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Speaker 1: All right, my name is Michael Rapport a K. The

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Speaker 1: Greno Man Dingo a K. The White Chocolateito a k

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Speaker 1: a The Jake Momona of Podcasting a K A Mr.

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Speaker 1: New York a K A Mr a K. And this

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Speaker 1: is the I Am Rappaport Stereo Podcast in prime time.

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Speaker 1: We're gonna get right to it. Miles Jordan's give me

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Speaker 1: something nice, give me something new, give me something real funky.

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Speaker 1: Let's go. Yes, you hear that. You know we got

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Speaker 1: all new banging beats, all new big body banging, funky

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Speaker 1: asked beats on the I Am Wrapp Reports Stereo Podcast,

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Speaker 1: customized one off beats strictly for the I M Wrap

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Speaker 1: Reports Stereo Podcast. Now, if you're an m C and

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Speaker 1: you want to get on any one of these banging

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Speaker 1: asked beats, hit us up. I am Rapp Report Podcast

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Speaker 1: at gmail dot com. If you got any complaints, any concerns,

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Speaker 1: any questions, you want to rock on one of these beats,

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Speaker 1: I Am Rapp Report Podcast at gmail dot com. You

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Speaker 1: hear that, dirty smacker. Not only have we moved over

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Speaker 1: to luminary, but we have brand new banging I Am

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Speaker 1: Wrapp Reports Stereo Podcast beats. You are listening to the

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Speaker 1: I am Wrap Ports Stereo podcasts in high definition or Luminary.

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Speaker 1: I said it once, I'm gonna say it again. I

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Speaker 1: said it once, I'm going to say it again. May

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Speaker 1: May twenty is the day will only be heard a Luminary.

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Speaker 1: The Iron Rapports stereo podcast will only be able to

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Speaker 1: be heard or Luminary. We're not fucking around any more.

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Speaker 1: We will be on Luminary Premium along with forty plus

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Speaker 1: exclusive shows. Starting May you can sign up go to

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Speaker 1: Luminary dot link slash wrap Report. That's Luminary dot link

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Speaker 1: slash rapp Report. Now we're not playing starting May twenty,

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Speaker 1: that's where we will be going harder, going stronger, going

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Speaker 1: bigger and more disruptive. This is the Iron Wrap Ports

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Speaker 1: Stereo podcast in prime time Man. Okay, So on today's episode,

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Speaker 1: we have the guy that pretty much it's one of

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Speaker 1: the main people for introducing the term trill into the

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Speaker 1: everyday vernacular of people. Um talked about his record, talked

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Speaker 1: about it a little bit with Statics Selector. I love

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Speaker 1: this record Trill. Static bun B from u k G

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Speaker 1: bun B and Static Selector are with me on today's

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Speaker 1: Prime Time I Am wrapp Reports Stereo podcast. This is

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Speaker 1: a dope asked interview. Bunn has worked with everybody, jay Z.

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Speaker 1: These guys have both worked with everybody. We talked about

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Speaker 1: the making of Trill Static, what it was like watching

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Speaker 1: method Man rocking the studio. UH stories about working with

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Speaker 1: jay Z, working with nas Sean Price, bun By campaign

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Speaker 1: sort of for Bernie Sanders is smart dude. The Pride

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Speaker 1: of Port Arthur, Texas represents Texas and Houston to the

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Speaker 1: fullest um. Later on in this prime time I Am

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Speaker 1: Rapports Stereo podcast, bun Be and the statu Selected talking

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Speaker 1: about their new banging as record, Trill Static, which they

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Speaker 1: made in eleven hours. Everybody's on there. Everybody's on that record.

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Speaker 1: Fat Joe method Man, um Static, you know he worked

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Speaker 1: with closely good friend with Mac Miller, talk about him.

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Speaker 1: This is a dope ass pure hip hop interview with

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Speaker 1: a legend and a legend in the making. Even though

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Speaker 1: these guys are from Houston and UH Static is from Boston,

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Speaker 1: I don't judge them. I don't judge them. During NBA

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Speaker 1: playoff season, I was with UH these guys and we

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Speaker 1: watched the Warriors kicked the ship out of the Houston

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Speaker 1: Rockets again. UM and the Boston Celtics UH got their

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Speaker 1: asses kicked by the Milwaukee Bucks, so that is now

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Speaker 1: a series. Paul pierced that it was done fucking gonzo UM.

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Speaker 1: But the Warriors have the Houston Rockets as of the

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Speaker 1: recording of this I m rapp reports stereo pockets. They

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Speaker 1: have them on the fun ropes. Sick A tired of

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Speaker 1: the whining, the karate kicking, the complaining, the jostling, the

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Speaker 1: working the refs. You're supposed to be an m v P.

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Speaker 1: James Harden, Chris Paul you are. You've had m v

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Speaker 1: P like seasons. Stopped the whining. Either you could beat

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Speaker 1: the Golden State Warriors straight up and head up, or

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Speaker 1: you can't. All the theatrics, all the showing up the

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Speaker 1: referees and you're talking to a guy, or you're listening

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Speaker 1: to a guy who likes to talk shit and and

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Speaker 1: and taunt referees. You're talking to a guy who got

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Speaker 1: a technical foul. I was threatened by the same referee

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Speaker 1: who refereed Game two of the Houston Rockets Golden State

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Speaker 1: Warriors game, not Scott Foster, the other guy. I was

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Speaker 1: threatened to get thrown out. Okay of the Celebrity All

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Speaker 1: Star Game in Madison Square Garden. Okay, and Chris Mullen,

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Speaker 1: who was playing on the other team, said, rap chill Okay,

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Speaker 1: So I get fucking with reps. I thought with a

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Speaker 1: ref and got a tech during a Celebrity All Star game.

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Speaker 1: That's how I get down. Look it up. Look up

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Speaker 1: the two thousand fifteen Celebrity All Star Game. Watch about

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Speaker 1: I don't know six seven minutes into the first quarter.

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Speaker 1: Watch me come into the game. Watch what happens. So

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Speaker 1: I get it. But I'm not an m v P.

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Speaker 1: I'm not Chris Paul complaining Chris Paul. These guys are

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Speaker 1: fucking whining, flailing around. Mike D'Antoni looks like he's always

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Speaker 1: always about to take a ship in his pants on

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Speaker 1: the sideline. Grow your mustache back, Mike D'Antoni. Okay, you

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Speaker 1: look frustrated and constipated. Those are not two things that

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Speaker 1: we want from a coach who's trying to get his

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Speaker 1: team to a world championship. Frustrated and constipated. Either go

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Speaker 1: into the locker room and take that ship that you

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Speaker 1: look like you're dying to take. Fix your face and

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Speaker 1: tell your fucking team to stop up flailing and flopping around.

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Speaker 1: Enough is enough, NBA playoffs are here, NBA action is fantastic. Um. So,

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Speaker 1: Pete Davidson, this fucking guy just can't get enough of

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Speaker 1: whining and complaining. And uh, he's a victim. He's a

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Speaker 1: life long victim of everybody. But he doesn't want to

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Speaker 1: take any responsibility hisself. Okay, now again, this fucking guy,

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Speaker 1: I I've talked about him. He seems like he's a

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Speaker 1: nice guy. Seems like if you met at me, be

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Speaker 1: a cool guy. Whatever, he's a fucking baby, Okay. Uh.

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Speaker 1: Pete Davidson was performing at a club out there in Bridgeport, Connecticut. Um.

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Speaker 1: And uh, before he went out there, I guess he

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Speaker 1: had asked the m C to not mention Ariana Grande

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Speaker 1: and to not mention Kate Console Why why can't they?

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Speaker 1: Why can't anybody else mentioned Ariana Grande and Kate Beckinsole.

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Speaker 1: That's the only thing you talk about on Saturday Night Live.

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Speaker 1: When you ever you've had any moments of anything substantial

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Speaker 1: on Saturday In Live. You have talked about Ariana Grandi,

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Speaker 1: and you have talked about Kate Beckins But you tell

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Speaker 1: the m C not to mention them, and I think

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Speaker 1: the m C did mention them before. Uh, he brought

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Speaker 1: him out and then he he left, He left the

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Speaker 1: comedy club. You don't like the fans, see you fuck

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Speaker 1: the fans just because you mentioned them. He's an asshole.

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Speaker 1: So so so the Pete Davidson who thinks he's a star.

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Speaker 1: This dude acts like he's a fucking star. The only

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Speaker 1: reason why you have any success is because you fucking

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Speaker 1: talk about your relationship with the Arianna grind and Kate

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Speaker 1: Beck and sell. You're not that dude, Okay. So apparently, uh,

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Speaker 1: the owner of the club before he brought up Pete Davidson,

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Speaker 1: he mentioned this duke Miles Jordan play a little bit

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Speaker 1: of this clip. Hey guys in Connecticut, and I'm sorry

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Speaker 1: that we had to leave the show before I got

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Speaker 1: to go on. The owner of any brand disrespected me

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Speaker 1: and uh did something that I told him not to do,

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Speaker 1: and uh, I can't you know, perform under those circumstances.

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Speaker 1: So pouting Pete went into his car and he left.

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Speaker 1: Because nobody can mention Ariana and Kate. Only you can

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Speaker 1: mention Arianna and Kate. Duke. That's all we know you for.

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Speaker 1: Stop fucking whining. B you haven't done anything. You're not

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Speaker 1: that dude. You're not that fucking dude. This guy's are

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Speaker 1: soft out here, man. This guy's whining and complaining. Want

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Speaker 1: to control the narrative and all that. Don't want to

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Speaker 1: take any bumps and bruises and show business. Yo, this

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Speaker 1: this business, this business is show This ain't for the meek.

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Speaker 1: Maybe you're not built for this. Maybe you're just a

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Speaker 1: funny guy, and maybe you're not built for this. It's

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Speaker 1: his club. I guess the m c uh. He's the

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Speaker 1: owner of the club. That's his club. He's trying to

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Speaker 1: get the crowd riled up, get him ready for you.

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Speaker 1: Shit's whacked. So he bailed. The crowd started booing. Good.

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Speaker 1: They should start fucking booing. You should have to repay

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Speaker 1: the fucking club. Maybe they'll fucking sue you. That's not

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Speaker 1: how it works, Duke, That's not how it works. Pouting

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Speaker 1: Pete Davidson podcast Dick Staying Donald Trump just can't get

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Speaker 1: out of his own way. Um. I was gonna talk

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Speaker 1: about this the other day, but we got sidetracked with

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Speaker 1: the John Singleton UH tribute on the I M Rapp

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Speaker 1: reports stereo podcast. Um, and the news cycle goes so

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Speaker 1: quick that, uh, it's so easy to forget and so

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Speaker 1: easy to just go, oh yeah, we're onto the next thing.

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Speaker 1: Nah Na, not not in not in primetime time, not

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Speaker 1: at the I am Wrapp reports, stereo podcast. Huh that

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Speaker 1: ain't happening. Uh so the other day, uh, Dick Stain,

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Speaker 1: Donald Trump tweeted out congratulations two second round pick Nick Bosa.

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Speaker 1: Nick Bosa is a football player that got just got

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Speaker 1: drafted by the San Francisco forty Niners and an openly

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Speaker 1: an open Donald Trump supporter, which I have no problem

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Speaker 1: with support. Dick Stain, Donald Trump, that's on you. But

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Speaker 1: there are ramifications of that. Um. So Nick Bosa got

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Speaker 1: drafted second in the NFL draft, Kyler Murray got drafted first. Okay, Um,

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Speaker 1: Dick Stain, Donald Trump for some reason wanted to stir

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Speaker 1: the pot. And and he's a disruptive president. I am

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Speaker 1: the great disruptor ium, not the president. Uh. If I

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Speaker 1: was the president, I'd have to I'd have to dial

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Speaker 1: back all the disruption. But Dick Stain, he doesn't give

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Speaker 1: a fuck. And some people say, yeah, I like that.

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Speaker 1: I don't like that. From any president. I don't care

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Speaker 1: if it's Obama, fucking Jimmy Carter, okay, with his big

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Speaker 1: fucking horse teeth, Ronald Reagan, Bush, anybody. You're the president,

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Speaker 1: act like it, so Dick Stain. Donald Trump sent out

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Speaker 1: a tweet congratulating Nick Bosa, who got drafted by the

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Speaker 1: forty nine. Listen, now you're playing for the San Francisco

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Speaker 1: forty nine is one of the most liberal, open minded,

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Speaker 1: gay friendly cities in the world. Okay, so good luck

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Speaker 1: with that, Nick Bosa. Good luck with all that bullshit.

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Speaker 1: When you're playing for with forty nine, the forty niner

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Speaker 1: fans will embrace this freak. I's tried. I called him

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Speaker 1: a freak. I called him a Tiki towards tough guy.

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Speaker 1: Some people say, oh, well, he's six five, he's a

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Speaker 1: football player. Fuck Nick Bosa. Fuck you, Nick Bosa. I

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Speaker 1: don't like you. I don't like your beliefs. Dope. I

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Speaker 1: don't think you're all that. I don't think you're all

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Speaker 1: that in a bag of chips, Okay, I don't funk

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Speaker 1: with Dick Stain. Donald Trump, Okay, what a funk are

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Speaker 1: you worrying about politics? Years old? You haven't been making

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Speaker 1: any money. You're not uh getting any of the tax benefits.

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Speaker 1: What do you like about this guy? What do you

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Speaker 1: like about him? H? Fuck you, Nick Vos, I'm not

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Speaker 1: rocking with you. Miles Davis of the Iron Rappers stereo

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Speaker 1: podcast production team, Big Time San Francisco for Miles Jordan's

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Speaker 1: let me get some more funk. Just interrupt this segment

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Speaker 1: right here with the funk. Here it is brand new funk,

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Speaker 1: brand new bangers. Okay, this is a finely tuned machine,

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Speaker 1: unlike the White House that is not finally tuned. She

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Speaker 1: cut that funk. Dick Saint, Donald Trump congratulated the second

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Speaker 1: pick in the NFL draft. The funk is wrong with

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Speaker 1: you if you're gonna congratulate anybody in the NFL draft,

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Speaker 1: congratulate the number one pick, or congratulate all the players

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Speaker 1: that got drafted into the NFL lifelong dreams that they

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Speaker 1: had to work for. It wasn't handed to them like

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Speaker 1: your father handed you the keys to the castle, Dick Stain,

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Speaker 1: and like you handed Dick Stain, Donald Trump Jr. That

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Speaker 1: big tooth, little chin cocksucker the keys to the castle.

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Speaker 1: See that's how it works. So now, Nick Bosa, you

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Speaker 1: got an enemy in me. Well, what's that song? You

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Speaker 1: got a friend and me? Nah, I'm not rocking with you.

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Speaker 1: Nick Bosa, I don't like you. I'm reading between the lines.

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Speaker 1: I don't like you, Duke Okay, I'm reading between the lines. Um,

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Speaker 1: speaking of Dick Stang, Donald Trump. Uh, they got his man,

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Speaker 1: William Barr in front of Congress, asking them all kinds

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Speaker 1: of questions, uh this, that and the third asking him

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Speaker 1: all sorts of uh, you know what did you do?

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Speaker 1: Why did you do this? And we know that the

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Speaker 1: Honorable William Barr is a bitch ass trick we we

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Speaker 1: we know that he needs to lay off the ice cream.

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Speaker 1: We know that he is. He's sitting there looking at people.

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Speaker 1: He got no lips. His ship is sucked in. But

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Speaker 1: I said it once, I said it a million times. Um,

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Speaker 1: if I'm William Barr, you put me in front of

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Speaker 1: Congress and you've got Kamela Harris, and you've got all

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Speaker 1: these people asking me all these questions. I would say

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Speaker 1: this if I'm William Barr at this point, well what

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Speaker 1: the funk you wanna do? What? What? What? What do

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Speaker 1: you want to do? Kamela? I'm not answering your question. Bitch,

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Speaker 1: what's gucci? Because at this point, pink enough is enough. Yeah,

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Speaker 1: he cheated the report. That's Dick Stain, Donald Trump's henchman,

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Speaker 1: just like Himmler was Hitler's henchman. Yes, I made the comparison.

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Speaker 1: But either you're gonna lock him up, either you're gonna

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Speaker 1: impeach him, or what's gucci? I'm tired of this ship.

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Speaker 1: We need to move on. We need to get smoking

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Speaker 1: Joe Biden on some h G H. Because he's out

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Speaker 1: there stuttering and stammering. Okay, you need to get Bernie Sanders.

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Speaker 1: I don't know what it is about his face that

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Speaker 1: just makes me nervous, and stop worrying about these people.

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Speaker 1: Either you're gonna impeach Duke or not. Mueller, say something.

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Speaker 1: If there's something in that report that got uh swept

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Speaker 1: under the rug, speak on it. Otherwise I'm done with

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Speaker 1: all his ship. If I'm the honorable William Barr, the

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Speaker 1: lipless honorable William Barr, they got me in front of Congress,

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Speaker 1: I'm like, what's good? Funk all that I'm not answering

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Speaker 1: already already get you know, I don't care that Mueller

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Speaker 1: works for twenty two months Yo. I made a four

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Speaker 1: page report on his twenty two months of work. What

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Speaker 1: do you want to do about it? And what are

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Speaker 1: they gonna do about it? Nothing? Nothing, They're not gonna

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Speaker 1: do anything about it. We need to move forward. The

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Speaker 1: only way to take down Dick's name Donald Trump. The

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Speaker 1: simplest way is to vote. He's not getting impeached. Vote registered,

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Speaker 1: to vote right now, Okay, and get out there and

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Speaker 1: fucking vote otherwise I don't want to hear about it.

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Speaker 1: I'm sick and tired of this ship. Every single day,

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Speaker 1: every single day they're in front of Congress. Every single

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Speaker 1: day there there's a new wing and a prayer. Every

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Speaker 1: single day there's a brand new Hail Mary. It ain't

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Speaker 1: happening funk all that um. Sad but true. There's been

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Speaker 1: two shootings in public places in the last four days

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Speaker 1: and they're not even big news. They're not big deal

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Speaker 1: because the carnage wasn't enough. I know that sounds sick

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Speaker 1: and desensitized, but that is the reality. At the University

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Speaker 1: of North Carolina and Charlotte. A guy who looks like

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Speaker 1: a sick fuck. It looks like he's a straight up

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Speaker 1: uh simeon, look like ice man. You know when they

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Speaker 1: found the caveman in the ice who had been frozen

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Speaker 1: away for three years. That's what this guy, Tristan Andrew Terrell.

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Speaker 1: He walked into the University of North Carolina, Charlotte the

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Speaker 1: other day, killed two people, injured two more out of nowhere, said,

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Speaker 1: I just went into the classroom and shot the guys.

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Speaker 1: The other day in San Diego, only one person was killed.

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Speaker 1: It's like, oh, it's not a big The only one

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Speaker 1: person was killed. When somebody went in there with intent

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Speaker 1: to kill hundreds. UH went into a synagogue, UH, injured

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Speaker 1: a few people and killed one person. UH. In the UH,

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Speaker 1: in the world of shootings, this is not a big deal.

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Speaker 1: To two normal people. It's a big deal. It should

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Speaker 1: be a big deal. There should be a tragedy, there

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Speaker 1: should be something that breaks your heart. But we're so desensitized,

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Speaker 1: we're so used to it. It's so common. It feels

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Speaker 1: like once a week there is a shooting. And even

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Speaker 1: if it's thirty people, seventeen people, Yeah, you're upset about it,

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Speaker 1: fifty people. We pray about it. We never forget about it.

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Speaker 1: We post Instagram about it. All of us. Me too.

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Speaker 1: I'm no better. We're all desensitized from these shootings. So

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Speaker 1: only two people got killed at the University of North Carolina,

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Speaker 1: So that'll make it. By the time you listen to

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Speaker 1: this Iron Wrap por stereo podcast, the news won't even

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Speaker 1: be talking about it. The synagogue, we're only one person

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Speaker 1: was killed. But the guy went in there with intent

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Speaker 1: to kill as many as he could. Forget that. That's nothing. Oh,

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Speaker 1: he didn't reach double digits. It's nothing. Terrible, fucking, terrible, sad.

