1 00:00:00,160 --> 00:00:03,559 Speaker 1: Saying in heaven, man, this album represents a lot of shit. 2 00:00:03,640 --> 00:00:05,920 Speaker 1: I feel like, first of all, as a just be 3 00:00:06,040 --> 00:00:07,960 Speaker 1: he from the West Coast, I wanted. 4 00:00:07,640 --> 00:00:08,680 Speaker 2: To go along with it. 5 00:00:09,360 --> 00:00:14,200 Speaker 1: So sonically it went home, it's it's it's it's Westive. 6 00:00:14,440 --> 00:00:16,680 Speaker 2: You got that bounce to it that we fuck you know, 7 00:00:17,079 --> 00:00:18,480 Speaker 2: and it's in that part. 8 00:00:18,640 --> 00:00:22,360 Speaker 1: And then I just was in terms of flows, I 9 00:00:22,400 --> 00:00:25,080 Speaker 1: went crazy and flows on there the ink pin all 10 00:00:25,120 --> 00:00:28,000 Speaker 1: the elements of what made hip hop sold though from 11 00:00:28,040 --> 00:00:31,960 Speaker 1: the beginning stories that then took me under like you 12 00:00:32,000 --> 00:00:32,920 Speaker 1: know what that did to me? 13 00:00:33,800 --> 00:00:36,000 Speaker 2: You know what you did to me as you know 14 00:00:36,080 --> 00:00:36,920 Speaker 2: what you did to me? 15 00:00:37,360 --> 00:00:40,320 Speaker 1: Rare that song was, so you know, it's a lineage 16 00:00:40,360 --> 00:00:44,120 Speaker 1: that we have and a pedigree of standard for classic 17 00:00:44,200 --> 00:00:46,960 Speaker 1: real West Coast c and so I kind of wanted 18 00:00:46,960 --> 00:00:49,239 Speaker 1: those elements to be present in this album in a 19 00:00:49,280 --> 00:00:52,640 Speaker 1: way that is that could be received. 20 00:00:52,360 --> 00:00:55,240 Speaker 2: In the modern way, but that has its origins and 21 00:00:55,240 --> 00:00:59,320 Speaker 2: its roots and classic West Coast production, classic West Coast 22 00:00:59,400 --> 00:01:02,200 Speaker 2: execution in the elements. And that's what I think I 23 00:01:02,320 --> 00:01:04,440 Speaker 2: put that off. I really feel that. 24 00:01:04,360 --> 00:01:06,040 Speaker 3: One what's the thirdest song on that? 25 00:01:07,040 --> 00:01:09,880 Speaker 2: Oh, I don't know what. 26 00:01:10,400 --> 00:01:11,959 Speaker 3: Then good ad won't use. 27 00:01:13,440 --> 00:01:16,360 Speaker 2: If they twenty four hundred, the rest damn. 28 00:01:18,600 --> 00:01:20,040 Speaker 3: What would they say? Twenty four hundred? 29 00:01:20,120 --> 00:01:22,160 Speaker 2: Yeah, the first one I called twenty four hundred. 30 00:01:22,160 --> 00:01:25,160 Speaker 4: My leigga said, all up, yo, say that's all. Look, 31 00:01:25,200 --> 00:01:26,920 Speaker 4: that's how you got to put your foot in some 32 00:01:27,000 --> 00:01:29,720 Speaker 4: shit you fell in. Luck that all my shit is odd. 33 00:01:29,880 --> 00:01:32,280 Speaker 1: I feel that way, Yeah, yeah, yeah, I really feel 34 00:01:32,280 --> 00:01:35,720 Speaker 1: that way. Lock Club, Like twenty four hundred was one 35 00:01:35,720 --> 00:01:38,400 Speaker 1: of them songs. Thats decoration. I think the album should 36 00:01:38,400 --> 00:01:41,679 Speaker 1: be organized in a way where like first songs. 37 00:01:41,319 --> 00:01:43,720 Speaker 2: In hip hop history have been a thing, you know 38 00:01:43,720 --> 00:01:44,080 Speaker 2: what I mean. 39 00:01:44,080 --> 00:01:46,720 Speaker 3: I'm using that muff for the beast what I really 40 00:01:46,959 --> 00:01:49,880 Speaker 3: was making out here. That first verse nice start up 41 00:01:49,880 --> 00:01:52,480 Speaker 3: if you remember it. Yeah, absolutely give me a little 42 00:01:52,520 --> 00:01:53,040 Speaker 3: art of feeling. 43 00:01:53,600 --> 00:01:56,760 Speaker 1: So the first verse on the album, the first eight bars, 44 00:01:56,800 --> 00:01:59,400 Speaker 1: I say, if you doper than me, you say so, 45 00:01:59,680 --> 00:02:02,520 Speaker 1: faith Folk, I'm wearing all black and his bits. It's 46 00:02:02,520 --> 00:02:04,760 Speaker 1: hard to describe the way I survived but was able 47 00:02:04,800 --> 00:02:07,880 Speaker 1: to rise, Like the past don't exists. I'm already McFly 48 00:02:08,000 --> 00:02:10,680 Speaker 1: you in the deliver you're looking for doc after Math 49 00:02:10,720 --> 00:02:13,200 Speaker 1: and this bitch. I was ruthless and facing death row, 50 00:02:13,200 --> 00:02:14,880 Speaker 1: but I beat there like sentence. I'm lit like I'm 51 00:02:14,880 --> 00:02:17,519 Speaker 1: matching his bitch, Like that's the first thing I'll say. 52 00:02:18,000 --> 00:02:20,640 Speaker 1: And it's like they got the execution table, the electric 53 00:02:20,720 --> 00:02:22,520 Speaker 1: chair go off and I die. 54 00:02:22,560 --> 00:02:24,600 Speaker 2: So it's really the Death Row Records logo. 55 00:02:25,720 --> 00:02:28,560 Speaker 1: I'm rapping as if I'm this nigga sitting in his chair, 56 00:02:29,120 --> 00:02:31,400 Speaker 1: and that's what the first eight bars is doing. But 57 00:02:31,440 --> 00:02:33,840 Speaker 1: Marty McFly was looking for doctor help you go back 58 00:02:33,880 --> 00:02:36,320 Speaker 1: to the past in the future, and I'm saying, I'm 59 00:02:36,360 --> 00:02:39,200 Speaker 1: already McFly looking for doc on some let's go back 60 00:02:39,200 --> 00:02:41,720 Speaker 1: to Ruthless, Let's go back to let's get. 61 00:02:41,560 --> 00:02:44,120 Speaker 2: That deafro energy, let's get that. So I'm looking for 62 00:02:44,200 --> 00:02:45,399 Speaker 2: doc after math. 63 00:02:45,200 --> 00:02:47,800 Speaker 1: And this bitch I was ruthless facing Death Row and 64 00:02:47,840 --> 00:02:49,560 Speaker 1: I beat it like sentence and now I'm litting. I 65 00:02:49,560 --> 00:02:52,680 Speaker 1: can imagine his bitch because the electric chure went one 66 00:02:52,760 --> 00:02:54,840 Speaker 1: in the top of this matches. Oh you feel me, 67 00:02:55,400 --> 00:02:57,640 Speaker 1: It's like, yeah, it's Meedy, it's Meedy. Off the bat 68 00:02:57,639 --> 00:03:00,600 Speaker 1: I'm chirping on their established me was just to say 69 00:03:01,160 --> 00:03:03,200 Speaker 1: we're not fucking around. It's gonna be bars. 70 00:03:03,560 --> 00:03:04,399 Speaker 2: This is dope. Miss. 71 00:03:04,440 --> 00:03:06,400 Speaker 1: The first two songs kind of got that aim, and 72 00:03:06,520 --> 00:03:09,200 Speaker 1: then I start cracking on the government and the criminal 73 00:03:09,320 --> 00:03:12,399 Speaker 1: justice system like the next TU song, so I established 74 00:03:12,440 --> 00:03:14,079 Speaker 1: we dope as fucking this is the mission. 75 00:03:14,120 --> 00:03:15,160 Speaker 2: And then I start tripping. 76 00:03:15,760 --> 00:03:17,240 Speaker 3: You know, I had to get that means I got 77 00:03:17,240 --> 00:03:18,760 Speaker 3: the home in the bag with the beat he little 78 00:03:18,760 --> 00:03:21,799 Speaker 3: slider beat up under that later on eight. That's gonna 79 00:03:21,800 --> 00:03:24,960 Speaker 3: be the official remix. You just need. 80 00:03:25,000 --> 00:03:25,880 Speaker 4: You know. I'm sorry for. 81 00:03:27,480 --> 00:03:27,519 Speaker 2: You. 82 00:03:27,960 --> 00:03:34,560 Speaker 3: While you know you talk about the criminal justice system, man, 83 00:03:34,639 --> 00:03:36,200 Speaker 3: one of the things I wanted to talk to you about. 84 00:03:36,280 --> 00:03:38,680 Speaker 3: And I know you in town and everybody gonna ask 85 00:03:38,720 --> 00:03:41,040 Speaker 3: you about this, but I'm gona take a different angle. 86 00:03:42,440 --> 00:03:45,800 Speaker 3: You pretty much impacted the whole future hip hop. Like 87 00:03:45,840 --> 00:03:48,000 Speaker 3: you said, the President's like the ship the Young Bull 88 00:03:48,200 --> 00:03:52,200 Speaker 3: is going through now because they pretty much sanctioned to jail. There. 89 00:03:52,200 --> 00:03:53,680 Speaker 3: It's space from a rap song. 90 00:03:53,800 --> 00:03:54,200 Speaker 2: They did. 91 00:03:54,400 --> 00:03:57,600 Speaker 1: They did, they did, and the and the cover. You know, 92 00:03:57,680 --> 00:04:00,320 Speaker 1: it's it's interesting that they said, Okay, this is the 93 00:04:00,400 --> 00:04:02,400 Speaker 1: murder weapon on the album cover. But you can't do 94 00:04:02,480 --> 00:04:06,480 Speaker 1: forensics on a picture. So they never found a murder web. 95 00:04:06,520 --> 00:04:08,640 Speaker 1: And the reality is they never found a murder web. 96 00:04:09,200 --> 00:04:13,080 Speaker 1: But they we thirty something years after this incident, thirty 97 00:04:13,080 --> 00:04:15,480 Speaker 1: two years and people still think the murder weapon was 98 00:04:15,520 --> 00:04:17,920 Speaker 1: on the cover or say that to me, and it's 99 00:04:17,960 --> 00:04:20,919 Speaker 1: just one of them things. How can they establish that 100 00:04:21,080 --> 00:04:23,560 Speaker 1: fact if they never found it and they never did 101 00:04:23,560 --> 00:04:26,520 Speaker 1: forensics right. And the other thing is they chopped my 102 00:04:26,680 --> 00:04:30,760 Speaker 1: song up, so the song is called Still Shooting. Actually 103 00:04:30,839 --> 00:04:35,919 Speaker 1: sampled Ultra Violet Dreams by cy Bricil on their ironically, 104 00:04:36,360 --> 00:04:39,039 Speaker 1: I sampled that and I pushed some Isaac Kay's' side 105 00:04:39,080 --> 00:04:41,800 Speaker 1: of there, you know what I mean, And that's that 106 00:04:41,920 --> 00:04:45,400 Speaker 1: first song on Psychoactive, and it's called Still Shooting. The 107 00:04:45,520 --> 00:04:48,760 Speaker 1: intro is called the Murder, but the media started referring 108 00:04:48,800 --> 00:04:52,240 Speaker 1: to the song as the murder and editing my lyrics 109 00:04:52,240 --> 00:04:53,960 Speaker 1: so that they can make it said what they wanted 110 00:04:54,040 --> 00:04:57,240 Speaker 1: to say. The ap picked that up and instead of 111 00:04:57,320 --> 00:05:00,760 Speaker 1: hip hop journalism kicking in is started to pick that 112 00:05:00,839 --> 00:05:03,240 Speaker 1: part and tell a story as me being one of 113 00:05:03,279 --> 00:05:05,919 Speaker 1: they own. They just picked up the apiece story and 114 00:05:06,000 --> 00:05:08,800 Speaker 1: repeated the sensational lize verson of the story. 115 00:05:09,960 --> 00:05:11,840 Speaker 3: So that was really like a weak shut So you 116 00:05:12,040 --> 00:05:14,520 Speaker 3: was doing it like from the beginning because the court 117 00:05:14,520 --> 00:05:16,960 Speaker 3: of public opinion, the more fucker it is. Man. 118 00:05:17,000 --> 00:05:18,720 Speaker 1: And we were at a time in the country where 119 00:05:18,760 --> 00:05:21,440 Speaker 1: you know, we got Mike Tyson with the right case 120 00:05:21,480 --> 00:05:23,800 Speaker 1: that they was trying to get him for. He got 121 00:05:23,880 --> 00:05:26,719 Speaker 1: oj going to trial. It just was a time we 122 00:05:26,800 --> 00:05:29,160 Speaker 1: had just had the riots, you know what I mean, 123 00:05:29,200 --> 00:05:31,680 Speaker 1: the officers went to trial, you know what I mean, 124 00:05:31,760 --> 00:05:34,479 Speaker 1: all of that thing do Rodney King shit. So this 125 00:05:34,680 --> 00:05:36,599 Speaker 1: is a build up. And then Iced Tea with the 126 00:05:36,720 --> 00:05:39,360 Speaker 1: time Warner shit. So we just in a time where 127 00:05:39,440 --> 00:05:43,200 Speaker 1: hip hop was under attack from from the government. Really, 128 00:05:43,320 --> 00:05:45,800 Speaker 1: it's always been to government, even if it wasn't hip hop. 129 00:05:45,880 --> 00:05:48,280 Speaker 1: It's just always been there trying to tear us. 130 00:05:48,240 --> 00:05:49,000 Speaker 2: Up, you know what I mean. 131 00:05:49,640 --> 00:05:53,640 Speaker 1: But in this specific instance, that was the environmental atmosphere 132 00:05:54,080 --> 00:05:56,520 Speaker 1: in the culture, and they was just trying to smack shit. 133 00:05:56,600 --> 00:05:59,800 Speaker 1: And I ended up being somebody that they did that too. 134 00:06:00,000 --> 00:06:06,040 Speaker 4: Critical times man, right and there. Yeah, yeah, all them situations. Uh, 135 00:06:06,680 --> 00:06:08,920 Speaker 4: they would definitely try to hold some ship to kiss 136 00:06:08,960 --> 00:06:12,240 Speaker 4: you then because niggas was depressed and didn't give a 137 00:06:12,279 --> 00:06:14,760 Speaker 4: fuck around then. So it was all kinds of shipped 138 00:06:14,760 --> 00:06:15,760 Speaker 4: that mm hmm. 139 00:06:16,800 --> 00:06:19,000 Speaker 3: It was real cliche that goes what going on? You 140 00:06:19,120 --> 00:06:23,680 Speaker 3: was Opadolph you got the first, so he was one 141 00:06:23,680 --> 00:06:25,200 Speaker 3: of the first ones I had to get the parental 142 00:06:25,320 --> 00:06:27,120 Speaker 3: the scrashle renal. 143 00:06:28,960 --> 00:06:34,680 Speaker 4: That that little sticker on my out. I was the 144 00:06:34,680 --> 00:06:38,599 Speaker 4: first nigga that double sticker. Uh, even though they put 145 00:06:38,600 --> 00:06:42,040 Speaker 4: the parental sticker on there, and they put a sticker 146 00:06:42,080 --> 00:06:45,120 Speaker 4: on there that said whatever I was talking about. 147 00:06:45,560 --> 00:06:48,880 Speaker 2: Was my view and then not the views of Sony music. 148 00:06:49,480 --> 00:06:53,080 Speaker 5: They put a disclaimer on your heir. You a last sidelight. 149 00:06:53,960 --> 00:06:57,600 Speaker 5: You know what was crazy. Niggas was getting banned at 150 00:06:57,640 --> 00:07:01,000 Speaker 5: that time. Ship what was crazy would get the radio 151 00:07:01,120 --> 00:07:05,680 Speaker 5: play videos. Niggas were steamrolling over seeds and ship, so 152 00:07:05,720 --> 00:07:07,600 Speaker 5: they was trying to shut us down and Ship. 153 00:07:08,440 --> 00:07:10,560 Speaker 3: Yeah, it's part of the ear that sending off though, man, 154 00:07:10,640 --> 00:07:13,679 Speaker 3: because I remember, like, because that's when you start getting 155 00:07:13,680 --> 00:07:15,560 Speaker 3: the other people from other cities, Like you had the 156 00:07:15,600 --> 00:07:18,880 Speaker 3: ghettle boys coming up too, and you had cats like 157 00:07:18,960 --> 00:07:20,760 Speaker 3: you know a little bit later on gainsing it. I 158 00:07:20,880 --> 00:07:23,560 Speaker 3: remember when somebody had listened to this, somebody killed somebody 159 00:07:24,240 --> 00:07:26,800 Speaker 3: listening to this niggas music, and stuff happened. They was 160 00:07:26,840 --> 00:07:29,240 Speaker 3: really trying to stick it to people in hip hop. 161 00:07:29,360 --> 00:07:31,360 Speaker 4: Yeah, that was the easy way out. 162 00:07:31,520 --> 00:07:34,200 Speaker 2: Ship. Yeah, that was that was that was fucking on. 163 00:07:34,320 --> 00:07:37,600 Speaker 4: Motherfucker, go to court, you know, little kids and ship 164 00:07:37,640 --> 00:07:41,360 Speaker 4: and something more fucker in Ayowa, some crazy shit. They 165 00:07:41,400 --> 00:07:44,280 Speaker 4: have some stupid shit and gone ship Nigga out. I 166 00:07:44,400 --> 00:07:47,760 Speaker 4: was listening to eight and the Nigga eight said niggas 167 00:07:48,000 --> 00:07:50,480 Speaker 4: hit the back fence and shooting nigga and Woolf de 168 00:07:50,600 --> 00:07:57,080 Speaker 4: Wolf and yeah, yeah, it's so when you get this, 169 00:07:57,200 --> 00:08:00,440 Speaker 4: goar Face said nigga, go do a nigga like that. 170 00:08:00,760 --> 00:08:05,000 Speaker 4: So nigga, that was dumb as fuck. But they actually 171 00:08:05,040 --> 00:08:07,720 Speaker 4: were starting to get that shit crack that of his 172 00:08:07,880 --> 00:08:11,360 Speaker 4: man in jail. But but but that's the's narrative right 173 00:08:11,400 --> 00:08:13,080 Speaker 4: now though, that's crazy as fuck. 174 00:08:13,280 --> 00:08:14,040 Speaker 2: Yeah, well what I. 175 00:08:14,000 --> 00:08:17,440 Speaker 1: Said, I remember like if we go back to n 176 00:08:17,560 --> 00:08:21,560 Speaker 1: w A getting that letter from the FBI and UH 177 00:08:21,720 --> 00:08:24,920 Speaker 1: for fuck the police, and then they start tripping on 178 00:08:25,040 --> 00:08:29,000 Speaker 1: Luke so he did a band in the USA, Tipper Gore, 179 00:08:29,080 --> 00:08:31,120 Speaker 1: I think, and that's where the parental advice we. 180 00:08:31,120 --> 00:08:34,840 Speaker 2: Sticking here from. And then we end up with uh. 181 00:08:35,440 --> 00:08:37,040 Speaker 2: After that, they tripped on the. 182 00:08:36,960 --> 00:08:39,040 Speaker 1: Ghetto boys and we ended up getting me saying be 183 00:08:39,120 --> 00:08:44,440 Speaker 1: stopped from that and then y'all got tripped off and 184 00:08:44,480 --> 00:08:48,600 Speaker 1: then it just kept rolling. It just kept rolling, and 185 00:08:48,800 --> 00:08:52,360 Speaker 1: it was lit though. That was the rebellious time for 186 00:08:52,480 --> 00:08:53,559 Speaker 1: hip hop music. 187 00:08:53,320 --> 00:08:57,840 Speaker 2: Where we had you had ex Clan and that ship 188 00:08:57,960 --> 00:08:59,440 Speaker 2: was slapping. It's still slapping. 189 00:08:59,520 --> 00:09:02,640 Speaker 1: My brother today was tripped, and then you had public 190 00:09:02,760 --> 00:09:06,479 Speaker 1: Enemies tripping and that boy was pushing the line. 191 00:09:06,200 --> 00:09:10,480 Speaker 2: Seems was pushing the line. It was man, it was music. 192 00:09:10,720 --> 00:09:13,320 Speaker 2: And now it's just I feel like I would really 193 00:09:13,440 --> 00:09:16,240 Speaker 2: like us to see a return to that well sort 194 00:09:16,520 --> 00:09:18,559 Speaker 2: youngster can start doing it, that'd be beautiful. 195 00:09:18,640 --> 00:09:20,160 Speaker 3: It's starting to get there, it is. 196 00:09:21,280 --> 00:09:23,360 Speaker 2: It's a bit of a rebellion going on right now 197 00:09:23,360 --> 00:09:25,080 Speaker 2: where people want that classic shit. 198 00:09:25,600 --> 00:09:30,880 Speaker 4: Yeah, I think just people just what's been going on 199 00:09:31,080 --> 00:09:36,520 Speaker 4: basically as far as hip hop conserve, you been a 200 00:09:36,559 --> 00:09:41,160 Speaker 4: negative light shawl on hip hop for the last couple 201 00:09:41,200 --> 00:09:47,000 Speaker 4: of years. A lot of dudes getting killed and't a 202 00:09:47,080 --> 00:09:51,080 Speaker 4: lot of a lot of a lot of scenarios that 203 00:09:51,320 --> 00:09:55,560 Speaker 4: basically don't even fit on criterion. But it started shining 204 00:09:55,960 --> 00:10:01,480 Speaker 4: a heavy negative light. So I know, you know, we 205 00:10:01,640 --> 00:10:04,600 Speaker 4: put out our shit, you know, to talk about where 206 00:10:04,600 --> 00:10:08,559 Speaker 4: we came from and and uh how the impressions of 207 00:10:08,720 --> 00:10:12,840 Speaker 4: growing up in these in these neighborhoods made us put 208 00:10:12,880 --> 00:10:16,520 Speaker 4: these records together. But you know, I think just the 209 00:10:16,640 --> 00:10:22,360 Speaker 4: blatant violence in the hip hop. You know that that 210 00:10:22,559 --> 00:10:27,880 Speaker 4: came from what we're hearing today. You give me motherfuckers 211 00:10:28,000 --> 00:10:32,480 Speaker 4: is like Nigga they described and the murders. Tall Marble 212 00:10:32,600 --> 00:10:35,199 Speaker 4: did the hit Nigga and how we did the hit 213 00:10:35,360 --> 00:10:37,760 Speaker 4: when it hit went down, and a. 214 00:10:37,679 --> 00:10:40,720 Speaker 2: Lot of hip hop has become that because of the youth. 