WEBVTT - Episode 1 - Murder Brokers

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<v Speaker 1>Pushkin Just a quick note before we start today's show.

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<v Speaker 2>I'm Miles Johnson, and I'm an investigative journalist with the

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<v Speaker 2>Financial Times and the story I'm gonna tell you it's

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<v Speaker 2>not a love story, but his stoughts with a wedding.

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<v Speaker 2>It's a wedding that takes place in Dubai in twenty seventeen.

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<v Speaker 2>It's a hot summer's day at the Burj Al Arab,

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<v Speaker 2>one of the most expensive hotels in the world. It's

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<v Speaker 2>a skyscraper shaped like the sail of a ship, rising

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<v Speaker 2>up from the glittering water of the Persian Gulf. Guests

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<v Speaker 2>can arrive across a private bridge in the hotel's fleet

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<v Speaker 2>of rolls, Royce phantoms or flyin landing on the helipad

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<v Speaker 2>on the roof. The wedding party that day has been

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<v Speaker 2>told to keep things discreete no photos and no social media.

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<v Speaker 2>Security is tight. The groom is a young Irish entrepreneur

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<v Speaker 2>and some of his most important business partners have come

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<v Speaker 2>to celebrate his big day. But these aren't your average businessmen.

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<v Speaker 2>Some of them hang priceless stolen masterpieces on their walls.

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<v Speaker 2>They've got multiple passports with multiple identities, and they can

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<v Speaker 2>order the assassination of almost anyone anywhere in the world.

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<v Speaker 2>Because this isn't just a wedding, this is an international

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<v Speaker 2>crime summit. It's a meeting of what will come to

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<v Speaker 2>be known as the Dubai Supercartel, a shadowy criminal network

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<v Speaker 2>that controls a multi billion dollar cocaine empire spanning the globe.

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<v Speaker 2>Over the years, I've written about a lot of different things,

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<v Speaker 2>but more recently you could perhaps describe my beat as

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<v Speaker 2>the places where crime and business collide. I've written about

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<v Speaker 2>Russian billionaires who control private mercenary armies and the Italian

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<v Speaker 2>mafia laundering their cash through the City of London. Have

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<v Speaker 2>covered Vatican, financial scandals and spy rings that smuggle microchips.

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<v Speaker 2>Because crime is a business, and modern organized crime groups

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<v Speaker 2>they're increasingly run like multinational companies. They have thousands of employees,

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<v Speaker 2>complicated logistical supply chains, and even investment portfolios. It's a

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<v Speaker 2>big economic story, but you don't usually read about it

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<v Speaker 2>in the business pages because reporting on international crime groups

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<v Speaker 2>in the same way we'd report on a blue chip corporation, well,

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<v Speaker 2>it's hard. Crime bosses they don't usually have pr teams

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<v Speaker 2>you can bring up, and mafias. They don't publish audited

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<v Speaker 2>accounts or glossy annual reports. But the money generated by

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<v Speaker 2>organized crime is vast, and most of the time it's invisible.

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<v Speaker 2>It's like this ocean of shadow cash. We know it's there,

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<v Speaker 2>but we can't ever really see it. It's trillions of

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<v Speaker 2>dollars and it fuels things like weapons trafficking and war.

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<v Speaker 2>It can even topple governments. And the men celebrating in

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<v Speaker 2>that wedding in Dubai. They've come up with a new

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<v Speaker 2>model of organized crime, and it's become so successful that

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<v Speaker 2>by twenty seventeen, police believe that they control a third

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<v Speaker 2>of Europe's cocaine market worth billions of dollars a year.

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<v Speaker 2>When I first came across the du By Supercartel, it

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<v Speaker 2>seems like something from a film, something almost ridiculous, like

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<v Speaker 2>Specter from James Bond. I needed to find out more,

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<v Speaker 2>so I started talking to people. I met with sources

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<v Speaker 2>in law enforcement, undercover agents, spies. I got hold of

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<v Speaker 2>legal documents and investigative dossiers, and then I realized, this

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<v Speaker 2>isn't just a story about crime. This is a story

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<v Speaker 2>about a secret economic war. It's a story about who

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<v Speaker 2>gets to control how money moves around the world, and

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<v Speaker 2>where the Western government can keep hold of that power

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<v Speaker 2>as the rules based international order breaks apart. Because I

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<v Speaker 2>discovered that the Dubai Supercartel, they're not just hiding from governments,

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<v Speaker 2>they're working alongside them. But my first clue to understanding

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<v Speaker 2>how this group of criminals became so rich and so

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<v Speaker 2>powerful it took me somewhere that's a million miles away

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<v Speaker 2>from the bling of a Dubai wedding, because one day

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<v Speaker 2>I was speaking to a source and they told me

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<v Speaker 2>something I just really wasn't expecting. They said, if you

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<v Speaker 2>really want to understand how all of this works, you

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<v Speaker 2>have to go and look at a murder in a

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<v Speaker 2>small town in the Netherlands. This is Hot Money. Season

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<v Speaker 2>two the New Narcos episode one, Murder Brokers.

