1 00:00:00,320 --> 00:00:03,120 Speaker 1: One thing. This is a girl with me My and 2 00:00:03,200 --> 00:00:06,960 Speaker 1: you're listening to the best of the breakfast club. That 3 00:00:07,160 --> 00:00:11,200 Speaker 1: was Jeremy with Weed Morning. Everybody is DJ MG, Angela Yee, 4 00:00:11,320 --> 00:00:14,480 Speaker 1: Charlomagne and guy, we are to breakfast club. Everybody already drunk, 5 00:00:14,480 --> 00:00:17,279 Speaker 1: while they are already kicking drinks over, spending over. You know, 6 00:00:17,600 --> 00:00:19,639 Speaker 1: we got a special guest in the building. You didn't 7 00:00:19,640 --> 00:00:21,640 Speaker 1: even get me that. He's not even a guest. You're 8 00:00:21,680 --> 00:00:23,759 Speaker 1: greeting this is a friend into the room, friend to 9 00:00:23,800 --> 00:00:26,720 Speaker 1: the friends to the room with Charlomagne. Charlomagne barely remember 10 00:00:26,760 --> 00:00:29,200 Speaker 1: that I've been here this year. I'm not memorable enough. No, 11 00:00:29,240 --> 00:00:32,280 Speaker 1: I couldn't remember. I didn't say that. There's something that 12 00:00:32,320 --> 00:00:34,159 Speaker 1: needs to be done. There's something that's some type of 13 00:00:34,240 --> 00:00:36,800 Speaker 1: season and that that needs to be put on my name, 14 00:00:38,000 --> 00:00:44,400 Speaker 1: respect his name back ladies. We need a better presentation 15 00:00:44,440 --> 00:00:48,239 Speaker 1: for wild ladies. Plastic cuts. I mean, they don't have 16 00:00:48,320 --> 00:00:54,160 Speaker 1: any they don't have any acknowledgement of my handle. While 17 00:00:54,560 --> 00:00:57,320 Speaker 1: again with good music. You got the record p YT right, 18 00:00:58,160 --> 00:01:01,040 Speaker 1: but he all got no gimmicks, no story, he's no scandals. 19 00:01:01,520 --> 00:01:03,440 Speaker 1: You know, what are you? You can't just go by 20 00:01:03,480 --> 00:01:07,640 Speaker 1: the record almost scares me. I'm truthfully scared. Somebody saying 21 00:01:07,680 --> 00:01:10,440 Speaker 1: on Twitter, man, this p y Wile record is a 22 00:01:10,440 --> 00:01:12,280 Speaker 1: little key hard as hell, like they didn't want to 23 00:01:12,360 --> 00:01:19,120 Speaker 1: let anyone give it up, like you want. You want't 24 00:01:19,160 --> 00:01:22,360 Speaker 1: like to be a Cloud fan or something. Though, good, 25 00:01:22,520 --> 00:01:25,160 Speaker 1: I like this one because now DJ could play. He 26 00:01:25,319 --> 00:01:28,319 Speaker 1: just told me he never played my stuff. Now, it 27 00:01:28,400 --> 00:01:31,280 Speaker 1: was very difficult to got slow temples. You got a 28 00:01:31,280 --> 00:01:34,080 Speaker 1: temple now that I appreciate them. Put in the mix 29 00:01:34,120 --> 00:01:35,440 Speaker 1: and now we're gonna see. Though I ain't know you 30 00:01:35,440 --> 00:01:37,280 Speaker 1: had Sam Sneak on the record. I thought it was Tiger, 31 00:01:37,440 --> 00:01:39,880 Speaker 1: and I said, why did you do a record called 32 00:01:39,880 --> 00:01:42,600 Speaker 1: p yt with Tiger? Sam Sneak does look like Tiger 33 00:01:42,640 --> 00:01:49,640 Speaker 1: a little bit? Playing Tiger one of the best young 34 00:01:49,720 --> 00:01:53,800 Speaker 1: businessmen in the game. Though playing Walle I saw you, Tweeter. 35 00:01:53,960 --> 00:01:56,920 Speaker 1: Don't let your fascination with the Stag cloud your perception 36 00:01:56,960 --> 00:01:59,040 Speaker 1: for the present time. What you mean by that, I mean, 37 00:01:59,080 --> 00:02:01,000 Speaker 1: I just think a lot of people be like, it'd 38 00:02:01,040 --> 00:02:02,720 Speaker 1: be very easy for me to come in and Joe 39 00:02:02,800 --> 00:02:05,080 Speaker 1: be like, yo, if you remember, you know what I'm saying, 40 00:02:05,080 --> 00:02:06,560 Speaker 1: Why don't you go back to like when you did 41 00:02:06,600 --> 00:02:09,239 Speaker 1: the Beanie Seguel dis jount like you know what I'm saying, 42 00:02:09,240 --> 00:02:12,480 Speaker 1: the jaded disco, Like I could easily come in and 43 00:02:12,520 --> 00:02:14,359 Speaker 1: be like, yo, the what're the verse that I can't 44 00:02:14,360 --> 00:02:16,080 Speaker 1: play the rest of the verse, you know what I'm saying, Like, 45 00:02:16,280 --> 00:02:18,239 Speaker 1: but that's where I was when that joint came out, 46 00:02:19,000 --> 00:02:20,680 Speaker 1: You know what I'm saying. I was in high school 47 00:02:20,919 --> 00:02:23,440 Speaker 1: or our first meeting callege around that time when I 48 00:02:23,520 --> 00:02:26,840 Speaker 1: came out like like my appreciation for what he'd do. 49 00:02:27,280 --> 00:02:29,079 Speaker 1: It's not about like that moment, and a lot of 50 00:02:29,080 --> 00:02:30,959 Speaker 1: people get caught up like where they was when they're 51 00:02:30,960 --> 00:02:33,000 Speaker 1: her lotus A lot of me like I had a 52 00:02:33,040 --> 00:02:36,280 Speaker 1: girlfriend that I used to love and des was our song. 53 00:02:36,360 --> 00:02:38,640 Speaker 1: We're not to govern them or bring it back, and 54 00:02:38,639 --> 00:02:41,360 Speaker 1: they think that like tell him, Walley, bring back the 55 00:02:41,400 --> 00:02:44,639 Speaker 1: old wallet. It's gonna bring back that person subconsciously, and 56 00:02:44,639 --> 00:02:47,320 Speaker 1: that's a that's a fixation that a lot of people got, 57 00:02:47,440 --> 00:02:48,880 Speaker 1: you know what I'm saying, And that's why I do 58 00:02:48,919 --> 00:02:51,280 Speaker 1: get offended, like, yo, I ain't making this for me. 59 00:02:51,360 --> 00:02:53,080 Speaker 1: I'm making for me every once in a while about 60 00:02:53,080 --> 00:02:55,800 Speaker 1: nothing was for me. Shine is for the world. For 61 00:02:55,840 --> 00:02:57,560 Speaker 1: the first time in my career, like I designed the 62 00:02:57,639 --> 00:03:01,440 Speaker 1: songs like to make an array of different women feel good. 63 00:03:01,800 --> 00:03:05,120 Speaker 1: So it scrictly for the woman. I mean for them, 64 00:03:05,120 --> 00:03:09,040 Speaker 1: the champion. It initially absolutely like not not for them. 65 00:03:09,080 --> 00:03:12,280 Speaker 1: But I just know my setupw my career set up, 66 00:03:12,919 --> 00:03:19,080 Speaker 1: like everybody up. You know what I'm saying. Let me 67 00:03:19,120 --> 00:03:20,880 Speaker 1: get the junk from me and mc guru because you 68 00:03:21,000 --> 00:03:23,440 Speaker 1: make the girl June. Actually I made the whole album 69 00:03:23,440 --> 00:03:25,720 Speaker 1: of other Junes. But you know the crazy thing about music. 70 00:03:25,800 --> 00:03:27,480 Speaker 1: Music is like a drug. It's like crack. But the 71 00:03:27,520 --> 00:03:30,200 Speaker 1: problem is if you sell crack, crackheads always chasing that 72 00:03:30,240 --> 00:03:32,160 Speaker 1: first high, but they'll come by the same crack from you. 73 00:03:32,400 --> 00:03:33,919 Speaker 1: They don't do that with music. I don't know, but 74 00:03:35,200 --> 00:03:40,240 Speaker 1: I don't know anything about I know what I'm talking about. 75 00:03:38,000 --> 00:03:44,040 Speaker 1: Don't they love our brother? Our brother is under some 76 00:03:44,200 --> 00:03:47,800 Speaker 1: serious allegations. Man, we don't know nothing about any of that. Walla. 77 00:03:47,960 --> 00:03:50,080 Speaker 1: That's what halla, what we call. They love that first 78 00:03:50,160 --> 00:03:51,640 Speaker 1: high when it comes to the music, but you gotta 79 00:03:51,680 --> 00:03:54,320 Speaker 1: keep giving them new drugs. That's the nostalgia. Though. One 80 00:03:54,360 --> 00:03:56,440 Speaker 1: of my mentors always talks about when Bob Jellan when 81 00:03:56,440 --> 00:03:58,680 Speaker 1: the Electric and I was like a big like uproar. 82 00:03:59,080 --> 00:04:01,120 Speaker 1: I don't know if we allow our pioneers to Dude, 83 00:04:01,280 --> 00:04:05,360 Speaker 1: I understand Michael Jackson didn't New Jack swing, he didn't 84 00:04:05,640 --> 00:04:08,960 Speaker 1: spearhead that movement. He's like, I'm gonna do Michael Jackson 85 00:04:09,040 --> 00:04:12,080 Speaker 1: on this Teddy Riley vibe. M Rico Love told me 86 00:04:12,120 --> 00:04:13,680 Speaker 1: this long time ago. He was like, yo, Like you 87 00:04:13,720 --> 00:04:15,680 Speaker 1: know why you're gonna win. He's like, cause you're a 88 00:04:15,680 --> 00:04:19,359 Speaker 1: fly that could wrap all types of ways. It's like 89 00:04:19,440 --> 00:04:21,600 Speaker 1: anything the way the game go, you could just jump 90 00:04:21,680 --> 00:04:23,920 Speaker 1: right in. And that always stuck with me because it's 91 00:04:23,960 --> 00:04:25,880 Speaker 1: just like all of y'all in in a way in 92 00:04:25,920 --> 00:04:28,200 Speaker 1: your own fields, it's been a slow bill. Ain't nobody. 93 00:04:28,200 --> 00:04:30,120 Speaker 1: You ain't getting no. You didn't get no block and 94 00:04:30,200 --> 00:04:32,640 Speaker 1: yellow first at the beginning of your career. You didn't 95 00:04:32,680 --> 00:04:34,680 Speaker 1: ben getting under that. You ain't getting no best to 96 00:04:34,760 --> 00:04:36,680 Speaker 1: haven had in the beginning of your career. You know 97 00:04:36,720 --> 00:04:39,000 Speaker 1: what I'm saying, You ain't getting no as as as 98 00:04:39,040 --> 00:04:41,200 Speaker 1: at the beginning of your career, it all grew, you 99 00:04:41,200 --> 00:04:43,039 Speaker 1: know what I'm saying. And I just feel like what 100 00:04:43,160 --> 00:04:45,120 Speaker 1: I represent or what I want to rep I try 101 00:04:45,120 --> 00:04:47,839 Speaker 1: to represent is the person that, like you might not 102 00:04:48,000 --> 00:04:51,360 Speaker 1: get employee of a month for your first two years 103 00:04:51,400 --> 00:04:53,360 Speaker 1: of your job. But maybe you might be the first 104 00:04:53,360 --> 00:04:55,320 Speaker 1: one to get a promotion. You might be the first 105 00:04:55,360 --> 00:04:58,520 Speaker 1: one because one thing that they kenathanize my ticket sale. 106 00:04:58,800 --> 00:05:01,760 Speaker 1: Anybody who goes skeptically leaves like, holy I forgot this 107 00:05:01,800 --> 00:05:03,720 Speaker 1: boy had this many hits. Yeah, you know what I'm saying. 108 00:05:03,760 --> 00:05:06,880 Speaker 1: And Old is a great example of that too. That's who. 109 00:05:06,920 --> 00:05:11,920 Speaker 1: That's who Rico and Fat Joe. You haven't been a 110 00:05:11,960 --> 00:05:16,400 Speaker 1: Fat Joe showing yoo. You know what too like and 111 00:05:16,440 --> 00:05:17,920 Speaker 1: not to go back. But that was the time where 112 00:05:17,920 --> 00:05:20,920 Speaker 1: you I think people love music more Now it's so fast. 113 00:05:21,040 --> 00:05:22,520 Speaker 1: I don't know if they like they don't love it, 114 00:05:22,480 --> 00:05:24,640 Speaker 1: it's less. It's just like it's like what's next. It's 115 00:05:24,640 --> 00:05:27,000 Speaker 1: just like if somebody make a bomb, ask pie and 116 00:05:27,040 --> 00:05:29,760 Speaker 1: it's like four stores that sell pot, like you don't 117 00:05:29,800 --> 00:05:32,200 Speaker 1: you probably like Poe all time high right now, but 118 00:05:32,520 --> 00:05:36,040 Speaker 1: because it's just so much, it's so many pies, like 119 00:05:36,120 --> 00:05:38,320 Speaker 1: you don't know, like like it's like everybody want to 120 00:05:38,320 --> 00:05:39,800 Speaker 1: make pie now, you know what I'm saying. So it's 121 00:05:39,839 --> 00:05:43,080 Speaker 1: like we don't know. That's the only plight of the 122 00:05:43,279 --> 00:05:46,920 Speaker 1: artists of today, Like we won't never know how hot 123 00:05:47,000 --> 00:05:48,680 Speaker 1: we are. I try to get on set it in 124 00:05:48,720 --> 00:05:51,679 Speaker 1: their life seven times last, I want me and Jerry 125 00:05:51,880 --> 00:05:54,800 Speaker 1: what happened? What they say? I leave that up for speculation, 126 00:05:54,880 --> 00:05:57,839 Speaker 1: but I wanted to go. But how did they say no? 127 00:05:59,040 --> 00:06:03,599 Speaker 1: Like I'm saying, why, why would you think that? You 128 00:06:03,640 --> 00:06:04,920 Speaker 1: know why because you come and you grew up in 129 00:06:04,960 --> 00:06:07,480 Speaker 1: the urban environment. You know why them girls and them 130 00:06:07,480 --> 00:06:10,599 Speaker 1: girls is out there? Buyd Demi Levado, who has really 131 00:06:10,680 --> 00:06:14,080 Speaker 1: like my curved my advances to write her music. I 132 00:06:14,080 --> 00:06:16,480 Speaker 1: won't go on reckon and say that, like like she 133 00:06:16,560 --> 00:06:19,640 Speaker 1: don't give a about until wallet is on the top 134 00:06:19,680 --> 00:06:21,680 Speaker 1: forty then her And I was like, Yo, this is 135 00:06:21,800 --> 00:06:24,239 Speaker 1: kid named well, like you should work with him? Hawtry 136 00:06:24,400 --> 00:06:26,719 Speaker 1: here was this dread like a crazy, like a fool? 137 00:06:27,640 --> 00:06:30,480 Speaker 1: She would pull the interview with us, doesn't who we were? 138 00:06:30,480 --> 00:06:36,040 Speaker 1: And you gave dunkey today right before. But my thing 139 00:06:36,080 --> 00:06:37,560 Speaker 1: is I didn't give her nothing but love. You know 140 00:06:37,600 --> 00:06:39,039 Speaker 1: what I'm saying. I just think she could sing, just 141 00:06:39,040 --> 00:06:41,360 Speaker 1: like Early on the Ground, Like I think they could sing. 142 00:06:41,400 --> 00:06:44,640 Speaker 1: And I'm a big fan of Whitney Houston, like women Beyonce, 143 00:06:44,920 --> 00:06:49,640 Speaker 1: women that sold it and could sing and Unfortunately right now, 144 00:06:49,680 --> 00:06:52,560 Speaker 1: there ain't no really no sisters. That's doing what I 145 00:06:52,600 --> 00:06:55,680 Speaker 1: feel like a nineteen twenty one year old Whitney would do. 146 00:06:55,760 --> 00:06:58,480 Speaker 1: I mean, in my opinion, but I write as if 147 00:06:58,520 --> 00:07:01,279 Speaker 1: Whitney was twenty years old. So I have these records 148 00:07:01,560 --> 00:07:05,120 Speaker 1: that I can't even get into her hands because of 149 00:07:05,320 --> 00:07:07,360 Speaker 1: like like, I mean, let's just be on the show. 150 00:07:08,640 --> 00:07:10,840 Speaker 1: But I'm gonna be I'm gonna be completely honest. I 151 00:07:10,840 --> 00:07:14,560 Speaker 1: think Christina aguiler On a grandde and Demi. I'm not 152 00:07:14,600 --> 00:07:17,920 Speaker 1: saying anybody DEMI could sing like like when I want 153 00:07:17,920 --> 00:07:19,320 Speaker 1: to say I wanted to because if you come to 154 00:07:19,360 --> 00:07:21,720 Speaker 1: my parties at DJ, I'll play I'm your baby Tonight, 155 00:07:22,200 --> 00:07:24,640 Speaker 1: I'll play you get good Love like I'll play I 156 00:07:24,680 --> 00:07:28,160 Speaker 1: want to Dance with Mine, I play. He just takes 157 00:07:28,200 --> 00:07:36,520 Speaker 1: over the money to envy, not prayer. Got more money 158 00:07:36,520 --> 00:07:41,280 Speaker 1: than you are looking at you pray. No, you don't 159 00:07:41,280 --> 00:07:44,960 Speaker 1: think your co workers all over Instagram the right and rank. 160 00:07:45,080 --> 00:07:48,080 Speaker 1: His wife is like the like the muse of all 161 00:07:48,160 --> 00:07:50,080 Speaker 1: the like one girls trying to be fly for the 162 00:07:50,960 --> 00:07:58,360 Speaker 1: all right, I'm just saying that's a nice gin you 163 00:07:58,480 --> 00:08:07,200 Speaker 1: got on. Don't get a wrong. I'm uncomfortable dog, I'm uncomfortable. Dog. 164 00:08:07,560 --> 00:08:09,400 Speaker 1: All right, we got more with wilet when we come back. 165 00:08:09,480 --> 00:08:12,320 Speaker 1: Keeping locked as to breakfast Cloak, Good morning, the breakfast 166 00:08:12,320 --> 00:08:18,840 Speaker 1: Club that was Drake with Controller Morning. Everybody's DJ M 167 00:08:18,920 --> 00:08:20,960 Speaker 1: v Angela, yee shawl me the guy. We are the 168 00:08:21,000 --> 00:08:24,640 Speaker 1: breakfast club. Wile is in the building. So meet y'all, 169 00:08:24,640 --> 00:08:26,720 Speaker 1: good n we go. We always gonna be good like 170 00:08:26,760 --> 00:08:31,760 Speaker 1: we did you do congratulations because you had but y'all 171 00:08:31,800 --> 00:08:37,760 Speaker 1: making it God wording it how y'all. I'm gonna be cleared. 