1 00:00:02,759 --> 00:00:06,680 Speaker 1: You know somebody asked me to do here d J 2 00:00:07,040 --> 00:00:12,119 Speaker 1: at the Swingers Parte. J Mars Peter d J at 3 00:00:12,200 --> 00:00:17,599 Speaker 1: the Swingers Parte. You can pick which one you want 4 00:00:17,640 --> 00:00:19,759 Speaker 1: because you've got to go DJ to night at the 5 00:00:19,800 --> 00:00:24,040 Speaker 1: Swingers Parte. It's gonna be an orgy porgy with Georgie 6 00:00:24,040 --> 00:00:27,000 Speaker 1: porgy with a putting pie out. Tell low lie what 7 00:00:27,160 --> 00:00:32,640 Speaker 1: you want. That's your camera, d J Mars. He got 8 00:00:32,640 --> 00:00:36,680 Speaker 1: a DJ to night at the orgy. People having sex 9 00:00:37,000 --> 00:00:39,839 Speaker 1: all over the room, but they need some tunes so 10 00:00:40,040 --> 00:00:42,960 Speaker 1: they can know what to do next. I heard d 11 00:00:43,240 --> 00:00:47,880 Speaker 1: JA and here the with the what you getting hit with? That? 12 00:00:51,360 --> 00:00:57,360 Speaker 1: Gotta need JA tonight at the orgy. I gotta play 13 00:00:57,360 --> 00:01:02,400 Speaker 1: a track list while people are have six what songs 14 00:01:02,440 --> 00:01:04,600 Speaker 1: do they want to hear? She gotta nick in the face, 15 00:01:04,640 --> 00:01:09,640 Speaker 1: she gotta nig and I said, what a little what momma, 16 00:01:09,680 --> 00:01:16,720 Speaker 1: don't leave this ship if you Yeah, we got the 17 00:01:16,760 --> 00:01:19,800 Speaker 1: two for one drinks and take a break because the 18 00:01:19,880 --> 00:01:23,760 Speaker 1: room starting to think, hold on, I ain't want to 19 00:01:23,920 --> 00:01:28,160 Speaker 1: back the black market is I don't think I don't 20 00:01:28,280 --> 00:01:32,760 Speaker 1: don't my god, bro, that's how we get down over 21 00:01:32,800 --> 00:01:35,960 Speaker 1: here as the trap man. This is near the trap. 22 00:01:36,120 --> 00:01:39,080 Speaker 1: Even though this is black market, it's an the trap 23 00:01:39,480 --> 00:01:43,440 Speaker 1: anything something that happened there. First of all, gotch Welcome 24 00:01:43,640 --> 00:01:46,000 Speaker 1: to the Trap, DJ Mars. I can't believe it took 25 00:01:46,040 --> 00:01:50,480 Speaker 1: you this wrong to get over here. Man. Man, if 26 00:01:50,520 --> 00:01:53,360 Speaker 1: they just knew the history and murder week marks on 27 00:01:53,400 --> 00:01:57,240 Speaker 1: the low, we're planning the seas to make this ship happen. Bro. 28 00:01:58,360 --> 00:02:02,560 Speaker 1: They don't know that. Bro. Like the test episodes, the 29 00:02:02,600 --> 00:02:09,440 Speaker 1: Test Joint. This is my Reginald co host right here. No, 30 00:02:09,840 --> 00:02:13,639 Speaker 1: but because without us doing that, we would have never 31 00:02:13,800 --> 00:02:16,240 Speaker 1: figured out to do this. Yeah. Yeah, you get what 32 00:02:16,280 --> 00:02:19,600 Speaker 1: I'm saying is like those days we spent in the studio. Man, 33 00:02:19,639 --> 00:02:21,840 Speaker 1: we knew we was on something. You just didn't know 34 00:02:21,840 --> 00:02:25,440 Speaker 1: where it was gonna end up, exactly Mondo. Bro. First 35 00:02:25,480 --> 00:02:29,200 Speaker 1: of all, welcome to the trap again. Formerly, Man, we've 36 00:02:29,200 --> 00:02:30,960 Speaker 1: been over here cooking it up, and man, we know 37 00:02:31,040 --> 00:02:32,720 Speaker 1: you in the city of cooking it up and ship 38 00:02:32,880 --> 00:02:35,320 Speaker 1: everywhere cooking it up. Man, give him a brief rundown 39 00:02:35,600 --> 00:02:37,880 Speaker 1: the background first before we get into all the ship 40 00:02:37,960 --> 00:02:40,520 Speaker 1: you're doing. Now, Man, what decade you want to start? 41 00:02:40,520 --> 00:02:42,799 Speaker 1: And I know that sounds old, but you want we 42 00:02:43,040 --> 00:02:45,680 Speaker 1: started the n eighties? What was you doing in the ages, 43 00:02:45,800 --> 00:02:48,200 Speaker 1: d J. Marr, that's started in the age. You know 44 00:02:48,280 --> 00:02:52,360 Speaker 1: this is gonna sound extremely old. I know, you know, 45 00:02:52,400 --> 00:02:55,560 Speaker 1: we focused on age demographics. I bought my first record 46 00:02:55,600 --> 00:02:59,000 Speaker 1: in two okay, bet it was playing a rock that 47 00:02:59,080 --> 00:03:03,000 Speaker 1: was had the very first round stoff. I thought it 48 00:03:03,120 --> 00:03:07,120 Speaker 1: the main music in Springfield, Massachusetts. That's my hometown, Springfield, Massa. 49 00:03:07,480 --> 00:03:09,880 Speaker 1: Stole the dollar ninety nine or ninety nine, sent that 50 00:03:09,919 --> 00:03:11,800 Speaker 1: a cost for the record from my mom's. You know, 51 00:03:11,880 --> 00:03:13,920 Speaker 1: back in the day, moms had the big pocketbook. You're 52 00:03:13,960 --> 00:03:15,799 Speaker 1: going there and you take the money out and never win. 53 00:03:15,880 --> 00:03:20,040 Speaker 1: My mom. I'm telling a bold as you probably wanted. 