WEBVTT - Happiness Lessons of The Ancients: The Anger of Achilles

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<v Speaker 1>Pushkin, you shouldn't never do anything in front of Alive Mike,

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<v Speaker 1>because I'm already recording. Ye wait, where you're supposed to

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<v Speaker 1>tell me when he started reporting, I've started recording. One

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<v Speaker 1>of the most fun things about hosting this podcast is

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<v Speaker 1>that I get to share stuff that I absolutely love

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<v Speaker 1>with my listeners. I of course get to tell you

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<v Speaker 1>about all my favorite findings from psychology and cognitive science

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<v Speaker 1>on how we can all feel happier, but I also

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<v Speaker 1>get to tell you about other topics that I adore,

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<v Speaker 1>academic subjects that go beyond the science of well being.

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<v Speaker 1>Especially in this new Happiness Lessons of the Ancient series,

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<v Speaker 1>I get to share stories about my favorite thinkers and

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<v Speaker 1>the insights that I've learned from reading all their classic texts.

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<v Speaker 1>But this series means that I also get to introduce

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<v Speaker 1>you to some of the people that I love too,

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<v Speaker 1>So we have for the podcast to say your name

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<v Speaker 1>and your title. I am Associate Professor of Literature at

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<v Speaker 1>A Mighty and your name is Stephanie Frampton. This is

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<v Speaker 1>my friend, Stephanie. Stephanie and I met over a decade

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<v Speaker 1>ago when she first started dating a friend of mine.

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<v Speaker 1>At first, I was a little skeptical of this new

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<v Speaker 1>girlfriend that had joined our social circle, but she quickly

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<v Speaker 1>won me over when I learned that she served as

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<v Speaker 1>a graduate teaching assistant for my favorite class when I

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<v Speaker 1>was in college. It wasn't a course about happiness or

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<v Speaker 1>anything having to do with psychology. It was literature and

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<v Speaker 1>art c fourteen Concepts of the hero in Greek Civilization,

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<v Speaker 1>taught by famed Harvard professor Greg nah. If you want,

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<v Speaker 1>you can check out a version of the course for

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<v Speaker 1>free on Harvard's at X platform. Back when I was

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<v Speaker 1>in college, Greg Nag and his class were legendary. Every year,

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<v Speaker 1>hundreds and hundreds of students would try to sign up

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<v Speaker 1>for the course, which was lovingly known on campus as Heroes.

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<v Speaker 1>Because of such high demand, Heroes had to be taught

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<v Speaker 1>in a huge amphitheater twice a week, Naj would stand

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<v Speaker 1>up front on a giant stage and regale his students

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<v Speaker 1>with stories of the classic Greek heroes. In Naj explained

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<v Speaker 1>that Greek heroes weren't like modern superheroes like Superman or

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<v Speaker 1>Wonder Woman or Captain America, characters who generally do morally

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<v Speaker 1>good things that lead to a happy life. Greek heroes

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<v Speaker 1>were more like cautionary tales. They got a lot of

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<v Speaker 1>stuff wrong, but in doing so gave us some important

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<v Speaker 1>hints about the kinds of things we should be going

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<v Speaker 1>for in our own lives to be happier, better people.

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<v Speaker 1>I loved hearing about all of Naj's tales of heroes,

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<v Speaker 1>but my favorite part of the class was when he

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<v Speaker 1>covered the Greek poet Homer and his masterful epic saga

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<v Speaker 1>known as the Iliad. The Iliad is Homer's classic story

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<v Speaker 1>of the Trojan War, the famous battle between the Greeks

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<v Speaker 1>or the Achaeans as they were known back then, and

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<v Speaker 1>the Trojans. The poem is divided into twenty four chapters

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<v Speaker 1>or rhapsodies, which tell the story of the mighty but

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<v Speaker 1>volatile Greek warrior Achilles. Achilles is pretty much the textbook

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<v Speaker 1>case of what not to do when you're dealing with

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<v Speaker 1>strong emotions, but the Iliot also gives us some surprisingly

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<v Speaker 1>science backed hints about how we can regulate our rage

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<v Speaker 1>and feel better. So as we began planning this new

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<v Speaker 1>series on happiness Lessons of the Ancients, I knew I

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<v Speaker 1>really wanted to include Homer and the Iliot and my

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<v Speaker 1>list of classic texts to share with you, and so

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<v Speaker 1>I asked my friend Stephanie, a former teaching assistant for

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<v Speaker 1>my beloved Heroes class, if she'd be my guest for

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<v Speaker 1>the episode. But Stephanie thought that I should go a

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<v Speaker 1>little bigger with my guest choice this week. She thought

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<v Speaker 1>I should ask the man himself, Greg Nash, and I

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<v Speaker 1>told Stephanie, no way, Greg Nash not going to happen.

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<v Speaker 1>He's far too important. Plus I'd be way too nervous. Hi, Greg,

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<v Speaker 1>I hope this note finds you well. One of your

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<v Speaker 1>former Heroes students, Laurie Santos, is host of a podcast

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<v Speaker 1>called The Happiness Lab. We'll be doing a series of

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<v Speaker 1>chats about the psychology of the ancients for the podcast,

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<v Speaker 1>and I wondered if you might be interested in joining

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<v Speaker 1>us to discuss happiness in the iliad? Do let us

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<v Speaker 1>know all that? Definitely. A few hours later, Greg Naj

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<v Speaker 1>emailed back and said he'd love to join the two

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<v Speaker 1>of us for a conversation. I was thrilled and kind

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<v Speaker 1>of terrified. I mean, Greg Nash, my Harvard professor legend.

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<v Speaker 1>I demanded that Stephanie sitting in on our conversation just

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<v Speaker 1>to give me some moral support because knowledge as well, Nash,

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<v Speaker 1>I remember him being kind of scary. Greg. Hello, Hello, Hello,

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<v Speaker 1>Hi Greg. I'm so happy to see this merry group

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<v Speaker 1>Stephanie reunited, and it feels so good. I know it's

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<v Speaker 1>been a long time. Turns out Greg wasn't as scary

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<v Speaker 1>as I remember, Little pointed you. Dear Laurie. Oh my goodness,

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<v Speaker 1>it's been too long. Seeing my old teacher turned me

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<v Speaker 1>right back to the keener student I was back in

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<v Speaker 1>the nineties wanting to impress the professor. I even showed

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<v Speaker 1>him my course notes that I'd kept for decades. So

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<v Speaker 1>this is my notebook from like nineteen ninety three. You

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<v Speaker 1>see all that's beautiful. I still have all. It just

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<v Speaker 1>warms my old heart. So here reunited with you. With

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<v Speaker 1>that somewhat cringeworthy reintroduction to my former professor out of

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<v Speaker 1>the way, Welcome to the latest in our Happiness Lessons

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<v Speaker 1>of the Ancient series, where the Happiness Lab explores what

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<v Speaker 1>we can learn about regulating our anger from Homer's famous

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<v Speaker 1>epic The Ilian. I wanted NOAs to begin by explaining

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<v Speaker 1>the ways that Greek heroes differ from the sorts of

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<v Speaker 1>all powerful Marvel type superstars that we know in modern times.

