WEBVTT - The Porsche 928: Why Better Isn’t Always Best

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<v Speaker 1>Pushkin. Hey Eddie here, before we get started, I wanted

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<v Speaker 1>you to know that you can listen to Car Show

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<v Speaker 1>get access to detours, bonus episodes of Car Show, where

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<v Speaker 1>Pushkin Plus on the Car Show page in Apple Podcasts,

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<v Speaker 1>or at pushkin dot Fm. Risky Business nineteen eighty three.

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<v Speaker 1>Tom Cruise is Joel Goodson. His dad has a Porsche

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<v Speaker 1>nine eight. A couple of boys in daddy's car. Joel's

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<v Speaker 1>just backed the silver coop out of the garage and

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<v Speaker 1>is rolling through town doing high school senior things. He's

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<v Speaker 1>the model kid. He's hoping to get into Princeton in

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<v Speaker 1>the fall. He has no idea how sideways it's all

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<v Speaker 1>about to go. Fast forward to the movie's second act.

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<v Speaker 1>Joel is sitting with his girlfriend Lana played by Rebecca

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<v Speaker 1>de Morney, on the hood of the Porsche overlooking the lake.

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<v Speaker 1>I'm okay. They are soon to start their own little

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<v Speaker 1>prostitution business. At the beginning of the scene, as Lana

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<v Speaker 1>grabs her purse out of the nine twenty eight, she

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<v Speaker 1>knocks the shift lever into neutral. When she gets up

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<v Speaker 1>from the hood of the car to leave Joel, he

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<v Speaker 1>takes off after her. Was something I said. The Porsche

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<v Speaker 1>starts rolling down the dock toward the lake got side.

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<v Speaker 1>Ye never has a car so perfectly embody the Hollywood storyline.

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<v Speaker 1>Forget the gradual, forget the fast, and the furious. Risky

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<v Speaker 1>business director Paul Brickman could have picked a better signifier

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<v Speaker 1>for Joe's predicament. This is a car that's all about

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<v Speaker 1>going in way too deep, getting a way out over

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<v Speaker 1>your skis. This is the story of the Portion nine

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<v Speaker 1>twenty eight, an elite car with tons of promise, but

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<v Speaker 1>one that, metaphorically speaking, fell right into the lake. I'm

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<v Speaker 1>Eddie Alterman, and this is Car Show. In this episode

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<v Speaker 1>will examine how the nine twenty eight, this raging tour

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<v Speaker 1>to force of styling, engineering and performance, failed to speak

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<v Speaker 1>to the exact audience that should have loved it. But

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<v Speaker 1>Portion soon to ask why we put so much performance

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<v Speaker 1>in a luxury car, and lothers ask why we put

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<v Speaker 1>so much luxury in a performance car. You'd think that

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<v Speaker 1>in the eighties, a great and powerful continent cross for

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<v Speaker 1>like the nine eight would have been an easy cell

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<v Speaker 1>to Porsche's polo Cologne wearing sports car clientele. It was

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<v Speaker 1>not excellence is expected, So how did this perfect Porsche

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<v Speaker 1>become Porsche's pariah. The biggest issue with the nine twenty

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<v Speaker 1>eight may have been the pre existence of the Portione

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<v Speaker 1>nine to eleven. Porsche names its projects in running order.

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<v Speaker 1>You can tell which came first because of the model numbers.

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<v Speaker 1>The core model coupe started as the nine oh one,

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<v Speaker 1>but became the nine to eleven after complaints from Pouchet

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<v Speaker 1>the French. He said that Porsche can use the same

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<v Speaker 1>number zero number naming convention. The point is that the

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<v Speaker 1>nine twenty eight is a good dozen steps away from

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<v Speaker 1>the nine to eleven, a world away. It turns out,

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<v Speaker 1>while the nine to eleven has been scaling new heights

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<v Speaker 1>of performance and desirability over the past forty years, nine

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<v Speaker 1>twenty eight remained somewhat forgotten. People make fun of it.

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<v Speaker 1>It's been labeled an eighties car, a cocaine cowboy, not

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<v Speaker 1>the kind of Porsche Porsche people care about. But it

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<v Speaker 1>was a car Porsche itself had lavished extraordinary care on.

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<v Speaker 1>At the time, it wasn't veiled. It was the only Porsche,

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<v Speaker 1>not somehow based on a Volkswagen product. It was all new,

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<v Speaker 1>new VI eight engine, new suspension, new layout, Hence the problem.

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<v Speaker 1>Most people didn't really know what to make of the

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<v Speaker 1>nine twenty eighth when it came out in the late

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<v Speaker 1>seventies or for a long time after that. That confusion

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<v Speaker 1>curled into dismissal and eventually set for a while at

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<v Speaker 1>least an antipathy why the car was groundbreaking, It was beautiful,

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<v Speaker 1>and man was it fast? On it a nine twenty

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<v Speaker 1>eight because it's weird mostly and it's like kind of

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<v Speaker 1>like does doesn't he doesn't even like necessarily suit me

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<v Speaker 1>or my personality, but just like like a weird a

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<v Speaker 1>really weird car, really weird version of a portion of

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<v Speaker 1>you know. This is Derek Burke. He's a Detroit musician

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<v Speaker 1>and works in the film business. He co owns a

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<v Speaker 1>nine twenty eight with his brother. It's his car will

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<v Speaker 1>be abusing for this episode, and even he is conflicted

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<v Speaker 1>about it. It's like I always pictured like a Miami

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<v Speaker 1>Vice type person in one of these cars, you know,

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<v Speaker 1>like like a really eighties kind of like you know,

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<v Speaker 1>the person that that I'm not, but you hope to

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<v Speaker 1>be one. Yeah. Yeah, I struggle with my personality while

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<v Speaker 1>I'm driving it, you know, like you know, you get

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<v Speaker 1>out at the gas pump, like, you know, like you

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<v Speaker 1>have like identity problems. I feel like at least I do.

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<v Speaker 1>I'm like, I like, like am I like a yeah, yeah,

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<v Speaker 1>thank you? Yeah? Right? Like what what does it mean? Now?

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<v Speaker 1>Does me? Now that I'm driving just a car? You

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<v Speaker 1>kind of like it is an ostentatious German cud You

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<v Speaker 1>can you can pull it off? Yeah. Derek Burks nine

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<v Speaker 1>twenty eight is an original first year car from nineteen

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<v Speaker 1>seventy eight. Let's examine the thing that confronted customers as

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<v Speaker 1>they walked into Porsche's showrooms. So this is the nineteen

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<v Speaker 1>seventy eight first MABI year. So this is as pure

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<v Speaker 1>a reflection of the concept as you're gonna get the

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<v Speaker 1>first year as it came from the factory. And it's

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<v Speaker 1>an amazing shape. It's really really beautiful. Yeah, it's a

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<v Speaker 1>it's original point original paint. Yeah. Really from this angle,

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<v Speaker 1>it is so evocative of the nine to eleven um

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<v Speaker 1>just the roundness of it, the the placement of the

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<v Speaker 1>lights is sort of updated nine to eleven rear end.

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<v Speaker 1>You know, just kind of cat cast a couple decades

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<v Speaker 1>into the future. Um, you know, it's amazing to me

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<v Speaker 1>that it was so rejected by the Porsche cognischend It

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<v Speaker 1>kind of still is right because what they were going

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<v Speaker 1>for was really an evolution of the nine to eleven look.

