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Speaker 1: He is drink champs, motherfucking podcast make Sime.

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Speaker 2: He's a legendary Queens rapper.

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Speaker 3: He's agreed as your boy in O R E.

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Speaker 1: He's a Miami hip hop yon there what up his

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Speaker 1: dj E f N? Together they drink it up with

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Speaker 1: some of the biggest players, you know what I mean.

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Speaker 1: And the most professional unprofessional podcast and your number one

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Speaker 1: source for drunk very days New Years. Listen, It's time

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Speaker 1: for drink Champions. Drink up mother mother? Would good be

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Speaker 1: hoping to want to Sup? Be this your boy in

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Speaker 1: O R E? What up his dj E f N?

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Speaker 1: This is Mili Timpa Crazy Walk. Have y'all now.

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Speaker 4: Now, besides these two brothers being my brother brothers, these

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Speaker 4: guys are one of the most legendary two man groups

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Speaker 4: of all time, and I mean one of the best

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Speaker 4: two man groups of all time. Wow, both kings both

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Speaker 4: can stand on their own. But they made an album

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Speaker 4: that I would like to call it new Classic because

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Speaker 4: it sounds like a classic from back then, but it

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Speaker 4: sounds like a classic.

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Speaker 1: Now like it works.

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Speaker 4: I've been listening to this shit, goddamn it. I'm so

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Speaker 4: happy that the fans don't got it yet because I'm

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Speaker 4: flussing on y'all because I'm telling you this is how

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Speaker 4: exactly our OG's is supposed to sound. He said, exactly

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Speaker 4: how how how classic dudes, how legends is supposed to sell.

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Speaker 4: They ain't supposed to chase the new generation. They're supposed

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Speaker 4: to stay in their goddamn lane and keep continuing. When

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Speaker 4: I heard this album, I kid you not, I believe me,

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Speaker 4: and you text back and forth like six seven times,

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Speaker 4: like yo, this is classic class, Like this is not normal,

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Speaker 4: this is not regular class.

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Speaker 3: This is a class, the classic.

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Speaker 1: If you have never heard of the West Coast, have

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Speaker 1: never been to the West Coast, and.

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Speaker 4: You put on this goddamn album such you're straight. It's

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Speaker 4: such a goddamn straight. In case you don't know who

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Speaker 4: I'm talking about, I'm talking about my brothers, my friends,

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Speaker 4: motherfucker dancing.

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Speaker 1: Come on.

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Speaker 4: Now, I want to really, really, really focus on the

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Speaker 4: album this interview. You know you guys been on here before.

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Speaker 4: But I swear to god, I'm not exaggerating when I

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Speaker 4: listen to the album like Death.

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Speaker 3: Seriously, we was in.

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Speaker 1: The gym earlier and everybody tried to quit walk. None

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Speaker 1: of us, none of us had it right.

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Speaker 4: We all looked at crazy because it's just natural, like

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Speaker 4: it captures the West Coast, so so good. And yes,

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Speaker 4: sound young, but you sound classic. You sound you know

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Speaker 4: what I'm saying. You get what I'm trying to say.

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Speaker 1: Yes, yes, yes, so this is? This is?

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Speaker 4: Is this the first release on Frost This Snoop Dog

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Speaker 4: has a quiet death rope.

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Speaker 3: Yes, let's make some noise for that.

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Speaker 1: Fix Snoop Dog.

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Speaker 4: It feels so right, man, So let's let's let's let's

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Speaker 4: let's let's the album drops. Make okay, let's it's addressed

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Speaker 4: to the title first, telling people the type of we all.

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Speaker 1: We got w A W g uh huh. You know

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Speaker 1: what I'm saying, when it all comes down to it,

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Speaker 1: when you leave this earth and we look at everything

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Speaker 1: that we accomplishing, everything that we did, we look at

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Speaker 1: it like, man, you know this is all we got.

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Speaker 1: You know what I'm saying, Let's stick together because like

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Speaker 1: they say, when the family feud.

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Speaker 4: Nobody went, yeah, we want you want some champagne or

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Speaker 4: you want to be whatever you want?

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Speaker 1: You know, what's up with these mother fucking candles? Look

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Speaker 1: up with candle because why don't y'all look like the pope?

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Speaker 1: Like I was looking at I can't.

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Speaker 2: I'm looking at the candle like cause this must mean

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Speaker 2: cracking with What could I buy? I I mean we paid,

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Speaker 2: we just paid. Yeah, my Latino fam we always had.

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Speaker 1: Well, cuse you theo they got you with the fire stars.

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Speaker 1: I never actually looked at the candle.

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Speaker 2: They got you, Lucifer, you got the looking at the demo.

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Speaker 2: Look looking at that's just the same.

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Speaker 1: It's the same.

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Speaker 3: That's some sort.

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Speaker 1: I'm just saying. No, I just went that that was

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Speaker 1: that was dope. But listen, first off, do you want

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Speaker 1: some champagne or you want to want to be? Which

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Speaker 1: one you want to? Just a celebration, okay, because this

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Speaker 1: is some expensive ship what we're doing. You got ship,

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Speaker 1: you know.

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Speaker 3: But how dope is it when you heard the news

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Speaker 3: that Snoop got death Ro?

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Speaker 1: Like, how happy was was?

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Speaker 4: I'm asking you first, but I want y'all both to

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Speaker 4: ask that what kind of feeling was that?

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Speaker 1: Well?

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Speaker 2: First, well, I'm gonna be honest, guys. First thing I

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Speaker 2: did was called del Mar and I'm talking about something different.

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Speaker 2: And then he told me, yes, you know Snoop down

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Speaker 2: bought death Row And I'm like, yep, I said, you

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Speaker 2: ready cap because the Champ's gonna call sooner or later.

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Speaker 1: And Dads was like, funk all that now? Yeah, yeah,

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Speaker 1: me and Snoop. You know what I'm saying, I've been

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Speaker 1: fusing for about twelve fifteen years, you know what I'm saying.

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Speaker 1: So we're back, and that's what's beautiful about it because

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Speaker 1: uh we cousins. You know, we family break TV, drum

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Speaker 1: machine like the turntables. Dog shot his shot his equipment

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Speaker 1: and shot my equipment at one time. But literally, yeah

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Speaker 1: we got you know what I'm saying, shot my drummers

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Speaker 1: plus the TV. I think that's when we made ain't

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Speaker 1: no fun. The dog said what boom boom boom boom?

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Speaker 1: Now what nigga? And that's the whole TV you know,

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Speaker 1: big one that you just both we family, We butt

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Speaker 1: heads all the time.

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Speaker 2: And the great thing about this project, We All We

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Speaker 2: Got is self explanatory because that's real.

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Speaker 1: I've been saying it.

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Speaker 2: To the homies forever, so has uh Delmar has been

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Speaker 2: saying it. Dad's been saying it's Snoopy and it's like,

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Speaker 2: you know, Snoop said, that's the title the album We

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Speaker 2: All We Got because it's true. You know, you know

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Speaker 2: like you and compone, like you know, we all we

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Speaker 2: got like you and f we always got, you know what.

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Speaker 4: I'm saying, and and self explanatory because you know why

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Speaker 4: like me watching this album on fold and me, you know,

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Speaker 4: speaking of Snoop and he's seeing him how energetic he

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Speaker 4: is excited.

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Speaker 1: He's like, yo, my dog, I take one too, you know. Yeah,

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Speaker 1: you know, big kids start let me join, y'all, y'all soul,

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Speaker 1: you know, like a big kids starts singing and dances

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Speaker 1: when you get food, right.

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Speaker 4: Right right, So me seeing Snoop like being so happy,

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Speaker 4: like I guess because it's like full fledged. Your first

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Speaker 4: album was on Death Row and then this to be

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Speaker 4: your album in twenty twenty four on Death Row again.

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Speaker 4: It just felt so euphorically organic organically it's just trying. Yeah, yeah,

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Speaker 4: because I went at one point you you didn't want

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Speaker 4: to rep Death Row at all.

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Speaker 1: I was us you know what I mean, Like you

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Speaker 1: said that you know Dad's gonna go there. Say, at

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Speaker 1: the moment in my life, right there was a lot

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Speaker 1: going on, you know, like futing and batting, you know,

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Speaker 1: gang wars everything. You know what I'm saying, This shs

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Speaker 1: turned my whole life around from the death of Tupocket,

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Speaker 1: you know what I mean, and feuding and getting your

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Speaker 1: money and your music and I can't let that ship

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Speaker 1: just sit there. You got your I got, I got. Okay, Well,

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Speaker 1: let's give a shout out right now typically positivity.

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Speaker 3: Yeah, we all we got Jesus, I know that from

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Speaker 3: you know, you don't give a shout out.

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Speaker 1: You know this is our older brother right here. So

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Speaker 1: all right, boom, I'm drunk already. So so Sue comes

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Speaker 1: to y'all.

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Speaker 4: That says we want y'all to be the first album

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Speaker 4: to drop on a new Death Row was the one

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Speaker 4: thing I noticed on on it. On the album, I

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Speaker 4: think I got excrucial copy. I'm not sure, but it

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Speaker 4: says death roll and tapes.

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Speaker 1: Yeah, records and tapes.

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Speaker 4: So I mean just bringing it back right yeah. Uh

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Speaker 4: one of my favorite joints on on the joint, Uh.

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Speaker 1: The smoke Up. Yeah, that's the first song we did.

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Speaker 1: That's the first one. It's the first song on the album,

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Speaker 1: but it's also the first one did. Yeah, how that

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Speaker 1: whole thing came up? You know, my cousin Bean died. Yeah,

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Speaker 1: so you know what I'm saying. And uh, we decided.

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Speaker 1: You know, I flew into l A one day and

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Speaker 1: I just something just told me to call my cousin.

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Speaker 1: Papa called Snoop, and so Snoop like, yeah, come over

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Speaker 1: about six o'clock. So I slide over there, smoke blowing

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Speaker 1: out the window and the morning, you know, this sticks

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Speaker 1: in the morning. So I'm sitting in there, and he

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Speaker 1: called Corrup over. I didn't know he was calling cor

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Speaker 1: because I had block Corrup on Instagram. Jesus and my wife,

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Speaker 1: my wife white man management. Now I'm like what And so,

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Speaker 1: you know, gang, I called Snoop like, you know, to

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Speaker 1: see what's up and all that. So we go over

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Speaker 1: there and Snoop he come in. He dabbed me up,

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Speaker 1: but didn't know it was me. I was like, my nigga,

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Speaker 1: what's up? Because damn that looked like that.

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Speaker 2: It was like, you big headed motherfucker. Good job, jail Mark,

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Speaker 2: there's cracking. I looked at Dogg and he's on the

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Speaker 2: on the what's that the board and he just looked

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Speaker 2: back and smiled, and then he looked back, that's a YouTube, motherfuckers.

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Speaker 1: And then he put the beat on. It is over.

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Speaker 1: The song was done in like eight nine minutes I

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Speaker 1: was over. Wow, that's one of my favorite joints on

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Speaker 1: the album. And that's the album off Perflet speaking No

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Speaker 1: One's crazy Thold del Mark.

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Speaker 2: Because our history of making records, the first record we

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Speaker 2: make always ends up being a single, like a.

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Speaker 1: G thing for the Chronic.

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Speaker 2: The first record Doctor Doran Snoop Mayuh and it turned

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Speaker 2: out three years later. It was when The Chronic was

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Speaker 2: released and it still remained the number one single and

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Speaker 2: it was the single for it.

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Speaker 1: And then What's My Name? That was the first record

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Speaker 1: that they made from shoop style. And after that, Doctor

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Speaker 1: beating them songs was just flowing like Niaga fall three

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Speaker 1: and a half days we had the whole album.

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Speaker 5: That's this whole album three and a half and they

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Speaker 5: did it together. That that's what I think you hear

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Speaker 5: the difference in there. I could tell you I was

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Speaker 5: in the studio that chemistry was there.

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Speaker 2: Came from from Georgia, came out from Atlanta. I drove

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Speaker 2: down from Vegas, me and my wife Lee Lee Gotti

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Speaker 2: stayed and.

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Speaker 1: Just cod we just seeing Snoop start smiling and ship.

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Speaker 1: You know that's all right, you know what I'm saying.

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Speaker 1: So you start telling us the plan putting that ship down,

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Speaker 1: and we executed it, you know what I'm saying. And

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Speaker 1: now we're hitting the road that's going to Canada. Wow,

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Speaker 1: they let y'all in Canada. But we had to do

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Speaker 1: the Border Patrol video TV show or they wouldn't let

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Speaker 1: us in there that TV show, Remember the Patrol. Damn.

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Speaker 1: We're still trying to go back up it ready, just saying,

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Speaker 1: you know, let's go to the next joint. We all,

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Speaker 1: we got, we all we got. The east Side is

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Speaker 1: trading and Goldie Low yeah on that too. They heard this, motherfucker.

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Speaker 2: You know, that's the first I think that's the first

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Speaker 2: record we've done with all of us.

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Speaker 1: Yeah, that's the first record, like twenty somethings. We never

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Speaker 1: did a record together, not all together. We did records separately.

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Speaker 1: That's the crew. Good. So how did that come about?

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Speaker 1: Snoop Dog? But his idea Champ. Yeah, you know, I

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Speaker 1: like to run in there first, to get my verse

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Speaker 1: off first, and then trade after I'm ready.

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Speaker 2: Cad he came and right when he finished, okay, you

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Speaker 2: know what timing is silkiness, And.

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Speaker 1: Then I told Snoop it was for the East Side,

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Speaker 1: and then I told him, we need to make this

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Speaker 1: for ours. We got yeah ship damn that sacrifice.

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Speaker 2: The east Siders did like our first single that was

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Speaker 2: from because like you said, I signed the Snoop Dogg management.

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Speaker 2: He co manages me with my wife and and then

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Speaker 2: we the record that we did, Uh smoke Up was

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Speaker 2: for the Corrupt solo album.

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Speaker 1: It just got the record.

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Speaker 2: But when Delmark came home, Dog said DPG time and

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Speaker 2: it was like everybody sacrificed. It's like you damn skippy

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Speaker 2: east Side to sacrifice their record. I sacrificed my solo record.

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Speaker 2: Dad sacrifice. We all sacrifice. Dog sacrifice because he got

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Speaker 2: an album dropping, his album with Doctor Dropping.

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Speaker 1: He got album coming out next month with Doctor Death.

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Speaker 5: Ro no.

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Speaker 1: School damn the throw after matchool not incredible. Got that

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Speaker 1: makes some noiser that doctor my mom.

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Speaker 4: So it was at one point this is conversary that

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Speaker 4: came out. I guess everyone through. At first, everyone though

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Speaker 4: it was real. Everyone's like the dog Brown broke up?

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Speaker 4: Where's the joke Brown? What happened to the talk pound?

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Speaker 1: We even said, I said dance because what happened? I'm

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Speaker 1: bringing up some weed right now? Did you reblock me?

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Speaker 1: I got who came up with that campaign Snoop Dog.

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Speaker 1: I can see him. There snoop and stoop snoop. Everything's

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Speaker 1: the champ. You know.

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Speaker 2: Me and Dance Dog really wanted want of Dazz because

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Speaker 2: you know, Dad is production and the mic, so he

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Speaker 2: really wanted Dazz to be a star. He's like, man,

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Speaker 2: you're gonna be a star on this album. Just shine,

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Speaker 2: you're an artist, be a star, get on that mic

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Speaker 2: and have a ball. I had a ball, yeah, paulse

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Speaker 2: and then you know myself, you know that's what I do.

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Speaker 2: So he was just like, y'all just follow my lead

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Speaker 2: and I'll take you to a different plateau.

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Speaker 4: So be it all right here it is what it is.

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Speaker 4: That was one thing that I noticed too on the

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Speaker 4: album is I was looking for your production. Did you

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Speaker 4: produce an album or this this one you fell back on?

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Speaker 1: I fell back on to the next one, the next album.

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Speaker 1: It's all super but.

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Speaker 3: Oh yeah, but what makes you fall back on this one?

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Speaker 1: Because he told me to say, you know, like I

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Speaker 1: told you about you know, I'm gonna shut up, kick

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Speaker 1: back and get rich, and I say too much. A

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Speaker 1: lot of people get you know, intimidating, and I musa

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Speaker 1: say though I already see things that I'm finished.

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Speaker 2: Still, like these beautiful shot glasses you want? You're ready

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Speaker 2: for shots?

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Speaker 1: Arecy? I mean I know your style? Man.

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Speaker 2: Yeah, together, you got together, because then you're gonna get

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Speaker 2: me mad and I'm gonna start cutting.

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Speaker 1: You know, I don't want to do that. Let me

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Speaker 1: take you something. When you my mom, you gotta get

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Speaker 1: you get them a little.

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Speaker 3: Bit a little mad, and that's it.

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Speaker 1: I ain't cut because it's like, cuz you cut you

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Speaker 1: you you just be crippling too much. I'm like, I'm

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Speaker 1: cripping too hanging on the wagers, hanging on the door.

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Speaker 2: Come on this nigga, come on the stage in all

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Speaker 2: white wool op right with the blue rag in the

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Speaker 2: back pocket.

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Speaker 1: I cut too much. I cripped you. Come on, cuse

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Speaker 1: they gonna stay cousin all white cup with the blue rag.

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Speaker 1: There we made my favorite colors blue.

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Speaker 3: That's officially the single.

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Speaker 1: That's officially the single right there, produced by Rick Rock

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Speaker 1: just kick back.

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Speaker 4: I haven't been to l A on the West coast

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Speaker 4: of the minute, but I imagine that should be number

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Speaker 4: one record.

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Speaker 1: Everybody walking with that, Yeah, yeah, I mean I see

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Speaker 1: I see you Blue up. I mean I tried to today.

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Speaker 1: What else to do? It was like with a sprinkler,

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Speaker 1: you know what else to do? Man? Come, yeah, he

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Speaker 1: show that's that fresh that he got that for the

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Speaker 1: ricking right there? Cuse so so.

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Speaker 4: So listen, our show is about giving people they flowers.

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Speaker 4: Oh you know, we want to give y'all your flowers

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Speaker 4: face to face. Man, the man tell you how dope

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Speaker 4: y'all are, how great the group is, how happy we

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Speaker 4: are of y'all longevity, legendary, happy we are this album,

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Speaker 4: this album, you are showing how you ain't got to change.

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Speaker 4: You could be exactly who you are still make classic, great,

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Speaker 4: legendary music. So we want to give you all your

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Speaker 4: flowers face to face. Snoop said, it's better than the

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Speaker 4: ground because it's for your people.

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Speaker 1: It is for your people.

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Speaker 4: No, but do you like you know me going through Yeah,

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Speaker 4: just discography. I'm trying to pronounce words correctly.

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Speaker 1: Lecography.

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Speaker 3: Yeah, we going to your discography?

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Speaker 4: Yo, Do y'all realize how legendary y'all are though, like

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Speaker 4: not just as a two man group, but as a

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Speaker 4: group catalog, you know what I'm saying, Like like like

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Speaker 4: this this, this, this, this is do y'all understand how

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Speaker 4: legend there, how important y'all ought to hip hop?

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Speaker 1: You know when you're making record Like I'll be telling

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Speaker 1: you know, like when we're making records, who really don't

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Speaker 1: know what we're doing at the time. We just having

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Speaker 1: fun making the records. And then like great liquor wine,

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Speaker 1: it gets fine, right right, you know what I mean.

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Speaker 1: Then we appreciate what we did. But you know, like

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Speaker 1: when I look at my catalogs, I remember all my lyrics.

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Speaker 1: We get paid for him while.

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Speaker 4: You looking corrupt like that. You know, yeah, right, you

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Speaker 4: don't be getting your lyrics to come on. Look, he's

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Speaker 4: a lawyer about trade.

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Speaker 2: Look, I'll be honest with you. I told Dog and

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Speaker 2: I told del Mare. I'm like when I rock cousin,

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Speaker 2: only do the classic.

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Speaker 1: Got me going.

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Speaker 2: Now let's go, Jelmar. You you know what in another thing.

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Speaker 2: You know, I might not remember my lyrics, but I

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Speaker 2: remember Daz's birthday. Delmar is turning a great age right now.

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Speaker 1: You understand I think the Lord above. You know what

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Speaker 1: I'm saying. Just being here, you know what I'm saying.

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Speaker 1: Like I said before, Hey, the greatest gift is living.

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Speaker 1: Anything else the secondary I ain't taking with you. Just

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Speaker 1: appreciate it, spread it out and keep pushing. Okay, I'm

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Speaker 1: a Dog produced by battle Cat Oh, shut up a

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00:20:42,160 --> 00:20:43,840
Speaker 1: battle Cat man. Yeah, you know what I'm saying. We

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Speaker 1: created that in the studio, just going back and forth

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Speaker 1: thinking about running himself the first one. Yeah, what I'm saying,

351
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Speaker 1: great groups, great groups, E, P and B. You know

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Speaker 1: what I'm saying is just going back and forth having

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Speaker 1: a great time. You know what I'm saying. And plus

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Speaker 1: that cut the bars down for you on Stagic, you

355
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Speaker 1: know what I'm saying. As your first record, that dog.

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Speaker 2: Wasn't right there. Well all the rest of the record,

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Speaker 2: the dog was right there and he died. He directed.

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Speaker 2: That's why it sounds so beautiful to I love it

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Speaker 2: the way dog directed. On that one, he had to

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Speaker 2: do an interview with thirty minutes. He went to do

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Speaker 2: the interview, the song was done, and when he came

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Speaker 2: back and he left us in there with the main

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Speaker 2: things you ain't supposed to leave me and Dell, which

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Speaker 2: is the mic and the equipment and all in the

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Speaker 2: drug with the week, Uh, you just grow a head.

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Speaker 2: The dad put some in his pocket and then he

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Speaker 2: started rolling some this thirty dog gass nigga.

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Speaker 1: Uh, we're working not for playing. How that studio is not?

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Speaker 5: How different did the film making this project versus the

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Speaker 5: projects y'all did together?

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Speaker 1: Younger, great question, no arguments, no dis grondo type of feelings. Mature,

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Speaker 1: more mature in this situation, you get more grown. Yeah,

373
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Speaker 1: that joint saying, just letting all the bullshit to the

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Speaker 1: past because we're here now. You know what I'm saying.

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Speaker 1: Fifty fifty one, fifty two. You know what I'm saying, right,

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Speaker 1: Funk were arguing for leave that ship in the past.

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Speaker 1: Let's make this great music and prove these other motherfuckers wrong. Right,

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Speaker 1: and you know who you are? Right like that trigger?

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Speaker 2: Right, you see what I gotta do with what that

380
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Speaker 2: shot wanted little Bopp for that ship Parka next Jesus

381
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Speaker 2: it was Cristal, but now was God damn God damn Yeah, yeah, okay, Oh,

382
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Speaker 2: this is one.

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Speaker 1: Of the crazy joints too, Rob Need some space, need

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Speaker 1: some space. Now you're talking.

385
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Speaker 3: You're talking enough to chicks and to niggas at some point.

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Speaker 1: Everybody, you know, sometimes you eat the space. You know,

387
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Speaker 1: I'm a Gemini, you know my space. I need some

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Speaker 1: weak and I hit the Jesus. How likely we go

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Speaker 1: places and they give him weed because he gives it

390
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Speaker 1: to me.

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Speaker 2: I do, so that's why you know I want to

392
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Speaker 2: I can't smoke a cigarette and I a little smoke.

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Speaker 1: Some d So how about you? How did that song

394
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Speaker 1: come about? Nissa's space?

395
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Speaker 2: Man? You know, I'm gonna be honest because I talked

396
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Speaker 2: to all my young folks because I played the record

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Speaker 2: for people. When that record come on there like that's

398
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Speaker 2: Blast and I'm like, okay, So I had to ask

399
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Speaker 2: Das because you know, Dad is my translator. He always

400
00:23:36,320 --> 00:23:39,000
Speaker 2: lets me know what's cracking because I'm an old ass

401
00:23:39,080 --> 00:23:40,800
Speaker 2: man because he hates when I say that, but it's

402
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Speaker 2: a old But the thing is, they showed me this ship,

403
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Speaker 2: this nigga got a hundred million views type of ship

404
00:23:51,480 --> 00:23:58,400
Speaker 2: with him and uh Tiger yep ty Dollar, and I'm like, damn,

405
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Speaker 2: I never knew. I always just like the record. I

406
00:24:02,119 --> 00:24:05,480
Speaker 2: love the record, so now I'm like, damn this, this

407
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Speaker 2: touches the youth because they know who Blast is.

408
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Speaker 1: So it made me pay more attention to the record

409
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Speaker 1: and I just love it because me and Snooper sitting there,

410
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Speaker 1: he was like, yeah, we need to put blasts on it,

411
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Speaker 1: you know what I'm saying. The Snoopy come with the ideas,

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Speaker 1: and you know, we executed because Snoop said he ain't

413
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Speaker 1: been in there and you know the death Ro studios

414
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Speaker 1: because he was working with Doctor Drake, so that's working

415
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Speaker 1: with doctor dr Snoop was working with doctor Dress so

416
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Speaker 1: his studio wasn't being used. And we were the first

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Speaker 1: ones to come back in there and crack it open.

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Speaker 3: With the Inglewood Studio. We did the Park and that

419
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Speaker 3: was Doctor Drake.

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Speaker 1: That was def Ro Studio, that Snoop studio down there,

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Speaker 1: but he wasn't recording there for months because he been

422
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Speaker 1: with Doctor Drake and were coming there and he said, man,

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Speaker 1: this studio ain't being cracked open in months, knocking off

424
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Speaker 1: the dirt, you know, the little dust stuff. But then

425
00:24:58,720 --> 00:25:01,280
Speaker 1: we started working. I think we're the first rap artist

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Speaker 1: to signing Death. Yeah, just signed with a Masterday, you

427
00:25:05,560 --> 00:25:10,840
Speaker 1: know what I'm saying. So oh yeah, smoke for the signing.

428
00:25:12,359 --> 00:25:14,920
Speaker 1: We got new mass man everything. It feels good. The

429
00:25:15,000 --> 00:25:17,200
Speaker 1: money flowing around like water around here. You know what

430
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Speaker 1: I'm saying. We got the old stuff back, you know

431
00:25:19,600 --> 00:25:23,399
Speaker 1: what I'm saying. And you know your old masters, a

432
00:25:23,440 --> 00:25:26,240
Speaker 1: little publishing, all the rights, you know what I'm saying,

433
00:25:26,280 --> 00:25:28,359
Speaker 1: and everything, so you know we control all that, you

434
00:25:28,400 --> 00:25:30,560
Speaker 1: know what I'm saying. So that's a hell of a

435
00:25:30,640 --> 00:25:32,480
Speaker 1: hell of a great thing. So I'm just going through

436
00:25:32,520 --> 00:25:35,040
Speaker 1: my books right now. So I got like about nine

437
00:25:36,320 --> 00:25:39,679
Speaker 1: you know what I'm saying. He's excited.

438
00:25:43,359 --> 00:25:45,520
Speaker 4: And how about how about the masters moving forward? Do

439
00:25:45,560 --> 00:25:47,480
Speaker 4: you guys own this master or is it a fifty

440
00:25:47,520 --> 00:25:48,080
Speaker 4: fifty day.

441
00:25:49,200 --> 00:25:51,040
Speaker 1: It's got some percentage thing with the dog, you know

442
00:25:51,080 --> 00:25:53,040
Speaker 1: what I'm saying. We let him only because he could

443
00:25:53,080 --> 00:25:55,119
Speaker 1: take it. But you know what I'm saying, and uh,

444
00:25:55,359 --> 00:25:57,240
Speaker 1: we're still doing our so little thing and whatever we

445
00:25:57,320 --> 00:25:58,800
Speaker 1: wanted to do. You know what I'm saying, Just a

446
00:25:58,840 --> 00:26:00,320
Speaker 1: great thing because you can do what you want to do.

447
00:26:00,920 --> 00:26:02,000
Speaker 3: We do your sould things.

448
00:26:02,000 --> 00:26:04,640
Speaker 1: On that ro two, we're doing a solo album.

449
00:26:04,880 --> 00:26:07,280
Speaker 2: You god damn right right right yeah, I'm a full

450
00:26:07,400 --> 00:26:09,960
Speaker 2: Monty right right right, I'm doing the full mon.

451
00:26:10,080 --> 00:26:15,399
Speaker 1: I like independent, right, I love it. Yeah, you know,

452
00:26:15,680 --> 00:26:18,960
Speaker 1: I like you know he wants to be. You know,

453
00:26:19,000 --> 00:26:21,320
Speaker 1: I taught everybody else how to do saying I'm the

454
00:26:21,359 --> 00:26:23,080
Speaker 1: first one out of the crew to go independence. You

455
00:26:23,119 --> 00:26:24,960
Speaker 1: know what I'm saying, press my own records up getting

456
00:26:25,000 --> 00:26:27,080
Speaker 1: nine dollars in Union. That's when it was ten dollars

457
00:26:27,119 --> 00:26:30,240
Speaker 1: and twelve dollars in UNI. Right, it was good money

458
00:26:30,280 --> 00:26:32,800
Speaker 1: back then in the nineties, and that was ship. I'mn

459
00:26:32,920 --> 00:26:37,160
Speaker 1: be honest. I've been waiting centuries to be uh back

460
00:26:37,440 --> 00:26:41,080
Speaker 1: with the Dog, right, you know, because that's a great thing,

461
00:26:41,119 --> 00:26:42,359
Speaker 1: you know what I'm saying. But I ain't going nowhere.

462
00:26:42,359 --> 00:26:44,399
Speaker 1: Whatever you asked me to do, it's done, you know

463
00:26:44,440 --> 00:26:47,320
Speaker 1: what I'm saying. We had a great time. We're doing this,

464
00:26:47,480 --> 00:26:53,320
Speaker 1: and we're gonna keep on doing Hello, bet you ship.

465
00:26:53,400 --> 00:26:55,240
Speaker 5: If this is just a sample of what y'all could

466
00:26:55,240 --> 00:26:57,360
Speaker 5: do together, the future looks good.

467
00:26:57,400 --> 00:26:59,840
Speaker 1: It was only a week work for work right next.

468
00:26:59,720 --> 00:27:01,760
Speaker 4: Dog And it sounds like Snoop wanted to be on

469
00:27:01,880 --> 00:27:04,359
Speaker 4: every record. Its like I had to tell him to

470
00:27:04,400 --> 00:27:06,760
Speaker 4: tell at one point, like, hell no, that is the

471
00:27:06,880 --> 00:27:08,120
Speaker 4: dog especially.

472
00:27:10,080 --> 00:27:13,600
Speaker 1: Is crazy truck. Who's the hardest? Right? Man?

473
00:27:13,840 --> 00:27:16,240
Speaker 3: Hold say that I got to sit in the order.

474
00:27:16,280 --> 00:27:17,399
Speaker 1: Come on, you're sucking it up.

475
00:27:17,840 --> 00:27:19,720
Speaker 2: Dog was like, man, you know what, I ain't gonna

476
00:27:19,720 --> 00:27:21,920
Speaker 2: get on this this Jeff for y'all after me and

477
00:27:22,000 --> 00:27:23,359
Speaker 2: Del Marle, who was me?

478
00:27:23,720 --> 00:27:27,560
Speaker 1: It was you and we started laying Dog said, oh,

479
00:27:27,640 --> 00:27:29,840
Speaker 1: hell no, he gets excited. You want to get you know,

480
00:27:29,920 --> 00:27:31,840
Speaker 1: I told him the other day, remember you want to

481
00:27:31,840 --> 00:27:36,919
Speaker 1: slap somebody the way, Yeah, you're ready to beat up

482
00:27:36,920 --> 00:27:37,959
Speaker 1: a motherfucker around here.

483
00:27:38,160 --> 00:27:40,840
Speaker 3: I hit him at four in the morning, and I

484
00:27:40,960 --> 00:27:43,240
Speaker 3: was like, you know, you never got the g and juice.

485
00:27:43,280 --> 00:27:43,399
Speaker 1: You know.

486
00:27:43,440 --> 00:27:46,520
Speaker 4: He hit me right back, sending me your singles. He said,

487
00:27:47,480 --> 00:27:50,720
Speaker 4: your clothing ads. I said, this motherfucker he's he is.

488
00:27:50,840 --> 00:27:52,600
Speaker 4: He is on it, bro, So let's make some annoying

489
00:27:52,640 --> 00:27:58,400
Speaker 4: with Snoop Dogg one time. A lot of people say

490
00:27:58,520 --> 00:28:02,040
Speaker 4: artists can't be CEOs, But I say a lot of

491
00:28:02,080 --> 00:28:04,280
Speaker 4: the times, artists are the best CEOs because they know

492
00:28:04,359 --> 00:28:06,040
Speaker 4: how to treat you. You may maybe they had to

493
00:28:06,160 --> 00:28:10,200
Speaker 4: go through a certain period where they didn't know that,

494
00:28:10,520 --> 00:28:12,240
Speaker 4: but then once they go through it, they know that.

495
00:28:12,680 --> 00:28:15,440
Speaker 4: Like one of the easiest festivals I ever did was

496
00:28:15,560 --> 00:28:17,960
Speaker 4: of Lovers and Friends, and that's usher running that ship.

497
00:28:18,000 --> 00:28:20,720
Speaker 1: You know what I'm saying, Like he treated me like

498
00:28:21,280 --> 00:28:22,840
Speaker 1: how I wanted to be treated. So I always say that.

499
00:28:23,080 --> 00:28:25,800
Speaker 4: I say, once the artists go through something, that artist

500
00:28:25,880 --> 00:28:28,880
Speaker 4: can actually be one of the best CEOs and CEOs.

501
00:28:29,680 --> 00:28:33,280
Speaker 2: But you know what, though, it's like you know when

502
00:28:34,280 --> 00:28:38,520
Speaker 2: we was young. You know what do you know when

503
00:28:38,560 --> 00:28:47,520
Speaker 2: you're young? Like we're the originals, now see what I'm saying,

504
00:28:47,520 --> 00:28:50,920
Speaker 2: because we're the elders now, you know what I mean.

505
00:28:51,200 --> 00:28:57,000
Speaker 2: So we've experienced loss, we've experienced gang the game and

506
00:28:57,200 --> 00:29:00,840
Speaker 2: gang banging. We experienced everything that there is is to

507
00:29:01,000 --> 00:29:03,680
Speaker 2: make us better now so that if we want to

508
00:29:03,760 --> 00:29:07,720
Speaker 2: be executives, we know how to treat the artists, what

509
00:29:07,920 --> 00:29:12,120
Speaker 2: the artist needs in a way to do it, you

510
00:29:12,160 --> 00:29:14,720
Speaker 2: see what I'm saying. So that's the great thing about

511
00:29:15,000 --> 00:29:18,040
Speaker 2: now with us is we're all seasoned. We know how

512
00:29:18,080 --> 00:29:21,720
Speaker 2: to play our positions. And to me, the greatest leader

513
00:29:21,760 --> 00:29:25,800
Speaker 2: I've ever had is the dog, and dog has always

514
00:29:26,000 --> 00:29:30,200
Speaker 2: led me to championships. So that's why I'm in for

515
00:29:30,320 --> 00:29:32,600
Speaker 2: the full mind you when it comes to Snoop. But

516
00:29:32,880 --> 00:29:35,400
Speaker 2: I've been waiting on this forever.

517
00:29:35,960 --> 00:29:43,320
Speaker 1: But the boy got his own money. What better place

518
00:29:43,400 --> 00:29:48,800
Speaker 1: to be we liquor money in the game. Let's give

519
00:29:48,800 --> 00:29:49,320
Speaker 1: a clutter that.

520
00:29:53,120 --> 00:29:55,160
Speaker 4: So let me actually move on to the next song.

521
00:29:55,240 --> 00:29:56,840
Speaker 4: My favorite cousin is Blue. I know we spoke about

522
00:29:56,840 --> 00:29:58,640
Speaker 4: it earlier. You said that I came up with that

523
00:29:58,720 --> 00:30:01,400
Speaker 4: you had in a white suit with the crypt bandanna behind.

524
00:30:01,880 --> 00:30:04,880
Speaker 1: Is that something? Is that something that you know?

525
00:30:04,920 --> 00:30:07,840
Speaker 4: Because when y'all first was talking about gangs back then,

526
00:30:08,160 --> 00:30:10,200
Speaker 4: it was really just in like the West Coast area.

527
00:30:10,320 --> 00:30:14,480
Speaker 4: Now this is global, worldwide. I've seen gangs and bloods

528
00:30:14,520 --> 00:30:17,120
Speaker 4: and crypts and Paris. I was bucking out, you know

529
00:30:17,160 --> 00:30:19,560
Speaker 4: what I mean, Like the pew Niggas.

530
00:30:20,320 --> 00:30:20,800
Speaker 1: I was like whoa.

531
00:30:21,320 --> 00:30:28,000
Speaker 3: I was like, yo, you know what I'm trying to say.

532
00:30:28,520 --> 00:30:32,080
Speaker 1: You know what I mean? Real with that ship. Now

533
00:30:32,160 --> 00:30:35,560
Speaker 1: that this world wide everywhere? Like, is this something that

534
00:30:36,360 --> 00:30:36,600
Speaker 1: you like?

535
00:30:36,840 --> 00:30:38,920
Speaker 4: Because you know, if you're saying blue, then these other

536
00:30:38,960 --> 00:30:41,160
Speaker 4: people might not like it. Is this that's something you

537
00:30:41,240 --> 00:30:44,160
Speaker 4: think about? It's like funk that fu that.

538
00:30:45,120 --> 00:30:46,960
Speaker 1: But you know, we look at everything. You know what

539
00:30:46,960 --> 00:30:48,520
Speaker 1: I'm saying. I appreciate it all. You know what I'm

540
00:30:48,520 --> 00:30:49,840
Speaker 1: saying because you know where it comes from.

541
00:30:54,440 --> 00:30:56,080
Speaker 4: Well, how about you? You ever think about that? Like

542
00:30:56,120 --> 00:30:58,000
Speaker 4: when you're making a favorite colors blue? Like do you

543
00:30:58,080 --> 00:31:01,080
Speaker 4: think that other people won't rock to it because you

544
00:31:01,200 --> 00:31:02,160
Speaker 4: know what their favorite color is?

545
00:31:02,280 --> 00:31:20,840
Speaker 1: Something else? Neighborhood? Okay, Yepnia, I gotta make'm they got

546
00:31:20,840 --> 00:31:22,640
Speaker 1: the anthem joint then. But it's like, you know, everybody

547
00:31:22,680 --> 00:31:24,400
Speaker 1: can say their own color when it's so come, you

548
00:31:24,440 --> 00:31:26,680
Speaker 1: know how everybody remix it in the car it can.

549
00:31:27,640 --> 00:31:30,640
Speaker 2: We're gonna do the remix with some of the homies.

550
00:31:30,680 --> 00:31:32,880
Speaker 2: You know they be on that ship, Nigga. I wouldn't

551
00:31:32,920 --> 00:31:35,600
Speaker 2: be shocked if you see us in YG Nigga giving

552
00:31:35,640 --> 00:31:39,479
Speaker 2: it up. Why my favorite coach is red, giving it up,

553
00:31:39,560 --> 00:31:41,880
Speaker 2: you know what I'm saying, Because we're just giving it

554
00:31:42,000 --> 00:31:45,160
Speaker 2: up for hours. But this is for our community though,

555
00:31:45,240 --> 00:31:48,880
Speaker 2: you know what I'm saying, So this ain't just about cripping.

556
00:31:49,360 --> 00:31:53,000
Speaker 2: This is about our community because of the people who

557
00:31:53,080 --> 00:31:56,400
Speaker 2: push this line for their communities too. Because some people's

558
00:31:56,400 --> 00:31:59,720
Speaker 2: favorite colors red, Our favorite color is blue. Some people's

559
00:31:59,720 --> 00:32:03,160
Speaker 2: favor the color is black. You know I'm saying ground

560
00:32:03,600 --> 00:32:05,600
Speaker 2: the black and right. You know what I'm saying. You know,

561
00:32:05,720 --> 00:32:08,840
Speaker 2: the Mexicans got their favorite color cause and that's what

562
00:32:08,920 --> 00:32:09,800
Speaker 2: we're gonna set off.

