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Speaker 1: So I get the call from Susan Boil.

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Speaker 2: She says, I'm.

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Speaker 1: Expecting this call. She came to my house a dog said.

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Speaker 1: I figured she's just like updating me. She says, Okay,

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Speaker 1: I I try to go into the house. I didn't

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Speaker 1: want to scare the dog, so I try to go

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Speaker 1: and like a dog through the dog door. We don't

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Speaker 1: have a dog door. I think she just like burrowed

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Speaker 1: through the screen. Okay, she said. It's created a sort

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Speaker 1: of Chinese finger trap effect. I'm picturing it where she's

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Speaker 1: now stuck right she's managing to call me. It's hard.

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Speaker 2: I'm really good at Chinese finger traps, so you may

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Speaker 2: have to use a different analogy because I know the trick.

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Speaker 1: That's interesting that you would say that you would think

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Speaker 1: you specifically are good at them. I'm excellent because you

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Speaker 1: go around saying with your fingers in them, saying I

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Speaker 1: know how to get this off.

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Speaker 2: Yes, But then why don't you just not have it on?

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Speaker 2: Because then I guess people wouldn't know there's no trick

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Speaker 2: and you can't Why if a magician has a deck

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Speaker 2: of cards and it's like I can guess which card

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Speaker 2: is yours, Like, why doesn't he just not have the cards?

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Speaker 2: You know, that's what you're saying. I mean, that's literally

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Speaker 2: what you're saying.

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Speaker 1: Okay, So you going around like that, it's not because

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Speaker 1: your fingers are stuck. It's because you can't please, you

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Speaker 1: can't reveal the secret.

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Speaker 2: I'm just telling you. I can get out of this.

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Speaker 2: This thing's gonna be off later tonight and probably again

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Speaker 2: after that.

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Speaker 1: Anyway.

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Speaker 2: But Susan stuck for real, stuck, not stuck like my

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Speaker 2: fingers a piece to be when I am actually able

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Speaker 2: to get them out.

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Speaker 1: And she's been there at the time I get this call,

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Speaker 1: she's she's embarrassed, she doesn't want to call me. She's

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Speaker 1: been there for a few days. The male, the mailman,

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Speaker 1: thinks hurt.

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Speaker 2: But is the male Yeah, yes, yes, And so the

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Speaker 2: male is sticking the mail in and her butt.

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Speaker 1: And I don't want criminals to like go by. Part

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Speaker 1: of the job is like bringing the male inside. And

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Speaker 1: I don't want criminals to come by see the male

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Speaker 1: piling up in Susan Boyle's butt and know that I'm not,

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Speaker 1: do you know what I mean? So this is what

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Speaker 1: I'm worried about, and this is why I wish you

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Speaker 1: would tell me how to release a Chinese finger trip

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Speaker 1: so I could get hurt because if I do that,

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Speaker 1: the male is piling up that piling up dead.

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Speaker 2: Meat at parties from now on, because that is the

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Speaker 2: main thing I talk about.

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Speaker 1: That you know how to get a chance?

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Speaker 2: I say it. No one has asked me to do

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Speaker 2: it yet, but that lets me sort of float above

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Speaker 2: the fray, and I would be lost without that gimmick.

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Speaker 2: So I can't tell you how to do that. Here's

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Speaker 2: what I can offer to do, and I don't know

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Speaker 2: if it helps. I know a guy who makes great

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Speaker 2: doggie doors. You're saying the problem is that you don't

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Speaker 2: have one.

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Speaker 1: Right, Yeah, I mean does it? Does he build them

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Speaker 1: around people? Because I never asked him to do that.

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Speaker 1: That sounds like a good cost. More the the option

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Speaker 1: we have because the door is not we can't use

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Speaker 1: the door with her in it, so you know we

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Speaker 1: have to otherwise we have to move.

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Speaker 2: Okay, Well I have another offer for you. Do you

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Speaker 2: want to move in with me?

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Speaker 1: Is that when you say that with you're not worried

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Speaker 1: about my dye, I'm worried that you're too. Yeah, Yeah,

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Speaker 1: I could see you. I would be trying to keep

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Speaker 1: it a secret. Your teeth are chattering when you when

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Speaker 1: you asked that, I.

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Speaker 2: Don't know why I said it, because it really I'm

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Speaker 2: going to be in big trouble if he even hears

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Speaker 2: that I float.

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Speaker 1: That you asked.

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Speaker 2: Yeah, yeah, and I've been accidentally leaving my Bluetooth on lately,

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Speaker 2: and so here's a lot of what I say.

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Speaker 1: Well, he's also got a Bluetooth. Bluetooth.

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Speaker 2: It's very Oh you got a nice one. Yes, yeah,

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Speaker 2: it's big, huge, huge.

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Speaker 1: It's created like an African tribal effect of the low Yeah, yeah.

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Speaker 2: Yeah, No one's arguing with you. Hey, welcome to Hollywood Handbook,

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Speaker 2: and it's I just gut to kicking button dropping names

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Speaker 2: in the red carpet lineback hallways of this industry we

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Speaker 2: call showbiz.

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Speaker 1: And that's a spooky one.

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Speaker 2: You know.

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Speaker 1: We like to get mad about animals.

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Speaker 2: Oh god, Well, a lot of people have been wondering. Okay,

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Speaker 2: Sean Hayes, you're going to weigh in on this cecil thing,

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Speaker 2: which is sad as you probably are thinking. Well, you

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Speaker 2: guys have both said before that you hate hearing anyone

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Speaker 2: else called king of the jungle, and you feel a

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Speaker 2: real need to establish that you're the king of the jungle,

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Speaker 2: and so are you on the side of the mean,

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Speaker 2: evil dentist.

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Speaker 1: No, let's talk about cowards. Cowards are men who enter

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Speaker 1: fights with animals or anybody and use technology, technology and tools.

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Speaker 2: And inventions, yes, and gadgets and items.

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Speaker 1: Because let's think about animals. Let's think about fighting. And

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Speaker 1: like the first fight mm hm, David verse Goli or wait,

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Speaker 1: which one? That's what I was going to say, exactly,

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Speaker 1: Goliath shows up, probably planting, without any weapons of any kind,

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Speaker 1: and yes, and then David brings out a shooting machine

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Speaker 1: and destroys Goliath that way because he's the first coward, that's.

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Speaker 2: Right, And that really started us off on a lot

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Speaker 2: of wars because it is a story from religion, and

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Speaker 2: so that's early Christianity and they're telling all these stories

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Speaker 2: about use weapons, and now religion has killed more people

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Speaker 2: than every disease.

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Speaker 1: That's my fault because when you started saying it, I

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Speaker 1: was agreeing with.

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Speaker 2: You, that's all right, and I did back you into it,

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Speaker 2: and I was hoping you were saying.

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Speaker 1: I should have snipped it off very quickly.

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Speaker 2: So isn't this guy mean dentist just doing what all

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Speaker 2: people of his religion do, which is try to be

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Speaker 2: more like David and use these.

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Speaker 1: Tools when you fight animals, hunt, do whatever. The way

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Speaker 1: you really become king of the jungle is you use

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Speaker 1: your hands only. No close fist, yes, open, open palm, open,

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Speaker 1: pomp open, open fingers, so your hands are splayed out

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Speaker 1: like a star, and you can do anything in that.

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Speaker 1: In that position, you can chop, you can do a

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Speaker 1: chopping motion.

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Speaker 2: If you bunch too many fingers together, that's really cheating

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Speaker 2: because then it starts to have a density in that

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Speaker 2: part of your hand. That's an unfair advantage of the

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Speaker 2: animal kingdom. And you know, I'm going to say something controversial.

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Speaker 2: I could have him, would have killed Cecil Delia myself

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Speaker 2: if he came across me, sure, but it would have

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Speaker 2: been a fair fight because I would have been slapping

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Speaker 2: him about that.

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Speaker 1: Yes, rapidly chopping his head. I would have been playing.

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Speaker 2: The bongos on his butt essentially, And if he managed

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Speaker 2: to get in with it, I would hope he would

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Speaker 2: be honorable enough not to use his claws or teeth.

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Speaker 2: But if he managed to get in some shots with

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Speaker 2: his claws and teeth, then Okay, now.

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Speaker 1: We've got a real battle on our hands.

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Speaker 2: But I would think he should just be using open paw.

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Speaker 2: And maybe he's allowed to swing his tail at me too.

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Speaker 2: You use it like a lass, sue.

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Speaker 1: Yes.

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Speaker 2: Maybe he tries to wrap his tail around my neck

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Speaker 2: and choke me with it. And then what am I

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Speaker 2: doing fanning my hands around, just waving my wrists and

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Speaker 2: doing big trying to chop his tail off with your

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Speaker 2: hand mm hmmm. And if I managed to do that,

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Speaker 2: fair play to me. Hm. But the thing that is

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Speaker 2: disgusting to me is that this dentist is not only

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Speaker 2: using dental tools at work tools. Yeah, he should. He

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Speaker 2: should be using his open hand, two hands. Yes, we

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Speaker 2: already got the hand. That's great, uh huh.

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Speaker 1: Putting Yeah, like a filling in the mushy, mushing it

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Speaker 1: in with your open hand.

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Speaker 2: Well yeah, squish it up with your fingers and get

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Speaker 2: it all squished in just the right shape, and you

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Speaker 2: can shape it and stick it in there and smish

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Speaker 2: it in. And if you do that, that's good. But

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Speaker 2: he's using that and then he's shooting arrows guns and

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Speaker 2: going to Africa and it's not allowed. And he's on

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Speaker 2: my list of naughty, no, no boys. And if he

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Speaker 2: meets me in the street, open Palm's coming for your brother.

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Speaker 1: And if you kill cessl the lion, great, cut its

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Speaker 1: head off, great, but you got it. Eat it.

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Speaker 2: You have to eat everything, even the dick. I mean,

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Speaker 2: like I hate, can't waste.

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Speaker 1: I hate to say it that way, but you no,

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Speaker 1: but people want to you know what you mean, eat

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Speaker 1: the dick.

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Speaker 2: You can't waste a single bit of it. And part

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Speaker 2: of what people have said up because it's like, I'm

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Speaker 2: not mad at deer hunters in areas where deer are

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Speaker 2: overpopulated and people are shooting it to eat the venison meat.

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Speaker 2: Some people eat meat. If you're all vegetarian, then maybe

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Speaker 2: you can have that high horse. But I unfortunately have

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Speaker 2: had a sausage, so I can't say that. But having

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Speaker 2: had a sausage, I know that if I did get

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Speaker 2: in a hand to hand fight with Cecil, and I

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Speaker 2: do believe I would have probably slapped his head clean

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Speaker 2: off with my open pop, I do have to eat

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Speaker 2: his dick afterwards. M And that's just because you can't

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Speaker 2: waste anything.

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Speaker 1: Or use it for some I mean, if you were

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Speaker 1: to go back and then use that to be a

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Speaker 1: dentist with then that is okay. You are allowed to

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Speaker 1: use it for tools.

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Speaker 2: You have to eat all of it, and you can

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Speaker 2: use some of the bones for tools, or you can

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Speaker 2: grind them up in like a Vita mix or something

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Speaker 2: mm hmm, in like a kale smoothie. So I mean,

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Speaker 2: people are gonna be upset. Obviously, it's maybe vulgar. We're

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Speaker 2: talking about killing a noble animal that people are already

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Speaker 2: upset about, and we're talking about eating parts of his body.

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Speaker 1: That are unsavory. But then otherwise what you've got is

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Speaker 1: just a lion's dick, just laying there the desert, just

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Speaker 1: doing nothing for anyone, just wasted there baking in the sun.

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Speaker 2: Yeah, which is a hazard. So what I want to

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Speaker 2: say to this dentist is anytime any place you and

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Speaker 2: me open hands, I will knock your head off and

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Speaker 2: I will eat you afterwards, piece by piece, because I

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Speaker 2: fight fair.

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Speaker 1: He should wear the lion's head if he's going to

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Speaker 1: do this like he like if if he is going

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Speaker 1: to do the big fight with you, what if he

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Speaker 1: showed up Imagine would you not be scared if he

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Speaker 1: showed up with Ceyl Alliant's head on his head.

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Speaker 2: He's he's got it on his head.

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Speaker 1: Yes, he's wearing it as I guess he would have

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Speaker 1: to like scoop some of the inside part out, but

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Speaker 1: then put it on and then he's showing up to

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Speaker 1: scare you at the beginning of the time.

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Speaker 2: Sounds he making.

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Speaker 1: Well what if he was making a ghost sound like

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Speaker 1: he was Cecil's ghost.

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Speaker 2: He's the ghost of it.

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Speaker 1: He's the ghost.

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Speaker 2: Okay, I thought you were going to say a roar. No, okay,

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Speaker 2: that's really scary, alliance ghost. Fortunately, what I know you

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Speaker 2: have to is my fear feeds my adrenaline, and my

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Speaker 2: adrenaline makes my slaps even stronger.

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Speaker 1: You go crazy, Oh gosh, that's the thing.

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Speaker 2: That's the thing about I'm not the biggest.

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Speaker 1: And wing around and go crazy.

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Speaker 2: Oh yes, there is no thought to anything I'm doing.

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Speaker 1: M hmm. It is just blind effort. Which is why

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Speaker 1: I wonder in boxing, why they don't.

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Speaker 2: White people aren't just swinging wild, just flying off, crawling

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Speaker 2: around and just yelling yeah yeah, that's a better fight.

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Speaker 2: Swinging so hard that you can't get in, swinging too fast,

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Speaker 2: just doing like a helicopter, just constant.

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Speaker 1: So even if they tried to get near you they

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Speaker 1: get punched.

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Speaker 2: Oh please, Yeah, no, that that actually would end the

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Speaker 2: sport because if anyone ever found that secret, then there'd

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Speaker 2: be no more matches. It would just be too Their

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Speaker 2: first guy hit is out for the end of history.

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Speaker 1: People have probably scared of throwing up. Yeah, from spinning.

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Speaker 2: That's never been frightening to me because I know that's

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Speaker 2: just my body getting it.

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Speaker 1: Out throwing up, and from spinning so hard it's just

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Speaker 1: blasting everywhere in a circle like a sprinkler. I know

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Speaker 1: you wouldn't be scared of that. Hey, how long have

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Speaker 1: you know me? You're asking if I know anything about you,

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Speaker 1: it's that you're not scared of throwing out. No, I'll

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Speaker 1: do it everywhere.

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Speaker 2: So that's it. We're John fucking Mike Stills here. See

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Speaker 2: you want to see you? Oh stick stick around.

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Speaker 1: Actually on Hollywood hairbook. So I'm signing for.

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Speaker 2: The package and I look up and I sort of

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Speaker 2: look under the brim of the cat of the ups

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Speaker 2: person and I go, Carlo Coagino, is that you? And

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Speaker 2: she says, oh, yes, busted. Yeah, Hi Sean. But I'm

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Speaker 2: studying for a role where I'm going to play a

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Speaker 2: mail carrier and I said, well, you're doing a very

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Speaker 2: bad job, because a mail carrier would never tell me that.

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Speaker 2: They would always just say, like, as I'm Carla and

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Speaker 2: I am working at UPS.

