WEBVTT - X-Raided : I Had A Studio In My Prison Cell & Hit Billboard!

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<v Speaker 1>Saying in heaven, man, this album represents a lot of shit.

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<v Speaker 1>I feel like, first of all, as a just be

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<v Speaker 1>he from the West Coast, I wanted.

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<v Speaker 2>To go along with it.

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<v Speaker 1>So sonically it went home, it's it's it's it's Westive.

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<v Speaker 2>You got that bounce to it that we fuck you know,

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<v Speaker 2>and it's in that part.

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<v Speaker 1>And then I just was in terms of flows, I

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<v Speaker 1>went crazy and flows on there the ink pin all

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<v Speaker 1>the elements of what made hip hop sold though from

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<v Speaker 1>the beginning stories that then took me under like you

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<v Speaker 1>know what that did to me?

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<v Speaker 2>You know what you did to me as you know

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<v Speaker 2>what you did to me?

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<v Speaker 1>Rare that song was, so you know, it's a lineage

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<v Speaker 1>that we have and a pedigree of standard for classic

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<v Speaker 1>real West Coast c and so I kind of wanted

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<v Speaker 1>those elements to be present in this album in a

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<v Speaker 1>way that is that could be received.

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<v Speaker 2>In the modern way, but that has its origins and

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<v Speaker 2>its roots and classic West Coast production, classic West Coast

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<v Speaker 2>execution in the elements. And that's what I think I

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<v Speaker 2>put that off. I really feel that.

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<v Speaker 3>One what's the thirdest song on that?

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<v Speaker 2>Oh, I don't know what.

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<v Speaker 3>Then good ad won't use.

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<v Speaker 2>If they twenty four hundred, the rest damn.

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<v Speaker 3>What would they say? Twenty four hundred?

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<v Speaker 2>Yeah, the first one I called twenty four hundred.

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<v Speaker 4>My leigga said, all up, yo, say that's all. Look,

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<v Speaker 4>that's how you got to put your foot in some

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<v Speaker 4>shit you fell in. Luck that all my shit is odd.

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<v Speaker 1>I feel that way, Yeah, yeah, yeah, I really feel

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<v Speaker 1>that way. Lock Club, Like twenty four hundred was one

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<v Speaker 1>of them songs. Thats decoration. I think the album should

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<v Speaker 1>be organized in a way where like first songs.

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<v Speaker 2>In hip hop history have been a thing, you know

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<v Speaker 2>what I mean.

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<v Speaker 3>I'm using that muff for the beast what I really

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<v Speaker 3>was making out here. That first verse nice start up

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<v Speaker 3>if you remember it. Yeah, absolutely give me a little

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<v Speaker 3>art of feeling.

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<v Speaker 1>So the first verse on the album, the first eight bars,

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<v Speaker 1>I say, if you doper than me, you say so,

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<v Speaker 1>faith Folk, I'm wearing all black and his bits. It's

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<v Speaker 1>hard to describe the way I survived but was able

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<v Speaker 1>to rise, Like the past don't exists. I'm already McFly

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<v Speaker 1>you in the deliver you're looking for doc after Math

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<v Speaker 1>and this bitch. I was ruthless and facing death row,

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<v Speaker 1>but I beat there like sentence. I'm lit like I'm

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<v Speaker 1>matching his bitch, Like that's the first thing I'll say.

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<v Speaker 1>And it's like they got the execution table, the electric

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<v Speaker 1>chair go off and I die.

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<v Speaker 2>So it's really the Death Row Records logo.

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<v Speaker 1>I'm rapping as if I'm this nigga sitting in his chair,

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<v Speaker 1>and that's what the first eight bars is doing. But

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<v Speaker 1>Marty McFly was looking for doctor help you go back

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<v Speaker 1>to the past in the future, and I'm saying, I'm

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<v Speaker 1>already McFly looking for doc on some let's go back

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<v Speaker 1>to Ruthless, Let's go back to let's get.

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<v Speaker 2>That deafro energy, let's get that. So I'm looking for

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<v Speaker 2>doc after math.

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<v Speaker 1>And this bitch I was ruthless facing Death Row and

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<v Speaker 1>I beat it like sentence and now I'm litting. I

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<v Speaker 1>can imagine his bitch because the electric chure went one

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<v Speaker 1>in the top of this matches. Oh you feel me,

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<v Speaker 1>It's like, yeah, it's Meedy, it's Meedy. Off the bat

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<v Speaker 1>I'm chirping on their established me was just to say

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<v Speaker 1>we're not fucking around. It's gonna be bars.

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<v Speaker 2>This is dope. Miss.

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<v Speaker 1>The first two songs kind of got that aim, and

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<v Speaker 1>then I start cracking on the government and the criminal

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<v Speaker 1>justice system like the next TU song, so I established

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<v Speaker 1>we dope as fucking this is the mission.

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<v Speaker 2>And then I start tripping.

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<v Speaker 3>You know, I had to get that means I got

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<v Speaker 3>the home in the bag with the beat he little

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<v Speaker 3>slider beat up under that later on eight. That's gonna

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<v Speaker 3>be the official remix. You just need.

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<v Speaker 4>You know. I'm sorry for.

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<v Speaker 2>You.

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<v Speaker 3>While you know you talk about the criminal justice system, man,

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<v Speaker 3>one of the things I wanted to talk to you about.

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<v Speaker 3>And I know you in town and everybody gonna ask

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<v Speaker 3>you about this, but I'm gona take a different angle.

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<v Speaker 3>You pretty much impacted the whole future hip hop. Like

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<v Speaker 3>you said, the President's like the ship the Young Bull

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<v Speaker 3>is going through now because they pretty much sanctioned to jail. There.

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<v Speaker 3>It's space from a rap song.

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<v Speaker 2>They did.

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<v Speaker 1>They did, they did, and the and the cover. You know,

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<v Speaker 1>it's it's interesting that they said, Okay, this is the

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<v Speaker 1>murder weapon on the album cover. But you can't do

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<v Speaker 1>forensics on a picture. So they never found a murder web.

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<v Speaker 1>And the reality is they never found a murder web.

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<v Speaker 1>But they we thirty something years after this incident, thirty

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<v Speaker 1>two years and people still think the murder weapon was

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<v Speaker 1>on the cover or say that to me, and it's

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<v Speaker 1>just one of them things. How can they establish that

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<v Speaker 1>fact if they never found it and they never did

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<v Speaker 1>forensics right. And the other thing is they chopped my

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<v Speaker 1>song up, so the song is called Still Shooting. Actually

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<v Speaker 1>sampled Ultra Violet Dreams by cy Bricil on their ironically,

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<v Speaker 1>I sampled that and I pushed some Isaac Kay's' side

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<v Speaker 1>of there, you know what I mean, And that's that

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<v Speaker 1>first song on Psychoactive, and it's called Still Shooting. The

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<v Speaker 1>intro is called the Murder, but the media started referring

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<v Speaker 1>to the song as the murder and editing my lyrics

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<v Speaker 1>so that they can make it said what they wanted

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<v Speaker 1>to say. The ap picked that up and instead of

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<v Speaker 1>hip hop journalism kicking in is started to pick that

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<v Speaker 1>part and tell a story as me being one of

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<v Speaker 1>they own. They just picked up the apiece story and

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<v Speaker 1>repeated the sensational lize verson of the story.

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<v Speaker 3>So that was really like a weak shut So you

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<v Speaker 3>was doing it like from the beginning because the court

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<v Speaker 3>of public opinion, the more fucker it is. Man.

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<v Speaker 1>And we were at a time in the country where

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<v Speaker 1>you know, we got Mike Tyson with the right case

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<v Speaker 1>that they was trying to get him for. He got

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<v Speaker 1>oj going to trial. It just was a time we

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<v Speaker 1>had just had the riots, you know what I mean,

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<v Speaker 1>the officers went to trial, you know what I mean,

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<v Speaker 1>all of that thing do Rodney King shit. So this

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<v Speaker 1>is a build up. And then Iced Tea with the

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<v Speaker 1>time Warner shit. So we just in a time where

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<v Speaker 1>hip hop was under attack from from the government. Really,

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<v Speaker 1>it's always been to government, even if it wasn't hip hop.

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<v Speaker 1>It's just always been there trying to tear us.

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<v Speaker 2>Up, you know what I mean.

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<v Speaker 1>But in this specific instance, that was the environmental atmosphere

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<v Speaker 1>in the culture, and they was just trying to smack shit.

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<v Speaker 1>And I ended up being somebody that they did that too.

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<v Speaker 4>Critical times man, right and there. Yeah, yeah, all them situations. Uh,

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<v Speaker 4>they would definitely try to hold some ship to kiss

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<v Speaker 4>you then because niggas was depressed and didn't give a

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<v Speaker 4>fuck around then. So it was all kinds of shipped

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<v Speaker 4>that mm hmm.

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<v Speaker 3>It was real cliche that goes what going on? You

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<v Speaker 3>was Opadolph you got the first, so he was one

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<v Speaker 3>of the first ones I had to get the parental

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<v Speaker 3>the scrashle renal.

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<v Speaker 4>That that little sticker on my out. I was the

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<v Speaker 4>first nigga that double sticker. Uh, even though they put

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<v Speaker 4>the parental sticker on there, and they put a sticker

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<v Speaker 4>on there that said whatever I was talking about.

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<v Speaker 2>Was my view and then not the views of Sony music.

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<v Speaker 5>They put a disclaimer on your heir. You a last sidelight.

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<v Speaker 5>You know what was crazy. Niggas was getting banned at

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<v Speaker 5>that time. Ship what was crazy would get the radio

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<v Speaker 5>play videos. Niggas were steamrolling over seeds and ship, so

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<v Speaker 5>they was trying to shut us down and Ship.

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<v Speaker 3>Yeah, it's part of the ear that sending off though, man,

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<v Speaker 3>because I remember, like, because that's when you start getting

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<v Speaker 3>the other people from other cities, Like you had the

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<v Speaker 3>ghettle boys coming up too, and you had cats like

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<v Speaker 3>you know a little bit later on gainsing it. I

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<v Speaker 3>remember when somebody had listened to this, somebody killed somebody

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<v Speaker 3>listening to this niggas music, and stuff happened. They was

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<v Speaker 3>really trying to stick it to people in hip hop.

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<v Speaker 4>Yeah, that was the easy way out.

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<v Speaker 2>Ship. Yeah, that was that was that was fucking on.

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<v Speaker 4>Motherfucker, go to court, you know, little kids and ship

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<v Speaker 4>and something more fucker in Ayowa, some crazy shit. They

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<v Speaker 4>have some stupid shit and gone ship Nigga out. I

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<v Speaker 4>was listening to eight and the Nigga eight said niggas

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<v Speaker 4>hit the back fence and shooting nigga and Woolf de

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<v Speaker 4>Wolf and yeah, yeah, it's so when you get this,

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<v Speaker 4>goar Face said nigga, go do a nigga like that.

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<v Speaker 4>So nigga, that was dumb as fuck. But they actually

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<v Speaker 4>were starting to get that shit crack that of his

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<v Speaker 4>man in jail. But but but that's the's narrative right

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<v Speaker 4>now though, that's crazy as fuck.

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<v Speaker 2>Yeah, well what I.

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<v Speaker 1>Said, I remember like if we go back to n

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<v Speaker 1>w A getting that letter from the FBI and UH

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<v Speaker 1>for fuck the police, and then they start tripping on

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<v Speaker 1>Luke so he did a band in the USA, Tipper Gore,

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<v Speaker 1>I think, and that's where the parental advice we.

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<v Speaker 2>Sticking here from. And then we end up with uh.

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<v Speaker 2>After that, they tripped on the.

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<v Speaker 1>Ghetto boys and we ended up getting me saying be

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<v Speaker 1>stopped from that and then y'all got tripped off and

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<v Speaker 1>then it just kept rolling. It just kept rolling, and

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<v Speaker 1>it was lit though. That was the rebellious time for

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<v Speaker 1>hip hop music.

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<v Speaker 2>Where we had you had ex Clan and that ship

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<v Speaker 2>was slapping. It's still slapping.

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<v Speaker 1>My brother today was tripped, and then you had public

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<v Speaker 1>Enemies tripping and that boy was pushing the line.

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<v Speaker 2>Seems was pushing the line. It was man, it was music.

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<v Speaker 2>And now it's just I feel like I would really

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<v Speaker 2>like us to see a return to that well sort

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<v Speaker 2>youngster can start doing it, that'd be beautiful.

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<v Speaker 3>It's starting to get there, it is.

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<v Speaker 2>It's a bit of a rebellion going on right now

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<v Speaker 2>where people want that classic shit.

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<v Speaker 4>Yeah, I think just people just what's been going on

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<v Speaker 4>basically as far as hip hop conserve, you been a

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<v Speaker 4>negative light shawl on hip hop for the last couple

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<v Speaker 4>of years. A lot of dudes getting killed and't a

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<v Speaker 4>lot of a lot of a lot of scenarios that

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<v Speaker 4>basically don't even fit on criterion. But it started shining

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<v Speaker 4>a heavy negative light. So I know, you know, we

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<v Speaker 4>put out our shit, you know, to talk about where

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<v Speaker 4>we came from and and uh how the impressions of

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<v Speaker 4>growing up in these in these neighborhoods made us put

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<v Speaker 4>these records together. But you know, I think just the

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<v Speaker 4>blatant violence in the hip hop. You know that that

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<v Speaker 4>came from what we're hearing today. You give me motherfuckers

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<v Speaker 4>is like Nigga they described and the murders. Tall Marble

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<v Speaker 4>did the hit Nigga and how we did the hit

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<v Speaker 4>when it hit went down, and a.

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<v Speaker 2>Lot of hip hop has become that because of the youth.

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<v Speaker 4>And not to say we wasn't crazy when we was young,

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<v Speaker 4>you know, and my CMW music to drive by days.

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<v Speaker 4>I was nineteen twenty, you know, Nigga telling me shit, Bigga,

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<v Speaker 4>I'm talking mom, Nigga, we coming through and Nigga the

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<v Speaker 4>hood that took asunder. Niggas struggling, so we about to

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<v Speaker 4>do this, that and the other growing up there. But

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<v Speaker 4>it was never like a It was never like a.

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<v Speaker 2>Man to some she had I'm gonna tell you any

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<v Speaker 2>caucinary tales. Though they got an era where he.

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<v Speaker 1>Had cautionary tales, Cube bad cautioninary tales. It was cautionary tales.

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<v Speaker 1>Slick Rick had cautionary tales. Be crazy a story, but

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<v Speaker 1>you like, damn the moral of that story. There was

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<v Speaker 1>a moral to this right straight up. Minutes has a

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<v Speaker 1>it's a full circle. It has a beginning of middle

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<v Speaker 1>and the end. There's a conclusion to that experience. You said,

0:11:37.400 --> 0:11:40.520
<v Speaker 1>owt Ice Cuban mac ten, there's a conclusion to that shit.

0:11:40.760 --> 0:11:43.080
<v Speaker 2>And said, we did. We stopped at the conclusion.

0:11:43.120 --> 0:11:47.040
<v Speaker 1>It's like ending Scarface where this nigga just up and

0:11:47.160 --> 0:11:48.280
<v Speaker 1>got all the coke right there.

0:11:48.280 --> 0:11:49.320
<v Speaker 2>It's like, nah fout.

0:11:49.400 --> 0:11:51.560
<v Speaker 1>Ten minutes later in the movie, this nigga gets shot

0:11:51.600 --> 0:11:54.079
<v Speaker 1>fifty thousand of pops and dies with a face of

0:11:54.080 --> 0:11:54.800
<v Speaker 1>little cocaine.

0:11:54.840 --> 0:11:55.800
<v Speaker 2>That's how this ends.

0:11:56.160 --> 0:11:59.079
<v Speaker 1>And I feel like the ogs back then was doing that.

0:11:59.520 --> 0:12:02.440
<v Speaker 1>And then somewhere along the lines, the cautionary tales started

0:12:02.440 --> 0:12:03.240
<v Speaker 1>getting left out.

0:12:03.400 --> 0:12:06.760
<v Speaker 3>Boy, you know what started happening. Man, casts really started

0:12:06.800 --> 0:12:10.400
<v Speaker 3>detailing what they are really going on. They really started

0:12:10.400 --> 0:12:12.760
<v Speaker 3>putting lyrics like we just did this and were smoking

0:12:12.840 --> 0:12:17.800
<v Speaker 3>on this MC Dogo peck. It really just started tricking, you.

0:12:17.760 --> 0:12:21.160
<v Speaker 2>Know, exageration or accident too.

0:12:21.200 --> 0:12:23.679
<v Speaker 1>Though the niggas it said that was real and this

0:12:23.720 --> 0:12:26.040
<v Speaker 1>shit that was w w F. It's always been ship

0:12:26.120 --> 0:12:28.480
<v Speaker 1>that was real. That shit that was w w ee

0:12:29.160 --> 0:12:31.480
<v Speaker 1>you know what I mean, right, it always was but

0:12:32.000 --> 0:12:34.839
<v Speaker 1>and it was a kamakzi niggas then too. It was

0:12:34.920 --> 0:12:38.200
<v Speaker 1>niggas going kama kaze back then to It's just I

0:12:38.240 --> 0:12:41.880
<v Speaker 1>think it's worse now because the generation I was supposed

0:12:41.920 --> 0:12:45.000
<v Speaker 1>to give the game, we kind of you saw people

0:12:45.320 --> 0:12:49.120
<v Speaker 1>join the idiotcy or the immaturity is the better way?

0:12:49.400 --> 0:12:52.000
<v Speaker 3>Sure, boy, you know what's crazy? Have you ever seen

0:12:52.040 --> 0:12:56.520
<v Speaker 3>the movie Idiocracy? Idiocracy is this movie that was about

0:12:56.600 --> 0:12:58.920
<v Speaker 3>Mike Judge. You've ever seen it. It was by Mike Judge,

0:12:58.920 --> 0:13:01.280
<v Speaker 3>the cat that made me some but ed. And this

0:13:01.320 --> 0:13:04.160
<v Speaker 3>movie maybe came out like fifteen twenty years ago, probably

0:13:04.160 --> 0:13:07.640
<v Speaker 3>even more, but it shows the world. You know Netflix,

0:13:07.679 --> 0:13:10.200
<v Speaker 3>Look that's called over the top TV television. You know,

0:13:10.280 --> 0:13:13.000
<v Speaker 3>everything's on top of each other. The TVs was like

0:13:13.120 --> 0:13:15.160
<v Speaker 3>that and the people this dude got frozen and went

0:13:15.200 --> 0:13:17.160
<v Speaker 3>to the future, woke up like one hundred years later,

0:13:17.840 --> 0:13:20.280
<v Speaker 3>and the America was like in some kind of thing.

0:13:20.400 --> 0:13:23.960
<v Speaker 3>Terry Crews was the present and Eve them tripping and

0:13:24.000 --> 0:13:26.640
<v Speaker 3>the wasn't those plants grow because these dumb motherfuckers was

0:13:26.720 --> 0:13:31.360
<v Speaker 3>watering the grass with gatorading. Gatorade was like the drinking.

0:13:32.679 --> 0:13:35.199
<v Speaker 3>The people was wearing crocs in the movie You Go,

0:13:35.480 --> 0:13:38.959
<v Speaker 3>Double red shoes. People drinking. Now the fox, the drid

0:13:39.080 --> 0:13:42.520
<v Speaker 3>motherfuckers was wearing crocs on there and people was just stupid.

0:13:42.880 --> 0:13:46.120
<v Speaker 3>But it was just like the motherfuckers today. And I said, man,

0:13:46.440 --> 0:13:49.920
<v Speaker 3>how did this motherfucker gets that twenty years ago? Motherfuckers hopey,

0:13:50.040 --> 0:13:52.160
<v Speaker 3>because you know what the top shit is. You know,

0:13:52.240 --> 0:13:55.719
<v Speaker 3>we have these dope discussions. You'll get a few motherfuckers

0:13:55.720 --> 0:13:57.560
<v Speaker 3>that they checked this out. But if it's some niggas

0:13:57.559 --> 0:14:00.720
<v Speaker 3>talking about some bullshit around the corner, cia you little

0:14:00.720 --> 0:14:03.520
<v Speaker 3>hole knowing we dont came in the air to wear

0:14:03.559 --> 0:14:05.720
<v Speaker 3>a bunch of goon on men gossip like little hoes.

0:14:06.000 --> 0:14:08.760
<v Speaker 2>Yeah, that's a true statement. That's a true statement.

0:14:08.840 --> 0:14:13.080
<v Speaker 1>I think this carre Hollywood has penetrated the depths of

0:14:13.160 --> 0:14:16.559
<v Speaker 1>hip hopping the way that really is was never allowable,

0:14:17.080 --> 0:14:18.160
<v Speaker 1>and we've allow.

0:14:17.960 --> 0:14:20.720
<v Speaker 2>People to make music that we never really would allow.