563
00:32:10,040 --> 00:32:14,400
Speaker 1: Tell them your favorite color, push the line. Fuck them. Hell,

564
00:32:17,440 --> 00:32:22,400
Speaker 1: that's real. Hey, it's not anti you, it's just we're

565
00:32:22,440 --> 00:32:26,760
Speaker 1: just talking about us, Okay, multi multi hood. So let's

566
00:32:26,800 --> 00:32:31,840
Speaker 1: talk about inside of her ship asked that question was terrible,

567
00:32:33,280 --> 00:32:38,360
Speaker 1: Cassid Bro. You know what I'm saying. So, you know,

568
00:32:38,400 --> 00:32:40,720
Speaker 1: what's all about setting up the next you know what

569
00:32:40,720 --> 00:32:42,640
Speaker 1: I'm saying. So everything that we're doing right now is

570
00:32:42,720 --> 00:32:44,840
Speaker 1: just setting everybody up, you know what I'm saying. So

571
00:32:45,440 --> 00:32:47,880
Speaker 1: come up with that project. Shout out the bunch casts.

572
00:32:48,520 --> 00:32:51,360
Speaker 1: That's like, it's a real like R and B song,

573
00:32:51,640 --> 00:32:52,680
Speaker 1: R and B song, but that's.

574
00:32:54,120 --> 00:32:58,040
Speaker 3: It's arm but it's not some ship. Now, come on,

575
00:32:58,160 --> 00:33:02,040
Speaker 3: let's tell me about it. Okay, really.

576
00:33:04,000 --> 00:33:08,120
Speaker 4: That's the question owner, you know, Okay, my bad, I

577
00:33:08,200 --> 00:33:11,080
Speaker 4: want to be a thirteen, my fult my holy ship.

578
00:33:12,120 --> 00:33:13,960
Speaker 1: They've always but they've always had records like that on

579
00:33:14,000 --> 00:33:16,320
Speaker 1: their album. We always had to, you know, you started

580
00:33:16,320 --> 00:33:18,120
Speaker 1: off that type of then't having fun records.

581
00:33:18,520 --> 00:33:21,440
Speaker 2: Having fun records ain't no fun, you know what I'm saying. Skits,

582
00:33:21,800 --> 00:33:24,000
Speaker 2: radio stations, everything with W balls.

583
00:33:24,400 --> 00:33:27,000
Speaker 1: That's how we started everything. In our living room. People

584
00:33:27,080 --> 00:33:28,400
Speaker 1: used to call, used to hook the phone up to

585
00:33:28,480 --> 00:33:32,160
Speaker 1: the microphone, and then when they call, we just talked ship.

586
00:33:33,400 --> 00:33:36,520
Speaker 1: They thought it was answer ship, Oh my god, and

587
00:33:37,000 --> 00:33:39,240
Speaker 1: it was the W ball w B A. I just

588
00:33:39,360 --> 00:33:46,040
Speaker 1: wanted to live inside inside of Yeah.

589
00:33:47,120 --> 00:33:48,840
Speaker 2: You know, hey, you know I would be honest with

590
00:33:48,960 --> 00:33:51,120
Speaker 2: you because these are the best records that I love

591
00:33:51,240 --> 00:33:54,640
Speaker 2: that just having fun and bring these to the table

592
00:33:54,640 --> 00:33:55,920
Speaker 2: because I'll be honest.

593
00:33:55,680 --> 00:33:58,400
Speaker 1: Because you know me, nor I want the bike. I'm

594
00:33:58,440 --> 00:34:01,880
Speaker 1: all by Dog said, you can't just kill every mc

595
00:34:02,040 --> 00:34:04,360
Speaker 1: all the goddamn time. You know, sometimes you got that fun.

596
00:34:04,960 --> 00:34:07,360
Speaker 2: So Dog bringing these records to the table like this

597
00:34:07,520 --> 00:34:13,400
Speaker 2: with Butch Cassidy because talking about inside of her and

598
00:34:13,560 --> 00:34:16,759
Speaker 2: I'm like, because I love these records, gun Dog, bring

599
00:34:16,880 --> 00:34:20,400
Speaker 2: these records. He making the motherfucking monsters.

600
00:34:20,440 --> 00:34:24,200
Speaker 1: He got to beat this relation, you know, you know

601
00:34:24,239 --> 00:34:32,200
Speaker 1: what I'm saying. Music, right Dog, fun Ship were in

602
00:34:32,239 --> 00:34:34,640
Speaker 1: the car listen and listen he going there and put

603
00:34:34,719 --> 00:34:40,120
Speaker 1: on some more and games. Ship that type of ship.

604
00:34:40,440 --> 00:34:42,279
Speaker 1: But this album got a balance of all of that though.

605
00:34:42,320 --> 00:34:44,920
Speaker 1: You gotta balance the balance when you.

606
00:34:45,080 --> 00:34:47,080
Speaker 4: Was starting this album, man, And I'm not trying to

607
00:34:47,080 --> 00:34:49,560
Speaker 4: gash up. I'm telling you real. This is real ship.

608
00:34:49,800 --> 00:34:53,440
Speaker 4: This is a real great fucking album, like like cohesive.

609
00:34:54,120 --> 00:34:55,960
Speaker 4: It sounds like like I said, this sounds like one

610
00:34:56,719 --> 00:35:00,279
Speaker 4: like one, like like like frame of mind, like when

611
00:35:00,320 --> 00:35:02,800
Speaker 4: you heard it, like the final did you did you like?

612
00:35:02,920 --> 00:35:04,520
Speaker 1: Man? I knew I could have. I knew I could

613
00:35:04,560 --> 00:35:06,640
Speaker 1: did it because we just heard the record. When you

614
00:35:06,719 --> 00:35:11,360
Speaker 1: heard it, we just we're just now hearing everything like

615
00:35:11,480 --> 00:35:13,880
Speaker 1: sequenced out and everything. Everything just like you're hearing it now.

616
00:35:14,280 --> 00:35:16,640
Speaker 1: We just got the record. We're just learning the lyrics.

617
00:35:19,760 --> 00:35:21,560
Speaker 1: It was that secret of a secret, you know what

618
00:35:21,600 --> 00:35:21,960
Speaker 1: I'm saying.

619
00:35:22,000 --> 00:35:23,319
Speaker 3: So I wasn't taking records home.

620
00:35:23,680 --> 00:35:26,279
Speaker 1: Was just well, every time we shoot a video, he says,

621
00:35:26,480 --> 00:35:28,080
Speaker 1: the lyrics to learn, that's the only time we get

622
00:35:28,120 --> 00:35:31,200
Speaker 1: to listen to the song, you know what I'm every day. Yeah,

623
00:35:31,719 --> 00:35:34,319
Speaker 1: just for the songs that you hear, like first four

624
00:35:35,440 --> 00:35:39,960
Speaker 1: my favorite colors, Blue, favorite colors blue, smoke Up, smoke up. Yeah,

625
00:35:40,160 --> 00:35:44,840
Speaker 1: it's that word. Yeah. That was the first video, Okay,

626
00:35:45,400 --> 00:35:47,960
Speaker 1: and then we got another video, which is the hardest.

627
00:35:48,440 --> 00:35:50,920
Speaker 1: The hardest is out with DJ Promilues. I think that

628
00:35:51,000 --> 00:35:53,200
Speaker 1: come out right before the album come out. That's the

629
00:35:53,320 --> 00:35:56,600
Speaker 1: last one you got for Meire on the turntables. That

630
00:35:56,680 --> 00:35:59,919
Speaker 1: record's crazy. It looks like the Vibe cover. Oh my god,

631
00:36:00,160 --> 00:36:01,960
Speaker 1: what the death ro Vibe cover with Yeah, the death

632
00:36:02,000 --> 00:36:07,440
Speaker 1: ro Vibe cover. Yeah, you know, just uh we heard

633
00:36:07,480 --> 00:36:10,319
Speaker 1: at the same time you heard it, really yeah, Yeah,

634
00:36:11,400 --> 00:36:14,600
Speaker 1: make the album. It's on gall of Music in the metaverse.

635
00:36:15,560 --> 00:36:17,560
Speaker 1: So we got two records on there called Finesse and

636
00:36:17,680 --> 00:36:21,560
Speaker 1: bag Up with October London, okay and Jay Black. That's

637
00:36:21,880 --> 00:36:24,360
Speaker 1: you laid your verse on. Yeah. I listened to it

638
00:36:24,400 --> 00:36:29,000
Speaker 1: on YouTube. That's what he told me. Two songs on YouTube.

639
00:36:29,120 --> 00:36:31,120
Speaker 1: You know, I go hurt from YouTube, you know, and

640
00:36:31,239 --> 00:36:39,600
Speaker 1: go YouTube the MP four you on bad. Yeah, you're

641
00:36:39,600 --> 00:36:42,560
Speaker 1: not used to that world. You know this nigga can't

642
00:36:42,640 --> 00:36:49,000
Speaker 1: stop what I'm just disputed distributed through Gamma Gamma. Yeah,

643
00:36:49,160 --> 00:36:52,040
Speaker 1: you know they got Usher, Okay, they got well is

644
00:36:52,120 --> 00:36:55,919
Speaker 1: that Larry Jackson ship? Yeah? Okay, okay, all right, damn okay,

645
00:36:56,000 --> 00:36:58,920
Speaker 1: Snoop getting that funny he getting that money. Then you

646
00:36:59,000 --> 00:37:01,160
Speaker 1: mentioned he got that gallon a deal to that, which

647
00:37:01,200 --> 00:37:04,799
Speaker 1: is the metaverse stuff. I'm learning that NFT. What are

648
00:37:04,800 --> 00:37:08,800
Speaker 1: they talking about the NFC? Yeah, I said remembers. They

649
00:37:08,880 --> 00:37:11,320
Speaker 1: put the other songs in the metaverse of the middle

650
00:37:13,840 --> 00:37:18,600
Speaker 1: that is. Yeah, so you know, two songs that makes

651
00:37:18,640 --> 00:37:23,839
Speaker 1: sixteen all together. Okay, okay, Holy So look, we're gonna

652
00:37:23,840 --> 00:37:26,080
Speaker 1: play a game. Come on, you play it quick time?

653
00:37:26,280 --> 00:37:28,680
Speaker 5: Yes, because I don't think they've never played quick Time.

654
00:37:31,200 --> 00:37:35,320
Speaker 5: We have a Flowers neither Triple Time alumni. Ye, but

655
00:37:35,520 --> 00:37:36,520
Speaker 5: never played quick time.

656
00:37:37,880 --> 00:37:38,160
Speaker 1: Let's go.

657
00:37:39,320 --> 00:37:42,319
Speaker 4: So we left off as a smoke times. Yeah, smoke time.

658
00:37:42,719 --> 00:37:43,480
Speaker 4: We need our phone.

659
00:37:43,719 --> 00:37:46,239
Speaker 5: Yeah, we got the questions. They send us the question.

660
00:37:46,280 --> 00:37:48,640
Speaker 5: So we're gonna give you to two different names, two

661
00:37:48,640 --> 00:37:52,359
Speaker 5: different choices. You pick one nobody drinks. If you say

662
00:37:52,440 --> 00:37:53,800
Speaker 5: both or neither? Were all drinking?

663
00:37:55,600 --> 00:37:56,040
Speaker 1: Yes and no?

664
00:37:56,600 --> 00:38:00,200
Speaker 5: Yeah, basically like this person, this can't look it is

665
00:38:00,239 --> 00:38:02,680
Speaker 5: this candle. You say this candle, we're not drinking. You

666
00:38:02,760 --> 00:38:04,080
Speaker 5: say both candles were drinking.

667
00:38:04,600 --> 00:38:07,760
Speaker 4: I'm taking a shot. You want to take shots as killer?

668
00:38:08,440 --> 00:38:09,280
Speaker 4: What you got patron?

669
00:38:09,520 --> 00:38:12,400
Speaker 1: I got? We got patron, we got, we got, we

670
00:38:12,480 --> 00:38:15,719
Speaker 1: got the killer. Yeah, were in the game. Some more champagne. Okay, yeah,

671
00:38:15,800 --> 00:38:18,759
Speaker 1: you take the smoke on double Okay yeah yeah wait,

672
00:38:18,840 --> 00:38:21,280
Speaker 1: well no, no, because you gotta take a shot.

673
00:38:22,160 --> 00:38:26,520
Speaker 6: Take a shot, claw vodka whatever, put me a piece

674
00:38:26,520 --> 00:38:27,160
Speaker 6: of ice in there.

675
00:38:27,200 --> 00:38:38,239
Speaker 7: Okay, yeah, okay, it's a celebrating nights too.

676
00:38:38,320 --> 00:38:39,919
Speaker 1: If they were going to take a shot, we gonna

677
00:38:39,960 --> 00:38:47,520
Speaker 1: take it. And we're celebrated Brand's birthday. How about that that? Yeah?

678
00:38:49,360 --> 00:38:58,719
Speaker 8: He oh the Gemini jumping us now dp B G

679
00:38:58,960 --> 00:39:01,160
Speaker 8: C gem and I eyes everywhere, my wife.

680
00:39:01,680 --> 00:39:04,319
Speaker 1: We got dads, We got a man.

681
00:39:04,520 --> 00:39:06,560
Speaker 3: What we're doing one of the greatest groups of all

682
00:39:06,640 --> 00:39:07,439
Speaker 3: motherfucking time.

683
00:39:07,719 --> 00:39:12,839
Speaker 1: Are you ready? Yes, Drey or Snoop, both take a shot.

684
00:39:12,880 --> 00:39:16,960
Speaker 1: Take a shot. We need more shots, he said, yes.

685
00:39:17,080 --> 00:39:18,360
Speaker 1: Or know what, you take whatever you.

686
00:39:20,239 --> 00:39:23,040
Speaker 3: To it, whatever in your you gotta ride it out.

687
00:39:24,000 --> 00:39:27,719
Speaker 1: Don't know that's a shot. It's a shot. That was

688
00:39:27,760 --> 00:39:33,040
Speaker 1: a shot to me. That's why I say, you gotta

689
00:39:33,080 --> 00:39:38,640
Speaker 1: pay yourself. No, let me smoke too. It take you

690
00:39:39,120 --> 00:39:42,239
Speaker 1: shot we got. I went for the other glass. I'm

691
00:39:42,280 --> 00:39:46,440
Speaker 1: doing a three shot man, cause you can't rewrite this story.

692
00:39:47,560 --> 00:39:51,120
Speaker 1: I'm already hammered. I'm sucking me. I'm already because you

693
00:39:51,160 --> 00:39:53,480
Speaker 1: gotta take a shot. Because yeah, by the way, I

694
00:39:53,520 --> 00:39:59,000
Speaker 1: love your relationship. You take your shot. I'm a natural.

695
00:40:00,120 --> 00:40:02,520
Speaker 1: I'm trying to you. I got this. You know what

696
00:40:03,520 --> 00:40:09,120
Speaker 1: this thing to me? Right? Hold on, finish this upon.

697
00:40:12,640 --> 00:40:16,120
Speaker 9: I ain't driving today. You're not driving today. Cut handling,

698
00:40:21,120 --> 00:40:23,040
Speaker 9: So don't answer no more questions like that.

699
00:40:24,239 --> 00:40:25,200
Speaker 3: But we did explain them.

700
00:40:25,200 --> 00:40:29,919
Speaker 1: The rules. R okay, Jay z or Big Daddy Kane,

701
00:40:31,120 --> 00:40:37,080
Speaker 1: Jigger Okay, poker easy, Big Daddy Cane.

702
00:40:37,360 --> 00:40:46,520
Speaker 10: No, I'm sorry, this question for me both of you. Actually,

703
00:40:46,520 --> 00:40:48,520
Speaker 10: I want both of you. Give it to me to

704
00:40:49,040 --> 00:40:51,720
Speaker 10: easy present new Tupac.

705
00:40:53,719 --> 00:40:56,480
Speaker 2: I didn't get a chance to be around Eric, but

706
00:40:56,680 --> 00:40:59,160
Speaker 2: Eric is the grandfather of this game.

707
00:40:59,280 --> 00:41:02,680
Speaker 1: That god fly. I go with Eric respect like he

708
00:41:02,760 --> 00:41:05,000
Speaker 1: did that about you, guys, what would you say? I

709
00:41:05,160 --> 00:41:11,120
Speaker 1: go with both? You go, you gotta take a drink?

710
00:41:11,160 --> 00:41:13,120
Speaker 1: If you go both, which one is the one with?

711
00:41:13,560 --> 00:41:16,120
Speaker 1: You know you gotta do you gotta do a shot

712
00:41:16,160 --> 00:41:17,799
Speaker 1: because right we.

713
00:41:17,880 --> 00:41:18,960
Speaker 3: Just want to make sure dads know.

714
00:41:19,200 --> 00:41:19,520
Speaker 1: I think that.

715
00:41:22,320 --> 00:41:25,560
Speaker 3: When you gotta drink okay, you say both, you gotta drink.

716
00:41:25,520 --> 00:41:31,360
Speaker 1: Okay because I know the rule. He drink all. I

717
00:41:31,600 --> 00:41:38,760
Speaker 1: got it. Yeah, we said yeah at the same times.

718
00:41:38,800 --> 00:41:39,719
Speaker 1: That another shot.

719
00:41:42,000 --> 00:41:44,799
Speaker 3: DJ Quick J Quick battle Cat.

720
00:41:50,960 --> 00:41:53,080
Speaker 1: I answered, I really, you gotta answer you. I like

721
00:41:53,200 --> 00:41:53,719
Speaker 1: both of them.

722
00:41:57,760 --> 00:41:59,279
Speaker 3: That did you explain to him?

723
00:42:00,840 --> 00:42:04,480
Speaker 1: Watched the show. You got the shot. I'm taking the

724
00:42:04,520 --> 00:42:10,360
Speaker 1: shut because you're not standing the rules of engagement. You

725
00:42:10,440 --> 00:42:12,840
Speaker 1: don't have us all different after this man, damn it,

726
00:42:12,920 --> 00:42:15,320
Speaker 1: demn my you. Oh now she's just bringing it because

727
00:42:15,320 --> 00:42:21,359
Speaker 1: you keep sucking up. You got your own. This one

728
00:42:21,440 --> 00:42:27,160
Speaker 1: got frost on it because that's yours. The next one

729
00:42:27,239 --> 00:42:31,280
Speaker 1: is for corrupt d O C or m c ren corrupt.

730
00:42:32,320 --> 00:42:34,279
Speaker 1: I'm sorry what happened the d O C or m

731
00:42:34,360 --> 00:42:40,480
Speaker 1: C w ren d O C d O C. Okay, explain.

732
00:42:42,000 --> 00:42:45,160
Speaker 2: You got because these are all greats, y'all mention because

733
00:42:45,200 --> 00:42:47,160
Speaker 2: it's hard to mention it. We don't want to get

734
00:42:47,160 --> 00:42:55,680
Speaker 2: too fucked up. Well, I am or forell his mouth

735
00:42:55,760 --> 00:42:56,680
Speaker 2: shaking like.

736
00:42:59,120 --> 00:43:04,719
Speaker 1: I'm gonna take for real? Uh m Okay, I wasn't ready.

737
00:43:05,719 --> 00:43:11,320
Speaker 1: You got it. You could take this one Kendrick or

738
00:43:11,400 --> 00:43:21,879
Speaker 1: Drake Kendrick Kendrick. That wasn't hard to realize, even though

739
00:43:21,960 --> 00:43:24,080
Speaker 1: Drake is one of my favorite artists. I can't lie.

740
00:43:24,200 --> 00:43:29,320
Speaker 5: But no, I heard yourself before to motherfucker right n

741
00:43:29,800 --> 00:43:32,719
Speaker 5: shot the public enemy n w A.

742
00:43:37,080 --> 00:43:47,040
Speaker 3: Uh nas or scarface damn, this is just for your

743
00:43:47,080 --> 00:43:48,000
Speaker 3: house for you cut.

744
00:43:49,960 --> 00:43:53,719
Speaker 1: Forever, gonna say both. I'm gonna go with scarface. M

745
00:43:53,880 --> 00:43:58,359
Speaker 1: hmm where you're gonna cut? Wait?

746
00:43:58,400 --> 00:44:00,760
Speaker 2: Wait, wait wait I thought it was one out of time. Okay,

747
00:44:03,400 --> 00:44:09,759
Speaker 2: lawyer right, I'm a lawyer, came full of fool.

748
00:44:11,640 --> 00:44:12,600
Speaker 1: Let's go. Let's keep going.

749
00:44:12,640 --> 00:44:15,560
Speaker 5: I'm gonna say this one, okay, me against the world

750
00:44:15,600 --> 00:44:16,799
Speaker 5: of Micavelly.

751
00:44:17,880 --> 00:44:19,600
Speaker 1: Me against the world easily.

752
00:44:21,200 --> 00:44:28,080
Speaker 4: The baby or little Baby, throat Baby, you got a

753
00:44:28,160 --> 00:44:31,719
Speaker 4: new album? Yeah, killed it to the baby came to

754
00:44:31,840 --> 00:44:33,520
Speaker 4: y'all world. I love a little baby.

755
00:44:34,040 --> 00:44:36,400
Speaker 2: I love both of them, but the baby though, because

756
00:44:36,440 --> 00:44:39,120
Speaker 2: I end my shows with throat Baby, because that motherfucker

757
00:44:39,160 --> 00:44:40,400
Speaker 2: is so bad and the best.

758
00:44:40,280 --> 00:44:45,919
Speaker 1: In the head on the world on I love it. Yeah.

759
00:44:47,200 --> 00:44:49,520
Speaker 1: I thought you had hard questions because where's where's the

760
00:44:50,360 --> 00:44:59,680
Speaker 1: okay and y see or Miami? Miami? Okay, but you

761
00:44:59,719 --> 00:45:02,279
Speaker 1: said answer this to Okay, I'll answered you know what

762
00:45:02,320 --> 00:45:10,839
Speaker 1: I'm saying. What was the question? Or Miami? What about them? Which?

763
00:45:11,400 --> 00:45:15,040
Speaker 1: Which were you? Which you? As far as what.

764
00:45:18,160 --> 00:45:20,840
Speaker 2: It sounds like artists or something, and we're talking about, uh,

765
00:45:23,760 --> 00:45:26,000
Speaker 2: what city we want to be in more there we go. Okay,

766
00:45:26,280 --> 00:45:31,200
Speaker 2: oh man, that's self explanatory. Be honest, Gods, I got

767
00:45:31,400 --> 00:45:38,080
Speaker 2: to be honest. Okay, Miami, Okay, dancing that they got

768
00:45:38,440 --> 00:45:41,200
Speaker 2: they got a uh they got a Spanish little spot

769
00:45:41,280 --> 00:45:42,120
Speaker 2: out on Miami.

770
00:45:44,280 --> 00:45:46,200
Speaker 1: Get That's how I learned how to do my thing

771
00:45:46,360 --> 00:45:53,560
Speaker 1: right it me. Oh yeah, I told you a long

772
00:45:53,640 --> 00:45:56,520
Speaker 1: time told Okay.

773
00:45:57,760 --> 00:46:03,960
Speaker 2: Yeah, Matt ten Ord, damn, damn, you got a good one.

774
00:46:04,040 --> 00:46:07,759
Speaker 2: Good luck, good luck. They think I'm gonna get ready

775
00:46:07,800 --> 00:46:08,520
Speaker 2: to take a shot, a.

776
00:46:08,600 --> 00:46:13,239
Speaker 1: Ready ready to run it out good cougie rap or

777
00:46:13,280 --> 00:46:28,920
Speaker 1: big punty Yeah, self explained to him the next the

778
00:46:29,040 --> 00:46:34,520
Speaker 1: chronic chronic two thousand and one. Well, who's the question, folks,

779
00:46:35,760 --> 00:46:41,200
Speaker 1: both of y'all chronic, the chronic. I'm gonna I'm gonna

780
00:46:41,200 --> 00:46:50,560
Speaker 1: make some chronic. It wouldn't be no plus we make

781
00:46:50,640 --> 00:46:51,319
Speaker 1: bitches ain't ship.

782
00:46:51,440 --> 00:46:53,400
Speaker 2: And they taught me about the sleeper record, where you

783
00:46:53,520 --> 00:46:56,319
Speaker 2: don't mention that the record's on there, and then they

784
00:46:56,480 --> 00:46:57,759
Speaker 2: just listen to the record to the end.

785
00:46:57,840 --> 00:47:00,640
Speaker 1: Nobody to put records on there that didn't At the end,

786
00:47:00,680 --> 00:47:01,480
Speaker 1: you wuldn't know what there was.

787
00:47:01,520 --> 00:47:03,680
Speaker 2: It just because you're doing something else and the records

788
00:47:03,719 --> 00:47:05,399
Speaker 2: still going on, and then something come out.

789
00:47:05,320 --> 00:47:08,479
Speaker 1: The blue and you'd be like, what that boom blue?

790
00:47:08,520 --> 00:47:10,839
Speaker 1: They motherfucking the blue?

791
00:47:10,880 --> 00:47:16,279
Speaker 3: Their head off. Pauls like this for you, who rolled better?

792
00:47:17,400 --> 00:47:18,799
Speaker 3: Dash or Snoop.

793
00:47:20,680 --> 00:47:25,880
Speaker 1: Rolling weed? Yeah? Dash definitely, I rolled quickly like, but

794
00:47:25,920 --> 00:47:27,719
Speaker 1: he rolled back with I can't I can't get in

795
00:47:27,800 --> 00:47:29,799
Speaker 1: that field. Yeah, that was a little that's too much

796
00:47:30,040 --> 00:47:34,440
Speaker 1: den Mark putting together like a mix ca. Yeah, you

797
00:47:34,440 --> 00:47:42,040
Speaker 1: know what I'm saying, Like an egg roll use that egg. Okay,

798
00:47:44,000 --> 00:47:46,359
Speaker 1: Dash can roll on a dirt bike. I can roll

799
00:47:46,400 --> 00:47:46,839
Speaker 1: in the dark.

800
00:47:47,760 --> 00:47:51,319
Speaker 3: Jesus O, my mom, Biggie Smalls or ice Cube.

801
00:47:53,360 --> 00:47:56,719
Speaker 2: You had to do it that way, ice Cube, I

802
00:47:56,800 --> 00:48:01,879
Speaker 2: gotta ask you to corrupt. That wasn't even something if

803
00:48:01,960 --> 00:48:10,480
Speaker 2: you should ask me South Central, you.

804
00:48:10,520 --> 00:48:15,640
Speaker 1: Gotta you gotta go ice q Oh no, cause suld

805
00:48:15,640 --> 00:48:21,560
Speaker 1: have done done. Take a shot Happy birthday, Happy birthday, Mama.

806
00:48:21,840 --> 00:48:26,640
Speaker 1: Because I can't woo, I'll take a shot. Okay, m hmm.

807
00:48:27,880 --> 00:48:32,680
Speaker 3: That was unfair. This is a fair one. He's a

808
00:48:32,760 --> 00:48:35,440
Speaker 3: fair one, A.

809
00:48:35,480 --> 00:48:40,799
Speaker 1: Fair one, gonna drink champs, nigga be a champion. He said,

810
00:48:40,840 --> 00:48:43,839
Speaker 1: were the hard ones, and he liked this type of ship.

811
00:48:44,040 --> 00:48:46,319
Speaker 1: I do too. Ain't gonna lie. I'd like to see

812
00:48:46,360 --> 00:48:58,360
Speaker 1: me like like you said, small, don't say that. You

813
00:48:58,400 --> 00:49:01,520
Speaker 1: should know that I was gonna be when me and

814
00:49:01,640 --> 00:49:10,640
Speaker 1: Nor get together get together and we got fun. That's

815
00:49:10,640 --> 00:49:15,080
Speaker 1: a fair one for you. Exhibit or rash cast. Oh,

816
00:49:24,080 --> 00:49:38,080
Speaker 1: I'm like, I'm gonna pass the c that sucked up

817
00:49:41,120 --> 00:49:45,600
Speaker 1: think Okay, Okay, that's the new game, y'all. You passed it.

818
00:49:47,080 --> 00:49:49,440
Speaker 1: He passed to your partner. You know, let's tag no, no,

819
00:49:49,520 --> 00:49:50,879
Speaker 1: you know you're gonna that one.

820
00:49:51,600 --> 00:49:53,560
Speaker 4: The person can hit the buzzer up and say, what

821
00:49:53,640 --> 00:49:55,600
Speaker 4: are you gonna do? I could dash and then dazz

822
00:49:55,680 --> 00:49:58,279
Speaker 4: mean you can pass it to the next man. Dam

823
00:49:58,600 --> 00:50:00,480
Speaker 4: only happened when you got your own we would do it.

824
00:50:00,760 --> 00:50:03,400
Speaker 4: Only happen to You can't be sold in passing the

825
00:50:03,440 --> 00:50:07,880
Speaker 4: sun like it's a bonus point and it's called the

826
00:50:08,000 --> 00:50:09,600
Speaker 4: dazh You in the.

827
00:50:09,600 --> 00:50:15,440
Speaker 11: Group, you da we're going dazz Shipoholics, Cypress Hill.

828
00:50:18,680 --> 00:50:19,279
Speaker 1: That's what.

829
00:50:19,760 --> 00:50:23,520
Speaker 3: Damn del Mark, make up your motherfucking.

830
00:50:23,000 --> 00:50:27,520
Speaker 5: Mind and your sipping shots is ill right there because

831
00:50:27,560 --> 00:50:29,239
Speaker 5: you've got nightmare there.

832
00:50:30,120 --> 00:50:36,280
Speaker 4: You know I'm sing you yeah, you have the talkboard.

833
00:50:37,760 --> 00:50:39,520
Speaker 4: I'm gonna play the famous game.

834
00:50:40,239 --> 00:50:43,400
Speaker 1: Four of us. I know that's right that there. You

835
00:50:43,640 --> 00:50:52,959
Speaker 1: miss your flight. Damn you just keep all right. Damn

836
00:50:53,040 --> 00:50:55,440
Speaker 1: del Mark, you got a whole motherfucking you got a

837
00:50:55,520 --> 00:51:02,880
Speaker 1: car lot parking, the shots a driving movie over there.

838
00:51:05,080 --> 00:51:06,759
Speaker 1: I was looking at making cups, nor of your head

839
00:51:06,800 --> 00:51:14,160
Speaker 1: over there like analog of digital. Oh that's a dash.

840
00:51:16,120 --> 00:51:20,200
Speaker 1: It's not only we only got sixty, not like six

841
00:51:20,320 --> 00:51:29,840
Speaker 1: more like you dig. You can't pass this all to me?

842
00:51:30,000 --> 00:51:31,520
Speaker 1: All they want all I'm gonna do is ask you.

843
00:51:32,040 --> 00:51:36,200
Speaker 1: I'm like that the dumb one, which one? I can't

844
00:51:36,239 --> 00:51:36,880
Speaker 1: hear nothing.

845
00:51:39,600 --> 00:51:42,280
Speaker 3: Producing wise, you know, I mean you have a preference

846
00:51:42,320 --> 00:51:43,120
Speaker 3: on assuming digital?

847
00:51:43,160 --> 00:51:48,719
Speaker 1: Which analog of digital? Analog? Okay, okay, I like analog.

848
00:51:49,440 --> 00:51:51,839
Speaker 1: Tell them why I can run that. I can run

849
00:51:52,040 --> 00:51:56,680
Speaker 1: my uh stuff through the analog to go through the digital.

850
00:51:57,000 --> 00:51:58,520
Speaker 1: You know what I'm saying. So it's get that same.

851
00:52:00,239 --> 00:52:02,719
Speaker 1: So you just run whatever you got into your analogue,

852
00:52:03,000 --> 00:52:06,680
Speaker 1: then running into your digital. Got the same ship at

853
00:52:06,680 --> 00:52:10,920
Speaker 1: the best of both worlds. Got that I just want

854
00:52:11,000 --> 00:52:15,880
Speaker 1: for you. It's a good king t or f C eight. No,

855
00:52:16,040 --> 00:52:20,800
Speaker 1: I just can't keep taking this. I regret my motherfucker glass.

856
00:52:23,200 --> 00:52:26,719
Speaker 1: This is gonna get drunk today, you know, because we

857
00:52:26,840 --> 00:52:27,399
Speaker 1: love all our.

858
00:52:27,560 --> 00:52:30,400
Speaker 11: When this is the first motherfucker shot you took. Motherfuckers

859
00:52:34,719 --> 00:52:39,600
Speaker 11: this right there. You want to, I'm gonna tell me

860
00:52:44,200 --> 00:52:45,400
Speaker 11: Jay Rockers, Schoolboy Q.

861
00:52:47,719 --> 00:52:50,359
Speaker 1: Let's go both of them. Okay, damn yeah, I will.

862
00:52:50,880 --> 00:52:55,319
Speaker 1: That's going double trouble. I would a good answer them,

863
00:52:55,600 --> 00:53:01,879
Speaker 1: good Lady of rage, remie Ma. Now you know that's

864
00:53:01,960 --> 00:53:06,800
Speaker 1: not that real. That's not shot. Hell yeah, drinking this

865
00:53:09,960 --> 00:53:10,400
Speaker 1: I told you.

866
00:53:13,000 --> 00:53:15,720
Speaker 2: Now, Hey, y'all wanted to get hammered. Y'all keep asking,

867
00:53:16,560 --> 00:53:23,759
Speaker 2: you can't go forget the nigga got a whole motherfucking

868
00:53:23,880 --> 00:53:24,640
Speaker 2: gang over here.

869
00:53:27,480 --> 00:53:29,920
Speaker 1: So you took your shot already. Yeah, no, don't get

870
00:53:29,960 --> 00:53:35,120
Speaker 1: me not because because unanswered questions answer questions.

871
00:53:35,440 --> 00:53:47,760
Speaker 12: These are unanswered questions, because you gotta answer your question, amore.

872
00:53:48,120 --> 00:53:50,920
Speaker 3: I've never seen this is awesome.

873
00:53:51,400 --> 00:53:52,759
Speaker 1: Those are your questions.

874
00:53:54,440 --> 00:54:01,600
Speaker 2: What you're saying, Holy got you because on sixty three

875
00:54:01,880 --> 00:54:04,160
Speaker 2: on DPGC.

876
00:54:03,360 --> 00:54:06,920
Speaker 1: Because I got to deal with D with with d

877
00:54:07,120 --> 00:54:10,200
Speaker 1: A Z this motherfucker right here. That's how are your

878
00:54:10,520 --> 00:54:12,680
Speaker 1: question fucked up? Like that? Looking at the stars and

879
00:54:12,719 --> 00:54:15,720
Speaker 1: ship and then they would make for all my niggas

880
00:54:15,760 --> 00:54:18,600
Speaker 1: in my basis, we call ourselves the dog Pan. That's

881
00:54:18,600 --> 00:54:21,279
Speaker 1: where we lived in. That's a gang we claim and

882
00:54:21,400 --> 00:54:22,799
Speaker 1: all that. You know what I'm saying that we're gonna

883
00:54:22,800 --> 00:54:25,040
Speaker 1: become the dog Pan. The next day we did. How

884
00:54:25,080 --> 00:54:28,960
Speaker 1: old was we? Niggas? Don't give me what justice? Soundtrack

885
00:54:29,480 --> 00:54:32,080
Speaker 1: dog Pan was born today. That's the first record. Yeah, yeah,

886
00:54:32,120 --> 00:54:34,720
Speaker 1: we was like nineteen twenties. Yeah, we were solo artists

887
00:54:34,760 --> 00:54:36,120
Speaker 1: because you know, when the Corner came out, we had

888
00:54:36,160 --> 00:54:38,279
Speaker 1: our name on it and when Sloop came out the

889
00:54:38,320 --> 00:54:41,040
Speaker 1: second time we with the dog Pad, they didn't realize that,

890
00:54:41,200 --> 00:54:43,279
Speaker 1: so y'all wear the dog Pound on that album. But

891
00:54:43,360 --> 00:54:46,360
Speaker 1: we never was signed as the dog Pound, right, you

892
00:54:46,400 --> 00:54:48,840
Speaker 1: know what I'm saying in contract wise, we just signed

893
00:54:48,920 --> 00:54:50,879
Speaker 1: as the dog Pan with Snoop. You know what I'm

894
00:54:50,880 --> 00:54:54,200
Speaker 1: saying because first time ever dog on contract. Yea on

895
00:54:54,320 --> 00:54:56,160
Speaker 1: contract because we just made that ship up, you know,

896
00:54:56,239 --> 00:54:59,920
Speaker 1: should went whatever ship. So the Dark Pound was never

897
00:55:00,040 --> 00:55:05,400
Speaker 1: officially a group, so I was solo.

898
00:55:06,120 --> 00:55:07,680
Speaker 2: And then we just said we're gonna be the Doll

899
00:55:07,760 --> 00:55:10,200
Speaker 2: Pound because because we already had the doll Pound as

900
00:55:10,440 --> 00:55:12,239
Speaker 2: all of us, which was Snoop House.

901
00:55:12,800 --> 00:55:14,480
Speaker 1: Snoopman named this house.

902
00:55:14,360 --> 00:55:16,560
Speaker 2: This is the doll Pound because this is all us

903
00:55:16,640 --> 00:55:19,840
Speaker 2: at and so dads just said, man, you know what,

904
00:55:19,960 --> 00:55:22,560
Speaker 2: because we're gonna be Doll Town.

905
00:55:23,040 --> 00:55:26,439
Speaker 1: Doctor d producing nobody else album but rb X Raised

906
00:55:26,480 --> 00:55:29,560
Speaker 1: and Snoop. That's when I started stealing drum machines and

907
00:55:29,640 --> 00:55:33,759
Speaker 1: all kinds of ship, start learning that ship for the

908
00:55:33,840 --> 00:55:38,680
Speaker 1: whole motherfucking album together for the whole from that's all.

909
00:55:38,880 --> 00:55:40,239
Speaker 1: You know, the place that rent the company, you know,

910
00:55:40,280 --> 00:55:43,040
Speaker 1: the ship that went doing the shows and ship that's

911
00:55:43,080 --> 00:55:49,439
Speaker 1: all some shah, give me tow it up a couple

912
00:55:49,480 --> 00:55:55,759
Speaker 1: of amps. Never bring that ship. That's when we were

913
00:55:55,800 --> 00:55:57,840
Speaker 1: breaking into the studio. I has to break into the

914
00:55:58,080 --> 00:56:00,040
Speaker 1: you know Dick Griffin, you know Solo Records, and you

915
00:56:00,040 --> 00:56:03,400
Speaker 1: know the man that created a whispers Lake's side baby

916
00:56:03,480 --> 00:56:05,320
Speaker 1: face all we used to break in his students to

917
00:56:05,320 --> 00:56:06,080
Speaker 1: take the whole mother.

918
00:56:06,200 --> 00:56:07,640
Speaker 5: Look how he set him up as a great guy.

919
00:56:07,680 --> 00:56:09,319
Speaker 5: And then we just broke into a studio.

920
00:56:10,000 --> 00:56:13,680
Speaker 1: Broke it. Took the whole back off the elevator. I

921
00:56:13,760 --> 00:56:15,640
Speaker 1: got a piece of for you because you know back

922
00:56:15,680 --> 00:56:17,879
Speaker 1: in they take the little cars from the promoted ship.

923
00:56:19,200 --> 00:56:21,120
Speaker 1: So I knew how to hit the positive with the negative.

924
00:56:21,400 --> 00:56:24,279
Speaker 1: And we go up to the third floor. Then I

925
00:56:24,360 --> 00:56:26,840
Speaker 1: opened the door, let everybody in, and when you know,

926
00:56:27,000 --> 00:56:30,760
Speaker 1: we was recording on s s HL boards, still the boars,

927
00:56:30,880 --> 00:56:31,759
Speaker 1: the whole boy, it was.

928
00:56:32,120 --> 00:56:32,440
Speaker 13: It was on.

929
00:56:32,680 --> 00:56:34,399
Speaker 1: You know what I'm saying. Everything was on because Doctor

930
00:56:34,480 --> 00:56:35,680
Speaker 1: j used to be up in there and we'd be

931
00:56:35,719 --> 00:56:37,359
Speaker 1: watching it. So we went in the back and grab

932
00:56:37,560 --> 00:56:40,080
Speaker 1: a tape and the tape was the Whispers.

933
00:56:40,440 --> 00:56:43,560
Speaker 14: And you know what back then that was recorded the whispers,

934
00:56:46,120 --> 00:56:48,920
Speaker 14: I mean with the we recorded over the whispers man

935
00:56:49,120 --> 00:56:51,000
Speaker 14: recorded so Dick grif.