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Speaker 1: This is this is where we are at, and this

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Speaker 1: is the world that we are living in. A that

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Speaker 1: these that these shootings are just they're just old hat.

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Speaker 1: They just they just take place post So Kim Kardashian

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Speaker 1: and Kanye West, I know more about them than I should.

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Speaker 1: Kanye West is he's done. Um, the great Mohammad Ali

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Speaker 1: fought Trevor Berbick, The Great Muhammad Ali fought Larry Holmes.

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Speaker 1: He was done. I'm not comparing Kanye West to Muhammad

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Speaker 1: Ali in any way, shape or form. I'm just using

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Speaker 1: is a great uh reference of a of a guy

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Speaker 1: who's clearly not the same person. There's been many fighters.

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Speaker 1: They get out there, they're done. The great Mike Tyson,

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Speaker 1: he had a string of fights. He just wasn't the

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Speaker 1: same fighter any more. It happens, Um, Well, Kanye west

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Speaker 1: And is washed. He's running around dressed up like he's

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Speaker 1: a monk. I mean, I'm not into fashion style, but

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Speaker 1: my man, have a little pride. Have a little pride

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Speaker 1: in yourself. Duke, you look like you just escaped the

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Speaker 1: method on clinic. Okay, you look crazy out there wearing

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Speaker 1: Kung fu shoes. Uh, monk shoes. You look nuts. First

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Speaker 1: he was talking all that fly Gucci ship. Now you

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Speaker 1: wanna act like a nomad, but you're driving around in

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Speaker 1: a Rolls Royce. Why don't you get a bicycle If

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Speaker 1: you're really about that life, get a horse pulled buggy. Okay,

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Speaker 1: because because you look dusty. Um. But Kanye west and

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Speaker 1: And and Kim Karnashan either they they're about to welcome

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Speaker 1: or they're having they had a surrogate. I watched the show. Now,

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Speaker 1: I am proud Bravo Housewives fan, proud, and I really

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Speaker 1: truly wish I had more communication from other people that

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Speaker 1: listen to the housewives on this show, because I have

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Speaker 1: so much to say about the real housewives and I

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Speaker 1: have no one to share it with. On the Iron Wrap.

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Speaker 1: I don't want to alienate fans. I don't want to

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Speaker 1: sit here and talk to you about the greatness of

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Speaker 1: Real Housewives of New York, the season that's going on

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Speaker 1: right now. I don't want to talk to you about

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Speaker 1: Denise richards on the Real Housewives of Beverly Hills. I

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Speaker 1: know a lot of fans right now. Or what the

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Speaker 1: funk are you talking about, Duke. That's why I don't

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Speaker 1: bring it up. Okay, that's why I don't bring it up.

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Speaker 1: I'm not gonna sit here and indulge myself with the

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Speaker 1: magic of Real Housewives of New York right now and

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Speaker 1: have fans, loyal listeners, new listeners from all across the

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Speaker 1: globe go, what are you talking about? Be We didn't

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Speaker 1: come here for all that, So I'm gonna move on.

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Speaker 1: But I do watch the Kardashians with my wife. I

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Speaker 1: kind of I'll be on my phone. Maybe I'll be

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Speaker 1: reading my script for a typical season three, which you're

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Speaker 1: shooting right now. See, I plugged that in there, I

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Speaker 1: plugged it in. I'm aware, trust me, I'm aware. We're

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Speaker 1: all the screaming, the yelling and the disruption, the gringo

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Speaker 1: man dingo. Okay, he's aware the champ. That's what they

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Speaker 1: call me, the champ, aware of it all. Um. But

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Speaker 1: here's a question I have. So Kim Kardashian had a

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Speaker 1: C B d Uh themed a party for her baby shower.

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Speaker 1: Rest ashore. Kim Kardashian is gonna jump into the c

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Speaker 1: B D the cannabis and weed world and make a fortune,

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Speaker 1: and God bless her. Make all the fucking money you want.

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Speaker 1: I want anybody who has the opportunity to make money,

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Speaker 1: whether your Kodak whack little nos X. I don't want

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Speaker 1: to shoot on anybody's bag of money. Do your thing.

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Speaker 1: I'm gonna talk about it, but I'm not gonna stop

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Speaker 1: you from making money just because I talked about it.

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Speaker 1: Pete Davidson, do your thing. You're complain about living in

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Speaker 1: your mother's basement, yet you walk out on the opportunity

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Speaker 1: to headline a comedy show. What do you want to do?

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Speaker 1: Be do you want to continue being a twenty five

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Speaker 1: year old living in your mother's basement Because I know

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Speaker 1: they're not paying you a lot of money on Saturday

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Speaker 1: Night Live. Trust me, you've got an opportunity to make

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Speaker 1: yourself self sufficient. Get underneath your mom's tit. You're living

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Speaker 1: in your mom's basement, Yet you walk out on the

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Speaker 1: opportunity to headline a comedy show, funk out of here,

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Speaker 1: and then you're complained about it. Funk out of here, Duke,

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Speaker 1: but Kim Kardashian, the Kardashians, Kendall, Kylie. I mean, if

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Speaker 1: you look at pictures of Kendall and Kylie Jenner, No,

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Speaker 1: the one is really pretty. That the Kendall, she's actually pretty.

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Speaker 1: I don't think she's altered her body at all. She's

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Speaker 1: model status. Uh. The sister who's with Travis Scott, she

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Speaker 1: looked like a muppet a few years ago and then

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Speaker 1: she got a full makeover. My suggestion is this, Fuck

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Speaker 1: the makeup line, the lipsticks, fuck the C B D

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Speaker 1: and all the genes that you guys are saying, if

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Speaker 1: you really really want to make that billion, Collectively, Kardashian asses,

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Speaker 1: we all wanna know the secret to success. How do

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Speaker 1: you guys have those big, bloated, fake but real looking asses.

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Speaker 1: Share it with the world. You're up there sharing your life.

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00:26:00,440 --> 00:26:03,119
Speaker 1: You shared your pornos, you share all the ship that

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00:26:03,160 --> 00:26:05,840
Speaker 1: you want to share. You threw Jordan's woods under the bus.

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00:26:06,040 --> 00:26:11,399
Speaker 1: Start selling those asses. That's how you'll definitely make a

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Speaker 1: billion dollars. Open clinics, open ass sanctuaries, and let everybody else,

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00:26:19,240 --> 00:26:21,960
Speaker 1: all the women out there that love and admire those

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00:26:22,040 --> 00:26:29,119
Speaker 1: big fat, fake asses, and rest ashore. Those asses are fake.

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Speaker 1: Those asses are enhands. Fuck the lipstick, fuck the cb D,

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00:26:36,800 --> 00:26:39,199
Speaker 1: funk all the jeans, and all the other bullshit you

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Speaker 1: guys are telling. If you want to get on your

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Speaker 1: Warren Buffet and your Bill Gates Chris Kardashion, push the

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Speaker 1: button and start selling the secrets of those fake fucking asses.

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Speaker 1: Stop playing games with these people. You want to be

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Speaker 1: Mark Zuckerberg, you really, really really want to make the

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Speaker 1: money every I want to know how you get the masses.

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Speaker 1: And I don't even want one of those asses. I

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Speaker 1: want to just I want to know the science behind

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Speaker 1: those fucking asses, because I watched that show with my

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Speaker 1: wife and I'm just baffled, Like, look at these fake

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00:27:12,320 --> 00:27:16,000
Speaker 1: fucking asses. By the way, I saw, here's a story.

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00:27:16,240 --> 00:27:23,760
Speaker 1: Here's a fucking story for you people. I saw Tristan Thompson, yeah,

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Speaker 1: at my little local coffee spot the other day. Yeah,

404
00:27:27,640 --> 00:27:30,040
Speaker 1: because he's out of the playoffs, because he plays for

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Speaker 1: the Cleveland Cavaliers, and he was there with his homies

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00:27:35,720 --> 00:27:37,560
Speaker 1: and uh, I don't know who it was his friends.

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00:27:38,280 --> 00:27:41,000
Speaker 1: And I was leaving and I said, what's up, man?

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Speaker 1: You need to get out of uh because remember we

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Speaker 1: interviewed him in the I M RAP Pars Stereo podcast.

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Speaker 1: Remember that. So the other time I met him, I

411
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Speaker 1: was interviewing at the finals two thousand at eighteen seventeen

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Speaker 1: when we were in Cleveland. Yes, broom gate two thousand

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Speaker 1: and seventeen, when we were in Cleveland, when I brought

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Speaker 1: out the fucking broom right before Game three. Uh, So

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Speaker 1: I saw him and said, Yo, Duke, Yo, what's up man?

416
00:28:06,160 --> 00:28:08,760
Speaker 1: He said, what's up? I said, uh, you need to

417
00:28:08,760 --> 00:28:11,760
Speaker 1: get out of Cleveland. He says, I like Cleveland. I

418
00:28:11,840 --> 00:28:14,040
Speaker 1: was like shit, all right, well, God bless you man,

419
00:28:14,160 --> 00:28:16,879
Speaker 1: enjoy it. I kept it moving. I didn't get the

420
00:28:16,960 --> 00:28:19,200
Speaker 1: vibe that he really wanted to talk. And I realized

421
00:28:19,320 --> 00:28:22,280
Speaker 1: afterwards the reason why I didn't get the vibe that

422
00:28:22,320 --> 00:28:25,679
Speaker 1: he really wanted to talk is because I'm almost certain.

423
00:28:25,720 --> 00:28:29,200
Speaker 1: I don't know what Duke looks like, but I'm almost

424
00:28:29,240 --> 00:28:33,280
Speaker 1: certain because I was like, this dude's face looks familiar Um,

425
00:28:33,280 --> 00:28:36,560
Speaker 1: I'm almost certain he was with his agent, who is

426
00:28:36,680 --> 00:28:40,080
Speaker 1: Lebron's boy, that dude, Rich Paul. Of course you didn't

427
00:28:40,080 --> 00:28:42,280
Speaker 1: want to speak to me. His man was all looking

428
00:28:42,320 --> 00:28:45,360
Speaker 1: at his phone, turning sideways and all that ship. Rich Paul,

429
00:28:45,520 --> 00:28:50,280
Speaker 1: you could say, what's up to me? Be don't be nervous.

430
00:28:50,360 --> 00:28:53,840
Speaker 1: I know you're from Listen, I know your corny all right,

431
00:28:54,440 --> 00:28:56,240
Speaker 1: I know you're from Acor, and I know your whole

432
00:28:56,560 --> 00:28:59,560
Speaker 1: your whole style is based on knowing Lebron James when

433
00:28:59,600 --> 00:29:03,680
Speaker 1: you see me. Because when I see you the next time,

434
00:29:03,760 --> 00:29:06,280
Speaker 1: Rich PAULMA said, what's what's you want to represent me?

435
00:29:07,120 --> 00:29:11,000
Speaker 1: Your agent? You want to represent the Greno man dingo? Um,

436
00:29:11,000 --> 00:29:13,600
Speaker 1: but the Kardashians. Yes, So I saw it. So I

437
00:29:13,640 --> 00:29:16,240
Speaker 1: saw a Tristan Thompson. It was. It was short but brief,

438
00:29:16,400 --> 00:29:19,400
Speaker 1: but I'm almost a sure he was with his man,

439
00:29:20,600 --> 00:29:25,400
Speaker 1: Rich Paul. Who's Lebron James flunky. That's that's you know,

440
00:29:25,520 --> 00:29:43,040
Speaker 1: that is a true blue Lebron James flunkey podcast. What

441
00:29:43,120 --> 00:29:46,760
Speaker 1: else is going on? So I'm getting ready to go

442
00:29:47,000 --> 00:29:53,440
Speaker 1: on a plane to fly to Las Vegas to host

443
00:29:53,960 --> 00:29:59,520
Speaker 1: the Big Three Draft. It's Big Three time. Uh, the

444
00:29:59,720 --> 00:30:03,719
Speaker 1: Big three is coming. We're doing it this summer. I'm

445
00:30:03,720 --> 00:30:05,520
Speaker 1: gonna be on most of the dates. I can't do

446
00:30:05,640 --> 00:30:12,320
Speaker 1: every single date. They're gonna have games starting June one. Uh,

447
00:30:12,360 --> 00:30:14,240
Speaker 1: they're gonna have games. I think the first game is

448
00:30:14,280 --> 00:30:17,400
Speaker 1: in Atlanta. Than they're going to Nashville and Philly and

449
00:30:17,520 --> 00:30:19,600
Speaker 1: d C. And you know the whole run, it's gonna

450
00:30:19,600 --> 00:30:22,920
Speaker 1: wind up in l A and YadA YadA, YadA. Um.

451
00:30:23,040 --> 00:30:25,560
Speaker 1: I'm gonna be rocking on the sideline with my brand

452
00:30:25,560 --> 00:30:29,200
Speaker 1: of unprecedented access. I'm so happy to be a part

453
00:30:29,240 --> 00:30:31,640
Speaker 1: of the Big Three. I love all the haters try

454
00:30:31,720 --> 00:30:34,840
Speaker 1: to diminish what it is. The third year, it's gotten

455
00:30:34,840 --> 00:30:36,840
Speaker 1: bigger and bigg Why are you shipping on ice Cube?

456
00:30:39,160 --> 00:30:40,920
Speaker 1: Why are you shooting on Kenyan Martin? Why are you

457
00:30:40,920 --> 00:30:44,000
Speaker 1: shopping on Dr J? Why are you shooting on Stephen Jackson?

458
00:30:44,000 --> 00:30:46,440
Speaker 1: Why do you want to try to diminish what they've done?

459
00:30:48,920 --> 00:30:52,240
Speaker 1: You don't like hip hop? Why do you want to

460
00:30:52,240 --> 00:30:54,040
Speaker 1: see the Big Three failed? Duke? I had to I

461
00:30:54,120 --> 00:30:58,280
Speaker 1: had to talk to somebody online, some big sports business guy.

462
00:30:58,760 --> 00:31:00,720
Speaker 1: He said the Big Three. Tourn I said, not Duke,

463
00:31:00,760 --> 00:31:03,360
Speaker 1: this ain't no tourn him and beat Funk as you saying,

464
00:31:04,640 --> 00:31:09,120
Speaker 1: apologize to ice Cube, Chicken, you check yourself before you

465
00:31:09,160 --> 00:31:12,480
Speaker 1: really wreck yourself. He wind up doing it. I can't

466
00:31:12,480 --> 00:31:16,000
Speaker 1: remember his name. I don't like that. These guys are

467
00:31:16,000 --> 00:31:20,640
Speaker 1: working hard, taking real seriously. A lot of good people

468
00:31:20,720 --> 00:31:22,880
Speaker 1: involved with the Big Three. Whether you rock with it

469
00:31:23,000 --> 00:31:26,480
Speaker 1: or not. Don't try to all marginalize the accomplishment you

470
00:31:26,560 --> 00:31:29,280
Speaker 1: now hard it is to start a three on three

471
00:31:29,480 --> 00:31:33,040
Speaker 1: basketball league when you don't have a direct support from

472
00:31:33,040 --> 00:31:38,600
Speaker 1: the NBA. The NBA isn't supporting the Big Three. They should,

473
00:31:38,920 --> 00:31:42,200
Speaker 1: they should buy the Big Three. They're probably gonna wind

474
00:31:42,240 --> 00:31:46,680
Speaker 1: up stealing the idea and doing their own thing. That's whack, yo.

475
00:31:47,360 --> 00:31:49,920
Speaker 1: Cut ice Cube in on it. This is a great idea.

476
00:31:50,160 --> 00:31:52,479
Speaker 1: He's been working his assot for going on to the

477
00:31:52,560 --> 00:31:55,280
Speaker 1: third year of getting this league going. He gets bigger

478
00:31:55,520 --> 00:31:58,400
Speaker 1: and bigger. Don't disrespect it anyway. I'm going down there

479
00:31:58,400 --> 00:32:01,000
Speaker 1: to Vegas for the draft. I can't wait to see everybody.

480
00:32:01,040 --> 00:32:02,760
Speaker 1: You've got a lot of good players playing in the

481
00:32:02,920 --> 00:32:05,560
Speaker 1: UH in the league this year, lamar Odom, which will

482
00:32:05,600 --> 00:32:07,800
Speaker 1: be a huge story. Yell if lamar Odom could get

483
00:32:07,800 --> 00:32:11,680
Speaker 1: out there and play in the Big Three and he

484
00:32:11,760 --> 00:32:14,480
Speaker 1: looks like lamar Odom and if he's taking care of

485
00:32:14,520 --> 00:32:16,680
Speaker 1: himself and he and he's sober and he's in his

486
00:32:16,800 --> 00:32:20,360
Speaker 1: right mind, he will be substantial and he will look good.

487
00:32:20,400 --> 00:32:22,720
Speaker 1: You've seen him on Instagram and all that stuff. Um

488
00:32:22,800 --> 00:32:25,320
Speaker 1: and and a bunch of big players. The teams haven't

489
00:32:25,360 --> 00:32:27,280
Speaker 1: been sorted out because we haven't done the draft, but

490
00:32:27,320 --> 00:32:30,280
Speaker 1: I'm on my way down there. I want to give

491
00:32:30,280 --> 00:32:34,480
Speaker 1: a shout out to bush Bill, speaking of Houston legends,

492
00:32:34,960 --> 00:32:38,840
Speaker 1: speaking of impact and hip hop. Bushwick Bill, the little

493
00:32:38,880 --> 00:32:42,760
Speaker 1: dude from the Ghetto Boys, has announced that he's got

494
00:32:42,880 --> 00:32:47,400
Speaker 1: stage four, which I I don't think it's good. Stage

495
00:32:47,440 --> 00:32:54,000
Speaker 1: four pancreatic cancer. Um. So maybe the biggest little man

496
00:32:54,600 --> 00:32:59,480
Speaker 1: UM iconic, totally one of a kind. UH can can

497
00:32:59,520 --> 00:33:03,400
Speaker 1: push the rough and pull off a great comeback. Um,

498
00:33:03,440 --> 00:33:07,320
Speaker 1: but he's got stage four pancreatic cancer. So sending thoughts.

499
00:33:07,400 --> 00:33:10,720
Speaker 1: Everybody loves the Ghetto Boys. Uh, he's a fucking pioneer,

500
00:33:10,840 --> 00:33:14,120
Speaker 1: one of one uh and the Ghetto Boys. That would

501
00:33:14,120 --> 00:33:16,080
Speaker 1: be a documentary or a movie I would love to

502
00:33:16,120 --> 00:33:21,720
Speaker 1: see for sure. I would even be down to make

503
00:33:21,760 --> 00:33:26,160
Speaker 1: that documentary because those dudes coming from where they came

504
00:33:26,240 --> 00:33:28,760
Speaker 1: from and the Ninth War and all that that world

505
00:33:28,760 --> 00:33:30,760
Speaker 1: that they were talking about when they first were talking

506
00:33:30,800 --> 00:33:35,200
Speaker 1: about it, and Willie D. Bushwick Bill and Scarface the

507
00:33:35,200 --> 00:33:40,360
Speaker 1: Ghetto Boys. I know they got stories upon stories upon stories.

508
00:33:40,800 --> 00:33:45,160
Speaker 1: Uh so uh sending sending love and thought to Bushwick Bill,

509
00:33:45,280 --> 00:33:50,360
Speaker 1: let's get to it. Bun By Static Selector, Trill Static

510
00:33:50,640 --> 00:33:53,760
Speaker 1: coming up on the I M Rappaport Stereo podcast. This

511
00:33:54,000 --> 00:33:58,920
Speaker 1: is a good one, all hip hop everything, great stories

512
00:33:58,960 --> 00:34:02,120
Speaker 1: from both of these guys. They've had long careers, worked

513
00:34:02,160 --> 00:34:04,320
Speaker 1: with so many people, and they just did a dope

514
00:34:04,360 --> 00:34:07,360
Speaker 1: ass record in one evening, in one eleven and in

515
00:34:07,400 --> 00:34:09,920
Speaker 1: eleven hours we're gonna talk how they made that record.

