WEBVTT - REPLAY - K-Ci Hailey

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<v Speaker 1>R and B Money.

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<v Speaker 2>Honey, we are.

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<v Speaker 1>Thanks take valoti.

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<v Speaker 3>We are the authority.

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<v Speaker 2>On all things R and B.

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<v Speaker 1>Ladies and gentlemen.

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<v Speaker 3>My name is Tank Valentine, and this what is it.

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<v Speaker 3>It's the R and B Money Podcast, the authority.

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<v Speaker 1>On all things Who yeah.

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<v Speaker 4>One more time? Who yeah yeah?

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<v Speaker 3>See see you wasn't desperate, you know, in your spirit,

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<v Speaker 3>in your tongue, right, You wasn't in the middle of

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<v Speaker 3>a desert with lover on your body, sweating your balls off.

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<v Speaker 1>To prove a point.

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<v Speaker 2>Hmmm.

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<v Speaker 3>Not only was your eyes ryan, but your skin on

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<v Speaker 3>your whole body. It's client tears. You ain't never done that.

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<v Speaker 3>You ain't never put on boots with a two piece

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<v Speaker 3>shots at and turned the rain off on your feet.

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<v Speaker 3>What you've never done it? You ain't never did it.

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<v Speaker 3>You don't sit on the mouth rushmore. It's a godfather,

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<v Speaker 3>this ship right here, it's one man. It's one man,

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<v Speaker 3>and that Maine is here. The God, No, yes, sir,

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<v Speaker 3>not God, the God, the God created in his image.

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<v Speaker 1>Casey Haley, my God.

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<v Speaker 3>Oh yeah, yeah, himself, mister Huliah himself.

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<v Speaker 2>Yeah man, what's going on?

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<v Speaker 1>What made what made you do? Oh yeah, let's start

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<v Speaker 1>with this right there.

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<v Speaker 2>Okay, we can do that. That's real easy.

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<v Speaker 1>I was. They used to call me like that, a

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<v Speaker 1>little king.

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<v Speaker 2>But the guys did, like I go and I go

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<v Speaker 2>into booth man just start singing. And I get and

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<v Speaker 2>I got tired of saying what the words of the

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<v Speaker 2>song stuff.

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<v Speaker 1>I just I just put them in.

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<v Speaker 2>Ooh yeah, it's a feeling. You gotta have that, oh yeah,

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<v Speaker 2>feeling you could sing. Mary had a little lamb.

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<v Speaker 1>Mary had a.

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<v Speaker 2>Little lamb, little lamb, little lamb.

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<v Speaker 4>Oh yeah, man, yeah, man.

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<v Speaker 3>They do say it's Casey jojo right there. Yeah, that's

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<v Speaker 3>that's like the Holy Trinity.

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<v Speaker 1>Bro.

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<v Speaker 3>I just I mean, listen, I gotta say this, and

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<v Speaker 3>I tell you this all the time, but I can

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<v Speaker 3>never tell you enough. Thank you man, Thank you man.

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<v Speaker 3>You have to like like I want you to like

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<v Speaker 3>to day is the day. You know, I know you humble,

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<v Speaker 3>you know I know your godfaring man. You give it

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<v Speaker 3>all back to the Creator. You understand what I'm saying.

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<v Speaker 3>But when he gives us those gifts, it is up

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<v Speaker 3>to us to be good stewards over those gifts. It

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<v Speaker 3>is up for us to develop and nurture and work

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<v Speaker 3>hard to bring their gifts to their fullness. And you

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<v Speaker 3>did just that, and in doing so, you created us.

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<v Speaker 1>For sure.

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<v Speaker 2>Appreciate, sure, sure, appreciate.

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<v Speaker 3>No R and B money without you. There's no R

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<v Speaker 3>and B money without your, not even closer.

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<v Speaker 2>We tried no, no, no, no, no, no, no.

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<v Speaker 3>Today today today, can't see you get the pump your ship.

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<v Speaker 3>This is Flowers, this is celebration k C Day right now.

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<v Speaker 1>Okay, we did that ship.

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<v Speaker 2>We did that, Yes, you did it was it was

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<v Speaker 2>on a mission.

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<v Speaker 1>Oh my god.

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<v Speaker 2>And number two understood the assignment.

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<v Speaker 1>Yeah. When we first when we first.

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<v Speaker 2>Got together, we always said, we said that we made

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<v Speaker 2>a pack. We made a vow that we was going

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<v Speaker 2>to be the baddest, baddest group that ever came out. Wow,

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<v Speaker 2>you know what I'm saying. I made a vow like

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<v Speaker 2>I'm gonna be the most aggressive lead singer that's out there.

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<v Speaker 2>My age.

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<v Speaker 1>You know what I'm saying, My era, And hey man, and.

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<v Speaker 2>I guess, like I said, we did that ship.

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<v Speaker 1>You do damn right, you did it. Let's go back

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<v Speaker 1>to the beginning case. Go ahead.

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<v Speaker 3>I want to go back to me being a kid

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<v Speaker 3>in a church somewhere in Wisconsin. I want to say

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<v Speaker 3>race Singlet'll sing Wisconsin, and we went to see Little

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<v Speaker 3>Cedric and the Haley singer. Yes, man, and I watched

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<v Speaker 3>y'all run down the middle aisle. You didn't walk down

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<v Speaker 3>the middle aisle. Oh yeah, for those of y'all who

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<v Speaker 3>know anything about church, any church folk, you don't go down.

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<v Speaker 1>The middle aisle.

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<v Speaker 3>That is forbidden. That's forbidden. You don't walk down the

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<v Speaker 3>middle church going on the side.

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<v Speaker 4>Next time I go to church, remember that.

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<v Speaker 3>So the usher say, you know, shure, you're seeing the

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<v Speaker 3>ball like he does instructions for the middle hole. Not

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<v Speaker 3>only did they come down the middle aisle, they ran

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<v Speaker 3>down the middle aisle to assult the injury. Jojo had

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<v Speaker 3>a ball head and ear rings. We said, what in

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<v Speaker 3>the worldly, what in the fleshy business is.

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<v Speaker 2>Going on there?

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<v Speaker 3>And y'all proceeded, for lack of a better term, to

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<v Speaker 3>talk about gospel music kick ass.

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<v Speaker 2>Yeah man, we had to do that too, man, we

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<v Speaker 2>did that.

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<v Speaker 3>So how did that start? Give me Casey and the

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<v Speaker 3>hay say, go take me back to the beginning.

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<v Speaker 2>Right, the beginning like this, Well, those you don't know.

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<v Speaker 2>It started out in Alltimore, Maryland, our professional singing Career

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<v Speaker 2>Study in Baltimore and Maryland. My mom had a group,

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<v Speaker 2>my dad had a group, and me and Joji would

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<v Speaker 2>be around house singing all the time. They had a

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<v Speaker 2>back in those days, they had a Friday night spade parties.

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<v Speaker 1>Mama them had the spade party. I know y'all know

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<v Speaker 1>about that.

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<v Speaker 2>But anyway, when our uncles and nouns they'd be playing

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<v Speaker 2>spades and all that, me and Jojo wuld be in

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<v Speaker 2>the bed sleep with it. Used they thought we were,

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<v Speaker 2>but we can hear everything that's going on there. But

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<v Speaker 2>one or two every Friday night and my uncles and

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<v Speaker 2>they are juiced up, now you know what I'm saying,

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<v Speaker 2>So they want to hit the little boys sing.

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<v Speaker 1>So Mama would wake us up, like it'd be like one.

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<v Speaker 2>Sometimes two in the morning, wake us up, turn our

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<v Speaker 2>favorite gospel group on, which was the gospel keynotes at

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<v Speaker 2>the time, you know, and me and Joe Joja would

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<v Speaker 2>be Paul Beasley. I would be the lead singer, Willy

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<v Speaker 2>Neil so, and Willy Neil was the one, like the

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<v Speaker 2>the aggressive one, the lead singer. So they would ask

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<v Speaker 2>us to make us sing those songs. I remember one

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<v Speaker 2>night I got bull headed. You know what I'm saying,

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<v Speaker 2>I got bullheaded and it wont to sing. Man, So

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<v Speaker 2>believe it or not. My mother, my mother a lover

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<v Speaker 2>for doing this. Some people these days might ridicule her

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<v Speaker 2>for doing it. But my mother she went upstairs, got

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<v Speaker 2>her leather belt, leather belt, and man, that belt kept

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<v Speaker 2>me singing today. She said, boy, if you don't go

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<v Speaker 2>downstairs and sing them songs, but them people want you

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<v Speaker 2>to sing and mine now they was giving me a

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<v Speaker 2>joe fifty cents to sing. She said, if you don't

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<v Speaker 2>get your tail downstairs, she took that belt. Man, she

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<v Speaker 2>used that belt to this day. I never been shame

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<v Speaker 2>or shy to open my mouth to sing for nobody.

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<v Speaker 2>So fast forward, like I said, my mother had a

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<v Speaker 2>group from Baltimore Female Group, and my father had the

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<v Speaker 2>male group in Baltimore Quartet.

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<v Speaker 1>And my mama told my daddy, she said, I think

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<v Speaker 1>you need to put centric in that group. That boy ready,

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<v Speaker 1>That boy ain't ready, she said, he ready? She said,

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<v Speaker 1>he ready.

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<v Speaker 2>So she asked me, if you want to be in

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<v Speaker 2>your daddy group. Man, yeah, I want to be in

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<v Speaker 2>the group.

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<v Speaker 1>At eleven years old.

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<v Speaker 2>Who wouldn't yeah, eleven years old? Then, so my Daddy

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<v Speaker 2>let me in the group. I went to the couple

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<v Speaker 2>of rehearsals and we did that first gospel you know

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<v Speaker 2>back in the day call him programs.

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<v Speaker 1>You know, we did a program.

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<v Speaker 2>So when I did that, man and my uncle, which

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<v Speaker 2>was the manager of my dad group, his uncle, so

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<v Speaker 2>he told my daddy, oh, yeah, that's gonna be our

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<v Speaker 2>little showstopper. Yeah, we're gonna keep him. So by that time,

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<v Speaker 2>like I said, my mama had a group. She had

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<v Speaker 2>to kill a band. So my mama told my daddy, look,

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<v Speaker 2>I want to take him out your group and I'm

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<v Speaker 2>gonna get my band because they was more contemporary, you know,

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<v Speaker 2>all that players young guys. She said, I want to

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<v Speaker 2>take them out your group, and I'm gonna get rid

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<v Speaker 2>of my band and let them play for Cedric mm hm.

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<v Speaker 2>So dadd was like, we see how the I think

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<v Speaker 2>the group my daddy group kind of figured what was

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<v Speaker 2>going on because for me, Daddy and Jojo got to rehearsal,

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<v Speaker 2>believe it or our tank man, they had our papers

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<v Speaker 2>waiting on us saying we fired.

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<v Speaker 4>Oh y'all was getting kicked out.

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<v Speaker 2>Yeah, we got kicked out when they found out that,

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<v Speaker 2>you know, little Cedric and the Haley things was about.

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<v Speaker 3>But they kick you and Jeorje They kicked your daddy

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<v Speaker 3>out here, and yeah, hold on you and your son.

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<v Speaker 2>Yeah, you and your sons out the group just because

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<v Speaker 2>of that. So my dad's okay, cool, we got this.

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<v Speaker 2>They handed you papers, They handed his papers that rehearsal

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<v Speaker 2>when we walked in.

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<v Speaker 4>That's crazy, you know.

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<v Speaker 2>I cried like the baby man, look eleven years old

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<v Speaker 2>getting fired. Come on now from something I love to

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<v Speaker 2>you want to do. But though it was God's playing,

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<v Speaker 2>of course, it wasn't their plans. Because at the next day,

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<v Speaker 2>here we are my mom and dad telling me what

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<v Speaker 2>we got. My mama said, Timmy down, Timmy to them,

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<v Speaker 2>come to play for you now. So I'm like half

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<v Speaker 2>because Timmy, though they was young, they was funky, you know,

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<v Speaker 2>so I'm like cool. That was the birth a Little

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<v Speaker 2>Cedric and the Haley Singers signed to gospel record label,

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<v Speaker 2>which is Air Records. Now, so got that deal. Twelve

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<v Speaker 2>years old? Did our recording man and Little Cedric and

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<v Speaker 2>Haley Singers blew up?

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<v Speaker 1>I mean we blew up in the court tap field man.

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<v Speaker 2>I would like to they would call me the Michael

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<v Speaker 2>Jackson of gospel and during that time. Yeah, and during

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<v Speaker 2>that time, my rival was a little boy from Washington,

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<v Speaker 2>d C. He had his group from DC. So Baltimore

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<v Speaker 2>had they little boy which is a little Cedric and

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<v Speaker 2>that little boy I'm talking about.

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<v Speaker 1>I mean we went next to neck, neck to the neck. Man.

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<v Speaker 2>One night was his night. Next night was not my night.

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<v Speaker 1>That little boy it was Johnny Gill.

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<v Speaker 3>Oh I didn't know that, yeah, man, Man, Johnny talked

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<v Speaker 3>about the all the time.

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<v Speaker 2>We talked about the all the time. Johnny would come

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<v Speaker 2>to Baltimore. He'll try to make it hard for me

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<v Speaker 2>in my town.

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<v Speaker 1>It's okay, all right, I gotta go to I gotta

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<v Speaker 1>go to d C. H Ray, come see you.

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<v Speaker 3>So this is like twelve thirteen for so he's been

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<v Speaker 3>browling for a long time.

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<v Speaker 2>Oh yeah, oh yeah, oh yeah, man, Johnny, we've been

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<v Speaker 2>in the game together, in the game a long time, man,

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<v Speaker 2>a long time.

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<v Speaker 1>Yeah.

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<v Speaker 2>Yeah, yeah, man, Johnny was way back man.

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<v Speaker 1>Forty some years ago.

