WEBVTT - Episode 413 w/ Tha Dogg Pound

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<v Speaker 1>He is drink champs, motherfucking podcast make Sime.

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<v Speaker 2>He's a legendary Queens rapper.

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<v Speaker 3>He's agreed as your boy in O R E.

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<v Speaker 1>He's a Miami hip hop yon there what up his

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<v Speaker 1>dj E f N? Together they drink it up with

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<v Speaker 1>some of the biggest players, you know what I mean.

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<v Speaker 1>And the most professional unprofessional podcast and your number one

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<v Speaker 1>source for drunk very days New Years. Listen, It's time

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<v Speaker 1>for drink Champions. Drink up mother mother? Would good be

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<v Speaker 1>hoping to want to Sup? Be this your boy in

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<v Speaker 1>O R E? What up his dj E f N?

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<v Speaker 1>This is Mili Timpa Crazy Walk. Have y'all now.

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<v Speaker 4>Now, besides these two brothers being my brother brothers, these

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<v Speaker 4>guys are one of the most legendary two man groups

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<v Speaker 4>of all time, and I mean one of the best

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<v Speaker 4>two man groups of all time. Wow, both kings both

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<v Speaker 4>can stand on their own. But they made an album

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<v Speaker 4>that I would like to call it new Classic because

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<v Speaker 4>it sounds like a classic from back then, but it

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<v Speaker 4>sounds like a classic.

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<v Speaker 1>Now like it works.

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<v Speaker 4>I've been listening to this shit, goddamn it. I'm so

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<v Speaker 4>happy that the fans don't got it yet because I'm

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<v Speaker 4>flussing on y'all because I'm telling you this is how

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<v Speaker 4>exactly our OG's is supposed to sound. He said, exactly

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<v Speaker 4>how how how classic dudes, how legends is supposed to sell.

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<v Speaker 4>They ain't supposed to chase the new generation. They're supposed

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<v Speaker 4>to stay in their goddamn lane and keep continuing. When

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<v Speaker 4>I heard this album, I kid you not, I believe me,

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<v Speaker 4>and you text back and forth like six seven times,

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<v Speaker 4>like yo, this is classic class, Like this is not normal,

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<v Speaker 4>this is not regular class.

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<v Speaker 3>This is a class, the classic.

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<v Speaker 1>If you have never heard of the West Coast, have

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<v Speaker 1>never been to the West Coast, and.

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<v Speaker 4>You put on this goddamn album such you're straight. It's

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<v Speaker 4>such a goddamn straight. In case you don't know who

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<v Speaker 4>I'm talking about, I'm talking about my brothers, my friends,

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<v Speaker 4>motherfucker dancing.

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<v Speaker 1>Come on.

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<v Speaker 4>Now, I want to really, really, really focus on the

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<v Speaker 4>album this interview. You know you guys been on here before.

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<v Speaker 4>But I swear to god, I'm not exaggerating when I

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<v Speaker 4>listen to the album like Death.

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<v Speaker 3>Seriously, we was in.

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<v Speaker 1>The gym earlier and everybody tried to quit walk. None

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<v Speaker 1>of us, none of us had it right.

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<v Speaker 4>We all looked at crazy because it's just natural, like

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<v Speaker 4>it captures the West Coast, so so good. And yes,

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<v Speaker 4>sound young, but you sound classic. You sound you know

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<v Speaker 4>what I'm saying. You get what I'm trying to say.

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<v Speaker 1>Yes, yes, yes, so this is? This is?

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<v Speaker 4>Is this the first release on Frost This Snoop Dog

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<v Speaker 4>has a quiet death rope.

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<v Speaker 3>Yes, let's make some noise for that.

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<v Speaker 1>Fix Snoop Dog.

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<v Speaker 4>It feels so right, man, So let's let's let's let's

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<v Speaker 4>let's let's the album drops. Make okay, let's it's addressed

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<v Speaker 4>to the title first, telling people the type of we all.

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<v Speaker 1>We got w A W g uh huh. You know

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<v Speaker 1>what I'm saying, when it all comes down to it,

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<v Speaker 1>when you leave this earth and we look at everything

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<v Speaker 1>that we accomplishing, everything that we did, we look at

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<v Speaker 1>it like, man, you know this is all we got.

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<v Speaker 1>You know what I'm saying, Let's stick together because like

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<v Speaker 1>they say, when the family feud.

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<v Speaker 4>Nobody went, yeah, we want you want some champagne or

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<v Speaker 4>you want to be whatever you want?

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<v Speaker 1>You know, what's up with these mother fucking candles? Look

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<v Speaker 1>up with candle because why don't y'all look like the pope?

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<v Speaker 1>Like I was looking at I can't.

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<v Speaker 2>I'm looking at the candle like cause this must mean

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<v Speaker 2>cracking with What could I buy? I I mean we paid,

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<v Speaker 2>we just paid. Yeah, my Latino fam we always had.

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<v Speaker 1>Well, cuse you theo they got you with the fire stars.

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<v Speaker 1>I never actually looked at the candle.

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<v Speaker 2>They got you, Lucifer, you got the looking at the demo.

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<v Speaker 2>Look looking at that's just the same.

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<v Speaker 1>It's the same.

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<v Speaker 3>That's some sort.

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<v Speaker 1>I'm just saying. No, I just went that that was

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<v Speaker 1>that was dope. But listen, first off, do you want

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<v Speaker 1>some champagne or you want to want to be? Which

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<v Speaker 1>one you want to? Just a celebration, okay, because this

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<v Speaker 1>is some expensive ship what we're doing. You got ship,

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<v Speaker 1>you know.

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<v Speaker 3>But how dope is it when you heard the news

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<v Speaker 3>that Snoop got death Ro?

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<v Speaker 1>Like, how happy was was?

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<v Speaker 4>I'm asking you first, but I want y'all both to

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<v Speaker 4>ask that what kind of feeling was that?

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<v Speaker 1>Well?

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<v Speaker 2>First, well, I'm gonna be honest, guys. First thing I

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<v Speaker 2>did was called del Mar and I'm talking about something different.

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<v Speaker 2>And then he told me, yes, you know Snoop down

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<v Speaker 2>bought death Row And I'm like, yep, I said, you

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<v Speaker 2>ready cap because the Champ's gonna call sooner or later.

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<v Speaker 1>And Dads was like, funk all that now? Yeah, yeah,

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<v Speaker 1>me and Snoop. You know what I'm saying, I've been

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<v Speaker 1>fusing for about twelve fifteen years, you know what I'm saying.

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<v Speaker 1>So we're back, and that's what's beautiful about it because

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<v Speaker 1>uh we cousins. You know, we family break TV, drum

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<v Speaker 1>machine like the turntables. Dog shot his shot his equipment

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<v Speaker 1>and shot my equipment at one time. But literally, yeah

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<v Speaker 1>we got you know what I'm saying, shot my drummers

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<v Speaker 1>plus the TV. I think that's when we made ain't

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<v Speaker 1>no fun. The dog said what boom boom boom boom?

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<v Speaker 1>Now what nigga? And that's the whole TV you know,

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<v Speaker 1>big one that you just both we family, We butt

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<v Speaker 1>heads all the time.

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<v Speaker 2>And the great thing about this project, We All We

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<v Speaker 2>Got is self explanatory because that's real.

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<v Speaker 1>I've been saying it.

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<v Speaker 2>To the homies forever, so has uh Delmar has been

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<v Speaker 2>saying it. Dad's been saying it's Snoopy and it's like,

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<v Speaker 2>you know, Snoop said, that's the title the album We

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<v Speaker 2>All We Got because it's true. You know, you know

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<v Speaker 2>like you and compone, like you know, we all we

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<v Speaker 2>got like you and f we always got, you know what.

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<v Speaker 4>I'm saying, and and self explanatory because you know why

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<v Speaker 4>like me watching this album on fold and me, you know,

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<v Speaker 4>speaking of Snoop and he's seeing him how energetic he

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<v Speaker 4>is excited.

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<v Speaker 1>He's like, yo, my dog, I take one too, you know. Yeah,

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<v Speaker 1>you know, big kids start let me join, y'all, y'all soul,

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<v Speaker 1>you know, like a big kids starts singing and dances

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<v Speaker 1>when you get food, right.

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<v Speaker 4>Right right, So me seeing Snoop like being so happy,

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<v Speaker 4>like I guess because it's like full fledged. Your first

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<v Speaker 4>album was on Death Row and then this to be

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<v Speaker 4>your album in twenty twenty four on Death Row again.

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<v Speaker 4>It just felt so euphorically organic organically it's just trying. Yeah, yeah,

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<v Speaker 4>because I went at one point you you didn't want

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<v Speaker 4>to rep Death Row at all.

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<v Speaker 1>I was us you know what I mean, Like you

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<v Speaker 1>said that you know Dad's gonna go there. Say, at

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<v Speaker 1>the moment in my life, right there was a lot

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<v Speaker 1>going on, you know, like futing and batting, you know,

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<v Speaker 1>gang wars everything. You know what I'm saying, This shs

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<v Speaker 1>turned my whole life around from the death of Tupocket,

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<v Speaker 1>you know what I mean, and feuding and getting your

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<v Speaker 1>money and your music and I can't let that ship

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<v Speaker 1>just sit there. You got your I got, I got. Okay, Well,

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<v Speaker 1>let's give a shout out right now typically positivity.

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<v Speaker 3>Yeah, we all we got Jesus, I know that from

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<v Speaker 3>you know, you don't give a shout out.

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<v Speaker 1>You know this is our older brother right here. So

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<v Speaker 1>all right, boom, I'm drunk already. So so Sue comes

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<v Speaker 1>to y'all.

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<v Speaker 4>That says we want y'all to be the first album

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<v Speaker 4>to drop on a new Death Row was the one

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<v Speaker 4>thing I noticed on on it. On the album, I

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<v Speaker 4>think I got excrucial copy. I'm not sure, but it

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<v Speaker 4>says death roll and tapes.

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<v Speaker 1>Yeah, records and tapes.

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<v Speaker 4>So I mean just bringing it back right yeah. Uh

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<v Speaker 4>one of my favorite joints on on the joint, Uh.

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<v Speaker 1>The smoke Up. Yeah, that's the first song we did.

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<v Speaker 1>That's the first one. It's the first song on the album,

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<v Speaker 1>but it's also the first one did. Yeah, how that

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<v Speaker 1>whole thing came up? You know, my cousin Bean died. Yeah,

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<v Speaker 1>so you know what I'm saying. And uh, we decided.

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<v Speaker 1>You know, I flew into l A one day and

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<v Speaker 1>I just something just told me to call my cousin.

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<v Speaker 1>Papa called Snoop, and so Snoop like, yeah, come over

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<v Speaker 1>about six o'clock. So I slide over there, smoke blowing

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<v Speaker 1>out the window and the morning, you know, this sticks

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<v Speaker 1>in the morning. So I'm sitting in there, and he

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<v Speaker 1>called Corrup over. I didn't know he was calling cor

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<v Speaker 1>because I had block Corrup on Instagram. Jesus and my wife,

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<v Speaker 1>my wife white man management. Now I'm like what And so,

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<v Speaker 1>you know, gang, I called Snoop like, you know, to

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<v Speaker 1>see what's up and all that. So we go over

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<v Speaker 1>there and Snoop he come in. He dabbed me up,

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<v Speaker 1>but didn't know it was me. I was like, my nigga,

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<v Speaker 1>what's up? Because damn that looked like that.

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<v Speaker 2>It was like, you big headed motherfucker. Good job, jail Mark,

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<v Speaker 2>there's cracking. I looked at Dogg and he's on the

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<v Speaker 2>on the what's that the board and he just looked

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<v Speaker 2>back and smiled, and then he looked back, that's a YouTube, motherfuckers.

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<v Speaker 1>And then he put the beat on. It is over.

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<v Speaker 1>The song was done in like eight nine minutes I

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<v Speaker 1>was over. Wow, that's one of my favorite joints on

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<v Speaker 1>the album. And that's the album off Perflet speaking No

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<v Speaker 1>One's crazy Thold del Mark.

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<v Speaker 2>Because our history of making records, the first record we

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<v Speaker 2>make always ends up being a single, like a.

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<v Speaker 1>G thing for the Chronic.

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<v Speaker 2>The first record Doctor Doran Snoop Mayuh and it turned

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<v Speaker 2>out three years later. It was when The Chronic was

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<v Speaker 2>released and it still remained the number one single and

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<v Speaker 2>it was the single for it.

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<v Speaker 1>And then What's My Name? That was the first record

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<v Speaker 1>that they made from shoop style. And after that, Doctor

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<v Speaker 1>beating them songs was just flowing like Niaga fall three

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<v Speaker 1>and a half days we had the whole album.

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<v Speaker 5>That's this whole album three and a half and they

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<v Speaker 5>did it together. That that's what I think you hear

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<v Speaker 5>the difference in there. I could tell you I was

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<v Speaker 5>in the studio that chemistry was there.

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<v Speaker 2>Came from from Georgia, came out from Atlanta. I drove

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<v Speaker 2>down from Vegas, me and my wife Lee Lee Gotti

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<v Speaker 2>stayed and.

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<v Speaker 1>Just cod we just seeing Snoop start smiling and ship.

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<v Speaker 1>You know that's all right, you know what I'm saying.

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<v Speaker 1>So you start telling us the plan putting that ship down,

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<v Speaker 1>and we executed it, you know what I'm saying. And

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<v Speaker 1>now we're hitting the road that's going to Canada. Wow,

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<v Speaker 1>they let y'all in Canada. But we had to do

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<v Speaker 1>the Border Patrol video TV show or they wouldn't let

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<v Speaker 1>us in there that TV show, Remember the Patrol. Damn.

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<v Speaker 1>We're still trying to go back up it ready, just saying,

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<v Speaker 1>you know, let's go to the next joint. We all,

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<v Speaker 1>we got, we all we got. The east Side is

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<v Speaker 1>trading and Goldie Low yeah on that too. They heard this, motherfucker.

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<v Speaker 2>You know, that's the first I think that's the first

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<v Speaker 2>record we've done with all of us.

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<v Speaker 1>Yeah, that's the first record, like twenty somethings. We never

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<v Speaker 1>did a record together, not all together. We did records separately.

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<v Speaker 1>That's the crew. Good. So how did that come about?

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<v Speaker 1>Snoop Dog? But his idea Champ. Yeah, you know, I

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<v Speaker 1>like to run in there first, to get my verse

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<v Speaker 1>off first, and then trade after I'm ready.

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<v Speaker 2>Cad he came and right when he finished, okay, you

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<v Speaker 2>know what timing is silkiness, And.

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<v Speaker 1>Then I told Snoop it was for the East Side,

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<v Speaker 1>and then I told him, we need to make this

0:13:25.480 --> 0:13:31.319
<v Speaker 1>for ours. We got yeah ship damn that sacrifice.

0:13:31.360 --> 0:13:34.199
<v Speaker 2>The east Siders did like our first single that was

0:13:34.240 --> 0:13:37.880
<v Speaker 2>from because like you said, I signed the Snoop Dogg management.

0:13:38.400 --> 0:13:43.120
<v Speaker 2>He co manages me with my wife and and then

0:13:43.800 --> 0:13:48.000
<v Speaker 2>we the record that we did, Uh smoke Up was

0:13:48.080 --> 0:13:49.680
<v Speaker 2>for the Corrupt solo album.

0:13:50.600 --> 0:13:52.360
<v Speaker 1>It just got the record.

0:13:52.520 --> 0:13:56.839
<v Speaker 2>But when Delmark came home, Dog said DPG time and

0:13:56.880 --> 0:13:59.840
<v Speaker 2>it was like everybody sacrificed. It's like you damn skippy

0:14:00.240 --> 0:14:04.160
<v Speaker 2>east Side to sacrifice their record. I sacrificed my solo record.

0:14:04.800 --> 0:14:08.640
<v Speaker 2>Dad sacrifice. We all sacrifice. Dog sacrifice because he got

0:14:08.679 --> 0:14:12.839
<v Speaker 2>an album dropping, his album with Doctor Dropping.

0:14:13.400 --> 0:14:17.240
<v Speaker 1>He got album coming out next month with Doctor Death.

0:14:17.320 --> 0:14:17.840
<v Speaker 5>Ro no.

0:14:20.200 --> 0:14:24.320
<v Speaker 1>School damn the throw after matchool not incredible. Got that

0:14:24.360 --> 0:14:28.080
<v Speaker 1>makes some noiser that doctor my mom.

0:14:29.280 --> 0:14:31.040
<v Speaker 4>So it was at one point this is conversary that

0:14:31.160 --> 0:14:34.040
<v Speaker 4>came out. I guess everyone through. At first, everyone though

0:14:34.080 --> 0:14:36.360
<v Speaker 4>it was real. Everyone's like the dog Brown broke up?

0:14:36.400 --> 0:14:38.120
<v Speaker 4>Where's the joke Brown? What happened to the talk pound?

0:14:38.280 --> 0:14:42.520
<v Speaker 1>We even said, I said dance because what happened? I'm

0:14:42.560 --> 0:14:45.640
<v Speaker 1>bringing up some weed right now? Did you reblock me?

0:14:49.240 --> 0:14:53.480
<v Speaker 1>I got who came up with that campaign Snoop Dog.

0:14:54.360 --> 0:14:57.800
<v Speaker 1>I can see him. There snoop and stoop snoop. Everything's

0:14:57.840 --> 0:14:58.440
<v Speaker 1>the champ. You know.

0:14:58.560 --> 0:15:02.600
<v Speaker 2>Me and Dance Dog really wanted want of Dazz because

0:15:02.680 --> 0:15:05.560
<v Speaker 2>you know, Dad is production and the mic, so he

0:15:05.720 --> 0:15:08.440
<v Speaker 2>really wanted Dazz to be a star. He's like, man,

0:15:08.680 --> 0:15:10.720
<v Speaker 2>you're gonna be a star on this album. Just shine,

0:15:10.720 --> 0:15:13.080
<v Speaker 2>you're an artist, be a star, get on that mic

0:15:13.160 --> 0:15:15.920
<v Speaker 2>and have a ball. I had a ball, yeah, paulse

0:15:16.320 --> 0:15:20.960
<v Speaker 2>and then you know myself, you know that's what I do.

0:15:22.040 --> 0:15:24.400
<v Speaker 2>So he was just like, y'all just follow my lead

0:15:25.000 --> 0:15:26.760
<v Speaker 2>and I'll take you to a different plateau.

0:15:27.280 --> 0:15:29.640
<v Speaker 4>So be it all right here it is what it is.

0:15:29.880 --> 0:15:31.680
<v Speaker 4>That was one thing that I noticed too on the

0:15:31.760 --> 0:15:34.400
<v Speaker 4>album is I was looking for your production. Did you

0:15:34.520 --> 0:15:36.640
<v Speaker 4>produce an album or this this one you fell back on?

0:15:36.840 --> 0:15:39.280
<v Speaker 1>I fell back on to the next one, the next album.

0:15:39.360 --> 0:15:40.840
<v Speaker 1>It's all super but.

0:15:41.280 --> 0:15:44.040
<v Speaker 3>Oh yeah, but what makes you fall back on this one?

0:15:45.000 --> 0:15:51.520
<v Speaker 1>Because he told me to say, you know, like I

0:15:51.600 --> 0:15:53.840
<v Speaker 1>told you about you know, I'm gonna shut up, kick

0:15:53.880 --> 0:15:57.600
<v Speaker 1>back and get rich, and I say too much. A

0:15:57.680 --> 0:16:01.800
<v Speaker 1>lot of people get you know, intimidating, and I musa

0:16:01.840 --> 0:16:05.000
<v Speaker 1>say though I already see things that I'm finished.

0:16:05.040 --> 0:16:11.760
<v Speaker 2>Still, like these beautiful shot glasses you want? You're ready

0:16:11.760 --> 0:16:12.160
<v Speaker 2>for shots?

0:16:12.160 --> 0:16:15.560
<v Speaker 1>Arecy? I mean I know your style? Man.

0:16:15.640 --> 0:16:22.520
<v Speaker 2>Yeah, together, you got together, because then you're gonna get

0:16:22.600 --> 0:16:23.880
<v Speaker 2>me mad and I'm gonna start cutting.

0:16:26.560 --> 0:16:29.360
<v Speaker 1>You know, I don't want to do that. Let me

0:16:29.400 --> 0:16:32.360
<v Speaker 1>take you something. When you my mom, you gotta get

0:16:33.120 --> 0:16:34.120
<v Speaker 1>you get them a little.

0:16:33.920 --> 0:16:36.640
<v Speaker 3>Bit a little mad, and that's it.

0:16:41.560 --> 0:16:47.600
<v Speaker 1>I ain't cut because it's like, cuz you cut you

0:16:47.800 --> 0:16:50.400
<v Speaker 1>you you just be crippling too much. I'm like, I'm

0:16:50.560 --> 0:16:54.600
<v Speaker 1>cripping too hanging on the wagers, hanging on the door.

0:16:55.120 --> 0:16:59.080
<v Speaker 2>Come on this nigga, come on the stage in all

0:16:59.320 --> 0:17:02.200
<v Speaker 2>white wool op right with the blue rag in the

0:17:02.280 --> 0:17:02.840
<v Speaker 2>back pocket.

0:17:03.280 --> 0:17:08.080
<v Speaker 1>I cut too much. I cripped you. Come on, cuse

0:17:08.720 --> 0:17:11.400
<v Speaker 1>they gonna stay cousin all white cup with the blue rag.

0:17:11.480 --> 0:17:14.840
<v Speaker 1>There we made my favorite colors blue.

0:17:15.359 --> 0:17:16.399
<v Speaker 3>That's officially the single.

0:17:16.560 --> 0:17:19.160
<v Speaker 1>That's officially the single right there, produced by Rick Rock

0:17:21.200 --> 0:17:21.720
<v Speaker 1>just kick back.

0:17:22.040 --> 0:17:24.680
<v Speaker 4>I haven't been to l A on the West coast

0:17:24.720 --> 0:17:27.240
<v Speaker 4>of the minute, but I imagine that should be number

0:17:27.280 --> 0:17:27.840
<v Speaker 4>one record.

0:17:28.119 --> 0:17:31.920
<v Speaker 1>Everybody walking with that, Yeah, yeah, I mean I see

0:17:32.160 --> 0:17:35.879
<v Speaker 1>I see you Blue up. I mean I tried to today.

0:17:37.000 --> 0:17:39.000
<v Speaker 1>What else to do? It was like with a sprinkler,

0:17:40.400 --> 0:17:47.480
<v Speaker 1>you know what else to do? Man? Come, yeah, he

0:17:48.320 --> 0:17:58.520
<v Speaker 1>show that's that fresh that he got that for the

0:17:58.640 --> 0:18:00.879
<v Speaker 1>ricking right there? Cuse so so.

0:18:02.480 --> 0:18:05.200
<v Speaker 4>So listen, our show is about giving people they flowers.

0:18:05.680 --> 0:18:08.560
<v Speaker 4>Oh you know, we want to give y'all your flowers

0:18:08.600 --> 0:18:11.560
<v Speaker 4>face to face. Man, the man tell you how dope

0:18:11.600 --> 0:18:14.520
<v Speaker 4>y'all are, how great the group is, how happy we

0:18:14.640 --> 0:18:20.439
<v Speaker 4>are of y'all longevity, legendary, happy we are this album,

0:18:20.960 --> 0:18:24.240
<v Speaker 4>this album, you are showing how you ain't got to change.

0:18:24.280 --> 0:18:27.600
<v Speaker 4>You could be exactly who you are still make classic, great,

0:18:27.960 --> 0:18:29.919
<v Speaker 4>legendary music. So we want to give you all your

0:18:29.960 --> 0:18:42.440
<v Speaker 4>flowers face to face. Snoop said, it's better than the

0:18:42.480 --> 0:18:43.639
<v Speaker 4>ground because it's for your people.

0:18:43.760 --> 0:18:44.800
<v Speaker 1>It is for your people.

0:18:57.800 --> 0:19:00.200
<v Speaker 4>No, but do you like you know me going through Yeah,

0:19:00.240 --> 0:19:03.560
<v Speaker 4>just discography. I'm trying to pronounce words correctly.

0:19:04.680 --> 0:19:05.280
<v Speaker 1>Lecography.

0:19:05.560 --> 0:19:06.959
<v Speaker 3>Yeah, we going to your discography?

0:19:07.520 --> 0:19:11.879
<v Speaker 4>Yo, Do y'all realize how legendary y'all are though, like

0:19:12.000 --> 0:19:13.520
<v Speaker 4>not just as a two man group, but as a

0:19:13.600 --> 0:19:17.560
<v Speaker 4>group catalog, you know what I'm saying, Like like like

0:19:17.720 --> 0:19:20.480
<v Speaker 4>this this, this, this, this is do y'all understand how

0:19:20.760 --> 0:19:22.480
<v Speaker 4>legend there, how important y'all ought to hip hop?

0:19:24.240 --> 0:19:25.800
<v Speaker 1>You know when you're making record Like I'll be telling

0:19:25.800 --> 0:19:28.080
<v Speaker 1>you know, like when we're making records, who really don't

0:19:28.080 --> 0:19:29.920
<v Speaker 1>know what we're doing at the time. We just having

0:19:30.040 --> 0:19:34.240
<v Speaker 1>fun making the records. And then like great liquor wine,

0:19:34.760 --> 0:19:36.880
<v Speaker 1>it gets fine, right right, you know what I mean.

0:19:37.000 --> 0:19:39.520
<v Speaker 1>Then we appreciate what we did. But you know, like

0:19:39.560 --> 0:19:42.200
<v Speaker 1>when I look at my catalogs, I remember all my lyrics.

0:19:42.920 --> 0:19:44.960
<v Speaker 1>We get paid for him while.

0:19:44.840 --> 0:19:49.520
<v Speaker 4>You looking corrupt like that. You know, yeah, right, you

0:19:49.560 --> 0:19:54.160
<v Speaker 4>don't be getting your lyrics to come on. Look, he's

0:19:54.200 --> 0:19:55.280
<v Speaker 4>a lawyer about trade.

0:19:56.640 --> 0:19:59.760
<v Speaker 2>Look, I'll be honest with you. I told Dog and

0:20:00.040 --> 0:20:01.960
<v Speaker 2>I told del Mare. I'm like when I rock cousin,

0:20:02.040 --> 0:20:03.240
<v Speaker 2>only do the classic.

0:20:03.520 --> 0:20:04.080
<v Speaker 1>Got me going.

0:20:04.119 --> 0:20:09.160
<v Speaker 2>Now let's go, Jelmar. You you know what in another thing.

0:20:09.920 --> 0:20:11.879
<v Speaker 2>You know, I might not remember my lyrics, but I

0:20:11.960 --> 0:20:16.440
<v Speaker 2>remember Daz's birthday. Delmar is turning a great age right now.

0:20:20.240 --> 0:20:23.480
<v Speaker 1>You understand I think the Lord above. You know what

0:20:23.520 --> 0:20:25.520
<v Speaker 1>I'm saying. Just being here, you know what I'm saying.

0:20:25.600 --> 0:20:28.640
<v Speaker 1>Like I said before, Hey, the greatest gift is living.

0:20:29.440 --> 0:20:33.119
<v Speaker 1>Anything else the secondary I ain't taking with you. Just

0:20:33.240 --> 0:20:38.680
<v Speaker 1>appreciate it, spread it out and keep pushing. Okay, I'm

0:20:38.720 --> 0:20:42.119
<v Speaker 1>a Dog produced by battle Cat Oh, shut up a

0:20:42.160 --> 0:20:43.840
<v Speaker 1>battle Cat man. Yeah, you know what I'm saying. We

0:20:44.160 --> 0:20:46.120
<v Speaker 1>created that in the studio, just going back and forth

0:20:46.160 --> 0:20:50.000
<v Speaker 1>thinking about running himself the first one. Yeah, what I'm saying,

0:20:50.600 --> 0:20:52.920
<v Speaker 1>great groups, great groups, E, P and B. You know

0:20:52.920 --> 0:20:55.160
<v Speaker 1>what I'm saying is just going back and forth having

0:20:55.200 --> 0:20:56.640
<v Speaker 1>a great time. You know what I'm saying. And plus

0:20:56.720 --> 0:20:59.399
<v Speaker 1>that cut the bars down for you on Stagic, you

0:20:59.400 --> 0:21:02.800
<v Speaker 1>know what I'm saying. As your first record, that dog.

0:21:04.160 --> 0:21:06.959
<v Speaker 2>Wasn't right there. Well all the rest of the record,

0:21:07.200 --> 0:21:11.359
<v Speaker 2>the dog was right there and he died. He directed.

0:21:12.240 --> 0:21:14.680
<v Speaker 2>That's why it sounds so beautiful to I love it

0:21:15.080 --> 0:21:18.320
<v Speaker 2>the way dog directed. On that one, he had to

0:21:18.400 --> 0:21:22.119
<v Speaker 2>do an interview with thirty minutes. He went to do

0:21:22.240 --> 0:21:24.440
<v Speaker 2>the interview, the song was done, and when he came

0:21:24.520 --> 0:21:28.760
<v Speaker 2>back and he left us in there with the main

0:21:28.880 --> 0:21:30.960
<v Speaker 2>things you ain't supposed to leave me and Dell, which

0:21:31.080 --> 0:21:34.080
<v Speaker 2>is the mic and the equipment and all in the

0:21:34.240 --> 0:21:38.120
<v Speaker 2>drug with the week, Uh, you just grow a head.

0:21:39.760 --> 0:21:43.000
<v Speaker 2>The dad put some in his pocket and then he

0:21:43.080 --> 0:21:45.639
<v Speaker 2>started rolling some this thirty dog gass nigga.

0:21:45.840 --> 0:21:52.240
<v Speaker 1>Uh, we're working not for playing. How that studio is not?

0:21:52.720 --> 0:21:55.600
<v Speaker 5>How different did the film making this project versus the

0:21:55.680 --> 0:21:56.720
<v Speaker 5>projects y'all did together?

0:21:56.840 --> 0:22:02.520
<v Speaker 1>Younger, great question, no arguments, no dis grondo type of feelings. Mature,

0:22:02.600 --> 0:22:05.560
<v Speaker 1>more mature in this situation, you get more grown. Yeah,

0:22:05.600 --> 0:22:08.560
<v Speaker 1>that joint saying, just letting all the bullshit to the

0:22:08.680 --> 0:22:10.800
<v Speaker 1>past because we're here now. You know what I'm saying.

0:22:11.359 --> 0:22:13.760
<v Speaker 1>Fifty fifty one, fifty two. You know what I'm saying, right,

0:22:14.760 --> 0:22:17.919
<v Speaker 1>Funk were arguing for leave that ship in the past.

0:22:18.440 --> 0:22:21.400
<v Speaker 1>Let's make this great music and prove these other motherfuckers wrong. Right,

0:22:24.560 --> 0:22:30.959
<v Speaker 1>and you know who you are? Right like that trigger?

0:22:32.160 --> 0:22:34.920
<v Speaker 2>Right, you see what I gotta do with what that

0:22:35.000 --> 0:22:38.240
<v Speaker 2>shot wanted little Bopp for that ship Parka next Jesus

0:22:38.480 --> 0:22:43.280
<v Speaker 2>it was Cristal, but now was God damn God damn Yeah, yeah, okay, Oh,

0:22:43.359 --> 0:22:43.800
<v Speaker 2>this is one.

0:22:43.720 --> 0:22:48.720
<v Speaker 1>Of the crazy joints too, Rob Need some space, need

0:22:48.840 --> 0:22:50.200
<v Speaker 1>some space. Now you're talking.

0:22:50.400 --> 0:22:53.880
<v Speaker 3>You're talking enough to chicks and to niggas at some point.

0:22:54.080 --> 0:22:56.280
<v Speaker 1>Everybody, you know, sometimes you eat the space. You know,

0:22:57.359 --> 0:23:00.440
<v Speaker 1>I'm a Gemini, you know my space. I need some

0:23:00.560 --> 0:23:05.960
<v Speaker 1>weak and I hit the Jesus. How likely we go

0:23:06.040 --> 0:23:07.840
<v Speaker 1>places and they give him weed because he gives it

0:23:07.920 --> 0:23:08.080
<v Speaker 1>to me.

0:23:08.880 --> 0:23:11.359
<v Speaker 2>I do, so that's why you know I want to

0:23:12.200 --> 0:23:14.520
<v Speaker 2>I can't smoke a cigarette and I a little smoke.

0:23:14.320 --> 0:23:18.920
<v Speaker 1>Some d So how about you? How did that song

0:23:19.000 --> 0:23:20.040
<v Speaker 1>come about? Nissa's space?

0:23:21.400 --> 0:23:23.800
<v Speaker 2>Man? You know, I'm gonna be honest because I talked

0:23:23.840 --> 0:23:26.399
<v Speaker 2>to all my young folks because I played the record

0:23:26.480 --> 0:23:29.080
<v Speaker 2>for people. When that record come on there like that's

0:23:29.200 --> 0:23:33.240
<v Speaker 2>Blast and I'm like, okay, So I had to ask

0:23:33.359 --> 0:23:35.840
<v Speaker 2>Das because you know, Dad is my translator. He always

0:23:36.320 --> 0:23:39.000
<v Speaker 2>lets me know what's cracking because I'm an old ass

0:23:39.080 --> 0:23:40.800
<v Speaker 2>man because he hates when I say that, but it's

0:23:43.440 --> 0:23:47.800
<v Speaker 2>a old But the thing is, they showed me this ship,

0:23:47.840 --> 0:23:50.840
<v Speaker 2>this nigga got a hundred million views type of ship

0:23:51.480 --> 0:23:58.400
<v Speaker 2>with him and uh Tiger yep ty Dollar, and I'm like, damn,

0:23:58.840 --> 0:24:02.040
<v Speaker 2>I never knew. I always just like the record. I

0:24:02.119 --> 0:24:05.480
<v Speaker 2>love the record, so now I'm like, damn this, this

0:24:05.800 --> 0:24:10.320
<v Speaker 2>touches the youth because they know who Blast is.

0:24:11.080 --> 0:24:13.240
<v Speaker 1>So it made me pay more attention to the record

0:24:13.280 --> 0:24:15.960
<v Speaker 1>and I just love it because me and Snooper sitting there,

0:24:16.000 --> 0:24:17.600
<v Speaker 1>he was like, yeah, we need to put blasts on it,

0:24:18.320 --> 0:24:20.320
<v Speaker 1>you know what I'm saying. The Snoopy come with the ideas,

0:24:20.400 --> 0:24:24.560
<v Speaker 1>and you know, we executed because Snoop said he ain't

0:24:24.600 --> 0:24:26.639
<v Speaker 1>been in there and you know the death Ro studios

0:24:26.880 --> 0:24:29.480
<v Speaker 1>because he was working with Doctor Drake, so that's working

0:24:29.520 --> 0:24:31.440
<v Speaker 1>with doctor dr Snoop was working with doctor Dress so

0:24:31.520 --> 0:24:35.280
<v Speaker 1>his studio wasn't being used. And we were the first

0:24:35.320 --> 0:24:36.920
<v Speaker 1>ones to come back in there and crack it open.

0:24:37.560 --> 0:24:41.280
<v Speaker 3>With the Inglewood Studio. We did the Park and that

0:24:41.359 --> 0:24:41.960
<v Speaker 3>was Doctor Drake.

0:24:42.040 --> 0:24:45.359
<v Speaker 1>That was def Ro Studio, that Snoop studio down there,

0:24:45.480 --> 0:24:47.600
<v Speaker 1>but he wasn't recording there for months because he been

0:24:47.640 --> 0:24:51.720
<v Speaker 1>with Doctor Drake and were coming there and he said, man,

0:24:51.760 --> 0:24:56.040
<v Speaker 1>this studio ain't being cracked open in months, knocking off

0:24:56.119 --> 0:24:58.639
<v Speaker 1>the dirt, you know, the little dust stuff. But then

0:24:58.720 --> 0:25:01.280
<v Speaker 1>we started working. I think we're the first rap artist

0:25:01.359 --> 0:25:05.520
<v Speaker 1>to signing Death. Yeah, just signed with a Masterday, you

0:25:05.560 --> 0:25:10.840
<v Speaker 1>know what I'm saying. So oh yeah, smoke for the signing.

0:25:12.359 --> 0:25:14.920
<v Speaker 1>We got new mass man everything. It feels good. The

0:25:15.000 --> 0:25:17.200
<v Speaker 1>money flowing around like water around here. You know what

0:25:17.240 --> 0:25:19.560
<v Speaker 1>I'm saying. We got the old stuff back, you know

0:25:19.600 --> 0:25:23.399
<v Speaker 1>what I'm saying. And you know your old masters, a

0:25:23.440 --> 0:25:26.240
<v Speaker 1>little publishing, all the rights, you know what I'm saying,

0:25:26.280 --> 0:25:28.359
<v Speaker 1>and everything, so you know we control all that, you

0:25:28.400 --> 0:25:30.560
<v Speaker 1>know what I'm saying. So that's a hell of a

0:25:30.640 --> 0:25:32.480
<v Speaker 1>hell of a great thing. So I'm just going through

0:25:32.520 --> 0:25:35.040
<v Speaker 1>my books right now. So I got like about nine

0:25:36.320 --> 0:25:39.679
<v Speaker 1>you know what I'm saying. He's excited.

0:25:43.359 --> 0:25:45.520
<v Speaker 4>And how about how about the masters moving forward? Do

0:25:45.560 --> 0:25:47.480
<v Speaker 4>you guys own this master or is it a fifty

0:25:47.520 --> 0:25:48.080
<v Speaker 4>fifty day.

0:25:49.200 --> 0:25:51.040
<v Speaker 1>It's got some percentage thing with the dog, you know

0:25:51.080 --> 0:25:53.040
<v Speaker 1>what I'm saying. We let him only because he could

0:25:53.080 --> 0:25:55.119
<v Speaker 1>take it. But you know what I'm saying, and uh,

0:25:55.359 --> 0:25:57.240
<v Speaker 1>we're still doing our so little thing and whatever we

0:25:57.320 --> 0:25:58.800
<v Speaker 1>wanted to do. You know what I'm saying, Just a

0:25:58.840 --> 0:26:00.320
<v Speaker 1>great thing because you can do what you want to do.

0:26:00.920 --> 0:26:02.000
<v Speaker 3>We do your sould things.

0:26:02.000 --> 0:26:04.640
<v Speaker 1>On that ro two, we're doing a solo album.

0:26:04.880 --> 0:26:07.280
<v Speaker 2>You god damn right right right yeah, I'm a full

0:26:07.400 --> 0:26:09.960
<v Speaker 2>Monty right right right, I'm doing the full mon.

0:26:10.080 --> 0:26:15.399
<v Speaker 1>I like independent, right, I love it. Yeah, you know,

0:26:15.680 --> 0:26:18.960
<v Speaker 1>I like you know he wants to be. You know,

0:26:19.000 --> 0:26:21.320
<v Speaker 1>I taught everybody else how to do saying I'm the

0:26:21.359 --> 0:26:23.080
<v Speaker 1>first one out of the crew to go independence. You

0:26:23.119 --> 0:26:24.960
<v Speaker 1>know what I'm saying, press my own records up getting

0:26:25.000 --> 0:26:27.080
<v Speaker 1>nine dollars in Union. That's when it was ten dollars

0:26:27.119 --> 0:26:30.240
<v Speaker 1>and twelve dollars in UNI. Right, it was good money

0:26:30.280 --> 0:26:32.800
<v Speaker 1>back then in the nineties, and that was ship. I'mn

0:26:32.920 --> 0:26:37.160
<v Speaker 1>be honest. I've been waiting centuries to be uh back

0:26:37.440 --> 0:26:41.080
<v Speaker 1>with the Dog, right, you know, because that's a great thing,

0:26:41.119 --> 0:26:42.359
<v Speaker 1>you know what I'm saying. But I ain't going nowhere.

0:26:42.359 --> 0:26:44.399
<v Speaker 1>Whatever you asked me to do, it's done, you know

0:26:44.440 --> 0:26:47.320
<v Speaker 1>what I'm saying. We had a great time. We're doing this,

0:26:47.480 --> 0:26:53.320
<v Speaker 1>and we're gonna keep on doing Hello, bet you ship.

0:26:53.400 --> 0:26:55.240
<v Speaker 5>If this is just a sample of what y'all could

0:26:55.240 --> 0:26:57.360
<v Speaker 5>do together, the future looks good.

0:26:57.400 --> 0:26:59.840
<v Speaker 1>It was only a week work for work right next.

0:26:59.720 --> 0:27:01.760
<v Speaker 4>Dog And it sounds like Snoop wanted to be on

0:27:01.880 --> 0:27:04.359
<v Speaker 4>every record. Its like I had to tell him to

0:27:04.400 --> 0:27:06.760
<v Speaker 4>tell at one point, like, hell no, that is the

0:27:06.880 --> 0:27:08.120
<v Speaker 4>dog especially.

0:27:10.080 --> 0:27:13.600
<v Speaker 1>Is crazy truck. Who's the hardest? Right? Man?