215 00:10:41,320 --> 00:10:44,200 Speaker 4: And not to say we wasn't crazy when we was young, 216 00:10:44,720 --> 00:10:48,360 Speaker 4: you know, and my CMW music to drive by days. 217 00:10:49,520 --> 00:10:54,520 Speaker 4: I was nineteen twenty, you know, Nigga telling me shit, Bigga, 218 00:10:54,520 --> 00:10:57,720 Speaker 4: I'm talking mom, Nigga, we coming through and Nigga the 219 00:10:57,760 --> 00:11:01,760 Speaker 4: hood that took asunder. Niggas struggling, so we about to 220 00:11:01,800 --> 00:11:05,400 Speaker 4: do this, that and the other growing up there. But 221 00:11:05,440 --> 00:11:10,280 Speaker 4: it was never like a It was never like a. 222 00:11:09,720 --> 00:11:12,320 Speaker 2: Man to some she had I'm gonna tell you any 223 00:11:12,400 --> 00:11:15,680 Speaker 2: caucinary tales. Though they got an era where he. 224 00:11:16,080 --> 00:11:21,920 Speaker 1: Had cautionary tales, Cube bad cautioninary tales. It was cautionary tales. 225 00:11:22,000 --> 00:11:25,360 Speaker 1: Slick Rick had cautionary tales. Be crazy a story, but 226 00:11:25,480 --> 00:11:27,559 Speaker 1: you like, damn the moral of that story. There was 227 00:11:27,600 --> 00:11:31,080 Speaker 1: a moral to this right straight up. Minutes has a 228 00:11:31,160 --> 00:11:33,720 Speaker 1: it's a full circle. It has a beginning of middle 229 00:11:33,760 --> 00:11:37,360 Speaker 1: and the end. There's a conclusion to that experience. You said, 230 00:11:37,400 --> 00:11:40,520 Speaker 1: owt Ice Cuban mac ten, there's a conclusion to that shit. 231 00:11:40,760 --> 00:11:43,080 Speaker 2: And said, we did. We stopped at the conclusion. 232 00:11:43,120 --> 00:11:47,040 Speaker 1: It's like ending Scarface where this nigga just up and 233 00:11:47,160 --> 00:11:48,280 Speaker 1: got all the coke right there. 234 00:11:48,280 --> 00:11:49,320 Speaker 2: It's like, nah fout. 235 00:11:49,400 --> 00:11:51,560 Speaker 1: Ten minutes later in the movie, this nigga gets shot 236 00:11:51,600 --> 00:11:54,079 Speaker 1: fifty thousand of pops and dies with a face of 237 00:11:54,080 --> 00:11:54,800 Speaker 1: little cocaine. 238 00:11:54,840 --> 00:11:55,800 Speaker 2: That's how this ends. 239 00:11:56,160 --> 00:11:59,079 Speaker 1: And I feel like the ogs back then was doing that. 240 00:11:59,520 --> 00:12:02,440 Speaker 1: And then somewhere along the lines, the cautionary tales started 241 00:12:02,440 --> 00:12:03,240 Speaker 1: getting left out. 242 00:12:03,400 --> 00:12:06,760 Speaker 3: Boy, you know what started happening. Man, casts really started 243 00:12:06,800 --> 00:12:10,400 Speaker 3: detailing what they are really going on. They really started 244 00:12:10,400 --> 00:12:12,760 Speaker 3: putting lyrics like we just did this and were smoking 245 00:12:12,840 --> 00:12:17,800 Speaker 3: on this MC Dogo peck. It really just started tricking, you. 246 00:12:17,760 --> 00:12:21,160 Speaker 2: Know, exageration or accident too. 247 00:12:21,200 --> 00:12:23,679 Speaker 1: Though the niggas it said that was real and this 248 00:12:23,720 --> 00:12:26,040 Speaker 1: shit that was w w F. It's always been ship 249 00:12:26,120 --> 00:12:28,480 Speaker 1: that was real. That shit that was w w ee 250 00:12:29,160 --> 00:12:31,480 Speaker 1: you know what I mean, right, it always was but 251 00:12:32,000 --> 00:12:34,839 Speaker 1: and it was a kamakzi niggas then too. It was 252 00:12:34,920 --> 00:12:38,200 Speaker 1: niggas going kama kaze back then to It's just I 253 00:12:38,240 --> 00:12:41,880 Speaker 1: think it's worse now because the generation I was supposed 254 00:12:41,920 --> 00:12:45,000 Speaker 1: to give the game, we kind of you saw people 255 00:12:45,320 --> 00:12:49,120 Speaker 1: join the idiotcy or the immaturity is the better way? 256 00:12:49,400 --> 00:12:52,000 Speaker 3: Sure, boy, you know what's crazy? Have you ever seen 257 00:12:52,040 --> 00:12:56,520 Speaker 3: the movie Idiocracy? Idiocracy is this movie that was about 258 00:12:56,600 --> 00:12:58,920 Speaker 3: Mike Judge. You've ever seen it. It was by Mike Judge, 259 00:12:58,920 --> 00:13:01,280 Speaker 3: the cat that made me some but ed. And this 260 00:13:01,320 --> 00:13:04,160 Speaker 3: movie maybe came out like fifteen twenty years ago, probably 261 00:13:04,160 --> 00:13:07,640 Speaker 3: even more, but it shows the world. You know Netflix, 262 00:13:07,679 --> 00:13:10,200 Speaker 3: Look that's called over the top TV television. You know, 263 00:13:10,280 --> 00:13:13,000 Speaker 3: everything's on top of each other. The TVs was like 264 00:13:13,120 --> 00:13:15,160 Speaker 3: that and the people this dude got frozen and went 265 00:13:15,200 --> 00:13:17,160 Speaker 3: to the future, woke up like one hundred years later, 266 00:13:17,840 --> 00:13:20,280 Speaker 3: and the America was like in some kind of thing. 267 00:13:20,400 --> 00:13:23,960 Speaker 3: Terry Crews was the present and Eve them tripping and 268 00:13:24,000 --> 00:13:26,640 Speaker 3: the wasn't those plants grow because these dumb motherfuckers was 269 00:13:26,720 --> 00:13:31,360 Speaker 3: watering the grass with gatorading. Gatorade was like the drinking. 270 00:13:32,679 --> 00:13:35,199 Speaker 3: The people was wearing crocs in the movie You Go, 271 00:13:35,480 --> 00:13:38,959 Speaker 3: Double red shoes. People drinking. Now the fox, the drid 272 00:13:39,080 --> 00:13:42,520 Speaker 3: motherfuckers was wearing crocs on there and people was just stupid. 273 00:13:42,880 --> 00:13:46,120 Speaker 3: But it was just like the motherfuckers today. And I said, man, 274 00:13:46,440 --> 00:13:49,920 Speaker 3: how did this motherfucker gets that twenty years ago? Motherfuckers hopey, 275 00:13:50,040 --> 00:13:52,160 Speaker 3: because you know what the top shit is. You know, 276 00:13:52,240 --> 00:13:55,719 Speaker 3: we have these dope discussions. You'll get a few motherfuckers 277 00:13:55,720 --> 00:13:57,560 Speaker 3: that they checked this out. But if it's some niggas 278 00:13:57,559 --> 00:14:00,720 Speaker 3: talking about some bullshit around the corner, cia you little 279 00:14:00,720 --> 00:14:03,520 Speaker 3: hole knowing we dont came in the air to wear 280 00:14:03,559 --> 00:14:05,720 Speaker 3: a bunch of goon on men gossip like little hoes. 281 00:14:06,000 --> 00:14:08,760 Speaker 2: Yeah, that's a true statement. That's a true statement. 282 00:14:08,840 --> 00:14:13,080 Speaker 1: I think this carre Hollywood has penetrated the depths of 283 00:14:13,160 --> 00:14:16,559 Speaker 1: hip hopping the way that really is was never allowable, 284 00:14:17,080 --> 00:14:18,160 Speaker 1: and we've allow. 285 00:14:17,960 --> 00:14:20,720 Speaker 2: People to make music that we never really would allow. 286 00:14:20,840 --> 00:14:23,000 Speaker 1: Niggas used to get beat up for if he was 287 00:14:23,040 --> 00:14:26,280 Speaker 1: too close similar to somebody else, the niggas was going 288 00:14:26,320 --> 00:14:28,320 Speaker 1: to want to fight about that. If you made a 289 00:14:28,400 --> 00:14:30,640 Speaker 1: saw too similar to a nigga sol or he was 290 00:14:30,680 --> 00:14:32,800 Speaker 1: too similar to a nigga name, or you tried to 291 00:14:32,800 --> 00:14:35,400 Speaker 1: do something that wasn't hip hop. You know, kr rs 292 00:14:35,440 --> 00:14:37,680 Speaker 1: want beat upp and don and put random niggas abo 293 00:14:37,720 --> 00:14:38,560 Speaker 1: up the stage. 294 00:14:38,280 --> 00:14:39,480 Speaker 2: Like nigga you and welcome it. 295 00:14:39,760 --> 00:14:42,200 Speaker 1: The niggas to be the number one best rivers alive 296 00:14:42,280 --> 00:14:45,560 Speaker 1: right now meaning the type shit this is Millie Vanilli 297 00:14:45,600 --> 00:14:47,000 Speaker 1: would have got away with him right. 298 00:14:46,880 --> 00:14:48,040 Speaker 2: Now, you know what I mean. 299 00:14:48,120 --> 00:14:50,000 Speaker 1: Niggas would have been to make it excuse his own 300 00:14:50,880 --> 00:14:52,440 Speaker 1: He made some really good songs. 301 00:14:52,600 --> 00:14:59,680 Speaker 4: They Hollywood didn't penetrate. Yep, Hollywood penetrated the streets. So 302 00:15:00,200 --> 00:15:01,000 Speaker 4: aspect of. 303 00:15:02,640 --> 00:15:05,320 Speaker 2: It's hard for niggas to be old j anymore. 304 00:15:05,680 --> 00:15:14,600 Speaker 4: Right, You got niggas school or in our age in 305 00:15:14,800 --> 00:15:22,880 Speaker 4: line of who feel like being famous and popularity. It's 306 00:15:23,120 --> 00:15:29,640 Speaker 4: hard than the cold of being just authentic. You're getting me, 307 00:15:30,200 --> 00:15:35,080 Speaker 4: especially if you claim to be one of those dudes. 308 00:15:35,560 --> 00:15:40,000 Speaker 4: It seems like that narrative has left us, like niggas 309 00:15:40,040 --> 00:15:49,560 Speaker 4: have forgotten, like those colds and get me hush and 310 00:15:49,720 --> 00:15:55,080 Speaker 4: don't talk too much, not flossy and a flashy and flamboyant, 311 00:15:55,200 --> 00:16:00,600 Speaker 4: and niggas didn't want to be seen. You can get 312 00:16:00,680 --> 00:16:07,440 Speaker 4: letter and you need said that. It seems like shit, 313 00:16:07,880 --> 00:16:12,560 Speaker 4: you got more uh niggas in the older age group 314 00:16:12,880 --> 00:16:17,800 Speaker 4: who want more celebrity and fame than trying to just 315 00:16:19,680 --> 00:16:23,120 Speaker 4: keep the authenticity of being a nigga who's supposed to 316 00:16:23,160 --> 00:16:26,000 Speaker 4: be a real nigga? Right, how is that look? Is 317 00:16:26,040 --> 00:16:30,640 Speaker 4: that fouled apart? You get me cause niggas, I don't know, 318 00:16:30,800 --> 00:16:34,120 Speaker 4: niggas don't like real niggas today. You know, is it 319 00:16:34,240 --> 00:16:38,800 Speaker 4: fouled the part to be a real nigga? Is is 320 00:16:38,840 --> 00:16:43,000 Speaker 4: it looked upon by you saying that you were from 321 00:16:43,040 --> 00:16:47,120 Speaker 4: the streets and you you know, a bide by a 322 00:16:47,120 --> 00:16:51,720 Speaker 4: certain cold Do they foul the part that shit? Today? 323 00:16:52,560 --> 00:16:54,320 Speaker 3: I don't think if people frowned off the luggers, don't 324 00:16:54,320 --> 00:16:57,240 Speaker 3: think they get them. I don't think they care. Like 325 00:16:57,320 --> 00:16:59,560 Speaker 3: all that stuff. I think, man is out the window. 326 00:16:59,640 --> 00:17:02,840 Speaker 3: Like when you start talking about snitch, how many people 327 00:17:02,880 --> 00:17:04,960 Speaker 3: you don't seen snitch? And they come right back home 328 00:17:05,080 --> 00:17:07,000 Speaker 3: and they back on the streets and doing what they do. 329 00:17:07,040 --> 00:17:09,840 Speaker 3: They're going about their business, and it's like whenever you 330 00:17:09,920 --> 00:17:13,120 Speaker 3: get That's why I always I think, yeah, the scene 331 00:17:13,200 --> 00:17:16,480 Speaker 3: always be quick to tell people. I don't gain but right, right, 332 00:17:17,080 --> 00:17:19,040 Speaker 3: but you got a lot of people who ain't from 333 00:17:19,160 --> 00:17:22,399 Speaker 3: that world. That's comment and that's what people well, you 334 00:17:22,480 --> 00:17:24,639 Speaker 3: got a bunch of people that don't know nothing about that. 335 00:17:24,800 --> 00:17:25,960 Speaker 4: They up there calling. 336 00:17:25,680 --> 00:17:29,080 Speaker 3: People snitches who ain't really snitches and they're doing this. 337 00:17:29,200 --> 00:17:31,480 Speaker 3: So you got a bunch of square people trying to 338 00:17:31,520 --> 00:17:33,719 Speaker 3: play in the h rings that they don't know nothing 339 00:17:33,800 --> 00:17:35,320 Speaker 3: to bo and that. 340 00:17:35,400 --> 00:17:37,560 Speaker 1: Was like they can't be checked because they behind the 341 00:17:37,640 --> 00:17:39,199 Speaker 1: computer strands. 342 00:17:39,640 --> 00:17:40,720 Speaker 2: That's what I mean by. 343 00:17:40,600 --> 00:17:45,040 Speaker 1: The WWF and the WWE commentary because just hip hop 344 00:17:45,080 --> 00:17:48,040 Speaker 1: transition from one to the other, just like the WWF 345 00:17:48,040 --> 00:17:49,200 Speaker 1: be came the w w E. 346 00:17:49,760 --> 00:17:50,359 Speaker 2: We saw that. 347 00:17:50,800 --> 00:17:54,479 Speaker 1: I think one of the things culturally, crazy and gangster 348 00:17:54,720 --> 00:17:55,800 Speaker 1: used to be separated. 349 00:17:56,320 --> 00:17:59,480 Speaker 2: And you got a crazy nigga, that crazy nigga was 350 00:17:59,520 --> 00:17:59,919 Speaker 2: going to be. 351 00:18:00,359 --> 00:18:02,880 Speaker 1: Sometimes they get dealt with that wasn't allowed to exist, 352 00:18:03,280 --> 00:18:06,320 Speaker 1: and then you gotta you gotta against the nigga that 353 00:18:06,359 --> 00:18:09,199 Speaker 1: wouldn't want that around. Now the crazy niggas is the 354 00:18:09,240 --> 00:18:13,480 Speaker 1: niggas with the jewels, the crazy. When the crazier you are, 355 00:18:14,040 --> 00:18:17,160 Speaker 1: the more they celebrate that. And it's like it wasn't 356 00:18:17,200 --> 00:18:19,080 Speaker 1: ever the niggas that got to run nothing or call 357 00:18:19,160 --> 00:18:23,639 Speaker 1: and make decisions. They got euthanized. And so it's different 358 00:18:23,680 --> 00:18:26,000 Speaker 1: Nowaday and't like that no more. And there's an argument 359 00:18:26,080 --> 00:18:29,320 Speaker 1: that there's superior ways. Now we got more conflict resolution, 360 00:18:29,400 --> 00:18:30,040 Speaker 1: blah blah blah. 361 00:18:30,080 --> 00:18:32,280 Speaker 2: But at the end of the day, to me, I 362 00:18:32,320 --> 00:18:32,760 Speaker 2: think we. 363 00:18:32,760 --> 00:18:36,040 Speaker 1: Might have failed the generation the fathers were under attack. 364 00:18:36,320 --> 00:18:38,280 Speaker 1: The reason we failed them is because we was getting 365 00:18:38,320 --> 00:18:41,040 Speaker 1: our ass whooped, among the other things, and I think 366 00:18:41,200 --> 00:18:44,040 Speaker 1: a lot of people was locked away who could have 367 00:18:44,119 --> 00:18:47,360 Speaker 1: had voices. A lot of us ended up being in 368 00:18:47,680 --> 00:18:51,800 Speaker 1: positions if to be servants more so than to be masters, 369 00:18:52,280 --> 00:18:54,959 Speaker 1: meaning that we're in control of the masters of our 370 00:18:55,040 --> 00:18:58,200 Speaker 1: own destinies. So we didn't end up with the power 371 00:18:58,280 --> 00:19:01,560 Speaker 1: structures that we should have by now where to where 372 00:19:01,640 --> 00:19:04,600 Speaker 1: the money that was generated by melanative people within this 373 00:19:04,680 --> 00:19:08,280 Speaker 1: motherfucker industry was put in a way where the control 374 00:19:08,359 --> 00:19:10,960 Speaker 1: and the power and the ability to dictate what occurred 375 00:19:11,119 --> 00:19:14,120 Speaker 1: remained with those of us who were the taste makers 376 00:19:14,119 --> 00:19:16,720 Speaker 1: and the curators. So you end up with people who 377 00:19:17,040 --> 00:19:19,800 Speaker 1: don't really give a fuck about the culture making decisions 378 00:19:19,800 --> 00:19:22,600 Speaker 1: that are impactful to the culture. And now it's about 379 00:19:23,040 --> 00:19:27,000 Speaker 1: pleasing this algorithm more than it's about pleasing the statutes 380 00:19:27,359 --> 00:19:29,640 Speaker 1: what we're supposed to do and what we're not supposed 381 00:19:29,640 --> 00:19:32,760 Speaker 1: to do, the tenets of this sacrifice and replaced by 382 00:19:32,880 --> 00:19:34,880 Speaker 1: including some clicks and that's really what. 383 00:19:34,800 --> 00:19:39,679 Speaker 4: It is still as a podcast or just as a 384 00:19:39,680 --> 00:19:43,399 Speaker 4: as a person deals with you know, the podcast world 385 00:19:43,440 --> 00:19:48,639 Speaker 4: and creating content and all that. Why do you think Snitchell. 386 00:19:48,400 --> 00:19:49,440 Speaker 2: Was made. 387 00:19:51,040 --> 00:19:56,080 Speaker 4: Like as like the content like we gottake because that 388 00:19:56,240 --> 00:19:59,479 Speaker 4: was some shit, like even if I don't know, it 389 00:19:59,520 --> 00:20:01,840 Speaker 4: was like was it was like a higgen thing like 390 00:20:01,920 --> 00:20:06,720 Speaker 4: niggas didn't talk about it wasn't spoken with the court 391 00:20:06,880 --> 00:20:10,439 Speaker 4: and somebody got on the stand whatever whatever, or it 392 00:20:10,600 --> 00:20:14,479 Speaker 4: wasn't like all these niggas over here gonna talk about it, 393 00:20:14,480 --> 00:20:16,480 Speaker 4: then we're gonna go tell the hood over there. Then 394 00:20:16,520 --> 00:20:18,800 Speaker 4: we gonna tell the hood over there, then we're gonna 395 00:20:18,840 --> 00:20:21,880 Speaker 4: go tell it. It was like that was like some under 396 00:20:21,920 --> 00:20:28,040 Speaker 4: the tables qualified Why is it? Why is it a rise? Right? 397 00:20:28,359 --> 00:20:30,120 Speaker 3: Yeah, we see it was a time that she had 398 00:20:30,119 --> 00:20:33,600 Speaker 3: to be qualified to say somebody was a snitch. You 399 00:20:33,680 --> 00:20:35,639 Speaker 3: just couldn't go because you know, it's some snitch to 400 00:20:35,720 --> 00:20:36,439 Speaker 3: the bush retal. 401 00:20:36,960 --> 00:20:38,840 Speaker 2: Yeah, it's a lot of them, you know, it's a 402 00:20:38,880 --> 00:20:41,160 Speaker 2: lot of them. It's it's real. It's levels to that ship. 403 00:20:41,760 --> 00:20:44,920 Speaker 1: If you you have to be able to present evidences 404 00:20:44,920 --> 00:20:48,160 Speaker 1: in proof, it's the same way, and it's if you're 405 00:20:48,160 --> 00:20:50,520 Speaker 1: gonna if you're gonna bring a charge against your brother. 406 00:20:50,560 --> 00:20:53,440 Speaker 1: It's the same way in the round table discussions within 407 00:20:53,480 --> 00:20:56,560 Speaker 1: the hood. We still want neighborhood. We was born from 408 00:20:56,680 --> 00:20:59,680 Speaker 1: y'all from Condon. Critics gave birth to my neighborhood. And 409 00:21:00,000 --> 00:21:02,640 Speaker 1: in la seventies early eighties, one was the ones who 410 00:21:02,680 --> 00:21:05,520 Speaker 1: came out there, we are ice culled my summer vacation 411 00:21:05,960 --> 00:21:08,440 Speaker 1: with the result of that migration that happened, you know 412 00:21:08,520 --> 00:21:11,560 Speaker 1: what I mean. But you have understanding of how we're 413 00:21:11,600 --> 00:21:15,240 Speaker 1: supposed to conduct ourselves. Are out we not and conduct ourselves. 