WEBVTT - Round Nine!

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<v Speaker 1>Hi Christy, Hi Will. How are you pretty good?

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<v Speaker 2>How are you? I'm good, I'm as you can tell.

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<v Speaker 1>I am back in our wonderful, amazing state of Connecticut.

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<v Speaker 1>I'm back home right now. And do you know how

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<v Speaker 1>I knew that?

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<v Speaker 3>Because you had a hockey stick on top of your

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<v Speaker 3>window and it is not aesthetically positioned. It's like narthonically

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<v Speaker 3>just thrown up.

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<v Speaker 1>There with tax. That's exactly right. That's how it's done.

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<v Speaker 1>When you're fourteen and you have the only sports team

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<v Speaker 1>you have in town is the Heart for Railers.

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<v Speaker 2>That is a Dave Tippett original hockey stick.

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<v Speaker 1>Nine people in the audience just went, oh, my god,

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<v Speaker 1>Dave Tippett.

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<v Speaker 2>So yes, I'm back home.

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<v Speaker 3>I used to tell him to like tipp it when

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<v Speaker 3>he would make a shot or something or no.

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<v Speaker 1>Oh, I have no idea, I don't. I barely remember

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<v Speaker 1>that at all. My mom.

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<v Speaker 3>I want to say that my mom worked for the whalers.

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<v Speaker 1>Really yeah, honestly, my godmother worked at the whaler's store,

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<v Speaker 1>so she had like all of the she had all

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<v Speaker 1>the all that stuff.

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<v Speaker 3>I wonder if if they knew each other, that would

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<v Speaker 3>be cool, because honestly, my mom was at the Oilers. Okay,

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<v Speaker 3>looked at the Oilers when she was in Ohio, and

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<v Speaker 3>then she moved over to the Whalers. Now, for anybody

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<v Speaker 3>who's from Connecticut, the Whalers Stadium, is it still standing?

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<v Speaker 1>Well, we didn't have a stadium. Remember, it was a

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<v Speaker 1>It was in a mall. They called it the mall.

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<v Speaker 1>It was at the Hertford Civic Center. Yeah, it was

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<v Speaker 1>in the Hertvard Civic Center.

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<v Speaker 2>Mail.

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<v Speaker 1>Oh no, no, no, that was I don't think that

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<v Speaker 1>was ever. Was that a thing when I was growing up,

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<v Speaker 1>we had to go to the Heartford Civic Center. It

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<v Speaker 1>was just in a mall.

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<v Speaker 3>Okay, well, I need to google this then, because I'm

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<v Speaker 3>growing up distinctively and remembering there being a hockey rink

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<v Speaker 3>with a whale on the top of it.

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<v Speaker 2>Oh god, no, but one of us could be. I

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<v Speaker 2>have no idea. You could totally be right.

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<v Speaker 4>My connecticuttiams us Nutmegers.

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<v Speaker 1>Anyway, welcome to a wonderful episode of I Hear Voices.

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<v Speaker 1>I'm very excited because we are officially speaking of sports

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<v Speaker 1>and sports metaphors officially in the Elite eight.

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<v Speaker 2>Now we are in round two.

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<v Speaker 1>Wow of our super awesome contest to become the next

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<v Speaker 1>big voice actor.

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<v Speaker 3>We're here, we are forging ahead. I mean, the people

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<v Speaker 3>that have been with us for a while listening to

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<v Speaker 3>this show, they know just how committed we've been as

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<v Speaker 3>judges and as co hosts. Yeah, to get to this point.

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<v Speaker 3>Any of milestone that we have on this show, I

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<v Speaker 3>feel like is a really big win for you know, you, me,

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<v Speaker 3>the whole team, even you as listeners. You know, I

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<v Speaker 3>feel like you know you agree, really are invested in

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<v Speaker 3>whatever the outcome of this is going to be for somebody,

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<v Speaker 3>and we just wanted to thank you for that.

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<v Speaker 2>Thank you absolutely, and to keep the thank yous going.

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<v Speaker 1>Of course, every week we like to thank everybody who

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<v Speaker 1>helped to make this possible for us, you know, including

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<v Speaker 1>Prime Video who helped us out with a whole a

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<v Speaker 1>whole lot of a bunch of stuff over there with

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<v Speaker 1>the people at Critical Role. Don't forget season two of

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<v Speaker 1>Vox Mackin. It is for download now. I say this

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<v Speaker 1>every week. Check it out, not just because the guest

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<v Speaker 1>stars are amazing. I'm on that show, but also because

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<v Speaker 1>it truly is a gorgeous animated series. So go check

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<v Speaker 1>that out. And of course our wonderful parent company at

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<v Speaker 1>iHeart who made everything possible for us and the good

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<v Speaker 1>people over there at CEESD, which you know, one of

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<v Speaker 1>the prizes is signing to And every time we talk

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<v Speaker 1>to an actor about how that's one of the prizes,

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<v Speaker 1>they're like, are.

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<v Speaker 2>You kidding me? You win an agency contract?

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<v Speaker 3>I mean you but does just an agency. It's like

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<v Speaker 3>CSD has been around for a long long time, and

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<v Speaker 3>that's that's I mean, in the video game, I've literally

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<v Speaker 3>been with William Morris, William Morris's vo department like didn't fail,

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<v Speaker 3>but they like they like changed hands and like everyone

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<v Speaker 3>got thrown. That's when I went to CESC the first

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<v Speaker 3>the first time, and generally speaking, CSD is like, really,

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<v Speaker 3>who you want to start your career with?

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<v Speaker 1>Yeah, if you can, They're they're great. So this is

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<v Speaker 1>amazing and we are you know, the first sixteen were great.

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<v Speaker 1>We had some weeks where it was so difficult to

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<v Speaker 1>pick who was going to move on. It was just

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<v Speaker 1>it was crushing to us to have to say goodbye

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<v Speaker 1>to certain people because they were just so good.

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<v Speaker 2>But somebody was better.

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<v Speaker 3>Yeah, definitely, But you know, I think that's why I

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<v Speaker 3>mean to our credit we're doing a really great job

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<v Speaker 3>because and our judicators are doing wonderful jobs as well.

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<v Speaker 3>I'll see, they really are, and we're also getting to

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<v Speaker 3>know them a little bit, so it still has like

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<v Speaker 3>a little bit of an interview aspect to it. Are

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<v Speaker 3>you friendly with our judge today?

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<v Speaker 2>I am, I'm everybody. I am.

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<v Speaker 1>I've worked with this man for many, many years. He

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<v Speaker 1>and I did ThunderCats together back in the day. He

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<v Speaker 1>started as an animator and an artist, so I mean

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<v Speaker 1>he would come in and I mean, like on the

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<v Speaker 1>original ThunderCats, he was this guy was bringing in artwork

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<v Speaker 1>while we were recording. That was amazing. But one of

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<v Speaker 1>the reasons we brought him here today is because you

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<v Speaker 1>hear this man all the time doing all different ad reads,

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<v Speaker 1>which is what this round is going to be about.

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<v Speaker 2>And we will explain it all when we get there.

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<v Speaker 1>Because we said we were looking for a completely well

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<v Speaker 1>rounded voice actor and as voice actors, did you get it?

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<v Speaker 1>Christy killed the book? Nice it's starting for you.

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<v Speaker 3>I'm sorry I had to kill a book.

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<v Speaker 1>Good for you. No, that was a good snack, good one,

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<v Speaker 1>but no. So we said we want a well rounded

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<v Speaker 1>voiceover actor, and what we do a lot of times

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<v Speaker 1>as voiceover actors. The vast majority of the auditions we

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<v Speaker 1>do are ad reads.

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<v Speaker 3>I'm got to be honest. Have you done ad reads before?

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<v Speaker 1>I have?

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<v Speaker 2>Yeah? I absolutely have.

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<v Speaker 1>Oh not. Christy's knocking everything over. The bug is coming

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<v Speaker 1>back to haunt you. That's what's happening. It's so fun.

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<v Speaker 1>Oh no, I have done plenty of ad reads. That's

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<v Speaker 1>you know, you read them in bulk and you get

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<v Speaker 1>there and you're it's it's really can be an amazing

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<v Speaker 1>aspect of the career of a voiceover actor. And some

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<v Speaker 1>of the biggest voiceover actors in the world, including this

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<v Speaker 1>man we have today, are I'm going to let him

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<v Speaker 1>tell you some of the campaigns that he's done, because

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<v Speaker 1>you have heard this man over and over again. Christy,

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<v Speaker 1>do you want to tell people who's here today?

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<v Speaker 3>Jim maskimin, guys, Jim Maskumin's coming in.

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<v Speaker 2>Let's bring him in. I can't wait.

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<v Speaker 1>Oh, there he is, Hey, Jim, good morning, Thank you

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<v Speaker 1>so much for joining us.

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<v Speaker 2>And this is Christy Carlson Romano here.

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<v Speaker 3>Hi, Jim, Hi Christy, nice to see.

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<v Speaker 2>You, I see you. Thank you so much for joining us.

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<v Speaker 1>We are here for a little background Jim, because then

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<v Speaker 1>we want to get into you know you and what

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<v Speaker 1>you're doing. But so you are going to be our

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<v Speaker 1>first judge adjudicator of round two of the Super Awesome

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<v Speaker 1>Contest to become the next big voice actor. So we

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<v Speaker 1>had forty five hundred entries around and we narrowed it

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<v Speaker 1>down to the final sixteen, the Sweet sixteen, and we

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<v Speaker 1>did the first round. They played a game called by

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<v Speaker 1>the Numbers which they our guests through numbers that they

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<v Speaker 1>picked randomly created a character that they then had to

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<v Speaker 1>read lines of dialogue in the created character that was

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<v Speaker 1>instantly made in front of them. So it was all about,

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<v Speaker 1>you know, funny voices and the kind of animation side

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<v Speaker 1>of something. But since we're looking for a perfectly well

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<v Speaker 1>rounded voice actor to become one of our colleagues, Round

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<v Speaker 1>two is called Extra EXTRAE read all about it and

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<v Speaker 1>it is all going to be ad reads. And one

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<v Speaker 1>of the reasons that we really wanted you here is

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<v Speaker 1>because you have been the voice of many different campaigns.

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<v Speaker 1>You've done adreads all over the place. So if you

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<v Speaker 1>could first tell us a little bit about the video

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<v Speaker 1>game animation side of your career, because that has been

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<v Speaker 1>amazingly impressive.

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<v Speaker 3>Well, I'm also fangirling. I'm fangirling about Big Door Mid

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<v Speaker 3>Door Prize because I've watched you on that and I

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<v Speaker 3>love you on it. So thank you for entertaining me

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<v Speaker 3>on that.

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<v Speaker 2>Oh glad you like it. That's great. It's a new

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<v Speaker 2>series on Apple TV, the Big Door Prize. Yeah.

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<v Speaker 5>We just got finished filming season two about two weeks ago.

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<v Speaker 3>Your character is wonderful. I love your character.

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<v Speaker 1>Thanks.

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<v Speaker 5>That's I get to play Crystal Dowd's father, So that's

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<v Speaker 5>a great pleasure.

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<v Speaker 3>It was like, there's a noticeable different dialect in interviewing

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<v Speaker 3>right now.

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<v Speaker 2>Whenever. Oh yeah, Chrysto Doud, I like to evoke the.

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<v Speaker 5>Great Crystal Dowd because he's charming, much more charming than

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<v Speaker 5>I am. So it'd be you know, you'd be well

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<v Speaker 5>well positioned to invite him to your show sometime.

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<v Speaker 2>We'd love to.

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<v Speaker 1>But the thing is, so you mean just the accent

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<v Speaker 1>right there, one of the things, the jimpression stuff that

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<v Speaker 1>you do and the stuff you are doing right now

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<v Speaker 1>on the social media machine with the just reading different.

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<v Speaker 1>Is it your daughter who comes in and says, hey,

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<v Speaker 1>you know it's your daughter?

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<v Speaker 2>Who's my daughter?

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<v Speaker 5>Taylor, who's also a voice actress and an audiobook narrator,

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<v Speaker 5>but she helps me with the social medias, so we

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<v Speaker 5>think up things to do to throw out there.

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<v Speaker 2>I'm glad you like it. It's incredible.

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<v Speaker 1>So I don't know if you've seen it, Christy, but

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<v Speaker 1>somebody he'll be reading, like, you know, a manual for

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<v Speaker 1>a new tool or something like that, but then you

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<v Speaker 1>just hear his daughter throwing in like now do it

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<v Speaker 1>from New York. Now do it, Irish, now do it,

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<v Speaker 1>and he's just switching from one to the other after.

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<v Speaker 1>It is truly incredible thing to watch. It really is

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<v Speaker 1>is a masterclass. Yeah, jimpressions, it's great.

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<v Speaker 3>Yeah, yeah, all right, I'm following you now. And I

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<v Speaker 3>think I have seen them come up on my algorithm,

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<v Speaker 3>and I think that's so great that your daughter's also

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<v Speaker 3>in the biz and you guys are collaborating in that way.

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<v Speaker 3>I think that's so It's also you know, we started

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<v Speaker 3>this pod so that we could really, uh, you know,

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<v Speaker 3>pull up the curtain on what it's like to have

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<v Speaker 3>a community you know, supporting one another in the vo world,

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<v Speaker 3>and like we're trying to extend that into a new

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<v Speaker 3>opportunity for someone, and I mean, you know, that's just

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<v Speaker 3>great that you're you're bringing awareness to the joys of

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<v Speaker 3>all this to everybody.

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<v Speaker 5>Yeah, I'm a very lucky guy. I have my family

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<v Speaker 5>supports me so much, and my it's it's.

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<v Speaker 2>Encouraging my daughter.

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<v Speaker 5>I got her into doing audiobook little roles years ago

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<v Speaker 5>when she was just a kid, and so she's grown

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<v Speaker 5>up around a microphone and now she's in front of

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<v Speaker 5>it all the time.

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<v Speaker 3>I could get behind that, you know. Will I always

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<v Speaker 3>talk about how I would I probably wouldn't put my

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<v Speaker 3>girls on camera.

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<v Speaker 4>But voiceover would voiceover, okay, that would be That would

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<v Speaker 4>be phenomenal.

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<v Speaker 3>And for the inner child. Heal fill me later anytime.

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<v Speaker 1>And I get to see Jim quite often and randomly

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<v Speaker 1>because his mom and I are actually neighbors.

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<v Speaker 3>So I will neighbors with everybody.

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<v Speaker 2>Because it's the easiest.

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<v Speaker 1>Yeah, it is a long street, That's what I say

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<v Speaker 1>it because it's a long street. That's true. So Jim,

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<v Speaker 1>can you tell us a little bit about the some

0:10:22.480 --> 0:10:25.520
<v Speaker 1>of the major campaigns that you've done when it comes

0:10:25.559 --> 0:10:27.480
<v Speaker 1>to these huge national chains and kind of the the

0:10:27.800 --> 0:10:28.679
<v Speaker 1>ad reads that you do.

0:10:29.920 --> 0:10:32.800
<v Speaker 5>Well, this really was kind of at the very beginning

0:10:32.800 --> 0:10:35.160
<v Speaker 5>of my career, which I started in New York City,

0:10:35.240 --> 0:10:38.000
<v Speaker 5>which is a big ad town and a big radio town.

0:10:38.120 --> 0:10:42.120
<v Speaker 5>And when I started off, it was doing yeah, radio

0:10:42.160 --> 0:10:45.640
<v Speaker 5>ads for different campaigns, and many companies are still in

0:10:45.720 --> 0:10:47.880
<v Speaker 5>business from that time.

0:10:47.960 --> 0:10:49.000
<v Speaker 2>But this is a long time ago.

0:10:49.040 --> 0:10:51.640
<v Speaker 5>It's in the eighties, and I kept very, very busy

0:10:52.960 --> 0:10:56.000
<v Speaker 5>doing TV and radio campaigns.

0:10:55.600 --> 0:10:57.320
<v Speaker 2>Of various sorts.

0:10:57.400 --> 0:11:01.200
<v Speaker 5>I mean everything toothpaste and cars and you know, fast food.

0:11:01.280 --> 0:11:03.400
<v Speaker 1>And I was going to say, not just fast food.

0:11:03.440 --> 0:11:07.440
<v Speaker 1>You were the voice of KFC. You're the Colonel forever,

0:11:07.520 --> 0:11:07.880
<v Speaker 1>weren't you.

0:11:08.640 --> 0:11:12.480
<v Speaker 2>Well, I am the Colonel, That's what I meant. Yeah,

0:11:12.559 --> 0:11:13.560
<v Speaker 2>unless you've heard something.

0:11:14.960 --> 0:11:15.720
<v Speaker 1>They do a lot of.

0:11:15.720 --> 0:11:18.960
<v Speaker 3>Different on camera kernels as like I done lately, haven't

0:11:18.960 --> 0:11:21.480
<v Speaker 3>they They did like something like that, yeah for a

0:11:21.520 --> 0:11:23.000
<v Speaker 3>Super Bowl or Yeah.

0:11:23.000 --> 0:11:25.600
<v Speaker 2>They recently changed agencies.

0:11:26.120 --> 0:11:28.559
<v Speaker 5>They were with Widen and Kennedy, which is the people

0:11:28.559 --> 0:11:29.599
<v Speaker 5>that have originally hired me.

0:11:30.360 --> 0:11:31.880
<v Speaker 2>And I'd worked with him before on a.

0:11:32.160 --> 0:11:35.520
<v Speaker 5>Voiceover campaign for Sony and they were looking for a

0:11:35.559 --> 0:11:38.200
<v Speaker 5>colonel and I, you know, I grew up listening to

0:11:38.800 --> 0:11:42.320
<v Speaker 5>and seeing the Colonel on TV, and so that boy one,

0:11:42.600 --> 0:11:45.000
<v Speaker 5>I just can't even race out of my head, plus

0:11:45.040 --> 0:11:50.079
<v Speaker 5>a viewpoint and character itself asia rather indelibately tide to

0:11:50.160 --> 0:11:53.360
<v Speaker 5>my own destiny. So I felt like, you know, I've

0:11:53.360 --> 0:11:55.320
<v Speaker 5>got I've got a good leg up on this, and

0:11:55.360 --> 0:11:57.720
<v Speaker 5>they were nice enough to hire me. Now, during that

0:11:58.360 --> 0:12:02.800
<v Speaker 5>campaign that White and Kennedy did, they had first hired

0:12:02.840 --> 0:12:06.640
<v Speaker 5>Darryl Hammond to portray the colonel, and he did I

0:12:06.679 --> 0:12:09.400
<v Speaker 5>think about a year's worth, and then for one reason

0:12:09.480 --> 0:12:10.480
<v Speaker 5>or another, they did not.

0:12:10.559 --> 0:12:11.920
<v Speaker 2>Rehire Daryl Hammond.

0:12:12.320 --> 0:12:14.840
<v Speaker 5>I think there was a problem of some kind scheduling

0:12:14.920 --> 0:12:15.600
<v Speaker 5>or who knows what.

