WEBVTT - Read It and Weep

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<v Speaker 1>Sabrina, We've been doing a bunch of these together. Now,

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<v Speaker 1>I feel like we're getting to know each other as people,

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<v Speaker 1>as friends. We're enjoying the time that we're spending together.

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<v Speaker 2>In your tone that you have right now is already

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<v Speaker 2>making me nervous about the first questions.

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<v Speaker 1>I think it's a hard hitting question. I think it's

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<v Speaker 1>a question that I'm amazed our friendship has gotten this

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<v Speaker 1>far without knowing. It's one of the first things I

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<v Speaker 1>knew about writer and Danielle. So, okay, this is important. Yeah,

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<v Speaker 1>pineapple on a pizza good or communist?

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<v Speaker 2>Oh you know, it's crazy because I just recently flipped

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<v Speaker 2>to the other side. I used to just think it

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<v Speaker 2>was so ridiculous. I didn't like it.

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<v Speaker 1>At all, right, which was the first answer.

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<v Speaker 2>Okay, But as well as barbecue pizza, not a fan.

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<v Speaker 2>I don't think things on pizza are. They're not my thing.

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<v Speaker 2>I'm not really a barbecue chicken person in general.

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<v Speaker 1>But.

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<v Speaker 2>Like on pizza or salads, I just don't like. I

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<v Speaker 2>just they don't mix for me. However, now I told

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<v Speaker 2>you that Jordan has a trigger, and we have the

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<v Speaker 2>pizza oven thing for the trigger, and we did our

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<v Speaker 2>own dough all of that. Did pineapple him barbecue, and yeah,

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<v Speaker 2>I did all of that. I just I mean, that's

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<v Speaker 2>just what I knew he was gonna like. And it

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<v Speaker 2>was kind of like a thing for me to do

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<v Speaker 2>for him. And then I tried it and it was

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<v Speaker 2>like a different pizza to me. So I did flip.

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<v Speaker 2>But I'm sure it won't last long, for to long.

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<v Speaker 1>I don't hate you. You're just wrong in your opinion.

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<v Speaker 2>I'm more veggies spicy, you know what. That's more me.

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<v Speaker 2>I do not like it normally, but I will say

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<v Speaker 2>for whatever reason, and this concoction of a of a

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<v Speaker 2>machine that we got it made.

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<v Speaker 1>It so good and change machine.

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<v Speaker 2>It worked, Yes, And I'm sure if I ever order one,

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<v Speaker 2>I'll be right back to where I started.

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<v Speaker 1>Hands down, the correct answer, the correct We're just getting

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<v Speaker 1>to know each other, just getting to know each other. Well.

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<v Speaker 1>Welcome back to Magical Rewind, the show that makes you

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<v Speaker 1>want to grab your friends, your PJS, and your popcorn

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<v Speaker 1>and go back to a time when all the houses

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<v Speaker 1>were smart, the waves, tsunamis, and the high School's musical.

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<v Speaker 1>I'm Wilford All and.

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<v Speaker 2>I'm Sabrina Brian.

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<v Speaker 1>What's time for our podcast Sabrina Whimsical, Walt Disney Wherewithal

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<v Speaker 1>where two hosts breakdown the ongoing journeys of socialites susie

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<v Speaker 1>Ces and tsunamis. And this week we're taking apart the

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<v Speaker 1>alliteration heavy as You Could Tell two thousand and six

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<v Speaker 1>family comedy, Read It and Weep. This was based on

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<v Speaker 1>the novel How My Private Personal Journal Became a bestseller,

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<v Speaker 1>a title that has actually used directly as a line

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<v Speaker 1>in the movie. And it's authored by Julia de Villers,

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<v Speaker 1>who would later go on to write the Maddie Ziggler

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<v Speaker 1>book series with Maddie and Sabrina. What other book She.

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<v Speaker 2>Wrote a book with me called Princess of Gossip. There

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<v Speaker 2>go love Julia. She is the sweetest woman and just

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<v Speaker 2>I just love she can think of book ideas and

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<v Speaker 2>just it's just she's so quick. She's amazing.

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<v Speaker 1>That's awesome. Well I and you know, spoiler alert, she

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<v Speaker 1>was going to be coming on the show and then

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<v Speaker 1>had to postpone. But we'll get her on. She's going

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<v Speaker 1>to You're gonna be able to talk to her about it.

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<v Speaker 2>We'll get on.

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<v Speaker 1>So it's going to be uh. And she's also a

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<v Speaker 1>cameo in the movie. Yes, and you're going to have

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<v Speaker 1>to tell me where. So we'll keep an eye out

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<v Speaker 1>and let me know when you see her go like,

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<v Speaker 1>there's waldough because I don't know.

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<v Speaker 2>It happens pretty early on. It's not it's not too

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<v Speaker 2>far down the line.

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<v Speaker 1>Did you read this book?

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<v Speaker 2>No? I didn't. I didn't. Okay, the movie had already

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<v Speaker 2>been made, and so I already knew about her and

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<v Speaker 2>that my my manager somehow connected with her and got

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<v Speaker 2>us connected, and I went to one of her book signings.

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<v Speaker 2>She's so easy to fall in love with. She's a twin,

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<v Speaker 2>which I always love. I just think twins are the coolest.

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<v Speaker 2>And yeah, she's like amazing and I love.

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<v Speaker 1>Okay, Well, I can't wait to be able to sit

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<v Speaker 1>down and talk with her.

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<v Speaker 2>Yeah.

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<v Speaker 1>And so this one is obviously is focusing on the

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<v Speaker 1>dynamics of high school Read It and Weep was filmed

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<v Speaker 1>in good old Salt Lake City in the decom paradise

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<v Speaker 1>known as Murray High School. And if it looked familiar

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<v Speaker 1>to all of you, there's a very good reason for that.

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<v Speaker 1>It was the backdrop for some of high school musical

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<v Speaker 1>and all of minute Men. It looks like the most

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<v Speaker 1>amazing high school in the history of high schools. Did

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<v Speaker 1>you notice immediately that we were back in a familiar space?

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<v Speaker 2>You know what the the cafeteria look like the cafeteria

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<v Speaker 2>from Xenon to me, when not not the space cafeteria

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<v Speaker 2>on air.

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<v Speaker 1>Yeah, it looked a little.

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<v Speaker 2>That's what I clocked was, Oh, that cafeteria is from Xenon.

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<v Speaker 1>I remember, I think we should keep it where. Frankly,

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<v Speaker 1>all of these things like Shermer High, like all the

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<v Speaker 1>kind of old school eighties movies. I think all these

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<v Speaker 1>movies are all actually taking place at the same high school.

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<v Speaker 1>I think all these characters actually go to high school

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<v Speaker 1>together from all these different movies, and it's just the

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<v Speaker 1>day you get there, it's like, oh, I guess we're

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<v Speaker 1>singing today, like you just never know. So I think

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<v Speaker 1>that's kind of never know. So no soundtrack was ever

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<v Speaker 1>released for this movie, which is strange, but that did

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<v Speaker 1>that stop Disney from pushing some of their Hollywood recording

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<v Speaker 1>artists into the fold. The song Outside Looking In by

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<v Speaker 1>Jordan Pruitt was recorded for this movie, as well as

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<v Speaker 1>a track from Disney actor Nick Whittaker and our favorite

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<v Speaker 1>high school musical ghost voice Drew Seely, who as a

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<v Speaker 1>name that has come up several times on this podcast.

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<v Speaker 1>We got to get Drew.

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<v Speaker 2>He was really part of this huge era.

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<v Speaker 1>You know what we should do is we should get

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<v Speaker 1>another actor to come on to be on Zoom, but

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<v Speaker 1>Drew's voice comes on and sings and talks for I

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<v Speaker 1>think that's what we should do. The montages of this

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<v Speaker 1>movie are actually just music videos for all the tracks

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<v Speaker 1>in it. You can tell and read it and weep

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<v Speaker 1>as you all know, because you'd like to watch along

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<v Speaker 1>with us. Is available to stream now on Disney Plus.

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<v Speaker 1>Watch it now or wait until after the podcast. It's

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<v Speaker 1>a preference that no one should judge, be yourself, have

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<v Speaker 1>some confidence and figure it out, and so we always go.

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<v Speaker 1>Did you know anything about reading a week before we started?

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<v Speaker 1>You did because you knew Julia?

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<v Speaker 2>Right? Yes, so I knew the preface. I had not

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<v Speaker 2>watched it, but I already knew the two main actresses

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<v Speaker 2>that were in it. Sure is we've already seen her

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<v Speaker 2>at some point in a d com and then the

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<v Speaker 2>younger one, who I just think is just so cute

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<v Speaker 2>and so adorable. I loved watching.

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<v Speaker 1>Well, she will get into that because it was I

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<v Speaker 1>I had trouble watching her, And I'll get into why.

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<v Speaker 1>When I say why, it would be like, oh, okay,

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<v Speaker 1>that makes sense. Trouble is the wrong word. It's just

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<v Speaker 1>it was. It was throwing me as I was watching.

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<v Speaker 1>But we'll, we'll, we'll, we'll, we'll hit all of that

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<v Speaker 1>all right. By the way, three guesses. Did I know

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<v Speaker 1>anything about this movie before? Can I? I'm okay, No,

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<v Speaker 1>I knew nothing. So before you accidentally email your friend

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<v Speaker 1>the wrong file and become the voice of a zapping generation,

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<v Speaker 1>let's get into the synopsis. A high school girl's private

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<v Speaker 1>journal becomes a best seller after she accidentally hands it

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<v Speaker 1>in as a homework assignment. Did you ever have a journal?

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<v Speaker 1>Were you a journal?

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<v Speaker 2>I did? I did a little bit, and then I

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<v Speaker 2>had one of these like uh, digital my diary type

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<v Speaker 2>things or something I remember.

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<v Speaker 1>How like a tamagachi or those different.

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<v Speaker 2>No, it's totally that's that's like a game. Basically, this

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<v Speaker 2>is like a little had a little keyboard and you

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<v Speaker 2>could only write again same like kind of sort of

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<v Speaker 2>how it was for Twitter or whatever certain amount of characters.

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<v Speaker 2>It was just like a little tidbit every day that

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<v Speaker 2>you would do.

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<v Speaker 1>And it kind of cool. Have you found it? You

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<v Speaker 1>should find it and try to know.

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<v Speaker 2>I'm sure I threw it away. I'm not good at

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<v Speaker 2>keeping stuff on. My mom might actually have it.

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<v Speaker 1>Boards things I recently found. We talked about it on

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<v Speaker 1>Pommy's World. I found a journal that I made that

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<v Speaker 1>I kept only for like the first month and a

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<v Speaker 1>half that I lived in Los Angeles that I was

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<v Speaker 1>doing Boy Means World. But it was it was amazing

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<v Speaker 1>to see again. Yeah, what did you think of the movie?

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<v Speaker 1>Early thoughts? What'd you think?

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<v Speaker 2>I thought it was cute. You know, it's kind of

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<v Speaker 2>stepped us out of we did. We've obviously done a

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<v Speaker 2>lot of musicals, right, We've done a lot of movies

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<v Speaker 2>that have been built around sports, so that adds a

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<v Speaker 2>different energy. And then recently we've been doing you know,

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<v Speaker 2>we're we've jumped into doing Halloween vibes. This was just

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<v Speaker 2>kind of a movie that I feel was really relatable

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<v Speaker 2>of just every day insecurities of a high school young girl, right,

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<v Speaker 2>and boys and everything as well.

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<v Speaker 1>I think mostly girls though, well.

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<v Speaker 2>Yeah, mainly girls, but you know, Connor and their shout

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<v Speaker 2>out to our.

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<v Speaker 1>Boy get into a we have to talk about this,

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<v Speaker 1>but I love him.

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<v Speaker 2>Yeah, but anyway, so you know, I just think it

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<v Speaker 2>was just kind of a girl's like yeah, okay, we'll

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<v Speaker 2>say more of a girl.

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<v Speaker 1>It was a girls movie. This one was tough for

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<v Speaker 1>me to connect with, was it. Yeah, yes, this was

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<v Speaker 1>tough for me to connect with.

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<v Speaker 2>But I think it's also hard and something very big

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<v Speaker 2>to like put a pinpoint on is it is also

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<v Speaker 2>extracted from the big power music scenes and the big

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<v Speaker 2>you know, high school basketball games and like that kind

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<v Speaker 2>of stuff. So it had it was good for it

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<v Speaker 2>to not have any of those big energy. It was

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<v Speaker 2>just placed into it.

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<v Speaker 1>Yeah. My, So I had trouble connecting this movie. I

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<v Speaker 1>didn't hate it, but I didn't love it either. It

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<v Speaker 1>was just kind of a movie. My problem with this

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<v Speaker 1>movie was the second I turned it on, I knew

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<v Speaker 1>exactly what was going to happen. Really, okay, of course

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<v Speaker 1>you knew exactly what did the second you know the premise,

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<v Speaker 1>you know, I knew step by step exactly what was

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<v Speaker 1>going to happen in this movie. Every step of the way.

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<v Speaker 1>Nothing surprised me, nothing shocked me. It was a standard

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<v Speaker 1>ABC gets Too Big for Breeches thinks she's popular, leaves

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<v Speaker 1>her friends, gets her friends back. But I mean, it's

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<v Speaker 1>I've just.

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<v Speaker 2>Seen it at that haven't seen it. I thought this

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<v Speaker 2>would be a great movie for them to be seen.

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<v Speaker 1>Again, it's not. It wasn't a bad movie. I had

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<v Speaker 1>trouble connecting with this movie again. Acting all good, but

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<v Speaker 1>you know, it was just I knew where it was going.

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<v Speaker 2>Line doesn't really over arc into like any type of

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<v Speaker 2>an adult world, you know what I mean. It's really

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<v Speaker 2>based for young young kids going through this kind kind

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<v Speaker 2>of awkward stage and you know, finding themselves in a

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<v Speaker 2>hierarchy of high school and all that kind of stuff.

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<v Speaker 2>Like I think that's like not something that parents or

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<v Speaker 2>adults or anyone outside of high school can really like. No,

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<v Speaker 2>I get you a little bit, but not as much.

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<v Speaker 1>I just feel like I've seen this movie a thousand

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<v Speaker 1>times and I've seen better versions of it. That's how

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<v Speaker 1>I kind of look. But it was what it was.

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<v Speaker 1>Read it and weep was directed by another name we've

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<v Speaker 1>heard a ton of times here, Paul Hohen, a man

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<v Speaker 1>whose name has been said, like we've talked about a

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<v Speaker 1>lot of times on the podcast lately. He's a dcom legend.

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<v Speaker 1>The Man began his career on Kids Incorporated, and jumped

0:10:34.200 --> 0:10:37.280
<v Speaker 1>into the Disney movie spectrum with Here's an Old Banger,

0:10:37.360 --> 0:10:39.920
<v Speaker 1>Luck of the Irish, and racked up other titles like

0:10:40.000 --> 0:10:42.920
<v Speaker 1>Jump In, The Cheated Girls, One World, Camp, Rock To,

0:10:43.080 --> 0:10:46.240
<v Speaker 1>and eventually the entire franchise of the Zombies. So he

0:10:46.400 --> 0:10:49.160
<v Speaker 1>is still doing with Love TAKEO Love to get him

0:10:49.200 --> 0:10:52.600
<v Speaker 1>on the show. It stars another sister duo, something we

0:10:52.720 --> 0:10:55.280
<v Speaker 1>at least know they like from titles like Double Teamed,

0:10:55.480 --> 0:10:57.680
<v Speaker 1>but this time they're not using twins. It is the

0:10:57.760 --> 0:11:01.240
<v Speaker 1>Panabaker Girls. Kay and Danielle, best known for their stint

0:11:01.280 --> 0:11:04.000
<v Speaker 1>on the TV show Summerland. Both were child stars who

0:11:04.080 --> 0:11:07.040
<v Speaker 1>racked up credits on some kid favorite shows and movies.

0:11:07.080 --> 0:11:11.960
<v Speaker 1>So Kay, who played the all American and shy Jamie Bartlett,

0:11:12.200 --> 0:11:15.400
<v Speaker 1>had appeared on shows like Er, Seventh Heaven, and Angel

0:11:15.440 --> 0:11:18.360
<v Speaker 1>before Summerland, and was already in a dcom Life is Rough.

0:11:18.840 --> 0:11:20.640
<v Speaker 1>You may also I'm Gonna say it every time. By

0:11:20.679 --> 0:11:23.200
<v Speaker 1>the way. You may also recognize her from Phil the Future,

0:11:23.360 --> 0:11:25.079
<v Speaker 1>the two thousand and seven Nancy Drew movie, or the

0:11:25.120 --> 0:11:28.120
<v Speaker 1>two thousand and nine reboot of Fame I'm Gonna Live

0:11:28.280 --> 0:11:32.120
<v Speaker 1>Till Tuesday. She retired from acting in twenty twelve and

0:11:32.160 --> 0:11:36.600
<v Speaker 1>has since become a zoologist working at Disney World in Orlando.

0:11:36.679 --> 0:11:38.760
<v Speaker 1>So she's still in the Disney family. That's totally cool.

0:11:38.800 --> 0:11:41.200
<v Speaker 1>And the reason I said I was thrown by watching

0:11:41.200 --> 0:11:46.160
<v Speaker 1>her is because to me, she looked so much like

0:11:46.280 --> 0:11:48.840
<v Speaker 1>Larissa olinek when she was younger that it threw me.

0:11:49.080 --> 0:11:52.760
<v Speaker 1>It just absolutely threw me. I was like, that's Larissa, Yes,

0:11:52.840 --> 0:11:55.880
<v Speaker 1>it was. It was strange. And then we've got older sister, Danielle,

0:11:55.920 --> 0:11:59.200
<v Speaker 1>who plays the fictional and wildly confident Tea spilling Isabella

0:11:59.360 --> 0:12:02.280
<v Speaker 1>or is who is still acting. You may know her

0:12:02.320 --> 0:12:05.199
<v Speaker 1>now as Caitlin Snow or Killer Frost and what was

0:12:05.240 --> 0:12:08.640
<v Speaker 1>the DCTV universe on shows like The Flash, Supergirl, Arrow,

0:12:08.679 --> 0:12:11.480
<v Speaker 1>and DC Legends of Tomorrow. Her dcom career started with

0:12:11.559 --> 0:12:14.280
<v Speaker 1>Stuck in the Suburbs, and she also appeared in sky High,

0:12:14.360 --> 0:12:17.600
<v Speaker 1>the TV show Shark Justified, and Franklin and Bash and

0:12:17.800 --> 0:12:20.000
<v Speaker 1>Little fun fact. Sky High was actually written by the

0:12:20.040 --> 0:12:22.680
<v Speaker 1>creators of a little show called Kim Possible. And she

0:12:22.720 --> 0:12:24.959
<v Speaker 1>has a little career as a scream queen, appearing in

0:12:24.960 --> 0:12:27.720
<v Speaker 1>two thousand and nine's Friday the Thirteenth, The Crazies and

0:12:27.760 --> 0:12:30.560
<v Speaker 1>Piranha three D D? Is that right? Am I saying that?

0:12:30.600 --> 0:12:30.720
<v Speaker 2>Right?

0:12:30.840 --> 0:12:31.640
<v Speaker 1>Think it is three D D?

0:12:32.160 --> 0:12:34.559
<v Speaker 3>I mean, well, I don't mean to dirty the podcast,

0:12:34.600 --> 0:12:37.000
<v Speaker 3>but it's it's Parana three double D?