0:14:20.840 --> 0:14:23.000
<v Speaker 1>Niggas used to get beat up for if he was

0:14:23.040 --> 0:14:26.280
<v Speaker 1>too close similar to somebody else, the niggas was going

0:14:26.320 --> 0:14:28.320
<v Speaker 1>to want to fight about that. If you made a

0:14:28.400 --> 0:14:30.640
<v Speaker 1>saw too similar to a nigga sol or he was

0:14:30.680 --> 0:14:32.800
<v Speaker 1>too similar to a nigga name, or you tried to

0:14:32.800 --> 0:14:35.400
<v Speaker 1>do something that wasn't hip hop. You know, kr rs

0:14:35.440 --> 0:14:37.680
<v Speaker 1>want beat upp and don and put random niggas abo

0:14:37.720 --> 0:14:38.560
<v Speaker 1>up the stage.

0:14:38.280 --> 0:14:39.480
<v Speaker 2>Like nigga you and welcome it.

0:14:39.760 --> 0:14:42.200
<v Speaker 1>The niggas to be the number one best rivers alive

0:14:42.280 --> 0:14:45.560
<v Speaker 1>right now meaning the type shit this is Millie Vanilli

0:14:45.600 --> 0:14:47.000
<v Speaker 1>would have got away with him right.

0:14:46.880 --> 0:14:48.040
<v Speaker 2>Now, you know what I mean.

0:14:48.120 --> 0:14:50.000
<v Speaker 1>Niggas would have been to make it excuse his own

0:14:50.880 --> 0:14:52.440
<v Speaker 1>He made some really good songs.

0:14:52.600 --> 0:14:59.680
<v Speaker 4>They Hollywood didn't penetrate. Yep, Hollywood penetrated the streets. So

0:15:00.200 --> 0:15:01.000
<v Speaker 4>aspect of.

0:15:02.640 --> 0:15:05.320
<v Speaker 2>It's hard for niggas to be old j anymore.

0:15:05.680 --> 0:15:14.600
<v Speaker 4>Right, You got niggas school or in our age in

0:15:14.800 --> 0:15:22.880
<v Speaker 4>line of who feel like being famous and popularity. It's

0:15:23.120 --> 0:15:29.640
<v Speaker 4>hard than the cold of being just authentic. You're getting me,

0:15:30.200 --> 0:15:35.080
<v Speaker 4>especially if you claim to be one of those dudes.

0:15:35.560 --> 0:15:40.000
<v Speaker 4>It seems like that narrative has left us, like niggas

0:15:40.040 --> 0:15:49.560
<v Speaker 4>have forgotten, like those colds and get me hush and

0:15:49.720 --> 0:15:55.080
<v Speaker 4>don't talk too much, not flossy and a flashy and flamboyant,

0:15:55.200 --> 0:16:00.600
<v Speaker 4>and niggas didn't want to be seen. You can get

0:16:00.680 --> 0:16:07.440
<v Speaker 4>letter and you need said that. It seems like shit,

0:16:07.880 --> 0:16:12.560
<v Speaker 4>you got more uh niggas in the older age group

0:16:12.880 --> 0:16:17.800
<v Speaker 4>who want more celebrity and fame than trying to just

0:16:19.680 --> 0:16:23.120
<v Speaker 4>keep the authenticity of being a nigga who's supposed to

0:16:23.160 --> 0:16:26.000
<v Speaker 4>be a real nigga? Right, how is that look? Is

0:16:26.040 --> 0:16:30.640
<v Speaker 4>that fouled apart? You get me cause niggas, I don't know,

0:16:30.800 --> 0:16:34.120
<v Speaker 4>niggas don't like real niggas today. You know, is it

0:16:34.240 --> 0:16:38.800
<v Speaker 4>fouled the part to be a real nigga? Is is

0:16:38.840 --> 0:16:43.000
<v Speaker 4>it looked upon by you saying that you were from

0:16:43.040 --> 0:16:47.120
<v Speaker 4>the streets and you you know, a bide by a

0:16:47.120 --> 0:16:51.720
<v Speaker 4>certain cold Do they foul the part that shit? Today?

0:16:52.560 --> 0:16:54.320
<v Speaker 3>I don't think if people frowned off the luggers, don't

0:16:54.320 --> 0:16:57.240
<v Speaker 3>think they get them. I don't think they care. Like

0:16:57.320 --> 0:16:59.560
<v Speaker 3>all that stuff. I think, man is out the window.

0:16:59.640 --> 0:17:02.840
<v Speaker 3>Like when you start talking about snitch, how many people

0:17:02.880 --> 0:17:04.960
<v Speaker 3>you don't seen snitch? And they come right back home

0:17:05.080 --> 0:17:07.000
<v Speaker 3>and they back on the streets and doing what they do.

0:17:07.040 --> 0:17:09.840
<v Speaker 3>They're going about their business, and it's like whenever you

0:17:09.920 --> 0:17:13.120
<v Speaker 3>get That's why I always I think, yeah, the scene

0:17:13.200 --> 0:17:16.480
<v Speaker 3>always be quick to tell people. I don't gain but right, right,

0:17:17.080 --> 0:17:19.040
<v Speaker 3>but you got a lot of people who ain't from

0:17:19.160 --> 0:17:22.399
<v Speaker 3>that world. That's comment and that's what people well, you

0:17:22.480 --> 0:17:24.639
<v Speaker 3>got a bunch of people that don't know nothing about that.

0:17:24.800 --> 0:17:25.960
<v Speaker 4>They up there calling.

0:17:25.680 --> 0:17:29.080
<v Speaker 3>People snitches who ain't really snitches and they're doing this.

0:17:29.200 --> 0:17:31.480
<v Speaker 3>So you got a bunch of square people trying to

0:17:31.520 --> 0:17:33.719
<v Speaker 3>play in the h rings that they don't know nothing

0:17:33.800 --> 0:17:35.320
<v Speaker 3>to bo and that.

0:17:35.400 --> 0:17:37.560
<v Speaker 1>Was like they can't be checked because they behind the

0:17:37.640 --> 0:17:39.199
<v Speaker 1>computer strands.

0:17:39.640 --> 0:17:40.720
<v Speaker 2>That's what I mean by.

0:17:40.600 --> 0:17:45.040
<v Speaker 1>The WWF and the WWE commentary because just hip hop

0:17:45.080 --> 0:17:48.040
<v Speaker 1>transition from one to the other, just like the WWF

0:17:48.040 --> 0:17:49.200
<v Speaker 1>be came the w w E.

0:17:49.760 --> 0:17:50.359
<v Speaker 2>We saw that.

0:17:50.800 --> 0:17:54.479
<v Speaker 1>I think one of the things culturally, crazy and gangster

0:17:54.720 --> 0:17:55.800
<v Speaker 1>used to be separated.

0:17:56.320 --> 0:17:59.480
<v Speaker 2>And you got a crazy nigga, that crazy nigga was

0:17:59.520 --> 0:17:59.919
<v Speaker 2>going to be.

0:18:00.359 --> 0:18:02.880
<v Speaker 1>Sometimes they get dealt with that wasn't allowed to exist,

0:18:03.280 --> 0:18:06.320
<v Speaker 1>and then you gotta you gotta against the nigga that

0:18:06.359 --> 0:18:09.199
<v Speaker 1>wouldn't want that around. Now the crazy niggas is the

0:18:09.240 --> 0:18:13.480
<v Speaker 1>niggas with the jewels, the crazy. When the crazier you are,

0:18:14.040 --> 0:18:17.160
<v Speaker 1>the more they celebrate that. And it's like it wasn't

0:18:17.200 --> 0:18:19.080
<v Speaker 1>ever the niggas that got to run nothing or call

0:18:19.160 --> 0:18:23.639
<v Speaker 1>and make decisions. They got euthanized. And so it's different

0:18:23.680 --> 0:18:26.000
<v Speaker 1>Nowaday and't like that no more. And there's an argument

0:18:26.080 --> 0:18:29.320
<v Speaker 1>that there's superior ways. Now we got more conflict resolution,

0:18:29.400 --> 0:18:30.040
<v Speaker 1>blah blah blah.

0:18:30.080 --> 0:18:32.280
<v Speaker 2>But at the end of the day, to me, I

0:18:32.320 --> 0:18:32.760
<v Speaker 2>think we.

0:18:32.760 --> 0:18:36.040
<v Speaker 1>Might have failed the generation the fathers were under attack.

0:18:36.320 --> 0:18:38.280
<v Speaker 1>The reason we failed them is because we was getting

0:18:38.320 --> 0:18:41.040
<v Speaker 1>our ass whooped, among the other things, and I think

0:18:41.200 --> 0:18:44.040
<v Speaker 1>a lot of people was locked away who could have

0:18:44.119 --> 0:18:47.360
<v Speaker 1>had voices. A lot of us ended up being in

0:18:47.680 --> 0:18:51.800
<v Speaker 1>positions if to be servants more so than to be masters,

0:18:52.280 --> 0:18:54.959
<v Speaker 1>meaning that we're in control of the masters of our

0:18:55.040 --> 0:18:58.200
<v Speaker 1>own destinies. So we didn't end up with the power

0:18:58.280 --> 0:19:01.560
<v Speaker 1>structures that we should have by now where to where

0:19:01.640 --> 0:19:04.600
<v Speaker 1>the money that was generated by melanative people within this

0:19:04.680 --> 0:19:08.280
<v Speaker 1>motherfucker industry was put in a way where the control

0:19:08.359 --> 0:19:10.960
<v Speaker 1>and the power and the ability to dictate what occurred

0:19:11.119 --> 0:19:14.120
<v Speaker 1>remained with those of us who were the taste makers

0:19:14.119 --> 0:19:16.720
<v Speaker 1>and the curators. So you end up with people who

0:19:17.040 --> 0:19:19.800
<v Speaker 1>don't really give a fuck about the culture making decisions

0:19:19.800 --> 0:19:22.600
<v Speaker 1>that are impactful to the culture. And now it's about

0:19:23.040 --> 0:19:27.000
<v Speaker 1>pleasing this algorithm more than it's about pleasing the statutes

0:19:27.359 --> 0:19:29.640
<v Speaker 1>what we're supposed to do and what we're not supposed

0:19:29.640 --> 0:19:32.760
<v Speaker 1>to do, the tenets of this sacrifice and replaced by

0:19:32.880 --> 0:19:34.880
<v Speaker 1>including some clicks and that's really what.

0:19:34.800 --> 0:19:39.679
<v Speaker 4>It is still as a podcast or just as a

0:19:39.680 --> 0:19:43.399
<v Speaker 4>as a person deals with you know, the podcast world

0:19:43.440 --> 0:19:48.639
<v Speaker 4>and creating content and all that. Why do you think Snitchell.

0:19:48.400 --> 0:19:49.440
<v Speaker 2>Was made.

0:19:51.040 --> 0:19:56.080
<v Speaker 4>Like as like the content like we gottake because that

0:19:56.240 --> 0:19:59.479
<v Speaker 4>was some shit, like even if I don't know, it

0:19:59.520 --> 0:20:01.840
<v Speaker 4>was like was it was like a higgen thing like

0:20:01.920 --> 0:20:06.720
<v Speaker 4>niggas didn't talk about it wasn't spoken with the court

0:20:06.880 --> 0:20:10.439
<v Speaker 4>and somebody got on the stand whatever whatever, or it

0:20:10.600 --> 0:20:14.479
<v Speaker 4>wasn't like all these niggas over here gonna talk about it,

0:20:14.480 --> 0:20:16.480
<v Speaker 4>then we're gonna go tell the hood over there. Then

0:20:16.520 --> 0:20:18.800
<v Speaker 4>we gonna tell the hood over there, then we're gonna

0:20:18.840 --> 0:20:21.880
<v Speaker 4>go tell it. It was like that was like some under

0:20:21.920 --> 0:20:28.040
<v Speaker 4>the tables qualified Why is it? Why is it a rise? Right?

0:20:28.359 --> 0:20:30.120
<v Speaker 3>Yeah, we see it was a time that she had

0:20:30.119 --> 0:20:33.600
<v Speaker 3>to be qualified to say somebody was a snitch. You

0:20:33.680 --> 0:20:35.639
<v Speaker 3>just couldn't go because you know, it's some snitch to

0:20:35.720 --> 0:20:36.439
<v Speaker 3>the bush retal.

0:20:36.960 --> 0:20:38.840
<v Speaker 2>Yeah, it's a lot of them, you know, it's a

0:20:38.880 --> 0:20:41.160
<v Speaker 2>lot of them. It's it's real. It's levels to that ship.

0:20:41.760 --> 0:20:44.920
<v Speaker 1>If you you have to be able to present evidences

0:20:44.920 --> 0:20:48.160
<v Speaker 1>in proof, it's the same way, and it's if you're

0:20:48.160 --> 0:20:50.520
<v Speaker 1>gonna if you're gonna bring a charge against your brother.

0:20:50.560 --> 0:20:53.440
<v Speaker 1>It's the same way in the round table discussions within

0:20:53.480 --> 0:20:56.560
<v Speaker 1>the hood. We still want neighborhood. We was born from

0:20:56.680 --> 0:20:59.680
<v Speaker 1>y'all from Condon. Critics gave birth to my neighborhood. And

0:21:00.000 --> 0:21:02.640
<v Speaker 1>in la seventies early eighties, one was the ones who

0:21:02.680 --> 0:21:05.520
<v Speaker 1>came out there, we are ice culled my summer vacation

0:21:05.960 --> 0:21:08.440
<v Speaker 1>with the result of that migration that happened, you know

0:21:08.520 --> 0:21:11.560
<v Speaker 1>what I mean. But you have understanding of how we're

0:21:11.600 --> 0:21:15.240
<v Speaker 1>supposed to conduct ourselves. Are out we not and conduct ourselves.

0:21:15.400 --> 0:21:18.920
<v Speaker 1>And so there's ways that you're supposed to go about

0:21:18.680 --> 0:21:22.520
<v Speaker 1>causing a roundtable discussion, and that's supposed to happen amongst

0:21:22.880 --> 0:21:25.639
<v Speaker 1>the people who are directly impacted by that.

0:21:25.760 --> 0:21:28.280
<v Speaker 2>And they got to say, if that person coming from something.

0:21:28.080 --> 0:21:31.200
<v Speaker 1>That clothed, then that's the responsibility of his cloth to

0:21:31.280 --> 0:21:34.480
<v Speaker 1>handle their business. Everybody want everybody to take their phase.

0:21:34.520 --> 0:21:36.840
<v Speaker 1>And now you got the gladiator with to me, it's

0:21:36.880 --> 0:21:41.280
<v Speaker 1>the Colosseum. We are wrong and Caesar is sitting in

0:21:41.320 --> 0:21:45.480
<v Speaker 1>their chairs as Caesar is Mark Zuckerberg, Caesar is the

0:21:45.600 --> 0:21:46.919
<v Speaker 1>niggat it on Spotify.

0:21:47.320 --> 0:21:48.480
<v Speaker 2>Caesar Is and they got.

0:21:48.280 --> 0:21:51.520
<v Speaker 1>These arenas caesar Is, some of these platforms that don't

0:21:51.520 --> 0:21:53.960
<v Speaker 1>give a fuck if we live or die. Some of these,

0:21:54.119 --> 0:21:55.960
<v Speaker 1>you know, it's a locker on on. They want to

0:21:56.040 --> 0:21:59.320
<v Speaker 1>exploit the culture, and they thumbs up or thumbs down.

0:21:59.359 --> 0:22:01.000
<v Speaker 2>Do you kill him or do you not kill him?

0:22:01.000 --> 0:22:04.200
<v Speaker 2>They going blood. They want deafinite destruct them. That's what

0:22:04.240 --> 0:22:07.560
<v Speaker 2>they're paying the seat, and so we haven't all accepted it,

0:22:07.600 --> 0:22:10.160
<v Speaker 2>but we could watch them. We could watch the results

0:22:10.160 --> 0:22:12.320
<v Speaker 2>of that. They want to build you up. Put you

0:22:12.359 --> 0:22:15.439
<v Speaker 2>in the colissene, release a lion on you, watch you

0:22:15.520 --> 0:22:19.439
<v Speaker 2>fight that lion to the dead, see you die, deify you.

0:22:19.440 --> 0:22:21.320
<v Speaker 2>Put you on a T shirt, put you on the

0:22:21.400 --> 0:22:24.520
<v Speaker 2>launch pale, Put you on a motherfucker sticker, Put you

0:22:24.600 --> 0:22:25.520
<v Speaker 2>in a video game.

0:22:25.880 --> 0:22:30.240
<v Speaker 1>Bit your music everywhere and pay your mama zero point

0:22:30.840 --> 0:22:36.480
<v Speaker 1>zero five per stream, fifteen fifteen hundred streets to equal

0:22:36.520 --> 0:22:37.159
<v Speaker 1>one sale.

0:22:37.680 --> 0:22:38.960
<v Speaker 2>You know what I mean. They want to do us

0:22:39.040 --> 0:22:39.360
<v Speaker 2>like that.

0:22:39.440 --> 0:22:44.040
<v Speaker 1>So yeah, it's bigger than just even what's going on

0:22:44.080 --> 0:22:45.120
<v Speaker 1>with the artists themselves.

0:22:45.160 --> 0:22:45.920
<v Speaker 2>It's a machine.

0:22:46.400 --> 0:22:49.600
<v Speaker 1>The entire coliseum and the people getting thrown out there,

0:22:49.720 --> 0:22:52.000
<v Speaker 1>motherfuckers who are trying to change their life. So they

0:22:52.080 --> 0:22:54.480
<v Speaker 1>willing to fight the lion. They willing to try and

0:22:54.480 --> 0:22:56.200
<v Speaker 1>do that. But you as a result of that, you

0:22:56.320 --> 0:23:00.080
<v Speaker 1>pop smoke, you're pnb rock. You end up have and

0:23:00.119 --> 0:23:01.800
<v Speaker 1>then you end up being these kids out here that

0:23:01.880 --> 0:23:02.240
<v Speaker 1>the other.

0:23:04.280 --> 0:23:09.040
<v Speaker 4>The niggas be feeling this day. Responsibility to let you

0:23:09.080 --> 0:23:16.679
<v Speaker 4>know who snicked or not? Is that the responsibility or

0:23:16.680 --> 0:23:17.959
<v Speaker 4>the real nigga today?

0:23:18.480 --> 0:23:18.639
<v Speaker 3>You know?

0:23:19.720 --> 0:23:23.480
<v Speaker 1>I think I think it's the I think everybody got

0:23:23.640 --> 0:23:27.240
<v Speaker 1>to decide what is the best thing for their individual experience.

0:23:27.960 --> 0:23:30.920
<v Speaker 1>I think it's a decision to be made. Dude, Am

0:23:31.040 --> 0:23:34.120
<v Speaker 1>I handling my business in a way that is going

0:23:34.200 --> 0:23:36.920
<v Speaker 1>in the direction that is most beneficial for my family?

0:23:37.359 --> 0:23:40.240
<v Speaker 1>And it's and am I in somebody's business? And I

0:23:40.280 --> 0:23:43.120
<v Speaker 1>don't have no business in their business because this ain't

0:23:43.160 --> 0:23:47.960
<v Speaker 1>my business. There's rules that apply to being in somebody's business,

0:23:48.119 --> 0:23:50.800
<v Speaker 1>just like his rules to apply. If this man did

0:23:50.840 --> 0:23:53.160
<v Speaker 1>do some bits ass it, if he did do that,

0:23:53.440 --> 0:23:56.320
<v Speaker 1>who's responsible for that? Because that's the first thing you

0:23:56.359 --> 0:23:58.840
<v Speaker 1>want to know, because you can't do something to everybody.

0:23:59.160 --> 0:24:01.800
<v Speaker 1>It's consequently with that, so it's like you gotta find

0:24:01.800 --> 0:24:04.440
<v Speaker 1>out what's what And then the good begs the question

0:24:04.520 --> 0:24:06.320
<v Speaker 1>why even this person bitess.

0:24:06.440 --> 0:24:10.560
<v Speaker 3>Lord you see earlier that should be the ring that

0:24:10.760 --> 0:24:14.800
<v Speaker 3>was impacted and his people was responsibility. They gotta have

0:24:14.960 --> 0:24:17.959
<v Speaker 3>nothing to do with you. I was always told you

0:24:18.040 --> 0:24:19.840
<v Speaker 3>just you don't have nothing to do with you.

0:24:19.920 --> 0:24:23.080
<v Speaker 1>Yeah, but that's going to service the coliseum. The coliseum

0:24:23.080 --> 0:24:24.480
<v Speaker 1>want to eat them alive and they want them to

0:24:24.480 --> 0:24:25.520
<v Speaker 1>need each other at large.

0:24:25.520 --> 0:24:29.040
<v Speaker 5>Scuse lets meet those clicks, man, Yeah, as long as

0:24:29.080 --> 0:24:29.480
<v Speaker 5>it's them.

0:24:30.160 --> 0:24:31.199
<v Speaker 4>It just puzzles me.

0:24:31.440 --> 0:24:32.840
<v Speaker 2>For a due tool.

0:24:34.240 --> 0:24:38.720
<v Speaker 4>Consider themselves to be a certain way of life, or

0:24:38.760 --> 0:24:42.040
<v Speaker 4>I came from that or that walk or that cold.

0:24:42.960 --> 0:24:44.159
<v Speaker 4>It just puzzles me.

0:24:47.160 --> 0:24:48.000
<v Speaker 2>Everybody wanted the.

0:24:47.960 --> 0:24:54.200
<v Speaker 4>Face you get lead the codes of the ship. I elearged,

0:24:55.080 --> 0:25:00.600
<v Speaker 4>it's like forgotten about today because you got dual truth life.