516
00:34:10,160 --> 00:34:12,319
Speaker 1: Has it changed the way they will make records in

517
00:34:12,320 --> 00:34:15,319
Speaker 1: the future. So many people they worked with, Like I said,

518
00:34:15,360 --> 00:34:20,359
Speaker 1: Sean Price, mac Miller, Nipsey, Hustle, Jay z Nas, they

519
00:34:20,400 --> 00:34:23,800
Speaker 1: both collectively have worked with everybody, Drake and so forth

520
00:34:24,040 --> 00:34:27,719
Speaker 1: and so on. Bun Beat, the man one of the

521
00:34:27,760 --> 00:34:31,319
Speaker 1: people who brought the word trill into the every day.

522
00:34:32,360 --> 00:34:35,000
Speaker 1: Coming up on the Iron Wrapped for Stereo podcast, Statics

523
00:34:35,080 --> 00:34:38,920
Speaker 1: Selector and bun Feet. It's been a long time coming,

524
00:34:39,000 --> 00:34:41,560
Speaker 1: but it's better than never though. It's bun be the

525
00:34:41,680 --> 00:34:44,200
Speaker 1: vote up the better and not for ever go r

526
00:34:44,360 --> 00:34:47,080
Speaker 1: in the paint and still represent for the underground and

527
00:34:47,160 --> 00:34:49,799
Speaker 1: still going on. And then these other clowns don't funk

528
00:34:49,880 --> 00:34:52,919
Speaker 1: around this, Saint Chess and checkers. Maybe this is real

529
00:34:53,040 --> 00:34:56,000
Speaker 1: life and these dirty niggas this steal shote, I steal

530
00:34:56,160 --> 00:34:59,200
Speaker 1: mike after go back to my old ways and't even

531
00:34:59,280 --> 00:35:01,399
Speaker 1: know what I know. This ain't the old days when

532
00:35:01,440 --> 00:35:03,800
Speaker 1: I used the whole case. I still on hand the

533
00:35:03,840 --> 00:35:06,839
Speaker 1: ship like against a gentle man. We ain't gotta bring

534
00:35:06,880 --> 00:35:09,360
Speaker 1: in no middle men. I'm speaking for the trill and

535
00:35:09,440 --> 00:35:11,839
Speaker 1: I'm gonna stand. Don't put your hand on it. I'm

536
00:35:11,840 --> 00:35:15,000
Speaker 1: gonna leave you land where you stand. Understand, homie. It's

537
00:35:15,040 --> 00:35:17,399
Speaker 1: that trip below ge that like the spoke and keep

538
00:35:17,400 --> 00:35:19,759
Speaker 1: it low key what you do when now I did it?

539
00:35:19,920 --> 00:35:22,520
Speaker 1: Oh three, don't hold me. I paid the coast to

540
00:35:22,600 --> 00:35:25,279
Speaker 1: being about that. I'm the cee. Oh you came up.

541
00:35:25,280 --> 00:35:28,160
Speaker 1: Shut I'm moving too slow, nigga. See three pH are

542
00:35:28,320 --> 00:35:31,000
Speaker 1: too d too. That's right, I see you. You see

543
00:35:31,120 --> 00:35:33,600
Speaker 1: blue and you won't live to see the sea. Who

544
00:35:34,080 --> 00:35:36,480
Speaker 1: no funk with me, fool, I'm gass stuff. Don't need

545
00:35:36,560 --> 00:35:38,640
Speaker 1: you let's say cliffs, Oh it ain't gotta be e

546
00:35:38,840 --> 00:35:41,840
Speaker 1: Q you free food and it's a frenzy. Do you

547
00:35:41,920 --> 00:35:44,320
Speaker 1: know why my hap offender bends in and that the

548
00:35:44,440 --> 00:35:47,000
Speaker 1: funk out the where the ends be? You think you

549
00:35:47,120 --> 00:35:50,200
Speaker 1: better bit convinced me because I'm simply the fist to

550
00:35:50,320 --> 00:35:52,920
Speaker 1: ever do this ship put that on pimp ce all right,

551
00:35:54,520 --> 00:36:00,359
Speaker 1: trill Static? Are you letting status static? I'm I let

552
00:36:00,440 --> 00:36:02,160
Speaker 1: the people who call it, I don't. I don't think

553
00:36:02,160 --> 00:36:04,279
Speaker 1: it would be appropriate. I think it's corny anytime someone

554
00:36:04,360 --> 00:36:07,840
Speaker 1: calls themselves that without you know, the world calling them that.

555
00:36:07,960 --> 00:36:12,319
Speaker 1: So okay, okay, okay, well we have one on the rise.

556
00:36:12,520 --> 00:36:16,360
Speaker 1: Let the people decide it very respected. He's had some

557
00:36:16,520 --> 00:36:20,719
Speaker 1: legendary moment. He's had quite a few legendary moments um

558
00:36:21,680 --> 00:36:28,359
Speaker 1: and then one legitimate, groundbreaking, legitimate legend Bundy. I am

559
00:36:28,400 --> 00:36:32,439
Speaker 1: wrapppor Stereo podcast. I've been excited since I heard about

560
00:36:32,480 --> 00:36:37,000
Speaker 1: this record that you guys did, trill Static. So my

561
00:36:37,120 --> 00:36:41,560
Speaker 1: first question is this, why did you guys after all

562
00:36:41,680 --> 00:36:46,640
Speaker 1: the recording processes you've done, all the different recordings, and budgets,

563
00:36:46,920 --> 00:36:51,960
Speaker 1: big budgets, smaller budgets, no budgets, fucking basements doing it

564
00:36:52,040 --> 00:36:54,480
Speaker 1: for the love. Why do you decide in this day

565
00:36:54,520 --> 00:36:56,960
Speaker 1: and age to do a record in one evening? Where

566
00:36:57,000 --> 00:36:58,839
Speaker 1: did the idea come from? And what did you guys

567
00:36:58,920 --> 00:37:01,520
Speaker 1: take away from, like the technique of making a record

568
00:37:02,080 --> 00:37:04,680
Speaker 1: after having all that experience of big budgets, no budgets,

569
00:37:05,200 --> 00:37:07,839
Speaker 1: sort of big budgets. Well, I had the idea back

570
00:37:07,880 --> 00:37:12,080
Speaker 1: in two thousand nine, me and Saigon. We're just like

571
00:37:12,840 --> 00:37:14,880
Speaker 1: messing around the studio and we did a song and

572
00:37:14,920 --> 00:37:16,880
Speaker 1: then he's like throwing another one and we were just

573
00:37:17,040 --> 00:37:19,680
Speaker 1: you know, drinking whatever. We we had six records done

574
00:37:19,719 --> 00:37:21,000
Speaker 1: and we were like, hey, let's make it ten, and

575
00:37:21,080 --> 00:37:23,200
Speaker 1: we we did a whole album one day, but there

576
00:37:23,280 --> 00:37:26,680
Speaker 1: was no technology behind it. So when we told everybody

577
00:37:26,760 --> 00:37:29,759
Speaker 1: we did it, most people didn't believe us. So then

578
00:37:29,800 --> 00:37:33,600
Speaker 1: in two thousand eleven, me and Term, me and Freeway

579
00:37:33,680 --> 00:37:36,800
Speaker 1: and me and Freddie Gibbs three separate times made EPs

580
00:37:36,840 --> 00:37:39,160
Speaker 1: on live stream with like, you know, five six records,

581
00:37:39,760 --> 00:37:42,160
Speaker 1: and the idea always stuck with me, like I wanted

582
00:37:42,200 --> 00:37:45,000
Speaker 1: to keep doing it, and just you know, life, life

583
00:37:45,080 --> 00:37:46,600
Speaker 1: goes on, and I just didn't get to do it

584
00:37:46,760 --> 00:37:49,000
Speaker 1: for a long time after that. And then Bunn called

585
00:37:49,000 --> 00:37:50,680
Speaker 1: me one time and he was like, I want to

586
00:37:50,719 --> 00:37:52,200
Speaker 1: get like two or three records when I come up

587
00:37:52,239 --> 00:37:54,320
Speaker 1: to New York. So I was like, no problem, just

588
00:37:54,360 --> 00:37:56,000
Speaker 1: say me when you're in town. And we hung up

589
00:37:56,360 --> 00:37:58,239
Speaker 1: and I called him right back. I was like, bro,

590
00:37:58,320 --> 00:38:00,759
Speaker 1: why don't we just do a project live, like the

591
00:38:00,800 --> 00:38:03,279
Speaker 1: way I did it with Gibbs, And you know, I

592
00:38:03,480 --> 00:38:05,719
Speaker 1: was like, it's so easy because Bun is one of

593
00:38:05,719 --> 00:38:08,279
Speaker 1: the only people that writes at the speed he writes

594
00:38:08,320 --> 00:38:10,080
Speaker 1: that there's a couple like Freeway was one of them.

595
00:38:10,440 --> 00:38:13,080
Speaker 1: Certain people can do it, but Bun, like I've seen

596
00:38:13,160 --> 00:38:15,640
Speaker 1: him do verses in five minutes from scratch. So I'm like,

597
00:38:15,760 --> 00:38:18,560
Speaker 1: we could do it easy, but even to make it fun,

598
00:38:18,640 --> 00:38:20,840
Speaker 1: and let's invite some of our friends through. So it's like,

599
00:38:20,960 --> 00:38:22,319
Speaker 1: if me and Bunn just want to do an album,

600
00:38:22,320 --> 00:38:24,640
Speaker 1: we could have done it in like we probably could

601
00:38:24,640 --> 00:38:27,360
Speaker 1: have done two hours, three hours. And how does that

602
00:38:27,440 --> 00:38:30,000
Speaker 1: work for you? Because I listen, I love rap music,

603
00:38:30,080 --> 00:38:32,440
Speaker 1: but I'm not a rapper. And and I've never got

604
00:38:32,480 --> 00:38:35,040
Speaker 1: out of the second verse. I never never got out

605
00:38:35,040 --> 00:38:36,680
Speaker 1: of the second line. I'm always good with one line.

606
00:38:36,719 --> 00:38:39,239
Speaker 1: I've got got great first opening line, and I got

607
00:38:39,320 --> 00:38:41,440
Speaker 1: nothing to connect it to, So so how does that

608
00:38:41,520 --> 00:38:43,480
Speaker 1: work for you to be able to like, are you

609
00:38:43,560 --> 00:38:46,000
Speaker 1: writing to the beat? Like for this particular album. I'm

610
00:38:46,000 --> 00:38:48,560
Speaker 1: sure it's changed over the years, but for this particular album,

611
00:38:48,880 --> 00:38:50,719
Speaker 1: and you know, it's sort of a time crunch, you know,

612
00:38:50,840 --> 00:38:52,839
Speaker 1: there's you're sort of putting the pressure on yourself. How

613
00:38:52,880 --> 00:38:54,880
Speaker 1: does it work in terms of writing and are you

614
00:38:54,960 --> 00:38:56,840
Speaker 1: writing to the beat? Like? You know? And then different

615
00:38:56,880 --> 00:38:59,080
Speaker 1: people started dropping by really turning in sort of this

616
00:38:59,239 --> 00:39:02,520
Speaker 1: free for all yeah support so yeah, So the idea

617
00:39:02,800 --> 00:39:05,279
Speaker 1: was to um, you know, basically Static would cut on

618
00:39:05,360 --> 00:39:08,640
Speaker 1: the track, UM, I would write to it, um, depending

619
00:39:08,680 --> 00:39:10,800
Speaker 1: on whether or not it was I had already decided

620
00:39:10,880 --> 00:39:12,720
Speaker 1: that the intro would be just me and the outro

621
00:39:12,800 --> 00:39:14,839
Speaker 1: would be just me, but the other eight were kind

622
00:39:14,840 --> 00:39:18,279
Speaker 1: of gonna be up for grabs and I would just

623
00:39:18,400 --> 00:39:20,759
Speaker 1: start writing something and um, some of the other guys

624
00:39:20,800 --> 00:39:22,520
Speaker 1: maybe would have their verse, they would go in and

625
00:39:22,600 --> 00:39:25,080
Speaker 1: knock it out. But I wanted to make sure that

626
00:39:25,200 --> 00:39:27,719
Speaker 1: everybody saw me right. Every rhyme that I said that

627
00:39:27,840 --> 00:39:29,719
Speaker 1: night got you, you know what I'm saying like that,

628
00:39:29,840 --> 00:39:32,479
Speaker 1: why did you want that? Well? I mean, you wanted

629
00:39:32,560 --> 00:39:34,719
Speaker 1: like the process to be organic. Yeah, I mean I

630
00:39:34,800 --> 00:39:37,160
Speaker 1: wanted to sit there because here's the thing, right, if

631
00:39:37,200 --> 00:39:39,160
Speaker 1: you write a round on Monday and but you're not

632
00:39:39,200 --> 00:39:41,800
Speaker 1: going to the studio till Friday, all kind of ships

633
00:39:41,840 --> 00:39:45,440
Speaker 1: gonna happen Tuesday, Wednesday and Thursday that could inform the

634
00:39:45,520 --> 00:39:47,239
Speaker 1: rhyme us right now on Friday. So if you just

635
00:39:47,360 --> 00:39:49,919
Speaker 1: wait till it's time to go in and you write

636
00:39:49,920 --> 00:39:52,600
Speaker 1: it in real time, it can be as current as possible.

637
00:39:53,680 --> 00:39:57,000
Speaker 1: I got you, And what how did it feel for you? Guys?

638
00:39:57,080 --> 00:40:00,000
Speaker 1: Like you had this this small plan and I'm sure

639
00:40:00,080 --> 00:40:02,239
Speaker 1: there were sort of people invited static You mentioned that

640
00:40:02,680 --> 00:40:05,120
Speaker 1: you know, this one and that one started hearing about

641
00:40:05,120 --> 00:40:07,239
Speaker 1: the project and everybody started dropping in. What did it

642
00:40:07,320 --> 00:40:09,560
Speaker 1: mean to you to get that support from people impromptu?

643
00:40:09,719 --> 00:40:12,840
Speaker 1: You know, everybody's busy, everybody's lazy, everybody's addicted to our phones. Now,

644
00:40:13,080 --> 00:40:14,839
Speaker 1: what did it mean for people to show up for you? Guys?

645
00:40:15,040 --> 00:40:18,000
Speaker 1: Me and bum would just texting each other like ideas names,

646
00:40:18,040 --> 00:40:20,000
Speaker 1: and it was just like, yeah, hit him. You know,

647
00:40:20,320 --> 00:40:23,680
Speaker 1: just pretty much everybody we thought of came through. But

648
00:40:23,840 --> 00:40:26,360
Speaker 1: to see someone like Fat Joe see it on he

649
00:40:26,520 --> 00:40:28,879
Speaker 1: was watching it live and he's like no, I gotta

650
00:40:28,920 --> 00:40:30,400
Speaker 1: go through and like we didn't even invite him. He

651
00:40:30,440 --> 00:40:33,360
Speaker 1: showed up. I mean, he's that's family, but like to

652
00:40:33,520 --> 00:40:36,440
Speaker 1: see him. He got out of bed and came to

653
00:40:36,560 --> 00:40:39,000
Speaker 1: the studio and like he I think he was more

654
00:40:39,040 --> 00:40:41,879
Speaker 1: excited than anybody, like he really it was a moment.

655
00:40:41,960 --> 00:40:44,200
Speaker 1: You know, so like that that says at all because

656
00:40:44,600 --> 00:40:46,759
Speaker 1: guys like that don't have to you know, none of

657
00:40:46,800 --> 00:40:48,640
Speaker 1: these dudes had to do it. But it's like it

658
00:40:48,719 --> 00:40:50,920
Speaker 1: brought everybody back to like that feeling as a kid

659
00:40:51,000 --> 00:40:53,080
Speaker 1: making hip hop, like just having fun with it right

660
00:40:53,440 --> 00:40:55,439
Speaker 1: and bum for you too, and you know, and also

661
00:40:55,520 --> 00:40:57,359
Speaker 1: like talk about like I mean, I believe you guys

662
00:40:57,400 --> 00:40:59,400
Speaker 1: were in New York when you did it, right and

663
00:40:59,640 --> 00:41:03,239
Speaker 1: talking you're one of the first Houston rappers who was

664
00:41:03,320 --> 00:41:07,719
Speaker 1: sort of co signed port Arthur pored Uthor sorry um,

665
00:41:09,000 --> 00:41:12,600
Speaker 1: Texas dude who was co signed by New York rappers

666
00:41:12,880 --> 00:41:16,359
Speaker 1: early you know obviously face um, but what is how

667
00:41:16,440 --> 00:41:18,880
Speaker 1: did that even happen? You sort of have this connection

668
00:41:18,960 --> 00:41:20,680
Speaker 1: and this sort of U g K got that co

669
00:41:20,840 --> 00:41:22,960
Speaker 1: sign from New York, like and especially at the time

670
00:41:22,960 --> 00:41:25,520
Speaker 1: because hip hop was so regional. I don't think there

671
00:41:25,600 --> 00:41:27,640
Speaker 1: was hating, but it was like there was a New

672
00:41:27,719 --> 00:41:29,759
Speaker 1: York sound, and then there was a West Coast sound,

673
00:41:29,920 --> 00:41:31,920
Speaker 1: and then you guys had this Southern sound, and then

674
00:41:31,960 --> 00:41:33,960
Speaker 1: Outcast came with their sound, and then Florida. But it

675
00:41:34,120 --> 00:41:37,760
Speaker 1: was very distinct sounds to the voices, to the sling,

676
00:41:38,239 --> 00:41:41,080
Speaker 1: to the beats, to everything. How did that connection work

677
00:41:41,120 --> 00:41:42,879
Speaker 1: for you way back in the days. Well, I think

678
00:41:42,920 --> 00:41:46,799
Speaker 1: it comes down to like leaving your world and going

679
00:41:46,880 --> 00:41:49,839
Speaker 1: out and seeing other people's worlds. You know what I'm saying. Um,

680
00:41:49,960 --> 00:41:52,360
Speaker 1: a lot of us had these preconceived notions about what

681
00:41:52,560 --> 00:41:55,080
Speaker 1: life was like in these other places. So we listened

682
00:41:55,080 --> 00:41:56,880
Speaker 1: to the music. But okay, well it's this and that.

683
00:41:57,080 --> 00:41:59,520
Speaker 1: But then you would hear different artists and talking about

684
00:41:59,600 --> 00:42:01,400
Speaker 1: the streets in the way that hold hold on that

685
00:42:01,920 --> 00:42:04,840
Speaker 1: that sounds familiar. I know what that is, but we

686
00:42:04,960 --> 00:42:07,040
Speaker 1: don't call it that, you know what I'm saying. But

687
00:42:07,239 --> 00:42:09,080
Speaker 1: I know what that is. I know what they're talking about.

688
00:42:09,280 --> 00:42:11,439
Speaker 1: So once you started listening to the music and start

689
00:42:11,560 --> 00:42:13,880
Speaker 1: learning the language, like it was a big thing for

690
00:42:14,040 --> 00:42:17,200
Speaker 1: us to like figure out, like like say Eric being

691
00:42:17,280 --> 00:42:19,680
Speaker 1: rock him and Big Daddy Kane and all the foppers

692
00:42:19,719 --> 00:42:22,759
Speaker 1: in nation. Um, you know, references that would be in

693
00:42:22,800 --> 00:42:24,799
Speaker 1: all the rhymes, and we didn't really have that my home.

694
00:42:24,840 --> 00:42:26,600
Speaker 1: We just shot. Him was the one that put me

695
00:42:26,680 --> 00:42:30,279
Speaker 1: on the mathematics and that helped like open up hip

696
00:42:30,320 --> 00:42:31,960
Speaker 1: hop to me. You know what I'm saying. I really

697
00:42:32,040 --> 00:42:34,560
Speaker 1: understood pull righteous teachers and brand Nubians and all these

698
00:42:34,600 --> 00:42:36,400
Speaker 1: different people now you know, but you were still you

699
00:42:36,480 --> 00:42:39,000
Speaker 1: were still in Port Arthur. Yeah. Yeah, and so you know,

700
00:42:39,120 --> 00:42:42,200
Speaker 1: having a more informed view gives you an opportunity to

701
00:42:42,760 --> 00:42:45,320
Speaker 1: inform your rhymes on the level of where people like, Okay,

702
00:42:45,719 --> 00:42:48,040
Speaker 1: he knows what's up, he's been around, son has been around,

703
00:42:48,400 --> 00:42:50,000
Speaker 1: you know what I'm saying, and then we would go

704
00:42:50,080 --> 00:42:51,360
Speaker 1: with it, like we went to New York and me

705
00:42:51,400 --> 00:42:53,400
Speaker 1: and Pimp jumped in the cab. We went in Manhattan.