0:12:37.920 --> 0:12:40.520
<v Speaker 1>Is that what it is? Is it really Piranha three

0:12:40.520 --> 0:12:41.000
<v Speaker 1>double D?

0:12:41.280 --> 0:12:41.880
<v Speaker 2>Double d?

0:12:42.559 --> 0:12:47.080
<v Speaker 1>Oh? That's awesome. Three It's the best title I've ever heard.

0:12:47.480 --> 0:12:50.480
<v Speaker 1>They are two very fun sisters from the extended Disney universe,

0:12:50.760 --> 0:12:52.480
<v Speaker 1>and we're happy to see them in this Did you

0:12:52.600 --> 0:12:54.079
<v Speaker 1>do you know them in real life at all?

0:12:54.520 --> 0:12:55.160
<v Speaker 2>No? No?

0:12:55.240 --> 0:12:58.120
<v Speaker 1>Okay. I had a meal or two with Danielle at

0:12:58.160 --> 0:13:00.640
<v Speaker 1>some conventions. You'd sit down and have lunch together, something

0:13:00.920 --> 0:13:03.840
<v Speaker 1>very sweet. And they've been around forever. I mean just

0:13:03.960 --> 0:13:05.920
<v Speaker 1>absolutely ever. But again, every time I was watching K

0:13:06.040 --> 0:13:07.600
<v Speaker 1>I was like, that's Larissa, that's Larisa.

0:13:07.640 --> 0:13:07.920
<v Speaker 2>Wow.

0:13:08.440 --> 0:13:11.280
<v Speaker 1>Marquis C. Brown is Lindsey. You may know her from

0:13:11.360 --> 0:13:16.720
<v Speaker 1>Ned's Declassified School Survival Guide, Gray's Anatomy or Scandal. And

0:13:17.800 --> 0:13:20.720
<v Speaker 1>Jason Dolly, a true dcom legend and friend of the show,

0:13:20.840 --> 0:13:23.520
<v Speaker 1>is back. He plays Connor. He appeared in Minute Men.

0:13:23.559 --> 0:13:25.440
<v Speaker 1>I wonder if shooting in this location gave him weird

0:13:25.440 --> 0:13:28.880
<v Speaker 1>flashbacks and hatching Pete, but is best known as PJ.

0:13:29.000 --> 0:13:31.040
<v Speaker 1>Duncan on Good Luck Charlie, which also had a decom

0:13:31.080 --> 0:13:33.840
<v Speaker 1>Christmas movie, and Newt and Corey in the House. And

0:13:33.880 --> 0:13:36.640
<v Speaker 1>I'm gonna say something right now. I'm gonna I'm gonna

0:13:36.720 --> 0:13:41.240
<v Speaker 1>hot take it as but it's official. He is my

0:13:41.440 --> 0:13:47.560
<v Speaker 1>favorite dcom actor. He is so likable and nerdy and

0:13:47.760 --> 0:13:51.160
<v Speaker 1>fun and he's great and he if we're giving out

0:13:51.160 --> 0:13:55.000
<v Speaker 1>awards with someday, we have to. Yes, he is my

0:13:55.200 --> 0:14:00.440
<v Speaker 1>favorite DCM actor because he is just so good in

0:14:00.480 --> 0:14:03.160
<v Speaker 1>this movie. He was good, admitted, but he's just good

0:14:03.320 --> 0:14:05.160
<v Speaker 1>and you instantly like him.

0:14:05.240 --> 0:14:08.040
<v Speaker 2>Yes, with that, I mean it feels like without him

0:14:08.120 --> 0:14:12.760
<v Speaker 2>even trying, you just he's just so easy to watch.

0:14:12.920 --> 0:14:13.120
<v Speaker 1>Yep.

0:14:13.240 --> 0:14:17.719
<v Speaker 2>And he's adorable. Yeah, Jason, you are adorable.

0:14:18.080 --> 0:14:21.280
<v Speaker 1>He's great. He's my favorite dcom actor of all time.

0:14:21.520 --> 0:14:23.720
<v Speaker 1>I somebody come and knock me off this hill because

0:14:23.760 --> 0:14:25.720
<v Speaker 1>I'm gonna die on it. He's my favorite dcom actor

0:14:25.720 --> 0:14:28.520
<v Speaker 1>of all time. And we've got another friendly face with

0:14:28.600 --> 0:14:31.400
<v Speaker 1>Tom Virtue as the dad. Ralph Bartlett. We know him

0:14:31.440 --> 0:14:33.840
<v Speaker 1>as the dad in Even Stevens. We just saw the

0:14:33.840 --> 0:14:36.280
<v Speaker 1>Even Stevens movie and the Even Stevens d com which

0:14:36.320 --> 0:14:38.560
<v Speaker 1>we just talked about. But he's a longtime working actor

0:14:38.560 --> 0:14:41.480
<v Speaker 1>who's also appeared in Iron Man three, Green Book, and

0:14:41.600 --> 0:14:44.640
<v Speaker 1>like one hundred different TV shows, including Dirty John, Crazy

0:14:44.720 --> 0:14:47.480
<v Speaker 1>Ex Girlfriend, and New Heart. And then we got the

0:14:47.520 --> 0:14:50.000
<v Speaker 1>mom Connie Young. Her first job in Hollywood was on

0:14:50.040 --> 0:14:55.280
<v Speaker 1>a movie often called the worst movie ever made, Troll two.

0:14:56.560 --> 0:14:59.120
<v Speaker 1>What do we call sequels on the show Troll two?

0:15:00.160 --> 0:15:03.560
<v Speaker 1>This time it's personal, which is undoubtedly not what it's called.

0:15:03.600 --> 0:15:05.480
<v Speaker 1>But I've never seen Troll two. Now I have to

0:15:05.480 --> 0:15:06.680
<v Speaker 1>see it, because well I.

0:15:06.560 --> 0:15:10.360
<v Speaker 2>Thought you did see. I have no constantly what the

0:15:10.440 --> 0:15:11.520
<v Speaker 2>Troll one was.

0:15:12.000 --> 0:15:14.480
<v Speaker 1>Troll one is. Troll one is a masterpiece, won eleven

0:15:14.520 --> 0:15:16.680
<v Speaker 1>Academy Awards. Troll two very bad?

0:15:16.880 --> 0:15:19.120
<v Speaker 3>He will do you know? I'm sorry to chime in again,

0:15:19.200 --> 0:15:20.840
<v Speaker 3>but do you know the name of the kid in

0:15:20.920 --> 0:15:21.560
<v Speaker 3>Troll one?

0:15:22.040 --> 0:15:23.160
<v Speaker 2>No? What is it?

0:15:23.200 --> 0:15:23.960
<v Speaker 3>Harry Potter?

0:15:24.600 --> 0:15:24.840
<v Speaker 1>No?

0:15:25.280 --> 0:15:27.000
<v Speaker 3>Yeah, that's the character's name.

0:15:27.320 --> 0:15:29.680
<v Speaker 1>Is it really? And this is before the whole franchise, right?

0:15:29.720 --> 0:15:29.960
<v Speaker 1>It was?

0:15:30.600 --> 0:15:31.440
<v Speaker 3>Yeah?

0:15:31.480 --> 0:15:35.480
<v Speaker 1>Wow, wow, wow, Harry Potter and the Crazy Troll Movie.

0:15:35.520 --> 0:15:39.560
<v Speaker 1>I love that Harry Potter. This movie, though, runs eighty

0:15:39.600 --> 0:15:41.560
<v Speaker 1>four minutes, which is below the target, but I'd much

0:15:41.600 --> 0:15:43.680
<v Speaker 1>rather see that than above the target, and it was

0:15:43.720 --> 0:15:46.760
<v Speaker 1>written by Patrick J. Clifton, who is a big deal

0:15:46.800 --> 0:15:49.040
<v Speaker 1>in the Poppy World universe. He is the writer of

0:15:49.160 --> 0:15:53.720
<v Speaker 1>Summertime Switch starring mister Ryder Strong. He also has the

0:15:53.720 --> 0:15:55.920
<v Speaker 1>story credit on the poly shorre movie Son in Law,

0:15:56.280 --> 0:15:58.560
<v Speaker 1>and wrote the is that an that you love?

0:15:59.120 --> 0:16:05.920
<v Speaker 2>Love that movie? Oh it's so good cruising the pipeline.

0:16:06.680 --> 0:16:11.200
<v Speaker 2>It's so good. You're a huge I was. I mean

0:16:11.640 --> 0:16:13.880
<v Speaker 2>when he was big. I loved it. I loved everything

0:16:13.880 --> 0:16:14.160
<v Speaker 2>he did.

0:16:14.160 --> 0:16:17.080
<v Speaker 1>He was so funny to me, that's awesome. I love that.

0:16:17.160 --> 0:16:19.240
<v Speaker 1>I don't think I've ever seen a poly shor movie,

0:16:19.240 --> 0:16:20.720
<v Speaker 1>and that's a shame. He seems like a nice guy.

0:16:21.120 --> 0:16:24.160
<v Speaker 1>Getting back to mister Clifton, he also wrote the dcom

0:16:24.320 --> 0:16:26.440
<v Speaker 1>Go Figure, which I think is about figure skating or

0:16:26.480 --> 0:16:28.640
<v Speaker 1>it's about maths. I don't know. I don't know. I

0:16:28.640 --> 0:16:30.800
<v Speaker 1>think it's could be either. I think it's about figure skating.

0:16:31.240 --> 0:16:33.760
<v Speaker 1>He shares credit with obviously the writer of the book,

0:16:33.880 --> 0:16:37.640
<v Speaker 1>mister Villers, but also Beth Regazzio, who was a frequent

0:16:37.680 --> 0:16:40.800
<v Speaker 1>writing partner of his as well. All right, here we go,

0:16:40.920 --> 0:16:43.360
<v Speaker 1>pick up your tmu iPad and get to write in

0:16:43.400 --> 0:16:46.560
<v Speaker 1>words and drawn stick figures because it's time to get

0:16:46.560 --> 0:16:49.400
<v Speaker 1>in to read it and weep. So we start the

0:16:49.440 --> 0:16:52.480
<v Speaker 1>movie in away we've never once seen before ever in

0:16:52.520 --> 0:16:55.200
<v Speaker 1>a d com. We're in a girl's bedroom. Oh wait,

0:16:55.240 --> 0:16:56.600
<v Speaker 1>that's how we start most of them.

0:16:57.040 --> 0:16:57.240
<v Speaker 2>Uh.

0:16:57.280 --> 0:16:59.520
<v Speaker 1>But at the same time, great way to learn the character.

0:16:59.680 --> 0:17:02.080
<v Speaker 1>It gets everything we need. So while the credits are

0:17:02.120 --> 0:17:05.200
<v Speaker 1>rolling over the music in this case, we see a typewriter,

0:17:05.320 --> 0:17:08.199
<v Speaker 1>a pencil sharpener, and use journals, leading us right to

0:17:08.359 --> 0:17:12.360
<v Speaker 1>young Jamie Bartlett at her laptop, feverishly typing away, narrating

0:17:12.400 --> 0:17:14.600
<v Speaker 1>that this story won't be about how high school is

0:17:14.600 --> 0:17:17.520
<v Speaker 1>the worst time of somebody's life. She wants to tell

0:17:17.600 --> 0:17:21.639
<v Speaker 1>us about Isabella aka Is, who's played by her more glamorous,

0:17:21.640 --> 0:17:24.560
<v Speaker 1>made up sister in real life. Really cool casting. It's

0:17:24.640 --> 0:17:26.560
<v Speaker 1>like looking at yourself in the future a little bit

0:17:26.640 --> 0:17:29.680
<v Speaker 1>the better version of yourself. Whol way to use sisters,

0:17:29.680 --> 0:17:32.000
<v Speaker 1>I thought, as opposed to just we're playing sisters. It

0:17:32.040 --> 0:17:37.359
<v Speaker 1>totally Yeah, very interesting and a great casting. Yes, we

0:17:37.440 --> 0:17:39.320
<v Speaker 1>enter a fantasy rold over her high school, populated by

0:17:39.320 --> 0:17:41.800
<v Speaker 1>the normal clicks and a witchy librarian, but only real

0:17:41.880 --> 0:17:44.760
<v Speaker 1>in her journal, which is a type of early photoshop

0:17:44.760 --> 0:17:49.040
<v Speaker 1>mix of hand drawn text and clip art. Isabella, you know,

0:17:49.320 --> 0:17:51.760
<v Speaker 1>is as we said, is more confident and desired than

0:17:51.840 --> 0:17:54.320
<v Speaker 1>Jamie and is so strong she's even able to climb

0:17:54.400 --> 0:17:57.679
<v Speaker 1>to the top of the dreaded gym class rope and

0:17:57.720 --> 0:17:59.959
<v Speaker 1>then fall right into the arms of dreamy class name

0:18:00.440 --> 0:18:04.280
<v Speaker 1>Vincent Marco, who looks like a taller version of zach

0:18:04.440 --> 0:18:06.840
<v Speaker 1>zac Efron. I thought the Zachrony.

0:18:07.000 --> 0:18:09.560
<v Speaker 2>I mean it just was he looked more of like

0:18:09.600 --> 0:18:11.399
<v Speaker 2>an Italian version of Zach.

0:18:14.119 --> 0:18:19.080
<v Speaker 1>Yes, yeah, it looks just like him. Just like did

0:18:19.080 --> 0:18:20.640
<v Speaker 1>you have to climb the rope in No?

0:18:20.840 --> 0:18:24.120
<v Speaker 2>I was in my serenacities, ask Will did he ever

0:18:24.240 --> 0:18:25.960
<v Speaker 2>have to do this rope climb thing?

0:18:26.119 --> 0:18:29.080
<v Speaker 1>I never did I by this point, So what you

0:18:29.200 --> 0:18:31.480
<v Speaker 1>do it? In? Like sixth grade? Fifth fifth grade? So

0:18:31.640 --> 0:18:33.760
<v Speaker 1>I mean the eighties early eighties.

0:18:34.520 --> 0:18:39.520
<v Speaker 2>Yeah, hard, Yeah, climbing a rope. I've done it before,

0:18:39.840 --> 0:18:43.640
<v Speaker 2>somewhere like a you know, like an obstacle course type place.

0:18:43.960 --> 0:18:46.280
<v Speaker 1>We didn't have knots either. They had knots in their rope,

0:18:46.320 --> 0:18:48.080
<v Speaker 1>so they were we just had a rope and we

0:18:48.320 --> 0:18:51.719
<v Speaker 1>just have to grab on and inside of your thighs

0:18:51.720 --> 0:18:56.600
<v Speaker 1>get gloves. No, you don't, get you you have this

0:18:56.680 --> 0:19:01.200
<v Speaker 1>obsession with gloving up your hands before you do stuff, well.

0:19:01.160 --> 0:19:03.600
<v Speaker 2>When it requires like a rope that gives you rope

0:19:03.640 --> 0:19:06.480
<v Speaker 2>burn and blisters, Yes, I feel like that's the safest

0:19:06.480 --> 0:19:07.040
<v Speaker 2>way to get I.

0:19:07.040 --> 0:19:09.960
<v Speaker 1>Wanted to crotch gloves back in the day because that's

0:19:10.000 --> 0:19:10.520
<v Speaker 1>the problem.

0:19:10.560 --> 0:19:13.439
<v Speaker 2>Oh wow, Yeah.

0:19:12.680 --> 0:19:15.080
<v Speaker 1>So Isabella can climb the rope and ring the bell,

0:19:15.119 --> 0:19:17.800
<v Speaker 1>but we returned to reality where Jamie can barely make

0:19:17.840 --> 0:19:20.280
<v Speaker 1>it halfway. And this is actually a story about a

0:19:20.320 --> 0:19:23.760
<v Speaker 1>person who doesn't love high school, and that person is Jamie.

0:19:24.000 --> 0:19:25.960
<v Speaker 1>And this is where she says, this story is actually

0:19:26.000 --> 0:19:29.199
<v Speaker 1>about how my private personal journal became a bestseller. So

0:19:29.480 --> 0:19:31.840
<v Speaker 1>she ties the book right in. They obviously they changed

0:19:31.840 --> 0:19:33.919
<v Speaker 1>the title of the book, but they use it. So

0:19:34.080 --> 0:19:36.960
<v Speaker 1>Jamie gets pinballed around the busy school hallways until she

0:19:37.000 --> 0:19:39.960
<v Speaker 1>bumps into her two friends, Harmony and Lindsay. Lindsay's trying

0:19:39.960 --> 0:19:41.960
<v Speaker 1>to save the planet, by which she means the theater

0:19:42.040 --> 0:19:44.920
<v Speaker 1>downtown which is called the Planet. Harmony painted the posters,

0:19:44.920 --> 0:19:47.040
<v Speaker 1>but they're in a cubic style that no one could read,

0:19:47.080 --> 0:19:50.600
<v Speaker 1>and frankly, I thought the posters looked really cool. The

0:19:50.640 --> 0:19:52.560
<v Speaker 1>girls are off the class, handing out flyers in the

0:19:52.560 --> 0:19:55.800
<v Speaker 1>way when they run into evil cheerleaders, Sawyer and the

0:19:55.880 --> 0:19:59.919
<v Speaker 1>feared populars. But in the journal she caused Sawyer Myrna,

0:20:00.600 --> 0:20:02.600
<v Speaker 1>she writes that the whole school was afraid of Murna

0:20:02.640 --> 0:20:08.200
<v Speaker 1>and her clones. But Isabella is intrigued. So this might

0:20:08.240 --> 0:20:10.120
<v Speaker 1>be the hardest recap we have to do, because it's

0:20:10.960 --> 0:20:16.760
<v Speaker 1>Aliases and Isabella and is and Myrna and Sawyer Sawyer,

0:20:17.160 --> 0:20:21.320
<v Speaker 1>and it's Marco is the guy, but he's it's there's

0:20:21.359 --> 0:20:23.000
<v Speaker 1>a lot going There's a lot going on people.

0:20:23.320 --> 0:20:25.760
<v Speaker 2>Yeah, it's a lot of back and forth.

0:20:25.680 --> 0:20:28.240
<v Speaker 1>Yes, and a lot of fantasy to the other one,

0:20:28.320 --> 0:20:32.119
<v Speaker 1>a lot of possible mental illnesses and schizophrenia. It's like,

0:20:32.240 --> 0:20:34.000
<v Speaker 1>no joke, I thought I was worried for this girl.

0:20:34.480 --> 0:20:37.640
<v Speaker 1>So we now see another fantasy. This time is stands

0:20:37.720 --> 0:20:39.560
<v Speaker 1>up to the mean girls then makes them disappear with

0:20:39.600 --> 0:20:42.760
<v Speaker 1>a flick of a magical wrist zap. The student body

0:20:42.840 --> 0:20:46.040
<v Speaker 1>chants her name in celebration, but in reality, Jamie is

0:20:46.040 --> 0:20:49.159
<v Speaker 1>slacking in class and not paying attention. Dreamboat Marco is

0:20:49.160 --> 0:20:51.560
<v Speaker 1>called on to read his poem, and it's about a

0:20:51.600 --> 0:20:54.960
<v Speaker 1>secret he has. He likes a quiet girl that makes

0:20:55.000 --> 0:20:57.520
<v Speaker 1>him smile, and when he stands up to walk to

0:20:57.560 --> 0:21:02.000
<v Speaker 1>the front, everybody in class, boys, girls alike are just

0:21:02.040 --> 0:21:04.960
<v Speaker 1>staring at him with moony eyes, including the teacher.

0:21:05.720 --> 0:21:08.439
<v Speaker 2>I know, it was a little odd to me.

