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Speaker 1: What's that at the Bed's spooky? Hey, Juky, I'm pretty

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Speaker 1: sure it's dead. It's coming this way. Wait a minute,

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Speaker 1: I said, I Los Nandas Police. Hey boo, it's me

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Speaker 1: Roz and welcome to Ghosted by Roz Hernandez, the podcast

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Speaker 1: where I talk to people that I like about the paranormal.

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Speaker 1: Kel Crepe is here today, and Kel is someone that

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Speaker 1: I know from doing comedy, you know, doing it real queer,

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Speaker 1: the queer comedy scene, I suppose of Los Angeles. That's

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Speaker 1: we've done a lot of shows together, and Kel has

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Speaker 1: been popping off per particularly because of this one so cute,

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Speaker 1: so funny clip where they go scram look it up,

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Speaker 1: You'll see what I'm talking about. It's great and just

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Speaker 1: such a lovely person. And so we had a lot

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Speaker 1: of fun looking at Sylvia Brown clips. We'll get to

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Speaker 1: that in a moment, but first let me read you

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Speaker 1: a story. This one comes from Alstener named Justin, who writes,

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Speaker 1: I have a quick story to share about fifteen years ago,

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Speaker 1: my husband and I bought a creepy old photograph in

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Speaker 1: a frame from a thrift store. It was a portrait

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Speaker 1: of a family we assumed from the late eighteen hundreds.

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Speaker 1: I won't mention their name out of fear. We used

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Speaker 1: to kind of make fun of them because of their stoic,

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Speaker 1: unsmiling faces. Our roommate at the time warned us not

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Speaker 1: to do that. Shortly after we had this photo hanging.

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Speaker 1: One night, we both bolted out of sleep as all

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Speaker 1: of our bedding had been pulled off of us onto

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Speaker 1: the floor. We both had the sensation of a kid

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Speaker 1: sitting on us and beating our chests. It was so

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Speaker 1: scary and truly freaked us out. I do not welcome

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Speaker 1: things like that into my life, but I truly believe

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Speaker 1: we were visited as revenge from making fun of that family.

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Speaker 1: The photo went straight to the garage and was later

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Speaker 1: sold to an unsuspecting woman at our yard sale. Thank you, justin.

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Speaker 1: I guess it's that woman's problem. Now there's just some

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Speaker 1: poor woman that is now waking up with a child

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Speaker 1: beating on her chest. Beautiful. Well, thanks for sending me that,

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Speaker 1: and as always, people send on your stories. This is

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Speaker 1: perfect and nice shortened sweet beginning metal end. Sent it

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Speaker 1: to ghosted by Roz at gmail dot com. Okay, here

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Speaker 1: is a hilarious conversation I had with comedian kel Cripe

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Speaker 1: on with the show. Oh my god, cal Ripe is here.

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Speaker 2: Oh my gosh, I'm here.

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Speaker 1: How are you.

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Speaker 2: I'm so good. I'm so happy to be here. I

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Speaker 2: freaking love you. I'm excited and a little nervous. I

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Speaker 2: freaking love you.

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Speaker 1: So scram m h it's been a big part of

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Speaker 1: your life.

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Speaker 2: It has the word that changed changed everything.

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Speaker 1: How is it having a catchphrase?

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Speaker 2: It's it's both like amazing, It's it's really convenient. It's

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Speaker 2: like a little quick thing to say to people, to

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Speaker 2: do a little photo. It's it's fun. Just how much

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Speaker 2: it's like permeated into my life in a way where

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Speaker 2: some people are like, oh, you probably hate still saying it,

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Speaker 2: and I'm like, no, no, honey, that that word gave

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Speaker 2: me everything. I'll say as many times as you want

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Speaker 2: me to say it, Like I'm fully like writing a

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Speaker 2: children's book, like a I don't know if I actually

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Speaker 2: can say that. Well, I'm spilling it here.

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Speaker 1: It's so fun.

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Speaker 2: But yeah, I'm doing like a scram children's book. I like, yeah,

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Speaker 2: it's it's like been so fun. And I've been able

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Speaker 2: to do like cameos, to make videos for people, like

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Speaker 2: completely changed my following online everything, and then it like

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Speaker 2: led me. Also, I got to do my first tour

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Speaker 2: this year and I was like found from someone that

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Speaker 2: saw the video online and it it's it's nuts. But

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Speaker 2: then yeah, having the little thing to say is I

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Speaker 2: think it's very in line with like this is also

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Speaker 2: like my cartoon character. Like if I was a cartoon,

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Speaker 2: this is the shirt I'd be wearing. I'd be wearing

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Speaker 2: blue jeans and a hat. So it's like it's kind

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Speaker 2: of like the prophecy cu true cute.

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Speaker 1: I see. I have this one video that people know

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Speaker 1: me from where a ghost is calling me names I'm familiar,

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Speaker 1: and so the names that I get from strangers are

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Speaker 1: very different than you. But same thing where I'm like,

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Speaker 1: the best thing's ever happened to me.

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Speaker 2: It's so funny. Yeah, like what can take off and

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Speaker 2: what it's always the stuff you don't think about that

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Speaker 2: does well and then the stuff you try really hard on.

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Speaker 1: Now, when you did that one video, was there like

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Speaker 1: did you just throw it up there or were you

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Speaker 1: like this is something I it was because this is

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Speaker 1: where I try to make things a little bit like

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Speaker 1: metaphysical or whatever, because sometimes I think that these moments

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Speaker 1: that change your life for forever, Like I wonder if

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Speaker 1: you realize, well that.

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Speaker 2: There is such a beautiful thing of Like it was

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Speaker 2: so cosmically where I was like, I'm gonna really try

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Speaker 2: to start thinking less about like being less precious with

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Speaker 2: things and just start going for it. And if I

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Speaker 2: get an idea, go for it. And that morning with

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Speaker 2: my girlfriend, because the joke of it is that like

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Speaker 2: we she would say it to like if I had

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Speaker 2: a nightmare, if I had something, she'd be like, oh,

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Speaker 2: I tell him to scram and we'd say it to

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Speaker 2: each other as like a term of endearment. And then

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Speaker 2: that morning I was like, that'd be a funny video.

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Speaker 2: She was like, let's do it. And then it just

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Speaker 2: like literally one take. I threw the song on because

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Speaker 2: I thought it needed something that really drove in that

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Speaker 2: I was joking in case it got taken too seriously,

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Speaker 2: which it did in the beginning, which is a whole

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Speaker 2: other story, but uh yeah, it was something beautifully aligned

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Speaker 2: where then also it was like my girlfriend was such

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Speaker 2: an inspiration for it. And then Sizza reshared the video

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Speaker 2: on her birthday and then that's like what started changing everything,

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Speaker 2: and like it is very much like intertwined with my

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Speaker 2: like it will always make me think of my girlfriend too,

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Speaker 2: and it's like so thanks to her. So it's a

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Speaker 2: beautiful like thing that helped me accomplish like so much

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Speaker 2: I wanted to start get going from like this one

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Speaker 2: little thing that's amazing. Yeah it's And it is funny

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Speaker 2: though because in terms of people like shouting things or

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Speaker 2: something like on the streets, there have been so many

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Speaker 2: times we're walking somewhere and I hear someone like, not

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Speaker 2: sure if it's me or not, We'll just quietly hear

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Speaker 2: scream and then like we're like looking around, like, what's

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Speaker 2: that real? It's so funny.

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Speaker 1: Could have been a ghost, could have been I'm always

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Speaker 1: trying to tie it back.

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Speaker 2: I know, I love it.

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Speaker 1: Are you someone that believes in ghosts or like just

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Speaker 1: any of this kind of stuff.

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Speaker 2: I think kind of to like a like a scary

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Speaker 2: extent where I feel like my people pleaserness extends to

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Speaker 2: spirit realm where I'm like, I don't want to be

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Speaker 2: ignorant human coming into your space. I don't want to

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Speaker 2: be joking about you. I want to like I want

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Speaker 2: to be like I don't who's to say what there

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Speaker 2: is and isn't. I mean I mentioned this earlier, but

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Speaker 2: like one time I was walking on the street with

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Speaker 2: my friends and there's a Ouiji board late at night

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Speaker 2: on the side of the street.

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Speaker 1: Oh that's not good.

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Speaker 2: And they're like, oh my god, that's picked up. I'm

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Speaker 2: halfway down the street. Before they finished asking, like before

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Speaker 2: they finished suggesting we should touch it, I'm like, we're

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Speaker 2: not going near it, we aren't doing anything that is.

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Speaker 2: I am respectfully leaving that bee. And then we went

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Speaker 2: to like a seven to eleven, got a snack, came

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Speaker 2: back and was gone.

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Speaker 1: That's spooky.

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Speaker 2: And it was probably another group of friends that didn't

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Speaker 2: have someone like me convincing them not not to touch it.

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Speaker 1: Was it here in La?

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Speaker 3: Yeah?

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Speaker 2: I was in Highland Park.

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Speaker 1: People love free stuff on the street. Yeah, you know.

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Speaker 1: Some girl with bangs in Highland Park was like, that's

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Speaker 1: going on my wall.

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Speaker 3: Yeah it's a bargain.

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Speaker 2: Yeah yeah, framed in one of those like mismatch frames

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Speaker 2: where it's like two.

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Speaker 1: Absolutely make a little collage out of it or something.

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Speaker 2: I know. But I feel like I quietly in my

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Speaker 2: head a lot, I'm like, hello, if you're here, I

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Speaker 2: just want to say I respect you putting all my

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Speaker 2: respect forward.

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Speaker 1: Good for you. I'm more scram more like scram like

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Speaker 1: when I go places like I'm sure you're here, please

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Speaker 1: don't bother me.

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Speaker 2: You have so much more experience it experience with them

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Speaker 2: than I though, I guess, so, you know, like I

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Speaker 2: feel like I don't know it is. I'm just such

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Speaker 2: a scaredy cat in general, and so I'm like, something

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Speaker 2: I can't see scares me.

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Speaker 1: It's terrifying. Yeah, the thought of like I can't see you.

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Speaker 1: If you wanted to, you could just touch me. You

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Speaker 1: could do anything to me, Maybe you could get inside

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Speaker 1: of me and possess me. Like I don't know, so

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Speaker 1: I'm just like I'd rather not find out.

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Speaker 2: Yeah, I think though, I wonder if they respect and

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Speaker 2: appreciate that, like like maybe I'm pandering to them, you know,

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Speaker 2: like maybe I'm like they're like yeah, and You're like okay,

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Speaker 2: I see, Like okay, what do you want to what

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Speaker 2: do you want to talk about?

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Speaker 1: Yeah?

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Speaker 2: What's your deal?

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Speaker 1: Do you believe in psychics?

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Speaker 2: I believe that there are people that can probably like communicate,

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Speaker 2: but I think I don't trust humanity to be telling

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Speaker 2: the truth. Like I don't know if I trust people

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Speaker 2: like I think I'm such a global person. I'm like,

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Speaker 2: there are swindlers everywhere, like they're trying to get me,

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Speaker 2: and yeah, and there's an element of I don't know, well, okay,

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Speaker 2: I was actually thinking about this on the way over.

