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Speaker 1: Look maher, oh, I see you and look over there

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Speaker 1: is that culture. Yes, goodness wow, Lost Culture ding du

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Speaker 1: Lost CULTURESA is calling well another episode? Can we just

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Speaker 1: quickly mention?

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Speaker 2: And I would love to know more about your time

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Speaker 2: on RuPaul's Drag Race. This semi final episode, which is

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Speaker 2: I guess what we're calling it now. We've never called

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Speaker 2: it that before except now this is.

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Speaker 1: This is the BTST. So Joel Kim Booster had guest

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Speaker 1: judged like a week and a half before me, and

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Speaker 1: then literally I was recording my album in La and

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Speaker 1: they reach out and they're like, can that come literally

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Speaker 1: tomorrow to do something? And I was like, okay, maybe

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Speaker 1: they had a guest judge come out. They said, it's

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Speaker 1: not judging, it is something else, but it's a big

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Speaker 1: part of the episode. So I said to Joela, I

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Speaker 1: was like, how many girls were there when you were there?

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Speaker 1: He was like seven. So I was like, oh, that

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Speaker 1: feels like there might be very few girls there. So

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Speaker 1: I get there. I'm essentially doing the Tictac lunch.

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Speaker 2: I was gonna say, which is such a huge supplanting

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Speaker 2: of such an iconic thing, But I think this is

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Speaker 2: my girl being so undeniably good and talented and charming.

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Speaker 1: I didn't miss that. I didn't miss the Tictok lunch.

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Speaker 1: This is why it works as a thing that's not

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Speaker 1: the tech Tack lunch, because with Rue or Michelle there's

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Speaker 1: a guard up, whereas I got immediately that they were

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Speaker 1: talking to me like one of the girls. And so

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Speaker 1: I sat down and literally the press. It was so funny.

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Speaker 1: I get there and I go to my trailer and

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Speaker 1: there's probably about ninety minutes to go before we tape,

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Speaker 1: and they go, okay, here are their books and here's

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Speaker 1: an info sheet about all of them. And I was like,

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Speaker 1: what their books? What did you read? Because you seemed

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Speaker 1: pretty up to speed, But how much did they write?

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Speaker 1: And how much did you read? So they each wrote

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Speaker 1: like two essays each the materials that they gave me.

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Speaker 1: What I was surmising was that they had to write,

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Speaker 1: I guess, contrasting essays that said something about them. What

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Speaker 1: it seemed like was write one funny one and one

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Speaker 1: more vulnerable one. Great. It was all like that, except

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Speaker 1: for playing Jane's who kind of were both more Sardona

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Speaker 1: Karma comedy forward. Yeah, and so it was a lot

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Speaker 1: though I was excited and it felt felt like I

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Speaker 1: had homework, but in a fun way. So get to

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Speaker 1: the runway. Do the four interviews. I will say what

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Speaker 1: you saw on TV was pretty much the way it

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Speaker 1: felt in the rooms. Great. Outside of the fact that

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Speaker 1: I'm surprised that Plaine Jane got such negative critiques and

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Speaker 1: if I had something to say about all four of them,

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Speaker 1: it was just like, Sofia's stark quality is like through

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Speaker 1: the roof, like she has so much like gravitas, and

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Speaker 1: she so clearly knows herself and I was so impressed

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Speaker 1: with her Nymphia. I walked away and the producers were

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Speaker 1: literally like, she's never even used that tone of voice before.

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Speaker 1: This was wouge, Like she never opens up. She's goofy.

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Speaker 1: As we can see on the show. That's kind of

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Speaker 1: been Trueane felt like one of the girls, one of

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Speaker 1: our friends, Like yeah, it was just kind of like

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Speaker 1: very normal. And then Q was great. But the fact

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Speaker 1: that there's the top three that there is, I'm not surprised. Oh,

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Speaker 1: it had nothing really to do with Q. It just

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Speaker 1: had to do with the three of them feeling like

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Speaker 1: the three And I was really happy with how it went,

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Speaker 1: and I'm so happy that it was positive and everyone

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Speaker 1: looked really great coming out of it, and it was

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Speaker 1: so fun and you were.

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Speaker 2: Just so good at facilitating that. Yeah, it seems like

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Speaker 2: maybe in the edit they had you set a trap

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Speaker 2: for Jane when you move for Plane when you didn't.

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Speaker 2: Really that wasn't the plan.

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Speaker 1: I would like to clear this up. That is not

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Speaker 1: a There was no traps being set for Plane. I

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Speaker 1: was having a lot of fun with Plane, and we

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Speaker 1: actually had probably the most casual conversation out of the

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Speaker 1: four of us because we had a lot of back

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Speaker 1: and forth. Planes essay was called being a bitch can

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Speaker 1: be an act of kindness, So I asked a pretty

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Speaker 1: simple question off that, which is, how have you been

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Speaker 1: a bitch as an act of kindness? And the competition

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Speaker 1: it's not a trap if it was the name of

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Speaker 1: her essay, you know what I mean? Like total and

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Speaker 1: I think that I had tons of positive things to

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Speaker 1: say about my time with Plane. But the clip they

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Speaker 1: showed was if an interviewer asked you to be shady,

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Speaker 1: you don't have to be shady, which is true. It's

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Speaker 1: something that everyone's had to learn, like anyone that does

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Speaker 1: any interviewing or you know, any like, you know, pop

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Speaker 1: culture discussion or talk about other people on a platform.

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Speaker 1: There's always going to be the opportunity to say something uncouth.

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Speaker 1: You just can't take the opportunity all the time, which

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Speaker 1: maybe is useful for plane to learn, you know what

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Speaker 1: I mean.

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Speaker 2: Sure, she's on a journey of self discovery, as we

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Speaker 2: can tell, and you wish her the best.

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Speaker 1: We wish all top three queens the best as they

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Speaker 1: headed to the grand finale. But oh, we also wanted

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Speaker 1: to say or I didn't tell you about this bow,

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Speaker 1: but I feel like we should announce this so readers,

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Speaker 1: Katie's publicist final lesson will remember that we have upcoming

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Speaker 1: our big four hundredth EPISO. It's where we will have

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Speaker 1: the iconic four hundred, the iconic four hundred people of culture.

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Speaker 1: It will be one of our biggest episodes yet, maybe

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Speaker 1: the biggest episode yet. Here's the thing. We are well

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Speaker 1: past our four hundredth episode. We forgot we we missed it.

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Speaker 1: We I think on episode like four hundred and seven

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Speaker 1: or four hundred and eight, four hundred and nine, we

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Speaker 1: missed it. We did not do it, but we will.

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Speaker 2: We missed it, but we will and we will get

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Speaker 2: to twenty thirteen. We've just had a lot of culture

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Speaker 2: and a lot of business to take care of. Please

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Speaker 2: listen when we say that we are designating the iconic

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Speaker 2: four hundred episodes plural because it will be multiple episodes here,

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Speaker 2: that that will be the time to celebrate four hundred

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Speaker 2: episodes of Lost Culture.

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Speaker 1: Yes, it's coming. The nominations for the Cultural Awards are coming.

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Speaker 1: It's a big time in Lost Culture lore. It really

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Speaker 1: in Lost Culture. I mean Lost Culture was on drag Race,

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Speaker 1: Like they said, the words lost culture reached us on

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Speaker 1: drag Race. Hello, Hello, I was gagged. We've sold out

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Speaker 1: our show, you know what I mean, Like the Cultural

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Speaker 1: Awards are sold out. Thank you all so much for

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Speaker 1: being so excited.

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Speaker 2: Thank you for being excited. We are looking into a

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Speaker 2: live stream option. We really want to make sure everyone

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Speaker 2: can watch this. We're so sorry if that process was

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Speaker 2: stressful for anyone, but we're so excited to see you

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Speaker 2: all there in any capacity, virtually, spatially.

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Speaker 1: It'll be great.

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Speaker 2: Speaking of a big time in Lost Culture, speaking of

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Speaker 2: Law School Store in general, there are some things our

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Speaker 2: guest is deeply woven into that tapestry.

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Speaker 1: This is a figure in Lost Coach in the larger picture,

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Speaker 1: that is lost Coach, Like you know what I mean, Like,

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Speaker 1: I think when the aliens in decades to come find

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Speaker 1: the artifact that is last Coach, They're going to be like,

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Speaker 1: this was a podcast hosted by Michelle Collins.

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Speaker 3: And if they find a huge skull, if they open

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Speaker 3: the trunk and it's my skull, I'm gonna be so mad.

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Speaker 1: It's just people call, They're like, it's men. What are

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Speaker 1: they're gonna miss? Stop it out. So basically what it

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Speaker 1: happened was we went to Amsterdam and literally one of

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Speaker 1: the only reasons why we even did a show at

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Speaker 1: Amsterdam was because our guest today lives there, and we thought,

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Speaker 1: what a fun opportunity to do a great live show

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Speaker 1: with our guests and get it on tape and bring

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Speaker 1: it back to the States. That didn't know.

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Speaker 2: That did not happen because I'm just gonna say the

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Speaker 2: venue lost the audio.

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Speaker 1: And then just didn't believe us and thought there was

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Speaker 1: a conspiracy. Now, Michelle, we can show you the emails.

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Speaker 1: We were like, what are you talking about? And this

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Speaker 1: is like a.

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Speaker 2: Pretty this is a great, storied venue, and they somehow

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Speaker 2: didn't get their stuff together. To like record like live audio,

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Speaker 2: which no problem. It's it's hard.

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Speaker 1: Things happened. Things happen.

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Speaker 2: We're not We're a little bit peeved because it was

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Speaker 2: a great episode.

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Speaker 3: It was the funniest I've ever been. But it's completely fine.

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Speaker 3: You know, I'll never reach heights again, but it's fine,

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Speaker 3: it's okay.

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Speaker 1: Afterwards, I was like, Michelle thinks that we thought she

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Speaker 1: was funnier than us, so we tossed the episode not

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Speaker 1: at all. And I was like, I was like, maybe

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Speaker 1: she thinks because you didn't. I don't think so, Honey.

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Speaker 1: That was controversial to say the least. And then I thought,

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Speaker 1: I think she thinks we quote unquote lost the audio

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Speaker 1: because we didn't want that on there. But no, we're

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Speaker 1: setting you free. We want you to do whatever you

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Speaker 1: want to do. Let me tell you.

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Speaker 3: Since the Honeymooners, I don't think an episode has been

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Speaker 3: lost of anything.

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Speaker 1: Okay, the last lost.

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Speaker 3: Episode was the fucking Honeymooners and now lost Cultureie says,

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Speaker 3: and I had my worst Asos dress on.

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Speaker 1: We were doing with Suity. I was feeling cute.

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Speaker 3: Actually, just the other day I was walking with friends

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Speaker 3: of mine and you know, most of my listeners because

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Speaker 3: I have a show, the Michelle Collins Show, I'll plug away.

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Speaker 1: It's like, this is Michelle, Welcome to the pod, Miss Michelle.

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Speaker 1: Fine lose that too, Who cares? Cut that up? Cut

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Speaker 1: the name bleep, my name's going March.

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Speaker 3: I was walking through like town with my friends and

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Speaker 3: the two like coolest Dutch people I have ever laid

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Speaker 3: eyes on. They were so dressed, so cool, they were young,

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Speaker 3: like gen zers, and they went Dutch. They went Michelle

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Speaker 3: and my friends thought they knew like that we were friends.

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Speaker 3: I would never have such cool friends. No offense to them,

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Speaker 3: but I was like yes, and they go, oh, we're fans.

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Speaker 3: Could not have said it in a bigger throwaway way,

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Speaker 3: but like I loved it. They're like, yeah, we're fans.

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Speaker 3: We saw you at Lost Culturisas and I thought, oh,

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Speaker 3: two people who witnessed the famed Lost Lost Lost Culturisas right.

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Speaker 3: So anyway, but I had the best time with you.

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Speaker 3: Thank you for asking me it. Listen, it was so

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Speaker 3: much fun. Who cares?

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Speaker 1: We had a blast.

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Speaker 2: We had a blast, and then we had we had

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Speaker 2: a lovely boat ride.

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Speaker 1: The next day was so fun. Remember the boat.

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Speaker 3: Remember our sea captain who looked like they scraped him

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Speaker 3: off of the side of one of the wooden posts.

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Speaker 1: Like he was so he was so.

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Speaker 3: Wait, why do I remember him being hot though it

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Speaker 3: was very weathered, remember yeah, yeah, yeah, yeah.

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Speaker 1: No, I'm saying he was like a.

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Speaker 2: When a dutch Man like is rugged, it's it's a

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Speaker 2: it's a it's a complex flavor profile, do you know

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Speaker 2: what I mean.

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Speaker 1: I sometimes you personally don't.

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Speaker 2: Expect these Dutch guys to be sort of dressed down,

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Speaker 2: not really giving a fuck.

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Speaker 1: I don't know he was. He was.

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Speaker 2: He was cool, but like he was Dutch hot in

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Speaker 2: a way that I am not accustomed to.

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Speaker 1: That's my thing.

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Speaker 3: This is a problem having lived here a year, is

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Speaker 3: that when I first moved here, my eyes were shining

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Speaker 3: with how hot the people here were.

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Speaker 1: It was a setting it, you know, coming from New

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Speaker 1: York where.

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Speaker 3: You feel physically sick looking at people after what fifteen

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Speaker 3: twenty minutes, do you want to throw up? I got

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Speaker 3: here and I was like, I thought, oh my god,

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Speaker 3: these are the best looking slim fit they and they

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Speaker 3: all dressed down. That's the thing that there's no there

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Speaker 3: are no gown shops in town. If actually IM going

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Speaker 3: to send you the Instagram account of this woman who

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Speaker 3: sells like high end clothes, who genuinely look like tan mom,

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Speaker 3: and she's the most arrogant woman in the Netherlands. Like,

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Speaker 3: I can't even tell you, but after being here a year,

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Speaker 3: my my eyes are basically how do I put it,

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Speaker 3: It's like you know the Eddie Murphy joker. When you

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Speaker 3: eat rits every day, you grow accustomed to it. Like

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Speaker 3: I'm so used to how hot the people here are, right,

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Speaker 3: I'm like immune to it in a way. And then

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Speaker 3: now I'm also starting to see the ugliness as well,

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Speaker 3: because I've been here so long that you know, I

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Speaker 3: always liking people to kind of like animals. So there

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Speaker 3: are like a lot of frog faces here, a lot

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Speaker 3: of like wide set pug eyes. Anyway, they love me.

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Speaker 3: I'm a huge hit And I can't wait for the

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Speaker 3: government to hear this when might be syn is that anyway?

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Speaker 1: The Yeah, the government of Amsterdam is the one government government.

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Speaker 1: It's coming for us all.

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Speaker 3: The only reason why I did my I don't think

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Speaker 3: so honey about this very lovable personality is because I've

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Speaker 3: never heard anyone rightfully so say a bad word about her,

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Speaker 3: and she is and of course I adore her too,

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Speaker 3: the most talented person on earth, So it felt fun

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Speaker 3: and really dangerous after someone from the audience I'm not

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Speaker 3: going to say who everyone knows. Someone from the audience

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Speaker 3: screamed her name out and Matt refused to do it,

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Speaker 3: and then I scrapped my plan and I thought, I'm

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Speaker 3: going to do it because that's just funny. In the meantime,

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Speaker 3: since that she's looks incredible, her show is like number one.

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Speaker 1: I mean, it's just I think it's because of me.

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Speaker 1: I think that I so basically, Michelle, do you want

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Speaker 1: to say what you're I don't think so, Honey was about.

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Speaker 3: Yeah, I do, and I hope she hearses because I'm

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Speaker 3: a fan. I wanted to know, and I'm happy that

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Speaker 3: we lost the episode. It was about Kelly Clarkson a

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Speaker 3: moment like this is Kelly Clarkson.

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Speaker 2: You know.

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Speaker 3: My whole thing, which I'll stay here and I'll say

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Speaker 3: to her face is you're already the most talented singer.

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Speaker 3: Why are you stealing food out of my mouth in

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Speaker 3: the daytime talk show circuit. You know, there's only like

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Speaker 3: seven shares open that I'll stick to. That's the same

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Speaker 3: with Jennifer Hudson, all these.

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Speaker 1: Singers that.

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Speaker 2: Like, what what do you make of Shehry because Sherry

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Speaker 2: was technically sort of in that you know, Milieu for

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Speaker 2: a little bit and then kind of re returned.

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Speaker 3: Well, I don't have any opinions about any form of

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Speaker 3: you co hosts personally, so I don't.

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Speaker 1: A second Michelle.

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Speaker 2: I marvel at the fact that you are so and

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Speaker 2: can I just say, like classy and and you you

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Speaker 2: have been so respectful about commenting on the view from from.

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Speaker 1: Where I see it, From where I see it, it.

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Speaker 2: Seems like you have such restraint and I feel like,

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Speaker 2: and I please don't take this the wrong way. What

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Speaker 2: we love about you is that you are You can

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Speaker 2: just talk and talk and talk. You have the gift

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Speaker 2: of gab. You are unfiltered. So I find it so

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Speaker 2: interesting and complex and beautiful that you have have. Really

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Speaker 2: I'm not asking, I'm not teasing anything out of you.

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Speaker 2: Something that's that's amazing.

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Speaker 3: Oh, I've got tickets to a tour to sell. It's

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Speaker 3: called the Big Natural Tour. Buy tickets. I may bring

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Speaker 3: the view up on stage and I'll say this about it,

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Speaker 3: and maybe this is like a good teaser to get

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Speaker 3: people to buy tickets. By the way I sing in

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Speaker 3: the show, I love it. I really hope you guys

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Speaker 3: can come if you have the chance. But I'll say this,

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Speaker 3: I have bitten my tongue about a lot of the

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Speaker 3: things that went on there. I think partially due to

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Speaker 3: light PTSD and then just also being raised in a

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Speaker 3: family home where we took the high road that was

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Speaker 3: just not you know, I find it ugly and frankly,

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Speaker 3: you know, it took me a long time to kind

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Speaker 3: of come to terms with the fact that it was

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Speaker 3: and still is the biggest thing I've really ever done

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Speaker 3: and allowed me the opportunity to gain fans. I had

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Speaker 3: the serious show. You know, all these things happened because

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Speaker 3: of that. So I can't spit you know where I

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Speaker 3: get came from. But I'll add that it does frustrate

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Speaker 3: me a hair that I have behaved so well, and

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Speaker 3: then this show has absolutely never invited me back. They've

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Speaker 3: never have a podcast, they've never asked me back. And Matt,

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Speaker 3: I know you were so sweet about me on that show,

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Speaker 3: and that meant the world to me.

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Speaker 1: By the way, I always go out of my way

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Speaker 1: to say you're one of the You're one of the

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Speaker 1: like lost great hosts of that shows. Another last thing. No,

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Speaker 1: I've just been like you that you were this great

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Speaker 1: host on it, and it feels like what you said,

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Speaker 1: like they don't really it feels like that era kind

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Speaker 1: of gets lost, you know what I mean.

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Speaker 3: Like it and Candice, I mean, I love them, but

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Speaker 3: you know what firstdates to me is like, Okay, I'm

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Speaker 3: telling the game and uh and Kelly Oh who was

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Speaker 3: on it was? Oh, no, Paula. I don't even remember.

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Speaker 3: There were like seventeen people. But it bothers me that

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Speaker 3: I played the game right. And then I'm not rewarded

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Speaker 3: a little bit.

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Speaker 1: You know, they act me. I'll tell this much.

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Speaker 3: They for the twenty fifth anniversary season, they did reach

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Speaker 3: out to me. It was the first time I had

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Speaker 3: heard from them. You're getting a little gossip. See it's fun.

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Speaker 3: I got to sell tell you people, I'm telling you

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Speaker 3: Michelle Collins Live Tour, Big Natural Tour singular because.

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Speaker 1: It's Big Natural, so one big.

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Speaker 3: One twenty fifth anniversary they reached out to me. I

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Speaker 3: was very open to it. You know, the negative feelings

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Speaker 3: or what have you, which one day I'll write about

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Speaker 3: in a book. After they have me on I had buried,

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Speaker 3: so I thought, okay, they said, hey, can you do

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Speaker 3: an intro. We're going to do all the hosts in

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Speaker 3: the twenty fifth anniversary intro. So this is, by the way,

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Speaker 3: one of the worst stories ever because they sound horrible.

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Speaker 1: But I was in Paris.

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Speaker 3: The lights go out, it's lost again, and and my

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Speaker 3: friend I said, this is so fabulous. We're the Eiffel Tower.

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Speaker 3: I know, it's like a wonder they lost it again.

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Speaker 1: That's how show carry schedule.

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Speaker 3: I'm in an ermine coat, I have a crown on.

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Speaker 3: I'm like, I don't know why they won't have me back. No,

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Speaker 3: but anyway, there was an Eiffel Tower behind me on

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Speaker 3: Eiffel Tower, the Eiffel Tower, and there from one of them,

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Speaker 3: you've been.

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Speaker 1: You've been, you know it is.

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Speaker 3: Don't tell anyone, So someone this is a dobulous And

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Speaker 3: so we shot for like an hour of me going

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Speaker 3: walk into the you know whatever the thing was that

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Speaker 3: they wanted me to say, and I really want to

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Speaker 3: look good in it.

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Speaker 1: Et cetera. Send it in.

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Speaker 3: And you know, I don't watch the show, to be fair,

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Speaker 3: I didn't watch it before I was on it. I

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Speaker 3: always say I watched it when I was literally on it,

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00:17:07,760 --> 00:17:13,159
Speaker 3: like on watch. So anyway, then the show, the premiere

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Speaker 3: comes out and I swear they put me in. I'm

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Speaker 3: trying to think, what's the tiniest three by three pixel

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Speaker 3: square on an HDTV You couldn't see. It looked like

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Speaker 3: I was in front of an intense skin city. Yeah, oh,

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Speaker 3: finally that's the one name tiny skull.

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Speaker 1: And I was like, okay, you know whatever.

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Speaker 3: It wasn't bitter about it, because what are they going

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Speaker 3: to do feature me? I was on the show for

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Speaker 3: like six months, you know, so fine, But then that

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Speaker 3: whole season I thought, you know what, it's shitty, and

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Speaker 3: I'll just say it is.

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Speaker 1: It isn't nice.

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Speaker 3: It's like, listen, I exist, you know, and I've played

378
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Speaker 3: the game. But now I guess I don't have to anymore.

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Speaker 3: So that's exciting.

