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Speaker 1: Hi, everyone. We hope you're having an amazing Thanksgiving week

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Speaker 1: and taking some time to practice gratitude and reflect on

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Speaker 1: all of the ways everything is so perfect right now.

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Speaker 1: This week, we are releasing the audio for our Toronto

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Speaker 1: Live show, which just happened three days ago, featuring Ben Sosa, right,

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Speaker 1: Sarah Hagge, and Nathan Hare. It was such a perfect

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Speaker 1: night and we're so grateful to the Paradise Theater for

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Speaker 1: having us. But sadly, there was a slight audio issue

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Speaker 1: and we lost the first fifteen minutes of the show,

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Speaker 1: which was our introduction before we brought out our guests,

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Speaker 1: and so there might just be a couple of little

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Speaker 1: references and callbacks that might make no sense. A big

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Speaker 1: part of the introduction was that the show was the

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Speaker 1: same night as the final night of the Toronto Earros

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Speaker 1: tour shows. So I had just come off of a

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Speaker 1: plane that was filled to the brim with Swifties, So

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Speaker 1: you know, I had a tight ten minutes on that

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Speaker 1: right off the bat, and I'm going to try my

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Speaker 1: very best to remember exactly what I said and do

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Speaker 1: a dramatic reading of it when we next record. But

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Speaker 1: otherwise I think the show is incredible and it can

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Speaker 1: be enjoyed for what it is without knowing what happened

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Speaker 1: in the beginning. And thank you so much to other

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Speaker 1: amazing guests, and thank you to everyone who came. We

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Speaker 1: had such an incredible weekend in Toronto, and thank you

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Speaker 1: everyone for listening, and have an amazing Thanksgiving we have

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Speaker 1: earned it. Is women in STEM like a thing here?

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Speaker 1: Or is it just natural? Oh no, here's what I mean.

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Speaker 1: Oh no, here's what I mean. In my naturally in Canada,

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Speaker 1: it's fifty to fifty. Like no one even ever had

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Speaker 1: to do any sort of like women in STEM outreach

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Speaker 1: because everything is so equal that just like my default,

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Speaker 1: it's fifty to fifty, I will say, we you absolutely

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Speaker 1: do not have that here.

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Speaker 2: We have a thriving, honish community consisting solely of the

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Speaker 2: most gorgeous women you've ever seen. No, of course, there's

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Speaker 2: there are places for women to do STEM.

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Speaker 1: No I know here, I'm saying that are University Avenue?

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Speaker 3: Ah oh damn, he knows all the local references I

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Speaker 3: used up the only one? Oh no, yeah who here

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Speaker 3: loves blor Street?

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Speaker 1: Yeah take that bitch.

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Speaker 4: No even name one more Brunswick.

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Speaker 2: Oh no, no, no, one here has had a good

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Speaker 2: memory on that street.

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Speaker 1: Oh I know that because I live here. And now

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Speaker 1: you're making more specific so now we're out of it again.

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Speaker 1: We don't know the connotation of BRUNDI yeah, I.

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Speaker 4: Say Brunswick all willy nilly.

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Speaker 2: I would say Brunswick is like a place where like

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Speaker 2: young men go to like hone their dark magic, like

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Speaker 2: under the cover of nightfall.

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Speaker 1: And it's not how young are we talking? Like eighteen?

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Speaker 3: That's good, thank god. Well we always have to ask this,

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Speaker 3: But what are the vibes like backstage?

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Speaker 1: Yeah? What the hell is going on? Really really toxic?

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Speaker 2: But once you remove me from that equation, I can

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Speaker 2: only assume they're thriving.

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Speaker 1: Yeah, yeah, totally.

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Speaker 2: But no, great you you have to understand Sam and George.

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Speaker 2: There's like there's like hummus.

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Speaker 1: Back there, the Broxoli of tequila. Yeah, we don't have

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Speaker 1: that here. What the hell you don't have venue? We

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Speaker 1: don't have venue? Baby, girl, were gonna want to eat

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Speaker 1: transfer me?

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Speaker 3: This is great standing ovation, guys. Ry Yeah, okay, me

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Speaker 3: sending an eat transfer on?

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Speaker 4: Yes, yes, the girls who eat transfer on Brunswick.

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Speaker 3: No, that's really good, that's you know, Okay, can I

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Speaker 3: ask a question about Canada? Of course I was at

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Speaker 3: a coffee shop today too, But the second one I

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Speaker 3: went to, I said, can I have whole milk in that?

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Speaker 3: And she said maybe, girl, what you met was two percent,

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Speaker 3: So that's true.

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Speaker 1: Sorry, there's no whole milk.

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Speaker 3: Well we would be like.

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Speaker 1: Three point five home o milk, but you would never

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Speaker 1: say the word whole milk. What what did you just

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Speaker 1: call me? Yeah? Literally?

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Speaker 3: Hello?

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Speaker 1: I do want to say the most Canadian thing that

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Speaker 1: happened backstages. You walked in and I, within truly thirty

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Speaker 1: seconds of knowing each other, you were like, Sarah Pauly's

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Speaker 1: daughter goes to the place. How okay, Carol? Or it

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Speaker 1: came up so much more organically than that. Look at

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Speaker 1: the Sarah Paul. I remember how it came up. But

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Speaker 1: I was like, I was like, he's gonna bring up

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Speaker 1: Sarah Paul.

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Speaker 2: Of course we all know Sarah PAULI here, Well, we've

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Speaker 2: all done coqu Withita.

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Speaker 1: That is she a party girl? No? No, Well, this

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Speaker 1: is the thing with Canadian celebrities, or and specifically Toronto

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Speaker 1: based ones, is somehow everyone knows them. It's like when

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Speaker 1: you mentioned Grimes, every single persons like, oh, she was

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Speaker 1: my roommate.

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Speaker 3: Yeah, Who the hell is Sarah Pauly.

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Speaker 1: Sarah Pauly is a form. First of all, you've made

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Speaker 1: a grave mistake. Mistake. Sarah Pauli is a former. In

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Speaker 1: the beginning, she was a child actress, and then she

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Speaker 1: became a very respected writer director. She wrote that movie

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Speaker 1: Women Talking, Oh got It Away from She also starts

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Speaker 1: with Adrian Brody in the movie Splice, where they have

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Speaker 1: ad oh sure, then.

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Speaker 2: Sexually assaults Adrian Yes, and Sarah Polly And the movie

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Speaker 2: ends with Sarah Paully being pregnant with.

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Speaker 1: The alien baby.

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Speaker 3: Yeah, and she's keeping it and the baby and the

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Speaker 3: baby it's trans well. I want to apologize, by the way,

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Speaker 3: I want to apologize for not knowing who Sarah Pauli was.

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Speaker 3: You know, sometimes you think you can be bold in

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Speaker 3: your ignorance, you know, Sheila Hetty, Oh my god, you

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Speaker 3: can't do this right now. You can't do this when

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Speaker 3: everyone hates me already? Do you do you know?

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Speaker 2: Amanda Brugal, Oh my god, you're making things up.

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Speaker 1: Now, do I know? Okay? Wait? Sarah Salami, what the

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Speaker 1: hell love Sarah?

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Speaker 2: She's she's a term she's a terf but her EP

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Speaker 2: is incredible.

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Speaker 1: That's true. Okay, Ben, what is your straight topic and

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Speaker 1: what is straight about it?

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Speaker 2: My straight topic is taking a really long time to

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Speaker 2: ask a question at a.

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Speaker 3: Q and A.

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Speaker 1: Now this is a sort of classic. This is rich

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Speaker 1: or not even asking a question at all.

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Speaker 2: And I realized this was straight because I saw the

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Speaker 2: Tiff premiere of Moonlight years ago.

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Speaker 1: Janelle Money was there. It's actually insane that you're talking

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Speaker 1: about this.

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Speaker 2: Well, got you, You're gonna love this. She said something

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Speaker 2: really powerful which I'll never forget. Is she someone in

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Speaker 2: the Q and A was like, oh, what's it like

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Speaker 2: kind of being a musician and like an actor, and

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Speaker 2: she like stopped the person and she's like, no, no.

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Speaker 1: No, baby, I'm not an actor. I'm not a singer.

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Speaker 1: I am not an artist. I am a storyteller.

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Speaker 2: And I think that's when I realized, like all people

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Speaker 2: in Hollywood are psychopaths, yeah.

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Speaker 1: Who don't mean the thing that they say.

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Speaker 2: But at that Moonlight Q and A there was and

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Speaker 2: the Q and A like started and Barry Jenkins was

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Speaker 2: like opening up. He's like all right, like yeah, but whatever,

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Speaker 2: and the first that's verbaiting him what he said, and

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Speaker 2: a man, a straight man, put his hand up first

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Speaker 2: and already to do that at Moonlight is kind of

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Speaker 2: like so bold, kind of like ordering for the table vibes,

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Speaker 2: you know what I mean.

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Speaker 4: But in a sense it's also kind of diva mode.

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Speaker 2: But he wouldn't even know that's diva mode. He'd be like,

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Speaker 2: I have a question that's burning inside of me. Yeah,

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Speaker 2: yeah yeah, and if I don't let it go with

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Speaker 2: then everyone's in danger.

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Speaker 3: Yeah yeah yeah.

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Speaker 2: And his question was it wasn't a question. It started

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Speaker 2: off by saying, oh, I noticed you shot the movie

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Speaker 2: in seventy milimeter, and then Barry Jakin stopped him and was.

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Speaker 1: Like, oh, we didn't shoot the movie, and something on me.

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Speaker 1: Oh my god, that guy probably killed himself. Yeah he did.

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Speaker 2: He dead, He's dead, he's that origin.

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Speaker 1: We he's dead.

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Speaker 2: We we burnt down his house, killed the bloodline. It

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Speaker 2: ended with him. But it was just so strange.

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Speaker 1: And then the vibe of the Q and A felt

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Speaker 1: so like jokey.

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Speaker 3: Kind of kiki after that, yeah, because we were like,

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Speaker 3: that film is one big kiki.

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Speaker 5: The film was.

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Speaker 3: One big kiky.

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Speaker 2: If I could sht summarize the Moonlight it would be

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Speaker 2: that that boy just trying to kick you.

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Speaker 3: And aren't we all period?

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Speaker 1: I hate to get passionate.

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Speaker 3: Yeah, here's a question for you.

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Speaker 1: Okay, you're doing it? No, no, can I say something

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Speaker 1: my show, I'm Janelle Money in this situation. But what's so?

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Speaker 2: But what's what always happens with the man at the

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Speaker 2: Q and A? And I'm not saying George is doing that,

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Speaker 2: but it remains to be seen. But but the question

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Speaker 2: will never just start with like, oh so, like what

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Speaker 2: was this? Like it always starts with like paragraph of

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Speaker 2: like here's why I'm asking the question.

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Speaker 1: In this essay, I will ask. Okay, I'm gonna go

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Speaker 1: go ahead and wring the Sarah Pauli alarm because I'm

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Speaker 1: a woman talking. So here's my question for you. Of

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Speaker 1: the three options which are ask a question, do a

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Speaker 1: statement instead of a question, or remain silent and do

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Speaker 1: not observe, observe listen uh rank them from gata straight.

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Speaker 1: Oh my god, yeah.

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Speaker 3: No, that's none of the above, Janelle Mony.

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Speaker 1: Well, okay, I guess hmmm. I think listening would have

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Speaker 1: to be like is listening or is that there's no question? Gay?

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Speaker 4: Okay, But here's the thing.

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Speaker 2: This is when queerness uh oh becomes gendered because I'm like,

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Speaker 2: a gay man would not be listening at a Q

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Speaker 2: and A.

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Speaker 1: That's what I'm saying. No, there's a queer People do

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Speaker 1: want to be loud and heard.

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Speaker 2: Yes, I think the straightest of those three will have

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Speaker 2: to be just kind of stating, stating off the top, yeah,

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Speaker 2: maybe providing an anecdote and.

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Speaker 1: Then asking a question, and then asking a question okay.

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Speaker 1: I think the.

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Speaker 2: Queerest thing to do might even be never asking a

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Speaker 2: question and just being like, here's what I liked, yeah,

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Speaker 2: or be like I hated that part.

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Speaker 1: But wait, isn't that what you Isn't that your straight topic?

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Speaker 1: I didn't realize this I was on trial either.

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Speaker 2: This was kind of a fun show where gay men.

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Speaker 2: Gay men are supposed to just be ourselves for once.

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Speaker 2: I guess, I guess you caught me.

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Speaker 1: You caught me. I fucked up? Boys, Come get him.

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Speaker 3: I have a question for both of you, Actually, I

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Speaker 3: plead guilty. Have you either? I want to know if

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Speaker 3: either of you.

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Speaker 1: This is like the question asker in jenomine.

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Speaker 4: Have either of you ever asked a question out of humunitty?

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Speaker 1: No, I would say, I certainly.

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Speaker 4: Look who's on trial.

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Speaker 5: Oh god, oh my god boy.

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Speaker 1: I would say I was a question asker through age

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Speaker 1: like twenty two and then I stopped double god. Yeah,

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Speaker 1: if you were so in college, I would be like, so.

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Speaker 3: You juvie just for you, juv for me. Yeah, your

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Speaker 3: brain wasn't developed yet.

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Speaker 1: What do you have any memories of a question?

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Speaker 5: Yes?

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Speaker 1: Yes, Okay. So one time in college I was going

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Speaker 1: through a really staunch atheist phase. We don't do that here,

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Speaker 1: by the way. I'm I'm past it. Okay, I'm now

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Speaker 1: really he loves the Lord. I'm now really born again Christian.

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Speaker 3: No.

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Speaker 1: I no longer care and nor would I ever like

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Speaker 1: judge anyone for any kind of religious practice. Yeah, but

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Speaker 1: at the time, I was going through like a staunch

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Speaker 1: atheist phase, and we had like a very important person

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Speaker 1: in politics speak about something completely unrelated. It was like

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Speaker 1: a like a lawyer that was up for the Supreme Court,

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Speaker 1: and they were and it was like during the Obama's presidency,

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Speaker 1: and it was like a big deal of this person

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Speaker 1: was speaking. Everyone else was asking like very normal questions.

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Speaker 1: And I had just read an article about like compulsory

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Speaker 1: prayer at schools, So I raised my hand and was like, so,

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Speaker 1: where do you stand on the compulsory prayer at schools? Yeah?

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Speaker 1: And the person was like, that's not important, but that

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Speaker 1: was saying the power of asking a question for good?

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Speaker 1: Well was it for good? Though?

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Speaker 3: And honestly, I was interesting to be way more off

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Speaker 3: base the way that you're showing it up. Okay, because

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Speaker 3: I'm like, that's a normal question, sure whatever.

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Speaker 1: But it's such a would you guys not agree that

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Speaker 1: that's a very like straight guy question, Like it's it's

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Speaker 1: like to go out there and be because a straight.

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Speaker 2: Guy question will always for position what they know so

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Speaker 2: far about the thing they're asking about.

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Speaker 1: So that's what it is. It's like big not from

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Speaker 1: a man in the front room. This topic was so

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Speaker 1: was not part of it. It's like me being like,

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Speaker 1: you shot it in seventy millimeter and she's like, well,

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Speaker 1: I'm a lawyer.

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Speaker 3: The way that I actually wish one time in my

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Speaker 3: life I can have the bravery to ask a question

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Speaker 3: in a Q and a yeah.

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Speaker 1: But I'm always like, well, what am I going to?

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Speaker 3: Like? The movie's done? What do I need to know?

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Speaker 3: That's like that's always I'm.

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Speaker 1: Sort of like, well, I can't change anything.

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Speaker 3: Yeah, have fun.

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Speaker 2: So you think your questions would like spawn like things

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Speaker 2: they'd want to change of the Milt move pretty much.

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Speaker 3: I want to be able to be like, hey, did

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Speaker 3: you mean to do that? Because because I think you

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Speaker 3: should change it.

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Speaker 1: Well, here's the thing. Okay, so I think the stereotype,

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Speaker 1: so you know, it's like a straight like confident, straight guy. Okay,

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Speaker 1: the stereotype is like he's going to get up and

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Speaker 1: like take up all the space in the room. Right. Yeah,

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Speaker 1: but here's the thing. Actually, Oh, the most confident you

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Speaker 1: can be is knowing you know everything and that there's

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Speaker 1: no possible other information you could get from the person.

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Speaker 2: Yes, you're so removed from itself exactly, and I there's

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Speaker 2: nothing Barry Jenkins could ever teach you exactly.

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Speaker 3: Wait but wait, I.

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Speaker 1: Feel like, well go ahead.

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Speaker 3: Well I'm like that's almost It's not that I'm like

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Speaker 3: I can't learn from him, but I am sort of

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Speaker 3: like we're on different journeys. Yeah, Like I'm like Barry's

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Speaker 3: journey is not my journey.

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Speaker 1: Bears, but also you're like, well we're peers, Like he's

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Speaker 1: doing his thing, I'm doing my own. Of course, nothing

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Speaker 1: the tables could be reversed. So I guess you know

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Speaker 1: who's not asking a question at the Q and A

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Speaker 1: for La La Land Barry Jenkins, Barry Jenkins.

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Speaker 3: Well, the issue also is like no one's actually asking

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Speaker 3: a question to learn. Yeah, they're asking a question to

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Speaker 3: show that they are smart, and that's where it gets

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Speaker 3: come to.

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Speaker 2: Kind of affirm something that they've been guessing about it

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Speaker 2: like yeah, oh I bet that scene was hard, wasn't it.