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Speaker 2: I had a movie scene that changed my opinion on

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Speaker 2: all of this that stuck with me since I was

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Speaker 2: a teenager. Have you seen the movie Ie Origins?

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Speaker 1: No, what's that?

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Speaker 2: It's this fantastic movie and if it's okay, if I

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Speaker 2: do a slight divergence here, I don't know if that's

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Speaker 2: the word. Uh where. Basically a plot of the movie

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Speaker 2: is this like micro biologist trying to create an eye

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Speaker 2: from scratch to disprove God because an eye is a

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Speaker 2: very symbolic image because it's something that tends to debunk

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Speaker 2: religion because there's so many intricate parts to it that

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Speaker 2: like the idea of evolution and an eye is like

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Speaker 2: how could that have evolved so intrinsically? And so the

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Speaker 2: idea is, if he can create an eye and give

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Speaker 2: sight to a being that doesn't have sight, it would

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Speaker 2: by proxy, law of determination whatever mean God isn't real.

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Speaker 2: And then he of course falls in love with a

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Speaker 2: very spiritual woman, and so it's a lot of conversations

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Speaker 2: about like science and spirituality and her kind of asking like,

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Speaker 2: if something spiritual ever happened that disproved your scientific beliefs,

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Speaker 2: would you be willing to accept that? And something that

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Speaker 2: struck with me is they're standing spoiler alert, They're standing

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Speaker 2: in a lab and she's looking at these worms. She goes,

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Speaker 2: so these worms can't see and he's like no, She's like,

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Speaker 2: they don't have the ability to perceive light. No, but

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Speaker 2: yet here you and I are standing and it's undeniable,

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Speaker 2: like yeah, And she's like, well, what if there are

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Speaker 2: just senses we don't have that, like, don't allow us

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Speaker 2: to perceive what is like undeniable for other entities or spirits.

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Speaker 2: And it was that thing of simply like, rather than

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Speaker 2: using the senses and human brain, I have to logically

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Speaker 2: understand spirits or something beyond my perception. It was like, oh,

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Speaker 2: what if I just don't have that switch and so

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Speaker 2: I can't see it, but I would absolutely believe there

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Speaker 2: are people that have that switch, right, you know what

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Speaker 2: I mean. It's such a long winded way, it just

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Speaker 2: it changed my the idea of like, whoa these worms.

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Speaker 2: If you tried to tell these worms what light was,

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Speaker 2: they'd call you crazy. But like we're standing around so

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Speaker 2: much light.

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Speaker 1: Well, they'd be like, why are you talking to us?

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Speaker 1: We're words?

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Speaker 2: Like can I just like go into some dirt? I

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Speaker 2: don't know what they really do, what their tasks are

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Speaker 2: throughout the day.

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Speaker 1: Yeah, they would think you're crazy.

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Speaker 2: But it's I think people have it. I think people

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Speaker 2: also know how to manipulate having it.

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Speaker 1: Mm hmmm, well that's the thing. The ghost could be

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Speaker 1: coming back and being like, hey, can you tell that

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Speaker 1: person over there that I hate them? And then you

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Speaker 1: could be like a ghost is telling me that they

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Speaker 1: love you, you know what I mean? Like they could

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Speaker 1: just they could be like, I don't want to say

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Speaker 1: that because then this person can get mad at me.

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Speaker 2: Yeah, And that's so funny because then in this existential

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Speaker 2: way that makes me think of oh, like language and

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Speaker 2: this idea of subjectivity and that like you can never

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Speaker 2: fully remove bias or perception from what you're saying. So

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Speaker 2: like interpreting something from a spirit and then you interpreting

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Speaker 2: that to someone else also is like so much could

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Speaker 2: get lost in translation here from the fallible human not

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Speaker 2: the spirit. It is a game of telephone.

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Speaker 1: Are you familiar with Sylvia Brown? My favorite? I have

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Speaker 1: been a fan for a very long time. We've talked

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Speaker 1: about her a few times on this podcast, but I

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Speaker 1: feel like, not unlike you, she's become quite the star

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Speaker 1: on the internet. She's been dad for a number of years.

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Speaker 1: But she was a famous psychic that would go on

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Speaker 1: television and there's clips of her, certainly in like the

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Speaker 1: eighties and nineties, the era of her life that's really

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Speaker 1: been getting thrown around on the internet lately. She would

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Speaker 1: go on Montel Williams. Are you familiar with Montel Williams?

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Speaker 1: It was like a daytime talk show, and she was

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Speaker 1: definitely rocking, like little bangs, which I always love a

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Speaker 1: woman with band, and she would have like long claws,

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Speaker 1: like you know, nails, and she just got the smoker voice.

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Speaker 1: And I thought I would show you some Sylvia Brown clips.

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Speaker 1: This is probably the one that's getting the most traction

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Speaker 1: these days, because here's the thing. Sure she did some

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Speaker 1: great I'm sure you know there's there was a time

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Speaker 1: or two she was able to make a career. She

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Speaker 1: made some correct predictions, but no one wants to watch

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Speaker 1: that okay, So here's here's her taking a stab at it,

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Speaker 1: okay and really going for it. Who is in our house?

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Speaker 4: First of all, George and Hazel pinkering p I C

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Speaker 4: K E R I n G.

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Speaker 1: I would look it up on so these people, it's

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Speaker 1: a couple and they were under the impression that there's

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Speaker 1: a ghost in their house. Without skipping a beat, Sylvia

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Speaker 1: Brown could tell you it's George and Hazel pinkering.

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Speaker 2: Spell to the last name, like if there was confusion

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Speaker 2: on the last name.

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Speaker 1: Yeah, which is that a real last name? Ever? I

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Speaker 1: don't know.

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Speaker 2: But the more I started to go back turing to

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Speaker 2: spell what she spelled, I was like, I'm just going

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Speaker 2: to trust her.

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Speaker 1: Yeah, just just let her do it. She's the professional.

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Speaker 1: All right, let's keep watching.

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Speaker 4: You know the background of the house.

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Speaker 1: Our house is only ten years old.

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Speaker 4: Money the land, oh okay, how do you think the

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Speaker 4: land is.

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Speaker 3: Well, very old.

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Speaker 1: Yea a land fell Yeah.

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Speaker 4: But also there used to be something they had to

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Speaker 4: do with the farmhouse near there.

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Speaker 3: So I would look it up.

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Speaker 1: George just want Hazel.

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Speaker 4: And then once she finds if the fast to go

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Speaker 4: or she could even tell them to go and then

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Speaker 4: go look it up and then you know, be validated.

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Speaker 2: Is there anyone else in the house like watching over us.

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Speaker 4: Or well, of course you have your like I said earlier,

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Speaker 4: angels and guides and all that. But these people are

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Speaker 4: not harm now. But they were way there even when

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Speaker 4: the Indians were around, not on that exact spot, but

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Speaker 4: clothes right.

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Speaker 2: This has been happening all through both of our lives.

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Speaker 1: He's had experiences.

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Speaker 4: And like me, I can go into a brand new

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Speaker 4: place and get it because of the land.

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Speaker 2: See, we're what we call a land, honey, the land.

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Speaker 1: So they're like our house is ten years old, honey,

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Speaker 1: the land.

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Speaker 5: Think about the land.

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Speaker 1: How old do you think the land?

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Speaker 3: Oh my gosh, that's amazing.

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Speaker 5: Woman.

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Speaker 1: Well she was just so good at improv. Yeah, like

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Speaker 1: so many people uc bos A die to Sylvia Brown.

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Speaker 1: This woman quick on her toes. And that was the

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Speaker 1: thing with these shows. The audience would constantly be like,

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Speaker 1: where's my my niece. She's been missing, She's in she's

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Speaker 1: at a lag somewhere, just not missing. She would know instantly.

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Speaker 1: But here's the thing. Sometimes it was dark, like sometimes

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Speaker 1: it was bad. There were a few times when she

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Speaker 1: told people like they had a missing relative, and she

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Speaker 1: was like she described her. I'll give you some examples

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Speaker 1: of that.

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Speaker 2: Oh, this reminds me. I do remember a medium One

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Speaker 2: time in my life's small side anecdote is I had

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Speaker 2: a small, random job where I helped design a website

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Speaker 2: for a woman who said she was a medium and

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Speaker 2: a real estate agent.

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Speaker 1: Yeah.

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Speaker 2: Just literally, I think like a Nathan Fielder sketch talk

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Speaker 2: about the real life. And I remember having a zoom

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Speaker 2: with her about her website and her pausing and going like,

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Speaker 2: I see something in your room. And I was like, Jesus, girl,

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Speaker 2: I want to help you add a search bar to

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Speaker 2: your website. Yeah, like I'm helping you put a drop

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Speaker 2: down in here. I don't I don't want you to

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Speaker 2: scare me. Yeah.

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Speaker 1: I don't like that at all.

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Speaker 2: Just this one one experience, one on one with a medium.

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Speaker 1: So one time she told a woman named Luana Miller

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Speaker 1: on a two thousand and four episode of Montel. She

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Speaker 1: told her that her daughter was dead, her daughter was missing,

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Speaker 1: and she said she's not alive, honey, your daughter's not

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Speaker 1: the kind who would ain't call. And she, it turns out,

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Speaker 1: was alive. She was found alive after she broke free

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Speaker 1: from a home in Cleveland where she was being kept

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Speaker 1: captive for a decade. Dark stuff this is. There was

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Speaker 1: an article in twenty twenty thirteen, Oh my God from

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Speaker 1: ABC News that was talking about a couple of different

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Speaker 1: times where she did this sort of a thing. There

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Speaker 1: was also a time the parents of a teen named

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Speaker 1: Sean Horn. She told them that their son was dead

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Speaker 1: and that they could find his body near two jagged boulders,

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Speaker 1: and four years later he was found alive.

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Speaker 2: What what does does she say anything in response to this?

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Speaker 2: Like oops, oopsy?

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Speaker 1: It says in this article they reached out and she

365
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Speaker 1: was not available for combat.

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Speaker 2: She just never says anything about it.

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Speaker 1: I bet you she can get herself out of it.

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Speaker 1: I mean this clip that we just watched, they're like, lady,

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Speaker 1: our house is new Land, like she knew.

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Speaker 3: Finds a way to make you feel stupid.

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Speaker 2: Yes for questioning her.

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Speaker 1: We need more? Can you show us just some more?

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Speaker 1: All right? What's the son?

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Speaker 2: Wells my boyfriend?

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Speaker 1: Tragically a few years ago they have found and I've

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Speaker 1: had such a hot time since every day.

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Speaker 4: Yeah, the reason why you didn't find him is because

378
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Speaker 4: he's in water, and find him in water. It's like

379
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Speaker 4: the girl is missing in Aruba. You can't find somebody.

380
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Speaker 2: It was September eleventh. He was a fineman.

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Speaker 1: To little Mills.

382
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Speaker 3: I keep seeing him in water. No, you're wrong.

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Speaker 1: This woman is just like lady.

