1
00:00:00,080 --> 00:00:13,320
Speaker 1: Yeah, this is life being grounded. Wake up, take my meds,

2
00:00:13,560 --> 00:00:16,200
Speaker 1: go to school. Janelle and I put our heads together

3
00:00:16,239 --> 00:00:20,160
Speaker 1: over lunch, come straight home from school, do homework, catch

4
00:00:20,280 --> 00:00:23,520
Speaker 1: up with Marco over my laptop, take my meds, and

5
00:00:23,600 --> 00:00:28,440
Speaker 1: go to sleep. Complete routine. Oh yeah, and meditating for

6
00:00:28,480 --> 00:00:30,200
Speaker 1: a few minutes when I can manage to keep my

7
00:00:30,280 --> 00:00:32,920
Speaker 1: fury at my parents from clouding up my whole damn head.

8
00:00:34,360 --> 00:00:36,920
Speaker 1: One weekend and it's been awful for my mental health,

9
00:00:37,680 --> 00:00:39,640
Speaker 1: even when I do sit to clear my mind. The

10
00:00:39,720 --> 00:00:42,760
Speaker 1: number of wild thoughts, fears of the pod following apart

11
00:00:42,800 --> 00:00:44,720
Speaker 1: because I can't be there to give my full effort,

12
00:00:44,960 --> 00:00:47,320
Speaker 1: anxieties about Marco and Janelle hitting it off while I'm

13
00:00:47,400 --> 00:00:51,440
Speaker 1: under lockdown, embarrassment that I am on freaking punishment when

14
00:00:51,479 --> 00:00:55,800
Speaker 1: I'm practically an adult man. This is too much. It's

15
00:00:55,800 --> 00:01:05,360
Speaker 1: a constant distraction. All of this makes me appreciate my

16
00:01:05,400 --> 00:01:08,360
Speaker 1: new school even more. Janelle and I can make progress

17
00:01:08,400 --> 00:01:10,880
Speaker 1: on the pot from there, and I don't feel like

18
00:01:10,880 --> 00:01:13,120
Speaker 1: an outsider like I do at home with my parents.

19
00:01:13,920 --> 00:01:16,880
Speaker 1: Janelle is promoting the podcast around school, even as some

20
00:01:16,959 --> 00:01:20,440
Speaker 1: of the other students recognizing me as mask on coming

21
00:01:20,520 --> 00:01:22,679
Speaker 1: up to me at my locker and telling me how

22
00:01:22,720 --> 00:01:28,360
Speaker 1: the Jedi am. He's strange having local celebrity studies. I

23
00:01:28,360 --> 00:01:31,880
Speaker 1: could get used to. Did Marco tell you he's getting

24
00:01:31,920 --> 00:01:34,840
Speaker 1: swagged from potential advertisers? Now what do you get? He

25
00:01:34,959 --> 00:01:38,040
Speaker 1: got a new mattress, green tea centered That kid is

26
00:01:38,080 --> 00:01:41,120
Speaker 1: too much. I mean you said it, not me. But

27
00:01:41,200 --> 00:01:42,760
Speaker 1: I want to look into the company, you know, make

28
00:01:42,800 --> 00:01:45,959
Speaker 1: sure they're sustainable. You have to vet these brands. What's

29
00:01:45,959 --> 00:01:48,640
Speaker 1: their mission? Do they believe in black lives matters? You

30
00:01:48,760 --> 00:01:51,920
Speaker 1: always thinking two steps ahead? How much longer are in lockdown?

31
00:01:52,400 --> 00:01:55,600
Speaker 1: Not that zoom. Production meetings aren't fun. Another week, Wow,

32
00:01:55,960 --> 00:02:00,280
Speaker 1: your parents don't play well. You're almost the air MG listen,

33
00:02:00,480 --> 00:02:02,760
Speaker 1: you'll see it when you get home. But we got

34
00:02:02,760 --> 00:02:05,080
Speaker 1: a very interesting invite in the d MS for the

35
00:02:05,160 --> 00:02:08,520
Speaker 1: official podcast instead account. Oh really, what's the invite? Another

36
00:02:08,560 --> 00:02:12,480
Speaker 1: interview request? Not exactly No, you, me and Marco can

37
00:02:12,560 --> 00:02:14,600
Speaker 1: discuss it on our next production call. I just wanted

38
00:02:14,639 --> 00:02:19,480
Speaker 1: to give your heads out. My parents took my phone

39
00:02:19,520 --> 00:02:22,080
Speaker 1: for the week's sort of suspense is killing me? What

40
00:02:22,240 --> 00:02:24,840
Speaker 1: is this girl talking about? I rushed home with the

41
00:02:24,919 --> 00:02:27,239
Speaker 1: fresh burst of energy, just wanting to get to my

42
00:02:27,320 --> 00:02:31,640
Speaker 1: laptop and see what invice she means. I'm home before

43
00:02:31,680 --> 00:02:33,680
Speaker 1: mom and Dad. So I rushed up the stairs and

44
00:02:33,760 --> 00:02:35,520
Speaker 1: dropped my book bag on the floor of my room.

45
00:02:35,520 --> 00:02:37,280
Speaker 1: As I pulled into my office chair and turned on

46
00:02:37,320 --> 00:02:39,760
Speaker 1: my laptop, I signed it to our here comes to

47
00:02:39,800 --> 00:02:43,880
Speaker 1: break instant and scroll through today's new d MS. Sure enough,

48
00:02:44,480 --> 00:03:14,519
Speaker 1: there it is a message from viral Villa. H m M.

