WEBVTT - The Chelsea Hotel

0:00:01.440 --> 0:00:07.720
<v Speaker 1>Welcome to Stuff You Should Know, a production of iHeartRadio.

0:00:12.160 --> 0:00:14.640
<v Speaker 2>Hey, and welcome to the podcast. I'm Josh, and there's

0:00:14.760 --> 0:00:17.239
<v Speaker 2>Chuck and Jerry's here too, and this is Stuff you

0:00:17.280 --> 0:00:25.040
<v Speaker 2>Should Know. The Super Cool Edition another edition in our

0:00:25.239 --> 0:00:29.920
<v Speaker 2>ongoing New York saga to explain every single building or

0:00:30.120 --> 0:00:34.240
<v Speaker 2>theme or trend in the entire city of New York.

0:00:34.479 --> 0:00:36.360
<v Speaker 1>I feel like these are always me, so I'm sorry

0:00:36.400 --> 0:00:37.680
<v Speaker 1>if I'm foisting these.

0:00:37.960 --> 0:00:40.240
<v Speaker 2>Well, you love New York, I do.

0:00:40.240 --> 0:00:41.599
<v Speaker 1>Do you know the T shirt told me to.

0:00:43.920 --> 0:00:46.000
<v Speaker 2>Oh, I thought it was I Heart New York. Is

0:00:46.040 --> 0:00:46.840
<v Speaker 2>that what that means?

0:00:47.360 --> 0:00:51.680
<v Speaker 1>Yeah? I get it now, but it's iHeart New York.

0:00:51.680 --> 0:00:53.159
<v Speaker 1>I didn't say you heart New York. I took it

0:00:53.200 --> 0:00:55.920
<v Speaker 1>all wrong. But now I love that city, so I

0:00:55.960 --> 0:00:57.640
<v Speaker 1>want to know more about it.

0:00:57.640 --> 0:00:59.440
<v Speaker 2>It is a very cool city, and this is a

0:00:59.560 --> 0:01:05.640
<v Speaker 2>cool place in the city's history. For a long part

0:01:05.640 --> 0:01:09.360
<v Speaker 2>of the city's history, actually the Chelsea Hotel, which little

0:01:09.400 --> 0:01:13.480
<v Speaker 2>known fact, is actually supposed to be called the Hotel Chelsea.

0:01:13.560 --> 0:01:16.640
<v Speaker 2>And I could not find where who first turned it around,

0:01:16.680 --> 0:01:18.920
<v Speaker 2>because surely it was a poet or a singer or

0:01:18.920 --> 0:01:24.600
<v Speaker 2>something writer. But at some point it got basically transversed

0:01:24.640 --> 0:01:27.319
<v Speaker 2>even though the official name is and always has been

0:01:27.360 --> 0:01:30.360
<v Speaker 2>since it was a hotel, that's the Hotel Chelsea.

0:01:30.959 --> 0:01:33.840
<v Speaker 1>Yeah, it can be a little confusing. Same place, though,

0:01:33.959 --> 0:01:37.360
<v Speaker 1>so don't sweat it. So you can say either one.

0:01:37.400 --> 0:01:41.199
<v Speaker 2>But wait, wait, wait, you want to talk confusing. Okay,

0:01:41.200 --> 0:01:46.440
<v Speaker 2>there's a Marriotte Renaissance Chelsea Hotel in the same neighborhood.

0:01:47.560 --> 0:01:50.560
<v Speaker 2>I mean I could see myself accidentally booking that and

0:01:50.600 --> 0:01:52.880
<v Speaker 2>being like, this place is a little more put together

0:01:52.960 --> 0:01:53.800
<v Speaker 2>than I expected.

0:01:54.280 --> 0:01:57.120
<v Speaker 1>Yeah, I mean, Chelsea is a neighborhood and every hotel

0:01:57.160 --> 0:02:01.160
<v Speaker 1>in there is a Hotel Chelsea. Yeah, a Chelsea Hotel. Rather.

0:02:02.000 --> 0:02:03.800
<v Speaker 2>I love Chelsea. I think that is one of my

0:02:03.800 --> 0:02:07.040
<v Speaker 2>favorite neighborhoods in New York, if not my favorite. We

0:02:07.080 --> 0:02:09.440
<v Speaker 2>stayed there a bunch of times when we went and

0:02:09.520 --> 0:02:11.280
<v Speaker 2>visited New York and Chelsea.

0:02:11.400 --> 0:02:14.080
<v Speaker 1>Yeah, I like it as well, and I have stayed

0:02:14.080 --> 0:02:16.560
<v Speaker 1>at the Hotel Chelsea a couple of times.

0:02:17.040 --> 0:02:21.160
<v Speaker 2>I have too. But yeah, yeah, but that actually answers

0:02:21.160 --> 0:02:23.440
<v Speaker 2>a question that I had. I was trying to figure

0:02:23.480 --> 0:02:26.480
<v Speaker 2>out where you came up with this as a topic.

0:02:27.240 --> 0:02:30.520
<v Speaker 2>I would have guessed the Taylor Swift song The Tortured

0:02:30.560 --> 0:02:35.040
<v Speaker 2>Poets department. Okay, because she mentions it in in there,

0:02:35.320 --> 0:02:37.840
<v Speaker 2>that's I guess, not where. That's not what inspired you

0:02:37.880 --> 0:02:38.320
<v Speaker 2>to do this.

0:02:38.760 --> 0:02:43.399
<v Speaker 1>No club, Dylan. If anybody I got no, I mean

0:02:43.960 --> 0:02:47.760
<v Speaker 1>from staying there semi recently, and that's the great thing

0:02:47.800 --> 0:02:49.240
<v Speaker 1>about our job. I was like, Yeah, I wish I knew

0:02:49.240 --> 0:02:52.639
<v Speaker 1>a little bit more about this place, and here we are.

0:02:52.880 --> 0:02:55.720
<v Speaker 2>Yeah, what'd you think of it.

0:02:54.840 --> 0:02:58.120
<v Speaker 1>At the hotel? Yeah, well, you know, as as you learn.

0:02:58.160 --> 0:03:01.200
<v Speaker 1>If you don't know that Chelsea Hotel was renovated over

0:03:01.240 --> 0:03:03.520
<v Speaker 1>the course of many, many many years after being closed

0:03:04.120 --> 0:03:06.000
<v Speaker 1>for those renovations, we'll get into all the ins and

0:03:06.000 --> 0:03:09.600
<v Speaker 1>outs of that. But I thought that it was a

0:03:09.639 --> 0:03:13.600
<v Speaker 1>top notch renovation that from what I've read, even though

0:03:13.880 --> 0:03:19.079
<v Speaker 1>it's a fancy pants place now, everything I've read says

0:03:19.120 --> 0:03:22.240
<v Speaker 1>that they did a very tasteful job. In fact, let

0:03:22.320 --> 0:03:25.760
<v Speaker 1>me read in fact, so I'm not just talking out

0:03:25.760 --> 0:03:28.880
<v Speaker 1>of my butt, but one of the people in the

0:03:28.919 --> 0:03:31.440
<v Speaker 1>New Yorker or something that wrote about it said it

0:03:31.480 --> 0:03:35.960
<v Speaker 1>presents itself subtly and doesn't scream. I've changed due largely

0:03:36.000 --> 0:03:38.040
<v Speaker 1>to the fact that the building was landmarked in nineteen

0:03:38.040 --> 0:03:41.240
<v Speaker 1>seventy seven, so many elements such as its facade and

0:03:41.240 --> 0:03:45.119
<v Speaker 1>famous stairwell cannot be changed in accordance with this landmark status.

0:03:45.840 --> 0:03:49.400
<v Speaker 1>Current owners instead have worked with it and around its

0:03:49.560 --> 0:03:54.520
<v Speaker 1>physical history, and the enhancements are fitting one hundred and

0:03:54.560 --> 0:03:59.360
<v Speaker 1>fifty eight rooms in fifteen room categories from two hundred

0:03:59.360 --> 0:04:04.120
<v Speaker 1>square feet, who's seventeen hundred square feet and there you go.

0:04:04.760 --> 0:04:06.760
<v Speaker 2>Well, yeah, and that's great that they did a good

0:04:06.840 --> 0:04:09.240
<v Speaker 2>job with it, because people all the way back to

0:04:09.320 --> 0:04:14.200
<v Speaker 2>the nineteen forties, with Edgar Lee Masters, the poet author

0:04:14.240 --> 0:04:16.880
<v Speaker 2>of Spoon River Anthology, who lived there for a while,

0:04:17.279 --> 0:04:22.360
<v Speaker 2>was worried about the gist of the Chelsea Hotel being

0:04:22.400 --> 0:04:26.200
<v Speaker 2>stripped away by new owners. And it's changed hands a

0:04:26.240 --> 0:04:30.120
<v Speaker 2>few times, but it's also stayed in really capable hands

0:04:30.160 --> 0:04:33.760
<v Speaker 2>for decades. And those capable hands, as will see, helped

0:04:33.839 --> 0:04:39.080
<v Speaker 2>give the Chelsea Hotel its own, like it's very famous vibe.

0:04:39.720 --> 0:04:42.039
<v Speaker 1>Yeah, and I should also say too that a lot

0:04:42.080 --> 0:04:46.039
<v Speaker 1>of people, I'm sure, think it's an abomination, and a

0:04:46.040 --> 0:04:48.080
<v Speaker 1>lot of times used the same people that were like,

0:04:48.360 --> 0:04:50.440
<v Speaker 1>you know, Times Square was better or New York was

0:04:50.480 --> 0:04:54.400
<v Speaker 1>better when it was a dirt bag city crumbling and

0:04:54.920 --> 0:04:58.200
<v Speaker 1>you were as likely to get mugged walking the streets,

0:04:58.279 --> 0:05:00.360
<v Speaker 1>or spray painted on if you stood still for too long,

0:05:00.400 --> 0:05:01.160
<v Speaker 1>as anything else.

0:05:01.800 --> 0:05:04.760
<v Speaker 2>Yeah, So, based on what we'll learn about what went

0:05:04.839 --> 0:05:07.760
<v Speaker 2>on in the Chelsea Hotel, I think it's very telling

0:05:08.320 --> 0:05:11.359
<v Speaker 2>how dangerous New York was at the time. That almost

0:05:11.360 --> 0:05:15.600
<v Speaker 2>to a person when they interviewed residents years later, they

0:05:15.680 --> 0:05:18.719
<v Speaker 2>say they felt safe in the Chelsea Hotel, and the

0:05:18.760 --> 0:05:22.719
<v Speaker 2>Chelsea Hotel was as crazy as a place could get.

0:05:23.120 --> 0:05:25.039
<v Speaker 2>And yet it just goes to show you how much

0:05:25.080 --> 0:05:27.560
<v Speaker 2>more dangerous it was outside of the Chelsea Hotel in

0:05:27.560 --> 0:05:28.520
<v Speaker 2>New York at the time.

0:05:28.800 --> 0:05:32.080
<v Speaker 1>Yeah, it seemed to have a very familial quality to it. Yea,

0:05:32.800 --> 0:05:34.800
<v Speaker 1>and for good reason. So let's jump back to the

0:05:34.839 --> 0:05:37.560
<v Speaker 1>beginning when it was built. First of all, it's right

0:05:37.560 --> 0:05:40.560
<v Speaker 1>there at West twenty third Street in the Chelsea neighborhood,

0:05:41.080 --> 0:05:43.440
<v Speaker 1>and it started in eighteen eighty four as the Chelsea

0:05:43.480 --> 0:05:47.839
<v Speaker 1>Association Building, Nuts and Bolts. It is a twelve story building,

0:05:48.000 --> 0:05:50.000
<v Speaker 1>was one of the taller buildings in New York at

0:05:50.000 --> 0:05:54.440
<v Speaker 1>the time. It is a Victorian Gothic. It is a beautiful,

0:05:54.480 --> 0:05:57.720
<v Speaker 1>gorgeous building. If you look at it from across the street.

0:05:58.320 --> 0:06:00.799
<v Speaker 1>It's just one of the one of New York's greatest

0:06:00.880 --> 0:06:05.279
<v Speaker 1>landmarks designed by architect Philip Is it Hubert or Hubert?

0:06:05.760 --> 0:06:07.800
<v Speaker 2>I'm going to say Hubert, that's what I would say.