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Speaker 3: That is unbelievable television.

385
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Speaker 1: Wait, particularly like these people are grieving, they're going to

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Speaker 1: her for answers.

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Speaker 2: The way she looks at her and goes, well, I

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Speaker 2: see water.

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Speaker 1: So I'm surprised she's not like, well, you actually have

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Speaker 1: another husband, and you're not telling us because this one

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Speaker 1: is dead and he's in the water. Like she's so convinced.

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Speaker 1: All right, give us another one, please, jeeha.

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Speaker 4: My mom passed away three years ago, and she was

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Speaker 4: a beautiful woman, by the way, thank you.

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Speaker 3: She was very flamboyant, Yes she was.

396
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Speaker 4: Yeah, she was sort of a gypsy type of woman.

397
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Speaker 2: Yes, yes.

398
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Speaker 6: And before she passed away, she tried several times to

399
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Speaker 6: tell me something in the hospital and I could not

400
00:22:12,000 --> 00:22:14,879
Speaker 6: understand because of the tube she had in her mouth.

401
00:22:14,640 --> 00:22:17,800
Speaker 4: And yeah, the trick all that, and yeah, I just

402
00:22:17,800 --> 00:22:18,800
Speaker 4: don't understand it.

403
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Speaker 6: To this day, still bothers me that I couldn't understand

404
00:22:21,800 --> 00:22:22,360
Speaker 6: my own mother.

405
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Speaker 2: She didn't.

406
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Speaker 4: You know, this is really hard to tell you your father

407
00:22:25,960 --> 00:22:26,760
Speaker 4: is not your father?

408
00:22:27,520 --> 00:22:29,359
Speaker 2: What what?

409
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Speaker 4: Wow? But who cares you love?

410
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Speaker 5: Who you love?

411
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Speaker 1: Oh? Absolutely?

412
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Speaker 6: Absolutely?

413
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Speaker 4: Okay, but she wanted to get that off her chances.

414
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Speaker 1: Who cares you know?

415
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Speaker 4: But I mean that was her thing.

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Speaker 3: Okay, wait, this is unbelievable.

417
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Speaker 2: I know, wait it is.

418
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Speaker 3: I am.

419
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Speaker 2: I am flabbergasted, Like my heart's racing. I'm like, how

420
00:22:52,920 --> 00:22:57,160
Speaker 2: do you look someone in the eyes and saying it

421
00:22:57,200 --> 00:22:59,760
Speaker 2: reminds me of like one time playing with my little

422
00:23:01,280 --> 00:23:03,280
Speaker 2: and pointing at me, going we're playing Spider Man and

423
00:23:03,320 --> 00:23:04,920
Speaker 2: I go okay, and he goes, you're the bad guy,

424
00:23:04,960 --> 00:23:06,560
Speaker 2: and I go what I do? And he goes, you

425
00:23:06,600 --> 00:23:08,280
Speaker 2: have to bank and it's like, okay, we're in.

426
00:23:08,240 --> 00:23:10,680
Speaker 3: It, Like yeah, yeah, yeah, incredible impromises.

427
00:23:11,080 --> 00:23:13,040
Speaker 1: Here's the thing taking and run.

428
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Speaker 3: But she's doing it to like grieving people and.

429
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Speaker 1: To people's entire life stories. Your father is not your father?

430
00:23:20,760 --> 00:23:21,200
Speaker 5: Next?

431
00:23:22,400 --> 00:23:25,919
Speaker 1: Who outs? Who's next? Give me the next one? Someone's

432
00:23:26,000 --> 00:23:27,800
Speaker 1: missing child? What's going on.

433
00:23:27,800 --> 00:23:30,760
Speaker 2: The ease of her just going up? Yeah, she's pretty

434
00:23:30,800 --> 00:23:32,040
Speaker 2: yet drake yet Yeah?

435
00:23:32,160 --> 00:23:36,520
Speaker 1: Yeah, I love what she says. Yeah the trake yep, yep,

436
00:23:36,640 --> 00:23:39,200
Speaker 1: I can see it all right now, I'm looking at yes.

437
00:23:39,240 --> 00:23:44,200
Speaker 2: Like hands, hands at like hands at the sides, just like, yep,

438
00:23:45,440 --> 00:23:49,639
Speaker 2: dad's not your dad. Your firefighter husband actually died by water.

439
00:23:49,840 --> 00:23:51,240
Speaker 2: I don't know what to tell you.

440
00:23:53,080 --> 00:23:58,080
Speaker 3: It's so surreal, it's it's so facious.

441
00:23:58,359 --> 00:24:01,920
Speaker 1: Okay, let's see what this clip is. What a question

442
00:24:01,960 --> 00:24:06,639
Speaker 1: for Sulia? I have a really bad problem with social anxiety.

443
00:24:07,520 --> 00:24:11,360
Speaker 1: I can't freak out. I can't.

444
00:24:11,400 --> 00:24:14,119
Speaker 4: You're doing pretty good now, but let me tell you

445
00:24:14,119 --> 00:24:17,439
Speaker 4: where this comes from. You were accused of being a

446
00:24:17,480 --> 00:24:20,919
Speaker 4: wish in a past, Like you were put in a

447
00:24:20,960 --> 00:24:28,040
Speaker 4: circle and you had to name two people so that

448
00:24:28,600 --> 00:24:32,200
Speaker 4: supposedly you wouldn't die, except they didn't tell you that.

449
00:24:32,240 --> 00:24:35,320
Speaker 4: They just said, tell us two people. You named two people,

450
00:24:35,359 --> 00:24:38,000
Speaker 4: and all three of you were hung. So no, do

451
00:24:38,040 --> 00:24:39,640
Speaker 4: you have social anxiety?

452
00:24:40,000 --> 00:24:40,320
Speaker 3: Thank you?

453
00:24:41,000 --> 00:24:41,399
Speaker 2: Thank you?

454
00:24:42,560 --> 00:24:45,840
Speaker 1: Oh no, how is that going to help her? I

455
00:24:45,920 --> 00:24:49,880
Speaker 1: know now she's terrified that someone's going to accuse her

456
00:24:50,080 --> 00:24:51,000
Speaker 1: of witchcraft.

457
00:24:51,320 --> 00:24:56,840
Speaker 2: There's also this like I don't think she thinks she's bssing.

458
00:24:57,280 --> 00:24:58,439
Speaker 1: No, of course not.

459
00:25:00,119 --> 00:25:03,080
Speaker 2: She like that's why she doubled down and she goes, well,

460
00:25:03,119 --> 00:25:03,760
Speaker 2: I see water.

461
00:25:04,080 --> 00:25:04,960
Speaker 3: I just can't get that.

462
00:25:05,960 --> 00:25:08,520
Speaker 1: I don't know what to tell you, you're wrong.

463
00:25:09,000 --> 00:25:10,600
Speaker 2: This is just so serus.

464
00:25:10,680 --> 00:25:16,280
Speaker 1: I could do this all day. I okay, let's uh,

465
00:25:16,400 --> 00:25:18,760
Speaker 1: we got another. Is this the last one or the more?

466
00:25:18,880 --> 00:25:22,639
Speaker 1: This is the last one. I want more, I know. Okay,

467
00:25:23,000 --> 00:25:25,439
Speaker 1: here we go. Let's see what this is, Sylvia.

468
00:25:25,760 --> 00:25:27,879
Speaker 4: My parents divorce time is two years old, and I

469
00:25:27,880 --> 00:25:29,680
Speaker 4: don't know my biological father.

470
00:25:30,000 --> 00:25:37,520
Speaker 1: You don't want to okay, I don't thank you?

471
00:25:37,560 --> 00:25:41,959
Speaker 2: Oh so bad? No follow up.

472
00:25:43,640 --> 00:25:45,760
Speaker 1: She just said that as an aside. She's like, so,

473
00:25:46,119 --> 00:25:49,320
Speaker 1: my parents divorce, I've never met my biological father anyway,

474
00:25:49,840 --> 00:25:52,240
Speaker 1: and you don't want to what.

475
00:25:52,480 --> 00:25:56,000
Speaker 2: It's also for the amount she's willing to shatter people's

476
00:25:56,400 --> 00:25:58,840
Speaker 2: like perception of their own life, that one must have

477
00:25:58,880 --> 00:26:01,240
Speaker 2: been so bad. She was just like, I'm not even

478
00:26:01,240 --> 00:26:03,280
Speaker 2: going to get into it. I'm not even going to

479
00:26:03,320 --> 00:26:04,679
Speaker 2: tell you why you don't want to meet him? And

480
00:26:05,520 --> 00:26:06,000
Speaker 2: I could.

481
00:26:06,600 --> 00:26:08,000
Speaker 1: She's like, I could think of something.

482
00:26:08,040 --> 00:26:10,399
Speaker 2: I'm sick sparing you right now.

483
00:26:10,440 --> 00:26:13,280
Speaker 1: Trust me, I could come up with something real good.

484
00:26:13,400 --> 00:26:17,280
Speaker 2: We're just also tired when they don't ask everyone, it's

485
00:26:17,320 --> 00:26:19,720
Speaker 2: like a ask, like a Q and a portion of

486
00:26:19,760 --> 00:26:20,320
Speaker 2: a show.

487
00:26:20,440 --> 00:26:22,960
Speaker 1: What it is? Don't ask? And I'm sure this was

488
00:26:23,040 --> 00:26:24,639
Speaker 1: This seemed like a day where she was over it.

489
00:26:24,800 --> 00:26:28,680
Speaker 1: And I'm sure every single she looks over at I'm

490
00:26:28,680 --> 00:26:31,600
Speaker 1: sure every single one. This day was like, my son's

491
00:26:31,640 --> 00:26:32,920
Speaker 1: been missing, You're not.

492
00:26:32,840 --> 00:26:33,560
Speaker 5: Going to find him.

493
00:26:33,560 --> 00:26:40,320
Speaker 1: To me, he's gone, give up? God, who was I

494
00:26:40,400 --> 00:26:41,120
Speaker 1: in a past life?

495
00:26:41,160 --> 00:26:44,439
Speaker 5: Yet I want to know? You don't want to know?

496
00:26:45,000 --> 00:26:48,800
Speaker 2: That reminds me one time my uh my mom always

497
00:26:48,800 --> 00:26:51,200
Speaker 2: told me a story of my dad, like getting away

498
00:26:51,800 --> 00:26:54,240
Speaker 2: like out of a book report in class in school

499
00:26:54,280 --> 00:26:56,560
Speaker 2: by like he didn't read the book anyone up to

500
00:26:56,600 --> 00:26:58,320
Speaker 2: the class and he's like, I want to tell you

501
00:26:58,320 --> 00:27:00,919
Speaker 2: about this book, but like it's on his so good anything,

502
00:27:00,960 --> 00:27:02,160
Speaker 2: I say, it's gonna spoil it.

503
00:27:02,280 --> 00:27:03,320
Speaker 1: Oh that's Genia.

504
00:27:03,480 --> 00:27:05,040
Speaker 2: And they were like, can you tell us anything? He's

505
00:27:05,080 --> 00:27:06,200
Speaker 2: like no, honestly, like.

