WEBVTT - Mini Crush #84

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>We're rolling? Are we rolling? Oh? We're rolling? Rolland rolland

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<v Speaker 1>rolland role? Is this the show? Might we might as

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<v Speaker 1>well be? Do I even need to introduce us? Is

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<v Speaker 1>this how we do it? Now? Isn't we've become We've

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<v Speaker 1>got lazy? Hello? Everyone, Welcome to Movie Crush. The Mini

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<v Speaker 1>Crush edition minis Crush. So, Noel, you got on a

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<v Speaker 1>Weird Tales shirted and then you said you got it

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<v Speaker 1>at dragon Con Dragon to tell me about your great

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<v Speaker 1>dragon Con, And I, like I usually do, put a

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<v Speaker 1>sock in your mouth. You put it right in there

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<v Speaker 1>until those mics were on. Let's hear about your looks

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<v Speaker 1>deceptively like a sock. Though it's weird, there's like a

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<v Speaker 1>sock on the mic. First of all, some people might

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<v Speaker 1>not even know nol. What is dragon Con. It's like

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<v Speaker 1>the comic Con of the South. I guess, yeah, I mean,

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<v Speaker 1>but but but it leans really heavily into Yeah, it's

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<v Speaker 1>less corporate, and it leans really heavily into the cosplay

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<v Speaker 1>aspect of it. Like that's I think I think it's

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<v Speaker 1>it's the one for that. Yeah, I mean, of course,

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<v Speaker 1>comic cons are. Yeah, But I went to New York

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<v Speaker 1>Comic Con and I remember being nonplussed by the quality

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<v Speaker 1>of the costumes. Now is that big? It's it's ridiculous.

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<v Speaker 1>The one I'm not sure. I mean, Dragon Con is

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<v Speaker 1>well known for the parade that happens. Is it on

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<v Speaker 1>Memorial or a Labor Day or the day before? Is

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<v Speaker 1>it's Sunday your mother day before Saturday? Oh it's Saturday Saturday. Okay,

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<v Speaker 1>because we went one year and I loved it. Uh,

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<v Speaker 1>And I hate to be that guy now. But oh

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<v Speaker 1>the crowds, the crowd it's hard to these days. It's yeah,

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<v Speaker 1>the crowds are instead year old. You got to keep unleash.

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<v Speaker 1>It's an absolute crush. And so I have a ten

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<v Speaker 1>year old, as you may or may not know. I know,

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<v Speaker 1>you know with the listening audience, may not I do,

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<v Speaker 1>I do. You've met her, chuck, you know this don't

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<v Speaker 1>be koy um. But she went full bore into cosplay

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<v Speaker 1>this year. She's in the anime now and there's this

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<v Speaker 1>really popular show called My Hero Academia um and she

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<v Speaker 1>picked this one kind of villainous character and dressed up

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<v Speaker 1>as her, and she took it the extra mile. Because

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<v Speaker 1>there were a lot of kids dressed up as this

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<v Speaker 1>costume and this as a character. But she had all

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<v Speaker 1>these extra accessories that were kind of optional. We built them. No,

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<v Speaker 1>it wasn't human blood, but that she has this kind

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<v Speaker 1>of neck like neck brace looking thing that has vampire

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<v Speaker 1>teeth on it, and we cut it out of blue

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<v Speaker 1>felt and then cut the teeth out of foam and

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<v Speaker 1>you know, hot gluten on there. And then we made

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<v Speaker 1>her a little ninja mask with like little tubes on

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<v Speaker 1>it because she's a vampire and has to have blood

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<v Speaker 1>coursing through these tubes. And we just cut off little

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<v Speaker 1>pieces of like water bottle straws, you know, the bendy ones,

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<v Speaker 1>and then spray painted them gray and howk glued them

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<v Speaker 1>onto this ninja mask hot glue, baby, Oh man, it's hot,

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<v Speaker 1>it's glooy, and it's crafty. It's really crafty. But she

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<v Speaker 1>did most of the work and people just kept stopping

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<v Speaker 1>to take I want to take pictures with her. So

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<v Speaker 1>she felt like a million bucks. She won wonderful comic con. Yeah,

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<v Speaker 1>I can't wait for that kind of stuff. And the

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<v Speaker 1>character's name is Hemikotoga and people kept calling her tiny

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<v Speaker 1>Toga that's multiple people called her that it was just

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<v Speaker 1>a great day for dad and child. Yeah, and that

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<v Speaker 1>was the first half of the day. It was me

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<v Speaker 1>and her and my old friend Harry from my hometown

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<v Speaker 1>of Augusta came to visit, and I went to a

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<v Speaker 1>strip club. Well no, we also had my daughters, one

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<v Speaker 1>of my daughter's good friends and her dad, and we

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<v Speaker 1>all did the comic con thing, sorry, the dragon Con thing,

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<v Speaker 1>and then took them home and then me and Harry

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<v Speaker 1>came back out and went to like adult stuff and

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<v Speaker 1>saw shows and you know, went to parties and stuff.

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<v Speaker 1>Have you heard of the band Bit Brigade, Chuck? Uh?

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<v Speaker 1>No is it? Is it one of those uh chip tunes? No,

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<v Speaker 1>it's not. So. It's an offshoot of a kind of

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<v Speaker 1>a math rock speed metal band called Cinemachanic, who are

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<v Speaker 1>from Athens. And what these guys do Bit Brigade is

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<v Speaker 1>they cover the soundtracks to classic video games while someone

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<v Speaker 1>speed beats the game live on stage and they play

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<v Speaker 1>along with the game and it syncd up perfectly to

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<v Speaker 1>everything that's happening in real time. Kill me, but great.

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<v Speaker 1>It's the coolest thing ever. They did Mega Man too,

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<v Speaker 1>all the little boss fights all the little stage songs

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<v Speaker 1>everything was that has a lot to do with it. Yeah,

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<v Speaker 1>but but there's something for everybody because you can get

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<v Speaker 1>fascinated by how like perfectly this guy beats the game.

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<v Speaker 1>The music is great. They're kind of like mettled up

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<v Speaker 1>versions of the songs. You know, I had pac Man Fever,

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<v Speaker 1>that's all I had. Well, they couldn't do pac Man.

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<v Speaker 1>They could do pac Man because if you think about it,

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<v Speaker 1>a lot of those like kind of midi you know,

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<v Speaker 1>chip tune things are pretty baroque because a lot going on.

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<v Speaker 1>It's a lot of like are peggiated kind of business,

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<v Speaker 1>you know. So yeah, it's real music. Yeah, it's very

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<v Speaker 1>good stuff. Very much enjoyed it. How many days are

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<v Speaker 1>you there? Just the one just did Saturday? Just Saturday. Yeah,

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<v Speaker 1>we something like fifteen miles tracked it, you know, on

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<v Speaker 1>the on the app or whatever. Yeah. So did you

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<v Speaker 1>have passes and stuff so you could get in everyone? Yeah,

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<v Speaker 1>we just had. We just about the one day passed,

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<v Speaker 1>but that was that was plenty. People to do with

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<v Speaker 1>the whole four days, five days or whatever. I can't

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<v Speaker 1>even imagine. Sly like literally they need more power, more power.

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<v Speaker 1>Energy drinks is what they call that. That's great. No,

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<v Speaker 1>I was bummed because I, you know, tend to go

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<v Speaker 1>away on Labor Day weekend, so I miss a lot

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<v Speaker 1>of the high jinks now. And one thing I really

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<v Speaker 1>miss is my good pal Janet Varney uh and her

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<v Speaker 1>wonderful partner Brandon who all over the Instagram stories. I

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<v Speaker 1>don't get to see him every year. They're coming to

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<v Speaker 1>Atlanta now and I haven't gotten to see them. And

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<v Speaker 1>not only that, but worked use improv who is who

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<v Speaker 1>I was able to perform with? And Max fun con with,

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<v Speaker 1>how Lubin and uh Gagliardi in the Gang. They were

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<v Speaker 1>all here performing and so how is on Facebook sin

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<v Speaker 1>it out pictures of Fox Brothers and like all these

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<v Speaker 1>restaurants near me, and I was so mad that I

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<v Speaker 1>wasn't here to hang and get interviews with us. Were

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<v Speaker 1>you out of town? Yeah? I was in Uh. I

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<v Speaker 1>mean it was great. We did shows of course Boston

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<v Speaker 1>and Portland, Maine, and then the family came up. That's right,

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<v Speaker 1>I knew my spent the weekend in May. That's right,

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<v Speaker 1>by the way, it's been amazing. Yeah, you see Stephen

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<v Speaker 1>King ridiculous? Do you see Rose Matter? Can you watched

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<v Speaker 1>The Clown, but that was in Dairy. That's that's in

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<v Speaker 1>Maine as well. Uh. It's a weird, cool, awesome place. Yeah.

