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Speaker 1: R and B Money.

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Speaker 2: Honey, we are.

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Speaker 1: Thanks take valoti.

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Speaker 3: We are the authority.

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Speaker 2: On all things R and B.

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Speaker 1: Ladies and gentlemen.

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Speaker 3: My name is Tank Valentine, and this what is it.

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Speaker 3: It's the R and B Money Podcast, the authority.

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Speaker 1: On all things Who yeah.

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Speaker 4: One more time? Who yeah yeah?

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Speaker 3: See see you wasn't desperate, you know, in your spirit,

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Speaker 3: in your tongue, right, You wasn't in the middle of

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Speaker 3: a desert with lover on your body, sweating your balls off.

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Speaker 1: To prove a point.

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Speaker 2: Hmmm.

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Speaker 3: Not only was your eyes ryan, but your skin on

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Speaker 3: your whole body. It's client tears. You ain't never done that.

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Speaker 3: You ain't never put on boots with a two piece

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Speaker 3: shots at and turned the rain off on your feet.

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Speaker 3: What you've never done it? You ain't never did it.

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Speaker 3: You don't sit on the mouth rushmore. It's a godfather,

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Speaker 3: this ship right here, it's one man. It's one man,

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Speaker 3: and that Maine is here. The God, No, yes, sir,

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Speaker 3: not God, the God, the God created in his image.

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Speaker 1: Casey Haley, my God.

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Speaker 3: Oh yeah, yeah, himself, mister Huliah himself.

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Speaker 2: Yeah man, what's going on?

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Speaker 1: What made what made you do? Oh yeah, let's start

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Speaker 1: with this right there.

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Speaker 2: Okay, we can do that. That's real easy.

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Speaker 1: I was. They used to call me like that, a

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Speaker 1: little king.

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Speaker 2: But the guys did, like I go and I go

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Speaker 2: into booth man just start singing. And I get and

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Speaker 2: I got tired of saying what the words of the

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Speaker 2: song stuff.

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Speaker 1: I just I just put them in.

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Speaker 2: Ooh yeah, it's a feeling. You gotta have that, oh yeah,

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Speaker 2: feeling you could sing. Mary had a little lamb.

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Speaker 1: Mary had a.

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Speaker 2: Little lamb, little lamb, little lamb.

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Speaker 4: Oh yeah, man, yeah, man.

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Speaker 3: They do say it's Casey jojo right there. Yeah, that's

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Speaker 3: that's like the Holy Trinity.

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Speaker 1: Bro.

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Speaker 3: I just I mean, listen, I gotta say this, and

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Speaker 3: I tell you this all the time, but I can

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Speaker 3: never tell you enough. Thank you man, Thank you man.

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Speaker 3: You have to like like I want you to like

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Speaker 3: to day is the day. You know, I know you humble,

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Speaker 3: you know I know your godfaring man. You give it

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Speaker 3: all back to the Creator. You understand what I'm saying.

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Speaker 3: But when he gives us those gifts, it is up

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Speaker 3: to us to be good stewards over those gifts. It

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Speaker 3: is up for us to develop and nurture and work

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Speaker 3: hard to bring their gifts to their fullness. And you

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Speaker 3: did just that, and in doing so, you created us.

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Speaker 1: For sure.

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Speaker 2: Appreciate, sure, sure, appreciate.

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Speaker 3: No R and B money without you. There's no R

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Speaker 3: and B money without your, not even closer.

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Speaker 2: We tried no, no, no, no, no, no, no.

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Speaker 3: Today today today, can't see you get the pump your ship.

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Speaker 3: This is Flowers, this is celebration k C Day right now.

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Speaker 1: Okay, we did that ship.

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Speaker 2: We did that, Yes, you did it was it was

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Speaker 2: on a mission.

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Speaker 1: Oh my god.

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Speaker 2: And number two understood the assignment.

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Speaker 1: Yeah. When we first when we first.

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Speaker 2: Got together, we always said, we said that we made

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Speaker 2: a pack. We made a vow that we was going

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Speaker 2: to be the baddest, baddest group that ever came out. Wow,

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Speaker 2: you know what I'm saying. I made a vow like

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Speaker 2: I'm gonna be the most aggressive lead singer that's out there.

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Speaker 2: My age.

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Speaker 1: You know what I'm saying, My era, And hey man, and.

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Speaker 2: I guess, like I said, we did that ship.

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Speaker 1: You do damn right, you did it. Let's go back

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Speaker 1: to the beginning case. Go ahead.

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Speaker 3: I want to go back to me being a kid

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Speaker 3: in a church somewhere in Wisconsin. I want to say

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Speaker 3: race Singlet'll sing Wisconsin, and we went to see Little

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Speaker 3: Cedric and the Haley singer. Yes, man, and I watched

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Speaker 3: y'all run down the middle aisle. You didn't walk down

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Speaker 3: the middle aisle. Oh yeah, for those of y'all who

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Speaker 3: know anything about church, any church folk, you don't go down.

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Speaker 1: The middle aisle.

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Speaker 3: That is forbidden. That's forbidden. You don't walk down the

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Speaker 3: middle church going on the side.

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Speaker 4: Next time I go to church, remember that.

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Speaker 3: So the usher say, you know, shure, you're seeing the

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Speaker 3: ball like he does instructions for the middle hole. Not

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Speaker 3: only did they come down the middle aisle, they ran

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Speaker 3: down the middle aisle to assult the injury. Jojo had

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Speaker 3: a ball head and ear rings. We said, what in

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Speaker 3: the worldly, what in the fleshy business is.

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Speaker 2: Going on there?

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Speaker 3: And y'all proceeded, for lack of a better term, to

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Speaker 3: talk about gospel music kick ass.

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Speaker 2: Yeah man, we had to do that too, man, we

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Speaker 2: did that.

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Speaker 3: So how did that start? Give me Casey and the

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Speaker 3: hay say, go take me back to the beginning.

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Speaker 2: Right, the beginning like this, Well, those you don't know.

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Speaker 2: It started out in Alltimore, Maryland, our professional singing Career

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Speaker 2: Study in Baltimore and Maryland. My mom had a group,

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Speaker 2: my dad had a group, and me and Joji would

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Speaker 2: be around house singing all the time. They had a

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Speaker 2: back in those days, they had a Friday night spade parties.

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Speaker 1: Mama them had the spade party. I know y'all know

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Speaker 1: about that.

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Speaker 2: But anyway, when our uncles and nouns they'd be playing

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Speaker 2: spades and all that, me and Jojo wuld be in

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Speaker 2: the bed sleep with it. Used they thought we were,

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Speaker 2: but we can hear everything that's going on there. But

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Speaker 2: one or two every Friday night and my uncles and

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Speaker 2: they are juiced up, now you know what I'm saying,

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Speaker 2: So they want to hit the little boys sing.

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Speaker 1: So Mama would wake us up, like it'd be like one.

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Speaker 2: Sometimes two in the morning, wake us up, turn our

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Speaker 2: favorite gospel group on, which was the gospel keynotes at

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Speaker 2: the time, you know, and me and Joe Joja would

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Speaker 2: be Paul Beasley. I would be the lead singer, Willy

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Speaker 2: Neil so, and Willy Neil was the one, like the

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Speaker 2: the aggressive one, the lead singer. So they would ask

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Speaker 2: us to make us sing those songs. I remember one

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Speaker 2: night I got bull headed. You know what I'm saying,

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Speaker 2: I got bullheaded and it wont to sing. Man, So

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Speaker 2: believe it or not. My mother, my mother a lover

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Speaker 2: for doing this. Some people these days might ridicule her

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Speaker 2: for doing it. But my mother she went upstairs, got

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Speaker 2: her leather belt, leather belt, and man, that belt kept

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Speaker 2: me singing today. She said, boy, if you don't go

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Speaker 2: downstairs and sing them songs, but them people want you

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Speaker 2: to sing and mine now they was giving me a

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Speaker 2: joe fifty cents to sing. She said, if you don't

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Speaker 2: get your tail downstairs, she took that belt. Man, she

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Speaker 2: used that belt to this day. I never been shame

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Speaker 2: or shy to open my mouth to sing for nobody.

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Speaker 2: So fast forward, like I said, my mother had a

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Speaker 2: group from Baltimore Female Group, and my father had the

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Speaker 2: male group in Baltimore Quartet.

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Speaker 1: And my mama told my daddy, she said, I think

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Speaker 1: you need to put centric in that group. That boy ready,

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Speaker 1: That boy ain't ready, she said, he ready? She said,

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Speaker 1: he ready.

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Speaker 2: So she asked me, if you want to be in

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Speaker 2: your daddy group. Man, yeah, I want to be in

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Speaker 2: the group.

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Speaker 1: At eleven years old.

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Speaker 2: Who wouldn't yeah, eleven years old? Then, so my Daddy

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Speaker 2: let me in the group. I went to the couple

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Speaker 2: of rehearsals and we did that first gospel you know

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Speaker 2: back in the day call him programs.

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Speaker 1: You know, we did a program.

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Speaker 2: So when I did that, man and my uncle, which

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Speaker 2: was the manager of my dad group, his uncle, so

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Speaker 2: he told my daddy, oh, yeah, that's gonna be our

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Speaker 2: little showstopper. Yeah, we're gonna keep him. So by that time,

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Speaker 2: like I said, my mama had a group. She had

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Speaker 2: to kill a band. So my mama told my daddy, look,

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Speaker 2: I want to take him out your group and I'm

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Speaker 2: gonna get my band because they was more contemporary, you know,

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Speaker 2: all that players young guys. She said, I want to

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Speaker 2: take them out your group, and I'm gonna get rid

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Speaker 2: of my band and let them play for Cedric mm hm.

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Speaker 2: So dadd was like, we see how the I think

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Speaker 2: the group my daddy group kind of figured what was

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Speaker 2: going on because for me, Daddy and Jojo got to rehearsal,

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Speaker 2: believe it or our tank man, they had our papers

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Speaker 2: waiting on us saying we fired.

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Speaker 4: Oh y'all was getting kicked out.

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Speaker 2: Yeah, we got kicked out when they found out that,

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Speaker 2: you know, little Cedric and the Haley things was about.

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Speaker 3: But they kick you and Jeorje They kicked your daddy

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Speaker 3: out here, and yeah, hold on you and your son.

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Speaker 2: Yeah, you and your sons out the group just because

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Speaker 2: of that. So my dad's okay, cool, we got this.

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Speaker 2: They handed you papers, They handed his papers that rehearsal

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Speaker 2: when we walked in.

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Speaker 4: That's crazy, you know.

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Speaker 2: I cried like the baby man, look eleven years old

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Speaker 2: getting fired. Come on now from something I love to

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Speaker 2: you want to do. But though it was God's playing,

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Speaker 2: of course, it wasn't their plans. Because at the next day,

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Speaker 2: here we are my mom and dad telling me what

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Speaker 2: we got. My mama said, Timmy down, Timmy to them,

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Speaker 2: come to play for you now. So I'm like half

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Speaker 2: because Timmy, though they was young, they was funky, you know,

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Speaker 2: so I'm like cool. That was the birth a Little

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Speaker 2: Cedric and the Haley Singers signed to gospel record label,

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Speaker 2: which is Air Records. Now, so got that deal. Twelve

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Speaker 2: years old? Did our recording man and Little Cedric and

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Speaker 2: Haley Singers blew up?

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Speaker 1: I mean we blew up in the court tap field man.

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Speaker 2: I would like to they would call me the Michael

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Speaker 2: Jackson of gospel and during that time. Yeah, and during

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Speaker 2: that time, my rival was a little boy from Washington,

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Speaker 2: d C. He had his group from DC. So Baltimore

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Speaker 2: had they little boy which is a little Cedric and

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Speaker 2: that little boy I'm talking about.

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Speaker 1: I mean we went next to neck, neck to the neck. Man.

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Speaker 2: One night was his night. Next night was not my night.

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Speaker 1: That little boy it was Johnny Gill.

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Speaker 3: Oh I didn't know that, yeah, man, Man, Johnny talked

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Speaker 3: about the all the time.

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Speaker 2: We talked about the all the time. Johnny would come

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Speaker 2: to Baltimore. He'll try to make it hard for me

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Speaker 2: in my town.

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Speaker 1: It's okay, all right, I gotta go to I gotta

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Speaker 1: go to d C. H Ray, come see you.

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Speaker 3: So this is like twelve thirteen for so he's been

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Speaker 3: browling for a long time.

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Speaker 2: Oh yeah, oh yeah, oh yeah, man, Johnny, we've been

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Speaker 2: in the game together, in the game a long time, man,

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Speaker 2: a long time.

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Speaker 1: Yeah.

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Speaker 2: Yeah, yeah, man, Johnny was way back man.

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Speaker 1: Forty some years ago.

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Speaker 4: So was your father in and Haley sing Halle sing.

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Speaker 1: Yeah, he came.

223
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Speaker 2: He got him some songs off til too, off the

224
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Speaker 2: albums too.

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Speaker 1: You know what I'm saying. You know, well, and then Jojo.

226
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Speaker 2: Jojo was like this. He's still like this to this day.

227
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Speaker 2: He don't let y'all see it. We had to beg

228
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Speaker 2: Jojo to sing. M We had to beg Jojo to

229
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Speaker 2: then they had to do it. Now you know what

230
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Speaker 2: I'm saying.

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Speaker 4: But one of the coldest vocals whoever.

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Speaker 2: Yeah, yeah, And then Jojo then he got into it, man,

233
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Speaker 2: And he had this couple of songs on the albums

234
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Speaker 2: and all that, but Jojo always knew he would tell

235
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Speaker 2: them and then I'm gonna do that, man.