0:12:16.120 --> 0:12:19.440
<v Speaker 2>So they decided, oh, well, we better go with another celebrity.

0:12:19.480 --> 0:12:22.880
<v Speaker 5>And they got into this as I understand this sequence

0:12:22.920 --> 0:12:26.760
<v Speaker 5>of well, let's maybe it's just that the Colonel changes.

0:12:26.640 --> 0:12:28.600
<v Speaker 2>Every year or every six or eight months, and he.

0:12:28.520 --> 0:12:30.760
<v Speaker 5>Becomes a different celebrity, and we keep people guessing, which

0:12:30.760 --> 0:12:33.320
<v Speaker 5>I thought was pretty clever. So they had Jim Gaffigan,

0:12:33.360 --> 0:12:36.480
<v Speaker 5>and they had Norm MacDonald and George Hamilton and Reba

0:12:36.559 --> 0:12:39.840
<v Speaker 5>McIntyre and probably six or seven others that I missed,

0:12:40.200 --> 0:12:44.200
<v Speaker 5>but all during that time they also did more different

0:12:44.280 --> 0:12:46.719
<v Speaker 5>I mean, so many different marketing arms to KFC, and

0:12:46.920 --> 0:12:51.360
<v Speaker 5>so I found my niche doing the ones that did

0:12:51.400 --> 0:12:54.640
<v Speaker 5>not feature the on camera colonel so much, but had

0:12:54.840 --> 0:12:58.480
<v Speaker 5>you know, some radio applications or other social media applications,

0:12:58.520 --> 0:13:01.439
<v Speaker 5>and so they've kept me pretty busy. I'm really grateful

0:13:01.480 --> 0:13:06.600
<v Speaker 5>because there aren't a ton for me anymore of opportunities

0:13:06.600 --> 0:13:09.600
<v Speaker 5>in that space like there used to be.

0:13:09.720 --> 0:13:11.240
<v Speaker 2>So it's very nice and I.

0:13:11.280 --> 0:13:13.800
<v Speaker 1>Enjoy it, oh man watching. I just watched a video

0:13:13.840 --> 0:13:16.760
<v Speaker 1>not too longo about with you actually going through the

0:13:16.840 --> 0:13:20.959
<v Speaker 1>drive through at KFC and ordering as the Colonel, which

0:13:21.120 --> 0:13:26.400
<v Speaker 1>was asking about the spicy chicken sandwich, which is great.

0:13:26.960 --> 0:13:29.079
<v Speaker 2>Chicken schandwich, and which which kind as you get because

0:13:29.120 --> 0:13:30.559
<v Speaker 2>you have a variety of flavors.

0:13:34.800 --> 0:13:35.720
<v Speaker 1>That was flavor.

0:13:36.240 --> 0:13:38.640
<v Speaker 5>The thing that I do is is on my own,

0:13:38.760 --> 0:13:42.000
<v Speaker 5>just on my own time and my own probably own

0:13:43.760 --> 0:13:48.160
<v Speaker 5>for content I put I always once a week I

0:13:48.240 --> 0:13:51.400
<v Speaker 5>pair make an archival phone call, you know, as if

0:13:51.440 --> 0:13:55.560
<v Speaker 5>it's an unearthed phone recording of Colonel Sanders talking to

0:13:55.600 --> 0:13:58.840
<v Speaker 5>some other celebrities. So I've got a ton of those

0:13:58.920 --> 0:14:00.000
<v Speaker 5>on my YouTube channel.

0:14:01.040 --> 0:14:02.720
<v Speaker 1>Everybody please go check that out and we will make

0:14:02.720 --> 0:14:04.400
<v Speaker 1>sure that we get those out there to make sure

0:14:04.640 --> 0:14:06.320
<v Speaker 1>everybody knows where to find you.

0:14:06.400 --> 0:14:08.080
<v Speaker 3>Honestly, well, he's the best. We couldn't.

0:14:08.280 --> 0:14:11.240
<v Speaker 1>I told you this, I told you to start round two.

0:14:11.400 --> 0:14:13.719
<v Speaker 1>I was like, jim Meskamon has to be the first one.

0:14:13.760 --> 0:14:15.400
<v Speaker 1>We have to start round two. I told you this

0:14:15.480 --> 0:14:15.840
<v Speaker 1>is it's.

0:14:15.760 --> 0:14:19.200
<v Speaker 3>Well the way to do it. Absolutely, thanks for coming on,

0:14:19.520 --> 0:14:20.360
<v Speaker 3>let's get into it.

0:14:20.520 --> 0:14:22.760
<v Speaker 2>Thank you so much. Fun. I'm sorry I have to leave, but.

0:14:25.400 --> 0:14:37.520
<v Speaker 1>No, So what we're going to do, if it's okay

0:14:37.520 --> 0:14:40.000
<v Speaker 1>with you, Jim, is we're going to bring in our

0:14:40.120 --> 0:14:44.040
<v Speaker 1>two contestants. We bring them in one at a time, okay,

0:14:44.200 --> 0:14:50.240
<v Speaker 1>and we've given them each they have two essentially fake.

0:14:52.160 --> 0:14:53.720
<v Speaker 2>Ad reads that they're going to have to do two

0:14:53.800 --> 0:14:54.480
<v Speaker 2>radio spots.

0:14:54.480 --> 0:14:55.920
<v Speaker 1>So they'll do one. One of them will come in

0:14:56.000 --> 0:14:58.080
<v Speaker 1>do one radio spot, and then, if it's okay with you,

0:14:58.400 --> 0:15:01.240
<v Speaker 1>we give them some notes, you know, give them a

0:15:01.240 --> 0:15:03.080
<v Speaker 1>little bit of direction. Then they do it again, and

0:15:03.080 --> 0:15:04.720
<v Speaker 1>then we bring in the other contestant. They do it.

0:15:04.720 --> 0:15:06.640
<v Speaker 1>They'll do that for two rounds, and then the third

0:15:06.760 --> 0:15:09.280
<v Speaker 1>round is a cold read. It is an ad that

0:15:09.400 --> 0:15:11.680
<v Speaker 1>neither of them have seen yet, and we'll have to

0:15:11.720 --> 0:15:13.960
<v Speaker 1>kind of do on the spot if for some reason

0:15:14.320 --> 0:15:16.600
<v Speaker 1>we get to the point where we are saying, wow,

0:15:16.640 --> 0:15:19.680
<v Speaker 1>they are too close to call who's gonna win. We

0:15:19.760 --> 0:15:23.440
<v Speaker 1>go to the Christy Romano Tiebreaker Challenge, and we will

0:15:23.480 --> 0:15:24.760
<v Speaker 1>not even tell you what it is this time. It's

0:15:24.800 --> 0:15:26.080
<v Speaker 1>gonna be a lot of fun if we have to

0:15:26.080 --> 0:15:29.320
<v Speaker 1>get there, but we will see. So we always take

0:15:29.400 --> 0:15:32.280
<v Speaker 1>whichever contestant is here first, and our first contestant we

0:15:32.320 --> 0:15:34.560
<v Speaker 1>are welcoming back who killed it in the first round.

0:15:34.880 --> 0:15:37.880
<v Speaker 1>We are welcoming back Hannah from Alabama. So if we

0:15:37.920 --> 0:15:41.880
<v Speaker 1>could bring Hannah Inabama, great, Hannahbama's coming in in Obama.

0:15:43.200 --> 0:15:44.920
<v Speaker 3>We got to have cute now that there's only eight,

0:15:44.960 --> 0:15:46.960
<v Speaker 3>we have to have like cute little like monikers for

0:15:47.000 --> 0:15:47.520
<v Speaker 3>them or something.

0:15:47.600 --> 0:15:51.080
<v Speaker 2>You know, Hannahbama works for me Obama. That's good marketing

0:15:51.200 --> 0:15:51.520
<v Speaker 2>right there.

0:15:52.680 --> 0:15:54.760
<v Speaker 1>We got to brand every contestant when they come on

0:15:54.840 --> 0:16:00.200
<v Speaker 1>there she is he Hello, you are You're Hannahbama? Nowanna,

0:16:00.280 --> 0:16:00.760
<v Speaker 1>how are you?

0:16:01.200 --> 0:16:02.400
<v Speaker 6>I'm well, how are y'all?

0:16:02.920 --> 0:16:03.520
<v Speaker 2>We're good?

0:16:03.880 --> 0:16:07.280
<v Speaker 1>Welcome back, congratulations on making it once again to the

0:16:07.320 --> 0:16:12.080
<v Speaker 1>Elite eight trademark. And I hope that you are ready

0:16:12.800 --> 0:16:16.880
<v Speaker 1>for round two, which is titled Extra EXTRAE read all

0:16:16.920 --> 0:16:19.120
<v Speaker 1>about it. So we are going to do straight ad

0:16:19.160 --> 0:16:22.560
<v Speaker 1>reads this time sounds no games like last time. No

0:16:22.640 --> 0:16:25.120
<v Speaker 1>picking numbers, no doing everything anything like that. We're just

0:16:25.160 --> 0:16:27.320
<v Speaker 1>going to see your chops when it comes to your

0:16:27.360 --> 0:16:29.640
<v Speaker 1>regular ad read stuff. I'd like to introduce you to

0:16:30.120 --> 0:16:32.440
<v Speaker 1>one of the best and hardworking voiceover actors in the

0:16:32.560 --> 0:16:37.760
<v Speaker 1>entire industry, jim Meskamon, who is our adjudicator for this

0:16:37.880 --> 0:16:41.120
<v Speaker 1>episode and we'll be helping us out. He is the

0:16:41.240 --> 0:16:46.200
<v Speaker 1>voice of the Colonel at KFC and eight trigillion other things.

0:16:46.320 --> 0:16:49.120
<v Speaker 1>So this is big, big door prize. This is the

0:16:49.160 --> 0:16:50.720
<v Speaker 1>best yea many things.

0:16:50.760 --> 0:16:52.640
<v Speaker 2>Oh yeah, Ah's oh yeah, we didn't even get into that.

0:16:52.640 --> 0:16:53.480
<v Speaker 2>We can get into that later.

0:16:53.520 --> 0:16:53.880
<v Speaker 1>We're talking.

0:16:53.920 --> 0:16:55.640
<v Speaker 2>You know, Apollo thirteen, he's been in everything.

0:16:55.920 --> 0:16:59.880
<v Speaker 1>So Hannah right now, it is about Hannahbama right now.

0:17:00.800 --> 0:17:04.320
<v Speaker 1>Uh so, Hannah, just very quickly, are you are you ready?

0:17:04.320 --> 0:17:05.760
<v Speaker 1>Do you have you the two lines we sent you.

0:17:05.920 --> 0:17:08.240
<v Speaker 1>I've got the two lines. I must I must comments

0:17:08.320 --> 0:17:10.600
<v Speaker 1>on one thing. I'll see that hockey stick behind you.

0:17:10.600 --> 0:17:10.920
<v Speaker 2>You do?

0:17:11.400 --> 0:17:12.840
<v Speaker 1>I do? I play hockey too.

0:17:12.920 --> 0:17:15.040
<v Speaker 2>So this is from hardred Whalers.

0:17:15.040 --> 0:17:17.520
<v Speaker 1>This is an old school I'm back in my hometown, Connecticut,

0:17:17.520 --> 0:17:19.600
<v Speaker 1>so this is the heart for whalers. That's so cool.

0:17:20.200 --> 0:17:23.199
<v Speaker 1>I appreciate that we will you were here first, so,

0:17:23.280 --> 0:17:25.560
<v Speaker 1>but we are going to say very a quick hello

0:17:25.600 --> 0:17:27.679
<v Speaker 1>to our contestant number two. We're being back to you

0:17:27.760 --> 0:17:30.800
<v Speaker 1>for round one. End line one, Hannahbama, thank you so much,

0:17:30.800 --> 0:17:34.400
<v Speaker 1>Thank you so much. We'll see in a bit. And

0:17:34.600 --> 0:17:37.080
<v Speaker 1>now we are going to be welcoming in and welcoming back.

0:17:37.119 --> 0:17:40.400
<v Speaker 1>I should say, uh, Contestant number two, Christy, what should

0:17:40.400 --> 0:17:43.200
<v Speaker 1>we call him? Dylan from Louisiana? What should we uh?

0:17:43.400 --> 0:17:46.920
<v Speaker 3>Dylan? Oh gosh, he's from Layette.

0:17:46.520 --> 0:17:52.080
<v Speaker 4>Right, Dylan laugh and Dylan yeah laughing, Dylan yet laughing,

0:17:52.480 --> 0:17:53.320
<v Speaker 4>Dylan laughing.

0:17:53.960 --> 0:17:54.200
<v Speaker 1>Wow.

0:17:54.720 --> 0:17:57.440
<v Speaker 2>We will work on marketing that name a little bit more.

0:17:57.320 --> 0:17:59.880
<v Speaker 3>Because that's that's a bad versions.

0:18:03.119 --> 0:18:05.080
<v Speaker 2>Hey, Dylan, welcome back.

0:18:05.240 --> 0:18:07.080
<v Speaker 7>Hey, thanks for having me.

0:18:07.640 --> 0:18:10.440
<v Speaker 2>He's got it. Yeah, he's got a moniker, Dylan Duck.

0:18:11.119 --> 0:18:13.879
<v Speaker 2>Dylan's I love it. That's what we're using. You are,

0:18:13.960 --> 0:18:15.160
<v Speaker 2>Dylan Duck. How are you? Dylan?

0:18:15.359 --> 0:18:18.160
<v Speaker 7>I'm doing just fine. I'm I'm excited to be here.

0:18:18.320 --> 0:18:20.280
<v Speaker 7>Got a little bit of the pre show jitters, but

0:18:20.920 --> 0:18:22.240
<v Speaker 7>I'm ready to rock and roll.

0:18:22.600 --> 0:18:24.680
<v Speaker 1>That's okay. The day you're no longer nervous is the

0:18:24.760 --> 0:18:26.320
<v Speaker 1>day you've been in the industry too long. That's how

0:18:26.359 --> 0:18:30.000
<v Speaker 1>I always look at it. So welcome back, Congratulations once

0:18:30.000 --> 0:18:33.960
<v Speaker 1>again on making it to the Elite eight, and we're

0:18:34.000 --> 0:18:36.880
<v Speaker 1>all about ad reads today. So as I was telling

0:18:36.920 --> 0:18:39.720
<v Speaker 1>your other fellow contestant, there, you know, the games are done.

0:18:39.760 --> 0:18:42.280
<v Speaker 1>The fun kind of picking numbers, all that's finished and

0:18:42.320 --> 0:18:44.520
<v Speaker 1>we're just going to be seeing your chops when it

0:18:44.560 --> 0:18:48.399
<v Speaker 1>comes to it can still be funst but seeing your

0:18:48.440 --> 0:18:50.040
<v Speaker 1>chops when it comes to ad read. I'd like to

0:18:50.040 --> 0:18:52.680
<v Speaker 1>introduce you to Jim Meskaman, who is one of the

0:18:52.720 --> 0:18:55.960
<v Speaker 1>best voiceover people in the business. He has been the

0:18:56.040 --> 0:18:58.399
<v Speaker 1>voice of a ton of different things on camera, you

0:18:58.480 --> 0:19:00.920
<v Speaker 1>name it. This is the best judge we could possibly

0:19:00.960 --> 0:19:03.119
<v Speaker 1>have asked for for round one and he's going to

0:19:03.160 --> 0:19:04.119
<v Speaker 1>be helping us out today.

0:19:04.160 --> 0:19:07.320
<v Speaker 2>So are you all set with your your lines dialogue?

0:19:07.400 --> 0:19:07.600
<v Speaker 1>Yes?

0:19:07.640 --> 0:19:10.399
<v Speaker 2>I do, all right? Sounds good, Dylan. We are going

0:19:10.480 --> 0:19:12.280
<v Speaker 2>to be back with you in just a second.

0:19:12.680 --> 0:19:14.679
<v Speaker 1>You know, we take people as they come and contest

0:19:14.720 --> 0:19:16.560
<v Speaker 1>and number one was first, So we will come back

0:19:16.640 --> 0:19:18.960
<v Speaker 1>in just a minute to start round two, which we

0:19:19.000 --> 0:19:22.040
<v Speaker 1>are calling extra Extra read all about it, So we'll

0:19:22.040 --> 0:19:22.280
<v Speaker 1>see in.

0:19:22.280 --> 0:19:24.320
<v Speaker 2>A bit in a minute, seeing a bit Dylan Duck

0:19:24.720 --> 0:19:26.440
<v Speaker 2>All right, everybody were ready, Here we go.

0:19:26.680 --> 0:19:29.040
<v Speaker 1>We're going to start with round one and we are

0:19:29.040 --> 0:19:33.639
<v Speaker 1>going to be bringing Hannah back in. Hey, Hannah, Hello, Hello.

0:19:34.680 --> 0:19:37.960
<v Speaker 1>We are all super excited to see what you can do.

0:19:38.359 --> 0:19:42.159
<v Speaker 1>And just remember, like a straight ad read, if you

0:19:42.200 --> 0:19:45.439
<v Speaker 1>could read line one for us at your pleasure.

0:19:45.600 --> 0:19:52.760
<v Speaker 6>All righty, we take twelve bounces of fresh lean beef,

0:19:53.280 --> 0:19:55.879
<v Speaker 6>lay it over an open flame, then cover it with

0:19:55.920 --> 0:19:59.600
<v Speaker 6>a blanket of cheddar cheese, bacon, and hallapangnos. Then we

0:19:59.640 --> 0:20:01.439
<v Speaker 6>put it down for the night on a bed of

0:20:01.560 --> 0:20:06.359
<v Speaker 6>hot and crispy French fries. Good Luck Falling Asleep, The

0:20:06.400 --> 0:20:12.560
<v Speaker 6>new Nightmare Burger only from Burger Place, Sweet Dreams, The

0:20:12.760 --> 0:20:13.600
<v Speaker 6>Nightmare Burger.

0:20:14.800 --> 0:20:19.239
<v Speaker 2>I like it, Jim, do you have any notes you know?

0:20:19.840 --> 0:20:23.240
<v Speaker 5>I think that was a lovely read. The thing about

0:20:23.640 --> 0:20:27.600
<v Speaker 5>boys silver and all performance, in my opinion is, you know,

0:20:27.680 --> 0:20:29.600
<v Speaker 5>it's an art form. There's no right or wrong, So

0:20:29.720 --> 0:20:30.920
<v Speaker 5>I think the choices that you.

0:20:30.840 --> 0:20:31.640
<v Speaker 2>Were made were good.

0:20:32.359 --> 0:20:35.239
<v Speaker 5>I had not seen the script ahead of time, so

0:20:35.280 --> 0:20:37.439
<v Speaker 5>it took me by surprise. I was trying to figure

0:20:37.440 --> 0:20:39.960
<v Speaker 5>out a little bit more about the copy.

0:20:40.359 --> 0:20:46.400
<v Speaker 2>I think the thing good Luck going to sleep, That's

0:20:46.400 --> 0:20:49.119
<v Speaker 2>an odd way to try to sell your food.

