1 00:00:09,640 --> 00:00:10,280 Speaker 1: Hey that folks. 2 00:00:10,360 --> 00:00:16,120 Speaker 2: We continue now with Oscar movie number eight, The Secret Agent. 3 00:00:16,600 --> 00:00:18,840 Speaker 1: This one was a surprise for us. 4 00:00:19,440 --> 00:00:22,480 Speaker 3: Yes, well, first of all, I did not know anything 5 00:00:22,480 --> 00:00:26,319 Speaker 3: about it, and I wasn't sure what language it was in. 6 00:00:26,840 --> 00:00:29,640 Speaker 3: So look, I don't mind a subtitled movie because I 7 00:00:29,680 --> 00:00:31,159 Speaker 3: actually feel like I get to read a book and 8 00:00:31,280 --> 00:00:33,720 Speaker 3: watch a movie all at once, and after a few minutes, 9 00:00:34,080 --> 00:00:38,960 Speaker 3: I forget I'm seeing subtitles, and it's so interesting. Even 10 00:00:39,000 --> 00:00:41,440 Speaker 3: when you're watching a movie in another language, you can 11 00:00:41,479 --> 00:00:45,839 Speaker 3: still tell when the acting is amazing, and that was 12 00:00:45,880 --> 00:00:47,800 Speaker 3: the case with this film. 13 00:00:47,640 --> 00:00:50,920 Speaker 2: This Oscar nominated film. Yes, The Secret Agent has four 14 00:00:51,120 --> 00:00:55,440 Speaker 2: nominations among them other than Best Picture, Best Actor, Best 15 00:00:55,480 --> 00:01:00,120 Speaker 2: International Feature, and Best Casting. Now, the leading the this 16 00:01:00,160 --> 00:01:02,880 Speaker 2: one is Wagner Mora. He's your main character, and he 17 00:01:03,000 --> 00:01:06,520 Speaker 2: is the one who really got awards season off with 18 00:01:06,640 --> 00:01:09,040 Speaker 2: a bang, I guess because he pulled off what was 19 00:01:09,120 --> 00:01:10,000 Speaker 2: considered an upset. 20 00:01:10,000 --> 00:01:10,320 Speaker 3: He won. 21 00:01:10,360 --> 00:01:12,759 Speaker 2: One of the first big acting awards of the season 22 00:01:12,800 --> 00:01:13,920 Speaker 2: was that the Golden I think it was. 23 00:01:13,920 --> 00:01:16,360 Speaker 3: The Golden Globes, and I think everyone was looking at 24 00:01:16,400 --> 00:01:21,320 Speaker 3: Timothy Chalomet or Leonardo DiCaprio or Michael B. 25 00:01:21,480 --> 00:01:24,479 Speaker 4: Jordan and all of a sudden, Wagner Mora wins. 26 00:01:24,560 --> 00:01:26,920 Speaker 3: Yes, that actually put the secret agent on the map, 27 00:01:26,959 --> 00:01:28,600 Speaker 3: at least for me, because it was the first time 28 00:01:28,640 --> 00:01:30,039 Speaker 3: I had even heard of this movie. 29 00:01:30,120 --> 00:01:32,280 Speaker 2: I think on the map for a lot of people. 30 00:01:32,440 --> 00:01:34,399 Speaker 2: This was not a movie that was considered a big 31 00:01:34,440 --> 00:01:37,400 Speaker 2: box office movie, only made eighteen million at the box office, 32 00:01:37,400 --> 00:01:41,360 Speaker 2: but it is quite frankly, and we should probably say Robes, 33 00:01:41,440 --> 00:01:43,319 Speaker 2: the beginning of this one had us more intrigued than 34 00:01:43,360 --> 00:01:44,200 Speaker 2: any movie we saw. 35 00:01:44,360 --> 00:01:47,000 Speaker 3: Yeah, that is true. So this here's the synopsis of 36 00:01:47,040 --> 00:01:51,120 Speaker 3: the movie. In nineteen seventy seven, a technology expert flees 37 00:01:51,160 --> 00:01:54,800 Speaker 3: from a mysterious past and returns to his hometown town 38 00:01:54,920 --> 00:01:58,240 Speaker 3: of Recife in search of peace. He soon realizes that 39 00:01:58,280 --> 00:02:01,360 Speaker 3: the city is far from being the ref huge he seeks. 