706
00:42:53,640 --> 00:42:55,319
Speaker 1: We jumped in the cab and was like, Yo, take

707
00:42:55,400 --> 00:42:56,920
Speaker 1: us a hall him. You know what I'm saying. He

708
00:42:57,040 --> 00:43:00,280
Speaker 1: drops us off on ad Amsterdam. It was like, welcome

709
00:43:00,320 --> 00:43:02,480
Speaker 1: to hallm and we just walked around. We got a

710
00:43:02,520 --> 00:43:05,719
Speaker 1: hair cut and asan Jamaican food and we're trying to

711
00:43:05,760 --> 00:43:07,719
Speaker 1: tell dudes who we were, but they didn't know the music,

712
00:43:07,840 --> 00:43:09,520
Speaker 1: you know what I'm saying. But we were just on

713
00:43:09,600 --> 00:43:11,279
Speaker 1: the block and people hear that, like, yo, you weren't

714
00:43:11,280 --> 00:43:13,640
Speaker 1: supposed to do that, famly, like you could have got

715
00:43:13,719 --> 00:43:15,520
Speaker 1: robbed out there. I was like, man, I wasn't worried

716
00:43:15,520 --> 00:43:18,400
Speaker 1: about that, you know, but um it was. It was

717
00:43:18,480 --> 00:43:20,400
Speaker 1: a good time, man. And you know, we had a

718
00:43:20,480 --> 00:43:23,160
Speaker 1: lot of people like Keith Murray who you know, um

719
00:43:23,280 --> 00:43:25,360
Speaker 1: had come down where we were and they've been around

720
00:43:25,480 --> 00:43:27,960
Speaker 1: us and in the world, and and we kind of

721
00:43:28,080 --> 00:43:30,920
Speaker 1: knew how everybody got down. Lloyd Jamal has been a

722
00:43:31,000 --> 00:43:33,480
Speaker 1: lifelong friend as far as his music game has been concerned.

723
00:43:33,520 --> 00:43:37,160
Speaker 1: He's always um opened up his world in New York

724
00:43:37,200 --> 00:43:39,360
Speaker 1: to us and kind of rote us around through Brooklyn

725
00:43:39,440 --> 00:43:42,680
Speaker 1: and Washington Avenue and places and getting weed and back

726
00:43:42,719 --> 00:43:44,480
Speaker 1: then used to be getting chocolate tied. You had to

727
00:43:44,760 --> 00:43:46,799
Speaker 1: un the hood to get chocolate tied, and then going

728
00:43:46,840 --> 00:43:49,279
Speaker 1: over to Branson and spots like that. You know, we

729
00:43:49,400 --> 00:43:50,640
Speaker 1: used to have a good time to New York. We

730
00:43:50,680 --> 00:43:52,920
Speaker 1: always have, always have a good time. And when you

731
00:43:53,040 --> 00:43:55,360
Speaker 1: were in Port Arthur, like you know, oh, you know,

732
00:43:55,480 --> 00:43:57,759
Speaker 1: now everybody could listen to everything and it's not like

733
00:43:57,880 --> 00:43:59,920
Speaker 1: you it was the sixties and seventies, but like you know,

734
00:44:00,080 --> 00:44:03,160
Speaker 1: in the eighties, where where was hip hop coming from?

735
00:44:03,239 --> 00:44:06,040
Speaker 1: How was it making its way to you? Uh, you know,

736
00:44:06,160 --> 00:44:09,360
Speaker 1: because it wasn't as accessible. You know, therese record stores.

737
00:44:09,440 --> 00:44:11,400
Speaker 1: You know, there was mixed tapes. Like what were you

738
00:44:11,520 --> 00:44:14,799
Speaker 1: guys getting even before you started? You you g K. Well,

739
00:44:14,840 --> 00:44:16,920
Speaker 1: if you wanted to hear music, you had to get

740
00:44:16,920 --> 00:44:19,120
Speaker 1: as close to a DJ as possible because the DJs

741
00:44:19,120 --> 00:44:20,640
Speaker 1: were going to be the guys that had the records.

742
00:44:21,040 --> 00:44:22,880
Speaker 1: And so back then, they used to have what they

743
00:44:22,920 --> 00:44:25,560
Speaker 1: call record pools where dj would sign up, they would

744
00:44:25,600 --> 00:44:27,400
Speaker 1: pay a fee, and every month they would get a

745
00:44:27,440 --> 00:44:29,880
Speaker 1: bunch of different records from all over the country to

746
00:44:30,040 --> 00:44:32,640
Speaker 1: start playing and getting mixed. You know, different guys at

747
00:44:32,920 --> 00:44:35,800
Speaker 1: record pools. So in Houston it was Steve Farnier with

748
00:44:35,920 --> 00:44:38,000
Speaker 1: a guy that had the record pool. So you would

749
00:44:38,040 --> 00:44:39,960
Speaker 1: try to get next to DJs that were getting their

750
00:44:40,000 --> 00:44:42,480
Speaker 1: records from Steve farn and they would have the most

751
00:44:42,560 --> 00:44:44,279
Speaker 1: up to date records as far as what was going

752
00:44:44,360 --> 00:44:48,000
Speaker 1: on in hip hop? Okay, um and static okay, back

753
00:44:48,040 --> 00:44:50,160
Speaker 1: to the record. You know, I was listening to a

754
00:44:50,200 --> 00:44:51,759
Speaker 1: lot of U g K this morning when I knew

755
00:44:51,800 --> 00:44:54,440
Speaker 1: we were gonna get this done, and something that I've

756
00:44:54,440 --> 00:44:58,360
Speaker 1: always loved about your music. There's always soul. There's a

757
00:44:58,400 --> 00:45:00,640
Speaker 1: soulfulness and a lot of it. I'm mean there's different

758
00:45:01,120 --> 00:45:02,560
Speaker 1: you know, joints and stuff like that, but you have

759
00:45:02,600 --> 00:45:05,279
Speaker 1: a lot of soul samples and all that ship. The

760
00:45:05,360 --> 00:45:09,200
Speaker 1: world of sampling has changed crazy. You can't just pick

761
00:45:09,280 --> 00:45:11,000
Speaker 1: and choose. I don't know if you can. Maybe now

762
00:45:11,120 --> 00:45:13,600
Speaker 1: you can. Well what are the rules with sampling? And

763
00:45:13,680 --> 00:45:17,239
Speaker 1: how has it affected change the way you make a

764
00:45:17,360 --> 00:45:19,440
Speaker 1: song that's going to be put out into an actual record.

765
00:45:20,360 --> 00:45:22,560
Speaker 1: It's been such a headache that actually most of this

766
00:45:22,640 --> 00:45:25,520
Speaker 1: album sample free samples that like I had friends create,

767
00:45:25,600 --> 00:45:29,200
Speaker 1: like this Dude dream Life and another one's Stude Marfo Beats.

768
00:45:29,600 --> 00:45:33,400
Speaker 1: They make original samples inspired by records. But that way

769
00:45:33,440 --> 00:45:34,800
Speaker 1: you don't have to deal with the headache. So, like

770
00:45:34,960 --> 00:45:37,520
Speaker 1: recently I did two songs on whis Khalifa's album, and

771
00:45:37,600 --> 00:45:40,239
Speaker 1: one of the samples wanted eighty grand. I've never seen

772
00:45:40,280 --> 00:45:42,680
Speaker 1: that in my life. What was the sample? It was? Um,

773
00:45:43,960 --> 00:45:46,880
Speaker 1: it was a really obscure eighties record. But the thing

774
00:45:47,000 --> 00:45:49,120
Speaker 1: is it's not the artist that's doing that. You got

775
00:45:49,239 --> 00:45:52,319
Speaker 1: like Wall Street groups and you know, different corporations buying

776
00:45:52,360 --> 00:45:55,120
Speaker 1: people's catalogs because they think they can get rich off

777
00:45:55,200 --> 00:45:58,279
Speaker 1: of people, you know, clearing the samples. Well, they played

778
00:45:58,320 --> 00:46:01,200
Speaker 1: themselves because we replayed the sample enough to where we

779
00:46:01,200 --> 00:46:02,680
Speaker 1: didn't even have to credit them at all. And now

780
00:46:02,960 --> 00:46:05,600
Speaker 1: instead of they might have got like fifteen twenty maybe

781
00:46:05,640 --> 00:46:08,080
Speaker 1: ten Graham for the sample, now they get nothing, and

782
00:46:08,120 --> 00:46:10,279
Speaker 1: the record still came out. And then you know they

783
00:46:10,320 --> 00:46:13,520
Speaker 1: wanted eighty Graham for a random like sample. That's all

784
00:46:13,560 --> 00:46:15,680
Speaker 1: the publishing. It's madness, like because you've got all these

785
00:46:15,719 --> 00:46:18,239
Speaker 1: people that don't understand the music controlling the masters of

786
00:46:18,280 --> 00:46:19,960
Speaker 1: the ship. It's like I run into it a lot,

787
00:46:20,160 --> 00:46:22,360
Speaker 1: like a lot of but like, what was the sample

788
00:46:22,440 --> 00:46:25,239
Speaker 1: that worked out? I mean, you guys had heavy ship,

789
00:46:25,719 --> 00:46:28,279
Speaker 1: like big fucking songs. Like, what was the sample that

790
00:46:28,920 --> 00:46:31,239
Speaker 1: that didn't work out for you that you remember? I

791
00:46:31,320 --> 00:46:33,399
Speaker 1: mean going way back, because you guys were like deep

792
00:46:33,440 --> 00:46:36,480
Speaker 1: in the soul ship. I remember the original song that

793
00:46:36,600 --> 00:46:40,000
Speaker 1: we made for UM we Want to Minister Society soundtrack, right,

794
00:46:40,280 --> 00:46:43,120
Speaker 1: So the original song that we made was called MacMan

795
00:46:43,440 --> 00:46:45,760
Speaker 1: and that was a sample and a song that McMahon

796
00:46:45,840 --> 00:46:48,480
Speaker 1: grow and down to get to streets. I don't want

797
00:46:48,480 --> 00:46:49,680
Speaker 1: to act like I can sing and that like that,

798
00:46:49,800 --> 00:46:52,440
Speaker 1: but that was a sample and Jove wouldn't pay for it,

799
00:46:53,120 --> 00:46:55,800
Speaker 1: and so we were already in the studio and we're like,

800
00:46:55,840 --> 00:46:58,000
Speaker 1: well we got the Pocket Full of Stones remix and

801
00:46:58,040 --> 00:46:59,719
Speaker 1: they were like, well give us that. And then that's

802
00:46:59,719 --> 00:47:03,240
Speaker 1: the one that ended up going on on the Pocket soundtrack.

803
00:47:03,320 --> 00:47:05,440
Speaker 1: And that was the one that really like it took off.

804
00:47:05,640 --> 00:47:08,640
Speaker 1: That was a big song. Yeah, um and and And

805
00:47:08,680 --> 00:47:10,400
Speaker 1: I don't think the other song would have connected it

806
00:47:10,480 --> 00:47:13,360
Speaker 1: strongly either. And what did it mean to have that? Like?

807
00:47:13,440 --> 00:47:15,160
Speaker 1: Because for me that was that was like I had

808
00:47:15,200 --> 00:47:17,920
Speaker 1: heard you g K. But when that menu is soundtrack,

809
00:47:17,960 --> 00:47:20,399
Speaker 1: I mean that soundtrack was so classic and it's when

810
00:47:20,520 --> 00:47:24,560
Speaker 1: soundtracks were so exciting, you know, and you'd break artists,

811
00:47:25,000 --> 00:47:28,680
Speaker 1: you'd hear remixes from artists, there'd be weird ship on soundtracks.

812
00:47:28,760 --> 00:47:31,360
Speaker 1: Like one of my favorite songs on the soundtrack was

813
00:47:31,440 --> 00:47:34,200
Speaker 1: a Tupac pain joint above the Rim that I think

814
00:47:34,280 --> 00:47:37,520
Speaker 1: was either on the CD only the cassette only, like

815
00:47:37,760 --> 00:47:40,319
Speaker 1: that's it and that's one of my favorite Tupac joints.

816
00:47:40,360 --> 00:47:42,520
Speaker 1: But it was like soundtracks were exciting. What did it

817
00:47:42,600 --> 00:47:46,480
Speaker 1: mean to have that that national recognition for the song?

818
00:47:46,840 --> 00:47:49,480
Speaker 1: Um and on that soundtrack where it's like the the

819
00:47:49,560 --> 00:47:51,560
Speaker 1: whole world discovered you guys, although you had been Rocket

820
00:47:51,640 --> 00:47:54,040
Speaker 1: for a few years before this. The whole idea of

821
00:47:54,120 --> 00:47:57,000
Speaker 1: being involved with the movie soundtrack and the film itself

822
00:47:57,200 --> 00:48:00,480
Speaker 1: was crazy because when we agreed to do something them forward,

823
00:48:00,560 --> 00:48:03,160
Speaker 1: they sent me the script and they sent me like

824
00:48:03,280 --> 00:48:05,799
Speaker 1: three clips from the movie, you know what I'm saying.

825
00:48:06,120 --> 00:48:08,480
Speaker 1: And so we were at the house like reading the

826
00:48:08,520 --> 00:48:10,480
Speaker 1: script and then watching and then the first thing we

827
00:48:10,600 --> 00:48:13,640
Speaker 1: see is the corner store where they shoots to do

828
00:48:14,160 --> 00:48:17,480
Speaker 1: shoots the owner of the store, and yeah, that's and

829
00:48:17,560 --> 00:48:19,560
Speaker 1: we were like, Yo, this movie And I'm telling everybody,

830
00:48:19,880 --> 00:48:21,400
Speaker 1: come to the house, food, come to the house, you

831
00:48:21,440 --> 00:48:23,160
Speaker 1: gotta come see this movie. We for to do a

832
00:48:23,239 --> 00:48:25,080
Speaker 1: song for us, so you know what I'm saying. And

833
00:48:25,560 --> 00:48:27,800
Speaker 1: everybody came over and showing them the little clips, and

834
00:48:28,040 --> 00:48:30,200
Speaker 1: when he shot to do for the cheeseburger, We're like, Yo,

835
00:48:30,360 --> 00:48:32,640
Speaker 1: what the funk out the movie? Is this for the

836
00:48:32,760 --> 00:48:34,960
Speaker 1: be you know what I'm saying. But um, and then

837
00:48:35,000 --> 00:48:36,759
Speaker 1: it had a different ending too. It didn't have the

838
00:48:36,840 --> 00:48:38,799
Speaker 1: same ending, you know what I'm saying. But I think

839
00:48:38,800 --> 00:48:40,560
Speaker 1: they did that on purpose so that we wouldn't know

840
00:48:40,640 --> 00:48:43,400
Speaker 1: exactly how the movie ended. But um, you know what

841
00:48:43,440 --> 00:48:45,560
Speaker 1: I'm saying that then like making the song and then

842
00:48:46,239 --> 00:48:47,960
Speaker 1: not having the one that we wanted to be on

843
00:48:48,040 --> 00:48:50,080
Speaker 1: the soundtrack, but then the one that ends up on

844
00:48:50,160 --> 00:48:52,880
Speaker 1: the soundtrack ends up being like a big record for

845
00:48:53,000 --> 00:48:55,760
Speaker 1: us anyway, and it just started making us really feel

846
00:48:55,800 --> 00:48:57,840
Speaker 1: like we were really in the hip hop game, you

847
00:48:57,880 --> 00:49:00,799
Speaker 1: know what I'm saying, like with the big boys. Um,

848
00:49:01,400 --> 00:49:04,360
Speaker 1: all right, so back to this, to this record, the

849
00:49:04,400 --> 00:49:07,279
Speaker 1: recording Static, I'll last time you're on the podcast, we

850
00:49:07,360 --> 00:49:10,400
Speaker 1: talked quick about met the man who that's my favorite

851
00:49:10,440 --> 00:49:12,800
Speaker 1: song right now on the record, and and he's so

852
00:49:13,040 --> 00:49:16,960
Speaker 1: fucking good. So first Static, when people here producer, we

853
00:49:17,120 --> 00:49:20,360
Speaker 1: think you make the beats and and then that's it.

854
00:49:21,280 --> 00:49:23,920
Speaker 1: How do you produce a song with somebody who's as

855
00:49:23,960 --> 00:49:27,239
Speaker 1: good as Meth the man, someone who's as good as Bunn?

856
00:49:27,480 --> 00:49:30,560
Speaker 1: What is producing me for a song like that? Specifically?

857
00:49:30,640 --> 00:49:33,440
Speaker 1: How did that song happen with Meth? Because he kills

858
00:49:33,520 --> 00:49:36,200
Speaker 1: that and your voices are so different. You know what's funny?

859
00:49:36,239 --> 00:49:39,600
Speaker 1: Actually this is the definition of producing because we you know,

860
00:49:39,680 --> 00:49:41,080
Speaker 1: we had picked some of the beats out, some of

861
00:49:41,120 --> 00:49:43,120
Speaker 1: the beats got picked last minute, but we picked out

862
00:49:43,200 --> 00:49:46,160
Speaker 1: some of the beats ahead of time, and Bunn was like, yo,

863
00:49:46,280 --> 00:49:49,160
Speaker 1: I sent uh. I sent Meth a certain beat and

864
00:49:49,239 --> 00:49:50,960
Speaker 1: I was like, oh, I was thinking about the one

865
00:49:50,960 --> 00:49:52,879
Speaker 1: with the non scratch on it, and he's like, which

866
00:49:52,920 --> 00:49:54,440
Speaker 1: one is that? And I texted to him and he

867
00:49:54,480 --> 00:49:56,799
Speaker 1: switched it and sent him that one. And then when

868
00:49:57,080 --> 00:49:58,920
Speaker 1: you know I said it last time on the podcast,

869
00:49:59,040 --> 00:50:01,719
Speaker 1: Meth showed up in a day early by mistake. So

870
00:50:02,200 --> 00:50:05,120
Speaker 1: Term goes outside and he's like, yo, meThe man's outside

871
00:50:05,120 --> 00:50:07,440
Speaker 1: and go outside. He's like, it's not tonight. We're like now,

872
00:50:07,520 --> 00:50:10,040
Speaker 1: it's tomorrow. So he was there a whole day early

873
00:50:10,160 --> 00:50:12,239
Speaker 1: and he's like, yeah, man, I'm working on my verse,

874
00:50:12,480 --> 00:50:13,840
Speaker 1: but I'll see you tomorrow. And in the back of

875
00:50:13,920 --> 00:50:16,040
Speaker 1: my head, I'm like, ah, there's a chance he might

876
00:50:16,080 --> 00:50:17,640
Speaker 1: not come tomorrow because you know the fact you have

877
00:50:17,760 --> 00:50:21,120
Speaker 1: meThe been going to Brooklyn anyway, you know who knows,

878
00:50:21,440 --> 00:50:23,160
Speaker 1: And he was. He was on point the next night

879
00:50:23,239 --> 00:50:29,320
Speaker 1: and in a round take a slow yo. It's like

880
00:50:29,480 --> 00:50:32,440
Speaker 1: pre Mo when gurgle, Gang of Stars differing features like

881
00:50:32,520 --> 00:50:35,320
Speaker 1: a school before this rhyme and now was noodles and

882
00:50:35,440 --> 00:50:38,360
Speaker 1: two shots shot Kashi Google. If y'alln't get the reference,

883
00:50:38,360 --> 00:50:40,800
Speaker 1: shot can google. Y'all stepped in some doodoo and the

884
00:50:40,920 --> 00:50:43,399
Speaker 1: parent mistake. That's why your parents called you Google. Get

885
00:50:43,400 --> 00:50:45,560
Speaker 1: me time to combined with my dogs like we dud

886
00:50:45,920 --> 00:50:48,959
Speaker 1: funning beat cow smoke that Google w you wore my ground.