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<v Speaker 1>Like I had a movie idea when I was there.

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<v Speaker 1>I was like, man, I need to write me and

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<v Speaker 1>I had another movie idea this morning. I'm flowing with

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<v Speaker 1>ideas and I love that. M all right. Speaking of ideas,

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<v Speaker 1>we're going to the just put on his glasses. That

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<v Speaker 1>was a That was a move right there. That was

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<v Speaker 1>a move. Got this chair, I'm sinking. How do you

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<v Speaker 1>keep this from You Gotta pull the lever and then

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<v Speaker 1>your lift your butt up at the same time. I've

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<v Speaker 1>never been a fan of the chair that just dips back.

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<v Speaker 1>When you know you can also lock it, there's like

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<v Speaker 1>a lock and loaded baby. All right. We're going with

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<v Speaker 1>a bunch of social studies guys, social studies movie because

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<v Speaker 1>I had some good ideas from some of you on

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<v Speaker 1>the movie crush page when I asked for for ideas

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<v Speaker 1>a couple of weeks ago. And I'm using some of

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<v Speaker 1>that stuff, but also just thought of some other stuff.

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<v Speaker 1>And we're gonna go with favorite book adaptation followed by

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<v Speaker 1>worst Book adaptation. And this had a lot of engagement

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<v Speaker 1>because people, you know how it is with these books

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<v Speaker 1>and old people get very these books. You know, you

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<v Speaker 1>know these You read a great book and it's so like,

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<v Speaker 1>uh so much more rich than a movie ever can, right,

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<v Speaker 1>And it's a personal thing. You cast it in your

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<v Speaker 1>brain and then a movie comes out and rarely, dare

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<v Speaker 1>I say, rarely is it great? Great? And they nail

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<v Speaker 1>it right. Well, it's just one of those things too.

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<v Speaker 1>Sometimes maybe they get one of the casting bits right.

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<v Speaker 1>You're like, I can see that that looks sort of

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<v Speaker 1>like my imaginary character that I have been picturing in

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<v Speaker 1>my mind, you know, these many years since a big

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<v Speaker 1>part of it casting, you know, it really is, and

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<v Speaker 1>it can really make or break it, for it can

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<v Speaker 1>even make or break it for someone to even take

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<v Speaker 1>the plunge of even bothering seeing the thing, because people

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<v Speaker 1>just like that, Are you kidding me? No, I refuse boycotted,

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<v Speaker 1>you know, like seriously. All right, so we're gonna go

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<v Speaker 1>through these uh We'll start with will uh guitarists Perks

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<v Speaker 1>of being a wallflower fantastic capture the heart of the book,

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<v Speaker 1>and that was sort of the follow up question was like,

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<v Speaker 1>you know, you really got to capture the spirit of

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<v Speaker 1>the book. I think more than anything that in casting

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<v Speaker 1>two biggest deals, Old pal John Millstap says a Lord

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<v Speaker 1>of the Rings. He says, sorry, Chuck, but he said

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<v Speaker 1>they did an amazing, amazing job of capturing the fantasy

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<v Speaker 1>of the world that Tolkien created. I think so, yeah,

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<v Speaker 1>I totally agree with And you know, Peter Jackson is

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<v Speaker 1>a lifer Tolkien fan. I mean, he treated that material.

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<v Speaker 1>He'd been thinking, he'd been dreaming this up. You know,

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<v Speaker 1>his whole life probably was dead alive thinking about when

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<v Speaker 1>he could work up totally, man, I mean, I mean,

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<v Speaker 1>you're joking, but I really do think that, like this

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<v Speaker 1>was something that was in his heart and in his

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<v Speaker 1>mind the whole time. I don't think it's great he

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<v Speaker 1>got to realize his vision in such a way. I

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<v Speaker 1>really do. And when I saw that shire for the

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<v Speaker 1>first time, I was like, it reminded me of childhood love.

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<v Speaker 1>That I deal is though I just didn't read all

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<v Speaker 1>that stuff, so I didn't have that connection. Yeah, and

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<v Speaker 1>that's an interesting one. That's a really interesting point, Chuck,

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<v Speaker 1>because you didn't enjoy it just on its own merits.

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<v Speaker 1>You weren't a fan of the book. So you didn't

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<v Speaker 1>even have that skin in the game, and then you

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<v Speaker 1>just weren't into it as a movie either. I mean

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<v Speaker 1>I beg on it a lot. The first one is okay.

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<v Speaker 1>It's not like I stumped out of there and said

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<v Speaker 1>I hated it. I just thought they were there was

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<v Speaker 1>just too much of it all. It was just too long.

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<v Speaker 1>It's a lot. All of it was a lot. It's

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<v Speaker 1>a lot of material, and if you're not a big

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<v Speaker 1>fan of the thing, it's just a lot to sit through.

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<v Speaker 1>You know, as a medium fan, you're you're not. You

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<v Speaker 1>never really were like a D and D guy, you know.

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<v Speaker 1>I tried to play D and D and I never

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<v Speaker 1>fully got into it, but I tried because it was

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<v Speaker 1>such a cultural phenomenon in the mid eighties. Like I bought,

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<v Speaker 1>I had the book and stuff, but I don't know,

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<v Speaker 1>it's always too much work for me, probably sort of

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<v Speaker 1>the way you tried to read the Lord of the

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<v Speaker 1>Rings books and just kind of gave up because it

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<v Speaker 1>wasn't for you, believe it or not. I was an

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<v Speaker 1>outdoor kid, like I was outside shooting basketball instead of

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<v Speaker 1>and jumping my bikes. I was not an indoor kid.

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<v Speaker 1>D and D kid No, I don't think that things

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<v Speaker 1>have to be mutually exclusive, though a lot of times

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<v Speaker 1>they are, maybe so, maybe so, not always though, you're right,

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<v Speaker 1>but my mom was never like, oh, put that thing

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<v Speaker 1>down and go out, and you know, put down that

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<v Speaker 1>twelve side and died, Chuck and go Radja bike. I

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<v Speaker 1>grew up in the woods, man. I grew up on

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<v Speaker 1>a couple of acres with like a creek, like you know,

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<v Speaker 1>we were in nature. I wasn't in a neighborhood. That

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<v Speaker 1>would have been a big difference. Being a neighborhood, you

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<v Speaker 1>got kids all over the place, come over and play

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<v Speaker 1>D and D live on a cul de sac, you know,

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<v Speaker 1>I've got I wanted to live in a call this

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<v Speaker 1>sex so bad? It funny? Alright, Tina Achiever Old Pal

0:11:05.160 --> 0:11:08.080
<v Speaker 1>A Time to Kill probably the best book adaptation I've seen,

0:11:09.600 --> 0:11:13.720
<v Speaker 1>or Old Pal, Vanessa Lopez Master and Commander Vanessa. You

0:11:13.760 --> 0:11:16.600
<v Speaker 1>were speaking my language? Do you ever see that one? No? No,

0:11:16.800 --> 0:11:19.319
<v Speaker 1>you you're saying you're for it. Oh it's so great.