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<v Speaker 4>So was your father in and Haley sing Halle sing.

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<v Speaker 1>Yeah, he came.

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<v Speaker 2>He got him some songs off til too, off the

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<v Speaker 2>albums too.

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<v Speaker 1>You know what I'm saying. You know, well, and then Jojo.

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<v Speaker 2>Jojo was like this. He's still like this to this day.

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<v Speaker 2>He don't let y'all see it. We had to beg

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<v Speaker 2>Jojo to sing. M We had to beg Jojo to

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<v Speaker 2>then they had to do it. Now you know what

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<v Speaker 2>I'm saying.

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<v Speaker 4>But one of the coldest vocals whoever.

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<v Speaker 2>Yeah, yeah, And then Jojo then he got into it, man,

0:12:27.960 --> 0:12:30.960
<v Speaker 2>And he had this couple of songs on the albums

0:12:31.000 --> 0:12:33.720
<v Speaker 2>and all that, but Jojo always knew he would tell

0:12:33.800 --> 0:12:35.839
<v Speaker 2>them and then I'm gonna do that, man.

0:12:35.880 --> 0:12:37.320
<v Speaker 1>That's that's cedgic man.

0:12:37.559 --> 0:12:37.839
<v Speaker 4>Jojo.

0:12:37.960 --> 0:12:40.760
<v Speaker 1>Jojo was more like he was a rough He was

0:12:40.800 --> 0:12:41.440
<v Speaker 1>a rough neck.

0:12:42.000 --> 0:12:44.240
<v Speaker 2>Joja wanted to go outside and play football while I'm

0:12:44.280 --> 0:12:47.440
<v Speaker 2>in rehearsal ten hours a day in the bass hot

0:12:47.480 --> 0:12:49.880
<v Speaker 2>basement right after school. Got to go down to the

0:12:49.880 --> 0:12:53.320
<v Speaker 2>basement and rehearse for the album. So Jojo outside playing

0:12:53.520 --> 0:12:55.360
<v Speaker 2>and if he got a song, he'll come in and

0:12:55.440 --> 0:12:58.360
<v Speaker 2>do his little song, go right back outside and play.

0:12:58.440 --> 0:13:01.560
<v Speaker 2>I'm still in there because I'm so I'm I'm hungry

0:13:01.559 --> 0:13:04.960
<v Speaker 2>at the age of twelve, I'm hungry, man. But it

0:13:05.040 --> 0:13:07.760
<v Speaker 2>all worked out good. So that's how the Haley Singers started.

0:13:07.800 --> 0:13:10.319
<v Speaker 1>Man, was your first song that took out, took off.

0:13:10.440 --> 0:13:15.840
<v Speaker 2>Uh Jesus saved, and then born again with the second cold.

0:13:19.160 --> 0:13:19.600
<v Speaker 4>That's it.

0:13:20.120 --> 0:13:21.959
<v Speaker 1>That was it right there. I was like, we used

0:13:21.960 --> 0:13:24.360
<v Speaker 1>to call it in we call it drive. That was

0:13:25.040 --> 0:13:29.040
<v Speaker 1>what was your cross?

0:13:29.840 --> 0:13:30.560
<v Speaker 2>Yeah? That was that?

0:13:30.559 --> 0:13:31.439
<v Speaker 1>That was our drive?

0:13:31.559 --> 0:13:35.920
<v Speaker 2>Right and then and then on man, it just we

0:13:35.960 --> 0:13:40.120
<v Speaker 2>did those. We did three albums under Little Cep and

0:13:40.160 --> 0:13:42.560
<v Speaker 2>the Haley Singers, and then the family moved back to

0:13:43.360 --> 0:13:45.920
<v Speaker 2>North Carolina. And then what.

0:13:45.960 --> 0:13:46.800
<v Speaker 1>Made you guys move?

0:13:47.320 --> 0:13:51.480
<v Speaker 2>Well, what made us move is really I think I

0:13:51.480 --> 0:13:54.079
<v Speaker 2>think my mom and parents was ready to move back

0:13:54.080 --> 0:13:57.480
<v Speaker 2>down south because we had lived in Baltimore for what wow,

0:13:57.559 --> 0:14:01.000
<v Speaker 2>we lived in Baltimore for like thirteen years, you know

0:14:01.080 --> 0:14:04.679
<v Speaker 2>what I'm saying. So, but they wanted to move back

0:14:04.720 --> 0:14:07.640
<v Speaker 2>down south, and of course they took the kids with us.

0:14:07.800 --> 0:14:10.680
<v Speaker 2>So we went down there, and still we still had

0:14:11.120 --> 0:14:12.200
<v Speaker 2>the Hailey Singers going.

0:14:12.320 --> 0:14:13.320
<v Speaker 1>We still was traveling.

0:14:13.400 --> 0:14:16.280
<v Speaker 2>The group had busted up, but we still you know,

0:14:16.440 --> 0:14:20.680
<v Speaker 2>hire some new new musicians and backup singers and everything

0:14:20.720 --> 0:14:21.520
<v Speaker 2>for Little Cedric.

0:14:21.680 --> 0:14:24.360
<v Speaker 1>So we're still going. So and then.

0:14:26.000 --> 0:14:28.720
<v Speaker 2>And and and it was God, Man, it was God,

0:14:28.760 --> 0:14:33.080
<v Speaker 2>because I was I was I had left North Carolina

0:14:33.560 --> 0:14:37.000
<v Speaker 2>and went to Baltimore. I was gonna do a reunion

0:14:38.320 --> 0:14:40.920
<v Speaker 2>with Little Cedric and the Haley Singers with the original

0:14:41.240 --> 0:14:43.240
<v Speaker 2>all the original members.

0:14:44.880 --> 0:14:49.600
<v Speaker 1>This is a.

0:14:49.800 --> 0:14:54.400
<v Speaker 2>Seventeen It's like just like seventeen eighteen, one of them.

0:14:55.240 --> 0:14:57.600
<v Speaker 2>So while I'm while I'm in Baltimore, Joselyn didn't go

0:14:57.680 --> 0:15:02.440
<v Speaker 2>with me. So while I'm in Baltimo, more Jojo plays

0:15:02.480 --> 0:15:07.000
<v Speaker 2>a song for me over the phone. By this time, Jojo,

0:15:07.120 --> 0:15:08.840
<v Speaker 2>you know he didn't go back to Baltimore with me.

0:15:09.480 --> 0:15:13.800
<v Speaker 2>So I'm listening on the phone. I'm like, Jojo, who

0:15:13.880 --> 0:15:18.640
<v Speaker 2>is that? It's yo, man, It's just it's this guy.

0:15:19.040 --> 0:15:22.600
<v Speaker 2>Ain't done. Man, we've been doing music together. Man, you

0:15:22.640 --> 0:15:23.600
<v Speaker 2>can't be in this group.

0:15:23.880 --> 0:15:24.280
<v Speaker 4>Nah.

0:15:24.400 --> 0:15:26.160
<v Speaker 2>Now this is just me and done. This me and

0:15:26.320 --> 0:15:30.920
<v Speaker 2>done stuff, this being done stuff. So then I go

0:15:31.040 --> 0:15:33.280
<v Speaker 2>back to Now I go. I meant, before I go

0:15:33.320 --> 0:15:37.320
<v Speaker 2>to Baltimore, I'm in I rehearsal hard with Let's at

0:15:37.360 --> 0:15:38.320
<v Speaker 2>the Haiti Singers.

0:15:38.520 --> 0:15:41.400
<v Speaker 1>So some girls they came over to visit us.

0:15:41.440 --> 0:15:43.320
<v Speaker 2>Just before I went to the boy, I skipped all that,

0:15:43.840 --> 0:15:48.640
<v Speaker 2>but some girls brought some guys to our studio. I

0:15:48.680 --> 0:15:50.800
<v Speaker 2>was dating one of the girl, but calling myself dating

0:15:51.520 --> 0:15:55.080
<v Speaker 2>and Jojo was talking to one of them, so they

0:15:55.080 --> 0:15:56.960
<v Speaker 2>brought out They said, well, we want to meet y'all

0:15:57.000 --> 0:15:59.640
<v Speaker 2>some We want y'all to meet some brothers.

0:16:00.200 --> 0:16:02.120
<v Speaker 1>You know. They they got their own church.

0:16:01.920 --> 0:16:05.120
<v Speaker 2>And and and they doing their thing. They tight on

0:16:05.160 --> 0:16:07.680
<v Speaker 2>the music. Man, they good, y'all need to meet on y'all.

0:16:07.680 --> 0:16:10.920
<v Speaker 2>Who are they? So when they walked in and they

0:16:10.960 --> 0:16:13.760
<v Speaker 2>brought the guys in, so all that first thing I

0:16:13.800 --> 0:16:19.200
<v Speaker 2>see is my girlfriend and got these guys behind her.

0:16:19.640 --> 0:16:26.920
<v Speaker 2>So immediately I'm not feeling I'm not feeling it. So

0:16:27.480 --> 0:16:30.560
<v Speaker 2>and I see one of them going to the studio

0:16:31.520 --> 0:16:33.800
<v Speaker 2>what the recording part was at the studio we had,

0:16:34.440 --> 0:16:36.880
<v Speaker 2>and I hear a piano plan. Now by this time,

0:16:37.000 --> 0:16:39.680
<v Speaker 2>me and this guy that Joe was in the room with. Man,

0:16:39.800 --> 0:16:42.720
<v Speaker 2>his brother is about to go at it. I mean

0:16:42.800 --> 0:16:48.840
<v Speaker 2>guns down, really guns down. So anyway, we're like, he's like, Yo,

0:16:48.920 --> 0:16:49.600
<v Speaker 2>what's going on?

0:16:49.680 --> 0:16:49.880
<v Speaker 3>Man?

0:16:50.360 --> 0:16:51.560
<v Speaker 1>Like, Yo, you tell me what's going on?

0:16:51.640 --> 0:16:51.800
<v Speaker 3>Y'all?

0:16:51.840 --> 0:16:55.560
<v Speaker 2>Walking with my girl? Man, I mean, who are y'all?

0:16:55.800 --> 0:16:57.920
<v Speaker 2>Who are y'all? So then I hear it.

0:16:58.960 --> 0:17:01.520
<v Speaker 1>I hear keep it up, a keyboard playing.

0:17:02.760 --> 0:17:08.199
<v Speaker 2>And I hear my brother singing. I'm like, oh, I

0:17:08.240 --> 0:17:11.160
<v Speaker 2>have my voice. I have my brother voice, but who

0:17:11.760 --> 0:17:18.000
<v Speaker 2>is that planing that keyboard? And his brother said, that's

0:17:18.040 --> 0:17:20.920
<v Speaker 2>what I was trying to tell you. We're the guys

0:17:21.440 --> 0:17:24.199
<v Speaker 2>that they wanted to introduce us to, y'all.

0:17:24.800 --> 0:17:26.520
<v Speaker 1>I was like, whoa, who are y'all?

0:17:28.400 --> 0:17:34.760
<v Speaker 2>I'm Dalving and that's my brother. Yeah, girl, he said,

0:17:34.840 --> 0:17:38.960
<v Speaker 2>I'm Dalving and that's my brother. Done. I said, y'all

0:17:38.960 --> 0:17:43.639
<v Speaker 2>are the great boys? Like yeah, yo, man, we just

0:17:43.760 --> 0:17:44.440
<v Speaker 2>missed the girl.

0:17:46.240 --> 0:17:47.320
<v Speaker 1>Want to see what's going on?

0:17:47.400 --> 0:17:47.600
<v Speaker 4>Now?

0:17:48.680 --> 0:17:51.480
<v Speaker 3>Work God, work, God said I moving.

0:17:51.560 --> 0:17:52.359
<v Speaker 1>I see you're moving.

0:17:52.760 --> 0:17:54.840
<v Speaker 2>So by that time, you know that we met each

0:17:54.880 --> 0:17:56.560
<v Speaker 2>other and met each other, hung out a little bit,

0:17:56.800 --> 0:17:58.440
<v Speaker 2>and then like I said, now I can go back

0:17:58.440 --> 0:18:00.800
<v Speaker 2>to Baltimore because I thought that it was gonna work out,

0:18:00.840 --> 0:18:03.000
<v Speaker 2>like that's gonna flu So I go to Baltimore.

0:18:03.040 --> 0:18:04.480
<v Speaker 1>I'm trying to get my group back together.

0:18:04.840 --> 0:18:08.720
<v Speaker 2>Joe caused me, and and he's playing something on the

0:18:08.840 --> 0:18:10.359
<v Speaker 2>on the on the phone. I said, Yo, that's how

0:18:10.440 --> 0:18:13.000
<v Speaker 2>good was that? He said, Yo, that's being done? Man?

0:18:13.440 --> 0:18:15.840
<v Speaker 2>I said, for real, y'all did that? He said yeah?

0:18:15.920 --> 0:18:18.040
<v Speaker 2>I said, yeah, man, it's tight. I said, man, that's

0:18:18.080 --> 0:18:21.040
<v Speaker 2>that's I like that, bro. I don't even think about it,

0:18:21.440 --> 0:18:24.400
<v Speaker 2>stay in Baltimore, get your hatey saving together.

0:18:25.920 --> 0:18:29.120
<v Speaker 1>Yeah, I said, I got my whole thing.

0:18:32.280 --> 0:18:32.920
<v Speaker 4>Ain't the church.

0:18:33.000 --> 0:18:38.159
<v Speaker 2>Yeah, so I said, nah, man, So immediately, immediately I

0:18:38.240 --> 0:18:40.240
<v Speaker 2>called my mom, I call my daddy.

0:18:40.840 --> 0:18:43.240
<v Speaker 1>So ready to come home. I'm ready to come home.

0:18:43.280 --> 0:18:43.679
<v Speaker 1>I told her.

0:18:43.680 --> 0:18:48.400
<v Speaker 2>Haley singers, Hey, look y'all, I'm going back to Charlotte.