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<v Speaker 3>One of the good things about being a crime reporter

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<v Speaker 3>is let you talk to everyone who wants to talk

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<v Speaker 3>to you, very different people, and I like to do that.

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<v Speaker 2>This is Paul Volks. He's a reporter in anster that

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<v Speaker 2>and for more than twenty years he's been working the

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<v Speaker 2>local crime beat for Het Parole, a daily city newspaper.

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<v Speaker 2>Paul wears black t shirts and a leather jacket and

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<v Speaker 2>has a gold hoop in one ear. He's old school.

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<v Speaker 2>He's not posting hot takes on social media. When I

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<v Speaker 2>first met Paul, he didn't take long before he showed

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<v Speaker 2>me his bike. He rides it everywhere down cobblestone streets

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<v Speaker 2>and squares and along beautiful canals, going to coffee shops

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<v Speaker 2>and bars to meet his sources. But if that sounds

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<v Speaker 2>a bit quaint, there's a fast, seedy aside to Amsterdam

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<v Speaker 2>that keeps a crime reporter like Paul pretty busy. Because

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<v Speaker 2>Amsterdam is famous for his beauty, but it's also well

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<v Speaker 2>known for its red light district. It's relaxed drug laws

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<v Speaker 2>and a vibrant criminal underworld, and that means Paul always

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<v Speaker 2>has plenty to write about. Like all good crime reporters,

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<v Speaker 2>Paul works his beat. He speaks to everyone. He talks

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<v Speaker 2>to police officers, lawyers, the local prosecutor's office. But Paul

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<v Speaker 2>is also always cultivating his underworld sources.

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<v Speaker 3>I tried to build my network step by step because,

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<v Speaker 3>as you might know, as a crime journalist, your colleague

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<v Speaker 3>cannot give you his or her network. That's not possible.

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<v Speaker 2>And he learns early on the criminals well, they care

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<v Speaker 2>about journalistic standards too. A notorious underworld figure reaches out

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<v Speaker 2>to Paul about a mistake he thought he'd made in

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<v Speaker 2>one of his articles, because he wanted to set the

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<v Speaker 2>record straight.

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<v Speaker 3>But the first time, of course, I thought where to meet,

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<v Speaker 3>how to meet, how to keep it safe. I learned

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<v Speaker 3>quite fast that some public space as a coffee bar,

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<v Speaker 3>is the best place to sit. Or an airport where

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<v Speaker 3>everybody knows there are lots of cameras, there's a lot

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<v Speaker 3>of security. Nothing will happen there. You'll know for sure

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<v Speaker 3>that all eyes will be focused on you as a criminal.

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<v Speaker 3>And I we don't fit in so if something weird

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<v Speaker 3>would deppen, everybody would be a witness and they know

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<v Speaker 3>it as well.

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<v Speaker 2>Back in twenty fifteen, Paul is busy covering crime in Amsterdam. Muggings,

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<v Speaker 2>rival gangsters trying to kill each other, batches of dodgy

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<v Speaker 2>drugs that put people's lives in danger. These seem like

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<v Speaker 2>the sort of things you'd imagine happen in any big city.

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<v Speaker 2>Then one morning in December, he gets a call. It's

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<v Speaker 2>from the police department.

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<v Speaker 3>A man in his fifties was shot with one bullet

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<v Speaker 3>in the head and standing next to his fan. Going

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<v Speaker 3>to work from Amsterdam. I went to Almira, which is

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<v Speaker 3>twenty minute rides.

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<v Speaker 2>Is it somewhere you expect there to be shootings, murders?

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<v Speaker 2>You know what sort of areas there's There are lots

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<v Speaker 2>of crime there. What's it like?

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<v Speaker 3>The area and they live in in Alma is just

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<v Speaker 3>very normal neighborhood with normal working class people.

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<v Speaker 4>Not much trouble over there.

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<v Speaker 2>When Paul arrives, there's already red and white tape blocking

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<v Speaker 2>the area and police up a tent to cover the body.

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<v Speaker 2>He gets out his notebook and starts to gather the facts.

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<v Speaker 2>The victim is called Ali Mtamad. He's fifty six years

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<v Speaker 2>old and he's an engineer at the state electric company.

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<v Speaker 2>He's got a wife, a son. He's a family man.

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<v Speaker 2>But there isn't much else to go on. The electrician

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<v Speaker 2>doesn't seem to have any connection to crime.

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<v Speaker 3>All the sources I asked, nobody knew who was this Alimodamet.

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<v Speaker 2>To Paul, it just seems to be a random shooting,

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<v Speaker 2>So he heads back to his office and files a

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<v Speaker 2>short story. A few weeks later, his editor asked him

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<v Speaker 2>to write a roundup of the most notable crime stories

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<v Speaker 2>of the last year, and the murder in al Mayor

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<v Speaker 2>doesn't make the cut. Paul goes back to riding around

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<v Speaker 2>on his bike and meeting his sources. But in the

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<v Speaker 2>months after, Paul finds that he can't get the Matamid

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<v Speaker 2>case out of his head. That thing when you write

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<v Speaker 2>a story and you have a nagging voice in your head,

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<v Speaker 2>maybe there's something that I'm missing. Paul's covered a lot

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<v Speaker 2>of murders, but this one it seems weird. He can't

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<v Speaker 2>shake the feeling that something doesn't quite add up. The

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<v Speaker 2>first thing is the style of the killing. It wasn't

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<v Speaker 2>a sloppy job or a wild act of rage.