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Speaker 1: What's her name written under the brim of her cat?

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Speaker 1: Is that? No?

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Speaker 2: But she had her head tilted down in such a

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Speaker 2: way that I hadn't seen her face when I initially

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Speaker 2: took the package. And then something inside my belly just

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Speaker 2: told me, get a look at this face.

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Speaker 1: So what was so? Because what was body looked good?

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Speaker 1: What was written under the brim of the under the

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Speaker 1: brim of the cap it was not her name? What

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Speaker 1: else would be written?

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Speaker 2: I mean on the bottom of the brim, because I

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Speaker 2: was just saying I was looking at her face. But

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Speaker 2: on the bottom of the brim, what was written? Yeah,

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Speaker 2: it was just a You're just an ancient maxim. One

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Speaker 2: of Marcus Aurelius is ancient maxims. And it was and

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Speaker 2: I and I thought, oh, this is a bit of

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Speaker 2: wisdom to take with me. I can't I think it

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Speaker 2: was something about a pound of feathers, and I can't.

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Speaker 2: I can't recall exactly.

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Speaker 1: Yeah, no, I know that one, yes, And it was

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Speaker 1: a pound of feathers. Is worth more brain teaser than

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Speaker 1: a pound of salt. Live birds because they fly, you

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Speaker 1: have them. Oh, you have salted as salted birds feathers can't. Yes,

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Speaker 1: and so which was food back then? Well it used

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Speaker 1: to be yes, because that's how you kept it fresh.

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Speaker 2: Yes, And you say gagino, gagino. I always thought it

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Speaker 2: was googino, could gino? I always thought it was googino. Oh, okay,

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Speaker 2: because she has those big guginos. Oh, I don't know about.

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Speaker 2: I don't know about.

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Speaker 1: You don't know what.

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Speaker 2: I just know my friend Carla, who's very bad mail

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Speaker 2: carrier but a pretty good actress.

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Speaker 1: Hey, welcome to Hollywood handle kicking names of the red

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Speaker 1: carpet lineback always of this industry we call showbiz, and

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Speaker 1: here we go. Fast company. What's that ferrari because the

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Speaker 1: cargo fast?

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Speaker 2: No? Oh, well, is it a group of teenage friends

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Speaker 2: that are getting into all kinds of crimes and maybe

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Speaker 2: the girls that are, like you're keeping fast company go

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Speaker 2: around with a bit of a fast company.

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Speaker 1: Yeah? No, No, it's magazine, and the hottest magazine on

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Speaker 1: the planet. And the magazine is a podcast that you

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Speaker 1: can whole look and look at and get in the

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Speaker 1: pages of yes in the mail in the from your phone.

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Speaker 2: So Mike still is here and he's a guest. And

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Speaker 2: why did we talk about a magazine before.

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Speaker 1: We say his name, because he was in Fast Company magazine.

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Speaker 1: When we here, we have Sean was talking about male

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Speaker 1: men male person. Yeah, which is they bring the mail

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Speaker 1: to your house. You don't have to go to the.

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Speaker 2: Market like the I know what you're talking about. You

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Speaker 2: don't need to find the word.

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Speaker 1: In the In some parties of the country that you

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Speaker 1: get your mail by auction basically m M and you

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Speaker 1: you know you you highest bidder gets the best whatever.

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Speaker 2: Male, Well, there's one piece of mail per week and

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Speaker 2: then uh, a lot of times there's one guy in

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Speaker 2: town who usually outbids everyone for Yes. Here it comes

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Speaker 2: to your house. Times they bring a magazine, Fast Company magazine. Mike.

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Speaker 1: Let's uh, you were in the magazine. How would you

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Speaker 1: describe what Fast Company magazine is all about?

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Speaker 3: Fast Company Magazine. Uh, first of all, thank you for

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Speaker 3: having me here, and I feel blessed.

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Speaker 1: Thank you for showing up. Problem. You know some people don't.

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Speaker 1: Oh yeah, oh well, you know, people get busy and

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Speaker 1: they forget things.

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Speaker 2: That's what they say.

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Speaker 1: Yeah, I wish they'd just offer an excuse like that,

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Speaker 1: you know, that there was some kind of emergency, something

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Speaker 1: bad happened.

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Speaker 2: Yeah, that hurt. Yeah, I'd like that better than just

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Speaker 2: I forgot I'm busy.

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Speaker 3: Yeah, or just a three or four exclamation points or

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Speaker 3: question marks when someone you say, hey, why weren't you

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Speaker 3: there and they just write back three question marks?

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Speaker 1: Yeah?

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Speaker 2: You know that always feels they're engaged in a mystery. Yeah, yeah,

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Speaker 2: they're solving things. Well, Uh, you do know what this

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Speaker 2: magazine's about, right, I hope you're not stalling.

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Speaker 3: Fast Company is Ah, it's a magazine and as far

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Speaker 3: as I know, it's one of the three or four

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Speaker 3: magazines that are left.

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Speaker 1: Yeah yeah, yeah, uh.

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Speaker 3: And what I think is so great about it is, uh,

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Speaker 3: they do a lot of sidebars, they do a lot

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Speaker 3: of lists, and some of their graphics are excellent.

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Speaker 1: What are the other magazines that we still have left?

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Speaker 1: Coffee Magazine? Coffee mag Did you read that xpos? Yes?

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Speaker 1: I got so offended. Oh yes, it really well you

351
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Speaker 1: don't think that? Yes?

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00:19:30,160 --> 00:19:33,240
Speaker 2: Yes, the beans? You don't know how much is in

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Speaker 2: those beans?

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Speaker 1: No?

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Speaker 3: No, And like I'm going to give my kids coffee anymore?

356
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Speaker 3: Sam will not touch it. Oh right, yeah, and we'll

357
00:19:42,280 --> 00:19:46,880
Speaker 3: never touch it again. Well Sam, Well, Sam's not touching much.

358
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Speaker 3: He blew his hands off with fireworks.

359
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Speaker 1: I touch it that he can't touch it.

360
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Speaker 2: Okay, yes, I'm sorry that's insensitive, but.

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Speaker 1: I mean I shall say Sam's not going to prod

362
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Speaker 1: coffee anymore.

363
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Speaker 3: You're right, You're right, and we have joked about it.

364
00:20:01,840 --> 00:20:03,280
Speaker 3: I know it was less than a month ago. I

365
00:20:03,359 --> 00:20:07,320
Speaker 3: was on July four, yes, yes, very recent, and but.

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Speaker 1: We got right in there.

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Speaker 3: And because that's you know, I think that's what the

368
00:20:11,000 --> 00:20:12,800
Speaker 3: to bring it back to Fast Company, that's what the

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Speaker 3: magazine's all about.

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Speaker 2: And his favorite Yes, his favorite football player, Jason Pierre Paul.

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Speaker 2: So he Sam and so he want to blows Hanno.

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00:20:21,119 --> 00:20:25,680
Speaker 2: They were holding hands, yes, well, and that's one of

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Speaker 2: the downsides of being such a public figure. You can

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Speaker 2: get your kid in touch with some of his heroes

375
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Speaker 2: like you did.

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Speaker 1: But sometimes they'll hold hands around a big rocket watching

377
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Speaker 1: the space together off And I think it's important, you know,

378
00:20:41,400 --> 00:20:45,960
Speaker 1: thinking about parenting, is it's important to like listen to

379
00:20:46,040 --> 00:20:48,159
Speaker 1: the things they're saying. Like he all year has been

380
00:20:48,200 --> 00:20:49,440
Speaker 1: like I want to blow my hands off. I want

381
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Speaker 1: to blow my hands off.

382
00:20:52,400 --> 00:20:54,720
Speaker 2: Sure, and you don't want you don't want to discourage

383
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Speaker 2: the imagination of a creative kid.

384
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Speaker 1: I don't know for water on that.

385
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Speaker 2: So you know, you just want to say because my

386
00:21:00,800 --> 00:21:03,560
Speaker 2: my parents didn't tell me I could become anything I

387
00:21:03,680 --> 00:21:06,720
Speaker 2: want now, And so for a while I thought, oh

388
00:21:07,400 --> 00:21:10,320
Speaker 2: what do I do? And you and you never are

389
00:21:10,359 --> 00:21:13,000
Speaker 2: just there to feed the geese, and you did for

390
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Speaker 2: a long time. Uhuh did you see that list of

391
00:21:16,000 --> 00:21:17,800
Speaker 2: the best geese?

392
00:21:18,080 --> 00:21:22,600
Speaker 1: Best geese? Yeah, the main one from Flyaway Home.

393
00:21:22,800 --> 00:21:26,760
Speaker 3: That's definitely the best. Cause yeah, one Disney one with it.

394
00:21:27,080 --> 00:21:28,760
Speaker 3: Where's the bow tie hunk?

395
00:21:29,880 --> 00:21:32,879
Speaker 1: Right? One bit somebody's nose?

396
00:21:33,480 --> 00:21:38,880
Speaker 2: Oh yeah, Oh the one that flew in Fabio's face. Yes, yes,

397
00:21:40,400 --> 00:21:43,560
Speaker 2: so that's we named a few geese. Oh the one

398
00:21:43,640 --> 00:21:48,720
Speaker 2: that killed Sully. Oh yeah, I have to get revenge.

399
00:21:49,040 --> 00:21:52,280
Speaker 3: Yeah, because one Sully flew through that flock of geese.

400
00:21:52,840 --> 00:21:55,960
Speaker 3: The geese have the longest memories of all birds, and

401
00:21:56,080 --> 00:21:59,040
Speaker 3: they have the deepest sense of revenge of all birds.

402
00:22:00,520 --> 00:22:04,439
Speaker 2: That's the truth, that's true. But but anyway, Yeah, your

403
00:22:04,520 --> 00:22:06,280
Speaker 2: kid kept telling you he wanted to blow his hands off.

404
00:22:07,560 --> 00:22:10,000
Speaker 1: You don't want to say no, you can't, and you

405
00:22:10,080 --> 00:22:12,640
Speaker 1: don't know what if that's like kids slang, But when

406
00:22:12,680 --> 00:22:14,600
Speaker 1: I was a kid, that used to mean uh.

407
00:22:15,480 --> 00:22:19,200
Speaker 2: Jerking off, well yeah, or getting jerked off as like

408
00:22:19,280 --> 00:22:21,560
Speaker 2: they'd say like, how was you know, how was your

409
00:22:21,640 --> 00:22:23,640
Speaker 2: date with Liz? And I'd go, I blew her hands off?

410
00:22:25,080 --> 00:22:29,800
Speaker 1: And I to say that, yeah, And it doesn't mean

411
00:22:29,880 --> 00:22:33,080
Speaker 1: you are actually losing your hand. It means that you

412
00:22:33,200 --> 00:22:35,359
Speaker 1: can hard.

413
00:22:35,480 --> 00:22:37,720
Speaker 3: Oh yeah, so hard that they flew out, you know.

414
00:22:38,000 --> 00:22:40,639
Speaker 3: And that's what's tough is that I didn't I want to.

415
00:22:40,800 --> 00:22:43,200
Speaker 3: First of all, I'm a very sex positive role model.

416
00:22:43,320 --> 00:22:46,119
Speaker 2: Yes, with my son, that's huge, And I'm glad you

417
00:22:46,240 --> 00:22:49,000
Speaker 2: brought that up because that is huge and that's a

418
00:22:49,119 --> 00:22:49,960
Speaker 2: passion of your.

419
00:22:50,160 --> 00:22:52,600
Speaker 1: I try to be sex positive. So when he's saying this,

420
00:22:52,760 --> 00:22:55,960
Speaker 1: I'm like, great, Sam, good, I want you to blow

421
00:22:56,000 --> 00:22:58,560
Speaker 1: your hands off. I'm glad that that's happening. I don't

422
00:22:58,560 --> 00:23:02,560
Speaker 1: want to shame him. I think masturbation is bad, no,

423
00:23:02,760 --> 00:23:05,800
Speaker 1: because it fucking rules. It's great. How is he doing it?

424
00:23:05,920 --> 00:23:06,440
Speaker 1: These days?

425
00:23:06,880 --> 00:23:10,199
Speaker 3: It's tougher for him. He Uh he does this thing

426
00:23:10,200 --> 00:23:14,679
Speaker 3: where he takes two pillows. Now he kind of rides them, uh,

427
00:23:15,200 --> 00:23:18,520
Speaker 3: like he's riding like a recumbent bicycle upside down.

428
00:23:18,960 --> 00:23:23,440
Speaker 1: M Yeah, and he's kind of moves his feet.

429
00:23:23,359 --> 00:23:25,919
Speaker 2: He's pedaling his legs in order to create the friction.

430
00:23:26,240 --> 00:23:30,080
Speaker 1: Yeah, it's harder for him without hands. Yeah, you don't

431
00:23:30,119 --> 00:23:33,359
Speaker 1: realize how much. And you know, and you use your

432
00:23:33,400 --> 00:23:36,800
Speaker 1: hands to Yeah, we take it for granted.

433
00:23:36,760 --> 00:23:38,119
Speaker 2: And then I never think about that.

434
00:23:39,520 --> 00:23:41,919
Speaker 1: Also, half of the feeling of masturbation is pretty much

435
00:23:41,960 --> 00:23:45,720
Speaker 1: your poems. Yes, yes, yeah it is.

436
00:23:45,880 --> 00:23:48,440
Speaker 2: So I get so excited about how my palms feel

437
00:23:48,560 --> 00:23:54,880
Speaker 2: that I am that I find up ejaculated. But and so, yeah,

438
00:23:54,960 --> 00:23:58,920
Speaker 2: you don't realize like how much you're losing because people think, like, oh,

439
00:23:59,080 --> 00:24:01,720
Speaker 2: how do you hold the four great spaghetti? Sure, but

440
00:24:01,880 --> 00:24:05,040
Speaker 2: it's like also, you gotta jerk off, and you got

441
00:24:05,119 --> 00:24:06,120
Speaker 2: to it's hard for him.

442
00:24:06,640 --> 00:24:09,639
Speaker 1: Yeah, it's it's hard for everyone. It's hard for everyone

443
00:24:09,680 --> 00:24:12,919
Speaker 1: in the family. Yeah, I bet that's difficult. It's hard

444
00:24:12,960 --> 00:24:17,600
Speaker 1: for everyone in the family to masturbate. Yeah, because now

445
00:24:17,640 --> 00:24:19,360
Speaker 1: you don't want to make it feel weird. We don't

446
00:24:19,359 --> 00:24:20,160
Speaker 1: want to make him feel weird.

447
00:24:20,200 --> 00:24:21,800
Speaker 2: Well, you're doing it like he does it now, you're

448
00:24:21,840 --> 00:24:23,479
Speaker 2: doing the pillow thing on the couch, right and next

449
00:24:23,480 --> 00:24:24,200
Speaker 2: to him to try.

450
00:24:24,040 --> 00:24:26,800
Speaker 1: To be like, hey, it's okay. Trying to normalize his

451
00:24:26,960 --> 00:24:29,399
Speaker 1: sexual growth is super important in my family. M hm.

