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Speaker 1: Welcome back to another episode of archimi Is COVID nineteen.

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Speaker 1: I'm your host, Kevin Pollock. Yest that Kevin, Yes, I

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Speaker 1: can't start working at for x IS today. Good, but

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Speaker 1: I digress. Let's meet a Kamis. Shall we in no

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Speaker 1: particular order? Please welcome back Jackie Gonzalez. Hey guys, j

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Speaker 1: g D. What was your favorite comedy film growing up?

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Speaker 1: And does it hold up? I'm immediately well it's Zulander

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Speaker 1: and I'm going to say yeah, absolutely rock solid. Please

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Speaker 1: say Helloa christ Ovarado. Sweet see. Who is the first

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Speaker 1: live comedy performance you saw? Um? It was an improv

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Speaker 1: troupe who that came to my high school from a

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Speaker 1: community college. They're called the Generic Improvisational peep Show with

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Speaker 1: the Jips, and I ended up being a member for

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Speaker 1: seven years when I left high school and uh and

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Speaker 1: did short form at a college at a junior for

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Speaker 1: six years. Yeah, so to say you were inspired by

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Speaker 1: them and this moment it changed. Frankly, it changed the

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Speaker 1: treature trajectory of my life. Yeah. Well then I asked

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Speaker 1: the perfect question. Uh, I had to make it about

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Speaker 1: me again. Sorry, Hey, there's great Katkowski KAO. Who was

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Speaker 1: your first big backstage meet with a famous person. How's

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Speaker 1: Tom Hanks? Was that? Is that good enough? He's on

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Speaker 1: the list. He's on the list of famous. Yeah. The

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Speaker 1: Chicago Film Critics Awards. When I worked for Second City,

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Speaker 1: I went one year and Tom Hanks was presenting an

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Speaker 1: award to Bonnie Hunt. I believe. So he was there.

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Speaker 1: Benicio del Toro was there, Sean Young was there. Full

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Speaker 1: this was your first Yeah, I got him all. I

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Speaker 1: got him all at once. I guess. I also met

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Speaker 1: Muhammad Ali when I was about five. Ah, you buried

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Speaker 1: the league. It's been downhill, but it wasn't backstage. Why

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Speaker 1: there's James Heeney, Johnny Jim. When did you realize you

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Speaker 1: were not going to be a professional athlete? Uh? Well,

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Speaker 1: when I was a freshman in high school, I was

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Speaker 1: in football and I was really good. Um, but I

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Speaker 1: passed out on the field during training week, and afterwards

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Speaker 1: my mom would not let me do football. Okay, it

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Speaker 1: was during like a super hot heat wave, and that

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Speaker 1: changed the trajectory of my life because I was going

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Speaker 1: to totally do football. Yeah, okay, so let me let me,

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Speaker 1: let me, let me back go over a couple of

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Speaker 1: these potholes if I may, Um you, uh, you said

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Speaker 1: you were good at football. I was great, and you

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Speaker 1: were a freshman, where we've we've upgraded into great. I

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Speaker 1: played football by the river and we were allowed to

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Speaker 1: just full on hurt each other. Wall. So this was

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Speaker 1: not organized at school, this football you're talking about. Oh no, No,

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Speaker 1: the football that I played and I was really good

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Speaker 1: at was down by the river with a whole bunch

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Speaker 1: of like, you know, just kids. Okay, alright, so so

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Speaker 1: that's good. That's good to know. Uh. And and what

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Speaker 1: when you're playing football down by the river, which, by

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Speaker 1: the way, those words have never been said. Um, you

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Speaker 1: passed out one day because it was too hot. No,

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Speaker 1: I didn't pass out until I was in gear like

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Speaker 1: doing what I think they call it hell week or

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Speaker 1: I don't know what it is, but when you are

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Speaker 1: about to be a freshman football player, they make you

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Speaker 1: go through like a heavy week and I passed out. Okay,

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Speaker 1: stop saying freshman football player, because that suggests it was

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Speaker 1: organized by the school. That was that wasn't by the river.

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Speaker 1: I went from river football the professional freshman in high

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Speaker 1: school football player. Coach, I'm tapping out, coach, coach I'm

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Speaker 1: tapping out, oh my lord, and last, but no swimming

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Speaker 1: for you. If you think at least it's Joey Greer

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Speaker 1: Sally Jean, why great question? You know what? It all

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Speaker 1: starts at the first letter of that, which is, well,

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Speaker 1: let's just let's just She's L as the first letter,

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Speaker 1: let's do and if we look at L and we

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Speaker 1: sort of L starts, L begins, life, L begins, love,

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Speaker 1: L begins, lollipops, L begin, L begins, begin uh loaders,

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Speaker 1: L begins, and then he passed out down by the river. Folks,

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Speaker 1: Let's do a damn show, Sawi Sai. Almost all of

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Speaker 1: our scene suggestions are gathered from our listeners emails from

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Speaker 1: the Patriots. V I p to become a Patriot supporter

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Speaker 1: of the show please, and by the way, I enjoy

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Speaker 1: some very exclusive content another part. Just head on over

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Speaker 1: to patreon dot com slash Alchemy does. If you'd like

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Speaker 1: to submit a scene suggestion by email, please write to

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Speaker 1: the podcast your name here at alchemist dot com. See

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Speaker 1: number one comes from listener Larry, who wrote, super cool

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Speaker 1: to see that you guys are including more people of

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Speaker 1: color on the guest lineup, and I hope that is

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Speaker 1: an enduring change that attempts to try to inclusive of

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Speaker 1: all people's of color, including but not limited to black people.

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Speaker 1: I am a black man, f y. I hope you

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Speaker 1: guys get this. You guys give me a chuckle, and

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Speaker 1: then during and then some Oh, you guys, give me

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Speaker 1: a chuckle, and then some during these trying times. If

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Speaker 1: you happen to read this on air, my scene suggestion

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Speaker 1: is jello best Larry Stewart, Can I just ask a

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Speaker 1: real quick question? Who made the black jello? I made

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Speaker 1: the black jello? Okay? Something hidden inside of the black jello,

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Speaker 1: so when you're eating it, be careful? Is it a

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Speaker 1: gift from many of the cast members from the marvelous

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Speaker 1: Mrs Mazel? Why would you say that? Did you find

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Speaker 1: something in your jello? Before I break into my jello,

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Speaker 1: I just thought i'd take a shot. You said there

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Speaker 1: might be something in it. There's something in it there.

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Speaker 1: I'm also aller, Oh, well, then you probably should skip

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Speaker 1: on the black jello. And who made the green jello?

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Speaker 1: I made all of the jello? Hold up you you?

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Speaker 1: What was your name? No? I did, and I just

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Speaker 1: wanted to take credit for it. I didn't make the jello.

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Speaker 1: I'm sorry, and and st He's not a culinary master.

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Speaker 1: He is just Steve. You're saying you made all the jellos,

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Speaker 1: I made all the desserts. I'm sorry, I didn't. I

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Speaker 1: don't know why I keep saying I did. Uh. Everybody, Okay, everybody,

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Speaker 1: Welcome to the Baptist pot luck picnic. Everybody, Praise the

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Speaker 1: Lord and h and praise Frank frankly. Um, before we

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Speaker 1: get started, I just want to put this into your

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Speaker 1: mind right as we're as we're embracing in fellowship and

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Speaker 1: in conversation, we want to make today about him. Yeah,

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Speaker 1: you know what I mean, not about us. I'm so sorry.

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Speaker 1: Can I just jump in? Sure? I love this idea

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Speaker 1: of making it about him, but my only issue is

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Speaker 1: that my therapist said that I need to stop prioritizing

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Speaker 1: the men in my life and put myself first for me, sweetheart.

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Speaker 1: So yeah, so you're new to the congregation. We believe

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Speaker 1: the only therapist you need is found right here in

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Speaker 1: this book. In this book. Yeah. So, I mean, do

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Speaker 1: what you want, but our suggestion would be quit all therapy,

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Speaker 1: quit all meplications. You don't need that. Um, and I

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Speaker 1: guess raise the men in my life up high and

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Speaker 1: put myself in the toilet. Could we see that a

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Speaker 1: louder placed place. Raise the men in my life up

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Speaker 1: high and put myself in the toilet, put yourself in

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Speaker 1: the toilet. That's when I was starting off with here. Today,

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Speaker 1: I'm just can excuse myself? Sure, sure, of course, our

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Speaker 1: pastor Jim, thanks for coming in today. I just want

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Speaker 1: to go over the minutes from your last church gathering.

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Speaker 1: I'm not even sure you were aware that minutes were

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Speaker 1: being taken, but now, yeah, this is surprising. Yeah, well,

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Speaker 1: I think what was really surprising was how you're treating

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Speaker 1: the women within your congregation. Okay, let me go with

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Speaker 1: the specifics with you. Then you suggested to three different

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Speaker 1: women that they should sleep with no one but the Lord.

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Speaker 1: One of them was married. You still had a problem

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Speaker 1: with that. That's not that doesn't fly. That doesn't fly.