0:27:13.840 --> 0:27:16.240
<v Speaker 3>Hold say that I got to sit in the order.

0:27:16.280 --> 0:27:17.399
<v Speaker 1>Come on, you're sucking it up.

0:27:17.840 --> 0:27:19.720
<v Speaker 2>Dog was like, man, you know what, I ain't gonna

0:27:19.720 --> 0:27:21.920
<v Speaker 2>get on this this Jeff for y'all after me and

0:27:22.000 --> 0:27:23.359
<v Speaker 2>Del Marle, who was me?

0:27:23.720 --> 0:27:27.560
<v Speaker 1>It was you and we started laying Dog said, oh,

0:27:27.640 --> 0:27:29.840
<v Speaker 1>hell no, he gets excited. You want to get you know,

0:27:29.920 --> 0:27:31.840
<v Speaker 1>I told him the other day, remember you want to

0:27:31.840 --> 0:27:36.919
<v Speaker 1>slap somebody the way, Yeah, you're ready to beat up

0:27:36.920 --> 0:27:37.959
<v Speaker 1>a motherfucker around here.

0:27:38.160 --> 0:27:40.840
<v Speaker 3>I hit him at four in the morning, and I

0:27:40.960 --> 0:27:43.240
<v Speaker 3>was like, you know, you never got the g and juice.

0:27:43.280 --> 0:27:43.399
<v Speaker 1>You know.

0:27:43.440 --> 0:27:46.520
<v Speaker 4>He hit me right back, sending me your singles. He said,

0:27:47.480 --> 0:27:50.720
<v Speaker 4>your clothing ads. I said, this motherfucker he's he is.

0:27:50.840 --> 0:27:52.600
<v Speaker 4>He is on it, bro, So let's make some annoying

0:27:52.640 --> 0:27:58.400
<v Speaker 4>with Snoop Dogg one time. A lot of people say

0:27:58.520 --> 0:28:02.040
<v Speaker 4>artists can't be CEOs, But I say a lot of

0:28:02.080 --> 0:28:04.280
<v Speaker 4>the times, artists are the best CEOs because they know

0:28:04.359 --> 0:28:06.040
<v Speaker 4>how to treat you. You may maybe they had to

0:28:06.160 --> 0:28:10.200
<v Speaker 4>go through a certain period where they didn't know that,

0:28:10.520 --> 0:28:12.240
<v Speaker 4>but then once they go through it, they know that.

0:28:12.680 --> 0:28:15.440
<v Speaker 4>Like one of the easiest festivals I ever did was

0:28:15.560 --> 0:28:17.960
<v Speaker 4>of Lovers and Friends, and that's usher running that ship.

0:28:18.000 --> 0:28:20.720
<v Speaker 1>You know what I'm saying, Like he treated me like

0:28:21.280 --> 0:28:22.840
<v Speaker 1>how I wanted to be treated. So I always say that.

0:28:23.080 --> 0:28:25.800
<v Speaker 4>I say, once the artists go through something, that artist

0:28:25.880 --> 0:28:28.880
<v Speaker 4>can actually be one of the best CEOs and CEOs.

0:28:29.680 --> 0:28:33.280
<v Speaker 2>But you know what, though, it's like you know when

0:28:34.280 --> 0:28:38.520
<v Speaker 2>we was young. You know what do you know when

0:28:38.560 --> 0:28:47.520
<v Speaker 2>you're young? Like we're the originals, now see what I'm saying,

0:28:47.520 --> 0:28:50.920
<v Speaker 2>because we're the elders now, you know what I mean.

0:28:51.200 --> 0:28:57.000
<v Speaker 2>So we've experienced loss, we've experienced gang the game and

0:28:57.200 --> 0:29:00.840
<v Speaker 2>gang banging. We experienced everything that there is is to

0:29:01.000 --> 0:29:03.680
<v Speaker 2>make us better now so that if we want to

0:29:03.760 --> 0:29:07.720
<v Speaker 2>be executives, we know how to treat the artists, what

0:29:07.920 --> 0:29:12.120
<v Speaker 2>the artist needs in a way to do it, you

0:29:12.160 --> 0:29:14.720
<v Speaker 2>see what I'm saying. So that's the great thing about

0:29:15.000 --> 0:29:18.040
<v Speaker 2>now with us is we're all seasoned. We know how

0:29:18.080 --> 0:29:21.720
<v Speaker 2>to play our positions. And to me, the greatest leader

0:29:21.760 --> 0:29:25.800
<v Speaker 2>I've ever had is the dog, and dog has always

0:29:26.000 --> 0:29:30.200
<v Speaker 2>led me to championships. So that's why I'm in for

0:29:30.320 --> 0:29:32.600
<v Speaker 2>the full mind you when it comes to Snoop. But

0:29:32.880 --> 0:29:35.400
<v Speaker 2>I've been waiting on this forever.

0:29:35.960 --> 0:29:43.320
<v Speaker 1>But the boy got his own money. What better place

0:29:43.400 --> 0:29:48.800
<v Speaker 1>to be we liquor money in the game. Let's give

0:29:48.800 --> 0:29:49.320
<v Speaker 1>a clutter that.

0:29:53.120 --> 0:29:55.160
<v Speaker 4>So let me actually move on to the next song.

0:29:55.240 --> 0:29:56.840
<v Speaker 4>My favorite cousin is Blue. I know we spoke about

0:29:56.840 --> 0:29:58.640
<v Speaker 4>it earlier. You said that I came up with that

0:29:58.720 --> 0:30:01.400
<v Speaker 4>you had in a white suit with the crypt bandanna behind.

0:30:01.880 --> 0:30:04.880
<v Speaker 1>Is that something? Is that something that you know?

0:30:04.920 --> 0:30:07.840
<v Speaker 4>Because when y'all first was talking about gangs back then,

0:30:08.160 --> 0:30:10.200
<v Speaker 4>it was really just in like the West Coast area.

0:30:10.320 --> 0:30:14.480
<v Speaker 4>Now this is global, worldwide. I've seen gangs and bloods

0:30:14.520 --> 0:30:17.120
<v Speaker 4>and crypts and Paris. I was bucking out, you know

0:30:17.160 --> 0:30:19.560
<v Speaker 4>what I mean, Like the pew Niggas.

0:30:20.320 --> 0:30:20.800
<v Speaker 1>I was like whoa.

0:30:21.320 --> 0:30:28.000
<v Speaker 3>I was like, yo, you know what I'm trying to say.

0:30:28.520 --> 0:30:32.080
<v Speaker 1>You know what I mean? Real with that ship. Now

0:30:32.160 --> 0:30:35.560
<v Speaker 1>that this world wide everywhere? Like, is this something that

0:30:36.360 --> 0:30:36.600
<v Speaker 1>you like?

0:30:36.840 --> 0:30:38.920
<v Speaker 4>Because you know, if you're saying blue, then these other

0:30:38.960 --> 0:30:41.160
<v Speaker 4>people might not like it. Is this that's something you

0:30:41.240 --> 0:30:44.160
<v Speaker 4>think about? It's like funk that fu that.

0:30:45.120 --> 0:30:46.960
<v Speaker 1>But you know, we look at everything. You know what

0:30:46.960 --> 0:30:48.520
<v Speaker 1>I'm saying. I appreciate it all. You know what I'm

0:30:48.520 --> 0:30:49.840
<v Speaker 1>saying because you know where it comes from.

0:30:54.440 --> 0:30:56.080
<v Speaker 4>Well, how about you? You ever think about that? Like

0:30:56.120 --> 0:30:58.000
<v Speaker 4>when you're making a favorite colors blue? Like do you

0:30:58.080 --> 0:31:01.080
<v Speaker 4>think that other people won't rock to it because you

0:31:01.200 --> 0:31:02.160
<v Speaker 4>know what their favorite color is?

0:31:02.280 --> 0:31:20.840
<v Speaker 1>Something else? Neighborhood? Okay, Yepnia, I gotta make'm they got

0:31:20.840 --> 0:31:22.640
<v Speaker 1>the anthem joint then. But it's like, you know, everybody

0:31:22.680 --> 0:31:24.400
<v Speaker 1>can say their own color when it's so come, you

0:31:24.440 --> 0:31:26.680
<v Speaker 1>know how everybody remix it in the car it can.

0:31:27.640 --> 0:31:30.640
<v Speaker 2>We're gonna do the remix with some of the homies.

0:31:30.680 --> 0:31:32.880
<v Speaker 2>You know they be on that ship, Nigga. I wouldn't

0:31:32.920 --> 0:31:35.600
<v Speaker 2>be shocked if you see us in YG Nigga giving

0:31:35.640 --> 0:31:39.479
<v Speaker 2>it up. Why my favorite coach is red, giving it up,

0:31:39.560 --> 0:31:41.880
<v Speaker 2>you know what I'm saying, Because we're just giving it

0:31:42.000 --> 0:31:45.160
<v Speaker 2>up for hours. But this is for our community though,

0:31:45.240 --> 0:31:48.880
<v Speaker 2>you know what I'm saying, So this ain't just about cripping.

0:31:49.360 --> 0:31:53.000
<v Speaker 2>This is about our community because of the people who

0:31:53.080 --> 0:31:56.400
<v Speaker 2>push this line for their communities too. Because some people's

0:31:56.400 --> 0:31:59.720
<v Speaker 2>favorite colors red, Our favorite color is blue. Some people's

0:31:59.720 --> 0:32:03.160
<v Speaker 2>favor the color is black. You know I'm saying ground

0:32:03.600 --> 0:32:05.600
<v Speaker 2>the black and right. You know what I'm saying. You know,

0:32:05.720 --> 0:32:08.840
<v Speaker 2>the Mexicans got their favorite color cause and that's what

0:32:08.920 --> 0:32:09.800
<v Speaker 2>we're gonna set off.

0:32:10.040 --> 0:32:14.400
<v Speaker 1>Tell them your favorite color, push the line. Fuck them. Hell,

0:32:17.440 --> 0:32:22.400
<v Speaker 1>that's real. Hey, it's not anti you, it's just we're

0:32:22.440 --> 0:32:26.760
<v Speaker 1>just talking about us, Okay, multi multi hood. So let's

0:32:26.800 --> 0:32:31.840
<v Speaker 1>talk about inside of her ship asked that question was terrible,

0:32:33.280 --> 0:32:38.360
<v Speaker 1>Cassid Bro. You know what I'm saying. So, you know,

0:32:38.400 --> 0:32:40.720
<v Speaker 1>what's all about setting up the next you know what

0:32:40.720 --> 0:32:42.640
<v Speaker 1>I'm saying. So everything that we're doing right now is

0:32:42.720 --> 0:32:44.840
<v Speaker 1>just setting everybody up, you know what I'm saying. So

0:32:45.440 --> 0:32:47.880
<v Speaker 1>come up with that project. Shout out the bunch casts.

0:32:48.520 --> 0:32:51.360
<v Speaker 1>That's like, it's a real like R and B song,

0:32:51.640 --> 0:32:52.680
<v Speaker 1>R and B song, but that's.

0:32:54.120 --> 0:32:58.040
<v Speaker 3>It's arm but it's not some ship. Now, come on,

0:32:58.160 --> 0:33:02.040
<v Speaker 3>let's tell me about it. Okay, really.

0:33:04.000 --> 0:33:08.120
<v Speaker 4>That's the question owner, you know, Okay, my bad, I

0:33:08.200 --> 0:33:11.080
<v Speaker 4>want to be a thirteen, my fult my holy ship.

0:33:12.120 --> 0:33:13.960
<v Speaker 1>They've always but they've always had records like that on

0:33:14.000 --> 0:33:16.320
<v Speaker 1>their album. We always had to, you know, you started

0:33:16.320 --> 0:33:18.120
<v Speaker 1>off that type of then't having fun records.

0:33:18.520 --> 0:33:21.440
<v Speaker 2>Having fun records ain't no fun, you know what I'm saying. Skits,

0:33:21.800 --> 0:33:24.000
<v Speaker 2>radio stations, everything with W balls.

0:33:24.400 --> 0:33:27.000
<v Speaker 1>That's how we started everything. In our living room. People

0:33:27.080 --> 0:33:28.400
<v Speaker 1>used to call, used to hook the phone up to

0:33:28.480 --> 0:33:32.160
<v Speaker 1>the microphone, and then when they call, we just talked ship.

0:33:33.400 --> 0:33:36.520
<v Speaker 1>They thought it was answer ship, Oh my god, and

0:33:37.000 --> 0:33:39.240
<v Speaker 1>it was the W ball w B A. I just

0:33:39.360 --> 0:33:46.040
<v Speaker 1>wanted to live inside inside of Yeah.

0:33:47.120 --> 0:33:48.840
<v Speaker 2>You know, hey, you know I would be honest with

0:33:48.960 --> 0:33:51.120
<v Speaker 2>you because these are the best records that I love

0:33:51.240 --> 0:33:54.640
<v Speaker 2>that just having fun and bring these to the table

0:33:54.640 --> 0:33:55.920
<v Speaker 2>because I'll be honest.

0:33:55.680 --> 0:33:58.400
<v Speaker 1>Because you know me, nor I want the bike. I'm

0:33:58.440 --> 0:34:01.880
<v Speaker 1>all by Dog said, you can't just kill every mc

0:34:02.040 --> 0:34:04.360
<v Speaker 1>all the goddamn time. You know, sometimes you got that fun.

0:34:04.960 --> 0:34:07.360
<v Speaker 2>So Dog bringing these records to the table like this

0:34:07.520 --> 0:34:13.400
<v Speaker 2>with Butch Cassidy because talking about inside of her and

0:34:13.560 --> 0:34:16.759
<v Speaker 2>I'm like, because I love these records, gun Dog, bring

0:34:16.880 --> 0:34:20.400
<v Speaker 2>these records. He making the motherfucking monsters.

0:34:20.440 --> 0:34:24.200
<v Speaker 1>He got to beat this relation, you know, you know

0:34:24.239 --> 0:34:32.200
<v Speaker 1>what I'm saying. Music, right Dog, fun Ship were in

0:34:32.239 --> 0:34:34.640
<v Speaker 1>the car listen and listen he going there and put

0:34:34.719 --> 0:34:40.120
<v Speaker 1>on some more and games. Ship that type of ship.

0:34:40.440 --> 0:34:42.279
<v Speaker 1>But this album got a balance of all of that though.

0:34:42.320 --> 0:34:44.920
<v Speaker 1>You gotta balance the balance when you.

0:34:45.080 --> 0:34:47.080
<v Speaker 4>Was starting this album, man, And I'm not trying to

0:34:47.080 --> 0:34:49.560
<v Speaker 4>gash up. I'm telling you real. This is real ship.

0:34:49.800 --> 0:34:53.440
<v Speaker 4>This is a real great fucking album, like like cohesive.

0:34:54.120 --> 0:34:55.960
<v Speaker 4>It sounds like like I said, this sounds like one

0:34:56.719 --> 0:35:00.279
<v Speaker 4>like one, like like like frame of mind, like when

0:35:00.320 --> 0:35:02.800
<v Speaker 4>you heard it, like the final did you did you like?

0:35:02.920 --> 0:35:04.520
<v Speaker 1>Man? I knew I could have. I knew I could

0:35:04.560 --> 0:35:06.640
<v Speaker 1>did it because we just heard the record. When you

0:35:06.719 --> 0:35:11.360
<v Speaker 1>heard it, we just we're just now hearing everything like

0:35:11.480 --> 0:35:13.880
<v Speaker 1>sequenced out and everything. Everything just like you're hearing it now.

0:35:14.280 --> 0:35:16.640
<v Speaker 1>We just got the record. We're just learning the lyrics.

0:35:19.760 --> 0:35:21.560
<v Speaker 1>It was that secret of a secret, you know what

0:35:21.600 --> 0:35:21.960
<v Speaker 1>I'm saying.

0:35:22.000 --> 0:35:23.319
<v Speaker 3>So I wasn't taking records home.

0:35:23.680 --> 0:35:26.279
<v Speaker 1>Was just well, every time we shoot a video, he says,

0:35:26.480 --> 0:35:28.080
<v Speaker 1>the lyrics to learn, that's the only time we get

0:35:28.120 --> 0:35:31.200
<v Speaker 1>to listen to the song, you know what I'm every day. Yeah,

0:35:31.719 --> 0:35:34.319
<v Speaker 1>just for the songs that you hear, like first four

0:35:35.440 --> 0:35:39.960
<v Speaker 1>my favorite colors, Blue, favorite colors blue, smoke Up, smoke up. Yeah,

0:35:40.160 --> 0:35:44.840
<v Speaker 1>it's that word. Yeah. That was the first video, Okay,

0:35:45.400 --> 0:35:47.960
<v Speaker 1>and then we got another video, which is the hardest.

0:35:48.440 --> 0:35:50.920
<v Speaker 1>The hardest is out with DJ Promilues. I think that

0:35:51.000 --> 0:35:53.200
<v Speaker 1>come out right before the album come out. That's the

0:35:53.320 --> 0:35:56.600
<v Speaker 1>last one you got for Meire on the turntables. That

0:35:56.680 --> 0:35:59.919
<v Speaker 1>record's crazy. It looks like the Vibe cover. Oh my god,

0:36:00.160 --> 0:36:01.960
<v Speaker 1>what the death ro Vibe cover with Yeah, the death

0:36:02.000 --> 0:36:07.440
<v Speaker 1>ro Vibe cover. Yeah, you know, just uh we heard

0:36:07.480 --> 0:36:10.319
<v Speaker 1>at the same time you heard it, really yeah, Yeah,

0:36:11.400 --> 0:36:14.600
<v Speaker 1>make the album. It's on gall of Music in the metaverse.

0:36:15.560 --> 0:36:17.560
<v Speaker 1>So we got two records on there called Finesse and

0:36:17.680 --> 0:36:21.560
<v Speaker 1>bag Up with October London, okay and Jay Black. That's

0:36:21.880 --> 0:36:24.360
<v Speaker 1>you laid your verse on. Yeah. I listened to it

0:36:24.400 --> 0:36:29.000
<v Speaker 1>on YouTube. That's what he told me. Two songs on YouTube.

0:36:29.120 --> 0:36:31.120
<v Speaker 1>You know, I go hurt from YouTube, you know, and

0:36:31.239 --> 0:36:39.600
<v Speaker 1>go YouTube the MP four you on bad. Yeah, you're

0:36:39.600 --> 0:36:42.560
<v Speaker 1>not used to that world. You know this nigga can't

0:36:42.640 --> 0:36:49.000
<v Speaker 1>stop what I'm just disputed distributed through Gamma Gamma. Yeah,

0:36:49.160 --> 0:36:52.040
<v Speaker 1>you know they got Usher, Okay, they got well is

0:36:52.120 --> 0:36:55.919
<v Speaker 1>that Larry Jackson ship? Yeah? Okay, okay, all right, damn okay,

0:36:56.000 --> 0:36:58.920
<v Speaker 1>Snoop getting that funny he getting that money. Then you

0:36:59.000 --> 0:37:01.160
<v Speaker 1>mentioned he got that gallon a deal to that, which

0:37:01.200 --> 0:37:04.799
<v Speaker 1>is the metaverse stuff. I'm learning that NFT. What are

0:37:04.800 --> 0:37:08.800
<v Speaker 1>they talking about the NFC? Yeah, I said remembers. They

0:37:08.880 --> 0:37:11.320
<v Speaker 1>put the other songs in the metaverse of the middle

0:37:13.840 --> 0:37:18.600
<v Speaker 1>that is. Yeah, so you know, two songs that makes

0:37:18.640 --> 0:37:23.839
<v Speaker 1>sixteen all together. Okay, okay, Holy So look, we're gonna

0:37:23.840 --> 0:37:26.080
<v Speaker 1>play a game. Come on, you play it quick time?

0:37:26.280 --> 0:37:28.680
<v Speaker 5>Yes, because I don't think they've never played quick Time.

0:37:31.200 --> 0:37:35.320
<v Speaker 5>We have a Flowers neither Triple Time alumni. Ye, but

0:37:35.520 --> 0:37:36.520
<v Speaker 5>never played quick time.

0:37:37.880 --> 0:37:38.160
<v Speaker 1>Let's go.

0:37:39.320 --> 0:37:42.319
<v Speaker 4>So we left off as a smoke times. Yeah, smoke time.

0:37:42.719 --> 0:37:43.480
<v Speaker 4>We need our phone.

0:37:43.719 --> 0:37:46.239
<v Speaker 5>Yeah, we got the questions. They send us the question.

0:37:46.280 --> 0:37:48.640
<v Speaker 5>So we're gonna give you to two different names, two

0:37:48.640 --> 0:37:52.359
<v Speaker 5>different choices. You pick one nobody drinks. If you say

0:37:52.440 --> 0:37:53.800
<v Speaker 5>both or neither? Were all drinking?

0:37:55.600 --> 0:37:56.040
<v Speaker 1>Yes and no?

0:37:56.600 --> 0:38:00.200
<v Speaker 5>Yeah, basically like this person, this can't look it is

0:38:00.239 --> 0:38:02.680
<v Speaker 5>this candle. You say this candle, we're not drinking. You

0:38:02.760 --> 0:38:04.080
<v Speaker 5>say both candles were drinking.

0:38:04.600 --> 0:38:07.760
<v Speaker 4>I'm taking a shot. You want to take shots as killer?

0:38:08.440 --> 0:38:09.280
<v Speaker 4>What you got patron?

0:38:09.520 --> 0:38:12.400
<v Speaker 1>I got? We got patron, we got, we got, we

0:38:12.480 --> 0:38:15.719
<v Speaker 1>got the killer. Yeah, were in the game. Some more champagne. Okay, yeah,

0:38:15.800 --> 0:38:18.759
<v Speaker 1>you take the smoke on double Okay yeah yeah wait,

0:38:18.840 --> 0:38:21.280
<v Speaker 1>well no, no, because you gotta take a shot.

0:38:22.160 --> 0:38:26.520
<v Speaker 6>Take a shot, claw vodka whatever, put me a piece

0:38:26.520 --> 0:38:27.160
<v Speaker 6>of ice in there.

0:38:27.200 --> 0:38:38.239
<v Speaker 7>Okay, yeah, okay, it's a celebrating nights too.

0:38:38.320 --> 0:38:39.919
<v Speaker 1>If they were going to take a shot, we gonna

0:38:39.960 --> 0:38:47.520
<v Speaker 1>take it. And we're celebrated Brand's birthday. How about that that? Yeah?

0:38:49.360 --> 0:38:58.719
<v Speaker 8>He oh the Gemini jumping us now dp B G

0:38:58.960 --> 0:39:01.160
<v Speaker 8>C gem and I eyes everywhere, my wife.

0:39:01.680 --> 0:39:04.319
<v Speaker 1>We got dads, We got a man.

0:39:04.520 --> 0:39:06.560
<v Speaker 3>What we're doing one of the greatest groups of all

0:39:06.640 --> 0:39:07.439
<v Speaker 3>motherfucking time.

0:39:07.719 --> 0:39:12.839
<v Speaker 1>Are you ready? Yes, Drey or Snoop, both take a shot.

0:39:12.880 --> 0:39:16.960
<v Speaker 1>Take a shot. We need more shots, he said, yes.

0:39:17.080 --> 0:39:18.360
<v Speaker 1>Or know what, you take whatever you.

0:39:20.239 --> 0:39:23.040
<v Speaker 3>To it, whatever in your you gotta ride it out.

0:39:24.000 --> 0:39:27.719
<v Speaker 1>Don't know that's a shot. It's a shot. That was

0:39:27.760 --> 0:39:33.040
<v Speaker 1>a shot to me. That's why I say, you gotta

0:39:33.080 --> 0:39:38.640
<v Speaker 1>pay yourself. No, let me smoke too. It take you

0:39:39.120 --> 0:39:42.239
<v Speaker 1>shot we got. I went for the other glass. I'm

0:39:42.280 --> 0:39:46.440
<v Speaker 1>doing a three shot man, cause you can't rewrite this story.

0:39:47.560 --> 0:39:51.120
<v Speaker 1>I'm already hammered. I'm sucking me. I'm already because you

0:39:51.160 --> 0:39:53.480
<v Speaker 1>gotta take a shot. Because yeah, by the way, I

0:39:53.520 --> 0:39:59.000
<v Speaker 1>love your relationship. You take your shot. I'm a natural.

0:40:00.120 --> 0:40:02.520
<v Speaker 1>I'm trying to you. I got this. You know what

0:40:03.520 --> 0:40:09.120
<v Speaker 1>this thing to me? Right? Hold on, finish this upon.

0:40:12.640 --> 0:40:16.120
<v Speaker 9>I ain't driving today. You're not driving today. Cut handling,

0:40:21.120 --> 0:40:23.040
<v Speaker 9>So don't answer no more questions like that.

0:40:24.239 --> 0:40:25.200
<v Speaker 3>But we did explain them.

0:40:25.200 --> 0:40:29.919
<v Speaker 1>The rules. R okay, Jay z or Big Daddy Kane,

0:40:31.120 --> 0:40:37.080
<v Speaker 1>Jigger Okay, poker easy, Big Daddy Cane.

0:40:37.360 --> 0:40:46.520
<v Speaker 10>No, I'm sorry, this question for me both of you. Actually,

0:40:46.520 --> 0:40:48.520
<v Speaker 10>I want both of you. Give it to me to

0:40:49.040 --> 0:40:51.720
<v Speaker 10>easy present new Tupac.

0:40:53.719 --> 0:40:56.480
<v Speaker 2>I didn't get a chance to be around Eric, but

0:40:56.680 --> 0:40:59.160
<v Speaker 2>Eric is the grandfather of this game.

0:40:59.280 --> 0:41:02.680
<v Speaker 1>That god fly. I go with Eric respect like he

0:41:02.760 --> 0:41:05.000
<v Speaker 1>did that about you, guys, what would you say? I

0:41:05.160 --> 0:41:11.120
<v Speaker 1>go with both? You go, you gotta take a drink?

0:41:11.160 --> 0:41:13.120
<v Speaker 1>If you go both, which one is the one with?

0:41:13.560 --> 0:41:16.120
<v Speaker 1>You know you gotta do you gotta do a shot

0:41:16.160 --> 0:41:17.799
<v Speaker 1>because right we.

0:41:17.880 --> 0:41:18.960
<v Speaker 3>Just want to make sure dads know.

0:41:19.200 --> 0:41:19.520
<v Speaker 1>I think that.

0:41:22.320 --> 0:41:25.560
<v Speaker 3>When you gotta drink okay, you say both, you gotta drink.

0:41:25.520 --> 0:41:31.360
<v Speaker 1>Okay because I know the rule. He drink all. I

0:41:31.600 --> 0:41:38.760
<v Speaker 1>got it. Yeah, we said yeah at the same times.

0:41:38.800 --> 0:41:39.719
<v Speaker 1>That another shot.

0:41:42.000 --> 0:41:44.799
<v Speaker 3>DJ Quick J Quick battle Cat.

0:41:50.960 --> 0:41:53.080
<v Speaker 1>I answered, I really, you gotta answer you. I like

0:41:53.200 --> 0:41:53.719
<v Speaker 1>both of them.

0:41:57.760 --> 0:41:59.279
<v Speaker 3>That did you explain to him?

0:42:00.840 --> 0:42:04.480
<v Speaker 1>Watched the show. You got the shot. I'm taking the

0:42:04.520 --> 0:42:10.360
<v Speaker 1>shut because you're not standing the rules of engagement. You

0:42:10.440 --> 0:42:12.840
<v Speaker 1>don't have us all different after this man, damn it,

0:42:12.920 --> 0:42:15.320
<v Speaker 1>demn my you. Oh now she's just bringing it because

0:42:15.320 --> 0:42:21.359
<v Speaker 1>you keep sucking up. You got your own. This one

0:42:21.440 --> 0:42:27.160
<v Speaker 1>got frost on it because that's yours. The next one

0:42:27.239 --> 0:42:31.280
<v Speaker 1>is for corrupt d O C or m c ren corrupt.

0:42:32.320 --> 0:42:34.279
<v Speaker 1>I'm sorry what happened the d O C or m

0:42:34.360 --> 0:42:40.480
<v Speaker 1>C w ren d O C d O C. Okay, explain.

0:42:42.000 --> 0:42:45.160
<v Speaker 2>You got because these are all greats, y'all mention because

0:42:45.200 --> 0:42:47.160
<v Speaker 2>it's hard to mention it. We don't want to get

0:42:47.160 --> 0:42:55.680
<v Speaker 2>too fucked up. Well, I am or forell his mouth

0:42:55.760 --> 0:42:56.680
<v Speaker 2>shaking like.

0:42:59.120 --> 0:43:04.719
<v Speaker 1>I'm gonna take for real? Uh m Okay, I wasn't ready.

0:43:05.719 --> 0:43:11.320
<v Speaker 1>You got it. You could take this one Kendrick or

0:43:11.400 --> 0:43:21.879
<v Speaker 1>Drake Kendrick Kendrick. That wasn't hard to realize, even though

0:43:21.960 --> 0:43:24.080
<v Speaker 1>Drake is one of my favorite artists. I can't lie.

0:43:24.200 --> 0:43:29.320
<v Speaker 5>But no, I heard yourself before to motherfucker right n

0:43:29.800 --> 0:43:32.719
<v Speaker 5>shot the public enemy n w A.

0:43:37.080 --> 0:43:47.040
<v Speaker 3>Uh nas or scarface damn, this is just for your

0:43:47.080 --> 0:43:48.000
<v Speaker 3>house for you cut.

0:43:49.960 --> 0:43:53.719
<v Speaker 1>Forever, gonna say both. I'm gonna go with scarface. M

0:43:53.880 --> 0:43:58.359
<v Speaker 1>hmm where you're gonna cut? Wait?

0:43:58.400 --> 0:44:00.760
<v Speaker 2>Wait, wait wait I thought it was one out of time. Okay,

0:44:03.400 --> 0:44:09.759
<v Speaker 2>lawyer right, I'm a lawyer, came full of fool.

0:44:11.640 --> 0:44:12.600
<v Speaker 1>Let's go. Let's keep going.

0:44:12.640 --> 0:44:15.560
<v Speaker 5>I'm gonna say this one, okay, me against the world

0:44:15.600 --> 0:44:16.799
<v Speaker 5>of Micavelly.

0:44:17.880 --> 0:44:19.600
<v Speaker 1>Me against the world easily.

0:44:21.200 --> 0:44:28.080
<v Speaker 4>The baby or little Baby, throat Baby, you got a

0:44:28.160 --> 0:44:31.719
<v Speaker 4>new album? Yeah, killed it to the baby came to

0:44:31.840 --> 0:44:33.520
<v Speaker 4>y'all world. I love a little baby.

0:44:34.040 --> 0:44:36.400
<v Speaker 2>I love both of them, but the baby though, because

0:44:36.440 --> 0:44:39.120
<v Speaker 2>I end my shows with throat Baby, because that motherfucker

0:44:39.160 --> 0:44:40.400
<v Speaker 2>is so bad and the best.

0:44:40.280 --> 0:44:45.919
<v Speaker 1>In the head on the world on I love it. Yeah.

0:44:47.200 --> 0:44:49.520
<v Speaker 1>I thought you had hard questions because where's where's the

0:44:50.360 --> 0:44:59.680
<v Speaker 1>okay and y see or Miami? Miami? Okay, but you

0:44:59.719 --> 0:45:02.279
<v Speaker 1>said answer this to Okay, I'll answered you know what

0:45:02.320 --> 0:45:10.839
<v Speaker 1>I'm saying. What was the question? Or Miami? What about them? Which?

0:45:11.400 --> 0:45:15.040
<v Speaker 1>Which were you? Which you? As far as what.

0:45:18.160 --> 0:45:20.840
<v Speaker 2>It sounds like artists or something, and we're talking about, uh,

0:45:23.760 --> 0:45:26.000
<v Speaker 2>what city we want to be in more there we go. Okay,

0:45:26.280 --> 0:45:31.200
<v Speaker 2>oh man, that's self explanatory. Be honest, Gods, I got

0:45:31.400 --> 0:45:38.080
<v Speaker 2>to be honest. Okay, Miami, Okay, dancing that they got

0:45:38.440 --> 0:45:41.200
<v Speaker 2>they got a uh they got a Spanish little spot

0:45:41.280 --> 0:45:42.120
<v Speaker 2>out on Miami.

0:45:44.280 --> 0:45:46.200
<v Speaker 1>Get That's how I learned how to do my thing

0:45:46.360 --> 0:45:53.560
<v Speaker 1>right it me. Oh yeah, I told you a long

0:45:53.640 --> 0:45:56.520
<v Speaker 1>time told Okay.

0:45:57.760 --> 0:46:03.960
<v Speaker 2>Yeah, Matt ten Ord, damn, damn, you got a good one.

0:46:04.040 --> 0:46:07.759
<v Speaker 2>Good luck, good luck. They think I'm gonna get ready

0:46:07.800 --> 0:46:08.520
<v Speaker 2>to take a shot, a.

0:46:08.600 --> 0:46:13.239
<v Speaker 1>Ready ready to run it out good cougie rap or

0:46:13.280 --> 0:46:28.920
<v Speaker 1>big punty Yeah, self explained to him the next the

0:46:29.040 --> 0:46:34.520
<v Speaker 1>chronic chronic two thousand and one. Well, who's the question, folks,

0:46:35.760 --> 0:46:41.200
<v Speaker 1>both of y'all chronic, the chronic. I'm gonna I'm gonna

0:46:41.200 --> 0:46:50.560
<v Speaker 1>make some chronic. It wouldn't be no plus we make

0:46:50.640 --> 0:46:51.319
<v Speaker 1>bitches ain't ship.

0:46:51.440 --> 0:46:53.400
<v Speaker 2>And they taught me about the sleeper record, where you

0:46:53.520 --> 0:46:56.319
<v Speaker 2>don't mention that the record's on there, and then they

0:46:56.480 --> 0:46:57.759
<v Speaker 2>just listen to the record to the end.

0:46:57.840 --> 0:47:00.640
<v Speaker 1>Nobody to put records on there that didn't At the end,

0:47:00.680 --> 0:47:01.480
<v Speaker 1>you wuldn't know what there was.

0:47:01.520 --> 0:47:03.680
<v Speaker 2>It just because you're doing something else and the records

0:47:03.719 --> 0:47:05.399
<v Speaker 2>still going on, and then something come out.

0:47:05.320 --> 0:47:08.479
<v Speaker 1>The blue and you'd be like, what that boom blue?

0:47:08.520 --> 0:47:10.839
<v Speaker 1>They motherfucking the blue?

0:47:10.880 --> 0:47:16.279
<v Speaker 3>Their head off. Pauls like this for you, who rolled better?

0:47:17.400 --> 0:47:18.799
<v Speaker 3>Dash or Snoop.

0:47:20.680 --> 0:47:25.880
<v Speaker 1>Rolling weed? Yeah? Dash definitely, I rolled quickly like, but

0:47:25.920 --> 0:47:27.719
<v Speaker 1>he rolled back with I can't I can't get in

0:47:27.800 --> 0:47:29.799
<v Speaker 1>that field. Yeah, that was a little that's too much

0:47:30.040 --> 0:47:34.440
<v Speaker 1>den Mark putting together like a mix ca. Yeah, you

0:47:34.440 --> 0:47:42.040
<v Speaker 1>know what I'm saying, Like an egg roll use that egg. Okay,

0:47:44.000 --> 0:47:46.359
<v Speaker 1>Dash can roll on a dirt bike. I can roll

0:47:46.400 --> 0:47:46.839
<v Speaker 1>in the dark.

0:47:47.760 --> 0:47:51.319
<v Speaker 3>Jesus O, my mom, Biggie Smalls or ice Cube.

0:47:53.360 --> 0:47:56.719
<v Speaker 2>You had to do it that way, ice Cube, I

0:47:56.800 --> 0:48:01.879
<v Speaker 2>gotta ask you to corrupt. That wasn't even something if

0:48:01.960 --> 0:48:10.480
<v Speaker 2>you should ask me South Central, you.

0:48:10.520 --> 0:48:15.640
<v Speaker 1>Gotta you gotta go ice q Oh no, cause suld

0:48:15.640 --> 0:48:21.560
<v Speaker 1>have done done. Take a shot Happy birthday, Happy birthday, Mama.

0:48:21.840 --> 0:48:26.640
<v Speaker 1>Because I can't woo, I'll take a shot. Okay, m hmm.

0:48:27.880 --> 0:48:32.680
<v Speaker 3>That was unfair. This is a fair one. He's a

0:48:32.760 --> 0:48:35.440
<v Speaker 3>fair one, A.

0:48:35.480 --> 0:48:40.799
<v Speaker 1>Fair one, gonna drink champs, nigga be a champion. He said,

0:48:40.840 --> 0:48:43.839
<v Speaker 1>were the hard ones, and he liked this type of ship.

0:48:44.040 --> 0:48:46.319
<v Speaker 1>I do too. Ain't gonna lie. I'd like to see

0:48:46.360 --> 0:48:58.360
<v Speaker 1>me like like you said, small, don't say that. You

0:48:58.400 --> 0:49:01.520
<v Speaker 1>should know that I was gonna be when me and

0:49:01.640 --> 0:49:10.640
<v Speaker 1>Nor get together get together and we got fun. That's

0:49:10.640 --> 0:49:15.080
<v Speaker 1>a fair one for you. Exhibit or rash cast. Oh,

0:49:24.080 --> 0:49:38.080
<v Speaker 1>I'm like, I'm gonna pass the c that sucked up

0:49:41.120 --> 0:49:45.600
<v Speaker 1>think Okay, Okay, that's the new game, y'all. You passed it.

0:49:47.080 --> 0:49:49.440
<v Speaker 1>He passed to your partner. You know, let's tag no, no,

0:49:49.520 --> 0:49:50.879
<v Speaker 1>you know you're gonna that one.

0:49:51.600 --> 0:49:53.560
<v Speaker 4>The person can hit the buzzer up and say, what

0:49:53.640 --> 0:49:55.600
<v Speaker 4>are you gonna do? I could dash and then dazz

0:49:55.680 --> 0:49:58.279
<v Speaker 4>mean you can pass it to the next man. Dam

0:49:58.600 --> 0:50:00.480
<v Speaker 4>only happened when you got your own we would do it.

0:50:00.760 --> 0:50:03.400
<v Speaker 4>Only happen to You can't be sold in passing the

0:50:03.440 --> 0:50:07.880
<v Speaker 4>sun like it's a bonus point and it's called the

0:50:08.000 --> 0:50:09.600
<v Speaker 4>dazh You in the.

0:50:09.600 --> 0:50:15.440
<v Speaker 11>Group, you da we're going dazz Shipoholics, Cypress Hill.

0:50:18.680 --> 0:50:19.279
<v Speaker 1>That's what.

0:50:19.760 --> 0:50:23.520
<v Speaker 3>Damn del Mark, make up your motherfucking.

0:50:23.000 --> 0:50:27.520
<v Speaker 5>Mind and your sipping shots is ill right there because

0:50:27.560 --> 0:50:29.239
<v Speaker 5>you've got nightmare there.

0:50:30.120 --> 0:50:36.280
<v Speaker 4>You know I'm sing you yeah, you have the talkboard.

0:50:37.760 --> 0:50:39.520
<v Speaker 4>I'm gonna play the famous game.

0:50:40.239 --> 0:50:43.400
<v Speaker 1>Four of us. I know that's right that there. You

0:50:43.640 --> 0:50:52.959
<v Speaker 1>miss your flight. Damn you just keep all right. Damn

0:50:53.040 --> 0:50:55.440
<v Speaker 1>del Mark, you got a whole motherfucking you got a

0:50:55.520 --> 0:51:02.880
<v Speaker 1>car lot parking, the shots a driving movie over there.

0:51:05.080 --> 0:51:06.759
<v Speaker 1>I was looking at making cups, nor of your head

0:51:06.800 --> 0:51:14.160
<v Speaker 1>over there like analog of digital. Oh that's a dash.

0:51:16.120 --> 0:51:20.200
<v Speaker 1>It's not only we only got sixty, not like six

0:51:20.320 --> 0:51:29.840
<v Speaker 1>more like you dig. You can't pass this all to me?

0:51:30.000 --> 0:51:31.520
<v Speaker 1>All they want all I'm gonna do is ask you.

0:51:32.040 --> 0:51:36.200
<v Speaker 1>I'm like that the dumb one, which one? I can't

0:51:36.239 --> 0:51:36.880
<v Speaker 1>hear nothing.

0:51:39.600 --> 0:51:42.280
<v Speaker 3>Producing wise, you know, I mean you have a preference

0:51:42.320 --> 0:51:43.120
<v Speaker 3>on assuming digital?

0:51:43.160 --> 0:51:48.719
<v Speaker 1>Which analog of digital? Analog? Okay, okay, I like analog.

0:51:49.440 --> 0:51:51.839
<v Speaker 1>Tell them why I can run that. I can run

0:51:52.040 --> 0:51:56.680
<v Speaker 1>my uh stuff through the analog to go through the digital.

0:51:57.000 --> 0:51:58.520
<v Speaker 1>You know what I'm saying. So it's get that same.

