01:35,080 --> 00:01:39,960 Speaker 1: The Iron wrap Port stereo podcast is in Cucasa. I 21 00:01:40,040 --> 00:01:43,560 Speaker 1: hope everybody's feeling good. Hope everybody's feeling safe. Hope everybody 22 00:01:43,640 --> 00:01:48,160 Speaker 1: is feeling sane. Welcome to the Iron Dome of Disruption. 23 00:01:48,200 --> 00:01:52,800 Speaker 1: Welcome to the Ziggity do Zignity designity Zone of disruption. 24 00:01:54,280 --> 00:01:56,400 Speaker 1: Name is Michael Rapp Report a k a. The Gringo 25 00:01:56,480 --> 00:01:59,680 Speaker 1: man Dingo a k. The Salting of Sniff a k 26 00:02:00,120 --> 00:02:07,600 Speaker 1: inflamed Oshka Nazi a k. The Raging Bullshitter. Hope everybody 27 00:02:07,720 --> 00:02:13,560 Speaker 1: is doing well. Welcome to the month of October. You 28 00:02:13,560 --> 00:02:19,680 Speaker 1: can believe that's coming to the end. Twenty twenty two 29 00:02:19,680 --> 00:02:24,960 Speaker 1: will be gone before we know it, folks, which is wild, 30 00:02:26,880 --> 00:02:32,639 Speaker 1: really really wild, but it's it's happening. It is happening. 31 00:02:33,000 --> 00:02:37,920 Speaker 1: We are one week into the month of October, and 32 00:02:37,919 --> 00:02:40,119 Speaker 1: like I said from the top, from the tickety tikety top, 33 00:02:40,560 --> 00:02:44,359 Speaker 1: hope everybody's feeling good. Hope everybody's feeling safe. Hope everybody 34 00:02:44,440 --> 00:02:50,800 Speaker 1: is feeling saying. It's been a fantastic holiday week for 35 00:02:50,840 --> 00:02:56,160 Speaker 1: all my Jewish folk. Happy yum Kipoor, Happy Russia, shot 36 00:02:56,200 --> 00:03:00,919 Speaker 1: a Happy New Year, Russia. Shanta is of course the 37 00:03:00,919 --> 00:03:05,200 Speaker 1: the new year, and uh young Kippor is when we 38 00:03:05,480 --> 00:03:10,080 Speaker 1: repent and uh fast on Young Kipor. A lot of 39 00:03:10,080 --> 00:03:13,679 Speaker 1: people were asking me if I fasted on Young Kippor, 40 00:03:14,960 --> 00:03:18,079 Speaker 1: which was just a couple of days ago, and I said, no, 41 00:03:18,160 --> 00:03:19,960 Speaker 1: I'm not there yet. I'm not I'm not at the 42 00:03:20,000 --> 00:03:25,839 Speaker 1: point where I'm fasting on Yum Kippor. And then I realized, 43 00:03:26,880 --> 00:03:29,560 Speaker 1: after being asked if I was fasting on Yum Kipor, 44 00:03:30,040 --> 00:03:34,360 Speaker 1: that it made me feel guilty about not fasting on 45 00:03:34,520 --> 00:03:37,880 Speaker 1: Yum Kippor, and then I needed to repent because I 46 00:03:37,920 --> 00:03:40,840 Speaker 1: was a bad Jew. It just a sick, sick cycle 47 00:03:40,880 --> 00:03:43,880 Speaker 1: of Jewish guilt because I'm not fasting on Yum Kippor? 48 00:03:44,560 --> 00:03:49,000 Speaker 1: Am I a bad Jew? Should I be fasting? And 49 00:03:49,040 --> 00:03:51,120 Speaker 1: while I'm saying to myself should I be fasting, I'm 50 00:03:51,160 --> 00:03:55,480 Speaker 1: stuffing my face with a I don't know, a chickpea 51 00:03:56,280 --> 00:04:00,320 Speaker 1: tuna fish sandwich. I was eating a tuna fish sandwich. 52 00:04:00,360 --> 00:04:02,360 Speaker 1: It wasn't even tuna fish. Why do we call it 53 00:04:02,400 --> 00:04:06,160 Speaker 1: tuna fish if it's not really tune whatever I was 54 00:04:06,200 --> 00:04:11,040 Speaker 1: eating at this vegan cafe, it was great. It was 55 00:04:11,080 --> 00:04:13,440 Speaker 1: great because I said to her what's the tuna fish 56 00:04:13,440 --> 00:04:15,160 Speaker 1: sandwich like? And she's like, it's on this kind of 57 00:04:15,200 --> 00:04:17,200 Speaker 1: bread and pupap up up on it's chickpea. I said. 58 00:04:17,320 --> 00:04:19,120 Speaker 1: It comes to chickenpiece and goes, no, it's chickpeas, And 59 00:04:19,160 --> 00:04:22,400 Speaker 1: I go, why don't we just call it chick piece 60 00:04:22,400 --> 00:04:25,159 Speaker 1: because it's obviously it's not tuna fish. This is a 61 00:04:25,240 --> 00:04:29,039 Speaker 1: vegan or vegetarian restaurant. Like I said, whatever I was 62 00:04:29,040 --> 00:04:34,880 Speaker 1: eating that they disguised as tuna fish tasted fantastic. I 63 00:04:34,920 --> 00:04:37,000 Speaker 1: didn't need to be like, I'm not thinking of myself. 64 00:04:37,040 --> 00:04:39,800 Speaker 1: I'm eating real tunic. I just don't get it with 65 00:04:39,839 --> 00:04:45,760 Speaker 1: the vegans. Call it what it is. It's soy something 66 00:04:45,839 --> 00:04:48,360 Speaker 1: that looks like bacon. It's not soy bacon. It's soy 67 00:04:48,520 --> 00:04:53,080 Speaker 1: something that looks like bacon. It's not an impossible burger. 68 00:04:53,560 --> 00:04:57,520 Speaker 1: It's some a maglamation, some concoction of net. Let me 69 00:04:57,560 --> 00:04:59,200 Speaker 1: tell you something, You might as well lead a real 70 00:04:59,279 --> 00:05:04,240 Speaker 1: fucking burger, a king burger, than these impossible burgers. If 71 00:05:04,279 --> 00:05:11,120 Speaker 1: you think you're doing yourself a real favor eating an 72 00:05:11,160 --> 00:05:17,120 Speaker 1: impossible burger, you're not. It's catching up to Billy Gates 73 00:05:17,160 --> 00:05:21,320 Speaker 1: and all these people that those impossible burgers. That is 74 00:05:21,360 --> 00:05:24,240 Speaker 1: an impossible burger because whatever the fuck is in there 75 00:05:26,279 --> 00:05:28,560 Speaker 1: that is not having us like I don't know, grow 76 00:05:28,640 --> 00:05:33,080 Speaker 1: wings or tails or who the funk knows. That's an 77 00:05:33,120 --> 00:05:36,919 Speaker 1: impossibility because those I don't know what kind of they're like, 78 00:05:36,960 --> 00:05:39,360 Speaker 1: well it it bleeds red like a real burger, So 79 00:05:39,520 --> 00:05:49,039 Speaker 1: what it's a chemically modified concoction. Just eat a burger 80 00:05:49,520 --> 00:05:55,159 Speaker 1: or don't eat burgers. I don't understand these vegans, these vegetarians. 81 00:05:55,160 --> 00:05:58,280 Speaker 1: And yes I leaned towards vegetarian, but I ain't know vegetarian. 82 00:05:58,600 --> 00:06:04,799 Speaker 1: My wife leans towards vegetarian, but she ain't no hard 83 00:06:04,880 --> 00:06:08,200 Speaker 1: body karate vegetarian. The only hard body karate vegetarian I 84 00:06:08,200 --> 00:06:10,039 Speaker 1: know is my man Toby Morris. From the group aged 85 00:06:10,040 --> 00:06:12,359 Speaker 1: to a shout out to my man Toby, and I 86 00:06:12,360 --> 00:06:14,719 Speaker 1: tell him to his face, and he's even off the 87 00:06:14,720 --> 00:06:19,320 Speaker 1: impossible burghers. But let's cut the ship. I had a 88 00:06:19,360 --> 00:06:25,920 Speaker 1: fantastic chickpea sandwich light healthy, and two people said, oh, 89 00:06:25,960 --> 00:06:30,480 Speaker 1: you're not not fasting today, rap I said, no, No, 90 00:06:31,040 --> 00:06:33,520 Speaker 1: You see the fucking you see the fake tuna fish, 91 00:06:33,640 --> 00:06:36,359 Speaker 1: you see it, you see it in my hand. You 92 00:06:36,400 --> 00:06:39,680 Speaker 1: see me at the cafe. What the funk are you doing? 