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Speaker 1: That's that's cedgic man.

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Speaker 4: Jojo.

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Speaker 1: Jojo was more like he was a rough He was

239
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Speaker 1: a rough neck.

240
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Speaker 2: Joja wanted to go outside and play football while I'm

241
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Speaker 2: in rehearsal ten hours a day in the bass hot

242
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Speaker 2: basement right after school. Got to go down to the

243
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Speaker 2: basement and rehearse for the album. So Jojo outside playing

244
00:12:53,520 --> 00:12:55,360
Speaker 2: and if he got a song, he'll come in and

245
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Speaker 2: do his little song, go right back outside and play.

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Speaker 2: I'm still in there because I'm so I'm I'm hungry

247
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Speaker 2: at the age of twelve, I'm hungry, man. But it

248
00:13:05,040 --> 00:13:07,760
Speaker 2: all worked out good. So that's how the Haley Singers started.

249
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Speaker 1: Man, was your first song that took out, took off.

250
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Speaker 2: Uh Jesus saved, and then born again with the second cold.

251
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Speaker 4: That's it.

252
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Speaker 1: That was it right there. I was like, we used

253
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Speaker 1: to call it in we call it drive. That was

254
00:13:25,040 --> 00:13:29,040
Speaker 1: what was your cross?

255
00:13:29,840 --> 00:13:30,560
Speaker 2: Yeah? That was that?

256
00:13:30,559 --> 00:13:31,439
Speaker 1: That was our drive?

257
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Speaker 2: Right and then and then on man, it just we

258
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Speaker 2: did those. We did three albums under Little Cep and

259
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Speaker 2: the Haley Singers, and then the family moved back to

260
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Speaker 2: North Carolina. And then what.

261
00:13:45,960 --> 00:13:46,800
Speaker 1: Made you guys move?

262
00:13:47,320 --> 00:13:51,480
Speaker 2: Well, what made us move is really I think I

263
00:13:51,480 --> 00:13:54,079
Speaker 2: think my mom and parents was ready to move back

264
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Speaker 2: down south because we had lived in Baltimore for what wow,

265
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Speaker 2: we lived in Baltimore for like thirteen years, you know

266
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Speaker 2: what I'm saying. So, but they wanted to move back

267
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Speaker 2: down south, and of course they took the kids with us.

268
00:14:07,800 --> 00:14:10,680
Speaker 2: So we went down there, and still we still had

269
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Speaker 2: the Hailey Singers going.

270
00:14:12,320 --> 00:14:13,320
Speaker 1: We still was traveling.

271
00:14:13,400 --> 00:14:16,280
Speaker 2: The group had busted up, but we still you know,

272
00:14:16,440 --> 00:14:20,680
Speaker 2: hire some new new musicians and backup singers and everything

273
00:14:20,720 --> 00:14:21,520
Speaker 2: for Little Cedric.

274
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Speaker 1: So we're still going. So and then.

275
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Speaker 2: And and and it was God, Man, it was God,

276
00:14:28,760 --> 00:14:33,080
Speaker 2: because I was I was I had left North Carolina

277
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Speaker 2: and went to Baltimore. I was gonna do a reunion

278
00:14:38,320 --> 00:14:40,920
Speaker 2: with Little Cedric and the Haley Singers with the original

279
00:14:41,240 --> 00:14:43,240
Speaker 2: all the original members.

280
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Speaker 1: This is a.

281
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Speaker 2: Seventeen It's like just like seventeen eighteen, one of them.

282
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Speaker 2: So while I'm while I'm in Baltimore, Joselyn didn't go

283
00:14:57,680 --> 00:15:02,440
Speaker 2: with me. So while I'm in Baltimo, more Jojo plays

284
00:15:02,480 --> 00:15:07,000
Speaker 2: a song for me over the phone. By this time, Jojo,

285
00:15:07,120 --> 00:15:08,840
Speaker 2: you know he didn't go back to Baltimore with me.

286
00:15:09,480 --> 00:15:13,800
Speaker 2: So I'm listening on the phone. I'm like, Jojo, who

287
00:15:13,880 --> 00:15:18,640
Speaker 2: is that? It's yo, man, It's just it's this guy.

288
00:15:19,040 --> 00:15:22,600
Speaker 2: Ain't done. Man, we've been doing music together. Man, you

289
00:15:22,640 --> 00:15:23,600
Speaker 2: can't be in this group.

290
00:15:23,880 --> 00:15:24,280
Speaker 4: Nah.

291
00:15:24,400 --> 00:15:26,160
Speaker 2: Now this is just me and done. This me and

292
00:15:26,320 --> 00:15:30,920
Speaker 2: done stuff, this being done stuff. So then I go

293
00:15:31,040 --> 00:15:33,280
Speaker 2: back to Now I go. I meant, before I go

294
00:15:33,320 --> 00:15:37,320
Speaker 2: to Baltimore, I'm in I rehearsal hard with Let's at

295
00:15:37,360 --> 00:15:38,320
Speaker 2: the Haiti Singers.

296
00:15:38,520 --> 00:15:41,400
Speaker 1: So some girls they came over to visit us.

297
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Speaker 2: Just before I went to the boy, I skipped all that,

298
00:15:43,840 --> 00:15:48,640
Speaker 2: but some girls brought some guys to our studio. I

299
00:15:48,680 --> 00:15:50,800
Speaker 2: was dating one of the girl, but calling myself dating

300
00:15:51,520 --> 00:15:55,080
Speaker 2: and Jojo was talking to one of them, so they

301
00:15:55,080 --> 00:15:56,960
Speaker 2: brought out They said, well, we want to meet y'all

302
00:15:57,000 --> 00:15:59,640
Speaker 2: some We want y'all to meet some brothers.

303
00:16:00,200 --> 00:16:02,120
Speaker 1: You know. They they got their own church.

304
00:16:01,920 --> 00:16:05,120
Speaker 2: And and and they doing their thing. They tight on

305
00:16:05,160 --> 00:16:07,680
Speaker 2: the music. Man, they good, y'all need to meet on y'all.

306
00:16:07,680 --> 00:16:10,920
Speaker 2: Who are they? So when they walked in and they

307
00:16:10,960 --> 00:16:13,760
Speaker 2: brought the guys in, so all that first thing I

308
00:16:13,800 --> 00:16:19,200
Speaker 2: see is my girlfriend and got these guys behind her.

309
00:16:19,640 --> 00:16:26,920
Speaker 2: So immediately I'm not feeling I'm not feeling it. So

310
00:16:27,480 --> 00:16:30,560
Speaker 2: and I see one of them going to the studio

311
00:16:31,520 --> 00:16:33,800
Speaker 2: what the recording part was at the studio we had,

312
00:16:34,440 --> 00:16:36,880
Speaker 2: and I hear a piano plan. Now by this time,

313
00:16:37,000 --> 00:16:39,680
Speaker 2: me and this guy that Joe was in the room with. Man,

314
00:16:39,800 --> 00:16:42,720
Speaker 2: his brother is about to go at it. I mean

315
00:16:42,800 --> 00:16:48,840
Speaker 2: guns down, really guns down. So anyway, we're like, he's like, Yo,

316
00:16:48,920 --> 00:16:49,600
Speaker 2: what's going on?

317
00:16:49,680 --> 00:16:49,880
Speaker 3: Man?

318
00:16:50,360 --> 00:16:51,560
Speaker 1: Like, Yo, you tell me what's going on?

319
00:16:51,640 --> 00:16:51,800
Speaker 3: Y'all?

320
00:16:51,840 --> 00:16:55,560
Speaker 2: Walking with my girl? Man, I mean, who are y'all?

321
00:16:55,800 --> 00:16:57,920
Speaker 2: Who are y'all? So then I hear it.

322
00:16:58,960 --> 00:17:01,520
Speaker 1: I hear keep it up, a keyboard playing.

323
00:17:02,760 --> 00:17:08,199
Speaker 2: And I hear my brother singing. I'm like, oh, I

324
00:17:08,240 --> 00:17:11,160
Speaker 2: have my voice. I have my brother voice, but who

325
00:17:11,760 --> 00:17:18,000
Speaker 2: is that planing that keyboard? And his brother said, that's

326
00:17:18,040 --> 00:17:20,920
Speaker 2: what I was trying to tell you. We're the guys

327
00:17:21,440 --> 00:17:24,199
Speaker 2: that they wanted to introduce us to, y'all.

328
00:17:24,800 --> 00:17:26,520
Speaker 1: I was like, whoa, who are y'all?

329
00:17:28,400 --> 00:17:34,760
Speaker 2: I'm Dalving and that's my brother. Yeah, girl, he said,

330
00:17:34,840 --> 00:17:38,960
Speaker 2: I'm Dalving and that's my brother. Done. I said, y'all

331
00:17:38,960 --> 00:17:43,639
Speaker 2: are the great boys? Like yeah, yo, man, we just

332
00:17:43,760 --> 00:17:44,440
Speaker 2: missed the girl.

333
00:17:46,240 --> 00:17:47,320
Speaker 1: Want to see what's going on?

334
00:17:47,400 --> 00:17:47,600
Speaker 4: Now?

335
00:17:48,680 --> 00:17:51,480
Speaker 3: Work God, work, God said I moving.

336
00:17:51,560 --> 00:17:52,359
Speaker 1: I see you're moving.

337
00:17:52,760 --> 00:17:54,840
Speaker 2: So by that time, you know that we met each

338
00:17:54,880 --> 00:17:56,560
Speaker 2: other and met each other, hung out a little bit,

339
00:17:56,800 --> 00:17:58,440
Speaker 2: and then like I said, now I can go back

340
00:17:58,440 --> 00:18:00,800
Speaker 2: to Baltimore because I thought that it was gonna work out,

341
00:18:00,840 --> 00:18:03,000
Speaker 2: like that's gonna flu So I go to Baltimore.

342
00:18:03,040 --> 00:18:04,480
Speaker 1: I'm trying to get my group back together.

343
00:18:04,840 --> 00:18:08,720
Speaker 2: Joe caused me, and and he's playing something on the

344
00:18:08,840 --> 00:18:10,359
Speaker 2: on the on the phone. I said, Yo, that's how

345
00:18:10,440 --> 00:18:13,000
Speaker 2: good was that? He said, Yo, that's being done? Man?

346
00:18:13,440 --> 00:18:15,840
Speaker 2: I said, for real, y'all did that? He said yeah?

347
00:18:15,920 --> 00:18:18,040
Speaker 2: I said, yeah, man, it's tight. I said, man, that's

348
00:18:18,080 --> 00:18:21,040
Speaker 2: that's I like that, bro. I don't even think about it,

349
00:18:21,440 --> 00:18:24,400
Speaker 2: stay in Baltimore, get your hatey saving together.

350
00:18:25,920 --> 00:18:29,120
Speaker 1: Yeah, I said, I got my whole thing.

351
00:18:32,280 --> 00:18:32,920
Speaker 4: Ain't the church.

352
00:18:33,000 --> 00:18:38,159
Speaker 2: Yeah, so I said, nah, man, So immediately, immediately I

353
00:18:38,240 --> 00:18:40,240
Speaker 2: called my mom, I call my daddy.

354
00:18:40,840 --> 00:18:43,240
Speaker 1: So ready to come home. I'm ready to come home.

355
00:18:43,280 --> 00:18:43,679
Speaker 1: I told her.

356
00:18:43,680 --> 00:18:48,400
Speaker 2: Haley singers, Hey, look y'all, I'm going back to Charlotte.

357
00:18:51,880 --> 00:18:54,560
Speaker 4: I can't tell you why. I can't tell you about it, but.

358
00:18:54,560 --> 00:18:57,040
Speaker 2: You're here about it. But you're here about it. And

359
00:18:57,119 --> 00:18:59,320
Speaker 2: by that time I got home, man, and by that time,

360
00:18:59,400 --> 00:19:02,479
Speaker 2: Jojo jojo heed it, jojo heed it, and then all

361
00:19:02,800 --> 00:19:03,760
Speaker 2: you started yelling.

362
00:19:04,440 --> 00:19:05,560
Speaker 1: So then we.

363
00:19:05,560 --> 00:19:07,000
Speaker 4: Jojo really didn't want you in the group.

364
00:19:07,640 --> 00:19:12,800
Speaker 2: No, and Davante didn't want Dalvin. I love this, Yeah,

365
00:19:13,640 --> 00:19:16,920
Speaker 2: this is great money. Didn't want Davin, so Jojo made it,

366
00:19:17,200 --> 00:19:18,720
Speaker 2: but Jojo wanted Dolvin.

367
00:19:19,280 --> 00:19:20,240
Speaker 1: Vante wanted me.

368
00:19:21,280 --> 00:19:25,359
Speaker 2: So Jojo was like this, now, Jojo Jojo playing that card.

369
00:19:26,720 --> 00:19:30,479
Speaker 1: If you want my brother, Lee saying you got your

370
00:19:30,520 --> 00:19:30,960
Speaker 1: brother and the.

371
00:19:30,960 --> 00:19:36,919
Speaker 2: Group yeah, yeah, yeah, it's and vice versa. So if

372
00:19:36,960 --> 00:19:42,760
Speaker 2: you want Dalvin in you know, yeah I Neededric.

373
00:19:43,800 --> 00:19:44,000
Speaker 1: Yeah.

374
00:19:44,119 --> 00:19:45,960
Speaker 2: So we got together man talked about it.

375
00:19:46,080 --> 00:19:46,480
Speaker 3: That you go.

376
00:19:46,680 --> 00:19:50,159
Speaker 2: We we started doing demos man, we were demo.