0:52:00.239 --> 0:52:02.719
<v Speaker 1>So you just run whatever you got into your analogue,

0:52:03.000 --> 0:52:06.680
<v Speaker 1>then running into your digital. Got the same ship at

0:52:06.680 --> 0:52:10.920
<v Speaker 1>the best of both worlds. Got that I just want

0:52:11.000 --> 0:52:15.880
<v Speaker 1>for you. It's a good king t or f C eight. No,

0:52:16.040 --> 0:52:20.800
<v Speaker 1>I just can't keep taking this. I regret my motherfucker glass.

0:52:23.200 --> 0:52:26.719
<v Speaker 1>This is gonna get drunk today, you know, because we

0:52:26.840 --> 0:52:27.399
<v Speaker 1>love all our.

0:52:27.560 --> 0:52:30.400
<v Speaker 11>When this is the first motherfucker shot you took. Motherfuckers

0:52:34.719 --> 0:52:39.600
<v Speaker 11>this right there. You want to, I'm gonna tell me

0:52:44.200 --> 0:52:45.400
<v Speaker 11>Jay Rockers, Schoolboy Q.

0:52:47.719 --> 0:52:50.359
<v Speaker 1>Let's go both of them. Okay, damn yeah, I will.

0:52:50.880 --> 0:52:55.319
<v Speaker 1>That's going double trouble. I would a good answer them,

0:52:55.600 --> 0:53:01.879
<v Speaker 1>good Lady of rage, remie Ma. Now you know that's

0:53:01.960 --> 0:53:06.800
<v Speaker 1>not that real. That's not shot. Hell yeah, drinking this

0:53:09.960 --> 0:53:10.400
<v Speaker 1>I told you.

0:53:13.000 --> 0:53:15.720
<v Speaker 2>Now, Hey, y'all wanted to get hammered. Y'all keep asking,

0:53:16.560 --> 0:53:23.759
<v Speaker 2>you can't go forget the nigga got a whole motherfucking

0:53:23.880 --> 0:53:24.640
<v Speaker 2>gang over here.

0:53:27.480 --> 0:53:29.920
<v Speaker 1>So you took your shot already. Yeah, no, don't get

0:53:29.960 --> 0:53:35.120
<v Speaker 1>me not because because unanswered questions answer questions.

0:53:35.440 --> 0:53:47.760
<v Speaker 12>These are unanswered questions, because you gotta answer your question, amore.

0:53:48.120 --> 0:53:50.920
<v Speaker 3>I've never seen this is awesome.

0:53:51.400 --> 0:53:52.759
<v Speaker 1>Those are your questions.

0:53:54.440 --> 0:54:01.600
<v Speaker 2>What you're saying, Holy got you because on sixty three

0:54:01.880 --> 0:54:04.160
<v Speaker 2>on DPGC.

0:54:03.360 --> 0:54:06.920
<v Speaker 1>Because I got to deal with D with with d

0:54:07.120 --> 0:54:10.200
<v Speaker 1>A Z this motherfucker right here. That's how are your

0:54:10.520 --> 0:54:12.680
<v Speaker 1>question fucked up? Like that? Looking at the stars and

0:54:12.719 --> 0:54:15.720
<v Speaker 1>ship and then they would make for all my niggas

0:54:15.760 --> 0:54:18.600
<v Speaker 1>in my basis, we call ourselves the dog Pan. That's

0:54:18.600 --> 0:54:21.279
<v Speaker 1>where we lived in. That's a gang we claim and

0:54:21.400 --> 0:54:22.799
<v Speaker 1>all that. You know what I'm saying that we're gonna

0:54:22.800 --> 0:54:25.040
<v Speaker 1>become the dog Pan. The next day we did. How

0:54:25.080 --> 0:54:28.960
<v Speaker 1>old was we? Niggas? Don't give me what justice? Soundtrack

0:54:29.480 --> 0:54:32.080
<v Speaker 1>dog Pan was born today. That's the first record. Yeah, yeah,

0:54:32.120 --> 0:54:34.720
<v Speaker 1>we was like nineteen twenties. Yeah, we were solo artists

0:54:34.760 --> 0:54:36.120
<v Speaker 1>because you know, when the Corner came out, we had

0:54:36.160 --> 0:54:38.279
<v Speaker 1>our name on it and when Sloop came out the

0:54:38.320 --> 0:54:41.040
<v Speaker 1>second time we with the dog Pad, they didn't realize that,

0:54:41.200 --> 0:54:43.279
<v Speaker 1>so y'all wear the dog Pound on that album. But

0:54:43.360 --> 0:54:46.360
<v Speaker 1>we never was signed as the dog Pound, right, you

0:54:46.400 --> 0:54:48.840
<v Speaker 1>know what I'm saying in contract wise, we just signed

0:54:48.920 --> 0:54:50.879
<v Speaker 1>as the dog Pan with Snoop. You know what I'm

0:54:50.880 --> 0:54:54.200
<v Speaker 1>saying because first time ever dog on contract. Yea on

0:54:54.320 --> 0:54:56.160
<v Speaker 1>contract because we just made that ship up, you know,

0:54:56.239 --> 0:54:59.920
<v Speaker 1>should went whatever ship. So the Dark Pound was never

0:55:00.040 --> 0:55:05.400
<v Speaker 1>officially a group, so I was solo.

0:55:06.120 --> 0:55:07.680
<v Speaker 2>And then we just said we're gonna be the Doll

0:55:07.760 --> 0:55:10.200
<v Speaker 2>Pound because because we already had the doll Pound as

0:55:10.440 --> 0:55:12.239
<v Speaker 2>all of us, which was Snoop House.

0:55:12.800 --> 0:55:14.480
<v Speaker 1>Snoopman named this house.

0:55:14.360 --> 0:55:16.560
<v Speaker 2>This is the doll Pound because this is all us

0:55:16.640 --> 0:55:19.840
<v Speaker 2>at and so dads just said, man, you know what,

0:55:19.960 --> 0:55:22.560
<v Speaker 2>because we're gonna be Doll Town.

0:55:23.040 --> 0:55:26.439
<v Speaker 1>Doctor d producing nobody else album but rb X Raised

0:55:26.480 --> 0:55:29.560
<v Speaker 1>and Snoop. That's when I started stealing drum machines and

0:55:29.640 --> 0:55:33.759
<v Speaker 1>all kinds of ship, start learning that ship for the

0:55:33.840 --> 0:55:38.680
<v Speaker 1>whole motherfucking album together for the whole from that's all.

0:55:38.880 --> 0:55:40.239
<v Speaker 1>You know, the place that rent the company, you know,

0:55:40.280 --> 0:55:43.040
<v Speaker 1>the ship that went doing the shows and ship that's

0:55:43.080 --> 0:55:49.439
<v Speaker 1>all some shah, give me tow it up a couple

0:55:49.480 --> 0:55:55.759
<v Speaker 1>of amps. Never bring that ship. That's when we were

0:55:55.800 --> 0:55:57.840
<v Speaker 1>breaking into the studio. I has to break into the

0:55:58.080 --> 0:56:00.040
<v Speaker 1>you know Dick Griffin, you know Solo Records, and you

0:56:00.040 --> 0:56:03.400
<v Speaker 1>know the man that created a whispers Lake's side baby

0:56:03.480 --> 0:56:05.320
<v Speaker 1>face all we used to break in his students to

0:56:05.320 --> 0:56:06.080
<v Speaker 1>take the whole mother.

0:56:06.200 --> 0:56:07.640
<v Speaker 5>Look how he set him up as a great guy.

0:56:07.680 --> 0:56:09.319
<v Speaker 5>And then we just broke into a studio.

0:56:10.000 --> 0:56:13.680
<v Speaker 1>Broke it. Took the whole back off the elevator. I

0:56:13.760 --> 0:56:15.640
<v Speaker 1>got a piece of for you because you know back

0:56:15.680 --> 0:56:17.879
<v Speaker 1>in they take the little cars from the promoted ship.

0:56:19.200 --> 0:56:21.120
<v Speaker 1>So I knew how to hit the positive with the negative.

0:56:21.400 --> 0:56:24.279
<v Speaker 1>And we go up to the third floor. Then I

0:56:24.360 --> 0:56:26.840
<v Speaker 1>opened the door, let everybody in, and when you know,

0:56:27.000 --> 0:56:30.760
<v Speaker 1>we was recording on s s HL boards, still the boars,

0:56:30.880 --> 0:56:31.759
<v Speaker 1>the whole boy, it was.

0:56:32.120 --> 0:56:32.440
<v Speaker 13>It was on.

0:56:32.680 --> 0:56:34.399
<v Speaker 1>You know what I'm saying. Everything was on because Doctor

0:56:34.480 --> 0:56:35.680
<v Speaker 1>j used to be up in there and we'd be

0:56:35.719 --> 0:56:37.359
<v Speaker 1>watching it. So we went in the back and grab

0:56:37.560 --> 0:56:40.080
<v Speaker 1>a tape and the tape was the Whispers.

0:56:40.440 --> 0:56:43.560
<v Speaker 14>And you know what back then that was recorded the whispers,

0:56:46.120 --> 0:56:48.920
<v Speaker 14>I mean with the we recorded over the whispers man

0:56:49.120 --> 0:56:51.000
<v Speaker 14>recorded so Dick grif.

0:56:52.640 --> 0:56:56.640
<v Speaker 1>As the beat goes on and then it goes ever

0:56:57.000 --> 0:57:05.879
<v Speaker 1>last dad jump jump doom boom boom boy. The man

0:57:06.680 --> 0:57:09.920
<v Speaker 1>that was like, man, I ain't this ship and it

0:57:10.080 --> 0:57:14.120
<v Speaker 1>takes you like two hundred and fifty dollars back then? Yeah, yeah,

0:57:15.080 --> 0:57:20.360
<v Speaker 1>oh my god, it's simply you're definitely yeah, okay, almost done,

0:57:20.800 --> 0:57:21.720
<v Speaker 1>almost done, almost done.

0:57:21.760 --> 0:57:24.439
<v Speaker 3>On a couple more Rap City or MTV.

0:57:25.440 --> 0:57:36.480
<v Speaker 1>Rap Raps, Rap Citty cool with uh okay rap Citty.

0:57:37.080 --> 0:57:40.200
<v Speaker 1>Who that Thomas mister Thomas with the you know, the

0:57:40.320 --> 0:57:44.360
<v Speaker 1>first one, oh ship Joe Clar now not before Joe Clare,

0:57:44.560 --> 0:57:46.800
<v Speaker 1>Before Joe Clip was another guy with the green eyes.

0:57:46.960 --> 0:57:50.919
<v Speaker 1>Now he was dark, skinn and skinny damn for god, yeah,

0:57:50.960 --> 0:57:53.760
<v Speaker 1>big lips he Edison. Yeah, we want to do it

0:57:53.880 --> 0:57:55.640
<v Speaker 1>all like that because that's was the staff on the

0:57:55.680 --> 0:58:01.240
<v Speaker 1>TV show on Rap City. Yeah, Premiere, his name is Premier.

0:58:03.200 --> 0:58:05.080
<v Speaker 1>Was it Joe Class so it was before Joe Class.

0:58:06.200 --> 0:58:11.160
<v Speaker 1>Name is Thomas Thomas something yeah, the mayor may Okay, Yeah,

0:58:12.760 --> 0:58:14.440
<v Speaker 1>so you know I've been watching hip hop since hip

0:58:14.440 --> 0:58:16.480
<v Speaker 1>hop and hip hop I'm seventy three.

0:58:17.520 --> 0:58:24.080
<v Speaker 4>Wow, okay, this one for you, huh, this one for you. Okay,

0:58:24.120 --> 0:58:28.160
<v Speaker 4>you get I'm high East. It's all east Siders or

0:58:28.280 --> 0:58:35.960
<v Speaker 4>Lynch mall. Huh the East Siders or Lynch mall take

0:58:36.000 --> 0:58:38.840
<v Speaker 4>a shot this time. You gotta drink it down, pauls.

0:58:39.600 --> 0:58:44.360
<v Speaker 3>Yes, are you drank it?

0:58:46.040 --> 0:58:46.240
<v Speaker 5>Yeah?

0:58:52.200 --> 0:58:57.400
<v Speaker 1>Oh my, that's one both of y'all because this is legendary.

0:58:57.120 --> 0:59:01.680
<v Speaker 2>Both l A y'all getting us real fucked up to

0:59:02.720 --> 0:59:05.520
<v Speaker 2>might you know what, del Mark, because we might I

0:59:05.640 --> 0:59:05.960
<v Speaker 2>might go.

0:59:06.040 --> 0:59:08.400
<v Speaker 1>To the studio to night. That's right, that's a. That's

0:59:08.440 --> 0:59:09.760
<v Speaker 1>a good product.

0:59:12.320 --> 0:59:14.120
<v Speaker 4>It's for both of y'all because this is to l

0:59:14.200 --> 0:59:19.400
<v Speaker 4>a classic film Minister Society or Boys in the Hood.

0:59:19.520 --> 0:59:20.760
<v Speaker 1>Both. Let's get the drinking.

0:59:23.040 --> 0:59:29.600
<v Speaker 2>No, there's no context cause you boy and you can't

0:59:30.040 --> 0:59:32.880
<v Speaker 2>fuck with oh dog, you can't do it.

0:59:33.280 --> 0:59:45.120
<v Speaker 1>And you know what can't you can't look like that? Yeah,

0:59:45.120 --> 0:59:47.280
<v Speaker 1>I don't know. All I know is he showed whoop

0:59:47.320 --> 0:59:52.240
<v Speaker 1>your ass? That's all. This is the last one, very

0:59:52.360 --> 0:59:54.760
<v Speaker 1>last one. When I drink them, I just frowned the

0:59:54.840 --> 0:59:55.320
<v Speaker 1>fuck up.

0:59:55.560 --> 1:00:00.479
<v Speaker 4>Okay, you get sleepy and violent. And this is also

1:00:00.520 --> 1:00:05.800
<v Speaker 4>for both of y'all, loyalty or respect both.

1:00:06.200 --> 1:00:09.760
<v Speaker 1>Let's drink man. He just wanted to end it with

1:00:09.840 --> 1:00:10.200
<v Speaker 1>a drink.

1:00:10.520 --> 1:00:13.720
<v Speaker 2>You motherfucking right, But that's a real question, right, Yeah

1:00:14.040 --> 1:00:15.040
<v Speaker 2>the fuck are you drinking?

1:00:15.360 --> 1:00:20.320
<v Speaker 1>Ship? Like Majuanna Dominican? Is that it's a Dominican thing.

1:00:21.200 --> 1:00:23.600
<v Speaker 1>I'm not Dominican, but it's a Dominican thing. Yeah, do

1:00:23.640 --> 1:00:27.360
<v Speaker 1>you want to? Right? Hell, they tell you the truth.

1:00:27.400 --> 1:00:29.840
<v Speaker 1>And like I said, Martin, Luther King can get you

1:00:29.960 --> 1:00:33.880
<v Speaker 1>killed those ship, right, Lord King wanting to knock the

1:00:33.960 --> 1:00:36.920
<v Speaker 1>funk off? Yeah? Right?

1:00:37.200 --> 1:00:40.280
<v Speaker 2>If I ain't had his patronal, I might try it. Okay,

1:00:40.640 --> 1:00:41.640
<v Speaker 2>damn that little ass ship?

1:00:50.520 --> 1:00:51.960
<v Speaker 1>What you're telling them? Get a chuck board?

1:00:52.480 --> 1:00:52.680
<v Speaker 5>Huh?

1:00:53.760 --> 1:00:54.439
<v Speaker 1>You got a mini?

1:01:02.440 --> 1:01:04.720
<v Speaker 3>How do you get cheaper than the one that already.

1:01:07.160 --> 1:01:11.120
<v Speaker 1>You're supposed to spend more on that? So what did

1:01:11.120 --> 1:01:13.360
<v Speaker 1>you want? You wanted to do what I wanted?

1:01:13.560 --> 1:01:17.320
<v Speaker 4>I wanted to say him name famous favorite person from

1:01:17.440 --> 1:01:20.040
<v Speaker 4>La him never praise person from Long Beach. I named

1:01:20.040 --> 1:01:22.160
<v Speaker 4>it Firs first from New York. You name it face

1:01:22.280 --> 1:01:25.320
<v Speaker 4>prairs person from Miami. We got three minutes, but everybody

1:01:25.440 --> 1:01:28.680
<v Speaker 4>has five seconds to name artist and then they got

1:01:28.760 --> 1:01:30.920
<v Speaker 4>to move on. Somebody gotta keep the five second time.

1:01:31.000 --> 1:01:35.840
<v Speaker 4>Somebody gotta keep it three minute time. So every five

1:01:35.920 --> 1:01:37.120
<v Speaker 4>seconds l.

1:01:37.160 --> 1:01:39.000
<v Speaker 1>A got it. I think more than overall.

1:01:39.160 --> 1:01:43.960
<v Speaker 4>So we're gonna already right, So so look you want

1:01:44.000 --> 1:01:45.560
<v Speaker 4>you what you what you what you feel like? You

1:01:45.600 --> 1:01:48.360
<v Speaker 4>claim more Long Beach or l A Long Beach. Okay,

1:01:48.480 --> 1:01:51.200
<v Speaker 4>so we're gonna have five seconds and name somebody from

1:01:51.280 --> 1:01:53.640
<v Speaker 4>Long Beach. You're gonna have five seconds to name somebody

1:01:53.720 --> 1:01:56.240
<v Speaker 4>from l A. You're gonna have five seconds to name

1:01:56.320 --> 1:01:59.960
<v Speaker 4>somebody from They gotta be super famous, no, I mean

1:02:00.360 --> 1:02:03.040
<v Speaker 4>famous to us. Yeah, as long as the industry is

1:02:03.120 --> 1:02:05.120
<v Speaker 4>something like you know what I mean? And I got

1:02:05.160 --> 1:02:06.760
<v Speaker 4>five seconds today somebody from New York.

1:02:07.120 --> 1:02:08.800
<v Speaker 1>Come on, man, I think New York and relations to

1:02:08.960 --> 1:02:09.680
<v Speaker 1>easy for you guys.

1:02:12.280 --> 1:02:20.760
<v Speaker 15>You go, nope, I get my legs, not your you know,

1:02:20.880 --> 1:02:27.360
<v Speaker 15>I got my own little so five seconds. So five

1:02:27.440 --> 1:02:29.560
<v Speaker 15>seconds and the next man go, we got five seconds?

1:02:30.120 --> 1:02:33.400
<v Speaker 1>All right? All you ready? You understand the rules? Right,

1:02:33.400 --> 1:02:35.080
<v Speaker 1>everybody understand the rules where we started?

1:02:35.520 --> 1:02:38.640
<v Speaker 3>So I was gonna start it off. Okay, are you ready?

1:02:38.720 --> 1:02:39.680
<v Speaker 1>You are the man? All right?

1:02:39.760 --> 1:02:40.920
<v Speaker 3>Five seconds and then.

1:02:41.000 --> 1:02:41.480
<v Speaker 1>So you stopping?

1:02:41.560 --> 1:02:45.840
<v Speaker 3>Tell me kind of clock two, three four, Michael.

1:02:45.640 --> 1:02:53.360
<v Speaker 1>Jordan's Cameron Diaz, Nipsy Hustle, luke Q Tip, Willie McGinnis Snook,

1:02:53.800 --> 1:02:54.640
<v Speaker 1>Rick Ross.

1:02:55.520 --> 1:02:59.760
<v Speaker 4>The Mayor of New York City, Del Arnold Gotti, Bull,

1:03:00.080 --> 1:03:01.400
<v Speaker 4>Denzel Washington.

1:03:01.800 --> 1:03:04.120
<v Speaker 1>Heat Sided, Long Beach Gang, Unit, oh.

1:03:04.080 --> 1:03:07.480
<v Speaker 3>Ships, Nicknamic Gangs, Fuzzy, trick Daddy.

1:03:09.000 --> 1:03:13.720
<v Speaker 1>He sucked me up. He just say though it was hard.

1:03:14.040 --> 1:03:19.840
<v Speaker 16>He changed the rules on favorite people to my I

1:03:19.880 --> 1:03:24.640
<v Speaker 16>can't say the name switch that I came. I said Fuzzy,

1:03:24.720 --> 1:03:25.760
<v Speaker 16>but he fucked me up.

1:03:27.760 --> 1:03:31.520
<v Speaker 1>The way superior. This is my my lit master Flex

1:03:32.120 --> 1:03:45.200
<v Speaker 1>Jermaine Henderson, Jermaine dupri boys and clan're talking about goddamn

1:03:45.360 --> 1:03:53.280
<v Speaker 1>l A l Okay. I'm mad. I forgot about l A.

1:03:55.200 --> 1:04:00.520
<v Speaker 1>Doctor point, doctor point, doctor point, staying.

1:04:00.720 --> 1:04:03.320
<v Speaker 2>I thought we were talking about great sucked up all right,

1:04:04.920 --> 1:04:07.520
<v Speaker 2>I went up apologic.

1:04:08.600 --> 1:04:10.720
<v Speaker 4>So you'll get got five seconds? Go what you got

1:04:10.720 --> 1:04:12.440
<v Speaker 4>five seconds? Name another first from l A.

1:04:14.040 --> 1:04:14.520
<v Speaker 1>What happened?

1:04:15.800 --> 1:04:25.840
<v Speaker 17>K Okay two Life Crew, mar d Trade, uh uh, Jane,

1:04:26.000 --> 1:04:32.080
<v Speaker 17>I call MC shot d M C light much castile, Joel,

1:04:32.760 --> 1:04:36.880
<v Speaker 17>DJ las DJ clue badass recipes.

1:04:37.200 --> 1:04:39.160
<v Speaker 1>This is three minutes.

1:04:39.960 --> 1:04:45.040
<v Speaker 4>Counted three minutes, so somewhere supposed to counting three minutes

1:04:45.080 --> 1:04:47.960
<v Speaker 4>and another he just shut up what I'm doing?

1:04:48.000 --> 1:04:58.200
<v Speaker 1>You figured it out? La Branson the moment the we man,

1:05:02.680 --> 1:05:22.080
<v Speaker 1>what you do my friend Bruce, Yeah, yeah, it's funny.

1:05:22.160 --> 1:05:24.240
<v Speaker 1>I doesn't. That's it. That's it.

1:05:24.600 --> 1:05:31.400
<v Speaker 4>Three minute, Trina John, damn, that's it. Minutes, three minutes,

1:05:31.440 --> 1:05:33.560
<v Speaker 4>three minutes. I just counted their votes. Let's see the one.

1:05:34.280 --> 1:05:37.840
<v Speaker 1>Come on, man, you can't count those votes? Why not?

1:05:41.680 --> 1:05:44.200
<v Speaker 1>I think y'all. I think I think y'all came up

1:05:44.240 --> 1:05:48.400
<v Speaker 1>with people that only y'all know talking about. But we

1:05:48.560 --> 1:05:54.360
<v Speaker 1>need you right, you know, you know you can cheat

1:05:54.400 --> 1:06:01.240
<v Speaker 1>like that everybody from he said.

1:06:04.280 --> 1:06:09.920
<v Speaker 13>I know everybody to saying nobody knows about because you know,

1:06:11.760 --> 1:06:14.880
<v Speaker 13>I got Latrina, but Luke is too cruse.

1:06:14.920 --> 1:06:19.240
<v Speaker 3>So you said the double up poison. I told you

1:06:19.320 --> 1:06:20.720
<v Speaker 3>I'm training.

1:06:23.640 --> 1:06:26.680
<v Speaker 1>I know. But he did. He didn't do that. He

1:06:26.840 --> 1:06:30.640
<v Speaker 1>did do that. That's a bunny ship, Holy ship.

1:06:30.920 --> 1:06:35.880
<v Speaker 4>You gotta be crying, you know. It's crazy. Dude would

1:06:35.920 --> 1:06:40.120
<v Speaker 4>try to cheat. No regardless, come up. Look at his

1:06:40.280 --> 1:06:42.560
<v Speaker 4>dead serious and sedumating.

1:06:44.880 --> 1:06:55.000
<v Speaker 1>What no one was catching catching up? That was hard.

1:06:55.720 --> 1:07:04.760
<v Speaker 1>That was that was fun. That was mean.

1:07:05.440 --> 1:07:07.960
<v Speaker 4>Let's talk about how it's about house party. The record

1:07:08.000 --> 1:07:13.360
<v Speaker 4>on the album, Oh wow, that's that's fun. It's also

1:07:13.440 --> 1:07:15.520
<v Speaker 4>a grown up man record, like I ain't going to

1:07:15.600 --> 1:07:19.640
<v Speaker 4>the club. I'm staying at the house again, How did

1:07:19.680 --> 1:07:22.440
<v Speaker 4>you come up with this record and concept Snoop.

1:07:22.200 --> 1:07:23.680
<v Speaker 1>Came up with it, and in the back of my

1:07:23.800 --> 1:07:26.240
<v Speaker 1>mind I thought about boys in the hood. Ice cube

1:07:26.320 --> 1:07:30.320
<v Speaker 1>came in the backyard. They was playing dominoes and like

1:07:30.400 --> 1:07:33.959
<v Speaker 1>that of ship. You know what I'm saying. So house

1:07:34.000 --> 1:07:36.120
<v Speaker 1>parties in the daytime, the house party at night, they

1:07:36.160 --> 1:07:38.160
<v Speaker 1>could be in the daytime in the nighttime. You know,

1:07:38.400 --> 1:07:43.520
<v Speaker 1>the daytime leads to the nighttime nighttime period. What does

1:07:43.600 --> 1:07:46.120
<v Speaker 1>what does LA people drink at a house party daytime

1:07:47.040 --> 1:07:52.000
<v Speaker 1>in the nineties, Yes, it was hennessy forty sixty four ounces.

1:07:52.440 --> 1:07:55.880
<v Speaker 3>Okay, So what do you drink in the daytime at

1:07:55.920 --> 1:07:56.520
<v Speaker 3>a house party?

1:07:56.680 --> 1:08:01.320
<v Speaker 1>Now? What do you see drinking? Drink patron? Okay, you

1:08:01.400 --> 1:08:05.520
<v Speaker 1>know I smoked my way, okay, party. How about the

1:08:05.560 --> 1:08:08.960
<v Speaker 1>youngest they be out there signal that's is her? Oh no, no,

1:08:09.320 --> 1:08:13.440
<v Speaker 1>not really not in l A. In l A they

1:08:13.960 --> 1:08:20.880
<v Speaker 1>weed and drinking in hennessy mm hmm. You know they

1:08:21.000 --> 1:08:22.240
<v Speaker 1>be on that hen rock and.

1:08:26.120 --> 1:08:29.240
<v Speaker 2>Hell yeah, that's what always fighting. He is always getting

1:08:29.320 --> 1:08:33.960
<v Speaker 2>down And you just watched the movie actually.

1:08:36.200 --> 1:08:38.200
<v Speaker 1>You know, don't be a movie don't be a movie.

1:08:38.400 --> 1:08:42.200
<v Speaker 1>It's gonna be a good movie because you know what I'm.

1:08:42.080 --> 1:08:46.640
<v Speaker 4>Saying, what do you prefer prefer if someone actually right now, uh,

1:08:47.320 --> 1:08:49.640
<v Speaker 4>let's go to the club, or let's let's have a

1:08:49.680 --> 1:08:50.200
<v Speaker 4>house party.

1:08:50.439 --> 1:08:56.720
<v Speaker 1>What would you pick? I ain't going to ship. I'm

1:08:56.720 --> 1:08:59.000
<v Speaker 1>gonna take a shot for that. You're gonna six south magge.

1:08:59.000 --> 1:09:01.880
<v Speaker 1>I'm posting my house, my wife. Man, we got that.

1:09:02.000 --> 1:09:04.599
<v Speaker 1>I have my own parties in the house. The house, right,

1:09:04.760 --> 1:09:06.040
<v Speaker 1>I want to be at the house. I rather go

1:09:06.120 --> 1:09:09.080
<v Speaker 1>build me a club Jesus at the house. You know,

1:09:09.120 --> 1:09:12.479
<v Speaker 1>I like doing. You know what I'm saying. You got

1:09:12.560 --> 1:09:14.679
<v Speaker 1>your building at.

1:09:14.600 --> 1:09:17.400
<v Speaker 2>The house, baby, I ain't going nowhere else? Fun out

1:09:18.000 --> 1:09:19.439
<v Speaker 2>You take a shot for that? Take a shot for

1:09:19.479 --> 1:09:19.720
<v Speaker 2>that guy.

1:09:20.080 --> 1:09:21.960
<v Speaker 1>How about we open up one of these and juices.

1:09:22.000 --> 1:09:23.960
<v Speaker 1>How about we do that? But you still got to

1:09:24.000 --> 1:09:28.639
<v Speaker 1>take a shot though, sir, damn because you know that. Okay?

1:09:30.400 --> 1:09:35.800
<v Speaker 1>Man me with a good time. How come yours is

1:09:35.840 --> 1:09:50.320
<v Speaker 1>bigger than because I put like it was watered down

1:09:50.400 --> 1:09:56.880
<v Speaker 1>like so little ice in it? You hear me, Oh

1:09:57.000 --> 1:09:59.920
<v Speaker 1>that's real? Uh No, stick with this.

1:10:00.120 --> 1:10:02.840
<v Speaker 3>If you put this casatio, what's the champ parade?

1:10:03.040 --> 1:10:10.840
<v Speaker 1>Carbonet shot but Kodak black. That's a shot.

1:10:10.920 --> 1:10:17.000
<v Speaker 5>That's that's shorty yoh, got some.

1:10:19.840 --> 1:10:24.920
<v Speaker 2>It's just real right. Hey, look I'm high. I'm feeling dandy. Okay,

1:10:26.360 --> 1:10:27.240
<v Speaker 2>what other questions.

1:10:27.720 --> 1:10:30.519
<v Speaker 1>I don't even know what dandy mean. That's how you are.

1:10:30.760 --> 1:10:37.280
<v Speaker 3>That's like, you know, you just small stand with the anthem.

1:10:38.000 --> 1:10:40.160
<v Speaker 1>The love. That's the one of l a kind of love.

1:10:40.240 --> 1:10:42.720
<v Speaker 4>That ship that's what Yeah, and you said you said

1:10:42.720 --> 1:10:43.920
<v Speaker 4>when you heard it, you didn't even know that was

1:10:43.960 --> 1:10:45.519
<v Speaker 4>what I am on it now because.

1:10:45.280 --> 1:10:47.519
<v Speaker 1>I had entertained what I am on the song when

1:10:47.560 --> 1:10:50.439
<v Speaker 1>I said it's that l a time, I love you

1:10:50.560 --> 1:10:52.840
<v Speaker 1>love it. You know, I was thinking about him when

1:10:52.840 --> 1:10:54.719
<v Speaker 1>I was putting Ship together. We was putting it together,

1:10:55.320 --> 1:10:58.240
<v Speaker 1>and they said, I know Snoop come and Fuzzy hooked

1:10:58.280 --> 1:11:00.479
<v Speaker 1>it up. And I think that's a big record.

1:11:00.560 --> 1:11:02.360
<v Speaker 3>Man, that's a big I think that's a big record.

1:11:02.439 --> 1:11:04.080
<v Speaker 1>He was like, wow, you know, because he switched the

1:11:04.080 --> 1:11:06.960
<v Speaker 1>whole beat up. He made it sound totally different. And

1:11:07.120 --> 1:11:09.080
<v Speaker 1>you know, Will I Am. And that was my first

1:11:09.120 --> 1:11:10.640
<v Speaker 1>time even talking to Will I Am. You know what

1:11:10.640 --> 1:11:12.760
<v Speaker 1>I'm saying, because I'm a big fan of you know

1:11:12.760 --> 1:11:16.960
<v Speaker 1>what I'm saying. He was over the phone. Okay, Big Fuzz,

1:11:17.520 --> 1:11:19.680
<v Speaker 1>he always seen his face on there.

1:11:20.200 --> 1:11:21.920
<v Speaker 4>No, I think I think that that's gonna be an

1:11:21.920 --> 1:11:25.560
<v Speaker 4>answer Big That's a big record man. So y'all, so

1:11:25.640 --> 1:11:27.519
<v Speaker 4>y'all did the record, and then will I Am jumped

1:11:27.520 --> 1:11:27.920
<v Speaker 4>on the record.

1:11:27.960 --> 1:11:29.760
<v Speaker 1>He changed the beat, and then he at the last

1:11:29.840 --> 1:11:32.200
<v Speaker 1>minute and they finna go mastering it.

1:11:33.400 --> 1:11:35.720
<v Speaker 3>He jumped on that first verse too. Yeah, he wanted

1:11:35.760 --> 1:11:36.200
<v Speaker 3>to go first.

1:11:36.360 --> 1:11:38.240
<v Speaker 1>He went. You can't be mad at him changing the

1:11:38.280 --> 1:11:42.280
<v Speaker 1>beat because he some big records. It sounds good. I

1:11:42.360 --> 1:11:46.439
<v Speaker 1>was like, man, it was hard. You neither. You didn't

1:11:46.439 --> 1:11:49.280
<v Speaker 1>know that will i was on that record. I thought

1:11:49.600 --> 1:11:50.479
<v Speaker 1>I thought he was.

1:11:52.960 --> 1:11:54.920
<v Speaker 2>I was like, damn, you know what, this is really

1:11:55.000 --> 1:12:01.400
<v Speaker 2>gonna win because Snoop talk touchdog demographic, because he got uh,

1:12:02.880 --> 1:12:07.040
<v Speaker 2>he got the Mexicans involved, but because because this Mexican

1:12:07.160 --> 1:12:13.880
<v Speaker 2>right here sounds great. Damn that nigga busting, because I

1:12:14.000 --> 1:12:16.800
<v Speaker 2>got a lot of Mexican homies that bust good like that.

1:12:16.960 --> 1:12:18.960
<v Speaker 1>But this don't sound like.

1:12:19.200 --> 1:12:22.679
<v Speaker 2>My Mexican humpy because I know they voiced my heart

1:12:23.200 --> 1:12:24.760
<v Speaker 2>like whoever this is that dog?

1:12:25.640 --> 1:12:30.880
<v Speaker 1>This niggas cracking like nigga, that's who I am. Crack

1:12:32.240 --> 1:12:35.000
<v Speaker 1>you on drug nigga, ain't no motherfucking will I Am.

1:12:36.560 --> 1:12:39.800
<v Speaker 1>I know will I AM's voice. And then they did,

1:12:39.840 --> 1:12:42.240
<v Speaker 1>you know, Fuzzy got will I M on the Law

1:12:42.280 --> 1:12:45.040
<v Speaker 1>and he was like, yeah, you know what did I said, Damn,

1:12:46.040 --> 1:12:46.880
<v Speaker 1>that's what I am?

1:12:47.120 --> 1:12:51.200
<v Speaker 2>Because I didn't even know he knew that many Mexican words,

1:12:53.000 --> 1:12:56.040
<v Speaker 2>I don't know. But then I forgot that will I

1:12:56.200 --> 1:12:59.799
<v Speaker 2>Am was actually first on Ruthless record.

1:13:00.080 --> 1:13:04.559
<v Speaker 1>Yeah, yeah, Ruthless. That's crazy. They was on Ruthless at

1:13:04.640 --> 1:13:08.840
<v Speaker 1>first six you know what I'm saying. He grew up

1:13:08.880 --> 1:13:11.960
<v Speaker 1>in East l A. Yeah, he was here talking about

1:13:12.000 --> 1:13:14.240
<v Speaker 1>it with us. So I was like, wow, this is

1:13:14.360 --> 1:13:14.920
<v Speaker 1>will I Am.

1:13:15.040 --> 1:13:17.400
<v Speaker 2>I said, you know what, dads, this reminds me of

1:13:17.560 --> 1:13:20.600
<v Speaker 2>the of the chronic cousin. I looked at Dazz and

1:13:20.680 --> 1:13:22.160
<v Speaker 2>I said, we're about to be know.

1:13:22.280 --> 1:13:25.000
<v Speaker 1>It was when we did a Doggy Dog World and

1:13:25.120 --> 1:13:27.360
<v Speaker 1>we assure the video. Look at Daz and I said,

1:13:27.479 --> 1:13:33.000
<v Speaker 1>cause were about to be stars. Did that again? Because

1:13:33.320 --> 1:13:36.120
<v Speaker 1>when when I heard this and they finally told me because.

1:13:35.880 --> 1:13:44.639
<v Speaker 2>This is will I Am, I said, oh, because really, wet.

1:13:45.160 --> 1:13:47.240
<v Speaker 1>I want to see what this video is gonna look like. Guys.

1:13:49.680 --> 1:13:53.080
<v Speaker 1>The l A Dodger Stadium. I don't get him all

1:13:53.160 --> 1:13:57.759
<v Speaker 1>the game. Yes, the Crypto Center. This is my little ideas,

1:13:57.760 --> 1:14:02.920
<v Speaker 1>you know, the time, my bad bad at the Crypto Center.

1:14:03.040 --> 1:14:19.519
<v Speaker 1>Huh what Center? I'm not gonna say it again. Yeah,

1:14:21.640 --> 1:14:22.800
<v Speaker 1>let me stop all right now.

1:14:23.400 --> 1:14:26.840
<v Speaker 4>One of my favorite records on the album UH is

1:14:27.880 --> 1:14:31.160
<v Speaker 4>grown grown up A lot of a lot of us

1:14:31.240 --> 1:14:34.000
<v Speaker 4>Sometimes I don't want to grow up a lot of

1:14:34.120 --> 1:14:36.400
<v Speaker 4>us Sometimes when we grow up, want to still act

1:14:36.479 --> 1:14:39.200
<v Speaker 4>young and still blending in the situation. Sometimes you just

1:14:39.240 --> 1:14:41.439
<v Speaker 4>got to be exactly who the hell you are. You

1:14:41.479 --> 1:14:44.040
<v Speaker 4>don't have to change, just be who the fuck you his.

1:14:44.200 --> 1:14:45.920
<v Speaker 4>And when I hear that record, that's what the fuck

1:14:46.000 --> 1:14:49.320
<v Speaker 4>I heard, and it was just like so dope, Like again,

1:14:49.400 --> 1:14:50.080
<v Speaker 4>how did you guys.

1:14:49.920 --> 1:14:50.759
<v Speaker 1>Come up with this record?

1:14:50.800 --> 1:14:52.400
<v Speaker 3>And when you heard whose idea was?

1:14:52.439 --> 1:14:52.479
<v Speaker 14>It?

1:14:52.680 --> 1:14:56.960
<v Speaker 1>Snoop dog again? Okay, you know what I'm saying. We

1:14:57.040 --> 1:14:59.880
<v Speaker 1>followed lead and create and put it together and you

1:15:00.000 --> 1:15:02.000
<v Speaker 1>you know what I'm saying. And you know we stepped up.

1:15:02.000 --> 1:15:03.559
<v Speaker 1>You know what I'm saying. We ain't got to stand

1:15:03.600 --> 1:15:05.080
<v Speaker 1>on the corner no more, hang out and do all

1:15:05.120 --> 1:15:08.320
<v Speaker 1>that shit to say who we are. And you know

1:15:08.360 --> 1:15:11.439
<v Speaker 1>what I'm saying, we know what that comes with somebody

1:15:11.520 --> 1:15:14.280
<v Speaker 1>gonna get killed or somebody going to jail. And now

1:15:14.439 --> 1:15:18.000
<v Speaker 1>everything is a consequence. We gotta pay some money, you

1:15:18.040 --> 1:15:20.800
<v Speaker 1>know what I'm saying. So you know I'm grown up.

1:15:21.479 --> 1:15:24.360
<v Speaker 1>We just put it together from the motherfucking cradle to

1:15:24.439 --> 1:15:28.880
<v Speaker 1>the stage, you know what I'm saying. How about you corrupt.

1:15:30.840 --> 1:15:39.439
<v Speaker 2>I'm fifty one years old, because understand me, I'm too old, right,

1:15:40.160 --> 1:15:41.880
<v Speaker 2>you're too old to go to jail right now. But

1:15:42.200 --> 1:15:48.840
<v Speaker 2>I have a beautiful I have a beautiful wife, lovely life.

1:15:50.160 --> 1:15:57.760
<v Speaker 2>I have beautiful children. Shit, I got more grandchildren than

1:15:57.800 --> 1:16:01.920
<v Speaker 2>there's a football team, you know.

1:16:02.160 --> 1:16:05.599
<v Speaker 1>And it's just like I ain't got no time. Shot

1:16:05.680 --> 1:16:08.320
<v Speaker 1>to that. Take a shot to that. Get a shot,

1:16:08.439 --> 1:16:13.000
<v Speaker 1>take a shot. So take a shot. Keep talking, No, y'all,

1:16:13.200 --> 1:16:15.920
<v Speaker 1>y'all take shots. Guys, y'all already got me my nag.

1:16:17.040 --> 1:16:19.280
<v Speaker 1>Come on, you're talking, Come on, take it. You took

1:16:19.320 --> 1:16:19.719
<v Speaker 1>your skin.

