1 00:00:15,120 --> 00:00:18,160 Speaker 1: Sabrina, We've been doing a bunch of these together. Now, 2 00:00:18,560 --> 00:00:20,400 Speaker 1: I feel like we're getting to know each other as people, 3 00:00:20,440 --> 00:00:23,560 Speaker 1: as friends. We're enjoying the time that we're spending together. 4 00:00:24,079 --> 00:00:27,120 Speaker 2: In your tone that you have right now is already 5 00:00:27,160 --> 00:00:29,400 Speaker 2: making me nervous about the first questions. 6 00:00:30,120 --> 00:00:32,080 Speaker 1: I think it's a hard hitting question. I think it's 7 00:00:32,120 --> 00:00:34,479 Speaker 1: a question that I'm amazed our friendship has gotten this 8 00:00:34,640 --> 00:00:36,680 Speaker 1: far without knowing. It's one of the first things I 9 00:00:36,760 --> 00:00:42,120 Speaker 1: knew about writer and Danielle. So, okay, this is important. Yeah, 10 00:00:42,280 --> 00:00:44,680 Speaker 1: pineapple on a pizza good or communist? 11 00:00:45,520 --> 00:00:52,159 Speaker 2: Oh you know, it's crazy because I just recently flipped 12 00:00:52,200 --> 00:00:54,800 Speaker 2: to the other side. I used to just think it 13 00:00:54,880 --> 00:00:56,400 Speaker 2: was so ridiculous. I didn't like it. 14 00:00:56,360 --> 00:00:58,560 Speaker 1: At all, right, which was the first answer. 15 00:00:58,880 --> 00:01:03,080 Speaker 2: Okay, But as well as barbecue pizza, not a fan. 16 00:01:03,120 --> 00:01:07,119 Speaker 2: I don't think things on pizza are. They're not my thing. 17 00:01:07,200 --> 00:01:09,640 Speaker 2: I'm not really a barbecue chicken person in general. 18 00:01:09,360 --> 00:01:09,600 Speaker 1: But. 19 00:01:11,480 --> 00:01:13,720 Speaker 2: Like on pizza or salads, I just don't like. I 20 00:01:13,800 --> 00:01:17,280 Speaker 2: just they don't mix for me. However, now I told 21 00:01:17,280 --> 00:01:19,480 Speaker 2: you that Jordan has a trigger, and we have the 22 00:01:19,520 --> 00:01:22,440 Speaker 2: pizza oven thing for the trigger, and we did our 23 00:01:22,520 --> 00:01:28,880 Speaker 2: own dough all of that. Did pineapple him barbecue, and yeah, 24 00:01:28,880 --> 00:01:30,880 Speaker 2: I did all of that. I just I mean, that's 25 00:01:31,000 --> 00:01:32,959 Speaker 2: just what I knew he was gonna like. And it 26 00:01:33,000 --> 00:01:34,800 Speaker 2: was kind of like a thing for me to do 27 00:01:34,840 --> 00:01:36,640 Speaker 2: for him. And then I tried it and it was 28 00:01:36,720 --> 00:01:41,440 Speaker 2: like a different pizza to me. So I did flip. 29 00:01:41,520 --> 00:01:44,720 Speaker 2: But I'm sure it won't last long, for to long. 30 00:01:45,360 --> 00:01:47,960 Speaker 1: I don't hate you. You're just wrong in your opinion. 31 00:01:48,520 --> 00:01:55,560 Speaker 2: I'm more veggies spicy, you know what. That's more me. 32 00:01:55,720 --> 00:01:57,960 Speaker 2: I do not like it normally, but I will say 33 00:01:58,280 --> 00:02:02,160 Speaker 2: for whatever reason, and this concoction of a of a 34 00:02:02,240 --> 00:02:04,480 Speaker 2: machine that we got it made. 35 00:02:04,280 --> 00:02:07,360 Speaker 1: It so good and change machine. 36 00:02:07,360 --> 00:02:11,200 Speaker 2: It worked, Yes, And I'm sure if I ever order one, 37 00:02:11,560 --> 00:02:12,880 Speaker 2: I'll be right back to where I started. 38 00:02:13,360 --> 00:02:16,840 Speaker 1: Hands down, the correct answer, the correct We're just getting 39 00:02:16,880 --> 00:02:18,880 Speaker 1: to know each other, just getting to know each other. Well. 40 00:02:18,919 --> 00:02:21,000 Speaker 1: Welcome back to Magical Rewind, the show that makes you 41 00:02:21,040 --> 00:02:23,119 Speaker 1: want to grab your friends, your PJS, and your popcorn 42 00:02:23,160 --> 00:02:24,680 Speaker 1: and go back to a time when all the houses 43 00:02:24,680 --> 00:02:27,560 Speaker 1: were smart, the waves, tsunamis, and the high School's musical. 44 00:02:27,600 --> 00:02:28,840 Speaker 1: I'm Wilford All and. 45 00:02:28,760 --> 00:02:29,760 Speaker 2: I'm Sabrina Brian. 46 00:02:30,360 --> 00:02:34,240 Speaker 1: What's time for our podcast Sabrina Whimsical, Walt Disney Wherewithal 47 00:02:34,280 --> 00:02:37,280 Speaker 1: where two hosts breakdown the ongoing journeys of socialites susie 48 00:02:37,320 --> 00:02:40,240 Speaker 1: Ces and tsunamis. And this week we're taking apart the 49 00:02:40,320 --> 00:02:43,280 Speaker 1: alliteration heavy as You Could Tell two thousand and six 50 00:02:43,360 --> 00:02:46,800 Speaker 1: family comedy, Read It and Weep. This was based on 51 00:02:46,840 --> 00:02:49,480 Speaker 1: the novel How My Private Personal Journal Became a bestseller, 52 00:02:49,680 --> 00:02:52,079 Speaker 1: a title that has actually used directly as a line 53 00:02:52,120 --> 00:02:55,079 Speaker 1: in the movie. And it's authored by Julia de Villers, 54 00:02:55,200 --> 00:02:57,560 Speaker 1: who would later go on to write the Maddie Ziggler 55 00:02:57,560 --> 00:03:02,239 Speaker 1: book series with Maddie and Sabrina. What other book She. 56 00:03:02,160 --> 00:03:04,960 Speaker 2: Wrote a book with me called Princess of Gossip. There 57 00:03:05,520 --> 00:03:11,000 Speaker 2: go love Julia. She is the sweetest woman and just 58 00:03:11,440 --> 00:03:14,520 Speaker 2: I just love she can think of book ideas and 59 00:03:14,639 --> 00:03:16,760 Speaker 2: just it's just she's so quick. She's amazing. 60 00:03:17,000 --> 00:03:19,480 Speaker 1: That's awesome. Well I and you know, spoiler alert, she 61 00:03:19,639 --> 00:03:21,160 Speaker 1: was going to be coming on the show and then 62 00:03:21,200 --> 00:03:23,000 Speaker 1: had to postpone. But we'll get her on. She's going 63 00:03:23,040 --> 00:03:24,560 Speaker 1: to You're gonna be able to talk to her about it. 64 00:03:24,600 --> 00:03:25,240 Speaker 2: We'll get on. 65 00:03:25,560 --> 00:03:28,000 Speaker 1: So it's going to be uh. And she's also a 66 00:03:28,040 --> 00:03:30,880 Speaker 1: cameo in the movie. Yes, and you're going to have 67 00:03:30,919 --> 00:03:32,480 Speaker 1: to tell me where. So we'll keep an eye out 68 00:03:32,480 --> 00:03:33,959 Speaker 1: and let me know when you see her go like, 69 00:03:34,040 --> 00:03:35,320 Speaker 1: there's waldough because I don't know. 70 00:03:36,000 --> 00:03:39,200 Speaker 2: It happens pretty early on. It's not it's not too 71 00:03:39,280 --> 00:03:40,400 Speaker 2: far down the line. 72 00:03:40,760 --> 00:03:42,000 Speaker 1: Did you read this book? 73 00:03:42,200 --> 00:03:44,720 Speaker 2: No? I didn't. I didn't. Okay, the movie had already 74 00:03:44,720 --> 00:03:49,240 Speaker 2: been made, and so I already knew about her and 75 00:03:49,440 --> 00:03:53,080 Speaker 2: that my my manager somehow connected with her and got 76 00:03:53,480 --> 00:03:56,760 Speaker 2: us connected, and I went to one of her book signings. 77 00:03:56,920 --> 00:03:59,000 Speaker 2: She's so easy to fall in love with. She's a twin, 78 00:03:59,200 --> 00:04:02,000 Speaker 2: which I always love. I just think twins are the coolest. 79 00:04:02,280 --> 00:04:04,480 Speaker 2: And yeah, she's like amazing and I love. 80 00:04:04,400 --> 00:04:05,920 Speaker 1: Okay, Well, I can't wait to be able to sit 81 00:04:05,960 --> 00:04:06,720 Speaker 1: down and talk with her. 82 00:04:07,040 --> 00:04:07,640 Speaker 2: Yeah. 83 00:04:07,680 --> 00:04:10,280 Speaker 1: And so this one is obviously is focusing on the 84 00:04:10,320 --> 00:04:13,040 Speaker 1: dynamics of high school Read It and Weep was filmed 85 00:04:13,080 --> 00:04:16,480 Speaker 1: in good old Salt Lake City in the decom paradise 86 00:04:16,520 --> 00:04:18,720 Speaker 1: known as Murray High School. And if it looked familiar 87 00:04:18,760 --> 00:04:20,600 Speaker 1: to all of you, there's a very good reason for that. 88 00:04:20,920 --> 00:04:23,080 Speaker 1: It was the backdrop for some of high school musical 89 00:04:23,200 --> 00:04:25,599 Speaker 1: and all of minute Men. It looks like the most 90 00:04:25,640 --> 00:04:27,880 Speaker 1: amazing high school in the history of high schools. Did 91 00:04:27,880 --> 00:04:30,960 Speaker 1: you notice immediately that we were back in a familiar space? 92 00:04:31,040 --> 00:04:34,920 Speaker 2: You know what the the cafeteria look like the cafeteria 93 00:04:34,960 --> 00:04:39,039 Speaker 2: from Xenon to me, when not not the space cafeteria 94 00:04:39,680 --> 00:04:40,159 Speaker 2: on air. 95 00:04:40,600 --> 00:04:41,719 Speaker 1: Yeah, it looked a little. 96 00:04:41,880 --> 00:04:44,880 Speaker 2: That's what I clocked was, Oh, that cafeteria is from Xenon. 97 00:04:44,960 --> 00:04:48,320 Speaker 1: I remember, I think we should keep it where. Frankly, 98 00:04:48,480 --> 00:04:51,120 Speaker 1: all of these things like Shermer High, like all the 99 00:04:51,360 --> 00:04:53,279 Speaker 1: kind of old school eighties movies. I think all these 100 00:04:53,320 --> 00:04:56,200 Speaker 1: movies are all actually taking place at the same high school. 101 00:04:56,240 --> 00:04:58,120 Speaker 1: I think all these characters actually go to high school 102 00:04:58,120 --> 00:05:01,000 Speaker 1: together from all these different movies, and it's just the 103 00:05:01,080 --> 00:05:02,640 Speaker 1: day you get there, it's like, oh, I guess we're 104 00:05:02,640 --> 00:05:04,600 Speaker 1: singing today, like you just never know. So I think 105 00:05:04,640 --> 00:05:08,760 Speaker 1: that's kind of never know. So no soundtrack was ever 106 00:05:08,800 --> 00:05:10,520 Speaker 1: released for this movie, which is strange, but that did 107 00:05:10,520 --> 00:05:13,480 Speaker 1: that stop Disney from pushing some of their Hollywood recording 108 00:05:13,560 --> 00:05:16,400 Speaker 1: artists into the fold. The song Outside Looking In by 109 00:05:16,480 --> 00:05:18,640 Speaker 1: Jordan Pruitt was recorded for this movie, as well as 110 00:05:18,680 --> 00:05:21,680 Speaker 1: a track from Disney actor Nick Whittaker and our favorite 111 00:05:21,720 --> 00:05:25,200 Speaker 1: high school musical ghost voice Drew Seely, who as a 112 00:05:25,279 --> 00:05:27,240 Speaker 1: name that has come up several times on this podcast. 113 00:05:27,360 --> 00:05:29,280 Speaker 1: We got to get Drew. 114 00:05:29,440 --> 00:05:31,600 Speaker 2: He was really part of this huge era. 115 00:05:32,560 --> 00:05:34,240 Speaker 1: You know what we should do is we should get 116 00:05:34,240 --> 00:05:37,560 Speaker 1: another actor to come on to be on Zoom, but 117 00:05:37,680 --> 00:05:40,400 Speaker 1: Drew's voice comes on and sings and talks for I 118 00:05:40,400 --> 00:05:42,800 Speaker 1: think that's what we should do. The montages of this 119 00:05:42,839 --> 00:05:45,520 Speaker 1: movie are actually just music videos for all the tracks 120 00:05:45,520 --> 00:05:47,279 Speaker 1: in it. You can tell and read it and weep 121 00:05:47,320 --> 00:05:49,200 Speaker 1: as you all know, because you'd like to watch along 122 00:05:49,240 --> 00:05:51,520 Speaker 1: with us. Is available to stream now on Disney Plus. 123 00:05:51,680 --> 00:05:53,880 Speaker 1: Watch it now or wait until after the podcast. It's 124 00:05:53,880 --> 00:05:56,560 Speaker 1: a preference that no one should judge, be yourself, have 125 00:05:56,640 --> 00:05:59,920 Speaker 1: some confidence and figure it out, and so we always go. 126 00:06:00,080 --> 00:06:01,880 Speaker 1: Did you know anything about reading a week before we started? 127 00:06:01,880 --> 00:06:03,080 Speaker 1: You did because you knew Julia? 128 00:06:03,200 --> 00:06:05,440 Speaker 2: Right? Yes, so I knew the preface. I had not 129 00:06:05,520 --> 00:06:08,279 Speaker 2: watched it, but I already knew the two main actresses 130 00:06:08,320 --> 00:06:10,920 Speaker 2: that were in it. Sure is we've already seen her 131 00:06:11,279 --> 00:06:14,000 Speaker 2: at some point in a d com and then the 132 00:06:14,400 --> 00:06:16,440 Speaker 2: younger one, who I just think is just so cute 133 00:06:16,480 --> 00:06:17,960 Speaker 2: and so adorable. I loved watching. 134 00:06:18,200 --> 00:06:20,160 Speaker 1: Well, she will get into that because it was I 135 00:06:20,560 --> 00:06:23,599 Speaker 1: I had trouble watching her, And I'll get into why. 136 00:06:23,800 --> 00:06:25,240 Speaker 1: When I say why, it would be like, oh, okay, 137 00:06:25,240 --> 00:06:27,080 Speaker 1: that makes sense. Trouble is the wrong word. It's just 138 00:06:27,120 --> 00:06:28,919 Speaker 1: it was. It was throwing me as I was watching. 139 00:06:28,960 --> 00:06:30,839 Speaker 1: But we'll, we'll, we'll, we'll, we'll hit all of that 140 00:06:31,160 --> 00:06:34,279 Speaker 1: all right. By the way, three guesses. Did I know 141 00:06:34,320 --> 00:06:40,560 Speaker 1: anything about this movie before? Can I? I'm okay, No, 142 00:06:41,200 --> 00:06:45,400 Speaker 1: I knew nothing. So before you accidentally email your friend 143 00:06:45,440 --> 00:06:47,839 Speaker 1: the wrong file and become the voice of a zapping generation, 144 00:06:48,000 --> 00:06:51,479 Speaker 1: let's get into the synopsis. A high school girl's private 145 00:06:51,560 --> 00:06:54,440 Speaker 1: journal becomes a best seller after she accidentally hands it 146 00:06:54,480 --> 00:06:57,679 Speaker 1: in as a homework assignment. Did you ever have a journal? 147 00:06:57,680 --> 00:06:58,160 Speaker 1: Were you a journal? 148 00:06:58,279 --> 00:07:01,560 Speaker 2: I did? I did a little bit, and then I 149 00:07:01,560 --> 00:07:06,039 Speaker 2: had one of these like uh, digital my diary type 150 00:07:06,080 --> 00:07:07,800 Speaker 2: things or something I remember. 151 00:07:07,480 --> 00:07:09,280 Speaker 1: How like a tamagachi or those different. 152 00:07:09,680 --> 00:07:12,360 Speaker 2: No, it's totally that's that's like a game. Basically, this 153 00:07:12,520 --> 00:07:14,920 Speaker 2: is like a little had a little keyboard and you 154 00:07:14,920 --> 00:07:17,520 Speaker 2: could only write again same like kind of sort of 155 00:07:17,520 --> 00:07:20,560 Speaker 2: how it was for Twitter or whatever certain amount of characters. 156 00:07:20,840 --> 00:07:23,240 Speaker 2: It was just like a little tidbit every day that 157 00:07:23,280 --> 00:07:23,840 Speaker 2: you would do. 158 00:07:23,880 --> 00:07:26,200 Speaker 1: And it kind of cool. Have you found it? You 159 00:07:26,240 --> 00:07:27,320 Speaker 1: should find it and try to know. 160 00:07:27,480 --> 00:07:30,240 Speaker 2: I'm sure I threw it away. I'm not good at 161 00:07:30,280 --> 00:07:32,400 Speaker 2: keeping stuff on. My mom might actually have it. 162 00:07:33,400 --> 00:07:36,000 Speaker 1: Boards things I recently found. We talked about it on 163 00:07:36,040 --> 00:07:37,960 Speaker 1: Pommy's World. I found a journal that I made that 164 00:07:38,000 --> 00:07:40,680 Speaker 1: I kept only for like the first month and a 165 00:07:40,680 --> 00:07:42,120 Speaker 1: half that I lived in Los Angeles that I was 166 00:07:42,120 --> 00:07:44,160 Speaker 1: doing Boy Means World. But it was it was amazing 167 00:07:44,200 --> 00:07:47,640 Speaker 1: to see again. Yeah, what did you think of the movie? 168 00:07:47,680 --> 00:07:49,200 Speaker 1: Early thoughts? What'd you think? 169 00:07:49,480 --> 00:07:51,280 Speaker 2: I thought it was cute. You know, it's kind of 170 00:07:51,360 --> 00:07:54,120 Speaker 2: stepped us out of we did. We've obviously done a 171 00:07:54,120 --> 00:07:57,520 Speaker 2: lot of musicals, right, We've done a lot of movies 172 00:07:57,560 --> 00:08:00,640 Speaker 2: that have been built around sports, so that adds a 173 00:08:00,640 --> 00:08:04,520 Speaker 2: different energy. And then recently we've been doing you know, 174 00:08:04,560 --> 00:08:08,840 Speaker 2: we're we've jumped into doing Halloween vibes. This was just 175 00:08:08,920 --> 00:08:11,800 Speaker 2: kind of a movie that I feel was really relatable 176 00:08:11,840 --> 00:08:16,360 Speaker 2: of just every day insecurities of a high school young girl, right, 177 00:08:16,400 --> 00:08:18,360 Speaker 2: and boys and everything as well. 178 00:08:18,600 --> 00:08:20,400 Speaker 1: I think mostly girls though, well. 179 00:08:20,320 --> 00:08:23,640 Speaker 2: Yeah, mainly girls, but you know, Connor and their shout 180 00:08:23,640 --> 00:08:24,240 Speaker 2: out to our. 181 00:08:24,160 --> 00:08:27,640 Speaker 1: Boy get into a we have to talk about this, 182 00:08:27,800 --> 00:08:28,960 Speaker 1: but I love him. 183 00:08:29,120 --> 00:08:31,720 Speaker 2: Yeah, but anyway, so you know, I just think it 184 00:08:31,840 --> 00:08:34,600 Speaker 2: was just kind of a girl's like yeah, okay, we'll 185 00:08:34,600 --> 00:08:35,520 Speaker 2: say more of a girl. 186 00:08:35,520 --> 00:08:37,280 Speaker 1: It was a girls movie. This one was tough for 187 00:08:37,280 --> 00:08:39,560 Speaker 1: me to connect with, was it. Yeah, yes, this was 188 00:08:39,600 --> 00:08:40,600 Speaker 1: tough for me to connect with. 189 00:08:40,720 --> 00:08:43,319 Speaker 2: But I think it's also hard and something very big 190 00:08:43,360 --> 00:08:47,200 Speaker 2: to like put a pinpoint on is it is also 191 00:08:47,679 --> 00:08:52,120 Speaker 2: extracted from the big power music scenes and the big 192 00:08:52,240 --> 00:08:55,200 Speaker 2: you know, high school basketball games and like that kind 193 00:08:55,200 --> 00:08:57,640 Speaker 2: of stuff. So it had it was good for it 194 00:08:57,720 --> 00:09:01,360 Speaker 2: to not have any of those big energy. It was 195 00:09:01,520 --> 00:09:02,600 Speaker 2: just placed into it. 196 00:09:02,760 --> 00:09:05,199 Speaker 1: Yeah. My, So I had trouble connecting this movie. I 197 00:09:05,200 --> 00:09:07,000 Speaker 1: didn't hate it, but I didn't love it either. It 198 00:09:07,040 --> 00:09:09,400 Speaker 1: was just kind of a movie. My problem with this 199 00:09:09,440 --> 00:09:12,959 Speaker 1: movie was the second I turned it on, I knew 200 00:09:12,960 --> 00:09:15,760 Speaker 1: exactly what was going to happen. Really, okay, of course 201 00:09:15,840 --> 00:09:18,280 Speaker 1: you knew exactly what did the second you know the premise, 202 00:09:18,320 --> 00:09:22,719 Speaker 1: you know, I knew step by step exactly what was 203 00:09:22,760 --> 00:09:24,960 Speaker 1: going to happen in this movie. Every step of the way. 204 00:09:25,200 --> 00:09:28,480 Speaker 1: Nothing surprised me, nothing shocked me. It was a standard 205 00:09:28,559 --> 00:09:33,560 Speaker 1: ABC gets Too Big for Breeches thinks she's popular, leaves 206 00:09:33,600 --> 00:09:36,920 Speaker 1: her friends, gets her friends back. But I mean, it's 207 00:09:37,000 --> 00:09:37,439 Speaker 1: I've just. 208 00:09:37,640 --> 00:09:40,640 Speaker 2: Seen it at that haven't seen it. I thought this 209 00:09:40,640 --> 00:09:42,760 Speaker 2: would be a great movie for them to be seen. 210 00:09:42,720 --> 00:09:45,320 Speaker 1: Again, it's not. It wasn't a bad movie. I had 211 00:09:45,360 --> 00:09:48,440 Speaker 1: trouble connecting with this movie again. Acting all good, but 212 00:09:49,040 --> 00:09:50,719 Speaker 1: you know, it was just I knew where it was going. 