1 00:00:05,200 --> 00:00:07,440 Speaker 1: Hey, this is Anny and Samantha and welcome to stuff. 2 00:00:07,440 --> 00:00:08,800 Speaker 2: I never told you proflection, have I heard you? 3 00:00:18,680 --> 00:00:22,480 Speaker 1: And we decided as this month has become kind of 4 00:00:22,760 --> 00:00:26,280 Speaker 1: crunch time in our years, there's so many things extra happening, 5 00:00:26,360 --> 00:00:29,680 Speaker 1: including Stewary Duty. Yeah that's the curse and I got it, 6 00:00:29,720 --> 00:00:31,800 Speaker 1: and I got it. It got me. But with that 7 00:00:31,880 --> 00:00:34,280 Speaker 1: also Dragon Con coming up, so we got so many things. 8 00:00:34,360 --> 00:00:37,440 Speaker 1: We've got so many things happening, we decided we would 9 00:00:37,479 --> 00:00:42,240 Speaker 1: add a spoiled Saturday episode. But it fits pretty perfectly 10 00:00:42,400 --> 00:00:46,120 Speaker 1: with our childhood memories theme that we've been doing this month. 11 00:00:46,440 --> 00:00:50,280 Speaker 1: So for today's episode, we are featuring K Pop Demon Hunter, 12 00:00:50,320 --> 00:00:53,240 Speaker 1: which is on Netflix, not a sponsor. Uh, if you 13 00:00:53,280 --> 00:00:55,040 Speaker 1: want to take a moment and go watch it, you 14 00:00:55,120 --> 00:00:57,520 Speaker 1: should before we talk about it. If you don't and 15 00:00:57,600 --> 00:01:00,800 Speaker 1: you just won't hear what it's about, that's fine. I 16 00:01:00,840 --> 00:01:03,600 Speaker 1: wouldn't need that as well. But obviously, since it was 17 00:01:03,720 --> 00:01:07,479 Speaker 1: just released, spoilers, spoilers all around, So if you don't 18 00:01:07,520 --> 00:01:10,080 Speaker 1: want to, yes, if you don't want to be spoiled, 19 00:01:10,640 --> 00:01:13,200 Speaker 1: I would not listen to this all right, So some 20 00:01:13,319 --> 00:01:17,720 Speaker 1: background why this has made its mark in entertainment thus far. 21 00:01:18,560 --> 00:01:20,840 Speaker 1: It is a Sony production, so the same people as 22 00:01:20,959 --> 00:01:25,320 Speaker 1: Spider Verse that and absolutely loves This is the first 23 00:01:25,319 --> 00:01:30,560 Speaker 1: movie written and directed by Korean Canadian Maggie Kung with 24 00:01:30,720 --> 00:01:33,280 Speaker 1: Chris Applehans, so they co directed it. But this is 25 00:01:33,480 --> 00:01:36,279 Speaker 1: a story that Maggie has been working on for quite 26 00:01:36,280 --> 00:01:40,080 Speaker 1: some time, so she wanted to combine her heritage with 27 00:01:40,160 --> 00:01:43,200 Speaker 1: the legends and history of South Korea. She is a 28 00:01:43,319 --> 00:01:49,240 Speaker 1: seasoned storyteller, working previously with DreamWorks on animations like Kung Fu, Panda, Shrek, 29 00:01:49,360 --> 00:01:53,040 Speaker 1: and Minnie Minnie Moore. She told geek Out that this 30 00:01:53,240 --> 00:01:56,160 Speaker 1: about k pop Demon Hunter. I've always wanted to see 31 00:01:56,160 --> 00:01:59,400 Speaker 1: an animated film set in Korean culture as a Korean 32 00:01:59,440 --> 00:02:01,400 Speaker 1: person who is born in Korea but grew up in 33 00:02:01,400 --> 00:02:04,520 Speaker 1: North America. It's been surreal but also incredible to see 34 00:02:04,520 --> 00:02:07,520 Speaker 1: our culture just become so cool. It's cheesy, but I 35 00:02:07,560 --> 00:02:10,760 Speaker 1: think it's true. Growing up, everyone new Chinese and Japanese 36 00:02:10,800 --> 00:02:13,200 Speaker 1: culture well, but Koreans were not even on the map. 37 00:02:13,600 --> 00:02:15,760 Speaker 1: Now that we are, I feel so much pride, and 38 00:02:15,800 --> 00:02:18,080 Speaker 1: I just wanted to express this pride through a film 39 00:02:18,160 --> 00:02:21,280 Speaker 1: that celebrated our culture, all aspects of it. So my 40 00:02:21,320 --> 00:02:25,400 Speaker 1: biggest inspiration for this film is my culture, so gotta 41 00:02:25,480 --> 00:02:29,320 Speaker 1: love that. And yes, this animation has made Netflix history, 42 00:02:29,440 --> 00:02:31,600 Speaker 1: or so they say. This is what they wrote on Twitter. 43 00:02:31,720 --> 00:02:34,320 Speaker 1: It is the first Netflix film ever to reach a 44 00:02:34,360 --> 00:02:38,280 Speaker 1: new viewing peak in its fifth week of release. Yeah, 45 00:02:38,320 --> 00:02:41,560 Speaker 1: and this isn't the only record so on Netflix in itself. 46 00:02:41,600 --> 00:02:43,720 Speaker 1: They were talking about how they have hit the number 47 00:02:43,760 --> 00:02:46,720 Speaker 1: one spot later, so it kind of grew into hype 48 00:02:46,760 --> 00:02:48,280 Speaker 1: and it got bigger and bigger and bigger as more 49 00:02:48,280 --> 00:02:50,720 Speaker 1: and more people watched it. Again, it isn't the only 50 00:02:50,760 --> 00:02:54,600 Speaker 1: record they broke. In fact, this is this fake group Hunterricks, 51 00:02:54,639 --> 00:02:58,040 Speaker 1: which is centered around has actually become the highest charting 52 00:02:58,160 --> 00:03:01,920 Speaker 1: K pop girl group in the US Spotify list charts, 53 00:03:02,680 --> 00:03:06,160 Speaker 1: beating the likes of Black Pink and others along with 54 00:03:06,200 --> 00:03:09,680 Speaker 1: the Sajo Boys. Again, a fake group who became the 55 00:03:09,760 --> 00:03:13,680 Speaker 1: highest charting K pop boy band in US Spotify history, 56 00:03:14,040 --> 00:03:17,680 Speaker 1: beating even BTS. So apparently BT has only hit number 57 00:03:17,760 --> 00:03:21,320 Speaker 1: three or I think three with Dynamite a few years ago. 58 00:03:21,480 --> 00:03:25,960 Speaker 1: But yeah, they it has outstripped that. Once again, a 59 00:03:25,960 --> 00:03:30,000 Speaker 1: fake K pop group has made that kind of history. 60 00:03:30,160 --> 00:03:32,800 Speaker 1: They've been charting on things like the Billboard charts and 61 00:03:32,840 --> 00:03:36,040 Speaker 1: so much more so they're doing a thing. They're doing 62 00:03:36,080 --> 00:03:39,680 Speaker 1: a thing. The significance of this movie has reignited the 63 00:03:39,720 --> 00:03:42,560 Speaker 1: love and popularity of K pop as it is slowly. 64 00:03:42,920 --> 00:03:45,840 Speaker 1: It's still pretty popular, but it's slowly been waning as 65 00:03:45,920 --> 00:03:49,680 Speaker 1: of late. I see, I think, and yes, the cosplay. 66 00:03:49,840 --> 00:03:52,920 Speaker 1: The cosplay is made amazing, and my my FYP for 67 00:03:53,080 --> 00:03:57,000 Speaker 1: TikTok has been flooding of people doing the cosplay and 68 00:03:57,040 --> 00:04:01,560 Speaker 1: I love every bit of it. That looks so good. 69 00:04:01,600 --> 00:04:04,040 Speaker 1: There is a scene Annie, I know, you know, in 70 00:04:04,080 --> 00:04:07,640 Speaker 1: which they have one of the members of Huntreks dressing 71 00:04:07,680 --> 00:04:09,440 Speaker 1: up as a sleeping in the sleeping bag for the 72 00:04:09,520 --> 00:04:13,200 Speaker 1: met gala, and people are like, oh, yeah, I finally 73 00:04:13,200 --> 00:04:14,560 Speaker 1: found the perfect costume. 74 00:04:16,080 --> 00:04:17,440 Speaker 2: You gotta get that comfortable one. 75 00:04:17,560 --> 00:04:22,440 Speaker 1: I love it so much so, but again it also 76 00:04:22,600 --> 00:04:26,039 Speaker 1: has We also get a glimpse of some Korean lore 77 00:04:26,160 --> 00:04:29,600 Speaker 1: and history, including the costuming, the legends of the Saja, 78 00:04:29,720 --> 00:04:34,200 Speaker 1: which means lion. Also, uh, there's Saja is kind of 79 00:04:34,240 --> 00:04:35,840 Speaker 1: like a grim reaper, which I'm going to get into 80 00:04:35,839 --> 00:04:38,880 Speaker 1: a little bit more. Women who are shamans and moudane 81 00:04:38,880 --> 00:04:41,920 Speaker 1: who protect and heal the lands. Even the weapons that 82 00:04:42,040 --> 00:04:45,359 Speaker 1: we see the Hundricks use are historic Korean warrior weapons, 83 00:04:45,400 --> 00:04:48,920 Speaker 1: including the four tiger sword or the sign coom used 84 00:04:48,920 --> 00:04:52,599 Speaker 1: by Rumi, the car curved sword or the Koktou used 85 00:04:52,600 --> 00:04:55,760 Speaker 1: by Mirah, and the spirit knife the Shinkar, which also 86 00:04:55,800 --> 00:04:58,760 Speaker 1: carries the Nori gay, which is connected to feminine spiritual 87 00:04:58,760 --> 00:05:02,000 Speaker 1: power and traditions. They are the nodded with like strings 88 00:05:02,080 --> 00:05:04,880 Speaker 1: and gems that you will often see on hymn books. 