0:20:51.640 --> 0:20:55.440
<v Speaker 3>Then I realized, oh, yeah, this.

0:20:54.160 --> 0:20:54.720
<v Speaker 1>This is all me.

0:20:54.840 --> 0:21:02.679
<v Speaker 5>Yeah, Jim, probably sleep walk tonight or have a lot.

0:21:02.520 --> 0:21:03.480
<v Speaker 1>Of acid reflex.

0:21:04.760 --> 0:21:05.320
<v Speaker 2>I liked it.

0:21:05.359 --> 0:21:10.000
<v Speaker 5>You know, I would say from a professional viewpoint, which

0:21:10.520 --> 0:21:14.840
<v Speaker 5>you will discover to your own displeasure, I'm sure, is

0:21:14.840 --> 0:21:17.280
<v Speaker 5>that they would probably have you do that copy quite

0:21:17.320 --> 0:21:20.960
<v Speaker 5>a bit quicker, right, sure, which I'm sure you could do.

0:21:21.119 --> 0:21:24.240
<v Speaker 5>So the trick is always to put the nuanced and

0:21:24.359 --> 0:21:29.199
<v Speaker 5>the feeling that you have when you're describing those things

0:21:29.480 --> 0:21:32.679
<v Speaker 5>into a more compressed, condensed form. But for this the

0:21:32.720 --> 0:21:35.119
<v Speaker 5>point of this contest, of course, the clock is not

0:21:35.160 --> 0:21:38.680
<v Speaker 5>really running. So yeah, I think that was a lovely read.

0:21:38.800 --> 0:21:42.520
<v Speaker 5>And I'd actually like to hear you. You are going

0:21:42.560 --> 0:21:45.000
<v Speaker 5>to do it again, aren't you. Yeah, that's the way

0:21:45.320 --> 0:21:47.560
<v Speaker 5>I'm familiar with the contest. But yeah, so I look

0:21:47.600 --> 0:21:48.560
<v Speaker 5>forward to hearing it again.

0:21:49.080 --> 0:21:50.960
<v Speaker 3>Jim, I would disagree to it. I would say that the

0:21:50.920 --> 0:21:53.560
<v Speaker 3>clock is running. We do want to see her or

0:21:53.560 --> 0:21:57.080
<v Speaker 3>be able to go into booth the second shoe wins

0:21:57.240 --> 0:22:01.280
<v Speaker 3>right and work, So sixty seconds. If they're hiring you

0:22:01.359 --> 0:22:03.119
<v Speaker 3>and they need you to do it faster or we

0:22:03.200 --> 0:22:05.080
<v Speaker 3>need it, you know, what is it? Thirty second spot.

0:22:05.160 --> 0:22:07.119
<v Speaker 3>Fifteen second spot? How does that work? Jim? Is it

0:22:07.160 --> 0:22:08.440
<v Speaker 3>fifteen seconds sometimes?

0:22:08.440 --> 0:22:12.600
<v Speaker 5>Thirty fifth, thirty sixty Yeah, and six six seconds as well.

0:22:12.680 --> 0:22:15.679
<v Speaker 2>Wow its superest Instagram.

0:22:16.080 --> 0:22:18.719
<v Speaker 5>I mean, yeah, I don kernel stuff that is just

0:22:18.720 --> 0:22:19.920
<v Speaker 5>like I'm going to kind of put up there on.

0:22:19.840 --> 0:22:20.920
<v Speaker 1>The sandwich.

0:22:23.640 --> 0:22:25.840
<v Speaker 3>To be the if there was a tie breaker today,

0:22:25.840 --> 0:22:28.040
<v Speaker 3>that might have to be what we did exactly.

0:22:28.560 --> 0:22:29.200
<v Speaker 1>I agree.

0:22:29.200 --> 0:22:31.080
<v Speaker 3>I think I think I think we should try to

0:22:31.119 --> 0:22:34.320
<v Speaker 3>do it as as as quickly and as a speech

0:22:34.680 --> 0:22:38.399
<v Speaker 3>speech friendly as possible. I think you misspoke a word.

0:22:38.920 --> 0:22:42.080
<v Speaker 3>I heard place instead of palace, and.

0:22:42.080 --> 0:22:44.560
<v Speaker 2>So yeahs Burger palace. Ah, it is.

0:22:44.920 --> 0:22:47.560
<v Speaker 3>Just to make sure. Yeah, I think accuracy is definitely

0:22:47.560 --> 0:22:48.080
<v Speaker 3>a part of this.

0:22:48.119 --> 0:22:50.639
<v Speaker 1>Plus, if you're yeah, if you're going into sell you

0:22:50.640 --> 0:22:53.159
<v Speaker 1>know a specific product, and you certainly in the audition

0:22:53.200 --> 0:22:55.240
<v Speaker 1>don't want to mispronounce the name of the place that's

0:22:55.240 --> 0:22:57.639
<v Speaker 1>selling the product. That is totally fair. So that was

0:22:57.680 --> 0:23:00.040
<v Speaker 1>going to be one of my notes. I agree with

0:23:00.040 --> 0:23:01.360
<v Speaker 1>with both of the other ones. I think a little

0:23:01.440 --> 0:23:04.800
<v Speaker 1>quicker and I think I'd like to hear one. Sometimes

0:23:04.840 --> 0:23:07.720
<v Speaker 1>people and sometimes this works and it was a great

0:23:07.760 --> 0:23:10.640
<v Speaker 1>first take, I thought, But sometimes people when they are

0:23:10.680 --> 0:23:14.119
<v Speaker 1>reading ad copy tend to put on an ad copy voice,

0:23:14.680 --> 0:23:17.520
<v Speaker 1>you know, like we take six pounds and that can work,

0:23:17.520 --> 0:23:18.879
<v Speaker 1>and a lot of times that's going to get you

0:23:18.920 --> 0:23:22.520
<v Speaker 1>the gig. Sometimes people are gonna say, let me just

0:23:22.600 --> 0:23:25.640
<v Speaker 1>hear it in your natural voice. So instead of kind

0:23:25.640 --> 0:23:27.760
<v Speaker 1>of putting on ad read voice, which we have, we

0:23:27.840 --> 0:23:28.360
<v Speaker 1>have that take.

0:23:28.359 --> 0:23:29.400
<v Speaker 2>And I think that take was good.

0:23:29.760 --> 0:23:32.320
<v Speaker 1>Okay, let's try the second take a little quicker and

0:23:32.359 --> 0:23:34.760
<v Speaker 1>maybe just a little more of your natural voice, and

0:23:34.760 --> 0:23:38.160
<v Speaker 1>see what that sounds like. Perfect, all right, and then

0:23:38.480 --> 0:23:39.479
<v Speaker 1>so act your pleasure.

0:23:39.520 --> 0:23:39.879
<v Speaker 2>Please.

0:23:42.320 --> 0:23:45.159
<v Speaker 6>We take twelve ounces of fresh lean beef, lay it

0:23:45.200 --> 0:23:47.680
<v Speaker 6>over an open flame, then cover it with a blankket

0:23:47.720 --> 0:23:50.520
<v Speaker 6>of cheddar cheese, bacon, and hallapang is. Then we put

0:23:50.520 --> 0:23:52.280
<v Speaker 6>it down for the night on a bed of hot

0:23:52.320 --> 0:23:56.760
<v Speaker 6>and crispy French fries. Good luck falling asleep the new

0:23:56.880 --> 0:24:01.240
<v Speaker 6>Nightmare Burger only from Burger Palace. Sweet.

0:24:02.440 --> 0:24:05.159
<v Speaker 2>I thought that was great, Thank you so much, Hannabama,

0:24:05.200 --> 0:24:06.400
<v Speaker 2>will be right back with you.

0:24:06.920 --> 0:24:10.920
<v Speaker 5>Ah lover a lot of personnelity know, I afraid to laugh,

0:24:11.000 --> 0:24:12.720
<v Speaker 5>and it sounded her.

0:24:13.040 --> 0:24:14.000
<v Speaker 2>That was great, right.

0:24:14.080 --> 0:24:16.359
<v Speaker 1>I love loved the little the some of the ad

0:24:16.400 --> 0:24:18.680
<v Speaker 1>libs that were in there, and and kind of the yeah,

0:24:18.680 --> 0:24:19.479
<v Speaker 1>the laughing at the end.

0:24:19.520 --> 0:24:21.879
<v Speaker 2>I thought that was a great second take. Agreed.

0:24:22.200 --> 0:24:25.600
<v Speaker 3>Yeah, okay, best of the best. Now I'm remembering why

0:24:25.640 --> 0:24:26.480
<v Speaker 3>these people.

0:24:26.200 --> 0:24:28.879
<v Speaker 2>Won, why they made it, because again it's yeah, the.

0:24:29.280 --> 0:24:32.320
<v Speaker 3>Little direction they now they have a good microphone setup, like,

0:24:32.359 --> 0:24:33.679
<v Speaker 3>oh boy, this is for really what.

0:24:34.280 --> 0:24:36.120
<v Speaker 2>Do they win? I mean, do you actually get.

0:24:36.000 --> 0:24:40.440
<v Speaker 1>The Jim Oh geez, Jim. So our winners get flown

0:24:40.440 --> 0:24:42.520
<v Speaker 1>out to Los Angeles to have lunch with Christy and I.

0:24:42.720 --> 0:24:46.960
<v Speaker 1>They win one thousand dollars, They win a session with

0:24:47.520 --> 0:24:50.439
<v Speaker 1>uh Emmy Award winning director Sam Regal and Mary McGlynn

0:24:50.480 --> 0:24:53.680
<v Speaker 1>from Critical Role, and they signed with CESD for a year.

0:24:54.000 --> 0:24:58.520
<v Speaker 2>Get out of here. They signed with CESD for a year. Yep,

0:24:58.680 --> 0:25:00.000
<v Speaker 2>so Ard agency to get it.

0:25:01.000 --> 0:25:04.080
<v Speaker 1>Yeah, this is very legit. So we had a lot

0:25:04.080 --> 0:25:07.280
<v Speaker 1>of people help us with this contest. So we're we're

0:25:07.280 --> 0:25:08.840
<v Speaker 1>trying to find the best of the best, because they're

0:25:08.840 --> 0:25:13.120
<v Speaker 1>signing with the best of the best. I think one

0:25:13.160 --> 0:25:14.680
<v Speaker 1>of the rules was you can never have been signed

0:25:14.680 --> 0:25:17.840
<v Speaker 1>by an agent before Jim, so I think seeing as

0:25:17.880 --> 0:25:20.399
<v Speaker 1>you had kind of a career to this point, you

0:25:20.480 --> 0:25:22.400
<v Speaker 1>might not be able to So it's.

0:25:22.200 --> 0:25:27.280
<v Speaker 2>Not very Yeah, you're right, gracious, Yeah, unbelievable.

0:25:27.359 --> 0:25:29.400
<v Speaker 1>I love it. Butt man. Oh, we're going to find somebody.

0:25:29.920 --> 0:25:32.000
<v Speaker 1>So if we can bring Dylan back in and see

0:25:32.000 --> 0:25:38.520
<v Speaker 1>what Dylan can do with our Burger Palace spot. Hey Dylan, Hey,

0:25:39.119 --> 0:25:41.600
<v Speaker 1>let's just jump right into it. See what your instincts are.

0:25:41.720 --> 0:25:43.720
<v Speaker 1>Line number one, Please, at your pleasure.

0:25:44.680 --> 0:25:48.280
<v Speaker 7>We take twelve ounces of fresh lean beef, lay it

0:25:48.280 --> 0:25:52.280
<v Speaker 7>over open flame, then cover with a blanket of cheddar cheese, bacon,

0:25:52.320 --> 0:25:55.080
<v Speaker 7>and halapenos. Then we put it down for the Nile

0:25:55.119 --> 0:25:57.920
<v Speaker 7>on a bed of hot and crispy French fries. Good

0:25:58.040 --> 0:26:02.439
<v Speaker 7>luck falling asleep The Nightmare Burger only from Burger Palace,

0:26:02.960 --> 0:26:05.719
<v Speaker 7>Sweet Dreams.

0:26:06.320 --> 0:26:08.399
<v Speaker 2>Jim Any notes, very nice.

0:26:10.119 --> 0:26:15.560
<v Speaker 5>Well, again, this is a TV spot or radio spot.

0:26:15.720 --> 0:26:18.960
<v Speaker 5>I think it'll probably you know, if you were hired

0:26:19.000 --> 0:26:21.679
<v Speaker 5>for such a thing, you'd have to probably pick up

0:26:21.680 --> 0:26:24.879
<v Speaker 5>the pace a little bit more while making it sound

0:26:25.359 --> 0:26:29.719
<v Speaker 5>natural so to fit into the you know, the arbitrary

0:26:29.760 --> 0:26:31.399
<v Speaker 5>designation of fifteen.

0:26:31.080 --> 0:26:32.359
<v Speaker 2>Or thirty or whatever it happens to be.

0:26:32.440 --> 0:26:35.520
<v Speaker 5>Plus they've got other effects and bumpers and legal and

0:26:35.560 --> 0:26:37.959
<v Speaker 5>who knows what that has to also share the same space.

0:26:38.600 --> 0:26:44.359
<v Speaker 5>So probably for the purposes of sounding like a commercial,

0:26:44.400 --> 0:26:46.919
<v Speaker 5>which I don't know, may not, may not actually be

0:26:46.960 --> 0:26:49.680
<v Speaker 5>what we're going for here, but you want to, you'll.

0:26:49.480 --> 0:26:51.439
<v Speaker 2>Want to, you want to tighten it up a little bit.

0:26:51.480 --> 0:26:53.960
<v Speaker 5>I'm guarantee that they would ask you to do that,

0:26:54.280 --> 0:26:57.680
<v Speaker 5>because it seems to be a default kind of direction

0:26:57.840 --> 0:26:59.119
<v Speaker 5>to could you do it a little faster.

0:26:59.480 --> 0:27:00.560
<v Speaker 2>I've heard it for.

0:27:00.520 --> 0:27:02.320
<v Speaker 5>The last thirty five years, and I don't think it's

0:27:02.320 --> 0:27:05.919
<v Speaker 5>going to ever stop. So that's that's all I would say.

0:27:05.960 --> 0:27:08.360
<v Speaker 5>I mean, you're finding what you're finding in it, and

0:27:09.160 --> 0:27:14.320
<v Speaker 5>you know it's it's a script about burgers. The one

0:27:14.359 --> 0:27:16.479
<v Speaker 5>thing I guess that you could take a look at it.

0:27:17.280 --> 0:27:19.399
<v Speaker 5>And again, this is an art form. There's no right

0:27:19.480 --> 0:27:22.480
<v Speaker 5>or wrong way, absolutely no right or wrong way right.

0:27:22.600 --> 0:27:25.919
<v Speaker 5>It is your creation and your decision, and you may

0:27:26.040 --> 0:27:27.119
<v Speaker 5>make you make.

0:27:26.960 --> 0:27:27.720
<v Speaker 2>A great choice.

0:27:27.960 --> 0:27:30.359
<v Speaker 5>Some other actor makes a great choice and they decide, well,

0:27:30.400 --> 0:27:34.560
<v Speaker 5>let's go with this great choice. There's infinite variety, but

0:27:34.600 --> 0:27:36.600
<v Speaker 5>you can always think about something in terms of like

0:27:36.680 --> 0:27:39.240
<v Speaker 5>a story that has a beginning, the middle and an end,

0:27:39.800 --> 0:27:42.119
<v Speaker 5>has a bit of an arc. There's a progress of

0:27:43.320 --> 0:27:45.240
<v Speaker 5>the idea of what's happening.

0:27:45.480 --> 0:27:47.359
<v Speaker 2>You know, first you do this, then you do this,

0:27:47.840 --> 0:27:49.639
<v Speaker 2>and then you do this. You know, I don't know.

0:27:49.840 --> 0:27:52.159
<v Speaker 5>It's just a sequence. There's no again, no right or

0:27:52.160 --> 0:27:54.000
<v Speaker 5>wrong way to do it. But it's something to think of, well,

0:27:54.040 --> 0:27:57.479
<v Speaker 5>what's the first part, what's the second bird, and how

0:27:57.480 --> 0:27:59.720
<v Speaker 5>does it all wrap up? You know, as if it

0:27:59.760 --> 0:28:02.080
<v Speaker 5>was a story, you know, or something like that, something

0:28:02.119 --> 0:28:03.680
<v Speaker 5>to look at. If it helps, If it doesn't, I

0:28:03.680 --> 0:28:07.359
<v Speaker 5>would jettison it. But that's just like a something I

0:28:07.400 --> 0:28:10.119
<v Speaker 5>think of when I'm when I'm working with scripts and

0:28:10.280 --> 0:28:11.080
<v Speaker 5>or when I'm directing.

0:28:11.560 --> 0:28:13.200
<v Speaker 2>Gotcha, Christy.

0:28:14.320 --> 0:28:17.679
<v Speaker 3>I definitely think pacing would have to be up at

0:28:17.760 --> 0:28:21.640
<v Speaker 3>least fifty percent energy, maybe even eighty percent. But when

0:28:21.640 --> 0:28:24.000
<v Speaker 3>I say energy, I think I'm like wanting to crave

0:28:24.080 --> 0:28:29.200
<v Speaker 3>the burger. I maybe sounding less like the actor's approach

0:28:29.240 --> 0:28:31.560
<v Speaker 3>that Jim knows how to take, and I may be

0:28:31.600 --> 0:28:35.679
<v Speaker 3>sounding more like a client, but I definitely want to

0:28:35.720 --> 0:28:39.560
<v Speaker 3>crave the burger more by using more of like language

0:28:39.640 --> 0:28:42.960
<v Speaker 3>that almost feels a little bit more alluring about the

0:28:43.200 --> 0:28:44.560
<v Speaker 3>you know, the product that you're selling.

0:28:45.080 --> 0:28:49.440
<v Speaker 2>It's a nightmare burger, or you could.

0:28:49.280 --> 0:28:51.960
<v Speaker 3>Do something different in that it is a nightmare burger

0:28:51.960 --> 0:28:53.920
<v Speaker 3>and you could play with it being a scary burger

0:28:53.960 --> 0:28:56.000
<v Speaker 3>because you have base in your voice. So what do

0:28:56.040 --> 0:28:58.200
<v Speaker 3>you think, Jim about making bold choices like that, because

0:28:58.240 --> 0:29:01.160
<v Speaker 3>we've seen bold choices done when we create animated characters

0:29:01.160 --> 0:29:02.120
<v Speaker 3>in our last round.

0:29:03.880 --> 0:29:07.640
<v Speaker 5>I'm in favorable choices because I think what cuts through.

0:29:07.920 --> 0:29:12.000
<v Speaker 5>I mean, at the end of the day, clients, whether

0:29:12.040 --> 0:29:13.720
<v Speaker 5>they know it or not, or can articulate it or not,

0:29:13.760 --> 0:29:17.920
<v Speaker 5>what they want is something that cuts through and attracts

0:29:17.920 --> 0:29:18.440
<v Speaker 5>our attention.