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<v Speaker 1>What I think is most interestingly different about ancient Greek

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<v Speaker 1>heroes is that we expect a hero to bee hundred

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<v Speaker 1>percent admirable, but actually there's that I'm going to make

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<v Speaker 1>up this percentage. There's five percent or ten percent, sometimes

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<v Speaker 1>even more in the hero's behavior, whether it's a he

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<v Speaker 1>or a she, that is so shockingly bad, so shockingly dysfunctional,

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<v Speaker 1>that you say to yourself, as a modern or postmodern,

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<v Speaker 1>how can I admire somebody like that? But heroes weren't

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<v Speaker 1>there to be admired. Heroes were larger than life humans

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<v Speaker 1>who experience things that are kind of ordinary for us

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<v Speaker 1>in a larger than life way. So even when they're dysfunctional,

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<v Speaker 1>they're more dysfunctional than we can ever be. And that

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<v Speaker 1>larger than life dysfunction definitely comes out when Greek heroes

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<v Speaker 1>experience emotions, so much so that the ancients had a

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<v Speaker 1>different word for extreme hero level feelings. When you and

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<v Speaker 1>I talk about our emotions love, hate, anger, the ordinary

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<v Speaker 1>word is pathos. Pats just pathos, and for us, that's

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<v Speaker 1>an emotion. When a larger than life hero experiences these

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<v Speaker 1>larger than life passions, you call them passion paths for

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<v Speaker 1>a larger than life hero is the passion of the hero,

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<v Speaker 1>and Homer's Iliad is a cautionary tale about the dysfunctional

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<v Speaker 1>passions of one hero, in particular Achilles, the most glorious

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<v Speaker 1>of all Greek warriors. Achilles A story begins towards the

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<v Speaker 1>end of the Trojan War. The Greeks had been attacking

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<v Speaker 1>the Trojans on their home turf for a long time,

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<v Speaker 1>trying to lay sage to that great city, but the

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<v Speaker 1>fighting had to stop because a terrible plague had taken

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<v Speaker 1>over the Greek camps. It turns out that the Greeks

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<v Speaker 1>had offended the god Apollo because Agamemnon, a sort of

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<v Speaker 1>uber king on the Greek side, took one of Apollo's

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<v Speaker 1>beloved priestesses as a war prize to stop the plague.

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<v Speaker 1>Agamemnon was forced to give that priestess back, but Agamemnon

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<v Speaker 1>was pretty bummed that he lost his war bride, so

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<v Speaker 1>he decides to use his uber kingley power and pull

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<v Speaker 1>rank and take someone else's war prize instead. And who

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<v Speaker 1>does he choose to steal from Achilles? So the over

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<v Speaker 1>king insults Achilles in a horrible way and justin take it,

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<v Speaker 1>and Achilles was understandably really pissed. He feels betrayed not

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<v Speaker 1>just by the over king, but by the fact that

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<v Speaker 1>all the Achaeans go along with the insult by not

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<v Speaker 1>standing up to the king, and so basically he is

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<v Speaker 1>so hurt that he sits out the Trojan war during

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<v Speaker 1>most of the twenty four performance units of the Eliot

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<v Speaker 1>called Rhapsodies. Even after getting pleased from many of the

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<v Speaker 1>other Greek kings, Achilles refuses to head back to the

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<v Speaker 1>battle and help his fellow comrades who were dying in droves,

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<v Speaker 1>and so, for example, you never see him in his

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<v Speaker 1>glory days as a chariot fighter, and he was the

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<v Speaker 1>best of chariot fighters, but he doesn't get to do

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<v Speaker 1>any of that because he's sitting it out for a

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<v Speaker 1>lot of the Eliot. The fact that Achilles spends most

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<v Speaker 1>of the poems sitting out the war means that there's

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<v Speaker 1>a chance he'll also lose something much more important than

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<v Speaker 1>some lost war prize. If Achilles doesn't return to the fight,

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<v Speaker 1>he stands to lose out on what the Greeks called cleos,

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<v Speaker 1>the theme and the glory that heroes achieve after they die.

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<v Speaker 1>In contrast to people today, the ancient Greeks really cared

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<v Speaker 1>a lot about how they'd be viewed after death. They

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<v Speaker 1>wanted to be immortalized for the virtue and brave deeds

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<v Speaker 1>that they showed in life and especially in battle. They

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<v Speaker 1>were hyper aware of their legacies, and at least some

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<v Speaker 1>modern thinkers have argued that we might be a bit

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<v Speaker 1>happier ourselves if we followed the ancient Greeks lead. Here,

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<v Speaker 1>the journalist David Brooks has this kind of contrast that

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<v Speaker 1>he talks about between resume virtues and eulogy virtues, like,

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<v Speaker 1>resume virtues are the skills you know, all our college

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<v Speaker 1>students are building up. But but we shouldn't care about

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<v Speaker 1>you know, what people are going to say about us,

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<v Speaker 1>what our legacy is going to look like after the fact. Yes,

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<v Speaker 1>that's so true. And there's this question of what is permanence,

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<v Speaker 1>and Lauria, you and I sit down and read the

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<v Speaker 1>Iliot and we're still experiencing it. We're still witnesses of

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<v Speaker 1>the clause that Achilles got into. But achieving immortal Greek

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<v Speaker 1>cleios involved a difficult trade off. Most Greeks only got

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<v Speaker 1>cleios when they risk their lives to achieve glory in war.

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<v Speaker 1>It was a deadly bargain that really bothered Achilles so

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<v Speaker 1>much so that he talked about it in a pivotal

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<v Speaker 1>part of the poem. In Rhapsody nine, he's sitting there

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<v Speaker 1>on the shores of the water and he's singing about

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<v Speaker 1>the klaiadrawn, the deeds and the fame of the heroes.

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<v Speaker 1>All of achilles friends come to him and say, you

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<v Speaker 1>better come back to the fight, and he sort of

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<v Speaker 1>makes this bargain with himself. He says, I'll have a

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<v Speaker 1>short life, but I'll have that undying Clios. So what

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<v Speaker 1>Achilles is saying is okay, and I'm willing to die

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<v Speaker 1>young if I can get at Klaus. And if I

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<v Speaker 1>do that, that will be a consolation, and that will

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<v Speaker 1>be for me like a beautiful flower that never loses

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<v Speaker 1>its aroma, never loses its luster, the vibrant colors even

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<v Speaker 1>stay because it's not just Klaos, it's Klaus Afton. Flowers

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<v Speaker 1>live and die, but this flower will live forever, unwilting.