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<v Speaker 3>The thing was that one shut through the heads. It's

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<v Speaker 3>not the familiar way of assassinating people. In other assassinations,

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<v Speaker 3>automatic rifles are used, many bullets are shut.

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<v Speaker 2>And then there was the motive. One theory is that

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<v Speaker 2>Mtommed was part of some family feud or had argued

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<v Speaker 2>with a friend. Most of the murders, Paul writes about

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<v Speaker 2>that kind of thing, or criminals killing each other over

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<v Speaker 2>money or tough settling scores. But that didn't really fit

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<v Speaker 2>with the matomic case. So there were other theories.

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<v Speaker 3>Oh, maybe electricians so him. Maybe he was in hemp business.

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<v Speaker 3>The hemp people they need illegal electricity.

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<v Speaker 2>Hemp is another name for weed, and some weed grows

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<v Speaker 2>in the Netherlands steel electricity to power their operations. Matammed

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<v Speaker 2>was an electrician. Maybe that was his connection to crime.

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<v Speaker 3>Maybe he was a wrong person. That was an idea.

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<v Speaker 2>This seemed like the most plausible explanation, a terrible case

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<v Speaker 2>of mistaken identity. Paul keeps thinking about it as he

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<v Speaker 2>drops into cafes to meet informants about other stories. He

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<v Speaker 2>mentions Alimtammad's name.

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<v Speaker 3>Criminals didn't know him, Policemen didn't know him. I tried

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<v Speaker 3>to do some research, but I didn't get a clue.

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<v Speaker 2>To be honest, as a reporter, you can have dozens

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<v Speaker 2>of meetings that lead to nothing, but once in a

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<v Speaker 2>while you get lucky. And that's what happens to Paul.

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<v Speaker 2>Out of nowhere, he gets a tip.

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<v Speaker 3>I was talking to some source I knew very well,

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<v Speaker 3>and this source A told me just at the second

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<v Speaker 3>cup of coffee in and he said, well, you remember

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<v Speaker 3>this story of Alimo Damett. You're working on that still, Yes,

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<v Speaker 3>you should go on and go on and dig and dick,

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<v Speaker 3>because there's a very weird, big story behind this murder.

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<v Speaker 2>Paul wasn't the only person thinking about what happened in

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<v Speaker 2>al Mayor that day.

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<v Speaker 5>I remember this, this shooting December fifteenth. Your really nice

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<v Speaker 5>neighbor got guilt. Nobody knows why.

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<v Speaker 2>At the time, Eliam was involved with the local city council.

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<v Speaker 5>So yeah, I remember it was like this mystery for

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<v Speaker 5>people like, well, what happened?

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<v Speaker 2>Uler say. He's this intense guy who locks you into

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<v Speaker 2>his gaze, and he's a sharp dresser. When we meet,

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<v Speaker 2>he's wearing this charcoal suit and a black unbuttoned shirt

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<v Speaker 2>down to his chest. When Alimtammed is murdered, Ulis is

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<v Speaker 2>just getting into local politics. He's a spokesperson for safety

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<v Speaker 2>in public order in our mayor where Alimtammad was killed.

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<v Speaker 5>What was strange in this case there was nothing and

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<v Speaker 5>this was fueled by the National police.

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<v Speaker 2>Police appealed on national television for any information that the

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<v Speaker 2>public could give them.

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<v Speaker 5>Have any tips, do you have any suggestions. We put

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<v Speaker 5>out this reward.

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<v Speaker 2>But no one came forward. A year goes by, still nothing.

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<v Speaker 5>I thought, this is getting this is getting a bit weird.

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<v Speaker 5>So we don't have any clues to find the shooters.

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<v Speaker 5>There's no information about the circumstances of the of the shooting.

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<v Speaker 2>Ulisse is particularly interested in this case because Alimtomed, it

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<v Speaker 2>turns out, was born in Iran and his own family

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<v Speaker 2>also moved to the Netherlands from Iran around the same

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<v Speaker 2>time that alimtammedd did.

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<v Speaker 5>I'm named after Odysseus, you know, the Greek king, because

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<v Speaker 5>my father was he was reading Odysseus and my father

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<v Speaker 5>was like, okay, I lost my home. I don't know

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<v Speaker 5>where my home will be, but I'm sure this baby

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<v Speaker 5>will find a new home.

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<v Speaker 2>Ulissa's father was a critic of the hardline theocracy imposed

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<v Speaker 2>by the new regime in Iran after the revolution. He

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<v Speaker 2>knew his life might be in danger if he stayed.

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<v Speaker 5>He had to go into hiding very fast. He never

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<v Speaker 5>had the chance to say goodbye to his mother, for example,

0:14:46.847 --> 0:14:48.287
<v Speaker 5>because it was too dangerous.