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Speaker 1: Thanks for now. Now it's now it's it's off to

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Speaker 1: the races. Now that you're getting dangerous. Now they're gonna

382
00:17:54,280 --> 00:17:57,199
Speaker 1: want you back because the show lacks danger. Now. I

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Speaker 1: will say that since since the show Shoh has become

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Speaker 1: we're five moderate women that like, you know what I mean,

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Speaker 1: it's just kind of like it lacks a little bit

386
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Speaker 1: of the energy. You know, who tries to start mess

387
00:18:11,040 --> 00:18:13,919
Speaker 1: is sunny, but because she's the only one trying to

388
00:18:13,960 --> 00:18:17,399
Speaker 1: start mess like and also it's kind of just funny

389
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Speaker 1: when she does, because she has like this, like you

390
00:18:20,200 --> 00:18:22,520
Speaker 1: can see her rev up and deliver, and it's just like,

391
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Speaker 1: you don't believe this, you know what I mean? Like

392
00:18:25,200 --> 00:18:27,280
Speaker 1: she's like, well, I think a woman should be able

393
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Speaker 1: to kill her husband if she cheats, and we're like, no,

394
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Speaker 1: you don't, Oh my god. And then all of a sudden,

395
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Speaker 1: like alyssa fair Griffin on the show, like suddenly turned

396
00:18:38,200 --> 00:18:40,760
Speaker 1: the corner and is like life likable queen and you're like, wait,

397
00:18:40,800 --> 00:18:44,320
Speaker 1: what hold on one second. All they were all so

398
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Speaker 1: sweet when I went there. But there is an element of,

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Speaker 1: let's call it that quality that the view has where

400
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Speaker 1: it can get dangerous when you're watching it, which is missing,

401
00:18:53,800 --> 00:18:56,600
Speaker 1: which I can't tell if I miss or whatever. But

402
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Speaker 1: like you said, you don't watch it.

403
00:18:58,760 --> 00:19:00,800
Speaker 3: I really don't. I watch Press right every damn day.

404
00:19:00,840 --> 00:19:03,040
Speaker 3: My brother gave me his Direct TV another host I'm

405
00:19:03,040 --> 00:19:05,320
Speaker 3: not crazy about, Drew Carey, but well we'll take it.

406
00:19:05,440 --> 00:19:07,960
Speaker 3: I love my games. I love my games. I can't

407
00:19:07,960 --> 00:19:09,920
Speaker 3: help it. No, I don't watch it, but you know what, Listen,

408
00:19:09,960 --> 00:19:11,960
Speaker 3: if they I reached out to my friend who works there,

409
00:19:11,960 --> 00:19:14,520
Speaker 3: being like, hey, I'm in town next week to do

410
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Speaker 3: some promotion, you know, and I would happily go back,

411
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Speaker 3: you know what I mean, I have for me.

412
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Speaker 1: It's been such a long time.

413
00:19:21,400 --> 00:19:23,439
Speaker 3: But I think that they really do want to forget

414
00:19:23,480 --> 00:19:25,480
Speaker 3: about Candace Raven and I.

415
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Speaker 1: And you know, they never talked about Rosie Perez.

416
00:19:27,280 --> 00:19:30,240
Speaker 3: She was on the season before me and we crossed

417
00:19:30,240 --> 00:19:33,280
Speaker 3: over a little bit, but yeah, they never remember. There

418
00:19:33,280 --> 00:19:34,679
Speaker 3: are just a couple people that it's like, you know,

419
00:19:34,760 --> 00:19:37,480
Speaker 3: we were on we were on them. You had a

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Speaker 3: confetti canon go off when I got higher.

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Speaker 1: You know, do.

422
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Speaker 2: You think it's like that time politically it was so

423
00:19:45,880 --> 00:19:50,600
Speaker 2: like it feels so foreign, like Trump just starting out,

424
00:19:50,720 --> 00:19:53,600
Speaker 2: or like like like the beginning of all that feels

425
00:19:53,680 --> 00:19:57,439
Speaker 2: so far away that there's like the distances is the

426
00:19:57,480 --> 00:20:00,560
Speaker 2: focal point is so like fucked up all over the place.

427
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Speaker 1: Maybe that's it. I don't think it's on you guys.

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Speaker 3: Oh no, listen, I personally think that there were so

429
00:20:06,000 --> 00:20:08,200
Speaker 3: many things going on behind the scenes with the producers

430
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Speaker 3: that we were just sort of what's the.

431
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Speaker 1: Word in war? You know, there's a word for when

432
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Speaker 1: people just die casual friendly fire.

433
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Speaker 3: Friendly fire, unfriendly fire. Yeah, we were just the collateral.

434
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Speaker 3: Maybe is the word I'm looking But they didn't care.

435
00:20:23,680 --> 00:20:25,960
Speaker 3: It was like, okay, next we got to bring other

436
00:20:26,000 --> 00:20:28,880
Speaker 3: people in, so it's fine. You know, listen, I'm grateful

437
00:20:29,560 --> 00:20:31,639
Speaker 3: I rented. You know, when I moved back from my

438
00:20:31,720 --> 00:20:33,960
Speaker 3: later New York to do the show, I was so

439
00:20:34,000 --> 00:20:36,359
Speaker 3: sure that this was like my longtime big break that

440
00:20:36,600 --> 00:20:38,879
Speaker 3: I rented the nicest apartment. My joke is that I

441
00:20:38,920 --> 00:20:40,879
Speaker 3: came back in the coming to America limos, Like I

442
00:20:40,920 --> 00:20:43,959
Speaker 3: was just like, oh so rich. Now I'm on ABC

443
00:20:44,720 --> 00:20:47,240
Speaker 3: and I rented a two bedroom, huge apartment in a

444
00:20:47,280 --> 00:20:49,600
Speaker 3: Columbus circle, Like, who do I think I am?

445
00:20:49,640 --> 00:20:51,679
Speaker 1: A two year least? You thought you were a corporate

446
00:20:51,720 --> 00:20:52,800
Speaker 1: media girly.

447
00:20:53,200 --> 00:20:56,879
Speaker 3: CMG And now I wear I'm a threadbare dresses with

448
00:20:57,000 --> 00:20:59,159
Speaker 3: hot pink bras on. Okay, this is what happens anyway.

449
00:20:59,160 --> 00:21:01,280
Speaker 3: That's a lesson to you kids out there. When you

450
00:21:01,280 --> 00:21:03,840
Speaker 3: get hired for daytime TV, get a studio. What were

451
00:21:03,840 --> 00:21:05,199
Speaker 3: you gonna say Apart get a studio.

452
00:21:06,320 --> 00:21:08,879
Speaker 1: It's the big natural tour. Please go to thank you.

453
00:21:09,040 --> 00:21:09,919
Speaker 1: Thank you for sharing that.

454
00:21:19,160 --> 00:21:22,200
Speaker 2: You said something before we started recording that you had

455
00:21:22,359 --> 00:21:24,160
Speaker 2: one had a day and two were just.

456
00:21:24,119 --> 00:21:25,840
Speaker 1: In Germany and that you're not the same.

457
00:21:26,240 --> 00:21:29,640
Speaker 2: So tell us what happened, tell us what happened today,

458
00:21:29,640 --> 00:21:31,800
Speaker 2: and tell us what happened in Germany today.

459
00:21:31,840 --> 00:21:34,119
Speaker 3: I just worked all day and that alone was traumatizing

460
00:21:34,119 --> 00:21:35,119
Speaker 3: for me because that never happens.

461
00:21:35,200 --> 00:21:36,080
Speaker 1: Like where I'm working.

462
00:21:35,840 --> 00:21:38,800
Speaker 3: From like eight am until four pm. I don't remember

463
00:21:38,800 --> 00:21:40,560
Speaker 3: the last time that's happened. So I really worked hard.

464
00:21:41,000 --> 00:21:44,239
Speaker 3: I went to Frankfurt last week. Thanks Bobo. You were

465
00:21:44,240 --> 00:21:45,439
Speaker 3: so great in the show. By the way, the two

466
00:21:45,480 --> 00:21:47,040
Speaker 3: of you were just can I say how proud I

467
00:21:47,040 --> 00:21:49,480
Speaker 3: am of the two of you? Is that I really mean,

468
00:21:49,520 --> 00:21:52,600
Speaker 3: it's your mom, but I just am like, look at

469
00:21:52,600 --> 00:21:55,000
Speaker 3: my boys thrive and it's the best feeling in the world.

470
00:21:55,080 --> 00:21:58,480
Speaker 1: I really you know, you're our family, And honestly, I

471
00:21:58,520 --> 00:22:02,400
Speaker 1: will say it. It truly was like there was only

472
00:22:02,440 --> 00:22:05,199
Speaker 1: so many ways to communicate. The episode was truly lost,

473
00:22:05,240 --> 00:22:08,440
Speaker 1: and the fact that you in even one second thought

474
00:22:08,480 --> 00:22:12,119
Speaker 1: that we would like ever not use even a second

475
00:22:12,200 --> 00:22:14,520
Speaker 1: of time we had with you was like I just

476
00:22:14,800 --> 00:22:17,720
Speaker 1: wanted you to know, like that that was legitimately what happened,

477
00:22:17,720 --> 00:22:21,399
Speaker 1: and it was very embarrassing and like so anyway.

478
00:22:21,119 --> 00:22:23,000
Speaker 3: Listen, I don't even remember that night was so funny.

479
00:22:22,960 --> 00:22:26,439
Speaker 3: It felt like a fever. It was vacation with you

480
00:22:26,480 --> 00:22:28,960
Speaker 3: and we loved it. By the way, I'm going to

481
00:22:29,000 --> 00:22:31,520
Speaker 3: Greece in June. Please come because right now it's just me,

482
00:22:31,840 --> 00:22:33,680
Speaker 3: which if you know me, kaos.

483
00:22:33,400 --> 00:22:36,359
Speaker 1: It's not the vibe. It might be.

484
00:22:37,920 --> 00:22:41,440
Speaker 3: You might be the queen. It could happen. Actually, well,

485
00:22:41,480 --> 00:22:43,600
Speaker 3: I went last week. I don't know if you know

486
00:22:43,680 --> 00:22:47,280
Speaker 3: the podcaster Laura Shane Halls. She does the Sexy Unique podcast,

487
00:22:47,400 --> 00:22:50,040
Speaker 3: very very funny. Yes, yes, of course she's great. So

488
00:22:50,080 --> 00:22:53,040
Speaker 3: she and her family friend were in Germany and I thought, oh,

489
00:22:53,160 --> 00:22:55,760
Speaker 3: because I live in Amsterdam, let me go to Germany.

490
00:22:55,800 --> 00:22:58,520
Speaker 3: I figured, what's the worst that can happen? I just

491
00:22:58,560 --> 00:23:01,080
Speaker 3: watched Zone Adventest. By the way, anyway, I got on

492
00:23:01,119 --> 00:23:03,040
Speaker 3: a train to listen. It was supposed to be did

493
00:23:03,040 --> 00:23:03,439
Speaker 3: you watch it?

494
00:23:03,520 --> 00:23:06,960
Speaker 1: Have you seen it? I can't. I did. I did

495
00:23:07,000 --> 00:23:10,000
Speaker 1: it hard, very hard.

496
00:23:10,080 --> 00:23:12,119
Speaker 3: Everyone said, everyone who told me to see you in

497
00:23:12,160 --> 00:23:14,680
Speaker 3: a theater are my enemies. And by the way, this

498
00:23:14,720 --> 00:23:16,360
Speaker 3: is no because if I had sat in a theater

499
00:23:16,480 --> 00:23:19,480
Speaker 3: with those sound effects going off. I know one way

500
00:23:19,520 --> 00:23:21,400
Speaker 3: ticket to the looney bin for me. I don't need

501
00:23:21,440 --> 00:23:22,080
Speaker 3: to know how.

502
00:23:23,760 --> 00:23:25,359
Speaker 1: Because they usually give around trip.

503
00:23:29,640 --> 00:23:32,200
Speaker 3: Was all this material and more in the Lost episode

504
00:23:32,240 --> 00:23:33,600
Speaker 3: again my funniest show.

505
00:23:34,440 --> 00:23:40,400
Speaker 1: So listen tearing it up like it's not that good.

506
00:23:41,520 --> 00:23:45,640
Speaker 3: I got a one way ticket to Frankfurt four hours.

507
00:23:45,640 --> 00:23:47,440
Speaker 3: It actually relates to the zone of interest. Hear me out,

508
00:23:47,480 --> 00:23:51,000
Speaker 3: four hours Amsterdam to I'm telling you, I can make

509
00:23:51,040 --> 00:23:54,639
Speaker 3: that joke. Amsterdam to Frankfort. Get on the train at

510
00:23:54,640 --> 00:23:56,120
Speaker 3: eight am, looking good.

511
00:23:56,119 --> 00:23:56,520
Speaker 1: I woke up.

512
00:23:56,560 --> 00:23:57,720
Speaker 3: I like to wake up early and pack in the

513
00:23:57,720 --> 00:24:00,480
Speaker 3: morning to my makeup. I'm always in first class on

514
00:24:00,520 --> 00:24:02,639
Speaker 3: the train because it's like an extra ten dollars.

515
00:24:02,640 --> 00:24:05,240
Speaker 1: But then you can like kick dirt in people's faces.

516
00:24:06,040 --> 00:24:06,960
Speaker 1: I'm kidding you.

517
00:24:06,880 --> 00:24:09,320
Speaker 3: Know, you can speed past people like I love doing that.

518
00:24:10,200 --> 00:24:12,560
Speaker 3: So anyway, already there was an issue with the train.

519
00:24:12,640 --> 00:24:14,680
Speaker 3: We need to take a connecting. Okay, no problem, get

520
00:24:14,720 --> 00:24:16,760
Speaker 3: on a you trek. We're on the train for about

521
00:24:16,800 --> 00:24:18,840
Speaker 3: an hour. I'm doing work for the show, believe it

522
00:24:18,920 --> 00:24:21,720
Speaker 3: or not, and we come to a hall to grinding halt.

523
00:24:22,440 --> 00:24:25,239
Speaker 3: We're stop for about an hour to two hours and

524
00:24:25,280 --> 00:24:27,720
Speaker 3: in German they keep coming over the loudspeaker, which again

525
00:24:27,800 --> 00:24:30,800
Speaker 3: not a safe feeling for me, and they're like, a hello,

526
00:24:31,560 --> 00:24:34,040
Speaker 3: we have some power lines on the track. We are

527
00:24:34,080 --> 00:24:36,680
Speaker 3: going to rights and a safety issue. We can all

528
00:24:36,680 --> 00:24:39,160
Speaker 3: do anything about it. We have buses going to take

529
00:24:39,160 --> 00:24:41,280
Speaker 3: you to Dusseldorf. I was supposed to be in Frankfurt

530
00:24:41,280 --> 00:24:43,800
Speaker 3: bying in distry. I'm going to fast forward. I know

531
00:24:43,880 --> 00:24:45,720
Speaker 3: I'm sitting on the floor of a bus. I have

532
00:24:45,800 --> 00:24:49,120
Speaker 3: pictures with the road next to me. Hold on, now

533
00:24:49,160 --> 00:24:51,880
Speaker 3: they take us to Duseldorf to get a train.

534
00:24:52,040 --> 00:24:52,720
Speaker 1: Get on that train.

535
00:24:52,760 --> 00:24:54,639
Speaker 3: I actually meet some very lovely Dutch people where like

536
00:24:54,680 --> 00:24:57,000
Speaker 3: all kidets sing about the stress of it all right,

537
00:24:58,240 --> 00:25:01,760
Speaker 3: and train to a stop again and I'm looking at

538
00:25:01,760 --> 00:25:04,000
Speaker 3: my phone on the app and I'm like, this is weird.

539
00:25:04,000 --> 00:25:05,479
Speaker 1: It says it's not stopping in Cologne.

540
00:25:05,520 --> 00:25:07,119
Speaker 3: Do you want to know why the one day that

541
00:25:07,200 --> 00:25:10,120
Speaker 3: I decide, I swear in my life to go to Germany?

542
00:25:10,240 --> 00:25:12,840
Speaker 3: Do you know what they found on right near the

543
00:25:12,840 --> 00:25:17,280
Speaker 3: train station? A World War two aerial bomb that hadn't

544
00:25:17,280 --> 00:25:24,680
Speaker 3: been detonated. Please listen to me. They found a they unearthed.

545
00:25:24,840 --> 00:25:27,879
Speaker 1: They're like Michelle's here, perfect.

546
00:25:29,000 --> 00:25:33,280
Speaker 3: Unearthed, old big skull obs.

547
00:25:32,359 --> 00:25:35,640
Speaker 1: Perfect a torpedo or some shit.

548
00:25:36,240 --> 00:25:38,080
Speaker 3: And they couldn't have the trains go by because they're

549
00:25:38,119 --> 00:25:40,280
Speaker 3: afraid that the vibration of the train is going to

550
00:25:40,320 --> 00:25:41,400
Speaker 3: sell this bomb.

551
00:25:42,119 --> 00:25:43,720
Speaker 1: So it wasn't a power line issue.

552
00:25:43,800 --> 00:25:46,680
Speaker 3: It was it was two things, first the power line,

553
00:25:46,720 --> 00:25:47,320
Speaker 3: then the bomb.

554
00:25:48,040 --> 00:25:49,840
Speaker 1: End of story. I ended up with my big ass bag.

555
00:25:49,840 --> 00:25:50,919
Speaker 3: You know, I always take a lot of shit with

556
00:25:50,960 --> 00:25:53,480
Speaker 3: me in a place called Kobelin's which I was rotting

557
00:25:53,480 --> 00:25:56,600
Speaker 3: in this piss stinking train station for two hours. And

558
00:25:56,600 --> 00:25:58,240
Speaker 3: then right as I'm getting on the train, I see

559
00:25:58,240 --> 00:26:00,480
Speaker 3: a guy with the most beautiful t came out bag

560
00:26:00,720 --> 00:26:02,159
Speaker 3: and I missed it. I didn't get to go. This

561
00:26:02,200 --> 00:26:04,240
Speaker 3: is not a good story anyway. It took me eleven

562
00:26:04,240 --> 00:26:06,400
Speaker 3: hours to get into town. I'm just saying, next time,

563
00:26:06,440 --> 00:26:09,200
Speaker 3: go to Germany. They're still finding bombs on the ground.

564
00:26:09,560 --> 00:26:14,920
Speaker 3: Christ isn't that wild? It's not funny, but interesting, I

565
00:26:20,160 --> 00:26:25,480
Speaker 3: promise bomb yeah sone of interest. That's unbelievable.

566
00:26:25,760 --> 00:26:31,399
Speaker 1: I know. We went to Berlin right after Amsterdam. We

567
00:26:31,480 --> 00:26:34,240
Speaker 1: saw you did We go from Amsterdam to Berlin? Was

568
00:26:34,240 --> 00:26:37,760
Speaker 1: Berlin our last stop? Bo We did Berlin and it

569
00:26:37,760 --> 00:26:41,000
Speaker 1: doesn't matter anyway. It's very somber, like when the first

570
00:26:41,000 --> 00:26:42,959
Speaker 1: time you go there, it is it's it's there's like

571
00:26:43,000 --> 00:26:44,880
Speaker 1: this very intense feeling. You have to like get over

572
00:26:45,320 --> 00:26:48,520
Speaker 1: the wall like that. There's like an energy. It's just

573
00:26:48,800 --> 00:26:50,560
Speaker 1: once you get over it, you're fine and then it's

574
00:26:50,560 --> 00:26:53,080
Speaker 1: a fun, lovely, great city. We had an amazing time.

575
00:26:53,240 --> 00:26:55,200
Speaker 1: We went and smoked weed on the floor with peaches

576
00:26:55,200 --> 00:26:57,719
Speaker 1: at a bar. It was incredible. It's like it but

577
00:26:57,880 --> 00:27:02,720
Speaker 1: like there's a heaviness at firsts So you're right, there

578
00:27:02,800 --> 00:27:05,160
Speaker 1: is a feeling when you get into a town like that,

579
00:27:05,920 --> 00:27:07,040
Speaker 1: and it is depressing.

580
00:27:07,080 --> 00:27:08,720
Speaker 3: The worst place where I feel, And it's actually for

581
00:27:08,760 --> 00:27:09,400
Speaker 3: the opposite reason.

582
00:27:09,440 --> 00:27:12,439
Speaker 1: Have you ever been to Vienna, Austria? No, it's too

583
00:27:12,520 --> 00:27:14,200
Speaker 1: pretty exactly.

584
00:27:14,280 --> 00:27:17,199
Speaker 3: Vienna has the opposite thing where it's so pristine and

585
00:27:17,400 --> 00:27:21,400
Speaker 3: so beautiful. There was not an overlook or a balcony

586
00:27:21,440 --> 00:27:23,360
Speaker 3: in that town where I couldn't see you know who

587
00:27:23,440 --> 00:27:26,480
Speaker 3: giving a major speech every balcony. I'm going, well, it

588
00:27:26,560 --> 00:27:29,760
Speaker 3: was like my mind was like aieing him into every

589
00:27:29,800 --> 00:27:32,719
Speaker 3: little nook and cranny and Vienna. So I might just

590
00:27:32,760 --> 00:27:35,439
Speaker 3: need help, but yeah, it's listen, I love Germany. I

591
00:27:35,480 --> 00:27:37,560
Speaker 3: actually like Germany and Munich. I love if you've ever been,

592
00:27:37,600 --> 00:27:38,480
Speaker 3: It's a beautiful place.

593
00:27:38,640 --> 00:27:38,800
Speaker 2: You know.

594
00:27:40,200 --> 00:27:45,159
Speaker 3: Well again, funniest episode, so the year you have to

595
00:27:45,160 --> 00:27:48,280
Speaker 3: bring this stuff up in the in the middle are

596
00:27:48,280 --> 00:27:53,520
Speaker 3: your part, But you're so nice to have me back.

597
00:27:53,560 --> 00:27:57,520
Speaker 1: I really appreciate it. People still talk about someone spilled sauce.

598
00:27:57,560 --> 00:27:59,760
Speaker 1: I was just gonna say, that's one of our most famous,

599
00:28:00,080 --> 00:28:03,320
Speaker 1: most notable episodes of all time when Michelle told the

600
00:28:03,400 --> 00:28:06,520
Speaker 1: story about getting into an elevator and uh spilling I

601
00:28:06,520 --> 00:28:11,679
Speaker 1: guess ponzu sauce all over the floor and Leah Michelle

602
00:28:09,960 --> 00:28:17,440
Speaker 1: at yep, Michelle told her someone spilled sauce.