0:11:19.840 --> 0:11:22.079
<v Speaker 1>I mean I didn't read the books, um so I'm

0:11:22.080 --> 0:11:24.880
<v Speaker 1>just facing it on the movie. But I don't see

0:11:24.920 --> 0:11:28.040
<v Speaker 1>how how anyone could have been disappointed in that as

0:11:28.160 --> 0:11:30.200
<v Speaker 1>as a fan of the books. This is a Russell

0:11:30.280 --> 0:11:34.560
<v Speaker 1>Crowe vehicle. Yes, yes, really really good. Is he the

0:11:34.600 --> 0:11:38.800
<v Speaker 1>Master and the Commander? Are those two different characters? Master

0:11:38.960 --> 0:11:42.720
<v Speaker 1>or commander? Oldest of pal Zack pointerss fight Club did

0:11:42.720 --> 0:11:46.880
<v Speaker 1>a good job? Yeah, I read that book. Um, you

0:11:46.920 --> 0:11:48.920
<v Speaker 1>know I'm gonna do Fight Club with Maddie. I know,

0:11:49.000 --> 0:11:51.440
<v Speaker 1>he told me. And that's the our series is going

0:11:51.480 --> 0:11:54.120
<v Speaker 1>to be hit movies with Maddie because people love the

0:11:54.160 --> 0:11:57.000
<v Speaker 1>Matrix so much, because I think it was just so

0:11:57.040 --> 0:11:58.920
<v Speaker 1>many people have seen and loved that film. So I

0:11:58.960 --> 0:12:01.120
<v Speaker 1>was like, let's just do some big movies, hit movies.

0:12:02.360 --> 0:12:05.120
<v Speaker 1>Movie Club was a hit movie. I'd argue a minor

0:12:05.240 --> 0:12:07.720
<v Speaker 1>hit though, chuck minor hit. It wasn't a blockbuster, But

0:12:07.720 --> 0:12:10.960
<v Speaker 1>it's not called blockbusters with Maddie. It's called hit movies

0:12:11.000 --> 0:12:12.840
<v Speaker 1>with that. It's pretty good. And you know, we've talked

0:12:12.840 --> 0:12:14.600
<v Speaker 1>about this to a fight Club, a movie that kind

0:12:14.640 --> 0:12:18.600
<v Speaker 1>of has not aged well for some let us say

0:12:18.840 --> 0:12:21.800
<v Speaker 1>in terms of it's uh, it's a display of what

0:12:21.880 --> 0:12:25.120
<v Speaker 1>they now referred to as toxic masculinity. Um, and it's

0:12:25.200 --> 0:12:27.640
<v Speaker 1>very much a thing that's that proto kind of in

0:12:27.800 --> 0:12:31.360
<v Speaker 1>cell culture on display in that movie for sure. Well,

0:12:31.360 --> 0:12:32.800
<v Speaker 1>I'm kind of bummed. I'm not gonna be a part

0:12:32.800 --> 0:12:34.800
<v Speaker 1>of it. Chuck, you can sit in you want to know,

0:12:35.000 --> 0:12:37.760
<v Speaker 1>we can round. Maybe we're doing it like now, No,

0:12:37.920 --> 0:12:40.760
<v Speaker 1>it's it's scheduled for a couple of weeks. Let's talk

0:12:40.800 --> 0:12:43.920
<v Speaker 1>because that's boring. Um, maybe we should start a series

0:12:43.960 --> 0:12:48.200
<v Speaker 1>tent poles with nol Knowles Knowles tent Pole Holes. That's

0:12:48.240 --> 0:12:53.040
<v Speaker 1>also on the Playboy channel with No God Old Frand

0:12:53.080 --> 0:12:56.240
<v Speaker 1>Dan Maynard says The Martian. If they tried to fit

0:12:56.280 --> 0:12:57.800
<v Speaker 1>the whole book in, it would have been too much.

0:12:58.200 --> 0:12:59.959
<v Speaker 1>They did a great job of finding the middle ground.

0:13:00.160 --> 0:13:03.440
<v Speaker 1>It's also very keen. All you gotta you gotta know

0:13:03.480 --> 0:13:05.000
<v Speaker 1>what to put in the movie and what to leave

0:13:05.000 --> 0:13:07.520
<v Speaker 1>out of the movie. That is so important editing one

0:13:07.520 --> 0:13:09.400
<v Speaker 1>oh one Chuck, Yeah, but I mean with a book,

0:13:09.400 --> 0:13:11.559
<v Speaker 1>you can never put it all in there. Yeah, you

0:13:11.600 --> 0:13:14.200
<v Speaker 1>gotta really find the right stuff. Oh, for sure, because

0:13:14.200 --> 0:13:16.000
<v Speaker 1>how many times have you left the book the film

0:13:16.000 --> 0:13:19.000
<v Speaker 1>meditation of a book thinking, I can't believe they didn't

0:13:19.000 --> 0:13:21.720
<v Speaker 1>even like, they just left out this whole subplot. Yeah,

0:13:21.760 --> 0:13:24.679
<v Speaker 1>there's a character famously left out of the Lord of

0:13:24.720 --> 0:13:27.480
<v Speaker 1>the Rings movie. Tom Bomba Dill, who was like a

0:13:27.480 --> 0:13:30.439
<v Speaker 1>fan favorite character. People were very upset about that. I

0:13:30.480 --> 0:13:32.160
<v Speaker 1>don't know. I didn't read books either. Chucks. I don't

0:13:32.160 --> 0:13:34.040
<v Speaker 1>even know why people liked him so much, but he

0:13:34.080 --> 0:13:36.240
<v Speaker 1>was apparently some reason. I just loved the movie. I

0:13:36.280 --> 0:13:38.000
<v Speaker 1>just like I enjoyed the movies very much. I was

0:13:38.040 --> 0:13:40.720
<v Speaker 1>a Peter Jackson fan, so I liked I liked his work.

0:13:40.720 --> 0:13:41.960
<v Speaker 1>I liked what he did with them. I thought they

0:13:41.960 --> 0:13:43.880
<v Speaker 1>were they were cool movies. I'm a fan of his two.

0:13:44.880 --> 0:13:48.480
<v Speaker 1>He cares a lot about his work. Let me see here.

0:13:49.160 --> 0:13:54.520
<v Speaker 1>Chris Previl says, Princess Bride hands down. I don't I think. Yeah,

0:13:54.559 --> 0:13:56.800
<v Speaker 1>we talked about that with Molly Coffee, about the fact

0:13:56.800 --> 0:13:58.280
<v Speaker 1>that that was a book, But I don't think I

0:13:58.320 --> 0:14:03.000
<v Speaker 1>knew that previously. Try Alis Martin Acre says, Shawshank completely

0:14:03.080 --> 0:14:06.760
<v Speaker 1>nailed it. I kind of forgot about that that was

0:14:06.920 --> 0:14:10.240
<v Speaker 1>Stephen King and it was a short story, right, which

0:14:10.400 --> 0:14:13.120
<v Speaker 1>which kind of means that they were able to include

0:14:13.160 --> 0:14:16.160
<v Speaker 1>almost everything if you think about it. Because I ever

0:14:16.200 --> 0:14:17.920
<v Speaker 1>read A bet you a bet, it was pretty close.

0:14:17.920 --> 0:14:20.480
<v Speaker 1>It's very close if I remember correctly. All I'm saying

0:14:20.560 --> 0:14:23.080
<v Speaker 1>is like, if you're adapting a giant, thousand page book

0:14:23.120 --> 0:14:25.000
<v Speaker 1>or something like that, you're gonna have to pick and choose.

0:14:25.000 --> 0:14:28.040
<v Speaker 1>But if you're just adapting, you know, a hundred pages

0:14:28.160 --> 0:14:31.040
<v Speaker 1>or even fifty pages into a film, you can kind

0:14:31.040 --> 0:14:34.400
<v Speaker 1>of pick at all. Sure that's a good idea. Jonathan

0:14:34.440 --> 0:14:37.600
<v Speaker 1>Cooley says Jurassic Park, hands down. He loved the book

0:14:38.120 --> 0:14:42.040
<v Speaker 1>and the movie changed everything. Oldest of friends Bennett Duckworth

0:14:42.080 --> 0:14:46.040
<v Speaker 1>says the Green Mile. Another Rachel Corston old pal says

0:14:46.440 --> 0:14:48.640
<v Speaker 1>Princess bride starting to get a lot of love here.