377
00:19:50,000 --> 00:19:51,320
Speaker 1: At at the church.

378
00:19:51,520 --> 00:19:51,760
Speaker 3: Man.

379
00:19:52,320 --> 00:19:52,800
Speaker 2: We would do.

380
00:19:52,800 --> 00:19:54,200
Speaker 1: Demos at the church, like time.

381
00:19:54,280 --> 00:19:57,920
Speaker 2: We share those songs like that and like the chords,

382
00:19:57,960 --> 00:20:01,320
Speaker 2: like the chords Davante. A lot of that stuff was

383
00:20:01,320 --> 00:20:06,320
Speaker 2: written in church at Davante's dad church man. So I

384
00:20:06,320 --> 00:20:08,760
Speaker 2: guess Davante's dad got tired of it, you know, he

385
00:20:08,800 --> 00:20:11,200
Speaker 2: got tired all that secular music been played at the church.

386
00:20:11,440 --> 00:20:13,440
Speaker 2: So what we did, we didn't tell me and Jose

387
00:20:13,560 --> 00:20:16,800
Speaker 2: didn't tell our parents. We had a basement, right and

388
00:20:16,880 --> 00:20:20,280
Speaker 2: this thing. You know, my dad and my mother they

389
00:20:20,359 --> 00:20:25,800
Speaker 2: see Vanunte loading there in like fifteen ten or fifteen keyboards,

390
00:20:26,119 --> 00:20:28,920
Speaker 2: hooking everything up in their basement. You give you know

391
00:20:28,960 --> 00:20:30,720
Speaker 2: what I'm saying. By that time, they didn't know what

392
00:20:30,920 --> 00:20:33,160
Speaker 2: They knew what we was doing music, but they didn't

393
00:20:33,200 --> 00:20:34,760
Speaker 2: know what he was doing it for. Because my daddy

394
00:20:34,800 --> 00:20:38,000
Speaker 2: that he's I don't know what that boy doing down there.

395
00:20:38,440 --> 00:20:42,320
Speaker 1: But all I hear is a lot of that sound.

396
00:20:43,040 --> 00:20:45,840
Speaker 2: You know, that sound is slapping on the keyboards, but

397
00:20:45,920 --> 00:20:49,320
Speaker 2: he had his headphones on. By that Vante was doing

398
00:20:49,359 --> 00:20:50,119
Speaker 2: Joessy's demo.

399
00:20:50,960 --> 00:20:52,840
Speaker 1: He did that. We did that for like a year,

400
00:20:53,080 --> 00:20:54,280
Speaker 1: got our son, We got like.

401
00:20:54,720 --> 00:20:57,320
Speaker 4: Jodas he yet though or what like when does when

402
00:20:57,320 --> 00:20:57,920
Speaker 4: do you guys.

403
00:20:57,800 --> 00:21:00,320
Speaker 2: When we find out we were Jodasy? When we when

404
00:21:00,320 --> 00:21:03,280
Speaker 2: we well, we knew that we had something, and we

405
00:21:03,320 --> 00:21:05,120
Speaker 2: were standing in O we were sitting in our mother

406
00:21:05,240 --> 00:21:08,280
Speaker 2: our parents yard, man, and and we're like, what name

407
00:21:08,359 --> 00:21:09,640
Speaker 2: can we We need a name?

408
00:21:09,720 --> 00:21:09,880
Speaker 3: Man.

409
00:21:09,920 --> 00:21:12,840
Speaker 1: Now it's all four but we're good. Now we're tight, man.

410
00:21:13,080 --> 00:21:15,120
Speaker 2: You know, we need a name, man, we need a name.

411
00:21:15,880 --> 00:21:20,359
Speaker 2: So I came up with brothers, and I think Darvin

412
00:21:20,400 --> 00:21:24,160
Speaker 2: came up with some things. And then and then Davante

413
00:21:24,440 --> 00:21:29,040
Speaker 2: was like, hey, man, well we just put our name together, man,

414
00:21:33,240 --> 00:21:39,000
Speaker 2: Jojo Divante, Darvin.

415
00:21:40,200 --> 00:21:40,520
Speaker 1: Case.

416
00:21:41,640 --> 00:21:48,920
Speaker 2: Yeah, We're just put Joe d and cee mm hmm

417
00:21:49,880 --> 00:21:55,520
Speaker 2: Jodasy man Jodasy Joseh. I gu said, Josy Jojasy, Josasy Jodasy.

418
00:21:56,560 --> 00:22:02,280
Speaker 2: I don't know, man, that sounds too biblical something. But

419
00:22:02,040 --> 00:22:03,800
Speaker 2: but at the end of the day, we had a vote.

420
00:22:04,400 --> 00:22:06,639
Speaker 1: We had a vote with the Jo Deasy it is.

421
00:22:06,760 --> 00:22:22,960
Speaker 2: Then we got on sound man. We got our sound

422
00:22:23,040 --> 00:22:25,560
Speaker 2: won't be no producers, none of that. So as I'm

423
00:22:25,600 --> 00:22:29,360
Speaker 2: telling y'all, the boss man like, just get your boss.

424
00:22:29,960 --> 00:22:33,119
Speaker 2: So when it got Drake Drake came in there. The

425
00:22:33,200 --> 00:22:36,239
Speaker 2: song Kirk was playing was come and talk to Me.

426
00:22:37,240 --> 00:22:39,439
Speaker 1: The song he was playing Yeah, then he.

427
00:22:39,480 --> 00:22:45,320
Speaker 2: Played Stay, then he played then he played I'm Still waiting.

428
00:22:47,200 --> 00:22:51,159
Speaker 1: Then all this on demo, what oh man?

429
00:22:52,359 --> 00:22:57,880
Speaker 2: Then they played back in the day every moment that was.

430
00:22:56,800 --> 00:22:58,600
Speaker 4: Don't hear this, just don't.

431
00:22:58,400 --> 00:23:02,240
Speaker 2: Hear this on the demos back so dre Light, dre Light,

432
00:23:02,320 --> 00:23:04,840
Speaker 2: hold up, y'all tell me that's y'all.

433
00:23:06,680 --> 00:23:08,119
Speaker 1: Yeah, that's up. Yeah, what you're talking me?

434
00:23:08,240 --> 00:23:12,160
Speaker 2: Yes, us, I don't believe it, no doubt.

435
00:23:13,000 --> 00:23:18,159
Speaker 1: Okay, okay, believe this. You know. I stood up. I

436
00:23:18,200 --> 00:23:19,359
Speaker 1: stopped singing the verses.

437
00:23:19,480 --> 00:23:23,320
Speaker 2: So, yeah, I got to put with me, you know that,

438
00:23:23,560 --> 00:23:26,440
Speaker 2: I said, I said, okay, that's good. We started singing,

439
00:23:26,520 --> 00:23:30,280
Speaker 2: did a little jalousy, you know, did josy little little

440
00:23:30,880 --> 00:23:33,480
Speaker 2: little thing we'll be doing, singing about judges.

441
00:23:35,359 --> 00:23:38,399
Speaker 1: Yeah that and then you know, I did come and

442
00:23:38,440 --> 00:23:38,879
Speaker 1: talk to me.

443
00:23:39,600 --> 00:23:42,640
Speaker 2: I sung a little song and you know, and by

444
00:23:42,680 --> 00:23:46,480
Speaker 2: that time Heavy came here Rest in peace. Heavy stuck

445
00:23:46,560 --> 00:23:51,560
Speaker 2: his head in the door. He said, Drake, come in.

446
00:23:51,800 --> 00:23:56,440
Speaker 2: From what I hear. Heavy told dre if you don't

447
00:23:56,440 --> 00:24:01,560
Speaker 2: sign him, I get him. By that time, I know dre.

448
00:24:02,480 --> 00:24:05,800
Speaker 2: He came back in the door, said, Yo, so where

449
00:24:05,840 --> 00:24:09,800
Speaker 2: y'all staying. Where y'all staying at? We ain't got nowhere

450
00:24:09,800 --> 00:24:12,919
Speaker 2: to stay, man. You know we got the money, the

451
00:24:12,960 --> 00:24:16,080
Speaker 2: same guy that was sleeping on us his and no man,

452
00:24:16,240 --> 00:24:20,880
Speaker 2: Kirk Willy, he said, Kirk, uh pay for the rest

453
00:24:20,880 --> 00:24:22,919
Speaker 2: of the room, the hotel room for the rest of

454
00:24:22,960 --> 00:24:26,360
Speaker 2: the route group for the rest of the week. Take

455
00:24:26,400 --> 00:24:31,119
Speaker 2: care of this group for the rest of the week. Uh,

456
00:24:31,200 --> 00:24:34,560
Speaker 2: come on, y'all, we're going out to dinner. And Kirk,

457
00:24:34,800 --> 00:24:37,720
Speaker 2: by the way, you assigned to them for the rest

458
00:24:37,760 --> 00:24:38,280
Speaker 2: of this week.

459
00:24:40,240 --> 00:24:41,640
Speaker 4: First I know you don't like him.

460
00:24:44,240 --> 00:24:47,040
Speaker 3: Yeah, since you can't here, since you're going here for

461
00:24:47,080 --> 00:24:50,040
Speaker 3: the rest of the week, for the rest of your life.

462
00:24:51,200 --> 00:24:53,080
Speaker 2: So by that time, and then you know, we had

463
00:24:53,119 --> 00:24:56,719
Speaker 2: that dinner and and uh get back to the hotel. Yo.

464
00:24:56,880 --> 00:25:00,920
Speaker 1: We gave Kurk would leave hell.

465
00:25:01,280 --> 00:25:01,520
Speaker 2: Man.

466
00:25:01,920 --> 00:25:04,080
Speaker 1: We gave him hell that day that whole week. Man,

467
00:25:04,119 --> 00:25:06,200
Speaker 1: it was like we've been in the business for years.

468
00:25:06,000 --> 00:25:06,800
Speaker 4: Yo, we want this.

469
00:25:07,880 --> 00:25:11,760
Speaker 1: You ain't doing your job. You ain't You heard what

470
00:25:11,880 --> 00:25:13,520
Speaker 1: Andre said, Yo, yump.

471
00:25:14,200 --> 00:25:18,760
Speaker 5: We turned into jodessy right then.

472
00:25:19,080 --> 00:25:22,440
Speaker 2: And then and then when I get back to the hotel.

473
00:25:23,680 --> 00:25:25,920
Speaker 2: I jumped up up and down on my bed. Man

474
00:25:26,640 --> 00:25:29,840
Speaker 2: jumped up and down on my bed. Everybody, man, we

475
00:25:29,920 --> 00:25:33,480
Speaker 2: was crying and all that, and I called him my pop.

476
00:25:34,320 --> 00:25:37,920
Speaker 4: That's a daddy. We gotta deal.

477
00:25:39,600 --> 00:25:46,040
Speaker 1: You're gonna give me that truck I want? Yeah, And

478
00:25:46,480 --> 00:25:47,600
Speaker 1: you know they got out.

479
00:25:48,000 --> 00:25:51,760
Speaker 2: They sent by Celeston, which was a lawyer for the label.

480
00:25:52,680 --> 00:25:55,640
Speaker 2: So they sent them down with us back to New York,

481
00:25:55,680 --> 00:26:01,280
Speaker 2: I mean, back to North Carolina and got some maturn

482
00:26:01,800 --> 00:26:07,880
Speaker 2: term agreements made up and all that. And Davante fathers

483
00:26:07,920 --> 00:26:11,080
Speaker 2: and his lawyer looked over, our parents looked.

484
00:26:10,800 --> 00:26:14,960
Speaker 1: Over, said yes, legit, it's legit. It's it's a legit.

485
00:26:14,680 --> 00:26:17,080
Speaker 2: Deal that they said, they want to do business with

486
00:26:17,160 --> 00:26:21,480
Speaker 2: your sons. I think it's a good look. And we're

487
00:26:21,520 --> 00:26:25,960
Speaker 2: talking today. And then we took the world by storm. Man.

488
00:26:26,400 --> 00:26:30,399
Speaker 2: What Dre did by getting all in and like on

489
00:26:30,520 --> 00:26:34,080
Speaker 2: some of the cuts co produced with Davante, what he

490
00:26:34,119 --> 00:26:36,680
Speaker 2: did was put that picture in a frame.

491
00:26:37,440 --> 00:26:41,280
Speaker 3: You give you what I'm saying, that's.

492
00:26:40,080 --> 00:26:42,359
Speaker 2: All he did. Put that picture in a French fine

493
00:26:42,960 --> 00:26:44,119
Speaker 2: get that fine tune and.

494
00:26:45,600 --> 00:26:46,880
Speaker 1: Needs because.

495
00:26:50,560 --> 00:26:52,920
Speaker 2: And then he had a night and day, you know

496
00:26:52,920 --> 00:26:53,360
Speaker 2: what I'm saying.

497
00:26:53,440 --> 00:26:55,040
Speaker 4: Then he already knew how to make records.

498
00:26:55,040 --> 00:26:58,720
Speaker 1: There you go, there you go. Davante, he knew exactly

499
00:26:58,720 --> 00:26:59,359
Speaker 1: what he's doing.

500
00:26:59,480 --> 00:26:59,840
Speaker 4: He knew it.

501
00:27:00,440 --> 00:27:02,679
Speaker 2: But like I said, you want to you know, you know,

502
00:27:02,840 --> 00:27:04,040
Speaker 2: put that put a coat.

503
00:27:03,840 --> 00:27:04,879
Speaker 1: And put the lack on it.