506
00:27:06,720 --> 00:27:10,160
Speaker 1: No boiler alert. I don't want to ruin it for you.

507
00:27:11,000 --> 00:27:12,440
Speaker 2: And then past.

508
00:27:12,720 --> 00:27:15,240
Speaker 1: That's the Sylvia Brown school of improv.

509
00:27:15,480 --> 00:27:19,119
Speaker 2: Truly, it really is something to be studied. It's like commitment,

510
00:27:19,359 --> 00:27:23,560
Speaker 2: unwavering commitment. Yeah, almost in a way where she'd probably

511
00:27:23,560 --> 00:27:26,159
Speaker 2: be a bad scene partner, you know, like she shines solo,

512
00:27:26,320 --> 00:27:28,480
Speaker 2: but if you came on and you were like, here,

513
00:27:28,520 --> 00:27:31,399
Speaker 2: I got you coffee, she'd go that's a snake.

514
00:27:31,640 --> 00:27:33,119
Speaker 1: That's not coffee.

515
00:27:33,920 --> 00:27:37,760
Speaker 5: That is a Boa constrictor that killed three people.

516
00:27:40,080 --> 00:27:43,399
Speaker 1: Like, No, it's a it's a caramel macchiato.

517
00:27:43,520 --> 00:27:46,000
Speaker 5: No, it's not, and you don't want it to.

518
00:27:45,920 --> 00:27:46,879
Speaker 1: Be, trust me.

519
00:27:47,760 --> 00:27:49,440
Speaker 2: Hi, Sylvia, welcome to my new apartment.

520
00:27:49,720 --> 00:27:53,800
Speaker 5: This isn't new, and it's not an apartment either. Honey,

521
00:27:54,640 --> 00:27:55,719
Speaker 5: look about the land.

522
00:27:57,440 --> 00:27:59,720
Speaker 1: Wait, I want to be I'm Sylvia Brown. You're my

523
00:28:00,080 --> 00:28:01,879
Speaker 1: rob partner. Okay, you start the scene.

524
00:28:03,400 --> 00:28:07,040
Speaker 2: Hi, welcome to the grocery store. You finding everything? Okay?

525
00:28:11,840 --> 00:28:15,040
Speaker 2: Also I'm saying everything. You're not supposed to do. Ask

526
00:28:15,119 --> 00:28:19,800
Speaker 2: a question, not a sentence. Second said at the grocery store. Hi,

527
00:28:19,880 --> 00:28:20,880
Speaker 2: welcome to the groceries.

528
00:28:21,000 --> 00:28:24,560
Speaker 5: You think this is a grocery store because in a

529
00:28:24,640 --> 00:28:31,520
Speaker 5: past life you joked on a pretzel at a traitor jos.

530
00:28:31,880 --> 00:28:35,320
Speaker 2: Oh, thank you for telling me that did Did you

531
00:28:35,359 --> 00:28:38,360
Speaker 2: know we had a sale today? Actually over on, I didn't.

532
00:28:38,120 --> 00:28:41,200
Speaker 5: Want to know, and you don't want to know either,

533
00:28:42,480 --> 00:28:46,160
Speaker 5: trust me. All right, scene, do we do it?

534
00:28:46,240 --> 00:28:46,440
Speaker 4: Right?

535
00:28:48,760 --> 00:28:49,080
Speaker 1: I think?

536
00:28:49,120 --> 00:28:49,200
Speaker 4: She?

537
00:28:49,440 --> 00:28:52,200
Speaker 2: I think that's perfect, except she she would yeah, she

538
00:28:52,240 --> 00:28:53,120
Speaker 2: calls her own scene.

539
00:28:53,240 --> 00:28:54,280
Speaker 5: All right, we're done here.

540
00:28:58,000 --> 00:29:01,959
Speaker 2: Oh my god, laps up so funny oh my gosh.

541
00:29:02,000 --> 00:29:05,400
Speaker 2: There's a there's a sketch like a video of Liam

542
00:29:05,480 --> 00:29:07,640
Speaker 2: Nissan doing him for U where they're like knock knock

543
00:29:07,680 --> 00:29:16,240
Speaker 2: and he goes, we're closed. Wow, new hero. Maybe well yeah,

544
00:29:16,280 --> 00:29:19,160
Speaker 2: like what's your like, what's your full take?

545
00:29:20,800 --> 00:29:27,360
Speaker 1: Because I hear so many thoughts on professional psychics. Ultimately,

546
00:29:27,880 --> 00:29:30,440
Speaker 1: in a case like this where she gets so famous,

547
00:29:31,600 --> 00:29:35,160
Speaker 1: I truly you'll get this. I often compare it to

548
00:29:35,200 --> 00:29:38,840
Speaker 1: being a comedian because sixth sense is just like sense

549
00:29:38,880 --> 00:29:43,680
Speaker 1: of humor, where you can't always be funny every single time. Now,

550
00:29:43,720 --> 00:29:47,000
Speaker 1: some people are definitely funnier than others and they can

551
00:29:47,600 --> 00:29:50,480
Speaker 1: make a great career out of it, but once you

552
00:29:50,600 --> 00:29:53,200
Speaker 1: commit to being like I'm a comedian, people are always

553
00:29:53,280 --> 00:29:57,400
Speaker 1: like you better be funny. Yeah, And same thing with

554
00:29:57,440 --> 00:30:00,160
Speaker 1: a psychic, Like and I think that there's tricks, Like

555
00:30:00,280 --> 00:30:02,440
Speaker 1: when you're a comedian, you can you have material that

556
00:30:02,480 --> 00:30:04,880
Speaker 1: you know will work, like you could do that and

557
00:30:05,280 --> 00:30:08,680
Speaker 1: if all else fails, But like when you're a psychic,

558
00:30:08,760 --> 00:30:12,920
Speaker 1: I think you also have I think some psychics that

559
00:30:13,000 --> 00:30:16,120
Speaker 1: are put on television and it's like now be a psychic.

560
00:30:16,600 --> 00:30:19,040
Speaker 1: It's like it's not coming today.

561
00:30:19,280 --> 00:30:22,320
Speaker 2: Force Yeah, clearly, what was going on in that last

562
00:30:22,360 --> 00:30:23,000
Speaker 2: one would.

563
00:30:23,040 --> 00:30:25,440
Speaker 1: So I think they start doing tricks. Yeah, I think

564
00:30:25,440 --> 00:30:28,320
Speaker 1: they start doing these little tricks that are just like

565
00:30:29,360 --> 00:30:31,360
Speaker 1: someone just mentioned father is not your father?

566
00:30:32,200 --> 00:30:34,320
Speaker 5: Like that one works every time.

567
00:30:37,080 --> 00:30:41,160
Speaker 2: Yeah, I'm like, did she pull the just the specificity

568
00:30:41,160 --> 00:30:43,160
Speaker 2: of you were once accused of being a witch? You

569
00:30:43,240 --> 00:30:47,040
Speaker 2: had to name two more people you all died, Like

570
00:30:47,160 --> 00:30:50,760
Speaker 2: it's so surreal to be like did that come to

571
00:30:50,800 --> 00:30:51,440
Speaker 2: her in the moment?

572
00:30:51,520 --> 00:30:54,800
Speaker 1: Was that when she was like, no one will think

573
00:30:54,840 --> 00:30:57,800
Speaker 1: I'm lying if I give too many details.

574
00:30:57,840 --> 00:30:59,200
Speaker 5: So real, you know what I mean?

575
00:30:59,440 --> 00:31:03,600
Speaker 2: Yeah? The confidence, it's like the if I speak confidently enough,

576
00:31:03,560 --> 00:31:04,400
Speaker 2: nomen will question it.

577
00:31:04,680 --> 00:31:07,000
Speaker 1: Yeah, which is why I feel like I would be

578
00:31:07,080 --> 00:31:11,160
Speaker 1: so like I'm telling you, if everything fails for me,

579
00:31:11,960 --> 00:31:14,600
Speaker 1: I will come to you for a website design because

580
00:31:14,680 --> 00:31:18,120
Speaker 1: I'm going to be like, listen, people, I all of

581
00:31:18,160 --> 00:31:20,640
Speaker 1: a sudden I discovered I can speak to the dead,

582
00:31:21,040 --> 00:31:23,360
Speaker 1: and I will I'll do this and I'll be so

583
00:31:23,400 --> 00:31:23,880
Speaker 1: good at it.

584
00:31:24,360 --> 00:31:28,840
Speaker 2: Well, I think there's like something like beautiful where it

585
00:31:28,960 --> 00:31:33,760
Speaker 2: tends to be people seeking some form of resolution and

586
00:31:33,800 --> 00:31:35,800
Speaker 2: it can help, and it can help. This woman, she.

587
00:31:35,760 --> 00:31:38,560
Speaker 1: Helps so many people. She did this for years. Yeah,

588
00:31:38,600 --> 00:31:42,760
Speaker 1: she definitely helped people over the years, and I'm sure

589
00:31:42,800 --> 00:31:44,160
Speaker 1: she was right a lot of the time.

590
00:31:44,440 --> 00:31:47,440
Speaker 2: Seems like she did maybe cause some harm.

591
00:31:48,760 --> 00:31:52,040
Speaker 1: She caused a lot of harp. One thing I saw

592
00:31:52,120 --> 00:31:56,320
Speaker 1: it was like she told these people, you know, your

593
00:31:56,440 --> 00:31:59,920
Speaker 1: son is either missing or dead or whatever it was.

594
00:32:00,240 --> 00:32:02,840
Speaker 1: But the police investigation, no, I think he was still alive,

595
00:32:02,880 --> 00:32:05,479
Speaker 1: and she said that he was dead, but they like

596
00:32:05,920 --> 00:32:10,040
Speaker 1: put all their energy into whatever she had said while

597
00:32:10,440 --> 00:32:12,080
Speaker 1: not being able to solve the case.

598
00:32:12,760 --> 00:32:15,160
Speaker 2: I think it's like, even if there's a little bit

599
00:32:15,200 --> 00:32:17,480
Speaker 2: of it's not coming today, but I'm going to do

600
00:32:17,520 --> 00:32:20,360
Speaker 2: my job. If it's used to like help comfort someone

601
00:32:20,400 --> 00:32:23,680
Speaker 2: give them resolution, I'm like, let that person receive that.

602
00:32:24,040 --> 00:32:26,640
Speaker 2: But I was actually just listening to can I give

603
00:32:26,640 --> 00:32:28,320
Speaker 2: a shout out to another pod? On a pod?

604
00:32:28,640 --> 00:32:29,880
Speaker 1: It depends what the pod is.

605
00:32:30,280 --> 00:32:35,120
Speaker 2: I was writ into the microphone maintenance face late that No,

606
00:32:36,000 --> 00:32:39,040
Speaker 2: what was it called maintenance fase I that's great pod.

607
00:32:39,160 --> 00:32:39,840
Speaker 1: Yeah, I don't know.