93 00:06:39,720 --> 00:06:41,840 Speaker 1: I don't see, well, I don't. You're not in temple, 94 00:06:42,120 --> 00:06:45,479 Speaker 1: you're not in synagogue. What are you worrying about what 95 00:06:45,520 --> 00:06:48,880 Speaker 1: I'm doing? Worry about what you're doing? You know what 96 00:06:48,880 --> 00:06:53,359 Speaker 1: I'm saying, Babe. Now I'm gonna share something with the 97 00:06:53,400 --> 00:06:56,640 Speaker 1: listeners of the Iron Rap por stereo podcas. My wife, 98 00:06:56,760 --> 00:07:04,800 Speaker 1: who's black, is more knowledgeable and leans more towards being 99 00:07:04,839 --> 00:07:09,239 Speaker 1: a Jew than I do. She understands it, she's curious 100 00:07:09,279 --> 00:07:12,480 Speaker 1: about it before me. It's not like she's interested in 101 00:07:12,520 --> 00:07:15,880 Speaker 1: it for me, because, as you can tell, I've talked 102 00:07:15,880 --> 00:07:18,080 Speaker 1: to you about it. I don't know my fucking head 103 00:07:19,280 --> 00:07:21,640 Speaker 1: from my tails when it comes to like the intricacies 104 00:07:21,640 --> 00:07:23,440 Speaker 1: of being a Jew. But it is in my soul, 105 00:07:23,520 --> 00:07:26,720 Speaker 1: it is in my my dna. But all the uh, 106 00:07:27,360 --> 00:07:31,240 Speaker 1: the rules and regulations, I don't know. But I'm a 107 00:07:31,320 --> 00:07:37,240 Speaker 1: frontline Jew. I'm a frontline Jew, unlike somebody's bar Mitzford 108 00:07:37,320 --> 00:07:42,000 Speaker 1: Fox who might be fasting. They might have fast on 109 00:07:42,160 --> 00:07:44,840 Speaker 1: young Kip Poor. But when it comes to stand up, 110 00:07:45,920 --> 00:07:49,600 Speaker 1: when it comes to speaking out, I hear nothing. I 111 00:07:49,600 --> 00:07:52,400 Speaker 1: don't know what I'm talking. What I'm talking about is 112 00:07:53,360 --> 00:07:56,520 Speaker 1: the chickpea sandwich that I had and being shamed not once, 113 00:07:56,560 --> 00:08:00,560 Speaker 1: but twice, two times, two funking times in forty five minutes. 114 00:08:02,120 --> 00:08:04,480 Speaker 1: By look, you lose passer by yo rap oh yo. 115 00:08:04,600 --> 00:08:08,440 Speaker 1: You're not fast. No, I'm not fasting. I'm enjoying this sandwich. 116 00:08:08,440 --> 00:08:13,440 Speaker 1: It's a great sandwich. Keep it fucking moving, man, keep 117 00:08:13,440 --> 00:08:19,680 Speaker 1: it trucking. Bro. I put my wife on the on 118 00:08:19,720 --> 00:08:22,480 Speaker 1: this conversation, but the microphone she's too far away. She's 119 00:08:22,520 --> 00:08:25,400 Speaker 1: she's now, she's, she's, she's too far away. Gotta be 120 00:08:25,440 --> 00:08:28,120 Speaker 1: on the mic baby, you can be on the podcast. 121 00:08:28,120 --> 00:08:31,000 Speaker 1: You're gonna You don't want to piss off the Dust Brothers, 122 00:08:31,200 --> 00:08:37,000 Speaker 1: especially Miles Davis, sound engineer extraordinaire of the Iron Rap 123 00:08:37,120 --> 00:08:41,200 Speaker 1: Reports stereo podcast. People continue to ask why is it 124 00:08:41,640 --> 00:08:45,280 Speaker 1: the im Wrap Ports stereo podcast Number one It sounds fantastic. 125 00:08:46,559 --> 00:08:53,480 Speaker 1: Number two is inspired by Tribe Call Quests first album, 126 00:08:53,480 --> 00:08:59,040 Speaker 1: People's Instinctive Travels and the Paths of Rhythm, which, by 127 00:08:59,120 --> 00:09:01,439 Speaker 1: the way, if you haven't listen to that album by 128 00:09:02,000 --> 00:09:04,440 Speaker 1: a Tribe Call Quest, do yourself a favor and listen 129 00:09:04,480 --> 00:09:08,960 Speaker 1: to it top to bottom. Excellent album People's Instinctive Travels 130 00:09:09,000 --> 00:09:13,440 Speaker 1: and the Paths of Rhythm, long title which inspired the 131 00:09:13,520 --> 00:09:17,040 Speaker 1: documentary that I did about a tribe call Quest beats 132 00:09:17,120 --> 00:09:20,440 Speaker 1: rhymes in life, the Travels of a tribe called Quest. 133 00:09:21,440 --> 00:09:24,199 Speaker 1: What am I even talking about? I can't even remember 134 00:09:24,240 --> 00:09:25,720 Speaker 1: what the funk I was talking. Well, I could tell 135 00:09:25,760 --> 00:09:29,880 Speaker 1: you one thing. I can tell you one thing. If 136 00:09:29,880 --> 00:09:33,160 Speaker 1: you haven't listened to that entire Tribe album, you need 137 00:09:33,200 --> 00:09:34,959 Speaker 1: to do yourself a favor and listen to it. As 138 00:09:34,960 --> 00:09:38,120 Speaker 1: I said, top to bottom, not on shuffle, listen to 139 00:09:38,160 --> 00:09:40,920 Speaker 1: it the way they crafted it. Excellent album. You know 140 00:09:40,960 --> 00:09:48,960 Speaker 1: these dudes were seventeen, eighteen, sixteen, and fifteen to Tip 141 00:09:49,000 --> 00:09:52,360 Speaker 1: wrote Beneath apple Bum when he was fifteen years old. 142 00:09:54,000 --> 00:09:58,199 Speaker 1: Think about that, think about that ship. And if you 143 00:09:58,240 --> 00:09:59,920 Speaker 1: listen to the song, that's the song of a fift 144 00:10:00,240 --> 00:10:02,720 Speaker 1: sixteen year old beneath apple Bump about a girl with 145 00:10:02,760 --> 00:10:08,200 Speaker 1: a fat ass. That is a classic fucking song. And 146 00:10:08,240 --> 00:10:14,280 Speaker 1: that's just a classic classic record. Anyway you hear the 147 00:10:14,320 --> 00:10:18,920 Speaker 1: footprints from Tropical Quest, people just think of Travels and 148 00:10:19,000 --> 00:10:38,600 Speaker 1: the Paths a Rhythm podcast. I am recording this podcast 149 00:10:38,640 --> 00:10:43,360 Speaker 1: and I'm be getting on a plane too Minnesota and 150 00:10:43,480 --> 00:10:47,679 Speaker 1: I will be performing at the Marvelous Mall of America 151 00:10:49,080 --> 00:10:54,400 Speaker 1: all weekend the sixth, seventh, and eighth at the House 152 00:10:54,400 --> 00:10:57,520 Speaker 1: of Comedy in Bloomington, Minnesota, and I will be walking 153 00:10:57,559 --> 00:11:02,920 Speaker 1: around the mall, meeting and greeting anybody who approaches me. 154 00:11:04,200 --> 00:11:07,160 Speaker 1: And then I'm actually gonna be in New York next 155 00:11:07,200 --> 00:11:09,839 Speaker 1: week because I'm gonna be doing some stuff at Bravo Con, 156 00:11:09,880 --> 00:11:13,719 Speaker 1: which is my pleasure. And then the rest of October 157 00:11:14,200 --> 00:11:21,880 Speaker 1: October one, I'll be performing in Austin, Texas. Austin, Texas. 158 00:11:21,960 --> 00:11:24,520 Speaker 1: The last time I was in Austin, Texas, it was 159 00:11:24,600 --> 00:11:27,679 Speaker 1: with the Bleacher Brothers. I can't remember what it was for. 160 00:11:27,840 --> 00:11:30,440 Speaker 1: It was with the Dust Brothers. There was some event 161 00:11:30,559 --> 00:11:33,880 Speaker 1: we were doing out there, podcasting. I remember we podcast 162 00:11:33,960 --> 00:11:36,280 Speaker 1: with Karan Butler out there. I believe, I know I'm 163 00:11:36,360 --> 00:11:41,160 Speaker 1: podcasted with Kenyan Martin out there. But every time I 164 00:11:41,160 --> 00:11:43,880 Speaker 1: go to Austin, it's like, you know, boom boom, It's 165 00:11:43,920 --> 00:11:46,319 Speaker 1: in and out. I've never really been able to get 166 00:11:46,320 --> 00:11:50,160 Speaker 1: the field for Austin. Everyone really to, you know, get 167 00:11:50,160 --> 00:11:53,960 Speaker 1: a handle on Austin. But I'll be performing at Capital 168 00:11:54,000 --> 00:12:01,200 Speaker 1: City Comedy October and the twenty second, the twenty one, 169 00:12:01,320 --> 00:12:04,040 Speaker 1: and the two and then I will be doing a 170 00:12:04,200 --> 00:12:09,600 Speaker 1: run in Michigan. I'll be in Royal Oak, Michigan the 171 00:12:09,720 --> 00:12:15,439 Speaker 1: third at the Park Theater. I'll be in Grand Rapids 172 00:12:15,520 --> 00:12:20,480 Speaker 1: the fourth and the fifth at the Grand Rapids Comedy 173 00:12:20,480 --> 00:12:23,880 Speaker 1: Club the fourth and the fifth November, and then on Sunday. 