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Speaker 1: He just kind of isn't afraid to say what he thinks.

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Speaker 1: I think he's very entertaining. He is a great leader,

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Speaker 1: he's awesome, funny. He just makes my morning. All we

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Speaker 1: want to do is just go to brunch with him.

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Speaker 1: He's psychic, Dudu. I want to see you naked, Patrick

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Speaker 1: world Rain in the Morning Show. And we wake up

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Speaker 1: on this fine Tuesday in March twenty nine, twenty twenty two,

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Speaker 1: to wish our girl Danielle a happy birthday. Yeah, I

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Speaker 1: looked to see another one guy, you did? Are you

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Speaker 1: working on the next week? Here we go, happy birthday.

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Speaker 1: We were so excited because you know, over pandemic. Our

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Speaker 1: Nate started baking and he's what we call him a

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Speaker 1: master baker. Yes, we did, I have a master baker.

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Speaker 1: And so he said, you know what, for Daniel's birthday,

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Speaker 1: I'm gonna bake her a cake that's so sweet. So

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Speaker 1: we called your husband and asked, what's Danielle's favorite kind

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Speaker 1: of cake so nat can make it for her birthday.

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Speaker 1: He said she loves the strawberry short cake. So last night,

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Speaker 1: Danielle the good Catholic decides to send out a text

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Speaker 1: saying I know it's my birthday tomorrow. But I gave

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Speaker 1: up cake for Lyn. I gave a candy cake and cookies.

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Speaker 1: It's a lot of things, not chocolate. But my argument

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Speaker 1: is strawberry shortcake is really just kind of two biscuits

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Speaker 1: with strawberries. If you went out of your way and

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Speaker 1: you made it, I'll have some. I got the texts.

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Speaker 1: I was about to check out at Wagman's and I'm like,

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Speaker 1: you know what, Danielle, I respect your Linton. Well. I

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Speaker 1: bet we have found a way to fix this. But

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Speaker 1: you can't eat cake. It's okay. What if you were

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Speaker 1: buy an ocean? Oh, I've got an idea. Happy birthday, Danielle.

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Speaker 1: Can you do cake by the ocean? I think I

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Speaker 1: can by the ocean? What a great song that is.

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Speaker 1: I'm not anywhere near the ocean today, by the way,

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Speaker 1: because it is so cold it is here here in

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Speaker 1: New York. I mean the wind, froggy. Remember that day

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Speaker 1: you were here and it was so called and the

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Speaker 1: wind felt like knives were slicing your face. It was

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Speaker 1: so bad. Yes, that's this morning. Oh god, I'm so sorry.

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Speaker 1: What's it like in Jacksonville today? It's gonna be seventy

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Speaker 1: eight today and lots of sunshine. You you you ask,

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Speaker 1: we'll welcome to the day. Our first call to the

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Speaker 1: day is Megan listening Channel nine nine and beautiful day

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Speaker 1: in Ohio. Good morning, good morning, Happy birthday, Danielle. Thank you.

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Speaker 1: I'll give you all the reason to be jealous. And

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Speaker 1: today is Megan's Friday. Kind of right, nice, kind of

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Speaker 1: So I took off work on Wednesday just because this

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Speaker 1: weekend was super stressful. But then now I have to

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Speaker 1: go back into work on Thursday and Friday, so it's

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Speaker 1: just kind of like a weird day for me. You

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Speaker 1: know what, though, take it. You get the day off tomorrow,

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Speaker 1: you know, no matter how you get it, just take

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Speaker 1: it and love it, run with it, and don't let

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Speaker 1: the day be waste. To go do something fun tomorrow, Megan. Yeah,

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Speaker 1: it's actually supposed to be seventy four and sunny here

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Speaker 1: in Dayton tomorrow. So I think I think it's just

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Speaker 1: overrated to like not take days off during the week,

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Speaker 1: you know. Yeah, you know what, I'll tell you what

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Speaker 1: do it is a favor. Go ahead and dive into

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Speaker 1: the experiment tomorrow and then get back to us at

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Speaker 1: least Texas let us know how your day went and

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Speaker 1: if you would want to do it again. Yeah, okay,

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Speaker 1: I share well, but I also have a request. I

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Speaker 1: think that you should have to play Barbie Girl today

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Speaker 1: or Danielle's birthday. The listeners are the best. A really

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Speaker 1: bad me. Sorry, you know it exactly like Megan, Megan, Megan,

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Speaker 1: just because you have tomorrow off doesn't mean you can

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Speaker 1: be full of nonsense today. You know what, We will

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Speaker 1: give Danielle one song to hear on the show today

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Speaker 1: for her birthday. One so spind the wheel, Honey, I

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Speaker 1: don't know which one. There's so many, Megan, I'm sure

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Speaker 1: Barbie Girl is a possibility. Hey, enjoy your day today

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Speaker 1: as you are off tomorrow, and thank you for listening.

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Speaker 1: The first caller of the day, Megan, is about to

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Speaker 1: receive the vintage Elvis drain morning. No, no, these scrubs

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Speaker 1: from their vintage scrubs from Hackensack, Meridian. Hey have a

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Speaker 1: beautiful yea, have a beautiful day, Megan. Thanks for listening.

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Speaker 1: Thank you, Love you guys, Love you more. Hold one second,

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Speaker 1: Charlie Pooth is coming in for your birthday, and no,

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Speaker 1: I'm so excited. I just want to give him a

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Speaker 1: hug after the other day when I watched him breaking

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Speaker 1: down and he's so emotional and I'm like, Darlia, Well

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Speaker 1: you know, he's still being very careful. So if you

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Speaker 1: go in for a hug, his people will throw you down.

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Speaker 1: Oh okay, okay. Also Rob Shooter naught even nice Rob

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Speaker 1: Shooter in today. To make some sense of the crazy

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Speaker 1: stories that are going on, Let's just smove. I have

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Speaker 1: no Rob Shooter. He doesn't care. He'll let his lick him,

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Speaker 1: so nothing everything Rob Shooter pretty much comes pre licked. Yeah.

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Speaker 1: Good morning, Froggy, Good morning, Good morning producer, Sam, Scottie b.

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Speaker 1: There's my beautiful Diamonds. I love you, diamond I love you.

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Speaker 1: There's Scotty, I was scary. There's Dave Brody. Gandhi, Gandhi,

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Speaker 1: My Gandhi. Hey, good morning, Scary. Don't see everyone except

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Speaker 1: for straightening. Yeah, and Garrett's here somewhere. Well, good morning everyone.

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Speaker 1: Let's get rolling with the show that Three things we

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Speaker 1: need to know? Gandhi? What happened while we were asleep?

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Speaker 1: All right? Ukraine is calling on world leaders to find

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Speaker 1: enough courage to help the country defend itself. President Zelinski

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Speaker 1: claims that they are an accomplice if people are too

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Speaker 1: afraid to provide weapons such as planes and tanks. In

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Speaker 1: his nightly address, he also confer and Russian troops have

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Speaker 1: been pushed away from the capital city, but stressed that

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Speaker 1: the fighting elsewhere remains tense. The war has reportedly cost

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Speaker 1: Ukraine five hundred and sixty five billion dollars so far,

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Speaker 1: and President Biden is now standing by his comment that

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Speaker 1: Russia's leader should be removed. He says, in no way

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Speaker 1: did he misspeak and wants to make it clear that

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Speaker 1: he was expressing his moral outrage for Vladimir Putin after

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Speaker 1: invading Ukraine more than a month ago. Lots of people

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Speaker 1: unhappy with Florida's governor, with some government officials even calling

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Speaker 1: him a coward. Yesterday, after he signed into law the

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Speaker 1: Parental Rights and Education Bill. Critics are calling it that

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Speaker 1: don't say Gay bill, since it blocks teachers from discussing

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Speaker 1: LGBTQ issues in grades K through three or in a

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Speaker 1: manner that's not age or developmentally appropriate. The bill signed

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Speaker 1: bill signing ceremony actually took place at a charter school

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Speaker 1: in Hernando County. Some people are saying he didn't want

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Speaker 1: to sign it in a more open place because he

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Speaker 1: knows there are more opponents than supporters. And finally, the

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Speaker 1: annual pillow fight in New York's Washington Square Park is

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Speaker 1: back after a two year hiatus. Dude, pandemic, did we

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Speaker 1: have one before? Two years? Yes, it's an annual pillow

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Speaker 1: fight this year, fight every year in Washington Square Park.

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Speaker 1: Remember this on April sixteenth, New Yorkers can bring their

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Speaker 1: pillows to the park and swing away at others with pillows.

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Speaker 1: Back in twenty nineteen, which was the last pillow fight,

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Speaker 1: Mattress Firm actually provided pillows for anybody who made donations

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Speaker 1: to a foster child program. But just a few rules.

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Speaker 1: If you are planning to take part again this is

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Speaker 1: April sixteenth, Washington Square Park. You are asked to bring

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Speaker 1: a soft pillow, swing it lightly during the fight, and

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Speaker 1: only hit those who are taking part in the event.

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Speaker 1: So you can't just light people up walking by with

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Speaker 1: your pillow. No, no, no no, let me tell you this

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Speaker 1: is war. I'm gonna fart on my pillow and give

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Speaker 1: everyone pinki. That's the rower? Is that? Really? Really? Can

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Speaker 1: you really give someone pinka bat farting on their pillow?

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Speaker 1: I don't know we'll meet me on April whatever in

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Speaker 1: Washington Square Park. He will discover it together. You guys

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Speaker 1: ready for Daniel's birthday. Yeah, every morning, no matter what

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Speaker 1: my heart Radio. Thank you, hell Vister, Rare and the

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Speaker 1: Morning Show stop overpaying for shipping with stamps dot com.

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Speaker 1: Sign up with the code Elvis for a special offer

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Speaker 1: including a four week trial, free postage, and a digital scale.

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Speaker 1: Simply go to stamps dot com, click on the microphone

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Speaker 1: at the top of the page and enter the code Elvis.

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Speaker 1: In the Morning Show here on Daniel's birthday where a

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Speaker 1: cake was not allowed because she gave up cake for lent. Yeah,

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Speaker 1: so Andrew said, m I bet she can eat pie.

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Speaker 1: Eat pie. So Artichoke Pizza has arrived. If I could

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Speaker 1: pick one thing I'd want to eat on my birthday,

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Speaker 1: it'd beat the pennavaca slice from Artichoke Pizza. Thank you.

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Speaker 1: Oh they were out of that one. Now they have it.

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Speaker 1: As a matter of fact, the pie has arrived. Your

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Speaker 1: birthday pie has arrived, Thank you, Andrew. Thank you everyone,

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Speaker 1: and arriving a few moments from now, Charlie Pooth's team

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Speaker 1: will be here to set up because apparently he's gonna

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Speaker 1: perform today? Is this true? Exciting? Speak into the micro

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Speaker 1: fund if you could, How do you turn this on? Yes? Yes, Nate,

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Speaker 1: is he really performing? He's performing. In fact, he may

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Speaker 1: sing someone here a little something special. I might cry.

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Speaker 1: I might cry. What I'm say it was for you?

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Speaker 1: I didn't say that. Did you see him on Fallon

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Speaker 1: the other night? So Fallon played the sounds of the

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Speaker 1: like the musical sounds. He knows every sound, every note,

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Speaker 1: every note. It's incredible. You know, you can take you

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Speaker 1: know what, what's that tequila Classo zule It's it's a great,

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Speaker 1: beautiful tequila that has the steel top. Yeah, you can

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Speaker 1: hit it with your ring and it will make a note.

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Speaker 1: It'll give you a note. Yeah, he'll tell you exactly

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Speaker 1: what note that is the guy he can tell you

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Speaker 1: what note a tequila bottle is. You have to be

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Speaker 1: born with that. I guess right, Yeah, he's born with

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Speaker 1: its us. But anyway, so Charlie Pooth coming in today.

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Speaker 1: Of course, not even nice Rob Shooter will be here

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Speaker 1: because we have so many questions, slowly getting slowly getting

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Speaker 1: answers from the debacle that occurred at the Academy Awards

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Speaker 1: the other night. Yeah, we'll get into more of those

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Speaker 1: headlines with Danielle in a few moments. Let's see at

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Speaker 1: the tip of the table, Producer Sam is here high.

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Speaker 1: Oh hello. I like how you say that, as if

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Speaker 1: you're surprised to see us, didn't expect to run into you. Here. Look,

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Speaker 1: there's Froggy on the screen and Gandhi's here. Hello. How's

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Speaker 1: everything in Detroit today? Freezing cold? It's like fifteen degrees

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Speaker 1: right now, but feels like five and it's windy. So yeah,

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Speaker 1: we wish you were here. Yeah, we wish you were

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Speaker 1: here for the celebration. I know, I'm I should have

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Speaker 1: planned this better next time. I'll never miss it again,

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Speaker 1: daniel that's okay, Producer Sam, what you have for dinner

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Speaker 1: last night? You know that's the big question. Last night,

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Speaker 1: I made like this tortellini bake and I'd like charred

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Speaker 1: some breadcrumbs on top, mixed it with some parmesan cheese. Oh,

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Speaker 1: it's delicious. Sounds great too. Yeah, by the way, too,

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Speaker 1: hey bee too too? Come on, scary hey beet be,

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Speaker 1: come on, scary too, too, baby to be. This is

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Speaker 1: the weirdest damn show I've ever heard in my life.

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Speaker 1: I don't think I would be a fan. Britty true

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Speaker 1: engineer Jeff is here setting up for the Charlie Pooth

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Speaker 1: Orchestra too. Hey beeby singing Daniel Girl, come on, Daniel

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Speaker 1: give it? Talking about band whatever? Girl shared? Ted girl?

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Speaker 1: Do you want you? Who you are? Hey? All right?

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Speaker 1: People look into the window like, what are you doing? Yeah?

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Speaker 1: Do we have an answer for that? Nope? Never, we

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Speaker 1: don't know. Producer Sam. Yeah, what's scary? You know how

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Speaker 1: song takes you back? I remember being a kid in

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Speaker 1: my mom and dad's living room and my mother would

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Speaker 1: play that on record on repeat, over and over. I

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Speaker 1: love how your mom would play her little son a

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Speaker 1: song about prostitution that it's about it. Yeah, well, HiT's

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Speaker 1: the words if the price is right. I didn't even

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Speaker 1: know that. There you go, Thanks mommy. We need to

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Speaker 1: teach you a lesson about the value of the dollar. Who. Yeah,

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Speaker 1: there's a lot of things work. We got to get

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Speaker 1: into the horoscopes. Producer Sam, who you're doing them? Well,

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Speaker 1: it's a birthday girl, Danielle. All right, I know that

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Speaker 1: I'm working more today. Hold on Lucy Lawlas's birthday today.

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Speaker 1: Happy birthday to her Capricorn. Do not waste time or

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Speaker 1: money on things that no longer serve you. Your day's

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Speaker 1: a seven Aquarius. Say farewell to a person that's done

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Speaker 1: you wrong. There's no need to forgive when you can

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Speaker 1: just forget. Your days of five dices. Your disciplined mind

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Speaker 1: will help you keep things on track. And your disciplined

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Speaker 1: mind will help you keep things on tracking in line.

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Speaker 1: Your day is a nine Air. You seek advice from

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Speaker 1: someone older to gain a new perspective Your days an

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Speaker 1: eight Tauris. Do not guard away your true feelings for

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Speaker 1: someone or something. Let it be known and live with

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Speaker 1: a consequence. Your day's inn eight. Hey Gemini, your mind

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Speaker 1: is too busy thinking about too many possibilities. Stop down

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Speaker 1: to reflect and relax. Your days of six, Hey Cancer,

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Speaker 1: be sure to read the terms and conditions before blindly

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Speaker 1: trusting what somebody's telling you. Your days of nine, Leo,

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Speaker 1: don't focus on your flaws instead, just embrace them. Your

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Speaker 1: days of nine, Hey Virgo, You're over zealous attitude could

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Speaker 1: have you missing the small details. Calm down your days

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Speaker 1: of six Libra, honas skill. You've been hard at work practicing,

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Speaker 1: because it's time to show off. Your days of ten Scorpio,

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Speaker 1: a much needed serious discussion. We'll put your mind back

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Speaker 1: on track and your day isn't eight. And finally, Sagittarius,

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Speaker 1: stop being critical of others faults. Remember you have a

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Speaker 1: few of your own, your days of seven and those

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Speaker 1: are your two day morning horoscope. What do you got

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Speaker 1: coming up, Danielle. We're gonna talk about Will Smith obviously

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Speaker 1: and Nick Lashey. I was surprised at this story what

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Speaker 1: he did with this photographer. Good for him. He's in

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Speaker 1: the right. I like that. What what I don't know,

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Speaker 1: it just doesn't it seems out a line for nick Lashe.

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Speaker 1: I don't know. He's protecting his kid. Okay, that I get. Well,

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Speaker 1: we'll get into that and more on the way. See

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Speaker 1: men with larger noses have larger hoses. Oh my god.

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Speaker 1: Strand in the Morning Show. Alright, alright, time is money, Yes,

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Speaker 1: don't waste time. Don't waste money going to the post office. Look,

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Speaker 1: I love going to the post office. I love Jimmy.

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Speaker 1: I love how you know the guys. It's so small

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Speaker 1: I know them. So with stamps dot Com, you can

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Speaker 1: skip the trip focus on how to take your small

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Speaker 1: business to the next levels. Stamps dot Com safe your time,

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Speaker 1: and money and stress everything unless you go to my

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Speaker 1: post office, and you could use both. You could both

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Speaker 1: go to my post office and be friends with Jimmy.

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Speaker 1: It's a good stamps dot Com gives you access to

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Speaker 1: everything the post office does and ups shipping as well,

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00:15:43,720 --> 00:15:48,080
Speaker 1: and you can save money off your postal service rate

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Speaker 1: and up to seventy six percent off ups. So if

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Speaker 1: you're sending invoices or big old chunks of stuff you

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00:15:55,320 --> 00:15:59,200
Speaker 1: baked in your kitchen, whatever, you got an Etsy thing going,

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Speaker 1: yeah you stamps dot com. All you need is a

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Speaker 1: computer and a printer, no supplies or equipment other than that,

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00:16:05,320 --> 00:16:07,960
Speaker 1: stop overpaying ship. With stamps dot com, you sign up

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Speaker 1: with the pro the promo code Elvis. You get an

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Speaker 1: offer that includes four weeks on a trial free postage

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Speaker 1: digital scale, no long term commitments or contracts. Here's what

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Speaker 1: I want you to do. Go to stamps dot com

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Speaker 1: and click on the microphone in the upper right hand

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Speaker 1: corner and type in Elvis and then never go to

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Speaker 1: the post office again. Even though we love them, we

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Speaker 1: love the post office. Stamps dot com. Use the promo

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Speaker 1: code Elvis is Elvis Duran in the Morning show, this

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Speaker 1: is Danielle's birthday. Yes, she's enjoying her Artichoke pizza, the

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Speaker 1: vodka sauce pie. Did you notice I had to change

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Speaker 1: my jacket. I was wearing a white jacket. I am

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Speaker 1: now wearing my pizza eating jackets. Yes, I respect it. Yeah, no,

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Speaker 1: I took off my white jackets. You guys are smart

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Speaker 1: to do that. You know, it's just a recipe for

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Speaker 1: disaster when you get it eating pizza from art Choke,

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Speaker 1: because there's a lot. There's a lot too, there's a

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Speaker 1: lot to unpack when it comes to eating Artischow. So good,

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Speaker 1: it is so good. Happy birthday, Thank you. I don't

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Speaker 1: even know who it is, but there's someone online twenty oh,

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Speaker 1: it's up to you to push the button or nine.

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Speaker 1: They want to wish you happy birthday. Good morning, mystery person.

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Speaker 1: Let's see if she can figure out who you are.

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Speaker 1: This is mister two three two one nine calls It's

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Speaker 1: bigger herm from beautiful Richmond, Virginia. Good morning her, Good morning,

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Speaker 1: daniel Minaro, Happy happy birthday to you. Thank you, love you.

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Speaker 1: I just love you too. Just wanted to call them,

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Speaker 1: what you happy birthday? You hope today is still with

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Speaker 1: a lot of laugh and a lot of love, which

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Speaker 1: I'm short and will be. Yeah, I just wanted to

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Speaker 1: reach out. Well that's all fine and dandy, but let's

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Speaker 1: get to the real, the real important part of this.

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Speaker 1: Call what's our lunch special? A big at Big Herms today.

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Speaker 1: Today it's Chicken Sandwich Days the Rand Morning Show where

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Speaker 1: all chicken sandwich is our dollar, all chicken sands and

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Speaker 1: they come with all different kinds of sides, homemtes, off

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Speaker 1: color Green's tay us out to all kinds of stuff.

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Speaker 1: But this is not about me today. But I am

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Speaker 1: big sing by the way, I know you're addressed, but

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00:18:07,240 --> 00:18:08,919
Speaker 1: we need to know your zip coach so we can

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Speaker 1: find you. Mister two three two one nine R. Hey,

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Speaker 1: you know, Big Herm, we love you. And Big Herm

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Speaker 1: reached out and said, you know, I really want to

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Speaker 1: say happy birthday to my Danielle, and so you're you're

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Speaker 1: first up to bat today, Big Herm, she loves you

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Speaker 1: so much. I appreciate y'all so much and thanks from

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Speaker 1: having me part of the family. But once again, Danielle,

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Speaker 1: I hope you have a wonderful birthday and thanks for

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Speaker 1: in the family making time for me to call in.

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Speaker 1: I really do appreciate it. By the way, I hope

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Speaker 1: you don't mind. But we we were speaking with our

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Speaker 1: friend Guy Fietti the other day and we told him

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Speaker 1: he had to find a way to reach out to

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Speaker 1: you and make you a part of his show. So

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Speaker 1: I don't know how, but I hurt that. I got

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Speaker 1: plenty of text messages and messages, direct messages and stuff

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Speaker 1: from people up and down the East Coast. Um, I

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Speaker 1: didn't hear the show that I missed that a couple

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Speaker 1: of minutes. I try to listen all day every day.

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Speaker 1: But it was mad love, and once again, it's all

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Speaker 1: about relationships and we got to hume to appreciate. So

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Speaker 1: I love Big Harm. Why don't you just walk over

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Speaker 1: the Big Herm today and get some lunch and the

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Speaker 1: chicken sandwich is a dollar off all those sides. I'm

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Speaker 1: so excited. I'm so sorry, heavy birthday, Danielle a Big Herm. Yes, love,

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Speaker 1: you have a beautiful day at Harm. It's always good

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Speaker 1: to hear your voice. Thanks so much. I'm for sure

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Speaker 1: we all do the same. I'm like, what a nice guy. Yeah,

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Speaker 1: he's so great, Big Herm. Do you know this is

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Speaker 1: my first in studio birthday in two years, it is

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Speaker 1: yeah special. I think hers was the first one. When

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Speaker 1: we left, she was the first person to celebrate a

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Speaker 1: birthday at home by herself. And we were all like,

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Speaker 1: this is weird. I wonder how long this is going

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Speaker 1: to last. This is my third birthday year. It's a lot.

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Speaker 1: It's a lot. So you're here today, that's all that matters.

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Speaker 1: You've got your pizza, eaton, jacket on. All right, let's

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Speaker 1: see what Danielle has to do with her report today.

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Speaker 1: I know we're going to start off with the obvious,

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Speaker 1: of course, but I'm sure by now you've already read

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Speaker 1: the apology that Will Smith has issued to Chris Rocker.

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Speaker 1: Everybody has read it, condemning the violence, that it wasn't

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Speaker 1: reflective of the man he wants to be. Hollywood seems

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Speaker 1: divided on the issue. There's all different reactions. We heard

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Speaker 1: that the Academy is not dropping the slap heard around

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Speaker 1: the world, just like that, they're doing a formal review

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Speaker 1: of it. They want to see exactly what they should do.

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Speaker 1: Will they take back the oscar? Will they just not

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Speaker 1: invite him back? Will they just reprimand him? So there's

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Speaker 1: a lot going on with that. But there is some

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Speaker 1: good news. Chris Rock. The tickets for his tour have

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00:20:30,760 --> 00:20:34,480
Speaker 1: skyrocket in sales, so this was good for him. So

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Speaker 1: maybe on tour hotel it'll open. Thank you for smacking me.

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Speaker 1: Will Smith. One place said that they saw sales overnight

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Speaker 1: like skyrocket, more than they have in the entire time

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Speaker 1: that they have been selling the tickets. So, I mean,

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00:20:50,560 --> 00:20:51,920
Speaker 1: I guess that's a good thing. People want to go

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Speaker 1: see him, and so many people are just thinking that

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00:20:54,680 --> 00:20:57,879
Speaker 1: how he handled it was just the most amazing thing

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Speaker 1: in the world, really, because I would not have van

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Speaker 1: it that way. So that guy, would you have done

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00:21:02,840 --> 00:21:06,840
Speaker 1: forget it, bronx, girlem me would have jumped on you.

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Speaker 1: That is not happening in mind. Okay, Well look, okay,

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Speaker 1: So Will Smith put out an official apology not only

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Speaker 1: to Chris Rock but to everyone watching around the world,

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Speaker 1: and everybody go read it. So the question now is

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Speaker 1: what else can he do? Nothing? Nothing? I guess, I

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Speaker 1: mean I'm hoping he called Chris himself and not just

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Speaker 1: did that. I mean I hope he personally called him.

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00:21:27,080 --> 00:21:28,960
Speaker 1: That I haven't heard, but I would hope that he

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Speaker 1: did that. Well, this is where we enter into a

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Speaker 1: territory where some people will say okay, let's move on,

381
00:21:34,040 --> 00:21:35,879
Speaker 1: or some people say no, no, I'll never be a

382
00:21:35,920 --> 00:21:37,600
Speaker 1: fan again. So the question again is what else can

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00:21:37,720 --> 00:21:39,600
Speaker 1: he do? And I will say there were people that

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00:21:39,680 --> 00:21:42,480
Speaker 1: took to social yesterday that said, uh, you know what,

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00:21:42,840 --> 00:21:45,760
Speaker 1: this is just from his people. They put this together

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Speaker 1: his publicist. He didn't write this, So you know, Gandhi,

387
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Speaker 1: what do you think. I don't think he can do

388
00:21:51,680 --> 00:21:54,560
Speaker 1: a lot more. I mean, maybe like anger management training

389
00:21:54,760 --> 00:21:56,679
Speaker 1: or some type of outreach to other people who are

390
00:21:56,760 --> 00:21:59,240
Speaker 1: having issues with mental health. I think that what we

391
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Speaker 1: saw is just I mean, I know we talked about it,

392
00:22:01,480 --> 00:22:04,520
Speaker 1: but a culmination of two if not more, years of

393
00:22:04,760 --> 00:22:07,880
Speaker 1: everybody coming at him all the time and him just snapping.