603
00:28:18,119 --> 00:28:20,600
Speaker 3: It was me, but she gave me such a dirty

604
00:28:20,640 --> 00:28:23,359
Speaker 3: look that I didn't know what Her boyfriend was very

605
00:28:23,400 --> 00:28:24,960
Speaker 3: friendly and then she looked at me so dirty. But

606
00:28:25,000 --> 00:28:26,760
Speaker 3: you have to understand that that elevator. Just want to

607
00:28:26,760 --> 00:28:28,720
Speaker 3: make it known because anyone who's been to La needs

608
00:28:28,760 --> 00:28:31,359
Speaker 3: to know that it's where the crazy rock and sushi

609
00:28:31,480 --> 00:28:34,080
Speaker 3: is that the house sauce. It's ponzu really mixed with

610
00:28:34,119 --> 00:28:36,840
Speaker 3: some sesame oil if we're going to go there. But uh,

611
00:28:37,040 --> 00:28:40,200
Speaker 3: there's a target a Bevemo that was same elevator. And

612
00:28:40,200 --> 00:28:42,320
Speaker 3: I think I told this on your show as well.

613
00:28:42,800 --> 00:28:44,280
Speaker 3: Was where one time I was by myself going to

614
00:28:44,320 --> 00:28:46,800
Speaker 3: Target and a guy who had white out cont.

615
00:28:48,520 --> 00:28:49,640
Speaker 1: Came up to Scar.

616
00:28:50,440 --> 00:28:55,360
Speaker 3: He said, oh, he's gonna cry my face. So I

617
00:28:55,520 --> 00:28:58,560
Speaker 3: had that very haunkedd elevator for me. It's one of

618
00:28:58,560 --> 00:29:01,960
Speaker 3: the reasons I left LA. I'm not even joking, like right, unfortunately,

619
00:29:02,360 --> 00:29:05,560
Speaker 3: the state of the world is shit. Yeah, so it's

620
00:29:05,640 --> 00:29:07,840
Speaker 3: just a reflection of kind of what's happening all over.

621
00:29:07,880 --> 00:29:09,960
Speaker 3: It's happening in Miami. I mean, it's happening everywhere. A

622
00:29:10,160 --> 00:29:12,880
Speaker 3: cost of living being insane. I just I mean, bone

623
00:29:12,920 --> 00:29:14,800
Speaker 3: you exc what about the girls getting punched, Well, you

624
00:29:14,840 --> 00:29:16,880
Speaker 3: know they think that that was like a Reddit conspiracy

625
00:29:16,920 --> 00:29:17,600
Speaker 3: with those punches.

626
00:29:17,840 --> 00:29:19,880
Speaker 1: Yeah, they did, because they never found the guy.

627
00:29:19,960 --> 00:29:22,160
Speaker 3: Right, Well, they think it was more than one guy

628
00:29:23,000 --> 00:29:24,920
Speaker 3: and that it was like a Reddit thread where they

629
00:29:24,920 --> 00:29:27,640
Speaker 3: said go in this area and punch these ladies. But somehow,

630
00:29:28,040 --> 00:29:31,080
Speaker 3: amazingly Bethany got herself involved, which is a really good gift.

631
00:29:31,120 --> 00:29:34,200
Speaker 1: I mean, yeah, to figure out so how did that happen?

632
00:29:34,360 --> 00:29:36,920
Speaker 2: Because I heard about Bethany getting in the mix, but

633
00:29:37,520 --> 00:29:40,680
Speaker 2: I didn't bother finding out how I mean.

634
00:29:40,720 --> 00:29:43,440
Speaker 3: She just was like, I got punched, you know, oh,

635
00:29:44,600 --> 00:29:47,080
Speaker 3: she said, but it was months ago, and I'm thinking

636
00:29:47,560 --> 00:29:49,960
Speaker 3: that tracks she probably did, But I don't think it's

637
00:29:49,960 --> 00:29:51,000
Speaker 3: related to this.

638
00:29:51,080 --> 00:29:56,000
Speaker 2: Right right right, I just keep my head down. I

639
00:29:56,000 --> 00:29:57,520
Speaker 2: don't know if that's I don't know if that's like,

640
00:29:57,640 --> 00:29:59,640
Speaker 2: I don't know what that means. But I just kind

641
00:29:59,640 --> 00:30:02,040
Speaker 2: of like, go to the train, take it to work.

642
00:30:02,320 --> 00:30:06,600
Speaker 2: I thankfully the train pulls right into my office, like

643
00:30:06,640 --> 00:30:08,960
Speaker 2: I don't have to step back outside and go inside

644
00:30:09,000 --> 00:30:13,000
Speaker 2: another building. So I feel like I have a pretty

645
00:30:13,080 --> 00:30:17,800
Speaker 2: myopic view and scope of the city. But I'm I'm

646
00:30:17,800 --> 00:30:19,800
Speaker 2: having an okay time here. The weather's getting nice.

647
00:30:20,360 --> 00:30:24,600
Speaker 3: Do you go to the restaurants below Rockefeller Center or no?

648
00:30:24,640 --> 00:30:25,080
Speaker 1: They're nice?

649
00:30:25,080 --> 00:30:29,560
Speaker 3: They're nice, baby, come on, hold on, can we I'm

650
00:30:29,600 --> 00:30:31,560
Speaker 3: about to I don't think so, Honey, Del Friscos? Which

651
00:30:31,560 --> 00:30:35,640
Speaker 3: one the grill to Del Friscos? Which one the one

652
00:30:35,640 --> 00:30:37,960
Speaker 3: that's by Rock Center or the one that's by Serious.

653
00:30:38,240 --> 00:30:39,960
Speaker 1: There's there's the delf Friscoes.

654
00:30:40,000 --> 00:30:41,840
Speaker 2: Oh, the one by Serious, But no, there's the one

655
00:30:41,840 --> 00:30:44,720
Speaker 2: by Serious, which is I never go, you never go.

656
00:30:45,080 --> 00:30:45,160
Speaker 1: No.

657
00:30:45,880 --> 00:30:48,640
Speaker 2: People from the office get delivery from Delfrisco's at Rock

658
00:30:48,680 --> 00:30:49,239
Speaker 2: Center all the time.

659
00:30:49,280 --> 00:30:53,520
Speaker 1: There's there's a place called Jupiter that's great. We got

660
00:30:54,400 --> 00:30:57,960
Speaker 1: I can tell Matt's. They have these like like cheeseburger

661
00:30:58,000 --> 00:31:02,720
Speaker 1: egg rolls. Oh my god, no tell you so, I

662
00:31:02,960 --> 00:31:04,440
Speaker 1: when I were serious.

663
00:31:04,640 --> 00:31:08,560
Speaker 3: I used to go there. I used to go there.

664
00:31:09,560 --> 00:31:12,000
Speaker 3: There's a bartender who works there. You probably know him.

665
00:31:12,120 --> 00:31:15,479
Speaker 3: He kind of has like eskeletor energy. He's like a bald,

666
00:31:15,520 --> 00:31:18,520
Speaker 3: big irishman, like a skeleton and.

667
00:31:19,720 --> 00:31:23,440
Speaker 1: This episode he's outbound.

668
00:31:23,800 --> 00:31:26,880
Speaker 3: He's very squid word no because he's bald, but he

669
00:31:27,000 --> 00:31:28,560
Speaker 3: was like the dnse on the side, you know, he's

670
00:31:28,600 --> 00:31:32,160
Speaker 3: like a slimmer guy, y Irish. I've never I don't

671
00:31:32,200 --> 00:31:33,880
Speaker 3: know if anyone on this planet hates me more than

672
00:31:33,920 --> 00:31:36,520
Speaker 3: this man. I've never had someone be so mean to

673
00:31:36,520 --> 00:31:39,320
Speaker 3: me when I show up, Like the water always smells

674
00:31:39,320 --> 00:31:41,000
Speaker 3: like dog. But the only reason why I used to

675
00:31:41,080 --> 00:31:44,720
Speaker 3: go there is because they had a seared tuna sashimi

676
00:31:45,080 --> 00:31:48,600
Speaker 3: salad that I loved and it was like thirty seven dollars.

677
00:31:48,640 --> 00:31:53,120
Speaker 3: It was three chunks of sashims. Some you know wantan strips,

678
00:31:53,160 --> 00:31:56,160
Speaker 3: you know, like real dumb bitsch food, like dumb dumpish

679
00:31:56,240 --> 00:31:58,560
Speaker 3: and I loved it, and I went there last time

680
00:31:58,600 --> 00:32:01,400
Speaker 3: with my friend Lucas and we sat at the bar,

681
00:32:01,440 --> 00:32:02,280
Speaker 3: which I love to sit at the.

682
00:32:02,240 --> 00:32:03,600
Speaker 1: Bar anywhere I go. I love a bar.

683
00:32:03,760 --> 00:32:05,040
Speaker 3: I don't want to be in the mix. I love

684
00:32:05,120 --> 00:32:05,800
Speaker 3: to look at everyone.

685
00:32:06,280 --> 00:32:09,640
Speaker 1: Yeah, cool girl vibes, the ultimate cool girl vibes. I'm

686
00:32:09,680 --> 00:32:12,160
Speaker 1: at the bar, you can talk to me. I'm watching

687
00:32:12,560 --> 00:32:15,000
Speaker 1: I'm watching people. Yeah, it's the best.

688
00:32:15,240 --> 00:32:17,080
Speaker 3: And also as a tall person, I can like stretch

689
00:32:17,160 --> 00:32:19,480
Speaker 3: my legs out, you know, it just gives me room

690
00:32:19,560 --> 00:32:25,200
Speaker 3: to breathe. Yes, anyway, guess what, no sashimi tuna salad

691
00:32:25,200 --> 00:32:28,960
Speaker 3: on the menu any longer? And I called uh Tristan,

692
00:32:29,000 --> 00:32:32,960
Speaker 3: I don't know his name, over and I said, I said,

693
00:32:33,040 --> 00:32:37,560
Speaker 3: trist what's with the what's with the lack of this?

694
00:32:38,160 --> 00:32:38,360
Speaker 2: Said?

695
00:32:38,760 --> 00:32:41,280
Speaker 1: It not on the menu. My number one item isn't

696
00:32:41,320 --> 00:32:41,800
Speaker 1: on the menu.

697
00:32:42,560 --> 00:32:45,600
Speaker 3: And he said they were bought by another restaurant group

698
00:32:46,000 --> 00:32:48,760
Speaker 3: ever since they sold usta fill in the blank, I

699
00:32:48,760 --> 00:32:50,600
Speaker 3: don't know who it was. He's like, so they've made

700
00:32:50,640 --> 00:32:52,440
Speaker 3: some decisions and they took the saturd off the menu

701
00:32:52,840 --> 00:32:57,239
Speaker 3: and we left and we went on. We laughed, Oh,

702
00:32:57,440 --> 00:33:00,560
Speaker 3: I'm not eating fucking cheeseburger eggirls no offense, so we laugh.

703
00:33:01,040 --> 00:33:04,280
Speaker 3: I can barely squeeze into my ribbed dress as it is.

704
00:33:04,800 --> 00:33:07,960
Speaker 1: And we went to Oceania. What is that place? That's

705
00:33:07,960 --> 00:33:10,479
Speaker 1: another Jesus Ocean Prime.

706
00:33:10,840 --> 00:33:14,200
Speaker 3: No, No, it's the serious building. Yeah, and we went

707
00:33:14,240 --> 00:33:17,680
Speaker 3: there and I had like a ninety seven dollars like scrimp.

708
00:33:18,080 --> 00:33:20,040
Speaker 1: I don't even know the hole town is upside down.

709
00:33:20,120 --> 00:33:23,040
Speaker 1: I had to leave right this was the last time

710
00:33:23,040 --> 00:33:24,600
Speaker 1: you were in New York? Or no, this is this was?

711
00:33:24,640 --> 00:33:26,360
Speaker 1: This is a while ago. This was a month and

712
00:33:26,400 --> 00:33:28,680
Speaker 1: a half ago, A month and a half ago. Yeah,

713
00:33:28,720 --> 00:33:30,520
Speaker 1: and so a year like, oh, this's this city is

714
00:33:30,760 --> 00:33:31,360
Speaker 1: in the toilet.

715
00:33:31,640 --> 00:33:33,520
Speaker 3: That's when I decided to leave. When I saw that

716
00:33:33,560 --> 00:33:37,320
Speaker 3: the tuna salad was off the menu. This isn't my

717
00:33:37,440 --> 00:33:38,240
Speaker 3: city anymore.

718
00:33:38,480 --> 00:33:40,160
Speaker 1: I don't recognize this place.

719
00:33:40,640 --> 00:33:42,400
Speaker 3: I just want to make a clear to everyone as well,

720
00:33:42,440 --> 00:33:45,840
Speaker 3: now that we're airing our like doing a like Ombudsman segment.

721
00:33:46,400 --> 00:33:49,120
Speaker 3: I left New York not because of the crime, but

722
00:33:49,240 --> 00:33:52,360
Speaker 3: because I had a bathroom that wouldn't not be brown.

723
00:33:53,200 --> 00:33:56,280
Speaker 3: The grouse, the tiling, this is this was my breaking

724
00:33:56,360 --> 00:33:59,720
Speaker 3: point moment I too, one was I got stuck in

725
00:33:59,720 --> 00:34:02,160
Speaker 3: the LA at the Clark Street stop on the two

726
00:34:02,160 --> 00:34:02,720
Speaker 3: three training in.

727
00:34:02,760 --> 00:34:06,440
Speaker 1: That huge one of the great stops. No, that's a

728
00:34:06,640 --> 00:34:10,480
Speaker 1: terrible stop great stops. There's no stairway to get up.

729
00:34:10,800 --> 00:34:12,799
Speaker 3: And I got in that elevator and I swear to god,

730
00:34:12,880 --> 00:34:15,520
Speaker 3: it was like the casting team from the bus from

731
00:34:15,600 --> 00:34:16,640
Speaker 3: Speed had.

732
00:34:16,520 --> 00:34:18,160
Speaker 1: Put everyone on that elevator.

733
00:34:18,160 --> 00:34:22,680
Speaker 3: It was like unorthodox tow like a guy with a

734
00:34:22,800 --> 00:34:23,719
Speaker 3: whale spear like.

735
00:34:23,760 --> 00:34:28,000
Speaker 1: I was like, what the bus from that was?

736
00:34:28,040 --> 00:34:31,760
Speaker 3: Like everyone motherfucker was on it. I looked around me like, okay,

737
00:34:31,800 --> 00:34:34,960
Speaker 3: this town still has it. And then it got stuck

738
00:34:35,320 --> 00:34:37,520
Speaker 3: and we were stuck on that elevator and I had

739
00:34:37,560 --> 00:34:40,160
Speaker 3: an anxiety attack seriously, where I was like, of course

740
00:34:40,600 --> 00:34:44,600
Speaker 3: I had never had clost your phobia in my life, and.

741
00:34:43,920 --> 00:34:46,160
Speaker 1: You're in an elevator and you're underground, like that's.

742
00:34:45,920 --> 00:34:50,520
Speaker 3: Underground hel with genuinely with Central casting, and I thought, Okay,

743
00:34:50,760 --> 00:34:53,200
Speaker 3: the city's not for me. And then I was away

744
00:34:53,239 --> 00:34:55,160
Speaker 3: for a bit and a very nice modern bathroom came

745
00:34:55,160 --> 00:34:58,279
Speaker 3: back to my uptown apartment and I had a very

746
00:34:58,320 --> 00:35:00,279
Speaker 3: lovely apartment. I had a great deal on it, even

747
00:35:00,320 --> 00:35:01,880
Speaker 3: though I think there was mold in the ceiling and

748
00:35:01,920 --> 00:35:04,040
Speaker 3: I was seeing stars every morning when.

749
00:35:03,880 --> 00:35:04,399
Speaker 1: I woke up.

750
00:35:04,600 --> 00:35:10,120
Speaker 3: Great feel it was. There was definitely like mold. There

751
00:35:10,160 --> 00:35:12,440
Speaker 3: was one hundred percent mold in the ceiling in this apartment.

752
00:35:12,440 --> 00:35:14,480
Speaker 3: I don't want to shout at the address, but anyway,

753
00:35:14,640 --> 00:35:17,560
Speaker 3: in my bathroom first, so I had that coffin shaped tub,

754
00:35:17,560 --> 00:35:18,400
Speaker 3: which I hate, you know they have.

755
00:35:18,520 --> 00:35:19,160
Speaker 1: Why did they do that?

756
00:35:19,160 --> 00:35:22,160
Speaker 3: Why did they shave some tubs like coffins the shape

757
00:35:22,160 --> 00:35:24,000
Speaker 3: of fantasy?

758
00:35:26,640 --> 00:35:27,200
Speaker 1: That's funny?

759
00:35:27,400 --> 00:35:30,920
Speaker 3: And then the tile was so old Tyler Minogue and

760
00:35:31,000 --> 00:35:34,080
Speaker 3: I looked and I thought I saw the grout and

761
00:35:34,160 --> 00:35:34,400
Speaker 3: it was.

762
00:35:34,440 --> 00:35:34,920
Speaker 1: It didn't matter.

763
00:35:34,920 --> 00:35:36,400
Speaker 3: I could get on my hands and knees scrubbing it

764
00:35:36,440 --> 00:35:39,279
Speaker 3: with a you know, toothbrush and toothpaste and it was

765
00:35:39,360 --> 00:35:43,560
Speaker 3: not gonna not be brown. And the brown grout how now,

766
00:35:43,680 --> 00:35:46,680
Speaker 3: brown grouse brown got me out of that.

767
00:35:47,400 --> 00:35:49,319
Speaker 2: Okay, So that's where you're at with New York. What

768
00:35:49,360 --> 00:35:52,359
Speaker 2: about Miami? What about Florida and general as having gone

769
00:35:52,400 --> 00:35:52,759
Speaker 2: up there?

770
00:35:53,520 --> 00:35:55,759
Speaker 3: Funny bring it up, because I told if I do

771
00:35:55,920 --> 00:35:57,320
Speaker 3: end up moving back to the US, no listen, I

772
00:35:57,360 --> 00:35:58,000
Speaker 3: say this about it, it.

773
00:35:58,120 --> 00:36:00,640
Speaker 1: Would be Miami. So many do Miami?

774
00:36:01,080 --> 00:36:03,239
Speaker 3: I know, Yeah, I wouldn't move back to New York

775
00:36:03,320 --> 00:36:06,640
Speaker 3: for the right job. You know, obviously Network TV in

776
00:36:06,680 --> 00:36:12,040
Speaker 3: a second, but Miami's fine, listen, great shopping for if

777
00:36:12,040 --> 00:36:14,600
Speaker 3: a single person is debating moving there, if you're a

778
00:36:14,640 --> 00:36:16,880
Speaker 3: straight woman, you have to really be comfortable with the

779
00:36:16,920 --> 00:36:19,600
Speaker 3: idea of dating Pitbull if that is coming that you're

780
00:36:19,640 --> 00:36:22,439
Speaker 3: a pay and he's the best smelling celebrity I've ever met,

781
00:36:22,440 --> 00:36:23,399
Speaker 3: for the record, no one.

782
00:36:25,040 --> 00:36:27,880
Speaker 1: Believe it. And lovely sweetest pie.

783
00:36:28,440 --> 00:36:31,880
Speaker 3: But the the styling of pit Bull, that whole, that

784
00:36:32,320 --> 00:36:33,600
Speaker 3: kind of a vibe that has to.

785
00:36:33,560 --> 00:36:40,320
Speaker 1: Be with that. The Miami aesthetic. Yeah, a flow literally,

786
00:36:40,360 --> 00:36:46,719
Speaker 1: a flow rider man. Yep, Florida man is actually that's

787
00:36:46,719 --> 00:36:49,600
Speaker 1: actually a big distinction because you can have Florida man

788
00:36:50,080 --> 00:36:52,360
Speaker 1: walking around really any part of the country. But a

789
00:36:53,719 --> 00:36:56,520
Speaker 1: flow right a man is Florida specific. Yes, specific?

790
00:36:57,640 --> 00:36:59,279
Speaker 3: Yeah, I probably would do you guys ever go down there.

791
00:36:59,280 --> 00:37:01,440
Speaker 3: We should do a little. We went down there for

792
00:37:01,520 --> 00:37:03,480
Speaker 3: New Years.

793
00:37:03,520 --> 00:37:09,120
Speaker 2: Two years ago and it was it was fun. It

794
00:37:09,160 --> 00:37:12,440
Speaker 2: was we were just like all over the place, and

795
00:37:12,480 --> 00:37:13,839
Speaker 2: so I need to go back there. And we were

796
00:37:13,840 --> 00:37:16,880
Speaker 2: like in an Airbnb and I think I think Miami

797
00:37:16,960 --> 00:37:19,080
Speaker 2: is a place where you gotta be in a nice,

798
00:37:19,120 --> 00:37:20,400
Speaker 2: swinky hotel.

799
00:37:20,480 --> 00:37:25,080
Speaker 1: I think I've been to Miami for the last time. Really, yeah, stop,

800
00:37:25,360 --> 00:37:30,600
Speaker 1: why no, I don't enjoy Here's the thing. It lives

801
00:37:30,640 --> 00:37:33,400
Speaker 1: in a thing for me where it's like it feels

802
00:37:33,480 --> 00:37:35,560
Speaker 1: like you can go and you want to be relaxing

803
00:37:35,560 --> 00:37:38,239
Speaker 1: but also be like turned on if you want to.

804
00:37:38,280 --> 00:37:40,560
Speaker 1: Like in terms of the night life, it's just a

805
00:37:40,600 --> 00:37:44,560
Speaker 1: little too much of both. It's a little too It's

806
00:37:44,600 --> 00:37:47,000
Speaker 1: just the energy is too high for me.

807
00:37:47,080 --> 00:37:49,600
Speaker 2: Even if you're relaxing quote unquote, you still have to

808
00:37:49,640 --> 00:37:51,719
Speaker 2: dial into it in such a crazy way.

809
00:37:52,040 --> 00:37:54,120
Speaker 1: I don't know. It's just there comes a point at

810
00:37:54,239 --> 00:37:56,520
Speaker 1: night where things turn in Miami and it just goes.