174 00:12:23,960 --> 00:12:27,720 Speaker 1: One of the shows has already sold out. Okay, one 175 00:12:27,720 --> 00:12:29,959 Speaker 1: of the fucking shows has already sold It's sold out 176 00:12:30,000 --> 00:12:34,640 Speaker 1: like a month ago. I will be in Royal Oak 177 00:12:35,360 --> 00:12:40,160 Speaker 1: at the Comedy Castle on Sunday the sixth. The first 178 00:12:40,160 --> 00:12:44,240 Speaker 1: show is done. I was like, well, we're doing another 179 00:12:44,240 --> 00:12:48,280 Speaker 1: fucking show. Well, we're going back to back on a Sunday. 180 00:12:48,320 --> 00:12:50,240 Speaker 1: It's gonna be a busy weekend, but we're going back 181 00:12:50,240 --> 00:12:52,600 Speaker 1: to back because when I sell out like early like that, 182 00:12:52,640 --> 00:12:57,079 Speaker 1: I'm like, yo, we're doubling up. Anyway. After that, I'll 183 00:12:57,080 --> 00:13:05,280 Speaker 1: be in St. Louis Helium Conn Club UH eighteenth, and 184 00:13:05,280 --> 00:13:07,559 Speaker 1: and then I'll be in Miami anyway. All tickets, all 185 00:13:07,559 --> 00:13:10,840 Speaker 1: information is available at Michael Rappaport Comedy dot com. Michael 186 00:13:11,320 --> 00:13:14,760 Speaker 1: Rappaport Comedy dot com. All my shows for the rest 187 00:13:14,800 --> 00:13:18,880 Speaker 1: of twenty twenty two are up there. But like I said, 188 00:13:18,920 --> 00:13:22,520 Speaker 1: I'll be in Minnesota this weekend, and then in a 189 00:13:22,600 --> 00:13:26,280 Speaker 1: week and a half I'll be in Austin at the 190 00:13:26,360 --> 00:13:31,360 Speaker 1: Capital City Comedy. What's in Austin? I want to know 191 00:13:31,440 --> 00:13:33,120 Speaker 1: what's cracking in Austin. I want to I want to 192 00:13:33,160 --> 00:13:35,800 Speaker 1: see what's so great about Austin. I want to learn 193 00:13:35,840 --> 00:13:44,000 Speaker 1: about what's popping in Austin, Texas, because there everybody loves Austin, Texas. 194 00:13:44,840 --> 00:13:52,439 Speaker 1: You're the sirens out there in New York. Yeah, what 195 00:13:52,600 --> 00:13:56,600 Speaker 1: is that? The Hotsla? What is it? A fucking uh? 196 00:13:57,600 --> 00:14:01,839 Speaker 1: Those motherfucking hotslas? You know, the Hotsla? Is is the uh, 197 00:14:01,960 --> 00:14:06,959 Speaker 1: the Jewish police. It's the independent Jewish police fireman. They 198 00:14:07,080 --> 00:14:09,480 Speaker 1: blast their fuckings. They don't care, they don't care if 199 00:14:09,480 --> 00:14:13,079 Speaker 1: it's Russias Shanna. They're they're gonna get through that traffic. 200 00:14:13,120 --> 00:14:16,880 Speaker 1: They blast their sirens more than F D N Y 201 00:14:17,120 --> 00:14:22,440 Speaker 1: or N Y p D or l A p D respectfully. Anyway, 202 00:14:23,720 --> 00:14:27,680 Speaker 1: I'm feeling real good. Like I said, it's been raining 203 00:14:28,440 --> 00:14:30,360 Speaker 1: that rain four or five days, and it has been 204 00:14:30,360 --> 00:14:33,400 Speaker 1: like a storm. No disrespect and shout out to anybody 205 00:14:33,400 --> 00:14:35,840 Speaker 1: who's been affected, anybody whose family has been affected by 206 00:14:35,880 --> 00:14:40,320 Speaker 1: these terrible hurricanes in Florida. That they were just dealing with. 207 00:14:41,040 --> 00:14:43,160 Speaker 1: But just when it rains five days in a row 208 00:14:44,520 --> 00:14:46,400 Speaker 1: and it's kind of raining, but you're kind of in 209 00:14:46,400 --> 00:14:48,640 Speaker 1: denial like it's gonna stop, but it just don't stop. 210 00:14:49,600 --> 00:14:52,880 Speaker 1: The point is is that I woke up, I worked out. Okay, 211 00:14:53,800 --> 00:14:55,840 Speaker 1: I'm trying to get my short workout sound because I 212 00:14:55,840 --> 00:14:59,160 Speaker 1: feel like I have a good grasp on my longer workouts. 213 00:14:59,160 --> 00:15:04,200 Speaker 1: But I've also realize if I don't do something, whether 214 00:15:04,240 --> 00:15:08,600 Speaker 1: it's just I don't know, some deep fucking stretching, some squats, 215 00:15:09,720 --> 00:15:13,920 Speaker 1: a walk, I don't feel right. I'm at that point 216 00:15:13,960 --> 00:15:17,560 Speaker 1: I need I need that bump, I need that sweat, 217 00:15:17,600 --> 00:15:21,400 Speaker 1: I need that something. So now I'm trying to master 218 00:15:21,520 --> 00:15:25,840 Speaker 1: like the twenty minute workout in the crib in the 219 00:15:25,920 --> 00:15:29,160 Speaker 1: hotel room, because like I said, I'm gonna be on tour. 220 00:15:29,440 --> 00:15:31,440 Speaker 1: And that's when you really got to buckle down, because 221 00:15:31,440 --> 00:15:34,240 Speaker 1: you're that Mall of America you walk through there. They 222 00:15:34,280 --> 00:15:38,200 Speaker 1: got every fucking thing to eat, and none of it's 223 00:15:38,240 --> 00:15:42,840 Speaker 1: good for you. None of it's good for you. I mean, 224 00:15:42,880 --> 00:15:46,240 Speaker 1: they got everything in there. So you want to get 225 00:15:46,240 --> 00:15:48,440 Speaker 1: that workout and you want to move your fucking body, 226 00:15:48,640 --> 00:15:51,840 Speaker 1: move your body. You've got to move your body. You've 227 00:15:51,840 --> 00:15:57,120 Speaker 1: got to move move your body. The point is is 228 00:15:57,160 --> 00:15:59,200 Speaker 1: that for me, it's very important to just to do 229 00:15:59,320 --> 00:16:01,680 Speaker 1: something because if I start the day off with some 230 00:16:01,760 --> 00:16:04,200 Speaker 1: sort of exercise, start to deal with some sort of 231 00:16:04,200 --> 00:16:07,400 Speaker 1: physical fitness, it keeps me on the path of eating good, 232 00:16:07,640 --> 00:16:12,840 Speaker 1: feeling good, mentally good because full transparency. The other day, 233 00:16:13,320 --> 00:16:18,360 Speaker 1: I didn't feel good, I didn't feel right, and uh 234 00:16:18,400 --> 00:16:23,480 Speaker 1: I took my mood stabilizers, actually doubled up. Okay, I 235 00:16:23,600 --> 00:16:27,480 Speaker 1: doubled up on my mood stabilizes. They didn't help. Sometimes 236 00:16:27,480 --> 00:16:29,520 Speaker 1: those mood stabilizes. I don't know if you're on that 237 00:16:29,520 --> 00:16:33,640 Speaker 1: that wart, that st John's wart, that lexa pro that 238 00:16:33,760 --> 00:16:39,120 Speaker 1: affects her. What's some other one's babe, the well butron, 239 00:16:40,360 --> 00:16:44,640 Speaker 1: what's another one? What's the weird sounded one? That Zoloft, 240 00:16:46,080 --> 00:16:51,680 Speaker 1: those perks, whatever the funk you're on those benzos. Sometimes 241 00:16:51,720 --> 00:16:55,560 Speaker 1: those bends, none of that should will work. It didn't 242 00:16:55,560 --> 00:16:58,560 Speaker 1: work for me, And I'm not saying it strictly because 243 00:16:58,600 --> 00:17:02,120 Speaker 1: I wasn't I didn't work out. Sometimes you just don't 244 00:17:02,160 --> 00:17:04,440 Speaker 1: feel good about yourself. Sometimes you don't feel good about 245 00:17:04,480 --> 00:17:06,600 Speaker 1: your day. Sometimes you don't feel good about your life. 246 00:17:08,119 --> 00:17:10,680 Speaker 1: Happens to everybody. But I'll tell you what you need 247 00:17:10,720 --> 00:17:14,960 Speaker 1: to do. I'll tell you what you must do, what 248 00:17:15,080 --> 00:17:18,120 Speaker 1: we all must do. When you're not feeling good, ride 249 00:17:18,160 --> 00:17:21,280 Speaker 1: it out, and then you gotta fucking you gotta clip it. 250 00:17:22,080 --> 00:17:25,200 Speaker 1: Shout out to Dorinda from The Real Housewives and New 251 00:17:25,359 --> 00:17:28,960 Speaker 1: of New York. You gotta clip it. Okay, you feel 252 00:17:28,960 --> 00:17:32,359 Speaker 1: like shit. Maybe you're acting like a fucking asshole. Maybe 253 00:17:32,400 --> 00:17:37,240 Speaker 1: you're moody. I'm speaking for myself. Maybe you're prickly, maybe 254 