394
00:22:08,000 --> 00:22:09,399
Speaker 1: And I think that this is something all of us

395
00:22:09,400 --> 00:22:11,719
Speaker 1: should pay attention to, not look away from and think

396
00:22:11,760 --> 00:22:13,400
Speaker 1: it was just this one. Oh my gosh, he made

397
00:22:13,440 --> 00:22:15,080
Speaker 1: a mistake and it's over. I think we should look

398
00:22:15,080 --> 00:22:17,240
Speaker 1: at what happened, like why did this happen? Right? And

399
00:22:17,560 --> 00:22:19,320
Speaker 1: I don't know that he can do anything else now

400
00:22:19,400 --> 00:22:23,400
Speaker 1: besides just apologize and move forward. You know. Interesting. Caroline

401
00:22:23,480 --> 00:22:25,680
Speaker 1: Hirsch a very dear friend of ours. She owns Carolines,

402
00:22:25,720 --> 00:22:27,680
Speaker 1: the world famous comedy club here in New York City.

403
00:22:28,440 --> 00:22:30,200
Speaker 1: She was a part of an article that was I

404
00:22:30,280 --> 00:22:33,720
Speaker 1: believe in the New York Post yesterday talking about how

405
00:22:33,920 --> 00:22:37,080
Speaker 1: she is now worried about the security of comics at

406
00:22:37,119 --> 00:22:40,719
Speaker 1: her comic at her comedy club. Sense she's worried now

407
00:22:40,760 --> 00:22:42,520
Speaker 1: that thought about that. Yeah, the people are gonna start

408
00:22:42,520 --> 00:22:44,119
Speaker 1: storming the stage. You know. Look, people who have been

409
00:22:44,119 --> 00:22:46,760
Speaker 1: close to and have actually storm stages. All the hecklers,

410
00:22:47,400 --> 00:22:48,840
Speaker 1: you know down in the South when you go to

411
00:22:48,920 --> 00:22:50,960
Speaker 1: a honky tonk to see a band play, Yeah, they've

412
00:22:51,000 --> 00:22:53,720
Speaker 1: put they put up chicken wire. So if you don't

413
00:22:53,760 --> 00:22:55,520
Speaker 1: want the band, you can throw your lone Star beer

414
00:22:55,560 --> 00:22:57,639
Speaker 1: bottle at him and it won't hit him. So we

415
00:22:57,720 --> 00:23:01,680
Speaker 1: may have to put chicken wire up there. Jake Paul

416
00:23:01,880 --> 00:23:03,560
Speaker 1: thinks that they should just get in the rock in

417
00:23:03,640 --> 00:23:05,919
Speaker 1: the rock in the ring and just knock each other around.

418
00:23:06,320 --> 00:23:09,480
Speaker 1: There's always Yeah, he's offering thirty million, fifteen million a

419
00:23:09,520 --> 00:23:11,360
Speaker 1: piece if they'll do it. So my guess is they're

420
00:23:11,400 --> 00:23:15,080
Speaker 1: gonna say no, What do you think I think? So? Uh?

421
00:23:15,400 --> 00:23:18,800
Speaker 1: Kodak Black has been trying to do some good deeds

422
00:23:18,880 --> 00:23:21,440
Speaker 1: to make up for his past. TMZ is saying he

423
00:23:21,560 --> 00:23:24,200
Speaker 1: donated to the families of two Pennsylvania State Police troopers

424
00:23:24,240 --> 00:23:27,600
Speaker 1: who were killed by a drunk driver earlier this month. Also,

425
00:23:28,320 --> 00:23:31,159
Speaker 1: he's still on robation, so he wanted to go to

426
00:23:31,280 --> 00:23:33,720
Speaker 1: Dubai because he has to perform and he's being paid

427
00:23:33,760 --> 00:23:36,159
Speaker 1: by this jeweler all this money to like show up

428
00:23:36,240 --> 00:23:39,440
Speaker 1: and h an exotic car. Jewalership wants him. So the

429
00:23:40,119 --> 00:23:43,639
Speaker 1: court said, listen, if you donate ten percent of what

430
00:23:43,840 --> 00:23:46,520
Speaker 1: you make to charity, then we are okay with you going.

431
00:23:46,840 --> 00:23:50,920
Speaker 1: And so that's how he got the Yeah. So TMZ

432
00:23:51,119 --> 00:23:53,879
Speaker 1: has footage shot in November showing Will Smith at a

433
00:23:54,440 --> 00:23:57,680
Speaker 1: junket teaching kids how to deliver a fake slap. These

434
00:23:57,760 --> 00:23:59,800
Speaker 1: are the videos that are coming out now, just so

435
00:24:00,080 --> 00:24:02,600
Speaker 1: you know. And our friend Nick Lashey was out to

436
00:24:02,720 --> 00:24:05,760
Speaker 1: eating Beverly Hills on Sunday night and there was a

437
00:24:05,880 --> 00:24:09,240
Speaker 1: reporter who was snapping pictures with him and his wife

438
00:24:09,280 --> 00:24:12,480
Speaker 1: from the car across the street and a little lots

439
00:24:12,480 --> 00:24:16,080
Speaker 1: of altercation ensued. So you know, he's apologized for it.

440
00:24:16,280 --> 00:24:19,479
Speaker 1: Got a little crazy, But I don't know, I mean,

441
00:24:19,560 --> 00:24:21,680
Speaker 1: it seems like this is happening a lot lately. With

442
00:24:21,800 --> 00:24:24,399
Speaker 1: things going on, maybe we are pushing people to the limits,

443
00:24:24,440 --> 00:24:26,200
Speaker 1: like Gandi was just saying, and we really need to

444
00:24:26,720 --> 00:24:28,399
Speaker 1: kind of take it a step back and you know,

445
00:24:28,800 --> 00:24:31,280
Speaker 1: respects people. I'm gonna move to a little mountain side

446
00:24:31,320 --> 00:24:33,640
Speaker 1: and just living a little cut That's what we said.

447
00:24:33,680 --> 00:24:35,600
Speaker 1: We're gonna put like a bubble over our house. You're

448
00:24:35,600 --> 00:24:38,719
Speaker 1: gonna build bombs and mail him too. People. What are

449
00:24:38,760 --> 00:24:41,919
Speaker 1: we watching? This is out The Real Housewives of Dude Jersey.

450
00:24:42,240 --> 00:24:44,480
Speaker 1: Please don't do that name. That tune is on. This

451
00:24:44,680 --> 00:24:47,399
Speaker 1: is for tomorrow. Disney Plus Moon Night is on. I

452
00:24:47,520 --> 00:24:50,400
Speaker 1: know Brody already saw a couple of episodes that it's fantastic,

453
00:24:50,560 --> 00:24:51,800
Speaker 1: so we may want to watch that as well. And

454
00:24:51,840 --> 00:24:59,359
Speaker 1: that's my Danielle report. Thank you birthday Girl in the

455
00:24:59,440 --> 00:25:03,400
Speaker 1: Morning Kill. According to research, ninety percent of employers plan

456
00:25:03,520 --> 00:25:06,159
Speaker 1: to enhance their employee experience this year, and if you

457
00:25:06,240 --> 00:25:09,560
Speaker 1: need to add more employees their zip recruiter zip recruiters

458
00:25:09,600 --> 00:25:12,679
Speaker 1: technology finds qualified candidates for your job and can invite

459
00:25:12,720 --> 00:25:15,920
Speaker 1: your top choices to apply. Try zip recruiter for free

460
00:25:16,040 --> 00:25:21,000
Speaker 1: at zip recruiter dot com. Slash Elvis, Alistair In in

461
00:25:21,040 --> 00:25:23,320
Speaker 1: the Morning Show and Heavy birth Dates for our Daniel,

462
00:25:23,560 --> 00:25:25,760
Speaker 1: thank you. What are you doing to celebrate after you

463
00:25:25,800 --> 00:25:27,359
Speaker 1: get out of here? I know I'm going to lunch

464
00:25:27,400 --> 00:25:30,119
Speaker 1: with the husband, So I promised him I wouldn't eat

465
00:25:30,119 --> 00:25:32,120
Speaker 1: too much this morning so that you can go to lunch.

466
00:25:32,640 --> 00:25:35,400
Speaker 1: So what you're saying the husband? Which husband? That would

467
00:25:35,400 --> 00:25:40,840
Speaker 1: be Sheldon? That one your husband? And then, um, I

468
00:25:40,880 --> 00:25:42,720
Speaker 1: don't know. I don't know what happens tonight, Like you know,

469
00:25:42,760 --> 00:25:44,480
Speaker 1: I'm gonna know. My mom said I'll see you tonight,

470
00:25:44,560 --> 00:25:47,040
Speaker 1: and so who knows. Cool, it's probably just like you know,

471
00:25:47,560 --> 00:25:50,919
Speaker 1: presents and family, which is perfection to me. I agree.

472
00:25:52,720 --> 00:25:54,840
Speaker 1: As you know, Charlie Pooth is coming in and Daniel

473
00:25:54,880 --> 00:25:57,639
Speaker 1: loves her charm. We all love Charlie. We've he's been

474
00:25:57,720 --> 00:25:59,800
Speaker 1: family since. You know. He was like we high to

475
00:26:00,119 --> 00:26:07,320
Speaker 1: the grasshopper, Uh, we high to hi. Hey. So, as

476
00:26:07,359 --> 00:26:09,800
Speaker 1: you know, Charlie Pooth has this incredible gift where he

477
00:26:09,880 --> 00:26:11,800
Speaker 1: can hear a note in nature or a note on

478
00:26:11,840 --> 00:26:13,320
Speaker 1: a piano wherever, and he can tell you what note

479
00:26:13,359 --> 00:26:16,359
Speaker 1: it is. So I brought things in that create notes. Okay,

480
00:26:16,400 --> 00:26:18,720
Speaker 1: I love that, and I hit them with my wedding ring. Okay,

481
00:26:18,960 --> 00:26:24,760
Speaker 1: this is a a moscow mule cup. Okay, yeah, mm

482
00:26:24,880 --> 00:26:29,720
Speaker 1: hm huh huh huh. Don't know what note it is,

483
00:26:29,760 --> 00:26:31,600
Speaker 1: but it's a no. Well, here's a keyboard. I bet

484
00:26:31,640 --> 00:26:38,800
Speaker 1: we can figure it out. Yeah yeah, and also a

485
00:26:38,920 --> 00:26:42,480
Speaker 1: bottle of my favorite tequila, Classo zul. Yeah, you can

486
00:26:42,600 --> 00:26:46,280
Speaker 1: hit the top. M Oh, that's a good point. Mm hmmmm.

487
00:26:49,160 --> 00:26:52,000
Speaker 1: You don't know, so I'm scared. That sounds like like

488
00:26:52,119 --> 00:26:57,600
Speaker 1: a bell. Here's a glass. M m m. That's a

489
00:26:57,680 --> 00:27:06,359
Speaker 1: hard one. Here's a cup. Mmmm, flat right, you don't know.

490
00:27:06,400 --> 00:27:08,639
Speaker 1: I don't know. I don't know. You don't know. You

491
00:27:08,680 --> 00:27:11,080
Speaker 1: don't know till you have hit the keyboard. Anyway, we'll

492
00:27:11,119 --> 00:27:13,000
Speaker 1: put him to the test when he rhymes, I'm I'm been.

493
00:27:13,040 --> 00:27:16,080
Speaker 1: He's tired of people doing did a great job the

494
00:27:16,119 --> 00:27:18,479
Speaker 1: other name right. I don't know if we'll do as

495
00:27:18,560 --> 00:27:22,320
Speaker 1: well as Jimmy Kimmel did. We'll do better. Oh, please

496
00:27:22,359 --> 00:27:27,320
Speaker 1: don't use that term better. We will do better. Do

497
00:27:27,359 --> 00:27:29,560
Speaker 1: you have us? Some music's hearing? It's time to play

498
00:27:29,800 --> 00:27:35,600
Speaker 1: one must Go. Oh it's a crowd pleaser. Froggy. You

499
00:27:35,640 --> 00:27:39,639
Speaker 1: don't have to play one must Go, don't you? Yes? Okay,

500
00:27:43,200 --> 00:27:44,840
Speaker 1: So what I'll do is I'll name a few things.

501
00:27:45,040 --> 00:27:48,280
Speaker 1: You tell me which one has to go? Even if

502
00:27:48,320 --> 00:27:51,119
Speaker 1: you like all four, one has to go right to

503
00:27:51,359 --> 00:27:55,280
Speaker 1: the least, all right? Oscar celebrities, Amy Schumer, Wanda Psykes,

504
00:27:55,320 --> 00:28:03,600
Speaker 1: Chris Rock, Will Smith, am wow, wow you chose? Okay,

505
00:28:04,280 --> 00:28:08,680
Speaker 1: all right? Which must go? Spanish numbers Uno dos tray

506
00:28:08,800 --> 00:28:19,159
Speaker 1: quatroll what one must go? Here's a here's a difficult one,

507
00:28:19,280 --> 00:28:24,320
Speaker 1: one must go. Golden Girls Dorothy Blanche Rose, Sophia, Dorothy, Oh, Dorothy,

508
00:28:25,000 --> 00:28:31,600
Speaker 1: dare you why? She's a heart and soul? A hag.

509
00:28:32,200 --> 00:28:33,960
Speaker 1: She was so crabby all the time and mean to

510
00:28:34,040 --> 00:28:36,760
Speaker 1: everybody and making her snide little comments. Man, she was

511
00:28:37,480 --> 00:28:41,320
Speaker 1: a nothing for me, all right? Jennifer Lopez exes oh

512
00:28:42,360 --> 00:28:48,120
Speaker 1: Mark Anthony A. Rod did he Ben Affleck? Even though

513
00:28:48,160 --> 00:28:49,880
Speaker 1: she's back with Ben Affleck? At one time? He wasn't

514
00:28:49,880 --> 00:28:54,600
Speaker 1: it all right? The five w's of journalism. I remember

515
00:28:54,600 --> 00:29:05,760
Speaker 1: this from journalism in the class Who what? When? Where? Why? Oh? Why? Why? Why? Why? Why? Where? Where? Yeah? Okay,

516
00:29:06,600 --> 00:29:10,920
Speaker 1: I think when does it matter? Really? When I don't

517
00:29:10,960 --> 00:29:13,920
Speaker 1: think why, especially as a parent? Why? As I said, so,

518
00:29:14,280 --> 00:29:17,120
Speaker 1: one must go? The Beatles, John Lennon, George Harrison, Paul McCartney,

519
00:29:17,200 --> 00:29:25,360
Speaker 1: Ringo star star George. Oh God, watching that Beatles documentary,

520
00:29:25,520 --> 00:29:27,320
Speaker 1: George was the one that had a little bit Diva

521
00:29:27,400 --> 00:29:29,800
Speaker 1: two then more than anyone else. George, I thought, all right,

522
00:29:29,840 --> 00:29:31,680
Speaker 1: this is gonna be a tough one for you. It's cruel.

523
00:29:31,680 --> 00:29:34,680
Speaker 1: I'm gonna do it anyway. One must go grandparents, your

524
00:29:34,720 --> 00:29:36,959
Speaker 1: mom's dad, your mom's mom, your dad's dad, your dad's mom,

525
00:29:39,480 --> 00:29:47,520
Speaker 1: and they're all gone, gone. Award show controversies, slapping a presenter.

526
00:29:48,640 --> 00:29:51,440
Speaker 1: Let's get rid of that. Okay, he Scotty b. I

527
00:29:51,480 --> 00:29:53,960
Speaker 1: need Scotty be on this one. Scotty Be the co

528
00:29:54,120 --> 00:29:57,560
Speaker 1: host of Cereal Killers, our favorite podcast. Oh, one must

529
00:29:57,640 --> 00:30:00,880
Speaker 1: go Cereal mascot, Tony the Tiger too, can Sam Honey

530
00:30:00,960 --> 00:30:03,800
Speaker 1: nut cheerios? B or tricked Rabbit the bee? Why he

531
00:30:03,920 --> 00:30:08,400
Speaker 1: stash stings and he's not the most known I think

532
00:30:08,480 --> 00:30:12,080
Speaker 1: the other ones. He's also healthier than the others. Screw him.

533
00:30:12,320 --> 00:30:17,000
Speaker 1: This goes to Gandhi Gandhi Actual serial Killers, The Zodiac Killer,

534
00:30:17,080 --> 00:30:20,440
Speaker 1: Jeffrey Dahmer, Ted Bundy, John Wayne Gaycy Oh man, Oh

535
00:30:20,560 --> 00:30:25,120
Speaker 1: these are tough. Uh, The Zodiac Killer. I guess okay, bye,

536
00:30:25,280 --> 00:30:27,120
Speaker 1: oh yeah bye. I'm getting rid of the one that

537
00:30:27,240 --> 00:30:37,360
Speaker 1: dressed like the clown. Uh Nate precious stone, one must go. Diamonds, gems, rubies, emeralds, gems.

538
00:30:38,280 --> 00:30:41,640
Speaker 1: That's stupid. Yeah, I would say diamonds because they're just

539
00:30:41,720 --> 00:30:44,760
Speaker 1: too expensive. Okay, well you just named one of my

540
00:30:44,840 --> 00:30:48,200
Speaker 1: favorite people on Earth. I'm not talking about the name.

541
00:30:48,720 --> 00:30:51,840
Speaker 1: I'm talking about the gem stone. Okay. Plus, diamonds can

542
00:30:51,920 --> 00:30:54,360
Speaker 1: be made from anything, right, they're basically trash that we've

543
00:30:54,520 --> 00:30:57,120
Speaker 1: made exams. They say several weeks ago, you can make

544
00:30:57,200 --> 00:31:04,080
Speaker 1: diamonds out of ranch dressing. Yeah what hidden? Yeah, they

545
00:31:04,120 --> 00:31:07,320
Speaker 1: actually hidden Valley Range actually made a diamond from I

546
00:31:07,360 --> 00:31:09,400
Speaker 1: guess the powder right? There was that real? And then

547
00:31:09,840 --> 00:31:14,600
Speaker 1: and they sold it one I don't know. Danielle, the

548
00:31:14,680 --> 00:31:20,800
Speaker 1: women from Friends, Rachel, Phoebe, Monica, oh mum, Phoebe Okay,

549
00:31:21,200 --> 00:31:28,480
Speaker 1: Rachel and the guys from Friends go Ross Chandler, Joey Ross. Yeah,

550
00:31:28,880 --> 00:31:30,800
Speaker 1: can you eliminate the whole cast of a terrible show

551
00:31:32,920 --> 00:31:41,480
Speaker 1: for a friend? Wow, Joey lovable? Anyway, thank you for playing. Uh,

552
00:31:42,400 --> 00:31:44,080
Speaker 1: you gotta get rid of one or whatever it's called

553
00:31:44,120 --> 00:31:47,200
Speaker 1: out One must, one must go? What a busy day.

554
00:31:47,280 --> 00:31:50,000
Speaker 1: Charlie Pooth is on in about an hour and a half.

555
00:31:50,080 --> 00:31:53,320
Speaker 1: As also, we have the thousand dollars extra gum free

556
00:31:53,360 --> 00:31:55,800
Speaker 1: money phone tap. Our friend Rob Shooter is on his

557
00:31:55,920 --> 00:31:57,880
Speaker 1: way to try to make some sense out of all

558
00:31:57,880 --> 00:32:00,080
Speaker 1: the weirdness in this world of ours. Thank God, and

559
00:32:00,160 --> 00:32:02,040
Speaker 1: there you go, and we'll be back. I swear to God.

560
00:32:04,120 --> 00:32:10,920
Speaker 1: Elvis Duran in the Morning Show, what what happened? What happened?

561
00:32:11,080 --> 00:32:15,400
Speaker 1: I'm going to happen. What happened? What happened? The song

562
00:32:15,560 --> 00:32:17,520
Speaker 1: is ending? This is one right now from post blow.

563
00:32:19,760 --> 00:32:22,960
Speaker 1: The network is playing what a great song. I don't

564
00:32:23,000 --> 00:32:24,400
Speaker 1: know what's going on. I don't even know if we're on,

565
00:32:24,800 --> 00:32:28,720
Speaker 1: Are we on anywhere? I don't know? In three two one?

566
00:32:31,240 --> 00:32:35,920
Speaker 1: Hell lay Elvis Duran in the Morning Show, all right,

567
00:32:35,960 --> 00:32:38,640
Speaker 1: what's going on here? Why is everything melting down? No?

568
00:32:39,200 --> 00:32:41,680
Speaker 1: I don't know. Can someone answer me honest with you? No,

569
00:32:42,160 --> 00:32:45,720
Speaker 1: that's that's really what I want. Yeah, the network was

570
00:32:45,840 --> 00:32:49,280
Speaker 1: mistimed by twenty five seconds. Somebody programmed an extra twenty

571
00:32:49,280 --> 00:32:54,120
Speaker 1: five seconds of material for network. My head's going to explode.

572
00:32:54,160 --> 00:32:55,920
Speaker 1: I don't even know what this means. You know, the

573
00:32:56,000 --> 00:32:58,640
Speaker 1: old days, we just played songs and the song with

574
00:32:58,800 --> 00:33:00,640
Speaker 1: Andy you would talk and you play another song, right,

575
00:33:00,760 --> 00:33:04,800
Speaker 1: not anymore now the network is over twenty five seconds. Yeah, Froggy,

576
00:33:04,800 --> 00:33:07,840
Speaker 1: you're the only one I can trust you. Harry just

577
00:33:07,960 --> 00:33:09,680
Speaker 1: did that thing where he goes. Do you want me

578
00:33:09,720 --> 00:33:12,040
Speaker 1: to be honest with you? Like, no, I'm going to

579
00:33:12,360 --> 00:33:15,959
Speaker 1: feed me the biggest line of bull crack everything. If

580
00:33:16,000 --> 00:33:17,920
Speaker 1: you could lie to me, just kind of soften the blow,

581
00:33:19,640 --> 00:33:23,080
Speaker 1: that's my problem. Well no, Look, you know, here's the thing.

582
00:33:23,640 --> 00:33:25,040
Speaker 1: We live in a culture where we don't want to

583
00:33:25,040 --> 00:33:26,880
Speaker 1: throw anyone under the bus. The problem is, is the

584
00:33:26,920 --> 00:33:30,280
Speaker 1: whole show just rolled right under a bus. You know,

585
00:33:30,360 --> 00:33:32,360
Speaker 1: I would rather one person go under the wheels and

586
00:33:32,520 --> 00:33:34,160
Speaker 1: all of us. So if we if we could just

587
00:33:35,240 --> 00:33:39,080
Speaker 1: just move on, hold on? What be flat? Hold on,

588
00:33:39,320 --> 00:33:43,560
Speaker 1: I'm getting ready for Charlie Pooth. That could be a

589
00:33:43,800 --> 00:33:48,760
Speaker 1: C sharp or deflat same thing. You don't see sharp

590
00:33:48,840 --> 00:33:51,479
Speaker 1: and de flat of the same note. Yeah, yeah, Well

591
00:33:51,520 --> 00:33:53,720
Speaker 1: you know I'm tone deaf. We've had this conversation, so

592
00:33:53,840 --> 00:33:56,520
Speaker 1: you're speaking. You could be making all of this up,

593
00:33:56,800 --> 00:33:58,840
Speaker 1: and it's I have no clue. No you do. You

594
00:33:58,880 --> 00:34:00,840
Speaker 1: can be tone deaf. But just on a keyboard, a

595
00:34:00,960 --> 00:34:03,280
Speaker 1: C is this key here and the black key to

596
00:34:03,320 --> 00:34:06,440
Speaker 1: the right is a sharp or the D and go

597
00:34:06,560 --> 00:34:09,279
Speaker 1: down a half key is the D. Example, you can

598
00:34:09,400 --> 00:34:11,560
Speaker 1: play any note and I will get it wrong. I

599
00:34:11,640 --> 00:34:13,719
Speaker 1: will sing it wrong. Okay, that's good because I can't

600
00:34:13,719 --> 00:34:14,920
Speaker 1: hear it. Do you say, when you're on the day

601
00:34:14,960 --> 00:34:20,080
Speaker 1: you go down a half key? Yeah? Moving on, moving on.

602
00:34:21,480 --> 00:34:25,799
Speaker 1: Who do you know that has decide a phobia? Now,

603
00:34:25,920 --> 00:34:30,279
Speaker 1: let me explain the anxiety you get, the fear you

604
00:34:30,360 --> 00:34:32,279
Speaker 1: get when you have to make a decision. I know

605
00:34:32,360 --> 00:34:33,800
Speaker 1: you have someone in your life that's like that, and

606
00:34:33,880 --> 00:34:36,600
Speaker 1: it drives you. You know what. Maybe you're okay, make

607
00:34:36,640 --> 00:34:39,800
Speaker 1: a decision and you're like, oh, should I get the

608
00:34:39,880 --> 00:34:43,200
Speaker 1: chocolate pudding or the tiramisou? And you sit there all

609
00:34:43,320 --> 00:34:47,080
Speaker 1: night fretting over it, break out into a sweat over

610
00:34:47,200 --> 00:34:50,600
Speaker 1: something as simple, gandhi, Do you have decidophobia? Anyone you

611
00:34:50,640 --> 00:34:52,920
Speaker 1: know has that? I do not have decidophobia because it

612
00:34:53,040 --> 00:34:56,000
Speaker 1: drives me so insane. Because my sister is the most

613
00:34:56,160 --> 00:34:59,640
Speaker 1: decidophobic person on the planet. Exactly. She always yeah, she

614
00:34:59,719 --> 00:35:01,719
Speaker 1: turns to kick the decision to anybody around her. It's

615
00:35:01,719 --> 00:35:06,879
Speaker 1: so annoying. It's your birthday, you decide. What's that name?