811
00:37:57,120 --> 00:38:00,120
Speaker 1: I think I've not outgrown it, but like it's it's

812
00:38:00,160 --> 00:38:01,960
Speaker 1: just not the way I would choose to vacation. And

813
00:38:01,960 --> 00:38:03,799
Speaker 1: if I'm ever going to Miami, it would be that.

814
00:38:04,320 --> 00:38:05,160
Speaker 1: So I don't know.

815
00:38:05,480 --> 00:38:08,200
Speaker 3: I just something to say good, much like we are

816
00:38:08,239 --> 00:38:11,799
Speaker 3: stereotyping Los Angeles and you have seen and I, by

817
00:38:11,840 --> 00:38:14,080
Speaker 3: the way, I left Miami when I just turned seventeen

818
00:38:14,080 --> 00:38:16,359
Speaker 3: because I hated it. So understand like I'm not some yeah,

819
00:38:16,400 --> 00:38:19,160
Speaker 3: God knows what Miami person, but I know that the

820
00:38:19,160 --> 00:38:21,799
Speaker 3: Miami that you've seen is a very specific part. You've

821
00:38:21,800 --> 00:38:25,360
Speaker 3: been to South Beach, I'm assuming downtown maybe Design district

822
00:38:26,040 --> 00:38:28,719
Speaker 3: there is. You know, you're not wrong. It's a very

823
00:38:28,760 --> 00:38:31,880
Speaker 3: flashy town. Money is king. Everybody wants to have the

824
00:38:31,920 --> 00:38:33,800
Speaker 3: most money and looks a little expensive.

825
00:38:34,360 --> 00:38:36,000
Speaker 1: It is a lot, no question about it.

826
00:38:37,080 --> 00:38:39,680
Speaker 3: But within the town you can still find pockets of

827
00:38:39,719 --> 00:38:42,560
Speaker 3: like good restaurants now, especially like a lot of New

828
00:38:42,640 --> 00:38:45,359
Speaker 3: Yorkers are down there, are like Northeast people. I think

829
00:38:45,400 --> 00:38:47,560
Speaker 3: it's gotten a little bit better, but that is a

830
00:38:47,719 --> 00:38:50,600
Speaker 3: very touristic thing. If it did you drive when you

831
00:38:50,600 --> 00:38:52,560
Speaker 3: were there, or you were just taking ubers everywhere.

832
00:38:52,320 --> 00:38:54,040
Speaker 1: We were taking ubers, I think I think it would

833
00:38:54,040 --> 00:38:55,839
Speaker 1: have been a totally different vibe had we been there

834
00:38:55,880 --> 00:38:58,240
Speaker 1: for longer than it was, and it wasn't New Year's

835
00:38:58,280 --> 00:39:02,560
Speaker 1: any weren't thing out? Your friend Jared, who's like your

836
00:39:02,600 --> 00:39:04,280
Speaker 1: biggest fan, is also from Miami.

837
00:39:04,640 --> 00:39:07,040
Speaker 3: Oh no kidding. We'll hook us up because I always

838
00:39:07,040 --> 00:39:08,799
Speaker 3: need more friends down there. But every time I come

839
00:39:08,840 --> 00:39:10,239
Speaker 3: on your show, I beg for friends.

840
00:39:10,280 --> 00:39:11,000
Speaker 1: What is that? That happened?

841
00:39:11,000 --> 00:39:13,560
Speaker 3: Also at the Amsterdam show? Let's unpack that? Forget my name?

842
00:39:13,760 --> 00:39:16,799
Speaker 3: I'm always like I need friends. Fabulous, Let's talk. Let's

843
00:39:16,840 --> 00:39:19,960
Speaker 3: do you though, Yeah, you have cool friends.

844
00:39:20,040 --> 00:39:23,240
Speaker 2: When we are speaking of Tony's we sat with some swinky,

845
00:39:23,280 --> 00:39:25,960
Speaker 2: swanky friends here, I am saying swinky again, what am I?

846
00:39:26,239 --> 00:39:28,160
Speaker 2: But then we had we had a great time with

847
00:39:28,160 --> 00:39:30,120
Speaker 2: your friends. Also, those gen z Rs who stopped in

848
00:39:30,160 --> 00:39:32,880
Speaker 2: the street could have been your friends. Like you know,

849
00:39:32,960 --> 00:39:34,680
Speaker 2: we got we got to start building more bridges. I

850
00:39:34,719 --> 00:39:36,799
Speaker 2: was attracted to your one memory. I was like hitting

851
00:39:36,800 --> 00:39:40,719
Speaker 2: it off with your one friend Kevin. Kevin, those are

852
00:39:40,880 --> 00:39:42,239
Speaker 2: too hot. I felt that there was.

853
00:39:42,200 --> 00:39:44,719
Speaker 1: A vibe between us. I had a good time talking

854
00:39:44,760 --> 00:39:48,560
Speaker 1: about Ben right. I remember, guys, come back, listen, come

855
00:39:48,600 --> 00:39:49,760
Speaker 1: look at me. Come back.

856
00:39:50,080 --> 00:39:52,200
Speaker 3: And just in case the listeners wondering, yes, I was

857
00:39:52,239 --> 00:39:58,759
Speaker 3: sitting alone the show.

858
00:39:58,800 --> 00:40:00,480
Speaker 1: We're like, bye, bitch, you're.

859
00:40:01,840 --> 00:40:04,439
Speaker 3: Sitting with my legs crossed on the grounds. I don't

860
00:40:04,440 --> 00:40:06,680
Speaker 3: even have a seat. They're like, sit there, dog. I'm like,

861
00:40:06,719 --> 00:40:09,600
Speaker 3: I go, I sit on. I'm like fine, I don't

862
00:40:09,640 --> 00:40:12,759
Speaker 3: mind it. No, they're the best. I do have very

863
00:40:12,800 --> 00:40:14,040
Speaker 3: lovely friends. And I'm joking about that.

864
00:40:14,080 --> 00:40:14,440
Speaker 1: Miami.

865
00:40:14,480 --> 00:40:16,640
Speaker 3: Come back to Miami when it's not New Year's.

866
00:40:16,360 --> 00:40:18,640
Speaker 2: Here's the thing though, And just just on the topic

867
00:40:18,680 --> 00:40:22,000
Speaker 2: of New Year's no city that you don't live in.

868
00:40:22,080 --> 00:40:24,879
Speaker 2: If you're visiting a city on New Year's you will

869
00:40:24,920 --> 00:40:28,320
Speaker 2: have a bad time periods. It doesn't matter where it is. Correct,

870
00:40:29,000 --> 00:40:31,839
Speaker 2: New York is not better except this last New Years

871
00:40:31,840 --> 00:40:32,680
Speaker 2: where we were in New York.

872
00:40:32,840 --> 00:40:36,480
Speaker 1: I loved it. We were working, Yeah, we were working,

873
00:40:36,480 --> 00:40:38,120
Speaker 1: but we were just like it was we were like

874
00:40:38,160 --> 00:40:39,120
Speaker 1: it was so like there.

875
00:40:39,000 --> 00:40:42,839
Speaker 2: Was no like packing within two days. There was no

876
00:40:43,040 --> 00:40:45,560
Speaker 2: like okay, like where where should we go now? Like

877
00:40:45,600 --> 00:40:47,719
Speaker 2: what reservation should we make? It was there was none

878
00:40:47,760 --> 00:40:49,920
Speaker 2: of that. There was no itinerary. It was just like,

879
00:40:50,040 --> 00:40:52,760
Speaker 2: let's we're just we're home. Everyone come over to my apartment.

880
00:40:53,160 --> 00:40:55,560
Speaker 2: And we went to Mexico City a couple of years ago.

881
00:40:55,640 --> 00:40:57,319
Speaker 2: Like I would love to visit Mesco City when it's

882
00:40:57,400 --> 00:41:01,520
Speaker 2: not New Year's like around Producer Becca says New York

883
00:41:01,520 --> 00:41:03,000
Speaker 2: New Year's Eve house party is the best way to

884
00:41:03,000 --> 00:41:03,680
Speaker 2: go period.

885
00:41:04,320 --> 00:41:06,160
Speaker 3: I do want to say, however, that I had one

886
00:41:06,160 --> 00:41:08,480
Speaker 3: of my best New Year's is in Las Vegas many

887
00:41:08,520 --> 00:41:11,719
Speaker 3: years ago. Oh where my friend and I. Vegas is

888
00:41:11,760 --> 00:41:13,399
Speaker 3: actually fun in New Years because what I love about

889
00:41:13,480 --> 00:41:15,520
Speaker 3: Vegas many people hate it. It's whatever you want it

890
00:41:15,520 --> 00:41:17,279
Speaker 3: to be. I say so if you want to be

891
00:41:17,400 --> 00:41:19,719
Speaker 3: like a dumb slut. Great, if you want to just

892
00:41:19,840 --> 00:41:23,000
Speaker 3: gamble or drink, have a good dinner somewhere CNI show

893
00:41:23,320 --> 00:41:25,600
Speaker 3: it is what you want, which is nice. Yeah, we

894
00:41:25,760 --> 00:41:28,760
Speaker 3: had the best fucking time in Vegas. We met people,

895
00:41:28,800 --> 00:41:32,000
Speaker 3: We had big martinis at the Petrosian Bar in the

896
00:41:32,000 --> 00:41:35,480
Speaker 3: Bellagio Hotel. We saw Selene Dion So Selene, God bless her.

897
00:41:35,560 --> 00:41:38,359
Speaker 3: We saw Selene. Then we went and watched fireworks over

898
00:41:38,400 --> 00:41:40,239
Speaker 3: the strip and I bought these like two dollars light

899
00:41:40,320 --> 00:41:42,839
Speaker 3: up mini mouse years that when I put them on

900
00:41:42,880 --> 00:41:45,600
Speaker 3: my scalp, it felt like my entire body was getting electrocuted.

901
00:41:45,680 --> 00:41:47,960
Speaker 1: Anyone you know this feeling. Anyway, it was.

902
00:41:48,360 --> 00:41:52,080
Speaker 3: Fabulous, fabulous. But so Vegas actually can be well.

903
00:41:51,960 --> 00:41:55,200
Speaker 1: Because Vegas can't turn up more than it's already turned up.

904
00:41:55,719 --> 00:41:57,760
Speaker 1: So it's like it's already operating at a New Year's

905
00:41:57,760 --> 00:41:59,960
Speaker 1: Eve energy literally threeound and fifty five days a year,

906
00:42:00,120 --> 00:42:03,600
Speaker 1: three sixty six on the leap and so on, like

907
00:42:04,400 --> 00:42:08,160
Speaker 1: any given day. You can have that experience and so

908
00:42:08,440 --> 00:42:11,200
Speaker 1: it doesn't feel like you have to like adjust anything

909
00:42:11,239 --> 00:42:12,799
Speaker 1: because you're just like, this is Vegas, right.

910
00:42:13,000 --> 00:42:14,920
Speaker 3: Yeah, I've never been to Mexico City, though we should

911
00:42:14,920 --> 00:42:16,080
Speaker 3: all go do a live show there.

912
00:42:16,120 --> 00:42:16,680
Speaker 1: We shall go.

913
00:42:25,200 --> 00:42:27,080
Speaker 2: Michelle, what are your hopes and drinks for the summer

914
00:42:27,200 --> 00:42:28,560
Speaker 2: besides grace? Are your agrees?

915
00:42:28,800 --> 00:42:29,920
Speaker 1: So I have a lot coming up?

916
00:42:29,960 --> 00:42:33,200
Speaker 3: Actually, so okay tour first, even though it's not technically summer.

917
00:42:33,480 --> 00:42:36,480
Speaker 1: Where are you in the garden and when is it? Okay?

918
00:42:36,480 --> 00:42:38,839
Speaker 3: Big natural tour. So it starts on April twenty third.

919
00:42:39,280 --> 00:42:42,080
Speaker 3: We're doing Atlanta Town Hall in New York, the Salon

920
00:42:42,160 --> 00:42:45,399
Speaker 3: Theater in Los Angeles, Portland, Oregon in a big theater,

921
00:42:45,440 --> 00:42:50,520
Speaker 3: the Aladdin Theater. Then Philly, Pittsburgh and Chicago and Boston

922
00:42:50,560 --> 00:42:54,600
Speaker 3: is already Where are you playing in Chicago City Winery?

923
00:42:55,000 --> 00:42:57,400
Speaker 1: Oh? Fun, cute, cute.

924
00:42:57,200 --> 00:42:59,600
Speaker 3: Venue, should be fun. But yeah, if you live in

925
00:42:59,640 --> 00:43:01,400
Speaker 3: a layer in New York, definitely definitely a ticket. The

926
00:43:01,440 --> 00:43:03,120
Speaker 3: other shows are like nearly sold out, but Ellie and

927
00:43:03,160 --> 00:43:05,279
Speaker 3: New York are the big venues and Portland, Oregon. So

928
00:43:05,480 --> 00:43:09,319
Speaker 3: we have special guests Brian Sophie, Daniel Schneider, Amory Hars.

929
00:43:09,520 --> 00:43:11,680
Speaker 3: I don't know say with Cat Cohen in New York

930
00:43:11,760 --> 00:43:14,320
Speaker 3: is gonna be yes.

931
00:43:14,040 --> 00:43:17,000
Speaker 1: It's gonna be fun. Wait, I wanted to say I

932
00:43:17,040 --> 00:43:20,040
Speaker 1: played at the Aladdin Theater in Portland. It's such a

933
00:43:20,080 --> 00:43:22,000
Speaker 1: funny vibe because you get there and it looks like

934
00:43:22,160 --> 00:43:24,680
Speaker 1: it looks like a high school auditorium and you're like,

935
00:43:24,680 --> 00:43:26,960
Speaker 1: there's no way. Like my agent had been like, yeah,

936
00:43:27,000 --> 00:43:29,080
Speaker 1: this this this venue is great, man, like they're gonna

937
00:43:29,080 --> 00:43:31,040
Speaker 1: love you man. And then I was I guess there

938
00:43:31,080 --> 00:43:33,799
Speaker 1: and I'm like, huh, it's like very Portland vibes. That

939
00:43:33,920 --> 00:43:37,359
Speaker 1: venue turns all the way up really but like it

940
00:43:37,440 --> 00:43:40,400
Speaker 1: fills up and you're like, oh my god. Like I

941
00:43:40,480 --> 00:43:43,840
Speaker 1: remember before I got on stage, it was one vibe

942
00:43:43,880 --> 00:43:45,600
Speaker 1: and then I got on stage and I was like,

943
00:43:46,000 --> 00:43:48,520
Speaker 1: hold on wait, this is one of the fun shows.

944
00:43:48,560 --> 00:43:54,480
Speaker 1: Like it really really really was great. I'm excited to

945
00:43:54,560 --> 00:43:55,359
Speaker 1: have one time there.

946
00:43:55,480 --> 00:43:57,319
Speaker 3: Brian Saffy's coming with me to that show, and I'll

947
00:43:57,320 --> 00:43:59,480
Speaker 3: add I just need people to buy tickets for that

948
00:43:59,520 --> 00:44:01,840
Speaker 3: show because I think, I know like that they're.

949
00:44:01,680 --> 00:44:04,600
Speaker 1: So clearly there. The Portland Portland sales are slow.

950
00:44:04,640 --> 00:44:07,880
Speaker 2: But when Matt and I did I don't think so

951
00:44:07,920 --> 00:44:10,680
Speaker 2: honey as a tour there in Portland. That was the

952
00:44:10,719 --> 00:44:12,319
Speaker 2: first show and it was I think one of my

953
00:44:12,320 --> 00:44:13,000
Speaker 2: favorite shows.

954
00:44:13,080 --> 00:44:15,640
Speaker 1: It was it was great, It was great, and then

955
00:44:15,640 --> 00:44:17,279
Speaker 1: I remember I got such a bad taste in my

956
00:44:17,320 --> 00:44:20,440
Speaker 1: mouth about Seattle going forward because we we performed the

957
00:44:20,560 --> 00:44:22,440
Speaker 1: very first time that Bowen and I toured for. I

958
00:44:22,480 --> 00:44:24,320
Speaker 1: don't think so, honey. We took it around the country.

959
00:44:24,360 --> 00:44:27,680
Speaker 1: This was a whole different era. We went to Seattle

960
00:44:27,760 --> 00:44:32,880
Speaker 1: and we played at an all ages, no alcohol venue

961
00:44:34,120 --> 00:44:42,400
Speaker 1: and Discovery Zone. What was it any Discovery Zone? But

962
00:44:42,400 --> 00:44:44,360
Speaker 1: but then I was like, it was the most silent

963
00:44:44,480 --> 00:44:46,920
Speaker 1: I think it was the most silent comedy show I've

964
00:44:46,960 --> 00:44:50,839
Speaker 1: ever But did you redeem it with have you heard

965
00:44:50,880 --> 00:44:53,879
Speaker 1: of Christmas? Though? My one of my favorite cities by far,

966
00:44:53,920 --> 00:44:58,000
Speaker 1: to perform in Seattle having heard of Christmas? Like I did.

967
00:44:59,360 --> 00:45:02,840
Speaker 1: I did a the More Theater last time, which is

968
00:45:02,840 --> 00:45:04,400
Speaker 1: a little bit bigger, and then before that, I did

969
00:45:04,440 --> 00:45:06,520
Speaker 1: the Neptune, which I'm going back to this year. Was

970
00:45:06,640 --> 00:45:11,400
Speaker 1: spoiler alert, such good energy, Seattle fucking rocks. I love Seattle.

971
00:45:11,640 --> 00:45:13,239
Speaker 3: You know, I've never been to Seattle, and I have

972
00:45:13,239 --> 00:45:14,839
Speaker 3: a friend here who's from there, who was like, you

973
00:45:14,840 --> 00:45:16,440
Speaker 3: need to perform because they're the best crowds.

974
00:45:16,520 --> 00:45:18,759
Speaker 1: Oh literally, last week we were talking about it.

975
00:45:19,440 --> 00:45:21,279
Speaker 3: I should add one last thing, which is also a

976
00:45:21,280 --> 00:45:23,799
Speaker 3: spoiler because I'm also doing five nights in London at

977
00:45:23,840 --> 00:45:24,480
Speaker 3: the end of June.

978
00:45:24,480 --> 00:45:26,160
Speaker 1: Wow, I was so a theater.

979
00:45:26,719 --> 00:45:30,360
Speaker 3: So everyone's the best, so people should I don't. Tickets

980
00:45:30,360 --> 00:45:32,040
Speaker 3: will be on sale this week. We're going to announce

981
00:45:32,040 --> 00:45:34,240
Speaker 3: it officially, but I'll give you the scoop. That's happening.

982
00:45:34,320 --> 00:45:36,320
Speaker 3: I think June twenty fifth through the twenty ninth.

983
00:45:36,520 --> 00:45:40,080
Speaker 1: Oh that's so great. Oh there's just the best area,

984
00:45:40,200 --> 00:45:43,640
Speaker 1: best theater, best vibes. Oh man, that's so very excited.

985
00:45:43,680 --> 00:45:45,480
Speaker 3: I hope you can come forward. Then we're all going

986
00:45:45,520 --> 00:45:48,520
Speaker 3: to Greece, the three of us. To Meek notes, I

987
00:45:48,520 --> 00:45:49,640
Speaker 3: don't know what I'm doing this summer.

988
00:45:49,680 --> 00:45:50,799
Speaker 1: I want to let go. You know.

989
00:45:50,840 --> 00:45:52,720
Speaker 3: I went in a cruise last summer with my parents

990
00:45:52,840 --> 00:45:55,480
Speaker 3: because again, like the friends are just knocking the door down.

991
00:45:55,600 --> 00:45:58,760
Speaker 3: So I went to Iceland and to Norway with my parents.

992
00:45:59,000 --> 00:46:01,080
Speaker 3: And I have to tell you, I feel like I'm

993
00:46:01,120 --> 00:46:02,840
Speaker 3: coming off as the worst version of myself. Like I

994
00:46:02,840 --> 00:46:04,920
Speaker 3: love Vegas. I had a great time on a cruise,

995
00:46:04,960 --> 00:46:07,799
Speaker 3: but genuinely I had fun in that cruise and I

996
00:46:07,800 --> 00:46:10,680
Speaker 3: had to do it again, just saying the people watching

997
00:46:11,160 --> 00:46:14,560
Speaker 3: you are basically on an insane asylum at sea. So

998
00:46:14,680 --> 00:46:17,640
Speaker 3: everyone has sung. Everyone's just like horrible in their own

999
00:46:17,680 --> 00:46:20,200
Speaker 3: kind of ways. Some people are fun, you know, you

1000
00:46:20,200 --> 00:46:22,799
Speaker 3: can sometimes some people, Wait, we saw there was a

1001
00:46:22,840 --> 00:46:25,040
Speaker 3: singer on the boat who This is a really funny

1002
00:46:25,120 --> 00:46:28,319
Speaker 3: quick story that you'll die. So there's a singer that

1003
00:46:28,360 --> 00:46:30,440
Speaker 3: they build as like being the most not Michael Crawford,

1004
00:46:30,480 --> 00:46:33,040
Speaker 3: but he was like the second most performing Phantom of

1005
00:46:33,080 --> 00:46:34,719
Speaker 3: all time and Phantom of the Opera I don't remember

1006
00:46:34,760 --> 00:46:38,120
Speaker 3: as anything, and so we love Phantom. So my parents

1007
00:46:38,160 --> 00:46:40,080
Speaker 3: and I we go, we hobble down to the theater

1008
00:46:40,239 --> 00:46:42,200
Speaker 3: to see this guy. And he gets up and he

1009
00:46:42,320 --> 00:46:46,520
Speaker 3: sings two songs from Phantom of the Opera to the sequel,

1010
00:46:47,000 --> 00:46:48,800
Speaker 3: and then he's turned the rest of the show, singing

1011
00:46:48,840 --> 00:46:50,800
Speaker 3: like Queen songs. So I have video, which I actually

1012
00:46:50,800 --> 00:46:52,600
Speaker 3: am going to show in my show of my mother

1013
00:46:52,960 --> 00:46:55,640
Speaker 3: just fuming in her seat. She just like so pissed

1014
00:46:55,960 --> 00:46:59,000
Speaker 3: she can't stand him. The next day, elevator doors open.

1015
00:46:59,040 --> 00:47:01,240
Speaker 3: Who walked up at this He's like, I think Welsh,

1016
00:47:01,280 --> 00:47:03,560
Speaker 3: and he's got this big stomach and he walks out and.