0:06:08.120 --> 0:06:11.279
<v Speaker 1>All right, we'll go with that. And Hubert designed it

0:06:11.520 --> 0:06:14.440
<v Speaker 1>on the philosophy of a French philosopher that he was

0:06:14.440 --> 0:06:18.080
<v Speaker 1>a fan of named Charles. What is it? I think

0:06:18.200 --> 0:06:23.320
<v Speaker 1>fer Fourier, who was a utopian socialist and kind of

0:06:23.360 --> 0:06:26.280
<v Speaker 1>thought this concept of a co op of a community

0:06:26.279 --> 0:06:30.400
<v Speaker 1>should work in co ops called phalanxes, and that's what

0:06:30.440 --> 0:06:32.839
<v Speaker 1>the Chelsea started out as, was one of the first

0:06:33.120 --> 0:06:36.599
<v Speaker 1>housing co ops in New York City, where if you

0:06:36.640 --> 0:06:38.039
<v Speaker 1>live in a co op, then you own a share

0:06:38.080 --> 0:06:40.520
<v Speaker 1>of that building along with all the other owners, and

0:06:40.520 --> 0:06:43.320
<v Speaker 1>you also are responsible for the monies that help maintain

0:06:43.360 --> 0:06:44.320
<v Speaker 1>and keep up that building.

0:06:44.560 --> 0:06:46.880
<v Speaker 2>Yeah, it's all fun and games until you need a

0:06:46.920 --> 0:06:52.560
<v Speaker 2>new roof exactly. So Hubert actually followed Fourier's vision and

0:06:52.640 --> 0:06:55.320
<v Speaker 2>turned the Chelsea into not just the co op but

0:06:55.760 --> 0:07:01.600
<v Speaker 2>an attempted socialist utopian paradise where it wasn't just for

0:07:01.640 --> 0:07:04.400
<v Speaker 2>the wealthy like that it was I think, I don't

0:07:04.400 --> 0:07:05.440
<v Speaker 2>know if you said or not. It was one of

0:07:05.440 --> 0:07:07.159
<v Speaker 2>the tallest buildings in New York at the time, so

0:07:07.200 --> 0:07:10.560
<v Speaker 2>it was a very tony address when the building opened.

0:07:10.600 --> 0:07:14.480
<v Speaker 2>And yet he set apartments aside for some of the

0:07:14.480 --> 0:07:17.200
<v Speaker 2>people who had built the building, like some of the

0:07:17.240 --> 0:07:20.640
<v Speaker 2>electricians if there was such thing at the time, some

0:07:20.680 --> 0:07:25.320
<v Speaker 2>of the plumbers, some of the carpenters, like they had shares.

0:07:25.360 --> 0:07:27.680
<v Speaker 2>They were able to live in this co op because

0:07:27.720 --> 0:07:30.720
<v Speaker 2>there was room made for them, and there was also

0:07:30.840 --> 0:07:35.880
<v Speaker 2>room made for artists and musicians and writers. And the

0:07:36.120 --> 0:07:39.640
<v Speaker 2>point was for everybody to kind of rely on one another.

0:07:39.680 --> 0:07:42.120
<v Speaker 2>So if you needed plumbing help, you could pay your

0:07:42.160 --> 0:07:45.840
<v Speaker 2>plumber in you know, a painting or something like that,

0:07:45.880 --> 0:07:48.560
<v Speaker 2>if your plumber would accept it. Everybody was meant to

0:07:48.600 --> 0:07:51.480
<v Speaker 2>depend on everyone else and be kind of self sufficient

0:07:51.520 --> 0:07:52.160
<v Speaker 2>as a unit.

0:07:52.800 --> 0:07:55.920
<v Speaker 1>Yeah, uh, not so big into abstract, but yeah, sure,

0:07:56.360 --> 0:07:58.600
<v Speaker 1>I guess are you going places.

0:08:01.800 --> 0:08:02.680
<v Speaker 2>To die?

0:08:02.800 --> 0:08:06.880
<v Speaker 1>Exactly? They're also in that very first iteration, and this

0:08:07.000 --> 0:08:09.160
<v Speaker 1>is very key. You mentioned artists, but there were the

0:08:09.200 --> 0:08:13.040
<v Speaker 1>top floor had fifteen artist studios up there, and that

0:08:13.160 --> 0:08:15.560
<v Speaker 1>really kind of carried on throughout the history of the

0:08:15.640 --> 0:08:19.960
<v Speaker 1>Chelsea until most recently. Yeah, that version of the Chelsea

0:08:20.360 --> 0:08:22.080
<v Speaker 1>was about around for about twenty one years. It went

0:08:22.120 --> 0:08:25.880
<v Speaker 1>bankrupt in nineteen oh five, some of those residents stuck around,

0:08:26.520 --> 0:08:29.520
<v Speaker 1>and then the rest became a hotel, and the Chelsea

0:08:29.680 --> 0:08:35.120
<v Speaker 1>for decades functioned as a place where you could stay

0:08:35.120 --> 0:08:37.280
<v Speaker 1>there as a hotel, you could stay there for a month,

0:08:37.360 --> 0:08:39.880
<v Speaker 1>you could stay there for a week, like weekly and

0:08:39.880 --> 0:08:42.240
<v Speaker 1>monthly rates, where you could be a resident and live there.

0:08:42.280 --> 0:08:43.600
<v Speaker 1>It's a very unique situation.

0:08:44.120 --> 0:08:48.080
<v Speaker 2>Yeah, And so the rooms also apparently were fairly cheap,

0:08:48.160 --> 0:08:53.040
<v Speaker 2>especially for a luxury place, a luxury building, so if

0:08:53.080 --> 0:08:57.160
<v Speaker 2>you were up and coming or starving artists, you could

0:08:57.160 --> 0:09:00.320
<v Speaker 2>still probably afford a place there. And because it was

0:09:00.360 --> 0:09:04.440
<v Speaker 2>created to house artists and talent of all different kinds,

0:09:04.840 --> 0:09:09.000
<v Speaker 2>it was automatically attractive. It just kind of became a

0:09:09.040 --> 0:09:13.000
<v Speaker 2>place where art was created, not just a place where

0:09:13.080 --> 0:09:16.600
<v Speaker 2>artists could live. There was a long time Chelsea resident

0:09:16.679 --> 0:09:19.920
<v Speaker 2>named Harry Smith who I saw described as the archetypal

0:09:20.000 --> 0:09:24.760
<v Speaker 2>Bohemian trickster figure, and he's just Chelsea Hotel through and

0:09:24.760 --> 0:09:26.679
<v Speaker 2>through from what I could tell. He said that the

0:09:26.679 --> 0:09:32.080
<v Speaker 2>hotel exuded atmospheric vibrations that attracted artists and also helped

0:09:32.080 --> 0:09:35.240
<v Speaker 2>produce great art. So like the building itself and the

0:09:35.320 --> 0:09:39.320
<v Speaker 2>vibe that was in it, led to better art than

0:09:39.480 --> 0:09:42.560
<v Speaker 2>maybe would have otherwise been produced, at least according to

0:09:42.559 --> 0:09:45.839
<v Speaker 2>Harry Smith, who was a trickster apparently, so he might

0:09:45.880 --> 0:09:46.400
<v Speaker 2>have been lying.

0:09:47.440 --> 0:09:50.560
<v Speaker 1>And also, you know, the human brain works in funny ways,

0:09:50.559 --> 0:09:52.360
<v Speaker 1>and once a place in gets her reputation is at

0:09:52.440 --> 0:09:56.400
<v Speaker 1>ego in there, and that in itself, you may think

0:09:56.440 --> 0:09:58.600
<v Speaker 1>you're being inspired just by being there, and that ends

0:09:58.640 --> 0:09:59.880
<v Speaker 1>up inspiring you. You know what I mean?

0:10:00.400 --> 0:10:03.840
<v Speaker 2>Yeah, for sure, for sure. I think some people, though

0:10:03.880 --> 0:10:05.760
<v Speaker 2>I'm not going to name names, but I think over

0:10:05.920 --> 0:10:09.200
<v Speaker 2>time some artists who stayed there have wanted to kind

0:10:09.200 --> 0:10:13.240
<v Speaker 2>of capture what that hotel does and maybe bit off

0:10:13.280 --> 0:10:14.600
<v Speaker 2>a little more than they could chew.

0:10:14.880 --> 0:10:16.400
<v Speaker 1>I think, I know you're talking about.

0:10:16.440 --> 0:10:19.240
<v Speaker 2>I think you should second to have a second thought

0:10:19.320 --> 0:10:21.000
<v Speaker 2>or too. If you're like, I'm going to make an

0:10:21.000 --> 0:10:23.600
<v Speaker 2>ode to the Chelsea Hotel where there's a song, a movie,

0:10:23.800 --> 0:10:24.400
<v Speaker 2>doesn't matter.

0:10:25.880 --> 0:10:27.600
<v Speaker 1>I know exactly what you're talking about. We're not talking

0:10:27.640 --> 0:10:29.319
<v Speaker 1>about Oh, Henry though, who stayed there a lot. For

0:10:29.480 --> 0:10:33.280
<v Speaker 1>Mark Twain who stayed there a lot, or Sarah Bernhard

0:10:33.320 --> 0:10:37.240
<v Speaker 1>who stayed there when she came to New York to perform.

0:10:37.280 --> 0:10:40.560
<v Speaker 1>Those were all like frequent guests in those early years there,

0:10:41.080 --> 0:10:43.160
<v Speaker 1>they were artists, you know, very famous artists at the time,

0:10:43.240 --> 0:10:47.920
<v Speaker 1>occupying those artist studios on the top floor. From the

0:10:48.040 --> 0:10:53.160
<v Speaker 1>very beginning. They even held some Titanic survivors in nineteen twelve.

0:10:53.200 --> 0:10:54.920
<v Speaker 1>That's where they went when they were when they were

0:10:54.920 --> 0:10:57.000
<v Speaker 1>brought in shivering in the cold.

0:10:57.360 --> 0:11:00.200
<v Speaker 2>Yeah, which is pretty cool that they opened their door

0:11:00.280 --> 0:11:02.320
<v Speaker 2>to them. I'm sure other hotels did too, but I

0:11:02.360 --> 0:11:04.959
<v Speaker 2>thought that was neat. Yeah, and we should say these

0:11:05.040 --> 0:11:09.480
<v Speaker 2>artists that were staying here, Oh, Henry was hiding from creditors. Yeah,

0:11:09.520 --> 0:11:12.920
<v Speaker 2>when he stayed there, John French Sloan, he was a

0:11:12.920 --> 0:11:16.319
<v Speaker 2>member of the Ashcan School of Art, which made its

0:11:16.400 --> 0:11:19.640
<v Speaker 2>name by showing some of the grittier, more dismal side

0:11:19.679 --> 0:11:23.160
<v Speaker 2>of New York life, which is totally contrary to the zeitgeist.

0:11:23.440 --> 0:11:28.400
<v Speaker 2>And so the artists were avant garde. Basically throughout the

0:11:28.600 --> 0:11:34.040
<v Speaker 2>entire history of the Chelsea Hotel, the artists working there

0:11:34.040 --> 0:11:36.800
<v Speaker 2>were like the vanguard of the avant garde.

0:11:37.320 --> 0:11:39.920
<v Speaker 1>Yeah, and like a bohemian. You'll hear those words throw

0:11:39.920 --> 0:11:43.480
<v Speaker 1>out a lot when the Chelsea Hotel is described or

0:11:43.480 --> 0:11:44.679
<v Speaker 1>its tendency over the years.

0:11:44.720 --> 0:11:47.520
<v Speaker 2>They were Czechoslovakian to a person.

0:11:49.760 --> 0:11:53.280
<v Speaker 1>During the Great Depression of the nineteen thirties. Thomas Wolfe

0:11:53.760 --> 0:11:58.760
<v Speaker 1>I was a frequentor there. In fact, he died. He

0:11:58.840 --> 0:12:00.520
<v Speaker 1>spent the last years of his life there in Room

0:12:00.520 --> 0:12:03.640
<v Speaker 1>eight twenty nine, writing things like you Can't Go Home Again.

0:12:04.360 --> 0:12:07.400
<v Speaker 1>And he died very young though, from tuberculosis, at the

0:12:07.440 --> 0:12:09.640
<v Speaker 1>age of thirty seven, and was known to kind of,

0:12:09.920 --> 0:12:12.960
<v Speaker 1>you know, paste the halls looking for inspiration or that

0:12:13.000 --> 0:12:14.320
<v Speaker 1>next paragrapher sentence.