414 00:21:15,400 --> 00:21:18,920 Speaker 1: And so there's ways that you're supposed to go about 415 00:21:18,680 --> 00:21:22,520 Speaker 1: causing a roundtable discussion, and that's supposed to happen amongst 416 00:21:22,880 --> 00:21:25,639 Speaker 1: the people who are directly impacted by that. 417 00:21:25,760 --> 00:21:28,280 Speaker 2: And they got to say, if that person coming from something. 418 00:21:28,080 --> 00:21:31,200 Speaker 1: That clothed, then that's the responsibility of his cloth to 419 00:21:31,280 --> 00:21:34,480 Speaker 1: handle their business. Everybody want everybody to take their phase. 420 00:21:34,520 --> 00:21:36,840 Speaker 1: And now you got the gladiator with to me, it's 421 00:21:36,880 --> 00:21:41,280 Speaker 1: the Colosseum. We are wrong and Caesar is sitting in 422 00:21:41,320 --> 00:21:45,480 Speaker 1: their chairs as Caesar is Mark Zuckerberg, Caesar is the 423 00:21:45,600 --> 00:21:46,919 Speaker 1: niggat it on Spotify. 424 00:21:47,320 --> 00:21:48,480 Speaker 2: Caesar Is and they got. 425 00:21:48,280 --> 00:21:51,520 Speaker 1: These arenas caesar Is, some of these platforms that don't 426 00:21:51,520 --> 00:21:53,960 Speaker 1: give a fuck if we live or die. Some of these, 427 00:21:54,119 --> 00:21:55,960 Speaker 1: you know, it's a locker on on. They want to 428 00:21:56,040 --> 00:21:59,320 Speaker 1: exploit the culture, and they thumbs up or thumbs down. 429 00:21:59,359 --> 00:22:01,000 Speaker 2: Do you kill him or do you not kill him? 430 00:22:01,000 --> 00:22:04,200 Speaker 2: They going blood. They want deafinite destruct them. That's what 431 00:22:04,240 --> 00:22:07,560 Speaker 2: they're paying the seat, and so we haven't all accepted it, 432 00:22:07,600 --> 00:22:10,160 Speaker 2: but we could watch them. We could watch the results 433 00:22:10,160 --> 00:22:12,320 Speaker 2: of that. They want to build you up. Put you 434 00:22:12,359 --> 00:22:15,439 Speaker 2: in the colissene, release a lion on you, watch you 435 00:22:15,520 --> 00:22:19,439 Speaker 2: fight that lion to the dead, see you die, deify you. 436 00:22:19,440 --> 00:22:21,320 Speaker 2: Put you on a T shirt, put you on the 437 00:22:21,400 --> 00:22:24,520 Speaker 2: launch pale, Put you on a motherfucker sticker, Put you 438 00:22:24,600 --> 00:22:25,520 Speaker 2: in a video game. 439 00:22:25,880 --> 00:22:30,240 Speaker 1: Bit your music everywhere and pay your mama zero point 440 00:22:30,840 --> 00:22:36,480 Speaker 1: zero five per stream, fifteen fifteen hundred streets to equal 441 00:22:36,520 --> 00:22:37,159 Speaker 1: one sale. 442 00:22:37,680 --> 00:22:38,960 Speaker 2: You know what I mean. They want to do us 443 00:22:39,040 --> 00:22:39,360 Speaker 2: like that. 444 00:22:39,440 --> 00:22:44,040 Speaker 1: So yeah, it's bigger than just even what's going on 445 00:22:44,080 --> 00:22:45,120 Speaker 1: with the artists themselves. 446 00:22:45,160 --> 00:22:45,920 Speaker 2: It's a machine. 447 00:22:46,400 --> 00:22:49,600 Speaker 1: The entire coliseum and the people getting thrown out there, 448 00:22:49,720 --> 00:22:52,000 Speaker 1: motherfuckers who are trying to change their life. So they 449 00:22:52,080 --> 00:22:54,480 Speaker 1: willing to fight the lion. They willing to try and 450 00:22:54,480 --> 00:22:56,200 Speaker 1: do that. But you as a result of that, you 451 00:22:56,320 --> 00:23:00,080 Speaker 1: pop smoke, you're pnb rock. You end up have and 452 00:23:00,119 --> 00:23:01,800 Speaker 1: then you end up being these kids out here that 453 00:23:01,880 --> 00:23:02,240 Speaker 1: the other. 454 00:23:04,280 --> 00:23:09,040 Speaker 4: The niggas be feeling this day. Responsibility to let you 455 00:23:09,080 --> 00:23:16,679 Speaker 4: know who snicked or not? Is that the responsibility or 456 00:23:16,680 --> 00:23:17,959 Speaker 4: the real nigga today? 457 00:23:18,480 --> 00:23:18,639 Speaker 3: You know? 458 00:23:19,720 --> 00:23:23,480 Speaker 1: I think I think it's the I think everybody got 459 00:23:23,640 --> 00:23:27,240 Speaker 1: to decide what is the best thing for their individual experience. 460 00:23:27,960 --> 00:23:30,920 Speaker 1: I think it's a decision to be made. Dude, Am 461 00:23:31,040 --> 00:23:34,120 Speaker 1: I handling my business in a way that is going 462 00:23:34,200 --> 00:23:36,920 Speaker 1: in the direction that is most beneficial for my family? 463 00:23:37,359 --> 00:23:40,240 Speaker 1: And it's and am I in somebody's business? And I 464 00:23:40,280 --> 00:23:43,120 Speaker 1: don't have no business in their business because this ain't 465 00:23:43,160 --> 00:23:47,960 Speaker 1: my business. There's rules that apply to being in somebody's business, 466 00:23:48,119 --> 00:23:50,800 Speaker 1: just like his rules to apply. If this man did 467 00:23:50,840 --> 00:23:53,160 Speaker 1: do some bits ass it, if he did do that, 468 00:23:53,440 --> 00:23:56,320 Speaker 1: who's responsible for that? Because that's the first thing you 469 00:23:56,359 --> 00:23:58,840 Speaker 1: want to know, because you can't do something to everybody. 470 00:23:59,160 --> 00:24:01,800 Speaker 1: It's consequently with that, so it's like you gotta find 471 00:24:01,800 --> 00:24:04,440 Speaker 1: out what's what And then the good begs the question 472 00:24:04,520 --> 00:24:06,320 Speaker 1: why even this person bitess. 473 00:24:06,440 --> 00:24:10,560 Speaker 3: Lord you see earlier that should be the ring that 474 00:24:10,760 --> 00:24:14,800 Speaker 3: was impacted and his people was responsibility. They gotta have 475 00:24:14,960 --> 00:24:17,959 Speaker 3: nothing to do with you. I was always told you 476 00:24:18,040 --> 00:24:19,840 Speaker 3: just you don't have nothing to do with you. 477 00:24:19,920 --> 00:24:23,080 Speaker 1: Yeah, but that's going to service the coliseum. The coliseum 478 00:24:23,080 --> 00:24:24,480 Speaker 1: want to eat them alive and they want them to 479 00:24:24,480 --> 00:24:25,520 Speaker 1: need each other at large. 480 00:24:25,520 --> 00:24:29,040 Speaker 5: Scuse lets meet those clicks, man, Yeah, as long as 481 00:24:29,080 --> 00:24:29,480 Speaker 5: it's them. 482 00:24:30,160 --> 00:24:31,199 Speaker 4: It just puzzles me. 483 00:24:31,440 --> 00:24:32,840 Speaker 2: For a due tool. 484 00:24:34,240 --> 00:24:38,720 Speaker 4: Consider themselves to be a certain way of life, or 485 00:24:38,760 --> 00:24:42,040 Speaker 4: I came from that or that walk or that cold. 486 00:24:42,960 --> 00:24:44,159 Speaker 4: It just puzzles me. 487 00:24:47,160 --> 00:24:48,000 Speaker 2: Everybody wanted the. 488 00:24:47,960 --> 00:24:54,200 Speaker 4: Face you get lead the codes of the ship. I elearged, 489 00:24:55,080 --> 00:25:00,600 Speaker 4: it's like forgotten about today because you got dual truth life. 490 00:25:02,840 --> 00:25:06,920 Speaker 4: It's it's it's my business to let you know that 491 00:25:07,720 --> 00:25:10,800 Speaker 4: so and so toll on a nigga twenty years ago, 492 00:25:11,000 --> 00:25:15,280 Speaker 4: or so and so toll on a nigga fifteen years ago, 493 00:25:15,440 --> 00:25:19,160 Speaker 4: or it's my it's my business to let you know that. 494 00:25:19,400 --> 00:25:26,000 Speaker 4: It just puzzles me because I thought that being from 495 00:25:26,200 --> 00:25:28,639 Speaker 4: and you know, it could be wrong because of the 496 00:25:28,720 --> 00:25:32,119 Speaker 4: time and the era of what today is, because of 497 00:25:32,200 --> 00:25:35,440 Speaker 4: what all this shit is you're getting lights came reaction. 498 00:25:36,520 --> 00:25:41,640 Speaker 4: Niggas want to get paid, you're getting the authenticity of being. 499 00:25:41,440 --> 00:25:43,840 Speaker 2: From the streets has been forgotten. 500 00:25:44,040 --> 00:25:44,600 Speaker 4: Becausese. 501 00:25:46,119 --> 00:25:49,160 Speaker 2: I didn't make a check, nigga, you feel me? Yeah, 502 00:25:49,240 --> 00:25:50,040 Speaker 2: I didn't know, Huger. 503 00:25:50,160 --> 00:25:53,560 Speaker 4: Now your followers and get clicks and views, and it 504 00:25:53,760 --> 00:25:58,160 Speaker 4: just puzzles me because there's certain things that you're supposed 505 00:25:58,240 --> 00:26:03,840 Speaker 4: to be able to hold true, especially for a man. 506 00:26:04,200 --> 00:26:08,479 Speaker 4: I just think like niggas just forgotten about that code 507 00:26:08,680 --> 00:26:12,600 Speaker 4: of of what is and what is you know, Yeah, 508 00:26:13,080 --> 00:26:18,399 Speaker 4: if you fall into that lifestyle of having to create content, 509 00:26:18,720 --> 00:26:23,040 Speaker 4: you get right. I told you that. That ship puzzles me, Like, 510 00:26:23,160 --> 00:26:26,719 Speaker 4: what do you mean ate some content? Nigga? We just 511 00:26:27,520 --> 00:26:30,760 Speaker 4: we just sit up and talk to the homeies in it, 512 00:26:31,160 --> 00:26:34,920 Speaker 4: try to have just conversations about ship. We don't sit 513 00:26:35,040 --> 00:26:38,240 Speaker 4: up and getting a circle on the round table before 514 00:26:38,280 --> 00:26:42,119 Speaker 4: the shows Dart and Gold. So we're gonna come up 515 00:26:42,119 --> 00:26:46,119 Speaker 4: with today. This is hit me, Like creating kind of that, 516 00:26:46,359 --> 00:26:49,240 Speaker 4: like we don't like that ship puzzles me. Man, If. 517 00:26:50,840 --> 00:26:55,920 Speaker 2: Vibing vibing is different and creating content vibing and capturing moments, 518 00:26:56,400 --> 00:26:59,680 Speaker 2: this is a superior thing. And I think that there 519 00:26:59,840 --> 00:27:01,800 Speaker 2: was more authenticity and the culture. 520 00:27:01,840 --> 00:27:04,000 Speaker 1: Back when we were doing that, we were just catching 521 00:27:04,080 --> 00:27:06,720 Speaker 1: VODs and we were spitting about what we was really 522 00:27:06,760 --> 00:27:07,159 Speaker 1: dealing with. 523 00:27:07,640 --> 00:27:09,000 Speaker 2: It's just the longer games. 524 00:27:09,040 --> 00:27:12,399 Speaker 1: Now, it's all the just a reality TV show and 525 00:27:12,440 --> 00:27:15,480 Speaker 1: a person get enough popularity to make them a couple bucks. 526 00:27:15,840 --> 00:27:19,639 Speaker 1: It's a vocational opportunity now to tear somebody down to 527 00:27:19,760 --> 00:27:22,399 Speaker 1: be in somebody else's business. And it just was the 528 00:27:22,440 --> 00:27:24,760 Speaker 1: time and life where I wasn't a permissible then, and 529 00:27:24,840 --> 00:27:29,280 Speaker 1: do everybody everybody comes used to come. And this is 530 00:27:29,280 --> 00:27:32,760 Speaker 1: a problem because motherfuckers is faking where they're from. They 531 00:27:32,920 --> 00:27:36,400 Speaker 1: faking their neighborhoods, They faking that they come from represent 532 00:27:36,520 --> 00:27:38,800 Speaker 1: something like I got a faunidly father from guard Block. 533 00:27:38,880 --> 00:27:42,040 Speaker 1: Here am my baby boys. So we got three generations 534 00:27:42,040 --> 00:27:44,119 Speaker 1: in my neighborhood in this world hoods, you know what 535 00:27:44,200 --> 00:27:48,159 Speaker 1: I mean? You got motherfuckers that can't tell you a motherfucker. 536 00:27:47,680 --> 00:27:50,800 Speaker 2: Two years older than them from their neighborhood. Huyo, big home. 537 00:27:51,840 --> 00:27:53,879 Speaker 1: You got a twenty five year old nigga telling them 538 00:27:53,920 --> 00:27:56,600 Speaker 1: a point there the nigga is twenty eight, Like, how. 539 00:27:56,400 --> 00:27:58,560 Speaker 2: Long the fuck did y'all exist? Who the fuck is 540 00:27:58,600 --> 00:28:00,600 Speaker 2: it be where you go? Our state. 541 00:28:00,960 --> 00:28:03,120 Speaker 1: We can't even find out where these niggas is from 542 00:28:03,119 --> 00:28:05,639 Speaker 1: because they're not from nothing, and so who can teach 543 00:28:06,000 --> 00:28:06,960 Speaker 1: nothing to nothing? 544 00:28:07,560 --> 00:28:09,560 Speaker 2: You know what I mean. It's just a bunch of 545 00:28:09,560 --> 00:28:10,720 Speaker 2: fake ays, bullshit. 546 00:28:11,280 --> 00:28:13,919 Speaker 1: Are some Hollywood shit, and I mean that's okay, but 547 00:28:14,000 --> 00:28:15,199 Speaker 1: they get carried away with it. 548 00:28:15,320 --> 00:28:17,800 Speaker 2: Some of them. They getting themselves clapped up and chilled 549 00:28:17,840 --> 00:28:18,959 Speaker 2: over the mics. It clicks. 550 00:28:19,200 --> 00:28:20,560 Speaker 3: Yeah, you know, it was a lot of shit I 551 00:28:20,600 --> 00:28:22,800 Speaker 3: wanted to talk to you about. So I'm gonna try 552 00:28:22,800 --> 00:28:25,439 Speaker 3: to breathe through it a little bit when you was 553 00:28:25,480 --> 00:28:27,360 Speaker 3: locked up, and then I'm gonna get off the block. 554 00:28:27,400 --> 00:28:29,960 Speaker 3: The up fingers they were. He was releasing albums and sit. 555 00:28:29,960 --> 00:28:32,639 Speaker 2: On the sad. Yeah, I was playing over a phone. 556 00:28:32,760 --> 00:28:34,040 Speaker 2: I don't build board charts. 557 00:28:34,119 --> 00:28:36,000 Speaker 3: Don't build board charts, and I saw that shit that 558 00:28:36,080 --> 00:28:39,040 Speaker 3: tripped me. Y'all said, man, this niggas just walking around 559 00:28:39,040 --> 00:28:41,080 Speaker 3: the streets free. You can't throw them this man or 560 00:28:41,120 --> 00:28:42,240 Speaker 3: NIEE stuff on your jail. 561 00:28:44,160 --> 00:28:47,040 Speaker 2: So what I'm saying, niggas could and well, the fucking 562 00:28:47,120 --> 00:28:48,000 Speaker 2: see these away. 563 00:28:48,240 --> 00:28:52,080 Speaker 3: I know what is in jail doing it? Man? What 564 00:28:52,200 --> 00:28:53,800 Speaker 3: possession to think that you was gonna be able to 565 00:28:53,800 --> 00:28:55,560 Speaker 3: get away with that stuff. But you didn't get away 566 00:28:55,600 --> 00:28:56,440 Speaker 3: with it. 567 00:28:57,120 --> 00:29:02,000 Speaker 1: I was possessed by I lived that shit the same 568 00:29:02,040 --> 00:29:04,840 Speaker 1: way that we're talking about, the same way that kid 569 00:29:05,240 --> 00:29:07,840 Speaker 1: that was in the projects, and I used to crawl 570 00:29:07,920 --> 00:29:09,800 Speaker 1: up my window and go down the stairs and be 571 00:29:09,840 --> 00:29:13,480 Speaker 1: down there with their armies. You know that kid that 572 00:29:13,680 --> 00:29:15,920 Speaker 1: just wanted the hommy to pop his trunk on the 573 00:29:16,000 --> 00:29:18,600 Speaker 1: sixth floor. I remember Tiny form Pj's used to come 574 00:29:18,600 --> 00:29:21,240 Speaker 1: out there to the hood and the donkey call. 575 00:29:21,520 --> 00:29:24,240 Speaker 2: For Pj's, all them niggas wind up for the Grape Street. 576 00:29:24,560 --> 00:29:27,120 Speaker 1: The niggas used to be out there and set and 577 00:29:27,200 --> 00:29:29,800 Speaker 1: we used to fuck with them niggas. So I remember 578 00:29:29,920 --> 00:29:33,040 Speaker 1: niggas had popped the trunk, and you know, the hommies 579 00:29:33,040 --> 00:29:35,800 Speaker 1: from the block. Everybody would be outside and they'd be 580 00:29:35,840 --> 00:29:38,440 Speaker 1: slapping Parliament and nigga just to catch a vibe, and 581 00:29:38,480 --> 00:29:40,880 Speaker 1: the armies is just spitting. It's how the niggas that 582 00:29:40,880 --> 00:29:43,160 Speaker 1: could spit, and it would just be, you know, we 583 00:29:43,240 --> 00:29:45,560 Speaker 1: got the wood raps when you really. 584 00:29:45,320 --> 00:29:47,920 Speaker 2: From the streets, and you really from some shit like. 585 00:29:47,920 --> 00:29:51,360 Speaker 1: We got wood raps and go a nigga then rebroke 586 00:29:51,400 --> 00:29:54,040 Speaker 1: the Gilligan's Eyeland thing, you know what I mean, and 587 00:29:54,120 --> 00:29:55,840 Speaker 1: Nigga and we got all that type of shit and 588 00:29:55,880 --> 00:29:58,920 Speaker 1: when you have history. So I was vibe and I 589 00:29:58,960 --> 00:30:02,880 Speaker 1: feel like I I lived hip hop. Hip Hop was 590 00:30:02,920 --> 00:30:04,920 Speaker 1: a part of the fabric. It was an attribute of 591 00:30:04,960 --> 00:30:08,040 Speaker 1: my personality and just a part of the fabric of 592 00:30:08,120 --> 00:30:10,280 Speaker 1: who I am as a human being. 593 00:30:10,960 --> 00:30:12,040 Speaker 2: It's being in. 594 00:30:12,000 --> 00:30:16,800 Speaker 1: The house with from Midnight Star, Atlantic Star with you 595 00:30:16,880 --> 00:30:20,640 Speaker 1: know what I mean, playing rock Days, the message rappers delight. 596 00:30:20,720 --> 00:30:21,400 Speaker 2: I lived it. 597 00:30:22,080 --> 00:30:25,520 Speaker 1: Here comes Roun dmc, Here comes LLL, Here comes rock Camp, 598 00:30:25,800 --> 00:30:28,840 Speaker 1: We Toddy T Nigga Battle Ram Nigga, Here comes six 599 00:30:28,880 --> 00:30:32,040 Speaker 1: in the morning, There comes colors like I remember the 600 00:30:32,160 --> 00:30:33,760 Speaker 1: stages of that shit. 601 00:30:34,200 --> 00:30:36,800 Speaker 2: And it's just in my dna. 602 00:30:36,920 --> 00:30:39,000 Speaker 1: So if I couldn't have made them songs, I would 603 00:30:39,040 --> 00:30:41,960 Speaker 1: have wrote them anyway, because that's what that's what I'll do. 604 00:30:42,080 --> 00:30:45,200 Speaker 1: That's like oxygen in me. So I was writing songs 605 00:30:45,840 --> 00:30:49,640 Speaker 1: and then opportunities to record. The motherfuckers can't presenting themselves, 606 00:30:49,640 --> 00:30:52,120 Speaker 1: you know. One of them was because I was dope. 607 00:30:52,320 --> 00:30:54,520 Speaker 1: He was a fan of I was too dope to 608 00:30:54,560 --> 00:30:56,680 Speaker 1: not be doing my thing. Motherfuckers helped me do what 609 00:30:56,720 --> 00:30:59,560 Speaker 1: I needed to do it, so like it was a 610 00:30:59,600 --> 00:31:02,320 Speaker 1: fighting against the government. They follow the son of Sam Lous, 611 00:31:02,360 --> 00:31:04,920 Speaker 1: who don't even beat that. It got struck down by 612 00:31:05,000 --> 00:31:05,800 Speaker 1: the Supreme Court. 613 00:31:05,840 --> 00:31:08,040 Speaker 2: That was big mad. There's no rule. 614 00:31:08,560 --> 00:31:12,680 Speaker 1: There's no rule against possession of possession, possessing itself all 615 00:31:13,200 --> 00:31:16,680 Speaker 1: in heighteen ninety nine, two thousands. There's no rule against 616 00:31:16,720 --> 00:31:22,040 Speaker 1: me having Literally the California Coda Record Regulations hasn't entered 617 00:31:22,040 --> 00:31:24,800 Speaker 1: that rule into this book yet. So I'm reading the 618 00:31:24,880 --> 00:31:27,760 Speaker 1: rules and I could see what's not against the rules too. 619 00:31:28,200 --> 00:31:30,720 Speaker 1: I'm not just looking at what is in the rule book. 620 00:31:31,080 --> 00:31:34,040 Speaker 1: I'm looking at what isn't so okay. If I get 621 00:31:34,080 --> 00:31:37,240 Speaker 1: this that reporter in here, they don't got a rule 622 00:31:37,240 --> 00:31:37,760 Speaker 1: against that. 623 00:31:38,520 --> 00:31:40,600 Speaker 2: So if they find to sit here, they're like, they 624 00:31:40,600 --> 00:31:42,600 Speaker 2: can't write me up for anohing. They can't even fuck 625 00:31:42,680 --> 00:31:42,960 Speaker 2: with me. 626 00:31:44,440 --> 00:31:45,440 Speaker 3: That recording all of it. 627 00:31:45,560 --> 00:31:47,120 Speaker 2: I had ally coming to sit in that bitch. 