0:29:18.880 --> 0:29:22.520
<v Speaker 2>So if it's the same sort of delivery, I just

0:29:22.600 --> 0:29:23.320
<v Speaker 2>don't think it works.

0:29:23.400 --> 0:29:26.720
<v Speaker 5>They may feel confident and more safe choosing that person,

0:29:26.760 --> 0:29:28.920
<v Speaker 5>but you can wrap your head around a million different ways.

0:29:28.960 --> 0:29:32.680
<v Speaker 5>I think it's always safe to be decisive in your

0:29:32.760 --> 0:29:37.920
<v Speaker 5>choices and to just own it, you know, and not

0:29:38.000 --> 0:29:41.520
<v Speaker 5>feel like you have to sound like every other freaking

0:29:42.000 --> 0:29:43.720
<v Speaker 5>radio commercial you've ever heard in your life.

0:29:44.320 --> 0:29:47.000
<v Speaker 3>Right, So definitely faster for me that we both concur

0:29:47.120 --> 0:29:49.640
<v Speaker 3>But then in terms of making a bolder choice, I

0:29:49.640 --> 0:29:50.640
<v Speaker 3>don't know. I leave it to Will.

0:29:50.760 --> 0:29:52.840
<v Speaker 1>Well, what do you think I have nothing to add

0:29:52.840 --> 0:29:54.800
<v Speaker 1>to that? I think that's exactly right. I think because

0:29:55.120 --> 0:29:56.880
<v Speaker 1>every we're kind of all saying the same thing definitely

0:29:56.880 --> 0:29:59.560
<v Speaker 1>needs to be quicker. But that's easy. Then it's just

0:29:59.560 --> 0:30:01.880
<v Speaker 1>a matter of how do you want to do it?

0:30:01.920 --> 0:30:04.280
<v Speaker 1>And sometimes as exactly what Jim is saying, it's a

0:30:04.280 --> 0:30:07.160
<v Speaker 1>strange business. Sometimes reading it exactly how you think it

0:30:07.200 --> 0:30:10.320
<v Speaker 1>should be read will get you the job, and sometimes

0:30:10.360 --> 0:30:13.000
<v Speaker 1>reading it a way that nobody else has thought about

0:30:13.000 --> 0:30:15.360
<v Speaker 1>reading it is what gets you the job. It's a

0:30:15.480 --> 0:30:19.160
<v Speaker 1>strange kind of world. So we have I would say

0:30:19.160 --> 0:30:21.880
<v Speaker 1>we have one that way, and I don't think it

0:30:21.920 --> 0:30:24.920
<v Speaker 1>was a bad read. Again, could have been a little faster,

0:30:25.000 --> 0:30:27.440
<v Speaker 1>but I like kind of the sultry you get the

0:30:27.520 --> 0:30:29.720
<v Speaker 1>kind of almost don't bother me. I'm eating kind of

0:30:29.960 --> 0:30:32.959
<v Speaker 1>kind of aspect from it, like the Carl's Junior kind

0:30:32.960 --> 0:30:35.640
<v Speaker 1>of thing, and that works. I mean, obviously it's works

0:30:35.400 --> 0:30:38.240
<v Speaker 1>for many companies. But let's see if you take a

0:30:38.240 --> 0:30:42.720
<v Speaker 1>different tact with it, what would happen. So for yeah,

0:30:42.760 --> 0:30:47.160
<v Speaker 1>your next read, switch it up, do whatever you want

0:30:47.200 --> 0:30:49.280
<v Speaker 1>and see what happens. I'm a fan off. You're going

0:30:49.320 --> 0:30:51.440
<v Speaker 1>to hit the wall anyway, run into it full speed.

0:30:51.480 --> 0:30:52.480
<v Speaker 1>That's how I look at it.

0:30:52.560 --> 0:30:56.600
<v Speaker 2>So Dylan, yep, take two Dylan, at your pleasure.

0:30:57.840 --> 0:31:00.800
<v Speaker 7>We take twelve ounces of fresh lean be We lay

0:31:00.800 --> 0:31:03.480
<v Speaker 7>it over open flame. Then cover with a blanket of

0:31:03.560 --> 0:31:06.400
<v Speaker 7>cheddar cheese, bacon, and halapennas, and then we put it

0:31:06.440 --> 0:31:08.000
<v Speaker 7>down for the night on a bed of hot and

0:31:08.080 --> 0:31:11.800
<v Speaker 7>crispy French fries. Good luck falling asleep, the new Nightmare

0:31:11.840 --> 0:31:14.680
<v Speaker 7>Burger only from Burger Palace, Sweet Dreams.

0:31:16.520 --> 0:31:18.360
<v Speaker 2>Thank you very much. We'll be right back with this

0:31:18.880 --> 0:31:20.040
<v Speaker 2>nice adjustment. That's fun.

0:31:20.080 --> 0:31:20.320
<v Speaker 1>Thank you.

0:31:21.280 --> 0:31:21.920
<v Speaker 3>It was fun.

0:31:22.160 --> 0:31:23.160
<v Speaker 2>I thought it was fun too.

0:31:23.760 --> 0:31:25.840
<v Speaker 1>Took a hard ride there, that was he did, which

0:31:25.880 --> 0:31:27.400
<v Speaker 1>is kind of what we asked him to do. He

0:31:27.440 --> 0:31:29.480
<v Speaker 1>did it on the spot. Now, Jim, we always kind

0:31:29.480 --> 0:31:31.920
<v Speaker 1>of do this just just for our own edification, to

0:31:31.960 --> 0:31:33.880
<v Speaker 1>keep it kind of straight in our head. Is there

0:31:33.920 --> 0:31:36.840
<v Speaker 1>anybody for you that after the first round stands out

0:31:36.920 --> 0:31:38.440
<v Speaker 1>that they're they're a bit ahead.

0:31:38.680 --> 0:31:45.880
<v Speaker 5>Yeah, I mean I do agree that that Hannahbama had

0:31:45.920 --> 0:31:48.360
<v Speaker 5>seemed to have a little more coloration, just a little

0:31:48.360 --> 0:31:52.560
<v Speaker 5>more she'd made more choices, okay that I thought supported

0:31:52.720 --> 0:31:57.440
<v Speaker 5>the the script. So just on that level, she's a

0:31:57.440 --> 0:32:01.400
<v Speaker 5>little more confident. You know that that that shows because

0:32:01.480 --> 0:32:03.400
<v Speaker 5>you know that second read she did had a lot

0:32:03.480 --> 0:32:10.320
<v Speaker 5>of just nice special nuance and.

0:32:08.640 --> 0:32:11.200
<v Speaker 2>And you know, again it's arbitrary. I I liked her

0:32:11.280 --> 0:32:12.760
<v Speaker 2>read I liked what she did with it.

0:32:12.880 --> 0:32:16.520
<v Speaker 5>I also liked the adjustment that that the other guy

0:32:16.920 --> 0:32:20.800
<v Speaker 5>whose name escapes me, Dylan Dylan did. Of course, Dylan

0:32:21.200 --> 0:32:24.160
<v Speaker 5>Dylan Duck Dylan made a really nice adjustment. Also would

0:32:24.160 --> 0:32:25.760
<v Speaker 5>have gotten my attention if I was in my car

0:32:25.840 --> 0:32:27.360
<v Speaker 5>driving along. It would have made me think about it

0:32:27.400 --> 0:32:27.880
<v Speaker 5>a little bit.

0:32:29.160 --> 0:32:31.680
<v Speaker 2>So they're just like, you know, they have their merits.

0:32:31.680 --> 0:32:32.840
<v Speaker 2>They both well, let's move.

0:32:32.720 --> 0:32:34.920
<v Speaker 3>To second let's move to the second round then, Like.

0:32:35.040 --> 0:32:40.920
<v Speaker 1>I don't disagree with you, Frankly, nobody, nobody jumped out

0:32:40.960 --> 0:32:42.480
<v Speaker 1>at me for you know, for the first round, I

0:32:42.480 --> 0:32:44.400
<v Speaker 1>thought they both made good adjustments. I thought the reads

0:32:44.400 --> 0:32:46.600
<v Speaker 1>were natural. I thought they both picked up the pace

0:32:46.640 --> 0:32:50.720
<v Speaker 1>the second time. So yeah, I I think, uh, I

0:32:50.760 --> 0:32:53.680
<v Speaker 1>think that's good. So yeah, let's go to let's go

0:32:53.760 --> 0:32:56.880
<v Speaker 1>back to to Hanabama and and we'll see, uh what

0:32:57.000 --> 0:33:03.600
<v Speaker 1>the line too brings us? Right, Hey, Hannah, Hello, hello,

0:33:04.680 --> 0:33:09.480
<v Speaker 1>welcome back. We are moving to line number two. Sounds good?

0:33:10.280 --> 0:33:13.680
<v Speaker 1>And uh yeah again, know anything yet, just jump in

0:33:13.720 --> 0:33:16.280
<v Speaker 1>there and let's see what you do perfect at your pleasure.

0:33:16.880 --> 0:33:19.120
<v Speaker 1>When I'm looking for a new vehicle, only one word

0:33:19.160 --> 0:33:23.840
<v Speaker 1>comes to mind. Safety, Well, safety and reliability. Oh, and

0:33:23.960 --> 0:33:26.080
<v Speaker 1>roomy with all of my kids, I need the space.

0:33:26.560 --> 0:33:26.960
<v Speaker 3>Yeah.

0:33:27.000 --> 0:33:31.520
<v Speaker 6>So one word safety reliability roomy, safety reliar roomy.

0:33:31.800 --> 0:33:32.400
<v Speaker 1>Is that a thing?

0:33:33.040 --> 0:33:35.719
<v Speaker 6>Well, it is with the new Calenv misted, the Calenv

0:33:35.880 --> 0:33:39.720
<v Speaker 6>mist the most safety relyar roomy new SUV on the market.

0:33:40.000 --> 0:33:45.320
<v Speaker 2>Yeah, it's a thing now, cool, Jim.

0:33:46.240 --> 0:33:48.080
<v Speaker 5>I have a little trouble with this one, just in

0:33:48.200 --> 0:33:50.800
<v Speaker 5>terms of that word roomy, which ran together with the

0:33:50.840 --> 0:33:52.720
<v Speaker 5>other words. The first time I heard it, I didn't

0:33:52.800 --> 0:33:55.840
<v Speaker 5>understand the and then I caught on, Okay, it's roomy.

0:33:56.400 --> 0:33:58.200
<v Speaker 2>And then what's the name of the vehicle? That'sn't made

0:33:58.240 --> 0:33:59.480
<v Speaker 2>up vehicle name? Right? It is?

0:33:59.520 --> 0:34:02.360
<v Speaker 1>Of course it's the kal missed. Yes, this is all

0:34:02.400 --> 0:34:05.040
<v Speaker 1>my where we can't use real products, Jim. So my

0:34:05.120 --> 0:34:08.000
<v Speaker 1>name's not even Will on this podcast, it's it's Rick,

0:34:08.239 --> 0:34:08.960
<v Speaker 1>just in case.

0:34:08.760 --> 0:34:13.359
<v Speaker 5>And you're in a secure location right somewhere, I am. So,

0:34:13.400 --> 0:34:14.200
<v Speaker 5>what was the name of the car?

0:34:14.239 --> 0:34:20.440
<v Speaker 2>Sorry? The CALLANV missed? Okay, Calendi missed. Okay. Yeah, I.

0:34:22.160 --> 0:34:25.480
<v Speaker 5>Got the mood very well, of you know, adding on

0:34:26.200 --> 0:34:31.640
<v Speaker 5>all that and that sort of sequence. I did have

0:34:31.719 --> 0:34:36.839
<v Speaker 5>trouble with just diction on those difficult words. First of all,

0:34:36.960 --> 0:34:41.280
<v Speaker 5>the roomy, because roomy kind of ran together with oh yeah.

0:34:41.360 --> 0:34:44.440
<v Speaker 5>I think he said something like on roomy, and then

0:34:44.480 --> 0:34:47.080
<v Speaker 5>I didn't know what that meant. Because I didn't it

0:34:47.120 --> 0:34:52.000
<v Speaker 5>didn't separate out enough. I think that since it's it

0:34:52.040 --> 0:34:54.480
<v Speaker 5>becomes a big part of the script, the word roomy.

0:34:55.080 --> 0:34:57.239
<v Speaker 2>So I think in the beginning, if I.

0:34:57.320 --> 0:35:00.839
<v Speaker 5>Was the advertising walk who was direc I would say

0:35:00.840 --> 0:35:04.359
<v Speaker 5>we need to billboard roomy a little bit more and say, oh,

0:35:04.400 --> 0:35:07.680
<v Speaker 5>and roomy would be one solution, doesn't have to be

0:35:07.719 --> 0:35:11.840
<v Speaker 5>the only solution. So because I the first big hunk

0:35:11.840 --> 0:35:14.319
<v Speaker 5>of that line, I was like, what did I just hear?

0:35:15.080 --> 0:35:18.200
<v Speaker 2>So I just didn't quite get that word as easy

0:35:18.280 --> 0:35:19.040
<v Speaker 2>to fix.

0:35:19.239 --> 0:35:22.080
<v Speaker 5>As far as the delivery and the mood and the style,

0:35:22.600 --> 0:35:25.279
<v Speaker 5>I thought that terrific, great choice, Thank you.

0:35:28.280 --> 0:35:31.200
<v Speaker 3>I think that the articulation will help sell it better.

0:35:31.960 --> 0:35:34.440
<v Speaker 3>I think that we do it is interesting. I never

0:35:34.480 --> 0:35:37.319
<v Speaker 3>thought about it this way. We dance this fine line

0:35:37.360 --> 0:35:40.200
<v Speaker 3>of authenticity with our voices, but also with like this

0:35:40.320 --> 0:35:44.960
<v Speaker 3>like strange sense of professionalism in the articulation of the words,

0:35:45.200 --> 0:35:47.800
<v Speaker 3>which I think you've already kind of got the training

0:35:47.840 --> 0:35:51.080
<v Speaker 3>in and I've got Did you have a theater background?

0:35:51.120 --> 0:35:52.200
<v Speaker 3>Is that I forgot.

0:35:52.320 --> 0:35:55.320
<v Speaker 6>Actually, no, I have more opera background than anything.

0:35:55.640 --> 0:35:59.400
<v Speaker 3>So I think with opera from what I remember, I

0:35:59.440 --> 0:36:02.160
<v Speaker 3>was training a little bit for that, and so much

0:36:02.239 --> 0:36:05.680
<v Speaker 3>of you know, the way that you're positioning your mouth

0:36:06.120 --> 0:36:08.800
<v Speaker 3>will get the sound out in a particular way, you know. Yes,

0:36:09.120 --> 0:36:11.520
<v Speaker 3>so it's the same here, but I think with the

0:36:11.920 --> 0:36:15.600
<v Speaker 3>with the points at which you choose to articulate, like

0:36:15.640 --> 0:36:18.160
<v Speaker 3>those kinds of things, making it more sing songy, but

0:36:18.239 --> 0:36:22.480
<v Speaker 3>also hitting those those consonants and those things. Right, I

0:36:22.560 --> 0:36:25.840
<v Speaker 3>personally have had luck in anytime my booke dad reads

0:36:27.520 --> 0:36:30.719
<v Speaker 3>you know, I think that helps personally. Sure, So if

0:36:30.760 --> 0:36:33.120
<v Speaker 3>you want to try to feel that out a little

0:36:33.160 --> 0:36:36.440
<v Speaker 3>bit more, I'll pick up wherever Jim was kind of

0:36:36.680 --> 0:36:37.399
<v Speaker 3>mentioning that.

0:36:37.520 --> 0:36:40.719
<v Speaker 1>So sounds good, all right, yeah, I would just I

0:36:40.719 --> 0:36:43.160
<v Speaker 1>would agree. I would say the speed was good, but

0:36:43.239 --> 0:36:46.640
<v Speaker 1>now enunciate the words and yeah, let's make sure you're

0:36:46.680 --> 0:36:51.440
<v Speaker 1>bracketing the product. And other than that, I'd love to

0:36:51.480 --> 0:36:53.480
<v Speaker 1>just see, you know, hear another take.

0:36:54.080 --> 0:36:55.359
<v Speaker 6>Sure thing, So.

0:36:56.880 --> 0:36:59.240
<v Speaker 2>Any time you would like to go at your pleasure.

0:37:01.360 --> 0:37:03.839
<v Speaker 6>When I'm looking for a new vehicle, only one word

0:37:03.880 --> 0:37:10.000
<v Speaker 6>comes to mind. Safety, well, safety and reliability, Oh and

0:37:10.200 --> 0:37:13.280
<v Speaker 6>roomy with all of my kids. I need the space.

0:37:14.160 --> 0:37:14.600
<v Speaker 8>Yeah.

0:37:14.760 --> 0:37:20.279
<v Speaker 6>So one word safety reliability, roomy, safety relyar roomy. Is

0:37:20.320 --> 0:37:24.040
<v Speaker 6>that a thing? Well, it is with the new calenv Mist,

0:37:24.440 --> 0:37:29.040
<v Speaker 6>the calend misted the most safety relya roomy new suv.

0:37:28.800 --> 0:37:29.480
<v Speaker 1>On the market.

0:37:30.040 --> 0:37:31.560
<v Speaker 6>Yeah, it's a thing now.

0:37:33.840 --> 0:37:36.120
<v Speaker 1>Thank you very much. We'll be right back with you, Hannah.

0:37:36.160 --> 0:37:37.680
<v Speaker 6>Thank you that see.

0:37:37.760 --> 0:37:41.040
<v Speaker 1>I thought that that second take to me sounded like

0:37:41.920 --> 0:37:45.440
<v Speaker 1>young mom wanting the vehicle. I could hear that in

0:37:45.440 --> 0:37:47.640
<v Speaker 1>my I could hear that while driving in my car

0:37:47.760 --> 0:37:50.120
<v Speaker 1>like I wouldn't. There are times where you do hear

0:37:50.239 --> 0:37:53.680
<v Speaker 1>some ads in your car or on Instagram something like that,

0:37:53.719 --> 0:37:56.040
<v Speaker 1>where you go ooh that was who voiced that that

0:37:56.200 --> 0:38:00.800
<v Speaker 1>was really strange, where this one I thought sounded very natural.

0:38:01.000 --> 0:38:03.600
<v Speaker 1>So that was I thought that second she really took

0:38:03.640 --> 0:38:05.799
<v Speaker 1>the notes and really enunciated, And I thought that second

0:38:05.840 --> 0:38:06.399
<v Speaker 1>take was great.

0:38:06.719 --> 0:38:08.160
<v Speaker 2>Yeah, very very understandable.

0:38:08.719 --> 0:38:09.080
<v Speaker 1>Christy.