936
00:56:52,640 --> 00:56:56,640
Speaker 1: As the beat goes on and then it goes ever

937
00:56:57,000 --> 00:57:05,879
Speaker 1: last dad jump jump doom boom boom boy. The man

938
00:57:06,680 --> 00:57:09,920
Speaker 1: that was like, man, I ain't this ship and it

939
00:57:10,080 --> 00:57:14,120
Speaker 1: takes you like two hundred and fifty dollars back then? Yeah, yeah,

940
00:57:15,080 --> 00:57:20,360
Speaker 1: oh my god, it's simply you're definitely yeah, okay, almost done,

941
00:57:20,800 --> 00:57:21,720
Speaker 1: almost done, almost done.

942
00:57:21,760 --> 00:57:24,439
Speaker 3: On a couple more Rap City or MTV.

943
00:57:25,440 --> 00:57:36,480
Speaker 1: Rap Raps, Rap Citty cool with uh okay rap Citty.

944
00:57:37,080 --> 00:57:40,200
Speaker 1: Who that Thomas mister Thomas with the you know, the

945
00:57:40,320 --> 00:57:44,360
Speaker 1: first one, oh ship Joe Clar now not before Joe Clare,

946
00:57:44,560 --> 00:57:46,800
Speaker 1: Before Joe Clip was another guy with the green eyes.

947
00:57:46,960 --> 00:57:50,919
Speaker 1: Now he was dark, skinn and skinny damn for god, yeah,

948
00:57:50,960 --> 00:57:53,760
Speaker 1: big lips he Edison. Yeah, we want to do it

949
00:57:53,880 --> 00:57:55,640
Speaker 1: all like that because that's was the staff on the

950
00:57:55,680 --> 00:58:01,240
Speaker 1: TV show on Rap City. Yeah, Premiere, his name is Premier.

951
00:58:03,200 --> 00:58:05,080
Speaker 1: Was it Joe Class so it was before Joe Class.

952
00:58:06,200 --> 00:58:11,160
Speaker 1: Name is Thomas Thomas something yeah, the mayor may Okay, Yeah,

953
00:58:12,760 --> 00:58:14,440
Speaker 1: so you know I've been watching hip hop since hip

954
00:58:14,440 --> 00:58:16,480
Speaker 1: hop and hip hop I'm seventy three.

955
00:58:17,520 --> 00:58:24,080
Speaker 4: Wow, okay, this one for you, huh, this one for you. Okay,

956
00:58:24,120 --> 00:58:28,160
Speaker 4: you get I'm high East. It's all east Siders or

957
00:58:28,280 --> 00:58:35,960
Speaker 4: Lynch mall. Huh the East Siders or Lynch mall take

958
00:58:36,000 --> 00:58:38,840
Speaker 4: a shot this time. You gotta drink it down, pauls.

959
00:58:39,600 --> 00:58:44,360
Speaker 3: Yes, are you drank it?

960
00:58:46,040 --> 00:58:46,240
Speaker 5: Yeah?

961
00:58:52,200 --> 00:58:57,400
Speaker 1: Oh my, that's one both of y'all because this is legendary.

962
00:58:57,120 --> 00:59:01,680
Speaker 2: Both l A y'all getting us real fucked up to

963
00:59:02,720 --> 00:59:05,520
Speaker 2: might you know what, del Mark, because we might I

964
00:59:05,640 --> 00:59:05,960
Speaker 2: might go.

965
00:59:06,040 --> 00:59:08,400
Speaker 1: To the studio to night. That's right, that's a. That's

966
00:59:08,440 --> 00:59:09,760
Speaker 1: a good product.

967
00:59:12,320 --> 00:59:14,120
Speaker 4: It's for both of y'all because this is to l

968
00:59:14,200 --> 00:59:19,400
Speaker 4: a classic film Minister Society or Boys in the Hood.

969
00:59:19,520 --> 00:59:20,760
Speaker 1: Both. Let's get the drinking.

970
00:59:23,040 --> 00:59:29,600
Speaker 2: No, there's no context cause you boy and you can't

971
00:59:30,040 --> 00:59:32,880
Speaker 2: fuck with oh dog, you can't do it.

972
00:59:33,280 --> 00:59:45,120
Speaker 1: And you know what can't you can't look like that? Yeah,

973
00:59:45,120 --> 00:59:47,280
Speaker 1: I don't know. All I know is he showed whoop

974
00:59:47,320 --> 00:59:52,240
Speaker 1: your ass? That's all. This is the last one, very

975
00:59:52,360 --> 00:59:54,760
Speaker 1: last one. When I drink them, I just frowned the

976
00:59:54,840 --> 00:59:55,320
Speaker 1: fuck up.

977
00:59:55,560 --> 01:00:00,479
Speaker 4: Okay, you get sleepy and violent. And this is also

978
01:00:00,520 --> 01:00:05,800
Speaker 4: for both of y'all, loyalty or respect both.

979
01:00:06,200 --> 01:00:09,760
Speaker 1: Let's drink man. He just wanted to end it with

980
01:00:09,840 --> 01:00:10,200
Speaker 1: a drink.

981
01:00:10,520 --> 01:00:13,720
Speaker 2: You motherfucking right, But that's a real question, right, Yeah

982
01:00:14,040 --> 01:00:15,040
Speaker 2: the fuck are you drinking?

983
01:00:15,360 --> 01:00:20,320
Speaker 1: Ship? Like Majuanna Dominican? Is that it's a Dominican thing.

984
01:00:21,200 --> 01:00:23,600
Speaker 1: I'm not Dominican, but it's a Dominican thing. Yeah, do

985
01:00:23,640 --> 01:00:27,360
Speaker 1: you want to? Right? Hell, they tell you the truth.

986
01:00:27,400 --> 01:00:29,840
Speaker 1: And like I said, Martin, Luther King can get you

987
01:00:29,960 --> 01:00:33,880
Speaker 1: killed those ship, right, Lord King wanting to knock the

988
01:00:33,960 --> 01:00:36,920
Speaker 1: funk off? Yeah? Right?

989
01:00:37,200 --> 01:00:40,280
Speaker 2: If I ain't had his patronal, I might try it. Okay,

990
01:00:40,640 --> 01:00:41,640
Speaker 2: damn that little ass ship?

991
01:00:50,520 --> 01:00:51,960
Speaker 1: What you're telling them? Get a chuck board?

992
01:00:52,480 --> 01:00:52,680
Speaker 5: Huh?

993
01:00:53,760 --> 01:00:54,439
Speaker 1: You got a mini?

994
01:01:02,440 --> 01:01:04,720
Speaker 3: How do you get cheaper than the one that already.

995
01:01:07,160 --> 01:01:11,120
Speaker 1: You're supposed to spend more on that? So what did

996
01:01:11,120 --> 01:01:13,360
Speaker 1: you want? You wanted to do what I wanted?

997
01:01:13,560 --> 01:01:17,320
Speaker 4: I wanted to say him name famous favorite person from

998
01:01:17,440 --> 01:01:20,040
Speaker 4: La him never praise person from Long Beach. I named

999
01:01:20,040 --> 01:01:22,160
Speaker 4: it Firs first from New York. You name it face

1000
01:01:22,280 --> 01:01:25,320
Speaker 4: prairs person from Miami. We got three minutes, but everybody

1001
01:01:25,440 --> 01:01:28,680
Speaker 4: has five seconds to name artist and then they got

1002
01:01:28,760 --> 01:01:30,920
Speaker 4: to move on. Somebody gotta keep the five second time.

1003
01:01:31,000 --> 01:01:35,840
Speaker 4: Somebody gotta keep it three minute time. So every five

1004
01:01:35,920 --> 01:01:37,120
Speaker 4: seconds l.

1005
01:01:37,160 --> 01:01:39,000
Speaker 1: A got it. I think more than overall.

1006
01:01:39,160 --> 01:01:43,960
Speaker 4: So we're gonna already right, So so look you want

1007
01:01:44,000 --> 01:01:45,560
Speaker 4: you what you what you what you feel like? You

1008
01:01:45,600 --> 01:01:48,360
Speaker 4: claim more Long Beach or l A Long Beach. Okay,

1009
01:01:48,480 --> 01:01:51,200
Speaker 4: so we're gonna have five seconds and name somebody from

1010
01:01:51,280 --> 01:01:53,640
Speaker 4: Long Beach. You're gonna have five seconds to name somebody

1011
01:01:53,720 --> 01:01:56,240
Speaker 4: from l A. You're gonna have five seconds to name

1012
01:01:56,320 --> 01:01:59,960
Speaker 4: somebody from They gotta be super famous, no, I mean

1013
01:02:00,360 --> 01:02:03,040
Speaker 4: famous to us. Yeah, as long as the industry is

1014
01:02:03,120 --> 01:02:05,120
Speaker 4: something like you know what I mean? And I got

1015
01:02:05,160 --> 01:02:06,760
Speaker 4: five seconds today somebody from New York.

1016
01:02:07,120 --> 01:02:08,800
Speaker 1: Come on, man, I think New York and relations to

1017
01:02:08,960 --> 01:02:09,680
Speaker 1: easy for you guys.

1018
01:02:12,280 --> 01:02:20,760
Speaker 15: You go, nope, I get my legs, not your you know,

1019
01:02:20,880 --> 01:02:27,360
Speaker 15: I got my own little so five seconds. So five

1020
01:02:27,440 --> 01:02:29,560
Speaker 15: seconds and the next man go, we got five seconds?

1021
01:02:30,120 --> 01:02:33,400
Speaker 1: All right? All you ready? You understand the rules? Right,

1022
01:02:33,400 --> 01:02:35,080
Speaker 1: everybody understand the rules where we started?

1023
01:02:35,520 --> 01:02:38,640
Speaker 3: So I was gonna start it off. Okay, are you ready?

1024
01:02:38,720 --> 01:02:39,680
Speaker 1: You are the man? All right?

1025
01:02:39,760 --> 01:02:40,920
Speaker 3: Five seconds and then.

1026
01:02:41,000 --> 01:02:41,480
Speaker 1: So you stopping?

1027
01:02:41,560 --> 01:02:45,840
Speaker 3: Tell me kind of clock two, three four, Michael.

1028
01:02:45,640 --> 01:02:53,360
Speaker 1: Jordan's Cameron Diaz, Nipsy Hustle, luke Q Tip, Willie McGinnis Snook,

1029
01:02:53,800 --> 01:02:54,640
Speaker 1: Rick Ross.

1030
01:02:55,520 --> 01:02:59,760
Speaker 4: The Mayor of New York City, Del Arnold Gotti, Bull,

1031
01:03:00,080 --> 01:03:01,400
Speaker 4: Denzel Washington.

1032
01:03:01,800 --> 01:03:04,120
Speaker 1: Heat Sided, Long Beach Gang, Unit, oh.

1033
01:03:04,080 --> 01:03:07,480
Speaker 3: Ships, Nicknamic Gangs, Fuzzy, trick Daddy.

1034
01:03:09,000 --> 01:03:13,720
Speaker 1: He sucked me up. He just say though it was hard.

1035
01:03:14,040 --> 01:03:19,840
Speaker 16: He changed the rules on favorite people to my I

1036
01:03:19,880 --> 01:03:24,640
Speaker 16: can't say the name switch that I came. I said Fuzzy,

1037
01:03:24,720 --> 01:03:25,760
Speaker 16: but he fucked me up.

1038
01:03:27,760 --> 01:03:31,520
Speaker 1: The way superior. This is my my lit master Flex

1039
01:03:32,120 --> 01:03:45,200
Speaker 1: Jermaine Henderson, Jermaine dupri boys and clan're talking about goddamn

1040
01:03:45,360 --> 01:03:53,280
Speaker 1: l A l Okay. I'm mad. I forgot about l A.

1041
01:03:55,200 --> 01:04:00,520
Speaker 1: Doctor point, doctor point, doctor point, staying.

1042
01:04:00,720 --> 01:04:03,320
Speaker 2: I thought we were talking about great sucked up all right,

1043
01:04:04,920 --> 01:04:07,520
Speaker 2: I went up apologic.

1044
01:04:08,600 --> 01:04:10,720
Speaker 4: So you'll get got five seconds? Go what you got

1045
01:04:10,720 --> 01:04:12,440
Speaker 4: five seconds? Name another first from l A.

1046
01:04:14,040 --> 01:04:14,520
Speaker 1: What happened?

1047
01:04:15,800 --> 01:04:25,840
Speaker 17: K Okay two Life Crew, mar d Trade, uh uh, Jane,

1048
01:04:26,000 --> 01:04:32,080
Speaker 17: I call MC shot d M C light much castile, Joel,

1049
01:04:32,760 --> 01:04:36,880
Speaker 17: DJ las DJ clue badass recipes.

1050
01:04:37,200 --> 01:04:39,160
Speaker 1: This is three minutes.

1051
01:04:39,960 --> 01:04:45,040
Speaker 4: Counted three minutes, so somewhere supposed to counting three minutes

1052
01:04:45,080 --> 01:04:47,960
Speaker 4: and another he just shut up what I'm doing?

1053
01:04:48,000 --> 01:04:58,200
Speaker 1: You figured it out? La Branson the moment the we man,

1054
01:05:02,680 --> 01:05:22,080
Speaker 1: what you do my friend Bruce, Yeah, yeah, it's funny.

1055
01:05:22,160 --> 01:05:24,240
Speaker 1: I doesn't. That's it. That's it.

1056
01:05:24,600 --> 01:05:31,400
Speaker 4: Three minute, Trina John, damn, that's it. Minutes, three minutes,

1057
01:05:31,440 --> 01:05:33,560
Speaker 4: three minutes. I just counted their votes. Let's see the one.

1058
01:05:34,280 --> 01:05:37,840
Speaker 1: Come on, man, you can't count those votes? Why not?

1059
01:05:41,680 --> 01:05:44,200
Speaker 1: I think y'all. I think I think y'all came up

1060
01:05:44,240 --> 01:05:48,400
Speaker 1: with people that only y'all know talking about. But we

1061
01:05:48,560 --> 01:05:54,360
Speaker 1: need you right, you know, you know you can cheat

1062
01:05:54,400 --> 01:06:01,240
Speaker 1: like that everybody from he said.

1063
01:06:04,280 --> 01:06:09,920
Speaker 13: I know everybody to saying nobody knows about because you know,

1064
01:06:11,760 --> 01:06:14,880
Speaker 13: I got Latrina, but Luke is too cruse.

1065
01:06:14,920 --> 01:06:19,240
Speaker 3: So you said the double up poison. I told you

1066
01:06:19,320 --> 01:06:20,720
Speaker 3: I'm training.

1067
01:06:23,640 --> 01:06:26,680
Speaker 1: I know. But he did. He didn't do that. He

1068
01:06:26,840 --> 01:06:30,640
Speaker 1: did do that. That's a bunny ship, Holy ship.

1069
01:06:30,920 --> 01:06:35,880
Speaker 4: You gotta be crying, you know. It's crazy. Dude would

1070
01:06:35,920 --> 01:06:40,120
Speaker 4: try to cheat. No regardless, come up. Look at his

1071
01:06:40,280 --> 01:06:42,560
Speaker 4: dead serious and sedumating.

1072
01:06:44,880 --> 01:06:55,000
Speaker 1: What no one was catching catching up? That was hard.

1073
01:06:55,720 --> 01:07:04,760
Speaker 1: That was that was fun. That was mean.

1074
01:07:05,440 --> 01:07:07,960
Speaker 4: Let's talk about how it's about house party. The record

1075
01:07:08,000 --> 01:07:13,360
Speaker 4: on the album, Oh wow, that's that's fun. It's also

1076
01:07:13,440 --> 01:07:15,520
Speaker 4: a grown up man record, like I ain't going to

1077
01:07:15,600 --> 01:07:19,640
Speaker 4: the club. I'm staying at the house again, How did

1078
01:07:19,680 --> 01:07:22,440
Speaker 4: you come up with this record and concept Snoop.

1079
01:07:22,200 --> 01:07:23,680
Speaker 1: Came up with it, and in the back of my

1080
01:07:23,800 --> 01:07:26,240
Speaker 1: mind I thought about boys in the hood. Ice cube

1081
01:07:26,320 --> 01:07:30,320
Speaker 1: came in the backyard. They was playing dominoes and like

1082
01:07:30,400 --> 01:07:33,959
Speaker 1: that of ship. You know what I'm saying. So house

1083
01:07:34,000 --> 01:07:36,120
Speaker 1: parties in the daytime, the house party at night, they

1084
01:07:36,160 --> 01:07:38,160
Speaker 1: could be in the daytime in the nighttime. You know,

1085
01:07:38,400 --> 01:07:43,520
Speaker 1: the daytime leads to the nighttime nighttime period. What does

1086
01:07:43,600 --> 01:07:46,120
Speaker 1: what does LA people drink at a house party daytime

1087
01:07:47,040 --> 01:07:52,000
Speaker 1: in the nineties, Yes, it was hennessy forty sixty four ounces.

1088
01:07:52,440 --> 01:07:55,880
Speaker 3: Okay, So what do you drink in the daytime at

1089
01:07:55,920 --> 01:07:56,520
Speaker 3: a house party?

1090
01:07:56,680 --> 01:08:01,320
Speaker 1: Now? What do you see drinking? Drink patron? Okay, you

1091
01:08:01,400 --> 01:08:05,520
Speaker 1: know I smoked my way, okay, party. How about the

1092
01:08:05,560 --> 01:08:08,960
Speaker 1: youngest they be out there signal that's is her? Oh no, no,

1093
01:08:09,320 --> 01:08:13,440
Speaker 1: not really not in l A. In l A they

1094
01:08:13,960 --> 01:08:20,880
Speaker 1: weed and drinking in hennessy mm hmm. You know they

1095
01:08:21,000 --> 01:08:22,240
Speaker 1: be on that hen rock and.

1096
01:08:26,120 --> 01:08:29,240
Speaker 2: Hell yeah, that's what always fighting. He is always getting

1097
01:08:29,320 --> 01:08:33,960
Speaker 2: down And you just watched the movie actually.

1098
01:08:36,200 --> 01:08:38,200
Speaker 1: You know, don't be a movie don't be a movie.

1099
01:08:38,400 --> 01:08:42,200
Speaker 1: It's gonna be a good movie because you know what I'm.

1100
01:08:42,080 --> 01:08:46,640
Speaker 4: Saying, what do you prefer prefer if someone actually right now, uh,

1101
01:08:47,320 --> 01:08:49,640
Speaker 4: let's go to the club, or let's let's have a

1102
01:08:49,680 --> 01:08:50,200
Speaker 4: house party.

1103
01:08:50,439 --> 01:08:56,720
Speaker 1: What would you pick? I ain't going to ship. I'm

1104
01:08:56,720 --> 01:08:59,000
Speaker 1: gonna take a shot for that. You're gonna six south magge.

1105
01:08:59,000 --> 01:09:01,880
Speaker 1: I'm posting my house, my wife. Man, we got that.

1106
01:09:02,000 --> 01:09:04,599
Speaker 1: I have my own parties in the house. The house, right,

1107
01:09:04,760 --> 01:09:06,040
Speaker 1: I want to be at the house. I rather go

1108
01:09:06,120 --> 01:09:09,080
Speaker 1: build me a club Jesus at the house. You know,

1109
01:09:09,120 --> 01:09:12,479
Speaker 1: I like doing. You know what I'm saying. You got

1110
01:09:12,560 --> 01:09:14,679
Speaker 1: your building at.

1111
01:09:14,600 --> 01:09:17,400
Speaker 2: The house, baby, I ain't going nowhere else? Fun out

1112
01:09:18,000 --> 01:09:19,439
Speaker 2: You take a shot for that? Take a shot for

1113
01:09:19,479 --> 01:09:19,720
Speaker 2: that guy.

1114
01:09:20,080 --> 01:09:21,960
Speaker 1: How about we open up one of these and juices.

1115
01:09:22,000 --> 01:09:23,960
Speaker 1: How about we do that? But you still got to

1116
01:09:24,000 --> 01:09:28,639
Speaker 1: take a shot though, sir, damn because you know that. Okay?

1117
01:09:30,400 --> 01:09:35,800
Speaker 1: Man me with a good time. How come yours is

1118
01:09:35,840 --> 01:09:50,320
Speaker 1: bigger than because I put like it was watered down

1119
01:09:50,400 --> 01:09:56,880
Speaker 1: like so little ice in it? You hear me, Oh

1120
01:09:57,000 --> 01:09:59,920
Speaker 1: that's real? Uh No, stick with this.

1121
01:10:00,120 --> 01:10:02,840
Speaker 3: If you put this casatio, what's the champ parade?

1122
01:10:03,040 --> 01:10:10,840
Speaker 1: Carbonet shot but Kodak black. That's a shot.

1123
01:10:10,920 --> 01:10:17,000
Speaker 5: That's that's shorty yoh, got some.

1124
01:10:19,840 --> 01:10:24,920
Speaker 2: It's just real right. Hey, look I'm high. I'm feeling dandy. Okay,

1125
01:10:26,360 --> 01:10:27,240
Speaker 2: what other questions.

1126
01:10:27,720 --> 01:10:30,519
Speaker 1: I don't even know what dandy mean. That's how you are.

1127
01:10:30,760 --> 01:10:37,280
Speaker 3: That's like, you know, you just small stand with the anthem.

1128
01:10:38,000 --> 01:10:40,160
Speaker 1: The love. That's the one of l a kind of love.

1129
01:10:40,240 --> 01:10:42,720
Speaker 4: That ship that's what Yeah, and you said you said

1130
01:10:42,720 --> 01:10:43,920
Speaker 4: when you heard it, you didn't even know that was

1131
01:10:43,960 --> 01:10:45,519
Speaker 4: what I am on it now because.

1132
01:10:45,280 --> 01:10:47,519
Speaker 1: I had entertained what I am on the song when

1133
01:10:47,560 --> 01:10:50,439
Speaker 1: I said it's that l a time, I love you

1134
01:10:50,560 --> 01:10:52,840
Speaker 1: love it. You know, I was thinking about him when

1135
01:10:52,840 --> 01:10:54,719
Speaker 1: I was putting Ship together. We was putting it together,

1136
01:10:55,320 --> 01:10:58,240
Speaker 1: and they said, I know Snoop come and Fuzzy hooked

1137
01:10:58,280 --> 01:11:00,479
Speaker 1: it up. And I think that's a big record.

1138
01:11:00,560 --> 01:11:02,360
Speaker 3: Man, that's a big I think that's a big record.

1139
01:11:02,439 --> 01:11:04,080
Speaker 1: He was like, wow, you know, because he switched the

1140
01:11:04,080 --> 01:11:06,960
Speaker 1: whole beat up. He made it sound totally different. And

1141
01:11:07,120 --> 01:11:09,080
Speaker 1: you know, Will I Am. And that was my first

1142
01:11:09,120 --> 01:11:10,640
Speaker 1: time even talking to Will I Am. You know what

1143
01:11:10,640 --> 01:11:12,760
Speaker 1: I'm saying, because I'm a big fan of you know

1144
01:11:12,760 --> 01:11:16,960
Speaker 1: what I'm saying. He was over the phone. Okay, Big Fuzz,

1145
01:11:17,520 --> 01:11:19,680
Speaker 1: he always seen his face on there.

1146
01:11:20,200 --> 01:11:21,920
Speaker 4: No, I think I think that that's gonna be an

1147
01:11:21,920 --> 01:11:25,560
Speaker 4: answer Big That's a big record man. So y'all, so

1148
01:11:25,640 --> 01:11:27,519
Speaker 4: y'all did the record, and then will I Am jumped

1149
01:11:27,520 --> 01:11:27,920
Speaker 4: on the record.

1150
01:11:27,960 --> 01:11:29,760
Speaker 1: He changed the beat, and then he at the last

1151
01:11:29,840 --> 01:11:32,200
Speaker 1: minute and they finna go mastering it.

1152
01:11:33,400 --> 01:11:35,720
Speaker 3: He jumped on that first verse too. Yeah, he wanted

1153
01:11:35,760 --> 01:11:36,200
Speaker 3: to go first.

1154
01:11:36,360 --> 01:11:38,240
Speaker 1: He went. You can't be mad at him changing the

1155
01:11:38,280 --> 01:11:42,280
Speaker 1: beat because he some big records. It sounds good. I

1156
01:11:42,360 --> 01:11:46,439
Speaker 1: was like, man, it was hard. You neither. You didn't

1157
01:11:46,439 --> 01:11:49,280
Speaker 1: know that will i was on that record. I thought

1158
01:11:49,600 --> 01:11:50,479
Speaker 1: I thought he was.

1159
01:11:52,960 --> 01:11:54,920
Speaker 2: I was like, damn, you know what, this is really

1160
01:11:55,000 --> 01:12:01,400
Speaker 2: gonna win because Snoop talk touchdog demographic, because he got uh,

1161
01:12:02,880 --> 01:12:07,040
Speaker 2: he got the Mexicans involved, but because because this Mexican

1162
01:12:07,160 --> 01:12:13,880
Speaker 2: right here sounds great. Damn that nigga busting, because I

1163
01:12:14,000 --> 01:12:16,800
Speaker 2: got a lot of Mexican homies that bust good like that.

1164
01:12:16,960 --> 01:12:18,960
Speaker 1: But this don't sound like.

1165
01:12:19,200 --> 01:12:22,679
Speaker 2: My Mexican humpy because I know they voiced my heart

1166
01:12:23,200 --> 01:12:24,760
Speaker 2: like whoever this is that dog?

1167
01:12:25,640 --> 01:12:30,880
Speaker 1: This niggas cracking like nigga, that's who I am. Crack

1168
01:12:32,240 --> 01:12:35,000
Speaker 1: you on drug nigga, ain't no motherfucking will I Am.

1169
01:12:36,560 --> 01:12:39,800
Speaker 1: I know will I AM's voice. And then they did,

1170
01:12:39,840 --> 01:12:42,240
Speaker 1: you know, Fuzzy got will I M on the Law

1171
01:12:42,280 --> 01:12:45,040
Speaker 1: and he was like, yeah, you know what did I said, Damn,

1172
01:12:46,040 --> 01:12:46,880
Speaker 1: that's what I am?

1173
01:12:47,120 --> 01:12:51,200
Speaker 2: Because I didn't even know he knew that many Mexican words,

1174
01:12:53,000 --> 01:12:56,040
Speaker 2: I don't know. But then I forgot that will I

1175
01:12:56,200 --> 01:12:59,799
Speaker 2: Am was actually first on Ruthless record.

1176
01:13:00,080 --> 01:13:04,559
Speaker 1: Yeah, yeah, Ruthless. That's crazy. They was on Ruthless at

1177
01:13:04,640 --> 01:13:08,840
Speaker 1: first six you know what I'm saying. He grew up

1178
01:13:08,880 --> 01:13:11,960
Speaker 1: in East l A. Yeah, he was here talking about

1179
01:13:12,000 --> 01:13:14,240
Speaker 1: it with us. So I was like, wow, this is

1180
01:13:14,360 --> 01:13:14,920
Speaker 1: will I Am.

1181
01:13:15,040 --> 01:13:17,400
Speaker 2: I said, you know what, dads, this reminds me of

1182
01:13:17,560 --> 01:13:20,600
Speaker 2: the of the chronic cousin. I looked at Dazz and

1183
01:13:20,680 --> 01:13:22,160
Speaker 2: I said, we're about to be know.

1184
01:13:22,280 --> 01:13:25,000
Speaker 1: It was when we did a Doggy Dog World and

1185
01:13:25,120 --> 01:13:27,360
Speaker 1: we assure the video. Look at Daz and I said,

1186
01:13:27,479 --> 01:13:33,000
Speaker 1: cause were about to be stars. Did that again? Because

1187
01:13:33,320 --> 01:13:36,120
Speaker 1: when when I heard this and they finally told me because.

1188
01:13:35,880 --> 01:13:44,639
Speaker 2: This is will I Am, I said, oh, because really, wet.

1189
01:13:45,160 --> 01:13:47,240
Speaker 1: I want to see what this video is gonna look like. Guys.

1190
01:13:49,680 --> 01:13:53,080
Speaker 1: The l A Dodger Stadium. I don't get him all

1191
01:13:53,160 --> 01:13:57,759
Speaker 1: the game. Yes, the Crypto Center. This is my little ideas,

1192
01:13:57,760 --> 01:14:02,920
Speaker 1: you know, the time, my bad bad at the Crypto Center.

1193
01:14:03,040 --> 01:14:19,519
Speaker 1: Huh what Center? I'm not gonna say it again. Yeah,

1194
01:14:21,640 --> 01:14:22,800
Speaker 1: let me stop all right now.

1195
01:14:23,400 --> 01:14:26,840
Speaker 4: One of my favorite records on the album UH is

1196
01:14:27,880 --> 01:14:31,160
Speaker 4: grown grown up A lot of a lot of us

1197
01:14:31,240 --> 01:14:34,000
Speaker 4: Sometimes I don't want to grow up a lot of

1198
01:14:34,120 --> 01:14:36,400
Speaker 4: us Sometimes when we grow up, want to still act

1199
01:14:36,479 --> 01:14:39,200
Speaker 4: young and still blending in the situation. Sometimes you just

1200
01:14:39,240 --> 01:14:41,439
Speaker 4: got to be exactly who the hell you are. You

1201
01:14:41,479 --> 01:14:44,040
Speaker 4: don't have to change, just be who the fuck you his.

1202
01:14:44,200 --> 01:14:45,920
Speaker 4: And when I hear that record, that's what the fuck

1203
01:14:46,000 --> 01:14:49,320
Speaker 4: I heard, and it was just like so dope, Like again,

1204
01:14:49,400 --> 01:14:50,080
Speaker 4: how did you guys.

1205
01:14:49,920 --> 01:14:50,759
Speaker 1: Come up with this record?

1206
01:14:50,800 --> 01:14:52,400
Speaker 3: And when you heard whose idea was?

1207
01:14:52,439 --> 01:14:52,479
Speaker 14: It?

1208
01:14:52,680 --> 01:14:56,960
Speaker 1: Snoop dog again? Okay, you know what I'm saying. We

1209
01:14:57,040 --> 01:14:59,880
Speaker 1: followed lead and create and put it together and you

1210
01:15:00,000 --> 01:15:02,000
Speaker 1: you know what I'm saying. And you know we stepped up.

1211
01:15:02,000 --> 01:15:03,559
Speaker 1: You know what I'm saying. We ain't got to stand

1212
01:15:03,600 --> 01:15:05,080
Speaker 1: on the corner no more, hang out and do all

1213
01:15:05,120 --> 01:15:08,320
Speaker 1: that shit to say who we are. And you know

1214
01:15:08,360 --> 01:15:11,439
Speaker 1: what I'm saying, we know what that comes with somebody

1215
01:15:11,520 --> 01:15:14,280
Speaker 1: gonna get killed or somebody going to jail. And now

1216
01:15:14,439 --> 01:15:18,000
Speaker 1: everything is a consequence. We gotta pay some money, you

1217
01:15:18,040 --> 01:15:20,800
Speaker 1: know what I'm saying. So you know I'm grown up.

1218
01:15:21,479 --> 01:15:24,360
Speaker 1: We just put it together from the motherfucking cradle to

1219
01:15:24,439 --> 01:15:28,880
Speaker 1: the stage, you know what I'm saying. How about you corrupt.

1220
01:15:30,840 --> 01:15:39,439
Speaker 2: I'm fifty one years old, because understand me, I'm too old, right,

1221
01:15:40,160 --> 01:15:41,880
Speaker 2: you're too old to go to jail right now. But

1222
01:15:42,200 --> 01:15:48,840
Speaker 2: I have a beautiful I have a beautiful wife, lovely life.

1223
01:15:50,160 --> 01:15:57,760
Speaker 2: I have beautiful children. Shit, I got more grandchildren than

1224
01:15:57,800 --> 01:16:01,920
Speaker 2: there's a football team, you know.

1225
01:16:02,160 --> 01:16:05,599
Speaker 1: And it's just like I ain't got no time. Shot

1226
01:16:05,680 --> 01:16:08,320
Speaker 1: to that. Take a shot to that. Get a shot,

1227
01:16:08,439 --> 01:16:13,000
Speaker 1: take a shot. So take a shot. Keep talking, No, y'all,

1228
01:16:13,200 --> 01:16:15,920
Speaker 1: y'all take shots. Guys, y'all already got me my nag.

1229
01:16:17,040 --> 01:16:19,280
Speaker 1: Come on, you're talking, Come on, take it. You took

1230
01:16:19,320 --> 01:16:19,719
Speaker 1: your skin.

1231
01:16:19,960 --> 01:16:25,639
Speaker 2: Now, you the one over there with about now ship

1232
01:16:25,960 --> 01:16:29,800
Speaker 2: this thing with the New York parking lot. But car

1233
01:16:30,040 --> 01:16:34,360
Speaker 2: their cars and then walk to work. You know, cars

1234
01:16:34,439 --> 01:16:35,040
Speaker 2: over there.

1235
01:16:39,479 --> 01:16:42,519
Speaker 1: Comes like the dumb seeing them because you got the mass.

1236
01:16:43,200 --> 01:16:45,679
Speaker 1: That's just ice that melted and that ship the ice

1237
01:16:45,800 --> 01:16:48,320
Speaker 1: and melted. It looks bigger than it is. You got

1238
01:16:48,479 --> 01:16:52,160
Speaker 1: that what we're gonna do? Look like you gave me

1239
01:16:52,320 --> 01:16:55,280
Speaker 1: your shots. No, she just came over here and refilled

1240
01:16:55,320 --> 01:16:59,920
Speaker 1: your thak man, this is how I'm going You get

1241
01:17:00,080 --> 01:17:05,599
Speaker 1: just champagne, y'all. Damn, I'm gonna tak guys with anybody

1242
01:17:05,600 --> 01:17:09,080
Speaker 1: want to take. I'm grown because now let me ask you.

1243
01:17:11,280 --> 01:17:15,360
Speaker 4: I've been all over the world, right mm hmm, and

1244
01:17:16,840 --> 01:17:21,320
Speaker 4: I'm talking about country the country, just like y'all, and

1245
01:17:21,400 --> 01:17:23,200
Speaker 4: then y w people come on to me sometimes they

1246
01:17:23,280 --> 01:17:25,599
Speaker 4: were like, man, I'm from New York m hm.

1247
01:17:26,160 --> 01:17:27,960
Speaker 3: And I could just look at them. Tell them they lion,

1248
01:17:29,200 --> 01:17:31,920
Speaker 3: Tell them they lion like they like, you know, no.

1249
01:17:32,400 --> 01:17:34,280
Speaker 4: Don't disrespect, but you know what I'm saying, Like, there's

1250
01:17:34,280 --> 01:17:38,320
Speaker 4: a certain swags's a certain aura that when you from

1251
01:17:38,439 --> 01:17:43,200
Speaker 4: New York, like you just have even even I don't even.

1252
01:17:43,080 --> 01:17:47,040
Speaker 1: The Squares have a certain type of swag, the Squires,

1253
01:17:47,120 --> 01:17:50,160
Speaker 1: even even the squg like you know what I'm saying,

1254
01:17:50,280 --> 01:17:53,639
Speaker 1: even like yeah, but they squeize.

1255
01:17:53,640 --> 01:17:56,439
Speaker 4: But you know, is that something that y'all did with

1256
01:17:56,600 --> 01:17:58,120
Speaker 4: coming from the West Coast and the West Coast being

1257
01:17:58,200 --> 01:18:00,840
Speaker 4: so hot. Not only hot, the West Coast on fire

1258
01:18:01,000 --> 01:18:02,920
Speaker 4: right now? Like what's everything is going on?

1259
01:18:04,040 --> 01:18:04,200
Speaker 1: Is it?

1260
01:18:04,240 --> 01:18:07,240
Speaker 4: People that come on you like what's time? You just

1261
01:18:07,320 --> 01:18:08,840
Speaker 4: look at him Like the way he just threw that

1262
01:18:08,920 --> 01:18:11,120
Speaker 4: up is wow? Like the way that's that's not the

1263
01:18:11,200 --> 01:18:12,000
Speaker 4: way you throw that up.

1264
01:18:12,080 --> 01:18:15,040
Speaker 1: Like I said, they just bust out started kirkwalking, Yeah,

1265
01:18:15,680 --> 01:18:19,479
Speaker 1: and they fucking up the krik walk. I mean, I

1266
01:18:19,640 --> 01:18:22,000
Speaker 1: just be like, you know, we being like Thailand and

1267
01:18:22,439 --> 01:18:24,000
Speaker 1: other places like that, you know what I'm saying, and

1268
01:18:24,400 --> 01:18:28,280
Speaker 1: just be like, you know, like damn ship all the

1269
01:18:28,280 --> 01:18:30,800
Speaker 1: way over here, right, that type of ship, you know

1270
01:18:30,840 --> 01:18:33,280
Speaker 1: what I'm saying. So it's like it's appreciation, but you

1271
01:18:33,400 --> 01:18:35,080
Speaker 1: look at it and said, damn, you know what I'm saying.

1272
01:18:36,000 --> 01:18:38,720
Speaker 1: So you know, a messic can always reach that far, right,

1273
01:18:38,800 --> 01:18:40,559
Speaker 1: you know what I'm saying. So, but you know they

1274
01:18:40,680 --> 01:18:45,800
Speaker 1: love him. Music. Music is weed to speak louder the words, right.

1275
01:18:48,360 --> 01:18:53,280
Speaker 1: I think it makes the North You're out shout out

1276
01:18:53,320 --> 01:18:55,360
Speaker 1: to Candy Steak and she got a song called music

1277
01:18:55,439 --> 01:18:59,120
Speaker 1: Speaks Loud and words. Old school artists named Candy Steak

1278
01:18:59,240 --> 01:19:04,160
Speaker 1: Candy six there. Dam so I's talk about the weekend.

1279
01:19:06,320 --> 01:19:11,400
Speaker 1: Weekend That's what John Hancock and October London, produced by Superflying.

1280
01:19:12,360 --> 01:19:13,759
Speaker 1: You know what I'm saying, that's one of them, smooth

1281
01:19:13,800 --> 01:19:20,960
Speaker 1: type of weekends, the weekend hancouta super Flying October London.

1282
01:19:21,439 --> 01:19:22,880
Speaker 1: You know what I'm saying. That's got to take a shot.

1283
01:19:23,400 --> 01:19:26,080
Speaker 1: Come up, not even knowing what is going on, I

1284
01:19:26,240 --> 01:19:26,679
Speaker 1: just got.

1285
01:19:28,280 --> 01:19:32,920
Speaker 4: Shut shut out when you say got up parking lot.

1286
01:19:33,520 --> 01:19:35,360
Speaker 1: Look you you're building up parking lot over there. So

1287
01:19:35,479 --> 01:19:39,519
Speaker 1: what you call parking lot? Pimping? Fucking lot? Pimpering?

1288
01:19:39,600 --> 01:19:44,360
Speaker 2: Cracking over here? I need to smoke now. I don't

1289
01:19:44,360 --> 01:19:47,719
Speaker 2: want to disrespect the buildings. Look, come on, go outside

1290
01:19:47,720 --> 01:19:49,640
Speaker 2: and smoking signal. You can smoke a blood here. You

1291
01:19:49,680 --> 01:19:50,160
Speaker 2: want to blood?

1292
01:19:50,320 --> 01:19:53,400
Speaker 1: I want to take a blog on motherfucking blood. I'm high. Fuck.

1293
01:19:53,880 --> 01:19:57,880
Speaker 1: I need to calm down. O talk with del Mare

1294
01:19:57,960 --> 01:20:08,040
Speaker 1: about you know this good stuff? Cool, cool, smoking blood,

1295
01:20:08,040 --> 01:20:16,200
Speaker 1: smoking blood, smoking blood. I'm high. Another shot, One another shot,

1296
01:20:18,080 --> 01:20:27,720
Speaker 1: Take another shot. The tank is empty. Yeah, so we

1297
01:20:28,160 --> 01:20:30,320
Speaker 1: spoke about the weekend. You spoke about the weekend. But

1298
01:20:30,439 --> 01:20:35,960
Speaker 1: the song of the song, the weekend vacation. Oh okay,

1299
01:20:36,160 --> 01:20:39,080
Speaker 1: so let's talk about that. You want to talk about that?

1300
01:20:39,240 --> 01:20:40,200
Speaker 1: You know high? Stop?

1301
01:20:41,720 --> 01:20:43,400
Speaker 4: We gonna put it up another bottle of shamp parking

1302
01:20:43,479 --> 01:20:48,000
Speaker 4: the just y'all know, huh, because we celebrated the West

1303
01:20:48,800 --> 01:20:50,439
Speaker 4: the Weekend, the song the Weekend on the album.