213 00:09:51,040 --> 00:09:53,560 Speaker 2: Line doesn't really over arc into like any type of 214 00:09:53,559 --> 00:09:56,760 Speaker 2: an adult world, you know what I mean. It's really 215 00:09:56,840 --> 00:10:00,160 Speaker 2: based for young young kids going through this kind kind 216 00:10:00,200 --> 00:10:03,880 Speaker 2: of awkward stage and you know, finding themselves in a 217 00:10:03,960 --> 00:10:06,080 Speaker 2: hierarchy of high school and all that kind of stuff. 218 00:10:06,120 --> 00:10:09,760 Speaker 2: Like I think that's like not something that parents or 219 00:10:09,960 --> 00:10:13,480 Speaker 2: adults or anyone outside of high school can really like. No, 220 00:10:13,559 --> 00:10:16,120 Speaker 2: I get you a little bit, but not as much. 221 00:10:16,160 --> 00:10:18,040 Speaker 1: I just feel like I've seen this movie a thousand 222 00:10:18,040 --> 00:10:20,400 Speaker 1: times and I've seen better versions of it. That's how 223 00:10:20,440 --> 00:10:22,440 Speaker 1: I kind of look. But it was what it was. 224 00:10:22,880 --> 00:10:24,800 Speaker 1: Read it and weep was directed by another name we've 225 00:10:24,800 --> 00:10:27,160 Speaker 1: heard a ton of times here, Paul Hohen, a man 226 00:10:27,200 --> 00:10:29,000 Speaker 1: whose name has been said, like we've talked about a 227 00:10:29,040 --> 00:10:31,520 Speaker 1: lot of times on the podcast lately. He's a dcom legend. 228 00:10:31,679 --> 00:10:34,199 Speaker 1: The Man began his career on Kids Incorporated, and jumped 229 00:10:34,200 --> 00:10:37,280 Speaker 1: into the Disney movie spectrum with Here's an Old Banger, 230 00:10:37,360 --> 00:10:39,920 Speaker 1: Luck of the Irish, and racked up other titles like 231 00:10:40,000 --> 00:10:42,920 Speaker 1: Jump In, The Cheated Girls, One World, Camp, Rock To, 232 00:10:43,080 --> 00:10:46,240 Speaker 1: and eventually the entire franchise of the Zombies. So he 233 00:10:46,400 --> 00:10:49,160 Speaker 1: is still doing with Love TAKEO Love to get him 234 00:10:49,200 --> 00:10:52,600 Speaker 1: on the show. It stars another sister duo, something we 235 00:10:52,720 --> 00:10:55,280 Speaker 1: at least know they like from titles like Double Teamed, 236 00:10:55,480 --> 00:10:57,680 Speaker 1: but this time they're not using twins. It is the 237 00:10:57,760 --> 00:11:01,240 Speaker 1: Panabaker Girls. Kay and Danielle, best known for their stint 238 00:11:01,280 --> 00:11:04,000 Speaker 1: on the TV show Summerland. Both were child stars who 239 00:11:04,080 --> 00:11:07,040 Speaker 1: racked up credits on some kid favorite shows and movies. 240 00:11:07,080 --> 00:11:11,960 Speaker 1: So Kay, who played the all American and shy Jamie Bartlett, 241 00:11:12,200 --> 00:11:15,400 Speaker 1: had appeared on shows like Er, Seventh Heaven, and Angel 242 00:11:15,440 --> 00:11:18,360 Speaker 1: before Summerland, and was already in a dcom Life is Rough. 243 00:11:18,840 --> 00:11:20,640 Speaker 1: You may also I'm Gonna say it every time. By 244 00:11:20,679 --> 00:11:23,200 Speaker 1: the way. You may also recognize her from Phil the Future, 245 00:11:23,360 --> 00:11:25,079 Speaker 1: the two thousand and seven Nancy Drew movie, or the 246 00:11:25,120 --> 00:11:28,120 Speaker 1: two thousand and nine reboot of Fame I'm Gonna Live 247 00:11:28,280 --> 00:11:32,120 Speaker 1: Till Tuesday. She retired from acting in twenty twelve and 248 00:11:32,160 --> 00:11:36,600 Speaker 1: has since become a zoologist working at Disney World in Orlando. 249 00:11:36,679 --> 00:11:38,760 Speaker 1: So she's still in the Disney family. That's totally cool. 250 00:11:38,800 --> 00:11:41,200 Speaker 1: And the reason I said I was thrown by watching 251 00:11:41,200 --> 00:11:46,160 Speaker 1: her is because to me, she looked so much like 252 00:11:46,280 --> 00:11:48,840 Speaker 1: Larissa olinek when she was younger that it threw me. 253 00:11:49,080 --> 00:11:52,760 Speaker 1: It just absolutely threw me. I was like, that's Larissa, Yes, 254 00:11:52,840 --> 00:11:55,880 Speaker 1: it was. It was strange. And then we've got older sister, Danielle, 255 00:11:55,920 --> 00:11:59,200 Speaker 1: who plays the fictional and wildly confident Tea spilling Isabella 256 00:11:59,360 --> 00:12:02,280 Speaker 1: or is who is still acting. You may know her 257 00:12:02,320 --> 00:12:05,199 Speaker 1: now as Caitlin Snow or Killer Frost and what was 258 00:12:05,240 --> 00:12:08,640 Speaker 1: the DCTV universe on shows like The Flash, Supergirl, Arrow, 259 00:12:08,679 --> 00:12:11,480 Speaker 1: and DC Legends of Tomorrow. Her dcom career started with 260 00:12:11,559 --> 00:12:14,280 Speaker 1: Stuck in the Suburbs, and she also appeared in sky High, 261 00:12:14,360 --> 00:12:17,600 Speaker 1: the TV show Shark Justified, and Franklin and Bash and 262 00:12:17,800 --> 00:12:20,000 Speaker 1: Little fun fact. Sky High was actually written by the 263 00:12:20,040 --> 00:12:22,680 Speaker 1: creators of a little show called Kim Possible. And she 264 00:12:22,720 --> 00:12:24,959 Speaker 1: has a little career as a scream queen, appearing in 265 00:12:24,960 --> 00:12:27,720 Speaker 1: two thousand and nine's Friday the Thirteenth, The Crazies and 266 00:12:27,760 --> 00:12:30,560 Speaker 1: Piranha three D D? Is that right? Am I saying that? 267 00:12:30,600 --> 00:12:30,720 Speaker 2: Right? 268 00:12:30,840 --> 00:12:31,640 Speaker 1: Think it is three D D? 269 00:12:32,160 --> 00:12:34,559 Speaker 3: I mean, well, I don't mean to dirty the podcast, 270 00:12:34,600 --> 00:12:37,000 Speaker 3: but it's it's Parana three double D? 271 00:12:37,920 --> 00:12:40,520 Speaker 1: Is that what it is? Is it really Piranha three 272 00:12:40,520 --> 00:12:41,000 Speaker 1: double D? 273 00:12:41,280 --> 00:12:41,880 Speaker 2: Double d? 274 00:12:42,559 --> 00:12:47,080 Speaker 1: Oh? That's awesome. Three It's the best title I've ever heard. 275 00:12:47,480 --> 00:12:50,480 Speaker 1: They are two very fun sisters from the extended Disney universe, 276 00:12:50,760 --> 00:12:52,480 Speaker 1: and we're happy to see them in this Did you 277 00:12:52,600 --> 00:12:54,079 Speaker 1: do you know them in real life at all? 278 00:12:54,520 --> 00:12:55,160 Speaker 2: No? No? 279 00:12:55,240 --> 00:12:58,120 Speaker 1: Okay. I had a meal or two with Danielle at 280 00:12:58,160 --> 00:13:00,640 Speaker 1: some conventions. You'd sit down and have lunch together, something 281 00:13:00,920 --> 00:13:03,840 Speaker 1: very sweet. And they've been around forever. I mean just 282 00:13:03,960 --> 00:13:05,920 Speaker 1: absolutely ever. But again, every time I was watching K 283 00:13:06,040 --> 00:13:07,600 Speaker 1: I was like, that's Larissa, that's Larisa. 284 00:13:07,640 --> 00:13:07,920 Speaker 2: Wow. 285 00:13:08,440 --> 00:13:11,280 Speaker 1: Marquis C. Brown is Lindsey. You may know her from 286 00:13:11,360 --> 00:13:16,720 Speaker 1: Ned's Declassified School Survival Guide, Gray's Anatomy or Scandal. And 287 00:13:17,800 --> 00:13:20,720 Speaker 1: Jason Dolly, a true dcom legend and friend of the show, 288 00:13:20,840 --> 00:13:23,520 Speaker 1: is back. He plays Connor. He appeared in Minute Men. 289 00:13:23,559 --> 00:13:25,440 Speaker 1: I wonder if shooting in this location gave him weird 290 00:13:25,440 --> 00:13:28,880 Speaker 1: flashbacks and hatching Pete, but is best known as PJ. 291 00:13:29,000 --> 00:13:31,040 Speaker 1: Duncan on Good Luck Charlie, which also had a decom 292 00:13:31,080 --> 00:13:33,840 Speaker 1: Christmas movie, and Newt and Corey in the House. And 293 00:13:33,880 --> 00:13:36,640 Speaker 1: I'm gonna say something right now. I'm gonna I'm gonna 294 00:13:36,720 --> 00:13:41,240 Speaker 1: hot take it as but it's official. He is my 295 00:13:41,440 --> 00:13:47,560 Speaker 1: favorite dcom actor. He is so likable and nerdy and 296 00:13:47,760 --> 00:13:51,160 Speaker 1: fun and he's great and he if we're giving out 297 00:13:51,160 --> 00:13:55,000 Speaker 1: awards with someday, we have to. Yes, he is my 298 00:13:55,200 --> 00:14:00,440 Speaker 1: favorite DCM actor because he is just so good in 299 00:14:00,480 --> 00:14:03,160 Speaker 1: this movie. He was good, admitted, but he's just good 300 00:14:03,320 --> 00:14:05,160 Speaker 1: and you instantly like him. 301 00:14:05,240 --> 00:14:08,040 Speaker 2: Yes, with that, I mean it feels like without him 302 00:14:08,120 --> 00:14:12,760 Speaker 2: even trying, you just he's just so easy to watch. 303 00:14:12,920 --> 00:14:13,120 Speaker 1: Yep. 304 00:14:13,240 --> 00:14:17,719 Speaker 2: And he's adorable. Yeah, Jason, you are adorable. 305 00:14:18,080 --> 00:14:21,280 Speaker 1: He's great. He's my favorite dcom actor of all time. 306 00:14:21,520 --> 00:14:23,720 Speaker 1: I somebody come and knock me off this hill because 307 00:14:23,760 --> 00:14:25,720 Speaker 1: I'm gonna die on it. He's my favorite dcom actor 308 00:14:25,720 --> 00:14:28,520 Speaker 1: of all time. And we've got another friendly face with 309 00:14:28,600 --> 00:14:31,400 Speaker 1: Tom Virtue as the dad. Ralph Bartlett. We know him 310 00:14:31,440 --> 00:14:33,840 Speaker 1: as the dad in Even Stevens. We just saw the 311 00:14:33,840 --> 00:14:36,280 Speaker 1: Even Stevens movie and the Even Stevens d com which 312 00:14:36,320 --> 00:14:38,560 Speaker 1: we just talked about. But he's a longtime working actor 313 00:14:38,560 --> 00:14:41,480 Speaker 1: who's also appeared in Iron Man three, Green Book, and 314 00:14:41,600 --> 00:14:44,640 Speaker 1: like one hundred different TV shows, including Dirty John, Crazy 315 00:14:44,720 --> 00:14:47,480 Speaker 1: Ex Girlfriend, and New Heart. And then we got the 316 00:14:47,520 --> 00:14:50,000 Speaker 1: mom Connie Young. Her first job in Hollywood was on 317 00:14:50,040 --> 00:14:55,280 Speaker 1: a movie often called the worst movie ever made, Troll two. 318 00:14:56,560 --> 00:14:59,120 Speaker 1: What do we call sequels on the show Troll two? 319 00:15:00,160 --> 00:15:03,560 Speaker 1: This time it's personal, which is undoubtedly not what it's called. 320 00:15:03,600 --> 00:15:05,480 Speaker 1: But I've never seen Troll two. Now I have to 321 00:15:05,480 --> 00:15:06,680 Speaker 1: see it, because well I. 322 00:15:06,560 --> 00:15:10,360 Speaker 2: Thought you did see. I have no constantly what the 323 00:15:10,440 --> 00:15:11,520 Speaker 2: Troll one was. 324 00:15:12,000 --> 00:15:14,480 Speaker 1: Troll one is. Troll one is a masterpiece, won eleven 325 00:15:14,520 --> 00:15:16,680 Speaker 1: Academy Awards. Troll two very bad? 326 00:15:16,880 --> 00:15:19,120 Speaker 3: He will do you know? I'm sorry to chime in again, 327 00:15:19,200 --> 00:15:20,840 Speaker 3: but do you know the name of the kid in 328 00:15:20,920 --> 00:15:21,560 Speaker 3: Troll one? 329 00:15:22,040 --> 00:15:23,160 Speaker 2: No? What is it? 330 00:15:23,200 --> 00:15:23,960 Speaker 3: Harry Potter? 331 00:15:24,600 --> 00:15:24,840 Speaker 1: No? 332 00:15:25,280 --> 00:15:27,000 Speaker 3: Yeah, that's the character's name. 333 00:15:27,320 --> 00:15:29,680 Speaker 1: Is it really? And this is before the whole franchise, right? 334 00:15:29,720 --> 00:15:29,960 Speaker 1: It was? 335 00:15:30,600 --> 00:15:31,440 Speaker 3: Yeah? 336 00:15:31,480 --> 00:15:35,480 Speaker 1: Wow, wow, wow, Harry Potter and the Crazy Troll Movie. 337 00:15:35,520 --> 00:15:39,560 Speaker 1: I love that Harry Potter. This movie, though, runs eighty 338 00:15:39,600 --> 00:15:41,560 Speaker 1: four minutes, which is below the target, but I'd much 339 00:15:41,600 --> 00:15:43,680 Speaker 1: rather see that than above the target, and it was 340 00:15:43,720 --> 00:15:46,760 Speaker 1: written by Patrick J. Clifton, who is a big deal 341 00:15:46,800 --> 00:15:49,040 Speaker 1: in the Poppy World universe. He is the writer of 342 00:15:49,160 --> 00:15:53,720 Speaker 1: Summertime Switch starring mister Ryder Strong. He also has the 343 00:15:53,720 --> 00:15:55,920 Speaker 1: story credit on the poly shorre movie Son in Law, 344 00:15:56,280 --> 00:15:58,560 Speaker 1: and wrote the is that an that you love? 345 00:15:59,120 --> 00:16:05,920 Speaker 2: Love that movie? Oh it's so good cruising the pipeline. 346 00:16:06,680 --> 00:16:11,200 Speaker 2: It's so good. You're a huge I was. I mean 347 00:16:11,640 --> 00:16:13,880 Speaker 2: when he was big. I loved it. I loved everything 348 00:16:13,880 --> 00:16:14,160 Speaker 2: he did. 349 00:16:14,160 --> 00:16:17,080 Speaker 1: He was so funny to me, that's awesome. I love that. 350 00:16:17,160 --> 00:16:19,240 Speaker 1: I don't think I've ever seen a poly shor movie, 351 00:16:19,240 --> 00:16:20,720 Speaker 1: and that's a shame. He seems like a nice guy. 352 00:16:21,120 --> 00:16:24,160 Speaker 1: Getting back to mister Clifton, he also wrote the dcom 353 00:16:24,320 --> 00:16:26,440 Speaker 1: Go Figure, which I think is about figure skating or 354 00:16:26,480 --> 00:16:28,640 Speaker 1: it's about maths. I don't know. I don't know. I 355 00:16:28,640 --> 00:16:30,800 Speaker 1: think it's could be either. I think it's about figure skating. 356 00:16:31,240 --> 00:16:33,760 Speaker 1: He shares credit with obviously the writer of the book, 357 00:16:33,880 --> 00:16:37,640 Speaker 1: mister Villers, but also Beth Regazzio, who was a frequent 358 00:16:37,680 --> 00:16:40,800 Speaker 1: writing partner of his as well. All right, here we go, 359 00:16:40,920 --> 00:16:43,360 Speaker 1: pick up your tmu iPad and get to write in 360 00:16:43,400 --> 00:16:46,560 Speaker 1: words and drawn stick figures because it's time to get 361 00:16:46,560 --> 00:16:49,400 Speaker 1: in to read it and weep. So we start the 362 00:16:49,440 --> 00:16:52,480 Speaker 1: movie in away we've never once seen before ever in 363 00:16:52,520 --> 00:16:55,200 Speaker 1: a d com. We're in a girl's bedroom. Oh wait, 364 00:16:55,240 --> 00:16:56,600 Speaker 1: that's how we start most of them. 365 00:16:57,040 --> 00:16:57,240 Speaker 2: Uh. 366 00:16:57,280 --> 00:16:59,520 Speaker 1: But at the same time, great way to learn the character. 367 00:16:59,680 --> 00:17:02,080 Speaker 1: It gets everything we need. So while the credits are 368 00:17:02,120 --> 00:17:05,200 Speaker 1: rolling over the music in this case, we see a typewriter, 369 00:17:05,320 --> 00:17:08,199 Speaker 1: a pencil sharpener, and use journals, leading us right to 370 00:17:08,359 --> 00:17:12,360 Speaker 1: young Jamie Bartlett at her laptop, feverishly typing away, narrating 371 00:17:12,400 --> 00:17:14,600 Speaker 1: that this story won't be about how high school is 372 00:17:14,600 --> 00:17:17,520 Speaker 1: the worst time of somebody's life. She wants to tell 373 00:17:17,600 --> 00:17:21,639 Speaker 1: us about Isabella aka Is, who's played by her more glamorous, 374 00:17:21,640 --> 00:17:24,560 Speaker 1: made up sister in real life. Really cool casting. It's 375 00:17:24,640 --> 00:17:26,560 Speaker 1: like looking at yourself in the future a little bit 376 00:17:26,640 --> 00:17:29,680 Speaker 1: the better version of yourself. Whol way to use sisters, 377 00:17:29,680 --> 00:17:32,000 Speaker 1: I thought, as opposed to just we're playing sisters. It 378 00:17:32,040 --> 00:17:37,359 Speaker 1: totally Yeah, very interesting and a great casting. Yes, we 379 00:17:37,440 --> 00:17:39,320 Speaker 1: enter a fantasy rold over her high school, populated by 380 00:17:39,320 --> 00:17:41,800 Speaker 1: the normal clicks and a witchy librarian, but only real 381 00:17:41,880 --> 00:17:44,760 Speaker 1: in her journal, which is a type of early photoshop 382 00:17:44,760 --> 00:17:49,040 Speaker 1: mix of hand drawn text and clip art. Isabella, you know, 383 00:17:49,320 --> 00:17:51,760 Speaker 1: is as we said, is more confident and desired than 384 00:17:51,840 --> 00:17:54,320 Speaker 1: Jamie and is so strong she's even able to climb 385 00:17:54,400 --> 00:17:57,679 Speaker 1: to the top of the dreaded gym class rope and 386 00:17:57,720 --> 00:17:59,959 Speaker 1: then fall right into the arms of dreamy class name 387 00:18:00,440 --> 00:18:04,280 Speaker 1: Vincent Marco, who looks like a taller version of zach 388 00:18:04,440 --> 00:18:06,840 Speaker 1: zac Efron. I thought the Zachrony. 