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Speaker 1: Hi Christy, Hi Will. How are you pretty good?

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Speaker 2: How are you? I'm good, I'm as you can tell.

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Speaker 1: I am back in our wonderful, amazing state of Connecticut.

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Speaker 1: I'm back home right now. And do you know how

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Speaker 1: I knew that?

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Speaker 3: Because you had a hockey stick on top of your

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Speaker 3: window and it is not aesthetically positioned. It's like narthonically

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Speaker 3: just thrown up.

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Speaker 1: There with tax. That's exactly right. That's how it's done.

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Speaker 1: When you're fourteen and you have the only sports team

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Speaker 1: you have in town is the Heart for Railers.

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Speaker 2: That is a Dave Tippett original hockey stick.

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Speaker 1: Nine people in the audience just went, oh, my god,

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Speaker 1: Dave Tippett.

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Speaker 2: So yes, I'm back home.

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Speaker 3: I used to tell him to like tipp it when

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Speaker 3: he would make a shot or something or no.

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Speaker 1: Oh, I have no idea, I don't. I barely remember

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Speaker 1: that at all. My mom.

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Speaker 3: I want to say that my mom worked for the whalers.

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Speaker 1: Really yeah, honestly, my godmother worked at the whaler's store,

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Speaker 1: so she had like all of the she had all

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Speaker 1: the all that stuff.

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Speaker 3: I wonder if if they knew each other, that would

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Speaker 3: be cool, because honestly, my mom was at the Oilers. Okay,

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Speaker 3: looked at the Oilers when she was in Ohio, and

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Speaker 3: then she moved over to the Whalers. Now, for anybody

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Speaker 3: who's from Connecticut, the Whalers Stadium, is it still standing?

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Speaker 1: Well, we didn't have a stadium. Remember, it was a

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Speaker 1: It was in a mall. They called it the mall.

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Speaker 1: It was at the Hertford Civic Center. Yeah, it was

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Speaker 1: in the Hertvard Civic Center.

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Speaker 2: Mail.

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Speaker 1: Oh no, no, no, that was I don't think that

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Speaker 1: was ever. Was that a thing when I was growing up,

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Speaker 1: we had to go to the Heartford Civic Center. It

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Speaker 1: was just in a mall.

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Speaker 3: Okay, well, I need to google this then, because I'm

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Speaker 3: growing up distinctively and remembering there being a hockey rink

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Speaker 3: with a whale on the top of it.

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Speaker 2: Oh god, no, but one of us could be. I

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Speaker 2: have no idea. You could totally be right.

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Speaker 4: My connecticuttiams us Nutmegers.

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Speaker 1: Anyway, welcome to a wonderful episode of I Hear Voices.

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Speaker 1: I'm very excited because we are officially speaking of sports

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Speaker 1: and sports metaphors officially in the Elite eight.

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Speaker 2: Now we are in round two.

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Speaker 1: Wow of our super awesome contest to become the next

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Speaker 1: big voice actor.

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Speaker 3: We're here, we are forging ahead. I mean, the people

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Speaker 3: that have been with us for a while listening to

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Speaker 3: this show, they know just how committed we've been as

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Speaker 3: judges and as co hosts. Yeah, to get to this point.

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Speaker 3: Any of milestone that we have on this show, I

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Speaker 3: feel like is a really big win for you know, you, me,

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Speaker 3: the whole team, even you as listeners. You know, I

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Speaker 3: feel like you know you agree, really are invested in

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Speaker 3: whatever the outcome of this is going to be for somebody,

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Speaker 3: and we just wanted to thank you for that.

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Speaker 2: Thank you absolutely, and to keep the thank yous going.

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Speaker 1: Of course, every week we like to thank everybody who

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Speaker 1: helped to make this possible for us, you know, including

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Speaker 1: Prime Video who helped us out with a whole a

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Speaker 1: whole lot of a bunch of stuff over there with

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Speaker 1: the people at Critical Role. Don't forget season two of

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Speaker 1: Vox Mackin. It is for download now. I say this

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Speaker 1: every week. Check it out, not just because the guest

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Speaker 1: stars are amazing. I'm on that show, but also because

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Speaker 1: it truly is a gorgeous animated series. So go check

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Speaker 1: that out. And of course our wonderful parent company at

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Speaker 1: iHeart who made everything possible for us and the good

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Speaker 1: people over there at CEESD, which you know, one of

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Speaker 1: the prizes is signing to And every time we talk

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Speaker 1: to an actor about how that's one of the prizes,

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Speaker 1: they're like, are.

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Speaker 2: You kidding me? You win an agency contract?

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Speaker 3: I mean you but does just an agency. It's like

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Speaker 3: CSD has been around for a long long time, and

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Speaker 3: that's that's I mean, in the video game, I've literally

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Speaker 3: been with William Morris, William Morris's vo department like didn't fail,

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Speaker 3: but they like they like changed hands and like everyone

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Speaker 3: got thrown. That's when I went to CESC the first

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Speaker 3: the first time, and generally speaking, CSD is like, really,

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Speaker 3: who you want to start your career with?

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Speaker 1: Yeah, if you can, They're they're great. So this is

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Speaker 1: amazing and we are you know, the first sixteen were great.

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Speaker 1: We had some weeks where it was so difficult to

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Speaker 1: pick who was going to move on. It was just

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Speaker 1: it was crushing to us to have to say goodbye

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Speaker 1: to certain people because they were just so good.

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Speaker 2: But somebody was better.

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Speaker 3: Yeah, definitely, But you know, I think that's why I

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Speaker 3: mean to our credit we're doing a really great job

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Speaker 3: because and our judicators are doing wonderful jobs as well.

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Speaker 3: I'll see, they really are, and we're also getting to

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Speaker 3: know them a little bit, so it still has like

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Speaker 3: a little bit of an interview aspect to it. Are

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Speaker 3: you friendly with our judge today?

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Speaker 2: I am, I'm everybody. I am.

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Speaker 1: I've worked with this man for many, many years. He

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Speaker 1: and I did ThunderCats together back in the day. He

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Speaker 1: started as an animator and an artist, so I mean

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Speaker 1: he would come in and I mean, like on the

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Speaker 1: original ThunderCats, he was this guy was bringing in artwork

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Speaker 1: while we were recording. That was amazing. But one of

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Speaker 1: the reasons we brought him here today is because you

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Speaker 1: hear this man all the time doing all different ad reads,

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Speaker 1: which is what this round is going to be about.

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Speaker 2: And we will explain it all when we get there.

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Speaker 1: Because we said we were looking for a completely well

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Speaker 1: rounded voice actor and as voice actors, did you get it?

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Speaker 1: Christy killed the book? Nice it's starting for you.

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Speaker 3: I'm sorry I had to kill a book.

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Speaker 1: Good for you. No, that was a good snack, good one,

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Speaker 1: but no. So we said we want a well rounded

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Speaker 1: voiceover actor, and what we do a lot of times

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Speaker 1: as voiceover actors. The vast majority of the auditions we

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Speaker 1: do are ad reads.

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Speaker 3: I'm got to be honest. Have you done ad reads before?

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Speaker 1: I have?

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Speaker 2: Yeah? I absolutely have.

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Speaker 1: Oh not. Christy's knocking everything over. The bug is coming

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Speaker 1: back to haunt you. That's what's happening. It's so fun.

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Speaker 1: Oh no, I have done plenty of ad reads. That's

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Speaker 1: you know, you read them in bulk and you get

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Speaker 1: there and you're it's it's really can be an amazing

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Speaker 1: aspect of the career of a voiceover actor. And some

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Speaker 1: of the biggest voiceover actors in the world, including this

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Speaker 1: man we have today, are I'm going to let him

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Speaker 1: tell you some of the campaigns that he's done, because

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Speaker 1: you have heard this man over and over again. Christy,

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Speaker 1: do you want to tell people who's here today?

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Speaker 3: Jim maskimin, guys, Jim Maskumin's coming in.

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Speaker 2: Let's bring him in. I can't wait.

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Speaker 1: Oh, there he is, Hey, Jim, good morning, Thank you

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Speaker 1: so much for joining us.

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Speaker 2: And this is Christy Carlson Romano here.

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Speaker 3: Hi, Jim, Hi Christy, nice to see.

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Speaker 2: You, I see you. Thank you so much for joining us.

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Speaker 1: We are here for a little background Jim, because then

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Speaker 1: we want to get into you know you and what

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Speaker 1: you're doing. But so you are going to be our

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Speaker 1: first judge adjudicator of round two of the Super Awesome

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Speaker 1: Contest to become the next big voice actor. So we

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Speaker 1: had forty five hundred entries around and we narrowed it

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Speaker 1: down to the final sixteen, the Sweet sixteen, and we

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Speaker 1: did the first round. They played a game called by

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Speaker 1: the Numbers which they our guests through numbers that they

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Speaker 1: picked randomly created a character that they then had to

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Speaker 1: read lines of dialogue in the created character that was

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Speaker 1: instantly made in front of them. So it was all about,

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Speaker 1: you know, funny voices and the kind of animation side

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Speaker 1: of something. But since we're looking for a perfectly well

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Speaker 1: rounded voice actor to become one of our colleagues, Round

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Speaker 1: two is called Extra EXTRAE read all about it and

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Speaker 1: it is all going to be ad reads. And one

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Speaker 1: of the reasons that we really wanted you here is

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Speaker 1: because you have been the voice of many different campaigns.

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Speaker 1: You've done adreads all over the place. So if you

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Speaker 1: could first tell us a little bit about the video

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Speaker 1: game animation side of your career, because that has been

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Speaker 1: amazingly impressive.

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Speaker 3: Well, I'm also fangirling. I'm fangirling about Big Door Mid

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Speaker 3: Door Prize because I've watched you on that and I

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Speaker 3: love you on it. So thank you for entertaining me

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Speaker 3: on that.

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Speaker 2: Oh glad you like it. That's great. It's a new

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Speaker 2: series on Apple TV, the Big Door Prize. Yeah.

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Speaker 5: We just got finished filming season two about two weeks ago.

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Speaker 3: Your character is wonderful. I love your character.

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Speaker 1: Thanks.

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Speaker 5: That's I get to play Crystal Dowd's father, So that's

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Speaker 5: a great pleasure.

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Speaker 3: It was like, there's a noticeable different dialect in interviewing

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Speaker 3: right now.

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Speaker 2: Whenever. Oh yeah, Chrysto Doud, I like to evoke the.

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Speaker 5: Great Crystal Dowd because he's charming, much more charming than

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Speaker 5: I am. So it'd be you know, you'd be well

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Speaker 5: well positioned to invite him to your show sometime.

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Speaker 2: We'd love to.

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Speaker 1: But the thing is, so you mean just the accent

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Speaker 1: right there, one of the things, the jimpression stuff that

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Speaker 1: you do and the stuff you are doing right now

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Speaker 1: on the social media machine with the just reading different.

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Speaker 1: Is it your daughter who comes in and says, hey,

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Speaker 1: you know it's your daughter?

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Speaker 2: Who's my daughter?

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Speaker 5: Taylor, who's also a voice actress and an audiobook narrator,

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Speaker 5: but she helps me with the social medias, so we

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Speaker 5: think up things to do to throw out there.

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Speaker 2: I'm glad you like it. It's incredible.

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Speaker 1: So I don't know if you've seen it, Christy, but

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Speaker 1: somebody he'll be reading, like, you know, a manual for

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Speaker 1: a new tool or something like that, but then you

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Speaker 1: just hear his daughter throwing in like now do it

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Speaker 1: from New York. Now do it, Irish, now do it,

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Speaker 1: and he's just switching from one to the other after.

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Speaker 1: It is truly incredible thing to watch. It really is

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Speaker 1: is a masterclass. Yeah, jimpressions, it's great.

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Speaker 3: Yeah, yeah, all right, I'm following you now. And I

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Speaker 3: think I have seen them come up on my algorithm,

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Speaker 3: and I think that's so great that your daughter's also

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Speaker 3: in the biz and you guys are collaborating in that way.

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Speaker 3: I think that's so It's also you know, we started

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Speaker 3: this pod so that we could really, uh, you know,

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Speaker 3: pull up the curtain on what it's like to have

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Speaker 3: a community you know, supporting one another in the vo world,

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Speaker 3: and like we're trying to extend that into a new

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Speaker 3: opportunity for someone, and I mean, you know, that's just

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Speaker 3: great that you're you're bringing awareness to the joys of

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Speaker 3: all this to everybody.

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Speaker 5: Yeah, I'm a very lucky guy. I have my family

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Speaker 5: supports me so much, and my it's it's.

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Speaker 2: Encouraging my daughter.

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Speaker 5: I got her into doing audiobook little roles years ago

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Speaker 5: when she was just a kid, and so she's grown

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Speaker 5: up around a microphone and now she's in front of

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Speaker 5: it all the time.

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Speaker 3: I could get behind that, you know. Will I always

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Speaker 3: talk about how I would I probably wouldn't put my

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Speaker 3: girls on camera.

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Speaker 4: But voiceover would voiceover, okay, that would be That would

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Speaker 4: be phenomenal.

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Speaker 3: And for the inner child. Heal fill me later anytime.

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Speaker 1: And I get to see Jim quite often and randomly

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Speaker 1: because his mom and I are actually neighbors.

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Speaker 3: So I will neighbors with everybody.

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Speaker 2: Because it's the easiest.

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Speaker 1: Yeah, it is a long street, That's what I say

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Speaker 1: it because it's a long street. That's true. So Jim,

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Speaker 1: can you tell us a little bit about the some

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Speaker 1: of the major campaigns that you've done when it comes

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Speaker 1: to these huge national chains and kind of the the

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Speaker 1: ad reads that you do.

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Speaker 5: Well, this really was kind of at the very beginning

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Speaker 5: of my career, which I started in New York City,

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Speaker 5: which is a big ad town and a big radio town.

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Speaker 5: And when I started off, it was doing yeah, radio

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Speaker 5: ads for different campaigns, and many companies are still in

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Speaker 5: business from that time.

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Speaker 2: But this is a long time ago.

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Speaker 5: It's in the eighties, and I kept very, very busy

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Speaker 5: doing TV and radio campaigns.

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Speaker 2: Of various sorts.

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Speaker 5: I mean everything toothpaste and cars and you know, fast food.

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Speaker 1: And I was going to say, not just fast food.

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Speaker 1: You were the voice of KFC. You're the Colonel forever,

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Speaker 1: weren't you.

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Speaker 2: Well, I am the Colonel, That's what I meant. Yeah,

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Speaker 2: unless you've heard something.

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Speaker 1: They do a lot of.

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Speaker 3: Different on camera kernels as like I done lately, haven't

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Speaker 3: they They did like something like that, yeah for a

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Speaker 3: Super Bowl or Yeah.

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Speaker 2: They recently changed agencies.

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Speaker 5: They were with Widen and Kennedy, which is the people

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Speaker 5: that have originally hired me.

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Speaker 2: And I'd worked with him before on a.

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Speaker 5: Voiceover campaign for Sony and they were looking for a

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Speaker 5: colonel and I, you know, I grew up listening to

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Speaker 5: and seeing the Colonel on TV, and so that boy one,

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Speaker 5: I just can't even race out of my head, plus

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Speaker 5: a viewpoint and character itself asia rather indelibately tide to

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Speaker 5: my own destiny. So I felt like, you know, I've

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Speaker 5: got I've got a good leg up on this, and

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Speaker 5: they were nice enough to hire me. Now, during that

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Speaker 5: campaign that White and Kennedy did, they had first hired

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Speaker 5: Darryl Hammond to portray the colonel, and he did I

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Speaker 5: think about a year's worth, and then for one reason

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Speaker 5: or another, they did not.

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Speaker 2: Rehire Daryl Hammond.

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Speaker 5: I think there was a problem of some kind scheduling

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Speaker 5: or who knows what.

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Speaker 2: So they decided, oh, well, we better go with another celebrity.

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Speaker 5: And they got into this as I understand this sequence

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Speaker 5: of well, let's maybe it's just that the Colonel changes.

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Speaker 2: Every year or every six or eight months, and he.

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Speaker 5: Becomes a different celebrity, and we keep people guessing, which

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Speaker 5: I thought was pretty clever. So they had Jim Gaffigan,

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Speaker 5: and they had Norm MacDonald and George Hamilton and Reba

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Speaker 5: McIntyre and probably six or seven others that I missed,

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Speaker 5: but all during that time they also did more different

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Speaker 5: I mean, so many different marketing arms to KFC, and

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Speaker 5: so I found my niche doing the ones that did

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Speaker 5: not feature the on camera colonel so much, but had

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Speaker 5: you know, some radio applications or other social media applications,

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Speaker 5: and so they've kept me pretty busy. I'm really grateful

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Speaker 5: because there aren't a ton for me anymore of opportunities

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Speaker 5: in that space like there used to be.

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Speaker 2: So it's very nice and I.

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Speaker 1: Enjoy it, oh man watching. I just watched a video

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Speaker 1: not too longo about with you actually going through the

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Speaker 1: drive through at KFC and ordering as the Colonel, which

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Speaker 1: was asking about the spicy chicken sandwich, which is great.

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Speaker 2: Chicken schandwich, and which which kind as you get because

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Speaker 2: you have a variety of flavors.

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Speaker 1: That was flavor.

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Speaker 5: The thing that I do is is on my own,

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Speaker 5: just on my own time and my own probably own

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Speaker 5: for content I put I always once a week I

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Speaker 5: pair make an archival phone call, you know, as if

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Speaker 5: it's an unearthed phone recording of Colonel Sanders talking to

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Speaker 5: some other celebrities. So I've got a ton of those

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Speaker 5: on my YouTube channel.

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Speaker 1: Everybody please go check that out and we will make

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Speaker 1: sure that we get those out there to make sure

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Speaker 1: everybody knows where to find you.