54 00:03:20,080 --> 00:03:25,000 Speaker 1: The only surviving black children that is ever safely going 55 00:03:25,080 --> 00:03:26,880 Speaker 1: in their mother's pocket. But I guess the type of 56 00:03:26,919 --> 00:03:30,240 Speaker 1: thing that that y'all doing Springfield, Massa. I ain't never 57 00:03:30,320 --> 00:03:33,960 Speaker 1: even heard of living in Massachusetts. I got five dollars 58 00:03:33,960 --> 00:03:37,080 Speaker 1: winning in this room that could spell Massachusetts out loud 59 00:03:37,280 --> 00:03:42,920 Speaker 1: without looking at it. Nobody even looked spell goddamn mass 60 00:03:42,920 --> 00:03:46,080 Speaker 1: mass the true sets. Yeah, yeah, that was like growing 61 00:03:46,160 --> 00:03:48,240 Speaker 1: up with that, like as a black dude, it was. 62 00:03:48,320 --> 00:03:51,160 Speaker 1: It was cool. So when when I tell people that's 63 00:03:51,200 --> 00:03:52,760 Speaker 1: where I'm from, the first thing to say, it's a 64 00:03:52,880 --> 00:03:57,320 Speaker 1: black people in Massachusetts. I talk, you will get robbed 65 00:03:57,400 --> 00:04:01,880 Speaker 1: quicker at Massachusetts than you would and let's say New York. 66 00:04:02,120 --> 00:04:03,720 Speaker 1: Obviously I don't know that to be fact, but what 67 00:04:03,760 --> 00:04:06,200 Speaker 1: I'm saying is it's wild. They're like when you got 68 00:04:06,240 --> 00:04:08,839 Speaker 1: your wild pockets and then you got your your your 69 00:04:09,080 --> 00:04:11,680 Speaker 1: suburban pockets. So what it did. It taught me a 70 00:04:11,680 --> 00:04:15,560 Speaker 1: little bit about everything because you had some friends black, white, whatever, 71 00:04:15,640 --> 00:04:17,800 Speaker 1: who grew up rich, and then the other side you 72 00:04:17,839 --> 00:04:20,200 Speaker 1: had some friends black, white, whoever, who grew up poor. 73 00:04:20,240 --> 00:04:23,520 Speaker 1: So you saw what the world really was and it 74 00:04:23,600 --> 00:04:26,520 Speaker 1: was Yeah, it was small enough so that your parents 75 00:04:26,640 --> 00:04:28,919 Speaker 1: let you out the house or you can experience, but 76 00:04:29,120 --> 00:04:32,159 Speaker 1: big enough so you saw what it did. Like So 77 00:04:32,200 --> 00:04:35,680 Speaker 1: when I say saw what it did, I grew up 78 00:04:35,680 --> 00:04:37,039 Speaker 1: and I don't even like talking about this, but I 79 00:04:37,040 --> 00:04:40,279 Speaker 1: grew up in the crack era. Like I saw before 80 00:04:40,360 --> 00:04:43,000 Speaker 1: it started and then it swiped through my city. I 81 00:04:43,040 --> 00:04:46,720 Speaker 1: saw that. I saw a kid, Travis Best, who graduated 82 00:04:46,800 --> 00:04:49,600 Speaker 1: from my high school that went on to the NBA. 83 00:04:49,960 --> 00:04:54,040 Speaker 1: He played with Georgia Tech, with the Paces. He retired 84 00:04:54,080 --> 00:04:56,679 Speaker 1: in the NBA. So so when I say, you saw 85 00:04:56,800 --> 00:05:00,360 Speaker 1: everything like, I literally saw everything, and it made so 86 00:05:00,480 --> 00:05:03,920 Speaker 1: that in terms of who I am, um, DJ wise 87 00:05:03,960 --> 00:05:06,760 Speaker 1: and personality wise, I was well round because I saw 88 00:05:07,080 --> 00:05:12,039 Speaker 1: all shapes of having that wide range of people and 89 00:05:12,200 --> 00:05:15,480 Speaker 1: friends and stuff around you. Like what type of music 90 00:05:15,520 --> 00:05:17,880 Speaker 1: did these people like introduce you to? Then you know 91 00:05:17,960 --> 00:05:20,480 Speaker 1: that you might not have got just Ben. You know, 92 00:05:20,720 --> 00:05:24,440 Speaker 1: we didn't have a V one oh three in Massachusetts. 93 00:05:24,440 --> 00:05:26,919 Speaker 1: We had w H y N and they used to 94 00:05:26,920 --> 00:05:31,400 Speaker 1: play the Doobie Brothers, Linda ron stat Uh Hall of 95 00:05:31,520 --> 00:05:34,200 Speaker 1: Notes like, so we had we had Hall of Notes. 96 00:05:34,240 --> 00:05:38,280 Speaker 1: That's funk though, that's that's book, but that's that's what 97 00:05:38,440 --> 00:05:42,120 Speaker 1: we had, right. And then we had college radio who 98 00:05:43,000 --> 00:05:47,120 Speaker 1: extremely dayparted two hours a day. You would hear um 99 00:05:47,320 --> 00:05:49,440 Speaker 1: hip hop, but it wouldn't be the same two hours 100 00:05:49,480 --> 00:05:53,039 Speaker 1: every day. So on Monday b two to four on Tuesday, 101 00:05:53,120 --> 00:05:57,040 Speaker 1: it would be four to six. On Wednesday in the 102 00:05:57,120 --> 00:06:00,400 Speaker 1: three am to to five, and it was extremely day 103 00:06:01,040 --> 00:06:03,920 Speaker 1: three am. But it was college radio. So college radio 104 00:06:04,000 --> 00:06:09,279 Speaker 1: back then was extremely organic and it was extremely experimental. 105 00:06:09,640 --> 00:06:13,000 Speaker 1: So after your hip hop show, it would be acid rock. 106 00:06:13,400 --> 00:06:16,479 Speaker 1: Before that, it would be roots reggae. So we really 107 00:06:16,520 --> 00:06:19,600 Speaker 1: grew up listening to everything and it kind of made me. 108 00:06:20,040 --> 00:06:22,440 Speaker 1: From a DJ's perspective, it made me a better DJ, 109 00:06:22,560 --> 00:06:25,640 Speaker 1: because I mean, I grew up listening to led Zeppa 110 00:06:25,880 --> 00:06:29,120 Speaker 1: led Zeppelin at the same time listening to Ultra Magnetic 111 00:06:29,160 --> 00:06:32,960 Speaker 1: and day La Soul and Public Enemy. So all the 112 00:06:32,960 --> 00:06:34,720 Speaker 1: reason why my crates are as deep as they are 113 00:06:34,760 --> 00:06:37,000 Speaker 1: is because that's how I grew up. I didn't just 114 00:06:37,040 --> 00:06:40,920 Speaker 1: grow up listening