504
00:27:05,200 --> 00:27:08,520
Speaker 2: You know what. That's all And that's what I'll I'll

505
00:27:08,560 --> 00:27:12,359
Speaker 2: be dead and and all. And DeVante worked there. You know,

506
00:27:12,400 --> 00:27:15,480
Speaker 2: they bumped head but of course if they had that ego.

507
00:27:15,520 --> 00:27:18,960
Speaker 2: But then he got you know, and he just had

508
00:27:18,960 --> 00:27:22,240
Speaker 2: it like I gotta listen. We told her you gotta listen, man,

509
00:27:22,680 --> 00:27:23,880
Speaker 2: you gotta listen to him, man.

510
00:27:24,000 --> 00:27:27,800
Speaker 4: And I had to.

511
00:27:28,320 --> 00:27:34,000
Speaker 2: Exactly exactly and so and and then when al came

512
00:27:34,040 --> 00:27:37,800
Speaker 2: in with that mature lyric like mine. Now everybody think

513
00:27:39,400 --> 00:27:43,760
Speaker 2: ill wrote Forever my Lady, what all did? Forever my

514
00:27:43,840 --> 00:27:47,960
Speaker 2: Lady was already written. Fether Lady was already written before.

515
00:27:48,119 --> 00:27:50,639
Speaker 2: Like I said, we had it before we got a deal.

516
00:27:51,200 --> 00:27:55,440
Speaker 2: What our did was he put that that version in.

517
00:27:56,200 --> 00:27:58,720
Speaker 2: You know that that kind of messed by At first,

518
00:27:58,720 --> 00:28:01,280
Speaker 2: It messed my head up when it's so you're having

519
00:28:01,359 --> 00:28:05,480
Speaker 2: my baby, We're like whoa whoa whoa whoa whoa.

520
00:28:05,320 --> 00:28:06,840
Speaker 4: Whoa wasn't ready to give him a baby.

521
00:28:06,880 --> 00:28:12,800
Speaker 3: Yeah, no, man, got my deal. I just got my deal.

522
00:28:14,240 --> 00:28:17,240
Speaker 3: No child support. Why that's the way.

523
00:28:17,440 --> 00:28:21,800
Speaker 2: And that's that's that really y'all. That's what really, really, really,

524
00:28:21,880 --> 00:28:24,480
Speaker 2: I think set us apart.

525
00:28:24,840 --> 00:28:27,720
Speaker 4: From a lot of younger with nobody we're talking about.

526
00:28:27,520 --> 00:28:31,600
Speaker 3: That nobody was saying. Nobody was saying, nobody was saying.

527
00:28:32,040 --> 00:28:33,960
Speaker 3: I mean they might have saying. They might have been saying,

528
00:28:34,000 --> 00:28:37,080
Speaker 3: somebody's having my baby. Yeah, somebody might have been having

529
00:28:37,119 --> 00:28:39,840
Speaker 3: a conversation, but they weren't saying right behind it, and

530
00:28:39,880 --> 00:28:44,000
Speaker 3: it needs so much to me, yeah, ship nineteen when

531
00:28:44,040 --> 00:28:46,480
Speaker 3: somebody having your baby, trying to you're trying to figure

532
00:28:46,480 --> 00:28:51,200
Speaker 3: out sure, yeah, sure, sure, yeah, I saw what's it

533
00:28:51,280 --> 00:28:54,280
Speaker 3: ain't completing? You know, No, y'all used to talk. You

534
00:28:54,320 --> 00:28:55,880
Speaker 3: know what I'm saying, don't mean that much to me.

535
00:28:56,000 --> 00:28:56,840
Speaker 1: You don't mean that much.

536
00:28:58,880 --> 00:28:59,080
Speaker 3: Yeah.

537
00:28:59,360 --> 00:29:02,560
Speaker 2: Before as the rest of the lyrics, Man dev Penn

538
00:29:02,720 --> 00:29:05,680
Speaker 2: is sick, stay and come and talk to me, and

539
00:29:05,680 --> 00:29:08,640
Speaker 2: that I'm still waiting, and then you and ies and

540
00:29:08,680 --> 00:29:11,520
Speaker 2: my heart belongs to you, the feedings and the freaking

541
00:29:11,640 --> 00:29:12,840
Speaker 2: us that that's all.

542
00:29:12,960 --> 00:29:15,840
Speaker 3: D hold on, let's stop right here, Let's let's stop

543
00:29:15,920 --> 00:29:18,880
Speaker 3: right here. Okay, God to love his historys got.

544
00:29:20,560 --> 00:29:20,760
Speaker 1: Well.

545
00:29:20,760 --> 00:29:22,880
Speaker 3: I was like, Okay, I don't know why they singing

546
00:29:22,880 --> 00:29:25,920
Speaker 3: this hard on this up tempo, but I love it.

547
00:29:26,600 --> 00:29:31,280
Speaker 1: I love it. And then what that Forever my ladies?

548
00:29:31,360 --> 00:29:36,520
Speaker 3: Right, Yes, because there's a period where as new artists,

549
00:29:37,000 --> 00:29:41,480
Speaker 3: you know, you're opening, you're doing venues, and maybe it's

550
00:29:41,560 --> 00:29:44,120
Speaker 3: just you for a radio show, it's maybe two one

551
00:29:44,200 --> 00:29:47,720
Speaker 3: hundred people, three people. But there's gotta be a moment

552
00:29:47,760 --> 00:29:52,480
Speaker 3: where when that Forever my Lady hits that you see

553
00:29:52,520 --> 00:29:55,800
Speaker 3: the difference from that two hundred and this small radio

554
00:29:55,840 --> 00:30:01,320
Speaker 3: shows and the openings to the venues getting at there.

555
00:30:01,120 --> 00:30:02,120
Speaker 4: He's going to the thousands.

556
00:30:02,400 --> 00:30:06,880
Speaker 2: Yeah, man, man, you know you know where I'm going.

557
00:30:07,480 --> 00:30:09,880
Speaker 4: I want to know what he bought, but I got

558
00:30:10,000 --> 00:30:11,120
Speaker 4: come on, man, I want to know.

559
00:30:11,240 --> 00:30:13,960
Speaker 2: Come when you first tore it, what what did I get?

560
00:30:14,000 --> 00:30:18,720
Speaker 2: I gotta I gotta, I gott a BMW man, But

561
00:30:18,800 --> 00:30:23,160
Speaker 2: it was I got a BMW Jojo gotta b and

562
00:30:23,280 --> 00:30:29,480
Speaker 2: J Dialvin gotta be in w that damn de bunche.

563
00:30:29,800 --> 00:30:35,160
Speaker 4: He brought her something crazy and they gotta lam Yeah, y'all,

564
00:30:35,200 --> 00:30:36,240
Speaker 4: be Ws is cool.

565
00:30:36,320 --> 00:30:41,000
Speaker 3: Man got to get the lamb on him.

566
00:30:42,520 --> 00:30:45,760
Speaker 2: He just stop at one you got like a couple

567
00:30:45,840 --> 00:30:46,440
Speaker 2: of them. Man.

568
00:30:46,920 --> 00:30:49,320
Speaker 4: That was that was That was the first tour.

569
00:30:49,480 --> 00:30:51,200
Speaker 1: The first tour, Man, who's the first tour?

570
00:30:51,680 --> 00:30:55,560
Speaker 2: First Hammer MC Hammer and then and then and then

571
00:30:55,560 --> 00:30:57,960
Speaker 2: we broke off from that and then we did own

572
00:30:58,200 --> 00:31:02,360
Speaker 2: Jodicy tour which was Joasy and Mary.

573
00:31:02,440 --> 00:31:04,440
Speaker 1: And I think who was on that tour with us?

574
00:31:04,560 --> 00:31:08,480
Speaker 2: I think and I wanted to say Biggie, but I

575
00:31:09,240 --> 00:31:12,440
Speaker 2: don't want to, but did Yeah, I think it was Biggie.

576
00:31:14,480 --> 00:31:17,960
Speaker 4: Yeah, wow, Yeah.

577
00:31:16,800 --> 00:31:21,160
Speaker 2: They were they was Openness, Yeah, Joasy, Yeah man we

578
00:31:21,760 --> 00:31:26,440
Speaker 2: Josy was that Joasy? We were that well. It was crazy.

579
00:31:26,680 --> 00:31:31,440
Speaker 3: So give me, give me the give me the Puff player,

580
00:31:32,000 --> 00:31:33,719
Speaker 3: oh when pop okay, give me.

581
00:31:33,880 --> 00:31:36,920
Speaker 2: That goes back to when Puff was doing when Papa

582
00:31:36,960 --> 00:31:41,680
Speaker 2: was intern. So Puff was like it was to the street.

583
00:31:42,320 --> 00:31:44,320
Speaker 2: I'm gonna tell you how I got it. Love came

584
00:31:44,360 --> 00:31:45,440
Speaker 2: in and.

585
00:31:47,160 --> 00:31:48,400
Speaker 1: Puff as Dre.

586
00:31:48,600 --> 00:31:51,160
Speaker 2: Yo, you told Dre, said, Yo, you shouldn't because Dre

587
00:31:51,360 --> 00:31:53,520
Speaker 2: was gonna come out the first single. He would come

588
00:31:53,640 --> 00:31:57,200
Speaker 2: come and talk to me ofever my lady. So Puff

589
00:31:57,240 --> 00:31:59,440
Speaker 2: told him, no, Dre, don't do that. I want to

590
00:31:59,520 --> 00:32:01,640
Speaker 2: do that. If I was you, I would put them

591
00:32:01,640 --> 00:32:05,000
Speaker 2: out with God of Love. That song God of Love man.

592
00:32:05,160 --> 00:32:07,400
Speaker 2: So dre like, why would you do that? We didn't

593
00:32:07,400 --> 00:32:10,200
Speaker 2: even want to do that, and why, he said, because

594
00:32:10,760 --> 00:32:13,680
Speaker 2: the video concept could be like they could be dressed

595
00:32:13,720 --> 00:32:17,080
Speaker 2: like you know, you know in the hood, you know,

596
00:32:17,240 --> 00:32:20,840
Speaker 2: with the boots, the little thuggish or whatever. So that

597
00:32:21,320 --> 00:32:25,239
Speaker 2: got in love with set the world up, you know,

598
00:32:25,360 --> 00:32:28,959
Speaker 2: because they didn't want Dreven said that, Dre really, he really,

599
00:32:30,720 --> 00:32:32,560
Speaker 2: he told me, I don't want y'all. We told dre

600
00:32:32,640 --> 00:32:34,680
Speaker 2: we don't want like no boys to man, not no,

601
00:32:35,120 --> 00:32:36,240
Speaker 2: you know, just some boys.

602
00:32:36,280 --> 00:32:36,440
Speaker 1: Man.

603
00:32:36,480 --> 00:32:38,480
Speaker 2: We didn't want it. We didn't want want it like that.

604
00:32:38,560 --> 00:32:40,800
Speaker 2: Even Puff said, yo, man, you don't want them like

605
00:32:41,160 --> 00:32:43,920
Speaker 2: boys men in soups. You don't want them in soups, man,

606
00:32:44,360 --> 00:32:46,760
Speaker 2: he said. Puff told us that, yo, man, when I

607
00:32:46,800 --> 00:32:48,480
Speaker 2: see them, when I see them, man, I want to

608
00:32:48,480 --> 00:32:50,920
Speaker 2: see them like four of my homeboys on the corner

609
00:32:51,960 --> 00:32:54,440
Speaker 2: singing the girls and stuff like that, you know, on

610
00:32:54,520 --> 00:32:56,240
Speaker 2: the stoop singing the girls.

611
00:32:56,280 --> 00:32:56,480
Speaker 1: You know.

612
00:32:57,120 --> 00:32:58,720
Speaker 2: So Puff's I think you should come out with God

613
00:32:58,760 --> 00:33:01,360
Speaker 2: of Love first and be like this you have on it,

614
00:33:01,480 --> 00:33:03,520
Speaker 2: like some hip hop gear on.

615
00:33:04,280 --> 00:33:06,600
Speaker 1: So I thought Buff's gonna get fired for that, man.

616
00:33:06,920 --> 00:33:10,719
Speaker 2: But then after we heard what Puff I did was Yeah, Dre,

617
00:33:11,160 --> 00:33:13,440
Speaker 2: I think we should go God to love man, so

618
00:33:13,560 --> 00:33:16,560
Speaker 2: got to love work. And what it really did is

619
00:33:16,640 --> 00:33:19,520
Speaker 2: set a tone so the world could see, Okay, put

620
00:33:19,560 --> 00:33:22,200
Speaker 2: everybody on this. Yeah, this, how they're gonna be looking this,

621
00:33:22,320 --> 00:33:24,440
Speaker 2: how they're gonna dress, they're gonna have on their boots,

622
00:33:24,440 --> 00:33:28,560
Speaker 2: they're gonna have on their vests, chasing the baseball cap.

623
00:33:29,120 --> 00:33:31,400
Speaker 1: So that really set the world up.

624
00:33:31,600 --> 00:33:35,200
Speaker 2: But once again, I think you said it like when

625
00:33:35,200 --> 00:33:38,520
Speaker 2: they when they saw Sing from My Lady, they probably said, oh,

626
00:33:38,760 --> 00:33:41,880
Speaker 2: that's that group that got on the yellow and in

627
00:33:41,960 --> 00:33:46,000
Speaker 2: that radio with the boots and stuff. Okay, we get it,

628
00:33:46,000 --> 00:33:48,760
Speaker 2: that's them, And that really set us apart from Thumb

629
00:33:48,800 --> 00:33:50,959
Speaker 2: Boys to Men and whatever groups that was coming out

630
00:33:51,000 --> 00:33:51,600
Speaker 2: the same time.

