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Speaker 1: The volume.

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Speaker 2: And we're back.

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Speaker 3: Are back, Yeah, like we always are. Feel like we're

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Speaker 3: knock on wood. But yes, blessed to be back. Always midweek.

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Speaker 3: We never do like a midweek check in. I always

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Speaker 3: do like top of the week and then the end

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Speaker 3: of the week. That's true, yeah, because usually we're running

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Speaker 3: around at this point, you know, trying to figure out

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Speaker 3: what to say to athletes.

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Speaker 2: Or what to say to each other. What am I

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Speaker 2: going to say to Rory today? I don't know. I

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Speaker 2: don't know how I'm feeling to day man, it is

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Speaker 2: what it is.

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Speaker 3: I'm just thinking about waking up at six am to

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Speaker 3: driving Jersey traffic to drop tomorrow off at daycare.

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Speaker 2: That's from my mind. Is that usually midweek?

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Speaker 3: Yeah, but something a little different. I guess this week,

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Speaker 3: but it won't. I don't know how about that. I

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Speaker 3: feel like we need more transparency in podcasting.

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Speaker 1: Don't know.

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Speaker 3: Ball can be tough sometimes because athletes are mid season,

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Speaker 3: out of season, they have obligations. Zoom is cool, but

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Speaker 3: I don't know if it's the best we had to

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Speaker 3: do shit m hm. So if an athlete isn't free,

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Speaker 3: we'll find a friend, or we'll kick it. We'll find

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Speaker 3: someone random on the block that Maul grew up with.

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Speaker 4: Yeah, let's use the middle of the week to just

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Speaker 4: like people. Yeah, see how people are doing. It's whoever

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Speaker 4: we want to talk to, whoever we think about.

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Speaker 3: Sometimes it won't be anybody, but it'll be a midweek

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Speaker 3: check in and we will find random strangers. Like you know,

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Speaker 3: one day we're gonna interview Josh. You keep you keep

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Speaker 3: getting mad at me when I try to interview Josh.

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Speaker 4: But because you want to interview Josh for like weird reasons,

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Speaker 4: that's why I want to get to know him.

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Speaker 2: You think he's a CIA agent, Like that's why. Possibly.

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Speaker 3: Yeah, because we had another amazing person from Volume come

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Speaker 3: in today and they just they hit it off.

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Speaker 2: They they went to high school together. Yeah. I was like,

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Speaker 2: this seems like some CIA ship.

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Speaker 4: Yeah, no, these are two agents.

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Speaker 2: Yeah, they were absolutely definitely worked in the same zone. Yeah.

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Speaker 3: And the spot they from isn't that big, Like you

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Speaker 3: don't run into a bunch of people.

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Speaker 1: From that spot.

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Speaker 2: Yeah.

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Speaker 1: Yeah.

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Speaker 3: And then my parents went to school there too, so

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Speaker 3: then my and tennants went up.

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Speaker 2: Like.

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Speaker 3: Remember that was the first thing I said to Josh.

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Speaker 3: I was like, hey, my parents went to school here.

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Speaker 3: My mom and my dad went to school there. So yeah,

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Speaker 3: then you know Volume sending another person.

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Speaker 2: From over there. Agents.

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Speaker 3: I see what's going on. So you know that's so

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Speaker 3: far my midweek checking.

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Speaker 2: Yeah. I love the Volume, but you know they may

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Speaker 2: have some agents.

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Speaker 4: Well, I mean this week, we do have some friends

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Speaker 4: in town. Well, one of our good friends is in

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Speaker 4: town and he said he's gonna drop by today.

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Speaker 2: So yeah, we'll sit and kick it with him.

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Speaker 3: Man, So tomorrow we are recording this on a Wednesday.

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Speaker 3: You're hearing this on Thursday. So today I suppose I

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Speaker 3: was invited to the clips listening party. I cannot go,

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Speaker 3: But now I'm scared they're gonna think that like I

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Speaker 3: didn't go because I was scared, Okay, So like to

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Speaker 3: help me deal with this conundrum, Mom in I can't

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Speaker 3: go because he has a going away party with one

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Speaker 3: her friends.

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Speaker 2: And I already agreed weeks ago.

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Speaker 3: Yeah, but then I got that that Apple invite and

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Speaker 3: I was like, man, Marca, watch yourself, she's too.

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Speaker 4: He turned the feet. Leave some chicken nuggets out. She'll

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Speaker 4: be fine, I think. So just close everything offstairs and everything,

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Speaker 4: make sure everything's closed off, you know what I mean.

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Speaker 2: She can't get it too much.

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Speaker 3: Yeah, or what what'd that one guy do? He just

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Speaker 3: left his kids at uh the McDonald's playground.

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Speaker 4: Yeah, well he went on the job interview. Yet Now,

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Speaker 4: you don't want to do that. Definitely don't want to

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Speaker 4: not a public.

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Speaker 2: Place, so be there. But hope, no, no, no, no,

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Speaker 2: not not when it comes to the kids. But that's.

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Speaker 4: That's not what they was talking about. Definitely don't leave

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Speaker 4: your kids in McDonald's. But no, just you know, just

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Speaker 4: hit pushing, like listen, bro, want to come, got the daughter?

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Speaker 2: Like, no, no, I'm not. I'm They're busy with other ship.

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Speaker 3: I wouldn't even do that and they probably wouldn't even

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Speaker 3: notice that I was there or not. But like my

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Speaker 3: own ego and Psyche was like, I hope they know.

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Speaker 3: Like I wanted to go, like I wasn't. I'm not

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Speaker 3: on the Oval team.

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Speaker 2: Just give me the album, man, I just want to

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Speaker 2: hit the music man. So we had to go to listening.

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Speaker 2: It did leak the whole album yesterday. Yeah. I have

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Speaker 2: not seen like m P three files leak in quite

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Speaker 2: some time.

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Speaker 3: Wow, I can you guys remember last time album leaks

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Speaker 3: like that. We've got like weird leaks like even CLB

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Speaker 3: at a bunch of random joints, but they weren't done

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Speaker 3: the final shit leaps wow Yeah, which I have not seen,

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Speaker 3: And I thought to myself, is that maybe a cool

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Speaker 3: rollout tactic?

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Speaker 2: They don't think the clips are used.

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Speaker 3: I feel like they've been doing a lot of old

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Speaker 3: school like marketing rollout tactics that we have not seen

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Speaker 3: in a while.

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Speaker 2: And it was only up for a little bit like it.

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Speaker 3: I tried to go find it and it was gone

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Speaker 3: by that time, but people had it. I thought that

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Speaker 3: was kind of like a cool two days out and

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Speaker 3: you're doing the blog era style rollout.

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Speaker 4: Like, I don't think that the Clips is I don't

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Speaker 4: think they are into those games anymore.

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Speaker 3: But I don't think they really care about Well, of

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Speaker 3: course they care about sales, it's their job, but like,

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Speaker 3: I don't think their end all be all is like

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Speaker 3: we need to sell this amount, you know, their independent

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Speaker 3: slash rock Nation, like it's gonna do what it's gonna do, right, Yeah,

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Speaker 3: leak it. And first of all, I don't think that'll

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Speaker 3: take away from any albums solves.

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Speaker 4: No, the Clips are already you know, they are who they

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Speaker 4: they are.

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Speaker 2: They have their audience.

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Speaker 4: You know, they're always looking for ways to kind of

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Speaker 4: tap in and you know, reach new people.

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Speaker 2: But I don't think that's they're focused.

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Speaker 4: I think there they know who they are, They know

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Speaker 4: the people that support them, know what to expect, what

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Speaker 4: people have heard, what I've heard so far, I like it.

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Speaker 4: So I mean, if a leak happened online, I mean

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Speaker 4: I'm glad I missed because I probably wouldn't clicked it anyway.

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Speaker 4: I'll just wait for when the album comes out. But

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Speaker 4: I don't think they are using that as a as

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Speaker 4: a rollout.

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Speaker 3: Can we while we're here, can we pull up the

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Speaker 3: greatest moment in listening party history. You type in Kanye West,

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Speaker 3: push your t album listening. Remember when Kanye was off

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Speaker 3: the Goose and started freestyling Goose right now like he

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Speaker 3: started hosting. I was there. I saw that in person.

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Speaker 3: That looks like afghansaport. You turn that up, give us

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Speaker 3: some balls. I mean you see how he tied.

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Speaker 2: The bar together. But yeah, Goose and Loose, that was

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Speaker 2: so tough.

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Speaker 3: It's and then when they push the album dropped, I

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Speaker 3: tried to like go find that verse. I couldn't know

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Speaker 3: the genius put that one up.

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Speaker 4: I hope not, but I mean, I mean, now they

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Speaker 4: have an album coming out and Kanye is nowhere near

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Speaker 4: this music. I think they'll be okay. Oh no, they'll

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Speaker 4: be fine. It's just you know, it's just funny to

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Speaker 4: see how things happen.

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Speaker 2: Do you think push like in this very moment, was

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Speaker 2: like two more albums. I think I'm cool. Yeah, I

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Speaker 2: think this was it. Yeah, yeah, I'm cool more. Yeah.

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Speaker 2: If I find a loophole, yeah.

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Speaker 4: We'll figure something out to get away from this ship

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Speaker 4: because it's just too much going on right now. But

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Speaker 4: I'm looking forward to the album, the Dlipse album. I'm

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Speaker 4: glad I didn't hear No No Leak music.

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Speaker 2: I don't want to. I don't want to hear it

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Speaker 2: like that.

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Speaker 3: Yeah, I want to hear it, like actually on Thursday

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Speaker 3: at midnight. But where's where's the first place you listened

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Speaker 3: to the Clips album?

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Speaker 2: Now you gotta be the car. No, I'll be home now,

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Speaker 2: will you you could?

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Speaker 3: I don't know, maybe order of uber, make sure it's

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Speaker 3: a woman driver, ask for the auxiliary cords.

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Speaker 2: Just I'll be in the house and hit the West

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Speaker 2: Highway and the crib on the couch. Yeah, yeah, you

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Speaker 2: gotta like take some piratexes out of do something.

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Speaker 4: Nah, because now I got an induction stoke. It don't

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Speaker 4: even hit the same. I can't even put the pirates.

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Speaker 2: On the induction store. Oh yeah, it's this. It's weird now, man.

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Speaker 2: They're trying to get us away from that lifestyle.

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Speaker 5: You know.

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Speaker 3: Yeah. When I got my new spot how many years ago,

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Speaker 3: that was like a main thing that I was looking for.

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Speaker 2: At each spot, I had the electric stove. I was like,

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Speaker 2: I need fire. Yeah, definitely, it hits different.

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Speaker 3: But I mean, yeah, I gotta make some type of food.

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Speaker 3: You could whip up a vegan dish. You could at

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Speaker 3: least you could use the measuring cups.

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Speaker 4: Well, I could use the measuring cups sugar. Yeah, just

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Speaker 4: get you back in that zone. I don't want to

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Speaker 4: be back in that I just want to hear it.

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Speaker 4: I don't I don't need to be there. I just

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Speaker 4: wanted to hear the music. I don't need to be

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Speaker 4: in that zone. Just let me hear some good music.

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Speaker 2: That's it.

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Speaker 3: Do you have a prediction we've gotten the Travis Scott

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Speaker 3: shots ran into the fucking ground.

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Speaker 4: Do we think there's gonna be anymore? I'm hearing Travis.