49
00:03:17,800 --> 00:03:20,480
Speaker 1: I hear my parents get home. Embrace myself to go

50
00:03:20,520 --> 00:03:23,519
Speaker 1: downstairs and greet them. My mind is lit up from

51
00:03:23,520 --> 00:03:27,079
Speaker 1: this d M. Viral Villa is next level. It's the

52
00:03:27,120 --> 00:03:28,959
Speaker 1: house south in l A that's rented by a bunch

53
00:03:28,960 --> 00:03:33,440
Speaker 1: of content creators. They work together and then artistic collective,

54
00:03:33,600 --> 00:03:37,240
Speaker 1: making YouTube clips and TikTok's and answer stories in their backyard.

55
00:03:38,880 --> 00:03:45,000
Speaker 1: And they parted. And I've got an invite. No wait,

56
00:03:45,280 --> 00:03:49,760
Speaker 1: we've got an invite me, Marco and Janelle. The invite

57
00:03:49,760 --> 00:03:52,200
Speaker 1: from the viral Villa founders is intended for one person,

58
00:03:52,680 --> 00:03:57,400
Speaker 1: mask on, and that's me. But really this podcast is

59
00:03:57,440 --> 00:04:02,280
Speaker 1: a three person operation, and I still grounded. This is

60
00:04:02,320 --> 00:04:06,160
Speaker 1: going to be an impossible cell to my parents. I

61
00:04:06,200 --> 00:04:09,480
Speaker 1: can't imagine turning this down. But how can I get

62
00:04:09,520 --> 00:04:13,040
Speaker 1: them on board, I opened the door and run back

63
00:04:13,040 --> 00:04:20,400
Speaker 1: down the stairs. Well, wow, look who suddenly eager to

64
00:04:20,400 --> 00:04:23,320
Speaker 1: show his face. Any other time this past week and

65
00:04:23,440 --> 00:04:25,799
Speaker 1: his attempt at dad humor would have piss me off,

66
00:04:26,240 --> 00:04:30,440
Speaker 1: throw me off balance, But the viral Villa invite got

67
00:04:30,440 --> 00:04:33,920
Speaker 1: me on cloud nine. It's actually amazing how much here

68
00:04:33,960 --> 00:04:36,880
Speaker 1: comes to break. Its help with my anxiety attacks. I'm

69
00:04:36,920 --> 00:04:40,480
Speaker 1: not nervous, I'm anxious in a good way. It builds

70
00:04:40,480 --> 00:04:45,160
Speaker 1: my confidence and helps me remain present. Hem if this

71
00:04:45,960 --> 00:04:48,520
Speaker 1: something I have to ask you what is it? It's

72
00:04:48,520 --> 00:04:51,320
Speaker 1: gonna be awkward and just spill it. I know that

73
00:04:51,320 --> 00:04:53,000
Speaker 1: I'm still grounding for a week, But I got an

74
00:04:53,000 --> 00:04:54,960
Speaker 1: invite to go away this weekend to me the whole

75
00:04:54,960 --> 00:04:58,040
Speaker 1: bunch of other artists and content creators. It would be

76
00:04:58,080 --> 00:05:02,320
Speaker 1: a huge opportunity from for the podcast. Okay, what is

77
00:05:02,360 --> 00:05:06,080
Speaker 1: this place? Well, there's a place out west called viral Villa.

78
00:05:06,839 --> 00:05:10,120
Speaker 1: It's in l A. All the hottest influences and constant

79
00:05:10,120 --> 00:05:14,560
Speaker 1: creators go out there for long weekends just to create.

80
00:05:15,560 --> 00:05:19,640
Speaker 1: And they've invited me because of the podcast. They want

81
00:05:19,680 --> 00:05:22,240
Speaker 1: me to come out this weekend. Some YouTuber couldn't make it,

82
00:05:22,279 --> 00:05:33,239
Speaker 1: and they have a bed open. I gotta go Los Angeles. Boy,

83
00:05:33,279 --> 00:05:38,719
Speaker 1: are you kidding me? L A Jesus be offense. Let

84
00:05:38,720 --> 00:05:41,320
Speaker 1: me get this correct. You want us to lift your

85
00:05:41,360 --> 00:05:45,000
Speaker 1: grounding so you can go fly across the country to

86
00:05:45,120 --> 00:05:48,960
Speaker 1: party with people we don't even know. Honey, you better

87
00:05:49,000 --> 00:05:53,000
Speaker 1: get your son. For one fleeting second, I thought they

88
00:05:53,080 --> 00:05:55,960
Speaker 1: might show mercy for my honesty, or at least ask

89
00:05:56,000 --> 00:06:00,680
Speaker 1: more questions about it. But nope, they just won't let up. Brubon.