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<v Speaker 1>But in order to get that unwilting flower of Cleios

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<v Speaker 1>and fame, Achilles needed to actually show bravery in battle,

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<v Speaker 1>which he wasn't doing for most of the book because

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<v Speaker 1>he was still pissed at Agamemnon and refusing to fight,

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<v Speaker 1>So that's why Eventually Patrick Lys, who is the kind

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<v Speaker 1>of kinder, gentler version of Achilles Patricks, Achilles's best friend, says, look,

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<v Speaker 1>you can't let your people be slaughtered like this. Let

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<v Speaker 1>me at least take your place. Achilles is right hand man,

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<v Speaker 1>decides to perpetrate a bit of a ruse. Patriklos sneaks

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<v Speaker 1>into battle against the Trojans using achilles armor for a while,

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<v Speaker 1>the Trojans are fooled and freaked out that the great

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<v Speaker 1>warrior Achilles was finally back, but the ruse didn't last long.

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<v Speaker 1>Patriklos's helmet falls off and he's revealed, and since pat

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<v Speaker 1>Close is not as good of a fighter as Achilles,

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<v Speaker 1>he quickly gets killed by the Trojans. He dies at

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<v Speaker 1>the hands of Hector, who is then the one Trojan

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<v Speaker 1>hero that Achilles hates more than anyone else in humanity.

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<v Speaker 1>And when Achilles finds out that the guy he hates

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<v Speaker 1>most in the world killed his best friend, he absolutely

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<v Speaker 1>loses it. The rage he was feeling before goes from

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<v Speaker 1>bad to worse. Achilles doesn't just go back into battle.

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<v Speaker 1>He goes full on berserker on the Trojans. He tracks

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<v Speaker 1>down his mortal enemy, Hector and kills him on the spot,

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<v Speaker 1>but he doesn't stop there. His anger causes him to

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<v Speaker 1>go off the moral deep end. He attaches Hector's dead

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<v Speaker 1>body to the back of his chariot and drags him

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<v Speaker 1>around the walls of the city in front of Hector's

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<v Speaker 1>entire family. He wants to mutilate the corpse of Hector

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<v Speaker 1>and the cruelty he inflicts, which includes things like executing

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<v Speaker 1>prisoners of war, slaughtering enemy without mercy, and then Laurie

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<v Speaker 1>this is the worst part. After the slaughter is over

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<v Speaker 1>and he and his men come back to the headquarters,

0:13:16.156 --> 0:13:19.076
<v Speaker 1>there's going to be a feast, and he says, don't

0:13:19.116 --> 0:13:23.276
<v Speaker 1>bother washing up, so he thinks that his own men

0:13:23.796 --> 0:13:27.036
<v Speaker 1>can just start eating while they haven't washed off the

0:13:27.116 --> 0:13:30.436
<v Speaker 1>human blood. Achilles' rage meant that he was violating all

0:13:30.516 --> 0:13:34.156
<v Speaker 1>known standards of virtue and decorum. His extreme anger meant

0:13:34.196 --> 0:13:36.196
<v Speaker 1>that he was yet again on the verge of losing

0:13:36.196 --> 0:13:39.236
<v Speaker 1>his chlaos, of being remembered not for his bravery and

0:13:39.316 --> 0:13:42.396
<v Speaker 1>virtue or for his wrath and debauchery, And then the

0:13:42.516 --> 0:13:46.036
<v Speaker 1>question is how does the iliad resolve all this anger,

0:13:46.236 --> 0:13:48.876
<v Speaker 1>all this hatred. When we get back from the break,

0:13:49.036 --> 0:13:52.196
<v Speaker 1>we'll see that the answer involves understanding how anger actually

0:13:52.276 --> 0:13:55.796
<v Speaker 1>works psychologically so that we can successfully regulate it during

0:13:55.836 --> 0:13:59.316
<v Speaker 1>times of frustration and rage. To help us down that path,

0:13:59.676 --> 0:14:03.156
<v Speaker 1>we'll meet a psychologist who will explain how strong emotions operate.

0:14:03.476 --> 0:14:05.796
<v Speaker 1>She'll share some evidence based tips we can use to

0:14:05.836 --> 0:14:08.716
<v Speaker 1>deal with anger, strategies that will see the great Greek

0:14:08.756 --> 0:14:11.676
<v Speaker 1>heroes used to control their own passions, and ones that

0:14:11.676 --> 0:14:14.196
<v Speaker 1>can help us out when we're having a frustrating day too.

0:14:14.956 --> 0:14:25.156
<v Speaker 1>The Happiness Lab will be right back. The wrath sing

0:14:25.316 --> 0:14:32.396
<v Speaker 1>goddess of Peleaius's son Achilles, that destructive wrath which brought

0:14:32.556 --> 0:14:37.636
<v Speaker 1>countless woes upon the Achaeans and sent forth to Hades

0:14:38.156 --> 0:14:43.396
<v Speaker 1>many valiant souls of heroes. One of the reasons I

0:14:43.436 --> 0:14:46.196
<v Speaker 1>love Homer's famous poem is because there aren't many books

0:14:46.196 --> 0:14:48.796
<v Speaker 1>that start with the word wrath or mannus as it's

0:14:48.836 --> 0:14:51.756
<v Speaker 1>written in Greek, but that's how Homer begins the Iliot.

0:14:52.236 --> 0:14:54.316
<v Speaker 1>He asks the muse to sing about the wrath of

0:14:54.316 --> 0:14:57.756
<v Speaker 1>Achilles and how it could cause so much destruction. To

0:14:57.836 --> 0:15:00.836
<v Speaker 1>better understand the psychology of anger, for this episode, I

0:15:00.956 --> 0:15:03.676
<v Speaker 1>decided to take a page out of Homer's book. I

0:15:03.796 --> 0:15:07.276
<v Speaker 1>decided to call upon my own muse, a therapist who's

0:15:07.276 --> 0:15:09.716
<v Speaker 1>an expert on the science of anger and who can

0:15:09.756 --> 0:15:12.396
<v Speaker 1>help us make sense of where Achilles went wrong with

0:15:12.436 --> 0:15:14.796
<v Speaker 1>his rage. I got a great last night because I'm

0:15:14.796 --> 0:15:17.076
<v Speaker 1>trying to pull into a parking spot and somebody opens

0:15:17.116 --> 0:15:18.836
<v Speaker 1>their car door and then leaves it open while they're

0:15:18.836 --> 0:15:20.476
<v Speaker 1>digging around in their truck. I don't know what they're

0:15:20.476 --> 0:15:23.036
<v Speaker 1>doing move by trying to park, I'm trying to go

0:15:23.076 --> 0:15:26.676
<v Speaker 1>grocery shopping. This is psychologist Faith Harper. You may remember

0:15:26.676 --> 0:15:29.436
<v Speaker 1>Faith from a previous episode that we did on negative emotions.