0:18:51.880 --> 0:18:54.560
<v Speaker 4>I can't tell you why. I can't tell you about it, but.

0:18:54.560 --> 0:18:57.040
<v Speaker 2>You're here about it. But you're here about it. And

0:18:57.119 --> 0:18:59.320
<v Speaker 2>by that time I got home, man, and by that time,

0:18:59.400 --> 0:19:02.479
<v Speaker 2>Jojo jojo heed it, jojo heed it, and then all

0:19:02.800 --> 0:19:03.760
<v Speaker 2>you started yelling.

0:19:04.440 --> 0:19:05.560
<v Speaker 1>So then we.

0:19:05.560 --> 0:19:07.000
<v Speaker 4>Jojo really didn't want you in the group.

0:19:07.640 --> 0:19:12.800
<v Speaker 2>No, and Davante didn't want Dalvin. I love this, Yeah,

0:19:13.640 --> 0:19:16.920
<v Speaker 2>this is great money. Didn't want Davin, so Jojo made it,

0:19:17.200 --> 0:19:18.720
<v Speaker 2>but Jojo wanted Dolvin.

0:19:19.280 --> 0:19:20.240
<v Speaker 1>Vante wanted me.

0:19:21.280 --> 0:19:25.359
<v Speaker 2>So Jojo was like this, now, Jojo Jojo playing that card.

0:19:26.720 --> 0:19:30.479
<v Speaker 1>If you want my brother, Lee saying you got your

0:19:30.520 --> 0:19:30.960
<v Speaker 1>brother and the.

0:19:30.960 --> 0:19:36.919
<v Speaker 2>Group yeah, yeah, yeah, it's and vice versa. So if

0:19:36.960 --> 0:19:42.760
<v Speaker 2>you want Dalvin in you know, yeah I Neededric.

0:19:43.800 --> 0:19:44.000
<v Speaker 1>Yeah.

0:19:44.119 --> 0:19:45.960
<v Speaker 2>So we got together man talked about it.

0:19:46.080 --> 0:19:46.480
<v Speaker 3>That you go.

0:19:46.680 --> 0:19:50.159
<v Speaker 2>We we started doing demos man, we were demo.

0:19:50.000 --> 0:19:51.320
<v Speaker 1>At at the church.

0:19:51.520 --> 0:19:51.760
<v Speaker 3>Man.

0:19:52.320 --> 0:19:52.800
<v Speaker 2>We would do.

0:19:52.800 --> 0:19:54.200
<v Speaker 1>Demos at the church, like time.

0:19:54.280 --> 0:19:57.920
<v Speaker 2>We share those songs like that and like the chords,

0:19:57.960 --> 0:20:01.320
<v Speaker 2>like the chords Davante. A lot of that stuff was

0:20:01.320 --> 0:20:06.320
<v Speaker 2>written in church at Davante's dad church man. So I

0:20:06.320 --> 0:20:08.760
<v Speaker 2>guess Davante's dad got tired of it, you know, he

0:20:08.800 --> 0:20:11.200
<v Speaker 2>got tired all that secular music been played at the church.

0:20:11.440 --> 0:20:13.440
<v Speaker 2>So what we did, we didn't tell me and Jose

0:20:13.560 --> 0:20:16.800
<v Speaker 2>didn't tell our parents. We had a basement, right and

0:20:16.880 --> 0:20:20.280
<v Speaker 2>this thing. You know, my dad and my mother they

0:20:20.359 --> 0:20:25.800
<v Speaker 2>see Vanunte loading there in like fifteen ten or fifteen keyboards,

0:20:26.119 --> 0:20:28.920
<v Speaker 2>hooking everything up in their basement. You give you know

0:20:28.960 --> 0:20:30.720
<v Speaker 2>what I'm saying. By that time, they didn't know what

0:20:30.920 --> 0:20:33.160
<v Speaker 2>They knew what we was doing music, but they didn't

0:20:33.200 --> 0:20:34.760
<v Speaker 2>know what he was doing it for. Because my daddy

0:20:34.800 --> 0:20:38.000
<v Speaker 2>that he's I don't know what that boy doing down there.

0:20:38.440 --> 0:20:42.320
<v Speaker 1>But all I hear is a lot of that sound.

0:20:43.040 --> 0:20:45.840
<v Speaker 2>You know, that sound is slapping on the keyboards, but

0:20:45.920 --> 0:20:49.320
<v Speaker 2>he had his headphones on. By that Vante was doing

0:20:49.359 --> 0:20:50.119
<v Speaker 2>Joessy's demo.

0:20:50.960 --> 0:20:52.840
<v Speaker 1>He did that. We did that for like a year,

0:20:53.080 --> 0:20:54.280
<v Speaker 1>got our son, We got like.

0:20:54.720 --> 0:20:57.320
<v Speaker 4>Jodas he yet though or what like when does when

0:20:57.320 --> 0:20:57.920
<v Speaker 4>do you guys.

0:20:57.800 --> 0:21:00.320
<v Speaker 2>When we find out we were Jodasy? When we when

0:21:00.320 --> 0:21:03.280
<v Speaker 2>we well, we knew that we had something, and we

0:21:03.320 --> 0:21:05.120
<v Speaker 2>were standing in O we were sitting in our mother

0:21:05.240 --> 0:21:08.280
<v Speaker 2>our parents yard, man, and and we're like, what name

0:21:08.359 --> 0:21:09.640
<v Speaker 2>can we We need a name?

0:21:09.720 --> 0:21:09.880
<v Speaker 3>Man.

0:21:09.920 --> 0:21:12.840
<v Speaker 1>Now it's all four but we're good. Now we're tight, man.

0:21:13.080 --> 0:21:15.120
<v Speaker 2>You know, we need a name, man, we need a name.

0:21:15.880 --> 0:21:20.359
<v Speaker 2>So I came up with brothers, and I think Darvin

0:21:20.400 --> 0:21:24.160
<v Speaker 2>came up with some things. And then and then Davante

0:21:24.440 --> 0:21:29.040
<v Speaker 2>was like, hey, man, well we just put our name together, man,

0:21:33.240 --> 0:21:39.000
<v Speaker 2>Jojo Divante, Darvin.

0:21:40.200 --> 0:21:40.520
<v Speaker 1>Case.

0:21:41.640 --> 0:21:48.920
<v Speaker 2>Yeah, We're just put Joe d and cee mm hmm

0:21:49.880 --> 0:21:55.520
<v Speaker 2>Jodasy man Jodasy Joseh. I gu said, Josy Jojasy, Josasy Jodasy.

0:21:56.560 --> 0:22:02.280
<v Speaker 2>I don't know, man, that sounds too biblical something. But

0:22:02.040 --> 0:22:03.800
<v Speaker 2>but at the end of the day, we had a vote.

0:22:04.400 --> 0:22:06.639
<v Speaker 1>We had a vote with the Jo Deasy it is.

0:22:06.760 --> 0:22:22.960
<v Speaker 2>Then we got on sound man. We got our sound

0:22:23.040 --> 0:22:25.560
<v Speaker 2>won't be no producers, none of that. So as I'm

0:22:25.600 --> 0:22:29.360
<v Speaker 2>telling y'all, the boss man like, just get your boss.

0:22:29.960 --> 0:22:33.119
<v Speaker 2>So when it got Drake Drake came in there. The

0:22:33.200 --> 0:22:36.239
<v Speaker 2>song Kirk was playing was come and talk to Me.

0:22:37.240 --> 0:22:39.439
<v Speaker 1>The song he was playing Yeah, then he.

0:22:39.480 --> 0:22:45.320
<v Speaker 2>Played Stay, then he played then he played I'm Still waiting.

0:22:47.200 --> 0:22:51.159
<v Speaker 1>Then all this on demo, what oh man?

0:22:52.359 --> 0:22:57.880
<v Speaker 2>Then they played back in the day every moment that was.

0:22:56.800 --> 0:22:58.600
<v Speaker 4>Don't hear this, just don't.

0:22:58.400 --> 0:23:02.240
<v Speaker 2>Hear this on the demos back so dre Light, dre Light,

0:23:02.320 --> 0:23:04.840
<v Speaker 2>hold up, y'all tell me that's y'all.

0:23:06.680 --> 0:23:08.119
<v Speaker 1>Yeah, that's up. Yeah, what you're talking me?

0:23:08.240 --> 0:23:12.160
<v Speaker 2>Yes, us, I don't believe it, no doubt.

0:23:13.000 --> 0:23:18.159
<v Speaker 1>Okay, okay, believe this. You know. I stood up. I

0:23:18.200 --> 0:23:19.359
<v Speaker 1>stopped singing the verses.

0:23:19.480 --> 0:23:23.320
<v Speaker 2>So, yeah, I got to put with me, you know that,

0:23:23.560 --> 0:23:26.440
<v Speaker 2>I said, I said, okay, that's good. We started singing,

0:23:26.520 --> 0:23:30.280
<v Speaker 2>did a little jalousy, you know, did josy little little

0:23:30.880 --> 0:23:33.480
<v Speaker 2>little thing we'll be doing, singing about judges.

0:23:35.359 --> 0:23:38.399
<v Speaker 1>Yeah that and then you know, I did come and

0:23:38.440 --> 0:23:38.879
<v Speaker 1>talk to me.

0:23:39.600 --> 0:23:42.640
<v Speaker 2>I sung a little song and you know, and by

0:23:42.680 --> 0:23:46.480
<v Speaker 2>that time Heavy came here Rest in peace. Heavy stuck

0:23:46.560 --> 0:23:51.560
<v Speaker 2>his head in the door. He said, Drake, come in.

0:23:51.800 --> 0:23:56.440
<v Speaker 2>From what I hear. Heavy told dre if you don't

0:23:56.440 --> 0:24:01.560
<v Speaker 2>sign him, I get him. By that time, I know dre.

0:24:02.480 --> 0:24:05.800
<v Speaker 2>He came back in the door, said, Yo, so where

0:24:05.840 --> 0:24:09.800
<v Speaker 2>y'all staying. Where y'all staying at? We ain't got nowhere

0:24:09.800 --> 0:24:12.919
<v Speaker 2>to stay, man. You know we got the money, the

0:24:12.960 --> 0:24:16.080
<v Speaker 2>same guy that was sleeping on us his and no man,

0:24:16.240 --> 0:24:20.880
<v Speaker 2>Kirk Willy, he said, Kirk, uh pay for the rest

0:24:20.880 --> 0:24:22.919
<v Speaker 2>of the room, the hotel room for the rest of

0:24:22.960 --> 0:24:26.360
<v Speaker 2>the route group for the rest of the week. Take

0:24:26.400 --> 0:24:31.119
<v Speaker 2>care of this group for the rest of the week. Uh,

0:24:31.200 --> 0:24:34.560
<v Speaker 2>come on, y'all, we're going out to dinner. And Kirk,

0:24:34.800 --> 0:24:37.720
<v Speaker 2>by the way, you assigned to them for the rest

0:24:37.760 --> 0:24:38.280
<v Speaker 2>of this week.

0:24:40.240 --> 0:24:41.640
<v Speaker 4>First I know you don't like him.

0:24:44.240 --> 0:24:47.040
<v Speaker 3>Yeah, since you can't here, since you're going here for

0:24:47.080 --> 0:24:50.040
<v Speaker 3>the rest of the week, for the rest of your life.

0:24:51.200 --> 0:24:53.080
<v Speaker 2>So by that time, and then you know, we had

0:24:53.119 --> 0:24:56.719
<v Speaker 2>that dinner and and uh get back to the hotel. Yo.

0:24:56.880 --> 0:25:00.920
<v Speaker 1>We gave Kurk would leave hell.

0:25:01.280 --> 0:25:01.520
<v Speaker 2>Man.

0:25:01.920 --> 0:25:04.080
<v Speaker 1>We gave him hell that day that whole week. Man,

0:25:04.119 --> 0:25:06.200
<v Speaker 1>it was like we've been in the business for years.

0:25:06.000 --> 0:25:06.800
<v Speaker 4>Yo, we want this.

0:25:07.880 --> 0:25:11.760
<v Speaker 1>You ain't doing your job. You ain't You heard what

0:25:11.880 --> 0:25:13.520
<v Speaker 1>Andre said, Yo, yump.

0:25:14.200 --> 0:25:18.760
<v Speaker 5>We turned into jodessy right then.

0:25:19.080 --> 0:25:22.440
<v Speaker 2>And then and then when I get back to the hotel.

0:25:23.680 --> 0:25:25.920
<v Speaker 2>I jumped up up and down on my bed. Man

0:25:26.640 --> 0:25:29.840
<v Speaker 2>jumped up and down on my bed. Everybody, man, we

0:25:29.920 --> 0:25:33.480
<v Speaker 2>was crying and all that, and I called him my pop.

0:25:34.320 --> 0:25:37.920
<v Speaker 4>That's a daddy. We gotta deal.

0:25:39.600 --> 0:25:46.040
<v Speaker 1>You're gonna give me that truck I want? Yeah, And

0:25:46.480 --> 0:25:47.600
<v Speaker 1>you know they got out.

0:25:48.000 --> 0:25:51.760
<v Speaker 2>They sent by Celeston, which was a lawyer for the label.

0:25:52.680 --> 0:25:55.640
<v Speaker 2>So they sent them down with us back to New York,

0:25:55.680 --> 0:26:01.280
<v Speaker 2>I mean, back to North Carolina and got some maturn

0:26:01.800 --> 0:26:07.880
<v Speaker 2>term agreements made up and all that. And Davante fathers

0:26:07.920 --> 0:26:11.080
<v Speaker 2>and his lawyer looked over, our parents looked.

0:26:10.800 --> 0:26:14.960
<v Speaker 1>Over, said yes, legit, it's legit. It's it's a legit.