40 00:02:01,800 --> 00:02:03,600 Speaker 4: But you're right that opening. 41 00:02:03,280 --> 00:02:09,560 Speaker 3: Scene, the yellow Volkswagen Beetle driving down a seemingly deserted 42 00:02:10,480 --> 00:02:13,920 Speaker 3: desert road in the middle of Mexico, and there's just 43 00:02:14,040 --> 00:02:19,160 Speaker 3: this dead body and it just starts out unexpectedly and 44 00:02:19,960 --> 00:02:21,080 Speaker 3: very mysteriously. 45 00:02:21,360 --> 00:02:25,400 Speaker 2: Yeah, we didn't know what to expect. Again, expectations are 46 00:02:25,440 --> 00:02:27,120 Speaker 2: a lot of a part of these movies and what 47 00:02:27,240 --> 00:02:27,920 Speaker 2: you get out of them. 48 00:02:27,919 --> 00:02:28,480 Speaker 1: But robes. 49 00:02:28,800 --> 00:02:31,120 Speaker 2: At the very beginning we said, oh my goodness, we 50 00:02:31,200 --> 00:02:32,960 Speaker 2: got a good one here. We didn't know what we 51 00:02:32,960 --> 00:02:36,600 Speaker 2: were expecting because the runtime is so damn long that 52 00:02:36,680 --> 00:02:39,160 Speaker 2: we went into it with kind of a bad attitude. 53 00:02:39,280 --> 00:02:43,560 Speaker 3: Yeah, two hours and forty one minutes tied for the 54 00:02:43,639 --> 00:02:48,640 Speaker 3: longest movie of the ten here nominated for Best Picture, 55 00:02:48,680 --> 00:02:51,320 Speaker 3: and so yeah, we were kind of like gearing ourselves 56 00:02:51,440 --> 00:02:54,280 Speaker 3: up for it because thinking about it, a two hour 57 00:02:54,360 --> 00:02:58,880 Speaker 3: and forty one minute movie that's in Portuguese nice, sounds 58 00:02:58,960 --> 00:03:01,720 Speaker 3: like a party. No, we were concerned, but actually, yes, 59 00:03:01,720 --> 00:03:04,640 Speaker 3: that opening scene was gripping and all of a sudden 60 00:03:04,720 --> 00:03:06,480 Speaker 3: you wanted to know what is going on. And the 61 00:03:06,560 --> 00:03:09,080 Speaker 3: cool thing I will say about this movie is it 62 00:03:09,160 --> 00:03:13,680 Speaker 3: doesn't let you in. You are still unsure why the 63 00:03:13,720 --> 00:03:17,959 Speaker 3: main character is heading to Resifa. You are trying to 64 00:03:18,040 --> 00:03:21,400 Speaker 3: figure out why there are dead bodies everywhere. It's just 65 00:03:21,919 --> 00:03:23,480 Speaker 3: and he has this mysterious past. 66 00:03:23,560 --> 00:03:26,440 Speaker 4: You don't know what. You know he's fleeing from something, 67 00:03:27,120 --> 00:03:29,200 Speaker 4: but you don't know what. And it takes a while. 68 00:03:29,440 --> 00:03:31,959 Speaker 2: Yeah, and you don't know he's the good guy or 69 00:03:32,000 --> 00:03:34,000 Speaker 2: the bad guy. We don't be rooting for him, or 70 00:03:34,000 --> 00:03:36,680 Speaker 2: should I be concerned about him. It was an interesting 71 00:03:36,720 --> 00:03:40,560 Speaker 2: movie that Robes has a damn near perfect critic rating 72 00:03:40,640 --> 00:03:41,560 Speaker 2: on ron Tomatoes. 