0:14:49.920 --> 0:14:54.720
<v Speaker 1>Interesting mother night. John wilds, I have seen that. I

0:14:54.800 --> 0:14:56.520
<v Speaker 1>think I forgot that was a Kurt vonn to get

0:14:56.560 --> 0:15:00.120
<v Speaker 1>jam It's right, Nick Nolsey and Alan Arkin. Yes, now

0:15:00.120 --> 0:15:03.160
<v Speaker 1>you're absolutely right. Yeah that I need to read that.

0:15:04.200 --> 0:15:06.640
<v Speaker 1>Oh boy, I loved reading her comments because her name

0:15:06.640 --> 0:15:10.040
<v Speaker 1>is Jenne van Valen, so close um the two strong

0:15:10.120 --> 0:15:14.760
<v Speaker 1>as she says, our cuckoo's nest and mockingbird kill a

0:15:14.800 --> 0:15:17.720
<v Speaker 1>mockingbird one fit of the cuckoosness and to kill a

0:15:17.800 --> 0:15:22.000
<v Speaker 1>mong bird. Yeah, hard to argue. Great adaptations. Oh here

0:15:22.000 --> 0:15:24.320
<v Speaker 1>we go, No old James G. Woodbeck for your unloading

0:15:24.360 --> 0:15:27.400
<v Speaker 1>in Las Vegas. I gotta say that was a favorite

0:15:27.400 --> 0:15:29.040
<v Speaker 1>book of mine, and I did not think it was

0:15:29.120 --> 0:15:31.000
<v Speaker 1>possible to make that to a movie. I mean, is

0:15:31.040 --> 0:15:33.840
<v Speaker 1>it is the book more stream of consciousness? Ee kind

0:15:33.880 --> 0:15:36.280
<v Speaker 1>of and it's it's really the same. I mean the

0:15:36.360 --> 0:15:40.880
<v Speaker 1>voiceover is from the book, and um, it's just more

0:15:41.320 --> 0:15:46.040
<v Speaker 1>Hunter s Thompson goodness, more detail, more interior monologue. Right,

0:15:46.280 --> 0:15:49.040
<v Speaker 1>it's great. Another one the movie was really really good.

0:15:49.040 --> 0:15:51.600
<v Speaker 1>I think another one that's in that psychedelic camp is

0:15:51.920 --> 0:15:55.360
<v Speaker 1>Naked Lunch by William S. Burrows, who you know famously.

0:15:55.960 --> 0:15:57.800
<v Speaker 1>That's just really all over the place and stream of

0:15:57.800 --> 0:15:59.760
<v Speaker 1>consciousness and like I think he was even doing some

0:16:00.120 --> 0:16:03.680
<v Speaker 1>up experiment where he would just like do random things

0:16:03.720 --> 0:16:05.760
<v Speaker 1>and cut them up and put them together for parts

0:16:05.800 --> 0:16:07.720
<v Speaker 1>of it. Uh. And so that movie, you know, the

0:16:07.720 --> 0:16:10.040
<v Speaker 1>Cronenberg movie, I think is is very takes a lot

0:16:10.040 --> 0:16:12.360
<v Speaker 1>of creative license because the material is just so bad.

0:16:13.440 --> 0:16:15.200
<v Speaker 1>I mean, it was still crazy, but you gotta make

0:16:15.240 --> 0:16:19.920
<v Speaker 1>it into something entertaining somehow, which is tough. Yeah, And

0:16:19.960 --> 0:16:22.320
<v Speaker 1>we've talked about I did an episode with you where

0:16:22.320 --> 0:16:26.640
<v Speaker 1>we talked about adaptation. That's a movie about adapting books,

0:16:26.920 --> 0:16:29.960
<v Speaker 1>and it adapted a book called The Orchard Thief that

0:16:30.040 --> 0:16:33.960
<v Speaker 1>was a much more straight. It was what I think,

0:16:33.960 --> 0:16:35.600
<v Speaker 1>it's like a New Yorker piece, right, it was based

0:16:35.600 --> 0:16:37.560
<v Speaker 1>on it was a book. It was the book was

0:16:37.560 --> 0:16:40.000
<v Speaker 1>based on the New Yorker piece. And then Susan Susan

0:16:40.080 --> 0:16:43.520
<v Speaker 1>Leon um what's her name? That was close if I

0:16:43.560 --> 0:16:46.560
<v Speaker 1>felt wasn't quite right at forgive me um, but Susan Orlean.

0:16:46.720 --> 0:16:51.000
<v Speaker 1>Susan Orlean then adapts her New Yorker piece into a book,

0:16:51.160 --> 0:16:54.400
<v Speaker 1>which is what Charlie Kaufman was paid to adapt, and

0:16:54.440 --> 0:16:56.280
<v Speaker 1>he can't figure out how to do it right, so

0:16:56.360 --> 0:16:59.640
<v Speaker 1>he makes a weird sub kind of meta like psychedelic

0:16:59.720 --> 0:17:01.240
<v Speaker 1>journey thing, which I love. It was our movie, No,

0:17:01.600 --> 0:17:04.840
<v Speaker 1>it was. Benjamin Johnson says, No Country for Old Men.

0:17:05.720 --> 0:17:10.080
<v Speaker 1>I one thousand percent degree. That was one of the

0:17:10.119 --> 0:17:13.240
<v Speaker 1>best adaptations I've ever seen and had some really nailing

0:17:13.280 --> 0:17:16.639
<v Speaker 1>it great polls, great like direct dialogue polls from the

0:17:17.040 --> 0:17:19.320
<v Speaker 1>you know, the line about carrying the fire and a

0:17:19.359 --> 0:17:21.920
<v Speaker 1>horn and all that stuff. And then just classic Corman

0:17:22.000 --> 0:17:25.840
<v Speaker 1>McCarthy is like a biblical writer. He writes with this

0:17:26.040 --> 0:17:28.560
<v Speaker 1>bravado that you you just can't file. Have you ever

0:17:28.640 --> 0:17:31.959
<v Speaker 1>read Um Blood Meridian? I have? That's the one they

0:17:31.960 --> 0:17:35.879
<v Speaker 1>say is like unfilmable, right, because it's just so bonkers

0:17:35.880 --> 0:17:39.040
<v Speaker 1>in terms of like how epic everything is so violently

0:17:39.160 --> 0:17:42.760
<v Speaker 1>and the Indian attacks, the all that stuff. It's rough.

0:17:43.480 --> 0:17:46.719
<v Speaker 1>Another vote for Cormac McCarthy, but the Road that's from

0:17:46.800 --> 0:17:52.080
<v Speaker 1>Steve Madrid. Yeah, man, Cormack McCarthy is a pretty good

0:17:52.080 --> 0:17:55.320
<v Speaker 1>track record now that they think about it, of adaptations

0:17:55.640 --> 0:17:59.199
<v Speaker 1>working out good stuff. So we didn't get through that

0:17:59.200 --> 0:18:02.520
<v Speaker 1>many everyone, but there are several hundred comments. I encourage

0:18:02.560 --> 0:18:06.199
<v Speaker 1>you to go to the Facebook post and interact because

0:18:06.359 --> 0:18:09.480
<v Speaker 1>you're all always so great, and there were there was

0:18:09.520 --> 0:18:12.440
<v Speaker 1>a post on the movie Crusher's page just about how

0:18:12.720 --> 0:18:16.040
<v Speaker 1>how everyone loves this community. No, it's a good one.

0:18:16.520 --> 0:18:21.280
<v Speaker 1>We talked about it here kind supportive people disagree very respectfully.

0:18:21.280 --> 0:18:24.320
<v Speaker 1>Of course. Best case scenario you want to have discourse.

0:18:24.320 --> 0:18:27.439
<v Speaker 1>You want to be able to disagree as we never agree.