616
00:35:07,080 --> 00:35:10,560
Speaker 1: Is this like analysis? Paralysis? Because sometimes when I do

617
00:35:10,719 --> 00:35:14,000
Speaker 1: research on something, I get so mired in my research

618
00:35:14,040 --> 00:35:16,360
Speaker 1: I can't make a decision. So is that kind of related.

619
00:35:16,400 --> 00:35:19,200
Speaker 1: I guess they could be related. I don't know. You know,

620
00:35:19,280 --> 00:35:23,640
Speaker 1: I know that Froggy's always saying his wife Lisa is decidophobic.

621
00:35:24,360 --> 00:35:27,000
Speaker 1: I can't decide on anything, like even for whether it's

622
00:35:27,040 --> 00:35:29,279
Speaker 1: something to wear, where we're gonna eat, what we're gonna do,

623
00:35:29,360 --> 00:35:32,799
Speaker 1: where we're gonna go on vacation. It's And she says

624
00:35:32,840 --> 00:35:35,520
Speaker 1: to me, I know it drives you crazy, She's always says,

625
00:35:35,520 --> 00:35:37,640
Speaker 1: but imagine how it makes me feel. I can't ever

626
00:35:37,719 --> 00:35:40,000
Speaker 1: make a decision. So I've started to sympathize with her

627
00:35:40,000 --> 00:35:41,759
Speaker 1: instead of getting angry with her about it. You know,

628
00:35:42,000 --> 00:35:45,000
Speaker 1: Scary is decidophobic, but he came up with a solution.

629
00:35:45,080 --> 00:35:47,040
Speaker 1: When he goes to a restaurant, just orders everything on

630
00:35:47,080 --> 00:35:50,560
Speaker 1: the minute. Then he has to make a decision which

631
00:35:50,600 --> 00:35:54,960
Speaker 1: does he eat first. You know it's tough. Yeah, so yeah,

632
00:35:55,719 --> 00:35:58,040
Speaker 1: it is a real thing. By the way, decidophobia the

633
00:35:58,120 --> 00:36:00,920
Speaker 1: paralyzing fear of making a wrong decision. A lot of

634
00:36:00,920 --> 00:36:03,600
Speaker 1: people have a little anxiety making decisions, and that's normal,

635
00:36:05,200 --> 00:36:10,280
Speaker 1: but decidophobia, you feel intense paralyzing fear about everyday decisions

636
00:36:10,560 --> 00:36:15,080
Speaker 1: like you have panic and anxiety. You put off making decisions,

637
00:36:15,120 --> 00:36:23,160
Speaker 1: you procrastinate you. Uh, it's trains relationships. Sometimes I don't know. Uh,

638
00:36:23,760 --> 00:36:26,400
Speaker 1: sometimes you have to look at the pool and decide

639
00:36:26,440 --> 00:36:28,480
Speaker 1: to dive in. You know. I don't know, but it

640
00:36:28,680 --> 00:36:32,120
Speaker 1: can be paralyzing for some people. So I know that

641
00:36:32,520 --> 00:36:37,200
Speaker 1: I I can walk into let's say, a department store.

642
00:36:38,040 --> 00:36:41,120
Speaker 1: I can pick up clothes for a week and have

643
00:36:41,239 --> 00:36:44,080
Speaker 1: them on the counter to buy within three minutes. Wow,

644
00:36:44,360 --> 00:36:46,920
Speaker 1: I mean I don't. I don't take time. I'm like, oh, yes, yes, yes,

645
00:36:47,040 --> 00:36:49,360
Speaker 1: yes go. That's why when I go grocery shopping, I

646
00:36:49,440 --> 00:36:51,920
Speaker 1: used to go to seven eleven because it's all right

647
00:36:51,960 --> 00:36:54,400
Speaker 1: there and easy. I'll save those weenies rolling on that

648
00:36:54,480 --> 00:37:01,080
Speaker 1: big weenie and Marie. Are you decidophobic? I am one

649
00:37:01,880 --> 00:37:04,279
Speaker 1: decide a phobic. It's awful. Does it really slow down

650
00:37:04,320 --> 00:37:06,960
Speaker 1: your life? Is it debilitating anyway? Is it that bad?

651
00:37:07,719 --> 00:37:10,840
Speaker 1: I mean, I I just decide not to even go

652
00:37:11,080 --> 00:37:14,200
Speaker 1: out to lunch or dinner or anything like that anymore

653
00:37:14,320 --> 00:37:17,319
Speaker 1: because everyone around me will order, and I'll order about

654
00:37:17,320 --> 00:37:19,160
Speaker 1: a half hour later and just end up taking the

655
00:37:19,239 --> 00:37:22,960
Speaker 1: food to go because I see, but look what you

656
00:37:23,080 --> 00:37:26,560
Speaker 1: just did. Let's celebrate a success. You decide not to

657
00:37:26,640 --> 00:37:29,880
Speaker 1: go out to dinner, and that's a decision, you know.

658
00:37:30,040 --> 00:37:31,719
Speaker 1: I just want to say I talked to you guys

659
00:37:31,800 --> 00:37:35,040
Speaker 1: a couple of years ago. My daughter was born deaf,

660
00:37:35,120 --> 00:37:38,560
Speaker 1: and you guys did this whole thing about, um, why

661
00:37:38,880 --> 00:37:41,440
Speaker 1: is your day awesome or something like that, or why

662
00:37:41,480 --> 00:37:43,880
Speaker 1: are you so happy? And my thing was that my

663
00:37:44,040 --> 00:37:47,600
Speaker 1: daughter had heard for the first time, and it was

664
00:37:48,239 --> 00:37:50,239
Speaker 1: so awesome talking to you guys. I got like a

665
00:37:50,320 --> 00:37:54,360
Speaker 1: Party City gift card. But now she's in school and

666
00:37:54,440 --> 00:37:56,399
Speaker 1: she's learning to speak, and I just wanted to update

667
00:37:56,400 --> 00:37:59,759
Speaker 1: you guys on that too, because yeah, that's a great

668
00:37:59,840 --> 00:38:02,880
Speaker 1: new happen And I remember this conversation. You got to

669
00:38:02,880 --> 00:38:05,319
Speaker 1: see that movie Coda by the way, Oh my god,

670
00:38:05,400 --> 00:38:06,919
Speaker 1: it's one of my favorite movies. I have a folk

671
00:38:06,960 --> 00:38:10,040
Speaker 1: sited when they want all those officers. It was great. Yeah, amazing.

672
00:38:10,280 --> 00:38:12,080
Speaker 1: I want to go back to your decidophobia though for

673
00:38:12,080 --> 00:38:14,960
Speaker 1: a second, Emery totally. If you have you found that

674
00:38:15,120 --> 00:38:17,040
Speaker 1: if you just like take a deep breath and go, Okay,

675
00:38:17,520 --> 00:38:19,120
Speaker 1: I have to choose between A B and C. I'll

676
00:38:19,120 --> 00:38:21,080
Speaker 1: go with B and just move on, or is it

677
00:38:21,600 --> 00:38:25,560
Speaker 1: that's impossible for you? You know, sometimes I can do that.

678
00:38:25,640 --> 00:38:28,800
Speaker 1: In other times it's just like I end up just

679
00:38:29,000 --> 00:38:30,920
Speaker 1: ordering whatever. Like if I'm out with my sister, I

680
00:38:31,000 --> 00:38:32,800
Speaker 1: just order whatever she gets because I'm just like, I

681
00:38:32,960 --> 00:38:36,839
Speaker 1: can't just order for me. I'm just it's just such

682
00:38:36,880 --> 00:38:39,759
Speaker 1: a stressful situation and everybody's just looking at me, and

683
00:38:39,760 --> 00:38:42,799
Speaker 1: I'm like, oh my god, and the server will look

684
00:38:42,840 --> 00:38:44,919
Speaker 1: at me like I'm crazy. I'm like, I'm really, really,

685
00:38:44,960 --> 00:38:46,920
Speaker 1: really sorry. I just have absolutely no idea. I do

686
00:38:47,040 --> 00:38:48,640
Speaker 1: this all the time. And they're like, that's okay, bag,

687
00:38:48,680 --> 00:38:50,759
Speaker 1: you're dying, by the way, and you're not alone, by

688
00:38:50,800 --> 00:38:52,799
Speaker 1: the way. You know a lot of people. Yeah, here's

689
00:38:52,840 --> 00:38:54,200
Speaker 1: the thing. You go to a restaurant. Let's say you

690
00:38:54,239 --> 00:38:56,560
Speaker 1: go to a restaurant you always go to and you're like,

691
00:38:56,600 --> 00:38:59,520
Speaker 1: you know what, I always order the blank you know,

692
00:39:00,120 --> 00:39:01,759
Speaker 1: I'm not going to order that today. I'm going to

693
00:39:01,840 --> 00:39:03,279
Speaker 1: order something else just to be different. And then you

694
00:39:03,360 --> 00:39:05,279
Speaker 1: end up ordering the same thing you always order it,

695
00:39:05,360 --> 00:39:08,320
Speaker 1: and yeah, yeah, because I think the stress about what

696
00:39:08,480 --> 00:39:10,719
Speaker 1: if I don't like it, and I just wasted an

697
00:39:10,920 --> 00:39:14,680
Speaker 1: entire meal on something that ends up being gross and

698
00:39:14,800 --> 00:39:18,520
Speaker 1: I don't you know, you say, I knew I should

699
00:39:18,560 --> 00:39:21,120
Speaker 1: have ordered the item. I'm about to ask you this question.

700
00:39:21,200 --> 00:39:22,719
Speaker 1: I hope you ask yourself the same thing. If you

701
00:39:22,840 --> 00:39:25,000
Speaker 1: order something that's not your usual and it's not that

702
00:39:25,120 --> 00:39:27,120
Speaker 1: bad or it's not that good, what's the worst that

703
00:39:27,160 --> 00:39:31,040
Speaker 1: can happen? All right? Or you know, sometimes people think, well,

704
00:39:31,080 --> 00:39:33,799
Speaker 1: what if today's the last day on earth? I don't

705
00:39:33,840 --> 00:39:36,719
Speaker 1: want to end up not getting my favorite meal. I

706
00:39:36,800 --> 00:39:39,239
Speaker 1: don't know. It's a talking to you, a marine. I

707
00:39:39,320 --> 00:39:42,479
Speaker 1: love the story inside story about your child. That's so great,

708
00:39:42,520 --> 00:39:45,719
Speaker 1: and thanks for sharing, of course. And you told me that, um,

709
00:39:46,040 --> 00:39:47,520
Speaker 1: you know you wish you could just like take them

710
00:39:47,560 --> 00:39:49,840
Speaker 1: off while she does that. Now she's mad at me. Boom,

711
00:39:49,920 --> 00:39:53,040
Speaker 1: she takes off her cochlear implants and ignores me. Yeah,

712
00:39:54,760 --> 00:39:57,839
Speaker 1: I'm like, wow, I can't wait for your teenage years.

713
00:39:57,920 --> 00:40:00,200
Speaker 1: This is going to be awesome. It's so weird. Hear

714
00:40:00,239 --> 00:40:02,400
Speaker 1: the a teenager is going to just rip her coclear

715
00:40:02,520 --> 00:40:06,719
Speaker 1: right off her head. Yeah, we already does. There. I

716
00:40:06,880 --> 00:40:09,520
Speaker 1: thank you and Marie, thanks for listening to us all

717
00:40:09,560 --> 00:40:14,960
Speaker 1: these years. One more quick call from Jackie Hijackie, Hello lady, Hello,

718
00:40:15,719 --> 00:40:18,120
Speaker 1: So every night you got to decide on dinner, and

719
00:40:18,239 --> 00:40:22,680
Speaker 1: it's just oh, just a pain, absolute struggle. It's a struggle.

720
00:40:23,480 --> 00:40:24,759
Speaker 1: So what do you don't know if I should do

721
00:40:24,840 --> 00:40:27,279
Speaker 1: pasta chicken? So I wander in wegments for an hour

722
00:40:27,360 --> 00:40:30,680
Speaker 1: until something sparks my mind or my brains to make something. Well,

723
00:40:30,719 --> 00:40:33,160
Speaker 1: the problem with wandering at Wegmans if you're not familiar,

724
00:40:33,200 --> 00:40:35,000
Speaker 1: Wegmans one of the best grocery stores in the world.

725
00:40:35,239 --> 00:40:37,880
Speaker 1: They have such a selection, no wonder. It's like reading

726
00:40:37,880 --> 00:40:40,759
Speaker 1: a menu at a restaurant that has seventeen pages. It's like,

727
00:40:41,360 --> 00:40:43,840
Speaker 1: where do they keep all this stuff? And then I

728
00:40:44,000 --> 00:40:46,720
Speaker 1: end up with a full carter groceries for one hundred

729
00:40:46,719 --> 00:40:48,920
Speaker 1: and fifty dollars and still don't have anything for dinner. Yeah,

730
00:40:49,600 --> 00:40:52,520
Speaker 1: I get that. So you don't do everything there. Let

731
00:40:52,600 --> 00:40:55,919
Speaker 1: the kids decide what do I want? Oh, they can't

732
00:40:55,960 --> 00:40:58,680
Speaker 1: help me either. Everybody can make huge light decisions, but

733
00:40:58,760 --> 00:41:01,000
Speaker 1: when it comes to nightly dinner, nobody has any idea.

734
00:41:01,440 --> 00:41:03,960
Speaker 1: They just say something great, that's it, And it's probably

735
00:41:04,280 --> 00:41:07,000
Speaker 1: the least the least important decision of the day. What Daniel,

736
00:41:07,040 --> 00:41:08,640
Speaker 1: Because this is my house, They'll go, oh, what are

737
00:41:08,680 --> 00:41:10,920
Speaker 1: we making tonight? They're so exciting. Then you tell them

738
00:41:10,960 --> 00:41:15,080
Speaker 1: and they go, oh oh, all right, trying to like

739
00:41:15,239 --> 00:41:17,239
Speaker 1: chicken nuggets and fries, and I'm like, there you go

740
00:41:17,440 --> 00:41:19,279
Speaker 1: for the third time this week. Exactly what you can

741
00:41:19,320 --> 00:41:21,200
Speaker 1: help me? Yeah, you know it's best just not to

742
00:41:21,239 --> 00:41:23,360
Speaker 1: tell them. Just serve it and if they don't eat it,

743
00:41:23,600 --> 00:41:26,920
Speaker 1: I go to bed. You're gonna, hey, Jackie, restaurant sometimes

744
00:41:27,440 --> 00:41:29,600
Speaker 1: good luck shopping next time. But next time, just go

745
00:41:29,760 --> 00:41:32,600
Speaker 1: to somebody. Get don't even get a big basket with wheels,

746
00:41:32,600 --> 00:41:35,080
Speaker 1: get to little basket, get one meal in there and

747
00:41:35,200 --> 00:41:36,960
Speaker 1: get the hell out and see if you can do it. Okay,

748
00:41:37,160 --> 00:41:39,680
Speaker 1: Oh I wish I could. I just love that Lease.

749
00:41:39,920 --> 00:41:42,000
Speaker 1: Well I do love Wagmans too. That's an issue, all right,

750
00:41:42,040 --> 00:41:43,960
Speaker 1: Thank you, Jackie, thank you for listening to us. We

751
00:41:44,080 --> 00:41:46,439
Speaker 1: do have a one thousand dollars extra gum free money

752
00:41:46,480 --> 00:41:48,839
Speaker 1: phone tap on the way. First, let's stop off at

753
00:41:48,960 --> 00:41:50,880
Speaker 1: Gandhi's house for the three things we need to know.

754
00:41:51,160 --> 00:41:54,040
Speaker 1: What's up Gandhi. More efforts to end the war in

755
00:41:54,200 --> 00:41:56,680
Speaker 1: Ukraine are underway right now. Peace talks are going on

756
00:41:56,800 --> 00:41:59,040
Speaker 1: in Turkey, where the President said it's about time for

757
00:41:59,280 --> 00:42:02,320
Speaker 1: concrete results. This is a first sit down meeting with

758
00:42:02,440 --> 00:42:05,959
Speaker 1: negotiators from Russia and Ukraine in almost three weeks. There's

759
00:42:06,000 --> 00:42:07,879
Speaker 1: not a lot of hope for a breakthrough today, though,

760
00:42:07,920 --> 00:42:11,080
Speaker 1: but this is seen as critical first step. Ukraine says

761
00:42:11,120 --> 00:42:13,680
Speaker 1: the fighting has left a trail of destruction nearly five

762
00:42:13,800 --> 00:42:17,040
Speaker 1: thousand miles long. The war has reportedly cost Ukraine five

763
00:42:17,160 --> 00:42:20,280
Speaker 1: hundred and sixty five billion dollars so far, and President

764
00:42:20,360 --> 00:42:22,800
Speaker 1: Biden is standing by his comment that Russia's leader should

765
00:42:22,800 --> 00:42:25,520
Speaker 1: be removed. He says he did not misspeak and wants

766
00:42:25,560 --> 00:42:28,440
Speaker 1: to make it very clear he was expressing moral outrage

767
00:42:28,480 --> 00:42:31,640
Speaker 1: for Vladimir Putin after invading Ukraine more than a month ago.

768
00:42:32,800 --> 00:42:35,840
Speaker 1: The death toll in a Pennsylvania pile up is expected

769
00:42:35,880 --> 00:42:37,719
Speaker 1: to rise today. I don't know if you guys saw this,

770
00:42:37,840 --> 00:42:41,920
Speaker 1: but three people were killed yesterday when sixty vehicles collided

771
00:42:42,280 --> 00:42:45,960
Speaker 1: in blinding snow on eighty one. A video shows driver

772
00:42:46,080 --> 00:42:48,080
Speaker 1: is unable to stop in time, some trying to pull

773
00:42:48,080 --> 00:42:50,680
Speaker 1: off the road for safety. At least three semi trucks

774
00:42:50,680 --> 00:42:53,200
Speaker 1: and a few cars ended up catching fire, delaying a

775
00:42:53,280 --> 00:42:55,919
Speaker 1: search of the scene. More than twenty people were taken

776
00:42:55,960 --> 00:42:59,560
Speaker 1: to hospitals, and at last check, some lanes still remain closed.

777
00:43:00,600 --> 00:43:04,200
Speaker 1: And finally, a baseball player is catching a lot of

778
00:43:04,320 --> 00:43:07,040
Speaker 1: heat over the slap heard around the world. That was

779
00:43:07,200 --> 00:43:09,280
Speaker 1: Will Smith and Chris Rock on Sunday at the Oscars.

780
00:43:09,640 --> 00:43:11,880
Speaker 1: This guy's name is Will Smith as well. He's a catcher.

781
00:43:12,160 --> 00:43:14,320
Speaker 1: He has the same name, obviously, and he plays for

782
00:43:14,440 --> 00:43:16,759
Speaker 1: the Dodgers. He says that he has received so many

783
00:43:16,840 --> 00:43:20,000
Speaker 1: messages after this incident happened. People are threatening him, some

784
00:43:20,120 --> 00:43:22,520
Speaker 1: people are applauding him. Either way, he says, it's not me.

785
00:43:22,719 --> 00:43:25,400
Speaker 1: Please verify the identity of the Will Smith that you

786
00:43:25,440 --> 00:43:27,719
Speaker 1: are about to harass, and those are your three boys

787
00:43:27,800 --> 00:43:30,400
Speaker 1: here you go check it out before you start harassing.

788
00:43:31,000 --> 00:43:33,040
Speaker 1: For all of you who need to harass someone today,

789
00:43:33,120 --> 00:43:35,919
Speaker 1: just make sure you double check your harassing or maybe

790
00:43:36,040 --> 00:43:38,480
Speaker 1: maybe not harass anyone. There's a decision you can make,

791
00:43:38,600 --> 00:43:40,480
Speaker 1: right that would be great, Just a thought, all right?

792
00:43:40,480 --> 00:43:44,000
Speaker 1: Your thousand dollars, extra gun, extra gum, free money phone

793
00:43:44,000 --> 00:43:48,160
Speaker 1: tap for you coming up next. Another free money phone

794
00:43:48,200 --> 00:43:54,560
Speaker 1: tap coming up next. You are collar where the elvister

795
00:43:54,680 --> 00:43:56,279
Speaker 1: in in the morning show, Free money phone tap, No

796
00:43:56,360 --> 00:43:59,480
Speaker 1: purchase necessary. Boyd in Canada, Montana, New Mexico, Washington and

797
00:43:59,520 --> 00:44:04,120
Speaker 1: wherever him rules go to elvistrand dotcom. Slash montast in

798
00:44:04,160 --> 00:44:09,840
Speaker 1: the morning show. See you got any money, it's the

799
00:44:09,880 --> 00:44:13,960
Speaker 1: free money phones tap thanks to our friends at Extra Gum. Look,

800
00:44:14,000 --> 00:44:16,040
Speaker 1: it's been a long winter, we're out of it. It's

801
00:44:16,120 --> 00:44:18,360
Speaker 1: time to cut loose. It's time to hang out with friends.

802
00:44:18,480 --> 00:44:21,719
Speaker 1: But you don't want nasty breath. No, you know that's right,

803
00:44:21,840 --> 00:44:23,600
Speaker 1: Rob Shooter. You don't want your breath smell like a

804
00:44:24,000 --> 00:44:30,080
Speaker 1: smell like a barnyard. That's a lovely introduction. Look a barnyard.

805
00:44:30,239 --> 00:44:32,160
Speaker 1: Here's a tip for you. Grab some extra gum and

806
00:44:32,280 --> 00:44:33,879
Speaker 1: chew it before you do it. You know what I'm saying.

807
00:44:34,040 --> 00:44:37,800
Speaker 1: I think rights there, or someone would say chew it

808
00:44:37,920 --> 00:44:40,640
Speaker 1: before you chew it. I don't know. It's the perfect

809
00:44:40,680 --> 00:44:43,160
Speaker 1: way to refresh and refocus. A quick pause can make

810
00:44:43,160 --> 00:44:45,399
Speaker 1: all the difference you're thinking, Oh okay, it's extra gum.

811
00:44:45,480 --> 00:44:47,759
Speaker 1: Absolutely love it. I want you to raise it up

812
00:44:47,760 --> 00:44:50,439
Speaker 1: a little higher on your list of priorities. You gotta

813
00:44:50,480 --> 00:44:52,440
Speaker 1: remember when you're getting close to someone and now we're

814
00:44:52,640 --> 00:44:56,359
Speaker 1: demasking and we're getting closer. Yeah, your breath, it smells rank.

815
00:44:56,440 --> 00:45:00,040
Speaker 1: It smells like a sewer, It smells like a It

816
00:45:00,880 --> 00:45:02,960
Speaker 1: does oh, I don't want me to tell you put

817
00:45:03,040 --> 00:45:05,800
Speaker 1: your mask back on right exactly. And even if you

818
00:45:05,880 --> 00:45:08,480
Speaker 1: are wearing a mask, you don't want to smell that yourself.

819
00:45:09,200 --> 00:45:13,040
Speaker 1: So I know this is disgusting, but Extra Gum chew

820
00:45:13,120 --> 00:45:15,920
Speaker 1: it before you do it. When those intimate times are approaching,

821
00:45:16,400 --> 00:45:18,920
Speaker 1: be prepared. If you know what I'm saying, m put

822
00:45:19,000 --> 00:45:22,000
Speaker 1: a helmet on that soldier, meaning extra gum in your mouth.

823
00:45:23,200 --> 00:45:25,719
Speaker 1: Pick a pack. Pick up a pack of Extra Gum

824
00:45:25,760 --> 00:45:28,279
Speaker 1: at your local retailer today. Thank you Extra Gum for

825
00:45:28,440 --> 00:45:30,879
Speaker 1: sponsoring the one thousand dollars freem on your phone tap.

826
00:45:30,880 --> 00:45:33,399
Speaker 1: If you're called one hundred, now you win one eight

827
00:45:33,520 --> 00:45:36,120
Speaker 1: hundred two four two zero one hundred. Who does the

828
00:45:36,160 --> 00:45:39,840
Speaker 1: phone tap? Scary the birthday girl? Danielle? Yo, are you

829
00:45:39,880 --> 00:45:42,680
Speaker 1: sure you want to do this? Yeah? It's your favorite character,

830
00:45:44,360 --> 00:45:48,319
Speaker 1: Elvis Duran, Elvis durand phone tap, Danielle? What's your phone tap?

831
00:45:48,320 --> 00:45:50,080
Speaker 1: All of them? All right? So Jessica said, I need

832
00:45:50,160 --> 00:45:52,839
Speaker 1: miss Mashkellopsis to do a phone tap of my husband Keith,

833
00:45:52,920 --> 00:45:55,640
Speaker 1: because he's very protective of our three year old daughter

834
00:45:55,800 --> 00:45:57,920
Speaker 1: and we're looking for a new babysitter and he doesn't

835
00:45:57,920 --> 00:46:01,400
Speaker 1: trust anybody. So let's just ten. Miss marsh collapses is

836
00:46:01,440 --> 00:46:03,319
Speaker 1: going to be the babysitter and call him and had

837
00:46:03,400 --> 00:46:05,480
Speaker 1: some fun. You don't have irritating. This is going to

838
00:46:05,520 --> 00:46:09,200
Speaker 1: be ye all right, see what happens in Danielle's phone tip.

839
00:46:09,280 --> 00:46:14,480
Speaker 1: Here we go. Hello, Yeah, Hello, I'm looking for Keith Keith.

840
00:46:14,520 --> 00:46:17,360
Speaker 1: Who's who's calling? Key? This is Missus Marsh Collapse and

841
00:46:17,400 --> 00:46:21,720
Speaker 1: Linda Musk Collapses. I'm going to be watching Daria this weekend. Okay,

842
00:46:21,800 --> 00:46:24,319
Speaker 1: how long have you been looking after kids? For? Well,

843
00:46:24,360 --> 00:46:27,960
Speaker 1: my son Marvin is um he's forty, so about forty years?

844
00:46:28,400 --> 00:46:31,400
Speaker 1: Is she panty trained? Because I don't do diapers on you?