172 00:08:37,920 --> 00:08:39,640 Speaker 1: I'm gonna be clear. I mean I don't want to 173 00:08:39,640 --> 00:08:42,680 Speaker 1: be clear like me. We like real life. Do you 174 00:08:42,720 --> 00:08:44,760 Speaker 1: know we have a big family and just do two 175 00:08:44,760 --> 00:08:48,040 Speaker 1: brothers that's closer age. That's like us, like we're always 176 00:08:48,040 --> 00:08:50,040 Speaker 1: trying to I'll do it like it's just like a like. 177 00:08:50,240 --> 00:08:52,800 Speaker 1: But if it's something go down. Me gonna be like, yo, 178 00:08:52,840 --> 00:08:54,960 Speaker 1: you're good, like you need anything? You know what I'm saying? 179 00:08:55,120 --> 00:08:57,080 Speaker 1: Or did I get a call and talk or Dean 180 00:08:57,480 --> 00:09:00,240 Speaker 1: or Mally whatever like or even like did we after 181 00:09:00,240 --> 00:09:04,040 Speaker 1: the three days after that jump me and Molly did 182 00:09:04,040 --> 00:09:05,640 Speaker 1: the record like it ain't no thing, like I just 183 00:09:05,720 --> 00:09:07,720 Speaker 1: know I know what it is like that's my brother 184 00:09:07,800 --> 00:09:10,040 Speaker 1: like whatever, like at the end of the day, like 185 00:09:10,640 --> 00:09:13,000 Speaker 1: we don't even talk. That's my nick and so made 186 00:09:13,040 --> 00:09:15,840 Speaker 1: for like it's records that we like going at each 187 00:09:15,840 --> 00:09:18,840 Speaker 1: other like, but that's the regulation because I ain't fake 188 00:09:19,120 --> 00:09:20,880 Speaker 1: a lot of you coming here. They come through a 189 00:09:20,880 --> 00:09:22,440 Speaker 1: game plan in the elevator and be like that's how 190 00:09:22,520 --> 00:09:25,920 Speaker 1: we're gonna act. The MMG for real, dog Ross getting 191 00:09:26,000 --> 00:09:29,240 Speaker 1: our when we started doing that part, like like it's real. 192 00:09:29,520 --> 00:09:31,800 Speaker 1: Sam McCall us say, he hold meek down the club, 193 00:09:31,800 --> 00:09:33,800 Speaker 1: He don't me me me down the club, Rocky Fresh 194 00:09:34,080 --> 00:09:37,400 Speaker 1: O Marion, like quietly, I'm just gonna say this, like quietly, 195 00:09:37,480 --> 00:09:40,959 Speaker 1: MMG be putting our hits all the time. I mean 196 00:09:41,160 --> 00:09:43,280 Speaker 1: Marion John one under the Radar and that John One Go, 197 00:09:43,600 --> 00:09:46,000 Speaker 1: and there's almost platinum. You know what I'm saying, Like 198 00:09:46,640 --> 00:09:48,360 Speaker 1: they don't, they don't. It's just it ain't even that 199 00:09:48,440 --> 00:09:51,240 Speaker 1: record changed the whole you know what you like to do. 200 00:09:51,280 --> 00:09:53,240 Speaker 1: It changed it because we wi she said and the 201 00:09:53,280 --> 00:09:57,720 Speaker 1: groceries party, but Michael commercialized it. By the way. Marion 202 00:09:57,880 --> 00:10:00,760 Speaker 1: got on that record because I think I could exactly 203 00:10:00,800 --> 00:10:02,960 Speaker 1: what you said. I said, O Marion, if you're like 204 00:10:02,960 --> 00:10:04,600 Speaker 1: the label ain't behind them the way they need to 205 00:10:04,600 --> 00:10:07,080 Speaker 1: be like that that I can't. I can't, I can't, 206 00:10:07,120 --> 00:10:09,760 Speaker 1: I can't speak, can't. Let me can't speak on the 207 00:10:09,800 --> 00:10:11,760 Speaker 1: major major they owed him that one because they owed 208 00:10:11,800 --> 00:10:13,920 Speaker 1: him that one, because Mario'll put out two records before that. 209 00:10:13,920 --> 00:10:16,920 Speaker 1: I should have been The record with ghost Face was crazy. 210 00:10:16,960 --> 00:10:24,720 Speaker 1: The record them on that was hot, and huh you 211 00:10:24,800 --> 00:10:27,520 Speaker 1: had a verse on that. The DJ is always cut it, 212 00:10:27,600 --> 00:10:33,240 Speaker 1: I know, because you do so so many records for 213 00:10:33,280 --> 00:10:34,760 Speaker 1: the ladies in the R and B type record that, 214 00:10:34,800 --> 00:10:38,599 Speaker 1: But I don't really person nationally but and that's the 215 00:10:38,640 --> 00:10:41,320 Speaker 1: people see. But what is nationally released? Because sometimes I 216 00:10:41,360 --> 00:10:44,320 Speaker 1: put out a record and if y'all don't react fast enough, 217 00:10:44,559 --> 00:10:46,600 Speaker 1: like the label will be like you know, if y'all 218 00:10:46,600 --> 00:10:50,079 Speaker 1: don't react fast enough. Um, I remember that night. But 219 00:10:50,080 --> 00:10:52,079 Speaker 1: I don't think people see that because I mean, I'm 220 00:10:52,080 --> 00:10:56,360 Speaker 1: a hassate sky him. Now I'm just playing. Let me 221 00:10:56,400 --> 00:10:59,000 Speaker 1: ask you a question, Sam. It's act like why not hire? 222 00:10:59,760 --> 00:11:02,720 Speaker 1: What do you think it's missing from wile a situation? 223 00:11:03,360 --> 00:11:05,080 Speaker 1: As far as what what do you mean when you're 224 00:11:05,120 --> 00:11:08,280 Speaker 1: a general? Because for me, I think he's in a 225 00:11:08,280 --> 00:11:11,200 Speaker 1: good space and I think it's missing for what though, 226 00:11:11,240 --> 00:11:13,080 Speaker 1: like missing to do As far as him being on 227 00:11:13,120 --> 00:11:16,800 Speaker 1: that next level of artists right now, I don't think 228 00:11:16,800 --> 00:11:19,600 Speaker 1: it's anything. I just think it's because for one, he's 229 00:11:19,600 --> 00:11:22,920 Speaker 1: an artist that's like you know, difficult to understand. So 230 00:11:22,960 --> 00:11:25,520 Speaker 1: I think with that it takes time to understand him 231 00:11:25,559 --> 00:11:28,560 Speaker 1: with everything, regardless of with the hits he making, everything, 232 00:11:28,600 --> 00:11:31,200 Speaker 1: it takes time. And they're around this time. I think 233 00:11:31,280 --> 00:11:33,040 Speaker 1: people are gonna really get them with Shine, you know 234 00:11:33,040 --> 00:11:35,000 Speaker 1: what I mean, with the album with Self Made Fault. 235 00:11:35,760 --> 00:11:38,080 Speaker 1: You know they're gonna understand. They're gonna get on. That's 236 00:11:38,120 --> 00:11:39,320 Speaker 1: what I tell them all the time. It's only a 237 00:11:39,320 --> 00:11:41,520 Speaker 1: matter of time. Yeah, And that's all it is. They 238 00:11:41,559 --> 00:11:44,120 Speaker 1: just don't understand them and once they get it. Man, 239 00:11:44,240 --> 00:11:46,559 Speaker 1: And what you think about that question, because I mean 240 00:11:46,600 --> 00:11:48,880 Speaker 1: we we we flirt with the questions sometimes, but like 241 00:11:49,480 --> 00:11:51,120 Speaker 1: at this point in my career, like ide, I just 242 00:11:51,160 --> 00:11:56,880 Speaker 1: want to know, I hate compared. But I think, like 243 00:11:56,920 --> 00:11:58,320 Speaker 1: I said before, I just think a lot of people 244 00:11:58,320 --> 00:12:00,000 Speaker 1: don't respect you as a lyricis because they don't hear 245 00:12:00,160 --> 00:12:01,719 Speaker 1: us lyrics is. And the reason I say that it's 246 00:12:01,760 --> 00:12:04,440 Speaker 1: like nunciation is a technical thing. Now you think like 247 00:12:04,440 --> 00:12:07,080 Speaker 1: you look at fabulous Ballance puts out a female record 248 00:12:07,280 --> 00:12:10,040 Speaker 1: every time for his care but there's so much other 249 00:12:10,160 --> 00:12:12,839 Speaker 1: music in there that you forget about. I remember when 250 00:12:12,840 --> 00:12:15,840 Speaker 1: he did the Friday Freestyle, and I remember Meek, I 251 00:12:15,840 --> 00:12:18,520 Speaker 1: remember Nicki Minajs. I remember a bunch of artists being like, yo, 252 00:12:18,640 --> 00:12:21,280 Speaker 1: Fabis dead nice, like you forgot he was always that 253 00:12:21,480 --> 00:12:26,640 Speaker 1: nice records about that? I think, man, I mean because 254 00:12:26,640 --> 00:12:28,000 Speaker 1: I don't know, because my thing, when you say it 255 00:12:28,080 --> 00:12:30,080 Speaker 1: like that, it seems like it's contrived and like fab 256 00:12:30,120 --> 00:12:32,480 Speaker 1: like I'm gonna make a chick record, Like I don't know, 257 00:12:32,480 --> 00:12:35,640 Speaker 1: because me and Fabris good friends and makes chick that's 258 00:12:35,679 --> 00:12:37,200 Speaker 1: what he does. That's his call he does. And then 259 00:12:37,200 --> 00:12:39,640 Speaker 1: you know it's to us a likability factor because people 260 00:12:39,760 --> 00:12:41,480 Speaker 1: don't want to like wallet. Yeah, I don't know. I 261 00:12:41,920 --> 00:12:45,760 Speaker 1: always hated that, Like NB always talked to like about Janine, 262 00:12:45,800 --> 00:12:48,960 Speaker 1: like he feels the consensus, not even trolls, like like 263 00:12:49,440 --> 00:12:51,640 Speaker 1: the thing when United their line if that was a 264 00:12:51,800 --> 00:12:54,319 Speaker 1: Kendrick or Cold, they'd have sympathy for me. Yeah, yeah, 265 00:12:54,320 --> 00:12:56,120 Speaker 1: they're for you. It's like, why are you doing after 266 00:12:56,120 --> 00:12:59,560 Speaker 1: the United? Lady? See what you know what they probably 267 00:12:59,559 --> 00:13:01,360 Speaker 1: got like something like within the past week when they 268 00:13:01,400 --> 00:13:05,160 Speaker 1: went bad on the same people like this for being honest, 269 00:13:05,360 --> 00:13:08,560 Speaker 1: seeing first, I ain't like WII, but not because I 270 00:13:08,600 --> 00:13:10,080 Speaker 1: knew him, because I just looked at him, like, he 271 00:13:10,160 --> 00:13:18,439 Speaker 1: looks sadkin you we just admit it's Christopher brother. He 272 00:13:18,440 --> 00:13:21,199 Speaker 1: admitted he looks sad and miserable and always mad. I'm like, 273 00:13:21,240 --> 00:13:23,400 Speaker 1: what's wrong with wil I got the little vibe when 274 00:13:23,440 --> 00:13:24,920 Speaker 1: you know what I'm saying, dead when you need it, 275 00:13:25,000 --> 00:13:28,040 Speaker 1: when you need when you want to drink, Man, you 276 00:13:28,080 --> 00:13:34,079 Speaker 1: gonna tell him man he is. I don't think he's 277 00:13:34,120 --> 00:13:36,280 Speaker 1: not likable. I think you see he's not understood because 278 00:13:36,280 --> 00:13:38,880 Speaker 1: if when you sit around him and just have a conversation, right, 279 00:13:38,920 --> 00:13:40,640 Speaker 1: but if somebody who doesn't sit around him and meets 280 00:13:40,679 --> 00:13:43,480 Speaker 1: him for the first time a season for the playing 281 00:13:43,480 --> 00:13:45,520 Speaker 1: the politics, they go off they go off here, say 282 00:13:45,559 --> 00:13:47,440 Speaker 1: though you go off here and saying everybody coming with 283 00:13:47,480 --> 00:13:49,600 Speaker 1: a notion like you and then so if you see 284 00:13:49,640 --> 00:13:56,040 Speaker 1: a little bit yeah, yeah, they're right complex bro. That 285 00:13:56,080 --> 00:13:58,920 Speaker 1: was a passionate discussion. But but we heard the rap 286 00:13:58,960 --> 00:14:01,760 Speaker 1: rate on podcast where you cursed out y N and 287 00:14:01,960 --> 00:14:03,839 Speaker 1: b Dot even though they did deserve because it was 288 00:14:03,840 --> 00:14:09,520 Speaker 1: the attacking. Yeah, curs, Mama, set a narrative get gets 289 00:14:09,520 --> 00:14:11,760 Speaker 1: gets finessed, a little bit of finish you see. Oh 290 00:14:11,800 --> 00:14:14,000 Speaker 1: he's not like when the narrative gets finessed, the finish 291 00:14:14,080 --> 00:14:17,200 Speaker 1: line it oftentimes, you know, you know, has repercussions to 292 00:14:17,240 --> 00:14:21,000 Speaker 1: the protagonists. I'm not I'm not, I'm not the villain. 293 00:14:21,360 --> 00:14:23,720 Speaker 1: You know. Sometimes the narrative gets get kiss strewed, and 294 00:14:23,720 --> 00:14:25,560 Speaker 1: then people run with it. All right, we got more 295 00:14:25,560 --> 00:14:27,280 Speaker 1: with wilet when we come back. Keep it locked as 296 00:14:27,280 --> 00:14:33,320 Speaker 1: the breakfast close. Good morning, the breakfast club I was 297 00:14:33,400 --> 00:14:36,120 Speaker 1: designed up in the morning. Everybody is CJ M vi 298 00:14:36,320 --> 00:14:39,360 Speaker 1: Agela Year, Charlemagne, the god. We are the breakfast club. 299 00:14:39,920 --> 00:14:42,040 Speaker 1: Wilet is in the building. Now what does it take 300 00:14:42,080 --> 00:14:44,120 Speaker 1: for you to say? Okay, now I feel like I 301 00:14:44,280 --> 00:14:46,480 Speaker 1: recent success. Ask me that every time run the same time. 302 00:14:46,480 --> 00:14:51,400 Speaker 1: It's not my cute you going. It seems like there's 303 00:14:51,400 --> 00:14:54,840 Speaker 1: a lot of things that I always discussed this. Oh no, man, 304 00:14:54,840 --> 00:14:56,840 Speaker 1: I think I'm getting closer to I think I'm getting 305 00:14:56,840 --> 00:14:59,320 Speaker 1: closer to me. I am scared for the day I 306 00:14:59,320 --> 00:15:01,640 Speaker 1: but my foot. You find you find a girl that 307 00:15:01,640 --> 00:15:02,920 Speaker 1: I told him you would say you were looking for 308 00:15:02,960 --> 00:15:05,600 Speaker 1: love because I look into you. How the narrative you 309 00:15:06,760 --> 00:15:11,560 Speaker 1: girl like exploring the option of finding like, I love 310 00:15:11,680 --> 00:15:13,640 Speaker 1: like what love can do. Like you know what I'm saying, 311 00:15:13,720 --> 00:15:18,000 Speaker 1: have you failed that person? Um? I think so pretty young, 312 00:15:18,680 --> 00:15:21,160 Speaker 1: I think so I love what love can do. I 313 00:15:21,240 --> 00:15:23,239 Speaker 1: love No, I love what it can do, like it 314 00:15:23,360 --> 00:15:26,000 Speaker 1: like to be honest with you, like um you um, 315 00:15:26,040 --> 00:15:28,160 Speaker 1: you get certain energies around you, and then you you 316 00:15:28,360 --> 00:15:30,120 Speaker 1: let you, let you know, you let God in, like 317 00:15:30,360 --> 00:15:32,880 Speaker 1: what Quincy And I'm saying, right when you feel something 318 00:15:32,880 --> 00:15:35,800 Speaker 1: for somebody like easy When I wrote that way, it 319 00:15:35,880 --> 00:15:38,000 Speaker 1: was so easy. I was just having a conversation that round. 320 00:15:38,160 --> 00:15:40,000 Speaker 1: You know what I'm saying the same thing with yt. 321 00:15:40,560 --> 00:15:45,240 Speaker 1: You know, it's inspiration for everything, some girls for decoration, 322 00:15:45,360 --> 00:15:50,120 Speaker 1: some girls for inspiration. Yeah, definitely, Yes, you have found love, 323 00:15:50,160 --> 00:15:52,520 Speaker 1: you said, I think so. Yeah, I think so. I 324 00:15:52,560 --> 00:15:54,920 Speaker 1: mean if I say I know, then I feel like 325 00:15:54,960 --> 00:15:57,360 Speaker 1: I'm like if I've lose it, I'm gonna be heartbroken 326 00:15:57,360 --> 00:16:01,280 Speaker 1: every time I watched this. But I mean, like, you know, um, 327 00:16:01,520 --> 00:16:03,560 Speaker 1: she likes she likes getting us would be a good 328 00:16:04,040 --> 00:16:08,360 Speaker 1: place for wallet focused on your love and less up 329 00:16:08,400 --> 00:16:10,720 Speaker 1: the trolls. And she likes getting it ain't about it, 330 00:16:10,840 --> 00:16:19,080 Speaker 1: ain't about the trolls though, never that you didn't give 331 00:16:19,120 --> 00:16:22,640 Speaker 1: me my drink. She must be white man. You see 332 00:16:22,640 --> 00:16:26,480 Speaker 1: how the narrative gets juggle. The narrative gets juggle. Why 333 00:16:26,480 --> 00:16:28,320 Speaker 1: don't the video bollow me? Allow the people to be 334 00:16:28,480 --> 00:16:31,840 Speaker 1: on the journey with me as I pursue normalcy like that. 335 00:16:32,080 --> 00:16:35,080 Speaker 1: That's what I'm journey with me, on the journey with me. 336 00:16:36,720 --> 00:16:39,040 Speaker 1: And if in the fifth and if I did have one, 337 00:16:39,440 --> 00:16:41,200 Speaker 1: and if I did that and if I did that one, 338 00:16:41,600 --> 00:16:43,120 Speaker 1: maybe I'm waiting for the right time to tell you 339 00:16:43,240 --> 00:16:44,760 Speaker 1: in a way that you make you understand the way 340 00:16:44,800 --> 00:16:46,600 Speaker 1: that I maybe I just don't want to be on 341 00:16:47,560 --> 00:16:49,920 Speaker 1: a new sitcom right here, while and snick, you get 342 00:16:49,960 --> 00:16:52,160 Speaker 1: two more dudes, be the male version of living single, 343 00:16:52,560 --> 00:17:03,720 Speaker 1: four bachelors kind of good. Hi, we can keep you, 344 00:17:04,560 --> 00:17:10,920 Speaker 1: keep you, that's whatever. That's why the funding about blue, 345 00:17:11,080 --> 00:17:19,480 Speaker 1: that's why you like any kind of world. Say what, 346 00:17:19,840 --> 00:17:25,239 Speaker 1: I'm glad hi all right? While when we come back, 347 00:17:25,320 --> 00:17:27,560 Speaker 1: keep it locked as the breakfast club, Good morning, the 348 00:17:27,800 --> 00:17:34,639 Speaker 1: breakfast club that one's needed me Rihanna morning. Everybody is 349 00:17:34,720 --> 00:17:37,600 Speaker 1: DJ M de Angela Yee Charlomagne, the gud we are 350 00:17:37,640 --> 00:17:41,920 Speaker 1: the breakfast club wilets in the building now the albums dropping? 