0:18:27.880 --> 0:18:32.440
<v Speaker 1>And still that's not true. See we disagree. He set

0:18:32.480 --> 0:18:42.880
<v Speaker 1>me up for that one, chuck all right, followed by

0:18:43.000 --> 0:18:48.360
<v Speaker 1>worst adaptation, totally did not get the book, spirit, bad casting,

0:18:48.640 --> 0:18:52.840
<v Speaker 1>you name it. Jonathan Cooley says Ready Player one really

0:18:52.880 --> 0:18:56.520
<v Speaker 1>loved the book, hated the movie. Matthew Oliver says Ready

0:18:56.520 --> 0:18:58.880
<v Speaker 1>Player one there's a lot of people doing that. Uh.

0:18:58.920 --> 0:19:02.439
<v Speaker 1>Stacy Margaret Jones as Wrinkling Time was terrible. It was

0:19:02.480 --> 0:19:05.200
<v Speaker 1>so bad. I haven't seen it about it heard as bad.

0:19:05.280 --> 0:19:07.760
<v Speaker 1>She refuses to watch because that was a very beloved book,

0:19:07.880 --> 0:19:11.480
<v Speaker 1>very important and people she almost did just for curiosity,

0:19:11.720 --> 0:19:14.040
<v Speaker 1>was like, no, I don't want to do it. I

0:19:14.040 --> 0:19:17.080
<v Speaker 1>think I mean to me, it was a combination of

0:19:17.119 --> 0:19:22.520
<v Speaker 1>just like the overly Sacharin earnestness of the performances and

0:19:23.080 --> 0:19:26.760
<v Speaker 1>a lot of bad c g. I. Yeah, it was

0:19:26.840 --> 0:19:29.919
<v Speaker 1>just not good and it was confusing kind of. It

0:19:29.960 --> 0:19:32.720
<v Speaker 1>was like, what what is this? I don't understand? And

0:19:32.760 --> 0:19:34.560
<v Speaker 1>the book would have made it much more clear. I

0:19:34.600 --> 0:19:36.719
<v Speaker 1>haven't read the book either, but it would have made

0:19:36.760 --> 0:19:39.280
<v Speaker 1>it much more clear. It would have really immersed you

0:19:39.320 --> 0:19:42.439
<v Speaker 1>in that world. It made you understand it internally, as

0:19:42.480 --> 0:19:45.440
<v Speaker 1>opposed to shoving a bunch of c g I butterflies

0:19:45.440 --> 0:19:46.359
<v Speaker 1>in front of you know what I mean, Like it

0:19:46.359 --> 0:19:49.440
<v Speaker 1>just it just did not do the trick for sure. Yeah, totally.

0:19:49.880 --> 0:19:52.359
<v Speaker 1>How do you miss something like that up that bad?

0:19:52.960 --> 0:19:56.399
<v Speaker 1>Well it's hard just a colossal yeah, colossal failure on

0:19:56.520 --> 0:19:58.240
<v Speaker 1>every level. But I mean it's the same with those

0:19:58.240 --> 0:20:01.159
<v Speaker 1>stupid Alice in Wonderland movies that that that Tim Burton did.

0:20:01.280 --> 0:20:03.600
<v Speaker 1>I think those are awful. Yeah, they're not good. You know,

0:20:04.040 --> 0:20:08.760
<v Speaker 1>it's too much trying to cram this visual pastiche at

0:20:08.800 --> 0:20:11.560
<v Speaker 1>you as opposed to like giving you a story that

0:20:11.720 --> 0:20:15.720
<v Speaker 1>actually is meaningful. You know, my friend worked on on

0:20:15.800 --> 0:20:19.639
<v Speaker 1>The Wrinkling Time. He's the one that hung up the

0:20:19.640 --> 0:20:23.040
<v Speaker 1>green screen. No, I'm not even gonna say where she

0:20:23.080 --> 0:20:25.000
<v Speaker 1>worked because I don't want to out her as anything

0:20:26.000 --> 0:20:28.280
<v Speaker 1>because she did not have a very good experience on it.

0:20:28.320 --> 0:20:31.000
<v Speaker 1>And it is no wonder it sucked. Yeah, it was

0:20:31.040 --> 0:20:35.680
<v Speaker 1>not a good production. Noope, troubled bad because that director too,

0:20:36.000 --> 0:20:41.280
<v Speaker 1>of Advorne. She she had made this you know, historical

0:20:42.520 --> 0:20:45.480
<v Speaker 1>like you know, period piece about Selma, which people seem

0:20:45.520 --> 0:20:48.760
<v Speaker 1>to really like. But I gotta wonder going from that

0:20:48.880 --> 0:20:52.639
<v Speaker 1>to a big set piece fantasy thing, is that a

0:20:52.680 --> 0:20:55.199
<v Speaker 1>little a little bit of a jump, like they're two

0:20:55.240 --> 0:20:58.440
<v Speaker 1>different kinds of things. I don't see how directors um.

0:20:58.480 --> 0:21:01.000
<v Speaker 1>I think it's a very it's a big time skill

0:21:01.080 --> 0:21:03.680
<v Speaker 1>to be able to direct C G. I S friends. Yeah,

0:21:03.920 --> 0:21:05.639
<v Speaker 1>you know, you really gotta because when you see the

0:21:05.640 --> 0:21:09.200
<v Speaker 1>sets of all these people in there, what are the

0:21:09.240 --> 0:21:14.560
<v Speaker 1>suits called little dots on them or whatever, uh, in

0:21:14.600 --> 0:21:17.080
<v Speaker 1>front of green screens, Like it's tough. And for the

0:21:17.119 --> 0:21:19.680
<v Speaker 1>actors too, Like I think it hats off to anyone

0:21:19.720 --> 0:21:21.480
<v Speaker 1>that can really perform like that, just to keep a

0:21:21.480 --> 0:21:23.680
<v Speaker 1>straight face, not crack up at the fact that you're

0:21:23.680 --> 0:21:26.200
<v Speaker 1>supposed to be emoting at this weird dude and platform

0:21:26.280 --> 0:21:29.040
<v Speaker 1>shoes and like covering so much out of the wardrobe

0:21:29.040 --> 0:21:31.960
<v Speaker 1>in this in the set, and like feeling like you're

0:21:32.000 --> 0:21:35.000
<v Speaker 1>in the moment. It's true, that's really hard. Our oldest

0:21:35.000 --> 0:21:38.720
<v Speaker 1>of friends, Adam Pellettier, This is the Dark Tower, dear God,

0:21:38.760 --> 0:21:43.000
<v Speaker 1>the Dark Tower. So disappointing. Yeah, I didn't see that.

0:21:43.119 --> 0:21:45.359
<v Speaker 1>Seemed really rushed whatever whatever they did with it. I

0:21:45.359 --> 0:21:47.639
<v Speaker 1>didn't see it either because I just I just didn't

0:21:47.640 --> 0:21:49.640
<v Speaker 1>look good. I heard it wasn't good. But they are

0:21:50.200 --> 0:21:52.720
<v Speaker 1>doing it properly as a mini series, as they always

0:21:52.720 --> 0:21:55.359
<v Speaker 1>should have done, you know, at least with the IT movies.

0:21:55.400 --> 0:21:57.040
<v Speaker 1>Say what you will about them, at least they made

0:21:57.040 --> 0:21:59.400
<v Speaker 1>two movies. I'm looking forward to the other one. Yeah,

0:21:59.480 --> 0:22:01.480
<v Speaker 1>did you first one I thought was just just fine,

0:22:01.520 --> 0:22:03.240
<v Speaker 1>enjoyed it. Didn't see that. I didn't read the book,

0:22:03.240 --> 0:22:05.280
<v Speaker 1>but I really like the movie fun. It was good,

0:22:05.600 --> 0:22:09.720
<v Speaker 1>well done, very fucking scary. Stephanie Mecklenburg Old Palace as

0:22:09.720 --> 0:22:13.880
<v Speaker 1>Time Traveler's wife, the whole movie was a mess, even

0:22:13.920 --> 0:22:17.320
<v Speaker 1>though she loves Eric Bana. How do you pronounce that

0:22:17.440 --> 0:22:21.879
<v Speaker 1>bana Banna? Yeah, I don't know. I didn't know if

0:22:21.880 --> 0:22:27.399
<v Speaker 1>it was a little uh, just Eric b Banna. Joe,

0:22:27.520 --> 0:22:33.359
<v Speaker 1>he's missing out. He should be at Ekabanya exactly, says

0:22:33.800 --> 0:22:38.280
<v Speaker 1>Cloud Atlas from Joe Burns. Yeah, that movie gets panned.