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<v Speaker 1>You know, it didn't have a front grill, and the

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<v Speaker 1>idea was like, let's make it look like a Porsche.

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<v Speaker 1>Roundhead lights pop up in this case, so like an

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<v Speaker 1>evolution of the nine to eleven look, but smooth streamline hood,

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<v Speaker 1>a rounded back. You know, from what I understand, and

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<v Speaker 1>this might be apocryphal, Fairy Porsche, the guy in charge

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<v Speaker 1>at the time loved the AMC Pacer. That's the the

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<v Speaker 1>um the inspiration for the rear windows in the rear

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<v Speaker 1>hats from the Pacer. I heard that exactly. The Pacer,

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<v Speaker 1>if you don't remember, it was the car in Wayne's world.

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<v Speaker 1>It was also the car Serial Killers drove. Make of

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<v Speaker 1>that what you will. So you have one kind of

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<v Speaker 1>main glass panel in the back of the back light,

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<v Speaker 1>and then these two side windows on the side, and

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<v Speaker 1>that's like a kind of a laid down version of

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<v Speaker 1>the Pacer. Super super cool looking. And this was so

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<v Speaker 1>avant garde. This is so ahead of its time. I mean,

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<v Speaker 1>it still looks futuristic, looks futuristic. That's what's interesting about it.

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<v Speaker 1>It looks like nothing else, you know, And that's just

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<v Speaker 1>the exterior. The interior of the car. It looks like

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<v Speaker 1>it came straight out of the day of a system

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<v Speaker 1>the designers really swung for the outer reaches of the galaxy.

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<v Speaker 1>They put a radio fader nod by the driver's doorsill

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<v Speaker 1>and installed sun visors in the rear seat positions. And

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<v Speaker 1>there are a couple really interesting seat options in this car.

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<v Speaker 1>As I recall, there was the Pasha seed inserts, which

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<v Speaker 1>were a fabric kind of a lure insert but in

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<v Speaker 1>an op art pattern, so it looked like a rejected

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<v Speaker 1>Pink Floyd album cover kind of thing. Yeah, and super trippy, yeah,

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<v Speaker 1>but not not like um even you know, like really weird, yeah,

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<v Speaker 1>kind of stroving in and out. Yeah, Like it reminds

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<v Speaker 1>me of the pattern you see when you rub your eyes,

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<v Speaker 1>you know, right, it's real, real psychedelic. And it lent

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<v Speaker 1>to this sense that this car was like kind of

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<v Speaker 1>reverse engineered from alien spacecraft. You know, it was like

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<v Speaker 1>totally new and just landed like a meteor. When Porscha

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<v Speaker 1>created the nine twenty eight, they thought they were making

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<v Speaker 1>something akin to an evolution of the nine to eleven.

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<v Speaker 1>They thought they were bringing the ideas, an essence of

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<v Speaker 1>the company forward into the modern era. Porsche didn't realize

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<v Speaker 1>it was betraying the people who loved it most. It

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<v Speaker 1>wasn't the nine twenty eighth styling or interior that irked them.

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<v Speaker 1>It was the stuff under the skin that got so

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<v Speaker 1>well under their skin. Let's start at the beginning. Porscha

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<v Speaker 1>looms large in the hearts and minds of car enthusiasts,

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<v Speaker 1>but it's really the ultimate father and son operation. The father,

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<v Speaker 1>Ferdinand Porsche, designed the Volkswagen Beetle for Adolph Hitler. His

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<v Speaker 1>son Fairy, turned that Beetle into a sports car. This

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<v Speaker 1>became the first Porsche, the bathtub shaped three fifty six.

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<v Speaker 1>The three fifty six begat the nine to eleven. The

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<v Speaker 1>latter a bit bigger, a bit more solid, a bit

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<v Speaker 1>more refined than the three fifty six, but the fundamentals

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<v Speaker 1>were the same. Engine hung way out back behind the rearacle.

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<v Speaker 1>Really fun to drive, really hard to drive. Well. There's

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<v Speaker 1>a driving style in Porsche Land called shushing, where you

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<v Speaker 1>slide the car through a corner, ass out foot, heart

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<v Speaker 1>on the gas, a plume of tire smoke trailing behind you.

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<v Speaker 1>Essentially use the rear of the car to steer you

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<v Speaker 1>through a turn rather than the front. It's fun, it

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<v Speaker 1>looks crazy. It takes skill and nerve and an understanding

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<v Speaker 1>of physics, and it is the essence of driving a

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<v Speaker 1>rear engine portion. There's a glorious, like you know, animalistic

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<v Speaker 1>element to this thing. Here I am at the wheel

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<v Speaker 1>of a signal Red nineteen eighty five nine to eleven convertible.

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<v Speaker 1>It's counterintuitive. In a normal car, like a front engine,

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<v Speaker 1>front wheel drive car, a car starts to slide, you

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<v Speaker 1>take your feet off the gas, and everything kind of

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<v Speaker 1>corrects itself. In this car, you take your foot off

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<v Speaker 1>the gas, it'll spin, go into a corner way too hot,

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<v Speaker 1>lift off the throttle, and then all of a sudden,

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<v Speaker 1>no traction the back because instead of keeping the loads

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<v Speaker 1>on the rear wheels so they could have traction, you

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<v Speaker 1>unload the rear wheels. No traction anymore, and the thing spins.

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<v Speaker 1>So you know, it really did take balls of steel

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<v Speaker 1>to keep your foot in it. So to speak. I

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<v Speaker 1>own one of the early nine elevens, a nineteen seventy

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<v Speaker 1>one Coop. It's one of the lightest, most sensitive road

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<v Speaker 1>cars I've ever driven, and it rewards Driverley's skill. I

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<v Speaker 1>can't shush it every time in every corner. When I

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<v Speaker 1>get it right, it's like the heavens part and Jacob's

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<v Speaker 1>ladder descends. Oh my god, it's just a tear sports car.

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<v Speaker 1>They're cooled, making all kinds of weird noises. So unrefined

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<v Speaker 1>but super refined at the same time, sportscar drivers and

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<v Speaker 1>racers embraced the nine to eleven. When driven properly, it

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<v Speaker 1>was just incredibly fast and effective relative to its par

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<v Speaker 1>level and complexity. It hauled ass out of corners. Because

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<v Speaker 1>it carried a majority of its mass over its rear wheels,

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<v Speaker 1>it gave it a lot of traction under power. It

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<v Speaker 1>was light and always seemed to punch above its weight,

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<v Speaker 1>and so it kept evolving on the street and winning

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<v Speaker 1>on the track. This little odd ball was cementing itself

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<v Speaker 1>as the quintessential sporting machine with wins on grueling international

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<v Speaker 1>rallies like Monte Carlo. The nine eleven Turbo or nine

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<v Speaker 1>thirty came to the States in nineteen seventy six. It

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<v Speaker 1>was the nine to eleven in a superhero costume, a

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<v Speaker 1>fearsome and combustible mega coup with fat fenders and a

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<v Speaker 1>huge fluke for a tail. The turbo was even harder

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<v Speaker 1>to drive than the standard nine to eleven. Power delivery

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<v Speaker 1>was all or nothing, and it gained a reputation as

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<v Speaker 1>a dentist killer for the way it would spin off

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<v Speaker 1>the road at the slightest provocation, like when it's unexpecting

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<v Speaker 1>driver lifted off the throttle in a fast corner. It