89 00:05:05,160 --> 00:05:07,160 Speaker 1: I actually have one about one, but they are very 90 00:05:07,200 --> 00:05:12,440 Speaker 1: gorgeous and it's kind a representation of the spiritual and 91 00:05:12,680 --> 00:05:16,160 Speaker 1: femininity of it all, so it has a lot. They 92 00:05:16,360 --> 00:05:20,720 Speaker 1: incorporate quite a bit of the lore. So let's get 93 00:05:20,760 --> 00:05:23,920 Speaker 1: into the plot. The world is in need of protection 94 00:05:24,120 --> 00:05:26,560 Speaker 1: and has been for all of eternity, and those who 95 00:05:26,560 --> 00:05:28,960 Speaker 1: have been called are the Hunters, typically a group of 96 00:05:29,000 --> 00:05:31,600 Speaker 1: three women with beautiful voices that can call on the 97 00:05:31,680 --> 00:05:35,320 Speaker 1: hon Moon, which is not an actual historical lore. They 98 00:05:35,360 --> 00:05:38,200 Speaker 1: made this up for specifically the movie, just so you know, 99 00:05:38,640 --> 00:05:41,960 Speaker 1: and as a writer from the kidnim draws dot Com explains, 100 00:05:42,080 --> 00:05:45,200 Speaker 1: it makes up of two words, they think, which is Johan, 101 00:05:45,800 --> 00:05:48,039 Speaker 1: which is the word for soul and spirit, and moon, 102 00:05:48,320 --> 00:05:51,200 Speaker 1: which is commonly the word for door. I think maybe 103 00:05:51,200 --> 00:05:54,960 Speaker 1: it can also be used for git So spirits door. 104 00:05:56,120 --> 00:05:58,279 Speaker 1: This is a shield that covers and protects the earth 105 00:05:58,360 --> 00:06:01,200 Speaker 1: from the entrances of demon who come to feed on 106 00:06:01,240 --> 00:06:04,240 Speaker 1: the soul of humans. The leader of the world and 107 00:06:04,279 --> 00:06:07,039 Speaker 1: the demons is the great and evil Guimma, and throughout 108 00:06:07,120 --> 00:06:09,680 Speaker 1: the lifetime, different women have been called to protect and 109 00:06:09,680 --> 00:06:13,080 Speaker 1: become Hunters of the world. For this timeline specifically, we 110 00:06:13,120 --> 00:06:16,440 Speaker 1: have Hunters made up of three women. Rumi, a nebo baby. 111 00:06:16,680 --> 00:06:19,080 Speaker 1: She's a baby, but she is a part of the lineage, 112 00:06:19,520 --> 00:06:21,960 Speaker 1: the daughter of a previous Hunter and leader of the group, 113 00:06:22,200 --> 00:06:25,880 Speaker 1: and she is the leader of Huntres. Then we have Mira, 114 00:06:26,120 --> 00:06:28,360 Speaker 1: an outcast and the lead dancer. She's kind of like 115 00:06:28,440 --> 00:06:32,039 Speaker 1: dark and you know emo ish got the attitude. And 116 00:06:32,080 --> 00:06:34,680 Speaker 1: then we have Zoe, who is the adorable writer and 117 00:06:34,800 --> 00:06:39,640 Speaker 1: rapper from Bourbank, California who's representing with them. They have 118 00:06:39,720 --> 00:06:43,039 Speaker 1: been trained and led by previous Hunter Seline, who was 119 00:06:43,080 --> 00:06:47,040 Speaker 1: in the girl group with Rumy's mother, who has this motto, 120 00:06:47,839 --> 00:06:50,880 Speaker 1: we are Hunters, voices strong, your false and fears must 121 00:06:50,920 --> 00:06:53,480 Speaker 1: never be seen, and they carry that to the core 122 00:06:54,080 --> 00:06:58,360 Speaker 1: to their detriment. Hint Hint. Hunters has become a huge 123 00:06:58,400 --> 00:07:01,400 Speaker 1: popsist star success. They been using their music to chill 124 00:07:01,440 --> 00:07:04,120 Speaker 1: the world and they're really good at it. However, we 125 00:07:04,200 --> 00:07:06,400 Speaker 1: soon find out that Rumy has a secret. Her father 126 00:07:06,520 --> 00:07:09,359 Speaker 1: was a demon, making her part demon with the patterns 127 00:07:09,400 --> 00:07:11,640 Speaker 1: that play the demons, so we will see that they 128 00:07:11,680 --> 00:07:15,760 Speaker 1: all have little patterns that mark them as demons. Selene 129 00:07:15,920 --> 00:07:18,200 Speaker 1: teaching Rumy that she must hide the patterns from the 130 00:07:18,200 --> 00:07:20,440 Speaker 1: group and others, and that the only solution is to 131 00:07:20,440 --> 00:07:22,880 Speaker 1: be rid of those patterns, which can only be done 132 00:07:23,000 --> 00:07:26,200 Speaker 1: once the demons are vanquished by the Golden han Moon, 133 00:07:26,680 --> 00:07:29,480 Speaker 1: which is very hard to bring about. Obviously, with the 134 00:07:29,520 --> 00:07:32,520 Speaker 1: release of their newest song, a Golden the hon Moon 135 00:07:32,600 --> 00:07:35,920 Speaker 1: seems to actually start turning gold, which is great, and 136 00:07:35,960 --> 00:07:38,480 Speaker 1: they push the hype of the song in time for 137 00:07:38,560 --> 00:07:41,560 Speaker 1: their upcoming award show IDOL Awards, which is one of 138 00:07:41,600 --> 00:07:46,440 Speaker 1: the best times to strengthen the han Moon. However, the 139 00:07:46,440 --> 00:07:49,160 Speaker 1: demon in the demon world we seek weema working to 140 00:07:49,200 --> 00:07:51,600 Speaker 1: try to destroy the hunters as well as get all 141 00:07:51,640 --> 00:07:55,080 Speaker 1: those souls, and here we're introduced to Ginu, who comes 142 00:07:55,120 --> 00:07:57,600 Speaker 1: up with a brilliant plan a demon boy band, the 143 00:07:57,680 --> 00:08:00,720 Speaker 1: Saja Boys, and with their introduction, they are a hit 144 00:08:00,920 --> 00:08:03,320 Speaker 1: and The timing couldn't be worse, as Rumy's voice is 145 00:08:03,360 --> 00:08:05,720 Speaker 1: only getting worse as she tries to hide her secret. 146 00:08:06,200 --> 00:08:08,640 Speaker 1: Soon as the battles continue and the Saja Boys are 147 00:08:08,640 --> 00:08:11,679 Speaker 1: gaining popularity, we see the enemy to Lover's trope between 148 00:08:11,760 --> 00:08:15,520 Speaker 1: Rumy and Genu, also the deepening mistrust between the girls, 149 00:08:15,560 --> 00:08:18,040 Speaker 1: and an awesome disc track. I'm kidding, it's not awesome, 150 00:08:18,080 --> 00:08:21,720 Speaker 1: but it's fun. It's a banger. During the award show, 151 00:08:21,840 --> 00:08:24,320 Speaker 1: Roomy's secret is a revealed, the hon Moon seems to 152 00:08:24,320 --> 00:08:26,360 Speaker 1: have been destroyed, and the Saja Boys open up the 153 00:08:26,400 --> 00:08:29,560 Speaker 1: hell gates, but we have a heartwarming, vulnerable moment with 154 00:08:29,680 --> 00:08:32,640 Speaker 1: Roomy and the girls which go into an epic battle 155 00:08:33,040 --> 00:08:36,520 Speaker 1: and a new song where Ginu sacrifices himself realizing that 156 00:08:36,600 --> 00:08:39,560 Speaker 1: he needs his soul back and wants to fix things, 157 00:08:39,880 --> 00:08:42,400 Speaker 1: and the hon Moon turns golden and the demons are 158 00:08:42,440 --> 00:08:46,600 Speaker 1: driven out as well as Guima Tada. So that is 159 00:08:46,679 --> 00:08:50,920 Speaker 1: essentially the plot for this movie. So there are obviously 160 00:08:51,000 --> 00:08:53,880 Speaker 1: themes you ready. First, before we get into that, Annie, 161 00:08:53,920 --> 00:08:55,760 Speaker 1: what did you think about this movie? 162 00:08:55,840 --> 00:08:58,200 Speaker 3: I really enjoyed it. I thought it was beautifully animated, 163 00:08:58,240 --> 00:08:59,800 Speaker 3: which is funny to be because I always know you 164 00:08:59,800 --> 00:09:01,680 Speaker 3: don't like animation. I know that was one of the 165 00:09:01,720 --> 00:09:05,120 Speaker 3: things that he took out to me, that it was 166 00:09:05,200 --> 00:09:10,400 Speaker 3: beautifully animated, really interesting in the animation choices, and of 167 00:09:10,440 --> 00:09:12,800 Speaker 3: course a nice good friendship story. 168 00:09:13,280 --> 00:09:15,920 Speaker 1: You love love a good friendship store is so good 169 00:09:16,559 --> 00:09:29,360 Speaker 1: sod all right. So one of the biggest themes, obviously 170 00:09:29,480 --> 00:09:33,520 Speaker 1: is the good versus evil trope. We have the Saja 171 00:09:33,720 --> 00:09:37,400 Speaker 1: or also known against as a Chosun Saja, which is 172 00:09:37,960 --> 00:09:41,760 Speaker 1: a grim reaper, So there's a playoff words ha ha ha, 173 00:09:42,800 --> 00:09:46,960 Speaker 1: who are entering here because they realized if song can 174 00:09:48,000 --> 00:09:52,800 Speaker 1: build a shield, what if a song can also break 175 00:09:53,480 --> 00:09:55,840 Speaker 1: the shield? And if you go in and listen to 176 00:09:55,920 --> 00:10:01,240 Speaker 1: their last song, be your idol. Yeah. People have had 177 00:10:01,320 --> 00:10:05,120 Speaker 1: mixed reactions and that I think if I had tried 178 00:10:05,160 --> 00:10:07,920 Speaker 1: to watch this as a kid, if my parents understood 179 00:10:07,960 --> 00:10:10,360 Speaker 1: what this was, they wouldn't let me watch it because 180 00:10:10,520 --> 00:10:14,520 Speaker 1: of the demon factor because they're like singing Latin. They're 181 00:10:14,559 --> 00:10:17,400 Speaker 1: singing some chance and it's pretty much a curse over 182 00:10:17,480 --> 00:10:17,960 Speaker 1: the people. 183 00:10:19,080 --> 00:10:20,559 Speaker 2: Yeah yeah. 184 00:10:20,600 --> 00:10:25,000 Speaker 3: And and Guma is like a big devil mouth looking thing. 