628 00:31:47,320 --> 00:31:54,880 Speaker 1: Hell yeah regularly, yeah said up in the sale busting 629 00:31:54,920 --> 00:31:57,520 Speaker 1: your ship. Yeah, man, For a long time I used 630 00:31:57,520 --> 00:32:00,560 Speaker 1: to get shipped, you know, buy some key boards and 631 00:32:00,600 --> 00:32:03,520 Speaker 1: get them in through the music program. Put a bunch 632 00:32:03,560 --> 00:32:06,920 Speaker 1: of shit that I wanted to get a package delivered 633 00:32:06,920 --> 00:32:09,120 Speaker 1: and had a motherfucker go bring it to that, you 634 00:32:09,120 --> 00:32:10,680 Speaker 1: know what I mean. I used to meet them up. 635 00:32:10,640 --> 00:32:13,160 Speaker 2: Fucker in the middle of nowhere in the wilderness drop 636 00:32:13,240 --> 00:32:14,240 Speaker 2: off a package. 637 00:32:13,920 --> 00:32:17,480 Speaker 3: For you know, that's some cold last shit. I just 638 00:32:17,480 --> 00:32:19,400 Speaker 3: picture you, Nigga and this silvers up there bus. I'm 639 00:32:19,400 --> 00:32:21,320 Speaker 3: like a motherfucker hold up on when you watched for 640 00:32:21,360 --> 00:32:23,800 Speaker 3: the guards to come and shit, you acquired this noise 641 00:32:23,840 --> 00:32:25,240 Speaker 3: that I'm bucking prop this each. 642 00:32:25,080 --> 00:32:28,160 Speaker 1: Thing that Yeah, Catty was doing it between cal Ty 643 00:32:28,960 --> 00:32:30,200 Speaker 1: and trying to get saws done. 644 00:32:30,280 --> 00:32:33,560 Speaker 2: I remember in nineteen ninety eight. 645 00:32:34,320 --> 00:32:37,360 Speaker 1: I was doing my thing on Selina's Valley a or 646 00:32:38,000 --> 00:32:41,000 Speaker 1: and uh, I got all my recording equipment on Friday, 647 00:32:41,640 --> 00:32:43,800 Speaker 1: Like I went to breakfast and need these search to sell. 648 00:32:43,880 --> 00:32:47,040 Speaker 1: When I come back to sales, search was wasn't drop up, 649 00:32:47,440 --> 00:32:49,080 Speaker 1: So I got the thing, you know what I mean. 650 00:32:49,720 --> 00:32:52,760 Speaker 1: Lock the dog Friday night, I'm all night. 651 00:32:52,600 --> 00:32:55,720 Speaker 2: Portraying counts, just laying, laying, laying, laying, laying. 652 00:32:55,760 --> 00:32:58,320 Speaker 1: They get all night, wake up, do it Saturday as 653 00:32:58,360 --> 00:33:01,000 Speaker 1: soon as go about my regular day on Saturday. Soon 654 00:33:01,040 --> 00:33:03,400 Speaker 1: as they locked that bar at night, I'm recording all 655 00:33:03,480 --> 00:33:04,640 Speaker 1: night between counts. 656 00:33:04,920 --> 00:33:07,080 Speaker 2: Get some sleep, wake up, give it back to him 657 00:33:07,080 --> 00:33:08,040 Speaker 2: on Sunday, ball and. 658 00:33:08,040 --> 00:33:10,560 Speaker 1: I get back to the streets and then it's up, 659 00:33:10,600 --> 00:33:12,640 Speaker 1: you know. We go from there and ended up crashing 660 00:33:12,680 --> 00:33:16,080 Speaker 1: out like so, and then from Friday to Sunday recorded 661 00:33:16,440 --> 00:33:20,760 Speaker 1: the entire Unforgiving album, the entire Vengeance is Mind album, 662 00:33:20,800 --> 00:33:23,440 Speaker 1: and portion of the Initiation album in three days. I 663 00:33:23,560 --> 00:33:26,120 Speaker 1: recorded all that, got it done and got it out 664 00:33:26,160 --> 00:33:27,959 Speaker 1: and went right outside, had gotten the wrecked. 665 00:33:28,520 --> 00:33:31,720 Speaker 2: The niggas just out there fighting like a motherfuckers. That's crazy. 666 00:33:31,840 --> 00:33:33,600 Speaker 1: Yeah, So like that was the kind of shit I 667 00:33:33,640 --> 00:33:36,000 Speaker 1: went through, and then them songs ended up being on 668 00:33:36,120 --> 00:33:39,480 Speaker 1: Forgiving and getting the Billboard charts. Some of the shit 669 00:33:39,560 --> 00:33:42,520 Speaker 1: I gave Seaball we number three on the charts, behind me, 670 00:33:42,640 --> 00:33:46,520 Speaker 1: Rod Carey and Bride. Mgnight for Daily Game was my song. Actually, 671 00:33:46,760 --> 00:33:47,880 Speaker 1: me and Colez was rappling. 672 00:33:48,200 --> 00:33:48,680 Speaker 2: He was in it. 673 00:33:48,840 --> 00:33:50,440 Speaker 1: He was in the tank. So I went in this 674 00:33:50,520 --> 00:33:52,760 Speaker 1: tank and I'm banging on the door of spiting that song. 675 00:33:52,920 --> 00:33:55,040 Speaker 1: He spit some songs, but when I spit that of 676 00:33:55,040 --> 00:33:57,040 Speaker 1: a game, he was like, niggas, you gotta give you that. 677 00:33:57,480 --> 00:33:59,760 Speaker 1: He so he started asking me for that in County jail. 678 00:33:59,760 --> 00:34:01,720 Speaker 1: Then we got to Tracy, I gave it to him 679 00:34:01,960 --> 00:34:04,720 Speaker 1: to everything. Tied him every word, oh even the grunt. 680 00:34:04,800 --> 00:34:06,760 Speaker 1: So that was an ex writer song, giving the buck, 681 00:34:07,160 --> 00:34:09,360 Speaker 1: and then that three fifty seven. 682 00:34:09,560 --> 00:34:10,280 Speaker 2: Was my song. 683 00:34:10,760 --> 00:34:13,080 Speaker 1: So I wrote the chorus, I wrote verse one, I 684 00:34:13,080 --> 00:34:15,480 Speaker 1: wrote the second chorus, and I wrote half of verse two, 685 00:34:15,880 --> 00:34:18,880 Speaker 1: and then moved both to the dorms. His cousin't had 686 00:34:18,920 --> 00:34:21,880 Speaker 1: no time. He had a joint suspension. I had a 687 00:34:21,920 --> 00:34:24,120 Speaker 1: one eighty six twenty two, and on one eighty seven 688 00:34:24,120 --> 00:34:26,399 Speaker 1: to eight, and then one two up to two point five. 689 00:34:26,760 --> 00:34:28,600 Speaker 1: So I'm on my way to I'm on my way 690 00:34:28,600 --> 00:34:31,799 Speaker 1: to New Folksoland Couz go to the dorm and he 691 00:34:31,920 --> 00:34:32,960 Speaker 1: finished the rock so you. 692 00:34:32,960 --> 00:34:36,000 Speaker 2: Could kind of hear where what I was doing. 693 00:34:36,080 --> 00:34:38,640 Speaker 1: And then when he shows up in the second half 694 00:34:38,680 --> 00:34:42,080 Speaker 1: of the song, you could hear. With collaboration, we ended 695 00:34:42,160 --> 00:34:44,279 Speaker 1: up writing shit together that I used street life. 696 00:34:44,360 --> 00:34:46,719 Speaker 2: That was bold. Bold. We wrote that chorus for me. 697 00:34:47,200 --> 00:34:47,600 Speaker 2: I had it. 698 00:34:47,640 --> 00:34:49,080 Speaker 1: I was saying that a certain kind of way. He 699 00:34:49,160 --> 00:34:50,799 Speaker 1: was like, it's better like this, and I thought he 700 00:34:50,880 --> 00:34:53,000 Speaker 1: was right. So that's the way I recorded it. So 701 00:34:53,040 --> 00:34:55,120 Speaker 1: it wasn't like he. I just was writing for Buth. 702 00:34:55,719 --> 00:34:57,560 Speaker 1: I gave him a lot more shit than he gave me, 703 00:34:57,719 --> 00:35:00,279 Speaker 1: just because I had more shit, but like in terms 704 00:35:00,280 --> 00:35:02,400 Speaker 1: of what I was writing on and he put his 705 00:35:02,480 --> 00:35:05,359 Speaker 1: input in, we would rewrite shit and he he left 706 00:35:05,360 --> 00:35:06,800 Speaker 1: with all of that, but he didn't record. 707 00:35:07,840 --> 00:35:13,160 Speaker 3: Yeah, both bull listen see bull livesen for real. So 708 00:35:13,200 --> 00:35:16,360 Speaker 3: you said he was like he was out the destroying 709 00:35:16,360 --> 00:35:18,240 Speaker 3: and ship of wreck and shit. Is that you bumping 710 00:35:18,280 --> 00:35:19,520 Speaker 3: the MIC's to see a singing toon? 711 00:35:20,440 --> 00:35:21,960 Speaker 2: I bumped in and said singleton. 712 00:35:22,040 --> 00:35:24,480 Speaker 1: So my mom looked at church and I had I 713 00:35:24,520 --> 00:35:27,600 Speaker 1: had created this little company called twenty four Deep Productions 714 00:35:27,640 --> 00:35:29,960 Speaker 1: because I got the benefit of watching the big armies 715 00:35:30,000 --> 00:35:32,239 Speaker 1: like this nigga do that thing. So I had that 716 00:35:32,320 --> 00:35:35,040 Speaker 1: blue tape. That blue tape mattered to me and so 717 00:35:35,120 --> 00:35:36,840 Speaker 1: I'm looking at this blue tape and IM like that. 718 00:35:37,120 --> 00:35:38,480 Speaker 1: So we we started. 719 00:35:38,760 --> 00:35:41,080 Speaker 2: Me and a hommy person for Flat Dog the music. 720 00:35:41,120 --> 00:35:44,279 Speaker 1: Flat Dog Crip Gang is like like between the cree 721 00:35:44,280 --> 00:35:46,719 Speaker 1: the Glenn Elders in Oak Park and sit right there. 722 00:35:47,120 --> 00:35:49,360 Speaker 1: And so the homy came. He went to our continuation 723 00:35:49,480 --> 00:35:52,120 Speaker 1: school and his mommy used to Byron Hell equipment. I 724 00:35:52,160 --> 00:35:53,880 Speaker 1: didn't know that at the time. We just rapping at 725 00:35:53,960 --> 00:35:56,520 Speaker 1: lunchtime and he was like hey, you really good. He 726 00:35:56,600 --> 00:35:58,279 Speaker 1: was like, man, let's time pull it. Why don't you 727 00:35:58,280 --> 00:36:00,000 Speaker 1: come to the house when we when we finished school 728 00:36:00,000 --> 00:36:02,680 Speaker 1: blah blah blah. I'm like, okay, cool. So because at 729 00:36:02,680 --> 00:36:04,439 Speaker 1: the van, we jumped in the van. We all rolled 730 00:36:04,440 --> 00:36:05,200 Speaker 1: to his spot and. 731 00:36:05,120 --> 00:36:08,520 Speaker 2: This nigga got drum machines, records, the walls that just 732 00:36:08,560 --> 00:36:11,160 Speaker 2: covered in crates, shives and crates. 733 00:36:11,480 --> 00:36:14,920 Speaker 1: The zigga got everything, every sample I needed to do 734 00:36:14,960 --> 00:36:18,920 Speaker 1: anything forever. That all this shit, it looked like alchemists. 735 00:36:18,960 --> 00:36:19,759 Speaker 2: Little roam in there. 736 00:36:20,320 --> 00:36:23,239 Speaker 1: He was sixteen, fifteen years old at the time, but 737 00:36:23,280 --> 00:36:25,319 Speaker 1: that's how his mama loved him. She kept him out 738 00:36:25,360 --> 00:36:27,720 Speaker 1: of trouble. Would let us be in there with that music, 739 00:36:27,760 --> 00:36:29,440 Speaker 1: blast them till threefold. 740 00:36:29,000 --> 00:36:29,439 Speaker 2: In the morning. 741 00:36:29,480 --> 00:36:31,880 Speaker 1: Would never say a word because they care more that 742 00:36:31,920 --> 00:36:34,440 Speaker 1: they knew where we was, that they felt that if 743 00:36:34,440 --> 00:36:37,320 Speaker 1: it was loud, and that in nigga have beautiful parents. 744 00:36:37,480 --> 00:36:40,920 Speaker 1: And so we was doing that get the songs done. 745 00:36:41,000 --> 00:36:44,120 Speaker 1: So I'm putting these motherfuckers on consignment. And so my 746 00:36:44,160 --> 00:36:46,960 Speaker 1: mama got my little cover. My cover was drawn by 747 00:36:47,000 --> 00:36:49,759 Speaker 1: brother Lynch because I had really just said my name 748 00:36:49,840 --> 00:36:51,960 Speaker 1: is X right and blah blah blah. I didn't have 749 00:36:52,000 --> 00:36:54,480 Speaker 1: a rap name yet. I was still a little slimmed 750 00:36:54,480 --> 00:36:56,360 Speaker 1: off for twenty fourth Street. They still call me a 751 00:36:56,400 --> 00:36:58,680 Speaker 1: little ray. I wasn't my official name, but I was 752 00:36:58,680 --> 00:37:00,520 Speaker 1: always with the big army, so they you like little 753 00:37:00,560 --> 00:37:02,799 Speaker 1: slim dog over there, you know what I mean? And 754 00:37:02,880 --> 00:37:05,040 Speaker 1: I Connessant was like busted the line that had X 755 00:37:05,120 --> 00:37:07,800 Speaker 1: Raded in it. People started like X righty just calling 756 00:37:07,840 --> 00:37:09,400 Speaker 1: me x Rader at Lench. 757 00:37:09,239 --> 00:37:11,200 Speaker 2: Was like, Nigga, it can't be r A T D. 758 00:37:11,239 --> 00:37:13,560 Speaker 2: It gotta be r I D E d KS And was. 759 00:37:13,600 --> 00:37:16,239 Speaker 1: Like, you ain't no player on no base shit. You 760 00:37:16,320 --> 00:37:18,080 Speaker 1: against it, nigga, Just that gainst. 761 00:37:17,840 --> 00:37:19,359 Speaker 2: The shit ri I d D. 762 00:37:19,360 --> 00:37:22,640 Speaker 1: So let's drew my first logo and drew my first 763 00:37:22,680 --> 00:37:25,520 Speaker 1: cover and so my mama had that on the keychain, 764 00:37:25,640 --> 00:37:27,440 Speaker 1: went to church and said it saw it. It was 765 00:37:27,520 --> 00:37:31,080 Speaker 1: like you do you know X rayed And she was like, yeah, 766 00:37:31,320 --> 00:37:33,680 Speaker 1: my son, and he gave her his card and so 767 00:37:33,800 --> 00:37:35,680 Speaker 1: I had to Mamma, give me a card. I'm running 768 00:37:35,680 --> 00:37:38,360 Speaker 1: around all right then no attention to it. We about 769 00:37:38,360 --> 00:37:41,120 Speaker 1: to me and I eating. Some shit happened in the 770 00:37:41,120 --> 00:37:42,600 Speaker 1: south Side, so me and I was about to go 771 00:37:42,640 --> 00:37:45,799 Speaker 1: clap some sit up we get pulled over. This is 772 00:37:45,840 --> 00:37:49,680 Speaker 1: back when if you in the car and you joy ride, 773 00:37:49,680 --> 00:37:51,719 Speaker 1: and you're a joy rider. The nigga that got the 774 00:37:51,719 --> 00:37:54,040 Speaker 1: pistol got a gun charge. The nigga that was driving 775 00:37:54,040 --> 00:37:56,400 Speaker 1: the car got a GT it. And that's kind of 776 00:37:56,400 --> 00:37:58,359 Speaker 1: how because we didn't get to go do it, yet 777 00:37:58,400 --> 00:38:00,680 Speaker 1: it got us on our way to do it. So 778 00:38:00,719 --> 00:38:02,560 Speaker 1: I get the joy ride and I spend a weekend 779 00:38:02,600 --> 00:38:05,000 Speaker 1: in the jail. While I'm in the jail, I run 780 00:38:05,040 --> 00:38:07,280 Speaker 1: into a hommy name a Metaview Blood. 781 00:38:07,520 --> 00:38:09,080 Speaker 2: He was leaning still. 782 00:38:09,120 --> 00:38:11,239 Speaker 1: He wasn't really like all the way over there, but 783 00:38:11,320 --> 00:38:12,960 Speaker 1: he was head that I could see it going there. 784 00:38:13,000 --> 00:38:16,160 Speaker 1: But his name is Miko. You were from the south Side, 785 00:38:16,160 --> 00:38:18,440 Speaker 1: He from twenty third and I love that nigga. 786 00:38:18,520 --> 00:38:20,680 Speaker 2: So this is how I meet me. I have seen 787 00:38:20,719 --> 00:38:22,080 Speaker 2: him fifty million times. 788 00:38:22,239 --> 00:38:24,719 Speaker 1: But I'm in juvenile hall waiting for my mama to 789 00:38:24,760 --> 00:38:27,200 Speaker 1: get me out on Monday, and this nigga is in 790 00:38:27,280 --> 00:38:30,760 Speaker 1: juvenile hall because they said he filed the serial number 791 00:38:30,800 --> 00:38:31,640 Speaker 1: down on his Kuber. 792 00:38:31,960 --> 00:38:35,800 Speaker 2: This nigga got cougar stans malleys. This nigga, young nigga 793 00:38:35,840 --> 00:38:36,160 Speaker 2: doing it. 794 00:38:36,200 --> 00:38:38,520 Speaker 1: So seeing him, the juvenile alls like, fuck, this nigga 795 00:38:38,560 --> 00:38:40,239 Speaker 1: doing the Juvenile though. 796 00:38:40,480 --> 00:38:42,120 Speaker 2: I thought this nigga was twenty. 797 00:38:41,840 --> 00:38:43,200 Speaker 4: Five thirty years old. 798 00:38:43,239 --> 00:38:45,160 Speaker 2: I didn't know this nigga was in jam. 799 00:38:45,840 --> 00:38:47,600 Speaker 1: They was just a balling young nigga that had a 800 00:38:47,680 --> 00:38:51,200 Speaker 1: vision and a mission. And so he was like, we 801 00:38:51,239 --> 00:38:53,200 Speaker 1: was talking and I was spending some run that niggas 802 00:38:53,200 --> 00:38:55,520 Speaker 1: was like many you you were actualted. 803 00:38:55,360 --> 00:38:57,560 Speaker 2: Cause niggas didn't know it was me. It was because 804 00:38:57,600 --> 00:38:59,360 Speaker 2: it was just a picture. It was a drawing. 805 00:38:59,760 --> 00:39:01,640 Speaker 1: It was no picture of me, like you said, were 806 00:39:01,719 --> 00:39:05,000 Speaker 1: seldom seeing. There's very few pictures from me back then. 807 00:39:05,360 --> 00:39:07,799 Speaker 2: Zero videos and no music videos. 808 00:39:07,520 --> 00:39:10,600 Speaker 1: Until twenty eighteen when I came home. So the first 809 00:39:10,640 --> 00:39:13,320 Speaker 1: music video I ever do a two point five million views, 810 00:39:13,360 --> 00:39:14,799 Speaker 1: you know what I mean. I had never even had 811 00:39:14,840 --> 00:39:18,879 Speaker 1: a music video. And so yeah, so I get out 812 00:39:18,880 --> 00:39:21,759 Speaker 1: of the Juvenile hall, he get out. We go about 813 00:39:21,760 --> 00:39:23,640 Speaker 1: our way and I finally called the nigga Mick and 814 00:39:23,680 --> 00:39:27,000 Speaker 1: I was like, hey, man, I wanted to talk to 815 00:39:27,040 --> 00:39:28,160 Speaker 1: you about what you were saying. 816 00:39:28,239 --> 00:39:29,920 Speaker 2: You know, you'd like to want to do some management 817 00:39:29,960 --> 00:39:32,359 Speaker 2: for you, blah blah blah. So me and him link up. 818 00:39:32,400 --> 00:39:35,239 Speaker 1: We roll around and we pulled up on cedric I 819 00:39:35,280 --> 00:39:37,000 Speaker 1: gave him the card he had called him the shit, 820 00:39:37,040 --> 00:39:39,600 Speaker 1: and we pulled up on Cedric and then niggas agreed 821 00:39:40,160 --> 00:39:43,800 Speaker 1: that Meek would fund everything and that Cedric could have 822 00:39:44,120 --> 00:39:44,600 Speaker 1: his business. 823 00:39:44,600 --> 00:39:45,640 Speaker 2: He had the brain powder. 824 00:39:45,920 --> 00:39:49,960 Speaker 1: So Meek was like our herry yo, and Seject was 825 00:39:50,040 --> 00:39:52,799 Speaker 1: like our should not And. 826 00:39:52,840 --> 00:39:55,160 Speaker 2: It was kind of like that. So you had danger. 827 00:39:55,200 --> 00:39:58,160 Speaker 1: All of productions was leat thing, and then Black Arct 828 00:39:58,200 --> 00:40:00,239 Speaker 1: Records they built that was subjects thing. You know, I 829 00:40:00,280 --> 00:40:02,879 Speaker 1: have my little twenty four deep Productions. Then that's where 830 00:40:03,000 --> 00:40:05,160 Speaker 1: Lyunch got the EP name from A couple of years 831 00:40:05,239 --> 00:40:07,800 Speaker 1: later that that was the name of my production company 832 00:40:07,840 --> 00:40:09,719 Speaker 1: that I made up when I was fifteen years old 833 00:40:10,080 --> 00:40:10,920 Speaker 1: as a little rapper. 