73 00:03:41,920 --> 00:03:42,640 Speaker 4: It certainly does. 74 00:03:42,760 --> 00:03:45,080 Speaker 3: Yes, the critics and the audience loved it, but the 75 00:03:45,080 --> 00:03:48,800 Speaker 3: critics more ninety eight percent for the critics eighty three 76 00:03:48,880 --> 00:03:51,320 Speaker 3: percent from the audience. And look, I do think it 77 00:03:51,360 --> 00:03:53,200 Speaker 3: may have something to do with the fact that it 78 00:03:53,240 --> 00:03:55,960 Speaker 3: was in Portuguese, that it was two hours and forty 79 00:03:55,960 --> 00:03:57,440 Speaker 3: one minutes, and that it was. 80 00:03:57,920 --> 00:03:59,880 Speaker 4: A long and winding row. 81 00:04:00,920 --> 00:04:04,000 Speaker 3: And to that point, we'll have to come clean about 82 00:04:04,040 --> 00:04:06,800 Speaker 3: how long and winding our road was. 83 00:04:07,320 --> 00:04:11,800 Speaker 4: Watching this kind of epic storytelling. 84 00:04:11,840 --> 00:04:15,120 Speaker 2: It took us a while. I can't remember it took 85 00:04:15,200 --> 00:04:17,560 Speaker 2: us four days. Wait, it took us longer on train 86 00:04:17,640 --> 00:04:19,840 Speaker 2: dreams and this one, this was the. 87 00:04:19,800 --> 00:04:20,400 Speaker 4: Four day one. 88 00:04:20,480 --> 00:04:22,640 Speaker 3: Because the funny thing was, I remember it was so 89 00:04:22,680 --> 00:04:25,560 Speaker 3: interesting because you kept saying this is so good, this 90 00:04:25,680 --> 00:04:27,080 Speaker 3: is so good, and then I'd look at you and 91 00:04:27,120 --> 00:04:29,760 Speaker 3: you'd be asleep, and I would have woken up from 92 00:04:29,880 --> 00:04:32,479 Speaker 3: taking a nap as well, and then we'd started again 93 00:04:32,640 --> 00:04:35,160 Speaker 3: and we'd be like, Okay, this is really good, and 94 00:04:35,200 --> 00:04:36,840 Speaker 3: then we'd just start falling asleep. 95 00:04:36,880 --> 00:04:37,680 Speaker 4: I don't know. 96 00:04:37,600 --> 00:04:43,839 Speaker 3: If maybe when you're reading subtitles and you're later at night. 97 00:04:44,240 --> 00:04:47,360 Speaker 4: You had a long day, and we did have lots. 98 00:04:46,760 --> 00:04:49,320 Speaker 3: Of long days this week us almost like you know 99 00:04:49,320 --> 00:04:50,680 Speaker 3: when you go to read a book before you go 100 00:04:50,720 --> 00:04:51,960 Speaker 3: to bed and you just fall asleep. 101 00:04:51,960 --> 00:04:54,760 Speaker 4: But that's kind of what kept happening. So I don't 102 00:04:54,760 --> 00:04:56,040 Speaker 4: even want to blame the movie. 103 00:04:56,680 --> 00:04:58,920 Speaker 3: It might have been the subtitles, It was the time 104 00:04:58,960 --> 00:05:02,640 Speaker 3: of day and the week we had. But every time 105 00:05:02,680 --> 00:05:05,119 Speaker 3: I remember, you kept saying, this is just so good, 106 00:05:05,200 --> 00:05:08,360 Speaker 3: and then you'd be a sleep later. 107 00:05:08,560 --> 00:05:11,400 Speaker 2: A ringing endorsement of the movie is that it made 108 00:05:11,440 --> 00:05:14,719 Speaker 2: us co night night. Apparently three or four nights it 109 00:05:14,760 --> 00:05:15,400 Speaker 2: did in a row. 110 00:05:15,560 --> 00:05:19,279 Speaker 1: What how do you? What do you do? How do 111 00:05:19,320 --> 00:05:20,080 Speaker 1: you describe? 