0:22:38.400 --> 0:22:39.840
<v Speaker 1>That's so weird one because I know some people that

0:22:39.920 --> 0:22:41.840
<v Speaker 1>really liked it. They say it's weird, but they're like,

0:22:41.880 --> 0:22:43.680
<v Speaker 1>but it was kind of you gotta get past, get

0:22:43.720 --> 0:22:46.200
<v Speaker 1>past it. It's pretty cool with voice thing. I think,

0:22:46.240 --> 0:22:48.879
<v Speaker 1>like Tom Hanks, everyone had these weird accents and voices.

0:22:49.080 --> 0:22:52.480
<v Speaker 1>Was really kind of hard to get past. Yeah, Ken

0:22:52.480 --> 0:22:55.119
<v Speaker 1>Herbert says, the shining awesome movie, but the book is

0:22:55.160 --> 0:22:57.639
<v Speaker 1>so much better. That's just one where the book is

0:22:57.720 --> 0:23:00.200
<v Speaker 1>very different. The movie is the movie the book, because

0:23:00.240 --> 0:23:02.520
<v Speaker 1>the book they're two different kind of works of art. Yeah,

0:23:02.560 --> 0:23:06.159
<v Speaker 1>two different things. Old pal Vanessa Cashman agrees about the

0:23:06.200 --> 0:23:09.919
<v Speaker 1>Time Traveler's wife. T J. Danny says, Running with Scissors

0:23:11.720 --> 0:23:14.880
<v Speaker 1>wonderful book turned into a hateful, terribly acted bore uh

0:23:14.920 --> 0:23:18.000
<v Speaker 1>t J. I disagree. I enjoyed Running with Scissors the

0:23:18.000 --> 0:23:22.119
<v Speaker 1>book in the movie. Yeah maybe, I don't know. I

0:23:22.200 --> 0:23:24.199
<v Speaker 1>liked it. Not familiar, it wasn't the best thing ever,

0:23:24.240 --> 0:23:25.960
<v Speaker 1>but I thought it was pretty good. It's good. It's

0:23:25.960 --> 0:23:29.320
<v Speaker 1>like a memoir. I can't remember who wrote it, but um,

0:23:29.520 --> 0:23:31.959
<v Speaker 1>good film. Family thing isn't their family? And yeah, it's

0:23:32.000 --> 0:23:33.679
<v Speaker 1>like a set in the seventies about a boy and

0:23:33.720 --> 0:23:37.000
<v Speaker 1>his kind of crazy parents. Um, his mom is always like,

0:23:37.000 --> 0:23:40.720
<v Speaker 1>you better not run with those scissors, I think coming

0:23:40.760 --> 0:23:44.440
<v Speaker 1>in terms of this sexuality, I liked it Ender's Game

0:23:44.640 --> 0:23:49.240
<v Speaker 1>from Vanessa Lopez. Total disaster. Uh. Kerry mcquad says, a

0:23:49.240 --> 0:23:56.560
<v Speaker 1>Wrinkle in Time, the Hobbit from Old pal Kala mh. Yeah. Weird,

0:23:56.720 --> 0:23:58.800
<v Speaker 1>weird choice to make it three movies for like a

0:23:58.800 --> 0:24:01.080
<v Speaker 1>pretty short book. I think even big fans of that

0:24:01.119 --> 0:24:03.760
<v Speaker 1>whole thing, uh, kind of had a hard time with

0:24:03.800 --> 0:24:06.920
<v Speaker 1>that for sure, for sure. I mean, was it nine hours?

0:24:07.119 --> 0:24:11.120
<v Speaker 1>Was it three hours? Yeah? Which is you would yeah exactly,

0:24:11.119 --> 0:24:12.760
<v Speaker 1>because I mean the thing is like you know, The

0:24:12.760 --> 0:24:15.159
<v Speaker 1>Lord of the Rings movies are long, but those are

0:24:15.200 --> 0:24:16.719
<v Speaker 1>long books and there's a lot of them, and this

0:24:16.760 --> 0:24:18.359
<v Speaker 1>one was like a short book that was kind of

0:24:18.359 --> 0:24:20.800
<v Speaker 1>written for children more more than the others. I think

0:24:20.880 --> 0:24:22.840
<v Speaker 1>the Hobbit was I think more like a fantasy like

0:24:22.880 --> 0:24:25.720
<v Speaker 1>for kids almost. And they I think it must have

0:24:25.760 --> 0:24:30.160
<v Speaker 1>been studio meddlings. Things stretched the material and the waxen.

0:24:30.400 --> 0:24:33.440
<v Speaker 1>He shot it in that that hyper realistic Oh yeah,

0:24:33.440 --> 0:24:37.119
<v Speaker 1>they they think they it was just a higher frame rate. Um,

0:24:37.160 --> 0:24:40.199
<v Speaker 1>it was. They exhibited it like that though in certain markets.

0:24:40.200 --> 0:24:42.280
<v Speaker 1>Oh yeah, and it's it's you know what it looks like.

0:24:42.560 --> 0:24:45.119
<v Speaker 1>It looks like that horrible motions moothing. Which have you

0:24:45.160 --> 0:24:47.960
<v Speaker 1>seen that? The thing? Um, A bunch of directors have

0:24:48.040 --> 0:24:51.200
<v Speaker 1>come out, I think, um, and they came up with

0:24:51.320 --> 0:24:56.600
<v Speaker 1>an algorithm to give him a filmmaker setting or filmmaker

0:24:56.760 --> 0:24:59.520
<v Speaker 1>mode or whatever, and it literally like you put it

0:24:59.520 --> 0:25:01.320
<v Speaker 1>on that mode it and it makes it as close

0:25:01.359 --> 0:25:05.280
<v Speaker 1>to the right frame rate and aspect ratio that filmmakers.

0:25:06.680 --> 0:25:10.040
<v Speaker 1>Because motion smoothing is the devil. It makes no sense

0:25:10.080 --> 0:25:12.200
<v Speaker 1>that it makes everything look like a like a stage

0:25:12.240 --> 0:25:14.879
<v Speaker 1>play or a weird soap operas and bizarre. The worst

0:25:15.400 --> 0:25:18.640
<v Speaker 1>old pal Joe bamb Gartner says, World War Z both

0:25:18.680 --> 0:25:21.280
<v Speaker 1>contain zombies and we're set on Earth. That's about where

0:25:21.320 --> 0:25:26.120
<v Speaker 1>the similarities end. I didn't read the book by Max Brooks,

0:25:26.400 --> 0:25:30.560
<v Speaker 1>Brooks's son, you know that, right, But I do know

0:25:30.800 --> 0:25:34.159
<v Speaker 1>that it was very, very different, because that's all everyone

0:25:34.200 --> 0:25:38.440
<v Speaker 1>talked about when it came out. Starship Troopers was a book.

0:25:38.480 --> 0:25:44.439
<v Speaker 1>Knull Steven L. Coconakos great name, he knew. What did

0:25:44.440 --> 0:25:47.600
<v Speaker 1>he think? He said, he loves Starship Troopers the book. Uh,

0:25:47.800 --> 0:25:50.119
<v Speaker 1>the only thing he likes about the movie was the

0:25:50.160 --> 0:25:52.480
<v Speaker 1>fact that it was so campy. Well that's what people

0:25:52.520 --> 0:25:56.160
<v Speaker 1>like about that movie, I think so, including him. Old

0:25:56.160 --> 0:26:00.520
<v Speaker 1>friend Mary Olsen says, I'm legend. Yeah, let's go through

0:26:00.520 --> 0:26:04.920
<v Speaker 1>a few more of these. Rob Jewett says Shane Terry

0:26:05.000 --> 0:26:09.000
<v Speaker 1>ca Hey, oklejo, excuse me. The Art of Racing in

0:26:09.000 --> 0:26:11.919
<v Speaker 1>the Rain. Brilliant book, mediocre film. I think that one

0:26:11.960 --> 0:26:14.760
<v Speaker 1>has just now come out. Yes, it does not look good.

