WEBVTT - Part One: Behind the Swastika

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<v Speaker 1>H what trafficking? But no, wait, Sophie, we can't uh,

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<v Speaker 1>we can't. We can't open like that, can we?

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<v Speaker 2>No, that's not what are you even attempting to do

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<v Speaker 2>right now?

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<v Speaker 1>Well? You know how like you know how like back

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<v Speaker 1>in like the sixties, you'd be like if you were

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<v Speaker 1>like getting up on the stage, you're gonna be like

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<v Speaker 1>a beat poet or somebody be like, what's up children,

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<v Speaker 1>like something like that. You know, I was gonna be like,

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<v Speaker 1>what's trafficking my children? But that's not a good introduction.

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<v Speaker 2>Terrible introduction.

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<v Speaker 1>It's a terrible introduction.

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<v Speaker 3>I mean, I like, conceptually, I like that vibe for you,

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<v Speaker 3>but yeah, but the execution was not there.

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<v Speaker 1>I'm sorry because you and I are both big, big

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<v Speaker 1>into beat poetry.

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<v Speaker 2>That is things that people know about us.

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<v Speaker 1>That is what Yeah classic, yeah, big big beat. Anyway,

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<v Speaker 1>this is Behind the Bastards, podcast about the worst people

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<v Speaker 1>in all of history, one of whom is me for today? Yeah,

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<v Speaker 1>that introduction, And to distract from my incompetence, we have

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<v Speaker 1>a wonderful guest today, Chelsea Weber Smith. Chelsea, you are

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<v Speaker 1>the host of American Hysteria, a podcast about how fantastical

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<v Speaker 1>thing has shaped our culture. You deal with a lot

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<v Speaker 1>of stuff like hoaxes and moral panics, which is just

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<v Speaker 1>a wonderful premise for a show. How are you doing today, Chelsea.

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<v Speaker 4>I'm doing great. Thank you so much to you both

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<v Speaker 4>for having me. I'm really excited.

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<v Speaker 2>That was a really professional introduction.

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<v Speaker 3>I just want to say when I met Chelsea, I

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<v Speaker 3>met Melsea in person. It was like a week before

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<v Speaker 3>Lauren Lauren. How do we describe Lauren? Lauren?

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<v Speaker 4>Yeah, Lauren is somebody who does a lot of like

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<v Speaker 4>pr stuff for us.

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<v Speaker 5>Lauren's like, really the patron saint of podcast.

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<v Speaker 3>Yeah, Lauren's like yeah, yeah, Lauren's Lauren reached out to

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<v Speaker 3>I was like, I want to get Lauren. Lauren deserves

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<v Speaker 3>all the credit. I want to get Lauren's proper introduction.

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<v Speaker 3>It was like, do you want to have this person

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<v Speaker 3>on your podcast? I was like sure. And then a

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<v Speaker 3>week later I was at a very strange bar with

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<v Speaker 3>our mutual friend Sarah Marshall, and I met Chelsea likes

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<v Speaker 3>several jello shots and it was great.

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<v Speaker 2>It was such a good.

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<v Speaker 5>Time, complete like happenstance, not brand.

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<v Speaker 4>You've just seen the Wickerman, which Sarah has been obsessed

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<v Speaker 4>with and we all see trafficking.

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<v Speaker 5>Yeah, I love the Wickerman was very cool.

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<v Speaker 1>Wait, wait, which one Nicholas Cage the original? Okay, okay, okay, good.

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<v Speaker 3>Anoint the They're actually both charming in their own ways.

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<v Speaker 1>Things to recommend both well. Chelsea. First off, welcome to

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<v Speaker 1>the show. Sorry I introduced it with a child trafficking bit.

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<v Speaker 1>More to the point, I want to ask you a

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<v Speaker 1>question that I ask all of my friends, all my

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<v Speaker 1>family members, kids at the playground near my house. How

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<v Speaker 1>do you feel about swastika's?

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<v Speaker 5>I feel bad about them, bad.

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<v Speaker 1>Bad about swastika's.

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<v Speaker 4>Okay, I generally don't like seeing them. I don't like

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<v Speaker 4>hearing about them being seen anti swastika here, have.

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<v Speaker 1>You ever in the world seen a swastika that was like,

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<v Speaker 1>definitely not a Nazi swastika?

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<v Speaker 2>Hmm?

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<v Speaker 4>Do you mean sort of perhaps like an attempt to

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<v Speaker 4>shock by a teenager.

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<v Speaker 1>No, I mean that that is also a thing that happens.

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<v Speaker 1>But I mean, what do you know about the origins

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<v Speaker 1>of the swastika pre oh, okay, Hitler, et cetera.

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<v Speaker 4>I know, I know, sort of the cliche answer of

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<v Speaker 4>that it was originally I believe an Indian symbol of

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<v Speaker 4>something like good luck.

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<v Speaker 5>Is that true? Is that right?

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<v Speaker 1>It is? It is a Hindu symbol, it's also a

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<v Speaker 1>Buddhist symbol. It actually goes back much further than that.

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<v Speaker 1>So that's that's what we're talking about today. The working

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<v Speaker 1>title of this week's episodes are What's Up with Swastikas?

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<v Speaker 1>Because obviously this is behind the Bastards, So we're going

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<v Speaker 1>behind the Nazis by talking about the origins of the swastikas,

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<v Speaker 1>how it became a symbol for the Nazis. But also

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<v Speaker 1>when we're talking about the swastika, we're talking about like

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<v Speaker 1>a religious symbol that goes back real far. And so

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<v Speaker 1>the fact that it's primarily most people have the same

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<v Speaker 1>reaction you have, which is like swasika, that's like the

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<v Speaker 1>Nazi thing, which causes problems for people for whom it's

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<v Speaker 1>like an old a religious symbol that goes back a

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<v Speaker 1>long time. So that's that's what we're going to talk

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<v Speaker 1>about this week because there's a lot of history here

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<v Speaker 1>that most people are unaware of. So, yeah, are you

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<v Speaker 1>ready to learn all about swastika's?

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<v Speaker 5>I have never been more ready in my life.

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<v Speaker 1>That's good.

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<v Speaker 5>I'm buckled in.

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<v Speaker 1>It would be probably kind of problematic if you had

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<v Speaker 1>been just shamp it at the bit and learn about swastika.

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<v Speaker 3>I was.

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<v Speaker 1>That's why I read a book.

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<v Speaker 5>You know, I do read books about World War Two

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<v Speaker 5>a lot.

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<v Speaker 1>So yeah, yeah, yeah. The big idea, like.

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<v Speaker 4>It's kind of this kind of history, and it's so

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<v Speaker 4>important to know the origins of things, because you can't

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<v Speaker 4>understand the thing unless you understand the thing it came

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<v Speaker 4>out of.

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<v Speaker 1>All right, well, let's let's go back in time. Everyone

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<v Speaker 1>can imagine your your particular favorite time machine noise, and

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<v Speaker 1>we're we're going back way back to the mid nineteen thirties. Okay,

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<v Speaker 1>it's a rough period for all Homo sapiens. Hitler has

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<v Speaker 1>just risen to power in Germany. He started the process

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<v Speaker 1>of crushing his enemies, which obviously includes everyone in the

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<v Speaker 1>country who is of Jewish ancestry. He introduces the Nuremberg

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<v Speaker 1>Laws and I think nineteen thirty five, which bring international

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<v Speaker 1>attention to a growing stream of outrages that are going

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<v Speaker 1>to culminate in the Holocaust. And while all this is

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<v Speaker 1>happening over in Mount Laurel, New Jersey, the congregants of

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<v Speaker 1>the Adath emmanual synagogue watch in stultified horror is Hitler's

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<v Speaker 1>bigotry empowers anti Semites across the globe like many Ds

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<v Speaker 1>for a Jews, they raise money to help their relatives

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<v Speaker 1>immigrate from Europe. They write furious letters to newspapers ignoring

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<v Speaker 1>Hitler's crimes. And you know, they worry more than anything else, right,

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<v Speaker 1>which is understandable. You know, how much further will this

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<v Speaker 1>hate spread? Are they safe even in New Jersey? And

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<v Speaker 1>while they're coping with all this, which is a lot

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<v Speaker 1>to have on your mind, your conscience, one of their

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<v Speaker 1>congregants notices something during a service, which is that in

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<v Speaker 1>the vestibule of their synagogue there's a mosaic, a beautiful

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<v Speaker 1>handmade mosaic that features dozens and dozens and dozens of swastikas.

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<v Speaker 1>Now this is obviously a problem, right, you don't want

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<v Speaker 1>to have that in your synagogue in the nineteen thirties,

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<v Speaker 1>and after a quick discussion, they decide to pave the

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<v Speaker 1>swastikas out. Fast forward about one hundred years, you know,

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<v Speaker 1>you have World War Two, all that that horrible stuff happens.

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<v Speaker 1>You know, the rebuilding process occurs afterwards, you know, life

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<v Speaker 1>goes on, and on December fifth, twenty twenty one, for

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<v Speaker 1>the first time in like ninety years or so, the

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<v Speaker 1>Adath Emmanual Synagogue finds itself again with a swastika near

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<v Speaker 1>the vestibule. Now this one had been applied by a

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<v Speaker 1>sticker wielded by some unknown Nazi who adds in writing

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<v Speaker 1>the message we are everywhere. Now that's a chilling, horrifying,

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<v Speaker 1>depressing story. But in between those two incidents, the the

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<v Speaker 1>swastikas that had been placed inside the vestibule of the

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<v Speaker 1>synagogue long before the rise of Hitler, and the swastika

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<v Speaker 1>added there in the twenty twenties by a Nazi. In

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<v Speaker 1>between those two incidents is a really fascinating and strange story,

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<v Speaker 1>and that's what we're going to be talking about today.

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<v Speaker 1>Unlike a lot of you know, the swastika is almost

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<v Speaker 1>certainly the most well known hate symbol in the world.

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<v Speaker 1>But unlike a lot of other particularly famous hate symbols,

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<v Speaker 1>the Confederate flag, for example, the Klansman's hood, the SS

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<v Speaker 1>lightning bolts, the swastika is not in and of itself problematic.

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<v Speaker 1>And what I mean by that is the swastika was

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<v Speaker 1>not created as a symbol of hate. It was turned

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<v Speaker 1>into one later. And one of the things that you understand,

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<v Speaker 1>like you start to learn when you look into this,

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<v Speaker 1>is that not only is the swastika something that predates

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<v Speaker 1>the Nazis, it may be one of, if not the

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<v Speaker 1>oldest complex symbols created by human beings. Now there's a

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<v Speaker 1>lot of debate about this. Scholarship over the swastika has

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<v Speaker 1>invited vigorous debate for very obvious reasons, over both the

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<v Speaker 1>geographic and the temporal nature of its origins. When it

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<v Speaker 1>comes to the word itself, we do have a lot

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<v Speaker 1>clearer of an origin. We know exactly where the word

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<v Speaker 1>swastika came from, and its origins are Sanskrit, and it

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<v Speaker 1>does mean, as you noted, well being, good luck, and fortune.

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<v Speaker 1>That is like the meaning of the word swastika. And

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<v Speaker 1>in fact, the first recorded instance of the word swastika

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<v Speaker 1>predates the first recorded instance of the symbol swastika in

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<v Speaker 1>the Mdus Valley, right so in you know, India, that

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<v Speaker 1>kind of region. The word swastika seems to predate the

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<v Speaker 1>actual use of the symbol. This is again, whenever you're

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<v Speaker 1>talking about stuff that's old, the dates are kind of fluid.

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<v Speaker 1>But best sort of assumption is that like around the

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<v Speaker 1>fourth millennium BCE is when the swastika first shows up

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<v Speaker 1>in the Indus Valley, right, So that's pretty old, you know.

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<v Speaker 2>Yeah, I feel like this.

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<v Speaker 3>I don't know, Chelsea, I feel like this is not

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<v Speaker 3>something like if you hearing it's one of the old

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<v Speaker 3>symbols ever created by human beings.

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<v Speaker 2>Was not something I knew.

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<v Speaker 5>No, no, I did not expect that at all.

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<v Speaker 4>I've been reading a lot of books lately about kind

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<v Speaker 4>of the origins of the conception of God, which includes

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<v Speaker 4>like so much religious symbolism, and this feels like right

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<v Speaker 4>right in my interests right now, and I'm so excited

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<v Speaker 4>about this, And we'll talk.

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<v Speaker 1>A little bit later about why. But there there were

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<v Speaker 1>starting kind of the eighteen hundreds, which is when scholarship

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<v Speaker 1>around the swastika and kind of the modern recognized sense

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<v Speaker 1>of the word really starts, there was a belief among

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<v Speaker 1>some anthropologists that it was probably the oldest complex symbol,

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<v Speaker 1>the oldest symbol that's not just a simple shape, right,

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<v Speaker 1>you know, you see the sun, you draw a circle

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<v Speaker 1>or whatever, but like the oldest complex shape. There's no

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<v Speaker 1>way to prove that right, that's an absolutely unprovable just

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<v Speaker 1>because of the age of everything involved here. But there's

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<v Speaker 1>not really anything that's like a clearer like like bet

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<v Speaker 1>for the oldest symbol. By the way, we're talking about

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<v Speaker 1>like this within the context of the swastika arising in

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<v Speaker 1>the fourth millennium BCE in the Indus Valley. It goes

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<v Speaker 1>back way further than that now for a long time.

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<v Speaker 1>And most people, if you ask, most people who are

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<v Speaker 1>kind of casually familiar, they say, oh, yeah, it was

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<v Speaker 1>a symbol in India right well before the Nazis picked

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<v Speaker 1>it up. That is not the oldest recorded instance of

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<v Speaker 1>the use of the swastika. And I'm going to quote

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<v Speaker 1>now from an article in the BBC. If you want

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<v Speaker 1>to see just how deeply rooted the swastika pattern is

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<v Speaker 1>in Europe, a good place to start is Kiev, where

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<v Speaker 1>the National Museum of the History of Ukraine has an

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<v Speaker 1>impressive range of exhibits. Among the museum's most highly prized

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<v Speaker 1>treasures is a small ivory figurine of a female bird

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<v Speaker 1>made from the tusk of a mammoth. It was found

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<v Speaker 1>in nineteen oh eight at the Paleolithic settlement of Mizine

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<v Speaker 1>near the Russian border. On the torso of the bird

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<v Speaker 1>is engraved an intricate meander pattern of joined up swastikas.

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<v Speaker 1>It is the oldest identified swastika pattern in the world

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<v Speaker 1>and has been radiocarbon dated to an astonishing fifth teen

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<v Speaker 1>thousand years ago. Whoa, So we were making swastikas way

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<v Speaker 1>before we had cities, right Like, there's yeah, like, this

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<v Speaker 1>is an ancient, ancient symbol. It was found with a

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<v Speaker 1>bunch of phallic a bunch of dicks, right like, it

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<v Speaker 1>was found with a bunch of dicks, because it's a

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<v Speaker 1>fertility symbol. You know, you see that kind of stuff

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<v Speaker 1>all over the world. Now, I think people might expect

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<v Speaker 1>us to given the present war in Ukraine and the

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<v Speaker 1>fact that both Ukraine and Russia have serious problems with

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<v Speaker 1>far right neo Nazi combat organizations, you might expect us

0:11:30.280 --> 0:11:32.440
<v Speaker 1>to go into that here, but it's not really relevant.

0:11:32.480 --> 0:11:35.079
<v Speaker 1>We're talking fifteen thousand years ago, so one way or

0:11:35.120 --> 0:11:38.400
<v Speaker 1>the other, it has nothing to do with the present

0:11:38.559 --> 0:11:41.760
<v Speaker 1>issues with the far right in that part of the world. Again,

0:11:41.800 --> 0:11:43.880
<v Speaker 1>this is it like predates the First City by like

0:11:43.920 --> 0:11:47.920
<v Speaker 1>five thousand years and despite the shocking age of the

0:11:48.000 --> 0:11:51.679
<v Speaker 1>Ukrainian swastik is. This does not mean that they originate,

0:11:51.760 --> 0:11:55.160
<v Speaker 1>that the symbol itself was first used near Kiev or

0:11:55.160 --> 0:11:58.559
<v Speaker 1>any you know, anywhere in that region, Because there's a

0:11:58.600 --> 0:12:01.320
<v Speaker 1>fascinating theory, and I was completely unaware of this until

0:12:01.360 --> 0:12:04.320
<v Speaker 1>I started doing my research as to where the swastika

0:12:04.400 --> 0:12:08.640
<v Speaker 1>came from. Now, again, when scholarship around the swastika starts

0:12:08.640 --> 0:12:11.240
<v Speaker 1>in kind of the eighteen hundreds, one of the assumptions

0:12:11.280 --> 0:12:13.199
<v Speaker 1>is that, and this is going to play into the

0:12:13.280 --> 0:12:16.880
<v Speaker 1>Nazis later, it has to have started at a single place.