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Speaker 1: And then Kelly.

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Speaker 3: Rocard is like sure, yeah, it was super weird to

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Speaker 3: kiss on screen.

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Speaker 1: I was at a Q and A for a book

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Speaker 1: once and someone asked, like someone was fully like this

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Speaker 1: was just so well written, like how do you think

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Speaker 1: I would go about being an author? And I had

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Speaker 1: this one where I was like it was a moment

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Speaker 1: of thirty where I was like, that is every question.

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Speaker 1: That is the subtext of every question, and no matter

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Speaker 1: how like intelligent you think you're being, what you're asking

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Speaker 1: is how can I make Moonlight? Yes?

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Speaker 3: I think I want to end this segment on this,

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Speaker 3: So do we have any Q and as from the audience? Yeah, yeah,

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Speaker 3: yeah in the back.

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Speaker 1: Yeah yeah.

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Speaker 6: This afternoon, I was actually a French film festival, moving

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Speaker 6: with my parents and they started Q and A afterwards

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Speaker 6: in French, and you offered to leave, so lisat listen

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Speaker 6: to them speak in French and not understanding.

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Speaker 3: Okay, that's an amazing question. Thank you for that, and

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Speaker 3: thank you for watching our peace, and thank you for

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Speaker 3: your bravery and your honesty.

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Speaker 1: I would say, learn French. First of all, you're in Canada.

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Speaker 3: Yeah, yeah, I would say learn French. I would say

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Speaker 3: I would say, let's take her from the top. Learn French,

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Speaker 3: and then from now on you won't be confused.

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Speaker 1: Or stand up and say I don't support any of this.

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Speaker 3: Yeah, and then you walk out and it's good. Actually

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Speaker 3: gets them pressed too. It's like protests, spark spark.

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Speaker 1: At French Q and A or just like yeah, get

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Speaker 1: up and be like mel and then just like yeah,

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Speaker 1: standing up, go up.

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Speaker 3: You don't haculugi.

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Speaker 2: Burn the French flag, yeah yeah, burn the first and

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Speaker 2: then and then you raise a quebec Qua flag.

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Speaker 1: Because you are a separate tests.

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Speaker 2: And but for real, girl, next time you find yourself

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Speaker 2: in that situation, just remind yourself that that everything will

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Speaker 2: be okay no matter what, and you have to drink

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Speaker 2: enough water.

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Speaker 4: Self care is so important.

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Speaker 2: Like that, and and and hey, whoever you hurt in

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Speaker 2: the past.

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Speaker 1: They forgive you.

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Speaker 2: And on top of that, moisturize And if you drink

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Speaker 2: a lot of water.

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Speaker 1: You don't, you can moisturize just a little less. Wow.

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Speaker 1: And finally vive la France. Well wow, give.

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Speaker 3: Him it how to prevent some sorietybody?

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Speaker 1: Wow? Wow? Okay, I'm pumped up.

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Speaker 3: No, I'm like literally, I'm.

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Speaker 1: Like, I'm in the manic phase you were this morning.

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Speaker 1: I'm ready to catch a leaf.

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Speaker 3: I would give anything to be mannic again.

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Speaker 1: Would you say that when you caught the leaf? It

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Speaker 1: was like it was like like that or it was

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Speaker 1: like like that.

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Speaker 3: No, it was almost okay, it was like this, like.

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Speaker 1: Wow, okay, it.

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Speaker 4: Was so I literally was like, should I frame this leaf?

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Speaker 1: Did you keep it? No? What the hell? But I

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Speaker 1: really wanted to you should do the thing where you

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Speaker 1: put in a notebook. Well, I was like, customs won't

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Speaker 1: let me. You get arrested for bringing back a leaf. Damn. Wait.

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Speaker 1: We never talked about Canadian niceness. We never talked about

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Speaker 1: Canadian niceness. We can or we can just keep the

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Speaker 1: show going. I wan, let's talk about it a little bit, Okay, okay.

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Speaker 3: Go, you're all very nice, and in a way that

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Speaker 3: is like I'm from the Midwest and people will be like,

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Speaker 3: you know, the Midwest nice is like a phrase, but

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Speaker 3: it's there. It comes with a like daggers behind closed

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Speaker 3: doors and I'm like looking for the daggers here and

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Speaker 3: I'm not seeing it.

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Speaker 1: And to look into someone's eyes and be like, oh kindness.

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Speaker 3: This has happened at least three times today where I've

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Speaker 3: accidentally made eye contact with someone and they say hello,

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Speaker 3: and that has freaked me out.

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Speaker 1: Well, in America, when someone's nice, it's because they want

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Speaker 1: something out of you, and it's because they're being fake,

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Speaker 1: and it's because they're under the table like like making

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Speaker 1: like grabbing their thigh and bleeding. Like my I've told you.

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Speaker 1: My grandmother used to do this impression of American people

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Speaker 1: where she'd be like, oh, hi, nice to meet you,

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Speaker 1: and now she would like do that and they would

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Speaker 1: be like Grandma's like fun impression. But that's like so true,

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Speaker 1: And I keep waiting for the Canadian version of that

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Speaker 1: someone's being so nice. I mean, I keep waiting for

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Speaker 1: them to be like to break and they don't. They

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Speaker 1: just earnest it's incere and it's not ernest in In.

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Speaker 1: You know. Oh, I'm such a little baby, and I

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Speaker 1: don't know about the world. No, I know about the world,

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Speaker 1: and I have opted to be kind.

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Speaker 3: No, it's it's very aware. I this is something I've

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Speaker 3: coined today. Canada is in the Midwest. Got woke.

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Speaker 1: Tony way because.

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Speaker 3: I keep being like, Okay, I'm sort of in the Midwest,

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Speaker 3: but everyone's like aware, but they're not like bummed out

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Speaker 3: about it.

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Speaker 4: Yeah, it's so interesting.

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Speaker 1: Yeah, it's Canada is sort of Obama era of the country,

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Speaker 1: but in a good way.

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Speaker 3: No, like in a way where I'm like, I almost

402
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Speaker 3: like I'm talked to me after the show. Tell me

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Speaker 3: the evils because I need to know. Yeah, don't do

404
00:21:43,800 --> 00:21:46,359
Speaker 3: it now right now, it's all good vibes.

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Speaker 1: Okay, well, are we ready for our next guest? Please

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Speaker 1: please give it up for sick Oh? Wow, hey is this.

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Speaker 4: Oh you have to turn it on it it's a trap.

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00:22:11,280 --> 00:22:12,240
Speaker 7: Hello. Oh there you go.

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Speaker 1: My first time I thought you were I literally thought

410
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Speaker 1: you were saying hello, hello, hello George Son. But you did.

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Speaker 3: It's actually an amazing rite of passage to say into

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Speaker 3: a mic.

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Speaker 4: Is this thing on ling on.

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Speaker 1: Wow, you never get to do that. You gotta ask,

415
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Speaker 1: so what's up?

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Speaker 8: Well, I heard you guys talk everyone being nice, and

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Speaker 8: I just want to say I'm not gonna be nice today.

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Speaker 1: Yeah, but that's like so huge smile exactly like you

419
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Speaker 1: think Sarah has like, uh meanness dysmorphia where she thinks

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Speaker 1: you think you think you're a huge bitch, but in

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Speaker 1: fact you're you're like, Hi.

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Speaker 8: No, I got grit, like there's summon dark going out.

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Speaker 7: Totally, I'm not like that.

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Speaker 3: What do you think is the meanest thing you've ever done?

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Speaker 1: Yeah?

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Speaker 3: Tell us, Sorry, that's the most insane quest thing.

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Speaker 7: I've ever done.

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Speaker 8: I honestly don't think I've ever done anything that mean. Yeah,

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Speaker 8: I mean i'd.

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Speaker 1: Really you just said mean things.

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Speaker 8: Yeah, I've said mean things and I've like done mean things.

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Speaker 5: I haven't been me rare totally.

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Speaker 3: Yeah.

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Speaker 7: Yeah, that was like the essence of the whole interaction,

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Speaker 7: you know.

436
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Speaker 1: I see, I see. Okay, So what was the meanest

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Speaker 1: thing you've ever done? Okay? Oh, I have one back immediately.

438
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Speaker 3: One time I lied to a college improv troup member

439
00:23:47,200 --> 00:23:51,639
Speaker 3: that we were all, you guys don't understand college improv

440
00:23:51,760 --> 00:23:54,720
Speaker 3: is fucking life. And I told him we were all

441
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Speaker 3: going to bed, but actually the cool ones, we're going

442
00:23:57,720 --> 00:24:00,280
Speaker 3: downstairs to hang out with the coolest improv group.

443
00:24:00,359 --> 00:24:01,000
Speaker 7: Did you find out?

444
00:24:01,520 --> 00:24:02,880
Speaker 3: And he woke up in the middle of the night,

445
00:24:02,960 --> 00:24:06,960
Speaker 3: came downstairs, saw us all and just lost his damn mind.

446
00:24:07,080 --> 00:24:08,040
Speaker 1: That's awesome.

447
00:24:09,280 --> 00:24:12,320
Speaker 3: And it was like, I mean the college improv scene

448
00:24:12,359 --> 00:24:13,520
Speaker 3: was rocked in a way that I don't know if

449
00:24:13,520 --> 00:24:18,040
Speaker 3: it's recovered since, but I really was like, this person

450
00:24:18,160 --> 00:24:20,040
Speaker 3: is allowed to hate me, like forever.

451
00:24:20,880 --> 00:24:26,480
Speaker 8: It's what was so wrong about?

452
00:24:25,280 --> 00:24:28,640
Speaker 7: Oh that's mean, that's mean. They're not here.

453
00:24:28,720 --> 00:24:34,000
Speaker 3: Yeah, no, they're not here. No, No, they're fine. They

454
00:24:34,040 --> 00:24:34,720
Speaker 3: live in La.

455
00:24:36,960 --> 00:24:37,240
Speaker 1: Okay.

456
00:24:37,359 --> 00:24:37,560
Speaker 3: Good.

457
00:24:37,760 --> 00:24:43,199
Speaker 1: One time, when I was in grade school, this girl

458
00:24:44,480 --> 00:24:47,439
Speaker 1: there was a photo taken of this girl, just of

459
00:24:47,520 --> 00:24:51,439
Speaker 1: her face, and she like was making straight She was

460
00:24:51,480 --> 00:24:53,840
Speaker 1: like caught off garden, was just like making a funny face.

461
00:24:54,200 --> 00:24:55,720
Speaker 1: And at some point she made a comment and I

462
00:24:55,760 --> 00:24:58,199
Speaker 1: thought she was like laughing at how funny the photo was.

463
00:24:58,640 --> 00:25:02,399
Speaker 1: So then as a joke, I like printed it and

464
00:25:02,480 --> 00:25:06,040
Speaker 1: did something with it, like I like but thinking she

465
00:25:06,119 --> 00:25:08,240
Speaker 1: would like find it funny because she thought the photo

466
00:25:08,320 --> 00:25:10,040
Speaker 1: was funny. And then it turned out she actually like

467
00:25:10,160 --> 00:25:14,120
Speaker 1: hated the photo and I accidentally like severely bullied her,

468
00:25:15,040 --> 00:25:16,040
Speaker 1: so that would be my thing.

469
00:25:16,119 --> 00:25:18,080
Speaker 3: You know, this is such a this is such a

470
00:25:19,680 --> 00:25:23,680
Speaker 3: room ruining segment. What's the meanest thing you've ever done?

471
00:25:23,680 --> 00:25:25,159
Speaker 3: And then we just honestly say, what the meanest thing

472
00:25:25,160 --> 00:25:27,840
Speaker 3: we've ever done is? It's like one of the crazier

473
00:25:27,840 --> 00:25:28,560
Speaker 3: things we've ever done.

474
00:25:28,720 --> 00:25:30,159
Speaker 7: Yeah, that is I'm sorry.

475
00:25:30,320 --> 00:25:31,040
Speaker 3: Well that's good.

476
00:25:31,240 --> 00:25:32,240
Speaker 1: No, it is not your fault.

477
00:25:32,480 --> 00:25:35,280
Speaker 7: No, literally, that's true.

478
00:25:35,320 --> 00:25:36,879
Speaker 3: And it was really smart of you to like not

479
00:25:36,960 --> 00:25:40,360
Speaker 3: really go into totally totally Okay, you know what, Sarah,

480
00:25:40,400 --> 00:25:42,520
Speaker 3: what is your straight topic and what do you think

481
00:25:42,560 --> 00:25:43,280
Speaker 3: is straight about it?

482
00:25:43,520 --> 00:25:47,560
Speaker 8: Okay, my straight topic is speakers and sound quality, like

483
00:25:47,840 --> 00:25:53,800
Speaker 8: caring about speakers and sound quality and having them. I

484
00:25:53,840 --> 00:25:57,359
Speaker 8: honestly think this is all straight and also gendered, because

485
00:25:58,400 --> 00:26:01,240
Speaker 8: if you go to any woman's home and she's straight

486
00:26:01,400 --> 00:26:04,240
Speaker 8: and she has a speaker or a soundbar, a guy

487
00:26:04,320 --> 00:26:07,640
Speaker 8: brought it there, she.

488
00:26:07,680 --> 00:26:11,399
Speaker 7: Is Oh my god, she did not do that herself.

489
00:26:11,640 --> 00:26:12,280
Speaker 7: A guy did it.

490
00:26:12,359 --> 00:26:14,280
Speaker 8: And I've seen this happen with my friends. That's how

491
00:26:14,320 --> 00:26:17,320
Speaker 8: I note something's going on, Like it's like serious. My

492
00:26:17,359 --> 00:26:21,840
Speaker 8: friend has a shitty TV and she has amazing speakers,

493
00:26:23,720 --> 00:26:26,400
Speaker 8: and I was like, your boyfriend did that, and she's

494
00:26:26,480 --> 00:26:28,359
Speaker 8: like yeah, you know, like he just says like you

495
00:26:28,359 --> 00:26:30,680
Speaker 8: can't really hear well on the TV speakers, and you're

496
00:26:30,720 --> 00:26:34,879
Speaker 8: like like fuck, like we can't keep losing you guys.

497
00:26:36,280 --> 00:26:40,600
Speaker 1: This is a classic example of like ranking things as

498
00:26:40,640 --> 00:26:42,960
Speaker 1: gay or straight comes all the way back round to

499
00:26:43,040 --> 00:26:46,760
Speaker 1: just being like sexist, just one of the one confusing.

500
00:26:46,800 --> 00:26:50,440
Speaker 1: Women don't know about technology, don't know truly, they don't.

501
00:26:50,520 --> 00:26:51,440
Speaker 7: We don't. We don't.

502
00:26:51,640 --> 00:26:53,800
Speaker 8: That's why we have the captions on and that's why

503
00:26:53,800 --> 00:26:59,240
Speaker 8: things are so loud, and it's that is okay. And

504
00:26:59,320 --> 00:27:01,960
Speaker 8: I know this is because I started getting so angry

505
00:27:01,960 --> 00:27:05,159
Speaker 8: about my friends having boyfriends who got them soundbars that

506
00:27:05,480 --> 00:27:09,280
Speaker 8: I got a soundbar and I thought I was.

507
00:27:09,280 --> 00:27:12,040
Speaker 7: Gonna do it on my own. It took me six

508
00:27:12,080 --> 00:27:17,360
Speaker 7: to seven weeks, no, because I was like, okay, like there's.

509
00:27:17,160 --> 00:27:22,480
Speaker 8: A whole world of speakers and they cost nothing, and

510
00:27:22,520 --> 00:27:24,840
Speaker 8: they cost a lot, and you don't know which one

511
00:27:24,880 --> 00:27:27,240
Speaker 8: to get or will fit. Yeah, I had to ask

512
00:27:27,280 --> 00:27:29,560
Speaker 8: a guy. I ended up asking how to help me,

513
00:27:30,200 --> 00:27:31,200
Speaker 8: and I did get one.

514
00:27:31,240 --> 00:27:33,160
Speaker 7: And it's true. You do hear things.

515
00:27:33,000 --> 00:27:34,960
Speaker 8: Better and you turn the captions off when you get

516
00:27:35,000 --> 00:27:36,720
Speaker 8: a soundbar and it changes everything.

517
00:27:37,440 --> 00:27:39,480
Speaker 3: I hate when guys is when straight guys are.

518
00:27:39,480 --> 00:27:42,120
Speaker 7: Right, they are, but then it goes too far.

519
00:27:42,280 --> 00:27:44,040
Speaker 8: They care They go like, yeah, you know, if you

520
00:27:44,080 --> 00:27:46,119
Speaker 8: see a movie at tip cinema one, like the sound

521
00:27:46,200 --> 00:27:48,600
Speaker 8: is actually so good, like that's where you should be

522
00:27:48,680 --> 00:27:50,800
Speaker 8: watching that, And you're like I know that's true, and

523
00:27:50,840 --> 00:27:53,000
Speaker 8: I know that will enhance my experience, but like you.

524
00:27:52,920 --> 00:27:54,240
Speaker 7: Don't have to make it like that.

525
00:27:54,520 --> 00:27:57,480
Speaker 3: Yeah, well there is like when is enough going to

526
00:27:57,520 --> 00:27:57,800
Speaker 3: be enough?

527
00:27:57,880 --> 00:27:58,040
Speaker 4: Yes?

528
00:27:58,080 --> 00:28:00,280
Speaker 7: When is it? Like so you want to hear everything now,

529
00:28:00,440 --> 00:28:01,040
Speaker 7: like all.