0:12:14.640 --> 0:12:17.400
<v Speaker 2>Yeah, I saw that. Somebody said he ran out into

0:12:17.440 --> 0:12:20.439
<v Speaker 2>the street one night at like three am and shouted

0:12:20.440 --> 0:12:24.200
<v Speaker 2>that he'd written ten thousand words in one day. That's great,

0:12:24.280 --> 0:12:27.160
<v Speaker 2>that's pretty substantial. And Thomas Wolf also not to be

0:12:27.200 --> 0:12:30.960
<v Speaker 2>confused with Tom Wolf. No, No, he was an influence

0:12:31.160 --> 0:12:34.640
<v Speaker 2>in his own right. He influenced the Beats, mainly through

0:12:34.720 --> 0:12:39.360
<v Speaker 2>Jack Karawak. He influenced the new journalists, so ironically, Thomas

0:12:39.440 --> 0:12:41.160
<v Speaker 2>Wolf influenced Tom Wolf.

0:12:41.440 --> 0:12:42.240
<v Speaker 1>Yeah.

0:12:42.280 --> 0:12:45.679
<v Speaker 2>And in fact, there's a story that Fear and Loathing

0:12:45.760 --> 0:12:47.719
<v Speaker 2>from Fear and Loathing in Las Vegas and at the

0:12:47.760 --> 0:12:50.560
<v Speaker 2>Kentucky Derby that Hunter Thompson took that from a Thomas

0:12:50.600 --> 0:12:51.400
<v Speaker 2>Wolfe's story.

0:12:52.520 --> 0:12:55.959
<v Speaker 1>Oh okay, yeah, that's pretty cool. We saw him. It

0:12:56.000 --> 0:12:57.320
<v Speaker 1>done one on Hunter S. Thompson either.

0:12:58.559 --> 0:13:02.040
<v Speaker 2>Now he might be undue. You know how remember the

0:13:02.080 --> 0:13:05.600
<v Speaker 2>time we did that live shows the Worst Idea, where

0:13:05.640 --> 0:13:10.160
<v Speaker 2>we did how humor works and we realized part way

0:13:10.200 --> 0:13:14.439
<v Speaker 2>through in front of a live audience that explaining humor

0:13:14.800 --> 0:13:16.679
<v Speaker 2>is like the least funny thing you can do.

0:13:17.080 --> 0:13:19.439
<v Speaker 1>I don't remember that. Was that a like a tour

0:13:19.520 --> 0:13:21.320
<v Speaker 1>show or was that like for a it.

0:13:21.400 --> 0:13:22.760
<v Speaker 2>Was a podfest?

0:13:23.280 --> 0:13:23.839
<v Speaker 1>Was it really?

0:13:24.040 --> 0:13:26.080
<v Speaker 2>Yeah? In La Here's bad.

0:13:26.520 --> 0:13:27.520
<v Speaker 1>I blocked that one out.

0:13:27.679 --> 0:13:29.160
<v Speaker 2>Yeah, I don't remember.

0:13:31.480 --> 0:13:33.160
<v Speaker 1>So you mentioned a lot of people have you know,

0:13:33.320 --> 0:13:35.880
<v Speaker 1>done their odes to the hotel, whether it's movies or

0:13:36.000 --> 0:13:39.360
<v Speaker 1>songs or whatever. Perhaps the first one was a guy

0:13:39.440 --> 0:13:41.960
<v Speaker 1>named Edgar Lee Masters lived there from thirty one to

0:13:42.000 --> 0:13:46.240
<v Speaker 1>forty four and wrote a poem called the Hotel Chelsea,

0:13:46.320 --> 0:13:47.880
<v Speaker 1>So he kind of got the ball rolling.

0:13:48.160 --> 0:13:50.000
<v Speaker 2>Yeah, and he's the guy I was saying earlier wrote

0:13:50.000 --> 0:13:53.920
<v Speaker 2>Spoon River Anthology that was yeah, worried about it being

0:13:54.040 --> 0:13:56.240
<v Speaker 2>about it losing its vibe.

0:13:56.760 --> 0:14:00.600
<v Speaker 1>Well, let's read this first couple of lines. Then. Don't

0:14:00.600 --> 0:14:03.040
<v Speaker 1>know who that is, but he's writing it to Anita.

0:14:03.520 --> 0:14:07.480
<v Speaker 1>Soon this Chelsea Hotel will vanish before the city's merchant, greed,

0:14:07.920 --> 0:14:10.880
<v Speaker 1>wreckers will wreck it and in its stead more lofty

0:14:10.920 --> 0:14:14.720
<v Speaker 1>walls will swell. Yeah, there you have it.

0:14:15.080 --> 0:14:18.520
<v Speaker 2>Yep. So this was the forties. I'm guessing this was

0:14:18.640 --> 0:14:24.760
<v Speaker 2>nineteen forty three when it changed hands I think for

0:14:24.800 --> 0:14:27.760
<v Speaker 2>the first or second time and was finally turned into

0:14:27.840 --> 0:14:31.520
<v Speaker 2>the Hotel Chelsea. But he had very little to worry

0:14:31.520 --> 0:14:34.240
<v Speaker 2>about because it got even more avant garde after that.

0:14:35.000 --> 0:14:36.760
<v Speaker 1>Yeah, you know, it's kind of had its ups and

0:14:36.800 --> 0:14:39.880
<v Speaker 1>downs as far as how I mean nice it was.

0:14:39.920 --> 0:14:42.400
<v Speaker 1>I guess it fell in pretty hard times after World

0:14:42.480 --> 0:14:45.440
<v Speaker 1>War Two, but it was always you know, Dave described

0:14:45.440 --> 0:14:47.520
<v Speaker 1>it as gruff but lovable. I mean, it never lost

0:14:47.520 --> 0:14:50.400
<v Speaker 1>that charm. It seems like yea, even at its divious.

0:14:51.360 --> 0:14:56.480
<v Speaker 1>Dylan Thomas, the famous author, was a heavy drinker, as

0:14:56.520 --> 0:14:59.360
<v Speaker 1>I think everyone knows. He drank himself to death. They're

0:14:59.360 --> 0:15:02.520
<v Speaker 1>at the Chelsea and nineteen fifty three and they have

0:15:02.600 --> 0:15:04.760
<v Speaker 1>a plaque. They all applaques for everybody, but there's a

0:15:05.000 --> 0:15:07.480
<v Speaker 1>Dylan Thomas plaque. Dylan Thomas lived and wrote at the

0:15:07.520 --> 0:15:10.920
<v Speaker 1>Chelsea Hotel, and from here he sailed out to die.

0:15:11.120 --> 0:15:14.880
<v Speaker 2>Yeah. I read that on the day that he fell

0:15:14.880 --> 0:15:18.240
<v Speaker 2>into a coma that eventually he died from he said,

0:15:18.280 --> 0:15:21.600
<v Speaker 2>I've had eighteen straight whiskies. I think that's the record.

0:15:22.720 --> 0:15:23.400
<v Speaker 2>It's gotta be.

0:15:24.560 --> 0:15:24.960
<v Speaker 1>Yeah.

0:15:25.400 --> 0:15:28.160
<v Speaker 2>So yeah, Dylan Thomas was one of the ones whose

0:15:28.240 --> 0:15:32.360
<v Speaker 2>death really kind of I don't quite know how to

0:15:32.400 --> 0:15:35.360
<v Speaker 2>put it, but there's there's certain aspects of the Chelsea

0:15:35.400 --> 0:15:40.480
<v Speaker 2>Hotel and tragic figures dying in it is part of that.

0:15:40.480 --> 0:15:42.880
<v Speaker 2>That's an aspect of it in and of itself, and

0:15:42.960 --> 0:15:45.880
<v Speaker 2>Dylan Thomas kind of set the tone for that, right.

0:15:45.880 --> 0:15:47.760
<v Speaker 1>Yeah, immortalized maybe.

0:15:47.600 --> 0:15:51.240
<v Speaker 2>Sure, so he became he helped make the Chelsea Hotel

0:15:51.280 --> 0:15:54.600
<v Speaker 2>famous in that respect by dying as a tragic figure there.

0:15:55.360 --> 0:15:58.880
<v Speaker 2>Other people are just kind of famous, and because they

0:15:58.960 --> 0:16:00.960
<v Speaker 2>stayed in the Chelsea Hotel it kind of gives it

0:16:01.000 --> 0:16:05.400
<v Speaker 2>a little more props. Like Jackson Pollock, he lived there

0:16:05.400 --> 0:16:08.360
<v Speaker 2>for a little while. Little known fact the CIA paid

0:16:08.360 --> 0:16:12.000
<v Speaker 2>his rent. No really, virgin No, I'm kidding, Virgil. Have

0:16:12.080 --> 0:16:15.440
<v Speaker 2>you ever heard the theory that the CIA was behind

0:16:15.520 --> 0:16:19.400
<v Speaker 2>the abstract expressionist movements to make the United States seem

0:16:19.400 --> 0:16:20.960
<v Speaker 2>more intellectual to the Soviets?

0:16:21.440 --> 0:16:23.800
<v Speaker 1>No, but that makes that joke a very deep cut.

0:16:23.840 --> 0:16:26.120
<v Speaker 1>So I don't even feel bad this time. Okay for

0:16:26.240 --> 0:16:26.800
<v Speaker 1>falling for it.

0:16:27.440 --> 0:16:29.400
<v Speaker 2>So there are other people too that you may not

0:16:29.440 --> 0:16:31.800
<v Speaker 2>have heard of that I hadn't heard of, that were

0:16:32.000 --> 0:16:36.600
<v Speaker 2>longtime residents that really kind of gave it like legitimacy.

0:16:36.960 --> 0:16:40.040
<v Speaker 2>There was a music critic and composer named Virgil Thompson

0:16:40.840 --> 0:16:45.760
<v Speaker 2>who was apparently just incredibly prolific. He lived there for

0:16:45.800 --> 0:16:49.400
<v Speaker 2>fifty years and died in Room nine twenty. Larry Rivers,

0:16:49.440 --> 0:16:52.560
<v Speaker 2>he's considered the godfather of pop art. He lived there

0:16:52.560 --> 0:16:57.200
<v Speaker 2>for about a decade. And when you put all this

0:16:57.280 --> 0:16:59.480
<v Speaker 2>together and then also bring in tours, because don't forget,

0:16:59.480 --> 0:17:01.600
<v Speaker 2>this is a hotel hell that some people are living

0:17:01.600 --> 0:17:04.600
<v Speaker 2>in for decades, but there's also people coming and going.

0:17:05.840 --> 0:17:08.760
<v Speaker 2>And then you also throw in rich people who are

0:17:08.840 --> 0:17:11.680
<v Speaker 2>basically just trying to hang out with artists, even though

0:17:11.680 --> 0:17:14.800
<v Speaker 2>they have no artistic talent themselves. It's just the crowd

0:17:14.800 --> 0:17:17.199
<v Speaker 2>they want to hang with. You put all these people together,

0:17:17.520 --> 0:17:20.119
<v Speaker 2>and you've got like who you would see if you

0:17:20.200 --> 0:17:21.639
<v Speaker 2>went into the Chelsea Hotel.

0:17:22.200 --> 0:17:26.119
<v Speaker 1>Yeah, exactly, all right, we should take a break and

0:17:26.320 --> 0:17:29.080
<v Speaker 1>we'll come back and talk about David and Stanley Bard

0:17:29.240 --> 0:17:29.760
<v Speaker 1>right after this.

0:17:53.560 --> 0:17:56.960
<v Speaker 2>Okay, So I said earlier that the Chelsea Hotel was

0:17:56.960 --> 0:18:00.960
<v Speaker 2>in capable hands for decades, and those hands were initially

0:18:01.720 --> 0:18:05.240
<v Speaker 2>David Bard and then after that his son Stanley Bard,

0:18:05.760 --> 0:18:08.960
<v Speaker 2>and between the two of them they took Philip Hubert's

0:18:09.040 --> 0:18:12.760
<v Speaker 2>vision of this socialist utopia but really the really artsy

0:18:12.840 --> 0:18:16.600
<v Speaker 2>part of it, and just went to town. I saw

0:18:16.600 --> 0:18:22.280
<v Speaker 2>it described as Stanley curated who lived in the Chelsea Hotel.

0:18:22.720 --> 0:18:24.920
<v Speaker 2>It wasn't like, Hey, I've got some money, I want

0:18:24.960 --> 0:18:29.920
<v Speaker 2>to live here. You basically had to be vouched for

0:18:30.240 --> 0:18:33.600
<v Speaker 2>by another avant garde artist that probably already lived there.

0:18:33.720 --> 0:18:35.040
<v Speaker 2>That was a good way to get in.

