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Speaker 1: Look, oh, I see you my own look over there

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Speaker 1: is that culture. Yes, goodness, wow, lost cult, dang lost

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Speaker 1: Cultuisa's calling back in the studio. Back on film. The

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Speaker 1: theme is read and speaking of which oh my God

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Speaker 1: or gasmic you know? Okay.

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Speaker 2: So I was just home because it was my parents'

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Speaker 2: thirty fifth wedding anniversary on Labor Day. They got married

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Speaker 2: in a Greek Orthodox ceremony. I asked my mother where

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Speaker 2: all the diet coke was in the house, and she said,

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Speaker 2: you know, I stopped drinking eight years ago.

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Speaker 1: And I was like, well, it's back. It's back in

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Speaker 1: a big way. A couple things up up top, we

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Speaker 1: have to do housekeeping wise, it is post Labor Day. Yeah,

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Speaker 1: New York City went immediately into fall a great way.

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Speaker 1: I've been feeling it. Kathy Hokele and Eric Adams are

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Speaker 1: are forever. This is why you cannot stand a politician.

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Speaker 1: And I'm saying, like, the only way to engage with

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Speaker 1: politicians is to hate them. That's that's my take. And

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Speaker 1: then is never gonna the same listen, and then she's

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Speaker 1: her office is absolutely sprawling, right, three different subway stations today.

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Speaker 1: Fucked couldn't get up here to save my life to

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Speaker 1: the studio because we're tactile. How do you feel about

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Speaker 1: New York in the fall? Fucking love New York in

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Speaker 1: the fall?

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Speaker 2: I literally, can I tell you what I was doing

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Speaker 2: seconds ago, drinking off? No, I actually didn't drink off

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Speaker 2: this morning because I have a date later tonight.

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Speaker 1: Oh you can't. It's actually a really culture number eighteen.

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Speaker 1: You can't jack off in the morning if you have

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Speaker 1: a date that night. At age thirty four. What rule

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Speaker 1: of culture is that thirty four four? You can't jack

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Speaker 1: off in the morning if you have a day later

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Speaker 1: that night at the age of thirty four.

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Speaker 2: I'm just saying, I'm kind of hoping to like, I

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Speaker 2: don't know what I'm having. No, I get it, I'm

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Speaker 2: a sentence. But I was just I was walking on

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Speaker 2: the street and I was wearing a jacket, listening to bleachers.

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Speaker 1: Okay, you don't love that our guest is coughing. Our

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Speaker 1: guest is.

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Speaker 3: I told you it's my cough, not yours.

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Speaker 1: It's her cough. But that's what I was doing.

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Speaker 3: My cough has has been moved in for two and

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Speaker 3: a half weeks, and it's staying.

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Speaker 1: It's a little Longa. This is literally no, no, no, you're.

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Speaker 3: Almost I don't.

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Speaker 1: I don't, well, this is not you can't just have

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Speaker 1: her coming because this is a moment in time, moment.

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Speaker 3: No, I'm having a manic episode already, Like they're going

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Speaker 3: to be unlistenable.

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Speaker 1: She has jet lag. Which is the perfect state podcast.

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Speaker 2: I mean, the return to the pod of one of

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Speaker 2: the all time grades, one of the all times, and

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Speaker 2: this is going to actually take the readers by storm.

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Speaker 1: This is giving new Moon and virgo. Oh wow, yeah, giving,

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Speaker 1: We're back to We're back to the roots.

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Speaker 2: Yeah, you know who this is, by the way, iconic Leo.

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Speaker 2: And we just dragged Leo's to filth on the last episode.

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Speaker 3: I want to hear it.

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Speaker 1: Yeah, okay, but it's Leo. Man, play the play the episode,

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Speaker 1: play the tape, by the.

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Speaker 3: Whole episode for we've heard that. We listened to the

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Speaker 3: whole episode and I can't believe you said.

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Speaker 1: That bit bit she's a vocalist.

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Speaker 3: Bit It was male le never met one? Really, who

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Speaker 3: is one?

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Speaker 1: Sean Mendes, Ben Affleck never met them, don't they're going

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Speaker 1: to guess you. Our guest has a lot of things,

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Speaker 1: a lot of things on the Agenda podcast of course,

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Speaker 1: Come for me the special coming out October seventeenth on

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Speaker 1: deep streaming services. Thank you and Madam V Yes ms

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Speaker 1: Madam VP.

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Speaker 3: Miss weep dot com and.

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Speaker 1: A big announcement coming in next month and shut the

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Speaker 1: fuck up only in the building.

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Speaker 3: Yeah, come on, forget it.

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Speaker 2: Forget you remember her now because welcome to you.

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Speaker 1: I don't know what that was. Welcome back to your ears,

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Speaker 1: the one the only cat.

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Speaker 3: You'll make me wana be happier.

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Speaker 1: I forgot about drink the milk cup. I want more.

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Speaker 3: I'm like an Ali cat, drink the milk cup. I

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Speaker 3: want more.

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Speaker 1: Obvious cum thing.

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Speaker 3: I got such a cum thing right up top. I

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Speaker 3: gotta come.

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Speaker 1: I got a cum thing. Why where did you come from?

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Speaker 1: I've been getting.

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Speaker 3: Are you stressed because the trains?

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Speaker 1: I do have transit travel anxiety. Let's let it go.

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Speaker 3: I'm so I would be home with my family. So

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Speaker 3: good to see you girls. Thank you for having me

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Speaker 3: on the podcast. I just got back last night from London, England, Edinburgh.

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Speaker 1: She's not nomber legend winner.

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Speaker 3: Thank you.

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Speaker 1: Yeah.

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Speaker 3: I did Adam Bride in my European tour. I've been

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Speaker 3: gone three months. Yeah, I was heaven on Earth. I

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Speaker 3: have to say it was just really nice.

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Speaker 1: Yeah, just really nice to miss the New York summer.

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Speaker 3: I always run from the heat, and I'm in time

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Speaker 3: for the chill and time for a sweater and the stew.

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Speaker 1: I know, Oh my god, you came back right on time.

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Speaker 3: Look at this? Do you want me to do this?

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Speaker 3: Can you imagine?

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Speaker 1: What? Poor? Poor your belief? My mood?

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Speaker 2: Honestly, like, I have had kind of an annoying day

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Speaker 2: because I came here to the studio at ten am

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Speaker 2: thinking it was ten am, and it was. It was

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Speaker 2: actually that thing of my time difference because east coast,

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Speaker 2: west coast.

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Speaker 1: What is it?

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Speaker 2: So meanwhile you're over in London times an international episode.

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Speaker 3: No, I like it. I love coming distrection because you

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Speaker 3: wake up early and you feel so powerful, of course,

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Speaker 3: and then you could go to bed early and you

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Speaker 3: feel so healthy.

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Speaker 1: Oh forget it.

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Speaker 2: There was a huge stretch of time where I was

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Speaker 2: waking up naturally at five thirty am. You imagine all

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Speaker 2: I wanted to do was hang on to that and

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Speaker 2: be a bad person.

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Speaker 1: Early for me is like yeah, same, I try to

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Speaker 1: wake up at eight am.

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Speaker 3: Wow, every day.

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Speaker 1: I try, and even the weekends now do you both

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Speaker 1: work out a lot? I work out six days a

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Speaker 1: week starting.

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Speaker 3: Okay, boy, is you know what I do? They moved

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Speaker 3: to the city, got a big studio, and now they're gay.

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Speaker 3: You're still gay. We're checking in.

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Speaker 1: Actually, and actually that's getting harder, is it, gay guys?

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Speaker 3: It's getting worse. Yeah, it gets worse.

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Speaker 1: The other day done with gay guys. Didn't say that.

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Speaker 1: I said, I need to take a break from gay guys.

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Speaker 1: Y'all are annoying.

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Speaker 3: I do think to gigs, what do you think? Well,

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Speaker 3: I love gig guys. I can't get enough of this stuff.

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Speaker 3: Everywhere I go. It's crazy. I'll be in another city

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Speaker 3: and all I'll be immediately be like London.

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Speaker 1: The London ones chic, They're heaven on her.

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Speaker 3: I love my community.

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Speaker 1: You know.

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Speaker 2: I was talking to my dad yesterday about like living

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Speaker 2: in like New York or the age old question, and

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Speaker 2: I was like, you.

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Speaker 1: Don't live in London.

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Speaker 3: That'd be fabulous. I will just go do that and

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Speaker 3: adore you.

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Speaker 1: The gays. Then you say, you say they're sic they're

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Speaker 1: very chic. Yeah, I mean period.

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Speaker 3: Well, I walk into the studio, I go, I go

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Speaker 3: to your producer, I go, hey, Where does Matt live?

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Speaker 3: That's where we're at live.

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Speaker 1: Everywhere you live at all? Matt? When I realized he

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Speaker 1: is feeling, he's going through uprooting constantly. He's constantly he's

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Speaker 1: just not roots anywhere. You know, I don't root.

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Speaker 3: It's scary to root, it's scary to route.

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Speaker 2: Especially because you you've tried to root before and it's

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Speaker 2: been like a mistake, you know what I mean?

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Speaker 3: Why do you live in Brooklyn?

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Speaker 1: Yeah? Why you're asking you?

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Speaker 3: Yeah? So far from your job.

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Speaker 1: She wants to know why you don't live I'm worried

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Speaker 1: about you.

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Speaker 3: You were in Manhattan of course five years now, but

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Speaker 3: you were Brooklyn before for five years, but things changed.

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Speaker 1: But after the five years in both, she says, in Manhattan,

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Speaker 1: and that's where you belong. Were you guys? Just because

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Speaker 1: I would say, were you guys? Just talking about that?

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Speaker 3: Because I go, where's bone coming from?

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Speaker 1: And that's why?

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Speaker 3: Why would go and live there?

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Speaker 1: That's so interesting? Why I kill you?

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Speaker 3: Love it?

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Speaker 1: I love it?

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Speaker 3: And I'm do you have a fancy high rise?

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Speaker 1: I like it's not a high rise. I like my

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Speaker 1: apartment though a lot. I love my apartments. But beyond that,

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Speaker 1: I can't give you a great reason beyond that.

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Speaker 3: Your life could be so much easier really and the

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Speaker 3: best for you. I want you to be close to

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Speaker 3: your amazing job.

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Speaker 1: But like Manhattan is just like full of and I

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Speaker 1: was one of them, but I was like full of

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Speaker 1: these little n YU can't and I'm just like, stay away.

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Speaker 1: Why do you love Manhattan?

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Speaker 3: I hammer Cats. I'm in Hammercat's mystery box.

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Speaker 1: You would actually really do well.

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Speaker 3: I'm the only in their thirties, and.

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Speaker 1: They would worship you. Cat Co was the to my mind,

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Speaker 1: it's like you and like Melissa Rich. It's like the

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Speaker 1: one Cis woman who comes to Fire Island. Everyone just worships.

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Speaker 1: Have you been? You haven't been in a while, have you?

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Speaker 3: I went for one day last year, but I've been

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Speaker 3: even twice. But yeah, I describe it as like during

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Speaker 3: the day, you're developed the ball, the lights go down,

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Speaker 3: they trample over your dead body. You're fully being stomped

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Speaker 3: to death.

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Speaker 2: I'm like, yeah, but that that happens to anyone.

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Speaker 1: That The last week I was fun, you know, it

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Speaker 1: was low key. The most recent time. There were no

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Speaker 1: parties and it was actually but we were always a key.

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Speaker 1: There are parties. It's just there were no like theme,

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Speaker 1: there was no like like. It wasn't like this, it

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Speaker 1: wasn't more like it was more like.

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Speaker 2: So basically what we did this year was we Well,

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Speaker 2: you weren't there the first in June we went to

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Speaker 2: Fire Island, but he was shooting in Vancouver, so I

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Speaker 2: was there on like an off week in June, and

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Speaker 2: like the week before Labor Day this time. And then

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Speaker 2: prob when we went to Provincetown, we were there for

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Speaker 2: family Week, so we kind of weren't there for any

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Speaker 2: of the party weeks anywhere, but we had like sort

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Speaker 2: of our little ulti vacation moments.

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Speaker 3: I see, are you very ore Islands?

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Speaker 1: It's hard to say, oh, I want to. I want to.

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Speaker 3: Like everyone's adores it.

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Speaker 1: I think you would.

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Speaker 3: Everyone's adoring it, but it seems far away.

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Speaker 2: It is, but also like in the grand scheme, like

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Speaker 2: not really, I will say, like getting there feels like

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Speaker 2: less of a whole, Like it's like a grand majestic

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Speaker 2: moment when you get to Fire Island.

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Speaker 3: It's so intense.

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Speaker 1: Yeah, it's a lot.

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Speaker 2: I did take a tiny plane to Province and I

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Speaker 2: felt like I was in an old film.

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Speaker 1: Keep Scare You.

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Speaker 3: Scare, Yeah, a plane from where Boston?

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Speaker 1: Boston.

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Speaker 3: I don't want to go. I won't want I don't

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Speaker 3: want to go there.

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Speaker 1: You got it. You're like Rene rap I hate Boston vibes.

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Speaker 3: Oh my god, I newly love her. I just learned

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Speaker 3: about her because my young friend told me.

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Speaker 1: Who's your young friend?

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Speaker 3: My young friend Carly shout out.

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Speaker 1: Shout out. You got to keep a gen Z girl around.

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Speaker 3: To tell yeah, can is this okay? Or tell me?

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Speaker 3: I go, I'm not actually not going to get into

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Speaker 3: you must think what I asked her. I'll be like, oh, now,

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Speaker 3: I actually like I'm a hundred years old, but I go,

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Speaker 3: what is body tea? Oh?

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Speaker 1: Buddy? Someone said body tea to me.

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Speaker 3: I go, so can you tea everything?

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Speaker 1: When your body is tea, it means like you look good.

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Speaker 3: I knew it was a good thing.

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Speaker 1: So someone said body t to you.

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Speaker 3: Oh, I'm.

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Speaker 1: Too sorry to bring it back. What what's that from?

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Speaker 1: It's from your last episode, the last episode.

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Speaker 3: Two Dago. I haven't talked to y'all since ninety since

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Speaker 3: ninety three. I saw you in ninety six because you

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Speaker 3: had drinks.

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Speaker 1: Drink in ninety ninety five, we saw each other at

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Speaker 1: the opening night of A Mary off Broadway.

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Speaker 3: I know, but for one second, for one calendar second.

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Speaker 1: That's not enough seconds at all.

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Speaker 3: I know. So when are you back at work?

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Speaker 1: I do fucking know.

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Speaker 3: You don't not me?

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Speaker 1: Not me?

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Speaker 3: Are you happy about everything?

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Speaker 1: Yeah? Get into the real share.

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Speaker 3: Are you guys happy about everything or sad?

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Speaker 1: I'm okay.

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Speaker 3: I only so, honey. I never see you ever?

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Speaker 1: No, no, no, no, I can I tell you something.

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Speaker 2: This is one of the reasons why I want to

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Speaker 2: be back in New York is because truly my family

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Speaker 2: of friends is here.

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Speaker 3: But that's because I look at my phone. I get

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Speaker 3: back in town and I go, who lives here? Who

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Speaker 3: lives here?

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Speaker 1: I don't even know? You know, well, that is a

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Speaker 1: hard thing. I will say.

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Speaker 3: There he is gone. Yeah, mister mister p isn't we

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Speaker 3: did an.

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Speaker 1: Escape room with him? We didn't, in.

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Speaker 3: Fact a sentence, and I go, mom, ignoring.

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Speaker 2: Every five years we do an escape room with Pat

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Speaker 2: and our friend Jared, who loves you, and you know character, here's.

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Speaker 3: My person of me in an escape room. Let's go.

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Speaker 1: I want you to know.

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Speaker 2: That's really kind of the vibe for all of us.

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Speaker 2: But we all have our own little skills that contribute.

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Speaker 1: Yeah, you say, the key to an escape room is

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Speaker 1: everyone spread out and everyone shout from one end of

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Speaker 1: the room to the other with the person on the

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Speaker 1: other end of the room. That makes sense perfect. You know,

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Speaker 1: if you do enough, you get good at it.

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Speaker 2: Like I've done enough now where I'm like, I know

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Speaker 2: there was like a remember there was that woman was

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Speaker 2: like an old frog woman.

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Speaker 1: Okay, so in this last escape room.

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Speaker 3: We're talking about me like that.

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Speaker 1: I can't.

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Speaker 3: I can't spoil body in the corner.

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Speaker 2: We did one in l A there was like a

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Speaker 2: frog woman who was wearing an outfit and every item

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Speaker 2: of clothing was a different color. And I said, that's

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Speaker 2: going to come into play, come to five.

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Speaker 3: Why was there a woman in it?

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Speaker 1: I don't know anything. I can't look you on the mic.

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Speaker 3: Sorry, would be like hold on because I'm.

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Speaker 1: Waiting to eat until after the podcast, because let your

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Speaker 1: friend eat. Thank you, not one of the mic.

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Speaker 2: Because I'm looking out for all the readers of mist

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Speaker 2: Aphonia out there, the readers of Missophonia.

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Speaker 1: You are a community. Ironically, you don't stop making sounds.

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Speaker 1: Christ I would never alienate the fans, only.

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Speaker 3: Get it. I'm jella brain.

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Speaker 1: You're actually your top.

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Speaker 3: Of mind, know you guys. That's because this is a

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Speaker 3: top of mind.

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Speaker 1: What is the top of mind? T mine what's top

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Speaker 1: of mind for you? Pop?

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Speaker 3: Culturally, I don't know something that everyone saw ten years ago.

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Speaker 3: I just watched Game of throw.

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Speaker 1: Let's talk about him. Two binges.

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Speaker 3: I watched all Game of Thrones last summer. Unbelievable show.

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Speaker 3: Check it out and I want to be on it.

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Speaker 3: Chext watch where is it filming?

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Speaker 1: I watched.

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00:14:16,800 --> 00:14:19,880
Speaker 3: Yell at Me again posterizing Dragon. I want to rail

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00:14:20,080 --> 00:14:22,600
Speaker 3: rail rail bounce, bounce, bounce on that guy from Dragon,

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Speaker 3: which one now, the one in House of Dragon, who's like.

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Speaker 1: Matthew, Matt Smith Smith, Matt Smith. I want him where

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Speaker 1: big fuck energy. He was at Tribeca Film Festival. He

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Speaker 1: was He was playing Robert Mapplethorpe in a movie God Yeah,

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Speaker 1: and he he was down to He.

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Speaker 2: Looks over at us in our like jackets and he

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Speaker 2: I remember making icons.

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Speaker 1: Oh no, it was charged, and he goes it suits you?

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00:14:48,640 --> 00:14:49,520
Speaker 3: Is he be? Did he be?

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00:14:49,920 --> 00:14:52,200
Speaker 1: He gave be like like he wanted to fuck both

337
00:14:52,240 --> 00:14:53,840
Speaker 1: of us, which it was.

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00:14:53,800 --> 00:14:56,840
Speaker 2: Giving it was And I don't know this about him

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00:14:56,880 --> 00:14:58,800
Speaker 2: and I know that I'm on one with this word.

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00:14:59,360 --> 00:15:01,840
Speaker 2: But it was give like narcissists. Like it's like I

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00:15:01,960 --> 00:15:04,120
Speaker 2: want you to leave this room being like he would

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Speaker 2: fuck me.

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Speaker 1: That's the headline.

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Speaker 3: Smith nurse, not nurse Nars liquid concealer. I am so

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00:15:14,520 --> 00:15:16,880
Speaker 3: attracted him it makes me I'm actually really horny right now.

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00:15:17,280 --> 00:15:18,440
Speaker 1: Yeah, yeah good.

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00:15:19,720 --> 00:15:21,800
Speaker 3: I never see him. I have a boyfriend. Never seen

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Speaker 3: him in my life. He's always we're always gone London.

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00:15:25,760 --> 00:15:27,520
Speaker 3: What I mean is that we moved in together in

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Speaker 3: May and we haven't lived there.

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Speaker 1: You shouldn't have done that.

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00:15:32,600 --> 00:15:34,680
Speaker 3: You know, he's the best man on her he is.

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00:15:34,920 --> 00:15:38,240
Speaker 3: I think Thursday evening I'll hopefully get torn torn in,

354
00:15:39,160 --> 00:15:39,560
Speaker 3: split in.

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00:15:41,160 --> 00:15:43,840
Speaker 1: Really love it by a good man, half by my beloved,

356
00:15:43,880 --> 00:15:46,360
Speaker 1: title of that flint and half my beloved. Now, well,

357
00:15:46,400 --> 00:15:48,360
Speaker 1: I told you who I want. I don't love you half.

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Speaker 3: I want to my love.

359
00:15:49,760 --> 00:15:50,840
Speaker 1: But who do you want to?

360
00:15:51,000 --> 00:15:52,040
Speaker 3: I want me?

361
00:15:52,280 --> 00:15:54,720
Speaker 1: Oh my god? And I still don't know that is

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Speaker 1: I think that is doable.

363
00:15:58,000 --> 00:16:00,200
Speaker 3: Reach out if makes you.

364
00:16:00,240 --> 00:16:01,200
Speaker 1: Guys aren't open.

365
00:16:01,280 --> 00:16:03,760
Speaker 3: Every now and then we're like are we Oh no,

366
00:16:03,840 --> 00:16:06,120
Speaker 3: we're not. We did it. For one second, we're both.

367
00:16:05,960 --> 00:16:08,360
Speaker 1: Like, yeah, I can't imagine how scary.

368
00:16:08,800 --> 00:16:11,200
Speaker 3: I know, but life is so long. I know, Like

369
00:16:11,320 --> 00:16:11,800
Speaker 3: that's scary.

370
00:16:12,520 --> 00:16:13,360
Speaker 1: Life is so scary.

371
00:16:13,400 --> 00:16:15,080
Speaker 3: Are you single? Yeah, and you're single.

372
00:16:15,720 --> 00:16:19,600
Speaker 1: But he's going to take tonight, I know. I was Telline.

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00:16:19,840 --> 00:16:22,680
Speaker 2: I was telling Catherine that, like, I have done that

374
00:16:22,880 --> 00:16:24,720
Speaker 2: thing where it's like I've come to New York and

375
00:16:24,840 --> 00:16:29,120
Speaker 2: like over scheduled type of thing. There is one guy

376
00:16:29,200 --> 00:16:32,160
Speaker 2: that I'm liking quite a bit, really, but I also.

377
00:16:32,040 --> 00:16:33,680
Speaker 1: Have the walls I haven't met up.

378
00:16:34,480 --> 00:16:35,800
Speaker 3: Like your walls are up.

379
00:16:36,040 --> 00:16:40,600
Speaker 2: The walls are up, and they were they were always

380
00:16:40,800 --> 00:16:43,880
Speaker 2: so down and now post one experience they're up.

381
00:16:44,400 --> 00:16:48,200
Speaker 3: But like, but I'm trying post experience, you'reving a post experience.

382
00:16:48,880 --> 00:16:52,040
Speaker 1: It's a treatment conversation. I think it's coming on. I'm

383
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Speaker 1: going on. I'm going on Saturday. This is the biggest

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00:16:53,840 --> 00:16:54,840
Speaker 1: anisode I think, do you guys you.

385
00:16:54,800 --> 00:16:57,000
Speaker 3: Know what I think? Actually, I'm feeling, so I'm feeling.

386
00:16:57,080 --> 00:16:59,320
Speaker 3: It's twenty twenty four. I finally feel normal.

387
00:16:59,680 --> 00:17:00,720
Speaker 1: Yeah that's great.

388
00:17:00,880 --> 00:17:03,720
Speaker 3: Since twenty nineteen, yes, yeah, that's when I was normal

389
00:17:03,760 --> 00:17:06,639
Speaker 3: and happy and then crazy crazy crazy, and even the

390
00:17:06,680 --> 00:17:10,040
Speaker 3: last few years I've been just like like scratching through

391
00:17:10,160 --> 00:17:12,720
Speaker 3: and now I'm like being back at the Edinburgh Festival

392
00:17:12,760 --> 00:17:14,720
Speaker 3: as well. Like, yeah, being among like just among the

393
00:17:14,800 --> 00:17:16,840
Speaker 3: crowds and the people, just like I love life. Like

394
00:17:17,280 --> 00:17:20,480
Speaker 3: I feel normal again. That's top of mine being normal,

395
00:17:20,560 --> 00:17:21,159
Speaker 3: being horny.

396
00:17:22,240 --> 00:17:25,320
Speaker 1: Did you did you lose horniness during the pandemic?

397
00:17:25,880 --> 00:17:28,480
Speaker 3: Oh, first half, I was having the best sex of

398
00:17:28,480 --> 00:17:30,320
Speaker 3: my life, so we were only bright and I hadn't

399
00:17:30,320 --> 00:17:32,919
Speaker 3: been together that long, so it was buckfast. And then

400
00:17:33,000 --> 00:17:35,760
Speaker 3: the past two years I was on so many antidepressants.

401
00:17:35,760 --> 00:17:39,480
Speaker 3: I was just dried shrivel. And then now I'm getting

402
00:17:39,520 --> 00:17:40,080
Speaker 3: my groove back.

403
00:17:40,119 --> 00:17:42,159
Speaker 1: As they say, isn't that interesting? I also feel I'm

404
00:17:42,160 --> 00:17:42,840
Speaker 1: getting my horny.

405
00:17:43,040 --> 00:17:44,440
Speaker 3: Really, are you age?

406
00:17:45,160 --> 00:17:47,480
Speaker 1: I'm h and I'm I'm medicated.

407
00:17:48,240 --> 00:17:50,800
Speaker 2: Yeah, two point five milligrams of lexaprowa day that you're

408
00:17:50,840 --> 00:17:51,920
Speaker 2: not gonna what's normal?

409
00:17:52,119 --> 00:17:54,080
Speaker 1: I got my little pilk cutter. Yeah, no, no, no,

410
00:17:54,440 --> 00:17:56,119
Speaker 1: the minimum, just the smallest does they come in is

411
00:17:56,160 --> 00:18:00,359
Speaker 1: five And I have to oh, wow, Beau zaps me down. Really,

412
00:18:00,920 --> 00:18:02,360
Speaker 1: I was on ten and it was not good.