452
00:24:30,920 --> 00:24:34,879
Speaker 2: That's a great story of family. And I want to

453
00:24:35,000 --> 00:24:38,000
Speaker 2: say for regular listeners that when he does talk about

454
00:24:38,040 --> 00:24:40,960
Speaker 2: his son Sam, this is not my little cousin Sam. No,

455
00:24:41,680 --> 00:24:44,360
Speaker 2: because we do have a Sam on the podcast who

456
00:24:44,400 --> 00:24:45,119
Speaker 2: we talk about a lot.

457
00:24:45,240 --> 00:24:47,760
Speaker 1: Oh that no, no, no, that is that is totally different.

458
00:24:47,800 --> 00:24:50,000
Speaker 1: That is his hand thing he was born with.

459
00:24:50,920 --> 00:24:55,639
Speaker 2: Yeah, yeah, yeah, yeah, and that's just he he was

460
00:24:55,760 --> 00:24:58,119
Speaker 2: born gluing his hands together.

461
00:24:58,600 --> 00:25:02,680
Speaker 1: That's so wild. Yeah. Yeah, he was doing it on

462
00:25:02,880 --> 00:25:04,040
Speaker 1: his way out. Yeah.

463
00:25:04,440 --> 00:25:07,960
Speaker 3: It's an enzyme that can create glue. Mm hmmm, just

464
00:25:08,040 --> 00:25:11,000
Speaker 3: coming out of his palms. That stuff for masturbation for

465
00:25:11,080 --> 00:25:14,120
Speaker 3: different reasons. You start getting your hands glued to your penis.

466
00:25:14,040 --> 00:25:20,000
Speaker 2: Yes, King Midas, Yeah, it's the same old turns to

467
00:25:20,280 --> 00:25:21,720
Speaker 2: you glued to it, you glue, you're.

468
00:25:21,640 --> 00:25:23,480
Speaker 1: Glued to it, and then you can't and you're making

469
00:25:23,600 --> 00:25:26,520
Speaker 1: solid gold records.

470
00:25:26,680 --> 00:25:31,320
Speaker 2: Careful what you wish for. Yeah, but we're talking about

471
00:25:31,440 --> 00:25:36,000
Speaker 2: Fast Company, and so we were saying lists and we

472
00:25:36,119 --> 00:25:39,000
Speaker 2: were saying something else. You were featured in an article

473
00:25:39,080 --> 00:25:42,199
Speaker 2: in Fast Company. You were the star of the article.

474
00:25:42,359 --> 00:25:44,000
Speaker 2: With the start of the article people in it.

475
00:25:44,359 --> 00:25:46,720
Speaker 1: It's pretty good. I had a lot of lines in

476
00:25:46,800 --> 00:25:48,120
Speaker 1: that article of things.

477
00:25:48,440 --> 00:25:50,359
Speaker 3: I don't know if you've ever been interviewed for anything,

478
00:25:50,400 --> 00:25:52,000
Speaker 3: but they will sit there and they will they'll write

479
00:25:52,000 --> 00:25:53,400
Speaker 3: down what you're saying, and then they'll.

480
00:25:54,200 --> 00:25:56,440
Speaker 1: We were one of LA Weekly's best people of twenty

481
00:25:56,480 --> 00:25:59,560
Speaker 1: fourteen and we were in Splitsider, and we were considered

482
00:25:59,680 --> 00:26:01,560
Speaker 1: for an article in the AV Club, but they well,

483
00:26:01,640 --> 00:26:05,159
Speaker 1: there wasn't enough, no room in which can know how

484
00:26:05,200 --> 00:26:07,879
Speaker 1: selected the AV Club. And that does happen all on

485
00:26:08,000 --> 00:26:11,400
Speaker 1: websites that they just get too full. It's bandwidth. You're

486
00:26:11,400 --> 00:26:14,040
Speaker 1: paying for so much bandwidth. And so if you released

487
00:26:14,200 --> 00:26:14,840
Speaker 1: let's say.

488
00:26:14,680 --> 00:26:17,880
Speaker 2: They released maybe four to ten articles a day. Yeah,

489
00:26:18,000 --> 00:26:22,240
Speaker 2: so just imagine if they did five or eleven, how

490
00:26:22,720 --> 00:26:23,840
Speaker 2: uncomfortable that might be.

491
00:26:24,040 --> 00:26:27,680
Speaker 3: It seems like a small increase one to you, see,

492
00:26:28,480 --> 00:26:30,200
Speaker 3: it seems like small. But if you do the math,

493
00:26:30,400 --> 00:26:33,679
Speaker 3: and I know your listeners always have some a pencil

494
00:26:33,720 --> 00:26:34,600
Speaker 3: and paper ready.

495
00:26:34,880 --> 00:26:39,600
Speaker 1: Yes, they scoop true. Time to crunch the numbies all right,

496
00:26:39,800 --> 00:26:41,920
Speaker 1: Time to crunch them numbies. They know what they know

497
00:26:41,960 --> 00:26:42,480
Speaker 1: what that means.

498
00:26:42,560 --> 00:26:46,879
Speaker 3: So take four and then I add one to it,

499
00:26:48,000 --> 00:26:49,520
Speaker 3: and then now you have five. Now I want to

500
00:26:49,520 --> 00:26:50,439
Speaker 3: play that by seven.

501
00:26:51,440 --> 00:26:52,800
Speaker 2: Yes, because if they do it for us, they have

502
00:26:52,880 --> 00:26:53,720
Speaker 2: to do it for everyone.

503
00:26:53,920 --> 00:26:57,560
Speaker 1: Mm hmm. And the website is on every day. Oh

504
00:26:57,960 --> 00:26:59,080
Speaker 1: please more than that.

505
00:26:59,240 --> 00:27:03,520
Speaker 2: Almost. I won time one in the morning, went to

506
00:27:03,560 --> 00:27:05,520
Speaker 2: look at it. I'm still doing it.

507
00:27:05,640 --> 00:27:06,560
Speaker 1: It was still going.

508
00:27:06,800 --> 00:27:07,000
Speaker 2: Yes.

509
00:27:07,640 --> 00:27:10,480
Speaker 1: I remember in the nineties when we first got the

510
00:27:10,560 --> 00:27:14,760
Speaker 1: internet and the teacher. We had one teacher. The teacher

511
00:27:14,880 --> 00:27:18,040
Speaker 1: called us all in. Yes, yes, yes, the country teacher.

512
00:27:18,440 --> 00:27:20,080
Speaker 1: He's like, come on in boys, and uh.

513
00:27:20,320 --> 00:27:22,359
Speaker 3: He brought up the computer and we went to the

514
00:27:22,560 --> 00:27:25,200
Speaker 3: We went to a website and then we're like this

515
00:27:25,359 --> 00:27:27,280
Speaker 3: is this is going to change everything.

516
00:27:27,720 --> 00:27:29,960
Speaker 2: Yes, but it used to ten pm.

517
00:27:30,080 --> 00:27:32,320
Speaker 1: You have to get off. Yeah, it was all finished

518
00:27:32,480 --> 00:27:34,960
Speaker 1: depending on where you live. Yeah, and if you were

519
00:27:35,520 --> 00:27:37,760
Speaker 1: if you try to stay on past ten pm, you'd

520
00:27:37,840 --> 00:27:42,520
Speaker 1: be locked inside. Yeah. Oh gosh. Yeah. Yeah. And the teacher.

521
00:27:42,560 --> 00:27:47,200
Speaker 2: That's how we lost that teacher. Yeah, mister mister yeah,

522
00:27:47,680 --> 00:27:48,000
Speaker 2: he was.

523
00:27:48,440 --> 00:27:50,440
Speaker 1: He had an article in Fast Company. Did you see

524
00:27:50,480 --> 00:27:50,760
Speaker 1: that one?

525
00:27:51,320 --> 00:27:57,040
Speaker 3: No, tell me more, well, mister Ankilari, and I don't

526
00:27:57,080 --> 00:27:58,680
Speaker 3: know if that you knew this about him. He was

527
00:27:58,720 --> 00:28:01,520
Speaker 3: a teacher, but he was also an artist, and those

528
00:28:01,600 --> 00:28:03,000
Speaker 3: things aren't mutually exclusive.

529
00:28:03,000 --> 00:28:04,639
Speaker 1: And a lot of times people be like, oh, you're

530
00:28:04,640 --> 00:28:06,760
Speaker 1: a teacher. Okay, you can't you don't do art. Yeah,

531
00:28:07,040 --> 00:28:07,600
Speaker 1: you don't do art.

532
00:28:07,640 --> 00:28:08,760
Speaker 2: That those who can't do art.

533
00:28:09,080 --> 00:28:10,639
Speaker 1: Are you talking about an art teacher?

534
00:28:11,480 --> 00:28:11,720
Speaker 2: He was?

535
00:28:11,840 --> 00:28:16,800
Speaker 3: He yeah, Well, the thing is he had a sculpting mindset.

536
00:28:17,760 --> 00:28:20,399
Speaker 3: So whenever he would see and he would try to

537
00:28:20,480 --> 00:28:23,320
Speaker 3: teach this to his students sometimes. But he would like

538
00:28:24,040 --> 00:28:26,400
Speaker 3: when he would see clay, most people be like, that's

539
00:28:26,440 --> 00:28:28,240
Speaker 3: a mound of clay. He'd be like, no, that is

540
00:28:29,520 --> 00:28:30,720
Speaker 3: that's the Eiffel Tower.

541
00:28:31,240 --> 00:28:31,840
Speaker 1: Oh wow.

542
00:28:32,320 --> 00:28:34,600
Speaker 2: He would just say that, yeah, oh wow.

543
00:28:34,720 --> 00:28:36,800
Speaker 1: An amazing creative mind. Yeah.

544
00:28:36,880 --> 00:28:39,120
Speaker 2: That he would look at the play and that's the

545
00:28:39,200 --> 00:28:42,360
Speaker 2: Eiffel Tower. Yes, you're the art teacher. Is the same

546
00:28:42,400 --> 00:28:44,640
Speaker 2: guy that showed us the Internet. I always think that's

547
00:28:44,680 --> 00:28:50,760
Speaker 2: so interesting. So Fast Company magazine article you are the

548
00:28:50,840 --> 00:28:56,360
Speaker 2: star headline headline is this man the next Lorne Michaels.

549
00:28:56,520 --> 00:28:59,120
Speaker 1: Yes, I know it's about the headline. I don't know

550
00:28:59,160 --> 00:29:01,720
Speaker 1: if it's true yet. Tell well, tell us about being

551
00:29:01,800 --> 00:29:02,920
Speaker 1: the next Lauren Michaels.

552
00:29:03,040 --> 00:29:07,160
Speaker 3: Well, I this is kind of a weird. I entered

553
00:29:07,200 --> 00:29:11,800
Speaker 3: a contest, uh about who what? Who's Got It? It

554
00:29:11,880 --> 00:29:15,560
Speaker 3: was this contest called Who's Got It? Yeah, and it's

555
00:29:15,640 --> 00:29:18,000
Speaker 3: kind of a It was kind of a talent competition

556
00:29:18,560 --> 00:29:23,920
Speaker 3: sort of, uh, sort of the view meets a voice. Yeah, sure, yeah,

557
00:29:24,320 --> 00:29:31,360
Speaker 3: and uh my talent was uh Lauren Michaels and I yeah,

558
00:29:31,640 --> 00:29:33,560
Speaker 3: because he does so many good things in the world.

559
00:29:33,880 --> 00:29:37,160
Speaker 1: And uh, and I wanted to be that you your

560
00:29:37,240 --> 00:29:41,360
Speaker 1: talent was discovering talent on a talent show. Yeah, so

561
00:29:41,520 --> 00:29:43,160
Speaker 1: you would go on stage.

562
00:29:42,920 --> 00:29:45,320
Speaker 2: And go the guy before me Nope, but the guy

563
00:29:45,400 --> 00:29:47,440
Speaker 2: before him maybe.

564
00:29:47,560 --> 00:29:50,400
Speaker 1: Yeah, exactly, and then the judges would judge me on

565
00:29:50,640 --> 00:29:51,920
Speaker 1: your judge on my Joe.

566
00:29:52,000 --> 00:29:54,160
Speaker 2: What was the view element of it, because you did

567
00:29:54,280 --> 00:29:56,240
Speaker 2: say that it was because that sounds like the voice

568
00:29:56,320 --> 00:29:59,680
Speaker 2: more to me, they were even on the in the

569
00:29:59,800 --> 00:30:03,080
Speaker 2: voice they sit on chairs, but in this show they

570
00:30:03,120 --> 00:30:05,080
Speaker 2: would sit on a couch like in the view.

571
00:30:05,840 --> 00:30:06,440
Speaker 1: Is that right?

572
00:30:07,040 --> 00:30:09,479
Speaker 3: So that makes me think of the view it might

573
00:30:09,520 --> 00:30:13,360
Speaker 3: be tenuous the connection. So I don't know if I'm

574
00:30:13,440 --> 00:30:15,280
Speaker 3: the next Lord Michaels or not. I'm waiting to call

575
00:30:15,320 --> 00:30:18,360
Speaker 3: if I've forwarded that to Lorden Michaels.

576
00:30:18,520 --> 00:30:20,360
Speaker 2: Well, did how he hit the golden buzzer and send

577
00:30:20,400 --> 00:30:21,560
Speaker 2: you straight through to the finals.

578
00:30:21,640 --> 00:30:24,920
Speaker 3: He's I'm going onto the finals that it's going to

579
00:30:24,960 --> 00:30:27,880
Speaker 3: be next May. They're going to do a special one

580
00:30:28,760 --> 00:30:32,880
Speaker 3: which is really exciting. It's gonna be on national television.

581
00:30:32,880 --> 00:30:34,120
Speaker 3: I'm going to be in front of everyone and they're

582
00:30:34,120 --> 00:30:35,760
Speaker 3: gonna let me know if I'm the next Lorden Michaels.

583
00:30:35,960 --> 00:30:38,480
Speaker 2: Yeah, and it's it's called Who's Got It? But the

584
00:30:38,560 --> 00:30:41,800
Speaker 2: original title was America's Got guys. Who know Who's Got Talent?

585
00:30:42,040 --> 00:30:46,600
Speaker 1: Yeah, exactly. It's it's a bit of a Russian nesting doll.

586
00:30:47,400 --> 00:30:52,080
Speaker 1: And do you get to inhabit his body? I don't know.

587
00:30:52,360 --> 00:30:55,880
Speaker 1: And that's something that's been really exciting for me as

588
00:30:55,880 --> 00:30:57,120
Speaker 1: I ever imagined.

589
00:30:57,280 --> 00:31:01,560
Speaker 3: I've only had this vessel, uh to be in and

590
00:31:01,760 --> 00:31:06,720
Speaker 3: and just the thought of feeling another man's fingers.

591
00:31:06,400 --> 00:31:09,520
Speaker 1: Not just another man, I mean like that body. Yeah,

592
00:31:10,080 --> 00:31:11,240
Speaker 1: the prestigious company.

593
00:31:11,320 --> 00:31:14,480
Speaker 2: So many great minds have occupied that body over time,

594
00:31:15,440 --> 00:31:17,600
Speaker 2: you know, to be the next one to sort of

595
00:31:17,880 --> 00:31:20,240
Speaker 2: preside in that stately uh.