608
00:32:39,720 --> 00:32:42,080
Speaker 2: It so wonderful pod. I just started getting into it

609
00:32:42,120 --> 00:32:44,160
Speaker 2: and I've been going back from the beginning and in

610
00:32:44,160 --> 00:32:46,120
Speaker 2: one of the early ones from years ago, there's one

611
00:32:46,160 --> 00:32:53,200
Speaker 2: on like Celery Juice and basically like uh, a medium

612
00:32:53,240 --> 00:32:56,680
Speaker 2: claims like it's not backed by medical science, it's backed

613
00:32:56,680 --> 00:33:01,080
Speaker 2: by a spirit he communicates with who tells him medical

614
00:33:01,160 --> 00:33:05,040
Speaker 2: discoveries like from the future basically, and then uses that

615
00:33:05,240 --> 00:33:08,960
Speaker 2: to like sell celery juice and it causes like giant

616
00:33:09,080 --> 00:33:12,440
Speaker 2: craze and then like there's all these like little traps

617
00:33:12,440 --> 00:33:14,600
Speaker 2: to fall into, like oh if if it doesn't didn't

618
00:33:14,600 --> 00:33:16,280
Speaker 2: work for you, it's because you mess something up. It's

619
00:33:16,320 --> 00:33:18,480
Speaker 2: not the salary juice. And it was just this fascinating

620
00:33:18,480 --> 00:33:20,880
Speaker 2: thing where then they joked about like, oh what if

621
00:33:21,160 --> 00:33:23,840
Speaker 2: what if the medium is actually so truthful and it's

622
00:33:23,840 --> 00:33:27,040
Speaker 2: the spirit that is trying to like swindle like trick

623
00:33:27,120 --> 00:33:30,760
Speaker 2: humanity into like selling could be surry juice, Like what

624
00:33:30,800 --> 00:33:33,160
Speaker 2: if he's being so honest and it really is like

625
00:33:33,280 --> 00:33:35,720
Speaker 2: everything's going through him and it's just a spirit playing

626
00:33:35,720 --> 00:33:37,040
Speaker 2: a prank on everyone.

627
00:33:37,400 --> 00:33:40,560
Speaker 1: Absolutely, that's the spirit. I would be. Yeah, when I'm dead,

628
00:33:40,600 --> 00:33:43,280
Speaker 1: I'm looking for psychics so I can mess with them.

629
00:33:43,360 --> 00:33:44,080
Speaker 2: That's amazing.

630
00:33:44,320 --> 00:33:48,440
Speaker 1: Yeah. Again, I really just think it's about committing these

631
00:33:48,480 --> 00:33:54,080
Speaker 1: people they can commit to You're my person. Okay, so

632
00:33:54,360 --> 00:33:56,600
Speaker 1: this is this is gonna be my career again when

633
00:33:56,840 --> 00:33:59,760
Speaker 1: all fails for me all right, so come to me

634
00:34:00,080 --> 00:34:02,800
Speaker 1: the problem him.

635
00:34:03,560 --> 00:34:07,800
Speaker 2: I've been trying to work at home.

636
00:34:08,080 --> 00:34:09,959
Speaker 5: And yeah, the stuff you're doing.

637
00:34:10,080 --> 00:34:13,960
Speaker 2: Yeah, yeah, I'm like working at home and the computers. Yeah, yes,

638
00:34:14,000 --> 00:34:17,359
Speaker 2: oh my gosh, yes, yes, oh my gosh. Yes. I

639
00:34:17,400 --> 00:34:20,200
Speaker 2: was on the computer and I just kind of keep

640
00:34:20,560 --> 00:34:22,279
Speaker 2: every time I started getting into it, I just hear this,

641
00:34:22,400 --> 00:34:24,359
Speaker 2: like not creak in the whole way.

642
00:34:24,560 --> 00:34:28,840
Speaker 5: Yeah yeah, and that's that's the person that died in

643
00:34:28,880 --> 00:34:29,360
Speaker 5: your house.

644
00:34:30,440 --> 00:34:33,480
Speaker 2: Somebody died. Yes, Oh well, I'm actually I want I'm

645
00:34:33,480 --> 00:34:34,520
Speaker 2: in an apartment.

646
00:34:35,800 --> 00:34:41,800
Speaker 5: Well that doesn't matter, honey. Steve Liberating.

647
00:34:42,680 --> 00:34:45,600
Speaker 1: Died. He died in your hallway.

648
00:34:45,640 --> 00:34:50,880
Speaker 2: Honey, wait, I don't think that geographically makes sense for

649
00:34:50,920 --> 00:34:51,480
Speaker 2: where I'm at.

650
00:34:51,920 --> 00:34:52,319
Speaker 5: Why not?

651
00:34:53,920 --> 00:34:57,560
Speaker 2: Well, I live in just like a really small round.

652
00:34:57,600 --> 00:35:03,560
Speaker 5: Yeah it's little, but but Steve Lvaracchi lived there.

653
00:35:03,760 --> 00:35:05,040
Speaker 1: Okay, he died.

654
00:35:06,600 --> 00:35:10,759
Speaker 5: He had the drake and the and he uh the track.

655
00:35:10,840 --> 00:35:12,600
Speaker 2: Yeah that's so interesting because I do feel like I

656
00:35:12,640 --> 00:35:13,680
Speaker 2: cough every time I'm in the.

657
00:35:13,600 --> 00:35:16,120
Speaker 5: Hallway there, and that's what I've been saying.

658
00:35:16,600 --> 00:35:20,560
Speaker 2: So what do I do though, Like, I'm scared.

659
00:35:20,280 --> 00:35:25,200
Speaker 5: Honey, you have to leave salid. I put it on

660
00:35:25,239 --> 00:35:25,760
Speaker 5: the market.

661
00:35:25,960 --> 00:35:27,480
Speaker 2: I just moved in, and you.

662
00:35:27,520 --> 00:35:30,839
Speaker 5: Gotta get out of there. You're never gonna get your

663
00:35:30,840 --> 00:35:32,239
Speaker 5: work done.

664
00:35:32,960 --> 00:35:36,479
Speaker 2: But my partner like she which, so.

665
00:35:36,640 --> 00:35:44,080
Speaker 5: Leave her, leave her there with Georgette.

666
00:35:43,520 --> 00:35:47,239
Speaker 2: Steve, it's George.

667
00:35:48,040 --> 00:35:50,240
Speaker 5: George is the other one. I'm seeing another.

668
00:35:50,480 --> 00:35:55,319
Speaker 2: There's two and you gotta look off like this cap.

669
00:35:55,440 --> 00:36:01,359
Speaker 1: There's two I'm seeing too, George. Who's who's the.

670
00:36:01,280 --> 00:36:06,240
Speaker 2: One scram Oh my god, that's my cousin.

671
00:36:06,680 --> 00:36:08,480
Speaker 1: That's you, my cousin, Your cousin.

672
00:36:09,880 --> 00:36:10,920
Speaker 2: Oh no, are they okay?

673
00:36:12,560 --> 00:36:13,680
Speaker 5: They've been missing.

674
00:36:15,040 --> 00:36:16,280
Speaker 2: Between two jackets.

675
00:36:16,560 --> 00:36:19,080
Speaker 1: See, this is what I'm gonna do. This is what

676
00:36:19,120 --> 00:36:21,560
Speaker 1: I'm gonna do. I'm just gonna cause drama for people.

677
00:36:21,840 --> 00:36:25,240
Speaker 2: I think this is really like it's also the saying

678
00:36:25,520 --> 00:36:33,319
Speaker 2: the last word as someone's saying it. It's like, yeah,

679
00:36:33,360 --> 00:36:35,919
Speaker 2: people who learn that, like that's what a good listener does.

680
00:36:36,280 --> 00:36:38,560
Speaker 2: It just makes them talk really anxious.

681
00:36:38,640 --> 00:36:40,480
Speaker 1: But it's like I knew that the whole time. You

682
00:36:40,480 --> 00:36:42,600
Speaker 1: didn't even have to finish your sense. Yeah, I knew

683
00:36:42,680 --> 00:36:43,960
Speaker 1: because I know you.

684
00:36:43,880 --> 00:36:45,640
Speaker 2: Just let me get the first part of the sun

685
00:36:45,800 --> 00:36:46,440
Speaker 2: itself out.

686
00:36:46,560 --> 00:36:52,759
Speaker 1: Yeah. Can I show you a haunted doll?

687
00:36:53,160 --> 00:36:53,319
Speaker 2: Now?

688
00:36:53,400 --> 00:36:57,280
Speaker 1: These are real? Okay, these are never fake. It's time

689
00:36:57,360 --> 00:37:04,239
Speaker 1: for the dolls are So I go to eBay and

690
00:37:04,280 --> 00:37:08,200
Speaker 1: I look at haunted dolls for sale, and there's one

691
00:37:08,280 --> 00:37:11,840
Speaker 1: that's currently for sale on eBay for seventy five dollars.

692
00:37:12,440 --> 00:37:17,160
Speaker 1: Her name is Mandy. Geehah, show it's Mandy. You got

693
00:37:17,200 --> 00:37:17,640
Speaker 1: a rod?

694
00:37:19,239 --> 00:37:20,040
Speaker 2: I'm scared.

695
00:37:20,280 --> 00:37:26,160
Speaker 1: No, she's gorgeous. No, so that's Mandy. Mandy looks like

696
00:37:26,200 --> 00:37:34,880
Speaker 1: she's been through uh a rough night. She she's got

697
00:37:35,040 --> 00:37:38,960
Speaker 1: like one eye open when eye closed. She's very that

698
00:37:39,280 --> 00:37:42,399
Speaker 1: kind of it's it's been a rough weekend for her.

699
00:37:42,719 --> 00:37:45,080
Speaker 2: No, the blush that was still poppished.

700
00:37:44,600 --> 00:37:47,000
Speaker 1: She still has the blush, it hasn't been touched. And

701
00:37:47,040 --> 00:37:48,319
Speaker 1: her eyebrows are still there.

702
00:37:48,480 --> 00:37:50,000
Speaker 2: Eyebrows looking good.

703
00:37:50,320 --> 00:37:53,319
Speaker 1: Yeah, there's a rubber band holding one of her arms on.

704
00:37:54,760 --> 00:37:55,919
Speaker 2: And hey, we've all been there.

705
00:37:56,000 --> 00:37:59,880
Speaker 1: We've all been there. So here's the little bio she

706
00:38:00,080 --> 00:38:06,560
Speaker 1: comes with. It says scary. No, it says meat mixed

707
00:38:06,640 --> 00:38:10,279
Speaker 1: up Mandy. She may be in rough condition, but she

708
00:38:10,440 --> 00:38:14,200
Speaker 1: feels that is her identity. I have offered to buy

709
00:38:14,280 --> 00:38:18,360
Speaker 1: a new body and fix her up, and she politely declined,

710
00:38:20,120 --> 00:38:23,120
Speaker 1: that's the ghost that's inside of this. So essentially, a

711
00:38:23,239 --> 00:38:28,080
Speaker 1: human person died and they chose or somehow got in this.