1:16:19.960 --> 1:16:25.639
<v Speaker 2>Now, you the one over there with about now ship

1:16:25.960 --> 1:16:29.800
<v Speaker 2>this thing with the New York parking lot. But car

1:16:30.040 --> 1:16:34.360
<v Speaker 2>their cars and then walk to work. You know, cars

1:16:34.439 --> 1:16:35.040
<v Speaker 2>over there.

1:16:39.479 --> 1:16:42.519
<v Speaker 1>Comes like the dumb seeing them because you got the mass.

1:16:43.200 --> 1:16:45.679
<v Speaker 1>That's just ice that melted and that ship the ice

1:16:45.800 --> 1:16:48.320
<v Speaker 1>and melted. It looks bigger than it is. You got

1:16:48.479 --> 1:16:52.160
<v Speaker 1>that what we're gonna do? Look like you gave me

1:16:52.320 --> 1:16:55.280
<v Speaker 1>your shots. No, she just came over here and refilled

1:16:55.320 --> 1:16:59.920
<v Speaker 1>your thak man, this is how I'm going You get

1:17:00.080 --> 1:17:05.599
<v Speaker 1>just champagne, y'all. Damn, I'm gonna tak guys with anybody

1:17:05.600 --> 1:17:09.080
<v Speaker 1>want to take. I'm grown because now let me ask you.

1:17:11.280 --> 1:17:15.360
<v Speaker 4>I've been all over the world, right mm hmm, and

1:17:16.840 --> 1:17:21.320
<v Speaker 4>I'm talking about country the country, just like y'all, and

1:17:21.400 --> 1:17:23.200
<v Speaker 4>then y w people come on to me sometimes they

1:17:23.280 --> 1:17:25.599
<v Speaker 4>were like, man, I'm from New York m hm.

1:17:26.160 --> 1:17:27.960
<v Speaker 3>And I could just look at them. Tell them they lion,

1:17:29.200 --> 1:17:31.920
<v Speaker 3>Tell them they lion like they like, you know, no.

1:17:32.400 --> 1:17:34.280
<v Speaker 4>Don't disrespect, but you know what I'm saying, Like, there's

1:17:34.280 --> 1:17:38.320
<v Speaker 4>a certain swags's a certain aura that when you from

1:17:38.439 --> 1:17:43.200
<v Speaker 4>New York, like you just have even even I don't even.

1:17:43.080 --> 1:17:47.040
<v Speaker 1>The Squares have a certain type of swag, the Squires,

1:17:47.120 --> 1:17:50.160
<v Speaker 1>even even the squg like you know what I'm saying,

1:17:50.280 --> 1:17:53.639
<v Speaker 1>even like yeah, but they squeize.

1:17:53.640 --> 1:17:56.439
<v Speaker 4>But you know, is that something that y'all did with

1:17:56.600 --> 1:17:58.120
<v Speaker 4>coming from the West Coast and the West Coast being

1:17:58.200 --> 1:18:00.840
<v Speaker 4>so hot. Not only hot, the West Coast on fire

1:18:01.000 --> 1:18:02.920
<v Speaker 4>right now? Like what's everything is going on?

1:18:04.040 --> 1:18:04.200
<v Speaker 1>Is it?

1:18:04.240 --> 1:18:07.240
<v Speaker 4>People that come on you like what's time? You just

1:18:07.320 --> 1:18:08.840
<v Speaker 4>look at him Like the way he just threw that

1:18:08.920 --> 1:18:11.120
<v Speaker 4>up is wow? Like the way that's that's not the

1:18:11.200 --> 1:18:12.000
<v Speaker 4>way you throw that up.

1:18:12.080 --> 1:18:15.040
<v Speaker 1>Like I said, they just bust out started kirkwalking, Yeah,

1:18:15.680 --> 1:18:19.479
<v Speaker 1>and they fucking up the krik walk. I mean, I

1:18:19.640 --> 1:18:22.000
<v Speaker 1>just be like, you know, we being like Thailand and

1:18:22.439 --> 1:18:24.000
<v Speaker 1>other places like that, you know what I'm saying, and

1:18:24.400 --> 1:18:28.280
<v Speaker 1>just be like, you know, like damn ship all the

1:18:28.280 --> 1:18:30.800
<v Speaker 1>way over here, right, that type of ship, you know

1:18:30.840 --> 1:18:33.280
<v Speaker 1>what I'm saying. So it's like it's appreciation, but you

1:18:33.400 --> 1:18:35.080
<v Speaker 1>look at it and said, damn, you know what I'm saying.

1:18:36.000 --> 1:18:38.720
<v Speaker 1>So you know, a messic can always reach that far, right,

1:18:38.800 --> 1:18:40.559
<v Speaker 1>you know what I'm saying. So, but you know they

1:18:40.680 --> 1:18:45.800
<v Speaker 1>love him. Music. Music is weed to speak louder the words, right.

1:18:48.360 --> 1:18:53.280
<v Speaker 1>I think it makes the North You're out shout out

1:18:53.320 --> 1:18:55.360
<v Speaker 1>to Candy Steak and she got a song called music

1:18:55.439 --> 1:18:59.120
<v Speaker 1>Speaks Loud and words. Old school artists named Candy Steak

1:18:59.240 --> 1:19:04.160
<v Speaker 1>Candy six there. Dam so I's talk about the weekend.

1:19:06.320 --> 1:19:11.400
<v Speaker 1>Weekend That's what John Hancock and October London, produced by Superflying.

1:19:12.360 --> 1:19:13.759
<v Speaker 1>You know what I'm saying, that's one of them, smooth

1:19:13.800 --> 1:19:20.960
<v Speaker 1>type of weekends, the weekend hancouta super Flying October London.

1:19:21.439 --> 1:19:22.880
<v Speaker 1>You know what I'm saying. That's got to take a shot.

1:19:23.400 --> 1:19:26.080
<v Speaker 1>Come up, not even knowing what is going on, I

1:19:26.240 --> 1:19:26.679
<v Speaker 1>just got.

1:19:28.280 --> 1:19:32.920
<v Speaker 4>Shut shut out when you say got up parking lot.

1:19:33.520 --> 1:19:35.360
<v Speaker 1>Look you you're building up parking lot over there. So

1:19:35.479 --> 1:19:39.519
<v Speaker 1>what you call parking lot? Pimping? Fucking lot? Pimpering?

1:19:39.600 --> 1:19:44.360
<v Speaker 2>Cracking over here? I need to smoke now. I don't

1:19:44.360 --> 1:19:47.719
<v Speaker 2>want to disrespect the buildings. Look, come on, go outside

1:19:47.720 --> 1:19:49.640
<v Speaker 2>and smoking signal. You can smoke a blood here. You

1:19:49.680 --> 1:19:50.160
<v Speaker 2>want to blood?

1:19:50.320 --> 1:19:53.400
<v Speaker 1>I want to take a blog on motherfucking blood. I'm high. Fuck.

1:19:53.880 --> 1:19:57.880
<v Speaker 1>I need to calm down. O talk with del Mare

1:19:57.960 --> 1:20:08.040
<v Speaker 1>about you know this good stuff? Cool, cool, smoking blood,

1:20:08.040 --> 1:20:16.200
<v Speaker 1>smoking blood, smoking blood. I'm high. Another shot, One another shot,

1:20:18.080 --> 1:20:27.720
<v Speaker 1>Take another shot. The tank is empty. Yeah, so we

1:20:28.160 --> 1:20:30.320
<v Speaker 1>spoke about the weekend. You spoke about the weekend. But

1:20:30.439 --> 1:20:35.960
<v Speaker 1>the song of the song, the weekend vacation. Oh okay,

1:20:36.160 --> 1:20:39.080
<v Speaker 1>so let's talk about that. You want to talk about that?

1:20:39.240 --> 1:20:40.200
<v Speaker 1>You know high? Stop?

1:20:41.720 --> 1:20:43.400
<v Speaker 4>We gonna put it up another bottle of shamp parking

1:20:43.479 --> 1:20:48.000
<v Speaker 4>the just y'all know, huh, because we celebrated the West

1:20:48.800 --> 1:20:50.439
<v Speaker 4>the Weekend, the song the Weekend on the album.

1:20:50.520 --> 1:20:55.240
<v Speaker 1>Oh yeah. So you know for me probably my friends,

1:20:55.360 --> 1:20:55.880
<v Speaker 1>no problem.

1:20:57.160 --> 1:21:00.400
<v Speaker 2>Well that record was about Dog told me and Dash

1:21:00.840 --> 1:21:03.639
<v Speaker 2>we always talk about these bitches and hoes and these

1:21:03.720 --> 1:21:10.760
<v Speaker 2>garbage can ass fucking goofy right haired bitches, that we

1:21:10.960 --> 1:21:15.160
<v Speaker 2>need to make something for the ladies. Popp it, pop it, baby,

1:21:15.880 --> 1:21:19.720
<v Speaker 2>pop it, go stop it. Yeah, so we need to

1:21:19.800 --> 1:21:22.280
<v Speaker 2>make something for the ladies, you know, in our life.

1:21:23.600 --> 1:21:25.639
<v Speaker 2>He's like, Man, I always do this type of shit

1:21:25.760 --> 1:21:29.360
<v Speaker 2>cause I always talk about taboo and and always give

1:21:29.400 --> 1:21:30.320
<v Speaker 2>it up for Shantelle.

1:21:30.360 --> 1:21:33.479
<v Speaker 1>You know what I'm saying on my records, y'all need

1:21:33.560 --> 1:21:37.120
<v Speaker 1>to do one of those. So that's what we did.

1:21:37.280 --> 1:21:38.280
<v Speaker 1>Delmar did.

1:21:38.439 --> 1:21:44.200
<v Speaker 2>He talked about his wife and I talked about my wife,

1:21:44.280 --> 1:21:47.320
<v Speaker 2>and it felt good because that's what the Weekend is about.

1:21:47.400 --> 1:21:50.320
<v Speaker 2>And then he put October on there, which you know,

1:21:50.439 --> 1:21:53.080
<v Speaker 2>that's a specialty talking to the ladies with that shit.

1:21:54.680 --> 1:21:55.519
<v Speaker 1>You know what I'm saying.

1:21:55.640 --> 1:21:59.479
<v Speaker 2>I was like, damn, cuz, cause October is killing them

1:21:59.520 --> 1:22:02.920
<v Speaker 2>right now. Up, don't hurt yourself. That's that's the lady

1:22:03.040 --> 1:22:07.240
<v Speaker 2>saying thank you. That's what well you tell the ladies,

1:22:07.280 --> 1:22:13.800
<v Speaker 2>I said, my pleasure, you understand me. Yeah, but you

1:22:13.960 --> 1:22:16.120
<v Speaker 2>know that's what the weekend is about, dog one of

1:22:16.240 --> 1:22:19.400
<v Speaker 2>us to be on a grown level. Because if I'm

1:22:19.439 --> 1:22:24.160
<v Speaker 2>not mistaken, that record comes after we did I'm grown.

1:22:24.439 --> 1:22:27.320
<v Speaker 1>Yeah, and then we went in to the grown mode.

1:22:27.439 --> 1:22:29.040
<v Speaker 1>It's like for further growing.

1:22:29.600 --> 1:22:32.160
<v Speaker 2>Where they're grown, because and it goes in from I'm

1:22:32.280 --> 1:22:35.639
<v Speaker 2>grown into this record giving it up for the women

1:22:35.720 --> 1:22:36.840
<v Speaker 2>in our lives.

1:22:36.560 --> 1:22:39.599
<v Speaker 1>Who we appreciate and love. That's grown.

1:22:39.680 --> 1:22:42.960
<v Speaker 2>That's dope, which goes into the next record, which is

1:22:43.000 --> 1:22:45.320
<v Speaker 2>giving it up for the hommies that passed away, the

1:22:45.520 --> 1:22:49.880
<v Speaker 2>ones we love and our family, which goes into the

1:22:50.000 --> 1:22:53.320
<v Speaker 2>final record where we just want to find out who's

1:22:53.400 --> 1:22:55.760
<v Speaker 2>the one that can just burn a building down?

1:22:55.920 --> 1:22:59.760
<v Speaker 1>Comes without mesquite watch because the next one is over

1:23:00.080 --> 1:23:02.920
<v Speaker 1>my mom right, always on my mind. That's the way

1:23:02.960 --> 1:23:06.639
<v Speaker 1>I give it up for the shouts out his brother

1:23:06.760 --> 1:23:08.880
<v Speaker 1>that passed away, give it up on my mom, my dad,

1:23:09.680 --> 1:23:15.760
<v Speaker 1>my brother, nephews. Right, you know what I'm saying. And yeah,

1:23:15.920 --> 1:23:18.120
<v Speaker 1>you know serious song. How hard does it make your

1:23:18.120 --> 1:23:21.960
<v Speaker 1>records like that? It's easy because uh, you know, I

1:23:22.160 --> 1:23:25.240
<v Speaker 1>just celebrate them. Okay, that's from the heart of lost life,

1:23:25.280 --> 1:23:28.000
<v Speaker 1>you know what I'm saying, You know, like knowing one

1:23:28.080 --> 1:23:31.120
<v Speaker 1>day that we all have to come to that conclusion

1:23:31.240 --> 1:23:33.120
<v Speaker 1>in their life, you know what. I'm deal with that

1:23:33.439 --> 1:23:35.559
<v Speaker 1>type of stuff. And see how when you get old,

1:23:36.800 --> 1:23:39.280
<v Speaker 1>how people the minds when they get old, you know

1:23:39.280 --> 1:23:41.439
<v Speaker 1>what I'm saying, how they pass away like that when

1:23:41.479 --> 1:23:44.920
<v Speaker 1>you're sitting there watching them to the end, to the last.

1:23:45.160 --> 1:23:47.719
<v Speaker 1>You know what I'm saying. That's a that's a difference

1:23:47.800 --> 1:23:50.599
<v Speaker 1>right there, right, and then you two corrupt, you shout

1:23:50.640 --> 1:23:51.960
<v Speaker 1>out your mom's too right.

1:23:52.040 --> 1:23:55.400
<v Speaker 2>Always on my mind, that's some bad mass weed, yes,

1:23:55.800 --> 1:23:58.960
<v Speaker 2>because yes we got one.

1:23:59.560 --> 1:24:04.439
<v Speaker 1>Yeah, both our waters are just that stuck at the

1:24:04.479 --> 1:24:09.120
<v Speaker 1>water on it's water cham No, but you know yeah,

1:24:09.400 --> 1:24:14.640
<v Speaker 1>you know hey, look cause it was really really sentimental

1:24:14.720 --> 1:24:17.800
<v Speaker 1>to me, right because I wrote it.

1:24:18.960 --> 1:24:21.479
<v Speaker 2>Then as I'm laying it, I got to that last

1:24:21.600 --> 1:24:24.920
<v Speaker 2>part where I gave it up for my mama and

1:24:25.080 --> 1:24:28.879
<v Speaker 2>I had to leave on the side of the studio

1:24:28.960 --> 1:24:37.760
<v Speaker 2>because Paul Jugger because it was real, you know, for

1:24:37.920 --> 1:24:40.799
<v Speaker 2>me and dads, our moms is all we had. Delmar

1:24:40.920 --> 1:24:41.880
<v Speaker 2>had his pall too.

1:24:42.120 --> 1:24:44.960
<v Speaker 1>I had my pops too, but our moms though, that

1:24:45.160 --> 1:24:47.080
<v Speaker 1>was just a different plateau.

1:24:48.640 --> 1:24:54.760
<v Speaker 2>And yeah, you know that was real sentimental to me.

1:24:54.840 --> 1:24:57.240
<v Speaker 2>And then it's Nate and it's badass and all the

1:24:57.320 --> 1:25:02.560
<v Speaker 2>people I mentioned that just that was real because this

1:25:02.800 --> 1:25:04.479
<v Speaker 2>is really like the first time.

1:25:04.400 --> 1:25:08.120
<v Speaker 1>We've been together, because like damn man, fifteen ten years

1:25:08.960 --> 1:25:12.000
<v Speaker 1>you got together in the studio. I mean just all

1:25:12.040 --> 1:25:15.320
<v Speaker 1>of us hanging and everybody all that. For the last

1:25:15.360 --> 1:25:19.960
<v Speaker 1>fifteen years, you know, I've been probably brother, you know,

1:25:20.120 --> 1:25:22.280
<v Speaker 1>on my own, you know, finding myself, doing what I

1:25:22.360 --> 1:25:24.200
<v Speaker 1>need to do. You know what I'm saying, because I

1:25:24.320 --> 1:25:26.840
<v Speaker 1>lost both of my parents. So you know, like I said,

1:25:26.840 --> 1:25:28.519
<v Speaker 1>you know, like when you lose both of your parents,

1:25:28.560 --> 1:25:30.519
<v Speaker 1>you know you have to think for yourself. Push forward.

1:25:31.560 --> 1:25:33.439
<v Speaker 1>They don't want you to sitting there moaning and crying,

1:25:33.439 --> 1:25:35.040
<v Speaker 1>and so they want you to push forward. I can

1:25:35.120 --> 1:25:37.640
<v Speaker 1>just hear my mom saying push forward, because you know,

1:25:37.720 --> 1:25:40.679
<v Speaker 1>my mom, she wrote songs for Bobby Blue, blaind Wow,

1:25:41.760 --> 1:25:44.880
<v Speaker 1>James Cleveland, Stacks, all that type of stuff. So you

1:25:44.920 --> 1:25:46.719
<v Speaker 1>know she was in the music game. I got music

1:25:46.760 --> 1:25:49.640
<v Speaker 1>on her from you know, I heard those songs, right,

1:25:49.720 --> 1:25:51.200
<v Speaker 1>you know what I'm saying. So it's like she's got

1:25:51.320 --> 1:25:53.400
<v Speaker 1>to keep pushing, you know what I'm saying, right, don't

1:25:53.560 --> 1:25:56.000
<v Speaker 1>look the back, look forward, because that's what she wants

1:25:56.000 --> 1:25:58.000
<v Speaker 1>you to do, right, That's what they want you to

1:25:58.160 --> 1:26:00.800
<v Speaker 1>you know, keep pushing. I don't like it.

1:26:04.320 --> 1:26:07.200
<v Speaker 18>Money that boy, If you don't get your ass up

1:26:07.479 --> 1:26:09.040
<v Speaker 18>and go out there and go get the ship.

1:26:09.240 --> 1:26:11.559
<v Speaker 1>Money on the line, on the line, money.

1:26:12.120 --> 1:26:14.519
<v Speaker 4>Let me ask you' all question. That's dope as this

1:26:14.640 --> 1:26:16.479
<v Speaker 4>album is. And I'm telling y'all, this album is really

1:26:16.560 --> 1:26:16.920
<v Speaker 4>really good.

1:26:16.920 --> 1:26:20.559
<v Speaker 1>It really is good. You know, we really appreciate it happened.

1:26:20.640 --> 1:26:23.400
<v Speaker 1>We would let me let me ask y'all. It's great, man,

1:26:23.400 --> 1:26:25.200
<v Speaker 1>it's a great's dope. This album is.

1:26:27.000 --> 1:26:31.519
<v Speaker 3>How Doper would have been if Nate Dogg was alive.

1:26:31.640 --> 1:26:34.559
<v Speaker 1>That would have been Jesus totally different man, a whole

1:26:34.640 --> 1:26:45.160
<v Speaker 1>other here, right all right? If Nate was live, Yeah,

1:26:45.880 --> 1:26:47.960
<v Speaker 1>you understand me, he would have brought a whole another

1:26:48.040 --> 1:26:53.120
<v Speaker 1>depth to the project. Real, So every album since Late Passion, Yeah.

1:26:56.680 --> 1:27:01.679
<v Speaker 2>As long as you have fifty thousand, and then after

1:27:01.880 --> 1:27:05.760
<v Speaker 2>after how long you have fifty thousand, yeah you you

1:27:05.800 --> 1:27:06.360
<v Speaker 2>would be there.

1:27:06.439 --> 1:27:10.439
<v Speaker 1>But then then you know, after fact, Joe said, nigga,

1:27:10.560 --> 1:27:12.280
<v Speaker 1>yesterday's price, aint today's price.

1:27:12.720 --> 1:27:17.400
<v Speaker 2>If Nate Dog was alive when he said that two

1:27:17.520 --> 1:27:22.760
<v Speaker 2>hundred and fifty thousand. Fuck around with Nate, But yeah,

1:27:22.920 --> 1:27:25.360
<v Speaker 2>give me the two hundred and fifty thousand and then

1:27:27.880 --> 1:27:30.200
<v Speaker 2>send the record to me after you send me the

1:27:30.360 --> 1:27:35.600
<v Speaker 2>first came in and then uh, good charge, mother. You

1:27:35.680 --> 1:27:40.839
<v Speaker 2>know what he called that the homie price, Yeah, because

1:27:40.920 --> 1:27:43.760
<v Speaker 2>you know really was You know, my normal price is

1:27:43.840 --> 1:27:44.679
<v Speaker 2>five hundred thousand.

1:27:44.840 --> 1:27:44.960
<v Speaker 1>Man.

1:27:45.040 --> 1:27:47.280
<v Speaker 5>He was a hit maker at that time. Everything he had,

1:27:47.360 --> 1:27:49.040
<v Speaker 5>the big budgets, was bringing it off.

1:27:49.080 --> 1:27:50.040
<v Speaker 1>Everything he touches it.

1:27:50.240 --> 1:27:52.559
<v Speaker 2>And they said, look, I'm gonna give you fifty thousand

1:27:52.680 --> 1:27:54.880
<v Speaker 2>the song. Just give it to me there, and then

1:27:55.479 --> 1:27:59.679
<v Speaker 2>that's the homie price. Well what's the regular price, Nate? Oh, well,

1:28:00.120 --> 1:28:02.920
<v Speaker 2>you know the regular price. You know, you could just

1:28:03.000 --> 1:28:05.240
<v Speaker 2>give me one hundred and fifty thousand and I'll give

1:28:05.320 --> 1:28:06.240
<v Speaker 2>you the works.

1:28:07.000 --> 1:28:10.639
<v Speaker 1>I'm taking a shot to that dog, Nigga.

1:28:10.880 --> 1:28:14.599
<v Speaker 2>They dog didn't play no gays. I paid him fifty thousand, girls,

1:28:14.680 --> 1:28:17.200
<v Speaker 2>all pump I paid him. I paid him fifty thousand

1:28:17.320 --> 1:28:21.800
<v Speaker 2>every record that Nate won it, You motherfucker right, even

1:28:21.840 --> 1:28:24.120
<v Speaker 2>though I made his number one record in his life.

1:28:24.560 --> 1:28:28.400
<v Speaker 1>First number one, First number one. Never leave me alone,

1:28:30.880 --> 1:28:33.960
<v Speaker 1>he said. Nate said, all right, corrupt man, these records

1:28:34.000 --> 1:28:34.960
<v Speaker 1>are great. I love him.

1:28:35.120 --> 1:28:40.439
<v Speaker 2>I need fifty thousand each, I said, okay, cuz, I said, Nate,

1:28:41.840 --> 1:28:43.880
<v Speaker 2>how much fifty thousand each?

1:28:44.000 --> 1:28:44.360
<v Speaker 1>Corrupt?

1:28:44.479 --> 1:28:47.000
<v Speaker 2>You know, and just just get it out the way

1:28:47.080 --> 1:28:49.679
<v Speaker 2>and then let's go forward and shoot the video. Okay,

1:28:51.200 --> 1:28:54.519
<v Speaker 2>I said, you know what cause I got you. I

1:28:54.640 --> 1:28:57.800
<v Speaker 2>hit the company. I said, get cause his money. Stop

1:28:57.920 --> 1:29:00.800
<v Speaker 2>bullshitting my nigga, take care of Nate.

1:29:01.280 --> 1:29:06.880
<v Speaker 1>Man, you better pay the man. Don't you want the video? Nigger? Wait,

1:29:08.080 --> 1:29:16.400
<v Speaker 1>I didn't say the video was included. He was real due.

1:29:16.800 --> 1:29:19.439
<v Speaker 2>And that's another ten thousand for the video, and I'll

1:29:19.479 --> 1:29:23.200
<v Speaker 2>be there. I'll take care of my own flight. I

1:29:23.240 --> 1:29:24.680
<v Speaker 2>don't need nobody to fly me.

1:29:24.800 --> 1:29:30.360
<v Speaker 1>No, nigga naked good about the budgets back then? I

1:29:30.400 --> 1:29:36.280
<v Speaker 1>love different time. Hey, Nor you know about this? Yeah?

1:29:36.720 --> 1:29:37.040
<v Speaker 13>What what?

1:29:37.600 --> 1:29:41.760
<v Speaker 1>What? Man?

1:29:42.720 --> 1:29:43.439
<v Speaker 3>It's too much for me?

1:29:43.560 --> 1:29:45.320
<v Speaker 1>Man, Yeah, but you say it for the different reasons.

1:29:45.360 --> 1:29:47.479
<v Speaker 1>But I live with that, the fact that you took

1:29:47.520 --> 1:29:52.360
<v Speaker 1>a shot without us here the whole time. I took

1:29:52.439 --> 1:29:54.960
<v Speaker 1>the shot because I answered the equation.

1:29:57.000 --> 1:30:00.320
<v Speaker 4>But let me ask you, this a perfect world, I say,

1:30:00.439 --> 1:30:03.880
<v Speaker 4>nothing happened right, like what like like you know, like

1:30:04.000 --> 1:30:06.280
<v Speaker 4>the drama, all this crazy what drama? Like you know,

1:30:06.400 --> 1:30:09.040
<v Speaker 4>like the Tupac ship right all this, Let's say none

1:30:09.080 --> 1:30:13.160
<v Speaker 4>of that happened to I'm just saying, you made the

1:30:13.280 --> 1:30:18.479
<v Speaker 4>same album today and Tupac is alive. Right, which record

1:30:18.520 --> 1:30:21.920
<v Speaker 4>you think on this album that Tupac would best fit

1:30:22.040 --> 1:30:23.719
<v Speaker 4>on if Tupac was alive?

1:30:23.920 --> 1:30:25.800
<v Speaker 1>I'm growing up, I'm grown up.

1:30:26.479 --> 1:30:26.679
<v Speaker 5>Yeah.

1:30:26.840 --> 1:30:28.519
<v Speaker 1>Do you think Pak would have grew up by this time?

1:30:29.479 --> 1:30:32.400
<v Speaker 1>That's a fucking deep one. That's deep.

1:30:33.000 --> 1:30:38.519
<v Speaker 2>He would have been he was grown up then, Yeah, yeah,

1:30:38.560 --> 1:30:39.920
<v Speaker 2>he was grown up these things.

1:30:39.960 --> 1:30:40.439
<v Speaker 1>You know what I'm saying.

1:30:40.479 --> 1:30:40.639
<v Speaker 8>Man.

1:30:40.680 --> 1:30:42.280
<v Speaker 1>We used to hang together every day when he got

1:30:42.280 --> 1:30:44.560
<v Speaker 1>out of jail. You know what I'm saying. I was

1:30:44.920 --> 1:30:47.200
<v Speaker 1>throwing the beasts to him, you know, knocking all that ship.

1:30:47.240 --> 1:30:49.759
<v Speaker 1>That's how we acquire so much music together.

1:30:50.160 --> 1:30:52.320
<v Speaker 5>So you did that bios, all that type of ship

1:30:53.000 --> 1:30:56.080
<v Speaker 5>and would have been alive, This record would have been

1:30:56.160 --> 1:30:57.040
<v Speaker 5>even crazier.

1:30:57.960 --> 1:31:01.760
<v Speaker 1>So you know, it's always the wishes, you know what

1:31:01.760 --> 1:31:05.720
<v Speaker 1>I'm saying. But we don't want no ai though, hold

1:31:07.520 --> 1:31:11.360
<v Speaker 1>Nate Dog and Lia and everybody else on the what Yeah,

1:31:11.960 --> 1:31:17.479
<v Speaker 1>really four corners. Yeah, it's called four corners, But you know,

1:31:17.560 --> 1:31:19.559
<v Speaker 1>what do you think about the AI?

1:31:20.520 --> 1:31:20.560
<v Speaker 11>No?

1:31:20.680 --> 1:31:22.320
<v Speaker 1>I don't think it should be reproduced. That new nor

1:31:22.560 --> 1:31:28.800
<v Speaker 1>song was what I am.

1:31:29.160 --> 1:31:31.800
<v Speaker 5>He He articulated the way that we need to be

1:31:31.840 --> 1:31:34.040
<v Speaker 5>worried about AI and how it needs to protect.

1:31:33.760 --> 1:31:36.519
<v Speaker 1>The company's finish. Start hiring them dudes who are doing

1:31:36.600 --> 1:31:40.960
<v Speaker 1>that AI and just taking them to another level.

1:31:41.000 --> 1:31:43.000
<v Speaker 5>That's why everybody needs to learn AI so we don't

1:31:43.040 --> 1:31:43.639
<v Speaker 5>get left behind.

1:31:43.680 --> 1:31:46.040
<v Speaker 1>Me you got a rhyme like them, at least get

1:31:46.080 --> 1:31:49.840
<v Speaker 1>that style together to do it. You don't need to

1:31:50.240 --> 1:31:54.560
<v Speaker 1>like for you. It's like that ain't never working with

1:31:54.600 --> 1:31:58.960
<v Speaker 1>ship before Paul's jigger tell me this what? Okay?

1:31:59.720 --> 1:32:04.560
<v Speaker 2>I'm need to know why somebody gotta learn something like

1:32:04.640 --> 1:32:08.799
<v Speaker 2>this felt, because if we don't learn, we're gonna left behind.

1:32:08.920 --> 1:32:11.439
<v Speaker 1>We're gonna all be left behind them. What what They're

1:32:11.479 --> 1:32:12.840
<v Speaker 1>gonna make more money than us.

1:32:13.160 --> 1:32:15.400
<v Speaker 5>They want to technology, They're gonna take over music. It's

1:32:15.400 --> 1:32:18.599
<v Speaker 5>taking over music because they're not us. They're not nor,

1:32:18.920 --> 1:32:22.479
<v Speaker 5>They not me, they're not dazz, they're not uh.

1:32:22.920 --> 1:32:25.559
<v Speaker 1>Person Spotify the spotisfy ship.

1:32:26.439 --> 1:32:30.439
<v Speaker 5>They're saying they starting to put AI music ships made.

1:32:33.040 --> 1:32:35.599
<v Speaker 1>And the labels is behind it too, so they don't

1:32:35.600 --> 1:32:40.360
<v Speaker 1>got to pay artists we their own labels with. But yeah,

1:32:40.520 --> 1:32:44.040
<v Speaker 1>crazy Houston, it ain't gonna be no, not gonna be

1:32:44.080 --> 1:32:46.439
<v Speaker 1>the dead. It's gonna be new artists. But not even

1:32:46.520 --> 1:32:48.320
<v Speaker 1>people let it be.

1:32:48.400 --> 1:32:50.960
<v Speaker 2>I'm gonna let it be because see I'm not rolling,

1:32:51.320 --> 1:32:55.600
<v Speaker 2>because and I ain't rolling at all. They can do

1:32:55.680 --> 1:32:57.519
<v Speaker 2>what the fuck they want, but I know this much,

1:32:57.560 --> 1:33:01.439
<v Speaker 2>they can't take nor But unless Nori clears it.

1:33:01.960 --> 1:33:04.000
<v Speaker 1>Now, let me ask you something else about AI.

1:33:04.800 --> 1:33:09.400
<v Speaker 2>Okay, right, business, because I got a real question I

1:33:09.520 --> 1:33:14.160
<v Speaker 2>want to ask on crip, uh.

1:33:14.920 --> 1:33:17.960
<v Speaker 1>How do we get paid? That's what will I Am

1:33:18.160 --> 1:33:18.479
<v Speaker 1>was saying.

1:33:18.479 --> 1:33:20.800
<v Speaker 19>Here, No, I'm asking you because how did I get paid?

1:33:23.240 --> 1:33:26.639
<v Speaker 19>William was an expert. Will I was saying, we all

1:33:26.680 --> 1:33:30.320
<v Speaker 19>got to everybody. We can't get paid.

1:33:30.600 --> 1:33:32.560
<v Speaker 20>You know, everybody got on that story. What do you

1:33:32.640 --> 1:33:35.720
<v Speaker 20>think about AI? If we can get paid, If you

1:33:35.760 --> 1:33:38.439
<v Speaker 20>ain't gonna get paid whole of the song, that's not

1:33:38.560 --> 1:33:39.679
<v Speaker 20>even any man.

1:33:39.840 --> 1:33:42.759
<v Speaker 1>Then for just some bullshit to spotify them going along

1:33:42.800 --> 1:33:46.160
<v Speaker 1>with the ship, like saying you know, fuck y'all, we're

1:33:46.200 --> 1:33:47.840
<v Speaker 1>just gonna make the money and all the other type

1:33:47.880 --> 1:33:49.240
<v Speaker 1>of shi it's like saying, fuck us. You know what

1:33:49.240 --> 1:33:50.360
<v Speaker 1>I'm saying, how do we get paid?

1:33:50.360 --> 1:33:52.200
<v Speaker 5>Because this is the thing they saying that, like the

1:33:52.600 --> 1:33:56.360
<v Speaker 5>Actors Union, the what is it a sagging? All these

1:33:56.360 --> 1:34:00.640
<v Speaker 5>different unions they've been fighting Hollywood. The movie side, they

1:34:00.760 --> 1:34:03.960
<v Speaker 5>fight them for again for AI, like to defend against AI.

1:34:04.840 --> 1:34:09.400
<v Speaker 5>Music musicians don't have a union that's fighting against AI.

1:34:09.520 --> 1:34:11.920
<v Speaker 5>And that's the problem is that's what I'm hearing right now.

1:34:12.640 --> 1:34:15.360
<v Speaker 5>Musicians don't have a union to fight against the AI

1:34:15.600 --> 1:34:16.760
<v Speaker 5>and these companies using AI.

1:34:17.439 --> 1:34:21.519
<v Speaker 1>It's different from them writing movies with the AI. Not really,

1:34:21.600 --> 1:34:24.439
<v Speaker 1>I'm using our voice not well no, but that's the thing.

1:34:24.520 --> 1:34:27.360
<v Speaker 1>They're going to not use the voices. That's the scary

1:34:27.439 --> 1:34:29.720
<v Speaker 1>part about the music side. I mean, shit, I listen

1:34:29.760 --> 1:34:32.360
<v Speaker 1>to that. You can't say it's a person unless it's

1:34:32.439 --> 1:34:33.000
<v Speaker 1>their voice.

1:34:33.479 --> 1:34:38.120
<v Speaker 5>No, the AI makes a voice, and if it's too

1:34:38.360 --> 1:34:42.640
<v Speaker 5>similar to dances, no, I won't right listening to it.

1:34:43.760 --> 1:34:46.600
<v Speaker 5>All they gotta do is change one and then the

1:34:46.960 --> 1:34:49.400
<v Speaker 5>legal system is gonna be like, that's not that, but it's.

1:34:49.320 --> 1:34:50.400
<v Speaker 1>Not damn, So it's.

1:34:52.040 --> 1:34:54.400
<v Speaker 18>Hold on, cuse hold on, I want to know this, Denmark.

1:34:54.760 --> 1:34:58.920
<v Speaker 18>So therefore, if it's if they if they change the

1:34:59.080 --> 1:35:02.240
<v Speaker 18>octave and it's not dazz, then they can't say it's dash.

1:35:02.800 --> 1:35:04.920
<v Speaker 1>They're not gonna say it's dash. But you see, so

1:35:05.000 --> 1:35:08.640
<v Speaker 1>who keeps a fuck? Is it? It tastes like like lemonade,

1:35:08.680 --> 1:35:10.640
<v Speaker 1>but it might not be lemons, you know what I'm saying? Well,

1:35:10.680 --> 1:35:11.880
<v Speaker 1>then you going and buy.

1:35:11.800 --> 1:35:13.160
<v Speaker 3>The artificial intelligence?

1:35:13.840 --> 1:35:15.800
<v Speaker 1>Is gonna do buy all that bullshit.

1:35:15.640 --> 1:35:19.080
<v Speaker 18>If they've been buying a nigga, the faulty motherfucking chickens.

1:35:19.280 --> 1:35:22.400
<v Speaker 1>The motherfucking chickens is as big as people. The fuckers

1:35:22.479 --> 1:35:25.719
<v Speaker 1>going in buying the lemons and ship.

1:35:26.040 --> 1:35:30.240
<v Speaker 21>The lemons are the same size as motherfucking basketball. Nigga,

1:35:30.320 --> 1:35:34.760
<v Speaker 21>you've been buying all the faulty ship anyway, cause keep

1:35:35.240 --> 1:35:36.439
<v Speaker 21>that because as.

1:35:36.360 --> 1:35:39.439
<v Speaker 1>Long as you don't say it's dass, dass can't even

1:35:39.680 --> 1:35:41.960
<v Speaker 1>you know, oh it sounds like das. Who is it?

1:35:42.240 --> 1:35:46.160
<v Speaker 1>It's it's it's it's cash the fuck out of here,

1:35:46.200 --> 1:35:48.439
<v Speaker 1>and nobody want to hear that ship nigga ain't dass

1:35:48.479 --> 1:35:50.000
<v Speaker 1>because it ain't nothing we should worry about.

1:35:50.160 --> 1:35:53.000
<v Speaker 2>You worried about imitations, Let me tell you an imitation,

1:35:53.160 --> 1:35:55.200
<v Speaker 2>because I'll show you imitation right.

1:35:55.160 --> 1:35:59.679
<v Speaker 1>Here at this motherfucking table, nigga. This is the imitation.

1:36:00.960 --> 1:36:04.559
<v Speaker 2>This is an imitation cup, you understand me, because cups

1:36:04.680 --> 1:36:05.879
<v Speaker 2>is glass, that's plastic.

1:36:06.160 --> 1:36:08.720
<v Speaker 1>Get the fuck out of here. Watch this, bou go.

1:36:11.200 --> 1:36:14.400
<v Speaker 2>Yeah, and it's still lading right because everybody wants the

1:36:14.560 --> 1:36:17.120
<v Speaker 2>faulty in the fake. You know what's the great thing

1:36:17.200 --> 1:36:21.679
<v Speaker 2>about drink Temps and my brother Nori. Let me show

1:36:21.720 --> 1:36:23.960
<v Speaker 2>you what's great about us because because we was not

1:36:24.120 --> 1:36:26.880
<v Speaker 2>on the same side at one time, because we was

1:36:27.000 --> 1:36:30.800
<v Speaker 2>actually enemies. Money niggas, you understand me, and we're still

1:36:30.880 --> 1:36:36.760
<v Speaker 2>here today because it's family money, nigga, that's real, you

1:36:36.880 --> 1:36:37.479
<v Speaker 2>understand me.

1:36:41.560 --> 1:36:43.240
<v Speaker 5>I want to bring that up because I know we

1:36:43.320 --> 1:36:51.760
<v Speaker 5>talked about it on previous to bring previous episodest How

1:36:51.880 --> 1:36:56.599
<v Speaker 5>crazy I got that? We got it dark Pound, Well,

1:36:56.600 --> 1:36:57.800
<v Speaker 5>we don't got compone today, but.

1:37:04.320 --> 1:37:06.120
<v Speaker 1>Now how full circles is that? Though?

1:37:06.680 --> 1:37:10.720
<v Speaker 4>Now that's fire, fire and that Dazz and Capone got

1:37:10.760 --> 1:37:11.720
<v Speaker 4>the album together.

1:37:14.280 --> 1:37:20.320
<v Speaker 2>All right, But since we're gonna bring up connection, Okay,

1:37:21.640 --> 1:37:22.679
<v Speaker 2>we're gonna freak it out.

1:37:22.840 --> 1:37:25.679
<v Speaker 1>What We're gonna freak it out. We're gonna freak it out.

1:37:25.800 --> 1:37:28.880
<v Speaker 1>What We're gonna freak it out. We're freaking out. What

1:37:29.200 --> 1:37:32.600
<v Speaker 1>we're gonna freak it out. Yeah, by the way, let

1:37:32.640 --> 1:37:38.200
<v Speaker 1>me I tell you. One of my is after you

1:37:38.280 --> 1:37:40.360
<v Speaker 1>know they did six l A.

1:37:41.080 --> 1:37:44.960
<v Speaker 4>I remember me going to a radio station and they're like, yo,

1:37:45.200 --> 1:37:47.720
<v Speaker 4>they're not letting no, this is just the hardest up.

1:37:48.320 --> 1:37:50.560
<v Speaker 3>No other no other entourage.

1:37:51.200 --> 1:37:53.080
<v Speaker 1>There's your rail station to looking at me because you

1:37:53.120 --> 1:37:56.559
<v Speaker 1>know this is they locked me up. I walked through,

1:38:00.320 --> 1:38:04.560
<v Speaker 1>but in retrospect they were all artists, so it was

1:38:04.640 --> 1:38:07.080
<v Speaker 1>like no extra people there. And I remember that it

1:38:07.200 --> 1:38:08.560
<v Speaker 1>was like the first time, like we kind of like

1:38:08.600 --> 1:38:09.200
<v Speaker 1>the connected.