1017
00:47:03,520 --> 00:47:05,680
Speaker 1: Then I'm goes, oh, I'm so sorry. Are you the

1018
00:47:06,239 --> 00:47:08,600
Speaker 1: are you the singer from Oh No? Show?

1019
00:47:08,719 --> 00:47:14,240
Speaker 3: Please, please don't anyway, you're dying. I'm at this point, Honey,

1020
00:47:14,239 --> 00:47:16,440
Speaker 3: I shrunk the kids. It's the witches. There's green smoke

1021
00:47:16,480 --> 00:47:18,919
Speaker 3: coming out of my backet. I'm just I'm not even witch.

1022
00:47:19,960 --> 00:47:23,400
Speaker 3: It's just I'm just I'm a little rat in like address.

1023
00:47:24,120 --> 00:47:27,000
Speaker 3: And she goes, he's a singer from last night, And

1024
00:47:27,040 --> 00:47:29,319
Speaker 3: he goes, why, yes, I am, you know, very proud

1025
00:47:29,360 --> 00:47:29,800
Speaker 3: of himself.

1026
00:47:29,880 --> 00:47:32,400
Speaker 1: I am yeah.

1027
00:47:32,480 --> 00:47:36,839
Speaker 3: And she goes, just wondering why you chose to sing

1028
00:47:37,600 --> 00:47:40,560
Speaker 3: Fansom of the Opera two when they're billing you as

1029
00:47:40,840 --> 00:47:44,960
Speaker 3: phantom One, and also you sang like he sang a

1030
00:47:45,000 --> 00:47:46,640
Speaker 3: song from Oliver, which is like, I guess it's like

1031
00:47:46,640 --> 00:47:48,440
Speaker 3: my dad's favorite musical. But he sang like one of

1032
00:47:48,480 --> 00:47:50,960
Speaker 3: the worst songs from Oliver that had my dad's seething.

1033
00:47:51,239 --> 00:47:51,719
Speaker 1: So then I go.

1034
00:47:51,800 --> 00:47:54,360
Speaker 3: She goes, and why of all the songs in Oliver

1035
00:47:54,600 --> 00:47:57,080
Speaker 3: that you could have chosen, why did you? I mean,

1036
00:47:57,160 --> 00:48:00,480
Speaker 3: I'm like this. It was like, what's the you're gonna go.

1037
00:48:00,520 --> 00:48:06,600
Speaker 1: To the movie? A few Shining? It was the Shining.

1038
00:48:07,680 --> 00:48:09,799
Speaker 3: As good as it gets. She was in the back

1039
00:48:09,840 --> 00:48:13,160
Speaker 3: ring glasses and my mom was great canear and then

1040
00:48:13,239 --> 00:48:23,640
Speaker 3: I was the dog anyway, dog episode, I was that

1041
00:48:23,719 --> 00:48:26,960
Speaker 3: little Brussels grief phone or whatever the fuck they're called anyway,

1042
00:48:27,600 --> 00:48:29,120
Speaker 3: So there was that. I had the best time on

1043
00:48:29,160 --> 00:48:30,759
Speaker 3: that boat. If that guy is listening, I'm so sorry.

1044
00:48:30,800 --> 00:48:33,160
Speaker 3: I'm proud of her behavior. She's a monster anyway, She'll

1045
00:48:33,200 --> 00:48:33,920
Speaker 3: be one of the shows.

1046
00:48:34,400 --> 00:48:36,160
Speaker 1: Talk about your mom, because what I want to know

1047
00:48:36,200 --> 00:48:38,560
Speaker 1: about her takes recently, because like I know, she always

1048
00:48:38,560 --> 00:48:41,880
Speaker 1: has pop culture takes, like you sometimes post the emails

1049
00:48:41,920 --> 00:48:43,160
Speaker 1: you get from her. I just want to know, like,

1050
00:48:43,239 --> 00:48:46,959
Speaker 1: what's up, What's what's mom thinking doing? Saying lately? Mom

1051
00:48:47,000 --> 00:48:47,399
Speaker 1: is upset?

1052
00:48:47,400 --> 00:48:47,520
Speaker 2: You know.

1053
00:48:47,600 --> 00:48:49,280
Speaker 3: I do a weekly episode because I have a Patreon

1054
00:48:49,320 --> 00:48:50,960
Speaker 3: with the show, and once a week my mom and

1055
00:48:51,000 --> 00:48:54,080
Speaker 3: I do an hour for the Highest Bidder uh at

1056
00:48:54,600 --> 00:48:56,399
Speaker 3: patreon dot com slash.

1057
00:48:56,280 --> 00:49:01,440
Speaker 1: Nish call of you who pay the most.

1058
00:49:02,320 --> 00:49:05,920
Speaker 3: But she's really big on Dealer No deal Island, like

1059
00:49:05,960 --> 00:49:06,319
Speaker 3: this is.

1060
00:49:06,280 --> 00:49:08,399
Speaker 1: Her new family. Yeah, this is like taking over.

1061
00:49:08,800 --> 00:49:11,520
Speaker 3: Yeah yeah it's on NBCCO. I think they're showing it there.

1062
00:49:11,640 --> 00:49:14,600
Speaker 3: She loves the traders like everyone does. You know, she's

1063
00:49:14,640 --> 00:49:18,000
Speaker 3: obsessed with which I haven't watched yet, Survivor Australia.

1064
00:49:18,160 --> 00:49:19,440
Speaker 1: She oh, it's the best.

1065
00:49:20,840 --> 00:49:22,480
Speaker 3: How do you watch it because she watches it on

1066
00:49:22,520 --> 00:49:25,719
Speaker 3: something called SOUTHEMITV dot com. I don't have to hear

1067
00:49:25,760 --> 00:49:28,440
Speaker 3: her say this again. I'm gonna like end it all.

1068
00:49:28,840 --> 00:49:32,600
Speaker 3: She's like, wow, MYSOUTHEMTV dot com. I'm like stop.

1069
00:49:33,200 --> 00:49:36,160
Speaker 1: So they did have it at one point on Paramount

1070
00:49:36,200 --> 00:49:40,080
Speaker 1: Plus had it, and they don't anymore. But there was

1071
00:49:40,160 --> 00:49:45,160
Speaker 1: one iconic season that they had of Survivor Australia. It

1072
00:49:45,239 --> 00:49:48,920
Speaker 1: was like, I guess maybe it was season four or something.

1073
00:49:48,920 --> 00:49:50,800
Speaker 1: I don't even want to say who won it because

1074
00:49:50,840 --> 00:49:54,400
Speaker 1: I would like people to find it. But someone that's

1075
00:49:54,480 --> 00:49:58,840
Speaker 1: on Australian Traders season two was also on this season

1076
00:49:58,840 --> 00:50:02,560
Speaker 1: of Survivor. By the way, I want to say, Australian

1077
00:50:02,600 --> 00:50:06,200
Speaker 1: Traders season one is I'm going to call the pinnacle

1078
00:50:06,239 --> 00:50:08,280
Speaker 1: of reality television, and I think it is the single

1079
00:50:08,320 --> 00:50:11,360
Speaker 1: greatest reality TV season of all time. In a competitive sense,

1080
00:50:11,840 --> 00:50:17,040
Speaker 1: Australian Traders season two is the worst thing you could

1081
00:50:17,160 --> 00:50:20,239
Speaker 1: ever watch. It honestly was so bad comedy, so bad

1082
00:50:20,280 --> 00:50:23,240
Speaker 1: that they canceled it. And then the whole thing was canceled,

1083
00:50:23,360 --> 00:50:26,040
Speaker 1: did they Yeah, the Australian version, no kidding, because I

1084
00:50:26,080 --> 00:50:28,040
Speaker 1: watched that too. One was very good.

1085
00:50:29,560 --> 00:50:31,440
Speaker 3: Is the guy you're talking about, that hot as shit,

1086
00:50:31,560 --> 00:50:36,040
Speaker 3: giant guy with a beard. There's a guy who second

1087
00:50:36,120 --> 00:50:40,560
Speaker 3: Vie Australia who was like, I think we're Instagram friends.

1088
00:50:40,640 --> 00:50:44,000
Speaker 3: Life doesn't matter anyway, it doesn't matter. But yeah, he's

1089
00:50:44,239 --> 00:50:45,560
Speaker 3: but he was I think on one of these other

1090
00:50:45,600 --> 00:50:47,040
Speaker 3: reality shows anyway.

1091
00:50:47,480 --> 00:50:50,560
Speaker 1: The Australian Survivor at any given time as it is

1092
00:50:50,560 --> 00:50:53,080
Speaker 1: a collection of the hottest people in the world. And

1093
00:50:53,280 --> 00:50:56,560
Speaker 1: I can't say that about the American but.

1094
00:50:56,480 --> 00:50:58,799
Speaker 3: This Survivor, by the way, I'm sorry, this season is

1095
00:50:58,840 --> 00:50:59,360
Speaker 3: really sucking.

1096
00:50:59,400 --> 00:51:03,600
Speaker 1: I'm watching. I watched it sucks and it's not good.

1097
00:51:03,760 --> 00:51:07,000
Speaker 1: It's a sit. It's a sit. What's it? It's just

1098
00:51:07,080 --> 00:51:09,319
Speaker 1: it's long. They're long episodes. You gotta see a sit

1099
00:51:09,400 --> 00:51:13,840
Speaker 1: for him. I'll say this last season was excellent, and

1100
00:51:13,960 --> 00:51:17,640
Speaker 1: it also really only got really good around episode six seven.

1101
00:51:17,920 --> 00:51:20,040
Speaker 1: We're at that point now where they've merged in this

1102
00:51:20,160 --> 00:51:22,240
Speaker 1: season and I feel like it's gonna get more interesting.

1103
00:51:22,320 --> 00:51:24,480
Speaker 1: But I will say the boogers that they cast that

1104
00:51:24,520 --> 00:51:27,120
Speaker 1: you had to get through in the beginning, it's actually

1105
00:51:27,160 --> 00:51:30,719
Speaker 1: some of the worst gameplay I've seen in decades on

1106
00:51:30,800 --> 00:51:33,919
Speaker 1: the show. Like it's like and I talk like I'm

1107
00:51:34,120 --> 00:51:37,840
Speaker 1: ninety years old, and it just it feels like there

1108
00:51:38,680 --> 00:51:43,279
Speaker 1: hasn't been this level of a super fan and b

1109
00:51:43,880 --> 00:51:46,759
Speaker 1: horseshit gameplay at the same time, to where I'm like,

1110
00:51:46,840 --> 00:51:49,520
Speaker 1: we got to stop with the toxic positivity and casting here.

1111
00:51:49,960 --> 00:51:54,040
Speaker 1: There is a casting issue, and like, I understand if

1112
00:51:54,080 --> 00:51:56,560
Speaker 1: people are excited, but there was a do you remember Bonu?

1113
00:51:57,440 --> 00:51:59,799
Speaker 3: Do I remember here he's on his knees here.

1114
00:52:03,000 --> 00:52:06,040
Speaker 1: That was That was That was a low point in

1115
00:52:06,040 --> 00:52:09,879
Speaker 1: in reality. There was a second was hot, but then

1116
00:52:10,040 --> 00:52:12,600
Speaker 1: it got too much and it was like he was

1117
00:52:12,640 --> 00:52:14,760
Speaker 1: judging but yeah.

1118
00:52:14,680 --> 00:52:16,840
Speaker 2: Yeah, but then they got it got to be a

1119
00:52:16,880 --> 00:52:20,720
Speaker 2: lot mish. What does mom think about the Kate Middleton stuff?

1120
00:52:20,760 --> 00:52:21,560
Speaker 2: Does she have an opinion?

1121
00:52:22,160 --> 00:52:22,480
Speaker 4: Oh?

1122
00:52:22,560 --> 00:52:25,320
Speaker 3: Man, there was a moment where I was worried for myself,

1123
00:52:25,400 --> 00:52:28,319
Speaker 3: not her, because I knew that I had joined like

1124
00:52:28,520 --> 00:52:31,320
Speaker 3: K and on like whatever the q on version of

1125
00:52:31,360 --> 00:52:33,359
Speaker 3: the Kate Middleton conspiracy theories. I'm one of the few

1126
00:52:33,360 --> 00:52:37,439
Speaker 3: people still on X and I feel it being very

1127
00:52:37,760 --> 00:52:40,560
Speaker 3: a really slippery slope with things like this because people

1128
00:52:40,600 --> 00:52:42,759
Speaker 3: are still very funny on X, Like the tweets are

1129
00:52:42,840 --> 00:52:45,560
Speaker 3: hilarious and then they're engaging and so when people are

1130
00:52:45,560 --> 00:52:47,520
Speaker 3: pointing out all these conspiracy theories, it's fun.

1131
00:52:47,560 --> 00:52:49,800
Speaker 1: You're like, wow, this was before the video.

1132
00:52:50,320 --> 00:52:52,520
Speaker 3: But then even with that video, people saying her eyelid

1133
00:52:52,600 --> 00:52:55,120
Speaker 3: is you know, glitching out, and her shark teeth and

1134
00:52:55,160 --> 00:52:57,520
Speaker 3: the ring and all this stuff, and it's tough to

1135
00:52:57,560 --> 00:52:59,560
Speaker 3: not watch it back and be like are they right?

1136
00:52:59,719 --> 00:53:02,399
Speaker 1: Am I? You know, well, I think that they could

1137
00:53:02,440 --> 00:53:04,600
Speaker 1: have avoided all of this by just being a little

1138
00:53:04,600 --> 00:53:07,440
Speaker 1: bit more transparent in the beginning, because something that happened

1139
00:53:07,440 --> 00:53:09,359
Speaker 1: that I think, to be honest with you, I don't

1140
00:53:09,360 --> 00:53:11,399
Speaker 1: think they hated was the fact that there was all

1141
00:53:11,440 --> 00:53:15,880
Speaker 1: of this like craziness online and that went on for

1142
00:53:15,920 --> 00:53:18,880
Speaker 1: a very long time. And of course, like she is

1143
00:53:19,280 --> 00:53:22,560
Speaker 1: deserving of her privacy and also deserving of the time

1144
00:53:22,640 --> 00:53:24,880
Speaker 1: it takes to figure out what really is going on,

1145
00:53:25,040 --> 00:53:27,360
Speaker 1: because you know, when you get a diagnosis like that,

1146
00:53:27,520 --> 00:53:29,440
Speaker 1: or you think you're getting a diagnosis like that, you

1147
00:53:29,480 --> 00:53:31,640
Speaker 1: also want to make sure that you have all the

1148
00:53:31,680 --> 00:53:34,160
Speaker 1: information and that you have a plan and stuff. But

1149
00:53:34,200 --> 00:53:37,120
Speaker 1: the fact is, like we can't act like she's not

1150
00:53:37,160 --> 00:53:38,960
Speaker 1: one of the most famous people in the world, you

1151
00:53:38,960 --> 00:53:41,800
Speaker 1: know what I mean. And so especially when you doctor

1152
00:53:41,840 --> 00:53:44,399
Speaker 1: a photo and when you do all these things, it's

1153
00:53:44,400 --> 00:53:47,080
Speaker 1: like they didn't help themselves there. And I will stand

1154
00:53:47,160 --> 00:53:50,040
Speaker 1: and say they have the worst pr in the world.

1155
00:53:50,800 --> 00:53:55,880
Speaker 1: And I think that the if there was any inappropriateness

1156
00:53:55,920 --> 00:53:57,880
Speaker 1: that went on in terms of the discourse about what

1157
00:53:57,880 --> 00:54:01,040
Speaker 1: she was going through, they did not helped themselves there.

1158
00:54:01,080 --> 00:54:03,320
Speaker 1: And I'm not talking about William and Kate. I'm talking

1159
00:54:03,320 --> 00:54:08,400
Speaker 1: about the machine around them that did not create a positive,

1160
00:54:08,440 --> 00:54:12,040
Speaker 1: healthy space for her. And I also say that taking

1161
00:54:12,080 --> 00:54:14,160
Speaker 1: accountability for the way everyone talked about her.

1162
00:54:14,120 --> 00:54:16,960
Speaker 2: But then only to be chastised after the video comes out,

1163
00:54:17,000 --> 00:54:19,560
Speaker 2: it's like, well you kind of you kind of like

1164
00:54:19,960 --> 00:54:23,640
Speaker 2: ginned up this fervor around it that like didn't have

1165
00:54:23,760 --> 00:54:24,920
Speaker 2: to exist.

1166
00:54:25,719 --> 00:54:28,560
Speaker 3: My thing is that hot guy Thomas I forget his

1167
00:54:28,640 --> 00:54:32,759
Speaker 3: last name, who died, that young guy who died supposedly

1168
00:54:32,840 --> 00:54:36,440
Speaker 3: from I mean it supposedly was a gunshot wound. I

1169
00:54:36,440 --> 00:54:38,359
Speaker 3: guess it kind of never fully I guess came out

1170
00:54:38,680 --> 00:54:41,200
Speaker 3: what did it? But then when they said the rifle,

1171
00:54:41,239 --> 00:54:43,480
Speaker 3: it sounded like one of the Looney Tunes rifles, like

1172
00:54:43,920 --> 00:54:45,760
Speaker 3: something about it also was off to me. And people

1173
00:54:45,800 --> 00:54:49,279
Speaker 3: think that he had like a sharp implement or like

1174
00:54:49,320 --> 00:54:51,960
Speaker 3: said that he was bludgeoned, which is a word I

1175
00:54:52,000 --> 00:54:54,480
Speaker 3: love to say, but there's something with that too, and

1176
00:54:54,520 --> 00:54:57,680
Speaker 3: that's where I started getting into the we'd see was

1177
00:54:57,840 --> 00:55:00,279
Speaker 3: Kate having an affair and what's going on? And it

1178
00:55:00,360 --> 00:55:02,759
Speaker 3: just seems suspicious that all of this was happening at

1179
00:55:02,800 --> 00:55:03,279
Speaker 3: the same time.

1180
00:55:03,640 --> 00:55:05,040
Speaker 1: What can we do to tell you to get off

1181
00:55:05,040 --> 00:55:05,200
Speaker 1: of that?

1182
00:55:05,400 --> 00:55:10,279
Speaker 3: Thomas Kingston me, I need a drop, honestly, outside of

1183
00:55:10,280 --> 00:55:11,440
Speaker 3: what I do, I need to work.

1184
00:55:11,960 --> 00:55:14,160
Speaker 1: I know, are you off of it? You deleted it?

1185
00:55:14,000 --> 00:55:16,200
Speaker 1: We're off? I mean, I have I have a porn

1186
00:55:16,280 --> 00:55:18,319
Speaker 1: all it's I have. I have. I have one where

1187
00:55:18,320 --> 00:55:20,080
Speaker 1: I just like follow porny. I have one where I

1188
00:55:20,120 --> 00:55:22,560
Speaker 1: follow porn stars and roller coaster construction.

1189
00:55:24,880 --> 00:55:27,400
Speaker 3: I'm just getting shit about deleting it. Why can't I

1190
00:55:27,480 --> 00:55:29,719
Speaker 3: enjoy the things I like? If you're doing what you like?

1191
00:55:30,160 --> 00:55:32,080
Speaker 3: I don't understand why I have to be ashamed because

1192
00:55:32,080 --> 00:55:34,480
Speaker 3: I'm not watching guys jerking off?

1193
00:55:34,520 --> 00:55:34,960
Speaker 1: Is that okay?

1194
00:55:35,000 --> 00:55:37,799
Speaker 3: I mean, you're right, honestly, the truth or whatever you

1195
00:55:37,800 --> 00:55:40,120
Speaker 3: want to call them, I'm not on threads every time

1196
00:55:40,360 --> 00:55:42,359
Speaker 3: it's accidentally opens the zeats.

1197
00:55:44,239 --> 00:55:47,759
Speaker 1: The zeats. I still love it. People are funnier than ever.

1198
00:55:47,800 --> 00:55:49,440
Speaker 3: I'm sorry and yes, I do see a lot of

1199
00:55:49,680 --> 00:55:51,960
Speaker 3: horrific things as well, and I immediately blocked anytime I

1200
00:55:52,000 --> 00:55:55,000
Speaker 3: see something that I'm like crosses a line, They're gone.

1201
00:55:55,360 --> 00:55:59,800
Speaker 3: But it's it's endless. Unfortunately, it's endless, no problem, no

1202
00:56:00,040 --> 00:56:00,520
Speaker 3: problem at all.

1203
00:56:00,600 --> 00:56:03,759
Speaker 1: Huh. I feel like I love you. The thing is

1204
00:56:03,760 --> 00:56:06,360
Speaker 1: like I feel like I of course want to be

1205
00:56:06,440 --> 00:56:08,520
Speaker 1: on there and laugh and laugh and laugh and laugh.

1206
00:56:08,560 --> 00:56:12,360
Speaker 1: But I think because there's that context is removed, like

1207
00:56:12,440 --> 00:56:16,000
Speaker 1: I can't even engage because you can't jerk off to it.

1208
00:56:17,440 --> 00:56:20,160
Speaker 1: You turn off to lots, but you have so many.

1209
00:56:20,200 --> 00:56:21,920
Speaker 3: It's like there are only so many things that are

1210
00:56:21,920 --> 00:56:24,759
Speaker 3: funny these days, and that's where I find laughter. You

1211
00:56:24,800 --> 00:56:27,520
Speaker 3: can jerk off to anything. You can go anywhere and

1212
00:56:27,520 --> 00:56:29,640
Speaker 3: find porn. So it's funny that that's the thing that

1213
00:56:29,719 --> 00:56:31,520
Speaker 3: you still are giving them your business with m.

1214
00:56:32,280 --> 00:56:36,560
Speaker 1: I mean, wow, is TV comedy that bad? Like we

1215
00:56:36,640 --> 00:56:39,640
Speaker 1: have to be on exce like nothing out there for

1216
00:56:39,719 --> 00:56:42,640
Speaker 1: day to day stuff. Yeah, because we have no blogs anymore.

1217
00:56:42,680 --> 00:56:45,000
Speaker 3: You know, I'm a hundred Actually we have no there's

1218
00:56:45,040 --> 00:56:48,080
Speaker 3: nowhere else to go for like hot takes and quick news,

1219
00:56:48,160 --> 00:56:49,120
Speaker 3: quick rapid things.

1220
00:56:49,160 --> 00:56:51,839
Speaker 2: I don't know, I miss docker every day, me too,

1221
00:56:52,120 --> 00:56:54,279
Speaker 2: in the interest of, like, you know, it's quick takes

1222
00:56:54,320 --> 00:56:55,640
Speaker 2: before we get to I don't think so, honey, do

1223
00:56:55,640 --> 00:56:57,040
Speaker 2: you have any Bravo Our Housewives takes?