0:26:14.680 --> 0:26:17.080
<v Speaker 2>Deal that they said, they want to do business with

0:26:17.160 --> 0:26:21.480
<v Speaker 2>your sons. I think it's a good look. And we're

0:26:21.520 --> 0:26:25.960
<v Speaker 2>talking today. And then we took the world by storm. Man.

0:26:26.400 --> 0:26:30.399
<v Speaker 2>What Dre did by getting all in and like on

0:26:30.520 --> 0:26:34.080
<v Speaker 2>some of the cuts co produced with Davante, what he

0:26:34.119 --> 0:26:36.680
<v Speaker 2>did was put that picture in a frame.

0:26:37.440 --> 0:26:41.280
<v Speaker 3>You give you what I'm saying, that's.

0:26:40.080 --> 0:26:42.359
<v Speaker 2>All he did. Put that picture in a French fine

0:26:42.960 --> 0:26:44.119
<v Speaker 2>get that fine tune and.

0:26:45.600 --> 0:26:46.880
<v Speaker 1>Needs because.

0:26:50.560 --> 0:26:52.920
<v Speaker 2>And then he had a night and day, you know

0:26:52.920 --> 0:26:53.360
<v Speaker 2>what I'm saying.

0:26:53.440 --> 0:26:55.040
<v Speaker 4>Then he already knew how to make records.

0:26:55.040 --> 0:26:58.720
<v Speaker 1>There you go, there you go. Davante, he knew exactly

0:26:58.720 --> 0:26:59.359
<v Speaker 1>what he's doing.

0:26:59.480 --> 0:26:59.840
<v Speaker 4>He knew it.

0:27:00.440 --> 0:27:02.679
<v Speaker 2>But like I said, you want to you know, you know,

0:27:02.840 --> 0:27:04.040
<v Speaker 2>put that put a coat.

0:27:03.840 --> 0:27:04.879
<v Speaker 1>And put the lack on it.

0:27:05.200 --> 0:27:08.520
<v Speaker 2>You know what. That's all And that's what I'll I'll

0:27:08.560 --> 0:27:12.359
<v Speaker 2>be dead and and all. And DeVante worked there. You know,

0:27:12.400 --> 0:27:15.480
<v Speaker 2>they bumped head but of course if they had that ego.

0:27:15.520 --> 0:27:18.960
<v Speaker 2>But then he got you know, and he just had

0:27:18.960 --> 0:27:22.240
<v Speaker 2>it like I gotta listen. We told her you gotta listen, man,

0:27:22.680 --> 0:27:23.880
<v Speaker 2>you gotta listen to him, man.

0:27:24.000 --> 0:27:27.800
<v Speaker 4>And I had to.

0:27:28.320 --> 0:27:34.000
<v Speaker 2>Exactly exactly and so and and then when al came

0:27:34.040 --> 0:27:37.800
<v Speaker 2>in with that mature lyric like mine. Now everybody think

0:27:39.400 --> 0:27:43.760
<v Speaker 2>ill wrote Forever my Lady, what all did? Forever my

0:27:43.840 --> 0:27:47.960
<v Speaker 2>Lady was already written. Fether Lady was already written before.

0:27:48.119 --> 0:27:50.639
<v Speaker 2>Like I said, we had it before we got a deal.

0:27:51.200 --> 0:27:55.440
<v Speaker 2>What our did was he put that that version in.

0:27:56.200 --> 0:27:58.720
<v Speaker 2>You know that that kind of messed by At first,

0:27:58.720 --> 0:28:01.280
<v Speaker 2>It messed my head up when it's so you're having

0:28:01.359 --> 0:28:05.480
<v Speaker 2>my baby, We're like whoa whoa whoa whoa whoa.

0:28:05.320 --> 0:28:06.840
<v Speaker 4>Whoa wasn't ready to give him a baby.

0:28:06.880 --> 0:28:12.800
<v Speaker 3>Yeah, no, man, got my deal. I just got my deal.

0:28:14.240 --> 0:28:17.240
<v Speaker 3>No child support. Why that's the way.

0:28:17.440 --> 0:28:21.800
<v Speaker 2>And that's that's that really y'all. That's what really, really, really,

0:28:21.880 --> 0:28:24.480
<v Speaker 2>I think set us apart.

0:28:24.840 --> 0:28:27.720
<v Speaker 4>From a lot of younger with nobody we're talking about.

0:28:27.520 --> 0:28:31.600
<v Speaker 3>That nobody was saying. Nobody was saying, nobody was saying.

0:28:32.040 --> 0:28:33.960
<v Speaker 3>I mean they might have saying. They might have been saying,

0:28:34.000 --> 0:28:37.080
<v Speaker 3>somebody's having my baby. Yeah, somebody might have been having

0:28:37.119 --> 0:28:39.840
<v Speaker 3>a conversation, but they weren't saying right behind it, and

0:28:39.880 --> 0:28:44.000
<v Speaker 3>it needs so much to me, yeah, ship nineteen when

0:28:44.040 --> 0:28:46.480
<v Speaker 3>somebody having your baby, trying to you're trying to figure

0:28:46.480 --> 0:28:51.200
<v Speaker 3>out sure, yeah, sure, sure, yeah, I saw what's it

0:28:51.280 --> 0:28:54.280
<v Speaker 3>ain't completing? You know, No, y'all used to talk. You

0:28:54.320 --> 0:28:55.880
<v Speaker 3>know what I'm saying, don't mean that much to me.

0:28:56.000 --> 0:28:56.840
<v Speaker 1>You don't mean that much.

0:28:58.880 --> 0:28:59.080
<v Speaker 3>Yeah.

0:28:59.360 --> 0:29:02.560
<v Speaker 2>Before as the rest of the lyrics, Man dev Penn

0:29:02.720 --> 0:29:05.680
<v Speaker 2>is sick, stay and come and talk to me, and

0:29:05.680 --> 0:29:08.640
<v Speaker 2>that I'm still waiting, and then you and ies and

0:29:08.680 --> 0:29:11.520
<v Speaker 2>my heart belongs to you, the feedings and the freaking

0:29:11.640 --> 0:29:12.840
<v Speaker 2>us that that's all.

0:29:12.960 --> 0:29:15.840
<v Speaker 3>D hold on, let's stop right here, Let's let's stop

0:29:15.920 --> 0:29:18.880
<v Speaker 3>right here. Okay, God to love his historys got.

0:29:20.560 --> 0:29:20.760
<v Speaker 1>Well.

0:29:20.760 --> 0:29:22.880
<v Speaker 3>I was like, Okay, I don't know why they singing

0:29:22.880 --> 0:29:25.920
<v Speaker 3>this hard on this up tempo, but I love it.

0:29:26.600 --> 0:29:31.280
<v Speaker 1>I love it. And then what that Forever my ladies?

0:29:31.360 --> 0:29:36.520
<v Speaker 3>Right, Yes, because there's a period where as new artists,

0:29:37.000 --> 0:29:41.480
<v Speaker 3>you know, you're opening, you're doing venues, and maybe it's

0:29:41.560 --> 0:29:44.120
<v Speaker 3>just you for a radio show, it's maybe two one

0:29:44.200 --> 0:29:47.720
<v Speaker 3>hundred people, three people. But there's gotta be a moment

0:29:47.760 --> 0:29:52.480
<v Speaker 3>where when that Forever my Lady hits that you see

0:29:52.520 --> 0:29:55.800
<v Speaker 3>the difference from that two hundred and this small radio

0:29:55.840 --> 0:30:01.320
<v Speaker 3>shows and the openings to the venues getting at there.

0:30:01.120 --> 0:30:02.120
<v Speaker 4>He's going to the thousands.

0:30:02.400 --> 0:30:06.880
<v Speaker 2>Yeah, man, man, you know you know where I'm going.

0:30:07.480 --> 0:30:09.880
<v Speaker 4>I want to know what he bought, but I got

0:30:10.000 --> 0:30:11.120
<v Speaker 4>come on, man, I want to know.

0:30:11.240 --> 0:30:13.960
<v Speaker 2>Come when you first tore it, what what did I get?

0:30:14.000 --> 0:30:18.720
<v Speaker 2>I gotta I gotta, I gott a BMW man, But

0:30:18.800 --> 0:30:23.160
<v Speaker 2>it was I got a BMW Jojo gotta b and

0:30:23.280 --> 0:30:29.480
<v Speaker 2>J Dialvin gotta be in w that damn de bunche.

0:30:29.800 --> 0:30:35.160
<v Speaker 4>He brought her something crazy and they gotta lam Yeah, y'all,

0:30:35.200 --> 0:30:36.240
<v Speaker 4>be Ws is cool.

0:30:36.320 --> 0:30:41.000
<v Speaker 3>Man got to get the lamb on him.

0:30:42.520 --> 0:30:45.760
<v Speaker 2>He just stop at one you got like a couple

0:30:45.840 --> 0:30:46.440
<v Speaker 2>of them. Man.

0:30:46.920 --> 0:30:49.320
<v Speaker 4>That was that was That was the first tour.

0:30:49.480 --> 0:30:51.200
<v Speaker 1>The first tour, Man, who's the first tour?

0:30:51.680 --> 0:30:55.560
<v Speaker 2>First Hammer MC Hammer and then and then and then

0:30:55.560 --> 0:30:57.960
<v Speaker 2>we broke off from that and then we did own

0:30:58.200 --> 0:31:02.360
<v Speaker 2>Jodicy tour which was Joasy and Mary.

0:31:02.440 --> 0:31:04.440
<v Speaker 1>And I think who was on that tour with us?

0:31:04.560 --> 0:31:08.480
<v Speaker 2>I think and I wanted to say Biggie, but I

0:31:09.240 --> 0:31:12.440
<v Speaker 2>don't want to, but did Yeah, I think it was Biggie.

0:31:14.480 --> 0:31:17.960
<v Speaker 4>Yeah, wow, Yeah.

0:31:16.800 --> 0:31:21.160
<v Speaker 2>They were they was Openness, Yeah, Joasy, Yeah man we

0:31:21.760 --> 0:31:26.440
<v Speaker 2>Josy was that Joasy? We were that well. It was crazy.

0:31:26.680 --> 0:31:31.440
<v Speaker 3>So give me, give me the give me the Puff player,

0:31:32.000 --> 0:31:33.719
<v Speaker 3>oh when pop okay, give me.

0:31:33.880 --> 0:31:36.920
<v Speaker 2>That goes back to when Puff was doing when Papa

0:31:36.960 --> 0:31:41.680
<v Speaker 2>was intern. So Puff was like it was to the street.

0:31:42.320 --> 0:31:44.320
<v Speaker 2>I'm gonna tell you how I got it. Love came

0:31:44.360 --> 0:31:45.440
<v Speaker 2>in and.

0:31:47.160 --> 0:31:48.400
<v Speaker 1>Puff as Dre.

0:31:48.600 --> 0:31:51.160
<v Speaker 2>Yo, you told Dre, said, Yo, you shouldn't because Dre

0:31:51.360 --> 0:31:53.520
<v Speaker 2>was gonna come out the first single. He would come

0:31:53.640 --> 0:31:57.200
<v Speaker 2>come and talk to me ofever my lady. So Puff

0:31:57.240 --> 0:31:59.440
<v Speaker 2>told him, no, Dre, don't do that. I want to

0:31:59.520 --> 0:32:01.640
<v Speaker 2>do that. If I was you, I would put them

0:32:01.640 --> 0:32:05.000
<v Speaker 2>out with God of Love. That song God of Love man.

0:32:05.160 --> 0:32:07.400
<v Speaker 2>So dre like, why would you do that? We didn't

0:32:07.400 --> 0:32:10.200
<v Speaker 2>even want to do that, and why, he said, because

0:32:10.760 --> 0:32:13.680
<v Speaker 2>the video concept could be like they could be dressed

0:32:13.720 --> 0:32:17.080
<v Speaker 2>like you know, you know in the hood, you know,

0:32:17.240 --> 0:32:20.840
<v Speaker 2>with the boots, the little thuggish or whatever. So that

0:32:21.320 --> 0:32:25.239
<v Speaker 2>got in love with set the world up, you know,

0:32:25.360 --> 0:32:28.959
<v Speaker 2>because they didn't want Dreven said that, Dre really, he really,

0:32:30.720 --> 0:32:32.560
<v Speaker 2>he told me, I don't want y'all. We told dre

0:32:32.640 --> 0:32:34.680
<v Speaker 2>we don't want like no boys to man, not no,

0:32:35.120 --> 0:32:36.240
<v Speaker 2>you know, just some boys.

0:32:36.280 --> 0:32:36.440
<v Speaker 1>Man.

0:32:36.480 --> 0:32:38.480
<v Speaker 2>We didn't want it. We didn't want want it like that.

0:32:38.560 --> 0:32:40.800
<v Speaker 2>Even Puff said, yo, man, you don't want them like

0:32:41.160 --> 0:32:43.920
<v Speaker 2>boys men in soups. You don't want them in soups, man,

0:32:44.360 --> 0:32:46.760
<v Speaker 2>he said. Puff told us that, yo, man, when I

0:32:46.800 --> 0:32:48.480
<v Speaker 2>see them, when I see them, man, I want to

0:32:48.480 --> 0:32:50.920
<v Speaker 2>see them like four of my homeboys on the corner

0:32:51.960 --> 0:32:54.440
<v Speaker 2>singing the girls and stuff like that, you know, on

0:32:54.520 --> 0:32:56.240
<v Speaker 2>the stoop singing the girls.

0:32:56.280 --> 0:32:56.480
<v Speaker 1>You know.

0:32:57.120 --> 0:32:58.720
<v Speaker 2>So Puff's I think you should come out with God

0:32:58.760 --> 0:33:01.360
<v Speaker 2>of Love first and be like this you have on it,

0:33:01.480 --> 0:33:03.520
<v Speaker 2>like some hip hop gear on.

0:33:04.280 --> 0:33:06.600
<v Speaker 1>So I thought Buff's gonna get fired for that, man.