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Speaker 1: You're married to him. Okay, but these aren't nuns who

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Speaker 1: who you understand that? These are? These are the The

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Speaker 1: congregation is made up of men and women of all

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Speaker 1: walks of life who all want to put their faith

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Speaker 1: in him, but maybe not lie down with him. Right. Well,

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Speaker 1: I mean I hear that's what you're saying, and I

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Speaker 1: totally I totally hear. You. Don't forget I'm the hot

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Speaker 1: shot pastor, do you know what I mean? I'm the

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Speaker 1: one who's I'm the one, so before me, if I

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Speaker 1: may before me? Yep. There are a lot of young

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Speaker 1: hip pastors with with bleached tips talking about bro and

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Speaker 1: I'm your dude. And then I came in right. I

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Speaker 1: treed with the YouTube views. I'm radical as they say. Okay,

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Speaker 1: radical as they say, And what I say is we

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Speaker 1: follow what he says. And if you want to be

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Speaker 1: married to somebody else besides this, give me. I don't

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Speaker 1: know if this is a bad time to come into

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Speaker 1: your office. I'm with Jello Catering Incorporated. And this check bounced, Pastor,

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Speaker 1: what do you want to say about that? Okay, yes,

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Speaker 1: come on in, come on in. You have to understand

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Speaker 1: I need to drive an Audie okay in a six

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Speaker 1: specifically to get me to and fro and sometimes the

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Speaker 1: monthly uh fees on that car don't allow our church

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Speaker 1: to pay for other services, but all good works done

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Speaker 1: until he above, Oh I don't. I don't go to

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Speaker 1: this church, so I'm gonna need cash. I'm not gonna

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Speaker 1: walk away with just to check this time. I'm sorry

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Speaker 1: you're with the Jello what was your name with Jello

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Speaker 1: Catering Incorporated. I was the one that had all of

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Speaker 1: the clever things hidden inside of the Jellos that you

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Speaker 1: want to put that prize in from the marvelous Mrs Mazel.

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Speaker 1: That was Yeah, that was that was I was. That

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Speaker 1: was odd. Well, I'll tell you what it's Dad. I

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Speaker 1: wanted to talk to you about um my upcoming wedding. Um.

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Speaker 1: As you know, I'm committing myself to the Lord, and

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Speaker 1: I will need some money to you from you. So well, listen,

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Speaker 1: you've caught me at quite an inopportune time. You you're saying,

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Speaker 1: we're gonna marry lord. Okay, all right, I okay, But

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Speaker 1: here's the thing. It's like that we shouldn't really need

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Speaker 1: to throw a party for that, right, couldn't they? Do

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Speaker 1: I even need to marry the Lord. I'm committing myself.

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Speaker 1: I want to fucking party. Sorry, I'm so sorry. I

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Speaker 1: feel like it's a ruge. Honestly, as your father, I've

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Speaker 1: I know you better than anyone, and I know that

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Speaker 1: you like to party a lot at the very least,

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Speaker 1: and I don't remember ever feeling like you were going

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Speaker 1: to commit your life to the Lord. How much is

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Speaker 1: this party can accost you? Well, at least seventy dollars,

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Speaker 1: but that let's and I mean, dad, I can't really

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Speaker 1: say at this point in my life like maybe as

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Speaker 1: a child you knew me most, but now at this

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Speaker 1: point in my life, as a twenty two year old

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Speaker 1: fully discovered woman, I can't even follow what you're doing

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Speaker 1: in college anymore. You and how can you say you

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Speaker 1: know me? L Listen, We're very happy to hear that

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Speaker 1: you're getting married to the Lord. We're all looking forward

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Speaker 1: to the celebration. It's been brought to my attention that

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Speaker 1: you're I won't even say father because because he's because honestly,

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Speaker 1: christis my father. Yeah, thank you that that guy who

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Speaker 1: raised you is giving you you can say daddy, Yeah, yeah,

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Speaker 1: that your daddy. That your daddy is giving you some gulf. Listen,

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Speaker 1: you know that the baseline, baseline for this marriage is

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Speaker 1: going to be se we can get that money from

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Speaker 1: your daddy if you can't. Have you met my associate

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Speaker 1: pastors M Brock Kyle is Wow, Kyle, you guys make

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Speaker 1: me feel like a grain of sand. That's the point.

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Speaker 1: That's the point. Now they are my associate pastors, and

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Speaker 1: they do good works. Do you catch my drift? Um?

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Speaker 1: I think so. So you guys are going to lend

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Speaker 1: me some money. Oh now, Brock and Kyle have devoted

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Speaker 1: themselves to this church. They have no earthly possessions. They

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Speaker 1: extract goods from others who may otherwise not be so

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Speaker 1: up front. You know, they hurt people from money. They'll

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Speaker 1: pound it out of my daddy. They'll they'll pound it

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Speaker 1: out of your daddy. Okay, So I mean as little

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Speaker 1: as possible, really, But but I don't want to upset

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Speaker 1: you guys. You guys are turning red. I mean, I

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Speaker 1: don't want you guys. Please please if you want to

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Speaker 1: hurt him more than if that keeps you calm okay, okay,

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Speaker 1: hey listen. Also, one last thing. You know, I don't

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Speaker 1: know if they've gone over the whole ceremony with you,

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Speaker 1: but after you say I do to the Lord, I'll

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Speaker 1: meet you in your chambers. Why well, I'm looking at

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Speaker 1: all the restrooms here and I found one of the

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Speaker 1: major problems. It seems like, oh, your toilets a clog

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Speaker 1: with all these women and well, that's that's gonna cost

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Speaker 1: you a lot of money. Pass I don't know, maybe

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Speaker 1: somewhere between eighty two, two hundred and fifty thousand dollars

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Speaker 1: to do a whole repiping for the whole church along

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Speaker 1: with the company, neighborhood. I mean, this is clogging up

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Speaker 1: city pipes as well. You'd be surprised at how connected

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Speaker 1: city pipes. So you think you just have a pipe

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Speaker 1: for you all. I'm okay, I'm okay with spending a

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Speaker 1: little money right now. Okay, I need you to ensure

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Speaker 1: me that these pipes will be built to withhold the

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Speaker 1: women in the future. Oh yeah, we can get big pipes,

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Speaker 1: you can get small pipes. You can get pipes to

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Speaker 1: the shape and size of anyone in particular. It's just

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Speaker 1: a mold. Give me Sparris should how many molds for pipes?

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Speaker 1: People just want the straight old women of the pipes.

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Speaker 1: It's time we rise up, ladies. I empower you. You

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Speaker 1: look gorgeous today. What an outfit? Sopping wet really shows

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Speaker 1: up your body incredible. That is the nicest thing, and

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Speaker 1: you look great. Honestly, I feel like these should come

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Speaker 1: in the color wet. Sometimes absolutely hundreds ten percent, Sally Jean,

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Speaker 1: you're crying, and yet you still are bringing me joy?

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Speaker 1: Can you believe it? Maybe those are tears of joy?

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Speaker 1: Exactly exactly. Now we need to form a united front

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Speaker 1: ladies to physically actually lift ourselves out of the pipes.

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Speaker 1: Once we do no more flush, more flush, we can't.

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Speaker 1: No more flush, no more flush, slush. All right, step

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Speaker 1: up my back, Pastor, Yes, but I give you one second.

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Speaker 1: Excuse me, Pastor, detectives margin, I would like to hear

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Speaker 1: this man out. If you don't mind, I don't mind that,

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Speaker 1: I do mind you responding to pastor? Okay, sure, okay,

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Speaker 1: what was that? What was the name Brock? What was

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Speaker 1: that Brock? Yeah? What were you're saying? Just now? This

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Speaker 1: is Carl, Carl. Carl will be with you in a second, Okay,

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Speaker 1: k Clar most Kyle Clar all right. If this is

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Speaker 1: your way of avoiding repeating what you said, it's working.

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Speaker 1: But let's get back to what you're after. I realized

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Speaker 1: this man was a detective. What I said, bro You

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Speaker 1: can say anything after bro killed him. I eight here, Okay,

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Speaker 1: all right, that's good. We killed a man and a

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Speaker 1: m both you both. Yeah, what brings you here? Detective. Well,

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Speaker 1: we've been called to investigate some strange goings on here

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Speaker 1: at the church. Yes, this church. Yeah, I mean, I'm

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Speaker 1: assuming you guys are talking about a pet chicken that

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Speaker 1: you killed in eight that's what you was him, detective. Detective,

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Speaker 1: you're not a great detective. They're talking about a man.

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Speaker 1: A man killed a man and aid a man because

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Speaker 1: we don't follow man's laws here, Okay, we follow the

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Speaker 1: Lord's law. I ever heard of the l L the

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Speaker 1: Lord's laws? Let me see if I'm familiar with thou

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Speaker 1: shalt not kill? Isn't that one of the oh go

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Speaker 1: back jello um, Jello associates, Jello associate Internet. I don't care.

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Speaker 1: I don't care which one of you is responsible. But

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Speaker 1: somebody catered my wedding with black jello shots that had

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Speaker 1: pieces of my father hidden inside of them. You think

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Speaker 1: that was fucking funny? Sorry, excuse me, Sorry I didn't

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Speaker 1: need to curse. Sorry, Thank you for apologizing for cursing

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Speaker 1: with the jello. The jello apologizing he wasn't apologizing to

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Speaker 1: my husband the lord. Oh oh um. Well, here's the

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Speaker 1: thing is, I don't know. I can't I can't guarantee

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Speaker 1: the it was him. He did. It wasn't me. I

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Speaker 1: didn't know what it was put these things inside the jello.

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Speaker 1: I put the stuff in the jello. I have no idea.

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Speaker 1: I have no idea something. How can I trust you

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Speaker 1: can barely make a sentence. I trust that guy yelling.

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Speaker 1: I trust him. He's old and he's yelling, and I

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Speaker 1: trust that. I love that. That to me means authority

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Speaker 1: and truth. Listen, I'm a guy that has skills in

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Speaker 1: making incredible jello, different shapes, different colors, different textures. But

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Speaker 1: what goes inside of it, that's up to the party thrower.

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Speaker 1: I just take those things and I've put it in.

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Speaker 1: I don't ask questions. I was the party throw You

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Speaker 1: really think I asked for that? Do you really don't

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Speaker 1: ask for that my wedding, I'm spending thousands of dollars

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Speaker 1: on jello, and I wanted the hat. I just everything

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Speaker 1: that was put inside was given to me by the

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Speaker 1: you know, I guess employees of the church. I don't know. Hey, Harper, Look,

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Speaker 1: we're gonna have to give you some time off, you

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Speaker 1: know what I mean? Putting that human body and some

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Speaker 1: jello pieces, that's just not what we do here. What

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Speaker 1: it was like, I have you ever asked the buff

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Speaker 1: of things that you put into the jello? I mean

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Speaker 1: that's I mean if not, then I'm definitely liable for slander.