834 00:40:11,320 --> 00:40:15,120 Speaker 3: People will be even bring the stories up later, y'all, 835 00:40:15,200 --> 00:40:15,959 Speaker 3: y'all take news. 836 00:40:17,239 --> 00:40:20,319 Speaker 1: Hey, So yeah, the niggas built I was the first 837 00:40:20,440 --> 00:40:22,880 Speaker 1: artist ever on Black Market Records. I'll say I'm the 838 00:40:23,160 --> 00:40:25,360 Speaker 1: ll Cool j of Black Marty Records. It was the 839 00:40:25,360 --> 00:40:28,880 Speaker 1: first one they ever released music for. Sacramento had artists 840 00:40:28,880 --> 00:40:30,920 Speaker 1: prior to me, my Big Armies, Triple Threat three. You 841 00:40:31,040 --> 00:40:35,279 Speaker 1: might see the BK, Bruce Knight and the Homy DC Ray. 842 00:40:35,719 --> 00:40:37,640 Speaker 1: They had a group called Triple Direct three and they 843 00:40:37,719 --> 00:40:41,920 Speaker 1: was more on that, you know, early almost techno hip, 844 00:40:43,680 --> 00:40:46,279 Speaker 1: you know, the man Tronics type shit they was doing. 845 00:40:46,280 --> 00:40:49,400 Speaker 2: That's what we was on. Yeah, that's yeah, that's. 846 00:40:49,280 --> 00:40:51,120 Speaker 4: What would for us on the West Coast. 847 00:40:51,160 --> 00:40:54,560 Speaker 1: It was techno out and it was fun niggas just 848 00:40:54,600 --> 00:40:57,600 Speaker 1: having fun. And so they had that and the a 849 00:40:57,640 --> 00:41:00,279 Speaker 1: cat named I'm a Sorry from Oak Park came out 850 00:41:00,360 --> 00:41:02,520 Speaker 1: and uh, the black Market fucked with him a little 851 00:41:02,520 --> 00:41:04,880 Speaker 1: bit on production, but they wasn't called black Market. 852 00:41:05,320 --> 00:41:07,640 Speaker 2: They had a different name, and so that was they 853 00:41:07,680 --> 00:41:14,640 Speaker 2: were behind it. It's crazy rip, Yeah, it was. I was. 854 00:41:14,760 --> 00:41:18,160 Speaker 1: I was super motivated by am a side his presence 855 00:41:18,520 --> 00:41:20,479 Speaker 1: and seeing him it made me feel like I could 856 00:41:20,480 --> 00:41:22,719 Speaker 1: do it, you know what I mean, And so, uh, 857 00:41:22,960 --> 00:41:24,160 Speaker 1: I started getting cracking. 858 00:41:24,600 --> 00:41:24,799 Speaker 2: You know. 859 00:41:24,880 --> 00:41:28,040 Speaker 1: I was influenced by y'all. I was influenced by people 860 00:41:28,120 --> 00:41:30,879 Speaker 1: like cy Percied. I thought Ice Cube was like that 861 00:41:30,960 --> 00:41:35,120 Speaker 1: nigga bro Prime ice Cube with Ice considered Little Wayne 862 00:41:35,120 --> 00:41:40,440 Speaker 1: to be that nigga from from straight out of Compton 863 00:41:40,480 --> 00:41:42,759 Speaker 1: and Easy does it all the way to death Certificate. 864 00:41:42,840 --> 00:41:45,560 Speaker 2: It's like an argument that that's the dopest chunk of 865 00:41:46,560 --> 00:41:51,560 Speaker 2: that top hip hop down there. Everything on what these 866 00:41:51,640 --> 00:41:52,439 Speaker 2: niggas is doing. 867 00:41:52,680 --> 00:41:55,880 Speaker 4: Yeah that death what no, Joe, No, that was. 868 00:41:55,920 --> 00:41:58,600 Speaker 1: Special man, that was he was breaking even chill, that 869 00:41:58,680 --> 00:42:01,560 Speaker 1: will the birth the power uh in dangers. 870 00:42:01,200 --> 00:42:05,120 Speaker 2: Species, the remixing that species. Like that shit that seemed special. 871 00:42:05,560 --> 00:42:07,919 Speaker 2: And then like I said, it took me under. 872 00:42:07,960 --> 00:42:10,719 Speaker 1: And then the whale sample nigga, Well all of that 873 00:42:10,800 --> 00:42:14,000 Speaker 1: shit that oh man, that's the goosebumps nigga. So like 874 00:42:14,040 --> 00:42:18,560 Speaker 1: I'm big on the chronological order of hip hop, history 875 00:42:18,600 --> 00:42:22,360 Speaker 1: matters to me because you could see his influence on people. 876 00:42:22,400 --> 00:42:27,040 Speaker 2: You could see a cycercial influenced cubes influence at WA's Dre's. 877 00:42:27,080 --> 00:42:30,040 Speaker 1: You could go back farther enough to see where this 878 00:42:30,120 --> 00:42:31,200 Speaker 1: shit came from. 879 00:42:31,600 --> 00:42:33,399 Speaker 2: And a lot of people wouldn't like that. They don't 880 00:42:33,440 --> 00:42:35,440 Speaker 2: want to do that. They do that on the East coast, 881 00:42:35,800 --> 00:42:37,040 Speaker 2: they preserve their history. 882 00:42:37,080 --> 00:42:40,080 Speaker 1: Going on the West, we show busy tearing each other down, 883 00:42:40,520 --> 00:42:43,799 Speaker 1: that there's no preservation of our dopeness and our road 884 00:42:43,920 --> 00:42:46,319 Speaker 1: map to show the treaty we go far because I'm 885 00:42:46,360 --> 00:42:49,240 Speaker 1: proud to come from that lineage of what the Homies 886 00:42:49,320 --> 00:42:49,640 Speaker 1: is doing. 887 00:42:49,640 --> 00:42:50,719 Speaker 2: I'm proud of that far. 888 00:42:50,880 --> 00:42:54,000 Speaker 3: That is because of what you said earlier. We don't 889 00:42:54,040 --> 00:42:56,799 Speaker 3: get people. That's really nice with big ship of position. Man, 890 00:42:56,840 --> 00:42:58,680 Speaker 3: it's always people from outside the coach. 891 00:42:59,000 --> 00:43:01,120 Speaker 2: Yeah, you feel what I'm saying. 892 00:43:01,560 --> 00:43:03,680 Speaker 3: And it ain't gonna not no other race of people 893 00:43:03,680 --> 00:43:06,680 Speaker 3: in none mills. But it's like Oparl Wall six. They 894 00:43:06,680 --> 00:43:08,880 Speaker 3: ain't got one black DJ. I don't think it's one 895 00:43:08,960 --> 00:43:09,439 Speaker 3: black show. 896 00:43:10,400 --> 00:43:12,239 Speaker 1: Yeah, And there was a time where that would have 897 00:43:12,280 --> 00:43:16,360 Speaker 1: been considered unacceptable. All we gotta do is listen to 898 00:43:16,440 --> 00:43:18,680 Speaker 1: a track run on America. Most wanted to tell you 899 00:43:18,680 --> 00:43:21,960 Speaker 1: what time it would have been. Nigga choose on everybody, 900 00:43:22,000 --> 00:43:24,920 Speaker 1: as did Cornelius Nigga that nigga was on the American 901 00:43:24,960 --> 00:43:28,279 Speaker 1: band staying Nigga anybody if they was, if they was 902 00:43:28,280 --> 00:43:31,120 Speaker 1: playing with the culture, diluting the culture, they would get 903 00:43:31,120 --> 00:43:31,960 Speaker 1: called out on it. 904 00:43:32,000 --> 00:43:33,040 Speaker 2: And that stopped. 905 00:43:32,680 --> 00:43:36,359 Speaker 1: Happening because niggas started getting checks, them checks. Niggas sold 906 00:43:36,400 --> 00:43:39,719 Speaker 1: the cultures exact the integrity of the well bad. 907 00:43:39,960 --> 00:43:41,880 Speaker 3: So when you was doing, when you was fucking with 908 00:43:41,960 --> 00:43:45,480 Speaker 3: seeing singing black market ricords, how many ricords does drug 909 00:43:45,520 --> 00:43:47,200 Speaker 3: over shit? 910 00:43:47,960 --> 00:43:51,920 Speaker 2: I dropped, So I didna niggas. 911 00:43:51,520 --> 00:43:55,919 Speaker 1: In black first and then uh with Tantrum from front 912 00:43:55,960 --> 00:44:00,399 Speaker 1: of flats, and then Lynch got involved. Yeah, and then 913 00:44:01,680 --> 00:44:07,120 Speaker 1: those recordings became psychoactive, and the Exiousists happened bill Board, 914 00:44:07,600 --> 00:44:12,120 Speaker 1: I forgiven happened bill Board. My nefarious project happened bill Board. 915 00:44:12,520 --> 00:44:17,760 Speaker 1: The seatbull Tillmarcastic drops Billboard. Then that ain't counting twenty 916 00:44:17,760 --> 00:44:20,160 Speaker 1: four deep. It's Season of the Sickness and all that shit, 917 00:44:20,520 --> 00:44:23,880 Speaker 1: because my Exorcist album was actually called Season of the Sickness. 918 00:44:23,880 --> 00:44:26,080 Speaker 1: That was what I was gonna call it, but nobody 919 00:44:26,120 --> 00:44:27,839 Speaker 1: believed that I was gonna be able to do it. 920 00:44:28,400 --> 00:44:31,080 Speaker 1: So I'm working on what would become Season of the Sickness, 921 00:44:31,080 --> 00:44:34,280 Speaker 1: and somewhere over there they decided that that's what Lynch's 922 00:44:34,280 --> 00:44:36,799 Speaker 1: album should be called, but that was actually the name 923 00:44:36,840 --> 00:44:40,120 Speaker 1: of my album that became Exorcists, So I chose the 924 00:44:40,160 --> 00:44:43,120 Speaker 1: name Exiorosists because they utilized Season of the Sickness for 925 00:44:43,239 --> 00:44:47,480 Speaker 1: men's They saw I do Exorsists and all those different 926 00:44:47,560 --> 00:44:49,840 Speaker 1: projects and just kept it moving. 927 00:44:49,880 --> 00:44:50,040 Speaker 3: Man. 928 00:44:50,120 --> 00:44:52,520 Speaker 1: I was obsessed and hitting bill Board and the culture 929 00:44:52,520 --> 00:44:55,400 Speaker 1: paying attention. I didn't get the kind of stories written it. 930 00:44:55,440 --> 00:44:57,360 Speaker 1: I would have liked the kid repeating up what the 931 00:44:57,400 --> 00:45:01,279 Speaker 1: AP wrote, lazy reporting, but uh, it was dope that 932 00:45:01,320 --> 00:45:02,480 Speaker 1: they kept my name alive. 933 00:45:02,520 --> 00:45:04,879 Speaker 2: And you got lunching boat keeping my name alone. 934 00:45:05,120 --> 00:45:07,200 Speaker 3: You know in sensation Liza, like we see earlier. You 935 00:45:07,280 --> 00:45:10,000 Speaker 3: see it was like over lift. You know this dude 936 00:45:10,080 --> 00:45:12,839 Speaker 3: man the rap lyricsy wrapped the bottle murder. He could 937 00:45:12,920 --> 00:45:16,080 Speaker 3: be you know, they pushing that thing. They don't care 938 00:45:16,120 --> 00:45:18,080 Speaker 3: if it's true a bel gift, it's true or false, 939 00:45:18,120 --> 00:45:19,120 Speaker 3: as long as the reaction. 940 00:45:19,560 --> 00:45:22,000 Speaker 2: Yeah, they don't care. Man. All they want is the 941 00:45:22,040 --> 00:45:23,160 Speaker 2: outcomes that they want. 942 00:45:23,840 --> 00:45:25,759 Speaker 3: So I see it made some bread over there with 943 00:45:25,800 --> 00:45:26,520 Speaker 3: you what you want. 944 00:45:26,600 --> 00:45:30,440 Speaker 1: Yeah, Cedric definitely made some bread. I feel like everybody 945 00:45:30,480 --> 00:45:33,439 Speaker 1: made some bread. Everybody made some bread. What we did 946 00:45:33,480 --> 00:45:35,799 Speaker 1: with it and how we got it, and you know 947 00:45:35,880 --> 00:45:39,080 Speaker 1: what our individual deals work, that's a different question. But 948 00:45:39,760 --> 00:45:45,920 Speaker 1: everybody definitely generated now. You know, I always if I 949 00:45:46,000 --> 00:45:49,600 Speaker 1: told Cedric to send me ten bands, twenty bands like tonight, 950 00:45:49,680 --> 00:45:50,960 Speaker 1: I had that ship by Monday. 951 00:45:51,880 --> 00:45:55,400 Speaker 2: I have it by monday now. Still he just it's been. 952 00:45:55,600 --> 00:45:58,399 Speaker 2: It was different for me with Cedric Singleton, and that's 953 00:45:58,400 --> 00:45:59,040 Speaker 2: why there's no. 954 00:45:59,040 --> 00:46:02,120 Speaker 1: Record that we're saying nothing reckless about him. And I 955 00:46:02,160 --> 00:46:04,200 Speaker 1: feel like that brother didn't know what the fuck he 956 00:46:04,320 --> 00:46:06,600 Speaker 1: was doing. Me didn't know what the fuck he was doing. 957 00:46:06,960 --> 00:46:08,880 Speaker 1: I definitely know what the fuck I was doing. I 958 00:46:08,960 --> 00:46:11,280 Speaker 1: just knew I was dope. I wanted to be dope, 959 00:46:11,640 --> 00:46:14,120 Speaker 1: and I wanted to grow and get better as an MC. 960 00:46:14,719 --> 00:46:16,799 Speaker 1: But like we was winging it, and so I all 961 00:46:16,840 --> 00:46:19,040 Speaker 1: look at that brother like he was being a predatory 962 00:46:19,120 --> 00:46:21,399 Speaker 1: person on us, and shit, I look like he made 963 00:46:21,480 --> 00:46:24,680 Speaker 1: mistakes that cost him money too. He missed money as well. 964 00:46:25,080 --> 00:46:27,920 Speaker 1: But like it wants you know better now we I'm 965 00:46:27,920 --> 00:46:30,520 Speaker 1: gonna need you to do better. And some people feel 966 00:46:30,560 --> 00:46:32,720 Speaker 1: like that in Apple fast enough. But in my case, 967 00:46:33,320 --> 00:46:36,120 Speaker 1: you know, I was a juvenile and I got arrested. 968 00:46:36,600 --> 00:46:38,880 Speaker 1: Cedric came up there, told him he was my father 969 00:46:38,960 --> 00:46:40,839 Speaker 1: and visited me because he was worried they was trying 970 00:46:40,880 --> 00:46:41,759 Speaker 1: to get me the depth in it. 971 00:46:42,320 --> 00:46:44,040 Speaker 2: So this nigga's telling them he's my. 972 00:46:44,000 --> 00:46:46,799 Speaker 1: Father and was coming to see me and make sure 973 00:46:46,840 --> 00:46:49,000 Speaker 1: that my spirit is good and that I asked somebody 974 00:46:49,360 --> 00:46:52,200 Speaker 1: I wasn't getting abused. You know, he would go back. 975 00:46:52,440 --> 00:46:54,560 Speaker 1: I end up in the county jail. Cedric is there. 976 00:46:54,600 --> 00:46:57,200 Speaker 1: I go to the prison. Cedric used to come and 977 00:46:57,200 --> 00:46:58,920 Speaker 1: to visit a row play chess with me four or 978 00:46:59,000 --> 00:47:01,600 Speaker 1: five hours. At the time, I was a seventeen year 979 00:47:01,600 --> 00:47:04,279 Speaker 1: old baby. You know the amount of empathy he had. 980 00:47:04,400 --> 00:47:07,160 Speaker 1: He never let nobody during interviews. He never let nobody 981 00:47:07,160 --> 00:47:10,120 Speaker 1: play with me. He always defended what I was doing. 982 00:47:10,600 --> 00:47:13,040 Speaker 1: And so I happen to just have I happened to 983 00:47:13,040 --> 00:47:15,359 Speaker 1: love this nigga. I love it, you know what I mean? 984 00:47:15,400 --> 00:47:18,000 Speaker 1: He was, let's do That's my pops. I call him Pops. 985 00:47:18,000 --> 00:47:20,719 Speaker 1: He like my J prince and he kind of like 986 00:47:20,760 --> 00:47:22,600 Speaker 1: a J prince to Marsie. It ain't my place to 987 00:47:22,640 --> 00:47:26,480 Speaker 1: speak on Mazi's relationship with Cedric, but I'll say, MASI 988 00:47:26,640 --> 00:47:30,279 Speaker 1: has a relationship with Cedric that has prevented us from 989 00:47:30,280 --> 00:47:31,440 Speaker 1: having issues. 990 00:47:31,080 --> 00:47:33,000 Speaker 2: With each other because. 991 00:47:34,120 --> 00:47:37,399 Speaker 1: That's my pops, and that's that's somebody that that that 992 00:47:37,400 --> 00:47:40,480 Speaker 1: that that assisted Mazi with doing what he was doing too. 993 00:47:40,560 --> 00:47:42,759 Speaker 1: But it would break his heart, you know. He was 994 00:47:42,800 --> 00:47:44,920 Speaker 1: the main line like man, y'all. You know, look at 995 00:47:44,920 --> 00:47:47,200 Speaker 1: my baby boys. Man, you know the same way I'll 996 00:47:47,239 --> 00:47:50,080 Speaker 1: speak of mind. And so I just always kept it. 997 00:47:50,280 --> 00:47:52,719 Speaker 1: I just kept that relationship best doory. 998 00:47:52,800 --> 00:47:55,840 Speaker 3: It was though I had the man got to communion 999 00:47:55,920 --> 00:47:58,600 Speaker 3: say it same because I called you the other day 1000 00:47:58,680 --> 00:48:00,759 Speaker 3: and I said, man, guess what, like it was some 1001 00:48:00,880 --> 00:48:03,799 Speaker 3: dude Africa I'm just flipping through the thing and it's 1002 00:48:03,880 --> 00:48:06,600 Speaker 3: this African channel or whatever, and I'm seeing to do 1003 00:48:06,719 --> 00:48:08,880 Speaker 3: the wed here with the biggest man for the biggest 1004 00:48:08,880 --> 00:48:11,400 Speaker 3: record label in Africa, Black Market Records, and I'm like 1005 00:48:11,480 --> 00:48:13,919 Speaker 3: somebody gonna throw only you know, say a thing's left 1006 00:48:14,200 --> 00:48:17,200 Speaker 3: and it's him over there Africa and the saying he 1007 00:48:17,280 --> 00:48:20,279 Speaker 3: got cracking big international African artists. 1008 00:48:20,320 --> 00:48:24,320 Speaker 2: Oh yeah, everything, he got a relationship with the president. Everything. 1009 00:48:24,600 --> 00:48:27,080 Speaker 1: We could go to Africa and go to Savari and 1010 00:48:27,239 --> 00:48:30,680 Speaker 1: be walking around with the lions inside of a resort. 1011 00:48:30,800 --> 00:48:34,279 Speaker 2: And just be chilling. If we could get there, That's 1012 00:48:34,320 --> 00:48:36,279 Speaker 2: what's gonna happen. We got. We're gonna be having a 1013 00:48:36,320 --> 00:48:38,520 Speaker 2: boss player experience. That niggas. 1014 00:48:38,600 --> 00:48:41,440 Speaker 1: That niggas, he the the dude over there, one of them. 1015 00:48:41,800 --> 00:48:43,960 Speaker 1: He wanted the dudes over there. You tell me all 1016 00:48:44,000 --> 00:48:46,640 Speaker 1: the time, man, you he sent me pictures of murals. 1017 00:48:46,640 --> 00:48:48,360 Speaker 1: He like you on the wall over here, you with 1018 00:48:48,440 --> 00:48:50,200 Speaker 1: that gun to your head is on the walls out 1019 00:48:50,280 --> 00:48:51,160 Speaker 1: here in Africa. 1020 00:48:51,480 --> 00:48:54,200 Speaker 2: It's like I walk around, it's like it's Tupac on 1021 00:48:54,239 --> 00:48:54,640 Speaker 2: the wall. 1022 00:48:55,160 --> 00:48:57,200 Speaker 1: And you say, you'll see Chinzick on the wall. You'll 1023 00:48:57,200 --> 00:48:59,400 Speaker 1: see Snoop on the wall. He's like you on the 1024 00:48:59,440 --> 00:49:01,840 Speaker 1: wall outre or that that's cycle. I take a picture 1025 00:49:01,880 --> 00:49:03,759 Speaker 1: on the wall that the. 1026 00:49:05,440 --> 00:49:08,840 Speaker 3: So somebody somebody at the show in Africa, senter's a 1027 00:49:08,880 --> 00:49:11,239 Speaker 3: picture that but to see if I know they got 1028 00:49:11,239 --> 00:49:16,839 Speaker 3: the only eight someone floating on that wall. 1029 00:49:16,920 --> 00:49:18,120 Speaker 2: He wax is on the wall. 1030 00:49:19,760 --> 00:49:25,480 Speaker 3: I didn't yehe man, you know what. That's dope, man, 1031 00:49:25,600 --> 00:49:28,200 Speaker 3: because you know what I always tell people. You do 1032 00:49:28,360 --> 00:49:30,200 Speaker 3: have the horror stories from back in the day of 1033 00:49:30,239 --> 00:49:34,279 Speaker 3: people doing stuff, but a lot of stuff could be 1034 00:49:34,280 --> 00:49:37,279 Speaker 3: contributed to people being young and not knowing how to 1035 00:49:37,320 --> 00:49:40,719 Speaker 3: man situation. Man. 1036 00:49:40,760 --> 00:49:42,280 Speaker 2: We gotta operate from empathy. 1037 00:49:42,400 --> 00:49:45,160 Speaker 1: Man. I was a I was tripping and I was 1038 00:49:45,480 --> 00:49:48,040 Speaker 1: I was pushing the line that was damnar I sustainable. 1039 00:49:48,080 --> 00:49:49,960 Speaker 1: It was inevitable. I had to I was gonna die 1040 00:49:50,040 --> 00:49:52,560 Speaker 1: or go to jail. It was inevitable. That's what that 1041 00:49:52,600 --> 00:49:55,319 Speaker 1: behavior does. And that's what it was for me. 1042 00:49:55,400 --> 00:49:56,960 Speaker 2: And I was not only one. 1043 00:49:57,480 --> 00:49:59,720 Speaker 1: That's what the That's what Tom was in this country. 