413
00:18:02,640 --> 00:18:05,080
Speaker 2: Five I felt kind of amazing, and then I went

414
00:18:05,160 --> 00:18:07,920
Speaker 2: to ten, thinking, oh, this is a quote unquote real dose,

415
00:18:08,560 --> 00:18:11,040
Speaker 2: and I was getting more depressed.

416
00:18:11,080 --> 00:18:11,720
Speaker 1: I think because I.

417
00:18:12,160 --> 00:18:16,960
Speaker 2: Couldn't feel my body. It's so and I to feel

418
00:18:17,000 --> 00:18:19,879
Speaker 2: like Matt Rogers, I just do. Yeah, I can't be

419
00:18:20,040 --> 00:18:22,160
Speaker 2: myself if I don't have access to my dick.

420
00:18:22,280 --> 00:18:26,200
Speaker 3: I'm on ten of pro and I mean, here's what happens.

421
00:18:26,240 --> 00:18:28,320
Speaker 3: Every like six months, I'll be like, this isn't doing anything.

422
00:18:28,400 --> 00:18:32,280
Speaker 3: Stop taking it, start crying, start taking it again. Life's

423
00:18:32,480 --> 00:18:36,160
Speaker 3: roller coaster. I keep actually I actually have to stop.

424
00:18:36,200 --> 00:18:38,080
Speaker 3: I keep going out to people in their face and going.

425
00:18:38,680 --> 00:18:39,560
Speaker 1: That's so sweet.

426
00:18:39,720 --> 00:18:40,840
Speaker 3: I don't know if it's sweet.

427
00:18:41,320 --> 00:18:44,119
Speaker 1: How do you think it's started? How do you think

428
00:18:44,160 --> 00:18:45,200
Speaker 1: it started? This behavior?

429
00:18:45,680 --> 00:18:47,560
Speaker 3: I just want to I just love everyone right now.

430
00:18:47,720 --> 00:18:49,720
Speaker 1: Oh my god, you know what? You know what I've

431
00:18:49,720 --> 00:18:51,280
Speaker 1: been doing, and I don't know where it came from.

432
00:18:51,680 --> 00:18:54,520
Speaker 2: I wink at people and I say, I say my love,

433
00:18:55,359 --> 00:18:58,879
Speaker 2: my I call everyone my love, and I wink my

434
00:18:59,040 --> 00:18:59,680
Speaker 2: love is tough.

435
00:19:00,080 --> 00:19:03,399
Speaker 3: That was worse than lover, I think, by the way,

436
00:19:03,400 --> 00:19:05,600
Speaker 3: to answer your question, who was afraid.

437
00:19:08,119 --> 00:19:08,600
Speaker 1: The garden?

438
00:19:08,720 --> 00:19:12,720
Speaker 3: And I okay, have going through the garden and.

439
00:19:12,960 --> 00:19:15,320
Speaker 1: A bit away wait a lot of gardens in her song.

440
00:19:15,440 --> 00:19:16,840
Speaker 3: I fucking you know I love her?

441
00:19:16,880 --> 00:19:18,480
Speaker 1: Of course, I mean you know that I'm seeing her

442
00:19:18,520 --> 00:19:21,919
Speaker 1: a sixth time Miami. Have you seen it yet?

443
00:19:21,920 --> 00:19:24,720
Speaker 3: Have you seen that? Yeah? I went in Denver, Colorado.

444
00:19:25,800 --> 00:19:29,240
Speaker 3: Oh yeah, I think we were like on Instagram stories

445
00:19:29,400 --> 00:19:33,760
Speaker 3: where are you and the big Yes? It was so wonderful.

446
00:19:34,600 --> 00:19:37,639
Speaker 3: I now do you guys? This is a question we

447
00:19:37,680 --> 00:19:40,119
Speaker 3: always come back to on a little podcast I like

448
00:19:40,240 --> 00:19:42,280
Speaker 3: to call Seek Treatment, but we always come back to

449
00:19:42,280 --> 00:19:44,719
Speaker 3: this question. Do you think Kelsey's own game? Oh?

450
00:19:44,760 --> 00:19:45,520
Speaker 1: What do I think it?

451
00:19:45,560 --> 00:19:46,639
Speaker 3: Do you think Kelsey is endgame?

452
00:19:46,720 --> 00:19:47,040
Speaker 1: I think so.

453
00:19:47,840 --> 00:19:51,560
Speaker 2: I I think Kelsey is endgame in terms of baby,

454
00:19:51,720 --> 00:19:54,159
Speaker 2: every intention that they have right now. I cate, I

455
00:19:54,200 --> 00:19:56,920
Speaker 2: don't know what craziness goes on at that level of celebrity, at.

456
00:19:56,840 --> 00:19:59,280
Speaker 1: That height, like what could happen? What does happen? But

457
00:19:59,480 --> 00:20:01,080
Speaker 1: let me tell you, I think they're going for it.

458
00:20:01,240 --> 00:20:02,760
Speaker 3: I think I think she's gonna have a babe.

459
00:20:03,080 --> 00:20:05,880
Speaker 1: I think she is. I think album thirteen is gonna

460
00:20:05,880 --> 00:20:07,640
Speaker 1: be the pregnancy, the baby album.

461
00:20:07,680 --> 00:20:10,080
Speaker 3: I would love to watch her and learn from her.

462
00:20:10,280 --> 00:20:12,399
Speaker 2: Why do you say album thirteen? Is that just because

463
00:20:12,440 --> 00:20:14,840
Speaker 2: you think that's the So you think there will be

464
00:20:14,920 --> 00:20:16,720
Speaker 2: a twelve that is like a different era that we

465
00:20:16,760 --> 00:20:17,040
Speaker 2: don't know?

466
00:20:17,160 --> 00:20:17,400
Speaker 1: Maybe?

467
00:20:17,520 --> 00:20:19,119
Speaker 3: Oh so we're at eleven, right at eleven.

468
00:20:19,400 --> 00:20:21,440
Speaker 1: Oh, there's gonna be a twelve, So twelve has to

469
00:20:21,480 --> 00:20:24,680
Speaker 1: come first, obviously, And how did you think of that?

470
00:20:25,840 --> 00:20:28,840
Speaker 1: I don't know. I think she's gonna do twelve and

471
00:20:28,880 --> 00:20:32,080
Speaker 1: it's gonna be something thirteen. It's not gonna be baby album.

472
00:20:32,080 --> 00:20:35,880
Speaker 1: We're gonna be back to like country like first debut vibes. Okay,

473
00:20:35,920 --> 00:20:38,920
Speaker 1: what makes sense? I think twelve. I think the next

474
00:20:39,080 --> 00:20:41,720
Speaker 1: album has to because she's probably tired as fuck.

475
00:20:43,119 --> 00:20:46,640
Speaker 3: I'm worried about He's like, hell, yeah, you think she's tired? Yeah,

476
00:20:47,040 --> 00:20:47,639
Speaker 3: who wouldn't be?

477
00:20:47,920 --> 00:20:48,480
Speaker 1: Who wouldn't be?

478
00:20:48,800 --> 00:20:51,840
Speaker 3: I'm like, what's gonna I'm like when the tour ends, like.

479
00:20:52,520 --> 00:20:54,159
Speaker 1: Yeah, what do you think she's gonna She's gonna it's

480
00:20:54,200 --> 00:20:54,520
Speaker 1: gonna be.

481
00:20:54,520 --> 00:20:56,639
Speaker 3: So intense that that's such an intense feeling to be

482
00:20:56,720 --> 00:20:57,240
Speaker 3: worried about her.

483
00:20:57,320 --> 00:21:00,320
Speaker 1: No, no, No, She's gonna go into like Death Valley

484
00:21:00,400 --> 00:21:02,879
Speaker 1: and let out an hour long fart. It's going to

485
00:21:02,920 --> 00:21:06,800
Speaker 1: be such a belief so long I don't do that.

486
00:21:07,359 --> 00:21:09,480
Speaker 1: I bet Travis farts in front of her all the time.

487
00:21:09,560 --> 00:21:11,800
Speaker 2: And do you think how how long do you think

488
00:21:11,840 --> 00:21:14,800
Speaker 2: it took Taylor Swift to stop being like stop, I think,

489
00:21:15,520 --> 00:21:17,040
Speaker 2: do you think she thinks it's fucking rad?

490
00:21:17,720 --> 00:21:21,000
Speaker 1: There's a clip, there's a little snippet of them. I

491
00:21:21,119 --> 00:21:23,639
Speaker 1: forgot who released it, but it was like one of

492
00:21:23,680 --> 00:21:25,479
Speaker 1: that was either Taylor or Travis released it. But it's

493
00:21:25,560 --> 00:21:30,720
Speaker 1: like Taylor's cooking like babysitting like a stovetop, and he

494
00:21:30,840 --> 00:21:32,480
Speaker 1: just sneaks up behind her and kisses her on the

495
00:21:32,560 --> 00:21:35,120
Speaker 1: cheek and I'm like, Okay, I don't care, Like that's real,

496
00:21:35,480 --> 00:21:39,280
Speaker 1: that's real love. Mary Deblige, you know what I mean.

497
00:21:39,440 --> 00:21:41,040
Speaker 3: Of course I believe it's real.

498
00:21:41,359 --> 00:21:41,960
Speaker 1: Of course it is.

499
00:21:42,200 --> 00:21:43,120
Speaker 3: Do you guys believe in love?

500
00:21:43,440 --> 00:21:44,760
Speaker 1: Yes? Me too.

501
00:21:46,080 --> 00:21:47,080
Speaker 3: But it's hard sometimes.

502
00:21:47,520 --> 00:21:49,879
Speaker 1: What would you bring back from what do you miss

503
00:21:50,000 --> 00:21:50,240
Speaker 1: the most?

504
00:21:50,280 --> 00:21:51,000
Speaker 3: What did I bring back?

505
00:21:51,040 --> 00:21:52,879
Speaker 1: What would you bring back culturally from Edinburgh?

506
00:21:53,040 --> 00:21:56,320
Speaker 3: Oh my god? I mean for me, I just love.

507
00:21:57,720 --> 00:22:02,359
Speaker 3: I love the vibes, the haunted city, beautiful architecture, the weather.

508
00:22:02,480 --> 00:22:04,240
Speaker 3: I love like That's why I'm happy to come back

509
00:22:04,240 --> 00:22:07,600
Speaker 3: to autumn. And I love being singularly focused on a

510
00:22:07,680 --> 00:22:09,880
Speaker 3: task at hands. So every day you sleep late, you're

511
00:22:09,960 --> 00:22:11,840
Speaker 3: so it's Broadway. It's like you're like every day like

512
00:22:11,840 --> 00:22:14,520
Speaker 3: boom boom, boom boom, boom. Yeah.

513
00:22:14,680 --> 00:22:14,880
Speaker 1: Good.

514
00:22:14,960 --> 00:22:15,560
Speaker 3: What about y'all?

515
00:22:15,800 --> 00:22:18,560
Speaker 1: I mean this is literally my what's going on with you?

516
00:22:20,320 --> 00:22:20,680
Speaker 3: The train?

517
00:22:21,359 --> 00:22:22,280
Speaker 1: The train? For sure?

518
00:22:22,720 --> 00:22:23,480
Speaker 3: It's the train, isn't it.

519
00:22:23,640 --> 00:22:24,880
Speaker 1: It's the train.

520
00:22:25,000 --> 00:22:25,960
Speaker 3: Yeah, we'll talk, We'll talk.

521
00:22:26,080 --> 00:22:28,720
Speaker 1: Yeah yeah yeah. Is it work Yeah, it's like works, yeah,

522
00:22:29,000 --> 00:22:30,440
Speaker 1: it's works, stuff workstocks.

523
00:22:30,480 --> 00:22:33,080
Speaker 3: I know she left me roses by the stairs. Let

524
00:22:33,359 --> 00:22:37,040
Speaker 3: your girls, she left me roses by stairs.

525
00:22:37,440 --> 00:22:39,800
Speaker 1: Wait, do you remember this? You remember?

526
00:22:40,320 --> 00:22:41,680
Speaker 3: It was so good?

527
00:22:41,760 --> 00:22:41,960
Speaker 1: Yeah?

528
00:22:42,080 --> 00:22:43,160
Speaker 3: Hammer Cats.

529
00:22:44,359 --> 00:22:46,120
Speaker 1: He's he can the other one though.

530
00:22:47,359 --> 00:22:49,480
Speaker 3: Okay, so that's actually so you were.

531
00:22:49,440 --> 00:22:52,160
Speaker 1: Really close, very close, danger Box hammer Cats.

532
00:22:53,800 --> 00:22:57,879
Speaker 3: Maybe more iconic duo. I'll wait, all fucking wait, what

533
00:22:58,000 --> 00:22:58,520
Speaker 3: are you gonna say?

534
00:22:58,560 --> 00:22:58,600
Speaker 1: What?

535
00:22:58,840 --> 00:22:59,480
Speaker 3: What do I remember?

536
00:22:59,600 --> 00:23:01,200
Speaker 1: I wanted, but I had a deep.

537
00:23:01,200 --> 00:23:03,679
Speaker 2: Urge to ask you, like what your spiritual feelings are

538
00:23:03,720 --> 00:23:05,480
Speaker 2: on Sabrina Carpenter because I do feel.

539
00:23:05,320 --> 00:23:06,800
Speaker 3: Like, obviously I want to open for her. I think

540
00:23:06,840 --> 00:23:09,360
Speaker 3: we're a matchma literally, I was thinking the same Sabrina

541
00:23:09,640 --> 00:23:11,960
Speaker 3: comedy line. I think I should open for you, yeah,

542
00:23:12,000 --> 00:23:13,680
Speaker 3: on your tour. I think you would die for me

543
00:23:14,200 --> 00:23:16,640
Speaker 3: and I would take a bullet for you. She's fabulous,

544
00:23:16,680 --> 00:23:17,280
Speaker 3: She's fabulous.

545
00:23:17,280 --> 00:23:19,320
Speaker 2: I think you're a little bit Chapel you're a little

546
00:23:19,320 --> 00:23:20,639
Speaker 2: bit Charlie, you're a little bit Sabrina.

547
00:23:20,640 --> 00:23:21,320
Speaker 1: You're actually all.

548
00:23:21,240 --> 00:23:24,680
Speaker 3: Three so nice. I feel connected with them all three spiritually.

549
00:23:24,960 --> 00:23:28,000
Speaker 1: You are the white beam of light that refracts the prism.

550
00:23:29,119 --> 00:23:29,600
Speaker 1: I'm sorry.

551
00:23:30,680 --> 00:23:31,880
Speaker 3: That's so beautiful.

552
00:23:31,520 --> 00:23:35,720
Speaker 2: Occasion because you have Charlie. You have Charlie I think

553
00:23:35,920 --> 00:23:40,960
Speaker 2: like impact chapel energy, and you have Sabrina pov.

554
00:23:41,440 --> 00:23:44,880
Speaker 1: Yeah, oh thank you. Uh and in twenty twenty four

555
00:23:45,240 --> 00:23:46,200
Speaker 1: you can do anything with that.

556
00:23:46,840 --> 00:23:47,080
Speaker 3: Yeah?

557
00:23:47,359 --> 00:23:47,639
Speaker 1: Is that what?

558
00:23:47,760 --> 00:23:48,760
Speaker 3: We're almost done with that one?

559
00:23:48,840 --> 00:23:53,439
Speaker 1: Right? Ye? Yeah, yes, that's like I think we're firmly

560
00:23:53,640 --> 00:23:55,240
Speaker 1: we're right on Q four.

561
00:23:55,400 --> 00:23:56,639
Speaker 3: I don't care about time and space?

562
00:23:57,880 --> 00:23:59,240
Speaker 1: Are you about to do so? Mariah? Yeah?

563
00:23:59,320 --> 00:24:01,120
Speaker 3: Yeah, yeah yeah? Is that what she says?

564
00:24:01,160 --> 00:24:04,959
Speaker 1: She doesn't believe in time? So Yah says that how

565
00:24:05,000 --> 00:24:06,440
Speaker 1: do you not know this? When people I like ask

566
00:24:06,480 --> 00:24:08,600
Speaker 1: her her age, people like you're like this soul, it's

567
00:24:08,640 --> 00:24:10,240
Speaker 1: been like this long since this album, She's like, I

568
00:24:10,280 --> 00:24:12,600
Speaker 1: don't believe in time. I think she doesn't.

569
00:24:12,359 --> 00:24:15,720
Speaker 2: Believe in saying her age. But yeah, yeah, well she

570
00:24:15,880 --> 00:24:17,200
Speaker 2: knows she's famously nocturnal.

571
00:24:17,560 --> 00:24:19,800
Speaker 1: Oh really, oh yeah like you Oh no, no, you

572
00:24:19,840 --> 00:24:20,360
Speaker 1: wake up early?

573
00:24:20,440 --> 00:24:24,040
Speaker 3: No leap a lot. I'm neither my perfect world. I

574
00:24:24,119 --> 00:24:25,600
Speaker 3: sleep twelve to fourteen a night.

575
00:24:25,880 --> 00:24:29,560
Speaker 1: You're like Dakota Johnson A door, a door, a zula.

576
00:24:29,720 --> 00:24:31,400
Speaker 3: Every time she's a new headline, I go, that's my girl.

577
00:24:32,080 --> 00:24:34,240
Speaker 1: Yeah, she got it, she hits it. Wait, I think

578
00:24:34,280 --> 00:24:35,480
Speaker 1: her and Chris Martin broke up?

579
00:24:35,840 --> 00:24:36,239
Speaker 3: Did they?

580
00:24:36,520 --> 00:24:37,640
Speaker 1: Did they? Now? Yeah?

581
00:24:38,240 --> 00:24:40,040
Speaker 3: But that doesn't really make me feel anything. What do

582
00:24:40,080 --> 00:24:40,600
Speaker 3: you guys feel?

583
00:24:41,480 --> 00:24:43,679
Speaker 1: I wish to them the best, but but I think

584
00:24:43,720 --> 00:24:44,840
Speaker 1: the vibes seemed off.

585
00:24:45,720 --> 00:24:47,640
Speaker 3: Yeah, well he must be a lot older.

586
00:24:47,760 --> 00:24:52,600
Speaker 1: Huh. I don't trust any man who wants attention. Oh Leo? Oh,

587
00:24:52,680 --> 00:24:54,320
Speaker 1: I bet, I bet we can find out that he's Leo.

588
00:24:54,840 --> 00:24:57,560
Speaker 1: Let's find out what is Chris Martin's astrological sign?

589
00:24:57,640 --> 00:24:58,680
Speaker 3: What Leo's? Were you hating on?

590
00:25:00,359 --> 00:25:03,199
Speaker 2: And Shawn Mendes, can I tell you? Okay, I did

591
00:25:03,240 --> 00:25:06,119
Speaker 2: this crazy thing? Did you when it came out? Watch

592
00:25:06,240 --> 00:25:07,640
Speaker 2: the JLO documentary?

593
00:25:08,200 --> 00:25:10,440
Speaker 3: People scare? Does that mean anything to you?

594
00:25:10,840 --> 00:25:11,520
Speaker 1: People scared?

595
00:25:11,800 --> 00:25:12,399
Speaker 3: People scared?

596
00:25:12,720 --> 00:25:13,280
Speaker 1: What does that mean?

597
00:25:13,520 --> 00:25:15,640
Speaker 3: There's a part in the Jailoh documentary where she's going

598
00:25:16,960 --> 00:25:20,560
Speaker 3: she doesn't Corney Crashing gonna be in it? And she

599
00:25:20,720 --> 00:25:22,639
Speaker 3: was no, she was oh and she was people scared,

600
00:25:23,600 --> 00:25:25,600
Speaker 3: people scared because.

601
00:25:25,359 --> 00:25:27,840
Speaker 1: No one wanted to do. So I watched it again.

602
00:25:27,960 --> 00:25:30,240
Speaker 3: People scared and people scared.

603
00:25:30,680 --> 00:25:32,000
Speaker 1: Two days ago. I watched it again.

604
00:25:32,320 --> 00:25:34,600
Speaker 2: I don't know why, but to sort of understand like

605
00:25:34,760 --> 00:25:36,640
Speaker 2: exactly what she was saying. Now that it's all over

606
00:25:36,680 --> 00:25:41,200
Speaker 2: and stuff, it is fucking devastating what happened with them

607
00:25:41,720 --> 00:25:44,879
Speaker 2: if you watch that documentary now, because she's sobbing the

608
00:25:44,920 --> 00:25:47,119
Speaker 2: whole time about how it's like about how hard it

609
00:25:47,280 --> 00:25:49,159
Speaker 2: was the first time they broke up, and like how

610
00:25:49,200 --> 00:25:50,800
Speaker 2: it's like made her believe in love again and that's

611
00:25:50,800 --> 00:25:53,160
Speaker 2: why she's doing this and so people can believe in love,

612
00:25:53,240 --> 00:25:56,000
Speaker 2: and like it's rescued her, et cetera, and like it's

613
00:25:56,080 --> 00:25:57,920
Speaker 2: her best friend and what was so hard about the

614
00:25:57,960 --> 00:25:59,400
Speaker 2: first time was losing her best friend.

615
00:25:59,440 --> 00:26:01,280
Speaker 1: And now it's like he's done this to her again.

616
00:26:01,520 --> 00:26:03,280
Speaker 3: So what is happening? Because as someone who just watched

617
00:26:03,320 --> 00:26:04,480
Speaker 3: Game of Thrones, I'm a little behind.

618
00:26:05,240 --> 00:26:08,320
Speaker 1: What we need is a Dracharis on all le man is,

619
00:26:08,720 --> 00:26:12,560
Speaker 1: so I'm gonna speak, Yeah, he ended it. Although she

620
00:26:12,880 --> 00:26:16,760
Speaker 1: is by all appearances doing great, she is posting on

621
00:26:16,880 --> 00:26:20,320
Speaker 1: install what she posted Summer Carousel. The caption is oh

622
00:26:20,720 --> 00:26:22,920
Speaker 1: it was a summer. And then there's a picture of her.

623
00:26:22,920 --> 00:26:23,880
Speaker 3: And the tongue in cheek.

624
00:26:24,400 --> 00:26:27,560
Speaker 1: It looks like a photoshop shirt. She's in blooming, unbothered,

625
00:26:27,760 --> 00:26:30,760
Speaker 1: out of reach and a piece like too many, too many,

626
00:26:30,800 --> 00:26:33,320
Speaker 1: too many words going on there a little bit salady.

627
00:26:35,119 --> 00:26:39,200
Speaker 3: She's in bloom and unbothered, bothered in bloom.

628
00:26:39,280 --> 00:26:42,879
Speaker 1: Chris Martin's Pisces by the way, I'm sorry, Okay, attack

629
00:26:42,920 --> 00:26:43,800
Speaker 1: on my own to.

630
00:26:43,800 --> 00:26:45,439
Speaker 3: Shout out, I have to shout out a new pop girl.

631
00:26:45,480 --> 00:26:50,520
Speaker 3: I'm obsessed with Mode Latour, Modelatour. Mod Latour is someone

632
00:26:50,600 --> 00:26:53,119
Speaker 3: I admired on TikTok and then became friends with. And

633
00:26:53,240 --> 00:26:56,720
Speaker 3: her new album sugar Water is so good. Listen, listen,

634
00:26:56,800 --> 00:26:58,239
Speaker 3: cue it up. I had to plug that while I'm

635
00:26:58,240 --> 00:26:59,720
Speaker 3: here because I was listening to it on the walk.

636
00:26:59,720 --> 00:27:02,800
Speaker 3: Heros Mode La.

637
00:27:02,760 --> 00:27:05,720
Speaker 2: Tour is getting play. Wait, you know who I also

638
00:27:05,760 --> 00:27:08,520
Speaker 2: I saw you post about who I fucking love is Gracie.

639
00:27:10,119 --> 00:27:11,760
Speaker 1: I love you. I'm sorry, babe.

640
00:27:12,160 --> 00:27:14,399
Speaker 3: Gracie is my girl. I owe her my first born

641
00:27:14,720 --> 00:27:17,800
Speaker 3: because she got me the Aros tour ticket. She her

642
00:27:17,840 --> 00:27:20,399
Speaker 3: open for Taylor. She crushed, obviously, I was telling her,

643
00:27:20,920 --> 00:27:22,880
Speaker 3: I love you. I'm sorry. I've listened to that every

644
00:27:23,000 --> 00:27:24,879
Speaker 3: second of every day for the past So we got

645
00:27:24,960 --> 00:27:28,960
Speaker 3: leaving London as the summer turned to fall two August ago.

646
00:27:30,080 --> 00:27:30,720
Speaker 1: It's really good.

647
00:27:30,960 --> 00:27:31,600
Speaker 3: She's a genius.

648
00:27:32,000 --> 00:27:32,600
Speaker 1: She's really good.

649
00:27:32,640 --> 00:27:35,520
Speaker 2: And I was reading like a review of the first album.

650
00:27:36,520 --> 00:27:38,480
Speaker 2: I was like, I had like deep dive on Gracie

651
00:27:38,560 --> 00:27:42,119
Speaker 2: Hi Gracy. But she sings in this way that was

652
00:27:42,160 --> 00:27:44,320
Speaker 2: described as an angry whisper, and.

653
00:27:44,400 --> 00:27:45,560
Speaker 1: I was like, that is what it is.

654
00:27:45,560 --> 00:27:50,560
Speaker 2: Its beautiful, really controlled and like very emotional like register

655
00:27:50,680 --> 00:27:53,119
Speaker 2: that she sings. And that's actually not like that like

656
00:27:53,280 --> 00:27:55,560
Speaker 2: affect that a lot of the girls have. It's actually

657
00:27:55,680 --> 00:27:59,399
Speaker 2: specific and really fun and like emotional. And I just

658
00:27:59,720 --> 00:28:02,320
Speaker 2: really like the way that she She's an amazing that

659
00:28:02,480 --> 00:28:03,720
Speaker 2: her thing and her writing is great.