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Speaker 4: I'm hearing rumors that he may put out a song

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Speaker 4: Thursday night as well and then kind of mess with

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Speaker 4: the sales.

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Speaker 3: Well, the jack Boys just put out is that record

201
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Speaker 3: out with the video or is.

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Speaker 2: That just one of those trailer videos? So I think

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Speaker 2: it's out.

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Speaker 3: Okay, So he's gonna put out another record, all right,

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Speaker 3: I could see that.

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Speaker 2: Then I don't know. Again, this is the clips. They

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Speaker 2: don't care about that type of They're not playing the

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Speaker 2: same game. A lot of these other artists are playing

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Speaker 2: like they don't really care about that.

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Speaker 4: Do they want to, you know, the project do well

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Speaker 4: and be received, well, absolutely, but they're not playing these

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Speaker 4: these other games.

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Speaker 3: And to your point from years ago of when people

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Speaker 3: are dropping on the same days, like let's say there's

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Speaker 3: The Iceman episode two on Friday, Yeah, I'm gonna watch

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Speaker 3: that and then I'm gonna I'm gonna listen to the clips.

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Speaker 3: I'm going to both will be consumed exactly, and I'll

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Speaker 3: probably click the Travis song.

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Speaker 2: It won't be my first thing. But if I get

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Speaker 2: around to on Saturday, yeah, just what was going on? Like,

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Speaker 2: I'm still going to listen to you?

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Speaker 4: Yeah, it doesn't that's why when people try to stay

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Speaker 4: away from and that's because they want that, you know,

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Speaker 4: they need that number one debut.

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Speaker 2: They want that.

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Speaker 4: But somebody like the Clips, I just don't think at

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Speaker 4: this point in their career, professionally or personally in their lives.

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Speaker 4: I don't think that they're chasing. They don't really care

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Speaker 4: about that. They just want the music to be received

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Speaker 4: amongst their fan base the same way all of their

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Speaker 4: music has been received.

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Speaker 3: I do want you to listen on Thursday night, so

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Speaker 3: Monday morning you can come in with a full rendition

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Speaker 3: of the Birds Don't Sing John Legend hook, because that

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Speaker 3: leaked on like one of those Paris fashion shows like

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Speaker 3: two years ago. I play that on YouTube often. It

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Speaker 3: has like the high Q version, that's the intro. They

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Speaker 3: already I'm not spilling anything they said it in interviews. I

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Speaker 3: kind of need the mall version of the Birds Don't Sing.

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Speaker 4: Hook, And I you know, I know people think I

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Speaker 4: don't like John. I like John Legend. I'm just I

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Speaker 4: just think that it's a time and place for John Legend.

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Speaker 3: So I would, as someone that agreed with you on

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Speaker 3: that John Legend take, this is one of the better

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Speaker 3: John Legend hooks I've heard in quite some time.

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Speaker 2: No, that's the one from the Yeah Show. You know

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Speaker 2: that was That song was incredible.

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Speaker 3: If you want to give us a little teaser now

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Speaker 3: that the lyrics are the birds don't sing, they streaming pain.

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Speaker 2: I'm cool. I'm cool. A couple of birds don't sing.

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Speaker 2: I'm cool. I'm cool. I'll let John. Let John have that. Yeah,

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Speaker 2: n give that one to him. Yeah, let him have that.

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Speaker 2: That's it. That's all you, John Well.

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Speaker 3: I think our guests may be here. I don't know

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Speaker 3: if there's anything more we should cover. If you guys

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Speaker 3: have any questions, I don't know. Spam Demarius mentions not

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Speaker 3: ours make it a her thing. But yes, we are.

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Speaker 3: We are aware that sometimes the Zoom ship doesn't really

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Speaker 3: work out with the athletes, even when we have a

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Speaker 3: great one like I love that Donovan McNabb conversation. I

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Speaker 3: thought it was incredible. I wish you would have been

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Speaker 3: If that would have been here, would have been even better. So,

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Speaker 3: you know, making adjustments and keeping the fans updated as

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Speaker 3: we go. So it it'll just be weekly checking on Wednesdays.

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Speaker 3: You'll get you'll get an episode.

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Speaker 2: You'll never know who we're going to be sitting with,

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Speaker 2: but it may be with Mall's twins sister. You never

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Speaker 2: know who's gonna sit on this.

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Speaker 4: We have no idea who will be here, but we

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Speaker 4: will be here to check in with some of our friends.

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Speaker 4: And today we have a definite this is family here today.

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Speaker 4: So let's get into it.

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Speaker 1: All right.

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Speaker 2: We are back today. We are joined by I think

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Speaker 2: we're like three for three.

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Speaker 4: So far with our three or four people that said Yo,

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Speaker 4: we're gonna see you in New York when we was

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Speaker 4: in l A for t weekend. Today we are joined

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Speaker 4: by somebody that you know, this is this is family.

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Speaker 4: This is a family affair today one of my favorite people,

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Speaker 4: legend and every since of the word back once again,

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Speaker 4: j D.

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Speaker 2: Jermaine. How you feeling, bro, I'm good.

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Speaker 1: I'm always good to see.

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Speaker 4: Yeah, we would give Jay some cla I think I

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Speaker 4: think pre deserves a roundable. You know, can't open your

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Speaker 4: phone without seeing JD working, cannot not see him in

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Speaker 4: the studio. But how's everything going with the album, Magic City,

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Speaker 4: the documentary, the album.

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Speaker 1: I mean it's going.

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Speaker 6: It's it's definitely a I'm having like a very big

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Speaker 6: creative explosion.

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Speaker 2: No, you have fun man, I am.

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Speaker 6: I'm like that it has actually turned into something that

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Speaker 6: I didn't see coming at first, Like this, I wasn't

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Speaker 6: like I was like, Okay, we're gonna do a soundtrack.

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Speaker 6: And at first I was gonna pick the records from

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Speaker 6: other people and just hit the records. Then I was

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Speaker 6: just like that ain't really nothing new, like you know

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Speaker 6: what I mean. So then I was like, let me

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Speaker 6: do all the records, and I was like, you know

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Speaker 6: how that's gonna be. And then that started turning into

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Speaker 6: me doing all the records and it just turned into

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Speaker 6: basically a new Jamaine the pre album inspired by the

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Speaker 6: Magic City documentary.

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Speaker 4: JD for somebody like yourself. Obviously, you know it's a

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Speaker 4: personal relationship we have, but I just like, what, how

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Speaker 4: do you still find motivation because you've accomplished what most

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Speaker 4: people can only hope to accomplish, Like at this point

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Speaker 4: in your career and in your life, how do you

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Speaker 4: continue to find just inspiration to do something you haven't

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Speaker 4: done before?

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Speaker 1: That's it, you gotta find what you have. I mean,

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Speaker 1: that's what I'm saying.

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Speaker 6: It's crazy, Like you know, like when Christmas time coming around,

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Speaker 6: people like I don't know who to give a person

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Speaker 6: who got everything. I don't have everything, you know what

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Speaker 6: I mean, Like go to the store. That's just you know,

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Speaker 6: like if saying that there's a cop out, go take

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Speaker 6: your ass to the story and called me on FaceTime.

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Speaker 1: I'll be like, Yo, I see this. You got this?

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Speaker 6: No I don't get it. Yeah, I mean like that's

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Speaker 6: that's basically how life is. Like you sit back and

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Speaker 6: start thinking you did it everything, then that's how you

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Speaker 6: address it. I ain't did everything, and like just just

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Speaker 6: just soundtrack or this record the first record to turn

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Speaker 6: around record I never I don't even I don't even

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Speaker 6: have a record with T on my discography. I don't

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Speaker 6: have a record to change in my discography, and I

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Speaker 6: don't have a record with drow and my discography for

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Speaker 6: off Top, that's.

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Speaker 2: Yeah, talking about that b T my mind.

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Speaker 1: I know what I'm saying.

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Speaker 6: So off Top it just that's automatically something that's never

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Speaker 6: happened before. So it's like, oh, if I start doing this,

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Speaker 6: you know what I mean. I signed rock O, you know,

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Speaker 6: to death Jam, but I never made records on rockers.

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Speaker 6: So now I got a record. I got a record

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Speaker 6: with rock on this record, So it's like a lot.

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Speaker 6: All the records that I'm making, I never had. I

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Speaker 6: never had a song with Travis Porter. Like I'm making

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Speaker 6: records with the artists that live in the city that

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Speaker 6: were cool and we great friends and all of this,

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Speaker 6: but I never had music with That's.

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Speaker 4: Just basically because JD was basically too busy making Maria

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Speaker 4: everybody else, everybody for the city to get something.

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Speaker 6: Everybody else was always busy doing what they were doing.

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Speaker 6: A lot of these artists, they don't need me. So

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Speaker 6: I'm saying, like, I think, you know, Atlanta's a strong city.

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Speaker 6: It's like you ain't got to go to JD to

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Speaker 6: get it hit. I mean, it's a bunch of other

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Speaker 6: people in the city making hits. That's basically what it was.

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Speaker 6: And it's just like they doing what they're doing.

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Speaker 1: I'm doing.

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Speaker 6: I'm doing trying to break the artists I got in

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Speaker 6: my in my in my in my little circle. So

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Speaker 6: but this is definitely like you know, I started it

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Speaker 6: with Tip and when people saying t I do that,

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Speaker 6: I think they everybody else say Okay, this is what

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Speaker 6: we're doing.

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Speaker 4: What can we expect from the Magic City documentary? Like,

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Speaker 4: what can we expect?

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Speaker 2: A lot of us.

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Speaker 4: You know, I was still young, but I was able

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Speaker 4: to experience Magic City with you. The first time I

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Speaker 4: ever been to Magic City was with you, So I

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Speaker 4: was able to experience that for But for a lot

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Speaker 4: of people that never experienced Magic City, what can they

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Speaker 4: expect from this documentary?

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Speaker 6: Probably a lot more information than they actually even want,

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Speaker 6: you know what I mean, not not not from listen,

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Speaker 6: not from a work from the dark side of it though,

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Speaker 6: I'm saying like information that you, as a customer, will

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Speaker 6: never know unless you watch this documentary, Like like yesterday

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Speaker 6: we did lift service and GG you know, GG is

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Speaker 6: very much you know, titties out in this documentary doing

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Speaker 6: interviews like we are titties out, like you know what

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Speaker 6: I mean, like and like and the stuff that she's

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Speaker 6: talking about.

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Speaker 1: I was sitting there like.

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Speaker 2: What, yeah, that shit be going on?

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Speaker 6: Like what happens downstairs with these girls in the locker

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Speaker 6: room and how Magic picks the schedule and who goes

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Speaker 6: on the stage.

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Speaker 1: You don't never even be thinking about this.

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Speaker 6: We just see it's a whole right, it's a whole

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00:16:07,440 --> 00:16:11,280
Speaker 6: operation to what's going on downstairs in the strip club.

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Speaker 6: And that's what I mean about information. You probably too

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Speaker 6: much more information. You actually, even though you want, you

390
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Speaker 6: probably don't. Yeah, you know, but when you go back

391
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Speaker 6: after you see this, you're gonna be like, you're gonna

392
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Speaker 6: be looking at this ship like, oh, this is real business, boy,

393
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Speaker 6: this you know what I'm saying. So even me, like

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Speaker 6: I said, being a part of it, this ship that

395
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Speaker 6: they talking about, I can't tell you about it because

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Speaker 6: I don't.