0:12:17.040 --> 0:12:17.240
<v Speaker 4>Right.

0:12:17.600 --> 0:12:21.000
<v Speaker 1>The idea that these anthropologists have is the swastika is

0:12:21.040 --> 0:12:24.120
<v Speaker 1>so complicated, such a complex symbol, it can't have arisen

0:12:24.200 --> 0:12:26.280
<v Speaker 1>in multiple places simultaneously.

0:12:26.360 --> 0:12:26.560
<v Speaker 3>Right.

0:12:26.800 --> 0:12:29.440
<v Speaker 1>It must have been originated by us at one place

0:12:29.760 --> 0:12:32.360
<v Speaker 1>and then carried over to the rest of the world. Now,

0:12:32.360 --> 0:12:34.280
<v Speaker 1>this happens to gel with a lot of theories at

0:12:34.280 --> 0:12:37.359
<v Speaker 1>the time about like this kind of Atlantis super civilization

0:12:37.559 --> 0:12:41.640
<v Speaker 1>that's seed in culture and whatnot. This is probably not

0:12:41.760 --> 0:12:45.840
<v Speaker 1>the case. The swastika probably arose independently in a number

0:12:45.880 --> 0:12:49.280
<v Speaker 1>of parts of the world, and the kind of best

0:12:49.280 --> 0:12:52.240
<v Speaker 1>explanation as to how came in nineteen sixty five from

0:12:52.280 --> 0:12:56.320
<v Speaker 1>a paleontologist named Valentina Bibikova, who was looking at this

0:12:56.520 --> 0:13:00.920
<v Speaker 1>Ukrainian piece of art with swastikas in it, depositive that

0:13:01.280 --> 0:13:05.000
<v Speaker 1>a probable origin for the symbol itself is the actual

0:13:05.120 --> 0:13:08.840
<v Speaker 1>structure of mammoth ivory, because when you cut mammoth ivory

0:13:08.920 --> 0:13:13.000
<v Speaker 1>into cross sections, there's a naturally occurring pattern within the

0:13:13.040 --> 0:13:16.400
<v Speaker 1>ivory that looks kind of like a swastika. And that

0:13:16.480 --> 0:13:19.720
<v Speaker 1>could explain very easily why there's variations of the same

0:13:19.760 --> 0:13:21.720
<v Speaker 1>symbol all over the world. It was people hunting that

0:13:21.760 --> 0:13:23.959
<v Speaker 1>and other kind of animals with ivory that might make

0:13:23.960 --> 0:13:25.800
<v Speaker 1>a similar pattern in the cross sections.

0:13:25.840 --> 0:13:26.839
<v Speaker 5>Wow, that's so cool.

0:13:27.000 --> 0:13:28.880
<v Speaker 1>That's yeah, I have no idea about this, isn't.

0:13:28.679 --> 0:13:32.320
<v Speaker 4>That I was thinking of like a collective consciousness, like

0:13:32.360 --> 0:13:34.120
<v Speaker 4>if we were a little bit far out into like

0:13:34.160 --> 0:13:39.240
<v Speaker 4>a Youngian universe like these some sort of primordial symbol

0:13:39.320 --> 0:13:42.400
<v Speaker 4>being expressed in different places. But what you said sounds

0:13:42.400 --> 0:13:43.280
<v Speaker 4>a little bit more polive.

0:13:43.320 --> 0:13:45.880
<v Speaker 1>Bunch of a bunch of ladies and dudes fucking around

0:13:45.880 --> 0:13:46.960
<v Speaker 1>with bones for a.

0:13:46.880 --> 0:13:50.800
<v Speaker 4>Long time, being like this represents the bones, which represents

0:13:50.800 --> 0:13:52.160
<v Speaker 4>the animal which I want to eat.

0:13:52.280 --> 0:13:55.200
<v Speaker 1>So it's everything And again you got to think about

0:13:55.240 --> 0:13:58.480
<v Speaker 1>like what sort of options people have for entertainment at

0:13:58.520 --> 0:14:00.480
<v Speaker 1>the time. We often say this, but Bone were the

0:14:00.520 --> 0:14:05.520
<v Speaker 1>original podcast. Oh yeah, you know it is no yeah, yeah, yeah,

0:14:05.840 --> 0:14:09.000
<v Speaker 1>just a fact. Yeah, this brings me to our sponsors

0:14:09.040 --> 0:14:12.600
<v Speaker 1>for this week, Bone Box. Just a lot of Honestly,

0:14:12.679 --> 0:14:14.760
<v Speaker 1>it's just a bunch of illegal livery. You will get

0:14:14.800 --> 0:14:17.200
<v Speaker 1>in a lot of trouble if that's catch you ordering.

0:14:17.480 --> 0:14:21.960
<v Speaker 3>I believe I believe the month first Barbie was carved

0:14:22.040 --> 0:14:23.160
<v Speaker 3>out of mammoth bone.

0:14:24.720 --> 0:14:25.960
<v Speaker 5>Yeah, that's absolutely true.

0:14:26.000 --> 0:14:29.720
<v Speaker 4>We just did a whole episode on Barbie and yeah yeah.

0:14:29.440 --> 0:14:33.320
<v Speaker 1>By Greta Gerwick. She actually goes back about fifteen thousand

0:14:33.360 --> 0:14:34.640
<v Speaker 1>years too. People don't know this.

0:14:34.880 --> 0:14:39.400
<v Speaker 5>She's actually a mortal. Yeah, yes, she continues to prove it.

0:14:39.560 --> 0:14:42.880
<v Speaker 3>And for those keeping track, it did take us only

0:14:42.920 --> 0:14:44.560
<v Speaker 3>fifteen minutes to make a Barbie reference.

0:14:44.600 --> 0:14:46.080
<v Speaker 2>You're welcome, that's right.

0:14:46.240 --> 0:14:47.800
<v Speaker 5>Right, we know what the people want.

0:14:48.920 --> 0:14:54.440
<v Speaker 1>The origin of all human culture, So yeah, I think

0:14:54.440 --> 0:14:57.160
<v Speaker 1>that's really interesting. Rather than kind of have being transferred

0:14:57.200 --> 0:15:01.280
<v Speaker 1>all obviously, cultural exchange happens too. People take their swastikas

0:15:01.320 --> 0:15:03.840
<v Speaker 1>and they conquer or move to other parts of the world,

0:15:03.880 --> 0:15:05.880
<v Speaker 1>and that spreads it as well. It's not just one thing,

0:15:05.920 --> 0:15:09.200
<v Speaker 1>but it's very likely that multiple different parts of the

0:15:09.240 --> 0:15:14.040
<v Speaker 1>world kind of arrive at the swastika independently. One noteworthy

0:15:14.080 --> 0:15:16.400
<v Speaker 1>example of the use of the symbol comes from the

0:15:16.440 --> 0:15:19.400
<v Speaker 1>Akan people of Ghana, who used it in their gold

0:15:19.440 --> 0:15:22.680
<v Speaker 1>weights at around fourteen hundred a d. You can find

0:15:22.720 --> 0:15:26.080
<v Speaker 1>some photos of these online and they look like Nazi gold, right,

0:15:26.120 --> 0:15:28.560
<v Speaker 1>Like look that you would guess that's probably like some

0:15:28.640 --> 0:15:32.280
<v Speaker 1>stolen Nazi gold, But these predate the Nazis by you know,

0:15:32.360 --> 0:15:37.480
<v Speaker 1>five hundred something years. Fascinating, right, so fascinating, yeah, yeah,

0:15:37.520 --> 0:15:39.400
<v Speaker 1>and it is kind of we'll be talking about this.

0:15:39.520 --> 0:15:41.720
<v Speaker 1>But it also the fact that when you see this

0:15:41.840 --> 0:15:44.200
<v Speaker 1>you immediately are like, oh, that's some stolen Nazi gold

0:15:44.800 --> 0:15:48.560
<v Speaker 1>does point to how potent the symbol remains as a

0:15:48.800 --> 0:15:51.480
<v Speaker 1>symbol of evil too, just like because of you know,

0:15:52.840 --> 0:15:57.560
<v Speaker 1>dem Nazis. But yeah, So in eighteen ninety four, a

0:15:57.600 --> 0:16:00.360
<v Speaker 1>historian named Thomas Wilson wrote one of the it might

0:16:00.360 --> 0:16:04.040
<v Speaker 1>have been the first modern histories of the swastika, attempting

0:16:04.080 --> 0:16:07.040
<v Speaker 1>to use kind of modern historiography and scientific method to

0:16:07.080 --> 0:16:10.400
<v Speaker 1>determine where it came from. And it was Thomas Wilson,

0:16:10.400 --> 0:16:12.960
<v Speaker 1>who first made the claim that the swastika was quote

0:16:12.960 --> 0:16:16.880
<v Speaker 1>probably the first symbol made with definite intention in human history.

0:16:17.440 --> 0:16:20.120
<v Speaker 1>By this, he means not just a representative image, but

0:16:20.160 --> 0:16:23.120
<v Speaker 1>one that was passed from person to person, tribe to tribe,

0:16:23.120 --> 0:16:28.000
<v Speaker 1>and traveled intentionally with meaning intact across cultures. There is

0:16:28.080 --> 0:16:31.240
<v Speaker 1>no way of proving this, and it seems like Wilson,

0:16:31.360 --> 0:16:33.000
<v Speaker 1>it's probably fair to say now he was coming on

0:16:33.080 --> 0:16:36.640
<v Speaker 1>a little strong, but it's not too much to say

0:16:36.640 --> 0:16:38.200
<v Speaker 1>that the swastika would have been one of the first

0:16:38.200 --> 0:16:40.760
<v Speaker 1>symbols to spread around the world. And there is some

0:16:40.960 --> 0:16:44.440
<v Speaker 1>mystery as to why. While these symbols presence in Southeast Asia,

0:16:44.480 --> 0:16:47.680
<v Speaker 1>Eastern Europe, and North Africa can be explained via the

0:16:47.720 --> 0:16:51.200
<v Speaker 1>known and documented patterns of trade, really kind of the

0:16:51.200 --> 0:16:54.760
<v Speaker 1>only way to just like it's also been found as

0:16:54.800 --> 0:16:57.200
<v Speaker 1>we're going to talk about all over the Americas. And

0:16:57.200 --> 0:16:59.960
<v Speaker 1>this is why I started by talking about that piece

0:17:00.040 --> 0:17:02.560
<v Speaker 1>of mammoth ivory, because this is really the only explanation,

0:17:02.760 --> 0:17:05.760
<v Speaker 1>right like there was not people were not like walking

0:17:06.280 --> 0:17:09.600
<v Speaker 1>from Kiev to or the location of modern day Kiev

0:17:09.760 --> 0:17:13.439
<v Speaker 1>to North America fifteen thousand years ago. From what we

0:17:13.560 --> 0:17:16.719
<v Speaker 1>can tell people indigenous people in the Americas who were

0:17:16.760 --> 0:17:19.840
<v Speaker 1>here much longer than that, we're using swastika's much further

0:17:19.880 --> 0:17:22.840
<v Speaker 1>back than that. Whenever you talk about kind of the

0:17:22.880 --> 0:17:27.320
<v Speaker 1>timing here, you know that's a complicated and very politically,

0:17:27.440 --> 0:17:31.000
<v Speaker 1>shall we say, dicey story. But we do know that

0:17:31.119 --> 0:17:34.480
<v Speaker 1>swastikas were in use. And I'm going to stop calling

0:17:34.520 --> 0:17:36.480
<v Speaker 1>them swastikas in a second, because the people of the

0:17:36.520 --> 0:17:40.360
<v Speaker 1>Americas didn't call them that, But we're in use, particularly

0:17:40.480 --> 0:17:43.480
<v Speaker 1>in what is now the Americans southwest and West coast,

0:17:43.720 --> 0:17:46.919
<v Speaker 1>for a very long time. The Navajo people who have

0:17:47.119 --> 0:17:50.399
<v Speaker 1>for a considerable period of time inhabited a large portion

0:17:50.480 --> 0:17:54.240
<v Speaker 1>of modern Arizona, New Mexico southern California, have been using

0:17:54.240 --> 0:17:58.320
<v Speaker 1>the swastika since kind of the prehistoric period, and they

0:17:58.400 --> 0:17:59.959
<v Speaker 1>called it, and what we'll be calling it when we

0:18:00.119 --> 0:18:02.280
<v Speaker 1>refer to their use of it, is the whirling log.

0:18:02.760 --> 0:18:05.159
<v Speaker 1>Right that is the name of the symbol, not just

0:18:05.200 --> 0:18:08.120
<v Speaker 1>for the Navajo, but for a number of other tribes

0:18:08.200 --> 0:18:13.280
<v Speaker 1>kind of in that part of the Americas, and it

0:18:13.400 --> 0:18:16.000
<v Speaker 1>is it is representative. It's called the whirling log because

0:18:16.040 --> 0:18:20.120
<v Speaker 1>it's representative of a specific story. And without getting into

0:18:20.160 --> 0:18:22.600
<v Speaker 1>too much detail about spiritual beliefs that are outside of

0:18:22.640 --> 0:18:24.960
<v Speaker 1>my depth. It's one of these tales where like you've

0:18:25.000 --> 0:18:28.399
<v Speaker 1>got a heroic character who is forced on a dangerous journey.

0:18:28.440 --> 0:18:31.159
<v Speaker 1>He receives the aid of gods, gods and spirits and

0:18:31.200 --> 0:18:34.400
<v Speaker 1>he kind of learns mystic lessons along the way, right,

0:18:34.440 --> 0:18:38.359
<v Speaker 1>and the whirling log is representative of this story. The

0:18:38.480 --> 0:18:41.280
<v Speaker 1>Navajo are not the only indigenous people of the Americas

0:18:41.280 --> 0:18:44.120
<v Speaker 1>to use variants of the whirling log, but they're probably

0:18:44.119 --> 0:18:48.040
<v Speaker 1>the most well documented ancient American users. We don't know

0:18:48.080 --> 0:18:50.520
<v Speaker 1>how long the symbol has been in use over here

0:18:50.560 --> 0:18:53.320
<v Speaker 1>because the primary way in which they used it was

0:18:53.359 --> 0:18:56.880
<v Speaker 1>for these kind of sand drawings as part of religious rituals.

0:18:56.880 --> 0:18:58.760
<v Speaker 1>So it was in a way that most of the

0:18:58.800 --> 0:19:00.359
<v Speaker 1>time when it was used, it was not kind of

0:19:00.400 --> 0:19:01.880
<v Speaker 1>being preserved long term.

0:19:01.960 --> 0:19:02.080
<v Speaker 4>Right.

0:19:02.119 --> 0:19:05.359
<v Speaker 1>They weren't carving it into huge edifices. They were using

0:19:05.359 --> 0:19:08.879
<v Speaker 1>it for these kind of rituals in which it was

0:19:08.880 --> 0:19:12.040
<v Speaker 1>not meant to last, right, And it was his story

0:19:12.080 --> 0:19:12.440
<v Speaker 1>with it.

0:19:12.480 --> 0:19:15.040
<v Speaker 4>Was it like a way to give a narrative, like

0:19:15.080 --> 0:19:16.720
<v Speaker 4>that narrative that you just kind of told of a

0:19:16.760 --> 0:19:18.320
<v Speaker 4>hero's journey, Do you.

0:19:18.280 --> 0:19:20.280
<v Speaker 1>Know, I think it was it was representative of a

0:19:20.320 --> 0:19:23.359
<v Speaker 1>specific story that had religious significance for them, and it

0:19:23.480 --> 0:19:26.600
<v Speaker 1>was also like that kind of it was used in

0:19:26.640 --> 0:19:29.040
<v Speaker 1>a in a series of rituals that they carried out.

0:19:29.359 --> 0:19:31.119
<v Speaker 1>That's kind of the extent of I don't want to

0:19:31.160 --> 0:19:33.919
<v Speaker 1>like get too deep into the ways. I don't want

0:19:33.920 --> 0:19:36.119
<v Speaker 1>to be a culture that I, you know, is not

0:19:36.920 --> 0:19:39.399
<v Speaker 1>very far outside of my wheeledhouse. But it was. It

0:19:39.480 --> 0:19:41.439
<v Speaker 1>was used widely, and it was used widely in a

0:19:41.480 --> 0:19:44.080
<v Speaker 1>fashion that, like most of the uses, would not have

0:19:44.119 --> 0:19:46.679
<v Speaker 1>been preserved for long periods of time, because that was

0:19:46.720 --> 0:19:51.160
<v Speaker 1>not the point of using the symbol. So I want

0:19:51.160 --> 0:19:54.520
<v Speaker 1>to quote from an article in the Collector's Guide of

0:19:54.560 --> 0:19:57.879
<v Speaker 1>New Mexico talking about some of the historiography on the

0:19:57.960 --> 0:20:00.919
<v Speaker 1>use of the whirling log. In his book The Swastika

0:20:00.960 --> 0:20:04.760
<v Speaker 1>Symbol in Navajo Textiles, Dennis J. Anger cites Thomas Wilson's

0:20:04.800 --> 0:20:07.359
<v Speaker 1>research in the eighteen nineties that the earliest evidence of

0:20:07.359 --> 0:20:10.720
<v Speaker 1>the swastika in America was found in excavations in Tennessee

0:20:10.760 --> 0:20:13.320
<v Speaker 1>and Ohio. That the swastika found its way to the

0:20:13.320 --> 0:20:17.280
<v Speaker 1>Western hemisphere in prehistoric times cannot be doubted. Anger quotes

0:20:17.320 --> 0:20:20.280
<v Speaker 1>Wilson's writing one of the specimens shows its antiquity and

0:20:20.320 --> 0:20:23.960
<v Speaker 1>its manufacture by the Aborigines, untainted by contact with the whites.