845
00:46:32,040 --> 00:46:34,200
Speaker 1: Have you? Have you ever looked after other kids other

846
00:46:34,280 --> 00:46:36,239
Speaker 1: than your son? Yeah? So when I had my son

847
00:46:36,280 --> 00:46:38,000
Speaker 1: Marvin forty years ago, I had to take good care

848
00:46:38,040 --> 00:46:40,000
Speaker 1: of him and I breastfend him and everything. You don't

849
00:46:40,040 --> 00:46:42,480
Speaker 1: need Your daughter don't need to be breastfed, right, My

850
00:46:42,640 --> 00:46:44,880
Speaker 1: daughters three, She does not need to be breastfed. But

851
00:46:45,080 --> 00:46:47,840
Speaker 1: I don't know if if you're right for this position.

852
00:46:47,920 --> 00:46:50,759
Speaker 1: You you've never worked in the NHS. I breastfed my

853
00:46:50,840 --> 00:46:53,600
Speaker 1: son Marvin so he was seven, So I think i'm okay,

854
00:46:53,800 --> 00:46:56,840
Speaker 1: if you still need major do that. Who are you?

855
00:46:56,880 --> 00:46:59,239
Speaker 1: Who do you work for? Huh do you work for?

856
00:47:00,239 --> 00:47:02,120
Speaker 1: You know? Oh? No, I meant. I met Jessica in

857
00:47:02,160 --> 00:47:05,040
Speaker 1: the grocery store and she was talking to the cashier

858
00:47:05,120 --> 00:47:07,000
Speaker 1: and she said, we're looking for a baby, said and

859
00:47:07,080 --> 00:47:09,400
Speaker 1: I said, I'm a good baby said and she said, okay,

860
00:47:09,560 --> 00:47:11,719
Speaker 1: you call my husband Keith and talk to him, and

861
00:47:12,040 --> 00:47:14,600
Speaker 1: she was very nice. Hey, you know what. Hey, look,

862
00:47:14,680 --> 00:47:17,800
Speaker 1: i'm shut down. Um, I don't drive, so do you

863
00:47:17,920 --> 00:47:20,160
Speaker 1: mind picking me up and getting me back home? You

864
00:47:20,239 --> 00:47:22,759
Speaker 1: don't have a car, You've never worked with kids, you've

865
00:47:22,760 --> 00:47:25,680
Speaker 1: never worked in a in a daycare? Can what you say?

866
00:47:25,719 --> 00:47:28,080
Speaker 1: I can't hear you? You can't hear me. Did you

867
00:47:28,160 --> 00:47:30,799
Speaker 1: just say you can't hear me? No? You you were

868
00:47:30,840 --> 00:47:33,360
Speaker 1: saying you can't hear me. You can hear me? You

869
00:47:33,480 --> 00:47:38,320
Speaker 1: can't hear me? No, Hello, you can hear me? You can't?

870
00:47:38,320 --> 00:47:40,279
Speaker 1: So wrong with you're hearing? You should get that check.

871
00:47:40,400 --> 00:47:42,320
Speaker 1: I got mine checked and I'm okay, you know, I

872
00:47:42,840 --> 00:47:45,560
Speaker 1: thank you, But I got a brand new iPhone three

873
00:47:45,600 --> 00:47:47,720
Speaker 1: and I can hear you. Fine. I think we're good. Okay,

874
00:47:48,000 --> 00:47:50,799
Speaker 1: I'm good, Thank you. We'll call you but listen, listen, listen,

875
00:47:51,640 --> 00:47:53,439
Speaker 1: good time. Did she go to bed because I gotta

876
00:47:53,440 --> 00:47:55,120
Speaker 1: watch my land order and I don't want her to

877
00:47:55,160 --> 00:47:58,040
Speaker 1: be up on I'm watching my lane order. Hello, Jessica.

878
00:47:59,080 --> 00:48:02,399
Speaker 1: He is now hating life venue right now. So when

879
00:48:02,520 --> 00:48:04,279
Speaker 1: he calls, tell me. And then I'm just going to

880
00:48:04,360 --> 00:48:06,719
Speaker 1: listen in on the conversation. Ohhh, he's calling me, He's

881
00:48:06,719 --> 00:48:08,960
Speaker 1: calling me. He's all right, here we go. I'm just

882
00:48:09,120 --> 00:48:12,960
Speaker 1: listening all you out, did you like background check her

883
00:48:13,040 --> 00:48:16,319
Speaker 1: or anything? Because she has no experience whatsoever. We were

884
00:48:16,360 --> 00:48:18,360
Speaker 1: in the supermarket and she fell over in the produce

885
00:48:18,360 --> 00:48:20,320
Speaker 1: aisle and I helped her up, and and and she

886
00:48:20,520 --> 00:48:23,840
Speaker 1: We've got struck conversation and she seems great. No no, no, no,

887
00:48:23,920 --> 00:48:25,959
Speaker 1: no no, that okay, she has no experience, she doesn't

888
00:48:25,960 --> 00:48:27,879
Speaker 1: have a car. She I don't know what the heck's

889
00:48:27,920 --> 00:48:30,320
Speaker 1: wrong with her freaking hearing she sounds like this crazy

890
00:48:30,360 --> 00:48:32,920
Speaker 1: old lady. My horrsecoop said that I would run into

891
00:48:32,920 --> 00:48:35,080
Speaker 1: someone's special today. That's what you're gonna go off of.

892
00:48:35,520 --> 00:48:38,120
Speaker 1: The woman couldn't even hear me on the phone, Okay,

893
00:48:38,200 --> 00:48:40,840
Speaker 1: she just kept going what and huh and what what

894
00:48:41,000 --> 00:48:42,960
Speaker 1: and everything? And I think the woman's ready to die

895
00:48:43,400 --> 00:48:44,640
Speaker 1: when you picked her up. You're just gonna have to

896
00:48:44,680 --> 00:48:46,440
Speaker 1: get her out of the wheelchair, put her wheelchair in

897
00:48:46,480 --> 00:48:48,399
Speaker 1: the back, put her back in the way. Whoa wait,

898
00:48:48,760 --> 00:48:53,359
Speaker 1: what wheelchair? You're expecting our girl to be watched by

899
00:48:53,400 --> 00:48:55,920
Speaker 1: some crazy old lady who's not driving, who has no

900
00:48:56,040 --> 00:48:58,879
Speaker 1: experience and is in a wheelchair. She has two life

901
00:48:58,880 --> 00:49:00,759
Speaker 1: alert bracelets, so if he think goes wrong, we've got

902
00:49:00,800 --> 00:49:04,480
Speaker 1: a backup plan. Oh my god, No, I don't care

903
00:49:04,520 --> 00:49:07,120
Speaker 1: if she has like a freaking necklace of life alert bracelet.

904
00:49:07,239 --> 00:49:10,040
Speaker 1: She's not watching Garia. Why don't you guys just spend

905
00:49:10,080 --> 00:49:12,200
Speaker 1: one afternoon with her watching Law and Order? You may

906
00:49:12,280 --> 00:49:16,880
Speaker 1: fall in love. Who is it's It's danielle Venarrow from

907
00:49:16,920 --> 00:49:19,080
Speaker 1: Elvis to Run in the Morning Show. It's a phone tack.

908
00:49:21,760 --> 00:49:24,279
Speaker 1: I promise you I'm not coming over, dude. You had

909
00:49:24,320 --> 00:49:32,759
Speaker 1: me freaking out. Jess, come on, I cannot stand her.

910
00:49:36,400 --> 00:49:40,520
Speaker 1: I like old people. I am an old people old people.

911
00:49:41,239 --> 00:49:43,680
Speaker 1: Miss Bosh Klopsis should be one of the Golden Girls.

912
00:49:46,280 --> 00:49:48,800
Speaker 1: Why not? Hey, Perry Lynn, is this you? Is this

913
00:49:48,960 --> 00:49:52,080
Speaker 1: really really you? Perry Lynn? Is it really really you? Guys?

914
00:49:52,400 --> 00:49:54,400
Speaker 1: Get it weird? Get it weird. Do you listen every day?

915
00:49:54,440 --> 00:49:57,680
Speaker 1: You're like, who are these people? Twenty five years I've

916
00:49:57,719 --> 00:50:00,480
Speaker 1: been listening to you guys. Oh my god, worter of

917
00:50:00,520 --> 00:50:03,120
Speaker 1: a century. It has been good to have you here,

918
00:50:03,160 --> 00:50:04,880
Speaker 1: Perry Lynn. You're caller one hundred. You just one a

919
00:50:04,920 --> 00:50:09,800
Speaker 1: thousand dollars. Thank you so much. I've been calling for

920
00:50:10,040 --> 00:50:13,239
Speaker 1: so many years. It's amazing. Wow, listening to this mess

921
00:50:13,280 --> 00:50:16,440
Speaker 1: for so long. Finally paid off. So sorry for the way.

922
00:50:17,400 --> 00:50:19,480
Speaker 1: What are you doing today, Perrylyn? What are you doing

923
00:50:19,520 --> 00:50:23,600
Speaker 1: today to celebrate Daniel's birthday? Oh? Happy birthday, Danielle. I

924
00:50:23,719 --> 00:50:27,400
Speaker 1: love you so much. To our absolute fans. You laugh

925
00:50:27,600 --> 00:50:31,680
Speaker 1: every day. Your laugh makes me just every morning. I

926
00:50:31,800 --> 00:50:34,160
Speaker 1: love it. It makes my day. So I'm on my

927
00:50:34,239 --> 00:50:36,000
Speaker 1: may to work. I just had to pull over because

928
00:50:36,000 --> 00:50:38,800
Speaker 1: I'm shaking so much. Oh my god, sounds of dollars

929
00:50:39,239 --> 00:50:43,160
Speaker 1: of U, cut of rounds. You're now a thousand are hey? Look?

930
00:50:44,040 --> 00:50:46,120
Speaker 1: Thank you for listening to us, Perry Lynn. It's a

931
00:50:46,160 --> 00:50:48,759
Speaker 1: pleasure having you on it. Oh my god, knowing you're

932
00:50:48,760 --> 00:50:51,880
Speaker 1: listening hold on much second. Thank you, thank you for listening.

933
00:50:51,960 --> 00:50:54,239
Speaker 1: There you go, P one a thousand dollars. Thank you

934
00:50:54,360 --> 00:50:57,360
Speaker 1: to extra gum don't forget. Just take a moment to

935
00:50:57,880 --> 00:51:00,719
Speaker 1: slip it in, freshen up before you move on with

936
00:51:00,800 --> 00:51:03,000
Speaker 1: your life. We love you extra gum another one thousand

937
00:51:03,040 --> 00:51:06,000
Speaker 1: dollars free Monday phone top Tomorrow. We welcome the one

938
00:51:06,040 --> 00:51:11,840
Speaker 1: and only naughty but nice Rob Shooter and no happy birthday. Birthday.

939
00:51:12,480 --> 00:51:14,160
Speaker 1: You're here because now I don't have to do anything.

940
00:51:14,719 --> 00:51:17,160
Speaker 1: I think that was the plood. Have the day off,

941
00:51:17,200 --> 00:51:19,160
Speaker 1: put your feet up, like you know what. I sent

942
00:51:19,239 --> 00:51:21,440
Speaker 1: a text to Rob yesterday as on the card. I'm

943
00:51:21,880 --> 00:51:23,799
Speaker 1: you know, after everything that happened at the Oscars, there's

944
00:51:23,800 --> 00:51:25,360
Speaker 1: so much going on. Let me just check in with

945
00:51:25,480 --> 00:51:27,480
Speaker 1: Rob and I said, Rob, when can you come on?

946
00:51:29,840 --> 00:51:32,320
Speaker 1: And he was sled. It was silence, and then I

947
00:51:32,400 --> 00:51:35,080
Speaker 1: said how about tomorrow? And then he says yes. Love.

948
00:51:37,000 --> 00:51:39,360
Speaker 1: At least a very busy couple of days for me.

949
00:51:39,520 --> 00:51:41,520
Speaker 1: At least one person is doing quite well out of

950
00:51:41,600 --> 00:51:46,120
Speaker 1: this terrible situation. Men, since Kim Kardashian got divorced, have

951
00:51:46,239 --> 00:51:49,880
Speaker 1: I been so okay? So let's let's break it down.

952
00:51:49,960 --> 00:51:51,359
Speaker 1: We all know the story. We don't have to really

953
00:51:51,400 --> 00:51:54,200
Speaker 1: rehash everything that happened at the Academy Awards ceremony to

954
00:51:54,320 --> 00:51:58,520
Speaker 1: the Night with Will Smith and Chris Rock. Yesterday, Will

955
00:51:58,600 --> 00:52:03,200
Speaker 1: Smith is po that's how they do it. They released

956
00:52:03,239 --> 00:52:06,160
Speaker 1: a very late but needed apology. Yeah. I think all

957
00:52:06,320 --> 00:52:09,200
Speaker 1: day they were trying to get to Will to say something.

958
00:52:09,280 --> 00:52:12,279
Speaker 1: And I think initially Will thought this would blow over.

959
00:52:12,520 --> 00:52:14,320
Speaker 1: He didn't think it was such a big guy, a

960
00:52:14,400 --> 00:52:16,680
Speaker 1: big big deal. He went out to the parties, he

961
00:52:16,840 --> 00:52:18,600
Speaker 1: seemed to have a good night. I would guess he

962
00:52:18,680 --> 00:52:21,160
Speaker 1: got up a little later he would an Oscar. He

963
00:52:21,239 --> 00:52:23,680
Speaker 1: might have had a drink or two, and so I

964
00:52:23,760 --> 00:52:25,920
Speaker 1: think he got up and he realized this is getting

965
00:52:26,120 --> 00:52:29,160
Speaker 1: really bad. And that's when you put out a statement.

966
00:52:29,480 --> 00:52:32,640
Speaker 1: And so later in the day, almost twenty four hours afterwards,

967
00:52:33,040 --> 00:52:35,920
Speaker 1: there was a statement apologizing finally to Chris Rock. He

968
00:52:35,960 --> 00:52:38,919
Speaker 1: had apologized the night of the Oscars, but he didn't

969
00:52:38,920 --> 00:52:42,279
Speaker 1: actually apologize to Chris. That came later in the day

970
00:52:42,520 --> 00:52:46,799
Speaker 1: after the Oscar people met to discuss what they were

971
00:52:46,920 --> 00:52:50,600
Speaker 1: going to do. Now, you just said something, you think

972
00:52:50,640 --> 00:52:52,680
Speaker 1: you were assuming that Will Smith thought it just blew over.

973
00:52:53,000 --> 00:52:54,640
Speaker 1: How do you stand up in the middle of a

974
00:52:54,760 --> 00:53:00,360
Speaker 1: globally broadcasted telecast whatever, go up to a age in

975
00:53:00,440 --> 00:53:03,560
Speaker 1: front of everyone, slapped a snot out of someone and

976
00:53:03,719 --> 00:53:08,200
Speaker 1: think it's gonna blow up. I'm getting something? Yes, is

977
00:53:08,239 --> 00:53:12,040
Speaker 1: that the way people think they are in Hollywood and

978
00:53:12,200 --> 00:53:15,120
Speaker 1: at the elevated level of game worked for a lot

979
00:53:15,160 --> 00:53:19,520
Speaker 1: of celebrities and being around them who think sometimes the

980
00:53:19,719 --> 00:53:23,239
Speaker 1: rules don't apply to them. And somebody who's willing to

981
00:53:23,320 --> 00:53:26,160
Speaker 1: get up in front of millions of people. This was

982
00:53:26,239 --> 00:53:28,560
Speaker 1: done on television. It wasn't done in the bar. Will

983
00:53:28,719 --> 00:53:31,239
Speaker 1: was aware the cameras were there. So somebody who thinks

984
00:53:31,320 --> 00:53:33,919
Speaker 1: they can get up slap somebody and then sit back

985
00:53:34,040 --> 00:53:37,960
Speaker 1: down and carry on the evening obviously doesn't think the

986
00:53:38,120 --> 00:53:41,719
Speaker 1: way we do. And so then after that to go

987
00:53:41,840 --> 00:53:46,440
Speaker 1: out pontinging to not sort of think there's many consequences

988
00:53:46,480 --> 00:53:49,480
Speaker 1: and to Will's defense here there wasn't. He got a

989
00:53:49,560 --> 00:53:52,680
Speaker 1: stand in ovation. Mind side is at the Vanity Fair

990
00:53:52,800 --> 00:53:56,040
Speaker 1: party told me he got a round of applause when

991
00:53:56,120 --> 00:53:59,840
Speaker 1: he walked into Vanity Fair. So people wanted to compartmentalize

992
00:54:00,000 --> 00:54:02,200
Speaker 1: the issue of slapping versus the issue with that he

993
00:54:02,320 --> 00:54:06,759
Speaker 1: did deservedly win. Yes, I feel like they could have

994
00:54:06,800 --> 00:54:10,600
Speaker 1: given him the asker and not let him do like

995
00:54:10,960 --> 00:54:14,839
Speaker 1: something something right. Well, he could have decided that too,

996
00:54:15,000 --> 00:54:17,920
Speaker 1: Like I was I was getting texts all night from

997
00:54:17,960 --> 00:54:20,080
Speaker 1: people in the room and they said there was an

998
00:54:20,080 --> 00:54:24,840
Speaker 1: emergency meeting. So every every commercial, his PR person was

999
00:54:24,960 --> 00:54:27,759
Speaker 1: running out talking to him. There was even talks at

1000
00:54:27,800 --> 00:54:32,000
Speaker 1: ABC about escorting him out of the show, like he

1001
00:54:32,280 --> 00:54:34,759
Speaker 1: nearly got kicked out of the show. We all knew

1002
00:54:34,800 --> 00:54:36,719
Speaker 1: he was going to win, and so that moment was

1003
00:54:36,760 --> 00:54:39,360
Speaker 1: going to be very awkward. They were rewriting his speech,

1004
00:54:39,800 --> 00:54:42,840
Speaker 1: and so I think he thought this was going to

1005
00:54:42,960 --> 00:54:46,920
Speaker 1: be okay, and the pendulum has swung. Initially, a lot

1006
00:54:47,000 --> 00:54:50,560
Speaker 1: of people were saying he was defending his wife, and

1007
00:54:50,680 --> 00:54:53,640
Speaker 1: there was some real support for him, at least in

1008
00:54:53,680 --> 00:54:56,080
Speaker 1: the room. He got to stand in evasion at Vandy Fair,

1009
00:54:56,120 --> 00:54:58,239
Speaker 1: and then the pendulum swung as the day went on.

1010
00:54:58,320 --> 00:55:01,640
Speaker 1: And this often happens in celebrity dramas. It takes a

1011
00:55:01,880 --> 00:55:06,480
Speaker 1: moment for everybody to realize what's really happening. And then

1012
00:55:06,520 --> 00:55:09,600
Speaker 1: I think we realized this is unacceptable. You cannot do this,

1013
00:55:10,120 --> 00:55:13,040
Speaker 1: and now will has a real chance of even losing

1014
00:55:13,120 --> 00:55:16,000
Speaker 1: that Oscar, And for you to go to parties afterwards

1015
00:55:16,040 --> 00:55:18,640
Speaker 1: and think that you deserve people to applaud you like

1016
00:55:18,800 --> 00:55:20,520
Speaker 1: at that point, you take your award and you go

1017
00:55:20,640 --> 00:55:23,319
Speaker 1: home and you go, you know, think about I mean

1018
00:55:23,400 --> 00:55:26,200
Speaker 1: Chris party with cameras all over the place. I heard

1019
00:55:26,239 --> 00:55:28,360
Speaker 1: he was planning on going home. The entire time was

1020
00:55:28,400 --> 00:55:31,160
Speaker 1: he actually went to Guy Your Serious party, which is

1021
00:55:31,239 --> 00:55:34,279
Speaker 1: Madonna's manager, and that's a really private party. There's no

1022
00:55:34,400 --> 00:55:36,680
Speaker 1: cameras there, and so I think he went there to

1023
00:55:36,800 --> 00:55:39,480
Speaker 1: just sort of like calm down and figure out what

1024
00:55:39,680 --> 00:55:41,880
Speaker 1: was going on. I don't know. He don't go to

1025
00:55:41,920 --> 00:55:45,160
Speaker 1: a party to calm down. Now, I will say that again.

1026
00:55:45,440 --> 00:55:47,719
Speaker 1: It's there's so many moving parts to this story. We're

1027
00:55:47,719 --> 00:55:49,800
Speaker 1: all we're talking about insulting a woman because of a

1028
00:55:49,880 --> 00:55:52,279
Speaker 1: condition that she's living with, and we're talking about someone

1029
00:55:52,320 --> 00:55:54,920
Speaker 1: who didn't He claims he didn't know that she was

1030
00:55:55,520 --> 00:55:58,160
Speaker 1: she was, she had alpha and so I don't know.

1031
00:55:58,239 --> 00:56:00,239
Speaker 1: Starting it out as an interesting thing, So what's next

1032
00:56:00,360 --> 00:56:02,320
Speaker 1: is the question? Yeah, what's next a bit big? So

1033
00:56:02,760 --> 00:56:06,359
Speaker 1: now ABC are looking for for some sort of solution here,

1034
00:56:06,400 --> 00:56:09,160
Speaker 1: The oscars are looking for some sort of solution. Today

1035
00:56:09,280 --> 00:56:11,600
Speaker 1: they're going to discuss what should happen, what should be

1036
00:56:11,640 --> 00:56:15,680
Speaker 1: the consequences of this. They certainly don't want anybody going

1037
00:56:15,760 --> 00:56:19,000
Speaker 1: to a future show not feeling safe and that's something

1038
00:56:19,080 --> 00:56:21,759
Speaker 1: that it is very important to us all and so

1039
00:56:21,920 --> 00:56:23,880
Speaker 1: there has to be a consequence. There has to be

1040
00:56:23,920 --> 00:56:26,360
Speaker 1: a consequence, and we don't know quite what that is.

1041
00:56:26,440 --> 00:56:28,680
Speaker 1: He could be asked to give the oscar back, he

1042
00:56:28,760 --> 00:56:31,600
Speaker 1: could be asked to leave the Academy. He might not

1043
00:56:31,680 --> 00:56:34,279
Speaker 1: be at next year's show. He's realized now that this

1044
00:56:34,480 --> 00:56:36,919
Speaker 1: is a big deal, and we'll see, We'll see what happens.

1045
00:56:36,960 --> 00:56:38,520
Speaker 1: It's going to happen this week. Just turning us on

1046
00:56:38,640 --> 00:56:41,160
Speaker 1: our friend Rob Shooter. Are my brother? Rob Shooter is

1047
00:56:41,200 --> 00:56:42,759
Speaker 1: here to talk about it. We've got other things to

1048
00:56:42,760 --> 00:56:44,560
Speaker 1: talk about too, but we're continuing on this for a second.

1049
00:56:44,600 --> 00:56:47,359
Speaker 1: Oh gandhi head a thought, Yes, well, I just want

1050
00:56:47,400 --> 00:56:48,719
Speaker 1: to know from you, Rob, how do you think this

1051
00:56:48,880 --> 00:56:51,320
Speaker 1: is going to change the scope of shows in general

1052
00:56:51,480 --> 00:56:53,520
Speaker 1: and comedy in general. Do you think that there's going

1053
00:56:53,560 --> 00:56:55,759
Speaker 1: to be security? Are people going to be treading more

1054
00:56:55,840 --> 00:56:58,600
Speaker 1: lightly like this? I think really raise the red flag

1055
00:56:58,680 --> 00:57:00,920
Speaker 1: to a lot of people. Yeah, really didn't. I think

1056
00:57:01,000 --> 00:57:03,800
Speaker 1: comedians at the moment are really worried about this, and

1057
00:57:03,880 --> 00:57:06,919
Speaker 1: a lot of them are standing up for Chris Rock.

1058
00:57:07,120 --> 00:57:09,880
Speaker 1: This is something that if you feel like you're going

1059
00:57:09,920 --> 00:57:14,040
Speaker 1: to get slapped in the face by saying something that's cheeky,

1060
00:57:14,160 --> 00:57:17,280
Speaker 1: that's even wrong, then that's going to change everything. And

1061
00:57:17,400 --> 00:57:21,160
Speaker 1: let's remember this show started with almost a roast. I

1062
00:57:21,240 --> 00:57:23,680
Speaker 1: thought Amy was brilliant at the top of the show.

1063
00:57:24,000 --> 00:57:26,040
Speaker 1: But she's definitely made fun You know, should made fun

1064
00:57:26,040 --> 00:57:29,200
Speaker 1: of Leonardo DiCaprio and his girlfriend's their age. Is that

1065
00:57:29,400 --> 00:57:32,600
Speaker 1: something that we can't do? It's funny, It was funny,

1066
00:57:32,640 --> 00:57:35,600
Speaker 1: and so I think comedians are outraged by this and

1067
00:57:35,720 --> 00:57:38,480
Speaker 1: done well. What really makes me worried is what happens now.

1068
00:57:38,560 --> 00:57:40,600
Speaker 1: Not for these big stars, they are millions of dollars.

1069
00:57:40,640 --> 00:57:43,880
Speaker 1: They're sitting there in gorgeous clothes, they have security. What

1070
00:57:44,000 --> 00:57:46,720
Speaker 1: happens if you're a comedian at a small comedy club

1071
00:57:47,200 --> 00:57:49,920
Speaker 1: and you say something that somebody doesn't like. Is some

1072
00:57:50,160 --> 00:57:51,760
Speaker 1: guy in the audience going to try and be the

1073
00:57:51,840 --> 00:57:55,040
Speaker 1: next Will Smith and get up and slap you. It's dangerous.

1074
00:57:55,320 --> 00:57:58,200
Speaker 1: We should we should definitely make sure that there are

1075
00:57:58,280 --> 00:58:02,240
Speaker 1: consequences either. Have you have to be held accountable for

1076
00:58:02,320 --> 00:58:04,480
Speaker 1: doing things like that. We gotta take a break more

1077
00:58:04,560 --> 00:58:07,959
Speaker 1: with naught even nice Rob Shooter on the way, what's

1078
00:58:08,000 --> 00:58:11,520
Speaker 1: going on? Guys? This is hey what's up. It's a girl, Rihanna. Hi,

1079
00:58:11,640 --> 00:58:14,120
Speaker 1: this is Selena game moment. Hey, this is Taylor Swift.