660
00:28:03,840 --> 00:28:06,960
Speaker 1: I love risk. Risk is risk to me was the

661
00:28:07,040 --> 00:28:08,159
Speaker 1: moment that she like broke out.

662
00:28:08,640 --> 00:28:09,160
Speaker 3: It's so good.

663
00:28:09,480 --> 00:28:11,760
Speaker 1: Yeah, it's not She's not doing the cursive singing thing

664
00:28:12,400 --> 00:28:16,000
Speaker 1: in the way that people who like derogatorily use that term.

665
00:28:16,160 --> 00:28:17,760
Speaker 1: Is that what it's called curs? Yeah?

666
00:28:19,840 --> 00:28:21,800
Speaker 3: Let me ask what's your favorite track on the new Sabrina?

667
00:28:22,440 --> 00:28:28,080
Speaker 1: If you feel say changes every day. I'm a don't

668
00:28:28,160 --> 00:28:28,880
Speaker 1: smile girl.

669
00:28:31,600 --> 00:28:35,480
Speaker 2: I'm not gonna lie. I listen to Sharpestool every second

670
00:28:35,520 --> 00:28:36,159
Speaker 2: of every day.

671
00:28:36,040 --> 00:28:39,600
Speaker 3: And taste my favorite hasn't been mentioned yet, is it?

672
00:28:41,880 --> 00:28:43,600
Speaker 1: It's a Jon song. It's Ladies of the Canyon.

673
00:28:43,800 --> 00:28:56,840
Speaker 3: It's like it's and the Bridge. What surprise. Melodically, she's

674
00:28:57,000 --> 00:28:59,560
Speaker 3: fucking cool, She's fucking melodically.

675
00:29:00,400 --> 00:29:01,160
Speaker 1: You are Sabrina.

676
00:29:01,240 --> 00:29:03,560
Speaker 3: I'm Sobrina with brown, with brown and rat.

677
00:29:04,320 --> 00:29:09,040
Speaker 2: A little bit of your sweater is Chapel has Charlie,

678
00:29:09,280 --> 00:29:10,280
Speaker 2: and what's inside of you?

679
00:29:10,400 --> 00:29:12,040
Speaker 1: Your heart is Sabrina.

680
00:29:12,600 --> 00:29:14,880
Speaker 3: And at the end of the day, I'm just kidding cat.

681
00:29:16,640 --> 00:29:19,320
Speaker 2: Wait, what song is getting disrespected again and again and

682
00:29:19,360 --> 00:29:22,800
Speaker 2: again on Sabrina's album? Yeah, dumb and poetic. I feel

683
00:29:22,800 --> 00:29:24,880
Speaker 2: doesn't get the shine. I think maybe because it exists,

684
00:29:25,080 --> 00:29:26,640
Speaker 2: like it's like in the tense spot on the album

685
00:29:26,720 --> 00:29:28,800
Speaker 2: or something, or like nine or ten people steel called

686
00:29:28,880 --> 00:29:29,280
Speaker 2: out by it.

687
00:29:29,400 --> 00:29:32,480
Speaker 1: I think, like good, like you've read every self help book,

688
00:29:32,680 --> 00:29:34,440
Speaker 1: like jacking Off to lyrics by Leonard Cohen, Like this

689
00:29:34,600 --> 00:29:35,240
Speaker 1: is a lot of people.

690
00:29:35,920 --> 00:29:37,960
Speaker 2: The mushrooms aren't saving your life. That's gonna make a

691
00:29:38,120 --> 00:29:39,840
Speaker 2: lot of twenty five years old.

692
00:29:41,080 --> 00:29:44,000
Speaker 3: Watched The Valley. Yes, so I watched it because I'm

693
00:29:44,040 --> 00:29:47,080
Speaker 3: new to the vander Pump universe, and the best thing

694
00:29:47,120 --> 00:29:49,040
Speaker 3: I've maybe the best thing I've ever seen on TV

695
00:29:49,440 --> 00:29:52,239
Speaker 3: was when the guy in the hat comes back from

696
00:29:52,280 --> 00:29:55,120
Speaker 3: the yahuasca retreat. Oh yeah, I was like, this is

697
00:29:55,160 --> 00:29:56,760
Speaker 3: the I was like commedy over because this is the

698
00:29:56,800 --> 00:29:57,920
Speaker 3: only funny thing I've ever seen.

699
00:29:58,040 --> 00:29:58,200
Speaker 1: Yep.

700
00:29:58,280 --> 00:30:00,880
Speaker 3: He was like he put on a different costume to

701
00:30:00,920 --> 00:30:03,120
Speaker 3: tell his wife, who wants him dead in to ditch Michelle.

702
00:30:03,800 --> 00:30:07,240
Speaker 1: Is Michelle a demon? By the way she's I just

703
00:30:07,560 --> 00:30:09,520
Speaker 1: get the sense that she's. Oh, I think that the

704
00:30:09,560 --> 00:30:11,480
Speaker 1: director that she found Quentin Tarantina, by the way, I

705
00:30:11,520 --> 00:30:15,200
Speaker 1: found that out. That's juicy, right, Yeah, that's Quentin. I

706
00:30:15,240 --> 00:30:17,600
Speaker 1: would remember like in the show, like she's like whatever,

707
00:30:17,640 --> 00:30:20,160
Speaker 1: I've like, yeah, selling a house to a guy, to

708
00:30:20,240 --> 00:30:23,240
Speaker 1: a guy, like a Hollywood like like a cool Hollywood

709
00:30:23,320 --> 00:30:26,360
Speaker 1: guy and alleged Google. I was like, who could this be,

710
00:30:26,680 --> 00:30:29,720
Speaker 1: like some like amazing actor and I was like, oh,

711
00:30:29,840 --> 00:30:34,160
Speaker 1: it's Quentin. You just googled it and that came up.

712
00:30:34,440 --> 00:30:36,600
Speaker 1: So this is ready, this is this is this is

713
00:30:36,640 --> 00:30:39,080
Speaker 1: out there and I'm like, l L this girl is

714
00:30:39,120 --> 00:30:41,560
Speaker 1: so funny. But okay, but talk about the guy Jesse

715
00:30:41,800 --> 00:30:49,360
Speaker 1: Jesse Jesse Lally Lally, this is my disease. I'm super

716
00:30:49,400 --> 00:30:51,840
Speaker 1: horned up for him. Well, that's what I need to fix.

717
00:30:52,160 --> 00:30:55,480
Speaker 3: He is physically attractive, and when he starts being how

718
00:30:55,520 --> 00:30:57,800
Speaker 3: he is, it's over. But when he comes in in

719
00:30:57,880 --> 00:31:01,360
Speaker 3: the beanie and he's like the beanie, I've changed. Yeah,

720
00:31:01,640 --> 00:31:02,720
Speaker 3: I was like, this is the best thing I've ever

721
00:31:02,760 --> 00:31:04,680
Speaker 3: seen on television. Yeah, but that reminds me of the

722
00:31:04,760 --> 00:31:06,080
Speaker 3: mushrooms are not changing your life?

723
00:31:06,160 --> 00:31:07,280
Speaker 1: Well, that's that type of guy.

724
00:31:07,360 --> 00:31:09,320
Speaker 2: If you don't call them out at twenty five, then

725
00:31:09,400 --> 00:31:11,120
Speaker 2: all of a sudden, they'll become a forty year old

726
00:31:11,160 --> 00:31:13,480
Speaker 2: man that you have kids with, who is going to

727
00:31:13,520 --> 00:31:13,880
Speaker 2: be doing this.

728
00:31:14,040 --> 00:31:15,320
Speaker 1: And she's sitting there being.

729
00:31:15,240 --> 00:31:18,719
Speaker 2: Like, right, I married and bred with this man very

730
00:31:19,080 --> 00:31:21,640
Speaker 2: And I actually didn't like her at all all season

731
00:31:21,800 --> 00:31:24,880
Speaker 2: until the last episode. In the last episode, it was

732
00:31:24,960 --> 00:31:27,760
Speaker 2: like post her filing for divorce or whatever, and she

733
00:31:27,920 --> 00:31:31,560
Speaker 2: basically was just like, I'm not dealing with you anymore.

734
00:31:32,440 --> 00:31:34,400
Speaker 2: Like the wishy washing this the whole time because she's

735
00:31:34,400 --> 00:31:35,320
Speaker 2: so clearly didn't want to.

736
00:31:35,320 --> 00:31:37,680
Speaker 1: Be with him. Yeah, but like still being in it

737
00:31:37,800 --> 00:31:39,720
Speaker 1: and like allowing him to think he had a chance.

738
00:31:40,080 --> 00:31:43,800
Speaker 1: He was like Mama, like cut it, like he's he's

739
00:31:43,840 --> 00:31:45,920
Speaker 1: not the one for you. We all know. And then

740
00:31:45,920 --> 00:31:47,480
Speaker 1: when she started to be real at the end and

741
00:31:47,640 --> 00:31:51,040
Speaker 1: was like he would say some shitty thing and she'd

742
00:31:51,080 --> 00:31:54,600
Speaker 1: be like nope, nope. I was like, this girl, I'm

743
00:31:54,600 --> 00:31:57,280
Speaker 1: interested in watching on TV. Okay, okay, I must say

744
00:31:57,320 --> 00:31:57,960
Speaker 1: I'm reframing.

745
00:32:09,480 --> 00:32:11,000
Speaker 3: How did you say? What drugs do you? Guys like.

746
00:32:12,640 --> 00:32:15,600
Speaker 1: I might be on a break with speaking of mushrooms,

747
00:32:15,600 --> 00:32:17,040
Speaker 1: I might be on a break with psychadelics. I'm like,

748
00:32:17,040 --> 00:32:22,120
Speaker 1: I don't feel the pull, I feel the rush addicted

749
00:32:22,160 --> 00:32:25,080
Speaker 1: to your touch. I'm even on a break with weed.

750
00:32:25,240 --> 00:32:28,280
Speaker 1: I think I'm literally go a little a little. So

751
00:32:29,320 --> 00:32:31,080
Speaker 1: did your break start because we smoked we like the

752
00:32:31,120 --> 00:32:32,840
Speaker 1: other day? I know, but I'm saying like that was

753
00:32:32,920 --> 00:32:35,400
Speaker 1: like the last that was the last time. Yeah what

754
00:32:35,640 --> 00:32:38,960
Speaker 1: you Okay, Matt has like are fighting today? No, no

755
00:32:39,040 --> 00:32:42,239
Speaker 1: fighting a little bit. He's squinting and glaring a little bit.

756
00:32:42,360 --> 00:32:43,760
Speaker 1: I just think it's funny that you said you're on

757
00:32:43,800 --> 00:32:45,480
Speaker 1: a break with we we smoked weed the other day.

758
00:32:46,040 --> 00:32:50,040
Speaker 1: I'm done. I'm done with with the with the weed.

759
00:32:50,200 --> 00:32:50,920
Speaker 1: With the alcohol.

760
00:32:51,280 --> 00:32:55,760
Speaker 2: Really, alcohol has been has definitely reduced. Yeah, well as

761
00:32:55,800 --> 00:32:58,200
Speaker 2: you can see we're in we have a new fixation.

762
00:32:58,480 --> 00:33:01,080
Speaker 1: Is no problem, this is like, this is only good

763
00:33:01,160 --> 00:33:05,120
Speaker 1: for you. Oh wow, I didn't even see that.

764
00:33:05,800 --> 00:33:07,240
Speaker 3: I just got it from from London.

765
00:33:08,080 --> 00:33:11,840
Speaker 1: You'll tell us what you'all have Canadian, European die cokes?

766
00:33:11,960 --> 00:33:15,760
Speaker 1: I have gross American. Well I think that there's a bunch.

767
00:33:15,560 --> 00:33:18,480
Speaker 3: Of Hey, are you okay? You don't have this? That's

768
00:33:18,560 --> 00:33:19,920
Speaker 3: so sorry, that's so sorry.

769
00:33:22,120 --> 00:33:27,400
Speaker 1: I'm sorry. No I I I celebrate your brand new

770
00:33:27,600 --> 00:33:28,440
Speaker 1: break from marijuana.

771
00:33:28,760 --> 00:33:30,680
Speaker 2: I wonder, I wonder how long it can't last because

772
00:33:30,680 --> 00:33:33,280
Speaker 2: I have the same desire and then, like you do,

773
00:33:33,360 --> 00:33:35,400
Speaker 2: start to get like a little bit of the itch,

774
00:33:35,600 --> 00:33:37,560
Speaker 2: Like I feel like marijuana is one that's hard to

775
00:33:37,600 --> 00:33:38,680
Speaker 2: give up for some reason.

776
00:33:39,760 --> 00:33:41,760
Speaker 1: It's we just got to sit alone with our thoughts

777
00:33:41,800 --> 00:33:43,960
Speaker 1: and be able. That's not that's the hard part.

778
00:33:45,760 --> 00:33:51,600
Speaker 3: Embrace really, journal No I should thinking of you start again,

779
00:33:51,920 --> 00:33:53,760
Speaker 3: buckle up, just let her rep Did it.

780
00:33:53,760 --> 00:33:55,880
Speaker 1: Help the last time? The last time I journaled, I

781
00:33:56,080 --> 00:33:59,360
Speaker 1: was going through the worst pain and time of my

782
00:33:59,480 --> 00:34:02,800
Speaker 1: life and story I'm saying, but I'm like, do ship Well,

783
00:34:02,800 --> 00:34:05,280
Speaker 1: you know, it's not necessarily supposed to help in the moment.

784
00:34:05,400 --> 00:34:07,800
Speaker 2: Sometimes it's just writing down what it is that you're feeling,

785
00:34:07,840 --> 00:34:09,359
Speaker 2: and then you can look at it later and help

786
00:34:09,440 --> 00:34:11,480
Speaker 2: parse it out. Like that's been my experience is it's

787
00:34:11,560 --> 00:34:14,239
Speaker 2: like all the raw shit I wrote down when I

788
00:34:14,360 --> 00:34:16,759
Speaker 2: was really feeling bad that wasn't working in the moment.

789
00:34:16,880 --> 00:34:18,520
Speaker 2: It was kind of like I looked back later and

790
00:34:18,560 --> 00:34:20,799
Speaker 2: then it was able to make sense. So sometimes it's

791
00:34:20,880 --> 00:34:24,080
Speaker 2: just about like logging what it is you're feeling, just

792
00:34:24,160 --> 00:34:25,120
Speaker 2: so you can look at it later.

793
00:34:25,280 --> 00:34:26,919
Speaker 3: My hand's so slow next to my head?

794
00:34:27,280 --> 00:34:30,560
Speaker 1: Isn't that the truth? Right? I go, what's going on

795
00:34:30,719 --> 00:34:35,400
Speaker 1: up here? Brilliant? What comes out here? I know?

796
00:34:36,000 --> 00:34:37,000
Speaker 3: I gotta get back to the.

797
00:34:38,480 --> 00:34:39,640
Speaker 1: You gotta get back to the type.

798
00:34:40,360 --> 00:34:42,000
Speaker 3: I gotta start. I think he has some new ideas.

799
00:34:42,520 --> 00:34:46,520
Speaker 1: We're losing handwriting. We are, and but look it's it's

800
00:34:46,520 --> 00:34:49,359
Speaker 1: a beautiful rediscovery if you like, you're like, that's how

801
00:34:49,400 --> 00:34:50,240
Speaker 1: I write my teens?

802
00:34:52,200 --> 00:34:54,160
Speaker 3: How good does it feel? Even now? Even now? It's

803
00:34:54,200 --> 00:34:56,960
Speaker 3: get a perfect pen? And like, and what do you?

804
00:34:57,000 --> 00:34:58,600
Speaker 3: What do you? What do you always write? Because always go, hey,

805
00:34:59,360 --> 00:35:01,839
Speaker 3: I was writing, see why what do you say?

806
00:35:02,239 --> 00:35:03,240
Speaker 1: I do my signature?

807
00:35:03,400 --> 00:35:05,879
Speaker 3: Well that's nice, Okay, I don't have a locked sig.

808
00:35:06,440 --> 00:35:06,880
Speaker 1: You don't.

809
00:35:07,000 --> 00:35:07,680
Speaker 3: I haven't locked it.

810
00:35:08,280 --> 00:35:09,480
Speaker 1: I think I haven't locked mine either.

811
00:35:09,760 --> 00:35:12,200
Speaker 3: Really, have you been signing for a while? Someone got

812
00:35:12,280 --> 00:35:13,879
Speaker 3: a petitive signing for a while.

813
00:35:13,920 --> 00:35:16,919
Speaker 1: Have you been signing for how long? Now? Ten years?

814
00:35:16,960 --> 00:35:19,120
Speaker 3: How long have you been signing? How long have you

815
00:35:19,200 --> 00:35:21,640
Speaker 3: been on us? And now? Because I can't remember five?

816
00:35:21,920 --> 00:35:23,320
Speaker 1: Six, No, I'm going to my seventh.

817
00:35:23,360 --> 00:35:24,480
Speaker 3: Overall, that's amazing.

818
00:35:25,760 --> 00:35:28,200
Speaker 1: Okay, do what you think?

819
00:35:31,960 --> 00:35:32,400
Speaker 3: What I think it is.

820
00:35:32,440 --> 00:35:34,000
Speaker 1: I've had the same one for years.

821
00:35:35,400 --> 00:35:37,360
Speaker 3: The thing is you can't think we're.

822
00:35:38,120 --> 00:35:40,800
Speaker 1: No, don't do it. The pressure of locking Oh okay,

823
00:35:41,040 --> 00:35:41,560
Speaker 1: well now what?

824
00:35:42,640 --> 00:35:42,839
Speaker 3: Well?

825
00:35:42,960 --> 00:35:45,000
Speaker 1: Now what we're signatures?

826
00:35:45,040 --> 00:35:45,160
Speaker 3: Here?

827
00:35:45,239 --> 00:35:46,000
Speaker 1: Here we go? Here we go?

828
00:35:46,840 --> 00:35:53,080
Speaker 3: Should I get married? Wait? Wait, I got distracted Honestly,

829
00:35:53,080 --> 00:35:54,360
Speaker 3: that's kind of what I do though. That's also I do,

830
00:35:54,480 --> 00:35:56,040
Speaker 3: like I go big, I go big s and then

831
00:35:56,080 --> 00:35:57,680
Speaker 3: another sea and then kind of like just let it.

832
00:35:57,760 --> 00:36:01,200
Speaker 1: Can I tell you that is actually base Seline Dion signature.

833
00:36:01,600 --> 00:36:04,239
Speaker 1: Ye yeah, yeah, yeah yeah. Famously she is.

834
00:36:04,520 --> 00:36:06,239
Speaker 2: And she's one of those artists that like almost all

835
00:36:06,320 --> 00:36:08,120
Speaker 2: of her albums have for her signature on the cover.

836
00:36:08,480 --> 00:36:09,840
Speaker 3: Oh that's funny, should do that?

837
00:36:10,560 --> 00:36:12,480
Speaker 1: That's that's Captain Undercats.

838
00:36:13,920 --> 00:36:16,880
Speaker 3: It's okay, I'm trying to take up space.

839
00:36:19,239 --> 00:36:20,640
Speaker 1: Let me do one more, Let me do, let me

840
00:36:20,680 --> 00:36:24,160
Speaker 1: do one more. That looks like you can't say that

841
00:36:24,239 --> 00:36:26,319
Speaker 1: when you signed the Declaration of Independence, you can't say.

842
00:36:26,400 --> 00:36:29,239
Speaker 1: Can I get They wouldn't invite me, but they made it.

843
00:36:31,000 --> 00:36:35,680
Speaker 3: Here's me, mister r Mickey Mouse. What does that say?

844
00:36:36,360 --> 00:36:36,960
Speaker 3: That's beautiful?

845
00:36:37,239 --> 00:36:39,879
Speaker 1: The whole time I was signing and no one called

846
00:36:39,920 --> 00:36:42,760
Speaker 1: me out a Disney World that used to do autograph books.

847
00:36:43,480 --> 00:36:46,000
Speaker 1: And then I will never forget. I think the moment

848
00:36:46,120 --> 00:36:49,160
Speaker 1: I turned gay was going up to Mulan at the

849
00:36:49,239 --> 00:36:52,480
Speaker 1: China Pavilion at Epcot, and she was in like the

850
00:36:52,520 --> 00:36:56,120
Speaker 1: whole like matchmaking, like please bring honor to us Ault

851
00:36:56,480 --> 00:36:59,880
Speaker 1: Giche and I gave her the book. She signed it Mulan,

852
00:37:00,800 --> 00:37:02,600
Speaker 1: just like in the in the logo of the movie,

853
00:37:02,640 --> 00:37:06,680
Speaker 1: and then she oh, And I just stared at this

854
00:37:06,880 --> 00:37:09,080
Speaker 1: like kiss print for years.

855
00:37:09,400 --> 00:37:11,880
Speaker 3: Do you know it's so funny. My memory of Mulan

856
00:37:13,360 --> 00:37:15,759
Speaker 3: is I remember a really falling into a really deep

857
00:37:15,840 --> 00:37:17,800
Speaker 3: depression because I saw it in theaters and I go,

858
00:37:18,040 --> 00:37:19,840
Speaker 3: I remember like pacing the hallways of my home. I

859
00:37:19,920 --> 00:37:22,840
Speaker 3: must have been like seven or eight, pace noways and

860
00:37:22,880 --> 00:37:24,799
Speaker 3: going I camp with how long it will be before

861
00:37:24,800 --> 00:37:27,279
Speaker 3: I can watch Mulan at home because and I was like,

862
00:37:27,600 --> 00:37:29,200
Speaker 3: you loved it, that I loved it. I was like

863
00:37:29,360 --> 00:37:32,240
Speaker 3: I was just learning what like like my first depressive

864
00:37:32,239 --> 00:37:34,440
Speaker 3: episodes were in that home and just being like, I

865
00:37:34,560 --> 00:37:37,479
Speaker 3: when will I ever ever feel a joy of Mulan again?

866
00:37:37,680 --> 00:37:40,840
Speaker 3: Like being just like so I really pacing the hands

867
00:37:40,880 --> 00:37:42,400
Speaker 3: on the walls, like where is Mulan?

868
00:37:42,680 --> 00:37:45,160
Speaker 1: This is incredible. It's one of the best movies of

869
00:37:45,200 --> 00:37:45,880
Speaker 1: all time. It is.

870
00:37:45,960 --> 00:37:48,399
Speaker 3: And y'all know that I had an experienced recently at Disney,

871
00:37:48,440 --> 00:37:51,040
Speaker 3: because you know I've never really been before. Was the

872
00:37:51,280 --> 00:37:55,359
Speaker 3: Tower of Terror triggered my period, which I hadn't had

873
00:37:55,560 --> 00:37:58,200
Speaker 3: in eight months because of my disorder. Shout out to

874
00:37:58,239 --> 00:38:00,800
Speaker 3: the girls with my shot was my PCO girls, I

875
00:38:00,800 --> 00:38:02,319
Speaker 3: don't get it. So I was on the Tarer of Terror.

876
00:38:02,320 --> 00:38:05,080
Speaker 3: I look, I go absolutely silent. It's not called that anymore,

877
00:38:05,080 --> 00:38:06,200
Speaker 3: but it should be, so get over it.

878
00:38:06,920 --> 00:38:08,520
Speaker 1: And Florida.

879
00:38:09,680 --> 00:38:12,800
Speaker 3: I will not go to Florida by choice. In California.

880
00:38:13,160 --> 00:38:14,640
Speaker 1: So you were in the Guardians of the Galaxy.

881
00:38:14,960 --> 00:38:18,840
Speaker 3: I was in sure, but it's I go, I go

882
00:38:19,000 --> 00:38:23,200
Speaker 3: completely limp. I'm completely silent. I walk off. I haven't

883
00:38:23,200 --> 00:38:25,279
Speaker 3: had a period in almost one calendar year. All of

884
00:38:25,320 --> 00:38:28,600
Speaker 3: a sudden, I'm like, I do I do a quick

885
00:38:28,719 --> 00:38:33,560
Speaker 3: check blood. I go to our sweet sweet guide, I go,

886
00:38:34,280 --> 00:38:35,960
Speaker 3: I go, this is so crazy, but do you have

887
00:38:35,960 --> 00:38:39,040
Speaker 3: a tamp shows? Of course? Oh my god, of course.

888
00:38:39,040 --> 00:38:41,000
Speaker 3: The bathrooms are all stocked with free supprise.

889
00:38:41,200 --> 00:38:45,839
Speaker 2: Amazing, that's amazing. Do you remember her name of the guide?

890
00:38:46,560 --> 00:38:47,760
Speaker 2: You know what she remembers?

891
00:38:48,160 --> 00:38:54,080
Speaker 1: It was? Was? It was? It was?

892
00:38:54,320 --> 00:38:58,440
Speaker 3: It was Lemon. It was Lemon. Do you know it

893
00:38:58,560 --> 00:38:59,360
Speaker 3: was Lemon Maloney?

894
00:38:59,560 --> 00:39:00,920
Speaker 1: I think Lemon Maloney.

895
00:39:01,160 --> 00:39:02,320
Speaker 3: It was missus girls.

896
00:39:02,440 --> 00:39:04,719
Speaker 1: I feel that maybe that Mulan may have remembered you

897
00:39:04,880 --> 00:39:06,840
Speaker 1: years later when we went back. Really no, it was

898
00:39:06,880 --> 00:39:09,600
Speaker 1: a different Mulan. Well, because I was it was canonically

899
00:39:09,719 --> 00:39:13,880
Speaker 1: Mulan though the world where we're not breaking the fantasy

900
00:39:14,040 --> 00:39:17,080
Speaker 1: that was how often do we go? A couple of

901
00:39:17,080 --> 00:39:20,360
Speaker 1: times a year? Okay, yes, that's about fair. Like in

902
00:39:20,400 --> 00:39:22,160
Speaker 1: the totality of the parks, like, it doesn't matter what

903
00:39:22,280 --> 00:39:25,279
Speaker 1: the where the park is. Living in La I think

904
00:39:25,360 --> 00:39:28,440
Speaker 1: has access to it in a way that I don't by.