0:20:24.600 --> 0:20:28.439
<v Speaker 1>That's obviously eighteen nineties language here. But it does originate it.

0:20:28.480 --> 0:20:30.400
<v Speaker 1>You find it in a number of parts of North America.

0:20:30.440 --> 0:20:34.920
<v Speaker 1>I believe there's evidence of it in South America Iyo, Yeah,

0:20:34.920 --> 0:20:38.760
<v Speaker 1>Ohio and Tennessee. It was a big brass swastika that

0:20:38.880 --> 0:20:44.760
<v Speaker 1>was found like underground as part of an excavation. And

0:20:45.480 --> 0:20:48.120
<v Speaker 1>you know, so again, this goes back quite as far

0:20:48.160 --> 0:20:51.040
<v Speaker 1>as we can tell, like the likeliest I think the

0:20:51.160 --> 0:20:55.639
<v Speaker 1>likeliest assumption is that it was created, it was developed

0:20:55.680 --> 0:20:59.320
<v Speaker 1>or whatever independently by people in the Americas, right, which

0:20:59.320 --> 0:21:01.320
<v Speaker 1>happens with a bunch of stuff, right kind of Famously,

0:21:01.320 --> 0:21:04.080
<v Speaker 1>the bow and arrow is developed independently by a number

0:21:04.080 --> 0:21:06.640
<v Speaker 1>of different cultures. You know this, There's no reason why

0:21:06.640 --> 0:21:09.120
<v Speaker 1>the swastika wouldn't. It's not more complex than a bow

0:21:09.160 --> 0:21:12.679
<v Speaker 1>and arrow, for sure. But yeah, so I have a.

0:21:12.720 --> 0:21:14.760
<v Speaker 4>Question really quick, So does that mean there was some

0:21:14.800 --> 0:21:17.520
<v Speaker 4>sort of like ivory situation happening here.

0:21:17.600 --> 0:21:19.960
<v Speaker 5>I'm not like very privy to your early animals.

0:21:20.119 --> 0:21:23.040
<v Speaker 1>You know, there are mammoths in the Americas, so it

0:21:23.080 --> 0:21:25.000
<v Speaker 1>may have been that it may have just been somebody

0:21:25.359 --> 0:21:28.280
<v Speaker 1>perhaps perhaps somebody too who was like, you know, utilizing

0:21:28.320 --> 0:21:31.920
<v Speaker 1>substances as part of a religious ritual, who noticed that,

0:21:32.119 --> 0:21:34.639
<v Speaker 1>like or who kind of saw maybe it was like

0:21:34.760 --> 0:21:36.840
<v Speaker 1>the way the clouds were moving around the sun or

0:21:36.840 --> 0:21:39.920
<v Speaker 1>something that maybe like a spindle whirl, you know. Who

0:21:39.960 --> 0:21:43.520
<v Speaker 1>knows where it came, like how it first got used,

0:21:43.560 --> 0:21:47.160
<v Speaker 1>because it's its earliest documented use kind of is outside

0:21:47.160 --> 0:21:50.160
<v Speaker 1>of the whirling log use that the Navajo are using

0:21:50.160 --> 0:21:53.520
<v Speaker 1>in the southeast part of the continent, because we're talking

0:21:53.520 --> 0:21:58.840
<v Speaker 1>about like Tennessee, Ohio. So we probably will never know

0:21:59.040 --> 0:22:02.600
<v Speaker 1>specifically who had it first in the Americas, but maybe

0:22:02.640 --> 0:22:05.680
<v Speaker 1>even it might have originated in a couple of different

0:22:05.840 --> 0:22:09.119
<v Speaker 1>cultures in the Americas independently. You know, there's no reason

0:22:09.160 --> 0:22:13.040
<v Speaker 1>why that wouldn't have been the case. Now, that book

0:22:13.080 --> 0:22:16.440
<v Speaker 1>I just cited from the swastika symbol in Navajo textiles

0:22:16.560 --> 0:22:20.480
<v Speaker 1>was written in the eighteen nineties, because the swastika happened

0:22:20.480 --> 0:22:23.040
<v Speaker 1>to be a very big topic at just that point

0:22:23.119 --> 0:22:27.080
<v Speaker 1>in time. And this does bring us back to the Nazis.

0:22:27.680 --> 0:22:29.720
<v Speaker 1>It all starts with a very what I would call

0:22:29.760 --> 0:22:34.199
<v Speaker 1>a stupid genius, a guy named Heinrich Schleimann, and Heinrich

0:22:34.240 --> 0:22:36.479
<v Speaker 1>Schleiman is the man who's going to find the ruins

0:22:36.480 --> 0:22:40.280
<v Speaker 1>of Troy, and he's really bad at it. He does

0:22:40.359 --> 0:22:42.399
<v Speaker 1>succeed in finding the ruins of Troy, but he's like

0:22:42.440 --> 0:22:44.960
<v Speaker 1>the worst guy to find the ruins of Troy, such

0:22:45.000 --> 0:22:48.560
<v Speaker 1>an idiot. So Schleman's an interesting character. Thato was born

0:22:48.760 --> 0:22:51.679
<v Speaker 1>December twenty sixth, eighteen twenty two in a town that

0:22:51.720 --> 0:22:54.320
<v Speaker 1>I'm not going to try to pronounce. It's in Germany.

0:22:54.440 --> 0:22:57.720
<v Speaker 1>It's one of those German towns with just a mess

0:22:57.760 --> 0:23:00.320
<v Speaker 1>of a name. He's the fifth of nine chow and

0:23:00.320 --> 0:23:02.920
<v Speaker 1>his dad is a dirt poor pastor. And when Heinrich

0:23:03.000 --> 0:23:05.679
<v Speaker 1>is seven, he becomes fascinated with the myth of the

0:23:05.720 --> 0:23:09.000
<v Speaker 1>Trojan War. Now, at that point in time and kind

0:23:09.040 --> 0:23:11.720
<v Speaker 1>of the mid to late eighteen hundreds, when he's going

0:23:11.760 --> 0:23:15.560
<v Speaker 1>to school and whatnot, the Trojan War is seen as

0:23:15.880 --> 0:23:20.600
<v Speaker 1>probably an apocryphal story. Most serious scholars at least don't

0:23:20.600 --> 0:23:23.440
<v Speaker 1>believe that it's a literal story about a literal war

0:23:23.520 --> 0:23:27.000
<v Speaker 1>for Troy. It's kind of more of a mythological tale.

0:23:27.400 --> 0:23:29.480
<v Speaker 1>But he falls in love with this story, and he

0:23:29.520 --> 0:23:32.440
<v Speaker 1>certainly doesn't assume that it's a myth. Like many poor

0:23:32.520 --> 0:23:34.760
<v Speaker 1>kids of his era, he was sent by his father

0:23:34.880 --> 0:23:37.040
<v Speaker 1>to go live and work with a relative. You hear

0:23:37.119 --> 0:23:38.800
<v Speaker 1>this kind of story a lot. We've covered a lot

0:23:38.840 --> 0:23:43.480
<v Speaker 1>of Germans on this show, interestingly enough, and a lot

0:23:43.520 --> 0:23:45.240
<v Speaker 1>of them have a similar background where it's like, we're

0:23:45.280 --> 0:23:47.200
<v Speaker 1>kind of poor my dad's you know, his dad sent

0:23:47.280 --> 0:23:49.879
<v Speaker 1>him off to live with his uncle or whatever, and

0:23:49.920 --> 0:23:52.119
<v Speaker 1>when he's nine, he enrolls in a school where he

0:23:52.160 --> 0:23:54.920
<v Speaker 1>lives away from his family for a couple of years.

0:23:55.560 --> 0:23:58.480
<v Speaker 1>He was a lonely kid. One of the few constants

0:23:58.520 --> 0:24:00.960
<v Speaker 1>in his early life which was difficult was his obsession

0:24:01.040 --> 0:24:05.200
<v Speaker 1>with Greek and Roman mythology. His dad encourages this at first,

0:24:05.240 --> 0:24:07.280
<v Speaker 1>but starts to get worried about it kind of later

0:24:07.359 --> 0:24:09.719
<v Speaker 1>on because Heinrich just doesn't give it up. But then

0:24:09.760 --> 0:24:12.840
<v Speaker 1>his father gets accused of embezzling church funds, which puts

0:24:12.840 --> 0:24:16.160
<v Speaker 1>an end to Heinrich's education and forces him to apprentice

0:24:16.160 --> 0:24:19.240
<v Speaker 1>as a grocer. He would later claim that his love

0:24:19.240 --> 0:24:22.000
<v Speaker 1>of Homer really blossomed while he was walking home from

0:24:22.000 --> 0:24:24.560
<v Speaker 1>work one day and he comes across this drunk guy

0:24:24.560 --> 0:24:26.679
<v Speaker 1>in the street who's just kind of reciting parts of

0:24:26.720 --> 0:24:30.560
<v Speaker 1>the odyssey. I don't know why that hit him so hard,

0:24:30.600 --> 0:24:33.040
<v Speaker 1>but it did. And Schleimann spent the next few years

0:24:33.080 --> 0:24:36.080
<v Speaker 1>going through something of an odyssey himself. He lost his

0:24:36.160 --> 0:24:39.120
<v Speaker 1>job after he started coughing up blood randomly one day.

0:24:39.200 --> 0:24:42.680
<v Speaker 1>This is the eighteen hundreds, and yeah, the thing you do,

0:24:42.760 --> 0:24:44.439
<v Speaker 1>and what do you do when you start coughing up

0:24:44.440 --> 0:24:47.600
<v Speaker 1>blood randomly? You get a job as a cabin boy

0:24:47.680 --> 0:24:49.720
<v Speaker 1>on a boat, so that way they can at least

0:24:49.720 --> 0:24:53.320
<v Speaker 1>throw your body overboard when you die. Right, But he

0:24:53.359 --> 0:24:55.840
<v Speaker 1>doesn't die. Even though the boat he's on crashes in

0:24:55.880 --> 0:24:59.879
<v Speaker 1>a storm, he survives and makes it to age twenty two,

0:25:00.040 --> 0:25:02.800
<v Speaker 1>which point he gets a gig for an import export firm.

0:25:03.359 --> 0:25:06.840
<v Speaker 1>This is where he's going to actually like shine because

0:25:06.880 --> 0:25:11.040
<v Speaker 1>he has an excellent head for business. He's extremely successful.

0:25:11.119 --> 0:25:13.760
<v Speaker 1>He makes a bunch of money, picks up Dutch in Russian,

0:25:14.000 --> 0:25:16.400
<v Speaker 1>and by the time he's like thirty six years old,

0:25:16.560 --> 0:25:20.720
<v Speaker 1>he's rich and respected. And he decides, I'm going to retire. Right,

0:25:20.760 --> 0:25:23.359
<v Speaker 1>I've already stared death in the face a whole bunch

0:25:23.359 --> 0:25:26.440
<v Speaker 1>of times. I'm not working anymore. I'm going to take

0:25:26.520 --> 0:25:28.879
<v Speaker 1>my money and I am going to roll the dice

0:25:28.920 --> 0:25:31.800
<v Speaker 1>on what's always been my life dream, finding the city

0:25:31.840 --> 0:25:34.000
<v Speaker 1>of Troy and proving that it was real. And I

0:25:34.000 --> 0:25:36.040
<v Speaker 1>know you're wondering, where do the swastikas come in?

0:25:36.119 --> 0:25:36.320
<v Speaker 4>There?

0:25:36.480 --> 0:25:37.720
<v Speaker 1>There are coming. Don't worry.

0:25:38.160 --> 0:25:41.960
<v Speaker 4>This is like such an interesting midlife crisis that's happening here.

0:25:42.119 --> 0:25:43.080
<v Speaker 1>I'll find the truth.

0:25:44.480 --> 0:25:46.600
<v Speaker 3>I do feel like a lot of mindrayth crisis is

0:25:46.680 --> 0:25:49.280
<v Speaker 3>start with well, I read the Odyssey, like I do

0:25:49.359 --> 0:25:52.240
<v Speaker 3>feel like that is that is usually in the.

0:25:52.200 --> 0:25:56.040
<v Speaker 1>Organ you know, the uh Well, nowadays I think the

0:25:56.040 --> 0:25:59.840
<v Speaker 1>equivalent of that is reading American Psycho for for middle

0:25:59.840 --> 0:26:02.399
<v Speaker 1>A businessmen. But back in the day, it was the

0:26:02.400 --> 0:26:08.800
<v Speaker 1>Odyssey the American Psycho of the Old World. Yeah, we

0:26:08.840 --> 0:26:11.399
<v Speaker 1>all remember that moment where Odysseus is talking with the

0:26:11.440 --> 0:26:19.479
<v Speaker 1>other Greeks about his business cards. Okay, So, as I

0:26:19.520 --> 0:26:22.040
<v Speaker 1>noted earlier, there was tremendous debate in the day as

0:26:22.080 --> 0:26:25.080
<v Speaker 1>to whether or not any city such as Troy had

0:26:25.080 --> 0:26:28.399
<v Speaker 1>ever existed. Now, since ancient times, there had been a

0:26:28.480 --> 0:26:32.119
<v Speaker 1>general area in Anatolia, which today is just kind of

0:26:32.160 --> 0:26:34.800
<v Speaker 1>like we call Turkey, but that's like the name for

0:26:34.840 --> 0:26:39.800
<v Speaker 1>the geographical region, and that area called there was a

0:26:39.840 --> 0:26:43.400
<v Speaker 1>part of anatolia called the Troad that had been in

0:26:43.440 --> 0:26:45.960
<v Speaker 1>like ancient times when the Romans are running shit. This

0:26:46.080 --> 0:26:48.920
<v Speaker 1>is where everyone had just like said, Troy had been.

0:26:49.440 --> 0:26:52.800
<v Speaker 1>And this is kind of one of the first, one

0:26:52.800 --> 0:26:55.359
<v Speaker 1>of the first like pieces of nerd culture, right, because

0:26:55.520 --> 0:27:01.320
<v Speaker 1>Western nerd culture really starts with the Ily in the Odyssey. Right,

0:27:01.359 --> 0:27:04.160
<v Speaker 1>So in ancient Roman days, we're talking two thousand years ago,

0:27:04.680 --> 0:27:07.439
<v Speaker 1>rich nerds are like traveling to the Troad to like

0:27:07.920 --> 0:27:11.040
<v Speaker 1>visit the sites that they think the Iliad took place in, right,

0:27:11.119 --> 0:27:13.840
<v Speaker 1>Like they're probably dressing up as like Hector and Achilles,

0:27:13.960 --> 0:27:17.600
<v Speaker 1>you know that. Yeah, Yeah, that's the birth of nerd

0:27:17.640 --> 0:27:23.280
<v Speaker 1>culture right there. Anyway, whatever, there's no evidence. Again, there

0:27:23.359 --> 0:27:25.760
<v Speaker 1>was not hard evidence that the city of Troy had

0:27:25.800 --> 0:27:29.520
<v Speaker 1>been there. It's just the place people had gone to. Schleiman, though,

0:27:29.920 --> 0:27:32.520
<v Speaker 1>was certain that it was real and certain that the Troad,

0:27:32.680 --> 0:27:36.080
<v Speaker 1>somewhere in there was the actual ruins of Troy. Since

0:27:36.080 --> 0:27:38.520
<v Speaker 1>he had money and time, he decided to travel to

0:27:38.560 --> 0:27:40.840
<v Speaker 1>the likeliest spot and dig the fucker up.

0:27:42.000 --> 0:27:45.160
<v Speaker 3>Literally, like that guy to our signo, bro, it happened,

0:27:45.800 --> 0:27:47.840
<v Speaker 3>I was there that guy.

0:27:48.240 --> 0:27:50.960
<v Speaker 5>So did he show up with a shovel. Yeah, yeah,

0:27:50.960 --> 0:27:51.880
<v Speaker 5>I'm talking to team.

0:27:51.960 --> 0:27:54.520
<v Speaker 1>Do we have a tea sho He shows up with boys, right,

0:27:54.680 --> 0:27:57.360
<v Speaker 1>like he hires boys to do the diggings.

0:27:57.400 --> 0:27:58.159
<v Speaker 2>Yeah, that's what he.