1304
01:20:50,520 --> 01:20:55,240
Speaker 1: Oh yeah. So you know for me probably my friends,

1305
01:20:55,360 --> 01:20:55,880
Speaker 1: no problem.

1306
01:20:57,160 --> 01:21:00,400
Speaker 2: Well that record was about Dog told me and Dash

1307
01:21:00,840 --> 01:21:03,639
Speaker 2: we always talk about these bitches and hoes and these

1308
01:21:03,720 --> 01:21:10,760
Speaker 2: garbage can ass fucking goofy right haired bitches, that we

1309
01:21:10,960 --> 01:21:15,160
Speaker 2: need to make something for the ladies. Popp it, pop it, baby,

1310
01:21:15,880 --> 01:21:19,720
Speaker 2: pop it, go stop it. Yeah, so we need to

1311
01:21:19,800 --> 01:21:22,280
Speaker 2: make something for the ladies, you know, in our life.

1312
01:21:23,600 --> 01:21:25,639
Speaker 2: He's like, Man, I always do this type of shit

1313
01:21:25,760 --> 01:21:29,360
Speaker 2: cause I always talk about taboo and and always give

1314
01:21:29,400 --> 01:21:30,320
Speaker 2: it up for Shantelle.

1315
01:21:30,360 --> 01:21:33,479
Speaker 1: You know what I'm saying on my records, y'all need

1316
01:21:33,560 --> 01:21:37,120
Speaker 1: to do one of those. So that's what we did.

1317
01:21:37,280 --> 01:21:38,280
Speaker 1: Delmar did.

1318
01:21:38,439 --> 01:21:44,200
Speaker 2: He talked about his wife and I talked about my wife,

1319
01:21:44,280 --> 01:21:47,320
Speaker 2: and it felt good because that's what the Weekend is about.

1320
01:21:47,400 --> 01:21:50,320
Speaker 2: And then he put October on there, which you know,

1321
01:21:50,439 --> 01:21:53,080
Speaker 2: that's a specialty talking to the ladies with that shit.

1322
01:21:54,680 --> 01:21:55,519
Speaker 1: You know what I'm saying.

1323
01:21:55,640 --> 01:21:59,479
Speaker 2: I was like, damn, cuz, cause October is killing them

1324
01:21:59,520 --> 01:22:02,920
Speaker 2: right now. Up, don't hurt yourself. That's that's the lady

1325
01:22:03,040 --> 01:22:07,240
Speaker 2: saying thank you. That's what well you tell the ladies,

1326
01:22:07,280 --> 01:22:13,800
Speaker 2: I said, my pleasure, you understand me. Yeah, but you

1327
01:22:13,960 --> 01:22:16,120
Speaker 2: know that's what the weekend is about, dog one of

1328
01:22:16,240 --> 01:22:19,400
Speaker 2: us to be on a grown level. Because if I'm

1329
01:22:19,439 --> 01:22:24,160
Speaker 2: not mistaken, that record comes after we did I'm grown.

1330
01:22:24,439 --> 01:22:27,320
Speaker 1: Yeah, and then we went in to the grown mode.

1331
01:22:27,439 --> 01:22:29,040
Speaker 1: It's like for further growing.

1332
01:22:29,600 --> 01:22:32,160
Speaker 2: Where they're grown, because and it goes in from I'm

1333
01:22:32,280 --> 01:22:35,639
Speaker 2: grown into this record giving it up for the women

1334
01:22:35,720 --> 01:22:36,840
Speaker 2: in our lives.

1335
01:22:36,560 --> 01:22:39,599
Speaker 1: Who we appreciate and love. That's grown.

1336
01:22:39,680 --> 01:22:42,960
Speaker 2: That's dope, which goes into the next record, which is

1337
01:22:43,000 --> 01:22:45,320
Speaker 2: giving it up for the hommies that passed away, the

1338
01:22:45,520 --> 01:22:49,880
Speaker 2: ones we love and our family, which goes into the

1339
01:22:50,000 --> 01:22:53,320
Speaker 2: final record where we just want to find out who's

1340
01:22:53,400 --> 01:22:55,760
Speaker 2: the one that can just burn a building down?

1341
01:22:55,920 --> 01:22:59,760
Speaker 1: Comes without mesquite watch because the next one is over

1342
01:23:00,080 --> 01:23:02,920
Speaker 1: my mom right, always on my mind. That's the way

1343
01:23:02,960 --> 01:23:06,639
Speaker 1: I give it up for the shouts out his brother

1344
01:23:06,760 --> 01:23:08,880
Speaker 1: that passed away, give it up on my mom, my dad,

1345
01:23:09,680 --> 01:23:15,760
Speaker 1: my brother, nephews. Right, you know what I'm saying. And yeah,

1346
01:23:15,920 --> 01:23:18,120
Speaker 1: you know serious song. How hard does it make your

1347
01:23:18,120 --> 01:23:21,960
Speaker 1: records like that? It's easy because uh, you know, I

1348
01:23:22,160 --> 01:23:25,240
Speaker 1: just celebrate them. Okay, that's from the heart of lost life,

1349
01:23:25,280 --> 01:23:28,000
Speaker 1: you know what I'm saying, You know, like knowing one

1350
01:23:28,080 --> 01:23:31,120
Speaker 1: day that we all have to come to that conclusion

1351
01:23:31,240 --> 01:23:33,120
Speaker 1: in their life, you know what. I'm deal with that

1352
01:23:33,439 --> 01:23:35,559
Speaker 1: type of stuff. And see how when you get old,

1353
01:23:36,800 --> 01:23:39,280
Speaker 1: how people the minds when they get old, you know

1354
01:23:39,280 --> 01:23:41,439
Speaker 1: what I'm saying, how they pass away like that when

1355
01:23:41,479 --> 01:23:44,920
Speaker 1: you're sitting there watching them to the end, to the last.

1356
01:23:45,160 --> 01:23:47,719
Speaker 1: You know what I'm saying. That's a that's a difference

1357
01:23:47,800 --> 01:23:50,599
Speaker 1: right there, right, and then you two corrupt, you shout

1358
01:23:50,640 --> 01:23:51,960
Speaker 1: out your mom's too right.

1359
01:23:52,040 --> 01:23:55,400
Speaker 2: Always on my mind, that's some bad mass weed, yes,

1360
01:23:55,800 --> 01:23:58,960
Speaker 2: because yes we got one.

1361
01:23:59,560 --> 01:24:04,439
Speaker 1: Yeah, both our waters are just that stuck at the

1362
01:24:04,479 --> 01:24:09,120
Speaker 1: water on it's water cham No, but you know yeah,

1363
01:24:09,400 --> 01:24:14,640
Speaker 1: you know hey, look cause it was really really sentimental

1364
01:24:14,720 --> 01:24:17,800
Speaker 1: to me, right because I wrote it.

1365
01:24:18,960 --> 01:24:21,479
Speaker 2: Then as I'm laying it, I got to that last

1366
01:24:21,600 --> 01:24:24,920
Speaker 2: part where I gave it up for my mama and

1367
01:24:25,080 --> 01:24:28,879
Speaker 2: I had to leave on the side of the studio

1368
01:24:28,960 --> 01:24:37,760
Speaker 2: because Paul Jugger because it was real, you know, for

1369
01:24:37,920 --> 01:24:40,799
Speaker 2: me and dads, our moms is all we had. Delmar

1370
01:24:40,920 --> 01:24:41,880
Speaker 2: had his pall too.

1371
01:24:42,120 --> 01:24:44,960
Speaker 1: I had my pops too, but our moms though, that

1372
01:24:45,160 --> 01:24:47,080
Speaker 1: was just a different plateau.

1373
01:24:48,640 --> 01:24:54,760
Speaker 2: And yeah, you know that was real sentimental to me.

1374
01:24:54,840 --> 01:24:57,240
Speaker 2: And then it's Nate and it's badass and all the

1375
01:24:57,320 --> 01:25:02,560
Speaker 2: people I mentioned that just that was real because this

1376
01:25:02,800 --> 01:25:04,479
Speaker 2: is really like the first time.

1377
01:25:04,400 --> 01:25:08,120
Speaker 1: We've been together, because like damn man, fifteen ten years

1378
01:25:08,960 --> 01:25:12,000
Speaker 1: you got together in the studio. I mean just all

1379
01:25:12,040 --> 01:25:15,320
Speaker 1: of us hanging and everybody all that. For the last

1380
01:25:15,360 --> 01:25:19,960
Speaker 1: fifteen years, you know, I've been probably brother, you know,

1381
01:25:20,120 --> 01:25:22,280
Speaker 1: on my own, you know, finding myself, doing what I

1382
01:25:22,360 --> 01:25:24,200
Speaker 1: need to do. You know what I'm saying, because I

1383
01:25:24,320 --> 01:25:26,840
Speaker 1: lost both of my parents. So you know, like I said,

1384
01:25:26,840 --> 01:25:28,519
Speaker 1: you know, like when you lose both of your parents,

1385
01:25:28,560 --> 01:25:30,519
Speaker 1: you know you have to think for yourself. Push forward.

1386
01:25:31,560 --> 01:25:33,439
Speaker 1: They don't want you to sitting there moaning and crying,

1387
01:25:33,439 --> 01:25:35,040
Speaker 1: and so they want you to push forward. I can

1388
01:25:35,120 --> 01:25:37,640
Speaker 1: just hear my mom saying push forward, because you know,

1389
01:25:37,720 --> 01:25:40,679
Speaker 1: my mom, she wrote songs for Bobby Blue, blaind Wow,

1390
01:25:41,760 --> 01:25:44,880
Speaker 1: James Cleveland, Stacks, all that type of stuff. So you

1391
01:25:44,920 --> 01:25:46,719
Speaker 1: know she was in the music game. I got music

1392
01:25:46,760 --> 01:25:49,640
Speaker 1: on her from you know, I heard those songs, right,

1393
01:25:49,720 --> 01:25:51,200
Speaker 1: you know what I'm saying. So it's like she's got

1394
01:25:51,320 --> 01:25:53,400
Speaker 1: to keep pushing, you know what I'm saying, right, don't

1395
01:25:53,560 --> 01:25:56,000
Speaker 1: look the back, look forward, because that's what she wants

1396
01:25:56,000 --> 01:25:58,000
Speaker 1: you to do, right, That's what they want you to

1397
01:25:58,160 --> 01:26:00,800
Speaker 1: you know, keep pushing. I don't like it.

1398
01:26:04,320 --> 01:26:07,200
Speaker 18: Money that boy, If you don't get your ass up

1399
01:26:07,479 --> 01:26:09,040
Speaker 18: and go out there and go get the ship.

1400
01:26:09,240 --> 01:26:11,559
Speaker 1: Money on the line, on the line, money.

1401
01:26:12,120 --> 01:26:14,519
Speaker 4: Let me ask you' all question. That's dope as this

1402
01:26:14,640 --> 01:26:16,479
Speaker 4: album is. And I'm telling y'all, this album is really

1403
01:26:16,560 --> 01:26:16,920
Speaker 4: really good.

1404
01:26:16,920 --> 01:26:20,559
Speaker 1: It really is good. You know, we really appreciate it happened.

1405
01:26:20,640 --> 01:26:23,400
Speaker 1: We would let me let me ask y'all. It's great, man,

1406
01:26:23,400 --> 01:26:25,200
Speaker 1: it's a great's dope. This album is.

1407
01:26:27,000 --> 01:26:31,519
Speaker 3: How Doper would have been if Nate Dogg was alive.

1408
01:26:31,640 --> 01:26:34,559
Speaker 1: That would have been Jesus totally different man, a whole

1409
01:26:34,640 --> 01:26:45,160
Speaker 1: other here, right all right? If Nate was live, Yeah,

1410
01:26:45,880 --> 01:26:47,960
Speaker 1: you understand me, he would have brought a whole another

1411
01:26:48,040 --> 01:26:53,120
Speaker 1: depth to the project. Real, So every album since Late Passion, Yeah.

1412
01:26:56,680 --> 01:27:01,679
Speaker 2: As long as you have fifty thousand, and then after

1413
01:27:01,880 --> 01:27:05,760
Speaker 2: after how long you have fifty thousand, yeah you you

1414
01:27:05,800 --> 01:27:06,360
Speaker 2: would be there.

1415
01:27:06,439 --> 01:27:10,439
Speaker 1: But then then you know, after fact, Joe said, nigga,

1416
01:27:10,560 --> 01:27:12,280
Speaker 1: yesterday's price, aint today's price.

1417
01:27:12,720 --> 01:27:17,400
Speaker 2: If Nate Dog was alive when he said that two

1418
01:27:17,520 --> 01:27:22,760
Speaker 2: hundred and fifty thousand. Fuck around with Nate, But yeah,

1419
01:27:22,920 --> 01:27:25,360
Speaker 2: give me the two hundred and fifty thousand and then

1420
01:27:27,880 --> 01:27:30,200
Speaker 2: send the record to me after you send me the

1421
01:27:30,360 --> 01:27:35,600
Speaker 2: first came in and then uh, good charge, mother. You

1422
01:27:35,680 --> 01:27:40,839
Speaker 2: know what he called that the homie price, Yeah, because

1423
01:27:40,920 --> 01:27:43,760
Speaker 2: you know really was You know, my normal price is

1424
01:27:43,840 --> 01:27:44,679
Speaker 2: five hundred thousand.

1425
01:27:44,840 --> 01:27:44,960
Speaker 1: Man.

1426
01:27:45,040 --> 01:27:47,280
Speaker 5: He was a hit maker at that time. Everything he had,

1427
01:27:47,360 --> 01:27:49,040
Speaker 5: the big budgets, was bringing it off.

1428
01:27:49,080 --> 01:27:50,040
Speaker 1: Everything he touches it.

1429
01:27:50,240 --> 01:27:52,559
Speaker 2: And they said, look, I'm gonna give you fifty thousand

1430
01:27:52,680 --> 01:27:54,880
Speaker 2: the song. Just give it to me there, and then

1431
01:27:55,479 --> 01:27:59,679
Speaker 2: that's the homie price. Well what's the regular price, Nate? Oh, well,

1432
01:28:00,120 --> 01:28:02,920
Speaker 2: you know the regular price. You know, you could just

1433
01:28:03,000 --> 01:28:05,240
Speaker 2: give me one hundred and fifty thousand and I'll give

1434
01:28:05,320 --> 01:28:06,240
Speaker 2: you the works.

1435
01:28:07,000 --> 01:28:10,639
Speaker 1: I'm taking a shot to that dog, Nigga.

1436
01:28:10,880 --> 01:28:14,599
Speaker 2: They dog didn't play no gays. I paid him fifty thousand, girls,

1437
01:28:14,680 --> 01:28:17,200
Speaker 2: all pump I paid him. I paid him fifty thousand

1438
01:28:17,320 --> 01:28:21,800
Speaker 2: every record that Nate won it, You motherfucker right, even

1439
01:28:21,840 --> 01:28:24,120
Speaker 2: though I made his number one record in his life.

1440
01:28:24,560 --> 01:28:28,400
Speaker 1: First number one, First number one. Never leave me alone,

1441
01:28:30,880 --> 01:28:33,960
Speaker 1: he said. Nate said, all right, corrupt man, these records

1442
01:28:34,000 --> 01:28:34,960
Speaker 1: are great. I love him.

1443
01:28:35,120 --> 01:28:40,439
Speaker 2: I need fifty thousand each, I said, okay, cuz, I said, Nate,

1444
01:28:41,840 --> 01:28:43,880
Speaker 2: how much fifty thousand each?

1445
01:28:44,000 --> 01:28:44,360
Speaker 1: Corrupt?

1446
01:28:44,479 --> 01:28:47,000
Speaker 2: You know, and just just get it out the way

1447
01:28:47,080 --> 01:28:49,679
Speaker 2: and then let's go forward and shoot the video. Okay,

1448
01:28:51,200 --> 01:28:54,519
Speaker 2: I said, you know what cause I got you. I

1449
01:28:54,640 --> 01:28:57,800
Speaker 2: hit the company. I said, get cause his money. Stop

1450
01:28:57,920 --> 01:29:00,800
Speaker 2: bullshitting my nigga, take care of Nate.

1451
01:29:01,280 --> 01:29:06,880
Speaker 1: Man, you better pay the man. Don't you want the video? Nigger? Wait,

1452
01:29:08,080 --> 01:29:16,400
Speaker 1: I didn't say the video was included. He was real due.

1453
01:29:16,800 --> 01:29:19,439
Speaker 2: And that's another ten thousand for the video, and I'll

1454
01:29:19,479 --> 01:29:23,200
Speaker 2: be there. I'll take care of my own flight. I

1455
01:29:23,240 --> 01:29:24,680
Speaker 2: don't need nobody to fly me.

1456
01:29:24,800 --> 01:29:30,360
Speaker 1: No, nigga naked good about the budgets back then? I

1457
01:29:30,400 --> 01:29:36,280
Speaker 1: love different time. Hey, Nor you know about this? Yeah?

1458
01:29:36,720 --> 01:29:37,040
Speaker 13: What what?

1459
01:29:37,600 --> 01:29:41,760
Speaker 1: What? Man?

1460
01:29:42,720 --> 01:29:43,439
Speaker 3: It's too much for me?

1461
01:29:43,560 --> 01:29:45,320
Speaker 1: Man, Yeah, but you say it for the different reasons.

1462
01:29:45,360 --> 01:29:47,479
Speaker 1: But I live with that, the fact that you took

1463
01:29:47,520 --> 01:29:52,360
Speaker 1: a shot without us here the whole time. I took

1464
01:29:52,439 --> 01:29:54,960
Speaker 1: the shot because I answered the equation.

1465
01:29:57,000 --> 01:30:00,320
Speaker 4: But let me ask you, this a perfect world, I say,

1466
01:30:00,439 --> 01:30:03,880
Speaker 4: nothing happened right, like what like like you know, like

1467
01:30:04,000 --> 01:30:06,280
Speaker 4: the drama, all this crazy what drama? Like you know,

1468
01:30:06,400 --> 01:30:09,040
Speaker 4: like the Tupac ship right all this, Let's say none

1469
01:30:09,080 --> 01:30:13,160
Speaker 4: of that happened to I'm just saying, you made the

1470
01:30:13,280 --> 01:30:18,479
Speaker 4: same album today and Tupac is alive. Right, which record

1471
01:30:18,520 --> 01:30:21,920
Speaker 4: you think on this album that Tupac would best fit

1472
01:30:22,040 --> 01:30:23,719
Speaker 4: on if Tupac was alive?

1473
01:30:23,920 --> 01:30:25,800
Speaker 1: I'm growing up, I'm grown up.

1474
01:30:26,479 --> 01:30:26,679
Speaker 5: Yeah.

1475
01:30:26,840 --> 01:30:28,519
Speaker 1: Do you think Pak would have grew up by this time?

1476
01:30:29,479 --> 01:30:32,400
Speaker 1: That's a fucking deep one. That's deep.

1477
01:30:33,000 --> 01:30:38,519
Speaker 2: He would have been he was grown up then, Yeah, yeah,

1478
01:30:38,560 --> 01:30:39,920
Speaker 2: he was grown up these things.

1479
01:30:39,960 --> 01:30:40,439
Speaker 1: You know what I'm saying.

1480
01:30:40,479 --> 01:30:40,639
Speaker 8: Man.

1481
01:30:40,680 --> 01:30:42,280
Speaker 1: We used to hang together every day when he got

1482
01:30:42,280 --> 01:30:44,560
Speaker 1: out of jail. You know what I'm saying. I was

1483
01:30:44,920 --> 01:30:47,200
Speaker 1: throwing the beasts to him, you know, knocking all that ship.

1484
01:30:47,240 --> 01:30:49,759
Speaker 1: That's how we acquire so much music together.

1485
01:30:50,160 --> 01:30:52,320
Speaker 5: So you did that bios, all that type of ship

1486
01:30:53,000 --> 01:30:56,080
Speaker 5: and would have been alive, This record would have been

1487
01:30:56,160 --> 01:30:57,040
Speaker 5: even crazier.

1488
01:30:57,960 --> 01:31:01,760
Speaker 1: So you know, it's always the wishes, you know what

1489
01:31:01,760 --> 01:31:05,720
Speaker 1: I'm saying. But we don't want no ai though, hold

1490
01:31:07,520 --> 01:31:11,360
Speaker 1: Nate Dog and Lia and everybody else on the what Yeah,

1491
01:31:11,960 --> 01:31:17,479
Speaker 1: really four corners. Yeah, it's called four corners, But you know,

1492
01:31:17,560 --> 01:31:19,559
Speaker 1: what do you think about the AI?

1493
01:31:20,520 --> 01:31:20,560
Speaker 11: No?

1494
01:31:20,680 --> 01:31:22,320
Speaker 1: I don't think it should be reproduced. That new nor

1495
01:31:22,560 --> 01:31:28,800
Speaker 1: song was what I am.

1496
01:31:29,160 --> 01:31:31,800
Speaker 5: He He articulated the way that we need to be

1497
01:31:31,840 --> 01:31:34,040
Speaker 5: worried about AI and how it needs to protect.

1498
01:31:33,760 --> 01:31:36,519
Speaker 1: The company's finish. Start hiring them dudes who are doing

1499
01:31:36,600 --> 01:31:40,960
Speaker 1: that AI and just taking them to another level.

1500
01:31:41,000 --> 01:31:43,000
Speaker 5: That's why everybody needs to learn AI so we don't

1501
01:31:43,040 --> 01:31:43,639
Speaker 5: get left behind.

1502
01:31:43,680 --> 01:31:46,040
Speaker 1: Me you got a rhyme like them, at least get

1503
01:31:46,080 --> 01:31:49,840
Speaker 1: that style together to do it. You don't need to

1504
01:31:50,240 --> 01:31:54,560
Speaker 1: like for you. It's like that ain't never working with

1505
01:31:54,600 --> 01:31:58,960
Speaker 1: ship before Paul's jigger tell me this what? Okay?

1506
01:31:59,720 --> 01:32:04,560
Speaker 2: I'm need to know why somebody gotta learn something like

1507
01:32:04,640 --> 01:32:08,799
Speaker 2: this felt, because if we don't learn, we're gonna left behind.

1508
01:32:08,920 --> 01:32:11,439
Speaker 1: We're gonna all be left behind them. What what They're

1509
01:32:11,479 --> 01:32:12,840
Speaker 1: gonna make more money than us.

1510
01:32:13,160 --> 01:32:15,400
Speaker 5: They want to technology, They're gonna take over music. It's

1511
01:32:15,400 --> 01:32:18,599
Speaker 5: taking over music because they're not us. They're not nor,

1512
01:32:18,920 --> 01:32:22,479
Speaker 5: They not me, they're not dazz, they're not uh.

1513
01:32:22,920 --> 01:32:25,559
Speaker 1: Person Spotify the spotisfy ship.

1514
01:32:26,439 --> 01:32:30,439
Speaker 5: They're saying they starting to put AI music ships made.

1515
01:32:33,040 --> 01:32:35,599
Speaker 1: And the labels is behind it too, so they don't

1516
01:32:35,600 --> 01:32:40,360
Speaker 1: got to pay artists we their own labels with. But yeah,

1517
01:32:40,520 --> 01:32:44,040
Speaker 1: crazy Houston, it ain't gonna be no, not gonna be

1518
01:32:44,080 --> 01:32:46,439
Speaker 1: the dead. It's gonna be new artists. But not even

1519
01:32:46,520 --> 01:32:48,320
Speaker 1: people let it be.

1520
01:32:48,400 --> 01:32:50,960
Speaker 2: I'm gonna let it be because see I'm not rolling,

1521
01:32:51,320 --> 01:32:55,600
Speaker 2: because and I ain't rolling at all. They can do

1522
01:32:55,680 --> 01:32:57,519
Speaker 2: what the fuck they want, but I know this much,

1523
01:32:57,560 --> 01:33:01,439
Speaker 2: they can't take nor But unless Nori clears it.

1524
01:33:01,960 --> 01:33:04,000
Speaker 1: Now, let me ask you something else about AI.

1525
01:33:04,800 --> 01:33:09,400
Speaker 2: Okay, right, business, because I got a real question I

1526
01:33:09,520 --> 01:33:14,160
Speaker 2: want to ask on crip, uh.

1527
01:33:14,920 --> 01:33:17,960
Speaker 1: How do we get paid? That's what will I Am

1528
01:33:18,160 --> 01:33:18,479
Speaker 1: was saying.

1529
01:33:18,479 --> 01:33:20,800
Speaker 19: Here, No, I'm asking you because how did I get paid?

1530
01:33:23,240 --> 01:33:26,639
Speaker 19: William was an expert. Will I was saying, we all

1531
01:33:26,680 --> 01:33:30,320
Speaker 19: got to everybody. We can't get paid.

1532
01:33:30,600 --> 01:33:32,560
Speaker 20: You know, everybody got on that story. What do you

1533
01:33:32,640 --> 01:33:35,720
Speaker 20: think about AI? If we can get paid, If you

1534
01:33:35,760 --> 01:33:38,439
Speaker 20: ain't gonna get paid whole of the song, that's not

1535
01:33:38,560 --> 01:33:39,679
Speaker 20: even any man.

1536
01:33:39,840 --> 01:33:42,759
Speaker 1: Then for just some bullshit to spotify them going along

1537
01:33:42,800 --> 01:33:46,160
Speaker 1: with the ship, like saying you know, fuck y'all, we're

1538
01:33:46,200 --> 01:33:47,840
Speaker 1: just gonna make the money and all the other type

1539
01:33:47,880 --> 01:33:49,240
Speaker 1: of shi it's like saying, fuck us. You know what

1540
01:33:49,240 --> 01:33:50,360
Speaker 1: I'm saying, how do we get paid?

1541
01:33:50,360 --> 01:33:52,200
Speaker 5: Because this is the thing they saying that, like the

1542
01:33:52,600 --> 01:33:56,360
Speaker 5: Actors Union, the what is it a sagging? All these

1543
01:33:56,360 --> 01:34:00,640
Speaker 5: different unions they've been fighting Hollywood. The movie side, they

1544
01:34:00,760 --> 01:34:03,960
Speaker 5: fight them for again for AI, like to defend against AI.

1545
01:34:04,840 --> 01:34:09,400
Speaker 5: Music musicians don't have a union that's fighting against AI.

1546
01:34:09,520 --> 01:34:11,920
Speaker 5: And that's the problem is that's what I'm hearing right now.

1547
01:34:12,640 --> 01:34:15,360
Speaker 5: Musicians don't have a union to fight against the AI

1548
01:34:15,600 --> 01:34:16,760
Speaker 5: and these companies using AI.

1549
01:34:17,439 --> 01:34:21,519
Speaker 1: It's different from them writing movies with the AI. Not really,

1550
01:34:21,600 --> 01:34:24,439
Speaker 1: I'm using our voice not well no, but that's the thing.

1551
01:34:24,520 --> 01:34:27,360
Speaker 1: They're going to not use the voices. That's the scary

1552
01:34:27,439 --> 01:34:29,720
Speaker 1: part about the music side. I mean, shit, I listen

1553
01:34:29,760 --> 01:34:32,360
Speaker 1: to that. You can't say it's a person unless it's

1554
01:34:32,439 --> 01:34:33,000
Speaker 1: their voice.

1555
01:34:33,479 --> 01:34:38,120
Speaker 5: No, the AI makes a voice, and if it's too

1556
01:34:38,360 --> 01:34:42,640
Speaker 5: similar to dances, no, I won't right listening to it.

1557
01:34:43,760 --> 01:34:46,600
Speaker 5: All they gotta do is change one and then the

1558
01:34:46,960 --> 01:34:49,400
Speaker 5: legal system is gonna be like, that's not that, but it's.

1559
01:34:49,320 --> 01:34:50,400
Speaker 1: Not damn, So it's.

1560
01:34:52,040 --> 01:34:54,400
Speaker 18: Hold on, cuse hold on, I want to know this, Denmark.

1561
01:34:54,760 --> 01:34:58,920
Speaker 18: So therefore, if it's if they if they change the

1562
01:34:59,080 --> 01:35:02,240
Speaker 18: octave and it's not dazz, then they can't say it's dash.

1563
01:35:02,800 --> 01:35:04,920
Speaker 1: They're not gonna say it's dash. But you see, so

1564
01:35:05,000 --> 01:35:08,640
Speaker 1: who keeps a fuck? Is it? It tastes like like lemonade,

1565
01:35:08,680 --> 01:35:10,640
Speaker 1: but it might not be lemons, you know what I'm saying? Well,

1566
01:35:10,680 --> 01:35:11,880
Speaker 1: then you going and buy.

1567
01:35:11,800 --> 01:35:13,160
Speaker 3: The artificial intelligence?

1568
01:35:13,840 --> 01:35:15,800
Speaker 1: Is gonna do buy all that bullshit.

1569
01:35:15,640 --> 01:35:19,080
Speaker 18: If they've been buying a nigga, the faulty motherfucking chickens.

1570
01:35:19,280 --> 01:35:22,400
Speaker 1: The motherfucking chickens is as big as people. The fuckers

1571
01:35:22,479 --> 01:35:25,719
Speaker 1: going in buying the lemons and ship.

1572
01:35:26,040 --> 01:35:30,240
Speaker 21: The lemons are the same size as motherfucking basketball. Nigga,

1573
01:35:30,320 --> 01:35:34,760
Speaker 21: you've been buying all the faulty ship anyway, cause keep

1574
01:35:35,240 --> 01:35:36,439
Speaker 21: that because as.

1575
01:35:36,360 --> 01:35:39,439
Speaker 1: Long as you don't say it's dass, dass can't even

1576
01:35:39,680 --> 01:35:41,960
Speaker 1: you know, oh it sounds like das. Who is it?

1577
01:35:42,240 --> 01:35:46,160
Speaker 1: It's it's it's it's cash the fuck out of here,

1578
01:35:46,200 --> 01:35:48,439
Speaker 1: and nobody want to hear that ship nigga ain't dass

1579
01:35:48,479 --> 01:35:50,000
Speaker 1: because it ain't nothing we should worry about.

1580
01:35:50,160 --> 01:35:53,000
Speaker 2: You worried about imitations, Let me tell you an imitation,

1581
01:35:53,160 --> 01:35:55,200
Speaker 2: because I'll show you imitation right.

1582
01:35:55,160 --> 01:35:59,679
Speaker 1: Here at this motherfucking table, nigga. This is the imitation.

1583
01:36:00,960 --> 01:36:04,559
Speaker 2: This is an imitation cup, you understand me, because cups

1584
01:36:04,680 --> 01:36:05,879
Speaker 2: is glass, that's plastic.

1585
01:36:06,160 --> 01:36:08,720
Speaker 1: Get the fuck out of here. Watch this, bou go.

1586
01:36:11,200 --> 01:36:14,400
Speaker 2: Yeah, and it's still lading right because everybody wants the

1587
01:36:14,560 --> 01:36:17,120
Speaker 2: faulty in the fake. You know what's the great thing

1588
01:36:17,200 --> 01:36:21,679
Speaker 2: about drink Temps and my brother Nori. Let me show

1589
01:36:21,720 --> 01:36:23,960
Speaker 2: you what's great about us because because we was not

1590
01:36:24,120 --> 01:36:26,880
Speaker 2: on the same side at one time, because we was

1591
01:36:27,000 --> 01:36:30,800
Speaker 2: actually enemies. Money niggas, you understand me, and we're still

1592
01:36:30,880 --> 01:36:36,760
Speaker 2: here today because it's family money, nigga, that's real, you

1593
01:36:36,880 --> 01:36:37,479
Speaker 2: understand me.

1594
01:36:41,560 --> 01:36:43,240
Speaker 5: I want to bring that up because I know we

1595
01:36:43,320 --> 01:36:51,760
Speaker 5: talked about it on previous to bring previous episodest How

1596
01:36:51,880 --> 01:36:56,599
Speaker 5: crazy I got that? We got it dark Pound, Well,

1597
01:36:56,600 --> 01:36:57,800
Speaker 5: we don't got compone today, but.

1598
01:37:04,320 --> 01:37:06,120
Speaker 1: Now how full circles is that? Though?

1599
01:37:06,680 --> 01:37:10,720
Speaker 4: Now that's fire, fire and that Dazz and Capone got

1600
01:37:10,760 --> 01:37:11,720
Speaker 4: the album together.

1601
01:37:14,280 --> 01:37:20,320
Speaker 2: All right, But since we're gonna bring up connection, Okay,

1602
01:37:21,640 --> 01:37:22,679
Speaker 2: we're gonna freak it out.

1603
01:37:22,840 --> 01:37:25,679
Speaker 1: What We're gonna freak it out. We're gonna freak it out.

1604
01:37:25,800 --> 01:37:28,880
Speaker 1: What We're gonna freak it out. We're freaking out. What

1605
01:37:29,200 --> 01:37:32,600
Speaker 1: we're gonna freak it out. Yeah, by the way, let

1606
01:37:32,640 --> 01:37:38,200
Speaker 1: me I tell you. One of my is after you

1607
01:37:38,280 --> 01:37:40,360
Speaker 1: know they did six l A.

1608
01:37:41,080 --> 01:37:44,960
Speaker 4: I remember me going to a radio station and they're like, yo,

1609
01:37:45,200 --> 01:37:47,720
Speaker 4: they're not letting no, this is just the hardest up.

1610
01:37:48,320 --> 01:37:50,560
Speaker 3: No other no other entourage.

1611
01:37:51,200 --> 01:37:53,080
Speaker 1: There's your rail station to looking at me because you

1612
01:37:53,120 --> 01:37:56,559
Speaker 1: know this is they locked me up. I walked through,

1613
01:38:00,320 --> 01:38:04,560
Speaker 1: but in retrospect they were all artists, so it was

1614
01:38:04,640 --> 01:38:07,080
Speaker 1: like no extra people there. And I remember that it

1615
01:38:07,200 --> 01:38:08,560
Speaker 1: was like the first time, like we kind of like

1616
01:38:08,600 --> 01:38:09,200
Speaker 1: the connected.

1617
01:38:10,439 --> 01:38:16,280
Speaker 4: They got them radio station and then me and you

1618
01:38:16,560 --> 01:38:19,360
Speaker 4: Kevin speaking through Inger. I remember you know what.

1619
01:38:19,320 --> 01:38:21,720
Speaker 5: I'm saying is foxy bounds For people who don't know.

1620
01:38:21,880 --> 01:38:25,840
Speaker 2: That's right, That's right, goddamnit because Inger was there. Motherfucking

1621
01:38:26,040 --> 01:38:31,360
Speaker 2: h Inger is the one where was we at in Reno? Yes,

1622
01:38:31,439 --> 01:38:32,800
Speaker 2: we know about that's right, that's why.

1623
01:38:32,840 --> 01:38:34,439
Speaker 1: And it was something going on.

1624
01:38:34,600 --> 01:38:39,040
Speaker 2: But any anyhow, any who, the bottom line is because

1625
01:38:39,040 --> 01:38:42,400
Speaker 2: I seen because they're me, Nate, we were there with

1626
01:38:42,600 --> 01:38:47,120
Speaker 2: Inger and then Boom, but me and Norrie always just

1627
01:38:47,320 --> 01:38:49,920
Speaker 2: wrote it out since that I think that was the

1628
01:38:50,000 --> 01:38:54,000
Speaker 2: first time was Renal and then we just kept riding

1629
01:38:54,040 --> 01:38:55,880
Speaker 2: it out after and then next thing, you know, we

1630
01:38:56,040 --> 01:39:00,519
Speaker 2: did h corruption Stevie J and he brought on that

1631
01:39:00,640 --> 01:39:03,680
Speaker 2: motherfucking they freak it out, okay, and know he was like,

1632
01:39:03,800 --> 01:39:06,559
Speaker 2: I'm in Boom and that we can freak it out.

1633
01:39:06,680 --> 01:39:09,479
Speaker 1: What we can freak it out? I said, oh, cuz

1634
01:39:09,560 --> 01:39:10,479
Speaker 1: I'm in it now.

1635
01:39:11,400 --> 01:39:14,639
Speaker 2: I am in there now, my nigga, because I always

1636
01:39:14,720 --> 01:39:18,040
Speaker 2: love Noid, you know, but it's like you know, in life,

1637
01:39:18,880 --> 01:39:22,040
Speaker 2: you know, you be on opposite sides like BG Knockout

1638
01:39:22,120 --> 01:39:25,040
Speaker 2: and Draster if you'll see, and we can freak it.

1639
01:39:25,240 --> 01:39:29,920
Speaker 2: I got Drasters in the video on my Mama, which

1640
01:39:30,080 --> 01:39:32,639
Speaker 2: is from the Roofless Squad, and then me and BG

1641
01:39:32,840 --> 01:39:35,439
Speaker 2: Knockout because BG Knockout was locked up during the time

1642
01:39:36,120 --> 01:39:36,920
Speaker 2: when he got home.

1643
01:39:36,960 --> 01:39:38,560
Speaker 1: Because me and him became.

1644
01:39:38,320 --> 01:39:41,880
Speaker 2: Good friends, and dadd and all of us became good

1645
01:39:41,920 --> 01:39:45,800
Speaker 2: friends with them, even though you know the discrepancies.

1646
01:39:46,320 --> 01:39:48,679
Speaker 1: So I want to give a clap and I want

1647
01:39:48,720 --> 01:39:51,200
Speaker 1: to bring it back to hip.

1648
01:39:51,320 --> 01:39:53,760
Speaker 3: Hop, hip hop and the growth.

1649
01:39:55,960 --> 01:40:00,599
Speaker 1: Broke. You understand me, because we've been We've been all

1650
01:40:00,680 --> 01:40:01,880
Speaker 1: around all of y'all to.

1651
01:40:01,920 --> 01:40:04,560
Speaker 4: The closest to niggas to me on that side like

1652
01:40:04,760 --> 01:40:05,840
Speaker 4: that's what's crazy about it.

1653
01:40:05,960 --> 01:40:08,200
Speaker 2: Like people when I say that to people, like really,

1654
01:40:08,280 --> 01:40:11,080
Speaker 2: I'm like, remember when you came down like Gud. Remember

1655
01:40:11,120 --> 01:40:12,800
Speaker 2: when you came out because the record.

1656
01:40:13,000 --> 01:40:15,080
Speaker 1: I remember when you came down like Gud and you

1657
01:40:15,200 --> 01:40:17,559
Speaker 1: hit me your cup booping. I popped up at that hotel.

1658
01:40:22,640 --> 01:40:25,360
Speaker 4: So many stories, man, I mean, you know what I mean.

1659
01:40:25,400 --> 01:40:28,519
Speaker 4: I appreciate you. I appreciate your friendship, but one thing

1660
01:40:28,600 --> 01:40:30,640
Speaker 4: for short things for serving, I don't want to, you know,

1661
01:40:30,760 --> 01:40:34,240
Speaker 4: get sidetrackted, because your friendship doesn't take away from my

1662
01:40:34,360 --> 01:40:35,360
Speaker 4: fanship from y'all.

1663
01:40:35,760 --> 01:40:36,960
Speaker 3: Like I'm a fan, you know.

1664
01:40:36,960 --> 01:40:37,400
Speaker 1: What I'm saying.

1665
01:40:37,680 --> 01:40:39,720
Speaker 4: And for me to hear that album and for me

1666
01:40:39,800 --> 01:40:42,840
Speaker 4: to hear y'all sounding so young but so still o

1667
01:40:43,080 --> 01:40:47,280
Speaker 4: g so so nowadays was still so classic. That ship

1668
01:40:47,360 --> 01:40:51,320
Speaker 4: made me feel so good because and then it had

1669
01:40:51,400 --> 01:41:00,160
Speaker 4: skits you had, you had, you know, intros, outros, it's oh,

1670
01:41:00,360 --> 01:41:04,360
Speaker 4: goddamn album, motherfucker's make a single and say I'm good.

1671
01:41:05,040 --> 01:41:08,280
Speaker 5: Y'all made a whole fucking aye. Y'all made a legit album, man,

1672
01:41:08,680 --> 01:41:10,000
Speaker 5: And I was I listen.

1673
01:41:10,040 --> 01:41:12,320
Speaker 4: I kept listening to it because I'm like, damn, like

1674
01:41:12,520 --> 01:41:14,640
Speaker 4: I wanted to listen to a flaw and there's no

1675
01:41:14,800 --> 01:41:17,880
Speaker 4: flaw on this album. Like you motherfuckers got it together.