905
00:39:28,440 --> 00:39:31,200
Speaker 3: Being closer to it, closer, and that gives you the action.

906
00:39:31,320 --> 00:39:33,279
Speaker 1: I went with you a few weeks ago, and before

907
00:39:33,320 --> 00:39:35,600
Speaker 1: that I hadn't been quite some time. But but no,

908
00:39:35,760 --> 00:39:38,160
Speaker 1: but do you want to tell the great story is

909
00:39:38,239 --> 00:39:40,400
Speaker 1: that we went with a mazzoni. We were about on

910
00:39:40,600 --> 00:39:43,960
Speaker 1: about a metric ton of mushrooms. Huh No, not mushrooms,

911
00:39:44,400 --> 00:39:50,839
Speaker 1: we weeds that turned us into soup. So we walked

912
00:39:50,880 --> 00:39:53,680
Speaker 1: up to the China pavilion and wouldn't you know what

913
00:39:53,840 --> 00:39:58,520
Speaker 1: Mulan was greeting. Guess that she was actually courting visitors.

914
00:39:59,040 --> 00:40:00,840
Speaker 1: So we said, can we go see her? And she

915
00:40:00,960 --> 00:40:03,200
Speaker 1: had no line which racism?

916
00:40:03,360 --> 00:40:06,319
Speaker 2: I think it was racism at play. You look over

917
00:40:06,400 --> 00:40:07,960
Speaker 2: and Anna and Elsa and it's around the.

918
00:40:07,960 --> 00:40:09,879
Speaker 1: Corner, crazy get out.

919
00:40:10,080 --> 00:40:13,239
Speaker 3: Never seen it, never will never, So would love to

920
00:40:13,320 --> 00:40:17,600
Speaker 3: work with them. No, I've never seen seen it, never will,

921
00:40:17,600 --> 00:40:20,120
Speaker 3: but would love to work. Don't watch movies for kids,

922
00:40:20,160 --> 00:40:20,680
Speaker 3: but you don't have.

923
00:40:20,760 --> 00:40:22,600
Speaker 1: You don't have kids in your life who are like obsessed.

924
00:40:22,680 --> 00:40:23,560
Speaker 3: I don't know any kids.

925
00:40:23,640 --> 00:40:27,400
Speaker 1: Okay, this is special. I don't you got to watch Frozen.

926
00:40:27,719 --> 00:40:28,640
Speaker 3: I'm not going to watch that.

927
00:40:28,760 --> 00:40:30,000
Speaker 1: Okay, what am I going to go home?

928
00:40:30,360 --> 00:40:30,759
Speaker 3: Watch it?

929
00:40:31,239 --> 00:40:31,479
Speaker 1: Yeah?

930
00:40:31,760 --> 00:40:34,640
Speaker 3: I got a life. No, really finish the story.

931
00:40:34,840 --> 00:40:36,880
Speaker 2: You get along a plane, you're gonna go past Paris,

932
00:40:37,080 --> 00:40:40,200
Speaker 2: maybe maybe on. So here's what's gonna happen in the

933
00:40:40,280 --> 00:40:45,160
Speaker 2: story that I'm gonna tell. So Mulan sees me, Dave

934
00:40:45,280 --> 00:40:46,200
Speaker 2: and Bowen and.

935
00:40:46,280 --> 00:40:48,440
Speaker 1: We take pictures with her. We actually assume the position

936
00:40:48,719 --> 00:40:51,600
Speaker 1: like and then she turns to us and she goes,

937
00:40:52,440 --> 00:40:56,960
Speaker 1: you will be amazing warriors. Oh my god, you will

938
00:40:57,080 --> 00:41:02,040
Speaker 1: be amazing. Yes, what do you mean that? She did

939
00:41:02,120 --> 00:41:02,680
Speaker 1: not say that?

940
00:41:03,040 --> 00:41:03,759
Speaker 3: What did he say?

941
00:41:04,400 --> 00:41:06,440
Speaker 1: Now what's going to happen is lots of readers are

942
00:41:06,480 --> 00:41:08,040
Speaker 1: going to be like, guess that is what she said.

943
00:41:08,120 --> 00:41:08,719
Speaker 1: That is the line.

944
00:41:08,840 --> 00:41:09,680
Speaker 3: But what did she say?

945
00:41:10,400 --> 00:41:15,800
Speaker 1: Because we were so stoned. The the sort of Mendela

946
00:41:15,880 --> 00:41:20,320
Speaker 1: effect thing that's going on here is that I no, no, no,

947
00:41:21,000 --> 00:41:23,200
Speaker 1: she said something. But it was because you were saying,

948
00:41:23,320 --> 00:41:24,960
Speaker 1: you were repeating this over and over again, and I

949
00:41:25,080 --> 00:41:29,080
Speaker 1: was dying crying nothing because I don't know why. But

950
00:41:29,280 --> 00:41:32,239
Speaker 1: she did not say that you will be amazing warriors.

951
00:41:32,480 --> 00:41:32,960
Speaker 1: She said that.

952
00:41:33,239 --> 00:41:35,560
Speaker 2: First of all, why wouldn't she say that? That feels

953
00:41:35,600 --> 00:41:37,640
Speaker 2: like a line they would give Mulan to tell the guests.

954
00:41:39,760 --> 00:41:40,040
Speaker 3: We did.

955
00:41:40,400 --> 00:41:41,040
Speaker 1: We did a post.

956
00:41:41,120 --> 00:41:43,239
Speaker 2: She was like, we have to do the fighting post,

957
00:41:43,320 --> 00:41:46,000
Speaker 2: and we did, and then she looked at us afterwards,

958
00:41:46,040 --> 00:41:48,680
Speaker 2: and the line that the cast member was clearly given,

959
00:41:48,760 --> 00:41:49,719
Speaker 2: which she said.

960
00:41:49,640 --> 00:41:51,400
Speaker 1: Was you will be amazing warriors.

961
00:41:51,719 --> 00:41:54,239
Speaker 2: And maybe she didn't to say the dropt in way

962
00:41:54,320 --> 00:41:57,040
Speaker 2: that I'm giving it, but she definitely said you will

963
00:41:57,080 --> 00:41:59,040
Speaker 2: be amazing warriors at least something.

964
00:42:00,360 --> 00:42:02,279
Speaker 1: I mean not to bring up this word, but it

965
00:42:02,480 --> 00:42:04,319
Speaker 1: is so demure in the way you were doing. That's

966
00:42:04,400 --> 00:42:05,440
Speaker 1: that's the dropped in way.

967
00:42:05,560 --> 00:42:05,920
Speaker 3: It's hard.

968
00:42:06,040 --> 00:42:08,320
Speaker 1: Yeah, I think she wanted to like shoe us away.

969
00:42:08,440 --> 00:42:10,120
Speaker 1: She was like, get these gay guys.

970
00:42:10,440 --> 00:42:12,520
Speaker 3: No, No, I bet she loved you. Maybe she's a fan.

971
00:42:12,719 --> 00:42:14,480
Speaker 1: Do you identify as demure or bratt?

972
00:42:16,160 --> 00:42:22,600
Speaker 3: I'm like, okay, a z friend. First of all, I

973
00:42:22,680 --> 00:42:25,200
Speaker 3: know what both things are. I'm part of the conversation.

974
00:42:26,280 --> 00:42:27,600
Speaker 3: I wish I was brat, but I'm not.

975
00:42:27,760 --> 00:42:29,879
Speaker 1: Obviously, I don't think you're anything.

976
00:42:29,960 --> 00:42:30,440
Speaker 3: I'm asleep.

977
00:42:30,520 --> 00:42:32,480
Speaker 1: I'm asleep, which is not even demure.

978
00:42:32,640 --> 00:42:34,320
Speaker 3: And I can't bump that. I can't. I am not

979
00:42:34,400 --> 00:42:36,839
Speaker 3: bumping that. I'm not legally allowed to have cocaine because

980
00:42:36,840 --> 00:42:37,720
Speaker 3: I have a heart condition.

981
00:42:38,480 --> 00:42:39,480
Speaker 1: You're not missing anything.

982
00:42:39,880 --> 00:42:43,719
Speaker 3: I tried it once. Don't don't repeat that. It's okay,

983
00:42:44,320 --> 00:42:44,920
Speaker 3: don't repeat that.

984
00:42:45,200 --> 00:42:47,399
Speaker 1: Literally everyone in this room has tried it once.

985
00:42:47,600 --> 00:42:53,200
Speaker 3: Okay, so I'm a loser. Everywhere everyone thinks I'm a loser.

986
00:42:54,760 --> 00:42:56,040
Speaker 1: That's not one of the drugs you like.

987
00:42:57,080 --> 00:42:59,040
Speaker 3: It's not so trendy though.

988
00:42:59,760 --> 00:43:03,040
Speaker 1: It's open that. Yeah, vaentanal's out there.

989
00:43:03,239 --> 00:43:04,560
Speaker 3: It really you can't be having that.

990
00:43:04,760 --> 00:43:05,160
Speaker 1: I can't.

991
00:43:05,840 --> 00:43:08,040
Speaker 3: No, I don't like that. Wait, am I demure.

992
00:43:08,280 --> 00:43:12,240
Speaker 1: Could be probably a little bit sure, I'm definitely defo.

993
00:43:12,440 --> 00:43:14,160
Speaker 3: But you and I always think of with you is

994
00:43:14,200 --> 00:43:17,120
Speaker 3: a word you introduced me to in nineteen ninety one, Yes,

995
00:43:17,360 --> 00:43:17,560
Speaker 3: is it?

996
00:43:17,960 --> 00:43:18,359
Speaker 1: Let me guess.

997
00:43:18,520 --> 00:43:20,560
Speaker 3: Yes, it's a really beautiful word, and it's one of

998
00:43:20,560 --> 00:43:26,719
Speaker 3: my favorites. Yeah, I know because I know Jesun it's

999
00:43:26,760 --> 00:43:28,480
Speaker 3: such a CatCo it's such a good word. And I

1000
00:43:28,520 --> 00:43:30,920
Speaker 3: always think of you in the annoyance basement.

1001
00:43:31,200 --> 00:43:34,160
Speaker 1: Going there was a period of time where that was

1002
00:43:34,280 --> 00:43:36,560
Speaker 1: his favorite. It's such a and you will do that.

1003
00:43:36,760 --> 00:43:39,000
Speaker 1: You will sort of find a word that now right now,

1004
00:43:39,400 --> 00:43:42,800
Speaker 1: I don't think so, Yeah, I know it'll come recently.

1005
00:43:43,239 --> 00:43:45,240
Speaker 1: This word keeps coming back. Has it has its seasons,

1006
00:43:45,280 --> 00:43:47,520
Speaker 1: and it has a dark origin story, which is what

1007
00:43:48,400 --> 00:43:48,960
Speaker 1: the word is.

1008
00:43:49,280 --> 00:43:52,880
Speaker 3: You will be amazing, amazing, warrant amazing.

1009
00:43:53,360 --> 00:43:54,560
Speaker 1: The word is impromater.

1010
00:43:55,000 --> 00:43:55,960
Speaker 3: Now I don't know what that is.

1011
00:43:56,040 --> 00:43:59,200
Speaker 1: It means like name, it means like like the Cat

1012
00:43:59,280 --> 00:44:03,480
Speaker 1: Cohen improm It's like the Sikh treatment in promoter. It's

1013
00:44:03,480 --> 00:44:07,880
Speaker 1: like that, that's like the name recognition. Okay, that's like

1014
00:44:07,920 --> 00:44:11,120
Speaker 1: you're your You're what's brought this one back? Taylors of reputation.

1015
00:44:11,200 --> 00:44:11,359
Speaker 3: Nothing.

1016
00:44:11,400 --> 00:44:12,560
Speaker 1: I just said. It pops back in my head and

1017
00:44:12,600 --> 00:44:16,840
Speaker 1: I'm like, oh, like that that's his impromoter. But the

1018
00:44:16,960 --> 00:44:22,840
Speaker 1: origin story is when the first season of Celebrity Apprentice

1019
00:44:22,920 --> 00:44:26,759
Speaker 1: was out and Ivanka Trump was one of the sort

1020
00:44:26,800 --> 00:44:29,839
Speaker 1: of people who sat next to Donald you can call

1021
00:44:29,880 --> 00:44:33,960
Speaker 1: them judges. She was doing press and I was like

1022
00:44:34,760 --> 00:44:38,120
Speaker 1: captivated by Ivanka. Wow. I was like, this woman is

1023
00:44:38,600 --> 00:44:42,120
Speaker 1: so amazing. Was I was like seventeen years old, Oh

1024
00:44:42,160 --> 00:44:44,720
Speaker 1: my god, this woman. And this is before Trump was Trump.

1025
00:44:44,960 --> 00:44:46,719
Speaker 1: I was like this, I mean whatever, whatever that means,

1026
00:44:47,000 --> 00:44:49,040
Speaker 1: but I was like, this one's amazing. And then she

1027
00:44:49,160 --> 00:44:51,040
Speaker 1: was She was in interviews being like, well, that's my

1028
00:44:51,160 --> 00:44:54,200
Speaker 1: father's impromoter, and I was like, oh, that's the most

1029
00:44:54,239 --> 00:44:55,840
Speaker 1: beautiful word I've ever heard of my life from the

1030
00:44:55,880 --> 00:44:59,040
Speaker 1: most beautiful woman. And now look where we are.

1031
00:45:00,040 --> 00:45:03,480
Speaker 2: Yeah, I think it's because people sort of normalized her,

1032
00:45:03,800 --> 00:45:05,160
Speaker 2: and like they do to this day.

1033
00:45:05,239 --> 00:45:07,560
Speaker 1: They call her beautiful, They say what she says is beautiful.

1034
00:45:07,640 --> 00:45:11,879
Speaker 1: They say everyone should. And she kiss signature, she kissed

1035
00:45:11,920 --> 00:45:13,399
Speaker 1: the sake the autographed book.

1036
00:45:13,560 --> 00:45:16,680
Speaker 3: Can I ask you all something? What's your Rose and

1037
00:45:16,719 --> 00:45:17,440
Speaker 3: Thorne of the summer?

1038
00:45:17,920 --> 00:45:18,640
Speaker 1: We just did this last night?

1039
00:45:18,920 --> 00:45:22,320
Speaker 3: Literally, but that's so funny now that it's post we

1040
00:45:22,480 --> 00:45:23,080
Speaker 3: unpack the summer?

1041
00:45:23,120 --> 00:45:25,160
Speaker 1: Would you give another one? Because I don't even know

1042
00:45:25,239 --> 00:45:26,160
Speaker 1: if we necessarily know?

1043
00:45:26,280 --> 00:45:27,279
Speaker 3: What did you have on the last up?

1044
00:45:27,560 --> 00:45:31,800
Speaker 1: Nobody your girls, guests of the autumn, our entire summer

1045
00:45:32,000 --> 00:45:32,560
Speaker 1: was just us?

1046
00:45:32,800 --> 00:45:35,040
Speaker 3: That's fun. Yeah, I've been all the time. I wonder like,

1047
00:45:35,080 --> 00:45:36,640
Speaker 3: how do you guys record? Is it all on zoom?

1048
00:45:37,200 --> 00:45:37,879
Speaker 3: When do you ever hear?

1049
00:45:38,000 --> 00:45:38,920
Speaker 1: We've been together a lot?

1050
00:45:39,120 --> 00:45:42,280
Speaker 3: That's nice? Yeah, it's so fucking hard, isn't it so hard?

1051
00:45:42,560 --> 00:45:45,160
Speaker 1: It is hard? You guys fully on different coasts.

1052
00:45:44,920 --> 00:45:48,880
Speaker 3: Now, Yeah, it's hard. It's crazy since I'm like, what

1053
00:45:49,040 --> 00:45:50,680
Speaker 3: have I been saying for five years.

1054
00:45:52,280 --> 00:45:54,120
Speaker 1: In terms of like hosting a podcast? Still?

1055
00:45:54,320 --> 00:45:56,080
Speaker 3: I just meant like doing it every week? But then

1056
00:45:56,080 --> 00:45:57,600
Speaker 3: I was been I thought like, and what am I

1057
00:45:57,640 --> 00:45:58,000
Speaker 3: even saying?

1058
00:45:58,000 --> 00:46:00,200
Speaker 1: When I get on but like we like we are

1059
00:46:00,320 --> 00:46:03,240
Speaker 1: like dinosaurs in the industry.

1060
00:46:03,320 --> 00:46:04,960
Speaker 3: Y'all invented it for me because y'all are even y'all

1061
00:46:04,960 --> 00:46:07,320
Speaker 3: are away before Seek Treat, but like seek Treat is like,

1062
00:46:07,760 --> 00:46:09,880
Speaker 3: I know, we've been doing it a while. We are like,

1063
00:46:10,160 --> 00:46:10,760
Speaker 3: it's crazy.

1064
00:46:11,000 --> 00:46:13,080
Speaker 1: We are not too young.

1065
00:46:13,560 --> 00:46:15,400
Speaker 3: No, you know what I mean. But I know as

1066
00:46:15,440 --> 00:46:17,200
Speaker 3: someone doesn't believe in time and space.

1067
00:46:18,640 --> 00:46:22,799
Speaker 2: Mariah, you, I go back and forth. I go back

1068
00:46:22,800 --> 00:46:25,000
Speaker 2: and forth sometimes I'm like, it depends on what area

1069
00:46:25,040 --> 00:46:25,759
Speaker 2: of my life I'm in.

1070
00:46:26,040 --> 00:46:28,879
Speaker 1: Yeah, professionally, I still feel for you. Personally, I'm trying

1071
00:46:28,920 --> 00:46:29,440
Speaker 1: to feel.

1072
00:46:29,760 --> 00:46:32,240
Speaker 3: Really, I feel like I'm just getting started. Blaze.

1073
00:46:33,280 --> 00:46:37,480
Speaker 1: We are young your age if your ah, you're young.

1074
00:46:37,680 --> 00:46:40,400
Speaker 3: Yeah, yeah, I think that's yeah. Yeah, it just depends

1075
00:46:40,400 --> 00:46:41,760
Speaker 3: on the day. Wait, so you were saying.

1076
00:46:43,680 --> 00:46:46,719
Speaker 1: Rose was I went on a lot of trips that

1077
00:46:46,880 --> 00:46:48,400
Speaker 1: was fun, that was kind of like the one thing

1078
00:46:48,440 --> 00:46:49,520
Speaker 1: I craved all year?

1079
00:46:49,719 --> 00:46:50,800
Speaker 3: Which trip was your favorite?

1080
00:46:51,200 --> 00:46:53,360
Speaker 1: Which trip was? It was my favorite? I liked this

1081
00:46:53,480 --> 00:46:55,640
Speaker 1: my Street and Fire Island one, Oh nice it was?

1082
00:46:55,800 --> 00:47:00,239
Speaker 1: Then Thorn was this is so irall. But because because

1083
00:47:00,239 --> 00:47:03,480
Speaker 1: of those trips, like I was not settled into home

1084
00:47:03,760 --> 00:47:06,040
Speaker 1: as much as I feel like I missed out in

1085
00:47:06,040 --> 00:47:08,480
Speaker 1: a lot of New York summer. Yeah, and that's okay

1086
00:47:09,680 --> 00:47:11,440
Speaker 1: for me. I think it was great rose.

1087
00:47:11,600 --> 00:47:14,120
Speaker 2: Well, I'm trying to say something different than we just said,

1088
00:47:14,160 --> 00:47:16,480
Speaker 2: because my rose that I said last week was swimming

1089
00:47:16,560 --> 00:47:17,120
Speaker 2: in Sicily.

1090
00:47:17,520 --> 00:47:19,719
Speaker 1: Oh oh my god, have you been?

1091
00:47:20,080 --> 00:47:21,080
Speaker 3: I've never been to Sicily?

1092
00:47:22,200 --> 00:47:25,080
Speaker 1: Should I? So basically like, it's so gorgeous. Getting there

1093
00:47:25,200 --> 00:47:25,759
Speaker 1: is kind of hard.

1094
00:47:26,160 --> 00:47:29,320
Speaker 3: Where do you fly from? Where you fly into Boston?

1095
00:47:30,400 --> 00:47:36,920
Speaker 3: You get from Boston? What is it called? Well, okay,

1096
00:47:37,000 --> 00:47:38,440
Speaker 3: so Katania Cohen.

1097
00:47:38,760 --> 00:47:40,880
Speaker 2: They've all heard this ready. But a volcano exploded and

1098
00:47:41,000 --> 00:47:43,359
Speaker 2: made our flight delay, et cetera. So we get there late.

1099
00:47:44,160 --> 00:47:46,799
Speaker 2: We went together with a few friends. We were having

1100
00:47:46,840 --> 00:47:49,000
Speaker 2: the most amazing time. And then I'm swimming in Sicily

1101
00:47:49,080 --> 00:47:51,560
Speaker 2: in the seas and I get sun by a jellyfish.

1102
00:47:52,120 --> 00:47:53,879
Speaker 2: So that was a rose in the thorne actually literally

1103
00:47:53,960 --> 00:47:55,719
Speaker 2: in the same moment, in the same moment.

1104
00:47:55,800 --> 00:47:56,560
Speaker 3: And how life is that?

1105
00:47:56,760 --> 00:47:59,200
Speaker 1: Because it was like being in the sea, and how

1106
00:47:59,280 --> 00:47:59,719
Speaker 1: life is that?

1107
00:48:00,080 --> 00:48:02,880
Speaker 3: Life is that? Does someone go pissy on it.

1108
00:48:05,239 --> 00:48:07,279
Speaker 1: You find out it's a myth, because don't make it worse?

1109
00:48:07,960 --> 00:48:08,600
Speaker 1: How life is that?

1110
00:48:08,920 --> 00:48:11,799
Speaker 3: How life is that? Life is learning learning a lesson

1111
00:48:11,880 --> 00:48:16,040
Speaker 3: is how life is that? Wait, all many fun group trips? Yeah,

1112
00:48:16,160 --> 00:48:18,600
Speaker 3: do girls do that? Yeah, I want to go on one.

1113
00:48:19,200 --> 00:48:22,160
Speaker 2: One of my friends, one of my friends, Melissa recently

1114
00:48:22,239 --> 00:48:24,560
Speaker 2: goes like, sometimes I want to go on your gay trips. Yeah,

1115
00:48:24,600 --> 00:48:27,160
Speaker 2: and I was just like, I completely get that. And

1116
00:48:27,239 --> 00:48:30,440
Speaker 2: I think that one thing I've been like going over

1117
00:48:30,520 --> 00:48:33,000
Speaker 2: in my brain is like when we were like younger,

1118
00:48:33,080 --> 00:48:35,560
Speaker 2: we didn't get to have like close gay male friends

1119
00:48:35,719 --> 00:48:38,120
Speaker 2: at all. And so I think that's why sometimes it

1120
00:48:38,160 --> 00:48:40,239
Speaker 2: can feel a little bit like, especially for like women

1121
00:48:40,320 --> 00:48:42,040
Speaker 2: that were close to that are like feeling like quote

1122
00:48:42,120 --> 00:48:42,880
Speaker 2: unquote left out of.

1123
00:48:42,920 --> 00:48:46,480
Speaker 3: Things like that looks so fun, Like I'd love to

1124
00:48:46,560 --> 00:48:47,440
Speaker 3: be heard this.

1125
00:48:47,560 --> 00:48:50,040
Speaker 2: Before from our close female friends to like, I mean

1126
00:48:50,120 --> 00:48:52,320
Speaker 2: like and and I sometimes I'm like, I get what

1127
00:48:52,440 --> 00:48:54,279
Speaker 2: it feels that way. But also there is something to

1128
00:48:54,360 --> 00:48:57,920
Speaker 2: the fact of we did not get to literally have

1129
00:48:58,200 --> 00:49:01,640
Speaker 2: each other at all until we were in our twenties. Yeah,

1130
00:49:01,719 --> 00:49:03,480
Speaker 2: so it's kind of nice to feel like we're making

1131
00:49:03,560 --> 00:49:05,719
Speaker 2: up for lost time in that regard, because you know,

1132
00:49:06,000 --> 00:49:08,520
Speaker 2: like girl little girls can have sleepovers together, they could

1133
00:49:08,520 --> 00:49:10,440
Speaker 2: be like girls only you know, they can do whatever,

1134
00:49:10,560 --> 00:49:13,040
Speaker 2: and like gay men didn't yeah.

1135
00:49:12,960 --> 00:49:15,279
Speaker 3: Yeah, fair enough. Yeah, I never want my life to

1136
00:49:15,360 --> 00:49:18,320
Speaker 3: become like couple centric. I feel like so many like

1137
00:49:18,360 --> 00:49:19,840
Speaker 3: straight women. It's like all of a sudden, they're just

1138
00:49:19,880 --> 00:49:22,360
Speaker 3: like we do everything like and then a couple. I'm like,

1139
00:49:22,360 --> 00:49:24,560
Speaker 3: I want to have like friends forever. I have a

1140
00:49:24,600 --> 00:49:26,560
Speaker 3: million friends forever. How life is that?

1141
00:49:26,800 --> 00:49:30,239
Speaker 1: How life is that? You want like chex mix of friends? Yeah?

1142
00:49:30,320 --> 00:49:32,680
Speaker 3: I just want life to always be couples.

1143
00:49:32,719 --> 00:49:35,440
Speaker 1: Exclusivity is annoying and that reminds me of The Valley too.

1144
00:49:35,920 --> 00:49:39,120
Speaker 1: Oh yeah, when they all went on the couple's trip

1145
00:49:39,160 --> 00:49:39,600
Speaker 1: and then.

1146
00:49:39,560 --> 00:49:42,520
Speaker 3: Like, oh, the fucking baby moon, the baby baby.