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Speaker 1: So look, Harper, we're gonna have to put you on

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Speaker 1: for long. You're gonna have to I don't know. You know,

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Speaker 1: my cousin just a passion for making jello. It's just

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Speaker 1: a job to them. It's a lifestyle for me. Use me,

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Speaker 1: I heard the you all can put some stuff in

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Speaker 1: in some jello for me? Yeah? Can you take this

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Speaker 1: off my hands real quick? Putting some jello? Sure? Why

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Speaker 1: is it all? It's all so soaking? Is that blood?

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Speaker 1: What is here? Look? No questions asked, right, that's that's right,

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Speaker 1: right stuff, No questions asked? A right? Right? Right? Right? Okay, okay, Harper?

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Speaker 1: Do you want to finish this before you go? Do

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Speaker 1: you see what? This is a conundrum that I'm in

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Speaker 1: right now. It's I think consider to Catch twenty two.

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Speaker 1: If I don't do this, I'm sure to get fired.

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Speaker 1: But if I do this, I'm doing let's just put

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Speaker 1: the ship in the gela for me? Putting the jelay. Ladies, ladies,

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Speaker 1: Ladies of the toilet time your pastor here. Okay, I

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Speaker 1: want to have a conversation with you. This doesn't need

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Speaker 1: to be an uprising. What do you want that? Okay,

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Speaker 1: that's just that's just just Claire. That's Claire and Debra.

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Speaker 1: That's not the unanimous. I'm into it. Let's see that Dick.

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Speaker 1: Let's see it. Okay, I'm get being not voted. I'm

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Speaker 1: being not voted. Ladies. What was the last time you

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Speaker 1: saw Dick? Come on, let's take at the engine. We

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Speaker 1: made it out of the time. Let's see good line.

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Speaker 1: I see it. Look, look this is There's only one way.

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Speaker 1: There's only one way anybody gets to see the Dick,

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Speaker 1: and that is if you marry the Lord right here

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Speaker 1: before me. I will meet you all in your chambers.

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Speaker 1: And that has seen one. I don't want to see

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Speaker 1: what happens next. Please that that was a character I'm

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Speaker 1: playing that gross and creepy. Is the only way that

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Speaker 1: you'll see the Lord. Alright. Seen number two comes as

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Speaker 1: the patron v I P. David Burke wrote, Hello, Alchemists,

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Speaker 1: this is Dee Berke illustrations from Instagram. I'm your number

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Speaker 1: three fan Artists and your number two fan. When I'm

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Speaker 1: not painting. I'm a teacher by day, and since we've

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Speaker 1: recently been declared essential workers, I have to recommend that

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Speaker 1: you guys be classified to because your work also saves lives. Parenthetically,

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Speaker 1: Allah Nicholson from you. Good. Yeah, we now that we

347
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Speaker 1: have to go back to school by order of you

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Speaker 1: know who you are needed more than ever, James A

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Speaker 1: hell read on. I feel bad for you when Joey

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Speaker 1: and Craig derail your character before you even get started.

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Speaker 1: I mean, it's funny as hell, but I still feel

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Speaker 1: bad for you. My idea is this, Leonardo da Vinci

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Speaker 1: has a less famous artist, brother Chuck. Thank you again

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Speaker 1: and expect more fan art coming. So Leonardo, this apiece

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Speaker 1: is soft and fantastic. I canna see this a hanging

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Speaker 1: in the Vatican, in all the Europe. But you have

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Speaker 1: such a touch with How do you do this? Grazi gratzi.

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Speaker 1: It comes from God. God. It gives them inspiration and

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Speaker 1: put it on the canvas, are into it the marble. Yes, Uh,

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Speaker 1: it's just an exappression of behind the gift. Thank you, Giovanni.

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Speaker 1: What is it? This is a new commission you ever

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Speaker 1: asked for? I have a something and I wanted to

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Speaker 1: to give to my daughter. She is getting married to

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Speaker 1: the Prince of for your daughter's wedding. Yes, it's nice

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Speaker 1: see see um leo or out of milk. Hold hold

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Speaker 1: on a second, Chuck, this is it is my brother, Chuck.

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Speaker 1: He's living with me for a couple of months. No more. Okay,

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Speaker 1: he's a crest. Yeah, we're just going to he's a

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Speaker 1: he's an artist too, I'm sure, I'm sure fantastic. If

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Speaker 1: I has a the da Vinci name, he must have

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Speaker 1: been so good. I'm gonna go. I'm gonna go read

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Speaker 1: little record show that. When I say he's an artist too,

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Speaker 1: I'm making the universal gesture for a jack off. Yes,

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00:24:58,520 --> 00:25:01,520
Speaker 1: there's a bit of irony. Now he's doing this thing

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Speaker 1: with the bottle caps and pasting them on the on

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Speaker 1: the field. So oh on paper that Oh, that's even worse.

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00:25:09,960 --> 00:25:13,119
Speaker 1: So it's just pasting them on paper. It's a bottle

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Speaker 1: caps on the paper. I don't I don't know where

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Speaker 1: he's going with it. But what is what did you

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Speaker 1: want for you? What daughters waiting? Of course? Of course,

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Speaker 1: thanks for having the shrink with me, Debrah. It is

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Speaker 1: a bomber living with my brother. You know, I absolutely

383
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Speaker 1: hate that you have to do that. You're so much

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Speaker 1: more than somebody's roommate. That's what I feel. That's when

385
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Speaker 1: I feel, But like no one else feels that, you

386
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Speaker 1: know what I mean? Did you need another drink? Um?

387
00:25:47,800 --> 00:25:50,480
Speaker 1: I guess um, yeah, I have another as the classic

388
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Speaker 1: property end of the drink. Here's a wonder for you,

389
00:25:52,800 --> 00:25:55,480
Speaker 1: and here's another wonder for you. Okay, I guess I

390
00:25:55,480 --> 00:26:00,360
Speaker 1: don't have a choice. Great. Thanks. I'm gonna I'm gonna

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Speaker 1: pay for this. I'm gonna I'm gonna. I'm gonna pay

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Speaker 1: for this the way Picasso paid for his drinks. I'm

393
00:26:06,240 --> 00:26:08,800
Speaker 1: gonna do a little scribble on this napkin here. There

394
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Speaker 1: you go. Wow, that's so fucking I believe it's somebody

395
00:26:12,960 --> 00:26:19,240
Speaker 1: in Picasso who will come this. This is This is

396
00:26:19,359 --> 00:26:23,600
Speaker 1: not gonna work. I'm gonna need some money. Okay, hold on,

397
00:26:23,640 --> 00:26:26,200
Speaker 1: hold on, let me use this beer cap here precedent

398
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Speaker 1: to this coaster. There you go. Let me go get

399
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Speaker 1: to my manager. I think he'll be able to have

400
00:26:34,840 --> 00:26:38,919
Speaker 1: this a better Mario, what is this? You say you

401
00:26:38,960 --> 00:26:43,240
Speaker 1: want to pay your does with a piece of scribble? Here? Panaco,

402
00:26:43,520 --> 00:26:46,280
Speaker 1: what is this? And then you bring me open used

403
00:26:46,320 --> 00:26:50,119
Speaker 1: bottle caps. Well, this is that whate the customer paid

404
00:26:50,200 --> 00:26:52,120
Speaker 1: with it? He tells, No, no, no, no, no no no no.

405
00:26:52,680 --> 00:26:56,600
Speaker 1: You always money, you always big money. Listen, it's not

406
00:26:56,680 --> 00:27:01,600
Speaker 1: easy as good as money. You promised me. No, he

407
00:27:01,760 --> 00:27:04,840
Speaker 1: promised to me, And I'm telling you right now that's

408
00:27:04,840 --> 00:27:09,800
Speaker 1: a broken promise. I need my money, I need my damiones,

409
00:27:09,920 --> 00:27:13,119
Speaker 1: I need my rubies, I need my gold circles. I

410
00:27:13,200 --> 00:27:15,359
Speaker 1: must have said. I chuck a. DaVinci is still at

411
00:27:15,359 --> 00:27:17,960
Speaker 1: my bottle. Now you could talk to him yourself. I'm sure. No, no,

412
00:27:18,160 --> 00:27:22,960
Speaker 1: I'm talking to you, genzn. What is this you paying

413
00:27:23,040 --> 00:27:28,520
Speaker 1: me with bottle camp? This is how you kick up?

414
00:27:29,240 --> 00:27:33,880
Speaker 1: You kick up with someone's garnage, do medici. I come

415
00:27:33,920 --> 00:27:37,880
Speaker 1: to you with almost gracient respect. What I offer today

416
00:27:38,160 --> 00:27:41,840
Speaker 1: is a solemn gift given to me by a low

417
00:27:41,920 --> 00:27:45,919
Speaker 1: life knows many many more than what he's given. I

418
00:27:46,000 --> 00:27:53,960
Speaker 1: understand where did this battle camp originate? I choose to

419
00:27:54,119 --> 00:27:58,800
Speaker 1: be respectfully declining. That's why I'm asking. I look at it,

420
00:27:58,840 --> 00:28:04,520
Speaker 1: and I see odd, I see vision. I see I

421
00:28:04,560 --> 00:28:08,159
Speaker 1: would like to pay someone to do more this work.

422
00:28:09,160 --> 00:28:16,560
Speaker 1: Hey Leo, you know Deborah right? Yes, hello deb nine hey, um,

423
00:28:16,760 --> 00:28:20,960
Speaker 1: can I can you sleep on my couch tonight? Leo, No, no,

424
00:28:21,160 --> 00:28:23,919
Speaker 1: that is Look, that is not the deal. You have

425
00:28:23,960 --> 00:28:27,199
Speaker 1: a couch I have in my bedroom which adjoins to

426
00:28:27,240 --> 00:28:31,360
Speaker 1: my studio. Dude, I got I mean she never, she's

427
00:28:31,400 --> 00:28:34,640
Speaker 1: like never comes over here, dude, I got her. Yes, yes,

428
00:28:34,680 --> 00:28:36,520
Speaker 1: I see, I see what's going on here at the Chuck.

