WEBVTT - Moonfall

0:00:00.960 --> 0:00:02.120
<v Speaker 1>On the Bechdelcast.

0:00:02.240 --> 0:00:04.000
<v Speaker 2>The questions asked if movies have.

0:00:04.080 --> 0:00:07.960
<v Speaker 3>Women in them, are all their discussions just boyfriends and husbands,

0:00:08.000 --> 0:00:12.400
<v Speaker 3>or do they have individualism? It's the patriarchy, Zephyn best

0:00:12.800 --> 0:00:15.960
<v Speaker 3>start changing with the Bechdel Cast.

0:00:16.280 --> 0:00:20.240
<v Speaker 2>Hey, Caitlin, Yes, Jamie, what's the matter with you? You're putting

0:00:20.320 --> 0:00:22.759
<v Speaker 2>the feet of the world in the hands of your

0:00:22.840 --> 0:00:27.560
<v Speaker 2>podcast partner and some has been ex astronaut.

0:00:29.440 --> 0:00:34.080
<v Speaker 1>My intro is gonna be Houston. We have a problem.

0:00:34.520 --> 0:00:35.120
<v Speaker 2>What is it?

0:00:35.520 --> 0:00:36.760
<v Speaker 1>The moon is falling?

0:00:37.400 --> 0:00:45.640
<v Speaker 4>Oh no, I okay, Welcome to the Bechdel Cast for

0:00:46.000 --> 0:00:49.160
<v Speaker 4>I think one of our most requested episodes.

0:00:48.640 --> 0:00:50.400
<v Speaker 2>Ever, one hundred percent.

0:00:50.520 --> 0:00:56.160
<v Speaker 1>Yeah, people have been gagging, foaming, rowling, frothing at the

0:00:56.200 --> 0:01:01.120
<v Speaker 1>mouth for a Moonfall episode. Frankly gross, It's disgusting.

0:01:01.720 --> 0:01:02.800
<v Speaker 2>It makes me sick.

0:01:03.240 --> 0:01:07.160
<v Speaker 1>But we're here to finally honor the request. At least

0:01:07.640 --> 0:01:11.360
<v Speaker 1>at least probably five hundred million people have requested this

0:01:11.520 --> 0:01:13.280
<v Speaker 1>movie specifically.

0:01:12.760 --> 0:01:16.280
<v Speaker 2>Yeah, which accounts for about twenty percent of our listeners,

0:01:16.480 --> 0:01:20.720
<v Speaker 2>so that's pretty big. Yeah. Yeah, yeah. If you're hearing this,

0:01:20.920 --> 0:01:23.880
<v Speaker 2>it's now April, which means nothing to us except that

0:01:24.000 --> 0:01:28.720
<v Speaker 2>International Women's Month has concluded and I think that's it.

0:01:29.840 --> 0:01:33.160
<v Speaker 2>I'm pretty sure. So yeah, yeah, we're here to sort

0:01:33.200 --> 0:01:36.720
<v Speaker 2>of give the people what they want and honor your

0:01:36.920 --> 0:01:41.119
<v Speaker 2>request for a Moonfall episode. If this is your first

0:01:41.160 --> 0:01:43.040
<v Speaker 2>episode of the Bechtel Cast, this is a great place

0:01:43.080 --> 0:01:43.440
<v Speaker 2>to start.

0:01:43.520 --> 0:01:45.720
<v Speaker 1>I think, yeah, absolutely, this is a This is a.

0:01:45.640 --> 0:01:48.640
<v Speaker 2>Show where we talk about your favorite movies, and we

0:01:48.760 --> 0:01:52.720
<v Speaker 2>mean your favorite, using the Bechtel test as a jumping

0:01:52.760 --> 0:01:55.520
<v Speaker 2>off point for discussion. But Caitlin, what is that, because

0:01:55.520 --> 0:01:58.080
<v Speaker 2>it's going to be very relevant to today's discussion.

0:01:58.480 --> 0:02:01.720
<v Speaker 1>Yes, it is a media metric created by friend of

0:02:01.720 --> 0:02:03.360
<v Speaker 1>the pod, Alison Bechdel.

0:02:03.200 --> 0:02:05.720
<v Speaker 2>Who is this is her favorite? But actually she's one

0:02:05.760 --> 0:02:07.000
<v Speaker 2>of the people who has requested it.

0:02:07.080 --> 0:02:10.560
<v Speaker 1>Yeah, she emails us every day, not a brag, to say,

0:02:11.000 --> 0:02:13.160
<v Speaker 1>where the hell is the Moonfall episode?

0:02:13.200 --> 0:02:15.800
<v Speaker 2>Not a brag, but she she was like And then

0:02:16.280 --> 0:02:19.080
<v Speaker 2>I did follow up with her once and I was like, hey, Alison,

0:02:19.760 --> 0:02:23.840
<v Speaker 2>what is it about Moonfall? And she emailed me back

0:02:24.240 --> 0:02:28.800
<v Speaker 2>fuck you, which was like whoa. But you know, people

0:02:28.840 --> 0:02:30.519
<v Speaker 2>feel really strongly about this movie.

0:02:31.240 --> 0:02:33.600
<v Speaker 1>They do, and I can see now that I've seen it,

0:02:34.000 --> 0:02:37.560
<v Speaker 1>I guess multiple times to prep for this episode, I

0:02:37.639 --> 0:02:43.160
<v Speaker 1>see why. Absolutely, absolutely so anyway a Bechdel test. Many

0:02:43.360 --> 0:02:47.120
<v Speaker 1>versions of this media metric. The one that we use

0:02:47.480 --> 0:02:52.400
<v Speaker 1>is do two characters of a marginalized gender have names?

0:02:52.800 --> 0:02:55.440
<v Speaker 1>Do they speak to each other? And is that conversation

0:02:55.560 --> 0:02:58.200
<v Speaker 1>about something other than a man?

0:02:58.840 --> 0:03:03.040
<v Speaker 2>And I think that you know, we're really gonna this

0:03:03.080 --> 0:03:07.400
<v Speaker 2>is a fascinating stress test for the Bechdel test because

0:03:07.960 --> 0:03:12.760
<v Speaker 2>the protagonist there is a woman in the leading role.

0:03:13.120 --> 0:03:14.800
<v Speaker 1>Are you talking about the moon?

0:03:15.440 --> 0:03:18.919
<v Speaker 2>Yes, say, I'm talking about the moon, And like most women,

0:03:19.160 --> 0:03:21.600
<v Speaker 2>there's more to her than meets the I and that

0:03:21.760 --> 0:03:26.440
<v Speaker 2>she is actually hollow and a spaceship and full of

0:03:27.360 --> 0:03:33.839
<v Speaker 2>some sort of convoluted AI messaging that as all women are,

0:03:34.320 --> 0:03:38.240
<v Speaker 2>I too, am filled with a cloud of dust that

0:03:39.040 --> 0:03:42.720
<v Speaker 2>does like basically just turn into a fist, right like

0:03:42.760 --> 0:03:45.360
<v Speaker 2>it turns into a snake or a fist like a claw.

0:03:46.040 --> 0:03:50.040
<v Speaker 2>These these are the two things that the nanoblot cloud

0:03:50.480 --> 0:03:56.080
<v Speaker 2>can do. Listen listeners, It's gonna be difficult because I

0:03:56.080 --> 0:04:01.960
<v Speaker 2>think that, like we want to hold space for this film.

0:04:02.000 --> 0:04:03.840
<v Speaker 2>I will not call it a movie. It is a film.

0:04:03.920 --> 0:04:05.760
<v Speaker 1>It's an incredible film.

0:04:06.160 --> 0:04:08.320
<v Speaker 2>It is a film. It is art house. It actually

0:04:08.360 --> 0:04:12.240
<v Speaker 2>genuinely is an independent film which we'll talk about twitch is.

0:04:13.600 --> 0:04:17.000
<v Speaker 1>What are the most expensive, like high budget independent films

0:04:17.040 --> 0:04:17.520
<v Speaker 1>ever made?

0:04:17.839 --> 0:04:22.800
<v Speaker 2>Yes, And I would say right in terms of men's

0:04:23.160 --> 0:04:29.719
<v Speaker 2>singular vision, right up there with Megalopolis, really with a

0:04:29.800 --> 0:04:33.360
<v Speaker 2>movie that no one wanted that just had to happen,

0:04:33.920 --> 0:04:36.440
<v Speaker 2>and we're so glad it did. Because this is we

0:04:36.480 --> 0:04:39.200
<v Speaker 2>will be discussing it in the context that it is

0:04:39.200 --> 0:04:43.479
<v Speaker 2>a feminist masterpiece. And there's also just so much going

0:04:43.520 --> 0:04:49.560
<v Speaker 2>on with the other woman in this movie. Who is

0:04:49.960 --> 0:04:53.000
<v Speaker 2>I do think it takes us maybe a half hour

0:04:53.080 --> 0:04:57.160
<v Speaker 2>to hear her name spoken, and I don't know that

0:04:57.200 --> 0:04:58.440
<v Speaker 2>it ever happens again.

0:04:59.279 --> 0:05:02.960
<v Speaker 1>J Cinda just her full name, Justinda. She is referred

0:05:02.960 --> 0:05:04.080
<v Speaker 1>to as Joe.

0:05:04.160 --> 0:05:07.880
<v Speaker 2>And sometimes as Fouler. But I was just struck with

0:05:08.120 --> 0:05:10.800
<v Speaker 2>and this is speaking to how strong of a feminist

0:05:10.800 --> 0:05:14.359
<v Speaker 2>hero she is. How few times her name is spoken

0:05:14.440 --> 0:05:19.840
<v Speaker 2>in the movie, whereas are our male protagonist, Brian. I

0:05:19.920 --> 0:05:23.919
<v Speaker 2>cannot stop saying his name, even and especially when it

0:05:24.000 --> 0:05:24.919
<v Speaker 2>sounds silly.

0:05:25.320 --> 0:05:30.120
<v Speaker 1>Yes, Brian Harper disgraced astronaut.

0:05:30.279 --> 0:05:33.160
<v Speaker 2>So hard for him. You know, when you're disgraced and

0:05:33.200 --> 0:05:37.000
<v Speaker 2>you just have to ride around on your motorcycle on

0:05:37.040 --> 0:05:40.279
<v Speaker 2>the streets of la in your in your leather jacket.

0:05:41.120 --> 0:05:43.320
<v Speaker 2>It's giving Larry Geely honestly.

0:05:43.720 --> 0:05:48.680
<v Speaker 1>Oh wow. We have not invoked the name of Geelie

0:05:49.080 --> 0:05:50.440
<v Speaker 1>in quite some time.

0:05:50.720 --> 0:05:55.000
<v Speaker 2>You can't say it three times. It's like bloody Mary

0:05:55.440 --> 0:05:58.279
<v Speaker 2>show up. If you say Larry Geely in the mirror

0:05:58.320 --> 0:06:03.039
<v Speaker 2>three times, yeah, he'll show up behind you.

0:06:03.360 --> 0:06:06.200
<v Speaker 1>It's candy Man all over again.

0:06:06.320 --> 0:06:08.240
<v Speaker 2>I don't know why that cracked me up so much.

0:06:10.440 --> 0:06:13.000
<v Speaker 2>I don't want to. I don't want to conjure him today.

0:06:13.120 --> 0:06:21.960
<v Speaker 2>Not today. No, Larry g l no, No, he doesn't

0:06:22.000 --> 0:06:26.520
<v Speaker 2>even kill you. He just slowly tries to convince you

0:06:27.080 --> 0:06:30.280
<v Speaker 2>that you're not queer, you're in love with him. Oh

0:06:30.320 --> 0:06:34.880
<v Speaker 2>my god, I forgot what Larry Gee's story is all about.

0:06:35.680 --> 0:06:38.679
<v Speaker 2>But that's for another episode you can no longer listen

0:06:38.720 --> 0:06:40.040
<v Speaker 2>to because we deleted it.

0:06:40.400 --> 0:06:42.360
<v Speaker 1>Should we recover it some day?

0:06:42.440 --> 0:06:44.920
<v Speaker 2>I don't know if we. I don't know. I don't

0:06:44.960 --> 0:06:47.599
<v Speaker 2>know if that's good for the world. But you know

0:06:47.680 --> 0:06:48.920
<v Speaker 2>what is good for the world?

0:06:49.279 --> 0:06:49.839
<v Speaker 1>Moonfall?

0:06:50.600 --> 0:06:51.200
<v Speaker 2>Moonfall?

0:06:51.960 --> 0:06:54.480
<v Speaker 1>Mm well, I was going to pitch a double feature.

0:06:54.480 --> 0:06:59.239
<v Speaker 1>Maybe this is a Matreon theme. Jelie and Chasing Amy?

0:07:00.360 --> 0:07:03.320
<v Speaker 1>Are those not two movies about a man? And maybe

0:07:03.360 --> 0:07:07.719
<v Speaker 1>specifically Benfleck, and in both cases there is a queer

0:07:07.720 --> 0:07:12.080
<v Speaker 1>woman who is not interested in men, and he's like,

0:07:12.160 --> 0:07:15.440
<v Speaker 1>but what if you are interested in me? I r

0:07:15.840 --> 0:07:17.760
<v Speaker 1>is that the plot of both of those movies.

0:07:17.960 --> 0:07:20.360
<v Speaker 2>I've never seen Chasing Amy. What I do know about

0:07:20.400 --> 0:07:25.239
<v Speaker 2>Chasing Amy is that it has a massive queer fan base,

0:07:25.400 --> 0:07:31.000
<v Speaker 2>which I do not believe that Jeelie can can say.

0:07:31.080 --> 0:07:34.040
<v Speaker 2>It would be an interesting comparison because there was a

0:07:34.040 --> 0:07:37.240
<v Speaker 2>documentary that came out a couple years ago that Princess

0:07:37.240 --> 0:07:41.200
<v Speaker 2>Weeks is talking head in I'm pretty sure called Chasing

0:07:41.320 --> 0:07:47.680
<v Speaker 2>Chasing Amy about the queer community's fascination with that movie specifically,

0:07:48.720 --> 0:07:51.800
<v Speaker 2>And as far as I know, there's no Chasing Larry.

0:07:51.480 --> 0:07:57.200
<v Speaker 1>And Cheezy Well. I have to imagine getting back on track,

0:07:57.600 --> 0:08:03.200
<v Speaker 1>this Moonfall has an enormous queer following because of all

0:08:03.240 --> 0:08:06.360
<v Speaker 1>the obvious queer undertones in the film.

0:08:06.600 --> 0:08:10.040
<v Speaker 2>It would be foolish for that to not be the case.

0:08:11.040 --> 0:08:15.119
<v Speaker 2>I think, yes, yeah, there's just there's just so much.

0:08:16.080 --> 0:08:18.760
<v Speaker 2>This is such a rich text. Oh yeah, it really is.

0:08:18.920 --> 0:08:22.080
<v Speaker 2>And I think, you know, don't look at the date

0:08:22.520 --> 0:08:25.200
<v Speaker 2>that this episode is released on. Just let it in.

0:08:25.880 --> 0:08:30.000
<v Speaker 2>Let I will say, I kept I listened to Skyfall

0:08:30.120 --> 0:08:34.679
<v Speaker 2>by Adele like three times. It's it is kind of

0:08:34.920 --> 0:08:39.000
<v Speaker 2>distracting for there to be a movie called Skyfall and

0:08:39.040 --> 0:08:41.640
<v Speaker 2>then much later a movie called Moonfall.

0:08:41.840 --> 0:08:46.360
<v Speaker 1>Moonfall. Maybe Adele should do a cover Moona.

0:08:48.760 --> 0:08:51.880
<v Speaker 2>I feel like they tried. It seems like this movie

0:08:52.040 --> 0:08:55.240
<v Speaker 2>was willing to do really anything for five dollars because

0:08:57.000 --> 0:09:00.920
<v Speaker 2>you it turns into a random only a commercial for

0:09:01.280 --> 0:09:05.520
<v Speaker 2>and feminist masterpiece, feminist masterpiece. It turns into a commercial

0:09:05.600 --> 0:09:08.320
<v Speaker 2>for Lexus for like five full.

0:09:08.160 --> 0:09:12.200
<v Speaker 5>Minutes, which was kind of wild, where he goes like,

0:09:12.480 --> 0:09:15.640
<v Speaker 5>let's go hyper drive and then he just turns like

0:09:15.760 --> 0:09:21.000
<v Speaker 5>his Lexus to sports mode and you're like Jesus Christ.

0:09:20.120 --> 0:09:24.120
<v Speaker 2>And then it like flies and survives the apocalypse, which

0:09:24.120 --> 0:09:29.880
<v Speaker 2>I'm sure Alexis would do or something something. So we

0:09:29.920 --> 0:09:32.560
<v Speaker 2>are here to talk about, you know, one of the

0:09:32.559 --> 0:09:37.200
<v Speaker 2>feminist modern classics to kick off the month of April.

0:09:37.360 --> 0:09:41.839
<v Speaker 1>April the like the first of April even maybe.

0:09:41.360 --> 0:09:43.800
<v Speaker 2>Well yeah, which is also oh my god, I was

0:09:43.840 --> 0:09:48.320
<v Speaker 2>thinking this whole time. April first is my dog's Sonny's birthday,

0:09:48.640 --> 0:09:52.560
<v Speaker 2>and is there anything more Moonfall than having a son

0:09:52.800 --> 0:09:54.679
<v Speaker 2>and being like, hmm, what should we call him?

0:09:55.840 --> 0:09:56.200
<v Speaker 1>Sonny?

0:09:56.800 --> 0:09:59.280
<v Speaker 2>And I wrote down, how foolish, And then I looked

0:09:59.280 --> 0:10:02.400
<v Speaker 2>to my left. I was like, wait a second, the

0:10:02.520 --> 0:10:06.320
<v Speaker 2>calls coming from inside the house. I too have a

0:10:06.320 --> 0:10:10.480
<v Speaker 2>son called Sonny, and he too is a car jacking

0:10:10.840 --> 0:10:16.280
<v Speaker 2>fief on an emotional journey. Wow, I know, I know. Yeah,

0:10:16.320 --> 0:10:19.880
<v Speaker 2>this movie is about fathers and sons. This movie is

0:10:19.880 --> 0:10:25.040
<v Speaker 2>about mothers and sons. This movie could be about mothers

0:10:25.040 --> 0:10:29.600
<v Speaker 2>and daughters, but it is more about a woman named

0:10:29.640 --> 0:10:34.840
<v Speaker 2>Brenda and two extras, one of whom I think gets

0:10:34.840 --> 0:10:35.200
<v Speaker 2>a name.

0:10:35.760 --> 0:10:39.560
<v Speaker 1>Well, Jamie, if you sorry, I'm sorry, hear me out.

0:10:39.679 --> 0:10:40.320
<v Speaker 2>I'm listening.

0:10:40.520 --> 0:10:44.760
<v Speaker 1>The Moon, as we've established, is a woman, yes, the mother,

0:10:44.920 --> 0:10:48.480
<v Speaker 1>mother to all, Mother mother Moon. And then also the

0:10:48.559 --> 0:10:53.000
<v Speaker 1>Earth is a woman, mother Earth and daughter Earth, which.

0:10:52.880 --> 0:10:55.440
<v Speaker 2>Is which is why we're killing her, because that's what

0:10:55.480 --> 0:10:57.839
<v Speaker 2>we do. Two women, Yes, we kill them.

0:10:57.960 --> 0:10:58.160
<v Speaker 6>Yeah.

0:10:58.720 --> 0:11:02.720
<v Speaker 1>But as this movie istides, which is one hundred percent

0:11:02.920 --> 0:11:08.760
<v Speaker 1>scientific fact, the Moon gave birth to Earth. So this

0:11:08.880 --> 0:11:15.080
<v Speaker 1>movie is about mothers and daughters, right right, So think

0:11:15.120 --> 0:11:15.600
<v Speaker 1>about that.

0:11:16.160 --> 0:11:19.800
<v Speaker 2>I'm so sorry. You're right, it's okay, it is. It

0:11:19.880 --> 0:11:23.360
<v Speaker 2>is a story about women and women only.

0:11:25.280 --> 0:11:27.680
<v Speaker 1>Yeah, Jamie, what's your history with this movie? What is

0:11:27.679 --> 0:11:28.520
<v Speaker 1>your relationship.

0:11:28.720 --> 0:11:32.160
<v Speaker 2>I had somehow never seen this. I know that everyone

0:11:32.160 --> 0:11:35.640
<v Speaker 2>else had, actually everyone else in the world. I will

0:11:35.720 --> 0:11:41.840
<v Speaker 2>qualify that saying that we've we watched this in bed together.

0:11:42.800 --> 0:11:49.840
<v Speaker 2>A couple of platonically watched it in bed. Okay, put

0:11:49.920 --> 0:11:55.520
<v Speaker 2>your fingers away or I don't know whatever, but yes,

0:11:55.559 --> 0:11:59.040
<v Speaker 2>we watched this in bed together on tour I think

0:11:59.080 --> 0:12:01.240
<v Speaker 2>in San Francisco a couple of years ago, because you're like,

0:12:01.280 --> 0:12:05.320
<v Speaker 2>you gotta see Moonfall. You gotta see Moonfall. I'm not kidding.

0:12:05.400 --> 0:12:07.480
<v Speaker 2>And then we started watching it. I think we both

0:12:07.480 --> 0:12:10.400
<v Speaker 2>fell asleep like twenty minutes in, so it had seen

0:12:11.200 --> 0:12:14.360
<v Speaker 2>the beginning of this movie. I wouldn't even say I

0:12:14.360 --> 0:12:18.600
<v Speaker 2>saw the first act because the first act really takes

0:12:18.640 --> 0:12:22.360
<v Speaker 2>its time. Yeah, yes, but I think that you know again,

0:12:22.440 --> 0:12:25.040
<v Speaker 2>and I mean that in a feminist, in.

0:12:25.000 --> 0:12:27.280
<v Speaker 1>A complimentary way way.

0:12:27.040 --> 0:12:30.480
<v Speaker 2>It takes its time. So this was my first full viewing,

0:12:31.040 --> 0:12:34.920
<v Speaker 2>and I have to say, of the two hours and

0:12:35.120 --> 0:12:39.720
<v Speaker 2>ten minutes that this film takes of your one life,

0:12:39.720 --> 0:12:41.040
<v Speaker 2>you don't get a second.

0:12:41.120 --> 0:12:44.160
<v Speaker 1>Unless you're case at the end of the movie getting

0:12:44.240 --> 0:12:45.679
<v Speaker 1>uploaded to spoilers.

0:12:45.800 --> 0:12:51.400
<v Speaker 2>Spoilers, spoilers, Oh my god, you know that feeling when

0:12:51.800 --> 0:12:54.280
<v Speaker 2>they scanned your consciousness and you're part of the moon now.

0:12:55.160 --> 0:12:56.400
<v Speaker 1>I know exactly that feeling.

0:12:57.040 --> 0:12:59.240
<v Speaker 2>I love when they scan my consciousness and I'm part

0:12:59.240 --> 0:13:04.120
<v Speaker 2>of the moon now. But yeah, I wouldn't shave a

0:13:04.160 --> 0:13:07.160
<v Speaker 2>single one of all one hundred and thirty minutes of

0:13:07.200 --> 0:13:07.600
<v Speaker 2>this off.

0:13:07.840 --> 0:13:10.080
<v Speaker 1>No. In fact, I think it should have been longer.

0:13:10.600 --> 0:13:12.720
<v Speaker 1>I think it should have been Titanic lengths. I feel

0:13:12.720 --> 0:13:16.920
<v Speaker 1>like it could have been longer. Honestly, the chemistry between

0:13:17.000 --> 0:13:23.520
<v Speaker 1>everyone is off the charts. Donald Sutherland definitely knows he

0:13:23.800 --> 0:13:30.319
<v Speaker 1>was in this movie. Sorry, that's my son, Sonny.

0:13:31.000 --> 0:13:34.560
<v Speaker 2>Oh, he just got I agreed to save the moon,

0:13:34.720 --> 0:13:37.800
<v Speaker 2>so they let him out of jail or something.

0:13:38.760 --> 0:13:39.160
<v Speaker 1>Mm hmm.

0:13:39.360 --> 0:13:41.400
<v Speaker 2>So yeah, this was my first full viewing of it.

0:13:41.679 --> 0:13:46.480
<v Speaker 1>Wow, what about you? I saw this movie in theaters.

0:13:46.920 --> 0:13:49.760
<v Speaker 2>Wow, and I was wait, really.

0:13:49.960 --> 0:13:53.240
<v Speaker 1>Yes, all jokes aside, I saw this movie in theaters.

0:13:53.520 --> 0:13:59.079
<v Speaker 2>Why. I'm genuinely curious, and I'm gonna uphold the bit

0:14:00.080 --> 0:14:00.600
<v Speaker 2>best I can.

0:14:00.840 --> 0:14:04.280
<v Speaker 1>But why Friend of the show, Catherine Leon and friend

0:14:04.280 --> 0:14:06.679
<v Speaker 1>to us both listeners. You might remember her from our

0:14:06.679 --> 0:14:08.400
<v Speaker 1>Spy Kids episode.

0:14:07.880 --> 0:14:09.360
<v Speaker 2>She's got to come back. It's time.

0:14:09.720 --> 0:14:13.040
<v Speaker 1>Yeah, we need to bring Katherine back. Yeah, she was like, Caitlyn,

0:14:13.120 --> 0:14:16.640
<v Speaker 1>have you seen Moonfall? And I was like, no, this.

0:14:16.640 --> 0:14:20.320
<v Speaker 2>Feels exactly right. I love that she was able to

0:14:20.440 --> 0:14:22.760
<v Speaker 2>alert you to this while it was still in theaters.

0:14:23.440 --> 0:14:26.640
<v Speaker 1>Yes, and it was urgent, and she said you have

0:14:26.680 --> 0:14:29.720
<v Speaker 1>to go see Moonfall. And I was like, are you sure,

0:14:29.840 --> 0:14:32.720
<v Speaker 1>because it seems like it might not be very good.

0:14:32.760 --> 0:14:35.040
<v Speaker 1>And she's like, well, Caitlyn, that's where you're wrong. And

0:14:35.200 --> 0:14:38.280
<v Speaker 1>especially as one of the hosts of the Bechdel Cast,

0:14:39.000 --> 0:14:41.880
<v Speaker 1>you're gonna want to see this because it's a feminist masterpiece.

0:14:41.920 --> 0:14:43.440
<v Speaker 1>And then I watched it and I was like, oh

0:14:43.440 --> 0:14:45.720
<v Speaker 1>my god, Catherine was right.

0:14:46.400 --> 0:14:46.840
<v Speaker 2>Yeah.

0:14:46.880 --> 0:14:50.440
<v Speaker 1>So I don't know why there was not more discussion

0:14:50.480 --> 0:14:55.240
<v Speaker 1>around how feminist this movie was. Yes, in regards to

0:14:55.640 --> 0:14:59.880
<v Speaker 1>how powerful and dynamic of a character the Moon is.

0:15:00.400 --> 0:15:02.920
<v Speaker 1>But that's what we're here for today. That's what we're

0:15:02.920 --> 0:15:03.480
<v Speaker 1>doing today.

0:15:03.520 --> 0:15:07.000
<v Speaker 2>Don't let the hollowness of this movie's moon fool you,

0:15:08.600 --> 0:15:13.200
<v Speaker 2>and don't let it be a metaphor for the film overall. Instead,

0:15:14.120 --> 0:15:17.040
<v Speaker 2>let the moon fall in because you'll I think what

0:15:17.080 --> 0:15:19.960
<v Speaker 2>you'll find is that it's a hollow spaceship full of

0:15:20.440 --> 0:15:24.560
<v Speaker 2>nanobots that turn into a big fist and then they

0:15:26.000 --> 0:15:32.120
<v Speaker 2>turned Samuel Tarlie into an immortal moon guy. Right.

0:15:32.440 --> 0:15:32.800
<v Speaker 1>Yeah.