185 00:10:26,360 --> 00:10:27,280 Speaker 2: Yeah yeah. 186 00:10:27,320 --> 00:10:29,160 Speaker 3: But I do think that's interesting because we've seen that 187 00:10:29,200 --> 00:10:32,040 Speaker 3: before and a lot of you know, using the song 188 00:10:32,280 --> 00:10:35,240 Speaker 3: to ask the spell. And I know we've been talking 189 00:10:35,240 --> 00:10:38,640 Speaker 3: about fandom and K pop recently, but I thought that 190 00:10:38,800 --> 00:10:43,320 Speaker 3: sort of like switch from we love huntericks too, we 191 00:10:43,400 --> 00:10:45,400 Speaker 3: love the sat like people are literally like tearing off 192 00:10:45,440 --> 00:10:49,640 Speaker 3: their shirts. Now I'm their fan now. I thought that 193 00:10:49,720 --> 00:10:55,400 Speaker 3: was a very I liked that take on like the 194 00:10:55,440 --> 00:10:59,839 Speaker 3: fandom and also just intertwining that with lore of Korean history. 195 00:11:00,080 --> 00:11:02,760 Speaker 2: Also this idea of like casting that spell. 196 00:11:02,640 --> 00:11:05,640 Speaker 1: Yes, and the fact that that they earned the trust 197 00:11:05,880 --> 00:11:10,320 Speaker 1: so easily by being good looking in boy band yeah right, 198 00:11:10,679 --> 00:11:13,360 Speaker 1: And then also if you notice, I liked how like 199 00:11:13,440 --> 00:11:17,320 Speaker 1: at the beginning the Saja boys were really perky, happy, 200 00:11:17,480 --> 00:11:21,719 Speaker 1: respectful in pink like they were definitely playing and to 201 00:11:22,000 --> 00:11:24,240 Speaker 1: like see, we're good people, which is kind of how 202 00:11:24,400 --> 00:11:25,920 Speaker 1: you have to build up a lot of K pop 203 00:11:26,000 --> 00:11:29,559 Speaker 1: bands or groups is to be like almost innocent and 204 00:11:29,920 --> 00:11:33,520 Speaker 1: fantalizing to this point in order for that success. Like 205 00:11:33,600 --> 00:11:39,920 Speaker 1: they literally have a character called Baby Saja who throughout 206 00:11:39,960 --> 00:11:42,800 Speaker 1: the times is just sucking on a bottle. You're like, Okay, 207 00:11:43,200 --> 00:11:45,360 Speaker 1: that's a little much, and it was a little much, 208 00:11:45,480 --> 00:11:48,240 Speaker 1: but there you go. Yeah, it definitely works. But we 209 00:11:48,280 --> 00:11:50,959 Speaker 1: do have that level of like who's good who's bad, 210 00:11:52,080 --> 00:11:55,000 Speaker 1: and the blurring of those lines. What is evil? Is 211 00:11:55,040 --> 00:11:58,360 Speaker 1: everyone just inherently evil? Obviously demons would you would assume 212 00:11:58,480 --> 00:12:01,080 Speaker 1: or be would be the evil one. But here we 213 00:12:01,160 --> 00:12:03,480 Speaker 1: have Ginu who gives a backstory about the fact that 214 00:12:03,480 --> 00:12:07,160 Speaker 1: they'd all be punished because of whatever days that were. 215 00:12:07,600 --> 00:12:09,480 Speaker 1: I was a little confused because some of these demons, 216 00:12:09,520 --> 00:12:11,760 Speaker 1: I don't think were they all humans at once upon 217 00:12:11,800 --> 00:12:14,080 Speaker 1: a time that get taken by demons or they just 218 00:12:14,200 --> 00:12:16,760 Speaker 1: marked and born that way because we see like Roomy 219 00:12:17,240 --> 00:12:20,400 Speaker 1: her father, So what what is the chicken or the 220 00:12:20,400 --> 00:12:23,240 Speaker 1: egg situation here? But it does bring to the point 221 00:12:23,240 --> 00:12:26,040 Speaker 1: of like canned demons change or inherently evil, and so 222 00:12:26,120 --> 00:12:28,360 Speaker 1: we should want them to die. But it's not so 223 00:12:28,440 --> 00:12:29,439 Speaker 1: black and white. 224 00:12:29,240 --> 00:12:29,800 Speaker 3: Right. 225 00:12:32,600 --> 00:12:32,920 Speaker 2: Listen. 226 00:12:32,960 --> 00:12:34,560 Speaker 3: I try not to do this all the time, and 227 00:12:34,640 --> 00:12:38,320 Speaker 3: it reminds me of Star Wars. Oh okay, well, just 228 00:12:38,360 --> 00:12:43,000 Speaker 3: the idea of like there's a difference between from Star 229 00:12:43,040 --> 00:12:45,720 Speaker 3: Wars people out there. There's a difference between a sith 230 00:12:46,000 --> 00:12:50,680 Speaker 3: who enjoyed, who chose that, and then someone who does 231 00:12:50,760 --> 00:12:53,640 Speaker 3: evil because they were tortured and created to do that. 232 00:12:54,360 --> 00:12:57,520 Speaker 3: So I think that's like I felt that they were 233 00:12:57,559 --> 00:13:01,160 Speaker 3: similar shades. I would imagine their similar shades of people 234 00:13:01,240 --> 00:13:04,880 Speaker 3: who kind of chose this thing, people who through various 235 00:13:04,920 --> 00:13:09,760 Speaker 3: reasons maybe fell into it or chose it now regret 236 00:13:09,800 --> 00:13:12,360 Speaker 3: it and want to change, and then people who were 237 00:13:12,400 --> 00:13:15,320 Speaker 3: born with it but are fighting against it. 238 00:13:15,360 --> 00:13:18,679 Speaker 2: Like there is the shades, they're gradations. 239 00:13:18,240 --> 00:13:22,640 Speaker 1: Gradations, yes, yes, which also brings me to the story, 240 00:13:22,760 --> 00:13:24,960 Speaker 1: like what is the backstory of Rumy's parents? I feel 241 00:13:25,000 --> 00:13:27,480 Speaker 1: like this might be saved for later. I don't know. 242 00:13:28,040 --> 00:13:31,760 Speaker 1: I will say like megge Kong no longer is with Sony, 243 00:13:31,920 --> 00:13:33,720 Speaker 1: and some of that had to deal with the issues 244 00:13:33,760 --> 00:13:37,800 Speaker 1: of Sony, So we don't know, but we also know 245 00:13:37,880 --> 00:13:39,640 Speaker 1: that corporations are greedy, and we'll be like, ah, we 246 00:13:39,679 --> 00:13:42,200 Speaker 1: can do it without you. Look at Crazy Rich Asian, 247 00:13:42,240 --> 00:13:45,960 Speaker 1: in which they took a very Asian story written by 248 00:13:45,960 --> 00:13:49,160 Speaker 1: an Asian person and booted out the Asian screenwriter because 249 00:13:49,160 --> 00:13:50,679 Speaker 1: they didn't want to pay enough, but paid a lot 250 00:13:50,720 --> 00:13:55,280 Speaker 1: of money for the white dude. Yeah anyway, but sorry 251 00:13:55,320 --> 00:13:57,040 Speaker 1: not to bring in too many downers. I don't have 252 00:13:57,080 --> 00:13:59,520 Speaker 1: a lot of downers. But all that to say, you know, 253 00:13:59,679 --> 00:14:01,640 Speaker 1: what is the story? Well, how did a demon and 254 00:14:01,640 --> 00:14:04,280 Speaker 1: a demon hunter get together in the first place to 255 00:14:04,400 --> 00:14:07,880 Speaker 1: create this demon hunter mix Roumy who has a lot 256 00:14:07,920 --> 00:14:11,719 Speaker 1: of feels and a lot of talent but can't hear 257 00:14:11,760 --> 00:14:12,320 Speaker 1: the voices. 258 00:14:13,040 --> 00:14:16,200 Speaker 3: Oh my goodness, I am so proud of you use 259 00:14:16,320 --> 00:14:19,960 Speaker 3: the enemy's slover tag so easily. I feel like it 260 00:14:20,000 --> 00:14:21,520 Speaker 3: would be something like that. I feel like it to 261 00:14:21,560 --> 00:14:22,560 Speaker 3: be a similar. 262 00:14:22,720 --> 00:14:24,680 Speaker 1: To be fair. That is a k drama tag as well. 263 00:14:25,720 --> 00:14:27,960 Speaker 2: Oh I'm sure. Oh, it's been around forever. 264 00:14:28,040 --> 00:14:32,000 Speaker 1: It's general, yeah, yeah, yeah, general. So, and then we 265 00:14:32,080 --> 00:14:34,640 Speaker 1: have the kind of the shaman's historically being women or 266 00:14:34,720 --> 00:14:39,640 Speaker 1: mudang who are being historically all mostly women, not all women, 267 00:14:39,760 --> 00:14:42,360 Speaker 1: mostly women are They're very feminine in a lot of 268 00:14:42,360 --> 00:14:45,920 Speaker 1: the representations, but also in Korean culture, you also know 269 00:14:45,960 --> 00:14:50,760 Speaker 1: they're also good and bad shamans as well. There's a 270 00:14:50,760 --> 00:14:52,680 Speaker 1: lot of depth to that. So who is what? 271 00:14:54,240 --> 00:14:54,560 Speaker 2: Yeah? 272 00:14:54,640 --> 00:14:58,400 Speaker 1: Am I right? Also wanted to point out the dirty 273 00:14:58,440 --> 00:15:02,800 Speaker 1: tiger and the which have deep cultural ties, especially in 274 00:15:02,880 --> 00:15:04,840 Speaker 1: Asian culture in itself. We know that the tiger in 275 00:15:04,880 --> 00:15:08,080 Speaker 1: itself has a huge connotation, but in this narrative, the 276 00:15:08,080 --> 00:15:12,120 Speaker 1: tiger representation is kind of that idea about corrupt authority figures, 277 00:15:13,360 --> 00:15:15,960 Speaker 1: and well, that's why they're dirty and just like in 278 00:15:16,040 --> 00:15:18,640 Speaker 1: it for one thing, and very focused or really dirty 279 00:15:18,760 --> 00:15:23,120 Speaker 1: looking and knocking over pots constantly and having a battle 280 00:15:23,120 --> 00:15:28,840 Speaker 1: with bins apparently containers. And the magpie is the distinguished 281 00:15:28,880 --> 00:15:32,280 Speaker 1: upright commoners. They're the common people who coming in making 282 00:15:32,320 --> 00:15:34,000 Speaker 1: the city. They're the ones that know the right and 283 00:15:34,040 --> 00:15:37,120 Speaker 1: wrong type of conversation. This is a part of a 284 00:15:37,160 --> 00:15:39,560 Speaker 1: lot of the Korean folk paintings that we'll see, and 285 00:15:39,600 --> 00:15:43,120 Speaker 1: they brought that in and they did it to that level, 286 00:15:43,160 --> 00:15:45,440 Speaker 1: like they made sure to make them distinct. It wasn't 287 00:15:45,480 --> 00:15:49,400 Speaker 1: just an animated as you said the word disneyfied in 288 00:15:49,480 --> 00:15:53,000 Speaker 1: our feminist movie Around the World type of look. It 289 00:15:53,080 --> 00:15:57,520 Speaker 1: was specific to keep in tradition with Korean folklore and 290 00:15:57,640 --> 00:16:00,680 Speaker 1: Asian folklore. And I really appreciated that some people love 291 00:16:01,800 --> 00:16:05,560 Speaker 1: love those two things. They love the tiger more than 292 00:16:05,560 --> 00:16:07,120 Speaker 1: the bagpie. And I'm like, why do you keep leaving 293 00:16:07,160 --> 00:16:08,400 Speaker 1: out the magpie? That's important. 