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<v Speaker 1>earned the nickname the widow Maker. The nine eleven was

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<v Speaker 1>a car to respect. So if the nine O one

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<v Speaker 1>was the nine to eleven and the nine thirty was

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<v Speaker 1>the nine eleven Turbo, where does the nine twenty eight

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<v Speaker 1>fit in? The nine twenty eight had actually been on

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<v Speaker 1>Porsche's drawing board since nineteen seventy one, a mere seven

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<v Speaker 1>years after the launch of the nine to eleven and

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<v Speaker 1>before the nine thirty. Then the US was hit with

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<v Speaker 1>an oil embargo in nineteen seventy three. This is NBC

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<v Speaker 1>Nightly to use Wednesday, October seventeenth, Good Evening. The Middle

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<v Speaker 1>East War produced developments all over the world today, the

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<v Speaker 1>oil producing countries of the Arab world decided to use

0:14:59.316 --> 0:15:02.636
<v Speaker 1>their oil as a political weapon. They will reduce oil

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<v Speaker 1>production by the American automobile. For so long, the symbol

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<v Speaker 1>of America's wealth and extravagance is dying. New cars and

0:15:10.116 --> 0:15:13.676
<v Speaker 1>used cars stand like shining tombstones in the showrooms and

0:15:13.716 --> 0:15:19.036
<v Speaker 1>parking lots of the nation's car dealers, unloved, unwanted, and unsold.

0:15:20.236 --> 0:15:22.436
<v Speaker 1>All of a sudden, it did not seem prudent about

0:15:22.476 --> 0:15:24.916
<v Speaker 1>the future of the small family owned company on a

0:15:24.996 --> 0:15:27.276
<v Speaker 1>V eight powered sports car like the nine twenty eight,

0:15:28.036 --> 0:15:31.796
<v Speaker 1>it would have to wait. Maybe if there were no

0:15:31.916 --> 0:15:34.156
<v Speaker 1>gas crises and the nine twenty eight came out in

0:15:34.276 --> 0:15:37.516
<v Speaker 1>seventy four or seventy five, the nine to eleven wouldn't

0:15:37.556 --> 0:15:40.716
<v Speaker 1>have had the time to endear itself so completely to

0:15:40.756 --> 0:15:44.316
<v Speaker 1>the driving enthusiast. But by the nineteen seventy eight model year,

0:15:44.396 --> 0:15:47.756
<v Speaker 1>the nine twenty eighth first drivers had clasped the nine

0:15:47.756 --> 0:15:50.836
<v Speaker 1>to eleven tightly to their breasts. So why do the

0:15:50.916 --> 0:15:53.596
<v Speaker 1>nine twenty eight at all? Well, it was a poorly

0:15:53.636 --> 0:15:56.916
<v Speaker 1>kept secret that within the company itself, the nine eleven

0:15:56.956 --> 0:16:00.036
<v Speaker 1>had been marked for death for a couple of reasons.

0:16:00.716 --> 0:16:04.836
<v Speaker 1>The first was ambition. Doctor Ernst Furman was the successor

0:16:04.876 --> 0:16:08.276
<v Speaker 1>to Ferry Porsche as company chairman. He was an engineer

0:16:08.316 --> 0:16:11.276
<v Speaker 1>and an engine's signer. He thought the nine to eleven

0:16:11.356 --> 0:16:13.916
<v Speaker 1>was on its last legs. But there was also certainly

0:16:13.916 --> 0:16:18.676
<v Speaker 1>a part of him that had Mercedes envy. He wanted

0:16:18.676 --> 0:16:21.076
<v Speaker 1>to build a car to compete with the absolute pinnacle

0:16:21.116 --> 0:16:25.036
<v Speaker 1>of automaking, the guys who invented it all, Mercedes Benz

0:16:26.156 --> 0:16:28.676
<v Speaker 1>back in nineteen seventy one. He wanted to show the

0:16:28.676 --> 0:16:34.076
<v Speaker 1>world what a modern Porsche could be. Elegant, comfortable, sophisticated,

0:16:34.756 --> 0:16:38.276
<v Speaker 1>real competition for the big BMW and Mercedes Benz coops.

0:16:42.156 --> 0:16:45.436
<v Speaker 1>So that was one motivating factor. The other reason had

0:16:45.516 --> 0:16:55.996
<v Speaker 1>to do with this here that it's the signature worrying

0:16:56.036 --> 0:16:59.596
<v Speaker 1>and churing of the air cooled nine to eleven. Isn't

0:16:59.636 --> 0:17:04.076
<v Speaker 1>that a great sound? I mean, it is unmistakable. Nothing

0:17:04.076 --> 0:17:19.916
<v Speaker 1>else sounds like this, man, that is a wild animal sound,

0:17:20.236 --> 0:17:24.116
<v Speaker 1>or some day it sounds like nothing else, like it's

0:17:24.116 --> 0:17:27.716
<v Speaker 1>straining against itself on the verge of imploding, sort of

0:17:27.716 --> 0:17:29.916
<v Speaker 1>like how the rolling stones always sound like they're about

0:17:29.956 --> 0:17:32.876
<v Speaker 1>to fall apart, but never do it's part of what

0:17:32.956 --> 0:17:37.036
<v Speaker 1>keeps you engaged. You don't want to have the radio on.

0:17:37.356 --> 0:17:40.476
<v Speaker 1>You need to be able to listen to that engine.

0:17:45.676 --> 0:17:49.316
<v Speaker 1>But it's also not exactly modern sounding. The company fear

0:17:49.396 --> 0:17:52.596
<v Speaker 1>that it's noise would get regulated out of existence. In

0:17:52.636 --> 0:17:55.436
<v Speaker 1>the nine to eleven, all the noisemakers were in the back.

0:17:56.196 --> 0:17:59.956
<v Speaker 1>The intake manifold the chortling air cooled flat six engine

0:18:00.356 --> 0:18:03.556
<v Speaker 1>the flatulent exhaust system, So when the nine to eleven

0:18:03.636 --> 0:18:07.436
<v Speaker 1>drove by the automotive noise regulators microphones, it created a

0:18:07.476 --> 0:18:11.396
<v Speaker 1>big decibel spike at the of the car. Conventional cars,

0:18:11.516 --> 0:18:13.796
<v Speaker 1>with their engines up front and exhaust in the back,

0:18:14.356 --> 0:18:16.596
<v Speaker 1>spread that noise out across the length of the car

0:18:17.196 --> 0:18:20.676
<v Speaker 1>for less of a sonic whack. But noise wasn't the

0:18:20.756 --> 0:18:23.196
<v Speaker 1>only hurdle the nine to eleven was seen as ill

0:18:23.196 --> 0:18:27.796
<v Speaker 1>equipped to clear. There were also safety and emissions concerns.