0:14:48.887 --> 0:14:51.847
<v Speaker 2>First his father moved to Afghanistan, where Ulisse was born,

0:14:52.647 --> 0:14:55.127
<v Speaker 2>and then they moved to the Netherlands, eventually settling in

0:14:55.167 --> 0:14:58.447
<v Speaker 2>al Mayor. Ulisse grew up in the same sleepy suburb

0:14:58.447 --> 0:15:00.407
<v Speaker 2>where Alimtammed lived and died.

0:15:01.247 --> 0:15:03.687
<v Speaker 5>I've been living there for twenty years now. And the

0:15:03.727 --> 0:15:06.327
<v Speaker 5>funny thing is, or the special thing, it also relates

0:15:06.367 --> 0:15:11.007
<v Speaker 5>to my history, you know, like it's a newc the province.

0:15:11.607 --> 0:15:14.367
<v Speaker 5>One of the nicknames is like new land because it's

0:15:14.407 --> 0:15:18.527
<v Speaker 5>built from water. Yeah, and my family came to a

0:15:18.567 --> 0:15:21.167
<v Speaker 5>new land. It started a new life. So yeah, it

0:15:21.247 --> 0:15:22.487
<v Speaker 5>all connects really nicely.

0:15:23.727 --> 0:15:27.007
<v Speaker 2>Ulisses father became a law professor and he kept speaking

0:15:27.007 --> 0:15:30.047
<v Speaker 2>out against the Iranian regime from his new home. But

0:15:30.087 --> 0:15:33.167
<v Speaker 2>there was a cost, and this became a reality when

0:15:33.167 --> 0:15:36.487
<v Speaker 2>the family moved to our Mayor. His father started getting

0:15:36.527 --> 0:15:37.367
<v Speaker 2>serious threats.

0:15:38.207 --> 0:15:42.287
<v Speaker 5>At that time, my father received a massive security protection.

0:15:43.727 --> 0:15:48.647
<v Speaker 5>I was young, You're still focused on things you do

0:15:48.767 --> 0:15:52.327
<v Speaker 5>when you're at that age, you know, playing football, trying

0:15:52.327 --> 0:15:55.687
<v Speaker 5>to enjoy life. But yeah, when you see your dad

0:15:56.367 --> 0:16:02.927
<v Speaker 5>being transported with multiple bodyguards, yeah, of course your life changes.

0:16:03.887 --> 0:16:06.407
<v Speaker 2>So decades later, when an Iranian man is shot in

0:16:06.447 --> 0:16:10.487
<v Speaker 2>his hometown, it gets Ulysses' attention. Even more so when

0:16:10.527 --> 0:16:13.927
<v Speaker 2>police finally share what they've pieced together from CCTV footage,

0:16:14.487 --> 0:16:17.247
<v Speaker 2>it shows that the idea the assassin's made a mistake

0:16:17.847 --> 0:16:22.287
<v Speaker 2>looks less and less plausible. This was a meticulously planned operation.

0:16:25.327 --> 0:16:29.287
<v Speaker 2>The police report is a difficult read. It's a chilling

0:16:29.287 --> 0:16:34.687
<v Speaker 2>account of a cold, premeditated murder planned over weeks, and

0:16:34.727 --> 0:16:38.287
<v Speaker 2>it reveals that the killers made two failed attempts in

0:16:38.287 --> 0:16:43.087
<v Speaker 2>the days before Alie Mtummed was shot. On December eleventh,

0:16:43.247 --> 0:16:46.327
<v Speaker 2>twenty fifteen, at around quarter past six in the morning,

0:16:47.327 --> 0:16:50.927
<v Speaker 2>a blue BMW drives slowly down the dark suburban street.

0:16:52.407 --> 0:16:55.727
<v Speaker 2>The driver stops outside one of the houses and turns

0:16:55.767 --> 0:17:01.207
<v Speaker 2>the car's headlights off. Inside, Alie Mtammed is getting started

0:17:01.247 --> 0:17:05.087
<v Speaker 2>with his day. Usually he leaves his house a quarter

0:17:05.167 --> 0:17:09.327
<v Speaker 2>to seven, but today he has a job nearby, so

0:17:09.367 --> 0:17:13.087
<v Speaker 2>he leaves later at eight thirty am. At about eight am,

0:17:13.327 --> 0:17:15.767
<v Speaker 2>the driver of the BMW turns the car back and

0:17:15.887 --> 0:17:22.047
<v Speaker 2>leaves the street. A few days later, Monday, December fourteenth,

0:17:22.487 --> 0:17:27.087
<v Speaker 2>the BMW arrives again at around quarter past six. It's

0:17:27.127 --> 0:17:29.807
<v Speaker 2>a regular work day, and Mohammed walks out of his

0:17:29.807 --> 0:17:32.927
<v Speaker 2>front door a little before seven. A neighbor is also

0:17:33.047 --> 0:17:35.687
<v Speaker 2>leaving their house at the same time, and the driver

0:17:35.767 --> 0:17:43.327
<v Speaker 2>of the BMW spots him and Muhammed and drives off. Tuesday,

0:17:43.447 --> 0:17:48.967
<v Speaker 2>December fifteenth, the BMW appears at six o'clock. Mohammed's wife

0:17:49.087 --> 0:17:51.607
<v Speaker 2>and teenage son are asleep upstairs as he steps out

0:17:51.647 --> 0:17:54.807
<v Speaker 2>of his house and shuts the front door. That is

0:17:54.887 --> 0:18:00.687
<v Speaker 2>dark outside. No neighbors around this morning. As the electrician

0:18:00.727 --> 0:18:03.327
<v Speaker 2>walks towards his van, a man walks up behind him

0:18:03.487 --> 0:18:06.327
<v Speaker 2>and shoots him in the head. Mahammed slumps to the

0:18:06.367 --> 0:18:09.527
<v Speaker 2>ground and the shooter gets back in his BMW car

0:18:09.527 --> 0:18:10.127
<v Speaker 2>speeds off.