429
00:28:37,040 --> 00:28:40,200
Speaker 1: But with you an adult, and you won't have an

430
00:28:40,200 --> 00:28:45,600
Speaker 1: adult of relationship. Sorry, Deborah, we can't stay here tonight.

431
00:28:45,640 --> 00:28:48,840
Speaker 1: I guess it's kidding me. I'm sorry. It's just like

432
00:28:49,600 --> 00:28:53,480
Speaker 1: my face. White place burned down last night. Oh, I

433
00:28:53,520 --> 00:28:55,560
Speaker 1: literally have nowhere to go, and I'm so wet. What

434
00:28:55,840 --> 00:29:01,040
Speaker 1: place is burned down? This terrible burned down? Yeah uh.

435
00:29:01,240 --> 00:29:05,040
Speaker 1: I lit a bunch of candles um to relax myself,

436
00:29:05,160 --> 00:29:07,520
Speaker 1: and it actually had the opposite effect, as it did

437
00:29:07,600 --> 00:29:13,360
Speaker 1: light my entire place ablaze. The curtains, so many curtains, chucky.

438
00:29:13,440 --> 00:29:17,200
Speaker 1: You can use the bed for one night, okay, I

439
00:29:17,280 --> 00:29:20,840
Speaker 1: gotta work in the anyway. Alright. Oh yeah, I have

440
00:29:20,880 --> 00:29:22,520
Speaker 1: an idea about that, dude. I was thinking it should

441
00:29:22,520 --> 00:29:27,880
Speaker 1: be called the sixteen Chapel. Oh, yeah, like sixteen. Yeah,

442
00:29:28,000 --> 00:29:29,720
Speaker 1: I'm not I'm not going to change the name of

443
00:29:29,720 --> 00:29:36,520
Speaker 1: the chapel okay on the top of it, okay, or

444
00:29:36,680 --> 00:29:38,560
Speaker 1: or you can you can call it the hip teen

445
00:29:38,800 --> 00:29:41,240
Speaker 1: chapel and it can all be like about like hip teens,

446
00:29:41,360 --> 00:29:46,240
Speaker 1: because again it's not re named the chapel. I'm painting

447
00:29:46,440 --> 00:29:53,000
Speaker 1: the ceiling, okay, okay, but just like oh ship, let

448
00:29:53,080 --> 00:29:55,320
Speaker 1: me get to that. After all, this isn't my place,

449
00:29:55,720 --> 00:30:03,480
Speaker 1: right Oh Chuck there, Chuck, you'll have a visitor. No,

450
00:30:03,640 --> 00:30:07,560
Speaker 1: thank you, Debra. Come on, can I ask what this

451
00:30:07,800 --> 00:30:11,120
Speaker 1: is a concerning? Yeah, Chuck told me to come over here.

452
00:30:11,120 --> 00:30:13,479
Speaker 1: He says, you be a fucking crazy coocaine party. So

453
00:30:15,480 --> 00:30:19,080
Speaker 1: there's a no cocaine party going on here. Okay, my

454
00:30:19,200 --> 00:30:22,560
Speaker 1: brother and he has a living here temporarily. There's another Chuck,

455
00:30:22,920 --> 00:30:27,320
Speaker 1: Can you deal with this? What's what is? What's up?

456
00:30:27,360 --> 00:30:30,360
Speaker 1: Look at this? Look at this already coming in? Dude?

457
00:30:30,640 --> 00:30:38,040
Speaker 1: Oh what's this? Broly ship? You got that? Yeah? Got

458
00:30:38,240 --> 00:30:41,720
Speaker 1: that snow? When you get where do you get the money?

459
00:30:41,720 --> 00:30:45,240
Speaker 1: Don't have a cocaine party. I don't know if you've

460
00:30:45,280 --> 00:30:48,840
Speaker 1: heard lately, Leo, but people like what I do. You

461
00:30:48,880 --> 00:30:51,600
Speaker 1: know it's not as commercial as what you do. Are

462
00:30:51,640 --> 00:30:55,400
Speaker 1: your bottle cap art. Yeah, I just call it art,

463
00:30:55,920 --> 00:30:59,640
Speaker 1: you know what I mean? Uh huh. He's been trading

464
00:30:59,640 --> 00:31:03,440
Speaker 1: with Don Medici for cocaine. With the Don Medici. You

465
00:31:03,480 --> 00:31:05,400
Speaker 1: thought what you don't You don't want to get wrapped

466
00:31:05,480 --> 00:31:08,320
Speaker 1: up in the Don Medici. He's giving me all the

467
00:31:08,360 --> 00:31:12,160
Speaker 1: best stuff here. We'll take one little bump of this. Okay,

468
00:31:12,160 --> 00:31:13,760
Speaker 1: I do a little bump because I gotta work on

469
00:31:13,800 --> 00:31:16,880
Speaker 1: the Sistine Chapel all night. Okay, but be careful. It

470
00:31:17,040 --> 00:31:21,480
Speaker 1: is highly flammable. Leonardo, what is this? Is in the chapel,

471
00:31:21,920 --> 00:31:24,680
Speaker 1: the chapper ceiling, and it's so I cannot believe I'm

472
00:31:24,680 --> 00:31:26,400
Speaker 1: saying this in the Larde's house. But this is a

473
00:31:26,480 --> 00:31:31,160
Speaker 1: fuck up. Finish this all at one night. I finished

474
00:31:31,160 --> 00:31:34,120
Speaker 1: this all at one night. It's a beautiful It's crazy.

475
00:31:34,840 --> 00:31:39,720
Speaker 1: It's crazy. What is this? MTV Productions President, sweet sixteen,

476
00:31:40,280 --> 00:31:43,960
Speaker 1: what is this? What the hell is this? Look? I

477
00:31:44,000 --> 00:31:46,160
Speaker 1: got an idea in the middle of it. I started

478
00:31:46,200 --> 00:31:49,240
Speaker 1: with a god and Hippote's finger at Adam Adam trying

479
00:31:49,240 --> 00:31:50,920
Speaker 1: to touch him, and then I just to keep it

480
00:31:51,000 --> 00:31:53,560
Speaker 1: working all the way over to the left wall and

481
00:31:53,720 --> 00:31:57,360
Speaker 1: uh and yeah, then the EMPTV got wrapped in there. Somewhere.

482
00:31:57,400 --> 00:31:59,640
Speaker 1: But what do you think? I think this is a

483
00:31:59,760 --> 00:32:02,280
Speaker 1: large a sixteen. You're a girl. She's standing on the

484
00:32:02,280 --> 00:32:06,960
Speaker 1: hooda they Ah, how do you say this? What is it? This?

485
00:32:07,840 --> 00:32:18,440
Speaker 1: Because you think we're here sixteen sixteen, that I cannot

486
00:32:18,440 --> 00:32:20,000
Speaker 1: believe that I am doing this. But I am a

487
00:32:20,040 --> 00:32:24,720
Speaker 1: revoking your ability to do art no more? How can

488
00:32:24,760 --> 00:32:32,920
Speaker 1: you revoke about beady to do art? No more? Uh?

489
00:32:33,200 --> 00:32:35,040
Speaker 1: Somebody called for me. They said they wanted me to

490
00:32:35,040 --> 00:32:37,800
Speaker 1: do some touch ups. And this church, by the way,

491
00:32:37,800 --> 00:32:42,840
Speaker 1: this is Deborra. What's m does? She says anything? And okay,

492
00:32:42,880 --> 00:32:46,360
Speaker 1: look I don't care whatever. Look, you need to come

493
00:32:46,400 --> 00:32:50,200
Speaker 1: in a side here. And I fixed this ceiling. Okay,

494
00:32:50,400 --> 00:32:52,959
Speaker 1: I know your name. You're a brother. He was so

495
00:32:53,040 --> 00:32:56,560
Speaker 1: fucked up, so funked up on the cocaine. Well LEO

496
00:32:56,640 --> 00:33:00,840
Speaker 1: did this. Yes, looking at it's so horrible. I think

497
00:33:00,840 --> 00:33:05,920
Speaker 1: it's a revelation. This is good. Let's never can't do art.

498
00:33:05,960 --> 00:33:07,840
Speaker 1: But she can recognize good art when she sees it.

499
00:33:08,000 --> 00:33:10,960
Speaker 1: Exactly I could not. I can barely write my name.

500
00:33:11,040 --> 00:33:14,080
Speaker 1: But gosh, do I know what looks good? And this

501
00:33:14,480 --> 00:33:21,800
Speaker 1: looks hot as this as hot as fun? You think? So? Yeah,

502
00:33:22,280 --> 00:33:24,160
Speaker 1: Look look, she's getting closer to you. Man, I think

503
00:33:24,200 --> 00:33:27,080
Speaker 1: that means she likes the artwork. My nipples are hard,

504
00:33:27,280 --> 00:33:30,400
Speaker 1: my next lead. I'm just telling you, like my body

505
00:33:30,480 --> 00:33:33,720
Speaker 1: is having a visceral reaction. It must be good. I

506
00:33:35,600 --> 00:33:38,400
Speaker 1: should just take a little bit, like it's not anything.

507
00:33:38,480 --> 00:33:42,120
Speaker 1: Just smell it, don't touch it, just smell it like

508
00:33:43,360 --> 00:33:49,560
Speaker 1: oh that She'll had to chuck and Debora finished the ceiling.

509
00:33:50,480 --> 00:33:52,840
Speaker 1: You don't understand that they are so crazy cool couple.