1147
00:49:42,920 --> 00:49:45,719
Speaker 1: First of all, I'm a janet apologist. Hey, I haven't

1148
00:49:45,719 --> 00:49:48,359
Speaker 1: made up made mine own Jane. I'm praying for I mean,

1149
00:49:48,520 --> 00:49:50,520
Speaker 1: Kristen is tough.

1150
00:49:51,120 --> 00:49:55,960
Speaker 3: Kristens is the greatest character of all time on TV.

1151
00:49:56,160 --> 00:49:57,279
Speaker 3: Have you ever seen anything like it?

1152
00:49:57,840 --> 00:49:57,880
Speaker 1: No?

1153
00:49:58,800 --> 00:49:59,440
Speaker 3: I can't believe.

1154
00:49:59,520 --> 00:50:01,520
Speaker 1: I can't even moments a moment. Also, what do you

1155
00:50:01,560 --> 00:50:03,640
Speaker 1: think of Luke Well?

1156
00:50:03,880 --> 00:50:05,880
Speaker 3: I have to say that I now that I've finished

1157
00:50:05,920 --> 00:50:09,200
Speaker 3: my VPR Valley Journey, I've been diving into Suck Sexy

1158
00:50:09,280 --> 00:50:12,480
Speaker 3: Unique Pod with Kerry and Laura and I am laughing.

1159
00:50:12,760 --> 00:50:14,680
Speaker 3: I'm l M A f o ing. The way they

1160
00:50:14,760 --> 00:50:17,080
Speaker 3: talk about Luke and and Dody as they say it

1161
00:50:17,160 --> 00:50:19,279
Speaker 3: makes so I'll just I won't even bother because they

1162
00:50:19,360 --> 00:50:21,080
Speaker 3: if you want to listen to that, just you have

1163
00:50:21,160 --> 00:50:21,719
Speaker 3: to check it out.

1164
00:50:21,760 --> 00:50:22,520
Speaker 1: But what are they saying about?

1165
00:50:23,080 --> 00:50:25,120
Speaker 3: They're always talking about like Colorado culture.

1166
00:50:27,360 --> 00:50:30,800
Speaker 1: I look at Luke and I'm like, this is triggering.

1167
00:50:31,280 --> 00:50:33,239
Speaker 3: Yeah, it must be for you. Is your family's still there?

1168
00:50:33,520 --> 00:50:36,440
Speaker 3: Parents are still there doing the damn saying when you

1169
00:50:36,480 --> 00:50:40,040
Speaker 3: came to my parents dinner table? Were we ever so young?

1170
00:50:41,800 --> 00:50:41,960
Speaker 1: You know?

1171
00:50:42,080 --> 00:50:47,000
Speaker 3: I think he's since it's okay, how life is that?

1172
00:50:47,960 --> 00:50:50,680
Speaker 1: How life is that Dunk's passing? Oway is? It's absolutely

1173
00:50:51,440 --> 00:50:52,200
Speaker 1: dog in the city.

1174
00:50:54,200 --> 00:50:55,719
Speaker 3: That's I would love to have a dog in the city.

1175
00:50:55,760 --> 00:50:58,560
Speaker 1: Would y'all want a dog this fucking close?

1176
00:50:58,640 --> 00:51:00,520
Speaker 3: That would be really good. I think it'd be so

1177
00:51:00,600 --> 00:51:02,839
Speaker 3: good for our brains. Yes, And it gets you out

1178
00:51:02,880 --> 00:51:07,239
Speaker 3: of bed, and it gets you in bed and and

1179
00:51:07,280 --> 00:51:09,200
Speaker 3: look at this one. Wait, but I'll show you my

1180
00:51:09,360 --> 00:51:11,319
Speaker 3: So the issue is that my brother has this amazing dog.

1181
00:51:11,520 --> 00:51:13,080
Speaker 3: And you know, of course my brothers both live in

1182
00:51:13,120 --> 00:51:16,399
Speaker 3: my building. They do, they did, they're both moving out.

1183
00:51:16,440 --> 00:51:19,120
Speaker 3: It's very sad, but I'm losing the dog in the

1184
00:51:19,200 --> 00:51:21,440
Speaker 3: in the movie. So I think Brian and I will

1185
00:51:21,520 --> 00:51:23,600
Speaker 3: will adopt soon because.

1186
00:51:23,400 --> 00:51:24,160
Speaker 1: You can't get a cat.

1187
00:51:24,520 --> 00:51:27,480
Speaker 3: I'm allergic, period and I don't like you heard that?

1188
00:51:27,760 --> 00:51:28,240
Speaker 1: Period.

1189
00:51:28,840 --> 00:51:34,080
Speaker 3: That's so funny. That's so funny. Oh mad, Oh, that's good. Oh, Matt,

1190
00:51:34,120 --> 00:51:36,719
Speaker 3: write that down. That's good. No, I want to put

1191
00:51:36,719 --> 00:51:39,600
Speaker 3: you is a secret or is it announced?

1192
00:51:40,800 --> 00:51:43,879
Speaker 1: I actually don't care that it hasn't been. I'm going.

1193
00:51:44,040 --> 00:51:47,040
Speaker 1: I am going on tour and it will be a

1194
00:51:47,080 --> 00:51:51,960
Speaker 1: couple of weeks. I can't be But there's there's a twist.

1195
00:51:52,200 --> 00:51:53,160
Speaker 1: There's a little bit of a twist.

1196
00:51:53,200 --> 00:51:54,000
Speaker 3: What's a twist.

1197
00:51:56,160 --> 00:51:57,160
Speaker 1: Part I'm gonna keep a sating.

1198
00:51:57,200 --> 00:51:59,319
Speaker 3: Okay, y'all naughty, It's just not that.

1199
00:51:59,440 --> 00:52:01,120
Speaker 1: Much of a twist. Watch when I revealed that it's

1200
00:52:01,160 --> 00:52:02,600
Speaker 1: I'm blonde. No, it's more than that.

1201
00:52:03,600 --> 00:52:06,360
Speaker 3: Wow, you know whom Mary Beth bron went blonde? Recently?

1202
00:52:06,719 --> 00:52:07,640
Speaker 3: Did I go? As in my time?

1203
00:52:07,960 --> 00:52:09,959
Speaker 1: Can I tell you something? But you haven't said anything

1204
00:52:09,960 --> 00:52:10,480
Speaker 1: about my hair?

1205
00:52:11,800 --> 00:52:14,080
Speaker 3: I feel like it was always like that. Is that new?

1206
00:52:14,560 --> 00:52:17,040
Speaker 1: You haven't said anything about the fact that I'm blonde.

1207
00:52:17,160 --> 00:52:19,600
Speaker 2: I feel like you've been You're supposed to you Catherine

1208
00:52:19,640 --> 00:52:22,200
Speaker 2: Cohen are supposed to say something to me, Matt Rodgers, Y, I'm.

1209
00:52:22,120 --> 00:52:24,160
Speaker 3: Sorry about that, but I always thought you are blonde.

1210
00:52:24,600 --> 00:52:25,440
Speaker 1: The blonde has been.

1211
00:52:25,719 --> 00:52:28,480
Speaker 3: Haven't you been blonde before? Recently? I look at my phone.

1212
00:52:28,520 --> 00:52:29,560
Speaker 3: I see you blonde.

1213
00:52:30,120 --> 00:52:31,719
Speaker 1: Because I have been in the phone blonde a lot.

1214
00:52:32,239 --> 00:52:34,960
Speaker 3: How you've been in the phone blonde. I'm sorry, say anything,

1215
00:52:34,960 --> 00:52:35,880
Speaker 3: I see you in the phone blonde.

1216
00:52:36,280 --> 00:52:38,600
Speaker 1: I'm kidding. I'm not kidding. I'm not kidding, kidding, I'm

1217
00:52:38,600 --> 00:52:38,960
Speaker 1: not kidding.

1218
00:52:38,960 --> 00:52:42,080
Speaker 3: Prettyan slur paging doctor froud.

1219
00:52:42,200 --> 00:52:42,759
Speaker 1: Do you like it?

1220
00:52:43,040 --> 00:52:43,440
Speaker 3: I love it?

1221
00:52:43,640 --> 00:52:43,880
Speaker 1: Thank you?

1222
00:52:44,040 --> 00:52:46,000
Speaker 3: It's fabulous. How often you have to do it?

1223
00:52:46,440 --> 00:52:47,200
Speaker 1: Every five weeks?

1224
00:52:47,840 --> 00:52:51,520
Speaker 3: Five weeks is such a random term. Yeah, not quite

1225
00:52:51,520 --> 00:52:57,359
Speaker 3: a month, not quite a month, the goldilocks of time. Yeah,

1226
00:52:57,560 --> 00:52:59,400
Speaker 3: oh yeah, five weeks.

1227
00:52:59,719 --> 00:53:01,120
Speaker 1: Are you straightened? Right now? You're straightened.

1228
00:53:01,280 --> 00:53:02,759
Speaker 3: I give myself a little blow out this morning. I

1229
00:53:02,880 --> 00:53:05,640
Speaker 3: want to say that the Revlon brush has changed my life.

1230
00:53:05,680 --> 00:53:08,160
Speaker 1: Girls, y'all know, and you have hair perfume.

1231
00:53:08,200 --> 00:53:09,960
Speaker 3: Man, someone sent me a beautiful gift and it was

1232
00:53:10,000 --> 00:53:13,160
Speaker 3: something called hair perfume, hair perfume, hair, And I go, okay,

1233
00:53:13,200 --> 00:53:15,960
Speaker 3: so it's perfume, but it is called hair perfhum and

1234
00:53:15,960 --> 00:53:20,640
Speaker 3: it smells unbelievable. It's by Rito. Can they send us stuff?

1235
00:53:20,680 --> 00:53:20,839
Speaker 1: Hey?

1236
00:53:21,080 --> 00:53:23,879
Speaker 3: Hey, can y'all send us stuff Byrito? Have y'all worked

1237
00:53:23,920 --> 00:53:24,160
Speaker 3: with them?

1238
00:53:25,440 --> 00:53:30,919
Speaker 1: They've worked my wallet. I've made me laugh like that again, okay, deal.

1239
00:53:32,040 --> 00:53:35,279
Speaker 1: I have bought so much product and their staff at

1240
00:53:35,320 --> 00:53:41,600
Speaker 1: all their retail locations are the most severe, intimidating, wonderful people.

1241
00:53:43,160 --> 00:53:45,320
Speaker 1: They should be like that. Although I did go to

1242
00:53:45,400 --> 00:53:48,600
Speaker 1: a it's not like when you walk into a dip

1243
00:53:48,719 --> 00:53:50,240
Speaker 1: teak the vibes are sweet.

1244
00:53:51,840 --> 00:53:54,960
Speaker 3: Actually disagree. There's a there's a dick teek to this.

1245
00:53:55,120 --> 00:53:57,800
Speaker 3: There's a dip doctor freud. There's a dip teak on

1246
00:53:58,080 --> 00:53:59,680
Speaker 3: bleaker where they weren't charmed by me.

1247
00:54:00,200 --> 00:54:01,160
Speaker 1: Oh, that one's that's in.

1248
00:54:01,360 --> 00:54:03,160
Speaker 3: They weren't charge I go, I go. I walked in

1249
00:54:03,239 --> 00:54:05,080
Speaker 3: and I was like, they're gonna be so charmed by this.

1250
00:54:05,320 --> 00:54:07,320
Speaker 1: No, because that one's kind of new, they just renovated it,

1251
00:54:07,320 --> 00:54:09,600
Speaker 1: and they're either they're really like sort of like jacked

1252
00:54:09,680 --> 00:54:13,759
Speaker 1: up on that. Yeah, we're new, you know, like sad.

1253
00:54:14,760 --> 00:54:17,440
Speaker 1: The one in Williamsburg is really sweet. It was just

1254
00:54:17,480 --> 00:54:19,040
Speaker 1: at the one in Toronto. Did you go to that one?

1255
00:54:19,360 --> 00:54:21,240
Speaker 1: I didn't make it in there. We were in Toronto

1256
00:54:21,280 --> 00:54:22,719
Speaker 1: for something and I went to that one and it

1257
00:54:22,840 --> 00:54:25,960
Speaker 1: was sweet. Vibe Brato. They're gonna scare you.

1258
00:54:35,160 --> 00:54:36,720
Speaker 3: Do you have a signature scent everyone?

1259
00:54:37,040 --> 00:54:39,560
Speaker 1: I've had a recent one me too. Delo Santos is

1260
00:54:39,560 --> 00:54:43,440
Speaker 1: what I wear. I don't have a Birato one right now.

1261
00:54:43,640 --> 00:54:50,400
Speaker 1: I have an ASoP wheel, hwe is asp aspirational. Absolutely,

1262
00:54:50,520 --> 00:54:52,759
Speaker 1: it is okay. Why wouldn't it because I don't know.

1263
00:54:52,840 --> 00:54:53,640
Speaker 1: I feel like I see it.

1264
00:54:53,840 --> 00:54:57,439
Speaker 3: It's too excessive, you know what I'm saying. I hate

1265
00:54:57,480 --> 00:55:00,440
Speaker 3: to drag killing them different with you on.

1266
00:55:00,480 --> 00:55:03,880
Speaker 1: This, but I just I'm a girl. It's not okay.

1267
00:55:05,040 --> 00:55:07,400
Speaker 1: It feels like it's everywhere, feels like it's in like airports,

1268
00:55:08,040 --> 00:55:08,839
Speaker 1: of course.

1269
00:55:08,920 --> 00:55:12,440
Speaker 3: Well airports are airports are beautiful and I don't even know.

1270
00:55:12,520 --> 00:55:14,680
Speaker 2: Don't even talk to me La Guardia. We were leaving

1271
00:55:14,719 --> 00:55:16,719
Speaker 2: LaGuardia that I didn't want to leave. You could not

1272
00:55:17,040 --> 00:55:17,840
Speaker 2: get me out of that.

1273
00:55:18,000 --> 00:55:20,480
Speaker 3: But you know, it's hell on actual earth, little place

1274
00:55:20,520 --> 00:55:23,239
Speaker 3: called JFK. Last night, I have my huge bags, I go.

1275
00:55:23,880 --> 00:55:25,279
Speaker 3: You know what they do if they're doing to you now,

1276
00:55:25,360 --> 00:55:27,239
Speaker 3: and this is very I don't think so, honey, vibes.

1277
00:55:27,280 --> 00:55:31,359
Speaker 3: But wait the lift, Yeah it's in. It's the next day.

1278
00:55:31,520 --> 00:55:34,719
Speaker 3: Crossing state lines terrible, they make you cross state lines

1279
00:55:35,000 --> 00:55:37,840
Speaker 3: the ride share pickup area. I have seventeen bags.

1280
00:55:38,160 --> 00:55:39,160
Speaker 1: No, it's not good.

1281
00:55:39,320 --> 00:55:40,719
Speaker 2: And I used to be that kind of person that

1282
00:55:40,840 --> 00:55:43,120
Speaker 2: was like I would literally pay more for like a

1283
00:55:43,560 --> 00:55:45,880
Speaker 2: different car to come get me where I am.

1284
00:55:46,000 --> 00:55:47,560
Speaker 1: But they won't even allow you to do that. Now

1285
00:55:47,640 --> 00:55:50,520
Speaker 1: you have to because that's the one minute journey.

1286
00:55:50,640 --> 00:55:52,960
Speaker 3: Because lax, they let the Black, the Uber Black come.

1287
00:55:53,120 --> 00:55:55,680
Speaker 3: They do, and that is worth it every time, every

1288
00:55:55,840 --> 00:56:04,800
Speaker 3: time I love you. I'm sorry, I am doing naughty

1289
00:56:04,880 --> 00:56:06,879
Speaker 3: things in there. It's so good.

1290
00:56:07,040 --> 00:56:08,879
Speaker 2: I know people that would that would call the Uber

1291
00:56:08,960 --> 00:56:11,000
Speaker 2: Black just take it like right outside the airport and

1292
00:56:11,040 --> 00:56:13,880
Speaker 2: then call another regular left to not pay the whole thing.

1293
00:56:14,080 --> 00:56:15,759
Speaker 3: My god, I don't look down on those people, but

1294
00:56:15,840 --> 00:56:20,399
Speaker 3: that's insane. You would the best, and you would love

1295
00:56:20,600 --> 00:56:21,239
Speaker 3: you want so.

1296
00:56:22,719 --> 00:56:29,880
Speaker 1: August, I think you're Sabrina Chapel, Charlie and Gracie.

1297
00:56:29,920 --> 00:56:31,680
Speaker 3: Well that's why you guys arenna be excited about announcement?

1298
00:56:32,320 --> 00:56:34,080
Speaker 3: What is it the one I can't?

1299
00:56:34,160 --> 00:56:36,080
Speaker 1: Oh yeah, yeah, yeah, I know all that.

1300
00:56:37,760 --> 00:56:39,080
Speaker 3: Why can't I already said it?

1301
00:56:39,120 --> 00:56:41,320
Speaker 1: On my So I mean, first of all, can I

1302
00:56:41,360 --> 00:56:42,759
Speaker 1: say something? You could do anything you want.

1303
00:56:42,840 --> 00:56:46,680
Speaker 3: Guess what I'm making music. I'm making music. I actually

1304
00:56:46,680 --> 00:56:48,000
Speaker 3: want to ask y'all because I want to do We'll

1305
00:56:48,000 --> 00:56:50,040
Speaker 3: ask you off pod because I want to celebrate that.

1306
00:56:52,440 --> 00:56:56,120
Speaker 1: Major laser major. I will know everything about this that's happened.

1307
00:56:56,120 --> 00:56:57,520
Speaker 3: When hanging out with Sarah squirm, I was.

1308
00:56:57,719 --> 00:56:59,120
Speaker 1: Just gonna make up stairs squirm.

1309
00:56:59,200 --> 00:57:00,920
Speaker 3: But can I That's why I say that.

1310
00:57:00,880 --> 00:57:02,960
Speaker 1: Because her I don't know if she was the one

1311
00:57:02,960 --> 00:57:03,759
Speaker 1: who started or if I.

1312
00:57:03,840 --> 00:57:05,959
Speaker 3: Was way really oh, then it all comes back.

1313
00:57:05,840 --> 00:57:08,080
Speaker 1: To but no, she's gonna kill me because if she didn't,

1314
00:57:08,120 --> 00:57:08,800
Speaker 1: she came into.

1315
00:57:08,680 --> 00:57:10,120
Speaker 3: My home and started saying that to me and now

1316
00:57:10,160 --> 00:57:10,880
Speaker 3: my whole family.

1317
00:57:10,840 --> 00:57:12,600
Speaker 1: Describing things as major. Like when you want to say

1318
00:57:12,640 --> 00:57:14,200
Speaker 1: some things major, you go that is major.

1319
00:57:14,160 --> 00:57:16,240
Speaker 3: It's major laser, And now I go, it's major laser

1320
00:57:16,680 --> 00:57:21,960
Speaker 3: major always now it's laser or just like lazer, it's

1321
00:57:22,040 --> 00:57:22,880
Speaker 3: giving major.

1322
00:57:23,400 --> 00:57:25,720
Speaker 1: That's how things, That's how culture gets great.

1323
00:57:25,760 --> 00:57:28,560
Speaker 3: I actually think Sarah is one of the main cultural

1324
00:57:28,640 --> 00:57:29,400
Speaker 3: what's what I'm looking for?

1325
00:57:29,800 --> 00:57:39,200
Speaker 1: Paragons? Yeah, she is antemaker, she just her, she is visionary.

1326
00:57:39,560 --> 00:57:40,640
Speaker 3: She's an actual genius.

1327
00:57:40,640 --> 00:57:42,360
Speaker 1: You know she's a true genius because she's.

1328
00:57:42,240 --> 00:57:45,560
Speaker 3: Someone too who like is so funny off stage that

1329
00:57:45,680 --> 00:57:47,280
Speaker 3: I'm like, how do you even have the time to

1330
00:57:47,320 --> 00:57:50,800
Speaker 3: be this brilliant wildly? Yeah, I love her every second.

1331
00:57:50,840 --> 00:57:52,600
Speaker 3: I know y'all are like your work wife.

1332
00:57:53,320 --> 00:57:56,480
Speaker 1: Would you describe your relationship as work wife? Absolutely? Could?

1333
00:57:56,480 --> 00:57:58,720
Speaker 3: I always go who's your best? Yet she knows, but

1334
00:57:59,080 --> 00:58:00,880
Speaker 3: oh my god, it was going to go out and.

1335
00:58:02,120 --> 00:58:04,960
Speaker 1: We say, we say major laser, we say familiar pizza.

1336
00:58:05,360 --> 00:58:07,520
Speaker 1: We say she was like a Tacos familiar pizza. You know,

1337
00:58:07,840 --> 00:58:11,160
Speaker 1: that's cute, like Matt like Matts pizza. And then she

1338
00:58:11,840 --> 00:58:14,280
Speaker 1: she has a story that made me cry laughing last week,

1339
00:58:14,320 --> 00:58:15,800
Speaker 1: and I need to we need to bring her on

1340
00:58:15,840 --> 00:58:18,520
Speaker 1: the pod to talk and then we will all be

1341
00:58:18,760 --> 00:58:20,320
Speaker 1: united in this in the story.

1342
00:58:20,120 --> 00:58:22,080
Speaker 3: Speaking of familiar pizza, I was always I was thinking

1343
00:58:22,120 --> 00:58:24,600
Speaker 3: about this. You know, we all came up together doing

1344
00:58:24,640 --> 00:58:26,520
Speaker 3: the damn thing. And then do you think it was

1345
00:58:26,640 --> 00:58:28,760
Speaker 3: do you think it's just time and space and people

1346
00:58:28,760 --> 00:58:31,720
Speaker 3: getting more jobs that makes everyone go pandemic?

1347
00:58:31,800 --> 00:58:34,720
Speaker 2: Being like, I think the pandemic had a lot to

1348
00:58:34,800 --> 00:58:36,440
Speaker 2: do with it, but also that was happening kind of

1349
00:58:36,480 --> 00:58:36,840
Speaker 2: before that.

1350
00:58:37,120 --> 00:58:39,080
Speaker 3: Yeah, because the scenes. It's like everyone has their little

1351
00:58:39,160 --> 00:58:42,480
Speaker 3: graduating class. It's like I know, but then it's like pandemic.

1352
00:58:43,400 --> 00:58:44,520
Speaker 3: So I was, what's happened?

1353
00:58:44,640 --> 00:58:46,000
Speaker 1: Do you know what I think all the time?

1354
00:58:46,120 --> 00:58:46,880
Speaker 3: And don't point at me?

1355
00:58:47,160 --> 00:58:53,800
Speaker 1: No, no, you really did was aggressive? Yeah, police, I think.

1356
00:58:55,000 --> 00:58:57,440
Speaker 3: Please, we're to all cover.

1357
00:58:59,600 --> 00:59:02,960
Speaker 1: Rest this man. Please.

1358
00:59:04,480 --> 00:59:06,520
Speaker 3: I wonder I Serrina would like me. I think she

1359
00:59:06,600 --> 00:59:09,480
Speaker 3: would would love Oh god, I think she would want

1360
00:59:09,520 --> 00:59:10,240
Speaker 3: to put her in my pocket.

1361
00:59:10,400 --> 00:59:13,160
Speaker 1: Well, you did her face, you did her TikTok, I

1362
00:59:13,240 --> 00:59:17,120
Speaker 1: did little TikTok. Yeah, she reproached. I said, hey, what

1363
00:59:17,160 --> 00:59:20,480
Speaker 1: do you mean? I did her take tiktalok dance to taste.

1364
00:59:20,520 --> 00:59:22,320
Speaker 1: And then I and then the caption was I hope

1365
00:59:22,360 --> 00:59:24,320
Speaker 1: me doing the stance will bring world peace. And then

1366
00:59:24,360 --> 00:59:26,480
Speaker 1: she and then she DM replied and she said all

1367
00:59:26,560 --> 00:59:29,880
Speaker 1: she said was it will bring world peace.

1368
00:59:30,160 --> 00:59:30,840
Speaker 3: That's beautiful.

1369
00:59:32,280 --> 00:59:34,040
Speaker 1: That my one little interaction with her.

1370
00:59:34,480 --> 00:59:37,040
Speaker 3: She would adore you, like like she would love us.

1371
00:59:37,240 --> 00:59:39,040
Speaker 1: No, no, no, no no, my sketchut cut the finale.

1372
00:59:39,080 --> 00:59:40,600
Speaker 1: That's now when she was a musical guest. And then

1373
00:59:40,760 --> 00:59:41,880
Speaker 1: it was right before she was about to go on

1374
00:59:42,000 --> 00:59:43,440
Speaker 1: that she runs up to means the last year and

1375
00:59:43,480 --> 00:59:46,720
Speaker 1: she goes, what's tea? She could tell that we were upset.

1376
00:59:46,800 --> 00:59:50,080
Speaker 3: She's like, she's a girl as a girl, she gets it.

1377
00:59:50,200 --> 00:59:52,520
Speaker 3: I love the last two. Oh my god, what an angel?

1378
00:59:53,040 --> 00:59:57,200
Speaker 3: Angela music angel? What are you saying that? Before?

1379
00:59:57,280 --> 01:00:00,080
Speaker 1: Before we were talking about like the days oh, and

1380
01:00:00,120 --> 01:00:02,320
Speaker 1: I was saying, I think that pizza sometimes.