351 00:17:42,000 --> 00:17:44,520 Speaker 1: Doing anything else? Drapping? Still trying let make me leave 352 00:17:44,560 --> 00:17:47,240 Speaker 1: here when I'm just getting started, man, anything else drapping? 353 00:17:47,240 --> 00:17:50,159 Speaker 1: We should know besides this the album you know what 354 00:17:50,240 --> 00:17:54,880 Speaker 1: I mean? Boys? Probably all with Meet one album wasn't 355 00:17:56,640 --> 00:17:58,880 Speaker 1: because the album dope. You heard that. I think it's dope. 356 00:17:58,880 --> 00:18:01,040 Speaker 1: Do with your next be surprised, did you know when 357 00:18:01,080 --> 00:18:03,439 Speaker 1: it comes to the politics of the business, if anything, 358 00:18:03,640 --> 00:18:05,840 Speaker 1: if anything, anything, if anything, we were surprised that the 359 00:18:05,920 --> 00:18:10,240 Speaker 1: game just was fair. It was Drake who open the 360 00:18:12,480 --> 00:18:17,359 Speaker 1: who wasn't in that category. It's Billboard giving an award. 361 00:18:17,520 --> 00:18:20,480 Speaker 1: So it's not like that, it's numbers. It's there's right, 362 00:18:20,520 --> 00:18:22,280 Speaker 1: you know what it was though people think it's all 363 00:18:22,480 --> 00:18:25,159 Speaker 1: hollow attached to that job. The true factors when the 364 00:18:25,280 --> 00:18:28,120 Speaker 1: album dropped, like eight records started number one two weeks 365 00:18:28,160 --> 00:18:30,159 Speaker 1: in a row. They put in work though, promising for 366 00:18:30,240 --> 00:18:32,240 Speaker 1: you though I don't know, man, I just think I'm 367 00:18:32,280 --> 00:18:33,800 Speaker 1: just I'm trying to pursue that and I want to. 368 00:18:34,320 --> 00:18:36,359 Speaker 1: I love the art, and I write all my reps. 369 00:18:36,359 --> 00:18:38,560 Speaker 1: I write every note, what, every everything, So it's like 370 00:18:38,840 --> 00:18:40,640 Speaker 1: it's all it's important to me to be knowing it's 371 00:18:40,640 --> 00:18:42,760 Speaker 1: somebody that's doing it. I put a lot of time 372 00:18:42,800 --> 00:18:45,040 Speaker 1: on this show. Maybe sometimes I'm overheads, but I just 373 00:18:45,119 --> 00:18:47,600 Speaker 1: expect that I grew up in at that time when 374 00:18:47,680 --> 00:18:50,960 Speaker 1: you listening to Jay and here verse three months later 375 00:18:51,080 --> 00:18:53,720 Speaker 1: and then catch something and I just try to design 376 00:18:53,800 --> 00:18:56,600 Speaker 1: myself the same way. Whatever happened to your management, then 377 00:18:56,640 --> 00:19:00,119 Speaker 1: you're supposed to get new management. I mean, Leonard, is 378 00:19:00,160 --> 00:19:02,159 Speaker 1: there n right there? But I thought it was the 379 00:19:02,200 --> 00:19:07,320 Speaker 1: rumor you were signing like a real big manager. Yeah, 380 00:19:08,560 --> 00:19:10,639 Speaker 1: well I ain't a man. What listen, man, listen, I 381 00:19:11,080 --> 00:19:14,800 Speaker 1: had h did did an agreement with Scooter bron I did? 382 00:19:15,200 --> 00:19:18,280 Speaker 1: Did did a deal with Scooter? Uh, the story could 383 00:19:18,280 --> 00:19:20,639 Speaker 1: probably be told to a different way. They're stronger than 384 00:19:20,680 --> 00:19:22,679 Speaker 1: I am. So if suitor make a statement right now, 385 00:19:23,000 --> 00:19:24,719 Speaker 1: it'll be what he say, you know what I mean, 386 00:19:24,760 --> 00:19:28,159 Speaker 1: because we haven't disagreement on what exactly happened. At the 387 00:19:28,280 --> 00:19:30,160 Speaker 1: end of the day, I'm like, I'm a grown man. 388 00:19:30,200 --> 00:19:33,560 Speaker 1: I'm thirty one, so I'm not stupid. Like I know 389 00:19:33,640 --> 00:19:35,480 Speaker 1: you're gonna do what's right for you and your family. 390 00:19:35,560 --> 00:19:37,800 Speaker 1: The stakes is high with you. If going to run 391 00:19:37,880 --> 00:19:40,640 Speaker 1: behind you is what's best for you in your profile 392 00:19:40,720 --> 00:19:43,440 Speaker 1: and rap? Why wouldn't you do that? Or Justin Bieber 393 00:19:43,480 --> 00:19:46,000 Speaker 1: just dropped the number one album and got five number 394 00:19:46,040 --> 00:19:48,040 Speaker 1: ones on there and the biggest why not you got 395 00:19:48,119 --> 00:19:51,680 Speaker 1: Tori Kelly and and and Justin Arianna Grandy like you 396 00:19:51,720 --> 00:19:53,399 Speaker 1: know what I mean? Like like I said, I'm not 397 00:19:53,440 --> 00:19:56,000 Speaker 1: gonna hide when the people like that's happening. I heard 398 00:19:56,000 --> 00:19:57,800 Speaker 1: Scooter didn't want you because you can't have two artists 399 00:19:57,800 --> 00:20:02,560 Speaker 1: with dreads. So it's either you were Justin. It might 400 00:20:02,640 --> 00:20:04,639 Speaker 1: have been everybody, it might have been, but Justin cut Is. 401 00:20:04,800 --> 00:20:06,640 Speaker 1: I'm still winning on the convent, but I don't want 402 00:20:06,640 --> 00:20:10,920 Speaker 1: to be y'all like black person. You didn't do this 403 00:20:11,080 --> 00:20:13,119 Speaker 1: for me like we could do it. You know what 404 00:20:13,160 --> 00:20:14,920 Speaker 1: I'm saying, I just gotta have more faith for my 405 00:20:15,040 --> 00:20:18,919 Speaker 1: people like y'all holding me down and just getting back 406 00:20:18,960 --> 00:20:22,080 Speaker 1: to where I got. But but understand this, My success 407 00:20:22,960 --> 00:20:26,080 Speaker 1: is everybody that's ever been told like you're not gonna 408 00:20:26,080 --> 00:20:27,760 Speaker 1: be able to do this, You're not gonna be able 409 00:20:27,800 --> 00:20:29,879 Speaker 1: to people like to do that fake SOB story like 410 00:20:29,960 --> 00:20:32,920 Speaker 1: when they get on like nobody believed in me. My 411 00:20:33,080 --> 00:20:35,960 Speaker 1: Jona is for real, like y'all saw it. You're witnessing 412 00:20:36,040 --> 00:20:40,520 Speaker 1: it right now with some aspects. My pyt that what 413 00:20:40,680 --> 00:20:44,560 Speaker 1: you learned. We learned that he bothered as he was before, 414 00:20:44,880 --> 00:20:46,960 Speaker 1: he might have found that that love or that that 415 00:20:47,200 --> 00:20:49,399 Speaker 1: that person he was looking for. He seemed in a 416 00:20:49,480 --> 00:20:53,159 Speaker 1: better space the last time. He seemed very disgruntled. I 417 00:20:53,320 --> 00:20:56,480 Speaker 1: just got some reasons to shine. I got reasons to shine. 418 00:20:56,560 --> 00:20:58,200 Speaker 1: Let's just put it, let's leave it. And Plus, you 419 00:20:58,240 --> 00:21:01,040 Speaker 1: gotta appreciate your bleussed. You are a holid artists out here, 420 00:21:01,119 --> 00:21:03,760 Speaker 1: bron No, that's what be diff solid. Just why I 421 00:21:03,800 --> 00:21:06,320 Speaker 1: defer you got gold. People have People have made me 422 00:21:06,440 --> 00:21:08,800 Speaker 1: believe differently and and and that's that's driving me to 423 00:21:08,880 --> 00:21:11,359 Speaker 1: a place that I go harder and harder and harder 424 00:21:11,600 --> 00:21:15,640 Speaker 1: and try to think where I go wrong on that note. Yeah, 425 00:21:15,680 --> 00:21:22,720 Speaker 1: ending it, you're ending it. It's the Breakfast Club in 426 00:21:23,040 --> 00:21:27,919 Speaker 1: La Morning, y'all. This is J Cole Cole. Well, you're 427 00:21:27,960 --> 00:21:30,960 Speaker 1: listening to the best of the Breakfast Club. Wake years's up. 428 00:21:31,320 --> 00:21:34,359 Speaker 1: That was J Cole No role models morning. Everybody is 429 00:21:34,440 --> 00:21:37,239 Speaker 1: DJ m vy Angela Yee Shalamne the guy. We are 430 00:21:37,240 --> 00:21:40,200 Speaker 1: the Breakfast Club. We have some special guests. That was 431 00:21:40,200 --> 00:21:42,440 Speaker 1: supposed to be are but one. It came on time. Yeah, 432 00:21:42,840 --> 00:21:44,960 Speaker 1: he came early. He came actually an hour early. This 433 00:21:45,080 --> 00:21:47,040 Speaker 1: empty chat is supposed to be for Remy Martin, right, 434 00:21:47,119 --> 00:21:50,000 Speaker 1: but that remys o here but Fat Joe is come 435 00:21:50,040 --> 00:21:52,760 Speaker 1: on this up he yo shop or so up. Now 436 00:21:52,840 --> 00:21:54,359 Speaker 1: y'all got to join album coming? Is this what you're 437 00:21:54,400 --> 00:21:58,879 Speaker 1: gonna have to deal with now? I told y'all behind 438 00:21:58,960 --> 00:22:02,159 Speaker 1: the scenes that she actually been real, real professional and 439 00:22:02,880 --> 00:22:05,520 Speaker 1: showing up in time. I'm actually really really praising that 440 00:22:05,640 --> 00:22:08,800 Speaker 1: and really impressed. You know how she's been moving as 441 00:22:08,840 --> 00:22:11,159 Speaker 1: a businesswoman. But you know she got caught up in traffic. 442 00:22:11,200 --> 00:22:13,800 Speaker 1: You know what I'm saying. I know the importance. You 443 00:22:13,880 --> 00:22:16,520 Speaker 1: know what I'm saying of being to the breakfast club 444 00:22:16,640 --> 00:22:19,040 Speaker 1: on time. You know what I'm saying. Like I was 445 00:22:19,160 --> 00:22:22,280 Speaker 1: on an emerhage flight to Dubai and one of the 446 00:22:22,400 --> 00:22:25,240 Speaker 1: Arab chicks. That is the flight with the with the 447 00:22:25,320 --> 00:22:31,600 Speaker 1: bar inside your bedroom and all that. To see, the 448 00:22:31,720 --> 00:22:36,119 Speaker 1: point is they have a section where the employees, like 449 00:22:36,240 --> 00:22:38,640 Speaker 1: the stewardess, you know, they chilled and brass or whatever. 450 00:22:39,000 --> 00:22:41,480 Speaker 1: I'm passing out the curtains open. I'm a little no 451 00:22:41,920 --> 00:22:45,120 Speaker 1: nosy and I look and the chick is watching y'all 452 00:22:45,200 --> 00:22:48,879 Speaker 1: show on a computer. I'm going to Dubai. I'm like, yo, 453 00:22:48,960 --> 00:22:55,000 Speaker 1: this gets lit. The average gonna Dubai flight with the 454 00:22:55,400 --> 00:23:01,400 Speaker 1: with the computer on. I was like, yo, serious club 455 00:23:01,480 --> 00:23:05,000 Speaker 1: on the flight. You know what I'm saying, that's crazy, bro, 456 00:23:05,280 --> 00:23:07,200 Speaker 1: that was crazy. That was that was shocking for me, 457 00:23:07,440 --> 00:23:10,400 Speaker 1: like because you know, it's real, conserved, conservative and all 458 00:23:10,480 --> 00:23:12,880 Speaker 1: that shocking to me is how you and Rimmy Moore 459 00:23:12,960 --> 00:23:15,600 Speaker 1: got back together because it was a nasty split. Yeah. 460 00:23:15,600 --> 00:23:17,840 Speaker 1: I remember, I remember you saying you would never forgive 461 00:23:17,960 --> 00:23:20,320 Speaker 1: Rimy Martin because she hurt your feelings. But she hurt 462 00:23:20,400 --> 00:23:25,960 Speaker 1: me bad though I possibly never been hurt more. Really, Yeah, 463 00:23:26,080 --> 00:23:28,879 Speaker 1: you mean just wars in the streets? Was it was? 464 00:23:29,200 --> 00:23:33,120 Speaker 1: Because there's some wars, there's some mores that's not physical. Yeah, 465 00:23:33,280 --> 00:23:34,960 Speaker 1: you know what I'm saying that it's like when you 466 00:23:35,160 --> 00:23:38,040 Speaker 1: when you wear your heart, when you bring your heart 467 00:23:38,119 --> 00:23:41,000 Speaker 1: to it, Like she's my little sister. So she lived 468 00:23:41,080 --> 00:23:44,400 Speaker 1: with me for three years, sleeping on the tall bus, 469 00:23:44,560 --> 00:23:47,320 Speaker 1: going everywhere with us. Nobody really really knew who she 470 00:23:47,560 --> 00:23:50,080 Speaker 1: was like that, And when that went happened and that 471 00:23:50,240 --> 00:23:53,000 Speaker 1: went down, you know, that was like the straw that 472 00:23:53,080 --> 00:23:56,000 Speaker 1: broke the camel's back or whatever I have you where 473 00:23:56,080 --> 00:23:57,960 Speaker 1: I was just hurt and then because of my my 474 00:23:58,160 --> 00:24:00,280 Speaker 1: my breakup with her, I couldn't signed Rick Ross. I 475 00:24:00,280 --> 00:24:03,440 Speaker 1: could have signed pitt Boll, like really right, like you 476 00:24:03,520 --> 00:24:05,600 Speaker 1: know what I mean. I was just so turned off 477 00:24:05,680 --> 00:24:07,920 Speaker 1: by what had happened that I was like, Yo, you 478 00:24:08,000 --> 00:24:12,280 Speaker 1: know why I'm never messing with artists again. You didn't 479 00:24:12,280 --> 00:24:14,680 Speaker 1: messed that pit Bull because you see pitt Boll. You 480 00:24:14,760 --> 00:24:17,960 Speaker 1: know the thing about you right now, you don't get 481 00:24:18,040 --> 00:24:21,800 Speaker 1: the credit for like your scouting abilities when it comes 482 00:24:21,840 --> 00:24:24,680 Speaker 1: to talent. I'm a serious scouter man, because my thing 483 00:24:24,840 --> 00:24:27,800 Speaker 1: is all about bringing pillars to the community. You know 484 00:24:27,840 --> 00:24:30,560 Speaker 1: what I'm saying. If I discover Cool and Dre, they 485 00:24:30,720 --> 00:24:33,600 Speaker 1: do all them game albums that they legends. You know 486 00:24:33,760 --> 00:24:37,159 Speaker 1: Kalid Callid my little brother, he's a beatle right now, 487 00:24:38,240 --> 00:24:42,400 Speaker 1: Beats you know what I'm saying, or LV super producer 488 00:24:43,160 --> 00:24:46,200 Speaker 1: or Remy Ma. You know, she she's still competing. She's 489 00:24:46,240 --> 00:24:49,280 Speaker 1: back with this album right here. She's definitely in a 490 00:24:50,040 --> 00:24:54,080 Speaker 1: heavy conversation of female rapper the year male or female. 491 00:24:54,400 --> 00:24:56,440 Speaker 1: You got Remmy, you got Big Pond. You know, I 492 00:24:56,560 --> 00:24:59,920 Speaker 1: discovered them outside of a boat, dagger, a fatter port 493 00:25:00,119 --> 00:25:02,600 Speaker 1: we can do. You know what I'm saying. Who would 494 00:25:02,600 --> 00:25:04,480 Speaker 1: have thought that that dude would have been? You know? 495 00:25:04,920 --> 00:25:06,840 Speaker 1: You know he's on my top five. You know what 496 00:25:06,880 --> 00:25:09,480 Speaker 1: I'm saying. So you turned down them and them six times? 497 00:25:09,520 --> 00:25:13,080 Speaker 1: I heard, Yeah, man, that's crazy, Joe, you named about 498 00:25:13,080 --> 00:25:18,720 Speaker 1: three dollars. I messed up bad. How do you think 499 00:25:18,720 --> 00:25:20,200 Speaker 1: Pitt Bull would have been Pitt Bull if you signed 500 00:25:20,240 --> 00:25:25,000 Speaker 1: with you? Because people wasn't the Poles? Yeah? Yeah, I listened. 