0:15:32.840 --> 0:15:34.160
<v Speaker 2>Also, Michael Penya is there.

0:15:34.640 --> 0:15:35.880
<v Speaker 1>Michael Penia is there?

0:15:36.200 --> 0:15:38.840
<v Speaker 2>Michael Pania. Okay, this does not pass the Bechdel test,

0:15:38.920 --> 0:15:41.400
<v Speaker 2>and so we'll be talking about women any second now.

0:15:41.520 --> 0:15:44.200
<v Speaker 2>But and this movie is gonna make it easy.

0:15:44.400 --> 0:15:44.800
<v Speaker 1>Yeah.

0:15:45.120 --> 0:15:47.440
<v Speaker 2>Michael Pania first of all, was not supposed to be

0:15:47.480 --> 0:15:49.840
<v Speaker 2>in this movie. Yes, I read this supposed to be

0:15:49.920 --> 0:15:53.080
<v Speaker 2>I think Stanley Tucci. Stanley Tucci, which is such a

0:15:53.120 --> 0:15:59.440
<v Speaker 2>bizarre swap of actor. I would not say similar energies

0:15:59.480 --> 0:16:02.480
<v Speaker 2>at all. But lucky for Michael Paiya that he was

0:16:02.520 --> 0:16:05.000
<v Speaker 2>in this movie. The two things I associate Michael well,

0:16:05.000 --> 0:16:07.680
<v Speaker 2>other than like, Michael Panya is a very charismatic actor.

0:16:07.960 --> 0:16:10.080
<v Speaker 2>But the two other things I associate with him is

0:16:10.160 --> 0:16:14.440
<v Speaker 2>number one scientologist, Yes, number two. In one of my

0:16:14.600 --> 0:16:17.640
<v Speaker 2>favorite clips that I like to remind people about every

0:16:17.720 --> 0:16:19.920
<v Speaker 2>so often, I know where this is going, Chuck E

0:16:20.040 --> 0:16:25.479
<v Speaker 2>Cheese's favorite actor. I just would to remind our listeners

0:16:25.480 --> 0:16:30.360
<v Speaker 2>that in twenty twenty, during Lockdown, Chuck E Cheese was

0:16:30.520 --> 0:16:37.240
<v Speaker 2>doing this bizarre YouTube content. They were spotlighting the straight

0:16:37.280 --> 0:16:41.960
<v Speaker 2>to HBO live action Tom and Jerry movie starring Tom, Jerry,

0:16:42.120 --> 0:16:47.280
<v Speaker 2>Michael Pania, and Colin Jost and Chuck E Cheese interviewed

0:16:47.320 --> 0:16:50.920
<v Speaker 2>Michael Penya on his YouTube channel and that Michael Pena

0:16:51.600 --> 0:16:52.880
<v Speaker 2>was his favorite actor.

0:16:53.280 --> 0:16:53.680
<v Speaker 1>Wow.

0:16:53.880 --> 0:16:55.960
<v Speaker 2>And so every time I see Michael Panya, I'm like,

0:16:56.000 --> 0:16:59.720
<v Speaker 2>oh my god, Chucky is losing it somewhere. Chuck E

0:16:59.800 --> 0:17:03.320
<v Speaker 2>Chee is absolutely has seen Moonfall. He loves Michael Penia.

0:17:03.600 --> 0:17:07.560
<v Speaker 1>Well, of course, wait is it? Because wait, which one

0:17:07.640 --> 0:17:10.159
<v Speaker 1>is so of Tom and Jerry, which one is the

0:17:10.240 --> 0:17:12.560
<v Speaker 1>cat and which one is the mouse?

0:17:12.880 --> 0:17:15.760
<v Speaker 2>I'm glad you asked Cat, Tom, Mouse.

0:17:15.560 --> 0:17:18.800
<v Speaker 1>Jerry and Michael penia voice is one of those characters?

0:17:18.960 --> 0:17:19.400
<v Speaker 1>Which one?

0:17:19.480 --> 0:17:21.720
<v Speaker 2>No? No, no, he plays Tom and Jerry's friend.

0:17:22.320 --> 0:17:25.040
<v Speaker 1>Okay, I thought, okay, So where my brain was going.

0:17:25.119 --> 0:17:28.639
<v Speaker 1>I thought maybe Michael Penia voiced the mouse character. And

0:17:28.640 --> 0:17:31.840
<v Speaker 1>because Chuck E Cheese is a mouse, that's why he

0:17:31.880 --> 0:17:33.760
<v Speaker 1>had such a strong connection to Michael Penia.

0:17:33.920 --> 0:17:36.080
<v Speaker 2>No, No, that would that would have made sense. No,

0:17:36.520 --> 0:17:44.080
<v Speaker 2>he plays the character of Terreen's Mendoza. Colin just plays

0:17:44.160 --> 0:17:47.760
<v Speaker 2>just Ben. No last name for Colin, just uh huh.

0:17:47.920 --> 0:17:50.280
<v Speaker 2>And Tom and Jerry they're at a hotel. I believe

0:17:50.520 --> 0:17:54.320
<v Speaker 2>that Michael Penia works at the hotel. Okay, Chloe Grace

0:17:54.359 --> 0:17:55.600
<v Speaker 2>Moretz is there?

0:17:56.040 --> 0:17:58.000
<v Speaker 1>Wow? And should we cover this movie?

0:17:59.080 --> 0:18:01.240
<v Speaker 2>I don't know. I don't know if the world is ready.

0:18:01.440 --> 0:18:05.520
<v Speaker 2>There is actually like an interesting era of like straight

0:18:05.600 --> 0:18:09.200
<v Speaker 2>to streaming movies that basically don't exist because they were

0:18:09.240 --> 0:18:13.000
<v Speaker 2>released in like eight months in twenty twenty, where you're

0:18:13.040 --> 0:18:17.200
<v Speaker 2>just like these And actually the pandemic meaningfully plays into

0:18:17.560 --> 0:18:21.360
<v Speaker 2>the production history of Moonfall, and I feel like it's

0:18:21.359 --> 0:18:26.520
<v Speaker 2>sort of referenced in a and I say bizarre in

0:18:26.560 --> 0:18:32.919
<v Speaker 2>a feminist way, in a bizarre way in the film Moonfall. Sure,

0:18:33.160 --> 0:18:36.600
<v Speaker 2>but so if you haven't seen this movie, please please,

0:18:36.640 --> 0:18:40.240
<v Speaker 2>please please go and buy it on Blu Ray.

0:18:40.560 --> 0:18:42.680
<v Speaker 1>Yeah, spend as much money as you can on it.

0:18:42.960 --> 0:18:47.040
<v Speaker 2>Please. Yeah, order it from another country on Blu Ray.

0:18:48.000 --> 0:18:54.720
<v Speaker 2>And really, let Roland Emeric know that you stand with Moonfall.

0:18:55.200 --> 0:18:55.560
<v Speaker 1>Yeah.

0:18:55.600 --> 0:18:58.399
<v Speaker 2>And like many feminist masterpiece, it was not recognized in

0:18:58.480 --> 0:19:03.320
<v Speaker 2>its time, true, but it has become a cult classic

0:19:04.160 --> 0:19:06.760
<v Speaker 2>indie film is alive. And well, thank you.

0:19:06.760 --> 0:19:12.320
<v Speaker 1>Moonfall, Thank you Moonfall. All right, Well, should we take

0:19:12.359 --> 0:19:14.760
<v Speaker 1>a quick break and then come back for the recap?

0:19:15.119 --> 0:19:15.719
<v Speaker 2>Let's do it?

0:19:25.680 --> 0:19:30.480
<v Speaker 1>Okay, all right, here is the recap of the most

0:19:30.520 --> 0:19:36.399
<v Speaker 1>feminist film of the past decade, Moonfall. We open on

0:19:36.800 --> 0:19:43.320
<v Speaker 1>clips and sound bites of Apollo eleven, the mission famous

0:19:43.359 --> 0:19:49.840
<v Speaker 1>for astronauts first landing on the Moon. We cut to

0:19:50.359 --> 0:19:55.080
<v Speaker 1>January twelfth, twenty eleven. Some NASA astronauts are in space.

0:19:55.240 --> 0:19:59.560
<v Speaker 1>Ever heard of it, repairing a satellite? So this is

0:19:59.680 --> 0:20:02.360
<v Speaker 1>Brian in Harper, played by Patrick Wilson.

0:20:03.160 --> 0:20:06.879
<v Speaker 2>And I love Patrick Wilson. I enjoy it, and it's

0:20:06.960 --> 0:20:09.920
<v Speaker 2>so great for his career that he's in movies like

0:20:10.040 --> 0:20:14.639
<v Speaker 2>Moonfall exclusively. What's your favorite Patrick Wilson performance?

0:20:15.560 --> 0:20:18.080
<v Speaker 1>Oh, my gosh.

0:20:18.280 --> 0:20:21.240
<v Speaker 2>Mine's a tie. Okay, tell me, mine's a tie between

0:20:21.320 --> 0:20:25.679
<v Speaker 2>Phantom of the Opera obviously, Oh right, and Hard Candy.

0:20:25.920 --> 0:20:28.639
<v Speaker 2>He's great. Oh yeah, he's so great.

0:20:28.840 --> 0:20:31.920
<v Speaker 1>Is there a movie where he has long, straggly hair?

0:20:32.320 --> 0:20:34.480
<v Speaker 1>Am I thinking of Opera?

0:20:34.520 --> 0:20:38.160
<v Speaker 2>Okay, unless you're He was also in a bunch of movies. Well,

0:20:38.240 --> 0:20:41.440
<v Speaker 2>I saw a Watchman when it came out. I don't

0:20:41.480 --> 0:20:43.480
<v Speaker 2>remember it. But he was in.

0:20:44.160 --> 0:20:46.199
<v Speaker 1>Little Children, Yes, I've seen that.

0:20:46.680 --> 0:20:49.680
<v Speaker 2>Oh, I've seen him in Insidious. I liked the first Insidious.

0:20:50.160 --> 0:20:54.760
<v Speaker 2>He's in the Conjure, he's mister Condrey, one of which

0:20:54.800 --> 0:20:57.040
<v Speaker 2>I saw Oh you know what, he's great in hmmm,

0:20:57.400 --> 0:20:58.560
<v Speaker 2>season two of Fargo.

0:20:59.600 --> 0:21:01.280
<v Speaker 1>Oh, I do the ever watched the first season.

0:21:01.680 --> 0:21:04.960
<v Speaker 2>It's he's really good in it. Yeah, he's great, and

0:21:05.080 --> 0:21:07.959
<v Speaker 2>so I think again, speaking back to the theme of

0:21:07.960 --> 0:21:11.040
<v Speaker 2>this episode, it's really awesome that for some reason, for

0:21:11.080 --> 0:21:14.120
<v Speaker 2>the last ten years he's been in movies of the

0:21:14.160 --> 0:21:20.119
<v Speaker 2>caliber of Moonfall and like the Conjuring the Devil maybe

0:21:20.119 --> 0:21:21.760
<v Speaker 2>do it right?

0:21:22.280 --> 0:21:22.440
<v Speaker 3>Oh?

0:21:22.520 --> 0:21:27.720
<v Speaker 1>That he's also in Aquaman, and I believe it's right cool?

0:21:27.960 --> 0:21:30.399
<v Speaker 2>Oh my god, Yeah, that sucks that he had to

0:21:30.440 --> 0:21:35.000
<v Speaker 2>be in Aquaman like that. Yeah, and he played Aquaman's

0:21:35.080 --> 0:21:36.720
<v Speaker 2>like evil brother or something.

0:21:37.560 --> 0:21:39.280
<v Speaker 1>Yes, I don't remember.

0:21:39.480 --> 0:21:42.680
<v Speaker 2>We covered Aquaman and I have to say, I don't

0:21:42.720 --> 0:21:43.840
<v Speaker 2>remember a bar of it.

0:21:44.040 --> 0:21:44.760
<v Speaker 1>Couldn't tell you.

0:21:45.119 --> 0:21:47.520
<v Speaker 2>I love James Wan thing. Well, I guess that's probably

0:21:47.520 --> 0:21:49.720
<v Speaker 2>why Patrick Wilson is in it, because he's a James Wana.

0:21:49.920 --> 0:21:54.560
<v Speaker 2>Oh so true, due to the conjuring of it all. Anyways,

0:21:54.640 --> 0:21:57.320
<v Speaker 2>his best two movies came out twenty years ago, and

0:21:57.840 --> 0:22:01.480
<v Speaker 2>we've gotta we've got to help him out. Except for Moonfall,

0:22:01.520 --> 0:22:02.240
<v Speaker 2>of course, which.

0:22:02.040 --> 0:22:05.399
<v Speaker 1>Is his best way his best performance. Yes, so we

0:22:05.440 --> 0:22:10.040
<v Speaker 1>meet him. He plays Brian Harper. We also meet Josin

0:22:10.080 --> 0:22:13.800
<v Speaker 1>de Fowler aka Joe aka played by Halle Berry Lee Berry.

0:22:14.440 --> 0:22:17.920
<v Speaker 2>And you know, again, thank god her best work since

0:22:19.400 --> 0:22:20.240
<v Speaker 2>The Flintstones.

0:22:22.600 --> 0:22:26.199
<v Speaker 1>Yeah. Really, you know, there was a large gap in

0:22:26.240 --> 0:22:30.400
<v Speaker 1>between those two movies where you know, I don't think

0:22:30.400 --> 0:22:33.560
<v Speaker 1>she did anything really certainly was never nominated for an

0:22:33.560 --> 0:22:34.800
<v Speaker 1>Oscar one.

0:22:35.160 --> 0:22:37.520
<v Speaker 2>Genuinely. I feel like in the last like ten to

0:22:37.560 --> 0:22:41.080
<v Speaker 2>fifteen years, Halle Berry, at least from what I can tell,

0:22:41.240 --> 0:22:43.600
<v Speaker 2>has has not appeared in movies as much as she

0:22:43.720 --> 0:22:47.159
<v Speaker 2>once did. She seems choosier about the projects that she

0:22:47.520 --> 0:22:50.520
<v Speaker 2>has done, and so when she agrees to do Moonfall,

0:22:51.240 --> 0:22:54.679
<v Speaker 2>you know, I mean something, this is gonna be good. Yes,

0:22:55.040 --> 0:23:00.399
<v Speaker 2>And she plays iconic feminists Justinda Joe Fower. Yeah. I

0:23:00.520 --> 0:23:02.720
<v Speaker 2>like that. We know that these characters like each other

0:23:02.840 --> 0:23:08.080
<v Speaker 2>because they state that out of nowhere, after what has

0:23:08.160 --> 0:23:12.199
<v Speaker 2>to be weeks, if not months in space. Don't you

0:23:12.320 --> 0:23:15.320
<v Speaker 2>just love to announce your relationship to another person after

0:23:15.520 --> 0:23:19.960
<v Speaker 2>spending months of unceasing time with them. She's just basically

0:23:20.040 --> 0:23:23.280
<v Speaker 2>my work it's my work wife. She's my work wife.

0:23:23.480 --> 0:23:25.679
<v Speaker 2>I would be saying I say that about you after

0:23:25.840 --> 0:23:29.919
<v Speaker 2>we've been on the road together for eleven days just

0:23:30.000 --> 0:23:32.239
<v Speaker 2>out of context. I just find myself saying it as

0:23:32.280 --> 0:23:33.679
<v Speaker 2>if there's a camera pointed on me.

0:23:33.840 --> 0:23:36.040
<v Speaker 1>Yeah, No, I get it, Yeah, I get it. I

0:23:36.080 --> 0:23:37.240
<v Speaker 1>say the same thing about you.

0:23:37.560 --> 0:23:41.840
<v Speaker 2>And much like just into Fowlery Brian Harper, we are

0:23:41.840 --> 0:23:45.760
<v Speaker 2>definitely in the same room for the entire shoot, and

0:23:46.640 --> 0:23:49.320
<v Speaker 2>the chemistry is off the charts, off the charts.

0:23:50.520 --> 0:23:54.399
<v Speaker 1>Yeah. The two of these characters are besties. And then

0:23:54.440 --> 0:23:57.560
<v Speaker 1>there's a third guy there too. His name is Marcus.

0:23:57.760 --> 0:23:59.439
<v Speaker 2>Don't get attached, do not?

0:23:59.600 --> 0:24:03.360
<v Speaker 1>Because so they're in space repairing a satellite when all

0:24:03.400 --> 0:24:08.719
<v Speaker 1>of a sudden, a bizarre space disturbance happens. It seems

0:24:08.760 --> 0:24:13.760
<v Speaker 1>like a large cloud of debris, which might be sentient,

0:24:14.400 --> 0:24:17.440
<v Speaker 1>comes crashing into them and propels.

0:24:17.320 --> 0:24:19.320
<v Speaker 2>Fistful and nanobots it might be.

0:24:20.040 --> 0:24:23.760
<v Speaker 1>I guess we'll find out. It propels Marcus into the

0:24:23.800 --> 0:24:24.960
<v Speaker 1>depths of space.

0:24:25.280 --> 0:24:27.280
<v Speaker 2>So Marcus is the guy to him.

0:24:28.080 --> 0:24:28.439
<v Speaker 1>Yeah.

0:24:28.560 --> 0:24:32.440
<v Speaker 2>I love how people die in Moonfall, but.

0:24:32.560 --> 0:24:34.640
<v Speaker 1>I mean my favorite is Michael Penia's death.

0:24:34.840 --> 0:24:38.880
<v Speaker 2>Michael pas death is awesome. He literally just lays down

0:24:38.960 --> 0:24:39.560
<v Speaker 2>and he goes.

0:24:40.960 --> 0:24:41.040
<v Speaker 5>It.

0:24:41.160 --> 0:24:45.240
<v Speaker 2>Really, it's it's such a and if he only could

0:24:45.240 --> 0:24:48.400
<v Speaker 2>have hung in there for twelve more seconds, he would

0:24:48.440 --> 0:24:53.840
<v Speaker 2>have been okay because iconically, and this is part of

0:24:53.920 --> 0:24:58.840
<v Speaker 2>the joy of Moonfall, twelve seconds after Michael Penia's plot death,

0:24:59.480 --> 0:25:02.240
<v Speaker 2>all of a sudd in sunny the sun. Yeah, the

0:25:02.280 --> 0:25:05.520
<v Speaker 2>sun takes his mask off and he's like, the air's back.

0:25:07.320 --> 0:25:11.440
<v Speaker 1>Why is the airback? We don't know, because the moon

0:25:11.680 --> 0:25:16.360
<v Speaker 1>is a woman agency and she said, airs back, airs

0:25:16.960 --> 0:25:17.600
<v Speaker 1>you're right.

0:25:17.400 --> 0:25:17.800
<v Speaker 2>You're right.

0:25:18.359 --> 0:25:20.600
<v Speaker 1>Yeah, Okay, we're getting ahead of ourselves.

0:25:20.880 --> 0:25:22.760
<v Speaker 2>Sorry, sorry, sorry, I love Michael.

0:25:24.400 --> 0:25:25.320
<v Speaker 1>It's so funny.

0:25:25.520 --> 0:25:29.720
<v Speaker 2>Keep walking. Okay.

0:25:29.720 --> 0:25:34.240
<v Speaker 1>So Marcus dies, Brian manages to safely get back to

0:25:34.320 --> 0:25:38.560
<v Speaker 1>the spaceship where Joe has been knocked unconscious, and then

0:25:38.600 --> 0:25:46.399
<v Speaker 1>he sees this cloud or this swarm of sentient space debris, yeah,

0:25:46.600 --> 0:25:50.439
<v Speaker 1>burrow into the moon and we're like, oh no, that's

0:25:50.600 --> 0:25:52.480
<v Speaker 1>that's a woman being violated.

0:25:53.040 --> 0:25:58.920
<v Speaker 2>That's so true by the masculine nano bots nanotechnology.

0:25:59.080 --> 0:25:59.399
<v Speaker 1>Yeah.

0:25:59.480 --> 0:25:59.720
<v Speaker 3>Yes.

0:26:00.359 --> 0:26:02.879
<v Speaker 1>Then we cut to a year and a half later.

0:26:03.440 --> 0:26:08.080
<v Speaker 1>Brian has been fired from NASA following this incident. They

0:26:08.119 --> 0:26:12.680
<v Speaker 1>blame him for Marcus's death, but he maintains that this

0:26:13.160 --> 0:26:17.960
<v Speaker 1>bizarre space anomaly caused the mishap, but of course no

0:26:18.000 --> 0:26:21.919
<v Speaker 1>one believes him, including his best friend Joe.

0:26:22.880 --> 0:26:26.959
<v Speaker 2>And this is an important lesson about this is that women,

0:26:28.000 --> 0:26:29.960
<v Speaker 2>and I'm glad Will and Emeric brought this up. Women

0:26:30.080 --> 0:26:35.440
<v Speaker 2>are deceitful liars who are out to get you. Regardless

0:26:35.440 --> 0:26:38.639
<v Speaker 2>of how much you think you can trust them, you can't.

0:26:39.320 --> 0:26:44.040
<v Speaker 1>Yes, that is one of the core tenants of the

0:26:44.080 --> 0:26:45.399
<v Speaker 1>feminism of this movie.

0:26:45.480 --> 0:26:48.800
<v Speaker 2>I would say, Yeah, you can't trust a woman any

0:26:48.800 --> 0:26:52.600
<v Speaker 2>more than you can trust the concept of the moon belief.

0:26:53.240 --> 0:26:55.800
<v Speaker 1>Yeah, everything you thought you knew about the moon, the

0:26:55.840 --> 0:27:00.760
<v Speaker 1>moon's heart. Yes again, is a moon of secrets, a

0:27:00.880 --> 0:27:03.200
<v Speaker 1>deep moon of secrets.

0:27:03.359 --> 0:27:10.240
<v Speaker 2>It's been eighty four moons, moons, eighty four tens, twelve moons.

0:27:10.680 --> 0:27:13.680
<v Speaker 1>Oh, because a moon equals one month. Yes, okay, I see,

0:27:13.720 --> 0:27:14.680
<v Speaker 1>I see the math.

0:27:15.240 --> 0:27:18.639
<v Speaker 2>Thank you, I okay, sorry to harp on every single

0:27:18.680 --> 0:27:21.080
<v Speaker 2>bit of this masterpiece, but I just I was so

0:27:21.240 --> 0:27:25.399
<v Speaker 2>visually captivated, Okay, like maybe maybe you were as well

0:27:25.560 --> 0:27:33.119
<v Speaker 2>by the gigantic, unframed, high contrast photo of Patrick Wilson

0:27:33.240 --> 0:27:38.200
<v Speaker 2>and his son Sonny that his future ex wife Brenda

0:27:38.920 --> 0:27:40.040
<v Speaker 2>is just staring at.

0:27:40.840 --> 0:27:41.040
<v Speaker 5>Yeah.

0:27:41.119 --> 0:27:43.280
<v Speaker 1>No, it was really quite remarkable.

0:27:43.400 --> 0:27:46.000
<v Speaker 2>I've never seen a photo like that in my life.

0:27:46.119 --> 0:27:51.359
<v Speaker 2>I have never seen a high contrast CPA photoshopped photo

0:27:51.400 --> 0:27:55.480
<v Speaker 2>of Patrick Wilson and a child before and seeing it

0:27:55.840 --> 0:28:00.119
<v Speaker 2>raw and unframed for some reason, I found kind of chill.

0:28:01.920 --> 0:28:07.160
<v Speaker 1>And you're, of course referring to his ex wife, Brenda

0:28:08.240 --> 0:28:12.960
<v Speaker 1>played by Carolina Bartzak, and she is his ex wife

0:28:13.000 --> 0:28:18.840
<v Speaker 1>because this whole incident with Brian in this mishappened space

0:28:19.400 --> 0:28:21.800
<v Speaker 1>has ruined his life. He's fired from NASA and it

0:28:21.840 --> 0:28:25.119
<v Speaker 1>seems to have caused his marriage to fall apart. So

0:28:25.200 --> 0:28:28.480
<v Speaker 1>he separates from Brenda and they have a son together,

0:28:28.840 --> 0:28:32.360
<v Speaker 1>and that son, of course, is named as we've said, Sonny.

0:28:33.320 --> 0:28:36.120
<v Speaker 2>It sounds ridiculous, but I did it, and so did

0:28:36.160 --> 0:28:40.360
<v Speaker 2>Brian and Brenda. Yeah, names, we have to admit are

0:28:40.400 --> 0:28:44.160
<v Speaker 2>better stated for siblings and for a married couple, but whatever.

0:28:44.040 --> 0:28:48.360
<v Speaker 1>Oh sure the alliteration, yeah, of Brian and Brenda. Then

0:28:48.400 --> 0:28:52.520
<v Speaker 1>we cut to ten years after that we meet Casey

0:28:52.840 --> 0:28:58.040
<v Speaker 1>Housman played by John Bradley of Game of Thrones fame, yes,

0:28:58.240 --> 0:29:01.680
<v Speaker 1>who works as a janitor, or at least pretends to

0:29:01.720 --> 0:29:05.280
<v Speaker 1>be a janitor at UC Irvine so that he can

0:29:05.360 --> 0:29:09.840
<v Speaker 1>break into a professor's office and hack his email so

0:29:09.880 --> 0:29:15.120
<v Speaker 1>that he can access satellite images and data about the

0:29:15.280 --> 0:29:20.520
<v Speaker 1>moon's orbital patterns right and where like exactly.

0:29:20.800 --> 0:29:24.080
<v Speaker 2>I will say this part was supposed to have originally

0:29:24.080 --> 0:29:27.680
<v Speaker 2>been played by my longtime nemesis Josh Gadd. True, and

0:29:28.240 --> 0:29:31.760
<v Speaker 2>I'm glad that John Bradley is doing it, not Josh Gadd.

0:29:31.960 --> 0:29:34.320
<v Speaker 2>I think that's fair. Some days are hard enough.

0:29:36.440 --> 0:29:39.720
<v Speaker 1>Yeah, imagine having to watch Moonfall and then Josh.

0:29:39.640 --> 0:29:42.640
<v Speaker 2>Josh gadd performance on top of everything else. It just

0:29:42.680 --> 0:29:44.680
<v Speaker 2>wouldn't have been It wouldn't have been right.

0:29:44.880 --> 0:29:47.840
<v Speaker 1>It would have taken an otherwise perfect movie and really

0:29:47.920 --> 0:29:49.400
<v Speaker 1>knocked it down quite a few pegs.

0:29:49.520 --> 0:29:52.520
<v Speaker 2>Although I will say I would have loved to see

0:29:52.640 --> 0:29:56.840
<v Speaker 2>Stanley Tucci. Stanley Tucci, I know in this movie, you know,

0:29:56.880 --> 0:30:01.160
<v Speaker 2>but let Michael Pena stay. We did the same performance

0:30:01.240 --> 0:30:04.120
<v Speaker 2>next to each other. They are okay.

0:30:04.520 --> 0:30:09.600
<v Speaker 1>Brenda is polyamorous. She has two husbands, Polly, and they

0:30:09.920 --> 0:30:10.680
<v Speaker 1>hang out in.

0:30:10.640 --> 0:30:13.320
<v Speaker 2>A wide range of tastes. Stanley Tucci and Michael Pania.

0:30:13.800 --> 0:30:17.120
<v Speaker 2>I genuinely would love to see a buddy movie with

0:30:17.240 --> 0:30:17.760
<v Speaker 2>those two.

0:30:18.240 --> 0:30:21.720
<v Speaker 1>Oh, that would be great, be fun. Imagine Devilwar's Prada,

0:30:21.960 --> 0:30:25.440
<v Speaker 1>but it's Michael Panya instead of the Stanley Tucci character.