0:38:09.440 --> 0:38:11.319
<v Speaker 3>Oh, I think that we could have done a take

0:38:11.360 --> 0:38:13.600
<v Speaker 3>three and she would have totally nailed it, because I

0:38:13.640 --> 0:38:17.520
<v Speaker 3>think from what she was choosing to do with her pronunciation,

0:38:17.680 --> 0:38:19.799
<v Speaker 3>I thought she nailed that part, but she lost a

0:38:19.800 --> 0:38:22.400
<v Speaker 3>little bit of the relatability from the first one. But

0:38:22.520 --> 0:38:26.480
<v Speaker 3>she didn't have as much fun. But I think that

0:38:26.520 --> 0:38:28.480
<v Speaker 3>she's in the pocket, and I think she's a pro.

0:38:28.600 --> 0:38:29.359
<v Speaker 3>I think she's a pro.

0:38:29.920 --> 0:38:31.040
<v Speaker 2>Yeah, she really is.

0:38:31.080 --> 0:38:33.320
<v Speaker 1>She really seems like she knows what she's doing. Very natural.

0:38:34.200 --> 0:38:36.000
<v Speaker 1>Let's bring Dylan back in and see what he does

0:38:36.000 --> 0:38:39.320
<v Speaker 1>with the callan v mist the newest SUV on the market.

0:38:39.680 --> 0:38:43.759
<v Speaker 2>Ellen, Hey, Dylan, how are you.

0:38:43.920 --> 0:38:45.160
<v Speaker 7>I'm doing just fine. How are you?

0:38:45.840 --> 0:38:48.279
<v Speaker 2>We're doing great? Thank you. We are moving on to

0:38:48.680 --> 0:38:49.480
<v Speaker 2>line number two.

0:38:49.840 --> 0:38:51.719
<v Speaker 1>All right, And you know we don't like to get

0:38:51.760 --> 0:38:53.239
<v Speaker 1>in your head before we see what she can do,

0:38:53.320 --> 0:38:55.920
<v Speaker 1>So go ahead and whatever you like at your pleasure.

0:38:56.239 --> 0:38:56.719
<v Speaker 1>You got it.

0:38:57.600 --> 0:38:59.759
<v Speaker 7>When I'm looking for a new vehicle, only one word

0:38:59.800 --> 0:39:03.560
<v Speaker 7>comes to mind. Safety, well, safety and reliability.

0:39:03.840 --> 0:39:05.000
<v Speaker 2>Oh and roomy.

0:39:05.000 --> 0:39:07.680
<v Speaker 7>With all of my kids, I need the space. Yeah,

0:39:07.719 --> 0:39:12.200
<v Speaker 7>so one word safety, reliability, roomy, safety, relyer roomy.

0:39:12.760 --> 0:39:13.359
<v Speaker 1>Is that a thing?

0:39:13.920 --> 0:39:16.280
<v Speaker 7>Well, it is with the new calendar missed the calend

0:39:16.280 --> 0:39:18.800
<v Speaker 7>be missed, the most safety, relier, roomy new SUV on

0:39:18.840 --> 0:39:21.000
<v Speaker 7>the market. Yeah it's a thing now.

0:39:22.840 --> 0:39:27.399
<v Speaker 2>Nice, Yeah, very nice. Jim any notes, good diction, good,

0:39:27.440 --> 0:39:30.160
<v Speaker 2>good performance. It occurred to me when you're reading this

0:39:30.280 --> 0:39:31.200
<v Speaker 2>that this sounds like a.

0:39:31.160 --> 0:39:33.080
<v Speaker 5>Script that would be more likely to be read by

0:39:33.080 --> 0:39:35.960
<v Speaker 5>a female because of the kids reference.

0:39:37.120 --> 0:39:40.520
<v Speaker 2>But that's not your fault, just an observation. I mean,

0:39:40.520 --> 0:39:47.640
<v Speaker 2>you can't help it. I thought, Yeah, I actually liked

0:39:47.640 --> 0:39:48.400
<v Speaker 2>all your choices.

0:39:48.600 --> 0:39:52.600
<v Speaker 5>I think at the end there's a little missed opportunity

0:39:53.440 --> 0:39:54.600
<v Speaker 5>with that last.

0:39:56.000 --> 0:39:57.880
<v Speaker 2>Convey what is it safety and.

0:39:59.440 --> 0:40:04.239
<v Speaker 5>The triumph for it of descriptors that last time you

0:40:04.320 --> 0:40:07.760
<v Speaker 5>mentioned it, you might put a little you know something

0:40:07.800 --> 0:40:10.600
<v Speaker 5>on it, just like here's that crazy word again, kind

0:40:10.600 --> 0:40:13.520
<v Speaker 5>of the thought. But that's just a missed opportunity that

0:40:13.560 --> 0:40:17.000
<v Speaker 5>you could easily repair in subsequent takes. But you had

0:40:17.040 --> 0:40:19.520
<v Speaker 5>many other opportunities that you did not miss.

0:40:19.600 --> 0:40:20.279
<v Speaker 2>I thought were great.

0:40:20.320 --> 0:40:24.879
<v Speaker 5>You gave us a viewpoint and feeling and humor when

0:40:24.920 --> 0:40:28.040
<v Speaker 5>it was appropriate, and yeah, I thought you did very well.

0:40:28.280 --> 0:40:30.080
<v Speaker 7>Thank you, Christy.

0:40:31.680 --> 0:40:35.720
<v Speaker 3>I think I think you did good personally. I think

0:40:37.239 --> 0:40:41.960
<v Speaker 3>for this next take, I think we want to I

0:40:41.960 --> 0:40:44.520
<v Speaker 3>think the pacing was really good. I think you definitely

0:40:44.640 --> 0:40:48.920
<v Speaker 3>learned from the first round. But see, I think that

0:40:49.000 --> 0:40:51.640
<v Speaker 3>if you're given something, especially on the contest, you have

0:40:51.680 --> 0:40:55.319
<v Speaker 3>to make the most of it for the sake of

0:40:55.440 --> 0:40:58.720
<v Speaker 3>you know, when you're in when you're in the audition space,

0:40:58.719 --> 0:41:00.399
<v Speaker 3>you really can't. You just have to make it your

0:41:00.440 --> 0:41:04.000
<v Speaker 3>own no matter what you're given. So I would think

0:41:04.040 --> 0:41:06.239
<v Speaker 3>that if they were to have to, if you would

0:41:06.280 --> 0:41:08.759
<v Speaker 3>have to make this work right and say that, you know,

0:41:08.800 --> 0:41:11.000
<v Speaker 3>I have a lot of kids, they'd probably have babies

0:41:11.000 --> 0:41:13.040
<v Speaker 3>crying and they'd have like, you know, stuff in the

0:41:13.040 --> 0:41:15.760
<v Speaker 3>background for this to kind of be sold by your voice.

0:41:16.160 --> 0:41:18.400
<v Speaker 3>So this would be like, you know, a modern dad

0:41:18.480 --> 0:41:21.200
<v Speaker 3>that has a wife that goes to work, so you're

0:41:21.239 --> 0:41:25.440
<v Speaker 3>stressed out, you're tired. I still think that even it's

0:41:25.560 --> 0:41:27.880
<v Speaker 3>even though it's an ad reed, that you're still a character,

0:41:28.239 --> 0:41:30.000
<v Speaker 3>right Like, I still think you have to approach it

0:41:30.280 --> 0:41:32.960
<v Speaker 3>and read it within the world and make it believable.

0:41:33.440 --> 0:41:36.600
<v Speaker 3>So if you're reading that he has kids, and he's

0:41:36.640 --> 0:41:38.319
<v Speaker 3>got all these kids and they all got to fit

0:41:38.360 --> 0:41:40.239
<v Speaker 3>into this car and oh my god, and you know,

0:41:40.640 --> 0:41:42.479
<v Speaker 3>and you know that the pacing needs to be fast,

0:41:42.480 --> 0:41:44.319
<v Speaker 3>and I think you do need to inject it with

0:41:44.360 --> 0:41:47.799
<v Speaker 3>some emotion so that it really, like what Jim was saying,

0:41:47.800 --> 0:41:51.799
<v Speaker 3>that it impinges upon the listener. And so yeah, that's

0:41:51.840 --> 0:41:54.040
<v Speaker 3>my that's my two cents on that. So maybe maybe

0:41:54.160 --> 0:41:56.520
<v Speaker 3>try to think about who this person is and the

0:41:56.560 --> 0:41:58.759
<v Speaker 3>stresses of needing this car, and this car is the

0:41:58.800 --> 0:42:00.560
<v Speaker 3>solution to all these kids.

0:42:00.760 --> 0:42:01.080
<v Speaker 2>Gotcha.

0:42:01.120 --> 0:42:02.360
<v Speaker 3>That's my two cents.

0:42:03.320 --> 0:42:05.440
<v Speaker 2>I thought it was good. I thought it was good.

0:42:05.120 --> 0:42:07.799
<v Speaker 2>I liked to read. I thought the pacing was good.

0:42:07.880 --> 0:42:11.279
<v Speaker 1>I think, yeah, bracket, the funny words, jazz hands, the

0:42:11.280 --> 0:42:13.200
<v Speaker 1>funny words, if you can. But other than that, I

0:42:13.200 --> 0:42:15.160
<v Speaker 1>thought it was good. And let's you know, give it

0:42:15.160 --> 0:42:16.600
<v Speaker 1>another take and see what you can do with it.

0:42:16.840 --> 0:42:18.200
<v Speaker 2>You got it at your pleasure.

0:42:19.000 --> 0:42:21.160
<v Speaker 7>When I'm looking for a new vehicle, the only one

0:42:21.200 --> 0:42:25.359
<v Speaker 7>word comes to mind safety, well, safety, hand reliability. Oh

0:42:25.440 --> 0:42:28.840
<v Speaker 7>and roomy. With all my kids, I need the space. Yeah,

0:42:28.880 --> 0:42:33.240
<v Speaker 7>so one word safety reliability, roomy, safety relia, roomy.

0:42:33.719 --> 0:42:34.319
<v Speaker 1>Is that a thing?

0:42:34.760 --> 0:42:36.359
<v Speaker 7>Well, it is with the well it is a new

0:42:36.440 --> 0:42:39.839
<v Speaker 7>CALENBI missed the Calibi missed the most safety reliar, roomy

0:42:39.880 --> 0:42:42.560
<v Speaker 7>new suv on the market. Yeah, it's a thing.

0:42:42.520 --> 0:42:46.440
<v Speaker 2>Now, Thank you so much. We'll be right back with you, Dylan.

0:42:46.880 --> 0:42:47.200
<v Speaker 2>Thank you.

0:42:50.239 --> 0:42:51.919
<v Speaker 1>His first take was better. I think we got into

0:42:51.960 --> 0:42:55.080
<v Speaker 1>his head too much. Yeah, I thought the first natural

0:42:55.080 --> 0:42:57.879
<v Speaker 1>take was the better way to go. Frankly, I think

0:42:57.880 --> 0:43:00.480
<v Speaker 1>he was a little too frantic on this second one.

0:43:02.120 --> 0:43:05.879
<v Speaker 1>So yeah, But I thought his first take was great. Frankly, yep,

0:43:05.960 --> 0:43:07.880
<v Speaker 1>I agree, all right.

0:43:08.440 --> 0:43:10.080
<v Speaker 3>I don't know if I thought it was great though.

0:43:10.200 --> 0:43:13.000
<v Speaker 3>I mean, look, I think personally, I'm I think Hannah's

0:43:14.080 --> 0:43:19.880
<v Speaker 3>acting it for me. Yeah, I think she feels I

0:43:19.880 --> 0:43:22.879
<v Speaker 3>think they're both really good. Obviously they would have made

0:43:22.880 --> 0:43:25.440
<v Speaker 3>it this far, but I do think that she's more

0:43:25.480 --> 0:43:28.240
<v Speaker 3>comfortable in the room. It feels like, no.

0:43:28.640 --> 0:43:30.680
<v Speaker 2>Did they. Yeah, I don't disagree.

0:43:30.680 --> 0:43:34.840
<v Speaker 1>But I thought his first take was was the male

0:43:35.000 --> 0:43:37.200
<v Speaker 1>version of her take. I thought, I thought was it

0:43:37.239 --> 0:43:39.080
<v Speaker 1>was a very natural read. I thought I did. I

0:43:39.080 --> 0:43:43.080
<v Speaker 1>thought his first take was a very natural read. And

0:43:43.120 --> 0:43:44.920
<v Speaker 1>sometimes your first take is the best one because you're

0:43:45.040 --> 0:43:46.760
<v Speaker 1>you're not in your head, you're not thinking about anything

0:43:46.800 --> 0:43:49.200
<v Speaker 1>anyone said to you. You're just reading it how you

0:43:49.239 --> 0:43:51.640
<v Speaker 1>hear it. And I thought it was it was natural.

0:43:51.640 --> 0:43:51.840
<v Speaker 2>I do.

0:43:51.920 --> 0:43:54.760
<v Speaker 1>I think I think you know so far, I would

0:43:54.760 --> 0:43:59.359
<v Speaker 1>say she probably is the more natural of the two.

0:44:01.280 --> 0:44:04.360
<v Speaker 1>That being said, I thought this set his second round

0:44:04.640 --> 0:44:08.319
<v Speaker 1>was pretty close to her second round, I would say, Yeah,

0:44:08.400 --> 0:44:10.760
<v Speaker 1>I did. I did. I thought, because again, it's difficult

0:44:10.760 --> 0:44:12.440
<v Speaker 1>when you do, like Jim said, I mean, the copy

0:44:12.480 --> 0:44:14.520
<v Speaker 1>does sort of lend itself to a female voice, so

0:44:14.560 --> 0:44:15.920
<v Speaker 1>you might kind of hear that in your head a

0:44:15.960 --> 0:44:17.759
<v Speaker 1>little bit going in. It sounds a little more like

0:44:17.800 --> 0:44:19.840
<v Speaker 1>a mom read. So when there's a man doing it,

0:44:19.920 --> 0:44:21.880
<v Speaker 1>it might not sound quite as natural. But I thought

0:44:21.880 --> 0:44:25.200
<v Speaker 1>he made it sound natural, So I thought, I think

0:44:25.239 --> 0:44:27.600
<v Speaker 1>that end time. And that's one of the things that

0:44:27.640 --> 0:44:29.279
<v Speaker 1>happens is sometimes you go in and you read it

0:44:29.320 --> 0:44:31.040
<v Speaker 1>for stuff that you're not right for, so you do

0:44:31.080 --> 0:44:33.160
<v Speaker 1>it a completely different way because you're like, what the hell,

0:44:33.200 --> 0:44:35.520
<v Speaker 1>this is a free swing. You know, there there was

0:44:35.600 --> 0:44:37.080
<v Speaker 1>holding on the play, so I get a free play

0:44:37.120 --> 0:44:39.120
<v Speaker 1>down the field and you just you take a shot.

0:44:39.160 --> 0:44:42.200
<v Speaker 1>And I thought, frankly, it was pretty good. So we'll see.

0:44:42.280 --> 0:44:44.279
<v Speaker 1>I think we're I think we're we're getting there, but

0:44:53.920 --> 0:44:57.319
<v Speaker 1>we will bring Hannah back in for for line number three.

0:44:57.400 --> 0:44:58.560
<v Speaker 2>Yeah, Jim question.

0:44:58.800 --> 0:45:02.480
<v Speaker 5>So it seems to me, just contest wise, there's a

0:45:02.520 --> 0:45:06.040
<v Speaker 5>little bit of an advantage of Hannah always starts.

0:45:06.440 --> 0:45:09.040
<v Speaker 2>It seems like you'd want to stagger that a little bit.

0:45:09.440 --> 0:45:10.600
<v Speaker 2>We can totally do that. We can.

0:45:10.800 --> 0:45:12.080
<v Speaker 1>I don't have a problem with that at all. We

0:45:12.080 --> 0:45:16.000
<v Speaker 1>can easily bring bring Dylan back. Let's bring Dylan back.

0:45:16.080 --> 0:45:18.120
<v Speaker 1>I got no problem with that. Hey, Dylan.

0:45:18.520 --> 0:45:21.160
<v Speaker 2>Hey, so, as you know, we are going to jump

0:45:21.239 --> 0:45:24.879
<v Speaker 2>into line number three now and we're switching up who's

0:45:24.920 --> 0:45:28.120
<v Speaker 2>going first, who's going second, So we're bringing you right

0:45:28.160 --> 0:45:31.680
<v Speaker 2>back in. And much like last round, this is going

0:45:31.719 --> 0:45:34.040
<v Speaker 2>to be a cold reading. So the way that we

0:45:34.719 --> 0:45:37.360
<v Speaker 2>gave you the third character last time out of nowhere

0:45:37.400 --> 0:45:39.200
<v Speaker 2>the line of dialogue, we're going to do the same

0:45:39.280 --> 0:45:44.240
<v Speaker 2>this time. And if you look at your chat, okay,

0:45:44.640 --> 0:45:46.759
<v Speaker 2>you should be able to see it should pop up

0:45:46.800 --> 0:45:47.720
<v Speaker 2>here any second.

0:45:48.840 --> 0:45:49.719
<v Speaker 7>Yep, I can see it.

0:45:50.719 --> 0:45:52.359
<v Speaker 1>You got it, and take on, don't you know, Take

0:45:52.400 --> 0:45:56.520
<v Speaker 1>a little time, and then when you're ready, go ahead

0:45:56.560 --> 0:45:57.200
<v Speaker 1>and give it a shot.

0:45:58.320 --> 0:46:01.520
<v Speaker 7>Seriously, what Sarah, what would I do with all the money?

0:46:01.640 --> 0:46:04.520
<v Speaker 7>I don't even know, vacation, quit my job, The sky's

0:46:04.560 --> 0:46:06.799
<v Speaker 7>the limit. I just know I'm gonna keep playing the

0:46:06.840 --> 0:46:10.640
<v Speaker 7>Freetonia State Lottery. You probably won't win, but what the hell,

0:46:10.760 --> 0:46:11.640
<v Speaker 7>it's only a buck?

0:46:15.040 --> 0:46:17.800
<v Speaker 2>Nice Jim, he got any notes?

0:46:18.120 --> 0:46:20.040
<v Speaker 5>He probably won't win because you've been up all night

0:46:20.080 --> 0:46:23.799
<v Speaker 5>because of that burger, because of the nightmare burger.

0:46:24.320 --> 0:46:26.840
<v Speaker 3>And all those kids, so many burgers, and.

0:46:26.840 --> 0:46:28.760
<v Speaker 7>So many and so many more Collenby mists.

0:46:29.800 --> 0:46:34.680
<v Speaker 5>Exactly exactly, So I thought I lost the top and

0:46:34.719 --> 0:46:37.880
<v Speaker 5>it may have been a glitch with the zoom. Frankly, seriously,

0:46:37.920 --> 0:46:40.279
<v Speaker 5>what would I do with all the money? Sounded like

0:46:40.360 --> 0:46:42.960
<v Speaker 5>what what to do with all the money? Or there

0:46:42.960 --> 0:46:44.880
<v Speaker 5>was something missing in there a syllable And it may

0:46:44.920 --> 0:46:52.319
<v Speaker 5>be technical, but I think I think it was a

0:46:52.360 --> 0:46:54.719
<v Speaker 5>good read. Boy, you see copy like this all the time,

0:46:55.000 --> 0:46:58.080
<v Speaker 5>and I can't say that I've ever or not lately

0:46:58.080 --> 0:46:59.120
<v Speaker 5>booked anything like this.