90
00:06:01,320 --> 00:06:06,000
Speaker 1: Now you're still grounded. I can see a look of

91
00:06:06,040 --> 00:06:09,320
Speaker 1: sympathy flash across my mother's face. Well, she keeps up

92
00:06:09,320 --> 00:06:13,760
Speaker 1: the United Front with dead I don't understand. This is

93
00:06:13,760 --> 00:06:17,000
Speaker 1: a huge opportunity. This is my future on the line,

94
00:06:17,240 --> 00:06:20,520
Speaker 1: not just the hobby or a project. I can meet

95
00:06:20,520 --> 00:06:22,679
Speaker 1: other young people working in the same space as Marco,

96
00:06:22,760 --> 00:06:25,440
Speaker 1: Janelle and I. We can really blow up each more

97
00:06:25,440 --> 00:06:28,960
Speaker 1: on other social platforms. I'm gonna take this podcast to

98
00:06:29,000 --> 00:06:32,839
Speaker 1: the next level by any means necessary. I'll be focused.

99
00:06:33,520 --> 00:06:36,640
Speaker 1: I promise, I'm not just going out there the party.

100
00:06:36,680 --> 00:06:39,680
Speaker 1: You aren't going out there at all. You've been lying

101
00:06:39,880 --> 00:06:42,400
Speaker 1: to us all along, and we find this out a

102
00:06:42,440 --> 00:06:45,839
Speaker 1: week ago. You know this is a wild ask. You're

103
00:06:45,880 --> 00:06:49,480
Speaker 1: grounded and it's not gonna happen. Do you hear me?

104
00:06:50,080 --> 00:06:55,440
Speaker 1: Tell me? You hear me? I hear all. My usual

105
00:06:55,520 --> 00:06:58,479
Speaker 1: nerves are on fire with anger, but I'm not going

106
00:06:58,560 --> 00:07:01,640
Speaker 1: to blow up at on this time. I get it.

107
00:07:02,080 --> 00:07:06,640
Speaker 1: I admitted the truth. I was wrong. Damn, this is

108
00:07:06,680 --> 00:07:12,880
Speaker 1: my future. Parents just don't understand. This isn't over. I'm

109
00:07:12,920 --> 00:07:17,280
Speaker 1: good with dinner. I'll just start. Plus, I have a

110
00:07:17,400 --> 00:07:20,440
Speaker 1: lot to catch up. A sorry. I can see the

111
00:07:20,480 --> 00:07:23,360
Speaker 1: look at disappointment in their eyes, but I can't have

112
00:07:23,360 --> 00:07:25,560
Speaker 1: a seat at their dinner table pretending that I'm okay

113
00:07:25,600 --> 00:07:28,800
Speaker 1: just so that they could feel good. Nah, I'm fed

114
00:07:28,880 --> 00:07:31,800
Speaker 1: up playing their well behaved in perfect sun. Let me

115
00:07:31,840 --> 00:07:34,440
Speaker 1: go back to my space to figure out my next steps.

116
00:07:37,120 --> 00:07:39,679
Speaker 1: As soon as I'm back in my room, I can't

117
00:07:39,680 --> 00:07:42,360
Speaker 1: help but get Piste off even more. If I had

118
00:07:42,400 --> 00:07:44,640
Speaker 1: told them up in front about the podcast, or they

119
00:07:44,640 --> 00:07:48,000
Speaker 1: have supported me, they're playing like they would, but I

120
00:07:48,160 --> 00:07:54,680
Speaker 1: seriously doubt that the truth the soul technophobic. Maybe if

121
00:07:54,680 --> 00:07:57,000
Speaker 1: they thought it was just a little project, which is

122
00:07:57,000 --> 00:08:01,320
Speaker 1: how we started, I should have just told them. But

123
00:08:01,400 --> 00:08:04,480
Speaker 1: they must know they cannot punish me like this much longer.

124
00:08:05,360 --> 00:08:08,760
Speaker 1: Why not work with me? Instead of against me. All

125
00:08:08,800 --> 00:08:10,840
Speaker 1: the things I wanted to express them downstairs, I let

126
00:08:10,840 --> 00:08:17,720
Speaker 1: out through my bluetooth speakers. I'm bracing myself to do

127
00:08:17,800 --> 00:08:21,600
Speaker 1: the unthinkable to go out to Viral Villa without their permission.

128
00:08:21,760 --> 00:08:25,080
Speaker 1: This would be a huge breach of trust. I know

129
00:08:25,120 --> 00:08:27,280
Speaker 1: they'll be mad as hell, and it would be fair

130
00:08:27,280 --> 00:08:31,160
Speaker 1: for them to be pissed. But despite it all, I

131
00:08:31,240 --> 00:08:33,480
Speaker 1: just know that I have to take a stand for myself.

132
00:08:33,520 --> 00:08:35,800
Speaker 1: That it would be insane not to go out there.

133
00:08:36,960 --> 00:08:39,199
Speaker 1: If they aren't going to help me build this career track,

134
00:08:40,040 --> 00:08:42,679
Speaker 1: I'm gonna have to build it myself. Even if they

135
00:08:42,720 --> 00:08:45,840
Speaker 1: decided to withhold my college money send me to restrict

136
00:08:45,840 --> 00:08:48,520
Speaker 1: the school away from Janelle and my growing repid book

137
00:08:48,520 --> 00:08:53,040
Speaker 1: of t Yeah, that would suck. But whatever their reaction,

138
00:08:53,920 --> 00:08:56,079
Speaker 1: I gotta do what I gotta do for me in

139
00:08:56,240 --> 00:08:59,240
Speaker 1: my life. I get back to thinking about next steps.