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Speaker 3: Honestly, well, he's the best. We couldn't.

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Speaker 1: I told you this, I told you to start round two.

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Speaker 1: I was like, jim Meskamon has to be the first one.

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Speaker 1: We have to start round two. I told you this

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Speaker 1: is it's.

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Speaker 3: Well the way to do it. Absolutely, thanks for coming on,

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Speaker 3: let's get into it.

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Speaker 2: Thank you so much. Fun. I'm sorry I have to leave, but.

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Speaker 1: No, So what we're going to do, if it's okay

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Speaker 1: with you, Jim, is we're going to bring in our

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Speaker 1: two contestants. We bring them in one at a time, okay,

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Speaker 1: and we've given them each they have two essentially fake.

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Speaker 2: Ad reads that they're going to have to do two

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Speaker 2: radio spots.

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Speaker 1: So they'll do one. One of them will come in

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Speaker 1: do one radio spot, and then, if it's okay with you,

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Speaker 1: we give them some notes, you know, give them a

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Speaker 1: little bit of direction. Then they do it again, and

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Speaker 1: then we bring in the other contestant. They do it.

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Speaker 1: They'll do that for two rounds, and then the third

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Speaker 1: round is a cold read. It is an ad that

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Speaker 1: neither of them have seen yet, and we'll have to

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Speaker 1: kind of do on the spot if for some reason

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Speaker 1: we get to the point where we are saying, wow,

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Speaker 1: they are too close to call who's gonna win. We

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Speaker 1: go to the Christy Romano Tiebreaker Challenge, and we will

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Speaker 1: not even tell you what it is this time. It's

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Speaker 1: gonna be a lot of fun if we have to

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Speaker 1: get there, but we will see. So we always take

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Speaker 1: whichever contestant is here first, and our first contestant we

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Speaker 1: are welcoming back who killed it in the first round.

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Speaker 1: We are welcoming back Hannah from Alabama. So if we

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Speaker 1: could bring Hannah Inabama, great, Hannahbama's coming in in Obama.

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Speaker 3: We got to have cute now that there's only eight,

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Speaker 3: we have to have like cute little like monikers for

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Speaker 3: them or something.

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Speaker 2: You know, Hannahbama works for me Obama. That's good marketing

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Speaker 2: right there.

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Speaker 1: We got to brand every contestant when they come on

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Speaker 1: there she is he Hello, you are You're Hannahbama? Nowanna,

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Speaker 1: how are you?

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Speaker 6: I'm well, how are y'all?

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Speaker 2: We're good?

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Speaker 1: Welcome back, congratulations on making it once again to the

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Speaker 1: Elite eight trademark. And I hope that you are ready

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Speaker 1: for round two, which is titled Extra EXTRAE read all

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Speaker 1: about it. So we are going to do straight ad

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Speaker 1: reads this time sounds no games like last time. No

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Speaker 1: picking numbers, no doing everything anything like that. We're just

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Speaker 1: going to see your chops when it comes to your

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Speaker 1: regular ad read stuff. I'd like to introduce you to

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Speaker 1: one of the best and hardworking voiceover actors in the

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Speaker 1: entire industry, jim Meskamon, who is our adjudicator for this

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Speaker 1: episode and we'll be helping us out. He is the

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Speaker 1: voice of the Colonel at KFC and eight trigillion other things.

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Speaker 1: So this is big, big door prize. This is the

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Speaker 1: best yea many things.

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Speaker 2: Oh yeah, Ah's oh yeah, we didn't even get into that.

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Speaker 2: We can get into that later.

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Speaker 1: We're talking.

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Speaker 2: You know, Apollo thirteen, he's been in everything.

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Speaker 1: So Hannah right now, it is about Hannahbama right now.

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Speaker 1: Uh so, Hannah, just very quickly, are you are you ready?

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Speaker 1: Do you have you the two lines we sent you.

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Speaker 1: I've got the two lines. I must I must comments

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Speaker 1: on one thing. I'll see that hockey stick behind you.

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Speaker 2: You do?

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Speaker 1: I do? I play hockey too.

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Speaker 2: So this is from hardred Whalers.

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Speaker 1: This is an old school I'm back in my hometown, Connecticut,

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Speaker 1: so this is the heart for whalers. That's so cool.

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Speaker 1: I appreciate that we will you were here first, so,

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Speaker 1: but we are going to say very a quick hello

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Speaker 1: to our contestant number two. We're being back to you

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Speaker 1: for round one. End line one, Hannahbama, thank you so much,

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Speaker 1: Thank you so much. We'll see in a bit. And

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Speaker 1: now we are going to be welcoming in and welcoming back.

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Speaker 1: I should say, uh, Contestant number two, Christy, what should

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Speaker 1: we call him? Dylan from Louisiana? What should we uh?

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Speaker 3: Dylan? Oh gosh, he's from Layette.

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Speaker 4: Right, Dylan laugh and Dylan yeah laughing, Dylan yet laughing,

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Speaker 4: Dylan laughing.

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Speaker 1: Wow.

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Speaker 2: We will work on marketing that name a little bit more.

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Speaker 3: Because that's that's a bad versions.

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Speaker 2: Hey, Dylan, welcome back.

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Speaker 7: Hey, thanks for having me.

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Speaker 2: He's got it. Yeah, he's got a moniker, Dylan Duck.

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Speaker 2: Dylan's I love it. That's what we're using. You are,

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Speaker 2: Dylan Duck. How are you? Dylan?

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Speaker 7: I'm doing just fine. I'm I'm excited to be here.

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Speaker 7: Got a little bit of the pre show jitters, but

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Speaker 7: I'm ready to rock and roll.

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Speaker 1: That's okay. The day you're no longer nervous is the

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Speaker 1: day you've been in the industry too long. That's how

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Speaker 1: I always look at it. So welcome back, Congratulations once

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Speaker 1: again on making it to the Elite eight, and we're

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Speaker 1: all about ad reads today. So as I was telling

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Speaker 1: your other fellow contestant, there, you know, the games are done.

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Speaker 1: The fun kind of picking numbers, all that's finished and

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Speaker 1: we're just going to be seeing your chops when it

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00:18:44,560 --> 00:18:48,399
Speaker 1: comes to it can still be funst but seeing your

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00:18:48,440 --> 00:18:50,040
Speaker 1: chops when it comes to ad read. I'd like to

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Speaker 1: introduce you to Jim Meskaman, who is one of the

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Speaker 1: best voiceover people in the business. He has been the

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Speaker 1: voice of a ton of different things on camera, you

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Speaker 1: name it. This is the best judge we could possibly

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Speaker 1: have asked for for round one and he's going to

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Speaker 1: be helping us out today.

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Speaker 2: So are you all set with your your lines dialogue?

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Speaker 1: Yes?

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Speaker 2: I do, all right? Sounds good, Dylan. We are going

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Speaker 2: to be back with you in just a second.

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Speaker 1: You know, we take people as they come and contest

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Speaker 1: and number one was first, So we will come back

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Speaker 1: in just a minute to start round two, which we

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Speaker 1: are calling extra Extra read all about it, So we'll

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Speaker 1: see in.

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Speaker 2: A bit in a minute, seeing a bit Dylan Duck

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Speaker 2: All right, everybody were ready, Here we go.

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Speaker 1: We're going to start with round one and we are

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Speaker 1: going to be bringing Hannah back in. Hey, Hannah, Hello, Hello.

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Speaker 1: We are all super excited to see what you can do.

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Speaker 1: And just remember, like a straight ad read, if you

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Speaker 1: could read line one for us at your pleasure.

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Speaker 6: All righty, we take twelve bounces of fresh lean beef,

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Speaker 6: lay it over an open flame, then cover it with

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00:19:55,920 --> 00:19:59,600
Speaker 6: a blanket of cheddar cheese, bacon, and hallapangnos. Then we

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Speaker 6: put it down for the night on a bed of

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00:20:01,560 --> 00:20:06,359
Speaker 6: hot and crispy French fries. Good Luck Falling Asleep, The

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Speaker 6: new Nightmare Burger only from Burger Place, Sweet Dreams, The

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Speaker 6: Nightmare Burger.

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Speaker 2: I like it, Jim, do you have any notes you know?

441
00:20:19,840 --> 00:20:23,240
Speaker 5: I think that was a lovely read. The thing about

442
00:20:23,640 --> 00:20:27,600
Speaker 5: boys silver and all performance, in my opinion is, you know,

443
00:20:27,680 --> 00:20:29,600
Speaker 5: it's an art form. There's no right or wrong, So

444
00:20:29,720 --> 00:20:30,920
Speaker 5: I think the choices that you.

445
00:20:30,840 --> 00:20:31,640
Speaker 2: Were made were good.

446
00:20:32,359 --> 00:20:35,239
Speaker 5: I had not seen the script ahead of time, so

447
00:20:35,280 --> 00:20:37,439
Speaker 5: it took me by surprise. I was trying to figure

448
00:20:37,440 --> 00:20:39,960
Speaker 5: out a little bit more about the copy.

449
00:20:40,359 --> 00:20:46,400
Speaker 2: I think the thing good Luck going to sleep, That's

450
00:20:46,400 --> 00:20:49,119
Speaker 2: an odd way to try to sell your food.

451
00:20:51,640 --> 00:20:55,440
Speaker 3: Then I realized, oh, yeah, this.

452
00:20:54,160 --> 00:20:54,720
Speaker 1: This is all me.

453
00:20:54,840 --> 00:21:02,679
Speaker 5: Yeah, Jim, probably sleep walk tonight or have a lot.

454
00:21:02,520 --> 00:21:03,480
Speaker 1: Of acid reflex.

455
00:21:04,760 --> 00:21:05,320
Speaker 2: I liked it.

456
00:21:05,359 --> 00:21:10,000
Speaker 5: You know, I would say from a professional viewpoint, which

457
00:21:10,520 --> 00:21:14,840
Speaker 5: you will discover to your own displeasure, I'm sure, is

458
00:21:14,840 --> 00:21:17,280
Speaker 5: that they would probably have you do that copy quite

459
00:21:17,320 --> 00:21:20,960
Speaker 5: a bit quicker, right, sure, which I'm sure you could do.

460
00:21:21,119 --> 00:21:24,240
Speaker 5: So the trick is always to put the nuanced and

461
00:21:24,359 --> 00:21:29,199
Speaker 5: the feeling that you have when you're describing those things

462
00:21:29,480 --> 00:21:32,679
Speaker 5: into a more compressed, condensed form. But for this the

463
00:21:32,720 --> 00:21:35,119
Speaker 5: point of this contest, of course, the clock is not

464
00:21:35,160 --> 00:21:38,680
Speaker 5: really running. So yeah, I think that was a lovely read.

465
00:21:38,800 --> 00:21:42,520
Speaker 5: And I'd actually like to hear you. You are going

466
00:21:42,560 --> 00:21:45,000
Speaker 5: to do it again, aren't you. Yeah, that's the way

467
00:21:45,320 --> 00:21:47,560
Speaker 5: I'm familiar with the contest. But yeah, so I look

468
00:21:47,600 --> 00:21:48,560
Speaker 5: forward to hearing it again.

469
00:21:49,080 --> 00:21:50,960
Speaker 3: Jim, I would disagree to it. I would say that the

470
00:21:50,920 --> 00:21:53,560
Speaker 3: clock is running. We do want to see her or

471
00:21:53,560 --> 00:21:57,080
Speaker 3: be able to go into booth the second shoe wins

472
00:21:57,240 --> 00:22:01,280
Speaker 3: right and work, So sixty seconds. If they're hiring you

473
00:22:01,359 --> 00:22:03,119
Speaker 3: and they need you to do it faster or we

474
00:22:03,200 --> 00:22:05,080
Speaker 3: need it, you know, what is it? Thirty second spot.

475
00:22:05,160 --> 00:22:07,119
Speaker 3: Fifteen second spot? How does that work? Jim? Is it

476
00:22:07,160 --> 00:22:08,440
Speaker 3: fifteen seconds sometimes?

477
00:22:08,440 --> 00:22:12,600
Speaker 5: Thirty fifth, thirty sixty Yeah, and six six seconds as well.

478
00:22:12,680 --> 00:22:15,679
Speaker 2: Wow its superest Instagram.

479
00:22:16,080 --> 00:22:18,719
Speaker 5: I mean, yeah, I don kernel stuff that is just

480
00:22:18,720 --> 00:22:19,920
Speaker 5: like I'm going to kind of put up there on.

481
00:22:19,840 --> 00:22:20,920
Speaker 1: The sandwich.

482
00:22:23,640 --> 00:22:25,840
Speaker 3: To be the if there was a tie breaker today,

483
00:22:25,840 --> 00:22:28,040
Speaker 3: that might have to be what we did exactly.

484
00:22:28,560 --> 00:22:29,200
Speaker 1: I agree.

485
00:22:29,200 --> 00:22:31,080
Speaker 3: I think I think I think we should try to

486
00:22:31,119 --> 00:22:34,320
Speaker 3: do it as as as quickly and as a speech

487
00:22:34,680 --> 00:22:38,399
Speaker 3: speech friendly as possible. I think you misspoke a word.

488
00:22:38,920 --> 00:22:42,080
Speaker 3: I heard place instead of palace, and.

489
00:22:42,080 --> 00:22:44,560
Speaker 2: So yeahs Burger palace. Ah, it is.

490
00:22:44,920 --> 00:22:47,560
Speaker 3: Just to make sure. Yeah, I think accuracy is definitely

491
00:22:47,560 --> 00:22:48,080
Speaker 3: a part of this.

492
00:22:48,119 --> 00:22:50,639
Speaker 1: Plus, if you're yeah, if you're going into sell you

493
00:22:50,640 --> 00:22:53,159
Speaker 1: know a specific product, and you certainly in the audition

494
00:22:53,200 --> 00:22:55,240
Speaker 1: don't want to mispronounce the name of the place that's

495
00:22:55,240 --> 00:22:57,639
Speaker 1: selling the product. That is totally fair. So that was

496
00:22:57,680 --> 00:23:00,040
Speaker 1: going to be one of my notes. I agree with

497
00:23:00,040 --> 00:23:01,360
Speaker 1: with both of the other ones. I think a little

498
00:23:01,440 --> 00:23:04,800
Speaker 1: quicker and I think I'd like to hear one. Sometimes

499
00:23:04,840 --> 00:23:07,720
Speaker 1: people and sometimes this works and it was a great

500
00:23:07,760 --> 00:23:10,640
Speaker 1: first take, I thought, But sometimes people when they are

501
00:23:10,680 --> 00:23:14,119
Speaker 1: reading ad copy tend to put on an ad copy voice,

502
00:23:14,680 --> 00:23:17,520
Speaker 1: you know, like we take six pounds and that can work,

503
00:23:17,520 --> 00:23:18,879
Speaker 1: and a lot of times that's going to get you

504
00:23:18,920 --> 00:23:22,520
Speaker 1: the gig. Sometimes people are gonna say, let me just

505
00:23:22,600 --> 00:23:25,640
Speaker 1: hear it in your natural voice. So instead of kind

506
00:23:25,640 --> 00:23:27,760
Speaker 1: of putting on ad read voice, which we have, we

507
00:23:27,840 --> 00:23:28,360
Speaker 1: have that take.

508
00:23:28,359 --> 00:23:29,400
Speaker 2: And I think that take was good.

509
00:23:29,760 --> 00:23:32,320
Speaker 1: Okay, let's try the second take a little quicker and

510
00:23:32,359 --> 00:23:34,760
Speaker 1: maybe just a little more of your natural voice, and

511
00:23:34,760 --> 00:23:38,160
Speaker 1: see what that sounds like. Perfect, all right, and then

512
00:23:38,480 --> 00:23:39,479
Speaker 1: so act your pleasure.

513
00:23:39,520 --> 00:23:39,879
Speaker 2: Please.

514
00:23:42,320 --> 00:23:45,159
Speaker 6: We take twelve ounces of fresh lean beef, lay it

515
00:23:45,200 --> 00:23:47,680
Speaker 6: over an open flame, then cover it with a blankket

516
00:23:47,720 --> 00:23:50,520
Speaker 6: of cheddar cheese, bacon, and hallapang is. Then we put

517
00:23:50,520 --> 00:23:52,280
Speaker 6: it down for the night on a bed of hot

518
00:23:52,320 --> 00:23:56,760
Speaker 6: and crispy French fries. Good luck falling asleep the new

519
00:23:56,880 --> 00:24:01,240
Speaker 6: Nightmare Burger only from Burger Palace. Sweet.

520
00:24:02,440 --> 00:24:05,159
Speaker 2: I thought that was great, Thank you so much, Hannabama,

521
00:24:05,200 --> 00:24:06,400
Speaker 2: will be right back with you.

522
00:24:06,920 --> 00:24:10,920
Speaker 5: Ah lover a lot of personnelity know, I afraid to laugh,

523
00:24:11,000 --> 00:24:12,720
Speaker 5: and it sounded her.

524
00:24:13,040 --> 00:24:14,000
Speaker 2: That was great, right.

525
00:24:14,080 --> 00:24:16,359
Speaker 1: I love loved the little the some of the ad

526
00:24:16,400 --> 00:24:18,680
Speaker 1: libs that were in there, and and kind of the yeah,

527
00:24:18,680 --> 00:24:19,479
Speaker 1: the laughing at the end.

528
00:24:19,520 --> 00:24:21,879
Speaker 2: I thought that was a great second take. Agreed.

529
00:24:22,200 --> 00:24:25,600
Speaker 3: Yeah, okay, best of the best. Now I'm remembering why

530
00:24:25,640 --> 00:24:26,480
Speaker 3: these people.

531
00:24:26,200 --> 00:24:28,879
Speaker 2: Won, why they made it, because again it's yeah, the.

532
00:24:29,280 --> 00:24:32,320
Speaker 3: Little direction they now they have a good microphone setup, like,

533
00:24:32,359 --> 00:24:33,679
Speaker 3: oh boy, this is for really what.