1676
01:41:19,040 --> 01:41:21,680
Speaker 4: That ship is a classic. It's an impeccable.

1677
01:41:22,560 --> 01:41:22,680
Speaker 1: Man.

1678
01:41:23,040 --> 01:41:25,160
Speaker 4: It sounds like the West Coast where it's for the world.

1679
01:41:26,479 --> 01:41:29,320
Speaker 4: You can tell us made in the West Coast, but

1680
01:41:29,400 --> 01:41:31,160
Speaker 4: it's made for the world.

1681
01:41:32,240 --> 01:41:34,559
Speaker 5: And I want to wait, one thing, we can't forget

1682
01:41:35,240 --> 01:41:37,400
Speaker 5: that it sounds West Coast because we were in an

1683
01:41:37,520 --> 01:41:41,519
Speaker 5: era where regional music is lost. Right, y'all made it

1684
01:41:41,600 --> 01:41:44,000
Speaker 5: sound exactly where it needed to sound where it's coming from.

1685
01:41:44,600 --> 01:41:46,960
Speaker 1: All right, So I want to make Snoop Dog.

1686
01:41:51,840 --> 01:41:54,280
Speaker 4: In fact, I love I love how you can kind

1687
01:41:54,320 --> 01:41:57,160
Speaker 4: of like tell he's enjoying promoting this. He said, he's proudly,

1688
01:41:58,160 --> 01:41:58,880
Speaker 4: he's proud of this.

1689
01:41:59,160 --> 01:42:03,200
Speaker 1: I mean, it's a great record. Great you know we

1690
01:42:03,280 --> 01:42:05,599
Speaker 1: put that down, we did that, but it's a great way.

1691
01:42:05,720 --> 01:42:08,280
Speaker 1: Let me ask you a question of both of you. Okay,

1692
01:42:09,040 --> 01:42:10,400
Speaker 1: are you high? Yes?

1693
01:42:10,800 --> 01:42:11,080
Speaker 13: I am.

1694
01:42:11,400 --> 01:42:17,040
Speaker 1: I don't. I'm not. I get you, but you have

1695
01:42:17,240 --> 01:42:23,600
Speaker 1: you been taking these shots with you? Man? Here, I

1696
01:42:23,720 --> 01:42:27,559
Speaker 1: give you both the bolls. This bottle was brand new, guys.

1697
01:42:27,600 --> 01:42:32,400
Speaker 1: You got guy. I'm just it's a lot of alcohol.

1698
01:42:33,600 --> 01:42:35,679
Speaker 1: Is vodka by the way, I support the homie. Okay,

1699
01:42:36,720 --> 01:42:39,599
Speaker 1: I drink will come up for two days straight one time.

1700
01:42:40,720 --> 01:42:45,800
Speaker 1: None of us stopped, neither one of us. You're gonna

1701
01:42:45,840 --> 01:42:49,920
Speaker 1: give up, like you give up. We just we kept going.

1702
01:42:50,040 --> 01:42:51,000
Speaker 1: Yet we kept going.

1703
01:42:51,160 --> 01:42:54,840
Speaker 4: Okay, But the last song on the on the premiere record,

1704
01:42:55,120 --> 01:42:58,519
Speaker 4: the premiere record, yeah wow. I had never seen like

1705
01:42:58,640 --> 01:43:01,120
Speaker 4: a crew actually say that they battle it on the record.

1706
01:43:01,520 --> 01:43:04,280
Speaker 2: I ain't never seen that either, Cause Dog said, nigga,

1707
01:43:04,320 --> 01:43:06,080
Speaker 2: I want to know. I've been wandering them for a

1708
01:43:06,160 --> 01:43:08,000
Speaker 2: long time. Who's the hardest side of all of us?

1709
01:43:08,120 --> 01:43:08,920
Speaker 2: Ken which I.

1710
01:43:09,040 --> 01:43:13,720
Speaker 1: Want to do? This is no, that's ready said and

1711
01:43:13,840 --> 01:43:17,040
Speaker 1: then he said, all right, you ready, And I'm looking like.

1712
01:43:17,520 --> 01:43:19,920
Speaker 2: He said, I got r b X over there, and

1713
01:43:20,240 --> 01:43:24,519
Speaker 2: uh he was right, came for you and Dad's going

1714
01:43:24,600 --> 01:43:26,280
Speaker 2: to do And I'm like, oh.

1715
01:43:27,800 --> 01:43:29,479
Speaker 1: Wait first right, yeah, yeah, yeah.

1716
01:43:29,520 --> 01:43:32,240
Speaker 3: They like ladies first, full advantage to be your ladies.

1717
01:43:32,320 --> 01:43:32,519
Speaker 1: First.

1718
01:43:33,280 --> 01:43:36,519
Speaker 2: I looked at dads, he looked at me, because we

1719
01:43:36,640 --> 01:43:42,799
Speaker 2: looked at Snoop and we said good luck to everybody.

1720
01:43:42,880 --> 01:43:45,760
Speaker 2: It was raised and you you, you came on something well,

1721
01:43:45,880 --> 01:43:51,320
Speaker 2: Ray you was saying first Originally okay, first verse I

1722
01:43:51,479 --> 01:43:55,559
Speaker 2: laid then del Marley, and then r B and then Ray.

1723
01:43:55,720 --> 01:43:57,599
Speaker 1: I mean then you raised you laid George.

1724
01:43:57,680 --> 01:43:59,920
Speaker 4: Yeah, And then they had a chance to listen to

1725
01:44:00,200 --> 01:44:05,440
Speaker 4: Rage sent it in. This is on a fair fight saying, wait.

1726
01:44:04,720 --> 01:44:06,800
Speaker 1: Rage heard you first, because I feel like she was

1727
01:44:06,840 --> 01:44:08,479
Speaker 1: saying some words that you were saying.

1728
01:44:09,600 --> 01:44:13,679
Speaker 4: She said she messed like the big shock. She was like, yes,

1729
01:44:13,880 --> 01:44:18,080
Speaker 4: like the meg You was kind of saying yes.

1730
01:44:18,720 --> 01:44:21,120
Speaker 1: I wasn't saying that. No, not the exact same thing,

1731
01:44:21,240 --> 01:44:25,120
Speaker 1: but you were saying similar ship. What are you trying

1732
01:44:25,160 --> 01:44:32,720
Speaker 1: to say? I just know it was. It was a

1733
01:44:32,800 --> 01:44:35,040
Speaker 1: big words. It was like look out another word.

1734
01:44:35,120 --> 01:44:37,679
Speaker 5: But she was like if you said Renaisur's right, she said,

1735
01:44:37,720 --> 01:44:38,800
Speaker 5: micha RockA dog.

1736
01:44:40,160 --> 01:44:43,760
Speaker 1: It was the lyrics you already had that wrote you

1737
01:44:43,800 --> 01:44:47,160
Speaker 1: said you heard you first. She heard my verse. She

1738
01:44:47,240 --> 01:44:51,519
Speaker 1: already had her verse wrote yes. When I rage, I

1739
01:44:51,720 --> 01:44:55,040
Speaker 1: was like, raid emphasis on it. She already laid it down.

1740
01:44:55,680 --> 01:44:58,720
Speaker 1: You know exactly what we're talking about. Raised laid it

1741
01:44:58,800 --> 01:45:00,599
Speaker 1: down already. But then she said, need to go back

1742
01:45:00,640 --> 01:45:03,600
Speaker 1: in there and do it again. So that means she

1743
01:45:03,680 --> 01:45:06,920
Speaker 1: went in there and put some more. If I'm a muggle,

1744
01:45:07,000 --> 01:45:10,519
Speaker 1: d put that ship together and we love it. You

1745
01:45:10,560 --> 01:45:13,800
Speaker 1: know what I'm saying, because rageous, hell man, rageous. We

1746
01:45:13,960 --> 01:45:16,160
Speaker 1: all we got you know what I mean. So, who

1747
01:45:16,200 --> 01:45:16,720
Speaker 1: do you think?

1748
01:45:16,960 --> 01:45:18,160
Speaker 3: What's the hardest on that record?

1749
01:45:20,080 --> 01:45:22,479
Speaker 1: Your dad? On the whole album, you was going in

1750
01:45:23,040 --> 01:45:26,640
Speaker 1: you know, that's what it's about. Your last album is

1751
01:45:26,680 --> 01:45:28,840
Speaker 1: your last impression in the world. Something happened to you.

1752
01:45:28,960 --> 01:45:30,880
Speaker 1: That's that's the last time. What if you five? I

1753
01:45:30,960 --> 01:45:32,519
Speaker 1: told you that. I think this is the hardest I've

1754
01:45:32,600 --> 01:45:35,400
Speaker 1: heard you go in on versus. Man. You know, it's competition.

1755
01:45:35,520 --> 01:45:35,960
Speaker 19: I got you know.

1756
01:45:36,000 --> 01:45:38,560
Speaker 1: I look around, you know, sharks and animals. That's the

1757
01:45:38,840 --> 01:45:40,760
Speaker 1: thing on this one. You know what I'm saying. So

1758
01:45:40,920 --> 01:45:42,439
Speaker 1: you know, shout out to the crew. They make you

1759
01:45:42,520 --> 01:45:43,080
Speaker 1: better animal.

1760
01:45:44,920 --> 01:45:46,600
Speaker 4: You think it's because you have less pressure on you

1761
01:45:46,680 --> 01:45:48,120
Speaker 4: because you wasn't making the beat so you could just

1762
01:45:48,160 --> 01:45:49,040
Speaker 4: focus on the rhymes.

1763
01:45:49,400 --> 01:45:51,519
Speaker 3: And you're battling corrupt on your versus.

1764
01:45:51,920 --> 01:45:55,240
Speaker 1: I was looking at everybody. You know, just take a shot.

1765
01:45:55,680 --> 01:46:00,880
Speaker 2: Shot, that's a shot on that Okay, I don't believe you,

1766
01:46:02,840 --> 01:46:04,200
Speaker 2: but oh well, we could do the.

1767
01:46:06,280 --> 01:46:13,320
Speaker 1: Entourage. I'm gonna stick with the shots. I'm stick with

1768
01:46:13,360 --> 01:46:15,720
Speaker 1: the shot. Cool, but I'm saying, where's up there?

1769
01:46:15,760 --> 01:46:15,960
Speaker 21: It is?

1770
01:46:16,840 --> 01:46:21,479
Speaker 1: You look like you've got children over there, man, just ship.

1771
01:46:21,800 --> 01:46:24,560
Speaker 1: They look like the homies waiting to just go in.

1772
01:46:24,800 --> 01:46:30,200
Speaker 1: And that's like the homies. Cuse for the roll out.

1773
01:46:31,320 --> 01:46:36,400
Speaker 1: They coming through the game. When I'm drunk, then I'm

1774
01:46:36,479 --> 01:46:43,160
Speaker 1: hard grant kids got grand kids. Okay, so let me

1775
01:46:43,200 --> 01:46:49,320
Speaker 1: ask you, Corrupt, because huh, you guys to take your sip,

1776
01:46:49,360 --> 01:46:52,280
Speaker 1: to take a sip to make sure. So okay, take

1777
01:46:52,320 --> 01:46:54,640
Speaker 1: it first or after take it first? You take it.

1778
01:46:56,400 --> 01:46:58,720
Speaker 1: But who had the hardest verse on the hardest.

1779
01:47:00,160 --> 01:47:00,600
Speaker 2: All of us.

1780
01:47:01,479 --> 01:47:03,800
Speaker 1: You'll find a different style. You'll find it.

1781
01:47:04,120 --> 01:47:08,840
Speaker 2: We are got every man find a different hold on comes.

1782
01:47:09,080 --> 01:47:12,479
Speaker 2: You'll find a different style. And everybody that Bus Ray

1783
01:47:12,720 --> 01:47:17,240
Speaker 2: Paul raised was different. Corrupt was different. Del Marm was different.

1784
01:47:17,840 --> 01:47:22,920
Speaker 2: Uh rb X was different, was different. Snoopy was different.

1785
01:47:22,960 --> 01:47:24,920
Speaker 2: He wasn't even getting on the record, cousin until he

1786
01:47:24,960 --> 01:47:27,080
Speaker 2: heard us Bus and he said, all this bullshit, I

1787
01:47:27,200 --> 01:47:28,040
Speaker 2: got to get on here.

1788
01:47:29,280 --> 01:47:32,360
Speaker 1: That's that hip hop man. Yeah, because he was like, no,

1789
01:47:32,680 --> 01:47:35,920
Speaker 1: this bullshit, nigga, I got to kid on here. That's

1790
01:47:35,960 --> 01:47:42,559
Speaker 1: what Dog said. That's our first really on DPGC. He said, man,

1791
01:47:43,360 --> 01:47:45,960
Speaker 1: and it sounded I think that's the first time I

1792
01:47:46,160 --> 01:47:49,720
Speaker 1: oh no, I did. Uh everybody, all of us, me

1793
01:47:49,760 --> 01:47:51,680
Speaker 1: and super Permian did the song that he got with

1794
01:47:51,800 --> 01:47:54,000
Speaker 1: you men, I'm on the hook, you know what I'm

1795
01:47:54,000 --> 01:47:58,400
Speaker 1: saying that we did that twenty thirteen. This is not

1796
01:47:58,479 --> 01:48:01,519
Speaker 1: your first time with Premiere. That's my all house for

1797
01:48:01,640 --> 01:48:03,800
Speaker 1: the gallop. Yeah, I mean it's just him me on

1798
01:48:03,880 --> 01:48:06,680
Speaker 1: the track. You're running on it right right, But that's

1799
01:48:06,720 --> 01:48:10,080
Speaker 1: my first time with Premiere. On this out, I'm saying fire.

1800
01:48:10,560 --> 01:48:12,360
Speaker 1: Did we got did we take a shot to that?

1801
01:48:12,400 --> 01:48:14,920
Speaker 4: Okay, let's take a shot to that bub bubble the

1802
01:48:15,080 --> 01:48:20,320
Speaker 4: drops got the drop bubble bubble, double trouble bubb.

1803
01:48:20,240 --> 01:48:24,040
Speaker 1: Look at the way so drink you got an iPad.

1804
01:48:28,280 --> 01:48:35,720
Speaker 1: Let me touch it through. Let's take it for real? Yeah,

1805
01:48:36,160 --> 01:48:46,160
Speaker 1: cut the ship. Can we hear it loud? That's Uncle

1806
01:48:46,240 --> 01:49:04,400
Speaker 1: Premiere on sake song the Hordest suit, lad, appreciate it?

1807
01:49:06,000 --> 01:49:18,879
Speaker 1: Are you talking? Because that was up beave everything else? Plea, Premire?

1808
01:49:19,400 --> 01:49:22,479
Speaker 1: What was that about? How you do that? North? I

1809
01:49:22,640 --> 01:49:25,120
Speaker 1: mean I got more. I'm not gonna show you right now.

1810
01:49:25,120 --> 01:49:46,120
Speaker 1: I'm just up. Yeah the chatseash smash smoking god damn

1811
01:49:50,400 --> 01:49:53,880
Speaker 1: for y'all. More. No, no, no, no, no, no, no

1812
01:49:53,960 --> 01:49:56,240
Speaker 1: no we're gonna you see it on the episode. We

1813
01:49:56,360 --> 01:49:58,000
Speaker 1: just wanted to know. We're going all out for y'all.

1814
01:49:58,160 --> 01:50:00,720
Speaker 1: Let y'all just show y'all know no man legends, Man

1815
01:50:01,280 --> 01:50:13,840
Speaker 1: your legends, y'all. God, you know we got correct and

1816
01:50:13,960 --> 01:50:18,040
Speaker 1: if and y'all we got too. So let me ask y'all.

1817
01:50:19,840 --> 01:50:21,840
Speaker 4: Now we got the whole new album knocked out right.

1818
01:50:21,880 --> 01:50:28,680
Speaker 4: We spoke about every track one by one. What is

1819
01:50:28,760 --> 01:50:32,639
Speaker 4: the one classic record you guys made that you love

1820
01:50:32,880 --> 01:50:37,439
Speaker 4: to perform? I'm gonna ask you individually. I almost wish

1821
01:50:37,520 --> 01:50:39,519
Speaker 4: I wanted you to write it down, and you write

1822
01:50:39,560 --> 01:50:40,880
Speaker 4: it down because I don't want y'all.

1823
01:50:40,760 --> 01:50:42,680
Speaker 1: To be my favorite. That ain't no fun. I knew

1824
01:50:42,720 --> 01:50:46,760
Speaker 1: you was gonna say, ain't no fun because it's the

1825
01:50:46,800 --> 01:50:51,720
Speaker 1: party finish jump. We cut the music out, put the

1826
01:50:51,800 --> 01:50:55,240
Speaker 1: mic down. They say, gave about a bitch. I partly

1827
01:50:55,280 --> 01:50:58,200
Speaker 1: broke the say I never asked mother the fucking end

1828
01:50:58,280 --> 01:51:02,120
Speaker 1: of the sw be come back in bad. Let's start

1829
01:51:02,160 --> 01:51:05,680
Speaker 1: it from again. How we go recipe. I met you

1830
01:51:06,080 --> 01:51:09,800
Speaker 1: last night, baby, Come on.

1831
01:51:11,320 --> 01:51:20,120
Speaker 22: You gam your gap, laid down speak, God'll take you

1832
01:51:20,400 --> 01:51:24,280
Speaker 22: all back, Come on home, come ons.

1833
01:51:24,360 --> 01:51:38,960
Speaker 1: It gave me anyone and you know, but well probably baby,

1834
01:51:39,520 --> 01:51:46,960
Speaker 1: I give you nurs time, nurse time, the holiday when

1835
01:51:47,000 --> 01:51:49,840
Speaker 1: at work, you can come on over and I'll thank

1836
01:51:49,960 --> 01:52:08,360
Speaker 1: you all if you can say what never, I've never

1837
01:52:08,439 --> 01:52:11,160
Speaker 1: been a girl before. I never met a girl before.

1838
01:52:11,200 --> 01:52:22,479
Speaker 2: I did, come on, what to grop gave a home

1839
01:52:22,520 --> 01:52:28,120
Speaker 2: about a bitch? I don't wait you I never, I guess, Lonny,

1840
01:52:28,680 --> 01:52:29,200
Speaker 2: you can't do.

1841
01:52:29,560 --> 01:52:32,720
Speaker 1: Do we look like d youtie groovie? I have no

1842
01:52:32,840 --> 01:52:35,200
Speaker 1: mother for house. That's something that I learned to pend

1843
01:52:35,320 --> 01:52:37,800
Speaker 1: on how to fucking my suppose to ladies host. It's

1844
01:52:37,920 --> 01:52:40,280
Speaker 1: just the latest home. I know that puss is mind'

1845
01:52:40,360 --> 01:52:42,720
Speaker 1: a fuck a couple of months and then I'm doing it.

1846
01:52:43,120 --> 01:52:45,160
Speaker 21: There's nothing enough to do with it past it the

1847
01:52:45,320 --> 01:52:48,200
Speaker 21: nor eat Now you say you're nothing but best me.

1848
01:52:48,640 --> 01:52:51,920
Speaker 1: Y'all know the ship to me? I did the fuck?

1849
01:52:52,520 --> 01:52:55,040
Speaker 1: Why don't you play a sentence? I broke it with

1850
01:52:55,120 --> 01:52:58,639
Speaker 1: a different proposition. I'm corrupt. You never be my only

1851
01:52:58,800 --> 01:53:01,240
Speaker 1: du it ain't know.

1852
01:53:05,280 --> 01:53:05,479
Speaker 13: You know?

1853
01:53:05,720 --> 01:53:06,080
Speaker 21: He know?

1854
01:53:07,200 --> 01:53:07,360
Speaker 1: Then?

1855
01:53:07,439 --> 01:53:12,320
Speaker 23: My motherfucking hummers can't Hey, you know, I ain know there?

1856
01:53:12,400 --> 01:53:15,880
Speaker 23: My mother brother hommies can't you know what the ain't

1857
01:53:15,920 --> 01:53:20,439
Speaker 23: no here? My mother fucker hummis can't the big snoop

1858
01:53:20,560 --> 01:53:23,840
Speaker 23: dog Guess who's back in the motherfucking hell with a

1859
01:53:23,920 --> 01:53:27,479
Speaker 23: fat dick for your motherfucking mouth holds backing down? Did

1860
01:53:27,600 --> 01:53:29,960
Speaker 23: you do too cause my bitches get scammers and pull

1861
01:53:30,000 --> 01:53:32,559
Speaker 23: my bood. Do what you're gonna do if you really

1862
01:53:32,640 --> 01:53:34,560
Speaker 23: don't know so hard about.

1863
01:53:34,320 --> 01:53:36,880
Speaker 1: You not to truck that holes to leave me to

1864
01:53:37,000 --> 01:53:39,599
Speaker 1: fall in love with a bit knowing damn well, I'm

1865
01:53:39,680 --> 01:53:41,280
Speaker 1: just going up with my grid. I went to son

1866
01:53:41,400 --> 01:53:42,519
Speaker 1: roteats in my game.

1867
01:53:42,600 --> 01:53:45,320
Speaker 2: Brood bigga, how many tell me want to fuckers this

1868
01:53:45,439 --> 01:53:46,760
Speaker 2: nigga nin' stoop.

1869
01:53:46,760 --> 01:53:49,040
Speaker 1: Doggie, I'm hold of you above. I'm just swipt on

1870
01:53:49,160 --> 01:53:51,200
Speaker 1: my toes to get caught up with you. Hold your feet.

1871
01:53:51,600 --> 01:53:54,719
Speaker 1: It ain't no fun. My homes can't hit him because

1872
01:53:54,720 --> 01:53:58,040
Speaker 1: you know I don't it. Whoo hey, now you know

1873
01:53:58,840 --> 01:54:01,519
Speaker 1: help it's him with you know what? Why a mother

1874
01:54:01,560 --> 01:54:02,320
Speaker 1: of money.

1875
01:54:03,520 --> 01:54:07,640
Speaker 2: Three whitis in my sev He's no right to be

1876
01:54:07,800 --> 01:54:10,480
Speaker 2: exactly where bitch is on my and bitches.

1877
01:54:10,200 --> 01:54:13,439
Speaker 1: On my back. So back up, bitch because you to

1878
01:54:13,560 --> 01:54:18,479
Speaker 1: get on your knees. Motherfucker not sending your mouth. It's

1879
01:54:18,560 --> 01:54:24,960
Speaker 1: being warm ge then nigga, if the homies came you

1880
01:54:25,120 --> 01:54:30,600
Speaker 1: know know here my motherfucker her you know what you

1881
01:54:30,680 --> 01:54:32,120
Speaker 1: know here, My.

1882
01:54:32,200 --> 01:54:36,960
Speaker 23: Motherfucker homies can hey, you know what they ain't know here,

1883
01:54:37,040 --> 01:54:38,200
Speaker 23: My motherfucker.

1884
01:54:37,800 --> 01:54:42,040
Speaker 2: Homies gate big you trick ass, talk fast, dump aass,

1885
01:54:42,120 --> 01:54:44,280
Speaker 2: garbage ass, motherfucker trash can ass.

1886
01:54:44,360 --> 01:54:59,520
Speaker 1: Little bitch. Oh, here's somebody and say what funck dunk bitch.

1887
01:55:01,760 --> 01:55:04,400
Speaker 1: We have fun we on stage? You know, so it's

1888
01:55:04,560 --> 01:55:05,280
Speaker 1: workout for us.

1889
01:55:05,320 --> 01:55:05,480
Speaker 13: You know.

1890
01:55:07,560 --> 01:55:10,760
Speaker 3: That was really Yeah the dreams champ.

1891
01:55:12,960 --> 01:55:17,120
Speaker 1: You put that on. What I like me chucking? I

1892
01:55:17,200 --> 01:55:19,720
Speaker 1: get me something this champagne.

1893
01:55:19,800 --> 01:55:20,000
Speaker 24: Y'all?

1894
01:55:20,440 --> 01:55:27,880
Speaker 1: Yes, shot doing now that I'm high. I'm I'm high.

1895
01:55:29,920 --> 01:55:32,240
Speaker 1: Don't you like being hot? Yes, I'm great.

1896
01:55:33,000 --> 01:55:34,360
Speaker 4: What is your favorite part of the game this for

1897
01:55:34,400 --> 01:55:38,640
Speaker 4: both of y'all writing the music or performing the music both.

1898
01:55:39,360 --> 01:55:40,880
Speaker 1: Okay, I'm gona taking a shot for that, even though

1899
01:55:40,920 --> 01:55:43,360
Speaker 1: the gotta be no shots involved. That's let's take.

1900
01:55:43,880 --> 01:55:45,680
Speaker 4: I want to take a shot with a motherfucking dog

1901
01:55:45,760 --> 01:55:48,320
Speaker 4: pound right now. We went to motherfucking and we just

1902
01:55:49,120 --> 01:55:51,360
Speaker 4: what you're going be performing a shot? What you're seeing

1903
01:55:52,000 --> 01:55:53,120
Speaker 4: vision that you know what I'm saying.

1904
01:55:53,200 --> 01:55:56,520
Speaker 1: So so it's creating it first. It's creating it and

1905
01:55:56,760 --> 01:55:58,600
Speaker 1: vision what you're gonna be doing because it's like loading

1906
01:55:58,640 --> 01:56:01,880
Speaker 1: a gun and shooting because you know, yeah you got okay,

1907
01:56:01,960 --> 01:56:04,000
Speaker 1: I got, I got of couurse, make sure you got

1908
01:56:04,640 --> 01:56:09,640
Speaker 1: because what what what? What? What?

1909
01:56:10,120 --> 01:56:10,160
Speaker 5: What?

1910
01:56:10,320 --> 01:56:10,360
Speaker 2: What?

1911
01:56:10,440 --> 01:56:15,400
Speaker 1: What? What made you do that? Tell the truth? Truth?

1912
01:56:16,520 --> 01:56:18,480
Speaker 1: What happened to cow bars? What? What? What? What?

1913
01:56:18,680 --> 01:56:18,720
Speaker 7: What?

1914
01:56:18,880 --> 01:56:21,480
Speaker 1: What? One? What? What? What? What? What? What? It was

1915
01:56:21,520 --> 01:56:22,040
Speaker 1: an accident?

1916
01:56:22,400 --> 01:56:23,080
Speaker 3: It was an accident.

1917
01:56:23,560 --> 01:56:26,800
Speaker 1: Well yeah, yeah, shot yeah, and then said I like that.

1918
01:56:26,920 --> 01:56:28,160
Speaker 1: You know that's great.

1919
01:56:28,560 --> 01:56:31,840
Speaker 2: Because that's how our biggest records happened with access state.

1920
01:56:31,960 --> 01:56:35,320
Speaker 1: Yeah. Yes, like, bitches ain't ship was an accident. Okay,

1921
01:56:35,800 --> 01:56:41,120
Speaker 1: explain that. You gotta explain that accident. And let's take

1922
01:56:41,120 --> 01:56:43,520
Speaker 1: a shot of that accent. And doctor said, take that

1923
01:56:43,720 --> 01:56:46,600
Speaker 1: first that you had for that little four bars we got,

1924
01:56:46,680 --> 01:56:49,520
Speaker 1: and we're gonna make that the hook. And then we

1925
01:56:49,720 --> 01:56:53,640
Speaker 1: just so it was a verse. Verse was sixteen bars.

1926
01:56:53,960 --> 01:56:57,480
Speaker 2: Right when Doctor Dre heard the first eight of my bars,

1927
01:56:57,520 --> 01:56:59,600
Speaker 2: he said, that's the hook, was the first eight.

1928
01:56:59,680 --> 01:57:01,320
Speaker 3: That's so about the first bitches ain't.

1929
01:57:01,120 --> 01:57:05,840
Speaker 1: Ships and tricks suck get the.

1930
01:57:11,320 --> 01:57:14,760
Speaker 3: Getting me your foe up. See that was the verse.

1931
01:57:15,960 --> 01:57:20,320
Speaker 2: But Doc Dre heard that first part and he was like, no,

1932
01:57:20,720 --> 01:57:23,800
Speaker 2: lay that, and it was bitches ain't ship but holsing

1933
01:57:23,880 --> 01:57:26,160
Speaker 2: t lick on these nuts, is sucked that they gets

1934
01:57:26,160 --> 01:57:28,480
Speaker 2: the funk out when you're done. And then I hops

1935
01:57:28,520 --> 01:57:30,840
Speaker 2: in my coop to make a quick run. And then

1936
01:57:31,040 --> 01:57:36,560
Speaker 2: dog said, no corrupt, uh do it like this at

1937
01:57:36,600 --> 01:57:40,200
Speaker 2: the end, right, gets the funk out after you're done,

1938
01:57:40,600 --> 01:57:44,080
Speaker 2: and hops and my coopill make a quick run instead

1939
01:57:44,120 --> 01:57:45,680
Speaker 2: of doing done and run.

1940
01:57:48,520 --> 01:57:49,640
Speaker 1: No harmony.

1941
01:57:51,880 --> 01:57:54,600
Speaker 2: So then I said, bitches ain't ship but holes, and

1942
01:57:54,880 --> 01:57:56,920
Speaker 2: then he put that in there. I was like, bitches

1943
01:57:56,960 --> 01:58:00,320
Speaker 2: ain't ship but hosing tricks, lick on these ns and

1944
01:58:00,480 --> 01:58:03,760
Speaker 2: suck the dick, gets the funk out after you're done.

1945
01:58:04,120 --> 01:58:06,920
Speaker 3: Then I hoped him you're control.

1946
01:58:10,640 --> 01:58:14,120
Speaker 1: Harp. Please that's tight.

1947
01:58:14,200 --> 01:58:17,400
Speaker 2: But that's tight, right, but say it like this, thumb,

1948
01:58:18,080 --> 01:58:21,920
Speaker 2: Bitches ain't ship but hoes and tricks, lick onies, not.

1949
01:58:23,400 --> 01:58:23,720
Speaker 1: Everything.

1950
01:58:23,800 --> 01:58:26,960
Speaker 25: It's the funk out after you done. Then I hoped

1951
01:58:27,080 --> 01:58:31,200
Speaker 25: in my coop that make up quick, I said. I said, okay, cool,

1952
01:58:31,880 --> 01:58:35,240
Speaker 25: lay mind, that's aggressive.

1953
01:58:39,560 --> 01:58:42,800
Speaker 2: Lick on these nuts and sucking dick, get the fuck

1954
01:58:42,880 --> 01:58:44,000
Speaker 2: out after you're done.

1955
01:58:44,360 --> 01:58:46,920
Speaker 1: And then I hoped my cooper make a quick pipe

1956
01:58:47,360 --> 01:58:51,160
Speaker 1: to the stoke. Give me your phone snoop, doggy dope.

1957
01:58:51,520 --> 01:58:52,000
Speaker 1: That must be.

1958
01:58:54,360 --> 01:58:59,440
Speaker 26: All right, corp stop. Okay, all right, you shut out

1959
01:58:59,480 --> 01:59:03,480
Speaker 26: to the telling, you big dog. He added the melody

1960
01:59:03,600 --> 01:59:06,120
Speaker 26: to it. The bitch is okay, I'll take a shot

1961
01:59:06,200 --> 01:59:07,040
Speaker 26: with you for the champ.

1962
01:59:07,200 --> 01:59:12,440
Speaker 1: Let's go it. Okay, double up on the bitch. Wait wait, wait,

1963
01:59:12,480 --> 01:59:15,360
Speaker 1: how you going to drink before us? Cus? Hold on, no, no,

1964
01:59:15,520 --> 01:59:25,840
Speaker 1: that's from your stable. I'm gonna transfer. He gave you

1965
01:59:26,000 --> 01:59:31,240
Speaker 1: some crypto because you know what y'all did, make a

1966
01:59:31,320 --> 01:59:40,720
Speaker 1: new law. You got that corrupt DA made that rules

1967
01:59:43,040 --> 01:59:48,040
Speaker 1: new drink Champs rules, the pass and purvey, cause y'all

1968
01:59:48,080 --> 01:59:50,800
Speaker 1: do that when you have somebody else come out of

1969
01:59:50,840 --> 01:59:53,440
Speaker 1: the Yeah. But we're only gonna do when they're doing

1970
01:59:54,960 --> 01:59:57,920
Speaker 1: called the death villager like, yeah, you got it all along,

1971
01:59:58,160 --> 02:00:04,480
Speaker 1: drink Champs. Cuse say the drink chip I passed damn

1972
02:00:04,520 --> 02:00:06,240
Speaker 1: he passed it back. We didn't. We didn't know what.

1973
02:00:06,360 --> 02:00:08,000
Speaker 1: We ain't never say no path. We didn't know it

1974
02:00:08,080 --> 02:00:10,600
Speaker 1: was retrograde. We didn't know that. Somebody I say, yes,

1975
02:00:10,640 --> 02:00:15,080
Speaker 1: it's split it two is too? Want to rewrite the

1976
02:00:16,480 --> 02:00:18,520
Speaker 1: split it? And I'm gonna have one. We're gonna drink

1977
02:00:18,560 --> 02:00:21,280
Speaker 1: what you I shouldn't be drinking no more. We got

1978
02:00:21,520 --> 02:00:25,000
Speaker 1: we got till we all, we got till we all

1979
02:00:25,080 --> 02:00:26,480
Speaker 1: we got. We got.

1980
02:00:26,640 --> 02:00:36,640
Speaker 5: Yo, let's go birthday Hoods going in the chambers just

1981
02:00:36,680 --> 02:00:37,640
Speaker 5: in case we gotta go there?

1982
02:00:38,200 --> 02:00:51,000
Speaker 1: Ship? Okay, oh Ship, what did you do? Yeah? How

1983
02:00:51,040 --> 02:00:52,720
Speaker 1: does that make? How does that make that? I was

1984
02:00:52,760 --> 02:00:58,520
Speaker 1: listening to Bounce for Skank some Bounced by Skank, just

1985
02:01:00,560 --> 02:01:06,680
Speaker 1: sample that. Clapp put that music together, and then Snow

1986
02:01:06,760 --> 02:01:09,480
Speaker 1: came in and what would you do if you could get?

1987
02:01:09,720 --> 02:01:11,720
Speaker 1: You know, we always putting songs together like that, you

1988
02:01:11,760 --> 02:01:13,240
Speaker 1: know what I'm saying. And then Joel come in there,

1989
02:01:13,280 --> 02:01:16,960
Speaker 1: put a spice me and Superfly cut up no big

1990
02:01:17,040 --> 02:01:20,320
Speaker 1: pimping and then you know that was this song too?

1991
02:01:20,680 --> 02:01:22,880
Speaker 1: Oh Ship, you know what I'm saying. So we uh,

1992
02:01:23,280 --> 02:01:26,160
Speaker 1: who you doing? And we was into it with Ruthless Records,

1993
02:01:26,160 --> 02:01:29,120
Speaker 1: but you know we okay, but we got nominated for

1994
02:01:29,160 --> 02:01:32,000
Speaker 1: a Grammy for that song. Damn, I can't I can't

1995
02:01:32,280 --> 02:01:36,240
Speaker 1: hear we just can we pull it up? Yeah? I

1996
02:01:36,360 --> 02:01:39,680
Speaker 1: can't hear it? Hold on? Is that over my head?

1997
02:01:39,760 --> 02:01:43,560
Speaker 1: And we said, you know, the Ruthless Foods playing in

1998
02:01:43,680 --> 02:01:48,400
Speaker 1: one room. You know, y'all went hard ruthles Bro. It's

1999
02:01:48,400 --> 02:01:50,400
Speaker 1: crazy because you were saying it was cool BG knock

2000
02:01:50,440 --> 02:01:52,840
Speaker 1: out of them. That's before because we was young kids.

2001
02:01:52,880 --> 02:01:57,440
Speaker 1: You know what I'm saying, easy Rebuttal's pretty dope too though.

2002
02:01:57,840 --> 02:01:59,440
Speaker 1: But me and a little easy we like this. You

2003
02:01:59,480 --> 02:02:01,800
Speaker 1: know what I'm saying, He's best friend. You know, he's

2004
02:02:01,800 --> 02:02:05,000
Speaker 1: spitting image of man. You know what I'm saying. Everything

2005
02:02:05,080 --> 02:02:07,160
Speaker 1: turns for a sucker because it ain't even all battle,

2006
02:02:07,840 --> 02:02:10,200
Speaker 1: just fighting somebody else ship. You know what I'm saying.

2007
02:02:10,280 --> 02:02:12,880
Speaker 1: So crazy when you really know what the situation is.

2008
02:02:12,960 --> 02:02:14,600
Speaker 1: Did you know what time? And when you look back

2009
02:02:14,680 --> 02:02:18,360
Speaker 1: that that it was easy and like everything, that's a wild,

2010
02:02:19,000 --> 02:02:21,360
Speaker 1: wild time. You know what I'm saying. For the gig Go,

2011
02:02:21,520 --> 02:02:23,320
Speaker 1: you know what I'm saying, the one for him would

2012
02:02:23,360 --> 02:02:26,880
Speaker 1: be no fan. But it was still all about yeah

2013
02:02:26,880 --> 02:02:29,920
Speaker 1: because you he was in that army. That was your

2014
02:02:30,040 --> 02:02:33,200
Speaker 1: army kids. You know what I'm saying. Just like bone

2015
02:02:33,280 --> 02:02:38,480
Speaker 1: Thugs was bad, but see they are family now, they

2016
02:02:38,520 --> 02:02:42,120
Speaker 1: are family. Back then you never had you never got

2017
02:02:42,200 --> 02:02:45,400
Speaker 1: into a bone thugs or did you? We got really

2018
02:02:45,400 --> 02:02:47,920
Speaker 1: because both thugs came into it later in that aspect,

2019
02:02:48,000 --> 02:02:52,120
Speaker 1: got a couple of ain't no harmony, got no love

2020
02:02:52,240 --> 02:02:57,560
Speaker 1: for no holes in harmonies. Jesus Christ corrupted you hear

2021
02:02:59,160 --> 02:02:59,720
Speaker 1: he was listening.

2022
02:03:00,160 --> 02:03:02,720
Speaker 2: Wait what you say there ain't no harm in me.

2023
02:03:03,400 --> 02:03:06,040
Speaker 2: I ain't got no love from no hos in harmony.

2024
02:03:10,200 --> 02:03:10,400
Speaker 1: Yeah.

2025
02:03:10,520 --> 02:03:17,360
Speaker 2: Then, but see my best friend right now besides Dash Lazybone,

2026
02:03:19,440 --> 02:03:24,440
Speaker 2: that's why I hang out. See we can't hang out

2027
02:03:25,680 --> 02:03:30,440
Speaker 2: wait because we might we might we might get in trouble.

2028
02:03:30,720 --> 02:03:35,720
Speaker 1: Right that that would have that would have clean class.

2029
02:03:39,520 --> 02:03:41,520
Speaker 1: That already sounds like this record just by hearing the

2030
02:03:41,600 --> 02:03:44,880
Speaker 1: beat already, that's kind of like a remind.

2031
02:03:44,640 --> 02:04:00,400
Speaker 27: Me that's a classic, such a classic record.

2032
02:04:00,480 --> 02:04:25,000
Speaker 1: Last I just don't you just don't don't you wait?

2033
02:04:25,280 --> 02:04:29,040
Speaker 1: Team again.

2034
02:04:30,680 --> 02:04:43,440
Speaker 24: A better recognize what the twister up. It's like a

2035
02:04:43,560 --> 02:04:48,600
Speaker 24: jap walked step motherfucker's like a phone. The microphone never sits.

2036
02:04:48,600 --> 02:04:51,960
Speaker 24: Something that's a little bit that game and the game.

2037
02:04:52,080 --> 02:04:54,760
Speaker 24: That's why we got the princess if we can staff

2038
02:04:54,800 --> 02:04:58,000
Speaker 24: being there at the being so magic investments and like ship.

2039
02:05:01,240 --> 02:05:06,200
Speaker 27: This is the classic as record man classics, a classic.

2040
02:05:07,160 --> 02:05:24,880
Speaker 1: This is a classic Christmas Yeah yeah, and it's a classic.

2041
02:05:25,080 --> 02:05:26,840
Speaker 1: Gave me once again?

2042
02:05:27,680 --> 02:05:45,000
Speaker 13: Yeah, yeah, you.