887
00:50:49,040 --> 00:50:51,400
Speaker 1: That's that Boo Foo only got half a screw you

888
00:50:51,480 --> 00:50:53,719
Speaker 1: can hap to stop. That's a footful keep a bird

889
00:50:53,800 --> 00:50:55,960
Speaker 1: on the clock. That was coogle, not the wrapping you

890
00:50:56,080 --> 00:50:58,480
Speaker 1: used to it. But these rappers be lacking is the screwers.

891
00:50:58,600 --> 00:51:00,640
Speaker 1: What you see is the master to the pupils. And

892
00:51:00,719 --> 00:51:02,800
Speaker 1: I'm back with the boodo. You are bottom. Look you

893
00:51:02,880 --> 00:51:05,600
Speaker 1: who sat backwards? Now? Who you your assistance is? Futi?

894
00:51:05,880 --> 00:51:07,640
Speaker 1: When the kid in the kitchen and get the kid

895
00:51:07,719 --> 00:51:10,400
Speaker 1: in kaboodoo. I don't talking to lifting the don't get it?

896
00:51:10,520 --> 00:51:12,440
Speaker 1: Then you do? That goes for Boo when you too,

897
00:51:12,800 --> 00:51:15,520
Speaker 1: I'm like a salto shotgun because let's it's boy, hit

898
00:51:15,560 --> 00:51:17,920
Speaker 1: your front door with a hot one playing. If you

899
00:51:18,040 --> 00:51:20,360
Speaker 1: want to get something and I got something, trust, but

900
00:51:20,440 --> 00:51:23,279
Speaker 1: you ain't leaving the body here without something. Step to

901
00:51:23,360 --> 00:51:25,600
Speaker 1: be there and yo, you know the outcome. I'm never

902
00:51:25,719 --> 00:51:28,440
Speaker 1: housed ump or you're going home with your mouth and

903
00:51:28,560 --> 00:51:30,839
Speaker 1: the swollen left because I'm gonna give you them hands

904
00:51:30,920 --> 00:51:32,959
Speaker 1: and I'm gonna give you the whole clips. So don't

905
00:51:33,040 --> 00:51:35,880
Speaker 1: trip and don't slip it because you never stop sliding. Bro,

906
00:51:36,080 --> 00:51:38,640
Speaker 1: you are ready. No, we'll be riding, folks, Stop hiding. Hole.

907
00:51:38,880 --> 00:51:41,440
Speaker 1: Come out of the cave you crawled back into. You've

908
00:51:41,480 --> 00:51:43,879
Speaker 1: been through when this came over for you and them too.

909
00:51:44,160 --> 00:51:46,440
Speaker 1: To let you make it a sinful last for me.

910
00:51:46,560 --> 00:51:48,680
Speaker 1: So when I'm done with you, you will remember nothing

911
00:51:48,800 --> 00:51:51,160
Speaker 1: after me. I take it further than it has to be,

912
00:51:51,360 --> 00:51:54,319
Speaker 1: taking fund method and graphs that is selected bringing the break.

913
00:51:55,400 --> 00:51:58,840
Speaker 1: It was funny because he called me, and up until

914
00:51:58,880 --> 00:52:01,680
Speaker 1: that point we had only been communicate through email, and

915
00:52:01,800 --> 00:52:04,520
Speaker 1: so I'm in the kitchen and the phone rings and

916
00:52:04,800 --> 00:52:06,840
Speaker 1: like hello. He's like, yo, on my outside, what's the code?

917
00:52:07,360 --> 00:52:10,239
Speaker 1: I'm like, outside of where there ain't no code. Who

918
00:52:10,360 --> 00:52:15,960
Speaker 1: is this? Yo? It's Math, I'm outside. What's the code? Meth? Oh? Sorry?

919
00:52:16,040 --> 00:52:19,359
Speaker 1: Wrong number? He hangs up and I'm like what the hell?

920
00:52:19,440 --> 00:52:21,839
Speaker 1: And then it calls right back and I'm like hello,

921
00:52:22,480 --> 00:52:25,600
Speaker 1: It's like bun Like, yeah, this is Math, I'm outside.

922
00:52:25,680 --> 00:52:27,600
Speaker 1: What's the code, we're button up with. I'm like, math,

923
00:52:27,680 --> 00:52:32,080
Speaker 1: it's tomorrow. Get the fun by the way, which is

924
00:52:32,120 --> 00:52:35,600
Speaker 1: the funniest part, you know what I'm saying. So I'm like, yeah, fam,

925
00:52:35,680 --> 00:52:38,440
Speaker 1: it's tomorrow. But damn, thank you so much for you know,

926
00:52:38,560 --> 00:52:40,759
Speaker 1: being like he said, no, but I'm with you on

927
00:52:40,840 --> 00:52:42,680
Speaker 1: this all right, so I'll be back tomorrow. I'm like,

928
00:52:42,800 --> 00:52:45,080
Speaker 1: oh damn, I felt good. I was like with ship

929
00:52:45,200 --> 00:52:48,120
Speaker 1: Meth is really really excited about being on this project.

930
00:52:48,160 --> 00:52:50,560
Speaker 1: I'm like, he came a day early. I better make

931
00:52:50,560 --> 00:52:52,960
Speaker 1: sure that I'm ready physically and mentally for this because

932
00:52:53,200 --> 00:52:55,759
Speaker 1: it's gonna be on in this because that motherfucker when

933
00:52:55,840 --> 00:52:59,520
Speaker 1: he's I mean, when he's on the rapid so good? Right,

934
00:52:59,680 --> 00:53:01,880
Speaker 1: Why why is it? Like explain to me, like as

935
00:53:01,920 --> 00:53:04,000
Speaker 1: a fan, break it down to me. Give me the

936
00:53:04,040 --> 00:53:09,520
Speaker 1: analytics of method Man. Method Man's rhymes have a certain

937
00:53:09,640 --> 00:53:14,200
Speaker 1: physicality to it, right that is like just like him.

938
00:53:14,840 --> 00:53:16,760
Speaker 1: But if you know him and the way he moves,

939
00:53:17,239 --> 00:53:19,960
Speaker 1: like his rhymes moved like him, you know what I'm saying.

940
00:53:20,520 --> 00:53:24,640
Speaker 1: And he has a certain way with with language, right, Like,

941
00:53:24,760 --> 00:53:27,680
Speaker 1: once he has that one that he wants to lock in,

942
00:53:27,880 --> 00:53:30,680
Speaker 1: he can rock with that all day. Long, and for

943
00:53:30,800 --> 00:53:33,640
Speaker 1: some mcs, you can get a good two four bars

944
00:53:33,680 --> 00:53:35,480
Speaker 1: out of it. If you're nice with it, you might

945
00:53:35,560 --> 00:53:37,239
Speaker 1: be able to go eight. But then you gotta switch

946
00:53:37,280 --> 00:53:40,200
Speaker 1: to another set of syllables or whatever. You gotta switch

947
00:53:40,280 --> 00:53:42,719
Speaker 1: to another cadence. And he just wrote that bitch all

948
00:53:42,800 --> 00:53:46,040
Speaker 1: the way through, and and not only wrote it, because

949
00:53:46,080 --> 00:53:48,640
Speaker 1: sometimes in order to make certain things rhyme, but it

950
00:53:48,680 --> 00:53:51,080
Speaker 1: will be maybe you know a word and a half,

951
00:53:51,200 --> 00:53:53,399
Speaker 1: and then you finish the next line with you start

952
00:53:53,480 --> 00:53:55,279
Speaker 1: the next line with the other half of that word.

953
00:53:55,360 --> 00:53:57,759
Speaker 1: You you break things up as you need to to

954
00:53:58,040 --> 00:54:00,640
Speaker 1: to do in order to get the the language that

955
00:54:00,719 --> 00:54:03,920
Speaker 1: you want from it. And so every bar doesn't it

956
00:54:04,080 --> 00:54:06,920
Speaker 1: maybe have the same impact because you're just trying to

957
00:54:06,960 --> 00:54:09,239
Speaker 1: find something to rhyme with what you just rhyme with.

958
00:54:10,320 --> 00:54:15,759
Speaker 1: Meth had punchline after punchline after punchline based on the

959
00:54:15,880 --> 00:54:18,279
Speaker 1: bar that he chose. Are the syllables that he chose

960
00:54:18,360 --> 00:54:21,439
Speaker 1: to keep as a refrain throughout every ball. And that's

961
00:54:21,840 --> 00:54:24,040
Speaker 1: really really hard to do as a writer. I got you,

962
00:54:24,800 --> 00:54:28,359
Speaker 1: You've worked with so many fucking people, and I'm sure

963
00:54:28,400 --> 00:54:30,799
Speaker 1: if I ask you this now, like fifteen minutes later,

964
00:54:30,840 --> 00:54:33,440
Speaker 1: you could think there's uh, you know other people that

965
00:54:33,480 --> 00:54:36,360
Speaker 1: pop in your head. But tell me some other moments

966
00:54:36,440 --> 00:54:39,759
Speaker 1: when you've worked with MCS, um you've worked you know

967
00:54:39,960 --> 00:54:43,560
Speaker 1: Drake Hove, uh, And I'm sure there's studio sessions that

968
00:54:43,640 --> 00:54:45,520
Speaker 1: you just were at with different people you've come across.

969
00:54:45,719 --> 00:54:48,320
Speaker 1: Tell me some other people you've been with MCS or

970
00:54:48,400 --> 00:54:50,719
Speaker 1: even producers that have chopped that you were just like,

971
00:54:51,080 --> 00:54:53,080
Speaker 1: this is a talented motherfucker that stick out in your

972
00:54:53,120 --> 00:54:56,279
Speaker 1: head when I ask that question, Wow, that's that's a

973
00:54:56,360 --> 00:54:58,640
Speaker 1: really good question. I love when someone says that's a

974
00:54:58,680 --> 00:55:02,200
Speaker 1: really good question. I'm not a really good I'd have

975
00:55:02,320 --> 00:55:06,719
Speaker 1: to say Big crit is really impressive. As I've known

976
00:55:06,840 --> 00:55:11,200
Speaker 1: him over the years, he's gotten better progressively, right as

977
00:55:11,239 --> 00:55:15,399
Speaker 1: a writer, um taking life influences and putting them into

978
00:55:15,480 --> 00:55:18,200
Speaker 1: the songs, like using the songs as a as its

979
00:55:18,239 --> 00:55:22,040
Speaker 1: own self therapy, like like really being a bearing himself.

980
00:55:22,080 --> 00:55:24,120
Speaker 1: You know what I'm saying. And because I know him personally,

981
00:55:24,360 --> 00:55:26,560
Speaker 1: I know how much of himself that he's really giving

982
00:55:26,840 --> 00:55:29,760
Speaker 1: to the music that he's making. And it just watched

983
00:55:29,840 --> 00:55:32,839
Speaker 1: this kid just grow as a producer as a writer.

984
00:55:33,120 --> 00:55:35,719
Speaker 1: I mean I brought him in as my EP for

985
00:55:35,880 --> 00:55:37,759
Speaker 1: my last solo album. You know what I'm saying. He

986
00:55:37,840 --> 00:55:40,760
Speaker 1: was my musical director. He and my wife executive produced

987
00:55:40,760 --> 00:55:43,439
Speaker 1: the album. And you know, I just kind of sat

988
00:55:43,520 --> 00:55:46,200
Speaker 1: back and I just let him, you know, point me

989
00:55:46,239 --> 00:55:48,360
Speaker 1: in the right direction, you know what I'm saying. And

990
00:55:48,480 --> 00:55:51,040
Speaker 1: he's much more than just an artist, you know what

991
00:55:51,080 --> 00:55:54,920
Speaker 1: I'm saying. I really think he is art itself. That's dope.

992
00:55:55,280 --> 00:55:57,000
Speaker 1: Is there anybody else over the years that you were

993
00:55:57,040 --> 00:56:01,200
Speaker 1: just like Damn Twister? Watching Twister left first in real

994
00:56:01,320 --> 00:56:03,560
Speaker 1: life was like exciting. I used to stay in uh

995
00:56:03,680 --> 00:56:07,640
Speaker 1: in the house um down the street from the Suave

996
00:56:07,719 --> 00:56:09,919
Speaker 1: House studio, Like we lived like literally like a block

997
00:56:09,960 --> 00:56:11,879
Speaker 1: away from Squave House Studio, and there was the house

998
00:56:12,200 --> 00:56:14,120
Speaker 1: that I had. I was with a group called them

999
00:56:14,160 --> 00:56:15,640
Speaker 1: at the Fingers at the time. It was like five

1000
00:56:15,680 --> 00:56:18,520
Speaker 1: of my homies and me just like doing some really

1001
00:56:18,600 --> 00:56:22,000
Speaker 1: really thuggish like underground rap shit just to have fun.

1002
00:56:22,600 --> 00:56:26,080
Speaker 1: And they would come down to the house because you know,

1003
00:56:26,160 --> 00:56:27,600
Speaker 1: it was a trap, you know, so we would have

1004
00:56:27,640 --> 00:56:29,360
Speaker 1: the trees or whatever. I can say that now because

1005
00:56:29,680 --> 00:56:31,880
Speaker 1: it's it's over with, but they would come down. So

1006
00:56:31,960 --> 00:56:33,480
Speaker 1: then one day there was like Yo, Twist at the house,

1007
00:56:33,480 --> 00:56:35,600
Speaker 1: twist Land the verse tonight, I'm like, Yo, I'm coming

1008
00:56:35,640 --> 00:56:38,920
Speaker 1: through that motherfucker, and just to watch that level of

1009
00:56:39,239 --> 00:56:43,200
Speaker 1: breath control right, just the way that he's able to

1010
00:56:44,440 --> 00:56:46,560
Speaker 1: say things like I don't I mean, I don't want

1011
00:56:46,600 --> 00:56:49,040
Speaker 1: to say it wrong, but I mean, like the way

1012
00:56:49,120 --> 00:56:51,560
Speaker 1: he can use words and say words, and the way

1013
00:56:51,560 --> 00:56:55,959
Speaker 1: he can break these things down and right in front

1014
00:56:56,000 --> 00:56:58,120
Speaker 1: of you, like it was. I was like, Yo, this

1015
00:56:58,320 --> 00:57:01,279
Speaker 1: is crazy. It's not a studio it right, because a

1016
00:57:01,320 --> 00:57:03,040
Speaker 1: lot of this ship can be studio tricks one time.

1017
00:57:03,080 --> 00:57:05,120
Speaker 1: You can try to pull the cheek code out every

1018
00:57:05,160 --> 00:57:07,360
Speaker 1: now and then. But um, you know, and this was

1019
00:57:07,400 --> 00:57:10,160
Speaker 1: still in the earliest days of pro tools, because you

1020
00:57:10,239 --> 00:57:12,640
Speaker 1: know pro tools, I don't think people realize how you know,

1021
00:57:12,719 --> 00:57:16,880
Speaker 1: pro tools is a relatively new, relatively new concept and

1022
00:57:17,040 --> 00:57:21,000
Speaker 1: hip hop. But yeah, watching Twister Layer Verse and we

1023
00:57:21,080 --> 00:57:24,160
Speaker 1: always talk about My wife always talks about um. When

1024
00:57:24,200 --> 00:57:26,080
Speaker 1: I did the Verse with jay z Um jay Z

1025
00:57:26,200 --> 00:57:28,720
Speaker 1: did a verse on a song called Get Thrown on

1026
00:57:28,840 --> 00:57:31,680
Speaker 1: my solo. I'm true. And we're all just kind of

1027
00:57:31,720 --> 00:57:34,560
Speaker 1: like sitting in the room and we're talking. We're having

1028
00:57:34,560 --> 00:57:37,080
Speaker 1: a conversation like for thirty forty minutes, like just a

1029
00:57:37,240 --> 00:57:39,520
Speaker 1: very in depth conversation about different things, how you've been

1030
00:57:39,600 --> 00:57:42,600
Speaker 1: house life, you know, yeah, yah yeada Jai brother all

1031
00:57:42,640 --> 00:57:44,600
Speaker 1: of this stuff. And then um, he's like, all right,

1032
00:57:44,640 --> 00:57:46,280
Speaker 1: I'll be right back, and then got up and went

1033
00:57:46,360 --> 00:57:49,600
Speaker 1: and spit his verse and I'm like, you know, it's

1034
00:57:49,600 --> 00:57:54,320
Speaker 1: funny story about like when did he write this? Do

1035
00:57:54,480 --> 00:57:56,960
Speaker 1: it while they're like it's crazy And he literally was

1036
00:57:57,040 --> 00:57:59,640
Speaker 1: writing a rhyme in the middle of us having a

1037
00:57:59,680 --> 00:58:03,400
Speaker 1: converse station Mentally, that's fucking nuts, you know what I'm saying.

1038
00:58:03,760 --> 00:58:07,560
Speaker 1: And I'm and it's crazy, like we're watching it and

1039
00:58:07,600 --> 00:58:10,680
Speaker 1: I'm like, he he didn't have it already, like because

1040
00:58:10,720 --> 00:58:12,240
Speaker 1: some of the ship in the verses about what the

1041
00:58:12,280 --> 00:58:18,840
Speaker 1: fun we were talking about. So that's so I'm like, damn, stude,

1042
00:58:19,160 --> 00:58:21,480
Speaker 1: Stude might be the best ever. Like I'm in that

1043
00:58:21,680 --> 00:58:24,240
Speaker 1: moment because I always, you know, really look at myself

1044
00:58:24,280 --> 00:58:26,080
Speaker 1: as being a really really good rap and I can

1045
00:58:26,120 --> 00:58:27,960
Speaker 1: go told and told, I go ball off the ball

1046
00:58:28,120 --> 00:58:31,040
Speaker 1: with everybody. But the creative process is what really separates

1047
00:58:31,480 --> 00:58:34,200
Speaker 1: MCS to me, you know what I'm saying. Not everybody's

1048
00:58:34,240 --> 00:58:36,480
Speaker 1: process is different. And that's what I'm saying because because

1049
00:58:36,480 --> 00:58:39,560
Speaker 1: you're you're a formida old motherfucker. And it's just like

1050
00:58:39,640 --> 00:58:41,760
Speaker 1: when you like, when I'm acting with somebody, sometimes I

1051
00:58:41,800 --> 00:58:45,080
Speaker 1: see somebody's talent and I'm like, this motherfucker's talented. You know.

1052
00:58:45,280 --> 00:58:47,120
Speaker 1: It's just you're like you just respected and it's just

1053
00:58:47,240 --> 00:58:50,000
Speaker 1: a different approach. Yeah, And you know, because you're always

1054
00:58:50,040 --> 00:58:52,160
Speaker 1: looking at the level of execution and I'm like, all right,

1055
00:58:52,360 --> 00:58:54,280
Speaker 1: what did it take to construct that? Because that's a

1056
00:58:54,440 --> 00:58:58,160
Speaker 1: very complex rhyme and them last four bars that that's

1057
00:58:58,280 --> 00:59:00,640
Speaker 1: really hard to put together, and what were the frames

1058
00:59:00,680 --> 00:59:02,440
Speaker 1: of references for that? And how did you put all

1059
00:59:02,480 --> 00:59:05,320
Speaker 1: that ship together? And you know, everybody doesn't create the

1060
00:59:05,360 --> 00:59:08,000
Speaker 1: same and I don't knock anybody's It's not a contest, right,

1061
00:59:08,080 --> 00:59:09,480
Speaker 1: you know what I'm saying, as long as this ship

1062
00:59:09,560 --> 00:59:11,120
Speaker 1: is so I don't keep you writing five minutes five

1063
00:59:11,160 --> 00:59:13,120
Speaker 1: hours of five days. You know what I'm saying, as

1064
00:59:13,120 --> 00:59:15,240
Speaker 1: long as your ship is hard and it's what I

1065
00:59:15,320 --> 00:59:17,000
Speaker 1: expect from you in the moment, I mean, in the

1066
00:59:17,120 --> 00:59:19,800
Speaker 1: moment of for the for the music, I'm good with it,

1067
00:59:20,120 --> 00:59:23,920
Speaker 1: you know. But yeah, just watching that, just in that speed,

1068
00:59:24,040 --> 00:59:28,800
Speaker 1: with that, just with that that technique and the precision

1069
00:59:28,840 --> 00:59:30,120
Speaker 1: of it, I'm like, this is R Dick And it

1070
00:59:30,200 --> 00:59:34,360
Speaker 1: was probably two takes. There's probably two takes. I think, alright,

1071
00:59:34,440 --> 00:59:36,840
Speaker 1: so static you've worked, so follow up with the with

1072
00:59:36,960 --> 00:59:41,160
Speaker 1: your nas. Now we are. It was the same thing. Man.