0:30:26.200 --> 0:30:29.040
<v Speaker 2>Or Michael Pania doing the same performance right next to

0:30:29.080 --> 0:30:35.280
<v Speaker 2>Stanley Tucci and they're speaking in unison. Yeah. Wow, makes

0:30:35.680 --> 0:30:40.120
<v Speaker 2>it's an idea this also, I would say, you know, haters,

0:30:40.400 --> 0:30:42.600
<v Speaker 2>haters would say this was maybe a rough year for

0:30:42.720 --> 0:30:48.120
<v Speaker 2>John Bradley filmography wise, because the other big movie he's

0:30:48.160 --> 0:30:52.959
<v Speaker 2>in this year is Marry Me, the j Loo movie.

0:30:53.840 --> 0:30:54.560
<v Speaker 2>Do you remember that?

0:30:54.840 --> 0:30:55.400
<v Speaker 1>I remember it?

0:30:55.440 --> 0:30:58.440
<v Speaker 2>I didn't see it. Is Owen Wilson in that also? Yes,

0:30:58.640 --> 0:31:02.160
<v Speaker 2>j Lo and Owen Wilson are in it together. I

0:31:02.680 --> 0:31:04.800
<v Speaker 2>saw it. I saw it in theaters. That was when

0:31:04.800 --> 0:31:07.120
<v Speaker 2>you were saying Moonfall. I was seeing Marry Me. Wow,

0:31:07.720 --> 0:31:10.040
<v Speaker 2>I said, between the two of us, we saw all

0:31:10.080 --> 0:31:12.880
<v Speaker 2>of John Bradley's work that year. But yes, yeah, he's

0:31:12.920 --> 0:31:17.000
<v Speaker 2>playing a guy named k C who I thought was

0:31:17.040 --> 0:31:19.720
<v Speaker 2>just Casey that it turns out its case.

0:31:19.640 --> 0:31:20.960
<v Speaker 1>The initials k C.

0:31:21.600 --> 0:31:23.960
<v Speaker 2>Yeah yeah, and he says the moon is hollow. And

0:31:24.000 --> 0:31:27.280
<v Speaker 2>guess what. I think it's an important message that this

0:31:27.400 --> 0:31:32.720
<v Speaker 2>movie holds that conspiracy theorists are correct and we shouldn't

0:31:32.760 --> 0:31:38.040
<v Speaker 2>worry about the various restraining orders filed against them. It

0:31:38.080 --> 0:31:38.680
<v Speaker 2>was a mistake.

0:31:38.840 --> 0:31:41.000
<v Speaker 1>It was a mistake because they were right all along.

0:31:41.080 --> 0:31:46.480
<v Speaker 1>Yeah yeah, okay, So Casey accesses data about the Moon

0:31:46.800 --> 0:31:50.520
<v Speaker 1>and its orbital patterns, and he sees something really bizarre.

0:31:50.600 --> 0:31:53.320
<v Speaker 1>We don't know what quite yet, but he tries to

0:31:53.360 --> 0:31:59.040
<v Speaker 1>call NASA about it. Cut to a space center in Texas,

0:31:59.120 --> 0:32:02.240
<v Speaker 1>I think, where Joe, who is now the deputy director

0:32:02.400 --> 0:32:07.960
<v Speaker 1>of NASA, is told that the Moon's orbit is shifting

0:32:08.440 --> 0:32:11.480
<v Speaker 1>and the Moon is getting closer and closer to Earth

0:32:11.600 --> 0:32:15.320
<v Speaker 1>as it continues to circle around it, and she's like, what,

0:32:15.760 --> 0:32:18.320
<v Speaker 1>that's impossible.

0:32:17.840 --> 0:32:21.120
<v Speaker 2>And then she says, rather iconically, I think that you know,

0:32:21.280 --> 0:32:24.920
<v Speaker 2>for the hyper compident characters that they are, it is

0:32:24.960 --> 0:32:27.320
<v Speaker 2>wild that Joe and Brian do manage to be the

0:32:27.440 --> 0:32:31.360
<v Speaker 2>last to know that the Moon is falling because Joe

0:32:31.440 --> 0:32:35.479
<v Speaker 2>is in mission control or whatever this like stage in

0:32:35.520 --> 0:32:39.240
<v Speaker 2>Montreal there in is and she's like, we need to

0:32:39.280 --> 0:32:42.680
<v Speaker 2>make sure this remains contained. And then everyone in unison

0:32:42.720 --> 0:32:47.720
<v Speaker 2>gets a push notification from like the Times saying in

0:32:47.800 --> 0:32:49.880
<v Speaker 2>all caps moon is falling.

0:32:50.360 --> 0:32:55.640
<v Speaker 1>Yes, well that's because Casey leaked the information. But the

0:32:55.680 --> 0:32:58.200
<v Speaker 1>whole thing is like, we don't know the source of this,

0:32:58.360 --> 0:33:02.680
<v Speaker 1>and he is not a credible source. So why the

0:33:02.720 --> 0:33:05.720
<v Speaker 1>world devolves into mass panic after this?

0:33:06.120 --> 0:33:09.520
<v Speaker 2>Well, I mean, I think it could be interesting commentary on,

0:33:09.920 --> 0:33:11.920
<v Speaker 2>you know, the state of the news cycle, the state

0:33:11.960 --> 0:33:16.360
<v Speaker 2>of defunding journalism, you know, how experts are now being

0:33:16.480 --> 0:33:19.480
<v Speaker 2>treated as credible sources when they may not in fact

0:33:19.560 --> 0:33:22.280
<v Speaker 2>be credible sources. However, I would say that is undercut

0:33:22.320 --> 0:33:25.200
<v Speaker 2>by the fact that this conspiracy theorist Casey Houseman, of

0:33:25.240 --> 0:33:27.880
<v Speaker 2>course his last name being Houseman because he's a man

0:33:27.960 --> 0:33:29.080
<v Speaker 2>and he lives in a house.

0:33:30.960 --> 0:33:33.600
<v Speaker 1>Just like how when you're a son, your name is son,

0:33:33.760 --> 0:33:35.000
<v Speaker 1>name is sunny.

0:33:37.520 --> 0:33:41.000
<v Speaker 2>And this movie went through descriptment, through many drafts, I'm sure,

0:33:41.640 --> 0:33:45.920
<v Speaker 2>but it's why Casey Houseman. It's tricky because you know,

0:33:45.920 --> 0:33:47.440
<v Speaker 2>it's like, it's one thing to say, oh, we are

0:33:47.440 --> 0:33:53.880
<v Speaker 2>now treating conspiracy theorists with no accreditation as the arbiters

0:33:53.880 --> 0:33:57.920
<v Speaker 2>of truth. This movie bravely asks, but what if they're right?

0:33:58.720 --> 0:34:01.200
<v Speaker 2>But what if Casey house what if every Casey Houseman

0:34:01.880 --> 0:34:04.400
<v Speaker 2>prediction is right and the moon is hollow.

0:34:04.960 --> 0:34:08.279
<v Speaker 1>It's the equivalent of if there was a movie about

0:34:08.320 --> 0:34:12.080
<v Speaker 1>how like a flat earther was like the Earth is flat,

0:34:12.280 --> 0:34:15.400
<v Speaker 1>and then the big reveal is that the Earth is flat.

0:34:15.960 --> 0:34:20.680
<v Speaker 2>Maybe that was what the sequel that tragically hasn't been

0:34:20.719 --> 0:34:24.160
<v Speaker 2>realized yet yet is There is a cliffhanger at the

0:34:24.239 --> 0:34:30.120
<v Speaker 2>end that is very confusing in a feminist way because

0:34:30.160 --> 0:34:33.600
<v Speaker 2>it is delivered by a woman. And she says to

0:34:33.760 --> 0:34:39.720
<v Speaker 2>Casey Houseman, more like Casey middle of the moonman now

0:34:40.239 --> 0:34:43.239
<v Speaker 2>because they copied his consciousness and now he's a part

0:34:43.239 --> 0:34:46.840
<v Speaker 2>of the moon famous. She says, your work is just

0:34:46.920 --> 0:34:49.560
<v Speaker 2>beginning or something like that. I hope you're ready or

0:34:49.800 --> 0:34:52.439
<v Speaker 2>get ready. So there's a lot of work to do.

0:34:52.680 --> 0:34:57.319
<v Speaker 2>So maybe this sequel to the moonfall is earth flat.

0:34:58.080 --> 0:35:01.680
<v Speaker 2>Maybe maybe we're just going to kind of keep going

0:35:01.800 --> 0:35:06.480
<v Speaker 2>through the big hits in terms of conspiracy theories of

0:35:07.160 --> 0:35:15.120
<v Speaker 2>the late twenty tens, moonfall, earth flat, vaccine, fake you know,

0:35:15.480 --> 0:35:16.720
<v Speaker 2>and so on and so forth.

0:35:16.920 --> 0:35:20.200
<v Speaker 1>Yes, I hope, so, I hope, so me too, I

0:35:20.239 --> 0:35:26.040
<v Speaker 1>really hope. So. Okay, So, speaking of Casey, he cannot

0:35:26.080 --> 0:35:29.160
<v Speaker 1>get through to NASA. No one will take him seriously,

0:35:29.640 --> 0:35:31.560
<v Speaker 1>so he has to come up with a different plan.

0:35:32.040 --> 0:35:35.600
<v Speaker 1>And he says out loud to no one, what would

0:35:35.680 --> 0:35:37.040
<v Speaker 1>Elon Musk do?

0:35:37.840 --> 0:35:41.880
<v Speaker 2>Now, this is interesting because Elon Musk, you know, obviously

0:35:42.000 --> 0:35:46.040
<v Speaker 2>at the time you're listening to this is a full blown,

0:35:46.080 --> 0:35:49.759
<v Speaker 2>out and out proud fascist yes, and you know, for

0:35:50.120 --> 0:35:52.360
<v Speaker 2>those that have had had eyes on him for years,

0:35:53.120 --> 0:35:55.640
<v Speaker 2>this will come as no surprise. It is just ideology

0:35:55.680 --> 0:35:58.200
<v Speaker 2>that has grown louder and louder as time goes on.

0:35:58.239 --> 0:36:01.080
<v Speaker 2>I wouldn't say that his position has meaningfully shifted. It

0:36:01.080 --> 0:36:04.879
<v Speaker 2>has just increased in volume spree exactly. But there is

0:36:04.920 --> 0:36:07.160
<v Speaker 2>this period, and it makes sense because this movie took

0:36:07.200 --> 0:36:11.400
<v Speaker 2>so long to come out. But in the late twenty ten's,

0:36:11.480 --> 0:36:15.560
<v Speaker 2>early twenty twenties where Elon Musk is getting a lot

0:36:15.600 --> 0:36:19.960
<v Speaker 2>of pr in film, I'm thinking of that Lindsay Lohan movie. Yes,

0:36:20.280 --> 0:36:23.080
<v Speaker 2>we watched on Netflix too, where it just and I

0:36:23.080 --> 0:36:26.560
<v Speaker 2>wouldn't say it's free press. I would heavily speculate that

0:36:26.640 --> 0:36:29.680
<v Speaker 2>he is paying for it in some way. Sure, But yeah,

0:36:29.719 --> 0:36:33.560
<v Speaker 2>about how he was for some time sort of positioned

0:36:33.760 --> 0:36:38.320
<v Speaker 2>as the man who could save the world with vaguely

0:36:38.440 --> 0:36:44.560
<v Speaker 2>conspiracy theory adjacent ideas. I don't know, I don't know.

0:36:45.200 --> 0:36:47.200
<v Speaker 2>I think the first time I got into an argument

0:36:47.239 --> 0:36:52.520
<v Speaker 2>about Elon Musk was in twenty eighteen in the writer's

0:36:52.560 --> 0:36:55.560
<v Speaker 2>room for Robot Chicken, in which I got into a

0:36:55.600 --> 0:37:00.800
<v Speaker 2>shouting match with another writer, a man, a man older

0:37:00.800 --> 0:37:04.879
<v Speaker 2>than myself, who was really infuriated that I didn't think

0:37:04.880 --> 0:37:07.960
<v Speaker 2>Elon Musk was cool, and that really was the basis

0:37:07.960 --> 0:37:11.399
<v Speaker 2>of the argument. And so for those of us who

0:37:11.400 --> 0:37:13.880
<v Speaker 2>have been beating this drum for a long time, you

0:37:13.960 --> 0:37:17.000
<v Speaker 2>hear that line and you wonder where is this going?

0:37:17.800 --> 0:37:21.879
<v Speaker 2>And it's going to a later line that says our

0:37:21.920 --> 0:37:25.719
<v Speaker 2>friends over at SpaceX. Yeah, and then I kind of

0:37:25.719 --> 0:37:27.480
<v Speaker 2>lost the thread of where it was supposed to have

0:37:27.520 --> 0:37:31.520
<v Speaker 2>been going other than saying that conspiracies are real, which

0:37:31.560 --> 0:37:33.520
<v Speaker 2>is a feminist idea.

0:37:34.600 --> 0:37:38.680
<v Speaker 1>The thread kids cut right then and there. Pretty much

0:37:38.719 --> 0:37:40.600
<v Speaker 1>it doesn't go elsewhere.

0:37:40.960 --> 0:37:45.560
<v Speaker 2>Movies don't need to answer every question, No, but it

0:37:45.600 --> 0:37:48.200
<v Speaker 2>would be cool. I do feel like most movies answer

0:37:48.960 --> 0:37:54.680
<v Speaker 2>at least one a question or presents you with potential

0:37:54.760 --> 0:38:00.399
<v Speaker 2>answers and choose which you choose to believe. But some

0:38:00.440 --> 0:38:04.680
<v Speaker 2>movies are just different, and these are mysterious. So yeah,

0:38:04.920 --> 0:38:09.360
<v Speaker 2>what what what would Elon Musk do? And honestly, I

0:38:09.360 --> 0:38:12.640
<v Speaker 2>wouldn't be surprised if Elon Musk did something similar to Brian,

0:38:12.760 --> 0:38:18.680
<v Speaker 2>which is like wear an embarrassing jacket and complain loudly

0:38:18.920 --> 0:38:22.520
<v Speaker 2>to no one. Yeah, yeah, I wanted to take a

0:38:22.560 --> 0:38:27.759
<v Speaker 2>moment to appreciate how children's dialogue is written in this film.

0:38:27.760 --> 0:38:29.040
<v Speaker 1>Oh let's let's do that.

0:38:29.160 --> 0:38:32.960
<v Speaker 2>Yeah, the way children talk in this movie is so

0:38:33.239 --> 0:38:36.680
<v Speaker 2>true to life. You you would think you're just walking

0:38:36.719 --> 0:38:40.840
<v Speaker 2>through a kmart. It is just really a amazing.

0:38:40.800 --> 0:38:42.120
<v Speaker 1>Are there children a kmart?

0:38:43.120 --> 0:38:46.000
<v Speaker 2>Well, there's you're just walking through the world, you know,

0:38:46.080 --> 0:38:48.480
<v Speaker 2>you're just listen. I don't know why cam art came down.

0:38:49.440 --> 0:38:52.439
<v Speaker 2>I don't even think kmart exists. No, You're just you're

0:38:52.480 --> 0:38:55.440
<v Speaker 2>just you're just walking around a playground, like, because it's

0:38:55.440 --> 0:38:58.319
<v Speaker 2>everything else that's perverted. You're like, well, I'm not just

0:38:58.360 --> 0:39:02.680
<v Speaker 2>walking around a playground. Yeah, any kid would be saying

0:39:02.719 --> 0:39:07.279
<v Speaker 2>things like I hate New Jersey. Any kid. There's a

0:39:07.320 --> 0:39:12.720
<v Speaker 2>great scene that I really appreciated where Casey is Casey

0:39:12.760 --> 0:39:19.919
<v Speaker 2>Houseman is impersonating Brian at the Griffith Observatory, Yes, which

0:39:19.960 --> 0:39:24.400
<v Speaker 2>is iconic in many ways. And there's what is okay

0:39:24.480 --> 0:39:26.600
<v Speaker 2>wait I wrote this down because.

0:39:26.400 --> 0:39:28.879
<v Speaker 1>The kid who says, well, are you going to teach

0:39:28.960 --> 0:39:31.640
<v Speaker 1>us about the moon or not? Yeah, and he says

0:39:31.640 --> 0:39:32.520
<v Speaker 1>it exactly like that.

0:39:33.800 --> 0:39:38.160
<v Speaker 2>Yes, that is exactly what I was talking about. I

0:39:38.160 --> 0:39:42.200
<v Speaker 2>don't know where it went, but yeah, I wrote down

0:39:42.239 --> 0:39:46.719
<v Speaker 2>the entire thing because it was so powerful to me.

0:39:47.080 --> 0:39:50.160
<v Speaker 2>And then there's like another kid who shockingly talks to

0:39:50.239 --> 0:39:53.279
<v Speaker 2>the exact same cadence as the first kid, almost as

0:39:53.320 --> 0:39:58.040
<v Speaker 2>if no one was thinking about that. I just really,

0:39:58.120 --> 0:39:59.759
<v Speaker 2>I really really loved it.

0:40:00.160 --> 0:40:03.600
<v Speaker 1>There's a scene where when the earth suddenly starts running

0:40:03.640 --> 0:40:04.239
<v Speaker 1>out of air.

0:40:05.239 --> 0:40:10.360
<v Speaker 2>One look out, Michael Penia, watch out, targeting Michael Penia,

0:40:10.480 --> 0:40:15.239
<v Speaker 2>only impending doom for him, just him though his and

0:40:15.280 --> 0:40:18.279
<v Speaker 2>Brenda's daughter, one of them.

0:40:18.320 --> 0:40:22.360
<v Speaker 1>There's like a there's a news cast and it says

0:40:22.360 --> 0:40:27.000
<v Speaker 1>something like atmospheric dissipation is about to begin, and one

0:40:27.040 --> 0:40:31.000
<v Speaker 1>of the daughters says, what's that? And then the other daughter,

0:40:31.080 --> 0:40:34.239
<v Speaker 1>who's I don't know, maybe nine years old, says the

0:40:34.320 --> 0:40:37.839
<v Speaker 1>earth is running out of air. Sully feminism, as if

0:40:38.080 --> 0:40:41.800
<v Speaker 1>a nine year old child knows what atmospheric dissipation means.

0:40:41.920 --> 0:40:44.520
<v Speaker 2>I don't know what that means. And I'm a hundred

0:40:45.080 --> 0:40:49.480
<v Speaker 2>and don't get me started on Joe Fowler's son, who

0:40:51.160 --> 0:40:53.880
<v Speaker 2>one are the weirdest kids ever committed to film? Okay,

0:40:53.960 --> 0:40:57.960
<v Speaker 2>so here's that exchange of the students yelling at Samwell

0:40:58.080 --> 0:41:03.840
<v Speaker 2>Tarli Shah grif Ritory, Yes, Okay, he's not two steps

0:41:03.880 --> 0:41:08.000
<v Speaker 2>into the observatory when this kid clocks him and says,

0:41:08.000 --> 0:41:10.759
<v Speaker 2>at volume one thousand, our teacher says, you're a wash

0:41:10.840 --> 0:41:14.640
<v Speaker 2>up no show, and she's complaining to someone. You're like, oh.

0:41:15.080 --> 0:41:18.200
<v Speaker 2>A second child says, you really don't look like an astronaut,

0:41:18.680 --> 0:41:22.000
<v Speaker 2>and then the first kid says, calling back to you, well,

0:41:22.040 --> 0:41:23.960
<v Speaker 2>are you going to teach us about space or what?

0:41:25.000 --> 0:41:29.680
<v Speaker 2>And it just makes you wonder does Roland Emmericks have

0:41:29.880 --> 0:41:31.720
<v Speaker 2>children and does.

0:41:31.640 --> 0:41:34.200
<v Speaker 1>He he ever interacted with a child.

0:41:34.080 --> 0:41:39.359
<v Speaker 2>And met them? And then the other kid is Joe's son,

0:41:40.360 --> 0:41:44.120
<v Speaker 2>his father, because that is ultimately what the movie is about. Yes,

0:41:44.239 --> 0:41:46.960
<v Speaker 2>And if fathers and sons are separated, well they just

0:41:47.040 --> 0:41:49.600
<v Speaker 2>are like, well, here's Michael Panya and he's a new father,

0:41:50.520 --> 0:41:52.640
<v Speaker 2>so okay, Joe follow her son a great one. And

0:41:52.680 --> 0:41:56.520
<v Speaker 2>I really liked that his father, mister Military industrial Complex

0:41:56.600 --> 0:42:02.600
<v Speaker 2>HIMSELFEP is calling hallebar on the phone and saying, how

0:42:02.640 --> 0:42:05.279
<v Speaker 2>can you say I'm not spending time with our son.

0:42:06.000 --> 0:42:07.799
<v Speaker 2>I talked to him on the phone all the time.

0:42:08.200 --> 0:42:10.480
<v Speaker 2>And then you cut like talking about him as if

0:42:10.520 --> 0:42:14.160
<v Speaker 2>he is not six, and then you see a six

0:42:14.200 --> 0:42:16.040
<v Speaker 2>year old, I'm like, what are you talking on the

0:42:16.120 --> 0:42:19.279
<v Speaker 2>phone about with this guy, like he talks about his

0:42:19.320 --> 0:42:21.920
<v Speaker 2>six year old son like he's a full blown adult, consistently,

0:42:21.960 --> 0:42:23.759
<v Speaker 2>to the point where maybe at some point in the

0:42:23.800 --> 0:42:27.239
<v Speaker 2>script he was I find the way they talk about

0:42:27.280 --> 0:42:31.960
<v Speaker 2>the kid very weird. Well, okay, sorry, sorry, I'm being

0:42:32.040 --> 0:42:32.760
<v Speaker 2>so negative.

0:42:33.120 --> 0:42:36.440
<v Speaker 1>Well yeah, Jamie Howell, I'm being a huge bitch. You're

0:42:36.480 --> 0:42:39.200
<v Speaker 1>being an enormous bitch, and I can't believe it. No,

0:42:39.640 --> 0:42:43.640
<v Speaker 1>But like, let's be let's think about this, Okay. Halle

0:42:43.680 --> 0:42:46.520
<v Speaker 1>Berry she was I think in her mid fifties when

0:42:46.560 --> 0:42:50.239
<v Speaker 1>she was very is Joe Fowler. Joe Fowler, she was

0:42:50.239 --> 0:42:55.040
<v Speaker 1>in her mid fifties when this movie was being filmed

0:42:55.040 --> 0:43:01.640
<v Speaker 1>and released. Sure, her son is, yeah, like six years old.

0:43:02.360 --> 0:43:06.600
<v Speaker 1>Not to say that you cannot have a baby.

0:43:06.840 --> 0:43:07.759
<v Speaker 2>You can. You can.

0:43:07.920 --> 0:43:10.520
<v Speaker 1>Yeah, But I think it's one of those cases where

0:43:10.880 --> 0:43:15.520
<v Speaker 1>they've cast an older actor to play a younger character,

0:43:16.600 --> 0:43:19.359
<v Speaker 1>because heaven forbid, we have a like fifty five year

0:43:19.400 --> 0:43:21.720
<v Speaker 1>old woman character on screen.

0:43:22.040 --> 0:43:24.200
<v Speaker 2>And I would say that that's feminists in addition to

0:43:24.360 --> 0:43:30.959
<v Speaker 2>the pressure that is put on women to look much

0:43:31.040 --> 0:43:35.040
<v Speaker 2>younger than they actually are in order to retain employment

0:43:35.400 --> 0:43:39.240
<v Speaker 2>in entertainment, And I think it's equally feminist. How people

0:43:39.400 --> 0:43:45.080
<v Speaker 2>will attack said women for merely responding to how society

0:43:45.280 --> 0:43:47.759
<v Speaker 2>is insisting they behave in order to.

0:43:49.360 --> 0:43:54.239
<v Speaker 1>Work, and then they will attack other women who are

0:43:55.040 --> 0:44:00.399
<v Speaker 1>less willing to adhere to those societal pressures and say, ooh,

0:44:00.480 --> 0:44:03.280
<v Speaker 1>why do you look so old and gross?

0:44:03.680 --> 0:44:09.279
<v Speaker 2>Or they will, you know, regard women who are you know,

0:44:09.440 --> 0:44:15.760
<v Speaker 2>choosing to age naturally and infantilize them by saying they're brave.

0:44:16.239 --> 0:44:21.880
<v Speaker 2>And there's just a million incredible ways to navigate talking

0:44:21.880 --> 0:44:27.080
<v Speaker 2>about women. And they're all normal and they're all really nice. Yeah.

0:44:27.160 --> 0:44:30.800
<v Speaker 2>There's also a character we meet who I think takes

0:44:31.320 --> 0:44:33.840
<v Speaker 2>again in a way that it's like women are so

0:44:33.960 --> 0:44:36.759
<v Speaker 2>complicated in a way that I think takes a very

0:44:36.840 --> 0:44:40.480
<v Speaker 2>long time to determine who is this character and what

0:44:40.520 --> 0:44:42.680
<v Speaker 2>is she doing? The character Michelle.

0:44:43.560 --> 0:44:46.480
<v Speaker 1>Oh my gosh, Yeah, I was.

0:44:46.480 --> 0:44:49.160
<v Speaker 2>Wrong about who Michelle was in relation to the other

0:44:49.280 --> 0:44:52.360
<v Speaker 2>characters about five times before I learned that she is

0:44:52.400 --> 0:44:57.160
<v Speaker 2>an exchange student who is a nanny and perhaps a tutor.

0:44:58.080 --> 0:45:01.480
<v Speaker 2>I'm maybe still not sure what mische Helle is doing.

0:45:01.800 --> 0:45:03.000
<v Speaker 1>It is very unclear.

0:45:03.239 --> 0:45:08.399
<v Speaker 2>I first thought she was dating Halle Berry Yes, Barry, yes,

0:45:09.120 --> 0:45:10.160
<v Speaker 2>But then it turns.

0:45:09.840 --> 0:45:12.960
<v Speaker 1>Out halle Berry is her boss.

0:45:12.719 --> 0:45:17.160
<v Speaker 2>Right, and that she's like a nanny who's teaching her

0:45:17.239 --> 0:45:20.360
<v Speaker 2>son Mandarin Mandarin.

0:45:21.080 --> 0:45:21.319
<v Speaker 1>Yeah.

0:45:21.800 --> 0:45:25.600
<v Speaker 2>But before we can decide who is Michelle, what's going

0:45:25.600 --> 0:45:30.239
<v Speaker 2>on with Michelle? Well, she's Sonny's girlfriend. And so then

0:45:30.320 --> 0:45:33.640
<v Speaker 2>you're like, oh, thank god, Okay, I was this woman

0:45:33.680 --> 0:45:36.319
<v Speaker 2>was getting too complicated. So it's good that she's just

0:45:36.400 --> 0:45:41.440
<v Speaker 2>Sonny's girlfriend. Yes, But I did I do. I mean

0:45:41.480 --> 0:45:43.800
<v Speaker 2>I did genuinely feel like she and halle Berry. I

0:45:43.840 --> 0:45:45.799
<v Speaker 2>thought that, like, you know, because you meet her at

0:45:45.800 --> 0:45:50.120
<v Speaker 2>the house and they have this like conversation about what

0:45:50.320 --> 0:45:54.160
<v Speaker 2>seemed like their shared child. Yeah, and I was like, wow,

0:45:54.239 --> 0:45:56.879
<v Speaker 2>queer representation, but that you find out several scenes later

0:45:57.000 --> 0:46:01.200
<v Speaker 2>actually not no, no queer representation. No, the scene was

0:46:01.239 --> 0:46:02.040
<v Speaker 2>just written weird.

0:46:02.640 --> 0:46:08.280
<v Speaker 1>Yes, So glad we got that out of the way.

0:46:08.520 --> 0:46:10.839
<v Speaker 2>I felt silly because I was like, wait, it was

0:46:10.920 --> 0:46:13.200
<v Speaker 2>I like, but then I rewatched the scene. I was like, no,

0:46:13.320 --> 0:46:16.400
<v Speaker 2>that's the way that they're talking to each other is

0:46:16.600 --> 0:46:20.560
<v Speaker 2>very unclear. It was not giving professional relationship.