596
00:31:21,840 --> 00:31:25,239
Speaker 1: Physical uh, you know, it's after the body. I mean,

597
00:31:25,280 --> 00:31:28,400
Speaker 1: I guess it's a body to call it totally, I

598
00:31:28,440 --> 00:31:30,440
Speaker 1: mean it is a body. It is a body. It

599
00:31:30,600 --> 00:31:33,000
Speaker 1: is we should stop dancing around it. It's a body.

600
00:31:34,240 --> 00:31:38,080
Speaker 1: Let's be sex positive. That's a body. Yes, finally, Yeah,

601
00:31:38,200 --> 00:31:40,640
Speaker 1: have you thought about the first thing you would do

602
00:31:40,920 --> 00:31:44,080
Speaker 1: in that body? Oh? I know for for sure.

603
00:31:44,720 --> 00:31:47,360
Speaker 3: Uh, there's some skits I want to get on SNL

604
00:31:47,560 --> 00:31:50,000
Speaker 3: real bad that I think would really break the place down.

605
00:31:50,160 --> 00:31:52,320
Speaker 2: When you get a new body, how long before you

606
00:31:52,360 --> 00:31:53,200
Speaker 2: blow your hands off?

607
00:31:53,640 --> 00:31:54,520
Speaker 1: Well, that's the thing.

608
00:31:54,600 --> 00:31:56,640
Speaker 3: It's I think it's like the first thing you do,

609
00:31:56,720 --> 00:31:59,120
Speaker 3: depending if you have He wears a lot of suits,

610
00:31:59,200 --> 00:32:02,640
Speaker 3: so probably when I when my soul went into his body. Yeah,

611
00:32:03,120 --> 00:32:04,880
Speaker 3: I'm gonna be in a suit. And I always feel

612
00:32:04,920 --> 00:32:08,560
Speaker 3: weird about drinking off in a suit because it makes

613
00:32:08,600 --> 00:32:09,479
Speaker 3: me feel German.

614
00:32:11,040 --> 00:32:13,760
Speaker 2: Okay, so I need a little more.

615
00:32:13,960 --> 00:32:16,160
Speaker 1: Well, it's just like I know what you mean. It's

616
00:32:16,200 --> 00:32:19,400
Speaker 1: like unzipping just the zipper and like trying to take

617
00:32:19,440 --> 00:32:22,320
Speaker 1: it out without like taking your belt off and stuff. Yeah,

618
00:32:22,680 --> 00:32:24,080
Speaker 1: so I probably would.

619
00:32:24,200 --> 00:32:29,120
Speaker 3: I assume there's a sauna or something at NBC studio headquarters.

620
00:32:29,240 --> 00:32:32,160
Speaker 1: Yes, probably go to the sauna and be like, don't

621
00:32:32,200 --> 00:32:34,720
Speaker 1: let anyone else in here, and well, but then I

622
00:32:34,760 --> 00:32:37,360
Speaker 1: would word be too hot. The best environ of it

623
00:32:38,720 --> 00:32:43,040
Speaker 1: too hot. There's no such thing. Come on, man, too hot.

624
00:32:44,640 --> 00:32:46,240
Speaker 1: It could get too hot and I wouldn't be able

625
00:32:46,320 --> 00:32:50,080
Speaker 1: to function. But I don't know me What is it

626
00:32:50,160 --> 00:32:53,440
Speaker 1: in the sun? One hundred and four degrees and eight? Yeah?

627
00:32:53,560 --> 00:32:57,440
Speaker 2: Okay, perfect, that's so good for blowing your hands off.

628
00:32:57,640 --> 00:32:59,560
Speaker 1: I just feel like you'll get too sweaty. Right.

629
00:33:00,400 --> 00:33:06,480
Speaker 2: Oh no, that's how it's good. That's smart. Being the

630
00:33:06,560 --> 00:33:08,960
Speaker 2: next Nortle Michaels isn't easy, is it, Mike?

631
00:33:09,240 --> 00:33:13,320
Speaker 3: Well, no, because now people assume that I can give

632
00:33:13,400 --> 00:33:17,520
Speaker 3: them sketch notes, and that's not what you do. I

633
00:33:17,640 --> 00:33:21,440
Speaker 3: do not get, like, sketch comedy is weird. Like, uh,

634
00:33:22,240 --> 00:33:24,400
Speaker 3: I get stand up comedy makes sense because that's people

635
00:33:24,480 --> 00:33:27,560
Speaker 3: telling you things that have happened to them. Yes, but

636
00:33:27,720 --> 00:33:29,040
Speaker 3: sketch comedy.

637
00:33:30,560 --> 00:33:32,280
Speaker 1: It's a mess. Yeah, I don't get it.

638
00:33:32,360 --> 00:33:36,520
Speaker 2: It's insane. They're pretending. It doesn't seem fair.

639
00:33:37,080 --> 00:33:40,120
Speaker 1: No, it's not fair. I just think that if people

640
00:33:40,120 --> 00:33:43,520
Speaker 1: are gonna there's enough happening in your own life, just

641
00:33:43,560 --> 00:33:46,840
Speaker 1: tell me, Well, you speak on that. So what's happening

642
00:33:46,880 --> 00:33:50,840
Speaker 1: in your own life? Okay? So like earlier today we're

643
00:33:50,920 --> 00:33:55,080
Speaker 1: at we're at what's the place called I want to

644
00:33:55,120 --> 00:33:57,240
Speaker 1: call it Tamar and Deli. Tamar and Deli.

645
00:33:57,680 --> 00:33:59,240
Speaker 3: Yeah, and I don't know if you've ever been to

646
00:33:59,280 --> 00:34:04,040
Speaker 3: the Tamar and Deli, but they have a great Hamm Ham. Yeah,

647
00:34:04,320 --> 00:34:06,480
Speaker 3: they use Boris Headham, but they also have a black

648
00:34:06,600 --> 00:34:10,279
Speaker 3: Forest Ham and it's great, great ham.

649
00:34:10,560 --> 00:34:10,680
Speaker 1: Right.

650
00:34:11,400 --> 00:34:14,200
Speaker 3: And so Sam is trying to choose what chips to

651
00:34:14,280 --> 00:34:18,279
Speaker 3: get and he's like, well, I like cheddar chips and

652
00:34:18,719 --> 00:34:19,800
Speaker 3: uh so maybe I'll get that.

653
00:34:20,480 --> 00:34:23,160
Speaker 1: I'm like that sounds fine, Sam, So just do that.

654
00:34:23,400 --> 00:34:27,480
Speaker 1: Make that a sketch him opening a bag of chips. Yeah,

655
00:34:28,320 --> 00:34:34,520
Speaker 1: that actually does that? God, yeah, because everyone's laughing. Everyone's

656
00:34:34,520 --> 00:34:36,799
Speaker 1: really laughing at him. And I'm like, well, just make

657
00:34:36,840 --> 00:34:40,879
Speaker 1: this a sketch. Don't have you would have to use

658
00:34:41,000 --> 00:34:44,239
Speaker 1: the floor probably. Yeah, he's and he can he can

659
00:34:44,320 --> 00:34:47,840
Speaker 1: hold the chips, right, but he just can't get he

660
00:34:47,880 --> 00:34:48,640
Speaker 1: can't get them open.

661
00:34:48,719 --> 00:34:51,120
Speaker 2: So yeah, he's just snapping on it or something.

662
00:34:51,400 --> 00:34:53,640
Speaker 3: Yeah, and then they get they get all smashed up.

663
00:34:54,200 --> 00:34:58,319
Speaker 3: So that's that's what I would want to bring Tessinel. Yeah,

664
00:34:58,600 --> 00:35:01,799
Speaker 3: you cast Sam and yeah, you don't just have him

665
00:35:01,840 --> 00:35:08,759
Speaker 3: up put them up there with some chips, just you know,

666
00:35:08,840 --> 00:35:10,680
Speaker 3: pull it from a real place. Don't have these wigs

667
00:35:10,719 --> 00:35:14,479
Speaker 3: and stuff. You could keep it SML, it's just going

668
00:35:16,680 --> 00:35:20,160
Speaker 3: Sam Noikey, I'm so sick of wigs.

669
00:35:20,880 --> 00:35:25,000
Speaker 1: Well, where's the kid who blew his hands off? Trun

670
00:35:25,160 --> 00:35:30,319
Speaker 1: open back of chips? And then it starts, why did

671
00:35:30,440 --> 00:35:33,279
Speaker 1: we get away from that? I know, but that's that's

672
00:35:33,320 --> 00:35:36,360
Speaker 1: what comedy came from originally. That's when it came from. Originally,

673
00:35:37,000 --> 00:35:39,320
Speaker 1: just people not able to do stuff. And I'm laughing

674
00:35:39,360 --> 00:35:43,240
Speaker 1: at him, so like, and in the beginning, people wouldn't

675
00:35:43,239 --> 00:35:44,920
Speaker 1: say Live for New York, same night. It'd be like

676
00:35:45,400 --> 00:35:46,680
Speaker 1: Live New York, Sam no Leikey.

677
00:35:48,960 --> 00:35:52,640
Speaker 2: That sounds good to me. Yeah, I mean you'd have

678
00:35:52,760 --> 00:35:55,359
Speaker 2: to keep Cecily, but yeah, oh yeah, she's great.

679
00:35:56,360 --> 00:36:00,040
Speaker 1: So in this article.

680
00:36:01,320 --> 00:36:05,759
Speaker 2: You make some bold claims. How many times a day

681
00:36:05,760 --> 00:36:07,640
Speaker 2: would you say you're putting somebody in Star Wars?

682
00:36:10,680 --> 00:36:14,239
Speaker 3: Now I have and this is a cool thing. I

683
00:36:14,320 --> 00:36:20,080
Speaker 3: had jj Abrams email WHOA and I was emailing him.

684
00:36:20,040 --> 00:36:22,239
Speaker 2: All just say the first letter and I'll tell you

685
00:36:22,280 --> 00:36:26,680
Speaker 2: if he's telling the truth. Jay, Okay, this guy's good.

686
00:36:27,960 --> 00:36:28,759
Speaker 1: And so I was.

687
00:36:28,760 --> 00:36:31,800
Speaker 3: Suggesting new characters to put in, and then people that

688
00:36:31,840 --> 00:36:36,080
Speaker 3: would play those characters, well, and so I was doing

689
00:36:36,160 --> 00:36:40,319
Speaker 3: that a lot, and then eventually I started getting bouncebacks,

690
00:36:40,400 --> 00:36:43,359
Speaker 3: and eventually at first he was like responsive and then

691
00:36:43,960 --> 00:36:44,279
Speaker 3: less so.

692
00:36:44,960 --> 00:36:46,840
Speaker 2: But then I think he stole one of my characters

693
00:36:46,840 --> 00:36:51,360
Speaker 2: because I had an idea for an X Wing.

694
00:36:51,320 --> 00:36:55,839
Speaker 1: Pilot that was like he was I love this stuff. Yeah,

695
00:36:57,640 --> 00:36:59,000
Speaker 1: he was stronger than the rest of them.

696
00:36:59,160 --> 00:37:03,040
Speaker 3: And a lot of times you watch these X Wing

697
00:37:03,080 --> 00:37:05,120
Speaker 3: pilots and really like nerdy little bodies.

698
00:37:05,160 --> 00:37:13,759
Speaker 1: But there's a big, strong X Wing pilot and the trailer, Yeah,

699
00:37:13,800 --> 00:37:16,080
Speaker 1: the trailer, that's that one X Wing Pilot's really there's

700
00:37:16,120 --> 00:37:19,239
Speaker 1: one guy sleeves. He has no sleeves on his suit.

701
00:37:19,400 --> 00:37:21,560
Speaker 1: I'm scared he's gonna tear the steering wheel off.

702
00:37:22,920 --> 00:37:26,960
Speaker 2: But then that but that's if that happens, then that

703
00:37:27,000 --> 00:37:30,239
Speaker 2: would be a great thing for episode today. Conflict. Yes,

704
00:37:30,920 --> 00:37:32,560
Speaker 2: how do I fix the steering wheel?

705
00:37:32,600 --> 00:37:34,840
Speaker 1: You're going into the death start to kill it and

706
00:37:34,960 --> 00:37:37,920
Speaker 1: then you rip the steering and you're like how No.

707
00:37:38,680 --> 00:37:40,720
Speaker 2: I get so excited hearing just these terms.

708
00:37:40,760 --> 00:37:44,399
Speaker 1: I love this stuff. Yeah, death Star, you're killing it. Yeah.

709
00:37:44,440 --> 00:37:45,880
Speaker 1: What are some of the other ones that you like?

710
00:37:46,040 --> 00:37:50,560
Speaker 2: Oh well, he said x Wing Pilot, Yeah, all of

711
00:37:50,640 --> 00:37:57,160
Speaker 2: it just Wars, and I think that for me, that's

712
00:37:57,280 --> 00:38:02,920
Speaker 2: sort of my childhood and that's my high school was

713
00:38:03,040 --> 00:38:06,880
Speaker 2: going to see Star Wars, and so a lot of

714
00:38:06,960 --> 00:38:08,160
Speaker 2: my memories come from that.

715
00:38:08,920 --> 00:38:13,799
Speaker 1: Do you remember the first time you saw Princess Leah?

716
00:38:14,480 --> 00:38:16,200
Speaker 1: Uh huh oh wow.

717
00:38:16,880 --> 00:38:19,239
Speaker 2: This is bringing me back and I'm almost in a

718
00:38:20,120 --> 00:38:22,960
Speaker 2: really nice feeling time machine to have me ask that.

719
00:38:23,880 --> 00:38:25,160
Speaker 1: This would be a good game.

720
00:38:25,520 --> 00:38:27,560
Speaker 2: Maybe this will be the first time you saw princess

721
00:38:27,920 --> 00:38:30,520
Speaker 2: talk about the first wes LEYA mm hmm.

722
00:38:31,440 --> 00:38:38,160
Speaker 1: What would we call that game? Hmmmm? Brian, why don't

723
00:38:38,160 --> 00:38:40,080
Speaker 1: you spend because you're not You don't seem to be

724
00:38:40,160 --> 00:38:43,239
Speaker 1: doing anything over there. Will you come up with something?

725
00:38:43,280 --> 00:38:45,680
Speaker 1: We come up with three really good options.

726
00:38:46,080 --> 00:38:48,080
Speaker 2: And this is what Lauren Michaels does is he farms

727
00:38:48,120 --> 00:38:51,960
Speaker 2: stuff out. He's not doing everything himself supporting to delegate.

728
00:38:53,160 --> 00:38:56,279
Speaker 1: Star Wind Star Wars, and don't I can see you

729
00:38:56,400 --> 00:38:59,719
Speaker 1: using the internet and uh, maybe just use your brain.

730
00:39:01,040 --> 00:39:02,320
Speaker 1: You were going to talk about the first.