0:46:59.719 --> 0:47:01.600
<v Speaker 2>But again, I like to think.

0:47:01.680 --> 0:47:03.839
<v Speaker 5>I think I mentioned to you this before that there's

0:47:03.920 --> 0:47:08.120
<v Speaker 5>there's a sort of a cycle of like it's a sequence.

0:47:08.200 --> 0:47:10.520
<v Speaker 2>So does it go somewhere? Does it keep building?

0:47:10.800 --> 0:47:12.759
<v Speaker 5>And I would think on this one maybe as a

0:47:12.840 --> 0:47:17.880
<v Speaker 5>choice artistically, you could build and get more excited as

0:47:17.880 --> 0:47:20.240
<v Speaker 5>it goes along, so it's not all just one level

0:47:20.320 --> 0:47:22.520
<v Speaker 5>that's all. Or find a dip in it somewhere if

0:47:22.520 --> 0:47:25.560
<v Speaker 5>you like. Again, and now this is a cold read,

0:47:25.640 --> 0:47:28.080
<v Speaker 5>so you didn't really plan ahead like that, but some

0:47:28.160 --> 0:47:31.279
<v Speaker 5>things it's a good thing to do. It's an art,

0:47:31.320 --> 0:47:34.759
<v Speaker 5>it's an art form. So but it made me laugh

0:47:34.800 --> 0:47:37.919
<v Speaker 5>at the end, for sure, Christy.

0:47:37.719 --> 0:47:40.120
<v Speaker 3>I have no notes. I think that I think I

0:47:40.120 --> 0:47:41.240
<v Speaker 3>agree with what Chim said.

0:47:41.840 --> 0:47:44.440
<v Speaker 1>Okay, I do too, I would say again cold reading.

0:47:44.520 --> 0:47:46.120
<v Speaker 1>So I thought the first cold reading, for the first

0:47:46.120 --> 0:47:47.279
<v Speaker 1>time you saw it, I thought it was great. I

0:47:47.280 --> 0:47:49.880
<v Speaker 1>thought the energy was good, the pacing was good. I

0:47:49.880 --> 0:47:51.799
<v Speaker 1>would say, now that you know what you're doing and

0:47:51.840 --> 0:47:53.480
<v Speaker 1>you've read it, maybe just find a couple of peaks

0:47:53.480 --> 0:47:56.200
<v Speaker 1>and valleys and you know, give us another another take

0:47:56.239 --> 0:47:56.480
<v Speaker 1>with it.

0:47:57.760 --> 0:48:00.520
<v Speaker 7>Seriously, what would I do with all the money? I

0:48:00.520 --> 0:48:04.560
<v Speaker 7>don't even know, vacation, quit my job. The sky's the limit.

0:48:04.960 --> 0:48:07.960
<v Speaker 7>I just know I'm gonna keep playing the Fredonia State Lottery.

0:48:08.320 --> 0:48:11.480
<v Speaker 7>You probably won't win, but what the hell, it's only

0:48:11.520 --> 0:48:11.920
<v Speaker 7>a buck.

0:48:14.160 --> 0:48:16.840
<v Speaker 2>That was great. We will be right back with you. Thanks, Dylan,

0:48:16.960 --> 0:48:21.480
<v Speaker 2>Thank you, good adjustment. That was a great adjustment. I

0:48:21.480 --> 0:48:22.640
<v Speaker 2>thought he was natural.

0:48:23.160 --> 0:48:25.360
<v Speaker 1>He's got that kind of frantic voice, which is exactly

0:48:25.400 --> 0:48:28.960
<v Speaker 1>what those state lottery kind of voiceovers always seem to

0:48:28.960 --> 0:48:32.120
<v Speaker 1>sound like. We've all read for that stuff.

0:48:32.440 --> 0:48:34.200
<v Speaker 3>He has like a really good every band voice.

0:48:34.800 --> 0:48:37.239
<v Speaker 2>Yeah, yeah, yeah, I think so too.

0:48:37.280 --> 0:48:38.680
<v Speaker 1>And I think it's also on the It can be

0:48:38.719 --> 0:48:40.440
<v Speaker 1>on the younger register or it can be deeper, and

0:48:41.000 --> 0:48:42.920
<v Speaker 1>there's a nice kind of transition between the two, which

0:48:42.960 --> 0:48:43.279
<v Speaker 1>is great.

0:48:43.440 --> 0:48:43.920
<v Speaker 3>That's true.

0:48:44.320 --> 0:48:46.239
<v Speaker 1>Let's bring Hannabama back and see what she can do

0:48:46.280 --> 0:48:50.560
<v Speaker 1>with it. Hey Hannah, hello, Hello. So we are going

0:48:50.640 --> 0:48:54.480
<v Speaker 1>to be going into round three, and round three is

0:48:54.480 --> 0:48:57.320
<v Speaker 1>going to be just like like the last game we played,

0:48:57.400 --> 0:49:00.000
<v Speaker 1>where you are now going to do a cold read perfect.

0:49:00.400 --> 0:49:03.319
<v Speaker 1>So if you look up at your chat, we will

0:49:03.320 --> 0:49:09.560
<v Speaker 1>be sending you a new piece of copy and we

0:49:09.600 --> 0:49:11.600
<v Speaker 1>will go from there. We won't get in your head

0:49:11.600 --> 0:49:13.479
<v Speaker 1>at all before you read it. Will give you some time,

0:49:13.760 --> 0:49:16.319
<v Speaker 1>some time to read it, and then you can you

0:49:16.360 --> 0:49:16.880
<v Speaker 1>can do.

0:49:17.320 --> 0:49:18.280
<v Speaker 2>With it as you will.

0:49:20.880 --> 0:49:24.080
<v Speaker 6>Curiously, we would I do with all the money I

0:49:24.120 --> 0:49:27.120
<v Speaker 6>don't even know vacation, quit my job, and this guy's

0:49:27.239 --> 0:49:30.880
<v Speaker 6>the limit. I just know I'm going to keep playing

0:49:31.280 --> 0:49:33.280
<v Speaker 6>the free doona state lottery.

0:49:33.760 --> 0:49:34.880
<v Speaker 1>You probably don't.

0:49:34.680 --> 0:49:42.600
<v Speaker 6>Win, but what the hell, it's only a buck, Jim,

0:49:42.760 --> 0:49:43.240
<v Speaker 6>it's good.

0:49:43.520 --> 0:49:51.239
<v Speaker 5>I like the acting Fredonia, Free doona. That's a little

0:49:51.239 --> 0:49:54.839
<v Speaker 5>thing to repair there. And you probably you said don't

0:49:54.920 --> 0:49:57.160
<v Speaker 5>instead of won't to change the meaning a little bit.

0:49:57.239 --> 0:49:59.359
<v Speaker 5>But you know, again, this is stuff that you It's

0:49:59.360 --> 0:50:02.040
<v Speaker 5>a cold read, so a one hundred percent you probably

0:50:02.239 --> 0:50:05.120
<v Speaker 5>you probably have not seen the famous movie Duck Soup

0:50:05.200 --> 0:50:07.600
<v Speaker 5>with the Marx Brothers where the country of Fredonia.

0:50:08.239 --> 0:50:15.279
<v Speaker 2>Yeah, okay, it's yeahale hail free down. Yeah. I think

0:50:15.320 --> 0:50:17.920
<v Speaker 2>that's what the gifted copywriter was.

0:50:18.960 --> 0:50:20.120
<v Speaker 1>Thank you, thank you very.

0:50:20.080 --> 0:50:22.200
<v Speaker 2>Much, Thank you very much. What I liked.

0:50:22.440 --> 0:50:24.880
<v Speaker 5>What I liked very much was that you did not

0:50:26.239 --> 0:50:32.320
<v Speaker 5>cleave to uh, the the punctuation. You ran sentences together

0:50:32.440 --> 0:50:35.640
<v Speaker 5>in a very natural way. You made you put seriously,

0:50:35.680 --> 0:50:36.920
<v Speaker 5>what would I do with all the money in the

0:50:37.000 --> 0:50:39.880
<v Speaker 5>one sentence, instead of giving it a big seriously and

0:50:39.960 --> 0:50:41.000
<v Speaker 5>giving its own beat.

0:50:42.000 --> 0:50:44.480
<v Speaker 2>I admire that. I think that's I like to do

0:50:44.560 --> 0:50:47.560
<v Speaker 2>away with those, you know, if if it's appropriate.

0:50:47.640 --> 0:50:50.040
<v Speaker 5>And I thought that you improved on the script by

0:50:51.440 --> 0:50:55.680
<v Speaker 5>omitting those couple of places. So yeah, the only place

0:50:55.719 --> 0:50:59.400
<v Speaker 5>where I felt sort of like bumpy was on that

0:51:00.760 --> 0:51:04.480
<v Speaker 5>freaking name which is completely unimportant, but which is right

0:51:05.000 --> 0:51:05.800
<v Speaker 5>so we can see it.

0:51:07.200 --> 0:51:09.239
<v Speaker 6>Yeah, Christy didn't have a bit of a lag spike there.

0:51:09.239 --> 0:51:13.200
<v Speaker 3>I was like, oh, yeah, well, I've seen us come

0:51:13.280 --> 0:51:17.160
<v Speaker 3>up against is people. Not really the seriously like the

0:51:17.480 --> 0:51:18.759
<v Speaker 3>exclamation what.

0:51:18.880 --> 0:51:19.640
<v Speaker 1>Is that called.

0:51:20.960 --> 0:51:22.000
<v Speaker 6>Exlamatory phrase?

0:51:22.600 --> 0:51:25.719
<v Speaker 3>Yeah, just the yeah with the question mark towards the

0:51:25.840 --> 0:51:28.440
<v Speaker 3>end of it, sort of what I do with all

0:51:28.480 --> 0:51:29.880
<v Speaker 3>the money. I mean, I'm not I really don't want

0:51:29.920 --> 0:51:31.799
<v Speaker 3>to line read, but I do think that it does

0:51:31.880 --> 0:51:34.200
<v Speaker 3>seem like, because we talked about this being sort of

0:51:34.200 --> 0:51:38.040
<v Speaker 3>almost like a build of excitement, that it seems like

0:51:38.120 --> 0:51:40.200
<v Speaker 3>that would be like you're asking me, what would I

0:51:40.239 --> 0:51:42.239
<v Speaker 3>do with all the money? Oh my god, I don't

0:51:42.280 --> 0:51:44.680
<v Speaker 3>even know. So I do think that the you had

0:51:44.760 --> 0:51:47.040
<v Speaker 3>a great natural flow to it that you still want

0:51:47.080 --> 0:51:47.320
<v Speaker 3>to go with.

0:51:47.960 --> 0:51:50.680
<v Speaker 2>Okay, Yeah, I don't think we talked with her about

0:51:50.719 --> 0:51:51.120
<v Speaker 2>building it.

0:51:51.800 --> 0:51:54.640
<v Speaker 3>We did not, but I think that we did. We

0:51:54.800 --> 0:51:58.919
<v Speaker 3>did during the contest, so it's like, Hannah, no, you're fine,

0:51:58.920 --> 0:52:01.160
<v Speaker 3>but Hannah, you know, like inter of it building. I

0:52:01.200 --> 0:52:03.640
<v Speaker 3>think you could see that Juke had given a note.

0:52:03.520 --> 0:52:05.160
<v Speaker 1>Before Yeah, sure, a shot.

0:52:06.400 --> 0:52:07.440
<v Speaker 2>I thought it was good.

0:52:07.480 --> 0:52:09.480
<v Speaker 1>I think yeah, I think now that you've seen it,

0:52:09.719 --> 0:52:12.560
<v Speaker 1>maybe just hit some of the words that are there

0:52:12.600 --> 0:52:14.120
<v Speaker 1>a little bit more, which they'd tell you just hey,

0:52:14.160 --> 0:52:15.480
<v Speaker 1>can you clean it up a little bit. You'd get

0:52:15.520 --> 0:52:18.040
<v Speaker 1>that a lot. That's a typical note, Hey can you

0:52:18.080 --> 0:52:19.239
<v Speaker 1>just clean it up for us? But I thought the

0:52:19.280 --> 0:52:21.560
<v Speaker 1>pacing was good and I thought the acting was good,

0:52:21.600 --> 0:52:23.160
<v Speaker 1>and I think those are the two most important things.

0:52:23.200 --> 0:52:26.640
<v Speaker 1>So just take another swing and see what happens. Alrighty

0:52:27.960 --> 0:52:28.760
<v Speaker 1>go ahead anytime.

0:52:29.280 --> 0:52:31.800
<v Speaker 6>Seriously, what would I do with all the money? I

0:52:31.840 --> 0:52:35.920
<v Speaker 6>don't even know vacation, quit my job. The sky's the limit.

0:52:36.320 --> 0:52:39.200
<v Speaker 6>I just know I'm going to keep playing the Freedona

0:52:39.480 --> 0:52:43.439
<v Speaker 6>State Lottery. You probably won't win. What the hell, it's

0:52:43.520 --> 0:52:44.120
<v Speaker 6>only a buck.

0:52:46.680 --> 0:52:47.439
<v Speaker 2>I thought that was good.

0:52:48.040 --> 0:52:51.440
<v Speaker 1>Yeah, again, the Fredonia is a note, but it doesn't

0:52:51.480 --> 0:52:54.759
<v Speaker 1>it really doesn't matter. It's a fictional place. So I

0:52:54.840 --> 0:52:58.200
<v Speaker 1>thought the I thought the reading was good, and we'll

0:52:58.239 --> 0:52:59.040
<v Speaker 1>be right back with you.

0:52:59.520 --> 0:53:00.399
<v Speaker 6>Thank you so so much.

0:53:02.040 --> 0:53:04.040
<v Speaker 2>Okay, now we come to the big question.

0:53:04.640 --> 0:53:07.600
<v Speaker 1>Has do we believe that somebody has clearly won or

0:53:07.719 --> 0:53:10.080
<v Speaker 1>do we think we need to go to a tiebreaker challenge?

0:53:10.400 --> 0:53:13.120
<v Speaker 2>Jim, I know you hate to judge. I'm sorry to

0:53:13.160 --> 0:53:18.960
<v Speaker 2>put you on the spot. Oh I yeah, yeah, I

0:53:19.040 --> 0:53:20.280
<v Speaker 2>mean it's so arbitrary.

0:53:20.360 --> 0:53:28.800
<v Speaker 5>But they're very close in experience and in aptitude, it seems,

0:53:28.960 --> 0:53:34.160
<v Speaker 5>and in you know, performance chops. So it's like female voice,

0:53:34.239 --> 0:53:36.160
<v Speaker 5>male voice. I think they both have there's a place

0:53:36.200 --> 0:53:38.240
<v Speaker 5>for both of them for sure in the industry.

0:53:38.800 --> 0:53:41.160
<v Speaker 3>This is hard. And I was going to say her

0:53:41.840 --> 0:53:45.000
<v Speaker 3>and then and then you had mentioned Jim maybe to

0:53:45.080 --> 0:53:48.120
<v Speaker 3>put him first, and then I gave that an approach,

0:53:48.400 --> 0:53:51.520
<v Speaker 3>a reapproach, and now I'm suck.

0:53:54.640 --> 0:53:57.040
<v Speaker 2>No, I don't disagree. I think they both. And this

0:53:57.160 --> 0:53:58.480
<v Speaker 2>is the thing that makes this so difficult.

0:53:58.480 --> 0:54:01.800
<v Speaker 1>As we said from the beginning, the sixteen people that

0:54:02.160 --> 0:54:05.040
<v Speaker 1>made it to the finals, could all be signed easily,

0:54:05.120 --> 0:54:07.879
<v Speaker 1>all be signed by agents, could all work, could all

0:54:08.160 --> 0:54:11.640
<v Speaker 1>have jobs, and I think will if they pursue it.

0:54:11.719 --> 0:54:14.800
<v Speaker 1>I think they're especially with now after the pandemic, everything

0:54:14.880 --> 0:54:15.480
<v Speaker 1>being remote.

0:54:16.480 --> 0:54:17.920
<v Speaker 2>You don't have to be in LA, you don't have

0:54:18.000 --> 0:54:22.000
<v Speaker 2>to do so. I easily see most.

0:54:21.840 --> 0:54:24.040
<v Speaker 1>Of our contestants going on to have some sort of

0:54:24.160 --> 0:54:25.520
<v Speaker 1>career in the voiceover industry.

0:54:26.040 --> 0:54:29.479
<v Speaker 2>Unfortunately, we set out to pick one. So the question

0:54:29.800 --> 0:54:30.359
<v Speaker 2>to do it too.

0:54:30.600 --> 0:54:34.120
<v Speaker 1>Yeah, So the question is I would not be I

0:54:34.200 --> 0:54:36.960
<v Speaker 1>would not be upset, and I'm being totally honest. I

0:54:37.000 --> 0:54:39.200
<v Speaker 1>would not be upset going to a tiebreaker challenge with

0:54:39.280 --> 0:54:42.040
<v Speaker 1>these two because I think they're both deserving of it.

0:54:42.719 --> 0:54:45.680
<v Speaker 1>Some of them made They both at different times, made

0:54:45.800 --> 0:54:51.360
<v Speaker 1>really interesting choices. They both took direction, they're both have

0:54:52.520 --> 0:54:56.480
<v Speaker 1>a nice pipes, they both can act. They're checking the

0:54:56.840 --> 0:55:00.720
<v Speaker 1>boxes that we're looking for. It's it's such a cliche,

0:55:00.800 --> 0:55:02.160
<v Speaker 1>but it doesn't feel like there's going to be a

0:55:02.239 --> 0:55:04.439
<v Speaker 1>loser this week. There's just gonna be somebody who won.

0:55:05.719 --> 0:55:08.680
<v Speaker 1>So I have no problem in going to a tiebreaker.

0:55:08.719 --> 0:55:10.640
<v Speaker 1>Does anybody have a problem in going to a tiebreaker

0:55:11.719 --> 0:55:14.319
<v Speaker 1>to see who goes first. We're just gonna flip a coin.

0:55:15.320 --> 0:55:17.040
<v Speaker 1>I think that's gonna be the best way to do it.

0:55:17.239 --> 0:55:20.240
<v Speaker 1>So we're gonna say heads is going to be Hannah

0:55:21.000 --> 0:55:24.440
<v Speaker 1>and tails is going to be Dylan. Okay, Heads is Hannah,

0:55:24.520 --> 0:55:30.279
<v Speaker 1>Tails is Dylan Heads. So Hannah is going first. So

0:55:30.440 --> 0:55:34.160
<v Speaker 1>let's bring Hannah back in and break the horrible news tour.