0:46:21.280 --> 0:46:24.120
<v Speaker 1>No, because like the first time you see Michelle on screen,

0:46:24.239 --> 0:46:27.480
<v Speaker 1>she has okay, actually this is hilarious. It's early in

0:46:27.520 --> 0:46:30.279
<v Speaker 1>the morning, she has a cup of coffee that she

0:46:30.400 --> 0:46:34.800
<v Speaker 1>has made for Joe. And it seems the way it's written,

0:46:34.840 --> 0:46:38.000
<v Speaker 1>in the way it's acted, it seems like here is

0:46:38.040 --> 0:46:43.919
<v Speaker 1>a tender gesture, a loving gesture that one partner is

0:46:44.000 --> 0:46:48.400
<v Speaker 1>doing for another partner. Romantic partner. Yes, Nope, it's just

0:46:48.480 --> 0:46:52.040
<v Speaker 1>that Michelle wakes up at four o'clock in the morning

0:46:52.120 --> 0:46:55.120
<v Speaker 1>to make coffee for Joe. Also, she says.

0:46:55.000 --> 0:46:58.719
<v Speaker 2>She's like a living nanny, but like, yeah, she's just

0:46:58.920 --> 0:47:01.359
<v Speaker 2>very romantic. I don't know. Maybe it's just like these

0:47:01.440 --> 0:47:04.960
<v Speaker 2>these actresses are just so like compelling that I mean,

0:47:05.560 --> 0:47:07.560
<v Speaker 2>I mean they are they're they're beautiful, and so you

0:47:07.600 --> 0:47:10.440
<v Speaker 2>want them to be married. I want them to like yeah.

0:47:10.480 --> 0:47:13.279
<v Speaker 1>But the funniest thing about that scene is that Michelle

0:47:13.320 --> 0:47:19.719
<v Speaker 1>hands Joe a coffee and she says, black two sugars. Now,

0:47:19.760 --> 0:47:22.759
<v Speaker 1>if it's a black coffee, there isn't any sugar in it.

0:47:23.400 --> 0:47:23.720
<v Speaker 2>Whoa.

0:47:24.680 --> 0:47:26.799
<v Speaker 1>But she says, I made coffee just the way you

0:47:26.880 --> 0:47:29.720
<v Speaker 1>like it, black two sugars.

0:47:29.760 --> 0:47:34.279
<v Speaker 2>And that's feminism, and that's feminism, and that passes the

0:47:34.280 --> 0:47:34.919
<v Speaker 2>Bexel test.

0:47:35.080 --> 0:47:35.960
<v Speaker 1>Yes, it does so.

0:47:36.000 --> 0:47:38.720
<v Speaker 2>Early in the movie passes the Bechel test in women

0:47:38.760 --> 0:47:42.839
<v Speaker 2>who do have names. Although they're spoken very infrequently, and

0:47:43.000 --> 0:47:47.680
<v Speaker 2>their relationship to each other is completely incoherent. Because then

0:47:48.040 --> 0:47:50.400
<v Speaker 2>I went on this journey where I went back to

0:47:50.440 --> 0:47:55.439
<v Speaker 2>thinking that Michelle was actually dating Joe, just into Joe

0:47:55.480 --> 0:47:58.960
<v Speaker 2>Fowler because you find out her husband. But then it

0:47:59.120 --> 0:48:02.480
<v Speaker 2>said much later on, no, it's her ex husband, and

0:48:02.520 --> 0:48:05.080
<v Speaker 2>I was like, okay, so she is with Michelle. But

0:48:05.120 --> 0:48:07.240
<v Speaker 2>then Michelle shows up and a scene very much acting

0:48:07.320 --> 0:48:10.640
<v Speaker 2>like a nanny. And by that We're well over an

0:48:10.719 --> 0:48:13.320
<v Speaker 2>hour into the movie and I'm still trying to glean

0:48:13.600 --> 0:48:20.479
<v Speaker 2>the relationships between basic who lived together. I still don't

0:48:20.520 --> 0:48:24.000
<v Speaker 2>know who these people are to each other. And then

0:48:24.040 --> 0:48:28.360
<v Speaker 2>it turns out no, Michelle is straight single and looking

0:48:28.400 --> 0:48:32.720
<v Speaker 2>to date Patrick Wilson's car thief son named Sonny.

0:48:36.080 --> 0:48:36.319
<v Speaker 3>Dug.

0:48:36.760 --> 0:48:37.280
<v Speaker 2>Yeah.

0:48:37.760 --> 0:48:43.600
<v Speaker 1>Yes, Okay, back to the thing we were on. Casey

0:48:43.719 --> 0:48:46.000
<v Speaker 1>he's trying to come up with a plan to let

0:48:46.040 --> 0:48:50.960
<v Speaker 1>people know that there's something wacky going on with the moon,

0:48:51.320 --> 0:48:57.120
<v Speaker 1>so he goes to disgraced former astronaut Brian Harper, hoping

0:48:57.160 --> 0:49:01.359
<v Speaker 1>that he will help. Through various inters, including the one

0:49:01.400 --> 0:49:07.640
<v Speaker 1>where Casey is loudly blathering on about his moon conspiracy

0:49:07.680 --> 0:49:12.040
<v Speaker 1>theories to children, we learn that case believes that the

0:49:12.080 --> 0:49:16.960
<v Speaker 1>moon is what's called a megastructure, which is an enormous

0:49:17.200 --> 0:49:23.799
<v Speaker 1>artificial construction built by aliens. And then he tells he

0:49:23.880 --> 0:49:28.759
<v Speaker 1>tells Brian Harper that the Moon's orbit has shifted and

0:49:28.800 --> 0:49:32.759
<v Speaker 1>the moon is about to fall into Earth. And so

0:49:32.920 --> 0:49:40.719
<v Speaker 1>Brian thinks that Kse is a lunatic get it, lunatic

0:49:41.520 --> 0:49:42.600
<v Speaker 1>lunar 're.

0:49:42.640 --> 0:49:43.720
<v Speaker 2>Like a moona tig.

0:49:46.000 --> 0:49:53.560
<v Speaker 1>Moonatick? Yes? Okay, So then the movie takes a detour

0:49:53.600 --> 0:49:58.920
<v Speaker 1>from the urgent moon situation to introduce a few subplots,

0:49:59.239 --> 0:50:02.759
<v Speaker 1>including Casey taking care of his mother who seems to

0:50:02.800 --> 0:50:08.920
<v Speaker 1>have Alzheimer's and Brian's now eighteen year old son whose

0:50:09.080 --> 0:50:13.560
<v Speaker 1>name is still Sunny, getting arrested after being in a

0:50:13.640 --> 0:50:15.080
<v Speaker 1>high speed car chase.

0:50:15.360 --> 0:50:20.640
<v Speaker 2>Yeah, like an OJ Simpson style high speed televised car chase. Yes,

0:50:20.960 --> 0:50:27.560
<v Speaker 2>as all car chases are televised like their OJ Simpson correct.

0:50:27.719 --> 0:50:31.000
<v Speaker 1>Yeah, we cut back to Joe. The NASA scientists have

0:50:31.160 --> 0:50:36.000
<v Speaker 1>concluded that in three weeks, the Moon will get too

0:50:36.120 --> 0:50:40.360
<v Speaker 1>close to the Earth and it will basically fall apart

0:50:40.520 --> 0:50:44.280
<v Speaker 1>and fling huge moon chunks into the Earth.

0:50:44.840 --> 0:50:48.360
<v Speaker 2>Moon will fall, Moon will fall. The fall of the Moon,

0:50:48.760 --> 0:50:51.359
<v Speaker 2>The dark, dark of the Moon. I remember that.

0:50:51.840 --> 0:50:55.080
<v Speaker 1>I do remember that. Yeah. I think there is some

0:50:55.160 --> 0:50:59.239
<v Speaker 1>weird conspiratorial moon thing in that Transformers movie too.

0:51:00.040 --> 0:51:02.160
<v Speaker 2>Really. I mean I've only seen the first one, but

0:51:02.400 --> 0:51:05.959
<v Speaker 2>that that would track for me. Yeah, I believe that

0:51:06.400 --> 0:51:08.520
<v Speaker 2>Michael Bay believes and conspiracors.

0:51:08.760 --> 0:51:13.040
<v Speaker 1>Yeah, listeners who are familiar with Transformers Dark of the Moon.

0:51:13.719 --> 0:51:18.239
<v Speaker 1>Is the Moon a Transformer or something?

0:51:18.680 --> 0:51:21.719
<v Speaker 2>Okay? See, that actually sounds way more fun than Moonfall,

0:51:21.960 --> 0:51:25.200
<v Speaker 2>to be honest, I mean, a Moon being a Transformer

0:51:25.920 --> 0:51:27.240
<v Speaker 2>would be would be fun.

0:51:27.520 --> 0:51:29.920
<v Speaker 1>I don't know if that's what that movie is about,

0:51:30.120 --> 0:51:32.200
<v Speaker 1>but there is. I feel like there is something weird

0:51:32.239 --> 0:51:37.040
<v Speaker 1>about the Moon in that one anyway. So the stakes

0:51:37.080 --> 0:51:39.279
<v Speaker 1>are very high. The moon will fall.

0:51:39.400 --> 0:51:40.359
<v Speaker 2>The moon is very low.

0:51:40.640 --> 0:51:42.960
<v Speaker 1>The moon is The stakes are high, but the moon

0:51:43.040 --> 0:51:45.920
<v Speaker 1>is low exactly. Yeah, and so they need to send

0:51:46.040 --> 0:51:51.000
<v Speaker 1>a team of astronauts to the Moon to fix it.

0:51:52.760 --> 0:51:57.240
<v Speaker 2>Or something to to tell the Moon to knock it out,

0:51:58.000 --> 0:52:02.319
<v Speaker 2>to say stop falling, get up, pull yourself up by

0:52:02.320 --> 0:52:06.120
<v Speaker 2>your bootstraps. Moon. Yeah.

0:52:06.160 --> 0:52:08.520
<v Speaker 1>Then the scene where we were just talking about, where

0:52:08.560 --> 0:52:13.560
<v Speaker 1>Casey leaks the info about the Moon's orbit changing and

0:52:13.600 --> 0:52:16.719
<v Speaker 1>now it's trending on Twitter, which everyone believes even though

0:52:16.719 --> 0:52:19.280
<v Speaker 1>no one knows the source of this information.

0:52:19.440 --> 0:52:22.840
<v Speaker 2>It is wild how that line of dialogue that exists

0:52:22.880 --> 0:52:27.040
<v Speaker 2>in so many movies now sounds wild they dated, like

0:52:27.160 --> 0:52:30.160
<v Speaker 2>it's going viral on Twitter, which now would mean kind

0:52:30.160 --> 0:52:32.959
<v Speaker 2>of less than nothing. And it's ironic that whose fault

0:52:33.080 --> 0:52:36.879
<v Speaker 2>is that, Well Elon Musk. Yeah, well what Elon Musk

0:52:36.960 --> 0:52:40.800
<v Speaker 2>do amongst other things make it so that that line

0:52:40.840 --> 0:52:41.800
<v Speaker 2>sounds very dated.

0:52:43.040 --> 0:52:49.399
<v Speaker 1>Yes, anyways, so there's like now mass public panic, people

0:52:49.440 --> 0:52:53.160
<v Speaker 1>are fleeing from cities, people are looting, all that kind

0:52:53.200 --> 0:52:54.000
<v Speaker 1>of stuff.

0:52:53.760 --> 0:52:58.040
<v Speaker 2>Which again feels like a weird amalgamation and like it

0:52:58.040 --> 0:53:00.400
<v Speaker 2>felt to me based on when this movie was written

0:53:00.440 --> 0:53:06.360
<v Speaker 2>and produced, felt like a dishonest conflating many issues at once.

0:53:07.239 --> 0:53:10.960
<v Speaker 2>Reflection on twenty twenty and in a way that I

0:53:11.080 --> 0:53:16.000
<v Speaker 2>found frustrating in a movie I otherwise love.

0:53:16.760 --> 0:53:21.200
<v Speaker 1>And otherwise perfect movie. Yes, yeah, I can definitely see that,

0:53:21.600 --> 0:53:24.200
<v Speaker 1>But we see so little because like a lot of

0:53:24.200 --> 0:53:28.520
<v Speaker 1>disaster movies, where there's like a global disaster, you see

0:53:28.560 --> 0:53:32.759
<v Speaker 1>a lot more of the chaos that the world has

0:53:32.800 --> 0:53:36.439
<v Speaker 1>descended into. In this movie, there's only like very very

0:53:36.600 --> 0:53:41.080
<v Speaker 1>very quick cuts, mostly as like news coverage. Yeah, you

0:53:41.160 --> 0:53:44.080
<v Speaker 1>barely see anything well and in.

0:53:44.040 --> 0:53:47.719
<v Speaker 2>The interesting way. And again, this is an episode coming

0:53:47.719 --> 0:53:50.520
<v Speaker 2>out in early April, so we're gonna be doing extra

0:53:50.600 --> 0:53:53.680
<v Speaker 2>care in the discussion. But like, it is interesting that

0:53:53.800 --> 0:53:56.719
<v Speaker 2>like Roland Emeric is sort of playing on some of

0:53:56.760 --> 0:54:00.839
<v Speaker 2>the disaster movie tropes that he helped popular, which are

0:54:00.920 --> 0:54:04.600
<v Speaker 2>like anyone in the lower class is kind of like uh,

0:54:05.520 --> 0:54:07.480
<v Speaker 2>violent and bass.

0:54:07.960 --> 0:54:11.160
<v Speaker 1>Yeah and uncivilized, et cetera.

0:54:11.360 --> 0:54:14.640
<v Speaker 2>But with regard to not showing that the disaster and

0:54:14.719 --> 0:54:17.160
<v Speaker 2>the Disaster movie, I would say, Caitlin, you know, in

0:54:17.200 --> 0:54:21.120
<v Speaker 2>their defense, they only had one hundred and fifty million dollars,

0:54:21.160 --> 0:54:24.800
<v Speaker 2>and so would you be able to show a compelling

0:54:24.840 --> 0:54:27.360
<v Speaker 2>image for one hundred and fifty million dollars.

0:54:27.640 --> 0:54:29.960
<v Speaker 1>No, not me. I would blow that entire budget on

0:54:30.920 --> 0:54:37.440
<v Speaker 1>craft services. Yeah, yes, say what you will about this movie.

0:54:37.840 --> 0:54:42.360
<v Speaker 1>I actually think the special effects are decent, which I

0:54:42.360 --> 0:54:45.000
<v Speaker 1>don't think they're amazing, but I think it looks like

0:54:45.360 --> 0:54:48.319
<v Speaker 1>inexpensive movie because it is an expensive movie for sure,

0:54:48.360 --> 0:54:50.560
<v Speaker 1>So it's not like the effects look shitty the way

0:54:50.600 --> 0:54:53.319
<v Speaker 1>that a lot of B movie effects are really like

0:54:53.400 --> 0:54:57.200
<v Speaker 1>shitty looking, Like this movie looks like they spent money

0:54:57.239 --> 0:54:59.560
<v Speaker 1>on it, but it's just that the story is.

0:55:00.040 --> 0:55:02.160
<v Speaker 2>And if I'm being critical and I wouldn't know if

0:55:02.200 --> 0:55:04.759
<v Speaker 2>I was playing Devil's advocate here, sure sure, I would

0:55:04.800 --> 0:55:08.080
<v Speaker 2>say it definitely does look expensive. What I don't think

0:55:08.280 --> 0:55:11.200
<v Speaker 2>is that you can you can maybe get the sense

0:55:11.360 --> 0:55:15.719
<v Speaker 2>that the actors, more often than that not don't know

0:55:15.880 --> 0:55:20.000
<v Speaker 2>what they're supposed to be looking at because the reaction.

0:55:20.200 --> 0:55:22.120
<v Speaker 2>And this is not a fault of the actors, because

0:55:22.560 --> 0:55:26.960
<v Speaker 2>these effects were probably not even conceived of yet much

0:55:27.000 --> 0:55:30.480
<v Speaker 2>less executed, but you can sort of tell that there's

0:55:30.520 --> 0:55:34.000
<v Speaker 2>a moment with halle Berry I'm thinking about specifically, that

0:55:34.120 --> 0:55:38.680
<v Speaker 2>the reaction just feels a little low temperature. For what

0:55:38.760 --> 0:55:42.800
<v Speaker 2>she is looking at on a screen is astronauts being

0:55:43.120 --> 0:55:46.960
<v Speaker 2>eaten by nanobots like a snake, and she's sort of like,

0:55:47.440 --> 0:55:53.000
<v Speaker 2>oh that is that's really too bad, like it's really dead, kind.

0:55:52.880 --> 0:55:56.120
<v Speaker 1>Of stone faced, no reaction whatsoever.

0:55:56.360 --> 0:55:59.279
<v Speaker 2>It's almost as if she were directed to say, like,

0:56:00.080 --> 0:56:04.880
<v Speaker 2>make a facial expression that could mean anything, And halle

0:56:04.920 --> 0:56:09.200
<v Speaker 2>Berry is an incredible expressive actor, so I'm assuming she

0:56:09.440 --> 0:56:13.360
<v Speaker 2>was told to do that. But it's so weird because

0:56:14.440 --> 0:56:19.400
<v Speaker 2>what she ends up looking at is like really a

0:56:19.400 --> 0:56:24.120
<v Speaker 2>good effect, but very graphically horrific. Yeah, it's like her,

0:56:24.360 --> 0:56:27.560
<v Speaker 2>she's the head of NASA. These are we are to

0:56:27.840 --> 0:56:31.799
<v Speaker 2>think some of her like best and brightest astronauts, astronauts

0:56:31.840 --> 0:56:35.600
<v Speaker 2>she would know personally getting eaten by nanobots on camera

0:56:37.040 --> 0:56:41.360
<v Speaker 2>and she's like she's just like, oh no, wow, well

0:56:41.480 --> 0:56:45.799
<v Speaker 2>we should probably we should probably should probably the moose

0:56:46.280 --> 0:56:50.799
<v Speaker 2>this moon. I will say, women in power, this is

0:56:50.840 --> 0:56:53.200
<v Speaker 2>a great I think that Roland Emeric is bringing up

0:56:53.200 --> 0:56:55.760
<v Speaker 2>another feminist idea here, which is that women in power

0:56:55.840 --> 0:56:59.880
<v Speaker 2>is a bad idea because Joe Fowler, I will say it.

0:57:00.239 --> 0:57:04.280
<v Speaker 2>I'll say it. She is not really killing it running NASA.

0:57:04.760 --> 0:57:06.760
<v Speaker 1>She makes a lot of bad calls.

0:57:06.760 --> 0:57:09.399
<v Speaker 2>I would say, there is like a small fuel leak,

0:57:09.600 --> 0:57:12.560
<v Speaker 2>and she disbands NASA.

0:57:13.480 --> 0:57:15.600
<v Speaker 1>She said, never mind, we're gonna get there.

0:57:15.960 --> 0:57:19.920
<v Speaker 2>But I was really kind of stunned at how They're like, well,

0:57:19.960 --> 0:57:23.480
<v Speaker 2>there's a fuel, we don't have the thing to put

0:57:23.520 --> 0:57:25.160
<v Speaker 2>in the thing, and she's like, well, I guess we

0:57:25.280 --> 0:57:31.280
<v Speaker 2>better disband NASA, and then she does. Moments later, consulting,

0:57:31.360 --> 0:57:35.640
<v Speaker 2>no one disbands NASA and everyone in NASA's like, we're

0:57:35.640 --> 0:57:40.600
<v Speaker 2>going to Colorado. Okay, Colorado? Colorado is like, I mean,

0:57:40.720 --> 0:57:42.880
<v Speaker 2>is it like some Denver Airport shit, Like I know

0:57:42.920 --> 0:57:44.880
<v Speaker 2>that there's a lot of I was thinking of Birasy

0:57:44.920 --> 0:57:48.479
<v Speaker 2>theories in Colorado. Yeah, but it also gets you also

0:57:48.480 --> 0:57:51.560
<v Speaker 2>sort of get the feeling that, like the Tourism Bureau

0:57:51.640 --> 0:57:54.400
<v Speaker 2>of Colorado maybe through a couple bucks at this movie,

0:57:54.440 --> 0:57:58.880
<v Speaker 2>like Colorado comes up, Colorado, Lexus, Elon Musk. These are

0:57:58.920 --> 0:58:00.320
<v Speaker 2>just things that keep coming up up.

0:58:00.720 --> 0:58:05.360
<v Speaker 1>Everyone evacuates to Colorado in this movie, or at least

0:58:05.360 --> 0:58:08.160
<v Speaker 1>all the main characters. Yeah, okay, so actually we're about

0:58:08.200 --> 0:58:11.040
<v Speaker 1>to get there. So there's this like mass public panic.

0:58:11.520 --> 0:58:18.640
<v Speaker 1>Brian's ex wife, Brenda's new rich Lexus dealership owning husband

0:58:18.920 --> 0:58:23.840
<v Speaker 1>Tom Lopez played by Michael Penia, wants his family to

0:58:23.920 --> 0:58:28.080
<v Speaker 1>go to Aspen, Colorado for reasons that never become clear,

0:58:28.760 --> 0:58:34.280
<v Speaker 1>so he starts evacuating the family to Aspen. Brian, meanwhile,

0:58:34.560 --> 0:58:38.440
<v Speaker 1>is trying desperately to get his son, Sonny released from

0:58:38.560 --> 0:58:44.080
<v Speaker 1>jail in La Right, his son's Sonny, Son's Sonny.

0:58:44.280 --> 0:58:51.720
<v Speaker 2>There should be the daughter's named Dottery. Yes, it should

0:58:51.720 --> 0:58:55.720
<v Speaker 2>be that easy for us to I know, Dottie maybe Dottie.

0:58:55.840 --> 0:59:00.200
<v Speaker 2>Oh maybe that's it. Wow, Dorothy more like dot Dorothy.

0:59:01.640 --> 0:59:05.000
<v Speaker 1>Yeah, okay, so then Brian sees something on the news

0:59:05.120 --> 0:59:10.920
<v Speaker 1>about how maybe the Moon is a megastructure, and he's like,

0:59:11.040 --> 0:59:15.400
<v Speaker 1>wait a minute, that guy who I thought and who

0:59:15.480 --> 0:59:18.160
<v Speaker 1>belongs in the looney bin, get.

0:59:18.000 --> 0:59:21.920
<v Speaker 2>It more Luner, the mooney bin things, the looney Bend

0:59:22.000 --> 0:59:22.720
<v Speaker 2>or the mooney Bin.

0:59:22.880 --> 0:59:27.160
<v Speaker 1>Yeah, yes, He's like, that guy said something about the

0:59:27.200 --> 0:59:31.760
<v Speaker 1>Moon being a megastructure. So Brian goes to find Casey,

0:59:32.560 --> 0:59:36.960
<v Speaker 1>who continues to carry on about how something must have

0:59:37.040 --> 0:59:43.280
<v Speaker 1>gone wrong inside the hollow megastructure that is the Moon

0:59:43.480 --> 0:59:48.120
<v Speaker 1>and that's why it's veering off course. Now. Meanwhile, a

0:59:48.240 --> 0:59:51.920
<v Speaker 1>NASA spaceship goes to the Moon discovers that there's a

0:59:52.280 --> 0:59:55.320
<v Speaker 1>huge hole in one of the craters, so they drop

0:59:55.440 --> 1:00:02.080
<v Speaker 1>a probe inside, which prompts the sentient swor of spiky

1:00:02.320 --> 1:00:07.360
<v Speaker 1>technology nanobots to come out and kill the three astronauts

1:00:07.360 --> 1:00:09.400
<v Speaker 1>who are on this mission which we were just talking about,

1:00:09.400 --> 1:00:14.160
<v Speaker 1>which halle Berry's character has absolutely no reaction to. Her

1:00:14.240 --> 1:00:19.840
<v Speaker 1>boss is like, fuck this, I'm out. I quit NASA.

1:00:20.200 --> 1:00:23.640
<v Speaker 1>So now Joe is in charge of NASA, and so

1:00:23.760 --> 1:00:27.600
<v Speaker 1>with her new security clearance, she starts digging through some

1:00:27.640 --> 1:00:31.560
<v Speaker 1>classified records, which I guess as the deputy director of

1:00:31.800 --> 1:00:34.400
<v Speaker 1>NASA she had no access to. But now that she's

1:00:34.440 --> 1:00:38.400
<v Speaker 1>in like one step promoted, she has all the clearance

1:00:38.760 --> 1:00:42.240
<v Speaker 1>and she goes to this guy named Holdenfield played by

1:00:42.320 --> 1:00:44.560
<v Speaker 1>Donald Sutherland, who.

1:00:45.760 --> 1:00:49.040
<v Speaker 2>He's literally he reminds me, you know who he reminds

1:00:49.080 --> 1:00:55.520
<v Speaker 2>me of. Do you know that scene in Aladdin where

1:00:55.560 --> 1:00:59.760
<v Speaker 2>there's like that old man in the ja I think

1:00:59.760 --> 1:01:04.440
<v Speaker 2>it's like Jaffar in disguises. Yes, Donald Sutherland's character was

1:01:04.520 --> 1:01:06.640
<v Speaker 2>kind of reminding me of that guy where he just

1:01:06.680 --> 1:01:10.840
<v Speaker 2>comes out of the shadow, reveals some plot and disappears,

1:01:11.280 --> 1:01:13.640
<v Speaker 2>and then the protagonist is like, whoa that it's kind

1:01:13.680 --> 1:01:15.800
<v Speaker 2>of weird. That's kind of what happens.

1:01:15.960 --> 1:01:18.200
<v Speaker 1>That is kind of what happens. Except the thing with

1:01:18.400 --> 1:01:21.760
<v Speaker 1>Donald Sutherland's character is that it is implied that he's

1:01:21.800 --> 1:01:25.840
<v Speaker 1>about to go end his own life right after this, right.

1:01:25.880 --> 1:01:29.800
<v Speaker 2>Jaffar doesn't do that. It is it is bizarre. It

1:01:29.880 --> 1:01:33.120
<v Speaker 2>is bizarre because again we're met with yet another halle

1:01:33.200 --> 1:01:40.000
<v Speaker 2>Berry reaction that is very low temperature given the information

1:01:40.160 --> 1:01:43.280
<v Speaker 2>that's just been conveyed to her. For sure, that scene

1:01:43.320 --> 1:01:46.720
<v Speaker 2>sort of ends with her being like, well, these things

1:01:46.800 --> 1:01:53.600
<v Speaker 2>will happen like it, These moons will fall moons will fall.

1:01:53.720 --> 1:01:57.680
<v Speaker 2>It's like Vanessa Hudgens during COVID, people die, Like it's

1:01:57.760 --> 1:01:59.680
<v Speaker 2>just it's do you remember that. I don't know why

1:01:59.760 --> 1:02:04.920
<v Speaker 2>that that lives in my head, rent Free. It was

1:02:05.000 --> 1:02:10.560
<v Speaker 2>like such a horrific thing to say, and not that

1:02:10.600 --> 1:02:13.600
<v Speaker 2>anyone should be thinking about what Vanessa Haudgens said during COVID,

1:02:13.640 --> 1:02:16.520
<v Speaker 2>but I still think about it. That's kind of halle

1:02:16.520 --> 1:02:19.280
<v Speaker 2>Berry's vibe. She's sort of like, people are gonna die

1:02:19.920 --> 1:02:20.920
<v Speaker 2>and that's sad.