00:17:37,240 --> 00:17:39,479 Speaker 1: you're all those things. But then you gotta clip it. 255 00:17:41,040 --> 00:17:43,199 Speaker 1: You gotta clip it in the ass, nip it in 256 00:17:43,240 --> 00:17:47,399 Speaker 1: the butt, and end the day feeling like shit, and 257 00:17:47,440 --> 00:17:49,320 Speaker 1: you gotta make a plan for the next day so 258 00:17:49,359 --> 00:17:52,960 Speaker 1: you don't feel like shit. Because when you continue to 259 00:17:53,000 --> 00:17:56,120 Speaker 1: feel like ship and you allow yourself and you don't 260 00:17:56,240 --> 00:17:59,200 Speaker 1: fight and come back with a plan to not feel 261 00:17:59,240 --> 00:18:02,240 Speaker 1: like ship, that when you get yourself in trouble. And 262 00:18:02,280 --> 00:18:07,040 Speaker 1: I'm not speaking down, I'm not speaking like I'm missed 263 00:18:07,040 --> 00:18:11,720 Speaker 1: the fucking you know, tippity toad zippity dude zippity. That 264 00:18:11,800 --> 00:18:14,320 Speaker 1: ain't me. I ain't missed the fucking zippity dude, zippity 265 00:18:14,359 --> 00:18:18,960 Speaker 1: a Some days you just don't feel like shit. They 266 00:18:19,400 --> 00:18:24,040 Speaker 1: acknowledge it, try not to spread it, and then clip 267 00:18:24,840 --> 00:18:28,600 Speaker 1: move the funk on. You gotta move the fuck on. 268 00:18:29,520 --> 00:18:31,639 Speaker 1: And for me, one of the best things to do 269 00:18:31,800 --> 00:18:34,439 Speaker 1: is just go for a walk, do some jumping jacks. 270 00:18:34,600 --> 00:18:37,040 Speaker 1: Do fifty ay, do fifty push ups that will calm 271 00:18:37,080 --> 00:18:41,000 Speaker 1: you down. If fifty is too easy, do another fifty. 272 00:18:41,040 --> 00:18:44,359 Speaker 1: Do a hundred that'll chill you out. Do a hundred 273 00:18:44,400 --> 00:18:47,960 Speaker 1: squads that'll take the edge off. You don't want to 274 00:18:48,000 --> 00:18:51,760 Speaker 1: live in that dog ship. Take those moods stabilizers, take 275 00:18:51,800 --> 00:18:53,919 Speaker 1: that St John's ward. Don't eat things that will make 276 00:18:54,000 --> 00:18:58,520 Speaker 1: you feel like shit, whatever the fucking cases. Because the 277 00:18:58,520 --> 00:19:00,920 Speaker 1: other day I wasn't feeling right, I didn't feel good. 278 00:19:03,119 --> 00:19:07,080 Speaker 1: I wasn't happy about certain things. Sometimes you're aware of it, 279 00:19:07,119 --> 00:19:10,840 Speaker 1: sometimes you're not aware of it. But you got nipped 280 00:19:10,880 --> 00:19:14,080 Speaker 1: that ship in the motherfucking ass, not the butt, Nip 281 00:19:14,119 --> 00:19:19,240 Speaker 1: it in the ass. Bite it. Speaking of biting, you 282 00:19:19,280 --> 00:19:22,080 Speaker 1: know what I think is dumb. Now as we head 283 00:19:22,080 --> 00:19:25,719 Speaker 1: into fall, we know I am the king of Kashmir. 284 00:19:26,880 --> 00:19:31,840 Speaker 1: We know that I love the clothing brand, the Row, 285 00:19:33,480 --> 00:19:35,639 Speaker 1: But it seems like it's been going on for the 286 00:19:35,720 --> 00:19:42,800 Speaker 1: last three weeks on social media and the news, Kanye 287 00:19:42,800 --> 00:19:45,919 Speaker 1: West to I'm gonna get to these fashion shows and 288 00:19:47,320 --> 00:19:52,119 Speaker 1: g Gehaded and Bellah ha ha Deed and Kate Moss 289 00:19:52,160 --> 00:19:55,679 Speaker 1: and that freak Anna Wind toward the one who always 290 00:19:55,680 --> 00:19:57,800 Speaker 1: wears the sunglasses that were the one with the movie 291 00:19:57,800 --> 00:20:00,800 Speaker 1: Devils where product was about and did model and that 292 00:20:01,040 --> 00:20:04,359 Speaker 1: model and this celebrity they all go over to Paris 293 00:20:04,800 --> 00:20:07,600 Speaker 1: for I don't know what it was, fashion week, Men's 294 00:20:07,640 --> 00:20:10,879 Speaker 1: fashion week, women's fashion week, of just fashion week. And 295 00:20:10,920 --> 00:20:18,880 Speaker 1: I think it's so dumb, all of it. Balenciaga product, 296 00:20:19,880 --> 00:20:27,639 Speaker 1: Louis Vatan, Gucci, what's the other one's baby tom Ford. 297 00:20:27,800 --> 00:20:31,000 Speaker 1: They're all dumb. It is so dumb. It is the 298 00:20:31,080 --> 00:20:37,280 Speaker 1: most elitest of the elite elite bullshit that there is fashion, 299 00:20:37,400 --> 00:20:40,000 Speaker 1: the fashion world and the fashion shows. I don't care 300 00:20:40,040 --> 00:20:44,280 Speaker 1: how many black designers and Kanye West and Virgil abalaw 301 00:20:44,720 --> 00:20:48,040 Speaker 1: R i p and how many models they have in 302 00:20:48,080 --> 00:20:51,600 Speaker 1: there that are maybe twenty pounds heavy than the other models. 303 00:20:51,880 --> 00:20:54,840 Speaker 1: It is so stupid to me see people running all 304 00:20:54,840 --> 00:20:58,360 Speaker 1: over the place to watch a bunch of fucking They 305 00:20:58,400 --> 00:21:02,200 Speaker 1: look like mal nourished, These models, their rail thin. There's 306 00:21:02,200 --> 00:21:05,639 Speaker 1: some Balenciaga show. They're running, they're walking around in mud. 307 00:21:06,720 --> 00:21:11,040 Speaker 1: It was like end of the World chic. It's like 308 00:21:11,040 --> 00:21:13,200 Speaker 1: like like they're all walking in mud and they're acting 309 00:21:13,240 --> 00:21:16,199 Speaker 1: like they're not walking in mud. First of all, have 310 00:21:16,240 --> 00:21:18,800 Speaker 1: you ever walked in mud? You ever stepped in a puddle? 311 00:21:19,160 --> 00:21:22,040 Speaker 1: You go fuck every time you stepping up, like goddamn it, 312 00:21:23,280 --> 00:21:25,320 Speaker 1: Like when I step in puddles in the streets when 313 00:21:25,320 --> 00:21:27,360 Speaker 1: it's raining, like it was raining, then you go shit. 314 00:21:28,760 --> 00:21:33,240 Speaker 1: These idiots are walking around in this runway with mud 315 00:21:33,280 --> 00:21:36,720 Speaker 1: and rain and in these clothes that look like it's 316 00:21:36,760 --> 00:21:40,159 Speaker 1: from like the apocalypse, like they're gonna be like you know, 317 00:21:40,320 --> 00:21:43,440 Speaker 1: Chase By zombies, acting like they're not stepping in mud, 318 00:21:43,520 --> 00:21:46,280 Speaker 1: and everybody's applauding, and oh my god, it was so edgy. 319 00:21:46,760 --> 00:21:50,640 Speaker 1: Who gives a shit? You're so dumb. You're walking around 320 00:21:50,640 --> 00:21:53,520 Speaker 1: in a five thousand dollar pair of boots stepping in mud. 321 00:21:53,560 --> 00:21:57,560 Speaker 1: Ha ha, you dummy. And these gowns in these skirts, 322 00:21:58,520 --> 00:22:01,479 Speaker 1: all these models are bleach in their eyebrows. They look like, 323 00:22:02,240 --> 00:22:04,240 Speaker 1: I don't know what this look is with the models 324 00:22:04,280 --> 00:22:08,600 Speaker 1: with the bleaching their eyebrows, you look ridiculous and you know, 325 00:22:08,640 --> 00:22:11,760 Speaker 1: they've got these people like Lena Dunham, you got these 326 00:22:11,800 --> 00:22:17,960 Speaker 1: people like Lizzo. These are the big body female models. 327 00:22:18,160 --> 00:22:20,480 Speaker 1: And then when I see the guys, I still see 328 00:22:20,520 --> 00:22:26,520 Speaker 1: them dick ravines, six packs. They don't have fat male models. 329 00:22:27,359 --> 00:22:31,840 Speaker 1: They haven't gotten to that yet. They haven't gotten a big, fat, 330 00:22:32,040 --> 00:22:35,480 Speaker 1: fucking male models yet. We're like, oh, lizz oh, she's great. 331 00:22:36,440 --> 00:22:39,640 Speaker 1: First of all, Lizzo, you look fucking insane up there. 