1044 00:50:00,080 --> 00:50:01,960 Speaker 1: It's a lot of conditions that have been driven us 1045 00:50:02,280 --> 00:50:05,200 Speaker 1: just have to survive fight and we all got. 1046 00:50:05,360 --> 00:50:10,520 Speaker 4: We all felt the pressure of growing up in poverty 1047 00:50:10,640 --> 00:50:15,799 Speaker 4: and low income and just trying to survive with where 1048 00:50:16,280 --> 00:50:19,480 Speaker 4: we're victims of it, and that's what turned a lot 1049 00:50:19,520 --> 00:50:24,080 Speaker 4: of us into them, them vicious street characters, you get me. 1050 00:50:25,239 --> 00:50:28,480 Speaker 4: We was influenced by the niggas we saw hitting me. 1051 00:50:29,080 --> 00:50:34,040 Speaker 4: Uh Like, you know, they had fucking the motherfuckers in 1052 00:50:34,440 --> 00:50:38,240 Speaker 4: your library books and they taught you that bullshiting class 1053 00:50:38,360 --> 00:50:42,520 Speaker 4: about who's your heroes, and the motherfucker and the horse 1054 00:50:42,600 --> 00:50:46,759 Speaker 4: with the cowboy hat Martin had a dream, and and 1055 00:50:47,719 --> 00:50:50,960 Speaker 4: fucking the lady sat in the back of the bus 1056 00:50:51,080 --> 00:50:54,200 Speaker 4: refuse rows of porns and all that. They teach you 1057 00:50:54,239 --> 00:50:58,760 Speaker 4: that ship. But in reality, motherfucker, it's niggas outside sheeting 1058 00:50:58,880 --> 00:51:04,120 Speaker 4: every day, selling drugs and shipping nigga and I'm one up. 1059 00:51:04,640 --> 00:51:07,600 Speaker 4: You feel neat, So that trying to teach a nigga 1060 00:51:07,920 --> 00:51:12,360 Speaker 4: some other reality of where I'm at, nigga goes, Nigga, 1061 00:51:12,360 --> 00:51:16,080 Speaker 4: Look what the funk I'm at you. You can't teach 1062 00:51:16,160 --> 00:51:19,600 Speaker 4: me no other reality than what I'm seeing every day. 1063 00:51:19,880 --> 00:51:23,640 Speaker 4: So a lot of us young fall mixed them to it, 1064 00:51:23,760 --> 00:51:26,080 Speaker 4: and a lot of the niggas don't understand laughing for us, 1065 00:51:26,200 --> 00:51:29,400 Speaker 4: was father that's sending the homes and ship, Yeah, exactly, 1066 00:51:29,640 --> 00:51:32,080 Speaker 4: it's coming up, so for real. 1067 00:51:32,480 --> 00:51:39,359 Speaker 3: So the garden block, the sea boof garden man, you 1068 00:51:39,400 --> 00:51:42,120 Speaker 3: got yo, brother lakes, Yo, you don't have that vicious 1069 00:51:42,520 --> 00:51:46,640 Speaker 3: crawls with the garden block, yo. Yo. That's presence, y'all 1070 00:51:46,640 --> 00:51:50,240 Speaker 3: gotta because it's some youngsters over there getting busy carting toys. 1071 00:51:50,440 --> 00:51:53,600 Speaker 2: Yes, I'm right there. He's the vicious. 1072 00:51:55,800 --> 00:51:56,120 Speaker 3: Bulls. 1073 00:51:56,200 --> 00:52:00,799 Speaker 4: Yes, guard a lot, garden block favorous man. 1074 00:52:00,880 --> 00:52:02,840 Speaker 1: Let's say it on these names. Man, you said we 1075 00:52:02,880 --> 00:52:05,960 Speaker 1: got award gip when there was yeah macintoe. Okay, So 1076 00:52:06,080 --> 00:52:09,120 Speaker 1: my big hommy dolty right yere, my big hommy douty 1077 00:52:09,239 --> 00:52:09,600 Speaker 1: is we. 1078 00:52:09,760 --> 00:52:11,600 Speaker 2: Was one of the first ones outside. 1079 00:52:11,920 --> 00:52:12,120 Speaker 4: You know. 1080 00:52:12,160 --> 00:52:14,320 Speaker 2: He's from twenty nar Street. Our area. 1081 00:52:14,760 --> 00:52:18,040 Speaker 1: There's a box that guard block sits in that box 1082 00:52:18,120 --> 00:52:24,040 Speaker 1: is Medoview Road, Franklin Boulevard, Florin Road, the Freeport Boulevard, 1083 00:52:24,120 --> 00:52:26,640 Speaker 1: and that kind of most of everything in that box 1084 00:52:26,680 --> 00:52:29,719 Speaker 1: a little bit above Franklin. All of that is considered 1085 00:52:29,719 --> 00:52:32,920 Speaker 1: the guards keyways and and Dominus out there. And so 1086 00:52:34,200 --> 00:52:37,320 Speaker 1: our particular section we got three streets twenty nur Street, 1087 00:52:37,360 --> 00:52:39,920 Speaker 1: twenty fourth Street, and twenty first three and we call 1088 00:52:40,000 --> 00:52:44,040 Speaker 1: that nine one follow twenty Gang Garden Block Cribs South. 1089 00:52:43,840 --> 00:52:47,200 Speaker 2: Side and now in that. Out of that, Dar Lennias 1090 00:52:47,280 --> 00:52:49,920 Speaker 2: has produced uh trick. 1091 00:52:49,719 --> 00:52:54,319 Speaker 1: Hit Three Brothers, then myself, the first real international individual 1092 00:52:54,360 --> 00:52:56,560 Speaker 1: solo artists and the one that really brought the attention 1093 00:52:56,640 --> 00:52:59,960 Speaker 1: to the set. Like Psychoacticus Brother Lynch and see will 1094 00:53:00,160 --> 00:53:03,160 Speaker 1: on it. It was so early. Psychoactive was so early. 1095 00:53:03,239 --> 00:53:06,879 Speaker 1: Sea Boll's name is Snowman. In the credits, he's it's 1096 00:53:06,920 --> 00:53:09,759 Speaker 1: only to say Seaboll, It's say the Homie Snowman. 1097 00:53:10,480 --> 00:53:11,160 Speaker 2: And so like my. 1098 00:53:11,280 --> 00:53:13,680 Speaker 1: Fucking with a Psycho chorus, that sea bow on their 1099 00:53:13,760 --> 00:53:17,320 Speaker 1: Sea Bow on every single bitch chorus talking in the background. 1100 00:53:17,400 --> 00:53:20,520 Speaker 2: That's Buck. He was in the studio with us and Sit. 1101 00:53:20,960 --> 00:53:23,160 Speaker 1: I remember that Nigga came off from wire I'm at 1102 00:53:23,160 --> 00:53:27,640 Speaker 1: the Homie a Seahouse playing around on Percy's Elasi's drummer scene, 1103 00:53:27,680 --> 00:53:30,200 Speaker 1: and the Nigga Bo walked through the duk Homie Ac 1104 00:53:30,320 --> 00:53:34,000 Speaker 1: and Black from twenty nine Street Bo the dog openisig 1105 00:53:34,120 --> 00:53:36,920 Speaker 1: got the blue Khaki sou gone with the Cortes, and 1106 00:53:36,960 --> 00:53:39,520 Speaker 1: then Nigga got the Jerry Curl with the lots everywhere, 1107 00:53:39,560 --> 00:53:43,840 Speaker 1: and he's just beautiful fresh out. I'm like fifteen because 1108 00:53:43,880 --> 00:53:47,000 Speaker 1: it's probably like nineteen or twenty nineteen knocking on twenty 1109 00:53:47,080 --> 00:53:49,840 Speaker 1: or something like that, you know, And uh, I just 1110 00:53:49,880 --> 00:53:52,000 Speaker 1: remember that it was a dumb bass thing when he 1111 00:53:52,040 --> 00:53:54,759 Speaker 1: came home, and so Bo was just running around and 1112 00:53:54,840 --> 00:53:58,000 Speaker 1: making music. Marv Matt, She was fucking with people in 1113 00:53:58,040 --> 00:54:01,520 Speaker 1: the set like that. Mike mose all of them, he 1114 00:54:01,560 --> 00:54:04,640 Speaker 1: was working with them, Rick Rock, Rick Rock had a 1115 00:54:04,640 --> 00:54:10,920 Speaker 1: house on twenty nine Street. Yeah, Mike Mosley is the 1116 00:54:11,000 --> 00:54:14,279 Speaker 1: nigga and then almost everybody's under them. Studio Tone is 1117 00:54:14,320 --> 00:54:17,480 Speaker 1: the one that was really the dude a studio. He 1118 00:54:17,560 --> 00:54:20,280 Speaker 1: was doing forty too, wouldn't Yeah, we can't say everybody. 1119 00:54:20,320 --> 00:54:22,600 Speaker 1: He was doing forty Ship and he was the big 1120 00:54:22,600 --> 00:54:25,320 Speaker 1: hall on theos SO Studio call of forty. 1121 00:54:25,680 --> 00:54:28,560 Speaker 2: It was the big house. And all the other niggas 1122 00:54:28,600 --> 00:54:29,120 Speaker 2: was following. 1123 00:54:29,200 --> 00:54:33,719 Speaker 1: Mike Moseley, Sam Bostick and Rick Rockers all following behind him. 1124 00:54:34,239 --> 00:54:37,680 Speaker 1: Young disciples learning their way and getting that dick. But 1125 00:54:37,760 --> 00:54:41,560 Speaker 1: that my phone that bounced was coming really out of 1126 00:54:41,640 --> 00:54:44,000 Speaker 1: niggas getting the bar what Tall Copon did and then 1127 00:54:44,120 --> 00:54:47,439 Speaker 1: Mike Moseley, Sambostik and Rick Rock finding the own way. 1128 00:54:48,000 --> 00:54:54,560 Speaker 3: Legendary is production and Sam Bostonias head slips super. 1129 00:54:54,320 --> 00:54:56,840 Speaker 1: That shit was coming out of Sacramento and believing everywhere 1130 00:54:56,880 --> 00:54:59,520 Speaker 1: else from out the other way around. Studio Tall had 1131 00:54:59,560 --> 00:55:01,800 Speaker 1: that sound coming out the bay and that's how I 1132 00:55:01,920 --> 00:55:04,680 Speaker 1: was working, but it was different from what what was 1133 00:55:04,680 --> 00:55:07,000 Speaker 1: coming out the other direction. And then that nigga Spice 1134 00:55:07,120 --> 00:55:09,319 Speaker 1: was doing what he was doing. And then you had 1135 00:55:09,360 --> 00:55:14,120 Speaker 1: that nigga Richard Reck Redgy Hitler wasn't Killer, Frank Robson, 1136 00:55:14,200 --> 00:55:15,759 Speaker 1: MATC Felix, missus. 1137 00:55:15,520 --> 00:55:18,560 Speaker 2: So money made money, your twenty G stats. 1138 00:55:18,280 --> 00:55:20,960 Speaker 1: Moses split the c in King, Tuck war Good and 1139 00:55:21,080 --> 00:55:23,440 Speaker 1: Jesus is the change of the story just told of my. 1140 00:55:23,560 --> 00:55:26,200 Speaker 2: Possey balloom boom, boom boom. 1141 00:55:26,480 --> 00:55:29,759 Speaker 1: That nigga has to realize this is like I wasn't 1142 00:55:29,800 --> 00:55:31,840 Speaker 1: even in the studio yet I got the chance to 1143 00:55:31,880 --> 00:55:34,399 Speaker 1: tell rich that. I really was happy that I could 1144 00:55:34,440 --> 00:55:36,560 Speaker 1: tell him just like you was what that blue taking 1145 00:55:36,640 --> 00:55:37,120 Speaker 1: into us? 1146 00:55:37,520 --> 00:55:41,080 Speaker 2: Rocky Niggas Me and Cuz talk about you. I don't 1147 00:55:41,080 --> 00:55:42,560 Speaker 2: know if you know, me and him be on the 1148 00:55:42,600 --> 00:55:43,600 Speaker 2: foll two three. 1149 00:55:43,440 --> 00:55:45,600 Speaker 4: Hours out of time that just got damn mouth was 1150 00:55:45,680 --> 00:55:49,560 Speaker 4: ship this nigga. 1151 00:55:49,600 --> 00:55:51,920 Speaker 1: We would be talking about you, like where did this nigga? 1152 00:55:51,920 --> 00:55:53,920 Speaker 1: Where where you fit in and what you did for 1153 00:55:53,960 --> 00:55:54,400 Speaker 1: the culture. 1154 00:55:54,480 --> 00:55:58,520 Speaker 3: We put some ship to get putting place, yeah yeah, 1155 00:55:59,520 --> 00:56:01,840 Speaker 3: run you know, putting plays together. It's very you know 1156 00:56:01,960 --> 00:56:03,919 Speaker 3: very just do. All you gotta do is hit the whole. 1157 00:56:04,760 --> 00:56:07,080 Speaker 3: Are just gonna be half stepping tip through into that motherfucker. 1158 00:56:07,120 --> 00:56:08,680 Speaker 3: You gotta hit that motherfucker. 1159 00:56:09,280 --> 00:56:13,080 Speaker 4: Shit he a motherfucker Like, what's that movie my niggas 1160 00:56:13,080 --> 00:56:15,000 Speaker 4: shot a nigga when he was going through the hole 1161 00:56:15,120 --> 00:56:16,360 Speaker 4: or movie? 1162 00:56:16,560 --> 00:56:19,920 Speaker 2: Like everything it's gonna be an old right here. 1163 00:56:20,080 --> 00:56:21,439 Speaker 4: It's a move right the way. 1164 00:56:21,600 --> 00:56:24,040 Speaker 2: This is the fire, no effort for eight nigga, that's 1165 00:56:24,120 --> 00:56:25,160 Speaker 2: eight eight. 1166 00:56:26,040 --> 00:56:29,040 Speaker 1: Youre about open the age. Show up, eight voice, show up, 1167 00:56:29,120 --> 00:56:31,759 Speaker 1: eight name, show up. It's gonna work because nigga, Come 1168 00:56:31,800 --> 00:56:34,640 Speaker 1: on now, ley what everybody else is doing right now? 1169 00:56:34,719 --> 00:56:37,840 Speaker 2: Niggas out there that HEAs outside like an m c A. 1170 00:56:38,520 --> 00:56:41,600 Speaker 2: You are your brand. It's so powerful right now in 1171 00:56:41,640 --> 00:56:43,080 Speaker 2: this area. Like that's an ease. 1172 00:56:43,440 --> 00:56:45,200 Speaker 3: It's just what I'm you know what I want to 1173 00:56:45,239 --> 00:56:48,160 Speaker 3: ask you, though? Man? Why is sack of malo music's 1174 00:56:48,200 --> 00:56:48,760 Speaker 3: so dark? 1175 00:56:50,239 --> 00:56:52,239 Speaker 1: I think I gotta I think a lot of that 1176 00:56:52,400 --> 00:56:55,320 Speaker 1: was my fut when Psychoactive. 1177 00:56:54,719 --> 00:56:56,520 Speaker 2: Came out and the Exorcist came out. 1178 00:56:56,880 --> 00:57:00,000 Speaker 1: Then twenty four Deep happened and the season what change 1179 00:57:00,040 --> 00:57:04,320 Speaker 1: season that the sickness happened, that role to success, creating limicry. 1180 00:57:05,040 --> 00:57:07,920 Speaker 1: Niggas started mimicking what we was doing, and you know, 1181 00:57:08,040 --> 00:57:10,279 Speaker 1: they felt like that was the laying and it and 1182 00:57:10,480 --> 00:57:12,640 Speaker 1: it was dope. There was a pocket to be in. 1183 00:57:13,320 --> 00:57:16,720 Speaker 1: So I came kind of unforgiven. I kind of sped 1184 00:57:16,720 --> 00:57:19,400 Speaker 1: the tempo up, and I felt like Lynch all Loaded 1185 00:57:19,880 --> 00:57:23,960 Speaker 1: did Lynce, Like Loaded was really Lynch doing Lynce. We 1186 00:57:24,040 --> 00:57:26,240 Speaker 1: all kind of had each other. We were a malgamation 1187 00:57:26,400 --> 00:57:29,200 Speaker 1: of each other. But when I did unforgiving it, I 1188 00:57:29,240 --> 00:57:33,560 Speaker 1: did unforgiven. And well, let's did Loaded. That was Lynch 1189 00:57:33,640 --> 00:57:37,240 Speaker 1: doing Lenz. And then Bedo BoA's enemy of a State 1190 00:57:37,280 --> 00:57:39,479 Speaker 1: in it and he did that was both doing both. 1191 00:57:39,840 --> 00:57:43,560 Speaker 1: So everybody had their own individual approach to the pocket. 1192 00:57:44,040 --> 00:57:46,400 Speaker 2: And that's one of the things that made us dope. 1193 00:57:46,440 --> 00:57:49,560 Speaker 1: And then we introduced Luney Coleon on my Exorcist album, 1194 00:57:49,920 --> 00:57:53,720 Speaker 1: and then I introduced T Nutty on my Vengeance's Mind album. 1195 00:57:54,160 --> 00:57:58,840 Speaker 1: I introduced Belizo in them on my Initiation in my 1196 00:57:58,960 --> 00:58:01,720 Speaker 1: City of Kings probably Jack, so like I just been 1197 00:58:02,240 --> 00:58:04,760 Speaker 1: you know, putting the armies and positions every chance I got, 1198 00:58:04,840 --> 00:58:06,760 Speaker 1: no matter what, because I feel like that's what you're 1199 00:58:06,800 --> 00:58:07,440 Speaker 1: supposed to do. 1200 00:58:07,880 --> 00:58:10,040 Speaker 2: And we just dug some of. 1201 00:58:09,960 --> 00:58:13,360 Speaker 3: The yeas up there, you know, before we go, I 1202 00:58:13,400 --> 00:58:16,960 Speaker 3: gotta asking this man. So you come home and get 1203 00:58:16,960 --> 00:58:20,840 Speaker 3: out the stuff. How do you look up with tech men? Oh? 1204 00:58:21,040 --> 00:58:21,600 Speaker 2: Man? 1205 00:58:22,280 --> 00:58:25,000 Speaker 1: So like, I got this really bad habit that I 1206 00:58:25,040 --> 00:58:28,640 Speaker 1: probably won't be able to break. Man, it's unfortunate then, 1207 00:58:29,120 --> 00:58:31,280 Speaker 1: but I like to take brother Lynch's fades. 1208 00:58:31,800 --> 00:58:35,040 Speaker 2: That's my brother, you know what I mean. So somebody got. 1209 00:58:34,840 --> 00:58:37,240 Speaker 1: An issue with Lynch, It's likely that I'm not gonna 1210 00:58:37,240 --> 00:58:38,280 Speaker 1: be okay about that. 1211 00:58:38,640 --> 00:58:41,200 Speaker 2: And so Lynch and Tech nine bompais a little bit 1212 00:58:41,240 --> 00:58:41,880 Speaker 2: over something. 1213 00:58:41,920 --> 00:58:44,320 Speaker 1: And there was a song that was circulating and people 1214 00:58:44,360 --> 00:58:48,160 Speaker 1: who speculated was about Lynch, and uh, I felt like 1215 00:58:48,280 --> 00:58:49,560 Speaker 1: Lynch and TeX's. 1216 00:58:49,360 --> 00:58:52,160 Speaker 2: Business was they business? So I didn't want to get 1217 00:58:52,200 --> 00:58:52,520 Speaker 2: in that. 1218 00:58:52,960 --> 00:58:56,200 Speaker 1: But when the other niggas started charming in and Avid 1219 00:58:56,240 --> 00:58:59,000 Speaker 1: pom Pops just sitting pissed me off. So I just 1220 00:58:59,080 --> 00:59:01,960 Speaker 1: kind of just was like, like, I don't know all 1221 00:59:01,960 --> 00:59:04,040 Speaker 1: these other men, I said, I felt like them too. 1222 00:59:04,080 --> 00:59:06,240 Speaker 1: For work They issue out and they deserve that right, 1223 00:59:06,280 --> 00:59:08,240 Speaker 1: to do that and being who. 1224 00:59:08,120 --> 00:59:09,080 Speaker 2: They are to each other. 1225 00:59:09,720 --> 00:59:11,720 Speaker 1: But the rest of you niggas with your pop pops, 1226 00:59:11,760 --> 00:59:14,439 Speaker 1: I'm not never fucking the you niggas again. And Tech 1227 00:59:14,600 --> 00:59:18,280 Speaker 1: kind of comment them in post like I much respect 1228 00:59:18,280 --> 00:59:20,360 Speaker 1: for that. I'm gonna we'll see each other out there. 1229 00:59:20,400 --> 00:59:21,120 Speaker 2: Man must love. 1230 00:59:21,680 --> 00:59:25,480 Speaker 1: And uh So I had a little hustle going and 1231 00:59:25,520 --> 00:59:27,760 Speaker 1: I was able to grab a bag for Lynch and 1232 00:59:27,800 --> 00:59:29,280 Speaker 1: I was like, hes, you can go to KC. 1233 00:59:29,480 --> 00:59:31,120 Speaker 2: We got this bag that got a chance to get 1234 00:59:31,160 --> 00:59:32,120 Speaker 2: me a bag, and'm gonna go. 1235 00:59:32,440 --> 00:59:34,280 Speaker 1: So we went out to KC to do a show 1236 00:59:35,000 --> 00:59:39,760 Speaker 1: and uh, I'm at Lowe's and my fallster blown up 1237 00:59:40,040 --> 00:59:43,600 Speaker 1: from ground. This crip, little crip niggas start calling cuse 1238 00:59:43,640 --> 00:59:45,320 Speaker 1: blah blah blah. This nigga wanted to talk to you, 1239 00:59:45,480 --> 00:59:48,040 Speaker 1: Like who you Tech, My honey, this nigga you go 1240 00:59:48,080 --> 00:59:51,120 Speaker 1: into the barbecue. I was like, what barbecue? After Armies 1241 00:59:51,200 --> 00:59:53,680 Speaker 1: having the barbecue? Tech Tech is us and if you coming, 1242 00:59:53,720 --> 00:59:56,240 Speaker 1: because if you come, he go pull up. So I'm like, 1243 00:59:56,640 --> 00:59:58,760 Speaker 1: you got you got these young niggas out here having 1244 00:59:58,760 --> 01:00:00,440 Speaker 1: a barbecue, hoping that they excelling. 