to just Louth Evangels as a kid. 115 00:06:40,960 --> 00:06:43,520 Speaker 1: I wish I did, because you know, you're fishing through 116 00:06:43,520 --> 00:06:46,400 Speaker 1: the radio for run DMC and it didn't happen. So 117 00:06:47,320 --> 00:06:50,360 Speaker 1: lost me with that whole Dance with My Father ship. Yeah, 118 00:06:50,440 --> 00:06:58,560 Speaker 1: I'm just gonna keep you last album all Dance with 119 00:06:58,720 --> 00:07:06,240 Speaker 1: My Fun the fun God listened that Little God, but 120 00:07:06,400 --> 00:07:09,760 Speaker 1: I ain't gotta like everything. Yeah, that one through me 121 00:07:09,920 --> 00:07:12,480 Speaker 1: all the way up. I wasn't even really all the 122 00:07:12,480 --> 00:07:16,000 Speaker 1: way in my adulthood, and I'm like, what, you didn't 123 00:07:16,000 --> 00:07:17,920 Speaker 1: get it. I looked at my dad, that's like, don't 124 00:07:17,920 --> 00:07:24,320 Speaker 1: you have a da type of ship? Is that? Yeah? 125 00:07:24,320 --> 00:07:31,840 Speaker 1: This was really hiddy? Yeah man, So that's that's what 126 00:07:31,960 --> 00:07:34,559 Speaker 1: happened in the eighties. You're just discovering all this dope 127 00:07:34,560 --> 00:07:37,760 Speaker 1: ass ship. So what what led you to the DJ, 128 00:07:37,920 --> 00:07:40,520 Speaker 1: and it was it was a neighborhood thing. So the 129 00:07:40,560 --> 00:07:42,840 Speaker 1: neighborhood that I grew up and I felt like it 130 00:07:42,920 --> 00:07:45,320 Speaker 1: was the coolest neighborhood in the city. That's that's just 131 00:07:45,360 --> 00:07:47,400 Speaker 1: how I felt. We probably weren't, but that's what I 132 00:07:47,440 --> 00:07:50,800 Speaker 1: felt like the neighborhood. Legitimately, we had one of the 133 00:07:50,800 --> 00:07:53,400 Speaker 1: best graffiti writers in the city. He lived he lived 134 00:07:53,440 --> 00:07:56,200 Speaker 1: down the block. So I lived on Hickory the projects 135 00:07:56,200 --> 00:07:59,200 Speaker 1: in Hickory Street. He lived on Eastern Half, like literally 136 00:07:59,240 --> 00:08:01,920 Speaker 1: on the corner. So so you got the best Kafiti 137 00:08:02,000 --> 00:08:05,000 Speaker 1: writer in the city. Um, one of my neighbors a 138 00:08:05,000 --> 00:08:06,960 Speaker 1: few houses down was a DJ. And there was another 139 00:08:07,040 --> 00:08:09,880 Speaker 1: DJ at the top of the projects who I would 140 00:08:09,960 --> 00:08:11,880 Speaker 1: stay in front of the bus stop and he's cutting 141 00:08:11,960 --> 00:08:15,560 Speaker 1: up break beats. So I felt like that's what I 142 00:08:15,680 --> 00:08:18,480 Speaker 1: was around naturally, you know what I mean. I didn't 143 00:08:18,520 --> 00:08:20,720 Speaker 1: know it was gonna beat this. I didn't know that 144 00:08:20,920 --> 00:08:24,040 Speaker 1: this was even available for people outside of New York, 145 00:08:24,040 --> 00:08:26,760 Speaker 1: because I legitimately thought the only way you can get 146 00:08:26,760 --> 00:08:28,800 Speaker 1: on is if you lived in New York. Because you 147 00:08:28,800 --> 00:08:31,600 Speaker 1: would see run DMC, what Jim Master J. You would 148 00:08:31,600 --> 00:08:34,800 Speaker 1: see uh L O cool J would cut create and 149 00:08:35,040 --> 00:08:37,720 Speaker 1: so I thought that the DJ got on because he 150 00:08:37,800 --> 00:08:39,560 Speaker 1: lived across the street from the rapper. I didn't live 151 00:08:39,559 --> 00:08:43,040 Speaker 1: across the street from the rapper. Was what DJ's name 152 00:08:43,480 --> 00:08:47,240 Speaker 1: good creator? So you know that's I thought that was 153 00:08:47,320 --> 00:08:51,240 Speaker 1: the trajectory. Yeah, but that's dope name. You really got 154 00:08:51,280 --> 00:08:56,440 Speaker 1: the to get whole dreams and DJ and aspirations to 155 00:08:56,520 --> 00:08:59,520 Speaker 1: a whole another level and worked with legends in the city. Man, 156 00:08:59,720 --> 00:09:04,800 Speaker 1: how you go from Springfield, Massachusetts to Atlanta, Georgia. Um, 157 00:09:04,840 --> 00:09:07,440 Speaker 1: it was College Clark Atlanta University. That was the That 158 00:09:07,520 --> 00:09:10,040 Speaker 1: was the reason that brought me to the A. Yeah, 159 00:09:10,280 --> 00:09:14,319 Speaker 1: I was just throwing the HBCU know, we always got 160 00:09:14,360 --> 00:09:16,600 Speaker 1: show love to that. It was honestly, that was the 161 00:09:16,800 --> 00:09:19,240 Speaker 1: that was the plug. So came down here in nine 162 00:09:19,320 --> 00:09:23,120 Speaker 1: to go to college. I was graduated, but in school 163 00:09:23,120 --> 00:09:26,320 Speaker 1: I was a major in communications and I wanted to 164 00:09:26,360 --> 00:09:29,240 Speaker 1: create content for TV, kind of like what your crew 165 00:09:29,320 --> 00:09:32,320 Speaker 1: is doing? Inspired this the number one black TV show 166 00:09:32,360 --> 00:09:36,040 Speaker 1: that's not on not on TV, but it's going to be. 167 00:09:36,280 --> 00:09:39,400 Speaker 1: He already know that. So I was inspired by Spike 168 00:09:39,520 --> 00:09:43,040 Speaker 1: Lee and Arsenio Hall. Arseny obviously for his late night 169 00:09:43,040 --> 00:09:45,280 Speaker 1: talk show and then the stuff that Spike was doing 170 00:09:45,320 --> 00:09:49,200 Speaker 1: with his films. I felt like that talked to me directly. 