112 00:05:20,160 --> 00:05:23,120 Speaker 2: I'm not sure when you talk about a movie that 113 00:05:23,160 --> 00:05:27,320 Speaker 2: you find so interesting, so good, so well acted, so 114 00:05:27,440 --> 00:05:29,640 Speaker 2: well shot, that you respect as a piece of art, 115 00:05:29,640 --> 00:05:32,560 Speaker 2: but then you go, yeah, I didn't have a good 116 00:05:32,600 --> 00:05:38,240 Speaker 2: movie experience. Should you enjoy a great movie? Or enjoy 117 00:05:38,320 --> 00:05:39,719 Speaker 2: is the wrong way to look at it or the 118 00:05:39,720 --> 00:05:42,039 Speaker 2: wrong way to say it? Should just not appreciate? 119 00:05:42,240 --> 00:05:43,039 Speaker 3: Is that? What? Well? 120 00:05:43,160 --> 00:05:43,960 Speaker 4: I do think a lot. 121 00:05:44,000 --> 00:05:46,080 Speaker 3: I think when it comes to Best Picture nominees, I 122 00:05:46,120 --> 00:05:48,760 Speaker 3: think you probably should go into watching each one of 123 00:05:48,800 --> 00:05:51,359 Speaker 3: these with that level of expectation that I'm here to 124 00:05:51,480 --> 00:05:53,680 Speaker 3: appreciate this piece of art. 125 00:05:53,960 --> 00:05:55,480 Speaker 4: It might not be what I. 126 00:05:55,440 --> 00:05:57,919 Speaker 3: Would typically watch in terms of we like horror, we 127 00:05:58,040 --> 00:06:01,960 Speaker 3: like comedy, so none of these really fit those exact genres. 128 00:06:01,960 --> 00:06:04,560 Speaker 3: But if you can go into it with the idea, 129 00:06:04,600 --> 00:06:06,760 Speaker 3: I'm going to appreciate an art form, and I'm maybe 130 00:06:06,800 --> 00:06:10,000 Speaker 3: going to learn something, feel something, have something evoked in 131 00:06:10,040 --> 00:06:12,960 Speaker 3: me that I wouldn't have otherwise just going about my 132 00:06:13,040 --> 00:06:15,480 Speaker 3: day or going to the typical kinds of movie and 133 00:06:15,600 --> 00:06:16,640 Speaker 3: entertainment I seek out. 134 00:06:16,800 --> 00:06:19,520 Speaker 2: I think maybe I am a simpleton when it comes 135 00:06:19,560 --> 00:06:23,120 Speaker 2: to movies. I've said it for a long time. I 136 00:06:23,160 --> 00:06:25,520 Speaker 2: think you're to some degree the same way. We just 137 00:06:25,640 --> 00:06:28,120 Speaker 2: deal with so much day in day out that when 138 00:06:28,160 --> 00:06:32,560 Speaker 2: it's time where you have the option a choice to 139 00:06:32,760 --> 00:06:37,440 Speaker 2: be entertained. I want entertainment. I don't want heavy, I 140 00:06:37,440 --> 00:06:39,479 Speaker 2: don't want weighty. I don't want to think, I don't 141 00:06:39,480 --> 00:06:42,760 Speaker 2: want to feel. I don't what do you call them? 142 00:06:42,800 --> 00:06:46,120 Speaker 2: The show the Love Island things, that's. 143 00:06:45,960 --> 00:06:47,400 Speaker 1: My palate cleansing, plate cleansers. 