712
00:38:30,160 --> 00:38:31,000
Speaker 2: Rubber band arm.

713
00:38:31,239 --> 00:38:35,080
Speaker 1: This is the one they want, Yes, she says, baby,

714
00:38:35,120 --> 00:38:36,279
Speaker 1: I was born this way.

715
00:38:36,560 --> 00:38:37,720
Speaker 2: Funny positivity.

716
00:38:38,000 --> 00:38:41,600
Speaker 1: Yes, she says. I have offered to get her some

717
00:38:41,680 --> 00:38:46,000
Speaker 1: clothes and she told me quit it, lady, I am

718
00:38:46,000 --> 00:38:49,400
Speaker 1: a mess. I like being a mess. It is okay

719
00:38:49,480 --> 00:38:52,600
Speaker 1: to be a mess. Who So I kind of backed

720
00:38:52,640 --> 00:38:55,920
Speaker 1: off as I sat to think about it. I feel

721
00:38:55,960 --> 00:38:58,880
Speaker 1: I can kind of relate to her. Not every day

722
00:38:59,040 --> 00:39:01,320
Speaker 1: do I want to comb my hair or go shopping.

723
00:39:01,760 --> 00:39:06,160
Speaker 1: Some days I just am happy sitting here alone. Sometimes

724
00:39:06,160 --> 00:39:08,640
Speaker 1: I just need my space. Other times I need to

725
00:39:08,680 --> 00:39:11,400
Speaker 1: be here. So now this person's just talking about their problem.

726
00:39:11,520 --> 00:39:14,120
Speaker 2: Yeah, this reminds me of like a recipe like for

727
00:39:14,280 --> 00:39:15,040
Speaker 2: you have to scroll.

728
00:39:15,320 --> 00:39:18,440
Speaker 1: Yes, that's very much what these are. When I was

729
00:39:18,440 --> 00:39:21,600
Speaker 1: a kid, my mother would make this castle role.

730
00:39:21,840 --> 00:39:24,360
Speaker 2: I just want to make jock a chip cookies.

731
00:39:24,520 --> 00:39:29,840
Speaker 1: Yep, exactly. So she obviously hasn't told me her story

732
00:39:30,120 --> 00:39:34,440
Speaker 1: because I began to understand her faster than she trusted me.

733
00:39:35,040 --> 00:39:37,720
Speaker 1: She had a life where she did what she wanted

734
00:39:37,719 --> 00:39:40,839
Speaker 1: to do as long as it didn't affect anyone good

735
00:39:40,880 --> 00:39:44,200
Speaker 1: for her. Wow, I feel like this is a way

736
00:39:44,239 --> 00:39:47,160
Speaker 1: of trying to be like she was a part of

737
00:39:47,160 --> 00:39:50,879
Speaker 1: the LGBT community. It's just as long as we don't

738
00:39:50,920 --> 00:39:51,960
Speaker 1: have to hear about.

739
00:39:51,680 --> 00:39:53,399
Speaker 2: It behind closed door.

740
00:39:53,520 --> 00:39:56,960
Speaker 1: She was free, Yes, and that's why in her life

741
00:39:57,280 --> 00:40:00,160
Speaker 1: now or her after life, she wants to just be

742
00:40:00,320 --> 00:40:00,960
Speaker 1: who she is.

743
00:40:01,080 --> 00:40:02,879
Speaker 2: Yeah, that's why she doesn't want someone to change her.

744
00:40:03,239 --> 00:40:07,239
Speaker 1: Yeah, we don't even know really if she uses she

745
00:40:08,200 --> 00:40:11,000
Speaker 1: well true, I mean she hasn't corrected man.

746
00:40:11,719 --> 00:40:12,400
Speaker 5: Yeah, you're right, yea.

747
00:40:12,480 --> 00:40:15,359
Speaker 1: But it says in closing here it says her main

748
00:40:15,440 --> 00:40:19,000
Speaker 1: mission is to educate people that not everyone is perfect,

749
00:40:19,120 --> 00:40:20,320
Speaker 1: and that is okay.

750
00:40:21,040 --> 00:40:23,520
Speaker 2: Wait, that's like very beautiful. Why would this person be

751
00:40:23,640 --> 00:40:24,799
Speaker 2: selling I know.

752
00:40:25,400 --> 00:40:29,560
Speaker 1: I guess this person already learned that lesson. And so

753
00:40:29,719 --> 00:40:33,040
Speaker 1: now if you give this person seventy five dollars, she

754
00:40:33,200 --> 00:40:36,440
Speaker 1: can teach you. So if you're somebody listening to this

755
00:40:36,520 --> 00:40:42,960
Speaker 1: and you're like, I I am perfect or I'm not perfect,

756
00:40:43,040 --> 00:40:46,719
Speaker 1: and that is not okay with me, you need this

757
00:40:46,840 --> 00:40:47,880
Speaker 1: doll Yeah.

758
00:40:48,160 --> 00:40:51,280
Speaker 2: Sure. Let you know, what started as very scary has

759
00:40:51,640 --> 00:40:55,600
Speaker 2: I like have a very soft spot in my heart now? Yeah,

760
00:40:55,640 --> 00:40:58,520
Speaker 2: because I feel like maybe this is my lack of understanding.

761
00:40:58,560 --> 00:41:02,400
Speaker 2: But you described it as like a haunted doll. Of course,

762
00:41:03,160 --> 00:41:05,800
Speaker 2: does haunted not have to mean scary.

763
00:41:06,760 --> 00:41:10,040
Speaker 1: I mean that's what's fun, Like, that's what we want

764
00:41:10,120 --> 00:41:12,359
Speaker 1: to hear about. You don't go to a haunted house

765
00:41:12,360 --> 00:41:15,000
Speaker 1: and it's just like an invisible person that's like, hey,

766
00:41:15,040 --> 00:41:15,680
Speaker 1: come in.

767
00:41:16,160 --> 00:41:19,319
Speaker 2: That's my dream haunted house though, coming in and they go,

768
00:41:19,520 --> 00:41:21,239
Speaker 2: it's just someone in a mirror, and that mirror has

769
00:41:21,280 --> 00:41:23,040
Speaker 2: post it notes to say like you're doing great.

770
00:41:23,400 --> 00:41:25,240
Speaker 3: Yeah, it's like keep going.

771
00:41:25,480 --> 00:41:27,560
Speaker 1: I'm sure they're all don't change for anyone.

772
00:41:27,800 --> 00:41:31,280
Speaker 2: Yeah. Yeah, and it's technically haunted by definition.

773
00:41:31,400 --> 00:41:33,359
Speaker 1: But to be honest with you, because I'm a little

774
00:41:33,400 --> 00:41:37,279
Speaker 1: scaredy cat, and to me, I feel like there's been

775
00:41:37,320 --> 00:41:40,120
Speaker 1: many times in my life where a ghost is like hi,

776
00:41:40,360 --> 00:41:42,480
Speaker 1: like put their hand on my shoulder, Hey, welcome to

777
00:41:42,560 --> 00:41:45,600
Speaker 1: my house, and I'm like, ah, something touched me.

778
00:41:46,800 --> 00:41:51,200
Speaker 2: And so it's like they're not all upset to be here.

779
00:41:51,760 --> 00:41:53,799
Speaker 1: No, I think that there's some that are just like

780
00:41:53,960 --> 00:41:56,759
Speaker 1: this is it, honey, this is what I've been waiting for,

781
00:41:57,000 --> 00:41:59,600
Speaker 1: is to be just looking at me. Because I'm sure

782
00:41:59,600 --> 00:42:02,920
Speaker 1: they're also like pervs, you know, like they love to

783
00:42:03,000 --> 00:42:04,759
Speaker 1: be like I'm watching.

784
00:42:04,480 --> 00:42:06,319
Speaker 2: You because they can watch anything.

785
00:42:06,800 --> 00:42:08,040
Speaker 1: Yeah, and we can't watch them.

786
00:42:08,320 --> 00:42:09,040
Speaker 2: That's not fair.

787
00:42:09,280 --> 00:42:11,400
Speaker 1: It's not fair at all. But I don't know.

788
00:42:11,600 --> 00:42:15,359
Speaker 2: Have you ever had any during one of these recordings,

789
00:42:15,640 --> 00:42:17,760
Speaker 2: any ghosts like anything you felt?

790
00:42:18,320 --> 00:42:22,200
Speaker 1: I don't know. So there is a creepy man standing

791
00:42:22,239 --> 00:42:28,320
Speaker 1: behind you that I wasn't sure. He's looking down now

792
00:42:28,760 --> 00:42:31,120
Speaker 1: this is this is a newer studio.

793
00:42:31,320 --> 00:42:31,880
Speaker 2: Okay.

794
00:42:31,960 --> 00:42:35,720
Speaker 1: But the land. You don't know about the land.

795
00:42:36,120 --> 00:42:38,120
Speaker 2: The land, the land.

796
00:42:38,760 --> 00:42:42,120
Speaker 1: So let's move on to our next thing. Can I

797
00:42:42,280 --> 00:42:45,200
Speaker 1: please play some ghost of voices for you?

798
00:42:45,239 --> 00:42:45,640
Speaker 2: Please?

799
00:42:47,680 --> 00:42:57,320
Speaker 1: It's time for ev or EV please Okay. EVP is

800
00:42:57,400 --> 00:43:02,799
Speaker 1: electronic voice phenomenal. Okay, So, anytime a professional in the

801
00:43:02,840 --> 00:43:07,480
Speaker 1: field believes they've captured a ghost speaking, I've got two

802
00:43:07,520 --> 00:43:09,880
Speaker 1: of them for you. I'm going to play them. I

803
00:43:09,920 --> 00:43:12,520
Speaker 1: want you to tell me what you're hearing, and then

804
00:43:12,560 --> 00:43:15,400
Speaker 1: I'm going to give you an ABCD and that one

805
00:43:15,480 --> 00:43:18,600
Speaker 1: of those will be the right answer. At least you

806
00:43:18,640 --> 00:43:21,480
Speaker 1: know what the person believes. So this first one is

807
00:43:21,560 --> 00:43:29,120
Speaker 1: from Wamirah Paranormal and it was at a place called

808
00:43:29,280 --> 00:43:39,000
Speaker 1: Pleasant Creek Hospital. What is this ghost saying? Okay, wait,

809
00:43:40,160 --> 00:43:44,440
Speaker 1: I love that you just jumped. There was a sniffle Okay,

810
00:43:45,040 --> 00:43:48,160
Speaker 1: the sniffles from the ghost hunter. That's a a living human.

811
00:43:48,440 --> 00:43:51,440
Speaker 1: It's like, for sure a sniff but before the sniffle,

812
00:43:51,480 --> 00:43:54,319
Speaker 1: there's like a whisper. Okay, So listen in.

813
00:43:59,360 --> 00:44:02,080
Speaker 2: This of those hearing tests where they put you in

814
00:44:02,080 --> 00:44:04,520
Speaker 2: a van and have you, like put your button in

815
00:44:04,560 --> 00:44:05,920
Speaker 2: a van. Do you know about this?