389 00:18:07,000 --> 00:18:09,560 Speaker 2: I mean it just was he looked more of like 390 00:18:09,600 --> 00:18:11,399 Speaker 2: an Italian version of Zach. 391 00:18:14,119 --> 00:18:19,080 Speaker 1: Yes, yeah, it looks just like him. Just like did 392 00:18:19,080 --> 00:18:20,640 Speaker 1: you have to climb the rope in No? 393 00:18:20,840 --> 00:18:24,120 Speaker 2: I was in my serenacities, ask Will did he ever 394 00:18:24,240 --> 00:18:25,960 Speaker 2: have to do this rope climb thing? 395 00:18:26,119 --> 00:18:29,080 Speaker 1: I never did I by this point, So what you 396 00:18:29,200 --> 00:18:31,480 Speaker 1: do it? In? Like sixth grade? Fifth fifth grade? So 397 00:18:31,640 --> 00:18:33,760 Speaker 1: I mean the eighties early eighties. 398 00:18:34,520 --> 00:18:39,520 Speaker 2: Yeah, hard, Yeah, climbing a rope. I've done it before, 399 00:18:39,840 --> 00:18:43,640 Speaker 2: somewhere like a you know, like an obstacle course type place. 400 00:18:43,960 --> 00:18:46,280 Speaker 1: We didn't have knots either. They had knots in their rope, 401 00:18:46,320 --> 00:18:48,080 Speaker 1: so they were we just had a rope and we 402 00:18:48,320 --> 00:18:51,719 Speaker 1: just have to grab on and inside of your thighs 403 00:18:51,720 --> 00:18:56,600 Speaker 1: get gloves. No, you don't, get you you have this 404 00:18:56,680 --> 00:19:01,200 Speaker 1: obsession with gloving up your hands before you do stuff, well. 405 00:19:01,160 --> 00:19:03,600 Speaker 2: When it requires like a rope that gives you rope 406 00:19:03,640 --> 00:19:06,480 Speaker 2: burn and blisters, Yes, I feel like that's the safest 407 00:19:06,480 --> 00:19:07,040 Speaker 2: way to get I. 408 00:19:07,040 --> 00:19:09,960 Speaker 1: Wanted to crotch gloves back in the day because that's 409 00:19:10,000 --> 00:19:10,520 Speaker 1: the problem. 410 00:19:10,560 --> 00:19:13,439 Speaker 2: Oh wow, Yeah. 411 00:19:12,680 --> 00:19:15,080 Speaker 1: So Isabella can climb the rope and ring the bell, 412 00:19:15,119 --> 00:19:17,800 Speaker 1: but we returned to reality where Jamie can barely make 413 00:19:17,840 --> 00:19:20,280 Speaker 1: it halfway. And this is actually a story about a 414 00:19:20,320 --> 00:19:23,760 Speaker 1: person who doesn't love high school, and that person is Jamie. 415 00:19:24,000 --> 00:19:25,960 Speaker 1: And this is where she says, this story is actually 416 00:19:26,000 --> 00:19:29,199 Speaker 1: about how my private personal journal became a bestseller. So 417 00:19:29,480 --> 00:19:31,840 Speaker 1: she ties the book right in. They obviously they changed 418 00:19:31,840 --> 00:19:33,919 Speaker 1: the title of the book, but they use it. So 419 00:19:34,080 --> 00:19:36,960 Speaker 1: Jamie gets pinballed around the busy school hallways until she 420 00:19:37,000 --> 00:19:39,960 Speaker 1: bumps into her two friends, Harmony and Lindsay. Lindsay's trying 421 00:19:39,960 --> 00:19:41,960 Speaker 1: to save the planet, by which she means the theater 422 00:19:42,040 --> 00:19:44,920 Speaker 1: downtown which is called the Planet. Harmony painted the posters, 423 00:19:44,920 --> 00:19:47,040 Speaker 1: but they're in a cubic style that no one could read, 424 00:19:47,080 --> 00:19:50,600 Speaker 1: and frankly, I thought the posters looked really cool. The 425 00:19:50,640 --> 00:19:52,560 Speaker 1: girls are off the class, handing out flyers in the 426 00:19:52,560 --> 00:19:55,800 Speaker 1: way when they run into evil cheerleaders, Sawyer and the 427 00:19:55,880 --> 00:19:59,919 Speaker 1: feared populars. But in the journal she caused Sawyer Myrna, 428 00:20:00,600 --> 00:20:02,600 Speaker 1: she writes that the whole school was afraid of Murna 429 00:20:02,640 --> 00:20:08,200 Speaker 1: and her clones. But Isabella is intrigued. So this might 430 00:20:08,240 --> 00:20:10,120 Speaker 1: be the hardest recap we have to do, because it's 431 00:20:10,960 --> 00:20:16,760 Speaker 1: Aliases and Isabella and is and Myrna and Sawyer Sawyer, 432 00:20:17,160 --> 00:20:21,320 Speaker 1: and it's Marco is the guy, but he's it's there's 433 00:20:21,359 --> 00:20:23,000 Speaker 1: a lot going There's a lot going on people. 434 00:20:23,320 --> 00:20:25,760 Speaker 2: Yeah, it's a lot of back and forth. 435 00:20:25,680 --> 00:20:28,240 Speaker 1: Yes, and a lot of fantasy to the other one, 436 00:20:28,320 --> 00:20:32,119 Speaker 1: a lot of possible mental illnesses and schizophrenia. It's like, 437 00:20:32,240 --> 00:20:34,000 Speaker 1: no joke, I thought I was worried for this girl. 438 00:20:34,480 --> 00:20:37,640 Speaker 1: So we now see another fantasy. This time is stands 439 00:20:37,720 --> 00:20:39,560 Speaker 1: up to the mean girls then makes them disappear with 440 00:20:39,600 --> 00:20:42,760 Speaker 1: a flick of a magical wrist zap. The student body 441 00:20:42,840 --> 00:20:46,040 Speaker 1: chants her name in celebration, but in reality, Jamie is 442 00:20:46,040 --> 00:20:49,159 Speaker 1: slacking in class and not paying attention. Dreamboat Marco is 443 00:20:49,160 --> 00:20:51,560 Speaker 1: called on to read his poem, and it's about a 444 00:20:51,600 --> 00:20:54,960 Speaker 1: secret he has. He likes a quiet girl that makes 445 00:20:55,000 --> 00:20:57,520 Speaker 1: him smile, and when he stands up to walk to 446 00:20:57,560 --> 00:21:02,000 Speaker 1: the front, everybody in class, boys, girls alike are just 447 00:21:02,040 --> 00:21:04,960 Speaker 1: staring at him with moony eyes, including the teacher. 448 00:21:05,720 --> 00:21:08,439 Speaker 2: I know, it was a little odd to me. 449 00:21:08,920 --> 00:21:12,320 Speaker 1: It was weird. Even the teacher was like undressing this 450 00:21:12,400 --> 00:21:17,400 Speaker 1: kid with her eyes. It was like, wow, I even 451 00:21:17,440 --> 00:21:19,360 Speaker 1: rewound it, like did I see that right? 452 00:21:19,440 --> 00:21:22,000 Speaker 2: Yes? The background actor in front of her two best 453 00:21:22,040 --> 00:21:29,119 Speaker 2: friends is sitting there practically drew bro jill out a 454 00:21:29,160 --> 00:21:31,919 Speaker 2: little bit. Come on, pull it together, guys. 455 00:21:31,720 --> 00:21:35,119 Speaker 1: Is this your type? Did this guy do it for you? Ah? No? 456 00:21:35,440 --> 00:21:37,680 Speaker 2: The hair that hair I can't I can't do. 457 00:21:37,640 --> 00:21:39,760 Speaker 1: You're not You're not a moppy, floppy hair kind of guy. 458 00:21:39,920 --> 00:21:45,600 Speaker 2: No, I know. I'm like a nice and clean cut Okay. 459 00:21:45,320 --> 00:21:47,440 Speaker 1: Yeah, Bieber never did it for you? 460 00:21:47,480 --> 00:21:51,600 Speaker 2: No, No, Plus Bieber was like eleven, Well, this. 461 00:21:51,600 --> 00:21:54,600 Speaker 1: Kid's probably like fifteen. This Marco kid who the teacher 462 00:21:54,640 --> 00:21:56,000 Speaker 1: is I all day long? 463 00:21:57,720 --> 00:22:03,840 Speaker 2: So you know, come on, I know, yeah, no, no, no. 464 00:22:04,400 --> 00:22:07,400 Speaker 1: It was yeah, it was that one threw me. But anyway, 465 00:22:08,240 --> 00:22:10,120 Speaker 1: he gets up, he reads his poem and he ends 466 00:22:10,119 --> 00:22:13,520 Speaker 1: with does she like me too? And Jamie absolutely loves it, 467 00:22:13,560 --> 00:22:15,240 Speaker 1: but will have to fight her teacher to get this guy. 468 00:22:15,640 --> 00:22:18,040 Speaker 1: As the bell rings, the teacher reminds him their essays 469 00:22:18,040 --> 00:22:21,359 Speaker 1: for the writing competition are due Monday. After class, we 470 00:22:21,400 --> 00:22:25,720 Speaker 1: meet Jamie's pal, an adorable little dork named Connor, once 471 00:22:25,760 --> 00:22:28,120 Speaker 1: again played by Jason Dolly, and the second he comes 472 00:22:28,119 --> 00:22:33,640 Speaker 1: on screen, I felt happy again. He's great and he's 473 00:22:33,840 --> 00:22:35,919 Speaker 1: just so perfect for Disney and d coms. He is 474 00:22:36,200 --> 00:22:39,040 Speaker 1: always the everyman and he plays it so well. But 475 00:22:39,080 --> 00:22:41,520 Speaker 1: he is clearly jealous of Marco because he has a 476 00:22:41,560 --> 00:22:43,600 Speaker 1: thing for the teacher. I'm kidding. He obviously has a 477 00:22:43,640 --> 00:22:46,399 Speaker 1: thing or Jamie. But we are getting into that. But 478 00:22:46,880 --> 00:22:51,120 Speaker 1: now we have to talk about the school cafeteria which 479 00:22:51,119 --> 00:22:52,359 Speaker 1: you mentioned earlier. 480 00:22:52,240 --> 00:22:56,840 Speaker 2: Yes, which I have never seen a school cafeteria look like. 481 00:22:57,240 --> 00:22:58,960 Speaker 1: Is it a mall food court? 482 00:22:59,240 --> 00:23:02,000 Speaker 2: I stopped it and rewound, going, wait, did we just 483 00:23:02,200 --> 00:23:04,280 Speaker 2: are we out of school? And now we went to 484 00:23:04,320 --> 00:23:07,000 Speaker 2: the mall? Like that's what it looks like it does 485 00:23:07,359 --> 00:23:10,640 Speaker 2: with the neon signs and the lines, like there are 486 00:23:10,760 --> 00:23:13,239 Speaker 2: lines in the cafeteria where you can go buy like 487 00:23:13,280 --> 00:23:18,000 Speaker 2: a hot launch or whatever. But this was not looking 488 00:23:18,080 --> 00:23:20,679 Speaker 2: like a school to me, and I don't remember it 489 00:23:20,720 --> 00:23:21,480 Speaker 2: in minute Man. 490 00:23:22,480 --> 00:23:24,760 Speaker 1: Well, they probably have to. They probably a dressing it 491 00:23:24,840 --> 00:23:27,640 Speaker 1: up to look different, but why go with Westfield Mall 492 00:23:28,560 --> 00:23:29,160 Speaker 1: food court? 493 00:23:30,000 --> 00:23:33,760 Speaker 2: No, I know, I wish a panda express and a 494 00:23:34,200 --> 00:23:39,119 Speaker 2: press and a hot dog on a step be the 495 00:23:39,200 --> 00:23:39,760 Speaker 2: same thing. 496 00:23:40,320 --> 00:23:42,359 Speaker 1: Yeah, I agree on hundred percent. It was. It was weird. 497 00:23:42,359 --> 00:23:45,399 Speaker 1: There are numerous restaurants in it, and Neon signs that 498 00:23:45,440 --> 00:23:50,000 Speaker 1: read international and home Cooking, so it Yeah, I don't 499 00:23:50,000 --> 00:23:51,640 Speaker 1: know where they came up with this, but it's it's 500 00:23:52,000 --> 00:23:56,160 Speaker 1: was a strange choice for a high school cafeteria, yes, Jamee, 501 00:23:56,200 --> 00:23:58,360 Speaker 1: but so please write us your letters, by the way, 502 00:23:58,440 --> 00:24:00,400 Speaker 1: if you in fact went to school to them all. 503 00:24:00,400 --> 00:24:04,280 Speaker 1: And this is what Jamie sees her older brother Lenny, 504 00:24:04,440 --> 00:24:09,240 Speaker 1: who was basically completely unnecessary in this entire film. I 505 00:24:09,320 --> 00:24:12,040 Speaker 1: did not get why he was here. He did nothing. 506 00:24:12,240 --> 00:24:13,560 Speaker 2: Even the button at the end. 507 00:24:13,920 --> 00:24:17,399 Speaker 1: Oh wow, no sense, it was I don't know. 508 00:24:17,520 --> 00:24:22,440 Speaker 2: Same. Plus he was a jerk. He was so mean 509 00:24:22,520 --> 00:24:23,600 Speaker 2: to I. 510 00:24:23,680 --> 00:24:26,479 Speaker 1: Was in moody and weird, and I get it. 511 00:24:26,520 --> 00:24:29,920 Speaker 2: That's the way you know, they I've heard, you know, 512 00:24:30,280 --> 00:24:32,639 Speaker 2: high school boys are at that age and they just 513 00:24:32,680 --> 00:24:34,800 Speaker 2: want to be like trapped in their room by themselves 514 00:24:34,880 --> 00:24:38,560 Speaker 2: and whatever. But she didn't seem like an annoying little 515 00:24:38,600 --> 00:24:42,320 Speaker 2: sister to me, no, and it's like a really nice girl, 516 00:24:42,520 --> 00:24:45,560 Speaker 2: and she was very It's not a dynamic normally. 517 00:24:45,600 --> 00:24:47,399 Speaker 1: And I don't know this because I only have brothers 518 00:24:47,400 --> 00:24:49,159 Speaker 1: and their own me, but I thought the dynamic is 519 00:24:49,200 --> 00:24:51,680 Speaker 1: normally like if you and your brother are close in age, 520 00:24:51,720 --> 00:24:53,159 Speaker 1: then it's like, hey, dude, don't talk to me in 521 00:24:53,240 --> 00:24:55,720 Speaker 1: high school. But if you're a junior or a senior 522 00:24:55,800 --> 00:24:58,879 Speaker 1: and your little sister comes into the school, right, I 523 00:24:58,920 --> 00:25:01,320 Speaker 1: think it's normally like you're the brother steps up and 524 00:25:01,359 --> 00:25:03,200 Speaker 1: I'm gonna watch out for my little sister. 525 00:25:03,280 --> 00:25:06,520 Speaker 2: Yeah, efective, that's the more. That's the more thing though, 526 00:25:06,560 --> 00:25:10,280 Speaker 2: I mean, least I saw was the little sister being annoyed, 527 00:25:10,359 --> 00:25:13,480 Speaker 2: like I can't talk to anyone without you coming in 528 00:25:13,560 --> 00:25:15,800 Speaker 2: and making it known that you're on campus. 529 00:25:16,000 --> 00:25:16,920 Speaker 1: Yeah, chill out. 530 00:25:17,080 --> 00:25:17,280 Speaker 2: You know. 531 00:25:17,440 --> 00:25:19,920 Speaker 1: That's why I feel like the dynamic made no sense. 532 00:25:19,960 --> 00:25:22,680 Speaker 1: The character made no sense entirely. But he of course 533 00:25:22,720 --> 00:25:24,480 Speaker 1: quickly informs her not to talk to him at school. 534 00:25:24,600 --> 00:25:26,639 Speaker 1: Jamie goes since with her two girl Bessie's and Connor, 535 00:25:26,840 --> 00:25:29,480 Speaker 1: and we learned that Harmony and Jamie work at Jamie's 536 00:25:29,520 --> 00:25:33,440 Speaker 1: dad's pizza shop, that is serving raw fish as a 537 00:25:33,560 --> 00:25:39,000 Speaker 1: topping and again almost as disgusting as pineapple. Jamie catches 538 00:25:39,040 --> 00:25:42,080 Speaker 1: a glimpse of Marco, who is being embraced by Meanie 539 00:25:42,160 --> 00:25:45,600 Speaker 1: Sawyer and Mann. Does she long for that touch. We 540 00:25:45,680 --> 00:25:47,879 Speaker 1: are now at the pizza shop. Jamie's dad says he 541 00:25:47,920 --> 00:25:50,720 Speaker 1: has a pizza of the future for her sleepover later. 542 00:25:50,920 --> 00:25:54,840 Speaker 1: It smells disgusting its liver and onion pie, and some 543 00:25:54,880 --> 00:25:57,480 Speaker 1: customers literally run out. Jamie's mom's concerned they could go 544 00:25:57,520 --> 00:26:02,280 Speaker 1: out of business soon. How did you feel about so? 545 00:26:02,480 --> 00:26:05,840 Speaker 1: I got the disney of it, and I liked the 546 00:26:05,920 --> 00:26:09,000 Speaker 1: idea that the dad, like is trying to come up 547 00:26:09,040 --> 00:26:11,960 Speaker 1: with different ideas of what should be on top of 548 00:26:12,000 --> 00:26:15,040 Speaker 1: the pizza. It gave me real Henry Winkler and holes vibes. 549 00:26:15,040 --> 00:26:16,840 Speaker 1: I don't know if you've seen holes yet, but you 550 00:26:16,880 --> 00:26:18,520 Speaker 1: know where He's always trying to to get rid of 551 00:26:18,520 --> 00:26:20,280 Speaker 1: the smell in the shoes. So he's trying all these 552 00:26:20,280 --> 00:26:24,240 Speaker 1: different things, which I get, good idea, but who thinks liver? 553 00:26:24,359 --> 00:26:27,160 Speaker 1: And like the idea that the ones that actually picture 554 00:26:27,200 --> 00:26:28,120 Speaker 1: you're so stupid. 555 00:26:28,520 --> 00:26:32,800 Speaker 2: Yes, there's like nobody wants to eat that by itself. 556 00:26:33,040 --> 00:26:35,080 Speaker 2: You know what? I mean, son, I know people do, 557 00:26:35,200 --> 00:26:39,880 Speaker 2: but just all these crazy kids. Yeah, it wasn't kid 558 00:26:39,920 --> 00:26:41,280 Speaker 2: friendly at all. 559 00:26:41,000 --> 00:26:43,160 Speaker 1: Right, come up with funnier ideas. I thought, like, wait, 560 00:26:43,160 --> 00:26:45,320 Speaker 1: did you put skittles on a pizza? Like it's candy 561 00:26:45,359 --> 00:26:47,080 Speaker 1: and pizza? What kid isn't gonna love that? 562 00:26:47,280 --> 00:26:52,399 Speaker 2: Totally totally like something great, you know, totally That's what 563 00:26:52,440 --> 00:26:53,280 Speaker 2: I was thinking as well. 564 00:26:53,320 --> 00:26:55,840 Speaker 1: Yeah it was weird to me. But here we noticed 565 00:26:55,880 --> 00:26:58,240 Speaker 1: that Sawyer Marco and her click are there at the 566 00:26:58,240 --> 00:27:02,359 Speaker 1: pizza shop, and once again Sawyer. She demeans Jamie as 567 00:27:02,359 --> 00:27:05,360 Speaker 1: a server, leading us to yet another Isabella fantasy where 568 00:27:05,359 --> 00:27:08,440 Speaker 1: she ends up throwing the drink on her, but in reality, 569 00:27:08,680 --> 00:27:12,120 Speaker 1: Jamie meagerly returns to the kitchen. At the girl's sleepover, 570 00:27:12,200 --> 00:27:15,400 Speaker 1: Jamie reveals her writing assignment is about how break time 571 00:27:15,440 --> 00:27:18,760 Speaker 1: between classes can be more efficient. She's focused on something 572 00:27:18,880 --> 00:27:21,520 Speaker 1: educational instead of creative, even though her friends thinks she's 573 00:27:21,520 --> 00:27:24,239 Speaker 1: the best writer in class, and she admits that if 574 00:27:24,240 --> 00:27:29,119 Speaker 1: she doesn't write, she'd quote have a nutty. Now we 575 00:27:29,200 --> 00:27:32,439 Speaker 1: get notes from our producers sometime, okay, and I have 576 00:27:32,480 --> 00:27:35,120 Speaker 1: a big note from producer Jensen that says, what does 577 00:27:35,160 --> 00:27:37,159 Speaker 1: this mean? Did they try to start a word. It 578 00:27:37,200 --> 00:27:39,960 Speaker 1: never comes back. And I would like to tell producer 579 00:27:40,040 --> 00:27:43,560 Speaker 1: Jensen that my friends and I used to say pitch 580 00:27:43,600 --> 00:27:49,000 Speaker 1: a nutty all the time. So it sounds so it's 581 00:27:49,080 --> 00:27:51,640 Speaker 1: weirdly right now that I do that, but it's like, oh, man, 582 00:27:51,680 --> 00:27:53,080 Speaker 1: did she pitch a nutty the other night? 