1:02:21.080 --> 1:02:25.640
<v Speaker 1>Yeah. So she now has all this new information, including

1:02:25.640 --> 1:02:31.560
<v Speaker 1>that NASA covered up the nanobot video footage that they

1:02:31.640 --> 1:02:36.840
<v Speaker 1>did get from Brian's helmet cam from the scene that

1:02:36.880 --> 1:02:38.600
<v Speaker 1>we saw at the very beginning of the movie. So

1:02:38.640 --> 1:02:41.640
<v Speaker 1>she's like, oh my gosh, I believe Brian now. So

1:02:42.080 --> 1:02:47.120
<v Speaker 1>she's about to go recruit him. But first, the moon's

1:02:47.600 --> 1:02:52.480
<v Speaker 1>orbit is affecting the tides and the ocean and stuff,

1:02:52.560 --> 1:02:55.920
<v Speaker 1>so water comes gushing on to land and it starts

1:02:56.000 --> 1:03:00.560
<v Speaker 1>destroying La where Brian and cac are. They end up

1:03:00.600 --> 1:03:03.440
<v Speaker 1>trapped in a hotel, so they're just sort of like

1:03:03.680 --> 1:03:08.360
<v Speaker 1>chilling in this hotel. They're like sleeping, hanging out hotel beds.

1:03:08.560 --> 1:03:14.920
<v Speaker 2>There's some like hippie friends of Casey Houseman. Yea there,

1:03:15.160 --> 1:03:17.040
<v Speaker 2>and it's like starting to feel like a movie from

1:03:17.120 --> 1:03:20.760
<v Speaker 2>nineteen ninety seven. And it's like that's because it's Rollin

1:03:20.840 --> 1:03:23.320
<v Speaker 2>Emerick directing it. So in many ways it is a

1:03:23.320 --> 1:03:26.919
<v Speaker 2>movie from nineteen ninety seven. But yeah, they're just kind

1:03:26.920 --> 1:03:27.560
<v Speaker 2>of hanging out.

1:03:27.600 --> 1:03:30.680
<v Speaker 1>They're just chilling. Yeah, yeah, who cares if the moon's falling,

1:03:31.120 --> 1:03:31.960
<v Speaker 1>We're just chilling.

1:03:32.160 --> 1:03:35.200
<v Speaker 2>Just two feminist allies hanging out at a hotel. Nothing

1:03:35.280 --> 1:03:35.760
<v Speaker 2>to see here.

1:03:36.360 --> 1:03:41.640
<v Speaker 1>Yes. Then there's a part where Joe's ex husband, Doug.

1:03:41.640 --> 1:03:46.400
<v Speaker 2>Who only appears in conference rooms the entire movie.

1:03:46.880 --> 1:03:50.280
<v Speaker 1>Yes, and like you said, he is military industrial complex

1:03:50.520 --> 1:03:56.040
<v Speaker 1>the man. He wants to take Joe and their son Jimmy,

1:03:56.920 --> 1:03:58.920
<v Speaker 1>also to Colorado for some reason.

1:03:59.360 --> 1:04:08.320
<v Speaker 2>Well, because that's where it's safe visit Colorado.

1:04:05.880 --> 1:04:09.520
<v Speaker 1>Yes, but Joe is like, I can't go to Colorado.

1:04:09.640 --> 1:04:10.920
<v Speaker 1>I have to go to the moon.

1:04:11.520 --> 1:04:11.600
<v Speaker 7>No.

1:04:12.160 --> 1:04:15.080
<v Speaker 2>Well she does not really tell him that. He finds

1:04:15.120 --> 1:04:20.280
<v Speaker 2>out from Sunny later, right, And that is one of

1:04:20.280 --> 1:04:23.640
<v Speaker 2>my favorite non reactions in the movie, Like Joe and

1:04:23.680 --> 1:04:26.080
<v Speaker 2>her ex husband really found each other because they stay

1:04:26.240 --> 1:04:30.040
<v Speaker 2>not reacting to gigantic pieces of news like that's how

1:04:30.080 --> 1:04:33.040
<v Speaker 2>they became so powerful in the American government by not

1:04:33.120 --> 1:04:36.600
<v Speaker 2>knowing what anyone is saying and being stonefaced in the

1:04:36.720 --> 1:04:42.760
<v Speaker 2>face of absolute horrors. Where she never informs him that

1:04:42.840 --> 1:04:46.280
<v Speaker 2>she is not coming to Colorado. She's given her son

1:04:46.440 --> 1:04:51.000
<v Speaker 2>over with her not girlfriend, it turns out nanny and

1:04:51.400 --> 1:04:54.240
<v Speaker 2>lets her get into this car with a known car

1:04:54.840 --> 1:04:59.600
<v Speaker 2>thief who said, by the way, my license is suspended,

1:05:00.080 --> 1:05:03.120
<v Speaker 2>So showing no regard for her own child safety, even

1:05:03.160 --> 1:05:06.720
<v Speaker 2>though we're told but whatever, it's all about telling, it's

1:05:06.720 --> 1:05:09.480
<v Speaker 2>not about showing. So even though her actions would indicate

1:05:09.520 --> 1:05:12.040
<v Speaker 2>she doesn't care about her son's safety, we're told she

1:05:12.120 --> 1:05:15.320
<v Speaker 2>does care, so she does, so she does. A half

1:05:15.360 --> 1:05:19.960
<v Speaker 2>hour later. A half hour later, the husband calls, or

1:05:19.960 --> 1:05:22.800
<v Speaker 2>the ex husband calls, because they do even a big

1:05:22.800 --> 1:05:25.880
<v Speaker 2>government meetings specify they are no longer married, as if

1:05:25.880 --> 1:05:28.560
<v Speaker 2>there's a camera on them, as if there were studio

1:05:28.600 --> 1:05:31.200
<v Speaker 2>notes saying it's unclear who anyone is to each other

1:05:31.760 --> 1:05:36.080
<v Speaker 2>in this movie. But Sonny, a character this man does

1:05:36.120 --> 1:05:40.680
<v Speaker 2>not know, calls them and says, oh, sorry, your ex

1:05:40.800 --> 1:05:44.920
<v Speaker 2>wife didn't go to Colorado. She actually went to the moon.

1:05:45.520 --> 1:05:48.360
<v Speaker 2>I've got your son. And he's like, oh, okay, well,

1:05:48.880 --> 1:05:54.680
<v Speaker 2>when are you gonna get to Colorado? I was like, what, Okay,

1:05:54.720 --> 1:05:58.040
<v Speaker 2>also consider this, so okay, sorry, you're right this huge bitch,

1:05:58.120 --> 1:06:02.800
<v Speaker 2>huge betch huge bitch. Yeah, damn it, Jamie, I'm sorry,

1:06:02.960 --> 1:06:05.360
<v Speaker 2>stop criticizing this perfect movie. No, I'm about to do

1:06:05.400 --> 1:06:10.920
<v Speaker 2>the same thing. So okay, the moon is famously falling. Yeah,

1:06:10.960 --> 1:06:16.160
<v Speaker 2>and it's affecting gravity on Earth. Well, depending on what

1:06:16.200 --> 1:06:20.439
<v Speaker 2>the plot requires, sure, well exactly. Yeah, but somehow it

1:06:20.520 --> 1:06:25.880
<v Speaker 2>is not affecting the satellites that are orbiting Earth that

1:06:25.920 --> 1:06:29.000
<v Speaker 2>would affect people being able to.

1:06:29.000 --> 1:06:32.960
<v Speaker 1>Make cell phone calls. Oh yeah, because everyone just keeps

1:06:33.000 --> 1:06:36.160
<v Speaker 1>making so many phone calls even though the satellites would

1:06:36.200 --> 1:06:37.000
<v Speaker 1>be so fucked.

1:06:36.800 --> 1:06:43.120
<v Speaker 2>Up gravity affected cell phone reception. Perfect. Yeah, Verizon really

1:06:43.160 --> 1:06:45.240
<v Speaker 2>should have gotten in on this, like.

1:06:45.280 --> 1:06:46.640
<v Speaker 1>Oh my gosh, they should.

1:06:46.320 --> 1:06:49.400
<v Speaker 2>Have missed opportunity. I'm sure they were reached out to.

1:06:50.560 --> 1:06:50.840
<v Speaker 1>Yeah.

1:06:50.920 --> 1:06:53.240
<v Speaker 2>Yeah, that honestly didn't even occur to me. Yeah, everyone

1:06:53.280 --> 1:06:55.400
<v Speaker 2>is making crystal clear phone calls.

1:06:55.160 --> 1:06:59.400
<v Speaker 1>The whole the whole movie. Satellites are working perfectly even

1:06:59.440 --> 1:07:03.080
<v Speaker 1>though the is crashing into all of them.

1:07:03.320 --> 1:07:07.120
<v Speaker 2>Probably it is really fascinating because it's like disaster movies,

1:07:07.240 --> 1:07:11.640
<v Speaker 2>all disaster movies good, Bad, or not have these kinds

1:07:11.640 --> 1:07:14.320
<v Speaker 2>of plot holes present. But if the movie, if you

1:07:14.480 --> 1:07:18.560
<v Speaker 2>like the characters enough and like the visuals are exciting enough,

1:07:19.240 --> 1:07:21.200
<v Speaker 2>you're willing to forget about a lot.

1:07:21.480 --> 1:07:23.280
<v Speaker 1>Yeah, suspension of disbelief, baby.

1:07:23.440 --> 1:07:26.720
<v Speaker 2>But it's interesting that we're noticing these plot holes and.

1:07:26.840 --> 1:07:33.160
<v Speaker 1>Plot holes more like a hole in the moon's crater.

1:07:33.000 --> 1:07:37.120
<v Speaker 2>Moon holes moon hole. Also, they keep saying crater and

1:07:37.160 --> 1:07:40.560
<v Speaker 2>I was like, wow, that's that's great fiance his last name. Yeah,

1:07:40.680 --> 1:07:43.960
<v Speaker 2>people are actually in sci fi movies they're saying his

1:07:44.080 --> 1:07:47.960
<v Speaker 2>last name, and then in movies in the movie Twisters,

1:07:48.040 --> 1:07:51.680
<v Speaker 2>they're saying his first name a lot because there's the

1:07:51.760 --> 1:07:56.080
<v Speaker 2>Daisy what's her name, Daisy? I forget what is act

1:07:56.320 --> 1:07:59.480
<v Speaker 2>name is, but there's a whole thing between her and

1:07:59.520 --> 1:08:02.360
<v Speaker 2>Glenn Power. I remember me and my brother laughed so

1:08:02.520 --> 1:08:06.440
<v Speaker 2>heart in theaters at Grant because there's a repeated line

1:08:06.640 --> 1:08:08.800
<v Speaker 2>of she is like, I need to go get a

1:08:08.800 --> 1:08:12.240
<v Speaker 2>big fat Grant. It's fun by research.

1:08:13.240 --> 1:08:16.919
<v Speaker 1>Oh yeah, wow, both of Grant's names are nouns.

1:08:17.320 --> 1:08:19.479
<v Speaker 2>I know, I know it's weird that it is his

1:08:19.600 --> 1:08:21.920
<v Speaker 2>actual government name, because I was like, it sounds fake,

1:08:22.000 --> 1:08:25.400
<v Speaker 2>but it's real. Anyways, Moonfall. Sorry, I keep getting distracted,

1:08:25.400 --> 1:08:27.960
<v Speaker 2>which is wild because the plot is so riveting.

1:08:28.760 --> 1:08:34.599
<v Speaker 1>Yeah, yes, okay. So then Joe goes to recruit Brian

1:08:35.240 --> 1:08:38.880
<v Speaker 1>and by default because Brian and Casey are buddies. Now,

1:08:38.960 --> 1:08:44.080
<v Speaker 1>so Brian and Casey get recruited to help Joe, but

1:08:44.760 --> 1:08:47.960
<v Speaker 1>they're not sure how they're going to get to the

1:08:48.000 --> 1:08:52.400
<v Speaker 1>moon because according to this movie, all of the spaceships

1:08:52.439 --> 1:08:54.040
<v Speaker 1>are in museums.

1:08:54.640 --> 1:08:59.519
<v Speaker 2>And don't worry about what that means, why that is

1:09:01.720 --> 1:09:05.320
<v Speaker 2>or who made that decision, because you do get the

1:09:05.360 --> 1:09:08.360
<v Speaker 2>feeling that well, I guess it would be halle Berry's boss,

1:09:09.520 --> 1:09:12.840
<v Speaker 2>kind of a patriarchy, the guy kind of guy who

1:09:12.880 --> 1:09:15.920
<v Speaker 2>does quit his job. You know you said earlier he

1:09:16.000 --> 1:09:20.000
<v Speaker 2>quits his job so he could of course go to Colorado. Yeah,

1:09:20.040 --> 1:09:22.439
<v Speaker 2>and then just like hands halle Berry a key card

1:09:22.560 --> 1:09:25.240
<v Speaker 2>and says, you want to be the head of NASA

1:09:25.280 --> 1:09:29.400
<v Speaker 2>so bad? Well you are. Now you go, Now, why

1:09:29.400 --> 1:09:32.400
<v Speaker 2>did that? Assuming that's the guy who put all the

1:09:32.439 --> 1:09:36.479
<v Speaker 2>spaceships in museums, what has NASA been up to? Well,

1:09:36.720 --> 1:09:38.320
<v Speaker 2>all the spaceships are in museums.

1:09:38.439 --> 1:09:43.040
<v Speaker 1>We keep cutting to present day NASA, and they seem

1:09:43.120 --> 1:09:45.120
<v Speaker 1>to be fully operational.

1:09:45.479 --> 1:09:47.719
<v Speaker 2>But then you find out actually all the space ships

1:09:47.720 --> 1:09:50.680
<v Speaker 2>are in museums, which is interesting because we've seen astronauts

1:09:50.720 --> 1:09:55.920
<v Speaker 2>gotten eaten by nanobots today today. Yes, so it's safe

1:09:55.920 --> 1:09:59.000
<v Speaker 2>to assume we were in a spaceship, but maybe that

1:09:59.080 --> 1:10:02.439
<v Speaker 2>was the last space that wasn't in a museum. Follow

1:10:02.520 --> 1:10:04.400
<v Speaker 2>up question, why are the space ships that are in

1:10:04.479 --> 1:10:10.880
<v Speaker 2>museums so loosely secure that there's graffiti on them that

1:10:10.960 --> 1:10:14.639
<v Speaker 2>say fuck the Moon. That's a great question. What museum

1:10:14.720 --> 1:10:18.160
<v Speaker 2>are they in that security is that low?

1:10:18.560 --> 1:10:21.480
<v Speaker 1>It's a museum in La Also.

1:10:21.520 --> 1:10:24.360
<v Speaker 2>Well, clearly they didn't give roll in Emeric any money

1:10:24.400 --> 1:10:26.759
<v Speaker 2>because they made the whole place like pretty low rent.

1:10:26.920 --> 1:10:29.160
<v Speaker 1>Well and then they and they flooded the whole city.

1:10:29.320 --> 1:10:29.880
<v Speaker 2>It's true.

1:10:30.439 --> 1:10:33.760
<v Speaker 1>They said, they said, fuck La Denver is the only

1:10:33.800 --> 1:10:38.040
<v Speaker 1>safe place in the US or Colorado in general.

1:10:38.400 --> 1:10:38.599
<v Speaker 2>Yeah.

1:10:38.680 --> 1:10:42.360
<v Speaker 1>Okay, so they're like, yeah, all the spaceships are in

1:10:42.479 --> 1:10:46.200
<v Speaker 1>museum except for the Endeavor, which is the ship that

1:10:46.240 --> 1:10:48.200
<v Speaker 1>they were on at the very beginning of the movie.

1:10:48.400 --> 1:10:51.360
<v Speaker 2>Oh wait, that's the graffiti ship that says fucked the most.

1:10:51.479 --> 1:10:53.840
<v Speaker 1>Okay, so yeah, it's not in a museum. It was

1:10:54.479 --> 1:10:56.559
<v Speaker 1>just in storage or something.

1:10:56.720 --> 1:11:00.800
<v Speaker 2>It was just at like public storage.

1:11:01.200 --> 1:11:06.400
<v Speaker 1>Yeah. Yeah, So Brian and a few other astronauts prep

1:11:06.880 --> 1:11:09.639
<v Speaker 1>for this mission where they're gonna go to the Moon

1:11:09.760 --> 1:11:11.360
<v Speaker 1>to stop it from falling.

1:11:11.720 --> 1:11:14.400
<v Speaker 2>Well, and it's not a few other astronauts, it's like

1:11:14.960 --> 1:11:17.719
<v Speaker 2>a lot of that, it's most of NASA is preparing

1:11:17.760 --> 1:11:18.559
<v Speaker 2>for this mission.

1:11:19.520 --> 1:11:21.479
<v Speaker 1>A lot of people are there on the ground, and

1:11:21.520 --> 1:11:23.960
<v Speaker 1>then like a handful are actually gonna go into space.

1:11:23.960 --> 1:11:26.160
<v Speaker 2>Is actually gonna go, but it's a big thing.

1:11:26.479 --> 1:11:27.639
<v Speaker 1>Yeah, until of course.

1:11:27.720 --> 1:11:31.080
<v Speaker 2>Operates some sort of like coolant issue, and then NASA

1:11:31.240 --> 1:11:34.920
<v Speaker 2>has to be disbanded, disbanded so that you can all

1:11:34.960 --> 1:11:35.880
<v Speaker 2>go to Colorado.

1:11:36.400 --> 1:11:39.679
<v Speaker 1>So in the meantime, though they're they're prepping for this mission,

1:11:39.960 --> 1:11:45.000
<v Speaker 1>SpaceX gets mentioned. Casey continues to have a raging hard

1:11:45.040 --> 1:11:50.920
<v Speaker 1>on for Elon Musk. Their plan is unclear, but it

1:11:51.040 --> 1:11:57.120
<v Speaker 1>seems like basically they're going to lure the evil spiky

1:11:57.360 --> 1:12:02.960
<v Speaker 1>nanotechnology bots out of the Moon and then blow up

1:12:03.160 --> 1:12:09.080
<v Speaker 1>that swarm with a bomb. I think I wasn't clear.

1:12:09.200 --> 1:12:11.400
<v Speaker 2>Are they gonna blow up the Moon or are they

1:12:11.439 --> 1:12:13.760
<v Speaker 2>just gonna blow up something like near the moo.

1:12:13.840 --> 1:12:17.200
<v Speaker 1>That's such a good question. We're just not too sure.

1:12:17.680 --> 1:12:21.280
<v Speaker 2>I wasn't able to get. But again, it's not the

1:12:21.360 --> 1:12:24.639
<v Speaker 2>movies that is actually one of my favorite things that

1:12:25.160 --> 1:12:28.160
<v Speaker 2>because this is true, but I do think it's overused

1:12:28.200 --> 1:12:32.479
<v Speaker 2>by a certain type of letterbox user who will be like,

1:12:32.560 --> 1:12:35.320
<v Speaker 2>it's not the movie's job to tell you all the answers,

1:12:35.400 --> 1:12:37.720
<v Speaker 2>and then you're like, I do feel like it is

1:12:37.760 --> 1:12:41.400
<v Speaker 2>the movie's job to tell me if the objective of

1:12:41.720 --> 1:12:43.720
<v Speaker 2>most of the movie is to blow the moon up

1:12:44.439 --> 1:12:48.479
<v Speaker 2>or not. There are certain questions that I don't feel

1:12:48.760 --> 1:12:53.439
<v Speaker 2>are pedantic, and in Moonfall, I would like to know

1:12:53.479 --> 1:12:55.479
<v Speaker 2>if they are trying to blow up the moon or

1:12:55.520 --> 1:13:00.960
<v Speaker 2>if they're like trying to do something else. But luckily

1:13:01.720 --> 1:13:05.640
<v Speaker 2>there's like a plot room inside of the moon in

1:13:05.680 --> 1:13:08.439
<v Speaker 2>which things will become even more confusing. But that's we're

1:13:08.479 --> 1:13:12.040
<v Speaker 2>a ways away. First, halle Berry disbands NASA.

1:13:12.000 --> 1:13:17.000
<v Speaker 1>And also before Brian leaves on this mission, he reunites

1:13:17.040 --> 1:13:19.559
<v Speaker 1>with his son Sonny.

1:13:19.760 --> 1:13:22.960
<v Speaker 2>Oh yeah, because that's that's the agreement. He will come

1:13:23.000 --> 1:13:27.240
<v Speaker 2>back for one last hurrah blowing the moon up, possibly

1:13:28.479 --> 1:13:32.839
<v Speaker 2>as long as his son Sonny is let.

1:13:32.680 --> 1:13:37.120
<v Speaker 1>Out of jail. Yeah, yeah, yes, it all makes sense.

1:13:38.040 --> 1:13:42.439
<v Speaker 1>Then what you're referring to happens where an earthquake or

1:13:42.479 --> 1:13:47.640
<v Speaker 1>something destroys one of the spaceship's engines and coolant is

1:13:47.760 --> 1:13:51.280
<v Speaker 1>leaking or something, but they can't go to space anymore

1:13:51.360 --> 1:13:53.679
<v Speaker 1>because there's only two engines left.

1:13:53.880 --> 1:13:56.360
<v Speaker 2>That's like saying, Josh Gadd is no longer available. We

1:13:56.439 --> 1:14:00.000
<v Speaker 2>can't make moonfall. We all have to go to Colorade.

1:14:00.680 --> 1:14:03.200
<v Speaker 2>Come on, right, where's your spirit?

1:14:03.680 --> 1:14:09.320
<v Speaker 1>Well? Kse steps in with some new calculations.

1:14:08.520 --> 1:14:12.640
<v Speaker 2>Much like John Bradley for Josh Gad precisely okay, and

1:14:12.680 --> 1:14:16.559
<v Speaker 2>he's like, wait a minute, if we wait until the moon,

1:14:17.439 --> 1:14:22.960
<v Speaker 2>which is falling, it is directly above us, the gravitational

1:14:23.200 --> 1:14:27.880
<v Speaker 2>pull from the Moon will pull the spaceship up to.

1:14:28.080 --> 1:14:31.760
<v Speaker 1>The Moon, so we don't even need engines, really, we

1:14:31.840 --> 1:14:36.519
<v Speaker 1>just need the Moon's gravity. And everyone's like, yeah, I

1:14:36.520 --> 1:14:39.520
<v Speaker 1>will be honest, I'm so glad that.

1:14:39.160 --> 1:14:43.160
<v Speaker 2>That came through to you, because I was like, I

1:14:43.320 --> 1:14:47.160
<v Speaker 2>was really not sure what his justification for going through

1:14:47.200 --> 1:14:49.680
<v Speaker 2>with it, because it seemed like to me, what it

1:14:49.680 --> 1:14:53.200
<v Speaker 2>seemed like is like, oh no, this issue with the

1:14:53.280 --> 1:14:55.760
<v Speaker 2>cool ANDT is so bad that we have to disband

1:14:55.920 --> 1:15:02.360
<v Speaker 2>an entire government agency. But then an hour later, the

1:15:02.439 --> 1:15:09.040
<v Speaker 2>same person who disbanded said government agency. Halle Berry is like, actually,

1:15:09.240 --> 1:15:12.639
<v Speaker 2>never mind, let's go to space. Let's go to space

1:15:12.840 --> 1:15:16.960
<v Speaker 2>right now. Even though, like I think, canonically NASA and

1:15:17.040 --> 1:15:19.439
<v Speaker 2>by NASA, I mean every employee of NASA who is

1:15:19.560 --> 1:15:22.680
<v Speaker 2>just dismissed from NASA wouldn't have even had time to

1:15:22.680 --> 1:15:24.479
<v Speaker 2>make it to the airport, like they could have come

1:15:24.520 --> 1:15:28.040
<v Speaker 2>back right. She could have been like, sorry, guys, faalse along,

1:15:28.120 --> 1:15:33.320
<v Speaker 2>I shouldn't have disbanded NASA just there. But she's like, no, no, no, no, no, no,

1:15:33.400 --> 1:15:37.920
<v Speaker 2>never mind. Actually could your son? Who Again, this is

1:15:37.920 --> 1:15:40.880
<v Speaker 2>an anti Curst rule show, but like some I would

1:15:40.920 --> 1:15:44.760
<v Speaker 2>not let my young child in the car with an

1:15:44.840 --> 1:15:48.960
<v Speaker 2>eighteen year old who had just been in a very

1:15:49.040 --> 1:15:53.599
<v Speaker 2>dangerous car chase. Agree. I don't think that's good parenting.

1:15:54.320 --> 1:15:54.880
<v Speaker 1>I think no.

1:15:55.120 --> 1:15:59.800
<v Speaker 2>But that's where Joe Fowler has me beat. I just

1:15:59.880 --> 1:16:03.400
<v Speaker 2>like she's playing a game of chess. I'm not well.

1:16:03.439 --> 1:16:05.640
<v Speaker 2>She's amazing, she's trying to have it all. She's a

1:16:05.640 --> 1:16:08.439
<v Speaker 2>woman in stem it's hard to have the director of NASA.

1:16:08.680 --> 1:16:09.840
<v Speaker 2>She's got to got a little moon.

1:16:10.000 --> 1:16:12.920
<v Speaker 1>She's a mom. She's just trying to make it all work.

1:16:13.040 --> 1:16:15.360
<v Speaker 2>You know, her ex husband can't get out of that

1:16:15.680 --> 1:16:18.960
<v Speaker 2>weird room in Colorado he's in anymore than Michael Payna

1:16:19.000 --> 1:16:21.439
<v Speaker 2>can get out of the weird room he's in in Aspen,

1:16:22.000 --> 1:16:25.000
<v Speaker 2>which is also in Colorado. They're already in Colorado.

1:16:25.360 --> 1:16:27.360
<v Speaker 1>Yeah, why are they going elsewhere in Colorado?

1:16:27.439 --> 1:16:28.560
<v Speaker 2>They're all in Colorado.

1:16:29.040 --> 1:16:32.840
<v Speaker 1>So confusing. Okay, So they're waiting for the Moon to

1:16:32.960 --> 1:16:36.840
<v Speaker 1>position itself so that the gravity because somehow, because even

1:16:36.880 --> 1:16:42.120
<v Speaker 1>though the Moon is smaller than Earth, the Moon's gravity

1:16:42.280 --> 1:16:47.240
<v Speaker 1>is strong, and so it's gonna pull the spaceship up

1:16:47.560 --> 1:16:51.599
<v Speaker 1>to the Moon. Maybe that's real science. I don't I'm

1:16:51.600 --> 1:16:54.439
<v Speaker 1>not a I'm not a person in stem. I think

1:16:54.479 --> 1:16:58.960
<v Speaker 1>we can safely say no. But if listeners have dissenting

1:16:59.000 --> 1:17:02.360
<v Speaker 1>opinions and this act comes together quite beautifully, please let

1:17:02.479 --> 1:17:08.320
<v Speaker 1>us know. Okay, So their plans to go into space

1:17:08.439 --> 1:17:13.240
<v Speaker 1>to the Moon are going to move forward. Meanwhile, Sonny,

1:17:13.720 --> 1:17:17.120
<v Speaker 1>little Jimmy, and then this woman Michelle, who we've been

1:17:17.160 --> 1:17:21.719
<v Speaker 1>talking about, played by Kelly You. She is Jimmy's nanny,

1:17:21.800 --> 1:17:25.719
<v Speaker 1>although sometimes it seems like she is Joe's girlfriend also,

1:17:25.960 --> 1:17:27.920
<v Speaker 1>but yes, but no, but yes, but no.

1:17:28.040 --> 1:17:32.360
<v Speaker 2>She's also an exchange student. I don't even know why

1:17:32.400 --> 1:17:33.519
<v Speaker 2>they mentioned that.

1:17:33.720 --> 1:17:35.559
<v Speaker 1>She loudly blurts it out.

1:17:36.520 --> 1:17:40.720
<v Speaker 2>People people did that sometimes I just am like, I'm

1:17:40.720 --> 1:17:45.960
<v Speaker 2>from massive choosett Like you just can't your place of

1:17:46.000 --> 1:17:50.200
<v Speaker 2>origin and occupation. It's just yes, human nature.

1:17:50.280 --> 1:17:53.479
<v Speaker 1>So true. Okay, So the three of them get in

1:17:53.720 --> 1:17:58.679
<v Speaker 1>a truck with sunny driving and they head to you

1:17:58.720 --> 1:18:03.160
<v Speaker 1>guessed it, call Colorado. Sure, they have to outrun a

1:18:03.320 --> 1:18:07.799
<v Speaker 1>huge gravity wave of water that's coming from the ocean.