1080
00:58:14,200 --> 00:58:17,240
Speaker 1: You're listening to Elvis Duran in the Morning show. Getting

1081
00:58:17,280 --> 00:58:20,680
Speaker 1: up early. It's tough enough, right, but it's way harder

1082
00:58:20,760 --> 00:58:23,600
Speaker 1: if you struggle to fall asleep when you hit the bed. Thankfully,

1083
00:58:23,720 --> 00:58:28,040
Speaker 1: there's new zequal pure Z's restorative herbal sleep a drug

1084
00:58:28,120 --> 00:58:31,520
Speaker 1: free and melotonein Freeway to get better Restorative sleep, Sleep

1085
00:58:31,640 --> 00:58:36,520
Speaker 1: this good, Feel this good. Texts us At Fad to

1086
00:58:36,560 --> 00:58:39,040
Speaker 1: say what he thinks. I think he's very entertaining. He

1087
00:58:39,320 --> 00:58:43,760
Speaker 1: is a great leader, he's awesome, funny, he just makes

1088
00:58:43,800 --> 00:58:45,400
Speaker 1: fine morning. All we want to do is just go

1089
00:58:45,520 --> 00:58:55,360
Speaker 1: to brunch with him out. He's so good. I want

1090
00:58:55,400 --> 00:59:05,000
Speaker 1: to see you naked, Patrick World. How can you not

1091
00:59:05,120 --> 00:59:08,600
Speaker 1: have a huge ego? They use all these people on

1092
00:59:08,640 --> 00:59:10,520
Speaker 1: the street making it sound like you're the best guy.

1093
00:59:11,960 --> 00:59:13,760
Speaker 1: But you know what, when the microphones are off, you know,

1094
00:59:13,880 --> 00:59:16,880
Speaker 1: I'm a total bitch. You're a pussy cat. We were

1095
00:59:16,960 --> 00:59:18,960
Speaker 1: just talking about this with Rob Shooter about you know,

1096
00:59:19,240 --> 00:59:20,760
Speaker 1: and we're not gonna name any names, but we all,

1097
00:59:20,840 --> 00:59:23,120
Speaker 1: you know, in this business, we interview people, We hear stories,

1098
00:59:23,400 --> 00:59:25,360
Speaker 1: and there are some people who when the camera is

1099
00:59:25,400 --> 00:59:28,520
Speaker 1: on and when the mic is on, they are gold

1100
00:59:29,440 --> 00:59:34,480
Speaker 1: and then camera off you I'm like, shoot, I'm like saying,

1101
00:59:34,560 --> 00:59:37,760
Speaker 1: have a this person, And I'm like, no, Rob, don't.

1102
00:59:39,040 --> 00:59:40,880
Speaker 1: It's such a cliche, isn't it. Cause I don't want

1103
00:59:40,920 --> 00:59:43,920
Speaker 1: people to think that in order to be successful you

1104
00:59:44,040 --> 00:59:46,560
Speaker 1: have to be terrible. I think that's such a bad

1105
00:59:46,680 --> 00:59:53,080
Speaker 1: message to give out. Unfortunately, people that have been successful

1106
00:59:53,560 --> 00:59:57,280
Speaker 1: just because of their sheer determination. It takes a certain

1107
00:59:57,360 --> 01:00:01,720
Speaker 1: type of person, I think, to be that that successful

1108
01:00:01,760 --> 01:00:04,440
Speaker 1: in the show business area. Hopefully maybe it's in your

1109
01:00:04,480 --> 01:00:06,280
Speaker 1: own life too. If you think of people in your office,

1110
01:00:06,680 --> 01:00:09,320
Speaker 1: often the person in charge is not the kindest or

1111
01:00:09,400 --> 01:00:12,200
Speaker 1: even the most talented. And here you go, speaking of

1112
01:00:12,320 --> 01:00:16,600
Speaker 1: here it comes Nate. Oh god, Nate, we're talking about

1113
01:00:16,640 --> 01:00:19,840
Speaker 1: how people in this industry goes sour and say, and

1114
01:00:19,920 --> 01:00:22,840
Speaker 1: you walk through the door that describes me to a

1115
01:00:22,920 --> 01:00:28,480
Speaker 1: t question, then yes, how do these rute, obnoxious people

1116
01:00:28,880 --> 01:00:31,240
Speaker 1: continue to surpass the level and make it to the

1117
01:00:31,320 --> 01:00:34,600
Speaker 1: where they make money. They make money for companies, and

1118
01:00:34,680 --> 01:00:36,320
Speaker 1: they hear people that depend on them, that make money

1119
01:00:36,360 --> 01:00:38,800
Speaker 1: from them, And it's sort of like that close bubble.

1120
01:00:38,880 --> 01:00:40,640
Speaker 1: If it happens in your life. If you think your

1121
01:00:40,680 --> 01:00:43,800
Speaker 1: circles getting a little bit too closed and friends don't

1122
01:00:43,840 --> 01:00:46,400
Speaker 1: tell you the truth, open up your life, go out

1123
01:00:46,400 --> 01:00:49,240
Speaker 1: and meet new people, and then you'll realize who you

1124
01:00:49,440 --> 01:00:52,240
Speaker 1: really are. It's almost like a mirror on yourself, isn't it.

1125
01:00:52,360 --> 01:00:55,120
Speaker 1: I love meeting people for the first time because they're

1126
01:00:55,160 --> 01:01:00,200
Speaker 1: not used to how ridiculous I have a reaction. I'll

1127
01:01:00,240 --> 01:01:02,880
Speaker 1: tell you, I will tell you. I'll let you behind

1128
01:01:02,920 --> 01:01:05,400
Speaker 1: the curtain. And you know, going out with Rob Shooter

1129
01:01:05,560 --> 01:01:07,840
Speaker 1: just to have dinner or just to a party, it's

1130
01:01:08,400 --> 01:01:10,120
Speaker 1: a lot of work. Yeah, it's a lot of work.

1131
01:01:10,160 --> 01:01:12,840
Speaker 1: It's a German shepherd, it's a trepeous We put on

1132
01:01:12,920 --> 01:01:18,760
Speaker 1: a show and jaw muscles hurt, not because of whatever

1133
01:01:18,800 --> 01:01:22,840
Speaker 1: you're thinking. Your jaw muscles hurt because you laugh so hard.

1134
01:01:22,880 --> 01:01:26,080
Speaker 1: And thank you, you have such a beautiful heart. Now,

1135
01:01:26,120 --> 01:01:28,360
Speaker 1: Gandhi had a thought here, what's that? Gandhi? Yeah, So

1136
01:01:28,480 --> 01:01:30,440
Speaker 1: I want to know, as far as the news cycle goes,

1137
01:01:30,480 --> 01:01:33,240
Speaker 1: when it comes to celebrities and entertainment, how much of

1138
01:01:33,320 --> 01:01:35,280
Speaker 1: it is genuine news and how much of it is

1139
01:01:35,360 --> 01:01:38,280
Speaker 1: planted by publicists and things that they want us to

1140
01:01:38,400 --> 01:01:41,200
Speaker 1: hear you hope for a slow newsday if you're a

1141
01:01:41,240 --> 01:01:43,960
Speaker 1: celebrity publicist, because you can put out a release, you

1142
01:01:44,040 --> 01:01:46,560
Speaker 1: can create some drama. I would think at the moment,

1143
01:01:46,920 --> 01:01:50,680
Speaker 1: what Willie is praying for is for Kim and Pete

1144
01:01:50,720 --> 01:01:55,080
Speaker 1: to get married. We need to shake the subjects and

1145
01:01:55,200 --> 01:01:57,800
Speaker 1: it happens like there's so many people out there, particularly

1146
01:01:57,840 --> 01:02:01,400
Speaker 1: the reality stars who crave the is that maybe will

1147
01:02:01,560 --> 01:02:03,520
Speaker 1: can sort of ride this out of it, might might

1148
01:02:03,640 --> 01:02:07,520
Speaker 1: change pretty quickly. I remember there was a story on

1149
01:02:08,080 --> 01:02:10,360
Speaker 1: in September of two thousand and one where there was

1150
01:02:10,400 --> 01:02:13,200
Speaker 1: a politician in Washington, DC and I can't remember her

1151
01:02:13,320 --> 01:02:16,440
Speaker 1: names and one of his assistants where interns had disappeared,

1152
01:02:16,960 --> 01:02:19,040
Speaker 1: and it was like Garry Condon and he yeah, he

1153
01:02:19,200 --> 01:02:21,400
Speaker 1: was thought to be involved. And then when nine to

1154
01:02:21,440 --> 01:02:24,040
Speaker 1: eleven happened, it pushed his story to the very back

1155
01:02:24,080 --> 01:02:28,080
Speaker 1: of the paper and Garry condit LEVI. So keep in

1156
01:02:28,200 --> 01:02:31,200
Speaker 1: mind when you see big stories on the cover, go

1157
01:02:31,360 --> 01:02:37,280
Speaker 1: to the back page and see see what's back there? Yes, uh, hold,

1158
01:02:37,520 --> 01:02:39,400
Speaker 1: what are you writing? Here's Gary? I mean, we need

1159
01:02:39,760 --> 01:02:44,680
Speaker 1: rob explain to everyone why this absolutely was not a setup.

1160
01:02:44,840 --> 01:02:47,280
Speaker 1: It was yeah, everyone you know and it drives me crazy.

1161
01:02:47,600 --> 01:02:49,880
Speaker 1: There's no no one would if there was a setup

1162
01:02:49,960 --> 01:02:53,960
Speaker 1: going on with this. That means someone someone comes out

1163
01:02:54,240 --> 01:02:57,400
Speaker 1: doing better. Yes, other than ticket sales for Chris Rock shows. Right,

1164
01:02:57,640 --> 01:02:59,560
Speaker 1: nothing good is coming out, Yeah, nothing's good. I think

1165
01:02:59,640 --> 01:03:03,080
Speaker 1: the people think this is a setup is it's so shocking.

1166
01:03:03,640 --> 01:03:06,640
Speaker 1: We can't imagine that this actually happened, and so I

1167
01:03:06,720 --> 01:03:08,640
Speaker 1: think it feels like it was it was in a

1168
01:03:08,760 --> 01:03:11,160
Speaker 1: movie script, It was in a bad movie. It was

1169
01:03:11,280 --> 01:03:13,480
Speaker 1: not a set up. Although the people in the control

1170
01:03:13,600 --> 01:03:15,960
Speaker 1: room when when when he got up and walked on

1171
01:03:16,120 --> 01:03:18,840
Speaker 1: that stage, even they thought it might have been some

1172
01:03:19,000 --> 01:03:21,440
Speaker 1: sort of setup that they were not involved in. But

1173
01:03:21,760 --> 01:03:25,400
Speaker 1: it became very clear, very quickly it was not. Chrismas

1174
01:03:25,600 --> 01:03:28,760
Speaker 1: really shut up backstage. This is a guy who is solid.

1175
01:03:29,120 --> 01:03:33,080
Speaker 1: He very rarely gets rattled, and so he was shuck up.

1176
01:03:33,120 --> 01:03:35,840
Speaker 1: And then I think when when when when a channel

1177
01:03:35,920 --> 01:03:37,800
Speaker 1: has to cut to black, when a channel has to

1178
01:03:38,240 --> 01:03:40,400
Speaker 1: censor people, you know the trouble. They don't want to

1179
01:03:40,480 --> 01:03:42,680
Speaker 1: do this. It was definitely not a set up, and

1180
01:03:42,760 --> 01:03:46,960
Speaker 1: it's something we're talking about on During the song was Head,

1181
01:03:47,680 --> 01:03:50,280
Speaker 1: all of these people been out at a club and

1182
01:03:51,560 --> 01:03:54,919
Speaker 1: Will Smith went up to Chris Rock in a club,

1183
01:03:55,480 --> 01:03:58,600
Speaker 1: said few this and slapped him and walked away. How

1184
01:03:58,720 --> 01:04:01,880
Speaker 1: different the story would have been versus in the middle

1185
01:04:01,960 --> 01:04:05,360
Speaker 1: of an OSCARS telecast. Yeah, in front of everyone. So

1186
01:04:05,440 --> 01:04:07,640
Speaker 1: I mean the staging has everything to do with it. Hey,

1187
01:04:07,680 --> 01:04:09,080
Speaker 1: you know what, let's go around the room. I'm gonna

1188
01:04:09,080 --> 01:04:12,120
Speaker 1: see what's on everyone's mind other than this. Let's start

1189
01:04:12,120 --> 01:04:15,400
Speaker 1: with a birthday girl smart today. Thank you because this

1190
01:04:15,520 --> 01:04:19,560
Speaker 1: has been a lovely birthday. The way I'm like, how

1191
01:04:19,560 --> 01:04:22,400
Speaker 1: I'm going to get it's so weird because it's been

1192
01:04:22,480 --> 01:04:24,760
Speaker 1: two years. This is my you know, I haven't been

1193
01:04:24,840 --> 01:04:27,720
Speaker 1: in studio to celebrate my birthday in two years because

1194
01:04:27,760 --> 01:04:29,520
Speaker 1: you know, it's been at home for two years. So

1195
01:04:29,640 --> 01:04:31,760
Speaker 1: it's weird. But it's so nice and I love it.

1196
01:04:31,880 --> 01:04:35,560
Speaker 1: So thank you guys. We love you. Hey, Froggy, what's

1197
01:04:35,640 --> 01:04:37,520
Speaker 1: up with you today? You know it's weird. As you

1198
01:04:37,600 --> 01:04:40,120
Speaker 1: get older, different things tend to make you happy. So

1199
01:04:40,440 --> 01:04:43,080
Speaker 1: I have this like little hose thing on the side

1200
01:04:43,120 --> 01:04:46,480
Speaker 1: of my house ho se where I have not been

1201
01:04:46,560 --> 01:04:48,160
Speaker 1: able to use it. I couldn't get a water hose

1202
01:04:48,240 --> 01:04:50,800
Speaker 1: to connect to it. Finally, yesterday I got the right

1203
01:04:50,840 --> 01:04:52,800
Speaker 1: adapter and I got a water hose hooked up to it.

1204
01:04:52,920 --> 01:04:55,560
Speaker 1: I felt like the most accomplished human I'll play at

1205
01:04:55,600 --> 01:04:58,840
Speaker 1: Earth Yesterday. I'm like, I'm like, this is what my

1206
01:04:58,920 --> 01:05:03,919
Speaker 1: life has turned into a personal victory because of his host.

1207
01:05:05,920 --> 01:05:09,880
Speaker 1: All right, all right, we celebrate all these victories. Producer Sam,

1208
01:05:09,960 --> 01:05:11,520
Speaker 1: what's on your mind today? So I want to talk

1209
01:05:11,520 --> 01:05:13,480
Speaker 1: to other women, even guys who are going through the

1210
01:05:13,560 --> 01:05:15,800
Speaker 1: same thing I'm going through right now. Learn how to

1211
01:05:15,960 --> 01:05:19,120
Speaker 1: talk to yourself appropriately. What do you mean I'm going

1212
01:05:19,160 --> 01:05:21,560
Speaker 1: back to the gym because I think that strong arms

1213
01:05:21,600 --> 01:05:23,720
Speaker 1: are so sexy on a woman. It's my favorite thing.

1214
01:05:24,000 --> 01:05:26,640
Speaker 1: And I want some, you know, solid arms for the wedding.

1215
01:05:26,800 --> 01:05:28,600
Speaker 1: And anytime I bring it up to someone, I get

1216
01:05:28,640 --> 01:05:31,320
Speaker 1: different versions of oh, got to fit into the dress,

1217
01:05:31,680 --> 01:05:34,120
Speaker 1: sweating for the dress. And I know that's such a

1218
01:05:34,200 --> 01:05:35,920
Speaker 1: common phrase, you know, you just kind of take it

1219
01:05:36,120 --> 01:05:39,160
Speaker 1: for granted. Don't that phrase? Freaking sucks. My dress is

1220
01:05:39,200 --> 01:05:40,840
Speaker 1: going to fit me because I'm going to pay people

1221
01:05:40,840 --> 01:05:43,160
Speaker 1: to make it fit me. I just want solid arms

1222
01:05:43,480 --> 01:05:46,560
Speaker 1: to look strong and sexy. So please show your work

1223
01:05:46,640 --> 01:05:50,440
Speaker 1: in your brain, talk to yourself politely. Work out your steaks. Girlfriend,

1224
01:05:50,480 --> 01:05:53,040
Speaker 1: Hell yeah, they're tiny, little scrunny sticks you having, You'll

1225
01:05:53,080 --> 01:05:55,720
Speaker 1: be just fine. Hey, Gandhi, what are you thinking about today?

1226
01:05:56,240 --> 01:05:59,360
Speaker 1: All right? I don't know if you guys realize Instagram

1227
01:05:59,480 --> 01:06:02,280
Speaker 1: brought back chronological order on your timeline. Did you guys

1228
01:06:02,320 --> 01:06:04,400
Speaker 1: see this? Did not see that? So you have to

1229
01:06:04,480 --> 01:06:06,760
Speaker 1: set it yourself. If you have the update for the

1230
01:06:06,840 --> 01:06:09,320
Speaker 1: Instagram app on your phone, update your phone. You go

1231
01:06:09,520 --> 01:06:12,920
Speaker 1: to the actual your timeline Up at the top left,

1232
01:06:13,000 --> 01:06:15,280
Speaker 1: it says Instagram and there's a little arrow. If you

1233
01:06:15,400 --> 01:06:18,760
Speaker 1: tap that arrow, you can choose between following or favorites.

1234
01:06:18,960 --> 01:06:21,840
Speaker 1: When you choose following, it puts everything in chronological order

1235
01:06:22,000 --> 01:06:24,440
Speaker 1: and you get the latest posts from Instagram. If you

1236
01:06:24,480 --> 01:06:26,640
Speaker 1: get a favorites, it stays the way it's been, which

1237
01:06:26,720 --> 01:06:28,640
Speaker 1: is it shows you the most popular things from the

1238
01:06:28,640 --> 01:06:30,480
Speaker 1: people you follow. But a lot of people didn't know that.

1239
01:06:30,560 --> 01:06:32,200
Speaker 1: I didn't know that until this weekend. I think it

1240
01:06:32,320 --> 01:06:34,560
Speaker 1: just happened. But if that interest you, go do it.

1241
01:06:34,680 --> 01:06:37,480
Speaker 1: Fix your timeline. Thank you, Gandhi. Oh you're so welcome.

1242
01:06:37,680 --> 01:06:40,120
Speaker 1: Fats are you? Hey? Scary? What's up with you today?

1243
01:06:40,320 --> 01:06:44,240
Speaker 1: Yelled reviews ruined my upcoming Easter dinner plans with my parents.

1244
01:06:44,440 --> 01:06:47,200
Speaker 1: I'm taking them out, and my father calls me with

1245
01:06:47,280 --> 01:06:51,080
Speaker 1: an intervention and goes, Anthony, about this place you want

1246
01:06:51,120 --> 01:06:53,600
Speaker 1: to take us too. It looks like it's for the

1247
01:06:53,800 --> 01:06:57,080
Speaker 1: jet set crowd. It's got all these negative reviews. I said,

1248
01:06:57,120 --> 01:06:59,120
Speaker 1: that's because people can't get in and they're a bunch

1249
01:06:59,120 --> 01:07:01,960
Speaker 1: of crawls. I said, don't listen to the yelp for

1250
01:07:02,080 --> 01:07:05,120
Speaker 1: views and the carns and my parents alike Anthony, we

1251
01:07:05,240 --> 01:07:08,120
Speaker 1: gotta go to a classic place that serves real. Also Buco.

1252
01:07:08,600 --> 01:07:10,840
Speaker 1: So now I'm taking them to a place that serves

1253
01:07:11,600 --> 01:07:16,360
Speaker 1: there's nothing wrong with It's like, it's like, screw well

1254
01:07:16,400 --> 01:07:18,160
Speaker 1: one place? Were you taking them to? What trendy place

1255
01:07:18,160 --> 01:07:23,200
Speaker 1: are you talking about? Harbone, Carbone, Carbone fabulous as far

1256
01:07:23,200 --> 01:07:29,439
Speaker 1: as it's fabulous time Day would whip up I bet

1257
01:07:29,520 --> 01:07:32,840
Speaker 1: you Mario Carbone would whip up a veal. Also Buco

1258
01:07:32,920 --> 01:07:36,040
Speaker 1: for your dad, I think, hey, straight, Nate, what's up

1259
01:07:36,080 --> 01:07:38,640
Speaker 1: with you today? All right, let me take this out

1260
01:07:38,680 --> 01:07:42,440
Speaker 1: here and take it off. What is your favorite candle? Smell?

1261
01:07:44,920 --> 01:07:51,960
Speaker 1: Uh stolen letter jacket? I don't heather. The label fell

1262
01:07:52,000 --> 01:07:53,640
Speaker 1: off of one of the candles. We can't figure out

1263
01:07:53,720 --> 01:07:57,160
Speaker 1: the smell, and it is so good and I don't

1264
01:07:57,200 --> 01:08:01,520
Speaker 1: know how to get another one, probably eucalyptus, it might be.

1265
01:08:01,880 --> 01:08:04,000
Speaker 1: It's got a ugly it's got a lavender smell. I

1266
01:08:04,040 --> 01:08:05,960
Speaker 1: don't know. It's a mixture of things. Is there a

1267
01:08:06,080 --> 01:08:08,120
Speaker 1: way that I can Is there like a lab I

1268
01:08:08,200 --> 01:08:09,880
Speaker 1: can tell you, you know how the make of it? No,

1269
01:08:10,200 --> 01:08:11,600
Speaker 1: it was one we got for free for a long

1270
01:08:12,040 --> 01:08:15,040
Speaker 1: ten years ago. You know what you should do is

1271
01:08:15,080 --> 01:08:17,280
Speaker 1: don't let that bother you. Just enjoy the rest of

1272
01:08:17,320 --> 01:08:22,200
Speaker 1: it and move on. Yeah. Actually it's a good point.

1273
01:08:22,200 --> 01:08:24,000
Speaker 1: Where did we let it? You know, burn out? Now?

1274
01:08:24,040 --> 01:08:27,479
Speaker 1: We're just burning it when we want that? Ate, Nate,

1275
01:08:27,840 --> 01:08:30,160
Speaker 1: what's wrong of you today? Nate? The whole world's crashing it. Well,

1276
01:08:30,320 --> 01:08:39,639
Speaker 1: we have a cure, the favor of the smell, Mary,

1277
01:08:39,920 --> 01:08:44,519
Speaker 1: get over it. Finally, our our guest and yet not

1278
01:08:44,640 --> 01:08:47,800
Speaker 1: a guest, our family member, roth shooter, anything but all

1279
01:08:47,800 --> 01:08:50,400
Speaker 1: of the above. What I felt a little bit stressed.

1280
01:08:50,439 --> 01:08:52,599
Speaker 1: I got a little overwhelmed with the amount of work.

1281
01:08:52,640 --> 01:08:55,519
Speaker 1: And I think people can can feel this sometimes he

1282
01:08:55,680 --> 01:08:57,640
Speaker 1: just all gets a little bit too much. And I

1283
01:08:57,720 --> 01:09:01,120
Speaker 1: said to myself this morning, I don't have to do this.

1284
01:09:01,800 --> 01:09:04,080
Speaker 1: I get to do it, and I'm the luckiest guy

1285
01:09:04,200 --> 01:09:06,040
Speaker 1: in the world. Here you go, and you can change

1286
01:09:06,080 --> 01:09:09,280
Speaker 1: the way you feel about your day, what you're doing,

1287
01:09:09,439 --> 01:09:12,639
Speaker 1: where you work by just remembering this is a great life.

1288
01:09:12,960 --> 01:09:15,400
Speaker 1: I don't have to do it. We have to remind

1289
01:09:15,479 --> 01:09:17,960
Speaker 1: ourselves of that all the time, and it's a shame

1290
01:09:18,000 --> 01:09:20,479
Speaker 1: we do. Yeah, I forget. I'm so used to doing it.

1291
01:09:20,560 --> 01:09:22,880
Speaker 1: We're so used to living our lives each day that

1292
01:09:23,000 --> 01:09:25,880
Speaker 1: we forget. It's a really great way to live your life.

1293
01:09:25,920 --> 01:09:28,439
Speaker 1: It really is. And now I appreciate it even more

1294
01:09:28,640 --> 01:09:35,439
Speaker 1: now that you know it's coming to an end. Birthday,

1295
01:09:38,080 --> 01:09:40,080
Speaker 1: no idea when it's time to walk away, you feel

1296
01:09:40,120 --> 01:09:43,920
Speaker 1: so great. Happy birthday. Thanks. Okay, So okay, So daniel

1297
01:09:43,960 --> 01:09:46,080
Speaker 1: your birthday. You're gonna be kidding. By the way, show's

1298
01:09:46,120 --> 01:09:50,040
Speaker 1: not over. Danielle's going out to lunch with your is

1299
01:09:50,200 --> 01:09:52,760
Speaker 1: her husband today in the city. We're not I think

1300
01:09:52,800 --> 01:09:54,639
Speaker 1: in Jersey. We're not going to have the beals reveal,

1301
01:09:54,680 --> 01:10:00,800
Speaker 1: sambuco whatever that thing. I don't need you and the husband,

1302
01:10:00,880 --> 01:10:06,400
Speaker 1: the children. It's a romantic lie. It's a romantic club afterwards.

1303
01:10:06,479 --> 01:10:10,760
Speaker 1: I don't know I do ever, So why would I

1304
01:10:10,880 --> 01:10:17,240
Speaker 1: tell you that you're used to Okay, I will tell you.

1305
01:10:17,760 --> 01:10:19,439
Speaker 1: I will take you back to a time when I

1306
01:10:19,560 --> 01:10:21,639
Speaker 1: met Sheldon and I thought, well, he's British, he must

1307
01:10:21,680 --> 01:10:25,000
Speaker 1: be gay. Yes, then I realize he's not. Damn you,

1308
01:10:25,320 --> 01:10:29,200
Speaker 1: I am gay. He was ridiculous. So anyway, so I said, okay, fine,

1309
01:10:29,960 --> 01:10:33,160
Speaker 1: I'll introduce him to Danielle. And then he and then

1310
01:10:33,240 --> 01:10:34,519
Speaker 1: how you know how he told me he was coming

1311
01:10:34,560 --> 01:10:36,400
Speaker 1: and see me. He goes, Hey, do me a favor.