1:38:10.439 --> 1:38:16.280
<v Speaker 4>They got them radio station and then me and you

1:38:16.560 --> 1:38:19.360
<v Speaker 4>Kevin speaking through Inger. I remember you know what.

1:38:19.320 --> 1:38:21.720
<v Speaker 5>I'm saying is foxy bounds For people who don't know.

1:38:21.880 --> 1:38:25.840
<v Speaker 2>That's right, That's right, goddamnit because Inger was there. Motherfucking

1:38:26.040 --> 1:38:31.360
<v Speaker 2>h Inger is the one where was we at in Reno? Yes,

1:38:31.439 --> 1:38:32.800
<v Speaker 2>we know about that's right, that's why.

1:38:32.840 --> 1:38:34.439
<v Speaker 1>And it was something going on.

1:38:34.600 --> 1:38:39.040
<v Speaker 2>But any anyhow, any who, the bottom line is because

1:38:39.040 --> 1:38:42.400
<v Speaker 2>I seen because they're me, Nate, we were there with

1:38:42.600 --> 1:38:47.120
<v Speaker 2>Inger and then Boom, but me and Norrie always just

1:38:47.320 --> 1:38:49.920
<v Speaker 2>wrote it out since that I think that was the

1:38:50.000 --> 1:38:54.000
<v Speaker 2>first time was Renal and then we just kept riding

1:38:54.040 --> 1:38:55.880
<v Speaker 2>it out after and then next thing, you know, we

1:38:56.040 --> 1:39:00.519
<v Speaker 2>did h corruption Stevie J and he brought on that

1:39:00.640 --> 1:39:03.680
<v Speaker 2>motherfucking they freak it out, okay, and know he was like,

1:39:03.800 --> 1:39:06.559
<v Speaker 2>I'm in Boom and that we can freak it out.

1:39:06.680 --> 1:39:09.479
<v Speaker 1>What we can freak it out? I said, oh, cuz

1:39:09.560 --> 1:39:10.479
<v Speaker 1>I'm in it now.

1:39:11.400 --> 1:39:14.639
<v Speaker 2>I am in there now, my nigga, because I always

1:39:14.720 --> 1:39:18.040
<v Speaker 2>love Noid, you know, but it's like you know, in life,

1:39:18.880 --> 1:39:22.040
<v Speaker 2>you know, you be on opposite sides like BG Knockout

1:39:22.120 --> 1:39:25.040
<v Speaker 2>and Draster if you'll see, and we can freak it.

1:39:25.240 --> 1:39:29.920
<v Speaker 2>I got Drasters in the video on my Mama, which

1:39:30.080 --> 1:39:32.639
<v Speaker 2>is from the Roofless Squad, and then me and BG

1:39:32.840 --> 1:39:35.439
<v Speaker 2>Knockout because BG Knockout was locked up during the time

1:39:36.120 --> 1:39:36.920
<v Speaker 2>when he got home.

1:39:36.960 --> 1:39:38.560
<v Speaker 1>Because me and him became.

1:39:38.320 --> 1:39:41.880
<v Speaker 2>Good friends, and dadd and all of us became good

1:39:41.920 --> 1:39:45.800
<v Speaker 2>friends with them, even though you know the discrepancies.

1:39:46.320 --> 1:39:48.679
<v Speaker 1>So I want to give a clap and I want

1:39:48.720 --> 1:39:51.200
<v Speaker 1>to bring it back to hip.

1:39:51.320 --> 1:39:53.760
<v Speaker 3>Hop, hip hop and the growth.

1:39:55.960 --> 1:40:00.599
<v Speaker 1>Broke. You understand me, because we've been We've been all

1:40:00.680 --> 1:40:01.880
<v Speaker 1>around all of y'all to.

1:40:01.920 --> 1:40:04.560
<v Speaker 4>The closest to niggas to me on that side like

1:40:04.760 --> 1:40:05.840
<v Speaker 4>that's what's crazy about it.

1:40:05.960 --> 1:40:08.200
<v Speaker 2>Like people when I say that to people, like really,

1:40:08.280 --> 1:40:11.080
<v Speaker 2>I'm like, remember when you came down like Gud. Remember

1:40:11.120 --> 1:40:12.800
<v Speaker 2>when you came out because the record.

1:40:13.000 --> 1:40:15.080
<v Speaker 1>I remember when you came down like Gud and you

1:40:15.200 --> 1:40:17.559
<v Speaker 1>hit me your cup booping. I popped up at that hotel.

1:40:22.640 --> 1:40:25.360
<v Speaker 4>So many stories, man, I mean, you know what I mean.

1:40:25.400 --> 1:40:28.519
<v Speaker 4>I appreciate you. I appreciate your friendship, but one thing

1:40:28.600 --> 1:40:30.640
<v Speaker 4>for short things for serving, I don't want to, you know,

1:40:30.760 --> 1:40:34.240
<v Speaker 4>get sidetrackted, because your friendship doesn't take away from my

1:40:34.360 --> 1:40:35.360
<v Speaker 4>fanship from y'all.

1:40:35.760 --> 1:40:36.960
<v Speaker 3>Like I'm a fan, you know.

1:40:36.960 --> 1:40:37.400
<v Speaker 1>What I'm saying.

1:40:37.680 --> 1:40:39.720
<v Speaker 4>And for me to hear that album and for me

1:40:39.800 --> 1:40:42.840
<v Speaker 4>to hear y'all sounding so young but so still o

1:40:43.080 --> 1:40:47.280
<v Speaker 4>g so so nowadays was still so classic. That ship

1:40:47.360 --> 1:40:51.320
<v Speaker 4>made me feel so good because and then it had

1:40:51.400 --> 1:41:00.160
<v Speaker 4>skits you had, you had, you know, intros, outros, it's oh,

1:41:00.360 --> 1:41:04.360
<v Speaker 4>goddamn album, motherfucker's make a single and say I'm good.

1:41:05.040 --> 1:41:08.280
<v Speaker 5>Y'all made a whole fucking aye. Y'all made a legit album, man,

1:41:08.680 --> 1:41:10.000
<v Speaker 5>And I was I listen.

1:41:10.040 --> 1:41:12.320
<v Speaker 4>I kept listening to it because I'm like, damn, like

1:41:12.520 --> 1:41:14.640
<v Speaker 4>I wanted to listen to a flaw and there's no

1:41:14.800 --> 1:41:17.880
<v Speaker 4>flaw on this album. Like you motherfuckers got it together.

1:41:19.040 --> 1:41:21.680
<v Speaker 4>That ship is a classic. It's an impeccable.

1:41:22.560 --> 1:41:22.680
<v Speaker 1>Man.

1:41:23.040 --> 1:41:25.160
<v Speaker 4>It sounds like the West Coast where it's for the world.

1:41:26.479 --> 1:41:29.320
<v Speaker 4>You can tell us made in the West Coast, but

1:41:29.400 --> 1:41:31.160
<v Speaker 4>it's made for the world.

1:41:32.240 --> 1:41:34.559
<v Speaker 5>And I want to wait, one thing, we can't forget

1:41:35.240 --> 1:41:37.400
<v Speaker 5>that it sounds West Coast because we were in an

1:41:37.520 --> 1:41:41.519
<v Speaker 5>era where regional music is lost. Right, y'all made it

1:41:41.600 --> 1:41:44.000
<v Speaker 5>sound exactly where it needed to sound where it's coming from.

1:41:44.600 --> 1:41:46.960
<v Speaker 1>All right, So I want to make Snoop Dog.

1:41:51.840 --> 1:41:54.280
<v Speaker 4>In fact, I love I love how you can kind

1:41:54.320 --> 1:41:57.160
<v Speaker 4>of like tell he's enjoying promoting this. He said, he's proudly,

1:41:58.160 --> 1:41:58.880
<v Speaker 4>he's proud of this.

1:41:59.160 --> 1:42:03.200
<v Speaker 1>I mean, it's a great record. Great you know we

1:42:03.280 --> 1:42:05.599
<v Speaker 1>put that down, we did that, but it's a great way.

1:42:05.720 --> 1:42:08.280
<v Speaker 1>Let me ask you a question of both of you. Okay,

1:42:09.040 --> 1:42:10.400
<v Speaker 1>are you high? Yes?

1:42:10.800 --> 1:42:11.080
<v Speaker 13>I am.

1:42:11.400 --> 1:42:17.040
<v Speaker 1>I don't. I'm not. I get you, but you have

1:42:17.240 --> 1:42:23.600
<v Speaker 1>you been taking these shots with you? Man? Here, I

1:42:23.720 --> 1:42:27.559
<v Speaker 1>give you both the bolls. This bottle was brand new, guys.

1:42:27.600 --> 1:42:32.400
<v Speaker 1>You got guy. I'm just it's a lot of alcohol.

1:42:33.600 --> 1:42:35.679
<v Speaker 1>Is vodka by the way, I support the homie. Okay,

1:42:36.720 --> 1:42:39.599
<v Speaker 1>I drink will come up for two days straight one time.

1:42:40.720 --> 1:42:45.800
<v Speaker 1>None of us stopped, neither one of us. You're gonna

1:42:45.840 --> 1:42:49.920
<v Speaker 1>give up, like you give up. We just we kept going.

1:42:50.040 --> 1:42:51.000
<v Speaker 1>Yet we kept going.

1:42:51.160 --> 1:42:54.840
<v Speaker 4>Okay, But the last song on the on the premiere record,

1:42:55.120 --> 1:42:58.519
<v Speaker 4>the premiere record, yeah wow. I had never seen like

1:42:58.640 --> 1:43:01.120
<v Speaker 4>a crew actually say that they battle it on the record.

1:43:01.520 --> 1:43:04.280
<v Speaker 2>I ain't never seen that either, Cause Dog said, nigga,

1:43:04.320 --> 1:43:06.080
<v Speaker 2>I want to know. I've been wandering them for a

1:43:06.160 --> 1:43:08.000
<v Speaker 2>long time. Who's the hardest side of all of us?

1:43:08.120 --> 1:43:08.920
<v Speaker 2>Ken which I.

1:43:09.040 --> 1:43:13.720
<v Speaker 1>Want to do? This is no, that's ready said and

1:43:13.840 --> 1:43:17.040
<v Speaker 1>then he said, all right, you ready, And I'm looking like.

1:43:17.520 --> 1:43:19.920
<v Speaker 2>He said, I got r b X over there, and

1:43:20.240 --> 1:43:24.519
<v Speaker 2>uh he was right, came for you and Dad's going

1:43:24.600 --> 1:43:26.280
<v Speaker 2>to do And I'm like, oh.

1:43:27.800 --> 1:43:29.479
<v Speaker 1>Wait first right, yeah, yeah, yeah.

1:43:29.520 --> 1:43:32.240
<v Speaker 3>They like ladies first, full advantage to be your ladies.

1:43:32.320 --> 1:43:32.519
<v Speaker 1>First.

1:43:33.280 --> 1:43:36.519
<v Speaker 2>I looked at dads, he looked at me, because we

1:43:36.640 --> 1:43:42.799
<v Speaker 2>looked at Snoop and we said good luck to everybody.

1:43:42.880 --> 1:43:45.760
<v Speaker 2>It was raised and you you, you came on something well,

1:43:45.880 --> 1:43:51.320
<v Speaker 2>Ray you was saying first Originally okay, first verse I

1:43:51.479 --> 1:43:55.559
<v Speaker 2>laid then del Marley, and then r B and then Ray.

1:43:55.720 --> 1:43:57.599
<v Speaker 1>I mean then you raised you laid George.

1:43:57.680 --> 1:43:59.920
<v Speaker 4>Yeah, And then they had a chance to listen to

1:44:00.200 --> 1:44:05.440
<v Speaker 4>Rage sent it in. This is on a fair fight saying, wait.

1:44:04.720 --> 1:44:06.800
<v Speaker 1>Rage heard you first, because I feel like she was

1:44:06.840 --> 1:44:08.479
<v Speaker 1>saying some words that you were saying.

1:44:09.600 --> 1:44:13.679
<v Speaker 4>She said she messed like the big shock. She was like, yes,

1:44:13.880 --> 1:44:18.080
<v Speaker 4>like the meg You was kind of saying yes.

1:44:18.720 --> 1:44:21.120
<v Speaker 1>I wasn't saying that. No, not the exact same thing,

1:44:21.240 --> 1:44:25.120
<v Speaker 1>but you were saying similar ship. What are you trying

1:44:25.160 --> 1:44:32.720
<v Speaker 1>to say? I just know it was. It was a

1:44:32.800 --> 1:44:35.040
<v Speaker 1>big words. It was like look out another word.

1:44:35.120 --> 1:44:37.679
<v Speaker 5>But she was like if you said Renaisur's right, she said,

1:44:37.720 --> 1:44:38.800
<v Speaker 5>micha RockA dog.

1:44:40.160 --> 1:44:43.760
<v Speaker 1>It was the lyrics you already had that wrote you

1:44:43.800 --> 1:44:47.160
<v Speaker 1>said you heard you first. She heard my verse. She

1:44:47.240 --> 1:44:51.519
<v Speaker 1>already had her verse wrote yes. When I rage, I

1:44:51.720 --> 1:44:55.040
<v Speaker 1>was like, raid emphasis on it. She already laid it down.

1:44:55.680 --> 1:44:58.720
<v Speaker 1>You know exactly what we're talking about. Raised laid it

1:44:58.800 --> 1:45:00.599
<v Speaker 1>down already. But then she said, need to go back

1:45:00.640 --> 1:45:03.600
<v Speaker 1>in there and do it again. So that means she

1:45:03.680 --> 1:45:06.920
<v Speaker 1>went in there and put some more. If I'm a muggle,

1:45:07.000 --> 1:45:10.519
<v Speaker 1>d put that ship together and we love it. You

1:45:10.560 --> 1:45:13.800
<v Speaker 1>know what I'm saying, because rageous, hell man, rageous. We

1:45:13.960 --> 1:45:16.160
<v Speaker 1>all we got you know what I mean. So, who

1:45:16.200 --> 1:45:16.720
<v Speaker 1>do you think?

1:45:16.960 --> 1:45:18.160
<v Speaker 3>What's the hardest on that record?

1:45:20.080 --> 1:45:22.479
<v Speaker 1>Your dad? On the whole album, you was going in

1:45:23.040 --> 1:45:26.640
<v Speaker 1>you know, that's what it's about. Your last album is

1:45:26.680 --> 1:45:28.840
<v Speaker 1>your last impression in the world. Something happened to you.

1:45:28.960 --> 1:45:30.880
<v Speaker 1>That's that's the last time. What if you five? I

1:45:30.960 --> 1:45:32.519
<v Speaker 1>told you that. I think this is the hardest I've

1:45:32.600 --> 1:45:35.400
<v Speaker 1>heard you go in on versus. Man. You know, it's competition.

1:45:35.520 --> 1:45:35.960
<v Speaker 19>I got you know.

1:45:36.000 --> 1:45:38.560
<v Speaker 1>I look around, you know, sharks and animals. That's the

1:45:38.840 --> 1:45:40.760
<v Speaker 1>thing on this one. You know what I'm saying. So

1:45:40.920 --> 1:45:42.439
<v Speaker 1>you know, shout out to the crew. They make you

1:45:42.520 --> 1:45:43.080
<v Speaker 1>better animal.

1:45:44.920 --> 1:45:46.600
<v Speaker 4>You think it's because you have less pressure on you

1:45:46.680 --> 1:45:48.120
<v Speaker 4>because you wasn't making the beat so you could just

1:45:48.160 --> 1:45:49.040
<v Speaker 4>focus on the rhymes.

1:45:49.400 --> 1:45:51.519
<v Speaker 3>And you're battling corrupt on your versus.

1:45:51.920 --> 1:45:55.240
<v Speaker 1>I was looking at everybody. You know, just take a shot.

1:45:55.680 --> 1:46:00.880
<v Speaker 2>Shot, that's a shot on that Okay, I don't believe you,

1:46:02.840 --> 1:46:04.200
<v Speaker 2>but oh well, we could do the.

1:46:06.280 --> 1:46:13.320
<v Speaker 1>Entourage. I'm gonna stick with the shots. I'm stick with

1:46:13.360 --> 1:46:15.720
<v Speaker 1>the shot. Cool, but I'm saying, where's up there?

1:46:15.760 --> 1:46:15.960
<v Speaker 21>It is?

1:46:16.840 --> 1:46:21.479
<v Speaker 1>You look like you've got children over there, man, just ship.

1:46:21.800 --> 1:46:24.560
<v Speaker 1>They look like the homies waiting to just go in.

1:46:24.800 --> 1:46:30.200
<v Speaker 1>And that's like the homies. Cuse for the roll out.

1:46:31.320 --> 1:46:36.400
<v Speaker 1>They coming through the game. When I'm drunk, then I'm

1:46:36.479 --> 1:46:43.160
<v Speaker 1>hard grant kids got grand kids. Okay, so let me

1:46:43.200 --> 1:46:49.320
<v Speaker 1>ask you, Corrupt, because huh, you guys to take your sip,

1:46:49.360 --> 1:46:52.280
<v Speaker 1>to take a sip to make sure. So okay, take

1:46:52.320 --> 1:46:54.640
<v Speaker 1>it first or after take it first? You take it.

1:46:56.400 --> 1:46:58.720
<v Speaker 1>But who had the hardest verse on the hardest.

1:47:00.160 --> 1:47:00.600
<v Speaker 2>All of us.

1:47:01.479 --> 1:47:03.800
<v Speaker 1>You'll find a different style. You'll find it.

1:47:04.120 --> 1:47:08.840
<v Speaker 2>We are got every man find a different hold on comes.

1:47:09.080 --> 1:47:12.479
<v Speaker 2>You'll find a different style. And everybody that Bus Ray

1:47:12.720 --> 1:47:17.240
<v Speaker 2>Paul raised was different. Corrupt was different. Del Marm was different.

1:47:17.840 --> 1:47:22.920
<v Speaker 2>Uh rb X was different, was different. Snoopy was different.

1:47:22.960 --> 1:47:24.920
<v Speaker 2>He wasn't even getting on the record, cousin until he

1:47:24.960 --> 1:47:27.080
<v Speaker 2>heard us Bus and he said, all this bullshit, I

1:47:27.200 --> 1:47:28.040
<v Speaker 2>got to get on here.

1:47:29.280 --> 1:47:32.360
<v Speaker 1>That's that hip hop man. Yeah, because he was like, no,

1:47:32.680 --> 1:47:35.920
<v Speaker 1>this bullshit, nigga, I got to kid on here. That's

1:47:35.960 --> 1:47:42.559
<v Speaker 1>what Dog said. That's our first really on DPGC. He said, man,

1:47:43.360 --> 1:47:45.960
<v Speaker 1>and it sounded I think that's the first time I

1:47:46.160 --> 1:47:49.720
<v Speaker 1>oh no, I did. Uh everybody, all of us, me

1:47:49.760 --> 1:47:51.680
<v Speaker 1>and super Permian did the song that he got with

1:47:51.800 --> 1:47:54.000
<v Speaker 1>you men, I'm on the hook, you know what I'm

1:47:54.000 --> 1:47:58.400
<v Speaker 1>saying that we did that twenty thirteen. This is not

1:47:58.479 --> 1:48:01.519
<v Speaker 1>your first time with Premiere. That's my all house for

1:48:01.640 --> 1:48:03.800
<v Speaker 1>the gallop. Yeah, I mean it's just him me on

1:48:03.880 --> 1:48:06.680
<v Speaker 1>the track. You're running on it right right, But that's

1:48:06.720 --> 1:48:10.080
<v Speaker 1>my first time with Premiere. On this out, I'm saying fire.

1:48:10.560 --> 1:48:12.360
<v Speaker 1>Did we got did we take a shot to that?

1:48:12.400 --> 1:48:14.920
<v Speaker 4>Okay, let's take a shot to that bub bubble the

1:48:15.080 --> 1:48:20.320
<v Speaker 4>drops got the drop bubble bubble, double trouble bubb.

1:48:20.240 --> 1:48:24.040
<v Speaker 1>Look at the way so drink you got an iPad.

1:48:28.280 --> 1:48:35.720
<v Speaker 1>Let me touch it through. Let's take it for real? Yeah,

1:48:36.160 --> 1:48:46.160
<v Speaker 1>cut the ship. Can we hear it loud? That's Uncle

1:48:46.240 --> 1:49:04.400
<v Speaker 1>Premiere on sake song the Hordest suit, lad, appreciate it?

1:49:06.000 --> 1:49:18.879
<v Speaker 1>Are you talking? Because that was up beave everything else? Plea, Premire?

1:49:19.400 --> 1:49:22.479
<v Speaker 1>What was that about? How you do that? North? I

1:49:22.640 --> 1:49:25.120
<v Speaker 1>mean I got more. I'm not gonna show you right now.

1:49:25.120 --> 1:49:46.120
<v Speaker 1>I'm just up. Yeah the chatseash smash smoking god damn

1:49:50.400 --> 1:49:53.880
<v Speaker 1>for y'all. More. No, no, no, no, no, no, no

1:49:53.960 --> 1:49:56.240
<v Speaker 1>no we're gonna you see it on the episode. We

1:49:56.360 --> 1:49:58.000
<v Speaker 1>just wanted to know. We're going all out for y'all.

1:49:58.160 --> 1:50:00.720
<v Speaker 1>Let y'all just show y'all know no man legends, Man

1:50:01.280 --> 1:50:13.840
<v Speaker 1>your legends, y'all. God, you know we got correct and

1:50:13.960 --> 1:50:18.040
<v Speaker 1>if and y'all we got too. So let me ask y'all.

1:50:19.840 --> 1:50:21.840
<v Speaker 4>Now we got the whole new album knocked out right.

1:50:21.880 --> 1:50:28.680
<v Speaker 4>We spoke about every track one by one. What is

1:50:28.760 --> 1:50:32.639
<v Speaker 4>the one classic record you guys made that you love

1:50:32.880 --> 1:50:37.439
<v Speaker 4>to perform? I'm gonna ask you individually. I almost wish

1:50:37.520 --> 1:50:39.519
<v Speaker 4>I wanted you to write it down, and you write

1:50:39.560 --> 1:50:40.880
<v Speaker 4>it down because I don't want y'all.

1:50:40.760 --> 1:50:42.680
<v Speaker 1>To be my favorite. That ain't no fun. I knew

1:50:42.720 --> 1:50:46.760
<v Speaker 1>you was gonna say, ain't no fun because it's the

1:50:46.800 --> 1:50:51.720
<v Speaker 1>party finish jump. We cut the music out, put the

1:50:51.800 --> 1:50:55.240
<v Speaker 1>mic down. They say, gave about a bitch. I partly

1:50:55.280 --> 1:50:58.200
<v Speaker 1>broke the say I never asked mother the fucking end

1:50:58.280 --> 1:51:02.120
<v Speaker 1>of the sw be come back in bad. Let's start

1:51:02.160 --> 1:51:05.680
<v Speaker 1>it from again. How we go recipe. I met you

1:51:06.080 --> 1:51:09.800
<v Speaker 1>last night, baby, Come on.

1:51:11.320 --> 1:51:20.120
<v Speaker 22>You gam your gap, laid down speak, God'll take you

1:51:20.400 --> 1:51:24.280
<v Speaker 22>all back, Come on home, come ons.

1:51:24.360 --> 1:51:38.960
<v Speaker 1>It gave me anyone and you know, but well probably baby,

1:51:39.520 --> 1:51:46.960
<v Speaker 1>I give you nurs time, nurse time, the holiday when

1:51:47.000 --> 1:51:49.840
<v Speaker 1>at work, you can come on over and I'll thank

1:51:49.960 --> 1:52:08.360
<v Speaker 1>you all if you can say what never, I've never

1:52:08.439 --> 1:52:11.160
<v Speaker 1>been a girl before. I never met a girl before.

1:52:11.200 --> 1:52:22.479
<v Speaker 2>I did, come on, what to grop gave a home

1:52:22.520 --> 1:52:28.120
<v Speaker 2>about a bitch? I don't wait you I never, I guess, Lonny,

1:52:28.680 --> 1:52:29.200
<v Speaker 2>you can't do.

1:52:29.560 --> 1:52:32.720
<v Speaker 1>Do we look like d youtie groovie? I have no

1:52:32.840 --> 1:52:35.200
<v Speaker 1>mother for house. That's something that I learned to pend

1:52:35.320 --> 1:52:37.800
<v Speaker 1>on how to fucking my suppose to ladies host. It's

1:52:37.920 --> 1:52:40.280
<v Speaker 1>just the latest home. I know that puss is mind'

1:52:40.360 --> 1:52:42.720
<v Speaker 1>a fuck a couple of months and then I'm doing it.

1:52:43.120 --> 1:52:45.160
<v Speaker 21>There's nothing enough to do with it past it the

1:52:45.320 --> 1:52:48.200
<v Speaker 21>nor eat Now you say you're nothing but best me.

1:52:48.640 --> 1:52:51.920
<v Speaker 1>Y'all know the ship to me? I did the fuck?

1:52:52.520 --> 1:52:55.040
<v Speaker 1>Why don't you play a sentence? I broke it with

1:52:55.120 --> 1:52:58.639
<v Speaker 1>a different proposition. I'm corrupt. You never be my only

1:52:58.800 --> 1:53:01.240
<v Speaker 1>du it ain't know.

1:53:05.280 --> 1:53:05.479
<v Speaker 13>You know?

1:53:05.720 --> 1:53:06.080
<v Speaker 21>He know?

1:53:07.200 --> 1:53:07.360
<v Speaker 1>Then?

1:53:07.439 --> 1:53:12.320
<v Speaker 23>My motherfucking hummers can't Hey, you know, I ain know there?

1:53:12.400 --> 1:53:15.880
<v Speaker 23>My mother brother hommies can't you know what the ain't

1:53:15.920 --> 1:53:20.439
<v Speaker 23>no here? My mother fucker hummis can't the big snoop

1:53:20.560 --> 1:53:23.840
<v Speaker 23>dog Guess who's back in the motherfucking hell with a

1:53:23.920 --> 1:53:27.479
<v Speaker 23>fat dick for your motherfucking mouth holds backing down? Did

1:53:27.600 --> 1:53:29.960
<v Speaker 23>you do too cause my bitches get scammers and pull

1:53:30.000 --> 1:53:32.559
<v Speaker 23>my bood. Do what you're gonna do if you really

1:53:32.640 --> 1:53:34.560
<v Speaker 23>don't know so hard about.

1:53:34.320 --> 1:53:36.880
<v Speaker 1>You not to truck that holes to leave me to

1:53:37.000 --> 1:53:39.599
<v Speaker 1>fall in love with a bit knowing damn well, I'm

1:53:39.680 --> 1:53:41.280
<v Speaker 1>just going up with my grid. I went to son

1:53:41.400 --> 1:53:42.519
<v Speaker 1>roteats in my game.

1:53:42.600 --> 1:53:45.320
<v Speaker 2>Brood bigga, how many tell me want to fuckers this

1:53:45.439 --> 1:53:46.760
<v Speaker 2>nigga nin' stoop.

1:53:46.760 --> 1:53:49.040
<v Speaker 1>Doggie, I'm hold of you above. I'm just swipt on

1:53:49.160 --> 1:53:51.200
<v Speaker 1>my toes to get caught up with you. Hold your feet.

1:53:51.600 --> 1:53:54.719
<v Speaker 1>It ain't no fun. My homes can't hit him because

1:53:54.720 --> 1:53:58.040
<v Speaker 1>you know I don't it. Whoo hey, now you know

1:53:58.840 --> 1:54:01.519
<v Speaker 1>help it's him with you know what? Why a mother

1:54:01.560 --> 1:54:02.320
<v Speaker 1>of money.

1:54:03.520 --> 1:54:07.640
<v Speaker 2>Three whitis in my sev He's no right to be

1:54:07.800 --> 1:54:10.480
<v Speaker 2>exactly where bitch is on my and bitches.

1:54:10.200 --> 1:54:13.439
<v Speaker 1>On my back. So back up, bitch because you to

1:54:13.560 --> 1:54:18.479
<v Speaker 1>get on your knees. Motherfucker not sending your mouth. It's

1:54:18.560 --> 1:54:24.960
<v Speaker 1>being warm ge then nigga, if the homies came you

1:54:25.120 --> 1:54:30.600
<v Speaker 1>know know here my motherfucker her you know what you

1:54:30.680 --> 1:54:32.120
<v Speaker 1>know here, My.

1:54:32.200 --> 1:54:36.960
<v Speaker 23>Motherfucker homies can hey, you know what they ain't know here,

1:54:37.040 --> 1:54:38.200
<v Speaker 23>My motherfucker.

1:54:37.800 --> 1:54:42.040
<v Speaker 2>Homies gate big you trick ass, talk fast, dump aass,

1:54:42.120 --> 1:54:44.280
<v Speaker 2>garbage ass, motherfucker trash can ass.

1:54:44.360 --> 1:54:59.520
<v Speaker 1>Little bitch. Oh, here's somebody and say what funck dunk bitch.

1:55:01.760 --> 1:55:04.400
<v Speaker 1>We have fun we on stage? You know, so it's

1:55:04.560 --> 1:55:05.280
<v Speaker 1>workout for us.

1:55:05.320 --> 1:55:05.480
<v Speaker 13>You know.

1:55:07.560 --> 1:55:10.760
<v Speaker 3>That was really Yeah the dreams champ.

1:55:12.960 --> 1:55:17.120
<v Speaker 1>You put that on. What I like me chucking? I

1:55:17.200 --> 1:55:19.720
<v Speaker 1>get me something this champagne.

1:55:19.800 --> 1:55:20.000
<v Speaker 24>Y'all?

1:55:20.440 --> 1:55:27.880
<v Speaker 1>Yes, shot doing now that I'm high. I'm I'm high.

1:55:29.920 --> 1:55:32.240
<v Speaker 1>Don't you like being hot? Yes, I'm great.

1:55:33.000 --> 1:55:34.360
<v Speaker 4>What is your favorite part of the game this for

1:55:34.400 --> 1:55:38.640
<v Speaker 4>both of y'all writing the music or performing the music both.

1:55:39.360 --> 1:55:40.880
<v Speaker 1>Okay, I'm gona taking a shot for that, even though

1:55:40.920 --> 1:55:43.360
<v Speaker 1>the gotta be no shots involved. That's let's take.

1:55:43.880 --> 1:55:45.680
<v Speaker 4>I want to take a shot with a motherfucking dog

1:55:45.760 --> 1:55:48.320
<v Speaker 4>pound right now. We went to motherfucking and we just

1:55:49.120 --> 1:55:51.360
<v Speaker 4>what you're going be performing a shot? What you're seeing

1:55:52.000 --> 1:55:53.120
<v Speaker 4>vision that you know what I'm saying.

1:55:53.200 --> 1:55:56.520
<v Speaker 1>So so it's creating it first. It's creating it and

1:55:56.760 --> 1:55:58.600
<v Speaker 1>vision what you're gonna be doing because it's like loading

1:55:58.640 --> 1:56:01.880
<v Speaker 1>a gun and shooting because you know, yeah you got okay,

1:56:01.960 --> 1:56:04.000
<v Speaker 1>I got, I got of couurse, make sure you got

1:56:04.640 --> 1:56:09.640
<v Speaker 1>because what what what? What? What?

1:56:10.120 --> 1:56:10.160
<v Speaker 5>What?

1:56:10.320 --> 1:56:10.360
<v Speaker 2>What?

1:56:10.440 --> 1:56:15.400
<v Speaker 1>What? What made you do that? Tell the truth? Truth?

1:56:16.520 --> 1:56:18.480
<v Speaker 1>What happened to cow bars? What? What? What? What?

1:56:18.680 --> 1:56:18.720
<v Speaker 7>What?

1:56:18.880 --> 1:56:21.480
<v Speaker 1>What? One? What? What? What? What? What? What? It was

1:56:21.520 --> 1:56:22.040
<v Speaker 1>an accident?

1:56:22.400 --> 1:56:23.080
<v Speaker 3>It was an accident.

1:56:23.560 --> 1:56:26.800
<v Speaker 1>Well yeah, yeah, shot yeah, and then said I like that.

1:56:26.920 --> 1:56:28.160
<v Speaker 1>You know that's great.

1:56:28.560 --> 1:56:31.840
<v Speaker 2>Because that's how our biggest records happened with access state.

1:56:31.960 --> 1:56:35.320
<v Speaker 1>Yeah. Yes, like, bitches ain't ship was an accident. Okay,

1:56:35.800 --> 1:56:41.120
<v Speaker 1>explain that. You gotta explain that accident. And let's take

1:56:41.120 --> 1:56:43.520
<v Speaker 1>a shot of that accent. And doctor said, take that

1:56:43.720 --> 1:56:46.600
<v Speaker 1>first that you had for that little four bars we got,

1:56:46.680 --> 1:56:49.520
<v Speaker 1>and we're gonna make that the hook. And then we

1:56:49.720 --> 1:56:53.640
<v Speaker 1>just so it was a verse. Verse was sixteen bars.

1:56:53.960 --> 1:56:57.480
<v Speaker 2>Right when Doctor Dre heard the first eight of my bars,

1:56:57.520 --> 1:56:59.600
<v Speaker 2>he said, that's the hook, was the first eight.

1:56:59.680 --> 1:57:01.320
<v Speaker 3>That's so about the first bitches ain't.

1:57:01.120 --> 1:57:05.840
<v Speaker 1>Ships and tricks suck get the.

1:57:11.320 --> 1:57:14.760
<v Speaker 3>Getting me your foe up. See that was the verse.

1:57:15.960 --> 1:57:20.320
<v Speaker 2>But Doc Dre heard that first part and he was like, no,

1:57:20.720 --> 1:57:23.800
<v Speaker 2>lay that, and it was bitches ain't ship but holsing

1:57:23.880 --> 1:57:26.160
<v Speaker 2>t lick on these nuts, is sucked that they gets

1:57:26.160 --> 1:57:28.480
<v Speaker 2>the funk out when you're done. And then I hops

1:57:28.520 --> 1:57:30.840
<v Speaker 2>in my coop to make a quick run. And then

1:57:31.040 --> 1:57:36.560
<v Speaker 2>dog said, no corrupt, uh do it like this at

1:57:36.600 --> 1:57:40.200
<v Speaker 2>the end, right, gets the funk out after you're done,

1:57:40.600 --> 1:57:44.080
<v Speaker 2>and hops and my coopill make a quick run instead

1:57:44.120 --> 1:57:45.680
<v Speaker 2>of doing done and run.

1:57:48.520 --> 1:57:49.640
<v Speaker 1>No harmony.

1:57:51.880 --> 1:57:54.600
<v Speaker 2>So then I said, bitches ain't ship but holes, and

1:57:54.880 --> 1:57:56.920
<v Speaker 2>then he put that in there. I was like, bitches

1:57:56.960 --> 1:58:00.320
<v Speaker 2>ain't ship but hosing tricks, lick on these ns and

1:58:00.480 --> 1:58:03.760
<v Speaker 2>suck the dick, gets the funk out after you're done.

1:58:04.120 --> 1:58:06.920
<v Speaker 3>Then I hoped him you're control.

1:58:10.640 --> 1:58:14.120
<v Speaker 1>Harp. Please that's tight.

1:58:14.200 --> 1:58:17.400
<v Speaker 2>But that's tight, right, but say it like this, thumb,

1:58:18.080 --> 1:58:21.920
<v Speaker 2>Bitches ain't ship but hoes and tricks, lick onies, not.

1:58:23.400 --> 1:58:23.720
<v Speaker 1>Everything.

1:58:23.800 --> 1:58:26.960
<v Speaker 25>It's the funk out after you done. Then I hoped

1:58:27.080 --> 1:58:31.200
<v Speaker 25>in my coop that make up quick, I said. I said, okay, cool,

1:58:31.880 --> 1:58:35.240
<v Speaker 25>lay mind, that's aggressive.

1:58:39.560 --> 1:58:42.800
<v Speaker 2>Lick on these nuts and sucking dick, get the fuck

1:58:42.880 --> 1:58:44.000
<v Speaker 2>out after you're done.

1:58:44.360 --> 1:58:46.920
<v Speaker 1>And then I hoped my cooper make a quick pipe

1:58:47.360 --> 1:58:51.160
<v Speaker 1>to the stoke. Give me your phone snoop, doggy dope.

1:58:51.520 --> 1:58:52.000
<v Speaker 1>That must be.

1:58:54.360 --> 1:58:59.440
<v Speaker 26>All right, corp stop. Okay, all right, you shut out

1:58:59.480 --> 1:59:03.480
<v Speaker 26>to the telling, you big dog. He added the melody

1:59:03.600 --> 1:59:06.120
<v Speaker 26>to it. The bitch is okay, I'll take a shot

1:59:06.200 --> 1:59:07.040
<v Speaker 26>with you for the champ.

1:59:07.200 --> 1:59:12.440
<v Speaker 1>Let's go it. Okay, double up on the bitch. Wait wait, wait,

1:59:12.480 --> 1:59:15.360
<v Speaker 1>how you going to drink before us? Cus? Hold on, no, no,

1:59:15.520 --> 1:59:25.840
<v Speaker 1>that's from your stable. I'm gonna transfer. He gave you

1:59:26.000 --> 1:59:31.240
<v Speaker 1>some crypto because you know what y'all did, make a

1:59:31.320 --> 1:59:40.720
<v Speaker 1>new law. You got that corrupt DA made that rules

1:59:43.040 --> 1:59:48.040
<v Speaker 1>new drink Champs rules, the pass and purvey, cause y'all

1:59:48.080 --> 1:59:50.800
<v Speaker 1>do that when you have somebody else come out of

1:59:50.840 --> 1:59:53.440
<v Speaker 1>the Yeah. But we're only gonna do when they're doing

1:59:54.960 --> 1:59:57.920
<v Speaker 1>called the death villager like, yeah, you got it all along,

1:59:58.160 --> 2:00:04.480
<v Speaker 1>drink Champs. Cuse say the drink chip I passed damn

2:00:04.520 --> 2:00:06.240
<v Speaker 1>he passed it back. We didn't. We didn't know what.

2:00:06.360 --> 2:00:08.000
<v Speaker 1>We ain't never say no path. We didn't know it

2:00:08.080 --> 2:00:10.600
<v Speaker 1>was retrograde. We didn't know that. Somebody I say, yes,

2:00:10.640 --> 2:00:15.080
<v Speaker 1>it's split it two is too? Want to rewrite the

2:00:16.480 --> 2:00:18.520
<v Speaker 1>split it? And I'm gonna have one. We're gonna drink

2:00:18.560 --> 2:00:21.280
<v Speaker 1>what you I shouldn't be drinking no more. We got

2:00:21.520 --> 2:00:25.000
<v Speaker 1>we got till we all, we got till we all

2:00:25.080 --> 2:00:26.480
<v Speaker 1>we got. We got.

2:00:26.640 --> 2:00:36.640
<v Speaker 5>Yo, let's go birthday Hoods going in the chambers just

2:00:36.680 --> 2:00:37.640
<v Speaker 5>in case we gotta go there?

2:00:38.200 --> 2:00:51.000
<v Speaker 1>Ship? Okay, oh Ship, what did you do? Yeah? How

2:00:51.040 --> 2:00:52.720
<v Speaker 1>does that make? How does that make that? I was

2:00:52.760 --> 2:00:58.520
<v Speaker 1>listening to Bounce for Skank some Bounced by Skank, just

2:01:00.560 --> 2:01:06.680
<v Speaker 1>sample that. Clapp put that music together, and then Snow

2:01:06.760 --> 2:01:09.480
<v Speaker 1>came in and what would you do if you could get?

2:01:09.720 --> 2:01:11.720
<v Speaker 1>You know, we always putting songs together like that, you

2:01:11.760 --> 2:01:13.240
<v Speaker 1>know what I'm saying. And then Joel come in there,

2:01:13.280 --> 2:01:16.960
<v Speaker 1>put a spice me and Superfly cut up no big

2:01:17.040 --> 2:01:20.320
<v Speaker 1>pimping and then you know that was this song too?

2:01:20.680 --> 2:01:22.880
<v Speaker 1>Oh Ship, you know what I'm saying. So we uh,

2:01:23.280 --> 2:01:26.160
<v Speaker 1>who you doing? And we was into it with Ruthless Records,

2:01:26.160 --> 2:01:29.120
<v Speaker 1>but you know we okay, but we got nominated for

2:01:29.160 --> 2:01:32.000
<v Speaker 1>a Grammy for that song. Damn, I can't I can't

2:01:32.280 --> 2:01:36.240
<v Speaker 1>hear we just can we pull it up? Yeah? I

2:01:36.360 --> 2:01:39.680
<v Speaker 1>can't hear it? Hold on? Is that over my head?

2:01:39.760 --> 2:01:43.560
<v Speaker 1>And we said, you know, the Ruthless Foods playing in

2:01:43.680 --> 2:01:48.400
<v Speaker 1>one room. You know, y'all went hard ruthles Bro. It's

2:01:48.400 --> 2:01:50.400
<v Speaker 1>crazy because you were saying it was cool BG knock

2:01:50.440 --> 2:01:52.840
<v Speaker 1>out of them. That's before because we was young kids.