1224
00:56:57,080 --> 00:56:58,600
Speaker 1: You have to get off your chest? What's what do

1225
00:56:58,640 --> 00:57:01,800
Speaker 1: you feel about all the recent stuff we're talking? What

1226
00:57:02,000 --> 00:57:06,200
Speaker 1: like Summerhouse I'm watching, I'm liking it. Whatever, you don't

1227
00:57:06,360 --> 00:57:08,399
Speaker 1: so whatever. I don't even know what. I don't even

1228
00:57:08,440 --> 00:57:09,839
Speaker 1: know what Carl and Lindsay is.

1229
00:57:10,200 --> 00:57:12,680
Speaker 3: Oh, I actually don't you know. I watch it again

1230
00:57:12,840 --> 00:57:14,520
Speaker 3: just for there to be sound in my house. I

1231
00:57:14,560 --> 00:57:17,280
Speaker 3: don't know how use to put it. ASMR vander Pump

1232
00:57:17,400 --> 00:57:20,840
Speaker 3: is fine. I'm not loving this season. I don't find

1233
00:57:20,920 --> 00:57:21,840
Speaker 3: joy watching it.

1234
00:57:22,200 --> 00:57:22,439
Speaker 1: Really.

1235
00:57:22,480 --> 00:57:23,840
Speaker 3: I'm kind of in a bit of a run at

1236
00:57:23,880 --> 00:57:28,320
Speaker 3: the moment because Potomac is over. Potomac wasn't great this season.

1237
00:57:28,320 --> 00:57:30,200
Speaker 3: We all know that, and then what else is on

1238
00:57:30,320 --> 00:57:32,480
Speaker 3: a Jersey starting? I might have to start watching Jersey?

1239
00:57:32,560 --> 00:57:35,160
Speaker 1: I stopped. I'm excited for Jersey. I'm excited for Jersey,

1240
00:57:35,200 --> 00:57:37,840
Speaker 1: and I guess you know what I've been rewatching is

1241
00:57:37,880 --> 00:57:40,120
Speaker 1: like season ten of OC, the Vicki and Brooks of

1242
00:57:40,160 --> 00:57:42,520
Speaker 1: it all, like that was that was the golden age, right, there,

1243
00:57:43,760 --> 00:57:45,760
Speaker 1: I guess you. No. No, I don't even really know

1244
00:57:45,800 --> 00:57:47,480
Speaker 1: why I asked, because it's kind of we're kind of

1245
00:57:47,480 --> 00:57:49,919
Speaker 1: in the dead zone. But I hope that. I hope

1246
00:57:49,920 --> 00:57:50,840
Speaker 1: it gets fun again.

1247
00:57:51,200 --> 00:57:53,560
Speaker 3: You're right, there's nothing on in New or what do

1248
00:57:53,560 --> 00:57:56,680
Speaker 3: you think about the New York casting? Have they finalized it?

1249
00:57:57,520 --> 00:58:00,520
Speaker 2: I think it's pretty finalized. It's just it's just all

1250
00:58:00,520 --> 00:58:02,920
Speaker 2: the women returning, right, no additions, no.

1251
00:58:02,960 --> 00:58:05,200
Speaker 1: Additions, everyone's coming back. And they haven't even said any

1252
00:58:05,240 --> 00:58:06,840
Speaker 1: friends of It's just the six of them coming back,

1253
00:58:06,880 --> 00:58:07,960
Speaker 1: which I think is the right move.

1254
00:58:08,320 --> 00:58:12,600
Speaker 2: Sure, but that promo of them like split screen on

1255
00:58:12,640 --> 00:58:16,200
Speaker 2: a vertical video, like is it there? I like people

1256
00:58:16,240 --> 00:58:19,200
Speaker 2: have already commented on this, like weeks ago, but like

1257
00:58:19,240 --> 00:58:21,520
Speaker 2: it's is it there? Is not enough of a thing

1258
00:58:21,920 --> 00:58:27,000
Speaker 2: for that promotive made sense? And what's her face? Aaron

1259
00:58:27,280 --> 00:58:30,440
Speaker 2: doesn't know what the hell was going on and continues

1260
00:58:30,480 --> 00:58:34,320
Speaker 2: to suck and as to sigh like I'm like I

1261
00:58:34,360 --> 00:58:36,120
Speaker 2: looked at that grit and I was like, oh, I

1262
00:58:36,120 --> 00:58:38,320
Speaker 2: don't really care about most of these people.

1263
00:58:38,440 --> 00:58:40,520
Speaker 1: That's how I feel. Hey, I want to say, I

1264
00:58:40,680 --> 00:58:43,640
Speaker 1: like Aaron. Aaron is a Aaron is a is a

1265
00:58:43,680 --> 00:58:46,640
Speaker 1: great vibe and she's a great vibe in the room. Yeah,

1266
00:58:46,640 --> 00:58:51,360
Speaker 1: but when she said great bottle of mescal, my loyalty

1267
00:58:51,400 --> 00:58:55,360
Speaker 1: can be bought. No, just kidding.

1268
00:58:55,600 --> 00:58:58,400
Speaker 3: By the way, she doesn't bother me to the extent

1269
00:58:58,440 --> 00:59:04,480
Speaker 3: that some people hate her, like I'm posteply by the end,

1270
00:59:04,680 --> 00:59:06,560
Speaker 3: like Aaron, at first, I had good will towards all

1271
00:59:06,600 --> 00:59:09,280
Speaker 3: of them, actually, and by the end Aaron really fucked herself.

1272
00:59:09,280 --> 00:59:11,320
Speaker 3: I was like, okay, and but I love how I say, like,

1273
00:59:11,320 --> 00:59:13,080
Speaker 3: I'm not excited for it. I will be drooling for

1274
00:59:13,120 --> 00:59:15,320
Speaker 3: the first episode, like I can't wait for it to start.

1275
00:59:15,480 --> 00:59:19,440
Speaker 1: So, but I did their Bravo Con panel, and I

1276
00:59:20,160 --> 00:59:22,320
Speaker 1: really so. The only one I didn't meet was Jenna

1277
00:59:22,360 --> 00:59:25,160
Speaker 1: Lyons because she wasn't even at Bravocon. She didn't step

1278
00:59:25,160 --> 00:59:27,040
Speaker 1: foot into the arena. I guess, yeah, I don't know

1279
00:59:27,080 --> 00:59:29,680
Speaker 1: for whatever reason. But the five of them I really

1280
00:59:30,040 --> 00:59:32,680
Speaker 1: enjoyed actually a lot, and it seemed like they were

1281
00:59:32,920 --> 00:59:35,720
Speaker 1: a very cohesive cast. And I will say the Bravocan

1282
00:59:35,920 --> 00:59:40,160
Speaker 1: audience was going fucking crazy for them. Can't imagine. I

1283
00:59:40,160 --> 00:59:43,600
Speaker 1: think that show was a bigger hit than you were

1284
00:59:43,640 --> 00:59:44,440
Speaker 1: supposed to moderate.

1285
00:59:44,720 --> 00:59:47,920
Speaker 3: I was supposed to go to moderate the OC panel oh,

1286
00:59:47,920 --> 00:59:50,480
Speaker 3: that would have been fun. I booked my travel. It

1287
00:59:50,600 --> 00:59:51,040
Speaker 3: cost me.

1288
00:59:51,080 --> 00:59:53,520
Speaker 1: I felt like the monopoly man on the United website.

1289
00:59:53,560 --> 00:59:55,040
Speaker 3: I was like, let's go for it, like it was

1290
00:59:55,040 --> 00:59:57,560
Speaker 3: so expensive, and then they were like, oh, we'll reimburse you.

1291
00:59:57,600 --> 00:59:59,000
Speaker 3: And then when I said, hey, cause I'm coming from

1292
00:59:59,040 --> 01:00:01,600
Speaker 3: so far away to Vegas, it just didn't work out

1293
01:00:01,680 --> 01:00:03,880
Speaker 3: with like the money, they were like, well, pay for

1294
01:00:03,920 --> 01:00:06,720
Speaker 3: two nights hotel. I was like, and then when am

1295
01:00:06,720 --> 01:00:08,640
Speaker 3: I sleeping in the Belagio fountain like on the top

1296
01:00:08,680 --> 01:00:10,840
Speaker 3: of the center, spout like where am I going?

1297
01:00:10,880 --> 01:00:11,200
Speaker 1: After that?

1298
01:00:11,520 --> 01:00:14,320
Speaker 3: They could have ponied up for more together out there,

1299
01:00:14,320 --> 01:00:16,600
Speaker 3: and they could have ponied than they didn't, So I thought,

1300
01:00:16,600 --> 01:00:18,720
Speaker 3: you know what, and I went to Milan instead, because

1301
01:00:18,720 --> 01:00:21,560
Speaker 3: again I'm relatable. Good for you, Please come to my show.

1302
01:00:21,800 --> 01:00:25,480
Speaker 3: I won't bring up Malana one time. Michelle Allens Live

1303
01:00:25,600 --> 01:00:28,200
Speaker 3: Talking know what I really won't Michelle Collins Live dot com.

1304
01:00:28,200 --> 01:00:29,800
Speaker 3: I'm excited for the show. I'm going to sing. I

1305
01:00:29,800 --> 01:00:31,000
Speaker 3: wrote a new parody song for it.

1306
01:00:31,720 --> 01:00:34,240
Speaker 1: Love it. Wait all right, well you know where to

1307
01:00:34,240 --> 01:00:36,760
Speaker 1: get tickets? We should do Vegas. That's that's hopefully an

1308
01:00:36,760 --> 01:00:38,000
Speaker 1: easy trip for us, right.

1309
01:00:39,320 --> 01:00:42,240
Speaker 3: I love Vegas. I will go the summer. The summer sucks,

1310
01:00:42,280 --> 01:00:43,040
Speaker 3: I'll go in the fall.

1311
01:00:43,520 --> 01:00:48,160
Speaker 1: I'm addicted to Vegas. I literally fucking love Vegas. I

1312
01:00:48,240 --> 01:00:51,480
Speaker 1: don't tell you up. You sit in that Belagio bar,

1313
01:00:51,840 --> 01:00:52,720
Speaker 1: that Petrosi and bar.

1314
01:00:52,760 --> 01:00:55,040
Speaker 3: They all know me when my my first name and

1315
01:00:55,520 --> 01:00:57,040
Speaker 3: one martini is like thirty seven dollars.

1316
01:00:57,040 --> 01:00:57,680
Speaker 1: They're huge.

1317
01:00:57,920 --> 01:01:00,320
Speaker 3: You see when I say, every walk of life in

1318
01:01:00,360 --> 01:01:06,040
Speaker 3: that lobby under the glass, every person, every alien, every

1319
01:01:06,080 --> 01:01:10,520
Speaker 3: specimen somehow walks rolls their way through and it is

1320
01:01:10,560 --> 01:01:13,480
Speaker 3: the best. To me, there is no better people watching

1321
01:01:13,520 --> 01:01:14,680
Speaker 3: on the planet than right there.

1322
01:01:15,480 --> 01:01:18,360
Speaker 1: Especially during Bravocon. By the way, the best during Bravocon

1323
01:01:18,560 --> 01:01:21,920
Speaker 1: was like I stayed at I forget what I said,

1324
01:01:21,920 --> 01:01:25,160
Speaker 1: cosmopoalenen O nice. And the best was running into like

1325
01:01:25,840 --> 01:01:30,480
Speaker 1: the Gorgas and the Fudas, oh like just roaring through

1326
01:01:30,520 --> 01:01:34,520
Speaker 1: the lobby like I loved it. Like Joe Gorga and

1327
01:01:34,920 --> 01:01:38,600
Speaker 1: John Fuda both stand four six, Oh my god, their

1328
01:01:38,640 --> 01:01:42,280
Speaker 1: wives are nineteen feet tall. It is and and just

1329
01:01:42,360 --> 01:01:44,919
Speaker 1: gorgeous and stunning, and just watching them walk through, It's

1330
01:01:44,920 --> 01:01:47,880
Speaker 1: like Bravocon was the best because it was just like

1331
01:01:48,400 --> 01:01:51,240
Speaker 1: mascots everywhere. It was I was describing it as like

1332
01:01:51,840 --> 01:01:54,640
Speaker 1: you watch Mickey and Donald Duck Walker Mound, but they

1333
01:01:54,680 --> 01:01:56,760
Speaker 1: actually never take off the masks, you know what I mean,

1334
01:01:56,880 --> 01:01:59,360
Speaker 1: that's just them. Shannon Storm's bodor coming up to me

1335
01:01:59,400 --> 01:02:03,040
Speaker 1: saying she's a I'm like, Shannon, you're too good. That's fun.

1336
01:02:03,440 --> 01:02:05,240
Speaker 3: I was gonna ask if Joe Gorga took a picture

1337
01:02:05,280 --> 01:02:07,360
Speaker 3: in the big high heel in the Cosmopolitan lobby. You

1338
01:02:07,360 --> 01:02:08,920
Speaker 3: know they have that big high deal you can sit in.

1339
01:02:09,560 --> 01:02:12,080
Speaker 3: That would have been fun. I would have enjoyed that.

1340
01:02:12,520 --> 01:02:15,120
Speaker 3: Cosmo's fun. Listen, it's cheesy. I'm not cheesy like that.

1341
01:02:15,240 --> 01:02:18,440
Speaker 3: I hate floor de Lei famously. I don't like swirls like.

1342
01:02:18,480 --> 01:02:21,160
Speaker 3: There are certain design elements I don't love. And that's

1343
01:02:21,280 --> 01:02:23,920
Speaker 3: very Vegas, all of those things. It's very grand lux cafe.

1344
01:02:24,000 --> 01:02:27,280
Speaker 3: But I do really lean into that's the Miami suburban girl.

1345
01:02:27,080 --> 01:02:28,960
Speaker 1: In me, though. I love things like that. You know, Yeah,

1346
01:02:29,000 --> 01:02:40,200
Speaker 1: I mean we connect on that. Yeah, okay, it's time

1347
01:02:40,280 --> 01:02:41,760
Speaker 1: for I don't think so, honey, wouldn't you say bow

1348
01:02:41,760 --> 01:02:45,200
Speaker 1: and yang? I would say, so, let's do it right. So, this,

1349
01:02:45,840 --> 01:02:48,000
Speaker 1: of course, is the segment that we do famously on

1350
01:02:48,000 --> 01:02:51,280
Speaker 1: this podcast every single time, and we even do it

1351
01:02:51,320 --> 01:02:54,760
Speaker 1: on Lost episodes. You know, somewhere out there there exists

1352
01:02:54,760 --> 01:02:57,160
Speaker 1: I don't know, Sawnny Kelly Clarkson by Michelle Collins, and

1353
01:02:57,200 --> 01:02:59,800
Speaker 1: it's well, well, if you repeated, we don't know, maybe

1354
01:02:59,840 --> 01:03:03,200
Speaker 1: she new takes. We'll see, but I certainly have a

1355
01:03:03,200 --> 01:03:05,600
Speaker 1: new take. It's as a result of watching and a

1356
01:03:05,680 --> 01:03:10,280
Speaker 1: consuming culture. And I'm noticing someone is really really present

1357
01:03:10,280 --> 01:03:11,800
Speaker 1: in the culture right now, and I just want to

1358
01:03:11,800 --> 01:03:14,600
Speaker 1: point it out. Okay, this is Matt Rogers. I don't

1359
01:03:14,600 --> 01:03:16,680
Speaker 1: think so honey. As time starts now, I don't think

1360
01:03:16,680 --> 01:03:23,760
Speaker 1: so honey, Nicholas Gallatzine. Logistically, this actor is in every

1361
01:03:24,280 --> 01:03:29,200
Speaker 1: single thing, and I don't understand how it actually happens.

1362
01:03:29,240 --> 01:03:31,040
Speaker 1: I am not I don't think so honeying him as

1363
01:03:31,040 --> 01:03:34,520
Speaker 1: a talent. I really liked him in Bottoms. I respect

1364
01:03:34,680 --> 01:03:37,080
Speaker 1: his straight ass being in Red, White and Royal Blue.

1365
01:03:37,120 --> 01:03:39,840
Speaker 1: I think we need more amazing talent and straight actors

1366
01:03:39,880 --> 01:03:42,400
Speaker 1: to bring a skaseex to the screen. I want to

1367
01:03:42,400 --> 01:03:46,480
Speaker 1: see your takes. But what I really really don't understand

1368
01:03:46,560 --> 01:03:50,320
Speaker 1: is just logistically how he is the lead in all

1369
01:03:50,400 --> 01:03:52,680
Speaker 1: of these things. All of a sudden, it would suggest

1370
01:03:52,760 --> 01:03:56,240
Speaker 1: a couple things to me, One that there are no

1371
01:03:56,400 --> 01:04:00,080
Speaker 1: other actors in his demographic, and two that he is

1372
01:04:00,120 --> 01:04:02,920
Speaker 1: AI fifteen. I am here to titch. I think that

1373
01:04:03,040 --> 01:04:06,880
Speaker 1: Nicholas Galaxy is the first AI actor. I don't actually

1374
01:04:07,000 --> 01:04:09,560
Speaker 1: know any sighting of him in real life, So I

1375
01:04:09,560 --> 01:04:12,880
Speaker 1: am pitching this. Nicholas Galatine is a I. If anyone

1376
01:04:12,920 --> 01:04:15,160
Speaker 1: can disprove this, please come forward. But I think we

1377
01:04:15,240 --> 01:04:18,240
Speaker 1: have to watch out for AI Nicholas Galaxy, and it's

1378
01:04:18,240 --> 01:04:21,520
Speaker 1: the only explanation for his ubiquity. And that's one minute.

1379
01:04:21,680 --> 01:04:26,680
Speaker 1: The letters are in his name. Listen, now you are correct, sir,

1380
01:04:27,600 --> 01:04:30,120
Speaker 1: I don't know. I don't know. I'm like Russell crow

1381
01:04:30,200 --> 01:04:34,480
Speaker 1: and what a beautiful, beautiful mind. You're like pop culture.

1382
01:04:35,240 --> 01:04:39,320
Speaker 1: You're like Russell Crowe and La Confidential love that movie.

1383
01:04:39,360 --> 01:04:42,720
Speaker 1: Am I wrong? This person is? Yeah? He suddenly a

1384
01:04:42,880 --> 01:04:47,200
Speaker 1: list in a way where I'm like, where did this get?

1385
01:04:47,520 --> 01:04:49,840
Speaker 1: What happened to? Whatever happened to?

1386
01:04:49,840 --> 01:04:53,280
Speaker 2: It takes ten years for an overnight success, yeah, because

1387
01:04:53,360 --> 01:04:55,520
Speaker 2: because I think now it takes one night for an

1388
01:04:55,520 --> 01:04:58,280
Speaker 2: overnight success. It literally is an overnight success. I don't

1389
01:04:58,320 --> 01:05:01,440
Speaker 2: know this person, Okay, you do. Though he's very talented,

1390
01:05:02,000 --> 01:05:03,360
Speaker 2: He's no he's.

1391
01:05:03,360 --> 01:05:07,480
Speaker 1: Here's the thing. He's good, he's good, and he's also cute.

1392
01:05:07,960 --> 01:05:10,360
Speaker 1: But the thing is like it has now become a

1393
01:05:10,400 --> 01:05:15,760
Speaker 1: situation where I don't think anyone else books that's so interesting.

1394
01:05:17,600 --> 01:05:20,120
Speaker 1: He's the lead in a romantic comedy with Anne Hathaway,

1395
01:05:20,560 --> 01:05:22,640
Speaker 1: just like straight away, you know what I mean. Like

1396
01:05:22,840 --> 01:05:25,760
Speaker 1: he's like starring opposite Julianne Moore in this like huge

1397
01:05:25,880 --> 01:05:28,920
Speaker 1: Marion George series. These aren't like little things. These are

1398
01:05:29,200 --> 01:05:34,080
Speaker 1: the opposite, these Oscar winning actresses and these like projects

1399
01:05:34,080 --> 01:05:36,360
Speaker 1: that they're doing. And it's not the first time.

1400
01:05:36,760 --> 01:05:39,200
Speaker 2: There was no like on Ramping, it was just like

1401
01:05:39,480 --> 01:05:41,920
Speaker 2: straight shot up into the sky.

1402
01:05:42,360 --> 01:05:45,000
Speaker 1: Yeah, And I think like even if it was red

1403
01:05:45,000 --> 01:05:48,080
Speaker 1: white and royal blue, that to me, logistically doesn't seem

1404
01:05:48,120 --> 01:05:51,080
Speaker 1: like it could have been the thing because that wasn't

1405
01:05:51,080 --> 01:05:53,800
Speaker 1: that long ago. When all these products have become concurrent.

1406
01:05:53,800 --> 01:05:55,880
Speaker 1: It's just like, if you look at any given time

1407
01:05:55,920 --> 01:05:59,120
Speaker 1: over the past year and a half, he's been starring

1408
01:05:59,160 --> 01:06:02,800
Speaker 1: in something major that it can't have just taken a

1409
01:06:02,800 --> 01:06:04,720
Speaker 1: couple of weeks to shoot, you know what I'm saying.

1410
01:06:04,720 --> 01:06:08,160
Speaker 1: So it's just like, logistically, I think he has to

1411
01:06:08,200 --> 01:06:12,440
Speaker 1: be artificial intelligence can show me him outside of a movie.

1412
01:06:12,480 --> 01:06:17,480
Speaker 1: He's Simone. I'm telling you, Simon.

1413
01:06:18,240 --> 01:06:20,920
Speaker 3: I feel like I just looked at him. I'm excited

1414
01:06:20,920 --> 01:06:24,320
Speaker 3: for that Anne Hathaway movie. But uh, I feel like

1415
01:06:24,320 --> 01:06:26,120
Speaker 3: this happens with a lot of actresses too, where all

1416
01:06:26,120 --> 01:06:29,320
Speaker 3: of a sudden, I'm being subjected to these young people

1417
01:06:29,360 --> 01:06:31,400
Speaker 3: in general, who I've never laid eyes on. I assume

1418
01:06:31,400 --> 01:06:33,800
Speaker 3: they're like TikTok people, because I don't know where else

1419
01:06:33,840 --> 01:06:35,000
Speaker 3: people are discovered these days.