583 00:27:53,600 --> 00:27:56,280 Speaker 2: Like she just what does that mean? Nutty? 584 00:27:56,359 --> 00:27:58,560 Speaker 1: Like no, again, this is we used to say pitch 585 00:27:58,560 --> 00:28:00,800 Speaker 1: a nutty. My friends and I said it all the time. 586 00:28:00,800 --> 00:28:02,639 Speaker 2: I have a nutty? But what is a nutty? 587 00:28:03,040 --> 00:28:05,360 Speaker 1: Like you're going nuts? I'm throwing a nutty. Man, I'm 588 00:28:05,359 --> 00:28:07,120 Speaker 1: going pitching a nutty right now. 589 00:28:07,560 --> 00:28:09,680 Speaker 2: I mean I didn't think anything of it being sexual 590 00:28:09,680 --> 00:28:14,360 Speaker 2: in that, but what you just said. 591 00:28:13,320 --> 00:28:16,960 Speaker 1: You said it made it really sexual and I'm uncomfortable. 592 00:28:16,520 --> 00:28:18,880 Speaker 2: Seeing something now we're throwing things like. 593 00:28:19,840 --> 00:28:21,359 Speaker 1: Man, that person was pitching a nutty. 594 00:28:21,440 --> 00:28:23,639 Speaker 2: Yeah, okay, I had. 595 00:28:23,560 --> 00:28:25,720 Speaker 1: Heard it before, but apparently I'm the only one. And 596 00:28:25,960 --> 00:28:27,200 Speaker 1: it's just in my head. 597 00:28:27,160 --> 00:28:30,840 Speaker 2: Same thing in my think, what is that? What's a nutty? 598 00:28:30,880 --> 00:28:34,600 Speaker 2: That sounds right there with Jensen? Are they trying to 599 00:28:34,640 --> 00:28:37,480 Speaker 2: like make fetch something? You know? That's what seems like 600 00:28:38,000 --> 00:28:38,479 Speaker 2: fetch a thing? 601 00:28:39,040 --> 00:28:41,440 Speaker 1: It's a nut don't don't pitch a nutty. We'll be fine. 602 00:28:42,360 --> 00:28:44,600 Speaker 1: This is going to be our new thing. Hashtag pitchin nutty. 603 00:28:45,080 --> 00:28:49,440 Speaker 1: This is when suddenly Jamie realizes that her printer has 604 00:28:49,560 --> 00:28:52,120 Speaker 1: died and she'll need help with her essay. So she 605 00:28:52,200 --> 00:28:54,600 Speaker 1: goes and asks Lenny to use his printer, but he's 606 00:28:54,640 --> 00:28:57,160 Speaker 1: writing music. This is another of my favorite things. That 607 00:28:57,520 --> 00:29:01,400 Speaker 1: he's literally sitting in his room. He's strumming two chords, 608 00:29:01,440 --> 00:29:05,800 Speaker 1: and her friends are like, he sounds amazing, and it's 609 00:29:05,800 --> 00:29:07,720 Speaker 1: like he's doing two chords. 610 00:29:07,840 --> 00:29:13,960 Speaker 2: It's like, my god, when did you grow up next 611 00:29:13,960 --> 00:29:14,680 Speaker 2: to a guitar? 612 00:29:15,160 --> 00:29:18,720 Speaker 1: God, my god. Stevie ray Vaughn is next. It's like 613 00:29:18,760 --> 00:29:21,960 Speaker 1: Steve wi next to you now he was, And they're like, 614 00:29:22,040 --> 00:29:25,400 Speaker 1: he sounds incredible, but he's stead of writing music. So 615 00:29:25,560 --> 00:29:28,240 Speaker 1: Jamie ends up emailing it to Lindsey and she will 616 00:29:28,240 --> 00:29:31,160 Speaker 1: then print it out at her house, but they're now 617 00:29:31,200 --> 00:29:33,760 Speaker 1: focusing on their favorite corny Teene soap opera where they 618 00:29:33,760 --> 00:29:36,520 Speaker 1: had posters of it in their room. She accidentally, as 619 00:29:36,560 --> 00:29:40,480 Speaker 1: she's concentrating on that, sends her journal to Lindsay instead 620 00:29:40,480 --> 00:29:43,440 Speaker 1: of the boring essay. Uh oh, this is one mistake 621 00:29:43,480 --> 00:29:54,080 Speaker 1: that will forever change the landscape of the high school Kingdom. 622 00:29:54,120 --> 00:29:57,520 Speaker 1: Now to add to the food court that we saw before, 623 00:29:57,560 --> 00:29:59,880 Speaker 1: it is now time for another ridiculous high school detail. 624 00:30:00,120 --> 00:30:05,240 Speaker 1: A quad farmers market. Yeah, did you have these with 625 00:30:05,440 --> 00:30:07,520 Speaker 1: no some stuff set up? 626 00:30:07,960 --> 00:30:13,480 Speaker 2: No? No, I don't. I don't know what that was, honestly. 627 00:30:13,560 --> 00:30:19,480 Speaker 2: I mean they're at a makeup booth, yes, yes, exactly 628 00:30:19,840 --> 00:30:22,440 Speaker 2: what the hell is happening? I don't know, And I 629 00:30:22,600 --> 00:30:25,520 Speaker 2: just is that whole little section was just kind of 630 00:30:25,600 --> 00:30:30,600 Speaker 2: like not needed. No, nothing really happened except for her 631 00:30:30,640 --> 00:30:33,760 Speaker 2: getting set up to get made fun of, Sawyer. It's 632 00:30:33,800 --> 00:30:34,640 Speaker 2: really all that happened. 633 00:30:34,680 --> 00:30:36,720 Speaker 1: And there's other ways to do that without having to 634 00:30:36,760 --> 00:30:39,960 Speaker 1: set up an entire weird tented farmers market kind of 635 00:30:39,960 --> 00:30:42,440 Speaker 1: thing outside the school. And again I could be wrong. 636 00:30:42,480 --> 00:30:44,640 Speaker 1: I went to school on the East coast. No, you 637 00:30:44,680 --> 00:30:46,080 Speaker 1: go to the school on the East coast and you 638 00:30:46,080 --> 00:30:48,000 Speaker 1: have winters, you don't do a whole lot of stuff outside. 639 00:30:48,040 --> 00:30:49,920 Speaker 1: There's no quads to walk to and all that kind 640 00:30:49,920 --> 00:30:52,120 Speaker 1: of stuff. At least that we had that so we 641 00:30:52,120 --> 00:30:55,800 Speaker 1: were in one big building because snow, So maybe that's 642 00:30:55,800 --> 00:30:57,960 Speaker 1: different on the West coast than in Utah and stuff 643 00:30:58,000 --> 00:31:00,240 Speaker 1: like that. But no, it seemed weird. 644 00:31:00,320 --> 00:31:05,360 Speaker 2: The closest thing that I had was during international like 645 00:31:05,400 --> 00:31:07,480 Speaker 2: where we learned about different cultures. We had a week 646 00:31:07,600 --> 00:31:09,600 Speaker 2: like one of the days they would have booths set 647 00:31:09,680 --> 00:31:13,239 Speaker 2: up with different types of foods that you could do, 648 00:31:13,920 --> 00:31:16,320 Speaker 2: like each club would bring a certain thing. That's the 649 00:31:16,480 --> 00:31:20,600 Speaker 2: closest of what this was, and that is still very far. 650 00:31:21,200 --> 00:31:23,320 Speaker 1: It well, at this point they had the makeup booth, 651 00:31:23,360 --> 00:31:25,000 Speaker 1: and then there was another thing about makeup and another 652 00:31:25,000 --> 00:31:26,760 Speaker 1: thing about makeup, and I was just wondering if the 653 00:31:26,800 --> 00:31:29,560 Speaker 1: author Julia was also a makeup saleswoman, which could have 654 00:31:29,600 --> 00:31:30,080 Speaker 1: been possible. 655 00:31:30,080 --> 00:31:32,440 Speaker 2: No, she wasn't. And actually I should have pause you 656 00:31:32,440 --> 00:31:36,080 Speaker 2: because she's in the she's in the now. I can't 657 00:31:36,120 --> 00:31:39,200 Speaker 2: remember if it was when we've already talked. She's in 658 00:31:39,240 --> 00:31:44,320 Speaker 2: the pizza restaurant and she's with her daughter, Quinn Donald. 659 00:31:44,400 --> 00:31:47,000 Speaker 2: Quinn is with her. Quinn and Julia are sitting at 660 00:31:47,000 --> 00:31:50,240 Speaker 2: a table and they react to one of his gross 661 00:31:50,240 --> 00:31:57,880 Speaker 2: pizzas okay, wick so quick, Hernette. Julia is a blonde, 662 00:31:58,600 --> 00:32:00,720 Speaker 2: and it's just such a cute thing because Quinn was 663 00:32:01,080 --> 00:32:02,720 Speaker 2: she's so cute. Went to school, like I think she 664 00:32:02,760 --> 00:32:03,560 Speaker 2: went to NYU. 665 00:32:03,760 --> 00:32:05,560 Speaker 1: I was gonna say yes. That was two thousand and six, 666 00:32:05,600 --> 00:32:07,440 Speaker 1: so she's probably in her twenties or thirties. 667 00:32:07,120 --> 00:32:08,760 Speaker 2: By now, yeah, totally. 668 00:32:08,960 --> 00:32:11,480 Speaker 1: We get a great exterior shot here of Salt Lakes, 669 00:32:11,600 --> 00:32:14,479 Speaker 1: Murray High straight out a minute men, and the essay 670 00:32:14,520 --> 00:32:16,600 Speaker 1: competition winner is about to be announced, and this is 671 00:32:16,600 --> 00:32:20,400 Speaker 1: where Jamie realizes that she sent in the journal. She 672 00:32:20,600 --> 00:32:24,560 Speaker 1: is mortified, but she won, and now her private journal 673 00:32:24,600 --> 00:32:27,600 Speaker 1: is in the school newspaper. The teacher loves it so much, 674 00:32:27,640 --> 00:32:29,920 Speaker 1: almost as much as she loves Marco, that she reads 675 00:32:29,920 --> 00:32:32,600 Speaker 1: it to the whole class. The mean girls think it's 676 00:32:32,680 --> 00:32:35,080 Speaker 1: weak sauce, but of course Marco is digging it, and 677 00:32:35,120 --> 00:32:37,280 Speaker 1: the whole school is reading the story pretending to za 678 00:32:37,400 --> 00:32:40,479 Speaker 1: people away. Jamie just wants to die. Connor tells her 679 00:32:40,520 --> 00:32:43,360 Speaker 1: don't worry, it'll blow over, which are always very famous 680 00:32:43,400 --> 00:32:46,560 Speaker 1: last de com words. Back at her house, we get 681 00:32:46,560 --> 00:32:49,480 Speaker 1: what we call on Podmeats World an optical flip. Because 682 00:32:49,600 --> 00:32:52,320 Speaker 1: Jamie has been offered a book deal. She has not 683 00:32:52,400 --> 00:32:54,600 Speaker 1: sold on it, though she thinks it over looking at 684 00:32:54,600 --> 00:32:57,840 Speaker 1: some of her old journals, and then Isabella Is appears 685 00:32:58,120 --> 00:33:01,880 Speaker 1: and starts bullying her into publishing her This is where 686 00:33:01,920 --> 00:33:05,880 Speaker 1: I seriously started to get very kind of this girl 687 00:33:05,960 --> 00:33:09,040 Speaker 1: might have some serious issues talking to these invisible people vibes. 688 00:33:09,640 --> 00:33:12,760 Speaker 2: Yes, I could. 689 00:33:12,560 --> 00:33:16,680 Speaker 1: Have taken a dark turn really quickly. Yeah at this point. 690 00:33:16,880 --> 00:33:20,320 Speaker 2: Well one two. I mean she it's not just done 691 00:33:20,360 --> 00:33:23,400 Speaker 2: behind closed doors throughout the movie, She's doing it around 692 00:33:23,440 --> 00:33:25,160 Speaker 2: a lot of people. I would think that would cause 693 00:33:25,160 --> 00:33:26,440 Speaker 2: for concern just a little. 694 00:33:26,520 --> 00:33:30,560 Speaker 1: Yes, from ordering on multiple personality disorders, this could be 695 00:33:30,600 --> 00:33:33,360 Speaker 1: a dangerous thing. So yeah, they could have gone a 696 00:33:33,360 --> 00:33:34,040 Speaker 1: different way. 697 00:33:33,880 --> 00:33:37,680 Speaker 2: And multiple people notice it. People, no one help, a 698 00:33:37,720 --> 00:33:39,240 Speaker 2: friend out, No one helps. 699 00:33:39,440 --> 00:33:41,640 Speaker 1: Maybe we sit Jamie down and talk to her about 700 00:33:41,640 --> 00:33:45,200 Speaker 1: how she's talking to invisible people. Just yeah, fucked. But 701 00:33:45,440 --> 00:33:48,240 Speaker 1: Jamie cautiously agrees to do the book deal, even though 702 00:33:48,280 --> 00:33:51,160 Speaker 1: her mean brother thinks it's a pipe dream. He popped 703 00:33:51,200 --> 00:33:54,480 Speaker 1: in long enough to strum two chords and say, you're 704 00:33:54,520 --> 00:33:57,080 Speaker 1: not going to make anything of your life. We fast 705 00:33:57,120 --> 00:33:59,400 Speaker 1: forward to the book's release and everyone at school wants 706 00:33:59,440 --> 00:34:02,800 Speaker 1: to sign. It's really stressing Jamie out. Everyone is zapping. 707 00:34:03,120 --> 00:34:05,000 Speaker 1: We get some glimpses of the book. It's a real 708 00:34:05,040 --> 00:34:07,640 Speaker 1: comic book vibe. It's not like she wrote a Cormack 709 00:34:07,720 --> 00:34:10,200 Speaker 1: McCarthy novel. You know it's not or you know Braddy 710 00:34:10,200 --> 00:34:14,000 Speaker 1: Stanelli's she didn't write less than Zero. It's like a 711 00:34:14,080 --> 00:34:17,120 Speaker 1: graphic novel, which, yeah, is kind of a cool way 712 00:34:17,160 --> 00:34:19,360 Speaker 1: of doing it, actually, yes, And I. 713 00:34:19,280 --> 00:34:22,520 Speaker 2: Love the interstitials that they do of showing how she's 714 00:34:22,600 --> 00:34:24,680 Speaker 2: on the computer. She flips it around at the notebook. 715 00:34:24,920 --> 00:34:27,040 Speaker 2: It's very cool because I was like, I don't even 716 00:34:27,080 --> 00:34:28,680 Speaker 2: remember in two thousand and six. 717 00:34:28,840 --> 00:34:30,800 Speaker 1: I'm not a technology guy. I wouldn't I wouldn't know 718 00:34:30,840 --> 00:34:36,160 Speaker 1: it anyway, but I think writing tablets, wouldn't know how 719 00:34:36,160 --> 00:34:40,080 Speaker 1: to use it anyway. But now even the pizza shop 720 00:34:40,120 --> 00:34:42,560 Speaker 1: is blowing up because they're advertising that Jamie works there, 721 00:34:42,640 --> 00:34:45,720 Speaker 1: not because of the crappy, awful pizza. Marco is starting 722 00:34:45,760 --> 00:34:48,239 Speaker 1: to flirt with her, and even the mean girls are 723 00:34:48,280 --> 00:34:52,439 Speaker 1: acknowledging her existence. Everything is coming up Jamie, except she's 724 00:34:52,520 --> 00:34:54,560 Speaker 1: nervous that they're all going to realize that they are 725 00:34:54,680 --> 00:34:57,600 Speaker 1: characters in her book, and we see a small glimpse 726 00:34:57,600 --> 00:35:01,640 Speaker 1: of her starting to be kind of mean to her friends, or, 727 00:35:01,680 --> 00:35:04,200 Speaker 1: as they say in other parts of the world, a dick. 728 00:35:05,560 --> 00:35:08,120 Speaker 1: We see the pizza place in full swing, with a 729 00:35:08,440 --> 00:35:11,160 Speaker 1: very fake John Mayer song playing in the background. Then 730 00:35:11,280 --> 00:35:16,000 Speaker 1: transitioning right into closing time the under the Sea school dance, 731 00:35:16,080 --> 00:35:18,480 Speaker 1: which enchantment, under the sea dance, back to the future. 732 00:35:18,520 --> 00:35:20,760 Speaker 1: There's like nineteen different kind of under the sea dances. 733 00:35:20,760 --> 00:35:23,520 Speaker 1: It must be a regular trope, or maybe high schools 734 00:35:23,560 --> 00:35:25,040 Speaker 1: do under the sea kind of dances. 735 00:35:25,239 --> 00:35:27,560 Speaker 2: I think that's a common theme because it makes sense, 736 00:35:27,640 --> 00:35:29,759 Speaker 2: it makes it gives you a lot to work with, 737 00:35:29,920 --> 00:35:32,600 Speaker 2: you know, when it comes to decor, however, might what 738 00:35:32,640 --> 00:35:34,799 Speaker 2: did you do the school dances I went to that 739 00:35:34,800 --> 00:35:38,600 Speaker 2: were in our gym, so you know, homecomings in the gym, 740 00:35:38,719 --> 00:35:40,839 Speaker 2: Sadi's those the ones that were in the gym were 741 00:35:40,960 --> 00:35:45,160 Speaker 2: never the way they've transformed these gyms into being like right, 742 00:35:45,280 --> 00:35:46,919 Speaker 2: they're so over the top. 743 00:35:47,040 --> 00:35:51,080 Speaker 1: Oh yeah, you've got doing no good and and a budget, 744 00:35:51,320 --> 00:35:53,279 Speaker 1: like sobody in high school's a budget. 745 00:35:52,960 --> 00:35:54,920 Speaker 2: Is like that. But I just started making me thinking, 746 00:35:55,080 --> 00:35:57,319 Speaker 2: I mean, we each paid seventy five dollars to get 747 00:35:57,320 --> 00:35:58,400 Speaker 2: into that school gym. 748 00:35:59,000 --> 00:36:01,080 Speaker 1: What were the money? 749 00:36:03,080 --> 00:36:04,120 Speaker 2: There was no food. 750 00:36:05,200 --> 00:36:07,399 Speaker 1: Yeah, we had we had it under the sea dance 751 00:36:07,480 --> 00:36:10,200 Speaker 1: once and we actually had a real dead whale just 752 00:36:10,239 --> 00:36:12,960 Speaker 1: hanging above us like this. We just got it, and 753 00:36:13,000 --> 00:36:15,120 Speaker 1: we're like, oh, we forgot to keep it in water, 754 00:36:15,160 --> 00:36:18,120 Speaker 1: and we didn't. By the way, we did not have 755 00:36:18,160 --> 00:36:20,480 Speaker 1: a dead way. That would be awful. And I love Wales, 756 00:36:20,520 --> 00:36:21,439 Speaker 1: so thank you very much. 757 00:36:21,640 --> 00:36:21,840 Speaker 2: I do. 758 00:36:22,239 --> 00:36:23,880 Speaker 1: I'm a whale guy. I'm gonna say it, and I 759 00:36:23,840 --> 00:36:25,800 Speaker 1: have no problem saying it. I'll fight anybody who's not. 760 00:36:25,880 --> 00:36:28,880 Speaker 1: I'm a whale guy. So the Under the Sea School 761 00:36:28,960 --> 00:36:32,040 Speaker 1: dance tickets go on sale on Friday, and Jamie and 762 00:36:32,080 --> 00:36:34,440 Speaker 1: all our friends agree that they will go as a group, 763 00:36:34,520 --> 00:36:37,160 Speaker 1: which is kind of cool. Jamie even joins the dance 764 00:36:37,200 --> 00:36:40,399 Speaker 1: committee and forces her friends to join too. Let's keep 765 00:36:40,400 --> 00:36:43,640 Speaker 1: that in mind, people. Yes, but I also love that 766 00:36:43,719 --> 00:36:49,040 Speaker 1: he's Connor is starting to feel like, Okay, I know 767 00:36:49,080 --> 00:36:51,160 Speaker 1: we're just going as a group, but this might be 768 00:36:51,200 --> 00:36:54,120 Speaker 1: my shot with Jamie's He's got a cool relationship with 769 00:36:54,160 --> 00:36:58,320 Speaker 1: his older brother who's like, dude, yeah, it's That was 770 00:36:58,360 --> 00:36:59,839 Speaker 1: my favorite part of the movie. Anyway. I just wish 771 00:36:59,880 --> 00:37:01,560 Speaker 1: to was the Connor the Connor. 