2:01:52.880 --> 2:01:57.440
<v Speaker 1>You know what I'm saying, easy Rebuttal's pretty dope too though.

2:01:57.840 --> 2:01:59.440
<v Speaker 1>But me and a little easy we like this. You

2:01:59.480 --> 2:02:01.800
<v Speaker 1>know what I'm saying, He's best friend. You know, he's

2:02:01.800 --> 2:02:05.000
<v Speaker 1>spitting image of man. You know what I'm saying. Everything

2:02:05.080 --> 2:02:07.160
<v Speaker 1>turns for a sucker because it ain't even all battle,

2:02:07.840 --> 2:02:10.200
<v Speaker 1>just fighting somebody else ship. You know what I'm saying.

2:02:10.280 --> 2:02:12.880
<v Speaker 1>So crazy when you really know what the situation is.

2:02:12.960 --> 2:02:14.600
<v Speaker 1>Did you know what time? And when you look back

2:02:14.680 --> 2:02:18.360
<v Speaker 1>that that it was easy and like everything, that's a wild,

2:02:19.000 --> 2:02:21.360
<v Speaker 1>wild time. You know what I'm saying. For the gig Go,

2:02:21.520 --> 2:02:23.320
<v Speaker 1>you know what I'm saying, the one for him would

2:02:23.360 --> 2:02:26.880
<v Speaker 1>be no fan. But it was still all about yeah

2:02:26.880 --> 2:02:29.920
<v Speaker 1>because you he was in that army. That was your

2:02:30.040 --> 2:02:33.200
<v Speaker 1>army kids. You know what I'm saying. Just like bone

2:02:33.280 --> 2:02:38.480
<v Speaker 1>Thugs was bad, but see they are family now, they

2:02:38.520 --> 2:02:42.120
<v Speaker 1>are family. Back then you never had you never got

2:02:42.200 --> 2:02:45.400
<v Speaker 1>into a bone thugs or did you? We got really

2:02:45.400 --> 2:02:47.920
<v Speaker 1>because both thugs came into it later in that aspect,

2:02:48.000 --> 2:02:52.120
<v Speaker 1>got a couple of ain't no harmony, got no love

2:02:52.240 --> 2:02:57.560
<v Speaker 1>for no holes in harmonies. Jesus Christ corrupted you hear

2:02:59.160 --> 2:02:59.720
<v Speaker 1>he was listening.

2:03:00.160 --> 2:03:02.720
<v Speaker 2>Wait what you say there ain't no harm in me.

2:03:03.400 --> 2:03:06.040
<v Speaker 2>I ain't got no love from no hos in harmony.

2:03:10.200 --> 2:03:10.400
<v Speaker 1>Yeah.

2:03:10.520 --> 2:03:17.360
<v Speaker 2>Then, but see my best friend right now besides Dash Lazybone,

2:03:19.440 --> 2:03:24.440
<v Speaker 2>that's why I hang out. See we can't hang out

2:03:25.680 --> 2:03:30.440
<v Speaker 2>wait because we might we might we might get in trouble.

2:03:30.720 --> 2:03:35.720
<v Speaker 1>Right that that would have that would have clean class.

2:03:39.520 --> 2:03:41.520
<v Speaker 1>That already sounds like this record just by hearing the

2:03:41.600 --> 2:03:44.880
<v Speaker 1>beat already, that's kind of like a remind.

2:03:44.640 --> 2:04:00.400
<v Speaker 27>Me that's a classic, such a classic record.

2:04:00.480 --> 2:04:25.000
<v Speaker 1>Last I just don't you just don't don't you wait?

2:04:25.280 --> 2:04:29.040
<v Speaker 1>Team again.

2:04:30.680 --> 2:04:43.440
<v Speaker 24>A better recognize what the twister up. It's like a

2:04:43.560 --> 2:04:48.600
<v Speaker 24>jap walked step motherfucker's like a phone. The microphone never sits.

2:04:48.600 --> 2:04:51.960
<v Speaker 24>Something that's a little bit that game and the game.

2:04:52.080 --> 2:04:54.760
<v Speaker 24>That's why we got the princess if we can staff

2:04:54.800 --> 2:04:58.000
<v Speaker 24>being there at the being so magic investments and like ship.

2:05:01.240 --> 2:05:06.200
<v Speaker 27>This is the classic as record man classics, a classic.

2:05:07.160 --> 2:05:24.880
<v Speaker 1>This is a classic Christmas Yeah yeah, and it's a classic.

2:05:25.080 --> 2:05:26.840
<v Speaker 1>Gave me once again?

2:05:27.680 --> 2:05:45.000
<v Speaker 13>Yeah, yeah, you.

2:05:45.080 --> 2:05:55.240
<v Speaker 1>Want to classic? Talk about you produce this h stop

2:05:56.880 --> 2:06:18.040
<v Speaker 1>stop it. You know the thing is it's such a

2:06:18.200 --> 2:06:22.320
<v Speaker 1>positive life. Now you feel like this is going negative.

2:06:22.360 --> 2:06:26.280
<v Speaker 1>Did you hear what he just said? He said be

2:06:26.600 --> 2:06:30.160
<v Speaker 1>knockout and never nigga down with him. That's not positive.

2:06:31.200 --> 2:06:34.040
<v Speaker 1>Just like with Earl. You know we talk about d

2:06:34.240 --> 2:06:37.000
<v Speaker 1>m X calling out names. You want to play calling

2:06:37.040 --> 2:06:41.360
<v Speaker 1>out names? Nigga? You want to play calling out names? Nigga?

2:06:42.640 --> 2:06:45.120
<v Speaker 1>Do you you want to play calling our names?

2:06:46.840 --> 2:06:51.240
<v Speaker 2>I wouldn't you know me personally know what I'm saying,

2:06:51.440 --> 2:06:53.920
<v Speaker 2>because we grown up.

2:06:53.960 --> 2:06:56.720
<v Speaker 1>We passed it. Yeah, we're grown now. And it's like,

2:06:57.080 --> 2:07:01.680
<v Speaker 1>you know, I don't want to hear nobody saying anybody

2:07:02.960 --> 2:07:06.040
<v Speaker 1>that I'm a friend with ship.

2:07:06.200 --> 2:07:08.720
<v Speaker 2>I don't even want to hear about anybody that I'm

2:07:08.760 --> 2:07:10.200
<v Speaker 2>not a friend with. I don't want to hear none

2:07:10.200 --> 2:07:10.280
<v Speaker 2>of that.

2:07:10.440 --> 2:07:14.320
<v Speaker 5>But I heard Q say that he's he cringes when

2:07:14.360 --> 2:07:17.640
<v Speaker 5>he hears. I think no Vacilan the verse against Wren

2:07:17.760 --> 2:07:21.760
<v Speaker 5>because he loves Rent so much, because that's his buddy.

2:07:21.880 --> 2:07:25.800
<v Speaker 1>Back then though, because you got to defend yourself or

2:07:25.880 --> 2:07:29.960
<v Speaker 1>you're on fire. Nor he knows he had to defend himself.

2:07:30.560 --> 2:07:33.120
<v Speaker 1>He was on fire. He stood up for what he

2:07:33.280 --> 2:07:37.600
<v Speaker 1>was standing up for but you know when you hear nowadays,

2:07:37.640 --> 2:07:40.600
<v Speaker 1>I'd be like, no, I got no, I'm not wronging.

2:07:41.320 --> 2:07:48.880
<v Speaker 4>Yeah, he went on here no, no, no, I wish.

2:07:49.360 --> 2:07:55.000
<v Speaker 4>He talked about the time where Quick actually performed the

2:07:55.120 --> 2:07:56.560
<v Speaker 4>dis record in front of him.

2:07:57.080 --> 2:07:59.280
<v Speaker 1>It was in New York. In New York. He said

2:07:59.320 --> 2:08:02.680
<v Speaker 1>that as the social boards. Oh yeah, oh yeah, yeah,

2:08:04.200 --> 2:08:07.280
<v Speaker 1>you know what's it? Yeah yeah, yeah, yeah, yeah, very moment.

2:08:10.240 --> 2:08:14.560
<v Speaker 1>That's like weird, right, it was we were there, Yeah,

2:08:14.600 --> 2:08:18.000
<v Speaker 1>we're there. It was MC was on somebody's shoulders, right,

2:08:18.960 --> 2:08:22.280
<v Speaker 1>remember that on somebody's shoulders, Yeah, banging on them like

2:08:22.800 --> 2:08:23.960
<v Speaker 1>they was throwing back and forth.

2:08:24.120 --> 2:08:26.120
<v Speaker 2>You saw that as I ain't seen none of that.

2:08:26.240 --> 2:08:29.920
<v Speaker 2>Can remember that the performance because of the Source Awards.

2:08:29.960 --> 2:08:34.480
<v Speaker 2>It was DJ Quick, it was Rage, It was me

2:08:34.600 --> 2:08:38.200
<v Speaker 2>and dads, and because Chris Shuk managed Quick. He wasn't

2:08:38.240 --> 2:08:38.880
<v Speaker 2>on death row but.

2:08:38.960 --> 2:08:42.200
<v Speaker 1>He managed that. Yeah at that time, right, And they

2:08:42.240 --> 2:08:44.360
<v Speaker 1>had a picture of Tupac in the cell. Okay, in

2:08:44.440 --> 2:08:44.960
<v Speaker 1>the cell.

2:08:46.160 --> 2:08:49.920
<v Speaker 2>Were there because we was Rage went on, We went

2:08:50.000 --> 2:08:53.240
<v Speaker 2>on DJ Quick one on this one went on and

2:08:53.320 --> 2:08:54.520
<v Speaker 2>then Snoop came.

2:08:56.680 --> 2:08:56.840
<v Speaker 1>Well.

2:08:56.880 --> 2:09:07.040
<v Speaker 2>When DJ Quick came out, he did cousins uh uh

2:09:09.600 --> 2:09:13.720
<v Speaker 2>eating them right there comes the whole records about eating them.

2:09:13.840 --> 2:09:19.280
<v Speaker 1>It's about CMW. So he came out with the red

2:09:19.520 --> 2:09:24.760
<v Speaker 1>rag on his hand, just banging them cop and we

2:09:25.080 --> 2:09:30.440
<v Speaker 1>just like, uh do y'all don't understand what's going on? No,

2:09:30.680 --> 2:09:33.080
<v Speaker 1>how does that make y'all feel in that type of environment?

2:09:33.160 --> 2:09:37.400
<v Speaker 1>But y'all understand what's going on? Oh totally right, right,

2:09:38.880 --> 2:09:42.240
<v Speaker 1>that's it's so it's Compton beat Long Beach, that's what.

2:09:42.320 --> 2:09:46.160
<v Speaker 2>That's what y'all look at it because not neighborhood business,

2:09:46.640 --> 2:09:52.680
<v Speaker 2>long beach business. The people business cousins sticks out. It

2:09:52.760 --> 2:09:56.480
<v Speaker 2>ain't Long Beach business, ain't neighborhood business.

2:09:56.840 --> 2:10:02.760
<v Speaker 1>So it's like you let him, but they figure it out.

2:10:03.080 --> 2:10:06.400
<v Speaker 2>And also you realize who those people are to you

2:10:06.600 --> 2:10:12.360
<v Speaker 2>in your life, like eight and chill and uh quick

2:10:12.520 --> 2:10:15.760
<v Speaker 2>the chills you mentioned. Yeah, yeah, you know what I'm

2:10:15.760 --> 2:10:19.600
<v Speaker 2>saying that they're all my family. They all our family,

2:10:19.920 --> 2:10:22.760
<v Speaker 2>Me and Dad, that these are all our family guys.

2:10:22.800 --> 2:10:25.200
<v Speaker 2>So we funk with all of them. So you know,

2:10:25.360 --> 2:10:27.760
<v Speaker 2>when when your family get into you just gotta let

2:10:27.800 --> 2:10:28.000
<v Speaker 2>them be.

2:10:28.160 --> 2:10:32.360
<v Speaker 1>They'll figure it out. Right, they figured it in my correct,

2:10:32.840 --> 2:10:37.120
<v Speaker 1>They did figure it out, been my correct. They have

2:10:37.320 --> 2:10:41.120
<v Speaker 1>to figure it out. It's the lord of land. Yeah.

2:10:41.280 --> 2:10:43.920
<v Speaker 1>They grew up from it too. Queen business is queen business.

2:10:44.040 --> 2:10:51.000
<v Speaker 28>Yeah, man, Now let me ask the right question right here, right,

2:10:51.480 --> 2:10:54.400
<v Speaker 28>let me ask you this question right here, right.

2:11:00.520 --> 2:11:03.560
<v Speaker 1>Oh ship, it's.

2:11:03.520 --> 2:11:10.760
<v Speaker 2>Gang banging the new whoop, because everybody's gang banging right now,

2:11:10.840 --> 2:11:12.760
<v Speaker 2>everybody gang what's that about?

2:11:14.280 --> 2:11:19.680
<v Speaker 1>Oh not in Miami. That's my question asking you y'all

2:11:19.960 --> 2:11:22.640
<v Speaker 1>that shit. That's it's crazy. I see it everywhere now

2:11:23.320 --> 2:11:24.960
<v Speaker 1>like I used to see it, Like I used to

2:11:25.080 --> 2:11:27.960
<v Speaker 1>laugh and I see it in New York, but that

2:11:28.040 --> 2:11:29.280
<v Speaker 1>many qryptions in New York though.

2:11:29.560 --> 2:11:31.960
<v Speaker 4>Yeah, but now it's like like I'm used to it

2:11:32.120 --> 2:11:35.600
<v Speaker 4>now now it's like back in the day, Like that's

2:11:35.600 --> 2:11:38.160
<v Speaker 4>what I'm saying. Like, so sometimes i'd be like, yo,

2:11:38.200 --> 2:11:41.120
<v Speaker 4>you know what, Well, it's like when when hip hop

2:11:41.160 --> 2:11:42.080
<v Speaker 4>went to the West Coast.

2:11:42.440 --> 2:11:45.240
<v Speaker 3>But then this is a totally different thing because.

2:11:46.600 --> 2:11:50.840
<v Speaker 1>Hip hop went world. Well yeah, but when I see, like.

2:11:52.320 --> 2:11:55.760
<v Speaker 4>I see I hear stories on Rykas Island about right

2:11:55.840 --> 2:11:59.960
<v Speaker 4>as Island. Not only there's gang banging on the island,

2:12:00.120 --> 2:12:03.760
<v Speaker 4>but even like the c os on the island, all

2:12:03.840 --> 2:12:05.480
<v Speaker 4>gang members here.

2:12:05.560 --> 2:12:08.840
<v Speaker 1>The end the club is gangers and ship so it's

2:12:08.880 --> 2:12:10.440
<v Speaker 1>like like you ain't coming to the club with that

2:12:10.520 --> 2:12:12.480
<v Speaker 1>blue red How I would have ever had I would

2:12:12.480 --> 2:12:14.640
<v Speaker 1>have ever thought that, would have asked me in the nineties.

2:12:15.160 --> 2:12:18.360
<v Speaker 4>There they'll be gangs in New York. That's that's that's

2:12:18.480 --> 2:12:20.320
<v Speaker 4>that originated in California.

2:12:20.440 --> 2:12:22.760
<v Speaker 1>You'd have been like, Nigga, you on drugs? Yep.

2:12:22.800 --> 2:12:24.280
<v Speaker 4>I would have said you on drugs. I would have

2:12:24.320 --> 2:12:27.520
<v Speaker 4>said that. But now it's like I don't want to

2:12:27.520 --> 2:12:29.240
<v Speaker 4>say ten. I don't even know how. I don't want

2:12:29.240 --> 2:12:30.840
<v Speaker 4>to put no years on it and be wrong people

2:12:31.000 --> 2:12:33.240
<v Speaker 4>like nigga because out.

2:12:33.160 --> 2:12:33.520
<v Speaker 1>Here it is.

2:12:35.320 --> 2:12:38.240
<v Speaker 5>You can't get you can't Chicago gang spread as well,

2:12:38.360 --> 2:12:41.160
<v Speaker 5>like like down South Chicago, like the folks and all that.

2:12:41.520 --> 2:12:44.840
<v Speaker 1>That's spread. That's pressure when you're working back in the days,

2:12:44.840 --> 2:12:46.600
<v Speaker 1>when you're doing what you're doing back in the day.

2:12:47.080 --> 2:12:49.680
<v Speaker 1>You know, as far as moving and working, migrating out

2:12:49.720 --> 2:12:53.800
<v Speaker 1>there areas and stuff like that. Recruit you know what

2:12:53.800 --> 2:12:56.600
<v Speaker 1>I'm saying. That's the word recruit, recruiting everybody wherever you

2:12:56.720 --> 2:12:59.360
<v Speaker 1>go because you got the best ship is happening, you

2:12:59.400 --> 2:13:01.120
<v Speaker 1>know what I'm saying. So it's just my grades. So

2:13:01.200 --> 2:13:05.000
<v Speaker 1>some people stay there, have a family, it grows.

2:13:05.800 --> 2:13:07.600
<v Speaker 4>But let me ask, let me put the question on y'all.

2:13:09.040 --> 2:13:12.400
<v Speaker 4>Now you go to Seattle, Washington, and you know there's

2:13:13.480 --> 2:13:15.720
<v Speaker 4>a crip gang. Do you do you reach out to them.

2:13:15.640 --> 2:13:18.240
<v Speaker 1>To we find out who they are? When they start

2:13:18.280 --> 2:13:19.360
<v Speaker 1>telling us where you're from.

2:13:19.880 --> 2:13:23.640
<v Speaker 4>Okay, so if they say they from Long Beach, Seattle,

2:13:23.640 --> 2:13:29.680
<v Speaker 4>you're like, wait a minute, because because because sometimes it happens, right,

2:13:29.840 --> 2:13:32.680
<v Speaker 4>somebody from Long Beach could go to Seattle and get

2:13:32.760 --> 2:13:35.760
<v Speaker 4>somebody in and and and then have them wrap a

2:13:35.920 --> 2:13:36.720
<v Speaker 4>Long Beach gang.

2:13:37.040 --> 2:13:39.400
<v Speaker 1>But they're not from Long Beaches. Is that something that

2:13:39.640 --> 2:13:41.480
<v Speaker 1>they probably got family from. Now that's why we got

2:13:41.520 --> 2:13:44.040
<v Speaker 1>people with us that's going to investigate. Okay, Okay, you

2:13:44.280 --> 2:13:47.480
<v Speaker 1>see to see what the Street Davids on gang. You know,

2:13:48.040 --> 2:13:52.480
<v Speaker 1>it's a full investigation. You know what I'm saying, authentic,

2:13:52.920 --> 2:13:54.320
<v Speaker 1>authentic or some bullshit.

2:13:54.520 --> 2:14:01.760
<v Speaker 4>But god damn it, that's talk about Doe Dog World.

2:14:01.840 --> 2:14:06.560
<v Speaker 4>I know you spoke about that earlier. Well you're out

2:14:06.600 --> 2:14:09.680
<v Speaker 4>the studio. Tell me what happened in this situation.

2:14:10.480 --> 2:14:13.960
<v Speaker 1>I mean, doctor Drake crumbins to b we all dropped

2:14:14.000 --> 2:14:16.080
<v Speaker 1>the lyrics, you know what I'm saying. You know, we

2:14:16.200 --> 2:14:18.920
<v Speaker 1>really just having fun in there, and I said, I

2:14:19.040 --> 2:14:21.960
<v Speaker 1>know we shoot the video because right now, don't nobody

2:14:22.080 --> 2:14:25.240
<v Speaker 1>know who They know our voices, right, they don't know

2:14:25.320 --> 2:14:27.520
<v Speaker 1>our faces, right, you know what I'm saying. So that

2:14:27.640 --> 2:14:30.839
<v Speaker 1>going from ninety two to ninety three, you know, everybody

2:14:30.920 --> 2:14:32.760
<v Speaker 1>banging your ship and we can't even get in the

2:14:32.800 --> 2:14:35.360
<v Speaker 1>club because they don't even know who we are. Get

2:14:35.400 --> 2:14:36.800
<v Speaker 1>the fuck out, you know what I'm saying. I mean's

2:14:36.920 --> 2:14:42.200
<v Speaker 1>your music banger and they playing like like in the club.

2:14:43.480 --> 2:14:45.760
<v Speaker 1>I still come out and get us in the club,

2:14:46.160 --> 2:14:46.760
<v Speaker 1>you know what I'm saying.

2:14:46.880 --> 2:14:50.240
<v Speaker 3>That's crazy. That's one of the drops when we did

2:14:50.360 --> 2:14:51.320
<v Speaker 3>Doggy Dog World.

2:14:51.800 --> 2:14:56.040
<v Speaker 1>I told dads when we did Doggy Dog World, we're stars.

2:14:57.520 --> 2:15:01.440
<v Speaker 1>We're gonna be stars. Come the stars. He's gonna take

2:15:01.480 --> 2:15:02.560
<v Speaker 1>you member the walk.

2:15:02.440 --> 2:15:09.040
<v Speaker 2>Stars whatever this Nigga walk anywhere, because Nigga just jump

2:15:09.120 --> 2:15:09.400
<v Speaker 2>out and.

2:15:09.520 --> 2:15:14.360
<v Speaker 29>Just walk right across the street, across the streets. Twelve

2:15:15.280 --> 2:15:18.720
<v Speaker 29>take me across the street, but maybe twelve blocks down.

2:15:18.800 --> 2:15:21.680
<v Speaker 29>The first of all, we get settled, then we call dash,

2:15:21.720 --> 2:15:23.480
<v Speaker 29>where are you at, ma'am? Twelve blocks down?

2:15:23.600 --> 2:15:27.400
<v Speaker 1>Nigga at the motherfucking Cortina. Hit the fuck out there?

2:15:28.080 --> 2:15:30.600
<v Speaker 1>What did he do? With at the Cortina, Denmar had

2:15:30.640 --> 2:15:36.760
<v Speaker 1>to get some blunts. What the what's the cortina? Right bar?

2:15:37.040 --> 2:15:39.560
<v Speaker 1>What's the cigars? You know what I'm saying. Because we

2:15:39.600 --> 2:15:42.960
<v Speaker 1>can't find no switches, so we gotta find something to

2:15:43.360 --> 2:15:45.720
<v Speaker 1>roll that thing up. Okay, I know we found he

2:15:45.840 --> 2:15:56.200
<v Speaker 1>found Griselda. Hey shut up. Wait what so the selld

2:15:56.280 --> 2:16:01.280
<v Speaker 1>the nigga? That's what he found. No griseld nigga. He said, Dad,

2:16:01.560 --> 2:16:06.080
<v Speaker 1>you want to come with me? Wait? Wait what he said?

2:16:07.280 --> 2:16:09.840
<v Speaker 1>Since then, nigga's always wanted the shelter.

2:16:10.040 --> 2:16:16.080
<v Speaker 2>Motherfucker, the Selda nigga. You know I'm talking about nigga. Yeah,

2:16:16.560 --> 2:16:21.080
<v Speaker 2>the dad said, no, I love you, and he bowned out.

2:16:21.120 --> 2:16:25.640
<v Speaker 2>Where do you see Griselda at Denmark? At the Derry Miami?

2:16:26.520 --> 2:16:31.640
<v Speaker 1>You know it in Miami for years, Jesus, like twenty

2:16:31.720 --> 2:16:35.600
<v Speaker 1>five years. You know what I'm saying. My father lived

2:16:35.600 --> 2:16:37.680
<v Speaker 1>out here, you know what I'm saying. So I've been

2:16:37.720 --> 2:16:40.840
<v Speaker 1>out here living in Miami of Miami Garden, driving the

2:16:40.920 --> 2:16:43.520
<v Speaker 1>Miami Garden District. You know what I'm saying for years.

2:16:43.520 --> 2:16:45.640
<v Speaker 1>You know what I'm saying. Shout out to my stepbrothers

2:16:45.680 --> 2:16:49.040
<v Speaker 1>and my step sisters. You know what I'm saying, you

2:16:49.160 --> 2:16:51.680
<v Speaker 1>make herseld the bronc or she I think she was

2:16:51.720 --> 2:16:59.720
<v Speaker 1>getting deported to something back that little transfer pay what

2:17:00.040 --> 2:17:07.720
<v Speaker 1>J SIPs s J got out of court. He invited

2:17:07.800 --> 2:17:11.000
<v Speaker 1>me to his brother fucking house. He did the record.

2:17:11.400 --> 2:17:19.959
<v Speaker 1>Snoop and Johnny Carker had the same lord. Man had

2:17:19.959 --> 2:17:22.160
<v Speaker 1>the same lord. Johnny and I was partying in his

2:17:22.240 --> 2:17:25.840
<v Speaker 1>house about two weeks straight. You are o Ja hanging out.

2:17:25.959 --> 2:17:28.640
<v Speaker 1>You had of control, gloves on and was stooping out

2:17:28.680 --> 2:17:35.040
<v Speaker 1>like shout out to the jewsh man. Like when I

2:17:35.120 --> 2:17:38.920
<v Speaker 1>say that Jewish man put the emphasis under this ship,

2:17:40.400 --> 2:17:53.160
<v Speaker 1>big o J with in Miami, with oj No in California. Yeah,

2:17:53.160 --> 2:17:54.720
<v Speaker 1>back in the back in the days when I was

2:17:54.760 --> 2:17:56.640
<v Speaker 1>out here in Miami. You know, I lived out here

2:17:56.680 --> 2:17:59.520
<v Speaker 1>in Miami for like my father out here rest in peace.

2:17:59.560 --> 2:18:01.680
<v Speaker 1>You made her son. Her son is a good friend

2:18:01.720 --> 2:18:07.960
<v Speaker 1>of ours. You gotta your son friend. Viewers, what you

2:18:08.120 --> 2:18:13.520
<v Speaker 1>know about the real one? So are you connected now?

2:18:13.800 --> 2:18:19.240
<v Speaker 1>My interview is cutching SLF. Are you connected at all? Now?

2:18:19.240 --> 2:18:22.520
<v Speaker 2>I'm gonna leave it alone, I like to nigga, I'm

2:18:22.520 --> 2:18:25.640
<v Speaker 2>gonna leave it alone at all. Okay, So let's ask

2:18:25.680 --> 2:18:30.000
<v Speaker 2>you another question we did. Let me ask you another question.

2:18:30.120 --> 2:18:35.080
<v Speaker 2>How about those Dolphins? Yeah, all right, man, let's just

2:18:35.240 --> 2:18:36.560
<v Speaker 2>changed there me.

2:18:37.200 --> 2:18:43.080
<v Speaker 1>Oh that's your team. No, no, you know what I

2:18:43.120 --> 2:18:43.760
<v Speaker 1>shouldn't do that.

2:18:43.920 --> 2:18:45.960
<v Speaker 30>I am in Miami. You know I want to I

2:18:46.080 --> 2:18:54.680
<v Speaker 30>want to be able to believe my bad Yeah. Yeah, yeah,

2:18:57.800 --> 2:19:03.880
<v Speaker 30>Benny and yet Aaron ros Oh Jesus Ques, you think

2:19:03.920 --> 2:19:04.520
<v Speaker 30>about this ship?

2:19:04.680 --> 2:19:06.120
<v Speaker 4>All I want to all I want to say is

2:19:06.160 --> 2:19:09.120
<v Speaker 4>the Knicks made it further this Sey, Hey, man, you know.

2:19:17.000 --> 2:19:21.600
<v Speaker 1>We're gonna give a clap. Let's give a clap because

2:19:21.920 --> 2:19:29.320
<v Speaker 1>a ship rings? How many rings? Championship ring? Ship? Everybody is?

2:19:29.760 --> 2:19:32.280
<v Speaker 1>Everybody acres and he eat his dash.

2:19:32.600 --> 2:19:36.480
<v Speaker 2>Everybody in the room ain't none of their teams got

2:19:36.600 --> 2:19:37.879
<v Speaker 2>rings like ours?

2:19:38.120 --> 2:19:41.360
<v Speaker 1>Okay on me me and you get clapped because everybody else.

2:19:41.400 --> 2:19:44.720
<v Speaker 1>Let's cut the rings. How many rings y'all got's clapping

2:19:44.760 --> 2:19:54.000
<v Speaker 1>the rings the moment right now? So many people got

2:19:54.080 --> 2:19:57.600
<v Speaker 1>me there. No, that was doing pretty good.

2:20:02.959 --> 2:20:05.400
<v Speaker 4>But but if this one, if this is one thing

2:20:05.440 --> 2:20:08.320
<v Speaker 4>that you was missing from the album besides Nate and Tupac,

2:20:08.760 --> 2:20:10.920
<v Speaker 4>that you could have made that right.

2:20:10.879 --> 2:20:11.879
<v Speaker 1>Now or Dre too.

2:20:12.720 --> 2:20:14.760
<v Speaker 4>I think Dre would have been give them the option

2:20:14.879 --> 2:20:18.000
<v Speaker 4>for that, you know. So if there was one thing

2:20:18.080 --> 2:20:19.800
<v Speaker 4>that you could add to the album, who would it be?

2:20:20.480 --> 2:20:25.520
<v Speaker 1>What wouldn't be? Yeah? That was that that would have

2:20:25.600 --> 2:20:28.520
<v Speaker 1>been needed there. Yeah, you know we're gonna get that

2:20:28.600 --> 2:20:30.199
<v Speaker 1>on the next round. Okay.

2:20:31.360 --> 2:20:32.880
<v Speaker 5>You know you got a lot of pressure becaus a

2:20:32.920 --> 2:20:36.560
<v Speaker 5>good album without me, man, pressure man, I mean the

2:20:36.600 --> 2:20:37.280
<v Speaker 5>ship flow good.

2:20:37.320 --> 2:20:39.440
<v Speaker 1>I know, good news when I heard you know I'm

2:20:39.520 --> 2:20:46.240
<v Speaker 1>the creator the vocally you you killed it, man, Yeah,

2:20:46.280 --> 2:20:48.680
<v Speaker 1>you know strong vocals do the same thing when I'm

2:20:48.720 --> 2:20:52.080
<v Speaker 1>on stage. Yeah, now you killed It's all about push

2:20:52.200 --> 2:20:53.360
<v Speaker 1>and corub. You killed it. Man.

2:20:55.480 --> 2:20:57.000
<v Speaker 4>So if it's one thing you could add to this

2:20:57.520 --> 2:21:00.760
<v Speaker 4>album besides Nate at Tupac, that's right.

2:21:00.840 --> 2:21:03.360
<v Speaker 1>Now, what would it be? He said? He said, a

2:21:03.440 --> 2:21:04.840
<v Speaker 1>dazz beat? What would you think?

2:21:06.640 --> 2:21:13.400
<v Speaker 2>I would really say, a dazz and superfly track, because

2:21:13.520 --> 2:21:24.440
<v Speaker 2>gas and superfly cause crib sons just ridiculous. Dazz and

2:21:24.600 --> 2:21:31.480
<v Speaker 2>super fly, superflying das with that combination, cause it equals.

2:21:32.640 --> 2:21:36.000
<v Speaker 1>You know, my music just blows up. The speakers, blow

2:21:36.080 --> 2:21:40.520
<v Speaker 1>them out. He ain't never lied, he never speakers used

2:21:40.560 --> 2:21:42.840
<v Speaker 1>to catch on fire, and we got to remember that.

2:21:44.200 --> 2:21:52.760
<v Speaker 1>Just speak of cousin the Orange Orange we were looking

2:21:52.879 --> 2:21:58.360
<v Speaker 1>like what I feel doing, Like God, it was just motherfucker.

2:21:58.440 --> 2:22:02.240
<v Speaker 2>Womm and then the speaking just turned orange and we're

2:22:02.320 --> 2:22:03.840
<v Speaker 2>just looking at it because we was all right. We

2:22:03.920 --> 2:22:09.840
<v Speaker 2>were like, oh, cracking yell and you know it starts

2:22:09.959 --> 2:22:15.200
<v Speaker 2>smoking and we were like, oh, I think we sucked up. Yeah, yeah,

2:22:15.200 --> 2:22:19.760
<v Speaker 2>I think we have some trying in our lifetime. But

2:22:19.840 --> 2:22:22.680
<v Speaker 2>I remember, I remember, I wouldn't change the motherfucking thing.

2:22:24.240 --> 2:22:27.040
<v Speaker 1>You wouldn't change the motherfucking thing. Wouldn't change. So let

2:22:27.080 --> 2:22:27.480
<v Speaker 1>me ask you.

2:22:27.520 --> 2:22:32.199
<v Speaker 4>All right, we already asked what you add to the album,

2:22:33.760 --> 2:22:39.520
<v Speaker 4>but God comes down. God says, I want you make

2:22:39.600 --> 2:22:46.400
<v Speaker 4>one record, both of y'all together, make one record. It

2:22:46.440 --> 2:22:53.720
<v Speaker 4>will save humanity. You got one feature and one person

2:22:53.800 --> 2:22:57.440
<v Speaker 4>to make the beat, one producer, and if this record goes,

2:22:58.200 --> 2:23:01.400
<v Speaker 4>it'll save all humanity. If this record does not go,

2:23:02.800 --> 2:23:08.120
<v Speaker 4>dinosaurs is coming back to eat. Anybody got one feature,

2:23:10.160 --> 2:23:11.680
<v Speaker 4>the one person to make the beat.

2:23:13.040 --> 2:23:18.240
<v Speaker 1>I would say, God ain't asked me that question yet.

2:23:22.240 --> 2:23:24.120
<v Speaker 3>The hypothetically.

2:23:27.800 --> 2:23:28.840
<v Speaker 1>Who would make the music?

2:23:29.520 --> 2:23:33.640
<v Speaker 4>And yes, you got one song to one to make

2:23:33.720 --> 2:23:35.520
<v Speaker 4>the beat. They might as well make the beat yourself?

2:23:35.600 --> 2:23:41.720
<v Speaker 1>Does put it? The Clark Sisters on there clean They'render Clark,

2:23:42.160 --> 2:23:47.680
<v Speaker 1>Karen Clark. You know what I'm saying. Back in the

2:23:47.760 --> 2:23:49.840
<v Speaker 1>nineties when they were singing. You know, we can go

2:23:50.200 --> 2:23:51.640
<v Speaker 1>you know how like on the football games, you can

2:23:51.680 --> 2:23:54.120
<v Speaker 1>go back and get your old players. Okay, wow, you

2:23:54.160 --> 2:23:57.360
<v Speaker 1>know what I'm saying. James Cleveland and you know who

2:23:57.600 --> 2:23:59.920
<v Speaker 1>AI comes in effect right there? You know what I mean.

2:24:00.360 --> 2:24:04.879
<v Speaker 1>Right when you're gonna get James Cleveland. I just want

2:24:04.920 --> 2:24:08.240
<v Speaker 1>to think the Lord, how about you? Corrupt? God comes

2:24:08.280 --> 2:24:13.280
<v Speaker 1>to you, says to save humanity, save lives all over

2:24:13.360 --> 2:24:17.200
<v Speaker 1>the world. We are the world. We are the world.

2:24:17.280 --> 2:24:28.760
<v Speaker 31>Moment you got one producer and one Jones. Tomorrow, tomorrow

2:24:29.120 --> 2:24:35.200
<v Speaker 31>is not prime. Something better give your Lord, brother, you

2:24:35.280 --> 2:24:36.480
<v Speaker 31>better give your love.

2:24:37.000 --> 2:24:44.040
<v Speaker 1>Your life today. Give your life today, because tomorrow very

2:24:44.240 --> 2:24:48.280
<v Speaker 1>well might be to You know, we listen to a

2:24:48.320 --> 2:24:48.920
<v Speaker 1>lot of Gospels.

2:24:51.400 --> 2:24:56.040
<v Speaker 2>We would make a record with the Whinings Commission. I

2:24:56.120 --> 2:25:01.720
<v Speaker 2>would do the whinings. I do commission. Anita Baker, you

2:25:01.920 --> 2:25:09.640
<v Speaker 2>understand me. You don't understand this game. For you do

2:25:09.879 --> 2:25:13.320
<v Speaker 2>not understand this My mom, she's a new fantas. Okay,

2:25:13.800 --> 2:25:15.320
<v Speaker 2>mis p you know what I'm saying. I got a

2:25:15.360 --> 2:25:17.280
<v Speaker 2>lot of guys, got a lot of recorded vocals with her.

2:25:17.520 --> 2:25:21.039
<v Speaker 1>Yea Allen Bernardo. Yeah, I got a lot of records

2:25:21.080 --> 2:25:26.680
<v Speaker 1>I produced on my mom. Wow, that's legacy. Now let

2:25:26.720 --> 2:25:30.240
<v Speaker 1>me ask you this, what would you do me? Yeah,

2:25:30.280 --> 2:25:35.080
<v Speaker 1>you can tell me. I'm your boy? Who produced to be?

2:25:35.879 --> 2:25:39.000
<v Speaker 1>You know Jack? That's the question. Now I'll go for

2:25:39.040 --> 2:25:43.160
<v Speaker 1>a round. Who would be on the feature? The feature?

2:25:45.520 --> 2:25:48.640
<v Speaker 1>I'm going to get Michael Jackson? He's dead. You didn't

2:25:48.680 --> 2:25:52.440
<v Speaker 1>get Michael Jackson. I never said. I never said that.

2:25:53.360 --> 2:25:57.760
<v Speaker 1>We're saying that now. We don't know because you say

2:25:57.840 --> 2:26:00.680
<v Speaker 1>in humanity's he's a spirit. Now, so you ain't go back.

2:26:00.600 --> 2:26:05.880
<v Speaker 29>Gluing Richie Boom talk to him, telling I go, I go,

2:26:06.080 --> 2:26:10.160
<v Speaker 29>I go, I go, Hello smoking me.

2:26:13.400 --> 2:26:16.360
<v Speaker 1>Wonder Stevie because I heard Stevie wonder out here seeing

2:26:17.040 --> 2:26:20.039
<v Speaker 1>but you? But you are? But you shut Oh? He said,

2:26:20.160 --> 2:26:24.039
<v Speaker 1>he's just tall, Steve what out here seeing? Cut? Like May,

2:26:24.360 --> 2:26:26.920
<v Speaker 1>what's going on? Hey? What's going on? I don't understand

2:26:26.959 --> 2:26:31.000
<v Speaker 1>what's going on? I already crossed the streets.

2:26:31.120 --> 2:26:33.600
<v Speaker 3>Oprah recently said she bought him a mayback.

2:26:33.680 --> 2:26:36.680
<v Speaker 2>Man, don't do that cut talking about talk about talking

2:26:36.680 --> 2:26:38.480
<v Speaker 2>about Stevie water open.

2:26:38.879 --> 2:26:41.240
<v Speaker 5>He boyt him a mayback. Stevie Wonder is a movie

2:26:41.520 --> 2:26:44.680
<v Speaker 5>genius driving. I think Stevie doing these things on purpose. Man,

2:26:45.080 --> 2:26:48.320
<v Speaker 5>he wants genius just he is. And hey, present the

2:26:48.360 --> 2:26:51.039
<v Speaker 5>buns in the elevator to go to talking about.

2:26:50.800 --> 2:26:56.320
<v Speaker 1>Stevie Water, I fuck you up music. He sees the

2:26:56.440 --> 2:27:02.200
<v Speaker 1>music and pleased he writes music you ain't see.

2:27:02.200 --> 2:27:05.160
<v Speaker 4>The interview with doctor Dre said Stevie wanted to callt

2:27:05.200 --> 2:27:06.760
<v Speaker 4>him at four o'clock in the morning. He's like, what

2:27:06.840 --> 2:27:08.920
<v Speaker 4>the fuck, Steere you calling me at four o'clock in

2:27:08.959 --> 2:27:11.040
<v Speaker 4>the morning. He said, Oh, it don't mean no, no

2:27:11.200 --> 2:27:13.560
<v Speaker 4>ship to TeV what time it is in the morning.

2:27:14.720 --> 2:27:21.200
<v Speaker 4>Dot Dson found that's what this interview just me yeah, yes,

2:27:21.760 --> 2:27:29.520
<v Speaker 4>just with Kevin Hart. God damn, Hey, look that said

2:27:29.600 --> 2:27:35.200
<v Speaker 4>that shock shack on this show. This show, said him,

2:27:35.200 --> 2:27:37.480
<v Speaker 4>And Stevie wanted to say, but it's true.

2:27:37.640 --> 2:27:40.000
<v Speaker 1>It's true. Girl to make it the wee all the

2:27:40.080 --> 2:27:43.000
<v Speaker 1>world right. That sh was dope. He took Ray Charles

2:27:43.000 --> 2:27:44.200
<v Speaker 1>and the bay say I'm gonna take you to the.

2:27:44.200 --> 2:27:49.800
<v Speaker 5>Bathroomeah yeah yeah, yeah, yeah, she was, I'll take you

2:27:49.800 --> 2:27:50.440
<v Speaker 5>to the bathroom.

2:27:50.640 --> 2:27:53.200
<v Speaker 3>Stevie wanted and the hold that saying the story he

2:27:53.240 --> 2:27:53.640
<v Speaker 3>said it.