0:21:08.920 --> 0:21:12.320
<v Speaker 1>It was weird. Even the teacher was like undressing this

0:21:12.400 --> 0:21:17.400
<v Speaker 1>kid with her eyes. It was like, wow, I even

0:21:17.440 --> 0:21:19.360
<v Speaker 1>rewound it, like did I see that right?

0:21:19.440 --> 0:21:22.000
<v Speaker 2>Yes? The background actor in front of her two best

0:21:22.040 --> 0:21:29.119
<v Speaker 2>friends is sitting there practically drew bro jill out a

0:21:29.160 --> 0:21:31.919
<v Speaker 2>little bit. Come on, pull it together, guys.

0:21:31.720 --> 0:21:35.119
<v Speaker 1>Is this your type? Did this guy do it for you? Ah? No?

0:21:35.440 --> 0:21:37.680
<v Speaker 2>The hair that hair I can't I can't do.

0:21:37.640 --> 0:21:39.760
<v Speaker 1>You're not You're not a moppy, floppy hair kind of guy.

0:21:39.920 --> 0:21:45.600
<v Speaker 2>No, I know. I'm like a nice and clean cut Okay.

0:21:45.320 --> 0:21:47.440
<v Speaker 1>Yeah, Bieber never did it for you?

0:21:47.480 --> 0:21:51.600
<v Speaker 2>No, No, Plus Bieber was like eleven, Well, this.

0:21:51.600 --> 0:21:54.600
<v Speaker 1>Kid's probably like fifteen. This Marco kid who the teacher

0:21:54.640 --> 0:21:56.000
<v Speaker 1>is I all day long?

0:21:57.720 --> 0:22:03.840
<v Speaker 2>So you know, come on, I know, yeah, no, no, no.

0:22:04.400 --> 0:22:07.400
<v Speaker 1>It was yeah, it was that one threw me. But anyway,

0:22:08.240 --> 0:22:10.120
<v Speaker 1>he gets up, he reads his poem and he ends

0:22:10.119 --> 0:22:13.520
<v Speaker 1>with does she like me too? And Jamie absolutely loves it,

0:22:13.560 --> 0:22:15.240
<v Speaker 1>but will have to fight her teacher to get this guy.

0:22:15.640 --> 0:22:18.040
<v Speaker 1>As the bell rings, the teacher reminds him their essays

0:22:18.040 --> 0:22:21.359
<v Speaker 1>for the writing competition are due Monday. After class, we

0:22:21.400 --> 0:22:25.720
<v Speaker 1>meet Jamie's pal, an adorable little dork named Connor, once

0:22:25.760 --> 0:22:28.120
<v Speaker 1>again played by Jason Dolly, and the second he comes

0:22:28.119 --> 0:22:33.640
<v Speaker 1>on screen, I felt happy again. He's great and he's

0:22:33.840 --> 0:22:35.919
<v Speaker 1>just so perfect for Disney and d coms. He is

0:22:36.200 --> 0:22:39.040
<v Speaker 1>always the everyman and he plays it so well. But

0:22:39.080 --> 0:22:41.520
<v Speaker 1>he is clearly jealous of Marco because he has a

0:22:41.560 --> 0:22:43.600
<v Speaker 1>thing for the teacher. I'm kidding. He obviously has a

0:22:43.640 --> 0:22:46.399
<v Speaker 1>thing or Jamie. But we are getting into that. But

0:22:46.880 --> 0:22:51.120
<v Speaker 1>now we have to talk about the school cafeteria which

0:22:51.119 --> 0:22:52.359
<v Speaker 1>you mentioned earlier.

0:22:52.240 --> 0:22:56.840
<v Speaker 2>Yes, which I have never seen a school cafeteria look like.

0:22:57.240 --> 0:22:58.960
<v Speaker 1>Is it a mall food court?

0:22:59.240 --> 0:23:02.000
<v Speaker 2>I stopped it and rewound, going, wait, did we just

0:23:02.200 --> 0:23:04.280
<v Speaker 2>are we out of school? And now we went to

0:23:04.320 --> 0:23:07.000
<v Speaker 2>the mall? Like that's what it looks like it does

0:23:07.359 --> 0:23:10.640
<v Speaker 2>with the neon signs and the lines, like there are

0:23:10.760 --> 0:23:13.239
<v Speaker 2>lines in the cafeteria where you can go buy like

0:23:13.280 --> 0:23:18.000
<v Speaker 2>a hot launch or whatever. But this was not looking

0:23:18.080 --> 0:23:20.679
<v Speaker 2>like a school to me, and I don't remember it

0:23:20.720 --> 0:23:21.480
<v Speaker 2>in minute Man.

0:23:22.480 --> 0:23:24.760
<v Speaker 1>Well, they probably have to. They probably a dressing it

0:23:24.840 --> 0:23:27.640
<v Speaker 1>up to look different, but why go with Westfield Mall

0:23:28.560 --> 0:23:29.160
<v Speaker 1>food court?

0:23:30.000 --> 0:23:33.760
<v Speaker 2>No, I know, I wish a panda express and a

0:23:34.200 --> 0:23:39.119
<v Speaker 2>press and a hot dog on a step be the

0:23:39.200 --> 0:23:39.760
<v Speaker 2>same thing.

0:23:40.320 --> 0:23:42.359
<v Speaker 1>Yeah, I agree on hundred percent. It was. It was weird.

0:23:42.359 --> 0:23:45.399
<v Speaker 1>There are numerous restaurants in it, and Neon signs that

0:23:45.440 --> 0:23:50.000
<v Speaker 1>read international and home Cooking, so it Yeah, I don't

0:23:50.000 --> 0:23:51.640
<v Speaker 1>know where they came up with this, but it's it's

0:23:52.000 --> 0:23:56.160
<v Speaker 1>was a strange choice for a high school cafeteria, yes, Jamee,

0:23:56.200 --> 0:23:58.360
<v Speaker 1>but so please write us your letters, by the way,

0:23:58.440 --> 0:24:00.400
<v Speaker 1>if you in fact went to school to them all.

0:24:00.400 --> 0:24:04.280
<v Speaker 1>And this is what Jamie sees her older brother Lenny,

0:24:04.440 --> 0:24:09.240
<v Speaker 1>who was basically completely unnecessary in this entire film. I

0:24:09.320 --> 0:24:12.040
<v Speaker 1>did not get why he was here. He did nothing.

0:24:12.240 --> 0:24:13.560
<v Speaker 2>Even the button at the end.

0:24:13.920 --> 0:24:17.399
<v Speaker 1>Oh wow, no sense, it was I don't know.

0:24:17.520 --> 0:24:22.440
<v Speaker 2>Same. Plus he was a jerk. He was so mean

0:24:22.520 --> 0:24:23.600
<v Speaker 2>to I.

0:24:23.680 --> 0:24:26.479
<v Speaker 1>Was in moody and weird, and I get it.

0:24:26.520 --> 0:24:29.920
<v Speaker 2>That's the way you know, they I've heard, you know,

0:24:30.280 --> 0:24:32.639
<v Speaker 2>high school boys are at that age and they just

0:24:32.680 --> 0:24:34.800
<v Speaker 2>want to be like trapped in their room by themselves

0:24:34.880 --> 0:24:38.560
<v Speaker 2>and whatever. But she didn't seem like an annoying little

0:24:38.600 --> 0:24:42.320
<v Speaker 2>sister to me, no, and it's like a really nice girl,

0:24:42.520 --> 0:24:45.560
<v Speaker 2>and she was very It's not a dynamic normally.

0:24:45.600 --> 0:24:47.399
<v Speaker 1>And I don't know this because I only have brothers

0:24:47.400 --> 0:24:49.159
<v Speaker 1>and their own me, but I thought the dynamic is

0:24:49.200 --> 0:24:51.680
<v Speaker 1>normally like if you and your brother are close in age,

0:24:51.720 --> 0:24:53.159
<v Speaker 1>then it's like, hey, dude, don't talk to me in

0:24:53.240 --> 0:24:55.720
<v Speaker 1>high school. But if you're a junior or a senior

0:24:55.800 --> 0:24:58.879
<v Speaker 1>and your little sister comes into the school, right, I

0:24:58.920 --> 0:25:01.320
<v Speaker 1>think it's normally like you're the brother steps up and

0:25:01.359 --> 0:25:03.200
<v Speaker 1>I'm gonna watch out for my little sister.

0:25:03.280 --> 0:25:06.520
<v Speaker 2>Yeah, efective, that's the more. That's the more thing though,

0:25:06.560 --> 0:25:10.280
<v Speaker 2>I mean, least I saw was the little sister being annoyed,

0:25:10.359 --> 0:25:13.480
<v Speaker 2>like I can't talk to anyone without you coming in

0:25:13.560 --> 0:25:15.800
<v Speaker 2>and making it known that you're on campus.

0:25:16.000 --> 0:25:16.920
<v Speaker 1>Yeah, chill out.

0:25:17.080 --> 0:25:17.280
<v Speaker 2>You know.

0:25:17.440 --> 0:25:19.920
<v Speaker 1>That's why I feel like the dynamic made no sense.

0:25:19.960 --> 0:25:22.680
<v Speaker 1>The character made no sense entirely. But he of course

0:25:22.720 --> 0:25:24.480
<v Speaker 1>quickly informs her not to talk to him at school.

0:25:24.600 --> 0:25:26.639
<v Speaker 1>Jamie goes since with her two girl Bessie's and Connor,

0:25:26.840 --> 0:25:29.480
<v Speaker 1>and we learned that Harmony and Jamie work at Jamie's

0:25:29.520 --> 0:25:33.440
<v Speaker 1>dad's pizza shop, that is serving raw fish as a

0:25:33.560 --> 0:25:39.000
<v Speaker 1>topping and again almost as disgusting as pineapple. Jamie catches

0:25:39.040 --> 0:25:42.080
<v Speaker 1>a glimpse of Marco, who is being embraced by Meanie

0:25:42.160 --> 0:25:45.600
<v Speaker 1>Sawyer and Mann. Does she long for that touch. We

0:25:45.680 --> 0:25:47.879
<v Speaker 1>are now at the pizza shop. Jamie's dad says he

0:25:47.920 --> 0:25:50.720
<v Speaker 1>has a pizza of the future for her sleepover later.

0:25:50.920 --> 0:25:54.840
<v Speaker 1>It smells disgusting its liver and onion pie, and some

0:25:54.880 --> 0:25:57.480
<v Speaker 1>customers literally run out. Jamie's mom's concerned they could go

0:25:57.520 --> 0:26:02.280
<v Speaker 1>out of business soon. How did you feel about so?

0:26:02.480 --> 0:26:05.840
<v Speaker 1>I got the disney of it, and I liked the

0:26:05.920 --> 0:26:09.000
<v Speaker 1>idea that the dad, like is trying to come up

0:26:09.040 --> 0:26:11.960
<v Speaker 1>with different ideas of what should be on top of

0:26:12.000 --> 0:26:15.040
<v Speaker 1>the pizza. It gave me real Henry Winkler and holes vibes.

0:26:15.040 --> 0:26:16.840
<v Speaker 1>I don't know if you've seen holes yet, but you

0:26:16.880 --> 0:26:18.520
<v Speaker 1>know where He's always trying to to get rid of

0:26:18.520 --> 0:26:20.280
<v Speaker 1>the smell in the shoes. So he's trying all these

0:26:20.280 --> 0:26:24.240
<v Speaker 1>different things, which I get, good idea, but who thinks liver?

0:26:24.359 --> 0:26:27.160
<v Speaker 1>And like the idea that the ones that actually picture

0:26:27.200 --> 0:26:28.120
<v Speaker 1>you're so stupid.

0:26:28.520 --> 0:26:32.800
<v Speaker 2>Yes, there's like nobody wants to eat that by itself.

0:26:33.040 --> 0:26:35.080
<v Speaker 2>You know what? I mean, son, I know people do,

0:26:35.200 --> 0:26:39.880
<v Speaker 2>but just all these crazy kids. Yeah, it wasn't kid

0:26:39.920 --> 0:26:41.280
<v Speaker 2>friendly at all.

0:26:41.000 --> 0:26:43.160
<v Speaker 1>Right, come up with funnier ideas. I thought, like, wait,

0:26:43.160 --> 0:26:45.320
<v Speaker 1>did you put skittles on a pizza? Like it's candy

0:26:45.359 --> 0:26:47.080
<v Speaker 1>and pizza? What kid isn't gonna love that?

0:26:47.280 --> 0:26:52.399
<v Speaker 2>Totally totally like something great, you know, totally That's what

0:26:52.440 --> 0:26:53.280
<v Speaker 2>I was thinking as well.

0:26:53.320 --> 0:26:55.840
<v Speaker 1>Yeah it was weird to me. But here we noticed

0:26:55.880 --> 0:26:58.240
<v Speaker 1>that Sawyer Marco and her click are there at the

0:26:58.240 --> 0:27:02.359
<v Speaker 1>pizza shop, and once again Sawyer. She demeans Jamie as

0:27:02.359 --> 0:27:05.360
<v Speaker 1>a server, leading us to yet another Isabella fantasy where

0:27:05.359 --> 0:27:08.440
<v Speaker 1>she ends up throwing the drink on her, but in reality,

0:27:08.680 --> 0:27:12.120
<v Speaker 1>Jamie meagerly returns to the kitchen. At the girl's sleepover,

0:27:12.200 --> 0:27:15.400
<v Speaker 1>Jamie reveals her writing assignment is about how break time

0:27:15.440 --> 0:27:18.760
<v Speaker 1>between classes can be more efficient. She's focused on something

0:27:18.880 --> 0:27:21.520
<v Speaker 1>educational instead of creative, even though her friends thinks she's

0:27:21.520 --> 0:27:24.239
<v Speaker 1>the best writer in class, and she admits that if

0:27:24.240 --> 0:27:29.119
<v Speaker 1>she doesn't write, she'd quote have a nutty. Now we

0:27:29.200 --> 0:27:32.439
<v Speaker 1>get notes from our producers sometime, okay, and I have

0:27:32.480 --> 0:27:35.120
<v Speaker 1>a big note from producer Jensen that says, what does

0:27:35.160 --> 0:27:37.159
<v Speaker 1>this mean? Did they try to start a word. It

0:27:37.200 --> 0:27:39.960
<v Speaker 1>never comes back. And I would like to tell producer

0:27:40.040 --> 0:27:43.560
<v Speaker 1>Jensen that my friends and I used to say pitch

0:27:43.600 --> 0:27:49.000
<v Speaker 1>a nutty all the time. So it sounds so it's

0:27:49.080 --> 0:27:51.640
<v Speaker 1>weirdly right now that I do that, but it's like, oh, man,

0:27:51.680 --> 0:27:53.080
<v Speaker 1>did she pitch a nutty the other night?

0:27:53.600 --> 0:27:56.280
<v Speaker 2>Like she just what does that mean? Nutty?

0:27:56.359 --> 0:27:58.560
<v Speaker 1>Like no, again, this is we used to say pitch

0:27:58.560 --> 0:28:00.800
<v Speaker 1>a nutty. My friends and I said it all the time.

0:28:00.800 --> 0:28:02.639
<v Speaker 2>I have a nutty? But what is a nutty?

0:28:03.040 --> 0:28:05.360
<v Speaker 1>Like you're going nuts? I'm throwing a nutty. Man, I'm

0:28:05.359 --> 0:28:07.120
<v Speaker 1>going pitching a nutty right now.

0:28:07.560 --> 0:28:09.680
<v Speaker 2>I mean I didn't think anything of it being sexual

0:28:09.680 --> 0:28:14.360
<v Speaker 2>in that, but what you just said.

0:28:13.320 --> 0:28:16.960
<v Speaker 1>You said it made it really sexual and I'm uncomfortable.

0:28:16.520 --> 0:28:18.880
<v Speaker 2>Seeing something now we're throwing things like.

0:28:19.840 --> 0:28:21.359
<v Speaker 1>Man, that person was pitching a nutty.

0:28:21.440 --> 0:28:23.639
<v Speaker 2>Yeah, okay, I had.

0:28:23.560 --> 0:28:25.720
<v Speaker 1>Heard it before, but apparently I'm the only one. And

0:28:25.960 --> 0:28:27.200
<v Speaker 1>it's just in my head.

0:28:27.160 --> 0:28:30.840
<v Speaker 2>Same thing in my think, what is that? What's a nutty?

0:28:30.880 --> 0:28:34.600
<v Speaker 2>That sounds right there with Jensen? Are they trying to

0:28:34.640 --> 0:28:37.480
<v Speaker 2>like make fetch something? You know? That's what seems like

0:28:38.000 --> 0:28:38.479
<v Speaker 2>fetch a thing?

0:28:39.040 --> 0:28:41.440
<v Speaker 1>It's a nut don't don't pitch a nutty. We'll be fine.

0:28:42.360 --> 0:28:44.600
<v Speaker 1>This is going to be our new thing. Hashtag pitchin nutty.

0:28:45.080 --> 0:28:49.440
<v Speaker 1>This is when suddenly Jamie realizes that her printer has

0:28:49.560 --> 0:28:52.120
<v Speaker 1>died and she'll need help with her essay. So she

0:28:52.200 --> 0:28:54.600
<v Speaker 1>goes and asks Lenny to use his printer, but he's

0:28:54.640 --> 0:28:57.160
<v Speaker 1>writing music. This is another of my favorite things. That

0:28:57.520 --> 0:29:01.400
<v Speaker 1>he's literally sitting in his room. He's strumming two chords,

0:29:01.440 --> 0:29:05.800
<v Speaker 1>and her friends are like, he sounds amazing, and it's

0:29:05.800 --> 0:29:07.720
<v Speaker 1>like he's doing two chords.

0:29:07.840 --> 0:29:13.960
<v Speaker 2>It's like, my god, when did you grow up next

0:29:13.960 --> 0:29:14.680
<v Speaker 2>to a guitar?

0:29:15.160 --> 0:29:18.720
<v Speaker 1>God, my god. Stevie ray Vaughn is next. It's like

0:29:18.760 --> 0:29:21.960
<v Speaker 1>Steve wi next to you now he was, And they're like,

0:29:22.040 --> 0:29:25.400
<v Speaker 1>he sounds incredible, but he's stead of writing music. So

0:29:25.560 --> 0:29:28.240
<v Speaker 1>Jamie ends up emailing it to Lindsey and she will

0:29:28.240 --> 0:29:31.160
<v Speaker 1>then print it out at her house, but they're now

0:29:31.200 --> 0:29:33.760
<v Speaker 1>focusing on their favorite corny Teene soap opera where they

0:29:33.760 --> 0:29:36.520
<v Speaker 1>had posters of it in their room. She accidentally, as

0:29:36.560 --> 0:29:40.480
<v Speaker 1>she's concentrating on that, sends her journal to Lindsay instead

0:29:40.480 --> 0:29:43.440
<v Speaker 1>of the boring essay. Uh oh, this is one mistake

0:29:43.480 --> 0:29:54.080
<v Speaker 1>that will forever change the landscape of the high school Kingdom.

0:29:54.120 --> 0:29:57.520
<v Speaker 1>Now to add to the food court that we saw before,

0:29:57.560 --> 0:29:59.880
<v Speaker 1>it is now time for another ridiculous high school detail.

0:30:00.120 --> 0:30:05.240
<v Speaker 1>A quad farmers market. Yeah, did you have these with

0:30:05.440 --> 0:30:07.520
<v Speaker 1>no some stuff set up?

0:30:07.960 --> 0:30:13.480
<v Speaker 2>No? No, I don't. I don't know what that was, honestly.