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Speaker 1: I don't go. I do.

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Speaker 6: I'm customer, you know what I mean. I drink, get dances.

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Speaker 6: What's happening under that floor? Yeah, it's a whole nothing world.

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Speaker 3: Without too many spoilers. What's one thing that you were like,

401
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Speaker 3: Holy shit, I had no.

402
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Speaker 6: Idea that the girls pay attention to whoever the most

403
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Speaker 6: earner is. So if it's a girl in there is

404
00:16:57,200 --> 00:17:01,720
Speaker 6: earning a lot, because you evidently you start knowing who's

405
00:17:01,760 --> 00:17:08,439
Speaker 6: getting the money, they try to like attach themselves to

406
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Speaker 6: that girl. So she goes on stage and she usually

407
00:17:11,560 --> 00:17:14,760
Speaker 6: make ten thousand on the stage. They say, when she

408
00:17:14,800 --> 00:17:17,320
Speaker 6: put a name on the board, girls be waiting for

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Speaker 6: her to put her name on the board so they

410
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Speaker 6: can put their name of the board and try to

411
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Speaker 6: be under her. Like I didn't ever, I would have

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Speaker 6: never thought like that makes that's what's.

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Speaker 2: Happening, like the internship program.

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Speaker 1: Yeah, I guess. I mean it's like fish.

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Speaker 6: I see it like like you're not a little fish

416
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Speaker 6: be following. It's like they following the big fish in

417
00:17:36,200 --> 00:17:39,359
Speaker 6: the club, the little fish looking for the big fish

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Speaker 6: when they you know what I mean.

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Speaker 1: I would have never thought that it was that type

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Speaker 1: of party going on.

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Speaker 2: But also the same shit though, the same shit.

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Speaker 6: Nah, you don't know, I mean, but you don't actually

423
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Speaker 6: really see Yeah, I guess you don't see them till

424
00:17:52,240 --> 00:17:52,760
Speaker 6: they run up for.

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Speaker 2: You with that thing.

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Speaker 6: But I'm saying in this space, I think you know,

427
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Speaker 6: we don't act like these girls actually see the money

428
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Speaker 6: they actually know. Yo, yeah you got I've seen you

429
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Speaker 6: make you got five thousand dollars from homes right, I'm

430
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Speaker 6: trying to fuck with you.

431
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Speaker 2: How did you do that?

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Speaker 6: They come with you, you know what I'm saying. So

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Speaker 6: I think I mean that's I would have never I

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Speaker 6: never paid no attention to it.

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Speaker 1: Matter of fact, I never even like.

436
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Speaker 6: Bes seeing the girls going to stage, and I never

437
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Speaker 6: even question like how they get picked. But if you watch,

438
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Speaker 6: if you're in there, the djil say four different names

439
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Speaker 6: and then switch the girls out. Them four girls that

440
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Speaker 6: go up there, it's a whole conversation. I had them

441
00:18:33,359 --> 00:18:36,800
Speaker 6: four girls get on that stage. Yeah, that's you know,

442
00:18:37,040 --> 00:18:38,920
Speaker 6: so I mean, that's that's pretty much like that's what

443
00:18:38,960 --> 00:18:41,919
Speaker 6: it is. And by the way, in documentaries is the

444
00:18:41,920 --> 00:18:44,080
Speaker 6: only place that you're supposed to learn that, you know

445
00:18:44,119 --> 00:18:44,560
Speaker 6: what I'm saying.

446
00:18:44,560 --> 00:18:46,359
Speaker 1: You ain't gonna learn that if you just go in

447
00:18:46,400 --> 00:18:46,840
Speaker 1: that club.

448
00:18:46,920 --> 00:18:49,720
Speaker 6: So it's a lot of documentary things like that that's

449
00:18:49,760 --> 00:18:51,600
Speaker 6: in this documentary.

450
00:18:51,080 --> 00:18:54,320
Speaker 2: And official release dates for album doc everything.

451
00:18:54,359 --> 00:18:56,159
Speaker 6: I mean, I'm trying. I'm trying to meet it. But

452
00:18:56,240 --> 00:19:00,919
Speaker 6: the documentary drops August fifteen. I'm on my race to

453
00:19:01,000 --> 00:19:03,359
Speaker 6: get this done and you know, chasing artists and making

454
00:19:03,359 --> 00:19:05,800
Speaker 6: sure that I finished it. I just had a call

455
00:19:05,920 --> 00:19:08,320
Speaker 6: just now about that. So I'm just trying to you know.

456
00:19:08,280 --> 00:19:08,520
Speaker 2: What i mean.

457
00:19:08,520 --> 00:19:09,240
Speaker 1: But it's crazy.

458
00:19:09,280 --> 00:19:11,159
Speaker 6: I got more artists than on this record than I

459
00:19:11,240 --> 00:19:14,520
Speaker 6: probably ever had on any project that I've done. And

460
00:19:15,240 --> 00:19:18,600
Speaker 6: you know, Clarences and all kinds who's.

461
00:19:18,400 --> 00:19:20,160
Speaker 2: Been calling you trying to get on there, and you're

462
00:19:20,200 --> 00:19:20,600
Speaker 2: just like.

463
00:19:22,119 --> 00:19:26,200
Speaker 6: Just the same, right, well, I mean, you know everybody

464
00:19:26,240 --> 00:19:29,120
Speaker 6: pretty much. But because I mean, I don't think people understand.

465
00:19:29,200 --> 00:19:34,680
Speaker 6: I'm actually it went from the soundtrack rules to a

466
00:19:34,760 --> 00:19:35,919
Speaker 6: Jermaine dupre album.

467
00:19:36,359 --> 00:19:39,560
Speaker 1: So when you know, usually a soundtrack soundtrack rules.

468
00:19:39,560 --> 00:19:42,119
Speaker 6: It's like if I walk down the street and I

469
00:19:42,160 --> 00:19:44,040
Speaker 6: bump into somebody was like, y'all heard you working on

470
00:19:44,080 --> 00:19:46,200
Speaker 6: that soundtracks. I got something for them, you know what

471
00:19:46,200 --> 00:19:48,240
Speaker 6: I mean? They might send it. That's an A and

472
00:19:48,359 --> 00:19:52,200
Speaker 6: R move, right. A Jamaine du Prix album is not

473
00:19:52,280 --> 00:19:55,119
Speaker 6: being an R. It's my what I hear in my head.

474
00:19:55,200 --> 00:19:55,360
Speaker 2: Right.

475
00:19:55,400 --> 00:19:58,440
Speaker 6: So I was talking to Jada about this yesterday because

476
00:19:58,440 --> 00:20:00,879
Speaker 6: when I did Hate Your Blood, I put Jada in

477
00:20:00,920 --> 00:20:03,919
Speaker 6: Freeway on the same song when they was beefing, but

478
00:20:04,000 --> 00:20:07,320
Speaker 6: I didn't hear Freeway rapping. I heard Freeway doing the hook,

479
00:20:07,720 --> 00:20:10,520
Speaker 6: and I heard Jada rapping, and I wasn't thinking about

480
00:20:10,560 --> 00:20:12,680
Speaker 6: they beef. And I only bring this up because I

481
00:20:12,720 --> 00:20:14,720
Speaker 6: want people to understand how I'm making the records, even

482
00:20:14,720 --> 00:20:17,680
Speaker 6: people whoever's listening and might feel like I haven't put

483
00:20:17,720 --> 00:20:20,119
Speaker 6: them on. I hear the voices when I make the

484
00:20:20,160 --> 00:20:23,280
Speaker 6: beats like I make it be I'm like, oh, if

485
00:20:23,320 --> 00:20:27,480
Speaker 6: I get this person, this would sound crazy, right. Even

486
00:20:27,520 --> 00:20:30,359
Speaker 6: the older artists like the next thingle with Sean Paul.

487
00:20:30,440 --> 00:20:32,640
Speaker 6: I heard Sean Paul when I went to sleep after

488
00:20:32,920 --> 00:20:35,000
Speaker 6: I was like, I got to put Sean Paul on

489
00:20:35,000 --> 00:20:35,280
Speaker 6: the song.

490
00:20:35,359 --> 00:20:37,480
Speaker 1: And I sat there for a minute with myself.

491
00:20:37,119 --> 00:20:40,040
Speaker 6: Saying, okay, he had a record out in a minute,

492
00:20:40,240 --> 00:20:41,399
Speaker 6: how people gonna go with this?

493
00:20:41,480 --> 00:20:42,639
Speaker 1: You know what I mean? Trying to see if I

494
00:20:42,640 --> 00:20:45,280
Speaker 1: got to play that you hot game.

495
00:20:45,960 --> 00:20:47,960
Speaker 6: I'm like, man, you know what I'm going I'm gonna

496
00:20:48,000 --> 00:20:50,720
Speaker 6: make this record based on my likes with my taste

497
00:20:50,800 --> 00:20:51,560
Speaker 6: is you know what I'm saying.

498
00:20:51,840 --> 00:20:55,800
Speaker 1: Niggas might not drink pepsi no more, I want a pepsi.

499
00:20:56,160 --> 00:20:57,760
Speaker 1: You know what I'm saying. I can't say that I'm

500
00:20:57,760 --> 00:21:03,119
Speaker 1: from Atlanta. I want to coke, but you know what

501
00:21:03,119 --> 00:21:05,400
Speaker 1: I mean, Like, it's just just that's and I think

502
00:21:05,400 --> 00:21:07,400
Speaker 1: that's what people not. They're not understanding.

503
00:21:07,440 --> 00:21:10,000
Speaker 6: Like it went from it being a soundtrack to me

504
00:21:10,200 --> 00:21:13,679
Speaker 6: just like what do I what's my actual taste?

505
00:21:14,040 --> 00:21:15,720
Speaker 1: You know what I mean? What who? You know?

506
00:21:15,880 --> 00:21:15,960
Speaker 3: Not?

507
00:21:16,280 --> 00:21:18,520
Speaker 1: And I like everybody. I love all the artists in Atlanta.

508
00:21:18,560 --> 00:21:21,400
Speaker 6: But it's just like, now that I'm making records, it's

509
00:21:21,480 --> 00:21:24,760
Speaker 6: really starting to be like Taylor made for what I'm.

510
00:21:24,600 --> 00:21:25,480
Speaker 1: Hearing in my head.

511
00:21:25,640 --> 00:21:29,320
Speaker 6: So a lot of artists. Everybody hit me because it's

512
00:21:29,320 --> 00:21:33,399
Speaker 6: a lot of artists that I didn't realize. If I

513
00:21:33,480 --> 00:21:36,800
Speaker 6: showed me working with them, that just opens the door

514
00:21:36,920 --> 00:21:39,840
Speaker 6: for everybody they supposed to kick somebody off, Like Luci

515
00:21:39,960 --> 00:21:42,040
Speaker 6: was one of the ones where niggas see me in

516
00:21:42,080 --> 00:21:48,760
Speaker 6: the studio. Lucci, you gotta get on Loci.

517
00:21:48,840 --> 00:21:49,280
Speaker 1: And I know.

518
00:21:57,640 --> 00:22:00,280
Speaker 3: Last time we was down at the compound, we tried

519
00:22:00,280 --> 00:22:01,920
Speaker 3: your vegan ice cream for the first time.

520
00:22:01,760 --> 00:22:05,159
Speaker 2: Which which was delicious. J D's vegan when Walmart and

521
00:22:05,200 --> 00:22:05,480
Speaker 2: got some.