0:25:02.840 --> 0:25:06.920
<v Speaker 4>It's it's it's my business to let you know that

0:25:07.720 --> 0:25:10.800
<v Speaker 4>so and so toll on a nigga twenty years ago,

0:25:11.000 --> 0:25:15.280
<v Speaker 4>or so and so toll on a nigga fifteen years ago,

0:25:15.440 --> 0:25:19.160
<v Speaker 4>or it's my it's my business to let you know that.

0:25:19.400 --> 0:25:26.000
<v Speaker 4>It just puzzles me because I thought that being from

0:25:26.200 --> 0:25:28.639
<v Speaker 4>and you know, it could be wrong because of the

0:25:28.720 --> 0:25:32.119
<v Speaker 4>time and the era of what today is, because of

0:25:32.200 --> 0:25:35.440
<v Speaker 4>what all this shit is you're getting lights came reaction.

0:25:36.520 --> 0:25:41.640
<v Speaker 4>Niggas want to get paid, you're getting the authenticity of being.

0:25:41.440 --> 0:25:43.840
<v Speaker 2>From the streets has been forgotten.

0:25:44.040 --> 0:25:44.600
<v Speaker 4>Becausese.

0:25:46.119 --> 0:25:49.160
<v Speaker 2>I didn't make a check, nigga, you feel me? Yeah,

0:25:49.240 --> 0:25:50.040
<v Speaker 2>I didn't know, Huger.

0:25:50.160 --> 0:25:53.560
<v Speaker 4>Now your followers and get clicks and views, and it

0:25:53.760 --> 0:25:58.160
<v Speaker 4>just puzzles me because there's certain things that you're supposed

0:25:58.240 --> 0:26:03.840
<v Speaker 4>to be able to hold true, especially for a man.

0:26:04.200 --> 0:26:08.479
<v Speaker 4>I just think like niggas just forgotten about that code

0:26:08.680 --> 0:26:12.600
<v Speaker 4>of of what is and what is you know, Yeah,

0:26:13.080 --> 0:26:18.399
<v Speaker 4>if you fall into that lifestyle of having to create content,

0:26:18.720 --> 0:26:23.040
<v Speaker 4>you get right. I told you that. That ship puzzles me, Like,

0:26:23.160 --> 0:26:26.719
<v Speaker 4>what do you mean ate some content? Nigga? We just

0:26:27.520 --> 0:26:30.760
<v Speaker 4>we just sit up and talk to the homeies in it,

0:26:31.160 --> 0:26:34.920
<v Speaker 4>try to have just conversations about ship. We don't sit

0:26:35.040 --> 0:26:38.240
<v Speaker 4>up and getting a circle on the round table before

0:26:38.280 --> 0:26:42.119
<v Speaker 4>the shows Dart and Gold. So we're gonna come up

0:26:42.119 --> 0:26:46.119
<v Speaker 4>with today. This is hit me, Like creating kind of that,

0:26:46.359 --> 0:26:49.240
<v Speaker 4>like we don't like that ship puzzles me. Man, If.

0:26:50.840 --> 0:26:55.920
<v Speaker 2>Vibing vibing is different and creating content vibing and capturing moments,

0:26:56.400 --> 0:26:59.680
<v Speaker 2>this is a superior thing. And I think that there

0:26:59.840 --> 0:27:01.800
<v Speaker 2>was more authenticity and the culture.

0:27:01.840 --> 0:27:04.000
<v Speaker 1>Back when we were doing that, we were just catching

0:27:04.080 --> 0:27:06.720
<v Speaker 1>VODs and we were spitting about what we was really

0:27:06.760 --> 0:27:07.159
<v Speaker 1>dealing with.

0:27:07.640 --> 0:27:09.000
<v Speaker 2>It's just the longer games.

0:27:09.040 --> 0:27:12.399
<v Speaker 1>Now, it's all the just a reality TV show and

0:27:12.440 --> 0:27:15.480
<v Speaker 1>a person get enough popularity to make them a couple bucks.

0:27:15.840 --> 0:27:19.639
<v Speaker 1>It's a vocational opportunity now to tear somebody down to

0:27:19.760 --> 0:27:22.399
<v Speaker 1>be in somebody else's business. And it just was the

0:27:22.440 --> 0:27:24.760
<v Speaker 1>time and life where I wasn't a permissible then, and

0:27:24.840 --> 0:27:29.280
<v Speaker 1>do everybody everybody comes used to come. And this is

0:27:29.280 --> 0:27:32.760
<v Speaker 1>a problem because motherfuckers is faking where they're from. They

0:27:32.920 --> 0:27:36.400
<v Speaker 1>faking their neighborhoods, They faking that they come from represent

0:27:36.520 --> 0:27:38.800
<v Speaker 1>something like I got a faunidly father from guard Block.

0:27:38.880 --> 0:27:42.040
<v Speaker 1>Here am my baby boys. So we got three generations

0:27:42.040 --> 0:27:44.119
<v Speaker 1>in my neighborhood in this world hoods, you know what

0:27:44.200 --> 0:27:48.159
<v Speaker 1>I mean? You got motherfuckers that can't tell you a motherfucker.

0:27:47.680 --> 0:27:50.800
<v Speaker 2>Two years older than them from their neighborhood. Huyo, big home.

0:27:51.840 --> 0:27:53.879
<v Speaker 1>You got a twenty five year old nigga telling them

0:27:53.920 --> 0:27:56.600
<v Speaker 1>a point there the nigga is twenty eight, Like, how.

0:27:56.400 --> 0:27:58.560
<v Speaker 2>Long the fuck did y'all exist? Who the fuck is

0:27:58.600 --> 0:28:00.600
<v Speaker 2>it be where you go? Our state.

0:28:00.960 --> 0:28:03.120
<v Speaker 1>We can't even find out where these niggas is from

0:28:03.119 --> 0:28:05.639
<v Speaker 1>because they're not from nothing, and so who can teach

0:28:06.000 --> 0:28:06.960
<v Speaker 1>nothing to nothing?

0:28:07.560 --> 0:28:09.560
<v Speaker 2>You know what I mean. It's just a bunch of

0:28:09.560 --> 0:28:10.720
<v Speaker 2>fake ays, bullshit.

0:28:11.280 --> 0:28:13.919
<v Speaker 1>Are some Hollywood shit, and I mean that's okay, but

0:28:14.000 --> 0:28:15.199
<v Speaker 1>they get carried away with it.

0:28:15.320 --> 0:28:17.800
<v Speaker 2>Some of them. They getting themselves clapped up and chilled

0:28:17.840 --> 0:28:18.959
<v Speaker 2>over the mics. It clicks.

0:28:19.200 --> 0:28:20.560
<v Speaker 3>Yeah, you know, it was a lot of shit I

0:28:20.600 --> 0:28:22.800
<v Speaker 3>wanted to talk to you about. So I'm gonna try

0:28:22.800 --> 0:28:25.439
<v Speaker 3>to breathe through it a little bit when you was

0:28:25.480 --> 0:28:27.360
<v Speaker 3>locked up, and then I'm gonna get off the block.

0:28:27.400 --> 0:28:29.960
<v Speaker 3>The up fingers they were. He was releasing albums and sit.

0:28:29.960 --> 0:28:32.639
<v Speaker 2>On the sad. Yeah, I was playing over a phone.

0:28:32.760 --> 0:28:34.040
<v Speaker 2>I don't build board charts.

0:28:34.119 --> 0:28:36.000
<v Speaker 3>Don't build board charts, and I saw that shit that

0:28:36.080 --> 0:28:39.040
<v Speaker 3>tripped me. Y'all said, man, this niggas just walking around

0:28:39.040 --> 0:28:41.080
<v Speaker 3>the streets free. You can't throw them this man or

0:28:41.120 --> 0:28:42.240
<v Speaker 3>NIEE stuff on your jail.

0:28:44.160 --> 0:28:47.040
<v Speaker 2>So what I'm saying, niggas could and well, the fucking

0:28:47.120 --> 0:28:48.000
<v Speaker 2>see these away.

0:28:48.240 --> 0:28:52.080
<v Speaker 3>I know what is in jail doing it? Man? What

0:28:52.200 --> 0:28:53.800
<v Speaker 3>possession to think that you was gonna be able to

0:28:53.800 --> 0:28:55.560
<v Speaker 3>get away with that stuff. But you didn't get away

0:28:55.600 --> 0:28:56.440
<v Speaker 3>with it.

0:28:57.120 --> 0:29:02.000
<v Speaker 1>I was possessed by I lived that shit the same

0:29:02.040 --> 0:29:04.840
<v Speaker 1>way that we're talking about, the same way that kid

0:29:05.240 --> 0:29:07.840
<v Speaker 1>that was in the projects, and I used to crawl

0:29:07.920 --> 0:29:09.800
<v Speaker 1>up my window and go down the stairs and be

0:29:09.840 --> 0:29:13.480
<v Speaker 1>down there with their armies. You know that kid that

0:29:13.680 --> 0:29:15.920
<v Speaker 1>just wanted the hommy to pop his trunk on the

0:29:16.000 --> 0:29:18.600
<v Speaker 1>sixth floor. I remember Tiny form Pj's used to come

0:29:18.600 --> 0:29:21.240
<v Speaker 1>out there to the hood and the donkey call.

0:29:21.520 --> 0:29:24.240
<v Speaker 2>For Pj's, all them niggas wind up for the Grape Street.

0:29:24.560 --> 0:29:27.120
<v Speaker 1>The niggas used to be out there and set and

0:29:27.200 --> 0:29:29.800
<v Speaker 1>we used to fuck with them niggas. So I remember

0:29:29.920 --> 0:29:33.040
<v Speaker 1>niggas had popped the trunk, and you know, the hommies

0:29:33.040 --> 0:29:35.800
<v Speaker 1>from the block. Everybody would be outside and they'd be

0:29:35.840 --> 0:29:38.440
<v Speaker 1>slapping Parliament and nigga just to catch a vibe, and

0:29:38.480 --> 0:29:40.880
<v Speaker 1>the armies is just spitting. It's how the niggas that

0:29:40.880 --> 0:29:43.160
<v Speaker 1>could spit, and it would just be, you know, we

0:29:43.240 --> 0:29:45.560
<v Speaker 1>got the wood raps when you really.

0:29:45.320 --> 0:29:47.920
<v Speaker 2>From the streets, and you really from some shit like.

0:29:47.920 --> 0:29:51.360
<v Speaker 1>We got wood raps and go a nigga then rebroke

0:29:51.400 --> 0:29:54.040
<v Speaker 1>the Gilligan's Eyeland thing, you know what I mean, and

0:29:54.120 --> 0:29:55.840
<v Speaker 1>Nigga and we got all that type of shit and

0:29:55.880 --> 0:29:58.920
<v Speaker 1>when you have history. So I was vibe and I

0:29:58.960 --> 0:30:02.880
<v Speaker 1>feel like I I lived hip hop. Hip Hop was

0:30:02.920 --> 0:30:04.920
<v Speaker 1>a part of the fabric. It was an attribute of

0:30:04.960 --> 0:30:08.040
<v Speaker 1>my personality and just a part of the fabric of

0:30:08.120 --> 0:30:10.280
<v Speaker 1>who I am as a human being.

0:30:10.960 --> 0:30:12.040
<v Speaker 2>It's being in.

0:30:12.000 --> 0:30:16.800
<v Speaker 1>The house with from Midnight Star, Atlantic Star with you

0:30:16.880 --> 0:30:20.640
<v Speaker 1>know what I mean, playing rock Days, the message rappers delight.

0:30:20.720 --> 0:30:21.400
<v Speaker 2>I lived it.

0:30:22.080 --> 0:30:25.520
<v Speaker 1>Here comes Roun dmc, Here comes LLL, Here comes rock Camp,

0:30:25.800 --> 0:30:28.840
<v Speaker 1>We Toddy T Nigga Battle Ram Nigga, Here comes six

0:30:28.880 --> 0:30:32.040
<v Speaker 1>in the morning, There comes colors like I remember the

0:30:32.160 --> 0:30:33.760
<v Speaker 1>stages of that shit.

0:30:34.200 --> 0:30:36.800
<v Speaker 2>And it's just in my dna.

0:30:36.920 --> 0:30:39.000
<v Speaker 1>So if I couldn't have made them songs, I would

0:30:39.040 --> 0:30:41.960
<v Speaker 1>have wrote them anyway, because that's what that's what I'll do.

0:30:42.080 --> 0:30:45.200
<v Speaker 1>That's like oxygen in me. So I was writing songs

0:30:45.840 --> 0:30:49.640
<v Speaker 1>and then opportunities to record. The motherfuckers can't presenting themselves,

0:30:49.640 --> 0:30:52.120
<v Speaker 1>you know. One of them was because I was dope.

0:30:52.320 --> 0:30:54.520
<v Speaker 1>He was a fan of I was too dope to

0:30:54.560 --> 0:30:56.680
<v Speaker 1>not be doing my thing. Motherfuckers helped me do what

0:30:56.720 --> 0:30:59.560
<v Speaker 1>I needed to do it, so like it was a

0:30:59.600 --> 0:31:02.320
<v Speaker 1>fighting against the government. They follow the son of Sam Lous,

0:31:02.360 --> 0:31:04.920
<v Speaker 1>who don't even beat that. It got struck down by

0:31:05.000 --> 0:31:05.800
<v Speaker 1>the Supreme Court.

0:31:05.840 --> 0:31:08.040
<v Speaker 2>That was big mad. There's no rule.

0:31:08.560 --> 0:31:12.680
<v Speaker 1>There's no rule against possession of possession, possessing itself all

0:31:13.200 --> 0:31:16.680
<v Speaker 1>in heighteen ninety nine, two thousands. There's no rule against

0:31:16.720 --> 0:31:22.040
<v Speaker 1>me having Literally the California Coda Record Regulations hasn't entered

0:31:22.040 --> 0:31:24.800
<v Speaker 1>that rule into this book yet. So I'm reading the

0:31:24.880 --> 0:31:27.760
<v Speaker 1>rules and I could see what's not against the rules too.

0:31:28.200 --> 0:31:30.720
<v Speaker 1>I'm not just looking at what is in the rule book.

0:31:31.080 --> 0:31:34.040
<v Speaker 1>I'm looking at what isn't so okay. If I get

0:31:34.080 --> 0:31:37.240
<v Speaker 1>this that reporter in here, they don't got a rule

0:31:37.240 --> 0:31:37.760
<v Speaker 1>against that.

0:31:38.520 --> 0:31:40.600
<v Speaker 2>So if they find to sit here, they're like, they

0:31:40.600 --> 0:31:42.600
<v Speaker 2>can't write me up for anohing. They can't even fuck

0:31:42.680 --> 0:31:42.960
<v Speaker 2>with me.

0:31:44.440 --> 0:31:45.440
<v Speaker 3>That recording all of it.

0:31:45.560 --> 0:31:47.120
<v Speaker 2>I had ally coming to sit in that bitch.

0:31:47.320 --> 0:31:54.880
<v Speaker 1>Hell yeah regularly, yeah said up in the sale busting

0:31:54.920 --> 0:31:57.520
<v Speaker 1>your ship. Yeah, man, For a long time I used

0:31:57.520 --> 0:32:00.560
<v Speaker 1>to get shipped, you know, buy some key boards and

0:32:00.600 --> 0:32:03.520
<v Speaker 1>get them in through the music program. Put a bunch

0:32:03.560 --> 0:32:06.920
<v Speaker 1>of shit that I wanted to get a package delivered

0:32:06.920 --> 0:32:09.120
<v Speaker 1>and had a motherfucker go bring it to that, you

0:32:09.120 --> 0:32:10.680
<v Speaker 1>know what I mean. I used to meet them up.

0:32:10.640 --> 0:32:13.160
<v Speaker 2>Fucker in the middle of nowhere in the wilderness drop

0:32:13.240 --> 0:32:14.240
<v Speaker 2>off a package.

0:32:13.920 --> 0:32:17.480
<v Speaker 3>For you know, that's some cold last shit. I just

0:32:17.480 --> 0:32:19.400
<v Speaker 3>picture you, Nigga and this silvers up there bus. I'm

0:32:19.400 --> 0:32:21.320
<v Speaker 3>like a motherfucker hold up on when you watched for

0:32:21.360 --> 0:32:23.800
<v Speaker 3>the guards to come and shit, you acquired this noise

0:32:23.840 --> 0:32:25.240
<v Speaker 3>that I'm bucking prop this each.

0:32:25.080 --> 0:32:28.160
<v Speaker 1>Thing that Yeah, Catty was doing it between cal Ty

0:32:28.960 --> 0:32:30.200
<v Speaker 1>and trying to get saws done.

0:32:30.280 --> 0:32:33.560
<v Speaker 2>I remember in nineteen ninety eight.

0:32:34.320 --> 0:32:37.360
<v Speaker 1>I was doing my thing on Selina's Valley a or

0:32:38.000 --> 0:32:41.000
<v Speaker 1>and uh, I got all my recording equipment on Friday,

0:32:41.640 --> 0:32:43.800
<v Speaker 1>Like I went to breakfast and need these search to sell.

0:32:43.880 --> 0:32:47.040
<v Speaker 1>When I come back to sales, search was wasn't drop up,

0:32:47.440 --> 0:32:49.080
<v Speaker 1>So I got the thing, you know what I mean.

0:32:49.720 --> 0:32:52.760
<v Speaker 1>Lock the dog Friday night, I'm all night.

0:32:52.600 --> 0:32:55.720
<v Speaker 2>Portraying counts, just laying, laying, laying, laying, laying.

0:32:55.760 --> 0:32:58.320
<v Speaker 1>They get all night, wake up, do it Saturday as

0:32:58.360 --> 0:33:01.000
<v Speaker 1>soon as go about my regular day on Saturday. Soon

0:33:01.040 --> 0:33:03.400
<v Speaker 1>as they locked that bar at night, I'm recording all

0:33:03.480 --> 0:33:04.640
<v Speaker 1>night between counts.

0:33:04.920 --> 0:33:07.080
<v Speaker 2>Get some sleep, wake up, give it back to him

0:33:07.080 --> 0:33:08.040
<v Speaker 2>on Sunday, ball and.

0:33:08.040 --> 0:33:10.560
<v Speaker 1>I get back to the streets and then it's up,

0:33:10.600 --> 0:33:12.640
<v Speaker 1>you know. We go from there and ended up crashing

0:33:12.680 --> 0:33:16.080
<v Speaker 1>out like so, and then from Friday to Sunday recorded

0:33:16.440 --> 0:33:20.760
<v Speaker 1>the entire Unforgiving album, the entire Vengeance is Mind album,

0:33:20.800 --> 0:33:23.440
<v Speaker 1>and portion of the Initiation album in three days. I

0:33:23.560 --> 0:33:26.120
<v Speaker 1>recorded all that, got it done and got it out

0:33:26.160 --> 0:33:27.959
<v Speaker 1>and went right outside, had gotten the wrecked.

0:33:28.520 --> 0:33:31.720
<v Speaker 2>The niggas just out there fighting like a motherfuckers. That's crazy.

0:33:31.840 --> 0:33:33.600
<v Speaker 1>Yeah, So like that was the kind of shit I

0:33:33.640 --> 0:33:36.000
<v Speaker 1>went through, and then them songs ended up being on

0:33:36.120 --> 0:33:39.480
<v Speaker 1>Forgiving and getting the Billboard charts. Some of the shit

0:33:39.560 --> 0:33:42.520
<v Speaker 1>I gave Seaball we number three on the charts, behind me,

0:33:42.640 --> 0:33:46.520
<v Speaker 1>Rod Carey and Bride. Mgnight for Daily Game was my song. Actually,

0:33:46.760 --> 0:33:47.880
<v Speaker 1>me and Colez was rappling.

0:33:48.200 --> 0:33:48.680
<v Speaker 2>He was in it.

0:33:48.840 --> 0:33:50.440
<v Speaker 1>He was in the tank. So I went in this

0:33:50.520 --> 0:33:52.760
<v Speaker 1>tank and I'm banging on the door of spiting that song.

0:33:52.920 --> 0:33:55.040
<v Speaker 1>He spit some songs, but when I spit that of

0:33:55.040 --> 0:33:57.040
<v Speaker 1>a game, he was like, niggas, you gotta give you that.

0:33:57.480 --> 0:33:59.760
<v Speaker 1>He so he started asking me for that in County jail.

0:33:59.760 --> 0:34:01.720
<v Speaker 1>Then we got to Tracy, I gave it to him

0:34:01.960 --> 0:34:04.720
<v Speaker 1>to everything. Tied him every word, oh even the grunt.

0:34:04.800 --> 0:34:06.760
<v Speaker 1>So that was an ex writer song, giving the buck,

0:34:07.160 --> 0:34:09.360
<v Speaker 1>and then that three fifty seven.

0:34:09.560 --> 0:34:10.280
<v Speaker 2>Was my song.