332 00:22:41,480 --> 00:22:45,919 Speaker 1: You look nuts. I don't, I don't. You're playing the 333 00:22:45,960 --> 00:22:51,000 Speaker 1: flute you played. I don't know George Washington's flute. You 334 00:22:51,040 --> 00:22:55,040 Speaker 1: look insane up there. Okay, but it's important. I feel 335 00:22:55,080 --> 00:22:58,200 Speaker 1: like there's important representation for some you know, everybody doesn't 336 00:22:58,200 --> 00:22:59,920 Speaker 1: have to be rail thing because the rail thin the 337 00:23:00,240 --> 00:23:03,560 Speaker 1: looks ridiculous. Also, so there's some of these models that 338 00:23:03,600 --> 00:23:06,000 Speaker 1: are bigger. I'm cool with that. I don't like stick 339 00:23:06,080 --> 00:23:10,119 Speaker 1: figure women to begin with. Never have I con a 340 00:23:10,119 --> 00:23:18,880 Speaker 1: little thick Okay, but I see the guys walking around. 341 00:23:19,000 --> 00:23:21,520 Speaker 1: It's these guys look like they haven't had a Frankfurter 342 00:23:21,600 --> 00:23:24,679 Speaker 1: in their whole life. They haven't never had an impossible burger, 343 00:23:24,920 --> 00:23:30,320 Speaker 1: sy tuna burger, none of that, None of that w 344 00:23:30,440 --> 00:23:34,240 Speaker 1: are we gonna get the fat tuble lord three seventeen 345 00:23:34,359 --> 00:23:42,280 Speaker 1: pound models up there, the dudes, and it won't happen. 346 00:23:42,359 --> 00:23:44,879 Speaker 1: Nobody wants to see a big, fat pile of ship 347 00:23:44,960 --> 00:23:49,240 Speaker 1: walking around in a seven hundred dollar Gucci T shirt 348 00:23:51,840 --> 00:23:57,800 Speaker 1: Hugo Boss suit in a size double XL because he's 349 00:23:57,840 --> 00:24:01,480 Speaker 1: a fat slob. You ain't never gonna say with three 350 00:24:01,600 --> 00:24:06,280 Speaker 1: chins and all that ship funk out of here. But 351 00:24:06,320 --> 00:24:10,480 Speaker 1: that whole world, to me, is so stupid. The fashion world, 352 00:24:11,720 --> 00:24:15,800 Speaker 1: the elitistness, and a wind tour where her stupid sunglasses, 353 00:24:15,840 --> 00:24:19,400 Speaker 1: acting like nothing is important, get the get a fucking 354 00:24:19,440 --> 00:24:40,520 Speaker 1: life Your Loser podcast, and then there's a huge, huge 355 00:24:40,640 --> 00:24:47,919 Speaker 1: controversy did I say that correctly? Controversy over Kanye West 356 00:24:49,640 --> 00:24:52,440 Speaker 1: in I don't know where Paris for who the funk 357 00:24:52,520 --> 00:24:56,440 Speaker 1: knows where they is? And he wore a White Lives 358 00:24:56,560 --> 00:25:00,080 Speaker 1: Matter T shirt. Now, I've talked to you before for 359 00:25:02,119 --> 00:25:05,639 Speaker 1: about the fact that I listened to these people. People 360 00:25:05,680 --> 00:25:07,880 Speaker 1: get mad. Last time I brought up Ron de Sandos, 361 00:25:08,040 --> 00:25:12,320 Speaker 1: some people d m me, some people question me. That's fine. Listen, 362 00:25:12,720 --> 00:25:15,480 Speaker 1: we all need to have diversity of thinking and listen 363 00:25:15,560 --> 00:25:20,280 Speaker 1: to diverse opinions. My mother heard the podcast about Rohn 364 00:25:20,320 --> 00:25:22,080 Speaker 1: de Sandos and she didn't agree with me. She thought 365 00:25:22,119 --> 00:25:25,320 Speaker 1: I was wrong. My mother's a resident of Florida. She 366 00:25:25,359 --> 00:25:27,840 Speaker 1: don't funk with Rohn de Sandos, but she also does 367 00:25:27,880 --> 00:25:29,399 Speaker 1: funk with him for some of the things. But she 368 00:25:29,520 --> 00:25:31,480 Speaker 1: disagreed me. I got a couple of messages from from 369 00:25:31,560 --> 00:25:36,399 Speaker 1: you guys, and I welcome in my mother in law, 370 00:25:38,160 --> 00:25:42,440 Speaker 1: black woman in Florida. She fucks with Rond de Sandos. 371 00:25:42,920 --> 00:25:46,800 Speaker 1: I can't speak on Rohn de Sandos, whatever the funk 372 00:25:46,880 --> 00:25:51,239 Speaker 1: his name is. I don't know enough about him. I 373 00:25:51,240 --> 00:25:53,320 Speaker 1: don't care. I'm not I'm not standing for Rohn de 374 00:25:53,440 --> 00:25:56,480 Speaker 1: Santis or not standing for Rohn de Sanders. What I'm 375 00:25:56,520 --> 00:25:59,720 Speaker 1: saying before I talk about the Kanye West thing is this, Listen, 376 00:26:00,359 --> 00:26:03,360 Speaker 1: We're never gonna all agree on everything. And as much 377 00:26:03,400 --> 00:26:06,240 Speaker 1: as I'm right or died the front of the front 378 00:26:06,320 --> 00:26:09,600 Speaker 1: lines on Pete Dick, Donald Trump, Marjorie Taylor Green, We've 379 00:26:09,640 --> 00:26:12,960 Speaker 1: talked about cadaver Joe Biden. We talked about his inadequacies, 380 00:26:13,280 --> 00:26:17,159 Speaker 1: his ineptness is that the right word ineptness? But if 381 00:26:17,280 --> 00:26:21,080 Speaker 1: I don't know, but after listening to what Kanye West 382 00:26:21,280 --> 00:26:24,720 Speaker 1: said about his wearing the white Lines T shirt and 383 00:26:24,760 --> 00:26:29,639 Speaker 1: listening to Candice Owens and what the philosophy behind this 384 00:26:29,760 --> 00:26:35,560 Speaker 1: white Lives t shirt was. First of all, Kanye, who 385 00:26:35,640 --> 00:26:37,320 Speaker 1: I've talked about on this We could do a whole 386 00:26:37,400 --> 00:26:41,320 Speaker 1: Kanye podcast, the Best of the Green good Man didn't 387 00:26:41,320 --> 00:26:43,639 Speaker 1: go talking about Kanye West. Have talked about him good 388 00:26:43,720 --> 00:26:47,560 Speaker 1: bad music sucks. You're out of your fucking mind. Lock 389 00:26:47,640 --> 00:26:53,640 Speaker 1: him up, m rubber room him. This album sucks. Retired 390 00:26:53,680 --> 00:26:58,240 Speaker 1: from making music. Your clothes sock. Done it All documentary 391 00:26:58,359 --> 00:27:02,680 Speaker 1: was great. Done it All. Could actually do a Kanye 392 00:27:02,720 --> 00:27:06,520 Speaker 1: West podcast like a best of Kanye throughout the years. 393 00:27:08,040 --> 00:27:14,399 Speaker 1: I've also talked on this podcast about the accusations and 394 00:27:14,440 --> 00:27:16,560 Speaker 1: a lot of people have them about the whole Black 395 00:27:16,600 --> 00:27:22,720 Speaker 1: Lives Matter campaign, not the essence of what that message 396 00:27:22,960 --> 00:27:26,160 Speaker 1: started out to be, but the Black Lives Matter fun 397 00:27:26,280 --> 00:27:28,879 Speaker 1: where billion dollars was raised. I believe it was a 398 00:27:28,920 --> 00:27:33,760 Speaker 1: billion B with a B or close to a billion 399 00:27:33,800 --> 00:27:37,399 Speaker 1: dollars was raised and donated, and all the accusations and 400 00:27:37,440 --> 00:27:41,200 Speaker 1: all the questions about where the money went, not the sentiment. 