0:18:28.796 --> 0:18:31.316
<v Speaker 1>Porsche figured that any replacement for the nine to eleven

0:18:31.676 --> 0:18:34.196
<v Speaker 1>would have to be future proofed against all this change,

0:18:34.796 --> 0:18:37.116
<v Speaker 1>and then a more conventional layout would be a better

0:18:37.116 --> 0:18:42.236
<v Speaker 1>basis for development. There were safety in numbers, A quiet,

0:18:42.316 --> 0:18:45.036
<v Speaker 1>liquid cooled engine in front like a more traditional sports

0:18:45.036 --> 0:18:48.156
<v Speaker 1>car with room for more mufflers and catalysts in the back,

0:18:48.996 --> 0:18:51.756
<v Speaker 1>better weight distribution front to rear thanks to a rear

0:18:51.756 --> 0:18:57.036
<v Speaker 1>mounted transmission, a thoroughly modern sports car, a showcase of

0:18:57.116 --> 0:19:04.156
<v Speaker 1>Porsche's engineering prowess. Perhaps most important both to the engineering

0:19:04.196 --> 0:19:07.556
<v Speaker 1>aspirations of Porsche and to nine twenty eighth rejection by

0:19:07.596 --> 0:19:12.476
<v Speaker 1>traditional Porsia owners was the newly designed rear axle. Seems

0:19:12.476 --> 0:19:15.116
<v Speaker 1>like a small change, but it had huge implications for

0:19:15.156 --> 0:19:17.996
<v Speaker 1>the car and for the argument I'm trying to make here.

0:19:19.116 --> 0:19:22.756
<v Speaker 1>It was known as the weissok axel. It stabilized the

0:19:22.756 --> 0:19:24.996
<v Speaker 1>rear of the car by towing in the rear wheels

0:19:25.156 --> 0:19:27.916
<v Speaker 1>like a pigeon, and within nine twenty eighth there was

0:19:27.956 --> 0:19:31.356
<v Speaker 1>far more balanced mass wise front to rear. That meant

0:19:31.436 --> 0:19:35.316
<v Speaker 1>no more easy shushing. Porsche engineers thought this was a

0:19:35.436 --> 0:19:38.476
<v Speaker 1>gigantic step forward, making the car far more stable in

0:19:38.516 --> 0:19:41.356
<v Speaker 1>all conditions and thus more drivable for a wider group

0:19:41.356 --> 0:19:44.516
<v Speaker 1>of people. But to the Porsche faithful it was a

0:19:44.556 --> 0:19:48.036
<v Speaker 1>fun killer. Our friend Derek Burke is not one of

0:19:48.036 --> 0:19:52.196
<v Speaker 1>the faithful, apparently. Yeah, people don't want to change what

0:19:52.236 --> 0:19:54.276
<v Speaker 1>they love. Yeah, because there is like they had built

0:19:54.316 --> 0:19:56.996
<v Speaker 1>up this skill and this proficiency in driving the nine

0:19:57.036 --> 0:19:58.836
<v Speaker 1>to eleven, and this thing was so easy to drive.

0:19:58.956 --> 0:20:02.196
<v Speaker 1>They're like, what's the point, right, the car doesn't push back?

0:20:04.916 --> 0:20:08.196
<v Speaker 1>You know the designer Raymond Loewy. Right, if you've seen

0:20:08.236 --> 0:20:11.716
<v Speaker 1>air Force one, the aircraft, not the Harrison Forn movie,

0:20:12.196 --> 0:20:16.236
<v Speaker 1>you know his work. Lowie was America's foremost industrial designer

0:20:16.476 --> 0:20:18.836
<v Speaker 1>and an age when design was just starting to matter.

0:20:19.876 --> 0:20:22.996
<v Speaker 1>He redesigned the coke bottle, He did the Lucky Strike

0:20:23.076 --> 0:20:28.316
<v Speaker 1>cigarette pack. He even designed studebakers. Lowie expressed his core

0:20:28.396 --> 0:20:33.596
<v Speaker 1>designed philosophy as the acronym MAYA m A y a

0:20:34.636 --> 0:20:38.396
<v Speaker 1>most advanced yet acceptable. The idea was that for a

0:20:38.396 --> 0:20:41.556
<v Speaker 1>new design to succeed, there needed to be something familiar

0:20:41.556 --> 0:20:44.676
<v Speaker 1>about it, something that linked it to the past. The

0:20:44.756 --> 0:20:47.516
<v Speaker 1>logo he drew for x On, for example, was built

0:20:47.556 --> 0:20:50.076
<v Speaker 1>off the cross. It looks like the cross of the

0:20:50.116 --> 0:20:53.036
<v Speaker 1>Knights Templar. Look at the two xes in it. Some

0:20:53.156 --> 0:20:56.876
<v Speaker 1>time we could do a whole episode on Raymond Loewie,

0:20:57.196 --> 0:20:59.636
<v Speaker 1>but I bring him up here briefly because in the

0:20:59.676 --> 0:21:03.036
<v Speaker 1>case of the nine twenty eight, his otherwise successful MAYA

0:21:03.076 --> 0:21:09.756
<v Speaker 1>philosophy didn't quite apply. You have to understand Porsche's value

0:21:09.796 --> 0:21:14.516
<v Speaker 1>is experimentation. Because it is so closely associated with one car,

0:21:14.676 --> 0:21:17.196
<v Speaker 1>the nine to eleven, many people think that it's a

0:21:17.276 --> 0:21:21.116
<v Speaker 1>risk averse operation. One visit to the company's museum in

0:21:21.156 --> 0:21:25.316
<v Speaker 1>the Zuffenhausen district of Stuttgart, Germany will dispel that notion.

0:21:28.236 --> 0:21:30.396
<v Speaker 1>They are arrayed on the floors and pinned to the

0:21:30.436 --> 0:21:35.436
<v Speaker 1>walls like exotic butterflies. Is Porsche's riot of ideas. Four

0:21:35.476 --> 0:21:38.996
<v Speaker 1>door nine elevens, the nine seventeen racing cars with their

0:21:39.036 --> 0:21:43.796
<v Speaker 1>pressurized two frames and mechanical guts hanging out. Crazy concepts

0:21:43.796 --> 0:21:47.316
<v Speaker 1>such as the froggy and toy like Panamericana, green and

0:21:47.356 --> 0:21:51.756
<v Speaker 1>White German police nine elevens, the wild and the wacky abound.

0:21:52.876 --> 0:21:56.076
<v Speaker 1>In this context, the nine twenty eight seems gently progressive,

0:21:56.636 --> 0:21:59.556
<v Speaker 1>and to Porsche it was, even though it was the

0:21:59.596 --> 0:22:03.596
<v Speaker 1>first Porsche designed entirely from scratch, with aluminum bodywork and

0:22:03.676 --> 0:22:06.556
<v Speaker 1>an all NUVI eight. The company intended for it to

0:22:06.596 --> 0:22:12.796
<v Speaker 1>be Maya in the extreme, most advanced yet acceptable but

0:22:12.956 --> 0:22:16.116
<v Speaker 1>loyal Porsche buyers, the very targets for the nine twenty

0:22:16.196 --> 0:22:19.836
<v Speaker 1>eight saw a betrayal under the car's curves. It's just different.

0:22:20.236 --> 0:22:24.236
<v Speaker 1>It's smoother, it's so much more refined sounding. It doesn't

0:22:24.276 --> 0:22:28.996
<v Speaker 1>have that weird mechanical kind of coarseness that the nine

0:22:29.036 --> 0:22:30.756
<v Speaker 1>to eleven has. But you kind of love about the

0:22:30.836 --> 0:22:35.036
<v Speaker 1>nine to eleven. This is just yeah, it's like the

0:22:35.036 --> 0:22:38.276
<v Speaker 1>best German corvette that's ever been right. Yeah, it's like

0:22:38.316 --> 0:22:43.076
<v Speaker 1>a weird German muscle car. Yeah, totally. It feels like

0:22:43.076 --> 0:22:44.916
<v Speaker 1>it wants to go in a straight line really fast

0:22:45.316 --> 0:22:48.476
<v Speaker 1>and not really turn with the kind of precision like

0:22:48.796 --> 0:22:51.796
<v Speaker 1>when you're coming out of a corner here. It doesn't

0:22:51.836 --> 0:22:54.836
<v Speaker 1>have that kind of snapback, added Tode that the nine

0:22:54.836 --> 0:22:57.156
<v Speaker 1>to eleven is where a nine to eleven you come

0:22:57.156 --> 0:23:00.356
<v Speaker 1>out of a corner and it's like a great smallow skier.