294 00:16:09,800 --> 00:16:12,600 Speaker 2: I'm more for the magpie. 295 00:16:12,280 --> 00:16:14,320 Speaker 1: I might I mean, as you should be, yes, you should. 296 00:16:14,520 --> 00:16:20,440 Speaker 1: It doesn't have too many eyes. Maybe it's all seeing anyway. 297 00:16:20,800 --> 00:16:23,560 Speaker 1: Of course, another part of the themes is friendship. You 298 00:16:23,880 --> 00:16:27,600 Speaker 1: absolutely see the beauty among the three girls who came 299 00:16:27,640 --> 00:16:30,240 Speaker 1: in and was formed together, but really protect and love 300 00:16:30,280 --> 00:16:34,720 Speaker 1: each other and are supposed to be understanding each other 301 00:16:35,000 --> 00:16:37,040 Speaker 1: like that is a part of the growth is knowing 302 00:16:37,040 --> 00:16:39,240 Speaker 1: that even as close as they were, they still have 303 00:16:39,320 --> 00:16:41,800 Speaker 1: all of their insecurities which eat away at them and 304 00:16:41,840 --> 00:16:43,520 Speaker 1: none of them want to admit it. And that was 305 00:16:43,560 --> 00:16:47,480 Speaker 1: part of because of the sline's bad take hide the 306 00:16:47,520 --> 00:16:52,920 Speaker 1: fears and faults. Yeah, Saline, no no, And they really 307 00:16:52,920 --> 00:16:55,440 Speaker 1: had to undo that to realize this wasn't as healthy 308 00:16:55,600 --> 00:17:00,120 Speaker 1: as they thought, and that meant that trusting each each 309 00:17:00,160 --> 00:17:02,840 Speaker 1: other was a big part of their friendship and they 310 00:17:02,880 --> 00:17:04,040 Speaker 1: had to really go through it. 311 00:17:04,920 --> 00:17:12,639 Speaker 3: Yeah, and having that this does kind of remind me, Wow, 312 00:17:12,680 --> 00:17:15,200 Speaker 3: so many of these things are connecting to many recent 313 00:17:15,240 --> 00:17:18,639 Speaker 3: episodes because in the recent book club we did, we 314 00:17:18,680 --> 00:17:22,120 Speaker 3: talked about that of having the moment where you realize 315 00:17:22,200 --> 00:17:26,720 Speaker 3: that there are secrets in the group, or you weren't 316 00:17:26,760 --> 00:17:30,399 Speaker 3: as close as you thought, or maybe what was this 317 00:17:30,480 --> 00:17:33,600 Speaker 3: what I even really what I thought it was and 318 00:17:33,680 --> 00:17:37,000 Speaker 3: having that moment and then coming back together stronger for 319 00:17:37,760 --> 00:17:39,080 Speaker 3: having that moment. 320 00:17:39,359 --> 00:17:42,840 Speaker 1: Right admitting like the song the final song, we're talking 321 00:17:42,880 --> 00:17:45,439 Speaker 1: about everything is broken, we liars, but that doesn't mean 322 00:17:45,480 --> 00:17:47,760 Speaker 1: we can't come back and build better as well as 323 00:17:47,760 --> 00:17:50,719 Speaker 1: like Mara's line, I really just like I don't deserve family. 324 00:17:50,760 --> 00:17:53,920 Speaker 1: I was like, oh, yeah, you do haunt me. Let 325 00:17:53,960 --> 00:17:59,000 Speaker 1: me picture. Yeah. Then we have the the Genu Roomy. 326 00:17:59,560 --> 00:18:02,280 Speaker 1: They never really kissed, but they do have that Korean 327 00:18:02,320 --> 00:18:05,199 Speaker 1: drama touching of the hands. We kind of love, a 328 00:18:05,200 --> 00:18:07,560 Speaker 1: good drama moment. But they are slowly coming together and 329 00:18:07,560 --> 00:18:10,119 Speaker 1: she talks about having to wanting to save him as 330 00:18:10,160 --> 00:18:12,520 Speaker 1: to that, and he's like, you did. Will we see 331 00:18:12,560 --> 00:18:14,840 Speaker 1: him back? I don't know. Will there be another one? 332 00:18:15,000 --> 00:18:17,800 Speaker 1: I can't imagine Sony's gonna let this one ride as 333 00:18:17,920 --> 00:18:22,320 Speaker 1: successful or Netflix as successful as it was. So but 334 00:18:22,960 --> 00:18:25,360 Speaker 1: who knows? Who knows? Gin who does not have any 335 00:18:25,359 --> 00:18:29,200 Speaker 1: friends except for the Magpie and the Tiger, who also 336 00:18:29,200 --> 00:18:30,359 Speaker 1: becomes Roomy's friends. 337 00:18:31,200 --> 00:18:35,199 Speaker 3: That's a little rough, you know, that's hurtful. I mean, 338 00:18:35,240 --> 00:18:37,200 Speaker 3: you do want your friends to become friends. But there's 339 00:18:37,240 --> 00:18:39,720 Speaker 3: also a part of you that's like, you're my friend, 340 00:18:39,840 --> 00:18:41,280 Speaker 3: You're my only friend. 341 00:18:42,960 --> 00:18:47,760 Speaker 1: Don't be that way. Another part again, his family, and 342 00:18:47,760 --> 00:18:50,560 Speaker 1: we talk about the Chosen Family obviously just talking about it. 343 00:18:50,560 --> 00:18:52,879 Speaker 1: But then we have Selene who takes on the motherly 344 00:18:52,960 --> 00:18:56,080 Speaker 1: figure adopting roomy because of the death of the mother, 345 00:18:56,119 --> 00:19:02,320 Speaker 1: which we don't know how the childbirth, when she was born, 346 00:19:02,400 --> 00:19:05,359 Speaker 1: she died, So what happened here? Was it the the 347 00:19:05,040 --> 00:19:07,960 Speaker 1: the demon part that like, oh, we don't know, we 348 00:19:07,960 --> 00:19:10,359 Speaker 1: don't know that lawd yet. But Selene doing what she 349 00:19:10,400 --> 00:19:15,520 Speaker 1: thinks she's supposed to and protecting being really Korean in 350 00:19:15,560 --> 00:19:19,240 Speaker 1: trying to protect everybody's reputation and trying to society doing 351 00:19:19,240 --> 00:19:23,840 Speaker 1: her duty versus not being very maternal to uh rue me. 352 00:19:24,720 --> 00:19:27,200 Speaker 1: So there's a lot of questions about that. And then 353 00:19:27,200 --> 00:19:28,879 Speaker 1: also you have to ask because I've seen a few 354 00:19:28,960 --> 00:19:30,760 Speaker 1: articles pop up me and like, see, Selene was a 355 00:19:30,760 --> 00:19:36,680 Speaker 1: real villain a damn okay. We jumped there real quick, okay, 356 00:19:37,720 --> 00:19:41,080 Speaker 1: and then she knew his selfish decision to leave his 357 00:19:41,080 --> 00:19:43,160 Speaker 1: family behind so he didn't have to starve to death 358 00:19:43,800 --> 00:19:46,440 Speaker 1: and die with them. It was rough. 359 00:19:46,960 --> 00:19:50,360 Speaker 3: That was a that was a rough revelation you got 360 00:19:50,440 --> 00:19:54,240 Speaker 3: later in the movie. And I was like, oh, okay, oh. 361 00:19:53,960 --> 00:19:57,119 Speaker 1: And which when the women says, you've never done anything 362 00:19:57,520 --> 00:19:59,440 Speaker 1: that wasn't for selfish reasons. 363 00:20:00,200 --> 00:20:04,840 Speaker 3: Yeah, yeah, because it's been presented earlier. It is like 364 00:20:04,880 --> 00:20:08,400 Speaker 3: he was forcefully taken away. Yeah, and then you get 365 00:20:08,440 --> 00:20:13,600 Speaker 3: the truth of it and it's like, oh, oh no, okay. 366 00:20:13,359 --> 00:20:18,479 Speaker 1: He's like a bud No. It's pretty heartbreaking. Uh. And 367 00:20:18,520 --> 00:20:22,920 Speaker 1: then we have in general k pop all throughout obviously 368 00:20:23,000 --> 00:20:26,600 Speaker 1: celebrating that culture, celebrating the music. I think it's interesting 369 00:20:26,600 --> 00:20:29,320 Speaker 1: in this portrayal because it really doesn't romanticize K pop. 370 00:20:29,359 --> 00:20:31,639 Speaker 1: And if you've heard our episodes previously, you know this 371 00:20:31,680 --> 00:20:33,520 Speaker 1: is not the case. You know, there's a lot of damage. 