534
00:24:34,280 --> 00:24:36,120
Speaker 2: Do they win? I mean, do you actually get.

535
00:24:36,000 --> 00:24:40,440
Speaker 1: The Jim Oh geez, Jim. So our winners get flown

536
00:24:40,440 --> 00:24:42,520
Speaker 1: out to Los Angeles to have lunch with Christy and I.

537
00:24:42,720 --> 00:24:46,960
Speaker 1: They win one thousand dollars, They win a session with

538
00:24:47,520 --> 00:24:50,439
Speaker 1: uh Emmy Award winning director Sam Regal and Mary McGlynn

539
00:24:50,480 --> 00:24:53,680
Speaker 1: from Critical Role, and they signed with CESD for a year.

540
00:24:54,000 --> 00:24:58,520
Speaker 2: Get out of here. They signed with CESD for a year. Yep,

541
00:24:58,680 --> 00:25:00,000
Speaker 2: so Ard agency to get it.

542
00:25:01,000 --> 00:25:04,080
Speaker 1: Yeah, this is very legit. So we had a lot

543
00:25:04,080 --> 00:25:07,280
Speaker 1: of people help us with this contest. So we're we're

544
00:25:07,280 --> 00:25:08,840
Speaker 1: trying to find the best of the best, because they're

545
00:25:08,840 --> 00:25:13,120
Speaker 1: signing with the best of the best. I think one

546
00:25:13,160 --> 00:25:14,680
Speaker 1: of the rules was you can never have been signed

547
00:25:14,680 --> 00:25:17,840
Speaker 1: by an agent before Jim, so I think seeing as

548
00:25:17,880 --> 00:25:20,399
Speaker 1: you had kind of a career to this point, you

549
00:25:20,480 --> 00:25:22,400
Speaker 1: might not be able to So it's.

550
00:25:22,200 --> 00:25:27,280
Speaker 2: Not very Yeah, you're right, gracious, Yeah, unbelievable.

551
00:25:27,359 --> 00:25:29,400
Speaker 1: I love it. Butt man. Oh, we're going to find somebody.

552
00:25:29,920 --> 00:25:32,000
Speaker 1: So if we can bring Dylan back in and see

553
00:25:32,000 --> 00:25:38,520
Speaker 1: what Dylan can do with our Burger Palace spot. Hey Dylan, Hey,

554
00:25:39,119 --> 00:25:41,600
Speaker 1: let's just jump right into it. See what your instincts are.

555
00:25:41,720 --> 00:25:43,720
Speaker 1: Line number one, Please, at your pleasure.

556
00:25:44,680 --> 00:25:48,280
Speaker 7: We take twelve ounces of fresh lean beef, lay it

557
00:25:48,280 --> 00:25:52,280
Speaker 7: over open flame, then cover with a blanket of cheddar cheese, bacon,

558
00:25:52,320 --> 00:25:55,080
Speaker 7: and halapenos. Then we put it down for the Nile

559
00:25:55,119 --> 00:25:57,920
Speaker 7: on a bed of hot and crispy French fries. Good

560
00:25:58,040 --> 00:26:02,439
Speaker 7: luck falling asleep The Nightmare Burger only from Burger Palace,

561
00:26:02,960 --> 00:26:05,719
Speaker 7: Sweet Dreams.

562
00:26:06,320 --> 00:26:08,399
Speaker 2: Jim Any notes, very nice.

563
00:26:10,119 --> 00:26:15,560
Speaker 5: Well, again, this is a TV spot or radio spot.

564
00:26:15,720 --> 00:26:18,960
Speaker 5: I think it'll probably you know, if you were hired

565
00:26:19,000 --> 00:26:21,679
Speaker 5: for such a thing, you'd have to probably pick up

566
00:26:21,680 --> 00:26:24,879
Speaker 5: the pace a little bit more while making it sound

567
00:26:25,359 --> 00:26:29,719
Speaker 5: natural so to fit into the you know, the arbitrary

568
00:26:29,760 --> 00:26:31,399
Speaker 5: designation of fifteen.

569
00:26:31,080 --> 00:26:32,359
Speaker 2: Or thirty or whatever it happens to be.

570
00:26:32,440 --> 00:26:35,520
Speaker 5: Plus they've got other effects and bumpers and legal and

571
00:26:35,560 --> 00:26:37,959
Speaker 5: who knows what that has to also share the same space.

572
00:26:38,600 --> 00:26:44,359
Speaker 5: So probably for the purposes of sounding like a commercial,

573
00:26:44,400 --> 00:26:46,919
Speaker 5: which I don't know, may not, may not actually be

574
00:26:46,960 --> 00:26:49,680
Speaker 5: what we're going for here, but you want to, you'll.

575
00:26:49,480 --> 00:26:51,439
Speaker 2: Want to, you want to tighten it up a little bit.

576
00:26:51,480 --> 00:26:53,960
Speaker 5: I'm guarantee that they would ask you to do that,

577
00:26:54,280 --> 00:26:57,680
Speaker 5: because it seems to be a default kind of direction

578
00:26:57,840 --> 00:26:59,119
Speaker 5: to could you do it a little faster.

579
00:26:59,480 --> 00:27:00,560
Speaker 2: I've heard it for.

580
00:27:00,520 --> 00:27:02,320
Speaker 5: The last thirty five years, and I don't think it's

581
00:27:02,320 --> 00:27:05,919
Speaker 5: going to ever stop. So that's that's all I would say.

582
00:27:05,960 --> 00:27:08,360
Speaker 5: I mean, you're finding what you're finding in it, and

583
00:27:09,160 --> 00:27:14,320
Speaker 5: you know it's it's a script about burgers. The one

584
00:27:14,359 --> 00:27:16,479
Speaker 5: thing I guess that you could take a look at it.

585
00:27:17,280 --> 00:27:19,399
Speaker 5: And again, this is an art form. There's no right

586
00:27:19,480 --> 00:27:22,480
Speaker 5: or wrong way, absolutely no right or wrong way right.

587
00:27:22,600 --> 00:27:25,919
Speaker 5: It is your creation and your decision, and you may

588
00:27:26,040 --> 00:27:27,119
Speaker 5: make you make.

589
00:27:26,960 --> 00:27:27,720
Speaker 2: A great choice.

590
00:27:27,960 --> 00:27:30,359
Speaker 5: Some other actor makes a great choice and they decide, well,

591
00:27:30,400 --> 00:27:34,560
Speaker 5: let's go with this great choice. There's infinite variety, but

592
00:27:34,600 --> 00:27:36,600
Speaker 5: you can always think about something in terms of like

593
00:27:36,680 --> 00:27:39,240
Speaker 5: a story that has a beginning, the middle and an end,

594
00:27:39,800 --> 00:27:42,119
Speaker 5: has a bit of an arc. There's a progress of

595
00:27:43,320 --> 00:27:45,240
Speaker 5: the idea of what's happening.

596
00:27:45,480 --> 00:27:47,359
Speaker 2: You know, first you do this, then you do this,

597
00:27:47,840 --> 00:27:49,639
Speaker 2: and then you do this. You know, I don't know.

598
00:27:49,840 --> 00:27:52,159
Speaker 5: It's just a sequence. There's no again, no right or

599
00:27:52,160 --> 00:27:54,000
Speaker 5: wrong way to do it. But it's something to think of, well,

600
00:27:54,040 --> 00:27:57,479
Speaker 5: what's the first part, what's the second bird, and how

601
00:27:57,480 --> 00:27:59,720
Speaker 5: does it all wrap up? You know, as if it

602
00:27:59,760 --> 00:28:02,080
Speaker 5: was a story, you know, or something like that, something

603
00:28:02,119 --> 00:28:03,680
Speaker 5: to look at. If it helps, If it doesn't, I

604
00:28:03,680 --> 00:28:07,359
Speaker 5: would jettison it. But that's just like a something I

605
00:28:07,400 --> 00:28:10,119
Speaker 5: think of when I'm when I'm working with scripts and

606
00:28:10,280 --> 00:28:11,080
Speaker 5: or when I'm directing.

607
00:28:11,560 --> 00:28:13,200
Speaker 2: Gotcha, Christy.

608
00:28:14,320 --> 00:28:17,679
Speaker 3: I definitely think pacing would have to be up at

609
00:28:17,760 --> 00:28:21,640
Speaker 3: least fifty percent energy, maybe even eighty percent. But when

610
00:28:21,640 --> 00:28:24,000
Speaker 3: I say energy, I think I'm like wanting to crave

611
00:28:24,080 --> 00:28:29,200
Speaker 3: the burger. I maybe sounding less like the actor's approach

612
00:28:29,240 --> 00:28:31,560
Speaker 3: that Jim knows how to take, and I may be

613
00:28:31,600 --> 00:28:35,679
Speaker 3: sounding more like a client, but I definitely want to

614
00:28:35,720 --> 00:28:39,560
Speaker 3: crave the burger more by using more of like language

615
00:28:39,640 --> 00:28:42,960
Speaker 3: that almost feels a little bit more alluring about the

616
00:28:43,200 --> 00:28:44,560
Speaker 3: you know, the product that you're selling.

617
00:28:45,080 --> 00:28:49,440
Speaker 2: It's a nightmare burger, or you could.

618
00:28:49,280 --> 00:28:51,960
Speaker 3: Do something different in that it is a nightmare burger

619
00:28:51,960 --> 00:28:53,920
Speaker 3: and you could play with it being a scary burger

620
00:28:53,960 --> 00:28:56,000
Speaker 3: because you have base in your voice. So what do

621
00:28:56,040 --> 00:28:58,200
Speaker 3: you think, Jim about making bold choices like that, because

622
00:28:58,240 --> 00:29:01,160
Speaker 3: we've seen bold choices done when we create animated characters

623
00:29:01,160 --> 00:29:02,120
Speaker 3: in our last round.

624
00:29:03,880 --> 00:29:07,640
Speaker 5: I'm in favorable choices because I think what cuts through.

625
00:29:07,920 --> 00:29:12,000
Speaker 5: I mean, at the end of the day, clients, whether

626
00:29:12,040 --> 00:29:13,720
Speaker 5: they know it or not, or can articulate it or not,

627
00:29:13,760 --> 00:29:17,920
Speaker 5: what they want is something that cuts through and attracts

628
00:29:17,920 --> 00:29:18,440
Speaker 5: our attention.

629
00:29:18,880 --> 00:29:22,520
Speaker 2: So if it's the same sort of delivery, I just

630
00:29:22,600 --> 00:29:23,320
Speaker 2: don't think it works.

631
00:29:23,400 --> 00:29:26,720
Speaker 5: They may feel confident and more safe choosing that person,

632
00:29:26,760 --> 00:29:28,920
Speaker 5: but you can wrap your head around a million different ways.

633
00:29:28,960 --> 00:29:32,680
Speaker 5: I think it's always safe to be decisive in your

634
00:29:32,760 --> 00:29:37,920
Speaker 5: choices and to just own it, you know, and not

635
00:29:38,000 --> 00:29:41,520
Speaker 5: feel like you have to sound like every other freaking

636
00:29:42,000 --> 00:29:43,720
Speaker 5: radio commercial you've ever heard in your life.

637
00:29:44,320 --> 00:29:47,000
Speaker 3: Right, So definitely faster for me that we both concur

638
00:29:47,120 --> 00:29:49,640
Speaker 3: But then in terms of making a bolder choice, I

639
00:29:49,640 --> 00:29:50,640
Speaker 3: don't know. I leave it to Will.

640
00:29:50,760 --> 00:29:52,840
Speaker 1: Well, what do you think I have nothing to add

641
00:29:52,840 --> 00:29:54,800
Speaker 1: to that? I think that's exactly right. I think because

642
00:29:55,120 --> 00:29:56,880
Speaker 1: every we're kind of all saying the same thing definitely

643
00:29:56,880 --> 00:29:59,560
Speaker 1: needs to be quicker. But that's easy. Then it's just

644
00:29:59,560 --> 00:30:01,880
Speaker 1: a matter of how do you want to do it?

645
00:30:01,920 --> 00:30:04,280
Speaker 1: And sometimes as exactly what Jim is saying, it's a

646
00:30:04,280 --> 00:30:07,160
Speaker 1: strange business. Sometimes reading it exactly how you think it

647
00:30:07,200 --> 00:30:10,320
Speaker 1: should be read will get you the job, and sometimes

648
00:30:10,360 --> 00:30:13,000
Speaker 1: reading it a way that nobody else has thought about

649
00:30:13,000 --> 00:30:15,360
Speaker 1: reading it is what gets you the job. It's a

650
00:30:15,480 --> 00:30:19,160
Speaker 1: strange kind of world. So we have I would say

651
00:30:19,160 --> 00:30:21,880
Speaker 1: we have one that way, and I don't think it

652
00:30:21,920 --> 00:30:24,920
Speaker 1: was a bad read. Again, could have been a little faster,

653
00:30:25,000 --> 00:30:27,440
Speaker 1: but I like kind of the sultry you get the

654
00:30:27,520 --> 00:30:29,720
Speaker 1: kind of almost don't bother me. I'm eating kind of

655
00:30:29,960 --> 00:30:32,959
Speaker 1: kind of aspect from it, like the Carl's Junior kind

656
00:30:32,960 --> 00:30:35,640
Speaker 1: of thing, and that works. I mean, obviously it's works

657
00:30:35,400 --> 00:30:38,240
Speaker 1: for many companies. But let's see if you take a

658
00:30:38,240 --> 00:30:42,720
Speaker 1: different tact with it, what would happen. So for yeah,

659
00:30:42,760 --> 00:30:47,160
Speaker 1: your next read, switch it up, do whatever you want

660
00:30:47,200 --> 00:30:49,280
Speaker 1: and see what happens. I'm a fan off. You're going

661
00:30:49,320 --> 00:30:51,440
Speaker 1: to hit the wall anyway, run into it full speed.

662
00:30:51,480 --> 00:30:52,480
Speaker 1: That's how I look at it.

663
00:30:52,560 --> 00:30:56,600
Speaker 2: So Dylan, yep, take two Dylan, at your pleasure.

664
00:30:57,840 --> 00:31:00,800
Speaker 7: We take twelve ounces of fresh lean be We lay

665
00:31:00,800 --> 00:31:03,480
Speaker 7: it over open flame. Then cover with a blanket of

666
00:31:03,560 --> 00:31:06,400
Speaker 7: cheddar cheese, bacon, and halapennas, and then we put it

667
00:31:06,440 --> 00:31:08,000
Speaker 7: down for the night on a bed of hot and

668
00:31:08,080 --> 00:31:11,800
Speaker 7: crispy French fries. Good luck falling asleep, the new Nightmare

669
00:31:11,840 --> 00:31:14,680
Speaker 7: Burger only from Burger Palace, Sweet Dreams.

670
00:31:16,520 --> 00:31:18,360
Speaker 2: Thank you very much. We'll be right back with this

671
00:31:18,880 --> 00:31:20,040
Speaker 2: nice adjustment. That's fun.

672
00:31:20,080 --> 00:31:20,320
Speaker 1: Thank you.

673
00:31:21,280 --> 00:31:21,920
Speaker 3: It was fun.

674
00:31:22,160 --> 00:31:23,160
Speaker 2: I thought it was fun too.

675
00:31:23,760 --> 00:31:25,840
Speaker 1: Took a hard ride there, that was he did, which

676
00:31:25,880 --> 00:31:27,400
Speaker 1: is kind of what we asked him to do. He

677
00:31:27,440 --> 00:31:29,480
Speaker 1: did it on the spot. Now, Jim, we always kind

678
00:31:29,480 --> 00:31:31,920
Speaker 1: of do this just just for our own edification, to

679
00:31:31,960 --> 00:31:33,880
Speaker 1: keep it kind of straight in our head. Is there

680
00:31:33,920 --> 00:31:36,840
Speaker 1: anybody for you that after the first round stands out

681
00:31:36,920 --> 00:31:38,440
Speaker 1: that they're they're a bit ahead.

682
00:31:38,680 --> 00:31:45,880
Speaker 5: Yeah, I mean I do agree that that Hannahbama had

683
00:31:45,920 --> 00:31:48,360
Speaker 5: seemed to have a little more coloration, just a little

684
00:31:48,360 --> 00:31:52,560
Speaker 5: more she'd made more choices, okay that I thought supported

685
00:31:52,720 --> 00:31:57,440
Speaker 5: the the script. So just on that level, she's a

686
00:31:57,440 --> 00:32:01,400
Speaker 5: little more confident. You know that that that shows because

687
00:32:01,480 --> 00:32:03,400
Speaker 5: you know that second read she did had a lot

688
00:32:03,480 --> 00:32:10,320
Speaker 5: of just nice special nuance and.

689
00:32:08,640 --> 00:32:11,200
Speaker 2: And you know, again it's arbitrary. I I liked her

690
00:32:11,280 --> 00:32:12,760
Speaker 2: read I liked what she did with it.

691
00:32:12,880 --> 00:32:16,520
Speaker 5: I also liked the adjustment that that the other guy

692
00:32:16,920 --> 00:32:20,800
Speaker 5: whose name escapes me, Dylan Dylan did. Of course, Dylan

693
00:32:21,200 --> 00:32:24,160
Speaker 5: Dylan Duck Dylan made a really nice adjustment. Also would

694
00:32:24,160 --> 00:32:25,760
Speaker 5: have gotten my attention if I was in my car

695
00:32:25,840 --> 00:32:27,360
Speaker 5: driving along. It would have made me think about it

696
00:32:27,400 --> 00:32:27,880
Speaker 5: a little bit.

697
00:32:29,160 --> 00:32:31,680
Speaker 2: So they're just like, you know, they have their merits.

698
00:32:31,680 --> 00:32:32,840
Speaker 2: They both well, let's move.