0:18:35.840 --> 0:18:38.159
<v Speaker 1>Yeah, and this I found this funny little fact that

0:18:38.240 --> 0:18:41.840
<v Speaker 1>you know, how little things can change history. David in

0:18:41.920 --> 0:18:45.600
<v Speaker 1>nineteen forty three, the elder Bard, he got together with

0:18:45.640 --> 0:18:50.560
<v Speaker 1>some other investors to buy the hotel out of foreclosure.

0:18:51.320 --> 0:18:54.040
<v Speaker 1>And the reason he did that is because he was

0:18:54.040 --> 0:18:58.000
<v Speaker 1>a furrier who was allergic to fur and couldn't take

0:18:58.040 --> 0:19:02.600
<v Speaker 1>it anymore. So the reason the Chelsea Hotel, one of

0:19:02.640 --> 0:19:04.600
<v Speaker 1>the reasons that it kind of stayed that thing, is

0:19:04.640 --> 0:19:07.680
<v Speaker 1>because when David Bard took the reins in nineteen forty three,

0:19:08.359 --> 0:19:11.080
<v Speaker 1>he kept that spirit alive with the artist and like

0:19:11.160 --> 0:19:13.560
<v Speaker 1>taking a painting in lieu of rent. Had it gone

0:19:13.640 --> 0:19:17.840
<v Speaker 1>to just some money hungry, greedy people, it made have

0:19:17.960 --> 0:19:20.440
<v Speaker 1>completely changed in nineteen forty three, and we wouldn't even

0:19:20.520 --> 0:19:23.120
<v Speaker 1>be talking about it today. So had he not been

0:19:23.160 --> 0:19:26.040
<v Speaker 1>a fur or allergic to fur, it may have been

0:19:26.080 --> 0:19:28.440
<v Speaker 1>a completely different scene there. But he ran the hotel

0:19:28.520 --> 0:19:31.640
<v Speaker 1>until he died in sixty four, and like you said, Stanley,

0:19:31.640 --> 0:19:37.080
<v Speaker 1>his son took over. And Stanley Bard was great. He

0:19:37.280 --> 0:19:41.320
<v Speaker 1>was I've got a pretty fun like Apparently there was

0:19:41.440 --> 0:19:44.840
<v Speaker 1>never any like problem he couldn't handle. He was known

0:19:44.880 --> 0:19:47.880
<v Speaker 1>for being able to handle like whatever weirdness was going

0:19:47.880 --> 0:19:50.239
<v Speaker 1>on there at the time. And Arthur Miller, when he

0:19:50.280 --> 0:19:52.600
<v Speaker 1>was divorced from Marilyn Monroe, lived there for a period

0:19:52.640 --> 0:19:55.600
<v Speaker 1>of years and wrote a lot about the Chelsea Hotel.

0:19:55.640 --> 0:20:00.640
<v Speaker 1>And here's one good example about Stanley Bard called down

0:20:00.680 --> 0:20:05.280
<v Speaker 1>after being so frustrated with how disgusting his carpet was. Said,

0:20:05.280 --> 0:20:07.600
<v Speaker 1>for Christ's sake, Stanley, don't you have a vacuum cleaner

0:20:07.600 --> 0:20:10.120
<v Speaker 1>in the house? He said, of course, we have lots

0:20:10.119 --> 0:20:12.000
<v Speaker 1>of them. He said, well, why aren't they ever used?

0:20:12.119 --> 0:20:14.919
<v Speaker 1>He said, they're not used. Stanley, You know g d

0:20:15.040 --> 0:20:17.760
<v Speaker 1>Welly that you don't use them. I have never heard

0:20:17.760 --> 0:20:19.560
<v Speaker 1>such a thing. Why don't they use them? Or you're

0:20:19.560 --> 0:20:21.680
<v Speaker 1>asking me why they don't use them, Well, you're the

0:20:21.720 --> 0:20:24.240
<v Speaker 1>one who brought it up. Look, Stanley, just get a

0:20:24.320 --> 0:20:27.760
<v Speaker 1>vacuum cleaner up here, and let's just forget this conversation. Please, fine,

0:20:27.800 --> 0:20:30.600
<v Speaker 1>how are you otherwise? Truthfully, there is no otherwise. All

0:20:30.640 --> 0:20:33.280
<v Speaker 1>I am is a man waiting desperately for a vacuum cleaner.

0:20:33.800 --> 0:20:35.800
<v Speaker 1>And then Arthur Miller said, and then he would laugh,

0:20:35.840 --> 0:20:40.000
<v Speaker 1>grateful for another happy tenant. And that was like nothing

0:20:40.119 --> 0:20:44.040
<v Speaker 1>was like ever wrong. Right at the Chelsea people were

0:20:44.119 --> 0:20:46.760
<v Speaker 1>dying and being wheeled out of there in overdoses, and

0:20:46.800 --> 0:20:48.639
<v Speaker 1>he would make jokes at like, no, the cops were

0:20:48.640 --> 0:20:52.440
<v Speaker 1>here because they lived there, and the body bags and

0:20:52.800 --> 0:20:54.160
<v Speaker 1>the gurneys are just props.

0:20:55.359 --> 0:20:59.800
<v Speaker 2>Yeah. So apparently Milosh Foreman a true bohemian. He lived

0:20:59.800 --> 0:21:03.760
<v Speaker 2>at Chelsea from I think for the early seventies, about

0:21:03.760 --> 0:21:06.240
<v Speaker 2>the first half of the seventies, and he asked Stanley

0:21:06.240 --> 0:21:10.560
<v Speaker 2>once if anyone had ever died, I believe, to basically

0:21:10.640 --> 0:21:13.600
<v Speaker 2>get him to admit yeah, yeah, because there were a

0:21:13.760 --> 0:21:19.000
<v Speaker 2>lot of deaths, whether it was by suicide, murder, mattress

0:21:19.000 --> 0:21:24.760
<v Speaker 2>fires overdoses. Yeah, and it was just well known that

0:21:24.760 --> 0:21:26.320
<v Speaker 2>there were a lot of deaths that happened in the

0:21:26.400 --> 0:21:30.760
<v Speaker 2>Chelsea Hotel. So Milos Foreman asked Stanley once if he

0:21:30.800 --> 0:21:33.359
<v Speaker 2>could think of anybody who ever died there, and he

0:21:33.359 --> 0:21:36.480
<v Speaker 2>could only come up with one person, and he was

0:21:36.520 --> 0:21:38.879
<v Speaker 2>a painter named al Fais Cole.

0:21:39.560 --> 0:21:40.080
<v Speaker 1>That's funny.

0:21:40.080 --> 0:21:42.840
<v Speaker 2>He died in nineteen eighty eight, the oldest man in

0:21:42.920 --> 0:21:46.000
<v Speaker 2>the world at one hundred and twelve. He died at

0:21:46.040 --> 0:21:48.680
<v Speaker 2>the Chelsea Hotel. And that's the one person that Stanley

0:21:48.720 --> 0:21:50.920
<v Speaker 2>could think of. And the entire time that he was

0:21:51.000 --> 0:21:52.800
<v Speaker 2>running the Chelsea Hotel.

0:21:53.280 --> 0:21:55.280
<v Speaker 1>Yeah, and Stanley ran it for forty years after his

0:21:55.400 --> 0:21:57.600
<v Speaker 1>dad died. But like I said, his dad had the

0:21:57.600 --> 0:22:00.720
<v Speaker 1>same attitude. They asked David the elder Bard why he

0:22:00.760 --> 0:22:03.919
<v Speaker 1>didn't ever evict a tenant who apparently was playing the

0:22:03.960 --> 0:22:06.280
<v Speaker 1>drums and everyone was complaining and it was even driving

0:22:06.320 --> 0:22:09.120
<v Speaker 1>him nuts, And his answer was, I like people.

0:22:08.960 --> 0:22:12.000
<v Speaker 2>Yeah, yeah, it was cool, like you could get away

0:22:12.000 --> 0:22:14.520
<v Speaker 2>with from what I saw, You could get away basically

0:22:14.640 --> 0:22:20.199
<v Speaker 2>anything up to murder essentially, And Stanley would put up

0:22:20.240 --> 0:22:23.680
<v Speaker 2>with it because that was the rhythm that his father

0:22:23.800 --> 0:22:26.040
<v Speaker 2>had kind of laid out, and if you want to

0:22:26.200 --> 0:22:29.399
<v Speaker 2>cultivate an avant garde artist colony in the middle of

0:22:29.440 --> 0:22:32.040
<v Speaker 2>New York, you're going to have to do that, or

0:22:32.040 --> 0:22:34.960
<v Speaker 2>else just give up because it's not going to work otherwise.

0:22:35.600 --> 0:22:38.240
<v Speaker 1>Yeah. I got to read this other Arthur Miller quote.

0:22:38.240 --> 0:22:40.439
<v Speaker 1>It's pretty good too. He said the Chelsea, and this is,

0:22:40.480 --> 0:22:47.120
<v Speaker 1>by the way, from the Chelsea Affect affect about the Bards.

0:22:47.160 --> 0:22:50.040
<v Speaker 1>He said, the Chelsea, whatever else it was, was a

0:22:50.080 --> 0:22:54.440
<v Speaker 1>house of infinite toleration. Yeah. This was the Bard's genius.

0:22:54.840 --> 0:22:57.960
<v Speaker 1>I thought to have achieved an operating chaos which at

0:22:57.960 --> 0:23:00.600
<v Speaker 1>the same time could be home to people who were

0:23:00.640 --> 0:23:01.240
<v Speaker 1>not crazy.

0:23:01.520 --> 0:23:04.080
<v Speaker 2>Yeah, which I don't know who those people were.

0:23:04.760 --> 0:23:05.640
<v Speaker 1>Yeah.

0:23:05.720 --> 0:23:09.119
<v Speaker 2>I saw Matt as a Hatter used more times in

0:23:09.240 --> 0:23:13.000
<v Speaker 2>the oral history of the Chelsea Hotel than I ever

0:23:13.080 --> 0:23:14.160
<v Speaker 2>have anywhere else.

0:23:14.720 --> 0:23:16.320
<v Speaker 1>Yeah, just about everybody there.

0:23:16.480 --> 0:23:16.760
<v Speaker 2>Yeah.

0:23:17.080 --> 0:23:17.919
<v Speaker 1>Yeah.

0:23:18.240 --> 0:23:20.760
<v Speaker 2>So my favorite Arthur Miller quote, by the way, is

0:23:21.160 --> 0:23:25.040
<v Speaker 2>these pretzels are making me thirsty. Y. It's a great one.

0:23:26.240 --> 0:23:28.640
<v Speaker 1>Yeah. So let's jump into the sixties and seventies, because

0:23:28.680 --> 0:23:30.560
<v Speaker 1>that's when the Chelsea seemed like it had some of

0:23:30.600 --> 0:23:34.280
<v Speaker 1>its most notable events and residents, even if they were

0:23:34.280 --> 0:23:39.800
<v Speaker 1>part time my favorite guy. Bob Dylan stayed at the Chelsea,

0:23:39.880 --> 0:23:42.720
<v Speaker 1>stayed in room two eleven for about three years, you know,

0:23:42.760 --> 0:23:44.440
<v Speaker 1>off and on because he was going up to Woodstock

0:23:44.440 --> 0:23:47.280
<v Speaker 1>as well. But sixty one to sixty four is when

0:23:47.280 --> 0:23:49.720
<v Speaker 1>he was hanging out with Ginsburg and doing his thing.

0:23:50.480 --> 0:23:54.119
<v Speaker 1>He wrote most of, if not all, of Blonde on Blonde,

0:23:54.119 --> 0:23:57.480
<v Speaker 1>which is his seventh album, and very specifically in the

0:23:57.520 --> 0:24:00.640
<v Speaker 1>song Sarah, which was about his wife, his wife Sarah

0:24:00.680 --> 0:24:03.840
<v Speaker 1>that he married in sixty five. There's a great line

0:24:04.320 --> 0:24:08.240
<v Speaker 1>in that song storms are bruin in your eyes, No

0:24:08.400 --> 0:24:11.760
<v Speaker 1>different Sarah. Okay, this one is very skating, tough song.

0:24:12.400 --> 0:24:14.320
<v Speaker 1>Bob Dylan was the champion of the anti love song.

0:24:14.400 --> 0:24:16.880
<v Speaker 1>This is kind of one of them. But he said,

0:24:17.160 --> 0:24:19.080
<v Speaker 1>he writes about staying up for days in the Chelsea

0:24:19.119 --> 0:24:22.679
<v Speaker 1>Hotel writing a sad eyed Lady of the Lowlands for you.