522
00:22:06,680 --> 00:22:08,520
Speaker 3: Since you two are like the only two vegans, like

523
00:22:08,520 --> 00:22:11,560
Speaker 3: I really know, I put together a segment called vegan

524
00:22:11,600 --> 00:22:14,920
Speaker 3: dish song title or both, and I want to.

525
00:22:14,840 --> 00:22:18,960
Speaker 2: See it Vegan song title or both. I'm going to

526
00:22:19,000 --> 00:22:21,560
Speaker 2: say you found something that may be a vegan dish

527
00:22:21,600 --> 00:22:25,439
Speaker 2: in the song title? Like together, Josh, can we get

528
00:22:25,480 --> 00:22:26,320
Speaker 2: a point system going?

529
00:22:27,240 --> 00:22:29,720
Speaker 3: I think a point system even if you get the

530
00:22:29,760 --> 00:22:31,920
Speaker 3: both correct, if you name the song title, I think.

531
00:22:31,840 --> 00:22:32,800
Speaker 2: You should get an extra point.

532
00:22:32,880 --> 00:22:37,840
Speaker 3: Okay, all right, we'll start kind of easy, wavy gravy,

533
00:22:38,520 --> 00:22:39,760
Speaker 3: wavy gravy is.

534
00:22:39,720 --> 00:22:42,240
Speaker 2: That a song title? Is that a vegan dish? Or

535
00:22:42,280 --> 00:22:45,199
Speaker 2: is that both? Wavy?

536
00:22:45,359 --> 00:22:47,880
Speaker 4: I hope that's not a song title. So I'm gonna

537
00:22:47,880 --> 00:22:49,600
Speaker 4: I'm gonna go with vegan dish on that one.

538
00:22:49,720 --> 00:22:58,720
Speaker 1: Wavy gravy mm hmm, it's going through the rollodex.

539
00:22:58,800 --> 00:23:02,679
Speaker 2: I ain't I never heard way you know gravy though, true,

540
00:23:03,960 --> 00:23:04,320
Speaker 2: I'm gonna go.

541
00:23:04,359 --> 00:23:06,960
Speaker 6: I'm gonna go both because I mean, I'm from Atlanta

542
00:23:06,960 --> 00:23:09,600
Speaker 6: and this is you know, they the swag gods in

543
00:23:09,680 --> 00:23:11,240
Speaker 6: Atlanta waving.

544
00:23:11,320 --> 00:23:14,800
Speaker 1: This might be like you know, I'm gonna go both.

545
00:23:15,040 --> 00:23:16,360
Speaker 2: So I initially thought it was both.

546
00:23:16,400 --> 00:23:19,560
Speaker 3: It's just a vegan dish, a gravy brand from a

547
00:23:19,600 --> 00:23:22,639
Speaker 3: famous nineteen sixties activist. I didn't do that much research,

548
00:23:22,680 --> 00:23:24,920
Speaker 3: but yes, it is a real thing. This one will

549
00:23:24,960 --> 00:23:30,160
Speaker 3: be quick, super easy. Peaches, pizza, peaches, peaches.

550
00:23:30,280 --> 00:23:33,040
Speaker 2: Yeah, well peaches is vegan. I'm gonna say both. Okay,

551
00:23:33,119 --> 00:23:37,320
Speaker 2: can you name the song? I can name the girl

552
00:23:38,359 --> 00:23:40,600
Speaker 2: She's in the Magic City.

553
00:23:41,600 --> 00:23:43,680
Speaker 4: No, I can't name the song. Well, one twelve had

554
00:23:43,680 --> 00:23:44,359
Speaker 4: peaches and cream.

555
00:23:44,480 --> 00:23:48,640
Speaker 2: That's not that's not pizzas. Cream isn't peachas.

556
00:23:48,280 --> 00:23:50,600
Speaker 1: No, No, peaches is justin bieble right.

557
00:23:51,720 --> 00:23:53,520
Speaker 2: That is two points for j D. One point.

558
00:23:54,240 --> 00:23:59,600
Speaker 4: Oh ship, We'll keep speed around. Coconut leather coconut leather.

559
00:24:00,080 --> 00:24:07,520
Speaker 4: That is hilarious. Coconut it could be a yeah, coconut leather.

560
00:24:08,240 --> 00:24:09,120
Speaker 1: That's gotta be a song.

561
00:24:10,200 --> 00:24:11,960
Speaker 2: Coconut leather has to be a song.

562
00:24:12,040 --> 00:24:12,840
Speaker 1: That's not that's not.

563
00:24:13,000 --> 00:24:15,359
Speaker 3: That can't be a dish. You're both wrong. It's just

564
00:24:15,359 --> 00:24:18,040
Speaker 3: a vegan dish. Well, not so much just a dish.

565
00:24:18,119 --> 00:24:20,199
Speaker 3: It's a real vegan material and they put it in

566
00:24:20,280 --> 00:24:21,600
Speaker 3: vegan desert leather.

567
00:24:21,800 --> 00:24:25,160
Speaker 6: Okay, well you said a dish that's a vegan. It's

568
00:24:25,160 --> 00:24:30,679
Speaker 6: a vegan it goes and dessert. Okay, listen, I went

569
00:24:30,800 --> 00:24:39,679
Speaker 6: to vegan dot e u T Cherry Bomb, Cherry Bomb.

570
00:24:40,640 --> 00:24:41,840
Speaker 6: I'm gonna say both.

571
00:24:41,880 --> 00:24:49,919
Speaker 2: Okay, Jitty, so I know yo, I'm gonna go.

572
00:24:50,840 --> 00:24:52,439
Speaker 1: I said both the last time. I'm gonna go with

573
00:24:52,520 --> 00:24:53,399
Speaker 1: just a vegan dish.

574
00:24:54,119 --> 00:24:57,360
Speaker 2: You know, so, Cherry Bomb, No, I don't know the song.

575
00:24:57,440 --> 00:24:58,840
Speaker 2: All right, we get the point. It is both. But

576
00:24:58,920 --> 00:25:05,720
Speaker 2: Tyler creator okay, cherry yeah, poke theory, poke theory. Not

577
00:25:05,800 --> 00:25:09,080
Speaker 2: a dish per se, but maybe a restaurant. But is

578
00:25:09,080 --> 00:25:09,440
Speaker 2: it both.

579
00:25:10,080 --> 00:25:13,960
Speaker 4: I'm gonna say it's a dish slash restaurant.

580
00:25:14,000 --> 00:25:15,080
Speaker 2: I'm not gonna say it's a song.

581
00:25:16,000 --> 00:25:17,399
Speaker 1: Okay, I'm gonna just go with dish.

582
00:25:17,600 --> 00:25:19,480
Speaker 3: You guys are both correct. I thought it could be

583
00:25:19,520 --> 00:25:21,840
Speaker 3: like if q Tip like decided to go super vegan.

584
00:25:21,920 --> 00:25:23,679
Speaker 3: I can see a tribe song being poke theory.

585
00:25:23,840 --> 00:25:25,560
Speaker 2: But yeah, I can see that. It's a restaurant in

586
00:25:25,600 --> 00:25:27,080
Speaker 2: Singapore orange.

587
00:25:26,680 --> 00:25:32,280
Speaker 4: Moon, orange Moon. I'm gonna say both. That sounds like

588
00:25:32,320 --> 00:25:33,320
Speaker 4: a nice song title.

589
00:25:34,359 --> 00:25:36,439
Speaker 3: So I could not find a vegan dish called that.

590
00:25:36,480 --> 00:25:38,440
Speaker 3: Maybe there's a smoothie out there, but I could only

591
00:25:38,480 --> 00:25:41,320
Speaker 3: find an Erica bad song named orange Moon. There was

592
00:25:41,359 --> 00:25:45,280
Speaker 3: no dish orange Moon. No, oh wow, okay, Tofu and Champagne.

593
00:25:45,800 --> 00:25:47,960
Speaker 2: That to be a dish.

594
00:25:48,119 --> 00:25:56,560
Speaker 3: There's no song called that's with progression. I think that

595
00:25:56,600 --> 00:25:57,800
Speaker 3: will be the name of a rapper.

596
00:25:57,840 --> 00:25:59,320
Speaker 2: Oh for sure, that might be the name of a

597
00:25:59,400 --> 00:26:00,240
Speaker 2: rapper in a few years.

598
00:26:00,280 --> 00:26:02,480
Speaker 3: It's an actual brunch pairing at Plant Food and Wine

599
00:26:02,520 --> 00:26:04,520
Speaker 3: in l A. Okay, like the way that's in London,

600
00:26:04,520 --> 00:26:06,320
Speaker 3: somewhere in l A, Los Angeles.

601
00:26:06,400 --> 00:26:07,560
Speaker 2: Yeah, tote fold Champagne.

602
00:26:07,560 --> 00:26:09,320
Speaker 3: Okay, all right, this one is kind of this is

603
00:26:09,359 --> 00:26:15,760
Speaker 3: a trick question. Raspberry Beret both, no one, it's a

604
00:26:16,320 --> 00:26:20,680
Speaker 3: it's a song. It's a frank song and a dish.

605
00:26:21,200 --> 00:26:23,200
Speaker 3: You guys are both correct, but Prince was really talking

606
00:26:23,240 --> 00:26:26,000
Speaker 3: about like a red ass beret like he wasn't talking.

607
00:26:25,840 --> 00:26:28,159
Speaker 2: About a dish. No, Prince, definitely dish.

608
00:26:28,200 --> 00:26:30,960
Speaker 3: Yeah, she guys both bright Strawberry Swing for our last

609
00:26:30,960 --> 00:26:32,560
Speaker 3: one Strawberry Swing.

610
00:26:34,320 --> 00:26:37,600
Speaker 4: That's a that's a song for sure. Frank Ocean, right,

611
00:26:37,800 --> 00:26:40,800
Speaker 4: o'loni bro whatever he was going by back then, h.

612
00:26:41,720 --> 00:26:44,280
Speaker 3: It is both yes, Frank Ocean and it was a

613
00:26:44,320 --> 00:26:46,720
Speaker 3: Coldplay cover. But yes, that is a Vegan dish.

614
00:26:46,960 --> 00:26:49,600
Speaker 2: Are you guys doing all right? What was our final sound?

615
00:26:49,680 --> 00:26:52,119
Speaker 2: Real Vegan? He tried to get us jammed up, like

616
00:26:52,119 --> 00:26:53,000
Speaker 2: we don't really do this.

617
00:26:53,000 --> 00:26:57,640
Speaker 3: Vegan ship, like seven all right, come on something I'm

618
00:26:57,640 --> 00:27:01,920
Speaker 3: going to say with Todd. The first answer with that said,

619
00:27:01,960 --> 00:27:04,640
Speaker 3: we had another segment that we're still flushing out.

620
00:27:04,640 --> 00:27:06,119
Speaker 2: I guess it's a this or that you kind.

621
00:27:05,960 --> 00:27:07,679
Speaker 3: Of have to pick an option between the two of

622
00:27:07,720 --> 00:27:09,959
Speaker 3: one existing and one not existing in your career.

623
00:27:10,600 --> 00:27:12,880
Speaker 2: We'll start out very easy.

624
00:27:12,920 --> 00:27:15,840
Speaker 3: This or that you either make confessions or you make

625
00:27:16,240 --> 00:27:17,680
Speaker 3: the amounsive patient of mee me.