0:30:13.560 --> 0:30:19.480
<v Speaker 2>I mean they're at a makeup booth, yes, yes, exactly

0:30:19.840 --> 0:30:22.440
<v Speaker 2>what the hell is happening? I don't know, And I

0:30:22.600 --> 0:30:25.520
<v Speaker 2>just is that whole little section was just kind of

0:30:25.600 --> 0:30:30.600
<v Speaker 2>like not needed. No, nothing really happened except for her

0:30:30.640 --> 0:30:33.760
<v Speaker 2>getting set up to get made fun of, Sawyer. It's

0:30:33.800 --> 0:30:34.640
<v Speaker 2>really all that happened.

0:30:34.680 --> 0:30:36.720
<v Speaker 1>And there's other ways to do that without having to

0:30:36.760 --> 0:30:39.960
<v Speaker 1>set up an entire weird tented farmers market kind of

0:30:39.960 --> 0:30:42.440
<v Speaker 1>thing outside the school. And again I could be wrong.

0:30:42.480 --> 0:30:44.640
<v Speaker 1>I went to school on the East coast. No, you

0:30:44.680 --> 0:30:46.080
<v Speaker 1>go to the school on the East coast and you

0:30:46.080 --> 0:30:48.000
<v Speaker 1>have winters, you don't do a whole lot of stuff outside.

0:30:48.040 --> 0:30:49.920
<v Speaker 1>There's no quads to walk to and all that kind

0:30:49.920 --> 0:30:52.120
<v Speaker 1>of stuff. At least that we had that so we

0:30:52.120 --> 0:30:55.800
<v Speaker 1>were in one big building because snow, So maybe that's

0:30:55.800 --> 0:30:57.960
<v Speaker 1>different on the West coast than in Utah and stuff

0:30:58.000 --> 0:31:00.240
<v Speaker 1>like that. But no, it seemed weird.

0:31:00.320 --> 0:31:05.360
<v Speaker 2>The closest thing that I had was during international like

0:31:05.400 --> 0:31:07.480
<v Speaker 2>where we learned about different cultures. We had a week

0:31:07.600 --> 0:31:09.600
<v Speaker 2>like one of the days they would have booths set

0:31:09.680 --> 0:31:13.239
<v Speaker 2>up with different types of foods that you could do,

0:31:13.920 --> 0:31:16.320
<v Speaker 2>like each club would bring a certain thing. That's the

0:31:16.480 --> 0:31:20.600
<v Speaker 2>closest of what this was, and that is still very far.

0:31:21.200 --> 0:31:23.320
<v Speaker 1>It well, at this point they had the makeup booth,

0:31:23.360 --> 0:31:25.000
<v Speaker 1>and then there was another thing about makeup and another

0:31:25.000 --> 0:31:26.760
<v Speaker 1>thing about makeup, and I was just wondering if the

0:31:26.800 --> 0:31:29.560
<v Speaker 1>author Julia was also a makeup saleswoman, which could have

0:31:29.600 --> 0:31:30.080
<v Speaker 1>been possible.

0:31:30.080 --> 0:31:32.440
<v Speaker 2>No, she wasn't. And actually I should have pause you

0:31:32.440 --> 0:31:36.080
<v Speaker 2>because she's in the she's in the now. I can't

0:31:36.120 --> 0:31:39.200
<v Speaker 2>remember if it was when we've already talked. She's in

0:31:39.240 --> 0:31:44.320
<v Speaker 2>the pizza restaurant and she's with her daughter, Quinn Donald.

0:31:44.400 --> 0:31:47.000
<v Speaker 2>Quinn is with her. Quinn and Julia are sitting at

0:31:47.000 --> 0:31:50.240
<v Speaker 2>a table and they react to one of his gross

0:31:50.240 --> 0:31:57.880
<v Speaker 2>pizzas okay, wick so quick, Hernette. Julia is a blonde,

0:31:58.600 --> 0:32:00.720
<v Speaker 2>and it's just such a cute thing because Quinn was

0:32:01.080 --> 0:32:02.720
<v Speaker 2>she's so cute. Went to school, like I think she

0:32:02.760 --> 0:32:03.560
<v Speaker 2>went to NYU.

0:32:03.760 --> 0:32:05.560
<v Speaker 1>I was gonna say yes. That was two thousand and six,

0:32:05.600 --> 0:32:07.440
<v Speaker 1>so she's probably in her twenties or thirties.

0:32:07.120 --> 0:32:08.760
<v Speaker 2>By now, yeah, totally.

0:32:08.960 --> 0:32:11.480
<v Speaker 1>We get a great exterior shot here of Salt Lakes,

0:32:11.600 --> 0:32:14.479
<v Speaker 1>Murray High straight out a minute men, and the essay

0:32:14.520 --> 0:32:16.600
<v Speaker 1>competition winner is about to be announced, and this is

0:32:16.600 --> 0:32:20.400
<v Speaker 1>where Jamie realizes that she sent in the journal. She

0:32:20.600 --> 0:32:24.560
<v Speaker 1>is mortified, but she won, and now her private journal

0:32:24.600 --> 0:32:27.600
<v Speaker 1>is in the school newspaper. The teacher loves it so much,

0:32:27.640 --> 0:32:29.920
<v Speaker 1>almost as much as she loves Marco, that she reads

0:32:29.920 --> 0:32:32.600
<v Speaker 1>it to the whole class. The mean girls think it's

0:32:32.680 --> 0:32:35.080
<v Speaker 1>weak sauce, but of course Marco is digging it, and

0:32:35.120 --> 0:32:37.280
<v Speaker 1>the whole school is reading the story pretending to za

0:32:37.400 --> 0:32:40.479
<v Speaker 1>people away. Jamie just wants to die. Connor tells her

0:32:40.520 --> 0:32:43.360
<v Speaker 1>don't worry, it'll blow over, which are always very famous

0:32:43.400 --> 0:32:46.560
<v Speaker 1>last de com words. Back at her house, we get

0:32:46.560 --> 0:32:49.480
<v Speaker 1>what we call on Podmeats World an optical flip. Because

0:32:49.600 --> 0:32:52.320
<v Speaker 1>Jamie has been offered a book deal. She has not

0:32:52.400 --> 0:32:54.600
<v Speaker 1>sold on it, though she thinks it over looking at

0:32:54.600 --> 0:32:57.840
<v Speaker 1>some of her old journals, and then Isabella Is appears

0:32:58.120 --> 0:33:01.880
<v Speaker 1>and starts bullying her into publishing her This is where

0:33:01.920 --> 0:33:05.880
<v Speaker 1>I seriously started to get very kind of this girl

0:33:05.960 --> 0:33:09.040
<v Speaker 1>might have some serious issues talking to these invisible people vibes.

0:33:09.640 --> 0:33:12.760
<v Speaker 2>Yes, I could.

0:33:12.560 --> 0:33:16.680
<v Speaker 1>Have taken a dark turn really quickly. Yeah at this point.

0:33:16.880 --> 0:33:20.320
<v Speaker 2>Well one two. I mean she it's not just done

0:33:20.360 --> 0:33:23.400
<v Speaker 2>behind closed doors throughout the movie, She's doing it around

0:33:23.440 --> 0:33:25.160
<v Speaker 2>a lot of people. I would think that would cause

0:33:25.160 --> 0:33:26.440
<v Speaker 2>for concern just a little.

0:33:26.520 --> 0:33:30.560
<v Speaker 1>Yes, from ordering on multiple personality disorders, this could be

0:33:30.600 --> 0:33:33.360
<v Speaker 1>a dangerous thing. So yeah, they could have gone a

0:33:33.360 --> 0:33:34.040
<v Speaker 1>different way.

0:33:33.880 --> 0:33:37.680
<v Speaker 2>And multiple people notice it. People, no one help, a

0:33:37.720 --> 0:33:39.240
<v Speaker 2>friend out, No one helps.

0:33:39.440 --> 0:33:41.640
<v Speaker 1>Maybe we sit Jamie down and talk to her about

0:33:41.640 --> 0:33:45.200
<v Speaker 1>how she's talking to invisible people. Just yeah, fucked. But

0:33:45.440 --> 0:33:48.240
<v Speaker 1>Jamie cautiously agrees to do the book deal, even though

0:33:48.280 --> 0:33:51.160
<v Speaker 1>her mean brother thinks it's a pipe dream. He popped

0:33:51.200 --> 0:33:54.480
<v Speaker 1>in long enough to strum two chords and say, you're

0:33:54.520 --> 0:33:57.080
<v Speaker 1>not going to make anything of your life. We fast

0:33:57.120 --> 0:33:59.400
<v Speaker 1>forward to the book's release and everyone at school wants

0:33:59.440 --> 0:34:02.800
<v Speaker 1>to sign. It's really stressing Jamie out. Everyone is zapping.

0:34:03.120 --> 0:34:05.000
<v Speaker 1>We get some glimpses of the book. It's a real

0:34:05.040 --> 0:34:07.640
<v Speaker 1>comic book vibe. It's not like she wrote a Cormack

0:34:07.720 --> 0:34:10.200
<v Speaker 1>McCarthy novel. You know it's not or you know Braddy

0:34:10.200 --> 0:34:14.000
<v Speaker 1>Stanelli's she didn't write less than Zero. It's like a

0:34:14.080 --> 0:34:17.120
<v Speaker 1>graphic novel, which, yeah, is kind of a cool way

0:34:17.160 --> 0:34:19.360
<v Speaker 1>of doing it, actually, yes, And I.

0:34:19.280 --> 0:34:22.520
<v Speaker 2>Love the interstitials that they do of showing how she's

0:34:22.600 --> 0:34:24.680
<v Speaker 2>on the computer. She flips it around at the notebook.

0:34:24.920 --> 0:34:27.040
<v Speaker 2>It's very cool because I was like, I don't even

0:34:27.080 --> 0:34:28.680
<v Speaker 2>remember in two thousand and six.

0:34:28.840 --> 0:34:30.800
<v Speaker 1>I'm not a technology guy. I wouldn't I wouldn't know

0:34:30.840 --> 0:34:36.160
<v Speaker 1>it anyway, but I think writing tablets, wouldn't know how

0:34:36.160 --> 0:34:40.080
<v Speaker 1>to use it anyway. But now even the pizza shop

0:34:40.120 --> 0:34:42.560
<v Speaker 1>is blowing up because they're advertising that Jamie works there,

0:34:42.640 --> 0:34:45.720
<v Speaker 1>not because of the crappy, awful pizza. Marco is starting

0:34:45.760 --> 0:34:48.239
<v Speaker 1>to flirt with her, and even the mean girls are

0:34:48.280 --> 0:34:52.439
<v Speaker 1>acknowledging her existence. Everything is coming up Jamie, except she's

0:34:52.520 --> 0:34:54.560
<v Speaker 1>nervous that they're all going to realize that they are

0:34:54.680 --> 0:34:57.600
<v Speaker 1>characters in her book, and we see a small glimpse

0:34:57.600 --> 0:35:01.640
<v Speaker 1>of her starting to be kind of mean to her friends, or,

0:35:01.680 --> 0:35:04.200
<v Speaker 1>as they say in other parts of the world, a dick.

0:35:05.560 --> 0:35:08.120
<v Speaker 1>We see the pizza place in full swing, with a

0:35:08.440 --> 0:35:11.160
<v Speaker 1>very fake John Mayer song playing in the background. Then

0:35:11.280 --> 0:35:16.000
<v Speaker 1>transitioning right into closing time the under the Sea school dance,

0:35:16.080 --> 0:35:18.480
<v Speaker 1>which enchantment, under the sea dance, back to the future.

0:35:18.520 --> 0:35:20.760
<v Speaker 1>There's like nineteen different kind of under the sea dances.

0:35:20.760 --> 0:35:23.520
<v Speaker 1>It must be a regular trope, or maybe high schools

0:35:23.560 --> 0:35:25.040
<v Speaker 1>do under the sea kind of dances.

0:35:25.239 --> 0:35:27.560
<v Speaker 2>I think that's a common theme because it makes sense,

0:35:27.640 --> 0:35:29.759
<v Speaker 2>it makes it gives you a lot to work with,

0:35:29.920 --> 0:35:32.600
<v Speaker 2>you know, when it comes to decor, however, might what

0:35:32.640 --> 0:35:34.799
<v Speaker 2>did you do the school dances I went to that

0:35:34.800 --> 0:35:38.600
<v Speaker 2>were in our gym, so you know, homecomings in the gym,

0:35:38.719 --> 0:35:40.839
<v Speaker 2>Sadi's those the ones that were in the gym were

0:35:40.960 --> 0:35:45.160
<v Speaker 2>never the way they've transformed these gyms into being like right,

0:35:45.280 --> 0:35:46.919
<v Speaker 2>they're so over the top.

0:35:47.040 --> 0:35:51.080
<v Speaker 1>Oh yeah, you've got doing no good and and a budget,

0:35:51.320 --> 0:35:53.279
<v Speaker 1>like sobody in high school's a budget.

0:35:52.960 --> 0:35:54.920
<v Speaker 2>Is like that. But I just started making me thinking,

0:35:55.080 --> 0:35:57.319
<v Speaker 2>I mean, we each paid seventy five dollars to get

0:35:57.320 --> 0:35:58.400
<v Speaker 2>into that school gym.

0:35:59.000 --> 0:36:01.080
<v Speaker 1>What were the money?

0:36:03.080 --> 0:36:04.120
<v Speaker 2>There was no food.

0:36:05.200 --> 0:36:07.399
<v Speaker 1>Yeah, we had we had it under the sea dance

0:36:07.480 --> 0:36:10.200
<v Speaker 1>once and we actually had a real dead whale just

0:36:10.239 --> 0:36:12.960
<v Speaker 1>hanging above us like this. We just got it, and

0:36:13.000 --> 0:36:15.120
<v Speaker 1>we're like, oh, we forgot to keep it in water,

0:36:15.160 --> 0:36:18.120
<v Speaker 1>and we didn't. By the way, we did not have

0:36:18.160 --> 0:36:20.480
<v Speaker 1>a dead way. That would be awful. And I love Wales,

0:36:20.520 --> 0:36:21.439
<v Speaker 1>so thank you very much.

0:36:21.640 --> 0:36:21.840
<v Speaker 2>I do.

0:36:22.239 --> 0:36:23.880
<v Speaker 1>I'm a whale guy. I'm gonna say it, and I

0:36:23.840 --> 0:36:25.800
<v Speaker 1>have no problem saying it. I'll fight anybody who's not.

0:36:25.880 --> 0:36:28.880
<v Speaker 1>I'm a whale guy. So the Under the Sea School

0:36:28.960 --> 0:36:32.040
<v Speaker 1>dance tickets go on sale on Friday, and Jamie and

0:36:32.080 --> 0:36:34.440
<v Speaker 1>all our friends agree that they will go as a group,

0:36:34.520 --> 0:36:37.160
<v Speaker 1>which is kind of cool. Jamie even joins the dance

0:36:37.200 --> 0:36:40.399
<v Speaker 1>committee and forces her friends to join too. Let's keep

0:36:40.400 --> 0:36:43.640
<v Speaker 1>that in mind, people. Yes, but I also love that

0:36:43.719 --> 0:36:49.040
<v Speaker 1>he's Connor is starting to feel like, Okay, I know

0:36:49.080 --> 0:36:51.160
<v Speaker 1>we're just going as a group, but this might be

0:36:51.200 --> 0:36:54.120
<v Speaker 1>my shot with Jamie's He's got a cool relationship with

0:36:54.160 --> 0:36:58.320
<v Speaker 1>his older brother who's like, dude, yeah, it's That was

0:36:58.360 --> 0:36:59.839
<v Speaker 1>my favorite part of the movie. Anyway. I just wish

0:36:59.880 --> 0:37:01.560
<v Speaker 1>to was the Connor the Connor.

0:37:01.320 --> 0:37:03.640
<v Speaker 2>Movie maybe two, maybe maybe two one?

0:37:03.719 --> 0:37:06.720
<v Speaker 1>Right, Yeah, this time is personal. Back at home, Jamie's

0:37:06.719 --> 0:37:09.279
<v Speaker 1>got an elite celebrity handler from the publisher and they're

0:37:09.320 --> 0:37:13.160
<v Speaker 1>slowly glaming her up for news interviews. Isabella seems happy

0:37:13.160 --> 0:37:15.560
<v Speaker 1>about it, and right down the street as we're talking,

0:37:15.560 --> 0:37:17.520
<v Speaker 1>Connor convinces his brother to drive them all to the

0:37:17.600 --> 0:37:20.720
<v Speaker 1>dance in his truck. That way he can impress Jamie

0:37:20.800 --> 0:37:25.240
<v Speaker 1>and an older brother giving a younger brother good advice

0:37:25.320 --> 0:37:27.759
<v Speaker 1>throughout the entire movie, like, yeah, you know, he's still

0:37:27.760 --> 0:37:29.279
<v Speaker 1>being an older brother. You're gonna do my clothes. You're

0:37:29.280 --> 0:37:31.200
<v Speaker 1>gonna you're a clear bud. He's like, come on, man,

0:37:31.320 --> 0:37:33.759
<v Speaker 1>you're you, You be the best you you can go

0:37:33.800 --> 0:37:36.120
<v Speaker 1>get her, ask her out. I was like, yes, good

0:37:36.120 --> 0:37:36.920
<v Speaker 1>older brother.

0:37:38.120 --> 0:37:41.000
<v Speaker 2>Just sitting there spitting the knowledge.

0:37:41.120 --> 0:37:43.040
<v Speaker 1>Right, You've got a good older brother. And then you've

0:37:43.080 --> 0:37:54.720
<v Speaker 1>got the musical genius who strums two chords. Now, speaking

0:37:54.719 --> 0:37:57.480
<v Speaker 1>of Jamie, by the way, she's getting ready for a

0:37:57.520 --> 0:37:59.640
<v Speaker 1>trip to New York for the book, and we realize

0:37:59.640 --> 0:38:03.320
<v Speaker 1>her me older brother Lenny, is actually good at playing

0:38:03.320 --> 0:38:06.240
<v Speaker 1>those two chords on guitar. Jamie's friends think he should

0:38:06.239 --> 0:38:09.480
<v Speaker 1>play at the dance, but he only plays in his bedroom.

0:38:09.920 --> 0:38:11.719
<v Speaker 1>The next day, Jamie's off to the airport with her

0:38:11.719 --> 0:38:16.320
<v Speaker 1>impatient handler and her mom and of course Invisible Isabella.

0:38:16.360 --> 0:38:19.120
<v Speaker 1>Because you can't get away from your mental illness. In

0:38:19.160 --> 0:38:22.480
<v Speaker 1>the Big Apple, Jamie is partaking in photoshoots, packed appearances

0:38:22.520 --> 0:38:25.680
<v Speaker 1>and doing morning shows and seems very awkward nervous, But

0:38:26.320 --> 0:38:30.440
<v Speaker 1>with Isabella encouraging from the sidelines, she's ready for the

0:38:30.760 --> 0:38:33.879
<v Speaker 1>zaptastic spotlight. She attends a posh party with her mom

0:38:33.920 --> 0:38:36.800
<v Speaker 1>and she sees Amber Tiffany, one of her favorite TV

0:38:36.880 --> 0:38:39.400
<v Speaker 1>stars from that soap opera she was watching earlier in

0:38:39.440 --> 0:38:42.120
<v Speaker 1>the movie. Also, Jamie's mom sees one of her favorite

0:38:42.160 --> 0:38:45.160
<v Speaker 1>singers and has no shame, just rushing up to him

0:38:45.160 --> 0:38:48.640
<v Speaker 1>and acting like a groupie. Now alone, Jamie sees a

0:38:48.719 --> 0:38:50.239
<v Speaker 1>very cute dog because she has no idea who she's

0:38:50.239 --> 0:38:51.799
<v Speaker 1>supposed to being with, so she sees the dog and

0:38:51.840 --> 0:38:53.759
<v Speaker 1>she's petting it and she gets her hair stuck on

0:38:53.800 --> 0:38:57.239
<v Speaker 1>the dog's owner, Amber Tiffany. This is a nightmare. They

0:38:57.360 --> 0:38:59.560
<v Speaker 1>rush off to the green room and eventually get detangled.