1381
01:00:02,360 --> 01:00:04,760
Speaker 2: I like back on like the times, like remember when

1382
01:00:04,800 --> 01:00:07,680
Speaker 2: we all used to go to like the Duplex Henry

1383
01:00:07,800 --> 01:00:11,240
Speaker 2: was playing and downstairs, and like you didn't know that

1384
01:00:11,480 --> 01:00:15,960
Speaker 2: those times were gonna not be forever. It's just weird,

1385
01:00:16,120 --> 01:00:19,240
Speaker 2: Like it's difficult to wrap your head around the fact

1386
01:00:19,240 --> 01:00:22,120
Speaker 2: that we've already lived like not to use this word,

1387
01:00:22,160 --> 01:00:24,320
Speaker 2: but like eras, you know what I mean. We've already

1388
01:00:24,720 --> 01:00:27,520
Speaker 2: there have been so many times and you're like and

1389
01:00:27,560 --> 01:00:30,520
Speaker 2: then all of a sudden, they're they're done, and you're like,

1390
01:00:30,640 --> 01:00:32,440
Speaker 2: oh wow, I didn't even realize I was in this

1391
01:00:32,600 --> 01:00:34,480
Speaker 2: new one. And I think what I'm encountering right now

1392
01:00:34,520 --> 01:00:36,680
Speaker 2: in Los Angeles is I've been in my current era

1393
01:00:37,160 --> 01:00:39,720
Speaker 2: too long not to associate it with an apartment, but

1394
01:00:39,800 --> 01:00:41,680
Speaker 2: I feel like I'm doing new Yeah.

1395
01:00:41,720 --> 01:00:44,440
Speaker 3: Yeah, because you were kind of pandemic on LA and

1396
01:00:44,480 --> 01:00:45,280
Speaker 3: now you're ready to move on.

1397
01:00:45,480 --> 01:00:48,280
Speaker 2: Well, because I'm still in the same a fucking apartment

1398
01:00:48,360 --> 01:00:51,360
Speaker 2: from pre pandemic, which means it has tons of ghosts,

1399
01:00:52,240 --> 01:00:53,360
Speaker 2: so you got to force yourself out.

1400
01:00:53,400 --> 01:00:54,360
Speaker 3: Have you ever seen a ghost?

1401
01:00:55,120 --> 01:00:57,240
Speaker 1: Have you ever seen a ghost? We did a ghost

1402
01:00:57,280 --> 01:01:00,080
Speaker 1: tour in Savannah, Georgia where it's a big ghost you

1403
01:01:00,280 --> 01:01:02,920
Speaker 1: have you been? Have you been? I've not been. I've

1404
01:01:02,960 --> 01:01:05,479
Speaker 1: been to Savannah, but we didn't do the ghost, ghost

1405
01:01:05,520 --> 01:01:09,760
Speaker 1: the ghost. We were there together the Atlanta But did

1406
01:01:09,800 --> 01:01:13,520
Speaker 1: you see that We performed there with Papolltta one time? Savannah, Charleston.

1407
01:01:13,600 --> 01:01:17,520
Speaker 1: I get those confused. Charleston, Savannah. It was a night

1408
01:01:17,640 --> 01:01:19,960
Speaker 1: and then they tell you take out your phones and

1409
01:01:20,040 --> 01:01:23,320
Speaker 1: take take a photo of those windows there, and then

1410
01:01:23,360 --> 01:01:26,320
Speaker 1: I swear photo. But I think I think there was

1411
01:01:26,360 --> 01:01:30,240
Speaker 1: a lady. I think there was there was a lady.

1412
01:01:30,960 --> 01:01:31,120
Speaker 3: Oh.

1413
01:01:31,160 --> 01:01:34,080
Speaker 1: They were like that house is where Flann O'Connor I

1414
01:01:34,240 --> 01:01:36,840
Speaker 1: came to live, and some say her ghost.

1415
01:01:37,480 --> 01:01:38,840
Speaker 3: Where she came to live.

1416
01:01:42,240 --> 01:01:46,240
Speaker 1: To say that to live all the time, Oh my god,

1417
01:01:46,720 --> 01:01:48,040
Speaker 1: have you ever looked at a piece of toast and

1418
01:01:48,080 --> 01:01:48,640
Speaker 1: seen a face?

1419
01:01:49,560 --> 01:01:52,600
Speaker 3: I don't? Toast is so old? Excuse me, you still

1420
01:01:52,640 --> 01:01:55,760
Speaker 3: haven't toast? Are you all making toast.

1421
01:01:55,880 --> 01:01:58,280
Speaker 1: Yeah, now carb over here.

1422
01:01:58,440 --> 01:01:59,920
Speaker 3: No, no, no, it's not the car. It's more gets

1423
01:01:59,920 --> 01:02:02,440
Speaker 3: so nineties breakfast before school, like mommy's making toast.

1424
01:02:02,880 --> 01:02:05,160
Speaker 2: There was something that was made the other day. I

1425
01:02:05,280 --> 01:02:08,120
Speaker 2: was Melissa had like a little birthday thing in La

1426
01:02:08,280 --> 01:02:10,600
Speaker 2: and I was just like, I went he and someone

1427
01:02:10,680 --> 01:02:13,360
Speaker 2: brought out it was either like it was like a

1428
01:02:13,440 --> 01:02:16,280
Speaker 2: piece of potato or it was something, and there was

1429
01:02:16,640 --> 01:02:19,640
Speaker 2: very clearly there was a very clear the face of

1430
01:02:19,680 --> 01:02:23,440
Speaker 2: an old, disapproving woman in it. Very clearly everyone saw

1431
01:02:23,480 --> 01:02:25,920
Speaker 2: it and understood what she was saying. Oh my god,

1432
01:02:27,680 --> 01:02:29,480
Speaker 2: I saw I saw a ghost in that postato. I've

1433
01:02:29,520 --> 01:02:32,160
Speaker 2: never seen like a paranormal ghost. In fact, I don't

1434
01:02:32,160 --> 01:02:32,720
Speaker 2: really believe.

1435
01:02:33,040 --> 01:02:35,680
Speaker 3: Oh don't. I believe one hundred percent. I respect them.

1436
01:02:35,720 --> 01:02:36,920
Speaker 3: I'm glad they haven't come to see me, and I

1437
01:02:36,920 --> 01:02:38,080
Speaker 3: don't want to see them cause I respect them.

1438
01:02:38,120 --> 01:02:39,960
Speaker 1: To you, yes, yes, I think I think they're real.

1439
01:02:40,320 --> 01:02:45,760
Speaker 1: You wait, speaking of nineties food, yeah, which you claim

1440
01:02:45,800 --> 01:02:48,400
Speaker 1: is toast, which I actually totally get it. I totally

1441
01:02:48,640 --> 01:02:49,040
Speaker 1: like orange.

1442
01:02:49,320 --> 01:02:51,040
Speaker 3: It's like before you orange pop.

1443
01:02:51,080 --> 01:02:52,960
Speaker 1: Tart is nineties food. Toast is forever.

1444
01:02:53,400 --> 01:02:55,280
Speaker 3: I actually like it's open set pop darts. Or forever

1445
01:02:55,440 --> 01:02:55,960
Speaker 3: for my family.

1446
01:02:56,080 --> 01:02:59,440
Speaker 1: Okay, there's this amazing chef on YouTube. She's part of

1447
01:02:59,600 --> 01:03:01,440
Speaker 1: Cooks Straight in America's Test Kitchen, but she has a

1448
01:03:01,480 --> 01:03:04,040
Speaker 1: whole series called Techniquely and she talks about how overcooking

1449
01:03:04,080 --> 01:03:07,320
Speaker 1: your vegetables is actually good in chic But the reason why,

1450
01:03:07,960 --> 01:03:13,200
Speaker 1: the reason why the crisp blanched vegetables are like a thing. Yeah,

1451
01:03:13,400 --> 01:03:17,960
Speaker 1: why like vegetables are shall we say hard? Yeah? Nis,

1452
01:03:18,480 --> 01:03:21,520
Speaker 1: It's like that was an eighties nineties thing in response

1453
01:03:21,600 --> 01:03:23,360
Speaker 1: to the way that vegetables were cooked in the fifties

1454
01:03:23,400 --> 01:03:26,400
Speaker 1: and sixties, where people were fucking mushing them up.

1455
01:03:26,600 --> 01:03:27,040
Speaker 3: Interesting.

1456
01:03:27,240 --> 01:03:28,320
Speaker 1: I think we kind of need to go back to

1457
01:03:28,400 --> 01:03:30,440
Speaker 1: mushy vest I love I love vegetables.

1458
01:03:30,560 --> 01:03:31,040
Speaker 3: Do you cook?

1459
01:03:31,600 --> 01:03:31,959
Speaker 1: I cook?

1460
01:03:32,280 --> 01:03:33,360
Speaker 3: What kind of stuff are you make? Bad?

1461
01:03:33,600 --> 01:03:34,479
Speaker 1: I mean like bad?

1462
01:03:34,640 --> 01:03:34,680
Speaker 3: No?

1463
01:03:35,080 --> 01:03:37,400
Speaker 1: I cook. I cook when it's just I cook. I'm

1464
01:03:37,480 --> 01:03:39,440
Speaker 1: such a good cook when it's just for me. If

1465
01:03:39,480 --> 01:03:42,960
Speaker 1: I have to present it to an audience, I get nervous.

1466
01:03:43,440 --> 01:03:45,400
Speaker 1: Like I coached for the House of Fireland was like fine,

1467
01:03:46,000 --> 01:03:48,360
Speaker 1: it's like totally mid and I'm like this is I

1468
01:03:48,440 --> 01:03:50,600
Speaker 1: get like stage fright performance anxiety.

1469
01:03:50,600 --> 01:03:53,360
Speaker 3: I would love to come cook for you boys, let's go. No,

1470
01:03:53,480 --> 01:03:54,760
Speaker 3: I actually love cooking for a group.

1471
01:03:54,880 --> 01:03:57,480
Speaker 1: It hates a home cooked meals. I don't home cooked meal.

1472
01:03:57,520 --> 01:03:58,760
Speaker 1: I would just rather go to a restaurant.

1473
01:03:59,120 --> 01:04:01,640
Speaker 3: Oh, that's sad. You would to actually break that's actually

1474
01:04:01,680 --> 01:04:02,240
Speaker 3: breaking my heart.

1475
01:04:02,440 --> 01:04:05,120
Speaker 1: No, Catherine, that's you are. What do you know how?

1476
01:04:05,400 --> 01:04:06,960
Speaker 1: I would rather go to a restaurant too.

1477
01:04:06,960 --> 01:04:08,560
Speaker 2: You would rather go to a restaurant than have a home.

1478
01:04:10,240 --> 01:04:12,320
Speaker 2: What I'm saying is okay, so I'll throw this out

1479
01:04:12,320 --> 01:04:16,680
Speaker 2: of here. It's Thursday night, ready, I will do this

1480
01:04:16,720 --> 01:04:17,080
Speaker 2: from the top.

1481
01:04:17,200 --> 01:04:17,640
Speaker 1: Monday night?

1482
01:04:17,760 --> 01:04:19,040
Speaker 3: Would just cooking?

1483
01:04:19,680 --> 01:04:19,919
Speaker 1: Yeah?

1484
01:04:20,360 --> 01:04:21,760
Speaker 3: And where and what the house looks like?

1485
01:04:21,920 --> 01:04:23,720
Speaker 1: I would agree. I would agree that all of that

1486
01:04:23,960 --> 01:04:24,720
Speaker 1: comes into play.

1487
01:04:25,240 --> 01:04:27,160
Speaker 3: But on and it depends with the restaurants. Because there's

1488
01:04:27,160 --> 01:04:28,800
Speaker 3: a lot of restaurants. And I am angry about this.

1489
01:04:29,160 --> 01:04:29,520
Speaker 1: Uh huh.

1490
01:04:29,720 --> 01:04:32,760
Speaker 3: They're too loud, too loud, and I'm a sing I'm

1491
01:04:32,800 --> 01:04:35,920
Speaker 3: a vocalist, so I need to rest the instrument and

1492
01:04:35,920 --> 01:04:37,120
Speaker 3: I'm not going to be screaming at dinner.

1493
01:04:37,920 --> 01:04:42,600
Speaker 1: True. What I feel like I feel like Lucy Lou

1494
01:04:42,640 --> 01:04:45,560
Speaker 1: and Charlie's Angels because I think my favorite part of

1495
01:04:45,640 --> 01:04:48,680
Speaker 1: the whole fucking movie, Yeah, is that her character for

1496
01:04:48,760 --> 01:04:51,200
Speaker 1: some reason they decided the thing about her character is

1497
01:04:51,320 --> 01:04:53,800
Speaker 1: she's bad at cooking, but she loves to cook for everybody.

1498
01:04:53,840 --> 01:04:56,000
Speaker 1: And they're like, I brought my fans and Karon Dey

1499
01:04:56,040 --> 01:04:59,560
Speaker 1: has Intrew Berry and more like, Oh wow, isn't that

1500
01:04:59,600 --> 01:05:00,600
Speaker 1: such a great little detail.

1501
01:05:00,800 --> 01:05:01,720
Speaker 3: That's nice great.

1502
01:05:01,840 --> 01:05:03,800
Speaker 1: I wonder what that is. I wonder why they felt

1503
01:05:03,840 --> 01:05:05,360
Speaker 1: they need to do that. It's just fun. I just

1504
01:05:05,520 --> 01:05:07,120
Speaker 1: love that that. That's like a character. Do they all

1505
01:05:07,120 --> 01:05:09,880
Speaker 1: have a little achilles heel, Like Lucy Lou can't cook.

1506
01:05:09,960 --> 01:05:11,720
Speaker 1: Drew Barrymore is gay.

1507
01:05:12,480 --> 01:05:16,000
Speaker 3: She remember the movie her name was Dylan.

1508
01:05:16,320 --> 01:05:16,640
Speaker 1: Dylan.

1509
01:05:16,880 --> 01:05:17,720
Speaker 3: Oh that's hot.

1510
01:05:18,440 --> 01:05:18,640
Speaker 1: I had.

1511
01:05:18,960 --> 01:05:21,200
Speaker 2: I had a female Barris trainer named Dylan the other day,

1512
01:05:21,240 --> 01:05:23,360
Speaker 2: and I was like, only a female Barriers trainer or

1513
01:05:23,400 --> 01:05:25,400
Speaker 2: a character played by Drew Barry Moore's name Dylan and

1514
01:05:25,440 --> 01:05:29,760
Speaker 2: Masullo Coature number ninety nine a female or a character

1515
01:05:29,840 --> 01:05:31,880
Speaker 2: played by Dylan.

1516
01:05:32,720 --> 01:05:34,680
Speaker 3: Now Barry's is a really scary place.

1517
01:05:35,400 --> 01:05:36,480
Speaker 1: I'm addicted to it.

1518
01:05:36,640 --> 01:05:40,320
Speaker 3: That's awesome. That's awesome, sauce. That is awesome. Actually I

1519
01:05:40,320 --> 01:05:42,120
Speaker 3: should get into I want my ass to go up,

1520
01:05:42,160 --> 01:05:43,120
Speaker 3: so I gotta figure something out.

1521
01:05:43,200 --> 01:05:43,760
Speaker 1: It will do that.

1522
01:05:43,960 --> 01:05:46,920
Speaker 3: I'm bridge almost that I'm so lonely. But I met was.

1523
01:05:48,880 --> 01:05:51,160
Speaker 1: You have to glue bridges are the next.

1524
01:05:51,640 --> 01:05:52,040
Speaker 3: Was so lonely?

1525
01:05:52,400 --> 01:05:56,600
Speaker 1: Sorry, I mean tired, similar neighboring feeling.

1526
01:05:57,160 --> 01:06:01,000
Speaker 3: Yeah, I like being tired. I feel like when I'm

1527
01:06:01,000 --> 01:06:03,360
Speaker 3: tired actually not lonely, Like I'm so happy to just

1528
01:06:03,400 --> 01:06:04,000
Speaker 3: be by myself.

1529
01:06:04,720 --> 01:06:09,200
Speaker 1: Oh, because when you're not alone, when you're lonely, but

1530
01:06:09,280 --> 01:06:11,160
Speaker 1: you don't have to be alone whatever. Wait, this is

1531
01:06:11,200 --> 01:06:13,120
Speaker 1: a this is a real pandemic thing. Though. Do you

1532
01:06:13,280 --> 01:06:15,200
Speaker 1: feel way less of an extrovert?

1533
01:06:15,280 --> 01:06:15,560
Speaker 3: Babe?

1534
01:06:15,720 --> 01:06:16,000
Speaker 1: Hello?

1535
01:06:16,240 --> 01:06:17,200
Speaker 3: Where my personality go?

1536
01:06:17,760 --> 01:06:18,600
Speaker 1: I am a husk.

1537
01:06:19,000 --> 01:06:22,240
Speaker 3: I used to be fun. I used to get coffee.

1538
01:06:22,360 --> 01:06:25,600
Speaker 1: I used to you used to be crazy. I know.

1539
01:06:25,960 --> 01:06:30,920
Speaker 1: I used to be fun, by the way, greatest time.

1540
01:06:31,000 --> 01:06:33,320
Speaker 3: I used to be so fun. I can't do anything.

1541
01:06:33,400 --> 01:06:34,520
Speaker 3: I'm so tired.

1542
01:06:34,880 --> 01:06:36,840
Speaker 2: I'm happy to hear that. Everyone, not that I'm happy

1543
01:06:36,880 --> 01:06:38,280
Speaker 2: to hear that you feel that way or you feel

1544
01:06:38,320 --> 01:06:39,960
Speaker 2: that way. But it is something I think we could

1545
01:06:39,960 --> 01:06:43,320
Speaker 2: all say. Is It's just like the pandemic is something

1546
01:06:43,600 --> 01:06:46,040
Speaker 2: we can actually not even wrap our head.

1547
01:06:46,120 --> 01:06:47,720
Speaker 3: We will ever process what what did to us the

1548
01:06:47,760 --> 01:06:49,560
Speaker 3: way it fucked us that we will never be able

1549
01:06:49,600 --> 01:06:50,560
Speaker 3: to understand.

1550
01:06:50,400 --> 01:06:52,720
Speaker 1: When anything happened, and it was folklore came out?

1551
01:06:53,040 --> 01:06:55,640
Speaker 3: Agree and you know what else could happen? Evermore, We're alive.

1552
01:06:58,120 --> 01:07:04,400
Speaker 3: Like literally, I'm so lonely. I mean, I'm only I'm sorry,

1553
01:07:04,440 --> 01:07:05,479
Speaker 3: but I'm tired. I'm not hungry.

1554
01:07:06,360 --> 01:07:08,120
Speaker 2: No, but I when you said that you're like happy

1555
01:07:08,160 --> 01:07:10,920
Speaker 2: to be home alone by yourself, sometimes I'm like, hell yeah, I.

1556
01:07:10,960 --> 01:07:13,200
Speaker 3: Can't express this. Before the pandemic, and this is, of

1557
01:07:13,240 --> 01:07:15,400
Speaker 3: course the most boring thing anyone could say. But I

1558
01:07:16,160 --> 01:07:18,280
Speaker 3: couldn't even spend one night at home alone. No, I

1559
01:07:18,280 --> 01:07:20,720
Speaker 3: would call someone, go come to me. I'm scared. Yeah,

1560
01:07:20,760 --> 01:07:23,320
Speaker 3: I'm scared of sex with me? Is that what it

1561
01:07:23,520 --> 01:07:26,920
Speaker 3: was like before? My friend I go, I'm scared to

1562
01:07:26,920 --> 01:07:28,919
Speaker 3: have someone come fuck me. I'm scared, Oh my god,

1563
01:07:29,640 --> 01:07:30,320
Speaker 3: cout be alone.

1564
01:07:30,360 --> 01:07:32,440
Speaker 1: Someone made me for the first time the other night

1565
01:07:32,480 --> 01:07:39,480
Speaker 1: since the song came out the benefit. Yeah nice, And

1566
01:07:39,720 --> 01:07:41,640
Speaker 1: you want to do with them? I don't think I

1567
01:07:41,680 --> 01:07:43,080
Speaker 1: want to dren know with them, but they made me.

1568
01:07:44,080 --> 01:07:46,640
Speaker 3: I don't think so Okay, Well, I don't think any

1569
01:07:46,640 --> 01:07:47,680
Speaker 3: of us that's right now.

1570
01:07:47,920 --> 01:07:49,640
Speaker 1: I don't. I don't think we're kids people.

1571
01:07:50,200 --> 01:07:51,920
Speaker 3: I'm I know, but I froze.

1572
01:07:52,560 --> 01:07:54,840
Speaker 1: But that's good. That's good to decide.

1573
01:07:55,320 --> 01:07:57,080
Speaker 2: I was telling Cathern before you guys asked me this

1574
01:07:57,200 --> 01:07:59,439
Speaker 2: question off air, and my therapist goes to me after

1575
01:07:59,480 --> 01:08:01,560
Speaker 2: I said along things, she goes, I'm just thinking how

1576
01:08:02,080 --> 01:08:05,920
Speaker 2: you'd be an amazing father, and I literally like short

1577
01:08:05,920 --> 01:08:06,520
Speaker 2: of breaking down.

1578
01:08:06,560 --> 01:08:09,480
Speaker 1: I was like, well, the kid would be two fathers.

1579
01:08:09,680 --> 01:08:13,200
Speaker 1: And I used it as an excuse to we can

1580
01:08:13,240 --> 01:08:17,280
Speaker 1: all be Shonda Rhymes though, what's that be? Single adoptive parents?

1581
01:08:17,680 --> 01:08:18,320
Speaker 3: That is chic?

1582
01:08:18,800 --> 01:08:21,519
Speaker 1: So important? Hard? It sounds very hard.

1583
01:08:21,800 --> 01:08:22,479
Speaker 3: Nothing's easy.

1584
01:08:23,479 --> 01:08:26,439
Speaker 1: Do you think you're never ready? I think I think

1585
01:08:27,360 --> 01:08:29,479
Speaker 1: I don't want kids though, It's just I want a

1586
01:08:29,520 --> 01:08:32,800
Speaker 1: big house. Yeah first, then I'll think of my kids.

1587
01:08:32,800 --> 01:08:34,360
Speaker 3: That's about marriage too. I'm like, I want like a

1588
01:08:34,400 --> 01:08:37,320
Speaker 3: lot more stuff before I go ring a ling. Lately,

1589
01:08:37,360 --> 01:08:39,519
Speaker 3: Pat's been shame lady. Pat's been like you got it?

1590
01:08:39,680 --> 01:08:41,000
Speaker 3: Is it? Pat's been like it's long enough?

1591
01:08:42,040 --> 01:08:42,760
Speaker 1: What's long enough?

1592
01:08:42,880 --> 01:08:43,880
Speaker 3: Being a Brian five years?

1593
01:08:43,960 --> 01:08:45,880
Speaker 1: Oh stop? You have to get married enough kids?

1594
01:08:45,920 --> 01:08:47,720
Speaker 3: I go, well, to get married, to get married, that's

1595
01:08:47,760 --> 01:08:50,519
Speaker 3: that's that's I go. I want to have a big house, Yes,

1596
01:08:50,760 --> 01:08:51,840
Speaker 3: I want fancy.

1597
01:08:51,880 --> 01:08:56,240
Speaker 1: Okay, ready do this? We just walked into your dream home.

1598
01:08:56,400 --> 01:09:01,280
Speaker 1: Take us through a D. Catherine Conway. Hey, guys, hey

1599
01:09:01,400 --> 01:09:03,800
Speaker 1: d Catain Cohen. Welcome to much.

1600
01:09:03,800 --> 01:09:06,120
Speaker 3: Okay, Well, if we're in New York, because of course

1601
01:09:06,160 --> 01:09:08,080
Speaker 3: I'm gonna want, you know, New York London.

1602
01:09:08,280 --> 01:09:08,719
Speaker 1: Lay.

1603
01:09:10,200 --> 01:09:12,320
Speaker 3: If we're in New York, we're like, oh my god,

1604
01:09:12,479 --> 01:09:15,880
Speaker 3: getting off the maybe the Christopher Street one, two three,

1605
01:09:15,920 --> 01:09:17,240
Speaker 3: I don't know. I don't know who said that, I

1606
01:09:17,280 --> 01:09:19,599
Speaker 3: don't know. And we're gonna go into one of those

1607
01:09:20,720 --> 01:09:22,280
Speaker 3: We're gonna go right next to like here's what we're

1608
01:09:22,280 --> 01:09:24,040
Speaker 3: gonna go, like right next to like the Cherry Lane Theater.

1609
01:09:24,840 --> 01:09:27,000
Speaker 3: We're gonna walk into one of those brown stones, and

1610
01:09:27,120 --> 01:09:30,600
Speaker 3: it's gonna be like, wow, this looks so old but

1611
01:09:30,680 --> 01:09:32,960
Speaker 3: feels so clean. But it's so old and kind of

1612
01:09:33,000 --> 01:09:35,639
Speaker 3: like dark. There's candles, it's like, there's like navy blue

1613
01:09:35,720 --> 01:09:40,280
Speaker 3: like washed walls. There's like dark velvet couches and big

1614
01:09:40,360 --> 01:09:44,640
Speaker 3: wooden things. It's a little bit like that. And the

1615
01:09:44,720 --> 01:09:47,720
Speaker 3: center of it all is it's very lived in, very

1616
01:09:47,840 --> 01:09:50,760
Speaker 3: like Victorian. And then there's a claw foot tub in

1617
01:09:50,800 --> 01:09:52,439
Speaker 3: the center and I'm sitting there naked and I'm going

1618
01:09:55,400 --> 01:09:57,240
Speaker 3: I'm in the center of the home with a skylight

1619
01:09:57,439 --> 01:10:00,599
Speaker 3: beaming down on tits but wearing a necklace and hey, boys,

1620
01:10:00,640 --> 01:10:01,080
Speaker 3: come this way.

1621
01:10:01,200 --> 01:10:01,880
Speaker 1: I love it.

1622
01:10:02,240 --> 01:10:04,519
Speaker 3: I've been cooking. I've been having home cooking for you.

1623
01:10:04,640 --> 01:10:10,000
Speaker 1: On Thursday, gave each of you go, what's yours dream house?

1624
01:10:10,520 --> 01:10:15,320
Speaker 1: Like like we're walking because it's so awful if I

1625
01:10:15,439 --> 01:10:17,640
Speaker 1: say that, like, it's the one you have now, the

1626
01:10:17,680 --> 01:10:19,719
Speaker 1: one I have now. I love my place.