510
00:33:52,920 --> 00:33:55,920
Speaker 1: The way they opened me up. I experience things that

511
00:33:55,960 --> 00:34:00,760
Speaker 1: they never know. The open you up. Have you ever

512
00:34:01,000 --> 00:34:04,280
Speaker 1: made a lover to a man and the woman? Okay,

513
00:34:04,280 --> 00:34:07,640
Speaker 1: I've made love to a man. You know, because I'm

514
00:34:07,680 --> 00:34:09,960
Speaker 1: gay and I'm pretty open. Yeah, we know, we know,

515
00:34:10,040 --> 00:34:12,280
Speaker 1: we know you have a whole heart. The people follow

516
00:34:12,280 --> 00:34:14,840
Speaker 1: you around. I know, I know. Listen, but I'm saying

517
00:34:14,880 --> 00:34:17,880
Speaker 1: that a man and a woman. Have you done that?

518
00:34:18,080 --> 00:34:20,760
Speaker 1: I know you've done a man, but I must saying

519
00:34:20,960 --> 00:34:24,879
Speaker 1: that you cracked me open. Huh. Okay, I don't need

520
00:34:24,920 --> 00:34:29,080
Speaker 1: to know the deil all right? Okay, I feel so free.

521
00:34:29,560 --> 00:34:35,080
Speaker 1: There is something about this u um. I was thinking

522
00:34:35,120 --> 00:34:52,040
Speaker 1: maybe choc I just want to hang out. Oh my god,

523
00:34:52,080 --> 00:34:57,040
Speaker 1: he's addicted. I shut you first, and we're trying to

524
00:34:57,080 --> 00:35:01,080
Speaker 1: sleep you. I'm afraid to used the ship. I will

525
00:35:01,160 --> 00:35:06,520
Speaker 1: break up what you face fathers. Get the downstairs neighbor pissed.

526
00:35:06,560 --> 00:35:12,680
Speaker 1: He is a violent man. He's violent. Yes, I brought

527
00:35:12,760 --> 00:35:17,239
Speaker 1: the suns, wine and olive oil. Look, I hate to

528
00:35:17,280 --> 00:35:18,879
Speaker 1: say this to you right now, in this weird time,

529
00:35:20,719 --> 00:35:25,239
Speaker 1: but I think we should, like, you know, cool things

530
00:35:25,280 --> 00:35:27,759
Speaker 1: off between us for a little bit. Are you freaking

531
00:35:27,840 --> 00:35:30,480
Speaker 1: kidding me? I thought you were going to propose I'm

532
00:35:30,480 --> 00:35:34,399
Speaker 1: boughting the ottive oil on my mondy. I'm saying that's

533
00:35:34,400 --> 00:35:37,160
Speaker 1: something I could see, but chugged wine last night with you?

534
00:35:37,239 --> 00:35:39,759
Speaker 1: Or you know you're going to break up with me? No,

535
00:35:39,880 --> 00:35:46,279
Speaker 1: that was the moment where I was like, this chickens down.

536
00:35:46,360 --> 00:35:48,920
Speaker 1: Then are you kicking me out? Because I think I

537
00:35:48,960 --> 00:35:54,520
Speaker 1: need to like appreciate you more. That sounds like such

538
00:35:54,520 --> 00:35:57,799
Speaker 1: a wad. That sounds like such a fucking wad. That

539
00:35:57,840 --> 00:36:03,520
Speaker 1: sounds like, okay, chuck you, Okay, we're trying to have

540
00:36:03,600 --> 00:36:05,799
Speaker 1: a conversation. I don't know. I know I don't need

541
00:36:05,840 --> 00:36:08,080
Speaker 1: to hear all of this. Leo, Leo, Leo? Is that

542
00:36:08,120 --> 00:36:10,520
Speaker 1: a what am I doing? A what like a fat,

543
00:36:10,520 --> 00:36:19,279
Speaker 1: greasy wad your handy ship down to your neck. Come

544
00:36:19,440 --> 00:36:23,359
Speaker 1: do come that. Okay, I'll tell you what you using

545
00:36:23,400 --> 00:36:26,240
Speaker 1: my apartment. I'm gonna go, oh to Michelangelo's place. Okay,

546
00:36:26,600 --> 00:36:29,799
Speaker 1: maybe you will. I bet you will, playboy. Okay, at

547
00:36:29,880 --> 00:36:34,319
Speaker 1: least not get it. They're friends. Okay, they're just a friends, Chuck,

548
00:36:34,360 --> 00:36:35,799
Speaker 1: How can you break up with me? I just got

549
00:36:35,880 --> 00:36:38,280
Speaker 1: you an entire apartment to yourself. You had a couch

550
00:36:38,400 --> 00:36:39,879
Speaker 1: at the beginning of this, and now you have an

551
00:36:40,000 --> 00:36:42,959
Speaker 1: entire place with an attached studio. So shut the funk

552
00:36:43,040 --> 00:36:45,880
Speaker 1: up and put your balls in my mouth. Okay, I'm sorry,

553
00:36:46,080 --> 00:36:53,200
Speaker 1: I'm sorry, God damn it. Please so hard? The thing

554
00:36:53,320 --> 00:36:56,759
Speaker 1: is like my hard nipples means so much more than

555
00:36:56,880 --> 00:37:02,600
Speaker 1: his hard nipples. Yes, should we just dot a in Leo?

556
00:37:02,680 --> 00:37:07,640
Speaker 1: What's going on? Man? It's like two in the morning, dude, Michaelangelo,

557
00:37:07,719 --> 00:37:10,040
Speaker 1: I uh just wonder if I had could a crash

558
00:37:10,120 --> 00:37:14,640
Speaker 1: here for a while. Sure's everything all right? Yeah, I

559
00:37:14,680 --> 00:37:17,719
Speaker 1: mean it's just strictly batonic. Okay, I know we had

560
00:37:17,719 --> 00:37:21,640
Speaker 1: a thing a while ago. Yeah, you book a book,

561
00:37:21,640 --> 00:37:25,959
Speaker 1: A book totally just bounced on my ass. Is that

562
00:37:26,239 --> 00:37:29,080
Speaker 1: is that Raphael is he here? Yeah, we were just

563
00:37:29,120 --> 00:37:32,719
Speaker 1: making some pizza in my indoor pizza oven. Oh you're

564
00:37:32,760 --> 00:37:37,800
Speaker 1: making a pizza huh? Come on, I have a slice.

565
00:37:39,360 --> 00:37:43,080
Speaker 1: Oh this is good. This is a Neapolitan. Yeah, man,

566
00:37:43,200 --> 00:37:51,960
Speaker 1: look whose hair rough? Yeah? What's up? So? What's it

567
00:37:52,000 --> 00:37:56,160
Speaker 1: going on? You guys? Still doing the art a little bit?

568
00:37:56,400 --> 00:37:59,040
Speaker 1: We started getting into a live streaming. Never heard of it?

569
00:37:59,280 --> 00:38:02,480
Speaker 1: Live stream I'm streaming? No, I heard that. That's where

570
00:38:02,560 --> 00:38:05,400
Speaker 1: the future it is. Yeah. Yeah, So we just got

571
00:38:05,440 --> 00:38:07,319
Speaker 1: a whole set up in here and doing podcasting and ship.

572
00:38:09,320 --> 00:38:10,600
Speaker 1: Are you ever going to do a thing with with

573
00:38:10,800 --> 00:38:16,080
Speaker 1: the statue with the bigger dick? I don't know. I

574
00:38:16,080 --> 00:38:18,360
Speaker 1: don't know. I've been thinking. I was like, uh, he

575
00:38:18,440 --> 00:38:21,600
Speaker 1: wants to start with a little dick. Come on, raf

576
00:38:22,480 --> 00:38:28,320
Speaker 1: now tell him, tell him boo boo short and stout

577
00:38:28,440 --> 00:38:32,279
Speaker 1: big around like a tunic can. It's like a tunic can.

578
00:38:33,040 --> 00:38:35,640
Speaker 1: Are you familiar with tunic can? So, yes, I'm familiar

579
00:38:35,680 --> 00:38:40,920
Speaker 1: with a tunic can. Yeah. I don't know. I might, uh,

580
00:38:40,960 --> 00:38:43,320
Speaker 1: I don't know. I might make a whole guy around

581
00:38:43,320 --> 00:38:45,200
Speaker 1: the dick or something, but right now it's just a

582
00:38:45,280 --> 00:38:48,800
Speaker 1: floating dick and stone. So okay, it's a good start.

583
00:38:50,040 --> 00:38:57,880
Speaker 1: Have that seen too, Floating Dick is a good start

584
00:38:58,239 --> 00:39:00,520
Speaker 1: that he started with the dick and then found rest ofics.

585
00:39:00,560 --> 00:39:02,719
Speaker 1: I know that the art is already inside the rock,

586
00:39:05,719 --> 00:39:12,600
Speaker 1: he was first. Oh my god, Oh my god. I'm sorry.

587
00:39:12,600 --> 00:39:15,160
Speaker 1: That's the most prophetic thing I've ever heard. I know

588
00:39:15,320 --> 00:39:19,160
Speaker 1: the art is already inside. So the every block of stone,

589
00:39:19,239 --> 00:39:22,120
Speaker 1: you know there's art inside. I mean it's like a

590
00:39:22,200 --> 00:39:24,759
Speaker 1: g o. It depends on who's gonna crack it open, though,

591
00:39:26,239 --> 00:39:29,400
Speaker 1: and is it gonna be Dick first or not? Well?

592
00:39:34,080 --> 00:39:37,000
Speaker 1: Three comes out and Thomas who wrote, Hey, Kevin and

593
00:39:37,120 --> 00:39:41,000
Speaker 1: the Rippers. I was packing stuff. Then one of the

594
00:39:41,040 --> 00:39:46,400
Speaker 1: old newspapers had this interesting headline. I'm sure it's vague enough.

595
00:39:46,480 --> 00:39:55,480
Speaker 1: The headline read, Mysterious Island produces seven times more geniuses.