1073
00:59:41,200 --> 00:59:42,919
Speaker 1: I was in the studio and Nas my man dum

1074
00:59:43,120 --> 00:59:46,520
Speaker 1: and um fashion, and I was like, you know, they

1075
00:59:46,600 --> 00:59:48,120
Speaker 1: called me and the label called me in to work

1076
00:59:48,160 --> 00:59:50,200
Speaker 1: with Fast, which I usually don't do. I usually like

1077
00:59:50,360 --> 00:59:53,240
Speaker 1: make artists come to Brooklyn, but they just opened a

1078
00:59:53,280 --> 00:59:55,160
Speaker 1: new studio and mass appeals. So I went over there

1079
00:59:55,520 --> 00:59:57,040
Speaker 1: and they were like, yeah, it's a chance Nozz will

1080
00:59:57,080 --> 00:59:58,640
Speaker 1: pull up. So I was like, all right, cool, I'm

1081
00:59:58,680 --> 01:00:00,400
Speaker 1: over there because I was gonna tell Fast to come

1082
01:00:00,520 --> 01:00:02,680
Speaker 1: to me. And then we uh we went over there

1083
01:00:02,720 --> 01:00:04,680
Speaker 1: and I was pulled up and he just we sat

1084
01:00:04,720 --> 01:00:07,720
Speaker 1: there and talked for like an hour and fascilate his

1085
01:00:07,840 --> 01:00:09,480
Speaker 1: verse and we're sitting there and talking about all kinds

1086
01:00:09,520 --> 01:00:13,240
Speaker 1: of stuff, talking about airplanes and like just like random

1087
01:00:13,440 --> 01:00:16,400
Speaker 1: ship and all of a sudden, fascists like, yo, Nas,

1088
01:00:16,480 --> 01:00:18,600
Speaker 1: you think you gotta hook for this because he's you know,

1089
01:00:18,640 --> 01:00:20,880
Speaker 1: I see that he's feeling the beat and now's like

1090
01:00:21,000 --> 01:00:22,640
Speaker 1: put the mic on. He just gets up and goes

1091
01:00:22,680 --> 01:00:24,960
Speaker 1: in and spits the whole verse and he's like, ah,

1092
01:00:25,080 --> 01:00:26,880
Speaker 1: you know, I'm about to be out. I'm like me

1093
01:00:27,000 --> 01:00:28,760
Speaker 1: and fascist looked at each other like what the fund

1094
01:00:28,880 --> 01:00:31,320
Speaker 1: just happened? We didn't We didn't think at all NAS

1095
01:00:31,400 --> 01:00:33,360
Speaker 1: was gonna get on it. We were just talking like

1096
01:00:33,520 --> 01:00:35,120
Speaker 1: I was just happy to be having a combo and

1097
01:00:35,120 --> 01:00:37,320
Speaker 1: all that and not just lace the joint. It's out.

1098
01:00:37,360 --> 01:00:39,280
Speaker 1: It's called Apostles came out a couple of months ago.

1099
01:00:39,320 --> 01:00:44,360
Speaker 1: I gotta check that ship. Um static? Who else You've

1100
01:00:44,400 --> 01:00:46,520
Speaker 1: worked with so many different m c s. And I'm

1101
01:00:46,560 --> 01:00:49,120
Speaker 1: sure you've been been witnessed to other songs that you're

1102
01:00:49,200 --> 01:00:52,760
Speaker 1: just at sessions when I say, like people that impressed

1103
01:00:52,800 --> 01:00:56,320
Speaker 1: you with their rhymes and the rappers who comes to here,

1104
01:00:56,400 --> 01:00:58,680
Speaker 1: let me throw names at you first. Shan Sean Price.

1105
01:00:58,800 --> 01:01:01,920
Speaker 1: Sean Price was like another one that the conversation happens

1106
01:01:02,000 --> 01:01:04,240
Speaker 1: for eight hours and then he lays the verse like

1107
01:01:04,560 --> 01:01:06,480
Speaker 1: Sean would come through and like not even rap and

1108
01:01:06,600 --> 01:01:08,160
Speaker 1: leave and I'd be like, we didn't do nothing today,

1109
01:01:08,520 --> 01:01:11,360
Speaker 1: and that's rare because usually, like I'm about business when

1110
01:01:11,400 --> 01:01:14,160
Speaker 1: people come through. But Sean was a different, different cut

1111
01:01:14,240 --> 01:01:16,280
Speaker 1: type of dude. Man. He was really um. He was

1112
01:01:16,320 --> 01:01:18,200
Speaker 1: a jokes there and he just I really missed that

1113
01:01:18,280 --> 01:01:21,360
Speaker 1: guy a lot um And you worked with Mac Miller

1114
01:01:21,440 --> 01:01:23,640
Speaker 1: a bunch and he started his career in my crib man.

1115
01:01:23,680 --> 01:01:25,520
Speaker 1: He'd never been on a record. He came to my

1116
01:01:25,640 --> 01:01:28,480
Speaker 1: radio show, never been on the radio. His eighteen birthday,

1117
01:01:28,560 --> 01:01:30,680
Speaker 1: the Kids mixtape came out and he's spend it with us.

1118
01:01:30,760 --> 01:01:33,240
Speaker 1: So it was like, you know, that's another dude that

1119
01:01:33,520 --> 01:01:35,440
Speaker 1: miss a lot man, Mac. I watched MATC go through

1120
01:01:35,520 --> 01:01:39,120
Speaker 1: so many phases, like you know, from being uh the

1121
01:01:39,200 --> 01:01:43,400
Speaker 1: biggest like underground rap nerd to being a superstar with

1122
01:01:43,960 --> 01:01:47,160
Speaker 1: you know, just Mac did. He did it all man,

1123
01:01:47,360 --> 01:01:49,880
Speaker 1: in the short amount of time. What um? What was?

1124
01:01:49,960 --> 01:01:53,400
Speaker 1: What do you remember like his his rapping process because

1125
01:01:53,400 --> 01:01:55,200
Speaker 1: he's a he was a motherfucker. He was a fun

1126
01:01:55,360 --> 01:01:58,720
Speaker 1: dude like Mac was. You know, he just you could

1127
01:01:59,400 --> 01:02:00,880
Speaker 1: you know what it is? Men like people ask me

1128
01:02:00,880 --> 01:02:02,320
Speaker 1: all the time, why don't you work with so and so?

1129
01:02:02,760 --> 01:02:04,400
Speaker 1: And a lot of times the answer, even though I

1130
01:02:04,440 --> 01:02:06,360
Speaker 1: don't say it publicly, a lot of times, I just

1131
01:02:06,400 --> 01:02:08,080
Speaker 1: don't feel like some of these dudes don't care about

1132
01:02:08,160 --> 01:02:10,520
Speaker 1: hip hop, Like they didn't grow up getting chills when

1133
01:02:10,520 --> 01:02:12,560
Speaker 1: they heard Illmatic or Anither. And you don't have to

1134
01:02:12,640 --> 01:02:14,960
Speaker 1: be that old to even get that, Like Mac was,

1135
01:02:15,080 --> 01:02:17,800
Speaker 1: you know, a young kid, Joey too, like Joey Badass,

1136
01:02:17,840 --> 01:02:21,400
Speaker 1: always tell it like he from the literally from when

1137
01:02:21,440 --> 01:02:23,800
Speaker 1: he was in his mom's stomach, was listening to Biggie.

1138
01:02:24,160 --> 01:02:27,240
Speaker 1: He was born the same day Smith and Wesson, Uh

1139
01:02:27,360 --> 01:02:29,560
Speaker 1: the Shining came out. And you know he grew up

1140
01:02:29,600 --> 01:02:32,479
Speaker 1: listening to Brooklyn hip hop. And these kids are raised

1141
01:02:32,520 --> 01:02:34,919
Speaker 1: through hip hop. So it's like, it's not about your age,

1142
01:02:34,960 --> 01:02:36,680
Speaker 1: it's about if you if you're into it or not.

1143
01:02:36,800 --> 01:02:38,920
Speaker 1: So I see certain people and I'm just like, no,

1144
01:02:39,040 --> 01:02:40,600
Speaker 1: I don't care. I don't really want to work with them.

1145
01:02:40,920 --> 01:02:42,520
Speaker 1: And there's a lot of New York rappers right now

1146
01:02:42,560 --> 01:02:44,000
Speaker 1: that I feel that way about that. I'm like, I

1147
01:02:44,040 --> 01:02:46,040
Speaker 1: feel like they wrapped because they want girls or they

1148
01:02:46,120 --> 01:02:48,760
Speaker 1: want a quick buck, like some dudes you can see through,

1149
01:02:48,800 --> 01:02:51,240
Speaker 1: you know what I mean? Um, And then you know,

1150
01:02:51,880 --> 01:02:54,640
Speaker 1: I gotta ask about both of you guys. You knew

1151
01:02:54,720 --> 01:02:56,400
Speaker 1: him a little bit. I don't know if you knewhim, Nipsey.

1152
01:02:56,720 --> 01:02:59,600
Speaker 1: I mean, this is a devastating loss for everybody and

1153
01:03:00,120 --> 01:03:02,080
Speaker 1: really know him. That well that's the thing. I had

1154
01:03:02,120 --> 01:03:04,000
Speaker 1: met him before he came to Houston. He actually brought

1155
01:03:04,040 --> 01:03:07,040
Speaker 1: me out when he came to Houston and performed a

1156
01:03:07,080 --> 01:03:10,400
Speaker 1: couple of years ago. And just remember him just being

1157
01:03:10,480 --> 01:03:13,760
Speaker 1: like a really having a different kind of energy, right.

1158
01:03:14,040 --> 01:03:17,000
Speaker 1: And I'll always remember, like, you know, the fact that

1159
01:03:17,160 --> 01:03:18,680
Speaker 1: like when they were when he was first out and

1160
01:03:18,720 --> 01:03:21,480
Speaker 1: he was on the road opening up for people, that

1161
01:03:21,640 --> 01:03:24,400
Speaker 1: he was paying his own weight right like him. You know,

1162
01:03:24,480 --> 01:03:26,840
Speaker 1: he was hustling out there and making enough money to

1163
01:03:26,920 --> 01:03:29,280
Speaker 1: go out across the country, him and the homies to

1164
01:03:29,360 --> 01:03:31,240
Speaker 1: try to get his message out there. Man. And a

1165
01:03:31,360 --> 01:03:33,960
Speaker 1: lot of people wouldn't do that. They wouldn't spend their

1166
01:03:33,960 --> 01:03:36,240
Speaker 1: own money. They're trying to live their whole career off

1167
01:03:36,280 --> 01:03:38,600
Speaker 1: of somebody else's down, which is smart business. But at

1168
01:03:38,640 --> 01:03:42,680
Speaker 1: some point you got investing yourself, you know. And what

1169
01:03:43,160 --> 01:03:44,840
Speaker 1: static I mean. I had the privilege of doing on

1170
01:03:45,480 --> 01:03:47,320
Speaker 1: I think three records with him, but one of them

1171
01:03:47,440 --> 01:03:49,680
Speaker 1: was like something that he dm me about he heard

1172
01:03:49,720 --> 01:03:51,520
Speaker 1: a record I had, an R and B record I

1173
01:03:51,560 --> 01:03:53,680
Speaker 1: had with this kid Josh Exantus coach Face was on

1174
01:03:53,800 --> 01:03:55,960
Speaker 1: it and Nipsey hit me and he's like, yo, you

1175
01:03:56,040 --> 01:03:57,680
Speaker 1: did that? Beat. I'm like yeah, and he's like, I

1176
01:03:57,760 --> 01:03:59,120
Speaker 1: want to wrap on him, Man, can you send me

1177
01:03:59,200 --> 01:04:01,480
Speaker 1: the beat? So I sent it to him and he

1178
01:04:01,840 --> 01:04:03,640
Speaker 1: never really he put it on like Hot New hip

1179
01:04:03,680 --> 01:04:05,320
Speaker 1: Hop in one of those sites, but he never pushed it.

1180
01:04:05,400 --> 01:04:07,120
Speaker 1: He just put it out. It's like a random mixtape song.

1181
01:04:07,720 --> 01:04:09,800
Speaker 1: And um, we had like gone back and forth about

1182
01:04:09,840 --> 01:04:11,800
Speaker 1: it a lot. And the last TM was probably like

1183
01:04:12,480 --> 01:04:14,040
Speaker 1: the last time I talked to him, like two thousand

1184
01:04:14,040 --> 01:04:15,960
Speaker 1: and thirteen. He was like, Yo, I'll do something for

1185
01:04:16,000 --> 01:04:17,640
Speaker 1: the album if you do something for mine. And I

1186
01:04:17,720 --> 01:04:19,280
Speaker 1: was like, I'll send something this week. And I'm pretty

1187
01:04:19,320 --> 01:04:21,000
Speaker 1: sure I sent something that just never got done. But

1188
01:04:21,800 --> 01:04:24,680
Speaker 1: you know, when he passed, that's when I went and

1189
01:04:24,720 --> 01:04:27,080
Speaker 1: I looked at Twitter and I was like, I mean like,

1190
01:04:27,200 --> 01:04:28,960
Speaker 1: let me just see what we and I did, like

1191
01:04:29,080 --> 01:04:31,280
Speaker 1: going through d m s when you you know, it's

1192
01:04:31,320 --> 01:04:33,200
Speaker 1: like a weird thing. I mean like when you look

1193
01:04:33,240 --> 01:04:38,120
Speaker 1: back at but um, now he was definitely influence. You know,

1194
01:04:38,240 --> 01:04:40,400
Speaker 1: he's a he's some of that motivates people, and that's

1195
01:04:40,640 --> 01:04:42,880
Speaker 1: that's another thing that's a special trait in certain people.

1196
01:04:43,000 --> 01:04:45,479
Speaker 1: And um, you know, it's just a huge, huge loss.

1197
01:04:46,760 --> 01:04:49,160
Speaker 1: It's crazy because we both went to the store today

1198
01:04:49,760 --> 01:04:53,360
Speaker 1: five minutes. Yeah, like maybe five minutes a party. Even

1199
01:04:53,400 --> 01:04:54,800
Speaker 1: he might have been there when I was in there,

1200
01:04:55,040 --> 01:04:58,160
Speaker 1: but I went. I went inside the store, and it's

1201
01:04:58,200 --> 01:05:00,560
Speaker 1: just just, you know, it was like when you go

1202
01:05:00,720 --> 01:05:04,720
Speaker 1: to you know, to the Lorraine Hotel where you know

1203
01:05:05,400 --> 01:05:08,320
Speaker 1: m Okay was killed, and to these places where you

1204
01:05:08,440 --> 01:05:11,880
Speaker 1: just feel this energy like like no one can come

1205
01:05:11,920 --> 01:05:14,640
Speaker 1: on this space without taking away what they're supposed to

1206
01:05:14,680 --> 01:05:17,240
Speaker 1: take away from it. You can't casually just go by

1207
01:05:17,320 --> 01:05:22,480
Speaker 1: this place, you know, you feel it absolutely. It resonates. Um,

1208
01:05:24,080 --> 01:05:26,200
Speaker 1: what the fund just happened with you in your crib?

1209
01:05:26,800 --> 01:05:28,920
Speaker 1: That's some crazy ship. I wish I could talk about it.

1210
01:05:28,960 --> 01:05:31,080
Speaker 1: I can't really talk about it. My lawyer doesn't want

1211
01:05:31,080 --> 01:05:32,880
Speaker 1: me really talking about it right now because it's still

1212
01:05:33,240 --> 01:05:36,440
Speaker 1: it's still along going. But let's just say I'm blessed,

1213
01:05:37,040 --> 01:05:39,280
Speaker 1: you know what I'm saying, And uh, you know God

1214
01:05:39,400 --> 01:05:42,760
Speaker 1: is good? Are you like, has that changed? I mean

1215
01:05:42,920 --> 01:05:45,360
Speaker 1: it's just just happened. Yeah, yeah, probably a couple of

1216
01:05:45,440 --> 01:05:47,200
Speaker 1: days ago. Is your whole Like, are the way you're

1217
01:05:47,200 --> 01:05:50,000
Speaker 1: looking at life different right now? Yeah? You could say

1218
01:05:50,040 --> 01:05:52,120
Speaker 1: the sun shines a little brighter now. This guy is

1219
01:05:52,120 --> 01:05:54,320
Speaker 1: a little bit blue up can definitely say that right,

1220
01:05:54,520 --> 01:05:57,440
Speaker 1: because I was like, when I heard that, you know what,

1221
01:05:57,520 --> 01:05:59,880
Speaker 1: I'd been talking to this guy about the record of that.

1222
01:06:00,000 --> 01:06:01,600
Speaker 1: When I heard it, I was like, and I told

1223
01:06:01,680 --> 01:06:03,240
Speaker 1: my wife she hasn't known nothing about none of this,

1224
01:06:03,280 --> 01:06:04,920
Speaker 1: so and then she was like, what the funck? And

1225
01:06:05,040 --> 01:06:09,040
Speaker 1: you just like that's a crazy situation, and and just

1226
01:06:09,360 --> 01:06:11,560
Speaker 1: the irony of it that it's you and like you

1227
01:06:11,640 --> 01:06:14,360
Speaker 1: know the music, and then it happens at home, and

1228
01:06:14,480 --> 01:06:16,000
Speaker 1: like I'm just like I wanted like the one thing

1229
01:06:16,040 --> 01:06:19,320
Speaker 1: I was like, did this guy realize, oh ship, I'm

1230
01:06:19,320 --> 01:06:21,920
Speaker 1: in the wrong. Guy's fucking out. The funny thing about

1231
01:06:21,960 --> 01:06:24,880
Speaker 1: it is that if you listen to the album, he

1232
01:06:25,160 --> 01:06:28,680
Speaker 1: literally warns, motherfucker is not the funk with him, especially

1233
01:06:28,720 --> 01:06:30,840
Speaker 1: in his crib. He says that like a hundred times.

1234
01:06:30,960 --> 01:06:34,040
Speaker 1: On the he says, I'm knowing to let out a

1235
01:06:34,120 --> 01:06:36,880
Speaker 1: whole full full clips, so don't trip. There's another one.

1236
01:06:36,920 --> 01:06:39,320
Speaker 1: He's like, if you come down Bun Street, like he's

1237
01:06:39,360 --> 01:06:42,760
Speaker 1: literally warning the dude. And then this anyone that knows

1238
01:06:42,840 --> 01:06:45,720
Speaker 1: Bun listen, Bun will land in another city after a

1239
01:06:45,760 --> 01:06:48,080
Speaker 1: four hour flight and go shoot the video. Then do

1240
01:06:48,200 --> 01:06:51,000
Speaker 1: the club and go to the studio like he's NonStop.

1241
01:06:51,320 --> 01:06:53,160
Speaker 1: But I've always known that about him, but this is

1242
01:06:53,200 --> 01:06:57,320
Speaker 1: a different level because this guy sends me a detailed

1243
01:06:57,400 --> 01:07:00,000
Speaker 1: text of what went down, and you know, I'm seeing

1244
01:07:00,040 --> 01:07:01,880
Speaker 1: and he sends me a picture. I'm like, oh man,

1245
01:07:01,920 --> 01:07:04,120
Speaker 1: the whole everything just changed. I was like, I'm in

1246
01:07:04,120 --> 01:07:07,120
Speaker 1: the middle of mixing the bonus tracks and two minutes

1247
01:07:07,200 --> 01:07:09,200
Speaker 1: later he goes, so, how many bonus cuts we got?