171 00:09:49,480 --> 00:09:52,160 Speaker 1: And I knew Spike went to more House, but he 172 00:09:52,200 --> 00:09:54,800 Speaker 1: took his classes at Clark. So I was like, well, 173 00:09:55,160 --> 00:09:57,480 Speaker 1: I'll just go directly to the source. I'll take my 174 00:09:57,520 --> 00:09:59,680 Speaker 1: classes at Clark. So that's what it got me to 175 00:09:59,679 --> 00:10:02,960 Speaker 1: the a M. How you get the working people like 176 00:10:03,120 --> 00:10:07,240 Speaker 1: outcast and ship like that. Man, So the outcast story 177 00:10:07,440 --> 00:10:11,760 Speaker 1: is crazy. So my man, Sean Johnson introduced me to Outcast. 178 00:10:11,960 --> 00:10:13,840 Speaker 1: This is when they were both in high school, all right, 179 00:10:14,000 --> 00:10:16,760 Speaker 1: both of them was in high school. And one day 180 00:10:16,840 --> 00:10:18,800 Speaker 1: he picks me up. Me and so me and DJ 181 00:10:18,920 --> 00:10:22,200 Speaker 1: Trauma at the time with roommates, and he picks me up. 182 00:10:22,200 --> 00:10:25,080 Speaker 1: He's like, Yeah'm gonna take you over to meet these rappers. 183 00:10:25,360 --> 00:10:31,679 Speaker 1: They're really dope. This is let's say three. So he 184 00:10:31,800 --> 00:10:34,400 Speaker 1: pulled up to this house, walking the house as an 185 00:10:34,440 --> 00:10:36,920 Speaker 1: older black woman in the kitchen cooking. We say hi 186 00:10:37,120 --> 00:10:39,640 Speaker 1: and we go downstairs. So he walked down This is 187 00:10:39,920 --> 00:10:43,600 Speaker 1: God's Honestly. You walk downstairs and you see a bunch 188 00:10:43,600 --> 00:10:46,600 Speaker 1: of dollars are sitting over there, somebody laying on the floor. 189 00:10:46,960 --> 00:10:49,400 Speaker 1: So one over there and then you see the skinny 190 00:10:49,440 --> 00:10:53,080 Speaker 1: dark skin cap. I guess like behind behind the booth, 191 00:10:53,760 --> 00:10:56,559 Speaker 1: and it's Rico Wade. Now I don't know who I'm 192 00:10:56,559 --> 00:10:58,360 Speaker 1: looking at. This is the first time I'm walking into 193 00:10:58,400 --> 00:11:02,320 Speaker 1: the house, but it's the Dungeon. So I don't remember 194 00:11:02,360 --> 00:11:06,680 Speaker 1: what they were recording, but this is Dungeon before Outcasts 195 00:11:06,760 --> 00:11:09,800 Speaker 1: got signed to the Face. It was whatever that year was. 196 00:11:09,880 --> 00:11:15,120 Speaker 1: So let's say for arguments, say let's say it's ninety three, right, again, 197 00:11:15,120 --> 00:11:18,960 Speaker 1: they're still in high school nine three and the whole 198 00:11:19,080 --> 00:11:22,800 Speaker 1: Dungeon is forming. Right. So I'm sitting there talking to Rico, 199 00:11:23,160 --> 00:11:27,400 Speaker 1: and Rico is legitimately like the visionary. But I mean 200 00:11:27,679 --> 00:11:31,480 Speaker 1: we we talked hip hop for hours, and I felt 201 00:11:31,520 --> 00:11:35,440 Speaker 1: like they were they were the same as me in 202 00:11:35,559 --> 00:11:39,160 Speaker 1: terms of hip hop knowledge history. I mean, we're talking everything. 203 00:11:39,200 --> 00:11:42,000 Speaker 1: We're talking break beats, we're talking Africa bandbout it. These 204 00:11:42,040 --> 00:11:45,720 Speaker 1: are dudes I never met before, but that the I 205 00:11:45,840 --> 00:11:49,760 Speaker 1: knew that they knew what time it was. I don't 206 00:11:49,760 --> 00:11:51,520 Speaker 1: care where, it didn't even matter where they're from. You 207 00:11:51,640 --> 00:11:54,000 Speaker 1: knew that they knew. And then you knew that Rico 208 00:11:54,160 --> 00:11:57,240 Speaker 1: was the head because he was forming a crew like votron. 209 00:11:57,320 --> 00:12:01,600 Speaker 1: Not again. I didn't know. Let's say, is six bodies 210 00:12:01,600 --> 00:12:04,480 Speaker 1: sitting over there. I didn't know that these two outcasts 211 00:12:04,480 --> 00:12:06,520 Speaker 1: and these four were goodie mom. I just knew that 212 00:12:06,559 --> 00:12:11,240 Speaker 1: they were rappers, that this genus was putting together. So 213 00:12:11,720 --> 00:12:16,680 Speaker 1: imagine seeing Dungeon family from That's not the beginning, but 214 00:12:17,120 --> 00:12:19,679 Speaker 1: this is before outcasts got a record deal. Like so, 215 00:12:19,720 --> 00:12:24,000 Speaker 1: I've been in that space and around Atlanta history from 216 00:12:24,040 --> 00:12:28,400 Speaker 1: and let's say that was my starting point and incredible, 217 00:12:28,480 --> 00:12:31,200 Speaker 1: and then only to find out I go home for 218 00:12:31,240 --> 00:12:33,719 Speaker 1: the summer, come back out guys got a record deal 219 00:12:33,760 --> 00:12:35,520 Speaker 1: with a face and I'm like, these are the cats 220 00:12:35,520 --> 00:12:37,520 Speaker 1: who I used to kick away. They ushould come to 221 00:12:37,559 --> 00:12:41,160 Speaker 1: our crib rhyme and um in our living room. I 222 00:12:41,200 --> 00:12:43,640 Speaker 1: wish we had social media back then because it was 223 00:12:43,840 --> 00:12:48,840 Speaker 1: some real history. One of them died their hair blonde, 224 00:12:49,400 --> 00:12:51,160 Speaker 1: and I don't remember who, so I don't want to 225 00:12:51,160 --> 00:12:52,600 Speaker 1: mess up the story. One of them died the hair 226 00:12:52,640 --> 00:12:55,480 Speaker 1: blond and their mom's kicked them out the house. I've 227 00:12:55,840 --> 00:12:58,440 Speaker 1: I've picked up whoever the one was. I picked up 228 00:12:58,480 --> 00:13:00,360 Speaker 1: the other one to pick up the one who kicked 229 00:13:00,400 --> 00:13:02,720 Speaker 1: out the crib to bring them to the other one's house. Like, 230 00:13:02,840 --> 00:13:06,520 Speaker 1: so seeing them from that vantage point from day one, 231 00:13:07,160 --> 00:13:09,720 Speaker 1: you knew they were nice on a hip hop level. 