1:18:08.840 --> 1:18:12.719
<v Speaker 1>They drive for a while, then some hijackers steal their truck,

1:18:12.920 --> 1:18:15.880
<v Speaker 1>so they set off on foot. Yeah, in the middle

1:18:15.880 --> 1:18:19.400
<v Speaker 1>of winter, presum it seems like, because it's snowing.

1:18:20.360 --> 1:18:23.040
<v Speaker 2>And and to be clear, the carjackers, what we know

1:18:23.080 --> 1:18:24.640
<v Speaker 2>about them is that they're.

1:18:24.680 --> 1:18:30.880
<v Speaker 1>They're they're poor, Yeah, and therefore scary violence trust them.

1:18:31.200 --> 1:18:38.120
<v Speaker 1>Right then chunks of the moon start barreling down around them. Sure,

1:18:38.320 --> 1:18:42.559
<v Speaker 1>Back in space, Brian, Joe and Case set a trap

1:18:42.840 --> 1:18:51.160
<v Speaker 1>for the evil nanotechnology monster swarm thing, but it doesn't

1:18:51.240 --> 1:18:55.760
<v Speaker 1>take the bait, so the astronauts decide to take a

1:18:55.880 --> 1:19:01.000
<v Speaker 1>smaller space vessel inside of the Moon. They discover that,

1:19:01.120 --> 1:19:06.120
<v Speaker 1>sure enough, it is a megastructure, and they're like, whoa, so.

1:19:06.120 --> 1:19:10.360
<v Speaker 2>Which means the moon is hollow. The moon is fake.

1:19:11.240 --> 1:19:18.439
<v Speaker 2>The moon landing was fake. Elon Musk is awesome that yes,

1:19:19.520 --> 1:19:22.200
<v Speaker 2>I never Yeah, well whatever, I don't. I can't think

1:19:22.240 --> 1:19:27.080
<v Speaker 2>about Elon Musk anymore today. On our joke episode, Sorry.

1:19:26.680 --> 1:19:29.400
<v Speaker 1>What wait, Genie, what what?

1:19:29.560 --> 1:19:31.920
<v Speaker 2>I'm sorry? I'm sorry, I'm sorry.

1:19:32.720 --> 1:19:41.519
<v Speaker 1>Happy aprifolds everyone. Okay, Back on Earth, Sonny, Jimmy, and

1:19:41.560 --> 1:19:47.840
<v Speaker 1>Michelle link up with Brenda and Tom. They have to

1:19:47.880 --> 1:19:51.120
<v Speaker 1>go find some oxygen tanks because all of a sudden,

1:19:51.200 --> 1:19:56.160
<v Speaker 1>the Earth is running out of breathable air. The hijackers

1:19:56.160 --> 1:19:59.560
<v Speaker 1>from earlier show up with guns, and so they're hassling

1:20:00.680 --> 1:20:03.559
<v Speaker 1>Sonny and friends, but they're able to get away, and

1:20:03.600 --> 1:20:07.800
<v Speaker 1>there's a chase and blah blah blah elsewhere in Colorado. Meanwhile,

1:20:08.400 --> 1:20:12.280
<v Speaker 1>the military is about to launch a nuclear attack at

1:20:12.320 --> 1:20:12.759
<v Speaker 1>the Moon.

1:20:13.080 --> 1:20:16.760
<v Speaker 2>Yeah, which I do appreciate is repeatedly referred to as

1:20:17.320 --> 1:20:21.520
<v Speaker 2>nuking the Moon. That's the kind of disaster movie shorthand

1:20:21.680 --> 1:20:26.120
<v Speaker 2>I show up to hear in the movie noona Moonfall

1:20:26.760 --> 1:20:31.840
<v Speaker 2>is that if halle Berry isn't expeditious in getting the

1:20:31.880 --> 1:20:35.840
<v Speaker 2>Moon saved or exposing the Moon, or whatever the hell

1:20:35.880 --> 1:20:38.320
<v Speaker 2>it is she's supposed to be doing, they're gonna nuke

1:20:38.400 --> 1:20:38.880
<v Speaker 2>the moon.

1:20:39.439 --> 1:20:42.280
<v Speaker 1>Nuke the moon. Yeah, that's a tagline if I've ever

1:20:42.520 --> 1:20:43.000
<v Speaker 1>heard one.

1:20:43.040 --> 1:20:47.240
<v Speaker 2>Now, that's what I call steaks. They're gonna nuke the moon,

1:20:47.400 --> 1:20:49.000
<v Speaker 2>all right, we better get moving.

1:20:49.280 --> 1:20:53.280
<v Speaker 1>Yeah, and really they do because Brian, Joe, and Casey

1:20:53.439 --> 1:20:57.759
<v Speaker 1>are good so fast. They're still inside the Hollow Moon

1:20:57.920 --> 1:21:02.960
<v Speaker 1>Mega structure, where the swarm of nanobots start to go

1:21:03.040 --> 1:21:08.240
<v Speaker 1>after them, but then something seems to save them and

1:21:08.320 --> 1:21:13.000
<v Speaker 1>kind of pull their spaceship to safety. Brian, who has

1:21:13.040 --> 1:21:17.599
<v Speaker 1>gotten separated from the other two, finds himself in a

1:21:17.760 --> 1:21:22.360
<v Speaker 1>room a plot void, a plot void with the Moon's

1:21:22.479 --> 1:21:27.000
<v Speaker 1>operating system, which has taken the form of Sonny when

1:21:27.080 --> 1:21:30.479
<v Speaker 1>he was a little son when he hated New Jersey,

1:21:31.240 --> 1:21:35.479
<v Speaker 1>hated New Jersey. And this is something that the movie

1:21:35.560 --> 1:21:39.960
<v Speaker 1>Moonfall seems to have lifted directly from the movie Contact,

1:21:40.640 --> 1:21:42.120
<v Speaker 1>because do you remember at the end of that movie

1:21:42.160 --> 1:21:45.679
<v Speaker 1>when Jodie Foster is like talking to the alien and

1:21:46.000 --> 1:21:50.320
<v Speaker 1>it takes the form of her father and it's like, yeah,

1:21:50.320 --> 1:21:52.800
<v Speaker 1>this is a form that will be easier to communicate

1:21:52.840 --> 1:21:55.320
<v Speaker 1>with you. In Moonfall does the same exact thing, except

1:21:55.320 --> 1:21:57.799
<v Speaker 1>for its except it's sunny.

1:21:58.160 --> 1:22:03.599
<v Speaker 2>Except it doesn't work. Yeah, it is very confusing this movie. Again,

1:22:03.840 --> 1:22:09.320
<v Speaker 2>I think probably politically it falls on its attitude toward

1:22:09.520 --> 1:22:16.560
<v Speaker 2>I just think because attitudes towards Ai have changed and clarified,

1:22:16.840 --> 1:22:19.120
<v Speaker 2>and I include myself in this too, where like I

1:22:19.160 --> 1:22:21.920
<v Speaker 2>think in twenty twenty two, I don't know how many

1:22:22.040 --> 1:22:26.320
<v Speaker 2>like cogent thoughts I had on Ai other than I

1:22:26.360 --> 1:22:30.120
<v Speaker 2>don't like it. So I wasn't shocked to see a

1:22:30.320 --> 1:22:34.799
<v Speaker 2>sort of bizarre, incoherent view on Ai.

1:22:36.080 --> 1:22:37.440
<v Speaker 1>It's just so coherent.

1:22:37.640 --> 1:22:41.240
<v Speaker 2>It's really confusing because it does seem to be basically

1:22:41.560 --> 1:22:43.360
<v Speaker 2>anti but.

1:22:43.479 --> 1:22:46.439
<v Speaker 1>Except for when it's pro Ai in the movie, right,

1:22:46.520 --> 1:22:49.000
<v Speaker 1>not decide where it lands on Ai.

1:22:48.840 --> 1:22:51.280
<v Speaker 2>Because they're like, because of Ai, well this is what Okay,

1:22:51.320 --> 1:22:53.719
<v Speaker 2>so this is actually going in sequence, Like we learn

1:22:53.880 --> 1:22:58.439
<v Speaker 2>in the plot void that due to Ai there was

1:22:58.479 --> 1:23:02.400
<v Speaker 2>an amazing Utope. Yeah, so AI was good, but then

1:23:02.479 --> 1:23:06.559
<v Speaker 2>AI became sentient, and then AI was bad and now

1:23:07.439 --> 1:23:10.200
<v Speaker 2>there's two. It reminded me a lot of I Frankenstein,

1:23:10.400 --> 1:23:12.360
<v Speaker 2>where you find out deep into the movie there's a

1:23:12.400 --> 1:23:15.160
<v Speaker 2>war between demons and gargoyles, and you're like, there's a

1:23:15.200 --> 1:23:19.040
<v Speaker 2>war between demons and gargoyles. It feels like that, except

1:23:19.040 --> 1:23:22.240
<v Speaker 2>there's like a war between two AI.

1:23:22.880 --> 1:23:27.400
<v Speaker 1>There's benevolent AI and evil AI according to this movie.

1:23:27.200 --> 1:23:30.840
<v Speaker 2>So it really does refuse to choose a side as

1:23:30.880 --> 1:23:33.080
<v Speaker 2>to are we pro AI, and they're like, well, we're

1:23:33.120 --> 1:23:36.120
<v Speaker 2>pro the good AI, and we cannot be more specific

1:23:36.120 --> 1:23:38.160
<v Speaker 2>about what that means.

1:23:38.320 --> 1:23:42.960
<v Speaker 1>Yeah, correct, Yeah, yeah, we can talk more about that, but.

1:23:43.760 --> 1:23:47.280
<v Speaker 2>I really don't want to. But okay, but we can.

1:23:48.160 --> 1:23:51.680
<v Speaker 1>Yeah, I mean I suppose we don't have to. But

1:23:52.040 --> 1:23:58.839
<v Speaker 1>what happens here in the story is this construct of Sonny,

1:23:58.960 --> 1:24:04.639
<v Speaker 1>This AI manifestation of this little boy explains that billions

1:24:04.680 --> 1:24:10.240
<v Speaker 1>of years ago, the ancestors of humans lived in a

1:24:10.680 --> 1:24:15.000
<v Speaker 1>hyper advanced utopian society.

1:24:14.720 --> 1:24:16.320
<v Speaker 2>That like AI made for them.

1:24:16.800 --> 1:24:19.719
<v Speaker 1>It was either AI made for them or they made

1:24:19.760 --> 1:24:21.880
<v Speaker 1>the AI, but we made.

1:24:21.760 --> 1:24:25.480
<v Speaker 2>It for them, we don't know, or that like maintained

1:24:25.600 --> 1:24:27.120
<v Speaker 2>the world, yeah, it says.

1:24:27.720 --> 1:24:32.160
<v Speaker 1>The movie says that this utopian society was controlled by

1:24:32.960 --> 1:24:38.920
<v Speaker 1>a central self learning computer system aka AI. For a while,

1:24:39.000 --> 1:24:44.320
<v Speaker 1>this went great. Human ancestors expanded and built other planets

1:24:44.360 --> 1:24:50.799
<v Speaker 1>which they lived on. They were like doing space colonialism

1:24:51.240 --> 1:24:56.519
<v Speaker 1>and they yeah, but then one day everything changed when

1:24:56.720 --> 1:24:59.760
<v Speaker 1>the AI became self aware and it turned into this

1:25:00.120 --> 1:25:03.479
<v Speaker 1>warm of evil spiky nanotechnology that we have been seeing

1:25:03.479 --> 1:25:07.040
<v Speaker 1>throughout the movie, and that started a war against all

1:25:07.120 --> 1:25:13.120
<v Speaker 1>biological life. Because of that, the ancestors built structures like

1:25:13.280 --> 1:25:19.559
<v Speaker 1>the Moon, which was operated by benevolent AI to try

1:25:19.560 --> 1:25:22.840
<v Speaker 1>to keep them safe from the evil AI, and they

1:25:22.880 --> 1:25:27.000
<v Speaker 1>would send these megastructures to various solar systems looking for

1:25:27.360 --> 1:25:30.360
<v Speaker 1>a new place to inhabit, and one of them being

1:25:30.920 --> 1:25:35.439
<v Speaker 1>our moon. So the Moon gets shot off to our

1:25:35.520 --> 1:25:39.439
<v Speaker 1>solar system. But meanwhile, the evil AI killed all of

1:25:39.439 --> 1:25:42.559
<v Speaker 1>the ancestors. So now it was up to the Moon

1:25:43.479 --> 1:25:48.200
<v Speaker 1>to create Earth from space dust, and it gives birth

1:25:48.240 --> 1:25:52.800
<v Speaker 1>to the Earth, and it puts the DNA for humans

1:25:52.840 --> 1:25:57.840
<v Speaker 1>onto Earth so that humans would eventually evolve.

1:25:58.760 --> 1:26:02.559
<v Speaker 2>I guess I got to my eyes glazed over when

1:26:02.600 --> 1:26:05.200
<v Speaker 2>I heard it in the movie, and I my eyes

1:26:05.240 --> 1:26:07.680
<v Speaker 2>glazed over. Just now, I have no idea what the

1:26:07.720 --> 1:26:10.680
<v Speaker 2>hell happened in that plot. Void they were like like

1:26:10.760 --> 1:26:14.519
<v Speaker 2>to me, my takeaway was like, Okay, so there's a

1:26:14.640 --> 1:26:20.000
<v Speaker 2>war between demons and gargoyles basically pretty much, and both

1:26:20.040 --> 1:26:22.960
<v Speaker 2>sides sound bad, but for some reason, we're on the

1:26:23.000 --> 1:26:27.479
<v Speaker 2>side of gargoyles. Yeah. Using my big I Frankenstein brain,

1:26:27.560 --> 1:26:30.400
<v Speaker 2>I think I was able to basically get there, but

1:26:30.640 --> 1:26:37.160
<v Speaker 2>the AI messaging was completely incoherent, nonsensical, could mean I mean,

1:26:37.320 --> 1:26:39.160
<v Speaker 2>like I think a lot of movies that are trying

1:26:39.200 --> 1:26:42.760
<v Speaker 2>to make a ton of money globally, the messages that

1:26:42.800 --> 1:26:46.400
<v Speaker 2>are supposed to be specific are extremely vague, so that

1:26:46.439 --> 1:26:49.040
<v Speaker 2>they could mean anything to anyone in the hopes that

1:26:49.200 --> 1:26:53.240
<v Speaker 2>everyone will like this movie. And what sometimes happens is

1:26:53.400 --> 1:26:56.880
<v Speaker 2>no one likes it.

1:26:55.680 --> 1:26:58.799
<v Speaker 1>Not us, though we love us.

1:26:59.000 --> 1:27:03.280
<v Speaker 2>We're geniuses. Yeah, we understood that in the War of

1:27:03.320 --> 1:27:07.040
<v Speaker 2>Demons versus Gargoyles, we were of course siding with gargoyles.

1:27:07.040 --> 1:27:09.519
<v Speaker 1>Gargoles. No, but I know what you mean. There were

1:27:09.720 --> 1:27:11.800
<v Speaker 1>several so I watched this movie twice to prep for

1:27:11.840 --> 1:27:16.400
<v Speaker 1>the episode, as I always do. There were specific moments,

1:27:16.920 --> 1:27:19.719
<v Speaker 1>you know, when you're like trying to watch a movie

1:27:19.960 --> 1:27:22.320
<v Speaker 1>or like read a book as you're falling asleep, and

1:27:22.320 --> 1:27:25.439
<v Speaker 1>then you fall asleep at the same exact moment, but

1:27:25.439 --> 1:27:27.400
<v Speaker 1>then you kind of wake up and you rewind because

1:27:27.439 --> 1:27:29.479
<v Speaker 1>you missed it, and then you watch it again and

1:27:29.479 --> 1:27:32.320
<v Speaker 1>then you fall asleep at the same exact moment again.

1:27:33.240 --> 1:27:35.320
<v Speaker 1>This kept happening. While I was watching this movie. I

1:27:35.360 --> 1:27:39.800
<v Speaker 1>would just black out sometimes during specific moments.

1:27:39.880 --> 1:27:43.439
<v Speaker 2>I'm really proud of you that, for our sorry listeners,

1:27:43.439 --> 1:27:46.640
<v Speaker 2>our April Fools episode, which is supposed to be a

1:27:46.720 --> 1:27:51.479
<v Speaker 2>lightlift for us at the show, that you have taken

1:27:51.479 --> 1:27:54.840
<v Speaker 2>it upon yourself to fully understand what happens in this movie,

1:27:54.840 --> 1:27:58.519
<v Speaker 2>because I was like, there's no First of all, with

1:27:58.560 --> 1:28:00.280
<v Speaker 2>all due respect to our listeners, there was no chance

1:28:00.280 --> 1:28:03.800
<v Speaker 2>in hell. I was watching this a second time, and yeah,

1:28:04.080 --> 1:28:07.000
<v Speaker 2>I did rewatch certain scenes to be like, oh my god, wait.

1:28:07.040 --> 1:28:09.120
<v Speaker 2>I totally stopped paying attention in the middle of that

1:28:09.160 --> 1:28:12.840
<v Speaker 2>because it was so confusing and like bizarre. So I

1:28:12.880 --> 1:28:15.320
<v Speaker 2>would like, go, you know, try to keep pace with it.

1:28:15.360 --> 1:28:17.920
<v Speaker 2>But it was like certain sequences like this, I'm like,

1:28:18.680 --> 1:28:22.920
<v Speaker 2>it's not gonna happen. Yeah, Like, ah, I have no

1:28:23.120 --> 1:28:24.160
<v Speaker 2>fucking clue.

1:28:24.000 --> 1:28:28.880
<v Speaker 1>It's utter nonsense. I had to like really force myself.

1:28:29.200 --> 1:28:32.640
<v Speaker 1>I had to like pry my eyes open Clockwork Orange

1:28:32.680 --> 1:28:36.560
<v Speaker 1>style at certain points because I was like, wait, what happens.

1:28:37.160 --> 1:28:39.280
<v Speaker 2>That's sort of like what it feels like with this

1:28:39.360 --> 1:28:42.519
<v Speaker 2>movie and the concept of going to Colorado. You're being

1:28:42.600 --> 1:28:45.880
<v Speaker 2>Clockwork Orange into going to Colorado, the only safe place

1:28:45.960 --> 1:28:46.920
<v Speaker 2>that exist on Earth.

1:28:47.680 --> 1:28:51.600
<v Speaker 1>Yeah, yeah, Okay, So the movie is pretty close to

1:28:51.640 --> 1:28:53.439
<v Speaker 1>being done. Wait, no, I have like so many more

1:28:53.439 --> 1:28:54.840
<v Speaker 1>paragraphs of this recap changing.

1:28:55.600 --> 1:28:58.200
<v Speaker 8>No, Actually a lot of stuff happens at the end,

1:28:58.200 --> 1:29:01.839
<v Speaker 8>but it's like staged in such an abrupt and boring

1:29:02.280 --> 1:29:04.879
<v Speaker 8>I'm kind of dropping the premise of our April Foll's episode,

1:29:05.160 --> 1:29:07.040
<v Speaker 8>but it's like it's staged in such.

1:29:06.880 --> 1:29:10.840
<v Speaker 2>An abrupt and boring way that you kind of forget

1:29:10.840 --> 1:29:13.880
<v Speaker 2>how much happens in comparison to how interesting it is

1:29:13.920 --> 1:29:15.080
<v Speaker 2>to watch and take in.

1:29:15.840 --> 1:29:17.120
<v Speaker 1>So true, yeah, so.

1:29:18.800 --> 1:29:19.200
<v Speaker 2>Sunny.

1:29:19.920 --> 1:29:27.160
<v Speaker 1>The benevolent AI construct explains that they need a human

1:29:27.400 --> 1:29:31.959
<v Speaker 1>to lure the evil AI swarm away from the Moon's

1:29:33.120 --> 1:29:38.200
<v Speaker 1>power core or something which is destroying and that's why

1:29:38.240 --> 1:29:42.160
<v Speaker 1>the Moon is veering off course. They need to destroy

1:29:42.520 --> 1:29:46.000
<v Speaker 1>the AI swarm so that the Moon can return to

1:29:46.080 --> 1:29:50.479
<v Speaker 1>its original orbit, and it's up to Brian and friends

1:29:50.560 --> 1:29:54.400
<v Speaker 1>to do this because for some reason, the super technologically

1:29:54.520 --> 1:30:00.920
<v Speaker 1>advanced Moon doesn't have the technology to save itself. Sure,

1:30:01.080 --> 1:30:06.120
<v Speaker 1>and so Brian, who by the way, has Moon Jedi

1:30:06.240 --> 1:30:09.880
<v Speaker 1>powers now and just can open doors with the wave

1:30:09.960 --> 1:30:16.599
<v Speaker 1>of his hand. Doug Caln sorry sorry, he, Joe and

1:30:16.680 --> 1:30:22.639
<v Speaker 1>Casey get into their once broken spaceship that the moon fixed. Okay,

1:30:23.400 --> 1:30:27.120
<v Speaker 1>to destroy the AI swarm. We cut back to Earth

1:30:27.560 --> 1:30:32.600
<v Speaker 1>where Sunny and company are walking to whatever part of

1:30:32.680 --> 1:30:37.719
<v Speaker 1>Colorado has the military bunker where Doug is. Oh, Doug,

1:30:37.760 --> 1:30:40.679
<v Speaker 1>by the way, uh huh that's her ex husband. Who

1:30:40.960 --> 1:30:41.679
<v Speaker 1>oh yeah.

1:30:41.760 --> 1:30:43.880
<v Speaker 2>Some point they just say the name Doug. And then

1:30:43.960 --> 1:30:47.080
<v Speaker 2>the guy who is always like, I love talking to

1:30:47.120 --> 1:30:50.000
<v Speaker 2>my son on the phone. He's in first grade, like

1:30:50.920 --> 1:30:54.960
<v Speaker 2>Doug a weird guy, a weird, weird guy, but like

1:30:55.120 --> 1:30:58.440
<v Speaker 2>but slayh you know, good for Doug, but good for him?

1:30:58.439 --> 1:31:00.800
<v Speaker 2>Why not? So I look at Dog, I say why not?

1:31:00.920 --> 1:31:03.759
<v Speaker 2>Why not him?

1:31:03.960 --> 1:31:08.320
<v Speaker 1>Okay? Now the Earth is almost out of air, all

1:31:08.360 --> 1:31:11.960
<v Speaker 1>the air leaked out while the Moon was falling into it.

1:31:12.000 --> 1:31:20.120
<v Speaker 1>Oh God, and Michael Penia suffocates and he fucking croaks.

1:31:20.720 --> 1:31:23.880
<v Speaker 2>He I really, and with all due respect to those

1:31:23.880 --> 1:31:27.320
<v Speaker 2>who have lost a loved one in this manner, yes, because.

1:31:27.000 --> 1:31:29.960
<v Speaker 1>Of this manner being the Moon falling into the Earth,

1:31:30.160 --> 1:31:31.840
<v Speaker 1>the Earth's atmosphere.

1:31:32.800 --> 1:31:36.920
<v Speaker 2>It really is implied that Michael Penia is among a

1:31:36.960 --> 1:31:43.800
<v Speaker 2>maximum of ten casualties in this mass disaster. And it

1:31:44.000 --> 1:31:47.320
<v Speaker 2>really I've never seen a death that you're like, oh,

1:31:47.479 --> 1:31:50.040
<v Speaker 2>that's what the word keel over me and.

1:31:50.600 --> 1:31:57.760
<v Speaker 7>He he just kind of falls to the side, and yeah,

1:31:58.160 --> 1:32:01.800
<v Speaker 7>rough rough break from Michael Pina in this one, because

1:32:01.800 --> 1:32:05.000
<v Speaker 7>you're just like, what is going on?

1:32:05.360 --> 1:32:08.000
<v Speaker 2>Like what am I looking at? And the answer is,

1:32:08.080 --> 1:32:08.840
<v Speaker 2>don't worry about it.

1:32:08.920 --> 1:32:10.000
<v Speaker 1>Don't even worry about it.

1:32:10.080 --> 1:32:14.719
<v Speaker 2>I don't worry about it. I just did this. Let

1:32:14.920 --> 1:32:21.360
<v Speaker 2>people enjoy things, just kidding. Please don't let people enjoy things.

1:32:21.560 --> 1:32:22.960
<v Speaker 2>This sucks.

1:32:23.320 --> 1:32:26.200
<v Speaker 1>Yeah, don't don't like what I mean here, Okay, here's

1:32:26.200 --> 1:32:29.439
<v Speaker 1>what I'll say about Moonfall. Please say it.

1:32:29.720 --> 1:32:34.040
<v Speaker 2>Someone has to. As much as this movie blows ass

1:32:34.240 --> 1:32:35.400
<v Speaker 2>in a feminist way.

1:32:35.320 --> 1:32:39.360
<v Speaker 9>In a feminist way, women.

1:32:39.200 --> 1:32:45.320
<v Speaker 2>Can blow ass to or something I do kind of love.

1:32:45.640 --> 1:32:50.360
<v Speaker 1>It's what it's. Moonfall to Me is as I Frankenstein

1:32:50.680 --> 1:32:52.200
<v Speaker 1>is to you.

1:32:52.720 --> 1:32:58.080
<v Speaker 2>Fair enough, fair enough, I I Frankenstein to me is

1:32:58.160 --> 1:33:04.120
<v Speaker 2>the perfect bad movie because at least it focuses on

1:33:04.120 --> 1:33:08.880
<v Speaker 2>one confusing guy and not twenty confusing guys. Sure, and

1:33:09.160 --> 1:33:13.320
<v Speaker 2>say what you will about Adam Frankenstein and I let's

1:33:13.560 --> 1:33:17.680
<v Speaker 2>forget that is his name. We know who this guy is.

1:33:18.439 --> 1:33:21.800
<v Speaker 2>He just is the fucking weirdest guy to ever live.

1:33:21.880 --> 1:33:26.880
<v Speaker 2>For a thing, how it is incredible, just thinking, Wow,

1:33:27.320 --> 1:33:31.240
<v Speaker 2>there are so many ways that you could portray two

1:33:31.320 --> 1:33:35.000
<v Speaker 2>hundred years passing, but the way I Frankenstein does it

1:33:35.120 --> 1:33:38.120
<v Speaker 2>is the best, which is just Aaron Eckhart swinging nunchucks

1:33:38.120 --> 1:33:41.919
<v Speaker 2>at the top of a mountain, and then it fades.

1:33:42.040 --> 1:33:44.799
<v Speaker 2>His outfit changes and all of a sudden, it's twenty fourteen.

1:33:44.920 --> 1:33:47.280
<v Speaker 1>Yeah, he gets a haircut, and it's two hundred years later.

1:33:47.800 --> 1:33:51.839
<v Speaker 1>Oh you know, some would say that I Frankenstein walked

1:33:52.200 --> 1:33:56.240
<v Speaker 1>so that Ghirrimo del Toro's Frankenstein could run.

1:33:56.840 --> 1:34:02.240
<v Speaker 2>Let's talk about that. That's so true. Yeah, that's so true. Okay,

1:34:02.360 --> 1:34:06.720
<v Speaker 2>So so yeah, Michael Panya keels over and dies. This

1:34:07.040 --> 1:34:14.479
<v Speaker 2>I will say, Patrick Wilson shortly will have really no, no, actually,

1:34:15.320 --> 1:34:17.280
<v Speaker 2>there is an iconic scene at the end where they

1:34:17.320 --> 1:34:19.599
<v Speaker 2>all meet at the tip of the Chrysler building. Very

1:34:19.680 --> 1:34:21.920
<v Speaker 2>unclear where this actually is.

1:34:22.040 --> 1:34:23.400
<v Speaker 1>No, this is still in Colorado.