731
00:39:02,320 --> 00:39:08,160
Speaker 2: The first time I ever saw Princess Leah. Well, for me,

732
00:39:11,239 --> 00:39:16,839
Speaker 2: it was a pretty typical sunday. I had woken up,

733
00:39:17,320 --> 00:39:25,320
Speaker 2: put on my pajamas, yes Queen, and I was just

734
00:39:26,000 --> 00:39:31,920
Speaker 2: scootering around the village and high fiving my friends, and

735
00:39:33,080 --> 00:39:35,839
Speaker 2: and figured, let's try to sneak into the cineplex. Yeah,

736
00:39:35,880 --> 00:39:39,480
Speaker 2: oh boy, it's easier then, yes, And I know, and

737
00:39:39,640 --> 00:39:43,160
Speaker 2: we're not. Don't try this at home, kids, Yeah, guys,

738
00:39:43,239 --> 00:39:43,520
Speaker 2: let's not.

739
00:39:43,800 --> 00:39:48,279
Speaker 1: Yeah. So we don't manage to do that. We get

740
00:39:48,520 --> 00:39:49,040
Speaker 1: kicked out.

741
00:39:49,239 --> 00:39:56,480
Speaker 2: But in the process, I dropped my Chinese yo yo

742
00:39:57,320 --> 00:39:58,680
Speaker 2: into a sewer.

743
00:39:58,560 --> 00:39:59,880
Speaker 1: Grade Now Chinese.

744
00:40:00,200 --> 00:40:01,880
Speaker 3: It is one of those yoyos where you have the

745
00:40:01,960 --> 00:40:05,840
Speaker 3: two sticks that have a string between it. Yes, and

746
00:40:06,080 --> 00:40:08,080
Speaker 3: it has that sort of top like thing and you

747
00:40:08,200 --> 00:40:10,520
Speaker 3: pull it and it flies up in the air maybe

748
00:40:11,080 --> 00:40:13,920
Speaker 3: and and so you know, yeah, yeah, I went down

749
00:40:13,960 --> 00:40:18,320
Speaker 3: a sewer. I don't know because I so I ripped

750
00:40:18,360 --> 00:40:21,919
Speaker 3: open a manhole cover climb into the sewers. While I'm

751
00:40:22,000 --> 00:40:25,000
Speaker 3: down there, I find this lunch box.

752
00:40:26,520 --> 00:40:30,920
Speaker 2: Uh, so I go, maybe there's so maybe there's well,

753
00:40:30,960 --> 00:40:33,080
Speaker 2: there could be lunch. There could be a lady's panties

754
00:40:33,120 --> 00:40:33,440
Speaker 2: in there.

755
00:40:33,680 --> 00:40:36,800
Speaker 1: You don't know what. You don't ever know, Yeah, because

756
00:40:37,080 --> 00:40:39,120
Speaker 1: especially like why is it in the sewer? You know, Yeah,

757
00:40:39,120 --> 00:40:40,200
Speaker 1: I gotta get rid of it quick.

758
00:40:41,160 --> 00:40:44,520
Speaker 2: Somebody was hiding something and I'm hoping, Yeah, there could

759
00:40:44,560 --> 00:40:49,600
Speaker 2: be anything in here jewels. As I'm trying to open

760
00:40:49,680 --> 00:40:52,800
Speaker 2: it up, I suddenly become enchanted by the face of

761
00:40:52,880 --> 00:40:57,319
Speaker 2: the woman on the cover, the Calavira, Mistress of the Dogs.

762
00:40:57,400 --> 00:40:59,680
Speaker 1: Yes, she was something else.

763
00:41:00,080 --> 00:41:05,279
Speaker 2: Hm, yes, So I start going home going who was

764
00:41:05,400 --> 00:41:06,080
Speaker 2: that lady?

765
00:41:06,480 --> 00:41:06,680
Speaker 1: Yeah?

766
00:41:06,960 --> 00:41:12,600
Speaker 2: And of course, of course my wife, Steffi Graf doesn't

767
00:41:12,719 --> 00:41:16,640
Speaker 2: like that I'm asking that this was I should point

768
00:41:16,719 --> 00:41:21,640
Speaker 2: out this was eighteen months ago. Yeah, so she doesn't

769
00:41:21,760 --> 00:41:24,200
Speaker 2: like that I'm asking about this other sexy woman. And

770
00:41:24,280 --> 00:41:26,759
Speaker 2: she goes like, if you're gonna think about another sexy woman,

771
00:41:27,080 --> 00:41:28,120
Speaker 2: why don't you make it her?

772
00:41:28,320 --> 00:41:30,279
Speaker 1: And she throws Princess Lea at me. She had a

773
00:41:30,360 --> 00:41:31,360
Speaker 1: trading card or something.

774
00:41:31,440 --> 00:41:33,640
Speaker 2: Oh yeah, oh wow, and she can really throw those

775
00:41:33,680 --> 00:41:36,279
Speaker 2: she could stick those things. And I watched she's like gambat. Yeah,

776
00:41:36,360 --> 00:41:37,160
Speaker 2: she's like gambat.

777
00:41:37,200 --> 00:41:40,200
Speaker 1: She's like gambit. So she's like gambit. Was she trying

778
00:41:40,239 --> 00:41:41,919
Speaker 1: to hurt you? Yeah?

779
00:41:43,880 --> 00:41:46,719
Speaker 2: But she actually helped me because I see Princess Lea

780
00:41:47,440 --> 00:41:50,840
Speaker 2: and wow for me. Then I went and watched Star Wars,

781
00:41:50,920 --> 00:41:53,359
Speaker 2: and that to me was my high school eighteen months ago.

782
00:41:53,440 --> 00:41:56,960
Speaker 2: When I watched Star Wars. Wow, what was the first

783
00:41:57,000 --> 00:41:58,480
Speaker 2: time you saw Princess Leiah like.

784
00:41:59,520 --> 00:42:01,320
Speaker 1: Oh, Carrie Fisher.

785
00:42:02,040 --> 00:42:05,560
Speaker 3: She was an unofficial aunt to me growing up, so

786
00:42:06,000 --> 00:42:07,720
Speaker 3: I always thought of her as Aunt Carrie.

787
00:42:07,920 --> 00:42:10,040
Speaker 1: So I would watch Star Wars.

788
00:42:09,800 --> 00:42:13,319
Speaker 2: And be like, oh, Aunt Carrie's on Kyrie's up at

789
00:42:13,400 --> 00:42:14,600
Speaker 2: Kylrie's on screen mom.

790
00:42:15,120 --> 00:42:18,919
Speaker 1: So for me, she was always part of my life.

791
00:42:19,000 --> 00:42:21,200
Speaker 3: She was always there, going all the way back to

792
00:42:21,320 --> 00:42:26,279
Speaker 3: the very beginning of my days in Indiana at the Speedway.

793
00:42:26,440 --> 00:42:28,480
Speaker 1: You were an English baby in Indiana.

794
00:42:28,600 --> 00:42:31,880
Speaker 3: Yeah, my dad was a Formula one racer, but then

795
00:42:31,920 --> 00:42:35,520
Speaker 3: he got into Indy cars. Yeah, so he so he

796
00:42:35,680 --> 00:42:38,719
Speaker 3: had to move to Indianapolis. And I was pretty much

797
00:42:38,760 --> 00:42:39,600
Speaker 3: raised on the speedway.

798
00:42:39,760 --> 00:42:41,520
Speaker 1: Oh wow, I was very dangerous.

799
00:42:41,640 --> 00:42:43,839
Speaker 2: Yeah, tough place to grow up as a kid. Yeah,

800
00:42:43,880 --> 00:42:47,000
Speaker 2: it's very loud. It's very loud, but that's really where

801
00:42:47,000 --> 00:42:47,600
Speaker 2: I learned everything.

802
00:42:48,120 --> 00:42:50,000
Speaker 1: To hear your teacher and stuff.

803
00:42:50,120 --> 00:42:53,480
Speaker 3: Now, and the teacher is trying to show us the Internet,

804
00:42:54,920 --> 00:42:57,160
Speaker 3: trying to open up our minds about what things could

805
00:42:57,160 --> 00:42:57,680
Speaker 3: be made into.

806
00:42:58,560 --> 00:43:01,919
Speaker 1: Look at this, look at this, mm hmm. Yeah.

807
00:43:03,000 --> 00:43:05,160
Speaker 2: And and but to him, it's not just a brick

808
00:43:05,440 --> 00:43:07,200
Speaker 2: or was that not a brick he was pointing at?

809
00:43:08,000 --> 00:43:11,080
Speaker 2: Was he like holding a brickyard. I mean he was

810
00:43:11,120 --> 00:43:14,320
Speaker 2: only a rock brickyard where they have the thing it

811
00:43:14,440 --> 00:43:17,240
Speaker 2: is the brickyard. Yeah, so that's just what's around around.

812
00:43:17,320 --> 00:43:19,759
Speaker 2: But he was holding a rock and making us be

813
00:43:19,920 --> 00:43:23,880
Speaker 2: like this could be a brick what imagination?

814
00:43:24,320 --> 00:43:32,400
Speaker 1: Yeah wow? So then what else? Uh? Well, Carrie Fisher.

815
00:43:33,400 --> 00:43:37,320
Speaker 1: Aunt Carrie really taught me about America. Taught me the

816
00:43:37,360 --> 00:43:39,320
Speaker 1: way you know that you're doing that boy when you

817
00:43:39,480 --> 00:43:43,520
Speaker 1: say her name, that you're doing it like that. Yeah,

818
00:43:43,640 --> 00:43:46,000
Speaker 1: you change your voice a little bit, Aunt Carrie. Yes,

819
00:43:46,400 --> 00:43:49,080
Speaker 1: it's like, well you didn't really do it that, you.

820
00:43:49,120 --> 00:43:51,960
Speaker 2: Had done it to a much more extreme degree every

821
00:43:52,160 --> 00:43:55,719
Speaker 2: time prior ant carry that's even less.

822
00:43:58,239 --> 00:43:59,399
Speaker 1: You were talking. Yeah.

823
00:43:59,760 --> 00:44:03,600
Speaker 3: So so she and I were pretty much uh anton

824
00:44:04,000 --> 00:44:08,560
Speaker 3: and niece, nephew, nephew, and you know, she'd take me

825
00:44:08,600 --> 00:44:09,360
Speaker 3: all around the country.

826
00:44:09,480 --> 00:44:13,560
Speaker 1: She would teach me about America, and I slowly, you know.

827
00:44:13,920 --> 00:44:17,120
Speaker 3: Gave away my my British ways and really truly felt

828
00:44:17,600 --> 00:44:20,280
Speaker 3: American when Kyrie was around.

829
00:44:20,440 --> 00:44:22,279
Speaker 2: And that's the first time you saw Princess Leia.

830
00:44:22,760 --> 00:44:28,399
Speaker 1: Okay, Hayes, how about you. I was trying to prove

831
00:44:28,520 --> 00:44:32,200
Speaker 1: to a friend that I could set up a projector

832
00:44:32,280 --> 00:44:34,280
Speaker 1: to watch a movie on the surface of my pool.

833
00:44:36,040 --> 00:44:38,800
Speaker 1: I made a huge bet to do this with Nicky

834
00:44:38,920 --> 00:44:44,520
Speaker 1: Kat from the inside. So like you stand you like,

835
00:44:44,719 --> 00:44:49,520
Speaker 1: because imagine this perfect movie experience. Stand in the pool

836
00:44:51,080 --> 00:44:53,919
Speaker 1: and just all around you is the movie you're having.

837
00:44:54,320 --> 00:44:56,399
Speaker 1: You're part of it, and you can be inside the movie,

838
00:44:56,560 --> 00:44:59,520
Speaker 1: but you're all splashed the movie, but you're also swimming

839
00:44:59,600 --> 00:45:00,320
Speaker 1: if you want watch it.

840
00:45:00,400 --> 00:45:02,239
Speaker 2: Really, you can make characters kiss who don't want to

841
00:45:02,280 --> 00:45:04,680
Speaker 2: kiss because you just splash their head into each other.

842
00:45:04,920 --> 00:45:08,840
Speaker 1: Yeah, yeah, you make you make them kiss. They're like dolls.

843
00:45:09,880 --> 00:45:13,000
Speaker 1: But you have to stand very still to see it.

844
00:45:13,560 --> 00:45:16,279
Speaker 1: And you have to you know how my pool is

845
00:45:16,480 --> 00:45:20,279
Speaker 1: set up? Oh yes, my hose is running into it.

846
00:45:21,560 --> 00:45:24,560
Speaker 1: All the neighbors hoses kind of rigged up. It seems

847
00:45:24,600 --> 00:45:27,360
Speaker 1: like too many hoses. No, because you would think, but

848
00:45:27,560 --> 00:45:30,960
Speaker 1: the pool has a big leak. Well, yes, because I

849
00:45:31,040 --> 00:45:33,440
Speaker 1: want you know those infinity pools where it's like pouring

850
00:45:33,560 --> 00:45:35,680
Speaker 1: over the side. I wanted to do that.

851
00:45:36,480 --> 00:45:40,640
Speaker 3: But those infinite pool it recycles water generally. But how

852
00:45:40,800 --> 00:45:43,160
Speaker 3: because it's going off I think I think they have

853
00:45:43,920 --> 00:45:45,759
Speaker 3: I can't figure out. It's like another little or pool

854
00:45:45,840 --> 00:45:47,920
Speaker 3: under it and then it goes in that pool and

855
00:45:47,960 --> 00:45:49,479
Speaker 3: then there's probably a tube.

856
00:45:49,719 --> 00:45:52,120
Speaker 1: Well what people don't know is it looks the same

857
00:45:52,160 --> 00:45:55,560
Speaker 1: if you just like kind of hammer out a big

858
00:45:55,600 --> 00:45:58,000
Speaker 1: piece of the side, it's still going off, but now

859
00:45:58,040 --> 00:46:00,520
Speaker 1: it's that it just falls down the hell.

860
00:46:00,680 --> 00:46:02,759
Speaker 2: And I'll say this, you wouldn't want to recycle the

861
00:46:02,840 --> 00:46:05,800
Speaker 2: water that's coming off because it's all going into this big, swampy,

862
00:46:05,880 --> 00:46:07,480
Speaker 2: muddy area that's been created.

863
00:46:08,800 --> 00:46:10,640
Speaker 1: It's a sinkhole. Let's call it what it is.

864
00:46:10,760 --> 00:46:13,439
Speaker 2: It is, and so you really don't want that water.

865
00:46:13,600 --> 00:46:15,480
Speaker 1: What they also don't tell you about this effect is

866
00:46:15,520 --> 00:46:18,160
Speaker 1: that the whole gets bigger over town without you even

867
00:46:18,200 --> 00:46:20,120
Speaker 1: having to do anything. And at some point it becomes

868
00:46:20,280 --> 00:46:22,200
Speaker 1: the thing that if you get in the pool trying

869
00:46:22,239 --> 00:46:24,200
Speaker 1: to watch a movie, it's Star Wars. It's trying to

870
00:46:24,239 --> 00:46:24,799
Speaker 1: watch Star Wars.