140
00:09:00,120 --> 00:09:02,760
Speaker 1: Marco and Janelle know about the invite, and they're waiting

141
00:09:02,800 --> 00:09:05,000
Speaker 1: on me at our next production meeting to figure out

142
00:09:05,040 --> 00:09:07,719
Speaker 1: how to respond to it. That meeting is supposed to

143
00:09:07,760 --> 00:09:10,640
Speaker 1: be tonight. I've got to get them on board of

144
00:09:10,679 --> 00:09:13,120
Speaker 1: flying out West, but I don't think that should be

145
00:09:13,160 --> 00:09:16,680
Speaker 1: too hard. Once that's done. I can afford to turn

146
00:09:16,720 --> 00:09:19,640
Speaker 1: my thoughts back to my parents. I can't even ask

147
00:09:19,720 --> 00:09:22,640
Speaker 1: Janelle Marcus advice on how I should approach it once

148
00:09:22,720 --> 00:09:25,640
Speaker 1: Marco and janelleare on board, or apply to the villa's

149
00:09:25,679 --> 00:09:28,440
Speaker 1: message that I'm flying out and book my tickets and

150
00:09:28,480 --> 00:09:30,520
Speaker 1: I gotta schedule flights for midday so I can fake

151
00:09:30,559 --> 00:09:32,800
Speaker 1: going to school and then dunk out for the airport.

152
00:09:33,480 --> 00:09:35,320
Speaker 1: I'll only have a couple of nights out west before

153
00:09:35,320 --> 00:09:37,520
Speaker 1: I have to come back and face the music. But

154
00:09:37,640 --> 00:09:39,960
Speaker 1: they don't make a statement and may be about to

155
00:09:39,960 --> 00:09:42,760
Speaker 1: make the biggest mistake of my life. But here comes

156
00:09:42,800 --> 00:09:52,520
Speaker 1: to jailbreak for real? I want my first question is

157
00:09:52,920 --> 00:09:55,600
Speaker 1: in an industry that is constantly trying to define artists

158
00:09:55,880 --> 00:09:58,319
Speaker 1: in your own words, tell our listeners who is l

159
00:09:58,360 --> 00:10:01,280
Speaker 1: ab to go la to There is an artist from Tampa,

160
00:10:01,320 --> 00:10:04,080
Speaker 1: Florida and not just a rapper like an artist because

161
00:10:04,080 --> 00:10:06,360
Speaker 1: I make all types of music depend on how I'm feeling.

162
00:10:07,160 --> 00:10:09,120
Speaker 1: You know, I'm just a simple person. I like the

163
00:10:09,200 --> 00:10:12,280
Speaker 1: simple things. I'm just like a cool, chill person. You know,

164
00:10:12,320 --> 00:10:14,360
Speaker 1: when I think of Florida, I don't think of Tampa

165
00:10:14,400 --> 00:10:16,959
Speaker 1: as far as like artists is concerned. I love that

166
00:10:17,040 --> 00:10:19,480
Speaker 1: all artists out there, but my mind goes first to

167
00:10:20,160 --> 00:10:23,000
Speaker 1: say Mayanna. To talk about what the music scene is

168
00:10:23,040 --> 00:10:25,559
Speaker 1: like in Tampa. It's kind of like a love hate relationship,

169
00:10:25,880 --> 00:10:29,160
Speaker 1: you know how So it's kind of like a love

170
00:10:29,200 --> 00:10:32,520
Speaker 1: hate relationship. If you ask ten different rappers, you're gonna

171
00:10:32,520 --> 00:10:35,000
Speaker 1: get ten different answers here in Tampa because you know,

172
00:10:35,320 --> 00:10:38,560
Speaker 1: certain people on on different levels to other people, so

173
00:10:38,600 --> 00:10:41,959
Speaker 1: they feel like they vertising and stuff like that. When

174
00:10:41,960 --> 00:10:44,760
Speaker 1: you build your fan base to what they like from you,

175
00:10:45,960 --> 00:10:49,000
Speaker 1: that makes the fans. So, I mean, we don't really

176
00:10:49,000 --> 00:10:51,680
Speaker 1: have a specific sound right now, but we got a

177
00:10:51,679 --> 00:10:54,440
Speaker 1: few artists that signed, and we got a few artists

178
00:10:54,520 --> 00:10:57,800
Speaker 1: doing anything majorly too, so you know, yeah, like listening

179
00:10:57,800 --> 00:11:00,600
Speaker 1: to their music and and on shop back and like

180
00:11:01,320 --> 00:11:04,640
Speaker 1: Rick Ross has his own sound. Acehood who's from Florida too,

181
00:11:04,720 --> 00:11:07,680
Speaker 1: has his own sound trick Daddy. So that's interesting that

182
00:11:07,720 --> 00:11:11,120
Speaker 1: you said that bigger picture. Can you talk about being

183
00:11:11,160 --> 00:11:13,599
Speaker 1: signed to a major label and how is that transition?

184
00:11:14,400 --> 00:11:16,240
Speaker 1: What was that transition like for you? I mean it

185
00:11:16,360 --> 00:11:18,280
Speaker 1: was pretty easy because I always kind of like care

186
00:11:18,320 --> 00:11:23,080
Speaker 1: of myself, like I was important anyway before I was signed.

187
00:11:23,120 --> 00:11:27,440
Speaker 1: So it's like it's just like a label. Now I'm

188
00:11:27,480 --> 00:11:30,000
Speaker 1: actually signed, so you know, I have a reason not

189
00:11:30,080 --> 00:11:32,120
Speaker 1: to go to the club all the time and stuff.