626
00:27:19,160 --> 00:27:21,400
Speaker 2: You have to pick one. One disappears forever. Yeah, one

627
00:27:21,400 --> 00:27:22,920
Speaker 2: disappears forever. Which one do you keep?

628
00:27:27,000 --> 00:27:28,880
Speaker 1: Unfortunately? I got I won't say.

629
00:27:28,920 --> 00:27:31,560
Speaker 6: Unfortunately, I'm gonna have to go with a man's face

630
00:27:31,600 --> 00:27:35,480
Speaker 6: to be me because in my entire career, I never.

631
00:27:35,359 --> 00:27:40,040
Speaker 3: Had song of the Decade besides off that album. Okay, damn,

632
00:27:40,160 --> 00:27:42,560
Speaker 3: I think I would choose. I choose Confessions. I see

633
00:27:42,560 --> 00:27:43,800
Speaker 3: why you would go with that.

634
00:27:43,840 --> 00:27:46,199
Speaker 1: I mean, Confessionals is big, but Confessions.

635
00:27:47,320 --> 00:27:51,040
Speaker 6: Song of the decade songs, Yeah, that's a little. It's

636
00:27:51,080 --> 00:27:53,280
Speaker 6: hard to give up decade, to give up the song

637
00:27:53,320 --> 00:27:54,119
Speaker 6: of the decade.

638
00:27:54,440 --> 00:27:56,879
Speaker 2: Bow Wow, let me hold you stays in History or

639
00:27:56,960 --> 00:27:58,240
Speaker 2: Jagged Edge. Let's get married?

640
00:28:00,160 --> 00:28:06,160
Speaker 1: Mm hmm, Jack it is, let's get married. I think,

641
00:28:06,720 --> 00:28:09,240
Speaker 1: m hm. It's a longer age. You know, somebody gonna

642
00:28:09,240 --> 00:28:11,920
Speaker 1: get married. That's the official matterage on this get married

643
00:28:11,920 --> 00:28:13,960
Speaker 1: every week. It's something that will be around.

644
00:28:14,119 --> 00:28:16,600
Speaker 3: Keep so So Deaf as the label, or keep JD

645
00:28:16,720 --> 00:28:19,040
Speaker 3: as a solo artist.

646
00:28:18,640 --> 00:28:20,960
Speaker 1: So So theft the label. I figured, I'm tired.

647
00:28:22,800 --> 00:28:25,200
Speaker 2: I get tired, and I ain't making no album be.

648
00:28:25,240 --> 00:28:28,359
Speaker 3: Known as the mastermind behind We Belong Together or Money anything.

649
00:28:33,840 --> 00:28:37,800
Speaker 4: J D low Key created, Bling Bling. He won't take

650
00:28:37,840 --> 00:28:40,560
Speaker 4: credit for what I'm gonna say. He said, Glean, we said, glean,

651
00:28:40,640 --> 00:28:43,760
Speaker 4: glean Blin you said blink, right, JD came up with

652
00:28:43,800 --> 00:28:46,280
Speaker 4: bling blink, we don't do and Wayne the coach don't

653
00:28:46,320 --> 00:28:46,840
Speaker 4: give JD.

654
00:28:47,320 --> 00:28:48,920
Speaker 3: I assumed he was just going off money anything when

655
00:28:48,960 --> 00:28:49,960
Speaker 3: I heard the first time Wayne said it.

656
00:28:50,200 --> 00:28:52,760
Speaker 4: Like they give Wayne that credit. But JD definitely said

657
00:28:52,920 --> 00:28:55,080
Speaker 4: I don't like it if it don't bling blink. Yeah,

658
00:28:55,320 --> 00:28:58,360
Speaker 4: And that was before Wayne and cash money like that.

659
00:28:58,480 --> 00:29:00,640
Speaker 4: I'm old enough to remember that. I'm putting that out there.

660
00:29:00,680 --> 00:29:01,840
Speaker 4: We don't give j that credit.

661
00:29:02,880 --> 00:29:04,600
Speaker 6: Yeah, I'm gonna go with money anything because I feel

662
00:29:04,600 --> 00:29:11,440
Speaker 6: like the far sight of me putting Jay on a

663
00:29:11,520 --> 00:29:14,840
Speaker 6: record before people around where I live at was even

664
00:29:14,880 --> 00:29:19,320
Speaker 6: paying attention to Jay makes me, I guess, looked like

665
00:29:19,360 --> 00:29:22,280
Speaker 6: I was smarter than what people think I am.

666
00:29:24,000 --> 00:29:26,440
Speaker 4: Yeah, that'll definitely make it like y'all introduced the South

667
00:29:26,920 --> 00:29:27,520
Speaker 4: to jay Z.

668
00:29:27,760 --> 00:29:29,360
Speaker 6: Yeah, I don't say that, but I'm just saying I

669
00:29:29,440 --> 00:29:32,240
Speaker 6: feel like I just I know, like, you know, Reasonable,

670
00:29:32,320 --> 00:29:35,560
Speaker 6: that was this record that was basically what I was.

671
00:29:35,960 --> 00:29:37,880
Speaker 6: You know, that was the motivation for money and anything.

672
00:29:38,400 --> 00:29:41,600
Speaker 6: Reasonable That wasn't a big album in Atlanta, you know

673
00:29:41,640 --> 00:29:45,080
Speaker 6: what I mean, you know, critically acclaimed rap album if.

674
00:29:44,960 --> 00:29:45,920
Speaker 1: You was into rap.

675
00:29:46,520 --> 00:29:51,240
Speaker 6: But I even up here City of Atlanta wasn't into

676
00:29:51,320 --> 00:29:53,400
Speaker 6: rap music like that, so for me to pick him

677
00:29:53,720 --> 00:29:55,960
Speaker 6: even here when I when I went to do that record,

678
00:29:56,240 --> 00:29:57,760
Speaker 6: and I went to Sony and I told him that's

679
00:29:57,800 --> 00:29:59,920
Speaker 6: the record I wanted to be the second basically the first.

680
00:30:00,320 --> 00:30:00,720
Speaker 1: They didn't.

681
00:30:00,920 --> 00:30:03,040
Speaker 6: They didn't even understand why I was going with Jay

682
00:30:03,360 --> 00:30:06,800
Speaker 6: because his momentum wasn't what they thought the momentum needed

683
00:30:06,800 --> 00:30:08,800
Speaker 6: to be for it to be my record single.

684
00:30:09,160 --> 00:30:12,640
Speaker 3: So stay the executive producer of eighty seven oh one

685
00:30:13,000 --> 00:30:18,080
Speaker 3: or keep your entire remix catalog state the executive producer

686
00:30:18,160 --> 00:30:20,640
Speaker 3: eighty seven on one. That takes away a lot of remixes.

687
00:30:20,640 --> 00:30:21,280
Speaker 2: We loved them, it.

688
00:30:21,200 --> 00:30:24,840
Speaker 3: Does, but you know, getting rid of all of Jax

689
00:30:24,960 --> 00:30:26,600
Speaker 3: eighty seven to one is my favorite Usher album.

690
00:30:26,640 --> 00:30:29,720
Speaker 2: But that's a lot of people. That's a lot of remixes.

691
00:30:29,840 --> 00:30:32,160
Speaker 6: I got throw them remixes away and get more work

692
00:30:32,160 --> 00:30:32,920
Speaker 6: off eighty seven.

693
00:30:33,560 --> 00:30:35,720
Speaker 2: That's a great way to look at it. Yeah, I'm

694
00:30:35,720 --> 00:30:38,520
Speaker 2: looking at the fan, but yeah, yeah, yeah, that makes sense.

695
00:30:39,560 --> 00:30:41,640
Speaker 2: JD the artist or JD's businessman.

696
00:30:43,000 --> 00:30:45,560
Speaker 6: JD the businessman. I never even wanted to be an

697
00:30:45,600 --> 00:30:47,360
Speaker 6: artist like that. I mean what I did when I

698
00:30:47,440 --> 00:30:51,280
Speaker 6: was younger and then when I started writing for Bratt,

699
00:30:52,520 --> 00:30:55,400
Speaker 6: I just accidentally got on Functified just because I was

700
00:30:55,440 --> 00:30:57,960
Speaker 6: writing raps and it was like, listen, you should do

701
00:30:57,960 --> 00:30:59,400
Speaker 6: this and you should do that, and I'm gonna do

702
00:30:59,440 --> 00:31:01,400
Speaker 6: this part. And it was like a back and forth,

703
00:31:01,480 --> 00:31:03,720
Speaker 6: like I didn't know what was gonna happen with the song,

704
00:31:03,760 --> 00:31:05,960
Speaker 6: and then it just happened to be like the song

705
00:31:06,040 --> 00:31:08,440
Speaker 6: that took off for her and I'm on it. And

706
00:31:08,480 --> 00:31:10,600
Speaker 6: then people's like, well, Jay, you should make a record,

707
00:31:10,640 --> 00:31:12,080
Speaker 6: and I'm like, I don't want to make no record.

708
00:31:12,120 --> 00:31:14,000
Speaker 6: And then it just turned into me. People want me

709
00:31:14,040 --> 00:31:15,720
Speaker 6: to just keep telling me to make a record. So

710
00:31:15,760 --> 00:31:17,760
Speaker 6: then that's why I did it. So at that point

711
00:31:17,760 --> 00:31:20,880
Speaker 6: in time, I was still I was past me making music, which.

712
00:31:20,680 --> 00:31:23,360
Speaker 3: Is a perfect segue. One can only exist Sweetheart with

713
00:31:23,400 --> 00:31:24,600
Speaker 3: Mariah or FUNCTI five with a.

714
00:31:24,560 --> 00:31:29,000
Speaker 1: Brat funk with the Brat. Yeah.

715
00:31:29,040 --> 00:31:32,200
Speaker 3: I think that there's a whole different part in your

716
00:31:32,240 --> 00:31:35,760
Speaker 3: career from there. I want to go through some of those.

717
00:31:39,440 --> 00:31:41,640
Speaker 4: Be the reason a new traditional R and B artist

718
00:31:41,680 --> 00:31:44,280
Speaker 4: goes number one, or revived the R and B group

719
00:31:44,360 --> 00:31:48,160
Speaker 4: format with all new talent, be.

720
00:31:48,200 --> 00:31:50,680
Speaker 1: The reason of new R and B artist was number one?

721
00:31:51,400 --> 00:31:53,040
Speaker 2: Yeah, you think it's over for the group?

722
00:31:53,960 --> 00:31:56,240
Speaker 1: No, not at all, but I mean not in K pop.

723
00:31:56,280 --> 00:31:58,920
Speaker 1: But no, no, no, I don't. I think I just

724
00:31:59,480 --> 00:32:01,040
Speaker 1: over there just think that groups.

725
00:32:01,240 --> 00:32:02,800
Speaker 6: I mean, I just think it's hard to get people

726
00:32:02,840 --> 00:32:06,040
Speaker 6: to pay attention to music period.

727
00:32:06,200 --> 00:32:07,719
Speaker 1: Not the listening.

728
00:32:07,720 --> 00:32:11,320
Speaker 6: I'm talking about the artists, getting them to understand the

729
00:32:11,400 --> 00:32:15,760
Speaker 6: whole you know, mindset of music is still like it's

730
00:32:15,840 --> 00:32:18,760
Speaker 6: lost right now. So so a group definitely is like

731
00:32:19,440 --> 00:32:21,959
Speaker 6: they can't even pay attention to what needs to be

732
00:32:22,000 --> 00:32:24,360
Speaker 6: done for their records, to even be in a group

733
00:32:24,400 --> 00:32:25,560
Speaker 6: with somebody and trying to talk.