0:23:00.836 --> 0:23:04.276
<v Speaker 1>The transitional behavior is like the thing writes itself immediately

0:23:04.276 --> 0:23:06.996
<v Speaker 1>and sets you up for the next turn. This car

0:23:07.116 --> 0:23:09.916
<v Speaker 1>is a lot lazier feeling. It's like, yeah, I'll get

0:23:09.956 --> 0:23:12.716
<v Speaker 1>to it when I get to it, right. I feel

0:23:12.716 --> 0:23:14.676
<v Speaker 1>like I could drive across the country in it, like

0:23:14.756 --> 0:23:17.076
<v Speaker 1>on the highway though that that like, I think that's

0:23:17.116 --> 0:23:20.156
<v Speaker 1>what it was for. Very different than the nine to eleven.

0:23:20.636 --> 0:23:25.876
<v Speaker 1>Everything is has like that that little layer of insulation.

0:23:27.556 --> 0:23:29.916
<v Speaker 1>It's much more of a luxury car, much more of

0:23:29.916 --> 0:23:33.876
<v Speaker 1>a GT. It feels much heavier in the hand. As

0:23:33.916 --> 0:23:37.316
<v Speaker 1>they say, it's a vastly different driving experience than the

0:23:37.396 --> 0:23:39.716
<v Speaker 1>nine to eleven. The nine to eleven is real, kind

0:23:39.756 --> 0:23:46.756
<v Speaker 1>of direct and percussive and like always on, whereas this thing,

0:23:46.796 --> 0:23:48.996
<v Speaker 1>it's like you can kind of drive it with a pinky,

0:23:49.956 --> 0:23:51.996
<v Speaker 1>you know, you know what the front wheels are always doing,

0:23:52.116 --> 0:23:53.916
<v Speaker 1>you know what the chassis's doing. It gives you a

0:23:53.996 --> 0:23:57.036
<v Speaker 1>lot of information. But it does have that kind of

0:23:57.076 --> 0:24:02.076
<v Speaker 1>creaminess that the nine to eleven doesn't have. But this

0:24:02.156 --> 0:24:07.876
<v Speaker 1>is more stable. This has killed fewer dentists. Well, the

0:24:07.956 --> 0:24:12.276
<v Speaker 1>dentists always come. I don't know, I don't know, but

0:24:12.436 --> 0:24:15.756
<v Speaker 1>there's something about the kind of people who are attracted

0:24:15.796 --> 0:24:19.676
<v Speaker 1>to nine to elevens technically minded, who work with their

0:24:19.676 --> 0:24:23.276
<v Speaker 1>hands at a very high level, you know, like a dentist,

0:24:23.396 --> 0:24:27.076
<v Speaker 1>like an architect. Tom Wolfe talks about that in From

0:24:27.116 --> 0:24:29.916
<v Speaker 1>bau House to Our House, that architects always wanted to

0:24:29.956 --> 0:24:33.996
<v Speaker 1>have the nine to eleven. The nine to eleven embodies

0:24:34.196 --> 0:24:37.196
<v Speaker 1>like a real philosophy of how to build a car,

0:24:37.236 --> 0:24:40.356
<v Speaker 1>and it's totally different than anything else. And I think

0:24:40.436 --> 0:24:45.876
<v Speaker 1>one of the reasons This wasn't as embraced is because

0:24:46.596 --> 0:24:50.316
<v Speaker 1>it was a more commodified vision. You know, it was

0:24:50.396 --> 0:24:56.156
<v Speaker 1>one that was built to conform to regulations and built

0:24:56.156 --> 0:24:58.316
<v Speaker 1>to conform to you know, the kind of style of

0:24:58.316 --> 0:25:02.036
<v Speaker 1>other cars. It seemed like a threat to a belief

0:25:02.036 --> 0:25:04.876
<v Speaker 1>system in a way. The faithful didn't want to see

0:25:04.916 --> 0:25:10.076
<v Speaker 1>Porsche turn into just another car company. They to understand

0:25:10.236 --> 0:25:13.996
<v Speaker 1>kind of the the weirdness of the American customer. The

0:25:14.276 --> 0:25:19.956
<v Speaker 1>American Porsche guy was buying that car out of a

0:25:20.036 --> 0:25:24.076
<v Speaker 1>kind of iconoclasm because he didn't want to be lumped

0:25:24.076 --> 0:25:28.196
<v Speaker 1>in with the Corvette guys or the Triumph guys of

0:25:28.316 --> 0:25:33.196
<v Speaker 1>the MG guys. The Porsche was different, and it said

0:25:33.236 --> 0:25:36.476
<v Speaker 1>something different about you. It said that you were maybe

0:25:36.476 --> 0:25:39.316
<v Speaker 1>a more skilled driver, or that you had some connection

0:25:39.796 --> 0:25:43.396
<v Speaker 1>to the racing heritage of the brand, and that you

0:25:43.436 --> 0:25:47.756
<v Speaker 1>were one of those hairy armed heroes of motorsport. But

0:25:47.956 --> 0:25:55.876
<v Speaker 1>just you know, your day job was a dentist. Nine

0:25:55.916 --> 0:25:58.676
<v Speaker 1>twenty job was to supplant the nine to eleven to

0:25:58.796 --> 0:26:02.396
<v Speaker 1>be so captivating and cool as to wipe it from memory.

0:26:02.516 --> 0:26:06.236
<v Speaker 1>It did not do that. It couldn't. The nine eleven

0:26:06.276 --> 0:26:09.836
<v Speaker 1>had a kind of destiny to persist after the break,

0:26:10.076 --> 0:26:12.636
<v Speaker 1>we'll hear about the governor's pardon that extended the nine

0:26:12.676 --> 0:26:16.796
<v Speaker 1>to eleven's life. I'm Eddie Alterman, and this is Car Show.

0:26:26.076 --> 0:26:28.516
<v Speaker 1>In nineteen eighty one, the nine to eleven got a

0:26:28.556 --> 0:26:33.556
<v Speaker 1>miraculous green mile reprieve. Porsche brought in a new CEO,

0:26:33.916 --> 0:26:37.156
<v Speaker 1>a German American named Peter Schutz, whose parents fled the

0:26:37.156 --> 0:26:41.356
<v Speaker 1>Third Rife and settled in Chicago. Schutz was an engineer

0:26:41.396 --> 0:26:45.316
<v Speaker 1>and an industrialist. He had stints at Caterpillar and Cummins

0:26:45.356 --> 0:26:48.236
<v Speaker 1>Diesel under his belt. When he got to Porsche, the

0:26:48.316 --> 0:26:50.916
<v Speaker 1>nine eleven was just getting strapped into the electric chair.