1312
01:10:36,800 --> 01:10:39,000
Speaker 1: I got somebody I want you to meet. Dress it

1313
01:10:39,080 --> 01:10:43,560
Speaker 1: up a little trials, daniel try. I hope that that

1314
01:10:43,760 --> 01:10:46,639
Speaker 1: the outfit is in the Smiths and that did you keep?

1315
01:10:48,240 --> 01:10:52,240
Speaker 1: So Danielle Gandhi, it's the truth. And Danielle started dating

1316
01:10:52,280 --> 01:10:59,320
Speaker 1: Sheldon and she would come back with reports. Did you

1317
01:10:59,360 --> 01:11:01,800
Speaker 1: know why? You know? You were just so happy? Oh?

1318
01:11:02,080 --> 01:11:05,160
Speaker 1: What did I tell you? Please do tell I'm not

1319
01:11:05,200 --> 01:11:07,600
Speaker 1: gonna say that there did Ben. I didn't know that

1320
01:11:07,640 --> 01:11:10,200
Speaker 1: you were the matchmaker. I will take full credit. Yeah,

1321
01:11:10,360 --> 01:11:14,360
Speaker 1: he takes credit for everything. At the end of the day,

1322
01:11:14,400 --> 01:11:19,559
Speaker 1: he didn't want me. So I send thee. I don't

1323
01:11:19,600 --> 01:11:25,080
Speaker 1: know you had first asked about that. So Charlie Pooth

1324
01:11:25,200 --> 01:11:29,719
Speaker 1: is here, uh and they're still getting ready. He's performing

1325
01:11:29,800 --> 01:11:32,960
Speaker 1: he's gonna want and he what a tree you play?

1326
01:11:33,040 --> 01:11:35,360
Speaker 1: Do you play the piano? Right? Do very badly? But

1327
01:11:35,439 --> 01:11:37,040
Speaker 1: I have a broken arm, so I have to play

1328
01:11:37,080 --> 01:11:42,400
Speaker 1: the piano with one. That's okay. You're you're such a

1329
01:11:42,439 --> 01:11:45,880
Speaker 1: bass cleft boy, so okay. So one of the many

1330
01:11:46,080 --> 01:11:49,080
Speaker 1: many gifts that Charlie Pooth has is perfect pitch. You

1331
01:11:49,120 --> 01:11:51,400
Speaker 1: can play any note and he can tell you what noted.

1332
01:11:51,600 --> 01:11:53,800
Speaker 1: For instance, I will take my wedding ring. I will

1333
01:11:53,800 --> 01:11:59,080
Speaker 1: beat it on the steel lid of this class zoo bottle.

1334
01:12:01,520 --> 01:12:05,680
Speaker 1: That's a beach shot? Is that such a thing? What

1335
01:12:05,920 --> 01:12:08,080
Speaker 1: is it? A B? Sharp? Would be a C? You

1336
01:12:08,120 --> 01:12:18,479
Speaker 1: know that right, absolutely? Testing So you know it must

1337
01:12:18,560 --> 01:12:20,679
Speaker 1: drive him crazy because in a world where you're sitting

1338
01:12:20,680 --> 01:12:22,639
Speaker 1: in traffic and hearing horns honking, and then you walk

1339
01:12:22,680 --> 01:12:25,680
Speaker 1: to a park and a duck is quacking, you're like, oh,

1340
01:12:25,960 --> 01:12:29,519
Speaker 1: a beautiful duck bee flag. But if you watch his TikTok,

1341
01:12:29,720 --> 01:12:31,599
Speaker 1: he uses a lot of those sounds to make music.

1342
01:12:31,640 --> 01:12:34,080
Speaker 1: I he'll still hear heal something and the like the

1343
01:12:34,240 --> 01:12:37,439
Speaker 1: light switch then, and even when people talk, like you

1344
01:12:37,560 --> 01:12:39,800
Speaker 1: can hear what notes you talk. And we all have

1345
01:12:39,920 --> 01:12:42,840
Speaker 1: our own pictures and I and I and our voice,

1346
01:12:42,880 --> 01:12:45,360
Speaker 1: so he'll know how we even sound on the speak.

1347
01:12:45,400 --> 01:12:47,400
Speaker 1: He can't get away from it. That's the thing. He

1348
01:12:47,479 --> 01:12:49,360
Speaker 1: walks through life and he just sees notes in the air.

1349
01:12:50,720 --> 01:12:52,840
Speaker 1: Thank you, thank you so much for coming in today.

1350
01:12:53,439 --> 01:12:56,120
Speaker 1: Coming on. It's a lot of breakdown and happy birthday.

1351
01:12:56,160 --> 01:12:58,080
Speaker 1: I'm sorry it wasn't a stripper and you got me

1352
01:12:58,880 --> 01:13:05,879
Speaker 1: the okay problem. One last thought about the Will Smith's situation,

1353
01:13:06,320 --> 01:13:10,960
Speaker 1: and of course Chris Rock. Hollywood loves the meltdown, no

1354
01:13:11,080 --> 01:13:14,439
Speaker 1: doubt they do, but Hollywood also loves a comeback. That's right.

1355
01:13:14,600 --> 01:13:17,040
Speaker 1: If these two get together, I predict we're going to

1356
01:13:17,120 --> 01:13:20,639
Speaker 1: see these two together. Maybe it'll be having dinner, maybe

1357
01:13:20,720 --> 01:13:23,040
Speaker 1: walking through the park, and there might even be a

1358
01:13:23,080 --> 01:13:26,240
Speaker 1: photographer in the bushes. And I think if that happens,

1359
01:13:26,680 --> 01:13:28,920
Speaker 1: we want these to be friends, and we do. We

1360
01:13:29,000 --> 01:13:31,960
Speaker 1: want them to make up, kiss them, makeup and oscars

1361
01:13:32,000 --> 01:13:35,400
Speaker 1: together next year great maybe maybe not, maybe not, but

1362
01:13:35,680 --> 01:13:38,400
Speaker 1: always always keep in mind, you know, we're also fascinated

1363
01:13:38,439 --> 01:13:42,320
Speaker 1: with people who are celebrities and you think you know

1364
01:13:42,479 --> 01:13:44,840
Speaker 1: them and you don't you know, and they are living

1365
01:13:45,320 --> 01:13:48,519
Speaker 1: on a on a different plane where it's not reality.

1366
01:13:48,680 --> 01:13:50,960
Speaker 1: You know, it's you know they have people yessing them

1367
01:13:51,040 --> 01:13:53,920
Speaker 1: to death around them at all times, and so you

1368
01:13:54,000 --> 01:13:56,040
Speaker 1: know the fact that will Smith could do what he

1369
01:13:56,120 --> 01:13:58,599
Speaker 1: did at that award ceremony and then just went out

1370
01:13:58,600 --> 01:14:01,600
Speaker 1: and partied all night. I mean, at any moment was

1371
01:14:01,640 --> 01:14:03,920
Speaker 1: he asking himself, Hey, what did I do? This is?

1372
01:14:05,120 --> 01:14:07,880
Speaker 1: I think he he took longer for him to get

1373
01:14:07,960 --> 01:14:10,559
Speaker 1: to it than us when we do something really bad.

1374
01:14:10,720 --> 01:14:13,559
Speaker 1: I hope we know pretty fast. I think Willis got

1375
01:14:13,600 --> 01:14:16,240
Speaker 1: to that point today and that's why we got the apology.

1376
01:14:16,280 --> 01:14:18,479
Speaker 1: And I think moving forward they're going to make this right.

1377
01:14:18,720 --> 01:14:21,000
Speaker 1: I hope so, because you know what, he is very talented,

1378
01:14:21,200 --> 01:14:25,200
Speaker 1: very and he I'm he deserved that. Oscar did get

1379
01:14:25,200 --> 01:14:26,880
Speaker 1: the word. Rob, We love you, thank you for coming him,

1380
01:14:26,920 --> 01:14:30,120
Speaker 1: Happy birthday, Lovely to see you always follow Rob, Shooter,

1381
01:14:30,280 --> 01:14:33,880
Speaker 1: naughty but nice. The books book, what's the book called

1382
01:14:33,880 --> 01:14:37,559
Speaker 1: the Forward Answer? Forward Answer? Thank you very much? All right.

1383
01:14:37,960 --> 01:14:39,960
Speaker 1: I do believe there's a good chance Charlie Pooth is

1384
01:14:39,960 --> 01:14:45,439
Speaker 1: coming up next to help the birth of Danielle. Let's go,

1385
01:14:47,160 --> 01:14:49,080
Speaker 1: we should take a break before things get out of here.

1386
01:14:49,120 --> 01:14:52,640
Speaker 1: We'll be back after this. His voice is instantly recognizable.

1387
01:14:53,000 --> 01:14:55,760
Speaker 1: Mister Yan in the morning show. It's scary Jones. The

1388
01:14:55,760 --> 01:14:57,960
Speaker 1: good neighbors at State Farm believe you don't have to

1389
01:14:58,040 --> 01:15:00,760
Speaker 1: give up what you love for great insurance for surprisingly

1390
01:15:00,800 --> 01:15:03,400
Speaker 1: great rates, like a good neighbor, State Farm is there

1391
01:15:03,760 --> 01:15:05,479
Speaker 1: call or go to state farm dot com to get

1392
01:15:05,479 --> 01:15:26,519
Speaker 1: a quote. Today, you're talking into two different microphones. Well,

1393
01:15:26,560 --> 01:15:29,040
Speaker 1: no I'm not. I'm speaking and I was talking to

1394
01:15:29,080 --> 01:15:31,960
Speaker 1: the microphone. You told me to speak into anyone see him?

1395
01:15:31,960 --> 01:15:34,720
Speaker 1: Tell me to speak of this. Oh my gosh, we've

1396
01:15:34,760 --> 01:15:39,880
Speaker 1: got guests. We're having a complete how are you. We're

1397
01:15:39,880 --> 01:15:42,760
Speaker 1: having a meltdown in here. On meltdown always has two

1398
01:15:42,800 --> 01:15:46,320
Speaker 1: microphones in his face. One of them doesn't work. We're

1399
01:15:46,360 --> 01:15:51,040
Speaker 1: on the foul language. Okay, you have two microphones in

1400
01:15:51,120 --> 01:15:56,559
Speaker 1: your face now comments it's only a boy can dream

1401
01:15:58,280 --> 01:16:01,439
Speaker 1: this one. Okay, let's just use the one that works.

1402
01:16:01,520 --> 01:16:08,040
Speaker 1: That's about the right size. Okay, Wow, I got Charlie.

1403
01:16:08,560 --> 01:16:10,760
Speaker 1: I think it's lacking a little. To be honest, it's

1404
01:16:10,760 --> 01:16:14,800
Speaker 1: a perfect circumference. So this one's working. This one's working. Okay, Hi,

1405
01:16:14,960 --> 01:16:17,760
Speaker 1: Charlie Pooth. You know you go to all these big

1406
01:16:17,880 --> 01:16:21,040
Speaker 1: TV shows and productions and things are just like ironed out.

1407
01:16:21,080 --> 01:16:25,360
Speaker 1: You come into the mic like this. If that's and

1408
01:16:25,479 --> 01:16:27,799
Speaker 1: you come to this place and it's just complete meltdown,

1409
01:16:27,880 --> 01:16:30,519
Speaker 1: I'm so embarrassed. No, you shouldn't be embarrassed, you know,

1410
01:16:30,600 --> 01:16:34,200
Speaker 1: I'm not. It feels like your hair looks fantastic. Thank you.

1411
01:16:34,360 --> 01:16:37,479
Speaker 1: I actually had it done up to look good. Red

1412
01:16:37,520 --> 01:16:41,840
Speaker 1: your hand on the microphone for Big Daddy. Now we're

1413
01:16:41,880 --> 01:16:44,280
Speaker 1: not doing a radio show anymore. He's just getting the high.

1414
01:16:45,680 --> 01:16:48,120
Speaker 1: Not the first time he said that. By the way,

1415
01:16:48,240 --> 01:16:50,800
Speaker 1: don't flatter yourself. I'm not. I'm not keeping my hand

1416
01:16:50,880 --> 01:16:53,200
Speaker 1: like this. It's getty images are going to be Don't

1417
01:16:53,240 --> 01:16:56,040
Speaker 1: flatter yourself. Charlie. Hey, thank you for coming in today.

1418
01:16:56,120 --> 01:16:58,360
Speaker 1: This is a very special day. It's my pleasure for

1419
01:16:58,439 --> 01:17:00,679
Speaker 1: many reasons. First of all, having you here always special.

1420
01:17:01,080 --> 01:17:04,960
Speaker 1: And of course Daniel's birthdays today. That's that's right, happy birthday.

1421
01:17:05,000 --> 01:17:06,720
Speaker 1: Thank you. I got my birthday hug. When you walked

1422
01:17:06,720 --> 01:17:11,479
Speaker 1: into We're again, I did like a little side huge um.

1423
01:17:12,360 --> 01:17:15,040
Speaker 1: Does it drive you crazy walking through life and hearing

1424
01:17:15,160 --> 01:17:17,360
Speaker 1: notes all the time? And are you tired of talking

1425
01:17:17,400 --> 01:17:21,879
Speaker 1: about this phenomenon? Actually, just because I'm so addicted to TikTok,

1426
01:17:21,960 --> 01:17:23,720
Speaker 1: I just happened to open up in the first thing

1427
01:17:24,080 --> 01:17:27,560
Speaker 1: was can Charlie Pooth identify this car horn? And I

1428
01:17:27,600 --> 01:17:32,240
Speaker 1: just turned I just put my phone on airplane mode. Okay,

1429
01:17:32,280 --> 01:17:34,160
Speaker 1: are you drinking? No? No, no, no, this is my

1430
01:17:34,240 --> 01:17:37,320
Speaker 1: classo zuo. But you know I have my wedding ring

1431
01:17:37,360 --> 01:17:40,240
Speaker 1: on and listen the top is metal. So what it's

1432
01:17:40,280 --> 01:17:44,200
Speaker 1: like in between a flat and an a? Okay, so

1433
01:17:44,280 --> 01:17:47,600
Speaker 1: it's the first notice. Never mind. Oh fine, someone like

1434
01:17:47,880 --> 01:17:50,120
Speaker 1: you a major. That's the only note I'm gonna give

1435
01:17:50,120 --> 01:17:51,600
Speaker 1: you all day today. Are you could probably give me

1436
01:17:51,600 --> 01:17:54,000
Speaker 1: a munch of a unless unless you want this? What

1437
01:17:54,200 --> 01:17:58,000
Speaker 1: is this Tito's tin can? Yeah? Hold on, this is

1438
01:17:58,040 --> 01:18:05,920
Speaker 1: a Moscow mule. Okay, email like so an e E

1439
01:18:06,120 --> 01:18:10,000
Speaker 1: natural emajor. I just making this. I could just be

1440
01:18:10,080 --> 01:18:12,800
Speaker 1: making I know he can tell us anything. What do

1441
01:18:12,880 --> 01:18:17,120
Speaker 1: we know? Yeah, but I'm not. I'm we have there

1442
01:18:17,200 --> 01:18:22,360
Speaker 1: is an h sharp he looks. I just love following

1443
01:18:22,439 --> 01:18:25,600
Speaker 1: you on social and you're you're really so fun to

1444
01:18:25,680 --> 01:18:28,599
Speaker 1: watch what you've just found. Find any noise in nature

1445
01:18:28,640 --> 01:18:33,080
Speaker 1: and turn it into any piece of orchestratral magic that

1446
01:18:33,800 --> 01:18:37,280
Speaker 1: eloquently said. And I don't know what to um, I

1447
01:18:37,760 --> 01:18:40,960
Speaker 1: don't know what to upload on Instagram anymore because I'm

1448
01:18:41,000 --> 01:18:44,880
Speaker 1: just so used to like recording myself and like making videos,

1449
01:18:44,920 --> 01:18:47,439
Speaker 1: and because I just trying to prove that everything has

1450
01:18:47,479 --> 01:18:52,080
Speaker 1: tonality to it and everything can be a musical song. Yeah, okay,

1451
01:18:52,200 --> 01:18:54,240
Speaker 1: And it's so crazy like when we started playing lights,

1452
01:18:54,280 --> 01:18:56,920
Speaker 1: which my sixteen year old asked me, I've known about

1453
01:18:56,920 --> 01:18:59,320
Speaker 1: this forever. Why you know, Charlie Pooth on TikTok he

1454
01:18:59,479 --> 01:19:01,840
Speaker 1: took us to the entire process, and so I've known

1455
01:19:01,840 --> 01:19:03,679
Speaker 1: about this song for a long time. I'm like, oh, okay,

1456
01:19:04,040 --> 01:19:06,440
Speaker 1: there's a huge there seems to be a huge disconnect,

1457
01:19:06,600 --> 01:19:08,600
Speaker 1: but right now, because I went to when I was

1458
01:19:08,640 --> 01:19:11,240
Speaker 1: at NOBU last night, there was a group of like

1459
01:19:11,360 --> 01:19:14,280
Speaker 1: ten year old kids and like they all started singing

1460
01:19:14,320 --> 01:19:16,320
Speaker 1: the song to me in front of their parents, and

1461
01:19:16,800 --> 01:19:20,960
Speaker 1: and then there was a actually, there's no disconnect. The

1462
01:19:21,040 --> 01:19:23,519
Speaker 1: song is doing really really well. Because a seventy year

1463
01:19:23,560 --> 01:19:26,080
Speaker 1: old man then came up to me and said that

1464
01:19:26,160 --> 01:19:28,880
Speaker 1: he also liked the song. It's such a weird song.

1465
01:19:29,000 --> 01:19:31,599
Speaker 1: I never thought that people would resonate with this song

1466
01:19:31,760 --> 01:19:34,040
Speaker 1: so much, so I guess, you know, sometimes it's gonna

1467
01:19:34,040 --> 01:19:37,040
Speaker 1: be surprised people. People aren't paying attention. People are listening.

1468
01:19:37,080 --> 01:19:40,320
Speaker 1: They love your music. Yeah, it's The Lights, which actually

1469
01:19:40,560 --> 01:19:43,560
Speaker 1: sounds a lot like Stay for people that I don't know,

1470
01:19:43,640 --> 01:19:47,160
Speaker 1: because I've actually helped write Stay. So it's very It

1471
01:19:47,240 --> 01:19:52,400
Speaker 1: has like a similar little little bomb tempo. So you

1472
01:19:52,560 --> 01:19:54,240
Speaker 1: haven't been on the East Coast in a while, right,

1473
01:19:54,280 --> 01:19:56,240
Speaker 1: I mean, Charlie Pooth has been a West Coast boy,

1474
01:19:56,320 --> 01:19:58,080
Speaker 1: where s nice and warm and toasty. Welcome back to

1475
01:19:58,120 --> 01:20:01,400
Speaker 1: the Arctic. It's frigid side, but it's gonna be seventy

1476
01:20:01,520 --> 01:20:06,479
Speaker 1: on Thursday. I think, are you really having the weather conversation? Yeah? Yeah, yeah,

1477
01:20:06,520 --> 01:20:09,479
Speaker 1: we don't have anything about to talk about, but the

1478
01:20:09,560 --> 01:20:12,320
Speaker 1: observation I heard that you and your sister both made

1479
01:20:12,680 --> 01:20:15,880
Speaker 1: you come back to your home basically and all your

1480
01:20:15,960 --> 01:20:19,200
Speaker 1: friends have left. Oh, there's no one left anymore. It's

1481
01:20:19,240 --> 01:20:22,080
Speaker 1: it's one. I think a lot of Staten Island has

1482
01:20:22,160 --> 01:20:27,400
Speaker 1: moved to New Jersey where where I'm from in Mommoth County, right,

1483
01:20:27,479 --> 01:20:29,439
Speaker 1: So it's it's it's a lot different. It's a lot

1484
01:20:29,520 --> 01:20:32,800
Speaker 1: different now, but there's still some familiar aspects, like the

1485
01:20:33,360 --> 01:20:36,320
Speaker 1: sandwich shop is still there. Yeah, they still have the

1486
01:20:36,439 --> 01:20:40,120
Speaker 1: number eighteen. Watch on the number eighteen. Charlie It's wonderful.

1487
01:20:40,240 --> 01:20:43,759
Speaker 1: It's like cut up chicken, a little bit of bacon,

1488
01:20:44,479 --> 01:20:46,760
Speaker 1: hunting mustard and like that. You got to get the

1489
01:20:46,840 --> 01:20:51,240
Speaker 1: bun toasted and a d C. They stay die cooked. Okay, yeah, yeah,

1490
01:20:51,920 --> 01:20:59,840
Speaker 1: they come through with the DC A cuisine. I love

1491
01:21:01,640 --> 01:21:07,880
Speaker 1: you know about the DC character, cousin. Are you one

1492
01:21:07,960 --> 01:21:09,640
Speaker 1: with the TikTok? Are you? Are you? Are you one

1493
01:21:09,720 --> 01:21:12,080
Speaker 1: with the Do you know what we're talking about? Where

1494
01:21:12,520 --> 01:21:15,640
Speaker 1: all these personalities that we find are on TikTok? You

1495
01:21:15,760 --> 01:21:19,280
Speaker 1: look at me like I'm from prehistoric days. No, no,

1496
01:21:19,560 --> 01:21:21,080
Speaker 1: I don't think I've been. I've been listening to you

1497
01:21:21,160 --> 01:21:23,640
Speaker 1: for a very long time, but you're definitely up with

1498
01:21:23,760 --> 01:21:26,800
Speaker 1: the times. You're not of prehistoric days. That's right, Charles, Yes,

1499
01:21:28,520 --> 01:21:30,280
Speaker 1: what he calls me Charling. Can we talk about your

1500
01:21:30,360 --> 01:21:32,680
Speaker 1: next single that's coming out and how emotional you were

1501
01:21:32,760 --> 01:21:34,240
Speaker 1: the other day? All I wanted to do is reach

1502
01:21:34,360 --> 01:21:36,439
Speaker 1: into my my social media and give you a big

1503
01:21:36,520 --> 01:21:39,519
Speaker 1: hue talk. We have the sound can pull. Oh boy, wait,

1504
01:21:39,560 --> 01:21:42,040
Speaker 1: I'm gonna just put my headphones. I'm gonna put my

1505
01:21:42,080 --> 01:21:45,040
Speaker 1: headphones behind. No no, no, if you're uncomfortable, no, I

1506
01:21:45,080 --> 01:21:46,840
Speaker 1: don't mind. I don't want to trigger you. No, let's

1507
01:21:46,880 --> 01:21:48,720
Speaker 1: make everyone cry. I don't want to trigger you, no,

1508
01:21:48,960 --> 01:21:52,760
Speaker 1: because I do believe when you went through ut A

1509
01:21:52,840 --> 01:21:54,200
Speaker 1: lot of people, a lot of us have gone through

1510
01:21:54,280 --> 01:21:57,639
Speaker 1: emotional times in our lives, and I think I remember

1511
01:21:57,680 --> 01:22:00,680
Speaker 1: when you were going through these. Yeah, Well, I was

1512
01:22:00,760 --> 01:22:03,160
Speaker 1: gonna go with another song and I want people to know,

1513
01:22:03,720 --> 01:22:06,240
Speaker 1: um everything about like the song releases and what's going

1514
01:22:06,280 --> 01:22:09,479
Speaker 1: to come next, etc. And everything. And I was gonna

1515
01:22:09,479 --> 01:22:11,960
Speaker 1: go with this other song that didn't. Uh, it's a

1516
01:22:12,040 --> 01:22:14,240
Speaker 1: really good song, it just didn't have like the emotional

1517
01:22:14,360 --> 01:22:16,640
Speaker 1: sentiment and with it and Lights, which is such a

1518
01:22:16,720 --> 01:22:19,719
Speaker 1: fund be kind of record that I think I felt

1519
01:22:19,760 --> 01:22:22,400
Speaker 1: it was important to kind of put something emotional out

1520
01:22:22,439 --> 01:22:24,680
Speaker 1: to kind of maybe balance it out. And I was

1521
01:22:24,680 --> 01:22:27,479
Speaker 1: thinking to myself, maybe people don't have any idea where

1522
01:22:27,560 --> 01:22:29,519
Speaker 1: this song is coming from, I better tell them. And

1523
01:22:29,640 --> 01:22:31,600
Speaker 1: then when I was just I just was going to

1524
01:22:31,640 --> 01:22:34,600
Speaker 1: make a little simple explanation talking about like what the

1525
01:22:34,680 --> 01:22:37,439
Speaker 1: song meant. And then the water works happened. And it's

1526
01:22:37,520 --> 01:22:40,679
Speaker 1: great that never happened. But never never have a problem

1527
01:22:40,760 --> 01:22:42,960
Speaker 1: with that. I'm very good at hiding my emotions. I

1528
01:22:43,040 --> 01:22:45,080
Speaker 1: keep them in the music. No, you always show anger

1529
01:22:45,120 --> 01:22:51,599
Speaker 1: when you come see us or disappointment something I've grown

1530
01:22:51,640 --> 01:22:53,960
Speaker 1: up listening to all my life, and just a different

1531
01:22:54,000 --> 01:22:59,599
Speaker 1: type of crying. What show was this, Jimmy, I told

1532
01:22:59,640 --> 01:23:03,080
Speaker 1: people what happened to me and the pain that I

1533
01:23:03,160 --> 01:23:06,880
Speaker 1: went first breakup of my life. But this is the

1534
01:23:07,000 --> 01:23:09,560
Speaker 1: hardest song that I ever had to put together, and

1535
01:23:09,640 --> 01:23:12,240
Speaker 1: I'm so excited for you to hear it now why

1536
01:23:12,439 --> 01:23:15,800
Speaker 1: I was sad, It's okay, I don't listen. I don't know.

1537
01:23:15,880 --> 01:23:19,400
Speaker 1: I'm very emotionally like weird. I don't I put everything.