501 00:25:25,080 --> 00:25:28,399 Speaker 1: First of all, Please, I had an opportunity. That's all 502 00:25:28,440 --> 00:25:32,359 Speaker 1: I'm saying. Pitbull is a genius. He created his own lane. 503 00:25:32,760 --> 00:25:34,840 Speaker 1: I can't take no response. But like I don't know, 504 00:25:35,080 --> 00:25:37,680 Speaker 1: you know, Pitt Bull, he's the man, you know what 505 00:25:37,760 --> 00:25:40,360 Speaker 1: I'm saying. And in fact, he told me one time, 506 00:25:40,440 --> 00:25:42,160 Speaker 1: one time I sat down with him as a brother 507 00:25:42,200 --> 00:25:44,560 Speaker 1: and he was just like I was like, yo, Pitt Man, 508 00:25:45,240 --> 00:25:47,440 Speaker 1: I see you're so smart. He said, yeah, I learned 509 00:25:47,520 --> 00:25:51,640 Speaker 1: off for all your mistakes. Damn it, man, nah, real talk. 510 00:25:51,760 --> 00:25:53,560 Speaker 1: And he told me said, you should have signed me. 511 00:25:53,600 --> 00:25:55,320 Speaker 1: You should have signed bro, she should have signed that. 512 00:25:55,400 --> 00:25:58,680 Speaker 1: You shouldn't sign that. You ain't want to? How about it? 513 00:26:00,080 --> 00:26:04,000 Speaker 1: A little bit you had Miami like you had Miami 514 00:26:04,080 --> 00:26:10,399 Speaker 1: by anybody moved out there. Yeah, like, don't remind me. 515 00:26:11,280 --> 00:26:13,440 Speaker 1: How was you REMI is that initial conversation of that 516 00:26:13,520 --> 00:26:15,480 Speaker 1: beef squash? And how was that conversation? I mean, because 517 00:26:15,760 --> 00:26:18,440 Speaker 1: it was stick. Well what happened is right. I was 518 00:26:18,520 --> 00:26:20,720 Speaker 1: in Miami a couple of blocks from my house, so 519 00:26:20,840 --> 00:26:22,200 Speaker 1: it picks up and it was like, all right, you 520 00:26:22,280 --> 00:26:23,760 Speaker 1: got a call and then it was like she was 521 00:26:23,840 --> 00:26:27,280 Speaker 1: like yo, and I was like yo. I knew the 522 00:26:27,359 --> 00:26:29,800 Speaker 1: voice immediately. I was like yo. And she was like 523 00:26:30,359 --> 00:26:33,159 Speaker 1: what's up? And I'm like what's up? And I'm like 524 00:26:33,840 --> 00:26:38,640 Speaker 1: and your ram like what you want? You calling me? About? 525 00:26:38,680 --> 00:26:42,640 Speaker 1: You calling me? Get to it? Like what's going on? Nah? 526 00:26:42,800 --> 00:26:45,600 Speaker 1: I think that we should be family again. I was, 527 00:26:46,640 --> 00:26:48,200 Speaker 1: and I was just like yo. I was just like, 528 00:26:48,880 --> 00:26:50,920 Speaker 1: come on, man, you know I love you. My dad 529 00:26:51,000 --> 00:26:53,280 Speaker 1: was head. She broke down on the phone and it 530 00:26:53,640 --> 00:26:55,440 Speaker 1: just felt great. I was just like, you know, and 531 00:26:55,520 --> 00:26:58,040 Speaker 1: I was just like wow, like I didn't ever think 532 00:26:58,080 --> 00:26:59,600 Speaker 1: that was gonna happen. You know what I'm saying. I 533 00:26:59,720 --> 00:27:02,399 Speaker 1: pray for her all the time, though, still like you 534 00:27:02,440 --> 00:27:04,440 Speaker 1: know what I'm saying. And she said Pat Poos really 535 00:27:04,520 --> 00:27:08,080 Speaker 1: wanted you guys back together again. Pat Poo's the greatest 536 00:27:08,160 --> 00:27:10,639 Speaker 1: husband on the earth without questions. You make all those 537 00:27:10,680 --> 00:27:16,840 Speaker 1: look by man. Please stop stop bro Blacklow killing me, 538 00:27:21,000 --> 00:27:24,360 Speaker 1: you know, like you killed the whole Peter called Peter 539 00:27:27,160 --> 00:27:37,320 Speaker 1: y'all all the way up. I could not stunning right 540 00:27:37,520 --> 00:27:40,040 Speaker 1: she does. I'm almost not mad at you no more. 541 00:27:40,359 --> 00:27:42,879 Speaker 1: Never we asked Joe this, We heard joe side of 542 00:27:42,920 --> 00:27:44,760 Speaker 1: the story. How did y'all get here? Because it was 543 00:27:44,800 --> 00:27:47,640 Speaker 1: the time when Joe said he never forgive you. Ever, 544 00:27:48,040 --> 00:27:54,159 Speaker 1: he didn't mean that. What he said that he didn't mean. Um. 545 00:27:54,760 --> 00:27:57,240 Speaker 1: The thing is, we should have never got where we were. 546 00:27:57,880 --> 00:27:59,880 Speaker 1: Let's just start with that, and should have never went 547 00:28:00,200 --> 00:28:03,000 Speaker 1: that way. Ever in a million years, it took me 548 00:28:03,160 --> 00:28:05,720 Speaker 1: to be away from everything that I love and that 549 00:28:05,800 --> 00:28:08,280 Speaker 1: I wanted to be within that I cherished to really 550 00:28:08,320 --> 00:28:10,680 Speaker 1: sit down and think about the people that I felt 551 00:28:10,720 --> 00:28:13,080 Speaker 1: were important to my life, not that I thought were 552 00:28:13,119 --> 00:28:15,080 Speaker 1: important to that that really made an impact on my 553 00:28:15,160 --> 00:28:17,240 Speaker 1: life and that I loved and I cared about. And 554 00:28:17,359 --> 00:28:20,040 Speaker 1: when it was time for me to start coming home, 555 00:28:20,600 --> 00:28:22,600 Speaker 1: I just I just really didn't want to come home. 556 00:28:22,720 --> 00:28:24,920 Speaker 1: And still not being cool with him and still like 557 00:28:25,040 --> 00:28:29,879 Speaker 1: have any type of ill feelings for bad decisions that 558 00:28:30,000 --> 00:28:32,200 Speaker 1: I made prior to you know, the person that I 559 00:28:32,320 --> 00:28:34,680 Speaker 1: am now, Like, I made a lot of bad decisions, 560 00:28:35,000 --> 00:28:37,720 Speaker 1: and the beef with me and Joe was definitely one 561 00:28:37,800 --> 00:28:39,320 Speaker 1: of them. And I didn't want to come home and 562 00:28:39,440 --> 00:28:42,040 Speaker 1: still have that. Like I felt like I fixed every 563 00:28:42,080 --> 00:28:45,520 Speaker 1: other bad decision and that really need needed to be fixed. 564 00:28:45,520 --> 00:28:47,320 Speaker 1: And I'm happy that we were able to do that 565 00:28:47,400 --> 00:28:50,800 Speaker 1: because it's like we didn't miss b at all. Was 566 00:28:50,840 --> 00:28:53,520 Speaker 1: the intent to just fix it or was the intent to, Okay, 567 00:28:53,560 --> 00:28:55,720 Speaker 1: we gotta get back in the studio. I didn't. I 568 00:28:55,880 --> 00:28:57,840 Speaker 1: never never even crossed my mind about music. It wasn't 569 00:28:57,880 --> 00:29:00,440 Speaker 1: even about music. I don't prey it. It was deeper 570 00:29:00,440 --> 00:29:01,680 Speaker 1: than that. It was just like I want to hit 571 00:29:01,760 --> 00:29:03,520 Speaker 1: my brother back, all right. We got more with Fat 572 00:29:03,600 --> 00:29:05,280 Speaker 1: Joe and Remy more when we come back, keeping a 573 00:29:05,280 --> 00:29:08,280 Speaker 1: lot just to breakfast club, Good Morning, the breakfast club 574 00:29:11,640 --> 00:29:15,360 Speaker 1: that was Bryson Tiller would exchange Morning. Everybody's DJ, Envy 575 00:29:15,440 --> 00:29:18,120 Speaker 1: Angela Yee, Charlomane, the guy we are the breakfast club, 576 00:29:18,480 --> 00:29:21,120 Speaker 1: Fat Joe, Remy Mars in the building, he yo, Pat Post, 577 00:29:21,200 --> 00:29:25,760 Speaker 1: what's up man? Pap? Man. You know, he ain't never 578 00:29:25,840 --> 00:29:28,800 Speaker 1: been shot at cameras. Now, speaking the path, did you 579 00:29:28,880 --> 00:29:30,680 Speaker 1: make the men sit down and nine things out, because 580 00:29:30,680 --> 00:29:32,920 Speaker 1: it was a little situation between Joe and no One 581 00:29:33,040 --> 00:29:35,000 Speaker 1: was so crazy. I don't It wasn't even necessarily like 582 00:29:35,080 --> 00:29:37,080 Speaker 1: O offish you sit down, Okay, you say you're a 583 00:29:37,120 --> 00:29:38,840 Speaker 1: piece you say. It was just like I think they 584 00:29:38,960 --> 00:29:42,640 Speaker 1: both realized how much each other loves me, Like Joe like, 585 00:29:42,960 --> 00:29:44,840 Speaker 1: can't nobody in front like this, this guy loves me 586 00:29:44,920 --> 00:29:46,560 Speaker 1: like I had my sister with me for the first time. 587 00:29:46,600 --> 00:29:48,640 Speaker 1: He say she met her. She was like, he really 588 00:29:48,720 --> 00:29:51,880 Speaker 1: loves you like she She's like she sees it, sees 589 00:29:51,960 --> 00:29:54,320 Speaker 1: he sees it. And this was like my biggest hater 590 00:29:54,440 --> 00:29:56,520 Speaker 1: in the world, Like I couldn't do nothing alto Like 591 00:29:56,880 --> 00:29:58,960 Speaker 1: then he hits his mind, was like no one came 592 00:29:59,040 --> 00:30:02,080 Speaker 1: my girl rapper like it was. It was like blocking 593 00:30:02,200 --> 00:30:05,360 Speaker 1: all day. So for him to actually meet somebody and 594 00:30:05,440 --> 00:30:07,440 Speaker 1: feel like he's like, rim, he's the perfect guy for you, 595 00:30:07,600 --> 00:30:10,040 Speaker 1: like he loves you. So I think both of them 596 00:30:10,120 --> 00:30:13,080 Speaker 1: were there the feelings that they have for me that 597 00:30:13,200 --> 00:30:16,280 Speaker 1: them put aside anything, and then they both expressed how 598 00:30:16,320 --> 00:30:18,160 Speaker 1: they wish like none of that ever happened and it 599 00:30:18,280 --> 00:30:19,840 Speaker 1: was that was not fault too. It's like when you 600 00:30:19,880 --> 00:30:21,880 Speaker 1: want to beat up your little sister but you can't, 601 00:30:21,880 --> 00:30:24,440 Speaker 1: so you want to fight your boyfriend like like one 602 00:30:24,440 --> 00:30:27,760 Speaker 1: of those situations. It's like, y all want to kill him, 603 00:30:28,000 --> 00:30:31,640 Speaker 1: but I can't know what she likes him. That's it 604 00:30:31,800 --> 00:30:33,560 Speaker 1: so like, and it was like stupid, Like I feel 605 00:30:33,600 --> 00:30:35,520 Speaker 1: like if I was there, it would never happen. Do 606 00:30:35,600 --> 00:30:38,280 Speaker 1: you do you regret Remy's first album? Because Remy had 607 00:30:38,320 --> 00:30:41,200 Speaker 1: everything lined up, the singles, the street records, like everything 608 00:30:41,320 --> 00:30:44,280 Speaker 1: was there, but it didn't perform. The only issue like 609 00:30:44,440 --> 00:30:46,160 Speaker 1: now that I'm older, like I was, like I tells 610 00:30:46,200 --> 00:30:47,680 Speaker 1: you all the time, like I was. I was mad 611 00:30:47,760 --> 00:30:50,360 Speaker 1: because I felt like he would like he was the top, 612 00:30:50,440 --> 00:30:52,120 Speaker 1: Like I felt like he had the power to make 613 00:30:52,160 --> 00:30:54,200 Speaker 1: them do what I wanted to whether them to do, 614 00:30:54,320 --> 00:30:56,000 Speaker 1: and they pretty much was jesting him to death like 615 00:30:56,080 --> 00:30:58,239 Speaker 1: they were doing it. Like I literally got being from 616 00:30:58,280 --> 00:31:01,560 Speaker 1: the office step I was, my wife got shoon because 617 00:31:03,160 --> 00:31:09,440 Speaker 1: washed the chicken the record. It was like people was 618 00:31:09,560 --> 00:31:12,520 Speaker 1: like chilling, like it was. It wasn't like I didn't 619 00:31:12,520 --> 00:31:16,320 Speaker 1: feel like people believed in me. They didn't send out 620 00:31:16,400 --> 00:31:18,280 Speaker 1: enough copies that I guess they didn't believe that people 621 00:31:18,280 --> 00:31:20,200 Speaker 1: were gonna buy him, so they didn't press them up. 622 00:31:20,280 --> 00:31:22,400 Speaker 1: Like I literally had people bombard him, like I went 623 00:31:22,440 --> 00:31:26,360 Speaker 1: to fifty different stores and it's not there. Like whatever 624 00:31:26,760 --> 00:31:29,600 Speaker 1: still rings off to this day because he did still 625 00:31:29,680 --> 00:31:31,600 Speaker 1: does what it does? The feel So Good with record 626 00:31:31,640 --> 00:31:34,400 Speaker 1: with Neil, like that was a video, No, but see 627 00:31:34,480 --> 00:31:36,040 Speaker 1: now the Feels So Good a video with Neil. That 628 00:31:36,120 --> 00:31:38,640 Speaker 1: was a different story. Neil. When we did the record, 629 00:31:38,960 --> 00:31:42,840 Speaker 1: he didn't he wasn't signed yet. Really, Oh, Joe were 630 00:31:42,960 --> 00:31:46,640 Speaker 1: into a big argument, me and Joe. Joe actually he 631 00:31:46,720 --> 00:31:55,160 Speaker 1: went and got married. I was like he went. I 632 00:31:55,240 --> 00:31:58,760 Speaker 1: was like, he was like believe me. I told his face, 633 00:31:59,280 --> 00:32:05,080 Speaker 1: I get I'm the worst, and he stayed on the record. 634 00:32:05,200 --> 00:32:07,480 Speaker 1: Joe actually went behind my back book. The whole session 635 00:32:07,560 --> 00:32:10,120 Speaker 1: with Mario had him sing the record over everything we did. 636 00:32:10,200 --> 00:32:11,840 Speaker 1: I found this out at a listening to session for 637 00:32:11,920 --> 00:32:16,240 Speaker 1: my album the song because I'm like, he's like, oh yeah, 638 00:32:16,880 --> 00:32:25,440 Speaker 1: surprised I when the guy like she was right. But 639 00:32:25,880 --> 00:32:28,720 Speaker 1: my argument was, this is the guy that's writing Mario songs, 640 00:32:28,760 --> 00:32:31,680 Speaker 1: but neither here nor there. Moving on the I wanted 641 00:32:31,720 --> 00:32:36,920 Speaker 1: to shoot the video. Yeah, and he's really a good friend, 642 00:32:36,960 --> 00:32:46,440 Speaker 1: so he reaches out all the time, like he had 643 00:32:46,440 --> 00:32:47,720 Speaker 1: a deal. By time he was time for me to 644 00:32:47,720 --> 00:32:51,440 Speaker 1: shoot my video on and through Jeff Jam. Jeff Jam 645 00:32:51,560 --> 00:32:53,480 Speaker 1: was putting out the ghost Face record the back like 646 00:32:53,560 --> 00:32:56,400 Speaker 1: that rightly had they didn't want to allow him to 647 00:32:56,440 --> 00:32:58,240 Speaker 1: do my video because both of the records was out 648 00:32:58,240 --> 00:33:00,440 Speaker 1: at the same time, and and I put out the 649 00:33:00,480 --> 00:33:03,000 Speaker 1: remix version with Mario I'm never I was just so 650 00:33:03,120 --> 00:33:05,160 Speaker 1: pissed off. It was. I was crushed. I tell people 651 00:33:05,320 --> 00:33:07,800 Speaker 1: something like my favorite rappers jay Z and he was 652 00:33:07,840 --> 00:33:09,240 Speaker 1: in charge of Deaf Jam at the time, so I 653 00:33:09,360 --> 00:33:12,600 Speaker 1: felt like he handily. I was like, does he know 654 00:33:12,840 --> 00:33:19,080 Speaker 1: that I know all his if he wouldn't clear to 655 00:33:19,240 --> 00:33:21,320 Speaker 1: night that like that's I kind of felt like about 656 00:33:21,320 --> 00:33:28,560 Speaker 1: I heard that. I just felt like, remember you don't 657 00:33:28,680 --> 00:33:35,040 Speaker 1: start like I just felt like not like when you're 658 00:33:35,040 --> 00:33:36,760 Speaker 1: a fan of somebody, you feel like they know you 659 00:33:36,880 --> 00:33:38,560 Speaker 1: and that they should know how much you love them. 660 00:33:38,600 --> 00:33:40,840 Speaker 1: I'm like just over that, like he's supposed to be like, nah, 661 00:33:41,200 --> 00:33:43,000 Speaker 1: let's let it rock. So we never even shot it. 662 00:33:43,440 --> 00:33:45,720 Speaker 1: But um, like I said, a lot of people have 663 00:33:46,240 --> 00:33:48,000 Speaker 1: you know, other artists that was out at the time, 664 00:33:48,040 --> 00:33:49,800 Speaker 1: and they're like, oh, my album did this much and 665 00:33:49,840 --> 00:33:52,880 Speaker 1: I sold this much, but then they can't get a 666 00:33:52,920 --> 00:33:54,640 Speaker 1: book and to save their life today this these records 667 00:33:54,680 --> 00:33:56,600 Speaker 1: don't play at all period. Like I'll tell him to 668 00:33:56,680 --> 00:33:59,960 Speaker 1: their face, like, you know, your last hit in there 669 00:34:00,080 --> 00:34:02,520 Speaker 1: pop We were talking about that coming this way. That 670 00:34:03,280 --> 00:34:07,000 Speaker 1: hip hop is almost like an unfortunate genre of music. 671 00:34:07,760 --> 00:34:10,440 Speaker 1: Like you could still see Patty LaBelle getting eighty thousand. 