2043
02:05:45,080 --> 02:05:55,240
Speaker 1: Want to classic? Talk about you produce this h stop

2044
02:05:56,880 --> 02:06:18,040
Speaker 1: stop it. You know the thing is it's such a

2045
02:06:18,200 --> 02:06:22,320
Speaker 1: positive life. Now you feel like this is going negative.

2046
02:06:22,360 --> 02:06:26,280
Speaker 1: Did you hear what he just said? He said be

2047
02:06:26,600 --> 02:06:30,160
Speaker 1: knockout and never nigga down with him. That's not positive.

2048
02:06:31,200 --> 02:06:34,040
Speaker 1: Just like with Earl. You know we talk about d

2049
02:06:34,240 --> 02:06:37,000
Speaker 1: m X calling out names. You want to play calling

2050
02:06:37,040 --> 02:06:41,360
Speaker 1: out names? Nigga? You want to play calling out names? Nigga?

2051
02:06:42,640 --> 02:06:45,120
Speaker 1: Do you you want to play calling our names?

2052
02:06:46,840 --> 02:06:51,240
Speaker 2: I wouldn't you know me personally know what I'm saying,

2053
02:06:51,440 --> 02:06:53,920
Speaker 2: because we grown up.

2054
02:06:53,960 --> 02:06:56,720
Speaker 1: We passed it. Yeah, we're grown now. And it's like,

2055
02:06:57,080 --> 02:07:01,680
Speaker 1: you know, I don't want to hear nobody saying anybody

2056
02:07:02,960 --> 02:07:06,040
Speaker 1: that I'm a friend with ship.

2057
02:07:06,200 --> 02:07:08,720
Speaker 2: I don't even want to hear about anybody that I'm

2058
02:07:08,760 --> 02:07:10,200
Speaker 2: not a friend with. I don't want to hear none

2059
02:07:10,200 --> 02:07:10,280
Speaker 2: of that.

2060
02:07:10,440 --> 02:07:14,320
Speaker 5: But I heard Q say that he's he cringes when

2061
02:07:14,360 --> 02:07:17,640
Speaker 5: he hears. I think no Vacilan the verse against Wren

2062
02:07:17,760 --> 02:07:21,760
Speaker 5: because he loves Rent so much, because that's his buddy.

2063
02:07:21,880 --> 02:07:25,800
Speaker 1: Back then though, because you got to defend yourself or

2064
02:07:25,880 --> 02:07:29,960
Speaker 1: you're on fire. Nor he knows he had to defend himself.

2065
02:07:30,560 --> 02:07:33,120
Speaker 1: He was on fire. He stood up for what he

2066
02:07:33,280 --> 02:07:37,600
Speaker 1: was standing up for but you know when you hear nowadays,

2067
02:07:37,640 --> 02:07:40,600
Speaker 1: I'd be like, no, I got no, I'm not wronging.

2068
02:07:41,320 --> 02:07:48,880
Speaker 4: Yeah, he went on here no, no, no, I wish.

2069
02:07:49,360 --> 02:07:55,000
Speaker 4: He talked about the time where Quick actually performed the

2070
02:07:55,120 --> 02:07:56,560
Speaker 4: dis record in front of him.

2071
02:07:57,080 --> 02:07:59,280
Speaker 1: It was in New York. In New York. He said

2072
02:07:59,320 --> 02:08:02,680
Speaker 1: that as the social boards. Oh yeah, oh yeah, yeah,

2073
02:08:04,200 --> 02:08:07,280
Speaker 1: you know what's it? Yeah yeah, yeah, yeah, yeah, very moment.

2074
02:08:10,240 --> 02:08:14,560
Speaker 1: That's like weird, right, it was we were there, Yeah,

2075
02:08:14,600 --> 02:08:18,000
Speaker 1: we're there. It was MC was on somebody's shoulders, right,

2076
02:08:18,960 --> 02:08:22,280
Speaker 1: remember that on somebody's shoulders, Yeah, banging on them like

2077
02:08:22,800 --> 02:08:23,960
Speaker 1: they was throwing back and forth.

2078
02:08:24,120 --> 02:08:26,120
Speaker 2: You saw that as I ain't seen none of that.

2079
02:08:26,240 --> 02:08:29,920
Speaker 2: Can remember that the performance because of the Source Awards.

2080
02:08:29,960 --> 02:08:34,480
Speaker 2: It was DJ Quick, it was Rage, It was me

2081
02:08:34,600 --> 02:08:38,200
Speaker 2: and dads, and because Chris Shuk managed Quick. He wasn't

2082
02:08:38,240 --> 02:08:38,880
Speaker 2: on death row but.

2083
02:08:38,960 --> 02:08:42,200
Speaker 1: He managed that. Yeah at that time, right, And they

2084
02:08:42,240 --> 02:08:44,360
Speaker 1: had a picture of Tupac in the cell. Okay, in

2085
02:08:44,440 --> 02:08:44,960
Speaker 1: the cell.

2086
02:08:46,160 --> 02:08:49,920
Speaker 2: Were there because we was Rage went on, We went

2087
02:08:50,000 --> 02:08:53,240
Speaker 2: on DJ Quick one on this one went on and

2088
02:08:53,320 --> 02:08:54,520
Speaker 2: then Snoop came.

2089
02:08:56,680 --> 02:08:56,840
Speaker 1: Well.

2090
02:08:56,880 --> 02:09:07,040
Speaker 2: When DJ Quick came out, he did cousins uh uh

2091
02:09:09,600 --> 02:09:13,720
Speaker 2: eating them right there comes the whole records about eating them.

2092
02:09:13,840 --> 02:09:19,280
Speaker 1: It's about CMW. So he came out with the red

2093
02:09:19,520 --> 02:09:24,760
Speaker 1: rag on his hand, just banging them cop and we

2094
02:09:25,080 --> 02:09:30,440
Speaker 1: just like, uh do y'all don't understand what's going on? No,

2095
02:09:30,680 --> 02:09:33,080
Speaker 1: how does that make y'all feel in that type of environment?

2096
02:09:33,160 --> 02:09:37,400
Speaker 1: But y'all understand what's going on? Oh totally right, right,

2097
02:09:38,880 --> 02:09:42,240
Speaker 1: that's it's so it's Compton beat Long Beach, that's what.

2098
02:09:42,320 --> 02:09:46,160
Speaker 2: That's what y'all look at it because not neighborhood business,

2099
02:09:46,640 --> 02:09:52,680
Speaker 2: long beach business. The people business cousins sticks out. It

2100
02:09:52,760 --> 02:09:56,480
Speaker 2: ain't Long Beach business, ain't neighborhood business.

2101
02:09:56,840 --> 02:10:02,760
Speaker 1: So it's like you let him, but they figure it out.

2102
02:10:03,080 --> 02:10:06,400
Speaker 2: And also you realize who those people are to you

2103
02:10:06,600 --> 02:10:12,360
Speaker 2: in your life, like eight and chill and uh quick

2104
02:10:12,520 --> 02:10:15,760
Speaker 2: the chills you mentioned. Yeah, yeah, you know what I'm

2105
02:10:15,760 --> 02:10:19,600
Speaker 2: saying that they're all my family. They all our family,

2106
02:10:19,920 --> 02:10:22,760
Speaker 2: Me and Dad, that these are all our family guys.

2107
02:10:22,800 --> 02:10:25,200
Speaker 2: So we funk with all of them. So you know,

2108
02:10:25,360 --> 02:10:27,760
Speaker 2: when when your family get into you just gotta let

2109
02:10:27,800 --> 02:10:28,000
Speaker 2: them be.

2110
02:10:28,160 --> 02:10:32,360
Speaker 1: They'll figure it out. Right, they figured it in my correct,

2111
02:10:32,840 --> 02:10:37,120
Speaker 1: They did figure it out, been my correct. They have

2112
02:10:37,320 --> 02:10:41,120
Speaker 1: to figure it out. It's the lord of land. Yeah.

2113
02:10:41,280 --> 02:10:43,920
Speaker 1: They grew up from it too. Queen business is queen business.

2114
02:10:44,040 --> 02:10:51,000
Speaker 28: Yeah, man, Now let me ask the right question right here, right,

2115
02:10:51,480 --> 02:10:54,400
Speaker 28: let me ask you this question right here, right.

2116
02:11:00,520 --> 02:11:03,560
Speaker 1: Oh ship, it's.

2117
02:11:03,520 --> 02:11:10,760
Speaker 2: Gang banging the new whoop, because everybody's gang banging right now,

2118
02:11:10,840 --> 02:11:12,760
Speaker 2: everybody gang what's that about?

2119
02:11:14,280 --> 02:11:19,680
Speaker 1: Oh not in Miami. That's my question asking you y'all

2120
02:11:19,960 --> 02:11:22,640
Speaker 1: that shit. That's it's crazy. I see it everywhere now

2121
02:11:23,320 --> 02:11:24,960
Speaker 1: like I used to see it, Like I used to

2122
02:11:25,080 --> 02:11:27,960
Speaker 1: laugh and I see it in New York, but that

2123
02:11:28,040 --> 02:11:29,280
Speaker 1: many qryptions in New York though.

2124
02:11:29,560 --> 02:11:31,960
Speaker 4: Yeah, but now it's like like I'm used to it

2125
02:11:32,120 --> 02:11:35,600
Speaker 4: now now it's like back in the day, Like that's

2126
02:11:35,600 --> 02:11:38,160
Speaker 4: what I'm saying. Like, so sometimes i'd be like, yo,

2127
02:11:38,200 --> 02:11:41,120
Speaker 4: you know what, Well, it's like when when hip hop

2128
02:11:41,160 --> 02:11:42,080
Speaker 4: went to the West Coast.

2129
02:11:42,440 --> 02:11:45,240
Speaker 3: But then this is a totally different thing because.

2130
02:11:46,600 --> 02:11:50,840
Speaker 1: Hip hop went world. Well yeah, but when I see, like.

2131
02:11:52,320 --> 02:11:55,760
Speaker 4: I see I hear stories on Rykas Island about right

2132
02:11:55,840 --> 02:11:59,960
Speaker 4: as Island. Not only there's gang banging on the island,

2133
02:12:00,120 --> 02:12:03,760
Speaker 4: but even like the c os on the island, all

2134
02:12:03,840 --> 02:12:05,480
Speaker 4: gang members here.

2135
02:12:05,560 --> 02:12:08,840
Speaker 1: The end the club is gangers and ship so it's

2136
02:12:08,880 --> 02:12:10,440
Speaker 1: like like you ain't coming to the club with that

2137
02:12:10,520 --> 02:12:12,480
Speaker 1: blue red How I would have ever had I would

2138
02:12:12,480 --> 02:12:14,640
Speaker 1: have ever thought that, would have asked me in the nineties.

2139
02:12:15,160 --> 02:12:18,360
Speaker 4: There they'll be gangs in New York. That's that's that's

2140
02:12:18,480 --> 02:12:20,320
Speaker 4: that originated in California.

2141
02:12:20,440 --> 02:12:22,760
Speaker 1: You'd have been like, Nigga, you on drugs? Yep.

2142
02:12:22,800 --> 02:12:24,280
Speaker 4: I would have said you on drugs. I would have

2143
02:12:24,320 --> 02:12:27,520
Speaker 4: said that. But now it's like I don't want to

2144
02:12:27,520 --> 02:12:29,240
Speaker 4: say ten. I don't even know how. I don't want

2145
02:12:29,240 --> 02:12:30,840
Speaker 4: to put no years on it and be wrong people

2146
02:12:31,000 --> 02:12:33,240
Speaker 4: like nigga because out.

2147
02:12:33,160 --> 02:12:33,520
Speaker 1: Here it is.

2148
02:12:35,320 --> 02:12:38,240
Speaker 5: You can't get you can't Chicago gang spread as well,

2149
02:12:38,360 --> 02:12:41,160
Speaker 5: like like down South Chicago, like the folks and all that.

2150
02:12:41,520 --> 02:12:44,840
Speaker 1: That's spread. That's pressure when you're working back in the days,

2151
02:12:44,840 --> 02:12:46,600
Speaker 1: when you're doing what you're doing back in the day.

2152
02:12:47,080 --> 02:12:49,680
Speaker 1: You know, as far as moving and working, migrating out

2153
02:12:49,720 --> 02:12:53,800
Speaker 1: there areas and stuff like that. Recruit you know what

2154
02:12:53,800 --> 02:12:56,600
Speaker 1: I'm saying. That's the word recruit, recruiting everybody wherever you

2155
02:12:56,720 --> 02:12:59,360
Speaker 1: go because you got the best ship is happening, you

2156
02:12:59,400 --> 02:13:01,120
Speaker 1: know what I'm saying. So it's just my grades. So

2157
02:13:01,200 --> 02:13:05,000
Speaker 1: some people stay there, have a family, it grows.

2158
02:13:05,800 --> 02:13:07,600
Speaker 4: But let me ask, let me put the question on y'all.

2159
02:13:09,040 --> 02:13:12,400
Speaker 4: Now you go to Seattle, Washington, and you know there's

2160
02:13:13,480 --> 02:13:15,720
Speaker 4: a crip gang. Do you do you reach out to them.

2161
02:13:15,640 --> 02:13:18,240
Speaker 1: To we find out who they are? When they start

2162
02:13:18,280 --> 02:13:19,360
Speaker 1: telling us where you're from.

2163
02:13:19,880 --> 02:13:23,640
Speaker 4: Okay, so if they say they from Long Beach, Seattle,

2164
02:13:23,640 --> 02:13:29,680
Speaker 4: you're like, wait a minute, because because because sometimes it happens, right,

2165
02:13:29,840 --> 02:13:32,680
Speaker 4: somebody from Long Beach could go to Seattle and get

2166
02:13:32,760 --> 02:13:35,760
Speaker 4: somebody in and and and then have them wrap a

2167
02:13:35,920 --> 02:13:36,720
Speaker 4: Long Beach gang.

2168
02:13:37,040 --> 02:13:39,400
Speaker 1: But they're not from Long Beaches. Is that something that

2169
02:13:39,640 --> 02:13:41,480
Speaker 1: they probably got family from. Now that's why we got

2170
02:13:41,520 --> 02:13:44,040
Speaker 1: people with us that's going to investigate. Okay, Okay, you

2171
02:13:44,280 --> 02:13:47,480
Speaker 1: see to see what the Street Davids on gang. You know,

2172
02:13:48,040 --> 02:13:52,480
Speaker 1: it's a full investigation. You know what I'm saying, authentic,

2173
02:13:52,920 --> 02:13:54,320
Speaker 1: authentic or some bullshit.

2174
02:13:54,520 --> 02:14:01,760
Speaker 4: But god damn it, that's talk about Doe Dog World.

2175
02:14:01,840 --> 02:14:06,560
Speaker 4: I know you spoke about that earlier. Well you're out

2176
02:14:06,600 --> 02:14:09,680
Speaker 4: the studio. Tell me what happened in this situation.

2177
02:14:10,480 --> 02:14:13,960
Speaker 1: I mean, doctor Drake crumbins to b we all dropped

2178
02:14:14,000 --> 02:14:16,080
Speaker 1: the lyrics, you know what I'm saying. You know, we

2179
02:14:16,200 --> 02:14:18,920
Speaker 1: really just having fun in there, and I said, I

2180
02:14:19,040 --> 02:14:21,960
Speaker 1: know we shoot the video because right now, don't nobody

2181
02:14:22,080 --> 02:14:25,240
Speaker 1: know who They know our voices, right, they don't know

2182
02:14:25,320 --> 02:14:27,520
Speaker 1: our faces, right, you know what I'm saying. So that

2183
02:14:27,640 --> 02:14:30,839
Speaker 1: going from ninety two to ninety three, you know, everybody

2184
02:14:30,920 --> 02:14:32,760
Speaker 1: banging your ship and we can't even get in the

2185
02:14:32,800 --> 02:14:35,360
Speaker 1: club because they don't even know who we are. Get

2186
02:14:35,400 --> 02:14:36,800
Speaker 1: the fuck out, you know what I'm saying. I mean's

2187
02:14:36,920 --> 02:14:42,200
Speaker 1: your music banger and they playing like like in the club.

2188
02:14:43,480 --> 02:14:45,760
Speaker 1: I still come out and get us in the club,

2189
02:14:46,160 --> 02:14:46,760
Speaker 1: you know what I'm saying.

2190
02:14:46,880 --> 02:14:50,240
Speaker 3: That's crazy. That's one of the drops when we did

2191
02:14:50,360 --> 02:14:51,320
Speaker 3: Doggy Dog World.

2192
02:14:51,800 --> 02:14:56,040
Speaker 1: I told dads when we did Doggy Dog World, we're stars.

2193
02:14:57,520 --> 02:15:01,440
Speaker 1: We're gonna be stars. Come the stars. He's gonna take

2194
02:15:01,480 --> 02:15:02,560
Speaker 1: you member the walk.

2195
02:15:02,440 --> 02:15:09,040
Speaker 2: Stars whatever this Nigga walk anywhere, because Nigga just jump

2196
02:15:09,120 --> 02:15:09,400
Speaker 2: out and.

2197
02:15:09,520 --> 02:15:14,360
Speaker 29: Just walk right across the street, across the streets. Twelve

2198
02:15:15,280 --> 02:15:18,720
Speaker 29: take me across the street, but maybe twelve blocks down.

2199
02:15:18,800 --> 02:15:21,680
Speaker 29: The first of all, we get settled, then we call dash,

2200
02:15:21,720 --> 02:15:23,480
Speaker 29: where are you at, ma'am? Twelve blocks down?

2201
02:15:23,600 --> 02:15:27,400
Speaker 1: Nigga at the motherfucking Cortina. Hit the fuck out there?

2202
02:15:28,080 --> 02:15:30,600
Speaker 1: What did he do? With at the Cortina, Denmar had

2203
02:15:30,640 --> 02:15:36,760
Speaker 1: to get some blunts. What the what's the cortina? Right bar?

2204
02:15:37,040 --> 02:15:39,560
Speaker 1: What's the cigars? You know what I'm saying. Because we

2205
02:15:39,600 --> 02:15:42,960
Speaker 1: can't find no switches, so we gotta find something to

2206
02:15:43,360 --> 02:15:45,720
Speaker 1: roll that thing up. Okay, I know we found he

2207
02:15:45,840 --> 02:15:56,200
Speaker 1: found Griselda. Hey shut up. Wait what so the selld

2208
02:15:56,280 --> 02:16:01,280
Speaker 1: the nigga? That's what he found. No griseld nigga. He said, Dad,

2209
02:16:01,560 --> 02:16:06,080
Speaker 1: you want to come with me? Wait? Wait what he said?

2210
02:16:07,280 --> 02:16:09,840
Speaker 1: Since then, nigga's always wanted the shelter.

2211
02:16:10,040 --> 02:16:16,080
Speaker 2: Motherfucker, the Selda nigga. You know I'm talking about nigga. Yeah,

2212
02:16:16,560 --> 02:16:21,080
Speaker 2: the dad said, no, I love you, and he bowned out.

2213
02:16:21,120 --> 02:16:25,640
Speaker 2: Where do you see Griselda at Denmark? At the Derry Miami?

2214
02:16:26,520 --> 02:16:31,640
Speaker 1: You know it in Miami for years, Jesus, like twenty

2215
02:16:31,720 --> 02:16:35,600
Speaker 1: five years. You know what I'm saying. My father lived

2216
02:16:35,600 --> 02:16:37,680
Speaker 1: out here, you know what I'm saying. So I've been

2217
02:16:37,720 --> 02:16:40,840
Speaker 1: out here living in Miami of Miami Garden, driving the

2218
02:16:40,920 --> 02:16:43,520
Speaker 1: Miami Garden District. You know what I'm saying for years.

2219
02:16:43,520 --> 02:16:45,640
Speaker 1: You know what I'm saying. Shout out to my stepbrothers

2220
02:16:45,680 --> 02:16:49,040
Speaker 1: and my step sisters. You know what I'm saying, you

2221
02:16:49,160 --> 02:16:51,680
Speaker 1: make herseld the bronc or she I think she was

2222
02:16:51,720 --> 02:16:59,720
Speaker 1: getting deported to something back that little transfer pay what

2223
02:17:00,040 --> 02:17:07,720
Speaker 1: J SIPs s J got out of court. He invited

2224
02:17:07,800 --> 02:17:11,000
Speaker 1: me to his brother fucking house. He did the record.

2225
02:17:11,400 --> 02:17:19,959
Speaker 1: Snoop and Johnny Carker had the same lord. Man had

2226
02:17:19,959 --> 02:17:22,160
Speaker 1: the same lord. Johnny and I was partying in his

2227
02:17:22,240 --> 02:17:25,840
Speaker 1: house about two weeks straight. You are o Ja hanging out.

2228
02:17:25,959 --> 02:17:28,640
Speaker 1: You had of control, gloves on and was stooping out

2229
02:17:28,680 --> 02:17:35,040
Speaker 1: like shout out to the jewsh man. Like when I

2230
02:17:35,120 --> 02:17:38,920
Speaker 1: say that Jewish man put the emphasis under this ship,

2231
02:17:40,400 --> 02:17:53,160
Speaker 1: big o J with in Miami, with oj No in California. Yeah,

2232
02:17:53,160 --> 02:17:54,720
Speaker 1: back in the back in the days when I was

2233
02:17:54,760 --> 02:17:56,640
Speaker 1: out here in Miami. You know, I lived out here

2234
02:17:56,680 --> 02:17:59,520
Speaker 1: in Miami for like my father out here rest in peace.

2235
02:17:59,560 --> 02:18:01,680
Speaker 1: You made her son. Her son is a good friend

2236
02:18:01,720 --> 02:18:07,960
Speaker 1: of ours. You gotta your son friend. Viewers, what you

2237
02:18:08,120 --> 02:18:13,520
Speaker 1: know about the real one? So are you connected now?

2238
02:18:13,800 --> 02:18:19,240
Speaker 1: My interview is cutching SLF. Are you connected at all? Now?

2239
02:18:19,240 --> 02:18:22,520
Speaker 2: I'm gonna leave it alone, I like to nigga, I'm

2240
02:18:22,520 --> 02:18:25,640
Speaker 2: gonna leave it alone at all. Okay, So let's ask

2241
02:18:25,680 --> 02:18:30,000
Speaker 2: you another question we did. Let me ask you another question.

2242
02:18:30,120 --> 02:18:35,080
Speaker 2: How about those Dolphins? Yeah, all right, man, let's just

2243
02:18:35,240 --> 02:18:36,560
Speaker 2: changed there me.

2244
02:18:37,200 --> 02:18:43,080
Speaker 1: Oh that's your team. No, no, you know what I

2245
02:18:43,120 --> 02:18:43,760
Speaker 1: shouldn't do that.

2246
02:18:43,920 --> 02:18:45,960
Speaker 30: I am in Miami. You know I want to I

2247
02:18:46,080 --> 02:18:54,680
Speaker 30: want to be able to believe my bad Yeah. Yeah, yeah,

2248
02:18:57,800 --> 02:19:03,880
Speaker 30: Benny and yet Aaron ros Oh Jesus Ques, you think

2249
02:19:03,920 --> 02:19:04,520
Speaker 30: about this ship?

2250
02:19:04,680 --> 02:19:06,120
Speaker 4: All I want to all I want to say is

2251
02:19:06,160 --> 02:19:09,120
Speaker 4: the Knicks made it further this Sey, Hey, man, you know.

2252
02:19:17,000 --> 02:19:21,600
Speaker 1: We're gonna give a clap. Let's give a clap because

2253
02:19:21,920 --> 02:19:29,320
Speaker 1: a ship rings? How many rings? Championship ring? Ship? Everybody is?

2254
02:19:29,760 --> 02:19:32,280
Speaker 1: Everybody acres and he eat his dash.

2255
02:19:32,600 --> 02:19:36,480
Speaker 2: Everybody in the room ain't none of their teams got

2256
02:19:36,600 --> 02:19:37,879
Speaker 2: rings like ours?

2257
02:19:38,120 --> 02:19:41,360
Speaker 1: Okay on me me and you get clapped because everybody else.

2258
02:19:41,400 --> 02:19:44,720
Speaker 1: Let's cut the rings. How many rings y'all got's clapping

2259
02:19:44,760 --> 02:19:54,000
Speaker 1: the rings the moment right now? So many people got

2260
02:19:54,080 --> 02:19:57,600
Speaker 1: me there. No, that was doing pretty good.

2261
02:20:02,959 --> 02:20:05,400
Speaker 4: But but if this one, if this is one thing

2262
02:20:05,440 --> 02:20:08,320
Speaker 4: that you was missing from the album besides Nate and Tupac,

2263
02:20:08,760 --> 02:20:10,920
Speaker 4: that you could have made that right.

2264
02:20:10,879 --> 02:20:11,879
Speaker 1: Now or Dre too.

2265
02:20:12,720 --> 02:20:14,760
Speaker 4: I think Dre would have been give them the option

2266
02:20:14,879 --> 02:20:18,000
Speaker 4: for that, you know. So if there was one thing

2267
02:20:18,080 --> 02:20:19,800
Speaker 4: that you could add to the album, who would it be?

2268
02:20:20,480 --> 02:20:25,520
Speaker 1: What wouldn't be? Yeah? That was that that would have

2269
02:20:25,600 --> 02:20:28,520
Speaker 1: been needed there. Yeah, you know we're gonna get that

2270
02:20:28,600 --> 02:20:30,199
Speaker 1: on the next round. Okay.

2271
02:20:31,360 --> 02:20:32,880
Speaker 5: You know you got a lot of pressure becaus a

2272
02:20:32,920 --> 02:20:36,560
Speaker 5: good album without me, man, pressure man, I mean the

2273
02:20:36,600 --> 02:20:37,280
Speaker 5: ship flow good.

2274
02:20:37,320 --> 02:20:39,440
Speaker 1: I know, good news when I heard you know I'm

2275
02:20:39,520 --> 02:20:46,240
Speaker 1: the creator the vocally you you killed it, man, Yeah,

2276
02:20:46,280 --> 02:20:48,680
Speaker 1: you know strong vocals do the same thing when I'm

2277
02:20:48,720 --> 02:20:52,080
Speaker 1: on stage. Yeah, now you killed It's all about push

2278
02:20:52,200 --> 02:20:53,360
Speaker 1: and corub. You killed it. Man.

2279
02:20:55,480 --> 02:20:57,000
Speaker 4: So if it's one thing you could add to this

2280
02:20:57,520 --> 02:21:00,760
Speaker 4: album besides Nate at Tupac, that's right.

2281
02:21:00,840 --> 02:21:03,360
Speaker 1: Now, what would it be? He said? He said, a

2282
02:21:03,440 --> 02:21:04,840
Speaker 1: dazz beat? What would you think?

2283
02:21:06,640 --> 02:21:13,400
Speaker 2: I would really say, a dazz and superfly track, because

2284
02:21:13,520 --> 02:21:24,440
Speaker 2: gas and superfly cause crib sons just ridiculous. Dazz and

2285
02:21:24,600 --> 02:21:31,480
Speaker 2: super fly, superflying das with that combination, cause it equals.

2286
02:21:32,640 --> 02:21:36,000
Speaker 1: You know, my music just blows up. The speakers, blow

2287
02:21:36,080 --> 02:21:40,520
Speaker 1: them out. He ain't never lied, he never speakers used

2288
02:21:40,560 --> 02:21:42,840
Speaker 1: to catch on fire, and we got to remember that.

2289
02:21:44,200 --> 02:21:52,760
Speaker 1: Just speak of cousin the Orange Orange we were looking

2290
02:21:52,879 --> 02:21:58,360
Speaker 1: like what I feel doing, Like God, it was just motherfucker.

2291
02:21:58,440 --> 02:22:02,240
Speaker 2: Womm and then the speaking just turned orange and we're

2292
02:22:02,320 --> 02:22:03,840
Speaker 2: just looking at it because we was all right. We

2293
02:22:03,920 --> 02:22:09,840
Speaker 2: were like, oh, cracking yell and you know it starts

2294
02:22:09,959 --> 02:22:15,200
Speaker 2: smoking and we were like, oh, I think we sucked up. Yeah, yeah,

2295
02:22:15,200 --> 02:22:19,760
Speaker 2: I think we have some trying in our lifetime. But

2296
02:22:19,840 --> 02:22:22,680
Speaker 2: I remember, I remember, I wouldn't change the motherfucking thing.

2297
02:22:24,240 --> 02:22:27,040
Speaker 1: You wouldn't change the motherfucking thing. Wouldn't change. So let

2298
02:22:27,080 --> 02:22:27,480
Speaker 1: me ask you.

2299
02:22:27,520 --> 02:22:32,199
Speaker 4: All right, we already asked what you add to the album,

2300
02:22:33,760 --> 02:22:39,520
Speaker 4: but God comes down. God says, I want you make

2301
02:22:39,600 --> 02:22:46,400
Speaker 4: one record, both of y'all together, make one record. It

2302
02:22:46,440 --> 02:22:53,720
Speaker 4: will save humanity. You got one feature and one person

2303
02:22:53,800 --> 02:22:57,440
Speaker 4: to make the beat, one producer, and if this record goes,

2304
02:22:58,200 --> 02:23:01,400
Speaker 4: it'll save all humanity. If this record does not go,

2305
02:23:02,800 --> 02:23:08,120
Speaker 4: dinosaurs is coming back to eat. Anybody got one feature,

2306
02:23:10,160 --> 02:23:11,680
Speaker 4: the one person to make the beat.

2307
02:23:13,040 --> 02:23:18,240
Speaker 1: I would say, God ain't asked me that question yet.

2308
02:23:22,240 --> 02:23:24,120
Speaker 3: The hypothetically.

2309
02:23:27,800 --> 02:23:28,840
Speaker 1: Who would make the music?

2310
02:23:29,520 --> 02:23:33,640
Speaker 4: And yes, you got one song to one to make

2311
02:23:33,720 --> 02:23:35,520
Speaker 4: the beat. They might as well make the beat yourself?

2312
02:23:35,600 --> 02:23:41,720
Speaker 1: Does put it? The Clark Sisters on there clean They'render Clark,

2313
02:23:42,160 --> 02:23:47,680
Speaker 1: Karen Clark. You know what I'm saying. Back in the

2314
02:23:47,760 --> 02:23:49,840
Speaker 1: nineties when they were singing. You know, we can go

2315
02:23:50,200 --> 02:23:51,640
Speaker 1: you know how like on the football games, you can

2316
02:23:51,680 --> 02:23:54,120
Speaker 1: go back and get your old players. Okay, wow, you

2317
02:23:54,160 --> 02:23:57,360
Speaker 1: know what I'm saying. James Cleveland and you know who

2318
02:23:57,600 --> 02:23:59,920
Speaker 1: AI comes in effect right there? You know what I mean.

2319
02:24:00,360 --> 02:24:04,879
Speaker 1: Right when you're gonna get James Cleveland. I just want

2320
02:24:04,920 --> 02:24:08,240
Speaker 1: to think the Lord, how about you? Corrupt? God comes

2321
02:24:08,280 --> 02:24:13,280
Speaker 1: to you, says to save humanity, save lives all over

2322
02:24:13,360 --> 02:24:17,200
Speaker 1: the world. We are the world. We are the world.

2323
02:24:17,280 --> 02:24:28,760
Speaker 31: Moment you got one producer and one Jones. Tomorrow, tomorrow

2324
02:24:29,120 --> 02:24:35,200
Speaker 31: is not prime. Something better give your Lord, brother, you

2325
02:24:35,280 --> 02:24:36,480
Speaker 31: better give your love.

2326
02:24:37,000 --> 02:24:44,040
Speaker 1: Your life today. Give your life today, because tomorrow very

2327
02:24:44,240 --> 02:24:48,280
Speaker 1: well might be to You know, we listen to a

2328
02:24:48,320 --> 02:24:48,920
Speaker 1: lot of Gospels.

2329
02:24:51,400 --> 02:24:56,040
Speaker 2: We would make a record with the Whinings Commission. I

2330
02:24:56,120 --> 02:25:01,720
Speaker 2: would do the whinings. I do commission. Anita Baker, you

2331
02:25:01,920 --> 02:25:09,640
Speaker 2: understand me. You don't understand this game. For you do

2332
02:25:09,879 --> 02:25:13,320
Speaker 2: not understand this My mom, she's a new fantas. Okay,

2333
02:25:13,800 --> 02:25:15,320
Speaker 2: mis p you know what I'm saying. I got a

2334
02:25:15,360 --> 02:25:17,280
Speaker 2: lot of guys, got a lot of recorded vocals with her.

2335
02:25:17,520 --> 02:25:21,039
Speaker 1: Yea Allen Bernardo. Yeah, I got a lot of records

2336
02:25:21,080 --> 02:25:26,680
Speaker 1: I produced on my mom. Wow, that's legacy. Now let

2337
02:25:26,720 --> 02:25:30,240
Speaker 1: me ask you this, what would you do me? Yeah,

2338
02:25:30,280 --> 02:25:35,080
Speaker 1: you can tell me. I'm your boy? Who produced to be?

2339
02:25:35,879 --> 02:25:39,000
Speaker 1: You know Jack? That's the question. Now I'll go for

2340
02:25:39,040 --> 02:25:43,160
Speaker 1: a round. Who would be on the feature? The feature?

2341
02:25:45,520 --> 02:25:48,640
Speaker 1: I'm going to get Michael Jackson? He's dead. You didn't

2342
02:25:48,680 --> 02:25:52,440
Speaker 1: get Michael Jackson. I never said. I never said that.

2343
02:25:53,360 --> 02:25:57,760
Speaker 1: We're saying that now. We don't know because you say

2344
02:25:57,840 --> 02:26:00,680
Speaker 1: in humanity's he's a spirit. Now, so you ain't go back.

2345
02:26:00,600 --> 02:26:05,880
Speaker 29: Gluing Richie Boom talk to him, telling I go, I go,

2346
02:26:06,080 --> 02:26:10,160
Speaker 29: I go, I go, Hello smoking me.

2347
02:26:13,400 --> 02:26:16,360
Speaker 1: Wonder Stevie because I heard Stevie wonder out here seeing

2348
02:26:17,040 --> 02:26:20,039
Speaker 1: but you? But you are? But you shut Oh? He said,

2349
02:26:20,160 --> 02:26:24,039
Speaker 1: he's just tall, Steve what out here seeing? Cut? Like May,

2350
02:26:24,360 --> 02:26:26,920
Speaker 1: what's going on? Hey? What's going on? I don't understand

2351
02:26:26,959 --> 02:26:31,000
Speaker 1: what's going on? I already crossed the streets.

2352
02:26:31,120 --> 02:26:33,600
Speaker 3: Oprah recently said she bought him a mayback.

2353
02:26:33,680 --> 02:26:36,680
Speaker 2: Man, don't do that cut talking about talk about talking

2354
02:26:36,680 --> 02:26:38,480
Speaker 2: about Stevie water open.

2355
02:26:38,879 --> 02:26:41,240
Speaker 5: He boyt him a mayback. Stevie Wonder is a movie

2356
02:26:41,520 --> 02:26:44,680
Speaker 5: genius driving. I think Stevie doing these things on purpose. Man,

2357
02:26:45,080 --> 02:26:48,320
Speaker 5: he wants genius just he is. And hey, present the

2358
02:26:48,360 --> 02:26:51,039
Speaker 5: buns in the elevator to go to talking about.

2359
02:26:50,800 --> 02:26:56,320
Speaker 1: Stevie Water, I fuck you up music. He sees the

2360
02:26:56,440 --> 02:27:02,200
Speaker 1: music and pleased he writes music you ain't see.

2361
02:27:02,200 --> 02:27:05,160
Speaker 4: The interview with doctor Dre said Stevie wanted to callt

2362
02:27:05,200 --> 02:27:06,760
Speaker 4: him at four o'clock in the morning. He's like, what

2363
02:27:06,840 --> 02:27:08,920
Speaker 4: the fuck, Steere you calling me at four o'clock in

2364
02:27:08,959 --> 02:27:11,040
Speaker 4: the morning. He said, Oh, it don't mean no, no

2365
02:27:11,200 --> 02:27:13,560
Speaker 4: ship to TeV what time it is in the morning.

2366
02:27:14,720 --> 02:27:21,200
Speaker 4: Dot Dson found that's what this interview just me yeah, yes,

2367
02:27:21,760 --> 02:27:29,520
Speaker 4: just with Kevin Hart. God damn, Hey, look that said

2368
02:27:29,600 --> 02:27:35,200
Speaker 4: that shock shack on this show. This show, said him,

2369
02:27:35,200 --> 02:27:37,480
Speaker 4: And Stevie wanted to say, but it's true.

2370
02:27:37,640 --> 02:27:40,000
Speaker 1: It's true. Girl to make it the wee all the

2371
02:27:40,080 --> 02:27:43,000
Speaker 1: world right. That sh was dope. He took Ray Charles

2372
02:27:43,000 --> 02:27:44,200
Speaker 1: and the bay say I'm gonna take you to the.

2373
02:27:44,200 --> 02:27:49,800
Speaker 5: Bathroomeah yeah yeah, yeah, yeah, she was, I'll take you

2374
02:27:49,800 --> 02:27:50,440
Speaker 5: to the bathroom.

2375
02:27:50,640 --> 02:27:53,200
Speaker 3: Stevie wanted and the hold that saying the story he

2376
02:27:53,240 --> 02:27:53,640
Speaker 3: said it.

2377
02:27:53,720 --> 02:27:57,440
Speaker 1: Was the fly leading the blind. He said, the blind

2378
02:27:57,560 --> 02:27:59,680
Speaker 1: one took Ray Charles in the to the bathroom.

2379
02:28:00,240 --> 02:28:01,920
Speaker 3: I don't remember that, boy, damn, you got.

2380
02:28:01,879 --> 02:28:02,440
Speaker 1: You on that one.

2381
02:28:03,120 --> 02:28:05,360
Speaker 5: And then that, I mean, it's not the same thing

2382
02:28:05,400 --> 02:28:07,400
Speaker 5: we're talking about. But Stevie saved the day in that.

2383
02:28:07,680 --> 02:28:10,520
Speaker 5: In that whole documentary with Homie, Uh, they.

2384
02:28:10,440 --> 02:28:12,560
Speaker 1: Couldn't get Michael was to dude, they couldn't get his

2385
02:28:12,640 --> 02:28:13,279
Speaker 1: part together.

2386
02:28:13,400 --> 02:28:16,480
Speaker 5: That Stevie made him feel comfortable. I can't think of

2387
02:28:16,560 --> 02:28:20,800
Speaker 5: Homie's name. Huh what was his name?

2388
02:28:21,800 --> 02:28:22,000
Speaker 1: Yeah?

2389
02:28:22,080 --> 02:28:28,320
Speaker 5: Yeah, yeah, Paul McCartney. He was big during the hip

2390
02:28:28,520 --> 02:28:36,119
Speaker 5: hippie era. Poor George, man, we're all funked up right now, man, huh.

2391
02:28:36,600 --> 02:28:46,720
Speaker 5: Rob Dylan, yep, dying. If if there was a We

2392
02:28:46,879 --> 02:28:48,800
Speaker 5: are the World West Coast right now, who would be

2393
02:28:48,840 --> 02:28:49,080
Speaker 5: on it?

2394
02:28:52,040 --> 02:28:57,520
Speaker 1: They did? Yeah? The game? Man's a better question. If

2395
02:28:57,560 --> 02:28:59,680
Speaker 1: they did it all in the same gang right now,

2396
02:29:00,520 --> 02:29:03,560
Speaker 1: who will be on it? That was such a dope

2397
02:29:03,600 --> 02:29:08,920
Speaker 1: record man. Everybody, Hey boy, they have to have a

2398
02:29:08,959 --> 02:29:11,720
Speaker 1: two bar you're producing that who you're putting on the

2399
02:29:11,760 --> 02:29:16,280
Speaker 1: record ship everybody? Hey, everybody, y g everybody you know.

2400
02:29:16,400 --> 02:29:18,520
Speaker 1: But it's like you would have to do a two

2401
02:29:18,600 --> 02:29:24,400
Speaker 1: bar for two hour song, like a two bar that's

2402
02:29:24,400 --> 02:29:27,000
Speaker 1: not gonna work. That's not gonna work. Man, You're gonna

2403
02:29:27,000 --> 02:29:30,560
Speaker 1: have to pick less people. Bro yea, who would you?

2404
02:29:31,000 --> 02:29:34,000
Speaker 1: You had you right now? You gotta yeah, you gotta

2405
02:29:34,000 --> 02:29:37,240
Speaker 1: pick I wouldn't even do it. He's gonna say and

2406
02:29:37,360 --> 02:29:40,080
Speaker 1: take a shot, take a shot. Let's take a shot.