772 00:37:01,320 --> 00:37:03,640 Speaker 2: Movie maybe two, maybe maybe two one? 773 00:37:03,719 --> 00:37:06,720 Speaker 1: Right, Yeah, this time is personal. Back at home, Jamie's 774 00:37:06,719 --> 00:37:09,279 Speaker 1: got an elite celebrity handler from the publisher and they're 775 00:37:09,320 --> 00:37:13,160 Speaker 1: slowly glaming her up for news interviews. Isabella seems happy 776 00:37:13,160 --> 00:37:15,560 Speaker 1: about it, and right down the street as we're talking, 777 00:37:15,560 --> 00:37:17,520 Speaker 1: Connor convinces his brother to drive them all to the 778 00:37:17,600 --> 00:37:20,720 Speaker 1: dance in his truck. That way he can impress Jamie 779 00:37:20,800 --> 00:37:25,240 Speaker 1: and an older brother giving a younger brother good advice 780 00:37:25,320 --> 00:37:27,759 Speaker 1: throughout the entire movie, like, yeah, you know, he's still 781 00:37:27,760 --> 00:37:29,279 Speaker 1: being an older brother. You're gonna do my clothes. You're 782 00:37:29,280 --> 00:37:31,200 Speaker 1: gonna you're a clear bud. He's like, come on, man, 783 00:37:31,320 --> 00:37:33,759 Speaker 1: you're you, You be the best you you can go 784 00:37:33,800 --> 00:37:36,120 Speaker 1: get her, ask her out. I was like, yes, good 785 00:37:36,120 --> 00:37:36,920 Speaker 1: older brother. 786 00:37:38,120 --> 00:37:41,000 Speaker 2: Just sitting there spitting the knowledge. 787 00:37:41,120 --> 00:37:43,040 Speaker 1: Right, You've got a good older brother. And then you've 788 00:37:43,080 --> 00:37:54,720 Speaker 1: got the musical genius who strums two chords. Now, speaking 789 00:37:54,719 --> 00:37:57,480 Speaker 1: of Jamie, by the way, she's getting ready for a 790 00:37:57,520 --> 00:37:59,640 Speaker 1: trip to New York for the book, and we realize 791 00:37:59,640 --> 00:38:03,320 Speaker 1: her me older brother Lenny, is actually good at playing 792 00:38:03,320 --> 00:38:06,240 Speaker 1: those two chords on guitar. Jamie's friends think he should 793 00:38:06,239 --> 00:38:09,480 Speaker 1: play at the dance, but he only plays in his bedroom. 794 00:38:09,920 --> 00:38:11,719 Speaker 1: The next day, Jamie's off to the airport with her 795 00:38:11,719 --> 00:38:16,320 Speaker 1: impatient handler and her mom and of course Invisible Isabella. 796 00:38:16,360 --> 00:38:19,120 Speaker 1: Because you can't get away from your mental illness. In 797 00:38:19,160 --> 00:38:22,480 Speaker 1: the Big Apple, Jamie is partaking in photoshoots, packed appearances 798 00:38:22,520 --> 00:38:25,680 Speaker 1: and doing morning shows and seems very awkward nervous, But 799 00:38:26,320 --> 00:38:30,440 Speaker 1: with Isabella encouraging from the sidelines, she's ready for the 800 00:38:30,760 --> 00:38:33,879 Speaker 1: zaptastic spotlight. She attends a posh party with her mom 801 00:38:33,920 --> 00:38:36,800 Speaker 1: and she sees Amber Tiffany, one of her favorite TV 802 00:38:36,880 --> 00:38:39,400 Speaker 1: stars from that soap opera she was watching earlier in 803 00:38:39,440 --> 00:38:42,120 Speaker 1: the movie. Also, Jamie's mom sees one of her favorite 804 00:38:42,160 --> 00:38:45,160 Speaker 1: singers and has no shame, just rushing up to him 805 00:38:45,160 --> 00:38:48,640 Speaker 1: and acting like a groupie. Now alone, Jamie sees a 806 00:38:48,719 --> 00:38:50,239 Speaker 1: very cute dog because she has no idea who she's 807 00:38:50,239 --> 00:38:51,799 Speaker 1: supposed to being with, so she sees the dog and 808 00:38:51,840 --> 00:38:53,759 Speaker 1: she's petting it and she gets her hair stuck on 809 00:38:53,800 --> 00:38:57,239 Speaker 1: the dog's owner, Amber Tiffany. This is a nightmare. They 810 00:38:57,360 --> 00:38:59,560 Speaker 1: rush off to the green room and eventually get detangled. 811 00:38:59,600 --> 00:39:02,920 Speaker 1: Isabelle convinces Jamie to strike up a conversation become friends 812 00:39:02,920 --> 00:39:06,520 Speaker 1: with Amber Tiffany, and it doesn't go well. So, just 813 00:39:06,600 --> 00:39:09,520 Speaker 1: like that, there is a new Murna in her life. 814 00:39:10,360 --> 00:39:12,600 Speaker 1: You went to all these parties in Hollywood, thing, did 815 00:39:12,600 --> 00:39:14,359 Speaker 1: you have any embarrassing moments like that? Did your hair 816 00:39:14,360 --> 00:39:16,600 Speaker 1: ever get a talk attached to a dog or something. 817 00:39:17,480 --> 00:39:19,000 Speaker 2: In like a Hollywood one. 818 00:39:19,600 --> 00:39:21,600 Speaker 1: Anyone. What's the most embarrassing they inter haered to you 819 00:39:21,600 --> 00:39:22,040 Speaker 1: at a party? 820 00:39:22,560 --> 00:39:28,400 Speaker 2: Ah, man, I don't really think anything, honestly, probably tripping. 821 00:39:28,520 --> 00:39:31,320 Speaker 2: I trip kind of a lot, so it's probably something 822 00:39:31,400 --> 00:39:33,880 Speaker 2: like that that you've done it on a record. You tumble? 823 00:39:33,920 --> 00:39:35,240 Speaker 1: How do you know much. 824 00:39:35,080 --> 00:39:37,440 Speaker 2: I can dance in heels now you asked me to walk? 825 00:39:37,719 --> 00:39:40,120 Speaker 1: Whoa? Whoa? 826 00:39:40,560 --> 00:39:42,799 Speaker 2: Really? Yeah, I just kind of like, I think I 827 00:39:42,880 --> 00:39:44,920 Speaker 2: must shuffle my feet a little bit, so I do 828 00:39:45,120 --> 00:39:47,040 Speaker 2: kind of like stud I can do it in tennis 829 00:39:47,040 --> 00:39:50,680 Speaker 2: shoes too, on a smooth, normal spot like I just 830 00:39:51,040 --> 00:39:52,960 Speaker 2: I don't know. And you know what's horrible is my 831 00:39:53,040 --> 00:39:57,000 Speaker 2: poor daughter has inherited that from me. So clumsy too. 832 00:39:57,360 --> 00:39:59,400 Speaker 2: We're always just but it's like we bumped back up, 833 00:39:59,440 --> 00:40:01,000 Speaker 2: We're like, we're okay. 834 00:40:00,880 --> 00:40:04,719 Speaker 1: We're good, We're good good. So you're not just a tumbler, 835 00:40:04,880 --> 00:40:07,200 Speaker 1: You're also a stumbler. Bill. 836 00:40:09,280 --> 00:40:11,200 Speaker 2: I've been waiting for this one, this. 837 00:40:11,280 --> 00:40:16,720 Speaker 1: Moment, and you there you go. Jamie is now living 838 00:40:16,760 --> 00:40:19,080 Speaker 1: in the scene and missing out on high school and 839 00:40:19,160 --> 00:40:24,719 Speaker 1: dance prep, but she does get hot goss. Thank you 840 00:40:24,760 --> 00:40:27,480 Speaker 1: for that, Jensen. But she does get the hot goss. 841 00:40:27,760 --> 00:40:32,759 Speaker 1: I guess I'm saying that right. Sawyer and Marco broke up. 842 00:40:33,120 --> 00:40:34,799 Speaker 1: We are now back at home. Jamie is having some 843 00:40:34,840 --> 00:40:36,799 Speaker 1: trouble going back to her normal high school life after 844 00:40:36,840 --> 00:40:39,760 Speaker 1: being pampered on TV. She's very popular all of a sudden, 845 00:40:39,800 --> 00:40:43,120 Speaker 1: but she's promised her friends she will still attend their 846 00:40:43,200 --> 00:40:46,319 Speaker 1: animal rights rally that they have, and then she's like, 847 00:40:46,480 --> 00:40:48,239 Speaker 1: I know, I'll be there. I'll be there for all 848 00:40:48,239 --> 00:40:51,320 Speaker 1: your stuff. But we can definitely see Jamie's starting to 849 00:40:51,320 --> 00:40:53,560 Speaker 1: pull away for all this Hollywood. 850 00:40:53,640 --> 00:40:55,600 Speaker 2: Probably one of the moments where you're going, she's not 851 00:40:55,640 --> 00:40:56,880 Speaker 2: gonna make it, She's gonna forget. 852 00:40:57,440 --> 00:41:00,399 Speaker 1: Of course, I was like, well, I'm guessing he's gonna 853 00:41:00,400 --> 00:41:02,320 Speaker 1: make it on time and really be there for her friends. 854 00:41:02,520 --> 00:41:05,120 Speaker 1: Like I knew every step of this movie. I knew 855 00:41:05,280 --> 00:41:09,760 Speaker 1: every I know. Marco bumps into Jamie and the shopping 856 00:41:09,800 --> 00:41:13,040 Speaker 1: mall food court and the entire student body goes silent. 857 00:41:13,400 --> 00:41:16,000 Speaker 1: Then in a laugh out loud moment, they all oohoo 858 00:41:16,600 --> 00:41:20,280 Speaker 1: when they smile at each other. Jamie is also invited 859 00:41:20,320 --> 00:41:23,719 Speaker 1: to the popular table because Jennifer number two is sick, 860 00:41:24,680 --> 00:41:26,959 Speaker 1: so her friends released her to go talk about New York. 861 00:41:27,239 --> 00:41:29,480 Speaker 1: But things are just getting really weird, especially now that 862 00:41:29,680 --> 00:41:32,880 Speaker 1: Marco could ask Jamie to the dance, which would ruin 863 00:41:32,920 --> 00:41:37,200 Speaker 1: the friends group plan that would kill Connor's dream. And 864 00:41:37,440 --> 00:41:40,000 Speaker 1: then to add some fuel to fire, Jamie has also 865 00:41:40,080 --> 00:41:43,440 Speaker 1: quit the pizza shop without even telling her friends. She 866 00:41:43,760 --> 00:41:46,160 Speaker 1: just bailed on her dad. I mean, obviously she told 867 00:41:46,160 --> 00:41:48,040 Speaker 1: her dad and her mom, but didn't tell her friends 868 00:41:48,040 --> 00:41:51,000 Speaker 1: that she doesn't work there anymore. And she's dropping the 869 00:41:51,080 --> 00:41:54,080 Speaker 1: dance committee because she has to answer fan mail. She 870 00:41:54,280 --> 00:41:57,040 Speaker 1: was even invited to the mall by cool girl Sawyer. 871 00:41:57,600 --> 00:42:00,480 Speaker 1: Her fame is out of control. I'm thinking this is 872 00:42:00,520 --> 00:42:02,319 Speaker 1: her new life and she's never gonna realize that she's 873 00:42:02,360 --> 00:42:03,960 Speaker 1: the wrong person and go back to who she was. 874 00:42:04,320 --> 00:42:09,000 Speaker 1: Oh wait, Marco stops by the restaurant to see Jamie, 875 00:42:09,080 --> 00:42:11,040 Speaker 1: thinking she still works there, of course because she didn't 876 00:42:11,040 --> 00:42:13,680 Speaker 1: tell anybody that she doesn't, and he wants to know 877 00:42:13,719 --> 00:42:16,960 Speaker 1: who she's going to dance with. So Connor takes the message. Ooh. 878 00:42:17,160 --> 00:42:19,160 Speaker 1: He knows his time is up, so his brother, again 879 00:42:19,600 --> 00:42:22,520 Speaker 1: in great brotherly advice, convinces him to ask Jamie before 880 00:42:22,640 --> 00:42:25,040 Speaker 1: Marco does take your shot, man, he calls him squirt, 881 00:42:25,120 --> 00:42:28,560 Speaker 1: take your shot, squirt. But even with his most spirited attempt, 882 00:42:28,680 --> 00:42:31,600 Speaker 1: which was very funny, like running right past them and 883 00:42:31,600 --> 00:42:34,239 Speaker 1: then falling, and then Jamie putting her leg on him 884 00:42:34,239 --> 00:42:36,120 Speaker 1: because he's trying to keep saying something. When Marco's going 885 00:42:36,160 --> 00:42:39,480 Speaker 1: to ask her out, Marco gets to her first, and 886 00:42:39,600 --> 00:42:44,680 Speaker 1: Connor is sol or get out of luck. And even worse, 887 00:42:45,040 --> 00:42:48,680 Speaker 1: Jamie missed the animal rights protest. She did, She missed it. 888 00:42:48,719 --> 00:42:52,480 Speaker 1: Sabrina were right. She forgot that bunnies are going to die. 889 00:42:52,520 --> 00:42:56,880 Speaker 1: Now it's Jamie's fault. Isabella is now officially running the 890 00:42:56,920 --> 00:42:59,640 Speaker 1: show on Rise and Shine, which is another morning show. 891 00:42:59,640 --> 00:43:04,480 Speaker 1: Appearing Jamie admits that Isabella is actually an alter ego 892 00:43:04,560 --> 00:43:07,880 Speaker 1: of herself, and all the characters are based on real people, 893 00:43:08,200 --> 00:43:11,480 Speaker 1: even slipping at one point and calling the villain Sawyer 894 00:43:12,920 --> 00:43:15,719 Speaker 1: instead of mRNA and going oh wait, uh oh. And 895 00:43:15,760 --> 00:43:19,839 Speaker 1: there's a giant meltdown on the television machine. Yes, man, 896 00:43:20,080 --> 00:43:21,799 Speaker 1: very bad national crash and burn. 897 00:43:22,200 --> 00:43:22,520 Speaker 2: Yes. 898 00:43:23,160 --> 00:43:26,520 Speaker 1: So Jamie, in one of the weirder moments, returns to 899 00:43:26,560 --> 00:43:31,960 Speaker 1: school in full disguise to avoid embarrassment. How was she 900 00:43:32,000 --> 00:43:33,560 Speaker 1: still going to go to all the same classes and 901 00:43:33,600 --> 00:43:35,839 Speaker 1: sit in the same chairs, but just have a dark 902 00:43:35,880 --> 00:43:37,359 Speaker 1: wig and think no one was going to know who 903 00:43:37,440 --> 00:43:37,759 Speaker 1: she was. 904 00:43:38,000 --> 00:43:39,680 Speaker 2: I guess so, I guess you're. 905 00:43:39,560 --> 00:43:41,319 Speaker 1: Not thinking about it at that age. You're just trying 906 00:43:41,320 --> 00:43:42,200 Speaker 1: to blend in, right. 907 00:43:42,360 --> 00:43:45,839 Speaker 2: Oh man, I feel like I can't believe she went 908 00:43:45,880 --> 00:43:47,640 Speaker 2: to school at all. How did she not convince her 909 00:43:47,640 --> 00:43:49,640 Speaker 2: mom that she was deathly ill and needed to stay 910 00:43:49,640 --> 00:43:50,239 Speaker 2: home for she. 911 00:43:50,160 --> 00:43:53,279 Speaker 1: Could hire points exactly? 912 00:43:54,080 --> 00:43:56,160 Speaker 2: Just so something else happens in high school. 913 00:43:56,239 --> 00:43:59,759 Speaker 1: Yes, live the is lifestyle and uh and go there, 914 00:43:59,760 --> 00:44:02,040 Speaker 1: but anyway, she's in full disguise. But once her wig 915 00:44:02,080 --> 00:44:04,640 Speaker 1: is knocked off, she's caught by the mean girls. Sawyer 916 00:44:04,800 --> 00:44:08,080 Speaker 1: is furious that she's mRNA and promises that Jamie is 917 00:44:08,120 --> 00:44:12,640 Speaker 1: going back to Loserville ghost. Isabella tells her that the 918 00:44:12,640 --> 00:44:14,680 Speaker 1: best thing she can do at this point is run, 919 00:44:14,880 --> 00:44:18,279 Speaker 1: because this is not good. At home, her parents are 920 00:44:18,280 --> 00:44:20,160 Speaker 1: planning a book signing at the pizza parlor, but Jamie 921 00:44:20,239 --> 00:44:23,040 Speaker 1: knows it's just the beginning of the end. Isabella thinks, 922 00:44:23,040 --> 00:44:26,360 Speaker 1: this is just the beginning of the beginning quote unquote, 923 00:44:26,480 --> 00:44:29,080 Speaker 1: they're going to the dance with Marco quote unquote vague 924 00:44:29,080 --> 00:44:31,600 Speaker 1: because now Isabelle, we don't know where Isabella starts and 925 00:44:31,719 --> 00:44:35,200 Speaker 1: Jamie ends. It's getting even weirder, but Jamie is starting 926 00:44:35,200 --> 00:44:38,080 Speaker 1: to want to distance herself from this alter ego persona. 927 00:44:38,400 --> 00:44:40,759 Speaker 1: She says she'll never write about it again, but the 928 00:44:40,760 --> 00:44:43,239 Speaker 1: pressure of keeping the pizza shop alive is too much 929 00:44:43,280 --> 00:44:45,360 Speaker 1: and she feels like a puppet now. So while the 930 00:44:45,400 --> 00:44:47,080 Speaker 1: parents don't put the pressure on her in any way, 931 00:44:47,080 --> 00:44:50,600 Speaker 1: shape or form, the pizza shop success is certainly happening 932 00:44:50,640 --> 00:44:55,680 Speaker 1: because Jamie is part of the Pizza Shop. You know everything, Yeah, 933 00:44:55,719 --> 00:44:58,960 Speaker 1: but now we're Jamie's transforming into a full B word. 934 00:45:00,360 --> 00:45:02,759 Speaker 1: Even tells her big brother that her music sucks and 935 00:45:02,800 --> 00:45:05,399 Speaker 1: he should give it up, and at school she's become 936 00:45:05,400 --> 00:45:07,600 Speaker 1: a pariah. No one is happy as the target of 937 00:45:07,600 --> 00:45:11,560 Speaker 1: her book's ridicule, except Marco, who's still feeling it and 938 00:45:11,600 --> 00:45:13,799 Speaker 1: eating lunch with her. He loves being the cool guy 939 00:45:13,880 --> 00:45:18,880 Speaker 1: in the book to a creepy, creepy point. Unfortunately, no 940 00:45:18,920 --> 00:45:21,080 Speaker 1: one came to the Pizza Place book signing, and Jamie's 941 00:45:21,080 --> 00:45:24,800 Speaker 1: aol friend's list has dwindled down to just Connor. Even 942 00:45:25,000 --> 00:45:28,000 Speaker 1: is a bella won't help. Jamie tries to apologize to 943 00:45:28,040 --> 00:45:29,839 Speaker 1: her brother about the music comment, because he comes home 944 00:45:30,000 --> 00:45:32,839 Speaker 1: she comes home and he's broken his guitar and put 945 00:45:32,840 --> 00:45:35,120 Speaker 1: it in the trash can, and so she comes home 946 00:45:35,160 --> 00:45:37,319 Speaker 1: try to apologize, but he's listening to pop music really 947 00:45:37,360 --> 00:45:39,680 Speaker 1: loudly in his room. She knows she needs to make 948 00:45:39,719 --> 00:45:41,719 Speaker 1: a change. She starts to write a news story but 949 00:45:41,800 --> 00:45:45,080 Speaker 1: immediately stops. It was called three Cheers for Jamie Bartlett. 