372 00:20:33,560 --> 00:20:35,840 Speaker 1: We know there's a lot of death by suicide, eating disorders, 373 00:20:35,880 --> 00:20:40,800 Speaker 1: psychological disorders, money paid backs, surgery, all these things. There's 374 00:20:40,840 --> 00:20:43,600 Speaker 1: a lot of things that happen, a lot of discourse, 375 00:20:43,680 --> 00:20:49,359 Speaker 1: a lot of canceling, not not canceling. However, in this industry, 376 00:20:50,520 --> 00:20:53,160 Speaker 1: and it's pretty fast, like people go in and there's 377 00:20:53,200 --> 00:20:56,440 Speaker 1: such an inundation of K pop groups that you don't 378 00:20:56,480 --> 00:20:59,159 Speaker 1: see who is successful. Like people don't succeed when they 379 00:20:59,160 --> 00:21:02,480 Speaker 1: think you should succeed. There are so many levels to that. 380 00:21:02,880 --> 00:21:06,959 Speaker 1: A lot of them are put together. They are constructed 381 00:21:07,080 --> 00:21:10,440 Speaker 1: and not organically brought together as in like they meet 382 00:21:10,480 --> 00:21:12,840 Speaker 1: together and form a group. I mean they do say 383 00:21:12,840 --> 00:21:14,760 Speaker 1: that in the beginning of the movie that they came 384 00:21:14,880 --> 00:21:17,359 Speaker 1: they were put together for root me Like, they're like, 385 00:21:17,560 --> 00:21:20,680 Speaker 1: you know, like this, but they just meshed well, which 386 00:21:20,960 --> 00:21:23,679 Speaker 1: isn't always what happens. There's a conversation about what's happening 387 00:21:23,720 --> 00:21:26,280 Speaker 1: in the Black Pink like they say that none of 388 00:21:26,320 --> 00:21:28,199 Speaker 1: them are getting along. Of them want to be a 389 00:21:28,200 --> 00:21:30,560 Speaker 1: part of this K pop industry anymore, but they're obligated 390 00:21:31,000 --> 00:21:33,800 Speaker 1: to do so because they've been as successful as they are. 391 00:21:34,560 --> 00:21:38,240 Speaker 1: They have their own individual careers and are seemingly more 392 00:21:38,240 --> 00:21:40,560 Speaker 1: invested in that. So there's a lot in that that 393 00:21:40,600 --> 00:21:45,199 Speaker 1: you see that you're like, like the whole mcbong at 394 00:21:45,240 --> 00:21:47,840 Speaker 1: the beginning where they're all carbo loading, I'm like, it's 395 00:21:47,880 --> 00:21:49,960 Speaker 1: not typical to the point that you hear stories about 396 00:21:49,960 --> 00:21:53,000 Speaker 1: other people feeding them rice, like sneaking in rice because 397 00:21:53,000 --> 00:21:55,960 Speaker 1: they hadn't eaten that day. I will say though, and 398 00:21:56,000 --> 00:21:58,440 Speaker 1: I've mentioned Mama and Move before. My partner has worked 399 00:21:58,440 --> 00:22:02,240 Speaker 1: at production for show in Atlanta. They came through. He 400 00:22:02,280 --> 00:22:05,080 Speaker 1: worked the show and there was a large request for 401 00:22:06,000 --> 00:22:10,160 Speaker 1: Bull Duck Ramyan. Yeah, because they were like these Korean 402 00:22:10,240 --> 00:22:11,600 Speaker 1: artists were like, no, that's what we need. So they 403 00:22:11,600 --> 00:22:13,560 Speaker 1: had to make a special trip to h Mark to 404 00:22:13,560 --> 00:22:16,639 Speaker 1: bring out all of these spicy Ramians. So not too 405 00:22:16,720 --> 00:22:18,520 Speaker 1: far off then, I guess, because they are a girl 406 00:22:18,560 --> 00:22:22,719 Speaker 1: group that's pretty big in South Carolina in here, not 407 00:22:22,760 --> 00:22:25,760 Speaker 1: as big as some others, but like it was fascinating, Like, Okay, 408 00:22:25,760 --> 00:22:29,639 Speaker 1: they really do ask for the Roman. I thought that 409 00:22:29,720 --> 00:22:32,800 Speaker 1: was just a snack, poppy food that became culturally popular 410 00:22:33,080 --> 00:22:35,480 Speaker 1: in the US more so than No No. They apparently 411 00:22:35,640 --> 00:22:38,600 Speaker 1: was like no, I need it, I miss it. There's that. 412 00:22:39,720 --> 00:22:43,200 Speaker 1: Uh again. I think I don't want to stray too 413 00:22:43,280 --> 00:22:45,840 Speaker 1: far from the pot, but it is good to know 414 00:22:45,880 --> 00:22:49,280 Speaker 1: that it does romanticize this industry a little, to the 415 00:22:49,320 --> 00:22:52,240 Speaker 1: point that it's like, there are groups that do write 416 00:22:52,240 --> 00:22:55,280 Speaker 1: their own songs, they create their own stuff, and they're amazing, 417 00:22:55,320 --> 00:22:57,160 Speaker 1: and we want to give credit to that that there's 418 00:22:57,160 --> 00:22:59,879 Speaker 1: some cool as hell, but a lot of them are 419 00:23:00,080 --> 00:23:04,159 Speaker 1: and are manufactured, and a lot of them still a 420 00:23:04,200 --> 00:23:08,800 Speaker 1: lot of music I think I've seen this specific movie 421 00:23:09,160 --> 00:23:12,520 Speaker 1: has at least two of the bigger K pop songwriters 422 00:23:12,520 --> 00:23:16,520 Speaker 1: that are Western, I want to say, from the US 423 00:23:16,600 --> 00:23:18,800 Speaker 1: or Canada, and they've been based out of here for 424 00:23:18,840 --> 00:23:22,639 Speaker 1: a long time and they don't get paid as much 425 00:23:22,640 --> 00:23:25,359 Speaker 1: as YouTube. I would expect as big as some of 426 00:23:25,359 --> 00:23:30,159 Speaker 1: these songs are. The person who sang for Roomy EJ, 427 00:23:30,880 --> 00:23:35,040 Speaker 1: is a big K pop industry singer and producer and writer. 428 00:23:35,160 --> 00:23:38,200 Speaker 1: From what I understand, she is not in any group, 429 00:23:38,520 --> 00:23:40,439 Speaker 1: but she is a part of SM Entertainment, which is 430 00:23:40,440 --> 00:23:42,760 Speaker 1: one of the top four that we've talked about previously. 431 00:23:44,000 --> 00:23:48,760 Speaker 1: And the others that sing on these songs are also 432 00:23:48,880 --> 00:23:51,879 Speaker 1: either trainees, had been trainees, or writers and producers. So 433 00:23:51,920 --> 00:23:55,119 Speaker 1: it seems so it does an interesting mix. People are 434 00:23:55,119 --> 00:23:59,720 Speaker 1: getting good and EJ can hit those notes down like 435 00:24:00,680 --> 00:24:04,439 Speaker 1: chilling notes. Anyway, moving on, so obviously, another big part 436 00:24:04,520 --> 00:24:07,080 Speaker 1: of this movie, as Kong has actually said herself, is 437 00:24:07,119 --> 00:24:11,359 Speaker 1: the culture of South Korea and in the heritage. The 438 00:24:11,400 --> 00:24:14,399 Speaker 1: mix between southern South Korean history that we were talking 439 00:24:14,400 --> 00:24:16,960 Speaker 1: about with all the weapons, with all the costumes, with 440 00:24:17,040 --> 00:24:21,240 Speaker 1: all of the locations even really mixes well with the 441 00:24:21,240 --> 00:24:24,320 Speaker 1: modern day Hollywood in what we see in dancing and 442 00:24:24,359 --> 00:24:29,280 Speaker 1: the wrapping some of the rahmin once again, which was 443 00:24:29,359 --> 00:24:34,000 Speaker 1: really funny to me, the costuming, the lights, the shows. 444 00:24:34,240 --> 00:24:36,640 Speaker 1: There are idol shows that they happen every week that 445 00:24:37,240 --> 00:24:40,640 Speaker 1: whoever like tops the charts goes and performs and does 446 00:24:40,680 --> 00:24:43,520 Speaker 1: it Weekly, which I'm like, huh, that used to be 447 00:24:43,560 --> 00:24:51,199 Speaker 1: our MTV. Oh yeah, well you know they still do that. 448 00:24:51,400 --> 00:24:55,240 Speaker 1: I was like, Oh, that's really interesting, but that does exist. 449 00:24:55,320 --> 00:24:57,560 Speaker 1: I've seen the countdowns and different things that they do. 450 00:24:57,640 --> 00:24:59,800 Speaker 1: It's really interesting to see and how they've celebrated and 451 00:24:59,800 --> 00:25:13,200 Speaker 1: who as what. And then of course this whole cultural 452 00:25:13,280 --> 00:25:16,239 Speaker 1: thing with you and I talked about it. You had 453 00:25:16,240 --> 00:25:17,800 Speaker 1: said that because I said that I think you're want 454 00:25:17,800 --> 00:25:20,720 Speaker 1: to see a lot of these costumes at Dragon Con, 455 00:25:21,080 --> 00:25:23,119 Speaker 1: which I'm very excited about and want to see. And 456 00:25:23,160 --> 00:25:25,680 Speaker 1: you were talking about that. People have already talked about 457 00:25:25,800 --> 00:25:31,240 Speaker 1: being respectful in the costumes. What were you telling me exactly? 458 00:25:32,280 --> 00:25:35,040 Speaker 3: So I'm going to clarify. I heard this through a 459 00:25:35,119 --> 00:25:38,760 Speaker 3: friend who's much more online than I am. She told 460 00:25:38,880 --> 00:25:44,160 Speaker 3: me that there had already been an online conversation about 461 00:25:44,320 --> 00:25:48,280 Speaker 3: I think it was specifically the boy band and their 462 00:25:48,320 --> 00:25:52,439 Speaker 3: costuming and being respectful about it and being aware of 463 00:25:52,560 --> 00:25:55,719 Speaker 3: like the history behind it and just not being offensive. 