0:38:59.600 --> 0:39:02.920
<v Speaker 1>Isabelle convinces Jamie to strike up a conversation become friends

0:39:02.920 --> 0:39:06.520
<v Speaker 1>with Amber Tiffany, and it doesn't go well. So, just

0:39:06.600 --> 0:39:09.520
<v Speaker 1>like that, there is a new Murna in her life.

0:39:10.360 --> 0:39:12.600
<v Speaker 1>You went to all these parties in Hollywood, thing, did

0:39:12.600 --> 0:39:14.359
<v Speaker 1>you have any embarrassing moments like that? Did your hair

0:39:14.360 --> 0:39:16.600
<v Speaker 1>ever get a talk attached to a dog or something.

0:39:17.480 --> 0:39:19.000
<v Speaker 2>In like a Hollywood one.

0:39:19.600 --> 0:39:21.600
<v Speaker 1>Anyone. What's the most embarrassing they inter haered to you

0:39:21.600 --> 0:39:22.040
<v Speaker 1>at a party?

0:39:22.560 --> 0:39:28.400
<v Speaker 2>Ah, man, I don't really think anything, honestly, probably tripping.

0:39:28.520 --> 0:39:31.320
<v Speaker 2>I trip kind of a lot, so it's probably something

0:39:31.400 --> 0:39:33.880
<v Speaker 2>like that that you've done it on a record. You tumble?

0:39:33.920 --> 0:39:35.240
<v Speaker 1>How do you know much.

0:39:35.080 --> 0:39:37.440
<v Speaker 2>I can dance in heels now you asked me to walk?

0:39:37.719 --> 0:39:40.120
<v Speaker 1>Whoa? Whoa?

0:39:40.560 --> 0:39:42.799
<v Speaker 2>Really? Yeah, I just kind of like, I think I

0:39:42.880 --> 0:39:44.920
<v Speaker 2>must shuffle my feet a little bit, so I do

0:39:45.120 --> 0:39:47.040
<v Speaker 2>kind of like stud I can do it in tennis

0:39:47.040 --> 0:39:50.680
<v Speaker 2>shoes too, on a smooth, normal spot like I just

0:39:51.040 --> 0:39:52.960
<v Speaker 2>I don't know. And you know what's horrible is my

0:39:53.040 --> 0:39:57.000
<v Speaker 2>poor daughter has inherited that from me. So clumsy too.

0:39:57.360 --> 0:39:59.400
<v Speaker 2>We're always just but it's like we bumped back up,

0:39:59.440 --> 0:40:01.000
<v Speaker 2>We're like, we're okay.

0:40:00.880 --> 0:40:04.719
<v Speaker 1>We're good, We're good good. So you're not just a tumbler,

0:40:04.880 --> 0:40:07.200
<v Speaker 1>You're also a stumbler. Bill.

0:40:09.280 --> 0:40:11.200
<v Speaker 2>I've been waiting for this one, this.

0:40:11.280 --> 0:40:16.720
<v Speaker 1>Moment, and you there you go. Jamie is now living

0:40:16.760 --> 0:40:19.080
<v Speaker 1>in the scene and missing out on high school and

0:40:19.160 --> 0:40:24.719
<v Speaker 1>dance prep, but she does get hot goss. Thank you

0:40:24.760 --> 0:40:27.480
<v Speaker 1>for that, Jensen. But she does get the hot goss.

0:40:27.760 --> 0:40:32.759
<v Speaker 1>I guess I'm saying that right. Sawyer and Marco broke up.

0:40:33.120 --> 0:40:34.799
<v Speaker 1>We are now back at home. Jamie is having some

0:40:34.840 --> 0:40:36.799
<v Speaker 1>trouble going back to her normal high school life after

0:40:36.840 --> 0:40:39.760
<v Speaker 1>being pampered on TV. She's very popular all of a sudden,

0:40:39.800 --> 0:40:43.120
<v Speaker 1>but she's promised her friends she will still attend their

0:40:43.200 --> 0:40:46.319
<v Speaker 1>animal rights rally that they have, and then she's like,

0:40:46.480 --> 0:40:48.239
<v Speaker 1>I know, I'll be there. I'll be there for all

0:40:48.239 --> 0:40:51.320
<v Speaker 1>your stuff. But we can definitely see Jamie's starting to

0:40:51.320 --> 0:40:53.560
<v Speaker 1>pull away for all this Hollywood.

0:40:53.640 --> 0:40:55.600
<v Speaker 2>Probably one of the moments where you're going, she's not

0:40:55.640 --> 0:40:56.880
<v Speaker 2>gonna make it, She's gonna forget.

0:40:57.440 --> 0:41:00.399
<v Speaker 1>Of course, I was like, well, I'm guessing he's gonna

0:41:00.400 --> 0:41:02.320
<v Speaker 1>make it on time and really be there for her friends.

0:41:02.520 --> 0:41:05.120
<v Speaker 1>Like I knew every step of this movie. I knew

0:41:05.280 --> 0:41:09.760
<v Speaker 1>every I know. Marco bumps into Jamie and the shopping

0:41:09.800 --> 0:41:13.040
<v Speaker 1>mall food court and the entire student body goes silent.

0:41:13.400 --> 0:41:16.000
<v Speaker 1>Then in a laugh out loud moment, they all oohoo

0:41:16.600 --> 0:41:20.280
<v Speaker 1>when they smile at each other. Jamie is also invited

0:41:20.320 --> 0:41:23.719
<v Speaker 1>to the popular table because Jennifer number two is sick,

0:41:24.680 --> 0:41:26.959
<v Speaker 1>so her friends released her to go talk about New York.

0:41:27.239 --> 0:41:29.480
<v Speaker 1>But things are just getting really weird, especially now that

0:41:29.680 --> 0:41:32.880
<v Speaker 1>Marco could ask Jamie to the dance, which would ruin

0:41:32.920 --> 0:41:37.200
<v Speaker 1>the friends group plan that would kill Connor's dream. And

0:41:37.440 --> 0:41:40.000
<v Speaker 1>then to add some fuel to fire, Jamie has also

0:41:40.080 --> 0:41:43.440
<v Speaker 1>quit the pizza shop without even telling her friends. She

0:41:43.760 --> 0:41:46.160
<v Speaker 1>just bailed on her dad. I mean, obviously she told

0:41:46.160 --> 0:41:48.040
<v Speaker 1>her dad and her mom, but didn't tell her friends

0:41:48.040 --> 0:41:51.000
<v Speaker 1>that she doesn't work there anymore. And she's dropping the

0:41:51.080 --> 0:41:54.080
<v Speaker 1>dance committee because she has to answer fan mail. She

0:41:54.280 --> 0:41:57.040
<v Speaker 1>was even invited to the mall by cool girl Sawyer.

0:41:57.600 --> 0:42:00.480
<v Speaker 1>Her fame is out of control. I'm thinking this is

0:42:00.520 --> 0:42:02.319
<v Speaker 1>her new life and she's never gonna realize that she's

0:42:02.360 --> 0:42:03.960
<v Speaker 1>the wrong person and go back to who she was.

0:42:04.320 --> 0:42:09.000
<v Speaker 1>Oh wait, Marco stops by the restaurant to see Jamie,

0:42:09.080 --> 0:42:11.040
<v Speaker 1>thinking she still works there, of course because she didn't

0:42:11.040 --> 0:42:13.680
<v Speaker 1>tell anybody that she doesn't, and he wants to know

0:42:13.719 --> 0:42:16.960
<v Speaker 1>who she's going to dance with. So Connor takes the message. Ooh.

0:42:17.160 --> 0:42:19.160
<v Speaker 1>He knows his time is up, so his brother, again

0:42:19.600 --> 0:42:22.520
<v Speaker 1>in great brotherly advice, convinces him to ask Jamie before

0:42:22.640 --> 0:42:25.040
<v Speaker 1>Marco does take your shot, man, he calls him squirt,

0:42:25.120 --> 0:42:28.560
<v Speaker 1>take your shot, squirt. But even with his most spirited attempt,

0:42:28.680 --> 0:42:31.600
<v Speaker 1>which was very funny, like running right past them and

0:42:31.600 --> 0:42:34.239
<v Speaker 1>then falling, and then Jamie putting her leg on him

0:42:34.239 --> 0:42:36.120
<v Speaker 1>because he's trying to keep saying something. When Marco's going

0:42:36.160 --> 0:42:39.480
<v Speaker 1>to ask her out, Marco gets to her first, and

0:42:39.600 --> 0:42:44.680
<v Speaker 1>Connor is sol or get out of luck. And even worse,

0:42:45.040 --> 0:42:48.680
<v Speaker 1>Jamie missed the animal rights protest. She did, She missed it.

0:42:48.719 --> 0:42:52.480
<v Speaker 1>Sabrina were right. She forgot that bunnies are going to die.

0:42:52.520 --> 0:42:56.880
<v Speaker 1>Now it's Jamie's fault. Isabella is now officially running the

0:42:56.920 --> 0:42:59.640
<v Speaker 1>show on Rise and Shine, which is another morning show.

0:42:59.640 --> 0:43:04.480
<v Speaker 1>Appearing Jamie admits that Isabella is actually an alter ego

0:43:04.560 --> 0:43:07.880
<v Speaker 1>of herself, and all the characters are based on real people,

0:43:08.200 --> 0:43:11.480
<v Speaker 1>even slipping at one point and calling the villain Sawyer

0:43:12.920 --> 0:43:15.719
<v Speaker 1>instead of mRNA and going oh wait, uh oh. And

0:43:15.760 --> 0:43:19.839
<v Speaker 1>there's a giant meltdown on the television machine. Yes, man,

0:43:20.080 --> 0:43:21.799
<v Speaker 1>very bad national crash and burn.

0:43:22.200 --> 0:43:22.520
<v Speaker 2>Yes.

0:43:23.160 --> 0:43:26.520
<v Speaker 1>So Jamie, in one of the weirder moments, returns to

0:43:26.560 --> 0:43:31.960
<v Speaker 1>school in full disguise to avoid embarrassment. How was she

0:43:32.000 --> 0:43:33.560
<v Speaker 1>still going to go to all the same classes and

0:43:33.600 --> 0:43:35.839
<v Speaker 1>sit in the same chairs, but just have a dark

0:43:35.880 --> 0:43:37.359
<v Speaker 1>wig and think no one was going to know who

0:43:37.440 --> 0:43:37.759
<v Speaker 1>she was.

0:43:38.000 --> 0:43:39.680
<v Speaker 2>I guess so, I guess you're.

0:43:39.560 --> 0:43:41.319
<v Speaker 1>Not thinking about it at that age. You're just trying

0:43:41.320 --> 0:43:42.200
<v Speaker 1>to blend in, right.

0:43:42.360 --> 0:43:45.839
<v Speaker 2>Oh man, I feel like I can't believe she went

0:43:45.880 --> 0:43:47.640
<v Speaker 2>to school at all. How did she not convince her

0:43:47.640 --> 0:43:49.640
<v Speaker 2>mom that she was deathly ill and needed to stay

0:43:49.640 --> 0:43:50.239
<v Speaker 2>home for she.

0:43:50.160 --> 0:43:53.279
<v Speaker 1>Could hire points exactly?

0:43:54.080 --> 0:43:56.160
<v Speaker 2>Just so something else happens in high school.

0:43:56.239 --> 0:43:59.759
<v Speaker 1>Yes, live the is lifestyle and uh and go there,

0:43:59.760 --> 0:44:02.040
<v Speaker 1>but anyway, she's in full disguise. But once her wig

0:44:02.080 --> 0:44:04.640
<v Speaker 1>is knocked off, she's caught by the mean girls. Sawyer

0:44:04.800 --> 0:44:08.080
<v Speaker 1>is furious that she's mRNA and promises that Jamie is

0:44:08.120 --> 0:44:12.640
<v Speaker 1>going back to Loserville ghost. Isabella tells her that the

0:44:12.640 --> 0:44:14.680
<v Speaker 1>best thing she can do at this point is run,

0:44:14.880 --> 0:44:18.279
<v Speaker 1>because this is not good. At home, her parents are

0:44:18.280 --> 0:44:20.160
<v Speaker 1>planning a book signing at the pizza parlor, but Jamie

0:44:20.239 --> 0:44:23.040
<v Speaker 1>knows it's just the beginning of the end. Isabella thinks,

0:44:23.040 --> 0:44:26.360
<v Speaker 1>this is just the beginning of the beginning quote unquote,

0:44:26.480 --> 0:44:29.080
<v Speaker 1>they're going to the dance with Marco quote unquote vague

0:44:29.080 --> 0:44:31.600
<v Speaker 1>because now Isabelle, we don't know where Isabella starts and

0:44:31.719 --> 0:44:35.200
<v Speaker 1>Jamie ends. It's getting even weirder, but Jamie is starting

0:44:35.200 --> 0:44:38.080
<v Speaker 1>to want to distance herself from this alter ego persona.

0:44:38.400 --> 0:44:40.759
<v Speaker 1>She says she'll never write about it again, but the

0:44:40.760 --> 0:44:43.239
<v Speaker 1>pressure of keeping the pizza shop alive is too much

0:44:43.280 --> 0:44:45.360
<v Speaker 1>and she feels like a puppet now. So while the

0:44:45.400 --> 0:44:47.080
<v Speaker 1>parents don't put the pressure on her in any way,

0:44:47.080 --> 0:44:50.600
<v Speaker 1>shape or form, the pizza shop success is certainly happening

0:44:50.640 --> 0:44:55.680
<v Speaker 1>because Jamie is part of the Pizza Shop. You know everything, Yeah,

0:44:55.719 --> 0:44:58.960
<v Speaker 1>but now we're Jamie's transforming into a full B word.

0:45:00.360 --> 0:45:02.759
<v Speaker 1>Even tells her big brother that her music sucks and

0:45:02.800 --> 0:45:05.399
<v Speaker 1>he should give it up, and at school she's become

0:45:05.400 --> 0:45:07.600
<v Speaker 1>a pariah. No one is happy as the target of

0:45:07.600 --> 0:45:11.560
<v Speaker 1>her book's ridicule, except Marco, who's still feeling it and

0:45:11.600 --> 0:45:13.799
<v Speaker 1>eating lunch with her. He loves being the cool guy

0:45:13.880 --> 0:45:18.880
<v Speaker 1>in the book to a creepy, creepy point. Unfortunately, no

0:45:18.920 --> 0:45:21.080
<v Speaker 1>one came to the Pizza Place book signing, and Jamie's

0:45:21.080 --> 0:45:24.800
<v Speaker 1>aol friend's list has dwindled down to just Connor. Even

0:45:25.000 --> 0:45:28.000
<v Speaker 1>is a bella won't help. Jamie tries to apologize to

0:45:28.040 --> 0:45:29.839
<v Speaker 1>her brother about the music comment, because he comes home

0:45:30.000 --> 0:45:32.839
<v Speaker 1>she comes home and he's broken his guitar and put

0:45:32.840 --> 0:45:35.120
<v Speaker 1>it in the trash can, and so she comes home

0:45:35.160 --> 0:45:37.319
<v Speaker 1>try to apologize, but he's listening to pop music really

0:45:37.360 --> 0:45:39.680
<v Speaker 1>loudly in his room. She knows she needs to make

0:45:39.719 --> 0:45:41.719
<v Speaker 1>a change. She starts to write a news story but

0:45:41.800 --> 0:45:45.080
<v Speaker 1>immediately stops. It was called three Cheers for Jamie Bartlett.

0:45:45.160 --> 0:45:48.440
<v Speaker 1>Keep that in mind, was it? This is where I

0:45:48.480 --> 0:45:53.320
<v Speaker 1>got confused. So okay, so unrelated. Harmony and Lindsay decided

0:45:53.360 --> 0:45:56.000
<v Speaker 1>to use protest flyers and real kelp in their school

0:45:56.080 --> 0:46:01.480
<v Speaker 1>dance whale paper mache giant like full eyes wail that

0:46:01.520 --> 0:46:03.200
<v Speaker 1>they're going to fill it with stuff, which I think

0:46:03.200 --> 0:46:04.920
<v Speaker 1>we can all assume is going to come back, you know,

0:46:05.400 --> 0:46:08.239
<v Speaker 1>later later at school, all of a sudden there's a

0:46:08.280 --> 0:46:10.760
<v Speaker 1>positive letter to the editor about her, and it's entitled

0:46:11.200 --> 0:46:14.360
<v Speaker 1>three Cheers for Jamie Bartlett. But it's not her letter,

0:46:15.200 --> 0:46:18.040
<v Speaker 1>so that doesn't make any sense. So we were round

0:46:18.080 --> 0:46:22.160
<v Speaker 1>this how okay, I did too. I think what it

0:46:22.280 --> 0:46:23.880
<v Speaker 1>was the second time I saw it, because you just

0:46:23.880 --> 0:46:27.799
<v Speaker 1>saw the computer screen. I think they were trying to

0:46:27.840 --> 0:46:31.560
<v Speaker 1>allude to the fact that that was his computer, right,

0:46:32.640 --> 0:46:35.080
<v Speaker 1>So he had already started writing that she that wasn't

0:46:35.080 --> 0:46:37.000
<v Speaker 1>the title of her article, wasn't it?

0:46:37.040 --> 0:46:40.640
<v Speaker 2>No, No, so that exactly. So he was already writing

0:46:40.719 --> 0:46:47.440
<v Speaker 2>that thing. But the way between their two computers, when

0:46:47.480 --> 0:46:50.600
<v Speaker 2>I saw it, I go, why is she so at first?

0:46:50.600 --> 0:46:53.120
<v Speaker 2>Why is she so shocked that someone wrote it? She

0:46:53.280 --> 0:46:57.239
<v Speaker 2>wrote that right, and that was kind of a demeaning situation,

0:46:57.520 --> 0:47:01.040
<v Speaker 2>like she wasn't taking accountability for anything that she was saying.

0:47:01.040 --> 0:47:02.799
<v Speaker 2>I was kind of like, that's weird and go, oh,

0:47:02.880 --> 0:47:04.480
<v Speaker 2>okay wait, and I rewound.

0:47:04.120 --> 0:47:07.600
<v Speaker 1>It right, Okay, so it was his computer screen.

0:47:08.000 --> 0:47:11.040
<v Speaker 2>It is is, but the way it goes back and forth,

0:47:11.360 --> 0:47:14.600
<v Speaker 2>however it's done, it absolutely looks like it's her computer

0:47:14.640 --> 0:47:17.520
<v Speaker 2>screen that she's starting like a new like she's gonna

0:47:17.560 --> 0:47:21.799
<v Speaker 2>do like an apology story, apology thing into the newsletter

0:47:21.880 --> 0:47:22.760
<v Speaker 2>or something like that.

0:47:23.239 --> 0:47:24.400
<v Speaker 1>It was badly edited.

0:47:24.719 --> 0:47:27.319
<v Speaker 2>Yeah, just didn't the edits didn't make sense. I mean,

0:47:27.680 --> 0:47:31.160
<v Speaker 2>I just kind of had to rewind it and then go, yeah.