190
00:11:32,880 --> 00:11:37,480
Speaker 1: Help me save more money. Run. How did you develop

191
00:11:37,520 --> 00:11:41,880
Speaker 1: your fan base Instagram? Instagram? Instagram is the most amazing

192
00:11:41,960 --> 00:11:46,720
Speaker 1: thing that guy ever? Crazy. Do you feel like you're

193
00:11:46,720 --> 00:11:49,400
Speaker 1: connected to your fans that way? Do you recomments? Do

194
00:11:49,480 --> 00:11:52,160
Speaker 1: you respond back to comments? Oh? Yeah, I clapped back

195
00:11:52,360 --> 00:11:54,360
Speaker 1: on the regular, Like if you say something to me,

196
00:11:54,440 --> 00:11:57,400
Speaker 1: I'm a screenshot, go on your page, get one of

197
00:11:57,440 --> 00:11:59,600
Speaker 1: your ugly pictures and post it so the world can

198
00:11:59,600 --> 00:12:01,679
Speaker 1: see that is the person I was talking about me.

199
00:12:02,480 --> 00:12:04,600
Speaker 1: So you're Penny you out here? Hum, I'm not that

200
00:12:04,640 --> 00:12:07,600
Speaker 1: out of touch yet. Courts Drake wouldn't comment back because

201
00:12:07,600 --> 00:12:11,040
Speaker 1: it's three comments, but I only have like forty, so

202
00:12:11,080 --> 00:12:14,440
Speaker 1: it's like, I'm gonna see you talking ship cool cool cool.

203
00:12:14,520 --> 00:12:17,480
Speaker 1: So what advice would you give young artists on staying

204
00:12:17,520 --> 00:12:20,319
Speaker 1: true to themselves and also being open to the process

205
00:12:20,360 --> 00:12:22,720
Speaker 1: of growth and evolving. It's just gonna take a little longer,

206
00:12:23,600 --> 00:12:26,640
Speaker 1: that's it. It's more organic when you be yourself when

207
00:12:26,640 --> 00:12:29,120
Speaker 1: you try to like follow everybody else and make it

208
00:12:29,200 --> 00:12:31,679
Speaker 1: kind of harder because you sound like everything else out there,

209
00:12:31,760 --> 00:12:34,160
Speaker 1: so nobody wants to just keep hearing the same thing.

210
00:12:34,679 --> 00:12:36,640
Speaker 1: And what do you want your legacy to be? Everybody

211
00:12:36,640 --> 00:12:38,480
Speaker 1: asked me that question, but it's like, I ain't really

212
00:12:38,520 --> 00:12:40,480
Speaker 1: living fun, no legacy. I'm just trying to get like,

213
00:12:40,640 --> 00:12:43,439
Speaker 1: really really rich, and I love doing music, so it's

214
00:12:43,440 --> 00:12:47,320
Speaker 1: like that's a plus. How are you going to keep

215
00:12:47,320 --> 00:12:50,760
Speaker 1: the wealth? We see artists like Jeezy Young jeezs in

216
00:12:50,800 --> 00:12:54,520
Speaker 1: the real estate. Are there any other business mensures outside

217
00:12:54,559 --> 00:12:56,880
Speaker 1: of music that you're interested in pursuing to maintain that well,

218
00:12:57,480 --> 00:12:59,800
Speaker 1: getting the owner like my own clothing line and stuff like,

219
00:13:00,520 --> 00:13:03,440
Speaker 1: and of course real estate. You know, it's Florida in

220
00:13:03,480 --> 00:13:15,800
Speaker 1: Florida's span every day. So we'll be right back and

221
00:13:15,880 --> 00:13:24,440
Speaker 1: now back to the show. Okay, so we've all listened

222
00:13:24,480 --> 00:13:27,720
Speaker 1: to the final mix on episode five. Everything good that

223
00:13:27,800 --> 00:13:31,280
Speaker 1: all the go. Interview turned out great. Thanks, but remember

224
00:13:31,320 --> 00:13:32,720
Speaker 1: that was all you were getting in at the show.

225
00:13:32,760 --> 00:13:35,679
Speaker 1: You now mixes all good by me. We're on our

226
00:13:35,679 --> 00:13:38,439
Speaker 1: production car now and I'm squirming to get to the

227
00:13:38,520 --> 00:13:44,320
Speaker 1: viral villa business. Let's talk viral villa. Holy sh it?

228
00:13:44,360 --> 00:13:47,480
Speaker 1: Am I right? Guys? How about sums it up? What

229
00:13:47,480 --> 00:13:49,280
Speaker 1: do we do. I think we should take them up

230
00:13:49,320 --> 00:13:51,720
Speaker 1: on it. I want to go. We all want to go,

231
00:13:51,880 --> 00:13:55,240
Speaker 1: Ruben or what about your parents? Aren't you grounded? Let

232
00:13:55,280 --> 00:13:58,000
Speaker 1: me worry about that. We can't just let this chance

233
00:13:58,040 --> 00:14:00,559
Speaker 1: pass us by. That's not what we're saying. Bro Bruin,

234
00:14:00,800 --> 00:14:02,320
Speaker 1: what do you think of Marco going out there in

235
00:14:02,360 --> 00:14:06,680
Speaker 1: your place? Damn? I thought Janette would be down with