530
00:28:00,920 --> 00:28:04,040
Speaker 3: The time, Like I am, like, if you're in a

531
00:28:04,080 --> 00:28:06,240
Speaker 3: movie theater, you're hearing most of it, yes, And.

532
00:28:06,760 --> 00:28:07,160
Speaker 5: You know what.

533
00:28:07,240 --> 00:28:08,840
Speaker 7: I went to go see Tar. I went to a

534
00:28:08,880 --> 00:28:09,760
Speaker 7: shitty theater.

535
00:28:09,840 --> 00:28:12,240
Speaker 8: And I had to walk out because it sounded too scary.

536
00:28:12,280 --> 00:28:14,119
Speaker 8: It was too loud, and like I was like, this

537
00:28:14,160 --> 00:28:14,680
Speaker 8: isn't working.

538
00:28:14,720 --> 00:28:15,880
Speaker 7: I can't hear Tar properly.

539
00:28:16,080 --> 00:28:18,320
Speaker 8: My friend and I walked out and then someone goes, yeah,

540
00:28:18,320 --> 00:28:20,479
Speaker 8: it's because you know the sound in that cinema.

541
00:28:20,640 --> 00:28:21,920
Speaker 7: Well, I don't shut up.

542
00:28:21,960 --> 00:28:27,720
Speaker 1: Like there is something about the impulse to problem solve

543
00:28:28,000 --> 00:28:32,520
Speaker 1: is very straight man, Like if I'm turning on my

544
00:28:32,560 --> 00:28:35,520
Speaker 1: TV and I don't and the image is stretched out.

545
00:28:35,560 --> 00:28:37,320
Speaker 1: I'm like, that's how it's meant to be.

546
00:28:38,880 --> 00:28:39,600
Speaker 7: Yeah.

547
00:28:39,640 --> 00:28:42,680
Speaker 3: Well there's something about like learning the technology where you're

548
00:28:42,720 --> 00:28:44,760
Speaker 3: like you're making it not magical.

549
00:28:44,520 --> 00:28:46,920
Speaker 1: When I also like, I know that if I, if

550
00:28:46,960 --> 00:28:49,520
Speaker 1: I begin the journey of attempting to figure it out,

551
00:28:50,080 --> 00:28:52,560
Speaker 1: I will entry years long depression.

552
00:28:52,600 --> 00:28:55,120
Speaker 7: Because that's exactly.

553
00:28:55,280 --> 00:28:58,200
Speaker 8: And also, have you ever tried playing something on a

554
00:28:58,200 --> 00:28:59,600
Speaker 8: phone around a guy?

555
00:29:00,080 --> 00:29:00,520
Speaker 7: Straight guy?

556
00:29:00,720 --> 00:29:02,440
Speaker 8: They get so mad if you play a song on

557
00:29:02,480 --> 00:29:04,440
Speaker 8: your phone without a speaker, I.

558
00:29:04,440 --> 00:29:12,880
Speaker 7: Can't listen to that. Let's just sound, it's all the time.

559
00:29:13,120 --> 00:29:18,160
Speaker 1: Yeah, huh. It's interesting because it's also the things to

560
00:29:18,360 --> 00:29:21,280
Speaker 1: choose to perfect, Like they want sound to be perfect,

561
00:29:21,360 --> 00:29:24,880
Speaker 1: they want visuals to be perfect. But then it's like

562
00:29:25,200 --> 00:29:27,320
Speaker 1: there will be like a shit stand on their bed.

563
00:29:27,960 --> 00:29:33,000
Speaker 3: Yes, well it's like a technical thing rather than like

564
00:29:33,000 --> 00:29:33,800
Speaker 3: a visual thing.

565
00:29:33,960 --> 00:29:37,720
Speaker 1: Yeah, it's like, okay, here's what it is. Anything that

566
00:29:37,880 --> 00:29:42,520
Speaker 1: is that can be optimized should be optimized. But anything

567
00:29:42,520 --> 00:29:44,960
Speaker 1: that is more vague they basically don't see.

568
00:29:45,120 --> 00:29:48,000
Speaker 7: Yeah, yeah, yes, they want to beat it.

569
00:29:48,280 --> 00:29:48,560
Speaker 1: Yeah.

570
00:29:48,600 --> 00:29:50,240
Speaker 3: This is where it gets into This is where it

571
00:29:50,240 --> 00:29:55,160
Speaker 3: gets gendered and like homophobic, heteronormative again where I'm like, okay,

572
00:29:54,480 --> 00:29:58,400
Speaker 3: so it's the boys job to put all the chords

573
00:29:58,440 --> 00:30:00,560
Speaker 3: and figure out all the tech. It's the jobs to

574
00:30:00,600 --> 00:30:02,560
Speaker 3: go why are all these chords here? Yeah, you gotta

575
00:30:02,560 --> 00:30:03,479
Speaker 3: cover up these chords.

576
00:30:03,560 --> 00:30:04,160
Speaker 1: Yeah, and it.

577
00:30:04,440 --> 00:30:07,040
Speaker 7: Actually I saw like this chord managing thing on Amazon.

578
00:30:07,080 --> 00:30:09,680
Speaker 7: You can get them, and you're like.

579
00:30:09,800 --> 00:30:13,240
Speaker 3: Okay, boys put out chords, girls put away chords.

580
00:30:14,640 --> 00:30:18,000
Speaker 1: But it's also again two different types of problems solving.

581
00:30:18,040 --> 00:30:20,000
Speaker 1: It's like the boy will literally make the room as

582
00:30:20,120 --> 00:30:23,320
Speaker 1: ugly as possible, chords everywhere, but then the image quality

583
00:30:23,440 --> 00:30:25,960
Speaker 1: more perfect, utter quality perfect, and then the girl will

584
00:30:25,960 --> 00:30:27,880
Speaker 1: be like, well, I'm tripping and falling because of all

585
00:30:27,960 --> 00:30:30,400
Speaker 1: these chords. What if we do something about that?

586
00:30:30,880 --> 00:30:34,040
Speaker 7: Yeah, I don't know what it is.

587
00:30:34,120 --> 00:30:36,960
Speaker 8: I just it's like exactly what you said, where they

588
00:30:36,960 --> 00:30:41,280
Speaker 8: don't the problem's done so nothing else exists, Yes, exactly.

589
00:30:41,160 --> 00:30:43,719
Speaker 3: Yeah, Yeah, George, I have a question in your relationship.

590
00:30:43,760 --> 00:30:45,480
Speaker 3: Do you put out the chords or put away the chords?

591
00:30:47,400 --> 00:30:51,920
Speaker 1: I would say, see, this is tough. I would say, sadly,

592
00:30:53,040 --> 00:30:54,400
Speaker 1: chords are not dealt with.

593
00:30:55,680 --> 00:30:58,920
Speaker 8: Wow, I totally thought you were putting the chords out.

594
00:30:59,520 --> 00:31:02,320
Speaker 1: You think I'm the one that is like perfecting the sound.

595
00:31:03,360 --> 00:31:04,040
Speaker 7: We could see that.

596
00:31:04,520 --> 00:31:06,400
Speaker 1: No, here's what I am. Okay, so this is what

597
00:31:06,560 --> 00:31:09,600
Speaker 1: I am. I am. I noticed a problem. It bugs

598
00:31:09,640 --> 00:31:11,680
Speaker 1: me so much, and then I complain about it every

599
00:31:11,760 --> 00:31:15,479
Speaker 1: day for a year and a half, And not only

600
00:31:15,520 --> 00:31:17,320
Speaker 1: don't complain about it, but I complain about it as

601
00:31:17,480 --> 00:31:20,479
Speaker 1: though I keep trying to fix it. I'm like in

602
00:31:20,480 --> 00:31:23,920
Speaker 1: my mind, I'm like I've done everything, but I've done nothing.

603
00:31:24,320 --> 00:31:26,240
Speaker 8: It's thinking about it is all exact a lot of

604
00:31:26,240 --> 00:31:28,800
Speaker 8: work and then being like I know the second I

605
00:31:28,840 --> 00:31:32,640
Speaker 8: start actively caring, it will take out a lot emotionally,

606
00:31:32,720 --> 00:31:35,360
Speaker 8: and that though there's work before the work exactly.

607
00:31:35,280 --> 00:31:37,280
Speaker 1: Well, because you're like, well I've already I've already thought

608
00:31:37,280 --> 00:31:40,840
Speaker 1: about this for a year. Maybe if I don't, if

609
00:31:40,840 --> 00:31:44,640
Speaker 1: I ignore it, I'll sort of naturally stop thinking about it.

610
00:31:44,840 --> 00:31:47,080
Speaker 1: But if I start fixing it, that's like adding at

611
00:31:47,160 --> 00:31:48,240
Speaker 1: least another six months.

612
00:31:48,360 --> 00:31:50,080
Speaker 3: Well, if you start fixing it, it's like I guess

613
00:31:50,120 --> 00:31:53,640
Speaker 3: I have to call out of work. Yeah, like that's

614
00:31:53,680 --> 00:31:54,640
Speaker 3: a full time job.

615
00:31:55,000 --> 00:31:58,000
Speaker 8: Yeah, And you have to like know what you want

616
00:31:58,120 --> 00:32:00,880
Speaker 8: and feel like you to go with what you feel like.

617
00:32:00,920 --> 00:32:04,680
Speaker 8: Sometimes it's like I will learn what I love through

618
00:32:04,680 --> 00:32:05,520
Speaker 8: worrying about it.

619
00:32:05,640 --> 00:32:06,320
Speaker 1: Yeah.

620
00:32:06,440 --> 00:32:08,440
Speaker 7: Yeah, that's the work before the work.

621
00:32:10,480 --> 00:32:10,680
Speaker 1: Yeah.

622
00:32:10,760 --> 00:32:12,240
Speaker 7: No, that's my new thing, the work.

623
00:32:13,160 --> 00:32:13,760
Speaker 1: That's your book.

624
00:32:13,840 --> 00:32:15,520
Speaker 3: No, that's such a beautiful title.

625
00:32:15,720 --> 00:32:17,360
Speaker 7: The work before the word steal it.

626
00:32:17,400 --> 00:32:20,440
Speaker 3: Okay if the book was literally completely empty inside it,

627
00:32:20,480 --> 00:32:21,600
Speaker 3: so it'll be like I should pick this up.

628
00:32:21,680 --> 00:32:23,720
Speaker 7: Yeah, because Okay, we were talking about this.

629
00:32:24,080 --> 00:32:27,520
Speaker 8: There was a book that we both were like conceptually

630
00:32:27,760 --> 00:32:30,520
Speaker 8: fully agreed by reading about it. Yeah, we're never going

631
00:32:30,520 --> 00:32:32,560
Speaker 8: to read it, but I'm like, I know, I know

632
00:32:32,680 --> 00:32:34,520
Speaker 8: what's in there, and I agree, and I'm going to

633
00:32:34,600 --> 00:32:35,440
Speaker 8: tell people about it.

634
00:32:35,920 --> 00:32:38,239
Speaker 1: Yes. No, this is the thing with self help and

635
00:32:38,280 --> 00:32:40,640
Speaker 1: with like the power of habit. Like but it's like

636
00:32:41,040 --> 00:32:43,040
Speaker 1: all you need to do is think of a phrase

637
00:32:44,040 --> 00:32:48,360
Speaker 1: the end, Like you can you can just like literally

638
00:32:48,920 --> 00:32:52,120
Speaker 1: all blank pages, think of a phrase and it can

639
00:32:52,160 --> 00:32:53,680
Speaker 1: like rewire here you think about, like what is it

640
00:32:53,720 --> 00:32:56,160
Speaker 1: like even just like don't sweat the small stuff.

641
00:32:56,320 --> 00:33:00,680
Speaker 8: Yeah, oh wash your face girl, yeah, your face girl,

642
00:33:01,080 --> 00:33:02,280
Speaker 8: literally wash your face girl.

643
00:33:05,960 --> 00:33:08,360
Speaker 1: No, but the work before the work? Would the point

644
00:33:08,440 --> 00:33:12,840
Speaker 1: of your book be that like a a guide from

645
00:33:12,880 --> 00:33:16,600
Speaker 1: minimizing the work before the work or empowering people to

646
00:33:16,640 --> 00:33:17,239
Speaker 1: celebrate the work.

647
00:33:17,360 --> 00:33:17,800
Speaker 7: Thank you for.

648
00:33:17,800 --> 00:33:22,320
Speaker 8: Asking, because I feel like through my own experience working

649
00:33:22,360 --> 00:33:26,920
Speaker 8: before the work, I feel like, you know what happened

650
00:33:26,960 --> 00:33:29,840
Speaker 8: to me naturally was I just had to embrace the

651
00:33:29,840 --> 00:33:32,360
Speaker 8: work for the work. And I think it's about embracing

652
00:33:33,080 --> 00:33:36,080
Speaker 8: not doing stuff that you're supposed to be doing because

653
00:33:36,160 --> 00:33:39,360
Speaker 8: you're not ready to do it yet, and you grew

654
00:33:39,440 --> 00:33:42,080
Speaker 8: in that time you were putting it off and you're

655
00:33:42,160 --> 00:33:43,360
Speaker 8: ready to do the work.

656
00:33:43,600 --> 00:33:46,080
Speaker 1: And that is the work before the work exactly totally.

657
00:33:50,920 --> 00:33:53,760
Speaker 1: It's like the work before the work is intellectual and

658
00:33:53,840 --> 00:33:58,320
Speaker 1: the work itself is practical. It's like you're building something.

659
00:33:58,400 --> 00:34:01,000
Speaker 7: It's thinking about the speakers that's putting away the courts.

660
00:34:02,800 --> 00:34:04,360
Speaker 1: Literally, you know what the work before the work is

661
00:34:04,400 --> 00:34:09,200
Speaker 1: in terms of the speakers reading film theory.

662
00:34:07,680 --> 00:34:10,640
Speaker 7: And being like, man, they did crazy sound. They never

663
00:34:10,680 --> 00:34:12,239
Speaker 7: got to do it became illegal after that.

664
00:34:13,480 --> 00:34:14,960
Speaker 4: I also just say the work of the work is

665
00:34:15,040 --> 00:34:16,120
Speaker 4: very CEO coded.

666
00:34:16,440 --> 00:34:18,920
Speaker 3: It's very like, well I did all this, and it's

667
00:34:18,960 --> 00:34:21,279
Speaker 3: like no, you were like somebody should.

668
00:34:21,040 --> 00:34:23,759
Speaker 8: Do that, right, yeah, but they wouldn't know until I

669
00:34:23,920 --> 00:34:25,920
Speaker 8: was like, you have to do that.

670
00:34:27,360 --> 00:34:29,239
Speaker 3: CEOs are literally like, my job is so hard. I'm

671
00:34:29,239 --> 00:34:30,360
Speaker 3: always like someone should do that.

672
00:34:32,360 --> 00:34:32,840
Speaker 7: Yes.

673
00:34:34,560 --> 00:34:35,520
Speaker 1: Huh. Wow.

674
00:34:35,680 --> 00:34:38,480
Speaker 8: Don't you feel better just letting it? Like just feeling

675
00:34:38,480 --> 00:34:39,759
Speaker 8: good about not doing it?

676
00:34:40,160 --> 00:34:42,720
Speaker 1: Yeah? No, I actually would make an incredible CEO.

677
00:34:44,080 --> 00:34:47,080
Speaker 8: It's all about thinking. It's all about thinking and feeling,

678
00:34:47,480 --> 00:34:48,680
Speaker 8: and then it's about doing.

679
00:34:49,040 --> 00:34:50,879
Speaker 1: Yeah, but thinking and feeling.

680
00:34:50,640 --> 00:34:52,279
Speaker 7: Is doing right.

681
00:34:52,640 --> 00:34:55,160
Speaker 1: Thinking and feeling is doing.

682
00:34:56,400 --> 00:34:56,680
Speaker 3: Wow.

683
00:34:56,840 --> 00:35:01,120
Speaker 1: Wow wow, Sarah. Any final thoughts on speakers and sound

684
00:35:01,239 --> 00:35:02,440
Speaker 1: quality as straight topic.

685
00:35:02,520 --> 00:35:06,799
Speaker 8: Really, if you're a girl and you're single and you

686
00:35:06,840 --> 00:35:10,000
Speaker 8: want a soundbar, just do it, like every Actually, it

687
00:35:10,040 --> 00:35:12,920
Speaker 8: makes you look cooler because people going to be like, damn,

688
00:35:12,960 --> 00:35:18,799
Speaker 8: she's kind of like sluttie or something, and it will

689
00:35:18,880 --> 00:35:21,080
Speaker 8: make you seem like a bit more edgy cool.

690
00:35:22,600 --> 00:35:25,399
Speaker 1: Entering the house and seeing a soundbar, I'm being like, Oh,

691
00:35:25,520 --> 00:35:26,439
Speaker 1: she's that kind of girl.

692
00:35:26,920 --> 00:35:29,839
Speaker 3: I mean, if there's a round sound, it's like run brother.

693
00:35:30,920 --> 00:35:35,080
Speaker 8: She is run through, and I mean that pictures ran through.

694
00:35:38,360 --> 00:35:38,640
Speaker 3: Damn.

695
00:35:38,719 --> 00:35:40,160
Speaker 1: Her vinyl player is set up.

696
00:35:41,440 --> 00:35:46,400
Speaker 3: Get out of there, Captain game baddie. Yeah, her husband's

697
00:35:46,440 --> 00:36:00,800
Speaker 3: coming home with any second. Wow, give it up for saragy.