631
00:33:51,480 --> 00:33:54,320
Speaker 6: Which is genius stuff because most time in this business,

632
00:33:54,320 --> 00:33:55,920
Speaker 6: and we all know this, we've been in this game

633
00:33:55,960 --> 00:33:59,960
Speaker 6: a long time, when something works, everybody does the exact same.

634
00:34:00,080 --> 00:34:01,600
Speaker 6: There you're going because it's the cheat code.

635
00:34:02,040 --> 00:34:04,000
Speaker 2: It can get you, it can get you in, it

636
00:34:04,000 --> 00:34:04,480
Speaker 2: can get you in.

637
00:34:04,520 --> 00:34:05,400
Speaker 4: It might not keep you in.

638
00:34:06,120 --> 00:34:11,080
Speaker 3: But for you guys to be the polar opposite made

639
00:34:11,160 --> 00:34:12,000
Speaker 3: so much sense.

640
00:34:12,160 --> 00:34:15,600
Speaker 4: Yeah, and for for Puff to be an intern at the.

641
00:34:15,560 --> 00:34:18,560
Speaker 6: Time recognize that, Yeah, he was already showing that he

642
00:34:18,600 --> 00:34:21,680
Speaker 6: was a taste maker. And the other other genius in

643
00:34:21,719 --> 00:34:25,120
Speaker 6: it too, in it being polar opposite is that now

644
00:34:26,320 --> 00:34:30,160
Speaker 6: you're immediately in a conversation with some guys that are

645
00:34:30,200 --> 00:34:34,279
Speaker 6: already selling millions of records. So it's like now it's like, oh,

646
00:34:35,480 --> 00:34:36,759
Speaker 6: what's what's getting ready to have?

647
00:34:37,280 --> 00:34:37,600
Speaker 2: Yeah?

648
00:34:38,200 --> 00:34:40,600
Speaker 1: Yeah, now it's two. It ain't just one.

649
00:34:40,800 --> 00:34:43,799
Speaker 3: There. We got some guys over here that they come

650
00:34:43,880 --> 00:34:46,279
Speaker 3: in the bad became the bad Boys army. So we

651
00:34:46,360 --> 00:34:48,680
Speaker 3: got the good guys in the bad who you want

652
00:34:48,760 --> 00:34:51,319
Speaker 3: to go see? Right?

653
00:34:51,719 --> 00:34:53,959
Speaker 1: Who you want to go see? That's great?

654
00:34:54,360 --> 00:34:57,319
Speaker 6: And I'm a church kid, so like, so did you

655
00:34:57,360 --> 00:35:01,040
Speaker 6: know of Obviously you knew of Little but I.

656
00:35:01,040 --> 00:35:03,960
Speaker 3: Didn't know that Little Cedric and the Haley singers with

657
00:35:04,040 --> 00:35:07,880
Speaker 3: your You didn't know that. I had no idea. I

658
00:35:07,920 --> 00:35:11,080
Speaker 3: had no idea until I got out of high school

659
00:35:12,200 --> 00:35:15,200
Speaker 3: and did some research and I was like, well, because

660
00:35:15,280 --> 00:35:17,560
Speaker 3: I got I got your sets, you know what I'm saying.

661
00:35:17,920 --> 00:35:20,080
Speaker 3: So once I made that connection, I said, that's why

662
00:35:20,080 --> 00:35:22,000
Speaker 3: it makes so much sense to me. So for me,

663
00:35:22,400 --> 00:35:28,000
Speaker 3: I started being Jodasy in church. Okay, I started sounding

664
00:35:28,040 --> 00:35:31,000
Speaker 3: like y'all in church. I would go to visiting churches

665
00:35:31,040 --> 00:35:33,560
Speaker 3: and play and you know, add my divante cores and

666
00:35:33,600 --> 00:35:37,320
Speaker 3: all that they be like this, you're like one man jodousy,

667
00:35:37,880 --> 00:35:42,640
Speaker 3: God bless you.

668
00:35:42,719 --> 00:35:44,000
Speaker 1: Because because.

669
00:35:45,360 --> 00:35:48,839
Speaker 3: As much as I loved voice to men who were

670
00:35:48,880 --> 00:35:53,400
Speaker 3: you know, I mean ultimately just talented, just off freaking.

671
00:35:53,200 --> 00:35:58,200
Speaker 1: Charge, right, yeah, yeah, yeah, yeah, I was drawn so

672
00:35:58,400 --> 00:36:04,360
Speaker 1: much to that feeling that was so familiar to me.

673
00:36:05,280 --> 00:36:10,359
Speaker 3: The cord struct the vocals, arrangement, the arrangement and how

674
00:36:10,640 --> 00:36:14,279
Speaker 3: that like I come from, I come from courtet that

675
00:36:14,400 --> 00:36:18,520
Speaker 3: you go Baptist kojic And I was like, that's in

676
00:36:18,640 --> 00:36:21,760
Speaker 3: there and we definitely coach it. That's in there, definitely

677
00:36:21,760 --> 00:36:25,399
Speaker 3: coach it. So it it made my soul happy. Yeah,

678
00:36:25,680 --> 00:36:28,720
Speaker 3: I want to shout you.

679
00:36:29,600 --> 00:36:33,680
Speaker 1: I wanted to shout. Music came off, y'all. Don't hear this, y'all.

680
00:36:33,680 --> 00:36:35,000
Speaker 1: Don't want to lift no offering.

681
00:36:35,040 --> 00:36:38,759
Speaker 2: I got if you change a few some words, if

682
00:36:38,800 --> 00:36:39,799
Speaker 2: you change words our.

683
00:36:39,800 --> 00:36:44,200
Speaker 3: Songs talk to the law. You can have an altar call, yeah,

684
00:36:44,840 --> 00:36:48,040
Speaker 3: can instrumental you can. Let me ask you a question,

685
00:36:48,640 --> 00:36:52,799
Speaker 3: did the commission have any.

686
00:36:54,239 --> 00:36:59,480
Speaker 2: Most definitely commission the whiners And then you know, and

687
00:36:59,520 --> 00:37:03,400
Speaker 2: I had my quartet groups, you know, the gospel keynotes,

688
00:37:04,080 --> 00:37:09,799
Speaker 2: the volunteers, you name, the quartest man. I was a

689
00:37:09,840 --> 00:37:16,520
Speaker 2: hardcore quartet. But then, like in the late eighties, I

690
00:37:16,600 --> 00:37:21,440
Speaker 2: started listening to like, like I said, Commission in the Whinings,

691
00:37:21,480 --> 00:37:27,000
Speaker 2: you know those cats Clark Sisters, you know, And I'm.

692
00:37:26,600 --> 00:37:30,279
Speaker 1: Like, okay, and that's what we did. But think about it.

693
00:37:30,320 --> 00:37:33,000
Speaker 2: When we got an R and B, when we got

694
00:37:33,040 --> 00:37:36,960
Speaker 2: in RB Man, we were how jose'sie really really really

695
00:37:37,000 --> 00:37:42,080
Speaker 2: got our sound. Jojo was the deal.

696
00:37:42,400 --> 00:37:44,120
Speaker 1: In Babyface fanatic.

697
00:37:45,040 --> 00:37:51,279
Speaker 2: Mm okay, listen the late the late nineties, I mean

698
00:37:51,360 --> 00:37:55,920
Speaker 2: Davante was fanatics of God.

699
00:37:56,719 --> 00:38:01,160
Speaker 1: Mm hmm. So what we do is if Joe sleeping

700
00:38:01,200 --> 00:38:02,680
Speaker 1: in one room. This is at my mom house.

701
00:38:02,760 --> 00:38:06,239
Speaker 2: Now Joe to sleep in one room, He'll go to

702
00:38:06,280 --> 00:38:13,160
Speaker 2: sleep with all Babyface in the in the deal stopped

703
00:38:13,200 --> 00:38:17,440
Speaker 2: playing in his cassette player, I mean Avante in another room.

704
00:38:17,840 --> 00:38:21,880
Speaker 2: We're going to sleep listening to Teddy, Teddy and Er.

705
00:38:23,040 --> 00:38:26,880
Speaker 2: So I'm in the Vanteer like, okay, I'm just some Teddy.

706
00:38:26,920 --> 00:38:28,839
Speaker 2: I'm doing Teddy Ship. You do some a ship.

707
00:38:29,760 --> 00:38:32,120
Speaker 4: M hmm. Okay, so this is all late ladies.

708
00:38:32,400 --> 00:38:43,719
Speaker 7: Yeah, what we did combined the wines commission guy in

709
00:38:43,800 --> 00:38:45,360
Speaker 7: the deal and the deal.

710
00:38:47,280 --> 00:38:50,680
Speaker 4: Yeah, yeah, it all makes sense.

711
00:38:50,800 --> 00:38:53,880
Speaker 2: And then we made and plus we had of course

712
00:38:53,920 --> 00:38:57,160
Speaker 2: we had Jodasy.

713
00:38:58,160 --> 00:39:00,000
Speaker 1: It was so aggressive.

714
00:39:00,920 --> 00:39:03,000
Speaker 2: Yeah, if you just you can hear it.

715
00:39:03,040 --> 00:39:03,200
Speaker 4: Man.

716
00:39:04,200 --> 00:39:09,000
Speaker 3: It was like I tell people all the time. Everybody's like, yeah,

717
00:39:09,719 --> 00:39:12,200
Speaker 3: it's you hear him jalousy armonies.

718
00:39:12,239 --> 00:39:15,160
Speaker 2: I said, yeah, I hear you.

719
00:39:15,200 --> 00:39:17,520
Speaker 4: But that's your way of saying, you don't here.

720
00:39:18,239 --> 00:39:26,279
Speaker 1: You can't.

721
00:39:21,680 --> 00:39:30,160
Speaker 3: You can't because it's just nice to me. I'll be like, man,

722
00:39:30,160 --> 00:39:37,480
Speaker 3: this ain't no joous. Here's here's two things right, because

723
00:39:37,560 --> 00:39:41,640
Speaker 3: it's it's too two things. First of all, you can

724
00:39:41,760 --> 00:39:46,480
Speaker 3: try the arrangement, right, but the but the vocal, the

725
00:39:46,560 --> 00:39:52,480
Speaker 3: casey and and JoJo's vocal are so distinctive that she'll

726
00:39:52,800 --> 00:39:59,040
Speaker 3: never you'll never have that combination of tone make.

727
00:39:58,960 --> 00:40:00,319
Speaker 1: It what it is.

728
00:40:00,719 --> 00:40:05,520
Speaker 3: And two, the misconception of anybody, from groups to anybody

729
00:40:05,600 --> 00:40:11,160
Speaker 3: trying to be Joalasy is that they confuse the fashion

730
00:40:11,520 --> 00:40:15,560
Speaker 3: with the music. With the music. Y'all was making love. Man,

731
00:40:16,160 --> 00:40:19,920
Speaker 3: y'all screaming. Start treat them like they're supposed to be

732
00:40:20,000 --> 00:40:22,320
Speaker 3: treating y'all are screaming that though.

733
00:40:23,800 --> 00:40:28,680
Speaker 6: Screaming that screaming forever my lady, screaming stay. Those are

734
00:40:28,760 --> 00:40:29,960
Speaker 6: all love to.

735
00:40:30,080 --> 00:40:39,160
Speaker 1: Know what that stay church.

736
00:40:39,960 --> 00:40:40,520
Speaker 2: That's coach.

737
00:40:41,080 --> 00:40:47,560
Speaker 3: That sounds like sometimes yeah yeah. And then the way

738
00:40:47,600 --> 00:40:50,120
Speaker 3: we stack our stuff, how many steak give me the stacks?

739
00:40:50,160 --> 00:40:50,360
Speaker 1: Come on?

740
00:40:50,400 --> 00:40:52,560
Speaker 3: Give me because y'all on the on the board, y'all

741
00:40:52,560 --> 00:40:56,200
Speaker 3: on tape, y'all on real too, y'all y'all using the

742
00:40:56,239 --> 00:40:57,120
Speaker 3: whole y'all using to.

743
00:40:58,239 --> 00:41:03,400
Speaker 2: Man flying over No nah nah.

744
00:41:03,800 --> 00:41:05,839
Speaker 3: I want to say, on one note, give me how

745
00:41:06,040 --> 00:41:07,719
Speaker 3: many how many times you stacked one note?

746
00:41:07,760 --> 00:41:08,280
Speaker 4: One note?

747
00:41:08,440 --> 00:41:09,560
Speaker 1: One note?

748
00:41:10,320 --> 00:41:16,200
Speaker 2: The melody Davante will have a stack on one note.

749
00:41:16,239 --> 00:41:22,359
Speaker 2: The least man this might sound crazy, Man Davante would

750
00:41:22,360 --> 00:41:24,759
Speaker 2: have us clus to ten.

751
00:41:26,840 --> 00:41:28,400
Speaker 4: Ten stacks on one note.

752
00:41:28,440 --> 00:41:33,360
Speaker 3: I believe every word you sing, cah, I believe every

753
00:41:33,480 --> 00:41:36,480
Speaker 3: word you were saying, yeah, yeah, say about.

754
00:41:37,040 --> 00:41:39,120
Speaker 6: During y'all stacks? Are y'all trying to match the note?

755
00:41:39,120 --> 00:41:41,080
Speaker 6: Are y'all just singing it with a different feel every time?

756
00:41:41,080 --> 00:41:44,160
Speaker 6: Because that's the other thing. People go in and you stacking,

757
00:41:44,200 --> 00:41:45,799
Speaker 6: stack and stacking, and you're trying to make all the

758
00:41:45,840 --> 00:41:46,800
Speaker 6: notes sound identical.