596
00:40:00,160 --> 00:40:02,960
Speaker 1: All right, everyone got their tickets. We're about to depart

597
00:40:03,760 --> 00:40:09,560
Speaker 1: for Smarty Smarty Island. So everyone got their tickets. I

598
00:40:09,600 --> 00:40:12,160
Speaker 1: would like to change your seat. Please? Do you want

599
00:40:12,160 --> 00:40:14,439
Speaker 1: to change your seat? Yeah? I don't like sitting where

600
00:40:14,520 --> 00:40:18,920
Speaker 1: I was sitting. It's not where I'm comfortable. Okay, where

601
00:40:18,920 --> 00:40:20,680
Speaker 1: do you want to sit? Well, I don't want to

602
00:40:20,680 --> 00:40:27,839
Speaker 1: sit next to that emotional dog. Whatever the hell? All right? Okay, um, someone,

603
00:40:28,600 --> 00:40:31,640
Speaker 1: it's it's the dog is not emotional. It's an emotional

604
00:40:32,120 --> 00:40:34,440
Speaker 1: but dog is making me emotional. So what do I get?

605
00:40:34,440 --> 00:40:39,960
Speaker 1: Who's supporting me? Thank you? Yeah? Okay, he's got a

606
00:40:40,000 --> 00:40:43,440
Speaker 1: point there. Hold on, does anybody want to support him

607
00:40:43,440 --> 00:40:46,479
Speaker 1: at all? Where are you sitting, miss? Perhaps? What's sitting

608
00:40:46,560 --> 00:40:49,640
Speaker 1: next to you? And I'm going to keep my seat

609
00:40:50,239 --> 00:40:55,200
Speaker 1: right right. The dog's name, by the way, win, The

610
00:40:55,239 --> 00:40:59,120
Speaker 1: dog's name is Leonard Leonard. Well, I was sorry, if

611
00:40:59,160 --> 00:41:04,240
Speaker 1: you could ask Lee to wait down stairs? Okay, great?

612
00:41:04,760 --> 00:41:06,920
Speaker 1: I wonder if you could ask Leonard to wait for

613
00:41:07,000 --> 00:41:11,480
Speaker 1: us downstairs while we flew across the world. You mean downstairs?

614
00:41:11,520 --> 00:41:17,680
Speaker 1: You know cargo cargo in them, not temperature regulated cargo.

615
00:41:17,840 --> 00:41:20,440
Speaker 1: Do you know how many dogs die down there because

616
00:41:20,440 --> 00:41:24,120
Speaker 1: it goes from freezing to hot heat, some of them

617
00:41:24,120 --> 00:41:26,799
Speaker 1: getting stuck in the wheels. Well, I see why you

618
00:41:26,880 --> 00:41:31,120
Speaker 1: have the emotional suppart dog. Now, But listen, you brought

619
00:41:31,160 --> 00:41:34,319
Speaker 1: the dog, so it's I'm allergic to dogs. What do

620
00:41:34,320 --> 00:41:36,400
Speaker 1: you want from me? I can't sit here. Listen. Do

621
00:41:36,480 --> 00:41:39,040
Speaker 1: I think it's right for these airlines to have recycled

622
00:41:39,080 --> 00:41:40,719
Speaker 1: air with a bunch of people who can go into

623
00:41:40,719 --> 00:41:43,680
Speaker 1: anaphylactic shock. Maybe not. But that's really not my problem.

624
00:41:43,680 --> 00:41:46,600
Speaker 1: That's something to bring up with the airline, am I right, Well,

625
00:41:46,680 --> 00:41:48,400
Speaker 1: you're right in the sense that it's not your problem,

626
00:41:48,440 --> 00:41:53,480
Speaker 1: because that's mine. Sounds you wouldn't like a support animal

627
00:41:53,800 --> 00:41:59,000
Speaker 1: flight attendant. Excuse me, we're having flight attendant. What's going on? Yeah?

628
00:41:59,320 --> 00:42:04,719
Speaker 1: First of all, drinks maybe soon? And also I need

629
00:42:04,719 --> 00:42:07,920
Speaker 1: to change seats. Okay, yeah he does, he needs to

630
00:42:08,000 --> 00:42:13,800
Speaker 1: change seats. All right, why don't you follow me downstairs? Sam,

631
00:42:13,960 --> 00:42:17,320
Speaker 1: don't worry. They're going to accept you. You're the smartest

632
00:42:17,360 --> 00:42:20,799
Speaker 1: person in our fucking city. Everybody knows you. Everyone knows

633
00:42:20,800 --> 00:42:24,160
Speaker 1: how smart you are. Yeah, but it's pretty Our city

634
00:42:24,200 --> 00:42:26,200
Speaker 1: has a pretty low bar when you compare it to

635
00:42:26,280 --> 00:42:29,360
Speaker 1: statistically the amount of geniuses that are already on Smarty

636
00:42:29,400 --> 00:42:32,520
Speaker 1: Smart Island. But even you knowing that, to me, feels

637
00:42:32,560 --> 00:42:35,080
Speaker 1: like you belong it's Smarty Smart. That's because you don't

638
00:42:35,080 --> 00:42:38,520
Speaker 1: belong there. It's that is a baseline that a lot

639
00:42:38,560 --> 00:42:40,839
Speaker 1: of people know. It's a little it's a little hurtful. Look,

640
00:42:40,920 --> 00:42:45,520
Speaker 1: I'm not trying to be hurtful. I'm trying to be honest.

641
00:42:46,000 --> 00:42:51,040
Speaker 1: In our city. Yes, of course. Okay, most give their

642
00:42:51,080 --> 00:42:56,279
Speaker 1: nephews beers and cigarettes and porn magazines. I'm taking you

643
00:42:56,320 --> 00:42:59,640
Speaker 1: to Smarty Smart Island because I believe in you. Well,

644
00:42:59,800 --> 00:43:01,920
Speaker 1: I I'm just afraid. I don't know. I don't know

645
00:43:02,000 --> 00:43:04,719
Speaker 1: if I'm going to disappoint you. I'll tell you this.

646
00:43:05,640 --> 00:43:09,000
Speaker 1: You're not getting home one way or another, you know

647
00:43:09,040 --> 00:43:11,319
Speaker 1: what I mean? What do you mean? All right? Past

648
00:43:11,360 --> 00:43:14,440
Speaker 1: that magazine over here? You go? You got me a

649
00:43:14,480 --> 00:43:17,479
Speaker 1: ticket home just in case? Right, what's a three letter

650
00:43:17,520 --> 00:43:22,920
Speaker 1: word for a bird down under? Yeah? Well, I mean

651
00:43:22,960 --> 00:43:25,880
Speaker 1: I normally travel. I'm normally a traveler, but this is

652
00:43:25,920 --> 00:43:28,239
Speaker 1: my first time going to Smarty Smart. I mean, I

653
00:43:28,360 --> 00:43:30,400
Speaker 1: try to check off all the islands because a lot

654
00:43:30,440 --> 00:43:31,600
Speaker 1: of people want to go to the continent. Well, a

655
00:43:31,640 --> 00:43:32,680
Speaker 1: lot of people want to go to like, you know,

656
00:43:32,800 --> 00:43:35,440
Speaker 1: let's go to the major Europe, you know, let's go

657
00:43:35,480 --> 00:43:38,879
Speaker 1: to I'm sorry, I have the headphones on and it's

658
00:43:38,920 --> 00:43:42,160
Speaker 1: the last last fifteen minutes of you talking. Oh my gosh,

659
00:43:42,200 --> 00:43:47,480
Speaker 1: oh no works reset I have. I mean, I'm I

660
00:43:47,480 --> 00:43:49,399
Speaker 1: don't want to say a genius level, but I I can.

661
00:43:49,440 --> 00:43:51,080
Speaker 1: I know exactly what I said, how I said it.

662
00:43:51,080 --> 00:43:53,160
Speaker 1: In the cadence as well as well. They'll check your

663
00:43:53,400 --> 00:43:56,440
Speaker 1: I que as soon as you arrive. Oh you've been

664
00:43:57,800 --> 00:44:03,000
Speaker 1: I'm from there. Oh wow, wow wow wow. I'm I'm

665
00:44:03,000 --> 00:44:06,480
Speaker 1: actual smarty. That's amazing. How are you? You'll blow into

666
00:44:06,480 --> 00:44:08,840
Speaker 1: a brain aalizer when you get there, which will immediately

667
00:44:10,440 --> 00:44:14,320
Speaker 1: pop out your i Q. Okay, tell me. Are you

668
00:44:14,360 --> 00:44:17,960
Speaker 1: a genius level of super genius? Uh? Well, I'm kind

669
00:44:17,960 --> 00:44:20,440
Speaker 1: of in between. I fluxiate between super genius and genius.

670
00:44:20,560 --> 00:44:25,080
Speaker 1: Uh so, I'm kidding, I'm kidding, I'm I'm a super

671
00:44:25,360 --> 00:44:28,680
Speaker 1: I'm a super deeper trooper genius. I noticed having a

672
00:44:29,120 --> 00:44:33,400
Speaker 1: difficulty with that sudoku. Yeah, I just think it's too simple,

673
00:44:33,640 --> 00:44:36,120
Speaker 1: and uh, I'm just changing the number around, the numbers

674
00:44:36,120 --> 00:44:40,400
Speaker 1: around myself and just I normally I just focuses on

675
00:44:40,440 --> 00:44:42,560
Speaker 1: the numbers one through nine, and you've got some three

676
00:44:42,560 --> 00:44:46,640
Speaker 1: digit numbers and some of those squares mm hmm. Yeah.

677
00:44:46,680 --> 00:44:49,160
Speaker 1: I figured that these simple one to one to zero

678
00:44:49,280 --> 00:44:52,040
Speaker 1: numbers are just so we're gonna be turned away at

679
00:44:52,040 --> 00:44:56,200
Speaker 1: the border. All right, I think I'm gonna be fine.

680
00:44:56,239 --> 00:44:59,960
Speaker 1: I'm a super enious. Yeah, we will see, we will

681
00:45:00,000 --> 00:45:02,440
Speaker 1: will actually see and something. Don't put your headphones on.

682
00:45:02,520 --> 00:45:04,640
Speaker 1: Don't put your headphones back on. Excuse me, I'm sorry

683
00:45:04,640 --> 00:45:05,879
Speaker 1: I miss the last thing you said. Did you say,

684
00:45:05,880 --> 00:45:08,200
Speaker 1: don't put my headphones on? Yes? Did you know that?