0:26:14.840 --> 0:26:17.520
<v Speaker 1>I have not seen anything about it. No, Michael Reid

0:26:17.560 --> 0:26:21.879
<v Speaker 1>Bonfire to the Vanities. Yeah, that wasn't a very good movie. Um,

0:26:22.119 --> 0:26:26.760
<v Speaker 1>and we'll finish up here with Rachel mckeachen. One for

0:26:26.800 --> 0:26:32.359
<v Speaker 1>the Money, the absolute worst. Interesting prefer the sequel to

0:26:32.560 --> 0:26:37.360
<v Speaker 1>for the show. I love the third three to get

0:26:37.359 --> 0:26:40.560
<v Speaker 1>ready go ahead and I'll finish it, and then the

0:26:40.560 --> 0:26:44.080
<v Speaker 1>the the, then the of course the final chapter for

0:26:44.320 --> 0:26:47.240
<v Speaker 1>to go or to get Go to let Go Go Go. Okay,

0:26:47.960 --> 0:26:50.040
<v Speaker 1>oh boy, all right, we're gonna finish up with a

0:26:50.080 --> 0:26:53.200
<v Speaker 1>little fun bit and all about movie retitling. I think

0:26:53.240 --> 0:26:56.119
<v Speaker 1>you've seen this stuff online before, like where you change

0:26:56.160 --> 0:26:58.000
<v Speaker 1>one word of the movie changes it all, and it

0:26:58.080 --> 0:27:00.960
<v Speaker 1>changes it all. And the example I gave was not funny,

0:27:01.000 --> 0:27:03.600
<v Speaker 1>but it did sum it up. Raiders of the Lost Socks.

0:27:03.840 --> 0:27:06.280
<v Speaker 1>That's funny, Not really, I I find it. It's like

0:27:06.359 --> 0:27:08.760
<v Speaker 1>something it's a dad job. Yeah, I'm a dad though.

0:27:08.880 --> 0:27:11.960
<v Speaker 1>It's right. Good works on me, man. These are always

0:27:12.000 --> 0:27:14.960
<v Speaker 1>so good about three of these online, folks, So go

0:27:15.200 --> 0:27:18.679
<v Speaker 1>check them out. Megan Broils, Harry Potter and the Kidney Stone.

0:27:21.080 --> 0:27:25.280
<v Speaker 1>Martin Kidd fantastic breasts and where to find them? Is

0:27:25.280 --> 0:27:29.080
<v Speaker 1>that a beast? Yep? That's good. That's good, Martin Kidd.

0:27:29.080 --> 0:27:32.879
<v Speaker 1>The Coen Brothers take on Winnie the pooh Oh bother

0:27:33.560 --> 0:27:37.240
<v Speaker 1>where art thou very creative because that's what Winnie the

0:27:37.240 --> 0:27:38.600
<v Speaker 1>poo would say, right, You would say that when he

0:27:38.640 --> 0:27:41.080
<v Speaker 1>gets stuck in a hole in a tree or anything

0:27:41.119 --> 0:27:46.280
<v Speaker 1>goes wrong. Aaron Lee, the fashion of the Christ. Yeah,

0:27:46.840 --> 0:27:52.440
<v Speaker 1>Mike Dancy, how Harry pet Sally? Wait, isn't it when

0:27:52.560 --> 0:27:56.959
<v Speaker 1>Harry pet Salo? When Harry pett Sally and a lot

0:27:57.000 --> 0:28:00.240
<v Speaker 1>of these we're veering into like porn parody for a

0:28:00.240 --> 0:28:03.119
<v Speaker 1>lot of we should do one of those porn parities,

0:28:03.440 --> 0:28:08.240
<v Speaker 1>pulp friction, intercourse with the vampire. Yeah, we should just

0:28:08.280 --> 0:28:11.000
<v Speaker 1>totally do that. That's always fun. Have friends who do

0:28:11.080 --> 0:28:13.800
<v Speaker 1>like oscar parties where you have to submit your favorite

0:28:13.800 --> 0:28:18.040
<v Speaker 1>ones for all that years got nominations. Holly Lallas says

0:28:18.560 --> 0:28:23.480
<v Speaker 1>twenty seven seconds, Holly Lawless, Yeah, great name, that's fantastic. Yeah, Holly.

0:28:23.560 --> 0:28:27.080
<v Speaker 1>If you're not a bass player in a band like

0:28:27.160 --> 0:28:31.199
<v Speaker 1>a country Western, outlaw rock or punk as fuck, you know,

0:28:31.280 --> 0:28:33.880
<v Speaker 1>I don't know. Well that's true. Ye yeah, either way,

0:28:34.560 --> 0:28:36.120
<v Speaker 1>put his safety beIN through your nose and just make

0:28:36.119 --> 0:28:40.400
<v Speaker 1>it happen. I don't really do that. Eric Steadman says

0:28:40.640 --> 0:28:45.959
<v Speaker 1>Fast and Furious Presents, Calvin and Hobbs. Do you like that?

0:28:46.120 --> 0:28:52.239
<v Speaker 1>I get picture of that? Um let me see here.

0:28:52.320 --> 0:28:58.240
<v Speaker 1>Dan Maynard Old Friends says three men and a little mortgage.

0:28:58.640 --> 0:29:01.200
<v Speaker 1>You know that's the too far down the dad joke

0:29:01.560 --> 0:29:03.720
<v Speaker 1>rabbit hole for me. Yeah, but Dan's an old friend.

0:29:03.720 --> 0:29:06.200
<v Speaker 1>I know we can do better. Give him a chance.

0:29:06.240 --> 0:29:08.560
<v Speaker 1>We're counting on you. And that's it's a little mortgage

0:29:08.600 --> 0:29:14.000
<v Speaker 1>than what's the problem? Aaron m Rossino. The Texas Chainsaw Museum.

0:29:14.040 --> 0:29:17.960
<v Speaker 1>That's pretty good. That's pretty good. I don't know why

0:29:17.960 --> 0:29:23.080
<v Speaker 1>that one really gets me. I'm picturing it and who

0:29:23.120 --> 0:29:26.280
<v Speaker 1>asked for this? And be you know, like, what kind

0:29:26.280 --> 0:29:29.680
<v Speaker 1>of person goes to that? Is it just like the

0:29:29.720 --> 0:29:32.680
<v Speaker 1>history of chainsaws? Do I guarantee you there's a chainsaw

0:29:32.760 --> 0:29:34.880
<v Speaker 1>music think so yeah, look it up? All right? Um

0:29:35.080 --> 0:29:39.560
<v Speaker 1>of all of Baldo Braun says me myself, an iron Man.

0:29:40.360 --> 0:29:42.600
<v Speaker 1>It's the Avengers, but iron Man played by Jim Carey

0:29:42.680 --> 0:29:46.080
<v Speaker 1>with split personality. And also it's the villain. Hey, that's

0:29:46.080 --> 0:29:49.000
<v Speaker 1>actually not bad. It's crazy. Um. There actually is a

0:29:49.080 --> 0:29:54.280
<v Speaker 1>chainsaw museum and it's Main. I missed it, noll. It's

0:29:54.280 --> 0:29:57.880
<v Speaker 1>called the Alley Gash Chainsaw Museum. Oh God, Main is

0:29:57.880 --> 0:30:04.160
<v Speaker 1>so wonderful. Because of logging in the Alagash region. John

0:30:04.200 --> 0:30:09.840
<v Speaker 1>Whitefield says that the Texas chainsaw accident whoops. Nick Kelly

0:30:09.880 --> 0:30:15.280
<v Speaker 1>says Avengers Infinity scarf or Infinity pool that would work

0:30:15.320 --> 0:30:19.200
<v Speaker 1>as well. Oh sure, uh, George Anderson Close Encounters of

0:30:19.200 --> 0:30:22.760
<v Speaker 1>the third Grade. I'm surprised that's not a movie about,

0:30:22.800 --> 0:30:25.320
<v Speaker 1>you know, coming of age elementary school thing. I wrote

0:30:25.320 --> 0:30:27.440
<v Speaker 1>a movie like that once in all that should have

0:30:27.520 --> 0:30:33.720
<v Speaker 1>called it that. Yeah, you know, I called ITYM what

0:30:34.200 --> 0:30:36.400
<v Speaker 1>it's about a bunch of like sixth graders elementary My

0:30:36.480 --> 0:30:42.520
<v Speaker 1>dear Watson, oldest friend, Stellen Carlson, three men, and an xbox.