0:34:10.760 --> 0:34:13.080
<v Speaker 1>So I wrote the chorus, I wrote verse one, I

0:34:13.080 --> 0:34:15.480
<v Speaker 1>wrote the second chorus, and I wrote half of verse two,

0:34:15.880 --> 0:34:18.880
<v Speaker 1>and then moved both to the dorms. His cousin't had

0:34:18.920 --> 0:34:21.880
<v Speaker 1>no time. He had a joint suspension. I had a

0:34:21.920 --> 0:34:24.120
<v Speaker 1>one eighty six twenty two, and on one eighty seven

0:34:24.120 --> 0:34:26.399
<v Speaker 1>to eight, and then one two up to two point five.

0:34:26.760 --> 0:34:28.600
<v Speaker 1>So I'm on my way to I'm on my way

0:34:28.600 --> 0:34:31.799
<v Speaker 1>to New Folksoland Couz go to the dorm and he

0:34:31.920 --> 0:34:32.960
<v Speaker 1>finished the rock so you.

0:34:32.960 --> 0:34:36.000
<v Speaker 2>Could kind of hear where what I was doing.

0:34:36.080 --> 0:34:38.640
<v Speaker 1>And then when he shows up in the second half

0:34:38.680 --> 0:34:42.080
<v Speaker 1>of the song, you could hear. With collaboration, we ended

0:34:42.160 --> 0:34:44.279
<v Speaker 1>up writing shit together that I used street life.

0:34:44.360 --> 0:34:46.719
<v Speaker 2>That was bold. Bold. We wrote that chorus for me.

0:34:47.200 --> 0:34:47.600
<v Speaker 2>I had it.

0:34:47.640 --> 0:34:49.080
<v Speaker 1>I was saying that a certain kind of way. He

0:34:49.160 --> 0:34:50.799
<v Speaker 1>was like, it's better like this, and I thought he

0:34:50.880 --> 0:34:53.000
<v Speaker 1>was right. So that's the way I recorded it. So

0:34:53.040 --> 0:34:55.120
<v Speaker 1>it wasn't like he. I just was writing for Buth.

0:34:55.719 --> 0:34:57.560
<v Speaker 1>I gave him a lot more shit than he gave me,

0:34:57.719 --> 0:35:00.279
<v Speaker 1>just because I had more shit, but like in terms

0:35:00.280 --> 0:35:02.400
<v Speaker 1>of what I was writing on and he put his

0:35:02.480 --> 0:35:05.359
<v Speaker 1>input in, we would rewrite shit and he he left

0:35:05.360 --> 0:35:06.800
<v Speaker 1>with all of that, but he didn't record.

0:35:07.840 --> 0:35:13.160
<v Speaker 3>Yeah, both bull listen see bull livesen for real. So

0:35:13.200 --> 0:35:16.360
<v Speaker 3>you said he was like he was out the destroying

0:35:16.360 --> 0:35:18.240
<v Speaker 3>and ship of wreck and shit. Is that you bumping

0:35:18.280 --> 0:35:19.520
<v Speaker 3>the MIC's to see a singing toon?

0:35:20.440 --> 0:35:21.960
<v Speaker 2>I bumped in and said singleton.

0:35:22.040 --> 0:35:24.480
<v Speaker 1>So my mom looked at church and I had I

0:35:24.520 --> 0:35:27.600
<v Speaker 1>had created this little company called twenty four Deep Productions

0:35:27.640 --> 0:35:29.960
<v Speaker 1>because I got the benefit of watching the big armies

0:35:30.000 --> 0:35:32.239
<v Speaker 1>like this nigga do that thing. So I had that

0:35:32.320 --> 0:35:35.040
<v Speaker 1>blue tape. That blue tape mattered to me and so

0:35:35.120 --> 0:35:36.840
<v Speaker 1>I'm looking at this blue tape and IM like that.

0:35:37.120 --> 0:35:38.480
<v Speaker 1>So we we started.

0:35:38.760 --> 0:35:41.080
<v Speaker 2>Me and a hommy person for Flat Dog the music.

0:35:41.120 --> 0:35:44.279
<v Speaker 1>Flat Dog Crip Gang is like like between the cree

0:35:44.280 --> 0:35:46.719
<v Speaker 1>the Glenn Elders in Oak Park and sit right there.

0:35:47.120 --> 0:35:49.360
<v Speaker 1>And so the homy came. He went to our continuation

0:35:49.480 --> 0:35:52.120
<v Speaker 1>school and his mommy used to Byron Hell equipment. I

0:35:52.160 --> 0:35:53.880
<v Speaker 1>didn't know that at the time. We just rapping at

0:35:53.960 --> 0:35:56.520
<v Speaker 1>lunchtime and he was like hey, you really good. He

0:35:56.600 --> 0:35:58.279
<v Speaker 1>was like, man, let's time pull it. Why don't you

0:35:58.280 --> 0:36:00.000
<v Speaker 1>come to the house when we when we finished school

0:36:00.000 --> 0:36:02.680
<v Speaker 1>blah blah blah. I'm like, okay, cool. So because at

0:36:02.680 --> 0:36:04.439
<v Speaker 1>the van, we jumped in the van. We all rolled

0:36:04.440 --> 0:36:05.200
<v Speaker 1>to his spot and.

0:36:05.120 --> 0:36:08.520
<v Speaker 2>This nigga got drum machines, records, the walls that just

0:36:08.560 --> 0:36:11.160
<v Speaker 2>covered in crates, shives and crates.

0:36:11.480 --> 0:36:14.920
<v Speaker 1>The zigga got everything, every sample I needed to do

0:36:14.960 --> 0:36:18.920
<v Speaker 1>anything forever. That all this shit, it looked like alchemists.

0:36:18.960 --> 0:36:19.759
<v Speaker 2>Little roam in there.

0:36:20.320 --> 0:36:23.239
<v Speaker 1>He was sixteen, fifteen years old at the time, but

0:36:23.280 --> 0:36:25.319
<v Speaker 1>that's how his mama loved him. She kept him out

0:36:25.360 --> 0:36:27.720
<v Speaker 1>of trouble. Would let us be in there with that music,

0:36:27.760 --> 0:36:29.440
<v Speaker 1>blast them till threefold.

0:36:29.000 --> 0:36:29.439
<v Speaker 2>In the morning.

0:36:29.480 --> 0:36:31.880
<v Speaker 1>Would never say a word because they care more that

0:36:31.920 --> 0:36:34.440
<v Speaker 1>they knew where we was, that they felt that if

0:36:34.440 --> 0:36:37.320
<v Speaker 1>it was loud, and that in nigga have beautiful parents.

0:36:37.480 --> 0:36:40.920
<v Speaker 1>And so we was doing that get the songs done.

0:36:41.000 --> 0:36:44.120
<v Speaker 1>So I'm putting these motherfuckers on consignment. And so my

0:36:44.160 --> 0:36:46.960
<v Speaker 1>mama got my little cover. My cover was drawn by

0:36:47.000 --> 0:36:49.759
<v Speaker 1>brother Lynch because I had really just said my name

0:36:49.840 --> 0:36:51.960
<v Speaker 1>is X right and blah blah blah. I didn't have

0:36:52.000 --> 0:36:54.480
<v Speaker 1>a rap name yet. I was still a little slimmed

0:36:54.480 --> 0:36:56.360
<v Speaker 1>off for twenty fourth Street. They still call me a

0:36:56.400 --> 0:36:58.680
<v Speaker 1>little ray. I wasn't my official name, but I was

0:36:58.680 --> 0:37:00.520
<v Speaker 1>always with the big army, so they you like little

0:37:00.560 --> 0:37:02.799
<v Speaker 1>slim dog over there, you know what I mean? And

0:37:02.880 --> 0:37:05.040
<v Speaker 1>I Connessant was like busted the line that had X

0:37:05.120 --> 0:37:07.800
<v Speaker 1>Raded in it. People started like X righty just calling

0:37:07.840 --> 0:37:09.400
<v Speaker 1>me x Rader at Lench.

0:37:09.239 --> 0:37:11.200
<v Speaker 2>Was like, Nigga, it can't be r A T D.

0:37:11.239 --> 0:37:13.560
<v Speaker 2>It gotta be r I D E d KS And was.

0:37:13.600 --> 0:37:16.239
<v Speaker 1>Like, you ain't no player on no base shit. You

0:37:16.320 --> 0:37:18.080
<v Speaker 1>against it, nigga, Just that gainst.

0:37:17.840 --> 0:37:19.359
<v Speaker 2>The shit ri I d D.

0:37:19.360 --> 0:37:22.640
<v Speaker 1>So let's drew my first logo and drew my first

0:37:22.680 --> 0:37:25.520
<v Speaker 1>cover and so my mama had that on the keychain,

0:37:25.640 --> 0:37:27.440
<v Speaker 1>went to church and said it saw it. It was

0:37:27.520 --> 0:37:31.080
<v Speaker 1>like you do you know X rayed And she was like, yeah,

0:37:31.320 --> 0:37:33.680
<v Speaker 1>my son, and he gave her his card and so

0:37:33.800 --> 0:37:35.680
<v Speaker 1>I had to Mamma, give me a card. I'm running

0:37:35.680 --> 0:37:38.360
<v Speaker 1>around all right then no attention to it. We about

0:37:38.360 --> 0:37:41.120
<v Speaker 1>to me and I eating. Some shit happened in the

0:37:41.120 --> 0:37:42.600
<v Speaker 1>south Side, so me and I was about to go

0:37:42.640 --> 0:37:45.799
<v Speaker 1>clap some sit up we get pulled over. This is

0:37:45.840 --> 0:37:49.680
<v Speaker 1>back when if you in the car and you joy ride,

0:37:49.680 --> 0:37:51.719
<v Speaker 1>and you're a joy rider. The nigga that got the

0:37:51.719 --> 0:37:54.040
<v Speaker 1>pistol got a gun charge. The nigga that was driving

0:37:54.040 --> 0:37:56.400
<v Speaker 1>the car got a GT it. And that's kind of

0:37:56.400 --> 0:37:58.359
<v Speaker 1>how because we didn't get to go do it, yet

0:37:58.400 --> 0:38:00.680
<v Speaker 1>it got us on our way to do it. So

0:38:00.719 --> 0:38:02.560
<v Speaker 1>I get the joy ride and I spend a weekend

0:38:02.600 --> 0:38:05.000
<v Speaker 1>in the jail. While I'm in the jail, I run

0:38:05.040 --> 0:38:07.280
<v Speaker 1>into a hommy name a Metaview Blood.

0:38:07.520 --> 0:38:09.080
<v Speaker 2>He was leaning still.

0:38:09.120 --> 0:38:11.239
<v Speaker 1>He wasn't really like all the way over there, but

0:38:11.320 --> 0:38:12.960
<v Speaker 1>he was head that I could see it going there.

0:38:13.000 --> 0:38:16.160
<v Speaker 1>But his name is Miko. You were from the south Side,

0:38:16.160 --> 0:38:18.440
<v Speaker 1>He from twenty third and I love that nigga.

0:38:18.520 --> 0:38:20.680
<v Speaker 2>So this is how I meet me. I have seen

0:38:20.719 --> 0:38:22.080
<v Speaker 2>him fifty million times.

0:38:22.239 --> 0:38:24.719
<v Speaker 1>But I'm in juvenile hall waiting for my mama to

0:38:24.760 --> 0:38:27.200
<v Speaker 1>get me out on Monday, and this nigga is in

0:38:27.280 --> 0:38:30.760
<v Speaker 1>juvenile hall because they said he filed the serial number

0:38:30.800 --> 0:38:31.640
<v Speaker 1>down on his Kuber.

0:38:31.960 --> 0:38:35.800
<v Speaker 2>This nigga got cougar stans malleys. This nigga, young nigga

0:38:35.840 --> 0:38:36.160
<v Speaker 2>doing it.

0:38:36.200 --> 0:38:38.520
<v Speaker 1>So seeing him, the juvenile alls like, fuck, this nigga

0:38:38.560 --> 0:38:40.239
<v Speaker 1>doing the Juvenile though.

0:38:40.480 --> 0:38:42.120
<v Speaker 2>I thought this nigga was twenty.

0:38:41.840 --> 0:38:43.200
<v Speaker 4>Five thirty years old.

0:38:43.239 --> 0:38:45.160
<v Speaker 2>I didn't know this nigga was in jam.

0:38:45.840 --> 0:38:47.600
<v Speaker 1>They was just a balling young nigga that had a

0:38:47.680 --> 0:38:51.200
<v Speaker 1>vision and a mission. And so he was like, we

0:38:51.239 --> 0:38:53.200
<v Speaker 1>was talking and I was spending some run that niggas

0:38:53.200 --> 0:38:55.520
<v Speaker 1>was like many you you were actualted.

0:38:55.360 --> 0:38:57.560
<v Speaker 2>Cause niggas didn't know it was me. It was because

0:38:57.600 --> 0:38:59.360
<v Speaker 2>it was just a picture. It was a drawing.

0:38:59.760 --> 0:39:01.640
<v Speaker 1>It was no picture of me, like you said, were

0:39:01.719 --> 0:39:05.000
<v Speaker 1>seldom seeing. There's very few pictures from me back then.

0:39:05.360 --> 0:39:07.799
<v Speaker 2>Zero videos and no music videos.

0:39:07.520 --> 0:39:10.600
<v Speaker 1>Until twenty eighteen when I came home. So the first

0:39:10.640 --> 0:39:13.320
<v Speaker 1>music video I ever do a two point five million views,

0:39:13.360 --> 0:39:14.799
<v Speaker 1>you know what I mean. I had never even had

0:39:14.840 --> 0:39:18.879
<v Speaker 1>a music video. And so yeah, so I get out

0:39:18.880 --> 0:39:21.759
<v Speaker 1>of the Juvenile hall, he get out. We go about

0:39:21.760 --> 0:39:23.640
<v Speaker 1>our way and I finally called the nigga Mick and

0:39:23.680 --> 0:39:27.000
<v Speaker 1>I was like, hey, man, I wanted to talk to

0:39:27.040 --> 0:39:28.160
<v Speaker 1>you about what you were saying.

0:39:28.239 --> 0:39:29.920
<v Speaker 2>You know, you'd like to want to do some management

0:39:29.960 --> 0:39:32.359
<v Speaker 2>for you, blah blah blah. So me and him link up.

0:39:32.400 --> 0:39:35.239
<v Speaker 1>We roll around and we pulled up on cedric I

0:39:35.280 --> 0:39:37.000
<v Speaker 1>gave him the card he had called him the shit,

0:39:37.040 --> 0:39:39.600
<v Speaker 1>and we pulled up on Cedric and then niggas agreed

0:39:40.160 --> 0:39:43.800
<v Speaker 1>that Meek would fund everything and that Cedric could have

0:39:44.120 --> 0:39:44.600
<v Speaker 1>his business.

0:39:44.600 --> 0:39:45.640
<v Speaker 2>He had the brain powder.

0:39:45.920 --> 0:39:49.960
<v Speaker 1>So Meek was like our herry yo, and Seject was

0:39:50.040 --> 0:39:52.799
<v Speaker 1>like our should not And.

0:39:52.840 --> 0:39:55.160
<v Speaker 2>It was kind of like that. So you had danger.

0:39:55.200 --> 0:39:58.160
<v Speaker 1>All of productions was leat thing, and then Black Arct

0:39:58.200 --> 0:40:00.239
<v Speaker 1>Records they built that was subjects thing. You know, I

0:40:00.280 --> 0:40:02.879
<v Speaker 1>have my little twenty four deep Productions. Then that's where

0:40:03.000 --> 0:40:05.160
<v Speaker 1>Lyunch got the EP name from A couple of years

0:40:05.239 --> 0:40:07.800
<v Speaker 1>later that that was the name of my production company

0:40:07.840 --> 0:40:09.719
<v Speaker 1>that I made up when I was fifteen years old

0:40:10.080 --> 0:40:10.920
<v Speaker 1>as a little rapper.

0:40:11.320 --> 0:40:15.120
<v Speaker 3>People will be even bring the stories up later, y'all,

0:40:15.200 --> 0:40:15.959
<v Speaker 3>y'all take news.

0:40:17.239 --> 0:40:20.319
<v Speaker 1>Hey, So yeah, the niggas built I was the first

0:40:20.440 --> 0:40:22.880
<v Speaker 1>artist ever on Black Market Records. I'll say I'm the

0:40:23.160 --> 0:40:25.360
<v Speaker 1>ll Cool j of Black Marty Records. It was the

0:40:25.360 --> 0:40:28.880
<v Speaker 1>first one they ever released music for. Sacramento had artists

0:40:28.880 --> 0:40:30.920
<v Speaker 1>prior to me, my Big Armies, Triple Threat three. You

0:40:31.040 --> 0:40:35.279
<v Speaker 1>might see the BK, Bruce Knight and the Homy DC Ray.

0:40:35.719 --> 0:40:37.640
<v Speaker 1>They had a group called Triple Direct three and they

0:40:37.719 --> 0:40:41.920
<v Speaker 1>was more on that, you know, early almost techno hip,

0:40:43.680 --> 0:40:46.279
<v Speaker 1>you know, the man Tronics type shit they was doing.

0:40:46.280 --> 0:40:49.400
<v Speaker 2>That's what we was on. Yeah, that's yeah, that's.

0:40:49.280 --> 0:40:51.120
<v Speaker 4>What would for us on the West Coast.

0:40:51.160 --> 0:40:54.560
<v Speaker 1>It was techno out and it was fun niggas just

0:40:54.600 --> 0:40:57.600
<v Speaker 1>having fun. And so they had that and the a

0:40:57.640 --> 0:41:00.279
<v Speaker 1>cat named I'm a Sorry from Oak Park came out

0:41:00.360 --> 0:41:02.520
<v Speaker 1>and uh, the black Market fucked with him a little

0:41:02.520 --> 0:41:04.880
<v Speaker 1>bit on production, but they wasn't called black Market.

0:41:05.320 --> 0:41:07.640
<v Speaker 2>They had a different name, and so that was they

0:41:07.680 --> 0:41:14.640
<v Speaker 2>were behind it. It's crazy rip, Yeah, it was. I was.

0:41:14.760 --> 0:41:18.160
<v Speaker 1>I was super motivated by am a side his presence

0:41:18.520 --> 0:41:20.479
<v Speaker 1>and seeing him it made me feel like I could

0:41:20.480 --> 0:41:22.719
<v Speaker 1>do it, you know what I mean, And so, uh,

0:41:22.960 --> 0:41:24.160
<v Speaker 1>I started getting cracking.

0:41:24.600 --> 0:41:24.799
<v Speaker 2>You know.

0:41:24.880 --> 0:41:28.040
<v Speaker 1>I was influenced by y'all. I was influenced by people

0:41:28.120 --> 0:41:30.879
<v Speaker 1>like cy Percied. I thought Ice Cube was like that

0:41:30.960 --> 0:41:35.120
<v Speaker 1>nigga bro Prime ice Cube with Ice considered Little Wayne

0:41:35.120 --> 0:41:40.440
<v Speaker 1>to be that nigga from from straight out of Compton

0:41:40.480 --> 0:41:42.759
<v Speaker 1>and Easy does it all the way to death Certificate.

0:41:42.840 --> 0:41:45.560
<v Speaker 2>It's like an argument that that's the dopest chunk of

0:41:46.560 --> 0:41:51.560
<v Speaker 2>that top hip hop down there. Everything on what these

0:41:51.640 --> 0:41:52.439
<v Speaker 2>niggas is doing.

0:41:52.680 --> 0:41:55.880
<v Speaker 4>Yeah that death what no, Joe, No, that was.

0:41:55.920 --> 0:41:58.600
<v Speaker 1>Special man, that was he was breaking even chill, that

0:41:58.680 --> 0:42:01.560
<v Speaker 1>will the birth the power uh in dangers.

0:42:01.200 --> 0:42:05.120
<v Speaker 2>Species, the remixing that species. Like that shit that seemed special.

0:42:05.560 --> 0:42:07.919
<v Speaker 2>And then like I said, it took me under.

0:42:07.960 --> 0:42:10.719
<v Speaker 1>And then the whale sample nigga, Well all of that

0:42:10.800 --> 0:42:14.000
<v Speaker 1>shit that oh man, that's the goosebumps nigga. So like

0:42:14.040 --> 0:42:18.560
<v Speaker 1>I'm big on the chronological order of hip hop, history

0:42:18.600 --> 0:42:22.360
<v Speaker 1>matters to me because you could see his influence on people.

0:42:22.400 --> 0:42:27.040
<v Speaker 2>You could see a cycercial influenced cubes influence at WA's Dre's.

0:42:27.080 --> 0:42:30.040
<v Speaker 1>You could go back farther enough to see where this

0:42:30.120 --> 0:42:31.200
<v Speaker 1>shit came from.

0:42:31.600 --> 0:42:33.399
<v Speaker 2>And a lot of people wouldn't like that. They don't

0:42:33.440 --> 0:42:35.440
<v Speaker 2>want to do that. They do that on the East coast,

0:42:35.800 --> 0:42:37.040
<v Speaker 2>they preserve their history.

0:42:37.080 --> 0:42:40.080
<v Speaker 1>Going on the West, we show busy tearing each other down,

0:42:40.520 --> 0:42:43.799
<v Speaker 1>that there's no preservation of our dopeness and our road

0:42:43.920 --> 0:42:46.319
<v Speaker 1>map to show the treaty we go far because I'm

0:42:46.360 --> 0:42:49.240
<v Speaker 1>proud to come from that lineage of what the Homies

0:42:49.320 --> 0:42:49.640
<v Speaker 1>is doing.