0:33:06.920 --> 0:33:10.719
<v Speaker 2>But then after we heard what Puff I did was Yeah, Dre,

0:33:11.160 --> 0:33:13.440
<v Speaker 2>I think we should go God to love man, so

0:33:13.560 --> 0:33:16.560
<v Speaker 2>got to love work. And what it really did is

0:33:16.640 --> 0:33:19.520
<v Speaker 2>set a tone so the world could see, Okay, put

0:33:19.560 --> 0:33:22.200
<v Speaker 2>everybody on this. Yeah, this, how they're gonna be looking this,

0:33:22.320 --> 0:33:24.440
<v Speaker 2>how they're gonna dress, they're gonna have on their boots,

0:33:24.440 --> 0:33:28.560
<v Speaker 2>they're gonna have on their vests, chasing the baseball cap.

0:33:29.120 --> 0:33:31.400
<v Speaker 1>So that really set the world up.

0:33:31.600 --> 0:33:35.200
<v Speaker 2>But once again, I think you said it like when

0:33:35.200 --> 0:33:38.520
<v Speaker 2>they when they saw Sing from My Lady, they probably said, oh,

0:33:38.760 --> 0:33:41.880
<v Speaker 2>that's that group that got on the yellow and in

0:33:41.960 --> 0:33:46.000
<v Speaker 2>that radio with the boots and stuff. Okay, we get it,

0:33:46.000 --> 0:33:48.760
<v Speaker 2>that's them, And that really set us apart from Thumb

0:33:48.800 --> 0:33:50.959
<v Speaker 2>Boys to Men and whatever groups that was coming out

0:33:51.000 --> 0:33:51.600
<v Speaker 2>the same time.

0:33:51.480 --> 0:33:54.320
<v Speaker 6>Which is genius stuff because most time in this business,

0:33:54.320 --> 0:33:55.920
<v Speaker 6>and we all know this, we've been in this game

0:33:55.960 --> 0:33:59.960
<v Speaker 6>a long time, when something works, everybody does the exact same.

0:34:00.080 --> 0:34:01.600
<v Speaker 6>There you're going because it's the cheat code.

0:34:02.040 --> 0:34:04.000
<v Speaker 2>It can get you, it can get you in, it

0:34:04.000 --> 0:34:04.480
<v Speaker 2>can get you in.

0:34:04.520 --> 0:34:05.400
<v Speaker 4>It might not keep you in.

0:34:06.120 --> 0:34:11.080
<v Speaker 3>But for you guys to be the polar opposite made

0:34:11.160 --> 0:34:12.000
<v Speaker 3>so much sense.

0:34:12.160 --> 0:34:15.600
<v Speaker 4>Yeah, and for for Puff to be an intern at the.

0:34:15.560 --> 0:34:18.560
<v Speaker 6>Time recognize that, Yeah, he was already showing that he

0:34:18.600 --> 0:34:21.680
<v Speaker 6>was a taste maker. And the other other genius in

0:34:21.719 --> 0:34:25.120
<v Speaker 6>it too, in it being polar opposite is that now

0:34:26.320 --> 0:34:30.160
<v Speaker 6>you're immediately in a conversation with some guys that are

0:34:30.200 --> 0:34:34.279
<v Speaker 6>already selling millions of records. So it's like now it's like, oh,

0:34:35.480 --> 0:34:36.759
<v Speaker 6>what's what's getting ready to have?

0:34:37.280 --> 0:34:37.600
<v Speaker 2>Yeah?

0:34:38.200 --> 0:34:40.600
<v Speaker 1>Yeah, now it's two. It ain't just one.

0:34:40.800 --> 0:34:43.799
<v Speaker 3>There. We got some guys over here that they come

0:34:43.880 --> 0:34:46.279
<v Speaker 3>in the bad became the bad Boys army. So we

0:34:46.360 --> 0:34:48.680
<v Speaker 3>got the good guys in the bad who you want

0:34:48.760 --> 0:34:51.319
<v Speaker 3>to go see? Right?

0:34:51.719 --> 0:34:53.959
<v Speaker 1>Who you want to go see? That's great?

0:34:54.360 --> 0:34:57.319
<v Speaker 6>And I'm a church kid, so like, so did you

0:34:57.360 --> 0:35:01.040
<v Speaker 6>know of Obviously you knew of Little but I.

0:35:01.040 --> 0:35:03.960
<v Speaker 3>Didn't know that Little Cedric and the Haley singers with

0:35:04.040 --> 0:35:07.880
<v Speaker 3>your You didn't know that. I had no idea. I

0:35:07.920 --> 0:35:11.080
<v Speaker 3>had no idea until I got out of high school

0:35:12.200 --> 0:35:15.200
<v Speaker 3>and did some research and I was like, well, because

0:35:15.280 --> 0:35:17.560
<v Speaker 3>I got I got your sets, you know what I'm saying.

0:35:17.920 --> 0:35:20.080
<v Speaker 3>So once I made that connection, I said, that's why

0:35:20.080 --> 0:35:22.000
<v Speaker 3>it makes so much sense to me. So for me,

0:35:22.400 --> 0:35:28.000
<v Speaker 3>I started being Jodasy in church. Okay, I started sounding

0:35:28.040 --> 0:35:31.000
<v Speaker 3>like y'all in church. I would go to visiting churches

0:35:31.040 --> 0:35:33.560
<v Speaker 3>and play and you know, add my divante cores and

0:35:33.600 --> 0:35:37.320
<v Speaker 3>all that they be like this, you're like one man jodousy,

0:35:37.880 --> 0:35:42.640
<v Speaker 3>God bless you.

0:35:42.719 --> 0:35:44.000
<v Speaker 1>Because because.

0:35:45.360 --> 0:35:48.839
<v Speaker 3>As much as I loved voice to men who were

0:35:48.880 --> 0:35:53.400
<v Speaker 3>you know, I mean ultimately just talented, just off freaking.

0:35:53.200 --> 0:35:58.200
<v Speaker 1>Charge, right, yeah, yeah, yeah, yeah, I was drawn so

0:35:58.400 --> 0:36:04.360
<v Speaker 1>much to that feeling that was so familiar to me.

0:36:05.280 --> 0:36:10.359
<v Speaker 3>The cord struct the vocals, arrangement, the arrangement and how

0:36:10.640 --> 0:36:14.279
<v Speaker 3>that like I come from, I come from courtet that

0:36:14.400 --> 0:36:18.520
<v Speaker 3>you go Baptist kojic And I was like, that's in

0:36:18.640 --> 0:36:21.760
<v Speaker 3>there and we definitely coach it. That's in there, definitely

0:36:21.760 --> 0:36:25.399
<v Speaker 3>coach it. So it it made my soul happy. Yeah,

0:36:25.680 --> 0:36:28.720
<v Speaker 3>I want to shout you.

0:36:29.600 --> 0:36:33.680
<v Speaker 1>I wanted to shout. Music came off, y'all. Don't hear this, y'all.

0:36:33.680 --> 0:36:35.000
<v Speaker 1>Don't want to lift no offering.

0:36:35.040 --> 0:36:38.759
<v Speaker 2>I got if you change a few some words, if

0:36:38.800 --> 0:36:39.799
<v Speaker 2>you change words our.

0:36:39.800 --> 0:36:44.200
<v Speaker 3>Songs talk to the law. You can have an altar call, yeah,

0:36:44.840 --> 0:36:48.040
<v Speaker 3>can instrumental you can. Let me ask you a question,

0:36:48.640 --> 0:36:52.799
<v Speaker 3>did the commission have any.

0:36:54.239 --> 0:36:59.480
<v Speaker 2>Most definitely commission the whiners And then you know, and

0:36:59.520 --> 0:37:03.400
<v Speaker 2>I had my quartet groups, you know, the gospel keynotes,

0:37:04.080 --> 0:37:09.799
<v Speaker 2>the volunteers, you name, the quartest man. I was a

0:37:09.840 --> 0:37:16.520
<v Speaker 2>hardcore quartet. But then, like in the late eighties, I

0:37:16.600 --> 0:37:21.440
<v Speaker 2>started listening to like, like I said, Commission in the Whinings,

0:37:21.480 --> 0:37:27.000
<v Speaker 2>you know those cats Clark Sisters, you know, And I'm.

0:37:26.600 --> 0:37:30.279
<v Speaker 1>Like, okay, and that's what we did. But think about it.

0:37:30.320 --> 0:37:33.000
<v Speaker 2>When we got an R and B, when we got

0:37:33.040 --> 0:37:36.960
<v Speaker 2>in RB Man, we were how jose'sie really really really

0:37:37.000 --> 0:37:42.080
<v Speaker 2>got our sound. Jojo was the deal.

0:37:42.400 --> 0:37:44.120
<v Speaker 1>In Babyface fanatic.

0:37:45.040 --> 0:37:51.279
<v Speaker 2>Mm okay, listen the late the late nineties, I mean

0:37:51.360 --> 0:37:55.920
<v Speaker 2>Davante was fanatics of God.

0:37:56.719 --> 0:38:01.160
<v Speaker 1>Mm hmm. So what we do is if Joe sleeping

0:38:01.200 --> 0:38:02.680
<v Speaker 1>in one room. This is at my mom house.

0:38:02.760 --> 0:38:06.239
<v Speaker 2>Now Joe to sleep in one room, He'll go to

0:38:06.280 --> 0:38:13.160
<v Speaker 2>sleep with all Babyface in the in the deal stopped

0:38:13.200 --> 0:38:17.440
<v Speaker 2>playing in his cassette player, I mean Avante in another room.

0:38:17.840 --> 0:38:21.880
<v Speaker 2>We're going to sleep listening to Teddy, Teddy and Er.

0:38:23.040 --> 0:38:26.880
<v Speaker 2>So I'm in the Vanteer like, okay, I'm just some Teddy.

0:38:26.920 --> 0:38:28.839
<v Speaker 2>I'm doing Teddy Ship. You do some a ship.

0:38:29.760 --> 0:38:32.120
<v Speaker 4>M hmm. Okay, so this is all late ladies.

0:38:32.400 --> 0:38:43.719
<v Speaker 7>Yeah, what we did combined the wines commission guy in

0:38:43.800 --> 0:38:45.360
<v Speaker 7>the deal and the deal.

0:38:47.280 --> 0:38:50.680
<v Speaker 4>Yeah, yeah, it all makes sense.

0:38:50.800 --> 0:38:53.880
<v Speaker 2>And then we made and plus we had of course

0:38:53.920 --> 0:38:57.160
<v Speaker 2>we had Jodasy.

0:38:58.160 --> 0:39:00.000
<v Speaker 1>It was so aggressive.

0:39:00.920 --> 0:39:03.000
<v Speaker 2>Yeah, if you just you can hear it.

0:39:03.040 --> 0:39:03.200
<v Speaker 4>Man.

0:39:04.200 --> 0:39:09.000
<v Speaker 3>It was like I tell people all the time. Everybody's like, yeah,

0:39:09.719 --> 0:39:12.200
<v Speaker 3>it's you hear him jalousy armonies.

0:39:12.239 --> 0:39:15.160
<v Speaker 2>I said, yeah, I hear you.

0:39:15.200 --> 0:39:17.520
<v Speaker 4>But that's your way of saying, you don't here.

0:39:18.239 --> 0:39:26.279
<v Speaker 1>You can't.

0:39:21.680 --> 0:39:30.160
<v Speaker 3>You can't because it's just nice to me. I'll be like, man,

0:39:30.160 --> 0:39:37.480
<v Speaker 3>this ain't no joous. Here's here's two things right, because

0:39:37.560 --> 0:39:41.640
<v Speaker 3>it's it's too two things. First of all, you can

0:39:41.760 --> 0:39:46.480
<v Speaker 3>try the arrangement, right, but the but the vocal, the

0:39:46.560 --> 0:39:52.480
<v Speaker 3>casey and and JoJo's vocal are so distinctive that she'll

0:39:52.800 --> 0:39:59.040
<v Speaker 3>never you'll never have that combination of tone make.

0:39:58.960 --> 0:40:00.319
<v Speaker 1>It what it is.

0:40:00.719 --> 0:40:05.520
<v Speaker 3>And two, the misconception of anybody, from groups to anybody

0:40:05.600 --> 0:40:11.160
<v Speaker 3>trying to be Joalasy is that they confuse the fashion

0:40:11.520 --> 0:40:15.560
<v Speaker 3>with the music. With the music. Y'all was making love. Man,

0:40:16.160 --> 0:40:19.920
<v Speaker 3>y'all screaming. Start treat them like they're supposed to be

0:40:20.000 --> 0:40:22.320
<v Speaker 3>treating y'all are screaming that though.

0:40:23.800 --> 0:40:28.680
<v Speaker 6>Screaming that screaming forever my lady, screaming stay. Those are

0:40:28.760 --> 0:40:29.960
<v Speaker 6>all love to.

0:40:30.080 --> 0:40:39.160
<v Speaker 1>Know what that stay church.

0:40:39.960 --> 0:40:40.520
<v Speaker 2>That's coach.

0:40:41.080 --> 0:40:47.560
<v Speaker 3>That sounds like sometimes yeah yeah. And then the way

0:40:47.600 --> 0:40:50.120
<v Speaker 3>we stack our stuff, how many steak give me the stacks?

0:40:50.160 --> 0:40:50.360
<v Speaker 1>Come on?

0:40:50.400 --> 0:40:52.560
<v Speaker 3>Give me because y'all on the on the board, y'all

0:40:52.560 --> 0:40:56.200
<v Speaker 3>on tape, y'all on real too, y'all y'all using the

0:40:56.239 --> 0:40:57.120
<v Speaker 3>whole y'all using to.

0:40:58.239 --> 0:41:03.400
<v Speaker 2>Man flying over No nah nah.

0:41:03.800 --> 0:41:05.839
<v Speaker 3>I want to say, on one note, give me how

0:41:06.040 --> 0:41:07.719
<v Speaker 3>many how many times you stacked one note?

