WEBVTT - This Is Your Captain Speaking

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<v Speaker 1>Pushkin.

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<v Speaker 2>A few weeks ago, when the leaves had just started

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<v Speaker 2>to turn up here in Hudson, one of our revisionist

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<v Speaker 2>history producers, Ben the daph Haffrey, came by the offices

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<v Speaker 2>of Pushkin North in the grand tradition of revisionist history.

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<v Speaker 2>He'd recently been flying around the country working on a

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<v Speaker 2>story when an unexpected encounter got him thinking about something

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<v Speaker 2>entirely different.

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<v Speaker 3>I had a really unlucky day of travel a couple

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<v Speaker 3>of weeks ago. I was in San Francisco and I

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<v Speaker 3>was trying to get to Los Angeles. But I had

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<v Speaker 3>to rebook my flight because of an urgent work meeting

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<v Speaker 3>that got moved. And when I got to the airport,

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<v Speaker 3>I realized i'd rebooked it two weeks after I was

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<v Speaker 3>trying to fly and I was trying to save money.

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<v Speaker 3>I got the cheapest ticket possible, so I could not

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<v Speaker 3>change the fight, and so I just had to rebook

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<v Speaker 3>on the cheap flight I could find, which was a

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<v Speaker 3>Southwest flight from San Francisco to Los Angeles via Las Vegas,

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<v Speaker 3>which makes no sense, absolutely no sense. So then I

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<v Speaker 3>got on the air train going the wrong way. I

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<v Speaker 3>wound up in this like median strip of the highway

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<v Speaker 3>that was coming from a wedding, and my suit bag broke,

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<v Speaker 3>my suit was flying all over the place, and just

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<v Speaker 3>a bad luck day. But you know, I made the flight,

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<v Speaker 3>wound up in Vegas and they had all these slot

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<v Speaker 3>machines in the airport, just a dreadful airport. As you've

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<v Speaker 3>recently pointed out, This was my first time in Vegas,

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<v Speaker 3>and I had exactly one dollar in my pocket, and

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<v Speaker 3>I thought, you know, my luck has been so bad,

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<v Speaker 3>surely it's time for it to change. And so, having

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<v Speaker 3>never played a slot machine before, I put the dollar

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<v Speaker 3>in this like kung fu slot machine and just promptly

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<v Speaker 3>lost it. Just lost my dollar entirely, so defeed it.

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<v Speaker 3>I got on my flight on Southwest where they let

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<v Speaker 3>you choose your seat, so I was just walking resignably

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<v Speaker 3>down the aisle and then I see an open seat

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<v Speaker 3>next to an off duty pilot, which suddenly made me

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<v Speaker 3>think that my luck was changing, because I was like,

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<v Speaker 3>here is a chance for me to finally ask a

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<v Speaker 3>question that I have for a very long time been

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<v Speaker 3>obsessed with answering. Yeah, why do all pilots have the

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<v Speaker 3>same voice?

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<v Speaker 2>Welcome to Revision's history, my show about things Overlooked and Misunderstood.

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<v Speaker 2>Today's episode is a conversation with Ben Adaf Haffrey, digging

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<v Speaker 2>into whether and why all pilots sound the same and

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<v Speaker 2>what that might tell us about aviation and human nature.

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<v Speaker 3>All Right, so I'm on this unnecessary flight from Vegas,

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<v Speaker 3>Los Angeles, saying next to an off duty pilot who

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<v Speaker 3>I had later learned was named Rob.

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<v Speaker 1>Wait, how do you How do you know he's a pilot?

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<v Speaker 3>So you know he's a pilot because he's got like

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<v Speaker 3>the apolets on his shoulder, the stripes, short sleep button

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<v Speaker 3>and shirt, and also a lanyard that said like Pilots

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<v Speaker 3>Association or something like that. Yeah, you could, you could

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<v Speaker 3>tell immediately. So I see my golden opportunity. And I

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<v Speaker 3>asked Rob about pilot voice.

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<v Speaker 4>Do you have a sense that all people think pilots

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<v Speaker 4>have the same voice.

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<v Speaker 5>I definitely have a sense that there's a idea that

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<v Speaker 5>we kind of make certain noises on the intercome Jack,

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<v Speaker 5>But it's this, I guess. My My first question to

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<v Speaker 5>you is do you do you share this sense? If

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<v Speaker 5>I were to ask you, what does a pilot sound like?

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<v Speaker 5>Is there a voice in your mind?

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<v Speaker 2>I mean, it's the it's the the analogy is to

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<v Speaker 2>you know, in medicine, it's bedside manner, and what is

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<v Speaker 2>bedside manner? A lot of bedside manner is just the

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<v Speaker 2>the way in which the doctor addresses you.

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<v Speaker 3>But there's not I don't feel like there is a

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<v Speaker 3>doctor's voice in the same way as there is a

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<v Speaker 3>pilot's voice. No, no, Like I think there's a cultural

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<v Speaker 3>understanding of what a pilot sounds like that doesn't exist

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<v Speaker 3>for hardly any other social role. I mean, so I

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<v Speaker 3>was thinking about this. You have all these pilots in

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<v Speaker 3>the media, like Quagmire on Family Guy.

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<v Speaker 5>Good afternoon, ladies, and gentlemen.

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<v Speaker 6>This is your captain, Glenn Quagmire.

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<v Speaker 5>We're looking about a four and a half hour flight

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<v Speaker 5>time today.

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<v Speaker 3>Giggity Man Damon on thirty Rock, Well back.

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<v Speaker 7>It looks like it's gonna be about another half hour

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<v Speaker 7>and then we'll.

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<v Speaker 8>Be on our way.

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<v Speaker 1>Yeah.

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<v Speaker 2>So the U sound is a universal component of pilot voice.

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<v Speaker 3>Yeah, universal. And I mean this is the thing I

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<v Speaker 3>talked about with Rob like he does OZ all the time. Okay,

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<v Speaker 3>so where does that come from? I think there's some

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<v Speaker 3>truth to it.

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<v Speaker 5>I mean, obviously it sucks, completely true. But yeah, we're

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<v Speaker 5>up there, we're multitasking, and we get get a little busy,

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<v Speaker 5>and we're trying to make an announcement, and uh, you know,

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<v Speaker 5>sometimes you don't really think about completely what you're gonna say.

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<v Speaker 5>You know, the basics, but your brain's still putting it together,

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<v Speaker 5>you know, so just human nature.

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<v Speaker 3>You know, your brain's taking a pause. And in fact,

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<v Speaker 3>he even copped to the fact that sometimes he does

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<v Speaker 3>an extra long uh like he will actually draw out not.

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<v Speaker 5>All right, I have a couple of times, not often,

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<v Speaker 5>but I have kind of drawn that out on purpose

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<v Speaker 5>whatever you would call that sound, just for fun, you know.

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<v Speaker 5>But like you said earlier, I have no idea if

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<v Speaker 5>anybody in the in the back laughed or even picked

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<v Speaker 5>up what I was throwing down.

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<v Speaker 3>You've like actually done an extra long uh ridiculously long.

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<v Speaker 4>It's just enough to what's like an average line.

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<v Speaker 5>Maybe, but you have to do it a little bit

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<v Speaker 5>of a lower tone than that, though, you know, well,

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<v Speaker 5>I just want like it's gotta have that lower lower tone.

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<v Speaker 1>Oh God, rob Is, God said Rob Is. I.

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<v Speaker 3>It had such a bad day. And then I sat

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<v Speaker 3>next to Rob and I was like, I am I

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<v Speaker 3>am being blessed right now. And I got off the

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<v Speaker 3>plane and I swear to God. When I was at

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<v Speaker 3>the baggage claim, I walked by these two people who

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<v Speaker 3>were talking in LA and one of them was saying

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<v Speaker 3>to the other person like, well, you know the ancient

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<v Speaker 3>notion of the wheel at fortune right, And the guy

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<v Speaker 3>was like, no, what's that. He's like, well, it's like

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<v Speaker 3>Fortune's a wheel, so you have like your bad luck,

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<v Speaker 3>and then it comes around to good lock. I swear

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<v Speaker 3>to God. I just I was like, what is good

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<v Speaker 3>you like die in Las Vegas? And then like this

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<v Speaker 3>is just purgatory is bouncing between these two airports. But

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<v Speaker 3>then when I landed in Los Angeles, I was like,

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<v Speaker 3>I should actually figure out if it's just me having

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<v Speaker 3>watched too many movies and not flown in enough planes,

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<v Speaker 3>and talk to some people and see what they say.

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<v Speaker 3>What does a pilot sound like?

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<v Speaker 4>What does a pilot sound like? Yeah? Like is there

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<v Speaker 4>a pilot's voice? Yes, it's going and robotic. It's used

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<v Speaker 4>for impersonation. Oh you're gonna do it.

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<v Speaker 3>I'm sorry ladies and gemen, please fasten your seatbelts. Apologize

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<v Speaker 3>for the rough air, but we should be through it

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<v Speaker 3>here in about ten minutes or so.

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<v Speaker 8>And then you got to drag them out, like, aw,

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<v Speaker 8>we should be riding about ten minutes or so.

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<v Speaker 4>All the time is seven o'clock. All this consistent when

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<v Speaker 4>you're when you're a sense of the pilot's worse. She'd right,

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<v Speaker 4>it's like robotic.

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<v Speaker 9>Typically they sound the same.

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<v Speaker 6>I don't know how or why.

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<v Speaker 10>Is it just they've heard other pilots do it and

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<v Speaker 10>they feel this is how I've got to talk.

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<v Speaker 4>What I'm wondering is like, do all pilots sound the same? Yes?

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<v Speaker 4>They do? They do?

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<v Speaker 1>They always say folks, folks.

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<v Speaker 10>Yes, I think in general, yes, they have like the

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<v Speaker 10>same type of tone, and they're all like pretty polished

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<v Speaker 10>like whenever they come on like on like on the planet,

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<v Speaker 10>like Banacom or whatever, they all sound the same.