0:42:49.640 --> 0:42:50.719
<v Speaker 2>I'm proud of that far.

0:42:50.880 --> 0:42:54.000
<v Speaker 3>That is because of what you said earlier. We don't

0:42:54.040 --> 0:42:56.799
<v Speaker 3>get people. That's really nice with big ship of position. Man,

0:42:56.840 --> 0:42:58.680
<v Speaker 3>it's always people from outside the coach.

0:42:59.000 --> 0:43:01.120
<v Speaker 2>Yeah, you feel what I'm saying.

0:43:01.560 --> 0:43:03.680
<v Speaker 3>And it ain't gonna not no other race of people

0:43:03.680 --> 0:43:06.680
<v Speaker 3>in none mills. But it's like Oparl Wall six. They

0:43:06.680 --> 0:43:08.880
<v Speaker 3>ain't got one black DJ. I don't think it's one

0:43:08.960 --> 0:43:09.439
<v Speaker 3>black show.

0:43:10.400 --> 0:43:12.239
<v Speaker 1>Yeah, And there was a time where that would have

0:43:12.280 --> 0:43:16.360
<v Speaker 1>been considered unacceptable. All we gotta do is listen to

0:43:16.440 --> 0:43:18.680
<v Speaker 1>a track run on America. Most wanted to tell you

0:43:18.680 --> 0:43:21.960
<v Speaker 1>what time it would have been. Nigga choose on everybody,

0:43:22.000 --> 0:43:24.920
<v Speaker 1>as did Cornelius Nigga that nigga was on the American

0:43:24.960 --> 0:43:28.279
<v Speaker 1>band staying Nigga anybody if they was, if they was

0:43:28.280 --> 0:43:31.120
<v Speaker 1>playing with the culture, diluting the culture, they would get

0:43:31.120 --> 0:43:31.960
<v Speaker 1>called out on it.

0:43:32.000 --> 0:43:33.040
<v Speaker 2>And that stopped.

0:43:32.680 --> 0:43:36.359
<v Speaker 1>Happening because niggas started getting checks, them checks. Niggas sold

0:43:36.400 --> 0:43:39.719
<v Speaker 1>the cultures exact the integrity of the well bad.

0:43:39.960 --> 0:43:41.880
<v Speaker 3>So when you was doing, when you was fucking with

0:43:41.960 --> 0:43:45.480
<v Speaker 3>seeing singing black market ricords, how many ricords does drug

0:43:45.520 --> 0:43:47.200
<v Speaker 3>over shit?

0:43:47.960 --> 0:43:51.920
<v Speaker 2>I dropped, So I didna niggas.

0:43:51.520 --> 0:43:55.919
<v Speaker 1>In black first and then uh with Tantrum from front

0:43:55.960 --> 0:44:00.399
<v Speaker 1>of flats, and then Lynch got involved. Yeah, and then

0:44:01.680 --> 0:44:07.120
<v Speaker 1>those recordings became psychoactive, and the Exiousists happened bill Board,

0:44:07.600 --> 0:44:12.120
<v Speaker 1>I forgiven happened bill Board. My nefarious project happened bill Board.

0:44:12.520 --> 0:44:17.760
<v Speaker 1>The seatbull Tillmarcastic drops Billboard. Then that ain't counting twenty

0:44:17.760 --> 0:44:20.160
<v Speaker 1>four deep. It's Season of the Sickness and all that shit,

0:44:20.520 --> 0:44:23.880
<v Speaker 1>because my Exorcist album was actually called Season of the Sickness.

0:44:23.880 --> 0:44:26.080
<v Speaker 1>That was what I was gonna call it, but nobody

0:44:26.120 --> 0:44:27.839
<v Speaker 1>believed that I was gonna be able to do it.

0:44:28.400 --> 0:44:31.080
<v Speaker 1>So I'm working on what would become Season of the Sickness,

0:44:31.080 --> 0:44:34.280
<v Speaker 1>and somewhere over there they decided that that's what Lynch's

0:44:34.280 --> 0:44:36.799
<v Speaker 1>album should be called, but that was actually the name

0:44:36.840 --> 0:44:40.120
<v Speaker 1>of my album that became Exorcists, So I chose the

0:44:40.160 --> 0:44:43.120
<v Speaker 1>name Exiorosists because they utilized Season of the Sickness for

0:44:43.239 --> 0:44:47.480
<v Speaker 1>men's They saw I do Exorsists and all those different

0:44:47.560 --> 0:44:49.840
<v Speaker 1>projects and just kept it moving.

0:44:49.880 --> 0:44:50.040
<v Speaker 3>Man.

0:44:50.120 --> 0:44:52.520
<v Speaker 1>I was obsessed and hitting bill Board and the culture

0:44:52.520 --> 0:44:55.400
<v Speaker 1>paying attention. I didn't get the kind of stories written it.

0:44:55.440 --> 0:44:57.360
<v Speaker 1>I would have liked the kid repeating up what the

0:44:57.400 --> 0:45:01.279
<v Speaker 1>AP wrote, lazy reporting, but uh, it was dope that

0:45:01.320 --> 0:45:02.480
<v Speaker 1>they kept my name alive.

0:45:02.520 --> 0:45:04.879
<v Speaker 2>And you got lunching boat keeping my name alone.

0:45:05.120 --> 0:45:07.200
<v Speaker 3>You know in sensation Liza, like we see earlier. You

0:45:07.280 --> 0:45:10.000
<v Speaker 3>see it was like over lift. You know this dude

0:45:10.080 --> 0:45:12.839
<v Speaker 3>man the rap lyricsy wrapped the bottle murder. He could

0:45:12.920 --> 0:45:16.080
<v Speaker 3>be you know, they pushing that thing. They don't care

0:45:16.120 --> 0:45:18.080
<v Speaker 3>if it's true a bel gift, it's true or false,

0:45:18.120 --> 0:45:19.120
<v Speaker 3>as long as the reaction.

0:45:19.560 --> 0:45:22.000
<v Speaker 2>Yeah, they don't care. Man. All they want is the

0:45:22.040 --> 0:45:23.160
<v Speaker 2>outcomes that they want.

0:45:23.840 --> 0:45:25.759
<v Speaker 3>So I see it made some bread over there with

0:45:25.800 --> 0:45:26.520
<v Speaker 3>you what you want.

0:45:26.600 --> 0:45:30.440
<v Speaker 1>Yeah, Cedric definitely made some bread. I feel like everybody

0:45:30.480 --> 0:45:33.439
<v Speaker 1>made some bread. Everybody made some bread. What we did

0:45:33.480 --> 0:45:35.799
<v Speaker 1>with it and how we got it, and you know

0:45:35.880 --> 0:45:39.080
<v Speaker 1>what our individual deals work, that's a different question. But

0:45:39.760 --> 0:45:45.920
<v Speaker 1>everybody definitely generated now. You know, I always if I

0:45:46.000 --> 0:45:49.600
<v Speaker 1>told Cedric to send me ten bands, twenty bands like tonight,

0:45:49.680 --> 0:45:50.960
<v Speaker 1>I had that ship by Monday.

0:45:51.880 --> 0:45:55.400
<v Speaker 2>I have it by monday now. Still he just it's been.

0:45:55.600 --> 0:45:58.399
<v Speaker 2>It was different for me with Cedric Singleton, and that's

0:45:58.400 --> 0:45:59.040
<v Speaker 2>why there's no.

0:45:59.040 --> 0:46:02.120
<v Speaker 1>Record that we're saying nothing reckless about him. And I

0:46:02.160 --> 0:46:04.200
<v Speaker 1>feel like that brother didn't know what the fuck he

0:46:04.320 --> 0:46:06.600
<v Speaker 1>was doing. Me didn't know what the fuck he was doing.

0:46:06.960 --> 0:46:08.880
<v Speaker 1>I definitely know what the fuck I was doing. I

0:46:08.960 --> 0:46:11.280
<v Speaker 1>just knew I was dope. I wanted to be dope,

0:46:11.640 --> 0:46:14.120
<v Speaker 1>and I wanted to grow and get better as an MC.

0:46:14.719 --> 0:46:16.799
<v Speaker 1>But like we was winging it, and so I all

0:46:16.840 --> 0:46:19.040
<v Speaker 1>look at that brother like he was being a predatory

0:46:19.120 --> 0:46:21.399
<v Speaker 1>person on us, and shit, I look like he made

0:46:21.480 --> 0:46:24.680
<v Speaker 1>mistakes that cost him money too. He missed money as well.

0:46:25.080 --> 0:46:27.920
<v Speaker 1>But like it wants you know better now we I'm

0:46:27.920 --> 0:46:30.520
<v Speaker 1>gonna need you to do better. And some people feel

0:46:30.560 --> 0:46:32.720
<v Speaker 1>like that in Apple fast enough. But in my case,

0:46:33.320 --> 0:46:36.120
<v Speaker 1>you know, I was a juvenile and I got arrested.

0:46:36.600 --> 0:46:38.880
<v Speaker 1>Cedric came up there, told him he was my father

0:46:38.960 --> 0:46:40.839
<v Speaker 1>and visited me because he was worried they was trying

0:46:40.880 --> 0:46:41.759
<v Speaker 1>to get me the depth in it.

0:46:42.320 --> 0:46:44.040
<v Speaker 2>So this nigga's telling them he's my.

0:46:44.000 --> 0:46:46.799
<v Speaker 1>Father and was coming to see me and make sure

0:46:46.840 --> 0:46:49.000
<v Speaker 1>that my spirit is good and that I asked somebody

0:46:49.360 --> 0:46:52.200
<v Speaker 1>I wasn't getting abused. You know, he would go back.

0:46:52.440 --> 0:46:54.560
<v Speaker 1>I end up in the county jail. Cedric is there.

0:46:54.600 --> 0:46:57.200
<v Speaker 1>I go to the prison. Cedric used to come and

0:46:57.200 --> 0:46:58.920
<v Speaker 1>to visit a row play chess with me four or

0:46:59.000 --> 0:47:01.600
<v Speaker 1>five hours. At the time, I was a seventeen year

0:47:01.600 --> 0:47:04.279
<v Speaker 1>old baby. You know the amount of empathy he had.

0:47:04.400 --> 0:47:07.160
<v Speaker 1>He never let nobody during interviews. He never let nobody

0:47:07.160 --> 0:47:10.120
<v Speaker 1>play with me. He always defended what I was doing.

0:47:10.600 --> 0:47:13.040
<v Speaker 1>And so I happen to just have I happened to

0:47:13.040 --> 0:47:15.359
<v Speaker 1>love this nigga. I love it, you know what I mean?

0:47:15.400 --> 0:47:18.000
<v Speaker 1>He was, let's do That's my pops. I call him Pops.

0:47:18.000 --> 0:47:20.719
<v Speaker 1>He like my J prince and he kind of like

0:47:20.760 --> 0:47:22.600
<v Speaker 1>a J prince to Marsie. It ain't my place to

0:47:22.640 --> 0:47:26.480
<v Speaker 1>speak on Mazi's relationship with Cedric, but I'll say, MASI

0:47:26.640 --> 0:47:30.279
<v Speaker 1>has a relationship with Cedric that has prevented us from

0:47:30.280 --> 0:47:31.440
<v Speaker 1>having issues.

0:47:31.080 --> 0:47:33.000
<v Speaker 2>With each other because.

0:47:34.120 --> 0:47:37.399
<v Speaker 1>That's my pops, and that's that's somebody that that that

0:47:37.400 --> 0:47:40.480
<v Speaker 1>that that assisted Mazi with doing what he was doing too.

0:47:40.560 --> 0:47:42.759
<v Speaker 1>But it would break his heart, you know. He was

0:47:42.800 --> 0:47:44.920
<v Speaker 1>the main line like man, y'all. You know, look at

0:47:44.920 --> 0:47:47.200
<v Speaker 1>my baby boys. Man, you know the same way I'll

0:47:47.239 --> 0:47:50.080
<v Speaker 1>speak of mind. And so I just always kept it.

0:47:50.280 --> 0:47:52.719
<v Speaker 1>I just kept that relationship best doory.

0:47:52.800 --> 0:47:55.840
<v Speaker 3>It was though I had the man got to communion

0:47:55.920 --> 0:47:58.600
<v Speaker 3>say it same because I called you the other day

0:47:58.680 --> 0:48:00.759
<v Speaker 3>and I said, man, guess what, like it was some

0:48:00.880 --> 0:48:03.799
<v Speaker 3>dude Africa I'm just flipping through the thing and it's

0:48:03.880 --> 0:48:06.600
<v Speaker 3>this African channel or whatever, and I'm seeing to do

0:48:06.719 --> 0:48:08.880
<v Speaker 3>the wed here with the biggest man for the biggest

0:48:08.880 --> 0:48:11.400
<v Speaker 3>record label in Africa, Black Market Records, and I'm like

0:48:11.480 --> 0:48:13.919
<v Speaker 3>somebody gonna throw only you know, say a thing's left

0:48:14.200 --> 0:48:17.200
<v Speaker 3>and it's him over there Africa and the saying he

0:48:17.280 --> 0:48:20.279
<v Speaker 3>got cracking big international African artists.

0:48:20.320 --> 0:48:24.320
<v Speaker 2>Oh yeah, everything, he got a relationship with the president. Everything.

0:48:24.600 --> 0:48:27.080
<v Speaker 1>We could go to Africa and go to Savari and

0:48:27.239 --> 0:48:30.680
<v Speaker 1>be walking around with the lions inside of a resort.

0:48:30.800 --> 0:48:34.279
<v Speaker 2>And just be chilling. If we could get there, That's

0:48:34.320 --> 0:48:36.279
<v Speaker 2>what's gonna happen. We got. We're gonna be having a

0:48:36.320 --> 0:48:38.520
<v Speaker 2>boss player experience. That niggas.

0:48:38.600 --> 0:48:41.440
<v Speaker 1>That niggas, he the the dude over there, one of them.

0:48:41.800 --> 0:48:43.960
<v Speaker 1>He wanted the dudes over there. You tell me all

0:48:44.000 --> 0:48:46.640
<v Speaker 1>the time, man, you he sent me pictures of murals.

0:48:46.640 --> 0:48:48.360
<v Speaker 1>He like you on the wall over here, you with

0:48:48.440 --> 0:48:50.200
<v Speaker 1>that gun to your head is on the walls out

0:48:50.280 --> 0:48:51.160
<v Speaker 1>here in Africa.

0:48:51.480 --> 0:48:54.200
<v Speaker 2>It's like I walk around, it's like it's Tupac on

0:48:54.239 --> 0:48:54.640
<v Speaker 2>the wall.

0:48:55.160 --> 0:48:57.200
<v Speaker 1>And you say, you'll see Chinzick on the wall. You'll

0:48:57.200 --> 0:48:59.400
<v Speaker 1>see Snoop on the wall. He's like you on the

0:48:59.440 --> 0:49:01.840
<v Speaker 1>wall outre or that that's cycle. I take a picture

0:49:01.880 --> 0:49:03.759
<v Speaker 1>on the wall that the.

0:49:05.440 --> 0:49:08.840
<v Speaker 3>So somebody somebody at the show in Africa, senter's a

0:49:08.880 --> 0:49:11.239
<v Speaker 3>picture that but to see if I know they got

0:49:11.239 --> 0:49:16.839
<v Speaker 3>the only eight someone floating on that wall.

0:49:16.920 --> 0:49:18.120
<v Speaker 2>He wax is on the wall.

0:49:19.760 --> 0:49:25.480
<v Speaker 3>I didn't yehe man, you know what. That's dope, man,

0:49:25.600 --> 0:49:28.200
<v Speaker 3>because you know what I always tell people. You do

0:49:28.360 --> 0:49:30.200
<v Speaker 3>have the horror stories from back in the day of

0:49:30.239 --> 0:49:34.279
<v Speaker 3>people doing stuff, but a lot of stuff could be

0:49:34.280 --> 0:49:37.279
<v Speaker 3>contributed to people being young and not knowing how to

0:49:37.320 --> 0:49:40.719
<v Speaker 3>man situation. Man.

0:49:40.760 --> 0:49:42.280
<v Speaker 2>We gotta operate from empathy.

0:49:42.400 --> 0:49:45.160
<v Speaker 1>Man. I was a I was tripping and I was

0:49:45.480 --> 0:49:48.040
<v Speaker 1>I was pushing the line that was damnar I sustainable.

0:49:48.080 --> 0:49:49.960
<v Speaker 1>It was inevitable. I had to I was gonna die

0:49:50.040 --> 0:49:52.560
<v Speaker 1>or go to jail. It was inevitable. That's what that

0:49:52.600 --> 0:49:55.319
<v Speaker 1>behavior does. And that's what it was for me.

0:49:55.400 --> 0:49:56.960
<v Speaker 2>And I was not only one.

0:49:57.480 --> 0:49:59.720
<v Speaker 1>That's what the That's what Tom was in this country.

0:50:00.080 --> 0:50:01.960
<v Speaker 1>It's a lot of conditions that have been driven us

0:50:02.280 --> 0:50:05.200
<v Speaker 1>just have to survive fight and we all got.

0:50:05.360 --> 0:50:10.520
<v Speaker 4>We all felt the pressure of growing up in poverty

0:50:10.640 --> 0:50:15.799
<v Speaker 4>and low income and just trying to survive with where

0:50:16.280 --> 0:50:19.480
<v Speaker 4>we're victims of it, and that's what turned a lot

0:50:19.520 --> 0:50:24.080
<v Speaker 4>of us into them, them vicious street characters, you get me.

0:50:25.239 --> 0:50:28.480
<v Speaker 4>We was influenced by the niggas we saw hitting me.

0:50:29.080 --> 0:50:34.040
<v Speaker 4>Uh Like, you know, they had fucking the motherfuckers in

0:50:34.440 --> 0:50:38.240
<v Speaker 4>your library books and they taught you that bullshiting class

0:50:38.360 --> 0:50:42.520
<v Speaker 4>about who's your heroes, and the motherfucker and the horse

0:50:42.600 --> 0:50:46.759
<v Speaker 4>with the cowboy hat Martin had a dream, and and

0:50:47.719 --> 0:50:50.960
<v Speaker 4>fucking the lady sat in the back of the bus

0:50:51.080 --> 0:50:54.200
<v Speaker 4>refuse rows of porns and all that. They teach you

0:50:54.239 --> 0:50:58.760
<v Speaker 4>that ship. But in reality, motherfucker, it's niggas outside sheeting

0:50:58.880 --> 0:51:04.120
<v Speaker 4>every day, selling drugs and shipping nigga and I'm one up.

0:51:04.640 --> 0:51:07.600
<v Speaker 4>You feel neat, So that trying to teach a nigga

0:51:07.920 --> 0:51:12.360
<v Speaker 4>some other reality of where I'm at, nigga goes, Nigga,

0:51:12.360 --> 0:51:16.080
<v Speaker 4>Look what the funk I'm at you. You can't teach

0:51:16.160 --> 0:51:19.600
<v Speaker 4>me no other reality than what I'm seeing every day.

0:51:19.880 --> 0:51:23.640
<v Speaker 4>So a lot of us young fall mixed them to it,

0:51:23.760 --> 0:51:26.080
<v Speaker 4>and a lot of the niggas don't understand laughing for us,

0:51:26.200 --> 0:51:29.400
<v Speaker 4>was father that's sending the homes and ship, Yeah, exactly,

0:51:29.640 --> 0:51:32.080
<v Speaker 4>it's coming up, so for real.

0:51:32.480 --> 0:51:39.359
<v Speaker 3>So the garden block, the sea boof garden man, you

0:51:39.400 --> 0:51:42.120
<v Speaker 3>got yo, brother lakes, Yo, you don't have that vicious

0:51:42.520 --> 0:51:46.640
<v Speaker 3>crawls with the garden block, yo. Yo. That's presence, y'all

0:51:46.640 --> 0:51:50.240
<v Speaker 3>gotta because it's some youngsters over there getting busy carting toys.

0:51:50.440 --> 0:51:53.600
<v Speaker 2>Yes, I'm right there. He's the vicious.

0:51:55.800 --> 0:51:56.120
<v Speaker 3>Bulls.

0:51:56.200 --> 0:52:00.799
<v Speaker 4>Yes, guard a lot, garden block favorous man.

0:52:00.880 --> 0:52:02.840
<v Speaker 1>Let's say it on these names. Man, you said we

0:52:02.880 --> 0:52:05.960
<v Speaker 1>got award gip when there was yeah macintoe. Okay, So

0:52:06.080 --> 0:52:09.120
<v Speaker 1>my big hommy dolty right yere, my big hommy douty

0:52:09.239 --> 0:52:09.600
<v Speaker 1>is we.

0:52:09.760 --> 0:52:11.600
<v Speaker 2>Was one of the first ones outside.

0:52:11.920 --> 0:52:12.120
<v Speaker 4>You know.

0:52:12.160 --> 0:52:14.320
<v Speaker 2>He's from twenty nar Street. Our area.