232 00:13:09,800 --> 00:13:12,640 Speaker 1: From like there was no marketing planing though these two 233 00:13:12,720 --> 00:13:16,240 Speaker 1: high school kids was bananas with it. So you know, 234 00:13:16,640 --> 00:13:20,240 Speaker 1: that's the genesis of my history of hip hop in 235 00:13:20,360 --> 00:13:22,640 Speaker 1: here in Atlanta. Man, You've got a lot of history 236 00:13:22,720 --> 00:13:25,440 Speaker 1: though all us in the history of Atlanta, I didn't 237 00:13:25,520 --> 00:13:27,800 Speaker 1: heard a few people shout you at it. They versus 238 00:13:27,800 --> 00:13:32,640 Speaker 1: and ship like that. Recently we did um the Monica Versus, 239 00:13:32,640 --> 00:13:35,240 Speaker 1: which was crazy. I think to this day, I think 240 00:13:35,280 --> 00:13:38,839 Speaker 1: that's top five highest rated versus of all of them, 241 00:13:38,840 --> 00:13:42,120 Speaker 1: which is bananas because you're in a room like this, 242 00:13:42,480 --> 00:13:45,880 Speaker 1: right and you're not you're not knowing that the that 243 00:13:46,000 --> 00:13:48,040 Speaker 1: the numbers are going through the roof. And we were, 244 00:13:48,800 --> 00:13:52,520 Speaker 1: let's say, through the show, and the producer came over. 245 00:13:52,600 --> 00:13:56,040 Speaker 1: It's like, yo, y'all broken record. And I literally were 246 00:13:56,040 --> 00:13:58,040 Speaker 1: in the room like this. You don't know that the 247 00:13:58,120 --> 00:14:00,120 Speaker 1: record is being broke. You're not even paid. I'm just 248 00:14:00,160 --> 00:14:03,440 Speaker 1: making sure that we start Monica's records on point. He's like, no, no, no, 249 00:14:03,520 --> 00:14:05,960 Speaker 1: you're at I'm paraphrase in the number because I don't 250 00:14:05,960 --> 00:14:08,360 Speaker 1: remember let's saying, it's like we're almost at two million. 251 00:14:09,240 --> 00:14:15,080 Speaker 1: I was in there crazy. I wasn't in the comments 252 00:14:15,120 --> 00:14:18,840 Speaker 1: talking so much what you talking about? You know, the 253 00:14:18,840 --> 00:14:21,240 Speaker 1: comments was going crazy because Monica had them booths on 254 00:14:21,320 --> 00:14:29,440 Speaker 1: that looked like prosthetic legs. That was one of the 255 00:14:29,480 --> 00:14:34,040 Speaker 1: best ones. Like, man, people love to see, you know, 256 00:14:34,120 --> 00:14:38,360 Speaker 1: our stars finally getting their flowers. You know what I'm saying? Yeah, yeah, man, 257 00:14:38,400 --> 00:14:42,760 Speaker 1: I love I feel like Atlanta has been on top 258 00:14:43,080 --> 00:14:45,160 Speaker 1: longer than any other city has been on and you've 259 00:14:45,200 --> 00:14:47,120 Speaker 1: been here the whole time. Bro, it's gonna have to 260 00:14:47,160 --> 00:14:51,160 Speaker 1: take us like five episodes. All the ship shoots my shirts. 261 00:14:51,920 --> 00:14:55,200 Speaker 1: The shirt man, that's how gates that we are in 262 00:14:55,280 --> 00:14:58,440 Speaker 1: this motherfucker man. Fuck switching. We're just gonna keep the 263 00:14:58,480 --> 00:15:01,960 Speaker 1: caramels on until we leave this. So what you've got 264 00:15:02,000 --> 00:15:04,040 Speaker 1: going on right now? Man? I know you've been going 265 00:15:04,080 --> 00:15:06,120 Speaker 1: crazy with the cars. I gotta I want to skip 266 00:15:06,160 --> 00:15:08,800 Speaker 1: straight to that point. And that's my favorite. Cary. You 267 00:15:08,920 --> 00:15:12,560 Speaker 1: have uh ship, we don't we don't say numbers and 268 00:15:12,720 --> 00:15:17,040 Speaker 1: things like we gotta, we gotta gotta. We'll never be walking. 269 00:15:17,840 --> 00:15:22,760 Speaker 1: I've never been walking. I'm never walk anywhere. So I 270 00:15:22,840 --> 00:15:27,480 Speaker 1: got the Uptown Car Club. Uh, it's really what I 271 00:15:27,520 --> 00:15:29,800 Speaker 1: gotta have to be in the Uptown Car Club. So 272 00:15:29,960 --> 00:15:34,560 Speaker 1: Uptown Car Club focuses on cars primarily from the eighties 273 00:15:34,600 --> 00:15:37,120 Speaker 1: and nineties. Obviously, you know we're gonna stretch it out 274 00:15:37,160 --> 00:15:39,760 Speaker 1: because you know time is moving on. But eighties and 275 00:15:39,840 --> 00:15:43,440 Speaker 1: nineties European style whips for the most part. I'm about 276 00:15:43,480 --> 00:15:45,560 Speaker 1: to get something then I've been wanting to give me 277 00:15:45,600 --> 00:15:48,440 Speaker 1: other five speeding anywhere. But if you know anybody got 278 00:15:48,440 --> 00:15:53,600 Speaker 1: an M three manual, coach k got, I cannot coach it. 279 00:15:53,920 --> 00:15:57,560 Speaker 1: Coach sh it is coach got some ship that's making 280 00:15:57,840 --> 00:16:00,400 Speaker 1: I remember because his birthday they got them that cold 281 00:16:00,480 --> 