0:15:29.796 --> 0:15:32.876
<v Speaker 1>She's written several fantastic books on strategies we can use

0:15:32.916 --> 0:15:36.836
<v Speaker 1>to control all forms of emotional pathos, including our anger.

0:15:37.276 --> 0:15:39.556
<v Speaker 1>It just feels like there's this idea of how things

0:15:39.596 --> 0:15:42.996
<v Speaker 1>should be, and when people break the contract, we get mad.

0:15:43.316 --> 0:15:46.756
<v Speaker 1>Anything that doesn't align with how we expect the world

0:15:46.756 --> 0:15:50.956
<v Speaker 1>to work can create these feelings of distress, but this

0:15:51.076 --> 0:15:54.956
<v Speaker 1>need for movement to create change. Faith's work can help

0:15:55.036 --> 0:15:58.316
<v Speaker 1>us learn from Achilles's cautionary tale of wrath and perhaps

0:15:58.516 --> 0:16:00.956
<v Speaker 1>can help us apply the lessons of ancient Troy and

0:16:01.036 --> 0:16:04.396
<v Speaker 1>the modern grocery store parking lot. I wanted to start

0:16:04.436 --> 0:16:07.316
<v Speaker 1>with Faith's definition of anger. It comes from the Latin

0:16:07.396 --> 0:16:13.516
<v Speaker 1>route meaning to outmove. It's creating energy to propel action.

0:16:13.836 --> 0:16:17.316
<v Speaker 1>It's the nervous system getting wound up enough to do

0:16:17.596 --> 0:16:20.876
<v Speaker 1>something with it. Anger is your body directing you to

0:16:21.036 --> 0:16:24.516
<v Speaker 1>create change. And I think that's a good neutral definition

0:16:24.596 --> 0:16:27.316
<v Speaker 1>because we have these ideas about anger being very negative

0:16:27.316 --> 0:16:30.196
<v Speaker 1>and something that we shouldn't have, versus paying attention to

0:16:30.276 --> 0:16:32.796
<v Speaker 1>my body is wanting me to make some kind of

0:16:32.836 --> 0:16:36.556
<v Speaker 1>coreaction and protect itself. But Faith has argued that really

0:16:36.636 --> 0:16:40.316
<v Speaker 1>understanding how anger works also requires a better grasp of

0:16:40.316 --> 0:16:42.636
<v Speaker 1>what causes our wrath to unleash in the first place.

0:16:43.276 --> 0:16:46.316
<v Speaker 1>So Faith has come up with a handy acronym, ahen

0:16:46.796 --> 0:16:49.916
<v Speaker 1>ah e N that she uses with her patients to

0:16:49.916 --> 0:16:52.356
<v Speaker 1>help them understand the kinds of things that tend to

0:16:52.356 --> 0:16:55.436
<v Speaker 1>piss people off. The asans for anger, and the idea

0:16:55.556 --> 0:16:59.316
<v Speaker 1>is it comes from one, two, or three of the

0:16:59.356 --> 0:17:03.676
<v Speaker 1>following variables, which is H hurt E expectations not met

0:17:03.876 --> 0:17:08.676
<v Speaker 1>or N needs not met or any combination thereof, and

0:17:08.756 --> 0:17:12.236
<v Speaker 1>so unpacking it very simply, you know where your feelings hurt.

0:17:12.236 --> 0:17:14.676
<v Speaker 1>Are you angry at your partner because they were supposed

0:17:14.676 --> 0:17:17.276
<v Speaker 1>to be home for dinner and you had planned a

0:17:17.356 --> 0:17:19.996
<v Speaker 1>nice dinner and then they had gone out drinking after

0:17:20.036 --> 0:17:23.636
<v Speaker 1>work and whipsie daisy, You're hurt. Your anger is coming

0:17:23.756 --> 0:17:27.156
<v Speaker 1>from being very hurt by somebody and wanting you in

0:17:27.236 --> 0:17:30.076
<v Speaker 1>your body reacting in a way to express that. Did

0:17:30.076 --> 0:17:32.156
<v Speaker 1>you have an expectation for them to show up. It's

0:17:32.196 --> 0:17:35.156
<v Speaker 1>a really good and simple tool for parsing out what's

0:17:35.156 --> 0:17:38.436
<v Speaker 1>the underlying emotion, but that helps us figure out our

0:17:38.436 --> 0:17:42.676
<v Speaker 1>patterns of responses. Faith's Ahan acronym seems to fit Achilles

0:17:42.716 --> 0:17:47.356
<v Speaker 1>a situation perfectly, as classicist Greg Naj explained before. When

0:17:47.396 --> 0:17:51.076
<v Speaker 1>over king Agamemnon takes Achilles as war prize, it violates

0:17:51.076 --> 0:17:54.236
<v Speaker 1>his expectations and his needs is a decorated war hero.

0:17:54.676 --> 0:17:58.716
<v Speaker 1>He's really hurt. He experiences a really severe loss of honor.

0:17:59.116 --> 0:18:00.836
<v Speaker 1>Faith thinks that this is one of the features of

0:18:00.876 --> 0:18:04.796
<v Speaker 1>anger that we often forget. It's a social emotion. Anger

0:18:04.836 --> 0:18:07.796
<v Speaker 1>happens not just in life or death situations, but when

0:18:07.796 --> 0:18:09.716
<v Speaker 1>we feel like we're not getting what we need from

0:18:09.756 --> 0:18:11.836
<v Speaker 1>the people around us. And I think a lot of

0:18:11.836 --> 0:18:14.356
<v Speaker 1>that goes back in the fact that we are hardwired

0:18:14.596 --> 0:18:19.036
<v Speaker 1>for connection, and we are hardwired to be protective of

0:18:19.116 --> 0:18:24.076
<v Speaker 1>our people, and so insult to that or disrespect of

0:18:24.076 --> 0:18:26.556
<v Speaker 1>that is a threat. Right. I am also a human

0:18:26.596 --> 0:18:29.076
<v Speaker 1>being to be respected and you're not, and we're going

0:18:29.116 --> 0:18:31.076
<v Speaker 1>to We're going to have a problem if you can't

0:18:31.116 --> 0:18:34.356
<v Speaker 1>correct yourself. Is what the body is doing, and that's

0:18:34.396 --> 0:18:37.396
<v Speaker 1>where the anger is coming from. But even when anger

0:18:37.476 --> 0:18:40.516
<v Speaker 1>comes from a big personal slight like Achilles received, it

0:18:40.596 --> 0:18:43.756
<v Speaker 1>often occurs in different degrees of severity. You know, there's

0:18:43.836 --> 0:18:47.476
<v Speaker 1>multiple layers to any strong emotion. We can be like content,

0:18:47.676 --> 0:18:49.876
<v Speaker 1>or we can be completely blissed out right, it can

0:18:49.916 --> 0:18:53.076
<v Speaker 1>be irritated. It can be like, you know, going back

0:18:53.076 --> 0:18:56.516
<v Speaker 1>to like parking lot lady, was I angry? Like was

0:18:56.516 --> 0:19:00.156
<v Speaker 1>I pissed off? No? I was irritated, But it would

0:19:00.196 --> 0:19:02.476
<v Speaker 1>be really very easy for me to continue to feed

0:19:02.516 --> 0:19:05.196
<v Speaker 1>that and it turned into a rage of thod and

0:19:05.316 --> 0:19:09.116
<v Speaker 1>Home would definitely recognize this feature of our emotional psychology.