144 00:06:47,480 --> 00:06:49,719 Speaker 4: Yes, so no, but you and I have talked about this. 145 00:06:49,800 --> 00:06:51,240 Speaker 4: It's one of the things we connected on. 146 00:06:51,320 --> 00:06:53,960 Speaker 3: And I think perhaps it is because of the business 147 00:06:54,279 --> 00:06:58,120 Speaker 3: we live in. But everyone thinks it's shocking because you 148 00:06:58,120 --> 00:07:02,680 Speaker 3: would imagine journalists would like documentaries and to be what 149 00:07:02,839 --> 00:07:04,160 Speaker 3: you know, and we do watch a lot of news. 150 00:07:04,200 --> 00:07:06,800 Speaker 3: But when I'm actually sitting down not watching news, the 151 00:07:06,880 --> 00:07:09,440 Speaker 3: last thing I want to do is watch a documentary 152 00:07:09,800 --> 00:07:12,800 Speaker 3: or some long epic, tragic story and look up to 153 00:07:12,840 --> 00:07:15,800 Speaker 3: each their own. But I want to escape. I want 154 00:07:15,840 --> 00:07:18,440 Speaker 3: to escape, I want to laugh, I want to lighten 155 00:07:18,520 --> 00:07:21,480 Speaker 3: things up. So, yes, this is this was a decision 156 00:07:21,760 --> 00:07:23,880 Speaker 3: for us to watch these movies. And I do think 157 00:07:23,880 --> 00:07:26,840 Speaker 3: it's helpful looking at it, like I'm exposing myself to 158 00:07:27,040 --> 00:07:29,320 Speaker 3: something I wouldn't have and this is the best of 159 00:07:29,320 --> 00:07:29,720 Speaker 3: the best. 160 00:07:29,800 --> 00:07:32,280 Speaker 1: Yes, that is a year, right, babe. That is useful. 161 00:07:32,280 --> 00:07:32,960 Speaker 1: There is useful. 162 00:07:33,080 --> 00:07:36,480 Speaker 2: I just when it's time to watch a movie, it 163 00:07:36,520 --> 00:07:39,600 Speaker 2: is time to be entertained. It is time to be entertained. 164 00:07:40,280 --> 00:07:43,640 Speaker 2: And yeah, and you know the thing that made me 165 00:07:43,640 --> 00:07:46,000 Speaker 2: interested in this was when he won the Golden Globe. 166 00:07:46,600 --> 00:07:49,520 Speaker 2: He some guy never heard of, beat out all these 167 00:07:49,520 --> 00:07:52,880 Speaker 2: guys I have heard of and watched all their movies. Like, oh, 168 00:07:53,040 --> 00:07:54,720 Speaker 2: then I need to sit up and pay attention to 169 00:07:54,760 --> 00:07:57,320 Speaker 2: whatever this is and that was the first thing. 170 00:07:57,240 --> 00:07:57,560 Speaker 1: They got me. 171 00:07:57,800 --> 00:07:59,760 Speaker 3: Yeah, And when we watched it, there was some very 172 00:07:59,760 --> 00:08:02,160 Speaker 3: memory scenes, Like I love that it was set in 173 00:08:02,160 --> 00:08:04,240 Speaker 3: the year nineteen seventy seven, the year of your birth, 174 00:08:04,280 --> 00:08:06,920 Speaker 3: but also the year of Jaws, and they had that 175 00:08:07,040 --> 00:08:10,320 Speaker 3: play predominantly as a through line in this movie. 176 00:08:10,360 --> 00:08:14,560 Speaker 4: You remember when they had the was it the tiger. 177 00:08:14,320 --> 00:08:18,000 Speaker 3: Shark that found the murder the murder victim's leg and 178 00:08:18,040 --> 00:08:20,080 Speaker 3: they had the kid who was obsessed with Jaws like 179 00:08:20,240 --> 00:08:22,880 Speaker 3: you just had some There was some kind of grotesque 180 00:08:22,880 --> 00:08:27,480 Speaker 3: which is in up our Alley, some grotesque, dark comedic moments. 