00:16:04,520 Speaker 1: as BMW man me go spotted for right. Maybe the 282 00:16:04,560 --> 00:16:08,200 Speaker 1: label maybe Q see it somebody here, somebody had to 283 00:16:08,280 --> 00:16:11,400 Speaker 1: label sure that because I remember them when they shipped 284 00:16:11,400 --> 00:16:14,080 Speaker 1: it to Atlanta, because I got the call a couple 285 00:16:14,080 --> 00:16:16,840 Speaker 1: of times before they found actually like loads you got 286 00:16:16,840 --> 00:16:20,520 Speaker 1: woman was like, hell you have watched that? Yeah? Yeah, 287 00:16:21,520 --> 00:16:24,560 Speaker 1: you know. So the cool thing about cars, you know, 288 00:16:24,600 --> 00:16:27,120 Speaker 1: the way we're doing the car thing is you don't 289 00:16:27,120 --> 00:16:30,560 Speaker 1: got the coach's level is another level has been killing 290 00:16:30,600 --> 00:16:33,200 Speaker 1: it for so long on the lower he liked him 291 00:16:33,560 --> 00:16:35,840 Speaker 1: with none of that. A lot of people won't even 292 00:16:35,880 --> 00:16:38,760 Speaker 1: know Coach if they walked past. He's just been he's 293 00:16:38,760 --> 00:16:40,920 Speaker 1: so low key with the ship. So his it's like 294 00:16:41,000 --> 00:16:42,960 Speaker 1: you gotta get him level, got to get him up 295 00:16:42,960 --> 00:16:46,200 Speaker 1: to definitely not and then but you can enter the 296 00:16:46,240 --> 00:16:49,240 Speaker 1: old school car game with like five thousand dollars and 297 00:16:49,280 --> 00:16:53,920 Speaker 1: I'm not saying a little bit of one. You can't. 298 00:16:54,320 --> 00:16:57,600 Speaker 1: You can't. You can't know you can't. You can you can. 299 00:16:58,120 --> 00:17:00,600 Speaker 1: You can own it for that, but you ain't going nowhere. 300 00:17:02,240 --> 00:17:05,320 Speaker 1: Come look, I see that's why people end up with 301 00:17:05,359 --> 00:17:08,320 Speaker 1: all these fucking cars and broken dreams because you don't 302 00:17:08,320 --> 00:17:12,880 Speaker 1: really believe that ship. No, if you buy an old car, 303 00:17:13,080 --> 00:17:16,280 Speaker 1: you need enough money to make that menure new car. Yeah, 304 00:17:16,920 --> 00:17:19,199 Speaker 1: I'm saying to buying a car, Yeah, you can on it. 305 00:17:19,240 --> 00:17:20,639 Speaker 1: You go on it. You canet on it so you 306 00:17:20,680 --> 00:17:22,640 Speaker 1: can get in it. You can find you a nice 307 00:17:23,000 --> 00:17:27,560 Speaker 1: late model nineties era VENs or with some turbo want 308 00:17:27,560 --> 00:17:30,359 Speaker 1: it forget you right, you couldn't. But it's an investment. 309 00:17:30,400 --> 00:17:32,320 Speaker 1: You gotta put into it. You gotta put into it, 310 00:17:32,400 --> 00:17:34,160 Speaker 1: you gotta you gotta move right with you. I'm gonna 311 00:17:34,200 --> 00:17:36,720 Speaker 1: get me something it's gotta be a fast speeder. Yeah, 312 00:17:36,760 --> 00:17:40,560 Speaker 1: I don't. I don't like driving sticks automatic. I'm not 313 00:17:40,600 --> 00:17:42,800 Speaker 1: a speech ster. I'm not a speech I'm not on 314 00:17:42,840 --> 00:17:48,560 Speaker 1: the highway going to million minds. An now, now, this 315 00:17:48,920 --> 00:17:52,240 Speaker 1: fucking guy, I'm about to start a class just teaching 316 00:17:52,240 --> 00:17:55,440 Speaker 1: people how to draft sticks. My first car was at 317 00:17:55,680 --> 00:17:59,200 Speaker 1: an eighty six Dodgs Lancer. That was my very Dodge 318 00:17:59,280 --> 00:18:04,600 Speaker 1: Lancer turb at that automatically great. The turtle didn't make 319 00:18:04,640 --> 00:18:06,439 Speaker 1: it go faster because it was already old when I 320 00:18:06,480 --> 00:18:08,919 Speaker 1: got it. But it was an eighty six Dodgs Lancer 321 00:18:09,320 --> 00:18:13,440 Speaker 1: Turtle butter from art for twenty dollars. You know, it's crazy. 322 00:18:13,480 --> 00:18:15,040 Speaker 1: I had a car just like that, but I had 323 00:18:15,119 --> 00:18:17,199 Speaker 1: you know, Dodge Planet. They made the same ship. I 324 00:18:17,240 --> 00:18:21,080 Speaker 1: had the Planet Laser, which is the same call. Essentially. 325 00:18:21,800 --> 00:18:24,760 Speaker 1: Mine was a big gass brick. Mine was my ship 326 00:18:24,920 --> 00:18:29,280 Speaker 1: was probably a but when I bought it, it was 327 00:18:29,359 --> 00:18:33,760 Speaker 1: so low malage and so immaga I had. I was 328 00:18:33,800 --> 00:18:35,720 Speaker 1: so mad when I first got it because I came 329 00:18:35,760 --> 00:18:38,480 Speaker 1: home and I was like, because I was saving up 330 00:18:38,520 --> 00:18:40,760 Speaker 1: the buying cars and the car had it like in 331 00:18:40,840 --> 00:18:43,720 Speaker 1: my mind, and then I got this one. But like 332 00:18:44,240 --> 00:18:46,919 Speaker 1: it wasn't. I didn't pick it. So I'm like, all right, 333 00:18:46,920 --> 00:18:49,600 Speaker 1: I drive whatever. I'm just trying to roll. At this point, 334 00:18:50,160 --> 00:18:52,359 Speaker 1: I go out there and I started, I'm looking about 335 00:18:52,359 --> 00:18:55,480 Speaker 1: the start like, I'm like funk. I went in the house. 