0:19:09.156 --> 0:19:13.236
<v Speaker 1>Classics professor Greg Naj explains Homer used different words for

0:19:13.356 --> 0:19:16.316
<v Speaker 1>different levels and kinds of anger. So one of them

0:19:16.396 --> 0:19:19.276
<v Speaker 1>is mannis. That's the first word of the Iliad, and

0:19:19.276 --> 0:19:22.196
<v Speaker 1>that's a cosmic anger. So when you have that, well

0:19:22.196 --> 0:19:27.916
<v Speaker 1>only Achilles and superhumans like that habit, it has cosmic repercussions.

0:19:28.356 --> 0:19:31.036
<v Speaker 1>Then there's that slower burn kind of anger that the

0:19:31.076 --> 0:19:34.436
<v Speaker 1>Greeks called kuotos. You have a bad interaction at work

0:19:34.836 --> 0:19:37.156
<v Speaker 1>which is followed by lots of traffic on your commute,

0:19:37.276 --> 0:19:39.876
<v Speaker 1>and then you finally get home and see that no

0:19:39.916 --> 0:19:43.796
<v Speaker 1>one did the dishes, and your emotions go boom, and

0:19:43.916 --> 0:19:47.756
<v Speaker 1>kotos is like a time bomb tick tick tick doesn't

0:19:47.796 --> 0:19:50.876
<v Speaker 1>necessarily go off at the right time. And finally, there's

0:19:50.876 --> 0:19:53.196
<v Speaker 1>the worst kind of anger a hero or any person

0:19:53.236 --> 0:19:57.476
<v Speaker 1>can experience, which Homer called holos, which is what happens when,

0:19:57.556 --> 0:20:01.716
<v Speaker 1>for example, Achilles goes on a rampage and just kills everything.

0:20:01.876 --> 0:20:04.316
<v Speaker 1>He's a killing machine. He reacts in a way that

0:20:04.396 --> 0:20:08.476
<v Speaker 1>damages his own people and damages himself. Just horrifying, right,

0:20:08.676 --> 0:20:13.876
<v Speaker 1>So that's holos, which is imagined as bile explosions of bile.

0:20:14.236 --> 0:20:18.876
<v Speaker 1>It's an explosion of all the bad humors in the body. Now,

0:20:18.876 --> 0:20:21.236
<v Speaker 1>I'm guessing that most of you listening right now may

0:20:21.276 --> 0:20:24.396
<v Speaker 1>not have gone full on Achilles berserker mode. The last

0:20:24.396 --> 0:20:27.716
<v Speaker 1>time you hit Holos level anger, you probably didn't murder

0:20:27.716 --> 0:20:30.436
<v Speaker 1>your annoying boss or mutilate the guy who stole your

0:20:30.436 --> 0:20:32.916
<v Speaker 1>parking place and drag his corpse around the lot. But

0:20:32.956 --> 0:20:35.276
<v Speaker 1>I'm also guessing that at least some of you probably

0:20:35.316 --> 0:20:37.996
<v Speaker 1>remember a situation in which you felt that chaotic ti

0:20:38.636 --> 0:20:41.516
<v Speaker 1>koto stress bomb about to go off, or maybe even

0:20:41.556 --> 0:20:44.196
<v Speaker 1>times when you're angry words towards a spouse or colleague

0:20:44.356 --> 0:20:47.516
<v Speaker 1>did feel like an explosion of bile. These angry moments

0:20:47.556 --> 0:20:49.996
<v Speaker 1>are ones that we're not proud of. They make us

0:20:49.996 --> 0:20:52.476
<v Speaker 1>feel like bad people and lead to decisions that are

0:20:52.556 --> 0:20:55.476
<v Speaker 1>usually not great for our happiness. Letting our anger run

0:20:55.516 --> 0:20:57.676
<v Speaker 1>wild can also lead us away from being the kind

0:20:57.716 --> 0:21:00.036
<v Speaker 1>of people we want to be. So what does the

0:21:00.076 --> 0:21:02.836
<v Speaker 1>science say about how we can control our pathos before

0:21:02.836 --> 0:21:06.356
<v Speaker 1>the bile and kotos bombs go off? And what, if anything,

0:21:06.436 --> 0:21:08.756
<v Speaker 1>can we learn from the ancients about how to do better?

0:21:09.196 --> 0:21:12.636
<v Speaker 1>Achilles goes into a rage and does all sorts of

0:21:12.716 --> 0:21:16.396
<v Speaker 1>morally questionable things that we should be shocked about. And

0:21:16.436 --> 0:21:19.716
<v Speaker 1>then the question is, how does a person like that

0:21:19.796 --> 0:21:23.396
<v Speaker 1>ever achieve a happy ending? We'll hear the answer when

0:21:23.396 --> 0:21:35.396
<v Speaker 1>the happiness I returns from the rake. So you know,

0:21:35.436 --> 0:21:39.516
<v Speaker 1>I'm always trying to get my clients, you know, people

0:21:39.516 --> 0:21:41.876
<v Speaker 1>who read my book to recognize, like, what are those

0:21:41.996 --> 0:21:45.076
<v Speaker 1>early signs that there's something that needs to have you

0:21:45.116 --> 0:21:47.076
<v Speaker 1>know that you need to pay attention to that there's

0:21:47.076 --> 0:21:50.636
<v Speaker 1>something different that needs to happen. Therapist Faith Harper's first

0:21:50.676 --> 0:21:53.316
<v Speaker 1>tip for regulating our anger is to take advantage of

0:21:53.316 --> 0:21:56.836
<v Speaker 1>an important feature of anger. Like many emotions, it often

0:21:56.876 --> 0:22:00.436
<v Speaker 1>takes place in degrees. When we experience a small violation

0:22:00.476 --> 0:22:03.756
<v Speaker 1>of our needs or expectations, we usually don't jump into

0:22:03.876 --> 0:22:07.276
<v Speaker 1>full holess bile explosion mode, and that means we have

0:22:07.316 --> 0:22:09.996
<v Speaker 1>a chance to do something that Greek hero Achilles fail to.