950 00:45:45,160 --> 00:45:48,440 Speaker 1: Keep that in mind, was it? This is where I 951 00:45:48,480 --> 00:45:53,320 Speaker 1: got confused. So okay, so unrelated. Harmony and Lindsay decided 952 00:45:53,360 --> 00:45:56,000 Speaker 1: to use protest flyers and real kelp in their school 953 00:45:56,080 --> 00:46:01,480 Speaker 1: dance whale paper mache giant like full eyes wail that 954 00:46:01,520 --> 00:46:03,200 Speaker 1: they're going to fill it with stuff, which I think 955 00:46:03,200 --> 00:46:04,920 Speaker 1: we can all assume is going to come back, you know, 956 00:46:05,400 --> 00:46:08,239 Speaker 1: later later at school, all of a sudden there's a 957 00:46:08,280 --> 00:46:10,760 Speaker 1: positive letter to the editor about her, and it's entitled 958 00:46:11,200 --> 00:46:14,360 Speaker 1: three Cheers for Jamie Bartlett. But it's not her letter, 959 00:46:15,200 --> 00:46:18,040 Speaker 1: so that doesn't make any sense. So we were round 960 00:46:18,080 --> 00:46:22,160 Speaker 1: this how okay, I did too. I think what it 961 00:46:22,280 --> 00:46:23,880 Speaker 1: was the second time I saw it, because you just 962 00:46:23,880 --> 00:46:27,799 Speaker 1: saw the computer screen. I think they were trying to 963 00:46:27,840 --> 00:46:31,560 Speaker 1: allude to the fact that that was his computer, right, 964 00:46:32,640 --> 00:46:35,080 Speaker 1: So he had already started writing that she that wasn't 965 00:46:35,080 --> 00:46:37,000 Speaker 1: the title of her article, wasn't it? 966 00:46:37,040 --> 00:46:40,640 Speaker 2: No, No, so that exactly. So he was already writing 967 00:46:40,719 --> 00:46:47,440 Speaker 2: that thing. But the way between their two computers, when 968 00:46:47,480 --> 00:46:50,600 Speaker 2: I saw it, I go, why is she so at first? 969 00:46:50,600 --> 00:46:53,120 Speaker 2: Why is she so shocked that someone wrote it? She 970 00:46:53,280 --> 00:46:57,239 Speaker 2: wrote that right, and that was kind of a demeaning situation, 971 00:46:57,520 --> 00:47:01,040 Speaker 2: like she wasn't taking accountability for anything that she was saying. 972 00:47:01,040 --> 00:47:02,799 Speaker 2: I was kind of like, that's weird and go, oh, 973 00:47:02,880 --> 00:47:04,480 Speaker 2: okay wait, and I rewound. 974 00:47:04,120 --> 00:47:07,600 Speaker 1: It right, Okay, so it was his computer screen. 975 00:47:08,000 --> 00:47:11,040 Speaker 2: It is is, but the way it goes back and forth, 976 00:47:11,360 --> 00:47:14,600 Speaker 2: however it's done, it absolutely looks like it's her computer 977 00:47:14,640 --> 00:47:17,520 Speaker 2: screen that she's starting like a new like she's gonna 978 00:47:17,560 --> 00:47:21,799 Speaker 2: do like an apology story, apology thing into the newsletter 979 00:47:21,880 --> 00:47:22,760 Speaker 2: or something like that. 980 00:47:23,239 --> 00:47:24,400 Speaker 1: It was badly edited. 981 00:47:24,719 --> 00:47:27,319 Speaker 2: Yeah, just didn't the edits didn't make sense. I mean, 982 00:47:27,680 --> 00:47:31,160 Speaker 2: I just kind of had to rewind it and then go, yeah. 983 00:47:30,960 --> 00:47:34,360 Speaker 1: Okay, maybe it's a deleted scene like they paid something 984 00:47:34,400 --> 00:47:36,400 Speaker 1: in there. That was but it was weird. 985 00:47:36,840 --> 00:47:39,920 Speaker 2: Yeah, so yeah, definitely I thought the same thing though. 986 00:47:39,880 --> 00:47:42,400 Speaker 1: Yes it was it was. 987 00:47:41,960 --> 00:47:44,120 Speaker 2: And then realized it was his letter that was on 988 00:47:44,280 --> 00:47:45,239 Speaker 2: his computer. 989 00:47:45,080 --> 00:47:47,480 Speaker 1: Yeah, it's like, okay, so then we're gonna okay, Yeah 990 00:47:47,440 --> 00:47:52,400 Speaker 1: it was. It was jarring. I gotta move on. Yeah. Anyway, 991 00:47:53,160 --> 00:47:56,320 Speaker 1: She thinks that Marco wrote it because she recognizes writing 992 00:47:56,360 --> 00:47:59,560 Speaker 1: from the class poem he wrote earlier, but it seems 993 00:47:59,560 --> 00:48:02,520 Speaker 1: like Honor actually wrote the letter. She continues to friend 994 00:48:02,560 --> 00:48:06,680 Speaker 1: zone this poor dude, while Marco is just starstruck by Isabella. 995 00:48:06,760 --> 00:48:10,520 Speaker 1: He's always calling Jamie is which is Jamie. Then walks 996 00:48:10,520 --> 00:48:12,479 Speaker 1: in on her parents talking about selling the pizza shop 997 00:48:12,520 --> 00:48:14,680 Speaker 1: now that Jamie's frenzy has died down, which also made 998 00:48:14,719 --> 00:48:16,839 Speaker 1: me think, like, really, this guy had one or two 999 00:48:16,840 --> 00:48:17,680 Speaker 1: good months. 1000 00:48:18,360 --> 00:48:24,359 Speaker 2: Yeah, no, because I don't remember was there this even 1001 00:48:24,400 --> 00:48:27,000 Speaker 2: the second time. I don't remember them talking about the 1002 00:48:27,000 --> 00:48:28,640 Speaker 2: pizza parlor doing bad. 1003 00:48:29,280 --> 00:48:30,120 Speaker 1: It was always just packed. 1004 00:48:30,400 --> 00:48:34,040 Speaker 2: It was yeah, just that it was. It really shot 1005 00:48:34,160 --> 00:48:36,160 Speaker 2: up with me. But all of a sudden, out of nowhere, 1006 00:48:36,160 --> 00:48:37,839 Speaker 2: they're saying, oh, we're not gonna be able to cover 1007 00:48:38,000 --> 00:48:40,560 Speaker 2: last year's debt. Where did last year's debt come from? 1008 00:48:40,640 --> 00:48:42,880 Speaker 1: Yeah? But when we first met you and you're making 1009 00:48:42,880 --> 00:48:45,799 Speaker 1: your liver and onion pizza, it was a full table 1010 00:48:45,960 --> 00:48:46,319 Speaker 1: was full. 1011 00:48:46,560 --> 00:48:49,359 Speaker 2: Yeah, okay, so I just kind of was like, no, 1012 00:48:49,440 --> 00:48:51,920 Speaker 2: you're right. I think I just missed things. I don't know. 1013 00:48:52,080 --> 00:48:54,120 Speaker 1: No, you didn't miss that. You didn't miss that. It's 1014 00:48:54,160 --> 00:49:05,000 Speaker 1: exactly the same. This made me laugh. So this made 1015 00:49:05,000 --> 00:49:08,040 Speaker 1: me laugh out loud. We always get the getting ready 1016 00:49:08,040 --> 00:49:10,840 Speaker 1: for a dance montage something it's in a decom and 1017 00:49:10,880 --> 00:49:13,040 Speaker 1: for the first time it was a wah wah. 1018 00:49:13,360 --> 00:49:17,200 Speaker 2: It was a very sad montage her mom, I know, 1019 00:49:17,280 --> 00:49:23,239 Speaker 2: her friends kids getting ready for what she's a freshman 1020 00:49:23,760 --> 00:49:27,440 Speaker 2: like homecoming, your kids getting ready for the first dance, 1021 00:49:27,480 --> 00:49:31,360 Speaker 2: and you're just what, Yeah, it was kind of sad. 1022 00:49:31,520 --> 00:49:37,520 Speaker 1: I agree, shad montage and getting ready for their dance, 1023 00:49:37,920 --> 00:49:40,319 Speaker 1: but also looking at pictures of her real friends and 1024 00:49:40,360 --> 00:49:42,520 Speaker 1: all that stuff. And Isabella does not get why Jamie 1025 00:49:42,600 --> 00:49:45,200 Speaker 1: is pouting. She's got everything she wants. And I liked 1026 00:49:45,200 --> 00:49:47,799 Speaker 1: how they threw this in a big bank account. She says, 1027 00:49:47,800 --> 00:49:49,440 Speaker 1: you got plenty of money in your trust fund, so 1028 00:49:49,480 --> 00:49:51,120 Speaker 1: she's made a ton of money from the book. I 1029 00:49:51,200 --> 00:49:54,479 Speaker 1: like how they alluded to that because it's like, even 1030 00:49:54,480 --> 00:49:55,799 Speaker 1: all the money in the world and the fame in 1031 00:49:55,800 --> 00:49:57,040 Speaker 1: the world doesn't matter. 1032 00:49:57,400 --> 00:50:00,600 Speaker 2: There was also a lie won't keep your pizza shop open? 1033 00:50:00,840 --> 00:50:04,879 Speaker 1: Yes? And then is there was the line you don't 1034 00:50:04,880 --> 00:50:08,960 Speaker 1: want friends, you want fans. Was that yes? Yeah, and 1035 00:50:09,040 --> 00:50:12,120 Speaker 1: so it was. It was was, frankly a good line. 1036 00:50:12,120 --> 00:50:13,879 Speaker 1: There's a couple of good lines in here. I also 1037 00:50:13,920 --> 00:50:16,319 Speaker 1: love when she's talking to Connor again and she's and 1038 00:50:16,360 --> 00:50:18,520 Speaker 1: he says, I don't hate you, I hate what you've become, which. 1039 00:50:18,360 --> 00:50:20,279 Speaker 2: I yes, that was another good line. 1040 00:50:21,440 --> 00:50:21,680 Speaker 3: I know. 1041 00:50:22,000 --> 00:50:24,160 Speaker 1: Yeah, it's like you're when your parents are just I'm just. 1042 00:50:24,160 --> 00:50:26,120 Speaker 2: Disappointed in you, disappointed. 1043 00:50:26,239 --> 00:50:28,640 Speaker 1: I'm just disappointing. So after we get the nice little 1044 00:50:28,800 --> 00:50:32,560 Speaker 1: sad montage of all this, she picks up her laptop 1045 00:50:32,560 --> 00:50:35,759 Speaker 1: because she is done with Isabella. She unplugs it and 1046 00:50:35,840 --> 00:50:40,360 Speaker 1: figures that then traps Isabella. Not understanding how mental illness works, 1047 00:50:41,000 --> 00:50:43,200 Speaker 1: she will deal with it later, leaving it on the 1048 00:50:43,200 --> 00:50:47,320 Speaker 1: bed again. She just doesn't get it. At the dance, 1049 00:50:48,040 --> 00:50:51,920 Speaker 1: Marco being weird old Marco won't stop calling Jamie is 1050 00:50:52,200 --> 00:50:55,600 Speaker 1: and zapping everything. It's really odd, but he does seem 1051 00:50:55,600 --> 00:50:57,520 Speaker 1: to like her, even though he seems to like the 1052 00:50:57,960 --> 00:50:59,399 Speaker 1: like is more than he likes her. 1053 00:50:59,640 --> 00:51:02,480 Speaker 2: He goes in and out, he's wishing, yeah. 1054 00:51:01,920 --> 00:51:05,600 Speaker 1: It's weird, it's cool, until he admits he did not 1055 00:51:05,640 --> 00:51:08,839 Speaker 1: write that poem for class he paid Connor to write it. 1056 00:51:09,239 --> 00:51:12,239 Speaker 1: Whoa Isabelle tries to get Jamie to just shut up 1057 00:51:12,280 --> 00:51:14,320 Speaker 1: and dance with him, causing her to argue with herself 1058 00:51:14,360 --> 00:51:18,160 Speaker 1: in public and look like she's pitching a nutty yep 1059 00:51:18,360 --> 00:51:21,719 Speaker 1: hashtag pitching a nutty and don't forget everybody in case 1060 00:51:21,760 --> 00:51:24,160 Speaker 1: we've we've forgotten. At this point, that giant whale above 1061 00:51:24,160 --> 00:51:27,440 Speaker 1: them is full of kelp. Now just as ridiculous. The 1062 00:51:27,480 --> 00:51:28,840 Speaker 1: live band says they're going to take a break, but 1063 00:51:28,880 --> 00:51:31,440 Speaker 1: none of their mouths move and even worse, I'm wondering 1064 00:51:31,480 --> 00:51:35,440 Speaker 1: why the whole time they're cutting the band. At first, 1065 00:51:35,480 --> 00:51:37,920 Speaker 1: the entire band has their back to the audience and 1066 00:51:37,920 --> 00:51:40,480 Speaker 1: as all, they're just facing their drummer, the whole band 1067 00:51:40,640 --> 00:51:43,600 Speaker 1: the whole time, playing to each other, not to the crowd. 1068 00:51:44,680 --> 00:51:45,320 Speaker 2: Jam session. 1069 00:51:45,360 --> 00:51:47,360 Speaker 1: It's because they knew the camera was behind them, so 1070 00:51:47,400 --> 00:51:49,720 Speaker 1: they're like, let's just all face the camera. No, dude, 1071 00:51:49,760 --> 00:51:53,399 Speaker 1: face the crowd that you're there for. Jamie realizes it's 1072 00:51:53,400 --> 00:51:55,839 Speaker 1: Connor that sees the real her, and she hopes he'll 1073 00:51:55,840 --> 00:51:58,759 Speaker 1: forgive her, so she formulates a plan. The principle calls 1074 00:51:58,840 --> 00:52:02,399 Speaker 1: Jamie on stage to thank her for all the creativity 1075 00:52:02,440 --> 00:52:05,480 Speaker 1: and commitment, which she didn't do anything. It was all 1076 00:52:05,480 --> 00:52:09,320 Speaker 1: her friends, the entire student body, minus superfan Marco Booze. 1077 00:52:09,640 --> 00:52:11,799 Speaker 1: Isabella appears to encourage her to win them back by 1078 00:52:11,880 --> 00:52:14,839 Speaker 1: announcing a book sequel. She does, and of course it's 1079 00:52:14,880 --> 00:52:18,440 Speaker 1: not winning anybody back. Bad advice from your fake friend. 1080 00:52:19,200 --> 00:52:22,040 Speaker 1: Isabella then realizes that the paper mache whale situation is 1081 00:52:22,040 --> 00:52:24,360 Speaker 1: gonna happen and tells Jamie to rat out her friends 1082 00:52:24,400 --> 00:52:27,560 Speaker 1: to shift the focus and save the dance. That way, 1083 00:52:27,640 --> 00:52:31,240 Speaker 1: she'll be a hero again. She has some weird ideas, Isabella, 1084 00:52:31,239 --> 00:52:33,759 Speaker 1: on how to be cool, because everybody knows that snitches 1085 00:52:33,840 --> 00:52:37,720 Speaker 1: get stitches. Just as the girls are about to unleash 1086 00:52:37,800 --> 00:52:40,600 Speaker 1: their kelp, Jamie yells for them to stop. The entire 1087 00:52:40,640 --> 00:52:43,040 Speaker 1: school looks up at them, but instead of squealing, she 1088 00:52:43,320 --> 00:52:45,960 Speaker 1: apologizes in another big Disney trope, being in front of 1089 00:52:45,960 --> 00:52:48,800 Speaker 1: the school, not even a Disney trope, a high school 1090 00:52:49,719 --> 00:52:52,319 Speaker 1: movie trope, that you make the big apology in front 1091 00:52:52,360 --> 00:52:54,160 Speaker 1: of everybody. We've seen it a thousand times. 1092 00:52:53,920 --> 00:52:55,759 Speaker 2: So and even though it was a stretch, she got 1093 00:52:55,760 --> 00:52:59,080 Speaker 2: pulled up on stage, given roses to do what she 1094 00:52:59,320 --> 00:53:02,440 Speaker 2: signed up to do, and didn't do and didn't do, 1095 00:53:02,600 --> 00:53:04,839 Speaker 2: but just in general, the person that did sign up 1096 00:53:04,880 --> 00:53:07,040 Speaker 2: to do it would that just wouldn't happen. It did 1097 00:53:07,040 --> 00:53:09,440 Speaker 2: put her on the stage and set the platform for. 1098 00:53:09,400 --> 00:53:10,920 Speaker 1: Her to do that. Here's what we're gonna do. 1099 00:53:11,360 --> 00:53:14,480 Speaker 2: But it was just without being a homecoming queen. Right, 1100 00:53:14,520 --> 00:53:16,000 Speaker 2: This is the way to do it without doing that. 1101 00:53:16,640 --> 00:53:19,120 Speaker 1: Yeah, right, exactly. We need her to be homecoming queen 1102 00:53:19,160 --> 00:53:21,879 Speaker 1: without it being homecoming or her being the queen. That's 1103 00:53:21,920 --> 00:53:26,480 Speaker 1: exactly right. So Jamie apologizes. She apologizes to the entire school. 1104 00:53:26,640 --> 00:53:30,080 Speaker 1: Isabella can't believe this is happening. Jamie even mentions her 1105 00:53:30,120 --> 00:53:34,239 Speaker 1: brother and says that he's very talented. Okay, that came 1106 00:53:34,280 --> 00:53:37,000 Speaker 1: out of nowhere. She puts the spotlight on Harmony and Lindsay, 1107 00:53:37,200 --> 00:53:40,439 Speaker 1: which makes more sense. They made the dance spectacular, not her, 1108 00:53:40,800 --> 00:53:43,160 Speaker 1: And as a final sorry, she walks over to the whale. 1109 00:53:43,840 --> 00:53:46,160 Speaker 1: Isabella warns her not to, but Jamie says she should 1110 00:53:46,200 --> 00:53:48,439 Speaker 1: have done this a long time ago. She yells save 1111 00:53:48,560 --> 00:53:51,759 Speaker 1: the whales and drops the flyers and kelp on everybody. 1112 00:53:52,160 --> 00:53:58,640 Speaker 1: The whale even comes crashing down, remember that. Jamie then 1113 00:53:58,719 --> 00:54:01,000 Speaker 1: runs out to find Connor and him just as he's 1114 00:54:01,000 --> 00:54:03,360 Speaker 1: getting into his brother's cool truck. She says she didn't 1115 00:54:03,400 --> 00:54:05,920 Speaker 1: like Marco, even though she did she liked his poetry. 1116 00:54:06,040 --> 00:54:08,480 Speaker 1: She liked Marco just as much as the teacher did, 1117 00:54:09,040 --> 00:54:11,839 Speaker 1: and that it was actually Connor she liked the whole 1118 00:54:11,840 --> 00:54:15,440 Speaker 1: time because she liked his poetry. And then they kiss. 1119 00:54:15,960 --> 00:54:18,879 Speaker 1: I know, I boy, Jason gets a little. 1120 00:54:18,840 --> 00:54:22,120 Speaker 2: Good for him, Good for Jason, but shocked. I feel 1121 00:54:22,160 --> 00:54:24,000 Speaker 2: like that was really fast. 1122 00:54:24,160 --> 00:54:25,319 Speaker 1: I'm not earned at all. 1123 00:54:25,400 --> 00:54:29,680 Speaker 2: She yeah, she had not even. I mean, he was 1124 00:54:29,760 --> 00:54:31,960 Speaker 2: such a good friend. I'll say that. But the kiss 1125 00:54:32,920 --> 00:54:34,320 Speaker 2: was like whoa. 1126 00:54:34,160 --> 00:54:36,800 Speaker 1: Yeah, that was quick. That was quick to lean in there. 1127 00:54:36,920 --> 00:54:41,960 Speaker 2: Pretty quickly there, Jamie, yeah it, oh Jamie. 1128 00:54:42,520 --> 00:54:45,920 Speaker 1: Back up. We are now back at the dance. The 1129 00:54:45,960 --> 00:54:49,040 Speaker 1: students loved the whale protest for some reason. By the way, 1130 00:54:49,480 --> 00:54:51,759 Speaker 1: here was the first thing. So the brother's getting hit 1131 00:54:51,880 --> 00:54:53,960 Speaker 1: on this entire movie. Not a good guy, but still 1132 00:54:53,960 --> 00:54:56,600 Speaker 1: getting hit on the entire movie. Yeah, stuck in his 1133 00:54:56,680 --> 00:55:01,919 Speaker 1: room being kind of a jerk by She then tells 1134 00:55:01,960 --> 00:55:05,239 Speaker 1: him his music's awful. She feels bad about it. She 1135 00:55:05,400 --> 00:55:08,239 Speaker 1: calls him out during her speech, like, hey, brother, you're 1136 00:55:08,239 --> 00:55:11,360 Speaker 1: so talented. This is great. Why is he the first 1137 00:55:11,400 --> 00:55:14,080 Speaker 1: guy they show getting covered in all the kelp like 1138 00:55:14,120 --> 00:55:18,080 Speaker 1: he deserved it. They cut to the brother. I was like, 1139 00:55:18,080 --> 00:55:20,840 Speaker 1: what why this guy again? What's the way this guy do? 1140 00:55:21,320 --> 00:55:22,759 Speaker 2: Did the kelp thing too? 1141 00:55:22,880 --> 00:55:22,960 Speaker 3: Like? 1142 00:55:23,040 --> 00:55:24,839 Speaker 2: It kept coming out. 1143 00:55:24,560 --> 00:55:27,320 Speaker 1: Like when it swung. They tried to do it. 1144 00:55:27,320 --> 00:55:29,879 Speaker 2: Kelp fit out and sings spit it out. 1145 00:55:29,920 --> 00:55:30,160 Speaker 1: I know. 1146 00:55:30,200 --> 00:55:32,279 Speaker 2: It was just kind of the whole kelp thing was 1147 00:55:32,320 --> 00:55:32,719 Speaker 2: just like. 1148 00:55:32,640 --> 00:55:35,520 Speaker 1: A yeah, but then why pick on the brother? 