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<v Speaker 4>What does a pilot sound like.

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<v Speaker 10>Like a robot?

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<v Speaker 4>Do you think all pilots sound the.

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<v Speaker 10>Same, Yes, except for the black ones.

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<v Speaker 4>Except the ones? Interesting? What did they sound like? Lat

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<v Speaker 4>and the rest sound.

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<v Speaker 11>Like yo people?

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<v Speaker 4>Yeah?

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<v Speaker 2>Wait a minute, you know about what Tom Wolfe says

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<v Speaker 2>about this and the right stuff.

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<v Speaker 1>It's Jaeger. It's all Chuck Yeger.

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<v Speaker 3>Yeah, racking the.

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<v Speaker 9>Sound barrier, and the X one marked another milestone in

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<v Speaker 9>av ah in history Good Time October fourteenth, nineteen forty seven,

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<v Speaker 9>No Pilots Captain and.

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<v Speaker 3>Chuck Jeger Chuck Yeger, the famous test pilot from West

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<v Speaker 3>Virginia who in nineteen forty seven breaks the sound barrier.

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<v Speaker 3>The X one was mine because I was trained in

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<v Speaker 3>maintenance and I understood systems, and obviously he could fly

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<v Speaker 3>an airplane. So Yeah, Tom Wolf writes The Right Stuff

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<v Speaker 3>nineteen seventy nine. Later it becomes a big movie, and

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<v Speaker 3>he identifies this phenomenon that all pilots sound the same

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<v Speaker 3>and specifically attributes it to the sounding like Chuck Yeger.

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<v Speaker 2>And in The Right Stuff, there's that moment where Yeah,

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<v Speaker 2>played by Sam Shefferd says when he's dismissing astronauts, they're

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<v Speaker 2>spam in a can.

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<v Speaker 1>And it's pilot voice.

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<v Speaker 2>Tell you what else.

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<v Speaker 7>Anybody goes up and the damn thing is gonna be

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<v Speaker 7>spam in a can.

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<v Speaker 3>Actually brought the passage from the Right Stuff if you

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<v Speaker 3>want to read.

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<v Speaker 2>It, Okay, here goes Anyone who travels very much on

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<v Speaker 2>airlines in the United States soon gets to know the

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<v Speaker 2>voice of the airline pilot coming over the intercom with

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<v Speaker 2>a particular drawl, a particular folksiness, a particular down home

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<v Speaker 2>calmness that is so exaggerated it begins to parody itself.

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<v Speaker 2>The voice that tells you, as the airliner is caught

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<v Speaker 2>in thunderheads and goes bolting up and down a thousand

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<v Speaker 2>feet at a single gulp, to check your seatbelts because

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<v Speaker 2>it might get a little choppy. Who doesn't know that voice,

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<v Speaker 2>and who can forget it even after he has proved

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<v Speaker 2>right and the emergency is over. That particular voice may

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<v Speaker 2>sound vaguely Southern or Southwestern, but it is specifically Appellationian

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<v Speaker 2>in origin. It originated in the mountains of West Virginia,

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<v Speaker 2>in the coal country in Lincoln County, so far up

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<v Speaker 2>in the hollows that as the saying went, they had

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<v Speaker 2>to pipe in daylight. In the late nineteen forties and

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<v Speaker 2>early nineteen fifties, this up hollow voice drifted down from

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<v Speaker 2>on high, from over the high desert of California, down down, down,

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<v Speaker 2>from the upper reaches of their brotherhood into all phases

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<v Speaker 2>of American aviation. It was amazing. It was pygmalion in reverse.

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<v Speaker 2>Military pilots and then soon airline pilots, pilots from Maine

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<v Speaker 2>and Massachusetts and the Dakotas in Oregon and everywhere else,

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<v Speaker 2>began to talk in that poker hollow West Virginia drawl,

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<v Speaker 2>or as close to it as it could bend their

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<v Speaker 2>native accents. It was the drawl of the most righteous

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<v Speaker 2>of all the possessors of the right stuff.

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<v Speaker 1>Chuck ying the Tomolf is so.

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<v Speaker 3>Just amazing, so good.

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<v Speaker 1>He's just it's just like it's Tumolf is just the best.

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<v Speaker 3>Yeah, And I like that. He's just you know, he

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<v Speaker 3>was not in airports asking everybody if they agreed that

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<v Speaker 3>all pilots sounded this way. He was just like, yeah,

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<v Speaker 3>I got it. But I don't actually think that's a

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<v Speaker 3>sufficient explanation for what pilot voice is, partially because like,

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<v Speaker 3>when was the last time you you listened to Chuck Yeger.

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<v Speaker 1>I don't think I ever have.

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<v Speaker 3>I know, Sam Shepard, it's not the pilot voice. I

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<v Speaker 3>believe there's some essential Jaeger nests that is preserved in

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<v Speaker 3>the pilot's voice, but it's not like a note for

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<v Speaker 3>note replication of that thing.

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<v Speaker 2>You I'm as interested in a word choice. So folks

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<v Speaker 2>is clearly.

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<v Speaker 3>Huge there's a Someone at LAX also pointed this out specifically.

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<v Speaker 2>What are other vocabulary choices that are central to pilot voice?

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<v Speaker 3>Well, I think the euphemisms are huge. So the near

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<v Speaker 3>miss Bumpierre, Choppier.

0:12:25.956 --> 0:12:28.916
<v Speaker 2>Diminutives a little bit of turbulent, It got a little

0:12:28.916 --> 0:12:34.196
<v Speaker 2>bit of Ye, it's not lackadaisical, but it is. They

0:12:34.196 --> 0:12:36.436
<v Speaker 2>want to they do want to signal that these problems

0:12:36.476 --> 0:12:40.556
<v Speaker 2>are so trivial that they can barely muster, you know,

0:12:40.636 --> 0:12:44.556
<v Speaker 2>normal levels of enthusiasm to It's just everything's just kind

0:12:44.556 --> 0:12:48.596
<v Speaker 2>of I've seen it all before, kind of Yeah, there's

0:12:48.676 --> 0:12:51.516
<v Speaker 2>a Can I do a little thing about the evolutionary

0:12:51.956 --> 0:12:58.516
<v Speaker 2>basis for a pilot voice? So stress, one of the

0:12:58.516 --> 0:13:03.996
<v Speaker 2>things that stress does is raise your voice. Right, So

0:13:04.156 --> 0:13:08.356
<v Speaker 2>one of the signatures of someone who is under a

0:13:08.356 --> 0:13:11.236
<v Speaker 2>great deal of stress, for experiencing a high anxiety moment,

0:13:11.676 --> 0:13:14.636
<v Speaker 2>is their voice rises in is it pitch?

0:13:15.356 --> 0:13:18.676
<v Speaker 3>It's also probably like I bet your vocal cords titan,

0:13:18.716 --> 0:13:20.196
<v Speaker 3>and then you become less resonant.

0:13:20.356 --> 0:13:25.156
<v Speaker 2>Yes, So I would suspect there's and so we're conditioned

0:13:25.156 --> 0:13:29.716
<v Speaker 2>evolutionarily to interpret somebody with a kind of a high

0:13:29.876 --> 0:13:36.276
<v Speaker 2>fast speech cadence as being terrified. So the pilot necessarily

0:13:36.356 --> 0:13:39.916
<v Speaker 2>has to be the person who speaks slowly and low

0:13:40.036 --> 0:13:42.356
<v Speaker 2>if he's trying to communicate calm.

0:13:42.556 --> 0:13:44.876
<v Speaker 3>You think you think people are you're you think people

0:13:44.916 --> 0:13:48.116
<v Speaker 3>are making hires based in part on whether or not

0:13:48.196 --> 0:13:49.796
<v Speaker 3>you have the right pilot voice.

0:13:50.636 --> 0:13:54.316
<v Speaker 2>We already know that in every other job some aspect

0:13:54.356 --> 0:13:58.876
<v Speaker 2>of physical presentation matters hugely and who gets who gets

0:13:58.916 --> 0:14:02.996
<v Speaker 2>hired or not right, So when it comes to hiring pilots,

0:14:03.796 --> 0:14:06.636
<v Speaker 2>you would be if you're the hiring person even unconsciously

0:14:06.716 --> 0:14:12.516
<v Speaker 2>powerfully disposed to hire someone who who conformed to pilot stereotype.

0:14:13.076 --> 0:14:14.956
<v Speaker 2>I mean, look at the way that there was a

0:14:14.956 --> 0:14:17.116
<v Speaker 2>whole separate set of things for years that governed what

0:14:17.156 --> 0:14:18.076
<v Speaker 2>a stewardess.

0:14:17.756 --> 0:14:18.276
<v Speaker 1>Was supposed to be.

0:14:18.316 --> 0:14:19.956
<v Speaker 2>A flight atten was supposed to be right, it was

0:14:20.236 --> 0:14:23.956
<v Speaker 2>right down. They would like measure there. They would do

0:14:24.036 --> 0:14:26.996
<v Speaker 2>body measurements of women who are trying to be flood

0:14:26.996 --> 0:14:29.356
<v Speaker 2>attens in the You had to look a certain way,

0:14:29.436 --> 0:14:32.436
<v Speaker 2>have a certain shape, you know, etcetera, etcetera, etcetera. We

0:14:32.476 --> 0:14:35.596
<v Speaker 2>don't think that applies to pilots, the one actually flying

0:14:35.596 --> 0:14:36.076
<v Speaker 2>the plane.

0:14:36.276 --> 0:14:38.596
<v Speaker 3>Well, like a lot of the pilot voice thing, the

0:14:38.636 --> 0:14:40.996
<v Speaker 3>first thing people say is is just the speakers. And

0:14:41.116 --> 0:14:43.476
<v Speaker 3>the second thing people say is is because they're all

0:14:43.516 --> 0:14:44.036
<v Speaker 3>white guys.