181 00:08:27,480 --> 00:08:29,680 Speaker 3: And I just I liked some of the cultural references 182 00:08:29,720 --> 00:08:32,839 Speaker 3: on Chicago song if You Leave Me Now. I would 183 00:08:32,880 --> 00:08:35,200 Speaker 3: never have thought that song would be playing predominantly in 184 00:08:35,240 --> 00:08:37,920 Speaker 3: the movie. There were just some cool nostalgic parts about 185 00:08:37,920 --> 00:08:40,400 Speaker 3: this movie that I appreciated. Even though it was in 186 00:08:40,440 --> 00:08:43,679 Speaker 3: another language, it still felt I still felt connected to it. 187 00:08:44,240 --> 00:08:47,000 Speaker 2: You appreciated it. I did feel connected to it. But 188 00:08:47,080 --> 00:08:49,360 Speaker 2: would you tell somebody to watch it or skip it? 189 00:08:59,440 --> 00:09:00,160 Speaker 1: What was that long? 190 00:09:00,240 --> 00:09:03,160 Speaker 2: You just referenced as we continue here talking about the 191 00:09:03,200 --> 00:09:03,760 Speaker 2: secret agent? 192 00:09:03,800 --> 00:09:05,599 Speaker 1: But what was it? You just made a reference that didn't. 193 00:09:05,800 --> 00:09:08,600 Speaker 3: Because it's white kind of if you leave me now 194 00:09:08,640 --> 00:09:12,720 Speaker 3: by Chicago, If you leave me now you take away 195 00:09:12,840 --> 00:09:15,120 Speaker 3: the greatest. 196 00:09:14,720 --> 00:09:15,520 Speaker 4: All of me. 197 00:09:17,720 --> 00:09:20,280 Speaker 1: Oh, it was the band, not the movie, not the show. 198 00:09:20,600 --> 00:09:21,640 Speaker 4: I got so off there. 199 00:09:21,679 --> 00:09:24,880 Speaker 1: Yeah, Chicago the band, not the show. Yeah, okay, there 200 00:09:24,920 --> 00:09:27,000 Speaker 1: was a play called Chicago a musical. 201 00:09:26,720 --> 00:09:29,040 Speaker 4: Right right, But I wasn't referencing that. 202 00:09:29,160 --> 00:09:29,880 Speaker 1: I got confused. 203 00:09:29,920 --> 00:09:31,920 Speaker 2: Yeah, I'm sorry, I don't know wish way we're going 204 00:09:31,960 --> 00:09:36,320 Speaker 2: in white culture. Okay, but the Secret Agent two hours 205 00:09:36,320 --> 00:09:43,080 Speaker 2: of forty one minutes, I would definitely he's worth watching. 206 00:09:43,520 --> 00:09:47,920 Speaker 2: He's very cool. He's a cool character throughout this movie. 207 00:09:47,920 --> 00:09:51,839 Speaker 2: There was something about his I'm not familiar with him, 208 00:09:51,920 --> 00:09:55,720 Speaker 2: so I liked his style. I just like how he 209 00:09:55,760 --> 00:09:58,240 Speaker 2: came across throughout this whole movie that was a cool 210 00:09:58,320 --> 00:10:01,960 Speaker 2: confidence but of vulnerability the whole time. It seemed like 211 00:10:02,000 --> 00:10:03,520 Speaker 2: he knew what he was doing with at the same time, 212 00:10:03,559 --> 00:10:06,440 Speaker 2: he had no clue. It was just I liked him. Whoever, 213 00:10:06,440 --> 00:10:09,040 Speaker 2: there's more a guy is If they announced his name 214 00:10:09,080 --> 00:10:12,559 Speaker 2: as best actor, I would go, Okay, I'm cool with that. 215 00:10:12,640 --> 00:10:14,800 Speaker 3: Yeah, and I would also say to watch it. I 216 00:10:14,840 --> 00:10:18,640 Speaker 3: thought this movie had some really cool, stylized elements to it, 217 00:10:18,679 --> 00:10:21,520 Speaker 3: a kind of what's happening next, a mysterious element to it, 218 00:10:21,559 --> 00:10:24,559 Speaker 3: and then you actually had some There was love. There 219 00:10:24,600 --> 00:10:27,040 Speaker 3: was love stories you found out about his past and 220 00:10:27,080 --> 00:10:30,000 Speaker 3: his son, and you see this beautiful relationship between. 