1420
01:06:35,000 --> 01:06:39,480
Speaker 1: But industry playing, that's playing. Yeah, I agree. I actually

1421
01:06:39,480 --> 01:06:44,840
Speaker 1: believe deeply in the idea of industry plants on one

1422
01:06:44,920 --> 01:06:45,280
Speaker 1: right here.

1423
01:06:45,560 --> 01:06:48,880
Speaker 3: Oh, you're just so lucky. I would become any industry plant.

1424
01:06:49,000 --> 01:06:49,280
Speaker 1: I know.

1425
01:06:49,400 --> 01:06:52,480
Speaker 3: I just want to be playing to people. Don't suspect

1426
01:06:52,480 --> 01:06:55,320
Speaker 3: a thing. I know they would if I made it.

1427
01:06:55,400 --> 01:06:58,240
Speaker 3: They'd be like, Okay, someone plays to her. I guess

1428
01:06:58,520 --> 01:07:00,080
Speaker 3: the seed finally grew.

1429
01:07:02,920 --> 01:07:07,680
Speaker 1: The scene at this point. At this point, for us,

1430
01:07:07,720 --> 01:07:10,400
Speaker 1: they repot us go. Yeah. The best is when you

1431
01:07:10,440 --> 01:07:13,360
Speaker 1: do an interview and the comments are like they really

1432
01:07:13,400 --> 01:07:16,040
Speaker 1: are trying to make them happen. Huh, Like it's like,

1433
01:07:17,520 --> 01:07:20,040
Speaker 1: I don't know, like they it's just so funny.

1434
01:07:20,240 --> 01:07:23,480
Speaker 2: Well, it's it's just impossible. I mean, this goes back

1435
01:07:23,480 --> 01:07:26,960
Speaker 2: to Matt's whole like premise like that he made years ago,

1436
01:07:27,040 --> 01:07:30,360
Speaker 2: which is there should be recite like new famous people

1437
01:07:30,400 --> 01:07:33,560
Speaker 2: every let's say ten years, because now what's happening is

1438
01:07:33,600 --> 01:07:36,040
Speaker 2: there is no way for new people to be famous

1439
01:07:36,920 --> 01:07:39,920
Speaker 2: except if you're a Nicolas Galaxy, I guess. Or but

1440
01:07:39,800 --> 01:07:41,680
Speaker 2: but then I also I reject that notion a little

1441
01:07:41,680 --> 01:07:45,200
Speaker 2: bit because I'm like, we still have stars, they're just

1442
01:07:45,240 --> 01:07:49,200
Speaker 2: a little bit it feels like there's more chaff to

1443
01:07:49,320 --> 01:07:49,960
Speaker 2: sift through.

1444
01:07:50,360 --> 01:07:53,000
Speaker 1: Well, go watch the movie Done Two. All the movies.

1445
01:07:53,280 --> 01:07:57,800
Speaker 1: Literally every new movie star is in that movie. It's Zendeya,

1446
01:07:57,960 --> 01:08:01,760
Speaker 1: Timmy Florence, and Austin Butler, the four of them. And

1447
01:08:01,800 --> 01:08:03,640
Speaker 1: then I would say outside of that, there's like Tom

1448
01:08:03,680 --> 01:08:06,920
Speaker 1: Holland like that generation, and Sidney Sweeney that generation. We

1449
01:08:07,040 --> 01:08:12,280
Speaker 1: definitely do the movie's We're Locked, We're There. And Nicholas Gallaxy. Now,

1450
01:08:12,320 --> 01:08:14,840
Speaker 1: I just didn't see the progression with him. It just

1451
01:08:14,840 --> 01:08:19,599
Speaker 1: felt like it came out of nowhere, and I was like, whoa, whoa, whoa,

1452
01:08:20,280 --> 01:08:23,879
Speaker 1: because you can sort of track everyone else. He arrived

1453
01:08:23,960 --> 01:08:27,000
Speaker 1: in these huge projects out of nowhere.

1454
01:08:27,160 --> 01:08:31,040
Speaker 3: It's funny, Well, he's gorgeous, beautiful kid, and he's and

1455
01:08:31,080 --> 01:08:32,519
Speaker 3: by the way, chock full of talent.

1456
01:08:32,560 --> 01:08:36,439
Speaker 1: I've never seen him in anything. What a talent?

1457
01:08:36,960 --> 01:08:37,200
Speaker 3: You know?

1458
01:08:37,760 --> 01:08:39,600
Speaker 1: Well, I was watching an interview with Anne Hathway and

1459
01:08:39,640 --> 01:08:41,240
Speaker 1: she was like, well, thank god we have Nick and

1460
01:08:41,280 --> 01:08:43,840
Speaker 1: I was like, oh, wow, really you know.

1461
01:08:44,000 --> 01:08:47,960
Speaker 2: This person was I didn't know I would say the

1462
01:08:48,000 --> 01:08:50,320
Speaker 2: other guy in red, white and yal blue. He he

1463
01:08:50,760 --> 01:08:54,080
Speaker 2: I've seen the cobblestones laid out for him, like he

1464
01:08:54,160 --> 01:08:56,320
Speaker 2: like took the big the bit parts and like worked

1465
01:08:56,320 --> 01:08:56,880
Speaker 2: his way up.

1466
01:08:57,200 --> 01:08:59,720
Speaker 1: Yeah, you know who we should ask because he was

1467
01:08:59,760 --> 01:09:01,960
Speaker 1: in Attoms, we should just flat out ask Rachel Senna

1468
01:09:02,040 --> 01:09:04,880
Speaker 1: and Io if he's AI, because they can answer it

1469
01:09:04,880 --> 01:09:07,200
Speaker 1: because they worked with the AI creation in the film

1470
01:09:07,760 --> 01:09:10,840
Speaker 1: if this is true, or they could confirm or deny

1471
01:09:10,880 --> 01:09:13,360
Speaker 1: he is a living, breathing, flesh person.

1472
01:09:13,479 --> 01:09:16,640
Speaker 2: Rachel Io reach out to us and look, it's a

1473
01:09:16,680 --> 01:09:18,080
Speaker 2: totally acceptable answer answer.

1474
01:09:18,120 --> 01:09:20,559
Speaker 1: If you're like, he is a but he's so good,

1475
01:09:20,600 --> 01:09:21,679
Speaker 1: he's so sweet, We're.

1476
01:09:21,560 --> 01:09:23,680
Speaker 2: Like, yeah, totally, yeah, we just have to get to

1477
01:09:23,680 --> 01:09:26,240
Speaker 2: the bottom of like his existential nature.

1478
01:09:26,320 --> 01:09:28,200
Speaker 1: You know what I mean. Listen, we're just two industry

1479
01:09:28,240 --> 01:09:30,800
Speaker 1: plans reaching out to two other industry plans. To let

1480
01:09:30,840 --> 01:09:33,160
Speaker 1: us know about this other industry plan. Let us all.

1481
01:09:33,400 --> 01:09:35,920
Speaker 1: Let us know girls, Oh.

1482
01:09:35,640 --> 01:09:39,040
Speaker 3: To be planted boys, what a blessing on both of

1483
01:09:39,080 --> 01:09:43,080
Speaker 3: your lives. Honestly, seriously, anyways, so bow and Yang, So

1484
01:09:43,280 --> 01:09:47,479
Speaker 3: my phone famously died this morning and I almost overslept.

1485
01:09:47,479 --> 01:09:50,080
Speaker 1: So I don't have any time? Can you time? Yeah?

1486
01:09:50,080 --> 01:09:52,240
Speaker 1: Of course. Oh, this is good. You've earned You've earned this.

1487
01:09:52,360 --> 01:09:55,040
Speaker 1: You're now a legendary guest, so you can you can

1488
01:09:55,080 --> 01:09:56,960
Speaker 1: even do the whole thing as a former judge of

1489
01:09:57,000 --> 01:09:59,200
Speaker 1: the cultur War pageant. We'll call it.

1490
01:09:59,479 --> 01:10:01,439
Speaker 3: Okay, so let me let me figure out how my

1491
01:10:01,479 --> 01:10:07,040
Speaker 3: timer works. It's a stop watch, correct, you know what? Hey, hey,

1492
01:10:07,120 --> 01:10:08,720
Speaker 3: plant one, keep it down.

1493
01:10:08,840 --> 01:10:17,680
Speaker 1: I got it. Okay, you's not going to be a

1494
01:10:17,680 --> 01:10:18,679
Speaker 1: problem for the recording.

1495
01:10:18,920 --> 01:10:21,479
Speaker 3: Hold on, we're back nothing, you know, I use one

1496
01:10:21,479 --> 01:10:22,639
Speaker 3: of these things. I don't want to talk about.

1497
01:10:22,960 --> 01:10:23,519
Speaker 1: Cut that out.

1498
01:10:23,560 --> 01:10:27,840
Speaker 3: Here we go, Bowen Yang. I don't think so, honey,

1499
01:10:28,120 --> 01:10:29,960
Speaker 3: I'm going to start now.

1500
01:10:30,600 --> 01:10:33,000
Speaker 2: I don't think so, honey, British Vogue, I need more

1501
01:10:33,120 --> 01:10:37,559
Speaker 2: videos of what's in my bag from actresses. I just

1502
01:10:38,320 --> 01:10:40,519
Speaker 2: I think I don't need to watch any more TV

1503
01:10:40,680 --> 01:10:43,320
Speaker 2: or play any more video games or read any more books.

1504
01:10:43,640 --> 01:10:44,840
Speaker 2: All I need to do for the rest of my

1505
01:10:44,880 --> 01:10:47,000
Speaker 2: life is watch What's in my Bag videos? What is

1506
01:10:47,040 --> 01:10:51,160
Speaker 2: it about these videos that is so soothing? It reveals

1507
01:10:51,160 --> 01:10:53,479
Speaker 2: so much about these people, it makes them relatable. If

1508
01:10:53,479 --> 01:10:55,080
Speaker 2: we all did it What's in my Bag video, it

1509
01:10:55,120 --> 01:10:58,240
Speaker 2: doesn't matter for what platform, we would have one million

1510
01:10:58,360 --> 01:11:02,800
Speaker 2: new fans. These are very effective marketing tools that make

1511
01:11:02,880 --> 01:11:08,960
Speaker 2: me all of a sudden care for fucking Daisy Edgar Jones,

1512
01:11:09,200 --> 01:11:12,559
Speaker 2: that make me think, you know, maybe maybe Emma what's

1513
01:11:12,600 --> 01:11:17,120
Speaker 2: her face, maybe hermione is Emma Watson is a compelling

1514
01:11:17,120 --> 01:11:19,240
Speaker 2: I can't even remember her name. Maybe Emma Watson is

1515
01:11:19,240 --> 01:11:24,080
Speaker 2: a compelling celebrity. It makes me really enjoy these people

1516
01:11:24,080 --> 01:11:27,759
Speaker 2: no matter what. Charlie XCX has an amazing one, Pamela

1517
01:11:27,800 --> 01:11:29,800
Speaker 2: Anderson has such a good one. This is such This

1518
01:11:29,880 --> 01:11:32,559
Speaker 2: is the best media we could ever have come up

1519
01:11:32,600 --> 01:11:33,800
Speaker 2: with in the history of time.

1520
01:11:34,240 --> 01:11:36,680
Speaker 1: And I need more of them. And there's a stoppage

1521
01:11:36,760 --> 01:11:40,519
Speaker 1: they've stopped making them. Yeah huh, and that's one minute. Listen.

1522
01:11:40,720 --> 01:11:45,840
Speaker 1: I think that there is something about the fact that

1523
01:11:46,760 --> 01:11:50,280
Speaker 1: and tell me if this is true, because you do

1524
01:11:50,479 --> 01:11:53,080
Speaker 1: like a product you know what I'm saying. It's like you,

1525
01:11:53,479 --> 01:11:56,240
Speaker 1: I'm sort of like there's like one thing in all

1526
01:11:56,280 --> 01:11:58,040
Speaker 1: those bags where I'm like, I could buy that thing,

1527
01:11:58,280 --> 01:11:59,920
Speaker 1: you know what I mean, Like and I reach out.

1528
01:11:59,920 --> 01:12:02,960
Speaker 1: The therapy famously works. And that's why those things have

1529
01:12:03,000 --> 01:12:05,080
Speaker 1: started to work on me personally, is because I'm like, oh,

1530
01:12:05,080 --> 01:12:08,320
Speaker 1: that's an attainable thing I could do, and essentially they're

1531
01:12:08,360 --> 01:12:10,280
Speaker 1: being sold to us. That's really what that shit is.

1532
01:12:10,560 --> 01:12:12,560
Speaker 1: It's like QVC, I know that.

1533
01:12:12,600 --> 01:12:15,000
Speaker 2: I don't think so honey, Like Wirecutter doesn't really get

1534
01:12:15,040 --> 01:12:17,280
Speaker 2: it right all the time. And what is actually more

1535
01:12:17,320 --> 01:12:19,120
Speaker 2: reliable is these What's in my Bag videos where you

1536
01:12:19,120 --> 01:12:22,360
Speaker 2: have someone being like, no, I live and swear by this,

1537
01:12:22,360 --> 01:12:24,560
Speaker 2: this should be the only endorsement that matters.

1538
01:12:24,560 --> 01:12:26,960
Speaker 3: And you believe them because you know, I've just changed

1539
01:12:27,000 --> 01:12:29,120
Speaker 3: once again. I don't think so honey, based on both

1540
01:12:29,120 --> 01:12:30,760
Speaker 3: of yours. I always do that, like I have one

1541
01:12:30,800 --> 01:12:32,240
Speaker 3: in mind, and I've just changed. I'm going to do

1542
01:12:32,280 --> 01:12:34,800
Speaker 3: a whole new one now because you've inspired me. But

1543
01:12:35,400 --> 01:12:37,120
Speaker 3: I'm going to give kind of an opposite take of you,

1544
01:12:37,200 --> 01:12:39,840
Speaker 3: because I please, I guess I'm no, I'm not trying

1545
01:12:39,840 --> 01:12:42,360
Speaker 3: to veer a way when you're saying I just I'm

1546
01:12:42,400 --> 01:12:45,080
Speaker 3: like a little more skeptical, but maybe because I've been burned.

1547
01:12:46,080 --> 01:12:49,599
Speaker 1: Yes, okay, it happens. Oh, I can't wait to hear this, well?

1548
01:12:50,960 --> 01:12:53,680
Speaker 3: Can I also add that I broke when I was

1549
01:12:53,840 --> 01:12:56,200
Speaker 3: going to Frankfurt, Germany the day they found that bomb.

1550
01:12:57,080 --> 01:13:00,240
Speaker 3: I have a ring cam in my house that the

1551
01:13:00,280 --> 01:13:02,840
Speaker 3: wire was like run this big vase and as I

1552
01:13:02,880 --> 01:13:05,759
Speaker 3: was like running out the door, I tripped on the wire. No,

1553
01:13:06,320 --> 01:13:08,800
Speaker 3: the vase came crashing down. I vacuumed it up. There's

1554
01:13:08,840 --> 01:13:11,880
Speaker 3: no question. I have ceramic sharts on my feet right now.

1555
01:13:11,880 --> 01:13:13,400
Speaker 3: And just keep in mind when.

1556
01:13:13,280 --> 01:13:15,520
Speaker 1: If there's no question for the past.

1557
01:13:15,280 --> 01:13:17,240
Speaker 3: Like twenty minutes, I'm like, oh, when I get up,

1558
01:13:17,280 --> 01:13:21,080
Speaker 3: there's just gonna be like Wilson, blood prints across the floor.

1559
01:13:21,479 --> 01:13:26,559
Speaker 1: Thanks up with a stumpy foot, like time ban ice cream?

1560
01:13:26,640 --> 01:13:29,759
Speaker 1: Anyway in Vegas, we'll top. We gotta go do the cruise.

1561
01:13:29,800 --> 01:13:32,880
Speaker 1: You get up and like fall over foot is a

1562
01:13:32,880 --> 01:13:34,240
Speaker 1: bloody stump? What if?

1563
01:13:34,240 --> 01:13:36,360
Speaker 3: I don't think so, honey was but Forrest Gump. I'm

1564
01:13:36,360 --> 01:13:39,840
Speaker 3: like Forrest Gump. I like back to the forefront.

1565
01:13:40,000 --> 01:13:44,720
Speaker 1: Fuck that, No, to the power front. Okay, exactly, This

1566
01:13:44,760 --> 01:13:48,320
Speaker 1: is Michelle. By the way, Michelle, you look amazing radio

1567
01:13:48,880 --> 01:13:49,559
Speaker 1: radio radio.

1568
01:13:49,840 --> 01:13:52,599
Speaker 3: That's really always You're so sweet? Wait, can I might

1569
01:13:52,640 --> 01:13:54,439
Speaker 3: even just do all three things I wanted to I

1570
01:13:54,439 --> 01:13:56,840
Speaker 3: don't get so honey, you want and I can't get

1571
01:13:56,880 --> 01:13:57,320
Speaker 3: it in.

1572
01:13:57,800 --> 01:13:59,880
Speaker 1: Whatever, and there's no time limit for you, honestly, but.

1573
01:13:59,840 --> 01:14:02,120
Speaker 3: I'll no, that's the fun of it, that's the fun.

1574
01:14:02,240 --> 01:14:04,280
Speaker 3: I have an immediate anxiety attack. I'm in the elevator

1575
01:14:04,600 --> 01:14:07,400
Speaker 3: in Clark Street. Okay, no, let's do it. Take it away.

1576
01:14:07,960 --> 01:14:11,759
Speaker 3: I'm ready casting from seed the people on the bus

1577
01:14:11,800 --> 01:14:13,200
Speaker 3: for bus.

1578
01:14:13,360 --> 01:14:16,719
Speaker 1: This is Michelle. Time starts now. Okay.

1579
01:14:16,720 --> 01:14:20,920
Speaker 3: Initially I don't think so honey. Theater tickets aka cabaret tickets.

1580
01:14:20,920 --> 01:14:23,920
Speaker 3: I'm coming to New York for three nights. I decide

1581
01:14:23,960 --> 01:14:25,439
Speaker 3: I'm going to be chic. I saw it in London.

1582
01:14:25,520 --> 01:14:27,200
Speaker 3: It was fantastic. I said, I'm going to see it

1583
01:14:27,200 --> 01:14:28,680
Speaker 3: again in New York because I love it and I

1584
01:14:28,720 --> 01:14:30,840
Speaker 3: love the music on the story. And I went on

1585
01:14:30,880 --> 01:14:33,559
Speaker 3: their website and one ticket is three hundred and ninety

1586
01:14:33,680 --> 01:14:36,680
Speaker 3: the most expensive ticket. The most expensive is over six

1587
01:14:36,760 --> 01:14:39,000
Speaker 3: hundred for one ticket. It was three hundred and ninety

1588
01:14:39,040 --> 01:14:41,800
Speaker 3: nine for like limited you I want to say, for

1589
01:14:41,880 --> 01:14:43,760
Speaker 3: five hundred dollars with the fees, I want to see

1590
01:14:43,840 --> 01:14:46,240
Speaker 3: redmin head to toe. Sorry, that's how I was already

1591
01:14:46,600 --> 01:14:48,120
Speaker 3: really pissed me off. So if anyone's listening in his

1592
01:14:48,160 --> 01:14:50,479
Speaker 3: connections now, but then when I wanted to change it too, say,

1593
01:14:50,520 --> 01:14:54,680
Speaker 3: I feel crazy right now. Micromachines is Bethany Frankel suggestions

1594
01:14:54,960 --> 01:14:58,760
Speaker 3: in her her influencing because I fell for it. Okay, well,

1595
01:14:58,760 --> 01:15:00,719
Speaker 3: don't nag me in my own I think so, honey.

1596
01:15:00,760 --> 01:15:03,520
Speaker 3: I fell I thought I will not stand.

1597
01:15:03,240 --> 01:15:04,439
Speaker 1: For and.

1598
01:15:07,640 --> 01:15:09,880
Speaker 3: I fell for it because of exactly what you said.

1599
01:15:09,880 --> 01:15:13,080
Speaker 3: That she had something attainable. She is only to continue.

1600
01:15:13,200 --> 01:15:15,559
Speaker 3: She had something attainable that I thought I want. That

1601
01:15:15,760 --> 01:15:18,719
Speaker 3: she had air Mez lip oil. Listen to the dumbist

1602
01:15:18,720 --> 01:15:20,840
Speaker 3: fiction in the world that would be me. And I'm

1603
01:15:20,840 --> 01:15:24,599
Speaker 3: watching her with her jigsaw face lathering the lip up

1604
01:15:24,640 --> 01:15:27,040
Speaker 3: with this oil. I said, I need the air meslip oil,

1605
01:15:27,120 --> 01:15:29,040
Speaker 3: only thing I can afford. I go into air mez

1606
01:15:29,040 --> 01:15:31,559
Speaker 3: and Amsterdam with no makeup on. I look like trunch bowl. Okay,

1607
01:15:31,720 --> 01:15:34,479
Speaker 3: I walk in. I swear to god, I looked like

1608
01:15:34,720 --> 01:15:35,920
Speaker 3: I don't even know, I don't even.

1609
01:15:35,800 --> 01:15:36,759
Speaker 1: Want to install myself.

1610
01:15:36,760 --> 01:15:38,479
Speaker 3: But it was not a good look for me, and

1611
01:15:38,520 --> 01:15:40,280
Speaker 3: I come and tell her and they were like, can

1612
01:15:40,360 --> 01:15:40,719
Speaker 3: we happy?

1613
01:15:40,760 --> 01:15:41,679
Speaker 1: Yeah, like all rude.

1614
01:15:42,240 --> 01:15:45,200
Speaker 3: First it started. I tried in a pair of shoes

1615
01:15:45,200 --> 01:15:47,320
Speaker 3: that were a little tight, be size forty two ladies,

1616
01:15:47,760 --> 01:15:50,400
Speaker 3: and the woman there was like, oh they're tight, what

1617
01:15:50,439 --> 01:15:50,960
Speaker 3: size are they?

1618
01:15:50,960 --> 01:15:53,200
Speaker 1: And I went, she went, she went.

1619
01:15:53,320 --> 01:15:56,600
Speaker 3: That's the biggest size way made that happened to me.

1620
01:15:56,760 --> 01:16:00,920
Speaker 1: I went, you don't think I know that, your fucking bitch. Please. Okay.

1621
01:16:00,960 --> 01:16:04,640
Speaker 3: That was the first nag at air mez anyway, so

1622
01:16:04,720 --> 01:16:06,439
Speaker 3: that bothered me. And then she did apologize to me

1623
01:16:06,479 --> 01:16:07,840
Speaker 3: because I didn't handle it well.