0:24:23.560 --> 0:24:29.800
<v Speaker 2>So he references another song on the same Sarah.

0:24:30.280 --> 0:24:33.119
<v Speaker 1>Yeah, it's a song to his ex wife, And he said, basically,

0:24:33.119 --> 0:24:35.480
<v Speaker 1>I remember staying up for days writing sad eyed Lady

0:24:35.520 --> 0:24:36.399
<v Speaker 1>of the Lowlands for you.

0:24:36.720 --> 0:24:39.560
<v Speaker 2>Yeah, and no time is a good time for goodbye.

0:24:40.359 --> 0:24:42.080
<v Speaker 1>Have you seen the Dylan movie? Do you care about

0:24:42.080 --> 0:24:42.520
<v Speaker 1>that at all.

0:24:42.640 --> 0:24:48.640
<v Speaker 2>Nope, yeah, gotcha. So, but yeah, that was pretty seminar.

0:24:48.680 --> 0:24:50.919
<v Speaker 2>I mean, that's one of his biggest albums, right, And

0:24:50.960 --> 0:24:55.439
<v Speaker 2>I saw that at the time too, that Bob Dylan

0:24:55.600 --> 0:24:59.800
<v Speaker 2>and Andy Warhol went basically head to head over Edie Sedgwick,

0:25:00.280 --> 0:25:03.919
<v Speaker 2>who also stayed at the Chelsea Hotel. And apparently that

0:25:04.119 --> 0:25:08.840
<v Speaker 2>was the end of Andy Warhol and Edie Sedgwick's Red

0:25:08.880 --> 0:25:14.000
<v Speaker 2>hot I don't know what you'd call it, not a romance,

0:25:15.119 --> 0:25:19.719
<v Speaker 2>just interaction of relationship. Sure, we'll just go with that,

0:25:19.800 --> 0:25:23.000
<v Speaker 2>but it was something other than that, and it lasted

0:25:23.080 --> 0:25:25.560
<v Speaker 2>less than a year. But apparently Andy Warhol was so

0:25:25.720 --> 0:25:29.760
<v Speaker 2>jealous that Edie Sedgwick had become totally obsessed with Bob Dylan,

0:25:30.040 --> 0:25:33.199
<v Speaker 2>who may or may not have returned her advances. It

0:25:33.359 --> 0:25:37.480
<v Speaker 2>just depends on who you ask. Bob Dylan says no that,

0:25:37.840 --> 0:25:41.360
<v Speaker 2>but Andy Warhol lost because Bob Dylan was at the time,

0:25:41.440 --> 0:25:47.320
<v Speaker 2>like basically the biggest person in like alternative culture, the

0:25:47.400 --> 0:25:51.000
<v Speaker 2>counterculture at the time, like even more than Andy Warhol was.

0:25:51.600 --> 0:25:55.440
<v Speaker 2>Like he was just huge, and it's kind of it's

0:25:55.520 --> 0:25:58.720
<v Speaker 2>kind of difficult to overstate what a big deal this

0:25:58.920 --> 0:26:02.840
<v Speaker 2>very big person living and working in the Chelsea Hotel.

0:26:03.080 --> 0:26:05.920
<v Speaker 2>Like what it did for the Chelsea Hotel's reputation.

0:26:06.080 --> 0:26:08.280
<v Speaker 1>Yeah, for sure. And it's also mind blowing to know

0:26:08.320 --> 0:26:10.800
<v Speaker 1>while Bob Dylan's up there in room two eleven literally

0:26:10.880 --> 0:26:13.160
<v Speaker 1>typing out one of the seminal albums of all time,

0:26:14.440 --> 0:26:19.040
<v Speaker 1>at the same time, Arthur C. Clark is adapting the

0:26:19.080 --> 0:26:21.600
<v Speaker 1>screenplay for two thousand and one A Space Odyssey on

0:26:21.960 --> 0:26:24.600
<v Speaker 1>a different floor, in a different room, So like these

0:26:24.720 --> 0:26:28.119
<v Speaker 1>kind of creative you know, and Andy Warhol is in

0:26:28.160 --> 0:26:33.200
<v Speaker 1>there shooting parts of Chelsea Girls. Like stuff was really

0:26:33.240 --> 0:26:35.800
<v Speaker 1>really happening. It didn't earn its reputation just it wasn't

0:26:35.840 --> 0:26:37.359
<v Speaker 1>overblown at all, you know.

0:26:37.600 --> 0:26:40.919
<v Speaker 2>Right now, Another really famous thing that happened around that

0:26:41.000 --> 0:26:44.560
<v Speaker 2>time was from Edie Sedgwick. She set her mattress on fire.

0:26:45.160 --> 0:26:46.199
<v Speaker 1>Yeah, and on purpose.

0:26:46.240 --> 0:26:48.439
<v Speaker 2>I think was it on purpose because this was not

0:26:48.560 --> 0:26:49.920
<v Speaker 2>her first department fire.

0:26:50.640 --> 0:26:53.080
<v Speaker 1>Yeah, I think it was on purpose.

0:26:53.280 --> 0:26:56.720
<v Speaker 2>Okay, So it's possible this is a very turbulent time

0:26:56.760 --> 0:26:59.440
<v Speaker 2>for her. Yea, she could have been heartbroken over Bob Dylan.

0:26:59.520 --> 0:27:02.080
<v Speaker 2>She could have been upset Andy Warhol had turned his

0:27:02.160 --> 0:27:06.520
<v Speaker 2>back on her. I know the previous apartment fire in

0:27:06.560 --> 0:27:09.359
<v Speaker 2>a different building was because she had shot up a

0:27:09.400 --> 0:27:12.119
<v Speaker 2>speedball and the cigarette fell out of her mouth and

0:27:12.160 --> 0:27:15.879
<v Speaker 2>onto her mattress and set her her house on fire.

0:27:16.080 --> 0:27:17.960
<v Speaker 1>That's kind of on purpose too, I guess.

0:27:17.960 --> 0:27:21.960
<v Speaker 2>So, yeah, but that kind of leads me to something.

0:27:22.240 --> 0:27:24.560
<v Speaker 2>There's something that just doesn't show up in the histories.

0:27:24.600 --> 0:27:26.240
<v Speaker 2>I mean here or there. It kind of comes up,

0:27:26.480 --> 0:27:29.879
<v Speaker 2>but I think it's really understated the effect that had

0:27:30.280 --> 0:27:34.120
<v Speaker 2>on the community that developed in the Chelsea Hotel from

0:27:34.240 --> 0:27:37.639
<v Speaker 2>the entire time that the building was open. And that

0:27:37.680 --> 0:27:42.400
<v Speaker 2>has drugs, drugs, drugs, drugs, drugs, drugs. Like so everybody

0:27:42.400 --> 0:27:47.560
<v Speaker 2>from Sarah Bernhardt, the French actress, to Bob Dylan and beyond.

0:27:48.600 --> 0:27:50.440
<v Speaker 2>I wouldn't put it beyond Ethan.

0:27:50.160 --> 0:27:52.920
<v Speaker 1>Hawk, he lived there for a while.

0:27:53.000 --> 0:27:57.040
<v Speaker 2>Yeah, So I mean the club kids, like with the

0:27:57.040 --> 0:28:00.200
<v Speaker 2>Capital C and the Capitol K in the eighties and nineties,

0:28:01.640 --> 0:28:03.920
<v Speaker 2>like some of them lived there and they were definitely

0:28:03.920 --> 0:28:07.240
<v Speaker 2>doing drugs. They're like it was just a really big

0:28:07.560 --> 0:28:12.760
<v Speaker 2>part of the experience of living at the Chelsea Hotel.

0:28:12.760 --> 0:28:14.800
<v Speaker 2>It was like essentially one of the muses that was

0:28:14.840 --> 0:28:17.400
<v Speaker 2>walking around the halls of that building all the time.

0:28:17.960 --> 0:28:21.920
<v Speaker 1>Yeah, for sure. I mean Gabby Hoffman, the actor. She

0:28:22.160 --> 0:28:25.720
<v Speaker 1>was raised there from birth till she was eleven years old.

0:28:25.760 --> 0:28:29.600
<v Speaker 1>Her mom was Viva, who was another one of Warhol's superstars,

0:28:30.320 --> 0:28:33.280
<v Speaker 1>and little Gaby Hoffman from Sleepless in Seattle. You know,

0:28:33.320 --> 0:28:35.720
<v Speaker 1>she's a grown lady, you know, middle aged woman now

0:28:36.440 --> 0:28:38.840
<v Speaker 1>and has talked a lot about it. She loved living there,

0:28:38.840 --> 0:28:41.360
<v Speaker 1>but you know, she was stepping over people, you know,

0:28:41.720 --> 0:28:43.720
<v Speaker 1>passed out with hair and needles in their arms, and

0:28:44.160 --> 0:28:48.640
<v Speaker 1>you know, on her roller skates and just you know,

0:28:48.720 --> 0:28:50.160
<v Speaker 1>kind of a crazy life. But to her, it was

0:28:50.240 --> 0:28:51.560
<v Speaker 1>just like, yeah, I just lived in this sort of

0:28:52.000 --> 0:28:55.640
<v Speaker 1>legendary divy apartment building. Like there was a gazillion non

0:28:55.720 --> 0:28:58.400
<v Speaker 1>famous ones in New York, this one just happened to

0:28:58.400 --> 0:29:01.680
<v Speaker 1>be famous. Did see where her mom Viva? Eventually, I

0:29:01.720 --> 0:29:03.480
<v Speaker 1>don't think it was ever published, but she wrote a

0:29:03.480 --> 0:29:07.360
<v Speaker 1>book because writers always like very chicully say that like

0:29:07.400 --> 0:29:11.200
<v Speaker 1>Gabby Hoffman was sort of the Chelsea Hotels answer to

0:29:11.200 --> 0:29:14.760
<v Speaker 1>Eloise the children's book. And apparently her mom wrote a

0:29:14.760 --> 0:29:16.800
<v Speaker 1>book called Gabby at the Chelsea. But I don't think

0:29:16.880 --> 0:29:18.720
<v Speaker 1>I would try to find out think it was ever released.

0:29:18.920 --> 0:29:22.959
<v Speaker 2>That's cute. I would love to see that. Yeah, how

0:29:22.960 --> 0:29:25.479
<v Speaker 2>about some more famous stuff that happened there.

0:29:25.560 --> 0:29:29.400
<v Speaker 1>Huh Yeah, like Liaison's Janis Joplin and Leonard Cohen. That's

0:29:29.400 --> 0:29:29.960
<v Speaker 1>a big one.

0:29:30.240 --> 0:29:34.200
<v Speaker 2>Yeah. He wrote about that in Chelsea Hotel number two,

0:29:34.280 --> 0:29:38.280
<v Speaker 2>one of his songs, very famous song. So they were

0:29:38.320 --> 0:29:43.040
<v Speaker 2>together from sixty eight to seventy when Janis died. I

0:29:43.080 --> 0:29:46.000
<v Speaker 2>don't know if they were like an item or if

0:29:46.000 --> 0:29:48.160
<v Speaker 2>they just, you know, liked hanging out.

0:29:48.520 --> 0:29:50.720
<v Speaker 1>If you know, sure, I think I know Jimi.

0:29:50.800 --> 0:29:56.080
<v Speaker 2>But regardless, they were just a famous couple from there. Yeah,

0:29:56.120 --> 0:29:58.320
<v Speaker 2>that's not the right word. I'm having trouble pulling words

0:29:58.360 --> 0:30:01.080
<v Speaker 2>out of the air. Another couple that you could probably

0:30:01.080 --> 0:30:05.120
<v Speaker 2>call more of a couple was Patty Smith and Robert Maplethorpe.

0:30:05.280 --> 0:30:07.800
<v Speaker 2>They moved into the Chelsea They were totally broke at

0:30:07.800 --> 0:30:11.160
<v Speaker 2>the time. Patty Smith became like the poet of the

0:30:11.160 --> 0:30:19.360
<v Speaker 2>punk scene. Robert Maplethorpe famously became the devil incarnate with his.

0:30:21.520 --> 0:30:23.880
<v Speaker 1>Photos, provocative pictures, that's.