1538
01:23:20,000 --> 01:23:21,439
Speaker 1: A lot of people don't notice about me, but I

1539
01:23:21,520 --> 01:23:24,040
Speaker 1: put everything into my music. I hide it all in melody.

1540
01:23:24,160 --> 01:23:25,960
Speaker 1: So it's very rare that you're gonna get me like that.

1541
01:23:26,439 --> 01:23:29,439
Speaker 1: So I can't even like listen to myself, like you

1542
01:23:29,520 --> 01:23:31,880
Speaker 1: know what we're getting from this because it really isn't

1543
01:23:31,880 --> 01:23:36,639
Speaker 1: about you. It's about me. Is no in all candor,

1544
01:23:37,640 --> 01:23:40,280
Speaker 1: we were getting you, you know, And when we we

1545
01:23:40,439 --> 01:23:44,640
Speaker 1: hear emotion describing a song that's emotional, okay, there's a

1546
01:23:44,680 --> 01:23:46,760
Speaker 1: lot of honesty there and there's there's no better way

1547
01:23:46,760 --> 01:23:49,439
Speaker 1: to connect. At the same time, you are opening yourself

1548
01:23:49,520 --> 01:23:53,080
Speaker 1: up to a billion people who don't deserve to know

1549
01:23:53,360 --> 01:23:56,120
Speaker 1: the private you well, I mean, well for everyone listening,

1550
01:23:56,200 --> 01:23:58,160
Speaker 1: that song is going to be called That's hilarious, and

1551
01:23:58,200 --> 01:23:59,960
Speaker 1: it'll it's going to be for the fans. I mean,

1552
01:24:00,120 --> 01:24:02,240
Speaker 1: light Switch is still I think it just jumped four

1553
01:24:02,320 --> 01:24:04,200
Speaker 1: spots up of the Hot one hundred today, So thanks

1554
01:24:04,240 --> 01:24:07,160
Speaker 1: for playing you know of us, And I think while

1555
01:24:07,280 --> 01:24:10,439
Speaker 1: that song goes out, it's it's important to kind of

1556
01:24:10,600 --> 01:24:13,160
Speaker 1: show the songs that are going to emotionally shape the

1557
01:24:13,240 --> 01:24:15,640
Speaker 1: album as well as long as the fun songs. How

1558
01:24:15,680 --> 01:24:17,560
Speaker 1: many songs are in your arsenal that will never be

1559
01:24:17,640 --> 01:24:20,080
Speaker 1: released because you know, no I needed to write it,

1560
01:24:20,120 --> 01:24:21,960
Speaker 1: but I don't want anyone to hear that. Well, I mean,

1561
01:24:22,280 --> 01:24:26,720
Speaker 1: everybody doesn't see or hear the songs that don't make

1562
01:24:26,800 --> 01:24:29,800
Speaker 1: the tiktoks. I make about ten songs and most of

1563
01:24:29,840 --> 01:24:32,040
Speaker 1: you know, nine of them are garbage, and then one

1564
01:24:32,160 --> 01:24:34,160
Speaker 1: ends up being good. One of those was light Switch.

1565
01:24:34,760 --> 01:24:36,320
Speaker 1: What's the album that we wanted him to put out?

1566
01:24:36,360 --> 01:24:40,200
Speaker 1: The garbage album put out in Charlie Pooth garbage, Charlie's Garbage,

1567
01:24:40,600 --> 01:24:45,920
Speaker 1: just Charlie's garbage. Yeah, the crappy throughout. Yeah, I love that.

1568
01:24:46,680 --> 01:24:49,280
Speaker 1: It's the slogan of the crappy throughout. I think it's

1569
01:24:49,320 --> 01:24:54,200
Speaker 1: worth the actual CD smells. Do people buy CDs anymore?

1570
01:24:54,240 --> 01:24:58,599
Speaker 1: Oh god, I just dated myself. Charlie Pooth is here,

1571
01:24:58,680 --> 01:25:01,160
Speaker 1: of course, light switch in a song. He's going to

1572
01:25:01,200 --> 01:25:03,479
Speaker 1: sing first in a moment. Yeah, that he may or

1573
01:25:03,560 --> 01:25:07,880
Speaker 1: may not have mentioned already in this interview. Um, should

1574
01:25:07,880 --> 01:25:09,800
Speaker 1: we go? Should we like take a break? Let him go,

1575
01:25:09,880 --> 01:25:15,320
Speaker 1: tune up or whatever you want? Give him five more microphones?

1576
01:25:16,640 --> 01:25:23,800
Speaker 1: Show this one's flesh colored. Can you imagine if you

1577
01:25:23,880 --> 01:25:28,240
Speaker 1: had a microphone that was skin color? Well, skin comes

1578
01:25:28,280 --> 01:25:32,120
Speaker 1: in many different shapes, you know. Yeah, I know, and

1579
01:25:32,320 --> 01:25:36,280
Speaker 1: I don't know, but I guess I know. You know,

1580
01:25:36,760 --> 01:25:40,000
Speaker 1: we all know. We're all adults here. We can say

1581
01:25:40,120 --> 01:25:43,960
Speaker 1: say penis. Say it penis. Do you remember the first

1582
01:25:44,000 --> 01:25:45,880
Speaker 1: time you were here you got so excited because that

1583
01:25:46,000 --> 01:25:47,679
Speaker 1: was one of the words we were allowed to say, penis?

1584
01:25:47,840 --> 01:25:49,360
Speaker 1: I know, was that like a that was like a

1585
01:25:49,479 --> 01:25:51,880
Speaker 1: recent thing. I don't know if that would make a

1586
01:25:51,920 --> 01:25:54,880
Speaker 1: headline nowadays. I think it's a bit anticlimactic. Now people

1587
01:25:55,200 --> 01:26:00,960
Speaker 1: can say penis everywhere, Yeah, penis, penis. You won't find

1588
01:26:01,000 --> 01:26:08,280
Speaker 1: that way. You prefer what Inger Dinger? Who says Dinger Gandhi,

1589
01:26:08,479 --> 01:26:12,680
Speaker 1: she's the worst words for the male appendage. Try to

1590
01:26:12,720 --> 01:26:15,600
Speaker 1: make it as unromantic attractive as possible. Oh, you know what,

1591
01:26:15,640 --> 01:26:18,320
Speaker 1: you want to watch Gandhi basically vomit in her mouth.

1592
01:26:18,360 --> 01:26:21,080
Speaker 1: Watch this. I want Charlie to write a song about

1593
01:26:21,160 --> 01:26:28,840
Speaker 1: making love love. Oh, the term making love, it just

1594
01:26:28,960 --> 01:26:32,040
Speaker 1: sounds like something done in like the two hundreds. I

1595
01:26:32,040 --> 01:26:40,679
Speaker 1: don't know. Panties, these are such a gross word. I yeah, yeah, yeah,

1596
01:26:40,680 --> 01:26:42,360
Speaker 1: I know what you mean. You know what the challenges.

1597
01:26:42,920 --> 01:26:44,519
Speaker 1: I want you to write a song that includes the

1598
01:26:44,680 --> 01:26:50,400
Speaker 1: terms making love and panties. I mean, anything can be done,

1599
01:26:50,520 --> 01:26:52,960
Speaker 1: but I don't necessarily want can take time with it.

1600
01:26:53,800 --> 01:26:58,040
Speaker 1: Please don't add the word moist in there. Just going

1601
01:26:58,120 --> 01:27:00,280
Speaker 1: down the list of all this is where the show

1602
01:27:00,320 --> 01:27:03,040
Speaker 1: starts dog piling, where you have to like Rea gets canceled.

1603
01:27:03,320 --> 01:27:08,400
Speaker 1: Let's talk about like baby ducks or something. Anyway, So okay,

1604
01:27:08,439 --> 01:27:10,759
Speaker 1: you're out of the road. You're you're obviously pushing something.

1605
01:27:10,880 --> 01:27:17,040
Speaker 1: You're No one comes here unless they want something. Would

1606
01:27:17,160 --> 01:27:18,760
Speaker 1: you wouldn't wake up and come over here just because

1607
01:27:18,800 --> 01:27:20,760
Speaker 1: you like us? Nah? I need tell you know I

1608
01:27:21,320 --> 01:27:23,479
Speaker 1: love I wanted to wish you a happy birthday and

1609
01:27:23,760 --> 01:27:26,000
Speaker 1: it's always great to see you, and you know those

1610
01:27:26,120 --> 01:27:28,240
Speaker 1: that's just ten more spins on light switch and we're

1611
01:27:28,280 --> 01:27:32,040
Speaker 1: gonna be all We're gonna be all said, is that

1612
01:27:32,160 --> 01:27:35,360
Speaker 1: what it is? Our relationship is based on the spins?

1613
01:27:35,479 --> 01:27:38,320
Speaker 1: I can go it actually is not. It's very I

1614
01:27:38,720 --> 01:27:41,720
Speaker 1: really do forget that. I am working technically, you know,

1615
01:27:41,920 --> 01:27:44,800
Speaker 1: working with quotes around everything, because not only have I listened,

1616
01:27:44,800 --> 01:27:46,640
Speaker 1: I'm a broken record. I always say the same thing

1617
01:27:46,720 --> 01:27:48,320
Speaker 1: every time I'm on the show. I've listened to you

1618
01:27:48,320 --> 01:27:50,320
Speaker 1: all my life. And I get to come here and

1619
01:27:50,560 --> 01:27:54,720
Speaker 1: you know, just be mildly disappointed but everyone's behavior, but

1620
01:27:55,000 --> 01:27:58,719
Speaker 1: it's still it's still a wonderful experience. And the hotel

1621
01:27:58,880 --> 01:28:00,760
Speaker 1: is right down the street, and then it being like

1622
01:28:00,880 --> 01:28:04,840
Speaker 1: the arctic winter outside, it's very nice to come over here. Wow,

1623
01:28:04,920 --> 01:28:08,519
Speaker 1: that paints quite a rosy picture that. Yeah, it was.

1624
01:28:09,000 --> 01:28:12,840
Speaker 1: It was very body. Look, you know, from our point

1625
01:28:12,880 --> 01:28:14,800
Speaker 1: of view, not that it matters, but it does. It's

1626
01:28:14,840 --> 01:28:17,240
Speaker 1: so great to have friends come back in again, you know,

1627
01:28:17,360 --> 01:28:19,400
Speaker 1: And I'm starting to say come to the city more.

1628
01:28:19,600 --> 01:28:21,880
Speaker 1: And yeah, just like then, I of course, as soon

1629
01:28:21,880 --> 01:28:23,759
Speaker 1: as the show's over, I shoot out the home tonel

1630
01:28:23,760 --> 01:28:26,519
Speaker 1: like a cannonball. Do you guys still have the same

1631
01:28:26,640 --> 01:28:29,519
Speaker 1: jingles and everything? I haven't really been listening to the

1632
01:28:29,880 --> 01:28:32,680
Speaker 1: actual station because I'm out in la Um, but it

1633
01:28:32,760 --> 01:28:35,400
Speaker 1: explains the tan. Yeah. Well, I mean I don't I

1634
01:28:35,560 --> 01:28:41,120
Speaker 1: have frost burn. Do we play jingles anymore? We do?

1635
01:28:41,960 --> 01:28:45,880
Speaker 1: In the bring the old? Do you play Z one hundred?

1636
01:28:48,040 --> 01:28:50,040
Speaker 1: I'll give you some old jingles? I give it. Do

1637
01:28:50,120 --> 01:28:52,439
Speaker 1: you have the old ones? In the arsenal? You have

1638
01:28:52,600 --> 01:28:57,400
Speaker 1: Windows ninety eight on that computer. We are jingles, you guys.

1639
01:28:57,800 --> 01:29:02,840
Speaker 1: It updated your computers. It's like the it's like it's

1640
01:29:02,960 --> 01:29:05,439
Speaker 1: like try it's has the Remember when you get the

1641
01:29:05,520 --> 01:29:10,519
Speaker 1: AO L CDs at the post office. That's what that

1642
01:29:10,640 --> 01:29:13,600
Speaker 1: computer looks like over there. We're using compuser. Alright, I

1643
01:29:13,600 --> 01:29:17,040
Speaker 1: feel like I'm being really mean. Do you have Daniel's birthday? No?

1644
01:29:17,160 --> 01:29:19,120
Speaker 1: I'm used to you're being mean. I love it. I

1645
01:29:19,280 --> 01:29:21,840
Speaker 1: love the abuse pooth. I've heard that. Here we go.

1646
01:29:21,960 --> 01:29:26,160
Speaker 1: What do you have here? That's light switch? I don't know?

1647
01:29:26,439 --> 01:29:30,200
Speaker 1: I mean, yes, Let let that be the jingle? Play

1648
01:29:30,280 --> 01:29:38,720
Speaker 1: it every hour? What a wonderful jingle. Wow, you were

1649
01:29:38,760 --> 01:29:40,559
Speaker 1: in high school and that was a two thou that's

1650
01:29:40,560 --> 01:29:48,880
Speaker 1: a two thousand and six two thousand and seven, Speed

1651
01:29:49,280 --> 01:29:53,920
Speaker 1: a hot rocking. See what I feel like I'm about

1652
01:29:53,920 --> 01:29:56,040
Speaker 1: to hear the all American rejects her right now or something.

1653
01:29:57,600 --> 01:29:59,360
Speaker 1: You see, I've been doing this business since I was

1654
01:29:59,400 --> 01:30:02,920
Speaker 1: a kid. I've never understood the need for people to

1655
01:30:03,160 --> 01:30:05,400
Speaker 1: sing the call letters of the radio. It's just like,

1656
01:30:05,680 --> 01:30:09,000
Speaker 1: what are you doing? It's like what a year? W htz?

1657
01:30:09,439 --> 01:30:13,920
Speaker 1: It kind of falls off the tongue though, where's that an?

1658
01:30:14,200 --> 01:30:20,400
Speaker 1: What's this one? Here? He comes from the top of

1659
01:30:20,520 --> 01:30:26,599
Speaker 1: the Empire State buildings, held this Duran. That guy's dead.

1660
01:30:29,240 --> 01:30:32,640
Speaker 1: How old is that one? Old one? That guy's him

1661
01:30:32,760 --> 01:30:35,280
Speaker 1: is Ernie Anderson. He used to do all of abctvs,

1662
01:30:35,280 --> 01:30:39,040
Speaker 1: all the network stuff today? Is that guy? Oh? Okay, well,

1663
01:30:39,080 --> 01:30:41,720
Speaker 1: God rest his soul. You know what he did. It's

1664
01:30:41,760 --> 01:30:43,679
Speaker 1: kind of funny. A friend of mine started a company

1665
01:30:43,840 --> 01:30:47,120
Speaker 1: and this guy, Ernie Anderson, had read so many words

1666
01:30:47,160 --> 01:30:48,720
Speaker 1: and so many lines for so many clients for so

1667
01:30:48,720 --> 01:30:51,840
Speaker 1: many years. They just used them all, and even atry died,

1668
01:30:51,920 --> 01:30:54,800
Speaker 1: they could produce things with him talking to you. Isn't

1669
01:30:54,840 --> 01:30:56,880
Speaker 1: that great? He's probably rolling over in his grave and

1670
01:30:56,920 --> 01:30:58,960
Speaker 1: he's like, I never meant to put that infliction on

1671
01:30:59,120 --> 01:31:02,519
Speaker 1: that as he's a mean guy. He's okay, well he's

1672
01:31:02,520 --> 01:31:08,360
Speaker 1: a dead ann he was mean. Oh you know who's

1673
01:31:08,360 --> 01:31:10,080
Speaker 1: a great voice. Where's the thost time you went to

1674
01:31:10,200 --> 01:31:13,240
Speaker 1: Disneyland or Disney World. I can't go anywhere anymore, but

1675
01:31:13,880 --> 01:31:16,000
Speaker 1: I haven't been to Disneyland in a long time. Remember

1676
01:31:16,040 --> 01:31:22,280
Speaker 1: the Haunted Mansion? Yes, when two thousand and sixes when

1677
01:31:22,280 --> 01:31:24,080
Speaker 1: I went to the Haunted Mansion? Do you remember that

1678
01:31:24,160 --> 01:31:26,679
Speaker 1: guy when you walk into the elevator in the beginning, Hello,

1679
01:31:27,360 --> 01:31:29,320
Speaker 1: where is he? I think I just left. I actually

1680
01:31:29,400 --> 01:31:31,599
Speaker 1: think the ride broke down and I never really got

1681
01:31:31,680 --> 01:31:41,800
Speaker 1: to complete my This is this is recording session. Welcome, Welcome, Welcome,

1682
01:31:42,160 --> 01:31:47,200
Speaker 1: foolish Mortals to the Haunted Mansion. They still play that

1683
01:31:47,280 --> 01:31:49,400
Speaker 1: today real, So just let you know what you're missing

1684
01:31:49,439 --> 01:31:51,200
Speaker 1: out on because you're Charlieooth. You can't go to Disney

1685
01:31:51,200 --> 01:31:53,120
Speaker 1: World and imagine waking up to that. Hey do you

1686
01:31:53,840 --> 01:31:56,479
Speaker 1: do you? Yes? Do you really? Can you like put

1687
01:31:56,520 --> 01:31:58,720
Speaker 1: a hat on in some like Groucho Marx classes and

1688
01:31:58,800 --> 01:32:02,320
Speaker 1: like go somewhere. It is it is out of control now.

1689
01:32:02,479 --> 01:32:05,240
Speaker 1: So since I've seen you last, it's it's gotten like

1690
01:32:05,360 --> 01:32:07,320
Speaker 1: a hundred times worse. It's a good thing or a

1691
01:32:07,360 --> 01:32:09,400
Speaker 1: bad thing. It's a it's a good thing, and that

1692
01:32:09,680 --> 01:32:11,519
Speaker 1: I feel like I'm doing a good job at what

1693
01:32:11,640 --> 01:32:13,760
Speaker 1: I do and you guys are helping me spread out

1694
01:32:13,760 --> 01:32:17,479
Speaker 1: the good word of my music. But it really the

1695
01:32:17,840 --> 01:32:21,519
Speaker 1: celebrity thing I'm never gonna get right. I'm never gonna

1696
01:32:21,560 --> 01:32:23,479
Speaker 1: get used to because I came into this just being

1697
01:32:23,520 --> 01:32:26,599
Speaker 1: a songwriter and thinking I was just gonna write songs.

1698
01:32:26,640 --> 01:32:28,280
Speaker 1: But I never thought I'd be the face of it all.

1699
01:32:28,320 --> 01:32:31,240
Speaker 1: So it's it's actually gotten so so bad that I

1700
01:32:31,680 --> 01:32:33,559
Speaker 1: kind of just like, sit in my hotel room. It's

1701
01:32:33,600 --> 01:32:35,320
Speaker 1: pretty sad. That's why you have to get the best

1702
01:32:35,360 --> 01:32:37,800
Speaker 1: hotel room. Well there's a you know something. There's great

1703
01:32:37,840 --> 01:32:39,800
Speaker 1: hotel bars. You find out a lot about you know,

1704
01:32:40,479 --> 01:32:43,479
Speaker 1: being alone, and you know how many you're alone with

1705
01:32:43,520 --> 01:32:45,479
Speaker 1: your thoughts. That's how I made this whole album. Wow.

1706
01:32:45,760 --> 01:32:47,439
Speaker 1: You know, one day, because this has happened to me,

1707
01:32:47,479 --> 01:32:51,719
Speaker 1: You're gonna walk down the street. No one's gonna say anything, Stop,

1708
01:32:54,600 --> 01:32:59,720
Speaker 1: who's that guy? Remember that guy? Charlie picture Elvis? And

1709
01:32:59,800 --> 01:33:02,200
Speaker 1: they thought you were somebody else. And then afterwards they

1710
01:33:02,240 --> 01:33:04,240
Speaker 1: were like, oh no, you're not happy. It happens what

1711
01:33:05,479 --> 01:33:08,960
Speaker 1: you were she makes crap up that listening. No, look

1712
01:33:09,560 --> 01:33:12,560
Speaker 1: you uh, it must be really tough. I mean just

1713
01:33:12,680 --> 01:33:14,679
Speaker 1: wanting to go and just walk through a mall or something.

1714
01:33:15,360 --> 01:33:19,839
Speaker 1: New Yorkers are respectful, but it's it's it's very interesting

1715
01:33:19,960 --> 01:33:23,400
Speaker 1: going everywhere else. New Yorkers have so much on their mind.

1716
01:33:23,479 --> 01:33:26,960
Speaker 1: They just don't really ultimately, you know, care too much.

1717
01:33:27,080 --> 01:33:31,160
Speaker 1: But they shouldn't. But for whatever reason, everywhere else, it's

1718
01:33:31,200 --> 01:33:34,040
Speaker 1: just like the mat the hysteria. It doesn't have to

1719
01:33:34,120 --> 01:33:38,040
Speaker 1: be like that. And I I'm always the fire extinguisher

1720
01:33:38,200 --> 01:33:40,360
Speaker 1: every time like someone's like super excited, I'm like, just

1721
01:33:40,560 --> 01:33:44,760
Speaker 1: lower your expectations. The two is just name a bunch

1722
01:33:44,800 --> 01:33:48,799
Speaker 1: of notes, never gonna go. It's like pull put yourself together,

1723
01:33:49,560 --> 01:33:52,519
Speaker 1: play yourself together. I'm just kidding. I'm pretty cool. You're

1724
01:33:52,640 --> 01:33:56,040
Speaker 1: very cool. Hey, um okay, let's let's get to some music.

1725
01:33:56,160 --> 01:33:59,920
Speaker 1: We had the fun, the funds, the Fellowship, the three fs.

1726
01:34:00,040 --> 01:34:02,000
Speaker 1: We've had the fun. We've had it all. Yeah, the

1727
01:34:02,120 --> 01:34:08,360
Speaker 1: three This is why they don't pay attention anymore. So

1728
01:34:08,600 --> 01:34:10,760
Speaker 1: there's a keyboard. There's a keyboard set up out there.

1729
01:34:10,880 --> 01:34:13,599
Speaker 1: There is Yeah, it could I know that. You didn't

1730
01:34:13,640 --> 01:34:15,720
Speaker 1: plan it. We just put it there in hopes that

1731
01:34:15,800 --> 01:34:17,519
Speaker 1: you would use it. Well. I was going to start

1732
01:34:17,560 --> 01:34:19,600
Speaker 1: off with it first, but my sound guy had his

1733
01:34:19,760 --> 01:34:22,240
Speaker 1: uber breakdown, so we had to like do this first.

1734
01:34:22,400 --> 01:34:24,360
Speaker 1: And what uber breakdown does it mean? Like a really

1735
01:34:24,439 --> 01:34:26,680
Speaker 1: bad breakdown or a breakdown from a car that you

1736
01:34:26,760 --> 01:34:29,160
Speaker 1: read the uber was crying. The uber car was crying

1737
01:34:29,240 --> 01:34:35,160
Speaker 1: more than me in that TikTok video together. It was

1738
01:34:35,280 --> 01:34:39,160
Speaker 1: breaking down on Happy Birthday on Nate just sent me

1739
01:34:39,200 --> 01:34:43,120
Speaker 1: a note. One key is electrified. What I don't know?

1740
01:34:43,320 --> 01:34:46,080
Speaker 1: Oh yeah, one key is metal and it will shock

1741
01:34:46,120 --> 01:34:50,720
Speaker 1: you if you did. Y'all actually do this, yes, because

1742
01:34:50,720 --> 01:34:53,160
Speaker 1: I wanted because I wanted to sing the Stay that

1743
01:34:53,240 --> 01:34:55,120
Speaker 1: the kid the roy and it's kind of I was

1744
01:34:55,160 --> 01:34:56,960
Speaker 1: gonna do it in like a little bit of like

1745
01:34:57,040 --> 01:34:59,200
Speaker 1: a Ballady kind of thing. But if you're gonna shock

1746
01:34:59,280 --> 01:35:01,760
Speaker 1: me and you're not to shock you, turn off the

1747
01:35:01,800 --> 01:35:03,960
Speaker 1: electric key. And by the way, you just ruined us

1748
01:35:04,080 --> 01:35:06,760
Speaker 1: your surprise. Oh that was it was this supposed to

1749
01:35:06,760 --> 01:35:10,880
Speaker 1: be a surprise, Okay, surprise, right, Charlie Pooth. We're gonna

1750
01:35:10,880 --> 01:35:13,240
Speaker 1: take a break, okay, and he's gonna do Stay for

1751
01:35:13,360 --> 01:35:16,560
Speaker 1: you and for all Happy Birthday, the one of the

1752
01:35:16,680 --> 01:35:22,240
Speaker 1: saddest songs I've ever read. And then we're gonna give

1753
01:35:22,320 --> 01:35:25,000
Speaker 1: him a spin for light Switch to pay him back. Wow,

1754
01:35:26,280 --> 01:35:29,559
Speaker 1: I call it even Stephens. And there's gonna be happy

1755
01:35:32,000 --> 01:35:34,360
Speaker 1: for everybody that doesn't know. That's someone who's happy when

1756
01:35:34,520 --> 01:35:37,439
Speaker 1: she hears us. Okay, very nice. It's always a pleasure

1757
01:35:37,439 --> 01:35:42,240
Speaker 1: to have Charlie Pooth in our mid mid mid. It's

1758
01:35:42,240 --> 01:35:44,960
Speaker 1: a hard word to say. Microphone's popping up everywhere. As

1759
01:35:45,000 --> 01:35:47,680
Speaker 1: I always say, every time you're here, you always have

1760
01:35:47,760 --> 01:35:49,479
Speaker 1: a seat at our table, and we love you. I

1761
01:35:49,560 --> 01:35:51,519
Speaker 1: love you all very much. And now there's a microphone

1762
01:35:51,600 --> 01:35:56,040
Speaker 1: under my chair. I don't know how that I want

1763
01:35:56,080 --> 01:35:59,880
Speaker 1: that back. Okay, let's take the break. Let's take char

1764
01:36:00,040 --> 01:36:08,879
Speaker 1: Charlie Pooth live for you. Coming up after this, Elvis

1765
01:36:09,000 --> 01:36:13,679
Speaker 1: duran in the Morning Show, Follow me, follow us, Elvis

1766
01:36:13,760 --> 01:36:16,720
Speaker 1: Durant Bran in the Morning Show. So I just had

1767
01:36:16,720 --> 01:36:21,080
Speaker 1: a great conversation with Charlie Pooth just ahead of his performance. Yes,

1768
01:36:21,720 --> 01:36:23,280
Speaker 1: he was out there just kind of tooling around on

1769
01:36:23,280 --> 01:36:25,400
Speaker 1: the keyboard, making sure it works, just playing some chords,

1770
01:36:25,479 --> 01:36:29,880
Speaker 1: getting ready for the song he's gonna do for your birthday. Yeah,

1771
01:36:29,880 --> 01:36:32,200
Speaker 1: I'm so exciting and we were listening to these chords

1772
01:36:32,280 --> 01:36:33,960
Speaker 1: here in the control room, and he didn't know we

1773
01:36:34,040 --> 01:36:38,920
Speaker 1: were listening. It's so relaxing, Charlie, you like, listen, just

1774
01:36:39,080 --> 01:36:41,800
Speaker 1: listen to these chords. This is like the extra spa version.