1248
01:07:09,920 --> 01:07:12,440
Speaker 1: I'm like, you know, you're insane, dude. He called me.

1249
01:07:12,520 --> 01:07:14,280
Speaker 1: He's like the cops in the background talking to his

1250
01:07:14,360 --> 01:07:16,880
Speaker 1: wife and he's talking about rap music. Anyone else on

1251
01:07:16,960 --> 01:07:19,120
Speaker 1: the planet would have been like, yo, I'm not going

1252
01:07:19,200 --> 01:07:22,880
Speaker 1: to l a like it would have stopped people's last funds,

1253
01:07:22,960 --> 01:07:25,600
Speaker 1: Like what's next, Craig, can't stop living in your life.

1254
01:07:25,680 --> 01:07:27,440
Speaker 1: You know what I'm saying. You got you know, you

1255
01:07:27,520 --> 01:07:28,880
Speaker 1: look at the world, and you look at the third

1256
01:07:28,880 --> 01:07:30,680
Speaker 1: world countries where they blow up the market and then

1257
01:07:30,800 --> 01:07:32,600
Speaker 1: people come back the next day and they go to work.

1258
01:07:33,320 --> 01:07:35,800
Speaker 1: Life goes on. You gotta get up and dust yourself off,

1259
01:07:36,120 --> 01:07:38,400
Speaker 1: pray to God that you're still alive, and then you know,

1260
01:07:38,800 --> 01:07:40,720
Speaker 1: get back to normal as soon as you can. Now

1261
01:07:40,960 --> 01:07:42,960
Speaker 1: It's not the easiest thing to do, I'll say that,

1262
01:07:43,160 --> 01:07:45,400
Speaker 1: but at some point you gotta you gotta get back

1263
01:07:45,440 --> 01:07:49,360
Speaker 1: on it. Are you high? Forever? You You've always been

1264
01:07:49,400 --> 01:07:51,440
Speaker 1: open like in hip hop, you know, I think when

1265
01:07:51,480 --> 01:07:54,960
Speaker 1: we were younger, I'm sure a lot of rappers you know,

1266
01:07:55,520 --> 01:07:57,920
Speaker 1: we're married, had girls, but you were one of the

1267
01:07:58,000 --> 01:08:00,440
Speaker 1: first people that I remember like spoke open about like

1268
01:08:00,520 --> 01:08:02,720
Speaker 1: having a wife, you know, like sort of broke the

1269
01:08:02,840 --> 01:08:06,080
Speaker 1: character of bumby, you know, like you you and PIMC.

1270
01:08:06,320 --> 01:08:08,280
Speaker 1: Like it was like, what the like coming from you?

1271
01:08:08,400 --> 01:08:10,160
Speaker 1: I was like, what the funk are these guys into?

1272
01:08:10,240 --> 01:08:12,600
Speaker 1: Like what is this ship? But you you've always like

1273
01:08:12,800 --> 01:08:15,480
Speaker 1: spoken open and always respect to that and like that

1274
01:08:16,000 --> 01:08:18,040
Speaker 1: what made you feel comfortable doing it when when in

1275
01:08:18,080 --> 01:08:20,360
Speaker 1: the hip hop no one was really doing that ship

1276
01:08:20,439 --> 01:08:22,760
Speaker 1: because you know, I really don't have nothing to hide,

1277
01:08:22,840 --> 01:08:24,560
Speaker 1: and I'm trying to tell these other cats, you know,

1278
01:08:24,600 --> 01:08:27,560
Speaker 1: I'm trying to lead by example, you know what I'm saying, Like,

1279
01:08:27,680 --> 01:08:30,200
Speaker 1: if you know you got a good woman, why wouldn't

1280
01:08:30,240 --> 01:08:32,240
Speaker 1: you take her with you? Why wouldn't you show her

1281
01:08:32,280 --> 01:08:34,599
Speaker 1: off to the world? You know? Now, some people are different.

1282
01:08:34,640 --> 01:08:36,280
Speaker 1: They like to keep their lives private and I can

1283
01:08:36,360 --> 01:08:39,160
Speaker 1: totally understand and respect that everybody thinks differently, you know

1284
01:08:39,160 --> 01:08:41,120
Speaker 1: what I'm saying. But you know, my wife is not

1285
01:08:41,280 --> 01:08:43,000
Speaker 1: the kind of just wants to sit in the background.

1286
01:08:43,080 --> 01:08:46,120
Speaker 1: She's very vocal, she's very opinionated, and she has good opinions,

1287
01:08:46,280 --> 01:08:48,000
Speaker 1: so I let her speak in mind. She's like I said,

1288
01:08:48,000 --> 01:08:50,720
Speaker 1: she was my executive producer for my solo album. You know.

1289
01:08:50,760 --> 01:08:52,280
Speaker 1: It was her idea, like get back in the studio,

1290
01:08:52,320 --> 01:08:54,439
Speaker 1: like you need to get back time to start rapping again.

1291
01:08:54,560 --> 01:08:57,000
Speaker 1: You know, teaching is fun, all this other ship is fun,

1292
01:08:57,120 --> 01:08:59,840
Speaker 1: but you're in a rapper you need to rap again,

1293
01:09:00,160 --> 01:09:02,559
Speaker 1: you know. And so, um, you know, she's the best

1294
01:09:02,640 --> 01:09:04,400
Speaker 1: thing that ever happened to me. She's my right hand

1295
01:09:04,960 --> 01:09:06,519
Speaker 1: And if you know you got a good woman, you

1296
01:09:06,560 --> 01:09:11,360
Speaker 1: wouldn't hide her. That's what I'm saying. Um Yo, you

1297
01:09:11,720 --> 01:09:16,439
Speaker 1: campaign for Bernie Sanders. I didn't campaign for Bernie Sanders. UM.

1298
01:09:16,640 --> 01:09:18,519
Speaker 1: I gave my support to his campaign when he was

1299
01:09:18,600 --> 01:09:21,599
Speaker 1: running for the nomination. Then after after he didn't get

1300
01:09:21,640 --> 01:09:23,800
Speaker 1: the nomination, I kind of backed out of it. And

1301
01:09:24,200 --> 01:09:27,000
Speaker 1: at the time I had to. I had to be

1302
01:09:27,080 --> 01:09:29,320
Speaker 1: careful because I was just getting ready to start covering.

1303
01:09:30,040 --> 01:09:33,160
Speaker 1: Um politics for Vice Magazine, So I was a very

1304
01:09:33,280 --> 01:09:36,200
Speaker 1: tight window as to win. I could publicly throw my

1305
01:09:36,320 --> 01:09:38,800
Speaker 1: endorsement in the ring because I didn't want to compromise

1306
01:09:38,880 --> 01:09:42,120
Speaker 1: my journalistic integrity while I was writing, because I was

1307
01:09:42,200 --> 01:09:48,519
Speaker 1: covering primarily Republicans, you know what I'm yes, So you

1308
01:09:48,760 --> 01:09:51,280
Speaker 1: used in New Hampshire all of that ship the night

1309
01:09:51,520 --> 01:09:55,080
Speaker 1: the first night. So what is your takeaway? Like you

1310
01:09:55,800 --> 01:09:58,800
Speaker 1: kicked so much street ship all these years? What is

1311
01:09:58,840 --> 01:10:02,080
Speaker 1: your takeaway all these years of everything you know from

1312
01:10:02,200 --> 01:10:04,240
Speaker 1: from living your life and now like you know, sort

1313
01:10:04,280 --> 01:10:07,920
Speaker 1: of understanding covering and and you know, in in a

1314
01:10:07,960 --> 01:10:10,200
Speaker 1: certain way supporting politicians. What does you what do you

1315
01:10:10,280 --> 01:10:13,320
Speaker 1: make of where we are with this fucking guy? This

1316
01:10:13,760 --> 01:10:17,320
Speaker 1: is how crazy politics is, right? Uh? In Houston, they

1317
01:10:17,400 --> 01:10:19,960
Speaker 1: did a poll of who could be the mayor, me

1318
01:10:20,160 --> 01:10:24,720
Speaker 1: J j W to Beyonce. Right. So Beyonce one right?

1319
01:10:24,880 --> 01:10:28,240
Speaker 1: She beat me by one point. That's not right And

1320
01:10:30,800 --> 01:10:32,680
Speaker 1: I can totally handle that. I can take that. L

1321
01:10:32,800 --> 01:10:35,000
Speaker 1: That's not a problem. That's you know, shout out to

1322
01:10:35,080 --> 01:10:37,560
Speaker 1: the Queen b But at the same time, not a

1323
01:10:37,640 --> 01:10:41,080
Speaker 1: one of us are really qualified to even be the mayor, right,

1324
01:10:41,200 --> 01:10:45,240
Speaker 1: But you know it really alerted me early on that

1325
01:10:45,360 --> 01:10:49,720
Speaker 1: this is all really a popularity contest, right, And these

1326
01:10:49,760 --> 01:10:52,920
Speaker 1: guys who were legitimately trying to be, you know, the

1327
01:10:53,000 --> 01:10:55,240
Speaker 1: best politician they felt they could be in the moment.

1328
01:10:56,040 --> 01:10:58,800
Speaker 1: We're not likable people and did not know how to

1329
01:10:59,040 --> 01:11:02,120
Speaker 1: get popular already from people when they ran against someone

1330
01:11:02,360 --> 01:11:05,479
Speaker 1: who was already very popular. And once he started to

1331
01:11:05,600 --> 01:11:09,080
Speaker 1: expouse a different viewpoints, became even more popular to people

1332
01:11:09,120 --> 01:11:11,760
Speaker 1: who felt a certain way about him, you know, being

1333
01:11:12,160 --> 01:11:14,720
Speaker 1: as liquid as he was or claims to be. And

1334
01:11:15,040 --> 01:11:17,679
Speaker 1: and so now people have a different perspective. He plays

1335
01:11:17,720 --> 01:11:19,920
Speaker 1: a lot in the racism ship, you know what I'm saying.

1336
01:11:20,360 --> 01:11:23,639
Speaker 1: And so I came home and I told people after

1337
01:11:23,720 --> 01:11:26,320
Speaker 1: the you know, after the because I was at the convention,

1338
01:11:26,760 --> 01:11:28,200
Speaker 1: and when he got up to speak, I just walked

1339
01:11:28,200 --> 01:11:30,280
Speaker 1: out because I was like, I don't I don't want

1340
01:11:30,320 --> 01:11:31,960
Speaker 1: to be in this room right now. And I came home.

1341
01:11:32,000 --> 01:11:34,000
Speaker 1: I went to my barber, and I remember my bubble

1342
01:11:34,080 --> 01:11:35,519
Speaker 1: was like, so what do you think about all this ship?

1343
01:11:35,800 --> 01:11:38,880
Speaker 1: Like Trump's gonna be president? I told him that ship.

1344
01:11:39,080 --> 01:11:41,120
Speaker 1: This was in like August. I told him said Trump

1345
01:11:41,160 --> 01:11:43,240
Speaker 1: is going to be president. He's like, you're crazy, man,

1346
01:11:43,360 --> 01:11:45,360
Speaker 1: the powers that be ain't gonna let that happen. I'm like,

1347
01:11:45,640 --> 01:11:48,000
Speaker 1: who the funking the powers that be? What do you

1348
01:11:48,080 --> 01:11:50,080
Speaker 1: mean he is the powers that be? What are you

1349
01:11:50,160 --> 01:11:52,559
Speaker 1: talking about? This is a rich man situation right now.

1350
01:11:52,960 --> 01:11:55,040
Speaker 1: This is a money play, you know what I'm saying.

1351
01:11:55,160 --> 01:11:57,240
Speaker 1: So I was like, yo, I need to be more

1352
01:11:57,320 --> 01:12:00,640
Speaker 1: active in getting people registered and getting people voting. I

1353
01:12:00,760 --> 01:12:03,120
Speaker 1: was like, yeah, I need to. I can't write anymore.

1354
01:12:03,240 --> 01:12:06,080
Speaker 1: I need to be in the game, you know. But

1355
01:12:06,200 --> 01:12:08,479
Speaker 1: it gave me a totally different viewpoint of politics as

1356
01:12:08,520 --> 01:12:11,040
Speaker 1: a whole, and it's really just, you know, I'm really

1357
01:12:11,160 --> 01:12:14,240
Speaker 1: kind of disenfranchised about the whole process because it's really

1358
01:12:14,280 --> 01:12:16,960
Speaker 1: just a bunch of pandering for popularity. You know. They'll

1359
01:12:16,960 --> 01:12:19,040
Speaker 1: go to certain places, to certain people and tell them

1360
01:12:19,320 --> 01:12:22,200
Speaker 1: what they think those people want to hear. And everybody

1361
01:12:22,280 --> 01:12:25,519
Speaker 1: does it on both sides. Everybody. Everybody does it, and

1362
01:12:25,600 --> 01:12:27,479
Speaker 1: it's the people that do it the best, They get

1363
01:12:27,520 --> 01:12:29,880
Speaker 1: the most money and tend to be the for the

1364
01:12:29,920 --> 01:12:32,680
Speaker 1: front runners. Based on what you know where we are

1365
01:12:32,800 --> 01:12:36,040
Speaker 1: right now heading into May of two thousand nineteen, what

1366
01:12:36,240 --> 01:12:39,360
Speaker 1: is your prediction who's going to be president? I hate

1367
01:12:39,360 --> 01:12:40,640
Speaker 1: to say it, but I really think he's gonna be

1368
01:12:40,680 --> 01:12:46,320
Speaker 1: president again. I hate to say it too, because I've

1369
01:12:46,360 --> 01:12:48,479
Speaker 1: been saying it for years. You guys are you're doing

1370
01:12:48,600 --> 01:12:51,200
Speaker 1: so much to try to discredit him and belittle him,

1371
01:12:51,280 --> 01:12:53,479
Speaker 1: and you can't really play each other now, right, and

1372
01:12:53,720 --> 01:12:56,559
Speaker 1: and but you're you're still not giving me a viable candidate.

1373
01:12:56,800 --> 01:12:59,519
Speaker 1: That's all I've been saying all the time. You're doing all. Listen.

1374
01:12:59,560 --> 01:13:01,320
Speaker 1: I get that now. I know you want to impeach him,

1375
01:13:01,520 --> 01:13:03,280
Speaker 1: and I know you think it's some Russia ship and

1376
01:13:03,320 --> 01:13:06,240
Speaker 1: all of that, but you still, after all of that's done,

1377
01:13:06,760 --> 01:13:09,800
Speaker 1: you still don't have a viable fucking candidate. And now

1378
01:13:09,880 --> 01:13:12,639
Speaker 1: we got to pick between twenty people, and then eventually

1379
01:13:12,720 --> 01:13:15,160
Speaker 1: that's gonna whiddle down to twelve. So then the people

1380
01:13:15,200 --> 01:13:16,720
Speaker 1: that went for the other people got to figure out

1381
01:13:16,720 --> 01:13:18,439
Speaker 1: who they want to give their vote to, and then

1382
01:13:18,520 --> 01:13:20,560
Speaker 1: that goes down to three, and then the two. And

1383
01:13:20,680 --> 01:13:23,479
Speaker 1: then when we're upt for one person where other people

1384
01:13:23,560 --> 01:13:26,719
Speaker 1: wanted nineteen other different candidates, how can we unify the vote.

1385
01:13:26,960 --> 01:13:31,360
Speaker 1: Whereas they already know they could line up tomorrow, they're

1386
01:13:31,400 --> 01:13:34,000
Speaker 1: ready right now, they already know what they're voting for

1387
01:13:34,800 --> 01:13:37,400
Speaker 1: right now, they're ready. We have no unification in the

1388
01:13:37,479 --> 01:13:40,799
Speaker 1: Democratic Party and we're not gonna get it before before elections.

1389
01:13:41,640 --> 01:13:44,640
Speaker 1: Not the reality. It's fucking ridiculous, it's crazy. And this

1390
01:13:44,800 --> 01:13:48,240
Speaker 1: motherfucker unless and he's never stopped campaigning, right the rallies,

1391
01:13:48,479 --> 01:13:51,120
Speaker 1: the rallies that he did before he got elected, are

1392
01:13:51,160 --> 01:13:53,320
Speaker 1: the same rallies that he does now. So he's just

1393
01:13:53,400 --> 01:13:57,280
Speaker 1: been campaigning, which is it's it's I don't know whose

1394
01:13:57,320 --> 01:14:00,960
Speaker 1: idea was is And we can say what we want

1395
01:14:01,000 --> 01:14:03,080
Speaker 1: to say about him, we could talk ship. I can't

1396
01:14:03,120 --> 01:14:06,120
Speaker 1: stand this fucking pig and and and it's just ignorant.

1397
01:14:06,160 --> 01:14:08,559
Speaker 1: But he's not done. He's not dumb. You know what else?

1398
01:14:08,600 --> 01:14:13,280
Speaker 1: He has more than more impressive. That fucker's got stamina. Yo,

1399
01:14:13,720 --> 01:14:16,600
Speaker 1: This motherfucker he don't sleep. He don't sleep. You've been

1400
01:14:16,680 --> 01:14:18,679
Speaker 1: on stage, you do shows. You need to drink water

1401
01:14:18,760 --> 01:14:21,280
Speaker 1: in between, so this funk will be up there. I can't.

1402
01:14:21,320 --> 01:14:24,639
Speaker 1: I can't. I've hit this bottle probably like eight times

1403
01:14:24,680 --> 01:14:28,240
Speaker 1: since we've been that mother talk for two nothing, no

1404
01:14:28,400 --> 01:14:31,000
Speaker 1: simple water. He won't even wipe his you won't even sweat.

1405
01:14:31,000 --> 01:14:33,120
Speaker 1: I think you gotta sweat. Clans removed. I think that

1406
01:14:33,240 --> 01:14:35,639
Speaker 1: motherfucker gotta swept glans from because because he really knows

1407
01:14:35,640 --> 01:14:37,320
Speaker 1: how to sip the water. He has a hard time

1408
01:14:37,360 --> 01:14:38,680
Speaker 1: every time he goes to take up. But you know,

1409
01:14:38,760 --> 01:14:42,200
Speaker 1: when you're doing a show right now, never underestimate your enemy.

1410
01:14:42,240 --> 01:14:45,719
Speaker 1: He's an animal. Never underestimate your motherfucking enemy. You gotta

1411
01:14:45,760 --> 01:14:47,960
Speaker 1: give you an enemy to do credit in order to

1412
01:14:48,080 --> 01:14:51,000
Speaker 1: really understand who you're fighting and how you gotta fight him.

1413
01:14:51,520 --> 01:14:53,400
Speaker 1: And they're steady trying to play his game and they're

1414
01:14:53,439 --> 01:14:56,040
Speaker 1: not built for that, and that built for that. Unless

1415
01:14:56,040 --> 01:14:59,240
Speaker 1: you're really ready to get like, get on some Joe

1416
01:14:59,320 --> 01:15:03,280
Speaker 1: Fraser ship it because you did all this. Go when

1417
01:15:03,320 --> 01:15:05,920
Speaker 1: they go low, we go high. Not I think before.

1418
01:15:06,640 --> 01:15:08,960
Speaker 1: I think before his son died, Joe Biden was built

1419
01:15:09,040 --> 01:15:12,000
Speaker 1: for this. But I think he's a different man since

1420
01:15:12,040 --> 01:15:14,599
Speaker 1: Bow died, and I think he doesn't want to get dirty.