0:26:51.556 --> 0:26:54.876
<v Speaker 1>He noticed how glum everyone at the company seemed more

0:26:54.916 --> 0:26:59.796
<v Speaker 1>than just the usual Teutonic stoic gloominess. Porsche's employees were

0:26:59.916 --> 0:27:02.316
<v Speaker 1>visibly upset that the company was going to cancel the

0:27:02.396 --> 0:27:06.956
<v Speaker 1>nine to eleven. So Shutz heads down to a meeting

0:27:06.956 --> 0:27:10.956
<v Speaker 1>with Porsche's chief engineer at the time, how Bot. Schutz

0:27:11.036 --> 0:27:12.996
<v Speaker 1>notices that Bot has one of those big charts on

0:27:13.076 --> 0:27:16.156
<v Speaker 1>his office wall, with the lifespans and development cycles of

0:27:16.156 --> 0:27:19.916
<v Speaker 1>all Porsche products stretching out into the future. The line

0:27:19.916 --> 0:27:22.756
<v Speaker 1>for the nine to eleven stops dead in nineteen eighty one.

0:27:24.756 --> 0:27:27.516
<v Speaker 1>So Schotz goes over to the chart, picks up a marker,

0:27:27.996 --> 0:27:31.836
<v Speaker 1>and extends the nine elevens line off the paper, onto

0:27:31.876 --> 0:27:36.516
<v Speaker 1>the wall and out the door of Bot's office. In

0:27:36.556 --> 0:27:40.316
<v Speaker 1>twenty thirteen, Shoultz wrote this for Road and Track. While

0:27:40.316 --> 0:27:42.956
<v Speaker 1>the nine to eleven could be temperamental at times, at

0:27:42.996 --> 0:27:46.676
<v Speaker 1>least it had character. That's what people loved most about it.

0:27:47.396 --> 0:27:50.116
<v Speaker 1>You had to remain vigilant with your inputs. But for

0:27:50.156 --> 0:27:53.036
<v Speaker 1>those who could, those of training with skill who could

0:27:53.076 --> 0:27:55.276
<v Speaker 1>catch it in a slide and bring it back into line,

0:27:55.916 --> 0:27:59.036
<v Speaker 1>the nine to eleven was king. It was the only

0:27:59.076 --> 0:28:01.436
<v Speaker 1>car worth driving because it was the only car that

0:28:01.436 --> 0:28:07.756
<v Speaker 1>would push back in its way. Eight only cemented the

0:28:07.836 --> 0:28:14.836
<v Speaker 1>nine eleven as the Porsche icon, but why? In many ways,

0:28:15.076 --> 0:28:17.876
<v Speaker 1>the nine twenty eight was the natural logical progression from

0:28:17.916 --> 0:28:21.996
<v Speaker 1>the nine to eleven, much more sophisticated, highly capable, and

0:28:22.156 --> 0:28:26.996
<v Speaker 1>easier to drive, building certify real competition for Mercedes, Benz

0:28:26.996 --> 0:28:32.236
<v Speaker 1>and BMW. It was future proofed yet familiar. No front

0:28:32.236 --> 0:28:35.316
<v Speaker 1>grill just like the nine eleven, arounded rump just like

0:28:35.356 --> 0:28:37.836
<v Speaker 1>the nine to eleven, and comfortable like the nine to

0:28:37.876 --> 0:28:41.116
<v Speaker 1>eleven On the face of it. The nine twenty eight,

0:28:41.196 --> 0:28:45.036
<v Speaker 1>hued closely to Lois maya maxim should have been a layup.

0:28:46.236 --> 0:28:48.516
<v Speaker 1>Many people blame the nine twenty eighth price of twenty

0:28:48.556 --> 0:28:51.636
<v Speaker 1>eight thousand, five hundred dollars or over one hundred and

0:28:51.636 --> 0:28:54.956
<v Speaker 1>twenty thousand dollars today for the chilly reception it received,

0:28:55.876 --> 0:28:57.716
<v Speaker 1>But the nine twenty eight was launched on the cusp

0:28:57.756 --> 0:29:01.516
<v Speaker 1>of the eighties to the me generation, to yuppies. That

0:29:01.636 --> 0:29:04.316
<v Speaker 1>audience was all about big ticket statements like the nine

0:29:04.356 --> 0:29:08.916
<v Speaker 1>twenty eight. And besides, sports cars are Vevlan items, status

0:29:09.116 --> 0:29:13.596
<v Speaker 1>and bols. The higher the price, the more highly they're prized. No,

0:29:13.796 --> 0:29:16.996
<v Speaker 1>it was something deeper about the relationship between Porsche coops

0:29:17.276 --> 0:29:22.196
<v Speaker 1>new and old. Back to that bright red eighty five

0:29:22.316 --> 0:29:25.276
<v Speaker 1>nine eleven I was driving earlier in the episode. This

0:29:25.396 --> 0:29:27.596
<v Speaker 1>is a lot more raw, and so you can see

0:29:27.596 --> 0:29:30.796
<v Speaker 1>how the person who is used to this car, you

0:29:30.836 --> 0:29:34.636
<v Speaker 1>know in the eighties, who loved the feeling of that

0:29:34.756 --> 0:29:37.396
<v Speaker 1>engine behind them, loved the sound of the engine behind them,

0:29:37.596 --> 0:29:39.476
<v Speaker 1>love the fact that they needed to know how to

0:29:39.556 --> 0:29:43.716
<v Speaker 1>drive it. You can see how they get in and

0:29:43.756 --> 0:29:46.756
<v Speaker 1>be like, if I wanted to Corvette, I'd buy a Corvette.

0:29:47.036 --> 0:29:50.516
<v Speaker 1>You know, there's no personality that car doesn't push back.

0:29:51.196 --> 0:29:55.636
<v Speaker 1>You know, it's too good. The nine eleven was so

0:29:55.676 --> 0:29:58.476
<v Speaker 1>appealing because it was such a handful. It was small,

0:29:58.676 --> 0:30:02.076
<v Speaker 1>it was noisy, and it would bite. It took skill

0:30:02.116 --> 0:30:05.756
<v Speaker 1>to drive well, and everyone knew it. You elicited respect

0:30:05.836 --> 0:30:08.876
<v Speaker 1>from other drivers. You are a local version of those

0:30:08.916 --> 0:30:11.476
<v Speaker 1>d dragon slayers who drove nine to elevens on racetracks

0:30:11.516 --> 0:30:14.956
<v Speaker 1>around the world. The superior handling and performance of the

0:30:15.036 --> 0:30:18.636
<v Speaker 1>nine twenty eight was a disadvantage in many Porsche file's eyes.

0:30:21.396 --> 0:30:26.516
<v Speaker 1>The nine twenty eight was Tana Ta NA two advanced,

0:30:26.956 --> 0:30:33.676
<v Speaker 1>not acceptable, too stable, too comfortable, too conformists. So it's

0:30:33.716 --> 0:30:36.036
<v Speaker 1>ironic that the nine twenty eight was the non conforming

0:30:36.116 --> 0:30:39.116
<v Speaker 1>model at Porsche for the entirety of its run. Even

0:30:39.156 --> 0:30:41.356
<v Speaker 1>if it sold decently for a while and ran for

0:30:41.396 --> 0:30:45.956
<v Speaker 1>a long eighteen years, nine twenty eight was always misunderstood

0:30:46.516 --> 0:30:50.276
<v Speaker 1>by drivers and by the media. It was mixed. It

0:30:50.356 --> 0:30:54.036
<v Speaker 1>was mixed. You know how the media sometimes can be,

0:30:54.236 --> 0:30:58.756
<v Speaker 1>you know, they look down on new things that no oh,

0:30:58.796 --> 0:31:03.076
<v Speaker 1>of course, every once in a a while. Tom McDonald was

0:31:03.116 --> 0:31:06.356
<v Speaker 1>the head of public relations for Audi, VW and Porsche

0:31:06.396 --> 0:31:09.076
<v Speaker 1>when the nine twenty eight was released in nineteen seventy eight.