759
00:41:47,280 --> 00:41:53,200
Speaker 2: But sometimes we'll be like we'll do like uh, we

760
00:41:53,360 --> 00:42:00,200
Speaker 2: do like five like ton we do like five uh

761
00:42:00,560 --> 00:42:07,919
Speaker 2: the sixth times other to know, you know, just yeah, yeah, yeah, yeah.

762
00:42:07,920 --> 00:42:11,560
Speaker 1: So its just feeling those those sonic holes and we

763
00:42:11,680 --> 00:42:13,480
Speaker 1: pan them PanAm all.

764
00:42:14,680 --> 00:42:17,879
Speaker 3: You know. Ain't stacking enough, that's what he's just saying.

765
00:42:20,520 --> 00:42:24,439
Speaker 3: You're not stacking enough enough. Stacks you gotta stack. Ain't

766
00:42:24,440 --> 00:42:26,520
Speaker 3: no ass on your background, that's what he's saying.

767
00:42:26,520 --> 00:42:26,680
Speaker 2: Now.

768
00:42:26,719 --> 00:42:28,360
Speaker 1: As far as as far as.

769
00:42:30,480 --> 00:42:35,920
Speaker 2: Harmonies arrangements, see DeVante plays chords all five fingers.

770
00:42:36,840 --> 00:42:40,160
Speaker 1: Yeah, so we gotta me Jojo gotta sing every note.

771
00:42:40,120 --> 00:42:45,040
Speaker 2: Every that he's playing ship and then Jojo going there.

772
00:42:46,080 --> 00:42:49,800
Speaker 2: He's that's one thing about Jojo. He's so creative. Jojo

773
00:42:50,000 --> 00:42:52,839
Speaker 2: just dropped something in there. Even when we record, he'll

774
00:42:52,920 --> 00:42:58,120
Speaker 2: just drop something something fall off. Yeah yeah, yeah, keep

775
00:42:58,160 --> 00:43:01,120
Speaker 2: that and yeah they keep that the next thing. You know,

776
00:43:01,160 --> 00:43:05,160
Speaker 2: that's a harmony. Yeah, that's a harmony. So you know, man,

777
00:43:05,280 --> 00:43:08,480
Speaker 2: sometimes we have like what some people lose, use five

778
00:43:08,600 --> 00:43:11,279
Speaker 2: part harmonies. Man, we'll we'll make it away. We can

779
00:43:11,400 --> 00:43:14,600
Speaker 2: use six or seven absolutely, because like mine, now we

780
00:43:14,719 --> 00:43:17,640
Speaker 2: got the regulars, We got the regular notes. Now mine

781
00:43:17,719 --> 00:43:22,160
Speaker 2: Davante gonna play five chords. You know, he's gonna play

782
00:43:22,160 --> 00:43:25,120
Speaker 2: five chords on the harmonies and then, like I said,

783
00:43:25,120 --> 00:43:28,600
Speaker 2: the extra stuff that Jojo would do, and you know

784
00:43:29,200 --> 00:43:31,440
Speaker 2: that that it's just you gotta be in one of

785
00:43:31,440 --> 00:43:33,640
Speaker 2: our sessions. Man, you'll be like, whoa.

786
00:43:34,160 --> 00:43:36,239
Speaker 3: You know the first time I gotta, I gotta just

787
00:43:36,480 --> 00:43:41,160
Speaker 3: maybe even a slight glimpse of it was working Virginia one. Okay, okay,

788
00:43:41,560 --> 00:43:44,040
Speaker 3: he would know he came from that school. And and

789
00:43:44,080 --> 00:43:47,000
Speaker 3: I watched him.

790
00:43:45,840 --> 00:43:47,640
Speaker 4: Stack stack stacks.

791
00:43:48,440 --> 00:43:50,640
Speaker 3: He got different d and he was like he was like.

792
00:43:50,840 --> 00:43:52,239
Speaker 3: I was like, I was like, you're doing the same

793
00:43:52,280 --> 00:43:54,600
Speaker 3: note again. He said, Nah, I'm doing it a little

794
00:43:54,600 --> 00:43:56,520
Speaker 3: different this time. Watch when I watch what I do

795
00:43:56,560 --> 00:44:00,560
Speaker 3: at the end, I'm like, oh, okay, okay, he said,

796
00:44:00,960 --> 00:44:02,440
Speaker 3: now give me, give me, give me three more of

797
00:44:02,480 --> 00:44:03,120
Speaker 3: a whispered ease.

798
00:44:03,880 --> 00:44:04,839
Speaker 1: Should I just tell you that?

799
00:44:04,920 --> 00:44:07,680
Speaker 4: Yeah? What are you doing? Yeah?

800
00:44:08,080 --> 00:44:10,719
Speaker 3: The whole thing before you came from the school. Absolutely

801
00:44:10,840 --> 00:44:13,120
Speaker 3: came from the school. So that was my first glimpse.

802
00:44:13,239 --> 00:44:14,520
Speaker 3: Yeah that much stacking.

803
00:44:14,680 --> 00:44:18,080
Speaker 2: Yeah yeah, Timberland too, Yeah it came from the school.

804
00:44:18,560 --> 00:44:19,239
Speaker 1: Okay, here we go.

805
00:44:19,400 --> 00:44:20,640
Speaker 2: Like I said, we did that ship.

806
00:44:22,320 --> 00:44:23,920
Speaker 3: You can say that as many times as you want to.

807
00:44:25,680 --> 00:44:28,880
Speaker 3: I want to get to I want to get the

808
00:44:28,960 --> 00:44:32,440
Speaker 3: Diary of a Mad Band. Come. I want to know

809
00:44:32,520 --> 00:44:36,200
Speaker 3: first why Diary of a Mad Band? Why that title.

810
00:44:41,040 --> 00:44:46,879
Speaker 2: Diary of a Mad Band? I didn't like it at first,

811
00:44:46,920 --> 00:44:48,120
Speaker 2: and then I started realizing.

812
00:44:48,480 --> 00:44:49,120
Speaker 1: We came with it.

813
00:44:49,280 --> 00:44:54,239
Speaker 2: We met Davante, but that second and we were we

814
00:44:54,239 --> 00:44:54,680
Speaker 2: was mad.

815
00:44:54,800 --> 00:44:55,680
Speaker 4: What were you all mad about?

816
00:44:56,400 --> 00:44:59,120
Speaker 2: Just mad? Just mad?

817
00:44:59,360 --> 00:44:59,760
Speaker 4: Was it?

818
00:44:59,840 --> 00:45:00,399
Speaker 1: Was it? Okay?

819
00:45:00,480 --> 00:45:03,000
Speaker 4: So wasn't Was it connected to the businesses?

820
00:45:03,320 --> 00:45:03,520
Speaker 1: Wasn't.

821
00:45:03,640 --> 00:45:06,080
Speaker 2: No, it wasn't connected to the business. It was just

822
00:45:06,160 --> 00:45:08,760
Speaker 2: we were just mad. We wanted to be like, yo, okay,

823
00:45:09,800 --> 00:45:13,320
Speaker 2: we're getting out of that. Okay, we people think we're soft.

824
00:45:13,800 --> 00:45:16,080
Speaker 1: We're mad. That's trying to get mad. That's right.

825
00:45:16,200 --> 00:45:18,920
Speaker 2: To the album cover like that with shirts off with

826
00:45:19,400 --> 00:45:21,719
Speaker 2: and dobbin and we had the boost and stuff off

827
00:45:21,719 --> 00:45:24,960
Speaker 2: and all that, all that boost on. We were just well,

828
00:45:25,000 --> 00:45:26,080
Speaker 2: I was gonna sit ourselves.

829
00:45:26,040 --> 00:45:27,480
Speaker 1: I'm mad band.

830
00:45:28,000 --> 00:45:32,680
Speaker 2: Mad. Don't mean you know, we have attitude. I mean,

831
00:45:32,760 --> 00:45:35,600
Speaker 2: we got attitude, but we won't let y'all know we're

832
00:45:35,640 --> 00:45:36,359
Speaker 2: more than just.

833
00:45:36,239 --> 00:45:37,320
Speaker 1: An R and B band.

834
00:45:37,840 --> 00:45:40,760
Speaker 2: You know we you know, we our conrollers too, were mad.

835
00:45:41,120 --> 00:45:41,759
Speaker 2: You know what I'm saying.

836
00:45:42,080 --> 00:45:46,879
Speaker 1: We got attitude yea, and all that we didn't care

837
00:45:47,040 --> 00:45:48,120
Speaker 1: We was mad.

838
00:45:48,200 --> 00:45:49,120
Speaker 2: We didn't give a damn.

839
00:45:49,360 --> 00:45:51,080
Speaker 1: We wanted to change the face of R and B.

840
00:45:51,880 --> 00:45:55,000
Speaker 4: Yeah, y'all did that. Y'all did that.

841
00:45:55,320 --> 00:45:57,840
Speaker 2: So and all these songs we put on that album

842
00:45:57,920 --> 00:45:59,560
Speaker 2: man Ship.

843
00:45:59,520 --> 00:46:00,399
Speaker 1: We didn't care a little.

844
00:46:00,440 --> 00:46:15,640
Speaker 2: Mad brother said, you just commentast sound good?

845
00:46:17,280 --> 00:46:19,000
Speaker 1: You know in your travels.

846
00:46:23,840 --> 00:46:31,279
Speaker 3: And this R and B thing, this gospel thing, being

847
00:46:31,280 --> 00:46:37,080
Speaker 3: a titan yourself, they are definitely.

848
00:46:36,680 --> 00:46:41,520
Speaker 4: People mm hm and songs.

849
00:46:44,960 --> 00:46:46,359
Speaker 1: That inspired this great man.

850
00:46:49,000 --> 00:46:49,360
Speaker 2: Okase.

851
00:46:49,520 --> 00:46:50,400
Speaker 1: We want to know your.

852
00:46:52,160 --> 00:47:02,040
Speaker 3: Top five, your top five, top five.

853
00:47:04,120 --> 00:47:08,400
Speaker 1: Hm, your top five R and B singer?

854
00:47:09,600 --> 00:47:10,080
Speaker 4: What else?

855
00:47:10,960 --> 00:47:12,360
Speaker 1: Love and the song?

856
00:47:13,680 --> 00:47:13,919
Speaker 3: Yeah?

857
00:47:14,480 --> 00:47:14,960
Speaker 2: Yeah?

858
00:47:15,120 --> 00:47:17,839
Speaker 1: Can I see your top? Can I see?

859
00:47:17,960 --> 00:47:22,240
Speaker 8: Y'all is no subject yom we want knowld.

860
00:47:22,440 --> 00:47:24,200
Speaker 2: We want to know your top f.

861
00:47:26,719 --> 00:47:41,000
Speaker 8: Yees, Yeah, your top we did you didn't laughing fuck

862
00:47:43,920 --> 00:47:53,080
Speaker 8: top f daddy merse.

863
00:47:53,960 --> 00:48:00,480
Speaker 3: Case Now yeah, your top five now or R and

864
00:48:00,520 --> 00:48:04,000
Speaker 3: B singers of all time, all time, R and B,

865
00:48:04,640 --> 00:48:07,560
Speaker 3: R and B gospel, your world, your top five singers,

866
00:48:08,000 --> 00:48:11,040
Speaker 3: no particularly, they can be whatever you want, whatever you

867
00:48:11,200 --> 00:48:15,560
Speaker 3: want it to be. Marvin Wyers talk to talk mm hmm,

868
00:48:16,200 --> 00:48:19,320
Speaker 3: Steve Won, Marvin Gay.

869
00:48:22,280 --> 00:48:28,280
Speaker 1: My personals you want me? I came front Uncle Charlie

870
00:48:28,320 --> 00:48:30,000
Speaker 1: in tank came front.

871
00:48:30,719 --> 00:48:32,120
Speaker 4: I feel like I feel like you just hit a

872
00:48:32,160 --> 00:48:35,880
Speaker 4: game with the three brothers. I'm not crying.

873
00:48:37,040 --> 00:48:46,360
Speaker 1: I'm not Jacob. Hold up, I'm not saying that because.

874
00:48:47,840 --> 00:48:48,680
Speaker 2: You're sitting right here.

875
00:48:48,719 --> 00:48:48,919
Speaker 1: Man.

876
00:48:49,360 --> 00:48:52,759
Speaker 2: I don't saying that because every time but now you sing, man,

877
00:48:52,800 --> 00:48:57,759
Speaker 2: it's like, Man, my mama like you, and.

878
00:48:57,680 --> 00:49:00,880
Speaker 1: She told me tell you how to better better.

879
00:49:02,560 --> 00:49:03,960
Speaker 2: Tell a little squinchy eye boy.

880
00:49:05,960 --> 00:49:06,719
Speaker 1: That what you said.

881
00:49:07,600 --> 00:49:10,160
Speaker 2: That was this morning when you told me that. Anyway

882
00:49:11,400 --> 00:49:15,359
Speaker 2: you your style man, is like I know they're trying

883
00:49:15,440 --> 00:49:21,359
Speaker 2: to do this. I've heard things about artists coming out

884
00:49:21,600 --> 00:49:24,319
Speaker 2: they gonna be the new, they gonna be the new

885
00:49:24,400 --> 00:49:28,480
Speaker 2: that from my era, my era.

886
00:49:29,960 --> 00:49:33,760
Speaker 1: And the way your performance is you that new Marvin.