734
00:32:25,600 --> 00:32:26,480
Speaker 1: But I mean, I feel like.

735
00:32:28,240 --> 00:32:31,880
Speaker 6: A group can easily come back and pop fast, but

736
00:32:32,120 --> 00:32:34,440
Speaker 6: it's just finding them, you know what I mean, finding

737
00:32:34,520 --> 00:32:35,840
Speaker 6: and figuring it out.

738
00:32:36,200 --> 00:32:39,280
Speaker 3: Welcome to Atlanta Remix or oh I think they like

739
00:32:39,360 --> 00:32:39,880
Speaker 3: me remix.

740
00:32:40,600 --> 00:32:42,480
Speaker 1: Welcome to Atlanta Remix for sure.

741
00:32:43,120 --> 00:32:46,960
Speaker 6: One because it was a time when you know, people

742
00:32:47,040 --> 00:32:49,320
Speaker 6: was pitting me and Puffed against each other as they've

743
00:32:49,400 --> 00:32:51,680
Speaker 6: always done, and I decided to put Puff on the

744
00:32:51,720 --> 00:32:54,840
Speaker 6: record so that, you know, so people could have their

745
00:32:54,880 --> 00:32:56,120
Speaker 6: little joy with that.

746
00:32:56,440 --> 00:32:58,840
Speaker 1: You know, at that one particular point in time.

747
00:32:59,280 --> 00:33:03,520
Speaker 3: You know, that one particular point you got it bad

748
00:33:03,600 --> 00:33:04,680
Speaker 3: or Nice and Slow Usher.

749
00:33:04,760 --> 00:33:09,440
Speaker 6: Yeah, Nice and Slow really yeah, because Nice and Slow

750
00:33:09,640 --> 00:33:12,240
Speaker 6: was the is the creator.

751
00:33:12,360 --> 00:33:13,960
Speaker 1: If You Got It Bad, I wouldn't have never made

752
00:33:14,000 --> 00:33:14,520
Speaker 1: You Got It Bad.

753
00:33:14,560 --> 00:33:16,200
Speaker 6: If I wouldn't have made Nice Slow, because when I

754
00:33:16,240 --> 00:33:20,120
Speaker 6: try to do nice after Nice and Slow and the

755
00:33:20,160 --> 00:33:22,880
Speaker 6: success because Nice and Slow was us very first number

756
00:33:22,880 --> 00:33:27,760
Speaker 6: one top one hundred record. So with that being that

757
00:33:27,880 --> 00:33:30,440
Speaker 6: being that song not his first number one, top one

758
00:33:30,520 --> 00:33:35,520
Speaker 6: hundred and it being a ballot in that space, it

759
00:33:35,720 --> 00:33:39,680
Speaker 6: just was like I followed that try to make that

760
00:33:39,760 --> 00:33:42,480
Speaker 6: song three times basically, and I made You Got It Bad.

761
00:33:42,920 --> 00:33:44,600
Speaker 6: That was the second one in the success of that

762
00:33:44,600 --> 00:33:46,600
Speaker 6: one came and I was like, Brian, we gotta do

763
00:33:46,640 --> 00:33:47,400
Speaker 6: it one more time.

764
00:33:47,680 --> 00:33:50,280
Speaker 1: We got to make the trilogy, which was burned. So

765
00:33:50,800 --> 00:33:51,520
Speaker 1: these three.

766
00:33:51,320 --> 00:33:53,400
Speaker 6: Songs you playing back to back, they basically sound like

767
00:33:53,400 --> 00:33:56,600
Speaker 6: the same song. They could run into each other. So yeah,

768
00:33:56,600 --> 00:33:58,920
Speaker 6: I wouldn't have made them other two if I didn't

769
00:33:58,920 --> 00:33:59,640
Speaker 6: have Nice and Slow.

770
00:34:00,160 --> 00:34:04,320
Speaker 2: Who wins who wins the verses between Usha and Chris.

771
00:34:04,080 --> 00:34:14,799
Speaker 6: Brown, I'm saying based on music, Usher wins.

772
00:34:14,000 --> 00:34:16,879
Speaker 4: But like how they do versus now, like they both

773
00:34:16,920 --> 00:34:21,480
Speaker 4: have to perform the record. So we're in the stadium

774
00:34:21,560 --> 00:34:24,680
Speaker 4: in the arena wherever Usher does record, Chris does a record.

775
00:34:24,840 --> 00:34:25,680
Speaker 1: Yeah, that's what I'm saying. I don't.

776
00:34:26,120 --> 00:34:28,440
Speaker 6: I think that's why I say based on music, Usher wins,

777
00:34:28,440 --> 00:34:31,239
Speaker 6: I don't know, you know, if we're watching performances, I don't.

778
00:34:31,280 --> 00:34:32,880
Speaker 1: I mean, I can't really say because I don't know.

779
00:34:34,120 --> 00:34:35,600
Speaker 6: You know, at the end of the day, I don't

780
00:34:35,600 --> 00:34:39,560
Speaker 6: really know what you know, people might and based on

781
00:34:39,760 --> 00:34:43,919
Speaker 6: like how versus is, if it's if it's crowd participation

782
00:34:44,080 --> 00:34:46,520
Speaker 6: in it, I think it'll be a fifty to fifty situation.

783
00:34:46,680 --> 00:34:49,080
Speaker 6: Chris Brown have the best fans in the world. Yeah,

784
00:34:49,360 --> 00:34:53,320
Speaker 6: they don't give a fuck about nothing. Yeah, but Chris Yeah, so.

785
00:34:55,680 --> 00:34:56,040
Speaker 2: Nothing.

786
00:34:56,880 --> 00:34:58,439
Speaker 1: You know what I mean, I don't. I don't.

787
00:34:58,520 --> 00:35:02,640
Speaker 6: I think Chris Brown fans is they more loyal to

788
00:35:02,719 --> 00:35:05,080
Speaker 6: Chris Brown than to be how basically and to be hot.

789
00:35:05,200 --> 00:35:06,400
Speaker 1: Mike get mad at me for saying this.

790
00:35:07,080 --> 00:35:10,319
Speaker 6: I mean, I just feel like Chris Brown fans they

791
00:35:10,440 --> 00:35:13,319
Speaker 6: really really swarm and attack when it's got, when it's

792
00:35:13,320 --> 00:35:14,319
Speaker 6: time for Chris Brown to do.

793
00:35:14,600 --> 00:35:17,600
Speaker 4: I only asked that because I went to Thanks to JD.

794
00:35:17,680 --> 00:35:19,359
Speaker 4: I went to the Usher show when he was saying

795
00:35:19,400 --> 00:35:24,200
Speaker 4: Brooklyn and seeing Usher perform I think that may have

796
00:35:24,200 --> 00:35:27,080
Speaker 4: been my second time ever seen Usher perform, but seeing

797
00:35:27,120 --> 00:35:29,040
Speaker 4: him perform and really looking at that show and listening

798
00:35:29,080 --> 00:35:32,560
Speaker 4: to those records and just paying attention to everything, and

799
00:35:32,640 --> 00:35:36,799
Speaker 4: I saw Chris perform once as well. I couldn't. I

800
00:35:36,800 --> 00:35:39,640
Speaker 4: couldn't make the like I didn't know who put on

801
00:35:40,200 --> 00:35:42,680
Speaker 4: the better show, honestly, And I mean I should be

802
00:35:42,680 --> 00:35:44,480
Speaker 4: in a forty something ye old man and still being

803
00:35:44,520 --> 00:35:48,839
Speaker 4: able to perform at that level versus Chris being in

804
00:35:48,840 --> 00:35:50,760
Speaker 4: his young thirties early thirties.

805
00:35:50,800 --> 00:35:54,560
Speaker 3: Maybe So are you saying performance versus and that's it, like, because.

806
00:35:54,280 --> 00:35:55,719
Speaker 4: I think I'm just saying if I went to a

807
00:35:55,800 --> 00:35:58,280
Speaker 4: Chris Brown show today and then went to an Usher

808
00:35:58,360 --> 00:36:02,759
Speaker 4: show tomorrow, I don't know who I would say, I feel.

809
00:36:02,480 --> 00:36:03,479
Speaker 2: Like put on a better show.

810
00:36:04,280 --> 00:36:06,040
Speaker 4: And this is honestly speaking, like what I saw us

811
00:36:06,120 --> 00:36:10,200
Speaker 4: you dude on that stage was absolutely incredible.

812
00:36:10,239 --> 00:36:12,840
Speaker 6: I think the conversation for me, like saying it the

813
00:36:12,880 --> 00:36:16,319
Speaker 6: way you're saying, it's almost like saying Kanye and jay

814
00:36:16,360 --> 00:36:23,759
Speaker 6: having a concert, Like Kanye might outperform jay Z, but

815
00:36:23,840 --> 00:36:25,680
Speaker 6: jay Z has records that's gonna hit you in the

816
00:36:25,719 --> 00:36:28,919
Speaker 6: space that Kanye don't got. Yeah, right, so I think

817
00:36:28,920 --> 00:36:31,440
Speaker 6: that's the same thing. I think Usher got songs is

818
00:36:31,480 --> 00:36:33,359
Speaker 6: gonna make you be like, oh shit, I remember when

819
00:36:33,360 --> 00:36:37,120
Speaker 6: this song came out, and then Chris Brown might be

820
00:36:37,280 --> 00:36:40,000
Speaker 6: dancing harder until you be into the dancing.

821
00:36:40,080 --> 00:36:41,640
Speaker 1: But that's what I'm saying. It'll go back and forth.

822
00:36:41,680 --> 00:36:43,680
Speaker 6: I just I feel like it's a fifty fifty if

823
00:36:43,680 --> 00:36:46,440
Speaker 6: it's on in that space because like, even while, like

824
00:36:46,440 --> 00:36:49,640
Speaker 6: I said, I don't believe nobody could battle Kanye in

825
00:36:49,800 --> 00:36:53,839
Speaker 6: versus me personally, I all got records for everything. Yeah,

826
00:36:55,040 --> 00:36:59,360
Speaker 6: he got a record for everybody in every category, whichever

827
00:36:59,400 --> 00:37:01,480
Speaker 6: way you want to go. But I think he'll have

828
00:37:01,520 --> 00:37:03,360
Speaker 6: a hard time with jay Z, right, you know what

829
00:37:03,400 --> 00:37:05,680
Speaker 6: I mean. But you know what I mean, And that's

830
00:37:05,680 --> 00:37:08,800
Speaker 6: crazy I'm saying. I don't think nobody could beat him,

831
00:37:08,840 --> 00:37:10,719
Speaker 6: but I feel like he'll have a hard time with Hole.

832
00:37:10,920 --> 00:37:11,160
Speaker 2: Yeah.

833
00:37:11,200 --> 00:37:13,239
Speaker 3: And I feel like Usher would keep the same as

834
00:37:13,239 --> 00:37:16,400
Speaker 3: twenty verses, right, Yeah. Usher wouldn't need to alter his

835
00:37:16,480 --> 00:37:18,719
Speaker 3: twenty to win in the performance shit, like I don't

836
00:37:18,719 --> 00:37:20,680
Speaker 3: think Chris would have. I can transform it in his

837
00:37:20,760 --> 00:37:24,360
Speaker 3: twenty music wise, but performance wise, that's gonna be the crazy.