0:27:58.160 --> 0:28:00.000
<v Speaker 5>Did back then, Hire a bunch of boys.

0:27:59.760 --> 0:28:02.520
<v Speaker 1>That's yeah. Everyone's talking to day about how we've just

0:28:02.640 --> 0:28:05.600
<v Speaker 1>developed a new semiconductor. We need to return to tradition.

0:28:05.800 --> 0:28:09.200
<v Speaker 1>Just boys and shovels, you know. That was That's what

0:28:09.200 --> 0:28:13.280
<v Speaker 1>what built civilization is groups of boys with shovels, paid

0:28:13.320 --> 0:28:15.439
<v Speaker 1>pennies a day. That's what we need to go back to.

0:28:16.040 --> 0:28:19.040
<v Speaker 1>I just rewatched the Inana Jones movie, so im.

0:28:19.960 --> 0:28:22.360
<v Speaker 2>I was like, what is in your brain right now?

0:28:27.000 --> 0:28:29.879
<v Speaker 1>So he gets his boys and he shows up at

0:28:29.880 --> 0:28:32.440
<v Speaker 1>the Troad and I'm going to quote for what comes

0:28:32.480 --> 0:28:36.480
<v Speaker 1>next from a write up by archaeologists for the British Museum.

0:28:37.400 --> 0:28:40.280
<v Speaker 1>Frank Calvert lived in the Troad, an owned land next

0:28:40.280 --> 0:28:43.560
<v Speaker 1>to the mound of Hissarlik. An amateur but skilled archaeologist,

0:28:43.640 --> 0:28:45.680
<v Speaker 1>he was convinced that this would be a good place

0:28:45.720 --> 0:28:48.360
<v Speaker 1>to dig, so when Shleeman visited in eighteen sixty eight

0:28:48.400 --> 0:28:50.440
<v Speaker 1>with homer in one hand and a spade in the other,

0:28:50.680 --> 0:28:53.560
<v Speaker 1>determined to make his name in archaeology. Calvert found him

0:28:53.560 --> 0:28:58.040
<v Speaker 1>easy to persuade. Now, this is a time when Calvert,

0:28:58.200 --> 0:29:01.240
<v Speaker 1>you know, kind of convinced is Shleman that like he's

0:29:01.240 --> 0:29:03.080
<v Speaker 1>got a spot to dig that he thinks is where

0:29:03.120 --> 0:29:05.160
<v Speaker 1>Troy is. This is a period of time where the

0:29:05.200 --> 0:29:07.760
<v Speaker 1>Ottoman Empire, which governs the area is kind of the

0:29:07.840 --> 0:29:11.000
<v Speaker 1>sick man of Europe, and so it's it's a great

0:29:11.040 --> 0:29:13.400
<v Speaker 1>place to be a rich guy who wants to like

0:29:13.440 --> 0:29:17.280
<v Speaker 1>pay to fuck around. Because normally most countries, if you're like,

0:29:17.320 --> 0:29:19.320
<v Speaker 1>I want to dig up one of your like historical

0:29:19.400 --> 0:29:22.760
<v Speaker 1>landmarks just to see what's under there, they'd be like, well, no,

0:29:23.160 --> 0:29:25.880
<v Speaker 1>you're not allowed to do that. But Shleman is kind

0:29:25.880 --> 0:29:28.840
<v Speaker 1>of just able to bribe his way into things. It's

0:29:28.920 --> 0:29:32.160
<v Speaker 1>a little bit messier of a period of time, and

0:29:32.320 --> 0:29:37.000
<v Speaker 1>shockingly Calvert was right. He picks the right area. He does,

0:29:37.080 --> 0:29:40.440
<v Speaker 1>in fact know where the ruins of Troy are, but

0:29:40.520 --> 0:29:44.120
<v Speaker 1>it's not immediately obvious. They start finding like ruins and

0:29:45.240 --> 0:29:47.959
<v Speaker 1>shit aphemera, but it's not obvious to them because they

0:29:47.960 --> 0:29:50.720
<v Speaker 1>don't really know what they're doing that these are ruins

0:29:50.760 --> 0:29:53.720
<v Speaker 1>of Troy that they found. They're just kind of coming

0:29:53.720 --> 0:29:56.880
<v Speaker 1>across pieces of pottery, old bits of buildings. But in

0:29:57.240 --> 0:30:00.560
<v Speaker 1>Shleiman's mind, Troy is this like wealthy city and everything's

0:30:00.600 --> 0:30:03.440
<v Speaker 1>plated in gold and colorful, and they're just finding like

0:30:03.920 --> 0:30:06.440
<v Speaker 1>old crap because like that's what everything old looks like.

0:30:06.520 --> 0:30:08.280
<v Speaker 1>Unless you really know what you're looking at, it's just

0:30:08.320 --> 0:30:09.520
<v Speaker 1>like junk most of the.

0:30:09.480 --> 0:30:11.520
<v Speaker 2>Time, right, looking for a brad Pitt.

0:30:12.560 --> 0:30:14.600
<v Speaker 1>He was looking for Brad Pitt in there. You know,

0:30:14.800 --> 0:30:19.080
<v Speaker 1>he is expecting something glorious and impressive. And obviously, again

0:30:19.120 --> 0:30:20.840
<v Speaker 1>this is kind of a logical because if you even

0:30:20.840 --> 0:30:24.920
<v Speaker 1>if you take the story in the Iliad as literal, like, well,

0:30:24.960 --> 0:30:26.880
<v Speaker 1>the Greek sacked it, right, they wouldn't have left the

0:30:26.920 --> 0:30:29.640
<v Speaker 1>good shit. It's just gonna be junk that's left behind

0:30:29.680 --> 0:30:34.200
<v Speaker 1>after they kill everybody. So they dig past what they

0:30:34.240 --> 0:30:36.080
<v Speaker 1>think of as the crap. They keep going deeper, and

0:30:36.080 --> 0:30:37.680
<v Speaker 1>they keep going deeper. And I'm gonna quote from the

0:30:37.680 --> 0:30:42.320
<v Speaker 1>Smithsonian magazine now, as after his first excavation season failed

0:30:42.360 --> 0:30:45.680
<v Speaker 1>to yield promising results, Schleiman adopted a new tactic, instructing

0:30:45.680 --> 0:30:48.520
<v Speaker 1>his team to dig an enormous forty five foot deep trench.

0:30:48.880 --> 0:30:52.560
<v Speaker 1>His methods a note Jill Rubikalba and Eric H. Klein

0:30:52.640 --> 0:30:55.640
<v Speaker 1>and digging for Troy from Homer to Hissarlik were savage

0:30:55.640 --> 0:30:58.400
<v Speaker 1>and brutal, even by the standards of the nineteenth century.

0:30:58.600 --> 0:31:01.200
<v Speaker 1>The authors add, he plowed through layers of soil and

0:31:01.280 --> 0:31:04.760
<v Speaker 1>everything in them without proper record keeping, no mapping of finds,

0:31:04.800 --> 0:31:09.800
<v Speaker 1>few descriptions of discoveries. So he finds Troy, but he

0:31:09.920 --> 0:31:13.600
<v Speaker 1>digs past it and destroys most of the ruins of Troy,

0:31:13.680 --> 0:31:16.240
<v Speaker 1>or at least a lot of them, until he finds

0:31:16.280 --> 0:31:18.880
<v Speaker 1>some gold that he decides must have belonged to the

0:31:18.920 --> 0:31:22.480
<v Speaker 1>famous king Priam. Archaeologists will later prove it's way older

0:31:22.520 --> 0:31:24.760
<v Speaker 1>than that. Like, he did find some cool looking gold shit,

0:31:24.800 --> 0:31:28.200
<v Speaker 1>but it is not from fucking Priam, and he he

0:31:28.240 --> 0:31:31.680
<v Speaker 1>obliterates most of the actual traces of historic Troy because

0:31:31.680 --> 0:31:34.360
<v Speaker 1>Schliemann is kind of a we aboo, right, Like he's

0:31:34.360 --> 0:31:39.960
<v Speaker 1>a Homer we aboo right. Anyway, very funny story. How

0:31:40.000 --> 0:31:43.080
<v Speaker 1>this relates back to our premise today is that one

0:31:43.080 --> 0:31:45.800
<v Speaker 1>of the clear discoveries that Heinrich did make was he

0:31:45.880 --> 0:31:49.360
<v Speaker 1>finds a bunch of pottery in this mound, adorned with

0:31:49.440 --> 0:31:54.680
<v Speaker 1>a fascinating symbol, the swastika. Now at this point people

0:31:54.760 --> 0:31:57.160
<v Speaker 1>knew the swastika is in use. Not only are the

0:31:57.560 --> 0:31:59.520
<v Speaker 1>you know, the Navajo and other peoples in the Southwest

0:31:59.560 --> 0:32:02.760
<v Speaker 1>using it, but it's in use all over you know,

0:32:02.880 --> 0:32:06.640
<v Speaker 1>Southeast Asia, right. It is a religious symbol for Hindu people,

0:32:06.640 --> 0:32:09.280
<v Speaker 1>it's a religious symbol for Buddhist people. You find it

0:32:09.320 --> 0:32:11.600
<v Speaker 1>all over stuff in China. It's a very common symbol

0:32:11.640 --> 0:32:16.080
<v Speaker 1>in China as well, not just for Buddhists. So this

0:32:16.200 --> 0:32:18.760
<v Speaker 1>is kind of and the reason why this sort of

0:32:18.760 --> 0:32:21.720
<v Speaker 1>electrifies people is that when you're talking about the late

0:32:21.720 --> 0:32:24.080
<v Speaker 1>eighteen hundreds, you know, think back to the episodes we've

0:32:24.120 --> 0:32:27.600
<v Speaker 1>done on Helena Blovatsky and stuff. This is the origins

0:32:27.640 --> 0:32:29.920
<v Speaker 1>of the stuff that's going to become Nazi race science

0:32:29.960 --> 0:32:33.840
<v Speaker 1>people are already talking about Aryans. They're talking about this

0:32:33.960 --> 0:32:38.959
<v Speaker 1>kind of mythical precursor civilization that they believe seeded, you know,

0:32:39.120 --> 0:32:42.800
<v Speaker 1>high civilization around the world that presumably to a lot

0:32:42.800 --> 0:32:46.920
<v Speaker 1>of Europeans is like white, right, Like that's a big

0:32:47.040 --> 0:32:50.600
<v Speaker 1>like belief at the time. And we know that like

0:32:50.680 --> 0:32:53.360
<v Speaker 1>these Indo Aryan people that kind of start off in

0:32:53.440 --> 0:32:58.240
<v Speaker 1>the Indus Valley have traveled around like up in through

0:32:58.480 --> 0:33:01.800
<v Speaker 1>Southeast Asia, up through like modern day Russia and into Europe.

0:33:02.360 --> 0:33:06.479
<v Speaker 1>And the fact that they find swastikas in these ruins

0:33:06.480 --> 0:33:09.800
<v Speaker 1>of Troy is kind of evidence of this root race,

0:33:09.880 --> 0:33:13.680
<v Speaker 1>this precursor Aryan people. Right, That's how it gets interpreted

0:33:13.720 --> 0:33:15.720
<v Speaker 1>by a lot of folks at the time. Right, this

0:33:15.880 --> 0:33:18.480
<v Speaker 1>is proof of these theories that are starting to gain

0:33:18.520 --> 0:33:22.600
<v Speaker 1>a lot of purchase among chunks of European society. Schleeman

0:33:22.760 --> 0:33:26.080
<v Speaker 1>is fascinated by the swastika, and he continues, you know,

0:33:26.120 --> 0:33:28.080
<v Speaker 1>it's a big deal when he finds what he thinks

0:33:28.120 --> 0:33:30.560
<v Speaker 1>is Troy, that we now know is something else. But

0:33:30.640 --> 0:33:34.240
<v Speaker 1>he keeps doing archaeology around the world, often illegal archaeology,

0:33:34.400 --> 0:33:38.480
<v Speaker 1>generally bad archaeology. But because a lot of people had

0:33:38.520 --> 0:33:40.200
<v Speaker 1>not been digging in the place as he was, he

0:33:40.240 --> 0:33:42.120
<v Speaker 1>also does find a lot of shit. And some of

0:33:42.120 --> 0:33:45.040
<v Speaker 1>the shit he finds is that he keeps finding swastikas

0:33:45.080 --> 0:33:48.120
<v Speaker 1>on stuff. Right. He would later decide that the swastika

0:33:48.120 --> 0:33:52.800
<v Speaker 1>because he finds a bunch of swastikas in like old Jewish,

0:33:52.920 --> 0:33:56.880
<v Speaker 1>like religious icons and like temples and stuff. He decides

0:33:56.920 --> 0:33:59.840
<v Speaker 1>that it's related to the Hebrew letter Tau, which is

0:33:59.840 --> 0:34:03.080
<v Speaker 1>the sign of life and was ritualistically drawn on the

0:34:03.120 --> 0:34:07.520
<v Speaker 1>foreheads of believers, which incidentally is how Charles Manson would

0:34:07.560 --> 0:34:10.160
<v Speaker 1>later explain why he put a swastika on his forehead.

0:34:11.160 --> 0:34:14.560
<v Speaker 1>Now note that I said how Manson explained, not why

0:34:14.600 --> 0:34:16.680
<v Speaker 1>he actually did it. But that is there. Manson is

0:34:17.640 --> 0:34:21.359
<v Speaker 1>where like Manson is reading this kind of stuff decades later, right,

0:34:21.400 --> 0:34:24.080
<v Speaker 1>because it's still relevant and sort of weird fringe occult

0:34:24.560 --> 0:34:29.920
<v Speaker 1>communities and whatnot. Speaking of Charles Manson, why you know,

0:34:29.960 --> 0:34:32.360
<v Speaker 1>who would have been a lot better at running a cult?

0:34:33.520 --> 0:34:35.320
<v Speaker 1>Who's that our sponsors?

0:34:35.719 --> 0:34:37.359
<v Speaker 5>Oh?

0:34:37.440 --> 0:34:41.680
<v Speaker 1>Yeah's easily easily, of course. Yeah, in a way, we're

0:34:41.680 --> 0:34:52.399
<v Speaker 1>all in that cult already, and we're back and we're

0:34:52.440 --> 0:34:58.680
<v Speaker 1>talking about our wonderful sponsors who something something helter skelter whatever.

0:34:58.760 --> 0:35:05.200
<v Speaker 1>Let's continue with the episode. Schleiman's findings of the swastika

0:35:05.200 --> 0:35:08.440
<v Speaker 1>are read attentively by growing communities of Aryan nerds, these

0:35:08.520 --> 0:35:12.880
<v Speaker 1>kind of proto Nazis, and anthropologist Gwendolin Lake will later write, quote,

0:35:13.040 --> 0:35:17.080
<v Speaker 1>when Heinrich Schleiman discovered swastika like decorations on pottery fragments

0:35:17.080 --> 0:35:19.839
<v Speaker 1>and all archaeological levels at Troy, it was seen as

0:35:19.840 --> 0:35:23.040
<v Speaker 1>evidence for a racial continuity and proof that the inhabitants

0:35:23.040 --> 0:35:25.680
<v Speaker 1>of the site had been Aryan all along. The link

0:35:25.680 --> 0:35:28.960
<v Speaker 1>between the swastika and Indo European origin, once forged, was

0:35:29.000 --> 0:35:32.800
<v Speaker 1>impossible to discard. It allowed the projection of nationalist feelings

0:35:32.800 --> 0:35:36.359
<v Speaker 1>and associations onto a universal symbol which hint served as

0:35:36.360 --> 0:35:39.919
<v Speaker 1>a distinguishing boundary marker between non Aryan, or rather non

0:35:40.000 --> 0:35:43.479
<v Speaker 1>German and German identity. So this is going to take off,

0:35:43.520 --> 0:35:47.600
<v Speaker 1>particularly among the Germans right, which are just starting to

0:35:47.600 --> 0:35:50.719
<v Speaker 1>be a thing. You know, he's in Troy eighteen sixty eight.

0:35:51.160 --> 0:35:55.840
<v Speaker 1>Germany gets invented two years later, right, Maybe I don't know,

0:35:56.640 --> 0:35:59.080
<v Speaker 1>we could have just done Belgium too, and probably saved

0:35:59.080 --> 0:36:01.959
<v Speaker 1>ourselves a lot of trouble. But you know, whatever would

0:36:02.000 --> 0:36:05.840
<v Speaker 1>have been nice would have been nice. So the growing

0:36:05.880 --> 0:36:09.680
<v Speaker 1>swastika craze among European intellectual weirdos and Americans who are

0:36:09.719 --> 0:36:14.160
<v Speaker 1>themselves weird fanboys of European intellectual weirdos leads us right

0:36:14.239 --> 0:36:18.120
<v Speaker 1>back to the Navajo. Now, up until the late eighteen hundreds,

0:36:18.160 --> 0:36:21.400
<v Speaker 1>the swastika or the whirling log in this context was

0:36:21.520 --> 0:36:24.720
<v Speaker 1>used only in religious ceremonies by at least by by

0:36:24.800 --> 0:36:28.600
<v Speaker 1>the Navajo and other peoples in the Southwest, primarily like

0:36:28.680 --> 0:36:32.360
<v Speaker 1>sand paintings. But there's these two Americans who start opening

0:36:32.480 --> 0:36:37.000
<v Speaker 1>like Caucasian Americans who start opening trading posts in Navajo Territory.