0:41:07.760 --> 0:41:08.280
<v Speaker 4>One note?

0:41:08.440 --> 0:41:09.560
<v Speaker 1>One note?

0:41:10.320 --> 0:41:16.200
<v Speaker 2>The melody Davante will have a stack on one note.

0:41:16.239 --> 0:41:22.359
<v Speaker 2>The least man this might sound crazy, Man Davante would

0:41:22.360 --> 0:41:24.759
<v Speaker 2>have us clus to ten.

0:41:26.840 --> 0:41:28.400
<v Speaker 4>Ten stacks on one note.

0:41:28.440 --> 0:41:33.360
<v Speaker 3>I believe every word you sing, cah, I believe every

0:41:33.480 --> 0:41:36.480
<v Speaker 3>word you were saying, yeah, yeah, say about.

0:41:37.040 --> 0:41:39.120
<v Speaker 6>During y'all stacks? Are y'all trying to match the note?

0:41:39.120 --> 0:41:41.080
<v Speaker 6>Are y'all just singing it with a different feel every time?

0:41:41.080 --> 0:41:44.160
<v Speaker 6>Because that's the other thing. People go in and you stacking,

0:41:44.200 --> 0:41:45.799
<v Speaker 6>stack and stacking, and you're trying to make all the

0:41:45.840 --> 0:41:46.800
<v Speaker 6>notes sound identical.

0:41:47.280 --> 0:41:53.200
<v Speaker 2>But sometimes we'll be like we'll do like uh, we

0:41:53.360 --> 0:42:00.200
<v Speaker 2>do like five like ton we do like five uh

0:42:00.560 --> 0:42:07.919
<v Speaker 2>the sixth times other to know, you know, just yeah, yeah, yeah, yeah.

0:42:07.920 --> 0:42:11.560
<v Speaker 1>So its just feeling those those sonic holes and we

0:42:11.680 --> 0:42:13.480
<v Speaker 1>pan them PanAm all.

0:42:14.680 --> 0:42:17.879
<v Speaker 3>You know. Ain't stacking enough, that's what he's just saying.

0:42:20.520 --> 0:42:24.439
<v Speaker 3>You're not stacking enough enough. Stacks you gotta stack. Ain't

0:42:24.440 --> 0:42:26.520
<v Speaker 3>no ass on your background, that's what he's saying.

0:42:26.520 --> 0:42:26.680
<v Speaker 2>Now.

0:42:26.719 --> 0:42:28.360
<v Speaker 1>As far as as far as.

0:42:30.480 --> 0:42:35.920
<v Speaker 2>Harmonies arrangements, see DeVante plays chords all five fingers.

0:42:36.840 --> 0:42:40.160
<v Speaker 1>Yeah, so we gotta me Jojo gotta sing every note.

0:42:40.120 --> 0:42:45.040
<v Speaker 2>Every that he's playing ship and then Jojo going there.

0:42:46.080 --> 0:42:49.800
<v Speaker 2>He's that's one thing about Jojo. He's so creative. Jojo

0:42:50.000 --> 0:42:52.839
<v Speaker 2>just dropped something in there. Even when we record, he'll

0:42:52.920 --> 0:42:58.120
<v Speaker 2>just drop something something fall off. Yeah yeah, yeah, keep

0:42:58.160 --> 0:43:01.120
<v Speaker 2>that and yeah they keep that the next thing. You know,

0:43:01.160 --> 0:43:05.160
<v Speaker 2>that's a harmony. Yeah, that's a harmony. So you know, man,

0:43:05.280 --> 0:43:08.480
<v Speaker 2>sometimes we have like what some people lose, use five

0:43:08.600 --> 0:43:11.279
<v Speaker 2>part harmonies. Man, we'll we'll make it away. We can

0:43:11.400 --> 0:43:14.600
<v Speaker 2>use six or seven absolutely, because like mine, now we

0:43:14.719 --> 0:43:17.640
<v Speaker 2>got the regulars, We got the regular notes. Now mine

0:43:17.719 --> 0:43:22.160
<v Speaker 2>Davante gonna play five chords. You know, he's gonna play

0:43:22.160 --> 0:43:25.120
<v Speaker 2>five chords on the harmonies and then, like I said,

0:43:25.120 --> 0:43:28.600
<v Speaker 2>the extra stuff that Jojo would do, and you know

0:43:29.200 --> 0:43:31.440
<v Speaker 2>that that it's just you gotta be in one of

0:43:31.440 --> 0:43:33.640
<v Speaker 2>our sessions. Man, you'll be like, whoa.

0:43:34.160 --> 0:43:36.239
<v Speaker 3>You know the first time I gotta, I gotta just

0:43:36.480 --> 0:43:41.160
<v Speaker 3>maybe even a slight glimpse of it was working Virginia one. Okay, okay,

0:43:41.560 --> 0:43:44.040
<v Speaker 3>he would know he came from that school. And and

0:43:44.080 --> 0:43:47.000
<v Speaker 3>I watched him.

0:43:45.840 --> 0:43:47.640
<v Speaker 4>Stack stack stacks.

0:43:48.440 --> 0:43:50.640
<v Speaker 3>He got different d and he was like he was like.

0:43:50.840 --> 0:43:52.239
<v Speaker 3>I was like, I was like, you're doing the same

0:43:52.280 --> 0:43:54.600
<v Speaker 3>note again. He said, Nah, I'm doing it a little

0:43:54.600 --> 0:43:56.520
<v Speaker 3>different this time. Watch when I watch what I do

0:43:56.560 --> 0:44:00.560
<v Speaker 3>at the end, I'm like, oh, okay, okay, he said,

0:44:00.960 --> 0:44:02.440
<v Speaker 3>now give me, give me, give me three more of

0:44:02.480 --> 0:44:03.120
<v Speaker 3>a whispered ease.

0:44:03.880 --> 0:44:04.839
<v Speaker 1>Should I just tell you that?

0:44:04.920 --> 0:44:07.680
<v Speaker 4>Yeah? What are you doing? Yeah?

0:44:08.080 --> 0:44:10.719
<v Speaker 3>The whole thing before you came from the school. Absolutely

0:44:10.840 --> 0:44:13.120
<v Speaker 3>came from the school. So that was my first glimpse.

0:44:13.239 --> 0:44:14.520
<v Speaker 3>Yeah that much stacking.

0:44:14.680 --> 0:44:18.080
<v Speaker 2>Yeah yeah, Timberland too, Yeah it came from the school.

0:44:18.560 --> 0:44:19.239
<v Speaker 1>Okay, here we go.

0:44:19.400 --> 0:44:20.640
<v Speaker 2>Like I said, we did that ship.

0:44:22.320 --> 0:44:23.920
<v Speaker 3>You can say that as many times as you want to.

0:44:25.680 --> 0:44:28.880
<v Speaker 3>I want to get to I want to get the

0:44:28.960 --> 0:44:32.440
<v Speaker 3>Diary of a Mad Band. Come. I want to know

0:44:32.520 --> 0:44:36.200
<v Speaker 3>first why Diary of a Mad Band? Why that title.

0:44:41.040 --> 0:44:46.879
<v Speaker 2>Diary of a Mad Band? I didn't like it at first,

0:44:46.920 --> 0:44:48.120
<v Speaker 2>and then I started realizing.

0:44:48.480 --> 0:44:49.120
<v Speaker 1>We came with it.

0:44:49.280 --> 0:44:54.239
<v Speaker 2>We met Davante, but that second and we were we

0:44:54.239 --> 0:44:54.680
<v Speaker 2>was mad.

0:44:54.800 --> 0:44:55.680
<v Speaker 4>What were you all mad about?

0:44:56.400 --> 0:44:59.120
<v Speaker 2>Just mad? Just mad?

0:44:59.360 --> 0:44:59.760
<v Speaker 4>Was it?

0:44:59.840 --> 0:45:00.399
<v Speaker 1>Was it? Okay?

0:45:00.480 --> 0:45:03.000
<v Speaker 4>So wasn't Was it connected to the businesses?

0:45:03.320 --> 0:45:03.520
<v Speaker 1>Wasn't.

0:45:03.640 --> 0:45:06.080
<v Speaker 2>No, it wasn't connected to the business. It was just

0:45:06.160 --> 0:45:08.760
<v Speaker 2>we were just mad. We wanted to be like, yo, okay,

0:45:09.800 --> 0:45:13.320
<v Speaker 2>we're getting out of that. Okay, we people think we're soft.

0:45:13.800 --> 0:45:16.080
<v Speaker 1>We're mad. That's trying to get mad. That's right.

0:45:16.200 --> 0:45:18.920
<v Speaker 2>To the album cover like that with shirts off with

0:45:19.400 --> 0:45:21.719
<v Speaker 2>and dobbin and we had the boost and stuff off

0:45:21.719 --> 0:45:24.960
<v Speaker 2>and all that, all that boost on. We were just well,

0:45:25.000 --> 0:45:26.080
<v Speaker 2>I was gonna sit ourselves.

0:45:26.040 --> 0:45:27.480
<v Speaker 1>I'm mad band.

0:45:28.000 --> 0:45:32.680
<v Speaker 2>Mad. Don't mean you know, we have attitude. I mean,

0:45:32.760 --> 0:45:35.600
<v Speaker 2>we got attitude, but we won't let y'all know we're

0:45:35.640 --> 0:45:36.359
<v Speaker 2>more than just.

0:45:36.239 --> 0:45:37.320
<v Speaker 1>An R and B band.

0:45:37.840 --> 0:45:40.760
<v Speaker 2>You know we you know, we our conrollers too, were mad.

0:45:41.120 --> 0:45:41.759
<v Speaker 2>You know what I'm saying.

0:45:42.080 --> 0:45:46.879
<v Speaker 1>We got attitude yea, and all that we didn't care

0:45:47.040 --> 0:45:48.120
<v Speaker 1>We was mad.

0:45:48.200 --> 0:45:49.120
<v Speaker 2>We didn't give a damn.

0:45:49.360 --> 0:45:51.080
<v Speaker 1>We wanted to change the face of R and B.

0:45:51.880 --> 0:45:55.000
<v Speaker 4>Yeah, y'all did that. Y'all did that.

0:45:55.320 --> 0:45:57.840
<v Speaker 2>So and all these songs we put on that album

0:45:57.920 --> 0:45:59.560
<v Speaker 2>man Ship.

0:45:59.520 --> 0:46:00.399
<v Speaker 1>We didn't care a little.

0:46:00.440 --> 0:46:15.640
<v Speaker 2>Mad brother said, you just commentast sound good?

0:46:17.280 --> 0:46:19.000
<v Speaker 1>You know in your travels.

0:46:23.840 --> 0:46:31.279
<v Speaker 3>And this R and B thing, this gospel thing, being

0:46:31.280 --> 0:46:37.080
<v Speaker 3>a titan yourself, they are definitely.

0:46:36.680 --> 0:46:41.520
<v Speaker 4>People mm hm and songs.

0:46:44.960 --> 0:46:46.359
<v Speaker 1>That inspired this great man.

0:46:49.000 --> 0:46:49.360
<v Speaker 2>Okase.

0:46:49.520 --> 0:46:50.400
<v Speaker 1>We want to know your.

0:46:52.160 --> 0:47:02.040
<v Speaker 3>Top five, your top five, top five.

0:47:04.120 --> 0:47:08.400
<v Speaker 1>Hm, your top five R and B singer?

0:47:09.600 --> 0:47:10.080
<v Speaker 4>What else?

0:47:10.960 --> 0:47:12.360
<v Speaker 1>Love and the song?

0:47:13.680 --> 0:47:13.919
<v Speaker 3>Yeah?

0:47:14.480 --> 0:47:14.960
<v Speaker 2>Yeah?

0:47:15.120 --> 0:47:17.839
<v Speaker 1>Can I see your top? Can I see?

0:47:17.960 --> 0:47:22.240
<v Speaker 8>Y'all is no subject yom we want knowld.

0:47:22.440 --> 0:47:24.200
<v Speaker 2>We want to know your top f.

0:47:26.719 --> 0:47:41.000
<v Speaker 8>Yees, Yeah, your top we did you didn't laughing fuck

0:47:43.920 --> 0:47:53.080
<v Speaker 8>top f daddy merse.

0:47:53.960 --> 0:48:00.480
<v Speaker 3>Case Now yeah, your top five now or R and

0:48:00.520 --> 0:48:04.000
<v Speaker 3>B singers of all time, all time, R and B,

0:48:04.640 --> 0:48:07.560
<v Speaker 3>R and B gospel, your world, your top five singers,

0:48:08.000 --> 0:48:11.040
<v Speaker 3>no particularly, they can be whatever you want, whatever you

0:48:11.200 --> 0:48:15.560
<v Speaker 3>want it to be. Marvin Wyers talk to talk mm hmm,

0:48:16.200 --> 0:48:19.320
<v Speaker 3>Steve Won, Marvin Gay.

0:48:22.280 --> 0:48:28.280
<v Speaker 1>My personals you want me? I came front Uncle Charlie

0:48:28.320 --> 0:48:30.000
<v Speaker 1>in tank came front.

0:48:30.719 --> 0:48:32.120
<v Speaker 4>I feel like I feel like you just hit a

0:48:32.160 --> 0:48:35.880
<v Speaker 4>game with the three brothers. I'm not crying.

0:48:37.040 --> 0:48:46.360
<v Speaker 1>I'm not Jacob. Hold up, I'm not saying that because.

0:48:47.840 --> 0:48:48.680
<v Speaker 2>You're sitting right here.

0:48:48.719 --> 0:48:48.919
<v Speaker 1>Man.

0:48:49.360 --> 0:48:52.759
<v Speaker 2>I don't saying that because every time but now you sing, man,

0:48:52.800 --> 0:48:57.759
<v Speaker 2>it's like, Man, my mama like you, and.

0:48:57.680 --> 0:49:00.880
<v Speaker 1>She told me tell you how to better better.