699
00:32:32,720 --> 00:32:34,920
Speaker 3: To second let's move to the second round then, Like.

700
00:32:35,040 --> 00:32:40,920
Speaker 1: I don't disagree with you, Frankly, nobody, nobody jumped out

701
00:32:40,960 --> 00:32:42,480
Speaker 1: at me for you know, for the first round, I

702
00:32:42,480 --> 00:32:44,400
Speaker 1: thought they both made good adjustments. I thought the reads

703
00:32:44,400 --> 00:32:46,600
Speaker 1: were natural. I thought they both picked up the pace

704
00:32:46,640 --> 00:32:50,720
Speaker 1: the second time. So yeah, I I think, uh, I

705
00:32:50,760 --> 00:32:53,680
Speaker 1: think that's good. So yeah, let's go to let's go

706
00:32:53,760 --> 00:32:56,880
Speaker 1: back to to Hanabama and and we'll see, uh what

707
00:32:57,000 --> 00:33:03,600
Speaker 1: the line too brings us? Right, Hey, Hannah, Hello, hello,

708
00:33:04,680 --> 00:33:09,480
Speaker 1: welcome back. We are moving to line number two. Sounds good?

709
00:33:10,280 --> 00:33:13,680
Speaker 1: And uh yeah again, know anything yet, just jump in

710
00:33:13,720 --> 00:33:16,280
Speaker 1: there and let's see what you do perfect at your pleasure.

711
00:33:16,880 --> 00:33:19,120
Speaker 1: When I'm looking for a new vehicle, only one word

712
00:33:19,160 --> 00:33:23,840
Speaker 1: comes to mind. Safety, Well, safety and reliability. Oh, and

713
00:33:23,960 --> 00:33:26,080
Speaker 1: roomy with all of my kids, I need the space.

714
00:33:26,560 --> 00:33:26,960
Speaker 3: Yeah.

715
00:33:27,000 --> 00:33:31,520
Speaker 6: So one word safety reliability roomy, safety reliar roomy.

716
00:33:31,800 --> 00:33:32,400
Speaker 1: Is that a thing?

717
00:33:33,040 --> 00:33:35,719
Speaker 6: Well, it is with the new Calenv misted, the Calenv

718
00:33:35,880 --> 00:33:39,720
Speaker 6: mist the most safety relyar roomy new SUV on the market.

719
00:33:40,000 --> 00:33:45,320
Speaker 2: Yeah, it's a thing now, cool, Jim.

720
00:33:46,240 --> 00:33:48,080
Speaker 5: I have a little trouble with this one, just in

721
00:33:48,200 --> 00:33:50,800
Speaker 5: terms of that word roomy, which ran together with the

722
00:33:50,840 --> 00:33:52,720
Speaker 5: other words. The first time I heard it, I didn't

723
00:33:52,800 --> 00:33:55,840
Speaker 5: understand the and then I caught on, Okay, it's roomy.

724
00:33:56,400 --> 00:33:58,200
Speaker 2: And then what's the name of the vehicle? That'sn't made

725
00:33:58,240 --> 00:33:59,480
Speaker 2: up vehicle name? Right? It is?

726
00:33:59,520 --> 00:34:02,360
Speaker 1: Of course it's the kal missed. Yes, this is all

727
00:34:02,400 --> 00:34:05,040
Speaker 1: my where we can't use real products, Jim. So my

728
00:34:05,120 --> 00:34:08,000
Speaker 1: name's not even Will on this podcast, it's it's Rick,

729
00:34:08,239 --> 00:34:08,960
Speaker 1: just in case.

730
00:34:08,760 --> 00:34:13,359
Speaker 5: And you're in a secure location right somewhere, I am. So,

731
00:34:13,400 --> 00:34:14,200
Speaker 5: what was the name of the car?

732
00:34:14,239 --> 00:34:20,440
Speaker 2: Sorry? The CALLANV missed? Okay, Calendi missed. Okay. Yeah, I.

733
00:34:22,160 --> 00:34:25,480
Speaker 5: Got the mood very well, of you know, adding on

734
00:34:26,200 --> 00:34:31,640
Speaker 5: all that and that sort of sequence. I did have

735
00:34:31,719 --> 00:34:36,839
Speaker 5: trouble with just diction on those difficult words. First of all,

736
00:34:36,960 --> 00:34:41,280
Speaker 5: the roomy, because roomy kind of ran together with oh yeah.

737
00:34:41,360 --> 00:34:44,440
Speaker 5: I think he said something like on roomy, and then

738
00:34:44,480 --> 00:34:47,080
Speaker 5: I didn't know what that meant. Because I didn't it

739
00:34:47,120 --> 00:34:52,000
Speaker 5: didn't separate out enough. I think that since it's it

740
00:34:52,040 --> 00:34:54,480
Speaker 5: becomes a big part of the script, the word roomy.

741
00:34:55,080 --> 00:34:57,239
Speaker 2: So I think in the beginning, if I.

742
00:34:57,320 --> 00:35:00,839
Speaker 5: Was the advertising walk who was direc I would say

743
00:35:00,840 --> 00:35:04,359
Speaker 5: we need to billboard roomy a little bit more and say, oh,

744
00:35:04,400 --> 00:35:07,680
Speaker 5: and roomy would be one solution, doesn't have to be

745
00:35:07,719 --> 00:35:11,840
Speaker 5: the only solution. So because I the first big hunk

746
00:35:11,840 --> 00:35:14,319
Speaker 5: of that line, I was like, what did I just hear?

747
00:35:15,080 --> 00:35:18,200
Speaker 2: So I just didn't quite get that word as easy

748
00:35:18,280 --> 00:35:19,040
Speaker 2: to fix.

749
00:35:19,239 --> 00:35:22,080
Speaker 5: As far as the delivery and the mood and the style,

750
00:35:22,600 --> 00:35:25,279
Speaker 5: I thought that terrific, great choice, Thank you.

751
00:35:28,280 --> 00:35:31,200
Speaker 3: I think that the articulation will help sell it better.

752
00:35:31,960 --> 00:35:34,440
Speaker 3: I think that we do it is interesting. I never

753
00:35:34,480 --> 00:35:37,319
Speaker 3: thought about it this way. We dance this fine line

754
00:35:37,360 --> 00:35:40,200
Speaker 3: of authenticity with our voices, but also with like this

755
00:35:40,320 --> 00:35:44,960
Speaker 3: like strange sense of professionalism in the articulation of the words,

756
00:35:45,200 --> 00:35:47,800
Speaker 3: which I think you've already kind of got the training

757
00:35:47,840 --> 00:35:51,080
Speaker 3: in and I've got Did you have a theater background?

758
00:35:51,120 --> 00:35:52,200
Speaker 3: Is that I forgot.

759
00:35:52,320 --> 00:35:55,320
Speaker 6: Actually, no, I have more opera background than anything.

760
00:35:55,640 --> 00:35:59,400
Speaker 3: So I think with opera from what I remember, I

761
00:35:59,440 --> 00:36:02,160
Speaker 3: was training a little bit for that, and so much

762
00:36:02,239 --> 00:36:05,680
Speaker 3: of you know, the way that you're positioning your mouth

763
00:36:06,120 --> 00:36:08,800
Speaker 3: will get the sound out in a particular way, you know. Yes,

764
00:36:09,120 --> 00:36:11,520
Speaker 3: so it's the same here, but I think with the

765
00:36:11,920 --> 00:36:15,600
Speaker 3: with the points at which you choose to articulate, like

766
00:36:15,640 --> 00:36:18,160
Speaker 3: those kinds of things, making it more sing songy, but

767
00:36:18,239 --> 00:36:22,480
Speaker 3: also hitting those those consonants and those things. Right, I

768
00:36:22,560 --> 00:36:25,840
Speaker 3: personally have had luck in anytime my booke dad reads

769
00:36:27,520 --> 00:36:30,719
Speaker 3: you know, I think that helps personally. Sure, So if

770
00:36:30,760 --> 00:36:33,120
Speaker 3: you want to try to feel that out a little

771
00:36:33,160 --> 00:36:36,440
Speaker 3: bit more, I'll pick up wherever Jim was kind of

772
00:36:36,680 --> 00:36:37,399
Speaker 3: mentioning that.

773
00:36:37,520 --> 00:36:40,719
Speaker 1: So sounds good, all right, yeah, I would just I

774
00:36:40,719 --> 00:36:43,160
Speaker 1: would agree. I would say the speed was good, but

775
00:36:43,239 --> 00:36:46,640
Speaker 1: now enunciate the words and yeah, let's make sure you're

776
00:36:46,680 --> 00:36:51,440
Speaker 1: bracketing the product. And other than that, I'd love to

777
00:36:51,480 --> 00:36:53,480
Speaker 1: just see, you know, hear another take.

778
00:36:54,080 --> 00:36:55,359
Speaker 6: Sure thing, So.

779
00:36:56,880 --> 00:36:59,240
Speaker 2: Any time you would like to go at your pleasure.

780
00:37:01,360 --> 00:37:03,839
Speaker 6: When I'm looking for a new vehicle, only one word

781
00:37:03,880 --> 00:37:10,000
Speaker 6: comes to mind. Safety, well, safety and reliability, Oh and

782
00:37:10,200 --> 00:37:13,280
Speaker 6: roomy with all of my kids. I need the space.

783
00:37:14,160 --> 00:37:14,600
Speaker 8: Yeah.

784
00:37:14,760 --> 00:37:20,279
Speaker 6: So one word safety reliability, roomy, safety relyar roomy. Is

785
00:37:20,320 --> 00:37:24,040
Speaker 6: that a thing? Well, it is with the new calenv Mist,

786
00:37:24,440 --> 00:37:29,040
Speaker 6: the calend misted the most safety relya roomy new suv.

787
00:37:28,800 --> 00:37:29,480
Speaker 1: On the market.

788
00:37:30,040 --> 00:37:31,560
Speaker 6: Yeah, it's a thing now.

789
00:37:33,840 --> 00:37:36,120
Speaker 1: Thank you very much. We'll be right back with you, Hannah.

790
00:37:36,160 --> 00:37:37,680
Speaker 6: Thank you that see.

791
00:37:37,760 --> 00:37:41,040
Speaker 1: I thought that that second take to me sounded like

792
00:37:41,920 --> 00:37:45,440
Speaker 1: young mom wanting the vehicle. I could hear that in

793
00:37:45,440 --> 00:37:47,640
Speaker 1: my I could hear that while driving in my car

794
00:37:47,760 --> 00:37:50,120
Speaker 1: like I wouldn't. There are times where you do hear

795
00:37:50,239 --> 00:37:53,680
Speaker 1: some ads in your car or on Instagram something like that,

796
00:37:53,719 --> 00:37:56,040
Speaker 1: where you go ooh that was who voiced that that

797
00:37:56,200 --> 00:38:00,800
Speaker 1: was really strange, where this one I thought sounded very natural.

798
00:38:01,000 --> 00:38:03,600
Speaker 1: So that was I thought that second she really took

799
00:38:03,640 --> 00:38:05,799
Speaker 1: the notes and really enunciated, And I thought that second

800
00:38:05,840 --> 00:38:06,399
Speaker 1: take was great.

801
00:38:06,719 --> 00:38:08,160
Speaker 2: Yeah, very very understandable.

802
00:38:08,719 --> 00:38:09,080
Speaker 1: Christy.

803
00:38:09,440 --> 00:38:11,319
Speaker 3: Oh, I think that we could have done a take

804
00:38:11,360 --> 00:38:13,600
Speaker 3: three and she would have totally nailed it, because I

805
00:38:13,640 --> 00:38:17,520
Speaker 3: think from what she was choosing to do with her pronunciation,

806
00:38:17,680 --> 00:38:19,799
Speaker 3: I thought she nailed that part, but she lost a

807
00:38:19,800 --> 00:38:22,400
Speaker 3: little bit of the relatability from the first one. But

808
00:38:22,520 --> 00:38:26,480
Speaker 3: she didn't have as much fun. But I think that

809
00:38:26,520 --> 00:38:28,480
Speaker 3: she's in the pocket, and I think she's a pro.

810
00:38:28,600 --> 00:38:29,359
Speaker 3: I think she's a pro.

811
00:38:29,920 --> 00:38:31,040
Speaker 2: Yeah, she really is.

812
00:38:31,080 --> 00:38:33,320
Speaker 1: She really seems like she knows what she's doing. Very natural.

813
00:38:34,200 --> 00:38:36,000
Speaker 1: Let's bring Dylan back in and see what he does

814
00:38:36,000 --> 00:38:39,320
Speaker 1: with the callan v mist the newest SUV on the market.

815
00:38:39,680 --> 00:38:43,759
Speaker 2: Ellen, Hey, Dylan, how are you.

816
00:38:43,920 --> 00:38:45,160
Speaker 7: I'm doing just fine. How are you?

817
00:38:45,840 --> 00:38:48,279
Speaker 2: We're doing great? Thank you. We are moving on to

818
00:38:48,680 --> 00:38:49,480
Speaker 2: line number two.

819
00:38:49,840 --> 00:38:51,719
Speaker 1: All right, And you know we don't like to get

820
00:38:51,760 --> 00:38:53,239
Speaker 1: in your head before we see what she can do,

821
00:38:53,320 --> 00:38:55,920
Speaker 1: So go ahead and whatever you like at your pleasure.

822
00:38:56,239 --> 00:38:56,719
Speaker 1: You got it.

823
00:38:57,600 --> 00:38:59,759
Speaker 7: When I'm looking for a new vehicle, only one word

824
00:38:59,800 --> 00:39:03,560
Speaker 7: comes to mind. Safety, well, safety and reliability.

825
00:39:03,840 --> 00:39:05,000
Speaker 2: Oh and roomy.

826
00:39:05,000 --> 00:39:07,680
Speaker 7: With all of my kids, I need the space. Yeah,

827
00:39:07,719 --> 00:39:12,200
Speaker 7: so one word safety, reliability, roomy, safety, relyer roomy.

828
00:39:12,760 --> 00:39:13,359
Speaker 1: Is that a thing?

829
00:39:13,920 --> 00:39:16,280
Speaker 7: Well, it is with the new calendar missed the calend

830
00:39:16,280 --> 00:39:18,800
Speaker 7: be missed, the most safety, relier, roomy new SUV on

831
00:39:18,840 --> 00:39:21,000
Speaker 7: the market. Yeah it's a thing now.

832
00:39:22,840 --> 00:39:27,399
Speaker 2: Nice, Yeah, very nice. Jim any notes, good diction, good,

833
00:39:27,440 --> 00:39:30,160
Speaker 2: good performance. It occurred to me when you're reading this

834
00:39:30,280 --> 00:39:31,200
Speaker 2: that this sounds like a.

835
00:39:31,160 --> 00:39:33,080
Speaker 5: Script that would be more likely to be read by

836
00:39:33,080 --> 00:39:35,960
Speaker 5: a female because of the kids reference.

837
00:39:37,120 --> 00:39:40,520
Speaker 2: But that's not your fault, just an observation. I mean,

838
00:39:40,520 --> 00:39:47,640
Speaker 2: you can't help it. I thought, Yeah, I actually liked

839
00:39:47,640 --> 00:39:48,400
Speaker 2: all your choices.

840
00:39:48,600 --> 00:39:52,600
Speaker 5: I think at the end there's a little missed opportunity

841
00:39:53,440 --> 00:39:54,600
Speaker 5: with that last.

842
00:39:56,000 --> 00:39:57,880
Speaker 2: Convey what is it safety and.

843
00:39:59,440 --> 00:40:04,239
Speaker 5: The triumph for it of descriptors that last time you

844
00:40:04,320 --> 00:40:07,760
Speaker 5: mentioned it, you might put a little you know something

845
00:40:07,800 --> 00:40:10,600
Speaker 5: on it, just like here's that crazy word again, kind

846
00:40:10,600 --> 00:40:13,520
Speaker 5: of the thought. But that's just a missed opportunity that

847
00:40:13,560 --> 00:40:17,000
Speaker 5: you could easily repair in subsequent takes. But you had

848
00:40:17,040 --> 00:40:19,520
Speaker 5: many other opportunities that you did not miss.

849
00:40:19,600 --> 00:40:20,279
Speaker 2: I thought were great.

850
00:40:20,320 --> 00:40:24,879
Speaker 5: You gave us a viewpoint and feeling and humor when

851
00:40:24,920 --> 00:40:28,040
Speaker 5: it was appropriate, and yeah, I thought you did very well.

852
00:40:28,280 --> 00:40:30,080
Speaker 7: Thank you, Christy.

853
00:40:31,680 --> 00:40:35,720
Speaker 3: I think I think you did good personally. I think

854
00:40:37,239 --> 00:40:41,960
Speaker 3: for this next take, I think we want to I

855
00:40:41,960 --> 00:40:44,520
Speaker 3: think the pacing was really good. I think you definitely

856
00:40:44,640 --> 00:40:48,920
Speaker 3: learned from the first round. But see, I think that

857
00:40:49,000 --> 00:40:51,640
Speaker 3: if you're given something, especially on the contest, you have

858
00:40:51,680 --> 00:40:55,319
Speaker 3: to make the most of it for the sake of

859
00:40:55,440 --> 00:40:58,720
Speaker 3: you know, when you're in when you're in the audition space,

860
00:40:58,719 --> 00:41:00,399
Speaker 3: you really can't. You just have to make it your

861
00:41:00,440 --> 00:41:04,000
Speaker 3: own no matter what you're given. So I would think

862
00:41:04,040 --> 00:41:06,239
Speaker 3: that if they were to have to, if you would

863
00:41:06,280 --> 00:41:08,759
Speaker 3: have to make this work right and say that, you know,

864
00:41:08,800 --> 00:41:11,000
Speaker 3: I have a lot of kids, they'd probably have babies

865
00:41:11,000 --> 00:41:13,040
Speaker 3: crying and they'd have like, you know, stuff in the

866
00:41:13,040 --> 00:41:15,760
Speaker 3: background for this to kind of be sold by your voice.