336 00:18:55,520 --> 00:18:57,879 Speaker 1: I was like, ship, I'm not gonna do that. I 337 00:18:57,960 --> 00:19:00,000 Speaker 1: was like, you're figuring out. So I went back outside, 338 00:19:00,040 --> 00:19:02,720 Speaker 1: had the same night, throw that bitch. I got stuck 339 00:19:02,720 --> 00:19:06,200 Speaker 1: for like minutes, but I got stuck for like fifteen minutes, 340 00:19:07,200 --> 00:19:08,919 Speaker 1: and then I figured that ship out. And then like 341 00:19:09,320 --> 00:19:12,359 Speaker 1: I did that ship maybe two more nights, just driving, 342 00:19:12,520 --> 00:19:15,000 Speaker 1: and I got home and throw that business school and 343 00:19:15,040 --> 00:19:19,200 Speaker 1: I was a little good man, good good money, good money. Yeah, 344 00:19:19,280 --> 00:19:24,000 Speaker 1: man myself. The car thing is every man needs that thing, right, 345 00:19:24,080 --> 00:19:26,600 Speaker 1: every man needs a thing. So for some you know, 346 00:19:26,920 --> 00:19:32,320 Speaker 1: I do sneakers, I do firearms, cars and bikes. We 347 00:19:32,400 --> 00:19:34,680 Speaker 1: all you need a hobby when you come off the road. 348 00:19:34,720 --> 00:19:37,359 Speaker 1: You need something to take you away from this to 349 00:19:37,560 --> 00:19:39,760 Speaker 1: you know, to relax it. You got a lot of hobbies, man, 350 00:19:40,080 --> 00:19:43,840 Speaker 1: You do cars, firearms, and you build bikes. Yeah, that's 351 00:19:43,880 --> 00:19:47,239 Speaker 1: crazy when you find time to mix it all up. 352 00:19:47,920 --> 00:19:49,680 Speaker 1: The days that I'm not in the club or it's 353 00:19:49,720 --> 00:19:52,920 Speaker 1: not on the road. Like really, it's my relaxation to 354 00:19:53,480 --> 00:19:55,760 Speaker 1: you know what I mean, to get away from the 355 00:19:55,920 --> 00:19:58,480 Speaker 1: They adn't know he was a gun enthusiasts like that. Bro, 356 00:19:58,760 --> 00:20:02,359 Speaker 1: it's the South. You gotta protect yourself. Yeah, I got 357 00:20:02,400 --> 00:20:06,399 Speaker 1: to even before the nonsense with the last president, Like 358 00:20:06,440 --> 00:20:09,440 Speaker 1: I was on that heavy like one thing they love 359 00:20:09,520 --> 00:20:12,920 Speaker 1: in this album though, Man, that's some good. That's Jesus. 360 00:20:15,080 --> 00:20:18,600 Speaker 1: They take turns. It depends on you. It's the same situation. 361 00:20:18,760 --> 00:20:22,000 Speaker 1: So so on the tip of the bikes, you know, 362 00:20:22,280 --> 00:20:26,200 Speaker 1: that's my newest public adventure. It's made by mars um 363 00:20:26,640 --> 00:20:29,280 Speaker 1: So I customized bikes for for people. So you know, 364 00:20:29,840 --> 00:20:32,680 Speaker 1: you can either buy a factory bike. We got one that. 365 00:20:33,200 --> 00:20:36,040 Speaker 1: We got a bike. We got some man, let me 366 00:20:36,040 --> 00:20:37,719 Speaker 1: see it. I'm looking. I got sho marks. I want 367 00:20:37,760 --> 00:20:40,360 Speaker 1: to get this some vain. We had another guy come 368 00:20:40,440 --> 00:20:43,560 Speaker 1: who built bikes, black dude, entrepreneur. So we got a 369 00:20:43,560 --> 00:20:51,280 Speaker 1: little what's his name, God damnit, mars but I will 370 00:20:51,280 --> 00:20:53,639 Speaker 1: get his name. But he's pretty. We're gonna get him 371 00:20:53,680 --> 00:20:55,879 Speaker 1: to finish devil right now. We just got it as 372 00:20:55,960 --> 00:20:59,320 Speaker 1: like art. We're gonna get him completed. We gotta get 373 00:20:59,359 --> 00:21:02,879 Speaker 1: him Djy mark bike eighty five South thing that that 374 00:21:03,160 --> 00:21:05,560 Speaker 1: that colorway, the black of the orange and the blue. 375 00:21:06,440 --> 00:21:12,520 Speaker 1: We'll go We'll go very right and yeah, dope need 376 00:21:12,560 --> 00:21:17,399 Speaker 1: one the bike thing I started at UM. I was 377 00:21:17,480 --> 00:21:20,119 Speaker 1: diagnosed with diabetes, let's say about eight years ago. So 378 00:21:20,240 --> 00:21:22,080 Speaker 1: the doctor was like, yo, you gotta lose some weight. 379 00:21:22,760 --> 00:21:24,960 Speaker 1: So I'm not a gym person, not gonna be in 380 00:21:25,000 --> 00:21:28,320 Speaker 1: the gym lifting running, So I figured I needed to 381 00:21:28,359 --> 00:21:31,320 Speaker 1: do something to to get some exercise and check that out. 382 00:21:34,080 --> 00:21:37,840 Speaker 1: Super light frame too. Who's gonna ride this is my ship? 383 00:21:38,359 --> 00:21:43,520 Speaker 1: Nice nice man. I got to get back in touch 384 00:21:43,560 --> 00:21:45,000 Speaker 1: with him. He got the rest of the parts to 385 00:21:45,040 --> 00:21:46,399 Speaker 1: finish it. They just got to come up here and 386 00:21:46,480 --> 00:21:49,280 Speaker 1: do it. So I like. I like, obviously the Atlanta 387 00:21:49,359 --> 00:21:51,360 Speaker 1: theme with the can they see it on this side 388 00:21:51,480 --> 00:21:54,720 Speaker 1: the peach obviously, the eighty five South. This is we 389 00:21:54,880 --> 00:21:58,360 Speaker 1: all fire. You see the smoke in the flames right here. 390 00:21:59,440 --> 00:22:01,359 Speaker 1: The killer, Yeah, we got the killers on that bit. 391 00:22:01,480 --> 00:22:04,640 Speaker 1: We got the A town Dope. Come on, man, dope doe, 392 00:22:04,880 --> 00:22:07,520 Speaker 1: touch and ship you leave it alone. You know you're 393 00:22:07,520 --> 00:22:11,840 Speaker 1: down there on the chain at the time too. It 394 00:22:12,040 --> 00:22:15,480 Speaker 1: was just right here. That's his name. J