0:36:37.040 --> 0:36:39.719
<v Speaker 1>And these guys names are Lorenzo Hubble and JB. Moore,

0:36:40.280 --> 0:36:44.480
<v Speaker 1>And they're aware of the swastika craze that's sweeping across

0:36:44.520 --> 0:36:46.840
<v Speaker 1>Europe as a result of Schleiman's work, and they start

0:36:47.320 --> 0:36:50.000
<v Speaker 1>they become aware of the fact that the whirling log

0:36:50.600 --> 0:36:53.799
<v Speaker 1>is in use throughout the Southwest. Now, another thing that's

0:36:53.840 --> 0:36:57.680
<v Speaker 1>happening at this time is that the quote unquote West,

0:36:57.960 --> 0:37:00.160
<v Speaker 1>you know, in that sort of conception of life like

0:37:00.200 --> 0:37:04.480
<v Speaker 1>the Wild West whatever, which is obviously flawed at inaccurate

0:37:04.520 --> 0:37:07.360
<v Speaker 1>historical conception, but it is a popular conception in the

0:37:07.400 --> 0:37:10.240
<v Speaker 1>minds of a lot of Americans, particularly in the East Coast,

0:37:10.520 --> 0:37:14.799
<v Speaker 1>has ignited a craze for all things Native American. Right,

0:37:15.520 --> 0:37:18.560
<v Speaker 1>both Americans and the coasts are kind of obsessing over

0:37:18.840 --> 0:37:25.120
<v Speaker 1>generally inaccurate stories and pieces of you iconography, items that

0:37:25.160 --> 0:37:27.759
<v Speaker 1>had been owned or made by Native Americans. And this

0:37:27.840 --> 0:37:29.840
<v Speaker 1>is also a huge deal over in Europe.

0:37:29.880 --> 0:37:30.040
<v Speaker 4>Right.

0:37:30.120 --> 0:37:31.799
<v Speaker 1>A lot of this is centered around these kind of

0:37:31.800 --> 0:37:35.040
<v Speaker 1>noble savage depictions of indigenous peoples in fiction like the

0:37:35.080 --> 0:37:38.520
<v Speaker 1>books of Carl May, which inspire Hitler to a significant degree,

0:37:39.440 --> 0:37:41.560
<v Speaker 1>and to hubbl and more, the fact that all this

0:37:41.600 --> 0:37:45.000
<v Speaker 1>is happening at the same time represents a clear opportunity

0:37:45.040 --> 0:37:46.160
<v Speaker 1>for profit. Right.

0:37:46.560 --> 0:37:48.880
<v Speaker 4>Oh, and also that's when the wild West shows are happening,

0:37:49.000 --> 0:37:52.280
<v Speaker 4>right exactly, Yes, Buffalo Bill's Wild West shows.

0:37:52.480 --> 0:37:54.400
<v Speaker 1>Yeah, so all of this is kind of happening at

0:37:54.400 --> 0:37:58.600
<v Speaker 1>the same time. And Hubblan Moore notice this. They want

0:37:58.600 --> 0:38:01.920
<v Speaker 1>to take advantage in sell art that's being made by

0:38:02.120 --> 0:38:06.120
<v Speaker 1>by Navajo, particularly by Navajo silversmiths, and silversmithing is like

0:38:06.560 --> 0:38:08.960
<v Speaker 1>a really significant thing. I mean, it has a lot

0:38:08.960 --> 0:38:11.200
<v Speaker 1>to do with the survival of the Navajo people. There's

0:38:11.239 --> 0:38:13.480
<v Speaker 1>a very good book about this called The Counterfeiters of

0:38:13.520 --> 0:38:18.880
<v Speaker 1>Bosque Redondo. Fascinating book, really interesting piece of history about

0:38:18.920 --> 0:38:22.520
<v Speaker 1>how effectively the Navajo averted a genocide that was, you know,

0:38:22.560 --> 0:38:26.240
<v Speaker 1>being carried out by the United States. Really interesting story.

0:38:26.880 --> 0:38:29.320
<v Speaker 1>But anyway, there's a lot of like really good silver

0:38:29.440 --> 0:38:32.239
<v Speaker 1>products being made and there's tremendous demand for them, particularly

0:38:32.280 --> 0:38:34.440
<v Speaker 1>over in the cities of the East Coast and in Europe,

0:38:34.800 --> 0:38:37.600
<v Speaker 1>and win Hubble and Moore, see that the swastika is,

0:38:37.920 --> 0:38:40.920
<v Speaker 1>you know, or in this case, the whirling log is

0:38:40.960 --> 0:38:43.160
<v Speaker 1>a simple in use here. They're like, you guys, got

0:38:43.200 --> 0:38:46.000
<v Speaker 1>to start putting that on some of this silver stuff

0:38:46.000 --> 0:38:48.439
<v Speaker 1>and some of this other artwork that you're putting out,

0:38:48.640 --> 0:38:51.720
<v Speaker 1>because that shit'll sell. People love the like white people

0:38:51.800 --> 0:38:55.080
<v Speaker 1>love swastikas, right now, you got to start making this

0:38:55.160 --> 0:38:59.239
<v Speaker 1>on stuff, right and so yeah, and again a lot

0:38:59.280 --> 0:39:01.000
<v Speaker 1>of the stuff that's been made is being made by

0:39:01.040 --> 0:39:05.080
<v Speaker 1>folks in the area, like Pueblo people, but it all

0:39:05.160 --> 0:39:08.160
<v Speaker 1>kind of gets marketed as like you know, a specific

0:39:08.200 --> 0:39:10.640
<v Speaker 1>you know, these are you know, Navajo relics and whatnot

0:39:10.719 --> 0:39:12.720
<v Speaker 1>that we're selling to you in New York or whatever.

0:39:13.400 --> 0:39:16.839
<v Speaker 1>And the two most popular motifs in the artwork that's

0:39:16.880 --> 0:39:20.239
<v Speaker 1>being taken from the south West and sold over in

0:39:20.280 --> 0:39:23.879
<v Speaker 1>the cities of the East coasts are Indian heads and swastikas.

0:39:23.920 --> 0:39:26.200
<v Speaker 1>Those are the two like things that that white people

0:39:26.280 --> 0:39:27.880
<v Speaker 1>want to buy when they're buying this stuff.

0:39:28.840 --> 0:39:31.520
<v Speaker 5>Yeah, no idea, Yeah, I had no idea.

0:39:32.400 --> 0:39:35.560
<v Speaker 1>Klein, who has written a book on Navajo spoons Silver

0:39:35.600 --> 0:39:38.000
<v Speaker 1>Spoons to be published by the Museum of New Mexico

0:39:38.120 --> 0:39:40.960
<v Speaker 1>Press or that was published by the Museum of New Mexico.

0:39:41.000 --> 0:39:44.160
<v Speaker 1>Press noted that the first spoon that she had located

0:39:44.200 --> 0:39:47.319
<v Speaker 1>with both a swastika and an engraved date coincided with

0:39:47.360 --> 0:39:50.520
<v Speaker 1>the opening of the Saint Louis Exposition in nineteen oh four.

0:39:50.960 --> 0:39:53.239
<v Speaker 1>The item was years made years earlier, probably in the

0:39:53.320 --> 0:39:58.000
<v Speaker 1>late eighteen hundreds, but like like that's where it was sold,

0:39:58.000 --> 0:40:00.000
<v Speaker 1>so probably it was made and then it got stamped

0:40:00.040 --> 0:40:02.000
<v Speaker 1>with a date later on so it could be sold

0:40:02.000 --> 0:40:04.279
<v Speaker 1>at this big expo where there's a ton of tourists, right,

0:40:04.360 --> 0:40:07.960
<v Speaker 1>presumably Europeans who are coming over to the Americas for

0:40:08.080 --> 0:40:11.319
<v Speaker 1>this World's Fair, and they want to buy something that's

0:40:11.440 --> 0:40:14.640
<v Speaker 1>like native American, right, because that's a craze over in Europe,

0:40:14.960 --> 0:40:17.879
<v Speaker 1>and the people selling this stuff know that, like, well,

0:40:17.880 --> 0:40:20.600
<v Speaker 1>Europeans love them some swastikas, they're all they can't shut

0:40:20.680 --> 0:40:22.560
<v Speaker 1>up about it. So let's get some of that shit

0:40:22.600 --> 0:40:24.360
<v Speaker 1>out and let's put it on the fucking table.

0:40:24.520 --> 0:40:24.719
<v Speaker 4>Right.

0:40:25.120 --> 0:40:27.840
<v Speaker 1>So these two guys that I was talking about start

0:40:27.920 --> 0:40:32.719
<v Speaker 1>a commercial spoon company manufacturing quote unquote Navajo spoons as

0:40:32.760 --> 0:40:35.600
<v Speaker 1>mementos of the fair. These are just generally mass produced

0:40:35.640 --> 0:40:38.640
<v Speaker 1>spoons that have absolutely nothing to do with indigenous people,

0:40:38.640 --> 0:40:42.360
<v Speaker 1>but like they're lying, you know. In nineteen oh six,

0:40:42.440 --> 0:40:46.799
<v Speaker 1>More starts offering swastika spoons in his catalog, and by

0:40:46.840 --> 0:40:49.480
<v Speaker 1>the time the spoon craze dies out, and around nineteen fifteen,

0:40:50.080 --> 0:40:52.360
<v Speaker 1>as Klan writes, quote, you had so many stamps and

0:40:52.440 --> 0:40:55.720
<v Speaker 1>dies with swastikas that the symbol appears on bracelets, sides

0:40:55.760 --> 0:40:59.160
<v Speaker 1>of rings, ash trays, salt sellers. Any silver stamped item

0:40:59.239 --> 0:41:03.600
<v Speaker 1>was fair game for the swastika camp. And again this

0:41:03.800 --> 0:41:08.640
<v Speaker 1>is the like yeah, uh uh yeah, that's so, that's

0:41:08.719 --> 0:41:13.360
<v Speaker 1>that's kind of how the swastika becomes a big popular

0:41:13.480 --> 0:41:18.920
<v Speaker 1>thing in the Americas as like an actual uh chashki, right,

0:41:19.040 --> 0:41:21.400
<v Speaker 1>Like that's how it's this sacred symbol that's used in

0:41:21.440 --> 0:41:25.320
<v Speaker 1>religious observances. And then Americans are like, see what's happening

0:41:25.320 --> 0:41:28.720
<v Speaker 1>with Schleimann, see this kind of craze over Native American products,

0:41:28.719 --> 0:41:31.160
<v Speaker 1>and are like, well, let's just fucking take this shit

0:41:31.239 --> 0:41:33.719
<v Speaker 1>and sell it at world's fairs and stuff. What's capitalize

0:41:33.760 --> 0:41:35.640
<v Speaker 1>on this baby, you know, that's what we fucking do.

0:41:36.160 --> 0:41:39.920
<v Speaker 4>And so those like Americans were already kind of soaked

0:41:40.000 --> 0:41:42.440
<v Speaker 4>in this symbol. I guess everywhere like a w A

0:41:42.520 --> 0:41:44.319
<v Speaker 4>dummy JD bracelets.

0:41:44.440 --> 0:41:48.760
<v Speaker 1>Well, that is actually exactly how ubiquitous it becomes. Yeah,

0:41:48.800 --> 0:41:51.759
<v Speaker 1>so this is the growth of the swastika obsession in

0:41:51.800 --> 0:41:54.799
<v Speaker 1>the United States. And again, the actual symbol as it's

0:41:54.800 --> 0:41:57.319
<v Speaker 1>being used by Indigenous Americans or at least you know,

0:41:57.760 --> 0:42:00.400
<v Speaker 1>the group that it's being claimed to be made from,

0:42:00.760 --> 0:42:04.000
<v Speaker 1>is the whirling log But I'm saying swasti swastika because

0:42:04.040 --> 0:42:07.000
<v Speaker 1>that is what Americans are calling it, and they're specifically

0:42:07.000 --> 0:42:11.040
<v Speaker 1>thinking about the quote unquote aryan swastikas that Schleiman has found.

0:42:11.120 --> 0:42:11.279
<v Speaker 3>Right.

0:42:13.080 --> 0:42:16.920
<v Speaker 1>So, in Europe, obviously the anti Semitic rite, which is

0:42:16.960 --> 0:42:20.560
<v Speaker 1>a growing power, is using the swastika and adopting it

0:42:20.600 --> 0:42:23.360
<v Speaker 1>as kind of a symbol, but it's still not exclusive

0:42:23.400 --> 0:42:25.840
<v Speaker 1>to it there. And in the United States it becomes

0:42:25.920 --> 0:42:28.760
<v Speaker 1>very quickly divorced from any real meaning at all beyond

0:42:28.840 --> 0:42:33.160
<v Speaker 1>good luck or general good vibes. Through the early nineteen hundreds,

0:42:33.200 --> 0:42:36.160
<v Speaker 1>it starts to become one of the most ubiquitous symbols

0:42:36.239 --> 0:42:39.239
<v Speaker 1>from marketing and product logos in the country. If I

0:42:39.280 --> 0:42:42.479
<v Speaker 1>could compare the swastika in the Americas in the early

0:42:42.560 --> 0:42:45.520
<v Speaker 1>nineteen hundreds to any modern symbol. It would probably be

0:42:45.560 --> 0:42:47.840
<v Speaker 1>the peace sign like it is used. Think about like

0:42:47.880 --> 0:42:49.840
<v Speaker 1>a peace sign on a can of Arizona iced t

0:42:50.440 --> 0:42:53.560
<v Speaker 1>That's how they use the swastika in this period of time.

0:42:54.520 --> 0:42:57.360
<v Speaker 1>And again, some Americans, particularly in the cities, would be

0:42:57.440 --> 0:42:59.920
<v Speaker 1>familiar with it as an aryan symbol. Many of the

0:43:00.080 --> 0:43:02.600
<v Speaker 1>would have seen it in purported Indian artwork, you know,

0:43:02.680 --> 0:43:05.640
<v Speaker 1>spoons and the like. But they also wouldn't have looked

0:43:05.680 --> 0:43:08.279
<v Speaker 1>askance at seeing a swastika printed on the label of

0:43:08.280 --> 0:43:11.400
<v Speaker 1>a cigar, which happened regularly, or on a color for

0:43:11.480 --> 0:43:14.520
<v Speaker 1>a ad for Coca Cola, who used the swastika freely

0:43:14.600 --> 0:43:19.000
<v Speaker 1>in both print ads and decorative chatch games. Oh yeah,

0:43:19.120 --> 0:43:23.680
<v Speaker 1>this actually, this causes a problem last year because there's

0:43:23.719 --> 0:43:26.000
<v Speaker 1>this guy in Chattanooga with a metal detector who's just

0:43:26.040 --> 0:43:28.200
<v Speaker 1>kind of like walking around the woods or whatever, and

0:43:28.239 --> 0:43:31.160
<v Speaker 1>he finds an old metal swastika with a Coca Cola

0:43:31.200 --> 0:43:34.680
<v Speaker 1>logo on it. Wow, advertising bottles for just five cents.

0:43:35.000 --> 0:43:38.759
<v Speaker 1>And Sophie's going to show you this this Coca gar I.

0:43:38.800 --> 0:43:40.359
<v Speaker 2>Like can't speak what.

0:43:42.320 --> 0:43:46.680
<v Speaker 4>It's a bottle opener too.

0:43:46.680 --> 0:43:47.880
<v Speaker 5>Hook on there to models.

0:43:47.880 --> 0:43:51.719
<v Speaker 4>That is so wild, And of course I imagine that

0:43:52.120 --> 0:43:55.040
<v Speaker 4>people did not know the full context of this item

0:43:55.120 --> 0:43:56.800
<v Speaker 4>when it was put onto the internet.

0:43:57.680 --> 0:44:01.879
<v Speaker 3>If this wasn't equated to Nazis, what a very cool

0:44:01.920 --> 0:44:02.560
<v Speaker 3>looking thing.

0:44:04.160 --> 0:44:07.279
<v Speaker 1>Yeah yeah, well yeah, I mean again, it's hard to

0:44:07.360 --> 0:44:10.440
<v Speaker 1>imagine if the Nazis hadn't come along and used it.

0:44:10.480 --> 0:44:13.319
<v Speaker 1>But like, there's an alternate reality in which there's just

0:44:13.360 --> 0:44:16.600
<v Speaker 1>swastikas all over the place. People are like fucking Jim Bros.