867
00:41:16,160 --> 00:41:18,400
Speaker 3: So this would be like, you know, a modern dad

868
00:41:18,480 --> 00:41:21,200
Speaker 3: that has a wife that goes to work, so you're

869
00:41:21,239 --> 00:41:25,440
Speaker 3: stressed out, you're tired. I still think that even it's

870
00:41:25,560 --> 00:41:27,880
Speaker 3: even though it's an ad reed, that you're still a character,

871
00:41:28,239 --> 00:41:30,000
Speaker 3: right Like, I still think you have to approach it

872
00:41:30,280 --> 00:41:32,960
Speaker 3: and read it within the world and make it believable.

873
00:41:33,440 --> 00:41:36,600
Speaker 3: So if you're reading that he has kids, and he's

874
00:41:36,640 --> 00:41:38,319
Speaker 3: got all these kids and they all got to fit

875
00:41:38,360 --> 00:41:40,239
Speaker 3: into this car and oh my god, and you know,

876
00:41:40,640 --> 00:41:42,479
Speaker 3: and you know that the pacing needs to be fast,

877
00:41:42,480 --> 00:41:44,319
Speaker 3: and I think you do need to inject it with

878
00:41:44,360 --> 00:41:47,799
Speaker 3: some emotion so that it really, like what Jim was saying,

879
00:41:47,800 --> 00:41:51,799
Speaker 3: that it impinges upon the listener. And so yeah, that's

880
00:41:51,840 --> 00:41:54,040
Speaker 3: my that's my two cents on that. So maybe maybe

881
00:41:54,160 --> 00:41:56,520
Speaker 3: try to think about who this person is and the

882
00:41:56,560 --> 00:41:58,759
Speaker 3: stresses of needing this car, and this car is the

883
00:41:58,800 --> 00:42:00,560
Speaker 3: solution to all these kids.

884
00:42:00,760 --> 00:42:01,080
Speaker 2: Gotcha.

885
00:42:01,120 --> 00:42:02,360
Speaker 3: That's my two cents.

886
00:42:03,320 --> 00:42:05,440
Speaker 2: I thought it was good. I thought it was good.

887
00:42:05,120 --> 00:42:07,799
Speaker 2: I liked to read. I thought the pacing was good.

888
00:42:07,880 --> 00:42:11,279
Speaker 1: I think, yeah, bracket, the funny words, jazz hands, the

889
00:42:11,280 --> 00:42:13,200
Speaker 1: funny words, if you can. But other than that, I

890
00:42:13,200 --> 00:42:15,160
Speaker 1: thought it was good. And let's you know, give it

891
00:42:15,160 --> 00:42:16,600
Speaker 1: another take and see what you can do with it.

892
00:42:16,840 --> 00:42:18,200
Speaker 2: You got it at your pleasure.

893
00:42:19,000 --> 00:42:21,160
Speaker 7: When I'm looking for a new vehicle, the only one

894
00:42:21,200 --> 00:42:25,359
Speaker 7: word comes to mind safety, well, safety, hand reliability. Oh

895
00:42:25,440 --> 00:42:28,840
Speaker 7: and roomy. With all my kids, I need the space. Yeah,

896
00:42:28,880 --> 00:42:33,240
Speaker 7: so one word safety reliability, roomy, safety relia, roomy.

897
00:42:33,719 --> 00:42:34,319
Speaker 1: Is that a thing?

898
00:42:34,760 --> 00:42:36,359
Speaker 7: Well, it is with the well it is a new

899
00:42:36,440 --> 00:42:39,839
Speaker 7: CALENBI missed the Calibi missed the most safety reliar, roomy

900
00:42:39,880 --> 00:42:42,560
Speaker 7: new suv on the market. Yeah, it's a thing.

901
00:42:42,520 --> 00:42:46,440
Speaker 2: Now, Thank you so much. We'll be right back with you, Dylan.

902
00:42:46,880 --> 00:42:47,200
Speaker 2: Thank you.

903
00:42:50,239 --> 00:42:51,919
Speaker 1: His first take was better. I think we got into

904
00:42:51,960 --> 00:42:55,080
Speaker 1: his head too much. Yeah, I thought the first natural

905
00:42:55,080 --> 00:42:57,879
Speaker 1: take was the better way to go. Frankly, I think

906
00:42:57,880 --> 00:43:00,480
Speaker 1: he was a little too frantic on this second one.

907
00:43:02,120 --> 00:43:05,879
Speaker 1: So yeah, But I thought his first take was great. Frankly, yep,

908
00:43:05,960 --> 00:43:07,880
Speaker 1: I agree, all right.

909
00:43:08,440 --> 00:43:10,080
Speaker 3: I don't know if I thought it was great though.

910
00:43:10,200 --> 00:43:13,000
Speaker 3: I mean, look, I think personally, I'm I think Hannah's

911
00:43:14,080 --> 00:43:19,880
Speaker 3: acting it for me. Yeah, I think she feels I

912
00:43:19,880 --> 00:43:22,879
Speaker 3: think they're both really good. Obviously they would have made

913
00:43:22,880 --> 00:43:25,440
Speaker 3: it this far, but I do think that she's more

914
00:43:25,480 --> 00:43:28,240
Speaker 3: comfortable in the room. It feels like, no.

915
00:43:28,640 --> 00:43:30,680
Speaker 2: Did they. Yeah, I don't disagree.

916
00:43:30,680 --> 00:43:34,840
Speaker 1: But I thought his first take was was the male

917
00:43:35,000 --> 00:43:37,200
Speaker 1: version of her take. I thought, I thought was it

918
00:43:37,239 --> 00:43:39,080
Speaker 1: was a very natural read. I thought I did. I

919
00:43:39,080 --> 00:43:43,080
Speaker 1: thought his first take was a very natural read. And

920
00:43:43,120 --> 00:43:44,920
Speaker 1: sometimes your first take is the best one because you're

921
00:43:45,040 --> 00:43:46,760
Speaker 1: you're not in your head, you're not thinking about anything

922
00:43:46,800 --> 00:43:49,200
Speaker 1: anyone said to you. You're just reading it how you

923
00:43:49,239 --> 00:43:51,640
Speaker 1: hear it. And I thought it was it was natural.

924
00:43:51,640 --> 00:43:51,840
Speaker 2: I do.

925
00:43:51,920 --> 00:43:54,760
Speaker 1: I think I think you know so far, I would

926
00:43:54,760 --> 00:43:59,359
Speaker 1: say she probably is the more natural of the two.

927
00:44:01,280 --> 00:44:04,360
Speaker 1: That being said, I thought this set his second round

928
00:44:04,640 --> 00:44:08,319
Speaker 1: was pretty close to her second round, I would say, Yeah,

929
00:44:08,400 --> 00:44:10,760
Speaker 1: I did. I did. I thought, because again, it's difficult

930
00:44:10,760 --> 00:44:12,440
Speaker 1: when you do, like Jim said, I mean, the copy

931
00:44:12,480 --> 00:44:14,520
Speaker 1: does sort of lend itself to a female voice, so

932
00:44:14,560 --> 00:44:15,920
Speaker 1: you might kind of hear that in your head a

933
00:44:15,960 --> 00:44:17,759
Speaker 1: little bit going in. It sounds a little more like

934
00:44:17,800 --> 00:44:19,840
Speaker 1: a mom read. So when there's a man doing it,

935
00:44:19,920 --> 00:44:21,880
Speaker 1: it might not sound quite as natural. But I thought

936
00:44:21,880 --> 00:44:25,200
Speaker 1: he made it sound natural, So I thought, I think

937
00:44:25,239 --> 00:44:27,600
Speaker 1: that end time. And that's one of the things that

938
00:44:27,640 --> 00:44:29,279
Speaker 1: happens is sometimes you go in and you read it

939
00:44:29,320 --> 00:44:31,040
Speaker 1: for stuff that you're not right for, so you do

940
00:44:31,080 --> 00:44:33,160
Speaker 1: it a completely different way because you're like, what the hell,

941
00:44:33,200 --> 00:44:35,520
Speaker 1: this is a free swing. You know, there there was

942
00:44:35,600 --> 00:44:37,080
Speaker 1: holding on the play, so I get a free play

943
00:44:37,120 --> 00:44:39,120
Speaker 1: down the field and you just you take a shot.

944
00:44:39,160 --> 00:44:42,200
Speaker 1: And I thought, frankly, it was pretty good. So we'll see.

945
00:44:42,280 --> 00:44:44,279
Speaker 1: I think we're I think we're we're getting there, but

946
00:44:53,920 --> 00:44:57,319
Speaker 1: we will bring Hannah back in for for line number three.

947
00:44:57,400 --> 00:44:58,560
Speaker 2: Yeah, Jim question.

948
00:44:58,800 --> 00:45:02,480
Speaker 5: So it seems to me, just contest wise, there's a

949
00:45:02,520 --> 00:45:06,040
Speaker 5: little bit of an advantage of Hannah always starts.

950
00:45:06,440 --> 00:45:09,040
Speaker 2: It seems like you'd want to stagger that a little bit.

951
00:45:09,440 --> 00:45:10,600
Speaker 2: We can totally do that. We can.

952
00:45:10,800 --> 00:45:12,080
Speaker 1: I don't have a problem with that at all. We

953
00:45:12,080 --> 00:45:16,000
Speaker 1: can easily bring bring Dylan back. Let's bring Dylan back.

954
00:45:16,080 --> 00:45:18,120
Speaker 1: I got no problem with that. Hey, Dylan.

955
00:45:18,520 --> 00:45:21,160
Speaker 2: Hey, so, as you know, we are going to jump

956
00:45:21,239 --> 00:45:24,879
Speaker 2: into line number three now and we're switching up who's

957
00:45:24,920 --> 00:45:28,120
Speaker 2: going first, who's going second, So we're bringing you right

958
00:45:28,160 --> 00:45:31,680
Speaker 2: back in. And much like last round, this is going

959
00:45:31,719 --> 00:45:34,040
Speaker 2: to be a cold reading. So the way that we

960
00:45:34,719 --> 00:45:37,360
Speaker 2: gave you the third character last time out of nowhere

961
00:45:37,400 --> 00:45:39,200
Speaker 2: the line of dialogue, we're going to do the same

962
00:45:39,280 --> 00:45:44,240
Speaker 2: this time. And if you look at your chat, okay,

963
00:45:44,640 --> 00:45:46,759
Speaker 2: you should be able to see it should pop up

964
00:45:46,800 --> 00:45:47,720
Speaker 2: here any second.

965
00:45:48,840 --> 00:45:49,719
Speaker 7: Yep, I can see it.

966
00:45:50,719 --> 00:45:52,359
Speaker 1: You got it, and take on, don't you know, Take

967
00:45:52,400 --> 00:45:56,520
Speaker 1: a little time, and then when you're ready, go ahead

968
00:45:56,560 --> 00:45:57,200
Speaker 1: and give it a shot.

969
00:45:58,320 --> 00:46:01,520
Speaker 7: Seriously, what Sarah, what would I do with all the money?

970
00:46:01,640 --> 00:46:04,520
Speaker 7: I don't even know, vacation, quit my job, The sky's

971
00:46:04,560 --> 00:46:06,799
Speaker 7: the limit. I just know I'm gonna keep playing the

972
00:46:06,840 --> 00:46:10,640
Speaker 7: Freetonia State Lottery. You probably won't win, but what the hell,

973
00:46:10,760 --> 00:46:11,640
Speaker 7: it's only a buck?

974
00:46:15,040 --> 00:46:17,800
Speaker 2: Nice Jim, he got any notes?

975
00:46:18,120 --> 00:46:20,040
Speaker 5: He probably won't win because you've been up all night

976
00:46:20,080 --> 00:46:23,799
Speaker 5: because of that burger, because of the nightmare burger.

977
00:46:24,320 --> 00:46:26,840
Speaker 3: And all those kids, so many burgers, and.

978
00:46:26,840 --> 00:46:28,760
Speaker 7: So many and so many more Collenby mists.

979
00:46:29,800 --> 00:46:34,680
Speaker 5: Exactly exactly, So I thought I lost the top and

980
00:46:34,719 --> 00:46:37,880
Speaker 5: it may have been a glitch with the zoom. Frankly, seriously,

981
00:46:37,920 --> 00:46:40,279
Speaker 5: what would I do with all the money? Sounded like

982
00:46:40,360 --> 00:46:42,960
Speaker 5: what what to do with all the money? Or there

983
00:46:42,960 --> 00:46:44,880
Speaker 5: was something missing in there a syllable And it may

984
00:46:44,920 --> 00:46:52,319
Speaker 5: be technical, but I think I think it was a

985
00:46:52,360 --> 00:46:54,719
Speaker 5: good read. Boy, you see copy like this all the time,

986
00:46:55,000 --> 00:46:58,080
Speaker 5: and I can't say that I've ever or not lately

987
00:46:58,080 --> 00:46:59,120
Speaker 5: booked anything like this.

988
00:46:59,719 --> 00:47:01,600
Speaker 2: But again, I like to think.

989
00:47:01,680 --> 00:47:03,839
Speaker 5: I think I mentioned to you this before that there's

990
00:47:03,920 --> 00:47:08,120
Speaker 5: there's a sort of a cycle of like it's a sequence.

991
00:47:08,200 --> 00:47:10,520
Speaker 2: So does it go somewhere? Does it keep building?

992
00:47:10,800 --> 00:47:12,759
Speaker 5: And I would think on this one maybe as a

993
00:47:12,840 --> 00:47:17,880
Speaker 5: choice artistically, you could build and get more excited as

994
00:47:17,880 --> 00:47:20,240
Speaker 5: it goes along, so it's not all just one level

995
00:47:20,320 --> 00:47:22,520
Speaker 5: that's all. Or find a dip in it somewhere if

996
00:47:22,520 --> 00:47:25,560
Speaker 5: you like. Again, and now this is a cold read,

997
00:47:25,640 --> 00:47:28,080
Speaker 5: so you didn't really plan ahead like that, but some

998
00:47:28,160 --> 00:47:31,279
Speaker 5: things it's a good thing to do. It's an art,

999
00:47:31,320 --> 00:47:34,759
Speaker 5: it's an art form. So but it made me laugh

1000
00:47:34,800 --> 00:47:37,919
Speaker 5: at the end, for sure, Christy.

1001
00:47:37,719 --> 00:47:40,120
Speaker 3: I have no notes. I think that I think I

1002
00:47:40,120 --> 00:47:41,240
Speaker 3: agree with what Chim said.

1003
00:47:41,840 --> 00:47:44,440
Speaker 1: Okay, I do too, I would say again cold reading.

1004
00:47:44,520 --> 00:47:46,120
Speaker 1: So I thought the first cold reading, for the first

1005
00:47:46,120 --> 00:47:47,279
Speaker 1: time you saw it, I thought it was great. I

1006
00:47:47,280 --> 00:47:49,880
Speaker 1: thought the energy was good, the pacing was good. I

1007
00:47:49,880 --> 00:47:51,799
Speaker 1: would say, now that you know what you're doing and

1008
00:47:51,840 --> 00:47:53,480
Speaker 1: you've read it, maybe just find a couple of peaks

1009
00:47:53,480 --> 00:47:56,200
Speaker 1: and valleys and you know, give us another another take

1010
00:47:56,239 --> 00:47:56,480
Speaker 1: with it.

1011
00:47:57,760 --> 00:48:00,520
Speaker 7: Seriously, what would I do with all the money? I

1012
00:48:00,520 --> 00:48:04,560
Speaker 7: don't even know, vacation, quit my job. The sky's the limit.

1013
00:48:04,960 --> 00:48:07,960
Speaker 7: I just know I'm gonna keep playing the Fredonia State Lottery.

1014
00:48:08,320 --> 00:48:11,480
Speaker 7: You probably won't win, but what the hell, it's only

1015
00:48:11,520 --> 00:48:11,920
Speaker 7: a buck.

1016
00:48:14,160 --> 00:48:16,840
Speaker 2: That was great. We will be right back with you. Thanks, Dylan,

1017
00:48:16,960 --> 00:48:21,480
Speaker 2: Thank you, good adjustment. That was a great adjustment. I

1018
00:48:21,480 --> 00:48:22,640
Speaker 2: thought he was natural.

1019
00:48:23,160 --> 00:48:25,360
Speaker 1: He's got that kind of frantic voice, which is exactly

1020
00:48:25,400 --> 00:48:28,960
Speaker 1: what those state lottery kind of voiceovers always seem to

1021
00:48:28,960 --> 00:48:32,120
Speaker 1: sound like. We've all read for that stuff.

1022
00:48:32,440 --> 00:48:34,200
Speaker 3: He has like a really good every band voice.

1023
00:48:34,800 --> 00:48:37,239
Speaker 2: Yeah, yeah, yeah, I think so too.

1024
00:48:37,280 --> 00:48:38,680
Speaker 1: And I think it's also on the It can be

1025
00:48:38,719 --> 00:48:40,440
Speaker 1: on the younger register or it can be deeper, and

1026
00:48:41,000 --> 00:48:42,920
Speaker 1: there's a nice kind of transition between the two, which

1027
00:48:42,960 --> 00:48:43,279
Speaker 1: is great.

1028
00:48:43,440 --> 00:48:43,920
Speaker 3: That's true.

1029
00:48:44,320 --> 00:48:46,239
Speaker 1: Let's bring Hannabama back and see what she can do

1030
00:48:46,280 --> 00:48:50,560
Speaker 1: with it. Hey Hannah, hello, Hello. So we are going

1031
00:48:50,640 --> 00:48:54,480
Speaker 1: to be going into round three, and round three is

1032
00:48:54,480 --> 00:48:57,320
Speaker 1: going to be just like like the last game we played,

1033
00:48:57,400 --> 00:49:00,000
Speaker 1: where you are now going to do a cold read perfect.