838
00:37:24,440 --> 00:37:26,440
Speaker 3: Chris is gonna do six backflips to that fucking record.

839
00:37:26,880 --> 00:37:29,640
Speaker 3: But Usher is gonna keep that same twenty and have

840
00:37:29,719 --> 00:37:30,879
Speaker 3: the same performance I.

841
00:37:30,840 --> 00:37:31,560
Speaker 2: Think Chris would have.

842
00:37:31,600 --> 00:37:33,799
Speaker 3: I feel like I have to cater to the performance

843
00:37:33,920 --> 00:37:35,360
Speaker 3: rather than lean on certain songs.

844
00:37:35,400 --> 00:37:37,759
Speaker 6: The scary part about Usher that people, you know, and

845
00:37:37,800 --> 00:37:44,920
Speaker 6: they have this conversation like this last two Usher is doing,

846
00:37:44,960 --> 00:37:51,600
Speaker 6: He's doing and the cherry section and all that. These

847
00:37:51,680 --> 00:37:58,880
Speaker 6: records Daddy's Home and what's the thing of Superstar? Superstar

848
00:37:59,000 --> 00:38:01,399
Speaker 6: wasn't even a single? Yeah, you know what I mean,

849
00:38:01,480 --> 00:38:07,000
Speaker 6: Like these records are reacting like niggas number one records, right,

850
00:38:07,080 --> 00:38:10,600
Speaker 6: So it's like, that's that's dangerous because ultimately Usher could

851
00:38:10,800 --> 00:38:14,319
Speaker 6: play ten songs from Confessions and not even before he

852
00:38:14,440 --> 00:38:18,480
Speaker 6: gets into his own, you know, his whole catalog. He

853
00:38:18,600 --> 00:38:25,200
Speaker 6: gotta play damn near ten songs off he to. That's

854
00:38:25,239 --> 00:38:27,360
Speaker 6: what I'm saying. It's like, you know, that's a hard

855
00:38:27,480 --> 00:38:30,880
Speaker 6: battle because you other artists gotta do all of this,

856
00:38:31,000 --> 00:38:32,799
Speaker 6: and he could just sit there and somebody gonna say,

857
00:38:32,800 --> 00:38:35,880
Speaker 6: but you can't. You know, I know, five off Confessions

858
00:38:35,880 --> 00:38:37,520
Speaker 6: off top, this gotta be.

859
00:38:37,520 --> 00:38:39,400
Speaker 2: Played, right, got your underselling?

860
00:38:40,880 --> 00:38:44,239
Speaker 6: So and these the singles, these are five singles that

861
00:38:44,560 --> 00:38:47,200
Speaker 6: gott to be played. So then what you know, and

862
00:38:47,239 --> 00:38:49,239
Speaker 6: you let somebody else that's not really in the music

863
00:38:49,320 --> 00:38:50,839
Speaker 6: business pick those last five.

864
00:38:50,840 --> 00:38:55,600
Speaker 1: They're gonna pick a whole superstar. Uh this, you know

865
00:38:55,640 --> 00:38:58,120
Speaker 1: what I mean? So you know it's a hard battle.

866
00:38:58,120 --> 00:39:00,839
Speaker 1: Have you worked with Christian The only thing I did.

867
00:39:00,760 --> 00:39:05,360
Speaker 6: With Christmas was Shorty Shorty, Uh Shorty like mine with

868
00:39:05,440 --> 00:39:07,800
Speaker 6: him in Bow Wow Got You? And I did the

869
00:39:07,880 --> 00:39:12,600
Speaker 6: run It remix with on it when it first came out.

870
00:39:12,600 --> 00:39:14,360
Speaker 6: But yeah, that's the only record that actually worked with

871
00:39:14,440 --> 00:39:15,120
Speaker 6: him in the studio.

872
00:39:15,400 --> 00:39:17,920
Speaker 3: Did the usher say if you got any public royalties?

873
00:39:17,960 --> 00:39:20,239
Speaker 3: When Trump used Daddy's Home when he was walking out

874
00:39:20,239 --> 00:39:20,839
Speaker 3: of Air Force one?

875
00:39:20,920 --> 00:39:21,080
Speaker 1: Yeah?

876
00:39:21,080 --> 00:39:22,120
Speaker 2: What users say about that?

877
00:39:22,120 --> 00:39:24,200
Speaker 4: When when Trump used the Daddy's Home record for his

878
00:39:24,640 --> 00:39:25,719
Speaker 4: Instagram it was like four.

879
00:39:25,640 --> 00:39:29,840
Speaker 5: Or five days ago, maybe that was that was like,

880
00:39:29,920 --> 00:39:32,160
Speaker 5: I know, I don't know how us felt, but that's

881
00:39:32,239 --> 00:39:34,959
Speaker 5: I don't know us as political views, but I'm sure

882
00:39:34,960 --> 00:39:36,359
Speaker 5: when he saw that, he was like.

883
00:39:36,560 --> 00:39:39,480
Speaker 4: Yeah, I did pretty ayry for myself, like the President

884
00:39:39,600 --> 00:39:40,400
Speaker 4: used my song.

885
00:39:40,280 --> 00:39:42,919
Speaker 3: And the post Trump was crazy. I want to talk

886
00:39:42,960 --> 00:39:44,480
Speaker 3: to the social media team before anything.

887
00:39:44,880 --> 00:39:50,560
Speaker 6: Rapper, Yeah, I couldn't be New York's his mentality is

888
00:39:50,600 --> 00:39:52,480
Speaker 6: so Kanye, Eddie's some queens.

889
00:39:52,560 --> 00:39:56,200
Speaker 1: So it's like, you know what I'm saying, No way possible. Man.

890
00:39:56,560 --> 00:39:59,959
Speaker 3: Yeah, Daddy's home was crazy because you know, like Trump

891
00:40:00,120 --> 00:40:02,400
Speaker 3: has to approve most of his social media clips. You know,

892
00:40:02,440 --> 00:40:04,040
Speaker 3: he watched that ship in the office real quick in

893
00:40:04,040 --> 00:40:05,759
Speaker 3: between me, and it's like, perfect, that's my ship.

894
00:40:06,040 --> 00:40:12,319
Speaker 6: That's my that nigga bombs up the country.

895
00:40:13,280 --> 00:40:14,600
Speaker 2: He just came back from dropping.

896
00:40:14,760 --> 00:40:17,040
Speaker 1: Yeah that's not yeah, that's wow.

897
00:40:17,280 --> 00:40:20,200
Speaker 3: That was that was his Kendrick not like a super

898
00:40:20,239 --> 00:40:20,680
Speaker 3: Bowl woman.

899
00:40:21,960 --> 00:40:22,080
Speaker 2: Wo.

900
00:40:23,560 --> 00:40:26,600
Speaker 4: He understands it though, he gets it. He gets it.

901
00:40:26,600 --> 00:40:29,200
Speaker 4: He definitely understands this thing. Yeah.

902
00:40:29,440 --> 00:40:34,920
Speaker 3: But anyways, once the Magic City album and doc is out,

903
00:40:35,160 --> 00:40:37,319
Speaker 3: I know, you're, you know, ten years ahead every single time.

904
00:40:37,400 --> 00:40:38,279
Speaker 2: What's what's after that?

905
00:40:40,320 --> 00:40:42,600
Speaker 4: He probably got a groupy putting together right now. He

906
00:40:42,600 --> 00:40:43,960
Speaker 4: don't want to say that I got it.

907
00:40:44,360 --> 00:40:47,080
Speaker 6: I mean, I signed Division since we shout out to

908
00:40:47,080 --> 00:40:51,560
Speaker 6: the Division, you know, went through that space. So i'm i'm,

909
00:40:51,600 --> 00:40:53,920
Speaker 6: i'm I'm as soon as I get done with this,

910
00:40:54,040 --> 00:40:56,160
Speaker 6: I'm getting ready to try to make sure that Paul

911
00:40:56,200 --> 00:40:56,719
Speaker 6: got all the.

912
00:40:56,680 --> 00:40:57,480
Speaker 1: Records lined up.

913
00:40:57,480 --> 00:40:58,680
Speaker 6: And you know what I mean that they do what

914
00:40:58,680 --> 00:41:01,920
Speaker 6: they gotta do and I got a couple of other

915
00:41:01,960 --> 00:41:04,480
Speaker 6: arts I'm signing, But I'm also trying to make sure that,

916
00:41:05,640 --> 00:41:07,920
Speaker 6: like I said, I'm trying to continue my life and

917
00:41:08,040 --> 00:41:12,600
Speaker 6: doing things that haven't been done. So if people fuck

918
00:41:12,640 --> 00:41:15,439
Speaker 6: with this album, this Magic City album, and they really

919
00:41:15,480 --> 00:41:17,440
Speaker 6: fuck with it, I'm gonna do it. Welcome to Atlanta

920
00:41:17,480 --> 00:41:23,800
Speaker 6: Tour where I'm gonna take the main five artists like myself, Quavo,

921
00:41:24,400 --> 00:41:28,560
Speaker 6: Two Chains, Ti Ludacris, we might be the main five,

922
00:41:30,000 --> 00:41:32,000
Speaker 6: and then everybody that come with us be on this

923
00:41:32,080 --> 00:41:33,919
Speaker 6: tour and we go do it. Welcome to Atlanta Tour,

924
00:41:34,400 --> 00:41:35,879
Speaker 6: and we go out here and do it. It's never

925
00:41:35,920 --> 00:41:39,279
Speaker 6: been done before. I talked, I talked about it, but

926
00:41:40,000 --> 00:41:43,280
Speaker 6: it'll be something that people never seen before, and people

927
00:41:43,400 --> 00:41:44,319
Speaker 6: might want to see it, you know.

928
00:41:44,320 --> 00:41:44,600
Speaker 1: What I mean.

929
00:41:45,200 --> 00:41:48,719
Speaker 2: Mercedes shit, I mean, that's what I'm saying.

930
00:41:48,719 --> 00:41:52,280
Speaker 1: It's it's bigger. It's in my head, it's bigger than whatever.

931
00:41:52,320 --> 00:41:53,520
Speaker 1: You know, it's not that big.

932
00:41:53,560 --> 00:41:55,919
Speaker 6: It's a stadium, but I feel like it's definitely something

933
00:41:55,960 --> 00:41:58,560
Speaker 6: that could go crazy. So I'm just trying to, you know,

934
00:41:58,840 --> 00:42:00,799
Speaker 6: really like get that to asas and get all of

935
00:42:00,800 --> 00:42:03,600
Speaker 6: the artists to understand it and see it and.

936
00:42:03,480 --> 00:42:05,239
Speaker 1: Try to block the space out of time and then

937
00:42:05,480 --> 00:42:06,279
Speaker 1: like put an in motion.

938
00:42:06,360 --> 00:42:08,560
Speaker 2: Shit, they could block it out. That's a festival. That's

939
00:42:08,560 --> 00:42:09,000
Speaker 2: not even.

940
00:42:10,360 --> 00:42:12,520
Speaker 3: That would be in saying what did you think of

941
00:42:12,880 --> 00:42:14,200
Speaker 3: Drake's new single what did I missed?

942
00:42:14,360 --> 00:42:14,840
Speaker 2: Came out of?

943
00:42:17,440 --> 00:42:20,600
Speaker 6: I don't care about him talking about the beef no more.