0:44:16.600 --> 0:44:19.160
<v Speaker 1>Are getting tattooed with them and not as a Nazi thing.

0:44:19.239 --> 0:44:21.960
<v Speaker 3>Yeah, this does explain the ending of mad men like

0:44:22.000 --> 0:44:22.359
<v Speaker 3>a lot.

0:44:23.440 --> 0:44:27.560
<v Speaker 1>Yeah. So Carlsburg used it on their beer bottles, and

0:44:27.640 --> 0:44:29.840
<v Speaker 1>the Boy Scouts take it up as one of their symbols.

0:44:30.080 --> 0:44:32.560
<v Speaker 1>And I'm going to quote now from a book by

0:44:32.600 --> 0:44:35.400
<v Speaker 1>a guy named Stephen Heller, who writes an excellent, excellent

0:44:35.480 --> 0:44:37.280
<v Speaker 1>history book about the swastika's origin.

0:44:37.600 --> 0:44:38.040
<v Speaker 3>Quote.

0:44:38.320 --> 0:44:41.399
<v Speaker 1>The Boy Scouts established an Order of the White Swastika

0:44:41.400 --> 0:44:45.240
<v Speaker 1>in Portsmouth, Ohio, Camp Russell, New York, and Saint Joseph, Missouri.

0:44:45.480 --> 0:44:48.760
<v Speaker 1>Over the course of twelve weekends, Scouts completed twelve different skills.

0:44:49.000 --> 0:44:52.760
<v Speaker 1>Boys who fulfilled their tasks received a white Swastika badge.

0:44:53.040 --> 0:44:56.720
<v Speaker 1>I'm going I guess the value of that dropped real precipitously.

0:44:56.840 --> 0:45:03.160
<v Speaker 1>In the mid thirties, Wow, the Girls Club of America

0:45:03.200 --> 0:45:06.480
<v Speaker 1>also took up the symbol, and they named their popular

0:45:06.600 --> 0:45:11.520
<v Speaker 1>magazine the Swastika. That was the Girls Club's official magazine.

0:45:11.520 --> 0:45:15.880
<v Speaker 1>From nineteen fourteen to nineteen eighteen, Every Girls Club member

0:45:16.080 --> 0:45:19.640
<v Speaker 1>would receive a colorful magazine studded with the future symbol

0:45:19.640 --> 0:45:22.680
<v Speaker 1>of the Third Reich. Members would save for weeks in

0:45:22.800 --> 0:45:25.040
<v Speaker 1>order to be able to afford the club's most coveted

0:45:25.040 --> 0:45:28.959
<v Speaker 1>piece of merch, a diamond covered swastika pin. One add

0:45:29.040 --> 0:45:33.440
<v Speaker 1>cheerfully proclaims what every girl wants her own swastika.

0:45:35.040 --> 0:45:38.520
<v Speaker 5>God.

0:45:39.200 --> 0:45:43.160
<v Speaker 1>Absolutely, these are not fascists. There's nothing problematic about these.

0:45:43.200 --> 0:45:45.400
<v Speaker 1>But you cannot find an issue of the swastika that

0:45:45.440 --> 0:45:48.800
<v Speaker 1>doesn't look like straight up Nazi propaganda, right, and it makes.

0:45:48.640 --> 0:45:50.560
<v Speaker 5>Everything so confusing?

0:45:49.760 --> 0:45:55.359
<v Speaker 4>And what is can we Nazim's because America?

0:45:55.440 --> 0:45:55.680
<v Speaker 1>Can we?

0:45:55.760 --> 0:45:58.120
<v Speaker 2>Yeah, it's just this thing that you're showing us.

0:45:58.080 --> 0:46:00.799
<v Speaker 1>Robert Chelsea, do you want to take that home?

0:46:01.000 --> 0:46:01.680
<v Speaker 2>You want to try that?

0:46:01.880 --> 0:46:05.000
<v Speaker 5>Because it's okay, choice, okay.

0:46:05.520 --> 0:46:09.200
<v Speaker 4>So in large letters on the top, it says the

0:46:09.280 --> 0:46:13.279
<v Speaker 4>Swastika written and issued. Wait it says written issued and

0:46:13.360 --> 0:46:15.640
<v Speaker 4>read by the Girls Club. On either side of that,

0:46:15.680 --> 0:46:19.600
<v Speaker 4>we have two swastikas, and then below that a glamorous

0:46:20.440 --> 0:46:23.719
<v Speaker 4>girl scout girl club member who's wearing kind of like

0:46:23.960 --> 0:46:26.759
<v Speaker 4>a big bow in her hair, and she's got like

0:46:26.760 --> 0:46:30.359
<v Speaker 4>a handkerchief tied around her neck and she's just kind

0:46:30.360 --> 0:46:33.040
<v Speaker 4>of looking up in a glamorous look.

0:46:33.280 --> 0:46:34.160
<v Speaker 5>And then it says.

0:46:34.600 --> 0:46:38.200
<v Speaker 4>Cheru blike at the same time cheru blike, yeah, definitely

0:46:38.280 --> 0:46:41.160
<v Speaker 4>chero blike. But there's like a little undercurrent of like

0:46:41.320 --> 0:46:43.480
<v Speaker 4>something controversial about her.

0:46:43.520 --> 0:46:44.239
<v Speaker 5>I don't know what it is.

0:46:44.480 --> 0:46:48.640
<v Speaker 4>But then it says junior, seniors, everybody. And then it

0:46:48.719 --> 0:46:50.279
<v Speaker 4>gets really small and I carry it.

0:46:51.120 --> 0:46:54.640
<v Speaker 1>Here's one more month, Yeah.

0:46:55.560 --> 0:47:02.319
<v Speaker 4>Winning a prize in the big.

0:46:59.360 --> 0:47:04.280
<v Speaker 1>Big second contest. I just love that. What every girl

0:47:04.360 --> 0:47:10.520
<v Speaker 1>wants a swastika of her own. Oh incredible, here's ads.

0:47:16.400 --> 0:47:20.760
<v Speaker 1>We're back. So by the time the Girls Club adopts

0:47:20.760 --> 0:47:24.040
<v Speaker 1>the swastika, it is already in use by certain elements

0:47:24.080 --> 0:47:27.520
<v Speaker 1>of the European occultist far right. Now. One of the

0:47:27.560 --> 0:47:30.680
<v Speaker 1>most influential figures here is a guy named Jorg Lonz

0:47:30.760 --> 0:47:34.480
<v Speaker 1>von Liebenfels or Adolph Lands is his real name. He

0:47:34.560 --> 0:47:37.320
<v Speaker 1>calls himself again, whenever you see one of these guys

0:47:37.320 --> 0:47:39.640
<v Speaker 1>who doesn't, who decides to pick up a name with

0:47:39.680 --> 0:47:41.840
<v Speaker 1>a Vaughan in it, they're trying to pretend to be

0:47:42.360 --> 0:47:47.400
<v Speaker 1>German nobility. So Adolph Lands is a Christian gnostic and

0:47:47.440 --> 0:47:50.640
<v Speaker 1>a former member of the Cistercian Order, or at least

0:47:50.640 --> 0:47:52.799
<v Speaker 1>an initiate into the Cistercian Order. I don't think he've

0:47:52.800 --> 0:47:55.440
<v Speaker 1>everfunk comes a full member. In eighteen ninety two, he

0:47:55.520 --> 0:47:58.279
<v Speaker 1>experienced a vision that caused convinced him that there was

0:47:58.320 --> 0:48:01.520
<v Speaker 1>a coming war between Arian and the lesser races of

0:48:01.600 --> 0:48:04.560
<v Speaker 1>the world. So he decides to dedicate his life to

0:48:04.640 --> 0:48:08.719
<v Speaker 1>preparing the ground for such a conflict. In eighteen ninety nine,

0:48:08.719 --> 0:48:11.680
<v Speaker 1>he founds what he calls the Order of the New Templar.

0:48:12.239 --> 0:48:16.160
<v Speaker 1>It focuses on advocating for racial purity and controlled breeding.

0:48:16.600 --> 0:48:20.480
<v Speaker 1>It also pushed what Lands calls an aero Christian doctrine,

0:48:20.760 --> 0:48:24.280
<v Speaker 1>which is in many ways a precursor for Nazism. Now.

0:48:24.680 --> 0:48:27.400
<v Speaker 1>Lands is very much a medievalist, and he is obsessed

0:48:27.440 --> 0:48:30.520
<v Speaker 1>with a somewhat historically questionable view that the Templars of

0:48:30.560 --> 0:48:33.600
<v Speaker 1>the Crusades had been fighting a secret war to wipe

0:48:33.640 --> 0:48:36.839
<v Speaker 1>out evil rather than they were operating like a bank

0:48:36.960 --> 0:48:40.719
<v Speaker 1>basically right, Like that's you know. So he decides he's

0:48:40.760 --> 0:48:43.319
<v Speaker 1>going to revive the order and he runs it from

0:48:43.400 --> 0:48:47.560
<v Speaker 1>Cassel Werfenstein. Yes, if you're a fan of those video games,

0:48:47.800 --> 0:48:50.759
<v Speaker 1>this is the actual origin of all of that shit. Yeah,

0:48:50.800 --> 0:48:55.640
<v Speaker 1>castl Werfenstein. So he starts carrying out ceremonies, occult ceremonies

0:48:55.640 --> 0:48:58.680
<v Speaker 1>there dedicated to the Aryans and sort of this like

0:48:58.760 --> 0:49:02.440
<v Speaker 1>coming war with the lesser races, and all of those

0:49:02.480 --> 0:49:05.319
<v Speaker 1>ceremonies are conducted under a new flag that he has

0:49:05.360 --> 0:49:09.120
<v Speaker 1>designed for himself, a red swastika and blue lilies on

0:49:09.200 --> 0:49:12.680
<v Speaker 1>a golden background. In nineteen oh five, he founds a

0:49:12.680 --> 0:49:18.000
<v Speaker 1>magazine Ostara, which is the most racist magazine that you

0:49:18.040 --> 0:49:20.640
<v Speaker 1>can imagine, more or less, and the cover of it,

0:49:20.719 --> 0:49:23.720
<v Speaker 1>the logo is a drawing of a knight wearing robes

0:49:23.760 --> 0:49:27.480
<v Speaker 1>that look a little clanny, and they're bedecked with swastikas. Right,

0:49:27.640 --> 0:49:30.840
<v Speaker 1>just this fucking night couldn't have more swastikas on sass.

0:49:31.480 --> 0:49:35.000
<v Speaker 1>So midway through World War One and like nineteen sixteen,

0:49:35.120 --> 0:49:39.600
<v Speaker 1>Lonz creates the term ariosophie to describe his new brand

0:49:39.640 --> 0:49:43.520
<v Speaker 1>of Aryan race science. Among other things, he advocates for

0:49:43.640 --> 0:49:48.239
<v Speaker 1>keeping brood mothers in convents for Aryan stud males to impregnate.

0:49:49.040 --> 0:49:52.200
<v Speaker 1>This is more or less the policy that Heinrich Himmler,

0:49:52.239 --> 0:49:55.240
<v Speaker 1>who also later will have a castle where he carries

0:49:55.280 --> 0:49:58.880
<v Speaker 1>out occult rituals, would attempt to follow. For the SS right,

0:49:58.920 --> 0:50:00.920
<v Speaker 1>they have a Libans born program that is very much

0:50:00.960 --> 0:50:04.000
<v Speaker 1>based on lands as ideas I actually read, you might

0:50:04.040 --> 0:50:07.200
<v Speaker 1>find this fascinating, Jelsey. I read a book recently. It's

0:50:07.200 --> 0:50:12.480
<v Speaker 1>called Swastikan Night, and it is a kind of dystopian

0:50:12.880 --> 0:50:18.040
<v Speaker 1>future fiction about a future world where like the Nazis

0:50:18.560 --> 0:50:21.839
<v Speaker 1>and Japan kind of split the world between them, and

0:50:22.080 --> 0:50:25.319
<v Speaker 1>seven hundred years after the victory of the Nazis, they

0:50:25.360 --> 0:50:29.560
<v Speaker 1>have basically wiped out the concept of women as like

0:50:29.600 --> 0:50:32.200
<v Speaker 1>a part of the human race. They're only used for breeding.

0:50:32.560 --> 0:50:35.759
<v Speaker 1>The Nazis are all kind of like, it's kind of

0:50:35.760 --> 0:50:37.839
<v Speaker 1>this almost Greek thing where they like, you know, have

0:50:38.200 --> 0:50:41.080
<v Speaker 1>a lot of these sort of like relationships with each

0:50:41.120 --> 0:50:44.160
<v Speaker 1>other that are It's an odd book. What's interesting about

0:50:44.200 --> 0:50:46.080
<v Speaker 1>it is that it was written in nineteen thirty seven

0:50:46.200 --> 0:50:49.560
<v Speaker 1>by an early feminist, So it's this like treatise because

0:50:49.600 --> 0:50:53.279
<v Speaker 1>her attitude is that the root of like Nazi authoritarianism

0:50:53.840 --> 0:50:56.640
<v Speaker 1>was the domination of women by men, and so it's

0:50:56.680 --> 0:51:00.239
<v Speaker 1>this her kind of meditation on what society men would

0:51:00.239 --> 0:51:04.200
<v Speaker 1>build if they could eliminate women effectively. It's a really

0:51:04.280 --> 0:51:07.760
<v Speaker 1>interesting book. It is probably the book that inspires nineteen

0:51:07.800 --> 0:51:11.160
<v Speaker 1>eighty four or Well takes a number of structural elements

0:51:11.200 --> 0:51:16.040
<v Speaker 1>from the book fascinating. The Feminist Press has a version

0:51:16.080 --> 0:51:18.719
<v Speaker 1>of it that they put out with a really good forward.

0:51:18.760 --> 0:51:21.040
<v Speaker 1>I devoured it in about an afternoon. Really interesting book,

0:51:21.040 --> 0:51:24.280
<v Speaker 1>Swastika Night. But it's very much based because again, nineteen

0:51:24.400 --> 0:51:28.400
<v Speaker 1>thirty seven is when this book gets written. One of

0:51:28.400 --> 0:51:30.760
<v Speaker 1>the interesting things about it is that, like in Envisioning

0:51:30.800 --> 0:51:33.279
<v Speaker 1>a Nazi Future, there's no reference to Himmler or the

0:51:33.440 --> 0:51:36.000
<v Speaker 1>SS because in thirty seven he wasn't really as big

0:51:36.040 --> 0:51:38.279
<v Speaker 1>of a figure in the Nazis that like somebody in

0:51:39.200 --> 0:51:41.600
<v Speaker 1>the UK or whatever would have known about. But the

0:51:41.680 --> 0:51:44.600
<v Speaker 1>author of that book is really familiar with Lands and

0:51:44.680 --> 0:51:46.600
<v Speaker 1>with a lot of the stuff Lands is saying about

0:51:46.640 --> 0:51:49.480
<v Speaker 1>his desire to sort of take women out of society

0:51:49.520 --> 0:51:53.200
<v Speaker 1>and make them into brood mares for the anyway, interesting stuff.

0:51:53.280 --> 0:51:55.960
<v Speaker 1>Check out swastika Knight. If you're interested in that kind

0:51:56.000 --> 0:52:02.240
<v Speaker 1>of thing, it's a fascinating piece of history. So LANs

0:52:03.040 --> 0:52:06.879
<v Speaker 1>has his castle, he's doing his proto Nazi rituals, right.

0:52:07.360 --> 0:52:10.879
<v Speaker 1>He's got this magazine Ostara, and he's got this swastika

0:52:10.920 --> 0:52:14.000
<v Speaker 1>flag that's becoming increasingly influential on like this chunk of

0:52:14.040 --> 0:52:17.200
<v Speaker 1>the occult anti Semitic rite. And one of the things

0:52:17.200 --> 0:52:19.760
<v Speaker 1>we know is that Hitler is a frequent enough reader

0:52:19.800 --> 0:52:22.600
<v Speaker 1>of Ostara that kind of during his rise to power,

0:52:22.680 --> 0:52:25.239
<v Speaker 1>he visits Lands to get copies of issues of the

0:52:25.280 --> 0:52:28.960
<v Speaker 1>magazine that he had been missing. Lanza's ideas and his

0:52:29.120 --> 0:52:32.120
<v Speaker 1>use of the swastika were hugely influential in the growing

0:52:32.160 --> 0:52:34.600
<v Speaker 1>far right, which is going to be supercharged when the

0:52:34.600 --> 0:52:39.279
<v Speaker 1>German army collapses in nineteen eighteen. Now, nineteen eighteen is

0:52:39.320 --> 0:52:42.920
<v Speaker 1>coincidentally the year the Girls Club stops using the swastika

0:52:42.960 --> 0:52:47.600
<v Speaker 1>for their magazine. Yeah, this might have had something to

0:52:47.680 --> 0:52:51.080
<v Speaker 1>do with the fact that after the Germany loses you

0:52:51.120 --> 0:52:53.600
<v Speaker 1>start seeing a lot more swastikas on a lot more

0:52:53.680 --> 0:52:56.799
<v Speaker 1>like murderous far right militias. Maybe the Girls Club didn't

0:52:56.800 --> 0:52:59.680
<v Speaker 1>want that press, you know that it might have been

0:52:59.719 --> 0:53:01.320
<v Speaker 1>a fall.