1034
00:49:00,400 --> 00:49:03,319
Speaker 1: So if you look up at your chat, we will

1035
00:49:03,320 --> 00:49:09,560
Speaker 1: be sending you a new piece of copy and we

1036
00:49:09,600 --> 00:49:11,600
Speaker 1: will go from there. We won't get in your head

1037
00:49:11,600 --> 00:49:13,479
Speaker 1: at all before you read it. Will give you some time,

1038
00:49:13,760 --> 00:49:16,319
Speaker 1: some time to read it, and then you can you

1039
00:49:16,360 --> 00:49:16,880
Speaker 1: can do.

1040
00:49:17,320 --> 00:49:18,280
Speaker 2: With it as you will.

1041
00:49:20,880 --> 00:49:24,080
Speaker 6: Curiously, we would I do with all the money I

1042
00:49:24,120 --> 00:49:27,120
Speaker 6: don't even know vacation, quit my job, and this guy's

1043
00:49:27,239 --> 00:49:30,880
Speaker 6: the limit. I just know I'm going to keep playing

1044
00:49:31,280 --> 00:49:33,280
Speaker 6: the free doona state lottery.

1045
00:49:33,760 --> 00:49:34,880
Speaker 1: You probably don't.

1046
00:49:34,680 --> 00:49:42,600
Speaker 6: Win, but what the hell, it's only a buck, Jim,

1047
00:49:42,760 --> 00:49:43,240
Speaker 6: it's good.

1048
00:49:43,520 --> 00:49:51,239
Speaker 5: I like the acting Fredonia, Free doona. That's a little

1049
00:49:51,239 --> 00:49:54,839
Speaker 5: thing to repair there. And you probably you said don't

1050
00:49:54,920 --> 00:49:57,160
Speaker 5: instead of won't to change the meaning a little bit.

1051
00:49:57,239 --> 00:49:59,359
Speaker 5: But you know, again, this is stuff that you It's

1052
00:49:59,360 --> 00:50:02,040
Speaker 5: a cold read, so a one hundred percent you probably

1053
00:50:02,239 --> 00:50:05,120
Speaker 5: you probably have not seen the famous movie Duck Soup

1054
00:50:05,200 --> 00:50:07,600
Speaker 5: with the Marx Brothers where the country of Fredonia.

1055
00:50:08,239 --> 00:50:15,279
Speaker 2: Yeah, okay, it's yeahale hail free down. Yeah. I think

1056
00:50:15,320 --> 00:50:17,920
Speaker 2: that's what the gifted copywriter was.

1057
00:50:18,960 --> 00:50:20,120
Speaker 1: Thank you, thank you very.

1058
00:50:20,080 --> 00:50:22,200
Speaker 2: Much, Thank you very much. What I liked.

1059
00:50:22,440 --> 00:50:24,880
Speaker 5: What I liked very much was that you did not

1060
00:50:26,239 --> 00:50:32,320
Speaker 5: cleave to uh, the the punctuation. You ran sentences together

1061
00:50:32,440 --> 00:50:35,640
Speaker 5: in a very natural way. You made you put seriously,

1062
00:50:35,680 --> 00:50:36,920
Speaker 5: what would I do with all the money in the

1063
00:50:37,000 --> 00:50:39,880
Speaker 5: one sentence, instead of giving it a big seriously and

1064
00:50:39,960 --> 00:50:41,000
Speaker 5: giving its own beat.

1065
00:50:42,000 --> 00:50:44,480
Speaker 2: I admire that. I think that's I like to do

1066
00:50:44,560 --> 00:50:47,560
Speaker 2: away with those, you know, if if it's appropriate.

1067
00:50:47,640 --> 00:50:50,040
Speaker 5: And I thought that you improved on the script by

1068
00:50:51,440 --> 00:50:55,680
Speaker 5: omitting those couple of places. So yeah, the only place

1069
00:50:55,719 --> 00:50:59,400
Speaker 5: where I felt sort of like bumpy was on that

1070
00:51:00,760 --> 00:51:04,480
Speaker 5: freaking name which is completely unimportant, but which is right

1071
00:51:05,000 --> 00:51:05,800
Speaker 5: so we can see it.

1072
00:51:07,200 --> 00:51:09,239
Speaker 6: Yeah, Christy didn't have a bit of a lag spike there.

1073
00:51:09,239 --> 00:51:13,200
Speaker 3: I was like, oh, yeah, well, I've seen us come

1074
00:51:13,280 --> 00:51:17,160
Speaker 3: up against is people. Not really the seriously like the

1075
00:51:17,480 --> 00:51:18,759
Speaker 3: exclamation what.

1076
00:51:18,880 --> 00:51:19,640
Speaker 1: Is that called.

1077
00:51:20,960 --> 00:51:22,000
Speaker 6: Exlamatory phrase?

1078
00:51:22,600 --> 00:51:25,719
Speaker 3: Yeah, just the yeah with the question mark towards the

1079
00:51:25,840 --> 00:51:28,440
Speaker 3: end of it, sort of what I do with all

1080
00:51:28,480 --> 00:51:29,880
Speaker 3: the money. I mean, I'm not I really don't want

1081
00:51:29,920 --> 00:51:31,799
Speaker 3: to line read, but I do think that it does

1082
00:51:31,880 --> 00:51:34,200
Speaker 3: seem like, because we talked about this being sort of

1083
00:51:34,200 --> 00:51:38,040
Speaker 3: almost like a build of excitement, that it seems like

1084
00:51:38,120 --> 00:51:40,200
Speaker 3: that would be like you're asking me, what would I

1085
00:51:40,239 --> 00:51:42,239
Speaker 3: do with all the money? Oh my god, I don't

1086
00:51:42,280 --> 00:51:44,680
Speaker 3: even know. So I do think that the you had

1087
00:51:44,760 --> 00:51:47,040
Speaker 3: a great natural flow to it that you still want

1088
00:51:47,080 --> 00:51:47,320
Speaker 3: to go with.

1089
00:51:47,960 --> 00:51:50,680
Speaker 2: Okay, Yeah, I don't think we talked with her about

1090
00:51:50,719 --> 00:51:51,120
Speaker 2: building it.

1091
00:51:51,800 --> 00:51:54,640
Speaker 3: We did not, but I think that we did. We

1092
00:51:54,800 --> 00:51:58,919
Speaker 3: did during the contest, so it's like, Hannah, no, you're fine,

1093
00:51:58,920 --> 00:52:01,160
Speaker 3: but Hannah, you know, like inter of it building. I

1094
00:52:01,200 --> 00:52:03,640
Speaker 3: think you could see that Juke had given a note.

1095
00:52:03,520 --> 00:52:05,160
Speaker 1: Before Yeah, sure, a shot.

1096
00:52:06,400 --> 00:52:07,440
Speaker 2: I thought it was good.

1097
00:52:07,480 --> 00:52:09,480
Speaker 1: I think yeah, I think now that you've seen it,

1098
00:52:09,719 --> 00:52:12,560
Speaker 1: maybe just hit some of the words that are there

1099
00:52:12,600 --> 00:52:14,120
Speaker 1: a little bit more, which they'd tell you just hey,

1100
00:52:14,160 --> 00:52:15,480
Speaker 1: can you clean it up a little bit. You'd get

1101
00:52:15,520 --> 00:52:18,040
Speaker 1: that a lot. That's a typical note, Hey can you

1102
00:52:18,080 --> 00:52:19,239
Speaker 1: just clean it up for us? But I thought the

1103
00:52:19,280 --> 00:52:21,560
Speaker 1: pacing was good and I thought the acting was good,

1104
00:52:21,600 --> 00:52:23,160
Speaker 1: and I think those are the two most important things.

1105
00:52:23,200 --> 00:52:26,640
Speaker 1: So just take another swing and see what happens. Alrighty

1106
00:52:27,960 --> 00:52:28,760
Speaker 1: go ahead anytime.

1107
00:52:29,280 --> 00:52:31,800
Speaker 6: Seriously, what would I do with all the money? I

1108
00:52:31,840 --> 00:52:35,920
Speaker 6: don't even know vacation, quit my job. The sky's the limit.

1109
00:52:36,320 --> 00:52:39,200
Speaker 6: I just know I'm going to keep playing the Freedona

1110
00:52:39,480 --> 00:52:43,439
Speaker 6: State Lottery. You probably won't win. What the hell, it's

1111
00:52:43,520 --> 00:52:44,120
Speaker 6: only a buck.

1112
00:52:46,680 --> 00:52:47,439
Speaker 2: I thought that was good.

1113
00:52:48,040 --> 00:52:51,440
Speaker 1: Yeah, again, the Fredonia is a note, but it doesn't

1114
00:52:51,480 --> 00:52:54,759
Speaker 1: it really doesn't matter. It's a fictional place. So I

1115
00:52:54,840 --> 00:52:58,200
Speaker 1: thought the I thought the reading was good, and we'll

1116
00:52:58,239 --> 00:52:59,040
Speaker 1: be right back with you.

1117
00:52:59,520 --> 00:53:00,399
Speaker 6: Thank you so so much.

1118
00:53:02,040 --> 00:53:04,040
Speaker 2: Okay, now we come to the big question.

1119
00:53:04,640 --> 00:53:07,600
Speaker 1: Has do we believe that somebody has clearly won or

1120
00:53:07,719 --> 00:53:10,080
Speaker 1: do we think we need to go to a tiebreaker challenge?

1121
00:53:10,400 --> 00:53:13,120
Speaker 2: Jim, I know you hate to judge. I'm sorry to

1122
00:53:13,160 --> 00:53:18,960
Speaker 2: put you on the spot. Oh I yeah, yeah, I

1123
00:53:19,040 --> 00:53:20,280
Speaker 2: mean it's so arbitrary.

1124
00:53:20,360 --> 00:53:28,800
Speaker 5: But they're very close in experience and in aptitude, it seems,

1125
00:53:28,960 --> 00:53:34,160
Speaker 5: and in you know, performance chops. So it's like female voice,

1126
00:53:34,239 --> 00:53:36,160
Speaker 5: male voice. I think they both have there's a place

1127
00:53:36,200 --> 00:53:38,240
Speaker 5: for both of them for sure in the industry.

1128
00:53:38,800 --> 00:53:41,160
Speaker 3: This is hard. And I was going to say her

1129
00:53:41,840 --> 00:53:45,000
Speaker 3: and then and then you had mentioned Jim maybe to

1130
00:53:45,080 --> 00:53:48,120
Speaker 3: put him first, and then I gave that an approach,

1131
00:53:48,400 --> 00:53:51,520
Speaker 3: a reapproach, and now I'm suck.

1132
00:53:54,640 --> 00:53:57,040
Speaker 2: No, I don't disagree. I think they both. And this

1133
00:53:57,160 --> 00:53:58,480
Speaker 2: is the thing that makes this so difficult.

1134
00:53:58,480 --> 00:54:01,800
Speaker 1: As we said from the beginning, the sixteen people that

1135
00:54:02,160 --> 00:54:05,040
Speaker 1: made it to the finals, could all be signed easily,

1136
00:54:05,120 --> 00:54:07,879
Speaker 1: all be signed by agents, could all work, could all

1137
00:54:08,160 --> 00:54:11,640
Speaker 1: have jobs, and I think will if they pursue it.

1138
00:54:11,719 --> 00:54:14,800
Speaker 1: I think they're especially with now after the pandemic, everything

1139
00:54:14,880 --> 00:54:15,480
Speaker 1: being remote.

1140
00:54:16,480 --> 00:54:17,920
Speaker 2: You don't have to be in LA, you don't have

1141
00:54:18,000 --> 00:54:22,000
Speaker 2: to do so. I easily see most.

1142
00:54:21,840 --> 00:54:24,040
Speaker 1: Of our contestants going on to have some sort of

1143
00:54:24,160 --> 00:54:25,520
Speaker 1: career in the voiceover industry.

1144
00:54:26,040 --> 00:54:29,479
Speaker 2: Unfortunately, we set out to pick one. So the question

1145
00:54:29,800 --> 00:54:30,359
Speaker 2: to do it too.

1146
00:54:30,600 --> 00:54:34,120
Speaker 1: Yeah, So the question is I would not be I

1147
00:54:34,200 --> 00:54:36,960
Speaker 1: would not be upset, and I'm being totally honest. I

1148
00:54:37,000 --> 00:54:39,200
Speaker 1: would not be upset going to a tiebreaker challenge with

1149
00:54:39,280 --> 00:54:42,040
Speaker 1: these two because I think they're both deserving of it.

1150
00:54:42,719 --> 00:54:45,680
Speaker 1: Some of them made They both at different times, made

1151
00:54:45,800 --> 00:54:51,360
Speaker 1: really interesting choices. They both took direction, they're both have

1152
00:54:52,520 --> 00:54:56,480
Speaker 1: a nice pipes, they both can act. They're checking the

1153
00:54:56,840 --> 00:55:00,720
Speaker 1: boxes that we're looking for. It's it's such a cliche,

1154
00:55:00,800 --> 00:55:02,160
Speaker 1: but it doesn't feel like there's going to be a

1155
00:55:02,239 --> 00:55:04,439
Speaker 1: loser this week. There's just gonna be somebody who won.

1156
00:55:05,719 --> 00:55:08,680
Speaker 1: So I have no problem in going to a tiebreaker.

1157
00:55:08,719 --> 00:55:10,640
Speaker 1: Does anybody have a problem in going to a tiebreaker

1158
00:55:11,719 --> 00:55:14,319
Speaker 1: to see who goes first. We're just gonna flip a coin.

1159
00:55:15,320 --> 00:55:17,040
Speaker 1: I think that's gonna be the best way to do it.

1160
00:55:17,239 --> 00:55:20,240
Speaker 1: So we're gonna say heads is going to be Hannah

1161
00:55:21,000 --> 00:55:24,440
Speaker 1: and tails is going to be Dylan. Okay, Heads is Hannah,

1162
00:55:24,520 --> 00:55:30,279
Speaker 1: Tails is Dylan Heads. So Hannah is going first. So

1163
00:55:30,440 --> 00:55:34,160
Speaker 1: let's bring Hannah back in and break the horrible news tour.

1164
00:55:37,160 --> 00:55:40,880
Speaker 1: Hey Hannah, Hello, Okay, So here's the thing. We're going

1165
00:55:40,920 --> 00:55:42,879
Speaker 1: to be totally honest. We're being honest with everybody going

1166
00:55:43,840 --> 00:55:47,680
Speaker 1: going down the pipe here. So you did amazing. Your

1167
00:55:47,960 --> 00:55:51,000
Speaker 1: your fellow contestant did amazing. So we are going to

1168
00:55:51,160 --> 00:55:58,160
Speaker 1: a tiebreaker challenge this pressure. So you will be getting

1169
00:55:58,480 --> 00:56:03,680
Speaker 1: another script in your chast all right, And I think

1170
00:56:03,840 --> 00:56:08,120
Speaker 1: you will recognize this as the wonderful, awful, terrible things

1171
00:56:08,200 --> 00:56:13,480
Speaker 1: you hear at the end of a you know, a medicine,

1172
00:56:14,400 --> 00:56:15,839
Speaker 1: you know, some kind of random pill.

1173
00:56:16,200 --> 00:56:18,040
Speaker 2: These are all the horrible side effects.

1174
00:56:18,760 --> 00:56:20,400
Speaker 1: I'm not going to tell you none of us are

1175
00:56:20,400 --> 00:56:22,279
Speaker 1: going to tell you how to take this in any way,

1176
00:56:22,360 --> 00:56:24,399
Speaker 1: shape or form. Do not hear you have to match

1177
00:56:24,480 --> 00:56:28,719
Speaker 1: anything on television or anything you've heard. Do whatever you

1178
00:56:28,880 --> 00:56:31,520
Speaker 1: want with this. Just take it however you want to

1179
00:56:31,560 --> 00:56:34,120
Speaker 1: take it, and we will go from there. Everybody's going

1180
00:56:34,200 --> 00:56:37,279
Speaker 1: to read it once, okay, and we were just going

1181
00:56:37,360 --> 00:56:38,080
Speaker 1: to see what you do with it.

1182
00:56:40,560 --> 00:56:43,839
Speaker 6: May cause hives, rash, migrainhead, explore to vision, deafness, loss

1183
00:56:43,880 --> 00:56:48,080
Speaker 6: of taste or smell, memory loss, uncontrollable salvation, memory loss, flatulence,

1184
00:56:48,120 --> 00:56:50,320
Speaker 6: and death. Do not take if you are pregnant. No

1185
00:56:50,440 --> 00:56:52,520
Speaker 6: anyone who is pregnant or have even met a pregnant

1186
00:56:52,520 --> 00:56:55,880
Speaker 6: person necessitol. Tell your doctor you need it now.

1187
00:56:58,280 --> 00:57:00,200
Speaker 2: Thank you very much, Hannah. We'll be right back with you.

1188
00:57:00,480 --> 00:57:00,800
Speaker 6: Thank you.

1189
00:57:01,960 --> 00:57:06,319
Speaker 9: Memory loss is in there twice, Thank you very much.

1190
00:57:06,760 --> 00:57:15,799
Speaker 9: And now we will go and we will bring in Dylan. Hey,

1191
00:57:15,880 --> 00:57:16,840
Speaker 9: Dylan Hey.

1192
00:57:17,680 --> 00:57:18,600
Speaker 2: So here's the thing.

1193
00:57:19,040 --> 00:57:21,320
Speaker 1: We are letting everybody know if this has been a

1194
00:57:21,440 --> 00:57:24,360
Speaker 1: very tough week, and believe it or not, Round two

1195
00:57:24,520 --> 00:57:27,920
Speaker 1: is starting with a tie breaker challenge. So we've sent

1196
00:57:28,000 --> 00:57:31,160
Speaker 1: you another little piece of copy there, got itt me

1197
00:57:31,200 --> 00:57:31,880
Speaker 1: go ahead.