0:30:23.920 --> 0:30:27.080
<v Speaker 2>One way to put it. Sure of BDSM culture and

0:30:27.120 --> 0:30:30.640
<v Speaker 2>gay culture in the eighties, and like almost got the

0:30:30.760 --> 0:30:34.880
<v Speaker 2>National Endowments for the Arts canceled, Although I think it's

0:30:34.960 --> 0:30:37.160
<v Speaker 2>unfair to say it was him. Jesse Helms almost got

0:30:37.160 --> 0:30:41.520
<v Speaker 2>the NEA canceled, and it was Robert Maplethorpe was just

0:30:41.560 --> 0:30:44.360
<v Speaker 2>making art and Jesse Helms just did not think a

0:30:44.360 --> 0:30:46.480
<v Speaker 2>bullwhip coming out of a man's rectum was art.

0:30:47.720 --> 0:30:50.240
<v Speaker 1>That's right. I had that book. I haven't read yet.

0:30:50.240 --> 0:30:51.959
<v Speaker 1>It's on the shelf with a bunch of other rock

0:30:51.960 --> 0:30:53.280
<v Speaker 1>and roll books that I have yet to get to.

0:30:53.360 --> 0:30:57.600
<v Speaker 1>But the Jesse Helms story no exactly what a rock

0:30:57.680 --> 0:31:02.959
<v Speaker 1>and roll Patty Smith's book that she wrote about her

0:31:03.000 --> 0:31:06.320
<v Speaker 1>time with maple Thorpe, I think it's called Just Kids

0:31:07.040 --> 0:31:11.400
<v Speaker 1>that I'm looking forward to getting into. But boy, can

0:31:11.440 --> 0:31:14.719
<v Speaker 1>I tell a quick Patti Smith Bob Dylan story. Is

0:31:14.760 --> 0:31:16.480
<v Speaker 1>there nothing to do with the Chelsea Hotel?

0:31:16.600 --> 0:31:17.520
<v Speaker 2>Yeah?

0:31:17.560 --> 0:31:19.000
<v Speaker 1>Well, you know what I'm gonna say, it does I'll

0:31:19.000 --> 0:31:21.760
<v Speaker 1>say she told him here. If you're a Dylan fanuel

0:31:21.800 --> 0:31:23.320
<v Speaker 1>like this, you can just check out for a second.

0:31:23.320 --> 0:31:26.880
<v Speaker 1>But on Bob Dylan's very famous Rolling Thunder tour that

0:31:26.960 --> 0:31:30.560
<v Speaker 1>he took up in seventy five seventy six, some people

0:31:30.560 --> 0:31:33.160
<v Speaker 1>look at that as like some peak Dylan live performance,

0:31:34.840 --> 0:31:38.440
<v Speaker 1>unbelievable stuff. But he has a performance of his song

0:31:38.480 --> 0:31:40.520
<v Speaker 1>isis one of his great songs after the record is

0:31:41.080 --> 0:31:43.800
<v Speaker 1>off the record Desire where it's just one of the

0:31:43.800 --> 0:31:47.000
<v Speaker 1>great live performances of anyone ever is his performance on

0:31:47.120 --> 0:31:50.560
<v Speaker 1>Rolling Thunder of Isis and he doesn't play the guitar

0:31:51.880 --> 0:31:53.440
<v Speaker 1>and he's just standing there and he didn't do that

0:31:53.480 --> 0:31:55.239
<v Speaker 1>a lot. And he Patty Smith is the one who

0:31:55.320 --> 0:31:57.680
<v Speaker 1>encouraged him. He said, Bob, you should, you should do

0:31:57.720 --> 0:32:01.320
<v Speaker 1>Isis without the guitar. And he said, Patty, I don't

0:32:01.320 --> 0:32:03.520
<v Speaker 1>know what to do with my hands, and she said,

0:32:03.680 --> 0:32:04.720
<v Speaker 1>make them into fists.

0:32:05.840 --> 0:32:09.120
<v Speaker 2>So did he yell, heck, yeah, you did, okay?

0:32:10.560 --> 0:32:14.760
<v Speaker 1>And Patti Smith that wrote also about the Chelsea a

0:32:14.800 --> 0:32:18.680
<v Speaker 1>lot in the restaurant there. It's not officially part of it,

0:32:18.720 --> 0:32:20.680
<v Speaker 1>but it's connected. You can get to it through the hotel.

0:32:20.920 --> 0:32:26.240
<v Speaker 1>Al Quixote underwent a lot of renovations to reopen. It

0:32:26.960 --> 0:32:29.840
<v Speaker 1>was a pretty big dive of a place back then,

0:32:30.240 --> 0:32:32.560
<v Speaker 1>but it was cheap food and it was Spanish food,

0:32:33.000 --> 0:32:35.440
<v Speaker 1>and so people ate there, even though apparently the food

0:32:35.480 --> 0:32:38.320
<v Speaker 1>wasn't good. I saw it described was it. The piea

0:32:38.360 --> 0:32:41.400
<v Speaker 1>could have been consistency of yesterday's oatmeal. The taste of

0:32:41.440 --> 0:32:46.720
<v Speaker 1>the sangria might be best described as purple but before

0:32:46.920 --> 0:32:49.760
<v Speaker 1>the Woodstock Music Festival, Patty Smith went to the Chelsea

0:32:49.920 --> 0:32:52.120
<v Speaker 1>or was living there, I guess, And she said, I

0:32:52.160 --> 0:32:55.200
<v Speaker 1>walked into Alcahoti's Bar one afternoon in nineteen sixty nine

0:32:55.520 --> 0:32:59.160
<v Speaker 1>to find musicians everywhere, sitting before tables laid with mounds

0:32:59.160 --> 0:33:01.920
<v Speaker 1>of shrimp and green so payea, pictures of sin gree

0:33:01.960 --> 0:33:04.680
<v Speaker 1>and bottles of tequila. Jefferson airplane was there, so was

0:33:04.760 --> 0:33:08.680
<v Speaker 1>Janis Joplin and her band Jimmy Hendrix sat by the door. Like,

0:33:09.120 --> 0:33:11.680
<v Speaker 1>can you like just walking into a restaurant and seeing

0:33:11.680 --> 0:33:14.680
<v Speaker 1>something like that happening? Incredible?

0:33:14.800 --> 0:33:16.000
<v Speaker 2>Yeah?

0:33:16.440 --> 0:33:18.400
<v Speaker 1>Yeah, you'd be like, I don't really care about any

0:33:18.400 --> 0:33:19.360
<v Speaker 1>these people, No I do.

0:33:19.520 --> 0:33:22.320
<v Speaker 2>I love Jimmy Hendrix, and clearly I love at least

0:33:22.400 --> 0:33:23.480
<v Speaker 2>Jefferson Starship.

0:33:23.920 --> 0:33:28.320
<v Speaker 1>Right, you were like, one day you don't know it yet,

0:33:28.320 --> 0:33:30.120
<v Speaker 1>you're gonna write a song called Sarah, that's right.

0:33:30.800 --> 0:33:34.000
<v Speaker 2>And I spent at least one summer just listening to

0:33:34.120 --> 0:33:36.920
<v Speaker 2>Dennis Joplin's greatest hits over and over again, so I

0:33:36.920 --> 0:33:38.240
<v Speaker 2>could be down with that scene.

0:33:38.440 --> 0:33:42.120
<v Speaker 1>Man, Should we take a break, Yeah, all right, we'll

0:33:42.160 --> 0:33:45.040
<v Speaker 1>be right back and we'll finish up on the Chelsea Hotel, right,

0:33:45.120 --> 0:34:10.080
<v Speaker 1>for this. All Right, we talked about people dying at

0:34:10.080 --> 0:34:13.400
<v Speaker 1>the Chelsea, so we should probably talk more specifically about

0:34:13.400 --> 0:34:17.000
<v Speaker 1>this because it seemed to happen a lot.

0:34:17.160 --> 0:34:21.160
<v Speaker 2>Right, Yeah, there were people who jumped out of windows.

0:34:21.200 --> 0:34:24.400
<v Speaker 2>Remember it was a twelve story building and this was

0:34:24.440 --> 0:34:28.200
<v Speaker 2>nothing new. People. There was a there's a rumor of

0:34:28.239 --> 0:34:31.400
<v Speaker 2>a ghost of a woman who supposedly lived. There was

0:34:31.400 --> 0:34:33.480
<v Speaker 2>an artist who was upset with herself and cut off

0:34:33.480 --> 0:34:36.680
<v Speaker 2>her hand and then threw herself out the window. And

0:34:36.800 --> 0:34:39.279
<v Speaker 2>this would have been in the first couple decades of

0:34:39.320 --> 0:34:42.160
<v Speaker 2>the twentieth century. But it didn't stop with her. It

0:34:42.280 --> 0:34:44.840
<v Speaker 2>just kept going and going and going. And then even

0:34:44.880 --> 0:34:48.560
<v Speaker 2>if someone didn't die by suicide or it wasn't murdered

0:34:48.640 --> 0:34:52.080
<v Speaker 2>or their place wasn't set on fire, just the day

0:34:52.160 --> 0:34:55.880
<v Speaker 2>to day grimy grittiness of it of heroin addicts like

0:34:55.920 --> 0:34:59.959
<v Speaker 2>shooting up in the bathrooms or sex workers like washing

0:35:00.040 --> 0:35:02.919
<v Speaker 2>their underwear in the bathrooms. That was another quote from

0:35:03.080 --> 0:35:07.040
<v Speaker 2>the Oral History of All Places that Vanity Fairhead on

0:35:07.120 --> 0:35:12.319
<v Speaker 2>the Chelsea Hotel, Like there was just a definite dark

0:35:12.360 --> 0:35:15.279
<v Speaker 2>side to it, which was just kind of underscores what

0:35:15.320 --> 0:35:16.840
<v Speaker 2>I was saying before. The people were like and I

0:35:16.880 --> 0:35:19.640
<v Speaker 2>felt so safe there, and it was like, what was

0:35:19.640 --> 0:35:21.719
<v Speaker 2>it like outside of this building? If this was what

0:35:21.800 --> 0:35:23.200
<v Speaker 2>it was like inside, you know.

0:35:24.680 --> 0:35:29.200
<v Speaker 1>Yeah, that's a good point. There was a very notorious

0:35:29.280 --> 0:35:33.640
<v Speaker 1>death there, depending on who you ask. Said Vicious murdered

0:35:33.680 --> 0:35:38.319
<v Speaker 1>his girlfriend Nancy Spongeen there in room one hundred in

0:35:38.360 --> 0:35:42.719
<v Speaker 1>October of nineteen seventy eight. We can't say for sure

0:35:42.800 --> 0:35:46.160
<v Speaker 1>because he denied it to his last days, which was

0:35:46.200 --> 0:35:47.840
<v Speaker 1>before he went to court. He died of a heroin

0:35:47.880 --> 0:35:49.880
<v Speaker 1>overdose before he was able to go to trial for that.

0:35:50.080 --> 0:35:53.840
<v Speaker 1>But what we do know it's it. Nancy Spongeen was

0:35:53.960 --> 0:35:54.839
<v Speaker 1>stabbed to death there.

0:35:55.280 --> 0:36:00.640
<v Speaker 2>Yeah. There's a a biographer author named Phil stre Man

0:36:00.880 --> 0:36:03.640
<v Speaker 2>or Strongman. I would call myself Phil Strongman if that

0:36:03.680 --> 0:36:09.200
<v Speaker 2>were my name. But he wrote a punk nonfiction book,

0:36:09.239 --> 0:36:13.360
<v Speaker 2>I guess called Pretty Vacant, and he points to rockets

0:36:13.360 --> 0:36:17.000
<v Speaker 2>Red Glare, who was a bodyguard for the Sex Pistols

0:36:17.000 --> 0:36:20.279
<v Speaker 2>at the time, who was the last person known to

0:36:20.400 --> 0:36:24.400
<v Speaker 2>have seen Nancy Spongent alive. And there was also supposedly

0:36:24.440 --> 0:36:27.720
<v Speaker 2>a bunch of money cash in the apartment that couldn't

0:36:27.760 --> 0:36:31.200
<v Speaker 2>be accounted for after her body was discovered. So he

0:36:31.280 --> 0:36:33.879
<v Speaker 2>makes a pretty good case. Apparently also Rockets Red Lair

0:36:34.520 --> 0:36:38.680
<v Speaker 2>was admitted to it later on to some people, So

0:36:38.880 --> 0:36:41.920
<v Speaker 2>who knows, But I don't think it was sid vicious.