672 00:34:10,520 --> 00:34:18,200 Speaker 1: The shows don't appreciate, you know, people who put in 673 00:34:18,280 --> 00:34:22,759 Speaker 1: that work, and it's almost sad man because they leaves 674 00:34:22,800 --> 00:34:25,759 Speaker 1: somebody for that. If you ain't a hustler entrepreneur knowing 675 00:34:25,880 --> 00:34:27,680 Speaker 1: how to get money or whatever the case may be, 676 00:34:28,320 --> 00:34:30,120 Speaker 1: you could really get caught up in the game with 677 00:34:30,239 --> 00:34:32,759 Speaker 1: this hip hop thing. So it's like the thing we're 678 00:34:32,840 --> 00:34:35,360 Speaker 1: hustler's entrepreneurs know how to get We got the highest 679 00:34:36,239 --> 00:34:39,759 Speaker 1: about the new album. Now, now, how was recording? Didn't 680 00:34:39,760 --> 00:34:41,480 Speaker 1: want you in the studio done? It wasn't that he 681 00:34:41,520 --> 00:34:43,680 Speaker 1: didn't want me. I was trying to explain him, like, look, babe, 682 00:34:43,719 --> 00:34:53,800 Speaker 1: I'll be back in a list. He's her husband. Her husband, 683 00:34:54,520 --> 00:34:57,359 Speaker 1: he didn't want her with guys. You know he knows Joe, 684 00:34:57,400 --> 00:35:01,120 Speaker 1: but he don't want that. And then when he Pap 685 00:35:02,280 --> 00:35:05,239 Speaker 1: because I heard you apologize to George. All right, oh man, listen, 686 00:35:05,280 --> 00:35:09,000 Speaker 1: this is what happened. She came out of nowhere spontaneously like, yo, 687 00:35:09,120 --> 00:35:11,440 Speaker 1: listen man. My brother called me, I gotta go down 688 00:35:11,480 --> 00:35:13,160 Speaker 1: here and do this album. I'm going for a week. 689 00:35:13,680 --> 00:35:16,160 Speaker 1: The entire love and Hip Hop staff from Mona on 690 00:35:16,360 --> 00:35:18,800 Speaker 1: Dan was calling me like, Pap, please, what's going on? 691 00:35:18,960 --> 00:35:20,960 Speaker 1: And what does she mean? She leaving for a week. 692 00:35:21,080 --> 00:35:22,279 Speaker 1: So I'm like, I'm gonna take the hit. I'm like, 693 00:35:22,680 --> 00:35:24,040 Speaker 1: you can't do it. You know. I had to get 694 00:35:24,080 --> 00:35:26,080 Speaker 1: cursed out and go through all the she against But 695 00:35:26,120 --> 00:35:27,600 Speaker 1: I'm like, yo, how can you leave? We got a 696 00:35:27,640 --> 00:35:30,480 Speaker 1: wedding coming up right here, and we got a film 697 00:35:30,520 --> 00:35:32,279 Speaker 1: every day this week? How can you leave for a week. 698 00:35:32,920 --> 00:35:35,120 Speaker 1: That's what happened. But what happened when we got in 699 00:35:35,160 --> 00:35:38,799 Speaker 1: that studio though, what happened to that man? I witness Yo. 700 00:35:39,040 --> 00:35:40,600 Speaker 1: I was happy that I got a chance to witness 701 00:35:40,680 --> 00:35:43,279 Speaker 1: these two in action, real talk. I'm not just saying 702 00:35:43,360 --> 00:35:45,719 Speaker 1: it or being on New Fakeness. Phenomenal. All right, we 703 00:35:45,800 --> 00:35:47,440 Speaker 1: got more with Fat Joe and Remy more when we 704 00:35:47,560 --> 00:35:51,920 Speaker 1: come back. Keep it locked as the breakfast club God Morning. Yeah, yeah, Chris, 705 00:35:52,000 --> 00:35:55,399 Speaker 1: what's your fantasy morning? Everybody is DJ M v Angela yee, 706 00:35:55,480 --> 00:35:58,200 Speaker 1: Charlemagne the guy. We are the breakfast club, Fat Joe, 707 00:35:58,280 --> 00:36:01,560 Speaker 1: Remy Mars in the buildings dropping she has another day 708 00:36:01,600 --> 00:36:04,680 Speaker 1: for us. Yeah, I'm thinking a little bit more like 709 00:36:04,840 --> 00:36:14,520 Speaker 1: in October, I'm telling y'all six years I'm telling don't 710 00:36:16,400 --> 00:36:18,080 Speaker 1: you say that because all you heard was all the 711 00:36:18,120 --> 00:36:20,799 Speaker 1: way up, right, we have a hit? Like every song 712 00:36:20,920 --> 00:36:22,520 Speaker 1: when we went in there, we went in with the 713 00:36:22,680 --> 00:36:25,360 Speaker 1: mindset that every song is going to be crazy, and 714 00:36:25,440 --> 00:36:27,680 Speaker 1: that's what happened. Like it's the point that we don't 715 00:36:27,760 --> 00:36:29,360 Speaker 1: know what's so Like it was all the way up 716 00:36:29,400 --> 00:36:32,040 Speaker 1: it's crazy, and that was like, maybe we shouldn't go 717 00:36:32,120 --> 00:36:33,520 Speaker 1: with that one. It should be something up. That's how 718 00:36:33,600 --> 00:36:35,400 Speaker 1: crazy it is. And I want people to understand that 719 00:36:35,560 --> 00:36:36,880 Speaker 1: we're not one of those people that come out with 720 00:36:36,920 --> 00:36:38,960 Speaker 1: a high record and that's it and we ride out like, oh, 721 00:36:39,080 --> 00:36:41,520 Speaker 1: I wonder if they have another one waiting, what's gonna happen. 722 00:36:41,719 --> 00:36:43,680 Speaker 1: That's not us. I would like to build that. I 723 00:36:43,719 --> 00:36:46,520 Speaker 1: don't want people to miss this by jumping on ways. 724 00:36:46,760 --> 00:36:49,239 Speaker 1: It is just like like we need to get money. 725 00:36:49,800 --> 00:36:53,919 Speaker 1: Get that money. We might get that money. Man, don't 726 00:36:54,000 --> 00:36:56,560 Speaker 1: even bring it up because I've been getting hit in 727 00:36:56,640 --> 00:36:58,640 Speaker 1: my heavy Like, yo, so I sat there and watched 728 00:36:58,760 --> 00:37:02,040 Speaker 1: this whole thing happen, and nobody let me touch that move. 729 00:37:03,520 --> 00:37:06,520 Speaker 1: I see what's going on. Heever, but what's so crazy? 730 00:37:06,560 --> 00:37:11,000 Speaker 1: It's really just me and Joe? You like, really just 731 00:37:11,200 --> 00:37:17,600 Speaker 1: me and Joe. No dollars sign on? No, no, don't. 732 00:37:19,480 --> 00:37:22,160 Speaker 1: You're gonna do like your own show? You know, so 733 00:37:22,360 --> 00:37:24,880 Speaker 1: much going on. I feel like I feel like everyone 734 00:37:25,120 --> 00:37:26,920 Speaker 1: definitely wants to Like a lot of people like, well, 735 00:37:26,920 --> 00:37:28,759 Speaker 1: why did you do it? You know, because no, I 736 00:37:28,840 --> 00:37:31,920 Speaker 1: came home doing my shows five figures out the door, 737 00:37:32,040 --> 00:37:33,840 Speaker 1: like no, if I'm not coming, I'm not making this 738 00:37:33,960 --> 00:37:35,759 Speaker 1: not happen. Like everybody wants to sign me, everybody wants 739 00:37:35,760 --> 00:37:39,680 Speaker 1: to do my own show. I need people to understand that. Okay, 740 00:37:39,760 --> 00:37:41,920 Speaker 1: this is a first of all, I'm different remy altogether. 741 00:37:41,960 --> 00:37:44,480 Speaker 1: Anybody who's encountering to me like, oh my god, you're 742 00:37:44,480 --> 00:37:47,720 Speaker 1: so changed. I'm still the same me, but I'm more polished, 743 00:37:47,760 --> 00:37:50,320 Speaker 1: I'm more you know, I'm more wise, I'm smart, I'm older, 744 00:37:50,800 --> 00:37:54,200 Speaker 1: and I needed people to see not just remy my 745 00:37:54,920 --> 00:37:57,080 Speaker 1: walk around the metal detectives that any up, yea, I 746 00:37:57,160 --> 00:37:59,800 Speaker 1: need them to see me. You know, the businesswoman, re My, 747 00:38:00,040 --> 00:38:02,680 Speaker 1: the you know, the mother, the wife, somebody that's a 748 00:38:02,880 --> 00:38:06,640 Speaker 1: real human person that's appreciate touch, and that's like, you know, 749 00:38:07,000 --> 00:38:09,080 Speaker 1: not crazy, because there are people that I'd be like, Yo, 750 00:38:09,160 --> 00:38:11,320 Speaker 1: she's a convictive fellow. She went to jail for shooting somebody. 751 00:38:11,320 --> 00:38:12,879 Speaker 1: I don't want to work with her. I don't want 752 00:38:12,920 --> 00:38:15,160 Speaker 1: her my venue. I don't want here because before I left, 753 00:38:15,280 --> 00:38:17,719 Speaker 1: literally right before I left, it was impossible for me 754 00:38:17,800 --> 00:38:19,920 Speaker 1: to even do anybody. People were scared to have me 755 00:38:20,000 --> 00:38:21,680 Speaker 1: in their clubs. They like if they thought, if you 756 00:38:21,800 --> 00:38:24,080 Speaker 1: be here, she's gonna shoot somebody coming, Like that's how 757 00:38:24,120 --> 00:38:26,960 Speaker 1: people was thinking. So you have to set up almost 758 00:38:27,239 --> 00:38:29,640 Speaker 1: it's almost is almost like when you're the real ones, 759 00:38:30,080 --> 00:38:32,759 Speaker 1: you gotta down play it, you know, I mean, I 760 00:38:32,840 --> 00:38:35,840 Speaker 1: mean I got in the industry. I'm telling them, please 761 00:38:35,880 --> 00:38:38,799 Speaker 1: don't sign him. He's an extrater, real robber or whatever, right, 762 00:38:39,239 --> 00:38:42,839 Speaker 1: don't let them in the industry. So I actually used 763 00:38:42,840 --> 00:38:45,399 Speaker 1: to play like when when I first got in again, 764 00:38:45,400 --> 00:38:47,919 Speaker 1: because I knew everybody was scared. So I was like hey, 765 00:38:48,160 --> 00:38:51,400 Speaker 1: you know try And I'm watching the soft wrappers Pete 766 00:38:51,520 --> 00:38:53,600 Speaker 1: gas Off throwing them down the stairs. I'm like, oh 767 00:38:53,680 --> 00:39:05,160 Speaker 1: my god, what's going on? Job throughout the started, the dj' 768 00:39:05,160 --> 00:39:12,640 Speaker 1: is getting thrown in Van Joe you talking about player 769 00:39:13,160 --> 00:39:15,640 Speaker 1: every way by himself. He did everything I see. And 770 00:39:15,760 --> 00:39:17,839 Speaker 1: this is why I feel like some of this will 771 00:39:17,840 --> 00:39:19,960 Speaker 1: happened with my situation is these guys f There was 772 00:39:20,040 --> 00:39:22,080 Speaker 1: no way that I was supposed to end up with 773 00:39:22,160 --> 00:39:23,920 Speaker 1: the Rabbits. That's what I was supposed to do. It 774 00:39:23,920 --> 00:39:25,320 Speaker 1: would have been a little bit better. There was no 775 00:39:25,480 --> 00:39:29,920 Speaker 1: way they were supposed to put me with. Yeah, and 776 00:39:30,000 --> 00:39:32,600 Speaker 1: that's terrible because Punning was the same way. From the 777 00:39:32,680 --> 00:39:35,479 Speaker 1: first day I looked at him, I was like, oh 778 00:39:35,680 --> 00:39:40,200 Speaker 1: my god, this guy's going is to calm you down, Joe, 779 00:39:40,200 --> 00:39:42,160 Speaker 1: because we had stored the you calming people, devil who 780 00:39:42,239 --> 00:39:44,239 Speaker 1: used to calm you down? Because I heard Norion next 781 00:39:44,239 --> 00:39:47,879 Speaker 1: season podcast and he talked about the Rockefeller terrorist squad fight. 782 00:39:48,560 --> 00:39:51,880 Speaker 1: I don't know where about. Come on, Charlomagne, now, let 783 00:39:51,920 --> 00:39:56,120 Speaker 1: me come on. I'm gonna stop Charlomagne. Come on. I 784 00:39:56,160 --> 00:39:58,919 Speaker 1: think with Joe in a positive once he got into 785 00:39:59,080 --> 00:40:01,880 Speaker 1: like a different tack bracket and realized being nice get 786 00:40:01,960 --> 00:40:04,560 Speaker 1: you more money. He sued me. He was like you like, 787 00:40:04,800 --> 00:40:08,240 Speaker 1: and they sued me ten times in one year. Eighty 788 00:40:08,320 --> 00:40:11,520 Speaker 1: thousand and sixty thousand and fifty dudes just coming out. 789 00:40:11,560 --> 00:40:13,120 Speaker 1: It was almost like a gimmick. It was like, yo, 790 00:40:13,200 --> 00:40:15,279 Speaker 1: go you know, how do you remember how you watch 791 00:40:15,360 --> 00:40:18,160 Speaker 1: the newspaper every weekend? You see Mike Tyson sued again. 792 00:40:18,640 --> 00:40:20,760 Speaker 1: It wasn't his fault. They come and say, your mother's 793 00:40:20,800 --> 00:40:25,239 Speaker 1: a lesbian, you're you're a sucker. I'm like, brother, we're 794 00:40:25,320 --> 00:40:30,200 Speaker 1: both party your grandmother like I'd be like, oh no, 795 00:40:30,320 --> 00:40:34,160 Speaker 1: we dancing on him. Sure as I'm dancing him, I'm locked. 796 00:40:34,239 --> 00:40:37,920 Speaker 1: All his lawyer contacts my lawyer, y'all is set on it. 797 00:40:38,760 --> 00:40:41,200 Speaker 1: I mean ten times in a row. And I realized, 798 00:40:41,239 --> 00:40:44,480 Speaker 1: I said, they know him rich. I'm getting baited like 799 00:40:44,920 --> 00:40:51,239 Speaker 1: I'm getting sucker licking sneakers and extending Ferrari. It's like, yo, 800 00:40:51,520 --> 00:40:55,839 Speaker 1: this guy's delay. He's guaranteed the swing on us. It's 801 00:40:55,880 --> 00:40:58,000 Speaker 1: going down. So I just realized, like, oh no, we're 802 00:40:58,000 --> 00:41:00,279 Speaker 1: not gonna win with this. So I had to calm 803 00:41:00,360 --> 00:41:03,400 Speaker 1: it down. And then me also bringing up Rammy bringing 804 00:41:03,520 --> 00:41:06,480 Speaker 1: up Paun bringing up Tony Sun sounds crazier than any 805 00:41:08,200 --> 00:41:13,760 Speaker 1: He was crazy what sing he was crazy Battery studio. 806 00:41:13,840 --> 00:41:15,920 Speaker 1: He threw the gun in the engineers. Hey, he was 807 00:41:16,080 --> 00:41:20,800 Speaker 1: crazy R and B. He had a song my faone fauld, 808 00:41:21,480 --> 00:41:25,000 Speaker 1: Oh my god. I love my crazy all in them. 809 00:41:25,000 --> 00:41:27,400 Speaker 1: And I had to deal with these wild wold guys 810 00:41:27,520 --> 00:41:30,120 Speaker 1: like everybody like it was just wow, all right, we'll 811 00:41:30,200 --> 00:41:32,200 Speaker 1: keep it lock. We got more with Fat Joe, more 812 00:41:32,280 --> 00:41:33,800 Speaker 1: with Remy. You don't want to go anywhere. It's the 813 00:41:33,800 --> 00:41:40,040 Speaker 1: breakfast club of the morning, the breakfast club that was 814 00:41:40,200 --> 00:41:44,600 Speaker 1: Rihanna with Work Morning. Everybody is DJ mvy Angela Yee, Charlemagne, 815 00:41:44,600 --> 00:41:46,640 Speaker 1: the guy. We are the breakfast club. Usually the rumors 816 00:41:46,680 --> 00:41:48,759 Speaker 1: are right here, the Fat Joe, Remy's here. So we're 817 00:41:48,800 --> 00:41:50,759 Speaker 1: gonna push those backs. A lot of beginners in your life. 818 00:41:50,800 --> 00:41:53,840 Speaker 1: The joy because the Pat M fifty like you know, 819 00:41:54,239 --> 00:41:56,280 Speaker 1: you think that comes with with them. Age was nine's 820 00:41:56,320 --> 00:41:59,520 Speaker 1: never been. I've never been in abuser. I love peace 821 00:41:59,640 --> 00:42:03,040 Speaker 1: Morning War. I mean, believe me, I came up on violence. 822 00:42:03,120 --> 00:42:07,239 Speaker 1: And it's sad to say book I enjoyed sometimes, know 823 00:42:07,280 --> 00:42:10,400 Speaker 1: what I'm saying, nah, And but I'm just saying I 824 00:42:10,520 --> 00:42:14,640 Speaker 1: prefer peace over war any day. Any day, I prefer peace. 825 00:42:14,920 --> 00:42:17,360 Speaker 1: If I didn't go to Israel when Palestine and broker 826 00:42:17,440 --> 00:42:20,640 Speaker 1: that thing, I'll go broker that thing. Like about some 827 00:42:20,760 --> 00:42:23,800 Speaker 1: of the older people me me paff like these weren't 828 00:42:23,840 --> 00:42:26,320 Speaker 1: people that like it wasn't like murder one beef, like 829 00:42:26,440 --> 00:42:29,200 Speaker 1: old you did something to somebody in my family or 830 00:42:29,239 --> 00:42:32,160 Speaker 1: something crazy like it was. It was things that I 831 00:42:32,360 --> 00:42:34,880 Speaker 1: think weren't that serious. But being the people that we 832 00:42:34,960 --> 00:42:37,719 Speaker 1: are that take everything to the butt crack like and 833 00:42:37,800 --> 00:42:40,480 Speaker 1: there's just no turning back, I think that that's why 834 00:42:40,560 --> 00:42:43,719 Speaker 1: it was escalated into the situations that they became. But 835 00:42:43,880 --> 00:42:45,400 Speaker 1: when you really get down to the root of them, 836 00:42:45,480 --> 00:42:48,440 Speaker 1: it was never no real you never nobody ever strobbed 837 00:42:48,560 --> 00:42:51,719 Speaker 1: him at gunpoint and did something to family members or 838 00:42:51,760 --> 00:42:53,880 Speaker 1: something like that. And it's easier once you get older 839 00:42:54,120 --> 00:42:56,759 Speaker 1: to forgive people and to work things out with people 840 00:42:56,800 --> 00:42:58,640 Speaker 1: when you realize, like, yo, there that was some I 841 00:42:58,760 --> 00:43:00,280 Speaker 1: was willing. Like you know what I'm saying. Something times 842 00:43:00,560 --> 00:43:03,320 Speaker 1: you do that and that does, I believe come with wisdom, 843 00:43:03,880 --> 00:43:05,520 Speaker 1: And it also comes with it, Like he said, nobody 844 00:43:05,600 --> 00:43:08,000 Speaker 1: want to be all day, nobody wants to walk out 845 00:43:08,040 --> 00:43:10,920 Speaker 1: of their crib all day, every day, making sure off 846 00:43:10,960 --> 00:43:12,520 Speaker 1: I run into this one, I'm gonna have to do that. 847 00:43:12,680 --> 00:43:14,640 Speaker 1: So it's like, it's cool when you could just walk out. 848 00:43:14,640 --> 00:43:16,120 Speaker 1: You just good. You know, you don't got no posit 849 00:43:16,120 --> 00:43:18,680 Speaker 1: with nobody. Nobody don't got no problems with you. It's 850 00:43:18,719 --> 00:43:22,160 Speaker 1: just a Good's just a different time in hip hop too, 851 00:43:23,040 --> 00:43:26,080 Speaker 1: Like so, uh, you'll almost don't fit in even though 852 00:43:26,160 --> 00:43:28,160 Speaker 1: y'all have been here, y'all almost don't fit in the worst. 