871
00:46:25,160 --> 00:46:30,600
Speaker 2: Uh, you get you get sucked out of the side

872
00:46:30,600 --> 00:46:32,600
Speaker 2: of the pool and you go down the hill and

873
00:46:32,680 --> 00:46:34,680
Speaker 2: so like you're trying to watch this movie, swimming against

874
00:46:34,719 --> 00:46:40,760
Speaker 2: a very strong current, you go through the hole. Luckily,

875
00:46:41,560 --> 00:46:46,759
Speaker 2: thank God for this sinkhole, because the fall is very far. Yeah, yeah,

876
00:46:46,800 --> 00:46:50,759
Speaker 2: that's too far. Yeah, I like a good small fall, Yeah,

877
00:46:52,920 --> 00:46:57,680
Speaker 2: small fall. That is a great Oh that thought me,

878
00:46:58,320 --> 00:47:03,279
Speaker 2: that thought me what that taught you? What Michael, what

879
00:47:03,440 --> 00:47:05,680
Speaker 2: that thought you that thought me of news Kit? That

880
00:47:05,960 --> 00:47:07,359
Speaker 2: thought me of something else too?

881
00:47:07,560 --> 00:47:10,000
Speaker 1: So you have Okay, so you're on s n L

882
00:47:10,120 --> 00:47:13,239
Speaker 1: right and you're playing of the drum and uh, if

883
00:47:13,280 --> 00:47:16,160
Speaker 1: you if you're a band and yeah, exactly, And then

884
00:47:17,400 --> 00:47:21,600
Speaker 1: so they always say the band ends and never in clapse, right,

885
00:47:21,719 --> 00:47:27,719
Speaker 1: So when I'm that many times, they always yeah, they always.

886
00:47:27,440 --> 00:47:32,480
Speaker 3: Say they always say class and so why don't we

887
00:47:32,600 --> 00:47:33,040
Speaker 3: change it up?

888
00:47:33,080 --> 00:47:36,160
Speaker 1: So when I'm Lord Michaels, which hopefully next May, Uh,

889
00:47:36,880 --> 00:47:40,480
Speaker 1: the band is playing and then very long way it's

890
00:47:40,520 --> 00:47:42,839
Speaker 1: a while to find out, but they're playing, and then

891
00:47:43,400 --> 00:47:45,800
Speaker 1: a cast member will just like fall in the middle

892
00:47:45,800 --> 00:47:48,239
Speaker 1: of the band and everyone will be like, oh my god,

893
00:47:48,360 --> 00:47:52,799
Speaker 1: is he hurt, and cameras will be weird and uh,

894
00:47:53,480 --> 00:47:56,080
Speaker 1: he's hurt or no, we don't know. Yeah, oh, and

895
00:47:56,160 --> 00:47:59,759
Speaker 1: then how are the the camera is going to be weird.

896
00:48:00,400 --> 00:48:04,600
Speaker 3: It'll be like everyone's clearly panicking and a little bit

897
00:48:04,640 --> 00:48:05,960
Speaker 3: scared that maybe he's hurt.

898
00:48:06,080 --> 00:48:08,920
Speaker 2: Mm hmm. You also could put googly eyes on the

899
00:48:09,000 --> 00:48:12,120
Speaker 2: cameras above the lens and then makes looks like the lenses.

900
00:48:11,760 --> 00:48:16,200
Speaker 1: A snouch going, yes, and that could be kind of weird.

901
00:48:16,400 --> 00:48:19,359
Speaker 2: I like that. I watch the audience at Hope could

902
00:48:19,400 --> 00:48:22,680
Speaker 2: see that. What a maddening period you have to find out.

903
00:48:22,880 --> 00:48:25,920
Speaker 1: Let the actors enjoy some of the experience too. This

904
00:48:26,080 --> 00:48:29,480
Speaker 1: is what's so unfair. Yes, why so boring for them?

905
00:48:29,560 --> 00:48:30,960
Speaker 1: They don't get to see anything funny.

906
00:48:31,040 --> 00:48:34,480
Speaker 2: The cameras aren't doing anything funny traditionally, and that's why

907
00:48:34,520 --> 00:48:36,680
Speaker 2: we need a new lard. Michael's in the office and

908
00:48:37,200 --> 00:48:39,200
Speaker 2: it is a long time that I have to wait.

909
00:48:39,320 --> 00:48:44,080
Speaker 2: But it's gotta be driving you nuts. Well because the

910
00:48:44,239 --> 00:48:46,800
Speaker 2: articles a few weeks old, and then you've got another

911
00:48:47,000 --> 00:48:47,920
Speaker 2: like eight months.

912
00:48:48,000 --> 00:48:50,160
Speaker 3: Well, me and Tracy, you're gonna try to have another

913
00:48:50,239 --> 00:48:53,720
Speaker 3: kid since we're so disappointed. Well, okay, I'm not supposed

914
00:48:53,719 --> 00:48:56,880
Speaker 3: to use the term disappointed about Sam's hands. I mean

915
00:48:57,239 --> 00:48:59,000
Speaker 3: just between you and me and the listeners, it's pretty

916
00:48:59,040 --> 00:49:03,120
Speaker 3: disappointing like that. So we're gonna get another one and

917
00:49:03,200 --> 00:49:05,319
Speaker 3: it's nine months, so it's.

918
00:49:05,400 --> 00:49:08,280
Speaker 1: Uh, I would I mean, this is absolutely no offense

919
00:49:08,640 --> 00:49:12,919
Speaker 1: to Tracy Allman. I don't think of her as being

920
00:49:13,040 --> 00:49:20,200
Speaker 1: of that beautiful, beautiful woman. Thank you, beautiful beautiful woman.

921
00:49:20,280 --> 00:49:24,040
Speaker 2: You're extremely lucky well, and she's many beautiful women because

922
00:49:24,080 --> 00:49:25,280
Speaker 2: all those characters.

923
00:49:25,480 --> 00:49:28,400
Speaker 1: Man, she's a perfect woman. And then the Simpsons started

924
00:49:28,480 --> 00:49:33,680
Speaker 1: on her show. Yeah, they were. They were shorts that

925
00:49:33,920 --> 00:49:36,480
Speaker 1: Matt Greening would do on her show. And it was

926
00:49:36,560 --> 00:49:39,480
Speaker 1: my idea to make to say, I said to Matt

927
00:49:39,680 --> 00:49:41,719
Speaker 1: once when I was just a PA on the show.

928
00:49:42,320 --> 00:49:45,080
Speaker 1: Uhi's how Tracy and I met? I said, Matt, make that,

929
00:49:45,320 --> 00:49:49,560
Speaker 1: make those longer and do it on Fox. Yeah? How

930
00:49:49,640 --> 00:49:53,200
Speaker 1: could they have Bart Simpson? Yeah? Bart Simpson was in

931
00:49:53,480 --> 00:49:56,200
Speaker 1: a tiny little bit of Bart Simpson. It was like

932
00:49:56,680 --> 00:49:57,880
Speaker 1: it showed his full body.

933
00:49:58,920 --> 00:50:02,400
Speaker 2: But it wasn't just like even so you want Bart Simpson,

934
00:50:02,520 --> 00:50:04,440
Speaker 2: you want the whole the damn.

935
00:50:05,400 --> 00:50:08,040
Speaker 1: But that's they didn't. We didn't know that's worse than

936
00:50:08,160 --> 00:50:14,200
Speaker 1: no Bart Simpson at all. Yes, yes, that's right, queen.

937
00:50:16,520 --> 00:50:18,480
Speaker 2: But we were learning and we were growing, and and

938
00:50:18,920 --> 00:50:21,440
Speaker 2: that was one of my first lornish moves. That's like

939
00:50:21,480 --> 00:50:25,360
Speaker 2: a punishment, just a little bit of Bart Simpson. Interesting,

940
00:50:25,520 --> 00:50:28,000
Speaker 2: and you were a PA and you were blasting her off.

941
00:50:28,239 --> 00:50:30,879
Speaker 1: I was, and then you guys got man were hands off,

942
00:50:32,000 --> 00:50:34,239
Speaker 1: and so what's the how's the kid gonna how's that

943
00:50:34,320 --> 00:50:37,520
Speaker 1: gonna work? Well, with technology these we froze eggs earlier,

944
00:50:37,680 --> 00:50:39,359
Speaker 1: and we froze my seamen earlier.

945
00:50:39,120 --> 00:50:44,239
Speaker 2: Too, and we're gonna use i'm the same freezer, same freezer. Yeah,

946
00:50:44,320 --> 00:50:47,160
Speaker 2: we're like, hey, ice cream to that freezer. Sam, don't

947
00:50:47,200 --> 00:50:47,880
Speaker 2: use that freezer.

948
00:50:48,080 --> 00:50:48,840
Speaker 1: Oh yeah.

949
00:50:50,200 --> 00:50:54,279
Speaker 3: Yeah, so okay, So I and we were yeah, and

950
00:50:54,480 --> 00:50:59,920
Speaker 3: sometimes if it gets like during the Silver like blackout, man,

951
00:51:00,040 --> 00:51:03,120
Speaker 3: and that is taking me back, remember that Silver like

952
00:51:03,160 --> 00:51:06,080
Speaker 3: blackout and the so all the energy was out powers

953
00:51:06,160 --> 00:51:08,160
Speaker 3: up for three days, all the energy, all the energy

954
00:51:08,320 --> 00:51:12,759
Speaker 3: was gone, and none of the machines could live. The

955
00:51:12,920 --> 00:51:16,120
Speaker 3: machines generally need energy to live. I don't know, I

956
00:51:16,160 --> 00:51:18,120
Speaker 3: don't know if you've seen the Transformers films.

957
00:51:18,440 --> 00:51:20,160
Speaker 2: When all the energy has gone like that, I'm like,

958
00:51:20,239 --> 00:51:22,640
Speaker 2: why don't we get Jack Black in here or someone

959
00:51:22,800 --> 00:51:24,880
Speaker 2: like that to just fix it? I mean, I know

960
00:51:25,000 --> 00:51:26,080
Speaker 2: when I see him doing.

961
00:51:26,000 --> 00:51:33,480
Speaker 1: His outlet empower the whole yeah kg. Remember yeah, so

962
00:51:34,400 --> 00:51:37,200
Speaker 1: the freezer wasn't working, and we'd be like to say,

963
00:51:37,440 --> 00:51:39,440
Speaker 1: stop opening the freezer. You're letting the cold air out

964
00:51:39,440 --> 00:51:40,960
Speaker 1: because you can keep the cold air in there. He

965
00:51:41,040 --> 00:51:43,080
Speaker 1: kept letting it out and he was trying to cool

966
00:51:43,120 --> 00:51:45,600
Speaker 1: his stumps. Yeah. Well, no, he's still had hands of them. Oh,

967
00:51:45,640 --> 00:51:49,239
Speaker 1: I'm sorry he is. We have very fond memories. Uh.

968
00:51:50,000 --> 00:51:54,240
Speaker 1: And he kept opening it, right, and then everything thawed.

969
00:51:54,560 --> 00:52:01,120
Speaker 1: We lost most of most of my semen just like

970
00:52:01,880 --> 00:52:04,160
Speaker 1: thaw it all out and then freeze it again. You

971
00:52:04,280 --> 00:52:06,040
Speaker 1: have you can do it because it's on a plate, right,

972
00:52:06,080 --> 00:52:08,799
Speaker 1: so maybe it wasn't a cube and now it's yeah,

973
00:52:09,280 --> 00:52:12,279
Speaker 1: they've all spilled out the bat the actually plates.

974
00:52:12,200 --> 00:52:14,239
Speaker 3: Uh is really the best way to do it because

975
00:52:14,320 --> 00:52:17,240
Speaker 3: plates themselves retained some of the colds if they're seeming

976
00:52:17,320 --> 00:52:17,640
Speaker 3: on there.

977
00:52:18,160 --> 00:52:18,279
Speaker 2: Uh.

978
00:52:18,360 --> 00:52:20,960
Speaker 3: And and you have it keeps it cooler on the

979
00:52:21,000 --> 00:52:25,000
Speaker 3: same temperature because there's cycles within a uh freezer.

980
00:52:25,320 --> 00:52:28,359
Speaker 1: I sure, yeah, you know about that. You were talking

981
00:52:28,360 --> 00:52:31,719
Speaker 1: about freezer once, right, Well I'll tell you those ones

982
00:52:31,800 --> 00:52:34,839
Speaker 1: at the grocery store that they keep ice in. Those

983
00:52:34,840 --> 00:52:36,080
Speaker 1: don't open from the inside.

984
00:52:36,719 --> 00:52:39,960
Speaker 2: Yeah, well no you don't. And I wanted to get

985
00:52:40,040 --> 00:52:42,000
Speaker 2: one of the bags on the bottom because I wanted

986
00:52:42,080 --> 00:52:44,560
Speaker 2: to have the later expiration date. And so I did

987
00:52:44,680 --> 00:52:48,160
Speaker 2: climb all the way in uh and was passing the

988
00:52:48,280 --> 00:52:53,520
Speaker 2: bag out when uh my buddy walked away. I was

989
00:52:53,719 --> 00:52:56,600
Speaker 2: it was me and ge oh with friends, uh, friends

990
00:52:56,719 --> 00:53:00,719
Speaker 2: like this Bernard and so me and Geo were in

991
00:53:00,840 --> 00:53:05,040
Speaker 2: there and he walked away chasing tail. There was a

992
00:53:05,120 --> 00:53:07,840
Speaker 2: nice piece of strange walk by, and uh like he

993
00:53:08,000 --> 00:53:11,120
Speaker 2: got one sniff of it and had to fucking follow it.

994
00:53:11,160 --> 00:53:21,640
Speaker 1: It's like it's like Yogi Bear. He floats on the scent. Yeah, picnic,

995
00:53:22,360 --> 00:53:28,719
Speaker 1: but but butts get I like that. That would be better.

996
00:53:29,280 --> 00:53:32,319
Speaker 1: That's better. We're just we found it. Sometimes you need

997
00:53:32,360 --> 00:53:33,520
Speaker 1: the one to get to the one.

998
00:53:33,960 --> 00:53:39,279
Speaker 2: Yeah, we were finding that today. But one of the employees,

999
00:53:39,400 --> 00:53:44,120
Speaker 2: understandably then, not knowing there was an adult man inside

1000
00:53:44,160 --> 00:53:46,560
Speaker 2: the freezer, just said, oh, well, let's close this.

1001
00:53:46,640 --> 00:53:49,719
Speaker 1: So the ice doesn't thaw. And I was in there for.

1002
00:53:51,640 --> 00:53:53,440
Speaker 2: I don't know if it was a fortnite, but it

1003
00:53:53,560 --> 00:53:54,440
Speaker 2: certainly felt.

1004
00:53:54,280 --> 00:53:56,000
Speaker 1: Like you don't know if it was a fortnite because

1005
00:53:56,040 --> 00:53:59,160
Speaker 1: you don't know how long that is. No, I no idea,

1006
00:53:59,320 --> 00:54:01,080
Speaker 1: but it certainly felt like a lot of time.

1007
00:54:01,200 --> 00:54:05,719
Speaker 2: Like they based the movie Short Circuit, They basically Short

1008
00:54:05,800 --> 00:54:10,279
Speaker 2: Circuit two on you, right, huh yeah, and remind me

1009
00:54:10,400 --> 00:54:12,239
Speaker 2: how how why that is?

1010
00:54:12,560 --> 00:54:17,840
Speaker 1: There's a but I gotta feel like I got to

1011
00:54:17,880 --> 00:54:21,640
Speaker 1: describe the whole first one. So there's a the government

1012
00:54:21,719 --> 00:54:22,279
Speaker 1: makes this up.