698
00:35:57,239 --> 00:36:02,880
Speaker 1: Oh no, dude, wow, Well that was electrics is electric.

699
00:36:03,480 --> 00:36:05,960
Speaker 1: I can't believe that at some point in the near

700
00:36:05,960 --> 00:36:07,960
Speaker 1: future the show will be over. I'm crying about No,

701
00:36:08,040 --> 00:36:10,719
Speaker 1: it's upset. It's upsetting. This entire show is a leaf

702
00:36:10,719 --> 00:36:13,759
Speaker 1: falling from the sky and me catching it. Beautiful.

703
00:36:15,640 --> 00:36:19,400
Speaker 3: I am so the one that puts the chords away, like,

704
00:36:20,000 --> 00:36:22,040
Speaker 3: oh okay, I'm like.

705
00:36:22,640 --> 00:36:25,600
Speaker 1: You're like, what that's actually shocking to me? Is it? Yes?

706
00:36:29,520 --> 00:36:33,480
Speaker 1: I don't. Okay, here's what I'm trying to square this with. Okay,

707
00:36:34,160 --> 00:36:38,080
Speaker 1: you're scaring me. Are you the one that does the dishes? Oh?

708
00:36:38,120 --> 00:36:38,480
Speaker 1: God no?

709
00:36:38,920 --> 00:36:40,920
Speaker 3: So okay, so this, well, my hands get dry, right

710
00:36:42,320 --> 00:36:44,800
Speaker 3: because I understand because you see how those are obviously

711
00:36:44,800 --> 00:36:45,720
Speaker 3: different but related.

712
00:36:45,760 --> 00:36:48,640
Speaker 1: It's like you're not. I don't think you're the tidier,

713
00:36:48,840 --> 00:36:54,440
Speaker 1: are you? But I'm the one that craves more of

714
00:36:54,480 --> 00:36:57,040
Speaker 1: an aesthetic mine. Oh I see, I see it.

715
00:36:57,200 --> 00:37:00,319
Speaker 3: Like so if it's like like Misha is obviously better

716
00:37:00,360 --> 00:37:02,600
Speaker 3: at cleaning, yeah, but when people are coming over, I'm like,

717
00:37:02,960 --> 00:37:07,120
Speaker 3: I know what to do, okay, and I like move

718
00:37:07,120 --> 00:37:09,560
Speaker 3: everything in the right place, and I like, oh oh

719
00:37:09,600 --> 00:37:11,320
Speaker 3: this candle ooh ooh over here.

720
00:37:12,000 --> 00:37:14,759
Speaker 1: So you're thinking in terms of aesthetics. So here's what

721
00:37:14,800 --> 00:37:20,080
Speaker 1: it is. Dishes because there are concrete objects that you

722
00:37:20,120 --> 00:37:24,400
Speaker 1: can count. That's more of a mathematical vibe, like that's

723
00:37:24,480 --> 00:37:28,319
Speaker 1: like that is more chords, that is chords. That is

724
00:37:28,800 --> 00:37:31,560
Speaker 1: h okay, So dishes are chords because it's something that

725
00:37:31,640 --> 00:37:34,600
Speaker 1: you need, Like you can be like seven if I

726
00:37:34,680 --> 00:37:37,680
Speaker 1: do seven of them, then they'll be zero, whereas what

727
00:37:37,719 --> 00:37:40,040
Speaker 1: you're doing is like creating an ambiance.

728
00:37:40,120 --> 00:37:43,040
Speaker 3: Yeah, it's like I'm like like a maniac who's like

729
00:37:43,120 --> 00:37:43,960
Speaker 3: sees things.

730
00:37:44,320 --> 00:37:47,920
Speaker 1: Yeah, yeah, okay, all right, I'm seeing it.

731
00:37:52,160 --> 00:37:56,200
Speaker 3: Damn, I'm actually surprised. What No, I'm like, it's it's

732
00:37:56,200 --> 00:37:58,160
Speaker 3: really important to have these conversations of who is chords

733
00:37:58,160 --> 00:37:58,920
Speaker 3: and not chords.

734
00:37:58,640 --> 00:38:00,839
Speaker 1: The way you thought. You're surprised. I surprised that you're

735
00:38:01,280 --> 00:38:01,840
Speaker 1: not quards.

736
00:38:01,880 --> 00:38:09,360
Speaker 3: You're getting it, sweetheart. Okay, let's bring out our final guess.

737
00:38:10,680 --> 00:38:12,759
Speaker 3: Oh my gosh, well we couldn't be more excited. Please

738
00:38:12,800 --> 00:38:13,959
Speaker 3: do them.

739
00:38:14,080 --> 00:38:15,280
Speaker 1: Nathan Hay.

740
00:38:17,800 --> 00:38:24,000
Speaker 3: Wow high Hi Hi, Hello, Hello.

741
00:38:22,680 --> 00:38:24,200
Speaker 1: You have to turn the mic on. I think it

742
00:38:24,239 --> 00:38:26,680
Speaker 1: got turned off. Hello.

743
00:38:26,800 --> 00:38:29,080
Speaker 3: That's going well, it's going amazing.

744
00:38:29,239 --> 00:38:30,440
Speaker 1: Woo. One woo.

745
00:38:30,480 --> 00:38:33,000
Speaker 5: Okay, Nathan heads in the crowd.

746
00:38:33,120 --> 00:38:35,359
Speaker 3: Yeah, well let's say one there was one woo.

747
00:38:35,560 --> 00:38:38,799
Speaker 5: I want to address the fact that you came out

748
00:38:38,840 --> 00:38:41,720
Speaker 5: and asked, how's it going, which immediately turned the tables

749
00:38:41,760 --> 00:38:47,560
Speaker 5: on us. Yeah, I wanted to funk with you.

750
00:38:47,600 --> 00:38:58,759
Speaker 1: Imagine you know you're okay Canadian reference George Tromboopolis, whoa wait?

751
00:38:58,840 --> 00:38:59,520
Speaker 1: Is he bad? Now?

752
00:39:02,520 --> 00:39:05,000
Speaker 3: What do you do? And who is he?

753
00:39:05,000 --> 00:39:09,680
Speaker 1: He's a known gaslighter. Well, anyway, I was trying to

754
00:39:09,719 --> 00:39:11,439
Speaker 1: think he's a talk show host, so I was trying

755
00:39:11,440 --> 00:39:13,760
Speaker 1: to think of a Canadian one. Okay, who's another Canadian

756
00:39:13,760 --> 00:39:14,239
Speaker 1: talk Well?

757
00:39:14,280 --> 00:39:16,080
Speaker 3: I had a kind of sensitive question to ask you,

758
00:39:16,080 --> 00:39:19,400
Speaker 3: because you came out with such energy.

759
00:39:18,840 --> 00:39:21,239
Speaker 5: I took a nap backstage.

760
00:39:21,360 --> 00:39:23,560
Speaker 3: I was just, well, here's my second question. Do you

761
00:39:23,640 --> 00:39:24,960
Speaker 3: host some sort of podcast?

762
00:39:25,600 --> 00:39:25,799
Speaker 1: Oh?

763
00:39:25,920 --> 00:39:27,239
Speaker 3: God, I know, I do.

764
00:39:28,000 --> 00:39:31,200
Speaker 1: I do. That's that's it. And you were like I'm

765
00:39:31,239 --> 00:39:32,120
Speaker 1: the host, Like I'm.

766
00:39:32,000 --> 00:39:34,040
Speaker 5: Host, now, I'm the host. Now this is my show.

767
00:39:34,360 --> 00:39:37,960
Speaker 5: He's going on my RSS behavior.

768
00:39:38,120 --> 00:39:41,440
Speaker 1: Yeah, that's why he was canceled. And I did not

769
00:39:41,520 --> 00:39:42,520
Speaker 1: know he was canceled.

770
00:39:43,680 --> 00:39:45,400
Speaker 3: People are mixed on whether or not he's canceled.

771
00:39:45,400 --> 00:39:49,120
Speaker 1: People don't know, and there everyone is simultaneously saying, well,

772
00:39:49,160 --> 00:39:49,880
Speaker 1: it's bigger than that.

773
00:39:51,160 --> 00:39:53,399
Speaker 5: Yeah, I don't like him.

774
00:39:54,760 --> 00:39:58,880
Speaker 1: Is he sort of like chewgi? Okay, no, okay, okay.

775
00:40:00,160 --> 00:40:06,320
Speaker 3: Everyone was like, how about you jump off a cliff? Wait,

776
00:40:06,360 --> 00:40:07,680
Speaker 3: this is like not the best time to ask this,

777
00:40:07,760 --> 00:40:10,000
Speaker 3: but I've been so curious. I know we do this

778
00:40:10,040 --> 00:40:12,120
Speaker 3: thing when we go to cities where we like try

779
00:40:12,160 --> 00:40:15,200
Speaker 3: to be self aware and think that that prevents us

780
00:40:15,200 --> 00:40:18,080
Speaker 3: from being basic while asking the most basic question. So

781
00:40:18,120 --> 00:40:20,560
Speaker 3: here's what I want to ask in that vein. It's like,

782
00:40:20,680 --> 00:40:22,440
Speaker 3: so does everyone always ask you, guys, like how you

783
00:40:22,440 --> 00:40:30,600
Speaker 3: feel about Drake? They dow went to everyone school?

784
00:40:35,080 --> 00:40:38,719
Speaker 4: Do people like him or hate him? Now here here specifically.

785
00:40:38,480 --> 00:40:39,480
Speaker 3: They think they dislike him.

786
00:40:39,920 --> 00:40:42,399
Speaker 1: Our crowd hates him, But does the average person like him?

787
00:40:42,719 --> 00:40:43,080
Speaker 1: I don't.

788
00:40:43,239 --> 00:40:43,560
Speaker 3: I don't.

789
00:40:43,600 --> 00:40:45,759
Speaker 5: I think he's pretty dislike now yeah, Ok, he kind

790
00:40:45,760 --> 00:40:47,080
Speaker 5: of took an l with the whole.

791
00:40:46,960 --> 00:40:50,400
Speaker 3: Sure, I think, oh, I was working on this theory

792
00:40:50,440 --> 00:40:53,560
Speaker 3: that's maybe niche, but he is. He is to Toronto

793
00:40:54,080 --> 00:40:58,360
Speaker 3: what Dan Savage is to Seattle. Uh.

794
00:40:58,400 --> 00:41:00,680
Speaker 1: I think does that why people?

795
00:41:02,239 --> 00:41:04,200
Speaker 3: Because I feel like people are always like like with

796
00:41:04,280 --> 00:41:11,880
Speaker 3: the inside You're like yeah, and I'm already like breakout

797
00:41:11,880 --> 00:41:12,840
Speaker 3: discussions are starting.

798
00:41:13,200 --> 00:41:16,760
Speaker 1: Yeah, No, I see. I think that your relationship to Drake,

799
00:41:17,440 --> 00:41:19,960
Speaker 1: you know what it is. It's like, it's like your

800
00:41:19,960 --> 00:41:23,680
Speaker 1: relationship to nationalism like you are. Of course, we all

801
00:41:23,880 --> 00:41:26,720
Speaker 1: on some level, the military is our Drake.

802
00:41:27,040 --> 00:41:31,360
Speaker 3: Yeah, I bet you that.

803
00:41:31,480 --> 00:41:34,480
Speaker 1: You guys, you know you guys, you know you guys

804
00:41:34,520 --> 00:41:36,040
Speaker 1: are like, Drake is lame. Drake is lame. But if

805
00:41:36,040 --> 00:41:38,120
Speaker 1: someone if we came out and very confidently we're like,

806
00:41:38,200 --> 00:41:41,120
Speaker 1: Drake fucking sucks, you would be like, all right, let's

807
00:41:41,160 --> 00:41:42,120
Speaker 1: slow down for a second.

808
00:41:42,200 --> 00:41:44,600
Speaker 3: Yeah, he has a few goods.

809
00:41:44,640 --> 00:41:51,480
Speaker 8: No trolls on an international level for him being a pedophile.

810
00:41:52,680 --> 00:41:53,120
Speaker 1: Got it?

811
00:41:54,600 --> 00:41:56,719
Speaker 5: Wow, we are getting trolled.

812
00:41:56,800 --> 00:41:57,520
Speaker 3: It's not that s.

813
00:41:57,840 --> 00:41:59,960
Speaker 1: We are getting trolled. You don't understand.

814
00:42:00,080 --> 00:42:04,640
Speaker 5: We're getting trolled, folks.

815
00:42:04,719 --> 00:42:06,439
Speaker 3: We're international level.

816
00:42:06,480 --> 00:42:08,320
Speaker 5: We're getting trolled on the world stage.

817
00:42:08,360 --> 00:42:10,640
Speaker 3: Mama, We're getting trolled.

818
00:42:11,120 --> 00:42:14,040
Speaker 1: The world is watching. I love that. I do love that.

819
00:42:15,280 --> 00:42:17,680
Speaker 1: I got it. I have to be like, let's nip

820
00:42:17,680 --> 00:42:20,120
Speaker 1: this in the butt right here. We're getting controlled on

821
00:42:20,200 --> 00:42:21,640
Speaker 1: an international level.

822
00:42:23,840 --> 00:42:26,400
Speaker 3: The U n will barely take us.

823
00:42:26,560 --> 00:42:31,400
Speaker 1: We're getting trolled. Okay, Well I'm sorry. We know what

824
00:42:31,440 --> 00:42:33,400
Speaker 1: that's like. Yeah, we know what that's like. We know

825
00:42:33,440 --> 00:42:35,360
Speaker 1: what that's like. That's sort of every that's sort of

826
00:42:36,040 --> 00:42:41,000
Speaker 1: our whole eye, our whole vibe. Yeah, so so pretty much.

827
00:42:41,000 --> 00:42:45,920
Speaker 3: What's your street top. Yeah, so through that on you. No,

828
00:42:46,000 --> 00:42:46,560
Speaker 3: it's okay.

829
00:42:46,680 --> 00:42:49,520
Speaker 5: I loved the discussion and can't wait to hash it

830
00:42:49,520 --> 00:42:50,800
Speaker 5: out with you all after the show.

831
00:42:50,960 --> 00:42:51,200
Speaker 3: Yeah.

832
00:42:51,440 --> 00:42:54,120
Speaker 5: I love to get Yeah, your.

833
00:42:53,960 --> 00:42:57,839
Speaker 1: Color palette is so calming, like the Bank Berdroy Green

834
00:42:57,920 --> 00:43:00,000
Speaker 1: and then socks and you know what I'm saying.

835
00:43:01,520 --> 00:43:04,880
Speaker 5: Yeah, well I went to common sort before the shows.

836
00:43:06,920 --> 00:43:10,920
Speaker 1: I don't know that Reces Folks on Brunswick.

837
00:43:11,760 --> 00:43:13,799
Speaker 5: There you go, there you go.

838
00:43:14,400 --> 00:43:15,920
Speaker 1: Yeah, I'll send you a need transfer.

839
00:43:17,480 --> 00:43:21,080
Speaker 9: You guys are getting it. You guys know your stuff.

840
00:43:22,320 --> 00:43:25,920
Speaker 9: All right, let's get serious. We're serious on an international

841
00:43:26,000 --> 00:43:27,520
Speaker 9: level level.

842
00:43:28,320 --> 00:43:30,840
Speaker 3: Yeah.

843
00:43:31,520 --> 00:43:33,759
Speaker 1: All right, So what is your straight topic? Yeah, well

844
00:43:33,800 --> 00:43:34,560
Speaker 1: that makes it straight?

845
00:43:34,719 --> 00:43:39,080
Speaker 5: Okay, My my straight topic is leaning really far back

846
00:43:39,120 --> 00:43:39,640
Speaker 5: in your chair?

847
00:43:39,760 --> 00:43:42,000
Speaker 1: Genius? Yeah, genius.

848
00:43:42,120 --> 00:43:50,400
Speaker 5: Yeah, and I just think only straight people do that. Yeah.

849
00:43:49,080 --> 00:43:52,399
Speaker 5: Uh and what what inspired it is? I was at

850
00:43:52,400 --> 00:43:56,839
Speaker 5: the I was at the review. Sorry, sorry, okay, cool, Yeah,

851
00:43:56,840 --> 00:44:01,120
Speaker 5: we're doing that in the Paradise. So but I was

852
00:44:01,120 --> 00:44:03,160
Speaker 5: at the review and this their their chairs leaned so

853
00:44:03,239 --> 00:44:07,440
Speaker 5: far back and it's uh, yeah, it's just like a

854
00:44:07,520 --> 00:44:09,480
Speaker 5: rap theater and.

855
00:44:11,280 --> 00:44:12,279
Speaker 1: Okay, what about it?

856
00:44:12,600 --> 00:44:15,960
Speaker 4: The oldest cinema.

857
00:44:15,680 --> 00:44:17,920
Speaker 1: The oldest cinema in Canada. Oh my god, I bet

858
00:44:17,920 --> 00:44:19,280
Speaker 1: Sarah Polly loves that place.

859
00:44:19,960 --> 00:44:22,160
Speaker 5: And I was seeing a Sara po Polly film.

860
00:44:22,320 --> 00:44:23,799
Speaker 1: You were seeing a Sarah Paula I was.

861
00:44:23,800 --> 00:44:28,560
Speaker 5: I was seeing the sweeter after Yeah. Yeah, so yeah,

862
00:44:28,600 --> 00:44:29,759
Speaker 5: that's my time, thank you so much.