1198
00:57:31,600 --> 00:57:33,200
Speaker 2: And give yourself some time.

1199
00:57:33,280 --> 00:57:34,960
Speaker 1: I think you'll recognize it as kind of one of

1200
00:57:35,040 --> 00:57:38,200
Speaker 1: those medical reads at the end of the different pill ads.

1201
00:57:38,560 --> 00:57:40,760
Speaker 2: Do not feel that you have to read it that way.

1202
00:57:40,960 --> 00:57:43,800
Speaker 2: Read it any way. You choose to do whatever with

1203
00:57:43,960 --> 00:57:44,560
Speaker 2: it you want.

1204
00:57:45,200 --> 00:57:51,040
Speaker 7: Okay, may cause hives, rat may cause hives, rash, my grain, headaches,

1205
00:57:51,080 --> 00:57:53,760
Speaker 7: blurred vision, deafness, loss of taste and smell, memory and loss,

1206
00:57:53,840 --> 00:57:56,880
Speaker 7: uncontrollable salivation, memory and loss, flatch, onents and death. Do

1207
00:57:57,040 --> 00:57:59,280
Speaker 7: not take if you're pregnant, know anyone who is pregnant

1208
00:57:59,440 --> 00:58:01,120
Speaker 7: or have met or have ever met a pregnant person.

1209
00:58:01,280 --> 00:58:03,240
Speaker 7: That's that's it all. Tell your doctor you need it now.

1210
00:58:04,920 --> 00:58:06,800
Speaker 2: All right, thank you so much. We'll be right back

1211
00:58:06,840 --> 00:58:07,000
Speaker 2: with you.

1212
00:58:12,040 --> 00:58:14,000
Speaker 1: So here's I'm gonna I'm going to clear a winner

1213
00:58:14,080 --> 00:58:16,880
Speaker 1: on that one. I agree, And here's why. To me,

1214
00:58:17,080 --> 00:58:18,640
Speaker 1: I'll be honest with you, it has nothing to do

1215
00:58:18,760 --> 00:58:21,160
Speaker 1: with the read. It has to do with the time

1216
00:58:21,400 --> 00:58:25,560
Speaker 1: she took before she decided to jump into it. And

1217
00:58:25,680 --> 00:58:26,560
Speaker 1: I think that matters.

1218
00:58:27,160 --> 00:58:29,160
Speaker 3: I know she noticed that a couple of times with him.

1219
00:58:29,240 --> 00:58:31,680
Speaker 1: Yeah, yeah, yeah, you know, And it's it's great that

1220
00:58:31,800 --> 00:58:34,040
Speaker 1: sometimes you just want to jump in. But she said, no,

1221
00:58:34,240 --> 00:58:36,360
Speaker 1: I need a moment. She took the time, she took

1222
00:58:36,440 --> 00:58:39,440
Speaker 1: her time with the copy, and because of that, it

1223
00:58:39,600 --> 00:58:42,160
Speaker 1: was a better read. And I think, frankly that matters.

1224
00:58:43,000 --> 00:58:44,280
Speaker 1: That's that's my two cents.

1225
00:58:44,520 --> 00:58:48,320
Speaker 2: Yeah, I can't can't disagree with that. That was a

1226
00:58:48,360 --> 00:58:49,400
Speaker 2: better a better read.

1227
00:58:50,400 --> 00:58:53,800
Speaker 3: Okay, it's a shame because we only had two guys

1228
00:58:53,920 --> 00:58:54,760
Speaker 3: in this contest.

1229
00:58:55,160 --> 00:58:57,000
Speaker 2: I know, we only had two lessons and we are.

1230
00:58:57,080 --> 00:58:59,640
Speaker 3: Truly trying to be as fair as possible.

1231
00:59:00,120 --> 00:59:04,520
Speaker 2: The women have been killing it. I've just been killing it.

1232
00:59:04,680 --> 00:59:05,240
Speaker 2: It's interesting.

1233
00:59:05,800 --> 00:59:10,439
Speaker 4: So we started with an equal number, yeah, full number. Yeah,

1234
00:59:10,480 --> 00:59:12,680
Speaker 4: we did, and were really close to it.

1235
00:59:13,160 --> 00:59:14,560
Speaker 2: Yeah, forty five hundred people.

1236
00:59:14,560 --> 00:59:16,880
Speaker 1: We narrowed it down. We tried to be as you know,

1237
00:59:17,040 --> 00:59:20,680
Speaker 1: completely unbiased as we could we and the women have

1238
00:59:21,000 --> 00:59:23,560
Speaker 1: just been slamming it, I mean, really doing well.

1239
00:59:24,200 --> 00:59:26,480
Speaker 2: So it's uh, it's a shame of losing another guy.

1240
00:59:26,560 --> 00:59:28,120
Speaker 2: But she she was great today.

1241
00:59:28,160 --> 00:59:31,000
Speaker 1: He was too, but that last round really decided it

1242
00:59:31,080 --> 00:59:33,920
Speaker 1: for me. So why don't we bring Dylan back in

1243
00:59:34,000 --> 00:59:36,000
Speaker 1: and break the horrible news to him? I hate this part,

1244
00:59:36,560 --> 00:59:37,280
Speaker 1: not me, not it.

1245
00:59:38,000 --> 00:59:39,840
Speaker 2: I'll do it. Thanks Christy.

1246
00:59:40,400 --> 00:59:41,280
Speaker 1: Hey Dylan, how are you?

1247
00:59:41,680 --> 00:59:42,400
Speaker 7: I'm doing just for that?

1248
00:59:42,520 --> 00:59:44,080
Speaker 2: How are you I'm good.

1249
00:59:44,160 --> 00:59:46,480
Speaker 1: Thanks. Look, we want to thank you so much. You

1250
00:59:46,640 --> 00:59:50,960
Speaker 1: have been doing so unbelievably well. It was really tough

1251
00:59:51,000 --> 00:59:53,480
Speaker 1: this week, it really was. Unfortunately, this is going to

1252
00:59:53,480 --> 00:59:55,760
Speaker 1: be as far as you're going in the contest, but

1253
00:59:56,000 --> 00:59:59,280
Speaker 1: you have done so. We've been talking about this and

1254
00:59:59,360 --> 01:00:00,560
Speaker 1: this is one of the things, as we were saying

1255
01:00:00,600 --> 01:00:04,880
Speaker 1: to Jim, is we truly believe and we're not just

1256
01:00:04,920 --> 01:00:07,040
Speaker 1: saying this. This is not lip service. We truly believe

1257
01:00:07,120 --> 01:00:10,000
Speaker 1: that the last the sixteen, the full sixteen, not even

1258
01:00:10,040 --> 01:00:11,160
Speaker 1: that you made it to the top eight, but the

1259
01:00:11,240 --> 01:00:15,440
Speaker 1: full sixteen could all be signed, certainly be signed by

1260
01:00:15,480 --> 01:00:19,120
Speaker 1: an agent, certainly work in the industry. So we definitely

1261
01:00:19,240 --> 01:00:23,280
Speaker 1: think that you you got to keep going very good.

1262
01:00:23,320 --> 01:00:25,400
Speaker 1: You made some great choices. Today again it went to

1263
01:00:25,480 --> 01:00:30,200
Speaker 1: a tiebreaker. It was that close. So Dylan, you've just

1264
01:00:30,320 --> 01:00:33,200
Speaker 1: been a wonderful contestant. Thank you so much, and please

1265
01:00:33,400 --> 01:00:36,520
Speaker 1: please keep going because you're really really good at this.

1266
01:00:36,680 --> 01:00:38,560
Speaker 7: Oh no, I will, and thank you very much for

1267
01:00:38,600 --> 01:00:39,200
Speaker 7: the opportunity.

1268
01:00:39,280 --> 01:00:44,360
Speaker 2: This has been a lot of funky. Nice to meet you, Dylan,

1269
01:00:44,960 --> 01:00:45,560
Speaker 2: meeting you as well.

1270
01:00:45,880 --> 01:00:47,560
Speaker 1: We will see you in the future in a booth. Dylan,

1271
01:00:47,600 --> 01:00:49,520
Speaker 1: I can guarantee you that's going to happen. Thank you

1272
01:00:49,680 --> 01:00:53,200
Speaker 1: very much, Thanks my friend, see you again, see you, Hie,

1273
01:00:53,320 --> 01:00:57,040
Speaker 1: Dylan better. Oh it sucks.

1274
01:00:57,080 --> 01:00:58,400
Speaker 2: I hate this so much, bummer.

1275
01:00:59,000 --> 01:01:00,720
Speaker 1: I'm just in my head every time I do this,

1276
01:01:00,800 --> 01:01:03,280
Speaker 1: I just think to myself, at the end, we're going

1277
01:01:03,360 --> 01:01:05,360
Speaker 1: to get to give somebody a chance to sign with

1278
01:01:05,480 --> 01:01:08,720
Speaker 1: ced CSD and start their career, and that's going to

1279
01:01:08,760 --> 01:01:09,400
Speaker 1: be so much fun.

1280
01:01:09,440 --> 01:01:11,080
Speaker 2: But the getting there sucks.

1281
01:01:11,200 --> 01:01:13,320
Speaker 1: I hate it. But let's bring.

1282
01:01:13,200 --> 01:01:14,600
Speaker 3: Hannah, and you're very good at it.

1283
01:01:14,920 --> 01:01:17,880
Speaker 1: And everyone has been so gracious that, like they're so awesome.

1284
01:01:18,160 --> 01:01:20,920
Speaker 3: Yeah, we haven't had anyone cry yet.

1285
01:01:21,440 --> 01:01:23,720
Speaker 1: No, Oh god, I don't know what I would do.

1286
01:01:24,080 --> 01:01:26,120
Speaker 3: Hey, well, well I got your back. I'll do the

1287
01:01:26,200 --> 01:01:27,680
Speaker 3: next round of disappointments.

1288
01:01:28,280 --> 01:01:31,000
Speaker 1: Okay, Okay, that's fine, all right, I.

1289
01:01:31,040 --> 01:01:32,680
Speaker 3: Will and then I won't be able to sleep, but

1290
01:01:32,760 --> 01:01:33,760
Speaker 3: I'll call you exactly.

1291
01:01:34,000 --> 01:01:38,040
Speaker 2: I haven't slept since we started. Hi, Hannah, Hello, how

1292
01:01:38,160 --> 01:01:38,400
Speaker 2: are you?

1293
01:01:38,880 --> 01:01:39,280
Speaker 6: I'm good.

1294
01:01:40,560 --> 01:01:43,200
Speaker 2: So we told you this has been a very, very

1295
01:01:43,320 --> 01:01:43,800
Speaker 2: tough week.

1296
01:01:44,560 --> 01:01:47,000
Speaker 1: It came down to the tie breaker in the first

1297
01:01:47,120 --> 01:01:50,840
Speaker 1: round and this was a really, really difficult one for us,

1298
01:01:50,880 --> 01:01:52,280
Speaker 1: and we just wanted to thank you so much for

1299
01:01:52,360 --> 01:01:54,560
Speaker 1: taking the time and for coming out, and you've been

1300
01:01:54,720 --> 01:01:58,200
Speaker 1: so good, absolutely and so really just thank you, and

1301
01:01:58,280 --> 01:01:59,800
Speaker 1: I hope you don't mind moving on to the next

1302
01:02:00,240 --> 01:02:10,520
Speaker 1: because you are so uh yeah, yes, time I know

1303
01:02:10,800 --> 01:02:13,080
Speaker 1: you fall forward. It's the best I know.

1304
01:02:14,000 --> 01:02:16,400
Speaker 2: But no, this was I have a bone to pick

1305
01:02:16,480 --> 01:02:16,640
Speaker 2: with you.

1306
01:02:17,920 --> 01:02:19,440
Speaker 1: I'm going to be totally honest with you, Hannah. You

1307
01:02:19,480 --> 01:02:21,960
Speaker 1: did great this week, but so did your fellow contestant.

1308
01:02:22,040 --> 01:02:23,560
Speaker 1: And I'm just giving you a heads up, and I'm

1309
01:02:23,560 --> 01:02:25,320
Speaker 1: going to give a heads up to everybody moving on.

1310
01:02:25,840 --> 01:02:29,800
Speaker 1: The competition is getting a lot stiffer, Yes it is.

1311
01:02:30,000 --> 01:02:32,160
Speaker 1: So this was not a walk in the park for you.

1312
01:02:32,160 --> 01:02:34,320
Speaker 1: You did great, don't get me wrong. You did great,

1313
01:02:34,440 --> 01:02:37,560
Speaker 1: but so did your fellow contestant. This was really really

1314
01:02:37,640 --> 01:02:40,880
Speaker 1: difficult and we went to the tiebreaker, but you you

1315
01:02:40,960 --> 01:02:42,959
Speaker 1: did a wonderful job. You really did, and we're super

1316
01:02:43,040 --> 01:02:45,480
Speaker 1: proud of you. And you're the first one moving on

1317
01:02:45,640 --> 01:02:50,160
Speaker 1: to the to the final four. So totally not trademarks, no, no,

1318
01:02:50,320 --> 01:02:53,280
Speaker 1: not at all, exactly. No, this is you're doing a

1319
01:02:53,320 --> 01:02:55,280
Speaker 1: great job. So thank you so much for joining us.

1320
01:02:55,360 --> 01:02:56,040
Speaker 2: Take a breadma.

1321
01:02:56,640 --> 01:02:59,200
Speaker 1: We will get through round two and you will be

1322
01:02:59,400 --> 01:03:01,480
Speaker 1: onto the next round and going from there. So it's

1323
01:03:01,640 --> 01:03:04,080
Speaker 1: just going to keep the competition's getting getting tougher.

1324
01:03:04,160 --> 01:03:08,200
Speaker 3: Hannah Hannabama, Hannahbama the next round.

1325
01:03:08,840 --> 01:03:09,840
Speaker 1: To see you next time.

1326
01:03:10,680 --> 01:03:14,320
Speaker 2: Thank you, bye bye bye.

1327
01:03:16,080 --> 01:03:17,920
Speaker 3: Oh man, did you see that she just cutted your

1328
01:03:18,000 --> 01:03:19,200
Speaker 3: chest before she signed off?

1329
01:03:19,280 --> 01:03:21,760
Speaker 2: She was like, that makes that makes it feel better,

1330
01:03:21,880 --> 01:03:22,800
Speaker 2: That makes it feel better.

1331
01:03:23,240 --> 01:03:23,880
Speaker 1: This is the worst.

1332
01:03:24,320 --> 01:03:28,360
Speaker 2: It's getting difficult because we also know. Yeah, I do too.

1333
01:03:29,080 --> 01:03:31,600
Speaker 1: Jim. Thank you so much for joining us today. We're

1334
01:03:31,600 --> 01:03:33,400
Speaker 1: sorry that we didn't know we were putting you on

1335
01:03:33,480 --> 01:03:35,240
Speaker 1: the spot with all the judger.

1336
01:03:35,920 --> 01:03:37,720
Speaker 5: Oh no problem, I'll go back and I'm sure it's

1337
01:03:37,720 --> 01:03:39,720
Speaker 5: all over the initial email you sent me, but I.

1338
01:03:41,320 --> 01:03:44,560
Speaker 2: Apologize it. But but this is why we don't scare Jim.

1339
01:03:47,240 --> 01:03:49,760
Speaker 1: Before we go, can you let everybody out there know

1340
01:03:49,840 --> 01:03:51,520
Speaker 1: where they can find you, where they can follow your

1341
01:03:51,520 --> 01:03:53,200
Speaker 1: stuff in any new projects you have coming out.

1342
01:03:53,360 --> 01:03:55,200
Speaker 2: I followed you, Thank you.

1343
01:03:55,400 --> 01:03:59,200
Speaker 5: Yes, I'm well social media at Jim Pressions. I'm working

1344
01:03:59,240 --> 01:04:02,600
Speaker 5: on the new Live Impression show right now and on

1345
01:04:02,800 --> 01:04:06,520
Speaker 5: TV on Apple TV in the Big Door Prize which

1346
01:04:06,600 --> 01:04:10,840
Speaker 5: is streaming now and gosh, I guess that's and then

1347
01:04:10,920 --> 01:04:13,800
Speaker 5: Jim Meskaman dot Com if you really want to, really

1348
01:04:13,840 --> 01:04:15,120
Speaker 5: want to contact me and get on my.

1349
01:04:15,120 --> 01:04:16,320
Speaker 2: Mailing list and all that stuff.

1350
01:04:16,800 --> 01:04:18,880
Speaker 1: I love that. While I was telling Christy beforehand how

1351
01:04:19,200 --> 01:04:21,600
Speaker 1: you were bringing in all that awesome Thundercat stuff before

1352
01:04:21,640 --> 01:04:23,560
Speaker 1: we actually even work together on ThunderCats.

1353
01:04:23,600 --> 01:04:26,640
Speaker 2: So cool. Yeah, that's right. I've done a couple of

1354
01:04:26,680 --> 01:04:29,320
Speaker 2: iterations of that show. I'm sure there'll be more.

1355
01:04:30,080 --> 01:04:31,880
Speaker 10: Oh god, I hope so, because it's such a such

1356
01:04:31,880 --> 01:04:34,160
Speaker 10: a rich world, you'd love we could talk about that day.

1357
01:04:35,120 --> 01:04:37,280
Speaker 2: Oh god, I appreciate that, Jim, it was so awesome. Well,

1358
01:04:37,360 --> 01:04:40,040
Speaker 2: thank you so much for joining us. You again, I

1359
01:04:40,160 --> 01:04:40,600
Speaker 2: know you you.