0:18:14.687 --> 0:18:18.007
<v Speaker 5>They hit him directly left with the car I think,

0:18:18.207 --> 0:18:23.087
<v Speaker 5>if I remember correctly, BMW five. They went to the

0:18:23.127 --> 0:18:27.007
<v Speaker 5>specific spot in another part of Olmer, burned the car

0:18:27.207 --> 0:18:27.727
<v Speaker 5>and they leave.

0:18:28.727 --> 0:18:31.807
<v Speaker 2>The BMW was found burned out a few miles away

0:18:32.327 --> 0:18:34.647
<v Speaker 2>and witnesses saw two men walking off.

0:18:35.367 --> 0:18:39.247
<v Speaker 5>There's all the signs of professionals in the criminal circuit,

0:18:40.167 --> 0:18:42.487
<v Speaker 5>so that made it even more strange, like, okay, this

0:18:42.527 --> 0:18:45.927
<v Speaker 5>is really professional, and still we don't have any idea

0:18:47.127 --> 0:18:48.007
<v Speaker 5>why who.

0:18:50.487 --> 0:18:53.007
<v Speaker 2>This is the point that I started to see the

0:18:53.007 --> 0:18:56.487
<v Speaker 2>first flicker to realize what a murder in a small

0:18:56.567 --> 0:19:00.167
<v Speaker 2>Dutch town could have to do with the supercartel and

0:19:00.287 --> 0:19:03.247
<v Speaker 2>what that could mean. Because Paul has kept on digging

0:19:03.567 --> 0:19:05.927
<v Speaker 2>and he's made an unbelievable discovery.

0:19:06.487 --> 0:19:09.487
<v Speaker 5>And I remember reading it and I think think it

0:19:09.527 --> 0:19:13.767
<v Speaker 5>was on a sunny Monday morning, and I immediately I knew.

0:19:14.287 --> 0:19:16.527
<v Speaker 5>I felt in all my body, I know, wow, this

0:19:16.767 --> 0:19:18.367
<v Speaker 5>is crazy.

0:19:19.647 --> 0:19:23.487
<v Speaker 2>In twenty eighteen, Paul breaks a big story and it's

0:19:23.527 --> 0:19:27.167
<v Speaker 2>not about the murderers, it's about the victim.

0:19:27.567 --> 0:19:30.767
<v Speaker 3>I found out that Ali Motamet was not Ali mota Met,

0:19:30.887 --> 0:19:35.247
<v Speaker 3>the electrician. He was an electrician, yes, but he lived

0:19:35.287 --> 0:19:38.007
<v Speaker 3>in Holland with a false identity.

0:19:40.007 --> 0:19:45.007
<v Speaker 2>Ali Matamid was, in reality and assumed identity the electrician

0:19:45.007 --> 0:19:48.007
<v Speaker 2>from our mayor had been living a secret life, one

0:19:48.127 --> 0:19:51.167
<v Speaker 2>so secret that even some members of his own family

0:19:51.287 --> 0:19:52.527
<v Speaker 2>didn't know who he really was.

0:19:53.727 --> 0:19:58.127
<v Speaker 3>Ali Motamet was Mohammed Reza colahis so mandy and when

0:19:58.127 --> 0:20:00.767
<v Speaker 3>he was twenty three years old, he plays the bomb

0:20:01.007 --> 0:20:06.727
<v Speaker 3>which blew up seventy four people of the Islamic Republican

0:20:06.767 --> 0:20:07.727
<v Speaker 3>Party in Iran.

0:20:10.087 --> 0:20:15.967
<v Speaker 5>This happened in my city, quite close to where I live,

0:20:17.127 --> 0:20:21.367
<v Speaker 5>and probably the regime, you know, the whole reason I'm

0:20:21.407 --> 0:20:27.087
<v Speaker 5>in Holland. They were able to find someone who they

0:20:27.127 --> 0:20:30.847
<v Speaker 5>were looking for for like at that time, like thirty

0:20:30.887 --> 0:20:36.287
<v Speaker 5>five years, who was like one of their prime targets

0:20:36.327 --> 0:20:41.287
<v Speaker 5>because they wanted to revenge My dad always wanted me.

0:20:41.967 --> 0:20:46.687
<v Speaker 5>They're dangerous, you know, they found him. These are not

0:20:47.167 --> 0:20:49.687
<v Speaker 5>bedtime stories. This is getting real.