0:14:44.116 --> 0:14:47.356
<v Speaker 2>Yeah, the most hierarchical institutions in our society are still

0:14:47.396 --> 0:14:51.316
<v Speaker 2>all dominated by white guys, particularly tall, tall, middle aged

0:14:51.356 --> 0:14:54.316
<v Speaker 2>white guys. That's what CEOs are, That's what pilots are,

0:14:54.396 --> 0:14:58.436
<v Speaker 2>that's what neurosurgeons are, that's what you know presidents are.

0:14:58.596 --> 0:14:59.756
<v Speaker 1>That's what I make it go on.

0:14:59.836 --> 0:15:02.756
<v Speaker 3>It's like, yeah, the same stereotyping and bias is applied

0:15:02.796 --> 0:15:06.836
<v Speaker 3>in piloting, and it is statistically true, like about ninety

0:15:06.876 --> 0:15:09.116
<v Speaker 3>five percent of pilots are white and about ninety five

0:15:09.116 --> 0:15:11.556
<v Speaker 3>percent of pilots are male, at least as of twenty

0:15:11.596 --> 0:15:16.036
<v Speaker 3>twenty two numbers. That is changing, but historically it has

0:15:16.116 --> 0:15:19.196
<v Speaker 3>always been a very white male profession and it continues

0:15:19.236 --> 0:15:22.156
<v Speaker 3>to be so. But like, not every white guy sounds

0:15:22.196 --> 0:15:24.876
<v Speaker 3>the same. And similarly, a lot of pilots were in

0:15:24.916 --> 0:15:27.436
<v Speaker 3>the Air Force, but not every veteran sounds the same.

0:15:27.836 --> 0:15:32.836
<v Speaker 3>So this has some explanatory force, but not total explanatory force.

0:15:33.196 --> 0:15:36.436
<v Speaker 3>There's still some weird extra kind of convergence happening even

0:15:36.436 --> 0:15:39.836
<v Speaker 3>within this group. So this is where I think this

0:15:39.916 --> 0:15:43.076
<v Speaker 3>all leaves us. There is an idea at least that

0:15:43.116 --> 0:15:45.636
<v Speaker 3>there is a pilot voice. Tom Wolfe says it's Jeger,

0:15:45.876 --> 0:15:47.916
<v Speaker 3>But I really don't think it's enough to say that

0:15:47.996 --> 0:15:50.916
<v Speaker 3>all pilots are imitating Chuck Yeger. I mean, it is

0:15:50.996 --> 0:15:53.156
<v Speaker 3>clear to me that there's an attitude of Jaeger that

0:15:53.196 --> 0:15:56.796
<v Speaker 3>has been preserved, but it's not really his voice. And

0:15:56.876 --> 0:15:59.396
<v Speaker 3>I mean Rob had not even heard Chuck Yeger.

0:15:59.836 --> 0:16:02.556
<v Speaker 5>I certainly don't know what his voice sounded like. I can't,

0:16:02.676 --> 0:16:03.476
<v Speaker 5>I can't think of it.

0:16:05.796 --> 0:16:06.196
<v Speaker 4>Yeah, I.

0:16:07.996 --> 0:16:13.756
<v Speaker 5>Don't think it was anything that I consciously was doing.

0:16:13.796 --> 0:16:17.036
<v Speaker 5>But I think you've got me thinking maybe I dropped

0:16:17.076 --> 0:16:20.556
<v Speaker 5>my voice down a pitch. I think I do they

0:16:20.556 --> 0:16:21.516
<v Speaker 5>even realize?

0:16:24.996 --> 0:16:28.916
<v Speaker 3>So something's up. It's not just Chuck Yeger. What I'm

0:16:28.956 --> 0:16:32.476
<v Speaker 3>interested in is what does that voice represent and how

0:16:32.516 --> 0:16:34.276
<v Speaker 3>did it happen that they all sound alike.

0:16:35.556 --> 0:16:48.316
<v Speaker 2>We'll be right back. Can do another analogy here, believe.

0:16:48.396 --> 0:16:50.796
<v Speaker 2>So I was thinking about this as you're talking, which

0:16:50.836 --> 0:16:58.396
<v Speaker 2>is there's a whole literature on contrition in the cases

0:16:58.436 --> 0:17:03.676
<v Speaker 2>of accused criminals. So you're in court, you're making your statement,

0:17:03.836 --> 0:17:06.996
<v Speaker 2>or you're talking and jury's listening. One of the things

0:17:06.996 --> 0:17:11.876
<v Speaker 2>that jury's way that heaviest is whether or not they

0:17:11.916 --> 0:17:17.436
<v Speaker 2>feel like the accused is displaying contrition. Right, they have

0:17:17.476 --> 0:17:21.996
<v Speaker 2>an expectator, there's an expectation about a certain mode of

0:17:21.996 --> 0:17:26.796
<v Speaker 2>self presentation. Now, no one really knows what contrition looks like.

0:17:27.436 --> 0:17:29.916
<v Speaker 2>Is there actually isn't you know? We know what happiness

0:17:29.956 --> 0:17:32.156
<v Speaker 2>looks like, we know what anxiety looks like, we know

0:17:32.196 --> 0:17:34.956
<v Speaker 2>what anger looks like. We don't really know what contrition

0:17:35.116 --> 0:17:37.596
<v Speaker 2>looks like. All we know is that contrition is really, really,

0:17:37.636 --> 0:17:45.276
<v Speaker 2>really important, and in its absence, juries deliver much harsher penalties,

0:17:45.396 --> 0:17:47.756
<v Speaker 2>much more likely to call you guilty, or the judge

0:17:47.796 --> 0:17:49.316
<v Speaker 2>is much more like col to give you a long sentence.

0:17:49.836 --> 0:17:52.596
<v Speaker 2>So there's a kind of this is there's a feedback

0:17:52.636 --> 0:17:56.116
<v Speaker 2>loop between the party that's giving a presentation and the

0:17:56.116 --> 0:17:59.036
<v Speaker 2>part is listening, And I wonder what the pilot is

0:17:59.076 --> 0:18:05.116
<v Speaker 2>expected to communicate? Is competence and reassurance? Right now? Do

0:18:05.876 --> 0:18:07.996
<v Speaker 2>we have a formal definition of what those things are?

0:18:08.276 --> 0:18:10.596
<v Speaker 2>Not really known, not not any more than we do

0:18:10.716 --> 0:18:13.716
<v Speaker 2>for contrition. But that doesn't mean that we don't spend

0:18:13.716 --> 0:18:16.996
<v Speaker 2>a huge amount of time communicating it. And we kind

0:18:16.996 --> 0:18:18.636
<v Speaker 2>of know it when we you know, this is a

0:18:18.716 --> 0:18:20.116
<v Speaker 2>vague thing that we know of when we see it.

0:18:20.356 --> 0:18:22.716
<v Speaker 2>People certainly can say he did not you hear all

0:18:22.716 --> 0:18:24.916
<v Speaker 2>the time Jerry's saying it.

0:18:24.636 --> 0:18:26.876
<v Speaker 1>Did not seem right? Contrite right?

0:18:27.116 --> 0:18:29.796
<v Speaker 2>Anyway, This is all like a long way of saying,

0:18:29.836 --> 0:18:33.156
<v Speaker 2>is there is this? Like I would just I agree

0:18:33.196 --> 0:18:34.676
<v Speaker 2>with everything I say, I would just say I would

0:18:34.676 --> 0:18:38.476
<v Speaker 2>add this that it's a loop with the audience expectation.

0:18:39.236 --> 0:18:42.436
<v Speaker 3>Well, so there are these clear ingredients in the pilot

0:18:42.516 --> 0:18:45.316
<v Speaker 3>voice as it's used by pilots and expected by passengers.

0:18:45.316 --> 0:18:48.196
<v Speaker 3>You got the drawn out oz, the slow pace, maybe

0:18:48.236 --> 0:18:50.196
<v Speaker 3>a bit of southern drawl. But I want to get

0:18:50.236 --> 0:18:53.436
<v Speaker 3>into the mechanisms by which a whole profession could converge

0:18:53.476 --> 0:18:57.236
<v Speaker 3>on a specific voice. So I talked to this speech psychologist,

0:18:57.356 --> 0:19:01.436
<v Speaker 3>Jennifer S. Pardo, who's the director of the Speech Communication

0:19:01.596 --> 0:19:04.956
<v Speaker 3>Laboratory at Montclair State University, you know, called her up,

0:19:05.076 --> 0:19:07.156
<v Speaker 3>said I want to talk to you about pilot voice.

0:19:07.316 --> 0:19:07.956
<v Speaker 3>Ever hear of it?

0:19:08.556 --> 0:19:12.436
<v Speaker 8>I actually asked my husband about it yesterday. He used

0:19:12.436 --> 0:19:16.636
<v Speaker 8>to actually do flight training for a while, just you know,

0:19:16.756 --> 0:19:19.676
<v Speaker 8>as a hobby, and he said, oh, yeah, there's definitely

0:19:19.876 --> 0:19:23.596
<v Speaker 8>definitely pilot voice. Well, what did he and he's like, oh, yeah,

0:19:23.636 --> 0:19:27.436
<v Speaker 8>it's totally from Chuck Yeager. Yeah, he definitely felt like

0:19:28.076 --> 0:19:31.596
<v Speaker 8>there was I wouldn't say pressure, but he definitely felt

0:19:31.636 --> 0:19:36.036
<v Speaker 8>the need to get into this mode of speaking when

0:19:36.076 --> 0:19:38.996
<v Speaker 8>he was in flight training, to you know, to show

0:19:39.076 --> 0:19:39.756
<v Speaker 8>that he was.

0:19:39.796 --> 0:19:42.756
<v Speaker 11>Part of the group here. I was like, really, why

0:19:42.756 --> 0:19:43.316
<v Speaker 11>did you never.