0:55:37.160 --> 0:55:40.880
<v Speaker 1>Hey Hannah, Hello, Okay, So here's the thing. We're going

0:55:40.920 --> 0:55:42.879
<v Speaker 1>to be totally honest. We're being honest with everybody going

0:55:43.840 --> 0:55:47.680
<v Speaker 1>going down the pipe here. So you did amazing. Your

0:55:47.960 --> 0:55:51.000
<v Speaker 1>your fellow contestant did amazing. So we are going to

0:55:51.160 --> 0:55:58.160
<v Speaker 1>a tiebreaker challenge this pressure. So you will be getting

0:55:58.480 --> 0:56:03.680
<v Speaker 1>another script in your chast all right, And I think

0:56:03.840 --> 0:56:08.120
<v Speaker 1>you will recognize this as the wonderful, awful, terrible things

0:56:08.200 --> 0:56:13.480
<v Speaker 1>you hear at the end of a you know, a medicine,

0:56:14.400 --> 0:56:15.839
<v Speaker 1>you know, some kind of random pill.

0:56:16.200 --> 0:56:18.040
<v Speaker 2>These are all the horrible side effects.

0:56:18.760 --> 0:56:20.400
<v Speaker 1>I'm not going to tell you none of us are

0:56:20.400 --> 0:56:22.279
<v Speaker 1>going to tell you how to take this in any way,

0:56:22.360 --> 0:56:24.399
<v Speaker 1>shape or form. Do not hear you have to match

0:56:24.480 --> 0:56:28.719
<v Speaker 1>anything on television or anything you've heard. Do whatever you

0:56:28.880 --> 0:56:31.520
<v Speaker 1>want with this. Just take it however you want to

0:56:31.560 --> 0:56:34.120
<v Speaker 1>take it, and we will go from there. Everybody's going

0:56:34.200 --> 0:56:37.279
<v Speaker 1>to read it once, okay, and we were just going

0:56:37.360 --> 0:56:38.080
<v Speaker 1>to see what you do with it.

0:56:40.560 --> 0:56:43.839
<v Speaker 6>May cause hives, rash, migrainhead, explore to vision, deafness, loss

0:56:43.880 --> 0:56:48.080
<v Speaker 6>of taste or smell, memory loss, uncontrollable salvation, memory loss, flatulence,

0:56:48.120 --> 0:56:50.320
<v Speaker 6>and death. Do not take if you are pregnant. No

0:56:50.440 --> 0:56:52.520
<v Speaker 6>anyone who is pregnant or have even met a pregnant

0:56:52.520 --> 0:56:55.880
<v Speaker 6>person necessitol. Tell your doctor you need it now.

0:56:58.280 --> 0:57:00.200
<v Speaker 2>Thank you very much, Hannah. We'll be right back with you.

0:57:00.480 --> 0:57:00.800
<v Speaker 6>Thank you.

0:57:01.960 --> 0:57:06.319
<v Speaker 9>Memory loss is in there twice, Thank you very much.

0:57:06.760 --> 0:57:15.799
<v Speaker 9>And now we will go and we will bring in Dylan. Hey,

0:57:15.880 --> 0:57:16.840
<v Speaker 9>Dylan Hey.

0:57:17.680 --> 0:57:18.600
<v Speaker 2>So here's the thing.

0:57:19.040 --> 0:57:21.320
<v Speaker 1>We are letting everybody know if this has been a

0:57:21.440 --> 0:57:24.360
<v Speaker 1>very tough week, and believe it or not, Round two

0:57:24.520 --> 0:57:27.920
<v Speaker 1>is starting with a tie breaker challenge. So we've sent

0:57:28.000 --> 0:57:31.160
<v Speaker 1>you another little piece of copy there, got itt me

0:57:31.200 --> 0:57:31.880
<v Speaker 1>go ahead.

0:57:31.600 --> 0:57:33.200
<v Speaker 2>And give yourself some time.

0:57:33.280 --> 0:57:34.960
<v Speaker 1>I think you'll recognize it as kind of one of

0:57:35.040 --> 0:57:38.200
<v Speaker 1>those medical reads at the end of the different pill ads.

0:57:38.560 --> 0:57:40.760
<v Speaker 2>Do not feel that you have to read it that way.

0:57:40.960 --> 0:57:43.800
<v Speaker 2>Read it any way. You choose to do whatever with

0:57:43.960 --> 0:57:44.560
<v Speaker 2>it you want.

0:57:45.200 --> 0:57:51.040
<v Speaker 7>Okay, may cause hives, rat may cause hives, rash, my grain, headaches,

0:57:51.080 --> 0:57:53.760
<v Speaker 7>blurred vision, deafness, loss of taste and smell, memory and loss,

0:57:53.840 --> 0:57:56.880
<v Speaker 7>uncontrollable salivation, memory and loss, flatch, onents and death. Do

0:57:57.040 --> 0:57:59.280
<v Speaker 7>not take if you're pregnant, know anyone who is pregnant

0:57:59.440 --> 0:58:01.120
<v Speaker 7>or have met or have ever met a pregnant person.

0:58:01.280 --> 0:58:03.240
<v Speaker 7>That's that's it all. Tell your doctor you need it now.

0:58:04.920 --> 0:58:06.800
<v Speaker 2>All right, thank you so much. We'll be right back

0:58:06.840 --> 0:58:07.000
<v Speaker 2>with you.

0:58:12.040 --> 0:58:14.000
<v Speaker 1>So here's I'm gonna I'm going to clear a winner

0:58:14.080 --> 0:58:16.880
<v Speaker 1>on that one. I agree, And here's why. To me,

0:58:17.080 --> 0:58:18.640
<v Speaker 1>I'll be honest with you, it has nothing to do

0:58:18.760 --> 0:58:21.160
<v Speaker 1>with the read. It has to do with the time

0:58:21.400 --> 0:58:25.560
<v Speaker 1>she took before she decided to jump into it. And

0:58:25.680 --> 0:58:26.560
<v Speaker 1>I think that matters.

0:58:27.160 --> 0:58:29.160
<v Speaker 3>I know she noticed that a couple of times with him.

0:58:29.240 --> 0:58:31.680
<v Speaker 1>Yeah, yeah, yeah, you know, And it's it's great that

0:58:31.800 --> 0:58:34.040
<v Speaker 1>sometimes you just want to jump in. But she said, no,

0:58:34.240 --> 0:58:36.360
<v Speaker 1>I need a moment. She took the time, she took

0:58:36.440 --> 0:58:39.440
<v Speaker 1>her time with the copy, and because of that, it

0:58:39.600 --> 0:58:42.160
<v Speaker 1>was a better read. And I think, frankly that matters.

0:58:43.000 --> 0:58:44.280
<v Speaker 1>That's that's my two cents.

0:58:44.520 --> 0:58:48.320
<v Speaker 2>Yeah, I can't can't disagree with that. That was a

0:58:48.360 --> 0:58:49.400
<v Speaker 2>better a better read.

0:58:50.400 --> 0:58:53.800
<v Speaker 3>Okay, it's a shame because we only had two guys

0:58:53.920 --> 0:58:54.760
<v Speaker 3>in this contest.

0:58:55.160 --> 0:58:57.000
<v Speaker 2>I know, we only had two lessons and we are.

0:58:57.080 --> 0:58:59.640
<v Speaker 3>Truly trying to be as fair as possible.

0:59:00.120 --> 0:59:04.520
<v Speaker 2>The women have been killing it. I've just been killing it.

0:59:04.680 --> 0:59:05.240
<v Speaker 2>It's interesting.

0:59:05.800 --> 0:59:10.439
<v Speaker 4>So we started with an equal number, yeah, full number. Yeah,

0:59:10.480 --> 0:59:12.680
<v Speaker 4>we did, and were really close to it.

0:59:13.160 --> 0:59:14.560
<v Speaker 2>Yeah, forty five hundred people.

0:59:14.560 --> 0:59:16.880
<v Speaker 1>We narrowed it down. We tried to be as you know,

0:59:17.040 --> 0:59:20.680
<v Speaker 1>completely unbiased as we could we and the women have

0:59:21.000 --> 0:59:23.560
<v Speaker 1>just been slamming it, I mean, really doing well.

0:59:24.200 --> 0:59:26.480
<v Speaker 2>So it's uh, it's a shame of losing another guy.

0:59:26.560 --> 0:59:28.120
<v Speaker 2>But she she was great today.

0:59:28.160 --> 0:59:31.000
<v Speaker 1>He was too, but that last round really decided it

0:59:31.080 --> 0:59:33.920
<v Speaker 1>for me. So why don't we bring Dylan back in

0:59:34.000 --> 0:59:36.000
<v Speaker 1>and break the horrible news to him? I hate this part,

0:59:36.560 --> 0:59:37.280
<v Speaker 1>not me, not it.

0:59:38.000 --> 0:59:39.840
<v Speaker 2>I'll do it. Thanks Christy.

0:59:40.400 --> 0:59:41.280
<v Speaker 1>Hey Dylan, how are you?

0:59:41.680 --> 0:59:42.400
<v Speaker 7>I'm doing just for that?

0:59:42.520 --> 0:59:44.080
<v Speaker 2>How are you I'm good.

0:59:44.160 --> 0:59:46.480
<v Speaker 1>Thanks. Look, we want to thank you so much. You

0:59:46.640 --> 0:59:50.960
<v Speaker 1>have been doing so unbelievably well. It was really tough

0:59:51.000 --> 0:59:53.480
<v Speaker 1>this week, it really was. Unfortunately, this is going to

0:59:53.480 --> 0:59:55.760
<v Speaker 1>be as far as you're going in the contest, but

0:59:56.000 --> 0:59:59.280
<v Speaker 1>you have done so. We've been talking about this and

0:59:59.360 --> 1:00:00.560
<v Speaker 1>this is one of the things, as we were saying

1:00:00.600 --> 1:00:04.880
<v Speaker 1>to Jim, is we truly believe and we're not just

1:00:04.920 --> 1:00:07.040
<v Speaker 1>saying this. This is not lip service. We truly believe

1:00:07.120 --> 1:00:10.000
<v Speaker 1>that the last the sixteen, the full sixteen, not even

1:00:10.040 --> 1:00:11.160
<v Speaker 1>that you made it to the top eight, but the

1:00:11.240 --> 1:00:15.440
<v Speaker 1>full sixteen could all be signed, certainly be signed by

1:00:15.480 --> 1:00:19.120
<v Speaker 1>an agent, certainly work in the industry. So we definitely

1:00:19.240 --> 1:00:23.280
<v Speaker 1>think that you you got to keep going very good.

1:00:23.320 --> 1:00:25.400
<v Speaker 1>You made some great choices. Today again it went to

1:00:25.480 --> 1:00:30.200
<v Speaker 1>a tiebreaker. It was that close. So Dylan, you've just

1:00:30.320 --> 1:00:33.200
<v Speaker 1>been a wonderful contestant. Thank you so much, and please

1:00:33.400 --> 1:00:36.520
<v Speaker 1>please keep going because you're really really good at this.

1:00:36.680 --> 1:00:38.560
<v Speaker 7>Oh no, I will, and thank you very much for

1:00:38.600 --> 1:00:39.200
<v Speaker 7>the opportunity.

1:00:39.280 --> 1:00:44.360
<v Speaker 2>This has been a lot of funky. Nice to meet you, Dylan,

1:00:44.960 --> 1:00:45.560
<v Speaker 2>meeting you as well.

1:00:45.880 --> 1:00:47.560
<v Speaker 1>We will see you in the future in a booth. Dylan,

1:00:47.600 --> 1:00:49.520
<v Speaker 1>I can guarantee you that's going to happen. Thank you

1:00:49.680 --> 1:00:53.200
<v Speaker 1>very much, Thanks my friend, see you again, see you, Hie,

1:00:53.320 --> 1:00:57.040
<v Speaker 1>Dylan better. Oh it sucks.

1:00:57.080 --> 1:00:58.400
<v Speaker 2>I hate this so much, bummer.

1:00:59.000 --> 1:01:00.720
<v Speaker 1>I'm just in my head every time I do this,

1:01:00.800 --> 1:01:03.280
<v Speaker 1>I just think to myself, at the end, we're going

1:01:03.360 --> 1:01:05.360
<v Speaker 1>to get to give somebody a chance to sign with

1:01:05.480 --> 1:01:08.720
<v Speaker 1>ced CSD and start their career, and that's going to

1:01:08.760 --> 1:01:09.400
<v Speaker 1>be so much fun.

1:01:09.440 --> 1:01:11.080
<v Speaker 2>But the getting there sucks.

1:01:11.200 --> 1:01:13.320
<v Speaker 1>I hate it. But let's bring.

1:01:13.200 --> 1:01:14.600
<v Speaker 3>Hannah, and you're very good at it.

1:01:14.920 --> 1:01:17.880
<v Speaker 1>And everyone has been so gracious that, like they're so awesome.

1:01:18.160 --> 1:01:20.920
<v Speaker 3>Yeah, we haven't had anyone cry yet.

1:01:21.440 --> 1:01:23.720
<v Speaker 1>No, Oh god, I don't know what I would do.

1:01:24.080 --> 1:01:26.120
<v Speaker 3>Hey, well, well I got your back. I'll do the

1:01:26.200 --> 1:01:27.680
<v Speaker 3>next round of disappointments.

1:01:28.280 --> 1:01:31.000
<v Speaker 1>Okay, Okay, that's fine, all right, I.

1:01:31.040 --> 1:01:32.680
<v Speaker 3>Will and then I won't be able to sleep, but

1:01:32.760 --> 1:01:33.760
<v Speaker 3>I'll call you exactly.

1:01:34.000 --> 1:01:38.040
<v Speaker 2>I haven't slept since we started. Hi, Hannah, Hello, how

1:01:38.160 --> 1:01:38.400
<v Speaker 2>are you?

1:01:38.880 --> 1:01:39.280
<v Speaker 6>I'm good.

1:01:40.560 --> 1:01:43.200
<v Speaker 2>So we told you this has been a very, very

1:01:43.320 --> 1:01:43.800
<v Speaker 2>tough week.

1:01:44.560 --> 1:01:47.000
<v Speaker 1>It came down to the tie breaker in the first

1:01:47.120 --> 1:01:50.840
<v Speaker 1>round and this was a really, really difficult one for us,

1:01:50.880 --> 1:01:52.280
<v Speaker 1>and we just wanted to thank you so much for

1:01:52.360 --> 1:01:54.560
<v Speaker 1>taking the time and for coming out, and you've been

1:01:54.720 --> 1:01:58.200
<v Speaker 1>so good, absolutely and so really just thank you, and

1:01:58.280 --> 1:01:59.800
<v Speaker 1>I hope you don't mind moving on to the next

1:02:00.240 --> 1:02:10.520
<v Speaker 1>because you are so uh yeah, yes, time I know

1:02:10.800 --> 1:02:13.080
<v Speaker 1>you fall forward. It's the best I know.

1:02:14.000 --> 1:02:16.400
<v Speaker 2>But no, this was I have a bone to pick

1:02:16.480 --> 1:02:16.640
<v Speaker 2>with you.

1:02:17.920 --> 1:02:19.440
<v Speaker 1>I'm going to be totally honest with you, Hannah. You

1:02:19.480 --> 1:02:21.960
<v Speaker 1>did great this week, but so did your fellow contestant.

1:02:22.040 --> 1:02:23.560
<v Speaker 1>And I'm just giving you a heads up, and I'm

1:02:23.560 --> 1:02:25.320
<v Speaker 1>going to give a heads up to everybody moving on.

1:02:25.840 --> 1:02:29.800
<v Speaker 1>The competition is getting a lot stiffer, Yes it is.

1:02:30.000 --> 1:02:32.160
<v Speaker 1>So this was not a walk in the park for you.

1:02:32.160 --> 1:02:34.320
<v Speaker 1>You did great, don't get me wrong. You did great,

1:02:34.440 --> 1:02:37.560
<v Speaker 1>but so did your fellow contestant. This was really really

1:02:37.640 --> 1:02:40.880
<v Speaker 1>difficult and we went to the tiebreaker, but you you

1:02:40.960 --> 1:02:42.959
<v Speaker 1>did a wonderful job. You really did, and we're super

1:02:43.040 --> 1:02:45.480
<v Speaker 1>proud of you. And you're the first one moving on

1:02:45.640 --> 1:02:50.160
<v Speaker 1>to the to the final four. So totally not trademarks, no, no,

1:02:50.320 --> 1:02:53.280
<v Speaker 1>not at all, exactly. No, this is you're doing a

1:02:53.320 --> 1:02:55.280
<v Speaker 1>great job. So thank you so much for joining us.

1:02:55.360 --> 1:02:56.040
<v Speaker 2>Take a breadma.

1:02:56.640 --> 1:02:59.200
<v Speaker 1>We will get through round two and you will be

1:02:59.400 --> 1:03:01.480
<v Speaker 1>onto the next round and going from there. So it's

1:03:01.640 --> 1:03:04.080
<v Speaker 1>just going to keep the competition's getting getting tougher.

1:03:04.160 --> 1:03:08.200
<v Speaker 3>Hannah Hannabama, Hannahbama the next round.

1:03:08.840 --> 1:03:09.840
<v Speaker 1>To see you next time.

1:03:10.680 --> 1:03:14.320
<v Speaker 2>Thank you, bye bye bye.

1:03:16.080 --> 1:03:17.920
<v Speaker 3>Oh man, did you see that she just cutted your

1:03:18.000 --> 1:03:19.200
<v Speaker 3>chest before she signed off?

1:03:19.280 --> 1:03:21.760
<v Speaker 2>She was like, that makes that makes it feel better,

1:03:21.880 --> 1:03:22.800
<v Speaker 2>That makes it feel better.

1:03:23.240 --> 1:03:23.880
<v Speaker 1>This is the worst.

1:03:24.320 --> 1:03:28.360
<v Speaker 2>It's getting difficult because we also know. Yeah, I do too.

1:03:29.080 --> 1:03:31.600
<v Speaker 1>Jim. Thank you so much for joining us today. We're

1:03:31.600 --> 1:03:33.400
<v Speaker 1>sorry that we didn't know we were putting you on

1:03:33.480 --> 1:03:35.240
<v Speaker 1>the spot with all the judger.

1:03:35.920 --> 1:03:37.720
<v Speaker 5>Oh no problem, I'll go back and I'm sure it's

1:03:37.720 --> 1:03:39.720
<v Speaker 5>all over the initial email you sent me, but I.

1:03:41.320 --> 1:03:44.560
<v Speaker 2>Apologize it. But but this is why we don't scare Jim.

1:03:47.240 --> 1:03:49.760
<v Speaker 1>Before we go, can you let everybody out there know

1:03:49.840 --> 1:03:51.520
<v Speaker 1>where they can find you, where they can follow your

1:03:51.520 --> 1:03:53.200
<v Speaker 1>stuff in any new projects you have coming out.

1:03:53.360 --> 1:03:55.200
<v Speaker 2>I followed you, Thank you.

1:03:55.400 --> 1:03:59.200
<v Speaker 5>Yes, I'm well social media at Jim Pressions. I'm working

1:03:59.240 --> 1:04:02.600
<v Speaker 5>on the new Live Impression show right now and on

1:04:02.800 --> 1:04:06.520
<v Speaker 5>TV on Apple TV in the Big Door Prize which

1:04:06.600 --> 1:04:10.840
<v Speaker 5>is streaming now and gosh, I guess that's and then

1:04:10.920 --> 1:04:13.800
<v Speaker 5>Jim Meskaman dot Com if you really want to, really

1:04:13.840 --> 1:04:15.120
<v Speaker 5>want to contact me and get on my.