1149 00:55:36,600 --> 00:55:39,240 Speaker 2: Yeah? Why did he get kelped? After? Yes? 1150 00:55:39,680 --> 00:55:42,400 Speaker 1: You gotta kelp that guy. So the students loved the 1151 00:55:42,400 --> 00:55:45,920 Speaker 1: whale protest and then her brother takes the stage to perform, 1152 00:55:46,080 --> 00:55:50,640 Speaker 1: and miraculously, the entire whale is hanging back up over 1153 00:55:50,640 --> 00:55:51,320 Speaker 1: the dance again. 1154 00:55:52,840 --> 00:55:53,759 Speaker 2: They gotta handle that. 1155 00:55:54,760 --> 00:55:57,759 Speaker 1: And they also rebuilt it rope. They must have put 1156 00:55:57,800 --> 00:56:00,400 Speaker 1: it back up. It's not broken anymore. It's just back up. 1157 00:56:00,920 --> 00:56:04,279 Speaker 1: The band obviously knows every note and word to the 1158 00:56:04,320 --> 00:56:09,319 Speaker 1: song that the brother wrote. Somehow they have the harmonies down. 1159 00:56:09,480 --> 00:56:11,319 Speaker 1: Not only that, but there's people you go back and 1160 00:56:11,320 --> 00:56:15,400 Speaker 1: watch it again. The people dancing also second Award for Disney. 1161 00:56:15,640 --> 00:56:17,640 Speaker 1: Uh is worst dancing in a dcom? 1162 00:56:17,680 --> 00:56:17,879 Speaker 2: Ever? 1163 00:56:18,400 --> 00:56:21,600 Speaker 1: Is this movie? It's the word I dance better than 1164 00:56:21,600 --> 00:56:24,200 Speaker 1: these people and not saying something horrifying. 1165 00:56:24,800 --> 00:56:28,719 Speaker 2: Yeah, the awful background was a little rough. There's a 1166 00:56:28,840 --> 00:56:29,879 Speaker 2: kind of a few times. 1167 00:56:30,000 --> 00:56:33,600 Speaker 1: Wasn't just the background? The lead actors too, weren't dancing well? Well. 1168 00:56:33,640 --> 00:56:35,360 Speaker 2: I thought Jason was so cute. 1169 00:56:35,520 --> 00:56:42,279 Speaker 1: Jason was amazing Jason, but everybody else everybody else's. 1170 00:56:42,000 --> 00:56:44,960 Speaker 2: Back exactly like how he Connor would dance it, add 1171 00:56:45,000 --> 00:56:47,200 Speaker 2: it down, he did his, He did his. 1172 00:56:47,560 --> 00:56:50,480 Speaker 1: I will never say anything bad about Jason Donard. So 1173 00:56:50,680 --> 00:56:54,239 Speaker 1: if his dancing was perfect, it was everybody else's. But 1174 00:56:54,320 --> 00:56:57,319 Speaker 1: if you go back and watch, the people dancing to 1175 00:56:57,600 --> 00:57:01,120 Speaker 1: the song are mouthing along with the words to the song. 1176 00:57:02,360 --> 00:57:04,920 Speaker 1: So obviously the actors had been there all day and 1177 00:57:04,920 --> 00:57:06,839 Speaker 1: they played the song over and over again. But how 1178 00:57:06,880 --> 00:57:09,920 Speaker 1: did anybody know the words to the song? This guy wrote? 1179 00:57:10,480 --> 00:57:17,400 Speaker 1: The band knows the harmonies? Anyway, an entire school dances 1180 00:57:17,400 --> 00:57:20,720 Speaker 1: long and I'm trying to get better at this, but 1181 00:57:20,800 --> 00:57:21,280 Speaker 1: this one. 1182 00:57:21,200 --> 00:57:23,480 Speaker 2: I know, this one was rough. I knew this one 1183 00:57:23,520 --> 00:57:25,560 Speaker 2: was gonna be Really, you are not going to just 1184 00:57:25,640 --> 00:57:26,280 Speaker 2: let this happen? 1185 00:57:26,320 --> 00:57:29,320 Speaker 1: No, No, I was not. We are back at the 1186 00:57:29,360 --> 00:57:31,720 Speaker 1: pizza shop now. Jamie's dad turns off the neon sign 1187 00:57:31,760 --> 00:57:33,480 Speaker 1: and hugs his wife. This is the end of it. 1188 00:57:33,720 --> 00:57:36,320 Speaker 1: The pizza parlor's gotta go. But just then Jamie and 1189 00:57:36,320 --> 00:57:38,960 Speaker 1: Connor come running in. She brought the entire dance to 1190 00:57:38,960 --> 00:57:41,760 Speaker 1: get food and save the business. I guess because one 1191 00:57:41,840 --> 00:57:44,160 Speaker 1: night of the first of all, they're never gonna be 1192 00:57:44,160 --> 00:57:46,320 Speaker 1: able to serve this many people with one person working there. 1193 00:57:47,800 --> 00:57:51,520 Speaker 1: Her dad sees the crowd and he says the following, 1194 00:57:51,720 --> 00:57:54,800 Speaker 1: I gotta get cooking. I gotta get cooking. Can we 1195 00:57:54,840 --> 00:57:58,960 Speaker 1: hear that one more time? I gotta get cooking. He's 1196 00:57:58,960 --> 00:58:02,200 Speaker 1: now got eleven hundred kid from the school. The ovens 1197 00:58:02,200 --> 00:58:05,040 Speaker 1: are off. I'm guessing the ingredients are done for the day. 1198 00:58:05,240 --> 00:58:06,000 Speaker 2: They're all done. 1199 00:58:06,320 --> 00:58:08,560 Speaker 1: The chairs are on top of the table. But no, 1200 00:58:09,240 --> 00:58:10,480 Speaker 1: it's time to make some pie. 1201 00:58:10,840 --> 00:58:11,040 Speaker 2: Yeah. 1202 00:58:11,240 --> 00:58:13,760 Speaker 1: So Connor runs into help in the kitchen, accidentally getting 1203 00:58:13,800 --> 00:58:15,440 Speaker 1: some of the whale seaweed. 1204 00:58:15,920 --> 00:58:17,800 Speaker 2: Wait, No, it wasn't was it Connor? 1205 00:58:18,080 --> 00:58:19,480 Speaker 1: Wasn't connor brother? 1206 00:58:19,640 --> 00:58:24,600 Speaker 2: Yeah, her brother came into the kitchen, had his apron 1207 00:58:24,640 --> 00:58:28,960 Speaker 2: on already under his city ticket. Yes, yeah, had his 1208 00:58:29,000 --> 00:58:31,360 Speaker 2: apron on already under his suit jacket. Just takes the 1209 00:58:31,400 --> 00:58:32,240 Speaker 2: suit jacket off. 1210 00:58:32,280 --> 00:58:36,560 Speaker 1: That's what flies, Okay, So he flings the whale seaweed, Yes, 1211 00:58:36,880 --> 00:58:40,360 Speaker 1: onto the pizza. He accidentally served it because it lands 1212 00:58:40,440 --> 00:58:41,400 Speaker 1: perfectly on the pizza. 1213 00:58:41,640 --> 00:58:42,440 Speaker 2: Uh huh. 1214 00:58:42,520 --> 00:58:47,800 Speaker 1: Everyone thinks it's delicious. I guess they think it's spinach 1215 00:58:47,840 --> 00:58:50,960 Speaker 1: pizza and start chanting for it. Her dad figures the 1216 00:58:51,000 --> 00:58:53,480 Speaker 1: real recipe out quickly and tells Connor to get the 1217 00:58:53,600 --> 00:58:57,440 Speaker 1: sushi from the cooler, which is an insane thing to 1218 00:58:57,480 --> 00:58:59,200 Speaker 1: say to pizza place. I guess it's from because he 1219 00:58:59,240 --> 00:59:01,600 Speaker 1: tried to make the raw fish. Yeah, sushi, but that 1220 00:59:01,720 --> 00:59:05,480 Speaker 1: was like days ago now, if not weeks ago. So 1221 00:59:05,640 --> 00:59:08,120 Speaker 1: why does he have this much seaweed and sushi and 1222 00:59:08,160 --> 00:59:11,080 Speaker 1: the cooler? We'll never know, But with this in my 1223 00:59:11,160 --> 00:59:13,200 Speaker 1: maybe it's his his door to door sushi sales that's 1224 00:59:13,280 --> 00:59:16,000 Speaker 1: keeping the place open. But with this in mind, everyone 1225 00:59:16,080 --> 00:59:18,800 Speaker 1: lives happily ever after, except a course for Isabella, who's 1226 00:59:18,800 --> 00:59:24,000 Speaker 1: stuck cleaning the dishes. And that is your movie. Who 1227 00:59:32,040 --> 00:59:34,960 Speaker 1: let's do real reviews. Sabrina, You've got the one, Starr, 1228 00:59:35,120 --> 00:59:36,800 Speaker 1: I've got the what. 1229 00:59:36,800 --> 00:59:37,400 Speaker 3: Do you got? 1230 00:59:37,600 --> 00:59:41,080 Speaker 2: This is from Donovan. I hate that I have to 1231 00:59:41,120 --> 00:59:44,320 Speaker 2: share a television with my little sister for both of 1232 00:59:44,360 --> 00:59:44,960 Speaker 2: our health. 1233 00:59:45,320 --> 00:59:48,240 Speaker 1: Okay, interesting review. 1234 00:59:48,520 --> 00:59:52,560 Speaker 2: Yes, this was before like probably iPads were like a 1235 00:59:52,640 --> 00:59:55,280 Speaker 2: huge thing where now you have to share your share. 1236 00:59:56,040 --> 00:59:58,600 Speaker 1: Share your screen time. I've got the five star. It 1237 00:59:58,640 --> 01:00:01,280 Speaker 1: is from our friend Nu Namad. It's actually unnamed, but 1238 01:00:01,360 --> 01:00:03,760 Speaker 1: that from now on will be a nomind And I'm 1239 01:00:03,880 --> 01:00:06,680 Speaker 1: this is exactly how it's written, so I'm gonna say 1240 01:00:06,680 --> 01:00:10,320 Speaker 1: it exactly this. Wow, this girl has some imagination, all 1241 01:00:10,400 --> 01:00:15,160 Speaker 1: in caps, five star review. And now, ladies and gentle people, 1242 01:00:16,000 --> 01:00:22,280 Speaker 1: we are down to our feature presentation, the thing that 1243 01:00:22,360 --> 01:00:26,080 Speaker 1: Sabrina loves our games. Every week we've been getting Okay, 1244 01:00:26,200 --> 01:00:28,560 Speaker 1: we've been good. We have. The last couple of weeks 1245 01:00:28,560 --> 01:00:30,400 Speaker 1: we have not been bad, Thank you very much. 1246 01:00:30,720 --> 01:00:35,400 Speaker 2: I don't know before we record, wondering what is Jensen 1247 01:00:35,440 --> 01:00:36,320 Speaker 2: gonna do to me to work? 1248 01:00:39,320 --> 01:00:41,960 Speaker 1: So here we go. This one is called in just 1249 01:00:42,200 --> 01:00:44,960 Speaker 1: four words, and this is a new feature, one that 1250 01:00:45,000 --> 01:00:47,840 Speaker 1: will return for sure. We will be given four words. 1251 01:00:48,400 --> 01:00:51,080 Speaker 1: These four words describe one of the most popular young 1252 01:00:51,120 --> 01:00:55,000 Speaker 1: adult books or series of books of all time. We 1253 01:00:55,080 --> 01:00:56,840 Speaker 1: have to guess what the words are describing, and we 1254 01:00:56,880 --> 01:01:01,240 Speaker 1: need to get three out of five, right, I read everything, 1255 01:01:01,720 --> 01:01:05,120 Speaker 1: so I read why. I'm hoping I can kill this. 1256 01:01:05,200 --> 01:01:08,360 Speaker 1: I have not looked yet. I do not know, but 1257 01:01:08,480 --> 01:01:10,800 Speaker 1: here we go. We gotta get them all, So here 1258 01:01:10,840 --> 01:01:18,120 Speaker 1: we go. Number one middle school Misadventures hilarity, hilarity. Mm hmmm, 1259 01:01:18,840 --> 01:01:23,080 Speaker 1: I think I know what it is. You got a guess? No, okay, 1260 01:01:23,320 --> 01:01:25,840 Speaker 1: I'm gonna say. Is it Diary of a wimpy kid? 1261 01:01:26,360 --> 01:01:30,800 Speaker 3: It is diary. I mean, I think we'll gonna clean 1262 01:01:30,840 --> 01:01:34,880 Speaker 3: this up. I mean I would even maybe just turn 1263 01:01:34,920 --> 01:01:35,960 Speaker 3: the screen officers. 1264 01:01:37,600 --> 01:01:42,320 Speaker 2: See you later. I'll check back in in three minutes. 1265 01:01:42,360 --> 01:01:46,600 Speaker 2: I'm gonna across some water. I'm just gonna enjoy my 1266 01:01:46,640 --> 01:01:48,280 Speaker 2: water while we go. 1267 01:01:49,120 --> 01:01:54,480 Speaker 1: Number two Magic Friendship epic Battles. This could be anything. 1268 01:01:55,040 --> 01:01:55,960 Speaker 1: I'm guessing. 1269 01:01:57,080 --> 01:02:02,160 Speaker 2: Come on, I think we're gonna go with Harry Potter. 1270 01:02:02,360 --> 01:02:03,400 Speaker 1: That's what I would say too. 1271 01:02:04,000 --> 01:02:07,040 Speaker 3: Yep, it's Harry Potter one and one. I'm your weight, 1272 01:02:08,400 --> 01:02:08,760 Speaker 3: all right. 1273 01:02:09,200 --> 01:02:14,680 Speaker 1: Number three Rebellion Survival brutal dystopia. 1274 01:02:14,920 --> 01:02:15,280 Speaker 2: Mm hmm. 1275 01:02:16,200 --> 01:02:18,440 Speaker 1: Okay, there's two possible answers to. 1276 01:02:18,400 --> 01:02:20,920 Speaker 2: This one, all right, you say the possibility. 1277 01:02:22,920 --> 01:02:28,040 Speaker 1: So it's either my guess is knowing Producer Jensen. This 1278 01:02:28,240 --> 01:02:32,800 Speaker 1: is the Hunger Games. Oh, but it could also be 1279 01:02:32,920 --> 01:02:37,919 Speaker 1: the Maze Trials. Oh, so they actually both work here. 1280 01:02:38,120 --> 01:02:40,280 Speaker 1: But I'm gonna think he's gonna go with the more 1281 01:02:40,320 --> 01:02:43,360 Speaker 1: popular one, so I'm gonna say he picked Hunger Games. 1282 01:02:43,480 --> 01:02:46,320 Speaker 3: Yeah it is Hunger Games. And I will say I 1283 01:02:46,400 --> 01:02:51,040 Speaker 3: kept off Maye Runner because it's too much like exactly. 1284 01:02:51,120 --> 01:02:52,280 Speaker 1: So yeah, it could have been either one. 1285 01:02:52,280 --> 01:02:56,480 Speaker 3: But okay, you guys are in the clear. They all right. 1286 01:02:57,280 --> 01:03:02,240 Speaker 1: Number four Love Can't or Heartbreak and Hope. 1287 01:03:05,040 --> 01:03:06,800 Speaker 2: I don't know the name of it, but if there 1288 01:03:06,880 --> 01:03:10,200 Speaker 2: was a movie made after this book, then I think I. 1289 01:03:09,760 --> 01:03:12,080 Speaker 1: Think there was. And my guess is, isn't it called 1290 01:03:12,080 --> 01:03:13,760 Speaker 1: I can't believe I even know this. I've never read it, 1291 01:03:13,760 --> 01:03:16,080 Speaker 1: But isn't it called like five feet apart or six 1292 01:03:16,120 --> 01:03:18,640 Speaker 1: feet apart? Something like that? They have to stand a 1293 01:03:18,640 --> 01:03:21,520 Speaker 1: certain distance apart. So I'm gonna say, yeah, six feet apart. 1294 01:03:22,080 --> 01:03:23,600 Speaker 3: This is called Fault in Our Stars. 1295 01:03:23,680 --> 01:03:25,800 Speaker 1: Oh, it's the Fault in Our Stars. Okay, made by 1296 01:03:25,800 --> 01:03:27,280 Speaker 1: the same guy who does it's. 1297 01:03:27,200 --> 01:03:29,240 Speaker 3: The same book. I think even it's the same book. 1298 01:03:29,320 --> 01:03:32,280 Speaker 2: Yeah, they do have to stay a certain distance away. 1299 01:03:32,640 --> 01:03:35,000 Speaker 1: Well didn't they. Well they made a movie Fault in 1300 01:03:35,080 --> 01:03:38,480 Speaker 1: Our Stars and producer Lisa saying, you're thinking of five 1301 01:03:38,480 --> 01:03:40,520 Speaker 1: feet apart, which is different than fault in Our Stars, 1302 01:03:40,560 --> 01:03:43,040 Speaker 1: isn't it. Oh okay, it's a different movie, but I 1303 01:03:43,040 --> 01:03:44,640 Speaker 1: think they're the Yeah, different, but I think they're the 1304 01:03:44,680 --> 01:03:45,520 Speaker 1: same author. 1305 01:03:45,880 --> 01:03:48,600 Speaker 3: This is May's Runner and Hunger Games all over again. 1306 01:03:50,200 --> 01:03:53,480 Speaker 1: Oh god, that's my favorite part of Hunger Games was 1307 01:03:53,520 --> 01:03:54,120 Speaker 1: the cancer? 1308 01:03:54,120 --> 01:03:56,160 Speaker 2: And did they make a movie of five feet apart? 1309 01:03:56,320 --> 01:03:59,720 Speaker 1: Yeah? They did? Okay with uh, what's her name? And 1310 01:03:59,800 --> 01:04:03,640 Speaker 1: the dude, okay, what's it's It's no, I don't yes, 1311 01:04:04,200 --> 01:04:05,960 Speaker 1: the Sprouse and Haley Richardson. 1312 01:04:05,960 --> 01:04:09,000 Speaker 2: There you go, okay, yeah, no, the okay, yes. 1313 01:04:09,000 --> 01:04:16,040 Speaker 1: Yeah, and then finally number five Vampires, Romance, Danger, Immortality. 1314 01:04:16,360 --> 01:04:17,760 Speaker 1: Come on, I know. 1315 01:04:19,520 --> 01:04:23,360 Speaker 2: You will get Vampire Diary. Think this is it's not 1316 01:04:23,440 --> 01:04:25,880 Speaker 2: Vampire dis Twilight. 1317 01:04:25,920 --> 01:04:27,360 Speaker 1: All right, there you go. 1318 01:04:27,800 --> 01:04:29,200 Speaker 3: I was like, will you better? I'll be. 1319 01:04:29,920 --> 01:04:31,800 Speaker 1: I didn't say anything. I didn't say anything. 1320 01:04:32,160 --> 01:04:33,520 Speaker 2: I got it. I got it. 1321 01:04:33,600 --> 01:04:36,760 Speaker 1: I again, everyone knows. When it came to Twilight, I 1322 01:04:36,840 --> 01:04:41,360 Speaker 1: was team please stop making these Yes, well, thank you 1323 01:04:41,400 --> 01:04:43,480 Speaker 1: very much. That was fine. I went five essentially, five 1324 01:04:43,520 --> 01:04:45,560 Speaker 1: for five. I'm I'm not going to give myself fault 1325 01:04:45,560 --> 01:04:46,880 Speaker 1: in Their Stars because I didn't know that one. But 1326 01:04:46,920 --> 01:04:48,560 Speaker 1: I got four out of five. I'm pretty happy, which 1327 01:04:48,560 --> 01:04:50,280 Speaker 1: is good. Can we do some Sabrina seas? 1328 01:04:54,800 --> 01:04:58,439 Speaker 2: Yes we can. Okay, there's a couple of these here. 1329 01:04:58,640 --> 01:05:00,680 Speaker 2: Did you notice what the name of the high school was? 1330 01:05:01,480 --> 01:05:03,240 Speaker 2: No Monroe High School? 