0:49:02.560 --> 0:49:03.960
<v Speaker 2>Tell a little squinchy eye boy.

0:49:05.960 --> 0:49:06.719
<v Speaker 1>That what you said.

0:49:07.600 --> 0:49:10.160
<v Speaker 2>That was this morning when you told me that. Anyway

0:49:11.400 --> 0:49:15.359
<v Speaker 2>you your style man, is like I know they're trying

0:49:15.440 --> 0:49:21.359
<v Speaker 2>to do this. I've heard things about artists coming out

0:49:21.600 --> 0:49:24.319
<v Speaker 2>they gonna be the new, they gonna be the new

0:49:24.400 --> 0:49:28.480
<v Speaker 2>that from my era, my era.

0:49:29.960 --> 0:49:33.760
<v Speaker 1>And the way your performance is you that new Marvin.

0:49:35.520 --> 0:49:41.160
<v Speaker 2>Person. That's just me. Wow, don't have to be with you,

0:49:41.239 --> 0:49:43.400
<v Speaker 2>don't have to be with the way you sing, ory'

0:49:43.440 --> 0:49:47.040
<v Speaker 2>I know y'all got different styles, but your your your

0:49:47.200 --> 0:49:49.560
<v Speaker 2>or you know. It's like when I saw you on

0:49:49.560 --> 0:49:51.799
<v Speaker 2>the on the on a on a New Addition tour,

0:49:52.080 --> 0:49:55.040
<v Speaker 2>I said, Joe, that's that's a new Marvin ship right there.

0:49:55.200 --> 0:49:56.640
<v Speaker 1>And y'all did y'all think too?

0:49:56.680 --> 0:49:58.840
<v Speaker 2>I saw that, Man, I love, but that's how I

0:49:58.840 --> 0:50:00.120
<v Speaker 2>feel about you, man, you.

0:50:00.200 --> 0:50:01.919
<v Speaker 1>Yeah, you're on my top five the show.

0:50:02.320 --> 0:50:05.480
<v Speaker 2>I ain't gonna better tell this niggas your arrangement, you

0:50:05.560 --> 0:50:08.200
<v Speaker 2>know all that, man, all that. People just don't know

0:50:08.480 --> 0:50:12.080
<v Speaker 2>and see they're not from well we're from They wouldn't

0:50:12.080 --> 0:50:14.279
<v Speaker 2>get it. I get it.

0:50:14.880 --> 0:50:19.080
<v Speaker 3>You know, you don't suck up right. I need wipers,

0:50:21.440 --> 0:50:31.640
<v Speaker 3>I need bathers. Somebody feeding me grapes. Yeah you heard

0:50:31.640 --> 0:50:32.640
<v Speaker 3>what did you hear?

0:50:32.640 --> 0:50:37.960
<v Speaker 6>What you gotta or you got you James?

0:50:42.520 --> 0:50:45.040
<v Speaker 1>Like yo, that's some marble like he right there.

0:50:45.600 --> 0:50:48.279
<v Speaker 3>I love you for that, brother, because you you are.

0:50:48.760 --> 0:50:52.439
<v Speaker 3>You are at my DNA man, and I appreciate that.

0:50:53.400 --> 0:50:56.080
<v Speaker 3>In case of your top five R and B.

0:50:56.320 --> 0:51:00.480
<v Speaker 2>Songs, anything from the songs and the was a Kid

0:51:00.480 --> 0:51:01.600
<v Speaker 2>of Life, anything from.

0:51:01.480 --> 0:51:05.080
<v Speaker 1>That, anything but that anyone that's one.

0:51:07.840 --> 0:51:12.000
<v Speaker 2>Wildflower? You're going there for New Bird? Oh yeah, are

0:51:12.040 --> 0:51:19.720
<v Speaker 2>you going there? Yeah? Yeah, New Bird? Of course definitely,

0:51:20.480 --> 0:51:22.680
<v Speaker 2>Barbie wo Mack. If you think you lonely, now, why

0:51:22.719 --> 0:51:25.160
<v Speaker 2>not Johnny had to wait song for you?

0:51:25.800 --> 0:51:29.880
<v Speaker 3>Oh my god, that's what fo Yeah, that's what we need.

0:51:29.920 --> 0:51:30.640
<v Speaker 3>One more more.

0:51:31.719 --> 0:51:32.880
<v Speaker 6>I mean as song as a Kid of Life. We

0:51:32.880 --> 0:51:35.200
<v Speaker 6>got thirty seven on the hours, so really we have forty.

0:51:35.440 --> 0:51:47.280
<v Speaker 2>But I gotta say this, y'all. Sorry forever, my lady.

0:51:47.560 --> 0:51:51.719
<v Speaker 1>Why not? Why not?

0:51:52.320 --> 0:51:54.160
<v Speaker 4>It has to be, It has to be. It has

0:51:54.200 --> 0:51:56.280
<v Speaker 4>to be, my lady.

0:51:56.360 --> 0:51:56.640
<v Speaker 1>That's it.

0:51:57.200 --> 0:51:59.759
<v Speaker 2>That song right there, it's like, every time I sing

0:51:59.840 --> 0:52:03.480
<v Speaker 2>that song, I just I forgets it's me.

0:52:04.239 --> 0:52:08.200
<v Speaker 6>M hmmm, I forget it's me. So how good it is?

0:52:10.160 --> 0:52:12.640
<v Speaker 6>What song do you get tired of singing? If there's

0:52:12.680 --> 0:52:14.040
<v Speaker 6>any what song is?

0:52:14.040 --> 0:52:16.760
<v Speaker 4>He's like, ah, here we go with this one again.

0:52:17.040 --> 0:52:20.959
<v Speaker 2>I put my all in to everything that I sing,

0:52:22.719 --> 0:52:26.600
<v Speaker 2>and I enjoy them so much till I really really

0:52:26.640 --> 0:52:29.319
<v Speaker 2>don't get tired of singing none of them, because every

0:52:29.360 --> 0:52:32.560
<v Speaker 2>time I sing them, I get a different feeling.

0:52:33.280 --> 0:52:33.600
<v Speaker 1>I don't.

0:52:33.920 --> 0:52:36.200
<v Speaker 2>I don't approach them the same way.

0:52:37.160 --> 0:52:42.000
<v Speaker 3>Build your voltron. It's called a voltron, it's called your

0:52:42.080 --> 0:52:45.919
<v Speaker 3>super R and B artists. We're gonna get You gotta

0:52:45.920 --> 0:52:49.279
<v Speaker 3>get the vocal from somebody. You gotta get the performance

0:52:49.320 --> 0:52:53.400
<v Speaker 3>style from somebody. You gotta get the styling from somebody,

0:52:53.760 --> 0:52:56.160
<v Speaker 3>and you gotta get the passion the heart of the

0:52:56.239 --> 0:53:01.280
<v Speaker 3>artist from somebody to make your ultimate R and B singer.

0:53:01.400 --> 0:53:04.960
<v Speaker 1>Who are you getting that vocal from? Marvin Wys.

0:53:06.239 --> 0:53:10.000
<v Speaker 3>Who are getting the performance style from the style on

0:53:10.080 --> 0:53:15.040
<v Speaker 3>stage performance. I get my style in Casey. Come on,

0:53:16.000 --> 0:53:24.200
<v Speaker 3>come on, I try. I try to be nice today today. Okay,

0:53:24.320 --> 0:53:26.560
<v Speaker 3>can we got Casey performance style? We've got Marvil waits

0:53:26.560 --> 0:53:29.800
<v Speaker 3>on the vocals, kipting aggressive who getting the styling from

0:53:30.200 --> 0:53:32.200
<v Speaker 3>the drip of the artists? What they what they what

0:53:32.239 --> 0:53:33.080
<v Speaker 3>they're putting.

0:53:32.760 --> 0:53:36.000
<v Speaker 2>On daland come with our clothes.

0:53:36.640 --> 0:53:37.200
<v Speaker 1>You know what I'm saying.

0:53:37.200 --> 0:53:38.640
<v Speaker 2>We're going who you're thinking?

0:53:39.239 --> 0:53:41.600
<v Speaker 1>I feel like who were dressing? I feel like.

0:53:43.480 --> 0:53:53.960
<v Speaker 5>Jones ship ship from your damnself. There you go ship.

0:53:54.600 --> 0:53:55.640
<v Speaker 5>But right now, you know.

0:53:57.520 --> 0:53:58.200
<v Speaker 1>I have help.

0:53:58.360 --> 0:54:01.400
<v Speaker 2>You know, God bless me with my beautiful wife. So

0:54:01.600 --> 0:54:03.440
<v Speaker 2>she got good, she got a good taste.

0:54:03.440 --> 0:54:07.719
<v Speaker 3>Come on, help you make sure, help me keep you

0:54:07.760 --> 0:54:08.520
<v Speaker 3>come on rib.

0:54:08.880 --> 0:54:11.279
<v Speaker 1>She makes sure, yes, my rib, come on rib. So

0:54:11.360 --> 0:54:11.880
<v Speaker 1>she helped me.

0:54:11.920 --> 0:54:15.759
<v Speaker 2>Right now now she said, baby, you ain't wearing that. No, no,

0:54:15.920 --> 0:54:17.799
<v Speaker 2>you ain't doing that. I mean she had me have

0:54:17.840 --> 0:54:21.359
<v Speaker 2>a fitting session every night before I walk out the door.

0:54:22.040 --> 0:54:23.840
<v Speaker 3>I love it who you get in the heart of

0:54:23.840 --> 0:54:25.879
<v Speaker 3>the artists, from the passion of the artists.

0:54:26.280 --> 0:54:29.080
<v Speaker 2>The passion of it, like like just I love it.

0:54:29.560 --> 0:54:31.880
<v Speaker 1>They love what they're doing and like putting.

0:54:31.800 --> 0:54:35.200
<v Speaker 4>All James making the crowd, Sweat.

0:54:35.000 --> 0:54:41.719
<v Speaker 1>Prince Michael, okay, all of them, Stevee.

0:54:42.440 --> 0:54:45.799
<v Speaker 3>That list is along. Can you pick one or you

0:54:45.840 --> 0:54:51.879
<v Speaker 3>need all four? Let me pick one. I sweat man.

0:54:51.920 --> 0:54:53.719
<v Speaker 2>I was just talking about this too today on the

0:54:53.719 --> 0:54:54.279
<v Speaker 2>way over here.

0:54:55.280 --> 0:54:56.040
<v Speaker 1>James Brown.

0:54:57.080 --> 0:55:01.759
<v Speaker 4>Yeah, no argument, no argument, you know what I mean? No, No,

0:55:01.800 --> 0:55:02.799
<v Speaker 4>I'm not arguing that at all.

0:55:02.840 --> 0:55:04.960
<v Speaker 3>I heard stories of where James Brody used to laugh

0:55:06.440 --> 0:55:08.920
<v Speaker 3>laugh at people's performances, like that's all y'all.

0:55:08.760 --> 0:55:12.759
<v Speaker 1>Got, that's all y'all.

0:55:12.800 --> 0:55:15.879
<v Speaker 3>Yeah, that's all y'all gonna do, and get out there

0:55:15.880 --> 0:55:17.720
<v Speaker 3>and proceed to sweat.

0:55:18.640 --> 0:55:22.640
<v Speaker 1>Yeah, four hour and a half sweat.

0:55:23.080 --> 0:55:31.280
<v Speaker 3>We got one more segment for you, brother, case mm hmmm,

0:55:36.600 --> 0:55:41.560
<v Speaker 3>one more segment. The rules of this segment. I ain't

0:55:41.600 --> 0:55:44.759
<v Speaker 3>saying no names. I ain't saying no names. I ain't

0:55:44.760 --> 0:55:47.240
<v Speaker 3>saying no names. I ain't saying no names.

0:55:47.239 --> 0:55:51.640
<v Speaker 2>Where you was what you need?

0:55:52.120 --> 0:55:56.640
<v Speaker 1>Don't say she, I ain't saying no names.

0:56:03.560 --> 0:56:04.399
<v Speaker 4>He'll be here all week.

0:56:05.800 --> 0:56:06.359
<v Speaker 1>I'm all weak.

0:56:07.280 --> 0:56:10.680
<v Speaker 6>There's that, So right now, talk Tom. We got a

0:56:10.719 --> 0:56:13.719
<v Speaker 6>special segment of the show. It's called I Ain't saying

0:56:13.719 --> 0:56:15.480
<v Speaker 6>no names? Will you tell us a story?

0:56:16.280 --> 0:56:16.680
<v Speaker 1>Funny?

0:56:16.840 --> 0:56:19.839
<v Speaker 4>Are fucked up? Are funny and fucked up.

0:56:19.960 --> 0:56:20.320
<v Speaker 1>Okay.

0:56:20.640 --> 0:56:23.279
<v Speaker 4>The only rule to the game is you can't say

0:56:23.280 --> 0:56:23.880
<v Speaker 4>no names.

0:56:24.000 --> 0:56:26.719
<v Speaker 1>Okay, you reckon, let's go.

0:56:27.320 --> 0:56:28.960
<v Speaker 4>This is Ksey.

0:56:30.040 --> 0:56:32.360
<v Speaker 1>Mister ooh yeah, who yeah.

0:56:32.440 --> 0:56:39.040
<v Speaker 4>However the hell you want to sing it himself. I

0:56:39.040 --> 0:56:40.320
<v Speaker 4>ain't saying no names.

0:56:42.239 --> 0:56:44.840
<v Speaker 2>That's so many man, Damn y'all gotta go into archive.

0:56:45.360 --> 0:56:47.280
<v Speaker 2>All right, we're in London.

0:56:48.040 --> 0:56:48.399
<v Speaker 4>M hmm.

0:56:48.480 --> 0:56:50.120
<v Speaker 1>I like this all ready starting good.