0:22:10.556 --> 0:22:12.916
<v Speaker 1>We can nip our frustration in the bud before an

0:22:12.916 --> 0:22:18.356
<v Speaker 1>anger bomb goes off, because once we're in this full blown, big,

0:22:18.436 --> 0:22:22.836
<v Speaker 1>big emotions, it's far harder to control anybody who has

0:22:23.076 --> 0:22:26.156
<v Speaker 1>you know, just like seen red, anger can attest to that,

0:22:26.356 --> 0:22:28.356
<v Speaker 1>you know, we can attest to that. And the path

0:22:28.356 --> 0:22:31.276
<v Speaker 1>to noticing that negative sense early on involves a practice

0:22:31.316 --> 0:22:33.076
<v Speaker 1>we talk about a lot on the Happy Toes s lab.

0:22:33.676 --> 0:22:36.156
<v Speaker 1>We need to be mindful of how an emotionlike anger

0:22:36.276 --> 0:22:39.316
<v Speaker 1>feels in our bodies, and so paying attention to those

0:22:39.316 --> 0:22:42.956
<v Speaker 1>early warning signs of like, oh, like I've noticed that

0:22:42.996 --> 0:22:45.516
<v Speaker 1>my jaw gets tight, or I noticed that my shoulders

0:22:45.596 --> 0:22:48.276
<v Speaker 1>go up, you know, seeing like a body difference, I'm like, okay,

0:22:48.276 --> 0:22:50.676
<v Speaker 1>so something's going on with your body? What's going on

0:22:50.796 --> 0:22:53.396
<v Speaker 1>right now? And you know, really trying to pay attention

0:22:53.436 --> 0:22:56.516
<v Speaker 1>to it sematically so we can attend to what needs

0:22:56.556 --> 0:22:59.756
<v Speaker 1>to be attended to before it gets into a full

0:22:59.796 --> 0:23:02.716
<v Speaker 1>blown rage fit, because anybody who has tried to calm

0:23:02.756 --> 0:23:04.876
<v Speaker 1>themselves down in a full blone reache fit knows that

0:23:04.916 --> 0:23:06.916
<v Speaker 1>it's nigh impossible and you just kind of have to

0:23:06.996 --> 0:23:09.916
<v Speaker 1>let it wear itself out. We also need to notice

0:23:09.916 --> 0:23:12.716
<v Speaker 1>whether the emotion we're dealing with is truly anger alone,

0:23:13.116 --> 0:23:15.756
<v Speaker 1>or whether other negative feelings are part of the emotional mix.

0:23:16.116 --> 0:23:19.156
<v Speaker 1>In her therapeutic practice, Faith finds that many of her

0:23:19.156 --> 0:23:23.276
<v Speaker 1>clients express other emotions like fear or overwhelm or sadness

0:23:23.876 --> 0:23:27.196
<v Speaker 1>via feelings of rage. We have some cultural narrative issues

0:23:27.196 --> 0:23:32.876
<v Speaker 1>around anger. Anger is considered appropriate, it's considered powerful, it's

0:23:32.916 --> 0:23:38.836
<v Speaker 1>considered effective, it's very masculine emotion and energy. We really

0:23:39.356 --> 0:23:44.516
<v Speaker 1>struggle socially to let men have a wide range of

0:23:44.596 --> 0:23:48.476
<v Speaker 1>emotional experiences. Men aren't supposed to cry, men aren't supposed

0:23:48.516 --> 0:23:51.236
<v Speaker 1>to be sad or hurt or disappointed or depressed. They're

0:23:51.236 --> 0:23:54.276
<v Speaker 1>allowed to be angry. That's macha. So a lot of

0:23:54.316 --> 0:23:56.836
<v Speaker 1>time the anger is masking that all that other stuff

0:23:57.076 --> 0:24:00.716
<v Speaker 1>going on is that we're not allowing this free range

0:24:00.876 --> 0:24:03.316
<v Speaker 1>of expression of emotions and being able to work with

0:24:03.356 --> 0:24:06.356
<v Speaker 1>them and have them be validated and understood. You're allowed

0:24:06.356 --> 0:24:08.916
<v Speaker 1>to be angry or you can be a pussy basically.

0:24:09.156 --> 0:24:11.116
<v Speaker 1>I mean, we know we can talk about testosterone. But

0:24:11.316 --> 0:24:14.156
<v Speaker 1>a lot of it is also cultural in what's acceptable

0:24:14.196 --> 0:24:17.596
<v Speaker 1>and what's not. These modern cultural constraints on which negative

0:24:17.596 --> 0:24:20.796
<v Speaker 1>emotions are and are not appropriate to express also came

0:24:20.876 --> 0:24:23.996
<v Speaker 1>up in ancient Greece, and Harvard professor Greg Naje thinks

0:24:24.036 --> 0:24:26.356
<v Speaker 1>that this is one of the big psychological insights that

0:24:26.436 --> 0:24:29.636
<v Speaker 1>Homer gives us in his famous works. It shows how

0:24:29.876 --> 0:24:34.756
<v Speaker 1>misguided some people are in thinking that the Homeric Iliad

0:24:34.796 --> 0:24:38.796
<v Speaker 1>and the Homeric Odyssey are men's entertainment. I just don't

0:24:38.836 --> 0:24:42.276
<v Speaker 1>see it. Achilles was pissed when Agamemnon took his war prize,

0:24:42.756 --> 0:24:45.756
<v Speaker 1>But he only really hit Holos level bile spewing anger

0:24:46.076 --> 0:24:49.116
<v Speaker 1>when he experienced extreme grief when he learned of the

0:24:49.156 --> 0:24:51.596
<v Speaker 1>death of the person he cared about most, and that's

0:24:51.676 --> 0:24:55.196
<v Speaker 1>Patrick Less, his best friend, who is his alter ego,

0:24:55.836 --> 0:24:59.916
<v Speaker 1>his other self. They're that close. Achilles winds up expressing

0:24:59.956 --> 0:25:02.636
<v Speaker 1>the pain that comes with losing his dear friend as rage.

0:25:03.036 --> 0:25:05.676
<v Speaker 1>To control that anger, Achilles really needed to do what

0:25:05.796 --> 0:25:08.676
<v Speaker 1>Faith Harper suggested. He needed to find a way to

0:25:08.756 --> 0:25:11.396
<v Speaker 1>tend his sadness. He had to cry and more in

0:25:11.436 --> 0:25:13.916
<v Speaker 1>the loss of his best friend, which was probably a

0:25:13.956 --> 0:25:16.676
<v Speaker 1>hard thing for a macho war hero like Achilles to do.

0:25:17.076 --> 0:25:19.436
<v Speaker 1>But by the end of the Iliot and Rhapsody twenty four,

0:25:19.756 --> 0:25:22.276
<v Speaker 1>Homer does provide a path for Achilles to let out

0:25:22.276 --> 0:25:25.716
<v Speaker 1>his sadness over the death of Patroklos. I'm so glad

0:25:25.716 --> 0:25:28.716
<v Speaker 1>you're focusing on twenty four and that's the rhapsody where

0:25:28.836 --> 0:25:33.716
<v Speaker 1>Achilles is rehumanized, where he can start seeing the sufferings

0:25:33.756 --> 0:25:36.756
<v Speaker 1>of the father of the person he hated and was

0:25:36.876 --> 0:25:40.676
<v Speaker 1>more angry at than anybody else. That father was Trojan

0:25:40.756 --> 0:25:43.636
<v Speaker 1>King Priam. If you recall, Achilles had not only killed

0:25:43.676 --> 0:25:47.036
<v Speaker 1>Priam's son, Hector, but had taken his body and mutilated it.