1013
00:54:22,360 --> 00:54:23,879
Speaker 2: But assume I know the first one.

1014
00:54:25,280 --> 00:54:30,040
Speaker 3: Okay, Uh, this robot he named Johnny five. He moved

1015
00:54:30,040 --> 00:54:32,560
Speaker 3: to New York City and he's having the most fun

1016
00:54:32,600 --> 00:54:34,560
Speaker 3: you can have in New York. He's and he starts

1017
00:54:34,560 --> 00:54:38,279
Speaker 3: a toy company with an Indian man. And but then

1018
00:54:38,360 --> 00:54:41,440
Speaker 3: the gang, a gang gets upset with him and they

1019
00:54:41,960 --> 00:54:43,320
Speaker 3: make Johnny five his enemy.

1020
00:54:43,360 --> 00:54:47,319
Speaker 1: And wait, this sounds a lot like The Home Alone too.

1021
00:54:49,560 --> 00:54:51,080
Speaker 1: I mean, he does go to New York and a

1022
00:54:51,160 --> 00:54:53,680
Speaker 1: gang gets upset with him. That is, he's not a robot,

1023
00:54:53,960 --> 00:54:57,279
Speaker 1: but there aren't toys. There's a lot of toys that

1024
00:54:57,880 --> 00:55:02,480
Speaker 1: sounded like toys the movie Toys with Williams. Well.

1025
00:55:03,000 --> 00:55:04,680
Speaker 3: I don't know if this happens at the end of Toys,

1026
00:55:05,160 --> 00:55:06,840
Speaker 3: but in the end of Short Circuit, one of the

1027
00:55:06,920 --> 00:55:09,799
Speaker 3: main characters is trapped in a refrigerator and he has

1028
00:55:09,880 --> 00:55:13,799
Speaker 3: to use a pager to uh and he plays pop

1029
00:55:13,880 --> 00:55:17,000
Speaker 3: songs in order to transmit a code that he's trapped

1030
00:55:17,040 --> 00:55:17,600
Speaker 3: in a freezer.

1031
00:55:18,080 --> 00:55:21,000
Speaker 1: You did if you should have thought to do that?

1032
00:55:21,640 --> 00:55:23,279
Speaker 2: Yeah, I wound up not doing that.

1033
00:55:24,560 --> 00:55:29,759
Speaker 1: Now, Ryan, you've been visibly working harder than really I've

1034
00:55:29,800 --> 00:55:34,280
Speaker 1: seen any engineered work on anything since we've done this show.

1035
00:55:35,200 --> 00:55:38,440
Speaker 1: The expression on your face is one of such anxiety.

1036
00:55:39,280 --> 00:55:43,000
Speaker 1: Are you okay? No? You just say whatever you came

1037
00:55:43,120 --> 00:55:46,000
Speaker 1: up with? You you you, you and will help. The

1038
00:55:46,200 --> 00:55:48,000
Speaker 1: only one I could think of was lay in nation,

1039
00:55:49,600 --> 00:55:53,319
Speaker 1: like rogue nation. Yeah, this is impossible, like rogue nation.

1040
00:55:54,719 --> 00:56:00,880
Speaker 1: What does that have to do with rogue nation? Rumination?

1041
00:56:01,400 --> 00:56:07,520
Speaker 1: Oh oh, but Leiah doesn't share any letters with rumor.

1042
00:56:08,600 --> 00:56:14,520
Speaker 1: And then I gave up. That's why I'm an engineer. Oh,

1043
00:56:14,840 --> 00:56:17,520
Speaker 1: come on, now, it's not fair. That's not why. That's

1044
00:56:17,560 --> 00:56:19,760
Speaker 1: not fair. You love engines?

1045
00:56:20,239 --> 00:56:24,160
Speaker 2: Oh wow, I never thought about that. An engine for

1046
00:56:24,360 --> 00:56:28,200
Speaker 2: your ears? An engineer and here he is doing the

1047
00:56:28,280 --> 00:56:29,160
Speaker 2: podcast stuff.

1048
00:56:30,200 --> 00:56:34,839
Speaker 1: Have you thought about doing more etymology in your life? Uh?

1049
00:56:35,080 --> 00:56:37,719
Speaker 2: You know what? I wish I had the time. Yeah,

1050
00:56:38,360 --> 00:56:41,200
Speaker 2: because it was a true passion of mine. Uh what

1051
00:56:41,320 --> 00:56:45,359
Speaker 2: etymology is doing what I just did? Yeah, yes, exact exactly.

1052
00:56:46,239 --> 00:56:49,520
Speaker 2: And uh and it's just a matter of I don't

1053
00:56:49,600 --> 00:56:52,640
Speaker 2: necessarily have time because I still am. I get up,

1054
00:56:53,239 --> 00:56:56,480
Speaker 2: put on my PJS, I scootered around town, high five

1055
00:56:56,560 --> 00:56:59,520
Speaker 2: my buddies, and on most occasions we'll try to sneak

1056
00:56:59,520 --> 00:57:01,799
Speaker 2: in the cineplex and then get diverted onto some other

1057
00:57:01,920 --> 00:57:07,200
Speaker 2: adventure and so that's sort of typical and squeeze in etymology.

1058
00:57:07,680 --> 00:57:09,280
Speaker 1: I can't see how that happens.

1059
00:57:11,480 --> 00:57:14,200
Speaker 2: One thing I wonder is if it's true from the

1060
00:57:14,400 --> 00:57:19,840
Speaker 2: article you're doing ucb you see Berkeley Theater and yeah,

1061
00:57:20,080 --> 00:57:23,400
Speaker 2: and it's saying that they even have a show about

1062
00:57:23,440 --> 00:57:26,240
Speaker 2: the dark side of your Google history featuring SNL's The

1063
00:57:26,320 --> 00:57:26,920
Speaker 2: cole Buyer.

1064
00:57:27,200 --> 00:57:29,800
Speaker 1: Yeah, how did you get SNLS and the cole Buyer? Yeah,

1065
00:57:29,840 --> 00:57:32,200
Speaker 1: it was a coup. It was a coup. Now now

1066
00:57:32,440 --> 00:57:36,120
Speaker 1: you know UC Berkeley is uh, yeah, what's the relationship

1067
00:57:36,200 --> 00:57:36,400
Speaker 1: with that.

1068
00:57:37,000 --> 00:57:38,680
Speaker 3: Well, they do a lot of they do a lot

1069
00:57:38,760 --> 00:57:42,400
Speaker 3: of exploration of themselves and exploring of things, and and sure,

1070
00:57:42,440 --> 00:57:44,720
Speaker 3: we're always looking for new things to explore, And we said,

1071
00:57:44,720 --> 00:57:47,400
Speaker 3: why don't we do something where we look at you know,

1072
00:57:47,440 --> 00:57:52,440
Speaker 3: everyone has a light side of their history. Oh, everyone's like, oh,

1073
00:57:52,560 --> 00:57:54,400
Speaker 3: here's this the stuff that this is the stuff that

1074
00:57:54,440 --> 00:57:55,160
Speaker 3: I can show mom.

1075
00:57:55,520 --> 00:57:57,919
Speaker 1: But what about the stuff I can show dad?

1076
00:57:58,480 --> 00:58:05,400
Speaker 2: Mmmmm yeah, what about the good dad? Well, assuming dad

1077
00:58:05,520 --> 00:58:06,160
Speaker 2: sex positive?

1078
00:58:06,160 --> 00:58:08,760
Speaker 1: Dirty? Dirty? Your sex positive dad?

1079
00:58:08,920 --> 00:58:10,120
Speaker 2: Like me? So?

1080
00:58:11,360 --> 00:58:12,440
Speaker 1: Uh Now.

1081
00:58:12,600 --> 00:58:16,320
Speaker 3: Nicole Bayert, of course was on sn AL for three seasons.

1082
00:58:17,680 --> 00:58:18,600
Speaker 3: Some great characters.

1083
00:58:19,320 --> 00:58:25,400
Speaker 1: Yeah, she played crazy arctic scientist. Yeah.

1084
00:58:25,960 --> 00:58:29,680
Speaker 2: Yeah, it's too cold to do this science up here.

1085
00:58:30,320 --> 00:58:36,600
Speaker 1: Yeah, yeah, totally. She did isis dj uhh, Yeah, that

1086
00:58:36,760 --> 00:58:40,640
Speaker 1: was pre I mean that's I think maybe they got

1087
00:58:40,720 --> 00:58:43,400
Speaker 1: the idea for ISIS. I don't know from that character.

1088
00:58:43,520 --> 00:58:43,720
Speaker 2: It was.

1089
00:58:43,800 --> 00:58:45,720
Speaker 1: It was all talking about a califate. That was the

1090
00:58:45,760 --> 00:58:48,520
Speaker 1: first I've heard. I'd heard it three years ago. She's

1091
00:58:48,560 --> 00:58:49,400
Speaker 1: pre the Is.

1092
00:58:50,000 --> 00:58:51,680
Speaker 2: It's where they got the idea for Isis. And We

1093
00:58:51,800 --> 00:58:55,120
Speaker 2: are Your Friends starring Zach Efron. Both those things come

1094
00:58:55,200 --> 00:58:56,880
Speaker 2: out come out of that character.

1095
00:58:57,160 --> 00:58:57,360
Speaker 1: Yeah.

1096
00:58:58,280 --> 00:59:01,040
Speaker 3: So she approached me, and what happens is people will

1097
00:59:01,480 --> 00:59:04,800
Speaker 3: pitch me an idea, and she pitched me this idea

1098
00:59:04,800 --> 00:59:07,760
Speaker 3: about like what are the things that dads search online?

1099
00:59:09,520 --> 00:59:11,920
Speaker 3: And so that that's the show is pretty much you

1100
00:59:12,000 --> 00:59:13,920
Speaker 3: bring people, bring their dads. You have to bring a

1101
00:59:14,000 --> 00:59:16,960
Speaker 3: dad to watch the show and sing a dad and

1102
00:59:17,240 --> 00:59:20,360
Speaker 3: they and they A lot of times the dads are confused.

1103
00:59:20,880 --> 00:59:24,120
Speaker 3: People usually trick their dads to get their dads there. Yeah,

1104
00:59:25,120 --> 00:59:28,760
Speaker 3: and then you know, pastor the dad's about things they've searched.

1105
00:59:29,040 --> 00:59:31,720
Speaker 2: I can't stop thinking about times my dad has been dirty.

1106
00:59:34,160 --> 00:59:37,360
Speaker 2: I mean, now that you now that you've brought that up,

1107
00:59:37,440 --> 00:59:40,520
Speaker 2: I just keep remembering just those isolated moments when he

1108
00:59:40,760 --> 00:59:50,720
Speaker 2: was very willing to be dirty. Well, one time he

1109
00:59:50,800 --> 00:59:53,480
Speaker 2: went to see MC hammer in concert Get Out of

1110
00:59:53,480 --> 00:59:58,920
Speaker 2: Here No, And I was asking how the show was,

1111
00:59:59,320 --> 01:00:01,800
Speaker 2: and he he was saying, you know that it was

1112
01:00:01,880 --> 01:00:04,600
Speaker 2: difficult to describe that a lot of the dance moves

1113
01:00:05,080 --> 01:00:11,400
Speaker 2: that MC was doing Hammer were, you know, just defied

1114
01:00:11,600 --> 01:00:13,720
Speaker 2: how you think body mechanics normally work. And he's like,

1115
01:00:13,720 --> 01:00:15,400
Speaker 2: I can't even show you, but he's doing this crazy

1116
01:00:15,520 --> 01:00:17,760
Speaker 2: sideway his shuffle and his leg's going this way and goes.

1117
01:00:18,160 --> 01:00:19,720
Speaker 1: But he did do one dance move.

1118
01:00:19,640 --> 01:00:21,560
Speaker 2: That I can show you, and I go, oh yeah,

1119
01:00:21,960 --> 01:00:23,560
Speaker 2: and then he just starts.

1120
01:00:23,360 --> 01:00:26,680
Speaker 1: Humping I mean really humping away. Oh no.

1121
01:00:27,240 --> 01:00:29,280
Speaker 2: And He's like, I could do that one. And I'm like,

1122
01:00:29,520 --> 01:00:31,160
Speaker 2: what is this supposed to mean to me?

1123
01:00:31,480 --> 01:00:31,640
Speaker 1: You know?

1124
01:00:31,960 --> 01:00:36,200
Speaker 3: Yeah, yeah, that's awkward. Yeah, Well, did you close the

1125
01:00:36,240 --> 01:00:38,080
Speaker 3: blinds or was it? Could people see it?

1126
01:00:38,880 --> 01:00:39,040
Speaker 1: Uh?

1127
01:00:41,480 --> 01:00:44,200
Speaker 2: I guess if they want they could. I don't know

1128
01:00:44,280 --> 01:00:46,480
Speaker 2: what they would have thought was going on. I didn't

1129
01:00:46,520 --> 01:00:47,440
Speaker 2: know what was going on.

1130
01:00:47,920 --> 01:00:50,440
Speaker 3: But so it's so different between the Internet now and then.

1131
01:00:50,640 --> 01:00:53,720
Speaker 3: Is that now you know you do that your kid

1132
01:00:53,760 --> 01:00:55,520
Speaker 3: He's gonna put it on vine and you're gonna become

1133
01:00:55,560 --> 01:00:55,880
Speaker 3: a star.

1134
01:00:56,200 --> 01:00:58,800
Speaker 1: Yeah, yeah, that's true. You know it'll be like hump

1135
01:00:58,840 --> 01:01:03,040
Speaker 1: pump dad and everyone lump pump dad. Yesump pump dad.

1136
01:01:03,360 --> 01:01:05,240
Speaker 2: Yeah that yeah, that's right.

1137
01:01:05,600 --> 01:01:07,800
Speaker 1: And that's just how the world is now. You can't

1138
01:01:07,880 --> 01:01:09,880
Speaker 1: just have a private moment tea.

1139
01:01:11,040 --> 01:01:14,439
Speaker 2: It's just positive moment with your kid, yes, without getting

1140
01:01:14,520 --> 01:01:15,400
Speaker 2: famous and rich.

1141
01:01:17,200 --> 01:01:21,240
Speaker 1: Now, when people have.

1142
01:01:21,320 --> 01:01:23,240
Speaker 2: To take medicine, like you make them take it straight

1143
01:01:23,320 --> 01:01:24,920
Speaker 2: up or you let them have some sugar with it,

1144
01:01:27,200 --> 01:01:29,160
Speaker 2: that's a good question. Uh.

1145
01:01:30,000 --> 01:01:36,000
Speaker 3: Now, a lot of times people uh, a lot of

1146
01:01:36,040 --> 01:01:40,080
Speaker 3: times people Uh, they have trouble taking medicine and get

1147
01:01:40,080 --> 01:01:40,760
Speaker 3: a lot of pills.

1148
01:01:40,600 --> 01:01:41,840
Speaker 1: Are too big these days.

1149
01:01:41,880 --> 01:01:44,400
Speaker 3: They trying to put too much medicine in one pill.

1150
01:01:45,040 --> 01:01:48,320
Speaker 3: Or sometimes it's very bitter, it doesn't taste good. So

1151
01:01:49,400 --> 01:01:51,280
Speaker 3: I hang out around Walgreens.