1775
01:36:42,960 --> 01:36:45,120
Speaker 1: I'm not gonna like give the song away. Stop talking.

1776
01:36:50,160 --> 01:36:52,000
Speaker 1: Couldn't you just listen to this whole day? Yes? This

1777
01:36:52,160 --> 01:36:55,800
Speaker 1: is nice, not exactly the pick me up that people

1778
01:36:55,920 --> 01:36:59,920
Speaker 1: need right now? You know people are driving to work.

1779
01:37:00,360 --> 01:37:02,320
Speaker 1: Keep playing? Does keep playing? People are driving a work

1780
01:37:02,400 --> 01:37:04,560
Speaker 1: right now, Charlie, and they're either leaving a house that

1781
01:37:04,680 --> 01:37:07,000
Speaker 1: makes them sad or they're going to a job that

1782
01:37:07,120 --> 01:37:09,120
Speaker 1: makes them sad. But right now they have a few

1783
01:37:09,200 --> 01:37:14,040
Speaker 1: minutes with us, and for a second with traffic, they

1784
01:37:14,120 --> 01:37:17,960
Speaker 1: have this love. Do you have any idea what kind

1785
01:37:17,960 --> 01:37:19,479
Speaker 1: of gift you're giving people right now? I don't think

1786
01:37:19,520 --> 01:37:22,880
Speaker 1: you do. Well. All I know is that great A

1787
01:37:23,000 --> 01:37:25,479
Speaker 1: great song has a great chord progression, and when there's

1788
01:37:25,520 --> 01:37:28,960
Speaker 1: tension and release, like you know, D flat major, flat

1789
01:37:29,040 --> 01:37:33,880
Speaker 1: major F minor has the emotion, the emotion and then

1790
01:37:33,960 --> 01:37:37,040
Speaker 1: you're right and beaming with a flat major and then

1791
01:37:37,080 --> 01:37:40,760
Speaker 1: you're back to D flat endless. It's it's it's a

1792
01:37:40,800 --> 01:37:42,960
Speaker 1: truly a gift you wanted to perform, Sure, yeah, I

1793
01:37:43,000 --> 01:37:44,479
Speaker 1: would love to a lot of people don't know that

1794
01:37:44,560 --> 01:37:47,800
Speaker 1: you had a part in writing this incredible hit. Yeah this.

1795
01:37:48,240 --> 01:37:51,280
Speaker 1: I wasn't supposed to have a session or a recording

1796
01:37:51,320 --> 01:37:53,040
Speaker 1: session that day, but I met kid Leroy and it's

1797
01:37:53,080 --> 01:37:57,200
Speaker 1: such a talented, talented guy. And the first he said,

1798
01:37:57,280 --> 01:37:59,519
Speaker 1: go to the piano and play something. And this is

1799
01:37:59,520 --> 01:38:04,120
Speaker 1: the first thing that I played. It turned into the song.

1800
01:38:14,760 --> 01:38:17,320
Speaker 1: I do the same thing I told you that I

1801
01:38:17,520 --> 01:38:20,640
Speaker 1: never what I told you a change. You don't wanna know.

1802
01:38:20,800 --> 01:38:24,320
Speaker 1: I never couldn't know that I can't for nobody else

1803
01:38:24,360 --> 01:38:27,000
Speaker 1: as good as you and needs you to stay, needs

1804
01:38:27,040 --> 01:38:33,920
Speaker 1: you stay, Got wrong, messed up and wasted. Realize the

1805
01:38:34,040 --> 01:38:38,320
Speaker 1: time that I wasted. I feel like you can't feel

1806
01:38:38,439 --> 01:38:42,840
Speaker 1: the way I feel if you came you right here,

1807
01:38:44,520 --> 01:38:56,880
Speaker 1: whoa bo woe open messed up baby, cam you right here.

1808
01:38:57,120 --> 01:39:00,439
Speaker 1: I'm same thing I told you that I never I

1809
01:39:00,560 --> 01:39:03,479
Speaker 1: told you a change, even when a no one never

1810
01:39:03,640 --> 01:39:07,040
Speaker 1: couldn't know that I can't for nobody else as good

1811
01:39:07,080 --> 01:39:10,040
Speaker 1: as you, needs you to stay, needs you to stay.

1812
01:39:11,400 --> 01:39:14,000
Speaker 1: I do the same thing that tells you that I

1813
01:39:14,160 --> 01:39:17,519
Speaker 1: never have told you auld change even when no one

1814
01:39:17,680 --> 01:39:21,040
Speaker 1: never couldn't know that I can't for nobody as as

1815
01:39:21,120 --> 01:39:26,080
Speaker 1: good as you. Need to stay, need to stay when

1816
01:39:26,160 --> 01:39:30,360
Speaker 1: I'm away from you and Missy touch. You're the reason

1817
01:39:30,520 --> 01:39:35,160
Speaker 1: I believe in love. It's been difficult for me to trust.

1818
01:39:36,600 --> 01:39:40,479
Speaker 1: I'm afraid that I'm a miss it in a way

1819
01:39:40,640 --> 01:39:44,160
Speaker 1: that I can leave you shanded because you would never

1820
01:39:44,320 --> 01:39:48,560
Speaker 1: let me empty handed. You know that I know that

1821
01:39:48,760 --> 01:40:04,280
Speaker 1: I can't live it that you so maybe stay. Oh

1822
01:40:04,520 --> 01:40:09,040
Speaker 1: we missed up the camerator. Do the same thing I

1823
01:40:09,160 --> 01:40:11,880
Speaker 1: told you that never what I told you a change,

1824
01:40:12,280 --> 01:40:14,880
Speaker 1: even when a new one never couldn't know that I

1825
01:40:15,000 --> 01:40:18,200
Speaker 1: can for nobody else as good as you and need

1826
01:40:18,240 --> 01:40:21,960
Speaker 1: you to stay, news you to stay. I do the

1827
01:40:22,120 --> 01:40:25,160
Speaker 1: same thing that told you that I never told you

1828
01:40:25,320 --> 01:40:28,280
Speaker 1: a change. You don't want, no one never could. I

1829
01:40:28,520 --> 01:40:31,600
Speaker 1: know that I can't for nobody else as good as you,

1830
01:40:31,680 --> 01:40:39,760
Speaker 1: and needs you to stay, need you to stay. Wow,

1831
01:40:41,680 --> 01:40:44,160
Speaker 1: You're you're amazing. Not allow of room to breathe in

1832
01:40:44,240 --> 01:40:49,880
Speaker 1: that chorus, you are you're panting so amazing. I didn't

1833
01:40:49,880 --> 01:40:53,599
Speaker 1: say panty, I said panting. Thank God, Thank you, Charlie,

1834
01:40:53,880 --> 01:40:55,680
Speaker 1: thank you for coming to see us today. Thank you

1835
01:40:55,760 --> 01:40:58,719
Speaker 1: for having me as always and it's always a pleasure

1836
01:40:58,760 --> 01:41:02,799
Speaker 1: to see you in Danielle happy thing. Oh and that's promised.

1837
01:41:04,640 --> 01:41:11,479
Speaker 1: Where's light switch? Cheo. Something about the show that I

1838
01:41:11,520 --> 01:41:14,920
Speaker 1: think's really interesting is that the people on it are

1839
01:41:15,240 --> 01:41:18,600
Speaker 1: very human, and they regularly reveal their human side. Do

1840
01:41:18,720 --> 01:41:22,360
Speaker 1: you live in the Bronx? Nobody's cornish? No? Elvis Durran

1841
01:41:22,560 --> 01:41:26,320
Speaker 1: in the Morning Show, Spring is finally here. You can

1842
01:41:26,400 --> 01:41:29,559
Speaker 1: savor every moment with Hello Fresh. Hello Fresh's delicious options

1843
01:41:29,640 --> 01:41:31,960
Speaker 1: make it easy to get meals on the table because

1844
01:41:32,000 --> 01:41:34,720
Speaker 1: it's delivered right to your doorstep. Get started today at

1845
01:41:34,800 --> 01:41:38,080
Speaker 1: Hello Fresh dot com. Slash Elvis and use the code

1846
01:41:38,240 --> 01:41:41,240
Speaker 1: Elvis for sixteen three meals and three gifts. Stare on

1847
01:41:41,360 --> 01:41:44,479
Speaker 1: in the Morning Show again. Thank you to Charlie Pooth.

1848
01:41:44,520 --> 01:41:46,479
Speaker 1: What a wonderful time we spent with him. He's such

1849
01:41:46,520 --> 01:41:49,920
Speaker 1: a nice person. He really I'm so talented and just

1850
01:41:50,840 --> 01:41:54,040
Speaker 1: what a nice guy. What froggy? I love when you

1851
01:41:54,160 --> 01:41:57,400
Speaker 1: call him Charles Pooth and he goes, he's the only

1852
01:41:57,479 --> 01:42:00,880
Speaker 1: person that calls me Charles. How do you just call

1853
01:42:01,000 --> 01:42:04,439
Speaker 1: him Pooth? Don't get caught in it. We're so you

1854
01:42:04,520 --> 01:42:07,040
Speaker 1: know it's and he gave us quite a gift today, several,

1855
01:42:07,280 --> 01:42:09,320
Speaker 1: daniel happy birthday. I have someone else on the line

1856
01:42:09,320 --> 01:42:12,360
Speaker 1: for you. Let's see if you can Let's see if

1857
01:42:12,360 --> 01:42:17,479
Speaker 1: you're going identify this mystery voice. Good morning, mystery voice. Oh,

1858
01:42:17,600 --> 01:42:20,040
Speaker 1: good morning, I believe I go through. I've been listening

1859
01:42:20,120 --> 01:42:27,680
Speaker 1: for twenty five years. Look, Rob Shooter's back. I know

1860
01:42:27,880 --> 01:42:33,439
Speaker 1: this is it's my favorite soccer player. Which was almost

1861
01:42:34,720 --> 01:42:40,000
Speaker 1: it's the husband Sheldon. Hello, Hi Sheldon. Good morning everybody.

1862
01:42:40,080 --> 01:42:42,599
Speaker 1: It sounds like a festive morning for you, daniel Oh

1863
01:42:42,680 --> 01:42:45,080
Speaker 1: my goodness, we had so much fun. It's been so nice.

1864
01:42:45,160 --> 01:42:47,320
Speaker 1: How are you talking? It's not over yet. Yeah, you

1865
01:42:47,360 --> 01:42:49,800
Speaker 1: have to talk. You have to topic this afternoon lunch

1866
01:42:49,880 --> 01:42:52,360
Speaker 1: with your your bride. I'm so happy for you, guys.

1867
01:42:53,120 --> 01:42:59,680
Speaker 1: I'm gonna talp it this afternoon. Yeah. I love him.

1868
01:42:59,720 --> 01:43:04,720
Speaker 1: So that's awesome. Oh my god, you just made my day.

1869
01:43:05,640 --> 01:43:08,280
Speaker 1: I love him, Sheldon. Not to put you on the spot,

1870
01:43:08,360 --> 01:43:11,200
Speaker 1: but to put you on the spot, it's you. It's Danielle.

1871
01:43:11,479 --> 01:43:14,280
Speaker 1: Please on her birthday, let her know how you feel

1872
01:43:14,280 --> 01:43:19,679
Speaker 1: about her. Oh. Well, Danielle is a fabulous mum. She's

1873
01:43:19,680 --> 01:43:22,800
Speaker 1: a fabulous wife, a fabulous driver. Well maybe not that

1874
01:43:22,960 --> 01:43:27,640
Speaker 1: lot one, but she's definitely the first two and me

1875
01:43:27,880 --> 01:43:30,439
Speaker 1: and the boys love her very very much. And of course,

1876
01:43:30,520 --> 01:43:33,840
Speaker 1: in the immortal words of Charlie Poop, Danielle, you turn

1877
01:43:33,960 --> 01:43:40,280
Speaker 1: me on like a light switch. Get it funny how

1878
01:43:40,320 --> 01:43:42,920
Speaker 1: you know people like Danielle. And even though it's her

1879
01:43:42,960 --> 01:43:46,080
Speaker 1: birthday and she deserves gifts, she she's the gift for

1880
01:43:46,240 --> 01:43:49,000
Speaker 1: us every day. Yes, to make me cry. Please stop

1881
01:43:49,960 --> 01:43:54,639
Speaker 1: sweet alright, let's talk about Mayo's and make her vomits. Sheldon,

1882
01:43:54,720 --> 01:43:56,559
Speaker 1: I'm so glad you could carve out a moment from

1883
01:43:56,560 --> 01:44:00,640
Speaker 1: your busy, busy real estate empire. Thank you to call it,

1884
01:44:01,000 --> 01:44:03,920
Speaker 1: and thank you for taking such good care of little

1885
01:44:04,000 --> 01:44:06,479
Speaker 1: Danielli this morning. She's had a great morning. I've got

1886
01:44:06,560 --> 01:44:09,120
Speaker 1: the text. Oh good. I love you. Yep. No, we

1887
01:44:09,200 --> 01:44:12,960
Speaker 1: have not disappointed her yet, but I love you, love you, Sheldon. Thanks,

1888
01:44:13,000 --> 01:44:15,240
Speaker 1: and we look forward to seeing you in person sometimes

1889
01:44:15,280 --> 01:44:21,519
Speaker 1: you have a good night. Joe. I love him. He's

1890
01:44:21,560 --> 01:44:25,280
Speaker 1: a good egg. You two together, He's a Cadberry eggs

1891
01:44:25,280 --> 01:44:27,760
Speaker 1: at the two of you together is kind of kind

1892
01:44:27,760 --> 01:44:29,680
Speaker 1: of fine, kind of fine. Do we have do we

1893
01:44:29,760 --> 01:44:33,320
Speaker 1: have time for a special test? Can we test it?

1894
01:44:33,720 --> 01:44:36,439
Speaker 1: You think it's too obvious for for for Daniel to

1895
01:44:36,479 --> 01:44:38,840
Speaker 1: play this. Danielle will definitely get them all. I'll get

1896
01:44:38,880 --> 01:44:40,840
Speaker 1: them all. Yeah, I know what you're talking about. What

1897
01:44:41,280 --> 01:44:43,840
Speaker 1: she'll get them? Well, okay, let's do this, but you

1898
01:44:43,920 --> 01:44:45,840
Speaker 1: only get to hear it one time. This is a

1899
01:44:46,080 --> 01:44:49,760
Speaker 1: Danielle mash up. Oh okay, one, two, three, four, five

1900
01:44:49,880 --> 01:44:54,040
Speaker 1: songs and you better you better write fast and for

1901
01:44:54,160 --> 01:44:57,559
Speaker 1: every song you get correct, we'll donate one hundred dollars

1902
01:44:57,880 --> 01:45:00,280
Speaker 1: to the charity of your choice. No. If I don't

1903
01:45:00,320 --> 01:45:02,439
Speaker 1: get them right right, I feel like bad, then the

1904
01:45:02,479 --> 01:45:04,639
Speaker 1: little kid's favorite songs. You better get them right. Okay,

1905
01:45:04,640 --> 01:45:07,240
Speaker 1: the little kids will start Okay, Okay, I don't know

1906
01:45:07,280 --> 01:45:10,960
Speaker 1: what your charity is. Okay, okay, the murder, the mash up,

1907
01:45:11,080 --> 01:45:28,080
Speaker 1: Daniel mash up five songs, got five of Daniel's favorite songs?

1908
01:45:28,560 --> 01:45:31,599
Speaker 1: What are they? Oh? No, times are taking TikTok TikTok.

1909
01:45:31,720 --> 01:45:34,439
Speaker 1: Let's go one hundred dollars a piece to the charity

1910
01:45:34,479 --> 01:45:37,800
Speaker 1: of your choice. Okay Rio Barbie Girl Mambo number five,

1911
01:45:37,840 --> 01:45:39,840
Speaker 1: Ain't that funny? And I get knocked down and I

1912
01:45:39,880 --> 01:45:42,040
Speaker 1: get up again, Tom thumping up tumping You got him

1913
01:45:42,040 --> 01:45:46,280
Speaker 1: five hundred by the way the guys who sang tom

1914
01:45:46,360 --> 01:45:49,040
Speaker 1: thumping jackasses. That's why if we tossed it in there,

1915
01:45:49,080 --> 01:45:51,960
Speaker 1: just annoy you say that potential hundred userd dollars. Let's

1916
01:45:52,000 --> 01:45:54,800
Speaker 1: do another one, another one. These are worth one hundred

1917
01:45:54,800 --> 01:45:58,000
Speaker 1: dollars a piece. I can't do this. Five songs. These

1918
01:45:58,040 --> 01:46:00,639
Speaker 1: are some of Daniel's favorite songs. Here and her birthday

1919
01:46:00,720 --> 01:46:19,320
Speaker 1: go we can both wake up? There you go, I

1920
01:46:19,439 --> 01:46:21,719
Speaker 1: want to sex you up, bust the move. Oh pp

1921
01:46:22,040 --> 01:46:25,920
Speaker 1: wake me up before you go, well, wake me up

1922
01:46:25,960 --> 01:46:28,400
Speaker 1: before you go go? Absolutely when she thought George and

1923
01:46:28,479 --> 01:46:33,000
Speaker 1: Michael was straight, you're you're up to a thousand dollars now, okay,

1924
01:46:33,040 --> 01:46:35,000
Speaker 1: now hold on, I have another. I have one more,

1925
01:46:35,080 --> 01:46:40,559
Speaker 1: Daniel mash up. Okay. These songs are worth everything. Every

1926
01:46:40,840 --> 01:46:43,479
Speaker 1: You can either stop at a thousand to donate to

1927
01:46:43,479 --> 01:46:47,320
Speaker 1: your favorite charity, or you can double up. Buttercup, Oh

1928
01:46:47,400 --> 01:46:49,960
Speaker 1: my gosh. If you get these right, if you get

1929
01:46:49,960 --> 01:46:51,760
Speaker 1: all five, it goes up to two thousand. If you

1930
01:46:51,840 --> 01:46:55,400
Speaker 1: miss any of them, you'd get nothing. Oh. I don't

1931
01:46:55,439 --> 01:46:57,040
Speaker 1: want to. I don't want to gamble. For the for

1932
01:46:57,120 --> 01:47:00,320
Speaker 1: the for the for the kids. Can we help her

1933
01:47:00,360 --> 01:47:01,720
Speaker 1: if she doesn't get out? No, no, no, no, no,

1934
01:47:02,320 --> 01:47:04,439
Speaker 1: I'll do it. It's five of your favorite songs, daniel

1935
01:47:04,439 --> 01:47:06,920
Speaker 1: I know you can get all right, So you're either

1936
01:47:06,960 --> 01:47:09,880
Speaker 1: about to turn it into two thousand dollars or you're

1937
01:47:09,880 --> 01:47:12,800
Speaker 1: gonna turn it into absolute nothing. This isn't just great

1938
01:47:12,840 --> 01:47:16,080
Speaker 1: fresh five songs. Here we go. Are you ready? Five songs?

1939
01:47:16,120 --> 01:47:22,800
Speaker 1: What are they? And that is he believe love will

1940
01:47:22,880 --> 01:47:41,080
Speaker 1: be running fu All right, let's push it? Okay, push it?

1941
01:47:41,280 --> 01:47:44,320
Speaker 1: Yes Baby by Justin Bieber his first hit, goal Away

1942
01:47:44,439 --> 01:47:46,680
Speaker 1: Girl by my boy A cheering Look what God gave

1943
01:47:46,720 --> 01:47:48,960
Speaker 1: Her by my boy t Ret and a house Party

1944
01:47:49,040 --> 01:47:54,599
Speaker 1: by my boy Sam Hunt. You're donating two thousand dollars,

1945
01:47:54,760 --> 01:47:57,080
Speaker 1: so we are donating two thousands to the charity of

1946
01:47:57,120 --> 01:47:59,040
Speaker 1: your choice. You don't have to choose now tell him too.

1947
01:47:59,280 --> 01:48:03,000
Speaker 1: So we were we had time for that. Okay. We

1948
01:48:03,160 --> 01:48:05,280
Speaker 1: promised you you could hear one song on the show

1949
01:48:05,320 --> 01:48:07,800
Speaker 1: today because we know that when Danielle says she wants

1950
01:48:07,800 --> 01:48:09,200
Speaker 1: to hear a song, it's a song that the rest

1951
01:48:09,240 --> 01:48:12,280
Speaker 1: of us to test. Okay, what song do you want

1952
01:48:12,280 --> 01:48:14,640
Speaker 1: to hear? You know what I'm gonna go with, Ed

1953
01:48:14,760 --> 01:48:18,960
Speaker 1: Shearon Galway Girl. Okay, look good. That doesn't sound so bad.

1954
01:48:19,920 --> 01:48:21,280
Speaker 1: Why don't you make it one of your bad ones.

1955
01:48:21,320 --> 01:48:23,800
Speaker 1: This is the only chance to get so bad. I

1956
01:48:23,920 --> 01:48:25,640
Speaker 1: want to set you up by color me batts. What

1957
01:48:25,720 --> 01:48:31,920
Speaker 1: do you think you want? Barbie girls? Now, what do

1958
01:48:31,960 --> 01:48:33,479
Speaker 1: you want to hear for your birthday? You know? Ed

1959
01:48:33,560 --> 01:48:35,519
Speaker 1: Sheeran's my favorite, So let's do a little ed. This

1960
01:48:35,800 --> 01:48:41,439
Speaker 1: is Danielle's birthday request. She played the villain Danielle's birthday

1961
01:48:41,479 --> 01:48:44,360
Speaker 1: request Galway Girl ed, Shearon, thank you, Ed, Shearon, I

1962
01:48:44,439 --> 01:48:46,960
Speaker 1: love you, Happy birthday, thank you. Let's get into the

1963
01:48:47,320 --> 01:48:52,000
Speaker 1: daniel Happy Birthday sound segment with Garrett hap Birthday Danielle.

1964
01:48:52,040 --> 01:48:54,320
Speaker 1: This is all for you, all right. We'll start with

1965
01:48:54,439 --> 01:48:56,640
Speaker 1: Keith Urban. So you know he covered for Adele at

1966
01:48:56,680 --> 01:48:59,160
Speaker 1: her Vegas residency. He took over it and did some shows,

1967
01:48:59,200 --> 01:49:01,479
Speaker 1: and last night he covered a Dell doing easy on Me.

1968
01:49:13,880 --> 01:49:16,200
Speaker 1: Funny how it sounds so different when someone else sings it.

1969
01:49:16,560 --> 01:49:18,439
Speaker 1: And then Gandhi found this a few weeks ago. So

1970
01:49:18,560 --> 01:49:21,960
Speaker 1: a fifth graders in Florida, they are putting out positive

1971
01:49:22,040 --> 01:49:23,439
Speaker 1: vibes on a phone line. So you can call the

1972
01:49:23,479 --> 01:49:27,040
Speaker 1: phone number five seven four eight three two four nine

1973
01:49:27,200 --> 01:49:29,320
Speaker 1: six five and this is what you hear. Thank you

1974
01:49:29,400 --> 01:49:32,559
Speaker 1: for callinging Melford Schools. When Mike gives you Lemons Hall

1975
01:49:32,640 --> 01:49:35,439
Speaker 1: of fifth Grader phone line, You're awesome, So all your

1976
01:49:35,479 --> 01:49:38,760
Speaker 1: bad feelings go like Elsa, you look nice today. See

1977
01:49:38,840 --> 01:49:41,920
Speaker 1: you you're the best, You are so smart, you are loved.

1978
01:49:43,000 --> 01:49:44,600
Speaker 1: So there you go. You call that line if you

1979
01:49:44,680 --> 01:49:46,960
Speaker 1: need some positive vibes. And then last night on NBC

1980
01:49:47,200 --> 01:49:49,840
Speaker 1: was the American Song Contest. This is where a bunch

1981
01:49:49,880 --> 01:49:53,080
Speaker 1: of singers, songwriters, performers put in their original song, they

1982
01:49:53,160 --> 01:49:55,600
Speaker 1: perform it and Nessa, she is from New York. She

1983
01:49:55,760 --> 01:49:57,720
Speaker 1: is up for the Best Song in America. You can

1984
01:49:57,800 --> 01:49:59,560
Speaker 1: vote for her on the NBC up and all through that.

1985
01:49:59,800 --> 01:50:01,519
Speaker 1: But this is her song green Light and what it

1986
01:50:01,560 --> 01:50:12,479
Speaker 1: sounds like, Boy, it don't make me And there you go,

1987
01:50:12,760 --> 01:50:14,920
Speaker 1: there you go. You're go working, Garrett, thank you as much,

1988
01:50:15,840 --> 01:50:20,360
Speaker 1: very nice. Um No, what oh time I've been told

1989
01:50:20,400 --> 01:50:23,200
Speaker 1: you take a break. There you go. We're gonna you know.

1990
01:50:23,520 --> 01:50:27,080
Speaker 1: This break is dedicated to Danielle on her birthday. Hang

1991
01:50:27,200 --> 01:50:31,720
Speaker 1: the bills, Let's got his Birthday break her restaurant til

1992
01:50:31,800 --> 01:50:33,280
Speaker 1: the storran in the Morning show