0:19:43.356 --> 0:19:44.196
<v Speaker 1>Tell me this?

0:19:46.196 --> 0:19:50.156
<v Speaker 3>So Jen specifically works on something called phonetic convergence and

0:19:50.316 --> 0:19:55.916
<v Speaker 3>also communication accommodation theory, which is basically it's this, it's

0:19:56.236 --> 0:19:59.876
<v Speaker 3>a theoretical frame for a thing that most of us experienced.

0:19:59.876 --> 0:20:02.276
<v Speaker 3>Like you go to London as an American, You're there

0:20:02.316 --> 0:20:03.916
<v Speaker 3>for two weeks, and by the end of the two weeks,

0:20:03.916 --> 0:20:07.116
<v Speaker 3>you start maybe there's some British mannerisms work their way

0:20:07.116 --> 0:20:11.996
<v Speaker 3>out your speech. Communication accommodation is the study of the

0:20:12.036 --> 0:20:14.956
<v Speaker 3>way what the mechanism of that is, how you sort

0:20:14.996 --> 0:20:18.276
<v Speaker 3>of modify your way of speaking to belong to an

0:20:18.276 --> 0:20:20.676
<v Speaker 3>in group or to distinguish yourself from an out group.

0:20:20.996 --> 0:20:23.276
<v Speaker 3>And for pilots, it's something that could be happening basically

0:20:23.356 --> 0:20:26.116
<v Speaker 3>unwinningly because of how much else they're doing in the cockpit.

0:20:26.276 --> 0:20:29.876
<v Speaker 8>So research and pinetic convergence is trying to really pinpoint

0:20:30.596 --> 0:20:34.716
<v Speaker 8>some of these internal cognitive mechanisms and how they play

0:20:34.756 --> 0:20:37.756
<v Speaker 8>around with each other, and this idea of cognitive load

0:20:37.796 --> 0:20:41.156
<v Speaker 8>and multitasking. Right, if it's an automatic process, it's something

0:20:41.596 --> 0:20:44.956
<v Speaker 8>that would be harder to suppress when you're multitasking.

0:20:45.476 --> 0:20:48.956
<v Speaker 3>Jen studies this. So she actually looked at like roommates

0:20:48.956 --> 0:20:52.356
<v Speaker 3>who live together in college and their does the way

0:20:52.396 --> 0:20:54.876
<v Speaker 3>they speak converge over the course of a semester, which

0:20:55.476 --> 0:20:58.836
<v Speaker 3>often it does, But she said an interesting thing, which

0:20:58.916 --> 0:21:01.756
<v Speaker 3>is we tend to think of communication as a one

0:21:01.796 --> 0:21:05.556
<v Speaker 3>way thing, like broadcasting functionally, but it is it is

0:21:05.596 --> 0:21:07.356
<v Speaker 3>a two way thing. So half of it is how

0:21:07.356 --> 0:21:09.876
<v Speaker 3>you're communicating. Half of it is how you're being perceived.

0:21:10.396 --> 0:21:12.356
<v Speaker 8>Like if you really were to look at it, like

0:21:12.596 --> 0:21:15.116
<v Speaker 8>really really look at it, like take you know, take

0:21:15.156 --> 0:21:19.756
<v Speaker 8>a recording, compare the recording right to other recordings, put

0:21:19.796 --> 0:21:23.236
<v Speaker 8>it in a scientific setting, in a scientific experiment, you'd

0:21:23.276 --> 0:21:28.876
<v Speaker 8>probably find more differences than similarities, but the similarities matter

0:21:29.596 --> 0:21:34.636
<v Speaker 8>maybe more. Right, So there is this other thing going

0:21:34.676 --> 0:21:39.676
<v Speaker 8>on where socially or psychologically, because we believe it to

0:21:39.756 --> 0:21:44.356
<v Speaker 8>be true, we look for evidence that it's true every

0:21:44.356 --> 0:21:47.036
<v Speaker 8>time we hear it. And if we don't get the

0:21:47.076 --> 0:21:50.596
<v Speaker 8>evidence from one aspect of the way the person is talking,

0:21:50.956 --> 0:21:53.316
<v Speaker 8>we might see it in another aspect of the way

0:21:53.356 --> 0:21:55.796
<v Speaker 8>that the person is talking right. If it's not there

0:21:55.796 --> 0:21:58.996
<v Speaker 8>in the vocabulary, it might be there in something about

0:21:59.036 --> 0:22:01.996
<v Speaker 8>the sentence structure. Or it might just be that they

0:22:01.996 --> 0:22:05.916
<v Speaker 8>all went up right. It could just be one little

0:22:05.916 --> 0:22:07.796
<v Speaker 8>thing that they're all doing and we're like, Okay, they

0:22:07.796 --> 0:22:09.076
<v Speaker 8>did it right, they did the thing.

0:22:10.356 --> 0:22:13.316
<v Speaker 3>I do think that is a crucial element to the

0:22:13.356 --> 0:22:16.516
<v Speaker 3>pilot voice thing. Of course, it's not true that all

0:22:16.516 --> 0:22:19.436
<v Speaker 3>pilots have exactly the same voice, But insofar as the

0:22:19.436 --> 0:22:22.516
<v Speaker 3>majority of people I've spoken to, most people you come

0:22:22.556 --> 0:22:24.196
<v Speaker 3>across on the street, if you ask them this question,

0:22:24.236 --> 0:22:26.436
<v Speaker 3>what does a pilot sound like? Have the same voice

0:22:26.436 --> 0:22:29.876
<v Speaker 3>in their mind? Some of that is just projection. And

0:22:29.956 --> 0:22:33.956
<v Speaker 3>I think it's projection from a place of needing security.

0:22:34.116 --> 0:22:36.036
<v Speaker 3>Having the question in the back of your mind of

0:22:36.076 --> 0:22:38.396
<v Speaker 3>your pilot, that Tom Wolf question, do they have the

0:22:38.476 --> 0:22:42.116
<v Speaker 3>right stuff? Yeah? And so there is that kind of

0:22:42.556 --> 0:22:45.236
<v Speaker 3>that's that's part of this projection thing you're referring to

0:22:45.316 --> 0:22:48.956
<v Speaker 3>as well, like the expectation thing. But it's interesting because

0:22:49.156 --> 0:22:54.876
<v Speaker 3>you see and interact with flight attendants, but you typically

0:22:54.916 --> 0:22:58.636
<v Speaker 3>do not see the pilot until the plane has safely landed,

0:22:59.196 --> 0:23:01.676
<v Speaker 3>so the only point of contact you have with your

0:23:01.676 --> 0:23:04.556
<v Speaker 3>pilot until then is the voice. Yeah, which they're also

0:23:04.636 --> 0:23:07.396
<v Speaker 3>aware of. And also it's this, it's this crazy situation

0:23:07.676 --> 0:23:10.356
<v Speaker 3>of they are speaking the several hundred people, all of

0:23:10.436 --> 0:23:13.716
<v Speaker 3>whom have some kind of background anxiety about flying, which is,

0:23:13.756 --> 0:23:16.116
<v Speaker 3>you know, in my opinion, just a completely unnatural thing

0:23:16.156 --> 0:23:18.516
<v Speaker 3>to do, Like we were not given wings for a reason,

0:23:18.916 --> 0:23:21.756
<v Speaker 3>so you're rocketing through the air in this metal tube

0:23:21.836 --> 0:23:25.636
<v Speaker 3>and human error is the number one cause of plane accidents.

0:23:26.196 --> 0:23:30.156
<v Speaker 3>So you only have the pilot's voice as a way

0:23:30.156 --> 0:23:32.916
<v Speaker 3>of judging how competent this person is at their actual job,

0:23:33.156 --> 0:23:36.396
<v Speaker 3>which is something they also are aware of. I actually

0:23:36.476 --> 0:23:38.916
<v Speaker 3>talked to a captain who named Karen, who's been flying

0:23:38.916 --> 0:23:41.796
<v Speaker 3>for a few decades, and she was perfect for this because,

0:23:41.836 --> 0:23:44.356
<v Speaker 3>in addition to being a captain, she teaches that something

0:23:44.436 --> 0:23:48.676
<v Speaker 3>called the Fear of Flying Clinic, which is ironic because.

0:23:48.876 --> 0:23:51.796
<v Speaker 11>My last name is not a great pilot thing, so.

0:23:53.796 --> 0:23:56.596
<v Speaker 12>You want to my last name is Stall and even

0:23:56.636 --> 0:23:59.316
<v Speaker 12>though there's an age in it, it sounds the exact same,

0:23:59.476 --> 0:24:01.236
<v Speaker 12>so people will hear.

0:24:01.636 --> 0:24:03.996
<v Speaker 11>So I never say this is Captain Stall.

0:24:04.236 --> 0:24:07.356
<v Speaker 9>I always say this is the captain speaking, but I

0:24:07.396 --> 0:24:09.996
<v Speaker 9>always break that up just so that if there is

0:24:10.036 --> 0:24:13.756
<v Speaker 9>someone back there who's feeling the you know, nervous about flying,

0:24:13.796 --> 0:24:15.436
<v Speaker 9>that can be like, Okay, that's a sign I gotta

0:24:15.436 --> 0:24:15.876
<v Speaker 9>get out.

0:24:15.716 --> 0:24:19.476
<v Speaker 3>Of here, Captain Stall. Yeah, that's that's really unfortunate.

0:24:20.796 --> 0:24:22.156
<v Speaker 1>I met. It's hilarious.