685
00:45:08,239 --> 00:45:09,840
Speaker 1: I did you know that? I said that. You know

686
00:45:09,880 --> 00:45:13,359
Speaker 1: you're the fucking smartest thing. You're all smarter than everybody else. Well,

687
00:45:13,360 --> 00:45:16,480
Speaker 1: there are geniuses out there who are doing art, who

688
00:45:16,480 --> 00:45:23,600
Speaker 1: are doing sciences. Yes, yep, no, just one of you.

689
00:45:23,600 --> 00:45:30,840
Speaker 1: Which one I could help? I'll pull up Europe in

690
00:45:30,920 --> 00:45:34,480
Speaker 1: the front area on the front. Could I get a

691
00:45:34,480 --> 00:45:44,480
Speaker 1: second set of headphones? Please, sugar shut uh, please let

692
00:45:44,520 --> 00:45:49,799
Speaker 1: me alone, let me for Oh hey, that's a yeah,

693
00:45:49,840 --> 00:45:53,200
Speaker 1: it's a nice little dog you got there. Thank you.

694
00:45:53,239 --> 00:45:57,200
Speaker 1: It's samss Leonard and it's pronoun it's it. You're talking

695
00:45:57,239 --> 00:46:02,439
Speaker 1: to mealking. I'm talking to her because I'm a little dog.

696
00:46:05,320 --> 00:46:08,320
Speaker 1: Now it doesn't matter. Look, I'm a genius dog. What

697
00:46:08,360 --> 00:46:10,040
Speaker 1: do you want me to do? We don't know. Come,

698
00:46:10,080 --> 00:46:13,480
Speaker 1: we don't know. If we can trust him on the

699
00:46:14,840 --> 00:46:17,200
Speaker 1: we can go. Look like I'm gonna come right out

700
00:46:17,239 --> 00:46:19,759
Speaker 1: with it. I'm a married man who's on a business trip.

701
00:46:19,800 --> 00:46:21,279
Speaker 1: I was hoping maybe we could have a fling. But

702
00:46:21,320 --> 00:46:23,799
Speaker 1: I had this dog thing is not for me. You

703
00:46:24,160 --> 00:46:27,640
Speaker 1: are you trying to seduce me? I'm the dog. Have

704
00:46:27,719 --> 00:46:33,960
Speaker 1: a nice day. Wow, I think you folks, is your

705
00:46:33,960 --> 00:46:39,080
Speaker 1: balance and we're just doing our final protocols here for

706
00:46:39,440 --> 00:46:46,280
Speaker 1: fly to Phoenix. I thank you all for choosing Joey yourlins.

707
00:46:47,160 --> 00:46:50,880
Speaker 1: Did you say Phoenix? And there's any questions you might have?

708
00:46:52,440 --> 00:46:57,560
Speaker 1: What a smarty smartly attendants? Why are you doing this bit?

709
00:46:57,680 --> 00:47:01,520
Speaker 1: Just talk dude, Okay, folks, I'm just messing with it.

710
00:47:01,640 --> 00:47:05,040
Speaker 1: Is your pilot, Jim, just having some fun. We're all

711
00:47:05,040 --> 00:47:07,280
Speaker 1: excited as hell to get down as smart as Marty Island.

712
00:47:07,960 --> 00:47:12,719
Speaker 1: And uh, if you have any other ideas about where

713
00:47:12,760 --> 00:47:15,920
Speaker 1: you might want to travel in the future. Uh were

714
00:47:16,000 --> 00:47:17,600
Speaker 1: this is our first round. I'll be honest as smart

715
00:47:17,640 --> 00:47:24,399
Speaker 1: ast Marty Island. So we're looking for some Just yeah,

716
00:47:24,440 --> 00:47:29,160
Speaker 1: Tara is about we're gonna have to delay takeoff. Looks

717
00:47:29,200 --> 00:47:31,080
Speaker 1: like there's some trouble on the runway. Looks like we've

718
00:47:31,080 --> 00:47:33,640
Speaker 1: got two kids fighting on the runway. Yeah, we're not.

719
00:47:33,760 --> 00:47:37,840
Speaker 1: We're not going to delay tower. Now you have to delay.

720
00:47:37,880 --> 00:47:39,640
Speaker 1: Look like those two kids are in the fifth fight.

721
00:47:40,239 --> 00:47:42,200
Speaker 1: Let that play out. You knew I liked her. You

722
00:47:43,760 --> 00:47:48,400
Speaker 1: knew I liked her. It was it was it wasn't.

723
00:47:48,560 --> 00:47:52,279
Speaker 1: It wasn't yours to decide. You know what, it's don't

724
00:47:52,360 --> 00:47:54,719
Speaker 1: hit me in the face. It's where to keep my brain,

725
00:47:54,840 --> 00:48:00,319
Speaker 1: your bastard. Wait? Wait, have we not taken off yet.

726
00:48:01,719 --> 00:48:04,160
Speaker 1: I've been on this plane for three hours at this point,

727
00:48:05,040 --> 00:48:07,799
Speaker 1: I have several sets of headphones. This is the last

728
00:48:07,800 --> 00:48:11,239
Speaker 1: time I'm flying, Joey, I'll tell you that much. You know,

729
00:48:11,840 --> 00:48:14,000
Speaker 1: I don't want to brag what I've made my own plane.

730
00:48:14,000 --> 00:48:15,279
Speaker 1: So if you want to hop out of here, we

731
00:48:15,320 --> 00:48:19,239
Speaker 1: can go. You've made your own plane plane as a fluctuator.

732
00:48:19,560 --> 00:48:22,800
Speaker 1: All right, fine, fine, I'd love to fly with you.

733
00:48:23,200 --> 00:48:25,480
Speaker 1: Can you take me to Smarty Smart Island? Of course

734
00:48:25,520 --> 00:48:26,880
Speaker 1: I can take you to Smarty Smart. I want to

735
00:48:26,920 --> 00:48:29,640
Speaker 1: go to Smarty Smart Islands. So yes, no layovers in

736
00:48:29,719 --> 00:48:34,560
Speaker 1: Phoenix Downwhow. I need to get off because I got

737
00:48:34,640 --> 00:48:36,279
Speaker 1: a plane. I gotta I made a plane, and we

738
00:48:36,360 --> 00:48:40,719
Speaker 1: gotta take it. What I've made a plane and now

739
00:48:40,800 --> 00:48:43,399
Speaker 1: we're gonna take that. Okay, it's just not safe. We're

740
00:48:43,440 --> 00:48:46,200
Speaker 1: on the on the tarmac. Yeah, you know what's not safe?

741
00:48:46,440 --> 00:48:48,440
Speaker 1: Sitting here for three hours? What if I get bed sores?

742
00:48:48,480 --> 00:48:51,640
Speaker 1: Excuse me, me and my I guess my roommate. Now

743
00:48:51,760 --> 00:48:54,399
Speaker 1: are gonna go alright, folks, we've been cleared for Tago.

744
00:48:54,520 --> 00:48:57,919
Speaker 1: Please drop in and lower your headsets and deer lap

745
00:48:58,120 --> 00:49:00,400
Speaker 1: if you know what I'm saying. You're so sit back

746
00:49:00,440 --> 00:49:07,799
Speaker 1: and enjoy the flight. Thanks Jim. Honestly, I was thinking, like, yeah,

747
00:49:07,840 --> 00:49:10,880
Speaker 1: what's up. Looks like we got a mama deck and

748
00:49:10,960 --> 00:49:13,280
Speaker 1: she's trailing a whole bunch of baby ducks on the runway.

749
00:49:13,280 --> 00:49:15,520
Speaker 1: We're gonna have to pause that take off, all right,

750
00:49:15,560 --> 00:49:18,640
Speaker 1: Let's consider those ducks laurent to be dead and cooked

751
00:49:18,719 --> 00:49:25,160
Speaker 1: and served this. Uh these passengersman, Hey, I'm back. I

752
00:49:25,239 --> 00:49:27,759
Speaker 1: do want to talk to the dog. Actually, I'm rich

753
00:49:27,800 --> 00:49:32,000
Speaker 1: business man. I'm looking for a flight, okay, okay, I

754
00:49:32,080 --> 00:49:34,480
Speaker 1: just want to let you know that I'm I'm single.

755
00:49:35,120 --> 00:49:40,480
Speaker 1: It's okay. So what's your name? Good boy? Oh? Leonardo?

756
00:49:41,640 --> 00:49:46,200
Speaker 1: Right where my tail is on my but hey, Joe

757
00:49:46,320 --> 00:49:51,080
Speaker 1: che Joe che. You got a real lot one here? Miss? Yeah?

758
00:49:51,280 --> 00:49:57,160
Speaker 1: I do? Yeah, you you like the party? Yeah? Sorry,

759
00:49:59,520 --> 00:50:02,400
Speaker 1: I'm not a a businessman. I'm also the Air Marshal,

760
00:50:02,520 --> 00:50:05,240
Speaker 1: which means I carry a gun and can bring whatever

761
00:50:05,320 --> 00:50:10,280
Speaker 1: I want to on this plane. Is that your whisper

762
00:50:10,440 --> 00:50:12,160
Speaker 1: and you're normal looking way, But so it's clear that

763
00:50:12,200 --> 00:50:15,120
Speaker 1: we're not taking off anytime soon. Now, my friend and

764
00:50:15,239 --> 00:50:20,839
Speaker 1: I would like to roommate. We're not roommates. My friend

765
00:50:20,880 --> 00:50:22,839
Speaker 1: and I would like to d plane and get onto

766
00:50:22,960 --> 00:50:30,319
Speaker 1: his plane. Um, we've already locked the doors, unlocked them

767
00:50:30,360 --> 00:50:32,319
Speaker 1: because my roommate need to get the hell out of here.