0:36:42.320 --> 0:36:44.719
<v Speaker 1>Yeah, I know Rockets Red glare from a lot of

0:36:44.719 --> 0:36:51.840
<v Speaker 1>those early Jim Jarmish movies. Interesting dude, Rufus Wainwright lived

0:36:51.840 --> 0:36:55.640
<v Speaker 1>there in two thousand to work on a record, and

0:36:55.760 --> 0:36:59.200
<v Speaker 1>there's a pretty funny story there where he was. He

0:36:59.239 --> 0:37:01.000
<v Speaker 1>called down to the front and asked that they could

0:37:01.000 --> 0:37:03.600
<v Speaker 1>send up a quart of milk, and apparently the bellman

0:37:03.719 --> 0:37:06.520
<v Speaker 1>arrived with a tray full of just tons and tons

0:37:06.560 --> 0:37:11.239
<v Speaker 1>of drugs because milk, beknownst to Rufus, was the code

0:37:11.239 --> 0:37:13.600
<v Speaker 1>word at the Chelsea four drugs.

0:37:13.960 --> 0:37:16.400
<v Speaker 2>Yeah, because he was the only person in the history

0:37:16.400 --> 0:37:19.000
<v Speaker 2>of the hotel who actually wanted milk at one point.

0:37:19.600 --> 0:37:23.560
<v Speaker 1>And you mentioned Ethan Hawk or that's about say old friend.

0:37:23.560 --> 0:37:25.359
<v Speaker 1>We don't have nothing to do with him, you know.

0:37:25.640 --> 0:37:28.880
<v Speaker 1>I love Ethan Hawk. I think he's a great passionate,

0:37:29.000 --> 0:37:32.160
<v Speaker 1>artistic dude. But he lived there for three years when

0:37:32.200 --> 0:37:34.719
<v Speaker 1>he was sort of I don't know think he was

0:37:34.719 --> 0:37:37.120
<v Speaker 1>fully divorced, but was when he was with Uma Thurman.

0:37:37.160 --> 0:37:39.120
<v Speaker 1>They were kind of on the rocks. Yeah, and he

0:37:39.160 --> 0:37:41.960
<v Speaker 1>made the movie Chelsea Walls in two thousand and one,

0:37:42.400 --> 0:37:44.680
<v Speaker 1>which is a series of short films about a day

0:37:44.719 --> 0:37:46.240
<v Speaker 1>in the life of people at the Chelsea Hotel.

0:37:46.800 --> 0:37:49.080
<v Speaker 2>So you know something about him. I've become more and

0:37:49.120 --> 0:37:50.919
<v Speaker 2>more of a fan over the years. I think he's

0:37:50.920 --> 0:37:54.400
<v Speaker 2>really kind of grown into his talent.

0:37:55.200 --> 0:37:58.359
<v Speaker 1>Yeah, yeah, I think it's I like the guy a lot,

0:37:58.400 --> 0:38:00.560
<v Speaker 1>and I like his daughter, and I like I think

0:38:00.960 --> 0:38:02.960
<v Speaker 1>I am a big fan of that family. Yeah. Who's

0:38:03.000 --> 0:38:07.720
<v Speaker 1>his daughter, Maya Hawk? She's an actor.

0:38:07.800 --> 0:38:09.719
<v Speaker 2>No, I don't know, I'm not familiar.

0:38:10.040 --> 0:38:11.960
<v Speaker 1>Up and coming. She's on Stranger Things is probably what

0:38:12.000 --> 0:38:13.200
<v Speaker 1>most people know are from these days.

0:38:13.200 --> 0:38:16.840
<v Speaker 2>Oh okay, so what else, Chuck?

0:38:17.280 --> 0:38:21.440
<v Speaker 1>And she looks just like Uma. Oh really Yeah, it's

0:38:21.680 --> 0:38:23.640
<v Speaker 1>really funny. I mean a little bit of Ethan in there,

0:38:23.640 --> 0:38:27.000
<v Speaker 1>but she's got Imma's mannerisms and voice. It's pretty cool. Nice.

0:38:27.400 --> 0:38:32.280
<v Speaker 2>So you mentioned that the Chelsea Hotel underwent renovations for

0:38:32.400 --> 0:38:36.200
<v Speaker 2>a long time, over a decade. From what I saw,

0:38:36.760 --> 0:38:39.680
<v Speaker 2>the whole thing started when Stanley Bard was forced out

0:38:39.960 --> 0:38:42.279
<v Speaker 2>back in two thousand and seven or eight. I saw

0:38:42.360 --> 0:38:48.319
<v Speaker 2>both Remember that his father, David Bard, had purchased the

0:38:48.520 --> 0:38:51.879
<v Speaker 2>Chelsea with two other families, two other men. Well, their

0:38:52.000 --> 0:38:56.160
<v Speaker 2>errors were basically like, you are not making money here,

0:38:56.239 --> 0:38:58.960
<v Speaker 2>like he was very Stanley was very famous for accepting

0:38:59.120 --> 0:39:01.880
<v Speaker 2>art in lieu of rain if you were hard, you know,

0:39:01.920 --> 0:39:04.600
<v Speaker 2>down on your luck, but you were an artist, like

0:39:04.640 --> 0:39:06.440
<v Speaker 2>he would just you know, look the other way for

0:39:06.520 --> 0:39:08.840
<v Speaker 2>a few months. Like he was not running it like

0:39:08.880 --> 0:39:11.759
<v Speaker 2>a business, and he was very open about that. So

0:39:11.800 --> 0:39:15.160
<v Speaker 2>apparently the airs of the other two owners were like,

0:39:15.560 --> 0:39:17.640
<v Speaker 2>you need to get out. We have two thirds of

0:39:17.640 --> 0:39:22.080
<v Speaker 2>a vote and you're out. And that was when things

0:39:22.120 --> 0:39:24.920
<v Speaker 2>just kind of, yeah, big bummer. Things just started to

0:39:25.000 --> 0:39:27.839
<v Speaker 2>change because a few years after that they sold it

0:39:27.880 --> 0:39:31.440
<v Speaker 2>to some investors. I think that was in twenty eleven.

0:39:31.480 --> 0:39:34.279
<v Speaker 2>They sold it for eighty million dollars. The investors came in,

0:39:34.680 --> 0:39:37.319
<v Speaker 2>fired all of the staff because they were union, and

0:39:37.360 --> 0:39:42.680
<v Speaker 2>brought in non union workers. They did away with basically

0:39:42.760 --> 0:39:47.880
<v Speaker 2>everything that was cool and intangible about the place, and

0:39:47.920 --> 0:39:49.600
<v Speaker 2>they also took down all the art, Like one of

0:39:49.640 --> 0:39:51.840
<v Speaker 2>the things Stanley did was hang art by the artists

0:39:51.840 --> 0:39:54.480
<v Speaker 2>who'd lived there all throughout the place, it was just

0:39:54.640 --> 0:39:57.520
<v Speaker 2>laden with art. They took all of it off the walls,

0:39:57.560 --> 0:40:00.880
<v Speaker 2>put it in storage. Apparently some that was, and Stanley's

0:40:01.200 --> 0:40:04.640
<v Speaker 2>that wasn't. The hotels too. The Larry Rivers Foundation is

0:40:04.680 --> 0:40:06.640
<v Speaker 2>suing to get one of his paintings back that they

0:40:06.680 --> 0:40:09.920
<v Speaker 2>say was just on loan, and from that point on

0:40:10.040 --> 0:40:13.719
<v Speaker 2>it just became kind of ham fisted and not very

0:40:13.760 --> 0:40:16.840
<v Speaker 2>pleasant for the people who lived there in the Chelsea.

0:40:17.760 --> 0:40:22.759
<v Speaker 1>Yeah, it's very controversial renovation because, like you said, there's

0:40:22.760 --> 0:40:26.720
<v Speaker 1>still people living there. Some of those residents held out

0:40:26.800 --> 0:40:29.439
<v Speaker 1>and fought it and for as long as they could.

0:40:29.600 --> 0:40:32.319
<v Speaker 1>Some other residents were mad at those residents because they

0:40:32.360 --> 0:40:35.040
<v Speaker 1>were like, we're just living into under construction because it's

0:40:35.080 --> 0:40:39.360
<v Speaker 1>taking forever. Because you're fighting this like it's going to happen.

0:40:39.760 --> 0:40:41.520
<v Speaker 1>Just give up so we can at least get this

0:40:41.640 --> 0:40:45.920
<v Speaker 1>finished and live in normal life again. So it really,

0:40:45.960 --> 0:40:48.919
<v Speaker 1>you know, it depends on your perspective. There's a really,

0:40:48.960 --> 0:40:51.840
<v Speaker 1>really good documentary that I highly recommend called Dreaming Walls

0:40:52.480 --> 0:40:54.480
<v Speaker 1>from twenty twenty two where they go inside a lot

0:40:54.480 --> 0:40:57.920
<v Speaker 1>of these original residence apartments see what they're like. There

0:40:57.920 --> 0:41:00.960
<v Speaker 1>are also some good books about this. From what I

0:41:01.080 --> 0:41:04.040
<v Speaker 1>found as of now, I think there's about forty of

0:41:04.080 --> 0:41:08.680
<v Speaker 1>them still there. Original residence in those apartments and when

0:41:08.719 --> 0:41:11.360
<v Speaker 1>you stay there. You're walking down the hall to your

0:41:11.440 --> 0:41:13.000
<v Speaker 1>room and all the doors look the same, and then

0:41:13.040 --> 0:41:15.520
<v Speaker 1>you'll come across the door that's not the same, and

0:41:15.680 --> 0:41:16.840
<v Speaker 1>that's an original resident.

0:41:17.239 --> 0:41:20.480
<v Speaker 2>Yeah, which is pretty cool that they're still there. They're

0:41:20.480 --> 0:41:24.560
<v Speaker 2>also rent controlled, I believe, which is how they're sure.

0:41:25.440 --> 0:41:27.200
<v Speaker 1>Yeah, and it is one of those things where I

0:41:27.239 --> 0:41:30.920
<v Speaker 1>really like staying there, but I feel like, man, I

0:41:30.960 --> 0:41:33.440
<v Speaker 1>bet these people hate people like me that like staying

0:41:33.440 --> 0:41:38.040
<v Speaker 1>here is walking around I know, and like, you know,

0:41:38.080 --> 0:41:42.520
<v Speaker 1>with my nine year old daughter, who's not Gabby Hoffman.

0:41:42.880 --> 0:41:45.680
<v Speaker 2>Right, she's not on roller skates, she's not an uncle Buck.

0:41:46.320 --> 0:41:48.359
<v Speaker 1>I know. So have very mixed feelings about the whole

0:41:48.400 --> 0:41:51.520
<v Speaker 1>thing about like if staying there support that kind of

0:41:51.560 --> 0:41:52.919
<v Speaker 1>action in general or.

0:41:53.080 --> 0:41:55.560
<v Speaker 2>Well, you know, you bring that up. I thought that too,

0:41:56.239 --> 0:41:57.960
<v Speaker 2>you mean, and I say there a couple of times

0:41:58.680 --> 0:42:00.799
<v Speaker 2>over the years we did the most avant garde thing

0:42:00.840 --> 0:42:03.239
<v Speaker 2>you can do. We stayed at the Chelsea Hotel when

0:42:03.280 --> 0:42:06.160
<v Speaker 2>we went to see comedian Tom Rhodes at the Gotham

0:42:06.280 --> 0:42:07.520
<v Speaker 2>Comedy Club next door.

0:42:08.520 --> 0:42:09.480
<v Speaker 1>Oh that's very close.

0:42:09.880 --> 0:42:14.239
<v Speaker 2>Yeah, he's super undergone. But I mean, I totally get

0:42:14.280 --> 0:42:16.680
<v Speaker 2>that feeling that you're talking about where it's just like

0:42:17.120 --> 0:42:19.520
<v Speaker 2>this was something and now is this the like the

0:42:19.600 --> 0:42:23.720
<v Speaker 2>dulled up version, like kind of the fake disneyfied version

0:42:23.800 --> 0:42:26.880
<v Speaker 2>of what it used to be? And that leads me

0:42:26.920 --> 0:42:29.439
<v Speaker 2>to a question that I had throughout researching this, Chuck,

0:42:30.239 --> 0:42:35.560
<v Speaker 2>where is whatever the Chelsea Hotel was? Now? Where is it?

0:42:35.960 --> 0:42:37.759
<v Speaker 2>I don't think it's in New York anymore. I don't

0:42:37.760 --> 0:42:39.719
<v Speaker 2>think it's something like that can survive in New York

0:42:39.760 --> 0:42:42.600
<v Speaker 2>because it's just gotten so wealthy and wealthy and wealthy

0:42:42.640 --> 0:42:47.520
<v Speaker 2>and wealthiness is not really it doesn't really jibe with

0:42:47.520 --> 0:42:52.480
<v Speaker 2>what the Chelsea Hotel was. And it's heyday, So like

0:42:52.640 --> 0:42:54.600
<v Speaker 2>where is it? Is it somewhere else in the world?