0:24:22.796 --> 0:24:26.716
<v Speaker 3>Captain Stall airline pilot, also an expert on why people

0:24:26.756 --> 0:24:30.036
<v Speaker 3>are terrified of flying, something she can empathize with because

0:24:30.116 --> 0:24:33.836
<v Speaker 3>she herself really dislikes public speaking. Can I ask when

0:24:33.836 --> 0:24:37.036
<v Speaker 3>you were starting, did you feel when you made your

0:24:37.076 --> 0:24:40.276
<v Speaker 3>first PA's okay, I know what a pilot's supposed to

0:24:40.356 --> 0:24:42.716
<v Speaker 3>sound like, and how do I do my version of

0:24:42.756 --> 0:24:45.276
<v Speaker 3>the voice or how conscious were you of this thing?

0:24:46.076 --> 0:24:46.236
<v Speaker 9>Oh?

0:24:46.236 --> 0:24:51.076
<v Speaker 12>I was terrified because I would imagine everybody's listening tuned

0:24:51.076 --> 0:24:55.036
<v Speaker 12>in and going, oh my gosh, who is that? And

0:24:55.476 --> 0:24:58.916
<v Speaker 12>her voice doesn't sound like what I'm expecting up there?

0:24:58.996 --> 0:25:03.636
<v Speaker 12>And also not even just that, I just wasn't comfortable

0:25:03.636 --> 0:25:07.516
<v Speaker 12>with a microphone in my hand. So I guarantee you

0:25:07.556 --> 0:25:09.876
<v Speaker 12>my voice was not reassuring when I was making my

0:25:09.916 --> 0:25:12.676
<v Speaker 12>first feel because I was too nervous. I was very

0:25:12.676 --> 0:25:15.236
<v Speaker 12>comfortable with the flying part, but not with them making.

0:25:15.796 --> 0:25:17.876
<v Speaker 12>I would also say it's always the male that you

0:25:17.956 --> 0:25:20.476
<v Speaker 12>hear as a pilot voice when when somebody's talking about

0:25:20.476 --> 0:25:23.676
<v Speaker 12>the pilot voice. So that's one thing about, you know,

0:25:23.756 --> 0:25:28.676
<v Speaker 12>being a woman in this job is trying to get

0:25:28.716 --> 0:25:32.236
<v Speaker 12>that voice out there for the girls and for them,

0:25:32.316 --> 0:25:34.676
<v Speaker 12>for the boys, for just people in general, to know

0:25:35.156 --> 0:25:38.956
<v Speaker 12>it's not all just guy's flying point.

0:25:39.436 --> 0:25:43.676
<v Speaker 2>You know, she has a great voice, doesn't she.

0:25:43.676 --> 0:25:44.916
<v Speaker 3>She does have a great voice.

0:25:45.356 --> 0:25:46.636
<v Speaker 1>She's funny too, though.

0:25:46.716 --> 0:25:50.676
<v Speaker 2>I wonder what I wonder is what, like, do we

0:25:50.796 --> 0:25:52.796
<v Speaker 2>like the fact that she seems to have a little

0:25:52.796 --> 0:25:53.676
<v Speaker 2>bit of a sense of humor.

0:25:54.556 --> 0:25:55.196
<v Speaker 1>I think we do.

0:25:55.516 --> 0:25:57.476
<v Speaker 3>Yeah, I feel like there is a certain kind of

0:25:57.556 --> 0:26:00.236
<v Speaker 3>humor that's not trying to make you laugh, but it

0:26:00.316 --> 0:26:04.236
<v Speaker 3>shows that the person finds the situation amusing. It's like

0:26:04.276 --> 0:26:06.156
<v Speaker 3>more a reflection of the fact that they're kind of

0:26:06.236 --> 0:26:08.636
<v Speaker 3>amused by everything than that they're you know, trying to

0:26:08.676 --> 0:26:11.716
<v Speaker 3>be a median or something. You just you want somebody.

0:26:11.876 --> 0:26:13.956
<v Speaker 3>You want somebody who's got like a pretty upbeat view

0:26:13.996 --> 0:26:15.596
<v Speaker 3>of the world and is unharried.

0:26:15.796 --> 0:26:19.596
<v Speaker 2>Yeah, that's right, Yeah, she has that. That is that

0:26:19.716 --> 0:26:24.636
<v Speaker 2>kind of one eyebrows slightly raised.

0:26:25.116 --> 0:26:27.596
<v Speaker 3>Yeah, like she gets what's funny about her name, for instance.

0:26:27.876 --> 0:26:29.996
<v Speaker 3>But where it leads to me is it does seem

0:26:30.076 --> 0:26:32.436
<v Speaker 3>like there's an awareness in pilots that you have to

0:26:32.476 --> 0:26:36.276
<v Speaker 3>communicate competence sound like a pilot, because you're answerable to

0:26:36.316 --> 0:26:38.356
<v Speaker 3>the people on the back who don't have any other

0:26:38.396 --> 0:26:40.356
<v Speaker 3>way of telling if you're doing a good job, like

0:26:40.436 --> 0:26:43.556
<v Speaker 3>they don't know at all what it means to fly

0:26:43.716 --> 0:26:45.076
<v Speaker 3>the plane, right, yeah.

0:26:45.276 --> 0:26:46.276
<v Speaker 1>Yeah.

0:26:46.316 --> 0:26:50.156
<v Speaker 11>And then in terms of conveying to people, one thing

0:26:50.156 --> 0:26:52.876
<v Speaker 11>that I've found it's very helpful for people to hear

0:26:52.916 --> 0:26:56.316
<v Speaker 11>your voice when there is triberlains because people just want

0:26:56.316 --> 0:27:00.876
<v Speaker 11>to hear your voice and then they can go like,

0:27:00.956 --> 0:27:05.556
<v Speaker 11>oh o good. So for me, it's just trying to be.

0:27:06.916 --> 0:27:11.436
<v Speaker 12>Natural and comfortable and making pas that are reassuring to people.

0:27:11.916 --> 0:27:12.476
<v Speaker 3>That's the goal.

0:27:12.516 --> 0:27:13.036
<v Speaker 1>It's going to be.

0:27:13.076 --> 0:27:16.196
<v Speaker 7>More what the message is and the tone of voice

0:27:16.196 --> 0:27:19.396
<v Speaker 7>so that it's not something that's going to make somebody fearful,

0:27:19.476 --> 0:27:22.516
<v Speaker 7>just in the fact that if my voice sounded fear

0:27:22.516 --> 0:27:23.476
<v Speaker 7>inducing in some way.

0:27:24.756 --> 0:27:27.316
<v Speaker 3>But then the question I had after Gen Pardo and

0:27:27.356 --> 0:27:30.196
<v Speaker 3>Captain Stall is how are all these pilots arriving at

0:27:30.316 --> 0:27:33.116
<v Speaker 3>essentially the same answer for how to convey these basic

0:27:33.156 --> 0:27:36.316
<v Speaker 3>assurances with their voice. And I talked to a pilot

0:27:36.356 --> 0:27:39.476
<v Speaker 3>who said that everything in flying is either technique or procedure,

0:27:39.836 --> 0:27:44.196
<v Speaker 3>and that most of flying is procedure, including you know,

0:27:44.356 --> 0:27:49.116
<v Speaker 3>when you're descending you call out the altitude at certain points,

0:27:49.196 --> 0:27:51.076
<v Speaker 3>or when you put the gear down you say gear down.

0:27:51.436 --> 0:27:53.956
<v Speaker 3>It's like you say a specific thing at a certain moment.

0:27:54.076 --> 0:27:57.556
<v Speaker 3>That's procedure. Technique is things like we have to lose altitude.

0:27:57.596 --> 0:27:59.276
<v Speaker 3>There's a number of ways a pilot could do that.

0:27:59.676 --> 0:28:03.236
<v Speaker 3>But also it's communicating with your passengers. There is no

0:28:03.996 --> 0:28:06.716
<v Speaker 3>script or set of things that you have to do

0:28:07.036 --> 0:28:09.956
<v Speaker 3>when communicating with the passengers for something that they are

0:28:10.036 --> 0:28:12.396
<v Speaker 3>guidelines or samples of what you might say, but it's

0:28:12.436 --> 0:28:15.556
<v Speaker 3>not so strictly prescribed as other parts of flying are.

0:28:16.476 --> 0:28:18.636
<v Speaker 3>So part of what I think is going on here

0:28:19.116 --> 0:28:23.236
<v Speaker 3>is these are intensely rule bound people who are used

0:28:23.276 --> 0:28:28.036
<v Speaker 3>to following standard operating procedure and nearly everything that they do.

0:28:28.356 --> 0:28:30.396
<v Speaker 3>They know it's a really high stakes job. They know

0:28:30.436 --> 0:28:33.036
<v Speaker 3>that communicating with the passengers is a really high stakes thing,

0:28:33.476 --> 0:28:35.756
<v Speaker 3>and so when they speak to the passengers, it's like

0:28:36.436 --> 0:28:40.996
<v Speaker 3>it's procedure masquerading as technique, and they're actually in their

0:28:41.036 --> 0:28:43.836
<v Speaker 3>minds like reaching for what does a pilot sound like?

0:28:43.836 --> 0:28:46.156
<v Speaker 3>What does a pilot say? This sort of thing that's

0:28:46.196 --> 0:28:49.596
<v Speaker 3>totally unnecessary, but it is a kind of competence theater.

0:28:50.116 --> 0:28:52.956
<v Speaker 2>So why is Tom Cruise allowed to break all the

0:28:52.996 --> 0:28:55.436
<v Speaker 2>pilot rules?

0:28:55.436 --> 0:28:56.996
<v Speaker 3>Why is Maverick allowed to?

0:28:57.196 --> 0:28:57.676
<v Speaker 1>In general?

0:28:57.676 --> 0:29:01.516
<v Speaker 2>Though Tom Cruise even a mission impossible? You know, he

0:29:01.676 --> 0:29:06.116
<v Speaker 2>instead of playing the kind of cool, calm, unflappable, he's

0:29:06.156 --> 0:29:09.596
<v Speaker 2>always sprinting madly from one thing to the next, and like,

0:29:10.796 --> 0:29:14.596
<v Speaker 2>but it's a persona that he brings to one movie

0:29:14.636 --> 0:29:18.276
<v Speaker 2>after another, including his pilot roles, where he gets to

0:29:18.316 --> 0:29:22.156
<v Speaker 2>deviate from what we normally he's a hero who gets

0:29:22.156 --> 0:29:24.956
<v Speaker 2>to he's essentially a jackass in these movies.