1331 01:05:03,640 --> 01:05:03,920 Speaker 1: Was it? 1332 01:05:05,040 --> 01:05:08,160 Speaker 2: Newspaper was like the Monro Everything had Monroe on it, 1333 01:05:08,200 --> 01:05:10,400 Speaker 2: So I did think that was super cute. I talked 1334 01:05:10,440 --> 01:05:15,360 Speaker 2: about Julia and her daughter Quinn's cameo. Sawyer had a 1335 01:05:15,480 --> 01:05:18,160 Speaker 2: lot of this is after the cheatahirls. She had a 1336 01:05:18,160 --> 01:05:20,400 Speaker 2: lot of cheata girls stuff in here. Did she wore 1337 01:05:20,560 --> 01:05:24,000 Speaker 2: a white and in in and out of being Sawyer 1338 01:05:24,320 --> 01:05:27,880 Speaker 2: or was it Myrna out She had the white like 1339 01:05:27,920 --> 01:05:31,840 Speaker 2: a white hat that I wore in the Cinderella. She 1340 01:05:32,000 --> 01:05:35,880 Speaker 2: wore a pink velore outfit, and then she had a 1341 01:05:35,880 --> 01:05:38,280 Speaker 2: full blown cheet of vesta. Every time she popped up, 1342 01:05:38,320 --> 01:05:42,040 Speaker 2: I'm like she like pulled our wardrobe from the movie. 1343 01:05:42,040 --> 01:05:43,720 Speaker 1: Did she look like dough or did she look like 1344 01:05:43,760 --> 01:05:44,840 Speaker 1: a combination of all of them? 1345 01:05:44,960 --> 01:05:47,800 Speaker 2: Kind of a combination of everyone. But it was pretty 1346 01:05:47,800 --> 01:05:49,520 Speaker 2: funny that she just kept coming up with these things. 1347 01:05:49,560 --> 01:05:51,600 Speaker 2: And there was the same kind of dog in the movie, 1348 01:05:51,640 --> 01:05:54,200 Speaker 2: that dog that she came into. It was a lot 1349 01:05:54,240 --> 01:05:56,000 Speaker 2: of cheat at the guy. I'm like, am I being 1350 01:05:56,040 --> 01:06:02,120 Speaker 2: too crazy right now. He was later. Yeah, the third one, 1351 01:06:02,160 --> 01:06:04,160 Speaker 2: he was way later. But yes, there was a couple 1352 01:06:04,160 --> 01:06:07,160 Speaker 2: of those funny things. And then you mentioned it before. 1353 01:06:07,680 --> 01:06:10,880 Speaker 2: But the song that Drew Seely has in the movie 1354 01:06:11,000 --> 01:06:13,360 Speaker 2: is during the time when we actually kind of around 1355 01:06:13,400 --> 01:06:16,120 Speaker 2: that time, she's at that industry party where she meets 1356 01:06:16,160 --> 01:06:20,120 Speaker 2: her people that she's fans of. That song was actually 1357 01:06:20,200 --> 01:06:22,560 Speaker 2: on my I don't even know if you know that 1358 01:06:22,600 --> 01:06:26,800 Speaker 2: I've done A was one of my songs. So it 1359 01:06:26,880 --> 01:06:29,439 Speaker 2: starts playing and I go, why do I know this song? 1360 01:06:29,880 --> 01:06:32,360 Speaker 2: I'm like, that's definitely Drew Seely, So maybe that's why 1361 01:06:32,400 --> 01:06:34,800 Speaker 2: I recognized his voice. Why do I know that song? Wait? 1362 01:06:34,800 --> 01:06:36,880 Speaker 2: Why do I feel like I know choreography. 1363 01:06:36,320 --> 01:06:36,920 Speaker 1: To that music? 1364 01:06:37,160 --> 01:06:40,080 Speaker 2: So I looked up the soundtrack, find the name. Look, 1365 01:06:40,120 --> 01:06:42,400 Speaker 2: I'm like, was it on be you? Looked up b 1366 01:06:42,520 --> 01:06:44,960 Speaker 2: you it's one of the songs we do an actual 1367 01:06:45,000 --> 01:06:47,800 Speaker 2: workout too. So that was really cool for me because 1368 01:06:47,800 --> 01:06:49,560 Speaker 2: I just thought that was cool. I loved you. Yeah, 1369 01:06:50,320 --> 01:06:53,160 Speaker 2: and again just going he has been in so many 1370 01:06:53,160 --> 01:06:55,760 Speaker 2: of these movies, whether it's just in the soundtrack or 1371 01:06:55,880 --> 01:06:58,520 Speaker 2: you know, bigger part of the movies we've done. And 1372 01:06:58,560 --> 01:07:02,560 Speaker 2: then my last question was, what does this older brother, who, 1373 01:07:02,600 --> 01:07:05,120 Speaker 2: by the way, looked more like just a young dad 1374 01:07:05,760 --> 01:07:06,600 Speaker 2: Connor's brother. 1375 01:07:07,440 --> 01:07:09,680 Speaker 1: Oh Connor, Yeah, yeah, yeah, yeah. I did a movie 1376 01:07:09,680 --> 01:07:11,439 Speaker 1: with that guy. He's really cool. I did a movie. 1377 01:07:11,680 --> 01:07:14,320 Speaker 2: He was great, and I loved his character. But he 1378 01:07:14,400 --> 01:07:17,280 Speaker 2: looked a lot. There was a giant age guy. 1379 01:07:17,360 --> 01:07:19,520 Speaker 1: There was an eight Yeah, I figured he was probably 1380 01:07:19,960 --> 01:07:22,720 Speaker 1: they they made him like the father figure to him. 1381 01:07:22,800 --> 01:07:25,080 Speaker 1: So my guess was they were supposed to be freshman, 1382 01:07:25,200 --> 01:07:27,480 Speaker 1: so the kids like thirteen fourteen, he was like. 1383 01:07:27,480 --> 01:07:30,200 Speaker 2: A senior in college, because yeah, I would have had home. 1384 01:07:30,360 --> 01:07:33,720 Speaker 1: Well, I mean my brother, so my oldest brother is 1385 01:07:33,760 --> 01:07:35,640 Speaker 1: eight years older than me, so it would have kind 1386 01:07:35,640 --> 01:07:38,200 Speaker 1: of been like that, Like when I was a freshman 1387 01:07:38,240 --> 01:07:41,000 Speaker 1: in high school, my brother was already out of college 1388 01:07:41,280 --> 01:07:42,960 Speaker 1: or ye or was a senior in college. 1389 01:07:43,200 --> 01:07:45,080 Speaker 2: So yeah, it was just kind of funny. He just 1390 01:07:45,160 --> 01:07:47,360 Speaker 2: every time he popped in, he just looked a lot 1391 01:07:47,400 --> 01:07:50,840 Speaker 2: older than he was. By the way, what he was 1392 01:07:50,880 --> 01:07:52,840 Speaker 2: awesome too, And like I said, we loved his character. 1393 01:07:52,920 --> 01:07:57,160 Speaker 2: But what does he do to involve Connor having to 1394 01:07:57,280 --> 01:08:00,960 Speaker 2: use goggles and pliers to handle his laundry? 1395 01:08:01,080 --> 01:08:01,160 Speaker 1: Is? 1396 01:08:01,480 --> 01:08:02,680 Speaker 2: Why was his laundry? 1397 01:08:02,720 --> 01:08:04,200 Speaker 1: I think it's just supposed to be like, oh, it's 1398 01:08:04,200 --> 01:08:07,240 Speaker 1: so gross that I have to Yeah, it's and. 1399 01:08:07,160 --> 01:08:08,600 Speaker 2: He hated doing it, but it was just kind of 1400 01:08:08,600 --> 01:08:10,200 Speaker 2: funny because it popped up a. 1401 01:08:10,120 --> 01:08:13,200 Speaker 1: Lot good visual in my underwear forever. You gotta go 1402 01:08:13,280 --> 01:08:16,080 Speaker 1: ask her out. Yeah, yeah, so that was it. 1403 01:08:16,320 --> 01:08:21,640 Speaker 2: We've got lots of stuff, cheetah, cameos, songs, songs. It 1404 01:08:21,720 --> 01:08:23,720 Speaker 2: was just like fireworks all over me. 1405 01:08:23,760 --> 01:08:25,840 Speaker 1: The whole time was the whale being down and the 1406 01:08:25,840 --> 01:08:27,960 Speaker 1: whale being up on one of your Sabrina seas. Yeah, 1407 01:08:28,000 --> 01:08:30,400 Speaker 1: that to me was like come on, we got the wheels, Like. 1408 01:08:30,680 --> 01:08:34,400 Speaker 2: If it was up, I would have liked to see it, like. 1409 01:08:33,560 --> 01:08:35,400 Speaker 1: Like yeah, like the whale it like broken. 1410 01:08:35,720 --> 01:08:39,360 Speaker 2: Yeah, just like broactly said, it was just perfectly. 1411 01:08:38,960 --> 01:08:41,280 Speaker 1: Placed in all good well because what happened was they 1412 01:08:41,360 --> 01:08:46,120 Speaker 1: obviously shot that scene before they had to trash everything, 1413 01:08:46,240 --> 01:08:48,320 Speaker 1: because then once they trashed everything, they didn't want to 1414 01:08:48,320 --> 01:08:50,040 Speaker 1: have to clean it all up to shoot that scene again. 1415 01:08:50,120 --> 01:08:52,960 Speaker 2: Yeah. There was another one where the there's they go 1416 01:08:53,080 --> 01:08:55,840 Speaker 2: up to the table in the cafeteria, Her and Mark 1417 01:08:56,520 --> 01:08:58,720 Speaker 2: go up to the table, and the capture it is 1418 01:08:58,720 --> 01:09:00,760 Speaker 2: supposed to be like disgusting and you can tell like 1419 01:09:01,040 --> 01:09:04,280 Speaker 2: just the there's just like a couple of it really 1420 01:09:04,320 --> 01:09:05,400 Speaker 2: wasn't anything. 1421 01:09:05,120 --> 01:09:07,679 Speaker 1: Nuts like, that's it? Yeah, yeah, exactly. 1422 01:09:07,880 --> 01:09:10,280 Speaker 2: A napkin, A clean napkin, A clean napkin. 1423 01:09:10,360 --> 01:09:13,320 Speaker 1: That's it. Well, thank you once again for those. And 1424 01:09:13,400 --> 01:09:15,679 Speaker 1: now we've come to the portion of our program where 1425 01:09:15,680 --> 01:09:18,120 Speaker 1: we have to rate the movie we just saw. And 1426 01:09:18,160 --> 01:09:20,000 Speaker 1: we've got some options this week. Should we do one 1427 01:09:20,000 --> 01:09:22,160 Speaker 1: out of ten and as I've said before, one being bad, 1428 01:09:22,200 --> 01:09:24,240 Speaker 1: ten being good, or you know the way that we 1429 01:09:24,280 --> 01:09:27,160 Speaker 1: normally do it, is it one out of ten, terrible 1430 01:09:27,200 --> 01:09:31,360 Speaker 1: pizza combos, one out of ten, shopping mall, food court cafeterias, 1431 01:09:32,040 --> 01:09:34,400 Speaker 1: one out of ten it says nutties, But I'm gonna 1432 01:09:34,439 --> 01:09:37,880 Speaker 1: make it one out of ten pitcha nutties nutties, which 1433 01:09:37,960 --> 01:09:41,000 Speaker 1: now now sound pitching nutties now sounds like a like 1434 01:09:41,080 --> 01:09:44,959 Speaker 1: a candy bar. One out of ten, seaweed filled whales, 1435 01:09:45,439 --> 01:09:47,599 Speaker 1: one out of ten letters to the editor, one out 1436 01:09:47,640 --> 01:09:50,240 Speaker 1: of ten cheers for Jamie Bartlett, or one out of 1437 01:09:50,240 --> 01:09:53,639 Speaker 1: ten high school farmers' markets. You picked this week, Sabrina, 1438 01:09:53,680 --> 01:09:54,240 Speaker 1: what would you like? 1439 01:09:54,680 --> 01:09:58,040 Speaker 2: I think it was so educational to learn what this 1440 01:09:58,160 --> 01:10:01,679 Speaker 2: term means. So I'm gonna go that a ten pitch nutty. 1441 01:10:02,080 --> 01:10:05,479 Speaker 1: Yes, well out of ten pitch of nutties. I love it, Yes, yes, yes, 1442 01:10:06,640 --> 01:10:08,960 Speaker 1: I think I went first last time, didn't we? I 1443 01:10:08,960 --> 01:10:09,920 Speaker 1: don't know how we? How we? 1444 01:10:10,000 --> 01:10:12,200 Speaker 2: I don't, I gosh, I don't. I have no idea. 1445 01:10:12,200 --> 01:10:13,240 Speaker 1: They're now getting jumbled a. 1446 01:10:13,200 --> 01:10:15,720 Speaker 2: Little bit, are getting jumbled. I need to go back 1447 01:10:15,760 --> 01:10:17,880 Speaker 2: to because I'd like to see my scoring system and 1448 01:10:17,920 --> 01:10:20,000 Speaker 2: make sure I'm like, now that we've done a chunk, 1449 01:10:20,280 --> 01:10:24,560 Speaker 2: yeah sure, I'm like, I'm going and being consistent. 1450 01:10:24,640 --> 01:10:26,960 Speaker 1: If we're gonna have to do one whole episode where 1451 01:10:27,000 --> 01:10:29,599 Speaker 1: we give out awards and we list all the movies 1452 01:10:29,600 --> 01:10:31,439 Speaker 1: we've done and where they're ranked, I think we're gonna 1453 01:10:31,439 --> 01:10:33,280 Speaker 1: have to. It's like a recap of everything we're doing, 1454 01:10:33,479 --> 01:10:38,479 Speaker 1: followed quickly by a rewatch of your exercise video. Because 1455 01:10:38,520 --> 01:10:41,280 Speaker 1: if you think that's not gonna happen, I got some 1456 01:10:41,400 --> 01:10:44,200 Speaker 1: news for you. You might pitch a nutty, but it's happening. 1457 01:10:44,280 --> 01:10:47,439 Speaker 2: Take your your double runs out of your exercise routine 1458 01:10:47,479 --> 01:10:49,599 Speaker 2: and start doing BU that. 1459 01:10:49,920 --> 01:10:53,960 Speaker 1: I love that because after my BU i'd have BO. 1460 01:10:54,160 --> 01:10:58,800 Speaker 1: Thank you very much. Okay, So Sabrina, what do you got? 1461 01:10:58,920 --> 01:11:00,879 Speaker 1: How many pitch nutties are given this movie? 1462 01:11:01,080 --> 01:11:03,439 Speaker 2: Okay, So again I think our rating is going to 1463 01:11:03,520 --> 01:11:06,760 Speaker 2: be different because now that I'm really thinking about it 1464 01:11:06,800 --> 01:11:10,080 Speaker 2: and what hearing your your situation, like things that you 1465 01:11:10,120 --> 01:11:14,599 Speaker 2: brought up. It is more of a girl directed, you 1466 01:11:14,600 --> 01:11:18,599 Speaker 2: know movie a bad thing. It's not at all so exactly. 1467 01:11:18,680 --> 01:11:21,719 Speaker 2: I was able to connect. I remember being in high school, 1468 01:11:22,160 --> 01:11:26,040 Speaker 2: junior high, high school, and this was like a really 1469 01:11:26,160 --> 01:11:28,639 Speaker 2: real thing. And I also, as I was watching it 1470 01:11:28,920 --> 01:11:32,160 Speaker 2: was kind of letting myself remember too, this is not 1471 01:11:32,240 --> 01:11:35,120 Speaker 2: a big musical movie. This is not about a sports thing. 1472 01:11:35,240 --> 01:11:38,120 Speaker 2: This is you know, it's not you know, it doesn't 1473 01:11:38,160 --> 01:11:41,719 Speaker 2: have like a really crazy niche except for girl girl 1474 01:11:41,800 --> 01:11:44,800 Speaker 2: issues that they go through. Sure, and so I did 1475 01:11:44,840 --> 01:11:48,719 Speaker 2: connect with it. There weren't We've had a couple movies 1476 01:11:48,720 --> 01:11:50,600 Speaker 2: with a ton of holes. There wasn't. There was just 1477 01:11:50,640 --> 01:11:52,680 Speaker 2: a few blips here and there. Yeah, I know the 1478 01:11:52,720 --> 01:11:54,320 Speaker 2: story was the story was great. 1479 01:11:54,439 --> 01:11:57,880 Speaker 1: Yeah, and I formulaic but full right, that makes sense. 1480 01:11:58,240 --> 01:12:01,080 Speaker 2: Yes, Yeah, So I gave it a seven point five. 1481 01:12:01,240 --> 01:12:04,120 Speaker 2: I thought it was It was nice. I think again, 1482 01:12:04,439 --> 01:12:07,519 Speaker 2: for someone when it's Monroe's time for her to learn 1483 01:12:07,600 --> 01:12:10,600 Speaker 2: these kinds of movies, I would love for this to 1484 01:12:10,680 --> 01:12:14,799 Speaker 2: be a first of hers of these kind of lessons 1485 01:12:14,840 --> 01:12:17,280 Speaker 2: to learn and how to handle yourself. And you know, 1486 01:12:18,240 --> 01:12:20,559 Speaker 2: you know how much your friends mean to you, the 1487 01:12:20,560 --> 01:12:22,760 Speaker 2: ones that treat you well versus people that are not 1488 01:12:22,920 --> 01:12:25,080 Speaker 2: nice to you but maybe cool on in campus and 1489 01:12:25,120 --> 01:12:25,720 Speaker 2: stuff like that. 1490 01:12:25,760 --> 01:12:26,400 Speaker 1: So that makes sense. 1491 01:12:26,479 --> 01:12:28,839 Speaker 2: OKAYO point five pitching and nutties. 1492 01:12:29,080 --> 01:12:32,120 Speaker 1: Pitching and nutties. I did not give it a seven 1493 01:12:32,120 --> 01:12:34,120 Speaker 1: point five. I did not going to decimate the movie. 1494 01:12:34,320 --> 01:12:36,160 Speaker 1: It was harder for me to connect with, like we said, 1495 01:12:36,280 --> 01:12:39,439 Speaker 1: which which makes sense. It was very formulaic. I knew 1496 01:12:39,439 --> 01:12:41,840 Speaker 1: exactly from the second she came on screen. I knew 1497 01:12:41,840 --> 01:12:43,439 Speaker 1: exactly what was going to happen to the character all 1498 01:12:43,439 --> 01:12:45,360 Speaker 1: the way around. Again, that's not always a bad thing. 1499 01:12:45,840 --> 01:12:48,439 Speaker 1: But I'm going to give this because of and I'm 1500 01:12:48,520 --> 01:12:52,599 Speaker 1: knighting him right now, so because of Sir Jason Dally, 1501 01:12:54,360 --> 01:12:59,120 Speaker 1: I'm going to give this a five point five. Pitching nutties. Okay, again, 1502 01:12:59,160 --> 01:13:01,080 Speaker 1: it was this was not bad movie. It was this. 1503 01:13:01,080 --> 01:13:02,960 Speaker 1: This was a movie. Like I finished and I went like, Okay, 1504 01:13:03,000 --> 01:13:05,040 Speaker 1: I watched the movie. I didn't hate it by any 1505 01:13:05,040 --> 01:13:08,080 Speaker 1: stretch of the imagination. I didn't love it. Yeah, I thought, again, 1506 01:13:08,120 --> 01:13:12,400 Speaker 1: the Pana Baker's that's great casting to have her older 1507 01:13:12,479 --> 01:13:17,280 Speaker 1: sister play like a heightened version of herself. Really clever 1508 01:13:17,360 --> 01:13:19,880 Speaker 1: way of doing it. So yeah, it's a It's a 1509 01:13:19,880 --> 01:13:25,040 Speaker 1: five point five pitch nutties for me. And that's that 1510 01:13:25,200 --> 01:13:28,680 Speaker 1: of course, Folks. Is our film for the week. That is, 1511 01:13:28,840 --> 01:13:34,240 Speaker 1: read it and weep our next movie, Our next movie. 1512 01:13:34,360 --> 01:13:35,640 Speaker 1: I'm just gonna say it like this and see if 1513 01:13:35,640 --> 01:13:40,679 Speaker 1: you can guess it. Our next movie keeps us on track. Yes, 1514 01:13:40,800 --> 01:13:43,240 Speaker 1: it is the Extreme two thousand and one dirt bike 1515 01:13:43,360 --> 01:13:46,880 Speaker 1: movie Motocross. I've heard so much about this movie. Here's 1516 01:13:46,880 --> 01:13:48,960 Speaker 1: one I've actually heard of. I know this movie. I've 1517 01:13:48,960 --> 01:13:51,360 Speaker 1: never seen it, but I've heard of this movie. So 1518 01:13:51,479 --> 01:13:53,719 Speaker 1: I am excited to see where we go from here. 1519 01:13:53,920 --> 01:13:56,680 Speaker 1: Remember everybody to subscribe to our feed and you can 1520 01:13:56,680 --> 01:13:59,679 Speaker 1: follow us at the Magical rewind Pod on the Instagram Machine. 1521 01:13:59,720 --> 01:14:02,120 Speaker 1: Thank you once again for joining us. We will see 1522 01:14:02,160 --> 01:14:20,839 Speaker 1: you next time on the racetrack. Bye everybody, Bye,