0:52:14.760 --> 0:52:18.040
<v Speaker 1>There's a box that guard block sits in that box

0:52:18.120 --> 0:52:24.040
<v Speaker 1>is Medoview Road, Franklin Boulevard, Florin Road, the Freeport Boulevard,

0:52:24.120 --> 0:52:26.640
<v Speaker 1>and that kind of most of everything in that box

0:52:26.680 --> 0:52:29.719
<v Speaker 1>a little bit above Franklin. All of that is considered

0:52:29.719 --> 0:52:32.920
<v Speaker 1>the guards keyways and and Dominus out there. And so

0:52:34.200 --> 0:52:37.320
<v Speaker 1>our particular section we got three streets twenty nur Street,

0:52:37.360 --> 0:52:39.920
<v Speaker 1>twenty fourth Street, and twenty first three and we call

0:52:40.000 --> 0:52:44.040
<v Speaker 1>that nine one follow twenty Gang Garden Block Cribs South.

0:52:43.840 --> 0:52:47.200
<v Speaker 2>Side and now in that. Out of that, Dar Lennias

0:52:47.280 --> 0:52:49.920
<v Speaker 2>has produced uh trick.

0:52:49.719 --> 0:52:54.319
<v Speaker 1>Hit Three Brothers, then myself, the first real international individual

0:52:54.360 --> 0:52:56.560
<v Speaker 1>solo artists and the one that really brought the attention

0:52:56.640 --> 0:52:59.960
<v Speaker 1>to the set. Like Psychoacticus Brother Lynch and see will

0:53:00.160 --> 0:53:03.160
<v Speaker 1>on it. It was so early. Psychoactive was so early.

0:53:03.239 --> 0:53:06.879
<v Speaker 1>Sea Boll's name is Snowman. In the credits, he's it's

0:53:06.920 --> 0:53:09.759
<v Speaker 1>only to say Seaboll, It's say the Homie Snowman.

0:53:10.480 --> 0:53:11.160
<v Speaker 2>And so like my.

0:53:11.280 --> 0:53:13.680
<v Speaker 1>Fucking with a Psycho chorus, that sea bow on their

0:53:13.760 --> 0:53:17.320
<v Speaker 1>Sea Bow on every single bitch chorus talking in the background.

0:53:17.400 --> 0:53:20.520
<v Speaker 2>That's Buck. He was in the studio with us and Sit.

0:53:20.960 --> 0:53:23.160
<v Speaker 1>I remember that Nigga came off from wire I'm at

0:53:23.160 --> 0:53:27.640
<v Speaker 1>the Homie a Seahouse playing around on Percy's Elasi's drummer scene,

0:53:27.680 --> 0:53:30.200
<v Speaker 1>and the Nigga Bo walked through the duk Homie Ac

0:53:30.320 --> 0:53:34.000
<v Speaker 1>and Black from twenty nine Street Bo the dog openisig

0:53:34.120 --> 0:53:36.920
<v Speaker 1>got the blue Khaki sou gone with the Cortes, and

0:53:36.960 --> 0:53:39.520
<v Speaker 1>then Nigga got the Jerry Curl with the lots everywhere,

0:53:39.560 --> 0:53:43.840
<v Speaker 1>and he's just beautiful fresh out. I'm like fifteen because

0:53:43.880 --> 0:53:47.000
<v Speaker 1>it's probably like nineteen or twenty nineteen knocking on twenty

0:53:47.080 --> 0:53:49.840
<v Speaker 1>or something like that, you know, And uh, I just

0:53:49.880 --> 0:53:52.000
<v Speaker 1>remember that it was a dumb bass thing when he

0:53:52.040 --> 0:53:54.759
<v Speaker 1>came home, and so Bo was just running around and

0:53:54.840 --> 0:53:58.000
<v Speaker 1>making music. Marv Matt, She was fucking with people in

0:53:58.040 --> 0:54:01.520
<v Speaker 1>the set like that. Mike mose all of them, he

0:54:01.560 --> 0:54:04.640
<v Speaker 1>was working with them, Rick Rock, Rick Rock had a

0:54:04.640 --> 0:54:10.920
<v Speaker 1>house on twenty nine Street. Yeah, Mike Mosley is the

0:54:11.000 --> 0:54:14.279
<v Speaker 1>nigga and then almost everybody's under them. Studio Tone is

0:54:14.320 --> 0:54:17.480
<v Speaker 1>the one that was really the dude a studio. He

0:54:17.560 --> 0:54:20.280
<v Speaker 1>was doing forty too, wouldn't Yeah, we can't say everybody.

0:54:20.320 --> 0:54:22.600
<v Speaker 1>He was doing forty Ship and he was the big

0:54:22.600 --> 0:54:25.320
<v Speaker 1>hall on theos SO Studio call of forty.

0:54:25.680 --> 0:54:28.560
<v Speaker 2>It was the big house. And all the other niggas

0:54:28.600 --> 0:54:29.120
<v Speaker 2>was following.

0:54:29.200 --> 0:54:33.719
<v Speaker 1>Mike Moseley, Sam Bostick and Rick Rockers all following behind him.

0:54:34.239 --> 0:54:37.680
<v Speaker 1>Young disciples learning their way and getting that dick. But

0:54:37.760 --> 0:54:41.560
<v Speaker 1>that my phone that bounced was coming really out of

0:54:41.640 --> 0:54:44.000
<v Speaker 1>niggas getting the bar what Tall Copon did and then

0:54:44.120 --> 0:54:47.439
<v Speaker 1>Mike Moseley, Sambostik and Rick Rock finding the own way.

0:54:48.000 --> 0:54:54.560
<v Speaker 3>Legendary is production and Sam Bostonias head slips super.

0:54:54.320 --> 0:54:56.840
<v Speaker 1>That shit was coming out of Sacramento and believing everywhere

0:54:56.880 --> 0:54:59.520
<v Speaker 1>else from out the other way around. Studio Tall had

0:54:59.560 --> 0:55:01.800
<v Speaker 1>that sound coming out the bay and that's how I

0:55:01.920 --> 0:55:04.680
<v Speaker 1>was working, but it was different from what what was

0:55:04.680 --> 0:55:07.000
<v Speaker 1>coming out the other direction. And then that nigga Spice

0:55:07.120 --> 0:55:09.319
<v Speaker 1>was doing what he was doing. And then you had

0:55:09.360 --> 0:55:14.120
<v Speaker 1>that nigga Richard Reck Redgy Hitler wasn't Killer, Frank Robson,

0:55:14.200 --> 0:55:15.759
<v Speaker 1>MATC Felix, missus.

0:55:15.520 --> 0:55:18.560
<v Speaker 2>So money made money, your twenty G stats.

0:55:18.280 --> 0:55:20.960
<v Speaker 1>Moses split the c in King, Tuck war Good and

0:55:21.080 --> 0:55:23.440
<v Speaker 1>Jesus is the change of the story just told of my.

0:55:23.560 --> 0:55:26.200
<v Speaker 2>Possey balloom boom, boom boom.

0:55:26.480 --> 0:55:29.759
<v Speaker 1>That nigga has to realize this is like I wasn't

0:55:29.800 --> 0:55:31.840
<v Speaker 1>even in the studio yet I got the chance to

0:55:31.880 --> 0:55:34.399
<v Speaker 1>tell rich that. I really was happy that I could

0:55:34.440 --> 0:55:36.560
<v Speaker 1>tell him just like you was what that blue taking

0:55:36.640 --> 0:55:37.120
<v Speaker 1>into us?

0:55:37.520 --> 0:55:41.080
<v Speaker 2>Rocky Niggas Me and Cuz talk about you. I don't

0:55:41.080 --> 0:55:42.560
<v Speaker 2>know if you know, me and him be on the

0:55:42.600 --> 0:55:43.600
<v Speaker 2>foll two three.

0:55:43.440 --> 0:55:45.600
<v Speaker 4>Hours out of time that just got damn mouth was

0:55:45.680 --> 0:55:49.560
<v Speaker 4>ship this nigga.

0:55:49.600 --> 0:55:51.920
<v Speaker 1>We would be talking about you, like where did this nigga?

0:55:51.920 --> 0:55:53.920
<v Speaker 1>Where where you fit in and what you did for

0:55:53.960 --> 0:55:54.400
<v Speaker 1>the culture.

0:55:54.480 --> 0:55:58.520
<v Speaker 3>We put some ship to get putting place, yeah yeah,

0:55:59.520 --> 0:56:01.840
<v Speaker 3>run you know, putting plays together. It's very you know

0:56:01.960 --> 0:56:03.919
<v Speaker 3>very just do. All you gotta do is hit the whole.

0:56:04.760 --> 0:56:07.080
<v Speaker 3>Are just gonna be half stepping tip through into that motherfucker.

0:56:07.120 --> 0:56:08.680
<v Speaker 3>You gotta hit that motherfucker.

0:56:09.280 --> 0:56:13.080
<v Speaker 4>Shit he a motherfucker Like, what's that movie my niggas

0:56:13.080 --> 0:56:15.000
<v Speaker 4>shot a nigga when he was going through the hole

0:56:15.120 --> 0:56:16.360
<v Speaker 4>or movie?

0:56:16.560 --> 0:56:19.920
<v Speaker 2>Like everything it's gonna be an old right here.

0:56:20.080 --> 0:56:21.439
<v Speaker 4>It's a move right the way.

0:56:21.600 --> 0:56:24.040
<v Speaker 2>This is the fire, no effort for eight nigga, that's

0:56:24.120 --> 0:56:25.160
<v Speaker 2>eight eight.

0:56:26.040 --> 0:56:29.040
<v Speaker 1>Youre about open the age. Show up, eight voice, show up,

0:56:29.120 --> 0:56:31.759
<v Speaker 1>eight name, show up. It's gonna work because nigga, Come

0:56:31.800 --> 0:56:34.640
<v Speaker 1>on now, ley what everybody else is doing right now?

0:56:34.719 --> 0:56:37.840
<v Speaker 2>Niggas out there that HEAs outside like an m c A.

0:56:38.520 --> 0:56:41.600
<v Speaker 2>You are your brand. It's so powerful right now in

0:56:41.640 --> 0:56:43.080
<v Speaker 2>this area. Like that's an ease.

0:56:43.440 --> 0:56:45.200
<v Speaker 3>It's just what I'm you know what I want to

0:56:45.239 --> 0:56:48.160
<v Speaker 3>ask you, though? Man? Why is sack of malo music's

0:56:48.200 --> 0:56:48.760
<v Speaker 3>so dark?

0:56:50.239 --> 0:56:52.239
<v Speaker 1>I think I gotta I think a lot of that

0:56:52.400 --> 0:56:55.320
<v Speaker 1>was my fut when Psychoactive.

0:56:54.719 --> 0:56:56.520
<v Speaker 2>Came out and the Exorcist came out.

0:56:56.880 --> 0:57:00.000
<v Speaker 1>Then twenty four Deep happened and the season what change

0:57:00.040 --> 0:57:04.320
<v Speaker 1>season that the sickness happened, that role to success, creating limicry.

0:57:05.040 --> 0:57:07.920
<v Speaker 1>Niggas started mimicking what we was doing, and you know,

0:57:08.040 --> 0:57:10.279
<v Speaker 1>they felt like that was the laying and it and

0:57:10.480 --> 0:57:12.640
<v Speaker 1>it was dope. There was a pocket to be in.

0:57:13.320 --> 0:57:16.720
<v Speaker 1>So I came kind of unforgiven. I kind of sped

0:57:16.720 --> 0:57:19.400
<v Speaker 1>the tempo up, and I felt like Lynch all Loaded

0:57:19.880 --> 0:57:23.960
<v Speaker 1>did Lynce, Like Loaded was really Lynch doing Lynce. We

0:57:24.040 --> 0:57:26.240
<v Speaker 1>all kind of had each other. We were a malgamation

0:57:26.400 --> 0:57:29.200
<v Speaker 1>of each other. But when I did unforgiving it, I

0:57:29.240 --> 0:57:33.560
<v Speaker 1>did unforgiven. And well, let's did Loaded. That was Lynch

0:57:33.640 --> 0:57:37.240
<v Speaker 1>doing Lenz. And then Bedo BoA's enemy of a State

0:57:37.280 --> 0:57:39.479
<v Speaker 1>in it and he did that was both doing both.

0:57:39.840 --> 0:57:43.560
<v Speaker 1>So everybody had their own individual approach to the pocket.

0:57:44.040 --> 0:57:46.400
<v Speaker 2>And that's one of the things that made us dope.

0:57:46.440 --> 0:57:49.560
<v Speaker 1>And then we introduced Luney Coleon on my Exorcist album,

0:57:49.920 --> 0:57:53.720
<v Speaker 1>and then I introduced T Nutty on my Vengeance's Mind album.

0:57:54.160 --> 0:57:58.840
<v Speaker 1>I introduced Belizo in them on my Initiation in my

0:57:58.960 --> 0:58:01.720
<v Speaker 1>City of Kings probably Jack, so like I just been

0:58:02.240 --> 0:58:04.760
<v Speaker 1>you know, putting the armies and positions every chance I got,

0:58:04.840 --> 0:58:06.760
<v Speaker 1>no matter what, because I feel like that's what you're

0:58:06.800 --> 0:58:07.440
<v Speaker 1>supposed to do.

0:58:07.880 --> 0:58:10.040
<v Speaker 2>And we just dug some of.

0:58:09.960 --> 0:58:13.360
<v Speaker 3>The yeas up there, you know, before we go, I

0:58:13.400 --> 0:58:16.960
<v Speaker 3>gotta asking this man. So you come home and get

0:58:16.960 --> 0:58:20.840
<v Speaker 3>out the stuff. How do you look up with tech men? Oh?

0:58:21.040 --> 0:58:21.600
<v Speaker 2>Man?

0:58:22.280 --> 0:58:25.000
<v Speaker 1>So like, I got this really bad habit that I

0:58:25.040 --> 0:58:28.640
<v Speaker 1>probably won't be able to break. Man, it's unfortunate then,

0:58:29.120 --> 0:58:31.280
<v Speaker 1>but I like to take brother Lynch's fades.

0:58:31.800 --> 0:58:35.040
<v Speaker 2>That's my brother, you know what I mean. So somebody got.

0:58:34.840 --> 0:58:37.240
<v Speaker 1>An issue with Lynch, It's likely that I'm not gonna

0:58:37.240 --> 0:58:38.280
<v Speaker 1>be okay about that.

0:58:38.640 --> 0:58:41.200
<v Speaker 2>And so Lynch and Tech nine bompais a little bit

0:58:41.240 --> 0:58:41.880
<v Speaker 2>over something.

0:58:41.920 --> 0:58:44.320
<v Speaker 1>And there was a song that was circulating and people

0:58:44.360 --> 0:58:48.160
<v Speaker 1>who speculated was about Lynch, and uh, I felt like

0:58:48.280 --> 0:58:49.560
<v Speaker 1>Lynch and TeX's.

0:58:49.360 --> 0:58:52.160
<v Speaker 2>Business was they business? So I didn't want to get

0:58:52.200 --> 0:58:52.520
<v Speaker 2>in that.

0:58:52.960 --> 0:58:56.200
<v Speaker 1>But when the other niggas started charming in and Avid

0:58:56.240 --> 0:58:59.000
<v Speaker 1>pom Pops just sitting pissed me off. So I just

0:58:59.080 --> 0:59:01.960
<v Speaker 1>kind of just was like, like, I don't know all

0:59:01.960 --> 0:59:04.040
<v Speaker 1>these other men, I said, I felt like them too.

0:59:04.080 --> 0:59:06.240
<v Speaker 1>For work They issue out and they deserve that right,

0:59:06.280 --> 0:59:08.240
<v Speaker 1>to do that and being who.

0:59:08.120 --> 0:59:09.080
<v Speaker 2>They are to each other.

0:59:09.720 --> 0:59:11.720
<v Speaker 1>But the rest of you niggas with your pop pops,

0:59:11.760 --> 0:59:14.439
<v Speaker 1>I'm not never fucking the you niggas again. And Tech

0:59:14.600 --> 0:59:18.280
<v Speaker 1>kind of comment them in post like I much respect

0:59:18.280 --> 0:59:20.360
<v Speaker 1>for that. I'm gonna we'll see each other out there.

0:59:20.400 --> 0:59:21.120
<v Speaker 2>Man must love.

0:59:21.680 --> 0:59:25.480
<v Speaker 1>And uh So I had a little hustle going and

0:59:25.520 --> 0:59:27.760
<v Speaker 1>I was able to grab a bag for Lynch and

0:59:27.800 --> 0:59:29.280
<v Speaker 1>I was like, hes, you can go to KC.

0:59:29.480 --> 0:59:31.120
<v Speaker 2>We got this bag that got a chance to get

0:59:31.160 --> 0:59:32.120
<v Speaker 2>me a bag, and'm gonna go.

0:59:32.440 --> 0:59:34.280
<v Speaker 1>So we went out to KC to do a show

0:59:35.000 --> 0:59:39.760
<v Speaker 1>and uh, I'm at Lowe's and my fallster blown up

0:59:40.040 --> 0:59:43.600
<v Speaker 1>from ground. This crip, little crip niggas start calling cuse

0:59:43.640 --> 0:59:45.320
<v Speaker 1>blah blah blah. This nigga wanted to talk to you,

0:59:45.480 --> 0:59:48.040
<v Speaker 1>Like who you Tech, My honey, this nigga you go

0:59:48.080 --> 0:59:51.120
<v Speaker 1>into the barbecue. I was like, what barbecue? After Armies

0:59:51.200 --> 0:59:53.680
<v Speaker 1>having the barbecue? Tech Tech is us and if you coming,

0:59:53.720 --> 0:59:56.240
<v Speaker 1>because if you come, he go pull up. So I'm like,

0:59:56.640 --> 0:59:58.760
<v Speaker 1>you got you got these young niggas out here having

0:59:58.760 --> 1:00:00.440
<v Speaker 1>a barbecue, hoping that they excelling.

1:00:00.720 --> 1:00:01.800
<v Speaker 2>Tech about the show up.

1:00:02.200 --> 1:00:04.520
<v Speaker 1>But I don't know is that somewhere take what they

1:00:04.560 --> 1:00:07.360
<v Speaker 1>wanted to be, because it's some probability that like I

1:00:07.480 --> 1:00:10.840
<v Speaker 1>might show up the city, the city the Young Keyway,

1:00:10.880 --> 1:00:12.880
<v Speaker 1>Almays be pulling up if you like.

1:00:12.880 --> 1:00:14.560
<v Speaker 2>Nigga, come on, I'll be with them, you know what

1:00:14.600 --> 1:00:14.919
<v Speaker 2>I mean.

1:00:15.280 --> 1:00:17.000
<v Speaker 1>But they do it. They take me up, they don't

1:00:17.000 --> 1:00:19.720
<v Speaker 1>take me down. So you know, it'll be the young

1:00:19.800 --> 1:00:21.680
<v Speaker 1>Keyway nigga with the cars and a little bit of

1:00:21.720 --> 1:00:24.400
<v Speaker 1>money and he moving around and we doing it like this,

1:00:24.560 --> 1:00:27.160
<v Speaker 1>and he'll bring niggas up with us, you know what

1:00:27.200 --> 1:00:29.080
<v Speaker 1>I mean, instead of making me go down. But I'll

1:00:29.120 --> 1:00:31.800
<v Speaker 1>go down there to some brands, into some guts and

1:00:31.920 --> 1:00:34.040
<v Speaker 1>we'll we'll kick it for a minute and dip out.

1:00:34.080 --> 1:00:36.760
<v Speaker 1>But it's always happened in the right way, just enough

1:00:36.800 --> 1:00:39.040
<v Speaker 1>to give us salute, you know what I mean. So

1:00:39.760 --> 1:00:43.120
<v Speaker 1>me and let's go fun. Finally it bring it's the

1:00:43.120 --> 1:00:46.200
<v Speaker 1>little honey Treds. I trust Trids. That's my little brother.

1:00:46.240 --> 1:00:48.840
<v Speaker 1>I asked for what's up the Trids? Like, man, where're

1:00:48.880 --> 1:00:50.600
<v Speaker 1>you eating at? I'm like, I'll tell you I'm looking

1:00:50.600 --> 1:00:52.800
<v Speaker 1>at these places. He said, all right, I'll say I'm

1:00:52.800 --> 1:00:55.280
<v Speaker 1>gonna pick this on. Say I'll be there at fifteen minutes,

1:00:55.320 --> 1:00:57.840
<v Speaker 1>take and be there at thirty. I'm like, cool, we

1:00:57.960 --> 1:01:00.240
<v Speaker 1>go around the corner. We're doing us. We getting in

1:01:00.280 --> 1:01:02.680
<v Speaker 1>the restaurant and shut our chairs, walked through the dot

1:01:02.680 --> 1:01:04.920
<v Speaker 1>and then balling this nigga tech walk did the dog.

1:01:05.480 --> 1:01:07.919
<v Speaker 1>I face timed Lynch had let them tark briefly Lynch.

1:01:07.960 --> 1:01:09.840
<v Speaker 1>I told Lynch we was going but you know, Lynce

1:01:09.960 --> 1:01:12.280
<v Speaker 1>is gonna do it. Lynch is a Lynch is hit

1:01:12.360 --> 1:01:16.600
<v Speaker 1>his stage where if if, if there ain't a real reason,

1:01:16.800 --> 1:01:18.520
<v Speaker 1>this nigga's not going over nowhere.

1:01:21.280 --> 1:01:24.440
<v Speaker 2>I respect that, Like I'm with these babies now, I'm

1:01:24.440 --> 1:01:25.120
<v Speaker 2>a homebody.