464 00:25:56,160 --> 00:25:58,480 Speaker 2: Right, That's what she said. I'm pretty sure. 465 00:25:58,359 --> 00:26:01,720 Speaker 1: From what I can gather, like being like like no 466 00:26:01,840 --> 00:26:07,040 Speaker 1: regae that is very specific culturally, but I don't like 467 00:26:07,640 --> 00:26:10,560 Speaker 1: unless you take it and make it like a panties 468 00:26:10,680 --> 00:26:12,639 Speaker 1: or like chastity bell some for so, you know, like 469 00:26:12,680 --> 00:26:18,480 Speaker 1: something really obscure. I don't see it being super offensive, 470 00:26:18,480 --> 00:26:21,520 Speaker 1: like even humbucks. Like I know a lot of the 471 00:26:21,520 --> 00:26:23,560 Speaker 1: times when people go to South Korea, you can go 472 00:26:23,600 --> 00:26:27,240 Speaker 1: to the stores and that's like period costumes like any 473 00:26:27,280 --> 00:26:30,840 Speaker 1: of those, and visit the old historical places and all 474 00:26:30,840 --> 00:26:33,440 Speaker 1: of these things, and it's actually encouraged. It is something 475 00:26:33,480 --> 00:26:35,600 Speaker 1: that is beautiful and we love to see what we 476 00:26:35,680 --> 00:26:38,520 Speaker 1: don't want to see, what any no one wants to 477 00:26:38,560 --> 00:26:41,520 Speaker 1: see of any other culture. Is taking whatever it may 478 00:26:41,560 --> 00:26:45,480 Speaker 1: be ceremonial or traditional, misconstruing it to be something you 479 00:26:45,600 --> 00:26:49,680 Speaker 1: created with these ideals, and then renaming things that is 480 00:26:50,280 --> 00:26:52,880 Speaker 1: like even to the point that we see i want 481 00:26:52,880 --> 00:26:57,280 Speaker 1: to say Filipino level of ube, which has been huge 482 00:26:57,280 --> 00:26:59,439 Speaker 1: and trending, and then people taking it being like we 483 00:26:59,480 --> 00:27:01,720 Speaker 1: need a little bit like sugary. I'm a white person 484 00:27:01,720 --> 00:27:03,119 Speaker 1: who's going to do it this way, and you're like, 485 00:27:03,200 --> 00:27:07,359 Speaker 1: what is happening, or along the lines of like Macha, 486 00:27:07,400 --> 00:27:10,080 Speaker 1: which is obviously very very big, and then white people 487 00:27:10,200 --> 00:27:12,480 Speaker 1: taking in marketing and be like I went to Japan 488 00:27:12,600 --> 00:27:15,199 Speaker 1: one time and I loved it so I'm creating my 489 00:27:15,240 --> 00:27:17,760 Speaker 1: own and this is mine and I'm up charged. Like 490 00:27:17,920 --> 00:27:22,840 Speaker 1: stuff like that is absolutely disrespectful loving a culture, especially 491 00:27:22,960 --> 00:27:27,639 Speaker 1: when it's as seemingly ignored as South Korean culture and 492 00:27:27,720 --> 00:27:32,200 Speaker 1: oftentimes the mean or sidelined for like China Chinese culture, 493 00:27:32,200 --> 00:27:34,000 Speaker 1: which by the way, Chinese is a huge country, so 494 00:27:34,200 --> 00:27:39,560 Speaker 1: having one ideal of even that culture is almost an 495 00:27:39,640 --> 00:27:42,520 Speaker 1: offensive and ignorant in itself. So like so many things 496 00:27:42,520 --> 00:27:45,320 Speaker 1: said that. But with Asacha Boys, I know they are 497 00:27:45,359 --> 00:27:53,040 Speaker 1: grim Reapers. I don't know if it's ceremonial, don't know 498 00:27:53,040 --> 00:27:56,879 Speaker 1: if it's a funeral where that that might be the problem. 499 00:27:56,920 --> 00:27:58,680 Speaker 1: Of course, if you're wearing something that is supposed to 500 00:27:58,680 --> 00:28:01,159 Speaker 1: be for funerals, is that you're are partying in it. 501 00:28:01,200 --> 00:28:05,800 Speaker 1: That that's disrespectful because like death rituals and like ancestry 502 00:28:05,880 --> 00:28:09,280 Speaker 1: risk rules very very sacred, very very much so, so 503 00:28:09,520 --> 00:28:12,280 Speaker 1: stuff like that, Yes, I think you need to understand 504 00:28:12,320 --> 00:28:15,080 Speaker 1: what these are. Again, the Saja Boys are a play 505 00:28:15,160 --> 00:28:18,240 Speaker 1: on the grim Reapers, so look into that. Yeah, we 506 00:28:18,280 --> 00:28:20,160 Speaker 1: would look into that. But I don't think in general, 507 00:28:20,160 --> 00:28:21,879 Speaker 1: like hmbucks and the hats are in general are not 508 00:28:21,880 --> 00:28:25,320 Speaker 1: necessary or the gut are not necessarily disrespectful if you're 509 00:28:25,359 --> 00:28:27,399 Speaker 1: doing something, whether if you're painting, obs seeing things on it, 510 00:28:27,400 --> 00:28:29,560 Speaker 1: Don't do that, don't do that, don't portuce. I would 511 00:28:29,560 --> 00:28:31,280 Speaker 1: tell you not to pretend to be a shaman in 512 00:28:31,320 --> 00:28:35,920 Speaker 1: any way. Koreans are real can be real superstitious on that, 513 00:28:36,119 --> 00:28:39,000 Speaker 1: and I am too. Not why I'm little superstigious. I 514 00:28:39,000 --> 00:28:42,840 Speaker 1: don't want to curse myself in general, I think things 515 00:28:42,880 --> 00:28:45,719 Speaker 1: like that have to be looked at as well. Again, like, 516 00:28:45,800 --> 00:28:47,520 Speaker 1: there's so much to this. And I say this as 517 00:28:47,560 --> 00:28:49,880 Speaker 1: not an expert, as someone who has ignored this culture 518 00:28:49,960 --> 00:28:51,960 Speaker 1: for so long, who's been afraid of this culture, who 519 00:28:51,960 --> 00:28:54,520 Speaker 1: felt like if I even pretended I like or who 520 00:28:54,520 --> 00:28:58,880 Speaker 1: we have even like interests, that I was pretending. There's 521 00:28:58,920 --> 00:29:01,120 Speaker 1: so much to this, And I want to note like 522 00:29:02,040 --> 00:29:05,360 Speaker 1: watching this movie, getting ready to talk about this, talking 523 00:29:05,400 --> 00:29:06,960 Speaker 1: about why I love it as much as I do, 524 00:29:07,000 --> 00:29:09,880 Speaker 1: because this has become something that I've grown to love. 525 00:29:10,000 --> 00:29:12,719 Speaker 1: Like I've watched this too many times and I was 526 00:29:12,760 --> 00:29:15,600 Speaker 1: really really hesitant in even starting to watch this because 527 00:29:15,640 --> 00:29:19,840 Speaker 1: it felt kitchy. Also, there's still that childhood part of 528 00:29:19,840 --> 00:29:22,880 Speaker 1: me that really wants to be white because I was 529 00:29:22,920 --> 00:29:26,320 Speaker 1: brought into white culture. Was told white is the savior 530 00:29:26,360 --> 00:29:29,280 Speaker 1: of all and the fixer and the best thing to 531 00:29:29,320 --> 00:29:31,600 Speaker 1: be is white, and even Korean culture kind of holds 532 00:29:31,640 --> 00:29:34,080 Speaker 1: to that standard as well, and so so part of 533 00:29:34,080 --> 00:29:40,480 Speaker 1: me feeling like seeing this celebrating a culture seemed foreign 534 00:29:40,880 --> 00:29:47,200 Speaker 1: and almost the anti of who I was growing up, 535 00:29:47,400 --> 00:29:53,720 Speaker 1: I guess. And so to find something like this culturally impacting, 536 00:29:53,960 --> 00:29:58,000 Speaker 1: celebrating loving, not any characaturish characters like it is but 537 00:29:58,040 --> 00:30:00,200 Speaker 1: it is. It isn't making fun of a culture, or 538 00:30:00,240 --> 00:30:02,880 Speaker 1: it isn't making fun of an accent, It isn't making 539 00:30:02,880 --> 00:30:05,200 Speaker 1: fun of a saying, It isn't making fun of a food. 540 00:30:05,520 --> 00:30:07,760 Speaker 1: It is like all these things which I see way 541 00:30:07,800 --> 00:30:11,280 Speaker 1: too often, that happens way too often, that has to 542 00:30:11,280 --> 00:30:13,320 Speaker 1: be addressed way too often, and being told that I'm 543 00:30:13,360 --> 00:30:15,920 Speaker 1: being too sensitive, And then if I can't joke like that, 544 00:30:16,000 --> 00:30:17,640 Speaker 1: then what am I doing with? Like why am I 545 00:30:17,640 --> 00:30:21,800 Speaker 1: being so sensitive? Being constantly being misconstrued as Chinese? And 546 00:30:21,840 --> 00:30:24,120 Speaker 1: now for the first time, everybody's saying, are you Korean, 547 00:30:24,320 --> 00:30:26,240 Speaker 1: which is also a fear of mine that I'm like, no, 548 00:30:26,320 --> 00:30:28,200 Speaker 1: But we don't want to make that a better thing 549 00:30:28,280 --> 00:30:30,880 Speaker 1: either or the more recognizable thing either. We need to 550 00:30:30,960 --> 00:30:34,640 Speaker 1: understand is a vast It's a vast area, and that 551 00:30:34,840 --> 00:30:36,840 Speaker 1: to be able to acknowledge all of all of the 552 00:30:36,880 --> 00:30:39,560 Speaker 1: different areas and appreciate all of the different areas is 553 00:30:39,560 --> 00:30:43,000 Speaker 1: something that needs to happen. But as someone who has 554 00:30:43,040 --> 00:30:46,320 Speaker 1: ignored and run from it for so long, has feared it, 555 00:30:46,360 --> 00:30:49,280 Speaker 1: has not felt good enough for it, has not understood it, 556 00:30:49,280 --> 00:30:54,440 Speaker 1: has felt like acknowledging this culture meant I was disrespecting 557 00:30:55,160 --> 00:30:57,760 Speaker 1: the people who brought like who took me in. I'm 558 00:30:57,760 --> 00:31:02,080 Speaker 1: putting that in quotes. So many of that conversation pops too, 559 00:31:02,480 --> 00:31:05,000 Speaker 1: and I'm wishing, like, had I had something like this 560 00:31:05,120 --> 00:31:10,239 Speaker 1: that celebrated Korean culture like this, what I have been 561 00:31:10,360 --> 00:31:14,600 Speaker 1: less ashamed or less likely to turn away from it 562 00:31:14,920 --> 00:31:17,760 Speaker 1: or been less hesitant in learning more about it, because 563 00:31:17,800 --> 00:31:21,520 Speaker 1: I feel like I'm so far behind in learning something 564 00:31:21,600 --> 00:31:24,520 Speaker 1: that it should be so important to me, like having 565 00:31:24,520 --> 00:31:28,480 Speaker 1: a part of that is my identity feels so again 566 00:31:28,520 --> 00:31:30,480 Speaker 1: too late, And I've kind of had that conversation about 567 00:31:30,480 --> 00:31:32,280 Speaker 1: being too old for some of these things, whether it's 568 00:31:32,600 --> 00:31:37,880 Speaker 1: connecting with family, connecting with culture, connecting with ideas, there's 569 00:31:37,960 --> 00:31:40,520 Speaker 1: a lot to this, and also having that guilt and 570 00:31:40,600 --> 00:31:43,400 Speaker 1: knowing that some of Korean culture, a lot of k 571 00:31:43,480 --> 00:31:48,479 Speaker 1: pop culture, perpetuates racist ideals and stereotypes within things that 572 00:31:48,520 --> 00:31:52,000 Speaker 1: are being oppressed here in the US. There's like this 573 00:31:52,200 --> 00:31:56,760 Speaker 1: bigger picture of this. I have the celebrations, I have 574 00:31:56,880 --> 00:31:59,520 Speaker 1: the desire. I'm so excited to hear this music and 575 00:31:59,560 --> 00:32:03,240 Speaker 1: song and hear Korean and see the handbox and see 576 00:32:03,280 --> 00:32:06,640 Speaker 1: the folklore. But at the same time, I feel like 577 00:32:06,880 --> 00:32:12,880 Speaker 1: I am overwhelmed with guilt and ignorance when in trying 578 00:32:12,960 --> 00:32:16,800 Speaker 1: to love and like these things. There's so much to 579 00:32:16,920 --> 00:32:20,280 Speaker 1: this in that level, but also the bigger part of 580 00:32:20,320 --> 00:32:24,120 Speaker 1: me which begged for representation and so clung to things 581 00:32:24,200 --> 00:32:26,560 Speaker 1: like Brandy, who I love and I'm so glad I 582 00:32:27,440 --> 00:32:31,880 Speaker 1: loved her music, but because she was not white and 583 00:32:31,920 --> 00:32:36,280 Speaker 1: she was she was cast into love. To have a 584 00:32:36,400 --> 00:32:40,360 Speaker 1: romance with an Asian man like that was enough for 585 00:32:40,440 --> 00:32:42,920 Speaker 1: me to love things like Mulan and have to dress 586 00:32:43,000 --> 00:32:45,520 Speaker 1: up like that, because I was the only Asian Ish 587 00:32:45,800 --> 00:32:49,360 Speaker 1: representation that I saw as a good thing and as 588 00:32:49,400 --> 00:32:52,520 Speaker 1: a strong thing, instead of being a caricature like pretty 589 00:32:52,520 --> 00:32:56,520 Speaker 1: and Pink or Breakfast at Tiffany's, which mock Asian people 590 00:32:56,560 --> 00:33:00,600 Speaker 1: in general, or fetishizes Asian people in general, and so 591 00:33:00,760 --> 00:33:04,160 Speaker 1: seeing that and wishing that I had such a representation 592 00:33:04,560 --> 00:33:08,200 Speaker 1: and what would that have made for me? Embracing my 593 00:33:08,600 --> 00:33:11,560 Speaker 1: you know, being so young, like being that person and 594 00:33:11,640 --> 00:33:14,200 Speaker 1: being loving the food that I love that brings so 595 00:33:14,320 --> 00:33:18,840 Speaker 1: much memories triggers as well. There is so much in 596 00:33:18,920 --> 00:33:22,160 Speaker 1: this context that seeing them be the center of the 597 00:33:22,320 --> 00:33:27,400 Speaker 1: story phenomenal. Again, when we talked about just as long 598 00:33:27,400 --> 00:33:31,560 Speaker 1: as we're together, my desperation to see any lightness of 599 00:33:31,600 --> 00:33:35,000 Speaker 1: me was so strong because I always felt like a 600 00:33:35,040 --> 00:33:38,880 Speaker 1: side character, the sidekick, and not wanting to be first 601 00:33:38,960 --> 00:33:42,520 Speaker 1: time centered in something is beautiful. And again back to 602 00:33:42,560 --> 00:33:44,240 Speaker 1: the other Happy Hour episode where it was like, but 603 00:33:44,280 --> 00:33:47,600 Speaker 1: it feels like it's too late, I'm too old for 604 00:33:47,800 --> 00:33:52,160 Speaker 1: this point of being. But there's so so many things 605 00:33:52,160 --> 00:33:55,280 Speaker 1: that pop through my head as I'm watching this, Like 606 00:33:55,360 --> 00:33:57,880 Speaker 1: it actually has me tearing up when I watched this 607 00:33:58,280 --> 00:34:04,800 Speaker 1: cartoon animation, because there is something that you can be 608 00:34:04,840 --> 00:34:08,360 Speaker 1: proud of, like my skin tone, my eye shape, my 609 00:34:08,760 --> 00:34:14,520 Speaker 1: speech even isn't foreign, isn't weird, isn't unusual as where 610 00:34:14,760 --> 00:34:18,480 Speaker 1: in you know, North Georgia Mountains, University of Georgia, unless 611 00:34:18,480 --> 00:34:20,440 Speaker 1: you're a part of that clique, and there's a clique. 612 00:34:20,480 --> 00:34:23,120 Speaker 1: When it comes to the Asian community, you are the 613 00:34:23,200 --> 00:34:25,919 Speaker 1: odd one. You are the one that's singled out when 614 00:34:26,080 --> 00:34:28,439 Speaker 1: growing up being stared at in an all white town 615 00:34:28,480 --> 00:34:30,719 Speaker 1: because I'm at this Asian person walking in and people 616 00:34:30,800 --> 00:34:32,719 Speaker 1: like who is that? What is that? And then my 617 00:34:32,800 --> 00:34:34,640 Speaker 1: mom trying to be cute and being like no, because 618 00:34:34,680 --> 00:34:37,239 Speaker 1: you're so cute, and I'm like, that's not why. Let's 619 00:34:37,280 --> 00:34:39,600 Speaker 1: talk about the elephant in the room here, like thank 620 00:34:39,640 --> 00:34:43,200 Speaker 1: you and all, but that's a lie and I don't 621 00:34:43,200 --> 00:34:46,360 Speaker 1: want we need to talk about this. So there's so 622 00:34:46,520 --> 00:34:52,560 Speaker 1: many levels in this movie that hit me as an 623 00:34:52,600 --> 00:35:01,320 Speaker 1: adult Korean woman that felt embraced but also conflicted. This 624 00:35:02,080 --> 00:35:05,040 Speaker 1: has made an impact. I will forever think about this 625 00:35:05,280 --> 00:35:14,120 Speaker 1: as something especially because it balanced Western Koreans with a 626 00:35:14,280 --> 00:35:19,400 Speaker 1: South Korean's Eastern born Eastern Asian people who are like, wow, okay, 627 00:35:19,440 --> 00:35:23,160 Speaker 1: this feels familiar, as opposed to watching k dramas where 628 00:35:23,200 --> 00:35:26,400 Speaker 1: it feels still foreign or a dream state, like things 629 00:35:26,400 --> 00:35:29,640 Speaker 1: look familiar but as if I jumped them, versus this 630 00:35:29,800 --> 00:35:31,799 Speaker 1: being like, okay it is today and now that I'm 631 00:35:31,800 --> 00:35:35,360 Speaker 1: more familiar with with a mix of Western depiction, I 632 00:35:35,360 --> 00:35:38,160 Speaker 1: guess is the best way to say it without being whitewashed, 633 00:35:39,320 --> 00:35:42,439 Speaker 1: which is the other part to that. And with that, 634 00:35:42,680 --> 00:35:44,960 Speaker 1: I think when we talk about these types of shows, 635 00:35:45,440 --> 00:35:47,640 Speaker 1: I also have this fear that this could be a 636 00:35:47,640 --> 00:35:51,160 Speaker 1: whitewashing of Asian characters. When you have voices that supposed 637 00:35:51,160 --> 00:35:52,840 Speaker 1: to be Asian and it's not Asian. That is the 638 00:35:52,880 --> 00:35:57,440 Speaker 1: biggest disappointment that I can ever think of. I'm like, 639 00:35:57,480 --> 00:35:59,520 Speaker 1: why would they do this when you had characters are 640 00:35:59,560 --> 00:36:01,400 Speaker 1: supposed to be Asian. They're like, we're gonna make it white. 641 00:36:01,800 --> 00:36:04,160 Speaker 1: They look, they have a little bit of slant in 642 00:36:04,200 --> 00:36:07,759 Speaker 1: their eyes. They think it possibly mixed. Scarlet Johansen is 643 00:36:07,800 --> 00:36:10,000 Speaker 1: not Asian. I will fight you the day we die, 644 00:36:11,440 --> 00:36:15,200 Speaker 1: you know, But that level like of that whitewashing. There's 645 00:36:15,239 --> 00:36:19,520 Speaker 1: this conversation of the newest Broadway musical and which was 646 00:36:19,520 --> 00:36:24,680 Speaker 1: written for uh in Korean standard and has half white people, 647 00:36:24,719 --> 00:36:26,640 Speaker 1: which is what it is, But then they're talking about 648 00:36:26,640 --> 00:36:29,719 Speaker 1: it being cast fully white now, and the argument which 649 00:36:29,760 --> 00:36:32,120 Speaker 1: I've had argue to me about how well, you know, 650 00:36:32,239 --> 00:36:35,520 Speaker 1: Koreans take white shows and make it Korean. Why can't 651 00:36:35,520 --> 00:36:38,919 Speaker 1: we do that here? But like, but Korean Americans exist. 