0:31:09.596 --> 0:31:12.076
<v Speaker 1>He was there for the car's first media drive. It

0:31:12.476 --> 0:31:16.116
<v Speaker 1>was a mixed reaction because you had some media who

0:31:16.196 --> 0:31:22.956
<v Speaker 1>were biased towards racles rear engine cars. But I mean

0:31:23.036 --> 0:31:26.036
<v Speaker 1>the nine twenty eight was such a unique It wasn't

0:31:26.076 --> 0:31:31.396
<v Speaker 1>an evolutionary car. It was a revolutionary car. And they

0:31:31.436 --> 0:31:35.516
<v Speaker 1>had interesting characters around it. Again, a guy like Tony Lapine.

0:31:36.316 --> 0:31:40.356
<v Speaker 1>I think he someone asked him, why are the headlights

0:31:40.436 --> 0:31:43.476
<v Speaker 1>the pop up headlights? Why aren't they covered? And he says,

0:31:43.516 --> 0:31:46.356
<v Speaker 1>because we want to look up to the sky to God.

0:31:47.116 --> 0:31:53.316
<v Speaker 1>I mean, so it was always pedal to the metal

0:31:53.396 --> 0:31:56.596
<v Speaker 1>for a lot of the media guys, and it was

0:31:56.676 --> 0:31:59.956
<v Speaker 1>all about the numbers. Ken Porsche pull it off and

0:32:00.236 --> 0:32:03.596
<v Speaker 1>it's this the way that Porsche's gonna go forward now,

0:32:03.636 --> 0:32:05.956
<v Speaker 1>I tell you. There was also a little bit of

0:32:05.996 --> 0:32:11.836
<v Speaker 1>a pushback from the Porsche Club. Tom's talking about the PCA,

0:32:11.956 --> 0:32:18.476
<v Speaker 1>the Porsche Club of America. PCA members are Porsche's greatest

0:32:18.596 --> 0:32:22.916
<v Speaker 1>allies and they can also be their greatest nemesis. And

0:32:23.076 --> 0:32:25.836
<v Speaker 1>I used to liaise with the Porsche Club. That was

0:32:25.916 --> 0:32:27.756
<v Speaker 1>part of my job as to hold hands to the

0:32:27.796 --> 0:32:32.036
<v Speaker 1>Porsche Club and we had issues. I had issues going

0:32:32.076 --> 0:32:36.156
<v Speaker 1>back to nineteen seventy when the nine fourteen came whether

0:32:36.236 --> 0:32:38.636
<v Speaker 1>or not that was a real Porsche and was that

0:32:38.716 --> 0:32:42.396
<v Speaker 1>going to be accepted by the Porsche files as a

0:32:42.436 --> 0:32:46.476
<v Speaker 1>real Porsche. And then when the Porsche nine twenty four

0:32:46.636 --> 0:32:50.636
<v Speaker 1>came out, we had the same you know, pushed back

0:32:50.796 --> 0:32:53.876
<v Speaker 1>by some people. But they had spent a lot of

0:32:53.916 --> 0:32:57.116
<v Speaker 1>time getting to know the nine to eleven, learning how

0:32:57.196 --> 0:32:59.996
<v Speaker 1>to drive it. They took pride in being able to

0:33:00.036 --> 0:33:04.836
<v Speaker 1>handle that car. I have a very interesting little piece

0:33:04.876 --> 0:33:08.676
<v Speaker 1>of paper that I keep right here, and it's a quote.

0:33:09.156 --> 0:33:13.156
<v Speaker 1>It says a Porsche owner is not necessarily a Porsche driver.

0:33:15.916 --> 0:33:22.756
<v Speaker 1>Think about it. Pia really made Porsche in this country.

0:33:23.196 --> 0:33:27.476
<v Speaker 1>I mean going back way before my time, back in

0:33:26.796 --> 0:33:31.876
<v Speaker 1>the in the fifties and sixties. They were the backbone,

0:33:31.956 --> 0:33:34.996
<v Speaker 1>if you will, of the Porsche enthusiast. Today, they are

0:33:35.036 --> 0:33:41.396
<v Speaker 1>still i'd say influential. I mean, Porsche really reaches out

0:33:41.436 --> 0:33:44.276
<v Speaker 1>to them making sure that they were on board with

0:33:44.916 --> 0:33:48.916
<v Speaker 1>new products. So are they are Porsche people on board

0:33:48.956 --> 0:33:51.836
<v Speaker 1>with the vehicle's Porsche is making now or are its

0:33:51.876 --> 0:33:56.156
<v Speaker 1>owners still fixated on the nine to eleven. Well, it's complicated.

0:33:56.796 --> 0:33:58.796
<v Speaker 1>The nine to eleven is still the white hot center

0:33:58.836 --> 0:34:02.556
<v Speaker 1>of the Porsche universe, with a staggering twenty four variants,

0:34:03.196 --> 0:34:06.036
<v Speaker 1>everything from the basic rear wild drive coupe to the

0:34:06.116 --> 0:34:11.356
<v Speaker 1>bewinged track gobbling GT three. But encircling the icon is

0:34:11.396 --> 0:34:14.836
<v Speaker 1>a vast array of vehicles that, at first glance seemed

0:34:14.876 --> 0:34:17.676
<v Speaker 1>just as offensive to the core nine eleven person as

0:34:17.716 --> 0:34:21.836
<v Speaker 1>the nine twenty eight was the mccan Mini suv, the

0:34:21.956 --> 0:34:27.996
<v Speaker 1>heavy hatchbacked Panamera Sedan, the Panamera Wagon, the Cayenne Suv,

0:34:29.116 --> 0:34:33.596
<v Speaker 1>the Tychon electric vehicle. Only the seven eighteen Boxer and

0:34:33.676 --> 0:34:36.676
<v Speaker 1>Cayman sports cars seemed to hew closely to the nine

0:34:36.676 --> 0:34:42.196
<v Speaker 1>to eleven in concept. The Cayenne started this Cambrian explosion

0:34:42.236 --> 0:34:44.916
<v Speaker 1>of models twenty five years after the nine twenty eight,

0:34:45.196 --> 0:34:48.196
<v Speaker 1>so let's use that as our example. The Cayenne was

0:34:48.236 --> 0:34:52.156
<v Speaker 1>the first five door, five passenger Porsche, a high riding

0:34:52.356 --> 0:34:56.276
<v Speaker 1>front engine, all wheel drive beast. It was heavy, but

0:34:56.316 --> 0:34:58.556
<v Speaker 1>it was faster and better to drive than the SUVs

0:34:58.596 --> 0:35:01.396
<v Speaker 1>of the day. There was some Porsche fire in it,

0:35:02.236 --> 0:35:06.476
<v Speaker 1>and it was hilariously overbuilt for the carpool lane, surprisingly

0:35:06.476 --> 0:35:10.156
<v Speaker 1>good on the racetrack, and very competent off row, truly

0:35:10.236 --> 0:35:13.196
<v Speaker 1>flexible in spirit, much like the original nine to eleven.