1152
01:01:50,800 --> 01:01:53,800
Speaker 1: And uh, I have a big old box of Domino sugar.

1153
01:01:54,360 --> 01:01:58,800
Speaker 3: Yeah, and I'll offer to get people can get like

1154
01:01:58,840 --> 01:02:01,560
Speaker 3: a spoonful of it and put in their mouth of

1155
01:02:01,640 --> 01:02:07,040
Speaker 3: a disposable spoon that I wash and h and they

1156
01:02:07,280 --> 01:02:09,480
Speaker 3: take that. It's much easier for them to take their

1157
01:02:09,520 --> 01:02:11,800
Speaker 3: pills and such. And I'll do house calls. I'll go,

1158
01:02:13,040 --> 01:02:14,840
Speaker 3: it's kind of it's kind of like uber, but for

1159
01:02:15,120 --> 01:02:16,960
Speaker 3: someone with a spoon and sugar.

1160
01:02:17,400 --> 01:02:20,240
Speaker 1: Where do you wash this? Sit in all these situations,

1161
01:02:20,280 --> 01:02:22,240
Speaker 1: I mean, it doesn't seem like in a Walgreens or

1162
01:02:22,280 --> 01:02:25,200
Speaker 1: something you have easy access to what I do?

1163
01:02:25,920 --> 01:02:29,360
Speaker 3: You know that most the chemical composition of hand soap

1164
01:02:29,760 --> 01:02:32,160
Speaker 3: and dish show is pretty much the same. So you

1165
01:02:32,200 --> 01:02:36,200
Speaker 3: can walk in a bathroom. Most bathrooms have a like

1166
01:02:36,280 --> 01:02:40,040
Speaker 3: a soap dispenser. You can wash a spoon in there.

1167
01:02:40,520 --> 01:02:42,360
Speaker 1: You can wash anything. Did they let you use the

1168
01:02:42,400 --> 01:02:45,000
Speaker 1: bathrooms of Walgreens? Well, what happens is I'll.

1169
01:02:46,680 --> 01:02:48,760
Speaker 3: I'll say I'm an employee, or I'll say that I'm

1170
01:02:48,800 --> 01:02:50,080
Speaker 3: from another neighboring Walgreens.

1171
01:02:50,360 --> 01:02:53,560
Speaker 1: You that Michaels. Oh yeah, well I'll drop that.

1172
01:02:53,880 --> 01:02:56,120
Speaker 2: And it's so hard for me to focus on this

1173
01:02:56,240 --> 01:02:59,280
Speaker 2: story because now I'm remembering the hump face that he

1174
01:02:59,400 --> 01:03:01,280
Speaker 2: made miss humping me air.

1175
01:03:01,720 --> 01:03:02,040
Speaker 1: What was it?

1176
01:03:02,080 --> 01:03:04,080
Speaker 2: There was like a hump face with it. Oh well,

1177
01:03:04,120 --> 01:03:05,920
Speaker 2: it's not going to translate on the podcast, but you

1178
01:03:06,000 --> 01:03:08,800
Speaker 2: can describe it. It was like a really folding the

1179
01:03:08,880 --> 01:03:11,439
Speaker 2: lower lip in you know, did.

1180
01:03:11,360 --> 01:03:12,960
Speaker 1: He close his eyes or do you make eye contact

1181
01:03:13,040 --> 01:03:16,400
Speaker 1: with you. He sort of looked at this middle distance

1182
01:03:16,480 --> 01:03:22,320
Speaker 1: in the room. He closed one eye. Yes, I guess

1183
01:03:22,360 --> 01:03:25,240
Speaker 1: it was a yes, sort of an extended wink. Yeah.

1184
01:03:26,360 --> 01:03:29,920
Speaker 2: Anyway, Yeah, that's so nice to have the medicine.

1185
01:03:29,520 --> 01:03:33,240
Speaker 1: For everyone with the sugar. Yeah, you any medicine for dessert? Yeah,

1186
01:03:33,760 --> 01:03:34,240
Speaker 1: and people do.

1187
01:03:34,400 --> 01:03:37,480
Speaker 3: And that's you know, we can get into like antibiotic

1188
01:03:37,720 --> 01:03:41,080
Speaker 3: uh resistant bacteria discussion, but we don't need to. But

1189
01:03:41,440 --> 01:03:43,640
Speaker 3: you don't want to take too much medicine. It's it's basically,

1190
01:03:43,960 --> 01:03:45,480
Speaker 3: there's a lot of medicine. If you take too much

1191
01:03:45,520 --> 01:03:46,400
Speaker 3: of it, it hurts your body.

1192
01:03:46,960 --> 01:03:48,960
Speaker 1: And you know, no, that's I'm not sure it actually

1193
01:03:49,040 --> 01:03:52,600
Speaker 1: makes you not sick anymore. This is what people I

1194
01:03:52,680 --> 01:03:56,640
Speaker 1: don't understand how people get this wrong. Medicine makes you better. Yeah,

1195
01:03:56,680 --> 01:04:00,600
Speaker 1: the more you take, the better and more healthy your

1196
01:04:00,680 --> 01:04:02,560
Speaker 1: body is. I think it's kind of like fire though,

1197
01:04:02,640 --> 01:04:06,000
Speaker 1: like we all want some Like can you picture like

1198
01:04:06,040 --> 01:04:13,400
Speaker 1: a like a bonfire. I'm no art teacher. I can't

1199
01:04:13,440 --> 01:04:16,400
Speaker 1: just create an image like that from nothing. Picture of

1200
01:04:17,520 --> 01:04:25,040
Speaker 1: a leaf, a leaf, like a red leaf, I've got it. Cool. Now,

1201
01:04:25,120 --> 01:04:28,160
Speaker 1: picture a bunch of them in there, but they're all

1202
01:04:28,720 --> 01:04:29,560
Speaker 1: they're flooding around.

1203
01:04:29,640 --> 01:04:31,000
Speaker 2: Can I use the Canadian flag?

1204
01:04:32,280 --> 01:04:35,160
Speaker 1: Yeah, well sort of, yeah, yeah, yeah, small, but it

1205
01:04:35,200 --> 01:04:38,000
Speaker 1: has to be smaller the size of a hand. Oh sorry, Sam.

1206
01:04:40,440 --> 01:04:45,040
Speaker 3: So you picture a small Canadian flag about the size

1207
01:04:45,080 --> 01:04:52,200
Speaker 3: of a foot, and but the picture like thirty of

1208
01:04:52,280 --> 01:04:55,200
Speaker 3: them together in a small space that's about five ft across,

1209
01:04:55,320 --> 01:04:57,880
Speaker 3: like a circle, and they're all waving like it's windy,

1210
01:04:58,760 --> 01:05:02,160
Speaker 3: but they're bright a little to right to and they're

1211
01:05:02,200 --> 01:05:03,800
Speaker 3: all flat flapping around and stuff.

1212
01:05:03,840 --> 01:05:06,880
Speaker 1: Right, So that's kind of what a fire. Are they

1213
01:05:08,320 --> 01:05:12,960
Speaker 1: like alive? Are they like? Are they guys? Because mine

1214
01:05:13,040 --> 01:05:15,240
Speaker 1: or as I'm picturing it, they're becoming pissed.

1215
01:05:15,480 --> 01:05:17,360
Speaker 3: It's that's the thing, is that a lot of times

1216
01:05:17,400 --> 01:05:20,960
Speaker 3: people safe uh, when people are writing art, like an

1217
01:05:21,120 --> 01:05:25,760
Speaker 3: artistic book or something, they'll use fire as an imagery.

1218
01:05:25,400 --> 01:05:28,880
Speaker 1: For being angry and describe it as like pissed red leaves.

1219
01:05:29,080 --> 01:05:32,840
Speaker 2: Yeah, exactly, So they'll be like piste off Canada flags.

1220
01:05:32,920 --> 01:05:35,160
Speaker 2: It is. It is kind of like that, That's what

1221
01:05:35,240 --> 01:05:35,720
Speaker 2: I'm saying.

1222
01:05:35,840 --> 01:05:37,080
Speaker 1: Yeah, damn.

1223
01:05:37,400 --> 01:05:41,040
Speaker 3: So it's so like medicine. You don't want that fire

1224
01:05:41,080 --> 01:05:42,960
Speaker 3: to get too big, right, we want to keep in

1225
01:05:43,040 --> 01:05:43,440
Speaker 3: that circle.

1226
01:05:44,320 --> 01:05:47,240
Speaker 1: It's getting scary for me, is this going somewhere? You

1227
01:05:47,400 --> 01:05:49,000
Speaker 1: just want to keep the fire in the circle. You

1228
01:05:49,040 --> 01:05:50,880
Speaker 1: don't want have to grow. Like right now, most of

1229
01:05:51,840 --> 01:05:55,720
Speaker 1: California is on fire mm hmmm because of a they

1230
01:05:55,800 --> 01:05:58,000
Speaker 1: got the fire the circle and sometimes it's just someone

1231
01:05:58,080 --> 01:05:58,360
Speaker 1: throwing it.

1232
01:05:59,160 --> 01:06:00,760
Speaker 2: This is a lot of the are you normally put

1233
01:06:00,760 --> 01:06:02,800
Speaker 2: the fire out with this and haz this pool? This is?

1234
01:06:03,120 --> 01:06:07,280
Speaker 1: This is coming out this Tuesday, so it might be

1235
01:06:07,480 --> 01:06:09,120
Speaker 1: all of it. It's hunt fire. Oh yeah.

1236
01:06:09,120 --> 01:06:11,000
Speaker 3: At that point, well, if you're if you're listening to

1237
01:06:11,000 --> 01:06:14,760
Speaker 3: this and you are a refugee, good luck, be safe.

1238
01:06:15,480 --> 01:06:19,520
Speaker 1: And turn around because of your butt is probably on fire.

1239
01:06:19,560 --> 01:06:21,840
Speaker 1: If your butt's on fire, it's too late, baby. Just

1240
01:06:21,960 --> 01:06:26,000
Speaker 1: enjoy the ride. If you're listening to this, just maybe

1241
01:06:26,440 --> 01:06:29,919
Speaker 1: grab your butt and run around in circles.

1242
01:06:29,560 --> 01:06:33,040
Speaker 3: And run in circles. And then a common misperception is

1243
01:06:33,120 --> 01:06:36,200
Speaker 3: too to stop, drop and roll.

1244
01:06:37,080 --> 01:06:38,280
Speaker 1: Yes, that's another.

1245
01:06:38,120 --> 01:06:40,520
Speaker 2: That's the old way. That's like the old CPR. We

1246
01:06:40,600 --> 01:06:44,000
Speaker 2: don't do that anymore. It's it's we've updated it. Now.

1247
01:06:44,040 --> 01:06:46,920
Speaker 2: What you do is you dance to staying alive. Now,

1248
01:06:48,240 --> 01:06:52,840
Speaker 2: I'm gonna just wrap this up because it's just time. Yeah,

1249
01:06:52,920 --> 01:06:59,160
Speaker 2: and we loved having you here. I congratulations. One other

1250
01:06:59,240 --> 01:07:01,280
Speaker 2: thing from the article I guess we forgot to mention

1251
01:07:01,840 --> 01:07:04,800
Speaker 2: is that it did say that the UC Berkeley Theater

1252
01:07:05,400 --> 01:07:08,680
Speaker 2: has such famous alumnia as former Fast Company.

1253
01:07:08,440 --> 01:07:10,880
Speaker 1: Cover girl Amy Poehler. Yes.

1254
01:07:11,280 --> 01:07:13,160
Speaker 2: Yeah, she was in the cover of a I know

1255
01:07:13,280 --> 01:07:15,640
Speaker 2: her from the cover of Fast Company. Has she done

1256
01:07:15,720 --> 01:07:16,439
Speaker 2: anything else?

1257
01:07:16,600 --> 01:07:18,080
Speaker 1: Yes, she done all sorts of things.

1258
01:07:18,120 --> 01:07:20,160
Speaker 2: Okay, yeah, because I mostly know her from the cover

1259
01:07:20,280 --> 01:07:22,600
Speaker 2: of Fast Company, and I love how glad they identified

1260
01:07:22,640 --> 01:07:23,080
Speaker 2: her that way.

1261
01:07:23,080 --> 01:07:25,160
Speaker 1: I was sort of doing the Time magazine thing, where

1262
01:07:25,240 --> 01:07:28,680
Speaker 1: like every time they mentioned Bill Clinton, they'll say, like,

1263
01:07:28,800 --> 01:07:33,440
Speaker 1: former Time magazine cover boy Bill Clinton. Yes, that's right.

1264
01:07:33,800 --> 01:07:37,360
Speaker 1: Well that most people know her from her Fast Company cover. Yeah,

1265
01:07:37,840 --> 01:07:40,760
Speaker 1: and then there's the hands where the guy's hands are

1266
01:07:40,840 --> 01:07:42,520
Speaker 1: like reaching around and covering.

1267
01:07:42,560 --> 01:07:45,440
Speaker 2: Because when I was reading Fast Company, I thought, I

1268
01:07:45,520 --> 01:07:47,440
Speaker 2: thought she seemed so familiar to me.

1269
01:07:47,840 --> 01:07:50,480
Speaker 3: M She's done all sorts of other things. She's in

1270
01:07:50,560 --> 01:07:54,640
Speaker 3: a movie now called Inside Outs, which is very good.

1271
01:07:54,680 --> 01:08:01,720
Speaker 3: It's about emotions and balls at like, it's about glass marbles.

1272
01:08:03,960 --> 01:08:05,880
Speaker 1: It's okay, it's turned yellow and blue.

1273
01:08:06,000 --> 01:08:11,160
Speaker 2: You're okay, well, okay, So before we wrap up, Mike,

1274
01:08:11,280 --> 01:08:14,120
Speaker 2: do you want to plug anything. Ah.

1275
01:08:15,120 --> 01:08:18,840
Speaker 3: Yes, after next May, I think you all should be

1276
01:08:18,880 --> 01:08:22,479
Speaker 3: watching Saturday Night Live for a few big.

1277
01:08:22,800 --> 01:08:25,280
Speaker 1: Changes, So good for you. It's gonna be really fun.

1278
01:08:25,560 --> 01:08:28,559
Speaker 3: And uh, we're really gonna break open what people think

1279
01:08:28,600 --> 01:08:33,160
Speaker 3: of as sketch comedy because because I think it's generally confusing,

1280
01:08:33,479 --> 01:08:35,720
Speaker 3: I agree, we're gonna make it a little more accessible.

1281
01:08:35,960 --> 01:08:41,360
Speaker 1: Great. We asked Ryan to come up with a just

1282
01:08:41,439 --> 01:08:47,040
Speaker 1: something with the word lea and he went to rumin nation. Yeah,

1283
01:08:48,520 --> 01:08:54,080
Speaker 1: how did that happen? Why that word? I don't know.

1284
01:08:54,400 --> 01:09:04,320
Speaker 2: Bye. Hollywood Handbook is brought to you by Wolf Cool Productions,

1285
01:09:04,320 --> 01:09:07,040
Speaker 2: a subsidiary of Calvinonhobbs.

1286
01:09:07,560 --> 01:09:09,599
Speaker 1: Our Baby