236
00:14:06,720 --> 00:14:09,440
Speaker 1: the idea of me flying out to l A. Marco

237
00:14:09,520 --> 00:14:11,400
Speaker 1: and Janet was supposed to be on board for this,

238
00:14:12,720 --> 00:14:15,719
Speaker 1: but they are linking up, getting cozy and planning things

239
00:14:15,800 --> 00:14:19,320
Speaker 1: without me being grounded. His cost to me, my life,

240
00:14:19,360 --> 00:14:23,400
Speaker 1: and possibly my friends. It's a terrible feeling. This is

241
00:14:23,440 --> 00:14:26,960
Speaker 1: the opposite of the plan. At the same time, I

242
00:14:27,040 --> 00:14:31,160
Speaker 1: can't argue with the logic. I see it immediately. Marco

243
00:14:31,200 --> 00:14:33,840
Speaker 1: already has a huge following under his own name, his

244
00:14:33,920 --> 00:14:36,760
Speaker 1: parents would go along with it, and he co founded

245
00:14:36,800 --> 00:14:40,840
Speaker 1: the pie. But the message specifically said they wanted to

246
00:14:40,880 --> 00:14:45,240
Speaker 1: invite mask on and that's me. I know that I'm

247
00:14:45,280 --> 00:14:49,840
Speaker 1: fixated on this, but being grounded is driving me in safe.

248
00:14:51,040 --> 00:14:54,600
Speaker 1: I feel like God has given me another shot since

249
00:14:54,640 --> 00:14:56,480
Speaker 1: my parents pulled the plug on me. Going viral and

250
00:14:56,640 --> 00:15:00,080
Speaker 1: vibe and it is my calling to take this. I

251
00:15:00,200 --> 00:15:04,600
Speaker 1: know that I'm being selfish. I can't help you. I

252
00:15:04,760 --> 00:15:07,400
Speaker 1: really don't want Marco to go without me. I don't

253
00:15:07,440 --> 00:15:10,360
Speaker 1: want my parents or anyone else scrolling this up. I

254
00:15:10,400 --> 00:15:13,720
Speaker 1: don't know. They asked the mask on. Yeah, but mask

255
00:15:13,800 --> 00:15:16,360
Speaker 1: On hides behind a vocal distortion. It could be any

256
00:15:16,360 --> 00:15:20,520
Speaker 1: of us. It's not though, it's men. If you're not

257
00:15:20,600 --> 00:15:22,200
Speaker 1: cool with it, we can always tell them we can't

258
00:15:22,200 --> 00:15:23,840
Speaker 1: make it on such short notice, but we'd love to

259
00:15:23,840 --> 00:15:27,280
Speaker 1: get there another time. No, this may be my only chance,

260
00:15:27,520 --> 00:15:31,360
Speaker 1: our only chance, or you're only rebon. Why don't you

261
00:15:31,360 --> 00:15:34,320
Speaker 1: tell us why you're really made? I'm not cool with

262
00:15:34,400 --> 00:15:37,480
Speaker 1: its bit. I knew it. You were the one who

263
00:15:37,480 --> 00:15:39,480
Speaker 1: wanted to disguise your voice and hide your name. Now

264
00:15:39,520 --> 00:15:42,800
Speaker 1: you want all the credit. I can't lie. What do

265
00:15:42,800 --> 00:15:45,400
Speaker 1: you want me to do? This podcast means a lot

266
00:15:45,440 --> 00:15:49,160
Speaker 1: to me. I work for this opportunity too. You know

267
00:15:49,240 --> 00:15:52,440
Speaker 1: I struggle with anxiety. Man, I try my best to

268
00:15:52,560 --> 00:15:55,600
Speaker 1: live up to my parents. How you ask, standard's okay?

269
00:15:56,000 --> 00:15:58,480
Speaker 1: Maybe you're right, Marco, I was a punk ass hide

270
00:15:58,640 --> 00:16:01,960
Speaker 1: behind this person, but this changed. I want to be

271
00:16:02,040 --> 00:16:04,560
Speaker 1: the face of it. And what a better way to

272
00:16:04,680 --> 00:16:07,560
Speaker 1: reveal my identity than on our official account at the

273
00:16:07,640 --> 00:16:09,880
Speaker 1: viral Villa. This weekend, we could blow up to a

274
00:16:09,920 --> 00:16:13,080
Speaker 1: whole new level the unmasking of mask on that still

275
00:16:13,080 --> 00:16:17,120
Speaker 1: doesn't address your whole parental situation, Janelle, let me handle that.