1:04:15.120 --> 1:04:16.320
<v Speaker 2>Mailing list and all that stuff.

1:04:16.800 --> 1:04:18.880
<v Speaker 1>I love that. While I was telling Christy beforehand how

1:04:19.200 --> 1:04:21.600
<v Speaker 1>you were bringing in all that awesome Thundercat stuff before

1:04:21.640 --> 1:04:23.560
<v Speaker 1>we actually even work together on ThunderCats.

1:04:23.600 --> 1:04:26.640
<v Speaker 2>So cool. Yeah, that's right. I've done a couple of

1:04:26.680 --> 1:04:29.320
<v Speaker 2>iterations of that show. I'm sure there'll be more.

1:04:30.080 --> 1:04:31.880
<v Speaker 10>Oh god, I hope so, because it's such a such

1:04:31.880 --> 1:04:34.160
<v Speaker 10>a rich world, you'd love we could talk about that day.

1:04:35.120 --> 1:04:37.280
<v Speaker 2>Oh god, I appreciate that, Jim, it was so awesome. Well,

1:04:37.360 --> 1:04:40.040
<v Speaker 2>thank you so much for joining us. You again, I

1:04:40.160 --> 1:04:40.600
<v Speaker 2>know you you.

1:04:41.200 --> 1:04:42.880
<v Speaker 1>We might have thrown a curveball at you, but we

1:04:43.000 --> 1:04:45.320
<v Speaker 1>could not. When we were going into second round, they said,

1:04:45.480 --> 1:04:47.200
<v Speaker 1>you know who to the judges do you want? And

1:04:47.360 --> 1:04:50.080
<v Speaker 1>you were the first name I picked. Nice because you're

1:04:50.200 --> 1:04:52.400
<v Speaker 1>just you're so good at this and I just I

1:04:52.960 --> 1:04:54.680
<v Speaker 1>needed you to help us get into the second round.

1:04:54.680 --> 1:04:56.680
<v Speaker 1>So thank you so much for taking the time that,

1:04:57.200 --> 1:04:59.120
<v Speaker 1>and everybody who's listening please go out there and follow

1:04:59.160 --> 1:05:00.960
<v Speaker 1>because the man is a genie and you will be

1:05:01.440 --> 1:05:03.959
<v Speaker 1>entertained for hours and hours and hours. It's really something

1:05:04.000 --> 1:05:06.480
<v Speaker 1>to watch. So Jim, thank you so much for joining us,

1:05:06.520 --> 1:05:07.680
<v Speaker 1>and we will see you again in the future.

1:05:07.960 --> 1:05:09.960
<v Speaker 2>Very best. Take care of you both of you. Thanks

1:05:10.160 --> 1:05:12.240
<v Speaker 2>great to meet you all right, like you too, Bye,

1:05:12.320 --> 1:05:12.720
<v Speaker 2>jim By.

1:05:14.880 --> 1:05:15.320
<v Speaker 1>We made it.

1:05:15.800 --> 1:05:16.240
<v Speaker 3>We made it.

1:05:16.640 --> 1:05:20.280
<v Speaker 1>We made it round. So we're into uh into round

1:05:20.360 --> 1:05:23.120
<v Speaker 1>two here and Tanabama is our first one going through.

1:05:23.200 --> 1:05:25.320
<v Speaker 1>And Dylan Dylan was great.

1:05:25.520 --> 1:05:30.400
<v Speaker 3>You know, I remember Dylan's audition tape and I think

1:05:30.440 --> 1:05:33.040
<v Speaker 3>we're doing a good job. I'm really here just to

1:05:33.080 --> 1:05:34.360
<v Speaker 3>support us right now.

1:05:36.400 --> 1:05:38.120
<v Speaker 1>Well now it's good, now it is. It's going to

1:05:38.160 --> 1:05:40.640
<v Speaker 1>come down to nitpicky stuff. I mean that's why you know,

1:05:40.720 --> 1:05:43.080
<v Speaker 1>I watch all these shows like Top Chefs I.

1:05:43.160 --> 1:05:44.800
<v Speaker 3>Was going to say, like American Idol and souff.

1:05:44.960 --> 1:05:47.200
<v Speaker 1>Yeah, and you you get to the point where I'm

1:05:47.200 --> 1:05:49.200
<v Speaker 1>always watching going like, oh, come on, how you can

1:05:49.240 --> 1:05:49.960
<v Speaker 1>pick blah blah blah.

1:05:50.120 --> 1:05:51.880
<v Speaker 2>But you do, you get down to the tiny, little

1:05:52.000 --> 1:05:54.360
<v Speaker 2>nitty gritty things where it's you know, well worried.

1:05:54.640 --> 1:05:58.120
<v Speaker 3>I'm worried transparently about us having all these women, because

1:05:58.120 --> 1:06:01.040
<v Speaker 3>then it becomes so nitpicky at them having similar voices,

1:06:01.480 --> 1:06:03.720
<v Speaker 3>you know, when with what the way that we're doing

1:06:03.880 --> 1:06:07.320
<v Speaker 3>this is so fair that it's almost like too fair.

1:06:07.680 --> 1:06:11.440
<v Speaker 3>Whereas American Idol and those other shows, they're visual and

1:06:11.640 --> 1:06:15.280
<v Speaker 3>so you see everyone all at once and you're like, okay,

1:06:15.320 --> 1:06:17.080
<v Speaker 3>this is a baritone and this is a tenor, this

1:06:17.160 --> 1:06:18.960
<v Speaker 3>is okay. I think this person to pair up with,

1:06:19.640 --> 1:06:22.840
<v Speaker 3>you know whoever nicely as a mentor. So we are

1:06:22.960 --> 1:06:26.280
<v Speaker 3>doing our best to find the person that's right for

1:06:26.440 --> 1:06:29.920
<v Speaker 3>this moment. And I think he was a great judge.

1:06:30.080 --> 1:06:31.840
<v Speaker 3>I think this was a great episode. Thank you guys

1:06:31.880 --> 1:06:35.360
<v Speaker 3>so much for watching and listening and supporting us. We

1:06:35.520 --> 1:06:37.720
<v Speaker 3>hope that you understand we're in it for the right reasons,

1:06:37.760 --> 1:06:38.960
<v Speaker 3>you know, like we're really doing this.

1:06:39.840 --> 1:06:42.000
<v Speaker 1>To we want to find that we do. We're trying

1:06:42.000 --> 1:06:44.680
<v Speaker 1>to find the best person that we can. And but

1:06:44.800 --> 1:06:46.600
<v Speaker 1>you're right, and I think that's you know, I don't

1:06:46.640 --> 1:06:48.480
<v Speaker 1>mind being called out for certain things. I think the

1:06:48.520 --> 1:06:50.920
<v Speaker 1>thing Jim said to us, where he's one hundred percent right,

1:06:51.000 --> 1:06:54.040
<v Speaker 1>it's like, well, if one person's always starting, then that

1:06:54.160 --> 1:06:56.200
<v Speaker 1>might be considered kind of an advantage, so we'll start

1:06:56.240 --> 1:06:56.800
<v Speaker 1>switching it up.

1:06:56.800 --> 1:06:57.840
<v Speaker 2>I don't have a problem with that at all.

1:06:57.920 --> 1:06:59.959
<v Speaker 3>I think he was I want to think if that's true,

1:07:00.200 --> 1:07:01.840
<v Speaker 3>I don't feel like that we've actually done that, But

1:07:01.960 --> 1:07:04.120
<v Speaker 3>let us know. Maybe people should DM or something.

1:07:04.200 --> 1:07:06.360
<v Speaker 2>Yeah, maybe, but I don't have a problem switching it up.

1:07:06.360 --> 1:07:07.920
<v Speaker 3>Some persons the first person.

1:07:08.040 --> 1:07:10.320
<v Speaker 2>I don't know, no, but I think I think you're right.

1:07:10.400 --> 1:07:12.200
<v Speaker 1>You know, I don't think we've certainly always picked the

1:07:12.240 --> 1:07:14.120
<v Speaker 1>first person, but maybe the person who does. Maybe there

1:07:14.160 --> 1:07:17.160
<v Speaker 1>is an advantage to always going first. Who knows, So

1:07:17.280 --> 1:07:18.800
<v Speaker 1>maybe we just switch it up in the future. I

1:07:18.800 --> 1:07:20.320
<v Speaker 1>don't have a problem that maybe we do flip a

1:07:20.400 --> 1:07:23.880
<v Speaker 1>coin every time if we're making everything super fair, because

1:07:23.880 --> 1:07:25.320
<v Speaker 1>that's what we're trying to do. We're trying to be

1:07:25.360 --> 1:07:27.760
<v Speaker 1>as fair and transparent as we possibly can, because all

1:07:27.960 --> 1:07:30.080
<v Speaker 1>we're hoping that one day we're going to pick somebody

1:07:30.120 --> 1:07:30.680
<v Speaker 1>that we work with.

1:07:30.760 --> 1:07:31.400
<v Speaker 3>I mean, we're tub.

1:07:31.440 --> 1:07:33.720
<v Speaker 4>We said, we're trying to pick a colleague. So we

1:07:33.880 --> 1:07:36.960
<v Speaker 4>want more than just whoever it wins. You know, at

1:07:37.000 --> 1:07:40.919
<v Speaker 4>any one of these people could be signed there.

1:07:41.000 --> 1:07:46.200
<v Speaker 1>It's there is no reason that an agent or somebody

1:07:46.320 --> 1:07:48.840
<v Speaker 1>listening to this episode wouldn't hear Dylan and the stuff

1:07:48.840 --> 1:07:50.880
<v Speaker 1>that Dylan did and say, oh, I'll give that, I'll

1:07:50.920 --> 1:07:52.680
<v Speaker 1>sign that person for a year. I mean, what the hell,

1:07:52.720 --> 1:07:54.640
<v Speaker 1>I'll sign that person for a year. Definitely, it could

1:07:54.680 --> 1:07:57.520
<v Speaker 1>totally happen. He was very good at what he did.

1:07:58.080 --> 1:08:01.200
<v Speaker 1>Hannah was just she was a little better. And sometimes

1:08:01.240 --> 1:08:03.440
<v Speaker 1>it's just the day. You know, you have a bad day.

1:08:03.560 --> 1:08:04.360
<v Speaker 1>That can happen too.

1:08:04.840 --> 1:08:06.520
<v Speaker 2>I have many a day where I just woke up

1:08:06.560 --> 1:08:07.560
<v Speaker 2>and couldn't act.

1:08:07.760 --> 1:08:07.800
<v Speaker 4>It.

1:08:08.120 --> 1:08:11.160
<v Speaker 2>Just you have those days where you're just off, so

1:08:11.280 --> 1:08:13.000
<v Speaker 2>you just you hope it doesn't happen on the day

1:08:13.080 --> 1:08:15.880
<v Speaker 2>that you're recording. Yeah, but you never know.

1:08:16.360 --> 1:08:19.439
<v Speaker 1>Yeah. Anyway, thanks everybody for joining us on an awesome

1:08:19.560 --> 1:08:22.280
<v Speaker 1>yet very tough episode of I Hear Voices. Thank you

1:08:22.320 --> 1:08:25.200
<v Speaker 1>of course to jim Meskaman, who was our wonderful adjudicator.

1:08:25.240 --> 1:08:26.320
<v Speaker 1>I love that the adjudicator.

1:08:26.520 --> 1:08:27.720
<v Speaker 3>I'm not going back on it.

1:08:28.120 --> 1:08:29.960
<v Speaker 1>I know, I think it's great. We're all in on

1:08:30.000 --> 1:08:34.439
<v Speaker 1>Adjudicator for our episode today. Again, thanking all of our

1:08:34.479 --> 1:08:37.040
<v Speaker 1>friends over there at Prime Video, everybody over at Critical

1:08:37.160 --> 1:08:40.160
<v Speaker 1>Role check out season two of Vox Macina. You can

1:08:40.240 --> 1:08:42.599
<v Speaker 1>download that now. Thank you for everybody, of course at

1:08:42.680 --> 1:08:47.160
<v Speaker 1>iHeart who's helping us. All our producers are engineer Brian, everybody, Lorraine, everybody.

1:08:46.880 --> 1:08:47.599
<v Speaker 2>Who's helped us out.

1:08:48.520 --> 1:08:50.920
<v Speaker 1>It's just it's getting more sentimental and more amazing as

1:08:50.960 --> 1:08:53.160
<v Speaker 1>we're getting closer and closer to crowning a winner. So

1:08:54.000 --> 1:08:56.240
<v Speaker 1>thank you for everybody, of course who was joining us,

1:08:56.280 --> 1:08:58.120
<v Speaker 1>and of course I said thank you cest who we

1:08:58.200 --> 1:09:00.640
<v Speaker 1>mentioned ninety three times during this episode, because it is

1:09:00.720 --> 1:09:03.200
<v Speaker 1>a huge prize. And once again, if you don't realize

1:09:03.200 --> 1:09:05.160
<v Speaker 1>how big a prize it is, just look at the

1:09:05.240 --> 1:09:07.800
<v Speaker 1>reaction of every actor we tell jim Meskamon today just

1:09:07.800 --> 1:09:11.360
<v Speaker 1>went wait what Yeah, it's it is a huge thing

1:09:11.560 --> 1:09:13.439
<v Speaker 1>and could possibly change somebody's life.

1:09:13.520 --> 1:09:15.639
<v Speaker 2>So and thank you mostly to everybody who.

1:09:15.600 --> 1:09:18.280
<v Speaker 1>Is stuck with us through the whole show, through all

1:09:18.360 --> 1:09:21.080
<v Speaker 1>of our across the gardens, through everything we did, through

1:09:21.120 --> 1:09:24.559
<v Speaker 1>all of our guests up to and including this contest

1:09:24.680 --> 1:09:24.920
<v Speaker 1>right now.

1:09:25.000 --> 1:09:25.519
<v Speaker 2>We love you all.

1:09:25.600 --> 1:09:27.360
<v Speaker 1>Thank you so much for joining us, and we will

1:09:27.400 --> 1:09:31.800
<v Speaker 1>be back again next week and moving on. So it's

1:09:31.840 --> 1:09:35.120
<v Speaker 1>getting real. I miss you Christy, Oh, I miss you too.

1:09:35.200 --> 1:09:39.240
<v Speaker 3>By the way, it's Ingles Rink in Connecticut. Ingles. It's

1:09:39.520 --> 1:09:43.040
<v Speaker 3>I think it's a Yale stadium. But it's really cool looking.

1:09:43.560 --> 1:09:45.320
<v Speaker 2>Okay, nice, Yeah, that was I think that.

1:09:45.439 --> 1:09:45.599
<v Speaker 3>Yeah.

1:09:45.600 --> 1:09:49.439
<v Speaker 1>Because the Whaler's played in Hartford, I got to miss

1:09:49.439 --> 1:09:51.920
<v Speaker 1>the Whale, I do. They were a terrible hockey team,

1:09:51.920 --> 1:09:53.479
<v Speaker 1>and then they went off to Carolina and they won

1:09:53.720 --> 1:09:56.880
<v Speaker 1>like the Stanley Cup champion, like three years later or

1:09:56.920 --> 1:09:59.280
<v Speaker 1>something like that. Everyone in Hartford was like, ah, I've

1:09:59.320 --> 1:10:01.960
<v Speaker 1>got to be getting the giants. Yeah, I'm telling you,

1:10:02.280 --> 1:10:05.000
<v Speaker 1>Dave tippets Stick. Are you a Patriots fan? Are you

1:10:05.840 --> 1:10:06.960
<v Speaker 1>I am a Patriots fan? Yah?

1:10:07.000 --> 1:10:09.200
<v Speaker 2>Okay, well, I mean as much as I'm I'm not

1:10:09.320 --> 1:10:11.400
<v Speaker 2>a huge football fan, but I love them.

1:10:11.920 --> 1:10:13.080
<v Speaker 3>And now that's everything's gone.

1:10:13.120 --> 1:10:15.000
<v Speaker 1>I think most people do. It is what it is.

1:10:15.479 --> 1:10:18.240
<v Speaker 1>Thank you for joining us. Everybody will see you or

1:10:18.360 --> 1:10:19.880
<v Speaker 1>hear you or everybody next time.

1:10:19.960 --> 1:10:20.599
<v Speaker 2>Thank you so much.

1:10:21.120 --> 1:10:23.920
<v Speaker 1>Out Nutmeger's out. Thank you, follow us, do all that

1:10:24.000 --> 1:10:25.920
<v Speaker 1>good kind of stuff, and we will see you in

1:10:25.960 --> 1:10:27.320
<v Speaker 1>the future. Don't forget if you think you have what

1:10:27.400 --> 1:10:29.360
<v Speaker 1>it takes to step up to the microphone, put your

1:10:29.400 --> 1:10:30.320
<v Speaker 1>voices where your mouth is.

1:10:30.400 --> 1:10:31.720
<v Speaker 2>Thanks everybody I hear.

1:10:31.800 --> 1:10:34.280
<v Speaker 10>Voices is hosted by Will Fredell and Christy Carlson Romano.

1:10:34.400 --> 1:10:37.200
<v Speaker 10>Executive produced by Will Ferdill, Brendan Rooney, Amy Sugarman. Our

1:10:37.240 --> 1:10:39.960
<v Speaker 10>executive in charge of production is Danielle Romo, Our producer

1:10:40.040 --> 1:10:42.800
<v Speaker 10>is Lorraine Viruez, and our editor slash engineer is Brian

1:10:42.840 --> 1:10:45.719
<v Speaker 10>Burton and that was my announcer voice.

1:10:46.080 --> 1:10:48.080
<v Speaker 8>Some side effects of listening to I Hear Voices are

1:10:48.120 --> 1:10:51.040
<v Speaker 8>sore abs from hilarity falling down the cocoa melon rabbit hole,

1:10:51.200 --> 1:10:53.280
<v Speaker 8>sneezing due to mass nostalgia, and hugs.

1:10:53.439 --> 1:10:55.519
<v Speaker 10>Follow I Hear Voices wherever you listen to podcasts so

1:10:55.560 --> 1:10:57.280
<v Speaker 10>you don't miss any of the amazing voices.

1:10:57.439 --> 1:10:59.559
<v Speaker 8>Be sure to follow us on Instagram and TikTok at

1:10:59.640 --> 1:11:00.799
<v Speaker 8>I Hear Voices podcast.

1:11:00.920 --> 1:11:04.040
<v Speaker 1>You can also check us out on MySpace, omeagle Vine, LimeWire.

1:11:04.120 --> 1:11:05.000
<v Speaker 1>Hey I'm a napster.

1:11:05.160 --> 1:11:06.799
<v Speaker 8>Okay, well, let's teach you about the Internet.

1:11:06.920 --> 1:11:07.200
<v Speaker 2>The who