1421
01:15:14,600 --> 01:15:16,360
Speaker 1: I think he feels like he needs to he needs

1422
01:15:16,400 --> 01:15:19,080
Speaker 1: to be he needs to live right right to honor

1423
01:15:19,160 --> 01:15:21,920
Speaker 1: his son. He's kind of almost really said that, right,

1424
01:15:22,400 --> 01:15:24,559
Speaker 1: He's taken into consideration his son is looking at him

1425
01:15:24,600 --> 01:15:27,280
Speaker 1: all times, so he can't get into mud with this. Dude,

1426
01:15:28,240 --> 01:15:30,479
Speaker 1: there's no way then you're not gonna win, do you

1427
01:15:30,560 --> 01:15:34,200
Speaker 1: do you, what do you think of the odds static

1428
01:15:34,240 --> 01:15:37,200
Speaker 1: you could chime in on this of Joe Biden and

1429
01:15:37,560 --> 01:15:40,400
Speaker 1: Donald Trump actually going to blows during during I think

1430
01:15:40,680 --> 01:15:44,479
Speaker 1: Biden has the most like the most realistic opportunity of

1431
01:15:44,520 --> 01:15:46,680
Speaker 1: any of the Democrats that I've seen so far. But

1432
01:15:46,800 --> 01:15:49,720
Speaker 1: I still, like you said, every Republican right now is

1433
01:15:49,760 --> 01:15:53,200
Speaker 1: ready to vote, and you just it was all just said.

1434
01:15:53,520 --> 01:15:56,200
Speaker 1: I mean, he doesn't have not for nothing. The whole

1435
01:15:56,240 --> 01:15:59,240
Speaker 1: time that he was vice president, how many quotables did

1436
01:15:59,280 --> 01:16:01,040
Speaker 1: he have? Like you don't remember him being in the

1437
01:16:01,120 --> 01:16:04,400
Speaker 1: spot like that much like Obama was a superstar. Yeah,

1438
01:16:04,760 --> 01:16:08,320
Speaker 1: and Biden was like I can't even remember any like

1439
01:16:08,400 --> 01:16:10,840
Speaker 1: I remember a couple of different times that he was.

1440
01:16:11,400 --> 01:16:15,280
Speaker 1: It was just look, Biden isn't Obama no more than

1441
01:16:15,360 --> 01:16:18,040
Speaker 1: Hillary Clinton, wasn't Obama no more than any of these

1442
01:16:18,080 --> 01:16:21,400
Speaker 1: other people in Obama. It was an anomaly. It happened.

1443
01:16:21,680 --> 01:16:24,840
Speaker 1: It's a very unique thing. It's a political unicorn, and

1444
01:16:24,920 --> 01:16:28,200
Speaker 1: it doesn't happen again. And you don't just get that

1445
01:16:28,439 --> 01:16:33,040
Speaker 1: movement behind you. I hear that happen. I agree, I'm

1446
01:16:33,240 --> 01:16:36,800
Speaker 1: very concerned about it. It's fucking it's a goddamn shame

1447
01:16:37,200 --> 01:16:39,320
Speaker 1: and with all his finger pointing and whining. I see

1448
01:16:39,360 --> 01:16:42,840
Speaker 1: why these motherfucker's called snow flakes and this whole socialism issue,

1449
01:16:42,920 --> 01:16:46,960
Speaker 1: like this whole term right like all that ship right there,

1450
01:16:47,040 --> 01:16:49,960
Speaker 1: that's not helping anything. I understand you agend, not understand

1451
01:16:49,960 --> 01:16:53,439
Speaker 1: that's how you put but that that term itself is

1452
01:16:53,520 --> 01:16:56,360
Speaker 1: hurting this party internally as well as externally. I agree.

1453
01:16:56,720 --> 01:16:59,479
Speaker 1: What is your take on this? It don't get me wrong.

1454
01:16:59,479 --> 01:17:01,840
Speaker 1: I like see your cortes. I get it. I get it,

1455
01:17:02,200 --> 01:17:04,120
Speaker 1: you know, because you don't come from that world you had,

1456
01:17:04,160 --> 01:17:07,200
Speaker 1: You had an agenda before that. And much love to you,

1457
01:17:07,320 --> 01:17:09,040
Speaker 1: you know what I'm saying, because you've got some good ideas,

1458
01:17:09,280 --> 01:17:12,599
Speaker 1: But it's the terminology. I agree with you on that exactly.

1459
01:17:12,640 --> 01:17:14,720
Speaker 1: I like her too. And also, but though she's she

1460
01:17:14,920 --> 01:17:17,920
Speaker 1: thinks like yo, you're you're still in your rookie season,

1461
01:17:18,280 --> 01:17:20,320
Speaker 1: like rookies need to improve, I don't think that she

1462
01:17:20,439 --> 01:17:22,080
Speaker 1: thinks she needs to improve. I think she's got it

1463
01:17:22,080 --> 01:17:24,040
Speaker 1: all figured out and you know, and you know, and

1464
01:17:24,080 --> 01:17:26,040
Speaker 1: I'm like, I think there's things that she said that

1465
01:17:26,120 --> 01:17:29,320
Speaker 1: she would say if she got elected, right, that she

1466
01:17:29,439 --> 01:17:31,880
Speaker 1: really believes, and now she's there, she wants to try

1467
01:17:31,920 --> 01:17:34,040
Speaker 1: to hold to her standards, and yeah, I want to.

1468
01:17:34,160 --> 01:17:36,160
Speaker 1: I said I was gonna stand for this, I'm gonna

1469
01:17:36,240 --> 01:17:38,320
Speaker 1: stand for this, And again she's got some great things.

1470
01:17:38,600 --> 01:17:41,080
Speaker 1: I love when she spoke on the Flow. Of course

1471
01:17:41,080 --> 01:17:43,720
Speaker 1: she wouldn't have been elected, but I like what she

1472
01:17:43,760 --> 01:17:45,880
Speaker 1: said about Marijuan's not like I was strolling slug anything,

1473
01:17:46,080 --> 01:17:53,200
Speaker 1: but I like president. I like she's spoking to Flow

1474
01:17:53,200 --> 01:17:56,080
Speaker 1: about marijuana. You know what I'm saying, who's profiting off

1475
01:17:56,120 --> 01:17:59,360
Speaker 1: of marijuana for persons who has, you know, really overtly

1476
01:17:59,439 --> 01:18:02,000
Speaker 1: been criminal allized and locked up. So again, I have

1477
01:18:02,080 --> 01:18:03,439
Speaker 1: a lot of things that I like about her, But

1478
01:18:03,520 --> 01:18:06,320
Speaker 1: when that term comes up, the other side obviously takes

1479
01:18:06,400 --> 01:18:09,439
Speaker 1: that opportunity to point out the finger at us, to say, see,

1480
01:18:09,760 --> 01:18:11,479
Speaker 1: this is what happened. We told you the socialists that

1481
01:18:11,560 --> 01:18:14,000
Speaker 1: communists blah blah blah, all this goofy ship that they've

1482
01:18:14,040 --> 01:18:16,960
Speaker 1: been saying, right, it just reinforces the stereotype that they

1483
01:18:17,080 --> 01:18:20,160
Speaker 1: presented their people, and it's not helping unify the party

1484
01:18:20,200 --> 01:18:23,840
Speaker 1: either makes it more divisive. The fucking Nancy Pelosi won't

1485
01:18:23,840 --> 01:18:26,880
Speaker 1: even acknowledge motherfucker's on that socialist ship because it fox

1486
01:18:27,000 --> 01:18:30,200
Speaker 1: up the money, Right, what is your take on what

1487
01:18:30,560 --> 01:18:34,439
Speaker 1: what Bernie said this week about It's it's complicated, but

1488
01:18:34,520 --> 01:18:37,719
Speaker 1: what's your general take on what he said about felons

1489
01:18:38,120 --> 01:18:40,720
Speaker 1: being able to vote? And there's different levels. I know

1490
01:18:40,880 --> 01:18:45,040
Speaker 1: felons who did one stupid thing and haven't had no

1491
01:18:45,160 --> 01:18:49,519
Speaker 1: trouble before that since then, got wives, got kids, gun charge,

1492
01:18:49,560 --> 01:18:52,120
Speaker 1: did a few months, never had any trouble again. And

1493
01:18:52,200 --> 01:18:55,639
Speaker 1: then there's guys that fucking Boston bomber like Bernie was asked,

1494
01:18:55,840 --> 01:18:58,720
Speaker 1: And there's rapists, and there's violent criminals, and there's people

1495
01:18:58,800 --> 01:19:01,759
Speaker 1: that fucked people's don't dogs, And there's all different levels.

1496
01:19:01,840 --> 01:19:05,000
Speaker 1: I don't want anybody voting you fuck my dog. I

1497
01:19:05,040 --> 01:19:08,040
Speaker 1: don't think you should vote. That's just my opinion, Okay,

1498
01:19:08,200 --> 01:19:10,479
Speaker 1: I think it should be the same rules. Suck my cows.

1499
01:19:10,680 --> 01:19:12,519
Speaker 1: It should be the same rules as with guns. It's

1500
01:19:12,560 --> 01:19:14,479
Speaker 1: like certain people should not be able to get guns,

1501
01:19:14,840 --> 01:19:17,320
Speaker 1: those certain those same people shouldn't be able to vote. Like,

1502
01:19:18,200 --> 01:19:20,599
Speaker 1: what is your take on it? Um? As much as

1503
01:19:20,680 --> 01:19:23,360
Speaker 1: I really dig Bernie and where he's coming from, sometime

1504
01:19:23,439 --> 01:19:27,320
Speaker 1: Bernie does a really good job at generalizing ship and

1505
01:19:27,439 --> 01:19:30,560
Speaker 1: making it very rational right in the process. That's a

1506
01:19:30,720 --> 01:19:33,679
Speaker 1: very broad spectrum. When you start talking about giving felons

1507
01:19:34,320 --> 01:19:36,960
Speaker 1: the right to vote, obviously you're gonna you would want

1508
01:19:37,040 --> 01:19:39,599
Speaker 1: some discretion for a certain point. But I'm all about

1509
01:19:39,680 --> 01:19:42,720
Speaker 1: second chances, right, I'm all about people, like you said,

1510
01:19:42,760 --> 01:19:45,080
Speaker 1: who made a bad mistake, pay their crime, you know,

1511
01:19:45,160 --> 01:19:47,280
Speaker 1: pay for their crime. I'm all about that, you know

1512
01:19:47,280 --> 01:19:50,000
Speaker 1: what I'm saying. But again, that's a very broad spectrum.

1513
01:19:50,200 --> 01:19:52,720
Speaker 1: Was a lot of different felonies you could have, you

1514
01:19:52,760 --> 01:19:54,760
Speaker 1: know what I'm saying. And so there's certain people that

1515
01:19:54,880 --> 01:19:57,560
Speaker 1: we might want to exclude from what all of the

1516
01:19:57,680 --> 01:20:00,880
Speaker 1: regular people are doing. Right. You're from You're from Texas.

1517
01:20:00,920 --> 01:20:02,639
Speaker 1: You have a farm, are you? You've got farm? Guy?

1518
01:20:03,160 --> 01:20:05,240
Speaker 1: Who me? No? No, I come from a farm family,

1519
01:20:05,280 --> 01:20:07,120
Speaker 1: but I'm not. My brother has a farm. Okay, So

1520
01:20:07,200 --> 01:20:10,280
Speaker 1: if somebody came on your brother's property and fun one

1521
01:20:10,320 --> 01:20:13,479
Speaker 1: of the horses, Okay, would you this is just specific

1522
01:20:13,640 --> 01:20:16,280
Speaker 1: after I finished laughing, after would you would you want

1523
01:20:16,320 --> 01:20:18,880
Speaker 1: this guy fox one of your brother's horses? Goats counts?

1524
01:20:19,080 --> 01:20:21,760
Speaker 1: Would you say? Okay, now you're fit to vote. This

1525
01:20:21,880 --> 01:20:25,360
Speaker 1: is just specific question. Month he sucked one of your horn,

1526
01:20:25,439 --> 01:20:27,400
Speaker 1: I don't know if he's got ducks? Who then knows.

1527
01:20:27,439 --> 01:20:30,000
Speaker 1: I don't know. I'm asking you you're you're from the South.

1528
01:20:30,560 --> 01:20:32,960
Speaker 1: I personally that's a no note for me. You never

1529
01:20:33,000 --> 01:20:35,800
Speaker 1: get that right back. I'm just taking a minute to

1530
01:20:35,840 --> 01:20:37,640
Speaker 1: deal with the picture that you painted in front of me.

1531
01:20:37,800 --> 01:20:41,200
Speaker 1: Right now. I'm trying hard to process. It's like people

1532
01:20:41,280 --> 01:20:46,800
Speaker 1: sucking horses and should very very bad get kicked very hard.

1533
01:20:47,040 --> 01:20:49,240
Speaker 1: It's big. They're doing it out there. These guys just

1534
01:20:49,320 --> 01:20:52,800
Speaker 1: got forty one years in Pennsylvania. So like, how did

1535
01:20:52,840 --> 01:20:55,320
Speaker 1: your take on this, Bunby? I think this, when you're

1536
01:20:55,360 --> 01:20:58,200
Speaker 1: making those types of poor decisions, I don't think we

1537
01:20:58,240 --> 01:21:02,040
Speaker 1: should allow you to and interrupt something that's very important.

1538
01:21:02,360 --> 01:21:06,320
Speaker 1: I think you may have pushed all right, all right

1539
01:21:06,360 --> 01:21:08,479
Speaker 1: you guys, I know you guys gotta go. I appreciate it.

1540
01:21:08,600 --> 01:21:11,400
Speaker 1: I could talk to both you guys individually and as

1541
01:21:11,479 --> 01:21:15,240
Speaker 1: a trill static group. I love the record, quick, real quick.

1542
01:21:15,439 --> 01:21:18,479
Speaker 1: I know you're always doing shit. What what's what's the next?

1543
01:21:18,560 --> 01:21:21,400
Speaker 1: The next? Fire Statics selector, Me and uh currency of

1544
01:21:21,479 --> 01:21:25,280
Speaker 1: dropping an album in June. I got my my ninth

1545
01:21:25,400 --> 01:21:28,320
Speaker 1: solo album, compilation Style coming out soon. Me and c

1546
01:21:28,520 --> 01:21:31,160
Speaker 1: J Fly I got an album Me and two Chains Finally,

1547
01:21:31,200 --> 01:21:34,280
Speaker 1: are dropping. It's bugged out in two thousand nineteen, how

1548
01:21:34,320 --> 01:21:38,559
Speaker 1: I got three like South Boom bap albums. It's crazy.

1549
01:21:38,760 --> 01:21:41,040
Speaker 1: It's just I never would have saw myself in that

1550
01:21:41,200 --> 01:21:44,719
Speaker 1: space and now these guys are making better sounding music

1551
01:21:44,760 --> 01:21:46,920
Speaker 1: than some of the New Yorkshire It's crazy. And and

1552
01:21:47,240 --> 01:21:50,240
Speaker 1: one MC that you haven't worked with that you'd like

1553
01:21:50,320 --> 01:21:53,920
Speaker 1: to produce a we're working on it were I've been.

1554
01:21:54,000 --> 01:21:56,200
Speaker 1: That's been number one on my bucket list. Fat Joe

1555
01:21:56,320 --> 01:21:57,880
Speaker 1: was on my bucket list. Math the Man was on it.

1556
01:21:57,920 --> 01:22:01,240
Speaker 1: We knocked those out this week and Kendrick Lamar and

1557
01:22:01,880 --> 01:22:03,240
Speaker 1: I want to do something with Drake because I know

1558
01:22:03,360 --> 01:22:05,479
Speaker 1: Drake can really like get on those hip hop beats too,

1559
01:22:05,600 --> 01:22:08,680
Speaker 1: So that's like it really holds Wayne two wins. I

1560
01:22:08,760 --> 01:22:11,200
Speaker 1: got a short short list, but Wayne's on there too.

1561
01:22:11,640 --> 01:22:14,479
Speaker 1: Bum What's up next for you? Next solo album is

1562
01:22:14,479 --> 01:22:17,680
Speaker 1: gonna be Bernard you know it's my government dropping that

1563
01:22:17,840 --> 01:22:21,719
Speaker 1: on bum by Day, which is August thirty from Houston.

1564
01:22:22,640 --> 01:22:25,680
Speaker 1: And I'm working on some ship with Manny Fresh and

1565
01:22:25,960 --> 01:22:28,880
Speaker 1: UH with Cool and Dre as well. So like the

1566
01:22:28,960 --> 01:22:31,040
Speaker 1: same way that I have a relationship with Static and

1567
01:22:31,479 --> 01:22:33,400
Speaker 1: we have a good chemistry. I got the same chemistry

1568
01:22:33,479 --> 01:22:36,160
Speaker 1: with those guys. So I'm just trying to be as

1569
01:22:36,360 --> 01:22:39,120
Speaker 1: productive as possible. I just wanna, you know, because obviously

1570
01:22:39,120 --> 01:22:40,600
Speaker 1: it doesn't take me a lot of time to do it.

1571
01:22:40,800 --> 01:22:42,479
Speaker 1: Now that I've done a whole album in a day,

1572
01:22:42,840 --> 01:22:46,760
Speaker 1: I can't like put myself back into procrastinating situation. I

1573
01:22:46,840 --> 01:22:49,680
Speaker 1: can't front like I can't get it done now. So um,

1574
01:22:50,280 --> 01:22:52,160
Speaker 1: but man, I guess they're just happy to be alive,

1575
01:22:52,439 --> 01:22:54,120
Speaker 1: you know what I'm saying, Happy to you know, have

1576
01:22:54,280 --> 01:22:57,320
Speaker 1: this album out, you know, happy to have done it

1577
01:22:57,400 --> 01:22:58,920
Speaker 1: the way we did it. It couldn't have came out

1578
01:22:58,960 --> 01:23:02,519
Speaker 1: any better, you know. And getting ready for gun Bow

1579
01:23:02,560 --> 01:23:04,680
Speaker 1: three thousand. We need to get you on that one anytime.

1580
01:23:04,960 --> 01:23:06,640
Speaker 1: Let me know, we need to get you let me know.

1581
01:23:07,680 --> 01:23:11,200
Speaker 1: I appreciate you guys so much. Respect. Nice to meet you, Static,

1582
01:23:11,280 --> 01:23:14,400
Speaker 1: Thank you for coming my man, Trill. Static spoke on

1583
01:23:14,479 --> 01:23:17,000
Speaker 1: the record, bunch, I'm gonna continue speaking on it. Everybody

1584
01:23:17,080 --> 01:23:18,639
Speaker 1: check the record out. I talked to you guys later.

1585
01:23:21,400 --> 01:23:24,479
Speaker 1: All right. I want to thank my guests bun By

1586
01:23:25,439 --> 01:23:28,439
Speaker 1: Statics Selector for Rocket when the Best for Rocket on

1587
01:23:28,479 --> 01:23:31,320
Speaker 1: the Iron Rap Corps Stereo podcast. That record is available

1588
01:23:31,400 --> 01:23:34,960
Speaker 1: now trill Static. I love that record dope record, dope sound,

1589
01:23:35,120 --> 01:23:39,280
Speaker 1: dope beat, soul beats um check out all their work.

1590
01:23:39,439 --> 01:23:42,679
Speaker 1: Check out you you g K check out Static Selectors

1591
01:23:42,680 --> 01:23:45,560
Speaker 1: production with Action Bronson and so forth and so on.

1592
01:23:46,080 --> 01:23:48,240
Speaker 1: I am wrapp for stereo podcasts. You know where to

1593
01:23:48,280 --> 01:23:49,960
Speaker 1: find us if you want to hit us up. I

1594
01:23:50,200 --> 01:23:53,000
Speaker 1: am Rapp coord podcast at gmail dot com. My name

1595
01:23:53,080 --> 01:23:57,200
Speaker 1: is the Greenhamn Dingo a K mr White Folks a

1596
01:23:57,439 --> 01:23:59,800
Speaker 1: K a Mr. New York a k mr a K

1597
01:24:00,080 --> 01:24:02,040
Speaker 1: eight Miles Jordan. Take me out of it with something

1598
01:24:02,080 --> 01:24:06,080
Speaker 1: real nice, something real proper, but most importantly yes, yes,

1599
01:24:06,800 --> 01:24:08,040
Speaker 1: something real funny. Don