1624
01:16:07,920 --> 01:16:09,599
Speaker 1: I like walked away silent.

1625
01:16:11,000 --> 01:16:13,000
Speaker 3: I was like, she was like, I'm only a size

1626
01:16:13,080 --> 01:16:15,000
Speaker 3: thirty six. I stayed about your five and a half

1627
01:16:15,080 --> 01:16:17,439
Speaker 3: feet fucking tall. What do you think you know?

1628
01:16:17,520 --> 01:16:19,679
Speaker 1: I'm big? Leave me out of it. Anyway.

1629
01:16:20,120 --> 01:16:22,240
Speaker 3: I went to buy the lip oil hold on, I'm

1630
01:16:22,240 --> 01:16:25,160
Speaker 3: getting fired up, and it was sixty euros and I thought,

1631
01:16:25,240 --> 01:16:29,160
Speaker 3: all right, it's like one Uber eats. I'll starve tonight

1632
01:16:29,200 --> 01:16:33,799
Speaker 3: and I'll eat my lip oil and I die table

1633
01:16:33,960 --> 01:16:38,360
Speaker 3: for one. That's how much I eat size forty two. Anyway,

1634
01:16:38,680 --> 01:16:41,080
Speaker 3: I get the lip oil cola. It was called cold

1635
01:16:41,080 --> 01:16:42,800
Speaker 3: Flavor whatever. It's like a pink color.

1636
01:16:42,840 --> 01:16:43,920
Speaker 1: Who knows? I put her on.

1637
01:16:43,960 --> 01:16:45,599
Speaker 3: First of all, packaging, This is really and I don't

1638
01:16:45,600 --> 01:16:48,479
Speaker 3: think so, honey, air mess packaging living in a three

1639
01:16:48,520 --> 01:16:50,680
Speaker 3: out of ten horrible, worse than wet and wild from

1640
01:16:50,720 --> 01:16:54,920
Speaker 3: fucking dayne read number one, number two, really lendous packaging

1641
01:16:55,160 --> 01:16:57,519
Speaker 3: like the first. Well, it's a glass tube, so anytime

1642
01:16:57,560 --> 01:16:59,679
Speaker 3: you put it down, it's like rolling left and right.

1643
01:17:00,320 --> 01:17:02,400
Speaker 3: I'm telling you, I'm the captain in Titanic trying to

1644
01:17:02,439 --> 01:17:03,000
Speaker 3: keep it on the table.

1645
01:17:03,040 --> 01:17:06,120
Speaker 1: Let's first second of all, just follow along. How many

1646
01:17:06,120 --> 01:17:08,719
Speaker 1: more minutes do I have left? As a joke? Oh girl,

1647
01:17:08,760 --> 01:17:11,800
Speaker 1: I open it up, Please, I open it. I'll kill you.

1648
01:17:11,920 --> 01:17:12,920
Speaker 1: I'll have you killed.

1649
01:17:15,479 --> 01:17:18,760
Speaker 4: Listen, you have to go.

1650
01:17:19,040 --> 01:17:23,479
Speaker 1: You deleted. She still doesn't believe it. You deleted it,

1651
01:17:23,560 --> 01:17:31,599
Speaker 1: she said. She's still trying to We are listen, you

1652
01:17:31,640 --> 01:17:33,880
Speaker 1: are so wait. So I come a second there.

1653
01:17:34,000 --> 01:17:36,439
Speaker 3: I take this hard. They call it a it's like

1654
01:17:36,479 --> 01:17:39,160
Speaker 3: a doe foot applicator. That's what the that's what Bethany

1655
01:17:39,200 --> 01:17:40,080
Speaker 3: calls a doe foot.

1656
01:17:40,080 --> 01:17:40,439
Speaker 1: Who knows.

1657
01:17:40,479 --> 01:17:42,960
Speaker 3: Anyway, I take the applicator. It's hard as a rock

1658
01:17:43,000 --> 01:17:44,720
Speaker 3: with this oil, I'm going huh. I put it on

1659
01:17:44,760 --> 01:17:48,960
Speaker 3: my lips, y'all. A tasted like hard peppercorns.

1660
01:17:48,960 --> 01:17:50,479
Speaker 1: Listen to me. This is a little no oil.

1661
01:17:51,800 --> 01:17:53,479
Speaker 3: My joke is like, catch you a peppe like I

1662
01:17:53,479 --> 01:17:54,840
Speaker 3: put it on. I'm going with this. You know you

1663
01:17:54,880 --> 01:17:57,200
Speaker 3: want to taste cherry floral, something.

1664
01:17:57,040 --> 01:17:59,400
Speaker 1: Kind of delicious corn oil.

1665
01:18:00,080 --> 01:18:03,439
Speaker 3: It was Seschean General chose lip oil.

1666
01:18:03,800 --> 01:18:04,400
Speaker 1: I put it on.

1667
01:18:06,200 --> 01:18:07,960
Speaker 3: That's why Bethany was like, yeah, I'm probably your first

1668
01:18:08,000 --> 01:18:11,439
Speaker 3: meal all day. I beat that in anyway, So I

1669
01:18:11,560 --> 01:18:18,880
Speaker 3: moved it tasted so that I never used. Of course

1670
01:18:18,920 --> 01:18:20,760
Speaker 3: I can't return it. So I got fucked out of

1671
01:18:20,800 --> 01:18:25,440
Speaker 3: like seventy dollars. That's unumiliated with my rate and humiliated.

1672
01:18:25,640 --> 01:18:26,280
Speaker 1: Oh my god.

1673
01:18:26,360 --> 01:18:28,920
Speaker 3: So not only can't I afford cabaret tickets, I have

1674
01:18:29,000 --> 01:18:31,479
Speaker 3: an air mess lip oil I can't even use. And

1675
01:18:31,520 --> 01:18:33,439
Speaker 3: I was humiliated about my big fucking feet at that

1676
01:18:33,479 --> 01:18:35,560
Speaker 3: store by that little bitch. Yeah, and that's my I

1677
01:18:35,600 --> 01:18:37,360
Speaker 3: don't think so, honey, I was gonna talk about my manicure,

1678
01:18:37,360 --> 01:18:39,880
Speaker 3: which looks like dentures, but no, I do matter.

1679
01:18:40,840 --> 01:18:46,360
Speaker 1: And then it's like minutes and twenty seven seconds. I

1680
01:18:46,520 --> 01:18:49,760
Speaker 1: mean it in every word, every word.

1681
01:18:49,960 --> 01:18:53,880
Speaker 2: Was perfect, And I will say this is not a nag.

1682
01:18:54,600 --> 01:18:57,840
Speaker 2: I do think Bethany on TikTok doing product reviews is

1683
01:18:57,960 --> 01:19:01,639
Speaker 2: a different thing, and it's not It is not editor

1684
01:19:02,240 --> 01:19:04,000
Speaker 2: what I like about the British folk videos. Even if

1685
01:19:04,040 --> 01:19:05,960
Speaker 2: it is like, oh, this person clearly has a deal

1686
01:19:05,960 --> 01:19:10,479
Speaker 2: with Valentino or whatever, Like, I still like watching these people.

1687
01:19:10,560 --> 01:19:12,840
Speaker 2: It doesn't matter that like that I know them. I

1688
01:19:12,880 --> 01:19:16,400
Speaker 2: just like watching anybody all Like I have gone down

1689
01:19:16,439 --> 01:19:19,000
Speaker 2: a rabbit hole on YouTube of just any old vlogger

1690
01:19:19,120 --> 01:19:22,040
Speaker 2: talking about what's in her bag. I'm like, there's something

1691
01:19:22,200 --> 01:19:25,840
Speaker 2: so soothing and comforting about this. But Bethany, like reviewing

1692
01:19:25,960 --> 01:19:29,000
Speaker 2: tuna from cans, I'm like, she's out of her fucking mind.

1693
01:19:29,360 --> 01:19:32,519
Speaker 3: Listen anytime she mashes something down with a fork, I'm sick.

1694
01:19:33,439 --> 01:19:35,679
Speaker 3: Anytime she's like the rice cake, she's like, you gotta

1695
01:19:35,720 --> 01:19:36,000
Speaker 3: mash is.

1696
01:19:36,080 --> 01:19:37,120
Speaker 1: She always is using a fork.

1697
01:19:37,160 --> 01:19:40,320
Speaker 3: I've never seen a knife in her house, and she's

1698
01:19:40,360 --> 01:19:44,000
Speaker 3: a very hard person to watch eat. But there is, yeah, genuinely,

1699
01:19:44,160 --> 01:19:47,000
Speaker 3: there is something very I think I may have just

1700
01:19:47,040 --> 01:19:50,439
Speaker 3: recently unfollowed her. There is just something inherently watchable about her,

1701
01:19:50,680 --> 01:19:54,040
Speaker 3: much like that the Lagio lobby where it's you know,

1702
01:19:54,240 --> 01:19:56,479
Speaker 3: it's just like, Wow, I can't believe someone is just

1703
01:19:56,520 --> 01:19:59,200
Speaker 3: doing this shit. And truth be told, I do like

1704
01:19:59,280 --> 01:20:02,120
Speaker 3: some of her her opinions sometimes on makeup and things

1705
01:20:02,120 --> 01:20:03,680
Speaker 3: like that. I like watching her put the stuff on

1706
01:20:03,680 --> 01:20:06,559
Speaker 3: what have you. But when she went to the TJ

1707
01:20:06,680 --> 01:20:08,599
Speaker 3: Max in the Hampton's to give out her use makeup,

1708
01:20:09,000 --> 01:20:12,360
Speaker 3: that for me was that was really a new low

1709
01:20:12,439 --> 01:20:16,559
Speaker 3: in culture and society. Yeah, and I'm generous. It wasn't

1710
01:20:16,560 --> 01:20:18,439
Speaker 3: about it's just the fact that it was used. You

1711
01:20:18,479 --> 01:20:20,040
Speaker 3: want to give them something you're rich, go to fucking

1712
01:20:20,040 --> 01:20:22,240
Speaker 3: stuff for by then gift cards. Don't bring them some

1713
01:20:22,640 --> 01:20:25,360
Speaker 3: half eaten peppercorn lip oil, right.

1714
01:20:25,400 --> 01:20:30,040
Speaker 2: I mean like it's it's like Bethany has reached that

1715
01:20:30,120 --> 01:20:33,439
Speaker 2: point now where it's like broken clock is right twice

1716
01:20:33,439 --> 01:20:38,000
Speaker 2: a day. Yeah, it's like we can totally appreciate specific

1717
01:20:38,080 --> 01:20:40,880
Speaker 2: things about her still, but it's like, but I mean like,

1718
01:20:40,880 --> 01:20:42,400
Speaker 2: like that's not to say that she can't come out

1719
01:20:42,400 --> 01:20:44,640
Speaker 2: of that phase, because I feel like now I am

1720
01:20:44,680 --> 01:20:47,320
Speaker 2: personally even though we know what we're getting now with

1721
01:20:47,360 --> 01:20:51,000
Speaker 2: the Zale Banks. It's like I can totally disagree with

1722
01:20:51,000 --> 01:20:52,320
Speaker 2: her on so many things, but I can. I can

1723
01:20:52,360 --> 01:20:55,120
Speaker 2: agree with her on other things. And what I love

1724
01:20:55,280 --> 01:20:59,680
Speaker 2: about New is about Azalea Banks's newest takes on Cowboy card,

1725
01:20:59,760 --> 01:21:02,240
Speaker 2: which she doesn't like for whatever, for all her reasons

1726
01:21:02,360 --> 01:21:05,000
Speaker 2: is we've now found out that she is a huge

1727
01:21:05,120 --> 01:21:10,440
Speaker 2: kt Tunstall fan. She stands Katie Tonstall and real hilarious.

1728
01:21:10,800 --> 01:21:14,160
Speaker 2: It's amazing. I am obsessed. The black Horse in the

1729
01:21:14,240 --> 01:21:16,920
Speaker 2: Cherry Tree was a movement, not a moment. Suddenly I

1730
01:21:16,960 --> 01:21:23,080
Speaker 2: see culture number eight not a moment of moment is

1731
01:21:23,120 --> 01:21:25,120
Speaker 2: daily Banks over here talking about how the melody and

1732
01:21:25,160 --> 01:21:27,200
Speaker 2: suddenly I see as one of the best pop music

1733
01:21:27,240 --> 01:21:27,880
Speaker 2: melodies ever.

1734
01:21:27,960 --> 01:21:32,639
Speaker 1: I'm like, she's not, that's crazy. It's crazy to single

1735
01:21:32,680 --> 01:21:34,519
Speaker 1: out that song with black Horse and the Cherry Tree

1736
01:21:34,600 --> 01:21:40,200
Speaker 1: right there, even if that weren't by the same artist.

1737
01:21:40,439 --> 01:21:43,439
Speaker 1: It's literally it's literally not it's not even better than

1738
01:21:43,439 --> 01:21:46,720
Speaker 1: Texas Holden's melody. He's right, You're both right.

1739
01:21:47,240 --> 01:21:49,120
Speaker 3: I love his Zaia Banks because she's one of the

1740
01:21:49,160 --> 01:21:51,840
Speaker 3: few people now that we don't have poor Wendy Williams

1741
01:21:52,120 --> 01:21:54,759
Speaker 3: speaking her chee. Yeah, she's one of the only people

1742
01:21:54,760 --> 01:21:57,320
Speaker 3: that is allowed to be truthful. Does not care about

1743
01:21:57,320 --> 01:22:00,160
Speaker 3: the rematations of Quane unquote getting canceled or people not

1744
01:22:00,240 --> 01:22:03,000
Speaker 3: liking her or not getting hired for things. She is

1745
01:22:03,040 --> 01:22:06,640
Speaker 3: a free spirit and that to me is so admirable

1746
01:22:06,800 --> 01:22:08,800
Speaker 3: and we need more of that is the truth. We

1747
01:22:08,840 --> 01:22:11,639
Speaker 3: need to be able to allow people to say shit

1748
01:22:12,000 --> 01:22:14,839
Speaker 3: without having their throat slit totally.

1749
01:22:15,200 --> 01:22:17,600
Speaker 2: And what she's saying about Tyler the Creator and Lena's

1750
01:22:17,640 --> 01:22:19,960
Speaker 2: I don't totally disagree with either about how like there

1751
01:22:20,040 --> 01:22:23,639
Speaker 2: is this trope, there is this trope within like gay

1752
01:22:23,680 --> 01:22:25,960
Speaker 2: celebrity culture where it is like, oh, you got to

1753
01:22:26,080 --> 01:22:30,200
Speaker 2: date some like fucking a specific kind of person anyway, that's.

1754
01:22:30,040 --> 01:22:33,160
Speaker 1: All hmmm, Oh that's interesting. Yeah, I love it. I

1755
01:22:33,160 --> 01:22:36,600
Speaker 1: think I think the fact is, like, are some of

1756
01:22:36,600 --> 01:22:40,320
Speaker 1: her opinions like like, even if they seem wild, she

1757
01:22:40,479 --> 01:22:44,240
Speaker 1: will she will bring out the PowerPoint presentation, you know

1758
01:22:44,320 --> 01:22:47,080
Speaker 1: what I mean. She never just says anything like this

1759
01:22:47,120 --> 01:22:49,840
Speaker 1: is why I think this. This is the experience I'm

1760
01:22:49,840 --> 01:22:52,760
Speaker 1: bringing to this. You it might be wild, you might

1761
01:22:52,800 --> 01:22:55,640
Speaker 1: not agree with it, but this is my experience. And

1762
01:22:55,680 --> 01:22:57,600
Speaker 1: I think the fact that we are also up in

1763
01:22:57,720 --> 01:23:00,519
Speaker 1: arms about someone being like no holds Barren in what

1764
01:23:00,560 --> 01:23:03,000
Speaker 1: they think is kind of actually a problem with us

1765
01:23:03,040 --> 01:23:06,400
Speaker 1: and not her yes, and she's funny as ship.

1766
01:23:06,439 --> 01:23:11,480
Speaker 3: Though she is a linguist, the words that she chooses,

1767
01:23:11,840 --> 01:23:14,479
Speaker 3: the rhymes, the things, the puns. My friend Dave and

1768
01:23:14,520 --> 01:23:16,519
Speaker 3: I we just DM her ship to each other all

1769
01:23:16,600 --> 01:23:18,320
Speaker 3: day and like shoot tears of laughter. I think she's

1770
01:23:18,360 --> 01:23:20,719
Speaker 3: one of the great poets, the best.

1771
01:23:21,160 --> 01:23:23,880
Speaker 2: She's one of the great poets, genuinely, one of the

1772
01:23:23,880 --> 01:23:28,439
Speaker 2: best lyricists of her generation. She she has one of

1773
01:23:28,479 --> 01:23:31,240
Speaker 2: the best burns, roast whatever you want to call it.

1774
01:23:31,280 --> 01:23:34,000
Speaker 2: Of calling Grimes, of saying that Grimes looks like she

1775
01:23:34,080 --> 01:23:36,840
Speaker 2: smells like a roll of Nichols. That is the funniest,

1776
01:23:37,320 --> 01:23:40,920
Speaker 2: the funniest insult that's ever been written ever.

1777
01:23:41,640 --> 01:23:44,840
Speaker 1: Anyway, She's she's anyway.

1778
01:23:44,520 --> 01:23:47,000
Speaker 2: And one of our best one of our best minds

1779
01:23:47,040 --> 01:23:48,879
Speaker 2: is right here with us. It's Michelle Collins.

1780
01:23:50,360 --> 01:23:54,680
Speaker 1: Round a pause, number three. Boys.

1781
01:23:54,840 --> 01:23:56,639
Speaker 3: I first of all, thank you so much for having

1782
01:23:56,640 --> 01:23:58,840
Speaker 3: me back on the show after the.

1783
01:24:00,200 --> 01:24:05,679
Speaker 1: Lost episode. After the last episode. Yeah, can you imagine

1784
01:24:05,720 --> 01:24:07,400
Speaker 1: me being so up in arms? But I don't think

1785
01:24:07,439 --> 01:24:11,200
Speaker 1: twenty Kellor parks, that's how my allegiance to celebrity is

1786
01:24:11,240 --> 01:24:13,880
Speaker 1: that delete the episode? How dare she? I don't know?

1787
01:24:13,960 --> 01:24:16,559
Speaker 3: I mean, listen, it was fun, But I just I adore

1788
01:24:16,520 --> 01:24:18,639
Speaker 3: you both. Nobody makes me laugh like you too, And

1789
01:24:18,840 --> 01:24:20,519
Speaker 3: I know I hope one of you can come to

1790
01:24:20,560 --> 01:24:21,599
Speaker 3: one of my damn shows.

1791
01:24:21,600 --> 01:24:25,120
Speaker 1: You're working so much, all right, I want to come

1792
01:24:25,160 --> 01:24:26,880
Speaker 1: to In fact, I'm going to be When When are

1793
01:24:26,920 --> 01:24:28,080
Speaker 1: you in New York? When is that?

1794
01:24:28,400 --> 01:24:30,720
Speaker 3: The New York show is May sixth, this town Hall

1795
01:24:30,880 --> 01:24:33,080
Speaker 3: and then LA is April twenty fifth.

1796
01:24:33,800 --> 01:24:37,320
Speaker 1: Yes, make that May six could happen for me too.

1797
01:24:37,360 --> 01:24:38,560
Speaker 1: It's within the realm.

1798
01:24:39,040 --> 01:24:42,040
Speaker 3: This is really don't don't say it if you don't

1799
01:24:42,080 --> 01:24:44,040
Speaker 3: mean it, So don't say for sure, let me know,

1800
01:24:44,120 --> 01:24:44,760
Speaker 3: don't buy ticket.

1801
01:24:45,200 --> 01:24:47,120
Speaker 1: Already said it, Michelle. So what am I supposed to do?

1802
01:24:47,200 --> 01:24:49,160
Speaker 1: Go back in fucking time? I said it. I I'm

1803
01:24:49,160 --> 01:24:50,040
Speaker 1: going to try to be there.

1804
01:24:50,080 --> 01:24:52,120
Speaker 3: Listen, I wanted you on stage, but I'm not going

1805
01:24:52,160 --> 01:24:54,480
Speaker 3: to put that pressure on you in the audience.

1806
01:24:54,240 --> 01:24:56,800
Speaker 1: Will come now, I'm like, yeah, look at me, look

1807
01:24:56,840 --> 01:24:59,200
Speaker 1: at me. If you want to get on stage, we'll talk.

1808
01:24:59,360 --> 01:25:02,800
Speaker 1: If you can do it, I am I'm gonna try.

1809
01:25:02,920 --> 01:25:05,519
Speaker 1: I dying to get back to New York sooner, sooner

1810
01:25:05,560 --> 01:25:08,439
Speaker 1: than we have And I'll pay you. I'll pay you

1811
01:25:08,479 --> 01:25:11,080
Speaker 1: if you get on that stage. Listen, We'll take all

1812
01:25:11,120 --> 01:25:17,439
Speaker 1: this business off. Mike boils. That's it, can take the

1813
01:25:17,439 --> 01:25:19,840
Speaker 1: business off. Mike. Leave this sin, leave the sin.

1814
01:25:19,960 --> 01:25:22,920
Speaker 3: I want to all these boys accountable to the fans.

1815
01:25:23,200 --> 01:25:25,800
Speaker 3: I love you, but thank you for having me so.

1816
01:25:25,880 --> 01:25:28,840
Speaker 1: Much, you say Bowen. We end a very episode with

1817
01:25:28,840 --> 01:25:29,439
Speaker 1: the song.

1818
01:25:33,520 --> 01:25:48,439
Speaker 4: What song needy you like? What get it changed?

1819
01:25:48,520 --> 01:25:51,160
Speaker 1: Keys? In the middle of that is it feeling in

1820
01:25:51,320 --> 01:25:57,559
Speaker 1: your excuse me, this is your ruth and that wasn't

1821
01:25:57,560 --> 01:25:59,960
Speaker 1: even the right words. But Bowen is Bowen just literally

1822
01:26:00,080 --> 01:26:03,360
Speaker 1: fucked out of obscurity. I Need You by Leanne Riimes,

1823
01:26:03,400 --> 01:26:07,680
Speaker 1: which is a Christian song, and we love it and

1824
01:26:07,760 --> 01:26:12,400
Speaker 1: we love it. Bye Bye,