221 00:10:29,679 --> 00:10:31,240 Speaker 1: Father and son that was the centerpiece. 222 00:10:32,120 --> 00:10:34,679 Speaker 3: Yes, and so there's a real heart to this movie. 223 00:10:34,800 --> 00:10:38,560 Speaker 3: And there's also this fun mystery around it. So I 224 00:10:38,640 --> 00:10:42,920 Speaker 3: just think, also, it feels I felt, I felt like 225 00:10:43,000 --> 00:10:46,400 Speaker 3: I experienced something that I that thought was beautiful and 226 00:10:46,440 --> 00:10:48,680 Speaker 3: it was cool to see another culture. I felt immersed 227 00:10:48,720 --> 00:10:53,079 Speaker 3: in this Brazilian culture. It just it was an experience 228 00:10:53,080 --> 00:10:56,800 Speaker 3: that I valued. So I would absolutely say watch it. 229 00:10:56,880 --> 00:11:04,280 Speaker 2: You a cultural experiences and experience and his performance are 230 00:11:04,320 --> 00:11:07,160 Speaker 2: worth watching. So true, those two things are worth watching 231 00:11:07,160 --> 00:11:09,440 Speaker 2: in this movie. It is it's a lift, it's an 232 00:11:09,480 --> 00:11:12,880 Speaker 2: effort to watch the movie. However, this isn't just a 233 00:11:12,960 --> 00:11:15,680 Speaker 2: one one bag of popcorn movie. 234 00:11:16,240 --> 00:11:17,880 Speaker 4: And the funny thing is, yes, that's true. 235 00:11:17,880 --> 00:11:19,600 Speaker 3: And the funny thing is we're saying this and it 236 00:11:19,640 --> 00:11:21,960 Speaker 3: took us four days to watch it, and so that's 237 00:11:22,000 --> 00:11:24,000 Speaker 3: actually I feel like that tells you something. Maybe we're 238 00:11:24,040 --> 00:11:27,320 Speaker 3: blaming ourselves rather than the movie for not being able 239 00:11:27,320 --> 00:11:30,240 Speaker 3: to stay up. But we a lot of times would 240 00:11:30,280 --> 00:11:33,200 Speaker 3: just say ef it and move on and say we 241 00:11:33,200 --> 00:11:35,560 Speaker 3: saw enough of it. We kept going back to it. 242 00:11:35,640 --> 00:11:38,000 Speaker 3: We kept the next day saying, wait, let's pick up 243 00:11:38,040 --> 00:11:39,960 Speaker 3: where we left off. I really want to see where 244 00:11:39,960 --> 00:11:42,160 Speaker 3: this is going. So that actually tells you the fact 245 00:11:42,160 --> 00:11:44,320 Speaker 3: that we were willing for a four days in a 246 00:11:44,400 --> 00:11:47,600 Speaker 3: row to keep watching it because we actually wanted to 247 00:11:47,600 --> 00:11:49,040 Speaker 3: see more and see what happened. 248 00:11:49,679 --> 00:11:52,160 Speaker 4: I think that's a pretty bringing endorsement for people who 249 00:11:52,160 --> 00:11:52,640 Speaker 4: fell it. 250 00:11:52,880 --> 00:11:55,920 Speaker 2: Yes, chick that went out, this was number eight. We're 251 00:11:55,960 --> 00:11:58,280 Speaker 2: getting through these. A cliff notes on The next one 252 00:11:58,280 --> 00:12:00,680 Speaker 2: will be for a movie that's the short one on 253 00:12:00,840 --> 00:12:03,360 Speaker 2: the list, but it took us a long time to 254 00:12:03,400 --> 00:12:05,880 Speaker 2: get through it as well Trained Dreams. You can look 255 00:12:05,920 --> 00:12:08,520 Speaker 2: for that. It'll be the next one in the fee 256 00:12:08,600 --> 00:12:10,640 Speaker 2: folks always appreciate you hanging talk soon.