853 00:43:30,080 --> 00:43:32,920 Speaker 1: That's a very good point. I don't think nobody who 854 00:43:33,400 --> 00:43:38,760 Speaker 1: who came up around my time, and definitely around Rams 855 00:43:38,840 --> 00:43:43,360 Speaker 1: time still makes music that goes with what's going on today. 856 00:43:44,000 --> 00:43:46,880 Speaker 1: So it was really really hard to make our fans 857 00:43:47,120 --> 00:43:50,320 Speaker 1: happy and be like, yeah, they back, they hid, but 858 00:43:50,440 --> 00:43:53,120 Speaker 1: at the same time, catch this young wave that's going on. 859 00:43:53,280 --> 00:43:55,640 Speaker 1: Because somebody I'm in strip club, they pick us in 860 00:43:55,680 --> 00:44:00,880 Speaker 1: books and pickers and books, and I'm like, I'm sitting 861 00:44:00,920 --> 00:44:03,399 Speaker 1: in there like I gotta grab the hookah. I don't 862 00:44:03,400 --> 00:44:06,520 Speaker 1: even smoke. I'm like, all right, how are we gonna 863 00:44:06,560 --> 00:44:09,680 Speaker 1: make a move to us? Right? Like everybody, I want 864 00:44:09,719 --> 00:44:12,800 Speaker 1: to tell y'all this is syndicated. Everybody who ever supported 865 00:44:13,000 --> 00:44:16,279 Speaker 1: me ramy pun like I love y'all. I want to 866 00:44:16,320 --> 00:44:18,520 Speaker 1: see y'all on the road every time I go over there, 867 00:44:18,880 --> 00:44:21,480 Speaker 1: and so many relationships we grew up with, and we 868 00:44:21,560 --> 00:44:24,759 Speaker 1: see people floating all over because y'all the only guys really, 869 00:44:24,840 --> 00:44:28,480 Speaker 1: not y'all, because you're super winning, but the music business 870 00:44:28,520 --> 00:44:31,759 Speaker 1: the only thing I compared to, like athletes. But they'll 871 00:44:31,800 --> 00:44:34,319 Speaker 1: come wake a guy up and be like, yo, you're 872 00:44:34,320 --> 00:44:39,000 Speaker 1: being shipped in Oklahoma today, one of three jams. Oklahoma. 873 00:44:40,680 --> 00:44:43,520 Speaker 1: I'm the king of Philly. What are you talking about. 874 00:44:44,400 --> 00:44:46,239 Speaker 1: They'd be like, you wake up, you gonna Philly? You 875 00:44:46,400 --> 00:44:49,080 Speaker 1: all right, calm them down. I gonna calm them down right, 876 00:44:49,160 --> 00:44:51,920 Speaker 1: Fat Joe, come through, yo, Yo, calm them down, y'all right, Yo, 877 00:44:52,239 --> 00:44:54,279 Speaker 1: now it's gonna be all right. Don't worry Boston, don't 878 00:44:54,320 --> 00:44:57,400 Speaker 1: get that coldest below zero the next you know, Hey, 879 00:44:57,400 --> 00:45:00,880 Speaker 1: I'm in Miami. Now, Joe, you're like y'all athletes. They 880 00:45:00,920 --> 00:45:03,120 Speaker 1: didn't come knock on the door. You've been traded. And 881 00:45:03,560 --> 00:45:07,799 Speaker 1: he always been in New York, New York, God bless us. Right. Well, 882 00:45:07,880 --> 00:45:11,640 Speaker 1: there you have it. It's fact. It's a breakfast club. 883 00:45:11,680 --> 00:45:22,400 Speaker 1: Good morning, It's time for Donkey of the day democrat. 884 00:45:22,480 --> 00:45:24,680 Speaker 1: So being Dunky of the day a little bit of 885 00:45:24,719 --> 00:45:32,520 Speaker 1: a mix U so like the other day. Now, I've 886 00:45:32,560 --> 00:45:34,440 Speaker 1: been called a lot of my twenty three years that 887 00:45:34,600 --> 00:45:38,840 Speaker 1: donkey of the day is a new wife. Yes, Donkey 888 00:45:38,920 --> 00:45:41,880 Speaker 1: the Day calls the x Ohio state superstar football player 889 00:45:42,000 --> 00:45:44,600 Speaker 1: Troy Smith now Troy Smith got arrested over the weekend 890 00:45:44,680 --> 00:45:47,720 Speaker 1: for drunk driving and cops found a little man juana 891 00:45:47,760 --> 00:45:50,480 Speaker 1: a little weed in it. Cop. Okay, not drunk driving. 892 00:45:50,600 --> 00:45:53,320 Speaker 1: Driving while on drugs is stupid and selfish, and that 893 00:45:53,520 --> 00:45:56,920 Speaker 1: by itself is donkey of the day worky. But TMZ 894 00:45:57,120 --> 00:46:00,000 Speaker 1: Sports obtained the dash cam video shot by the police 895 00:46:00,120 --> 00:46:02,440 Speaker 1: officers when they pulled over the hiving a trophy winner, 896 00:46:03,040 --> 00:46:04,759 Speaker 1: and this takes it to a whole nother level. I 897 00:46:04,840 --> 00:46:07,040 Speaker 1: always find it a musing when people are drunk, because 898 00:46:07,320 --> 00:46:09,840 Speaker 1: when I'm drunk, I don't think I'm impaired, meaning I 899 00:46:10,160 --> 00:46:13,120 Speaker 1: know what's going on, I know what I'm saying. When 900 00:46:13,160 --> 00:46:15,000 Speaker 1: I see people like Troy Smith, I question if I've 901 00:46:15,000 --> 00:46:18,040 Speaker 1: ever really been drunk? Can we hear this traffic stop? Please, 902 00:46:18,560 --> 00:46:23,279 Speaker 1: ain't doing good yourself? I'm officers, sir, I'm officer. You're 903 00:46:23,280 --> 00:46:26,400 Speaker 1: an officer. No, no, no, I'm great. How much alcohol 904 00:46:26,400 --> 00:46:29,600 Speaker 1: you consume tonight? Fair to say, what's your highest level education? 905 00:46:30,320 --> 00:46:33,960 Speaker 1: I graduated from Ohio State. My name is Troy Smith. Okay, 906 00:46:34,120 --> 00:46:38,240 Speaker 1: college degree. I've graduated from Ohio State with the degree 907 00:46:38,280 --> 00:46:42,280 Speaker 1: in bachelor's fair to say you know the alphabet, sir? Definitely? 908 00:46:42,360 --> 00:46:44,080 Speaker 1: But okay, that's that's what I'm trying to ask you. What. 909 00:46:44,320 --> 00:46:45,719 Speaker 1: I just want to make sure you're not in parent, sir, 910 00:46:46,000 --> 00:46:48,279 Speaker 1: not at all? Okay, can you recite the alphabet for me? 911 00:46:48,360 --> 00:46:50,160 Speaker 1: Started the letter C and stop at the letter W. 912 00:46:50,880 --> 00:46:54,800 Speaker 1: I can definitely recite the A, the ABC's from A 913 00:46:55,080 --> 00:46:57,400 Speaker 1: to Z, from C to W. Can you do that? 914 00:46:58,320 --> 00:47:12,760 Speaker 1: See key fdh? Okay, where do we start? Right? First 915 00:47:12,760 --> 00:47:16,920 Speaker 1: of all, he said he had no alcohol by dictive 916 00:47:16,960 --> 00:47:20,799 Speaker 1: tests determined yes. Second, he said, I'm officer. What does 917 00:47:20,880 --> 00:47:24,520 Speaker 1: that even mean? What were you trying to say, high officer? Hi, 918 00:47:25,200 --> 00:47:27,920 Speaker 1: I'm maybe you said it's I am in officer's relative. 919 00:47:28,040 --> 00:47:30,640 Speaker 1: You had a Fraternal Order of Police card. And as 920 00:47:30,719 --> 00:47:34,040 Speaker 1: soon as you said i'm officer, the police knew you 921 00:47:34,120 --> 00:47:36,320 Speaker 1: were drunk. Okay, they were just going along with you 922 00:47:36,400 --> 00:47:38,200 Speaker 1: to see how good this was gonna get and it 923 00:47:38,320 --> 00:47:41,800 Speaker 1: got better because what exactly is a degree in bachelor's 924 00:47:42,520 --> 00:47:44,680 Speaker 1: You have a degree in single min What kind of 925 00:47:44,719 --> 00:47:46,600 Speaker 1: profession do you start with that degree? Do you get 926 00:47:46,719 --> 00:47:48,880 Speaker 1: eligible bachelors and hooked him up with women who are 927 00:47:48,920 --> 00:47:51,719 Speaker 1: looking for them? You have a degree in pampology. Huh, 928 00:47:52,000 --> 00:47:54,160 Speaker 1: Now it is defense. The police hit him with a 929 00:47:54,200 --> 00:47:57,080 Speaker 1: trick question with that alphabet thing. Okay, starting that she 930 00:47:57,360 --> 00:47:59,719 Speaker 1: is a little difficult, but just sounded off in your 931 00:47:59,760 --> 00:48:04,440 Speaker 1: head a B boom. Then start at C and you 932 00:48:04,480 --> 00:48:07,319 Speaker 1: wouldn't have any problem. But bro, you got stuck after 933 00:48:07,560 --> 00:48:09,759 Speaker 1: I can I hear? I need to hear one more time? 934 00:48:09,800 --> 00:48:11,440 Speaker 1: Can I hear one more time? Can you recite the 935 00:48:11,440 --> 00:48:13,520 Speaker 1: alphabet form he started the letter C and stop at 936 00:48:13,560 --> 00:48:17,400 Speaker 1: the letter W. I can definitely recite the A, the 937 00:48:17,520 --> 00:48:20,879 Speaker 1: ABC's from A to Z, from C to W. Can 938 00:48:20,920 --> 00:48:31,279 Speaker 1: you do that? C, D, E, F, G H I. Okay, 939 00:48:31,320 --> 00:48:33,120 Speaker 1: turn around and put your head up in your fact. Now, 940 00:48:33,200 --> 00:48:34,960 Speaker 1: let's be clear. The cop was trying to be funny 941 00:48:35,600 --> 00:48:37,759 Speaker 1: when he said recite the alphabet from C to W 942 00:48:38,360 --> 00:48:40,520 Speaker 1: because the CW was a black network that was the 943 00:48:40,600 --> 00:48:43,359 Speaker 1: home of Dwayne's brothers girlfriends in the game. Okay, y'all 944 00:48:43,400 --> 00:48:45,080 Speaker 1: need to stay woke out here, all right. That cop, 945 00:48:45,480 --> 00:48:48,279 Speaker 1: that cop knew what he was doing. Okay, And you 946 00:48:48,400 --> 00:48:50,279 Speaker 1: have to give the man Troy a little bit of 947 00:48:50,320 --> 00:48:54,120 Speaker 1: props because he used the last letter he could remember 948 00:48:54,239 --> 00:48:57,000 Speaker 1: in the alphabet to form a complete sentence. Play it 949 00:48:57,080 --> 00:48:58,520 Speaker 1: one more time. Just listen to what he did. This 950 00:48:58,560 --> 00:49:06,759 Speaker 1: is genius ce D F G H. I just want 951 00:49:06,760 --> 00:49:13,000 Speaker 1: to go home from Troy, damn it. Okay, he should 952 00:49:13,040 --> 00:49:17,200 Speaker 1: get some points for that. All right, Please give Tice 953 00:49:17,200 --> 00:49:22,839 Speaker 1: smith the biggest he hall please. All right, you gotta 954 00:49:22,880 --> 00:49:24,680 Speaker 1: give him a little bit of props. He failed to 955 00:49:24,760 --> 00:49:28,560 Speaker 1: feel sobriety tests, but that was a little bit of genius. 956 00:49:29,120 --> 00:49:32,120 Speaker 1: The last letter you can remember is I, and then 957 00:49:32,160 --> 00:49:34,319 Speaker 1: you just finished with a complete sentence. I just want 958 00:49:34,360 --> 00:49:37,960 Speaker 1: to go home. Right of applause to smith Man. Alright, 959 00:49:38,120 --> 00:49:41,920 Speaker 1: that was amazing the breakfast club and it was something 960 00:49:42,040 --> 00:49:43,840 Speaker 1: your boy didn't and you're listening to the best of 961 00:49:43,880 --> 00:49:47,959 Speaker 1: the breakfast club. Let's go b I G more money, 962 00:49:48,000 --> 00:49:51,160 Speaker 1: more problem this morning, everybody. Jeez, he's in the building 963 00:49:51,320 --> 00:49:53,120 Speaker 1: past the younger. What means you say now is the 964 00:49:53,200 --> 00:49:55,719 Speaker 1: time to be more politically charged one spiritual like that? 965 00:49:55,920 --> 00:49:59,320 Speaker 1: I'm always always been politically and spiritually charged. You know 966 00:49:59,320 --> 00:50:01,600 Speaker 1: what I'm saying, since jump up the porch, But it 967 00:50:01,760 --> 00:50:05,120 Speaker 1: was really my incident that happened in m LA. Congratulations 968 00:50:05,160 --> 00:50:06,960 Speaker 1: on beating that case. Yeah, but by the way, y'all, 969 00:50:07,000 --> 00:50:08,759 Speaker 1: y'all did not report that. By the way, didn't hear 970 00:50:09,200 --> 00:50:11,279 Speaker 1: you did? Oh? Yeah, because you called me right? Yeah 971 00:50:11,320 --> 00:50:12,960 Speaker 1: we did, Yeah, yeah, y'all did. It was it was 972 00:50:13,000 --> 00:50:15,640 Speaker 1: a couple of yeah, man, they did me dirty, and 973 00:50:15,760 --> 00:50:18,279 Speaker 1: I was mad as them. I was mad as hell, man, 974 00:50:18,360 --> 00:50:19,960 Speaker 1: because I just feel like all the respect that I 975 00:50:20,040 --> 00:50:22,320 Speaker 1: had built and everything that I had built for myself 976 00:50:22,360 --> 00:50:25,920 Speaker 1: just got took away. I was an executive in Atlantic Building, 977 00:50:25,960 --> 00:50:30,239 Speaker 1: I was co ownered Avion, I was all these things, executives, 978 00:50:30,280 --> 00:50:32,319 Speaker 1: the album, I had other artists that I'm telling you, man, 979 00:50:32,360 --> 00:50:34,080 Speaker 1: y'all gotta walking straight now, you know what I'm telling 980 00:50:34,120 --> 00:50:35,680 Speaker 1: the why g You know what I mean? You gotta 981 00:50:35,719 --> 00:50:37,759 Speaker 1: stay yeah, you know what I'm saying. And then I'm 982 00:50:37,800 --> 00:50:40,279 Speaker 1: locked up for something that I had nothing to do with. 983 00:50:40,840 --> 00:50:44,680 Speaker 1: So just luckily I had the finances and the resources 984 00:50:44,760 --> 00:50:47,719 Speaker 1: to get out of it. But if I didn't imagine that, man, 985 00:50:48,040 --> 00:50:50,920 Speaker 1: could you imagine me sitting in jail at this point 986 00:50:50,960 --> 00:50:53,480 Speaker 1: of my career, you know, ten twenty years because you 987 00:50:53,600 --> 00:50:56,719 Speaker 1: charging me with a murder and then assault rivals even 988 00:50:56,760 --> 00:51:01,040 Speaker 1: waiting for trial like like right film saying, and it's real. 989 00:51:01,239 --> 00:51:03,000 Speaker 1: So all this time I'm sitting in there, you know 990 00:51:03,000 --> 00:51:05,160 Speaker 1: what I'm saying, And I didn't get out because the 991 00:51:05,280 --> 00:51:07,040 Speaker 1: bill was a million dollars a piece and it was 992 00:51:07,080 --> 00:51:10,120 Speaker 1: six individuals. So it was my drivers, my two bus drivers, 993 00:51:10,400 --> 00:51:13,640 Speaker 1: my cameraman, my assistant, and I think somebody that was 994 00:51:13,680 --> 00:51:15,840 Speaker 1: out just you know, helping me move around. And it 995 00:51:15,960 --> 00:51:17,880 Speaker 1: was like, so it wasn't the homies. So as soon 996 00:51:17,920 --> 00:51:20,279 Speaker 1: as we hit the county, you know, it's ome right 997 00:51:20,680 --> 00:51:22,680 Speaker 1: you la, so you know, everybody know where I met 998 00:51:22,719 --> 00:51:25,520 Speaker 1: with it, so it's it's boot up and set up, 999 00:51:25,560 --> 00:51:26,560 Speaker 1: you know what I mean. So it was just like 1000 00:51:27,400 --> 00:51:30,040 Speaker 1: it was my first unselfish moment, you know what I'm saying, 1001 00:51:30,320 --> 00:51:32,560 Speaker 1: My first Malcolm XI moment, you will, because I feel 1002 00:51:32,560 --> 00:51:34,600 Speaker 1: like I had to really stay there and protect everybody 1003 00:51:34,800 --> 00:51:37,879 Speaker 1: because I was the only one that could. You could 1004 00:51:37,880 --> 00:51:40,000 Speaker 1: have got out, You could have got by the way. 1005 00:51:40,239 --> 00:51:43,360 Speaker 1: The first thirty minutes I was in there, somebody was 1006 00:51:43,400 --> 00:51:45,880 Speaker 1: there to pay my bill. The first thirty minutes. When 1007 00:51:45,880 --> 00:51:48,440 Speaker 1: I walked in, they said you got you got a visitors. 1008 00:51:48,480 --> 00:51:50,319 Speaker 1: Soon as they put me in the sale it's Bill 1009 00:51:50,400 --> 00:51:52,440 Speaker 1: Bonds and its lawyer. There's like, yo, your people sit 1010 00:51:52,560 --> 00:51:54,319 Speaker 1: us down here to get you. And I was like, okay, 1011 00:51:54,360 --> 00:51:56,839 Speaker 1: So everybody getting out, It's like, no, you gotta get out. 1012 00:51:56,880 --> 00:51:59,400 Speaker 1: You the brand. I'm like, Nick, the brand, Like these 1013 00:51:59,440 --> 00:52:01,640 Speaker 1: are my people, Well, they've been out here the whole tour. 1014 00:52:02,000 --> 00:52:08,399 Speaker 1: Keep in mind, this is the last day of the tour. Right, 1015 00:52:08,640 --> 00:52:13,560 Speaker 1: toy went perfect, not a problem, not a flaw, everything. 