276
00:16:17,640 --> 00:16:19,200
Speaker 1: I think it makes sense for no one to go

277
00:16:19,560 --> 00:16:22,680
Speaker 1: Like Marco said, we'll catch them next time around. Were

278
00:16:22,760 --> 00:16:26,440
Speaker 1: like them Goes or the Fujis. Remember our squad is

279
00:16:26,440 --> 00:16:30,160
Speaker 1: a package deal. This is going all wrong. These two

280
00:16:30,160 --> 00:16:33,120
Speaker 1: were supposed to support me on this. I'm scrambling to

281
00:16:33,200 --> 00:16:35,520
Speaker 1: keep some window of opportunity open and they want to

282
00:16:35,600 --> 00:16:37,960
Speaker 1: let it slip us by How can they not get

283
00:16:37,960 --> 00:16:40,920
Speaker 1: on board? Fake ideas are fine, but blowing off my

284
00:16:41,000 --> 00:16:43,520
Speaker 1: parents as a deal breaker. I can't believe they let

285
00:16:43,520 --> 00:16:48,400
Speaker 1: this shot go. Okay, fine, no further action. Then I'll

286
00:16:48,400 --> 00:16:51,880
Speaker 1: write them in response, letting them know cool onto the

287
00:16:51,960 --> 00:16:55,400
Speaker 1: business of your list. We talked to you the rest

288
00:16:55,440 --> 00:16:58,240
Speaker 1: of the podcast business. But I can't get viral Bill

289
00:16:58,320 --> 00:17:00,920
Speaker 1: out of my head. The chance has to celebrate here

290
00:17:00,920 --> 00:17:03,440
Speaker 1: comes to break with a bunch of piers. All of

291
00:17:03,440 --> 00:17:06,679
Speaker 1: this resistance has induled the fantasy a bit, but I

292
00:17:06,680 --> 00:17:09,639
Speaker 1: don't say anything on the call let's turned into the

293
00:17:09,640 --> 00:17:12,919
Speaker 1: same sort of disapproval as my talks with my parents downstairs.

294
00:17:14,160 --> 00:17:18,040
Speaker 1: I feel silent more than ever, and I keep asking

295
00:17:18,080 --> 00:17:23,080
Speaker 1: myself do I have the guts to go anyway? During

296
00:17:23,119 --> 00:17:26,080
Speaker 1: the call, I came up with the idea of the unmasking,

297
00:17:26,400 --> 00:17:29,000
Speaker 1: of taking my mask on persona off, turning the trip west.

298
00:17:29,760 --> 00:17:32,560
Speaker 1: I'm going on the trip without Marco and janew It

299
00:17:32,600 --> 00:17:35,480
Speaker 1: seems perfect. It will blow up my social fees and

300
00:17:35,520 --> 00:17:38,480
Speaker 1: expose us to a wider audience, a national audience, to

301
00:17:38,520 --> 00:17:40,520
Speaker 1: fit with the fact our interview requests are coming from

302
00:17:40,560 --> 00:17:43,080
Speaker 1: all over, and makes me all the more convinced. I've

303
00:17:43,080 --> 00:17:46,400
Speaker 1: got to say yes to the invite, but damn the consequences.

304
00:17:47,320 --> 00:17:49,840
Speaker 1: I'm overwhelmed at the idea of betraying my friends trust

305
00:17:49,840 --> 00:17:53,360
Speaker 1: and my parents trust once again. Normally this is where

306
00:17:53,359 --> 00:17:56,280
Speaker 1: I meditate to calm down, but I don't want to.

307
00:17:57,000 --> 00:18:00,600
Speaker 1: I'm feeding off my anger with my parents, my frustrations

308
00:18:00,600 --> 00:18:03,720
Speaker 1: with Marco and Janelle for being so level headed. It's

309
00:18:03,760 --> 00:18:07,680
Speaker 1: not my anxiety anymore, this rocket fuel. When the call

310
00:18:07,840 --> 00:18:10,840
Speaker 1: is over, the only thing left to do is act.

311
00:18:13,359 --> 00:18:15,520
Speaker 1: I leap up from my bed and settle into my

312
00:18:15,600 --> 00:18:19,600
Speaker 1: desk chair. Start typing away Immediately, I jump onto a

313
00:18:19,640 --> 00:18:21,600
Speaker 1: travel site and book of flight for tomorrow at noon,

314
00:18:22,280 --> 00:18:24,840
Speaker 1: just like I thought about earlier, sneak out of the

315
00:18:24,840 --> 00:18:27,160
Speaker 1: houses of going to school and then make my way

316
00:18:27,160 --> 00:18:30,120
Speaker 1: to JFK. Instead, my parents gave me a credit card

317
00:18:30,119 --> 00:18:32,639
Speaker 1: to use only in case of emergencies, and I use

318
00:18:32,680 --> 00:18:35,199
Speaker 1: it to buy the ticket. One more cry to be

319
00:18:35,240 --> 00:18:38,360
Speaker 1: just for later, but better to ask forgiveness than permission.

320
00:18:40,119 --> 00:18:42,080
Speaker 1: I start running around my room and throwing closes in

321
00:18:42,160 --> 00:18:44,359
Speaker 1: my book bag, cramming them down, so this room for

322
00:18:44,400 --> 00:18:46,360
Speaker 1: a couple of shirts and shorts along with my laptop.

323
00:18:46,640 --> 00:18:49,160
Speaker 1: If I'm gonna make this trip under cover, I'm gonna

324
00:18:49,200 --> 00:18:51,160
Speaker 1: have to leave the house with just the backpack tomorrow

325
00:18:52,280 --> 00:18:54,520
Speaker 1: when it's all done, I said at the computer and

326
00:18:54,560 --> 00:18:56,359
Speaker 1: stare at the message from the villa, and I have

327
00:18:56,480 --> 00:18:59,120
Speaker 1: to respond to it. But Janelle and Marco can check

328
00:18:59,160 --> 00:19:01,960
Speaker 1: this account too. That's why I've saved it for last.