1245 01:00:00,720 --> 01:00:01,800 Speaker 2: Tech about the show up. 1246 01:00:02,200 --> 01:00:04,520 Speaker 1: But I don't know is that somewhere take what they 1247 01:00:04,560 --> 01:00:07,360 Speaker 1: wanted to be, because it's some probability that like I 1248 01:00:07,480 --> 01:00:10,840 Speaker 1: might show up the city, the city the Young Keyway, 1249 01:00:10,880 --> 01:00:12,880 Speaker 1: Almays be pulling up if you like. 1250 01:00:12,880 --> 01:00:14,560 Speaker 2: Nigga, come on, I'll be with them, you know what 1251 01:00:14,600 --> 01:00:14,919 Speaker 2: I mean. 1252 01:00:15,280 --> 01:00:17,000 Speaker 1: But they do it. They take me up, they don't 1253 01:00:17,000 --> 01:00:19,720 Speaker 1: take me down. So you know, it'll be the young 1254 01:00:19,800 --> 01:00:21,680 Speaker 1: Keyway nigga with the cars and a little bit of 1255 01:00:21,720 --> 01:00:24,400 Speaker 1: money and he moving around and we doing it like this, 1256 01:00:24,560 --> 01:00:27,160 Speaker 1: and he'll bring niggas up with us, you know what 1257 01:00:27,200 --> 01:00:29,080 Speaker 1: I mean, instead of making me go down. But I'll 1258 01:00:29,120 --> 01:00:31,800 Speaker 1: go down there to some brands, into some guts and 1259 01:00:31,920 --> 01:00:34,040 Speaker 1: we'll we'll kick it for a minute and dip out. 1260 01:00:34,080 --> 01:00:36,760 Speaker 1: But it's always happened in the right way, just enough 1261 01:00:36,800 --> 01:00:39,040 Speaker 1: to give us salute, you know what I mean. So 1262 01:00:39,760 --> 01:00:43,120 Speaker 1: me and let's go fun. Finally it bring it's the 1263 01:00:43,120 --> 01:00:46,200 Speaker 1: little honey Treds. I trust Trids. That's my little brother. 1264 01:00:46,240 --> 01:00:48,840 Speaker 1: I asked for what's up the Trids? Like, man, where're 1265 01:00:48,880 --> 01:00:50,600 Speaker 1: you eating at? I'm like, I'll tell you I'm looking 1266 01:00:50,600 --> 01:00:52,800 Speaker 1: at these places. He said, all right, I'll say I'm 1267 01:00:52,800 --> 01:00:55,280 Speaker 1: gonna pick this on. Say I'll be there at fifteen minutes, 1268 01:00:55,320 --> 01:00:57,840 Speaker 1: take and be there at thirty. I'm like, cool, we 1269 01:00:57,960 --> 01:01:00,240 Speaker 1: go around the corner. We're doing us. We getting in 1270 01:01:00,280 --> 01:01:02,680 Speaker 1: the restaurant and shut our chairs, walked through the dot 1271 01:01:02,680 --> 01:01:04,920 Speaker 1: and then balling this nigga tech walk did the dog. 1272 01:01:05,480 --> 01:01:07,919 Speaker 1: I face timed Lynch had let them tark briefly Lynch. 1273 01:01:07,960 --> 01:01:09,840 Speaker 1: I told Lynch we was going but you know, Lynce 1274 01:01:09,960 --> 01:01:12,280 Speaker 1: is gonna do it. Lynch is a Lynch is hit 1275 01:01:12,360 --> 01:01:16,600 Speaker 1: his stage where if if, if there ain't a real reason, 1276 01:01:16,800 --> 01:01:18,520 Speaker 1: this nigga's not going over nowhere. 1277 01:01:21,280 --> 01:01:24,440 Speaker 2: I respect that, Like I'm with these babies now, I'm 1278 01:01:24,440 --> 01:01:25,120 Speaker 2: a homebody. 1279 01:01:25,240 --> 01:01:28,040 Speaker 1: So I understood it. I'll face tied them though. We 1280 01:01:28,200 --> 01:01:33,640 Speaker 1: broke bread, great conversation, take go, dip off to the bathroom. 1281 01:01:33,680 --> 01:01:34,240 Speaker 3: We all talked it. 1282 01:01:34,280 --> 01:01:35,840 Speaker 1: Then they could walk back up and handed me a 1283 01:01:35,880 --> 01:01:38,480 Speaker 1: phone and he was driving so goad. He was like, man, 1284 01:01:38,520 --> 01:01:41,000 Speaker 1: would you put you doing Monday? I was like, cause 1285 01:01:41,200 --> 01:01:41,960 Speaker 1: I was supposed to be. 1286 01:01:41,960 --> 01:01:45,520 Speaker 2: On playing like Saturday or Sunday. I was like, shit, 1287 01:01:45,640 --> 01:01:47,200 Speaker 2: I ain't doing nothing Monday. What's happen? 1288 01:01:47,240 --> 01:01:49,120 Speaker 1: And he was like, pull up on me, man at 1289 01:01:49,160 --> 01:01:50,720 Speaker 1: one o'clock, I want to have a meet with you 1290 01:01:50,840 --> 01:01:54,040 Speaker 1: on Monday. I'm like, okay, cool, that's June fourteenth for 1291 01:01:54,120 --> 01:01:57,560 Speaker 1: twenty twenty one. So I got all this weekend to 1292 01:01:57,760 --> 01:02:00,520 Speaker 1: do whatever just is all the way hunger out with 1293 01:02:00,600 --> 01:02:05,240 Speaker 1: the Chase Keyway homies, my nigga, Teate Diggs, Twelfth Street, 1294 01:02:05,280 --> 01:02:07,680 Speaker 1: a few of them. We hung out, ran around the 1295 01:02:07,760 --> 01:02:11,000 Speaker 1: city a little bit, uh, and then it come Monday, 1296 01:02:11,280 --> 01:02:14,760 Speaker 1: like me and Tech. This Saturday, me and Tech invited 1297 01:02:14,800 --> 01:02:16,560 Speaker 1: all of us to Jack Stacks, so we have a 1298 01:02:16,680 --> 01:02:20,320 Speaker 1: dinner for like fifteen people. And I get this, nigga, 1299 01:02:20,400 --> 01:02:22,920 Speaker 1: let's come on, nigga, and they just pull up and 1300 01:02:23,040 --> 01:02:25,480 Speaker 1: they sat down and had a convo, and I was 1301 01:02:25,560 --> 01:02:28,800 Speaker 1: the first convo since lanch had really left Strange music. 1302 01:02:29,160 --> 01:02:30,760 Speaker 1: Where the two of them sat down and we ate 1303 01:02:30,800 --> 01:02:34,080 Speaker 1: some barbecue, broke bread. Lychar Sade came. It was mom, nephew. 1304 01:02:34,200 --> 01:02:35,000 Speaker 3: You know young. 1305 01:02:36,880 --> 01:02:37,240 Speaker 2: Yates. 1306 01:02:37,720 --> 01:02:40,760 Speaker 1: He's a savage beast, this wide eighth dollar sign and 1307 01:02:40,840 --> 01:02:43,680 Speaker 1: he and Monster's only collab out. But he came out 1308 01:02:43,960 --> 01:02:46,280 Speaker 1: to say he wanted to meet brother Lynchong and x Rady. 1309 01:02:46,880 --> 01:02:48,600 Speaker 1: So he came, you know, and I was dope, and 1310 01:02:48,680 --> 01:02:51,880 Speaker 1: we broke bread and so Tech came New Vegas, same 1311 01:02:52,000 --> 01:02:54,080 Speaker 1: thing kicked it and shit, you know, I got even 1312 01:02:54,200 --> 01:02:57,360 Speaker 1: plug at the Aria. It was just a dope ass weekend. 1313 01:02:57,440 --> 01:03:00,240 Speaker 1: And then uh he Filely was like, man, man, I 1314 01:03:00,280 --> 01:03:00,880 Speaker 1: got this song. 1315 01:03:00,920 --> 01:03:02,640 Speaker 2: I want you to hear. He send me the song. 1316 01:03:02,720 --> 01:03:04,520 Speaker 2: I'm like, I think the song is due. He was like, 1317 01:03:05,560 --> 01:03:07,360 Speaker 2: let me hear. He said, do you let me hear 1318 01:03:07,400 --> 01:03:07,880 Speaker 2: what you got? 1319 01:03:08,560 --> 01:03:08,880 Speaker 4: Do you? 1320 01:03:10,040 --> 01:03:12,680 Speaker 1: I was like all right, so I go in there. 1321 01:03:12,720 --> 01:03:14,720 Speaker 1: I'll do my thing and turned into still right here 1322 01:03:15,400 --> 01:03:17,080 Speaker 1: and he was like, yeah, we got one. 1323 01:03:17,360 --> 01:03:20,080 Speaker 2: We got one. That motherfucker ran up a couple million streams. 1324 01:03:20,680 --> 01:03:24,520 Speaker 1: Video did very well, and then uh Tech was like, hey, man, 1325 01:03:24,600 --> 01:03:27,560 Speaker 1: my partner coming to Vegas. He's like, he got a 1326 01:03:27,600 --> 01:03:29,480 Speaker 1: couple of things to do, but that nigga's there to 1327 01:03:29,520 --> 01:03:31,440 Speaker 1: see you. He was like, he there to see you, bro, 1328 01:03:32,040 --> 01:03:34,360 Speaker 1: He's there to see you. He said, So sit telling 1329 01:03:34,480 --> 01:03:36,760 Speaker 1: what you need, telling what you what your vision is, 1330 01:03:36,880 --> 01:03:39,280 Speaker 1: and then let me know. And uh, they were gonna move. 1331 01:03:39,400 --> 01:03:40,520 Speaker 1: He was like, I'll need you with me. 1332 01:03:41,240 --> 01:03:43,480 Speaker 2: I was like cool, and then sure enough, Traff came 1333 01:03:43,520 --> 01:03:43,880 Speaker 2: to town. 1334 01:03:43,960 --> 01:03:45,720 Speaker 1: He came to my office, he came to my building, 1335 01:03:45,840 --> 01:03:48,880 Speaker 1: met with my business partners and uh in Las Vegas 1336 01:03:48,960 --> 01:03:50,920 Speaker 1: and uh, they discussed. 1337 01:03:50,560 --> 01:03:52,680 Speaker 2: Plans to sit like that and then they sent. 1338 01:03:54,320 --> 01:03:55,200 Speaker 3: So it was quite bad. 1339 01:03:56,360 --> 01:03:58,160 Speaker 2: I think the whole process. 1340 01:03:57,840 --> 01:04:00,320 Speaker 1: Took from June to March, from June to Twe won 1341 01:04:00,400 --> 01:04:02,880 Speaker 1: in March of twenty two, and then I got my 1342 01:04:03,040 --> 01:04:05,960 Speaker 1: chain and got the announcement on the stage at Red Rocks, 1343 01:04:06,040 --> 01:04:08,840 Speaker 1: like where Michael Jackson and the Beatles were performed for it, 1344 01:04:09,560 --> 01:04:11,080 Speaker 1: you know what I mean, front. 1345 01:04:10,840 --> 01:04:15,120 Speaker 2: Of ten thousand people. That's a little as we're just 1346 01:04:15,200 --> 01:04:15,560 Speaker 2: doing all that. 1347 01:04:16,160 --> 01:04:18,560 Speaker 3: Them dudes probably got the most impressive set up there. 1348 01:04:18,560 --> 01:04:19,840 Speaker 3: Have you ever seen Strange Landing? 1349 01:04:21,160 --> 01:04:23,800 Speaker 2: Actually, Chris, I'm gonna need to do We're gonna have 1350 01:04:23,840 --> 01:04:24,360 Speaker 2: to prerect that. 1351 01:04:24,600 --> 01:04:25,640 Speaker 3: You gotta go out there and see this. 1352 01:04:26,120 --> 01:04:27,200 Speaker 2: I toured Strange. 1353 01:04:27,840 --> 01:04:31,840 Speaker 1: I toured the Strange Universe, and we spent four hours 1354 01:04:33,160 --> 01:04:37,120 Speaker 1: accessing each level of what is essentially like a college 1355 01:04:37,200 --> 01:04:41,400 Speaker 1: campus dedicated to crew music, creation, to contract careers. 1356 01:04:41,080 --> 01:04:42,840 Speaker 2: And not even you know what I mean. 1357 01:04:43,040 --> 01:04:46,040 Speaker 1: It's it's at four hours and we still didn't see 1358 01:04:46,040 --> 01:04:51,320 Speaker 1: it all. But it's a car wise. We got our 1359 01:04:51,520 --> 01:04:56,280 Speaker 1: car Wise, and then there's Strange Music, which is our headquarters, 1360 01:04:56,320 --> 01:04:59,360 Speaker 1: and then you got Strange land We just creative department. 1361 01:04:59,760 --> 01:05:01,680 Speaker 1: Did you he got a Strange world, which is where 1362 01:05:01,720 --> 01:05:05,040 Speaker 1: the merchants made. And he got Strange Works, which is 1363 01:05:05,120 --> 01:05:09,400 Speaker 1: a construction company really, and then you have Strange Box, 1364 01:05:09,560 --> 01:05:12,160 Speaker 1: which is like a toy box, and that's where all 1365 01:05:12,200 --> 01:05:12,880 Speaker 1: the cars are. 1366 01:05:13,560 --> 01:05:17,000 Speaker 2: And if you do it's just a beautiful situation. 1367 01:05:17,720 --> 01:05:20,400 Speaker 3: Here's some crazy shit, man, Tech. You know what's funny. 1368 01:05:21,440 --> 01:05:24,320 Speaker 3: As I made Chick Willing's uh my boy Marrow, he 1369 01:05:24,400 --> 01:05:28,360 Speaker 3: used to work West Records Techlets signed the question and 1370 01:05:28,480 --> 01:05:31,120 Speaker 3: Huan Creek was with him, and that's when I first 1371 01:05:31,200 --> 01:05:33,960 Speaker 3: heard cycle of Big Soli King. And my boy Mark 1372 01:05:34,000 --> 01:05:36,040 Speaker 3: sat at my homeboy Marrio and he was doing some 1373 01:05:36,160 --> 01:05:38,640 Speaker 3: work for West, and he kept telling me, Man, because 1374 01:05:38,680 --> 01:05:40,840 Speaker 3: you know, I'm ridgingly from the Midwest. He's a teller. 1375 01:05:40,920 --> 01:05:41,080 Speaker 4: Man. 1376 01:05:41,280 --> 01:05:43,280 Speaker 3: It's a dude from Kansas City. He used to all 1377 01:05:43,360 --> 01:05:45,560 Speaker 3: this to ch was Cleveland of Kansas City. And I 1378 01:05:45,920 --> 01:05:49,240 Speaker 3: be like, man, Kansas City is Kansas City. Cleveland Cleveland 1379 01:05:49,600 --> 01:05:52,320 Speaker 3: leaned on on each other's face like that. But he'll 1380 01:05:52,400 --> 01:05:54,320 Speaker 3: let me hear the cycles big Saw. And I was like, 1381 01:05:54,480 --> 01:05:56,880 Speaker 3: this dude Lean he is ill man craddy as he 1382 01:05:56,920 --> 01:05:59,919 Speaker 3: got flowed right. So he took me to a show. 1383 01:06:00,200 --> 01:06:03,440 Speaker 3: When Tech first started a strain and this sow shit grow. 1384 01:06:05,080 --> 01:06:07,400 Speaker 3: It was about maybe they had to short the House 1385 01:06:07,440 --> 01:06:09,960 Speaker 3: of Blues and was making seventy people there. This is 1386 01:06:10,160 --> 01:06:13,000 Speaker 3: like at the beginning. Scared me and the snun Brimer 1387 01:06:13,120 --> 01:06:15,000 Speaker 3: was there, and it's like the beginning. But when I 1388 01:06:15,120 --> 01:06:18,160 Speaker 3: tell you niggas, they rocked all seventy of them motherfuckers, 1389 01:06:18,720 --> 01:06:21,240 Speaker 3: like seventy people in that motherfucker all the things. I 1390 01:06:21,400 --> 01:06:23,400 Speaker 3: was like, this dude got something. 1391 01:06:24,040 --> 01:06:25,120 Speaker 2: Tell it was the beginning of it. 1392 01:06:26,040 --> 01:06:28,320 Speaker 3: And he did the same servant. Next year he came 1393 01:06:28,440 --> 01:06:30,520 Speaker 3: out losing. I would go to every show they would 1394 01:06:30,560 --> 01:06:32,400 Speaker 3: let me and I kick it with him, Chris calif 1395 01:06:32,480 --> 01:06:35,080 Speaker 3: and all of them. It was bigger. It was a 1396 01:06:35,160 --> 01:06:38,240 Speaker 3: lot bigger. I was loss full. Next time he came, 1397 01:06:38,840 --> 01:06:40,600 Speaker 3: it was too big for the House Blues. He had 1398 01:06:40,600 --> 01:06:43,320 Speaker 3: to have the Key Club and this nigga had trial. 1399 01:06:43,440 --> 01:06:45,680 Speaker 3: Like when the Key Club hauled like three four thousand 1400 01:06:45,720 --> 01:06:48,200 Speaker 3: people up in that motherfucker, it's wall of the wall, 1401 01:06:48,960 --> 01:06:51,800 Speaker 3: and I'm like, this nigga really did And I saw 1402 01:06:51,880 --> 01:06:53,360 Speaker 3: them gold be in them vans. 1403 01:06:54,760 --> 01:06:58,919 Speaker 2: Does that Yeah, Yeah, that nigga still does that. Yeah, 1404 01:06:58,960 --> 01:07:01,760 Speaker 2: it's dot to see it. I love man. You know, 1405 01:07:01,880 --> 01:07:03,920 Speaker 2: one of the me and Krooker had this conversation. He 1406 01:07:04,080 --> 01:07:06,200 Speaker 2: was like, I love to see a black man, a 1407 01:07:06,320 --> 01:07:07,240 Speaker 2: black man landing. 1408 01:07:07,760 --> 01:07:07,920 Speaker 4: You know. 1409 01:07:09,080 --> 01:07:11,160 Speaker 2: It was just the racial was a motherfuckers in tech 1410 01:07:11,280 --> 01:07:12,200 Speaker 2: do it like? 1411 01:07:12,360 --> 01:07:15,440 Speaker 1: Man, I think it's the toughest fuck that and that 1412 01:07:15,600 --> 01:07:18,800 Speaker 1: it was him, you know, And Travis is asad traved 1413 01:07:18,800 --> 01:07:19,560 Speaker 1: Off fucking around. 1414 01:07:19,720 --> 01:07:21,960 Speaker 2: Travis is one of the smartest motherfuckers. 1415 01:07:23,160 --> 01:07:25,120 Speaker 3: And it was hard too because I tell you, I 1416 01:07:25,200 --> 01:07:28,760 Speaker 3: knew about tech situation when take got off a strange 1417 01:07:30,480 --> 01:07:33,120 Speaker 3: he had a thing with you, not with the homely 1418 01:07:33,200 --> 01:07:35,920 Speaker 3: sway in tech, that something going on with them. So 1419 01:07:36,040 --> 01:07:37,760 Speaker 3: it was a lot of little stuff that he had 1420 01:07:37,800 --> 01:07:40,200 Speaker 3: to go clear up. West was still talking about They 1421 01:07:40,280 --> 01:07:42,480 Speaker 3: was all with some money before they typically ain't released 1422 01:07:42,520 --> 01:07:45,960 Speaker 3: them yet. So Trav when they cleared all this stuff 1423 01:07:46,000 --> 01:07:49,920 Speaker 3: and I saw the play that they ring and trash, 1424 01:07:49,960 --> 01:07:52,000 Speaker 3: you could tell he was committed because he kept white 1425 01:07:52,040 --> 01:07:56,160 Speaker 3: fucking already in and I saw but you saw a 1426 01:07:56,240 --> 01:07:59,280 Speaker 3: bubble though, man, and this suppressive ship out for ever 1427 01:07:59,320 --> 01:07:59,960 Speaker 3: seeing in my life. 1428 01:08:00,480 --> 01:08:00,920 Speaker 2: That's up. 1429 01:08:01,560 --> 01:08:03,880 Speaker 1: Yeah, I could tell you that the energy is beautiful, 1430 01:08:03,920 --> 01:08:07,920 Speaker 1: and uh, I think it's accurate in terms of it being. 1431 01:08:07,800 --> 01:08:09,560 Speaker 2: In some of the most impressive shit of myth. 1432 01:08:09,720 --> 01:08:13,520 Speaker 1: As somebody who has unfettered access to every level of it, 1433 01:08:13,960 --> 01:08:15,640 Speaker 1: I can tell you for sure that it is real. 1434 01:08:16,800 --> 01:08:20,760 Speaker 2: It's the capabilities of that machine. It's nice. It's like 1435 01:08:20,880 --> 01:08:21,719 Speaker 2: being a quarterback. 1436 01:08:21,800 --> 01:08:24,040 Speaker 1: It's like being a player getting drafted to a team 1437 01:08:24,560 --> 01:08:28,000 Speaker 1: that's already ready to go, and you're like, oh, I can't. 1438 01:08:28,000 --> 01:08:29,479 Speaker 3: Any merchant step over there? 1439 01:08:29,920 --> 01:08:32,160 Speaker 2: Yeah, my march there. 1440 01:08:32,600 --> 01:08:34,360 Speaker 3: He's just amazing you being able to walk up to 1441 01:08:34,439 --> 01:08:37,080 Speaker 3: your label and going to this building and they're doing 1442 01:08:37,160 --> 01:08:38,840 Speaker 3: all the ship that you got up in your a 1443 01:08:39,080 --> 01:08:39,920 Speaker 3: and they just doing it. 1444 01:08:40,479 --> 01:08:42,320 Speaker 2: And then you go over there and you. 1445 01:08:42,400 --> 01:08:44,320 Speaker 3: See a whole bunch of fings with your wrap on 1446 01:08:44,400 --> 01:08:46,360 Speaker 3: it that you're about to go on tour, and you 1447 01:08:46,439 --> 01:08:51,280 Speaker 3: go bet hit fifty cities and Mike as ring. Nah, 1448 01:08:51,360 --> 01:08:54,000 Speaker 3: It's it's just super crack dog. And I ain't even 1449 01:08:54,040 --> 01:08:54,639 Speaker 3: see nothing. 1450 01:08:54,640 --> 01:08:59,080 Speaker 1: Like it an entire street. There's just strange logos as 1451 01:08:59,080 --> 01:09:01,840 Speaker 1: you drive down. Now, Mom, funny Victoria. 1452 01:09:02,400 --> 01:09:02,800 Speaker 2: It's just. 1453 01:09:05,360 --> 01:09:08,120 Speaker 3: I'll bet you that tripped you out first, specially. 1454 01:09:09,160 --> 01:09:10,120 Speaker 2: When I first saw it. 1455 01:09:12,240 --> 01:09:14,679 Speaker 1: Yeah, I thought they tripped me out in a positive way, 1456 01:09:14,800 --> 01:09:16,800 Speaker 1: like a kid in the candy store target shit, Like 1457 01:09:16,880 --> 01:09:21,320 Speaker 1: I don't know what to do, you know what I mean, Like, yeah, yeah, 1458 01:09:21,400 --> 01:09:24,040 Speaker 1: I know what to do with this. And Check told 1459 01:09:24,120 --> 01:09:26,360 Speaker 1: me he was like, maigg anything you can imagine child 1460 01:09:26,479 --> 01:09:29,439 Speaker 1: Challenge and Challenge team and see, I'll bet you that. 1461 01:09:29,680 --> 01:09:31,519 Speaker 2: He watched and I got it was. 1462 01:09:31,800 --> 01:09:34,439 Speaker 3: Budget too, ma'am. You ain't got no exac with the video. 1463 01:09:36,080 --> 01:09:38,799 Speaker 3: Your videos are like they like, all of them are doing. 