768
00:50:32,560 --> 00:50:34,880
Speaker 1: All right. I have two things to say. One can

769
00:50:34,960 --> 00:50:36,960
Speaker 1: we go with you? And two if you see yes,

770
00:50:37,120 --> 00:50:40,160
Speaker 1: we can use the slide on the side exit door.

771
00:50:40,239 --> 00:50:42,920
Speaker 1: Who with the slide? Exciting? Do you have? You have

772
00:50:43,040 --> 00:50:46,000
Speaker 1: enough room in you were plane for These flight attendants

773
00:50:46,560 --> 00:50:49,440
Speaker 1: will work for you, will work hard? Are you? Are

774
00:50:49,520 --> 00:50:52,960
Speaker 1: you guys going smart? Yes, we're going to smarty smart Island.

775
00:50:53,360 --> 00:50:56,879
Speaker 1: Do you think you get me in? Well, you're getta

776
00:50:56,880 --> 00:51:01,759
Speaker 1: have to blow when you get there. Okay, uh look, pud,

777
00:51:02,120 --> 00:51:06,160
Speaker 1: I'm not I'm not actually your uncle? What I'm not?

778
00:51:06,560 --> 00:51:11,040
Speaker 1: Don't miss turn around? Please, I'm sorry. You are You

779
00:51:11,239 --> 00:51:15,400
Speaker 1: are desperate. You're desperate right now? You just gotta like relax?

780
00:51:15,480 --> 00:51:18,279
Speaker 1: So what? Yeah? I keep getting hit on, But it

781
00:51:18,320 --> 00:51:20,960
Speaker 1: doesn't mean that you're unvalued. You have so much value.

782
00:51:21,000 --> 00:51:23,680
Speaker 1: I don't feel very mud at all. I feel like

783
00:51:24,080 --> 00:51:28,480
Speaker 1: I'm a receptacle for you. Come on, I'm a receptacle

784
00:51:28,560 --> 00:51:32,239
Speaker 1: for me. Forget it. Whatever, so he wasn't talking to me,

785
00:51:32,280 --> 00:51:35,400
Speaker 1: I'll just I'll put on my headphones. It's fine. Just

786
00:51:35,480 --> 00:51:37,600
Speaker 1: talk to me for a little bit. Just talk to me.

787
00:51:37,640 --> 00:51:41,120
Speaker 1: I'm a genius dog. Come on, what's going on? I

788
00:51:41,160 --> 00:51:43,759
Speaker 1: know there's something bothering you because I'm sick of talking

789
00:51:43,840 --> 00:51:45,759
Speaker 1: to you. All we do is talk to you. You're

790
00:51:46,040 --> 00:51:48,759
Speaker 1: for me and I don't. Oh my gosh, fulfill me.

791
00:51:49,040 --> 00:51:53,120
Speaker 1: After your failed marriage was christ the spirit of your

792
00:51:53,120 --> 00:51:55,799
Speaker 1: father was put into a dog. And that's who I am.

793
00:51:56,040 --> 00:51:59,640
Speaker 1: And yes I was imbued with certain super genius qualities.

794
00:52:00,120 --> 00:52:02,120
Speaker 1: But does that that doesn't make us like, you know,

795
00:52:02,920 --> 00:52:05,960
Speaker 1: like a holy different thing. You know, I'm your dad

796
00:52:06,040 --> 00:52:08,760
Speaker 1: at heart. I know when my little girl is upset

797
00:52:08,840 --> 00:52:14,600
Speaker 1: and she's feeling weird. Right, I'm I mean, you're definitely

798
00:52:14,680 --> 00:52:19,520
Speaker 1: reading me correctly, but like you as my dad, that's

799
00:52:19,560 --> 00:52:24,560
Speaker 1: not your uncle. I'm your dad, my dad. But then,

800
00:52:25,120 --> 00:52:31,439
Speaker 1: but then, please letty if you could hold the dog still, yeah,

801
00:52:31,719 --> 00:52:36,759
Speaker 1: disrupting my flaw in the sculpting, and if this is

802
00:52:36,880 --> 00:52:40,959
Speaker 1: to be a perfect piece of the youn talking dog.

803
00:52:41,800 --> 00:52:44,960
Speaker 1: It would be great if you could hold fucking still. Yeah.

804
00:52:45,440 --> 00:52:48,600
Speaker 1: Oh um, I just want to point out I'm actually

805
00:52:48,680 --> 00:52:52,640
Speaker 1: not moving. It's the dog. The dog isn't that's my daughter,

806
00:52:55,760 --> 00:53:01,800
Speaker 1: that's our shower for we never made it to Smarty

807
00:53:01,840 --> 00:53:05,279
Speaker 1: Smart Island. I think I think there's a reason these

808
00:53:05,360 --> 00:53:09,239
Speaker 1: dumb dumbs never made it to Smarty Smart Island. Thank

809
00:53:09,320 --> 00:53:12,840
Speaker 1: you all of the fine alchemists today. Jackie, thank you

810
00:53:12,920 --> 00:53:14,239
Speaker 1: so much for coming back. I hope you had a

811
00:53:14,280 --> 00:53:16,680
Speaker 1: good time. I did, I did, I always do. Thank

812
00:53:16,680 --> 00:53:19,680
Speaker 1: you guys for having me again. And where can folks

813
00:53:19,960 --> 00:53:22,400
Speaker 1: find you should you want them to? On the social

814
00:53:22,560 --> 00:53:26,799
Speaker 1: or the inner webs. Yes, I am at Jackie, Druthie

815
00:53:27,200 --> 00:53:30,640
Speaker 1: and Druthy's not as crazy as it sounds. Do you are?

816
00:53:30,760 --> 00:53:33,520
Speaker 1: R U t h Yuh. That's where I'm at all

817
00:53:33,600 --> 00:53:39,600
Speaker 1: over the place. Okay, thank you so much, Greig Kowski. Yeah.

818
00:53:39,719 --> 00:53:42,480
Speaker 1: I came prepared to rail against the use of sherbet

819
00:53:43,040 --> 00:53:47,680
Speaker 1: to UH to describe a frozen fruity treat UH, in

820
00:53:48,200 --> 00:53:51,680
Speaker 1: favor of the actual word sherbet, But according to the Dictionary,

821
00:53:51,760 --> 00:53:56,719
Speaker 1: sherbet is an acceptable, though not preferred variation UH. Though

822
00:53:56,800 --> 00:53:58,520
Speaker 1: I did learn that in order for something to be

823
00:53:58,600 --> 00:54:02,800
Speaker 1: considered Sherbet or Sherbert under US regulations, it must contain

824
00:54:03,080 --> 00:54:08,120
Speaker 1: between one and two butter fat butter. And if something

825
00:54:08,239 --> 00:54:11,359
Speaker 1: is non dare at sorbet so non dairy sorbet. If

826
00:54:11,400 --> 00:54:16,160
Speaker 1: it has a little bit of dairy, it's sherbets. I

827
00:54:16,520 --> 00:54:19,680
Speaker 1: really am annoyed when they cave to the pressure and

828
00:54:19,760 --> 00:54:26,040
Speaker 1: include both uses, because clearly that's what happened. Yeah enough

829
00:54:26,120 --> 00:54:30,000
Speaker 1: people said Sherbet that Miriam Webster was like, all right, fine,

830
00:54:31,560 --> 00:54:35,959
Speaker 1: we'll let you in. I'm not really familiar with Sherbett either.

831
00:54:37,120 --> 00:54:42,080
Speaker 1: Clearly that's why Miriam caved. I'm not either. James Heeney,

832
00:54:42,160 --> 00:54:44,200
Speaker 1: thank you so much, but I boll I appreciate having

833
00:54:44,239 --> 00:54:46,840
Speaker 1: you as always. Where where should folks look free on

834
00:54:46,920 --> 00:54:49,839
Speaker 1: the twitch playing some games or something? Yeah, I mean

835
00:54:49,920 --> 00:54:53,040
Speaker 1: that that would be a good place twitch for twist,

836
00:54:53,080 --> 00:54:56,320
Speaker 1: Twitch dot tv, forward slash the real James Heeney, that

837
00:54:56,520 --> 00:54:58,520
Speaker 1: would be good one. Thank you, Kevin, you bet you.

838
00:54:59,040 --> 00:55:02,319
Speaker 1: I would drop the word forward from the description. Chris,

839
00:55:02,480 --> 00:55:06,320
Speaker 1: thank you so very damn much. Yeah, thanks for having me.

840
00:55:06,400 --> 00:55:09,080
Speaker 1: I love you guys. Look all your needs that we

841
00:55:09,120 --> 00:55:12,560
Speaker 1: found at Chris Dash Alvardo dot com. And while I'm here,

842
00:55:12,640 --> 00:55:15,400
Speaker 1: I want to send the traffic of all the thousands

843
00:55:15,440 --> 00:55:19,080
Speaker 1: of users over to Jackie's Instagram, where she does really

844
00:55:19,120 --> 00:55:23,120
Speaker 1: funny videos and does an incredible Milannia Trump. It's like

845
00:55:24,040 --> 00:55:26,840
Speaker 1: out of this fucking world. It's so good. Oh great,

846
00:55:26,960 --> 00:55:29,360
Speaker 1: please yes, please, please please, thank you for turning me

847
00:55:29,480 --> 00:55:32,680
Speaker 1: onto that. I'm on the way. Uh sorry, Joey, we

848
00:55:32,760 --> 00:55:34,480
Speaker 1: have no time. I gotta go right to the Instagram.

849
00:55:37,600 --> 00:55:46,200
Speaker 1: Let's thank our engineering producing the stars. I'm Kevin Polla

850
00:55:46,280 --> 00:55:48,960
Speaker 1: reminding you to wear a mask please when you go outside,

851
00:55:49,040 --> 00:55:50,800
Speaker 1: and be kind to each other. Damn it. Let's have

852
00:55:50,880 --> 00:56:04,560
Speaker 1: each other's backs, shall we until next time? And a

853
00:56:04,719 --> 00:56:17,520
Speaker 1: football and