0:29:24.956 --> 0:29:28.396
<v Speaker 3>Well, Tom Cruise plays Tom Cruise. I mean, like that's

0:29:28.476 --> 0:29:30.436
<v Speaker 3>the part of it is, like you just know it's

0:29:30.596 --> 0:29:33.076
<v Speaker 3>him in every role, and there is this kind of

0:29:33.476 --> 0:29:36.516
<v Speaker 3>I remember there's there's one I forget what movie they

0:29:36.556 --> 0:29:38.076
<v Speaker 3>were reviewing. I think it was a New York Times

0:29:38.076 --> 0:29:41.076
<v Speaker 3>review of a Tom Cruise movie. It's like, this has

0:29:41.076 --> 0:29:43.636
<v Speaker 3>nothing to do with the pilot thing, but so much

0:29:43.636 --> 0:29:46.636
<v Speaker 3>of the cultural narrative around him right now is he's

0:29:46.636 --> 0:29:50.076
<v Speaker 3>the last movie star. Like he cares so much about movies.

0:29:50.196 --> 0:29:52.356
<v Speaker 3>He's going to do all his own stunts and get

0:29:52.436 --> 0:29:55.116
<v Speaker 3>us to come back to the theater just by his charisma

0:29:55.636 --> 0:29:58.396
<v Speaker 3>because he has that thing that we've lost from our

0:29:58.436 --> 0:30:01.636
<v Speaker 3>culture in all of this, you know, Marvel movie mayhem.

0:30:02.116 --> 0:30:05.676
<v Speaker 3>But the fact is Tom Cruise used to be really charming,

0:30:06.076 --> 0:30:07.996
<v Speaker 3>like it used to be in the eighties. I feel

0:30:08.036 --> 0:30:11.076
<v Speaker 3>like eighties and nineties Cruise was really charming on screen.

0:30:11.556 --> 0:30:15.156
<v Speaker 3>And now he is functionally just a Marvel movie but

0:30:15.356 --> 0:30:18.036
<v Speaker 3>in human form, like he does the Marvel thing, but

0:30:18.156 --> 0:30:20.396
<v Speaker 3>just with his own body as opposed to with VFX.

0:30:20.836 --> 0:30:24.236
<v Speaker 3>He just is kind of an impressive athlete.

0:30:24.596 --> 0:30:26.996
<v Speaker 2>Well he's but this this does tell you what we're

0:30:26.996 --> 0:30:30.476
<v Speaker 2>talking about because his part of a key part of

0:30:30.476 --> 0:30:34.916
<v Speaker 2>his persona is visible effort, yes, right, whereas what we

0:30:34.996 --> 0:30:37.356
<v Speaker 2>want pilot voice is about invisible effort.

0:30:37.476 --> 0:30:37.636
<v Speaker 3>No.

0:30:37.756 --> 0:30:40.916
<v Speaker 1>Yes, the pilot never lets on that he is.

0:30:41.196 --> 0:30:44.076
<v Speaker 2>He never says, folks, you know we got a we

0:30:44.156 --> 0:30:46.636
<v Speaker 2>got an intense next ten minutes. I'm not going to

0:30:46.676 --> 0:30:48.276
<v Speaker 2>talk to you because I'm gonna be so overwhelmed with

0:30:48.276 --> 0:30:51.196
<v Speaker 2>what I'm doing but we're gonna we're gonna try really hard,

0:30:51.516 --> 0:30:53.996
<v Speaker 2>and I'm sick. We're gonna pull this out like gotta go.

0:30:54.316 --> 0:30:58.756
<v Speaker 2>Like Tom Cruise essentially is saying, can't talk now, gotta go,

0:30:58.756 --> 0:31:02.076
<v Speaker 2>got to solve this problem, like all right, I'm talking

0:31:02.116 --> 0:31:05.676
<v Speaker 2>about it, you know, Whereas like that's the antithesis. It's

0:31:05.716 --> 0:31:08.116
<v Speaker 2>only he's allowed to do that. Everyone else has got

0:31:08.116 --> 0:31:08.716
<v Speaker 2>to do pilot.

0:31:08.916 --> 0:31:11.196
<v Speaker 3>I think that's true. And also I think this is

0:31:11.436 --> 0:31:15.316
<v Speaker 3>part of what's going on with the UH. Yeah, the UH.

0:31:15.396 --> 0:31:18.676
<v Speaker 3>One explanation for it is they get all the information

0:31:18.996 --> 0:31:22.036
<v Speaker 3>that they're reading out to the passengers, all the unnecessary

0:31:22.036 --> 0:31:25.676
<v Speaker 3>information nobody cares about, like, oh, that's like too many knots.

0:31:25.676 --> 0:31:27.716
<v Speaker 3>I wish there were fewer knots. And when the New

0:31:27.796 --> 0:31:31.076
<v Speaker 3>York City like it, they are translating it in some

0:31:31.116 --> 0:31:34.516
<v Speaker 3>cases from whatever code it's in, and they're thinking, and

0:31:34.556 --> 0:31:35.956
<v Speaker 3>they don't want to let they don't want to let

0:31:36.036 --> 0:31:39.036
<v Speaker 3>dead air happen, so they just stretch out the UH.

0:31:39.076 --> 0:31:41.796
<v Speaker 3>So the UH is when some sort of mental effort

0:31:41.876 --> 0:31:44.156
<v Speaker 3>is taking place, but it's not being disclosed.

0:31:44.396 --> 0:31:47.836
<v Speaker 2>Why you assume the AH was just a deliberate affectation

0:31:48.276 --> 0:31:50.276
<v Speaker 2>to suggest that they are in a hurry.

0:31:50.516 --> 0:31:52.876
<v Speaker 3>I think that's what it is. But it also fills

0:31:52.916 --> 0:31:56.276
<v Speaker 3>space when they are doing something else. Yeah, so it's

0:31:56.356 --> 0:32:00.036
<v Speaker 3>it's yeah, yeah, so I think there is. There's a

0:32:00.036 --> 0:32:01.676
<v Speaker 3>few things going on to the UH. I think a

0:32:01.676 --> 0:32:04.636
<v Speaker 3>lot of it is this communication accommodation theory thing. It's

0:32:04.716 --> 0:32:07.356
<v Speaker 3>like that is you're doing with your voice. I am

0:32:07.396 --> 0:32:09.076
<v Speaker 3>part of an in group, and you notice, I mean

0:32:10.196 --> 0:32:12.236
<v Speaker 3>a lot of people I asked about the pilot voice thing,

0:32:12.516 --> 0:32:14.876
<v Speaker 3>They're like, well, it's just the speakers. It's the it's

0:32:14.916 --> 0:32:18.316
<v Speaker 3>the phones and headsets and the speakers. I don't think

0:32:18.516 --> 0:32:21.836
<v Speaker 3>it is true that that thins out the voice. But

0:32:22.076 --> 0:32:24.716
<v Speaker 3>everyone you hear on a plane is speaking through the

0:32:24.756 --> 0:32:27.596
<v Speaker 3>same speaker, the same technology, and they don't all sound

0:32:27.596 --> 0:32:29.556
<v Speaker 3>the same. So I think there's a kind of like

0:32:29.716 --> 0:32:33.876
<v Speaker 3>the pilot also, only with their voice. It's like vocal apulettes,

0:32:33.956 --> 0:32:35.716
<v Speaker 3>like they've got to show with their voice that they

0:32:35.716 --> 0:32:39.236
<v Speaker 3>are not other crew members. And then it's us also,

0:32:40.436 --> 0:32:43.116
<v Speaker 3>you know, orally auditioning them of like can you can

0:32:43.156 --> 0:32:43.876
<v Speaker 3>you fly this thing?

0:32:46.916 --> 0:32:49.356
<v Speaker 2>Yeah, I've got a few more questions, but let's take

0:32:49.356 --> 0:32:51.356
<v Speaker 2>a short break then and then we'll be right back.

0:33:01.676 --> 0:33:02.796
<v Speaker 1>Okay, we're back.

0:33:03.196 --> 0:33:05.836
<v Speaker 3>I do. There's there's one other thing that that's interesting

0:33:05.836 --> 0:33:09.436
<v Speaker 3>to me. Are you familiar with the sterile Cockpit Rule gone.

0:33:10.956 --> 0:33:13.916
<v Speaker 3>This is a regulation that came about after a famous

0:33:13.956 --> 0:33:17.516
<v Speaker 3>crash in nineteen seventy four. This is actually this is

0:33:17.556 --> 0:33:20.796
<v Speaker 3>the plane that Stephen Colbert's father and two of his

0:33:20.876 --> 0:33:22.556
<v Speaker 3>brothers were on when it crashed.

0:33:22.796 --> 0:33:23.156
<v Speaker 1>Wow.

0:33:23.196 --> 0:33:27.876
<v Speaker 3>And when the regulators reviewed the fight records, listened to

0:33:27.956 --> 0:33:30.636
<v Speaker 3>the block box. One of the things they concluded is

0:33:30.636 --> 0:33:35.876
<v Speaker 3>that they were the crew was distracted by conversation and

0:33:35.916 --> 0:33:38.916
<v Speaker 3>specifically by small talk. I think the line is something

0:33:38.956 --> 0:33:42.596
<v Speaker 3>like on everything from used cars to politics. And this

0:33:42.756 --> 0:33:45.356
<v Speaker 3>was one of a series of accidents that had happened

0:33:45.356 --> 0:33:49.476
<v Speaker 3>in this way, and so in response to this, the

0:33:49.676 --> 0:33:53.036
<v Speaker 3>FAA created a rule or a set of rules called

0:33:53.076 --> 0:33:56.276
<v Speaker 3>that are colloquially known as the sterial Cockpit Rule, which

0:33:56.316 --> 0:33:58.836
<v Speaker 3>is just about what it takes to create a distraction

0:33:58.956 --> 0:34:01.596
<v Speaker 3>free environment in the cockpit during crucial moments of flight.