0:21:07.287 --> 0:21:11.047
<v Speaker 2>Sometimes you get a glimpse of something, the edge of

0:21:11.087 --> 0:21:13.887
<v Speaker 2>what seems like it might be a much bigger story,

0:21:14.447 --> 0:21:16.967
<v Speaker 2>and it leads you into a whole new place, a

0:21:16.967 --> 0:21:19.807
<v Speaker 2>place where you're not quite sure what's going on, and

0:21:19.847 --> 0:21:23.247
<v Speaker 2>it's hard to know even where to start. That's where

0:21:23.247 --> 0:21:26.447
<v Speaker 2>Paul finds himself after he learns about Ali Mtummit's past.

0:21:27.567 --> 0:21:31.367
<v Speaker 3>I had no sources at all in Iran. I had

0:21:31.407 --> 0:21:34.687
<v Speaker 3>no sources at all in geopolitical world.

0:21:35.967 --> 0:21:38.607
<v Speaker 2>This clearly isn't a local murder case in a small

0:21:38.607 --> 0:21:41.967
<v Speaker 2>town anymore. Paul has been pulled into what looks like

0:21:42.047 --> 0:21:45.847
<v Speaker 2>a targeted assassination plot in the heart of Europe, but

0:21:45.887 --> 0:21:50.727
<v Speaker 2>he doesn't have any proof, just a strong theory. Ulusa

0:21:50.847 --> 0:21:53.647
<v Speaker 2>is looking for answers too. He posts online about the

0:21:53.687 --> 0:21:57.127
<v Speaker 2>case and wonders does anyone know more about Matammad or

0:21:57.287 --> 0:22:01.167
<v Speaker 2>how the Iranian regime might have found him? And Ulasa's

0:22:01.207 --> 0:22:03.287
<v Speaker 2>posts they catch Paul's attention.

0:22:04.167 --> 0:22:08.327
<v Speaker 5>Paul called me, I saw your questions. Let's talk.

0:22:09.087 --> 0:22:12.367
<v Speaker 3>I broke the story. Ulus Elian and I met in

0:22:12.447 --> 0:22:15.967
<v Speaker 3>our mea, had coffee and we tried to make plans

0:22:16.007 --> 0:22:19.207
<v Speaker 3>to find the missing pieces of the puzzle. How can

0:22:19.287 --> 0:22:22.567
<v Speaker 3>we get more insight in the backgrounds.

0:22:22.007 --> 0:22:26.647
<v Speaker 2>Of this Aul? The man his neighbors knew as Alimtomid

0:22:26.687 --> 0:22:29.807
<v Speaker 2>moved to the Netherlands in nineteen eighty five, he wouldn't

0:22:29.807 --> 0:22:32.327
<v Speaker 2>have particularly stood out. It was a time when many

0:22:32.327 --> 0:22:36.527
<v Speaker 2>Iranians were fleeing Iran, just like Ulyssa's father. But Ali

0:22:36.567 --> 0:22:40.927
<v Speaker 2>Mtommid wasn't just fleeing. He was hiding. He was accused

0:22:40.927 --> 0:22:45.967
<v Speaker 2>of carrying out the biggest terrorist attack in modern Iranian history.

0:22:46.007 --> 0:22:49.167
<v Speaker 2>This is a big deal, this bombing in nineteen eighty one.

0:22:49.567 --> 0:22:53.567
<v Speaker 2>It killed a senior Iotola, four cabinet ministers, and reportedly

0:22:53.647 --> 0:22:57.847
<v Speaker 2>dozens of other top Iranian officials. Matamid fled Iran after

0:22:57.887 --> 0:23:00.807
<v Speaker 2>the bombing, but was found guilty in absentia and sentenced

0:23:00.847 --> 0:23:04.367
<v Speaker 2>to death. We don't know much about his years in

0:23:04.407 --> 0:23:06.927
<v Speaker 2>the Netherlands, but we do know that he adopted a

0:23:06.967 --> 0:23:10.607
<v Speaker 2>new identity and built a new life. He married a

0:23:10.647 --> 0:23:13.567
<v Speaker 2>woman who was originally from Afghanistan. They had a son,

0:23:14.087 --> 0:23:16.487
<v Speaker 2>and Matammed got a job at the local electric company.

0:23:17.727 --> 0:23:21.247
<v Speaker 2>For years, he led a simple suburban life. He went

0:23:21.287 --> 0:23:24.087
<v Speaker 2>to work at the same time most days. His neighbors

0:23:24.127 --> 0:23:27.967
<v Speaker 2>thought of him as punctual, trustworthy. No one really knew

0:23:28.047 --> 0:23:32.047
<v Speaker 2>much more about him, but secretly, Mahamed knew that the

0:23:32.047 --> 0:23:35.167
<v Speaker 2>Iranian regime was still looking for him, so he was

0:23:35.207 --> 0:23:39.887
<v Speaker 2>incredibly careful. Reportedly, he didn't even tell his wife his

0:23:39.967 --> 0:23:43.927
<v Speaker 2>true identity until a few years before his death, and

0:23:43.967 --> 0:23:48.607
<v Speaker 2>his son had no idea about Mtummed's past. I keep