816
00:44:06,600 --> 00:44:08,600
Speaker 1: I don't think you're supposed to take that in a van.

817
00:44:09,160 --> 00:44:12,640
Speaker 1: Do you think someone's kidnapped you?

818
00:44:12,640 --> 00:44:15,240
Speaker 2: You were kidnapped in your own life.

819
00:44:15,080 --> 00:44:16,720
Speaker 5: Between two jagged trees.

820
00:44:18,080 --> 00:44:20,120
Speaker 2: They like they came to the school and we sat

821
00:44:20,160 --> 00:44:22,480
Speaker 2: in a van and then gave us like a Jeopardy buzzer.

822
00:44:22,680 --> 00:44:27,440
Speaker 1: No cow, no, Cal, that was not Did they offer

823
00:44:27,480 --> 00:44:28,080
Speaker 1: you candy?

824
00:44:28,360 --> 00:44:28,759
Speaker 4: He did?

825
00:44:29,000 --> 00:44:30,160
Speaker 2: It was wonderful.

826
00:44:31,680 --> 00:44:35,000
Speaker 1: Cal. I need you to talk to someone about that.

827
00:44:35,360 --> 00:44:36,720
Speaker 2: I'm talking to you about it right now.

828
00:44:37,560 --> 00:44:39,719
Speaker 1: Okay, Okay, here we go.

829
00:44:43,560 --> 00:44:49,200
Speaker 2: I'm literally hearing clink, Yeah, like the word clink being said.

830
00:44:51,719 --> 00:44:57,920
Speaker 1: Do you know what? Yeah? Like, well that's not what

831
00:44:57,960 --> 00:45:02,840
Speaker 1: they thought. Did they think was a what cologne?

832
00:45:02,880 --> 00:45:03,280
Speaker 5: Is that?

833
00:45:03,400 --> 00:45:03,799
Speaker 2: No way?

834
00:45:05,920 --> 00:45:08,919
Speaker 5: B you claim your dad.

835
00:45:11,040 --> 00:45:12,759
Speaker 1: C clean it up?

836
00:45:13,520 --> 00:45:13,960
Speaker 2: Okay?

837
00:45:14,719 --> 00:45:18,920
Speaker 1: Or de climate death. Maybe they're trying. Maybe there's they

838
00:45:18,960 --> 00:45:21,399
Speaker 1: believe in climate change and they're trying to.

839
00:45:21,480 --> 00:45:22,759
Speaker 2: Tell us I'm glad I got that.

840
00:45:23,600 --> 00:45:25,320
Speaker 1: Yes, you did.

841
00:45:27,760 --> 00:45:30,879
Speaker 2: Clean it up, clean it up, locking it in ten

842
00:45:30,880 --> 00:45:38,279
Speaker 2: million dollars on the line, Wait, clean it up? And

843
00:45:38,320 --> 00:45:39,960
Speaker 2: then it was like they knew.

844
00:45:41,239 --> 00:45:42,560
Speaker 1: It's not going down their nose.

845
00:45:42,680 --> 00:45:43,279
Speaker 2: Clean it up?

846
00:45:44,239 --> 00:45:44,960
Speaker 1: That is correct?

847
00:45:45,080 --> 00:45:47,520
Speaker 2: Yes, yes, I love games.

848
00:45:47,800 --> 00:45:51,319
Speaker 1: Okay, So this one is from Ghosts of Tennessee on

849
00:45:51,400 --> 00:45:55,800
Speaker 1: YouTube and an unknown location. What is this ghost saying?

850
00:45:55,920 --> 00:46:03,320
Speaker 1: Cal cripe? Okay? Sorry, that was scary. There's a voice

851
00:46:03,400 --> 00:46:04,120
Speaker 1: underneath the.

852
00:46:04,680 --> 00:46:12,400
Speaker 2: I'm trying so hard. Sounds like my cat when he's hungry.

853
00:46:13,719 --> 00:46:18,640
Speaker 1: There's some options. Was it a please get out of here?

854
00:46:20,000 --> 00:46:23,960
Speaker 1: B Who's that s too bad?

855
00:46:25,160 --> 00:46:30,279
Speaker 3: Or d Hazel and George Baker then spells it?

856
00:46:31,120 --> 00:46:33,200
Speaker 1: Oh, no, pinkering, I apologize.

857
00:46:34,000 --> 00:46:35,440
Speaker 2: We're you gonna hear? What more time? None?

858
00:46:37,440 --> 00:46:38,799
Speaker 1: It's so clear you can't tell.

859
00:46:39,080 --> 00:46:40,160
Speaker 2: Wait, really you think? So?

860
00:46:43,480 --> 00:46:48,359
Speaker 1: Please get out of here? Who's that too bad? Or

861
00:46:48,440 --> 00:46:49,640
Speaker 1: George and Hazel pinkering?

862
00:46:50,760 --> 00:46:57,200
Speaker 2: Well one more time? George and Hazel pinker.

863
00:47:04,480 --> 00:47:05,800
Speaker 1: Believe it?

864
00:47:05,880 --> 00:47:06,960
Speaker 2: Is it please get out of here?

865
00:47:07,160 --> 00:47:07,239
Speaker 4: No?

866
00:47:07,360 --> 00:47:08,520
Speaker 1: They believe it's too bad.

867
00:47:08,560 --> 00:47:09,719
Speaker 2: Okay, I was thinking it was too bad, but then

868
00:47:09,719 --> 00:47:11,839
Speaker 2: I thought, no, you'd give me two seas so.

869
00:47:12,320 --> 00:47:17,040
Speaker 1: In the original clip, the ghost hunter says, I'm getting

870
00:47:17,120 --> 00:47:22,400
Speaker 1: nauseous over here, and then the ghost says, too bad.

871
00:47:23,040 --> 00:47:27,240
Speaker 2: I want to believe so bad. And I just don't

872
00:47:27,239 --> 00:47:27,839
Speaker 2: hear that.

873
00:47:28,520 --> 00:47:33,400
Speaker 1: Really, I thought that was crystal amazing, crystal clear, crystal clear.

874
00:47:34,280 --> 00:47:36,920
Speaker 2: But I have bad hearing in general, so this is

875
00:47:37,080 --> 00:47:38,000
Speaker 2: not the job for me.

876
00:47:38,480 --> 00:47:43,319
Speaker 5: That's because in your past life you were bitten by

877
00:47:43,360 --> 00:47:50,120
Speaker 5: a snake in your ear. It was green snake with scales.

878
00:47:51,000 --> 00:47:54,800
Speaker 1: Okay, last thing. I'm just gonna throw out a couple

879
00:47:54,800 --> 00:47:59,759
Speaker 1: of thingies, and I'm wondering what your thoughts are. Aliens, God,

880
00:48:00,719 --> 00:48:01,600
Speaker 1: you believe them.

881
00:48:01,719 --> 00:48:05,399
Speaker 2: There's no way humans are the only thing I don't

882
00:48:05,400 --> 00:48:08,400
Speaker 2: know if they're what we have imagined this far is

883
00:48:08,840 --> 00:48:13,040
Speaker 2: I think if there are infinite galaxies and planets, doesn't

884
00:48:13,040 --> 00:48:16,879
Speaker 2: there have to be infinite creatures. Yeah, we're getting into

885
00:48:16,920 --> 00:48:18,680
Speaker 2: the nitty gritty of infinity.

886
00:48:19,360 --> 00:48:21,880
Speaker 1: Yeah, there's there's that's a lot.

887
00:48:21,960 --> 00:48:25,680
Speaker 2: Everything's got to happen, do you not? Of course I believe.

888
00:48:25,480 --> 00:48:29,799
Speaker 1: Them, believe I believe in But you know what I

889
00:48:29,800 --> 00:48:33,640
Speaker 1: think a lot is like, the universe is so vast,

890
00:48:34,200 --> 00:48:36,400
Speaker 1: and I think that sometimes we all kind of like

891
00:48:36,520 --> 00:48:38,600
Speaker 1: have this idea that they're all in one place, so

892
00:48:38,680 --> 00:48:41,839
Speaker 1: they're all from one place. But it's like there's there's

893
00:48:41,880 --> 00:48:45,000
Speaker 1: gotta be so many different types. And like a lot

894
00:48:45,040 --> 00:48:48,640
Speaker 1: of those, like those clips that we see that like

895
00:48:48,920 --> 00:48:52,239
Speaker 1: the military captured or whatever, It's like those are kind

896
00:48:52,280 --> 00:48:54,560
Speaker 1: of like the boring ones, because I also like the

897
00:48:54,560 --> 00:48:58,800
Speaker 1: ones that are like light show, like giving you full vegas,

898
00:48:58,840 --> 00:48:59,839
Speaker 1: like they're up there.

899
00:49:00,080 --> 00:49:02,759
Speaker 2: So I feel like they don't they don't need to

900
00:49:02,760 --> 00:49:05,760
Speaker 2: be coming here, like they like are living their own lives.

901
00:49:05,840 --> 00:49:06,600
Speaker 1: Oh yeah, they're five.

902
00:49:06,680 --> 00:49:09,200
Speaker 2: It's so like egotistical of us to assume they're dying

903
00:49:09,239 --> 00:49:09,920
Speaker 2: to come to Earth.

904
00:49:10,239 --> 00:49:12,960
Speaker 1: I know everyone wants to be here, please, I'm sure

905
00:49:12,960 --> 00:49:17,520
Speaker 1: in the galaxy this is the bad neighborhood. Nobody wants

906
00:49:17,520 --> 00:49:18,120
Speaker 1: to go to Earth.

907
00:49:18,239 --> 00:49:21,279
Speaker 2: The people on Earth are trying to get off Earth. Yeah,

908
00:49:21,400 --> 00:49:22,960
Speaker 2: why would they be dying to come here?

909
00:49:23,200 --> 00:49:29,279
Speaker 1: Yeah? Absolutely? What do you think about past lives? You

910
00:49:29,360 --> 00:49:30,040
Speaker 1: were a witch?

911
00:49:30,480 --> 00:49:32,440
Speaker 2: I was? I was a witch that all bit in

912
00:49:32,480 --> 00:49:37,680
Speaker 2: the ear by George and Nazel threat No, but I

913
00:49:37,800 --> 00:49:41,400
Speaker 2: it's interesting. I think I am a believer, something that

914
00:49:41,440 --> 00:49:44,120
Speaker 2: calms me down about my fear of death. And this

915
00:49:44,200 --> 00:49:47,160
Speaker 2: is maybe so cheesy. I don't know what it is.

916
00:49:47,200 --> 00:49:49,800
Speaker 2: But have you ever been to the Huntington Gardens?

917
00:49:50,320 --> 00:49:53,360
Speaker 1: Cheesy, No, I haven't.

918
00:49:53,520 --> 00:49:57,160
Speaker 2: There's this really big, beautiful tree called the Ombu Tree.