0:47:30.960 --> 0:47:34.360
<v Speaker 1>Okay, maybe it's a deleted scene like they paid something

0:47:34.400 --> 0:47:36.400
<v Speaker 1>in there. That was but it was weird.

0:47:36.840 --> 0:47:39.920
<v Speaker 2>Yeah, so yeah, definitely I thought the same thing though.

0:47:39.880 --> 0:47:42.400
<v Speaker 1>Yes it was it was.

0:47:41.960 --> 0:47:44.120
<v Speaker 2>And then realized it was his letter that was on

0:47:44.280 --> 0:47:45.239
<v Speaker 2>his computer.

0:47:45.080 --> 0:47:47.480
<v Speaker 1>Yeah, it's like, okay, so then we're gonna okay, Yeah

0:47:47.440 --> 0:47:52.400
<v Speaker 1>it was. It was jarring. I gotta move on. Yeah. Anyway,

0:47:53.160 --> 0:47:56.320
<v Speaker 1>She thinks that Marco wrote it because she recognizes writing

0:47:56.360 --> 0:47:59.560
<v Speaker 1>from the class poem he wrote earlier, but it seems

0:47:59.560 --> 0:48:02.520
<v Speaker 1>like Honor actually wrote the letter. She continues to friend

0:48:02.560 --> 0:48:06.680
<v Speaker 1>zone this poor dude, while Marco is just starstruck by Isabella.

0:48:06.760 --> 0:48:10.520
<v Speaker 1>He's always calling Jamie is which is Jamie. Then walks

0:48:10.520 --> 0:48:12.479
<v Speaker 1>in on her parents talking about selling the pizza shop

0:48:12.520 --> 0:48:14.680
<v Speaker 1>now that Jamie's frenzy has died down, which also made

0:48:14.719 --> 0:48:16.839
<v Speaker 1>me think, like, really, this guy had one or two

0:48:16.840 --> 0:48:17.680
<v Speaker 1>good months.

0:48:18.360 --> 0:48:24.359
<v Speaker 2>Yeah, no, because I don't remember was there this even

0:48:24.400 --> 0:48:27.000
<v Speaker 2>the second time. I don't remember them talking about the

0:48:27.000 --> 0:48:28.640
<v Speaker 2>pizza parlor doing bad.

0:48:29.280 --> 0:48:30.120
<v Speaker 1>It was always just packed.

0:48:30.400 --> 0:48:34.040
<v Speaker 2>It was yeah, just that it was. It really shot

0:48:34.160 --> 0:48:36.160
<v Speaker 2>up with me. But all of a sudden, out of nowhere,

0:48:36.160 --> 0:48:37.839
<v Speaker 2>they're saying, oh, we're not gonna be able to cover

0:48:38.000 --> 0:48:40.560
<v Speaker 2>last year's debt. Where did last year's debt come from?

0:48:40.640 --> 0:48:42.880
<v Speaker 1>Yeah? But when we first met you and you're making

0:48:42.880 --> 0:48:45.799
<v Speaker 1>your liver and onion pizza, it was a full table

0:48:45.960 --> 0:48:46.319
<v Speaker 1>was full.

0:48:46.560 --> 0:48:49.359
<v Speaker 2>Yeah, okay, so I just kind of was like, no,

0:48:49.440 --> 0:48:51.920
<v Speaker 2>you're right. I think I just missed things. I don't know.

0:48:52.080 --> 0:48:54.120
<v Speaker 1>No, you didn't miss that. You didn't miss that. It's

0:48:54.160 --> 0:49:05.000
<v Speaker 1>exactly the same. This made me laugh. So this made

0:49:05.000 --> 0:49:08.040
<v Speaker 1>me laugh out loud. We always get the getting ready

0:49:08.040 --> 0:49:10.840
<v Speaker 1>for a dance montage something it's in a decom and

0:49:10.880 --> 0:49:13.040
<v Speaker 1>for the first time it was a wah wah.

0:49:13.360 --> 0:49:17.200
<v Speaker 2>It was a very sad montage her mom, I know,

0:49:17.280 --> 0:49:23.239
<v Speaker 2>her friends kids getting ready for what she's a freshman

0:49:23.760 --> 0:49:27.440
<v Speaker 2>like homecoming, your kids getting ready for the first dance,

0:49:27.480 --> 0:49:31.360
<v Speaker 2>and you're just what, Yeah, it was kind of sad.

0:49:31.520 --> 0:49:37.520
<v Speaker 1>I agree, shad montage and getting ready for their dance,

0:49:37.920 --> 0:49:40.319
<v Speaker 1>but also looking at pictures of her real friends and

0:49:40.360 --> 0:49:42.520
<v Speaker 1>all that stuff. And Isabella does not get why Jamie

0:49:42.600 --> 0:49:45.200
<v Speaker 1>is pouting. She's got everything she wants. And I liked

0:49:45.200 --> 0:49:47.799
<v Speaker 1>how they threw this in a big bank account. She says,

0:49:47.800 --> 0:49:49.440
<v Speaker 1>you got plenty of money in your trust fund, so

0:49:49.480 --> 0:49:51.120
<v Speaker 1>she's made a ton of money from the book. I

0:49:51.200 --> 0:49:54.479
<v Speaker 1>like how they alluded to that because it's like, even

0:49:54.480 --> 0:49:55.799
<v Speaker 1>all the money in the world and the fame in

0:49:55.800 --> 0:49:57.040
<v Speaker 1>the world doesn't matter.

0:49:57.400 --> 0:50:00.600
<v Speaker 2>There was also a lie won't keep your pizza shop open?

0:50:00.840 --> 0:50:04.879
<v Speaker 1>Yes? And then is there was the line you don't

0:50:04.880 --> 0:50:08.960
<v Speaker 1>want friends, you want fans. Was that yes? Yeah, and

0:50:09.040 --> 0:50:12.120
<v Speaker 1>so it was. It was was, frankly a good line.

0:50:12.120 --> 0:50:13.879
<v Speaker 1>There's a couple of good lines in here. I also

0:50:13.920 --> 0:50:16.319
<v Speaker 1>love when she's talking to Connor again and she's and

0:50:16.360 --> 0:50:18.520
<v Speaker 1>he says, I don't hate you, I hate what you've become, which.

0:50:18.360 --> 0:50:20.279
<v Speaker 2>I yes, that was another good line.

0:50:21.440 --> 0:50:21.680
<v Speaker 3>I know.

0:50:22.000 --> 0:50:24.160
<v Speaker 1>Yeah, it's like you're when your parents are just I'm just.

0:50:24.160 --> 0:50:26.120
<v Speaker 2>Disappointed in you, disappointed.

0:50:26.239 --> 0:50:28.640
<v Speaker 1>I'm just disappointing. So after we get the nice little

0:50:28.800 --> 0:50:32.560
<v Speaker 1>sad montage of all this, she picks up her laptop

0:50:32.560 --> 0:50:35.759
<v Speaker 1>because she is done with Isabella. She unplugs it and

0:50:35.840 --> 0:50:40.360
<v Speaker 1>figures that then traps Isabella. Not understanding how mental illness works,

0:50:41.000 --> 0:50:43.200
<v Speaker 1>she will deal with it later, leaving it on the

0:50:43.200 --> 0:50:47.320
<v Speaker 1>bed again. She just doesn't get it. At the dance,

0:50:48.040 --> 0:50:51.920
<v Speaker 1>Marco being weird old Marco won't stop calling Jamie is

0:50:52.200 --> 0:50:55.600
<v Speaker 1>and zapping everything. It's really odd, but he does seem

0:50:55.600 --> 0:50:57.520
<v Speaker 1>to like her, even though he seems to like the

0:50:57.960 --> 0:50:59.399
<v Speaker 1>like is more than he likes her.

0:50:59.640 --> 0:51:02.480
<v Speaker 2>He goes in and out, he's wishing, yeah.

0:51:01.920 --> 0:51:05.600
<v Speaker 1>It's weird, it's cool, until he admits he did not

0:51:05.640 --> 0:51:08.839
<v Speaker 1>write that poem for class he paid Connor to write it.

0:51:09.239 --> 0:51:12.239
<v Speaker 1>Whoa Isabelle tries to get Jamie to just shut up

0:51:12.280 --> 0:51:14.320
<v Speaker 1>and dance with him, causing her to argue with herself

0:51:14.360 --> 0:51:18.160
<v Speaker 1>in public and look like she's pitching a nutty yep

0:51:18.360 --> 0:51:21.719
<v Speaker 1>hashtag pitching a nutty and don't forget everybody in case

0:51:21.760 --> 0:51:24.160
<v Speaker 1>we've we've forgotten. At this point, that giant whale above

0:51:24.160 --> 0:51:27.440
<v Speaker 1>them is full of kelp. Now just as ridiculous. The

0:51:27.480 --> 0:51:28.840
<v Speaker 1>live band says they're going to take a break, but

0:51:28.880 --> 0:51:31.440
<v Speaker 1>none of their mouths move and even worse, I'm wondering

0:51:31.480 --> 0:51:35.440
<v Speaker 1>why the whole time they're cutting the band. At first,

0:51:35.480 --> 0:51:37.920
<v Speaker 1>the entire band has their back to the audience and

0:51:37.920 --> 0:51:40.480
<v Speaker 1>as all, they're just facing their drummer, the whole band

0:51:40.640 --> 0:51:43.600
<v Speaker 1>the whole time, playing to each other, not to the crowd.

0:51:44.680 --> 0:51:45.320
<v Speaker 2>Jam session.

0:51:45.360 --> 0:51:47.360
<v Speaker 1>It's because they knew the camera was behind them, so

0:51:47.400 --> 0:51:49.720
<v Speaker 1>they're like, let's just all face the camera. No, dude,

0:51:49.760 --> 0:51:53.399
<v Speaker 1>face the crowd that you're there for. Jamie realizes it's

0:51:53.400 --> 0:51:55.839
<v Speaker 1>Connor that sees the real her, and she hopes he'll

0:51:55.840 --> 0:51:58.759
<v Speaker 1>forgive her, so she formulates a plan. The principle calls

0:51:58.840 --> 0:52:02.399
<v Speaker 1>Jamie on stage to thank her for all the creativity

0:52:02.440 --> 0:52:05.480
<v Speaker 1>and commitment, which she didn't do anything. It was all

0:52:05.480 --> 0:52:09.320
<v Speaker 1>her friends, the entire student body, minus superfan Marco Booze.

0:52:09.640 --> 0:52:11.799
<v Speaker 1>Isabella appears to encourage her to win them back by

0:52:11.880 --> 0:52:14.839
<v Speaker 1>announcing a book sequel. She does, and of course it's

0:52:14.880 --> 0:52:18.440
<v Speaker 1>not winning anybody back. Bad advice from your fake friend.

0:52:19.200 --> 0:52:22.040
<v Speaker 1>Isabella then realizes that the paper mache whale situation is

0:52:22.040 --> 0:52:24.360
<v Speaker 1>gonna happen and tells Jamie to rat out her friends

0:52:24.400 --> 0:52:27.560
<v Speaker 1>to shift the focus and save the dance. That way,

0:52:27.640 --> 0:52:31.240
<v Speaker 1>she'll be a hero again. She has some weird ideas, Isabella,

0:52:31.239 --> 0:52:33.759
<v Speaker 1>on how to be cool, because everybody knows that snitches

0:52:33.840 --> 0:52:37.720
<v Speaker 1>get stitches. Just as the girls are about to unleash

0:52:37.800 --> 0:52:40.600
<v Speaker 1>their kelp, Jamie yells for them to stop. The entire

0:52:40.640 --> 0:52:43.040
<v Speaker 1>school looks up at them, but instead of squealing, she

0:52:43.320 --> 0:52:45.960
<v Speaker 1>apologizes in another big Disney trope, being in front of

0:52:45.960 --> 0:52:48.800
<v Speaker 1>the school, not even a Disney trope, a high school

0:52:49.719 --> 0:52:52.319
<v Speaker 1>movie trope, that you make the big apology in front

0:52:52.360 --> 0:52:54.160
<v Speaker 1>of everybody. We've seen it a thousand times.

0:52:53.920 --> 0:52:55.759
<v Speaker 2>So and even though it was a stretch, she got

0:52:55.760 --> 0:52:59.080
<v Speaker 2>pulled up on stage, given roses to do what she

0:52:59.320 --> 0:53:02.440
<v Speaker 2>signed up to do, and didn't do and didn't do,

0:53:02.600 --> 0:53:04.839
<v Speaker 2>but just in general, the person that did sign up

0:53:04.880 --> 0:53:07.040
<v Speaker 2>to do it would that just wouldn't happen. It did

0:53:07.040 --> 0:53:09.440
<v Speaker 2>put her on the stage and set the platform for.

0:53:09.400 --> 0:53:10.920
<v Speaker 1>Her to do that. Here's what we're gonna do.

0:53:11.360 --> 0:53:14.480
<v Speaker 2>But it was just without being a homecoming queen. Right,

0:53:14.520 --> 0:53:16.000
<v Speaker 2>This is the way to do it without doing that.

0:53:16.640 --> 0:53:19.120
<v Speaker 1>Yeah, right, exactly. We need her to be homecoming queen

0:53:19.160 --> 0:53:21.879
<v Speaker 1>without it being homecoming or her being the queen. That's

0:53:21.920 --> 0:53:26.480
<v Speaker 1>exactly right. So Jamie apologizes. She apologizes to the entire school.

0:53:26.640 --> 0:53:30.080
<v Speaker 1>Isabella can't believe this is happening. Jamie even mentions her

0:53:30.120 --> 0:53:34.239
<v Speaker 1>brother and says that he's very talented. Okay, that came

0:53:34.280 --> 0:53:37.000
<v Speaker 1>out of nowhere. She puts the spotlight on Harmony and Lindsay,

0:53:37.200 --> 0:53:40.439
<v Speaker 1>which makes more sense. They made the dance spectacular, not her,

0:53:40.800 --> 0:53:43.160
<v Speaker 1>And as a final sorry, she walks over to the whale.

0:53:43.840 --> 0:53:46.160
<v Speaker 1>Isabella warns her not to, but Jamie says she should

0:53:46.200 --> 0:53:48.439
<v Speaker 1>have done this a long time ago. She yells save

0:53:48.560 --> 0:53:51.759
<v Speaker 1>the whales and drops the flyers and kelp on everybody.

0:53:52.160 --> 0:53:58.640
<v Speaker 1>The whale even comes crashing down, remember that. Jamie then

0:53:58.719 --> 0:54:01.000
<v Speaker 1>runs out to find Connor and him just as he's

0:54:01.000 --> 0:54:03.360
<v Speaker 1>getting into his brother's cool truck. She says she didn't

0:54:03.400 --> 0:54:05.920
<v Speaker 1>like Marco, even though she did she liked his poetry.

0:54:06.040 --> 0:54:08.480
<v Speaker 1>She liked Marco just as much as the teacher did,

0:54:09.040 --> 0:54:11.839
<v Speaker 1>and that it was actually Connor she liked the whole

0:54:11.840 --> 0:54:15.440
<v Speaker 1>time because she liked his poetry. And then they kiss.

0:54:15.960 --> 0:54:18.879
<v Speaker 1>I know, I boy, Jason gets a little.

0:54:18.840 --> 0:54:22.120
<v Speaker 2>Good for him, Good for Jason, but shocked. I feel

0:54:22.160 --> 0:54:24.000
<v Speaker 2>like that was really fast.

0:54:24.160 --> 0:54:25.319
<v Speaker 1>I'm not earned at all.

0:54:25.400 --> 0:54:29.680
<v Speaker 2>She yeah, she had not even. I mean, he was

0:54:29.760 --> 0:54:31.960
<v Speaker 2>such a good friend. I'll say that. But the kiss

0:54:32.920 --> 0:54:34.320
<v Speaker 2>was like whoa.

0:54:34.160 --> 0:54:36.800
<v Speaker 1>Yeah, that was quick. That was quick to lean in there.

0:54:36.920 --> 0:54:41.960
<v Speaker 2>Pretty quickly there, Jamie, yeah it, oh Jamie.

0:54:42.520 --> 0:54:45.920
<v Speaker 1>Back up. We are now back at the dance. The

0:54:45.960 --> 0:54:49.040
<v Speaker 1>students loved the whale protest for some reason. By the way,

0:54:49.480 --> 0:54:51.759
<v Speaker 1>here was the first thing. So the brother's getting hit

0:54:51.880 --> 0:54:53.960
<v Speaker 1>on this entire movie. Not a good guy, but still

0:54:53.960 --> 0:54:56.600
<v Speaker 1>getting hit on the entire movie. Yeah, stuck in his

0:54:56.680 --> 0:55:01.919
<v Speaker 1>room being kind of a jerk by She then tells

0:55:01.960 --> 0:55:05.239
<v Speaker 1>him his music's awful. She feels bad about it. She

0:55:05.400 --> 0:55:08.239
<v Speaker 1>calls him out during her speech, like, hey, brother, you're

0:55:08.239 --> 0:55:11.360
<v Speaker 1>so talented. This is great. Why is he the first

0:55:11.400 --> 0:55:14.080
<v Speaker 1>guy they show getting covered in all the kelp like

0:55:14.120 --> 0:55:18.080
<v Speaker 1>he deserved it. They cut to the brother. I was like,

0:55:18.080 --> 0:55:20.840
<v Speaker 1>what why this guy again? What's the way this guy do?

0:55:21.320 --> 0:55:22.759
<v Speaker 2>Did the kelp thing too?

0:55:22.880 --> 0:55:22.960
<v Speaker 3>Like?

0:55:23.040 --> 0:55:24.839
<v Speaker 2>It kept coming out.

0:55:24.560 --> 0:55:27.320
<v Speaker 1>Like when it swung. They tried to do it.

0:55:27.320 --> 0:55:29.879
<v Speaker 2>Kelp fit out and sings spit it out.

0:55:29.920 --> 0:55:30.160
<v Speaker 1>I know.

0:55:30.200 --> 0:55:32.279
<v Speaker 2>It was just kind of the whole kelp thing was

0:55:32.320 --> 0:55:32.719
<v Speaker 2>just like.

0:55:32.640 --> 0:55:35.520
<v Speaker 1>A yeah, but then why pick on the brother?

0:55:36.600 --> 0:55:39.240
<v Speaker 2>Yeah? Why did he get kelped? After? Yes?

0:55:39.680 --> 0:55:42.400
<v Speaker 1>You gotta kelp that guy. So the students loved the

0:55:42.400 --> 0:55:45.920
<v Speaker 1>whale protest and then her brother takes the stage to perform,

0:55:46.080 --> 0:55:50.640
<v Speaker 1>and miraculously, the entire whale is hanging back up over

0:55:50.640 --> 0:55:51.320
<v Speaker 1>the dance again.

0:55:52.840 --> 0:55:53.759
<v Speaker 2>They gotta handle that.

0:55:54.760 --> 0:55:57.759
<v Speaker 1>And they also rebuilt it rope. They must have put

0:55:57.800 --> 0:56:00.400
<v Speaker 1>it back up. It's not broken anymore. It's just back up.

0:56:00.920 --> 0:56:04.279
<v Speaker 1>The band obviously knows every note and word to the

0:56:04.320 --> 0:56:09.319
<v Speaker 1>song that the brother wrote. Somehow they have the harmonies down.

0:56:09.480 --> 0:56:11.319
<v Speaker 1>Not only that, but there's people you go back and

0:56:11.320 --> 0:56:15.400
<v Speaker 1>watch it again. The people dancing also second Award for Disney.

0:56:15.640 --> 0:56:17.640
<v Speaker 1>Uh is worst dancing in a dcom?

0:56:17.680 --> 0:56:17.879
<v Speaker 2>Ever?