1:34:23.640 --> 1:34:26.360
<v Speaker 2>They're still in Colorado, okay, because they theoretically, I don't

1:34:26.400 --> 1:34:30.040
<v Speaker 2>know how they would have gotten out of Colorado. But

1:34:30.240 --> 1:34:32.639
<v Speaker 2>they they all meet up and then they just sort

1:34:32.640 --> 1:34:36.320
<v Speaker 2>of state what their relationships to each other are at

1:34:36.360 --> 1:34:39.240
<v Speaker 2>the end of the movie, much like they did going Okay,

1:34:39.240 --> 1:34:42.559
<v Speaker 2>so this guy died. Oh that's sad. This guy died.

1:34:42.640 --> 1:34:45.599
<v Speaker 2>Oh that's sad. But we're friends, and you're my son,

1:34:46.160 --> 1:34:49.360
<v Speaker 2>and you're my ex wife, and here's oh and here's

1:34:49.720 --> 1:34:54.639
<v Speaker 2>little Jimmy. And my ex husband is nearby but he's

1:34:54.680 --> 1:35:00.240
<v Speaker 2>not here, and we're friends and oh yeah and Kate.

1:35:00.280 --> 1:35:02.160
<v Speaker 2>Oh wait, well we need to talk about how Casey dies.

1:35:02.240 --> 1:35:04.640
<v Speaker 1>Okay, yeah, yeah, yeah, sorry, let me oh, well, we

1:35:04.640 --> 1:35:06.479
<v Speaker 1>need to get to the climax.

1:35:06.000 --> 1:35:09.559
<v Speaker 2>Of the movie. So what would you say is the

1:35:09.560 --> 1:35:10.840
<v Speaker 2>climax of the movie really?

1:35:10.920 --> 1:35:15.280
<v Speaker 1>Well, actually, I think it's pretty I think it's clear.

1:35:15.400 --> 1:35:18.760
<v Speaker 2>Okay, Okay, No, I'm sorry, I'm being a bitch, bitche

1:35:18.880 --> 1:35:20.880
<v Speaker 2>Sorry sorry, sorry, sorry, sorry, all right.

1:35:20.880 --> 1:35:25.719
<v Speaker 1>So whatever, Michael Penia dies, Sonny goes looking for him.

1:35:26.520 --> 1:35:32.000
<v Speaker 1>Michelle goes looking for Sonny. Moonchunks are plummeting to the earth.

1:35:33.600 --> 1:35:36.080
<v Speaker 2>He said it like Moonchunks is the name of a character,

1:35:37.680 --> 1:35:40.719
<v Speaker 2>is it not? I think we should write a character

1:35:40.800 --> 1:35:45.480
<v Speaker 2>named moonchunks. But okay, no, sorry, we're back. We're okay.

1:35:45.920 --> 1:35:49.120
<v Speaker 1>So New York City ever heard of it?

1:35:49.560 --> 1:35:49.960
<v Speaker 2>All right?

1:35:50.600 --> 1:35:55.400
<v Speaker 1>Is being ripped apart. The military is minutes away from

1:35:55.520 --> 1:35:58.879
<v Speaker 1>launching their nuclear attack on the Moon. So the steaks

1:35:59.680 --> 1:36:03.559
<v Speaker 1>are higher. The farther the moon falls down, the further

1:36:03.720 --> 1:36:05.120
<v Speaker 1>the stakes rise up.

1:36:05.439 --> 1:36:07.960
<v Speaker 2>Yeah, well, to the people of Colorado, we're really not

1:36:08.000 --> 1:36:10.280
<v Speaker 2>sure we're going out outside of Colorado elsewhere. We don't

1:36:10.280 --> 1:36:12.120
<v Speaker 2>give a shitla freak it out.

1:36:12.880 --> 1:36:17.320
<v Speaker 1>Yeah, okay, So back inside of the moon, Brian in front,

1:36:18.080 --> 1:36:21.559
<v Speaker 1>and let's just pause for a minute to really reflect.

1:36:21.640 --> 1:36:25.160
<v Speaker 2>I'm not laughing, Sorry, that was rude to that.

1:36:25.040 --> 1:36:29.639
<v Speaker 1>Statement of being inside of the moon. Brian and friends

1:36:29.720 --> 1:36:33.920
<v Speaker 1>are flying around in their ship. The evil AI swarm

1:36:34.160 --> 1:36:37.920
<v Speaker 1>is chasing it. Brian reveals his plan that he is

1:36:38.000 --> 1:36:41.759
<v Speaker 1>going to act as bait and sacrifice himself to destroy

1:36:41.880 --> 1:36:47.080
<v Speaker 1>the swarm, but Casey is like, no, I will be

1:36:47.200 --> 1:36:50.679
<v Speaker 1>the one to sacrifice myself. And I have a whole

1:36:50.760 --> 1:36:54.559
<v Speaker 1>spiel on why I think that is. We'll get to it.

1:36:54.800 --> 1:36:57.640
<v Speaker 2>But caitlinus are even two hours in this episode. How

1:36:57.720 --> 1:36:58.800
<v Speaker 2>much are we going to talk about it?

1:36:58.920 --> 1:37:03.559
<v Speaker 1>Okay, fine, all right, I'll okay. So the other two

1:37:03.600 --> 1:37:08.880
<v Speaker 1>astronauts on this mission are Brian and Joe. They each

1:37:09.160 --> 1:37:13.000
<v Speaker 1>have a kid. Casey does not have a kid, and

1:37:13.080 --> 1:37:16.120
<v Speaker 1>I feel like the movie basically suggests that it has

1:37:16.240 --> 1:37:19.880
<v Speaker 1>to be him who sacrifices himself and dies because he

1:37:19.920 --> 1:37:24.200
<v Speaker 1>doesn't have any children. Therefore he is quote unquote expendable.

1:37:24.880 --> 1:37:28.240
<v Speaker 1>The only family he has is a mom with Alzheimer's.

1:37:28.520 --> 1:37:32.160
<v Speaker 2>Well that's also like, right, so he's a caretaker. I mean,

1:37:33.200 --> 1:37:36.559
<v Speaker 2>it's so hard to like because I think I totally agree.

1:37:36.560 --> 1:37:39.840
<v Speaker 2>I think that's one of the reasons. But there's also

1:37:39.960 --> 1:37:42.919
<v Speaker 2>this movie is so playing on so many broad tropes

1:37:42.960 --> 1:37:45.800
<v Speaker 2>that it's like so many reasons. I feel like it

1:37:45.800 --> 1:37:48.080
<v Speaker 2>has to do with like, the least famous person in

1:37:48.160 --> 1:37:51.880
<v Speaker 2>the scene has to die, the least Western beauty standards

1:37:51.960 --> 1:37:55.719
<v Speaker 2>attractive person in the scene has to die, the comic

1:37:55.760 --> 1:37:58.639
<v Speaker 2>relief as opposed to the dramatic hero has to die.

1:37:58.840 --> 1:38:02.960
<v Speaker 2>There's like a Jillian tropes at play here, all at once,

1:38:03.120 --> 1:38:07.680
<v Speaker 2>and all of them, unfortunately indicate that John Bradley must die, but.

1:38:07.400 --> 1:38:09.080
<v Speaker 1>But John Tucker must die.

1:38:09.160 --> 1:38:12.680
<v Speaker 2>But but John Bradley does not die. His consciousness is

1:38:12.760 --> 1:38:14.479
<v Speaker 2>melded with the moon and then he's a part of

1:38:14.479 --> 1:38:21.400
<v Speaker 2>the moon. So no, okay, is it is bad. It's

1:38:21.439 --> 1:38:25.800
<v Speaker 2>like playing on every trope and I mean it just

1:38:25.880 --> 1:38:29.240
<v Speaker 2>and and it's playing on a number of fat phobic tropes.

1:38:29.280 --> 1:38:35.200
<v Speaker 2>It's playing on so many tropes are present here, except

1:38:35.280 --> 1:38:40.479
<v Speaker 2>really with our two protagonists, who are so bland that.

1:38:40.320 --> 1:38:42.519
<v Speaker 1>You're like that there's sort of nothing going on.

1:38:43.080 --> 1:38:46.320
<v Speaker 2>There's they're just dead behind the eyes and they don't

1:38:46.320 --> 1:38:49.479
<v Speaker 2>even bother to imply that maybe these and again I'm

1:38:49.479 --> 1:38:53.240
<v Speaker 2>not saying I honestly, this is actually the rare, the

1:38:53.360 --> 1:38:57.679
<v Speaker 2>rare story where I think that having some romantic chemistry

1:38:57.720 --> 1:39:00.559
<v Speaker 2>between these two actors would have helped me them be

1:39:00.640 --> 1:39:02.880
<v Speaker 2>more interesting to watch. Where I know that, like it's

1:39:02.880 --> 1:39:05.120
<v Speaker 2>the Bechdel Cast and we're not like not every like

1:39:05.240 --> 1:39:08.280
<v Speaker 2>man woman pairing needs to be romantically interested. But it's like,

1:39:09.840 --> 1:39:13.280
<v Speaker 2>what is there between these two people. I'm not feeling

1:39:13.320 --> 1:39:17.720
<v Speaker 2>the friendship, I'm not feeling the resentment of the betrayal.

1:39:18.600 --> 1:39:21.000
<v Speaker 2>We might as well just make the hot people kiss,

1:39:21.040 --> 1:39:23.719
<v Speaker 2>but they don't even touch at the end of the movie.

1:39:23.880 --> 1:39:27.839
<v Speaker 2>There's not even a friendly handshake, Like there is nothing

1:39:27.960 --> 1:39:30.879
<v Speaker 2>between these two people. Well, it feels like Arrested Development

1:39:30.960 --> 1:39:33.320
<v Speaker 2>season four. It's like they're not even like in the

1:39:33.360 --> 1:39:34.479
<v Speaker 2>same room together.

1:39:35.000 --> 1:39:38.640
<v Speaker 1>Wow, so true. Well you're forgetting that they have a

1:39:38.720 --> 1:39:42.400
<v Speaker 1>running inside joke about the lyrics.

1:39:42.000 --> 1:39:43.800
<v Speaker 2>About two Totos Africa.

1:39:44.040 --> 1:39:46.240
<v Speaker 1>Yeah, that is referenced.

1:39:45.880 --> 1:39:53.160
<v Speaker 2>Twice fifteen years apart, and they're like, haha, yes, remember that.

1:39:53.320 --> 1:39:57.960
<v Speaker 2>Remember that he's also referencing the wedding of a failed marriage,

1:39:58.000 --> 1:40:00.400
<v Speaker 2>which I wouldn't necessarily bring up in in front of

1:40:00.400 --> 1:40:04.960
<v Speaker 2>my dear friend, but whatever. Yeah.

1:40:05.040 --> 1:40:08.200
<v Speaker 1>Yeah, if these two characters had been kind of like

1:40:08.280 --> 1:40:11.519
<v Speaker 1>forced together in a romantic kiss at the end or something,

1:40:11.880 --> 1:40:14.479
<v Speaker 1>I would have been like boo. But also, but it's

1:40:14.520 --> 1:40:17.479
<v Speaker 1>like there's nothing between them, so I'm also like between

1:40:17.560 --> 1:40:18.680
<v Speaker 1>two characters.

1:40:19.439 --> 1:40:22.080
<v Speaker 2>Yeah, I just was like, you know, romantic interest. It

1:40:22.120 --> 1:40:25.679
<v Speaker 2>would have been half asked, it would have been trite,

1:40:26.400 --> 1:40:29.719
<v Speaker 2>it would have been vaguely sexist. Yeah, but it also

1:40:29.760 --> 1:40:31.120
<v Speaker 2>would have been something.

1:40:33.920 --> 1:40:39.920
<v Speaker 1>What happens is nothing, absolutely nothing, including when Casey is like, no,

1:40:40.120 --> 1:40:43.439
<v Speaker 1>I'm gonna be the one to sacrifice myself and Brian

1:40:43.520 --> 1:40:49.200
<v Speaker 1>and Joe are like, no, stop, Okay, you can go

1:40:49.240 --> 1:40:50.000
<v Speaker 1>ahead and do it.

1:40:50.520 --> 1:40:52.840
<v Speaker 2>Well, I mean, to be fair, they've known this guy,

1:40:52.880 --> 1:40:56.360
<v Speaker 2>they've been allegedly best friends for a decade, and they

1:40:56.600 --> 1:40:59.599
<v Speaker 2>just met this guy. And also, not for nothing, halle

1:40:59.680 --> 1:41:04.800
<v Speaker 2>Berry's character allegedly has an active restraining order against John

1:41:04.840 --> 1:41:08.799
<v Speaker 2>Bradley's character Oh yeah, which is referenced once in Passing,

1:41:09.439 --> 1:41:16.280
<v Speaker 2>but is said basically as a joke. So yeah, I

1:41:16.280 --> 1:41:21.160
<v Speaker 2>don't know. They all should have blown up. Honestly, the moon.

1:41:21.320 --> 1:41:26.360
<v Speaker 1>Should have just fallen all the way. Yeah. Okay, So

1:41:27.560 --> 1:41:32.160
<v Speaker 1>back on Earth, Sonny has been trapped under a fallen

1:41:32.200 --> 1:41:34.639
<v Speaker 1>tree because the Moon isn't the only thing that's falling.

1:41:35.080 --> 1:41:39.519
<v Speaker 1>Trees are also falling, and he's lightly dying. And then

1:41:39.640 --> 1:41:42.880
<v Speaker 1>Michelle finds him. But then we cut back to space

1:41:43.640 --> 1:41:47.799
<v Speaker 1>and this is the climax. Casey does the sacrificial act

1:41:48.000 --> 1:41:51.280
<v Speaker 1>of being the human bait and he hits the button

1:41:51.560 --> 1:41:58.320
<v Speaker 1>for the bomb, the electromagnetic pulse thing do and it

1:41:58.400 --> 1:42:05.160
<v Speaker 1>destroys the evil swarm. Back to Earth, Michelle saves Sonny,

1:42:05.880 --> 1:42:10.599
<v Speaker 1>but it's mostly gravity doing the heavy lifting. And talk

1:42:10.680 --> 1:42:12.439
<v Speaker 1>about irony.

1:42:12.400 --> 1:42:15.720
<v Speaker 2>Ha ha ha ha. So yeah, Michael Penya and John

1:42:15.720 --> 1:42:18.200
<v Speaker 2>Bradley are the only ones who die, and honestly, John

1:42:18.240 --> 1:42:21.040
<v Speaker 2>Bradley doesn't die. O. Michael Paya is the only character

1:42:21.080 --> 1:42:26.880
<v Speaker 2>who dies, yes, permanently. Rip. Michael Paya does not become

1:42:26.920 --> 1:42:27.679
<v Speaker 2>one with the Moon.

1:42:28.479 --> 1:42:32.519
<v Speaker 1>No, no, he doesn't. No, sad but true. Okay, we

1:42:32.600 --> 1:42:36.280
<v Speaker 1>cut back to space. Brian has passed out, so Joe

1:42:36.320 --> 1:42:40.960
<v Speaker 1>flies her and Brian back to Earth. So I mean,

1:42:41.040 --> 1:42:45.200
<v Speaker 1>look at all these women saving men. Michelle save Sonny,

1:42:45.640 --> 1:42:54.960
<v Speaker 1>Joe saves Brian, and that's feminism. Then Brian and Joe,

1:42:55.040 --> 1:42:59.800
<v Speaker 1>who have conveniently landed in Colorado, of course, reunite with

1:42:59.840 --> 1:43:03.240
<v Speaker 1>their families. There's a scene when you're just describing where

1:43:03.240 --> 1:43:05.720
<v Speaker 1>they just kind of list all the people that they

1:43:05.800 --> 1:43:07.479
<v Speaker 1>know who have also died.

1:43:07.960 --> 1:43:10.960
<v Speaker 2>They're like, all right, so movie's over. Movie is over.

1:43:11.200 --> 1:43:14.479
<v Speaker 1>The moon is returning to its regular orbit, and then

1:43:14.520 --> 1:43:19.840
<v Speaker 1>we cut back inside the moon where an AI construct

1:43:19.880 --> 1:43:23.720
<v Speaker 1>of k C appears and avoid as well as his

1:43:23.840 --> 1:43:33.559
<v Speaker 1>mom and his cat, whose name is fuzz Aldrin. Okay, see,

1:43:33.640 --> 1:43:37.240
<v Speaker 1>I here's what I wrote down. Of all the attempts

1:43:37.320 --> 1:43:40.240
<v Speaker 1>at comedy in this movie, which there are a lot,

1:43:41.240 --> 1:43:44.960
<v Speaker 1>I think that fuzz Aldrin is maybe the cleverest one.

1:43:45.000 --> 1:43:48.760
<v Speaker 1>And that's saying something because it's like pretty good.

1:43:49.040 --> 1:43:52.559
<v Speaker 2>If true, is what I'll say. But it's because but

1:43:52.640 --> 1:43:55.320
<v Speaker 2>it's because a Lizzie Maguire as joke.

1:43:56.400 --> 1:44:00.879
<v Speaker 1>But but but listen to this. It's because the jokes

1:44:01.600 --> 1:44:02.479
<v Speaker 1>keep falling.

1:44:02.840 --> 1:44:09.000
<v Speaker 9>Flat moonflat moonfall more like joke fall joke flat gravity

1:44:09.800 --> 1:44:13.479
<v Speaker 9>is fucking with the jokes and how they land.

1:44:14.040 --> 1:44:20.280
<v Speaker 2>Ay. But yeah, there, So it's something something His mom

1:44:20.400 --> 1:44:24.320
<v Speaker 2>and his cat appear in the Ai Hollow Moon and

1:44:24.360 --> 1:44:25.800
<v Speaker 2>set up a sequel.

1:44:25.439 --> 1:44:30.559
<v Speaker 1>That will never be produced. Because this movie was produced

1:44:30.560 --> 1:44:33.240
<v Speaker 1>on a budget of one hundred and fifty million dollars.

1:44:33.080 --> 1:44:38.360
<v Speaker 2>And independently redependently, which is actually pretty impressive. It isn't

1:44:38.360 --> 1:44:41.160
<v Speaker 2>really speaks to because if you're not familiar, you don't

1:44:41.479 --> 1:44:45.639
<v Speaker 2>remember who Roland Emmerick is. He is a German director

1:44:45.800 --> 1:44:49.880
<v Speaker 2>who is most famous for disaster movies like Independence Day,

1:44:49.920 --> 1:44:53.160
<v Speaker 2>The Day After Tomorrow, twenty twelve, et cetera. And so

1:44:53.720 --> 1:44:57.599
<v Speaker 2>there is a lot of goodwill for him. Yeah, and

1:44:57.640 --> 1:45:02.439
<v Speaker 2>he is like a proven talent at you know, at

1:45:02.960 --> 1:45:05.960
<v Speaker 2>making iconic movies that make a lot of money that

1:45:06.120 --> 1:45:12.920
<v Speaker 2>generally glorify the war industrial complex. But so like he

1:45:13.040 --> 1:45:16.360
<v Speaker 2>raised this money independently after it sounds like years in

1:45:16.400 --> 1:45:20.160
<v Speaker 2>development hell on this and in a rarer situation of

1:45:20.200 --> 1:45:22.840
<v Speaker 2>the Hollywood machine being totally correct, he should not have

1:45:23.240 --> 1:45:23.960
<v Speaker 2>made this movie.

1:45:24.000 --> 1:45:24.840
<v Speaker 1>He should not have made this.

1:45:25.040 --> 1:45:28.080
<v Speaker 2>He hasn't made a movie since. Yeah, it seems like

1:45:28.080 --> 1:45:29.280
<v Speaker 2>it's really.

1:45:29.520 --> 1:45:32.320
<v Speaker 1>Kind of and and it was a huge flop at

1:45:32.320 --> 1:45:36.880
<v Speaker 1>the box office. It only earned sixty seven million dollars.

1:45:36.680 --> 1:45:40.800
<v Speaker 2>It didn't even come out in Canada. Canada said they

1:45:40.880 --> 1:45:42.040
<v Speaker 2>didn't even bother.

1:45:42.080 --> 1:45:45.080
<v Speaker 1>They said, we our theaters are closed due to COVID

1:45:45.880 --> 1:45:47.280
<v Speaker 1>pass yikes.

1:45:48.360 --> 1:45:51.679
<v Speaker 2>Although I mean, what I will say about Rolodemeric outside

1:45:51.680 --> 1:45:54.680
<v Speaker 2>of Moonfall not being good, it's he he is a

1:45:54.720 --> 1:45:59.679
<v Speaker 2>queer icon. He does have a you know, a pretty

1:46:00.320 --> 1:46:06.280
<v Speaker 2>you know, solid record in terms of his politics, especially

1:46:06.280 --> 1:46:11.080
<v Speaker 2>for someone that's powerful. I mean, he has repeatedly advocated

1:46:11.240 --> 1:46:14.439
<v Speaker 2>for In two of his disaster movies, Independence Day and

1:46:14.479 --> 1:46:16.600
<v Speaker 2>The Day After Tomorrow, there are interracial couples that the

1:46:16.600 --> 1:46:20.439
<v Speaker 2>studios did not want him to have, and in Moonfall

1:46:20.520 --> 1:46:25.000
<v Speaker 2>for some reason, he's like, I don't die either, but well,

1:46:25.080 --> 1:46:31.559
<v Speaker 2>I guess Michael Panya and Brenda. But either way, either way,

1:46:31.600 --> 1:46:34.320
<v Speaker 2>I'm just saying, like Roland Ewick seems like a totally

1:46:34.680 --> 1:46:35.439
<v Speaker 2>lovely person.

1:46:35.840 --> 1:46:36.200
<v Speaker 1>Hmmm.

1:46:36.600 --> 1:46:38.360
<v Speaker 2>And also he made Moonfall.

1:46:38.200 --> 1:46:42.800
<v Speaker 1>And he made Moonfall, which I mean, there's not a

1:46:42.800 --> 1:46:48.280
<v Speaker 1>whole lot else that we need to spend time talking about.

1:46:48.800 --> 1:46:51.040
<v Speaker 2>Yeah, I think that, like, at the end of the day,

1:46:51.880 --> 1:46:53.200
<v Speaker 2>there are women in this movie.

1:46:53.479 --> 1:46:55.959
<v Speaker 1>There are one of them is a woman in Stem.

1:46:56.360 --> 1:46:58.360
<v Speaker 2>One of them is a woman in Stem. The rest

1:46:58.400 --> 1:47:03.840
<v Speaker 2>of them are why and girlfriends or acting in a

1:47:03.920 --> 1:47:06.120
<v Speaker 2>maternal acting as mother.

1:47:06.240 --> 1:47:10.599
<v Speaker 1>Their mothers or mother figures or caretakers of some kind,

1:47:10.680 --> 1:47:13.679
<v Speaker 1>including the Moon, who, let's not forget, is the mother

1:47:13.840 --> 1:47:14.439
<v Speaker 1>of the Earth.

1:47:15.040 --> 1:47:18.840
<v Speaker 2>Yes, And in the case of Joe Fowler and the Moon,

1:47:18.960 --> 1:47:21.000
<v Speaker 2>they are liars.

1:47:22.400 --> 1:47:27.719
<v Speaker 1>So they're deceitful. They I'll push back on Joe being

1:47:28.040 --> 1:47:29.880
<v Speaker 1>a liar because.

1:47:29.520 --> 1:47:33.040
<v Speaker 2>She I guess she was gaslt She was.

1:47:33.000 --> 1:47:37.160
<v Speaker 1>Gas lit by NASA, which you know, unsurprising that a

1:47:37.240 --> 1:47:42.160
<v Speaker 1>federal agency of the United States government would be doing

1:47:42.200 --> 1:47:47.240
<v Speaker 1>some fuck shit. And honestly, she doesn't just automatically come

1:47:47.280 --> 1:47:51.559
<v Speaker 1>to a man's defense, and that's actually feminism, So.

1:47:52.160 --> 1:47:55.360
<v Speaker 2>I guess, I don't know. I mean, she and her

1:47:55.439 --> 1:47:59.360
<v Speaker 2>husband are interesting in that. And again it's our April

1:47:59.400 --> 1:48:01.879
<v Speaker 2>Fol's episode, so this isn't going to be the degree

1:48:01.880 --> 1:48:04.280
<v Speaker 2>of analysis he would normally get. But this episode is

1:48:04.320 --> 1:48:08.200
<v Speaker 2>two hours long, so you're welcome. The plot is simply

1:48:08.240 --> 1:48:12.439
<v Speaker 2>that convoluted. Like I think that she NASA has always

1:48:12.479 --> 1:48:15.320
<v Speaker 2>been an interesting branch of the American government, where like

1:48:15.640 --> 1:48:19.920
<v Speaker 2>it is a military industrial complex tool, but I don't

1:48:19.920 --> 1:48:23.479
<v Speaker 2>think it is publicly perceived as being so it has

1:48:23.520 --> 1:48:26.080
<v Speaker 2>been very effectively marketed and I think to some extent,

1:48:26.640 --> 1:48:29.439
<v Speaker 2>I still kind of drink the kool aid on NASA

1:48:29.520 --> 1:48:34.080
<v Speaker 2>of like space exploration is cool, like it's people like

1:48:34.400 --> 1:48:36.439
<v Speaker 2>in my mind, it's people like Elon Musku ruin it

1:48:36.439 --> 1:48:40.559
<v Speaker 2>where they're turning it into colonization and not just learning

1:48:40.560 --> 1:48:43.080
<v Speaker 2>more about the universe that we exist in that is

1:48:43.160 --> 1:48:46.640
<v Speaker 2>very exciting and cool. But here we have and I

1:48:46.640 --> 1:48:49.360
<v Speaker 2>think that this is more effectively done in other role

1:48:49.439 --> 1:48:54.000
<v Speaker 2>in emeric movies like Independence Day, where it almost feels

1:48:54.000 --> 1:48:56.760
<v Speaker 2>like he's like reheating his own nachos a little bit

1:48:57.320 --> 1:49:01.120
<v Speaker 2>of like Okay, so there is like this big industrial

1:49:01.840 --> 1:49:08.000
<v Speaker 2>judicial or whatever executive branch the war Cabinet, and that

1:49:08.160 --> 1:49:14.320
<v Speaker 2>is represented by Doug question marked. And then they are

1:49:14.320 --> 1:49:17.719
<v Speaker 2>the scientists, and they are government scientists, and they are

1:49:17.760 --> 1:49:21.640
<v Speaker 2>patriots and they love America so much, but they're not

1:49:22.680 --> 1:49:26.439
<v Speaker 2>that and it is an interesting sort of tool to

1:49:27.200 --> 1:49:35.559
<v Speaker 2>encourage kind of unquestioning patriotism while seeming counter cultural. I

1:49:35.560 --> 1:49:39.120
<v Speaker 2>think it's like how astronauts are very frequently portrayed in film,

1:49:40.040 --> 1:49:42.479
<v Speaker 2>and we've talked about this in other episodes, but I

1:49:42.479 --> 1:49:45.400
<v Speaker 2>do think it's like an interesting kind of tool that

1:49:45.560 --> 1:49:48.599
<v Speaker 2>is used that is I guess not really worth talking

1:49:48.600 --> 1:49:51.519
<v Speaker 2>about here because it's not effective and it doesn't make

1:49:51.560 --> 1:49:54.680
<v Speaker 2>any sense. But I was thinking about it because there

1:49:54.720 --> 1:49:57.960
<v Speaker 2>are a few lines that either Patrick Wilson or halle

1:49:58.000 --> 1:50:02.640
<v Speaker 2>Berry say that are like, we're not this, we're scientists,

1:50:03.200 --> 1:50:05.680
<v Speaker 2>and yeah, well, I do think that a lot of

1:50:05.680 --> 1:50:09.800
<v Speaker 2>halle Berry's actions do sort of lightly push back or

1:50:09.840 --> 1:50:13.200
<v Speaker 2>like push back on an idea of the government versus

1:50:13.840 --> 1:50:15.559
<v Speaker 2>what I don't know. Do you know what I mean?