401 00:27:42,640 --> 00:27:45,600 Speaker 1: The business of Black lives matter, the business of Black 402 00:27:45,640 --> 00:27:52,119 Speaker 1: lives matter, not the sentiment, not the message, and based 403 00:27:52,160 --> 00:27:58,960 Speaker 1: on what I've read from Kanye West about the White 404 00:27:58,960 --> 00:28:02,560 Speaker 1: Lives Matter tach hurt and I listened to Candace Owen's 405 00:28:02,600 --> 00:28:07,280 Speaker 1: talk about what her and Kanye West we're doing with 406 00:28:07,320 --> 00:28:09,960 Speaker 1: the White Lives Matter T shirt. They were going after 407 00:28:10,000 --> 00:28:14,879 Speaker 1: the business of the Black Lives Matter movement. You guys 408 00:28:14,880 --> 00:28:16,919 Speaker 1: could talk to me all you want about Can I 409 00:28:16,960 --> 00:28:21,159 Speaker 1: know Candace Owen sometimes fucking nuts. I don't agree with 410 00:28:21,200 --> 00:28:23,880 Speaker 1: everything she says. I don't agree with everything Joe Biden says. 411 00:28:23,880 --> 00:28:28,680 Speaker 1: I don't agree with everything my wife says. I don't 412 00:28:28,720 --> 00:28:32,720 Speaker 1: agree with everything my father says. My mother says, I 413 00:28:32,760 --> 00:28:37,000 Speaker 1: don't agree with everything my kids say. Why would I 414 00:28:37,040 --> 00:28:40,880 Speaker 1: agree with everything a politician says, or Candace Owen or 415 00:28:41,000 --> 00:28:44,280 Speaker 1: Robert Denier or Denzel Washington or Lebron James or any 416 00:28:44,320 --> 00:28:48,520 Speaker 1: fucking money that we idolize. But I did listen to 417 00:28:48,560 --> 00:28:55,320 Speaker 1: her her thirty minute explanation on where her and Kanye 418 00:28:55,400 --> 00:29:00,920 Speaker 1: were at with their message. And there are satistic statement 419 00:29:01,120 --> 00:29:06,000 Speaker 1: in stupid fashion we can stupid fashion Paris about the 420 00:29:06,000 --> 00:29:09,720 Speaker 1: White Lives Matter T shirt, and a lot of it 421 00:29:09,760 --> 00:29:11,960 Speaker 1: made a lot of sense to me. You guys, well, 422 00:29:12,000 --> 00:29:16,640 Speaker 1: Micras fuck listen to it for yourself. Listen, take your time, 423 00:29:16,640 --> 00:29:18,880 Speaker 1: and I'm not gonna explain all the things she said, 424 00:29:19,440 --> 00:29:21,600 Speaker 1: and I'm certainly not gonna defend all the dumb ship 425 00:29:21,680 --> 00:29:24,240 Speaker 1: Kanye West has said. I don't agree with all the 426 00:29:24,280 --> 00:29:27,560 Speaker 1: things than anybody does or says. I don't agree with 427 00:29:27,640 --> 00:29:29,600 Speaker 1: all the things I've said in the past or I've 428 00:29:29,640 --> 00:29:33,040 Speaker 1: done in the past. But when they broke down what 429 00:29:33,080 --> 00:29:34,719 Speaker 1: they were trying to do and what the message they 430 00:29:34,720 --> 00:29:36,920 Speaker 1: were trying to get across, it made sense to me. 431 00:29:37,360 --> 00:29:43,160 Speaker 1: About the shootings, about the killings, about the lack of education, 432 00:29:44,760 --> 00:29:47,240 Speaker 1: about the lack of family, about the lack of structure 433 00:29:47,240 --> 00:29:54,520 Speaker 1: that goes on in the communities, particularly the education and 434 00:29:54,560 --> 00:29:56,960 Speaker 1: the reading levels being sucked up, and the black on 435 00:29:57,200 --> 00:30:00,400 Speaker 1: black crime. And I know black people sometimes on black 436 00:30:00,400 --> 00:30:02,560 Speaker 1: people get offended by what is black on black crime. 437 00:30:02,600 --> 00:30:05,160 Speaker 1: They never call it white on white crime. It wouldn't 438 00:30:05,200 --> 00:30:08,160 Speaker 1: become a thing if it wasn't a thing, And you 439 00:30:08,200 --> 00:30:11,160 Speaker 1: could say that's racist. Listen, motherfucker's are getting killed in 440 00:30:11,160 --> 00:30:15,239 Speaker 1: the streets, and it's disgusting. Who cares what you call it? 441 00:30:17,320 --> 00:30:21,960 Speaker 1: Who cares what you call it? It's happening anyway. When 442 00:30:21,960 --> 00:30:24,120 Speaker 1: I listened to the two of them. And like I said, 443 00:30:24,120 --> 00:30:27,920 Speaker 1: I don't agree with everything that Candace Owen says. I 444 00:30:28,000 --> 00:30:31,120 Speaker 1: certainly don't agree with everything Joe Rogan says. I don't 445 00:30:31,120 --> 00:30:34,080 Speaker 1: agree with there. You could be as simple as Stephen A. Smith, 446 00:30:34,360 --> 00:30:36,640 Speaker 1: skip and chanting. I don't agree with everything those motherfuckers 447 00:30:36,680 --> 00:30:41,400 Speaker 1: say about sports. Doesn't mean they're complete, utter pieces of ship. 448 00:30:42,600 --> 00:30:46,240 Speaker 1: I can tell you one thing. As cookie and and 449 00:30:46,320 --> 00:30:50,240 Speaker 1: as wacky as Candace Owens is, she's smart. She's a thinker, 450 00:30:50,280 --> 00:30:53,720 Speaker 1: and she thinks outside the box, and she thinks independently. 451 00:30:54,320 --> 00:30:57,480 Speaker 1: And if you spend time listening to her stuff instead 452 00:30:57,480 --> 00:31:03,360 Speaker 1: of just the clips, some of it is good. What 453 00:31:03,400 --> 00:31:05,720 Speaker 1: the funk you mean, Mike rab your bugging, she said, 454 00:31:05,760 --> 00:31:07,760 Speaker 1: I know all the ships, she said. I don't agree 455 00:31:07,760 --> 00:31:09,840 Speaker 1: with all the ships, she said. Some of the ships, 456 00:31:09,880 --> 00:31:13,520 Speaker 1: she said, is off the fucking chain. But a lot 457 00:31:13,560 --> 00:31:17,200 Speaker 1: of these fun. They're like home run hitters. They're swinging, swinging, 458 00:31:17,760 --> 00:31:22,280 Speaker 1: swinging like Aaron Judge. Shout out to Aaron Judge. Just 459 00:31:22,360 --> 00:31:26,200 Speaker 1: at sixty two home runs for the New York Yankees. 460 00:31:26,760 --> 00:31:28,720 Speaker 1: Still don't have a contract. Now you gotta pay him 461 00:31:28,760 --> 00:31:31,840 Speaker 1: fifty million dollars a year. You dumb fox, or you 462 00:31:31,920 --> 00:31:35,880 Speaker 1: lose him to the Mets. If I was Steve Cohen, 463 00:31:37,200 --> 00:31:40,560 Speaker 1: I don't off from sixty six oh sixty million dollars 464 00:31:40,600 --> 00:31:42,960 Speaker 1: a year and try to steal him from the Yankees. 465 00:31:43,600 --> 00:31:48,240 Speaker 1: Since you don't want to pay Aaron Judge Lamar Jackson, 466 00:31:48,240 --> 00:31:52,320 Speaker 1: he has no contract. He's probably the m v P 467 00:31:52,560 --> 00:31:55,280 Speaker 1: this season. He has no contract because you don't want 468 00:31:55,280 --> 00:31:58,400 Speaker 1: to pay Lamar Jackson too expensive. Well, that's what you 469 00:31:58,440 --> 00:32:02,640 Speaker 1: get when you get generational islet like Lamar Jackson. You 470 00:32:02,680 --> 00:32:08,320 Speaker 1: gotta pay him because all downhill if he leaves literally 471 00:32:09,680 --> 00:32:14,840 Speaker 1: like downhill race are like like speed racer down the hill. 472 00:32:15,960 --> 00:32:18,360 Speaker 1: But you know, I know when I'm speaking about what 473 00:32:18,440 --> 00:32:20,360 Speaker 1: I just talked about with the White Lives Matter and 474 00:32:20,440 --> 00:32:25,440 Speaker 1: listening to their explanations and the fact that in the 475 00:32:25,520 --> 00:32:33,000 Speaker 1: last seventy two hours, so many black children, teenagers, young men, 476 00:32:34,520 --> 00:32:38,200 Speaker 1: grown men have been killed all throughout our country from 477 00:32:38,200 --> 00:32:42,720 Speaker 1: gun violence. People are more upset with Candice Owens and 478 00:32:42,840 --> 00:32:45,320 Speaker 1: Kanye West wearing a White Lives Matter T shirt than 479 00:32:45,360 --> 00:32:49,960 Speaker 1: they are about people being killed in the last seventy 480 00:32:49,960 --> 00:32:52,840 Speaker 1: two hours. There's been more discussion about Candice Owens and 481 00:32:52,920 --> 00:32:56,880 Speaker 1: can you think that there's any bearing. You think that 482 00:32:56,920 --> 00:33:02,280 Speaker 1: those people that lost their sons, daughters, their friends, their 483 00:33:02,400 --> 00:33:06,840 Speaker 1: fathers in the last seventy two hours, give a fuck 484 00:33:07,760 --> 00:33:14,600 Speaker 1: what Kanye West and Candice Owens are wearing in Paris. 