0:56:18.400 --> 0:56:21.600
<v Speaker 1>Is this movie? It's the word I dance better than

0:56:21.600 --> 0:56:24.200
<v Speaker 1>these people and not saying something horrifying.

0:56:24.800 --> 0:56:28.719
<v Speaker 2>Yeah, the awful background was a little rough. There's a

0:56:28.840 --> 0:56:29.879
<v Speaker 2>kind of a few times.

0:56:30.000 --> 0:56:33.600
<v Speaker 1>Wasn't just the background? The lead actors too, weren't dancing well? Well.

0:56:33.640 --> 0:56:35.360
<v Speaker 2>I thought Jason was so cute.

0:56:35.520 --> 0:56:42.279
<v Speaker 1>Jason was amazing Jason, but everybody else everybody else's.

0:56:42.000 --> 0:56:44.960
<v Speaker 2>Back exactly like how he Connor would dance it, add

0:56:45.000 --> 0:56:47.200
<v Speaker 2>it down, he did his, He did his.

0:56:47.560 --> 0:56:50.480
<v Speaker 1>I will never say anything bad about Jason Donard. So

0:56:50.680 --> 0:56:54.239
<v Speaker 1>if his dancing was perfect, it was everybody else's. But

0:56:54.320 --> 0:56:57.319
<v Speaker 1>if you go back and watch, the people dancing to

0:56:57.600 --> 0:57:01.120
<v Speaker 1>the song are mouthing along with the words to the song.

0:57:02.360 --> 0:57:04.920
<v Speaker 1>So obviously the actors had been there all day and

0:57:04.920 --> 0:57:06.839
<v Speaker 1>they played the song over and over again. But how

0:57:06.880 --> 0:57:09.920
<v Speaker 1>did anybody know the words to the song? This guy wrote?

0:57:10.480 --> 0:57:17.400
<v Speaker 1>The band knows the harmonies? Anyway, an entire school dances

0:57:17.400 --> 0:57:20.720
<v Speaker 1>long and I'm trying to get better at this, but

0:57:20.800 --> 0:57:21.280
<v Speaker 1>this one.

0:57:21.200 --> 0:57:23.480
<v Speaker 2>I know, this one was rough. I knew this one

0:57:23.520 --> 0:57:25.560
<v Speaker 2>was gonna be Really, you are not going to just

0:57:25.640 --> 0:57:26.280
<v Speaker 2>let this happen?

0:57:26.320 --> 0:57:29.320
<v Speaker 1>No, No, I was not. We are back at the

0:57:29.360 --> 0:57:31.720
<v Speaker 1>pizza shop now. Jamie's dad turns off the neon sign

0:57:31.760 --> 0:57:33.480
<v Speaker 1>and hugs his wife. This is the end of it.

0:57:33.720 --> 0:57:36.320
<v Speaker 1>The pizza parlor's gotta go. But just then Jamie and

0:57:36.320 --> 0:57:38.960
<v Speaker 1>Connor come running in. She brought the entire dance to

0:57:38.960 --> 0:57:41.760
<v Speaker 1>get food and save the business. I guess because one

0:57:41.840 --> 0:57:44.160
<v Speaker 1>night of the first of all, they're never gonna be

0:57:44.160 --> 0:57:46.320
<v Speaker 1>able to serve this many people with one person working there.

0:57:47.800 --> 0:57:51.520
<v Speaker 1>Her dad sees the crowd and he says the following,

0:57:51.720 --> 0:57:54.800
<v Speaker 1>I gotta get cooking. I gotta get cooking. Can we

0:57:54.840 --> 0:57:58.960
<v Speaker 1>hear that one more time? I gotta get cooking. He's

0:57:58.960 --> 0:58:02.200
<v Speaker 1>now got eleven hundred kid from the school. The ovens

0:58:02.200 --> 0:58:05.040
<v Speaker 1>are off. I'm guessing the ingredients are done for the day.

0:58:05.240 --> 0:58:06.000
<v Speaker 2>They're all done.

0:58:06.320 --> 0:58:08.560
<v Speaker 1>The chairs are on top of the table. But no,

0:58:09.240 --> 0:58:10.480
<v Speaker 1>it's time to make some pie.

0:58:10.840 --> 0:58:11.040
<v Speaker 2>Yeah.

0:58:11.240 --> 0:58:13.760
<v Speaker 1>So Connor runs into help in the kitchen, accidentally getting

0:58:13.800 --> 0:58:15.440
<v Speaker 1>some of the whale seaweed.

0:58:15.920 --> 0:58:17.800
<v Speaker 2>Wait, No, it wasn't was it Connor?

0:58:18.080 --> 0:58:19.480
<v Speaker 1>Wasn't connor brother?

0:58:19.640 --> 0:58:24.600
<v Speaker 2>Yeah, her brother came into the kitchen, had his apron

0:58:24.640 --> 0:58:28.960
<v Speaker 2>on already under his city ticket. Yes, yeah, had his

0:58:29.000 --> 0:58:31.360
<v Speaker 2>apron on already under his suit jacket. Just takes the

0:58:31.400 --> 0:58:32.240
<v Speaker 2>suit jacket off.

0:58:32.280 --> 0:58:36.560
<v Speaker 1>That's what flies, Okay, So he flings the whale seaweed, Yes,

0:58:36.880 --> 0:58:40.360
<v Speaker 1>onto the pizza. He accidentally served it because it lands

0:58:40.440 --> 0:58:41.400
<v Speaker 1>perfectly on the pizza.

0:58:41.640 --> 0:58:42.440
<v Speaker 2>Uh huh.

0:58:42.520 --> 0:58:47.800
<v Speaker 1>Everyone thinks it's delicious. I guess they think it's spinach

0:58:47.840 --> 0:58:50.960
<v Speaker 1>pizza and start chanting for it. Her dad figures the

0:58:51.000 --> 0:58:53.480
<v Speaker 1>real recipe out quickly and tells Connor to get the

0:58:53.600 --> 0:58:57.440
<v Speaker 1>sushi from the cooler, which is an insane thing to

0:58:57.480 --> 0:58:59.200
<v Speaker 1>say to pizza place. I guess it's from because he

0:58:59.240 --> 0:59:01.600
<v Speaker 1>tried to make the raw fish. Yeah, sushi, but that

0:59:01.720 --> 0:59:05.480
<v Speaker 1>was like days ago now, if not weeks ago. So

0:59:05.640 --> 0:59:08.120
<v Speaker 1>why does he have this much seaweed and sushi and

0:59:08.160 --> 0:59:11.080
<v Speaker 1>the cooler? We'll never know, But with this in my

0:59:11.160 --> 0:59:13.200
<v Speaker 1>maybe it's his his door to door sushi sales that's

0:59:13.280 --> 0:59:16.000
<v Speaker 1>keeping the place open. But with this in mind, everyone

0:59:16.080 --> 0:59:18.800
<v Speaker 1>lives happily ever after, except a course for Isabella, who's

0:59:18.800 --> 0:59:24.000
<v Speaker 1>stuck cleaning the dishes. And that is your movie. Who

0:59:32.040 --> 0:59:34.960
<v Speaker 1>let's do real reviews. Sabrina, You've got the one, Starr,

0:59:35.120 --> 0:59:36.800
<v Speaker 1>I've got the what.

0:59:36.800 --> 0:59:37.400
<v Speaker 3>Do you got?

0:59:37.600 --> 0:59:41.080
<v Speaker 2>This is from Donovan. I hate that I have to

0:59:41.120 --> 0:59:44.320
<v Speaker 2>share a television with my little sister for both of

0:59:44.360 --> 0:59:44.960
<v Speaker 2>our health.

0:59:45.320 --> 0:59:48.240
<v Speaker 1>Okay, interesting review.

0:59:48.520 --> 0:59:52.560
<v Speaker 2>Yes, this was before like probably iPads were like a

0:59:52.640 --> 0:59:55.280
<v Speaker 2>huge thing where now you have to share your share.

0:59:56.040 --> 0:59:58.600
<v Speaker 1>Share your screen time. I've got the five star. It

0:59:58.640 --> 1:00:01.280
<v Speaker 1>is from our friend Nu Namad. It's actually unnamed, but

1:00:01.360 --> 1:00:03.760
<v Speaker 1>that from now on will be a nomind And I'm

1:00:03.880 --> 1:00:06.680
<v Speaker 1>this is exactly how it's written, so I'm gonna say

1:00:06.680 --> 1:00:10.320
<v Speaker 1>it exactly this. Wow, this girl has some imagination, all

1:00:10.400 --> 1:00:15.160
<v Speaker 1>in caps, five star review. And now, ladies and gentle people,

1:00:16.000 --> 1:00:22.280
<v Speaker 1>we are down to our feature presentation, the thing that

1:00:22.360 --> 1:00:26.080
<v Speaker 1>Sabrina loves our games. Every week we've been getting Okay,

1:00:26.200 --> 1:00:28.560
<v Speaker 1>we've been good. We have. The last couple of weeks

1:00:28.560 --> 1:00:30.400
<v Speaker 1>we have not been bad, Thank you very much.

1:00:30.720 --> 1:00:35.400
<v Speaker 2>I don't know before we record, wondering what is Jensen

1:00:35.440 --> 1:00:36.320
<v Speaker 2>gonna do to me to work?

1:00:39.320 --> 1:00:41.960
<v Speaker 1>So here we go. This one is called in just

1:00:42.200 --> 1:00:44.960
<v Speaker 1>four words, and this is a new feature, one that

1:00:45.000 --> 1:00:47.840
<v Speaker 1>will return for sure. We will be given four words.

1:00:48.400 --> 1:00:51.080
<v Speaker 1>These four words describe one of the most popular young

1:00:51.120 --> 1:00:55.000
<v Speaker 1>adult books or series of books of all time. We

1:00:55.080 --> 1:00:56.840
<v Speaker 1>have to guess what the words are describing, and we

1:00:56.880 --> 1:01:01.240
<v Speaker 1>need to get three out of five, right, I read everything,

1:01:01.720 --> 1:01:05.120
<v Speaker 1>so I read why. I'm hoping I can kill this.

1:01:05.200 --> 1:01:08.360
<v Speaker 1>I have not looked yet. I do not know, but

1:01:08.480 --> 1:01:10.800
<v Speaker 1>here we go. We gotta get them all, So here

1:01:10.840 --> 1:01:18.120
<v Speaker 1>we go. Number one middle school Misadventures hilarity, hilarity. Mm hmmm,

1:01:18.840 --> 1:01:23.080
<v Speaker 1>I think I know what it is. You got a guess? No, okay,

1:01:23.320 --> 1:01:25.840
<v Speaker 1>I'm gonna say. Is it Diary of a wimpy kid?

1:01:26.360 --> 1:01:30.800
<v Speaker 3>It is diary. I mean, I think we'll gonna clean

1:01:30.840 --> 1:01:34.880
<v Speaker 3>this up. I mean I would even maybe just turn

1:01:34.920 --> 1:01:35.960
<v Speaker 3>the screen officers.

1:01:37.600 --> 1:01:42.320
<v Speaker 2>See you later. I'll check back in in three minutes.

1:01:42.360 --> 1:01:46.600
<v Speaker 2>I'm gonna across some water. I'm just gonna enjoy my

1:01:46.640 --> 1:01:48.280
<v Speaker 2>water while we go.

1:01:49.120 --> 1:01:54.480
<v Speaker 1>Number two Magic Friendship epic Battles. This could be anything.

1:01:55.040 --> 1:01:55.960
<v Speaker 1>I'm guessing.

1:01:57.080 --> 1:02:02.160
<v Speaker 2>Come on, I think we're gonna go with Harry Potter.

1:02:02.360 --> 1:02:03.400
<v Speaker 1>That's what I would say too.

1:02:04.000 --> 1:02:07.040
<v Speaker 3>Yep, it's Harry Potter one and one. I'm your weight,

1:02:08.400 --> 1:02:08.760
<v Speaker 3>all right.

1:02:09.200 --> 1:02:14.680
<v Speaker 1>Number three Rebellion Survival brutal dystopia.

1:02:14.920 --> 1:02:15.280
<v Speaker 2>Mm hmm.

1:02:16.200 --> 1:02:18.440
<v Speaker 1>Okay, there's two possible answers to.

1:02:18.400 --> 1:02:20.920
<v Speaker 2>This one, all right, you say the possibility.

1:02:22.920 --> 1:02:28.040
<v Speaker 1>So it's either my guess is knowing Producer Jensen. This

1:02:28.240 --> 1:02:32.800
<v Speaker 1>is the Hunger Games. Oh, but it could also be

1:02:32.920 --> 1:02:37.919
<v Speaker 1>the Maze Trials. Oh, so they actually both work here.

1:02:38.120 --> 1:02:40.280
<v Speaker 1>But I'm gonna think he's gonna go with the more

1:02:40.320 --> 1:02:43.360
<v Speaker 1>popular one, so I'm gonna say he picked Hunger Games.

1:02:43.480 --> 1:02:46.320
<v Speaker 3>Yeah it is Hunger Games. And I will say I

1:02:46.400 --> 1:02:51.040
<v Speaker 3>kept off Maye Runner because it's too much like exactly.

1:02:51.120 --> 1:02:52.280
<v Speaker 1>So yeah, it could have been either one.

1:02:52.280 --> 1:02:56.480
<v Speaker 3>But okay, you guys are in the clear. They all right.

1:02:57.280 --> 1:03:02.240
<v Speaker 1>Number four Love Can't or Heartbreak and Hope.

1:03:05.040 --> 1:03:06.800
<v Speaker 2>I don't know the name of it, but if there

1:03:06.880 --> 1:03:10.200
<v Speaker 2>was a movie made after this book, then I think I.

1:03:09.760 --> 1:03:12.080
<v Speaker 1>Think there was. And my guess is, isn't it called

1:03:12.080 --> 1:03:13.760
<v Speaker 1>I can't believe I even know this. I've never read it,

1:03:13.760 --> 1:03:16.080
<v Speaker 1>But isn't it called like five feet apart or six

1:03:16.120 --> 1:03:18.640
<v Speaker 1>feet apart? Something like that? They have to stand a

1:03:18.640 --> 1:03:21.520
<v Speaker 1>certain distance apart. So I'm gonna say, yeah, six feet apart.

1:03:22.080 --> 1:03:23.600
<v Speaker 3>This is called Fault in Our Stars.

1:03:23.680 --> 1:03:25.800
<v Speaker 1>Oh, it's the Fault in Our Stars. Okay, made by

1:03:25.800 --> 1:03:27.280
<v Speaker 1>the same guy who does it's.

1:03:27.200 --> 1:03:29.240
<v Speaker 3>The same book. I think even it's the same book.

1:03:29.320 --> 1:03:32.280
<v Speaker 2>Yeah, they do have to stay a certain distance away.

1:03:32.640 --> 1:03:35.000
<v Speaker 1>Well didn't they. Well they made a movie Fault in

1:03:35.080 --> 1:03:38.480
<v Speaker 1>Our Stars and producer Lisa saying, you're thinking of five

1:03:38.480 --> 1:03:40.520
<v Speaker 1>feet apart, which is different than fault in Our Stars,

1:03:40.560 --> 1:03:43.040
<v Speaker 1>isn't it. Oh okay, it's a different movie, but I

1:03:43.040 --> 1:03:44.640
<v Speaker 1>think they're the Yeah, different, but I think they're the

1:03:44.680 --> 1:03:45.520
<v Speaker 1>same author.

1:03:45.880 --> 1:03:48.600
<v Speaker 3>This is May's Runner and Hunger Games all over again.

1:03:50.200 --> 1:03:53.480
<v Speaker 1>Oh god, that's my favorite part of Hunger Games was

1:03:53.520 --> 1:03:54.120
<v Speaker 1>the cancer?

1:03:54.120 --> 1:03:56.160
<v Speaker 2>And did they make a movie of five feet apart?

1:03:56.320 --> 1:03:59.720
<v Speaker 1>Yeah? They did? Okay with uh, what's her name? And

1:03:59.800 --> 1:04:03.640
<v Speaker 1>the dude, okay, what's it's It's no, I don't yes,

1:04:04.200 --> 1:04:05.960
<v Speaker 1>the Sprouse and Haley Richardson.

1:04:05.960 --> 1:04:09.000
<v Speaker 2>There you go, okay, yeah, no, the okay, yes.

1:04:09.000 --> 1:04:16.040
<v Speaker 1>Yeah, and then finally number five Vampires, Romance, Danger, Immortality.

1:04:16.360 --> 1:04:17.760
<v Speaker 1>Come on, I know.

1:04:19.520 --> 1:04:23.360
<v Speaker 2>You will get Vampire Diary. Think this is it's not

1:04:23.440 --> 1:04:25.880
<v Speaker 2>Vampire dis Twilight.

1:04:25.920 --> 1:04:27.360
<v Speaker 1>All right, there you go.

1:04:27.800 --> 1:04:29.200
<v Speaker 3>I was like, will you better? I'll be.

1:04:29.920 --> 1:04:31.800
<v Speaker 1>I didn't say anything. I didn't say anything.

1:04:32.160 --> 1:04:33.520
<v Speaker 2>I got it. I got it.

1:04:33.600 --> 1:04:36.760
<v Speaker 1>I again, everyone knows. When it came to Twilight, I

1:04:36.840 --> 1:04:41.360
<v Speaker 1>was team please stop making these Yes, well, thank you

1:04:41.400 --> 1:04:43.480
<v Speaker 1>very much. That was fine. I went five essentially, five

1:04:43.520 --> 1:04:45.560
<v Speaker 1>for five. I'm I'm not going to give myself fault

1:04:45.560 --> 1:04:46.880
<v Speaker 1>in Their Stars because I didn't know that one. But

1:04:46.920 --> 1:04:48.560
<v Speaker 1>I got four out of five. I'm pretty happy, which

1:04:48.560 --> 1:04:50.280
<v Speaker 1>is good. Can we do some Sabrina seas?

1:04:54.800 --> 1:04:58.439
<v Speaker 2>Yes we can. Okay, there's a couple of these here.

1:04:58.640 --> 1:05:00.680
<v Speaker 2>Did you notice what the name of the high school was?

1:05:01.480 --> 1:05:03.240
<v Speaker 2>No Monroe High School?

1:05:03.640 --> 1:05:03.920
<v Speaker 1>Was it?

1:05:05.040 --> 1:05:08.160
<v Speaker 2>Newspaper was like the Monro Everything had Monroe on it,

1:05:08.200 --> 1:05:10.400
<v Speaker 2>So I did think that was super cute. I talked

1:05:10.440 --> 1:05:15.360
<v Speaker 2>about Julia and her daughter Quinn's cameo. Sawyer had a

1:05:15.480 --> 1:05:18.160
<v Speaker 2>lot of this is after the cheatahirls. She had a

1:05:18.160 --> 1:05:20.400
<v Speaker 2>lot of cheata girls stuff in here. Did she wore

1:05:20.560 --> 1:05:24.000
<v Speaker 2>a white and in in and out of being Sawyer

1:05:24.320 --> 1:05:27.880
<v Speaker 2>or was it Myrna out She had the white like

1:05:27.920 --> 1:05:31.840
<v Speaker 2>a white hat that I wore in the Cinderella. She

1:05:32.000 --> 1:05:35.880
<v Speaker 2>wore a pink velore outfit, and then she had a

1:05:35.880 --> 1:05:38.280
<v Speaker 2>full blown cheet of vesta. Every time she popped up,

1:05:38.320 --> 1:05:42.040
<v Speaker 2>I'm like she like pulled our wardrobe from the movie.