944
00:42:21,640 --> 00:42:24,520
Speaker 6: I'm a real rapper, real hip hop guy. I feel

945
00:42:24,560 --> 00:42:26,080
Speaker 6: like it happened, it's over with.

946
00:42:26,440 --> 00:42:27,680
Speaker 2: You just want to hear music.

947
00:42:28,160 --> 00:42:31,120
Speaker 6: Like I me personally, if I was managing Drake, if

948
00:42:31,160 --> 00:42:32,360
Speaker 6: I had something to do with Drake, I would have

949
00:42:32,360 --> 00:42:35,759
Speaker 6: had him just put a verse on If somebody love me,

950
00:42:35,920 --> 00:42:36,359
Speaker 6: that's my.

951
00:42:36,440 --> 00:42:39,120
Speaker 2: Jam, that's what ship. Yeah, I'm m in.

952
00:42:39,080 --> 00:42:41,239
Speaker 1: Miami turned up to not you know what I'm saying.

953
00:42:41,360 --> 00:42:43,799
Speaker 6: Put a verse on there, Like Drake putting a verse

954
00:42:43,800 --> 00:42:46,600
Speaker 6: on that song would have been so perfect to me

955
00:42:46,719 --> 00:42:49,360
Speaker 6: because he would have talked this ship. It would have

956
00:42:49,400 --> 00:42:52,759
Speaker 6: been like, oh, okay, this is you know. I'm sure

957
00:42:52,760 --> 00:42:54,640
Speaker 6: that he don't probably feel like that song is, but

958
00:42:54,719 --> 00:42:55,080
Speaker 6: it is.

959
00:42:55,160 --> 00:42:58,160
Speaker 1: That song is the song, you know. So that's why

960
00:42:58,200 --> 00:42:59,120
Speaker 1: I just don't. I don't.

961
00:42:59,239 --> 00:43:01,960
Speaker 6: I don't care to hear him talk about I don't

962
00:43:02,000 --> 00:43:04,160
Speaker 6: want to hear about that, like, so it's done, y'all,

963
00:43:04,200 --> 00:43:04,839
Speaker 6: didn't deal with y'all.

964
00:43:05,080 --> 00:43:06,880
Speaker 4: How did you feel about the some sexy songs for

965
00:43:06,920 --> 00:43:10,839
Speaker 4: you the album with him and Party, Like I said, how.

966
00:43:10,800 --> 00:43:12,719
Speaker 1: Fuck with it? I liked it? I don't. I don't.

967
00:43:12,800 --> 00:43:13,560
Speaker 1: I think Drake.

968
00:43:14,520 --> 00:43:16,839
Speaker 6: Honestly, I think it's some of them Party songs Drake

969
00:43:16,920 --> 00:43:19,480
Speaker 6: should have been on that make it more like a

970
00:43:19,960 --> 00:43:21,279
Speaker 6: yeah you know what I mean, because it feels like

971
00:43:21,280 --> 00:43:24,400
Speaker 6: they just was like are Like I said, get on

972
00:43:24,440 --> 00:43:27,240
Speaker 6: the song and you get on the record, let Party

973
00:43:27,280 --> 00:43:30,000
Speaker 6: get on no Kid. I think the song would have

974
00:43:30,040 --> 00:43:32,200
Speaker 6: had a different like don't switch to beat. I like

975
00:43:32,280 --> 00:43:34,919
Speaker 6: the beat switch, but maybe let Party do it verse

976
00:43:34,960 --> 00:43:36,840
Speaker 6: on no Kid? And then it sounds like so de

977
00:43:36,960 --> 00:43:39,800
Speaker 6: based All Stars And you know what I'm saying, like this,

978
00:43:39,920 --> 00:43:42,239
Speaker 6: how I'm thinking, Yeah, yeah, yeah, they got so much,

979
00:43:42,520 --> 00:43:44,400
Speaker 6: you know, so many pieces and things they could do

980
00:43:44,440 --> 00:43:46,879
Speaker 6: ship with I would I would have just I would

981
00:43:46,880 --> 00:43:47,960
Speaker 6: have been going to work.

982
00:43:48,280 --> 00:43:50,479
Speaker 4: Like I like that plug for Social Death based All Stars.

983
00:43:50,480 --> 00:43:52,040
Speaker 4: A lot of people don't talk about that project. That

984
00:43:52,320 --> 00:43:54,359
Speaker 4: was that was my ship. Yeah, that was my ship.

985
00:43:54,760 --> 00:43:56,239
Speaker 3: So I mean, what direction you think you could take

986
00:43:56,239 --> 00:43:59,160
Speaker 3: it with the Iceman album in general, I mean sonically

987
00:43:59,320 --> 00:44:00,440
Speaker 3: or what I like.

988
00:44:00,440 --> 00:44:03,880
Speaker 6: I said, I pray that he just get back to

989
00:44:03,960 --> 00:44:07,319
Speaker 6: making records and that that this is not you know,

990
00:44:07,520 --> 00:44:09,120
Speaker 6: this ain't this story.

991
00:44:08,800 --> 00:44:11,840
Speaker 1: Of I don't want to hear that, you know what

992
00:44:11,840 --> 00:44:13,440
Speaker 1: I mean. I just feel like.

993
00:44:16,480 --> 00:44:18,520
Speaker 6: I feel like we I mean, you know, I heard

994
00:44:18,520 --> 00:44:20,200
Speaker 6: a bunch of records last night in the club, a

995
00:44:20,280 --> 00:44:23,160
Speaker 6: bunch of Drake records that made me realize, like, just

996
00:44:23,280 --> 00:44:27,160
Speaker 6: do what you always did, like you, because I'm saying ultimately,

997
00:44:28,160 --> 00:44:29,799
Speaker 6: and you know, I know, may you feel a little

998
00:44:29,800 --> 00:44:33,160
Speaker 6: different about this, But Drake has to look at this

999
00:44:33,160 --> 00:44:36,920
Speaker 6: the same way Jay had to look at Ether. Some

1000
00:44:36,960 --> 00:44:39,120
Speaker 6: people that feel one way about Ether, some people feel

1001
00:44:39,160 --> 00:44:42,000
Speaker 6: the other way about super Ugly. But the world said

1002
00:44:42,080 --> 00:44:46,400
Speaker 6: Ether right, the world said not like us, regardless what

1003
00:44:46,400 --> 00:44:49,399
Speaker 6: anybody want to say. And then Drake made I mean,

1004
00:44:49,440 --> 00:44:52,600
Speaker 6: and Jay came back with dirt off his shoulders, all

1005
00:44:52,640 --> 00:44:57,239
Speaker 6: these other just this nigga went crazy and then May

1006
00:44:57,440 --> 00:44:58,799
Speaker 6: wash the throw and then you know what I mean,

1007
00:44:58,880 --> 00:45:01,400
Speaker 6: like it it's not it's not.

1008
00:45:02,480 --> 00:45:03,520
Speaker 1: It's not death Like.

1009
00:45:03,560 --> 00:45:05,680
Speaker 6: I don't know why niggas keep talking about you in

1010
00:45:05,719 --> 00:45:08,399
Speaker 6: your deathband and know what, man, come on, man, let's

1011
00:45:08,440 --> 00:45:11,359
Speaker 6: make it make music. I don't know, that's what you know.

1012
00:45:11,680 --> 00:45:14,080
Speaker 6: Just me, I'm coming at your ass with a bunch

1013
00:45:14,120 --> 00:45:18,319
Speaker 6: of records. You're gonna be like, man J tripping. I'm

1014
00:45:18,360 --> 00:45:22,600
Speaker 6: gonna be all out the window and I'm not gonna

1015
00:45:22,600 --> 00:45:24,200
Speaker 6: be talking about nothing that got nothing to do with

1016
00:45:24,239 --> 00:45:27,240
Speaker 6: what you talking about. I'm just going straight at Okay,

1017
00:45:27,360 --> 00:45:29,600
Speaker 6: you make more music. Let's see who make more music?

1018
00:45:29,800 --> 00:45:30,520
Speaker 2: Right, right?

1019
00:45:30,640 --> 00:45:31,440
Speaker 1: Because I used to.

1020
00:45:31,360 --> 00:45:33,799
Speaker 6: Think that that's what drake whole thing was, I make

1021
00:45:33,880 --> 00:45:35,279
Speaker 6: more rap records than any of y'all.

1022
00:45:35,360 --> 00:45:37,040
Speaker 1: Niggs, Right, let's see that.

1023
00:45:37,360 --> 00:45:38,560
Speaker 2: Yeah, I feel.

1024
00:45:38,360 --> 00:45:39,719
Speaker 1: You know what I mean, That's what I was, That's

1025
00:45:39,719 --> 00:45:40,319
Speaker 1: what I would be on.

1026
00:45:41,000 --> 00:45:42,520
Speaker 4: I could definitely feel that. I understand that, and I

1027
00:45:42,520 --> 00:45:44,520
Speaker 4: think that's what it is with Iceman. I think that's

1028
00:45:44,600 --> 00:45:48,080
Speaker 4: just the What did I missed was the sentiment kind

1029
00:45:48,080 --> 00:45:51,000
Speaker 4: of like oh, okay, like I'm glad y'all showed yourselves.

1030
00:45:51,040 --> 00:45:54,839
Speaker 4: I know who's who and what's what cool now I'm

1031
00:45:54,840 --> 00:45:56,600
Speaker 4: onto this. So that's that's what I think personally. I

1032
00:45:56,600 --> 00:45:59,360
Speaker 4: think that's the direction of it. It's like, okay, no problem,

1033
00:45:59,440 --> 00:46:00,880
Speaker 4: let me show you who I am and what I do.

1034
00:46:00,960 --> 00:46:03,399
Speaker 2: Though, well, JD, thank you, and I know you got

1035
00:46:03,440 --> 00:46:03,960
Speaker 2: to get out of here.

1036
00:46:04,239 --> 00:46:08,040
Speaker 3: August fifteenth, correct, August fifteenth is the doc on Stars.

1037
00:46:08,120 --> 00:46:09,120
Speaker 2: Yep, I'll be watching that.

1038
00:46:09,160 --> 00:46:11,560
Speaker 6: I'm trying to race and if I don't make that,

1039
00:46:11,840 --> 00:46:14,840
Speaker 6: it's last. I just know it's a reason why I

1040
00:46:14,880 --> 00:46:15,720
Speaker 6: didn't make that.

1041
00:46:15,920 --> 00:46:16,600
Speaker 2: It's little fun.

1042
00:46:17,680 --> 00:46:19,359
Speaker 6: I'm trying to get to it, but it's a couple

1043
00:46:19,360 --> 00:46:22,560
Speaker 6: of artists. I still gotta chase and get down. I

1044
00:46:22,600 --> 00:46:24,680
Speaker 6: can't put this record out without a couple of the morning.

1045
00:46:24,520 --> 00:46:26,280
Speaker 2: I'll definitely be tuning in. I need to know everything

1046
00:46:26,320 --> 00:46:27,160
Speaker 2: about Magic City.

1047
00:46:27,200 --> 00:46:29,319
Speaker 3: Yeah. Either way, I can't wait to watch that now

1048
00:46:29,400 --> 00:46:30,680
Speaker 3: in August. Man, I appreciate you all.

1049
00:46:31,239 --> 00:46:33,640
Speaker 2: Our god a legend, Jermaine Dupre, thank you, bro.

1050
00:46:33,880 --> 00:46:36,440
Speaker 1: Yeah.