652 00:36:39,160 --> 00:36:43,600 Speaker 1: This is not there's no more like. The differentiation is huge, 653 00:36:43,800 --> 00:36:46,120 Speaker 1: and to be fair, I also think it's funny when 654 00:36:46,160 --> 00:36:49,200 Speaker 1: I see K dramas like depicting white people as all 655 00:36:49,239 --> 00:36:51,520 Speaker 1: Americans and you can tovily tell their accent is like 656 00:36:52,200 --> 00:36:54,920 Speaker 1: Russian or German and you're like that they are absolutely 657 00:36:54,960 --> 00:36:57,319 Speaker 1: not from the US, but good try. I like that 658 00:36:57,600 --> 00:37:00,800 Speaker 1: there are moments like that when you have like and understanding, 659 00:37:00,840 --> 00:37:03,600 Speaker 1: like you don't understand what it means to have representation 660 00:37:03,640 --> 00:37:05,440 Speaker 1: because you've always had it and you never had to 661 00:37:05,440 --> 00:37:08,840 Speaker 1: think about whether or not it wouldn't be it wouldn't 662 00:37:08,840 --> 00:37:12,320 Speaker 1: be there. And then with that all by the way 663 00:37:12,640 --> 00:37:15,280 Speaker 1: they did have I love that they mixed the casts 664 00:37:15,360 --> 00:37:18,760 Speaker 1: so it was both Korean Americans, Korean Western Korean people 665 00:37:19,040 --> 00:37:21,960 Speaker 1: who maybe in from Canada whatever whatnot to also having 666 00:37:22,080 --> 00:37:25,080 Speaker 1: Korean actors South Korean actors. So we had Arden Cho 667 00:37:25,239 --> 00:37:29,200 Speaker 1: who was she was dern dirty on a couple of 668 00:37:29,239 --> 00:37:31,799 Speaker 1: c W shows and I'm glad to see her make 669 00:37:31,880 --> 00:37:34,680 Speaker 1: it into this. We have Daniel Day Kim, who is 670 00:37:34,719 --> 00:37:36,640 Speaker 1: an icon and heart throb and hello, how are you? 671 00:37:36,640 --> 00:37:39,080 Speaker 1: My name is Smantha, Come see me, who got to 672 00:37:39,080 --> 00:37:41,920 Speaker 1: be a small minor role, and then we have kN Jong. 673 00:37:42,120 --> 00:37:43,800 Speaker 1: We all know who he is. He is a comedian 674 00:37:43,840 --> 00:37:47,920 Speaker 1: who is the doctor who's he exists. Then we have 675 00:37:48,120 --> 00:37:50,960 Speaker 1: the Korean stars Lee Byong Hin, who is one of 676 00:37:50,960 --> 00:37:52,760 Speaker 1: the ones I was talking about. He has a sketchy 677 00:37:52,760 --> 00:37:56,680 Speaker 1: passed really sad because he is huge in both Squid 678 00:37:56,719 --> 00:38:01,040 Speaker 1: Games and this, but they are very easily dismissive of 679 00:38:01,360 --> 00:38:05,120 Speaker 1: sexual harassment allegations and charges. We have Anhyo soap, which 680 00:38:05,120 --> 00:38:08,520 Speaker 1: I've talked about him before because he was one of 681 00:38:08,520 --> 00:38:11,000 Speaker 1: my first like interactions with K drama. They're like, I 682 00:38:11,080 --> 00:38:13,680 Speaker 1: like that, Oh, who is this guy who is Canadian? 683 00:38:13,840 --> 00:38:16,239 Speaker 1: Actually he was born in Canada but has been in 684 00:38:16,280 --> 00:38:18,760 Speaker 1: South Korea and has made a huge name for himself 685 00:38:18,800 --> 00:38:22,719 Speaker 1: as a South Korean K drama actor. So he has 686 00:38:22,760 --> 00:38:24,719 Speaker 1: a bit of an accent, which I think is kind 687 00:38:24,760 --> 00:38:27,000 Speaker 1: of funny to me to see is Canadian, but because 688 00:38:27,000 --> 00:38:28,680 Speaker 1: I guess, I guess he's been in South Korea so 689 00:38:28,800 --> 00:38:33,640 Speaker 1: long that it sounds like like English is a second language, 690 00:38:33,640 --> 00:38:36,440 Speaker 1: which I don't believe it is. But he who plays 691 00:38:36,600 --> 00:38:39,520 Speaker 1: genu Is also was a training and then decided to 692 00:38:39,560 --> 00:38:42,399 Speaker 1: act in model. They didn't use his voice though for 693 00:38:42,520 --> 00:38:44,960 Speaker 1: most of the songs. It was a different Andrew Troy 694 00:38:45,000 --> 00:38:47,640 Speaker 1: I believe is his name is the one who ends 695 00:38:47,680 --> 00:38:49,560 Speaker 1: up singing for him, and he was a writer in 696 00:38:49,600 --> 00:38:53,120 Speaker 1: Trainees well, but having him in there in one of 697 00:38:53,120 --> 00:38:56,319 Speaker 1: my favorite KA drama's business proposal. I've talked about this 698 00:38:56,360 --> 00:38:59,399 Speaker 1: one before and they actually have that little like name 699 00:38:59,560 --> 00:39:02,439 Speaker 1: like theme song cop in this is an easter egg 700 00:39:02,640 --> 00:39:05,080 Speaker 1: when he walks in, when you introduce to Gino as 701 00:39:05,160 --> 00:39:07,759 Speaker 1: human for is like that, and I'm like, I love 702 00:39:07,840 --> 00:39:10,359 Speaker 1: a good throw it like little secrets that we know 703 00:39:12,160 --> 00:39:14,960 Speaker 1: one of them. But yeah, So I loved everything about that. 704 00:39:15,160 --> 00:39:19,719 Speaker 1: Having actual celebrities or stars or actors who are in 705 00:39:19,760 --> 00:39:22,200 Speaker 1: that world who have been dismissed for so long to 706 00:39:22,239 --> 00:39:26,160 Speaker 1: be able to be a part of that success. I 707 00:39:26,320 --> 00:39:30,040 Speaker 1: love every bit of that. And that's the representation that 708 00:39:30,040 --> 00:39:32,239 Speaker 1: we've been begging for. That I've been begging for that. 709 00:39:32,360 --> 00:39:35,959 Speaker 1: People who want to see more of their ethnicity, their 710 00:39:36,120 --> 00:39:39,399 Speaker 1: community being represented. That's what we're begging for, the more 711 00:39:39,480 --> 00:39:43,040 Speaker 1: of that. Please. It doesn't take much and it's a 712 00:39:43,080 --> 00:39:47,480 Speaker 1: huge success, a huge success. Also, we had a small 713 00:39:47,560 --> 00:39:51,239 Speaker 1: moment with Selene singing, so the ac actress who played 714 00:39:51,239 --> 00:39:54,160 Speaker 1: that did not sing it was Leah Soalanga, the Filipino 715 00:39:54,560 --> 00:39:56,920 Speaker 1: icon and queen of Broadway that I've spoken previously when 716 00:39:56,960 --> 00:40:00,440 Speaker 1: we talked about BBS and Ley Miz and again me 717 00:40:00,760 --> 00:40:03,960 Speaker 1: clinging to any type of representation as a child, she 718 00:40:04,040 --> 00:40:06,560 Speaker 1: had a little minor row and I hope if they 719 00:40:06,600 --> 00:40:08,880 Speaker 1: do have a backstory, that we get to have a 720 00:40:09,000 --> 00:40:13,439 Speaker 1: longer edition of her musical talents because we need those, 721 00:40:13,800 --> 00:40:17,239 Speaker 1: we need that in our lives. Yeah, thank you for 722 00:40:17,280 --> 00:40:19,200 Speaker 1: going on this journey with me. There's so much to this. 723 00:40:19,600 --> 00:40:21,440 Speaker 1: I want to talk more about this. I want to 724 00:40:21,480 --> 00:40:23,880 Speaker 1: see more things like this. I hope that there is 725 00:40:23,920 --> 00:40:27,960 Speaker 1: a sequel that Kang is a part of and if any, 726 00:40:28,160 --> 00:40:30,359 Speaker 1: because I feel like we've talked about how we think 727 00:40:30,360 --> 00:40:32,040 Speaker 1: that some of the studios may be listening to us 728 00:40:32,080 --> 00:40:35,640 Speaker 1: and taking our ideas or suggestions. If you are listening 729 00:40:36,239 --> 00:40:38,720 Speaker 1: and Kwang is not on there, we're going to be upset. 730 00:40:39,960 --> 00:40:41,680 Speaker 2: Yes, Okay, we'll talk about it. 731 00:40:42,760 --> 00:40:52,840 Speaker 3: Correct, that's right, you watch out the big studio. Yes, 732 00:40:53,680 --> 00:40:56,040 Speaker 3: I'm sure we'll come back and talk about this more. 733 00:40:56,080 --> 00:40:59,200 Speaker 3: I will definitely report after Dragon Con. Yes, what I 734 00:40:59,360 --> 00:41:02,560 Speaker 3: see some pictures, I will. 735 00:41:02,239 --> 00:41:03,160 Speaker 2: I'll try to do better. 736 00:41:03,160 --> 00:41:05,000 Speaker 3: I'm not great at taking pictures, so I will do 737 00:41:05,080 --> 00:41:06,759 Speaker 3: my If I see them, I'll think of you, and 738 00:41:06,760 --> 00:41:09,799 Speaker 3: I'm be like, Okay, But I know that people are 739 00:41:10,000 --> 00:41:12,040 Speaker 3: loving this, and I'm sure many of you have plenty 740 00:41:12,080 --> 00:41:15,239 Speaker 3: of thoughts about it, So please right in if you 741 00:41:15,280 --> 00:41:17,480 Speaker 3: would like to, we would love to hear from you. 742 00:41:17,480 --> 00:41:19,880 Speaker 3: You can email us at Hello at Stephanever Told You 743 00:41:19,920 --> 00:41:22,279 Speaker 3: dot com. You can find us on Blue Skype mobs 744 00:41:22,320 --> 00:41:24,880 Speaker 3: a podcast, or on Instagram and TikTok at stuff one 745 00:41:24,880 --> 00:41:26,600 Speaker 3: Never Told You or also on YouTube, and we have 746 00:41:26,600 --> 00:41:27,120 Speaker 3: a book you. 747 00:41:27,080 --> 00:41:28,320 Speaker 2: Can get wherever you get your books. 748 00:41:28,480 --> 00:41:30,799 Speaker 3: Thanks as always to our super producer, pre Senior Exader Prus, 749 00:41:30,920 --> 00:41:32,360 Speaker 3: my aunt or contuter Joey. 750 00:41:32,480 --> 00:41:35,120 Speaker 2: Thank you and thanks to you for listening. Steffan Never 751 00:41:35,120 --> 00:41:36,279 Speaker 2: Told You sbtected by Heart Radio. 752 00:41:36,280 --> 00:41:38,200 Speaker 3: For more podcasts from iHeartRadio, you can check out the 753 00:41:38,239 --> 00:41:40,279 Speaker 3: heart Radio app Apple Podcasts wherever you listen to your 754 00:41:40,320 --> 00:41:40,960 Speaker 3: favorite shows