0:23:48.647 --> 0:23:51.927
<v Speaker 2>thinking about the loneliness and the isolation of someone who's

0:23:51.927 --> 0:23:54.287
<v Speaker 2>bearing this huge secret from the people in their life

0:23:54.327 --> 0:23:57.727
<v Speaker 2>who they're closest to, someone who spent almost his entire

0:23:57.807 --> 0:24:00.447
<v Speaker 2>adulthood trying to stay one step ahead of people he

0:24:00.527 --> 0:24:03.887
<v Speaker 2>knew were trying to kill him. Mahammed was careful to

0:24:03.927 --> 0:24:07.567
<v Speaker 2>avoid his photograph appearing on social media, but not long

0:24:07.607 --> 0:24:11.207
<v Speaker 2>before his murder he seemed to slipped up. A single

0:24:11.247 --> 0:24:14.327
<v Speaker 2>photograph of him went up on Facebook celebrating his teenage

0:24:14.327 --> 0:24:19.007
<v Speaker 2>son's high school graduation, and months later a BMW pulled

0:24:19.087 --> 0:24:25.367
<v Speaker 2>up outside his house early in the morning. So this

0:24:25.407 --> 0:24:27.807
<v Speaker 2>is a story I've been told to look at the

0:24:27.887 --> 0:24:31.247
<v Speaker 2>murder of a man living a secret life, a man

0:24:31.287 --> 0:24:35.887
<v Speaker 2>on the run from a powerful regime. At this point,

0:24:36.367 --> 0:24:39.127
<v Speaker 2>I can't see the connection between this murder and the

0:24:39.167 --> 0:24:44.447
<v Speaker 2>Dubai supercartel. But then a few months later, something happens

0:24:44.487 --> 0:24:47.127
<v Speaker 2>that takes us one step closer to understanding how all

0:24:47.207 --> 0:24:52.527
<v Speaker 2>of this works. In April twenty sixteen, two Irish detectives

0:24:52.647 --> 0:24:55.887
<v Speaker 2>arrive at a residential address not far from Dublin City Center.

0:24:57.087 --> 0:24:59.167
<v Speaker 2>They have a search warren because they've heard that an

0:24:59.167 --> 0:25:01.807
<v Speaker 2>apartment in this building is being used as a safehouse

0:25:02.047 --> 0:25:06.647
<v Speaker 2>by Ireland's most powerful and dangerous criminal organization. But inside

0:25:06.927 --> 0:25:10.687
<v Speaker 2>there are no irishmen. Instead, the officers find a short

0:25:10.727 --> 0:25:13.727
<v Speaker 2>man with a large belly who speaks only broken English.

0:25:14.727 --> 0:25:17.927
<v Speaker 2>It's clear the man is rich. He's wearing bright blue

0:25:17.967 --> 0:25:22.607
<v Speaker 2>designer sneakers covered in studs. When the detectives search the flat,

0:25:22.647 --> 0:25:26.327
<v Speaker 2>they find thirteen thousand euros in cash and two Rolex watches.

0:25:27.527 --> 0:25:31.527
<v Speaker 2>What's less clear is his identity. He has two different IDs,

0:25:31.927 --> 0:25:35.287
<v Speaker 2>one Dutch one Belgian, each with a different name.

0:25:37.247 --> 0:25:40.327
<v Speaker 4>I remember the morning on which he was arrested and

0:25:40.367 --> 0:25:43.647
<v Speaker 4>I can tell you nobody knew who he was. Shamus

0:25:43.647 --> 0:25:47.287
<v Speaker 4>Boland is Detective Chief Superintendent in the Irish Police Force.

0:25:47.607 --> 0:25:50.967
<v Speaker 4>His officers raided the apartment that day. He was arrested

0:25:51.767 --> 0:25:55.207
<v Speaker 4>for a possession of false documents and there was no

0:25:55.367 --> 0:25:57.327
<v Speaker 4>certainty abode his identity at all.

0:25:58.207 --> 0:26:00.487
<v Speaker 2>The police take him to the station and send his

0:26:00.487 --> 0:26:03.967
<v Speaker 2>fingerprints and photo off to law enforcement agencies around the world.

0:26:04.847 --> 0:26:10.087
<v Speaker 4>It's following his arrest and US issuing a an assistants

0:26:10.167 --> 0:26:14.327
<v Speaker 4>request across Europe that within a number of errors, the

0:26:14.807 --> 0:26:17.687
<v Speaker 4>Dutch police were in touch with us and they identified

0:26:17.727 --> 0:26:22.247
<v Speaker 4>him from the photographs and fingerprints immediately, and senior Dutch

0:26:22.287 --> 0:26:25.047
<v Speaker 4>police officers bordered the plane immediately and flew to Dublin.

0:26:26.967 --> 0:26:30.367
<v Speaker 2>The Dutch police know who the man is, so does

0:26:30.407 --> 0:26:30.967
<v Speaker 2>Paul Vooks.

0:26:31.607 --> 0:26:34.887
<v Speaker 3>He was very well known and notorious in the Amsterdam

0:26:34.967 --> 0:26:35.727
<v Speaker 3>crime scene.