1016 00:52:13,760 --> 00:52:15,600 Speaker 1: And I got to the last day and I'm sitting 1017 00:52:15,640 --> 00:52:19,560 Speaker 1: here watching twenty thousand people screamed my name while they're 1018 00:52:19,800 --> 00:52:21,480 Speaker 1: putting the handcuffs on me and my crew, and then 1019 00:52:21,520 --> 00:52:24,000 Speaker 1: they take us down. So anyway, long story short, we 1020 00:52:24,080 --> 00:52:25,880 Speaker 1: get in there, they try to build me out. I'm like, nah, 1021 00:52:25,880 --> 00:52:27,400 Speaker 1: I don't want to leave everybody. I'm gonna stay here. 1022 00:52:27,640 --> 00:52:28,880 Speaker 1: So I stayed there, and there was just a lot 1023 00:52:28,920 --> 00:52:30,800 Speaker 1: of time to think, man, And it was real because 1024 00:52:31,160 --> 00:52:32,680 Speaker 1: now when I came, I gotta lit my son in 1025 00:52:32,760 --> 00:52:34,480 Speaker 1: the face, you know what I mean. I gotta look 1026 00:52:34,520 --> 00:52:36,680 Speaker 1: my people's in the face, and everybody like, yo, you're out. 1027 00:52:36,719 --> 00:52:39,880 Speaker 1: There bugging, But I did everything right, and I understand 1028 00:52:39,960 --> 00:52:42,719 Speaker 1: that it just made me like, it just made me furious, doll, 1029 00:52:42,760 --> 00:52:46,239 Speaker 1: because it's like I worked hard to get here. Maybe 1030 00:52:46,280 --> 00:52:48,000 Speaker 1: that was God doing that on purpose to give you 1031 00:52:48,080 --> 00:52:51,240 Speaker 1: that one last ten. I said, Man, I'm going hard 1032 00:52:51,640 --> 00:52:54,799 Speaker 1: and I'm telling the truth. This ain't even rap at 1033 00:52:54,880 --> 00:52:57,759 Speaker 1: this point. This ain't about selling the Wrencors. This ain't 1034 00:52:57,760 --> 00:53:00,239 Speaker 1: about getting on new fans. I'm gonna tell you was 1035 00:53:00,480 --> 00:53:02,239 Speaker 1: in my heart, in my mind. If you like it, 1036 00:53:02,560 --> 00:53:04,480 Speaker 1: that's on you. But the only thing that kept me 1037 00:53:04,560 --> 00:53:07,120 Speaker 1: strong and there was religion because you know, my Grandma 1038 00:53:07,200 --> 00:53:08,719 Speaker 1: kept bringing me up in the church. But I had 1039 00:53:08,760 --> 00:53:10,880 Speaker 1: to be strong for everybody else because they ain't never 1040 00:53:10,960 --> 00:53:12,600 Speaker 1: been in them situation. You know, you got people on 1041 00:53:12,640 --> 00:53:14,239 Speaker 1: the phone talking to their parents and like you with 1042 00:53:14,360 --> 00:53:16,960 Speaker 1: the rapper, did you do? They're talking with murder, You're 1043 00:53:16,960 --> 00:53:19,400 Speaker 1: never getting down. I'm like, oh man, they get on 1044 00:53:19,480 --> 00:53:21,319 Speaker 1: the phone like man. I'm like, yo, man, y'a don't 1045 00:53:21,320 --> 00:53:23,359 Speaker 1: got to get no lawyers. I promise you. I'm paying 1046 00:53:23,480 --> 00:53:27,240 Speaker 1: very tast you know what I'm saying. From everybody. They 1047 00:53:27,360 --> 00:53:29,320 Speaker 1: tried to put me in general pop, which I was 1048 00:53:29,400 --> 00:53:30,759 Speaker 1: cool with you know what I'm saying, Like, you know, 1049 00:53:30,800 --> 00:53:32,600 Speaker 1: I had no problem that is within you're in jail, 1050 00:53:32,640 --> 00:53:34,480 Speaker 1: like you don't get no privilege. But you know, I 1051 00:53:34,640 --> 00:53:37,279 Speaker 1: was telling it like y'all they it was like it 1052 00:53:37,360 --> 00:53:40,400 Speaker 1: was like it was like two parts coming through the 1053 00:53:41,360 --> 00:53:45,000 Speaker 1: yo throw it up sets. I'm like, oh man, basis 1054 00:53:45,040 --> 00:53:48,479 Speaker 1: at all? Oh man, this is it. It was weird 1055 00:53:48,600 --> 00:53:50,600 Speaker 1: because it was like I'm thinking, we're just in there 1056 00:53:50,680 --> 00:53:54,719 Speaker 1: for the gun charts. Come to find out everybody thinks 1057 00:53:54,760 --> 00:53:56,600 Speaker 1: we're in there for my murder. You know, when they're 1058 00:53:56,600 --> 00:53:58,239 Speaker 1: coming to get you out of yourself for lunch. It's like, 1059 00:53:58,239 --> 00:53:59,920 Speaker 1: oh yeah, these just got these the guys with the 1060 00:54:00,000 --> 00:54:03,800 Speaker 1: one eighty seven. I'm like, whoa man, what are you 1061 00:54:03,840 --> 00:54:07,400 Speaker 1: speaking of? Hold up, it's innocent into approve me guilty. 1062 00:54:07,480 --> 00:54:10,560 Speaker 1: Do you move differently now because absolutely, a lot lighter, 1063 00:54:10,680 --> 00:54:13,160 Speaker 1: a lot small, even though I was moving light at 1064 00:54:13,200 --> 00:54:15,560 Speaker 1: that time too. It's just real now. And it's just 1065 00:54:15,640 --> 00:54:17,239 Speaker 1: like if they do that to me, they'll do that 1066 00:54:17,320 --> 00:54:19,680 Speaker 1: to you or anybody else. And it's just like, you know, 1067 00:54:19,800 --> 00:54:21,880 Speaker 1: had and I had the resources of financing dog, I 1068 00:54:21,960 --> 00:54:23,880 Speaker 1: probably would have still been in jail man. You know, 1069 00:54:24,080 --> 00:54:25,480 Speaker 1: you know what I'm saying, you know what's so funny 1070 00:54:25,480 --> 00:54:27,280 Speaker 1: when you hear um, Like when we're in a landing, 1071 00:54:27,360 --> 00:54:30,120 Speaker 1: you said you didn't do anything. I'm gonna get clear 1072 00:54:30,560 --> 00:54:38,160 Speaker 1: my mind. I'm like, okay, it was so smart because 1073 00:54:38,320 --> 00:54:40,960 Speaker 1: you know, you know past criminals, so I know how 1074 00:54:40,960 --> 00:54:42,920 Speaker 1: to get out. I told my lawyer, I say, look, 1075 00:54:46,360 --> 00:54:49,319 Speaker 1: somebody in between it was a criminal. So I tell 1076 00:54:49,400 --> 00:54:51,760 Speaker 1: my lawyer, I say, yo, look, I said, they already 1077 00:54:51,800 --> 00:54:54,080 Speaker 1: don't play their cars. They played their hand. They too, 1078 00:54:54,160 --> 00:54:56,520 Speaker 1: They too anxious to get me cool. Let them put 1079 00:54:56,760 --> 00:54:59,360 Speaker 1: everything on me. I ain't touched no chopper since I 1080 00:54:59,520 --> 00:55:01,879 Speaker 1: was inten Great, you understand I'm saying, there's no need. 1081 00:55:01,920 --> 00:55:04,080 Speaker 1: There's too many people that be around. It will do 1082 00:55:04,200 --> 00:55:05,800 Speaker 1: that for me if that's what I need them to do, 1083 00:55:05,880 --> 00:55:08,319 Speaker 1: even though I wouldn't ask that, so they don't place 1084 00:55:08,400 --> 00:55:10,960 Speaker 1: it all on me. And I knew I hadn't touched anything. 1085 00:55:11,040 --> 00:55:15,000 Speaker 1: So when they started doing DNA swabs and all that, yeah, 1086 00:55:15,200 --> 00:55:17,200 Speaker 1: I had them. I had them, and that's how i'd 1087 00:55:17,200 --> 00:55:18,719 Speaker 1: be the case. I told my lawyer and she called, 1088 00:55:18,840 --> 00:55:21,479 Speaker 1: she's likely take something. I've never dealt with a person 1089 00:55:21,560 --> 00:55:24,759 Speaker 1: that's so strategic and knows how to afford think like that. 1090 00:55:24,960 --> 00:55:27,520 Speaker 1: She's like you really, you really played them, and then 1091 00:55:27,600 --> 00:55:30,000 Speaker 1: how they tried to play me. It really pissed me off. 1092 00:55:30,200 --> 00:55:32,800 Speaker 1: Was after I beat them, they kept all my jury 1093 00:55:32,880 --> 00:55:34,400 Speaker 1: and all my money I had on the bus and 1094 00:55:34,480 --> 00:55:37,400 Speaker 1: all my clothes. If you want your stuff back, you 1095 00:55:37,640 --> 00:55:41,200 Speaker 1: gotta play play fair. Not snitch. Let's get that. No snitching, 1096 00:55:41,680 --> 00:55:46,239 Speaker 1: but don't tell the media what really happened. So I 1097 00:55:46,320 --> 00:55:52,719 Speaker 1: didn't even bother to try. Absolutely, man, you know how 1098 00:55:52,719 --> 00:55:57,000 Speaker 1: i'd be rocket man that was happening. Did you have 1099 00:55:57,239 --> 00:55:59,600 Speaker 1: your daughter already? Wish you on the way she was here? 1100 00:56:00,120 --> 00:56:06,080 Speaker 1: Was tough. It was tough. Yeah, yeah, it was tough. Man. 1101 00:56:06,120 --> 00:56:07,719 Speaker 1: It was like, damn, you know, this is it. This 1102 00:56:07,840 --> 00:56:10,160 Speaker 1: is how we're gonna start this off. We got more 1103 00:56:10,200 --> 00:56:11,960 Speaker 1: than Jez when we come back keeping locked. As to 1104 00:56:12,000 --> 00:56:15,919 Speaker 1: breakfast Club the morning, I was designed up paying the morning, 1105 00:56:16,000 --> 00:56:19,359 Speaker 1: everybody is DJ M v Angela, Yee, Charlomagne and the guy. 1106 00:56:19,480 --> 00:56:22,440 Speaker 1: We are the breakfast club. Jez's in the building. Now 1107 00:56:22,520 --> 00:56:25,480 Speaker 1: ye ten your anniversary for one on one. Yeah, I 1108 00:56:25,560 --> 00:56:29,000 Speaker 1: was about bringing the whole city out. Yeah. I wanted 1109 00:56:29,080 --> 00:56:31,879 Speaker 1: to go to that. I think I had no but listen, 1110 00:56:32,120 --> 00:56:34,200 Speaker 1: it was a crazy feeling because I was running around. 1111 00:56:34,239 --> 00:56:36,920 Speaker 1: I just had I hadn't been to Atlanta since I 1112 00:56:37,000 --> 00:56:39,719 Speaker 1: went out to LA to start recording, so I hadn't 1113 00:56:39,760 --> 00:56:41,839 Speaker 1: been in Atlanta all of four months, so nobody had 1114 00:56:41,920 --> 00:56:43,320 Speaker 1: seen me. So it was kind of crazy, you know 1115 00:56:43,320 --> 00:56:45,680 Speaker 1: what I means, just a feeling, just the energy. But 1116 00:56:46,160 --> 00:56:49,120 Speaker 1: that was my old man, you really hit moment, you 1117 00:56:49,200 --> 00:56:50,960 Speaker 1: know what I mean? Just from everybody I called and 1118 00:56:51,080 --> 00:56:52,960 Speaker 1: just how I went down. I called Kanye. I was like, Yo, 1119 00:56:52,960 --> 00:56:54,399 Speaker 1: want need you for the show. He's like, what day? 1120 00:56:54,640 --> 00:56:56,400 Speaker 1: He's like, I'm there, you know what I mean. I 1121 00:56:56,480 --> 00:57:00,200 Speaker 1: called Andre three thousand. You know Andrew. I'll tell people 1122 00:57:00,200 --> 00:57:02,520 Speaker 1: on Andrew three thousand like Unicorn tiars man. You've never 1123 00:57:02,640 --> 00:57:06,080 Speaker 1: seen him. You never see him? And I called him. 1124 00:57:06,080 --> 00:57:07,719 Speaker 1: I was like yo, I was like, yo, three yeard, 1125 00:57:07,760 --> 00:57:10,080 Speaker 1: I need you for this this ten years of rags, 1126 00:57:10,080 --> 00:57:13,680 Speaker 1: like what what should I wear? I'm there? I should 1127 00:57:13,719 --> 00:57:15,279 Speaker 1: I wear? I'm there? You know what I'm saying. People 1128 00:57:15,320 --> 00:57:18,960 Speaker 1: wouldn't expecting him to come out, so people literally stood 1129 00:57:19,040 --> 00:57:25,680 Speaker 1: there for like three seconds like it's good. And it 1130 00:57:25,880 --> 00:57:28,800 Speaker 1: was crazy because it was like it's Atlanta, t I 1131 00:57:29,000 --> 00:57:33,400 Speaker 1: can Scrappy Cane Fable turned up Bun b Manny Fresh 1132 00:57:34,120 --> 00:57:37,240 Speaker 1: Drama Boys in the Hood, which was crazy for me, 1133 00:57:37,560 --> 00:57:39,320 Speaker 1: you know what I'm saying, because we haven't been on 1134 00:57:39,360 --> 00:57:42,560 Speaker 1: the same stage and over ten years and I called 1135 00:57:42,640 --> 00:57:44,640 Speaker 1: him and you know, even with the little friction, it 1136 00:57:44,760 --> 00:57:47,560 Speaker 1: probably happened because you know, it's a group. No we 1137 00:57:47,640 --> 00:57:49,120 Speaker 1: got you man. So when I got there and just 1138 00:57:49,240 --> 00:57:52,800 Speaker 1: saw all that love, I was kind of overwhelmed because 1139 00:57:52,840 --> 00:57:54,600 Speaker 1: it was like it was like a big party and 1140 00:57:54,640 --> 00:57:56,120 Speaker 1: all your friends was there, and it was just like 1141 00:57:56,560 --> 00:57:58,880 Speaker 1: I never seen you know, people smile that much. I'm 1142 00:57:58,880 --> 00:58:00,720 Speaker 1: just gonna be for real, like in the city because 1143 00:58:00,720 --> 00:58:02,560 Speaker 1: you know, everybody always you know what I mean. But 1144 00:58:02,880 --> 00:58:05,280 Speaker 1: it was happy, it was joycet and it was just 1145 00:58:05,360 --> 00:58:07,280 Speaker 1: like man, and then you know, really it was a 1146 00:58:07,480 --> 00:58:09,840 Speaker 1: win win for me because how do you go perform 1147 00:58:09,960 --> 00:58:12,880 Speaker 1: Third Motivation in Atlanta? Who had originated that, you know 1148 00:58:12,920 --> 00:58:14,439 Speaker 1: what I mean. So it was just like from top 1149 00:58:14,480 --> 00:58:17,360 Speaker 1: to bottom, it was like every song was you know 1150 00:58:17,400 --> 00:58:19,200 Speaker 1: what I'm saying, right, It was crazy. He just got 1151 00:58:19,240 --> 00:58:20,920 Speaker 1: he kept going up and up and up. And then 1152 00:58:20,960 --> 00:58:24,040 Speaker 1: when Drake came out and did I do um, I've 1153 00:58:24,040 --> 00:58:26,560 Speaker 1: seen somebody talk about tat somebody else, like yeah, jay 1154 00:58:26,600 --> 00:58:30,680 Speaker 1: Z about to come out too, and right there, yeah, 1155 00:58:30,800 --> 00:58:32,880 Speaker 1: I mean Jay was gonna come like that. That's that's 1156 00:58:32,960 --> 00:58:34,720 Speaker 1: that's the dope thing about Jay may was gonna come. 1157 00:58:34,720 --> 00:58:36,560 Speaker 1: But I was almost like, man, it'd be overkill at 1158 00:58:36,600 --> 00:58:39,120 Speaker 1: this point. You came to this side show. Yeah, yeah, 1159 00:58:39,120 --> 00:58:41,680 Speaker 1: you can't really do dope boys with without holding right 1160 00:58:41,960 --> 00:58:43,640 Speaker 1: right right, But it was it was, it was it 1161 00:58:43,640 --> 00:58:46,040 Speaker 1: would have been overkilled, man, because Kanye was there. It 1162 00:58:46,120 --> 00:58:48,040 Speaker 1: was it was just so much going on. I was like, 1163 00:58:48,080 --> 00:58:49,640 Speaker 1: I ain't gonna, you know, push the issue like that. 1164 00:58:49,720 --> 00:58:51,120 Speaker 1: But even when I called me, it was like, Yo, 1165 00:58:51,160 --> 00:58:52,840 Speaker 1: what's up. I pull up, we got something coming up. 1166 00:58:52,840 --> 00:59:04,480 Speaker 1: We'd love to have you. And not chis soctrategic. Baby's like, yeah, 1167 00:59:04,600 --> 00:59:08,160 Speaker 1: I ain't cool, but what's your relationship like with me? 1168 00:59:09,200 --> 00:59:11,320 Speaker 1: It's good. He's been moving around, you know, a lot. 1169 00:59:11,360 --> 00:59:12,800 Speaker 1: I ain't really spoke to him a lot, but I 1170 00:59:12,880 --> 00:59:14,960 Speaker 1: get messages from I think I got missed from somebody 1171 00:59:15,000 --> 00:59:16,720 Speaker 1: else the other day to Tool, he was like, just 1172 00:59:16,840 --> 00:59:19,040 Speaker 1: keep up with good work. But they're moving around a lot, 1173 00:59:19,120 --> 00:59:20,800 Speaker 1: you know what I'm saying. Like, And at the same time, 1174 00:59:20,880 --> 00:59:23,960 Speaker 1: I think he was in solitary or something for a minute. 1175 00:59:24,520 --> 00:59:26,640 Speaker 1: You know what I mean. And that was pretty much 1176 00:59:26,720 --> 00:59:28,600 Speaker 1: like the last time I really had a chance to 1177 00:59:28,680 --> 00:59:31,520 Speaker 1: like hill at him. But like I've been getting messages 1178 00:59:31,640 --> 00:59:33,640 Speaker 1: like hearing the you know what I'm saying different people 1179 00:59:33,640 --> 00:59:35,720 Speaker 1: because he talks to everybody. Because I noticed even though 1180 00:59:35,760 --> 00:59:37,840 Speaker 1: the statue of limitations of you don't you don't speak 1181 00:59:37,920 --> 00:59:40,440 Speaker 1: about that too much, no, because it's just out of respect, 1182 00:59:40,560 --> 00:59:42,360 Speaker 1: you know what I'm saying, Like, it's just out of respect. Man. 1183 00:59:42,400 --> 00:59:44,040 Speaker 1: It's just like, you know, I don't know what he 1184 00:59:44,160 --> 00:59:45,800 Speaker 1: got going on there. I don't know what he's going through. 