863
00:44:31,719 --> 00:44:34,320
Speaker 3: I uh and this guy, the guy.

864
00:44:34,200 --> 00:44:37,160
Speaker 5: In front of me, fully, he had his chair leaned

865
00:44:37,280 --> 00:44:39,880
Speaker 5: so far back and there're these like old creaky seats

866
00:44:39,960 --> 00:44:42,880
Speaker 5: so far back. His head was on my penis straight

867
00:44:43,200 --> 00:44:49,839
Speaker 5: straight up. I wasn't complaining in uh, but it wasn't

868
00:44:49,960 --> 00:44:58,680
Speaker 5: wasn't wearing any pants off off what the fuck?

869
00:44:58,760 --> 00:45:02,680
Speaker 3: Okay, fuck it, I'll go with it whatever, bro.

870
00:45:04,239 --> 00:45:09,360
Speaker 5: Jesus Christ, dude. But uh yeah, And he literally was

871
00:45:09,400 --> 00:45:09,640
Speaker 5: like that.

872
00:45:09,719 --> 00:45:10,000
Speaker 1: I was.

873
00:45:10,040 --> 00:45:13,239
Speaker 5: It seemed uncomfortable how far he was leaning back, and

874
00:45:13,280 --> 00:45:14,759
Speaker 5: he was like there for the entire movie. The only

875
00:45:14,840 --> 00:45:16,680
Speaker 5: time he went up was to whisper something in his

876
00:45:16,680 --> 00:45:17,399
Speaker 5: girlfriend's ear.

877
00:45:17,560 --> 00:45:21,160
Speaker 3: So, babe, are he just pe Yeah?

878
00:45:21,320 --> 00:45:23,040
Speaker 5: I'm so fucking hungry right now?

879
00:45:23,880 --> 00:45:25,000
Speaker 4: Did you bring my snack?

880
00:45:26,280 --> 00:45:27,880
Speaker 1: This chick, Sarah Polly is hot.

881
00:45:30,719 --> 00:45:32,320
Speaker 4: Okay, she's my hall pass.

882
00:45:34,280 --> 00:45:36,239
Speaker 1: My god, that would be the most horando thing ever

883
00:45:36,320 --> 00:45:38,520
Speaker 1: if someone's hall passed with Sarah Paully.

884
00:45:38,560 --> 00:45:44,439
Speaker 3: Yeah, huh, okay, yes, I think leaning back in the chair,

885
00:45:44,719 --> 00:45:47,480
Speaker 3: it's there's an I think part of what's straight about

886
00:45:47,480 --> 00:45:50,839
Speaker 3: it is that it's so adolescent. It's very high school. Yes,

887
00:45:51,080 --> 00:45:53,880
Speaker 3: and most are past you know, that's where we go

888
00:45:53,920 --> 00:45:57,839
Speaker 3: separate directions and you know we learn that we don't

889
00:45:57,840 --> 00:45:59,799
Speaker 3: do that anymore. But they're like, but this is how I.

890
00:45:59,800 --> 00:46:03,040
Speaker 1: S It's it's sort of adjacent to like taking a

891
00:46:03,040 --> 00:46:06,080
Speaker 1: book room putting it on the wall. Yeah, that's something

892
00:46:06,120 --> 00:46:09,240
Speaker 1: you do a certain age and then you stop.

893
00:46:09,800 --> 00:46:12,399
Speaker 3: Yeah, there has been a booger on the bathroom wall

894
00:46:12,520 --> 00:46:13,560
Speaker 3: at where I work.

895
00:46:13,719 --> 00:46:15,000
Speaker 4: For over two weeks.

896
00:46:15,000 --> 00:46:16,080
Speaker 1: Now, what the hell?

897
00:46:16,160 --> 00:46:17,600
Speaker 3: And I know there's like ten of us that use

898
00:46:17,640 --> 00:46:21,800
Speaker 3: that bathroom. I'm gonna find out who did it. Yeah.

899
00:46:22,200 --> 00:46:25,239
Speaker 5: Yeah, I feel like I have memories of like in school, Yes,

900
00:46:25,480 --> 00:46:27,799
Speaker 5: being in class and some teacher getting mad at some

901
00:46:27,880 --> 00:46:30,680
Speaker 5: guy who's like leaning so far back, you're gonna fall.

902
00:46:31,360 --> 00:46:35,400
Speaker 4: I have to call you in and say something. Yes,

903
00:46:35,760 --> 00:46:37,280
Speaker 4: you lean back very naturally.

904
00:46:37,640 --> 00:46:41,880
Speaker 5: Okay, well good bye. So I'm kind of half I

905
00:46:41,880 --> 00:46:43,600
Speaker 5: can comment on it, and I also.

906
00:46:46,040 --> 00:46:47,680
Speaker 1: Wow, I can be both.

907
00:46:47,800 --> 00:46:50,919
Speaker 5: Yeah, I literally I straight up forget that I'm by

908
00:46:51,080 --> 00:46:52,879
Speaker 5: sometimes because I've been in. I've been in a straight

909
00:46:52,920 --> 00:46:56,000
Speaker 5: relationship for like five years now, and I'll literally I'll

910
00:46:56,000 --> 00:46:59,360
Speaker 5: see a hot guy and I'll be like, fuck, I

911
00:46:59,400 --> 00:46:59,879
Speaker 5: might be gay.

912
00:47:00,080 --> 00:47:02,719
Speaker 3: Like no, I already came out. I've already died.

913
00:47:02,719 --> 00:47:07,560
Speaker 5: I came up to my parents eight years ago. Uh yeah,

914
00:47:07,840 --> 00:47:10,040
Speaker 5: I don't know. But I think as I do lean

915
00:47:10,120 --> 00:47:13,160
Speaker 5: back a bit, I'm doing it now to talk about.

916
00:47:12,960 --> 00:47:16,680
Speaker 1: It, you're certainly embodying it like it's it's coming across

917
00:47:16,680 --> 00:47:17,360
Speaker 1: the right.

918
00:47:17,440 --> 00:47:20,680
Speaker 3: I go to play the part. Do you think you're

919
00:47:21,160 --> 00:47:25,440
Speaker 3: embracing the straighter side to sort of differentiate yourself from us?

920
00:47:29,000 --> 00:47:31,080
Speaker 3: Why was that low key therapy session?

921
00:47:31,320 --> 00:47:31,600
Speaker 1: Fuck?

922
00:47:32,080 --> 00:47:34,120
Speaker 3: For really, you guys are smart, so.

923
00:47:35,960 --> 00:47:37,240
Speaker 1: Fuck you guys are story.

924
00:47:37,600 --> 00:47:39,480
Speaker 3: Damn, this is scary. You're scary.

925
00:47:39,640 --> 00:47:42,480
Speaker 4: I'm literally being well.

926
00:47:42,560 --> 00:47:46,760
Speaker 3: And the thing is, I, you know, in high school

927
00:47:46,760 --> 00:47:49,719
Speaker 3: and middle school, I feel like generally I was like

928
00:47:49,719 --> 00:47:50,480
Speaker 3: good enough.

929
00:47:50,280 --> 00:47:52,000
Speaker 1: At you know, fitting in.

930
00:47:52,520 --> 00:47:54,719
Speaker 3: But the thing I never was able to do was

931
00:47:54,760 --> 00:47:59,120
Speaker 3: the really like confident widespread where I was like, Okay,

932
00:47:59,160 --> 00:48:02,279
Speaker 3: but what's going on here? Yeah, like and people would

933
00:48:02,280 --> 00:48:04,120
Speaker 3: be like like they'd be like, ok can you.

934
00:48:04,120 --> 00:48:04,600
Speaker 1: Move your legs?

935
00:48:04,640 --> 00:48:09,800
Speaker 3: And they'd be like oh, And I literally was always

936
00:48:09,840 --> 00:48:12,640
Speaker 3: like maybe maybe I don't have something that they have.

937
00:48:13,120 --> 00:48:18,560
Speaker 5: Yeah, it's so true. Yeah, the really wide it's doesn't

938
00:48:18,560 --> 00:48:19,440
Speaker 5: even seem comfortable.

939
00:48:19,520 --> 00:48:20,440
Speaker 1: No, it gets worse.

940
00:48:21,600 --> 00:48:22,600
Speaker 3: It's because they haven't.

941
00:48:22,719 --> 00:48:25,720
Speaker 5: It's because like straight people haven't lived with being uncomfortable,

942
00:48:25,920 --> 00:48:27,279
Speaker 5: you know what I mean. It's like they have to

943
00:48:27,320 --> 00:48:28,880
Speaker 5: find like the comfort and everything.

944
00:48:28,880 --> 00:48:32,920
Speaker 1: I think, but there's also something specifically about Again, it's

945
00:48:33,040 --> 00:48:35,040
Speaker 1: very school coded, so it's like it's the first thing

946
00:48:35,040 --> 00:48:36,759
Speaker 1: you learn that's dangerous. Don't do it.

947
00:48:36,920 --> 00:48:38,319
Speaker 3: I'm not doing it, no, but I have to say

948
00:48:38,400 --> 00:48:40,399
Speaker 3: the difference between him doing it and you're doing it

949
00:48:40,440 --> 00:48:44,080
Speaker 3: is wild. You see me, I can do this all

950
00:48:44,080 --> 00:48:47,080
Speaker 3: like that. So when you did it, I was like, George,

951
00:48:47,080 --> 00:48:55,400
Speaker 3: be careful. And I'm not even like saying that to

952
00:48:55,440 --> 00:48:56,640
Speaker 3: be funny. I was scared.

953
00:48:59,520 --> 00:49:06,400
Speaker 1: Anyway. So it's very like to be still doing something,

954
00:49:07,840 --> 00:49:10,080
Speaker 1: to be still basically rebelling against the teacher as an

955
00:49:10,120 --> 00:49:12,160
Speaker 1: adult is what it is, is what it's giving to me,

956
00:49:12,239 --> 00:49:16,200
Speaker 1: you know what I mean. Like it's like I'm trying

957
00:49:16,200 --> 00:49:21,360
Speaker 1: to think of another example of something like that hot box,

958
00:49:21,480 --> 00:49:24,040
Speaker 1: like hot boxing the car, Like it's.

959
00:49:25,840 --> 00:49:30,239
Speaker 5: Teachers, like, guys, don't do that, don't box your car.

960
00:49:31,360 --> 00:49:33,479
Speaker 3: Why is teacher always telling me not a hot box

961
00:49:33,560 --> 00:49:37,000
Speaker 3: knocking in the window us. No, I'm trying to think

962
00:49:37,000 --> 00:49:38,600
Speaker 3: of one too. I'm trying to think of one too. Ah,

963
00:49:41,440 --> 00:49:46,120
Speaker 3: that's a roller coaster and hold on, no, you're.

964
00:49:47,520 --> 00:49:48,320
Speaker 1: Okay. I could.

965
00:49:50,680 --> 00:49:53,040
Speaker 5: You, but you know what, immediately immediately think grandma in

966
00:49:53,080 --> 00:49:57,840
Speaker 5: the rocking chair with you guys. It's so like the

967
00:49:57,880 --> 00:49:59,400
Speaker 5: way you do it is so small the way I

968
00:49:59,440 --> 00:49:59,719
Speaker 5: do it is.

969
00:49:59,760 --> 00:50:00,960
Speaker 3: I man, I could just.

970
00:50:01,800 --> 00:50:03,920
Speaker 1: You know, you find like you think you can you

971
00:50:04,000 --> 00:50:06,440
Speaker 1: somehow think you can likely yourself through something, and then

972
00:50:06,440 --> 00:50:08,600
Speaker 1: you find something that you're like, Oh, this is just

973
00:50:08,640 --> 00:50:09,279
Speaker 1: how it's gonna be.

974
00:50:10,360 --> 00:50:12,160
Speaker 3: Why are you going fast?

975
00:50:13,760 --> 00:50:14,000
Speaker 1: Damn?

976
00:50:14,000 --> 00:50:15,680
Speaker 3: I can't believe you said we were giving Grandma on

977
00:50:15,719 --> 00:50:16,480
Speaker 3: a rocking chair.

978
00:50:17,480 --> 00:50:19,919
Speaker 1: That is so math the most homophobic thing I've ever heard.

979
00:50:22,239 --> 00:50:28,759
Speaker 3: Huh, Okay, where do we go from here? So you

980
00:50:28,880 --> 00:50:29,520
Speaker 3: like school?

981
00:50:31,640 --> 00:50:31,839
Speaker 1: Yeah?

982
00:50:31,880 --> 00:50:33,000
Speaker 3: I am in high school? Right?

983
00:50:37,160 --> 00:50:37,440
Speaker 5: Fuck?

984
00:50:37,760 --> 00:50:41,880
Speaker 1: Fuck? How do gay guys sit genius?

985
00:50:43,560 --> 00:50:44,480
Speaker 3: That is so smart?

986
00:50:45,000 --> 00:50:46,040
Speaker 4: Oh that's really smart.

987
00:50:46,840 --> 00:50:52,840
Speaker 3: Well, I think I think it's important that not hashtag

988
00:50:52,880 --> 00:50:55,640
Speaker 3: not all straight gys lean. I think it's like it's

989
00:50:55,640 --> 00:50:59,239
Speaker 3: a certain type and I think the gay bad straight lean.

990
00:51:00,480 --> 00:51:04,480
Speaker 3: So how does the bad gay guy sit, bad gay guy.

991
00:51:04,600 --> 00:51:07,800
Speaker 3: Like the same straight guy that leans his gay equivalent

992
00:51:07,920 --> 00:51:09,560
Speaker 3: talks a gay guy, how does he sit.

993
00:51:15,680 --> 00:51:16,280
Speaker 1: Like someone?

994
00:51:17,239 --> 00:51:20,920
Speaker 4: I know, this is hard. I'm like stumped. I'm like,

995
00:51:21,040 --> 00:51:21,640
Speaker 4: let's call it.

996
00:51:23,760 --> 00:51:26,000
Speaker 1: Well, you know there's that people say that gay guys

997
00:51:26,000 --> 00:51:27,200
Speaker 1: don't know how to sit on chairs.

998
00:51:27,400 --> 00:51:30,719
Speaker 3: Well, yeah, the trope is like, oh yeah, I think

999
00:51:30,760 --> 00:51:32,480
Speaker 3: it's that. I think it's that's what it is.

1000
00:51:32,520 --> 00:51:33,200
Speaker 1: It's what you're doing.

1001
00:51:33,239 --> 00:51:34,520
Speaker 3: It's yeah, it's this this.

1002
00:51:36,960 --> 00:51:38,840
Speaker 1: Oh my god, I feel so much more comfortable.

1003
00:51:39,360 --> 00:51:43,560
Speaker 3: This, this actually is kind of awesome. This feels amazing.

1004
00:51:43,600 --> 00:51:46,920
Speaker 1: Yeah, there's something about you know, gay sitting.

1005
00:51:47,280 --> 00:51:50,000
Speaker 3: There's a fluidity. Yeah, you know, I feel like you

1006
00:51:50,000 --> 00:51:51,520
Speaker 3: could put me in a cup and I take whatever

1007
00:51:51,520 --> 00:51:52,560
Speaker 3: the space of the cup is.

1008
00:51:53,600 --> 00:51:56,920
Speaker 5: Yeah, you fill the form.

1009
00:51:57,160 --> 00:51:57,879
Speaker 3: Yeah.

1010
00:51:57,880 --> 00:51:59,840
Speaker 4: But see this is your bye showing.

1011
00:52:00,120 --> 00:52:04,959
Speaker 3: Yes, I can't believe see you're is you're doing?

1012
00:52:07,280 --> 00:52:10,160
Speaker 1: Can I do it? Wow? I can? Oh?

1013
00:52:10,200 --> 00:52:17,640
Speaker 3: No, what it is? Yeah?

1014
00:52:12,880 --> 00:52:19,640
Speaker 1: Yeah, this is your version of me being a grandma

1015
00:52:19,680 --> 00:52:21,319
Speaker 1: on a rocking chair when I try to do straight

1016
00:52:21,360 --> 00:52:23,319
Speaker 1: eye sitting. Yes, is what you're trying to do gay

1017
00:52:23,320 --> 00:52:25,800
Speaker 1: guy sitting. But you're then like suddenly like fishing.

1018
00:52:26,080 --> 00:52:29,880
Speaker 5: Yeah, I'm trying. I'm trying so hard. Yeah.

1019
00:52:30,040 --> 00:52:30,800
Speaker 1: Fuck cool.

1020
00:52:34,120 --> 00:52:37,319
Speaker 3: I love when our podcast evolves into gig guy sit

1021
00:52:37,440 --> 00:52:45,320
Speaker 3: like this straight I said, like this, Yeah, that's so classic.

1022
00:52:45,520 --> 00:52:48,240
Speaker 3: That's literally the dentist thing from early.

1023
00:52:49,120 --> 00:52:53,440
Speaker 1: Okay. Any final thoughts on the way straight guy SI

1024
00:52:53,600 --> 00:52:56,239
Speaker 1: versus the ways gay guy sit, or honestly any gender

1025
00:52:56,320 --> 00:52:58,879
Speaker 1: or sexuality. How do you think lesbian sid go.

1026
00:53:02,480 --> 00:53:05,440
Speaker 5: Yeah, trying to think of something, want to get me

1027
00:53:05,440 --> 00:53:05,880
Speaker 5: in trouble?

1028
00:53:07,480 --> 00:53:08,600
Speaker 1: No. I think it's more like.