1464 01:09:38,680 --> 01:09:41,559 Speaker 1: So the video department, don't fuck around about me, man, 1465 01:09:41,800 --> 01:09:45,559 Speaker 1: that's the creative department. Strange Land itself is a dope 1466 01:09:45,600 --> 01:09:47,920 Speaker 1: place and it's some dope assed dudes in there, and 1467 01:09:48,000 --> 01:09:49,160 Speaker 1: they been really good to me. 1468 01:09:49,280 --> 01:09:49,439 Speaker 2: Man. 1469 01:09:49,600 --> 01:09:53,040 Speaker 1: I got great relationships with the people that are responsible 1470 01:09:53,120 --> 01:09:54,519 Speaker 1: for doing the creative work. 1471 01:09:54,880 --> 01:09:59,880 Speaker 2: Those are my best relationships. And Stace, you know, the videographer. 1472 01:10:00,120 --> 01:10:00,920 Speaker 2: It was my people. 1473 01:10:01,000 --> 01:10:03,200 Speaker 3: I've been trying to go on there with Trav Man 1474 01:10:03,360 --> 01:10:04,240 Speaker 3: for a long time. 1475 01:10:04,880 --> 01:10:07,680 Speaker 1: He's a very really well I used to think I 1476 01:10:07,840 --> 01:10:11,280 Speaker 1: was busy. I really believed it, and then I met 1477 01:10:11,320 --> 01:10:15,080 Speaker 1: these niggas. I spent like during super Bowl week, which 1478 01:10:15,160 --> 01:10:18,439 Speaker 1: is probably a hyper version of it, exaggerated version of it, 1479 01:10:18,560 --> 01:10:22,400 Speaker 1: but I spent super Bowl two weeks I think, and 1480 01:10:22,560 --> 01:10:25,479 Speaker 1: leading up to the super Bowl with them and that was. 1481 01:10:25,800 --> 01:10:28,880 Speaker 1: That was the most exhausting shit ever. Them niggas move, 1482 01:10:29,360 --> 01:10:33,680 Speaker 1: them niggas move, also militaristic. 1483 01:10:33,640 --> 01:10:37,000 Speaker 2: Bam bam bam bam bam band bam bam. Farms is gain. 1484 01:10:38,479 --> 01:10:42,400 Speaker 1: Executive over here in and break the camera guy, and 1485 01:10:42,520 --> 01:10:44,439 Speaker 1: we moved and made all that shit happen. 1486 01:10:44,840 --> 01:10:46,680 Speaker 2: I remember I sat on the couch and was like, 1487 01:10:46,840 --> 01:10:48,800 Speaker 2: damn and I was just like, man, let me just 1488 01:10:48,920 --> 01:10:52,200 Speaker 2: chill four a minute. I fall asleep. When I walk 1489 01:10:52,280 --> 01:10:54,240 Speaker 2: up this nigga tech is gone from the suite. 1490 01:10:54,880 --> 01:10:57,760 Speaker 1: He don't win it did the show with twenty one 1491 01:10:57,840 --> 01:10:59,560 Speaker 1: Savage and all of them all this shit, and is 1492 01:10:59,600 --> 01:11:01,160 Speaker 1: walking in the room and he was. 1493 01:11:01,200 --> 01:11:03,720 Speaker 2: Like, man, I could don't kill me as I just 1494 01:11:03,760 --> 01:11:04,720 Speaker 2: couldn't wake you up. 1495 01:11:05,320 --> 01:11:08,479 Speaker 1: And I realized, like sitting down and going to sleep 1496 01:11:09,320 --> 01:11:12,760 Speaker 1: that fast, I missed all this. I missed all that shit, 1497 01:11:12,840 --> 01:11:15,120 Speaker 1: and that's what I was there for. So the lesson 1498 01:11:15,160 --> 01:11:18,760 Speaker 1: I learned is ain't no sleeping when when when we 1499 01:11:18,920 --> 01:11:21,519 Speaker 1: wake up in the morning, you get yourself ready and 1500 01:11:21,640 --> 01:11:25,000 Speaker 1: it's fine to whatever tarn Travis said to be downstairs. 1501 01:11:25,080 --> 01:11:27,000 Speaker 2: We was downstairs and we moved. 1502 01:11:27,520 --> 01:11:30,400 Speaker 1: And then when when that night is done, you gotta 1503 01:11:30,600 --> 01:11:32,759 Speaker 1: wash your face, brush your teeth, and go to sleep. 1504 01:11:33,840 --> 01:11:35,360 Speaker 1: You gotta and then get up in the morning. If 1505 01:11:35,400 --> 01:11:37,120 Speaker 1: there ain't no plan on your phone, tell me to 1506 01:11:37,280 --> 01:11:39,759 Speaker 1: catch up on my social nitty them two three hours, 1507 01:11:39,800 --> 01:11:42,679 Speaker 1: you weren't to sleep. Now we up again in the morning. 1508 01:11:42,760 --> 01:11:44,599 Speaker 1: You do it again the next day. You six hours, 1509 01:11:44,640 --> 01:11:46,719 Speaker 1: You got a six and a half hours sleep deficit, 1510 01:11:47,360 --> 01:11:49,960 Speaker 1: pass out for forty five minutes, and you just missed 1511 01:11:50,360 --> 01:11:52,400 Speaker 1: a great majority of the things we're here to do, 1512 01:11:53,320 --> 01:11:55,000 Speaker 1: you know what I mean. So I learned, like I 1513 01:11:55,080 --> 01:11:58,040 Speaker 1: gotta stay with them, run the plays the coach called 1514 01:11:58,080 --> 01:12:00,320 Speaker 1: and win the pro If they went to sleep, you 1515 01:12:00,400 --> 01:12:03,760 Speaker 1: go to sleep. If they ain't sleep, you ain't. And 1516 01:12:03,880 --> 01:12:06,599 Speaker 1: it taught me what busy was and what busy wasn't 1517 01:12:06,640 --> 01:12:10,200 Speaker 1: too me. Nigga's busy, they based. They still managed to 1518 01:12:10,280 --> 01:12:13,160 Speaker 1: come through like everything that I've ever beat it, both 1519 01:12:13,200 --> 01:12:13,880 Speaker 1: of them come through. 1520 01:12:13,960 --> 01:12:16,760 Speaker 2: If I call it, I can't talk right now. And 1521 01:12:17,120 --> 01:12:19,320 Speaker 2: as for the father, tell me they can't talk. If 1522 01:12:19,360 --> 01:12:21,280 Speaker 2: I say I need something done for them, they get 1523 01:12:21,320 --> 01:12:22,439 Speaker 2: it done like that. 1524 01:12:23,160 --> 01:12:25,479 Speaker 3: And is this s sicking? The third album over? 1525 01:12:26,200 --> 01:12:28,280 Speaker 1: This is my second album, But it don't really matter 1526 01:12:28,320 --> 01:12:30,280 Speaker 1: because I'm gonna do I'm gonna do all kind of 1527 01:12:30,320 --> 01:12:30,960 Speaker 1: shit over there. 1528 01:12:31,160 --> 01:12:34,840 Speaker 2: It don't matter the fifty fifth album, whatever it is. 1529 01:12:34,960 --> 01:12:36,719 Speaker 2: It's out like we pushing. 1530 01:12:36,960 --> 01:12:38,360 Speaker 4: Well, you gotta keep push and ship. 1531 01:12:38,439 --> 01:12:41,160 Speaker 3: That's so that's hard. Opefully I know you in time 1532 01:12:41,240 --> 01:12:42,479 Speaker 3: then you would get a lot of people. 1533 01:12:42,560 --> 01:12:42,720 Speaker 4: Man. 1534 01:12:43,120 --> 01:12:45,479 Speaker 3: Hopefully gave you a different experience. Man. 1535 01:12:45,880 --> 01:12:48,760 Speaker 1: Oh I anticipated that was on the way here. I 1536 01:12:48,920 --> 01:12:51,080 Speaker 1: was like this, some of this other ship has worked. 1537 01:12:51,080 --> 01:12:53,680 Speaker 1: It's about to be chilling with our folks. It's a 1538 01:12:53,760 --> 01:12:56,320 Speaker 1: different the sad thing with Big Court. You know, gon 1539 01:12:56,439 --> 01:12:59,040 Speaker 1: show you I'm Big Court man. This is my god 1540 01:12:59,160 --> 01:13:02,519 Speaker 1: right there? What man sucking. I ain't gonnaell them. I 1541 01:13:02,520 --> 01:13:04,679 Speaker 1: ain't gonna be talking about them players at the work 1542 01:13:05,000 --> 01:13:08,439 Speaker 1: because out there, you know they'd be here less. 1543 01:13:08,680 --> 01:13:09,519 Speaker 4: We're about to do this. 1544 01:13:09,600 --> 01:13:10,559 Speaker 3: They're taking me a little hater. 1545 01:13:11,120 --> 01:13:16,680 Speaker 2: They're made, Yeah they do. 1546 01:13:17,600 --> 01:13:20,360 Speaker 1: They got there, so they doing. They just saw the 1547 01:13:20,439 --> 01:13:24,040 Speaker 1: nigga Steels say throw your worlder's play. Niggas will run 1548 01:13:24,080 --> 01:13:25,960 Speaker 1: your play. Have that idea like them? 1549 01:13:26,040 --> 01:13:29,320 Speaker 2: All right, Gate is a real thig like Spiker. 1550 01:13:29,000 --> 01:13:34,439 Speaker 3: Yeah, spiky like a motherfucker. So and make sure I 1551 01:13:34,520 --> 01:13:39,880 Speaker 3: got this right man. All this twenty third, twenty twenty four. 1552 01:13:40,200 --> 01:13:47,160 Speaker 1: Yes, you'll do the drum roll man, Yeah, here it comes, attendant, 1553 01:13:47,240 --> 01:13:52,200 Speaker 1: Heaven will be dropping uh off twenty fourth Street. Actually 1554 01:13:52,320 --> 01:13:55,240 Speaker 1: the twenty fourth letter alphabet I did twenty four years 1555 01:13:55,280 --> 01:13:57,800 Speaker 1: before I knew I was coming on, and they're coming 1556 01:13:57,840 --> 01:14:03,200 Speaker 1: on two years later. Uh, twenty four hundred is midnight 1557 01:14:03,320 --> 01:14:07,040 Speaker 1: in military time. I got twenty four songs on the album, 1558 01:14:07,720 --> 01:14:10,080 Speaker 1: and that's kind of what I'm all were pushing that. 1559 01:14:10,200 --> 01:14:12,400 Speaker 1: And the Sin in Heaven is about all of the 1560 01:14:12,520 --> 01:14:15,559 Speaker 1: different stages than the stakes eerrors that I've made since 1561 01:14:15,600 --> 01:14:18,720 Speaker 1: I came along, the right decisions and how it worked out. 1562 01:14:18,800 --> 01:14:20,760 Speaker 1: This is the story in my Sin in Heaven, from 1563 01:14:20,840 --> 01:14:24,280 Speaker 1: top to bottom, and it's it I feel like in 1564 01:14:25,720 --> 01:14:28,879 Speaker 1: the legacy of West Coast hip hop lyrical longs. 1565 01:14:28,920 --> 01:14:32,320 Speaker 2: It fits, it fits, it belongs there. It's a slapper 1566 01:14:32,439 --> 01:14:32,760 Speaker 2: for us. 1567 01:14:32,880 --> 01:14:33,040 Speaker 3: Man. 1568 01:14:33,120 --> 01:14:33,639 Speaker 2: I'm proud. 1569 01:14:34,120 --> 01:14:36,720 Speaker 1: I hope I do you justice or I hope you 1570 01:14:36,800 --> 01:14:39,160 Speaker 1: gonna hear it well, I ain't get it long and 1571 01:14:39,320 --> 01:14:42,400 Speaker 1: make your feel like a yeah, it's good, it's good. 1572 01:14:42,920 --> 01:14:46,640 Speaker 2: It's good. I did that, man. 1573 01:14:46,680 --> 01:14:47,880 Speaker 3: I can't wait the bank man. 1574 01:14:48,240 --> 01:14:49,360 Speaker 2: Yeah, it slap man. 1575 01:14:49,439 --> 01:14:51,800 Speaker 1: I'm happy, you know, coming off all this shit that 1576 01:14:51,880 --> 01:14:55,519 Speaker 1: I did with Tech, the Joiner Lucas Conway thing for 1577 01:14:55,680 --> 01:14:58,240 Speaker 1: rock Cham to post my shit, you know what I mean, 1578 01:14:59,080 --> 01:15:01,400 Speaker 1: for our conversation faces with corrupt. 1579 01:15:01,479 --> 01:15:04,719 Speaker 2: My niggas ce mob Like. It's just it's a dope 1580 01:15:04,800 --> 01:15:09,000 Speaker 2: thing to be able there, to stand up to that level. 1581 01:15:09,120 --> 01:15:11,760 Speaker 2: What's required for you to be that double especially now 1582 01:15:11,880 --> 01:15:14,320 Speaker 2: everybody ain't still dope. Don't you know if you went 1583 01:15:14,479 --> 01:15:17,360 Speaker 2: crazy when you came in on Mass City, don't you 1584 01:15:17,520 --> 01:15:20,080 Speaker 2: know what that did to us? You know what I mean? 1585 01:15:20,280 --> 01:15:21,559 Speaker 2: You and you don't get to jail. 1586 01:15:22,040 --> 01:15:22,479 Speaker 3: You know that. 1587 01:15:25,320 --> 01:15:28,840 Speaker 4: Come when that came over. Keep some of that authenticity, man, 1588 01:15:28,960 --> 01:15:29,320 Speaker 4: that's all. 1589 01:15:29,840 --> 01:15:30,880 Speaker 2: That's the way to do. 1590 01:15:31,280 --> 01:15:33,120 Speaker 1: That's how I want people to feel when they able 1591 01:15:33,120 --> 01:15:35,160 Speaker 1: to hear this album the way I felt i heard 1592 01:15:35,160 --> 01:15:36,599 Speaker 1: it pop up on Mass City. 1593 01:15:37,000 --> 01:15:38,679 Speaker 2: I need them to feel it. It's really good. 1594 01:15:38,800 --> 01:15:41,240 Speaker 3: I'm proud of it, you know, because you've been probing 1595 01:15:41,320 --> 01:15:44,120 Speaker 3: some question ship man man, you just you know what 1596 01:15:44,439 --> 01:15:46,639 Speaker 3: you gotta, but you be some shit for rock Him. 1597 01:15:47,320 --> 01:15:50,120 Speaker 1: Yeah, man, out there they are yeah rock Him and 1598 01:15:50,200 --> 01:15:53,360 Speaker 1: Method Man, and uh you know it's rock Him and 1599 01:15:53,400 --> 01:15:53,920 Speaker 1: Method Man. 1600 01:15:54,439 --> 01:15:58,040 Speaker 3: I was like, oh no, no, that's Roman. You want it? 1601 01:15:58,120 --> 01:15:59,599 Speaker 3: What real rep? Yeah? 1602 01:15:59,640 --> 01:16:02,200 Speaker 1: I would I think I'm like I'm on behalf of 1603 01:16:02,240 --> 01:16:05,080 Speaker 1: the West Coast. I gotta so every line. I always 1604 01:16:05,240 --> 01:16:09,679 Speaker 1: no lines. First round overall draft pick I was chosen 1605 01:16:09,800 --> 01:16:13,040 Speaker 1: a roll with a circle of ominous man call us 1606 01:16:13,080 --> 01:16:16,720 Speaker 1: the Old Men, Ozy Osbourne, Bien Heads All Bats, his 1607 01:16:16,840 --> 01:16:19,599 Speaker 1: black magic Killer Cipher on a Saturday call. 1608 01:16:19,520 --> 01:16:23,840 Speaker 2: Out a black Sabbath. What you know what I mean? Like, 1609 01:16:23,920 --> 01:16:26,479 Speaker 2: I been garn shit the fuck up? I really been born. 1610 01:16:26,520 --> 01:16:29,080 Speaker 1: Sit up, I've been doing shit. Kids with good respect 1611 01:16:29,160 --> 01:16:31,200 Speaker 1: nigga and then gotta respect. I want you all to 1612 01:16:31,280 --> 01:16:33,600 Speaker 1: respect it. I want the game to respect it, and 1613 01:16:33,680 --> 01:16:36,679 Speaker 1: I want my motherfucking spot right. We're all the loll 1614 01:16:37,280 --> 01:16:39,000 Speaker 1: you know what I mean? In w A here we 1615 01:16:39,120 --> 01:16:42,880 Speaker 1: tell bow blah blah blah, just most Nigga, ice cube 1616 01:16:43,960 --> 01:16:45,479 Speaker 1: X rated Nigga, then deep. 1617 01:16:45,439 --> 01:16:48,960 Speaker 3: For brother Lynch. Nigga said to come up and support this. 1618 01:16:49,800 --> 01:16:52,120 Speaker 2: Yeah, we're gonna do it. I've been hostile with my nose. 1619 01:16:52,520 --> 01:16:55,920 Speaker 1: Travis o'gwnn is the Bill Belichick at this Independence ship. 1620 01:16:56,280 --> 01:16:59,040 Speaker 1: He's the He's the he's the reigning coach of the Year, 1621 01:16:59,160 --> 01:17:02,320 Speaker 1: several champions trophies, all of that type of shit and 1622 01:17:02,760 --> 01:17:03,280 Speaker 1: techts hit. 1623 01:17:03,360 --> 01:17:05,240 Speaker 2: Tom Brady and so I'm listening. 1624 01:17:05,479 --> 01:17:09,320 Speaker 1: I'm getting the machine that has produced successful championships, and 1625 01:17:09,439 --> 01:17:11,720 Speaker 1: to me, I want to run the place that they 1626 01:17:11,800 --> 01:17:13,519 Speaker 1: think are the best plays. I don't got time to 1627 01:17:13,560 --> 01:17:16,200 Speaker 1: make little homy mistakes. I't got time to do little 1628 01:17:16,240 --> 01:17:19,120 Speaker 1: homye shit. So my note game is strong. 1629 01:17:20,080 --> 01:17:22,799 Speaker 2: I'm Matrix Neo with the nose Nigga. 1630 01:17:23,240 --> 01:17:25,280 Speaker 1: My nose is savage. So as a result of my 1631 01:17:25,400 --> 01:17:27,840 Speaker 1: nose being savage, they got to pay me very well 1632 01:17:27,920 --> 01:17:30,640 Speaker 1: for my yests. If I'm leaving my babies at home, 1633 01:17:30,760 --> 01:17:32,680 Speaker 1: I want to be compensated like I belong in the 1634 01:17:32,760 --> 01:17:35,320 Speaker 1: era i'll belong. I want to perform in the area 1635 01:17:35,439 --> 01:17:37,760 Speaker 1: that is deserving the one of us. And I'm gonna 1636 01:17:37,760 --> 01:17:39,280 Speaker 1: say no, I don't give a fuck. If I don't 1637 01:17:39,360 --> 01:17:41,200 Speaker 1: like your venue, it's out. If I like the bag, 1638 01:17:41,360 --> 01:17:43,040 Speaker 1: it's out. If I don't like the beat, it's out 1639 01:17:43,439 --> 01:17:45,800 Speaker 1: because I don't got time. I don't have time to 1640 01:17:45,880 --> 01:17:49,000 Speaker 1: do it the other way. And it's disrespectful to Iraq Kim, 1641 01:17:49,400 --> 01:17:53,160 Speaker 1: it's disrespectful to Tech and Travis. It's disrespectful to Joiner, 1642 01:17:53,240 --> 01:17:55,759 Speaker 1: Lucas and Conway to be associated with this energy. 1643 01:17:56,320 --> 01:17:58,360 Speaker 2: And then I go do some little Nigga City, Like 1644 01:17:58,439 --> 01:17:59,240 Speaker 2: what you up here for? 1645 01:17:59,439 --> 01:18:02,400 Speaker 1: There? You can't confuse them. I'm like, we don't Mount 1646 01:18:02,439 --> 01:18:05,840 Speaker 1: Olympus they talk about they rush Moores. We don't Mount 1647 01:18:05,880 --> 01:18:08,560 Speaker 1: o Leptos. And you can you can go off that 1648 01:18:08,760 --> 01:18:10,320 Speaker 1: thing and come back up and. 1649 01:18:10,360 --> 01:18:12,800 Speaker 2: It start getting confusing. Do you ball up here? Or 1650 01:18:12,840 --> 01:18:13,639 Speaker 2: are you down there? 1651 01:18:14,120 --> 01:18:16,400 Speaker 1: And I all want to walk down Mount Olympus knowing 1652 01:18:17,000 --> 01:18:19,080 Speaker 1: I want to hang out up there and my throw 1653 01:18:19,160 --> 01:18:20,120 Speaker 1: lightning boats. 1654 01:18:19,880 --> 01:18:24,080 Speaker 2: At Motherfucker's Nigga seven and just stay up there. So 1655 01:18:24,200 --> 01:18:24,880 Speaker 2: that's what I'm doing. 1656 01:18:25,439 --> 01:18:28,559 Speaker 1: Lets its Rock Kim's up there, the as up there, 1657 01:18:28,560 --> 01:18:29,760 Speaker 1: It's Doctor Dre's up there. 1658 01:18:29,840 --> 01:18:31,519 Speaker 2: I like Mount Olympus, you. 1659 01:18:31,560 --> 01:18:31,960 Speaker 4: Know what I mean. 1660 01:18:32,240 --> 01:18:34,240 Speaker 3: That's real ship. So we try to get fit with you. 1661 01:18:34,880 --> 01:18:36,880 Speaker 3: Come on, got some ship, Mayle. But you know what, 1662 01:18:37,160 --> 01:18:39,360 Speaker 3: we appreciate you coming to sit down with this dull 1663 01:18:39,680 --> 01:18:42,240 Speaker 3: and date. 1664 01:18:43,439 --> 01:18:44,439 Speaker 2: It's an honor, man. 1665 01:18:45,280 --> 01:18:48,200 Speaker 1: I love y'all niggas man, which I love our conversations. 1666 01:18:48,280 --> 01:18:51,320 Speaker 1: I love your contribution to the culture. It matters to 1667 01:18:51,439 --> 01:18:54,639 Speaker 1: me'll really, my internal Ippop Chad is a very happy 1668 01:18:54,720 --> 01:18:55,360 Speaker 1: guy right now. 1669 01:18:55,479 --> 01:18:59,160 Speaker 2: The blue Tape, Nigga, was you active? Was you outside 1670 01:18:59,240 --> 01:19:00,000 Speaker 2: with the blue tape. 1671 01:19:00,120 --> 01:19:00,679 Speaker 3: It's cracky. 1672 01:19:01,600 --> 01:19:04,680 Speaker 2: You batter being, you've battered being, and if you was, 1673 01:19:04,840 --> 01:19:06,640 Speaker 2: then you know what the blue tape was about. It 1674 01:19:06,840 --> 01:19:09,400 Speaker 2: was activated, was the activated one? 1675 01:19:11,000 --> 01:19:11,240 Speaker 3: Jill? 1676 01:19:11,800 --> 01:19:14,400 Speaker 2: Jill there, I got that. 1677 01:19:15,240 --> 01:19:17,679 Speaker 3: Let's take this flick real quick, flish