1:05:42.040 --> 1:05:43.720
<v Speaker 1>Did she look like dough or did she look like

1:05:43.760 --> 1:05:44.840
<v Speaker 1>a combination of all of them?

1:05:44.960 --> 1:05:47.800
<v Speaker 2>Kind of a combination of everyone. But it was pretty

1:05:47.800 --> 1:05:49.520
<v Speaker 2>funny that she just kept coming up with these things.

1:05:49.560 --> 1:05:51.600
<v Speaker 2>And there was the same kind of dog in the movie,

1:05:51.640 --> 1:05:54.200
<v Speaker 2>that dog that she came into. It was a lot

1:05:54.240 --> 1:05:56.000
<v Speaker 2>of cheat at the guy. I'm like, am I being

1:05:56.040 --> 1:06:02.120
<v Speaker 2>too crazy right now. He was later. Yeah, the third one,

1:06:02.160 --> 1:06:04.160
<v Speaker 2>he was way later. But yes, there was a couple

1:06:04.160 --> 1:06:07.160
<v Speaker 2>of those funny things. And then you mentioned it before.

1:06:07.680 --> 1:06:10.880
<v Speaker 2>But the song that Drew Seely has in the movie

1:06:11.000 --> 1:06:13.360
<v Speaker 2>is during the time when we actually kind of around

1:06:13.400 --> 1:06:16.120
<v Speaker 2>that time, she's at that industry party where she meets

1:06:16.160 --> 1:06:20.120
<v Speaker 2>her people that she's fans of. That song was actually

1:06:20.200 --> 1:06:22.560
<v Speaker 2>on my I don't even know if you know that

1:06:22.600 --> 1:06:26.800
<v Speaker 2>I've done A was one of my songs. So it

1:06:26.880 --> 1:06:29.439
<v Speaker 2>starts playing and I go, why do I know this song?

1:06:29.880 --> 1:06:32.360
<v Speaker 2>I'm like, that's definitely Drew Seely, So maybe that's why

1:06:32.400 --> 1:06:34.800
<v Speaker 2>I recognized his voice. Why do I know that song? Wait?

1:06:34.800 --> 1:06:36.880
<v Speaker 2>Why do I feel like I know choreography.

1:06:36.320 --> 1:06:36.920
<v Speaker 1>To that music?

1:06:37.160 --> 1:06:40.080
<v Speaker 2>So I looked up the soundtrack, find the name. Look,

1:06:40.120 --> 1:06:42.400
<v Speaker 2>I'm like, was it on be you? Looked up b

1:06:42.520 --> 1:06:44.960
<v Speaker 2>you it's one of the songs we do an actual

1:06:45.000 --> 1:06:47.800
<v Speaker 2>workout too. So that was really cool for me because

1:06:47.800 --> 1:06:49.560
<v Speaker 2>I just thought that was cool. I loved you. Yeah,

1:06:50.320 --> 1:06:53.160
<v Speaker 2>and again just going he has been in so many

1:06:53.160 --> 1:06:55.760
<v Speaker 2>of these movies, whether it's just in the soundtrack or

1:06:55.880 --> 1:06:58.520
<v Speaker 2>you know, bigger part of the movies we've done. And

1:06:58.560 --> 1:07:02.560
<v Speaker 2>then my last question was, what does this older brother, who,

1:07:02.600 --> 1:07:05.120
<v Speaker 2>by the way, looked more like just a young dad

1:07:05.760 --> 1:07:06.600
<v Speaker 2>Connor's brother.

1:07:07.440 --> 1:07:09.680
<v Speaker 1>Oh Connor, Yeah, yeah, yeah, yeah. I did a movie

1:07:09.680 --> 1:07:11.439
<v Speaker 1>with that guy. He's really cool. I did a movie.

1:07:11.680 --> 1:07:14.320
<v Speaker 2>He was great, and I loved his character. But he

1:07:14.400 --> 1:07:17.280
<v Speaker 2>looked a lot. There was a giant age guy.

1:07:17.360 --> 1:07:19.520
<v Speaker 1>There was an eight Yeah, I figured he was probably

1:07:19.960 --> 1:07:22.720
<v Speaker 1>they they made him like the father figure to him.

1:07:22.800 --> 1:07:25.080
<v Speaker 1>So my guess was they were supposed to be freshman,

1:07:25.200 --> 1:07:27.480
<v Speaker 1>so the kids like thirteen fourteen, he was like.

1:07:27.480 --> 1:07:30.200
<v Speaker 2>A senior in college, because yeah, I would have had home.

1:07:30.360 --> 1:07:33.720
<v Speaker 1>Well, I mean my brother, so my oldest brother is

1:07:33.760 --> 1:07:35.640
<v Speaker 1>eight years older than me, so it would have kind

1:07:35.640 --> 1:07:38.200
<v Speaker 1>of been like that, Like when I was a freshman

1:07:38.240 --> 1:07:41.000
<v Speaker 1>in high school, my brother was already out of college

1:07:41.280 --> 1:07:42.960
<v Speaker 1>or ye or was a senior in college.

1:07:43.200 --> 1:07:45.080
<v Speaker 2>So yeah, it was just kind of funny. He just

1:07:45.160 --> 1:07:47.360
<v Speaker 2>every time he popped in, he just looked a lot

1:07:47.400 --> 1:07:50.840
<v Speaker 2>older than he was. By the way, what he was

1:07:50.880 --> 1:07:52.840
<v Speaker 2>awesome too, And like I said, we loved his character.

1:07:52.920 --> 1:07:57.160
<v Speaker 2>But what does he do to involve Connor having to

1:07:57.280 --> 1:08:00.960
<v Speaker 2>use goggles and pliers to handle his laundry?

1:08:01.080 --> 1:08:01.160
<v Speaker 1>Is?

1:08:01.480 --> 1:08:02.680
<v Speaker 2>Why was his laundry?

1:08:02.720 --> 1:08:04.200
<v Speaker 1>I think it's just supposed to be like, oh, it's

1:08:04.200 --> 1:08:07.240
<v Speaker 1>so gross that I have to Yeah, it's and.

1:08:07.160 --> 1:08:08.600
<v Speaker 2>He hated doing it, but it was just kind of

1:08:08.600 --> 1:08:10.200
<v Speaker 2>funny because it popped up a.

1:08:10.120 --> 1:08:13.200
<v Speaker 1>Lot good visual in my underwear forever. You gotta go

1:08:13.280 --> 1:08:16.080
<v Speaker 1>ask her out. Yeah, yeah, so that was it.

1:08:16.320 --> 1:08:21.640
<v Speaker 2>We've got lots of stuff, cheetah, cameos, songs, songs. It

1:08:21.720 --> 1:08:23.720
<v Speaker 2>was just like fireworks all over me.

1:08:23.760 --> 1:08:25.840
<v Speaker 1>The whole time was the whale being down and the

1:08:25.840 --> 1:08:27.960
<v Speaker 1>whale being up on one of your Sabrina seas. Yeah,

1:08:28.000 --> 1:08:30.400
<v Speaker 1>that to me was like come on, we got the wheels, Like.

1:08:30.680 --> 1:08:34.400
<v Speaker 2>If it was up, I would have liked to see it, like.

1:08:33.560 --> 1:08:35.400
<v Speaker 1>Like yeah, like the whale it like broken.

1:08:35.720 --> 1:08:39.360
<v Speaker 2>Yeah, just like broactly said, it was just perfectly.

1:08:38.960 --> 1:08:41.280
<v Speaker 1>Placed in all good well because what happened was they

1:08:41.360 --> 1:08:46.120
<v Speaker 1>obviously shot that scene before they had to trash everything,

1:08:46.240 --> 1:08:48.320
<v Speaker 1>because then once they trashed everything, they didn't want to

1:08:48.320 --> 1:08:50.040
<v Speaker 1>have to clean it all up to shoot that scene again.

1:08:50.120 --> 1:08:52.960
<v Speaker 2>Yeah. There was another one where the there's they go

1:08:53.080 --> 1:08:55.840
<v Speaker 2>up to the table in the cafeteria, Her and Mark

1:08:56.520 --> 1:08:58.720
<v Speaker 2>go up to the table, and the capture it is

1:08:58.720 --> 1:09:00.760
<v Speaker 2>supposed to be like disgusting and you can tell like

1:09:01.040 --> 1:09:04.280
<v Speaker 2>just the there's just like a couple of it really

1:09:04.320 --> 1:09:05.400
<v Speaker 2>wasn't anything.

1:09:05.120 --> 1:09:07.679
<v Speaker 1>Nuts like, that's it? Yeah, yeah, exactly.

1:09:07.880 --> 1:09:10.280
<v Speaker 2>A napkin, A clean napkin, A clean napkin.

1:09:10.360 --> 1:09:13.320
<v Speaker 1>That's it. Well, thank you once again for those. And

1:09:13.400 --> 1:09:15.679
<v Speaker 1>now we've come to the portion of our program where

1:09:15.680 --> 1:09:18.120
<v Speaker 1>we have to rate the movie we just saw. And

1:09:18.160 --> 1:09:20.000
<v Speaker 1>we've got some options this week. Should we do one

1:09:20.000 --> 1:09:22.160
<v Speaker 1>out of ten and as I've said before, one being bad,

1:09:22.200 --> 1:09:24.240
<v Speaker 1>ten being good, or you know the way that we

1:09:24.280 --> 1:09:27.160
<v Speaker 1>normally do it, is it one out of ten, terrible

1:09:27.200 --> 1:09:31.360
<v Speaker 1>pizza combos, one out of ten, shopping mall, food court cafeterias,

1:09:32.040 --> 1:09:34.400
<v Speaker 1>one out of ten it says nutties, But I'm gonna

1:09:34.439 --> 1:09:37.880
<v Speaker 1>make it one out of ten pitcha nutties nutties, which

1:09:37.960 --> 1:09:41.000
<v Speaker 1>now now sound pitching nutties now sounds like a like

1:09:41.080 --> 1:09:44.959
<v Speaker 1>a candy bar. One out of ten, seaweed filled whales,

1:09:45.439 --> 1:09:47.599
<v Speaker 1>one out of ten letters to the editor, one out

1:09:47.640 --> 1:09:50.240
<v Speaker 1>of ten cheers for Jamie Bartlett, or one out of

1:09:50.240 --> 1:09:53.639
<v Speaker 1>ten high school farmers' markets. You picked this week, Sabrina,

1:09:53.680 --> 1:09:54.240
<v Speaker 1>what would you like?

1:09:54.680 --> 1:09:58.040
<v Speaker 2>I think it was so educational to learn what this

1:09:58.160 --> 1:10:01.679
<v Speaker 2>term means. So I'm gonna go that a ten pitch nutty.

1:10:02.080 --> 1:10:05.479
<v Speaker 1>Yes, well out of ten pitch of nutties. I love it, Yes, yes, yes,

1:10:06.640 --> 1:10:08.960
<v Speaker 1>I think I went first last time, didn't we? I

1:10:08.960 --> 1:10:09.920
<v Speaker 1>don't know how we? How we?

1:10:10.000 --> 1:10:12.200
<v Speaker 2>I don't, I gosh, I don't. I have no idea.

1:10:12.200 --> 1:10:13.240
<v Speaker 1>They're now getting jumbled a.

1:10:13.200 --> 1:10:15.720
<v Speaker 2>Little bit, are getting jumbled. I need to go back

1:10:15.760 --> 1:10:17.880
<v Speaker 2>to because I'd like to see my scoring system and

1:10:17.920 --> 1:10:20.000
<v Speaker 2>make sure I'm like, now that we've done a chunk,

1:10:20.280 --> 1:10:24.560
<v Speaker 2>yeah sure, I'm like, I'm going and being consistent.

1:10:24.640 --> 1:10:26.960
<v Speaker 1>If we're gonna have to do one whole episode where

1:10:27.000 --> 1:10:29.599
<v Speaker 1>we give out awards and we list all the movies

1:10:29.600 --> 1:10:31.439
<v Speaker 1>we've done and where they're ranked, I think we're gonna

1:10:31.439 --> 1:10:33.280
<v Speaker 1>have to. It's like a recap of everything we're doing,

1:10:33.479 --> 1:10:38.479
<v Speaker 1>followed quickly by a rewatch of your exercise video. Because

1:10:38.520 --> 1:10:41.280
<v Speaker 1>if you think that's not gonna happen, I got some

1:10:41.400 --> 1:10:44.200
<v Speaker 1>news for you. You might pitch a nutty, but it's happening.

1:10:44.280 --> 1:10:47.439
<v Speaker 2>Take your your double runs out of your exercise routine

1:10:47.479 --> 1:10:49.599
<v Speaker 2>and start doing BU that.

1:10:49.920 --> 1:10:53.960
<v Speaker 1>I love that because after my BU i'd have BO.

1:10:54.160 --> 1:10:58.800
<v Speaker 1>Thank you very much. Okay, So Sabrina, what do you got?

1:10:58.920 --> 1:11:00.879
<v Speaker 1>How many pitch nutties are given this movie?

1:11:01.080 --> 1:11:03.439
<v Speaker 2>Okay, So again I think our rating is going to

1:11:03.520 --> 1:11:06.760
<v Speaker 2>be different because now that I'm really thinking about it

1:11:06.800 --> 1:11:10.080
<v Speaker 2>and what hearing your your situation, like things that you

1:11:10.120 --> 1:11:14.599
<v Speaker 2>brought up. It is more of a girl directed, you

1:11:14.600 --> 1:11:18.599
<v Speaker 2>know movie a bad thing. It's not at all so exactly.

1:11:18.680 --> 1:11:21.719
<v Speaker 2>I was able to connect. I remember being in high school,

1:11:22.160 --> 1:11:26.040
<v Speaker 2>junior high, high school, and this was like a really

1:11:26.160 --> 1:11:28.639
<v Speaker 2>real thing. And I also, as I was watching it

1:11:28.920 --> 1:11:32.160
<v Speaker 2>was kind of letting myself remember too, this is not

1:11:32.240 --> 1:11:35.120
<v Speaker 2>a big musical movie. This is not about a sports thing.

1:11:35.240 --> 1:11:38.120
<v Speaker 2>This is you know, it's not you know, it doesn't

1:11:38.160 --> 1:11:41.719
<v Speaker 2>have like a really crazy niche except for girl girl

1:11:41.800 --> 1:11:44.800
<v Speaker 2>issues that they go through. Sure, and so I did

1:11:44.840 --> 1:11:48.719
<v Speaker 2>connect with it. There weren't We've had a couple movies

1:11:48.720 --> 1:11:50.600
<v Speaker 2>with a ton of holes. There wasn't. There was just

1:11:50.640 --> 1:11:52.680
<v Speaker 2>a few blips here and there. Yeah, I know the

1:11:52.720 --> 1:11:54.320
<v Speaker 2>story was the story was great.

1:11:54.439 --> 1:11:57.880
<v Speaker 1>Yeah, and I formulaic but full right, that makes sense.

1:11:58.240 --> 1:12:01.080
<v Speaker 2>Yes, Yeah, So I gave it a seven point five.

1:12:01.240 --> 1:12:04.120
<v Speaker 2>I thought it was It was nice. I think again,

1:12:04.439 --> 1:12:07.519
<v Speaker 2>for someone when it's Monroe's time for her to learn

1:12:07.600 --> 1:12:10.600
<v Speaker 2>these kinds of movies, I would love for this to

1:12:10.680 --> 1:12:14.799
<v Speaker 2>be a first of hers of these kind of lessons

1:12:14.840 --> 1:12:17.280
<v Speaker 2>to learn and how to handle yourself. And you know,

1:12:18.240 --> 1:12:20.559
<v Speaker 2>you know how much your friends mean to you, the

1:12:20.560 --> 1:12:22.760
<v Speaker 2>ones that treat you well versus people that are not

1:12:22.920 --> 1:12:25.080
<v Speaker 2>nice to you but maybe cool on in campus and

1:12:25.120 --> 1:12:25.720
<v Speaker 2>stuff like that.

1:12:25.760 --> 1:12:26.400
<v Speaker 1>So that makes sense.

1:12:26.479 --> 1:12:28.839
<v Speaker 2>OKAYO point five pitching and nutties.

1:12:29.080 --> 1:12:32.120
<v Speaker 1>Pitching and nutties. I did not give it a seven

1:12:32.120 --> 1:12:34.120
<v Speaker 1>point five. I did not going to decimate the movie.

1:12:34.320 --> 1:12:36.160
<v Speaker 1>It was harder for me to connect with, like we said,

1:12:36.280 --> 1:12:39.439
<v Speaker 1>which which makes sense. It was very formulaic. I knew

1:12:39.439 --> 1:12:41.840
<v Speaker 1>exactly from the second she came on screen. I knew

1:12:41.840 --> 1:12:43.439
<v Speaker 1>exactly what was going to happen to the character all

1:12:43.439 --> 1:12:45.360
<v Speaker 1>the way around. Again, that's not always a bad thing.

1:12:45.840 --> 1:12:48.439
<v Speaker 1>But I'm going to give this because of and I'm

1:12:48.520 --> 1:12:52.599
<v Speaker 1>knighting him right now, so because of Sir Jason Dally,

1:12:54.360 --> 1:12:59.120
<v Speaker 1>I'm going to give this a five point five. Pitching nutties. Okay, again,

1:12:59.160 --> 1:13:01.080
<v Speaker 1>it was this was not bad movie. It was this.

1:13:01.080 --> 1:13:02.960
<v Speaker 1>This was a movie. Like I finished and I went like, Okay,

1:13:03.000 --> 1:13:05.040
<v Speaker 1>I watched the movie. I didn't hate it by any

1:13:05.040 --> 1:13:08.080
<v Speaker 1>stretch of the imagination. I didn't love it. Yeah, I thought, again,

1:13:08.120 --> 1:13:12.400
<v Speaker 1>the Pana Baker's that's great casting to have her older

1:13:12.479 --> 1:13:17.280
<v Speaker 1>sister play like a heightened version of herself. Really clever

1:13:17.360 --> 1:13:19.880
<v Speaker 1>way of doing it. So yeah, it's a It's a

1:13:19.880 --> 1:13:25.040
<v Speaker 1>five point five pitch nutties for me. And that's that

1:13:25.200 --> 1:13:28.680
<v Speaker 1>of course, Folks. Is our film for the week. That is,

1:13:28.840 --> 1:13:34.240
<v Speaker 1>read it and weep our next movie, Our next movie.

1:13:34.360 --> 1:13:35.640
<v Speaker 1>I'm just gonna say it like this and see if

1:13:35.640 --> 1:13:40.679
<v Speaker 1>you can guess it. Our next movie keeps us on track. Yes,

1:13:40.800 --> 1:13:43.240
<v Speaker 1>it is the Extreme two thousand and one dirt bike

1:13:43.360 --> 1:13:46.880
<v Speaker 1>movie Motocross. I've heard so much about this movie. Here's

1:13:46.880 --> 1:13:48.960
<v Speaker 1>one I've actually heard of. I know this movie. I've

1:13:48.960 --> 1:13:51.360
<v Speaker 1>never seen it, but I've heard of this movie. So

1:13:51.479 --> 1:13:53.719
<v Speaker 1>I am excited to see where we go from here.

1:13:53.920 --> 1:13:56.680
<v Speaker 1>Remember everybody to subscribe to our feed and you can

1:13:56.680 --> 1:13:59.679
<v Speaker 1>follow us at the Magical rewind Pod on the Instagram Machine.

1:13:59.720 --> 1:14:02.120
<v Speaker 1>Thank you once again for joining us. We will see

1:14:02.160 --> 1:14:20.839
<v Speaker 1>you next time on the racetrack. Bye everybody, Bye,