1029
00:53:09,680 --> 00:53:12,240
Speaker 5: Oh that is so true.

1030
00:53:12,719 --> 00:53:14,719
Speaker 3: Damn that's good.

1031
00:53:15,239 --> 00:53:16,360
Speaker 1: That's the culture.

1032
00:53:16,719 --> 00:53:20,120
Speaker 5: Yeah.

1033
00:53:20,120 --> 00:53:22,480
Speaker 4: Would you say there's a definitive way by people sit.

1034
00:53:23,640 --> 00:53:30,359
Speaker 1: Mm hmmm, yes, it is who we can see every

1035
00:53:30,440 --> 00:53:31,160
Speaker 1: single face.

1036
00:53:31,680 --> 00:53:35,200
Speaker 3: They were so confident. Stop giving head back there.

1037
00:53:36,280 --> 00:53:37,800
Speaker 1: I kind of think how to buy people.

1038
00:53:37,880 --> 00:53:43,799
Speaker 5: Honestly, it's maybe like cross yes yeah.

1039
00:53:42,280 --> 00:53:46,239
Speaker 1: Yeah, so that so meek. People are liking it even

1040
00:53:46,239 --> 00:53:52,319
Speaker 1: though they're booing. Audience is always thinking me no, It's

1041
00:53:52,360 --> 00:53:54,160
Speaker 1: like a living room where everyone is sitting on a

1042
00:53:54,200 --> 00:53:56,280
Speaker 1: seat and then the one by person's on the floor

1043
00:53:56,360 --> 00:53:57,040
Speaker 1: crossed leg it.

1044
00:53:57,200 --> 00:53:59,279
Speaker 3: Yeah, and you're like, oh, we have a chair and

1045
00:53:59,320 --> 00:54:00,160
Speaker 3: they're like I'm good.

1046
00:54:00,160 --> 00:54:03,160
Speaker 5: Yeah yeah, and they're like playing with something.

1047
00:54:03,280 --> 00:54:04,080
Speaker 1: Yeah, they're like.

1048
00:54:04,080 --> 00:54:05,000
Speaker 3: Actually I like the floor.

1049
00:54:05,080 --> 00:54:08,359
Speaker 1: Yeah, they're like knitting. They're knitting. Everyone's like, don't father her,

1050
00:54:08,400 --> 00:54:09,080
Speaker 1: it's the whole thing.

1051
00:54:09,320 --> 00:54:16,279
Speaker 3: Yeah, she's yeah. Oh my god, I didn't know.

1052
00:54:18,000 --> 00:54:20,319
Speaker 1: Oh god, sorry, I'm just finding out now, I'm just

1053
00:54:20,320 --> 00:54:20,839
Speaker 1: finding out out.

1054
00:54:20,840 --> 00:54:21,760
Speaker 3: And how am I supposed to react?

1055
00:54:22,480 --> 00:54:26,319
Speaker 1: Hi? Everyone? Oh? Oh she's bye, don't mind her, don't

1056
00:54:26,360 --> 00:54:29,160
Speaker 1: mind her. She's okay.

1057
00:54:29,520 --> 00:54:32,600
Speaker 3: Well, this has been a groundbreaking, second groundbreaking segment. Give

1058
00:54:32,600 --> 00:54:37,040
Speaker 3: it up for Nathan hair right here, okay, and please

1059
00:54:37,080 --> 00:54:38,680
Speaker 3: welcome back Ben so so right.

1060
00:54:38,640 --> 00:54:42,400
Speaker 1: And Sarah Haggy.

1061
00:54:46,800 --> 00:54:49,920
Speaker 3: Wow wow, And you're gonna have to turn those mics on.

1062
00:54:51,040 --> 00:54:53,359
Speaker 1: Hey wow is this sing on?

1063
00:54:57,120 --> 00:54:57,800
Speaker 4: That was awesome?

1064
00:55:00,120 --> 00:55:02,120
Speaker 3: So I think it's time to do our first segment.

1065
00:55:03,880 --> 00:55:08,880
Speaker 3: Our first segment is called straight Shooters, and in this

1066
00:55:08,920 --> 00:55:10,879
Speaker 3: segment going to ask you a serious of rapid fire

1067
00:55:11,000 --> 00:55:13,480
Speaker 3: questions to get you're familiar to with and complicity in

1068
00:55:13,520 --> 00:55:16,239
Speaker 3: straight culture. It's basically listening or this other thing. And

1069
00:55:16,239 --> 00:55:17,879
Speaker 3: the only rule is you can't ask a single follow

1070
00:55:17,920 --> 00:55:19,880
Speaker 3: up question or we will scream at you in a

1071
00:55:19,920 --> 00:55:22,960
Speaker 3: way that is so Uncanadian that you don't remember where

1072
00:55:22,960 --> 00:55:23,480
Speaker 3: the fuck.

1073
00:55:23,320 --> 00:55:27,319
Speaker 1: We come from. And of course, because there are three

1074
00:55:27,320 --> 00:55:30,640
Speaker 1: of you actually have to answer out ones together. Whoa

1075
00:55:31,239 --> 00:55:38,040
Speaker 1: like like improv exactly? Okay, what I just did there

1076
00:55:38,440 --> 00:55:42,760
Speaker 1: is yes ending that's beautiful.

1077
00:55:42,880 --> 00:55:44,520
Speaker 7: Let's count down to three when they after.

1078
00:55:44,360 --> 00:55:44,680
Speaker 3: They do it?

1079
00:55:44,960 --> 00:55:47,720
Speaker 1: Yeah, okay like three two one style.

1080
00:55:48,520 --> 00:55:52,080
Speaker 3: Everyone, Let's count down to three like three two one style,

1081
00:55:52,200 --> 00:55:56,359
Speaker 3: Like three two one style, yes, because it could be

1082
00:55:56,360 --> 00:55:57,239
Speaker 3: three two one or it.

1083
00:55:57,239 --> 00:55:59,080
Speaker 1: Could be one two three.

1084
00:56:00,120 --> 00:56:00,520
Speaker 3: That's true.

1085
00:56:00,560 --> 00:56:05,080
Speaker 1: It goes both ways. It's bye okay, okay.

1086
00:56:05,800 --> 00:56:08,760
Speaker 3: Malicious intent or molip sent.

1087
00:56:11,160 --> 00:56:12,920
Speaker 5: Malicious?

1088
00:56:14,000 --> 00:56:17,680
Speaker 1: Wow, not off to a great start. No holding space

1089
00:56:18,280 --> 00:56:23,759
Speaker 1: or being erased three to one holding.

1090
00:56:23,680 --> 00:56:27,680
Speaker 5: Space wow, Okay, going so slow?

1091
00:56:28,920 --> 00:56:34,959
Speaker 3: Three two okay. A well oiled machine or a well

1092
00:56:35,000 --> 00:56:41,360
Speaker 3: soiled latrineae guys on the condown.

1093
00:56:42,040 --> 00:56:42,960
Speaker 7: I'm sorry you said.

1094
00:56:44,560 --> 00:56:50,279
Speaker 3: That, Showbiz, you were idiot. I'm done with it.

1095
00:56:52,600 --> 00:56:54,680
Speaker 1: Okay. This is a Canadian theme one that was submitted

1096
00:56:54,680 --> 00:57:01,799
Speaker 1: by our producer's husband, Harry. Shout out Niagara Falls or

1097
00:57:01,840 --> 00:57:02,480
Speaker 1: a kick.

1098
00:57:02,239 --> 00:57:13,160
Speaker 10: In the balls on a national level.

1099
00:57:15,800 --> 00:57:20,439
Speaker 3: Okay, raw raw ross poutine or I'll have what she's

1100
00:57:20,520 --> 00:57:23,600
Speaker 3: having having?

1101
00:57:24,560 --> 00:57:31,280
Speaker 1: Okay. A streetcar named Desire, or it's a cash bar

1102
00:57:31,480 --> 00:57:32,560
Speaker 1: and cocktail attire.

1103
00:57:33,040 --> 00:57:39,280
Speaker 3: Oh, it's a cash bar tire of a long hard

1104
00:57:39,320 --> 00:57:41,840
Speaker 3: look in the Mirror, or a song by the One

1105
00:57:41,840 --> 00:57:42,760
Speaker 3: and Only Shakira.

1106
00:57:45,200 --> 00:57:53,320
Speaker 1: Sorry, my kink is karma, or that twink eats shwarma.

1107
00:57:54,720 --> 00:57:57,720
Speaker 7: I don't say that word. That kink is karma.

1108
00:57:59,160 --> 00:57:59,600
Speaker 3: Sharma.

1109
00:58:00,120 --> 00:58:06,120
Speaker 1: That that can's fun wowow. Okay, So you know, obviously

1110
00:58:06,120 --> 00:58:08,160
Speaker 1: we rank our guest performance on a scale of zero

1111
00:58:08,200 --> 00:58:09,080
Speaker 1: to one thousand doves.

1112
00:58:09,280 --> 00:58:10,880
Speaker 3: Well, we've been doing it on a scale disease or

1113
00:58:10,880 --> 00:58:12,040
Speaker 3: not disease.

1114
00:58:12,120 --> 00:58:15,000
Speaker 1: That's right, is between the Canadian version. It's like zero

1115
00:58:15,000 --> 00:58:17,280
Speaker 1: to one thousand leaves falling from the sky that Sam

1116
00:58:17,360 --> 00:58:20,320
Speaker 1: catches zero to one thousand maple.

1117
00:58:20,400 --> 00:58:25,960
Speaker 3: Yeah, doves, I'm gonna say, I'm gonna say nine hundred

1118
00:58:25,960 --> 00:58:28,240
Speaker 3: and twenty two dogs. I agree because you went through

1119
00:58:28,280 --> 00:58:30,600
Speaker 3: hardship during that, but you came together in the end.

1120
00:58:30,600 --> 00:58:33,360
Speaker 1: And you guys, like I can see your forming community.

1121
00:58:33,720 --> 00:58:36,720
Speaker 7: I honestly thought, like, I I'm really sorry. I feel

1122
00:58:36,720 --> 00:58:38,600
Speaker 7: like I spoke too loudly.

1123
00:58:39,040 --> 00:58:41,320
Speaker 1: Oh my god, I do not apologize.

1124
00:58:41,360 --> 00:58:42,960
Speaker 3: I should never apologize.

1125
00:58:43,040 --> 00:58:44,280
Speaker 7: I'm sorry to fast.

1126
00:58:44,520 --> 00:58:47,120
Speaker 1: I'm sorry that you feel the needs for being apologized.

1127
00:58:49,120 --> 00:58:52,680
Speaker 7: It's okay, we all got really close, so it's I'm

1128
00:58:53,120 --> 00:58:53,400
Speaker 7: for me.

1129
00:58:53,600 --> 00:58:56,320
Speaker 1: This is like you guys were all put together on

1130
00:58:56,360 --> 00:58:58,760
Speaker 1: a reality ship for creating a band, and in the

1131
00:58:58,760 --> 00:59:00,520
Speaker 1: beginning you were still getting to know each other, and

1132
00:59:00,520 --> 00:59:02,400
Speaker 1: by the end you were like, we're a family.

1133
00:59:02,720 --> 00:59:05,120
Speaker 7: Okay, So which which one of us would do?

1134
00:59:05,160 --> 00:59:07,400
Speaker 1: What? Yeah, and don't say triangle?

1135
00:59:10,520 --> 00:59:17,840
Speaker 3: Well, okay, singer singer singer, it's Dandy Kaine. Well, I

1136
00:59:17,840 --> 00:59:19,640
Speaker 3: think it's time to our final segment.

1137
00:59:19,280 --> 00:59:20,439
Speaker 4: And please introduce it.

1138
00:59:20,600 --> 00:59:23,360
Speaker 1: And our final segment is of course called issue there Yet.

1139
00:59:25,560 --> 00:59:27,080
Speaker 1: I mean, I can't believe I didn't make this connection

1140
00:59:27,160 --> 00:59:29,439
Speaker 1: until now. It is especially relevant to this town.

1141
00:59:29,520 --> 00:59:30,480
Speaker 3: It's never been morelevant.

1142
00:59:30,560 --> 00:59:32,680
Speaker 1: It's never been more relevant. So this is a segment

1143
00:59:32,720 --> 00:59:35,720
Speaker 1: that was introduced to us. Well, the concept if it

1144
00:59:35,760 --> 00:59:38,720
Speaker 1: was introduced to us by our dear friend Celeste Toronto resident,

1145
00:59:39,160 --> 00:59:42,560
Speaker 1: former Toronto resident. And they once went to the Toronto

1146
00:59:42,600 --> 00:59:44,840
Speaker 1: International Film Festival TIFF as you guys might know it,

1147
00:59:46,280 --> 00:59:49,400
Speaker 1: and they went to the premiere of the Grace Jones

1148
00:59:49,440 --> 00:59:53,920
Speaker 1: documentary and afterwards there was a talkback with the director

1149
00:59:54,520 --> 00:59:56,920
Speaker 1: and the director said something along the lines of, you know,

1150
00:59:56,960 --> 00:59:59,560
Speaker 1: we don't have icons anymore. No one's an icon anymore

1151
00:59:59,560 --> 01:00:02,360
Speaker 1: like Grace Jones. And someone in the audience said, what

1152
01:00:02,480 --> 01:00:07,720
Speaker 1: about Janelle Manet, and the director said she's not there yet,

1153
01:00:10,280 --> 01:00:13,840
Speaker 1: and so from that story, this segment was born. And basically,

1154
01:00:13,880 --> 01:00:16,160
Speaker 1: we're going to show you a series of people, places, things,

1155
01:00:16,360 --> 01:00:19,880
Speaker 1: many of them are Canada slash Toronto themed, and we

1156
01:00:20,000 --> 01:00:23,560
Speaker 1: are all going to debate issue there yet? Oh do

1157
01:00:23,640 --> 01:00:30,040
Speaker 1: you copy what? Everyone look at me? I was looking

1158
01:00:31,400 --> 01:00:33,120
Speaker 1: that was remind you of you? That was the most

1159
01:00:33,120 --> 01:00:36,280
Speaker 1: shocking thing I've ever seen. You know, anyone that looks

1160
01:00:36,320 --> 01:00:36,600
Speaker 1: like you.

1161
01:00:36,520 --> 01:00:41,880
Speaker 5: Know, you don't fucking understand, and I don't understand.

1162
01:00:43,760 --> 01:00:48,360
Speaker 3: I got it all right, chums up with you next,

1163
01:00:48,400 --> 01:00:53,840
Speaker 3: lie please Grimes And I.

1164
01:00:53,800 --> 01:00:56,160
Speaker 1: Just want to say it's specifically Grimes, as a student

1165
01:00:56,160 --> 01:01:00,240
Speaker 1: at McGill Neuroscience made sure.

1166
01:01:00,280 --> 01:01:03,800
Speaker 3: Yeah, is she there yet?

1167
01:01:04,440 --> 01:01:08,600
Speaker 2: I feel like any prospect of her arriving just doesn't

1168
01:01:08,640 --> 01:01:10,560
Speaker 2: exist anymore, you know what I mean?

1169
01:01:11,200 --> 01:01:14,720
Speaker 1: Because of you On Moss. Yeah, so i'd say no.

1170
01:01:16,320 --> 01:01:19,160
Speaker 3: To me. There's something about her with Elon Muskow where

1171
01:01:19,160 --> 01:01:21,760
Speaker 3: it's like, but she's gonna be around forever, like just

1172
01:01:21,760 --> 01:01:22,720
Speaker 3: not as a musician.

1173
01:01:23,240 --> 01:01:23,919
Speaker 7: I think she's there.

1174
01:01:24,120 --> 01:01:24,840
Speaker 3: I think she's there.

1175
01:01:25,240 --> 01:01:29,160
Speaker 1: Really, I sort of think she arrived. And then everyone

1176
01:01:29,280 --> 01:01:30,920
Speaker 1: was really excited that she arrived and then she was like,

1177
01:01:30,960 --> 01:01:34,000
Speaker 1: by the way, I'm putting this really ugly lamp here too. Yeah,

1178
01:01:34,120 --> 01:01:34,960
Speaker 1: I do want to I do.

1179
01:01:34,920 --> 01:01:37,200
Speaker 3: Want to say, you can be there bad, you can

1180
01:01:37,240 --> 01:01:38,000
Speaker 3: be there bad.

1181
01:01:38,440 --> 01:01:40,400
Speaker 1: Yeah, she's there bad. Yeah, she's there bad.

1182
01:01:40,720 --> 01:01:41,560
Speaker 3: Yeah.

1183
01:01:41,720 --> 01:01:42,640
Speaker 1: Okay, next side.

1184
01:01:44,840 --> 01:01:45,800
Speaker 3: So did I like Louke?

1185
01:01:45,920 --> 01:01:49,840
Speaker 1: Did I lose that round? No? No, no, tat McCray,

1186
01:01:51,200 --> 01:01:53,800
Speaker 1: Is she there yet? She's Canadian? Weirdly?

1187
01:01:54,280 --> 01:01:55,240
Speaker 7: She weirdly.

1188
01:01:55,320 --> 01:01:56,080
Speaker 3: Do you guys know her?

1189
01:01:56,880 --> 01:01:59,760
Speaker 7: Do you guys know her as Canadian looking girl?

1190
01:01:59,800 --> 01:02:02,080
Speaker 1: You wait? Why do you think she's good? Yeah? Because

1191
01:02:02,120 --> 01:02:04,800
Speaker 1: it's sort of like that's not quite it.