0:42:55.080 --> 0:42:57.920
<v Speaker 2>Is it in Kansas? Like where did this go? I

0:42:58.000 --> 0:43:01.760
<v Speaker 2>really want to know who's doing really interesting cool work

0:43:03.239 --> 0:43:05.000
<v Speaker 2>these days? Where can you find it? Or is it

0:43:05.080 --> 0:43:05.880
<v Speaker 2>just not around?

0:43:06.520 --> 0:43:09.560
<v Speaker 1>I know, I'm with you. And also the notion of

0:43:09.600 --> 0:43:13.120
<v Speaker 1>like it's a pretty easy target, but like you know,

0:43:13.200 --> 0:43:17.560
<v Speaker 1>I bet the Holiday and Express and Times Square kicked

0:43:17.560 --> 0:43:20.279
<v Speaker 1>out some residents for whatever building they took over. You know, like,

0:43:20.400 --> 0:43:23.320
<v Speaker 1>is there any hotel group on the earth that isn't

0:43:23.440 --> 0:43:25.760
<v Speaker 1>gross and did things like that in these dense cities?

0:43:25.880 --> 0:43:28.319
<v Speaker 2>Yeah. I mean, look what happened to San Francisco, Like

0:43:29.080 --> 0:43:32.120
<v Speaker 2>it lost a lot of it's Oh yeah, I don't

0:43:32.120 --> 0:43:35.680
<v Speaker 2>want to say luster, because it wasn't luster that made

0:43:35.719 --> 0:43:39.319
<v Speaker 2>it so charming, but it lost some of its jam.

0:43:40.000 --> 0:43:43.160
<v Speaker 1>Yeah for sure. But you know, El Quixotie is awesome now.

0:43:43.239 --> 0:43:46.719
<v Speaker 1>They've got some really good chefs that work there. You know,

0:43:46.719 --> 0:43:49.600
<v Speaker 1>A big shout out to John Paccini, he's the general

0:43:49.600 --> 0:43:52.000
<v Speaker 1>manager there. He's the stuff you should know, listener. He's

0:43:52.000 --> 0:43:55.040
<v Speaker 1>always been very kind to me, so big shout out

0:43:55.080 --> 0:43:56.880
<v Speaker 1>to him, and he's just he's done a great job.

0:43:57.480 --> 0:43:59.840
<v Speaker 1>And the pie is good now. And I've had some

0:44:00.040 --> 0:44:02.560
<v Speaker 1>really great experiences in that restaurant and in that hotel.

0:44:02.640 --> 0:44:06.200
<v Speaker 1>The lobby bar there is amazing, Like it's a truly

0:44:06.520 --> 0:44:08.480
<v Speaker 1>great place to go have a drink. And if you

0:44:08.640 --> 0:44:11.160
<v Speaker 1>if you stay there, you can get in. But if

0:44:11.200 --> 0:44:12.560
<v Speaker 1>you don't stay there, you can still go get a

0:44:12.600 --> 0:44:15.520
<v Speaker 1>drink there. I would recommend it. So I don't know,

0:44:15.600 --> 0:44:19.720
<v Speaker 1>it's It's definitely makes me question things. But like I said,

0:44:19.760 --> 0:44:22.720
<v Speaker 1>is there a place in New York where original residents

0:44:22.719 --> 0:44:24.640
<v Speaker 1>weren't screwed over in some way or another to make

0:44:24.680 --> 0:44:26.759
<v Speaker 1>way for some new expensive thing.

0:44:27.040 --> 0:44:29.719
<v Speaker 2>Oh. I mean also not just like people living there,

0:44:29.800 --> 0:44:32.160
<v Speaker 2>I mean like the art, the tho oh yeah, the

0:44:32.680 --> 0:44:36.319
<v Speaker 2>artistic vibe that was there where total because it's not

0:44:36.360 --> 0:44:37.239
<v Speaker 2>like no, I you.

0:44:37.719 --> 0:44:40.359
<v Speaker 1>Know, I know, I know, And a lot of those

0:44:41.200 --> 0:44:44.759
<v Speaker 1>forty residents or some of them are still artists making

0:44:44.880 --> 0:44:45.160
<v Speaker 1>art there.

0:44:45.239 --> 0:44:47.640
<v Speaker 2>Yeah, for sure, they just got to.

0:44:48.200 --> 0:44:50.719
<v Speaker 1>I don't know if that documentary was accurate, but I

0:44:50.760 --> 0:44:54.360
<v Speaker 1>think that the residents either aren't allowed to use the

0:44:54.360 --> 0:44:56.160
<v Speaker 1>main entrance or maybe they just prefer not to.

0:44:56.280 --> 0:44:59.760
<v Speaker 2>I could see either one. Actually I really could too. Actually,

0:45:00.680 --> 0:45:02.839
<v Speaker 2>well that's it for the Chelsea Hotel. We could keep

0:45:02.840 --> 0:45:05.480
<v Speaker 2>going on and on and on, but I feel like

0:45:05.520 --> 0:45:07.279
<v Speaker 2>this is a good place to stop, don't you.

0:45:08.320 --> 0:45:11.160
<v Speaker 1>Uh yeah. I mean, let's quickly mention that there were

0:45:11.200 --> 0:45:14.960
<v Speaker 1>some very famous things auctioned off. Some of the famous doors.

0:45:15.000 --> 0:45:18.080
<v Speaker 1>Bob Dylan storer was auctioned off. I think either Leonard

0:45:18.080 --> 0:45:24.400
<v Speaker 1>Cohen or Janis Joplin store was auctioned and that iconic sign,

0:45:25.000 --> 0:45:27.840
<v Speaker 1>as best I can figure, was renovated. But part of

0:45:27.840 --> 0:45:32.600
<v Speaker 1>that renovation included replacing the letters, and those original letters

0:45:33.000 --> 0:45:33.759
<v Speaker 1>were sold off.

0:45:33.840 --> 0:45:36.239
<v Speaker 2>Cool. Thank you for figuring that out, because I could

0:45:36.280 --> 0:45:38.719
<v Speaker 2>not make heads or tails of how the sign was restored,

0:45:38.840 --> 0:45:40.440
<v Speaker 2>but then they auctioned off the sign.

0:45:41.280 --> 0:45:44.400
<v Speaker 1>Yeah, I think just pieces of the original. You know,

0:45:44.440 --> 0:45:46.200
<v Speaker 1>you got to see on both sides and H and

0:45:46.239 --> 0:45:50.080
<v Speaker 1>E on both sides, and you know, I think you

0:45:50.120 --> 0:45:52.000
<v Speaker 1>found even that they had them wired so you could

0:45:52.040 --> 0:45:53.759
<v Speaker 1>put it in your your loft and light it up.

0:45:53.800 --> 0:45:59.359
<v Speaker 2>Pretty awesome, pretty cool. Uh Okay, Well that's it. That's

0:45:59.400 --> 0:46:02.040
<v Speaker 2>it for Chelsea Hotel. If you want to know more

0:46:02.040 --> 0:46:04.560
<v Speaker 2>about the Chelsea Hotel, go check out the Chelsea Hotel.

0:46:04.719 --> 0:46:07.920
<v Speaker 2>And since I said Chelsea Hotel three times, as was

0:46:07.960 --> 0:46:11.440
<v Speaker 2>foretold in two thousand and eight, I've unlocked listener mail.

0:46:13.320 --> 0:46:16.200
<v Speaker 1>That's right, and to prevent another listener mail. Yes, we

0:46:16.239 --> 0:46:17.719
<v Speaker 1>know naked Lunch was written.

0:46:17.400 --> 0:46:21.000
<v Speaker 2>There, thank you, Thank you, sir, And a lot of.

0:46:20.960 --> 0:46:24.120
<v Speaker 1>Other stuff was written there. You can't cover it all, no, Hey, guys,

0:46:24.280 --> 0:46:27.080
<v Speaker 1>this is about inner monologues too, because I mentioned, aside

0:46:27.120 --> 0:46:29.840
<v Speaker 1>from me thinking weird things when I'm falling asleep, I

0:46:29.880 --> 0:46:34.120
<v Speaker 1>mentioned Emily's thumb spelling, and it turns out a ton

0:46:34.160 --> 0:46:36.239
<v Speaker 1>of people do stuff like that, and I told her

0:46:36.239 --> 0:46:37.840
<v Speaker 1>and she was just delighted to find out that she

0:46:37.920 --> 0:46:41.240
<v Speaker 1>is in a club. Hey, guys over after a decade,

0:46:41.280 --> 0:46:45.000
<v Speaker 1>I finally have the inspiration to write. On the latest episode,

0:46:45.080 --> 0:46:47.280
<v Speaker 1>Chuck mentioned Emily spells outwords with their thumb while stressed.

0:46:47.320 --> 0:46:50.440
<v Speaker 1>I do something extremely similar, but instead of tracing the letters,

0:46:50.480 --> 0:46:52.560
<v Speaker 1>I spell them out in the sign language alphabet.

0:46:52.680 --> 0:46:53.000
<v Speaker 2>Wow.

0:46:54.040 --> 0:46:56.960
<v Speaker 1>And there were all kinds of variations. Some people air type,

0:46:57.880 --> 0:47:00.880
<v Speaker 1>sometimes it's cursive, sometimes it's sign language. It's really interesting.

0:47:02.000 --> 0:47:03.960
<v Speaker 1>I spelled them out and sign language alphabet, have been

0:47:03.960 --> 0:47:05.880
<v Speaker 1>doing it since I was at least eleven, and have

0:47:06.000 --> 0:47:07.960
<v Speaker 1>never heard of anyone else spelling out words well stressed.

0:47:07.960 --> 0:47:09.799
<v Speaker 1>I would love to know the reason, but I'm also

0:47:09.960 --> 0:47:13.160
<v Speaker 1>just content to know that someone else has a similar eccentricity.

0:47:13.760 --> 0:47:15.719
<v Speaker 1>Thanks for sharing such a lovely anecdote of what it

0:47:15.719 --> 0:47:18.400
<v Speaker 1>means to love someone with all their little oddities. And

0:47:18.440 --> 0:47:21.840
<v Speaker 1>peccadillos one of my favorite words. Yeah, it's the acceptance

0:47:21.840 --> 0:47:23.799
<v Speaker 1>and enjoy in the mundane and extraordinary in life that

0:47:23.880 --> 0:47:26.160
<v Speaker 1>keeps me coming back every week for a new episode.

0:47:26.440 --> 0:47:28.640
<v Speaker 1>I'm a sandwich listener. I'm sure you're going to get

0:47:28.680 --> 0:47:30.919
<v Speaker 1>dozens of these emails claiming to be Emily's long lost

0:47:31.000 --> 0:47:33.799
<v Speaker 1>finger spelling twin, But I had to write in because

0:47:33.800 --> 0:47:38.800
<v Speaker 1>I've always wanted to stay weird. And Lauren Nider or Niter,

0:47:38.840 --> 0:47:40.680
<v Speaker 1>I'm not sure how you pronounce it. You are in

0:47:40.719 --> 0:47:42.960
<v Speaker 1>a larger club because we got heard from a lot

0:47:43.000 --> 0:47:43.160
<v Speaker 1>of you.

0:47:43.360 --> 0:47:47.839
<v Speaker 2>Yeah, that's really cool. I'm glad. Emily's delighted. Yeah, I'm

0:47:47.840 --> 0:47:50.719
<v Speaker 2>delighted too, me too. Well, if you want to be

0:47:50.800 --> 0:47:53.600
<v Speaker 2>like Lauren and write in and let us know that

0:47:53.719 --> 0:47:56.160
<v Speaker 2>you're a part of a club too, well, we love

0:47:56.200 --> 0:47:58.080
<v Speaker 2>to hear that kind of stuff. You can send it

0:47:58.120 --> 0:47:59.960
<v Speaker 2>off to Stuff podcast at iHeartRadio.

0:48:04.520 --> 0:48:07.360
<v Speaker 1>Stuff you Should Know is a production of iHeartRadio. For

0:48:07.480 --> 0:48:11.640
<v Speaker 1>more podcasts my heart Radio, visit the iHeartRadio app, Apple Podcasts,

0:48:11.760 --> 0:48:13.560
<v Speaker 1>or wherever you listen to your favorite shows.

0:48:16.480 --> 0:48:16.520
<v Speaker 2>H