0:53:01.280 --> 0:53:04.360
<v Speaker 4>And it's so interesting because like, I don't know, obviously,

0:53:04.560 --> 0:53:07.440
<v Speaker 4>there's a lot of misconceptions about Americans in the nineteen

0:53:07.480 --> 0:53:12.840
<v Speaker 4>thirties and what we thought about, you know, the white race,

0:53:12.920 --> 0:53:16.040
<v Speaker 4>and sure, and it was very much like our context

0:53:16.120 --> 0:53:19.480
<v Speaker 4>and our ideas were simultaneously inspiring the Nazis.

0:53:19.719 --> 0:53:20.399
<v Speaker 5>We also have.

0:53:20.480 --> 0:53:24.440
<v Speaker 4>This like huge rise of the KKK again, where the

0:53:24.520 --> 0:53:28.000
<v Speaker 4>KKK becomes like kind of heroic. It's a very strange

0:53:28.040 --> 0:53:30.799
<v Speaker 4>time in American history that I think we simplify because

0:53:30.840 --> 0:53:34.000
<v Speaker 4>it's like, oh, the United States versus the Nazis, and

0:53:34.560 --> 0:53:37.440
<v Speaker 4>we're some kind of anti fascist heroes when really we're

0:53:37.480 --> 0:53:42.279
<v Speaker 4>extremely fascist ourselves. And I don't know, it's interesting that

0:53:42.520 --> 0:53:44.919
<v Speaker 4>it went as long as it did. But I'm glad

0:53:45.000 --> 0:53:47.400
<v Speaker 4>the girls decided, you know, this isn't for us.

0:53:47.800 --> 0:53:50.239
<v Speaker 1>Yeah, the girls, though, mixed the right call here in

0:53:50.360 --> 0:53:54.759
<v Speaker 1>nineteen eighteen really really good time to stop using the swastika.

0:53:54.920 --> 0:53:57.560
<v Speaker 4>I mean there were KKK beauty pageants not you know,

0:53:57.600 --> 0:54:00.040
<v Speaker 4>a decade or so before, so they could have gone either.

0:54:00.600 --> 0:54:04.120
<v Speaker 1>Yeah, yeah, yeah, and like not to say that. Yeah. Anyway,

0:54:04.640 --> 0:54:07.120
<v Speaker 1>very very interesting period of time. And also the stuff

0:54:07.120 --> 0:54:10.440
<v Speaker 1>we're talking about with how the swastika becomes very wrapped

0:54:10.480 --> 0:54:13.839
<v Speaker 1>up in the minds of Americans with like Native Americans

0:54:14.360 --> 0:54:16.839
<v Speaker 1>is part of like has an impact on Hitler because

0:54:16.920 --> 0:54:21.919
<v Speaker 1>Hitler kind of idolizes Indigenous Americans at the same time

0:54:21.960 --> 0:54:27.399
<v Speaker 1>that he idolizes the US government's use of camps and

0:54:27.560 --> 0:54:30.520
<v Speaker 1>genocidal tactics. In order to take the content he's like,

0:54:30.800 --> 0:54:33.239
<v Speaker 1>it's confused. You can refer back to our Karl May

0:54:33.320 --> 0:54:37.759
<v Speaker 1>episodes for sort of more on that. But yeah. The

0:54:37.800 --> 0:54:41.800
<v Speaker 1>first use documented use by like a far right millet

0:54:41.840 --> 0:54:45.840
<v Speaker 1>militia in Germany using a swastika was in nineteen nineteen,

0:54:45.880 --> 0:54:49.439
<v Speaker 1>when a specific unit of Freikorps veterans who gunned down

0:54:49.520 --> 0:54:52.319
<v Speaker 1>socialists in the street, like have a bunch of swastikas

0:54:52.320 --> 0:54:54.919
<v Speaker 1>on their shit, Like that's the symbol that they fight under.

0:54:55.000 --> 0:54:58.600
<v Speaker 1>This is after the empire kind of collapses. The use

0:54:58.640 --> 0:55:01.799
<v Speaker 1>of swastika's buy the different right wing militant groups is

0:55:01.840 --> 0:55:04.480
<v Speaker 1>seen as a hopeful sign by the Aryan nerds and

0:55:04.520 --> 0:55:08.400
<v Speaker 1>anti Semitic wizards of the Tula Society, which strongly pushed

0:55:08.400 --> 0:55:10.440
<v Speaker 1>for the use of swastikas among the far right in

0:55:10.480 --> 0:55:13.680
<v Speaker 1>Weimar Germany. The Nazi Party is going to adopt the

0:55:13.719 --> 0:55:18.520
<v Speaker 1>symbol in nineteen twenty, and Hitler probably picks the swastika

0:55:18.719 --> 0:55:21.520
<v Speaker 1>because of Lonz's use of it in his flag, because

0:55:21.520 --> 0:55:25.600
<v Speaker 1>again Hitler's reading Ostara. But there's other stories you'll get

0:55:25.640 --> 0:55:27.800
<v Speaker 1>as to why Hitler picked it that are a little weirder.

0:55:28.840 --> 0:55:31.799
<v Speaker 1>One that you sometimes hear that's almost certainly not true,

0:55:31.920 --> 0:55:35.000
<v Speaker 1>almost like ninety nine percent definitely apocryphal, is that his

0:55:35.160 --> 0:55:38.320
<v Speaker 1>mom had a swastika on her headstone when she was buried,

0:55:38.320 --> 0:55:41.480
<v Speaker 1>and the symbols stuck in Hitler's mind ever since. People

0:55:41.520 --> 0:55:44.000
<v Speaker 1>were because it was kind of a good luck symbol.

0:55:44.000 --> 0:55:46.600
<v Speaker 1>There's definitely people that get like a swastika on their

0:55:46.600 --> 0:55:48.879
<v Speaker 1>gravestone back in the day. It's not like I don't

0:55:48.920 --> 0:55:52.000
<v Speaker 1>think it's impossible. But this is much less credible to

0:55:52.040 --> 0:55:54.840
<v Speaker 1>me than the explanation Stephen Heller gives in his book

0:55:56.160 --> 0:55:59.440
<v Speaker 1>and excerpts from Minkomf devoted to symbolism. He wrote in

0:55:59.480 --> 0:56:03.440
<v Speaker 1>a stupa defyingly formal prose, replete with euphemisms and epithets

0:56:03.480 --> 0:56:07.800
<v Speaker 1>that enforced his own self styled heroism, yet convincingly argued

0:56:07.800 --> 0:56:10.200
<v Speaker 1>the need for a powerful symbol, emblem, logo for his

0:56:10.280 --> 0:56:13.000
<v Speaker 1>nascent party. The lack of such symbols, he wrote, had

0:56:13.000 --> 0:56:15.680
<v Speaker 1>not only disadvantages for the moment, but it was unbearable

0:56:15.719 --> 0:56:18.319
<v Speaker 1>for the future. The disadvantages were above all, that the

0:56:18.320 --> 0:56:21.200
<v Speaker 1>party members lacked every outward sign of their belonging together.

0:56:21.280 --> 0:56:24.120
<v Speaker 1>Well for the future, it was unbearable to lack an

0:56:24.200 --> 0:56:26.120
<v Speaker 1>emblem that had the character of a symbol of the

0:56:26.160 --> 0:56:28.160
<v Speaker 1>movement and that as such could be put up in

0:56:28.200 --> 0:56:32.320
<v Speaker 1>opposition to the international the Communists. Hitler called the first

0:56:32.320 --> 0:56:34.920
<v Speaker 1>time he witnessed a large Communist Party rally, where he

0:56:34.960 --> 0:56:37.400
<v Speaker 1>saw a sea of red on flags, scarves, and flowers

0:56:37.440 --> 0:56:40.439
<v Speaker 1>among the one hundred thousand in attendants, I personally could

0:56:40.440 --> 0:56:42.720
<v Speaker 1>feel and understand how easily a man of the people

0:56:42.719 --> 0:56:45.319
<v Speaker 1>succumbs to the suggestive charms of such a grand and

0:56:45.400 --> 0:56:50.319
<v Speaker 1>massive spectacle. And so that's probably like that's realistically, he's

0:56:50.360 --> 0:56:52.600
<v Speaker 1>looking for a powerful symbol that can be like that

0:56:52.719 --> 0:56:55.319
<v Speaker 1>red flag that people can like you nine under that's

0:56:55.320 --> 0:56:59.200
<v Speaker 1>already iconic, and the swastikas everywhere. People are comfortable with it.

0:56:59.280 --> 0:57:02.640
<v Speaker 1>People like it. It's a striking symbol. The fact that

0:57:02.680 --> 0:57:04.879
<v Speaker 1>it's been around for so long is proof that it's

0:57:04.920 --> 0:57:08.120
<v Speaker 1>just some people are just drawn to swastika's right even today,

0:57:08.520 --> 0:57:11.040
<v Speaker 1>Like the best if you're writing a fucking book that

0:57:11.160 --> 0:57:14.279
<v Speaker 1>it involves in any way the fucking Nazis, right, best

0:57:14.280 --> 0:57:15.879
<v Speaker 1>thing you do is stick a swastika on the cover

0:57:15.960 --> 0:57:18.760
<v Speaker 1>because motherfucker's walking past and the book stopped. Like they'll

0:57:18.760 --> 0:57:20.680
<v Speaker 1>stop at a swastika to look at it, right.

0:57:20.600 --> 0:57:22.960
<v Speaker 5>And they already have good feelings about it at that point.

0:57:23.440 --> 0:57:27.160
<v Speaker 4>Yeah, right, it's like, oh, it's a swastika, yeah.

0:57:27.120 --> 0:57:30.520
<v Speaker 1>Yeah, the the pschon, Yeah, it's it's something else.

0:57:31.360 --> 0:57:31.760
<v Speaker 5>Wow.

0:57:32.560 --> 0:57:37.080
<v Speaker 1>So the specific version of the swastika that Hitler adopts

0:57:37.160 --> 0:57:40.200
<v Speaker 1>is called the hogen Kroi, which is just a German

0:57:40.320 --> 0:57:44.200
<v Speaker 1>term for hooked cross. Right, uh, it faces the opposite direction.

0:57:44.320 --> 0:57:46.960
<v Speaker 1>Hitler's gonna like flip the swastika around from its most

0:57:46.960 --> 0:57:50.080
<v Speaker 1>common use, but others you can find swastikas that are

0:57:50.080 --> 0:57:52.960
<v Speaker 1>flipped around prior to the Nazis. He's not like the

0:57:52.960 --> 0:57:55.840
<v Speaker 1>only person who ever does this. Where Hitler is unique

0:57:55.880 --> 0:57:59.320
<v Speaker 1>is that he tilts his hogen Kroi forty five degrees

0:57:59.360 --> 0:58:01.320
<v Speaker 1>from horizont And this is the way you're going to

0:58:01.360 --> 0:58:04.000
<v Speaker 1>see it in like the nineteen thirty five national flag

0:58:04.040 --> 0:58:07.680
<v Speaker 1>of Germany, his swastika is usually tilted right. There is

0:58:07.840 --> 0:58:10.040
<v Speaker 1>one more point that kind of argues for the fact

0:58:10.080 --> 0:58:13.680
<v Speaker 1>that Lansa's swastika flag in his magazine Ostara was the

0:58:13.720 --> 0:58:16.280
<v Speaker 1>influence for Hitler, which is that when the Nazis come

0:58:16.320 --> 0:58:21.200
<v Speaker 1>to power, Hitler bans Lonzo's writing, and Heller suggests, quote,

0:58:21.240 --> 0:58:23.600
<v Speaker 1>this is perhaps a way for Hitler to disavow the

0:58:23.640 --> 0:58:25.880
<v Speaker 1>fact that he was influenced by anything other than his

0:58:25.920 --> 0:58:27.480
<v Speaker 1>own immaculate conceptions.

0:58:28.720 --> 0:58:32.120
<v Speaker 4>Uh huh, yeah, yeah, that makes sense to me.

0:58:32.360 --> 0:58:34.880
<v Speaker 1>Classic Hitler, Yeah, classic Hitler.

0:58:36.800 --> 0:58:37.000
<v Speaker 4>Yeah.

0:58:38.280 --> 0:58:40.560
<v Speaker 1>While the symbol at this point started to accrue a

0:58:40.600 --> 0:58:44.560
<v Speaker 1>distinctly more toxic sheene for Europeans Americans than is now,

0:58:44.840 --> 0:58:47.520
<v Speaker 1>didn't give two tugs of a dead rat's tail what

0:58:47.600 --> 0:58:50.840
<v Speaker 1>those creepy foreigners were during over in Europe. The nineteen

0:58:50.920 --> 0:58:55.040
<v Speaker 1>twenties are a banner age for utterly meaningless uses of

0:58:55.080 --> 0:58:58.600
<v Speaker 1>the swastika in any fucking product imaginable. And I think

0:58:58.640 --> 0:59:02.680
<v Speaker 1>my favorite in retrospac funny swastika themed product is probably

0:59:02.720 --> 0:59:06.480
<v Speaker 1>this tube of fresh antiseptic deodorant cream, which also heals

0:59:06.480 --> 0:59:10.400
<v Speaker 1>and suits tender sore feet for just ten cents, little,

0:59:10.640 --> 0:59:13.600
<v Speaker 1>just a little, swastika underneath the picture of this lady

0:59:13.600 --> 0:59:15.360
<v Speaker 1>who smells nice thanks to the cream.

0:59:15.680 --> 0:59:20.080
<v Speaker 5>Yeah, it's sort of a creepy man, right, he's.

0:59:19.880 --> 0:59:22.560
<v Speaker 1>Doing it, Joe Biden, Right, he's sniffing her hair, you know,

0:59:22.640 --> 0:59:26.600
<v Speaker 1>because he likes this. He likes Nazi swastika cream so much.

0:59:26.760 --> 0:59:28.960
<v Speaker 3>You can't see his hands in the photo, but you

0:59:29.000 --> 0:59:33.959
<v Speaker 3>know they're not supposed to be a delightful antiseptic deyodor cream.

0:59:34.120 --> 0:59:38.720
<v Speaker 2>Yeah, no, no.

0:59:39.440 --> 0:59:41.720
<v Speaker 4>And there was just so much meaningless shit being pumped

0:59:41.720 --> 0:59:43.960
<v Speaker 4>out in the twenties anyway, because it was like we

0:59:44.040 --> 0:59:47.840
<v Speaker 4>had so much surplus money after the First war. It's

0:59:47.880 --> 0:59:50.960
<v Speaker 4>just a big party, and you know, let's let's party

0:59:50.960 --> 0:59:52.640
<v Speaker 4>with the products we make too, apparently.

0:59:53.160 --> 0:59:55.439
<v Speaker 1>Yeah, And it's I think you have to a lot

0:59:55.440 --> 0:59:57.320
<v Speaker 1>of times when people are talking about why the Nazis

0:59:57.360 --> 1:00:00.280
<v Speaker 1>adopted swastika, they focus a lot like we have on

1:00:00.360 --> 1:00:03.360
<v Speaker 1>lawns and these kind of occult use of it, this

1:00:03.440 --> 1:00:05.680
<v Speaker 1>sort of attitude of its involvement with the arians, And

1:00:05.720 --> 1:00:08.160
<v Speaker 1>that's obviously an important part of the story, but it's

1:00:08.200 --> 1:00:12.520
<v Speaker 1>equally important that the swastika is a benign symbol. It's

1:00:12.640 --> 1:00:14.680
<v Speaker 1>such a benign and safe symbol that you could use

1:00:14.720 --> 1:00:17.080
<v Speaker 1>it to self fucking deodorant, right. Yeah, that is a

1:00:17.120 --> 1:00:21.000
<v Speaker 1>big part of why it's a useful symbol for the Nazis.

1:00:22.240 --> 1:00:24.840
<v Speaker 1>And this kind of comes back to We talk a

1:00:24.840 --> 1:00:26.640
<v Speaker 1>lot on the show when we're talking about fascism. We

1:00:26.640 --> 1:00:29.920
<v Speaker 1>talk a lot about Umberdo Echoes definition of fascism. And

1:00:30.000 --> 1:00:32.600
<v Speaker 1>one of the things Echo notes that is among his

1:00:32.760 --> 1:00:38.720
<v Speaker 1>kind of most salient observations is that fascism. One an

1:00:38.800 --> 1:00:42.120
<v Speaker 1>inherent characteristic of fascism is that it is syncretic. And

1:00:42.160 --> 1:00:45.720
<v Speaker 1>here's how he describes what that means. Syncretism is not only,

1:00:45.760 --> 1:00:48.480
<v Speaker 1>as the dictionary says, the combination of different forms of

1:00:48.520 --> 1:00:52.920
<v Speaker 1>belief or practice, such a combination which tall must tolerate contradictions.