1:01:25.240 --> 1:01:28.040
<v Speaker 1>So I understood it. I'll face tied them though. We

1:01:28.200 --> 1:01:33.640
<v Speaker 1>broke bread, great conversation, take go, dip off to the bathroom.

1:01:33.680 --> 1:01:34.240
<v Speaker 3>We all talked it.

1:01:34.280 --> 1:01:35.840
<v Speaker 1>Then they could walk back up and handed me a

1:01:35.880 --> 1:01:38.480
<v Speaker 1>phone and he was driving so goad. He was like, man,

1:01:38.520 --> 1:01:41.000
<v Speaker 1>would you put you doing Monday? I was like, cause

1:01:41.200 --> 1:01:41.960
<v Speaker 1>I was supposed to be.

1:01:41.960 --> 1:01:45.520
<v Speaker 2>On playing like Saturday or Sunday. I was like, shit,

1:01:45.640 --> 1:01:47.200
<v Speaker 2>I ain't doing nothing Monday. What's happen?

1:01:47.240 --> 1:01:49.120
<v Speaker 1>And he was like, pull up on me, man at

1:01:49.160 --> 1:01:50.720
<v Speaker 1>one o'clock, I want to have a meet with you

1:01:50.840 --> 1:01:54.040
<v Speaker 1>on Monday. I'm like, okay, cool, that's June fourteenth for

1:01:54.120 --> 1:01:57.560
<v Speaker 1>twenty twenty one. So I got all this weekend to

1:01:57.760 --> 1:02:00.520
<v Speaker 1>do whatever just is all the way hunger out with

1:02:00.600 --> 1:02:05.240
<v Speaker 1>the Chase Keyway homies, my nigga, Teate Diggs, Twelfth Street,

1:02:05.280 --> 1:02:07.680
<v Speaker 1>a few of them. We hung out, ran around the

1:02:07.760 --> 1:02:11.000
<v Speaker 1>city a little bit, uh, and then it come Monday,

1:02:11.280 --> 1:02:14.760
<v Speaker 1>like me and Tech. This Saturday, me and Tech invited

1:02:14.800 --> 1:02:16.560
<v Speaker 1>all of us to Jack Stacks, so we have a

1:02:16.680 --> 1:02:20.320
<v Speaker 1>dinner for like fifteen people. And I get this, nigga,

1:02:20.400 --> 1:02:22.920
<v Speaker 1>let's come on, nigga, and they just pull up and

1:02:23.040 --> 1:02:25.480
<v Speaker 1>they sat down and had a convo, and I was

1:02:25.560 --> 1:02:28.800
<v Speaker 1>the first convo since lanch had really left Strange music.

1:02:29.160 --> 1:02:30.760
<v Speaker 1>Where the two of them sat down and we ate

1:02:30.800 --> 1:02:34.080
<v Speaker 1>some barbecue, broke bread. Lychar Sade came. It was mom, nephew.

1:02:34.200 --> 1:02:35.000
<v Speaker 3>You know young.

1:02:36.880 --> 1:02:37.240
<v Speaker 2>Yates.

1:02:37.720 --> 1:02:40.760
<v Speaker 1>He's a savage beast, this wide eighth dollar sign and

1:02:40.840 --> 1:02:43.680
<v Speaker 1>he and Monster's only collab out. But he came out

1:02:43.960 --> 1:02:46.280
<v Speaker 1>to say he wanted to meet brother Lynchong and x Rady.

1:02:46.880 --> 1:02:48.600
<v Speaker 1>So he came, you know, and I was dope, and

1:02:48.680 --> 1:02:51.880
<v Speaker 1>we broke bread and so Tech came New Vegas, same

1:02:52.000 --> 1:02:54.080
<v Speaker 1>thing kicked it and shit, you know, I got even

1:02:54.200 --> 1:02:57.360
<v Speaker 1>plug at the Aria. It was just a dope ass weekend.

1:02:57.440 --> 1:03:00.240
<v Speaker 1>And then uh he Filely was like, man, man, I

1:03:00.280 --> 1:03:00.880
<v Speaker 1>got this song.

1:03:00.920 --> 1:03:02.640
<v Speaker 2>I want you to hear. He send me the song.

1:03:02.720 --> 1:03:04.520
<v Speaker 2>I'm like, I think the song is due. He was like,

1:03:05.560 --> 1:03:07.360
<v Speaker 2>let me hear. He said, do you let me hear

1:03:07.400 --> 1:03:07.880
<v Speaker 2>what you got?

1:03:08.560 --> 1:03:08.880
<v Speaker 4>Do you?

1:03:10.040 --> 1:03:12.680
<v Speaker 1>I was like all right, so I go in there.

1:03:12.720 --> 1:03:14.720
<v Speaker 1>I'll do my thing and turned into still right here

1:03:15.400 --> 1:03:17.080
<v Speaker 1>and he was like, yeah, we got one.

1:03:17.360 --> 1:03:20.080
<v Speaker 2>We got one. That motherfucker ran up a couple million streams.

1:03:20.680 --> 1:03:24.520
<v Speaker 1>Video did very well, and then uh Tech was like, hey, man,

1:03:24.600 --> 1:03:27.560
<v Speaker 1>my partner coming to Vegas. He's like, he got a

1:03:27.600 --> 1:03:29.480
<v Speaker 1>couple of things to do, but that nigga's there to

1:03:29.520 --> 1:03:31.440
<v Speaker 1>see you. He was like, he there to see you, bro,

1:03:32.040 --> 1:03:34.360
<v Speaker 1>He's there to see you. He said, So sit telling

1:03:34.480 --> 1:03:36.760
<v Speaker 1>what you need, telling what you what your vision is,

1:03:36.880 --> 1:03:39.280
<v Speaker 1>and then let me know. And uh, they were gonna move.

1:03:39.400 --> 1:03:40.520
<v Speaker 1>He was like, I'll need you with me.

1:03:41.240 --> 1:03:43.480
<v Speaker 2>I was like cool, and then sure enough, Traff came

1:03:43.520 --> 1:03:43.880
<v Speaker 2>to town.

1:03:43.960 --> 1:03:45.720
<v Speaker 1>He came to my office, he came to my building,

1:03:45.840 --> 1:03:48.880
<v Speaker 1>met with my business partners and uh in Las Vegas

1:03:48.960 --> 1:03:50.920
<v Speaker 1>and uh, they discussed.

1:03:50.560 --> 1:03:52.680
<v Speaker 2>Plans to sit like that and then they sent.

1:03:54.320 --> 1:03:55.200
<v Speaker 3>So it was quite bad.

1:03:56.360 --> 1:03:58.160
<v Speaker 2>I think the whole process.

1:03:57.840 --> 1:04:00.320
<v Speaker 1>Took from June to March, from June to Twe won

1:04:00.400 --> 1:04:02.880
<v Speaker 1>in March of twenty two, and then I got my

1:04:03.040 --> 1:04:05.960
<v Speaker 1>chain and got the announcement on the stage at Red Rocks,

1:04:06.040 --> 1:04:08.840
<v Speaker 1>like where Michael Jackson and the Beatles were performed for it,

1:04:09.560 --> 1:04:11.080
<v Speaker 1>you know what I mean, front.

1:04:10.840 --> 1:04:15.120
<v Speaker 2>Of ten thousand people. That's a little as we're just

1:04:15.200 --> 1:04:15.560
<v Speaker 2>doing all that.

1:04:16.160 --> 1:04:18.560
<v Speaker 3>Them dudes probably got the most impressive set up there.

1:04:18.560 --> 1:04:19.840
<v Speaker 3>Have you ever seen Strange Landing?

1:04:21.160 --> 1:04:23.800
<v Speaker 2>Actually, Chris, I'm gonna need to do We're gonna have

1:04:23.840 --> 1:04:24.360
<v Speaker 2>to prerect that.

1:04:24.600 --> 1:04:25.640
<v Speaker 3>You gotta go out there and see this.

1:04:26.120 --> 1:04:27.200
<v Speaker 2>I toured Strange.

1:04:27.840 --> 1:04:31.840
<v Speaker 1>I toured the Strange Universe, and we spent four hours

1:04:33.160 --> 1:04:37.120
<v Speaker 1>accessing each level of what is essentially like a college

1:04:37.200 --> 1:04:41.400
<v Speaker 1>campus dedicated to crew music, creation, to contract careers.

1:04:41.080 --> 1:04:42.840
<v Speaker 2>And not even you know what I mean.

1:04:43.040 --> 1:04:46.040
<v Speaker 1>It's it's at four hours and we still didn't see

1:04:46.040 --> 1:04:51.320
<v Speaker 1>it all. But it's a car wise. We got our

1:04:51.520 --> 1:04:56.280
<v Speaker 1>car Wise, and then there's Strange Music, which is our headquarters,

1:04:56.320 --> 1:04:59.360
<v Speaker 1>and then you got Strange land We just creative department.

1:04:59.760 --> 1:05:01.680
<v Speaker 1>Did you he got a Strange world, which is where

1:05:01.720 --> 1:05:05.040
<v Speaker 1>the merchants made. And he got Strange Works, which is

1:05:05.120 --> 1:05:09.400
<v Speaker 1>a construction company really, and then you have Strange Box,

1:05:09.560 --> 1:05:12.160
<v Speaker 1>which is like a toy box, and that's where all

1:05:12.200 --> 1:05:12.880
<v Speaker 1>the cars are.

1:05:13.560 --> 1:05:17.000
<v Speaker 2>And if you do it's just a beautiful situation.

1:05:17.720 --> 1:05:20.400
<v Speaker 3>Here's some crazy shit, man, Tech. You know what's funny.

1:05:21.440 --> 1:05:24.320
<v Speaker 3>As I made Chick Willing's uh my boy Marrow, he

1:05:24.400 --> 1:05:28.360
<v Speaker 3>used to work West Records Techlets signed the question and

1:05:28.480 --> 1:05:31.120
<v Speaker 3>Huan Creek was with him, and that's when I first

1:05:31.200 --> 1:05:33.960
<v Speaker 3>heard cycle of Big Soli King. And my boy Mark

1:05:34.000 --> 1:05:36.040
<v Speaker 3>sat at my homeboy Marrio and he was doing some

1:05:36.160 --> 1:05:38.640
<v Speaker 3>work for West, and he kept telling me, Man, because

1:05:38.680 --> 1:05:40.840
<v Speaker 3>you know, I'm ridgingly from the Midwest. He's a teller.

1:05:40.920 --> 1:05:41.080
<v Speaker 4>Man.

1:05:41.280 --> 1:05:43.280
<v Speaker 3>It's a dude from Kansas City. He used to all

1:05:43.360 --> 1:05:45.560
<v Speaker 3>this to ch was Cleveland of Kansas City. And I

1:05:45.920 --> 1:05:49.240
<v Speaker 3>be like, man, Kansas City is Kansas City. Cleveland Cleveland

1:05:49.600 --> 1:05:52.320
<v Speaker 3>leaned on on each other's face like that. But he'll

1:05:52.400 --> 1:05:54.320
<v Speaker 3>let me hear the cycles big Saw. And I was like,

1:05:54.480 --> 1:05:56.880
<v Speaker 3>this dude Lean he is ill man craddy as he

1:05:56.920 --> 1:05:59.919
<v Speaker 3>got flowed right. So he took me to a show.

1:06:00.200 --> 1:06:03.440
<v Speaker 3>When Tech first started a strain and this sow shit grow.

1:06:05.080 --> 1:06:07.400
<v Speaker 3>It was about maybe they had to short the House

1:06:07.440 --> 1:06:09.960
<v Speaker 3>of Blues and was making seventy people there. This is

1:06:10.160 --> 1:06:13.000
<v Speaker 3>like at the beginning. Scared me and the snun Brimer

1:06:13.120 --> 1:06:15.000
<v Speaker 3>was there, and it's like the beginning. But when I

1:06:15.120 --> 1:06:18.160
<v Speaker 3>tell you niggas, they rocked all seventy of them motherfuckers,

1:06:18.720 --> 1:06:21.240
<v Speaker 3>like seventy people in that motherfucker all the things. I

1:06:21.400 --> 1:06:23.400
<v Speaker 3>was like, this dude got something.

1:06:24.040 --> 1:06:25.120
<v Speaker 2>Tell it was the beginning of it.

1:06:26.040 --> 1:06:28.320
<v Speaker 3>And he did the same servant. Next year he came

1:06:28.440 --> 1:06:30.520
<v Speaker 3>out losing. I would go to every show they would

1:06:30.560 --> 1:06:32.400
<v Speaker 3>let me and I kick it with him, Chris calif

1:06:32.480 --> 1:06:35.080
<v Speaker 3>and all of them. It was bigger. It was a

1:06:35.160 --> 1:06:38.240
<v Speaker 3>lot bigger. I was loss full. Next time he came,

1:06:38.840 --> 1:06:40.600
<v Speaker 3>it was too big for the House Blues. He had

1:06:40.600 --> 1:06:43.320
<v Speaker 3>to have the Key Club and this nigga had trial.

1:06:43.440 --> 1:06:45.680
<v Speaker 3>Like when the Key Club hauled like three four thousand

1:06:45.720 --> 1:06:48.200
<v Speaker 3>people up in that motherfucker, it's wall of the wall,

1:06:48.960 --> 1:06:51.800
<v Speaker 3>and I'm like, this nigga really did And I saw

1:06:51.880 --> 1:06:53.360
<v Speaker 3>them gold be in them vans.

1:06:54.760 --> 1:06:58.919
<v Speaker 2>Does that Yeah, Yeah, that nigga still does that. Yeah,

1:06:58.960 --> 1:07:01.760
<v Speaker 2>it's dot to see it. I love man. You know,

1:07:01.880 --> 1:07:03.920
<v Speaker 2>one of the me and Krooker had this conversation. He

1:07:04.080 --> 1:07:06.200
<v Speaker 2>was like, I love to see a black man, a

1:07:06.320 --> 1:07:07.240
<v Speaker 2>black man landing.

1:07:07.760 --> 1:07:07.920
<v Speaker 4>You know.

1:07:09.080 --> 1:07:11.160
<v Speaker 2>It was just the racial was a motherfuckers in tech

1:07:11.280 --> 1:07:12.200
<v Speaker 2>do it like?

1:07:12.360 --> 1:07:15.440
<v Speaker 1>Man, I think it's the toughest fuck that and that

1:07:15.600 --> 1:07:18.800
<v Speaker 1>it was him, you know, And Travis is asad traved

1:07:18.800 --> 1:07:19.560
<v Speaker 1>Off fucking around.

1:07:19.720 --> 1:07:21.960
<v Speaker 2>Travis is one of the smartest motherfuckers.

1:07:23.160 --> 1:07:25.120
<v Speaker 3>And it was hard too because I tell you, I

1:07:25.200 --> 1:07:28.760
<v Speaker 3>knew about tech situation when take got off a strange

1:07:30.480 --> 1:07:33.120
<v Speaker 3>he had a thing with you, not with the homely

1:07:33.200 --> 1:07:35.920
<v Speaker 3>sway in tech, that something going on with them. So

1:07:36.040 --> 1:07:37.760
<v Speaker 3>it was a lot of little stuff that he had

1:07:37.800 --> 1:07:40.200
<v Speaker 3>to go clear up. West was still talking about They

1:07:40.280 --> 1:07:42.480
<v Speaker 3>was all with some money before they typically ain't released

1:07:42.520 --> 1:07:45.960
<v Speaker 3>them yet. So Trav when they cleared all this stuff

1:07:46.000 --> 1:07:49.920
<v Speaker 3>and I saw the play that they ring and trash,

1:07:49.960 --> 1:07:52.000
<v Speaker 3>you could tell he was committed because he kept white

1:07:52.040 --> 1:07:56.160
<v Speaker 3>fucking already in and I saw but you saw a

1:07:56.240 --> 1:07:59.280
<v Speaker 3>bubble though, man, and this suppressive ship out for ever

1:07:59.320 --> 1:07:59.960
<v Speaker 3>seeing in my life.

1:08:00.480 --> 1:08:00.920
<v Speaker 2>That's up.

1:08:01.560 --> 1:08:03.880
<v Speaker 1>Yeah, I could tell you that the energy is beautiful,

1:08:03.920 --> 1:08:07.920
<v Speaker 1>and uh, I think it's accurate in terms of it being.

1:08:07.800 --> 1:08:09.560
<v Speaker 2>In some of the most impressive shit of myth.

1:08:09.720 --> 1:08:13.520
<v Speaker 1>As somebody who has unfettered access to every level of it,

1:08:13.960 --> 1:08:15.640
<v Speaker 1>I can tell you for sure that it is real.

1:08:16.800 --> 1:08:20.760
<v Speaker 2>It's the capabilities of that machine. It's nice. It's like

1:08:20.880 --> 1:08:21.719
<v Speaker 2>being a quarterback.

1:08:21.800 --> 1:08:24.040
<v Speaker 1>It's like being a player getting drafted to a team

1:08:24.560 --> 1:08:28.000
<v Speaker 1>that's already ready to go, and you're like, oh, I can't.

1:08:28.000 --> 1:08:29.479
<v Speaker 3>Any merchant step over there?

1:08:29.920 --> 1:08:32.160
<v Speaker 2>Yeah, my march there.

1:08:32.600 --> 1:08:34.360
<v Speaker 3>He's just amazing you being able to walk up to

1:08:34.439 --> 1:08:37.080
<v Speaker 3>your label and going to this building and they're doing

1:08:37.160 --> 1:08:38.840
<v Speaker 3>all the ship that you got up in your a

1:08:39.080 --> 1:08:39.920
<v Speaker 3>and they just doing it.

1:08:40.479 --> 1:08:42.320
<v Speaker 2>And then you go over there and you.

1:08:42.400 --> 1:08:44.320
<v Speaker 3>See a whole bunch of fings with your wrap on

1:08:44.400 --> 1:08:46.360
<v Speaker 3>it that you're about to go on tour, and you

1:08:46.439 --> 1:08:51.280
<v Speaker 3>go bet hit fifty cities and Mike as ring. Nah,

1:08:51.360 --> 1:08:54.000
<v Speaker 3>It's it's just super crack dog. And I ain't even

1:08:54.040 --> 1:08:54.639
<v Speaker 3>see nothing.

1:08:54.640 --> 1:08:59.080
<v Speaker 1>Like it an entire street. There's just strange logos as

1:08:59.080 --> 1:09:01.840
<v Speaker 1>you drive down. Now, Mom, funny Victoria.

1:09:02.400 --> 1:09:02.800
<v Speaker 2>It's just.

1:09:05.360 --> 1:09:08.120
<v Speaker 3>I'll bet you that tripped you out first, specially.

1:09:09.160 --> 1:09:10.120
<v Speaker 2>When I first saw it.

1:09:12.240 --> 1:09:14.679
<v Speaker 1>Yeah, I thought they tripped me out in a positive way,

1:09:14.800 --> 1:09:16.800
<v Speaker 1>like a kid in the candy store target shit, Like

1:09:16.880 --> 1:09:21.320
<v Speaker 1>I don't know what to do, you know what I mean, Like, yeah, yeah,

1:09:21.400 --> 1:09:24.040
<v Speaker 1>I know what to do with this. And Check told

1:09:24.120 --> 1:09:26.360
<v Speaker 1>me he was like, maigg anything you can imagine child

1:09:26.479 --> 1:09:29.439
<v Speaker 1>Challenge and Challenge team and see, I'll bet you that.

1:09:29.680 --> 1:09:31.519
<v Speaker 2>He watched and I got it was.

1:09:31.800 --> 1:09:34.439
<v Speaker 3>Budget too, ma'am. You ain't got no exac with the video.

1:09:36.080 --> 1:09:38.799
<v Speaker 3>Your videos are like they like, all of them are doing.

1:09:38.680 --> 1:09:41.559
<v Speaker 1>So the video department, don't fuck around about me, man,

1:09:41.800 --> 1:09:45.559
<v Speaker 1>that's the creative department. Strange Land itself is a dope

1:09:45.600 --> 1:09:47.920
<v Speaker 1>place and it's some dope assed dudes in there, and

1:09:48.000 --> 1:09:49.160
<v Speaker 1>they been really good to me.

1:09:49.280 --> 1:09:49.439
<v Speaker 2>Man.

1:09:49.600 --> 1:09:53.040
<v Speaker 1>I got great relationships with the people that are responsible

1:09:53.120 --> 1:09:54.519
<v Speaker 1>for doing the creative work.

1:09:54.880 --> 1:09:59.880
<v Speaker 2>Those are my best relationships. And Stace, you know, the videographer.

1:10:00.120 --> 1:10:00.920
<v Speaker 2>It was my people.

1:10:01.000 --> 1:10:03.200
<v Speaker 3>I've been trying to go on there with Trav Man

1:10:03.360 --> 1:10:04.240
<v Speaker 3>for a long time.

1:10:04.880 --> 1:10:07.680
<v Speaker 1>He's a very really well I used to think I

1:10:07.840 --> 1:10:11.280
<v Speaker 1>was busy. I really believed it, and then I met

1:10:11.320 --> 1:10:15.080
<v Speaker 1>these niggas. I spent like during super Bowl week, which

1:10:15.160 --> 1:10:18.439
<v Speaker 1>is probably a hyper version of it, exaggerated version of it,

1:10:18.560 --> 1:10:22.400
<v Speaker 1>but I spent super Bowl two weeks I think, and

1:10:22.560 --> 1:10:25.479
<v Speaker 1>leading up to the super Bowl with them and that was.