0:56:51.280 --> 0:56:56.080
<v Speaker 2>And in the VIP section. Matter in our business? Anybody

0:56:56.200 --> 0:57:02.239
<v Speaker 2>just chilling? James Floyd fans good, it feating, it's good

0:57:03.800 --> 0:57:09.480
<v Speaker 2>and all of a sudden, who that bitch keep looking

0:57:09.480 --> 0:57:12.680
<v Speaker 2>over at you? Oh she's looking again.

0:57:14.200 --> 0:57:14.839
<v Speaker 1>Oh my god.

0:57:14.880 --> 0:57:20.040
<v Speaker 2>We got to get down the club. I ain't saying

0:57:20.040 --> 0:57:28.240
<v Speaker 2>no that I thought I was. I was some by standing.

0:57:29.560 --> 0:57:30.400
<v Speaker 2>She's looking at me.

0:57:31.880 --> 0:57:33.800
<v Speaker 4>Somebody got knocked out for looking at Casey.

0:57:33.840 --> 0:57:38.080
<v Speaker 1>I didn't do nothing. I don't know who that is.

0:57:39.680 --> 0:57:41.120
<v Speaker 1>I use that fact.

0:57:41.480 --> 0:57:42.240
<v Speaker 2>We're in London.

0:57:42.440 --> 0:57:43.439
<v Speaker 1>We're in London.

0:57:43.360 --> 0:57:59.480
<v Speaker 3>Non the whole time. I know nobody. I use that to.

0:57:58.480 --> 0:58:03.880
<v Speaker 5>Take I didn't we all wait Atlanta, Atlanta?

0:58:08.520 --> 0:58:09.200
<v Speaker 4>Who that is?

0:58:10.120 --> 0:58:11.000
<v Speaker 1>I don't get your hand.

0:58:11.440 --> 0:58:16.320
<v Speaker 9>No, you don't do it no more. They can sue you.

0:58:16.360 --> 0:58:20.120
<v Speaker 9>Oh man, listen, man, you know what I'm saying. Not

0:58:20.280 --> 0:58:22.160
<v Speaker 9>I got to fight to prove my love.

0:58:22.200 --> 0:58:29.920
<v Speaker 1>Lord, brother, Casey, my brother.

0:58:31.120 --> 0:58:33.920
<v Speaker 3>I just want to tell you from from my heart,

0:58:34.600 --> 0:58:40.200
<v Speaker 3>from his heart, from every R and B singer, gospel singer,

0:58:40.880 --> 0:58:44.960
<v Speaker 3>that his singer, songwriter, producer, the former that has come

0:58:45.040 --> 0:58:49.200
<v Speaker 3>up under the sound of your voice. We we have

0:58:49.240 --> 0:58:53.080
<v Speaker 3>been truly, we have truly been blessed by your existence.

0:58:53.680 --> 0:58:55.160
<v Speaker 1>Thank you, by your.

0:58:55.040 --> 0:59:00.320
<v Speaker 3>Continued pursuit of perfection, by your life's learning.

0:59:01.120 --> 0:59:01.680
<v Speaker 1>You know what I mean.

0:59:01.840 --> 0:59:05.240
<v Speaker 3>You're ups and you're down, and you powering through to

0:59:05.680 --> 0:59:09.480
<v Speaker 3>still be here with us, right here forty years to

0:59:09.560 --> 0:59:10.040
<v Speaker 3>this day.

0:59:10.520 --> 0:59:14.520
<v Speaker 1>That that's including with it all matters.

0:59:15.920 --> 0:59:22.400
<v Speaker 3>You've you've, you've you've created a legacy for yourself that

0:59:22.440 --> 0:59:26.480
<v Speaker 3>includes all of us. So as you are proud of,

0:59:27.280 --> 0:59:32.440
<v Speaker 3>you know, the accomplishments that you're directly a part of.

0:59:33.040 --> 0:59:34.480
<v Speaker 3>You know what I mean, as you stand on those

0:59:34.520 --> 0:59:39.440
<v Speaker 3>stages and as you stand behind those microphones, also accept

0:59:39.440 --> 0:59:43.160
<v Speaker 3>the credit. You know, when me and this guy stand

0:59:43.240 --> 0:59:47.320
<v Speaker 3>on those stages and stand behind those microphones and get

0:59:47.320 --> 0:59:50.600
<v Speaker 3>on those pianos and and entertain those crowds.

0:59:50.600 --> 0:59:51.240
<v Speaker 1>That's that's yo.

0:59:52.240 --> 0:59:56.040
<v Speaker 3>That we have a song called what that's that's really

0:59:56.040 --> 1:00:03.520
<v Speaker 3>on my album. That's that's mindset. Yeah, so take that

1:00:03.600 --> 1:00:07.880
<v Speaker 3>credit as well. That is also yours and we will

1:00:07.960 --> 1:00:10.800
<v Speaker 3>your your your name is, your name is in the annals.

1:00:11.040 --> 1:00:14.800
<v Speaker 3>Thank you history, my brother appreciate a foundational building block.

1:00:14.880 --> 1:00:17.280
<v Speaker 3>I appreciate everything we do and everything that R and

1:00:17.320 --> 1:00:20.000
<v Speaker 3>B will ever be. I appreciate it, man, Thank you man.

1:00:20.040 --> 1:00:23.040
<v Speaker 3>I just want to thank you, guys, man for really.

1:00:26.040 --> 1:00:31.440
<v Speaker 2>By you saying that lets me know there's more than

1:00:31.520 --> 1:00:34.200
<v Speaker 2>four members of Jodasy.

1:00:34.840 --> 1:00:36.080
<v Speaker 1>Absolutely, you know what I'm saying.

1:00:36.280 --> 1:00:40.560
<v Speaker 2>Absolutely, those other members side the four are the people

1:00:40.600 --> 1:00:47.439
<v Speaker 2>that love us, people that support us, people that pay

1:00:47.480 --> 1:00:50.440
<v Speaker 2>for our tickets to go and see us live in concert.

1:00:51.600 --> 1:00:52.160
<v Speaker 2>That's Joe.

1:00:52.160 --> 1:00:53.480
<v Speaker 1>Those the real Jodases.

1:00:53.960 --> 1:00:55.680
<v Speaker 2>You know what I'm saying, You guys, y'all are real

1:00:55.760 --> 1:00:59.520
<v Speaker 2>Josies because we once for y'all, y'all our heartbeat and

1:01:00.080 --> 1:01:03.360
<v Speaker 2>can't live without a heartbeat, and that goes out to y'all.

1:01:04.400 --> 1:01:07.000
<v Speaker 4>Wow, I feel like Martin at the Varneil Hill show

1:01:07.080 --> 1:01:07.400
<v Speaker 4>right now.

1:01:07.600 --> 1:01:21.400
<v Speaker 2>You would, kids, Martin is funny and back to you

1:01:21.520 --> 1:01:25.000
<v Speaker 2>since we got all that. Thank you, Yes, I love

1:01:25.040 --> 1:01:30.600
<v Speaker 2>you for everything, man, Jay Valentine, love you but you.

1:01:32.480 --> 1:01:33.440
<v Speaker 1>Pupone to pick with you.

1:01:36.040 --> 1:01:39.560
<v Speaker 2>Come on, I called you.

1:01:40.520 --> 1:01:41.360
<v Speaker 1>That's a tank.

1:01:43.720 --> 1:01:43.920
<v Speaker 4>You know.

1:01:44.600 --> 1:01:47.280
<v Speaker 2>No, that's mom doing this, doing this album.

1:01:47.320 --> 1:01:47.520
<v Speaker 3>Man.

1:01:47.640 --> 1:01:48.040
<v Speaker 1>You know.

1:01:49.720 --> 1:01:53.720
<v Speaker 2>I would love for you to be on my be

1:01:53.840 --> 1:01:57.320
<v Speaker 2>on this album from me, Tank, I need you right out?

1:01:58.240 --> 1:01:58.800
<v Speaker 2>What what?

1:01:58.800 --> 1:01:58.920
<v Speaker 4>What?

1:01:59.120 --> 1:01:59.480
<v Speaker 2>What?

1:01:59.480 --> 1:02:01.320
<v Speaker 1>What you need? Man? Thank?

1:02:01.600 --> 1:02:07.880
<v Speaker 2>I mean I need a tear jerker that I needed that.

1:02:07.960 --> 1:02:08.560
<v Speaker 4>I need that.

1:02:10.360 --> 1:02:12.240
<v Speaker 2>On this album. Tank.

1:02:13.200 --> 1:02:20.360
<v Speaker 1>I got you, mister Durrell, I said, where's his song?

1:02:21.120 --> 1:02:22.640
<v Speaker 1>So I said that I have.

1:02:22.720 --> 1:02:27.920
<v Speaker 3>Sco over inside talking ship where a song at?

1:02:27.960 --> 1:02:33.520
<v Speaker 1>I have templates? What's your name on it? Are you sure? Absolutely,

1:02:38.160 --> 1:02:40.440
<v Speaker 1>Mama that I had.

1:02:40.560 --> 1:02:45.040
<v Speaker 3>I had just started just putting ideas together and and

1:02:45.200 --> 1:02:49.920
<v Speaker 3>I cannot think of why or what happened within that

1:02:50.040 --> 1:02:55.000
<v Speaker 3>time to get me out of focus. So first apologies,

1:02:55.280 --> 1:02:57.400
<v Speaker 3>no no, no, no, no, no no, I have to have

1:02:57.480 --> 1:02:59.680
<v Speaker 3>to have to issue that because I said, I got you.

1:03:01.400 --> 1:03:02.160
<v Speaker 1>That's my word.

1:03:02.840 --> 1:03:07.440
<v Speaker 3>So in in in honor of this chastisement of you

1:03:07.520 --> 1:03:12.920
<v Speaker 3>pulling out the belt and spanking me on my own pocket,

1:03:17.960 --> 1:03:22.720
<v Speaker 3>you tell me when it it's done, You tell me

1:03:22.760 --> 1:03:24.040
<v Speaker 3>how soon you need it, and we're gonna get it

1:03:24.040 --> 1:03:24.600
<v Speaker 3>turned around.

1:03:25.360 --> 1:03:29.400
<v Speaker 2>I'll tell you what. Get back into Carolina's next week,

1:03:31.000 --> 1:03:35.040
<v Speaker 2>I'm gonna give you a call. I get back on Monday.

1:03:36.560 --> 1:03:38.200
<v Speaker 2>All right, let's break out something next week.

1:03:38.360 --> 1:03:39.680
<v Speaker 1>Done you heard.

1:03:41.440 --> 1:03:42.040
<v Speaker 4>People heard it.

1:03:42.880 --> 1:03:47.320
<v Speaker 3>Now If I can't find Casey next week because he

1:03:47.440 --> 1:03:48.520
<v Speaker 3>disappeared last.

1:03:50.240 --> 1:03:54.440
<v Speaker 4>That was. That was Mennie can fight.

1:03:54.520 --> 1:03:58.840
<v Speaker 3>Anybody can find anybody, collagistics, collagistics.

1:03:59.560 --> 1:04:01.360
<v Speaker 1>That's done. That's done.

1:04:01.400 --> 1:04:04.480
<v Speaker 2>Cool. I understand, though, Man, you gotta think about it.

1:04:05.120 --> 1:04:09.640
<v Speaker 2>Hey man, this this this, this game is very busy

1:04:09.680 --> 1:04:10.960
<v Speaker 2>in this game. So I get it.

1:04:11.120 --> 1:04:12.720
<v Speaker 1>No, but you gotta you know, you gotta make you

1:04:12.720 --> 1:04:14.680
<v Speaker 1>gotta certain things you have to make a priority.

1:04:14.720 --> 1:04:18.680
<v Speaker 2>But I really, really, really really really really I think.

1:04:20.000 --> 1:04:25.360
<v Speaker 1>That touch of tank, but I think I think I

1:04:25.600 --> 1:04:28.960
<v Speaker 1>will have a winner done. Go make a winner. It's

1:04:29.000 --> 1:04:29.479
<v Speaker 1>gonna happen.

1:04:29.520 --> 1:04:30.040
<v Speaker 4>It's gop.

1:04:30.680 --> 1:04:32.200
<v Speaker 1>Okay, there it is my word.

1:04:32.680 --> 1:04:36.280
<v Speaker 3>There it is, ladies and gentlemen, Valentine And this is

1:04:36.280 --> 1:04:40.360
<v Speaker 3>the Army Money Podcast, the authority on all things R

1:04:40.440 --> 1:04:45.880
<v Speaker 3>and B, everything everything R and B. And we have

1:04:46.040 --> 1:04:51.560
<v Speaker 3>truly truly been blessed to have all things R and

1:04:51.600 --> 1:04:52.960
<v Speaker 3>D in the building.

1:04:53.320 --> 1:04:54.120
<v Speaker 1>Mister case.

1:04:56.280 --> 1:04:58.520
<v Speaker 2>Love, your love, your love, your love, your love. Yeah,

1:04:59.240 --> 1:05:00.360
<v Speaker 2>I've R.

1:05:00.320 --> 1:05:03.640
<v Speaker 6>And B money, R and B money, is a production

1:05:03.720 --> 1:05:08.200
<v Speaker 6>of the Black Effect Podcast Network. For more podcasts from iHeartRadio,

1:05:08.600 --> 1:05:12.680
<v Speaker 6>visit the iHeartRadio app, Apple Podcasts, or wherever you listen

1:05:12.680 --> 1:05:16.000
<v Speaker 6>to your favorite shows. Don't forget to subscribe to and

1:05:16.160 --> 1:05:18.480
<v Speaker 6>rate our show, and you can connect with us on

1:05:18.560 --> 1:05:22.080
<v Speaker 6>social media at Jay Valentine and at the Real Tank.

1:05:22.480 --> 1:05:27.360
<v Speaker 6>For the extended episode, subscribe to YouTube dot com, Forward,

1:05:27.400 --> 1:05:29.560
<v Speaker 6>slash r, and b Money