485 00:33:14,760 --> 00:33:18,000 Speaker 1: They could give a ship. They could give a ship. 486 00:33:18,040 --> 00:33:19,680 Speaker 1: And you know, my wife was talking to me about 487 00:33:19,680 --> 00:33:21,160 Speaker 1: to see other She's like, you know when you talk 488 00:33:21,200 --> 00:33:25,840 Speaker 1: to politics, there's no winning, there's no winning. She she's 489 00:33:25,880 --> 00:33:28,480 Speaker 1: sometimes it's like, yo, stop doing it, stop saying anything. 490 00:33:28,520 --> 00:33:30,720 Speaker 1: Stop with the dick stain, stop with the pig dick. 491 00:33:32,560 --> 00:33:35,960 Speaker 1: There's no winning. I have to do it. It's just 492 00:33:36,040 --> 00:33:37,960 Speaker 1: in me. I have to. I have to express myself. 493 00:33:38,000 --> 00:33:41,440 Speaker 1: I have to articulate myself. Sometimes I'm right, sometimes I'm 494 00:33:41,480 --> 00:33:44,760 Speaker 1: not right. Sometimes I'm wrong. Sometimes people don't agree with me. 495 00:33:44,960 --> 00:33:48,640 Speaker 1: But yo', I'm gonna articulate myself and I'm gonna express myself. 496 00:33:48,840 --> 00:33:51,920 Speaker 1: And like I said, I'm not afraid to step on 497 00:33:52,040 --> 00:33:54,920 Speaker 1: toes and I'm not afraid to have my toes stepped 498 00:33:54,920 --> 00:34:01,720 Speaker 1: on in regards to opinions, thoughts, independent thinking, and I'm 499 00:34:01,760 --> 00:34:04,720 Speaker 1: not going to continue to just listen to one point 500 00:34:04,720 --> 00:34:06,360 Speaker 1: of view. I want all the points of view, and 501 00:34:06,360 --> 00:34:07,760 Speaker 1: then i want to come up with the Gleno man 502 00:34:07,840 --> 00:34:10,480 Speaker 1: dingoes point of view. I want the raging bullshitter's point 503 00:34:10,520 --> 00:34:12,719 Speaker 1: of view. I want the disruptive warriors point of view, 504 00:34:12,880 --> 00:34:15,280 Speaker 1: and that point of view of me, the disruptive warrior 505 00:34:15,480 --> 00:34:18,560 Speaker 1: a k. The raging bullshit. I'm entitled to change it 506 00:34:19,960 --> 00:34:25,040 Speaker 1: and diversify it and move it and shift it, just 507 00:34:25,160 --> 00:34:37,040 Speaker 1: like everyone else's pivot. There was a movie released last 508 00:34:37,040 --> 00:34:43,080 Speaker 1: week called Bros. That I believe was produced by Judd 509 00:34:43,120 --> 00:34:48,960 Speaker 1: Apatow that started I guess he's a comedian. I don't 510 00:34:48,960 --> 00:34:52,680 Speaker 1: know if he's does stand up comedy, comedy Billy Eichner 511 00:34:52,920 --> 00:34:57,080 Speaker 1: who got famous from I think it was a YouTube 512 00:34:57,080 --> 00:35:00,759 Speaker 1: show at first called Billy on the Street where he'd 513 00:35:00,760 --> 00:35:02,920 Speaker 1: go up to people on the street. You know, it's funny, 514 00:35:03,920 --> 00:35:09,239 Speaker 1: you know, groundbreaking for what he did going up to 515 00:35:09,600 --> 00:35:11,759 Speaker 1: you know, people on the street, you know, improv and 516 00:35:11,760 --> 00:35:16,839 Speaker 1: bullshitting around with them, and um, you know, he's built 517 00:35:16,880 --> 00:35:19,200 Speaker 1: a good career for himself. I got nothing against him. 518 00:35:19,239 --> 00:35:21,399 Speaker 1: I've never found him to be likable. I've always found 519 00:35:21,480 --> 00:35:24,960 Speaker 1: him to be sort of, I don't know, obnoxious and 520 00:35:25,000 --> 00:35:31,040 Speaker 1: loud and in your face, but funny coming from a 521 00:35:31,080 --> 00:35:33,799 Speaker 1: person like myself, who can be accused of being obnoxious, 522 00:35:33,840 --> 00:35:36,279 Speaker 1: loud and in your face. That being said, I've never 523 00:35:36,360 --> 00:35:37,960 Speaker 1: had a problem with him. I've just never been like, Oh, 524 00:35:38,000 --> 00:35:43,399 Speaker 1: Billy Eichner, he's he's all that. He's you know, gay icon, 525 00:35:43,600 --> 00:35:48,600 Speaker 1: very open about his sexuality, being uh homosexual and that, 526 00:35:48,640 --> 00:35:50,480 Speaker 1: and that's important to have all that. I have no 527 00:35:50,600 --> 00:35:54,960 Speaker 1: problem with none of that anyway. Billy Eichner, who's really 528 00:35:55,000 --> 00:35:59,160 Speaker 1: never been in any film, has never had any significant 529 00:36:00,080 --> 00:36:02,960 Speaker 1: roles in any films. You know, he voices a lot 530 00:36:02,960 --> 00:36:06,120 Speaker 1: of ship. He's done, Uh, he was something in The 531 00:36:06,160 --> 00:36:08,719 Speaker 1: Lion King. You know, he's he's a real dude. He's 532 00:36:08,719 --> 00:36:10,920 Speaker 1: a real actor and all that ship. You know, He's 533 00:36:10,920 --> 00:36:13,880 Speaker 1: done some stuff on television, but he hasn't done anything 534 00:36:13,880 --> 00:36:19,919 Speaker 1: in films. He wrote co wrote this film Bros. Which 535 00:36:20,000 --> 00:36:22,920 Speaker 1: is a sort of run of the mill romantic comedy 536 00:36:24,920 --> 00:36:29,600 Speaker 1: about two gay people falling in love. The only thing 537 00:36:29,840 --> 00:36:32,440 Speaker 1: that's different and unique is that it's too gay people 538 00:36:32,520 --> 00:36:37,920 Speaker 1: falling in love in a romantic comedy, sort of basic 539 00:36:38,280 --> 00:36:43,839 Speaker 1: Hollywood formulaic kind of movie. This movie apparently got good reviews, 540 00:36:45,200 --> 00:36:49,239 Speaker 1: and Billy Eichler, who again done nothing in films, not 541 00:36:49,480 --> 00:36:51,640 Speaker 1: a fucking thing in front of the camera as a 542 00:36:51,680 --> 00:36:57,280 Speaker 1: movie actor comes out after the film essentially bombed after 543 00:36:57,320 --> 00:37:02,040 Speaker 1: getting good reviews, and he says this. He said, everyone 544 00:37:02,040 --> 00:37:06,160 Speaker 1: who isn't a homophobic weirdo should go see Bros. Tonight. 545 00:37:06,640 --> 00:37:10,040 Speaker 1: You'll have a blast, and it's special and uniquely powerful 546 00:37:10,080 --> 00:37:13,520 Speaker 1: to see, particularly a story like this on the big screen, 547 00:37:14,160 --> 00:37:17,480 Speaker 1: especially for queer folks who don't get this opportunity. Often 548 00:37:18,040 --> 00:37:20,880 Speaker 1: that's just the world we live in. Unfortunately, with glowing 549 00:37:20,920 --> 00:37:25,920 Speaker 1: reviews and rotten Tomato scores and a cinematic score, straight people, 550 00:37:27,360 --> 00:37:30,160 Speaker 1: especially in certain parts of the country, didn't show up 551 00:37:30,160 --> 00:37:33,440 Speaker 1: for Bros. And that's disappointing. Listen, I get your movie 552 00:37:33,520 --> 00:37:38,439 Speaker 1: bombing is disappointing, But for you, Billy Eichner, who's never 553 00:37:39,400 --> 00:37:42,120 Speaker 1: start in a movie, to think that fucking people are 554 00:37:42,120 --> 00:37:44,520 Speaker 1: gonna run out to see your movie when you're really 555 00:37:44,560 --> 00:37:48,879 Speaker 1: not that dude. Don't mean you're not talented. I don't 556 00:37:48,880 --> 00:37:52,200 Speaker 1: mean I I don't respect what you've done, but you're 557 00:37:52,239 --> 00:37:55,080 Speaker 1: not that dude. Why the funk with people? Most of 558 00:37:55,080 --> 00:37:57,440 Speaker 1: the people in the country don't know you, duke, and 559 00:37:57,440 --> 00:37:59,719 Speaker 1: they ain't got nothing to do with homophobia. You're not 560 00:37:59,800 --> 00:38:05,200 Speaker 1: that dude, you ain't Denzel Duke, You ain't Jamie Fox, 561 00:38:05,200 --> 00:38:09,719 Speaker 1: you ain't Leonardo DiCaprio. They didn't go to see your 562 00:38:09,760 --> 00:38:13,120 Speaker 1: movie because they don't give a funk about you, and 563 00:38:13,200 --> 00:38:18,040 Speaker 1: to you for you, Billy Eichner, to