0:25:47.316 --> 0:25:50.156
<v Speaker 1>In the final Rhapsody, Priam, who was working through his

0:25:50.196 --> 0:25:52.796
<v Speaker 1>own grief after the tragic death of his son, makes

0:25:52.836 --> 0:25:55.236
<v Speaker 1>the brave decision to try to get Hector's body back

0:25:55.276 --> 0:25:58.196
<v Speaker 1>from Achilles. But Prime didn't have a cell phone back then,

0:25:58.476 --> 0:26:01.116
<v Speaker 1>so in order to contact Achilles and ask for his grace,

0:26:01.716 --> 0:26:03.956
<v Speaker 1>he and his men had to make a treacherous journey

0:26:04.276 --> 0:26:07.276
<v Speaker 1>from the Citadel and Troy, through enemy Greek lines and

0:26:07.356 --> 0:26:11.876
<v Speaker 1>into Achilles' headquarters. Here's the father of the man that

0:26:12.036 --> 0:26:16.076
<v Speaker 1>Achilles hated so much that at Actor's dying moment, he

0:26:16.156 --> 0:26:18.036
<v Speaker 1>said that I would be ready to cut you up

0:26:18.076 --> 0:26:21.956
<v Speaker 1>and eat your flesh raw. I mean, that's as barbaric,

0:26:22.036 --> 0:26:25.676
<v Speaker 1>as brutal, not even barbaric, it's just brutal, animal like,

0:26:26.076 --> 0:26:29.436
<v Speaker 1>that's how bad the hatred is. But something changes. When

0:26:29.436 --> 0:26:33.716
<v Speaker 1>Achilles sees the old man crying, his brutal rage finally softens.

0:26:34.156 --> 0:26:36.716
<v Speaker 1>He thinks of how his own father would react if

0:26:36.756 --> 0:26:40.636
<v Speaker 1>he himself had been killed as dishonorably as Actor had. Oh,

0:26:40.716 --> 0:26:44.196
<v Speaker 1>that father is crying. My father would be crying. And

0:26:44.236 --> 0:26:47.676
<v Speaker 1>why is that important? Because then he starts crying and

0:26:47.716 --> 0:26:52.116
<v Speaker 1>there's Priam crying for his son, and he's crying for

0:26:52.236 --> 0:26:54.836
<v Speaker 1>his father because he's thinking of his father, but he's

0:26:54.876 --> 0:26:58.876
<v Speaker 1>also crying for Patricklys. By feeling compassion for Priam's mourning

0:26:58.876 --> 0:27:01.636
<v Speaker 1>the loss of his son, Achilles was finally able to

0:27:01.716 --> 0:27:03.876
<v Speaker 1>let out his own emotions about the death of his

0:27:03.916 --> 0:27:07.676
<v Speaker 1>best friend, and Laurie, you're going to love this. Patrickless's

0:27:07.796 --> 0:27:12.276
<v Speaker 1>name is what a Latinist like Stephanie would call a

0:27:12.436 --> 0:27:15.836
<v Speaker 1>no man. Loquain's a speaking name, so it's a name

0:27:15.876 --> 0:27:20.556
<v Speaker 1>that actually means what his function is in Homeric poetry,

0:27:20.916 --> 0:27:24.516
<v Speaker 1>and the name means he who has the claus of

0:27:24.556 --> 0:27:29.196
<v Speaker 1>the ancestors of the fathers, So it's he who has

0:27:29.476 --> 0:27:33.716
<v Speaker 1>the claus of the ancestors. That's what Patricks means. Greg

0:27:33.796 --> 0:27:36.156
<v Speaker 1>argues that the final message of the Iliad isn't just

0:27:36.196 --> 0:27:39.596
<v Speaker 1>about seeking glory and chlaos through strength in battle. Homer

0:27:39.676 --> 0:27:42.356
<v Speaker 1>wanted us to realize that klaos comes from achieving other

0:27:42.436 --> 0:27:46.636
<v Speaker 1>virtues too, especially ones that are necessary for regulating our passions.

0:27:47.316 --> 0:27:53.036
<v Speaker 1>So what we translate as virtue from Greek arete really

0:27:53.076 --> 0:27:57.676
<v Speaker 1>means striving. It's something that you don't accomplish one hundred percent. Ever,

0:27:58.076 --> 0:28:02.076
<v Speaker 1>you just strive towards a goal, and some people are

0:28:02.156 --> 0:28:05.276
<v Speaker 1>more successful, some are less, But it's all a matter

0:28:05.356 --> 0:28:08.956
<v Speaker 1>of trying to reach a balance. And yes, claus is

0:28:09.156 --> 0:28:11.396
<v Speaker 1>one of the things you strive for. But another thing

0:28:11.516 --> 0:28:15.996
<v Speaker 1>is compassion, which is can you feel the sorrow of

0:28:16.116 --> 0:28:20.116
<v Speaker 1>somebody else? And in the end, it is compassion. It's

0:28:20.116 --> 0:28:24.236
<v Speaker 1>figuring out that the father of Hector Priam is crying

0:28:24.396 --> 0:28:27.716
<v Speaker 1>at the loss of his son and is weeping just

0:28:27.756 --> 0:28:30.436
<v Speaker 1>as much as achilles father would be crying for him

0:28:30.636 --> 0:28:34.356
<v Speaker 1>if he had been the victim. And suddenly Achilles is

0:28:34.396 --> 0:28:38.596
<v Speaker 1>transformed from the depths of brutality, which we have to recognize,

0:28:38.796 --> 0:28:42.756
<v Speaker 1>to the heights of humanity, even humanism. Achilles's wrath is

0:28:42.756 --> 0:28:45.556
<v Speaker 1>a cautionary tale. It's Homer's way of telling us what

0:28:45.716 --> 0:28:48.756
<v Speaker 1>not to do when you're feeling pissed off. But Achilles'

0:28:48.876 --> 0:28:51.356
<v Speaker 1>epic also shows that there are strategies we can use

0:28:51.396 --> 0:28:54.716
<v Speaker 1>to regulate our anger. We can use virtues like compassion

0:28:54.796 --> 0:28:57.436
<v Speaker 1>as a sort of psychological check and balance in order

0:28:57.476 --> 0:29:00.916
<v Speaker 1>to feel and act better. All these virtues that have

0:29:01.076 --> 0:29:04.316
<v Speaker 1>to have a chemistry of their own, And you hope

0:29:04.316 --> 0:29:07.196
<v Speaker 1>that in the trajectory of a hero They'll work outright.