0:35:13.836 --> 0:35:16.356
<v Speaker 1>It referenced to nine to eleven shape in its headlights

0:35:16.396 --> 0:35:19.316
<v Speaker 1>and its hood, and it channeled a tiny hint of

0:35:19.316 --> 0:35:22.276
<v Speaker 1>the spirit of those special nine elevens, the nine five

0:35:22.356 --> 0:35:25.276
<v Speaker 1>threes and nine five nins that raced in such gruing

0:35:25.316 --> 0:35:29.476
<v Speaker 1>off road trials as the Peris Dakar Rally. To many,

0:35:29.556 --> 0:35:33.236
<v Speaker 1>it looked like complete heresy, a misunderstood nine twenty eight

0:35:33.276 --> 0:35:39.796
<v Speaker 1>by another name, But people bottom lots of them. Perhaps

0:35:39.876 --> 0:35:41.996
<v Speaker 1>because more people in two thousand and three had more

0:35:41.996 --> 0:35:45.196
<v Speaker 1>money and more access to money than ever it allowed

0:35:45.236 --> 0:35:49.156
<v Speaker 1>non traditional, a typical Porsche buyers to enter the fold.

0:35:49.796 --> 0:35:52.716
<v Speaker 1>Or perhaps because people wanted an suv so they could

0:35:52.716 --> 0:35:54.716
<v Speaker 1>see eye to eye with all the other SUVs on

0:35:54.756 --> 0:35:57.796
<v Speaker 1>the road, or perhaps because many of the Porsche faithful

0:35:57.996 --> 0:36:00.756
<v Speaker 1>wanted that suv to be a Porsche, not a BMW

0:36:00.916 --> 0:36:04.916
<v Speaker 1>or Mercedes Benz, and on and on. But here's what

0:36:04.996 --> 0:36:09.076
<v Speaker 1>I think. The real reason the nine twenty eight failed

0:36:09.276 --> 0:36:14.116
<v Speaker 1>where the Chayenne didn't is this nine eight was created

0:36:14.156 --> 0:36:17.036
<v Speaker 1>to kill the nine to eleven. The Chyenne came along

0:36:17.076 --> 0:36:21.036
<v Speaker 1>to exalt it, to make its essence more widely accessible

0:36:21.596 --> 0:36:24.396
<v Speaker 1>to take some of the Porsche vibe to the somnambulent

0:36:24.556 --> 0:36:29.236
<v Speaker 1>suv category, whereas the nine twenty eight was an existential

0:36:29.276 --> 0:36:33.916
<v Speaker 1>threat the Porsche of faithful. Those iconoclasts who wanted their

0:36:33.956 --> 0:36:37.396
<v Speaker 1>engine in the back and their rear end sliding resented

0:36:37.436 --> 0:36:41.076
<v Speaker 1>the nine twenty eight for its maturity, for its price,

0:36:41.396 --> 0:36:44.676
<v Speaker 1>and for its non portionists, whatever that meant at the time,

0:36:45.916 --> 0:36:48.996
<v Speaker 1>whereas these same people, no doubt tenderized a bit by

0:36:49.036 --> 0:36:52.836
<v Speaker 1>the nine twenty eight, embraced the Cayenne because it's celebrated

0:36:52.876 --> 0:36:57.316
<v Speaker 1>the nine to eleven. Honor your heroes, don't try to

0:36:57.356 --> 0:37:11.356
<v Speaker 1>replace them. You didn't think I forgot about Joel Goodson,

0:37:11.476 --> 0:37:15.876
<v Speaker 1>did you? His redemption came at the end of risky business.

0:37:16.396 --> 0:37:24.556
<v Speaker 1>Do you have something to tell me? No, I don't

0:37:24.596 --> 0:37:28.036
<v Speaker 1>think so. I just got off the telephone with Bill Rutherford.

0:37:29.196 --> 0:37:35.876
<v Speaker 1>Apparently you two had quite a meeting. Princeton can use

0:37:35.956 --> 0:37:43.036
<v Speaker 1>a guy like Joel. What Princeton can use a guy

0:37:43.116 --> 0:37:50.276
<v Speaker 1>like Joel? His exact words, it's unbelievable. You're as good

0:37:50.276 --> 0:37:55.796
<v Speaker 1>as in. Redemption is also coming slowly to the nine

0:37:55.916 --> 0:38:01.236
<v Speaker 1>twenty eight. Collectible prices are up, haters are down. And

0:38:01.316 --> 0:38:03.516
<v Speaker 1>if you look at most high end sports cars now,

0:38:04.156 --> 0:38:06.516
<v Speaker 1>they're much closer in spirit to the nine twenty eight

0:38:06.596 --> 0:38:10.396
<v Speaker 1>than the nine to eleven. Very refined and easy to

0:38:10.516 --> 0:38:15.596
<v Speaker 1>drive every day, capable of long cross continent stints. Grand

0:38:15.596 --> 0:38:19.316
<v Speaker 1>tours are the order of the day now. Aston Martin's

0:38:19.316 --> 0:38:22.956
<v Speaker 1>Mercedes SLS and even some Ferraris owe a debt to

0:38:22.996 --> 0:38:27.356
<v Speaker 1>the nine twenty eight. Hell, some even suggest that the

0:38:27.356 --> 0:38:30.396
<v Speaker 1>current nine to eleven is so grown up that it's

0:38:30.436 --> 0:38:32.876
<v Speaker 1>really now just a nine twenty eight with its engine

0:38:32.916 --> 0:38:37.516
<v Speaker 1>in the back. It's the hero's journey, the mono myth,

0:38:38.196 --> 0:38:44.116
<v Speaker 1>and I appreciate that, but I'm still an old nine

0:38:44.116 --> 0:38:49.076
<v Speaker 1>to eleven. Guy Welle is really special and it was

0:38:49.116 --> 0:38:52.636
<v Speaker 1>so ahead of its time that it's really where a

0:38:52.716 --> 0:38:59.836
<v Speaker 1>lot of sports cars went. And that's great, you know,

0:38:59.996 --> 0:39:05.716
<v Speaker 1>and it really did advance the species. But man, give

0:39:05.716 --> 0:39:17.236
<v Speaker 1>me one of these every day of the week. Car

0:39:17.276 --> 0:39:20.916
<v Speaker 1>Show is written and hosted by me Eddie Alterman. It's

0:39:20.956 --> 0:39:24.836
<v Speaker 1>produced by Sam Dingman, Jacob Smith and Amy Gaines. Our

0:39:24.996 --> 0:39:29.916
<v Speaker 1>editor is Jen Guera. Original music and mastering by Ben Taliday.

0:39:30.436 --> 0:39:34.196
<v Speaker 1>Our executive producer is Mia Loebell. Our show art was

0:39:34.236 --> 0:39:37.276
<v Speaker 1>designed by Sean Karney and Airbrushed by Greg with Fever.

0:39:38.076 --> 0:39:41.116
<v Speaker 1>Our patron saints are Lee, Tom Mallad and Justine Lane,

0:39:41.636 --> 0:39:44.276
<v Speaker 1>and thank you to Derek Burke for the abuse of

0:39:44.316 --> 0:39:47.916
<v Speaker 1>your Car. Car Show is a production of Pushkin Industries.

0:39:48.476 --> 0:39:51.156
<v Speaker 1>If you love this show and others from Pushkin Industries,

0:39:51.556 --> 0:39:55.996
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