0:30:43.920 --> 0:30:48.840
<v Speaker 1>Yeah you're talking about college, oh, oldest of friends now

0:30:48.960 --> 0:30:53.640
<v Speaker 1>Ethan Yavin. The Devil Wears not a I've I've always

0:30:53.640 --> 0:30:56.960
<v Speaker 1>seen the Devil picture to sort of a Genitalia lists red,

0:30:57.600 --> 0:31:01.760
<v Speaker 1>you know, creature. Sure, yeah, like a kindall very smooth

0:31:03.760 --> 0:31:07.760
<v Speaker 1>Brian long fear and loathing in Uranus. Let's see what

0:31:07.800 --> 0:31:11.320
<v Speaker 1>he did there? Alec? Oh God, why do I always

0:31:11.320 --> 0:31:13.760
<v Speaker 1>do this? Glasdovich? You know why? Is because you get

0:31:13.760 --> 0:31:15.400
<v Speaker 1>the sea at the end of your name. I always

0:31:15.440 --> 0:31:19.480
<v Speaker 1>call Alex Alec. I do it every single time. It

0:31:19.560 --> 0:31:21.920
<v Speaker 1>drives me crazy. I bet it drives him crazy too,

0:31:22.040 --> 0:31:27.120
<v Speaker 1>he says, et the extra tenderloin. That's pretty good. I

0:31:27.120 --> 0:31:30.480
<v Speaker 1>could do this all day. J Fraser Ferris Bueller's Day

0:31:30.520 --> 0:31:34.120
<v Speaker 1>in Chris Kid Bone in the Barbarian. Oh, I gotta

0:31:34.160 --> 0:31:36.360
<v Speaker 1>go back to fair because Fareris Bueler's Day in would

0:31:36.400 --> 0:31:38.880
<v Speaker 1>have meant no movie. Well that's true because he just

0:31:38.960 --> 0:31:42.800
<v Speaker 1>he stayed home. But but he he didn't have any adventures. Yeah,

0:31:42.880 --> 0:31:45.240
<v Speaker 1>but he did stay home from school. That was a

0:31:45.280 --> 0:31:48.280
<v Speaker 1>lot that was all lies, though he actually flew the

0:31:48.320 --> 0:31:50.480
<v Speaker 1>coop and was out there. The most boring movie would

0:31:50.480 --> 0:31:52.520
<v Speaker 1>be Ferris S. Bueler's Day in School There You Go,

0:31:52.760 --> 0:31:56.720
<v Speaker 1>which is awkwardly titled Nicole Park's One of Earl Palace's

0:31:56.760 --> 0:31:59.440
<v Speaker 1>Adventures in pet Sitting. What if we did matchups with

0:31:59.600 --> 0:32:03.040
<v Speaker 1>what if it was like Ferris Bueller's Day of the Dead. Oh,

0:32:03.080 --> 0:32:04.800
<v Speaker 1>that's fun too, that would have been cool. That's like

0:32:04.840 --> 0:32:08.360
<v Speaker 1>a Jeopardy thing. Yeah, before and after. I like that.

0:32:08.440 --> 0:32:10.480
<v Speaker 1>You should we should have someone write the stuff down

0:32:10.520 --> 0:32:16.120
<v Speaker 1>for us. Uh, Melinda Backayo our old friends has dial

0:32:16.160 --> 0:32:20.600
<v Speaker 1>in for Margharita's Hey I'm with you, that's my movie.

0:32:21.560 --> 0:32:24.600
<v Speaker 1>Emily makes a great Margarita and all you into him

0:32:24.640 --> 0:32:30.040
<v Speaker 1>of course. Yeah, it's so good, very minimal ingredients, just

0:32:30.120 --> 0:32:33.440
<v Speaker 1>like a fresh squeeze line. A little Gabe nectar to

0:32:33.600 --> 0:32:35.920
<v Speaker 1>take away that tart. That's what you do, and uh,

0:32:36.080 --> 0:32:38.280
<v Speaker 1>maybe a splash of oj and some really nice tequila.

0:32:38.320 --> 0:32:41.240
<v Speaker 1>We like that George Clooney stuff. By the way, I

0:32:41.240 --> 0:32:43.920
<v Speaker 1>want to recommend really quickly on that there's a documentary

0:32:44.600 --> 0:32:50.600
<v Speaker 1>called A Gave that if you are into mescal or tequila,

0:32:50.880 --> 0:32:56.160
<v Speaker 1>or you're into artisan um distilling, or if you were

0:32:56.200 --> 0:32:59.400
<v Speaker 1>into farming, or if you're into Mexico, or if you

0:32:59.480 --> 0:33:02.920
<v Speaker 1>into stories about family and respecting the earth and doing

0:33:02.960 --> 0:33:06.960
<v Speaker 1>the right thing ecologically, watch a highly recommended so good.

0:33:07.240 --> 0:33:10.280
<v Speaker 1>You can watch it on Delta. I'm taking um take

0:33:10.320 --> 0:33:12.880
<v Speaker 1>a Southwest this time. No, you don't have a kabe.

0:33:14.160 --> 0:33:18.240
<v Speaker 1>Jade Anna Rosenberg says, twelve bitchy men instead of twelve

0:33:18.280 --> 0:33:20.600
<v Speaker 1>angry men. All right, let's do a couple of more

0:33:20.600 --> 0:33:23.760
<v Speaker 1>of these our oldest to pals once again. Adam Pelatier,

0:33:24.080 --> 0:33:28.880
<v Speaker 1>Jason goes to Bed. That's a pretty boring movie. Cam

0:33:28.920 --> 0:33:34.560
<v Speaker 1>Barfield American Hysterectomy X. That's fine, you like that one, Yeah,

0:33:35.520 --> 0:33:38.600
<v Speaker 1>and let's finish it up here with a couple from

0:33:38.640 --> 0:33:44.800
<v Speaker 1>Cam Barfield Fishing Impossible and a time to grill. So

0:33:44.840 --> 0:33:47.600
<v Speaker 1>I think Cam is at the lake right now, yeah,

0:33:47.600 --> 0:33:50.479
<v Speaker 1>that's very very on brand for Labor Day. These are

0:33:50.520 --> 0:33:54.160
<v Speaker 1>all very fun. I enjoyed this. Smite club Noel, that's

0:33:54.160 --> 0:33:56.840
<v Speaker 1>not bad. It's that about God being upset and probably

0:33:56.880 --> 0:34:02.320
<v Speaker 1>so people from One World Friends Debbie uh, Frank Gadakas,

0:34:03.160 --> 0:34:04.960
<v Speaker 1>who looks like he's in a roller Derby. She's a

0:34:05.000 --> 0:34:07.520
<v Speaker 1>Derby girl. I love Derby girls. Love it. They're great,

0:34:08.120 --> 0:34:11.600
<v Speaker 1>so's my friend Debbie Ronka. All Right, that's it everyone.

0:34:12.840 --> 0:34:15.040
<v Speaker 1>This felt like a tight ish thirty. It was a

0:34:15.080 --> 0:34:35.600
<v Speaker 1>tight thirty five. Goodbye everyone. For more podcasts for my

0:34:35.680 --> 0:34:38.600
<v Speaker 1>heart Radio, visit the I heart Radio app, Apple Podcasts,

0:34:38.680 --> 0:34:40.480
<v Speaker 1>or wherever you listen to your favorite shows.