1627
01:10:19,760 --> 01:10:22,759
Speaker 3: I need to come over so much. Well, that's so exciting.

1628
01:10:22,960 --> 01:10:26,880
Speaker 1: You're living the dream and it's pretty. It's pretty beautiful.

1629
01:10:26,880 --> 01:10:29,080
Speaker 3: How I'm going to take to find that a.

1630
01:10:29,520 --> 01:10:32,559
Speaker 1: Few months, not that long. I worked really broker Ronnie

1631
01:10:32,640 --> 01:10:38,040
Speaker 1: Rose shut out, Ronnie do you no, No, y'all have

1632
01:10:38,200 --> 01:10:41,800
Speaker 1: to go to her. Let me enter the broker.

1633
01:10:41,880 --> 01:10:45,040
Speaker 3: Yeah, but I just I just can't decide between You're

1634
01:10:45,080 --> 01:10:45,400
Speaker 3: for La.

1635
01:10:45,479 --> 01:10:47,880
Speaker 1: Yeah, it's so boring. I feel like you're further along

1636
01:10:47,960 --> 01:10:50,479
Speaker 1: in the New York journey to like have a broker

1637
01:10:50,560 --> 01:10:52,360
Speaker 1: to potentially talk to in New York, and you don't.

1638
01:10:52,479 --> 01:10:53,439
Speaker 1: You don't have that quite yet.

1639
01:10:53,479 --> 01:10:55,080
Speaker 3: And I guess my impulse would be if you're going

1640
01:10:55,120 --> 01:10:56,720
Speaker 3: to buy, you would buy in l A and rent

1641
01:10:56,760 --> 01:10:57,280
Speaker 3: to New York.

1642
01:10:57,560 --> 01:10:59,599
Speaker 1: Yeah, because it's a little that's I think the smartest.

1643
01:10:59,600 --> 01:11:00,439
Speaker 3: It's at cookie.

1644
01:11:00,720 --> 01:11:02,400
Speaker 1: Yeah, yeah, it's a little cookie out here. And what

1645
01:11:02,520 --> 01:11:02,880
Speaker 1: do I know?

1646
01:11:03,040 --> 01:11:06,160
Speaker 3: I pay so little I can't even talk about it.

1647
01:11:06,720 --> 01:11:10,040
Speaker 3: I have a sexy little secret deal. I can't ever

1648
01:11:10,160 --> 01:11:10,679
Speaker 3: leave a deal.

1649
01:11:11,320 --> 01:11:11,439
Speaker 1: Oh.

1650
01:11:11,560 --> 01:11:13,360
Speaker 2: I went to my friend's place in a story the

1651
01:11:13,400 --> 01:11:15,280
Speaker 2: other day and he has a rent control department, and

1652
01:11:15,360 --> 01:11:17,760
Speaker 2: I couldn't believe the number he said for how much

1653
01:11:17,760 --> 01:11:19,840
Speaker 2: space he has. Like sometimes in New York there are

1654
01:11:20,000 --> 01:11:24,479
Speaker 2: just those little fines. And I always I thought lucked

1655
01:11:24,520 --> 01:11:26,840
Speaker 2: out for where whatever station I was in life, Like

1656
01:11:27,120 --> 01:11:29,320
Speaker 2: we were like twenty eight and I moved into that

1657
01:11:29,400 --> 01:11:30,519
Speaker 2: little place in green Point.

1658
01:11:30,600 --> 01:11:35,000
Speaker 1: Did you ever come to my tiny boxy box?

1659
01:11:35,120 --> 01:11:37,320
Speaker 2: I lived on a I lived in a box on

1660
01:11:37,439 --> 01:11:41,000
Speaker 2: box that's cue and it was small, but it was

1661
01:11:41,240 --> 01:11:42,719
Speaker 2: eight hundred dollars a month.

1662
01:11:43,200 --> 01:11:44,960
Speaker 3: That's crazy sick.

1663
01:11:45,400 --> 01:11:46,479
Speaker 1: Yeah, And then I.

1664
01:11:46,600 --> 01:11:48,960
Speaker 2: Had that and I felt insane giving it up because

1665
01:11:48,960 --> 01:11:52,439
Speaker 2: I'm like, this is crazy. But I always like was

1666
01:11:52,520 --> 01:11:54,840
Speaker 2: able to find that deal. Now I'm like, I don't think,

1667
01:11:55,200 --> 01:11:56,800
Speaker 2: not that I would want that, but like, I don't

1668
01:11:56,840 --> 01:12:01,320
Speaker 2: think things like that exist on this in this new era.

1669
01:12:01,640 --> 01:12:08,080
Speaker 3: I know Sarah's not to bring up the Ara's toar Agan, what.

1670
01:12:08,200 --> 01:12:11,400
Speaker 1: Era Owean like like Macro or if it's a tailor.

1671
01:12:11,160 --> 01:12:14,080
Speaker 3: Era, I'm at Macro like whatever words, Okay, let's.

1672
01:12:13,960 --> 01:12:16,200
Speaker 1: Let's let's let's answer both because, like Matt inspired me

1673
01:12:16,400 --> 01:12:20,960
Speaker 1: last episode, I'm in husband search mode.

1674
01:12:21,040 --> 01:12:24,280
Speaker 3: Oh that's exciting. I'm ready for you to have such love.

1675
01:12:24,760 --> 01:12:27,679
Speaker 1: It's gotta stop. Enough with enough.

1676
01:12:28,640 --> 01:12:30,320
Speaker 3: What's it been like just being yanked around?

1677
01:12:31,120 --> 01:12:32,200
Speaker 1: It's just like I can't do it.

1678
01:12:32,560 --> 01:12:34,559
Speaker 3: Is it the caliber of people or the way they're

1679
01:12:34,600 --> 01:12:34,960
Speaker 3: treating you?

1680
01:12:35,320 --> 01:12:37,680
Speaker 1: It's not no, everyone's fine. I'm just like I need

1681
01:12:37,760 --> 01:12:39,280
Speaker 1: to It's it's it's a me thing, like I need

1682
01:12:39,360 --> 01:12:40,880
Speaker 1: to focus up. I need I need to like go

1683
01:12:40,960 --> 01:12:42,960
Speaker 1: in with the rite, with the proper intention, like I've

1684
01:12:43,000 --> 01:12:44,920
Speaker 1: been a little too like yeah, whatever comes my way,

1685
01:12:44,960 --> 01:12:47,000
Speaker 1: and I'm like no, no, no, no, no, I cannot

1686
01:12:47,080 --> 01:12:49,800
Speaker 1: be like casting a wide nn. I need to be specific.

1687
01:12:49,880 --> 01:12:52,160
Speaker 3: You're ready to be partnered? Yes, it was very exciting.

1688
01:12:52,720 --> 01:12:54,880
Speaker 1: So I'm in that era and then Taylor Swift era

1689
01:12:55,040 --> 01:12:55,680
Speaker 1: I am in.

1690
01:12:57,600 --> 01:13:04,360
Speaker 3: I'm gonna say, oh, there's something about the bes. It's

1691
01:13:04,600 --> 01:13:06,280
Speaker 3: just that was one of my That was because I

1692
01:13:06,320 --> 01:13:10,759
Speaker 3: first fell in love in Texas Country version playing my guitar,

1693
01:13:11,680 --> 01:13:17,560
Speaker 3: so damn funny. That's I thought was so good. I

1694
01:13:17,600 --> 01:13:20,320
Speaker 3: was damn crazy.

1695
01:13:21,080 --> 01:13:23,519
Speaker 1: You know what, you know, what's the crazy truth? Looks

1696
01:13:25,120 --> 01:13:28,479
Speaker 1: how Drew looks at me. Yeah, I'm in torture boets.

1697
01:13:30,200 --> 01:13:31,000
Speaker 3: It's really grown on me.

1698
01:13:31,439 --> 01:13:32,320
Speaker 1: It's really good. It's good.

1699
01:13:32,360 --> 01:13:36,320
Speaker 3: At the beginning, I was obviously like, like everyone else,

1700
01:13:36,400 --> 01:13:39,240
Speaker 3: what's your favorite track on torture puts? If you Oh

1701
01:13:39,680 --> 01:13:41,240
Speaker 3: my god, what do you say? I can do it

1702
01:13:41,280 --> 01:13:41,840
Speaker 3: with broken art?

1703
01:13:42,400 --> 01:13:43,720
Speaker 1: No I did. I did not say any of that.

1704
01:13:49,960 --> 01:13:52,479
Speaker 3: Great, it's major in the video, it's major laser.

1705
01:13:52,640 --> 01:13:57,160
Speaker 1: I'm gonna say, what's major laser for me? Is? Oh god,

1706
01:13:57,240 --> 01:13:59,839
Speaker 1: oh god, wait, hold on, no, it's coming. It's I'm

1707
01:14:00,439 --> 01:14:04,439
Speaker 1: not down bad, not guilty of sin. What's the other one?

1708
01:14:05,600 --> 01:14:07,880
Speaker 1: But Daddy I love him? Is but Daddy I love him?

1709
01:14:08,080 --> 01:14:10,240
Speaker 1: But Daddy I love him? Is the culture of everyone

1710
01:14:10,400 --> 01:14:12,840
Speaker 1: shut up? Yeah you know what I mean. I love that.

1711
01:14:14,400 --> 01:14:15,519
Speaker 3: Everyone needs to shut up.

1712
01:14:15,640 --> 01:14:18,720
Speaker 2: But here, unfortunately, the narrative of but Daddy, I love him,

1713
01:14:19,040 --> 01:14:21,600
Speaker 2: it is ultimately, but everyone shut up because I know

1714
01:14:21,680 --> 01:14:24,600
Speaker 2: you're right, and then they were right. So that is

1715
01:14:24,640 --> 01:14:26,599
Speaker 2: the thing about but Daddy, I love him. But there's

1716
01:14:26,640 --> 01:14:29,280
Speaker 2: something romantic about it. But ultimately everyone that was telling

1717
01:14:29,360 --> 01:14:31,000
Speaker 2: her all this stuff was right.

1718
01:14:31,120 --> 01:14:33,920
Speaker 1: But you know what, Taylor does this thing where she flips.

1719
01:14:34,120 --> 01:14:37,000
Speaker 1: She flips the narrative like with like love story, It's

1720
01:14:37,000 --> 01:14:38,960
Speaker 1: like it's Romany and Juliet, but like it's a happy ending,

1721
01:14:39,120 --> 01:14:40,960
Speaker 1: but Daddy love him. It's like they were right and

1722
01:14:41,040 --> 01:14:42,680
Speaker 1: it didn't end well. But like in the world of

1723
01:14:42,720 --> 01:14:45,240
Speaker 1: this song, she gets to like dictate how it happens.

1724
01:14:45,760 --> 01:14:46,360
Speaker 1: That's the power.

1725
01:14:46,479 --> 01:14:50,800
Speaker 2: Taylor, Oh guilty, listen to me. It's so good, but

1726
01:14:50,880 --> 01:14:52,840
Speaker 2: I will tell you what And also this will lead

1727
01:14:52,880 --> 01:14:55,800
Speaker 2: me into this other thing. Fortnite has grown on me

1728
01:14:55,880 --> 01:14:59,120
Speaker 2: so much. And Post Malone's new album, have you listened

1729
01:14:59,120 --> 01:14:59,320
Speaker 2: to it?

1730
01:14:59,479 --> 01:14:59,519
Speaker 1: No?

1731
01:14:59,640 --> 01:15:01,400
Speaker 3: But do you know what I've been saying since the

1732
01:15:01,400 --> 01:15:03,519
Speaker 3: first episode of Say Treatment is that he's my hall Pass.

1733
01:15:03,720 --> 01:15:06,360
Speaker 2: He is the man can wear the fuck out of

1734
01:15:06,360 --> 01:15:08,320
Speaker 2: a pair of jeans, I'll tell you that. And he's

1735
01:15:08,360 --> 01:15:10,720
Speaker 2: doing his country right now. And the new album it's

1736
01:15:10,760 --> 01:15:14,160
Speaker 2: called f one trillion. It's literally just him doing duets

1737
01:15:14,200 --> 01:15:16,960
Speaker 2: with like legends. There is a song with Dolly parton

1738
01:15:17,120 --> 01:15:19,120
Speaker 2: Oh Wow, where she's so horned up.

1739
01:15:20,120 --> 01:15:27,920
Speaker 1: What's one more than that? Gone? Like honestly, like it's

1740
01:15:27,960 --> 01:15:30,600
Speaker 1: literally it's it's post malone and Dolly Parton talking about it.

1741
01:15:30,720 --> 01:15:32,599
Speaker 3: Really transformed in that moment that was so beautiful.

1742
01:15:35,960 --> 01:15:41,840
Speaker 1: That's cartoon, but literally, like this album is so good

1743
01:15:41,880 --> 01:15:46,160
Speaker 1: and his voice is like so country, Like he's like

1744
01:15:46,320 --> 01:15:49,519
Speaker 1: blowing away all these like legends on this album. And

1745
01:15:49,600 --> 01:15:52,200
Speaker 1: he did, like Beyonce did more of like an Americana

1746
01:15:52,240 --> 01:15:54,360
Speaker 1: country thing, like through her lens like he did like

1747
01:15:54,760 --> 01:15:56,679
Speaker 1: contemporary country music.

1748
01:15:56,880 --> 01:15:59,200
Speaker 2: The last song on the album is called Yours. It's

1749
01:15:59,200 --> 01:16:03,720
Speaker 2: about telling his daughter's future husband Buddy, just because she

1750
01:16:05,000 --> 01:16:07,080
Speaker 2: doesn't mean he doesn't mean she's yours.

1751
01:16:07,080 --> 01:16:09,519
Speaker 3: But it works, doesn't mean she's yours.

1752
01:16:10,240 --> 01:16:13,160
Speaker 1: Yeah, there's a there's a Brad Paisley song with there's

1753
01:16:13,160 --> 01:16:13,559
Speaker 1: a song he does.

1754
01:16:14,720 --> 01:16:16,400
Speaker 3: He's the amazing artist who I believe gave us the

1755
01:16:16,439 --> 01:16:21,200
Speaker 3: song ticks. Yeah, I'm all check you for ticks. That

1756
01:16:21,560 --> 01:16:22,160
Speaker 3: is the song.

1757
01:16:22,240 --> 01:16:27,080
Speaker 1: Did you know that Brad Paisley partnered with doctor Jill

1758
01:16:27,240 --> 01:16:31,680
Speaker 1: Biden during the pandemic and told everybody to get the

1759
01:16:31,800 --> 01:16:34,639
Speaker 1: vaccine good for him? He did a cover of Jolene

1760
01:16:34,840 --> 01:16:41,839
Speaker 1: where the lyrics were vaccine and I Go. Brad Paisley

1761
01:16:41,840 --> 01:16:44,680
Speaker 1: has climbed Cringe Mountain. He doesn't have a fuck and

1762
01:16:44,760 --> 01:16:45,760
Speaker 1: we must admind.

1763
01:16:46,960 --> 01:16:47,439
Speaker 3: Vagine.

1764
01:16:48,920 --> 01:16:49,519
Speaker 1: We like him.

1765
01:16:50,120 --> 01:16:52,599
Speaker 2: Tim McGraw's on the album He's Clem Cringe Mountain him

1766
01:16:52,600 --> 01:16:53,719
Speaker 2: and Faith of Clem Cringe Mountain.

1767
01:16:53,720 --> 01:16:54,360
Speaker 3: Are they together?

1768
01:16:54,560 --> 01:16:58,360
Speaker 1: Ye? Beautiful? Kiss this kissing the.

1769
01:17:00,040 --> 01:17:01,639
Speaker 3: Track seven when I want I'm on a soul?

1770
01:17:01,680 --> 01:17:07,200
Speaker 1: What next time you listen to the song, do this?

1771
01:17:07,560 --> 01:17:10,519
Speaker 1: Do this kiss? Do this when when the course comes

1772
01:17:10,560 --> 01:17:20,280
Speaker 1: in this kiss this kiss unstable, Try making it, Try

1773
01:17:20,360 --> 01:17:21,719
Speaker 1: making it happen with your body.

1774
01:17:23,160 --> 01:17:24,439
Speaker 3: I need to get in touch with my body.

1775
01:17:24,880 --> 01:17:26,679
Speaker 1: You're the most in touch with your body of anyone

1776
01:17:26,720 --> 01:17:26,880
Speaker 1: I know.

1777
01:17:26,960 --> 01:17:29,439
Speaker 3: I think that's so nice. It can't be so my

1778
01:17:29,560 --> 01:17:31,600
Speaker 3: ass is flat. I gotta get it up.

1779
01:17:31,680 --> 01:17:34,320
Speaker 1: It's not what that means A related.

1780
01:17:34,400 --> 01:17:36,080
Speaker 3: What I meant by that. I jumped at a Z

1781
01:17:36,240 --> 01:17:38,479
Speaker 3: and like, I haven't been I haven't exercised in so long.

1782
01:17:38,479 --> 01:17:39,880
Speaker 3: And I'm like, how could I possibly be in touch?

1783
01:17:39,920 --> 01:17:41,439
Speaker 1: But you are embodied as a performer.

1784
01:17:41,560 --> 01:17:43,240
Speaker 3: Yes, I'm extremely in tune.

1785
01:17:44,360 --> 01:17:51,160
Speaker 1: That is her unstable.

1786
01:17:52,560 --> 01:17:56,400
Speaker 3: In that key, Cinderella said, what's your era?

1787
01:17:57,280 --> 01:17:57,760
Speaker 1: What's your era?

1788
01:17:59,040 --> 01:18:02,799
Speaker 3: My era is let fucking get it. Yeah, let's fucking

1789
01:18:03,040 --> 01:18:03,360
Speaker 3: get it.

1790
01:18:03,600 --> 01:18:05,640
Speaker 1: I'm going who want that?

1791
01:18:05,760 --> 01:18:07,599
Speaker 3: Because I've been like this. Here's what I've been doing

1792
01:18:07,680 --> 01:18:10,120
Speaker 3: for like three years of it. When you're roller skating

1793
01:18:10,160 --> 01:18:13,200
Speaker 3: and you're like pushing out and you're like, is that skate?

1794
01:18:13,320 --> 01:18:14,360
Speaker 1: Yeah, that's exactly it.

1795
01:18:14,840 --> 01:18:17,760
Speaker 3: Like that, I know I'm ready to go. Yeah, I'm

1796
01:18:17,760 --> 01:18:18,760
Speaker 3: ready to go up the ramp.

1797
01:18:19,160 --> 01:18:19,720
Speaker 1: I love now.

1798
01:18:19,840 --> 01:18:21,880
Speaker 3: Let me tell you this, but my Taylor.

1799
01:18:21,640 --> 01:18:24,519
Speaker 1: Era era is that nineteen eighty nine feels.

1800
01:18:24,360 --> 01:18:25,720
Speaker 3: Like could be because I was always I was in

1801
01:18:25,800 --> 01:18:27,680
Speaker 3: reputation for a while, which is my favorite era?

1802
01:18:28,120 --> 01:18:30,040
Speaker 1: Or are you Lover era now?

1803
01:18:30,200 --> 01:18:33,040
Speaker 2: Coming out of the reputation because Lover ultimately ended up

1804
01:18:33,160 --> 01:18:38,120
Speaker 2: being the biggest era. Lover is her like biggest album.

1805
01:18:38,320 --> 01:18:39,000
Speaker 3: That's shocking.

1806
01:18:39,160 --> 01:18:41,719
Speaker 1: It's crazy because it came out and was like maligned

1807
01:18:42,080 --> 01:18:43,040
Speaker 1: at first. I loved it.

1808
01:18:43,120 --> 01:18:44,680
Speaker 3: You know, my song is so great. That's all that

1809
01:18:44,720 --> 01:18:45,320
Speaker 3: album that no one.

1810
01:18:45,240 --> 01:18:48,160
Speaker 1: Cares about, Lost God, Paper Rings.

1811
01:18:48,800 --> 01:18:51,360
Speaker 3: I think he knows, he knows it's so good.

1812
01:18:51,520 --> 01:18:52,160
Speaker 1: It's oh please.

1813
01:18:52,280 --> 01:18:55,160
Speaker 3: From the beginning, I've been like this is that reminds

1814
01:18:55,200 --> 01:18:57,040
Speaker 3: me of Oh my god? Yeah, exactly five years.

1815
01:18:57,560 --> 01:18:59,839
Speaker 1: I think.

1816
01:19:03,280 --> 01:19:05,720
Speaker 2: The keys are I only do original key. I think

1817
01:19:05,760 --> 01:19:07,479
Speaker 2: I am not everyone's happy about it.

1818
01:19:07,439 --> 01:19:09,160
Speaker 3: Because you know, I've had I've had a summer of Closure.

1819
01:19:09,600 --> 01:19:12,400
Speaker 1: Yes, romantically, closure, Romantically.

1820
01:19:12,479 --> 01:19:15,120
Speaker 3: I've run it. No no, no, I run into random

1821
01:19:15,160 --> 01:19:18,080
Speaker 3: access And now I'm going because I heard from my

1822
01:19:18,160 --> 01:19:20,200
Speaker 3: bride closure, whose name is Brian.

1823
01:19:20,800 --> 01:19:24,160
Speaker 1: Bride, Bye Bride. So then you are listening to mister p.

1824
01:19:26,360 --> 01:19:30,400
Speaker 3: I would say, yes, okay, but I also want a house.

1825
01:19:30,840 --> 01:19:32,519
Speaker 1: Oh oh yes, said I'm sorry's house first for.

1826
01:19:32,560 --> 01:19:37,920
Speaker 3: Some reason, but who knows what the lover house? Wow, God,

1827
01:19:39,360 --> 01:19:42,320
Speaker 3: it's okay. We all kind of match today. I need that.

1828
01:19:42,760 --> 01:19:43,600
Speaker 3: I need who made that?

1829
01:19:45,560 --> 01:19:47,040
Speaker 1: They're making my Emmys suits?

1830
01:19:47,160 --> 01:19:49,759
Speaker 3: Oh, how fabulous is that? And what is that like? Tomorrow?

1831
01:19:49,880 --> 01:19:52,720
Speaker 1: Tomorrow? No?

1832
01:19:52,800 --> 01:19:54,400
Speaker 3: No, no Emmys.

1833
01:19:55,520 --> 01:19:56,599
Speaker 1: Yeah, I've never.

1834
01:19:56,560 --> 01:20:00,280
Speaker 3: Been impen Okay, I'm totally open to going. It haven't

1835
01:20:00,280 --> 01:20:02,559
Speaker 3: been yet, but I'm open to going. You'll be there,

1836
01:20:02,800 --> 01:20:05,160
Speaker 3: I'll be there, Manifest Destiny.

1837
01:20:05,840 --> 01:20:07,360
Speaker 1: You're not going with the only Murder's crew.

1838
01:20:08,240 --> 01:20:09,240
Speaker 3: I don't think so. I don't think so.

1839
01:20:09,600 --> 01:20:13,120
Speaker 1: What was it like being on set Electric Electric? Who

1840
01:20:13,160 --> 01:20:14,080
Speaker 1: are you there at all?

1841
01:20:14,120 --> 01:20:18,560
Speaker 3: The all the legends? I Merrill walked by me on

1842
01:20:18,640 --> 01:20:22,920
Speaker 3: set and I go, wow, Michael Sarah Creighton Angel from

1843
01:20:23,880 --> 01:20:25,160
Speaker 3: the Best that was the best parton hanging out with

1844
01:20:25,240 --> 01:20:27,160
Speaker 3: him on set, and also and getting to talk to

1845
01:20:27,200 --> 01:20:28,439
Speaker 3: Miss Molly Shannonho I'm obsessed.

1846
01:20:28,520 --> 01:20:29,120
Speaker 1: Oh my god.

1847
01:20:29,360 --> 01:20:31,280
Speaker 3: Getting touch to them was the best. But everyone was

1848
01:20:31,320 --> 01:20:32,439
Speaker 3: very nice. It was really fun.

1849
01:20:32,600 --> 01:20:34,960
Speaker 1: Love it. It seems like a good, healthy, happy crew.

1850
01:20:35,280 --> 01:20:39,080
Speaker 3: It's a very health like, so well organized, so like

1851
01:20:40,120 --> 01:20:44,280
Speaker 3: calm on set, like most like hearty, organic vibes on set.

1852
01:20:44,600 --> 01:20:47,320
Speaker 1: Well, here's the thing, and this is not the sounds

1853
01:20:47,439 --> 01:20:51,040
Speaker 1: like the sounds maybe not right, but it's like if

1854
01:20:51,080 --> 01:20:52,840
Speaker 1: the two people at the top of the call sheet

1855
01:20:52,920 --> 01:20:56,280
Speaker 1: are past a certain age, you're wrapping in a reasonable time. Yes,

1856
01:20:56,880 --> 01:20:59,120
Speaker 1: because everyone they just want to go to bed right,

1857
01:20:59,880 --> 01:21:02,200
Speaker 1: or you're not because it takes too long. But we've

1858
01:21:02,240 --> 01:21:03,280
Speaker 1: had different experiences.

1859
01:21:12,280 --> 01:21:14,639
Speaker 3: I want to hear about the Wicked movie. Yeah, does

1860
01:21:14,680 --> 01:21:15,320
Speaker 3: it on Earth?

1861
01:21:15,680 --> 01:21:15,840
Speaker 2: It was?

1862
01:21:15,920 --> 01:21:18,240
Speaker 1: It was pretty much heaven on Earth except one day,

1863
01:21:18,320 --> 01:21:21,360
Speaker 1: which I will reveal later. It was I had a

1864
01:21:21,400 --> 01:21:22,880
Speaker 1: full on panic attack.

1865
01:21:23,200 --> 01:21:25,680
Speaker 3: Are you all excited? Is the prem going to be

1866
01:21:25,720 --> 01:21:26,360
Speaker 3: in London or here?

1867
01:21:27,040 --> 01:21:30,400
Speaker 1: Pram is going to be lund or I think you know?