0:34:01.916 --> 0:34:04.596
<v Speaker 3>To this day, most of the violations of the sterile

0:34:04.636 --> 0:34:08.796
<v Speaker 3>Cockpit Rule are conversation. So there's like like this, this

0:34:08.836 --> 0:34:11.916
<v Speaker 3>is why citation this very senior captain was about to

0:34:11.996 --> 0:34:14.756
<v Speaker 3>leave on a scuba diving trip and talked NonStop to

0:34:14.796 --> 0:34:17.516
<v Speaker 3>his female jump seat rid upon discovering she was also

0:34:17.556 --> 0:34:20.636
<v Speaker 3>a diver. This altitude deviation could have been prevented entirely

0:34:20.676 --> 0:34:22.996
<v Speaker 3>if this particular captain had paid attention to his job

0:34:23.036 --> 0:34:26.236
<v Speaker 3>and observed some approximation of the stial cockpit below ten

0:34:26.276 --> 0:34:29.276
<v Speaker 3>thousand feet. This, I think feeds into the technique versus

0:34:29.356 --> 0:34:32.356
<v Speaker 3>precedure thing of if you are a pilot, you are

0:34:32.396 --> 0:34:35.076
<v Speaker 3>aware that even though what you say to the passengers

0:34:35.116 --> 0:34:38.916
<v Speaker 3>is not scripted and rule bound, your communication is an

0:34:38.956 --> 0:34:42.916
<v Speaker 3>incredibly high stakes thing, which I think is another factor

0:34:42.956 --> 0:34:45.996
<v Speaker 3>in why you might sort of subconsciously reach for a

0:34:45.996 --> 0:34:48.276
<v Speaker 3>cultural script about how you should sound and what you

0:34:48.276 --> 0:34:50.796
<v Speaker 3>should say. And it's partially because you know this is

0:34:50.796 --> 0:34:53.476
<v Speaker 3>your captain speaking, so much of the voice is about

0:34:53.516 --> 0:34:56.596
<v Speaker 3>projecting authority over this mini society in the air.

0:34:56.876 --> 0:34:59.916
<v Speaker 2>Yeah, and made even more pronounced by the fact that

0:35:00.596 --> 0:35:03.916
<v Speaker 2>post nine to eleven now the pilot's not allowed to

0:35:03.996 --> 0:35:09.036
<v Speaker 2>leave the cockpit. So pre nine elevee you saw the pilot.

0:35:09.596 --> 0:35:12.316
<v Speaker 2>He was often standing by the door when you came in,

0:35:12.556 --> 0:35:14.996
<v Speaker 2>and he was most definitely there when you left, and

0:35:15.036 --> 0:35:17.556
<v Speaker 2>sometimes one of them would come back. I remember they

0:35:17.556 --> 0:35:22.316
<v Speaker 2>would come back mid flight say hello, you know around

0:35:22.356 --> 0:35:26.116
<v Speaker 2>Oh yeah, I mean so he was, but he was

0:35:26.156 --> 0:35:29.396
<v Speaker 2>still he was very much he's in he's he's also

0:35:29.516 --> 0:35:30.436
<v Speaker 2>in character.

0:35:30.116 --> 0:35:30.916
<v Speaker 1>In those moments.

0:35:31.476 --> 0:35:35.796
<v Speaker 2>You know, he's in that uniform, the and he's he's

0:35:35.836 --> 0:35:39.796
<v Speaker 2>dispensing the same kind of aw shuck's reassurance and wisdom.

0:35:40.316 --> 0:35:43.756
<v Speaker 2>But the disabodied voice is a really modern it's the

0:35:43.796 --> 0:35:44.596
<v Speaker 2>last twenty years.

0:35:44.836 --> 0:35:46.916
<v Speaker 3>That's really interesting that. I mean, that would suggest that

0:35:46.956 --> 0:35:49.956
<v Speaker 3>there's more pressure. Theoretically there would be an increase in

0:35:50.036 --> 0:35:52.836
<v Speaker 3>pilot voice. Yeah, that you in the last twenty years.

0:35:52.676 --> 0:35:56.236
<v Speaker 2>Or at least you would explain persistence of pilot voice.

0:35:56.116 --> 0:35:59.636
<v Speaker 3>Right, even as it becomes a more diverse profession, Right.

0:36:00.156 --> 0:36:02.876
<v Speaker 1>It's it persists because that's all it got, right.

0:36:03.556 --> 0:36:05.996
<v Speaker 3>Yeah, I mean I wonder if I mean it's it's

0:36:06.316 --> 0:36:09.756
<v Speaker 3>it's a crazy time to be flying right now, though

0:36:09.796 --> 0:36:11.836
<v Speaker 3>like the past summer was one of like a historically

0:36:11.916 --> 0:36:14.876
<v Speaker 3>bad time to fly. There's all this nutty weather, there's

0:36:14.876 --> 0:36:18.236
<v Speaker 3>all these delays. There was the New York Times investigation

0:36:18.316 --> 0:36:20.796
<v Speaker 3>that showed near misses are happening way more often than

0:36:20.836 --> 0:36:23.996
<v Speaker 3>anyone thinks, and then a Washington Post investigation like a

0:36:23.996 --> 0:36:28.196
<v Speaker 3>week later that said, thousands of pilots are claiming disabilities

0:36:28.196 --> 0:36:31.236
<v Speaker 3>to the VA that if they were disclosed to the FAA,

0:36:31.316 --> 0:36:34.836
<v Speaker 3>would make them unfit to fly. So it feels very

0:36:34.916 --> 0:36:39.716
<v Speaker 3>much like like flying is a is a house of cards.

0:36:39.996 --> 0:36:42.876
<v Speaker 3>Right now, it's it's a it's it's it's not dangerous.

0:36:42.916 --> 0:36:45.436
<v Speaker 3>It is not actually dangerous to fly. It's statistically quite

0:36:45.476 --> 0:36:50.076
<v Speaker 3>safe to fly, but it is a highly pressurized moment

0:36:50.116 --> 0:36:52.356
<v Speaker 3>in flight, which is why I think it's kind of

0:36:52.356 --> 0:36:54.556
<v Speaker 3>an interesting time to think about the pilot's voice thing,

0:36:54.996 --> 0:36:57.196
<v Speaker 3>Like there's a lot of pressure on that voice right now.

0:36:57.236 --> 0:37:00.276
<v Speaker 3>There's also a really big pilot shortage, and then there's

0:37:00.276 --> 0:37:04.556
<v Speaker 3>also the rise of AI. Simultaneously, there are companies that

0:37:04.596 --> 0:37:07.996
<v Speaker 3>are basically trying to replace pilots. And I was reading

0:37:07.996 --> 0:37:12.116
<v Speaker 3>this NASA presentation that was like that raised the question

0:37:12.196 --> 0:37:14.996
<v Speaker 3>of whether we should go automate pilots because human error

0:37:15.076 --> 0:37:17.836
<v Speaker 3>is once again the number one cause of flight accidents.

0:37:18.196 --> 0:37:22.796
<v Speaker 3>And what he concluded was pilots may cause problems, but

0:37:22.916 --> 0:37:26.156
<v Speaker 3>they also, through their human ingenuity and their ability to

0:37:26.236 --> 0:37:30.556
<v Speaker 3>basically have the right stuff, can fix problems too. And

0:37:30.676 --> 0:37:33.756
<v Speaker 3>like a lot of flying is already on autopilot So

0:37:34.356 --> 0:37:37.876
<v Speaker 3>when you really need a pilot is when something unexpected happens,

0:37:37.916 --> 0:37:43.476
<v Speaker 3>when your luck changes and something goes totally wrong, which

0:37:43.916 --> 0:37:46.236
<v Speaker 3>you know, brings me to the last thing I want

0:37:46.276 --> 0:37:48.956
<v Speaker 3>to play you today, which is have you ever listened

0:37:48.996 --> 0:37:51.036
<v Speaker 3>to the flight deck audio of the Miracle on the

0:37:51.116 --> 0:37:53.516
<v Speaker 3>Hudson of Sully communicating?

0:37:53.836 --> 0:37:55.076
<v Speaker 1>No, no, I never have.

0:37:55.596 --> 0:37:58.116
<v Speaker 3>It's not him communicating to his passengers, but it is

0:37:58.196 --> 0:38:01.396
<v Speaker 3>him communicating from the flight deck. This was the famous

0:38:01.436 --> 0:38:04.716
<v Speaker 3>emergency landing in two thousand and nine when Captain Sully

0:38:04.756 --> 0:38:08.476
<v Speaker 3>Sellenberger landed his Airbus A three twenty in the Hudson

0:38:08.596 --> 0:38:11.516
<v Speaker 3>River after some birds got caught in the engines. And

0:38:11.556 --> 0:38:13.796
<v Speaker 3>to me, it illustrates the ideal that I think the

0:38:13.836 --> 0:38:17.396
<v Speaker 3>pilot voice isn't its essence conveying not a Chuck Yeager

0:38:17.436 --> 0:38:21.436
<v Speaker 3>impression or some classic male stereotype, but a human ideal

0:38:21.596 --> 0:38:24.316
<v Speaker 3>about our ability to solve even the hardest problems under

0:38:24.316 --> 0:38:25.516
<v Speaker 3>the greatest stress.

0:38:27.636 --> 0:38:31.356
<v Speaker 6>This is a cactus fifteen thirty nine, hit first through frost.

0:38:31.116 --> 0:38:33.516
<v Speaker 2>Through us and both returning back towards Laguaria.