1:50:15.640 --> 1:50:17.479
<v Speaker 2>Do you know what I'm saying is like, for sure,

1:50:17.880 --> 1:50:21.280
<v Speaker 2>do I believe that the American government, particularly at present,

1:50:21.320 --> 1:50:23.720
<v Speaker 2>would say We're just gonna nuke the moon? Yes?

1:50:23.760 --> 1:50:24.160
<v Speaker 1>I do.

1:50:24.240 --> 1:50:27.960
<v Speaker 2>Yeah, But I feel like it's like whatever, presented in

1:50:28.040 --> 1:50:31.000
<v Speaker 2>a cartoonish way so that we are not to question

1:50:31.960 --> 1:50:34.839
<v Speaker 2>an institution like NASA.

1:50:35.320 --> 1:50:39.800
<v Speaker 1>Well, I mean, this movie also does something that a

1:50:39.880 --> 1:50:46.240
<v Speaker 1>lot of other movies that are about a global disaster do.

1:50:46.800 --> 1:50:50.800
<v Speaker 1>And we've talked about this on episodes about movies where

1:50:50.840 --> 1:50:54.200
<v Speaker 1>there is a global disaster, but the movie, because it's

1:50:54.280 --> 1:50:57.960
<v Speaker 1>an American Hollywood movie, it will completely center the US

1:50:58.160 --> 1:51:01.479
<v Speaker 1>and act as though the US is the only country

1:51:01.880 --> 1:51:05.960
<v Speaker 1>with people and technology who can figure out what's going on,

1:51:06.360 --> 1:51:10.440
<v Speaker 1>who can handle the disaster that's affecting the whole world.

1:51:10.160 --> 1:51:13.960
<v Speaker 2>Specifically people in the US who live in Colorado, Like

1:51:14.479 --> 1:51:17.320
<v Speaker 2>it is wild how for a movie shot in Montreal,

1:51:17.560 --> 1:51:19.840
<v Speaker 2>which is also very funny given to this movie, I

1:51:19.840 --> 1:51:24.240
<v Speaker 2>will repeat, did not ever come out theatrically in Canada,

1:51:24.800 --> 1:51:28.360
<v Speaker 2>which had to do with COVID restrictions. But I just

1:51:28.400 --> 1:51:30.920
<v Speaker 2>think it's funny that Canada, like you could not have

1:51:30.960 --> 1:51:33.920
<v Speaker 2>seen this movie in Canada if you wanted to. And

1:51:34.320 --> 1:51:36.360
<v Speaker 2>also that this movie came in second place at the

1:51:36.360 --> 1:51:43.040
<v Speaker 2>box office behind Jackass the Jackass reboot, and Jackass made

1:51:43.080 --> 1:51:46.799
<v Speaker 2>three times more money than Moonfall did in this first weekend. Wow,

1:51:47.040 --> 1:51:50.000
<v Speaker 2>it is interesting. I wonder if I don't think there's

1:51:50.040 --> 1:51:54.599
<v Speaker 2>really an appetite for it right now. Disaster movies don't

1:51:54.640 --> 1:51:58.040
<v Speaker 2>tend to perform very well during disastrous times. There is

1:51:58.120 --> 1:52:01.240
<v Speaker 2>not an element of escape. I am not wanting to

1:52:01.280 --> 1:52:05.000
<v Speaker 2>see a disaster movie right now because I could also

1:52:05.280 --> 1:52:09.240
<v Speaker 2>just look outside, I could check the news.

1:52:09.280 --> 1:52:10.120
<v Speaker 1>So very true.

1:52:10.280 --> 1:52:14.680
<v Speaker 2>You know, disaster movies tend to be more commercially successful

1:52:14.840 --> 1:52:20.240
<v Speaker 2>during times historically where they feel more fictional, and that's

1:52:20.240 --> 1:52:22.120
<v Speaker 2>not where we're at historically, and so I was not

1:52:22.360 --> 1:52:28.360
<v Speaker 2>surprised to see that Moonfall did not perform better, which

1:52:28.400 --> 1:52:30.680
<v Speaker 2>is a shame because it is a feminist gem.

1:52:31.320 --> 1:52:37.320
<v Speaker 1>A masterpiece. We've said it before, We'll say it again. Yeah.

1:52:37.520 --> 1:52:39.680
<v Speaker 2>Yeah. Is there is there anything that's like burning in

1:52:39.720 --> 1:52:41.800
<v Speaker 2>your heart that you need to talk to talk about

1:52:41.840 --> 1:52:44.200
<v Speaker 2>with regards to Moonfall? Because I do have notes, but

1:52:44.479 --> 1:52:46.439
<v Speaker 2>I'm also like, I think a lot of them came

1:52:46.479 --> 1:52:48.560
<v Speaker 2>out in the recap.

1:52:49.000 --> 1:52:52.840
<v Speaker 1>Same. I'll just rattle off a few very quick things,

1:52:53.120 --> 1:52:58.320
<v Speaker 1>please fuzz Aldron. There are too many subplots because everyone

1:52:58.360 --> 1:52:59.040
<v Speaker 1>has a sun.

1:52:59.479 --> 1:53:01.719
<v Speaker 2>Oh my gosh, yes, I did really like that. When

1:53:01.800 --> 1:53:04.880
<v Speaker 2>Patrick Wilson can no longer be around his son named Sonny,

1:53:05.200 --> 1:53:08.960
<v Speaker 2>they're just like, so, how does Sonny feel about Michael

1:53:09.000 --> 1:53:13.120
<v Speaker 2>Penia And You're like, who cares? No one cares about

1:53:13.160 --> 1:53:16.479
<v Speaker 2>the cares. They just are like, we don't know. It's

1:53:16.520 --> 1:53:18.559
<v Speaker 2>truly like they cannot think of a quality for the

1:53:18.760 --> 1:53:21.880
<v Speaker 2>son named Sunny outside of having a father, so they

1:53:21.960 --> 1:53:24.880
<v Speaker 2>just give him a different one. And there's like one

1:53:24.960 --> 1:53:28.360
<v Speaker 2>scene between them before Michael Penall like suffocates.

1:53:30.080 --> 1:53:33.280
<v Speaker 1>He's like, there's not much time left here on earth

1:53:33.280 --> 1:53:35.920
<v Speaker 1>because the moon is falling into us. Let's not hate

1:53:35.920 --> 1:53:38.800
<v Speaker 1>each other in these last hours and then Sonny is like,

1:53:39.080 --> 1:53:42.960
<v Speaker 1>I don't hate you, and then Michael Penney's characters like

1:53:43.479 --> 1:53:45.480
<v Speaker 1>I'll take it. End of subplot.

1:53:45.720 --> 1:53:50.400
<v Speaker 2>Okay, the lining was thinking of earlier. And again, I

1:53:50.720 --> 1:53:52.800
<v Speaker 2>don't mean to come off anti NASA. I'm obviously not

1:53:52.880 --> 1:53:56.160
<v Speaker 2>anti NASA. I just mean science as a branch of

1:53:56.160 --> 1:53:59.720
<v Speaker 2>government and all the complications they're in. But there's a

1:53:59.720 --> 1:54:02.040
<v Speaker 2>line Patrick Wilson says. W he says, I'm an astronaut,

1:54:02.160 --> 1:54:05.559
<v Speaker 2>not a soldier. Oh yeah, you know. Yeah, that's more

1:54:05.640 --> 1:54:06.320
<v Speaker 2>what I was thinking of.

1:54:06.960 --> 1:54:14.040
<v Speaker 1>Anyways, there's a part where Sonny says, extremely deadpan, oh shit,

1:54:14.479 --> 1:54:18.839
<v Speaker 1>the moon is rising, and then Michelle, also very deadpan,

1:54:19.040 --> 1:54:22.520
<v Speaker 1>says gravity's gonna go crazy.

1:54:23.160 --> 1:54:26.200
<v Speaker 2>Also, we didn't talk about Sonny's gigantic tattoo.

1:54:27.640 --> 1:54:29.040
<v Speaker 1>Wait I didn't even notice it.

1:54:29.160 --> 1:54:32.680
<v Speaker 2>Oh my god. There's a whole joke about it where

1:54:32.880 --> 1:54:35.720
<v Speaker 2>Sonny shows his gigantic tattoo, which I think is supposed

1:54:35.720 --> 1:54:39.120
<v Speaker 2>to be like a Chinese character. And yeah, Michelle says, oh,

1:54:39.160 --> 1:54:43.400
<v Speaker 2>that says the Jonas brothers. And he goes, what because

1:54:43.400 --> 1:54:45.840
<v Speaker 2>this movie was almost certainly written in two thousand and nine,

1:54:46.600 --> 1:54:49.800
<v Speaker 2>and she's like, just kidding, And then I don't think

1:54:49.840 --> 1:54:52.640
<v Speaker 2>we learned what it actually says. She doesn't so we

1:54:52.720 --> 1:54:54.120
<v Speaker 2>know what it doesn't say, which.

1:54:53.880 --> 1:54:56.000
<v Speaker 1>Is it does not say Jonas brothers.

1:54:56.120 --> 1:54:57.720
<v Speaker 2>Another thing that I had a note of here that

1:54:57.760 --> 1:55:02.640
<v Speaker 2>made me laugh is when the evil people steal Sunny's car,

1:55:03.400 --> 1:55:07.240
<v Speaker 2>they come in with this like weird opening line. I

1:55:07.240 --> 1:55:09.640
<v Speaker 2>think this is when they come back. They come up

1:55:09.680 --> 1:55:13.360
<v Speaker 2>to Sonny and they say the menacing line, so are

1:55:13.400 --> 1:55:14.880
<v Speaker 2>you a college boy?

1:55:15.720 --> 1:55:19.839
<v Speaker 1>Like, okay, well no, here's what happens. He just says,

1:55:20.120 --> 1:55:24.160
<v Speaker 1>everybody calmed down, and then the then the hijackers are like,

1:55:24.840 --> 1:55:29.000
<v Speaker 1>oh okay, smart ass, are you a college boy? And

1:55:29.040 --> 1:55:32.240
<v Speaker 1>it's like he didn't say anything that would indicate literally

1:55:32.280 --> 1:55:33.600
<v Speaker 1>just said can we calm down?

1:55:34.920 --> 1:55:35.960
<v Speaker 2>It was really funny.

1:55:36.240 --> 1:55:36.400
<v Speaker 1>Oh.

1:55:36.440 --> 1:55:38.840
<v Speaker 2>Another good moment was Sonny. A lot of things happened

1:55:38.880 --> 1:55:42.560
<v Speaker 2>to Sunny. I would say, Sonny does very little. There's

1:55:44.000 --> 1:55:46.160
<v Speaker 2>and just to make sure you know who this character

1:55:46.200 --> 1:55:48.040
<v Speaker 2>is supposed to be, they do go through the trouble

1:55:48.040 --> 1:55:51.880
<v Speaker 2>of naming her Karen Ye. There's a woman who is

1:55:51.960 --> 1:55:55.840
<v Speaker 2>a neighbor to Michael Pana in this richy, rich ass

1:55:55.920 --> 1:56:00.280
<v Speaker 2>compound neighborhood that has turned into a compound overnight. Due

1:56:00.280 --> 1:56:03.360
<v Speaker 2>to the moon falling. She has an AK forty seven,

1:56:03.400 --> 1:56:05.200
<v Speaker 2>which I think could be a reference to a number

1:56:05.240 --> 1:56:08.720
<v Speaker 2>of things, clearly a riff on the Karen. Yeah, but

1:56:08.800 --> 1:56:12.320
<v Speaker 2>she has a big, gigantic AK forty seven. It almost

1:56:12.680 --> 1:56:18.960
<v Speaker 2>shoots Sonny and then Michael Pania comes out and says, hey, Karen, relaxed, stop.

1:56:19.440 --> 1:56:21.280
<v Speaker 1>Stop shooting my step son.

1:56:21.680 --> 1:56:23.840
<v Speaker 2>I think it's a joke. I don't know, but I

1:56:23.880 --> 1:56:26.760
<v Speaker 2>honestly am not sure. It is never referenced again.

1:56:26.840 --> 1:56:30.840
<v Speaker 1>Well again, the jokes fall flat because joke fall moonfall.

1:56:31.360 --> 1:56:34.400
<v Speaker 2>Also the fact that it's interesting that you reference that

1:56:34.840 --> 1:56:37.400
<v Speaker 2>everyone has perfect reception the whole time. That is true,

1:56:37.400 --> 1:56:40.640
<v Speaker 2>but they also seem to all have Nokia phones. Why

1:56:40.760 --> 1:56:43.400
<v Speaker 2>was that? Oh yeah, no one has like a no

1:56:43.440 --> 1:56:46.400
<v Speaker 2>one has a smartphone. Because I think that maybe maybe

1:56:46.800 --> 1:56:49.080
<v Speaker 2>Roland Emmerick was like, Apple, do you want to give

1:56:49.080 --> 1:56:50.680
<v Speaker 2>me money? And they said no, and he's like, fine,

1:56:51.280 --> 1:56:52.560
<v Speaker 2>then everyone has a Nokia.

1:56:52.600 --> 1:56:55.200
<v Speaker 1>Nokia gave me ten thousand dollars.

1:56:55.640 --> 1:57:00.720
<v Speaker 2>Yeah, I don't know. There are technically daughters, but they

1:57:00.960 --> 1:57:03.320
<v Speaker 2>like you're saying, like like you said earlier, one of

1:57:03.360 --> 1:57:06.320
<v Speaker 2>them says something precocious and that's it, and one of

1:57:06.360 --> 1:57:09.200
<v Speaker 2>them walks away from from a dying Michael Pani.

1:57:10.320 --> 1:57:14.800
<v Speaker 1>She said, fuck you, Dad, that's kind of all that happens. Yeah,

1:57:14.840 --> 1:57:17.920
<v Speaker 1>those characters are very undercooked. Michelle, I would say, is

1:57:17.960 --> 1:57:21.360
<v Speaker 1>one of the most undercooked characters committed to film in

1:57:21.440 --> 1:57:22.360
<v Speaker 1>recent years.

1:57:22.440 --> 1:57:25.560
<v Speaker 2>It takes us for an hour to even know what

1:57:26.000 --> 1:57:26.880
<v Speaker 2>she who does?

1:57:27.760 --> 1:57:29.480
<v Speaker 1>Truly what is she?

1:57:29.480 --> 1:57:32.120
<v Speaker 2>She's an exchange student, so you're like, Okay, she's a student,

1:57:32.240 --> 1:57:32.400
<v Speaker 2>is she?

1:57:32.720 --> 1:57:36.280
<v Speaker 1>But she works full time as a nanny and lives there.

1:57:36.800 --> 1:57:38.400
<v Speaker 1>Does she does she have time to study?

1:57:38.600 --> 1:57:42.760
<v Speaker 2>I'm curious because Roland Emmerick is a queer icon. I'm

1:57:42.800 --> 1:57:45.880
<v Speaker 2>wondering if that was supposed to be a queer relationship

1:57:45.920 --> 1:57:50.920
<v Speaker 2>and then like that was like reversed or something. That

1:57:51.040 --> 1:57:54.720
<v Speaker 2>introduction scene, I just have like it it felt like

1:57:54.880 --> 1:57:59.280
<v Speaker 2>they were together, I know, and obviously Roland Emmerick is like,

1:57:59.720 --> 1:58:03.320
<v Speaker 2>you know, very He's been very involved in queer activism

1:58:03.360 --> 1:58:06.000
<v Speaker 2>over the years. I'm just wondering if like that was

1:58:06.200 --> 1:58:09.880
<v Speaker 2>how it was originally written and then this script kept changing,

1:58:10.000 --> 1:58:12.040
<v Speaker 2>or maybe they were like, oh, we want this movie

1:58:12.040 --> 1:58:16.200
<v Speaker 2>to show everywhere, including wildly homophobic countries, so we're gonna revert.

1:58:16.280 --> 1:58:19.880
<v Speaker 2>But like, yeah, her character ends up coming off unbelievably vague,

1:58:19.920 --> 1:58:23.960
<v Speaker 2>and then they give her the worst boyfriend available, I

1:58:24.000 --> 1:58:26.840
<v Speaker 2>mean Sonny, And also what is there? What are how old?

1:58:26.840 --> 1:58:29.200
<v Speaker 2>Like Sonny is supposed to be eighteen, he's eighteen. I

1:58:29.240 --> 1:58:31.360
<v Speaker 2>have some idea how old she's supposed to be, but

1:58:31.400 --> 1:58:34.320
<v Speaker 2>the actor is in her thirties, right.

1:58:34.720 --> 1:58:37.520
<v Speaker 1>I didn't quite pick up on as much. I know that,

1:58:37.560 --> 1:58:41.040
<v Speaker 1>like she saves him and that sometimes is like a

1:58:41.080 --> 1:58:44.240
<v Speaker 1>movie telegraphing and they're gonna end up together. But I

1:58:44.280 --> 1:58:47.960
<v Speaker 1>wasn't getting any like romantic vibes between them, so.

1:58:48.080 --> 1:58:51.200
<v Speaker 2>Really, yeah, so this movie is so confusing. I thought

1:58:51.240 --> 1:58:55.120
<v Speaker 2>for sure that was what was intended. That's so interesting.

1:58:55.280 --> 1:58:59.879
<v Speaker 1>Hmmm, well again, everything about this movie is confusing and nonsense.

1:59:00.360 --> 1:59:02.960
<v Speaker 1>So honestly, you could interpret anything and it would be

1:59:03.320 --> 1:59:05.520
<v Speaker 1>both exactly right and exactly wrong.

1:59:05.840 --> 1:59:08.960
<v Speaker 2>I like that we've turned on our own episode. That

1:59:09.040 --> 1:59:11.560
<v Speaker 2>was our idea, you know what. When you said it

1:59:11.560 --> 1:59:12.960
<v Speaker 2>at one point and I was like, oh, we should

1:59:12.960 --> 1:59:14.680
<v Speaker 2>have done that for April Fools and you said the

1:59:14.720 --> 1:59:17.040
<v Speaker 2>word trap, I'm like, we should have done trap. That's

1:59:17.080 --> 1:59:19.120
<v Speaker 2>what we should have done. Oh we should do that

1:59:19.160 --> 1:59:20.080
<v Speaker 2>for Father's Day.

1:59:20.280 --> 1:59:25.520
<v Speaker 1>Trap, I mean fathers and daughters, fathers and daughters.

1:59:25.720 --> 1:59:29.000
<v Speaker 2>I love Trap. At that moment, and Trap or Josh

1:59:29.040 --> 1:59:31.360
<v Speaker 2>Hartnett points at the hole in the floor and it's like,

1:59:31.400 --> 1:59:35.040
<v Speaker 2>should we go down there? It makes me laugh so much.

1:59:36.240 --> 1:59:40.400
<v Speaker 2>I love because Trap is about fathers and daughters in

1:59:40.440 --> 1:59:43.200
<v Speaker 2>a meta way, because it's also about m Night China

1:59:43.360 --> 1:59:48.480
<v Speaker 2>trying to make his daughter's career happen, his daughter, his daughter. Anyways,

1:59:48.800 --> 1:59:50.440
<v Speaker 2>do you have anything else to say about Moonfall?

1:59:50.800 --> 1:59:51.080
<v Speaker 7>No?

1:59:53.000 --> 1:59:55.080
<v Speaker 2>Me either, Oh no.

1:59:55.640 --> 1:59:58.760
<v Speaker 1>I mean probably, but I'm I'm tired.

1:59:59.240 --> 2:00:01.840
<v Speaker 2>Thank you, Thank you all five hundred thousand people who

2:00:01.880 --> 2:00:06.200
<v Speaker 2>requested this episode, five hundred million, five hundred million, which

2:00:06.200 --> 2:00:11.200
<v Speaker 2>again half a billion people portion of our listener. You know,

2:00:11.360 --> 2:00:15.560
<v Speaker 2>if anyone, if any Hollywood power players are listening, can

2:00:15.640 --> 2:00:21.720
<v Speaker 2>someone please utilize Patrick Wilson well, like, just please halle

2:00:21.760 --> 2:00:26.760
<v Speaker 2>Berry and Halle Berry, I just like, these are two

2:00:26.840 --> 2:00:30.560
<v Speaker 2>great actors who have been given dog shit in the

2:00:30.640 --> 2:00:31.640
<v Speaker 2>last decade.

2:00:31.880 --> 2:00:34.600
<v Speaker 1>I feel like halle Berry made Catwoman, and then after

2:00:34.680 --> 2:00:36.440
<v Speaker 1>that she like could not get.

2:00:36.440 --> 2:00:38.920
<v Speaker 2>They blamed it on her. She's still an X Men

2:00:38.960 --> 2:00:41.600
<v Speaker 2>movies after that, but that but yeah, right, and she

2:00:41.760 --> 2:00:43.240
<v Speaker 2>was in Robots.

2:00:43.000 --> 2:00:45.760
<v Speaker 1>But then she was also in was it New Year's

2:00:45.800 --> 2:00:47.480
<v Speaker 1>Eve or Valentine's Day.

2:00:47.680 --> 2:00:49.240
<v Speaker 2>Oh my gosh, wait, let me she was in New

2:00:49.320 --> 2:00:53.480
<v Speaker 2>Year's Eve. She played another episode. I have absolutely no

2:00:53.520 --> 2:00:56.440
<v Speaker 2>recollection of record. She played a character named Nurse.

2:00:56.240 --> 2:00:59.640
<v Speaker 1>Amy, who I think also had a military husband.

2:01:00.600 --> 2:01:04.560
<v Speaker 2>Let her live, leave her alone. Oh my god, all right,

2:01:05.600 --> 2:01:08.240
<v Speaker 2>we gotta get out of here, We gotta get out

2:01:08.240 --> 2:01:11.440
<v Speaker 2>of here. Happy April Fool's Day to all this to

2:01:11.560 --> 2:01:14.400
<v Speaker 2>all the fathers, and Sunny is out there, to all

2:01:14.400 --> 2:01:18.600
<v Speaker 2>the Patrick Wilson's and their Sunnis. This this movie, even

2:01:18.640 --> 2:01:21.040
<v Speaker 2>if it does, does pass the Bechdel test. Oh yeah,

2:01:21.120 --> 2:01:24.640
<v Speaker 2>during it does that same where they're definitely not together,

2:01:24.720 --> 2:01:27.120
<v Speaker 2>and it's an employer and an employee having an intimate

2:01:27.120 --> 2:01:29.800
<v Speaker 2>conversation over Sunrise coffee and she.

2:01:29.840 --> 2:01:33.280
<v Speaker 1>Says, here's your black coffee. It has two sugars in.

2:01:33.240 --> 2:01:37.120
<v Speaker 2>It, women's wrongs. It passes the Bechdel test. And that's

2:01:37.120 --> 2:01:38.520
<v Speaker 2>why I'm giving it five nipples.

2:01:38.800 --> 2:01:42.160
<v Speaker 1>I'm giving it five nipples, and I'm giving it five moons.

2:01:42.440 --> 2:01:45.560
<v Speaker 1>And what is a nipple but a moon? And what

2:01:45.800 --> 2:01:50.200
<v Speaker 1>is a moon but a giant sky nipple? What do

2:01:50.280 --> 2:01:53.480
<v Speaker 1>you ever think about that they have the same shape.

2:01:53.160 --> 2:01:56.280
<v Speaker 2>That people are always Yeah, are you ever on a

2:01:56.360 --> 2:01:58.480
<v Speaker 2>romantic day and then someone puts their arm around you

2:01:58.480 --> 2:02:01.040
<v Speaker 2>and says, look at that. That the old nipple in

2:02:01.080 --> 2:02:01.440
<v Speaker 2>the sky.

2:02:03.360 --> 2:02:10.720
<v Speaker 6>Kiss when the moon hits you know, yeah, yeah, yeah,

2:02:10.800 --> 2:02:15.760
<v Speaker 6>I am gonna give it five big sky nipples, and

2:02:16.000 --> 2:02:21.240
<v Speaker 6>I'm going to give them all to Joe Fowler, feminist

2:02:21.520 --> 2:02:24.040
<v Speaker 6>icon I aspire.

2:02:24.360 --> 2:02:28.800
<v Speaker 2>She inspired me to look with an absolute distant, forty

2:02:29.160 --> 2:02:32.640
<v Speaker 2>yard glaze as I watch people I've known for years

2:02:32.760 --> 2:02:35.880
<v Speaker 2>get eaten by nanobots in high resolution.

2:02:37.280 --> 2:02:38.760
<v Speaker 1>It's it's just iconic.

2:02:39.280 --> 2:02:43.680
<v Speaker 2>It's iconic, and that's feminism. And that's our Moonfall episode.

2:02:44.000 --> 2:02:47.280
<v Speaker 2>Happy April Fools to our listeners. If you if you

2:02:47.480 --> 2:02:50.680
<v Speaker 2>enjoyed a silly one, if you enjoyed a looser episode

2:02:50.680 --> 2:02:54.000
<v Speaker 2>but just Caitlin and I, you might enjoy our Patreon

2:02:54.040 --> 2:02:57.120
<v Speaker 2>aka Matreon so True, which is linked in the description

2:02:57.200 --> 2:02:59.840
<v Speaker 2>of this in every episode. It is the best way

2:02:59.880 --> 2:03:01.920
<v Speaker 2>to support the show. It's five bucks a month and

2:03:02.000 --> 2:03:05.080
<v Speaker 2>you get access to two new episodes a month on

2:03:05.280 --> 2:03:09.880
<v Speaker 2>a theme of usually yours but sometimes ours if you're

2:03:10.000 --> 2:03:14.840
<v Speaker 2>behaving in an unruly fashion choosing, and it also gives

2:03:14.880 --> 2:03:18.280
<v Speaker 2>you access to nearly two hundred of our back catalog

2:03:18.320 --> 2:03:20.240
<v Speaker 2>episodes on the Matreon or Real Investment.

2:03:20.280 --> 2:03:22.720
<v Speaker 1>You could say, I could say that, and I will

2:03:22.760 --> 2:03:25.640
<v Speaker 1>say it, and you just said it. We just said it.

2:03:27.120 --> 2:03:32.440
<v Speaker 1>We'll be back next time with a really serious with.

2:03:32.440 --> 2:03:35.840
<v Speaker 2>A real one. We'll be back next week with the

2:03:35.880 --> 2:03:43.680
<v Speaker 2>normal show. Yeah, love you, Bye bye. The Bechdel Cast

2:03:43.720 --> 2:03:47.120
<v Speaker 2>is a production of iHeartMedia, hosted and produced by Me,

2:03:47.360 --> 2:03:48.560
<v Speaker 2>Jamie Loftus and.

2:03:48.600 --> 2:03:52.400
<v Speaker 1>Me Caitlyn Durrante. The podcast is also produced by Sophie

2:03:52.400 --> 2:03:53.520
<v Speaker 1>Lichtermann and.

2:03:53.560 --> 2:03:55.880
<v Speaker 2>Edited by Caitlyn Durrante. Ever heard of Them?

2:03:56.400 --> 2:03:59.800
<v Speaker 1>That's me and our logo and merch and all of

2:03:59.800 --> 2:04:03.600
<v Speaker 1>our artwork in fact are designed by Jamie Loftus, Ever

2:04:03.640 --> 2:04:04.080
<v Speaker 1>heard of her?

2:04:04.280 --> 2:04:07.280
<v Speaker 2>Oh My God? And our theme song, by the way,

2:04:07.400 --> 2:04:11.320
<v Speaker 2>was composed by Mike Kaplan with vocals by Katherine Voskrasinski

2:04:11.680 --> 2:04:14.520
<v Speaker 2>Iconic and a special thanks to the one and only

2:04:14.880 --> 2:04:16.160
<v Speaker 2>Aristotle Ascevedo.

2:04:16.680 --> 2:04:20.480
<v Speaker 1>For more information about the podcast, please visit linktree slash

2:04:20.480 --> 2:04:21.280
<v Speaker 1>Specdelcast