1360
01:04:41,200 --> 01:04:42,880
Speaker 1: We might have thrown a curveball at you, but we

1361
01:04:43,000 --> 01:04:45,320
Speaker 1: could not. When we were going into second round, they said,

1362
01:04:45,480 --> 01:04:47,200
Speaker 1: you know who to the judges do you want? And

1363
01:04:47,360 --> 01:04:50,080
Speaker 1: you were the first name I picked. Nice because you're

1364
01:04:50,200 --> 01:04:52,400
Speaker 1: just you're so good at this and I just I

1365
01:04:52,960 --> 01:04:54,680
Speaker 1: needed you to help us get into the second round.

1366
01:04:54,680 --> 01:04:56,680
Speaker 1: So thank you so much for taking the time that,

1367
01:04:57,200 --> 01:04:59,120
Speaker 1: and everybody who's listening please go out there and follow

1368
01:04:59,160 --> 01:05:00,960
Speaker 1: because the man is a genie and you will be

1369
01:05:01,440 --> 01:05:03,959
Speaker 1: entertained for hours and hours and hours. It's really something

1370
01:05:04,000 --> 01:05:06,480
Speaker 1: to watch. So Jim, thank you so much for joining us,

1371
01:05:06,520 --> 01:05:07,680
Speaker 1: and we will see you again in the future.

1372
01:05:07,960 --> 01:05:09,960
Speaker 2: Very best. Take care of you both of you. Thanks

1373
01:05:10,160 --> 01:05:12,240
Speaker 2: great to meet you all right, like you too, Bye,

1374
01:05:12,320 --> 01:05:12,720
Speaker 2: jim By.

1375
01:05:14,880 --> 01:05:15,320
Speaker 1: We made it.

1376
01:05:15,800 --> 01:05:16,240
Speaker 3: We made it.

1377
01:05:16,640 --> 01:05:20,280
Speaker 1: We made it round. So we're into uh into round

1378
01:05:20,360 --> 01:05:23,120
Speaker 1: two here and Tanabama is our first one going through.

1379
01:05:23,200 --> 01:05:25,320
Speaker 1: And Dylan Dylan was great.

1380
01:05:25,520 --> 01:05:30,400
Speaker 3: You know, I remember Dylan's audition tape and I think

1381
01:05:30,440 --> 01:05:33,040
Speaker 3: we're doing a good job. I'm really here just to

1382
01:05:33,080 --> 01:05:34,360
Speaker 3: support us right now.

1383
01:05:36,400 --> 01:05:38,120
Speaker 1: Well now it's good, now it is. It's going to

1384
01:05:38,160 --> 01:05:40,640
Speaker 1: come down to nitpicky stuff. I mean that's why you know,

1385
01:05:40,720 --> 01:05:43,080
Speaker 1: I watch all these shows like Top Chefs I.

1386
01:05:43,160 --> 01:05:44,800
Speaker 3: Was going to say, like American Idol and souff.

1387
01:05:44,960 --> 01:05:47,200
Speaker 1: Yeah, and you you get to the point where I'm

1388
01:05:47,200 --> 01:05:49,200
Speaker 1: always watching going like, oh, come on, how you can

1389
01:05:49,240 --> 01:05:49,960
Speaker 1: pick blah blah blah.

1390
01:05:50,120 --> 01:05:51,880
Speaker 2: But you do, you get down to the tiny, little

1391
01:05:52,000 --> 01:05:54,360
Speaker 2: nitty gritty things where it's you know, well worried.

1392
01:05:54,640 --> 01:05:58,120
Speaker 3: I'm worried transparently about us having all these women, because

1393
01:05:58,120 --> 01:06:01,040
Speaker 3: then it becomes so nitpicky at them having similar voices,

1394
01:06:01,480 --> 01:06:03,720
Speaker 3: you know, when with what the way that we're doing

1395
01:06:03,880 --> 01:06:07,320
Speaker 3: this is so fair that it's almost like too fair.

1396
01:06:07,680 --> 01:06:11,440
Speaker 3: Whereas American Idol and those other shows, they're visual and

1397
01:06:11,640 --> 01:06:15,280
Speaker 3: so you see everyone all at once and you're like, okay,

1398
01:06:15,320 --> 01:06:17,080
Speaker 3: this is a baritone and this is a tenor, this

1399
01:06:17,160 --> 01:06:18,960
Speaker 3: is okay. I think this person to pair up with,

1400
01:06:19,640 --> 01:06:22,840
Speaker 3: you know whoever nicely as a mentor. So we are

1401
01:06:22,960 --> 01:06:26,280
Speaker 3: doing our best to find the person that's right for

1402
01:06:26,440 --> 01:06:29,920
Speaker 3: this moment. And I think he was a great judge.

1403
01:06:30,080 --> 01:06:31,840
Speaker 3: I think this was a great episode. Thank you guys

1404
01:06:31,880 --> 01:06:35,360
Speaker 3: so much for watching and listening and supporting us. We

1405
01:06:35,520 --> 01:06:37,720
Speaker 3: hope that you understand we're in it for the right reasons,

1406
01:06:37,760 --> 01:06:38,960
Speaker 3: you know, like we're really doing this.

1407
01:06:39,840 --> 01:06:42,000
Speaker 1: To we want to find that we do. We're trying

1408
01:06:42,000 --> 01:06:44,680
Speaker 1: to find the best person that we can. And but

1409
01:06:44,800 --> 01:06:46,600
Speaker 1: you're right, and I think that's you know, I don't

1410
01:06:46,640 --> 01:06:48,480
Speaker 1: mind being called out for certain things. I think the

1411
01:06:48,520 --> 01:06:50,920
Speaker 1: thing Jim said to us, where he's one hundred percent right,

1412
01:06:51,000 --> 01:06:54,040
Speaker 1: it's like, well, if one person's always starting, then that

1413
01:06:54,160 --> 01:06:56,200
Speaker 1: might be considered kind of an advantage, so we'll start

1414
01:06:56,240 --> 01:06:56,800
Speaker 1: switching it up.

1415
01:06:56,800 --> 01:06:57,840
Speaker 2: I don't have a problem with that at all.

1416
01:06:57,920 --> 01:06:59,959
Speaker 3: I think he was I want to think if that's true,

1417
01:07:00,200 --> 01:07:01,840
Speaker 3: I don't feel like that we've actually done that, But

1418
01:07:01,960 --> 01:07:04,120
Speaker 3: let us know. Maybe people should DM or something.

1419
01:07:04,200 --> 01:07:06,360
Speaker 2: Yeah, maybe, but I don't have a problem switching it up.

1420
01:07:06,360 --> 01:07:07,920
Speaker 3: Some persons the first person.

1421
01:07:08,040 --> 01:07:10,320
Speaker 2: I don't know, no, but I think I think you're right.

1422
01:07:10,400 --> 01:07:12,200
Speaker 1: You know, I don't think we've certainly always picked the

1423
01:07:12,240 --> 01:07:14,120
Speaker 1: first person, but maybe the person who does. Maybe there

1424
01:07:14,160 --> 01:07:17,160
Speaker 1: is an advantage to always going first. Who knows, So

1425
01:07:17,280 --> 01:07:18,800
Speaker 1: maybe we just switch it up in the future. I

1426
01:07:18,800 --> 01:07:20,320
Speaker 1: don't have a problem that maybe we do flip a

1427
01:07:20,400 --> 01:07:23,880
Speaker 1: coin every time if we're making everything super fair, because

1428
01:07:23,880 --> 01:07:25,320
Speaker 1: that's what we're trying to do. We're trying to be

1429
01:07:25,360 --> 01:07:27,760
Speaker 1: as fair and transparent as we possibly can, because all

1430
01:07:27,960 --> 01:07:30,080
Speaker 1: we're hoping that one day we're going to pick somebody

1431
01:07:30,120 --> 01:07:30,680
Speaker 1: that we work with.

1432
01:07:30,760 --> 01:07:31,400
Speaker 3: I mean, we're tub.

1433
01:07:31,440 --> 01:07:33,720
Speaker 4: We said, we're trying to pick a colleague. So we

1434
01:07:33,880 --> 01:07:36,960
Speaker 4: want more than just whoever it wins. You know, at

1435
01:07:37,000 --> 01:07:40,919
Speaker 4: any one of these people could be signed there.

1436
01:07:41,000 --> 01:07:46,200
Speaker 1: It's there is no reason that an agent or somebody

1437
01:07:46,320 --> 01:07:48,840
Speaker 1: listening to this episode wouldn't hear Dylan and the stuff

1438
01:07:48,840 --> 01:07:50,880
Speaker 1: that Dylan did and say, oh, I'll give that, I'll

1439
01:07:50,920 --> 01:07:52,680
Speaker 1: sign that person for a year. I mean, what the hell,

1440
01:07:52,720 --> 01:07:54,640
Speaker 1: I'll sign that person for a year. Definitely, it could

1441
01:07:54,680 --> 01:07:57,520
Speaker 1: totally happen. He was very good at what he did.

1442
01:07:58,080 --> 01:08:01,200
Speaker 1: Hannah was just she was a little better. And sometimes

1443
01:08:01,240 --> 01:08:03,440
Speaker 1: it's just the day. You know, you have a bad day.

1444
01:08:03,560 --> 01:08:04,360
Speaker 1: That can happen too.

1445
01:08:04,840 --> 01:08:06,520
Speaker 2: I have many a day where I just woke up

1446
01:08:06,560 --> 01:08:07,560
Speaker 2: and couldn't act.

1447
01:08:07,760 --> 01:08:07,800
Speaker 4: It.

1448
01:08:08,120 --> 01:08:11,160
Speaker 2: Just you have those days where you're just off, so

1449
01:08:11,280 --> 01:08:13,000
Speaker 2: you just you hope it doesn't happen on the day

1450
01:08:13,080 --> 01:08:15,880
Speaker 2: that you're recording. Yeah, but you never know.

1451
01:08:16,360 --> 01:08:19,439
Speaker 1: Yeah. Anyway, thanks everybody for joining us on an awesome

1452
01:08:19,560 --> 01:08:22,280
Speaker 1: yet very tough episode of I Hear Voices. Thank you

1453
01:08:22,320 --> 01:08:25,200
Speaker 1: of course to jim Meskaman, who was our wonderful adjudicator.

1454
01:08:25,240 --> 01:08:26,320
Speaker 1: I love that the adjudicator.

1455
01:08:26,520 --> 01:08:27,720
Speaker 3: I'm not going back on it.

1456
01:08:28,120 --> 01:08:29,960
Speaker 1: I know, I think it's great. We're all in on

1457
01:08:30,000 --> 01:08:34,439
Speaker 1: Adjudicator for our episode today. Again, thanking all of our

1458
01:08:34,479 --> 01:08:37,040
Speaker 1: friends over there at Prime Video, everybody over at Critical

1459
01:08:37,160 --> 01:08:40,160
Speaker 1: Role check out season two of Vox Macina. You can

1460
01:08:40,240 --> 01:08:42,599
Speaker 1: download that now. Thank you for everybody, of course at

1461
01:08:42,680 --> 01:08:47,160
Speaker 1: iHeart who's helping us. All our producers are engineer Brian, everybody, Lorraine, everybody.

1462
01:08:46,880 --> 01:08:47,599
Speaker 2: Who's helped us out.

1463
01:08:48,520 --> 01:08:50,920
Speaker 1: It's just it's getting more sentimental and more amazing as

1464
01:08:50,960 --> 01:08:53,160
Speaker 1: we're getting closer and closer to crowning a winner. So

1465
01:08:54,000 --> 01:08:56,240
Speaker 1: thank you for everybody, of course who was joining us,

1466
01:08:56,280 --> 01:08:58,120
Speaker 1: and of course I said thank you cest who we

1467
01:08:58,200 --> 01:09:00,640
Speaker 1: mentioned ninety three times during this episode, because it is

1468
01:09:00,720 --> 01:09:03,200
Speaker 1: a huge prize. And once again, if you don't realize

1469
01:09:03,200 --> 01:09:05,160
Speaker 1: how big a prize it is, just look at the

1470
01:09:05,240 --> 01:09:07,800
Speaker 1: reaction of every actor we tell jim Meskamon today just

1471
01:09:07,800 --> 01:09:11,360
Speaker 1: went wait what Yeah, it's it is a huge thing

1472
01:09:11,560 --> 01:09:13,439
Speaker 1: and could possibly change somebody's life.

1473
01:09:13,520 --> 01:09:15,639
Speaker 2: So and thank you mostly to everybody who.

1474
01:09:15,600 --> 01:09:18,280
Speaker 1: Is stuck with us through the whole show, through all

1475
01:09:18,360 --> 01:09:21,080
Speaker 1: of our across the gardens, through everything we did, through

1476
01:09:21,120 --> 01:09:24,559
Speaker 1: all of our guests up to and including this contest

1477
01:09:24,680 --> 01:09:24,920
Speaker 1: right now.

1478
01:09:25,000 --> 01:09:25,519
Speaker 2: We love you all.

1479
01:09:25,600 --> 01:09:27,360
Speaker 1: Thank you so much for joining us, and we will

1480
01:09:27,400 --> 01:09:31,800
Speaker 1: be back again next week and moving on. So it's

1481
01:09:31,840 --> 01:09:35,120
Speaker 1: getting real. I miss you Christy, Oh, I miss you too.

1482
01:09:35,200 --> 01:09:39,240
Speaker 3: By the way, it's Ingles Rink in Connecticut. Ingles. It's

1483
01:09:39,520 --> 01:09:43,040
Speaker 3: I think it's a Yale stadium. But it's really cool looking.

1484
01:09:43,560 --> 01:09:45,320
Speaker 2: Okay, nice, Yeah, that was I think that.

1485
01:09:45,439 --> 01:09:45,599
Speaker 3: Yeah.

1486
01:09:45,600 --> 01:09:49,439
Speaker 1: Because the Whaler's played in Hartford, I got to miss

1487
01:09:49,439 --> 01:09:51,920
Speaker 1: the Whale, I do. They were a terrible hockey team,

1488
01:09:51,920 --> 01:09:53,479
Speaker 1: and then they went off to Carolina and they won

1489
01:09:53,720 --> 01:09:56,880
Speaker 1: like the Stanley Cup champion, like three years later or

1490
01:09:56,920 --> 01:09:59,280
Speaker 1: something like that. Everyone in Hartford was like, ah, I've

1491
01:09:59,320 --> 01:10:01,960
Speaker 1: got to be getting the giants. Yeah, I'm telling you,

1492
01:10:02,280 --> 01:10:05,000
Speaker 1: Dave tippets Stick. Are you a Patriots fan? Are you

1493
01:10:05,840 --> 01:10:06,960
Speaker 1: I am a Patriots fan? Yah?

1494
01:10:07,000 --> 01:10:09,200
Speaker 2: Okay, well, I mean as much as I'm I'm not

1495
01:10:09,320 --> 01:10:11,400
Speaker 2: a huge football fan, but I love them.

1496
01:10:11,920 --> 01:10:13,080
Speaker 3: And now that's everything's gone.

1497
01:10:13,120 --> 01:10:15,000
Speaker 1: I think most people do. It is what it is.

1498
01:10:15,479 --> 01:10:18,240
Speaker 1: Thank you for joining us. Everybody will see you or

1499
01:10:18,360 --> 01:10:19,880
Speaker 1: hear you or everybody next time.

1500
01:10:19,960 --> 01:10:20,599
Speaker 2: Thank you so much.

1501
01:10:21,120 --> 01:10:23,920
Speaker 1: Out Nutmeger's out. Thank you, follow us, do all that

1502
01:10:24,000 --> 01:10:25,920
Speaker 1: good kind of stuff, and we will see you in

1503
01:10:25,960 --> 01:10:27,320
Speaker 1: the future. Don't forget if you think you have what

1504
01:10:27,400 --> 01:10:29,360
Speaker 1: it takes to step up to the microphone, put your

1505
01:10:29,400 --> 01:10:30,320
Speaker 1: voices where your mouth is.

1506
01:10:30,400 --> 01:10:31,720
Speaker 2: Thanks everybody I hear.

1507
01:10:31,800 --> 01:10:34,280
Speaker 10: Voices is hosted by Will Fredell and Christy Carlson Romano.

1508
01:10:34,400 --> 01:10:37,200
Speaker 10: Executive produced by Will Ferdill, Brendan Rooney, Amy Sugarman. Our

1509
01:10:37,240 --> 01:10:39,960
Speaker 10: executive in charge of production is Danielle Romo, Our producer

1510
01:10:40,040 --> 01:10:42,800
Speaker 10: is Lorraine Viruez, and our editor slash engineer is Brian

1511
01:10:42,840 --> 01:10:45,719
Speaker 10: Burton and that was my announcer voice.

1512
01:10:46,080 --> 01:10:48,080
Speaker 8: Some side effects of listening to I Hear Voices are

1513
01:10:48,120 --> 01:10:51,040
Speaker 8: sore abs from hilarity falling down the cocoa melon rabbit hole,

1514
01:10:51,200 --> 01:10:53,280
Speaker 8: sneezing due to mass nostalgia, and hugs.

1515
01:10:53,439 --> 01:10:55,519
Speaker 10: Follow I Hear Voices wherever you listen to podcasts so

1516
01:10:55,560 --> 01:10:57,280
Speaker 10: you don't miss any of the amazing voices.

1517
01:10:57,439 --> 01:10:59,559
Speaker 8: Be sure to follow us on Instagram and TikTok at

1518
01:10:59,640 --> 01:11:00,799
Speaker 8: I Hear Voices podcast.

1519
01:11:00,920 --> 01:11:04,040
Speaker 1: You can also check us out on MySpace, omeagle Vine, LimeWire.

1520
01:11:04,120 --> 01:11:05,000
Speaker 1: Hey I'm a napster.

1521
01:11:05,160 --> 01:11:06,799
Speaker 8: Okay, well, let's teach you about the Internet.

1522
01:11:06,920 --> 01:11:07,200
Speaker 2: The who