2407
02:29:40,120 --> 02:29:44,000
Speaker 1: I wasn't doing it. Take a shot. But if you're

2408
02:29:44,200 --> 02:29:49,840
Speaker 1: but your mom, you gotta do that. You're taking a shot. Oh,

2409
02:29:50,000 --> 02:29:51,680
Speaker 1: he's telling me, looking.

2410
02:29:57,760 --> 02:30:03,800
Speaker 13: Yea, knowing he's gotta the whoop wop wam bam and

2411
02:30:04,200 --> 02:30:04,960
Speaker 13: the boogie.

2412
02:30:05,160 --> 02:30:05,480
Speaker 1: Baby.

2413
02:30:08,560 --> 02:30:09,360
Speaker 26: Did you see that?

2414
02:30:09,600 --> 02:30:12,960
Speaker 4: Yes, yes, he got the let's go, let's let's go.

2415
02:30:21,040 --> 02:30:28,400
Speaker 4: The first shot he took out my How you gotta

2416
02:30:28,400 --> 02:30:29,200
Speaker 4: take a shot up?

2417
02:30:30,040 --> 02:30:32,480
Speaker 1: How do you know? I didn't? Because I could see you?

2418
02:30:32,680 --> 02:30:39,680
Speaker 1: Could you watching my game? You see your boy? Yeah?

2419
02:30:40,440 --> 02:30:46,840
Speaker 5: So I'm from Frown Records, so components, My brothers are minds.

2420
02:30:46,920 --> 02:30:50,280
Speaker 1: Nigga, you ain't even got your report. Yeah, but lovely,

2421
02:30:51,959 --> 02:30:54,720
Speaker 1: I did not. I just I did.

2422
02:30:59,120 --> 02:31:01,480
Speaker 4: So, so let me just say to y'all both right,

2423
02:31:01,600 --> 02:31:04,760
Speaker 4: So you know, being in a group sometimes it's a lot,

2424
02:31:04,800 --> 02:31:06,880
Speaker 4: you know what I mean? Like one person will come early,

2425
02:31:06,920 --> 02:31:08,920
Speaker 4: when person will come late. On person won't do this.

2426
02:31:09,040 --> 02:31:14,280
Speaker 4: One person won't. Hey, man, when you get young, that's man,

2427
02:31:23,760 --> 02:31:24,039
Speaker 4: I got.

2428
02:31:26,520 --> 02:31:28,840
Speaker 2: I gotta keep my eye on cause you see, our

2429
02:31:29,000 --> 02:31:30,400
Speaker 2: biggest arms are cousins.

2430
02:31:31,440 --> 02:31:36,480
Speaker 1: Yes by sixes can so I gotta kill my eye

2431
02:31:36,560 --> 02:31:44,039
Speaker 1: on credit like hold on ship. Look at he said

2432
02:31:45,240 --> 02:31:50,320
Speaker 1: he fixed to my phone clips. Man, you know what

2433
02:31:50,320 --> 02:31:55,120
Speaker 1: I'm saying standing up the back flips. You know what

2434
02:31:55,120 --> 02:31:55,480
Speaker 1: I'm saying.

2435
02:31:55,560 --> 02:31:56,440
Speaker 3: I don't do that today.

2436
02:31:57,320 --> 02:32:00,560
Speaker 1: We get for that thiggas like thatigas. Oh yeah, yeah,

2437
02:32:00,680 --> 02:32:04,200
Speaker 1: put the money up. That's why I get him. Know

2438
02:32:04,240 --> 02:32:06,400
Speaker 1: he could do back to this right now. I stay

2439
02:32:06,440 --> 02:32:09,280
Speaker 1: in shape like that, but don't do it. I ain't

2440
02:32:09,280 --> 02:32:11,880
Speaker 1: gonna do it. Who can win in a in a race?

2441
02:32:11,920 --> 02:32:21,119
Speaker 1: You are Cat Williams smoking a weed? Though, yeah I'm smoking,

2442
02:32:21,200 --> 02:32:27,360
Speaker 1: but he he's out there up. That's the question that

2443
02:32:27,480 --> 02:32:32,080
Speaker 1: deserves a shot. Okay, all right, shout out to Cat

2444
02:32:32,160 --> 02:32:32,920
Speaker 1: Wallis man.

2445
02:32:33,720 --> 02:32:36,600
Speaker 2: Right because I'm gonna tell you this much. Ain't nobody

2446
02:32:36,640 --> 02:32:40,560
Speaker 2: fucking around with Cat Williams on that motherfucker stretch. Cat

2447
02:32:40,640 --> 02:32:43,480
Speaker 2: Williams quickest you see the special specials.

2448
02:32:43,720 --> 02:32:44,520
Speaker 1: His name is Cat.

2449
02:32:45,040 --> 02:32:47,920
Speaker 2: Cat damn are you wanted it, you got it, dripping

2450
02:32:48,040 --> 02:32:55,000
Speaker 2: like water. Nigga power ping poal neighborhood big d j

2451
02:32:55,959 --> 02:32:58,080
Speaker 2: uh so uh.

2452
02:32:58,879 --> 02:33:01,760
Speaker 1: Sh like me. Ye're both in the in the group right.

2453
02:33:03,800 --> 02:33:08,400
Speaker 4: Like I said, Sometimes your partner comes late, don't show up,

2454
02:33:08,440 --> 02:33:09,280
Speaker 4: don't want to show up.

2455
02:33:10,000 --> 02:33:12,520
Speaker 1: Sometimes they'll push it off to another date.

2456
02:33:13,200 --> 02:33:17,400
Speaker 3: Like what is the harder? Yeah, my bad, I'm hitting

2457
02:33:17,400 --> 02:33:18,240
Speaker 3: the nerve, my fault.

2458
02:33:18,400 --> 02:33:24,920
Speaker 1: I even know. I'm just you gotta look at your brother.

2459
02:33:26,680 --> 02:33:31,760
Speaker 1: What is the hardest group? You see what you did?

2460
02:33:32,760 --> 02:33:36,760
Speaker 1: You want to be? You know, because you say you

2461
02:33:36,879 --> 02:33:43,840
Speaker 1: are motherfucking store, Then all I do. Take it? Man,

2462
02:33:44,040 --> 02:33:50,040
Speaker 1: talking with you, I'm gonna walk to the store. Why

2463
02:33:50,240 --> 02:33:52,320
Speaker 1: walk to the store where you can take the limb off,

2464
02:33:53,280 --> 02:33:58,039
Speaker 1: take the car right there on the street. You gotta

2465
02:33:58,120 --> 02:33:59,320
Speaker 1: get out and look like that.

2466
02:34:03,320 --> 02:34:05,760
Speaker 2: Because you might kill a nigga. See this thing about

2467
02:34:05,840 --> 02:34:08,200
Speaker 2: this big ass nigga right here. See he think he's

2468
02:34:08,240 --> 02:34:11,920
Speaker 2: just a little nigga like me. This nigga walks all

2469
02:34:12,320 --> 02:34:18,480
Speaker 2: around all around if somebody folks fools because you know,

2470
02:34:18,680 --> 02:34:23,080
Speaker 2: he's biggest fuck because he's grabbing and next thing you know,

2471
02:34:23,160 --> 02:34:23,800
Speaker 2: he's in trouble.

2472
02:34:24,840 --> 02:34:28,200
Speaker 1: You can't do that because I'm ready to know not

2473
02:34:28,400 --> 02:34:30,800
Speaker 1: to get in trouble. You start depends on where you

2474
02:34:30,840 --> 02:34:33,640
Speaker 1: want to be. Nigga lost his mind. You're not gonna

2475
02:34:33,640 --> 02:34:35,720
Speaker 1: get in trouble with the nigga smell in the void

2476
02:34:35,840 --> 02:34:37,640
Speaker 1: looking at bullshit. You know what I'm saying? Oh yeah

2477
02:34:37,680 --> 02:34:39,960
Speaker 1: that don't look back? You know you can? You got

2478
02:34:40,120 --> 02:34:40,800
Speaker 1: straight sense?

2479
02:34:45,120 --> 02:34:45,480
Speaker 2: You get me.

2480
02:34:47,160 --> 02:34:49,160
Speaker 1: I got my eye on cause I gotta keep my

2481
02:34:49,240 --> 02:34:51,280
Speaker 1: eye now. But you know it's dump at how much

2482
02:34:51,760 --> 02:34:56,200
Speaker 1: they care about each other. Look at we got what

2483
02:35:03,800 --> 02:35:07,840
Speaker 1: you will camaraderie. So I got can It's like we're

2484
02:35:07,879 --> 02:35:10,920
Speaker 1: fighting with one man. You're fucked.

2485
02:35:11,640 --> 02:35:14,240
Speaker 4: Let me ask you'll listening to the album? It made

2486
02:35:14,280 --> 02:35:17,440
Speaker 4: everyone around me want to quip walk right now? Is

2487
02:35:17,520 --> 02:35:20,200
Speaker 4: it appropriate for a person that's not equip to try

2488
02:35:20,280 --> 02:35:20,880
Speaker 4: to quip walk?

2489
02:35:21,440 --> 02:35:25,200
Speaker 1: Is that appropriate? Fun? Yeah? Okay, that's what makes you

2490
02:35:25,280 --> 02:35:27,840
Speaker 1: have fun? Have fun? Okay, you know what I'm saying.

2491
02:35:28,160 --> 02:35:36,480
Speaker 1: Are you sure? No home? You can with that? Advice?

2492
02:35:40,760 --> 02:35:43,440
Speaker 1: People some shorts. I'm gonna go to Compton right now.

2493
02:35:43,760 --> 02:35:44,480
Speaker 1: I'm gonna try this.

2494
02:35:45,000 --> 02:35:47,720
Speaker 2: You want the roller, the fake? Yes, we want a

2495
02:35:47,720 --> 02:35:51,920
Speaker 2: little bit one. You want to riller fake real? All right, cads,

2496
02:35:51,959 --> 02:35:58,120
Speaker 2: you're in the streets, do the wop. Now, I'm you

2497
02:35:58,440 --> 02:36:01,880
Speaker 2: and your own home, but you can do whatever the

2498
02:36:02,000 --> 02:36:02,680
Speaker 2: funk you want.

2499
02:36:04,600 --> 02:36:10,840
Speaker 1: That's it. Piece that's like that came over that bad

2500
02:36:10,920 --> 02:36:16,400
Speaker 1: Wow giving it? What I thought that B two K

2501
02:36:16,680 --> 02:36:19,879
Speaker 1: crip walking like that? What did you think when y'all

2502
02:36:19,879 --> 02:36:21,800
Speaker 1: see B two K and baw wow quick walking?

2503
02:36:24,200 --> 02:36:24,560
Speaker 11: What? What?

2504
02:36:24,800 --> 02:36:28,600
Speaker 1: What did you just saying that when it was trip walking?

2505
02:36:28,640 --> 02:36:32,480
Speaker 1: And who was cripple? And bow Wow? I know bow

2506
02:36:32,520 --> 02:36:35,440
Speaker 1: Wow was down with the boy.

2507
02:36:35,920 --> 02:36:38,320
Speaker 4: But you know, in fact, Joe said a lot even

2508
02:36:38,360 --> 02:36:39,800
Speaker 4: little bow Wow throwing it up?

2509
02:36:40,080 --> 02:36:43,320
Speaker 1: Bo k? What was he doing? Now? I don't know

2510
02:36:44,360 --> 02:36:49,360
Speaker 1: who's he throwing up? Yeah, it's a famous song. I

2511
02:36:49,400 --> 02:36:50,640
Speaker 1: don't know if you've ever heard of it. It's called

2512
02:36:50,720 --> 02:36:56,640
Speaker 1: lean Back. That's pretty famous.

2513
02:36:57,879 --> 02:37:00,840
Speaker 4: But but but bottom line is he was just making

2514
02:37:00,879 --> 02:37:04,640
Speaker 4: a statement of how famous crypt walking is nowadays.

2515
02:37:04,760 --> 02:37:07,360
Speaker 3: Like you know, when who was Joe?

2516
02:37:07,440 --> 02:37:11,320
Speaker 1: I said it? Who's done? What's name? You remember that

2517
02:37:11,440 --> 02:37:14,640
Speaker 1: time we was in motherfucking Germany somewhere and they had

2518
02:37:14,760 --> 02:37:16,600
Speaker 1: they paid you and made you coming in and you

2519
02:37:16,720 --> 02:37:20,640
Speaker 1: was made when he was teaching him how to quip walk.

2520
02:37:20,680 --> 02:37:24,640
Speaker 1: Remember we went over there in Germany. Remember you was

2521
02:37:24,760 --> 02:37:29,520
Speaker 1: so what happened, surely happened. What happened? You hadn't been there?

2522
02:37:29,600 --> 02:37:32,720
Speaker 1: Krip walk in Germany when we was walking and we

2523
02:37:32,800 --> 02:37:34,520
Speaker 1: got over there, we went over there again. Is that

2524
02:37:34,560 --> 02:37:38,080
Speaker 1: when they wouldn't let me go back home? Yeah, when

2525
02:37:38,120 --> 02:37:40,320
Speaker 1: you got drunk like this and they wouldn't let him. No,

2526
02:37:40,600 --> 02:37:42,640
Speaker 1: I ain't get drunk like this, nigga. I was nothing

2527
02:37:42,800 --> 02:37:44,879
Speaker 1: like this, nigga. This was when I was on Hennessy.

2528
02:37:46,560 --> 02:37:49,920
Speaker 1: I'm fine. He was on drunk. That's violacy. No, I was.

2529
02:37:50,480 --> 02:37:53,920
Speaker 1: I don't try. He was fine then. Yeah, I was

2530
02:37:54,000 --> 02:37:57,000
Speaker 1: fine because they they just told me I couldn't get

2531
02:37:57,040 --> 02:38:00,320
Speaker 1: on there. He was old man and he was pen.

2532
02:38:02,400 --> 02:38:06,080
Speaker 2: And Dazzen's and and uh Salam was like, well, we're

2533
02:38:06,080 --> 02:38:08,080
Speaker 2: gonna stay with you. I said, no, y'all get yours

2534
02:38:08,480 --> 02:38:11,840
Speaker 2: pout of you. Okay, I'll figure it out.

2535
02:38:14,879 --> 02:38:17,320
Speaker 1: Oh ship, we'd have been through it all man. We

2536
02:38:17,440 --> 02:38:21,320
Speaker 1: had fun. And it's like, and you can get in Canada,

2537
02:38:21,400 --> 02:38:26,840
Speaker 1: make some noise for y'all. I just can't get in Canada.

2538
02:38:27,959 --> 02:38:30,440
Speaker 1: Do you like Canada? When you land out there? They

2539
02:38:30,480 --> 02:38:32,480
Speaker 1: got some good weed out there. We're part of Canada,

2540
02:38:32,560 --> 02:38:34,920
Speaker 1: y'all went to and we like it all man, Vancouver,

2541
02:38:35,080 --> 02:38:38,320
Speaker 1: I love that, you know what I'm saying. Where they

2542
02:38:38,320 --> 02:38:45,080
Speaker 1: speak French, Toronto's Montreal everything. Man, you know what I'm saying.

2543
02:38:45,120 --> 02:38:46,400
Speaker 1: We love everything about Canada.

2544
02:38:48,280 --> 02:38:48,520
Speaker 13: M h.

2545
02:38:50,760 --> 02:38:55,160
Speaker 4: What's your favorite place to go overseas? Besides, I know

2546
02:38:55,240 --> 02:38:55,920
Speaker 4: he's gonna say.

2547
02:38:55,800 --> 02:38:58,240
Speaker 1: That Russell anywhere that got a weed.

2548
02:38:58,480 --> 02:39:02,240
Speaker 2: It's so funny this drink Champs. We're enjoying ourselves. We're

2549
02:39:02,320 --> 02:39:04,960
Speaker 2: having a great time. This is the only show where

2550
02:39:04,959 --> 02:39:08,840
Speaker 2: you can watch us have a great time drinking and

2551
02:39:09,040 --> 02:39:13,840
Speaker 2: thinking and smoking and just enjoying ourselves and be still

2552
02:39:14,640 --> 02:39:15,960
Speaker 2: the greatest of all time.

2553
02:39:16,000 --> 02:39:20,120
Speaker 1: And let me tell you something about this, right, Yeah,

2554
02:39:20,760 --> 02:39:23,720
Speaker 1: I lived in Canada. I don' won't give it up.

2555
02:39:23,720 --> 02:39:26,080
Speaker 1: I want to get up check this out. I lived

2556
02:39:26,160 --> 02:39:28,920
Speaker 1: in Canada, lived there. We'll part Canada.

2557
02:39:31,400 --> 02:39:35,200
Speaker 2: I was out in Ottawa. Oh shit, okay with with

2558
02:39:35,560 --> 02:39:40,520
Speaker 2: uh you know my boy Hell? Yeah, yeah, I was

2559
02:39:40,560 --> 02:39:41,640
Speaker 2: out there with Belly and them.

2560
02:39:42,800 --> 02:39:46,600
Speaker 1: Yeah, we have Belly on the show. Just before Belly

2561
02:39:46,760 --> 02:39:50,200
Speaker 1: was Belly though really early early Belly.

2562
02:39:50,360 --> 02:39:53,600
Speaker 2: Well he yeah, it was old early was Belly before

2563
02:39:53,640 --> 02:39:55,800
Speaker 2: he did the Nipsey record, just before anything.

2564
02:39:55,840 --> 02:39:58,640
Speaker 32: And I was out there with Bell. You didn't stand

2565
02:39:58,720 --> 02:40:04,760
Speaker 32: me in South. But you got some ships outside is

2566
02:40:04,840 --> 02:40:07,240
Speaker 32: popping right now, popping right now.

2567
02:40:07,320 --> 02:40:13,720
Speaker 1: You know why because that's the drink Champs and I

2568
02:40:13,800 --> 02:40:21,240
Speaker 1: love you. So what what's that?

2569
02:40:21,280 --> 02:40:24,000
Speaker 4: What's what's what's the place that you guys ever performed at?

2570
02:40:24,360 --> 02:40:26,000
Speaker 4: She never thought you would even be at.

2571
02:40:28,680 --> 02:40:34,920
Speaker 1: Hm, we ship from the boot pet Theyle for in

2572
02:40:34,959 --> 02:40:38,720
Speaker 1: a place where they did, Uh what's the TV show

2573
02:40:38,800 --> 02:40:43,960
Speaker 1: that was over there? Overseas? Damn? What was that? A

2574
02:40:44,000 --> 02:40:47,640
Speaker 1: whole bunch of places been to Latin America. Yeah, we

2575
02:40:47,720 --> 02:40:50,440
Speaker 1: went to Chili, performed with m O p over there.

2576
02:40:51,840 --> 02:40:55,680
Speaker 1: You know what I'm saying. Uh, yeah, I am too.

2577
02:40:56,360 --> 02:41:02,560
Speaker 1: Where one? Okay? Number one? The show in Philly when

2578
02:41:02,600 --> 02:41:05,560
Speaker 1: we did this movie called the Show.

2579
02:41:08,120 --> 02:41:11,040
Speaker 2: That's a lust dary movie. I never thought you can't

2580
02:41:11,120 --> 02:41:15,320
Speaker 2: just say that rocking Philly around my family and all

2581
02:41:15,400 --> 02:41:15,840
Speaker 2: my folks.

2582
02:41:16,000 --> 02:41:17,240
Speaker 1: He was the biggest ship.

2583
02:41:17,879 --> 02:41:20,360
Speaker 5: Ain't that what you were originally from the biggest He

2584
02:41:20,480 --> 02:41:23,080
Speaker 5: was so proud, that's your origins.

2585
02:41:23,760 --> 02:41:26,320
Speaker 1: But I never thought that. Remember, I was a child

2586
02:41:26,440 --> 02:41:28,440
Speaker 1: then I was a kid, so I never thought I'd

2587
02:41:28,520 --> 02:41:34,440
Speaker 1: be rocking. And that was like that with dog Biggie

2588
02:41:36,640 --> 02:41:40,080
Speaker 1: was don't forget that missed it?

2589
02:41:40,240 --> 02:41:44,800
Speaker 2: You missed it, Delmark, dog Biggie ONX because it was

2590
02:41:44,879 --> 02:41:50,640
Speaker 2: a dog pound show for dog Biggie ONYX was on it,

2591
02:41:51,040 --> 02:41:53,640
Speaker 2: not on dog Biggie, run dem c.

2592
02:41:55,200 --> 02:41:55,560
Speaker 5: Who else?

2593
02:41:58,040 --> 02:42:05,280
Speaker 1: And it was dog pound and Snoop dog mother fucker.

2594
02:42:05,720 --> 02:42:09,880
Speaker 1: But yes, they go, he said, talk about who else?

2595
02:42:13,480 --> 02:42:17,240
Speaker 2: They first came out, Oh my mama, I got another shot.

2596
02:42:17,280 --> 02:42:19,320
Speaker 1: I got another shot. Wait the whole that whole movies

2597
02:42:19,400 --> 02:42:24,320
Speaker 1: in in Philly. That's the show, yes, is that the

2598
02:42:24,360 --> 02:42:30,800
Speaker 1: Spectrum show was the show was Phi? That was? And

2599
02:42:30,959 --> 02:42:34,760
Speaker 1: then the second one? Where was we at there? Del Mar?

2600
02:42:34,920 --> 02:42:39,000
Speaker 2: We was, uh, oh, you got some specials for me? Mister,

2601
02:42:42,200 --> 02:42:45,240
Speaker 2: I always love my mama.

2602
02:42:45,080 --> 02:42:47,480
Speaker 1: Because she's my favorite girl.

2603
02:42:47,600 --> 02:42:53,640
Speaker 2: You only get one, you only get one, Okay? Then boom,

2604
02:42:54,040 --> 02:42:56,920
Speaker 2: So look what was the other thing we did, del Mark?

2605
02:42:57,000 --> 02:43:01,760
Speaker 2: I did something else to me and you did what

2606
02:43:01,959 --> 02:43:05,520
Speaker 2: we performed? This is the second performance because I said,

2607
02:43:05,560 --> 02:43:07,080
Speaker 2: I have to uh.

2608
02:43:10,080 --> 02:43:10,400
Speaker 1: Boom.

2609
02:43:10,560 --> 02:43:15,440
Speaker 33: House of Blues. We did mean your World where House

2610
02:43:15,440 --> 02:43:20,160
Speaker 33: the Blues were? That was with in l As Snoopy

2611
02:43:20,640 --> 02:43:24,800
Speaker 33: all of us, How House Blues, the House of Blues

2612
02:43:25,520 --> 02:43:27,600
Speaker 33: And we did Me and your World. It's me and

2613
02:43:27,720 --> 02:43:32,680
Speaker 33: your World, dads. No, it's about to cash quick, move

2614
02:43:32,800 --> 02:43:37,800
Speaker 33: fast again A kill and I kill again.

2615
02:43:37,879 --> 02:43:39,360
Speaker 1: I got money in my mind.

2616
02:43:41,440 --> 02:43:47,440
Speaker 4: You see that, see Craig mac doctor j on the

2617
02:43:47,480 --> 02:43:56,080
Speaker 4: House of Blues. Everybody crazy, slick Rick Dog, that's House

2618
02:43:56,120 --> 02:44:01,200
Speaker 4: the Blues. No, that's the Philly Joints. Was there because

2619
02:44:01,320 --> 02:44:04,880
Speaker 4: who else was there? And Wouchangklan.

2620
02:44:06,200 --> 02:44:09,160
Speaker 6: That's yeah, the show is crazy because that movie is crazy.

2621
02:44:09,160 --> 02:44:11,000
Speaker 6: To come to the hotel and Methody Man used to

2622
02:44:11,040 --> 02:44:14,199
Speaker 6: come pick us up. Method Man used to come smoke

2623
02:44:14,240 --> 02:44:14,840
Speaker 6: with method Man.

2624
02:44:15,040 --> 02:44:17,560
Speaker 1: Look up the that was the blue show that they

2625
02:44:17,600 --> 02:44:20,560
Speaker 1: were in. I didn't look that up. You he already

2626
02:44:20,600 --> 02:44:27,640
Speaker 1: looked it up. Looked. That's not mean. I mean, that's

2627
02:44:27,680 --> 02:44:30,720
Speaker 1: not my part of the show, sir. But let me

2628
02:44:30,879 --> 02:44:33,040
Speaker 1: let me just ask you. I think i'll ask you

2629
02:44:33,200 --> 02:44:37,119
Speaker 1: that actually actually that before, but it was at the time.

2630
02:44:37,160 --> 02:44:44,680
Speaker 1: It's funny you guys, uh uh you I believe.

2631
02:44:44,840 --> 02:44:46,640
Speaker 4: I don't know if you produced it, but you was

2632
02:44:46,680 --> 02:44:51,039
Speaker 4: on the record, right But method Man Tupac.

2633
02:44:51,680 --> 02:44:53,360
Speaker 1: Yeah that my mind made up.

2634
02:44:53,600 --> 02:44:57,280
Speaker 3: Red Man, Oh, now that records for y'all.

2635
02:44:57,360 --> 02:45:02,440
Speaker 1: At first, that's not Americans. W Correp Haad bro met

2636
02:45:02,520 --> 02:45:04,960
Speaker 1: the man, Red Man inspected deck over my house and

2637
02:45:05,120 --> 02:45:08,920
Speaker 1: rage was over there already. So we had put that

2638
02:45:09,040 --> 02:45:15,240
Speaker 1: record together and then then on a dad's so three tapes,

2639
02:45:16,680 --> 02:45:18,920
Speaker 1: and so I brought it to Doctor dre House and

2640
02:45:19,000 --> 02:45:24,240
Speaker 1: they only put two tapes from real you know, from

2641
02:45:24,280 --> 02:45:26,840
Speaker 1: A that to real. Right, That's why I expected deck

2642
02:45:27,840 --> 02:45:30,560
Speaker 1: because there's versions of that record. Background was on there,

2643
02:45:31,040 --> 02:45:32,199
Speaker 1: because the verse.

2644
02:45:32,440 --> 02:45:34,760
Speaker 5: Deck was on the original night, because there's joints got

2645
02:45:34,840 --> 02:45:35,680
Speaker 5: leaked to mixtapes.

2646
02:45:36,440 --> 02:45:38,600
Speaker 1: Twopile wasn't on the original was raised, so they took

2647
02:45:38,720 --> 02:45:41,920
Speaker 1: rags off and put Tupac on this oh wow, and

2648
02:45:42,080 --> 02:45:45,400
Speaker 1: so but the expected deck is not on. Spected was

2649
02:45:45,440 --> 02:45:48,080
Speaker 1: on that third add but they didn't have the third

2650
02:45:48,160 --> 02:45:50,560
Speaker 1: and they lost the third add so he never made

2651
02:45:50,560 --> 02:45:54,160
Speaker 1: the record. Yeah, his backgrounds made differ, you know what

2652
02:45:54,200 --> 02:45:56,720
Speaker 1: I'm saying. And that's why I told them that's gonna

2653
02:45:56,720 --> 02:45:58,840
Speaker 1: get our money over there, Tupaca Steak, you know what

2654
02:45:58,879 --> 02:46:01,680
Speaker 1: I'm saying. So because they ain't never got paid for

2655
02:46:01,760 --> 02:46:03,840
Speaker 1: that song. They didn't even get writers credit.

2656
02:46:03,680 --> 02:46:06,119
Speaker 5: On whose day When you say that though expected Dick

2657
02:46:06,800 --> 02:46:08,039
Speaker 5: methy Man, red Man.

2658
02:46:10,000 --> 02:46:12,440
Speaker 1: They never got published and they got never got off.

2659
02:46:12,760 --> 02:46:14,800
Speaker 1: So you helped them get that. That's what we're working

2660
02:46:14,879 --> 02:46:18,920
Speaker 1: on now, getting all that. You know, it's the thirty

2661
02:46:18,959 --> 02:46:22,280
Speaker 1: five years long. We're still here thirty five years little

2662
02:46:22,360 --> 02:46:24,200
Speaker 1: or of my masters come back to n Yeah. You

2663
02:46:24,280 --> 02:46:26,200
Speaker 1: know what I'm saying. You know what it is? Yes,

2664
02:46:26,320 --> 02:46:32,920
Speaker 1: I do and d and conquer, Yes I do. That

2665
02:46:33,120 --> 02:46:36,800
Speaker 1: is on it too. Yeah, been on it. He's been

2666
02:46:36,840 --> 02:46:39,960
Speaker 1: telling us on three chances fighting those those years in

2667
02:46:40,000 --> 02:46:43,480
Speaker 1: those lay the funk out of Trump. Get your ship together.

2668
02:46:43,680 --> 02:46:45,200
Speaker 1: You can get all that. You know what I'm saying.

2669
02:46:46,200 --> 02:46:50,480
Speaker 1: I'm gonna take a shot for that. Yeah, yeah, trying

2670
02:46:50,520 --> 02:46:56,480
Speaker 1: about like Kenya take one of the dad barking more

2671
02:46:56,640 --> 02:47:04,760
Speaker 1: one more gain talking about walking. I stole from that.

2672
02:47:05,760 --> 02:47:11,200
Speaker 1: I stole his cars. He got a little said, I

2673
02:47:11,280 --> 02:47:12,440
Speaker 1: got that man three.

2674
02:47:14,320 --> 02:47:19,200
Speaker 5: So let me just before we go, asking both y'all

2675
02:47:20,040 --> 02:47:25,080
Speaker 5: as mcs, who are your influences as mcs?

2676
02:47:28,000 --> 02:47:33,560
Speaker 1: Rock camp you two, what do you mean he speaks

2677
02:47:33,600 --> 02:47:37,520
Speaker 1: and spoke for me, Rock Caim, Big Daddy came you

2678
02:47:37,600 --> 02:47:39,959
Speaker 1: speaking for both the all you're speaking for yourself thinking

2679
02:47:40,000 --> 02:47:41,920
Speaker 1: for me? You know, same thing I like?

2680
02:47:42,000 --> 02:47:42,320
Speaker 16: He like.

2681
02:47:42,360 --> 02:47:44,920
Speaker 1: You know what I'm saying. So you know, slick wig,

2682
02:47:45,560 --> 02:47:48,760
Speaker 1: big Daddy came stet the signing. You know what I'm saying.

2683
02:47:48,840 --> 02:47:54,760
Speaker 1: That's Okay, you know what I'm saying, taking sheep rock.

2684
02:47:56,160 --> 02:48:00,120
Speaker 1: All these are influences for you, m C y v

2685
02:48:00,240 --> 02:48:03,600
Speaker 1: D and the boys, most definitely Heavy D and the Boys.

2686
02:48:03,640 --> 02:48:07,640
Speaker 1: You know what I'm saying, Mister big Stuff was the

2687
02:48:07,720 --> 02:48:11,920
Speaker 1: ship get with him Coca CoA yo yo. I think

2688
02:48:12,200 --> 02:48:15,960
Speaker 1: Heavy's underrated overall, like he's under in my catalog. I

2689
02:48:16,040 --> 02:48:18,600
Speaker 1: got a song with Heavy D really off the water

2690
02:48:18,680 --> 02:48:20,880
Speaker 1: bed out men Corrept.

2691
02:48:20,959 --> 02:48:21,119
Speaker 23: Yeah.

2692
02:48:21,760 --> 02:48:24,520
Speaker 3: What's hundred named the West Coast artists?

2693
02:48:25,000 --> 02:48:26,760
Speaker 1: I mean all of them, you know, from Iced Tea,

2694
02:48:26,959 --> 02:48:29,240
Speaker 1: n w A that's home already, so you know that's

2695
02:48:29,280 --> 02:48:33,400
Speaker 1: already influenced. Ice Tea first album, Ryan Paye, King T,

2696
02:48:34,440 --> 02:48:39,920
Speaker 1: DJ Pooh Mixed Master Spade, King T, Tidy T. You

2697
02:48:39,959 --> 02:48:42,160
Speaker 1: know what I'm saying. Everything, You know what I'm saying,

2698
02:48:42,280 --> 02:48:43,960
Speaker 1: just the whole racket. He's an originator.

2699
02:48:44,040 --> 02:48:44,240
Speaker 2: Man.

2700
02:48:45,000 --> 02:48:46,520
Speaker 1: When I lived out here, I used to go on

2701
02:48:46,560 --> 02:48:50,360
Speaker 1: to fifteen AB and go to the packge in here Miami, motherfucker.

2702
02:48:50,400 --> 02:48:52,400
Speaker 1: You went to the pack right to walk from my

2703
02:48:52,520 --> 02:48:55,000
Speaker 1: dad house to the pad. So he knows about Miami.

2704
02:48:55,080 --> 02:48:55,280
Speaker 34: Shit.

2705
02:48:55,879 --> 02:48:58,320
Speaker 1: You know what I'm saying. He knows about Miami. Ship

2706
02:48:58,879 --> 02:49:02,280
Speaker 1: fifteen yeh, baby, what year was that that was like

2707
02:49:02,440 --> 02:49:06,000
Speaker 1: eighty nine he went to the back Jam eighty six

2708
02:49:06,600 --> 02:49:11,240
Speaker 1: US Shack Jam. Yeah, I stayed in Liberty City. That

2709
02:49:11,360 --> 02:49:13,200
Speaker 1: must have that must have done something in terms of

2710
02:49:13,320 --> 02:49:15,720
Speaker 1: like your musical influence as well. That ship he has

2711
02:49:15,760 --> 02:49:17,640
Speaker 1: to come home and play, well, I want some puss.

2712
02:49:17,840 --> 02:49:22,000
Speaker 1: But they were like, turn that ship off. That's crazy.

2713
02:49:22,200 --> 02:49:24,960
Speaker 1: Into the package. I love you know what I'm saying

2714
02:49:25,320 --> 02:49:28,680
Speaker 1: all that ship. Yeah, that's wild. That is why the

2715
02:49:28,800 --> 02:49:34,480
Speaker 1: pack Jam is Poison Clan. Yes, I tell people poison

2716
02:49:34,560 --> 02:49:40,400
Speaker 1: Class at the n W at Miami most definitely. I

2717
02:49:40,640 --> 02:49:41,240
Speaker 1: like this ship.

2718
02:49:42,400 --> 02:49:43,800
Speaker 5: He went to the pack Jam. You don't know what

2719
02:49:43,879 --> 02:49:47,120
Speaker 5: that means for Miami. The pack Jam like say that

2720
02:49:47,280 --> 02:49:49,680
Speaker 5: time for New York. No, it is, That's exactly what

2721
02:49:49,800 --> 02:49:50,960
Speaker 5: it is. That's exactly what it was.

2722
02:49:51,080 --> 02:49:54,440
Speaker 1: Imagine getting the Loop record, but it was Luke Skywalker

2723
02:49:54,520 --> 02:49:56,160
Speaker 1: yep with the address.

2724
02:49:55,959 --> 02:49:59,120
Speaker 5: With the legout and the legout. Yeah yeah, because he

2725
02:49:59,160 --> 02:50:01,360
Speaker 5: got soon after. I couldn't put Luke Skywalker after that,

2726
02:50:01,480 --> 02:50:02,519
Speaker 5: so you got suits.

2727
02:50:02,440 --> 02:50:05,160
Speaker 1: And then it went from Luke I'm fifteen after Biscaynes

2728
02:50:05,280 --> 02:50:07,440
Speaker 1: something like you know what I'm saying, I've been there.

2729
02:50:08,480 --> 02:50:10,160
Speaker 1: And the funny thing about it is shut out to

2730
02:50:10,240 --> 02:50:14,120
Speaker 1: my boy Mike West, my cousin Mike West. He was

2731
02:50:14,240 --> 02:50:17,920
Speaker 1: managing and being the A and R with Luke. Records

2732
02:50:20,040 --> 02:50:22,360
Speaker 1: by doctor Dre snooping, you know around that feud from

2733
02:50:22,400 --> 02:50:23,960
Speaker 1: back in the day. I used to live with Luke

2734
02:50:24,200 --> 02:50:29,080
Speaker 1: in the studio, Louke coming to when they were and

2735
02:50:29,160 --> 02:50:31,680
Speaker 1: that be for serious. It was serious too. Hold on

2736
02:50:31,800 --> 02:50:34,880
Speaker 1: talking about did you just say you lived with Luke

2737
02:50:35,040 --> 02:50:37,400
Speaker 1: when they did Cowards from Compton? Yeah, I lived looking

2738
02:50:37,400 --> 02:50:39,160
Speaker 1: at the studio when you had the thing over there

2739
02:50:39,640 --> 02:50:48,800
Speaker 1: when they did cow and Captain over there Oceans Ye,

2740
02:50:49,959 --> 02:50:52,720
Speaker 1: Ocean Boulevard. He had a studio right over there in

2741
02:50:52,800 --> 02:50:54,800
Speaker 1: the Martin, in the Martin. It wasn't his studio, but

2742
02:50:54,879 --> 02:50:58,320
Speaker 1: it was. No, he had his offices and yeah, yeah,

2743
02:50:58,520 --> 02:51:03,480
Speaker 1: you're ye too short that we was, yeah, hanging up.

2744
02:51:03,520 --> 02:51:04,840
Speaker 1: We was having a good time. You know what I man,

2745
02:51:05,040 --> 02:51:06,560
Speaker 1: I'm from Miami. You know what I'm saying. I lived

2746
02:51:06,600 --> 02:51:07,760
Speaker 1: here for twenty some years.

2747
02:51:07,840 --> 02:51:10,080
Speaker 2: You say when he made he was saying when he

2748
02:51:10,200 --> 02:51:13,359
Speaker 2: made Cowards, and Compton was saying, yeah, I'm staying.

2749
02:51:13,760 --> 02:51:15,800
Speaker 1: He made Coward and he just said yeah. He was

2750
02:51:16,040 --> 02:51:20,160
Speaker 1: back and forth, Ma callend and co making this up

2751
02:51:24,160 --> 02:51:26,480
Speaker 1: because I got because it was dem ro a sleek

2752
02:51:27,680 --> 02:51:29,680
Speaker 1: and Luke you know what I'm saying. Yeah, and it

2753
02:51:29,800 --> 02:51:34,080
Speaker 1: was what's new? What nigga Steve?

2754
02:51:34,800 --> 02:51:38,640
Speaker 35: He said, your boy, that nigga shot the whole club

2755
02:51:38,800 --> 02:51:43,720
Speaker 35: when we performed down here, performed here, Luke has boy

2756
02:51:44,480 --> 02:51:45,320
Speaker 35: a big ass.

2757
02:51:46,680 --> 02:51:51,000
Speaker 1: Were raised things he got imagine driving not the fish down,

2758
02:51:51,000 --> 02:51:52,880
Speaker 1: but then that little tag at the bottom catch the

2759
02:51:52,959 --> 02:51:53,760
Speaker 1: back of the limos.

2760
02:51:55,959 --> 02:51:58,720
Speaker 36: Because that nigga was crazy. That nigga said, it's your boy.

2761
02:51:59,600 --> 02:52:04,160
Speaker 36: Steve said, like Steve, let me in the club. Let

2762
02:52:04,200 --> 02:52:06,920
Speaker 36: me in the club, was in Miami, cut let me

2763
02:52:06,959 --> 02:52:08,560
Speaker 36: in the club. No, they didn't let him in the club.

2764
02:52:08,800 --> 02:52:12,960
Speaker 1: That know, we heard that name again, your boy Steven bulletshot.

2765
02:52:13,120 --> 02:52:22,840
Speaker 37: By Snoop I Snoop and shall boy Steve oh like

2766
02:52:22,959 --> 02:52:23,840
Speaker 37: oh man we gon.

2767
02:52:24,200 --> 02:52:27,560
Speaker 1: But the bottom line is the death was recorded the record.

2768
02:52:27,840 --> 02:52:32,360
Speaker 1: I wouldn't I was here era in the era. No no, no, no, no, no,

2769
02:52:32,800 --> 02:52:35,720
Speaker 1: he was here in the era. Okay, let's do reality. No,

2770
02:52:39,320 --> 02:52:41,240
Speaker 1: I was in that era right after that era, just

2771
02:52:41,320 --> 02:52:43,879
Speaker 1: the feuding part area because you know, I grew up

2772
02:52:43,920 --> 02:52:45,640
Speaker 1: in Miami, so you know I knew everybody.

2773
02:52:45,760 --> 02:52:48,480
Speaker 5: Did you come across anybody when the feud was happening.