1:10:25.800 --> 1:10:28.880
<v Speaker 1>That was the most exhausting shit ever. Them niggas move,

1:10:29.360 --> 1:10:33.680
<v Speaker 1>them niggas move, also militaristic.

1:10:33.640 --> 1:10:37.000
<v Speaker 2>Bam bam bam bam bam band bam bam. Farms is gain.

1:10:38.479 --> 1:10:42.400
<v Speaker 1>Executive over here in and break the camera guy, and

1:10:42.520 --> 1:10:44.439
<v Speaker 1>we moved and made all that shit happen.

1:10:44.840 --> 1:10:46.680
<v Speaker 2>I remember I sat on the couch and was like,

1:10:46.840 --> 1:10:48.800
<v Speaker 2>damn and I was just like, man, let me just

1:10:48.920 --> 1:10:52.200
<v Speaker 2>chill four a minute. I fall asleep. When I walk

1:10:52.280 --> 1:10:54.240
<v Speaker 2>up this nigga tech is gone from the suite.

1:10:54.880 --> 1:10:57.760
<v Speaker 1>He don't win it did the show with twenty one

1:10:57.840 --> 1:10:59.560
<v Speaker 1>Savage and all of them all this shit, and is

1:10:59.600 --> 1:11:01.160
<v Speaker 1>walking in the room and he was.

1:11:01.200 --> 1:11:03.720
<v Speaker 2>Like, man, I could don't kill me as I just

1:11:03.760 --> 1:11:04.720
<v Speaker 2>couldn't wake you up.

1:11:05.320 --> 1:11:08.479
<v Speaker 1>And I realized, like sitting down and going to sleep

1:11:09.320 --> 1:11:12.760
<v Speaker 1>that fast, I missed all this. I missed all that shit,

1:11:12.840 --> 1:11:15.120
<v Speaker 1>and that's what I was there for. So the lesson

1:11:15.160 --> 1:11:18.760
<v Speaker 1>I learned is ain't no sleeping when when when we

1:11:18.920 --> 1:11:21.519
<v Speaker 1>wake up in the morning, you get yourself ready and

1:11:21.640 --> 1:11:25.000
<v Speaker 1>it's fine to whatever tarn Travis said to be downstairs.

1:11:25.080 --> 1:11:27.000
<v Speaker 2>We was downstairs and we moved.

1:11:27.520 --> 1:11:30.400
<v Speaker 1>And then when when that night is done, you gotta

1:11:30.600 --> 1:11:32.759
<v Speaker 1>wash your face, brush your teeth, and go to sleep.

1:11:33.840 --> 1:11:35.360
<v Speaker 1>You gotta and then get up in the morning. If

1:11:35.400 --> 1:11:37.120
<v Speaker 1>there ain't no plan on your phone, tell me to

1:11:37.280 --> 1:11:39.759
<v Speaker 1>catch up on my social nitty them two three hours,

1:11:39.800 --> 1:11:42.679
<v Speaker 1>you weren't to sleep. Now we up again in the morning.

1:11:42.760 --> 1:11:44.599
<v Speaker 1>You do it again the next day. You six hours,

1:11:44.640 --> 1:11:46.719
<v Speaker 1>You got a six and a half hours sleep deficit,

1:11:47.360 --> 1:11:49.960
<v Speaker 1>pass out for forty five minutes, and you just missed

1:11:50.360 --> 1:11:52.400
<v Speaker 1>a great majority of the things we're here to do,

1:11:53.320 --> 1:11:55.000
<v Speaker 1>you know what I mean. So I learned, like I

1:11:55.080 --> 1:11:58.040
<v Speaker 1>gotta stay with them, run the plays the coach called

1:11:58.080 --> 1:12:00.320
<v Speaker 1>and win the pro If they went to sleep, you

1:12:00.400 --> 1:12:03.760
<v Speaker 1>go to sleep. If they ain't sleep, you ain't. And

1:12:03.880 --> 1:12:06.599
<v Speaker 1>it taught me what busy was and what busy wasn't

1:12:06.640 --> 1:12:10.200
<v Speaker 1>too me. Nigga's busy, they based. They still managed to

1:12:10.280 --> 1:12:13.160
<v Speaker 1>come through like everything that I've ever beat it, both

1:12:13.200 --> 1:12:13.880
<v Speaker 1>of them come through.

1:12:13.960 --> 1:12:16.760
<v Speaker 2>If I call it, I can't talk right now. And

1:12:17.120 --> 1:12:19.320
<v Speaker 2>as for the father, tell me they can't talk. If

1:12:19.360 --> 1:12:21.280
<v Speaker 2>I say I need something done for them, they get

1:12:21.320 --> 1:12:22.439
<v Speaker 2>it done like that.

1:12:23.160 --> 1:12:25.479
<v Speaker 3>And is this s sicking? The third album over?

1:12:26.200 --> 1:12:28.280
<v Speaker 1>This is my second album, But it don't really matter

1:12:28.320 --> 1:12:30.280
<v Speaker 1>because I'm gonna do I'm gonna do all kind of

1:12:30.320 --> 1:12:30.960
<v Speaker 1>shit over there.

1:12:31.160 --> 1:12:34.840
<v Speaker 2>It don't matter the fifty fifth album, whatever it is.

1:12:34.960 --> 1:12:36.719
<v Speaker 2>It's out like we pushing.

1:12:36.960 --> 1:12:38.360
<v Speaker 4>Well, you gotta keep push and ship.

1:12:38.439 --> 1:12:41.160
<v Speaker 3>That's so that's hard. Opefully I know you in time

1:12:41.240 --> 1:12:42.479
<v Speaker 3>then you would get a lot of people.

1:12:42.560 --> 1:12:42.720
<v Speaker 4>Man.

1:12:43.120 --> 1:12:45.479
<v Speaker 3>Hopefully gave you a different experience. Man.

1:12:45.880 --> 1:12:48.760
<v Speaker 1>Oh I anticipated that was on the way here. I

1:12:48.920 --> 1:12:51.080
<v Speaker 1>was like this, some of this other ship has worked.

1:12:51.080 --> 1:12:53.680
<v Speaker 1>It's about to be chilling with our folks. It's a

1:12:53.760 --> 1:12:56.320
<v Speaker 1>different the sad thing with Big Court. You know, gon

1:12:56.439 --> 1:12:59.040
<v Speaker 1>show you I'm Big Court man. This is my god

1:12:59.160 --> 1:13:02.519
<v Speaker 1>right there? What man sucking. I ain't gonnaell them. I

1:13:02.520 --> 1:13:04.679
<v Speaker 1>ain't gonna be talking about them players at the work

1:13:05.000 --> 1:13:08.439
<v Speaker 1>because out there, you know they'd be here less.

1:13:08.680 --> 1:13:09.519
<v Speaker 4>We're about to do this.

1:13:09.600 --> 1:13:10.559
<v Speaker 3>They're taking me a little hater.

1:13:11.120 --> 1:13:16.680
<v Speaker 2>They're made, Yeah they do.

1:13:17.600 --> 1:13:20.360
<v Speaker 1>They got there, so they doing. They just saw the

1:13:20.439 --> 1:13:24.040
<v Speaker 1>nigga Steels say throw your worlder's play. Niggas will run

1:13:24.080 --> 1:13:25.960
<v Speaker 1>your play. Have that idea like them?

1:13:26.040 --> 1:13:29.320
<v Speaker 2>All right, Gate is a real thig like Spiker.

1:13:29.000 --> 1:13:34.439
<v Speaker 3>Yeah, spiky like a motherfucker. So and make sure I

1:13:34.520 --> 1:13:39.880
<v Speaker 3>got this right man. All this twenty third, twenty twenty four.

1:13:40.200 --> 1:13:47.160
<v Speaker 1>Yes, you'll do the drum roll man, Yeah, here it comes, attendant,

1:13:47.240 --> 1:13:52.200
<v Speaker 1>Heaven will be dropping uh off twenty fourth Street. Actually

1:13:52.320 --> 1:13:55.240
<v Speaker 1>the twenty fourth letter alphabet I did twenty four years

1:13:55.280 --> 1:13:57.800
<v Speaker 1>before I knew I was coming on, and they're coming

1:13:57.840 --> 1:14:03.200
<v Speaker 1>on two years later. Uh, twenty four hundred is midnight

1:14:03.320 --> 1:14:07.040
<v Speaker 1>in military time. I got twenty four songs on the album,

1:14:07.720 --> 1:14:10.080
<v Speaker 1>and that's kind of what I'm all were pushing that.

1:14:10.200 --> 1:14:12.400
<v Speaker 1>And the Sin in Heaven is about all of the

1:14:12.520 --> 1:14:15.559
<v Speaker 1>different stages than the stakes eerrors that I've made since

1:14:15.600 --> 1:14:18.720
<v Speaker 1>I came along, the right decisions and how it worked out.

1:14:18.800 --> 1:14:20.760
<v Speaker 1>This is the story in my Sin in Heaven, from

1:14:20.840 --> 1:14:24.280
<v Speaker 1>top to bottom, and it's it I feel like in

1:14:25.720 --> 1:14:28.879
<v Speaker 1>the legacy of West Coast hip hop lyrical longs.

1:14:28.920 --> 1:14:32.320
<v Speaker 2>It fits, it fits, it belongs there. It's a slapper

1:14:32.439 --> 1:14:32.760
<v Speaker 2>for us.

1:14:32.880 --> 1:14:33.040
<v Speaker 3>Man.

1:14:33.120 --> 1:14:33.639
<v Speaker 2>I'm proud.

1:14:34.120 --> 1:14:36.720
<v Speaker 1>I hope I do you justice or I hope you

1:14:36.800 --> 1:14:39.160
<v Speaker 1>gonna hear it well, I ain't get it long and

1:14:39.320 --> 1:14:42.400
<v Speaker 1>make your feel like a yeah, it's good, it's good.

1:14:42.920 --> 1:14:46.640
<v Speaker 2>It's good. I did that, man.

1:14:46.680 --> 1:14:47.880
<v Speaker 3>I can't wait the bank man.

1:14:48.240 --> 1:14:49.360
<v Speaker 2>Yeah, it slap man.

1:14:49.439 --> 1:14:51.800
<v Speaker 1>I'm happy, you know, coming off all this shit that

1:14:51.880 --> 1:14:55.519
<v Speaker 1>I did with Tech, the Joiner Lucas Conway thing for

1:14:55.680 --> 1:14:58.240
<v Speaker 1>rock Cham to post my shit, you know what I mean,

1:14:59.080 --> 1:15:01.400
<v Speaker 1>for our conversation faces with corrupt.

1:15:01.479 --> 1:15:04.719
<v Speaker 2>My niggas ce mob Like. It's just it's a dope

1:15:04.800 --> 1:15:09.000
<v Speaker 2>thing to be able there, to stand up to that level.

1:15:09.120 --> 1:15:11.760
<v Speaker 2>What's required for you to be that double especially now

1:15:11.880 --> 1:15:14.320
<v Speaker 2>everybody ain't still dope. Don't you know if you went

1:15:14.479 --> 1:15:17.360
<v Speaker 2>crazy when you came in on Mass City, don't you

1:15:17.520 --> 1:15:20.080
<v Speaker 2>know what that did to us? You know what I mean?

1:15:20.280 --> 1:15:21.559
<v Speaker 2>You and you don't get to jail.

1:15:22.040 --> 1:15:22.479
<v Speaker 3>You know that.

1:15:25.320 --> 1:15:28.840
<v Speaker 4>Come when that came over. Keep some of that authenticity, man,

1:15:28.960 --> 1:15:29.320
<v Speaker 4>that's all.

1:15:29.840 --> 1:15:30.880
<v Speaker 2>That's the way to do.

1:15:31.280 --> 1:15:33.120
<v Speaker 1>That's how I want people to feel when they able

1:15:33.120 --> 1:15:35.160
<v Speaker 1>to hear this album the way I felt i heard

1:15:35.160 --> 1:15:36.599
<v Speaker 1>it pop up on Mass City.

1:15:37.000 --> 1:15:38.679
<v Speaker 2>I need them to feel it. It's really good.

1:15:38.800 --> 1:15:41.240
<v Speaker 3>I'm proud of it, you know, because you've been probing

1:15:41.320 --> 1:15:44.120
<v Speaker 3>some question ship man man, you just you know what

1:15:44.439 --> 1:15:46.639
<v Speaker 3>you gotta, but you be some shit for rock Him.

1:15:47.320 --> 1:15:50.120
<v Speaker 1>Yeah, man, out there they are yeah rock Him and

1:15:50.200 --> 1:15:53.360
<v Speaker 1>Method Man, and uh you know it's rock Him and

1:15:53.400 --> 1:15:53.920
<v Speaker 1>Method Man.

1:15:54.439 --> 1:15:58.040
<v Speaker 3>I was like, oh no, no, that's Roman. You want it?

1:15:58.120 --> 1:15:59.599
<v Speaker 3>What real rep? Yeah?

1:15:59.640 --> 1:16:02.200
<v Speaker 1>I would I think I'm like I'm on behalf of

1:16:02.240 --> 1:16:05.080
<v Speaker 1>the West Coast. I gotta so every line. I always

1:16:05.240 --> 1:16:09.679
<v Speaker 1>no lines. First round overall draft pick I was chosen

1:16:09.800 --> 1:16:13.040
<v Speaker 1>a roll with a circle of ominous man call us

1:16:13.080 --> 1:16:16.720
<v Speaker 1>the Old Men, Ozy Osbourne, Bien Heads All Bats, his

1:16:16.840 --> 1:16:19.599
<v Speaker 1>black magic Killer Cipher on a Saturday call.

1:16:19.520 --> 1:16:23.840
<v Speaker 2>Out a black Sabbath. What you know what I mean? Like,

1:16:23.920 --> 1:16:26.479
<v Speaker 2>I been garn shit the fuck up? I really been born.

1:16:26.520 --> 1:16:29.080
<v Speaker 1>Sit up, I've been doing shit. Kids with good respect

1:16:29.160 --> 1:16:31.200
<v Speaker 1>nigga and then gotta respect. I want you all to

1:16:31.280 --> 1:16:33.600
<v Speaker 1>respect it. I want the game to respect it, and

1:16:33.680 --> 1:16:36.679
<v Speaker 1>I want my motherfucking spot right. We're all the loll

1:16:37.280 --> 1:16:39.000
<v Speaker 1>you know what I mean? In w A here we

1:16:39.120 --> 1:16:42.880
<v Speaker 1>tell bow blah blah blah, just most Nigga, ice cube

1:16:43.960 --> 1:16:45.479
<v Speaker 1>X rated Nigga, then deep.

1:16:45.439 --> 1:16:48.960
<v Speaker 3>For brother Lynch. Nigga said to come up and support this.

1:16:49.800 --> 1:16:52.120
<v Speaker 2>Yeah, we're gonna do it. I've been hostile with my nose.

1:16:52.520 --> 1:16:55.920
<v Speaker 1>Travis o'gwnn is the Bill Belichick at this Independence ship.

1:16:56.280 --> 1:16:59.040
<v Speaker 1>He's the He's the he's the reigning coach of the Year,

1:16:59.160 --> 1:17:02.320
<v Speaker 1>several champions trophies, all of that type of shit and

1:17:02.760 --> 1:17:03.280
<v Speaker 1>techts hit.

1:17:03.360 --> 1:17:05.240
<v Speaker 2>Tom Brady and so I'm listening.

1:17:05.479 --> 1:17:09.320
<v Speaker 1>I'm getting the machine that has produced successful championships, and

1:17:09.439 --> 1:17:11.720
<v Speaker 1>to me, I want to run the place that they

1:17:11.800 --> 1:17:13.519
<v Speaker 1>think are the best plays. I don't got time to

1:17:13.560 --> 1:17:16.200
<v Speaker 1>make little homy mistakes. I't got time to do little

1:17:16.240 --> 1:17:19.120
<v Speaker 1>homye shit. So my note game is strong.

1:17:20.080 --> 1:17:22.799
<v Speaker 2>I'm Matrix Neo with the nose Nigga.

1:17:23.240 --> 1:17:25.280
<v Speaker 1>My nose is savage. So as a result of my

1:17:25.400 --> 1:17:27.840
<v Speaker 1>nose being savage, they got to pay me very well

1:17:27.920 --> 1:17:30.640
<v Speaker 1>for my yests. If I'm leaving my babies at home,

1:17:30.760 --> 1:17:32.680
<v Speaker 1>I want to be compensated like I belong in the

1:17:32.760 --> 1:17:35.320
<v Speaker 1>era i'll belong. I want to perform in the area

1:17:35.439 --> 1:17:37.760
<v Speaker 1>that is deserving the one of us. And I'm gonna

1:17:37.760 --> 1:17:39.280
<v Speaker 1>say no, I don't give a fuck. If I don't

1:17:39.360 --> 1:17:41.200
<v Speaker 1>like your venue, it's out. If I like the bag,

1:17:41.360 --> 1:17:43.040
<v Speaker 1>it's out. If I don't like the beat, it's out

1:17:43.439 --> 1:17:45.800
<v Speaker 1>because I don't got time. I don't have time to

1:17:45.880 --> 1:17:49.000
<v Speaker 1>do it the other way. And it's disrespectful to Iraq Kim,

1:17:49.400 --> 1:17:53.160
<v Speaker 1>it's disrespectful to Tech and Travis. It's disrespectful to Joiner,

1:17:53.240 --> 1:17:55.759
<v Speaker 1>Lucas and Conway to be associated with this energy.

1:17:56.320 --> 1:17:58.360
<v Speaker 2>And then I go do some little Nigga City, Like

1:17:58.439 --> 1:17:59.240
<v Speaker 2>what you up here for?

1:17:59.439 --> 1:18:02.400
<v Speaker 1>There? You can't confuse them. I'm like, we don't Mount

1:18:02.439 --> 1:18:05.840
<v Speaker 1>Olympus they talk about they rush Moores. We don't Mount

1:18:05.880 --> 1:18:08.560
<v Speaker 1>o Leptos. And you can you can go off that

1:18:08.760 --> 1:18:10.320
<v Speaker 1>thing and come back up and.

1:18:10.360 --> 1:18:12.800
<v Speaker 2>It start getting confusing. Do you ball up here? Or

1:18:12.840 --> 1:18:13.639
<v Speaker 2>are you down there?

1:18:14.120 --> 1:18:16.400
<v Speaker 1>And I all want to walk down Mount Olympus knowing

1:18:17.000 --> 1:18:19.080
<v Speaker 1>I want to hang out up there and my throw

1:18:19.160 --> 1:18:20.120
<v Speaker 1>lightning boats.

1:18:19.880 --> 1:18:24.080
<v Speaker 2>At Motherfucker's Nigga seven and just stay up there. So

1:18:24.200 --> 1:18:24.880
<v Speaker 2>that's what I'm doing.

1:18:25.439 --> 1:18:28.559
<v Speaker 1>Lets its Rock Kim's up there, the as up there,

1:18:28.560 --> 1:18:29.760
<v Speaker 1>It's Doctor Dre's up there.

1:18:29.840 --> 1:18:31.519
<v Speaker 2>I like Mount Olympus, you.

1:18:31.560 --> 1:18:31.960
<v Speaker 4>Know what I mean.

1:18:32.240 --> 1:18:34.240
<v Speaker 3>That's real ship. So we try to get fit with you.

1:18:34.880 --> 1:18:36.880
<v Speaker 3>Come on, got some ship, Mayle. But you know what,

1:18:37.160 --> 1:18:39.360
<v Speaker 3>we appreciate you coming to sit down with this dull

1:18:39.680 --> 1:18:42.240
<v Speaker 3>and date.

1:18:43.439 --> 1:18:44.439
<v Speaker 2>It's an honor, man.

1:18:45.280 --> 1:18:48.200
<v Speaker 1>I love y'all niggas man, which I love our conversations.

1:18:48.280 --> 1:18:51.320
<v Speaker 1>I love your contribution to the culture. It matters to

1:18:51.439 --> 1:18:54.639
<v Speaker 1>me'll really, my internal Ippop Chad is a very happy

1:18:54.720 --> 1:18:55.360
<v Speaker 1>guy right now.

1:18:55.479 --> 1:18:59.160
<v Speaker 2>The blue Tape, Nigga, was you active? Was you outside

1:18:59.240 --> 1:19:00.000
<v Speaker 2>with the blue tape.

1:19:00.120 --> 1:19:00.679
<v Speaker 3>It's cracky.

1:19:01.600 --> 1:19:04.680
<v Speaker 2>You batter being, you've battered being, and if you was,

1:19:04.840 --> 1:19:06.640
<v Speaker 2>then you know what the blue tape was about. It

1:19:06.840 --> 1:19:09.400
<v Speaker 2>was activated, was the activated one?

1:19:11.000 --> 1:19:11.240
<v Speaker 3>Jill?

1:19:11.800 --> 1:19:14.400
<v Speaker 2>Jill there, I got that.

1:19:15.240 --> 1:19:17.679
<v Speaker 3>Let's take this flick real quick, flish