0:29:07.636 --> 0:29:09.916
<v Speaker 1>It's a hope that Greg has experienced time and again

0:29:10.236 --> 0:29:13.036
<v Speaker 1>after teaching his Heroes class for more than forty years.

0:29:13.716 --> 0:29:16.876
<v Speaker 1>Decades on, he still marvels at all the psychological insights

0:29:16.916 --> 0:29:21.076
<v Speaker 1>he continues to get from Achilles and the other ancient heroes. Well,

0:29:21.116 --> 0:29:23.676
<v Speaker 1>you know, it gives me a sense of wonder that

0:29:23.876 --> 0:29:27.956
<v Speaker 1>these emotions, these larger than life emotions. And I like

0:29:28.076 --> 0:29:31.516
<v Speaker 1>the way you describe this kind of psychological checks and

0:29:31.596 --> 0:29:35.636
<v Speaker 1>balances and has a life that keeps on living, which

0:29:35.676 --> 0:29:38.476
<v Speaker 1>amazes me. I think that would be my lesson for

0:29:38.916 --> 0:29:42.236
<v Speaker 1>myself in my life. But I think another lesson is

0:29:42.276 --> 0:29:46.116
<v Speaker 1>to be talking to former students who are now colleagues.

0:29:46.796 --> 0:29:49.396
<v Speaker 1>Is that the story goes on, doesn't it. It doesn't stop.

0:29:50.276 --> 0:29:53.756
<v Speaker 1>Greg's right here, thirty years after taking heroes back in college,

0:29:53.876 --> 0:29:56.556
<v Speaker 1>I'm still learning new insights from the stories of the ancients.

0:29:57.436 --> 0:29:59.876
<v Speaker 1>And I hope that hearing about Homer's Iliad has given

0:29:59.876 --> 0:30:02.236
<v Speaker 1>you some hints about how you can regulate your own anger.

0:30:02.956 --> 0:30:05.356
<v Speaker 1>When you feel that first twine of frustration kicking in,

0:30:05.796 --> 0:30:09.116
<v Speaker 1>take a moment to notice what you're feeling. Unlike Achilles,

0:30:09.316 --> 0:30:12.076
<v Speaker 1>you can commit to starting that regulation process early on

0:30:12.556 --> 0:30:15.596
<v Speaker 1>before you get to Holos level rage. But you should

0:30:15.596 --> 0:30:17.796
<v Speaker 1>also pay attention to what's causing your anger in the

0:30:17.836 --> 0:30:20.836
<v Speaker 1>first place. Are you really feeling like your needs have

0:30:20.876 --> 0:30:23.956
<v Speaker 1>been violated? Or is there another emotion like sadness in

0:30:23.996 --> 0:30:26.596
<v Speaker 1>there that you also need to address? And can you

0:30:26.636 --> 0:30:29.916
<v Speaker 1>maybe harness other virtues like compassion for yourself and others

0:30:30.076 --> 0:30:33.676
<v Speaker 1>to address all those yucky feelings. I'm so humbled that

0:30:33.756 --> 0:30:36.476
<v Speaker 1>my favorite college professor, Greg Naje was willing to take

0:30:36.476 --> 0:30:38.756
<v Speaker 1>time out of his busy schedule to share all his

0:30:38.796 --> 0:30:42.196
<v Speaker 1>insights about the Greek heroes. And I'm super grateful to

0:30:42.236 --> 0:30:46.236
<v Speaker 1>my friend might professor Stephanie Frampton for setting up our conversation.

0:30:47.276 --> 0:30:49.476
<v Speaker 1>But I was also kind of sad that we didn't

0:30:49.476 --> 0:30:51.996
<v Speaker 1>have time for Stephanie to share all her insights about

0:30:51.996 --> 0:30:55.516
<v Speaker 1>the ancient heroes. So when the Happiness Lab returns next week,

0:30:55.876 --> 0:30:58.636
<v Speaker 1>we'll get to hear Stephanie's happiness tips that come from

0:30:58.676 --> 0:31:02.276
<v Speaker 1>a different old schoolwriter, Virgil and his famous story of

0:31:02.276 --> 0:31:05.316
<v Speaker 1>the Latin hero Eneus. We'll get to hear what Virgil

0:31:05.356 --> 0:31:07.876
<v Speaker 1>said about using the power of stories and narrative to

0:31:07.876 --> 0:31:11.276
<v Speaker 1>shape happier thoughts and happier decisions. So I hope you'll

0:31:11.356 --> 0:31:13.556
<v Speaker 1>join me and Stephanie back here again for the next

0:31:13.676 --> 0:31:17.156
<v Speaker 1>edition of Happiness Lessons of the Ancients on the Happiness

0:31:17.196 --> 0:31:23.796
<v Speaker 1>Lab with me Doctor Laurie Santos. If you liked hearing

0:31:23.836 --> 0:31:26.676
<v Speaker 1>about today's Ancient happiness insights, you should make sure you're

0:31:26.716 --> 0:31:29.916
<v Speaker 1>signed up for Pushkin Plus. Pushkin Plus is our subscription

0:31:29.956 --> 0:31:32.676
<v Speaker 1>service which allows you to enjoy ad free listening to

0:31:32.716 --> 0:31:35.636
<v Speaker 1>this and other Pushkin podcasts, and as a special gift

0:31:35.676 --> 0:31:38.396
<v Speaker 1>to Pushkin Plus subscribers, I'll be sharing some of my

0:31:38.436 --> 0:31:41.836
<v Speaker 1>favorite passages from the original texts that you heard about today,

0:31:42.156 --> 0:31:44.596
<v Speaker 1>So be sure to sign up today at Apple Podcasts

0:31:44.716 --> 0:31:49.916
<v Speaker 1>or at Pushkin dot Fm. The Happiness Lab is co

0:31:49.996 --> 0:31:52.956
<v Speaker 1>written by Ryan Dilley and is produced by Ryan Dilley,

0:31:53.036 --> 0:31:56.316
<v Speaker 1>Courtney Grano, and Britney Brown. The show was mastered by

0:31:56.316 --> 0:31:59.756
<v Speaker 1>Evan Viola and our original music was composed by Zachary Silver.

0:32:00.276 --> 0:32:05.116
<v Speaker 1>Special thanks to Greta Kone, Eric Sandler, Carl Migliori, Nicole Morano,

0:32:05.356 --> 0:32:08.796
<v Speaker 1>Morgan Ratner, Jacob Weisberg, my agent, Ben Davis, and the

0:32:08.836 --> 0:32:11.836
<v Speaker 1>rest of the Pushkin team. The Happiness Lab is brought

0:32:11.836 --> 0:32:15.076
<v Speaker 1>to you by Pushkin Industries and by me, doctor Laurie Santos.