1:00:53.280 --> 1:00:56.120
<v Speaker 1>Each of the original messages contains a sliver of wisdom,

1:00:56.120 --> 1:00:58.800
<v Speaker 1>and wherever they seem to say different or incompatible things,

1:00:58.960 --> 1:01:01.880
<v Speaker 1>it is only because all are eluding allegorically to the

1:01:01.920 --> 1:01:04.880
<v Speaker 1>same primeval truth. If you browse in the shelves that

1:01:04.920 --> 1:01:08.120
<v Speaker 1>in American bookstores are labeled New Age, you can find

1:01:08.280 --> 1:01:10.720
<v Speaker 1>there even Saint Augustine, who as far as I know,

1:01:10.880 --> 1:01:14.320
<v Speaker 1>was not a fascist. But combining Saint Augustine and stone Hinge,

1:01:14.680 --> 1:01:17.400
<v Speaker 1>that is a symbol of her fascism. And one of

1:01:17.440 --> 1:01:20.040
<v Speaker 1>the things that Echoes talking about here is this use

1:01:20.240 --> 1:01:28.080
<v Speaker 1>of pieces of history, of iconography, of mythology that you

1:01:28.120 --> 1:01:31.280
<v Speaker 1>can adopt into a fascist understanding of the world, and

1:01:31.320 --> 1:01:33.880
<v Speaker 1>that acts as kind of a llure to different groups

1:01:33.880 --> 1:01:36.160
<v Speaker 1>of people. Right, you know, you're into stone Hinge, you're

1:01:36.200 --> 1:01:38.640
<v Speaker 1>into Aliens, you're into you know, Saint Augustine. If you

1:01:38.720 --> 1:01:40.640
<v Speaker 1>can find a way to kind of like it's this

1:01:40.640 --> 1:01:44.160
<v Speaker 1>thing QAnon does, right. It absorbs everything sort of into

1:01:44.240 --> 1:01:47.440
<v Speaker 1>itself as part of its ability to spread, and.

1:01:47.200 --> 1:01:48.960
<v Speaker 5>It's creating a full mythology.

1:01:49.320 --> 1:01:51.320
<v Speaker 4>Yeah right, it's like creating that was a big part

1:01:51.360 --> 1:01:55.840
<v Speaker 4>I think of Nazi Germany was taking the Old Germany

1:01:55.920 --> 1:01:56.600
<v Speaker 4>and bringing it back.

1:01:56.640 --> 1:01:58.320
<v Speaker 5>But it wasn't factually the Old Germany.

1:01:58.320 --> 1:02:00.600
<v Speaker 4>And it's just pieces of different folk that made it

1:02:00.640 --> 1:02:05.160
<v Speaker 4>sound badass and heroic and strong. And that's how powerful

1:02:05.200 --> 1:02:08.000
<v Speaker 4>folklore can be, especially if you take bits and pieces

1:02:08.000 --> 1:02:09.840
<v Speaker 4>of it and build your own shit.

1:02:10.000 --> 1:02:12.960
<v Speaker 1>It's like it doesn't have to it doesn't have to

1:02:13.000 --> 1:02:15.720
<v Speaker 1>be logical, it doesn't have to all fit. You can

1:02:15.760 --> 1:02:19.640
<v Speaker 1>take pieces of Norse mythology and Odin worship and you

1:02:19.680 --> 1:02:22.160
<v Speaker 1>can subsume that into your fashions at the same time

1:02:22.200 --> 1:02:26.920
<v Speaker 1>as you're taking bits of Catholicism, right, Yeah, And likewise

1:02:27.000 --> 1:02:29.439
<v Speaker 1>kind of you take the swastika, the symbol that we've

1:02:29.520 --> 1:02:33.160
<v Speaker 1>all always used, that's been everywhere, and you make it

1:02:33.280 --> 1:02:36.200
<v Speaker 1>yours and the kind of good will. And you know

1:02:36.360 --> 1:02:39.640
<v Speaker 1>nowadays obviously that there's no more good will for the swastika.

1:02:39.640 --> 1:02:42.360
<v Speaker 1>That's just sort of inherent in most cultures at least,

1:02:42.720 --> 1:02:46.560
<v Speaker 1>But back in the day, basically everyone felt fine with

1:02:46.600 --> 1:02:49.640
<v Speaker 1>the swastika. So you make that your thing, and it's

1:02:49.840 --> 1:02:51.800
<v Speaker 1>one of the things that can help draw It makes

1:02:51.800 --> 1:02:55.400
<v Speaker 1>you seem come like less scary, it makes you seem

1:02:55.440 --> 1:02:58.360
<v Speaker 1>more approachable. It's just one of the things that helps

1:02:58.480 --> 1:03:04.760
<v Speaker 1>build the appeal of this movement. And yeah, this is

1:03:05.520 --> 1:03:09.960
<v Speaker 1>good stuff, just good, good shit. So beyond this. By

1:03:10.000 --> 1:03:11.960
<v Speaker 1>the time the Nazis draw close to power in the

1:03:12.040 --> 1:03:15.480
<v Speaker 1>early thirties, they had been marching and bleeding and fighting

1:03:15.560 --> 1:03:18.760
<v Speaker 1>under the swastika for a full decade. Some four hundred

1:03:18.760 --> 1:03:21.920
<v Speaker 1>of them have died in sundry assassinations and street fights

1:03:21.920 --> 1:03:24.480
<v Speaker 1>in the Weimar era, and these men, along with the

1:03:24.520 --> 1:03:27.040
<v Speaker 1>dead of the beer Hall Putsch, had become sainted by

1:03:27.040 --> 1:03:29.920
<v Speaker 1>the party and the bloody flags they fought under, bloody

1:03:29.960 --> 1:03:33.880
<v Speaker 1>swastika flags started to gain a religious significance to the

1:03:33.880 --> 1:03:37.560
<v Speaker 1>devoted in Germany. George L. Moss, one of the twentieth

1:03:37.560 --> 1:03:40.800
<v Speaker 1>centuries historians of Nazi Germany and also a survivor of

1:03:40.840 --> 1:03:44.400
<v Speaker 1>the Holocaust himself, later observed it was the strength of

1:03:44.440 --> 1:03:47.840
<v Speaker 1>fascism in general that it realized as other political movements

1:03:47.840 --> 1:03:50.560
<v Speaker 1>and parties did not, that with the nineteenth century, Europe

1:03:50.560 --> 1:03:53.640
<v Speaker 1>had entered a visual age, the age of political symbols

1:03:53.640 --> 1:03:56.920
<v Speaker 1>such as the national flag or national anthem, which as

1:03:56.960 --> 1:04:00.160
<v Speaker 1>instruments of mass politics, in the end proved more effective

1:04:00.200 --> 1:04:04.000
<v Speaker 1>than any didactic speeches. And that's where we're going to

1:04:04.080 --> 1:04:04.560
<v Speaker 1>end today.

1:04:05.960 --> 1:04:12.600
<v Speaker 4>Wow, I am so I'm just so impressed and intrigued

1:04:12.600 --> 1:04:15.280
<v Speaker 4>by this research. And yeah, I just I had no idea,

1:04:15.320 --> 1:04:17.240
<v Speaker 4>and I honestly feel a little shocked at myself for

1:04:17.320 --> 1:04:18.360
<v Speaker 4>not knowing more about this.

1:04:19.320 --> 1:04:21.600
<v Speaker 1>I mean I did most.

1:04:23.680 --> 1:04:25.040
<v Speaker 5>How I not know about that.

1:04:25.240 --> 1:04:27.560
<v Speaker 1>When I when I read that bit about like, well

1:04:27.600 --> 1:04:29.960
<v Speaker 1>maybe it's from like the fucking the way a cross

1:04:30.000 --> 1:04:33.520
<v Speaker 1>section of a fucking mammoth, you know, tusk looks, I

1:04:33.520 --> 1:04:38.160
<v Speaker 1>had to like sit back and go shit, Huh. That

1:04:38.200 --> 1:04:39.720
<v Speaker 1>actually makes a lot of sense.

1:04:41.760 --> 1:04:44.720
<v Speaker 4>Yeah, And I just love the idea that symbols simultaneously

1:04:44.760 --> 1:04:47.240
<v Speaker 4>appear in different cultures like that. I mean, and I

1:04:47.240 --> 1:04:49.920
<v Speaker 4>think there are these explanations that we can have, but

1:04:49.960 --> 1:04:53.640
<v Speaker 4>there's also something possibly built into our DNA that maybe

1:04:53.680 --> 1:04:57.920
<v Speaker 4>we'll never understand about why we're attracted to certain symbols biologically.

1:04:58.040 --> 1:05:01.440
<v Speaker 4>Maybe they represent something that we're recognized on an unconscious level.

1:05:02.520 --> 1:05:05.040
<v Speaker 1>But yeah, it's just like the use of red is

1:05:05.040 --> 1:05:07.320
<v Speaker 1>an effective color to use for a lot of different

1:05:07.320 --> 1:05:09.120
<v Speaker 1>things because it gets our attention in the same way

1:05:09.120 --> 1:05:11.600
<v Speaker 1>that like I have a little feeder from my chickens

1:05:11.640 --> 1:05:15.480
<v Speaker 1>where they like there's little red nubs because chickens just

1:05:15.520 --> 1:05:18.000
<v Speaker 1>pecket shit that's red because like blood is red. It's

1:05:18.040 --> 1:05:20.000
<v Speaker 1>the same reason why like if one of them gets injured,

1:05:20.040 --> 1:05:22.760
<v Speaker 1>the other others will like start eating it, right they

1:05:22.800 --> 1:05:25.280
<v Speaker 1>see they see red and they go after it. Uh.

1:05:25.920 --> 1:05:29.640
<v Speaker 1>And you know, we don't quite do that, otherwise hospitals

1:05:29.640 --> 1:05:32.760
<v Speaker 1>would be much scarier places. But we do react a

1:05:32.800 --> 1:05:35.400
<v Speaker 1>certain way when we see that color, and it's effective

1:05:35.480 --> 1:05:36.560
<v Speaker 1>for doing certain.

1:05:36.320 --> 1:05:39.080
<v Speaker 4>And you know what else, yellow is the most effective color,

1:05:39.160 --> 1:05:42.200
<v Speaker 4>and that is why buses are painted yellow because our

1:05:42.240 --> 1:05:44.920
<v Speaker 4>eye perceives it, you know, point zero zero and whatever

1:05:46.040 --> 1:05:48.280
<v Speaker 4>percent faster than any other color, you know. And that's

1:05:48.280 --> 1:05:51.240
<v Speaker 4>so that's always happening on levels that we don't recognize

1:05:51.320 --> 1:05:54.240
<v Speaker 4>or understand. But uh, we're always reacting to the world.

1:05:54.280 --> 1:05:56.160
<v Speaker 4>And I think about that all the time. How we're

1:05:56.200 --> 1:06:01.320
<v Speaker 4>reacting to the world. Uh, on an unconscious is biological,

1:06:01.440 --> 1:06:03.840
<v Speaker 4>animalistic level, And there seems to be I don't know,

1:06:03.880 --> 1:06:07.400
<v Speaker 4>there's something about the swastika that feels like a collective

1:06:07.520 --> 1:06:09.560
<v Speaker 4>consciousness type of symbol.

1:06:10.440 --> 1:06:12.400
<v Speaker 1>Yeah, I think there's definitely like that.

1:06:12.480 --> 1:06:12.640
<v Speaker 4>Yeah.

1:06:12.680 --> 1:06:14.600
<v Speaker 1>Again, as you said, that's kind of like a young

1:06:14.800 --> 1:06:18.000
<v Speaker 1>and sort of attitude towards it. I mean, we do

1:06:18.120 --> 1:06:19.840
<v Speaker 1>have this, and who knows how much of that is

1:06:19.960 --> 1:06:22.880
<v Speaker 1>like because we you and I at a certain level,

1:06:22.920 --> 1:06:26.120
<v Speaker 1>I can read this history. Neither of us can see

1:06:26.160 --> 1:06:29.960
<v Speaker 1>the swastika or think about it without thinking about the Nazis.

1:06:29.960 --> 1:06:32.400
<v Speaker 1>It is impossible for a modern person, at least in

1:06:32.440 --> 1:06:34.520
<v Speaker 1>our culture, less the case maybe you go over in

1:06:34.520 --> 1:06:37.160
<v Speaker 1>India and something where someone's first experience with the symbol

1:06:37.280 --> 1:06:39.480
<v Speaker 1>is going to be wildly different. But you and I

1:06:39.600 --> 1:06:43.160
<v Speaker 1>cannot see a swastika even knowing intellectually this stuff and

1:06:43.200 --> 1:06:48.640
<v Speaker 1>not see it as that right even you know, yeah, exactly,

1:06:48.680 --> 1:06:53.120
<v Speaker 1>that's just the way it is. But you know what

1:06:53.240 --> 1:06:57.920
<v Speaker 1>I can see and view objectively is your excellent podcast,

1:06:58.040 --> 1:07:01.440
<v Speaker 1>American Hysteria. Well I can't see it, but I can

1:07:01.480 --> 1:07:02.040
<v Speaker 1>listen to it.

1:07:02.520 --> 1:07:03.760
<v Speaker 4>Yes, do you have?

1:07:03.840 --> 1:07:05.160
<v Speaker 5>Everyone can Yeah?

1:07:05.320 --> 1:07:06.960
<v Speaker 1>Yeah, you want to do your plugs?

1:07:07.200 --> 1:07:07.480
<v Speaker 3>Sure?

1:07:07.520 --> 1:07:09.080
<v Speaker 5>Sure, yeah.

1:07:09.120 --> 1:07:11.800
<v Speaker 4>As you mentioned, we do a show about the fantastical

1:07:11.800 --> 1:07:15.920
<v Speaker 4>thinking of American culture and how that's affected everything from

1:07:16.040 --> 1:07:19.640
<v Speaker 4>you know, even sometimes before colonization, but America as we

1:07:19.720 --> 1:07:24.040
<v Speaker 4>know it breaking down its urban legends, moral panics, conspiracy theories,

1:07:24.400 --> 1:07:28.880
<v Speaker 4>craze as, hoaxes, everything. Anytime that something weird happened in America,

1:07:28.920 --> 1:07:31.880
<v Speaker 4>we're on it and try to explain that thing through

1:07:32.080 --> 1:07:34.439
<v Speaker 4>history and how it changes through the decades and give

1:07:34.480 --> 1:07:37.800
<v Speaker 4>context in that way. Yeah, and you can get it

1:07:37.800 --> 1:07:40.360
<v Speaker 4>anywhere that you find your podcast. We're on Instagram at

1:07:40.360 --> 1:07:44.120
<v Speaker 4>American Hysteria Podcast. And I hope you guys come listen.

1:07:44.680 --> 1:07:47.640
<v Speaker 1>Hell yeah, hell yeah, all right, everybody, this has been

1:07:47.680 --> 1:07:49.959
<v Speaker 1>behind the bastards. I have a novel. It's called After

1:07:50.000 --> 1:07:53.400
<v Speaker 1>the Revolution. You type that title into anything where you

1:07:53.440 --> 1:07:56.640
<v Speaker 1>buy a book from It doesn't matter where or scream

1:07:56.680 --> 1:07:59.200
<v Speaker 1>it into the face of the manager of your favorite

1:07:59.280 --> 1:08:00.600
<v Speaker 1>or least favorite bookstore.

1:08:00.800 --> 1:08:03.200
<v Speaker 3>I thought you, for some reason, you were going to

1:08:03.280 --> 1:08:06.960
<v Speaker 3>say Applebee's Scream scream.

1:08:06.840 --> 1:08:10.600
<v Speaker 1>An applebe the Applebee's manager with what's going to happen

1:08:10.640 --> 1:08:14.760
<v Speaker 1>to him? After the revolution. Famously, Mark said, the two

1:08:14.920 --> 1:08:19.360
<v Speaker 1>classes in society are Applebee's managers and everyone else. And

1:08:19.760 --> 1:08:23.639
<v Speaker 1>one day we will liberate ourselves. My brothers, sisters can't.

1:08:23.479 --> 1:08:24.680
<v Speaker 5>Wait to get that bumpersticker.

1:08:24.960 --> 1:08:31.800
<v Speaker 2>Yeah, and that's the episode.

1:08:33.040 --> 1:08:35.759
<v Speaker 3>Behind the Bastards is a production of cool Zone Media.

1:08:36.120 --> 1:08:39.400
<v Speaker 3>For more from cool Zone Media, visit our website coolzonemedia

1:08:39.560 --> 1:08:42.800
<v Speaker 3>dot com, or check us out on the iHeartRadio app,

1:08:42.840 --> 1:08:45.200
<v Speaker 3>Apple Podcasts, or wherever you get your podcasts.