919
00:49:57,560 --> 00:49:59,160
Speaker 2: I would go like lay in front of it and

920
00:49:59,239 --> 00:50:02,400
Speaker 2: lay in the grass and like almost the closest thing

921
00:50:02,400 --> 00:50:03,960
Speaker 2: I had to pray because I'm not really religious, like

922
00:50:04,000 --> 00:50:06,400
Speaker 2: to this tree, and something clicked for me or was like,

923
00:50:06,960 --> 00:50:09,520
Speaker 2: why I do think I prefer to be buried than

924
00:50:09,560 --> 00:50:12,640
Speaker 2: cremated is because there's an element of like, oh, bodies

925
00:50:12,680 --> 00:50:15,400
Speaker 2: going back into the earth. Plants are living, breathing things.

926
00:50:15,440 --> 00:50:20,040
Speaker 2: It's like this everlasting circle spirit. Like I was like, oh,

927
00:50:20,200 --> 00:50:24,120
Speaker 2: me see here as a living human admiring these trees

928
00:50:24,120 --> 00:50:27,200
Speaker 2: blowing in the wind. Those are other people also, because

929
00:50:27,239 --> 00:50:28,840
Speaker 2: we literally went back into the ground and it was

930
00:50:28,880 --> 00:50:30,800
Speaker 2: like it's kind of the only thing that calms me down.

931
00:50:31,000 --> 00:50:33,640
Speaker 2: So the idea of Past Lives is like, I don't

932
00:50:33,719 --> 00:50:36,279
Speaker 2: know if I was necessarily another person, but I'd like

933
00:50:36,400 --> 00:50:41,879
Speaker 2: to think maybe I was a tree and maybe I'll

934
00:50:41,880 --> 00:50:44,560
Speaker 2: be a tree again. Yeah, I think trees are the

935
00:50:44,560 --> 00:50:47,040
Speaker 2: more important things than humans.

936
00:50:47,160 --> 00:50:48,200
Speaker 1: I think that's beautiful.

937
00:50:48,480 --> 00:50:51,520
Speaker 2: I don't know, but I love the movie. What movie

938
00:50:51,600 --> 00:50:53,600
Speaker 2: Past Lives? I don't know this leans on.

939
00:50:54,160 --> 00:50:57,080
Speaker 1: I don't watch the same movies as you. Our algorithms

940
00:50:57,120 --> 00:50:57,920
Speaker 1: are very different.

941
00:50:58,760 --> 00:51:01,279
Speaker 2: We've got to have some overlap. I'm also like a

942
00:51:01,320 --> 00:51:02,439
Speaker 2: nerd with that stuff though.

943
00:51:02,600 --> 00:51:06,719
Speaker 1: That's beautiful. Yeah, is there a fun conspiracy theory that

944
00:51:06,760 --> 00:51:07,320
Speaker 1: you believe?

945
00:51:07,440 --> 00:51:10,080
Speaker 2: Oh that's so fun. Oh I should have come prepped

946
00:51:10,640 --> 00:51:12,560
Speaker 2: because I grew up my mom and I would just

947
00:51:12,680 --> 00:51:16,880
Speaker 2: always watch conspiracy theory docs and like sci fi shows

948
00:51:16,920 --> 00:51:21,280
Speaker 2: and everything. So I was like very in that world.

949
00:51:21,360 --> 00:51:22,880
Speaker 2: I feel like I used to be the kind of

950
00:51:23,280 --> 00:51:25,359
Speaker 2: kid that's like and if you foold the dollar bill

951
00:51:25,480 --> 00:51:32,000
Speaker 2: in this way, my mom was like fascinated by like

952
00:51:32,760 --> 00:51:37,239
Speaker 2: Freemason's umat like Illuminati and like, what's going on?

953
00:51:37,320 --> 00:51:38,200
Speaker 1: Do you think that's real?

954
00:51:38,440 --> 00:51:39,399
Speaker 5: Like the Illuminati?

955
00:51:39,600 --> 00:51:41,960
Speaker 2: I don't know everything.

956
00:51:41,719 --> 00:51:44,319
Speaker 1: About People will tell you on the internet like there's

957
00:51:44,360 --> 00:51:49,200
Speaker 1: a secret underground. La Oh my gosh, that is like

958
00:51:49,719 --> 00:51:50,640
Speaker 1: truly underground.

959
00:51:50,719 --> 00:51:56,839
Speaker 2: It's like I just truly like not like it's gonna

960
00:51:56,840 --> 00:51:58,879
Speaker 2: sound self deprecating, but I'm not trying to put myself down.

961
00:51:59,000 --> 00:52:01,560
Speaker 2: I just have such an a feeling of being so

962
00:52:01,680 --> 00:52:04,879
Speaker 2: dumb that I'm like, yeah, I assume everything could be real,

963
00:52:05,040 --> 00:52:07,440
Speaker 2: Like I know so little about life. Who am I

964
00:52:07,560 --> 00:52:11,799
Speaker 2: to also say something is wrong? You know, I have

965
00:52:11,840 --> 00:52:15,680
Speaker 2: to understand how underground works to deny for you that

966
00:52:15,719 --> 00:52:20,359
Speaker 2: there's not an underground la. I don't know where all

967
00:52:20,400 --> 00:52:22,400
Speaker 2: the stuff goes. I don't know where all the stuff

968
00:52:22,440 --> 00:52:26,800
Speaker 2: came from. There could easily be anything underneath me or

969
00:52:26,840 --> 00:52:29,840
Speaker 2: above me, and I don't know because I'm on my

970
00:52:29,920 --> 00:52:32,920
Speaker 2: damn phone. Right, And that's a message for gen Z

971
00:52:33,239 --> 00:52:34,360
Speaker 2: of America. Tickup.

972
00:52:34,800 --> 00:52:37,520
Speaker 1: You're one of our few gen zs really that we've

973
00:52:37,560 --> 00:52:38,239
Speaker 1: ever had here.

974
00:52:38,360 --> 00:52:41,520
Speaker 2: Oh, that's really a big honor. Yeah, I know where

975
00:52:42,040 --> 00:52:42,600
Speaker 2: a handful.

976
00:52:42,760 --> 00:52:45,760
Speaker 3: Yeah, in the last, certainly the last.

977
00:52:46,160 --> 00:52:47,560
Speaker 1: Well, my dear, this is it.

978
00:52:47,680 --> 00:52:50,640
Speaker 2: No, no, no, just one hundred more minutes, please, no more,

979
00:52:51,239 --> 00:52:53,239
Speaker 2: no more freaking. I didn't tell you about how I

980
00:52:53,320 --> 00:52:56,640
Speaker 2: see butterflies than they remind me of my dogs.

981
00:52:57,080 --> 00:52:57,919
Speaker 1: Yeah, I did.

982
00:53:00,120 --> 00:53:00,440
Speaker 2: Boring?

983
00:53:03,160 --> 00:53:06,480
Speaker 1: All right? Well, can you tell people where to find

984
00:53:06,520 --> 00:53:07,360
Speaker 1: you and stuff?

985
00:53:08,239 --> 00:53:11,600
Speaker 2: You can find me on Instagram at kel Cripe. I'm

986
00:53:11,640 --> 00:53:15,680
Speaker 2: on TikTok at really good impressions. I just started a

987
00:53:15,719 --> 00:53:19,439
Speaker 2: YouTube kel Cripe. I think I'm underscore or kel underscore Crepe.

988
00:53:19,480 --> 00:53:22,040
Speaker 2: I should know that. I just know I didn't score

989
00:53:22,200 --> 00:53:26,799
Speaker 2: kel Cripe. But I'm on there. Oh I'm doing a

990
00:53:26,960 --> 00:53:29,320
Speaker 2: show in New York for the Comedy Fest.

991
00:53:29,880 --> 00:53:30,640
Speaker 1: Amazing.

992
00:53:30,920 --> 00:53:36,240
Speaker 2: I do stand up all around. Uh, put me in stuff.

993
00:53:36,400 --> 00:53:40,480
Speaker 2: I'd love to do stuff and hanging out with my

994
00:53:40,560 --> 00:53:43,440
Speaker 2: awesome girlfriend. Oh, that's where you can find me.

995
00:53:44,840 --> 00:53:47,920
Speaker 1: And you can find me on YouTube at kel Crape.

996
00:53:49,400 --> 00:53:52,560
Speaker 2: I thank you for having Thank you for having me.

997
00:53:54,560 --> 00:53:56,520
Speaker 1: Thank you col Crepe.

998
00:53:56,760 --> 00:53:57,640
Speaker 5: Honey the Land.

999
00:53:58,560 --> 00:54:00,600
Speaker 1: I can't stop saying that. I love it so much.

1000
00:54:01,320 --> 00:54:05,239
Speaker 1: Thank you for listening. I want to tell you to

1001
00:54:05,320 --> 00:54:09,400
Speaker 1: scram I love you all, both living and dead. But

1002
00:54:09,480 --> 00:54:12,440
Speaker 1: if I didn't ask you to haunt me, don't haunt me.

1003
00:54:12,960 --> 00:54:23,759
Speaker 1: Came on. This has been an exactly right production. Want

1004
00:54:23,800 --> 00:54:27,480
Speaker 1: to share your paranormal experience on the podcast. I read

1005
00:54:27,560 --> 00:54:31,319
Speaker 1: stories out loud and sometimes I'll even call you. So

1006
00:54:31,480 --> 00:54:35,280
Speaker 1: email me at ghosted by Roz at gmail dot com.

1007
00:54:35,440 --> 00:54:37,880
Speaker 1: You can send a DM or voice message to the

1008
00:54:37,920 --> 00:54:41,800
Speaker 1: show's instagram at ghosted by Roz. Give us a follow

1009
00:54:41,840 --> 00:54:46,080
Speaker 1: while you're there, and follow me Roz on Instagram at

1010
00:54:46,239 --> 00:54:50,720
Speaker 1: Roz Hernandez and on TikTok and Twitter at It's Roz Hernandez.

1011
00:54:51,280 --> 00:54:56,600
Speaker 1: My senior producer is the startling Jiha Lee. Associate producer

1012
00:54:56,760 --> 00:55:01,719
Speaker 1: is the alarming Christina Chamberlain. This episode was mixed and

1013
00:55:01,800 --> 00:55:06,640
Speaker 1: sound designed by the eerie Edson Choi. My guest booker

1014
00:55:06,719 --> 00:55:11,160
Speaker 1: is the petrifying Patrick Kuttner. My theme music is by

1015
00:55:11,200 --> 00:55:16,759
Speaker 1: the spine chilling Brendan Lynch Salomon. Artwork by the Spooky

1016
00:55:17,239 --> 00:55:24,920
Speaker 1: Vanessa Lilac. Photography by the terrifying Elizabeth Karen. Executive produced

1017
00:55:25,160 --> 00:55:31,000
Speaker 1: by the chilling Karen Kilgareff, the spooky Georgia hart Stark,

1018
00:55:31,239 --> 00:55:37,040
Speaker 1: and the frightening Danielle Kramer. Listen to Ghosted by Roz

1019
00:55:37,080 --> 00:55:43,080
Speaker 1: Hernandez on the iHeartRadio app, Apple Podcasts, or wherever you

1020
00:55:43,160 --> 00:55:44,400
Speaker 1: get your podcasts