1868
01:21:30,479 --> 01:21:33,960
Speaker 1: The prems are all over the place. It's based South Africa, PREM, Oh,

1869
01:21:34,400 --> 01:21:36,960
Speaker 1: Mexico City, PREM, that's sick La, New York.

1870
01:21:37,000 --> 01:21:39,120
Speaker 3: Will you get to go to all of them because

1871
01:21:39,120 --> 01:21:44,200
Speaker 3: I will be working. You're the apartment, the apartments talking

1872
01:21:44,240 --> 01:21:44,759
Speaker 3: about itself.

1873
01:21:44,880 --> 01:21:47,160
Speaker 1: I can go to world, which is okay. Actually world

1874
01:21:47,280 --> 01:21:50,360
Speaker 1: is Lund, World is Lond. World is world. Prem is Lond.

1875
01:21:50,439 --> 01:21:52,519
Speaker 1: That's made that feels really right for some reason.

1876
01:21:52,560 --> 01:21:53,880
Speaker 3: And you're gonna wear something so nice?

1877
01:21:54,160 --> 01:21:56,360
Speaker 1: Yeah, who knows? I don't. I don't know yet. Do

1878
01:21:56,439 --> 01:21:59,519
Speaker 1: you think you'll wear pink or green? I will probably

1879
01:21:59,560 --> 01:22:02,720
Speaker 1: wear paint. I will wear green for one thing, mm hmm.

1880
01:22:03,280 --> 01:22:06,160
Speaker 1: But yeah, I'm like, I'm Glinda's little gay and so I.

1881
01:22:06,960 --> 01:22:09,719
Speaker 2: I guess my question is do you think it's stepping

1882
01:22:09,800 --> 01:22:12,000
Speaker 2: on anyone's toes to wear one of their colors?

1883
01:22:12,080 --> 01:22:16,040
Speaker 1: No? Know what?

1884
01:22:16,840 --> 01:22:18,040
Speaker 3: How did you wear my color?

1885
01:22:18,840 --> 01:22:21,479
Speaker 1: I was actually just watching, like I think it was.

1886
01:22:21,560 --> 01:22:26,840
Speaker 1: Who was it? It was like some Glinda oh Ali

1887
01:22:26,960 --> 01:22:28,680
Speaker 1: Mousey who was in.

1888
01:22:30,280 --> 01:22:34,280
Speaker 2: Kimberlya Kimba. Oh god, the mom from Kimberly a Kimba

1889
01:22:34,280 --> 01:22:35,120
Speaker 2: who was incredible?

1890
01:22:36,000 --> 01:22:38,280
Speaker 1: Was she a Glinda? She was a Glinda Wow? And

1891
01:22:38,520 --> 01:22:39,879
Speaker 1: she was amazing.

1892
01:22:39,920 --> 01:22:42,519
Speaker 2: And I was watching her do popular and like I

1893
01:22:42,680 --> 01:22:45,840
Speaker 2: love watching these old like Broadway versions because so many

1894
01:22:45,880 --> 01:22:47,479
Speaker 2: of them find these little things. And she did this

1895
01:22:47,600 --> 01:22:50,759
Speaker 2: thing where she you know when Glinda is like ball gown.

1896
01:22:51,960 --> 01:22:54,880
Speaker 2: She goes ball gown. She goes ball gown. It doesn't work,

1897
01:22:54,920 --> 01:23:00,120
Speaker 2: and she goes ball gown. And I was like, I've

1898
01:23:00,120 --> 01:23:02,920
Speaker 2: never seen that choice. I was like, love that choice.

1899
01:23:03,120 --> 01:23:07,719
Speaker 1: Just just make a choice. Theaters back, thank god, exasperated, frustrated,

1900
01:23:07,800 --> 01:23:09,080
Speaker 1: Just make a choice. A choice.

1901
01:23:09,120 --> 01:23:12,640
Speaker 3: I don't know, guys, guys.

1902
01:23:13,320 --> 01:23:15,680
Speaker 2: Speaking of choices. Yeah, now we're making have to make

1903
01:23:15,720 --> 01:23:17,920
Speaker 2: the choice. I don't think so, honey. I know because

1904
01:23:17,960 --> 01:23:20,560
Speaker 2: it's two forty and we did know this would be

1905
01:23:20,600 --> 01:23:23,080
Speaker 2: one of those episodes that went LNG and we were right.

1906
01:23:23,280 --> 01:23:25,559
Speaker 2: But that's good because it's your time back. And now,

1907
01:23:25,640 --> 01:23:28,040
Speaker 2: speaking of time, this is a segment that we do

1908
01:23:28,160 --> 01:23:30,960
Speaker 2: that uses sixty seconds of time to get something across that.

1909
01:23:31,120 --> 01:23:34,800
Speaker 3: Oh god, oh god, did you forget on the way here.

1910
01:23:34,800 --> 01:23:37,680
Speaker 3: I was trying to think of things, and it was like, yeah, it.

1911
01:23:37,760 --> 01:23:39,280
Speaker 1: Is what it is. That's what it is. You're gonna

1912
01:23:39,280 --> 01:23:42,080
Speaker 1: come up with something, fucking brill We gotta go, you go, no, no,

1913
01:23:42,479 --> 01:23:45,559
Speaker 1: because we got text message saying that Cat's gotta go downtown. Okay,

1914
01:23:45,880 --> 01:23:47,679
Speaker 1: oh dude, we okay, we gotta go downtown.

1915
01:23:48,720 --> 01:23:49,479
Speaker 3: I have an interview.

1916
01:23:49,640 --> 01:23:52,840
Speaker 1: Oh all right, I'll go, Okay, this is Matt Rodters.

1917
01:23:52,840 --> 01:23:54,439
Speaker 1: I don't think so, honey. His time starts now. I

1918
01:23:54,439 --> 01:23:55,200
Speaker 1: don't think so, honey.

1919
01:23:55,200 --> 01:23:57,160
Speaker 2: Everyone in my DMS when I did my end of

1920
01:23:57,200 --> 01:23:59,240
Speaker 2: summer post, being like, actually, summer ends on.

1921
01:23:59,280 --> 01:24:01,760
Speaker 1: Sometimes I'm like, you know what, Yeah, you've had three

1922
01:24:01,800 --> 01:24:02,200
Speaker 1: months of it.

1923
01:24:02,400 --> 01:24:04,519
Speaker 2: You've had actually probably more than it if you're a

1924
01:24:04,600 --> 01:24:06,320
Speaker 2: gay guy, because I know you, and I know that

1925
01:24:06,360 --> 01:24:09,040
Speaker 2: your summer probably started in the middle of May. It

1926
01:24:09,120 --> 01:24:12,080
Speaker 2: definitely started a Memorial Day weekend this summer. It happened.

1927
01:24:12,600 --> 01:24:16,400
Speaker 2: There are four seasons. It was June, July August that summer.

1928
01:24:16,520 --> 01:24:18,680
Speaker 2: That is a quarter of the year you had it,

1929
01:24:19,080 --> 01:24:20,200
Speaker 2: So Labor Day happened.

1930
01:24:20,400 --> 01:24:21,040
Speaker 1: I'm sorry.

1931
01:24:21,120 --> 01:24:24,320
Speaker 2: Girls like I understand that the calendar says like summer continues,

1932
01:24:24,960 --> 01:24:26,679
Speaker 2: It's not really going to continue.

1933
01:24:26,760 --> 01:24:27,280
Speaker 1: Go outside.

1934
01:24:27,720 --> 01:24:29,519
Speaker 2: Hate to say it, but look at this. Look at

1935
01:24:29,560 --> 01:24:32,120
Speaker 2: my friend. Look at what she's wearing. Swearing a goddamn sweater,

1936
01:24:32,320 --> 01:24:34,920
Speaker 2: and that's out of necessity. It's freezing out there. It

1937
01:24:35,080 --> 01:24:37,640
Speaker 2: is the nip in the air, the bite in the air.

1938
01:24:37,720 --> 01:24:41,240
Speaker 2: I welcome the bite. Call me shioky stackhouse, bitch, bite

1939
01:24:41,439 --> 01:24:44,680
Speaker 2: the neck. Put a K nine teeth in the sun.

1940
01:24:44,880 --> 01:24:45,679
Speaker 1: In my neck.

1941
01:24:46,880 --> 01:24:50,479
Speaker 2: Suck me dry because if you can, because the summer

1942
01:24:50,560 --> 01:24:52,400
Speaker 2: already fucking has it's over.

1943
01:24:52,760 --> 01:24:55,439
Speaker 1: Gays, get out the DMS. Labor day has come, it's gone.

1944
01:24:55,600 --> 01:24:58,600
Speaker 1: It's fall and onnute and you're gonna be happy. Just

1945
01:24:58,720 --> 01:25:00,840
Speaker 1: calm down, It's okay. Is that the end of the world.

1946
01:25:00,920 --> 01:25:03,519
Speaker 2: The defensiveness of me posting that end of summer? I

1947
01:25:03,560 --> 01:25:04,960
Speaker 2: was like me and summer twenty twenty four, and it

1948
01:25:05,080 --> 01:25:06,800
Speaker 2: was a vital video of me driving in the water.

1949
01:25:07,600 --> 01:25:10,559
Speaker 2: It's not They're like, it's not over, it's there's still

1950
01:25:10,600 --> 01:25:13,040
Speaker 2: three more weeks of summer. I'm like that number four.

1951
01:25:13,160 --> 01:25:14,160
Speaker 3: People are very sick.

1952
01:25:14,200 --> 01:25:16,960
Speaker 1: People are very sick. Imagine not having had enough of

1953
01:25:17,000 --> 01:25:20,160
Speaker 1: summer twenty twenty four. We had plenty, A lot happened,

1954
01:25:20,160 --> 01:25:21,080
Speaker 1: we could. We're cooked.

1955
01:25:21,240 --> 01:25:22,280
Speaker 3: Yeah, we had a good chunk.

1956
01:25:22,800 --> 01:25:26,439
Speaker 1: All right, cat's gotta go right. So this is Bowen Yanks.

1957
01:25:26,560 --> 01:25:28,040
Speaker 1: I don't think so many his time starts now. I

1958
01:25:28,040 --> 01:25:33,080
Speaker 1: don't think someoney chimp crazy. I think this documentary is

1959
01:25:33,200 --> 01:25:35,360
Speaker 1: false advertising. You think it's gonna be funn you think

1960
01:25:35,360 --> 01:25:37,760
Speaker 1: it's gonna be Tiger King vibes, same people who did

1961
01:25:37,800 --> 01:25:41,360
Speaker 1: Tiger King. It is so upsetting. There is actually there's

1962
01:25:41,400 --> 01:25:45,240
Speaker 1: trigger warnings for flashing strobe lights cool, no problem. No

1963
01:25:45,439 --> 01:25:50,960
Speaker 1: trigger warning for the crazy, bloody, violent things that are

1964
01:25:51,080 --> 01:25:54,599
Speaker 1: depicted in the show that are documented that show multiple

1965
01:25:54,720 --> 01:25:59,320
Speaker 1: chimps ripping off chunks of flesh from multiple people, usually women.

1966
01:26:00,040 --> 01:26:02,840
Speaker 1: This subculture of they talk about this, the subculture of

1967
01:26:02,840 --> 01:26:06,240
Speaker 1: almost exclusively women raising these chimps like their babies is

1968
01:26:06,720 --> 01:26:10,280
Speaker 1: so fucked. We need to do something about this. Tanya

1969
01:26:10,360 --> 01:26:14,360
Speaker 1: Haddocks is must be stopped if she is a liar.

1970
01:26:14,560 --> 01:26:17,160
Speaker 1: She pulled a Robert Durst. That was even worse because

1971
01:26:17,200 --> 01:26:21,080
Speaker 1: she's she admitted to the thing while the camera's war role.

1972
01:26:21,160 --> 01:26:22,879
Speaker 1: It was. It wasn't like she went to the bathroom

1973
01:26:22,920 --> 01:26:25,799
Speaker 1: and bed. And I'm like, this is such an upsetting documentary.

1974
01:26:25,840 --> 01:26:27,280
Speaker 1: And of course I'm in too deep with that and

1975
01:26:27,320 --> 01:26:29,120
Speaker 1: I have to finish this one more episode. But it's

1976
01:26:29,600 --> 01:26:33,959
Speaker 1: terribly upsetting. Animal the exotic animal community is sick. Carney's

1977
01:26:33,960 --> 01:26:36,600
Speaker 1: circus people, I'm sorry, I support you in theory, but

1978
01:26:36,920 --> 01:26:39,439
Speaker 1: the vibe, the culture around what you guys do is

1979
01:26:39,720 --> 01:26:44,160
Speaker 1: really upsetting. And Missouri changed the laws anyway, that's that

1980
01:26:44,400 --> 01:26:45,719
Speaker 1: is that is shock.

1981
01:26:46,840 --> 01:26:48,760
Speaker 2: I mean, honestly, there was We were on the plane

1982
01:26:48,800 --> 01:26:51,040
Speaker 2: the other day coming back from Toronto, and I looked

1983
01:26:51,080 --> 01:26:53,400
Speaker 2: over because Bowen was just every now and then he

1984
01:26:53,439 --> 01:26:55,599
Speaker 2: would just make a sound at the iPod like oh.

1985
01:26:56,800 --> 01:26:59,160
Speaker 2: And I looked over and literally what I saw without

1986
01:26:59,240 --> 01:27:01,320
Speaker 2: seeing any sound because I haven't gotten to watch it yet,

1987
01:27:01,360 --> 01:27:01,720
Speaker 2: but I will.

1988
01:27:02,200 --> 01:27:07,000
Speaker 1: Unfortunately, was really harrowing, so fun like you see blood.

1989
01:27:07,280 --> 01:27:09,400
Speaker 1: This is Netflix, HBO.

1990
01:27:10,680 --> 01:27:11,240
Speaker 3: Can I watched this?

1991
01:27:11,600 --> 01:27:14,240
Speaker 1: Well, they've been on fire with the upsetting doc No

1992
01:27:14,600 --> 01:27:15,000
Speaker 1: what else?

1993
01:27:16,640 --> 01:27:19,640
Speaker 3: Oh, my favorite. That was the best thing I've ever

1994
01:27:19,640 --> 01:27:22,200
Speaker 3: seen in my life. Mother, God, Mother, God, these are

1995
01:27:22,200 --> 01:27:22,719
Speaker 3: my tools.

1996
01:27:23,000 --> 01:27:26,599
Speaker 1: Alcohol on marijuana, Okay, Taco salad, galactic taco salad, Wicked

1997
01:27:26,640 --> 01:27:28,320
Speaker 1: b ts r A in her Gandy's favorite documentary. She

1998
01:27:28,400 --> 01:27:30,520
Speaker 1: can do another God impression. She can do the unimpressions

1999
01:27:30,560 --> 01:27:32,880
Speaker 1: of the girls who are like, yes, Mother God would

2000
01:27:32,920 --> 01:27:33,560
Speaker 1: like wish.

2001
01:27:35,400 --> 01:27:36,040
Speaker 3: Team of hotties.

2002
01:27:36,200 --> 01:27:39,719
Speaker 1: Yes, I mean they're all gorgeous, dirty, dirty, dirty people.

2003
01:27:40,000 --> 01:27:45,160
Speaker 3: They were just At one point, podcast described Kristen Dody's

2004
01:27:45,160 --> 01:27:48,599
Speaker 3: boyfriend as father Multiverse coded and I was like crying

2005
01:27:48,720 --> 01:27:51,920
Speaker 3: tears of laughter. Okay, I'm scared.

2006
01:27:52,120 --> 01:27:54,800
Speaker 1: No, don't don't be afraid, you are don't be afraid legend.

2007
01:27:54,960 --> 01:27:57,360
Speaker 1: I'm not. It's the wizards who should be afraid of me.

2008
01:27:58,000 --> 01:28:02,840
Speaker 1: Is this helping you? This is Catherine Cohens. I don't

2009
01:28:02,840 --> 01:28:04,479
Speaker 1: think so, honey. Her time starts now.

2010
01:28:04,800 --> 01:28:06,920
Speaker 3: I don't think so, honey. The style, that's the way.

2011
01:28:06,960 --> 01:28:09,479
Speaker 3: The style is right now. It's not looking good. Hey,

2012
01:28:09,600 --> 01:28:12,200
Speaker 3: this style looks very bad. There's no carpet anymore. Bring

2013
01:28:12,280 --> 01:28:12,880
Speaker 3: it back the carpet.

2014
01:28:12,920 --> 01:28:13,960
Speaker 1: I want carpet. I want warm.

2015
01:28:14,080 --> 01:28:16,439
Speaker 3: I want a nice palm. I want carpet on the floor.

2016
01:28:16,439 --> 01:28:18,400
Speaker 3: I want a restaurant where it's not so screaming loud.

2017
01:28:18,400 --> 01:28:20,400
Speaker 3: I want curtains that are lushed. This building I hate

2018
01:28:20,439 --> 01:28:22,720
Speaker 3: this building. I walk in, they're screaming at me. Everything's hard,

2019
01:28:22,760 --> 01:28:24,639
Speaker 3: everything's cold. I go to I go to a hotel.

2020
01:28:24,760 --> 01:28:27,599
Speaker 3: There's not a single bathtub in sight. A shower made

2021
01:28:27,640 --> 01:28:29,320
Speaker 3: of part of a door. There's a tower on me.

2022
01:28:29,400 --> 01:28:31,639
Speaker 3: There's water, water without a door, water without a door.

2023
01:28:31,680 --> 01:28:32,960
Speaker 1: I don't want water with a door. I want.

2024
01:28:33,080 --> 01:28:35,439
Speaker 3: I need the style to change. Because the stilt. Everything

2025
01:28:35,479 --> 01:28:37,960
Speaker 3: looks like a ship. Everything looks like an old everything

2026
01:28:38,040 --> 01:28:40,080
Speaker 3: looks like a new ship. And that's what I need.

2027
01:28:40,160 --> 01:28:43,920
Speaker 3: Things that are old. I want coziness. I want sconces.

2028
01:28:44,240 --> 01:28:47,040
Speaker 3: Give me a sony, stupid bitch. I want art on

2029
01:28:47,080 --> 01:28:49,200
Speaker 3: the walls that isn't like the word Paris. Come on,

2030
01:28:49,960 --> 01:28:51,400
Speaker 3: this style has to change. I don't think it want

2031
01:28:51,439 --> 01:28:52,880
Speaker 3: of the style. I don't think it's one of the style.

2032
01:28:52,960 --> 01:28:54,720
Speaker 3: Make it warm, make it, give it character. I want

2033
01:28:54,720 --> 01:28:57,360
Speaker 3: to England. The buildings are old, they are beautiful. Everything

2034
01:28:57,400 --> 01:28:59,439
Speaker 3: here is a new hideous. I don't think so. I

2035
01:28:59,479 --> 01:29:02,639
Speaker 3: don't think. I don't need don't I need the style

2036
01:29:02,760 --> 01:29:03,759
Speaker 3: that's really changed.

2037
01:29:05,080 --> 01:29:07,760
Speaker 1: I thought I thought DoD you felt modern tonight. Now

2038
01:29:07,800 --> 01:29:10,120
Speaker 1: you're wanting all fucking old ship.

2039
01:29:10,680 --> 01:29:13,600
Speaker 3: I need the style. Ad minute. If you go to

2040
01:29:13,640 --> 01:29:21,840
Speaker 3: a hotel, it's hideous. Where I live here, a Bowerie

2041
01:29:21,880 --> 01:29:24,160
Speaker 3: is the only hotel that's like doing it.

2042
01:29:24,560 --> 01:29:25,760
Speaker 1: And an old ship.

2043
01:29:25,800 --> 01:29:28,280
Speaker 3: Wait, hold on, sorry, everything's everything's like a new ship,

2044
01:29:28,320 --> 01:29:29,800
Speaker 3: like a new ship. I mean it. She looks like

2045
01:29:29,800 --> 01:29:32,519
Speaker 3: an old ship, but everything everything's good. No, sorry, not

2046
01:29:32,560 --> 01:29:34,519
Speaker 3: an old ship, not a new ship, a cruise ship.

2047
01:29:34,960 --> 01:29:38,760
Speaker 1: You don't like modern aesthetics, you think no.

2048
01:29:39,080 --> 01:29:42,639
Speaker 3: I think modern aesthetics, when done right, are unlovely gorgeous.

2049
01:29:42,680 --> 01:29:45,200
Speaker 3: But so rarely are they done right to really, so

2050
01:29:45,360 --> 01:29:47,200
Speaker 3: so often they're done out of necessity because of the

2051
01:29:47,240 --> 01:29:50,479
Speaker 3: price point, not out of like a choice artistically of course,

2052
01:29:50,600 --> 01:29:51,200
Speaker 3: of course.

2053
01:29:51,439 --> 01:29:53,799
Speaker 1: Well, the interior designers are listening.

2054
01:29:54,040 --> 01:29:56,840
Speaker 3: Yes, I just think everywhere I go, when I try

2055
01:29:56,880 --> 01:29:58,840
Speaker 3: to get to the hotel room and I'm like, there's

2056
01:29:58,880 --> 01:30:03,120
Speaker 3: no bathteb that's there's no like lush curtains. Everything is

2057
01:30:03,160 --> 01:30:06,040
Speaker 3: like gray and like everything's gray and flat.

2058
01:30:06,320 --> 01:30:08,240
Speaker 1: You and Brice should do a staycation at Hotel Chelsea.

2059
01:30:08,320 --> 01:30:09,800
Speaker 1: You'll be so happy. Oh yeah, I don't want to

2060
01:30:09,840 --> 01:30:13,400
Speaker 1: go everywhere. And carpets are tough for me.

2061
01:30:13,520 --> 01:30:15,360
Speaker 3: No carpets. Also they mute the sound, so you're having

2062
01:30:15,720 --> 01:30:17,720
Speaker 3: you're gonna have an intimate conversation when there's carpet in

2063
01:30:18,080 --> 01:30:20,400
Speaker 3: time and into my time. I hate that I'm running late.

2064
01:30:20,600 --> 01:30:24,519
Speaker 1: Okay, we got to go. This was beautiful and brilliant

2065
01:30:24,560 --> 01:30:26,400
Speaker 1: and we are just see you tomorrow.

2066
01:30:26,520 --> 01:30:30,400
Speaker 3: Sometimes we're doing We're doing this time tomorrow is coming

2067
01:30:30,400 --> 01:30:32,679
Speaker 3: out tomorrow. It's so funny, it's coming out. I'm laughing.

2068
01:30:32,880 --> 01:30:33,400
Speaker 1: I'm laughing.

2069
01:30:33,560 --> 01:30:35,799
Speaker 3: I'm laughing. So you just know that when we recorded

2070
01:30:35,840 --> 01:30:38,080
Speaker 3: this it was just yesterday, So it's not that different

2071
01:30:38,120 --> 01:30:38,439
Speaker 3: than it is.

2072
01:30:39,840 --> 01:30:41,760
Speaker 1: All it could be could be come for me is

2073
01:30:41,760 --> 01:30:44,639
Speaker 1: out October seventeen. Please God, watch it, please God.

2074
01:30:44,720 --> 01:30:47,120
Speaker 3: Here's what I'll say. It's on a streaming service called

2075
01:30:47,200 --> 01:30:48,680
Speaker 3: veepspea check it.

2076
01:30:48,760 --> 01:30:53,960
Speaker 1: Out period, an announcement coming soon only mirrors in the

2077
01:30:54,000 --> 01:30:54,680
Speaker 1: building and now.

2078
01:30:54,920 --> 01:30:57,360
Speaker 3: And if you haven't seen my first special, it's on Netflix.

2079
01:30:57,400 --> 01:30:59,600
Speaker 3: It's called The Twisty's Gorgeous. So watch that as a

2080
01:30:59,600 --> 01:31:02,559
Speaker 3: little as a palette cleanser, as a little as an appurtude.

2081
01:31:02,560 --> 01:31:04,040
Speaker 3: That's why I meant the one before. Yeah, And then

2082
01:31:04,120 --> 01:31:06,920
Speaker 3: dive into the new October seventeenth, my new special Comphy.

2083
01:31:06,920 --> 01:31:07,519
Speaker 3: There's a full band.

2084
01:31:07,920 --> 01:31:09,400
Speaker 1: Oh oh my god.

2085
01:31:09,400 --> 01:31:12,840
Speaker 3: That's we shot at the Grammarcy Theater. I love and

2086
01:31:12,880 --> 01:31:14,880
Speaker 3: I have new custom jumpsuit's unbelievable stock.

2087
01:31:14,920 --> 01:31:15,439
Speaker 1: Oh my god.

2088
01:31:15,960 --> 01:31:17,559
Speaker 3: I'm very proud of it. So it's harder to access

2089
01:31:17,640 --> 01:31:19,439
Speaker 3: than Netflix, but we can do it together.

2090
01:31:19,760 --> 01:31:23,400
Speaker 2: But you know what, sometimes it's the climb and that

2091
01:31:23,439 --> 01:31:25,080
Speaker 2: actually reminds me of a song. And that's the way

2092
01:31:25,120 --> 01:31:26,360
Speaker 2: that we're going to end this episode.

2093
01:31:27,840 --> 01:31:35,080
Speaker 3: The bagapp Bye, okay, bye everyone, love you.

2094
01:31:36,720 --> 01:31:38,360
Speaker 1: Blat of Culture Reach. This is the production by Will

2095
01:31:38,400 --> 01:31:41,120
Speaker 1: Ferrell's Big Money Players and I Heart Radio Podcasts, created

2096
01:31:41,160 --> 01:31:44,400
Speaker 1: and hosted by Matt Rodgers and Bowen Yang executive produced

2097
01:31:44,400 --> 01:31:47,679
Speaker 1: by Anna Hasnier and Hans Soni, Produced by Becker Ramos,

2098
01:31:47,880 --> 01:31:50,280
Speaker 1: edited mixed by Doug Bam and Manila Board and our

2099
01:31:50,360 --> 01:31:51,880
Speaker 1: music is by Henry Koberski