0:38:34.196 --> 0:38:36.556
<v Speaker 6>Okay, yeah, you need to return a logbody turn left,

0:38:36.556 --> 0:38:41.796
<v Speaker 6>heading up a two to zero two to zero stopping

0:38:41.836 --> 0:38:45.716
<v Speaker 6>to Parker's got emergency returning It was a fifteen point

0:38:45.756 --> 0:38:48.796
<v Speaker 6>nine the bird strike. He lost all engines. He lost

0:38:48.796 --> 0:38:51.476
<v Speaker 6>to thrust in the engines. He's returning immediately Actus fifteen

0:38:51.476 --> 0:38:54.716
<v Speaker 6>to twenty nine Witch engines. He lost thrusts in both engines.

0:38:54.756 --> 0:38:59.156
<v Speaker 6>He said, got it back is fifteen twenty nine if

0:38:59.236 --> 0:39:00.716
<v Speaker 6>we can get it. See do you want to try

0:39:00.716 --> 0:39:01.956
<v Speaker 6>to land one on one's break?

0:39:02.716 --> 0:39:03.076
<v Speaker 7>Really?

0:39:03.156 --> 0:39:07.476
<v Speaker 6>Well, we landed the nuts I kat fifteen point nine.

0:39:07.436 --> 0:39:11.756
<v Speaker 6>It can be left traffic runway three one.

0:39:11.676 --> 0:39:14.956
<v Speaker 3>That the unable fantastic is that is like that is

0:39:15.076 --> 0:39:17.676
<v Speaker 3>I'm sorry, Dave, I can't do that is the robot voice.

0:39:17.716 --> 0:39:19.836
<v Speaker 3>That's one hundred two thousand and one of the space

0:39:19.836 --> 0:39:21.636
<v Speaker 3>out to see unable.

0:39:22.916 --> 0:39:23.036
<v Speaker 7>Way.

0:39:23.316 --> 0:39:25.196
<v Speaker 3>What's the word to write anything in New Jersey?

0:39:25.236 --> 0:39:26.036
<v Speaker 4>Maybe teeter borow?

0:39:26.636 --> 0:39:29.796
<v Speaker 6>Okay, yeah, off your right side. It's Peterborough Airport. Do

0:39:29.836 --> 0:39:35.076
<v Speaker 6>you want to try to go to Teeterborough? Yes, Peterborough pampire.

0:39:35.476 --> 0:39:38.276
<v Speaker 6>Actually look why the parks guy emergency and then hey, guys,

0:39:38.436 --> 0:39:40.756
<v Speaker 6>kack is fifteen twenty nine? Or did George watching Bridge

0:39:40.756 --> 0:39:42.076
<v Speaker 6>wants to go to the airport right now?

0:39:42.236 --> 0:39:43.356
<v Speaker 4>Won't show hour for checks?

0:39:43.356 --> 0:39:44.236
<v Speaker 3>If you need assistance.

0:39:44.716 --> 0:39:46.716
<v Speaker 6>Yes, sEH, it was a birch. Can I get him

0:39:46.716 --> 0:39:48.476
<v Speaker 6>in for runway one? One way one?

0:39:48.476 --> 0:39:49.476
<v Speaker 4>That's good, Kack is.

0:39:49.436 --> 0:39:51.276
<v Speaker 6>Fifteen twenty nine, turn right two way too, I.

0:39:51.196 --> 0:39:51.716
<v Speaker 3>Can land run.

0:39:51.916 --> 0:39:52.756
<v Speaker 6>I wanted Peterborough.

0:39:53.236 --> 0:39:53.916
<v Speaker 4>We can't do it.

0:39:54.516 --> 0:40:01.596
<v Speaker 6>Okay, which one way would you like at Teterborough? I'm sorry,

0:40:01.636 --> 0:40:02.436
<v Speaker 6>say again, Kats.

0:40:03.556 --> 0:40:04.836
<v Speaker 3>We're gonna be in the Hudson.

0:40:05.996 --> 0:40:06.596
<v Speaker 1>So awesome.

0:40:06.636 --> 0:40:09.476
<v Speaker 3>It is incredible, unable.

0:40:10.036 --> 0:40:12.916
<v Speaker 1>The unable. The unable is my favorite unable.

0:40:13.196 --> 0:40:16.756
<v Speaker 3>And just in case any listeners aren't familiar, the end

0:40:16.756 --> 0:40:19.156
<v Speaker 3>of all this is that Sully Lance's plane in the

0:40:19.236 --> 0:40:23.116
<v Speaker 3>Hudson with no fatalities. So it's an incredible artifact, and

0:40:23.636 --> 0:40:26.156
<v Speaker 3>I think it takes us back to where we started today.

0:40:27.236 --> 0:40:30.756
<v Speaker 3>You might get unlucky, misbook your flight, rip your suit bag,

0:40:30.876 --> 0:40:32.996
<v Speaker 3>lose your money in Vegas, get a bird in your

0:40:32.996 --> 0:40:37.116
<v Speaker 3>plane engines, But if all else fails in this crazy

0:40:37.396 --> 0:40:40.756
<v Speaker 3>over attack system we're stuck with right now, you could

0:40:40.796 --> 0:40:43.396
<v Speaker 3>still get lucky with the right person flying the plane,

0:40:43.876 --> 0:40:45.356
<v Speaker 3>no matter what their voice sounds like.

0:40:46.916 --> 0:40:49.276
<v Speaker 2>The one thing I couldn't stop thinking about Ben throughout

0:40:49.276 --> 0:40:52.676
<v Speaker 2>this whole episode is whether you have a good pilot's voice.

0:40:53.076 --> 0:40:56.596
<v Speaker 3>Well, yeah. Someone in the airport said she thought that

0:40:56.876 --> 0:40:58.396
<v Speaker 3>as ther was a pilot's out like she was like,

0:40:58.516 --> 0:41:02.956
<v Speaker 3>you sound like a pilot, and I really don't think

0:41:02.996 --> 0:41:04.996
<v Speaker 3>that I do. But do you think you have a

0:41:04.996 --> 0:41:05.996
<v Speaker 3>good pilots for us?

0:41:06.636 --> 0:41:12.996
<v Speaker 2>Do I think I do? I do too much, too

0:41:12.996 --> 0:41:16.876
<v Speaker 2>many volume shifts. Yeah, so it's not I need my

0:41:16.956 --> 0:41:19.356
<v Speaker 2>hands as well to communicate properly. There's all kinds of

0:41:19.396 --> 0:41:23.236
<v Speaker 2>reasons I think I would fail as a pilot, those

0:41:23.316 --> 0:41:24.316
<v Speaker 2>being a principle with.

0:41:24.836 --> 0:41:29.196
<v Speaker 3>Yeah, I think I would chiefly fail at flying a plane.

0:41:29.436 --> 0:41:32.796
<v Speaker 2>By one, I flew a plane only once, and my

0:41:33.636 --> 0:41:35.836
<v Speaker 2>you know, in the presence of an experienced co pilot,

0:41:36.156 --> 0:41:40.156
<v Speaker 2>and my co pilot was a was a rabbi flies

0:41:40.156 --> 0:41:43.516
<v Speaker 2>on the side. And I have to say, the only

0:41:43.556 --> 0:41:47.636
<v Speaker 2>thing more reassuring than a kind of chuck yeger person

0:41:47.716 --> 0:41:50.316
<v Speaker 2>next to you is a rabbi because he comes from

0:41:50.316 --> 0:41:52.956
<v Speaker 2>a tradition of intellectual rigor, and you feel like if

0:41:52.956 --> 0:41:55.876
<v Speaker 2>there is something to something obscure that he would need

0:41:55.916 --> 0:41:57.396
<v Speaker 2>to know about the plane, you feel like he would

0:41:57.476 --> 0:41:58.676
<v Speaker 2>know that this.

0:41:58.756 --> 0:42:02.516
<v Speaker 3>Is like the Talmudic theory of flying. It's it's it's

0:42:02.716 --> 0:42:04.596
<v Speaker 3>you know, the technique, procedure thing again.

0:42:05.196 --> 0:42:08.756
<v Speaker 2>Rashi said this about you know, flying in bad conditions.

0:42:08.836 --> 0:42:10.996
<v Speaker 1>He knows that that's amazing.

0:42:11.756 --> 0:42:15.556
<v Speaker 3>All right, well, thanks for this welcome all right, Ben, oh,

0:42:15.676 --> 0:42:18.556
<v Speaker 3>I have one last bit of rob to play a

0:42:18.636 --> 0:42:22.316
<v Speaker 3>sound any any any pilot voices sign offs?

0:42:23.076 --> 0:42:27.436
<v Speaker 5>Oh well, folks, I'd like to thank you for flying

0:42:28.596 --> 0:42:35.476
<v Speaker 5>with what was it? Authentic history? Revision is History. I

0:42:35.476 --> 0:42:38.636
<v Speaker 5>will see you next Sam, Yes.

0:42:39.556 --> 0:42:47.196
<v Speaker 4>Thanks so much, folks.

0:42:47.236 --> 0:42:51.396
<v Speaker 13>This episode for Vision's History was produced by Ben and

0:42:51.436 --> 0:42:56.036
<v Speaker 13>d Af Haffrey, Jacob Smith and Taliamma, editing by Sarah Nix,

0:42:56.516 --> 0:43:01.516
<v Speaker 13>original scoring by Luis Garra, mastering by Jake Krsky, and

0:43:01.636 --> 0:43:05.156
<v Speaker 13>engineering by our very own Neil Lawrence.

0:43:05.796 --> 0:43:07.476
<v Speaker 1>Special thanks to.

0:43:07.516 --> 0:43:14.236
<v Speaker 13>Richard does Patrick expise, folks, I'm your captain, Malcolm Gravel.

0:43:16.076 --> 0:43:21.276
<v Speaker 4>M mm hmmmm