2:27:53.720 --> 2:27:57.440
<v Speaker 1>Was the fly leading the blind. He said, the blind

2:27:57.560 --> 2:27:59.680
<v Speaker 1>one took Ray Charles in the to the bathroom.

2:28:00.240 --> 2:28:01.920
<v Speaker 3>I don't remember that, boy, damn, you got.

2:28:01.879 --> 2:28:02.440
<v Speaker 1>You on that one.

2:28:03.120 --> 2:28:05.360
<v Speaker 5>And then that, I mean, it's not the same thing

2:28:05.400 --> 2:28:07.400
<v Speaker 5>we're talking about. But Stevie saved the day in that.

2:28:07.680 --> 2:28:10.520
<v Speaker 5>In that whole documentary with Homie, Uh, they.

2:28:10.440 --> 2:28:12.560
<v Speaker 1>Couldn't get Michael was to dude, they couldn't get his

2:28:12.640 --> 2:28:13.279
<v Speaker 1>part together.

2:28:13.400 --> 2:28:16.480
<v Speaker 5>That Stevie made him feel comfortable. I can't think of

2:28:16.560 --> 2:28:20.800
<v Speaker 5>Homie's name. Huh what was his name?

2:28:21.800 --> 2:28:22.000
<v Speaker 1>Yeah?

2:28:22.080 --> 2:28:28.320
<v Speaker 5>Yeah, yeah, Paul McCartney. He was big during the hip

2:28:28.520 --> 2:28:36.119
<v Speaker 5>hippie era. Poor George, man, we're all funked up right now, man, huh.

2:28:36.600 --> 2:28:46.720
<v Speaker 5>Rob Dylan, yep, dying. If if there was a We

2:28:46.879 --> 2:28:48.800
<v Speaker 5>are the World West Coast right now, who would be

2:28:48.840 --> 2:28:49.080
<v Speaker 5>on it?

2:28:52.040 --> 2:28:57.520
<v Speaker 1>They did? Yeah? The game? Man's a better question. If

2:28:57.560 --> 2:28:59.680
<v Speaker 1>they did it all in the same gang right now,

2:29:00.520 --> 2:29:03.560
<v Speaker 1>who will be on it? That was such a dope

2:29:03.600 --> 2:29:08.920
<v Speaker 1>record man. Everybody, Hey boy, they have to have a

2:29:08.959 --> 2:29:11.720
<v Speaker 1>two bar you're producing that who you're putting on the

2:29:11.760 --> 2:29:16.280
<v Speaker 1>record ship everybody? Hey, everybody, y g everybody you know.

2:29:16.400 --> 2:29:18.520
<v Speaker 1>But it's like you would have to do a two

2:29:18.600 --> 2:29:24.400
<v Speaker 1>bar for two hour song, like a two bar that's

2:29:24.400 --> 2:29:27.000
<v Speaker 1>not gonna work. That's not gonna work. Man, You're gonna

2:29:27.000 --> 2:29:30.560
<v Speaker 1>have to pick less people. Bro yea, who would you?

2:29:31.000 --> 2:29:34.000
<v Speaker 1>You had you right now? You gotta yeah, you gotta

2:29:34.000 --> 2:29:37.240
<v Speaker 1>pick I wouldn't even do it. He's gonna say and

2:29:37.360 --> 2:29:40.080
<v Speaker 1>take a shot, take a shot. Let's take a shot.

2:29:40.120 --> 2:29:44.000
<v Speaker 1>I wasn't doing it. Take a shot. But if you're

2:29:44.200 --> 2:29:49.840
<v Speaker 1>but your mom, you gotta do that. You're taking a shot. Oh,

2:29:50.000 --> 2:29:51.680
<v Speaker 1>he's telling me, looking.

2:29:57.760 --> 2:30:03.800
<v Speaker 13>Yea, knowing he's gotta the whoop wop wam bam and

2:30:04.200 --> 2:30:04.960
<v Speaker 13>the boogie.

2:30:05.160 --> 2:30:05.480
<v Speaker 1>Baby.

2:30:08.560 --> 2:30:09.360
<v Speaker 26>Did you see that?

2:30:09.600 --> 2:30:12.960
<v Speaker 4>Yes, yes, he got the let's go, let's let's go.

2:30:21.040 --> 2:30:28.400
<v Speaker 4>The first shot he took out my How you gotta

2:30:28.400 --> 2:30:29.200
<v Speaker 4>take a shot up?

2:30:30.040 --> 2:30:32.480
<v Speaker 1>How do you know? I didn't? Because I could see you?

2:30:32.680 --> 2:30:39.680
<v Speaker 1>Could you watching my game? You see your boy? Yeah?

2:30:40.440 --> 2:30:46.840
<v Speaker 5>So I'm from Frown Records, so components, My brothers are minds.

2:30:46.920 --> 2:30:50.280
<v Speaker 1>Nigga, you ain't even got your report. Yeah, but lovely,

2:30:51.959 --> 2:30:54.720
<v Speaker 1>I did not. I just I did.

2:30:59.120 --> 2:31:01.480
<v Speaker 4>So, so let me just say to y'all both right,

2:31:01.600 --> 2:31:04.760
<v Speaker 4>So you know, being in a group sometimes it's a lot,

2:31:04.800 --> 2:31:06.880
<v Speaker 4>you know what I mean? Like one person will come early,

2:31:06.920 --> 2:31:08.920
<v Speaker 4>when person will come late. On person won't do this.

2:31:09.040 --> 2:31:14.280
<v Speaker 4>One person won't. Hey, man, when you get young, that's man,

2:31:23.760 --> 2:31:24.039
<v Speaker 4>I got.

2:31:26.520 --> 2:31:28.840
<v Speaker 2>I gotta keep my eye on cause you see, our

2:31:29.000 --> 2:31:30.400
<v Speaker 2>biggest arms are cousins.

2:31:31.440 --> 2:31:36.480
<v Speaker 1>Yes by sixes can so I gotta kill my eye

2:31:36.560 --> 2:31:44.039
<v Speaker 1>on credit like hold on ship. Look at he said

2:31:45.240 --> 2:31:50.320
<v Speaker 1>he fixed to my phone clips. Man, you know what

2:31:50.320 --> 2:31:55.120
<v Speaker 1>I'm saying standing up the back flips. You know what

2:31:55.120 --> 2:31:55.480
<v Speaker 1>I'm saying.

2:31:55.560 --> 2:31:56.440
<v Speaker 3>I don't do that today.

2:31:57.320 --> 2:32:00.560
<v Speaker 1>We get for that thiggas like thatigas. Oh yeah, yeah,

2:32:00.680 --> 2:32:04.200
<v Speaker 1>put the money up. That's why I get him. Know

2:32:04.240 --> 2:32:06.400
<v Speaker 1>he could do back to this right now. I stay

2:32:06.440 --> 2:32:09.280
<v Speaker 1>in shape like that, but don't do it. I ain't

2:32:09.280 --> 2:32:11.880
<v Speaker 1>gonna do it. Who can win in a in a race?

2:32:11.920 --> 2:32:21.119
<v Speaker 1>You are Cat Williams smoking a weed? Though, yeah I'm smoking,

2:32:21.200 --> 2:32:27.360
<v Speaker 1>but he he's out there up. That's the question that

2:32:27.480 --> 2:32:32.080
<v Speaker 1>deserves a shot. Okay, all right, shout out to Cat

2:32:32.160 --> 2:32:32.920
<v Speaker 1>Wallis man.

2:32:33.720 --> 2:32:36.600
<v Speaker 2>Right because I'm gonna tell you this much. Ain't nobody

2:32:36.640 --> 2:32:40.560
<v Speaker 2>fucking around with Cat Williams on that motherfucker stretch. Cat

2:32:40.640 --> 2:32:43.480
<v Speaker 2>Williams quickest you see the special specials.

2:32:43.720 --> 2:32:44.520
<v Speaker 1>His name is Cat.

2:32:45.040 --> 2:32:47.920
<v Speaker 2>Cat damn are you wanted it, you got it, dripping

2:32:48.040 --> 2:32:55.000
<v Speaker 2>like water. Nigga power ping poal neighborhood big d j

2:32:55.959 --> 2:32:58.080
<v Speaker 2>uh so uh.

2:32:58.879 --> 2:33:01.760
<v Speaker 1>Sh like me. Ye're both in the in the group right.

2:33:03.800 --> 2:33:08.400
<v Speaker 4>Like I said, Sometimes your partner comes late, don't show up,

2:33:08.440 --> 2:33:09.280
<v Speaker 4>don't want to show up.

2:33:10.000 --> 2:33:12.520
<v Speaker 1>Sometimes they'll push it off to another date.

2:33:13.200 --> 2:33:17.400
<v Speaker 3>Like what is the harder? Yeah, my bad, I'm hitting

2:33:17.400 --> 2:33:18.240
<v Speaker 3>the nerve, my fault.

2:33:18.400 --> 2:33:24.920
<v Speaker 1>I even know. I'm just you gotta look at your brother.

2:33:26.680 --> 2:33:31.760
<v Speaker 1>What is the hardest group? You see what you did?

2:33:32.760 --> 2:33:36.760
<v Speaker 1>You want to be? You know, because you say you

2:33:36.879 --> 2:33:43.840
<v Speaker 1>are motherfucking store, Then all I do. Take it? Man,

2:33:44.040 --> 2:33:50.040
<v Speaker 1>talking with you, I'm gonna walk to the store. Why

2:33:50.240 --> 2:33:52.320
<v Speaker 1>walk to the store where you can take the limb off,

2:33:53.280 --> 2:33:58.039
<v Speaker 1>take the car right there on the street. You gotta

2:33:58.120 --> 2:33:59.320
<v Speaker 1>get out and look like that.

2:34:03.320 --> 2:34:05.760
<v Speaker 2>Because you might kill a nigga. See this thing about

2:34:05.840 --> 2:34:08.200
<v Speaker 2>this big ass nigga right here. See he think he's

2:34:08.240 --> 2:34:11.920
<v Speaker 2>just a little nigga like me. This nigga walks all

2:34:12.320 --> 2:34:18.480
<v Speaker 2>around all around if somebody folks fools because you know,

2:34:18.680 --> 2:34:23.080
<v Speaker 2>he's biggest fuck because he's grabbing and next thing you know,

2:34:23.160 --> 2:34:23.800
<v Speaker 2>he's in trouble.

2:34:24.840 --> 2:34:28.200
<v Speaker 1>You can't do that because I'm ready to know not

2:34:28.400 --> 2:34:30.800
<v Speaker 1>to get in trouble. You start depends on where you

2:34:30.840 --> 2:34:33.640
<v Speaker 1>want to be. Nigga lost his mind. You're not gonna

2:34:33.640 --> 2:34:35.720
<v Speaker 1>get in trouble with the nigga smell in the void

2:34:35.840 --> 2:34:37.640
<v Speaker 1>looking at bullshit. You know what I'm saying? Oh yeah

2:34:37.680 --> 2:34:39.960
<v Speaker 1>that don't look back? You know you can? You got

2:34:40.120 --> 2:34:40.800
<v Speaker 1>straight sense?

2:34:45.120 --> 2:34:45.480
<v Speaker 2>You get me.

2:34:47.160 --> 2:34:49.160
<v Speaker 1>I got my eye on cause I gotta keep my

2:34:49.240 --> 2:34:51.280
<v Speaker 1>eye now. But you know it's dump at how much

2:34:51.760 --> 2:34:56.200
<v Speaker 1>they care about each other. Look at we got what

2:35:03.800 --> 2:35:07.840
<v Speaker 1>you will camaraderie. So I got can It's like we're

2:35:07.879 --> 2:35:10.920
<v Speaker 1>fighting with one man. You're fucked.

2:35:11.640 --> 2:35:14.240
<v Speaker 4>Let me ask you'll listening to the album? It made

2:35:14.280 --> 2:35:17.440
<v Speaker 4>everyone around me want to quip walk right now? Is

2:35:17.520 --> 2:35:20.200
<v Speaker 4>it appropriate for a person that's not equip to try

2:35:20.280 --> 2:35:20.880
<v Speaker 4>to quip walk?

2:35:21.440 --> 2:35:25.200
<v Speaker 1>Is that appropriate? Fun? Yeah? Okay, that's what makes you

2:35:25.280 --> 2:35:27.840
<v Speaker 1>have fun? Have fun? Okay, you know what I'm saying.

2:35:28.160 --> 2:35:36.480
<v Speaker 1>Are you sure? No home? You can with that? Advice?

2:35:40.760 --> 2:35:43.440
<v Speaker 1>People some shorts. I'm gonna go to Compton right now.

2:35:43.760 --> 2:35:44.480
<v Speaker 1>I'm gonna try this.

2:35:45.000 --> 2:35:47.720
<v Speaker 2>You want the roller, the fake? Yes, we want a

2:35:47.720 --> 2:35:51.920
<v Speaker 2>little bit one. You want to riller fake real? All right, cads,

2:35:51.959 --> 2:35:58.120
<v Speaker 2>you're in the streets, do the wop. Now, I'm you

2:35:58.440 --> 2:36:01.880
<v Speaker 2>and your own home, but you can do whatever the

2:36:02.000 --> 2:36:02.680
<v Speaker 2>funk you want.

2:36:04.600 --> 2:36:10.840
<v Speaker 1>That's it. Piece that's like that came over that bad

2:36:10.920 --> 2:36:16.400
<v Speaker 1>Wow giving it? What I thought that B two K

2:36:16.680 --> 2:36:19.879
<v Speaker 1>crip walking like that? What did you think when y'all

2:36:19.879 --> 2:36:21.800
<v Speaker 1>see B two K and baw wow quick walking?

2:36:24.200 --> 2:36:24.560
<v Speaker 11>What? What?

2:36:24.800 --> 2:36:28.600
<v Speaker 1>What did you just saying that when it was trip walking?

2:36:28.640 --> 2:36:32.480
<v Speaker 1>And who was cripple? And bow Wow? I know bow

2:36:32.520 --> 2:36:35.440
<v Speaker 1>Wow was down with the boy.

2:36:35.920 --> 2:36:38.320
<v Speaker 4>But you know, in fact, Joe said a lot even

2:36:38.360 --> 2:36:39.800
<v Speaker 4>little bow Wow throwing it up?

2:36:40.080 --> 2:36:43.320
<v Speaker 1>Bo k? What was he doing? Now? I don't know

2:36:44.360 --> 2:36:49.360
<v Speaker 1>who's he throwing up? Yeah, it's a famous song. I

2:36:49.400 --> 2:36:50.640
<v Speaker 1>don't know if you've ever heard of it. It's called

2:36:50.720 --> 2:36:56.640
<v Speaker 1>lean Back. That's pretty famous.

2:36:57.879 --> 2:37:00.840
<v Speaker 4>But but but bottom line is he was just making

2:37:00.879 --> 2:37:04.640
<v Speaker 4>a statement of how famous crypt walking is nowadays.

2:37:04.760 --> 2:37:07.360
<v Speaker 3>Like you know, when who was Joe?

2:37:07.440 --> 2:37:11.320
<v Speaker 1>I said it? Who's done? What's name? You remember that

2:37:11.440 --> 2:37:14.640
<v Speaker 1>time we was in motherfucking Germany somewhere and they had

2:37:14.760 --> 2:37:16.600
<v Speaker 1>they paid you and made you coming in and you

2:37:16.720 --> 2:37:20.640
<v Speaker 1>was made when he was teaching him how to quip walk.

2:37:20.680 --> 2:37:24.640
<v Speaker 1>Remember we went over there in Germany. Remember you was

2:37:24.760 --> 2:37:29.520
<v Speaker 1>so what happened, surely happened. What happened? You hadn't been there?

2:37:29.600 --> 2:37:32.720
<v Speaker 1>Krip walk in Germany when we was walking and we

2:37:32.800 --> 2:37:34.520
<v Speaker 1>got over there, we went over there again. Is that

2:37:34.560 --> 2:37:38.080
<v Speaker 1>when they wouldn't let me go back home? Yeah, when

2:37:38.120 --> 2:37:40.320
<v Speaker 1>you got drunk like this and they wouldn't let him. No,

2:37:40.600 --> 2:37:42.640
<v Speaker 1>I ain't get drunk like this, nigga. I was nothing

2:37:42.800 --> 2:37:44.879
<v Speaker 1>like this, nigga. This was when I was on Hennessy.

2:37:46.560 --> 2:37:49.920
<v Speaker 1>I'm fine. He was on drunk. That's violacy. No, I was.

2:37:50.480 --> 2:37:53.920
<v Speaker 1>I don't try. He was fine then. Yeah, I was

2:37:54.000 --> 2:37:57.000
<v Speaker 1>fine because they they just told me I couldn't get

2:37:57.040 --> 2:38:00.320
<v Speaker 1>on there. He was old man and he was pen.

2:38:02.400 --> 2:38:06.080
<v Speaker 2>And Dazzen's and and uh Salam was like, well, we're

2:38:06.080 --> 2:38:08.080
<v Speaker 2>gonna stay with you. I said, no, y'all get yours

2:38:08.480 --> 2:38:11.840
<v Speaker 2>pout of you. Okay, I'll figure it out.

2:38:14.879 --> 2:38:17.320
<v Speaker 1>Oh ship, we'd have been through it all man. We

2:38:17.440 --> 2:38:21.320
<v Speaker 1>had fun. And it's like, and you can get in Canada,

2:38:21.400 --> 2:38:26.840
<v Speaker 1>make some noise for y'all. I just can't get in Canada.

2:38:27.959 --> 2:38:30.440
<v Speaker 1>Do you like Canada? When you land out there? They

2:38:30.480 --> 2:38:32.480
<v Speaker 1>got some good weed out there. We're part of Canada,

2:38:32.560 --> 2:38:34.920
<v Speaker 1>y'all went to and we like it all man, Vancouver,

2:38:35.080 --> 2:38:38.320
<v Speaker 1>I love that, you know what I'm saying. Where they

2:38:38.320 --> 2:38:45.080
<v Speaker 1>speak French, Toronto's Montreal everything. Man, you know what I'm saying.

2:38:45.120 --> 2:38:46.400
<v Speaker 1>We love everything about Canada.

2:38:48.280 --> 2:38:48.520
<v Speaker 13>M h.

2:38:50.760 --> 2:38:55.160
<v Speaker 4>What's your favorite place to go overseas? Besides, I know

2:38:55.240 --> 2:38:55.920
<v Speaker 4>he's gonna say.

2:38:55.800 --> 2:38:58.240
<v Speaker 1>That Russell anywhere that got a weed.

2:38:58.480 --> 2:39:02.240
<v Speaker 2>It's so funny this drink Champs. We're enjoying ourselves. We're

2:39:02.320 --> 2:39:04.960
<v Speaker 2>having a great time. This is the only show where

2:39:04.959 --> 2:39:08.840
<v Speaker 2>you can watch us have a great time drinking and

2:39:09.040 --> 2:39:13.840
<v Speaker 2>thinking and smoking and just enjoying ourselves and be still

2:39:14.640 --> 2:39:15.960
<v Speaker 2>the greatest of all time.

2:39:16.000 --> 2:39:20.120
<v Speaker 1>And let me tell you something about this, right, Yeah,

2:39:20.760 --> 2:39:23.720
<v Speaker 1>I lived in Canada. I don' won't give it up.

2:39:23.720 --> 2:39:26.080
<v Speaker 1>I want to get up check this out. I lived

2:39:26.160 --> 2:39:28.920
<v Speaker 1>in Canada, lived there. We'll part Canada.

2:39:31.400 --> 2:39:35.200
<v Speaker 2>I was out in Ottawa. Oh shit, okay with with

2:39:35.560 --> 2:39:40.520
<v Speaker 2>uh you know my boy Hell? Yeah, yeah, I was

2:39:40.560 --> 2:39:41.640
<v Speaker 2>out there with Belly and them.

2:39:42.800 --> 2:39:46.600
<v Speaker 1>Yeah, we have Belly on the show. Just before Belly

2:39:46.760 --> 2:39:50.200
<v Speaker 1>was Belly though really early early Belly.

2:39:50.360 --> 2:39:53.600
<v Speaker 2>Well he yeah, it was old early was Belly before

2:39:53.640 --> 2:39:55.800
<v Speaker 2>he did the Nipsey record, just before anything.

2:39:55.840 --> 2:39:58.640
<v Speaker 32>And I was out there with Bell. You didn't stand

2:39:58.720 --> 2:40:04.760
<v Speaker 32>me in South. But you got some ships outside is

2:40:04.840 --> 2:40:07.240
<v Speaker 32>popping right now, popping right now.

2:40:07.320 --> 2:40:13.720
<v Speaker 1>You know why because that's the drink Champs and I

2:40:13.800 --> 2:40:21.240
<v Speaker 1>love you. So what what's that?

2:40:21.280 --> 2:40:24.000
<v Speaker 4>What's what's what's the place that you guys ever performed at?

2:40:24.360 --> 2:40:26.000
<v Speaker 4>She never thought you would even be at.

2:40:28.680 --> 2:40:34.920
<v Speaker 1>Hm, we ship from the boot pet Theyle for in

2:40:34.959 --> 2:40:38.720
<v Speaker 1>a place where they did, Uh what's the TV show

2:40:38.800 --> 2:40:43.960
<v Speaker 1>that was over there? Overseas? Damn? What was that? A

2:40:44.000 --> 2:40:47.640
<v Speaker 1>whole bunch of places been to Latin America. Yeah, we

2:40:47.720 --> 2:40:50.440
<v Speaker 1>went to Chili, performed with m O p over there.

2:40:51.840 --> 2:40:55.680
<v Speaker 1>You know what I'm saying. Uh, yeah, I am too.

2:40:56.360 --> 2:41:02.560
<v Speaker 1>Where one? Okay? Number one? The show in Philly when

2:41:02.600 --> 2:41:05.560
<v Speaker 1>we did this movie called the Show.

2:41:08.120 --> 2:41:11.040
<v Speaker 2>That's a lust dary movie. I never thought you can't

2:41:11.120 --> 2:41:15.320
<v Speaker 2>just say that rocking Philly around my family and all

2:41:15.400 --> 2:41:15.840
<v Speaker 2>my folks.

2:41:16.000 --> 2:41:17.240
<v Speaker 1>He was the biggest ship.

2:41:17.879 --> 2:41:20.360
<v Speaker 5>Ain't that what you were originally from the biggest He

2:41:20.480 --> 2:41:23.080
<v Speaker 5>was so proud, that's your origins.

2:41:23.760 --> 2:41:26.320
<v Speaker 1>But I never thought that. Remember, I was a child

2:41:26.440 --> 2:41:28.440
<v Speaker 1>then I was a kid, so I never thought I'd

2:41:28.520 --> 2:41:34.440
<v Speaker 1>be rocking. And that was like that with dog Biggie

2:41:36.640 --> 2:41:40.080
<v Speaker 1>was don't forget that missed it?

2:41:40.240 --> 2:41:44.800
<v Speaker 2>You missed it, Delmark, dog Biggie ONX because it was

2:41:44.879 --> 2:41:50.640
<v Speaker 2>a dog pound show for dog Biggie ONYX was on it,

2:41:51.040 --> 2:41:53.640
<v Speaker 2>not on dog Biggie, run dem c.

2:41:55.200 --> 2:41:55.560
<v Speaker 5>Who else?

2:41:58.040 --> 2:42:05.280
<v Speaker 1>And it was dog pound and Snoop dog mother fucker.

2:42:05.720 --> 2:42:09.880
<v Speaker 1>But yes, they go, he said, talk about who else?

2:42:13.480 --> 2:42:17.240
<v Speaker 2>They first came out, Oh my mama, I got another shot.

2:42:17.280 --> 2:42:19.320
<v Speaker 1>I got another shot. Wait the whole that whole movies

2:42:19.400 --> 2:42:24.320
<v Speaker 1>in in Philly. That's the show, yes, is that the

2:42:24.360 --> 2:42:30.800
<v Speaker 1>Spectrum show was the show was Phi? That was? And

2:42:30.959 --> 2:42:34.760
<v Speaker 1>then the second one? Where was we at there? Del Mar?

2:42:34.920 --> 2:42:39.000
<v Speaker 2>We was, uh, oh, you got some specials for me? Mister,

2:42:42.200 --> 2:42:45.240
<v Speaker 2>I always love my mama.

2:42:45.080 --> 2:42:47.480
<v Speaker 1>Because she's my favorite girl.

2:42:47.600 --> 2:42:53.640
<v Speaker 2>You only get one, you only get one, Okay? Then boom,

2:42:54.040 --> 2:42:56.920
<v Speaker 2>So look what was the other thing we did, del Mark?

2:42:57.000 --> 2:43:01.760
<v Speaker 2>I did something else to me and you did what

2:43:01.959 --> 2:43:05.520
<v Speaker 2>we performed? This is the second performance because I said,

2:43:05.560 --> 2:43:07.080
<v Speaker 2>I have to uh.

2:43:10.080 --> 2:43:10.400
<v Speaker 1>Boom.

2:43:10.560 --> 2:43:15.440
<v Speaker 33>House of Blues. We did mean your World where House

2:43:15.440 --> 2:43:20.160
<v Speaker 33>the Blues were? That was with in l As Snoopy

2:43:20.640 --> 2:43:24.800
<v Speaker 33>all of us, How House Blues, the House of Blues

2:43:25.520 --> 2:43:27.600
<v Speaker 33>And we did Me and your World. It's me and

2:43:27.720 --> 2:43:32.680
<v Speaker 33>your World, dads. No, it's about to cash quick, move

2:43:32.800 --> 2:43:37.800
<v Speaker 33>fast again A kill and I kill again.

2:43:37.879 --> 2:43:39.360
<v Speaker 1>I got money in my mind.

2:43:41.440 --> 2:43:47.440
<v Speaker 4>You see that, see Craig mac doctor j on the

2:43:47.480 --> 2:43:56.080
<v Speaker 4>House of Blues. Everybody crazy, slick Rick Dog, that's House

2:43:56.120 --> 2:44:01.200
<v Speaker 4>the Blues. No, that's the Philly Joints. Was there because

2:44:01.320 --> 2:44:04.880
<v Speaker 4>who else was there? And Wouchangklan.

2:44:06.200 --> 2:44:09.160
<v Speaker 6>That's yeah, the show is crazy because that movie is crazy.

2:44:09.160 --> 2:44:11.000
<v Speaker 6>To come to the hotel and Methody Man used to

2:44:11.040 --> 2:44:14.199
<v Speaker 6>come pick us up. Method Man used to come smoke

2:44:14.240 --> 2:44:14.840
<v Speaker 6>with method Man.

2:44:15.040 --> 2:44:17.560
<v Speaker 1>Look up the that was the blue show that they

2:44:17.600 --> 2:44:20.560
<v Speaker 1>were in. I didn't look that up. You he already

2:44:20.600 --> 2:44:27.640
<v Speaker 1>looked it up. Looked. That's not mean. I mean, that's

2:44:27.680 --> 2:44:30.720
<v Speaker 1>not my part of the show, sir. But let me

2:44:30.879 --> 2:44:33.040
<v Speaker 1>let me just ask you. I think i'll ask you

2:44:33.200 --> 2:44:37.119
<v Speaker 1>that actually actually that before, but it was at the time.

2:44:37.160 --> 2:44:44.680
<v Speaker 1>It's funny you guys, uh uh you I believe.

2:44:44.840 --> 2:44:46.640
<v Speaker 4>I don't know if you produced it, but you was

2:44:46.680 --> 2:44:51.039
<v Speaker 4>on the record, right But method Man Tupac.

2:44:51.680 --> 2:44:53.360
<v Speaker 1>Yeah that my mind made up.

2:44:53.600 --> 2:44:57.280
<v Speaker 3>Red Man, Oh, now that records for y'all.

2:44:57.360 --> 2:45:02.440
<v Speaker 1>At first, that's not Americans. W Correp Haad bro met

2:45:02.520 --> 2:45:04.960
<v Speaker 1>the man, Red Man inspected deck over my house and

2:45:05.120 --> 2:45:08.920
<v Speaker 1>rage was over there already. So we had put that

2:45:09.040 --> 2:45:15.240
<v Speaker 1>record together and then then on a dad's so three tapes,

2:45:16.680 --> 2:45:18.920
<v Speaker 1>and so I brought it to Doctor dre House and

2:45:19.000 --> 2:45:24.240
<v Speaker 1>they only put two tapes from real you know, from

2:45:24.280 --> 2:45:26.840
<v Speaker 1>A that to real. Right, That's why I expected deck

2:45:27.840 --> 2:45:30.560
<v Speaker 1>because there's versions of that record. Background was on there,

2:45:31.040 --> 2:45:32.199
<v Speaker 1>because the verse.

2:45:32.440 --> 2:45:34.760
<v Speaker 5>Deck was on the original night, because there's joints got

2:45:34.840 --> 2:45:35.680
<v Speaker 5>leaked to mixtapes.

2:45:36.440 --> 2:45:38.600
<v Speaker 1>Twopile wasn't on the original was raised, so they took

2:45:38.720 --> 2:45:41.920
<v Speaker 1>rags off and put Tupac on this oh wow, and

2:45:42.080 --> 2:45:45.400
<v Speaker 1>so but the expected deck is not on. Spected was

2:45:45.440 --> 2:45:48.080
<v Speaker 1>on that third add but they didn't have the third

2:45:48.160 --> 2:45:50.560
<v Speaker 1>and they lost the third add so he never made

2:45:50.560 --> 2:45:54.160
<v Speaker 1>the record. Yeah, his backgrounds made differ, you know what

2:45:54.200 --> 2:45:56.720
<v Speaker 1>I'm saying. And that's why I told them that's gonna

2:45:56.720 --> 2:45:58.840
<v Speaker 1>get our money over there, Tupaca Steak, you know what

2:45:58.879 --> 2:46:01.680
<v Speaker 1>I'm saying. So because they ain't never got paid for

2:46:01.760 --> 2:46:03.840
<v Speaker 1>that song. They didn't even get writers credit.

2:46:03.680 --> 2:46:06.119
<v Speaker 5>On whose day When you say that though expected Dick

2:46:06.800 --> 2:46:08.039
<v Speaker 5>methy Man, red Man.

2:46:10.000 --> 2:46:12.440
<v Speaker 1>They never got published and they got never got off.

2:46:12.760 --> 2:46:14.800
<v Speaker 1>So you helped them get that. That's what we're working

2:46:14.879 --> 2:46:18.920
<v Speaker 1>on now, getting all that. You know, it's the thirty

2:46:18.959 --> 2:46:22.280
<v Speaker 1>five years long. We're still here thirty five years little

2:46:22.360 --> 2:46:24.200
<v Speaker 1>or of my masters come back to n Yeah. You

2:46:24.280 --> 2:46:26.200
<v Speaker 1>know what I'm saying. You know what it is? Yes,

2:46:26.320 --> 2:46:32.920
<v Speaker 1>I do and d and conquer, Yes I do. That

2:46:33.120 --> 2:46:36.800
<v Speaker 1>is on it too. Yeah, been on it. He's been

2:46:36.840 --> 2:46:39.960
<v Speaker 1>telling us on three chances fighting those those years in

2:46:40.000 --> 2:46:43.480
<v Speaker 1>those lay the funk out of Trump. Get your ship together.

2:46:43.680 --> 2:46:45.200
<v Speaker 1>You can get all that. You know what I'm saying.

2:46:46.200 --> 2:46:50.480
<v Speaker 1>I'm gonna take a shot for that. Yeah, yeah, trying

2:46:50.520 --> 2:46:56.480
<v Speaker 1>about like Kenya take one of the dad barking more

2:46:56.640 --> 2:47:04.760
<v Speaker 1>one more gain talking about walking. I stole from that.

2:47:05.760 --> 2:47:11.200
<v Speaker 1>I stole his cars. He got a little said, I

2:47:11.280 --> 2:47:12.440
<v Speaker 1>got that man three.

2:47:14.320 --> 2:47:19.200
<v Speaker 5>So let me just before we go, asking both y'all

2:47:20.040 --> 2:47:25.080
<v Speaker 5>as mcs, who are your influences as mcs?

2:47:28.000 --> 2:47:33.560
<v Speaker 1>Rock camp you two, what do you mean he speaks

2:47:33.600 --> 2:47:37.520
<v Speaker 1>and spoke for me, Rock Caim, Big Daddy came you

2:47:37.600 --> 2:47:39.959
<v Speaker 1>speaking for both the all you're speaking for yourself thinking

2:47:40.000 --> 2:47:41.920
<v Speaker 1>for me? You know, same thing I like?

2:47:42.000 --> 2:47:42.320
<v Speaker 16>He like.

2:47:42.360 --> 2:47:44.920
<v Speaker 1>You know what I'm saying. So you know, slick wig,

2:47:45.560 --> 2:47:48.760
<v Speaker 1>big Daddy came stet the signing. You know what I'm saying.

2:47:48.840 --> 2:47:54.760
<v Speaker 1>That's Okay, you know what I'm saying, taking sheep rock.

2:47:56.160 --> 2:48:00.120
<v Speaker 1>All these are influences for you, m C y v

2:48:00.240 --> 2:48:03.600
<v Speaker 1>D and the boys, most definitely Heavy D and the Boys.

2:48:03.640 --> 2:48:07.640
<v Speaker 1>You know what I'm saying, Mister big Stuff was the

2:48:07.720 --> 2:48:11.920
<v Speaker 1>ship get with him Coca CoA yo yo. I think

2:48:12.200 --> 2:48:15.960
<v Speaker 1>Heavy's underrated overall, like he's under in my catalog. I

2:48:16.040 --> 2:48:18.600
<v Speaker 1>got a song with Heavy D really off the water

2:48:18.680 --> 2:48:20.880
<v Speaker 1>bed out men Corrept.

2:48:20.959 --> 2:48:21.119
<v Speaker 23>Yeah.

2:48:21.760 --> 2:48:24.520
<v Speaker 3>What's hundred named the West Coast artists?

2:48:25.000 --> 2:48:26.760
<v Speaker 1>I mean all of them, you know, from Iced Tea,

2:48:26.959 --> 2:48:29.240
<v Speaker 1>n w A that's home already, so you know that's

2:48:29.280 --> 2:48:33.400
<v Speaker 1>already influenced. Ice Tea first album, Ryan Paye, King T,

2:48:34.440 --> 2:48:39.920
<v Speaker 1>DJ Pooh Mixed Master Spade, King T, Tidy T. You

2:48:39.959 --> 2:48:42.160
<v Speaker 1>know what I'm saying. Everything, You know what I'm saying,

2:48:42.280 --> 2:48:43.960
<v Speaker 1>just the whole racket. He's an originator.

2:48:44.040 --> 2:48:44.240
<v Speaker 2>Man.

2:48:45.000 --> 2:48:46.520
<v Speaker 1>When I lived out here, I used to go on

2:48:46.560 --> 2:48:50.360
<v Speaker 1>to fifteen AB and go to the packge in here Miami, motherfucker.

2:48:50.400 --> 2:48:52.400
<v Speaker 1>You went to the pack right to walk from my

2:48:52.520 --> 2:48:55.000
<v Speaker 1>dad house to the pad. So he knows about Miami.

2:48:55.080 --> 2:48:55.280
<v Speaker 34>Shit.

2:48:55.879 --> 2:48:58.320
<v Speaker 1>You know what I'm saying. He knows about Miami. Ship

2:48:58.879 --> 2:49:02.280
<v Speaker 1>fifteen yeh, baby, what year was that that was like

2:49:02.440 --> 2:49:06.000
<v Speaker 1>eighty nine he went to the back Jam eighty six

2:49:06.600 --> 2:49:11.240
<v Speaker 1>US Shack Jam. Yeah, I stayed in Liberty City. That

2:49:11.360 --> 2:49:13.200
<v Speaker 1>must have that must have done something in terms of

2:49:13.320 --> 2:49:15.720
<v Speaker 1>like your musical influence as well. That ship he has

2:49:15.760 --> 2:49:17.640
<v Speaker 1>to come home and play, well, I want some puss.

2:49:17.840 --> 2:49:22.000
<v Speaker 1>But they were like, turn that ship off. That's crazy.

2:49:22.200 --> 2:49:24.960
<v Speaker 1>Into the package. I love you know what I'm saying

2:49:25.320 --> 2:49:28.680
<v Speaker 1>all that ship. Yeah, that's wild. That is why the

2:49:28.800 --> 2:49:34.480
<v Speaker 1>pack Jam is Poison Clan. Yes, I tell people poison

2:49:34.560 --> 2:49:40.400
<v Speaker 1>Class at the n W at Miami most definitely. I

2:49:40.640 --> 2:49:41.240
<v Speaker 1>like this ship.

2:49:42.400 --> 2:49:43.800
<v Speaker 5>He went to the pack Jam. You don't know what

2:49:43.879 --> 2:49:47.120
<v Speaker 5>that means for Miami. The pack Jam like say that

2:49:47.280 --> 2:49:49.680
<v Speaker 5>time for New York. No, it is, That's exactly what

2:49:49.800 --> 2:49:50.960
<v Speaker 5>it is. That's exactly what it was.

2:49:51.080 --> 2:49:54.440
<v Speaker 1>Imagine getting the Loop record, but it was Luke Skywalker

2:49:54.520 --> 2:49:56.160
<v Speaker 1>yep with the address.

2:49:55.959 --> 2:49:59.120
<v Speaker 5>With the legout and the legout. Yeah yeah, because he

2:49:59.160 --> 2:50:01.360
<v Speaker 5>got soon after. I couldn't put Luke Skywalker after that,

2:50:01.480 --> 2:50:02.519
<v Speaker 5>so you got suits.

2:50:02.440 --> 2:50:05.160
<v Speaker 1>And then it went from Luke I'm fifteen after Biscaynes

2:50:05.280 --> 2:50:07.440
<v Speaker 1>something like you know what I'm saying, I've been there.

2:50:08.480 --> 2:50:10.160
<v Speaker 1>And the funny thing about it is shut out to

2:50:10.240 --> 2:50:14.120
<v Speaker 1>my boy Mike West, my cousin Mike West. He was

2:50:14.240 --> 2:50:17.920
<v Speaker 1>managing and being the A and R with Luke. Records

2:50:20.040 --> 2:50:22.360
<v Speaker 1>by doctor Dre snooping, you know around that feud from

2:50:22.400 --> 2:50:23.960
<v Speaker 1>back in the day. I used to live with Luke

2:50:24.200 --> 2:50:29.080
<v Speaker 1>in the studio, Louke coming to when they were and

2:50:29.160 --> 2:50:31.680
<v Speaker 1>that be for serious. It was serious too. Hold on

2:50:31.800 --> 2:50:34.880
<v Speaker 1>talking about did you just say you lived with Luke

2:50:35.040 --> 2:50:37.400
<v Speaker 1>when they did Cowards from Compton? Yeah, I lived looking

2:50:37.400 --> 2:50:39.160
<v Speaker 1>at the studio when you had the thing over there

2:50:39.640 --> 2:50:48.800
<v Speaker 1>when they did cow and Captain over there Oceans Ye,

2:50:49.959 --> 2:50:52.720
<v Speaker 1>Ocean Boulevard. He had a studio right over there in

2:50:52.800 --> 2:50:54.800
<v Speaker 1>the Martin, in the Martin. It wasn't his studio, but

2:50:54.879 --> 2:50:58.320
<v Speaker 1>it was. No, he had his offices and yeah, yeah,

2:50:58.520 --> 2:51:03.480
<v Speaker 1>you're ye too short that we was, yeah, hanging up.

2:51:03.520 --> 2:51:04.840
<v Speaker 1>We was having a good time. You know what I man,

2:51:05.040 --> 2:51:06.560
<v Speaker 1>I'm from Miami. You know what I'm saying. I lived

2:51:06.600 --> 2:51:07.760
<v Speaker 1>here for twenty some years.

2:51:07.840 --> 2:51:10.080
<v Speaker 2>You say when he made he was saying when he

2:51:10.200 --> 2:51:13.359
<v Speaker 2>made Cowards, and Compton was saying, yeah, I'm staying.

2:51:13.760 --> 2:51:15.800
<v Speaker 1>He made Coward and he just said yeah. He was

2:51:16.040 --> 2:51:20.160
<v Speaker 1>back and forth, Ma callend and co making this up

2:51:24.160 --> 2:51:26.480
<v Speaker 1>because I got because it was dem ro a sleek

2:51:27.680 --> 2:51:29.680
<v Speaker 1>and Luke you know what I'm saying. Yeah, and it

2:51:29.800 --> 2:51:34.080
<v Speaker 1>was what's new? What nigga Steve?

2:51:34.800 --> 2:51:38.640
<v Speaker 35>He said, your boy, that nigga shot the whole club

2:51:38.800 --> 2:51:43.720
<v Speaker 35>when we performed down here, performed here, Luke has boy

2:51:44.480 --> 2:51:45.320
<v Speaker 35>a big ass.

2:51:46.680 --> 2:51:51.000
<v Speaker 1>Were raised things he got imagine driving not the fish down,

2:51:51.000 --> 2:51:52.880
<v Speaker 1>but then that little tag at the bottom catch the

2:51:52.959 --> 2:51:53.760
<v Speaker 1>back of the limos.