1192
01:02:05,120 --> 01:02:07,400
Speaker 3: Well. I also, yeah, I love that her thing is

1193
01:02:07,440 --> 01:02:08,800
Speaker 3: like hockey.

1194
01:02:08,960 --> 01:02:12,560
Speaker 1: Oh yeah, her thing is hockey. Third thing is huhy.

1195
01:02:12,320 --> 01:02:15,760
Speaker 7: Okay, I have a weird saw spot for her. I

1196
01:02:15,760 --> 01:02:16,720
Speaker 7: don't know what it is.

1197
01:02:16,800 --> 01:02:18,280
Speaker 1: I don't I don't like.

1198
01:02:18,360 --> 01:02:20,800
Speaker 8: She reminds of someone like that I would talk to

1199
01:02:20,880 --> 01:02:23,240
Speaker 8: in class, but like not outside of class.

1200
01:02:22,880 --> 01:02:23,040
Speaker 3: You know.

1201
01:02:23,360 --> 01:02:27,960
Speaker 1: Yeah. Wow, she's the girl in high school that like

1202
01:02:28,120 --> 01:02:31,040
Speaker 1: went through a difficult period but then came out of

1203
01:02:31,080 --> 01:02:33,200
Speaker 1: it and now she's But.

1204
01:02:33,200 --> 01:02:36,440
Speaker 7: She wasn't like mean to anyone.

1205
01:02:34,640 --> 01:02:37,360
Speaker 1: Yea like her her boyfriend in high school got like

1206
01:02:37,400 --> 01:02:38,240
Speaker 1: really hurt.

1207
01:02:38,120 --> 01:02:39,960
Speaker 4: Yes, well in one.

1208
01:02:40,320 --> 01:02:43,720
Speaker 1: Then after she's stuck with him through the hospital stay

1209
01:02:43,840 --> 01:02:45,960
Speaker 1: and his arm got better, he broke up with her.

1210
01:02:46,360 --> 01:02:48,040
Speaker 1: Oh she's the martyr of the town.

1211
01:02:49,400 --> 01:02:52,320
Speaker 8: But because she like is you know, looks like that,

1212
01:02:52,360 --> 01:02:55,640
Speaker 8: everyone thinks poorly of her. Yeah, you know what, she's

1213
01:02:55,640 --> 01:02:56,800
Speaker 8: almost I think she will get there.

1214
01:02:56,840 --> 01:02:57,280
Speaker 3: I believe it.

1215
01:02:57,440 --> 01:02:58,200
Speaker 7: I don't know why.

1216
01:02:58,360 --> 01:03:01,160
Speaker 1: She's like, she's like actually a really good at math.

1217
01:03:03,760 --> 01:03:06,400
Speaker 5: She would like ask like, are you going to Samantha's party?

1218
01:03:06,560 --> 01:03:09,760
Speaker 5: Even though like she knows that you're she would assume

1219
01:03:09,840 --> 01:03:11,720
Speaker 5: that you might be invited. You know what I mean,

1220
01:03:11,920 --> 01:03:12,440
Speaker 5: you're not.

1221
01:03:12,760 --> 01:03:15,080
Speaker 1: Also, everyone she's like laid for school and everyone's like, God,

1222
01:03:15,120 --> 01:03:16,400
Speaker 1: she's a mess. And then she's like, you know, I

1223
01:03:16,440 --> 01:03:17,840
Speaker 1: was late because my mom wasn't home.

1224
01:03:21,600 --> 01:03:25,880
Speaker 2: Where was her mom working the corner?

1225
01:03:28,640 --> 01:03:28,920
Speaker 3: Okay?

1226
01:03:29,000 --> 01:03:37,600
Speaker 1: Next next line, Sean and is she there? Honey?

1227
01:03:38,120 --> 01:03:41,840
Speaker 3: So no, I want to know from the Yeah, tell

1228
01:03:41,920 --> 01:03:46,080
Speaker 3: us to learn your culture, tell us tell you like

1229
01:03:46,160 --> 01:03:49,720
Speaker 3: if we like, is he she is there? Is she there? She?

1230
01:03:50,680 --> 01:03:51,520
Speaker 1: Is she there? Yet?

1231
01:03:53,960 --> 01:03:54,680
Speaker 3: Is my sister?

1232
01:03:55,080 --> 01:03:57,920
Speaker 5: I was talking to my sister on the phone. She

1233
01:03:58,040 --> 01:03:59,960
Speaker 5: was like, yeah, I wouldn't saw Shawn Mendez.

1234
01:04:00,000 --> 01:04:02,880
Speaker 1: He was amazing. Yeah, I know.

1235
01:04:03,000 --> 01:04:05,800
Speaker 5: I that's my only experience which I met. I couldn't

1236
01:04:05,800 --> 01:04:07,600
Speaker 5: tell you a single one of his songs or anything.

1237
01:04:07,640 --> 01:04:08,360
Speaker 7: I've seen him live.

1238
01:04:08,640 --> 01:04:10,120
Speaker 3: Oh was he good?

1239
01:04:10,400 --> 01:04:11,040
Speaker 1: Was he amazing?

1240
01:04:11,200 --> 01:04:13,720
Speaker 8: And I was, Okay, this is gonna sound make its

1241
01:04:13,720 --> 01:04:16,920
Speaker 8: own worse. But someone I knew worked at Universal or whatever,

1242
01:04:17,040 --> 01:04:18,480
Speaker 8: and she's like, you want to come to this secret

1243
01:04:18,520 --> 01:04:19,439
Speaker 8: Shawn Mendes show.

1244
01:04:19,840 --> 01:04:21,280
Speaker 7: And I was like, yeah, okay, why not? This is

1245
01:04:21,280 --> 01:04:26,960
Speaker 7: twenty eighteen. And he was so cute and I really

1246
01:04:27,320 --> 01:04:28,960
Speaker 7: was kind of screaming by the end of it.

1247
01:04:31,560 --> 01:04:34,360
Speaker 8: But I do think he just doesn't. I don't think

1248
01:04:34,400 --> 01:04:36,120
Speaker 8: he has the mental capacity to go there.

1249
01:04:36,480 --> 01:04:38,760
Speaker 1: Yeah. Oh that's tough.

1250
01:04:38,840 --> 01:04:41,600
Speaker 7: He's not like on enough, like mentally on enough.

1251
01:04:41,680 --> 01:04:42,520
Speaker 1: Yeah, I think he's not.

1252
01:04:43,040 --> 01:04:47,480
Speaker 2: I think he is there only because for years the

1253
01:04:47,560 --> 01:04:51,880
Speaker 2: idea of like being in the closet was eradicated from

1254
01:04:51,960 --> 01:04:55,160
Speaker 2: the Zeitgeistman, now with him, we're like, actually, like young

1255
01:04:55,200 --> 01:04:55,800
Speaker 2: men can.

1256
01:04:55,680 --> 01:04:57,000
Speaker 1: Still be in the closet.

1257
01:04:58,560 --> 01:04:59,600
Speaker 3: That's so beautiful.

1258
01:05:00,000 --> 01:05:00,600
Speaker 1: A lot of it like that.

1259
01:05:00,600 --> 01:05:03,000
Speaker 2: I like to think we're all really cool about it.

1260
01:05:04,160 --> 01:05:07,439
Speaker 2: That's true, Like we're all kind of like whenever, whenever.

1261
01:05:07,120 --> 01:05:09,520
Speaker 7: You want, you'll come out when he wants you Okay.

1262
01:05:09,360 --> 01:05:12,360
Speaker 1: Yeah, I think those two can co exist. He like

1263
01:05:12,440 --> 01:05:15,160
Speaker 1: brought back the closet, but he's also like, what it's

1264
01:05:15,200 --> 01:05:15,800
Speaker 1: the closet.

1265
01:05:16,200 --> 01:05:22,720
Speaker 3: Yes, yeah, yeah, okay I'm going to yes, I think yes, okay,

1266
01:05:22,760 --> 01:05:26,760
Speaker 3: Next line, the tribunal boats. Yes, is she there?

1267
01:05:26,840 --> 01:05:27,040
Speaker 8: Yeah?

1268
01:05:29,640 --> 01:05:33,000
Speaker 1: Wow, Yeah, they're They're beautiful.

1269
01:05:33,120 --> 01:05:35,160
Speaker 7: Classic for a reason, classic for reasons.

1270
01:05:34,840 --> 01:05:35,920
Speaker 3: For classic for a reason.

1271
01:05:35,920 --> 01:05:37,200
Speaker 1: A little black dress of leaves.

1272
01:05:38,320 --> 01:05:42,440
Speaker 3: Wow, I love that, Like it's so populous, like they

1273
01:05:42,440 --> 01:05:45,200
Speaker 3: are everywhere. Yeah, because when the leaf is a celebrity,

1274
01:05:45,200 --> 01:05:46,680
Speaker 3: you're like, well, I bet there's only one tree.

1275
01:05:46,800 --> 01:05:49,080
Speaker 1: Well, it's also so amazing for your Like usually a

1276
01:05:49,080 --> 01:05:51,160
Speaker 1: symbol on a flag is like a symbol of violence,

1277
01:05:51,200 --> 01:05:52,360
Speaker 1: but it's like, yeah, it's a leaf.

1278
01:05:52,680 --> 01:05:55,320
Speaker 3: Yeah, even like America being obsessed with the bald eagles,

1279
01:05:55,320 --> 01:05:56,640
Speaker 3: like I've maybe seen one in my whole life.

1280
01:05:56,680 --> 01:05:58,840
Speaker 1: Yeah, and it probably like tried to kill you.

1281
01:05:58,920 --> 01:06:01,080
Speaker 3: Yeah, whereas maple I literally caught.

1282
01:06:00,920 --> 01:06:04,200
Speaker 1: One today exactly. You're yeah, okay, one hundred percent.

1283
01:06:04,320 --> 01:06:08,960
Speaker 3: Next line, workers in queer media.

1284
01:06:09,720 --> 01:06:17,200
Speaker 8: Yeah, we witnessed someone being there, but we all saw

1285
01:06:17,240 --> 01:06:17,920
Speaker 8: it all together.

1286
01:06:18,080 --> 01:06:20,280
Speaker 7: Yeah, Hermie who she is right now?

1287
01:06:20,320 --> 01:06:23,160
Speaker 1: Which is there for anyone listening? Because this is going

1288
01:06:23,240 --> 01:06:27,600
Speaker 1: to be recorded. This is the woman asking asking Mariana

1289
01:06:27,640 --> 01:06:31,360
Speaker 1: Grande and Cynthia Arrivo if they have seen that there

1290
01:06:31,400 --> 01:06:32,360
Speaker 1: are people.

1291
01:06:33,000 --> 01:06:37,120
Speaker 3: Holding your face you're the lyrics of the dying gravity.

1292
01:06:37,360 --> 01:06:41,040
Speaker 1: The most crucial detail to that. She's like this past week.

1293
01:06:41,400 --> 01:06:48,000
Speaker 2: Yeah, because that song has existed for twenty years, but

1294
01:06:48,120 --> 01:06:50,280
Speaker 2: like this past week was really something.

1295
01:06:50,360 --> 01:06:53,160
Speaker 1: So apparently the missing link is that this was recorded

1296
01:06:53,240 --> 01:06:57,560
Speaker 1: right after the election, which makes it even funnier because

1297
01:06:57,680 --> 01:07:01,120
Speaker 1: Cynthia Arrivos moved to deers by the fact that people

1298
01:07:01,120 --> 01:07:04,160
Speaker 1: are holding space for the lyrics of defying gravity to

1299
01:07:04,320 --> 01:07:06,000
Speaker 1: grapple with Trump's reelection.

1300
01:07:06,240 --> 01:07:07,640
Speaker 7: I didn't know that. I didn't know that yet.

1301
01:07:08,960 --> 01:07:10,720
Speaker 3: The way that she's also like, well, I don't know

1302
01:07:10,760 --> 01:07:12,520
Speaker 3: how wid it's better it is, but I've seen a

1303
01:07:12,520 --> 01:07:19,240
Speaker 3: few posts back she's like because I think she.

1304
01:07:17,960 --> 01:07:19,480
Speaker 2: And she sees the emotional in fact that she's like,

1305
01:07:19,480 --> 01:07:21,160
Speaker 2: O baby girl. I was actually bullshitting a little bit

1306
01:07:22,120 --> 01:07:23,960
Speaker 2: like some.

1307
01:07:23,840 --> 01:07:25,120
Speaker 1: People I said that.

1308
01:07:25,240 --> 01:07:26,160
Speaker 5: I said that she's like.

1309
01:07:26,080 --> 01:07:27,640
Speaker 1: Well, I work in queer media and you know how

1310
01:07:27,680 --> 01:07:28,000
Speaker 1: they are.

1311
01:07:29,080 --> 01:07:32,920
Speaker 8: But I could see a couple of people holding space

1312
01:07:32,960 --> 01:07:37,280
Speaker 8: for you know, the define gravity.

1313
01:07:36,560 --> 01:07:39,920
Speaker 3: Yeah, I think it was like this was like what

1314
01:07:39,960 --> 01:07:43,200
Speaker 3: it feels like to watch problematic reference Michael Jackson Moonwalk

1315
01:07:43,200 --> 01:07:46,560
Speaker 3: for the first time. Like I was like, oh my god,

1316
01:07:46,600 --> 01:07:47,720
Speaker 3: nothing's that were gonna be the same.

1317
01:07:48,240 --> 01:07:51,000
Speaker 1: She reclaimed it. Yet I need I mean it's gonna

1318
01:07:51,000 --> 01:07:53,080
Speaker 1: be I need the woman to come out and do

1319
01:07:53,280 --> 01:07:56,080
Speaker 1: like a joke where it's like a meme where she's

1320
01:07:56,360 --> 01:07:57,439
Speaker 1: holding space.

1321
01:07:58,480 --> 01:08:01,440
Speaker 3: You're you know, any best start believe where she reclaims

1322
01:08:02,440 --> 01:08:07,800
Speaker 3: about it, all right, So yes, yes, next line clicked.

1323
01:08:08,840 --> 01:08:11,120
Speaker 1: So this is they're trying to make Wicked and Gladiator

1324
01:08:11,120 --> 01:08:17,280
Speaker 1: to become Barbenheimer and it's called clicked. Folks, they're calling

1325
01:08:17,880 --> 01:08:25,519
Speaker 1: calling it clicked in your community. That sounds like a

1326
01:08:25,600 --> 01:08:26,599
Speaker 1: euphemism for like.

1327
01:08:26,640 --> 01:08:35,479
Speaker 11: Pre com, like a British turn of phrase for stopping

1328
01:08:35,520 --> 01:08:38,559
Speaker 11: being stopping wet with pre comb, click it in it,

1329
01:08:39,800 --> 01:08:41,040
Speaker 11: clicking in me trousers.

1330
01:08:41,160 --> 01:08:46,400
Speaker 1: All I do think it has a term for pre

1331
01:08:46,479 --> 01:08:47,240
Speaker 1: comb is there?

1332
01:08:47,479 --> 01:08:49,720
Speaker 3: Yeah, I'm like, stop it, you're making me like it.

1333
01:08:51,200 --> 01:08:51,720
Speaker 7: I don't think.

1334
01:08:51,960 --> 01:08:54,960
Speaker 8: I don't think conceptually that's I don't think it's people

1335
01:08:55,000 --> 01:08:56,280
Speaker 8: trying way too hard.

1336
01:08:56,560 --> 01:08:57,559
Speaker 3: It's actually kind of sad.

1337
01:08:57,600 --> 01:08:59,479
Speaker 1: It's like they're just like, well, they're both gendered.

1338
01:09:00,040 --> 01:09:01,400
Speaker 3: It's like that's not what it was.

1339
01:09:01,600 --> 01:09:03,519
Speaker 1: I also do this is the wrong instance, like I

1340
01:09:03,560 --> 01:09:06,320
Speaker 1: think Barbenheimer was a beautiful moment. Fine, we're past it.

1341
01:09:06,680 --> 01:09:08,960
Speaker 1: You can't then every year have one boy movie and

1342
01:09:09,000 --> 01:09:11,720
Speaker 1: one girl movie like that is that is taking We

1343
01:09:11,800 --> 01:09:13,120
Speaker 1: are not going back.

1344
01:09:15,000 --> 01:09:19,519
Speaker 2: That's doing that with like Baby Rock to what oh

1345
01:09:19,640 --> 01:09:20,559
Speaker 2: yeah baby girl.

1346
01:09:20,600 --> 01:09:24,360
Speaker 1: And I'm not he's right, No, I'm not yelling at him.

1347
01:09:24,560 --> 01:09:25,160
Speaker 3: Stop it.

1348
01:09:26,240 --> 01:09:29,599
Speaker 1: D We need non binary Barbenheimer, where both movies are

1349
01:09:29,680 --> 01:09:32,880
Speaker 1: sort of like gender queer, like that's what and that's

1350
01:09:33,080 --> 01:09:42,320
Speaker 1: so Baby Rat is perfect, little Baby ro non binary Barbenheimer.

1351
01:09:42,760 --> 01:09:44,759
Speaker 1: That's such an interesting puzzle.

1352
01:09:45,280 --> 01:09:48,280
Speaker 8: I feel like it's like I don't know, I feel

1353
01:09:48,280 --> 01:09:49,400
Speaker 8: like that doesn't exist.

1354
01:09:49,439 --> 01:09:51,559
Speaker 1: I'm sorry, honey, that's just playing ghost World twice.