R. Asked 395 00:22:15,480 --> 00:22:19,000 Speaker 1: customed by some shout out to my dog, we're gonna 396 00:22:19,040 --> 00:22:22,240 Speaker 1: get you up here to Fanish differ from me. So yeah, 397 00:22:22,440 --> 00:22:27,480 Speaker 1: it was really born out of necessity. I need. I 398 00:22:27,560 --> 00:22:30,439 Speaker 1: needed to lose weight, so I just started riding bikes 399 00:22:30,760 --> 00:22:33,800 Speaker 1: um around the city. I saw Jay Read and the 400 00:22:33,880 --> 00:22:38,040 Speaker 1: dope paddlers. Their crew is ridiculous. And then I started 401 00:22:38,119 --> 00:22:41,240 Speaker 1: my crew. And then I bought um a second bike 402 00:22:41,320 --> 00:22:43,000 Speaker 1: and was like, let me flip. You know, it's hip hop. 403 00:22:43,359 --> 00:22:46,520 Speaker 1: We don't like things to stay stationary. We remix it 404 00:22:46,560 --> 00:22:49,520 Speaker 1: into our own thing. And I didn't move bike, and 405 00:22:49,640 --> 00:22:51,760 Speaker 1: I didn't. I did that bike, and then I did 406 00:22:51,840 --> 00:22:54,000 Speaker 1: two more for myself and posted a picture of it, 407 00:22:54,400 --> 00:22:57,040 Speaker 1: and his kid from England said he wanted to buy it. 408 00:22:58,040 --> 00:23:00,760 Speaker 1: Just word to my son, I ain't him a price. 409 00:23:01,359 --> 00:23:04,399 Speaker 1: He wired the money, I shoved him the bike. Two 410 00:23:04,440 --> 00:23:06,600 Speaker 1: weeks later he had a biking posted that someone else 411 00:23:07,000 --> 00:23:09,160 Speaker 1: was like, who did that bike? I want to buy 412 00:23:09,240 --> 00:23:12,240 Speaker 1: one from him too, And that's legitimately how the business started. 413 00:23:12,400 --> 00:23:15,600 Speaker 1: That's what something man Um timming about the gun classes 414 00:23:15,680 --> 00:23:21,120 Speaker 1: and the handguns, so vaugh A T. L Um really 415 00:23:21,200 --> 00:23:26,320 Speaker 1: just about understanding, uh, the importance of gun safety and 416 00:23:26,480 --> 00:23:29,200 Speaker 1: education that's before you get a gun, you need to 417 00:23:29,280 --> 00:23:31,720 Speaker 1: know how to use it. That that when I project 418 00:23:31,800 --> 00:23:34,480 Speaker 1: out and that bullet comes out, that thing. It's another conversation. 419 00:23:34,920 --> 00:23:37,399 Speaker 1: A lot of us around the way have guns, but 420 00:23:37,520 --> 00:23:40,359 Speaker 1: we don't know how to use them. So, you know, 421 00:23:40,560 --> 00:23:44,359 Speaker 1: we put ourselves in bad situations. We may carry a 422 00:23:44,440 --> 00:23:47,720 Speaker 1: gun a situation. Someone may approach you at a gas 423 00:23:47,800 --> 00:23:51,080 Speaker 1: station and if he turns around, you shoot him while 424 00:23:51,119 --> 00:23:53,840 Speaker 1: he's turned around. Now you're at fault. So what were 425 00:23:53,880 --> 00:23:56,720 Speaker 1: you just trying to teach gun education so that when 426 00:23:56,760 --> 00:23:59,760 Speaker 1: we're in a situation we make the proper decision. A 427 00:23:59,800 --> 00:24:02,520 Speaker 1: lot of the times we put ourselves in these predicaments 428 00:24:02,800 --> 00:24:05,440 Speaker 1: and we don't do the legal thing. We do what 429 00:24:05,600 --> 00:24:07,920 Speaker 1: our emotions are telling us. We can't move like that, 430 00:24:08,200 --> 00:24:10,600 Speaker 1: And so vault is about making sure we know what 431 00:24:10,720 --> 00:24:14,719 Speaker 1: time it is. I'm coming. I'm coming well, ship man, 432 00:24:14,960 --> 00:24:18,040 Speaker 1: drop your social media where they can find you at 433 00:24:18,119 --> 00:24:21,439 Speaker 1: man d J. Mars full for on Instagram and Mars 434 00:24:21,520 --> 00:24:24,520 Speaker 1: Hall on Facebook. Do me a favor, though, and make 435 00:24:24,600 --> 00:24:27,320 Speaker 1: me a premise. Don't let this be the last time 436 00:24:27,440 --> 00:24:30,080 Speaker 1: you stopped through it. La La, I mean, your team 437 00:24:30,160 --> 00:24:33,040 Speaker 1: know how to find me. We've been talking about getting 438 00:24:33,359 --> 00:24:36,760 Speaker 1: the schedules. Schedules. I'm so glad we were able to 439 00:24:36,800 --> 00:24:39,280 Speaker 1: do this today. So if they need more information about 440 00:24:39,320 --> 00:24:43,800 Speaker 1: the bikes, the guns, the DJ and everything. I mean 441 00:24:44,760 --> 00:24:47,960 Speaker 1: my general pages at d J Mars for FORO I 442 00:24:48,000 --> 00:24:52,679 Speaker 1: post everything that cars, bikes, firearms, everything right there, parties, tours, 443 00:24:52,760 --> 00:24:55,960 Speaker 1: all of that. Well, there you're having, folks. I hope 444 00:24:56,000 --> 00:25:01,280 Speaker 1: everyone who's watching knows and understands that the market is open. 445 00:25:03,040 --> 00:25:05,639 Speaker 1: The black market is open. My bad, I got excited 446 00:25:05,920 --> 00:25:09,000 Speaker 1: the market. Sorry, this ship makes me handle DJ marks. 447 00:25:09,480 --> 00:25:11,320 Speaker 1: Hey man, we got DJ Mars in the building. It 448 00:25:11,440 --> 00:25:15,600 Speaker 1: up today. Hey back, black market. We out of here, 449 00:25:16,119 --> 00:25:20,359 Speaker 1: my dog, I didn't realize that was your intro. I 450 00:25:20,440 --> 00:25:22,359 Speaker 1: know you're just wrapping in the beginning. That's how we