weaponize homophobia, which 564 00:38:18,080 --> 00:38:22,360 Speaker 1: is a real thing, to try to sell his tickets 565 00:38:22,400 --> 00:38:28,400 Speaker 1: to your movie is whack. It's irresponsible, it's weak. There's 566 00:38:28,440 --> 00:38:35,040 Speaker 1: been plenty of films, especially in the last few years, 567 00:38:35,080 --> 00:38:39,759 Speaker 1: that have been made with gay and lesbian themes that 568 00:38:39,880 --> 00:38:42,200 Speaker 1: have done well. One of my favorite movies in the 569 00:38:42,280 --> 00:38:48,560 Speaker 1: last ten years, Academy Award winning film Moonlight Ship won 570 00:38:48,600 --> 00:38:52,839 Speaker 1: the Oscar Call Me by Your Name with Timothy Shamalama, 571 00:38:52,920 --> 00:38:58,520 Speaker 1: Dinghy Dong Timothy Shamalay nominated for for Oscars, one of 572 00:38:58,520 --> 00:39:02,280 Speaker 1: the biggest films on Hulu this summer. This year, Fire 573 00:39:02,360 --> 00:39:09,719 Speaker 1: Island Gay as Gay Can Be. Everybody watched that Moonlight 574 00:39:09,760 --> 00:39:12,840 Speaker 1: won the Oscar Call Me by Your Name got nominated 575 00:39:12,880 --> 00:39:18,719 Speaker 1: for Oscars Broke Back Mountain Oscars. For years, people have 576 00:39:18,840 --> 00:39:23,160 Speaker 1: seen films with gay and lesbian themes, gay and lesbian characters, 577 00:39:23,200 --> 00:39:30,239 Speaker 1: gain lesbian actors, Bird Cage, ginormous hit. So what they 578 00:39:30,239 --> 00:39:31,640 Speaker 1: didn't go to see your movie. You think it has 579 00:39:31,680 --> 00:39:33,719 Speaker 1: to do with homophobia, It has to do with you, 580 00:39:33,840 --> 00:39:38,560 Speaker 1: duke people. You're not that dude. You just ain't that dude. 581 00:39:38,560 --> 00:39:40,760 Speaker 1: And you thought just because you got some right, people 582 00:39:40,800 --> 00:39:42,640 Speaker 1: can't give your film a bad review. Because if they 583 00:39:42,640 --> 00:39:44,719 Speaker 1: give your film a bad review, what are you gonna say? 584 00:39:44,760 --> 00:39:48,560 Speaker 1: It's because boom, You're gonna say it's because of homophobia. 585 00:39:48,880 --> 00:39:51,360 Speaker 1: That's what you're gonna say. You're weaponizing that ship, and 586 00:39:51,360 --> 00:39:54,480 Speaker 1: that ship it's so fucking whack to me. That ship 587 00:39:54,520 --> 00:40:01,520 Speaker 1: is so whack to me, weaponizing race, weaponizing sexuality. And 588 00:40:01,560 --> 00:40:04,920 Speaker 1: that's along the lines of what Kanye West and Candice 589 00:40:04,960 --> 00:40:07,880 Speaker 1: Owens we're talking about the Black Lives Matter business, the 590 00:40:07,960 --> 00:40:12,759 Speaker 1: business of Black lives matter. Same thing. If they don't 591 00:40:12,800 --> 00:40:14,239 Speaker 1: give you a movie a good review, you're gonna say 592 00:40:14,239 --> 00:40:16,879 Speaker 1: it's because they're homophobic, Like your ship is fucking raging bull. 593 00:40:16,960 --> 00:40:19,160 Speaker 1: Like you made The Godfather. You made a romantic comedy, 594 00:40:19,160 --> 00:40:22,279 Speaker 1: a silly romantic comedy about two guys meeting each other 595 00:40:22,640 --> 00:40:26,960 Speaker 1: and falling in love. You make The Godfather, Homeboy. It 596 00:40:27,000 --> 00:40:31,840 Speaker 1: ain't pulp fiction, it ain't Good Fellas. It's a simple, silly, 597 00:40:32,040 --> 00:40:40,160 Speaker 1: probably fun, romantic comedy, You're not changing the world. Moonlight 598 00:40:40,280 --> 00:40:45,040 Speaker 1: was a really really really disturbing film, hard to watch film, 599 00:40:45,239 --> 00:40:49,440 Speaker 1: sad film, deeply dramatic, very very hard to watch film 600 00:40:49,480 --> 00:40:53,080 Speaker 1: about some serious, serious, crazy, fucked up ship won the 601 00:40:53,120 --> 00:40:57,799 Speaker 1: Oscar Broke Back Mountain. Plenty of films that have done Yeah, 602 00:40:57,800 --> 00:41:00,479 Speaker 1: there should be more. But like I said, that movie 603 00:41:00,560 --> 00:41:05,280 Speaker 1: Fire Island on Hulu, one of the most stream films 604 00:41:05,320 --> 00:41:07,520 Speaker 1: of the year anyway, Billy Eiken, And like I said, 605 00:41:07,560 --> 00:41:15,520 Speaker 1: you're not that dude, Duke, You're not that guy. And uh, finally, Coolio, 606 00:41:16,640 --> 00:41:20,960 Speaker 1: the rapper, Coolio passed away. I didn't get to speak 607 00:41:21,000 --> 00:41:23,520 Speaker 1: on it the other day when we podcasted everybody knows 608 00:41:23,520 --> 00:41:31,319 Speaker 1: who Coulio is. Huge songs, Gangster's Paradise, Monster, Monster, Monster Song. 609 00:41:32,520 --> 00:41:37,000 Speaker 1: You know, always got the impression that Coulio always seemed 610 00:41:37,000 --> 00:41:38,440 Speaker 1: like a good dude when I've met him, when I 611 00:41:38,480 --> 00:41:42,400 Speaker 1: came across him, you know, friendly, I think there was 612 00:41:42,440 --> 00:41:47,000 Speaker 1: some darkness there. I don't know, um, but you know, 613 00:41:47,000 --> 00:41:50,880 Speaker 1: he died of fifty nine of heart failure, apparently heart failure. 614 00:41:51,440 --> 00:41:53,799 Speaker 1: And it's sad. It's sad. You know, he had a 615 00:41:53,920 --> 00:41:59,280 Speaker 1: huge impact, big, big, big songs you know of course 616 00:41:59,560 --> 00:42:02,680 Speaker 1: fantas aastic voyage and you know, I mean he had 617 00:42:02,719 --> 00:42:05,400 Speaker 1: big songs that were like you know, crossover songs. Always 618 00:42:05,400 --> 00:42:07,479 Speaker 1: seemed like a good dude. I met him a bunch 619 00:42:07,520 --> 00:42:10,560 Speaker 1: of times in passing and he passed away, and it's 620 00:42:10,640 --> 00:42:13,200 Speaker 1: just's just a time, Uh, you know, when hip hop 621 00:42:13,239 --> 00:42:16,799 Speaker 1: was different, when the music was was totally different, when 622 00:42:16,800 --> 00:42:19,480 Speaker 1: it was treated totally different, and it was just it 623 00:42:19,560 --> 00:42:21,480 Speaker 1: was just a different time for hip hop music. And 624 00:42:21,520 --> 00:42:25,279 Speaker 1: it's sad Coolio. Everybody like Coolio and uh, you know, 625 00:42:25,320 --> 00:42:28,399 Speaker 1: I mean coming out with a song like that making 626 00:42:28,560 --> 00:42:31,240 Speaker 1: I mean at the time, it was a huge, huge 627 00:42:31,280 --> 00:42:35,480 Speaker 1: crossover hit. I mean a fucking monster crossover hit. So 628 00:42:36,040 --> 00:42:41,080 Speaker 1: r I p to Coolio And um, I'm gonna end 629 00:42:41,080 --> 00:42:45,760 Speaker 1: this podcast. It's a great podcast, award winning museum quality podcast. 630 00:42:45,840 --> 00:42:49,040 Speaker 1: If you're in um Minnesota, comes see me at the 631 00:42:49,080 --> 00:42:54,040 Speaker 1: shows this weekend. And uh, if you're in Austin, Texas, 632 00:42:53,280 --> 00:42:56,719 Speaker 1: two come see me out there. Like I said about 633 00:42:56,760 --> 00:42:59,360 Speaker 1: all those shows, all tickets on Information Development, Michael Rapport, 634 00:42:59,440 --> 00:43:03,080 Speaker 1: Comedy dot Com, Miles Jodnicki, The Bleached Brothers a k. 635 00:43:03,239 --> 00:43:06,840 Speaker 1: The Dust Brothers. Let's get out of here. Let's end 636 00:43:06,840 --> 00:43:09,040 Speaker 1: this puppy with something real nice. Yes, let's end this 637 00:43:09,040 --> 00:43:12,719 Speaker 1: puppy with something real loud. Yes, but most point, let's 638 00:43:12,800 --> 00:43:15,320 Speaker 1: end this puppy with something real funky. I am wrapped 639 00:43:15,320 --> 00:43:16,480 Speaker 1: for stereo ponk as I'm out