887
00:49:35,520 --> 00:49:41,160
Speaker 2: Person. That's just me. Wow, don't have to be with you,

888
00:49:41,239 --> 00:49:43,400
Speaker 2: don't have to be with the way you sing, ory'

889
00:49:43,440 --> 00:49:47,040
Speaker 2: I know y'all got different styles, but your your your

890
00:49:47,200 --> 00:49:49,560
Speaker 2: or you know. It's like when I saw you on

891
00:49:49,560 --> 00:49:51,799
Speaker 2: the on the on a on a New Addition tour,

892
00:49:52,080 --> 00:49:55,040
Speaker 2: I said, Joe, that's that's a new Marvin ship right there.

893
00:49:55,200 --> 00:49:56,640
Speaker 1: And y'all did y'all think too?

894
00:49:56,680 --> 00:49:58,840
Speaker 2: I saw that, Man, I love, but that's how I

895
00:49:58,840 --> 00:50:00,120
Speaker 2: feel about you, man, you.

896
00:50:00,200 --> 00:50:01,919
Speaker 1: Yeah, you're on my top five the show.

897
00:50:02,320 --> 00:50:05,480
Speaker 2: I ain't gonna better tell this niggas your arrangement, you

898
00:50:05,560 --> 00:50:08,200
Speaker 2: know all that, man, all that. People just don't know

899
00:50:08,480 --> 00:50:12,080
Speaker 2: and see they're not from well we're from They wouldn't

900
00:50:12,080 --> 00:50:14,279
Speaker 2: get it. I get it.

901
00:50:14,880 --> 00:50:19,080
Speaker 3: You know, you don't suck up right. I need wipers,

902
00:50:21,440 --> 00:50:31,640
Speaker 3: I need bathers. Somebody feeding me grapes. Yeah you heard

903
00:50:31,640 --> 00:50:32,640
Speaker 3: what did you hear?

904
00:50:32,640 --> 00:50:37,960
Speaker 6: What you gotta or you got you James?

905
00:50:42,520 --> 00:50:45,040
Speaker 1: Like yo, that's some marble like he right there.

906
00:50:45,600 --> 00:50:48,279
Speaker 3: I love you for that, brother, because you you are.

907
00:50:48,760 --> 00:50:52,439
Speaker 3: You are at my DNA man, and I appreciate that.

908
00:50:53,400 --> 00:50:56,080
Speaker 3: In case of your top five R and B.

909
00:50:56,320 --> 00:51:00,480
Speaker 2: Songs, anything from the songs and the was a Kid

910
00:51:00,480 --> 00:51:01,600
Speaker 2: of Life, anything from.

911
00:51:01,480 --> 00:51:05,080
Speaker 1: That, anything but that anyone that's one.

912
00:51:07,840 --> 00:51:12,000
Speaker 2: Wildflower? You're going there for New Bird? Oh yeah, are

913
00:51:12,040 --> 00:51:19,720
Speaker 2: you going there? Yeah? Yeah, New Bird? Of course definitely,

914
00:51:20,480 --> 00:51:22,680
Speaker 2: Barbie wo Mack. If you think you lonely, now, why

915
00:51:22,719 --> 00:51:25,160
Speaker 2: not Johnny had to wait song for you?

916
00:51:25,800 --> 00:51:29,880
Speaker 3: Oh my god, that's what fo Yeah, that's what we need.

917
00:51:29,920 --> 00:51:30,640
Speaker 3: One more more.

918
00:51:31,719 --> 00:51:32,880
Speaker 6: I mean as song as a Kid of Life. We

919
00:51:32,880 --> 00:51:35,200
Speaker 6: got thirty seven on the hours, so really we have forty.

920
00:51:35,440 --> 00:51:47,280
Speaker 2: But I gotta say this, y'all. Sorry forever, my lady.

921
00:51:47,560 --> 00:51:51,719
Speaker 1: Why not? Why not?

922
00:51:52,320 --> 00:51:54,160
Speaker 4: It has to be, It has to be. It has

923
00:51:54,200 --> 00:51:56,280
Speaker 4: to be, my lady.

924
00:51:56,360 --> 00:51:56,640
Speaker 1: That's it.

925
00:51:57,200 --> 00:51:59,759
Speaker 2: That song right there, it's like, every time I sing

926
00:51:59,840 --> 00:52:03,480
Speaker 2: that song, I just I forgets it's me.

927
00:52:04,239 --> 00:52:08,200
Speaker 6: M hmmm, I forget it's me. So how good it is?

928
00:52:10,160 --> 00:52:12,640
Speaker 6: What song do you get tired of singing? If there's

929
00:52:12,680 --> 00:52:14,040
Speaker 6: any what song is?

930
00:52:14,040 --> 00:52:16,760
Speaker 4: He's like, ah, here we go with this one again.

931
00:52:17,040 --> 00:52:20,959
Speaker 2: I put my all in to everything that I sing,

932
00:52:22,719 --> 00:52:26,600
Speaker 2: and I enjoy them so much till I really really

933
00:52:26,640 --> 00:52:29,319
Speaker 2: don't get tired of singing none of them, because every

934
00:52:29,360 --> 00:52:32,560
Speaker 2: time I sing them, I get a different feeling.

935
00:52:33,280 --> 00:52:33,600
Speaker 1: I don't.

936
00:52:33,920 --> 00:52:36,200
Speaker 2: I don't approach them the same way.

937
00:52:37,160 --> 00:52:42,000
Speaker 3: Build your voltron. It's called a voltron, it's called your

938
00:52:42,080 --> 00:52:45,919
Speaker 3: super R and B artists. We're gonna get You gotta

939
00:52:45,920 --> 00:52:49,279
Speaker 3: get the vocal from somebody. You gotta get the performance

940
00:52:49,320 --> 00:52:53,400
Speaker 3: style from somebody. You gotta get the styling from somebody,

941
00:52:53,760 --> 00:52:56,160
Speaker 3: and you gotta get the passion the heart of the

942
00:52:56,239 --> 00:53:01,280
Speaker 3: artist from somebody to make your ultimate R and B singer.

943
00:53:01,400 --> 00:53:04,960
Speaker 1: Who are you getting that vocal from? Marvin Wys.

944
00:53:06,239 --> 00:53:10,000
Speaker 3: Who are getting the performance style from the style on

945
00:53:10,080 --> 00:53:15,040
Speaker 3: stage performance. I get my style in Casey. Come on,

946
00:53:16,000 --> 00:53:24,200
Speaker 3: come on, I try. I try to be nice today today. Okay,

947
00:53:24,320 --> 00:53:26,560
Speaker 3: can we got Casey performance style? We've got Marvil waits

948
00:53:26,560 --> 00:53:29,800
Speaker 3: on the vocals, kipting aggressive who getting the styling from

949
00:53:30,200 --> 00:53:32,200
Speaker 3: the drip of the artists? What they what they what

950
00:53:32,239 --> 00:53:33,080
Speaker 3: they're putting.

951
00:53:32,760 --> 00:53:36,000
Speaker 2: On daland come with our clothes.

952
00:53:36,640 --> 00:53:37,200
Speaker 1: You know what I'm saying.

953
00:53:37,200 --> 00:53:38,640
Speaker 2: We're going who you're thinking?

954
00:53:39,239 --> 00:53:41,600
Speaker 1: I feel like who were dressing? I feel like.

955
00:53:43,480 --> 00:53:53,960
Speaker 5: Jones ship ship from your damnself. There you go ship.

956
00:53:54,600 --> 00:53:55,640
Speaker 5: But right now, you know.

957
00:53:57,520 --> 00:53:58,200
Speaker 1: I have help.

958
00:53:58,360 --> 00:54:01,400
Speaker 2: You know, God bless me with my beautiful wife. So

959
00:54:01,600 --> 00:54:03,440
Speaker 2: she got good, she got a good taste.

960
00:54:03,440 --> 00:54:07,719
Speaker 3: Come on, help you make sure, help me keep you

961
00:54:07,760 --> 00:54:08,520
Speaker 3: come on rib.

962
00:54:08,880 --> 00:54:11,279
Speaker 1: She makes sure, yes, my rib, come on rib. So

963
00:54:11,360 --> 00:54:11,880
Speaker 1: she helped me.

964
00:54:11,920 --> 00:54:15,759
Speaker 2: Right now now she said, baby, you ain't wearing that. No, no,

965
00:54:15,920 --> 00:54:17,799
Speaker 2: you ain't doing that. I mean she had me have

966
00:54:17,840 --> 00:54:21,359
Speaker 2: a fitting session every night before I walk out the door.

967
00:54:22,040 --> 00:54:23,840
Speaker 3: I love it who you get in the heart of

968
00:54:23,840 --> 00:54:25,879
Speaker 3: the artists, from the passion of the artists.

969
00:54:26,280 --> 00:54:29,080
Speaker 2: The passion of it, like like just I love it.

970
00:54:29,560 --> 00:54:31,880
Speaker 1: They love what they're doing and like putting.

971
00:54:31,800 --> 00:54:35,200
Speaker 4: All James making the crowd, Sweat.

972
00:54:35,000 --> 00:54:41,719
Speaker 1: Prince Michael, okay, all of them, Stevee.

973
00:54:42,440 --> 00:54:45,799
Speaker 3: That list is along. Can you pick one or you

974
00:54:45,840 --> 00:54:51,879
Speaker 3: need all four? Let me pick one. I sweat man.

975
00:54:51,920 --> 00:54:53,719
Speaker 2: I was just talking about this too today on the

976
00:54:53,719 --> 00:54:54,279
Speaker 2: way over here.

977
00:54:55,280 --> 00:54:56,040
Speaker 1: James Brown.

978
00:54:57,080 --> 00:55:01,759
Speaker 4: Yeah, no argument, no argument, you know what I mean? No, No,

979
00:55:01,800 --> 00:55:02,799
Speaker 4: I'm not arguing that at all.

980
00:55:02,840 --> 00:55:04,960
Speaker 3: I heard stories of where James Brody used to laugh

981
00:55:06,440 --> 00:55:08,920
Speaker 3: laugh at people's performances, like that's all y'all.

982
00:55:08,760 --> 00:55:12,759
Speaker 1: Got, that's all y'all.

983
00:55:12,800 --> 00:55:15,879
Speaker 3: Yeah, that's all y'all gonna do, and get out there

984
00:55:15,880 --> 00:55:17,720
Speaker 3: and proceed to sweat.

985
00:55:18,640 --> 00:55:22,640
Speaker 1: Yeah, four hour and a half sweat.

986
00:55:23,080 --> 00:55:31,280
Speaker 3: We got one more segment for you, brother, case mm hmmm,

987
00:55:36,600 --> 00:55:41,560
Speaker 3: one more segment. The rules of this segment. I ain't

988
00:55:41,600 --> 00:55:44,759
Speaker 3: saying no names. I ain't saying no names. I ain't

989
00:55:44,760 --> 00:55:47,240
Speaker 3: saying no names. I ain't saying no names.

990
00:55:47,239 --> 00:55:51,640
Speaker 2: Where you was what you need?

991
00:55:52,120 --> 00:55:56,640
Speaker 1: Don't say she, I ain't saying no names.

992
00:56:03,560 --> 00:56:04,399
Speaker 4: He'll be here all week.

993
00:56:05,800 --> 00:56:06,359
Speaker 1: I'm all weak.

994
00:56:07,280 --> 00:56:10,680
Speaker 6: There's that, So right now, talk Tom. We got a

995
00:56:10,719 --> 00:56:13,719
Speaker 6: special segment of the show. It's called I Ain't saying

996
00:56:13,719 --> 00:56:15,480
Speaker 6: no names? Will you tell us a story?

997
00:56:16,280 --> 00:56:16,680
Speaker 1: Funny?

998
00:56:16,840 --> 00:56:19,839
Speaker 4: Are fucked up? Are funny and fucked up.

999
00:56:19,960 --> 00:56:20,320
Speaker 1: Okay.

1000
00:56:20,640 --> 00:56:23,279
Speaker 4: The only rule to the game is you can't say

1001
00:56:23,280 --> 00:56:23,880
Speaker 4: no names.

1002
00:56:24,000 --> 00:56:26,719
Speaker 1: Okay, you reckon, let's go.

1003
00:56:27,320 --> 00:56:28,960
Speaker 4: This is Ksey.

1004
00:56:30,040 --> 00:56:32,360
Speaker 1: Mister ooh yeah, who yeah.

1005
00:56:32,440 --> 00:56:39,040
Speaker 4: However the hell you want to sing it himself. I

1006
00:56:39,040 --> 00:56:40,320
Speaker 4: ain't saying no names.

1007
00:56:42,239 --> 00:56:44,840
Speaker 2: That's so many man, Damn y'all gotta go into archive.

1008
00:56:45,360 --> 00:56:47,280
Speaker 2: All right, we're in London.

1009
00:56:48,040 --> 00:56:48,399
Speaker 4: M hmm.

1010
00:56:48,480 --> 00:56:50,120
Speaker 1: I like this all ready starting good.

1011
00:56:51,280 --> 00:56:56,080
Speaker 2: And in the VIP section. Matter in our business? Anybody

1012
00:56:56,200 --> 00:57:02,239
Speaker 2: just chilling? James Floyd fans good, it feating, it's good

1013
00:57:03,800 --> 00:57:09,480
Speaker 2: and all of a sudden, who that bitch keep looking

1014
00:57:09,480 --> 00:57:12,680
Speaker 2: over at you? Oh she's looking again.

1015
00:57:14,200 --> 00:57:14,839
Speaker 1: Oh my god.

1016
00:57:14,880 --> 00:57:20,040
Speaker 2: We got to get down the club. I ain't saying

1017
00:57:20,040 --> 00:57:28,240
Speaker 2: no that I thought I was. I was some by standing.