2774
02:52:49,200 --> 02:52:50,560
Speaker 1: I mean I was in a studio. I was just

2775
02:52:50,600 --> 02:52:52,400
Speaker 1: seeing everybody. You know what I'm saying. But what you

2776
02:52:54,600 --> 02:52:57,040
Speaker 1: it was over with some like this is Luke baking

2777
02:52:57,080 --> 02:52:59,680
Speaker 1: the days you was with us? You know when I

2778
02:52:59,760 --> 02:53:01,720
Speaker 1: was with my father.

2779
02:53:05,280 --> 02:53:14,000
Speaker 38: Because us, No, okay, he wasn't over there because with us,

2780
02:53:15,280 --> 02:53:18,039
Speaker 38: he was here shut on the anyway, I'm just trying to.

2781
02:53:18,080 --> 02:53:23,880
Speaker 1: Understand because he will show us love to this day.

2782
02:53:23,959 --> 02:53:26,280
Speaker 1: You go to the Peep Show, all that ship was

2783
02:53:26,320 --> 02:53:30,400
Speaker 1: in there. You know what I'm saying. He always showed innovative. Man,

2784
02:53:30,440 --> 02:53:33,680
Speaker 1: you know what I'm saying. I respect Luke was a legend.

2785
02:53:34,120 --> 02:53:35,960
Speaker 1: What city got the best strip clubs? I know you

2786
02:53:36,040 --> 02:53:42,039
Speaker 1: lived in Miami? You live that you are? You so many?

2787
02:53:42,280 --> 02:53:44,440
Speaker 1: Is something? Del mar is best at this?

2788
02:53:44,680 --> 02:53:52,080
Speaker 5: Tell me ros, those original Miami ros and cocos.

2789
02:53:52,760 --> 02:53:53,520
Speaker 1: Don't be mad at this.

2790
02:53:53,760 --> 02:53:53,960
Speaker 24: John.

2791
02:53:54,040 --> 02:53:57,320
Speaker 4: I used to take you to the man, bullet holes

2792
02:53:57,400 --> 02:54:03,039
Speaker 4: and even bullet but what it came out and crutches.

2793
02:54:03,080 --> 02:54:04,240
Speaker 4: I said she was taking it too.

2794
02:54:05,959 --> 02:54:10,000
Speaker 1: Taking show girl, show girl.

2795
02:54:12,959 --> 02:54:16,240
Speaker 4: Because you live in l A, Atlanta and Miami. That's

2796
02:54:16,360 --> 02:54:20,400
Speaker 4: like somewhat the three club. What is the one in America.

2797
02:54:20,560 --> 02:54:22,640
Speaker 4: But I look at it one from Florida to Georgia.

2798
02:54:24,040 --> 02:54:26,320
Speaker 4: What if you want they are going.

2799
02:54:26,200 --> 02:54:28,520
Speaker 3: Back even California be in this conversation.

2800
02:54:28,720 --> 02:54:31,600
Speaker 1: No, I don't think man ship Miami. They don't give

2801
02:54:31,640 --> 02:54:35,840
Speaker 1: a fucking the strip club it's big, don't this motherfucker?

2802
02:54:35,920 --> 02:54:38,080
Speaker 1: They got the going on what they called it booth?

2803
02:54:38,240 --> 02:54:44,240
Speaker 1: Can we yeah? We said, yeah, can we give it

2804
02:54:44,400 --> 02:54:52,560
Speaker 1: up for Miami one? What he's saying, shot, I'm trying, Okay,

2805
02:54:52,680 --> 02:54:55,960
Speaker 1: all right, I mean we take a shot, shot me

2806
02:54:56,120 --> 02:55:01,920
Speaker 1: one time? You shot? Hold on shot because I want

2807
02:55:01,959 --> 02:55:06,280
Speaker 1: to be clear. You're picking Miami over Atlanta. No, no, no, no, no, no, no,

2808
02:55:07,120 --> 02:55:11,320
Speaker 1: be clear? Now are you picking Miami and Georgia? All right?

2809
02:55:11,440 --> 02:55:18,360
Speaker 1: Miami Georgia is the same place Atlanta. Atlanta not the

2810
02:55:18,400 --> 02:55:23,440
Speaker 1: same place. George said, Georgia. See you listen very well.

2811
02:55:23,440 --> 02:55:29,400
Speaker 1: He the city's I'm gonna taking shot this handling cheers travel.

2812
02:55:29,959 --> 02:55:36,199
Speaker 1: You know what I'm saying. I ain't tak it's this guy.

2813
02:55:39,959 --> 02:55:41,520
Speaker 3: Did we talk about serial killer yet?

2814
02:55:42,080 --> 02:55:44,480
Speaker 1: Should we know? But I do know this. You ain't

2815
02:55:44,480 --> 02:55:46,720
Speaker 1: gonna get us too fucked up for where he can't

2816
02:55:46,760 --> 02:55:48,840
Speaker 1: make it fly. He's gonna make his play. I know

2817
02:55:48,959 --> 02:55:57,000
Speaker 1: he is, you're gonna take his So let's go a

2818
02:55:57,080 --> 02:55:59,960
Speaker 1: serial killer. What's cracked? Let's talk about serial killer killer?

2819
02:56:00,160 --> 02:56:02,360
Speaker 1: How did that come about? Now? We used to do

2820
02:56:02,560 --> 02:56:05,200
Speaker 1: w bass okay wow, and I had to beat in

2821
02:56:05,240 --> 02:56:07,720
Speaker 1: the drum machine and Snoop grabbed the dis out of

2822
02:56:07,720 --> 02:56:11,440
Speaker 1: the drum machine to the Doctor Drake and the song

2823
02:56:11,600 --> 02:56:15,840
Speaker 1: was born and the d OC got on there. Correct

2824
02:56:17,080 --> 02:56:21,920
Speaker 1: Snoop me, the song was born with rb X finishing

2825
02:56:21,959 --> 02:56:29,640
Speaker 1: it off. Doctor dre put that touched to it, and

2826
02:56:29,800 --> 02:56:32,560
Speaker 1: French and everybody else sample didn't put it in that song,

2827
02:56:33,520 --> 02:56:36,000
Speaker 1: you know what I'm saying. And then jay Z wrote

2828
02:56:36,080 --> 02:56:38,960
Speaker 1: that song for Snoop and Doctor Drake and use my

2829
02:56:39,080 --> 02:56:42,040
Speaker 1: hooking there. If you ain't up on things, dog is.

2830
02:56:42,680 --> 02:56:44,240
Speaker 1: I know he was thinking about me when he was

2831
02:56:44,640 --> 02:56:48,280
Speaker 1: listening to that serial killer writing that song. You know

2832
02:56:48,320 --> 02:56:51,320
Speaker 1: how you to listen to be But coincide would be

2833
02:56:51,760 --> 02:56:55,240
Speaker 1: shout out to Jason, get that publishing, you saying oh yeah,

2834
02:56:55,240 --> 02:56:57,840
Speaker 1: you know okay, I say you know it. I know

2835
02:56:57,959 --> 02:57:00,240
Speaker 1: that is not letting up, but no publishing. Okay, you

2836
02:57:00,320 --> 02:57:02,640
Speaker 1: can't know when it's over. It's over. You got to

2837
02:57:02,680 --> 02:57:04,120
Speaker 1: get it all the way here. You know you can

2838
02:57:04,160 --> 02:57:06,879
Speaker 1: spread it to your seat, right, that's legacy.

2839
02:57:08,800 --> 02:57:17,680
Speaker 34: How about you? Serial killer murder? Okay king Man, Yeah,

2840
02:57:17,720 --> 02:57:20,440
Speaker 34: that's what it was. You know what I'm saying, There's

2841
02:57:20,520 --> 02:57:26,240
Speaker 34: time to escape. That was it, you know what I'm saying.

2842
02:57:26,320 --> 02:57:30,320
Speaker 1: As soon as I heard the beat, Jesus, you know

2843
02:57:30,440 --> 02:57:31,160
Speaker 1: how it is, nor.

2844
02:57:31,280 --> 02:57:35,959
Speaker 2: You should have beaten. Your mind just flows. As soon

2845
02:57:36,000 --> 02:57:40,039
Speaker 2: as I heard the beat with the front, it's self

2846
02:57:40,120 --> 02:57:43,800
Speaker 2: explained to it. After that, time to escape, that's all

2847
02:57:43,840 --> 02:57:44,040
Speaker 2: I know.

2848
02:57:44,360 --> 02:57:48,280
Speaker 1: Time to escape once you once I hear once I

2849
02:57:48,400 --> 02:57:50,879
Speaker 1: said that, I said, oh, I'm going here, I'm going here,

2850
02:57:50,920 --> 02:57:53,400
Speaker 1: I'm going here. And you know what else about it?

2851
02:57:53,600 --> 02:57:59,280
Speaker 39: It was fun, Yeah, because you know, I'm from Philly,

2852
02:57:59,440 --> 02:58:03,720
Speaker 39: so to be from Philly and to come to the

2853
02:58:03,879 --> 02:58:09,160
Speaker 39: West coast and all my family is in Philadelphia, right.

2854
02:58:09,560 --> 02:58:14,560
Speaker 2: And then it's just like, damn they gonna hear this.

2855
02:58:16,520 --> 02:58:22,600
Speaker 2: I just felt like expressing, I don't know where to fuck.

2856
02:58:22,640 --> 02:58:25,800
Speaker 2: I'm headed up for down right or left, life or death.

2857
02:58:26,160 --> 02:58:29,360
Speaker 2: I see myself in the midst smoke. Death becomes any

2858
02:58:29,440 --> 02:58:30,280
Speaker 2: nigga that takes me.

2859
02:58:30,360 --> 02:58:32,440
Speaker 1: For a joke. See, once I was starting to write this,

2860
02:58:34,640 --> 02:58:36,960
Speaker 1: it was like, I don't know how people gonna take

2861
02:58:37,040 --> 02:58:41,600
Speaker 1: this from me, but I'm gonna lay it out. I

2862
02:58:41,720 --> 02:58:48,120
Speaker 1: only have what b ass, motherfucking voice. I know, what

2863
02:58:48,280 --> 02:58:48,880
Speaker 1: was that?

2864
02:58:49,040 --> 02:58:49,200
Speaker 9: Eight?

2865
02:58:49,800 --> 02:58:49,960
Speaker 35: Was that?

2866
02:58:50,120 --> 02:58:52,720
Speaker 1: Eight bars? Del Mar for? That was eight bars?

2867
02:58:53,720 --> 02:58:58,360
Speaker 2: Six six bars? Yeah, it was just six bars. I

2868
02:58:58,480 --> 02:59:03,400
Speaker 2: had to express everything there was. And and that's the

2869
02:59:03,520 --> 02:59:06,400
Speaker 2: thing with doctor Dre and Snoop, like they'll give you

2870
02:59:06,560 --> 02:59:12,320
Speaker 2: like six bars, four bars or eight bars, and that's it,

2871
02:59:13,440 --> 02:59:17,400
Speaker 2: and you have to just give everything right there and win.

2872
02:59:21,200 --> 02:59:24,040
Speaker 1: That's what I did, specially, you know, that was my specialty.

2873
02:59:24,280 --> 02:59:27,840
Speaker 2: Slap it down, and I don't give a fuck how

2874
02:59:27,920 --> 02:59:28,520
Speaker 2: many bars?

2875
02:59:30,080 --> 02:59:38,920
Speaker 1: Han Dad right, Nigga d motherfucking right. So let's talk

2876
02:59:38,920 --> 02:59:44,560
Speaker 1: about school Boy Q big body feature with y'all. How

2877
02:59:44,640 --> 02:59:45,120
Speaker 1: dope was that?

2878
02:59:45,360 --> 02:59:48,200
Speaker 4: Like, you know the new generation that you know a

2879
02:59:48,280 --> 02:59:52,880
Speaker 4: lot of times the new generation, you know, majority of

2880
02:59:52,920 --> 02:59:55,200
Speaker 4: the time they do respect the elder generation, but there's

2881
02:59:55,400 --> 02:59:58,560
Speaker 4: always these younger guys that get high like, well, I'm

2882
02:59:58,640 --> 03:00:01,760
Speaker 4: hot because because I'm hot, and they don't respect the elders.

2883
03:00:01,959 --> 03:00:05,560
Speaker 4: In this case, he's showing nothing but love and respect

2884
03:00:05,600 --> 03:00:07,960
Speaker 4: to y'all. How did y'all get that phone call? How

2885
03:00:08,000 --> 03:00:08,760
Speaker 4: did this come about?

2886
03:00:09,480 --> 03:00:11,400
Speaker 1: We got a call it. Come to the studio. We

2887
03:00:11,480 --> 03:00:14,800
Speaker 1: came to the studio and the magic just start being happening.

2888
03:00:14,879 --> 03:00:16,320
Speaker 1: You know what I'm saying. We was laying it down,

2889
03:00:16,720 --> 03:00:20,560
Speaker 1: but came the song and that's what it is. Big body,

2890
03:00:21,120 --> 03:00:24,960
Speaker 1: but na'tural thing. Shout out to school Boy K. He's

2891
03:00:25,000 --> 03:00:29,520
Speaker 1: doing Top Dog, same thing grew up. He was working

2892
03:00:29,560 --> 03:00:32,080
Speaker 1: with it before. Oh wow, I was. He was on

2893
03:00:32,200 --> 03:00:36,880
Speaker 1: the first. School Boy Quel just brought me here. You

2894
03:00:36,920 --> 03:00:38,680
Speaker 1: know what I'm saying, saying, Hey, let's go to the studio.

2895
03:00:39,520 --> 03:00:42,360
Speaker 1: I'm gonna do this song with school boy Kid. I loved.

2896
03:00:42,680 --> 03:00:47,720
Speaker 4: I love when the youngest statesmen pasted, like not pass

2897
03:00:47,800 --> 03:00:50,000
Speaker 4: the torch back, but let them know, like yo, I

2898
03:00:50,080 --> 03:00:51,959
Speaker 4: know where I got the torch from here, Like.

2899
03:00:52,040 --> 03:00:54,959
Speaker 1: Huh he goes some weed right here? Yeah yeah, yeah

2900
03:00:55,760 --> 03:00:57,000
Speaker 1: like that. You know I love that.

2901
03:00:57,160 --> 03:00:58,840
Speaker 3: So how did you connect with the school work you?

2902
03:00:59,000 --> 03:00:59,920
Speaker 3: He said you was working on them for.

2903
03:01:03,760 --> 03:01:08,120
Speaker 2: You know, the family is everywhere. You know, Schoolboy Q

2904
03:01:08,400 --> 03:01:14,280
Speaker 2: is over there with K. He's from Schoolyard.

2905
03:01:14,360 --> 03:01:22,000
Speaker 1: Crib ain't that way from no, no, no, he from Schoolyard.

2906
03:01:22,080 --> 03:01:30,200
Speaker 1: Ain't like from Schoolyard. Well, I love this one. He

2907
03:01:30,440 --> 03:01:36,680
Speaker 1: always showed me love and I did the first record

2908
03:01:36,760 --> 03:01:39,440
Speaker 1: with him and a Tyler the Creator. Isn't that crazy?

2909
03:01:39,560 --> 03:01:39,800
Speaker 12: Wow?

2910
03:01:40,560 --> 03:01:43,360
Speaker 1: Tyler Creator for just a song? We did the same Yeah,

2911
03:01:44,959 --> 03:01:49,000
Speaker 1: school Boy the Big Body. Oh, I ain't know, that's

2912
03:01:49,000 --> 03:01:51,199
Speaker 1: my same. I've got a lot of people in our catalog.

2913
03:01:52,040 --> 03:01:57,160
Speaker 2: So school Boy and you're right, school boys from Hoover. Oh,

2914
03:01:57,320 --> 03:02:00,760
Speaker 2: my mama, you right there, Mark. My dad was always

2915
03:02:00,840 --> 03:02:07,480
Speaker 2: on his game, always on his game if you don't

2916
03:02:08,640 --> 03:02:10,080
Speaker 2: and yep.

2917
03:02:11,920 --> 03:02:15,560
Speaker 1: School boys from Hoover, because I know it's on me.

2918
03:02:16,040 --> 03:02:17,760
Speaker 1: And then you're right.

2919
03:02:18,280 --> 03:02:22,720
Speaker 2: And so Cauz came to me about the the Tyler

2920
03:02:22,800 --> 03:02:26,000
Speaker 2: the Creator record and I knocked that down.

2921
03:02:26,680 --> 03:02:29,520
Speaker 1: There was another record he wanted to do, and that's

2922
03:02:29,520 --> 03:02:31,279
Speaker 1: when I said, you know, I got dance.

2923
03:02:31,920 --> 03:02:34,400
Speaker 2: And then Dad was like, I'm rolling boo and he

2924
03:02:34,560 --> 03:02:38,480
Speaker 2: jumped in bad and that's how it happened, you know

2925
03:02:38,520 --> 03:02:43,520
Speaker 2: what I'm saying from that point, But see school boys

2926
03:02:43,600 --> 03:02:46,080
Speaker 2: reached out, and see I fucked with school Boy because

2927
03:02:46,120 --> 03:02:48,440
Speaker 2: I fucked with a top dog. I fucked with a

2928
03:02:49,040 --> 03:02:52,160
Speaker 2: you know, Kendrick's my killer, that's from the door, and

2929
03:02:52,360 --> 03:02:59,720
Speaker 2: Jay Rocks that's my killer, and uh, you know Terrace Martin,

2930
03:03:00,080 --> 03:03:02,800
Speaker 2: Terrace Martin took me to that whole squad with punching

2931
03:03:02,879 --> 03:03:03,240
Speaker 2: all them.

2932
03:03:03,760 --> 03:03:07,000
Speaker 1: So you're a shot for that. Let's take it. No,

2933
03:03:07,280 --> 03:03:08,080
Speaker 1: you take a shot.

2934
03:03:11,879 --> 03:03:13,879
Speaker 2: I'm gonna take a shot. I don't give a fuck.

2935
03:03:15,080 --> 03:03:18,040
Speaker 2: I keep the Crippingia gonna take a shot. Let's go

2936
03:03:18,240 --> 03:03:22,600
Speaker 2: boom and bam, not being so scary on the hood. Yeah,

2937
03:03:22,640 --> 03:03:24,520
Speaker 2: let's go cut boom, can't.

2938
03:03:26,000 --> 03:03:30,320
Speaker 1: What shot is that shot right here? I'm taking del

2939
03:03:30,400 --> 03:03:35,480
Speaker 1: Mark shot, nigga. I'm taking I'm taking this the whole

2940
03:03:35,600 --> 03:03:39,440
Speaker 1: shot and a half for all the nigs right over

2941
03:03:39,520 --> 03:03:43,840
Speaker 1: there with you to get a cut nigga six for

2942
03:03:44,000 --> 03:03:47,880
Speaker 1: all the niggas talking about that, my niggas, that's the

2943
03:03:47,920 --> 03:03:51,080
Speaker 1: first time we did that. I also stole the drummer

2944
03:03:51,120 --> 03:03:58,400
Speaker 1: Shine to make and they put that on Snoop out right,

2945
03:03:58,959 --> 03:04:03,040
Speaker 1: I'm doing I'm doing step. That was y'all saw. Yeah,

2946
03:04:03,080 --> 03:04:11,360
Speaker 1: that was a wow, my niggas. My pictures, y'all saw

2947
03:04:11,480 --> 03:04:14,320
Speaker 1: me and dog pround. You wanna corrupt because you see

2948
03:04:14,320 --> 03:04:17,200
Speaker 1: Snow wasn't on it. Wow, he just got on the end.

2949
03:04:17,560 --> 03:04:18,160
Speaker 13: He was on it.

2950
03:04:18,280 --> 03:04:22,760
Speaker 1: He got at the end. Yeah said wow, Okay, you

2951
03:04:22,800 --> 03:04:23,920
Speaker 1: don't see him rapping on it.

2952
03:04:24,040 --> 03:04:28,680
Speaker 2: It's just rage me and Dad, Okay, and that and

2953
03:04:28,800 --> 03:04:31,600
Speaker 2: the dog liked it so much he said, I gotta

2954
03:04:31,680 --> 03:04:32,959
Speaker 2: have this on Doggy Style.

2955
03:04:33,000 --> 03:04:37,160
Speaker 1: I gotta have this on my album. I was so proud. Yeah,

2956
03:04:40,920 --> 03:04:43,640
Speaker 1: the sower, Max Tin, what is it called? Nothing but what?

2957
03:04:43,879 --> 03:04:48,040
Speaker 1: Nothing but the ca but the what cave cav You

2958
03:04:48,120 --> 03:04:48,880
Speaker 1: know what cavity is?

2959
03:04:49,000 --> 03:04:49,080
Speaker 29: Right?

2960
03:04:49,400 --> 03:04:51,520
Speaker 1: I was lost. I don't know what cavety is that. Yeah,

2961
03:04:51,680 --> 03:04:55,640
Speaker 1: that's why I didn't know what that meant. Is cocaine

2962
03:04:55,760 --> 03:04:59,680
Speaker 1: crack rock. That's a that's a boutiful like man, we

2963
03:04:59,760 --> 03:05:02,879
Speaker 1: got Cabby right here. Yeah, I mean record, this record

2964
03:05:02,959 --> 03:05:04,480
Speaker 1: is cracked right down. You know what I'm saying.

2965
03:05:05,800 --> 03:05:12,400
Speaker 2: Record is hit straight cocaine rock. That was That was

2966
03:05:12,440 --> 03:05:17,160
Speaker 2: the time that hey, Evan, do you want some of

2967
03:05:17,240 --> 03:05:18,119
Speaker 2: these cavey?

2968
03:05:19,280 --> 03:05:25,039
Speaker 1: I thought so that song, so you know what I'm saying.

2969
03:05:25,160 --> 03:05:30,480
Speaker 1: So it was a great time. And yeah, and originally

2970
03:05:30,640 --> 03:05:34,879
Speaker 1: it was me Corrupt mac Tin and ice Cube. Wow,

2971
03:05:35,879 --> 03:05:38,440
Speaker 1: but I think the money didn't come in and ice

2972
03:05:38,520 --> 03:05:42,960
Speaker 1: Cube take me off? Wait, ice you took you off?

2973
03:05:43,440 --> 03:05:46,080
Speaker 1: I thought they told them to take ice Cube. What

2974
03:05:46,120 --> 03:05:49,520
Speaker 1: I'm saying, But I still got the question priority because

2975
03:05:49,560 --> 03:05:54,240
Speaker 1: that was record funny, Oh fucking funny. But we got

2976
03:05:54,320 --> 03:05:56,120
Speaker 1: ice Cube on this the verse somewhere in one of

2977
03:05:56,160 --> 03:06:02,600
Speaker 1: the real It was tight though with you know, we

2978
03:06:02,680 --> 03:06:08,720
Speaker 1: got a song with help the Skelter Shine Prices. Yeah,

2979
03:06:14,720 --> 03:06:19,520
Speaker 1: they was on Priority records too. There was what was

2980
03:06:22,400 --> 03:06:27,480
Speaker 1: your favorite label? You was affiliated with Death Rock, Death

2981
03:06:27,560 --> 03:06:31,960
Speaker 1: bro yours too, where we learned all our game from me.

2982
03:06:32,040 --> 03:06:35,480
Speaker 1: Then you know, we moved on to Independence and then

2983
03:06:35,480 --> 03:06:38,039
Speaker 1: I went to Social Death. Shout out to Jermain Dupre,

2984
03:06:38,800 --> 03:06:41,440
Speaker 1: you know what I'm saying, and you know, just learning

2985
03:06:42,000 --> 03:06:45,959
Speaker 1: the game record bitsiness, you know what I'm saying, making

2986
03:06:46,000 --> 03:06:51,120
Speaker 1: that money, pressing your own units, up the signment, anything

2987
03:06:51,160 --> 03:06:52,680
Speaker 1: you gotta do to get them records out back in

2988
03:06:52,680 --> 03:06:54,840
Speaker 1: the day, Shout out to Tower Records back in the days.

2989
03:06:54,840 --> 03:06:57,199
Speaker 1: You know what I'm saying. Motherfuckers was everywhere.

2990
03:06:58,200 --> 03:07:02,120
Speaker 4: Let me ask a question, but can you answer the

2991
03:07:02,200 --> 03:07:03,840
Speaker 4: question first? What was your favorite label you used to

2992
03:07:03,840 --> 03:07:04,520
Speaker 4: affiliate anyway?

2993
03:07:04,760 --> 03:07:10,880
Speaker 1: Both and I remember you said that, yeah, Death Bro

2994
03:07:11,160 --> 03:07:12,440
Speaker 1: Andre you can't beat it.

2995
03:07:12,560 --> 03:07:12,640
Speaker 7: Now.

2996
03:07:12,760 --> 03:07:17,080
Speaker 2: Let me ask you a question, CAUs when all this

2997
03:07:17,240 --> 03:07:23,560
Speaker 2: ship was going on, you know, Nori was young seeing

2998
03:07:23,640 --> 03:07:26,640
Speaker 2: in we were the dp GK.

2999
03:07:26,840 --> 03:07:30,600
Speaker 1: What would you do? I was playing all my fucking records.

3000
03:07:32,600 --> 03:07:34,840
Speaker 1: I was, I was mixing dejails.

3001
03:07:34,959 --> 03:07:38,360
Speaker 2: You was doing all of that during the nineties, like

3002
03:07:38,560 --> 03:07:42,320
Speaker 2: ninety four ninety five Prime DJ.

3003
03:07:42,600 --> 03:07:44,400
Speaker 1: Yeah, that's your prime.

3004
03:07:44,920 --> 03:07:49,640
Speaker 5: Yeah, that's when I'm in Miama, coming out in Miami, Miami.

3005
03:07:49,800 --> 03:07:54,680
Speaker 1: Yeah. So let me I got the white labels of

3006
03:07:54,959 --> 03:08:01,320
Speaker 1: L ask this question, because you're the man. How does

3007
03:08:01,400 --> 03:08:03,760
Speaker 1: it feel to be the fucking man.

3008
03:08:05,760 --> 03:08:10,920
Speaker 2: Supporting these great guys that you're actually being around, because

3009
03:08:11,080 --> 03:08:16,039
Speaker 2: like Nori and Dazz and Corrupt, and during that time

3010
03:08:18,160 --> 03:08:24,680
Speaker 2: you was DJ and then supporting us, and now you

3011
03:08:24,920 --> 03:08:27,039
Speaker 2: have your own show with your boy.

3012
03:08:27,160 --> 03:08:30,360
Speaker 1: Right, You're absolutely right. How does that feel? It's crazy?

3013
03:08:30,560 --> 03:08:31,320
Speaker 1: Because it crazy.

3014
03:08:31,920 --> 03:08:33,960
Speaker 5: I'm just a first. I started as a just a

3015
03:08:34,080 --> 03:08:37,640
Speaker 5: fan and then I'm a DJ. I get my turntape.

3016
03:08:37,640 --> 03:08:39,720
Speaker 5: I couldn't afford turntable. I got turned.

3017
03:08:41,200 --> 03:08:41,440
Speaker 1: First.

3018
03:08:41,480 --> 03:08:45,000
Speaker 5: I had Geminis had I had the DJ Snorter Kid

3019
03:08:45,040 --> 03:08:50,640
Speaker 5: from the back of the Source magazine No Bell Drive,

3020
03:08:52,640 --> 03:08:54,800
Speaker 5: so I had and I thought I only was gonna

3021
03:08:54,840 --> 03:08:56,920
Speaker 5: have this many records. I said, I wish I could

3022
03:08:56,959 --> 03:08:59,879
Speaker 5: just feel my crate. If I could just feel my crate,

3023
03:09:00,480 --> 03:09:02,920
Speaker 5: I got it. I'm an L and then I went

3024
03:09:03,000 --> 03:09:06,280
Speaker 5: on to start making mixtapes and then the record label

3025
03:09:06,320 --> 03:09:08,760
Speaker 5: sending me records and start working for the record labels

3026
03:09:09,160 --> 03:09:09,800
Speaker 5: doing everything.

3027
03:09:10,480 --> 03:09:12,520
Speaker 1: This is this is this, listen, this is the thing

3028
03:09:12,560 --> 03:09:14,119
Speaker 1: about it. I'm gonna tell you about this situation.

3029
03:09:15,760 --> 03:09:19,680
Speaker 5: If you lose being a fan of the music of

3030
03:09:19,760 --> 03:09:23,600
Speaker 5: the culture, if you lose that, then you got no

3031
03:09:23,720 --> 03:09:24,840
Speaker 5: business being here.

3032
03:09:25,320 --> 03:09:28,760
Speaker 1: And give it up that I heard somebody you.

3033
03:09:28,800 --> 03:09:31,840
Speaker 5: Got no no, no, I'm saying, so sometimes I'll bring

3034
03:09:32,400 --> 03:09:34,320
Speaker 5: ving on this and that, like I got, I got

3035
03:09:34,360 --> 03:09:37,520
Speaker 5: all my artifacts. Man, it gives a fuck about this.

3036
03:09:38,520 --> 03:09:40,920
Speaker 5: If you don't give a fuck about this, then please

3037
03:09:41,280 --> 03:09:43,520
Speaker 5: leave out of here, get the fuck out the room.

3038
03:09:44,600 --> 03:09:47,039
Speaker 5: But I don't know, man, this is amazing to me. Man,

3039
03:09:47,160 --> 03:09:48,240
Speaker 5: like me and him.

3040
03:09:48,440 --> 03:09:49,880
Speaker 1: I had a store. I had a record store.

3041
03:09:49,920 --> 03:09:53,800
Speaker 5: I started a hip hop record store in in my

3042
03:09:53,920 --> 03:09:56,320
Speaker 5: neighborhood just to bring hip hop to my neighborhood.

3043
03:09:56,560 --> 03:09:58,240
Speaker 1: And he did an in store. And that's how we

3044
03:09:58,400 --> 03:10:02,200
Speaker 1: met be seven ninety eight. That's how we all met

3045
03:10:02,320 --> 03:10:05,480
Speaker 1: doing in stores. Yeah, and that's how we met.

3046
03:10:05,560 --> 03:10:08,640
Speaker 5: And we never stopped messing with each other, and that's

3047
03:10:08,680 --> 03:10:09,480
Speaker 5: how we're here today.

3048
03:10:09,720 --> 03:10:11,200
Speaker 1: That was the greatest thing back in the day is

3049
03:10:11,240 --> 03:10:14,880
Speaker 1: the one stops I'm going to different cities like that,

3050
03:10:15,080 --> 03:10:17,400
Speaker 1: going to the one stops, and then everybody be in

3051
03:10:17,480 --> 03:10:19,480
Speaker 1: there waiting for it, you know what I'm saying. And

3052
03:10:19,520 --> 03:10:21,400
Speaker 1: then that's how you getting, you know, to town like that,

3053
03:10:21,520 --> 03:10:23,720
Speaker 1: you know what I'm saying. And then that's how we

3054
03:10:23,800 --> 03:10:26,400
Speaker 1: know about the independent game. Press your records up and

3055
03:10:26,480 --> 03:10:27,520
Speaker 1: go to them one stops.

3056
03:10:27,879 --> 03:10:29,760
Speaker 5: But hold up real quick, I just want to go

3057
03:10:29,840 --> 03:10:31,000
Speaker 5: back to everything we're talking about.

3058
03:10:31,040 --> 03:10:31,120
Speaker 11: Lot.

3059
03:10:31,280 --> 03:10:32,480
Speaker 5: At the end of the day, I think even for

3060
03:10:32,560 --> 03:10:37,360
Speaker 5: you guys, we stop being fans of what we do. Yeah,

3061
03:10:37,360 --> 03:10:41,600
Speaker 5: you're right, fans of our legends, fans of the culture.

3062
03:10:41,920 --> 03:10:44,560
Speaker 5: Then the culture loses, you lose it all because what

3063
03:10:44,640 --> 03:10:46,600
Speaker 5: happens is there's a point where everybody's like, we too

3064
03:10:46,680 --> 03:10:49,600
Speaker 5: cool to be fans. I can't be a fan no more.

3065
03:10:49,640 --> 03:10:54,280
Speaker 5: I'm big, I ain't ship the biggest. A lot of

3066
03:10:54,320 --> 03:10:56,800
Speaker 5: people do that. That's what That's what started to happen.

3067
03:10:57,760 --> 03:10:59,240
Speaker 5: I mean, I can't tell you who. I'm just saying

3068
03:10:59,280 --> 03:11:02,879
Speaker 5: that the the culture became outside of the culture became mad.

3069
03:11:03,280 --> 03:11:05,080
Speaker 4: Well you know, you know you know who I ask

3070
03:11:05,200 --> 03:11:09,240
Speaker 4: you for your Instagram Instagram may every Instagram is not

3071
03:11:09,320 --> 03:11:09,600
Speaker 4: a who.

3072
03:11:09,720 --> 03:11:11,039
Speaker 1: That's everyone made.

3073
03:11:11,040 --> 03:11:14,600
Speaker 2: Everyone think today, star, Let me tell everyone. Let me

3074
03:11:14,800 --> 03:11:18,400
Speaker 2: just tell you something. Let me tell you something, big bro. Okay,

3075
03:11:19,800 --> 03:11:27,000
Speaker 2: you don't, Okay, you don't and you don't and I don't.

3076
03:11:28,000 --> 03:11:41,320
Speaker 2: We got four? Who else is relevant? Who else is relevant?

3077
03:11:44,600 --> 03:12:00,760
Speaker 1: This is ours? I'm just saying, No, it's time to

3078
03:12:00,879 --> 03:12:01,920
Speaker 1: deal with reality.

3079
03:12:02,080 --> 03:12:02,280
Speaker 13: Man.

3080
03:12:02,760 --> 03:12:07,080
Speaker 20: It starts with us, because why y'all let these people

3081
03:12:07,520 --> 03:12:13,840
Speaker 20: just were not No one cares, but everybody who cares.

3082
03:12:14,760 --> 03:12:16,000
Speaker 20: That's why we're here right now.

3083
03:12:16,320 --> 03:12:18,520
Speaker 2: And you know what, I'm not a bad guy and

3084
03:12:18,640 --> 03:12:20,840
Speaker 2: I ain't mad at nobody else. They ain't did nothing

3085
03:12:20,879 --> 03:12:25,680
Speaker 2: wrong to me. But I tell you this much, I

3086
03:12:25,840 --> 03:12:30,760
Speaker 2: think Norwy has more relevancy questions he wants to talk

3087
03:12:30,800 --> 03:12:34,560
Speaker 2: to us about besides what we're talking about.

3088
03:12:34,920 --> 03:12:37,360
Speaker 1: No, I love it.

3089
03:12:38,600 --> 03:12:41,280
Speaker 4: I love it because you know what you know, you know,

3090
03:12:41,440 --> 03:12:45,800
Speaker 4: the point is the point we love. The point is

3091
03:12:45,879 --> 03:12:47,800
Speaker 4: to give you all your flowers for what y'all did then.

3092
03:12:48,080 --> 03:12:51,120
Speaker 4: But the real point is today is to give y'all

3093
03:12:51,120 --> 03:12:54,959
Speaker 4: flowers for what y'all did for this new album right now.

3094
03:12:55,400 --> 03:12:58,280
Speaker 3: That's right now, because what do they say?

3095
03:12:58,720 --> 03:13:01,879
Speaker 1: You know, well, have you done for me lately? Eddie?

3096
03:13:02,360 --> 03:13:03,800
Speaker 1: You know what I mean? And that's how what the

3097
03:13:03,879 --> 03:13:05,760
Speaker 1: hip hop is. But I'd like to say hip hop,

3098
03:13:05,800 --> 03:13:08,200
Speaker 1: you're on the greatest. Your last word and this.

3099
03:13:08,480 --> 03:13:11,080
Speaker 3: Your last work right now is a motherfucking man.

3100
03:13:13,879 --> 03:13:17,800
Speaker 1: It's well, it's always a pleasure to be here.

3101
03:13:18,640 --> 03:13:26,760
Speaker 4: Thank you, and you got your flowers, y'all. Continue to

3102
03:13:26,840 --> 03:13:29,920
Speaker 4: be motherfucking great. We're gonna finish this yet, parking.

3103
03:13:31,040 --> 03:13:35,440
Speaker 2: Let's take let me just say wait, let me just

3104
03:13:35,560 --> 03:13:40,560
Speaker 2: say this one thing, right, I'm gonna just say I've

3105
03:13:40,600 --> 03:13:47,040
Speaker 2: been trying to a big word, keep my uh compostreate,

3106
03:13:49,040 --> 03:13:55,280
Speaker 2: cop cool all together. And every time I get with

3107
03:13:55,520 --> 03:14:00,800
Speaker 2: my brother Nori, okay, and and dadd get with Nori,

3108
03:14:01,600 --> 03:14:03,800
Speaker 2: and we get with the f and next thing, you

3109
03:14:03,959 --> 03:14:08,119
Speaker 2: know is like fucking we go to the Boonie docs.

3110
03:14:08,240 --> 03:14:13,040
Speaker 1: Okay, And I just want to say I love you all. Okay,

3111
03:14:14,879 --> 03:14:20,640
Speaker 1: drink bench and shut the fuck up. But let's take

3112
03:14:20,720 --> 03:14:23,080
Speaker 1: focused and make sure they know that May thirty, first

3113
03:14:24,800 --> 03:14:27,320
Speaker 1: thirty first, this promo for this will be out before

3114
03:14:27,440 --> 03:14:27,920
Speaker 1: May thirty.

3115
03:14:34,879 --> 03:14:37,600
Speaker 4: And let me just say something again, Let me reiterate,

3116
03:14:38,240 --> 03:14:41,240
Speaker 4: Let me reiterate. A lot of people always critique artists

3117
03:14:41,280 --> 03:14:45,200
Speaker 4: for being the CEOs, and Snoop Dogg is showing you right,

3118
03:14:45,280 --> 03:14:48,840
Speaker 4: now how important it is to be an artist and

3119
03:14:49,000 --> 03:14:52,720
Speaker 4: a CEO. He is enjoying it. He is behind his crew,

3120
03:14:53,160 --> 03:14:54,920
Speaker 4: he is hitting people himself.

3121
03:14:55,720 --> 03:14:57,039
Speaker 1: He is being the.

3122
03:14:57,440 --> 03:15:00,600
Speaker 4: Quite quitt essential person that you supposed to be as

3123
03:15:00,640 --> 03:15:01,000
Speaker 4: the CEO.

3124
03:15:01,720 --> 03:15:03,400
Speaker 3: I personally salute, what are you snoop dogg?

3125
03:15:06,160 --> 03:15:11,240
Speaker 1: You gotta parking lot, That's what come up called, yo man?

3126
03:15:11,360 --> 03:15:14,440
Speaker 23: Thank you'll come up shot in the night.

3127
03:15:19,040 --> 03:15:23,080
Speaker 1: One? Come on? Oh got it shut.

3128
03:15:29,560 --> 03:15:32,879
Speaker 5: Drink Champs is a drink Champs ll C production hosts

3129
03:15:32,920 --> 03:15:35,760
Speaker 5: and executive producers n O r E and d j

3130
03:15:36,000 --> 03:15:36,520
Speaker 5: e f FN.

3131
03:15:37,680 --> 03:15:38,760
Speaker 1: Listen to Drink Champs on.

3132
03:15:38,840 --> 03:15:43,760
Speaker 5: Apple Podcast, Amazon Music, Spotify, or wherever you get your podcasts.

3133
03:15:44,879 --> 03:15:47,280
Speaker 5: Thanks for joining us for another episode of Drink Champs

3134
03:15:47,360 --> 03:15:49,720
Speaker 5: hosted by yours truly, d j e f N and

3135
03:15:49,920 --> 03:15:52,000
Speaker 5: n O r E. Please make sure to follow us

3136
03:15:52,000 --> 03:15:55,240
Speaker 5: on all our socials That's at drink Champs across all platforms,

3137
03:15:55,760 --> 03:15:59,279
Speaker 5: at the Real Noria on, I g at Noriega on Twitter,

3138
03:15:59,680 --> 03:16:03,080
Speaker 5: minus at Who's Crazy on I g at dj e

3139
03:16:03,280 --> 03:16:05,600
Speaker 5: f N on Twitter, and most importantly, stay up to

3140
03:16:05,680 --> 03:16:09,000
Speaker 5: date with the latest releases, news and merch by going

3141
03:16:09,040 --> 03:16:10,520
Speaker 5: to drink Champs dot com