1185 00:59:46,200 --> 00:59:47,760 Speaker 1: And it's like I don't want to set the tone, 1186 00:59:48,200 --> 00:59:50,160 Speaker 1: you know, for nothing, to say nothing that I shouldn't say, 1187 00:59:50,200 --> 00:59:52,560 Speaker 1: because that's my friend. I think that. And I think 1188 00:59:52,600 --> 00:59:55,680 Speaker 1: that's where a lot of people missed because I hit there, 1189 00:59:55,880 --> 00:59:58,320 Speaker 1: Jesus didn't get him aloy, like it's my dude, man, 1190 00:59:58,480 --> 01:00:01,760 Speaker 1: Like you don't even understand the half. You wouldn't even 1191 01:00:02,000 --> 01:00:04,480 Speaker 1: understand that conversation if I told it to you, because 1192 01:00:04,480 --> 01:00:07,320 Speaker 1: he's a different type of guy. And if that conversation 1193 01:00:07,520 --> 01:00:10,520 Speaker 1: was to ever be heard, they'd be like, wow, you 1194 01:00:10,560 --> 01:00:12,440 Speaker 1: know what I mean? And and we all did the 1195 01:00:12,560 --> 01:00:15,720 Speaker 1: right thing, like and dude, he just was the type 1196 01:00:15,720 --> 01:00:18,600 Speaker 1: of person he would give his last and you know, 1197 01:00:18,640 --> 01:00:20,440 Speaker 1: he just got caught up in a bad situation. You 1198 01:00:20,480 --> 01:00:23,800 Speaker 1: know what I'm saying. It's just like it's so unfortunate 1199 01:00:23,920 --> 01:00:27,600 Speaker 1: because he's a great leader, dude, people fall him to 1200 01:00:27,640 --> 01:00:29,200 Speaker 1: the end of the world, you know what I'm saying. 1201 01:00:29,240 --> 01:00:31,280 Speaker 1: But it's just like, yeah, to this day and even 1202 01:00:31,360 --> 01:00:33,600 Speaker 1: while he's in there, and it's just unfortunate. But I 1203 01:00:33,640 --> 01:00:35,680 Speaker 1: just think when I hear people talk about our relationship, 1204 01:00:36,120 --> 01:00:38,280 Speaker 1: you know, sometimes I feel away in then sometimes like 1205 01:00:38,320 --> 01:00:40,960 Speaker 1: you know, these industry people they don't know you know 1206 01:00:40,960 --> 01:00:42,640 Speaker 1: what I mean, it's not wrapped. It's deeper than there. 1207 01:00:42,960 --> 01:00:45,760 Speaker 1: You know, it's you know, we're talking years at the time. 1208 01:00:46,800 --> 01:00:49,880 Speaker 1: Build a relationship with somebody that that was unbreakable and 1209 01:00:49,960 --> 01:00:52,160 Speaker 1: the ball was real, and it wasn't based on music, 1210 01:00:52,240 --> 01:00:54,600 Speaker 1: money or nothing. It was just based on two individuals. 1211 01:00:54,640 --> 01:00:56,560 Speaker 1: It's all things the same, you know what I'm saying. 1212 01:00:56,640 --> 01:00:58,320 Speaker 1: If y'all do, if they do a movie, you gotta 1213 01:00:58,320 --> 01:01:02,440 Speaker 1: be they working on the movie. I mean, listen, I 1214 01:01:02,520 --> 01:01:06,200 Speaker 1: just I just I just hope that enough time has passed. 1215 01:01:07,800 --> 01:01:10,440 Speaker 1: I mean, I'd say, let's wait another three just to 1216 01:01:10,520 --> 01:01:14,760 Speaker 1: be sure. We got more on Jeez when we come back, 1217 01:01:14,840 --> 01:01:16,960 Speaker 1: keeping locked as the breakfast club. Good morning, that one 1218 01:01:17,160 --> 01:01:21,160 Speaker 1: needed me, Rihanna Morning. Everybody is DJ and v Angela yee, 1219 01:01:21,280 --> 01:01:24,360 Speaker 1: Charlemagne the guy. We are the breakfast club. Now we 1220 01:01:24,520 --> 01:01:26,240 Speaker 1: usually do the room is here where you We're not 1221 01:01:26,280 --> 01:01:28,080 Speaker 1: gonna do the rooms because Jez's here right well, we 1222 01:01:28,200 --> 01:01:30,120 Speaker 1: kind of are. We'll get into some rumors with him, like, 1223 01:01:30,240 --> 01:01:33,040 Speaker 1: for instance, Jeez, how did you resolve your issues that 1224 01:01:33,160 --> 01:01:35,560 Speaker 1: you had with Def jam? Man? I gotta be honest, man, 1225 01:01:35,680 --> 01:01:37,919 Speaker 1: like you know, def Jim has been a great part 1226 01:01:37,960 --> 01:01:40,200 Speaker 1: of my career and it's all this, you know what 1227 01:01:40,200 --> 01:01:43,000 Speaker 1: I mean? And as men sometimes we can agree to disagree, 1228 01:01:43,440 --> 01:01:45,360 Speaker 1: but I think they get it. Why should be like, yo, 1229 01:01:45,440 --> 01:01:46,800 Speaker 1: I love it as a single? He's like, I don't 1230 01:01:46,840 --> 01:01:48,800 Speaker 1: know if I like that. I'm like, yo, trust me. 1231 01:01:49,040 --> 01:01:51,520 Speaker 1: And then when it works, it goes okay, yeah, man, 1232 01:01:51,600 --> 01:01:55,680 Speaker 1: that's what's up to me. Go talk to you people. 1233 01:01:56,360 --> 01:01:57,960 Speaker 1: And then you was like, somebody need to hire me 1234 01:01:58,000 --> 01:02:00,520 Speaker 1: as it ain't and all, but it is it hard 1235 01:02:00,560 --> 01:02:02,760 Speaker 1: when artists that felt like you guys are kind of 1236 01:02:02,840 --> 01:02:05,440 Speaker 1: in competition, right, you know, for you to try to 1237 01:02:05,560 --> 01:02:08,120 Speaker 1: work with them as far as it ain't, well, it 1238 01:02:08,280 --> 01:02:11,920 Speaker 1: depends on who it is, if it's somebody that understands. 1239 01:02:12,000 --> 01:02:13,880 Speaker 1: Because even a lot of times when I played my 1240 01:02:13,920 --> 01:02:16,960 Speaker 1: records for Jay, I just watched his face on certain things, 1241 01:02:17,000 --> 01:02:18,920 Speaker 1: and when I see him, he get into his little joint. 1242 01:02:18,960 --> 01:02:23,680 Speaker 1: I don't even say nothing. And it happened the same 1243 01:02:23,760 --> 01:02:25,800 Speaker 1: thing with me. Kanye calling me. I never forget. I'm 1244 01:02:25,840 --> 01:02:28,320 Speaker 1: on the sports sending my mom crip. He's like, um, 1245 01:02:29,040 --> 01:02:32,240 Speaker 1: can you come out to Hawaii? I was like, yeah, 1246 01:02:34,520 --> 01:02:36,480 Speaker 1: what you So? I just want you to come by here. 1247 01:02:36,920 --> 01:02:38,640 Speaker 1: I was like cool. So I get out to Hawaii 1248 01:02:39,080 --> 01:02:40,840 Speaker 1: and he called me. It's like, you'll come to the studio. 1249 01:02:40,920 --> 01:02:42,480 Speaker 1: So I come to the studio later on that night. 1250 01:02:42,920 --> 01:02:44,919 Speaker 1: I get in there and they got this big ass 1251 01:02:45,040 --> 01:02:47,760 Speaker 1: board or like a marker board, and it got all 1252 01:02:47,800 --> 01:02:50,040 Speaker 1: the songs on it. At the top of the board, 1253 01:02:50,080 --> 01:02:53,959 Speaker 1: it got what would Jeez do? So he starts playing 1254 01:02:54,000 --> 01:02:55,680 Speaker 1: me these songs. He played me a lot of records 1255 01:02:55,920 --> 01:02:57,280 Speaker 1: and I'm listening to him, and the ones that I 1256 01:02:57,360 --> 01:02:59,880 Speaker 1: would bob to, I would see him his people that 1257 01:03:00,040 --> 01:03:01,800 Speaker 1: would go check him off, and then then the ones 1258 01:03:01,840 --> 01:03:03,520 Speaker 1: I was just like standing there kind of like lost 1259 01:03:04,160 --> 01:03:06,920 Speaker 1: nobody moved. And then when he got done, you know 1260 01:03:06,920 --> 01:03:08,120 Speaker 1: what I mean, I looked on the thing and they 1261 01:03:08,160 --> 01:03:10,720 Speaker 1: had all the ones that I kind of saw the light, 1262 01:03:11,080 --> 01:03:12,440 Speaker 1: you know what I mean. I was just like, it's 1263 01:03:12,480 --> 01:03:16,800 Speaker 1: called ya. He was, you know my opinion right right right. 1264 01:03:16,920 --> 01:03:18,320 Speaker 1: He was a small dude though, because he called me. 1265 01:03:18,360 --> 01:03:19,800 Speaker 1: He was like, Yo, jeez, can I keep your ad 1266 01:03:19,920 --> 01:03:23,080 Speaker 1: libs on this song? We're taking my money, right, you 1267 01:03:23,120 --> 01:03:25,040 Speaker 1: can't tell me nothing that was recorded me and t 1268 01:03:25,200 --> 01:03:27,520 Speaker 1: I had and I had on my album. I called 1269 01:03:27,600 --> 01:03:29,480 Speaker 1: Kanye for a verse and when he sent it back, 1270 01:03:29,880 --> 01:03:32,560 Speaker 1: the whole song was different. You know. He went in 1271 01:03:32,600 --> 01:03:35,720 Speaker 1: there and changed the whole productives. Oh, I'm like, Yo, 1272 01:03:35,840 --> 01:03:37,520 Speaker 1: what the hell? You know what I'm saying. So I 1273 01:03:37,600 --> 01:03:39,680 Speaker 1: was like, Yo, this ain't even the same song. So 1274 01:03:39,760 --> 01:03:41,520 Speaker 1: I was like, Yo, I can't. I can't rock with this, 1275 01:03:41,880 --> 01:03:43,320 Speaker 1: you know what I'm saying. So he was like, you know, 1276 01:03:43,480 --> 01:03:46,880 Speaker 1: you know, yeah, he already in his mind's right, cool, 1277 01:03:46,960 --> 01:03:50,040 Speaker 1: don't worry about it. Say that. Take it right. So 1278 01:03:50,160 --> 01:03:51,640 Speaker 1: he got me for that one. So he called me. 1279 01:03:51,680 --> 01:03:53,280 Speaker 1: He was like, you know, can I keep your ad 1280 01:03:53,360 --> 01:03:55,280 Speaker 1: libs on it? You know? H yeah? Whatever. So I 1281 01:03:55,360 --> 01:03:57,520 Speaker 1: heard on the radio, I'm waiting on me to come here, 1282 01:03:59,640 --> 01:04:02,280 Speaker 1: like me, I'm ready, I'm ready, I got my damn 1283 01:04:02,360 --> 01:04:05,040 Speaker 1: but never come over. So I was like, I didn't 1284 01:04:05,280 --> 01:04:08,080 Speaker 1: all thought that they were waiting for him. Yeah, right right. 1285 01:04:08,160 --> 01:04:10,000 Speaker 1: But he was small enough to know my atlas was 1286 01:04:10,080 --> 01:04:12,720 Speaker 1: an instrument. He knew that. I didn't know that. One 1287 01:04:12,800 --> 01:04:14,800 Speaker 1: day we both in London, we got a show. So 1288 01:04:14,960 --> 01:04:17,160 Speaker 1: I go on, I got like twenty thousand people out there. 1289 01:04:17,520 --> 01:04:19,800 Speaker 1: He go on, he got eighty thousand people out there? 1290 01:04:20,400 --> 01:04:22,520 Speaker 1: Or a song? He does, wait till I get my 1291 01:04:22,600 --> 01:04:25,880 Speaker 1: money right on, watching eighty thousand people singing, And I'm like, 1292 01:04:29,120 --> 01:04:34,240 Speaker 1: did not. And that's what makes him a musical genius. Absolutely. 1293 01:04:34,240 --> 01:04:36,040 Speaker 1: That was a classic golbum too. By the way, the recession. 1294 01:04:36,120 --> 01:04:38,080 Speaker 1: Recession marked the moment in time that I think I'm 1295 01:04:38,120 --> 01:04:41,000 Speaker 1: not even gonna realize years later, even when my president 1296 01:04:41,120 --> 01:04:43,320 Speaker 1: is black, right right, you put that out way before. 1297 01:04:43,360 --> 01:04:45,959 Speaker 1: But Robert right right, yeah, shot saw the brock hel 1298 01:04:46,120 --> 01:04:52,040 Speaker 1: Me and the dinner. But it's all good men, shout yeah, 1299 01:04:52,080 --> 01:04:55,240 Speaker 1: because he knew, he knew. I came back and they 1300 01:04:55,360 --> 01:04:57,000 Speaker 1: invited me to the dinner they had in New York. 1301 01:04:57,040 --> 01:04:59,520 Speaker 1: I flew all the way in got mere town Ford suit. 1302 01:04:59,640 --> 01:05:02,800 Speaker 1: You know what I'm saying, looked spiffy, right, expencive right. 1303 01:05:02,800 --> 01:05:04,080 Speaker 1: I had to look my best, you know what I mean. 1304 01:05:04,800 --> 01:05:08,720 Speaker 1: And I get there, see Kevin Lyles trade songs everybody, 1305 01:05:08,760 --> 01:05:11,760 Speaker 1: you know, everybody happy, smiling, were taking pictures and they 1306 01:05:11,760 --> 01:05:14,560 Speaker 1: about to walk in right behind them and they let 1307 01:05:14,640 --> 01:05:17,280 Speaker 1: Kevin Lyles and trade songs in. You uh, I've seen 1308 01:05:17,320 --> 01:05:20,640 Speaker 1: the Secret Service tap my guy. He said he can't 1309 01:05:20,880 --> 01:05:25,880 Speaker 1: come in. I'm like, it was like, no, he can't 1310 01:05:25,880 --> 01:05:27,760 Speaker 1: come in. We tried to get him cleared. We can't 1311 01:05:27,800 --> 01:05:30,400 Speaker 1: clear And I remember going back to the room. I 1312 01:05:30,520 --> 01:05:34,160 Speaker 1: was just like damn. I like, hey, man, I gotta 1313 01:05:34,160 --> 01:05:38,800 Speaker 1: wait to my statue. It was crazy because it was 1314 01:05:39,920 --> 01:05:42,400 Speaker 1: like it was like damn. Man. So I got on 1315 01:05:42,480 --> 01:05:44,800 Speaker 1: the plane and flew back to Atlanta, and the whole 1316 01:05:44,880 --> 01:05:47,640 Speaker 1: time on the plane, I was just like damn. I 1317 01:05:47,760 --> 01:05:49,320 Speaker 1: was mad, you know what I'm saying, because I did 1318 01:05:49,360 --> 01:05:53,640 Speaker 1: the whole My president is black, right. I ran out 1319 01:05:53,640 --> 01:05:56,480 Speaker 1: and rented a bus to usher people to the poles. 1320 01:05:56,640 --> 01:06:01,120 Speaker 1: I did radio drops and was running around the neighborhood 1321 01:06:01,360 --> 01:06:03,520 Speaker 1: telling people, encouraging them that you can vote. Man. I 1322 01:06:03,560 --> 01:06:05,160 Speaker 1: got a lawyer, right, here, he's telling me, you know, 1323 01:06:05,440 --> 01:06:07,200 Speaker 1: Victor fella, now you can vote. You know what I mean, 1324 01:06:07,200 --> 01:06:08,919 Speaker 1: because everybody know they can vote. So I did all 1325 01:06:08,960 --> 01:06:10,440 Speaker 1: that and then get the slap in the face and 1326 01:06:10,480 --> 01:06:12,280 Speaker 1: I'm like, damn, I wasn't really slapping the f he 1327 01:06:12,320 --> 01:06:15,000 Speaker 1: just telling you look to say about certain people right now. 1328 01:06:15,440 --> 01:06:17,600 Speaker 1: I got understood that, but I understand on the on 1329 01:06:17,680 --> 01:06:20,840 Speaker 1: the on the flight back, I had some bars in 1330 01:06:20,920 --> 01:06:30,320 Speaker 1: my head. I'm like, some bars in my head, like, 1331 01:06:30,440 --> 01:06:33,400 Speaker 1: but I don't know, No, I don't do that. She 1332 01:06:33,480 --> 01:06:40,480 Speaker 1: returned the suit. God, no, not right. So so but 1333 01:06:40,640 --> 01:06:44,360 Speaker 1: with what was dope was I'm in London and my 1334 01:06:44,440 --> 01:06:46,760 Speaker 1: mom would call me. It's like, the President just shuted you. 1335 01:06:46,840 --> 01:06:48,800 Speaker 1: As I said, my mom told you about smoking that weed. 1336 01:06:50,880 --> 01:06:52,120 Speaker 1: You know what I say, You can't be calling me 1337 01:06:52,200 --> 01:06:54,280 Speaker 1: with this, And she's like, no, I'm serious. You know, 1338 01:06:54,320 --> 01:06:55,600 Speaker 1: she don't know how to work on phones, so she 1339 01:06:55,640 --> 01:06:57,640 Speaker 1: can't see me the videos on my mom. I call 1340 01:06:57,680 --> 01:06:59,959 Speaker 1: you back. I gotta go do this. Nevertheless, I'm sitting 1341 01:07:00,960 --> 01:07:03,120 Speaker 1: my phone start blowing up, like yo, man, the President 1342 01:07:03,160 --> 01:07:04,520 Speaker 1: shouted at you out, So I'm nick he might have 1343 01:07:04,560 --> 01:07:06,960 Speaker 1: just said something somewhere. I'm not knowing it is it 1344 01:07:07,080 --> 01:07:10,800 Speaker 1: a correspond Yeah, I'm not knowing that. And then somebody's 1345 01:07:10,800 --> 01:07:12,760 Speaker 1: sitting it to me and I'm sitting there, I'm looking. 1346 01:07:12,760 --> 01:07:14,320 Speaker 1: I looked at it one hundred time. Ain't in front. 1347 01:07:14,320 --> 01:07:17,320 Speaker 1: You know what I'm saying, to get your ad lit? Yeah, 1348 01:07:19,320 --> 01:07:21,720 Speaker 1: to the sitting sometimes And and that's when I knew. 1349 01:07:21,800 --> 01:07:24,080 Speaker 1: Right there, I was like, Yo, that dude is smart 1350 01:07:24,560 --> 01:07:26,880 Speaker 1: and he's black. For real, hour on the low