1018
00:57:29,560 --> 00:57:30,400
Speaker 2: She's looking at me.

1019
00:57:31,880 --> 00:57:33,800
Speaker 4: Somebody got knocked out for looking at Casey.

1020
00:57:33,840 --> 00:57:38,080
Speaker 1: I didn't do nothing. I don't know who that is.

1021
00:57:39,680 --> 00:57:41,120
Speaker 1: I use that fact.

1022
00:57:41,480 --> 00:57:42,240
Speaker 2: We're in London.

1023
00:57:42,440 --> 00:57:43,439
Speaker 1: We're in London.

1024
00:57:43,360 --> 00:57:59,480
Speaker 3: Non the whole time. I know nobody. I use that to.

1025
00:57:58,480 --> 00:58:03,880
Speaker 5: Take I didn't we all wait Atlanta, Atlanta?

1026
00:58:08,520 --> 00:58:09,200
Speaker 4: Who that is?

1027
00:58:10,120 --> 00:58:11,000
Speaker 1: I don't get your hand.

1028
00:58:11,440 --> 00:58:16,320
Speaker 9: No, you don't do it no more. They can sue you.

1029
00:58:16,360 --> 00:58:20,120
Speaker 9: Oh man, listen, man, you know what I'm saying. Not

1030
00:58:20,280 --> 00:58:22,160
Speaker 9: I got to fight to prove my love.

1031
00:58:22,200 --> 00:58:29,920
Speaker 1: Lord, brother, Casey, my brother.

1032
00:58:31,120 --> 00:58:33,920
Speaker 3: I just want to tell you from from my heart,

1033
00:58:34,600 --> 00:58:40,200
Speaker 3: from his heart, from every R and B singer, gospel singer,

1034
00:58:40,880 --> 00:58:44,960
Speaker 3: that his singer, songwriter, producer, the former that has come

1035
00:58:45,040 --> 00:58:49,200
Speaker 3: up under the sound of your voice. We we have

1036
00:58:49,240 --> 00:58:53,080
Speaker 3: been truly, we have truly been blessed by your existence.

1037
00:58:53,680 --> 00:58:55,160
Speaker 1: Thank you, by your.

1038
00:58:55,040 --> 00:59:00,320
Speaker 3: Continued pursuit of perfection, by your life's learning.

1039
00:59:01,120 --> 00:59:01,680
Speaker 1: You know what I mean.

1040
00:59:01,840 --> 00:59:05,240
Speaker 3: You're ups and you're down, and you powering through to

1041
00:59:05,680 --> 00:59:09,480
Speaker 3: still be here with us, right here forty years to

1042
00:59:09,560 --> 00:59:10,040
Speaker 3: this day.

1043
00:59:10,520 --> 00:59:14,520
Speaker 1: That that's including with it all matters.

1044
00:59:15,920 --> 00:59:22,400
Speaker 3: You've you've, you've you've created a legacy for yourself that

1045
00:59:22,440 --> 00:59:26,480
Speaker 3: includes all of us. So as you are proud of,

1046
00:59:27,280 --> 00:59:32,440
Speaker 3: you know, the accomplishments that you're directly a part of.

1047
00:59:33,040 --> 00:59:34,480
Speaker 3: You know what I mean, as you stand on those

1048
00:59:34,520 --> 00:59:39,440
Speaker 3: stages and as you stand behind those microphones, also accept

1049
00:59:39,440 --> 00:59:43,160
Speaker 3: the credit. You know, when me and this guy stand

1050
00:59:43,240 --> 00:59:47,320
Speaker 3: on those stages and stand behind those microphones and get

1051
00:59:47,320 --> 00:59:50,600
Speaker 3: on those pianos and and entertain those crowds.

1052
00:59:50,600 --> 00:59:51,240
Speaker 1: That's that's yo.

1053
00:59:52,240 --> 00:59:56,040
Speaker 3: That we have a song called what that's that's really

1054
00:59:56,040 --> 01:00:03,520
Speaker 3: on my album. That's that's mindset. Yeah, so take that

1055
01:00:03,600 --> 01:00:07,880
Speaker 3: credit as well. That is also yours and we will

1056
01:00:07,960 --> 01:00:10,800
Speaker 3: your your your name is, your name is in the annals.

1057
01:00:11,040 --> 01:00:14,800
Speaker 3: Thank you history, my brother appreciate a foundational building block.

1058
01:00:14,880 --> 01:00:17,280
Speaker 3: I appreciate everything we do and everything that R and

1059
01:00:17,320 --> 01:00:20,000
Speaker 3: B will ever be. I appreciate it, man, Thank you man.

1060
01:00:20,040 --> 01:00:23,040
Speaker 3: I just want to thank you, guys, man for really.

1061
01:00:26,040 --> 01:00:31,440
Speaker 2: By you saying that lets me know there's more than

1062
01:00:31,520 --> 01:00:34,200
Speaker 2: four members of Jodasy.

1063
01:00:34,840 --> 01:00:36,080
Speaker 1: Absolutely, you know what I'm saying.

1064
01:00:36,280 --> 01:00:40,560
Speaker 2: Absolutely, those other members side the four are the people

1065
01:00:40,600 --> 01:00:47,439
Speaker 2: that love us, people that support us, people that pay

1066
01:00:47,480 --> 01:00:50,440
Speaker 2: for our tickets to go and see us live in concert.

1067
01:00:51,600 --> 01:00:52,160
Speaker 2: That's Joe.

1068
01:00:52,160 --> 01:00:53,480
Speaker 1: Those the real Jodases.

1069
01:00:53,960 --> 01:00:55,680
Speaker 2: You know what I'm saying, You guys, y'all are real

1070
01:00:55,760 --> 01:00:59,520
Speaker 2: Josies because we once for y'all, y'all our heartbeat and

1071
01:01:00,080 --> 01:01:03,360
Speaker 2: can't live without a heartbeat, and that goes out to y'all.

1072
01:01:04,400 --> 01:01:07,000
Speaker 4: Wow, I feel like Martin at the Varneil Hill show

1073
01:01:07,080 --> 01:01:07,400
Speaker 4: right now.

1074
01:01:07,600 --> 01:01:21,400
Speaker 2: You would, kids, Martin is funny and back to you

1075
01:01:21,520 --> 01:01:25,000
Speaker 2: since we got all that. Thank you, Yes, I love

1076
01:01:25,040 --> 01:01:30,600
Speaker 2: you for everything, man, Jay Valentine, love you but you.

1077
01:01:32,480 --> 01:01:33,440
Speaker 1: Pupone to pick with you.

1078
01:01:36,040 --> 01:01:39,560
Speaker 2: Come on, I called you.

1079
01:01:40,520 --> 01:01:41,360
Speaker 1: That's a tank.

1080
01:01:43,720 --> 01:01:43,920
Speaker 4: You know.

1081
01:01:44,600 --> 01:01:47,280
Speaker 2: No, that's mom doing this, doing this album.

1082
01:01:47,320 --> 01:01:47,520
Speaker 3: Man.

1083
01:01:47,640 --> 01:01:48,040
Speaker 1: You know.

1084
01:01:49,720 --> 01:01:53,720
Speaker 2: I would love for you to be on my be

1085
01:01:53,840 --> 01:01:57,320
Speaker 2: on this album from me, Tank, I need you right out?

1086
01:01:58,240 --> 01:01:58,800
Speaker 2: What what?

1087
01:01:58,800 --> 01:01:58,920
Speaker 4: What?

1088
01:01:59,120 --> 01:01:59,480
Speaker 2: What?

1089
01:01:59,480 --> 01:02:01,320
Speaker 1: What you need? Man? Thank?

1090
01:02:01,600 --> 01:02:07,880
Speaker 2: I mean I need a tear jerker that I needed that.

1091
01:02:07,960 --> 01:02:08,560
Speaker 4: I need that.

1092
01:02:10,360 --> 01:02:12,240
Speaker 2: On this album. Tank.

1093
01:02:13,200 --> 01:02:20,360
Speaker 1: I got you, mister Durrell, I said, where's his song?

1094
01:02:21,120 --> 01:02:22,640
Speaker 1: So I said that I have.

1095
01:02:22,720 --> 01:02:27,920
Speaker 3: Sco over inside talking ship where a song at?

1096
01:02:27,960 --> 01:02:33,520
Speaker 1: I have templates? What's your name on it? Are you sure? Absolutely,

1097
01:02:38,160 --> 01:02:40,440
Speaker 1: Mama that I had.

1098
01:02:40,560 --> 01:02:45,040
Speaker 3: I had just started just putting ideas together and and

1099
01:02:45,200 --> 01:02:49,920
Speaker 3: I cannot think of why or what happened within that

1100
01:02:50,040 --> 01:02:55,000
Speaker 3: time to get me out of focus. So first apologies,

1101
01:02:55,280 --> 01:02:57,400
Speaker 3: no no, no, no, no, no no, I have to have

1102
01:02:57,480 --> 01:02:59,680
Speaker 3: to have to issue that because I said, I got you.

1103
01:03:01,400 --> 01:03:02,160
Speaker 1: That's my word.

1104
01:03:02,840 --> 01:03:07,440
Speaker 3: So in in in honor of this chastisement of you

1105
01:03:07,520 --> 01:03:12,920
Speaker 3: pulling out the belt and spanking me on my own pocket,

1106
01:03:17,960 --> 01:03:22,720
Speaker 3: you tell me when it it's done, You tell me

1107
01:03:22,760 --> 01:03:24,040
Speaker 3: how soon you need it, and we're gonna get it

1108
01:03:24,040 --> 01:03:24,600
Speaker 3: turned around.

1109
01:03:25,360 --> 01:03:29,400
Speaker 2: I'll tell you what. Get back into Carolina's next week,

1110
01:03:31,000 --> 01:03:35,040
Speaker 2: I'm gonna give you a call. I get back on Monday.

1111
01:03:36,560 --> 01:03:38,200
Speaker 2: All right, let's break out something next week.

1112
01:03:38,360 --> 01:03:39,680
Speaker 1: Done you heard.

1113
01:03:41,440 --> 01:03:42,040
Speaker 4: People heard it.

1114
01:03:42,880 --> 01:03:47,320
Speaker 3: Now If I can't find Casey next week because he

1115
01:03:47,440 --> 01:03:48,520
Speaker 3: disappeared last.

1116
01:03:50,240 --> 01:03:54,440
Speaker 4: That was. That was Mennie can fight.

1117
01:03:54,520 --> 01:03:58,840
Speaker 3: Anybody can find anybody, collagistics, collagistics.

1118
01:03:59,560 --> 01:04:01,360
Speaker 1: That's done. That's done.

1119
01:04:01,400 --> 01:04:04,480
Speaker 2: Cool. I understand, though, Man, you gotta think about it.

1120
01:04:05,120 --> 01:04:09,640
Speaker 2: Hey man, this this this, this game is very busy

1121
01:04:09,680 --> 01:04:10,960
Speaker 2: in this game. So I get it.

1122
01:04:11,120 --> 01:04:12,720
Speaker 1: No, but you gotta you know, you gotta make you

1123
01:04:12,720 --> 01:04:14,680
Speaker 1: gotta certain things you have to make a priority.

1124
01:04:14,720 --> 01:04:18,680
Speaker 2: But I really, really, really really really really I think.

1125
01:04:20,000 --> 01:04:25,360
Speaker 1: That touch of tank, but I think I think I

1126
01:04:25,600 --> 01:04:28,960
Speaker 1: will have a winner done. Go make a winner. It's

1127
01:04:29,000 --> 01:04:29,479
Speaker 1: gonna happen.

1128
01:04:29,520 --> 01:04:30,040
Speaker 4: It's gop.

1129
01:04:30,680 --> 01:04:32,200
Speaker 1: Okay, there it is my word.

1130
01:04:32,680 --> 01:04:36,280
Speaker 3: There it is, ladies and gentlemen, Valentine And this is

1131
01:04:36,280 --> 01:04:40,360
Speaker 3: the Army Money Podcast, the authority on all things R

1132
01:04:40,440 --> 01:04:45,880
Speaker 3: and B, everything everything R and B. And we have

1133
01:04:46,040 --> 01:04:51,560
Speaker 3: truly truly been blessed to have all things R and

1134
01:04:51,600 --> 01:04:52,960
Speaker 3: D in the building.

1135
01:04:53,320 --> 01:04:54,120
Speaker 1: Mister case.

1136
01:04:56,280 --> 01:04:58,520
Speaker 2: Love, your love, your love, your love, your love. Yeah,

1137
01:04:59,240 --> 01:05:00,360
Speaker 2: I've R.

1138
01:05:00,320 --> 01:05:03,640
Speaker 6: And B money, R and B money, is a production

1139
01:05:03,720 --> 01:05:08,200
Speaker 6: of the Black Effect Podcast Network. For more podcasts from iHeartRadio,

1140
01:05:08,600 --> 01:05:12,680
Speaker 6: visit the iHeartRadio app, Apple Podcasts, or wherever you listen

1141
01:05:12,680 --> 01:05:16,000
Speaker 6: to your favorite shows. Don't forget to subscribe to and

1142
01:05:16,160 --> 01:05:18,480
Speaker 6: rate our show, and you can connect with us on

1143
01:05:18,560 --> 01:05:22,080
Speaker 6: social media at Jay Valentine and at the Real Tank.

1144
01:05:22,480 --> 01:05:27,360
Speaker 6: For the extended episode, subscribe to YouTube dot com, Forward,

1145
01:05:27,400 --> 01:05:29,560
Speaker 6: slash r, and b Money