0:26:36.487 --> 0:26:39.767
<v Speaker 2>His name is now for Fassy and Paul calls him

0:26:39.767 --> 0:26:44.487
<v Speaker 2>by his nickname. He's wanted for a string of drug

0:26:44.487 --> 0:26:45.367
<v Speaker 2>related murders.

0:26:46.607 --> 0:26:50.847
<v Speaker 3>He was seen as a guy would do anything for money,

0:26:51.167 --> 0:26:54.367
<v Speaker 3>who would be able to do very serious crimes without

0:26:54.447 --> 0:26:55.287
<v Speaker 3>blinking his eyes.

0:26:56.407 --> 0:26:59.567
<v Speaker 2>Paul doesn't know it yet and noted the police. But

0:26:59.687 --> 0:27:03.247
<v Speaker 2>the man who sent two assassins to murder Alimtamid, it

0:27:03.367 --> 0:27:06.967
<v Speaker 2>was no for not as a murder broker, he can

0:27:07.047 --> 0:27:10.247
<v Speaker 2>arrange the killing of anyone anywhere with just a couple

0:27:10.247 --> 0:27:13.927
<v Speaker 2>of messages sent from his phone. And the people hiding

0:27:13.967 --> 0:27:17.927
<v Speaker 2>the murder broker in their Dublin safehouse, Seamus knows exactly

0:27:18.007 --> 0:27:18.607
<v Speaker 2>who they are.

0:27:19.687 --> 0:27:23.007
<v Speaker 4>That organized crime group has been the primary group for

0:27:23.247 --> 0:27:26.527
<v Speaker 4>the last twenty twenty five years that built the networks

0:27:26.567 --> 0:27:30.127
<v Speaker 4>supplying drugs and firearms of this jurisdiction without a dot.

0:27:32.447 --> 0:27:35.647
<v Speaker 2>That organized crime group, the people who are hiding the

0:27:35.727 --> 0:27:38.527
<v Speaker 2>murder broker in their safe house. They're at the heart

0:27:38.567 --> 0:27:42.127
<v Speaker 2>of the supercartel. They're the men who gathered that day

0:27:42.247 --> 0:27:45.727
<v Speaker 2>for the wedding in the luxury hotel in Dubai. But

0:27:45.767 --> 0:27:49.487
<v Speaker 2>if Ulasa is right, this isn't just a murder, This

0:27:49.647 --> 0:27:53.607
<v Speaker 2>is a state sponsored assassination and it raises a big question.

0:27:54.927 --> 0:28:00.087
<v Speaker 3>What is the link between Nooful, the broker and Irang.

0:28:02.127 --> 0:28:05.527
<v Speaker 2>Why would a hit man working with top cocaine traffickers

0:28:06.047 --> 0:28:10.567
<v Speaker 2>murder someone apparently on behalf of a government And if

0:28:10.567 --> 0:28:13.407
<v Speaker 2>that's what happened, what does that tell us about the

0:28:13.447 --> 0:28:19.047
<v Speaker 2>transformation of international organized crime? To find out, We're going

0:28:19.087 --> 0:28:22.527
<v Speaker 2>to Ireland to talk to someone who's been following the

0:28:22.567 --> 0:28:26.127
<v Speaker 2>family at the heart of the supercartel From the very start.

0:28:27.567 --> 0:28:32.287
<v Speaker 6>You don't know if somebody behind that door has a gun.

0:28:32.887 --> 0:28:36.247
<v Speaker 6>The adrenaline is flowing, you know, your heart is racing.

0:28:37.207 --> 0:28:38.367
<v Speaker 6>Anything could go wrong.

0:28:56.487 --> 0:28:58.967
<v Speaker 2>Hot Money is a production of The Financial Times and

0:28:59.007 --> 0:29:02.367
<v Speaker 2>Pushkin Industries. It was written and reported by me Miles

0:29:02.447 --> 0:29:05.007
<v Speaker 2>Johnson and if you've got any leads or information about

0:29:05.047 --> 0:29:08.047
<v Speaker 2>this story, you can email me at new narcos ft

0:29:08.327 --> 0:29:12.727
<v Speaker 2>dot com. The series producer is Peggy Sutton. Edith Russello

0:29:12.887 --> 0:29:16.567
<v Speaker 2>is the associate producer. Fact checking is by Arthur Gompertz.

0:29:17.167 --> 0:29:20.527
<v Speaker 2>Jason Gambrell and Amanda k Wong are the mixing engineers.

0:29:20.887 --> 0:29:25.047
<v Speaker 2>Sound design from Jake Gorsky, Jeremy Walmsley wrote the original music.

0:29:25.447 --> 0:29:29.007
<v Speaker 2>Our editor is Sarah Nix, and the executive producers are

0:29:29.087 --> 0:29:33.487
<v Speaker 2>Jacob Goldstein and Cheryl Brumley. Special thanks to Rilla Klaff,

0:29:33.687 --> 0:29:38.087
<v Speaker 2>Marshall Wallraven, Laura Clark, Alistair, Mackie Green Turner, Jude Webber

0:29:38.127 --> 0:29:38.847
<v Speaker 2>and rich Ward