2:51:55.959 --> 2:51:58.720
<v Speaker 36>Because that nigga was crazy. That nigga said, it's your boy.

2:51:59.600 --> 2:52:04.160
<v Speaker 36>Steve said, like Steve, let me in the club. Let

2:52:04.200 --> 2:52:06.920
<v Speaker 36>me in the club, was in Miami, cut let me

2:52:06.959 --> 2:52:08.560
<v Speaker 36>in the club. No, they didn't let him in the club.

2:52:08.800 --> 2:52:12.960
<v Speaker 1>That know, we heard that name again, your boy Steven bulletshot.

2:52:13.120 --> 2:52:22.840
<v Speaker 37>By Snoop I Snoop and shall boy Steve oh like

2:52:22.959 --> 2:52:23.840
<v Speaker 37>oh man we gon.

2:52:24.200 --> 2:52:27.560
<v Speaker 1>But the bottom line is the death was recorded the record.

2:52:27.840 --> 2:52:32.360
<v Speaker 1>I wouldn't I was here era in the era. No no, no, no, no, no,

2:52:32.800 --> 2:52:35.720
<v Speaker 1>he was here in the era. Okay, let's do reality. No,

2:52:39.320 --> 2:52:41.240
<v Speaker 1>I was in that era right after that era, just

2:52:41.320 --> 2:52:43.879
<v Speaker 1>the feuding part area because you know, I grew up

2:52:43.920 --> 2:52:45.640
<v Speaker 1>in Miami, so you know I knew everybody.

2:52:45.760 --> 2:52:48.480
<v Speaker 5>Did you come across anybody when the feud was happening.

2:52:49.200 --> 2:52:50.560
<v Speaker 1>I mean I was in a studio. I was just

2:52:50.600 --> 2:52:52.400
<v Speaker 1>seeing everybody. You know what I'm saying. But what you

2:52:54.600 --> 2:52:57.040
<v Speaker 1>it was over with some like this is Luke baking

2:52:57.080 --> 2:52:59.680
<v Speaker 1>the days you was with us? You know when I

2:52:59.760 --> 2:53:01.720
<v Speaker 1>was with my father.

2:53:05.280 --> 2:53:14.000
<v Speaker 38>Because us, No, okay, he wasn't over there because with us,

2:53:15.280 --> 2:53:18.039
<v Speaker 38>he was here shut on the anyway, I'm just trying to.

2:53:18.080 --> 2:53:23.880
<v Speaker 1>Understand because he will show us love to this day.

2:53:23.959 --> 2:53:26.280
<v Speaker 1>You go to the Peep Show, all that ship was

2:53:26.320 --> 2:53:30.400
<v Speaker 1>in there. You know what I'm saying. He always showed innovative. Man,

2:53:30.440 --> 2:53:33.680
<v Speaker 1>you know what I'm saying. I respect Luke was a legend.

2:53:34.120 --> 2:53:35.960
<v Speaker 1>What city got the best strip clubs? I know you

2:53:36.040 --> 2:53:42.039
<v Speaker 1>lived in Miami? You live that you are? You so many?

2:53:42.280 --> 2:53:44.440
<v Speaker 1>Is something? Del mar is best at this?

2:53:44.680 --> 2:53:52.080
<v Speaker 5>Tell me ros, those original Miami ros and cocos.

2:53:52.760 --> 2:53:53.520
<v Speaker 1>Don't be mad at this.

2:53:53.760 --> 2:53:53.960
<v Speaker 24>John.

2:53:54.040 --> 2:53:57.320
<v Speaker 4>I used to take you to the man, bullet holes

2:53:57.400 --> 2:54:03.039
<v Speaker 4>and even bullet but what it came out and crutches.

2:54:03.080 --> 2:54:04.240
<v Speaker 4>I said she was taking it too.

2:54:05.959 --> 2:54:10.000
<v Speaker 1>Taking show girl, show girl.

2:54:12.959 --> 2:54:16.240
<v Speaker 4>Because you live in l A, Atlanta and Miami. That's

2:54:16.360 --> 2:54:20.400
<v Speaker 4>like somewhat the three club. What is the one in America.

2:54:20.560 --> 2:54:22.640
<v Speaker 4>But I look at it one from Florida to Georgia.

2:54:24.040 --> 2:54:26.320
<v Speaker 4>What if you want they are going.

2:54:26.200 --> 2:54:28.520
<v Speaker 3>Back even California be in this conversation.

2:54:28.720 --> 2:54:31.600
<v Speaker 1>No, I don't think man ship Miami. They don't give

2:54:31.640 --> 2:54:35.840
<v Speaker 1>a fucking the strip club it's big, don't this motherfucker?

2:54:35.920 --> 2:54:38.080
<v Speaker 1>They got the going on what they called it booth?

2:54:38.240 --> 2:54:44.240
<v Speaker 1>Can we yeah? We said, yeah, can we give it

2:54:44.400 --> 2:54:52.560
<v Speaker 1>up for Miami one? What he's saying, shot, I'm trying, Okay,

2:54:52.680 --> 2:54:55.960
<v Speaker 1>all right, I mean we take a shot, shot me

2:54:56.120 --> 2:55:01.920
<v Speaker 1>one time? You shot? Hold on shot because I want

2:55:01.959 --> 2:55:06.280
<v Speaker 1>to be clear. You're picking Miami over Atlanta. No, no, no, no, no, no, no,

2:55:07.120 --> 2:55:11.320
<v Speaker 1>be clear? Now are you picking Miami and Georgia? All right?

2:55:11.440 --> 2:55:18.360
<v Speaker 1>Miami Georgia is the same place Atlanta. Atlanta not the

2:55:18.400 --> 2:55:23.440
<v Speaker 1>same place. George said, Georgia. See you listen very well.

2:55:23.440 --> 2:55:29.400
<v Speaker 1>He the city's I'm gonna taking shot this handling cheers travel.

2:55:29.959 --> 2:55:36.199
<v Speaker 1>You know what I'm saying. I ain't tak it's this guy.

2:55:39.959 --> 2:55:41.520
<v Speaker 3>Did we talk about serial killer yet?

2:55:42.080 --> 2:55:44.480
<v Speaker 1>Should we know? But I do know this. You ain't

2:55:44.480 --> 2:55:46.720
<v Speaker 1>gonna get us too fucked up for where he can't

2:55:46.760 --> 2:55:48.840
<v Speaker 1>make it fly. He's gonna make his play. I know

2:55:48.959 --> 2:55:57.000
<v Speaker 1>he is, you're gonna take his So let's go a

2:55:57.080 --> 2:55:59.960
<v Speaker 1>serial killer. What's cracked? Let's talk about serial killer killer?

2:56:00.160 --> 2:56:02.360
<v Speaker 1>How did that come about? Now? We used to do

2:56:02.560 --> 2:56:05.200
<v Speaker 1>w bass okay wow, and I had to beat in

2:56:05.240 --> 2:56:07.720
<v Speaker 1>the drum machine and Snoop grabbed the dis out of

2:56:07.720 --> 2:56:11.440
<v Speaker 1>the drum machine to the Doctor Drake and the song

2:56:11.600 --> 2:56:15.840
<v Speaker 1>was born and the d OC got on there. Correct

2:56:17.080 --> 2:56:21.920
<v Speaker 1>Snoop me, the song was born with rb X finishing

2:56:21.959 --> 2:56:29.640
<v Speaker 1>it off. Doctor dre put that touched to it, and

2:56:29.800 --> 2:56:32.560
<v Speaker 1>French and everybody else sample didn't put it in that song,

2:56:33.520 --> 2:56:36.000
<v Speaker 1>you know what I'm saying. And then jay Z wrote

2:56:36.080 --> 2:56:38.960
<v Speaker 1>that song for Snoop and Doctor Drake and use my

2:56:39.080 --> 2:56:42.040
<v Speaker 1>hooking there. If you ain't up on things, dog is.

2:56:42.680 --> 2:56:44.240
<v Speaker 1>I know he was thinking about me when he was

2:56:44.640 --> 2:56:48.280
<v Speaker 1>listening to that serial killer writing that song. You know

2:56:48.320 --> 2:56:51.320
<v Speaker 1>how you to listen to be But coincide would be

2:56:51.760 --> 2:56:55.240
<v Speaker 1>shout out to Jason, get that publishing, you saying oh yeah,

2:56:55.240 --> 2:56:57.840
<v Speaker 1>you know okay, I say you know it. I know

2:56:57.959 --> 2:57:00.240
<v Speaker 1>that is not letting up, but no publishing. Okay, you

2:57:00.320 --> 2:57:02.640
<v Speaker 1>can't know when it's over. It's over. You got to

2:57:02.680 --> 2:57:04.120
<v Speaker 1>get it all the way here. You know you can

2:57:04.160 --> 2:57:06.879
<v Speaker 1>spread it to your seat, right, that's legacy.

2:57:08.800 --> 2:57:17.680
<v Speaker 34>How about you? Serial killer murder? Okay king Man, Yeah,

2:57:17.720 --> 2:57:20.440
<v Speaker 34>that's what it was. You know what I'm saying, There's

2:57:20.520 --> 2:57:26.240
<v Speaker 34>time to escape. That was it, you know what I'm saying.

2:57:26.320 --> 2:57:30.320
<v Speaker 1>As soon as I heard the beat, Jesus, you know

2:57:30.440 --> 2:57:31.160
<v Speaker 1>how it is, nor.

2:57:31.280 --> 2:57:35.959
<v Speaker 2>You should have beaten. Your mind just flows. As soon

2:57:36.000 --> 2:57:40.039
<v Speaker 2>as I heard the beat with the front, it's self

2:57:40.120 --> 2:57:43.800
<v Speaker 2>explained to it. After that, time to escape, that's all

2:57:43.840 --> 2:57:44.040
<v Speaker 2>I know.

2:57:44.360 --> 2:57:48.280
<v Speaker 1>Time to escape once you once I hear once I

2:57:48.400 --> 2:57:50.879
<v Speaker 1>said that, I said, oh, I'm going here, I'm going here,

2:57:50.920 --> 2:57:53.400
<v Speaker 1>I'm going here. And you know what else about it?

2:57:53.600 --> 2:57:59.280
<v Speaker 39>It was fun, Yeah, because you know, I'm from Philly,

2:57:59.440 --> 2:58:03.720
<v Speaker 39>so to be from Philly and to come to the

2:58:03.879 --> 2:58:09.160
<v Speaker 39>West coast and all my family is in Philadelphia, right.

2:58:09.560 --> 2:58:14.560
<v Speaker 2>And then it's just like, damn they gonna hear this.

2:58:16.520 --> 2:58:22.600
<v Speaker 2>I just felt like expressing, I don't know where to fuck.

2:58:22.640 --> 2:58:25.800
<v Speaker 2>I'm headed up for down right or left, life or death.

2:58:26.160 --> 2:58:29.360
<v Speaker 2>I see myself in the midst smoke. Death becomes any

2:58:29.440 --> 2:58:30.280
<v Speaker 2>nigga that takes me.

2:58:30.360 --> 2:58:32.440
<v Speaker 1>For a joke. See, once I was starting to write this,

2:58:34.640 --> 2:58:36.960
<v Speaker 1>it was like, I don't know how people gonna take

2:58:37.040 --> 2:58:41.600
<v Speaker 1>this from me, but I'm gonna lay it out. I

2:58:41.720 --> 2:58:48.120
<v Speaker 1>only have what b ass, motherfucking voice. I know, what

2:58:48.280 --> 2:58:48.880
<v Speaker 1>was that?

2:58:49.040 --> 2:58:49.200
<v Speaker 9>Eight?

2:58:49.800 --> 2:58:49.960
<v Speaker 35>Was that?

2:58:50.120 --> 2:58:52.720
<v Speaker 1>Eight bars? Del Mar for? That was eight bars?

2:58:53.720 --> 2:58:58.360
<v Speaker 2>Six six bars? Yeah, it was just six bars. I

2:58:58.480 --> 2:59:03.400
<v Speaker 2>had to express everything there was. And and that's the

2:59:03.520 --> 2:59:06.400
<v Speaker 2>thing with doctor Dre and Snoop, like they'll give you

2:59:06.560 --> 2:59:12.320
<v Speaker 2>like six bars, four bars or eight bars, and that's it,

2:59:13.440 --> 2:59:17.400
<v Speaker 2>and you have to just give everything right there and win.

2:59:21.200 --> 2:59:24.040
<v Speaker 1>That's what I did, specially, you know, that was my specialty.

2:59:24.280 --> 2:59:27.840
<v Speaker 2>Slap it down, and I don't give a fuck how

2:59:27.920 --> 2:59:28.520
<v Speaker 2>many bars?

2:59:30.080 --> 2:59:38.920
<v Speaker 1>Han Dad right, Nigga d motherfucking right. So let's talk

2:59:38.920 --> 2:59:44.560
<v Speaker 1>about school Boy Q big body feature with y'all. How

2:59:44.640 --> 2:59:45.120
<v Speaker 1>dope was that?

2:59:45.360 --> 2:59:48.200
<v Speaker 4>Like, you know the new generation that you know a

2:59:48.280 --> 2:59:52.880
<v Speaker 4>lot of times the new generation, you know, majority of

2:59:52.920 --> 2:59:55.200
<v Speaker 4>the time they do respect the elder generation, but there's

2:59:55.400 --> 2:59:58.560
<v Speaker 4>always these younger guys that get high like, well, I'm

2:59:58.640 --> 3:00:01.760
<v Speaker 4>hot because because I'm hot, and they don't respect the elders.

3:00:01.959 --> 3:00:05.560
<v Speaker 4>In this case, he's showing nothing but love and respect

3:00:05.600 --> 3:00:07.960
<v Speaker 4>to y'all. How did y'all get that phone call? How

3:00:08.000 --> 3:00:08.760
<v Speaker 4>did this come about?

3:00:09.480 --> 3:00:11.400
<v Speaker 1>We got a call it. Come to the studio. We

3:00:11.480 --> 3:00:14.800
<v Speaker 1>came to the studio and the magic just start being happening.

3:00:14.879 --> 3:00:16.320
<v Speaker 1>You know what I'm saying. We was laying it down,

3:00:16.720 --> 3:00:20.560
<v Speaker 1>but came the song and that's what it is. Big body,

3:00:21.120 --> 3:00:24.960
<v Speaker 1>but na'tural thing. Shout out to school Boy K. He's

3:00:25.000 --> 3:00:29.520
<v Speaker 1>doing Top Dog, same thing grew up. He was working

3:00:29.560 --> 3:00:32.080
<v Speaker 1>with it before. Oh wow, I was. He was on

3:00:32.200 --> 3:00:36.880
<v Speaker 1>the first. School Boy Quel just brought me here. You

3:00:36.920 --> 3:00:38.680
<v Speaker 1>know what I'm saying, saying, Hey, let's go to the studio.

3:00:39.520 --> 3:00:42.360
<v Speaker 1>I'm gonna do this song with school boy Kid. I loved.

3:00:42.680 --> 3:00:47.720
<v Speaker 4>I love when the youngest statesmen pasted, like not pass

3:00:47.800 --> 3:00:50.000
<v Speaker 4>the torch back, but let them know, like yo, I

3:00:50.080 --> 3:00:51.959
<v Speaker 4>know where I got the torch from here, Like.

3:00:52.040 --> 3:00:54.959
<v Speaker 1>Huh he goes some weed right here? Yeah yeah, yeah

3:00:55.760 --> 3:00:57.000
<v Speaker 1>like that. You know I love that.

3:00:57.160 --> 3:00:58.840
<v Speaker 3>So how did you connect with the school work you?

3:00:59.000 --> 3:00:59.920
<v Speaker 3>He said you was working on them for.

3:01:03.760 --> 3:01:08.120
<v Speaker 2>You know, the family is everywhere. You know, Schoolboy Q

3:01:08.400 --> 3:01:14.280
<v Speaker 2>is over there with K. He's from Schoolyard.

3:01:14.360 --> 3:01:22.000
<v Speaker 1>Crib ain't that way from no, no, no, he from Schoolyard.

3:01:22.080 --> 3:01:30.200
<v Speaker 1>Ain't like from Schoolyard. Well, I love this one. He

3:01:30.440 --> 3:01:36.680
<v Speaker 1>always showed me love and I did the first record

3:01:36.760 --> 3:01:39.440
<v Speaker 1>with him and a Tyler the Creator. Isn't that crazy?

3:01:39.560 --> 3:01:39.800
<v Speaker 12>Wow?

3:01:40.560 --> 3:01:43.360
<v Speaker 1>Tyler Creator for just a song? We did the same Yeah,

3:01:44.959 --> 3:01:49.000
<v Speaker 1>school Boy the Big Body. Oh, I ain't know, that's

3:01:49.000 --> 3:01:51.199
<v Speaker 1>my same. I've got a lot of people in our catalog.

3:01:52.040 --> 3:01:57.160
<v Speaker 2>So school Boy and you're right, school boys from Hoover. Oh,

3:01:57.320 --> 3:02:00.760
<v Speaker 2>my mama, you right there, Mark. My dad was always

3:02:00.840 --> 3:02:07.480
<v Speaker 2>on his game, always on his game if you don't

3:02:08.640 --> 3:02:10.080
<v Speaker 2>and yep.

3:02:11.920 --> 3:02:15.560
<v Speaker 1>School boys from Hoover, because I know it's on me.

3:02:16.040 --> 3:02:17.760
<v Speaker 1>And then you're right.

3:02:18.280 --> 3:02:22.720
<v Speaker 2>And so Cauz came to me about the the Tyler

3:02:22.800 --> 3:02:26.000
<v Speaker 2>the Creator record and I knocked that down.

3:02:26.680 --> 3:02:29.520
<v Speaker 1>There was another record he wanted to do, and that's

3:02:29.520 --> 3:02:31.279
<v Speaker 1>when I said, you know, I got dance.

3:02:31.920 --> 3:02:34.400
<v Speaker 2>And then Dad was like, I'm rolling boo and he

3:02:34.560 --> 3:02:38.480
<v Speaker 2>jumped in bad and that's how it happened, you know

3:02:38.520 --> 3:02:43.520
<v Speaker 2>what I'm saying from that point, But see school boys

3:02:43.600 --> 3:02:46.080
<v Speaker 2>reached out, and see I fucked with school Boy because

3:02:46.120 --> 3:02:48.440
<v Speaker 2>I fucked with a top dog. I fucked with a

3:02:49.040 --> 3:02:52.160
<v Speaker 2>you know, Kendrick's my killer, that's from the door, and

3:02:52.360 --> 3:02:59.720
<v Speaker 2>Jay Rocks that's my killer, and uh, you know Terrace Martin,

3:03:00.080 --> 3:03:02.800
<v Speaker 2>Terrace Martin took me to that whole squad with punching

3:03:02.879 --> 3:03:03.240
<v Speaker 2>all them.

3:03:03.760 --> 3:03:07.000
<v Speaker 1>So you're a shot for that. Let's take it. No,

3:03:07.280 --> 3:03:08.080
<v Speaker 1>you take a shot.

3:03:11.879 --> 3:03:13.879
<v Speaker 2>I'm gonna take a shot. I don't give a fuck.

3:03:15.080 --> 3:03:18.040
<v Speaker 2>I keep the Crippingia gonna take a shot. Let's go

3:03:18.240 --> 3:03:22.600
<v Speaker 2>boom and bam, not being so scary on the hood. Yeah,

3:03:22.640 --> 3:03:24.520
<v Speaker 2>let's go cut boom, can't.

3:03:26.000 --> 3:03:30.320
<v Speaker 1>What shot is that shot right here? I'm taking del

3:03:30.400 --> 3:03:35.480
<v Speaker 1>Mark shot, nigga. I'm taking I'm taking this the whole

3:03:35.600 --> 3:03:39.440
<v Speaker 1>shot and a half for all the nigs right over

3:03:39.520 --> 3:03:43.840
<v Speaker 1>there with you to get a cut nigga six for

3:03:44.000 --> 3:03:47.880
<v Speaker 1>all the niggas talking about that, my niggas, that's the

3:03:47.920 --> 3:03:51.080
<v Speaker 1>first time we did that. I also stole the drummer

3:03:51.120 --> 3:03:58.400
<v Speaker 1>Shine to make and they put that on Snoop out right,

3:03:58.959 --> 3:04:03.040
<v Speaker 1>I'm doing I'm doing step. That was y'all saw. Yeah,

3:04:03.080 --> 3:04:11.360
<v Speaker 1>that was a wow, my niggas. My pictures, y'all saw

3:04:11.480 --> 3:04:14.320
<v Speaker 1>me and dog pround. You wanna corrupt because you see

3:04:14.320 --> 3:04:17.200
<v Speaker 1>Snow wasn't on it. Wow, he just got on the end.

3:04:17.560 --> 3:04:18.160
<v Speaker 13>He was on it.

3:04:18.280 --> 3:04:22.760
<v Speaker 1>He got at the end. Yeah said wow, Okay, you

3:04:22.800 --> 3:04:23.920
<v Speaker 1>don't see him rapping on it.

3:04:24.040 --> 3:04:28.680
<v Speaker 2>It's just rage me and Dad, Okay, and that and

3:04:28.800 --> 3:04:31.600
<v Speaker 2>the dog liked it so much he said, I gotta

3:04:31.680 --> 3:04:32.959
<v Speaker 2>have this on Doggy Style.

3:04:33.000 --> 3:04:37.160
<v Speaker 1>I gotta have this on my album. I was so proud. Yeah,

3:04:40.920 --> 3:04:43.640
<v Speaker 1>the sower, Max Tin, what is it called? Nothing but what?

3:04:43.879 --> 3:04:48.040
<v Speaker 1>Nothing but the ca but the what cave cav You

3:04:48.120 --> 3:04:48.880
<v Speaker 1>know what cavity is?

3:04:49.000 --> 3:04:49.080
<v Speaker 29>Right?

3:04:49.400 --> 3:04:51.520
<v Speaker 1>I was lost. I don't know what cavety is that. Yeah,

3:04:51.680 --> 3:04:55.640
<v Speaker 1>that's why I didn't know what that meant. Is cocaine

3:04:55.760 --> 3:04:59.680
<v Speaker 1>crack rock. That's a that's a boutiful like man, we

3:04:59.760 --> 3:05:02.879
<v Speaker 1>got Cabby right here. Yeah, I mean record, this record

3:05:02.959 --> 3:05:04.480
<v Speaker 1>is cracked right down. You know what I'm saying.

3:05:05.800 --> 3:05:12.400
<v Speaker 2>Record is hit straight cocaine rock. That was That was

3:05:12.440 --> 3:05:17.160
<v Speaker 2>the time that hey, Evan, do you want some of

3:05:17.240 --> 3:05:18.119
<v Speaker 2>these cavey?

3:05:19.280 --> 3:05:25.039
<v Speaker 1>I thought so that song, so you know what I'm saying.

3:05:25.160 --> 3:05:30.480
<v Speaker 1>So it was a great time. And yeah, and originally

3:05:30.640 --> 3:05:34.879
<v Speaker 1>it was me Corrupt mac Tin and ice Cube. Wow,

3:05:35.879 --> 3:05:38.440
<v Speaker 1>but I think the money didn't come in and ice

3:05:38.520 --> 3:05:42.960
<v Speaker 1>Cube take me off? Wait, ice you took you off?

3:05:43.440 --> 3:05:46.080
<v Speaker 1>I thought they told them to take ice Cube. What

3:05:46.120 --> 3:05:49.520
<v Speaker 1>I'm saying, But I still got the question priority because

3:05:49.560 --> 3:05:54.240
<v Speaker 1>that was record funny, Oh fucking funny. But we got

3:05:54.320 --> 3:05:56.120
<v Speaker 1>ice Cube on this the verse somewhere in one of

3:05:56.160 --> 3:06:02.600
<v Speaker 1>the real It was tight though with you know, we

3:06:02.680 --> 3:06:08.720
<v Speaker 1>got a song with help the Skelter Shine Prices. Yeah,

3:06:14.720 --> 3:06:19.520
<v Speaker 1>they was on Priority records too. There was what was

3:06:22.400 --> 3:06:27.480
<v Speaker 1>your favorite label? You was affiliated with Death Rock, Death

3:06:27.560 --> 3:06:31.960
<v Speaker 1>bro yours too, where we learned all our game from me.

3:06:32.040 --> 3:06:35.480
<v Speaker 1>Then you know, we moved on to Independence and then

3:06:35.480 --> 3:06:38.039
<v Speaker 1>I went to Social Death. Shout out to Jermain Dupre,

3:06:38.800 --> 3:06:41.440
<v Speaker 1>you know what I'm saying, and you know, just learning

3:06:42.000 --> 3:06:45.959
<v Speaker 1>the game record bitsiness, you know what I'm saying, making

3:06:46.000 --> 3:06:51.120
<v Speaker 1>that money, pressing your own units, up the signment, anything

3:06:51.160 --> 3:06:52.680
<v Speaker 1>you gotta do to get them records out back in

3:06:52.680 --> 3:06:54.840
<v Speaker 1>the day, Shout out to Tower Records back in the days.

3:06:54.840 --> 3:06:57.199
<v Speaker 1>You know what I'm saying. Motherfuckers was everywhere.

3:06:58.200 --> 3:07:02.120
<v Speaker 4>Let me ask a question, but can you answer the

3:07:02.200 --> 3:07:03.840
<v Speaker 4>question first? What was your favorite label you used to

3:07:03.840 --> 3:07:04.520
<v Speaker 4>affiliate anyway?

3:07:04.760 --> 3:07:10.880
<v Speaker 1>Both and I remember you said that, yeah, Death Bro

3:07:11.160 --> 3:07:12.440
<v Speaker 1>Andre you can't beat it.

3:07:12.560 --> 3:07:12.640
<v Speaker 7>Now.

3:07:12.760 --> 3:07:17.080
<v Speaker 2>Let me ask you a question, CAUs when all this

3:07:17.240 --> 3:07:23.560
<v Speaker 2>ship was going on, you know, Nori was young seeing

3:07:23.640 --> 3:07:26.640
<v Speaker 2>in we were the dp GK.

3:07:26.840 --> 3:07:30.600
<v Speaker 1>What would you do? I was playing all my fucking records.

3:07:32.600 --> 3:07:34.840
<v Speaker 1>I was, I was mixing dejails.

3:07:34.959 --> 3:07:38.360
<v Speaker 2>You was doing all of that during the nineties, like

3:07:38.560 --> 3:07:42.320
<v Speaker 2>ninety four ninety five Prime DJ.

3:07:42.600 --> 3:07:44.400
<v Speaker 1>Yeah, that's your prime.

3:07:44.920 --> 3:07:49.640
<v Speaker 5>Yeah, that's when I'm in Miama, coming out in Miami, Miami.

3:07:49.800 --> 3:07:54.680
<v Speaker 1>Yeah. So let me I got the white labels of

3:07:54.959 --> 3:08:01.320
<v Speaker 1>L ask this question, because you're the man. How does

3:08:01.400 --> 3:08:03.760
<v Speaker 1>it feel to be the fucking man.

3:08:05.760 --> 3:08:10.920
<v Speaker 2>Supporting these great guys that you're actually being around, because

3:08:11.080 --> 3:08:16.039
<v Speaker 2>like Nori and Dazz and Corrupt, and during that time

3:08:18.160 --> 3:08:24.680
<v Speaker 2>you was DJ and then supporting us, and now you

3:08:24.920 --> 3:08:27.039
<v Speaker 2>have your own show with your boy.

3:08:27.160 --> 3:08:30.360
<v Speaker 1>Right, You're absolutely right. How does that feel? It's crazy?

3:08:30.560 --> 3:08:31.320
<v Speaker 1>Because it crazy.

3:08:31.920 --> 3:08:33.960
<v Speaker 5>I'm just a first. I started as a just a

3:08:34.080 --> 3:08:37.640
<v Speaker 5>fan and then I'm a DJ. I get my turntape.

3:08:37.640 --> 3:08:39.720
<v Speaker 5>I couldn't afford turntable. I got turned.

3:08:41.200 --> 3:08:41.440
<v Speaker 1>First.

3:08:41.480 --> 3:08:45.000
<v Speaker 5>I had Geminis had I had the DJ Snorter Kid

3:08:45.040 --> 3:08:50.640
<v Speaker 5>from the back of the Source magazine No Bell Drive,

3:08:52.640 --> 3:08:54.800
<v Speaker 5>so I had and I thought I only was gonna

3:08:54.840 --> 3:08:56.920
<v Speaker 5>have this many records. I said, I wish I could

3:08:56.959 --> 3:08:59.879
<v Speaker 5>just feel my crate. If I could just feel my crate,

3:09:00.480 --> 3:09:02.920
<v Speaker 5>I got it. I'm an L and then I went

3:09:03.000 --> 3:09:06.280
<v Speaker 5>on to start making mixtapes and then the record label

3:09:06.320 --> 3:09:08.760
<v Speaker 5>sending me records and start working for the record labels

3:09:09.160 --> 3:09:09.800
<v Speaker 5>doing everything.

3:09:10.480 --> 3:09:12.520
<v Speaker 1>This is this is this, listen, this is the thing

3:09:12.560 --> 3:09:14.119
<v Speaker 1>about it. I'm gonna tell you about this situation.

3:09:15.760 --> 3:09:19.680
<v Speaker 5>If you lose being a fan of the music of

3:09:19.760 --> 3:09:23.600
<v Speaker 5>the culture, if you lose that, then you got no

3:09:23.720 --> 3:09:24.840
<v Speaker 5>business being here.

3:09:25.320 --> 3:09:28.760
<v Speaker 1>And give it up that I heard somebody you.

3:09:28.800 --> 3:09:31.840
<v Speaker 5>Got no no, no, I'm saying, so sometimes I'll bring

3:09:32.400 --> 3:09:34.320
<v Speaker 5>ving on this and that, like I got, I got

3:09:34.360 --> 3:09:37.520
<v Speaker 5>all my artifacts. Man, it gives a fuck about this.

3:09:38.520 --> 3:09:40.920
<v Speaker 5>If you don't give a fuck about this, then please

3:09:41.280 --> 3:09:43.520
<v Speaker 5>leave out of here, get the fuck out the room.

3:09:44.600 --> 3:09:47.039
<v Speaker 5>But I don't know, man, this is amazing to me. Man,

3:09:47.160 --> 3:09:48.240
<v Speaker 5>like me and him.

3:09:48.440 --> 3:09:49.880
<v Speaker 1>I had a store. I had a record store.

3:09:49.920 --> 3:09:53.800
<v Speaker 5>I started a hip hop record store in in my

3:09:53.920 --> 3:09:56.320
<v Speaker 5>neighborhood just to bring hip hop to my neighborhood.

3:09:56.560 --> 3:09:58.240
<v Speaker 1>And he did an in store. And that's how we

3:09:58.400 --> 3:10:02.200
<v Speaker 1>met be seven ninety eight. That's how we all met

3:10:02.320 --> 3:10:05.480
<v Speaker 1>doing in stores. Yeah, and that's how we met.

3:10:05.560 --> 3:10:08.640
<v Speaker 5>And we never stopped messing with each other, and that's

3:10:08.680 --> 3:10:09.480
<v Speaker 5>how we're here today.

3:10:09.720 --> 3:10:11.200
<v Speaker 1>That was the greatest thing back in the day is

3:10:11.240 --> 3:10:14.880
<v Speaker 1>the one stops I'm going to different cities like that,

3:10:15.080 --> 3:10:17.400
<v Speaker 1>going to the one stops, and then everybody be in

3:10:17.480 --> 3:10:19.480
<v Speaker 1>there waiting for it, you know what I'm saying. And

3:10:19.520 --> 3:10:21.400
<v Speaker 1>then that's how you getting, you know, to town like that,

3:10:21.520 --> 3:10:23.720
<v Speaker 1>you know what I'm saying. And then that's how we

3:10:23.800 --> 3:10:26.400
<v Speaker 1>know about the independent game. Press your records up and

3:10:26.480 --> 3:10:27.520
<v Speaker 1>go to them one stops.

3:10:27.879 --> 3:10:29.760
<v Speaker 5>But hold up real quick, I just want to go

3:10:29.840 --> 3:10:31.000
<v Speaker 5>back to everything we're talking about.

3:10:31.040 --> 3:10:31.120
<v Speaker 11>Lot.

3:10:31.280 --> 3:10:32.480
<v Speaker 5>At the end of the day, I think even for

3:10:32.560 --> 3:10:37.360
<v Speaker 5>you guys, we stop being fans of what we do. Yeah,

3:10:37.360 --> 3:10:41.600
<v Speaker 5>you're right, fans of our legends, fans of the culture.

3:10:41.920 --> 3:10:44.560
<v Speaker 5>Then the culture loses, you lose it all because what

3:10:44.640 --> 3:10:46.600
<v Speaker 5>happens is there's a point where everybody's like, we too

3:10:46.680 --> 3:10:49.600
<v Speaker 5>cool to be fans. I can't be a fan no more.

3:10:49.640 --> 3:10:54.280
<v Speaker 5>I'm big, I ain't ship the biggest. A lot of

3:10:54.320 --> 3:10:56.800
<v Speaker 5>people do that. That's what That's what started to happen.

3:10:57.760 --> 3:10:59.240
<v Speaker 5>I mean, I can't tell you who. I'm just saying

3:10:59.280 --> 3:11:02.879
<v Speaker 5>that the the culture became outside of the culture became mad.

3:11:03.280 --> 3:11:05.080
<v Speaker 4>Well you know, you know you know who I ask

3:11:05.200 --> 3:11:09.240
<v Speaker 4>you for your Instagram Instagram may every Instagram is not

3:11:09.320 --> 3:11:09.600
<v Speaker 4>a who.

3:11:09.720 --> 3:11:11.039
<v Speaker 1>That's everyone made.

3:11:11.040 --> 3:11:14.600
<v Speaker 2>Everyone think today, star, Let me tell everyone. Let me

3:11:14.800 --> 3:11:18.400
<v Speaker 2>just tell you something. Let me tell you something, big bro. Okay,

3:11:19.800 --> 3:11:27.000
<v Speaker 2>you don't, Okay, you don't and you don't and I don't.

3:11:28.000 --> 3:11:41.320
<v Speaker 2>We got four? Who else is relevant? Who else is relevant?

3:11:44.600 --> 3:12:00.760
<v Speaker 1>This is ours? I'm just saying, No, it's time to

3:12:00.879 --> 3:12:01.920
<v Speaker 1>deal with reality.

3:12:02.080 --> 3:12:02.280
<v Speaker 13>Man.

3:12:02.760 --> 3:12:07.080
<v Speaker 20>It starts with us, because why y'all let these people

3:12:07.520 --> 3:12:13.840
<v Speaker 20>just were not No one cares, but everybody who cares.

3:12:14.760 --> 3:12:16.000
<v Speaker 20>That's why we're here right now.

3:12:16.320 --> 3:12:18.520
<v Speaker 2>And you know what, I'm not a bad guy and

3:12:18.640 --> 3:12:20.840
<v Speaker 2>I ain't mad at nobody else. They ain't did nothing

3:12:20.879 --> 3:12:25.680
<v Speaker 2>wrong to me. But I tell you this much, I

3:12:25.840 --> 3:12:30.760
<v Speaker 2>think Norwy has more relevancy questions he wants to talk

3:12:30.800 --> 3:12:34.560
<v Speaker 2>to us about besides what we're talking about.

3:12:34.920 --> 3:12:37.360
<v Speaker 1>No, I love it.

3:12:38.600 --> 3:12:41.280
<v Speaker 4>I love it because you know what you know, you know,

3:12:41.440 --> 3:12:45.800
<v Speaker 4>the point is the point we love. The point is

3:12:45.879 --> 3:12:47.800
<v Speaker 4>to give you all your flowers for what y'all did then.

3:12:48.080 --> 3:12:51.120
<v Speaker 4>But the real point is today is to give y'all

3:12:51.120 --> 3:12:54.959
<v Speaker 4>flowers for what y'all did for this new album right now.

3:12:55.400 --> 3:12:58.280
<v Speaker 3>That's right now, because what do they say?

3:12:58.720 --> 3:13:01.879
<v Speaker 1>You know, well, have you done for me lately? Eddie?

3:13:02.360 --> 3:13:03.800
<v Speaker 1>You know what I mean? And that's how what the

3:13:03.879 --> 3:13:05.760
<v Speaker 1>hip hop is. But I'd like to say hip hop,

3:13:05.800 --> 3:13:08.200
<v Speaker 1>you're on the greatest. Your last word and this.

3:13:08.480 --> 3:13:11.080
<v Speaker 3>Your last work right now is a motherfucking man.

3:13:13.879 --> 3:13:17.800
<v Speaker 1>It's well, it's always a pleasure to be here.

3:13:18.640 --> 3:13:26.760
<v Speaker 4>Thank you, and you got your flowers, y'all. Continue to

3:13:26.840 --> 3:13:29.920
<v Speaker 4>be motherfucking great. We're gonna finish this yet, parking.

3:13:31.040 --> 3:13:35.440
<v Speaker 2>Let's take let me just say wait, let me just

3:13:35.560 --> 3:13:40.560
<v Speaker 2>say this one thing, right, I'm gonna just say I've

3:13:40.600 --> 3:13:47.040
<v Speaker 2>been trying to a big word, keep my uh compostreate,

3:13:49.040 --> 3:13:55.280
<v Speaker 2>cop cool all together. And every time I get with

3:13:55.520 --> 3:14:00.800
<v Speaker 2>my brother Nori, okay, and and dadd get with Nori,

3:14:01.600 --> 3:14:03.800
<v Speaker 2>and we get with the f and next thing, you

3:14:03.959 --> 3:14:08.119
<v Speaker 2>know is like fucking we go to the Boonie docs.

3:14:08.240 --> 3:14:13.040
<v Speaker 1>Okay, And I just want to say I love you all. Okay,

3:14:14.879 --> 3:14:20.640
<v Speaker 1>drink bench and shut the fuck up. But let's take

3:14:20.720 --> 3:14:23.080
<v Speaker 1>focused and make sure they know that May thirty, first

3:14:24.800 --> 3:14:27.320
<v Speaker 1>thirty first, this promo for this will be out before

3:14:27.440 --> 3:14:27.920
<v Speaker 1>May thirty.

3:14:34.879 --> 3:14:37.600
<v Speaker 4>And let me just say something again, Let me reiterate,

3:14:38.240 --> 3:14:41.240
<v Speaker 4>Let me reiterate. A lot of people always critique artists

3:14:41.280 --> 3:14:45.200
<v Speaker 4>for being the CEOs, and Snoop Dogg is showing you right,

3:14:45.280 --> 3:14:48.840
<v Speaker 4>now how important it is to be an artist and

3:14:49.000 --> 3:14:52.720
<v Speaker 4>a CEO. He is enjoying it. He is behind his crew,

3:14:53.160 --> 3:14:54.920
<v Speaker 4>he is hitting people himself.

3:14:55.720 --> 3:14:57.039
<v Speaker 1>He is being the.

3:14:57.440 --> 3:15:00.600
<v Speaker 4>Quite quitt essential person that you supposed to be as

3:15:00.640 --> 3:15:01.000
<v Speaker 4>the CEO.

3:15:01.720 --> 3:15:03.400
<v Speaker 3>I personally salute, what are you snoop dogg?

3:15:06.160 --> 3:15:11.240
<v Speaker 1>You gotta parking lot, That's what come up called, yo man?

3:15:11.360 --> 3:15:14.440
<v Speaker 23>Thank you'll come up shot in the night.

3:15:19.040 --> 3:15:23.080
<v Speaker 1>One? Come on? Oh got it shut.

3:15:29.560 --> 3:15:32.879
<v Speaker 5>Drink Champs is a drink Champs ll C production hosts

3:15:32.920 --> 3:15:35.760
<v Speaker 5>and executive producers n O r E and d j

3:15:36.000 --> 3:15:36.520
<v Speaker 5>e f FN.

3:15:37.680 --> 3:15:38.760
<v Speaker 1>Listen to Drink Champs on.

3:15:38.840 --> 3:15:43.760
<v Speaker 5>Apple Podcast, Amazon Music, Spotify, or wherever you get your podcasts.

3:15:44.879 --> 3:15:47.280
<v Speaker 5>Thanks for joining us for another episode of Drink Champs

3:15:47.360 --> 3:15:49.720
<v Speaker 5>hosted by yours truly, d j e f N and

3:15:49.920 --> 3:15:52.000
<v Speaker 5>n O r E. Please make sure to follow us

3:15:52.000 --> 3:15:55.240
<v Speaker 5>on all our socials That's at drink Champs across all platforms,

3:15:55.760 --> 3:15:59.279
<v Speaker 5>at the Real Noria on, I g at Noriega on Twitter,

3:15:59.680 --> 3:16:03.080
<v Speaker 5>minus at Who's Crazy on I g at dj e

3:16:03.280 --> 3:16:05.600
<v Speaker 5>f N on Twitter, and most importantly, stay up to

3:16:05.680 --> 3:16:09.000
<v Speaker 5>date with the latest releases, news and merch by going

3:16:09.040 --> 3:16:10.520
<v Speaker 5>to drink Champs dot com