1355
01:09:52,840 --> 01:09:56,120
Speaker 7: See what I do think for movies, it's boy movie,

1356
01:09:56,160 --> 01:09:56,719
Speaker 7: girl movie.

1357
01:09:57,040 --> 01:09:58,800
Speaker 1: You think all movies are boy or girl?

1358
01:09:59,640 --> 01:09:59,840
Speaker 10: Yeah?

1359
01:10:00,400 --> 01:10:06,759
Speaker 1: Wow, like I except everyone, but movies are boy or girl? Okay,

1360
01:10:06,880 --> 01:10:10,160
Speaker 1: net dot it okay, next line? Liberal liberal?

1361
01:10:10,280 --> 01:10:12,439
Speaker 4: Is is she there yet?

1362
01:10:14,160 --> 01:10:15,800
Speaker 1: Yeah? Yeah?

1363
01:10:16,120 --> 01:10:19,720
Speaker 3: See this is Obama's Canada. Everyone's like, why did you

1364
01:10:19,720 --> 01:10:20,200
Speaker 3: hear something?

1365
01:10:23,760 --> 01:10:24,360
Speaker 7: I think it is?

1366
01:10:24,720 --> 01:10:25,040
Speaker 1: You think?

1367
01:10:25,080 --> 01:10:29,240
Speaker 3: So yeah, A resounding yes, it's done.

1368
01:10:29,880 --> 01:10:31,960
Speaker 8: I think as people are going back to wanting to

1369
01:10:32,000 --> 01:10:34,200
Speaker 8: be inspired, you know what I mean, Like I could

1370
01:10:34,240 --> 01:10:36,160
Speaker 8: see Pink coming out with a song.

1371
01:10:35,960 --> 01:10:39,439
Speaker 1: At night all you know. Oh, so you're saying, because

1372
01:10:39,439 --> 01:10:40,640
Speaker 1: it's like in the depths.

1373
01:10:40,479 --> 01:10:42,520
Speaker 7: It's like, yes, we need to be uplifted.

1374
01:10:42,600 --> 01:10:43,719
Speaker 1: It's coming back liberal.

1375
01:10:43,520 --> 01:10:45,599
Speaker 8: Immediately, there's going to be another Hamilton, and you guys

1376
01:10:45,600 --> 01:10:46,320
Speaker 8: don't know that yet.

1377
01:10:47,720 --> 01:10:49,559
Speaker 3: They're definitely well, that's so true.

1378
01:10:49,600 --> 01:10:53,120
Speaker 1: You're saying, Posy is back. Upworthy. People can start sharing

1379
01:10:53,200 --> 01:10:55,920
Speaker 1: upworthy on the Dodo is coming is coming back.

1380
01:10:57,080 --> 01:10:59,200
Speaker 7: I'm not gonna think too hard about it this time.

1381
01:11:01,120 --> 01:11:04,479
Speaker 1: That's true. Actually, people are exhausted about thinking about Hamilton.

1382
01:11:04,520 --> 01:11:05,920
Speaker 1: When it comes out a second time, people are gonna

1383
01:11:05,920 --> 01:11:11,920
Speaker 1: be like, yeah, this slaps okay, okay, yes deliberate. I

1384
01:11:11,920 --> 01:11:19,759
Speaker 1: did not expect that. But next live Wow a standing

1385
01:11:19,800 --> 01:11:21,120
Speaker 1: ovation for quebe Quah French.

1386
01:11:21,800 --> 01:11:23,320
Speaker 7: I'm scared to say, no, now.

1387
01:11:23,800 --> 01:11:28,599
Speaker 8: Yeah, she's there, she's there.

1388
01:11:30,680 --> 01:11:33,439
Speaker 1: Oh my god. I would say keebe Qua French is

1389
01:11:33,479 --> 01:11:38,040
Speaker 1: the Tate McCrae of languages, because you're sort of like, well,

1390
01:11:38,080 --> 01:11:40,560
Speaker 1: she's weird, but she has her own personality.

1391
01:11:40,840 --> 01:11:42,559
Speaker 3: No, I love it. It's so like if you know,

1392
01:11:42,640 --> 01:11:49,439
Speaker 3: you know, like people here love to be like, you know, yeah, okay, yeah,

1393
01:11:49,640 --> 01:11:54,439
Speaker 3: anyone cared to dissent and get yelled at way, everyone's.

1394
01:11:53,040 --> 01:11:55,400
Speaker 7: There and I love her and I respect her culture.

1395
01:11:55,479 --> 01:11:59,680
Speaker 2: Yes, where are my Concordia, alum, where are my stingers?

1396
01:12:00,200 --> 01:12:05,200
Speaker 1: Where are my stingers? Our mascot was a wasp, a wasp,

1397
01:12:05,560 --> 01:12:08,360
Speaker 1: a loss, a French wasp.

1398
01:12:08,840 --> 01:12:13,600
Speaker 2: No, Anglo was for sure Concordia was an English university.

1399
01:12:14,479 --> 01:12:23,320
Speaker 3: Sorry, okay, no, it's not next lide Margaret.

1400
01:12:23,360 --> 01:12:25,920
Speaker 1: That is she there yet?

1401
01:12:26,560 --> 01:12:27,240
Speaker 3: I don't.

1402
01:12:28,640 --> 01:12:35,439
Speaker 2: No, loves everyone so much, everyone having a refreshed refresher apps.

1403
01:12:35,840 --> 01:12:41,240
Speaker 7: Okay, I'm breaking down really easy, please, Okay. She is

1404
01:12:41,280 --> 01:12:44,720
Speaker 7: an icon, sadly, for better for worse. She's an icon. Yeah,

1405
01:12:45,080 --> 01:12:48,880
Speaker 7: we have a lot to thank her for. And she's

1406
01:12:48,920 --> 01:12:51,160
Speaker 7: done some books. She's written some very good books.

1407
01:12:51,960 --> 01:12:56,480
Speaker 8: Poems, essays, books, she brought us The Handmaids.

1408
01:12:57,120 --> 01:13:00,400
Speaker 7: No, but she is, you know, she's.

1409
01:13:00,280 --> 01:13:04,200
Speaker 3: Like we hate her because she is. I think people

1410
01:13:04,200 --> 01:13:05,840
Speaker 3: should be shot at sixty five.

1411
01:13:07,520 --> 01:13:09,479
Speaker 1: There's something she had, There's something.

1412
01:13:09,520 --> 01:13:13,160
Speaker 3: So George was like, can I Yeah. George was like, oh,

1413
01:13:13,240 --> 01:13:14,960
Speaker 3: let's put Margaret out on that's funny. And I was like,

1414
01:13:15,040 --> 01:13:16,479
Speaker 3: is she like a turf or something?

1415
01:13:16,600 --> 01:13:19,080
Speaker 8: She's like she's like like she was like I I'm

1416
01:13:19,160 --> 01:13:21,439
Speaker 8: just asking questions, like I don't believe in anything, Like

1417
01:13:21,439 --> 01:13:22,439
Speaker 8: I see an article, I'm going.

1418
01:13:22,400 --> 01:13:23,080
Speaker 3: To tweet it.

1419
01:13:23,320 --> 01:13:25,880
Speaker 7: Yeah, you know she was like standing.

1420
01:13:25,640 --> 01:13:28,679
Speaker 8: By, but she yeah, like I don't know, she's being

1421
01:13:28,680 --> 01:13:30,439
Speaker 8: an old lady, Like what do you like she's.

1422
01:13:30,280 --> 01:13:32,479
Speaker 1: An old rich lady like she she's not.

1423
01:13:32,680 --> 01:13:34,920
Speaker 2: She would like definitely like invite a turf out to

1424
01:13:34,960 --> 01:13:38,280
Speaker 2: coffee to like pick their brighton totally.

1425
01:13:38,360 --> 01:13:40,439
Speaker 1: So it also seems a little too excited that The

1426
01:13:40,479 --> 01:13:43,519
Speaker 1: Handmaid's Tale is real, like she every month it's another

1427
01:13:43,520 --> 01:13:45,680
Speaker 1: interview where she's like, well I've predicted that, and I

1428
01:13:45,720 --> 01:13:49,280
Speaker 1: hate that I did it, but I did. Yeah, she's bragging.

1429
01:13:49,680 --> 01:13:52,200
Speaker 3: I'm also this conversation is actually Drake is not the

1430
01:13:52,280 --> 01:13:53,360
Speaker 3: dance savage Margaret at.

1431
01:13:53,200 --> 01:13:57,120
Speaker 1: With Margaret dance Savage. Now everyone is really breaking into

1432
01:13:57,120 --> 01:13:57,680
Speaker 1: discussion group.

1433
01:13:57,800 --> 01:13:59,639
Speaker 4: Yeah, this this is gonna be amazing for the community.

1434
01:14:00,120 --> 01:14:01,360
Speaker 1: Okay, So, but.

1435
01:14:03,640 --> 01:14:05,400
Speaker 7: Stating of fact doesn't mean I'm endorsing it.

1436
01:14:05,680 --> 01:14:08,719
Speaker 1: No, she's there. I think it's not. Everyone who's there

1437
01:14:09,040 --> 01:14:12,479
Speaker 1: is is good. Yes, every you can be there bad.

1438
01:14:12,960 --> 01:14:15,280
Speaker 1: She's there bad, but also maybe they're good.

1439
01:14:15,680 --> 01:14:17,559
Speaker 4: We'll see how time plays out.

1440
01:14:17,640 --> 01:14:23,960
Speaker 3: Next slide sides, So Sarah sides are.

1441
01:14:24,280 --> 01:14:29,880
Speaker 1: Singling her out. Well, maybe Nathan doesn't know. Do you

1442
01:14:29,920 --> 01:14:34,519
Speaker 1: know what sides are? Nathan? What Sam? Do you want

1443
01:14:34,560 --> 01:14:34,960
Speaker 1: to explain?

1444
01:14:35,400 --> 01:14:39,479
Speaker 3: So sides are men who have sex with men that

1445
01:14:39,560 --> 01:14:40,920
Speaker 3: don't like anal sex.

1446
01:14:41,080 --> 01:14:45,160
Speaker 1: So it's just there and there's don't So it's like

1447
01:14:45,280 --> 01:14:51,160
Speaker 1: jerking and sucking. Thank you for that frauding. The point

1448
01:14:51,280 --> 01:14:53,240
Speaker 1: is they're the third option.

1449
01:14:53,600 --> 01:14:54,120
Speaker 7: Find that.

1450
01:14:54,600 --> 01:14:58,080
Speaker 1: So this graphic, Oh, that's an amazing Does you draw

1451
01:14:58,160 --> 01:15:00,160
Speaker 1: that for this charge?

1452
01:15:00,360 --> 01:15:01,880
Speaker 3: Why is there a drill?

1453
01:15:02,680 --> 01:15:05,200
Speaker 4: So that's a metaphor for for anal sex?

1454
01:15:05,320 --> 01:15:08,599
Speaker 3: The drills a metaphor for Also, why is the key

1455
01:15:08,680 --> 01:15:12,479
Speaker 3: hole so high where beside the mirror?

1456
01:15:13,439 --> 01:15:14,759
Speaker 1: The cactus shaped like a penis?

1457
01:15:14,760 --> 01:15:15,320
Speaker 3: Do you see that?

1458
01:15:16,280 --> 01:15:17,960
Speaker 1: So I have to tell you this where I found

1459
01:15:17,960 --> 01:15:19,080
Speaker 1: this beautiful rapp.

1460
01:15:20,400 --> 01:15:26,240
Speaker 3: Grinder Wait someone posted that as No, it's like it

1461
01:15:26,280 --> 01:15:29,160
Speaker 3: was like grinder put out an article size.

1462
01:15:29,880 --> 01:15:31,839
Speaker 7: I'm so sorry.

1463
01:15:32,040 --> 01:15:35,280
Speaker 3: Someone someone got paid three hundred dollars to make this hard.

1464
01:15:35,880 --> 01:15:38,960
Speaker 3: They had to invoice four times and be like following

1465
01:15:39,040 --> 01:15:39,960
Speaker 3: up I drew this.

1466
01:15:40,560 --> 01:15:42,120
Speaker 1: I think they did a really amazing job.

1467
01:15:42,160 --> 01:15:44,000
Speaker 3: No, I think it tells a story. I hate.

1468
01:15:44,040 --> 01:15:46,760
Speaker 1: I hate to be detective. I hate to be detective,

1469
01:15:46,800 --> 01:15:50,280
Speaker 1: and please, but to me, this image isn't the story

1470
01:15:50,439 --> 01:15:52,439
Speaker 1: isn't being told of, like, oh, he's aside.

1471
01:15:52,479 --> 01:15:56,440
Speaker 2: He's waving away sex, he's saying, baby, we have nails

1472
01:15:56,560 --> 01:16:01,559
Speaker 2: and a drill everywhere. We clearly us moved into this loft.

1473
01:16:02,800 --> 01:16:04,160
Speaker 2: We can't fuck tonight.

1474
01:16:04,880 --> 01:16:05,200
Speaker 1: Okay.

1475
01:16:05,400 --> 01:16:07,720
Speaker 2: I don't think it's side related. I just think his

1476
01:16:07,840 --> 01:16:09,560
Speaker 2: partners like, I'm tired.

1477
01:16:09,720 --> 01:16:13,200
Speaker 5: But you go. Something about the way this is laid out,

1478
01:16:13,240 --> 01:16:15,000
Speaker 5: it makes it feels like it's gonna be a spot.

1479
01:16:15,040 --> 01:16:17,559
Speaker 3: The difference, like the way.

1480
01:16:17,800 --> 01:16:22,360
Speaker 5: There's objects and there's things, and the next image his

1481
01:16:22,439 --> 01:16:23,719
Speaker 5: armpit hair is way different.

1482
01:16:23,840 --> 01:16:26,360
Speaker 3: Yeah yeah, and we have to go and it's sort

1483
01:16:26,400 --> 01:16:27,320
Speaker 3: of an I spy.

1484
01:16:27,560 --> 01:16:27,920
Speaker 1: I think.

1485
01:16:28,080 --> 01:16:32,200
Speaker 3: I think the person who illustrated this said, I am

1486
01:16:32,280 --> 01:16:35,760
Speaker 3: not an illustrator, I am not a director, I am

1487
01:16:35,760 --> 01:16:39,240
Speaker 3: not a singer. I am a Storytellerian.

1488
01:16:41,920 --> 01:16:44,679
Speaker 1: Wow, that was we did a herald. That was a herald.

1489
01:16:44,720 --> 01:16:48,519
Speaker 1: We did a herald and next line, wait so long

1490
01:16:48,720 --> 01:16:52,639
Speaker 1: we decided if they're our side's there or not? Oh right,

1491
01:16:52,800 --> 01:16:53,799
Speaker 1: I think they're there.

1492
01:16:54,479 --> 01:16:57,200
Speaker 2: This being a side is like the Cynthia Arrivo and

1493
01:16:57,240 --> 01:17:01,920
Speaker 2: a press star of sexual Okay, great, I.

1494
01:17:01,960 --> 01:17:05,080
Speaker 1: Think because everyone's talking, we're all talking about Yeah, we're

1495
01:17:05,120 --> 01:17:06,240
Speaker 1: talking about it tonight.

1496
01:17:09,160 --> 01:17:11,240
Speaker 3: So you're staying love it or hated? It's still an obsession.

1497
01:17:11,600 --> 01:17:14,760
Speaker 3: I'm saying, what it's still an obsession?

1498
01:17:15,520 --> 01:17:16,479
Speaker 7: Yeah, love it or hated?

1499
01:17:17,000 --> 01:17:17,240
Speaker 3: Question?

1500
01:17:18,240 --> 01:17:20,200
Speaker 1: And with that that's our show.

1501
01:17:20,640 --> 01:17:24,040
Speaker 3: Show, next line, get it off for Bensub's all right,

1502
01:17:24,400 --> 01:17:29,320
Speaker 3: Sarah Haggy dayson coming up for Sam Tagger You guys

1503
01:17:29,360 --> 01:17:32,640
Speaker 3: so much much coming so fun.

1504
01:17:33,920 --> 01:17:38,160
Speaker 1: Podcast and now want more. Subscribe to our Patreon for

1505
01:17:38,280 --> 01:17:41,960
Speaker 1: two extra episodes a month, discord access and more by

1506
01:17:41,960 --> 01:17:45,200
Speaker 1: heading to patreon dot com. Slash Stradio Lab.

1507
01:17:45,240 --> 01:17:47,840
Speaker 4: And for all our visual earners, free full length video

1508
01:17:47,880 --> 01:17:49,200
Speaker 4: episodes are available on.

1509
01:17:49,120 --> 01:17:50,960
Speaker 1: Our YouTube now Get back to Work.

1510
01:17:51,240 --> 01:17:53,599
Speaker 3: Stradia Lab is a production by Will Ferrell's Big Money

1511
01:17:53,640 --> 01:17:55,480
Speaker 3: Players Network and iHeart Podcasts.

1512
01:17:55,479 --> 01:17:58,360
Speaker 1: Created and hosted by George Savers and Sam Taggart.

1513
01:17:58,439 --> 01:18:02,200
Speaker 3: Executive produced by Will Ferrell, Hansani and Olivia Aguilar, co

1514
01:18:02,360 --> 01:18:05,600
Speaker 3: produced by Bei Wang, edited and engineered by Adam Avalos.

1515
01:18:05,920 --> 01:18:08,840
Speaker 3: Artwork by Michael Files and Matt Grug. Theme music by

1516
01:18:08,880 --> 01:18:09,400
Speaker 3: Ben Kling