329
00:19:02,640 --> 00:19:06,080
Speaker 1: They could see me the fire agreed upon plan. In fact,

330
00:19:06,640 --> 00:19:10,720
Speaker 1: they definitely will eventually. But if I leave a note

331
00:19:10,720 --> 00:19:13,119
Speaker 1: at home about where I went, then when my parents

332
00:19:13,119 --> 00:19:16,520
Speaker 1: freak out, Marco and Janelle can confirm what happened by

333
00:19:16,600 --> 00:19:20,000
Speaker 1: checking it here comes to break account history. I take

334
00:19:20,040 --> 00:19:24,840
Speaker 1: a deep breath and start typing a response. Yes, I

335
00:19:24,880 --> 00:19:26,640
Speaker 1: would love to come out to the bill of this weekend.

336
00:19:27,119 --> 00:19:31,200
Speaker 1: I'll hop a flight tomorrow. A giant wave of nervous

337
00:19:31,320 --> 00:19:35,000
Speaker 1: energy crashes over me. With each forward step, I confront

338
00:19:35,040 --> 00:19:37,520
Speaker 1: whether I'm really gonna do this or not. But I

339
00:19:37,560 --> 00:19:40,440
Speaker 1: am so empt up. I backed the second guess in

340
00:19:40,480 --> 00:19:43,480
Speaker 1: a way. I have to do this. The pod needs it,

341
00:19:44,040 --> 00:19:47,600
Speaker 1: I need it. I'm tired of overthinking things. I hit

342
00:19:47,760 --> 00:19:54,000
Speaker 1: sin and now an exclusive track from l A the Goat.

343
00:20:06,800 --> 00:20:08,800
Speaker 1: Life cold, but at least we get to wear a

344
00:20:08,920 --> 00:20:12,200
Speaker 1: Jackie one from you either die or either make it happy.

345
00:20:12,560 --> 00:20:14,639
Speaker 1: Not in the million years I thought that I'll make

346
00:20:14,720 --> 00:20:17,280
Speaker 1: it rapping hit my busines look like I gotta had

347
00:20:17,280 --> 00:20:20,280
Speaker 1: a beautiful passion. Jacob Apple got me doing a lot.

348
00:20:20,880 --> 00:20:23,359
Speaker 1: I was on the sideline trying to get a spot.

349
00:20:23,680 --> 00:20:25,680
Speaker 1: A couple of niggas went in love because they ain't

350
00:20:25,720 --> 00:20:28,560
Speaker 1: see the plot, paying pictures with these lyrics like I'm

351
00:20:28,560 --> 00:20:31,480
Speaker 1: about Skiyat used to tell my people I was trying

352
00:20:31,480 --> 00:20:33,760
Speaker 1: to be a rapper. They wanted me to get a

353
00:20:33,880 --> 00:20:36,720
Speaker 1: job and answer to a master with all new respect.

354
00:20:36,720 --> 00:20:39,080
Speaker 1: That's not the kind of life. I'm app I'm the

355
00:20:39,119 --> 00:20:41,960
Speaker 1: author of my book and I'm still writing chaplins. Yeah,

356
00:20:42,400 --> 00:20:45,399
Speaker 1: streets so dirty swords and nigga gotta stay cleaning? How

357
00:20:45,480 --> 00:20:47,800
Speaker 1: go the jar Rods? What the fund is a saying? Lean?

358
00:20:48,480 --> 00:20:51,320
Speaker 1: This told me? Never let these niggas played me. I

359
00:20:51,440 --> 00:20:54,480
Speaker 1: played dumb. But I'm alone away from Craig. How you

360
00:20:54,560 --> 00:20:57,720
Speaker 1: from Temple? But he come in like he Jake no captain.

361
00:20:57,800 --> 00:21:01,000
Speaker 1: Microphone the only thing that saved me. Without wrapped, I

362
00:21:01,160 --> 00:21:04,280
Speaker 1: probably end up going crazy. Should I be doing? Never

363
00:21:04,440 --> 00:21:07,800
Speaker 1: ceased to amaze? Trap, got slow? I got a job.

364
00:21:07,840 --> 00:21:10,440
Speaker 1: I ain't lazy. I signed the Dipper. Sometimes I still

365
00:21:10,440 --> 00:21:12,639
Speaker 1: feel like I ain't made waste to be on my

366
00:21:12,680 --> 00:21:15,240
Speaker 1: mind and I can't like that ship crazy. I'm coming

367
00:21:15,280 --> 00:21:18,320
Speaker 1: in the game strong like I'm vic babe, having on

368
00:21:18,440 --> 00:21:20,840
Speaker 1: my ground on we if I throw on what I'm

369
00:21:20,880 --> 00:21:24,119
Speaker 1: doing one man on nigga. One believe ivn't dropping tracked

370
00:21:24,119 --> 00:21:27,040
Speaker 1: and feeling pain. You don't bleeve, I got PTSD, I

371
00:21:27,119 --> 00:21:30,080
Speaker 1: see my partner. Nothing for sitting on this coup deem

372
00:21:30,200 --> 00:21:33,439
Speaker 1: y'all having find you don't gotta ask me if I

373
00:21:33,480 --> 00:21:36,040
Speaker 1: got it, cause I keep see my dog die and

374
00:21:36,119 --> 00:21:38,560
Speaker 1: left my heart broke in peace the ship that I'd

375
00:21:38,640 --> 00:21:41,160
Speaker 1: be doing. Man, the niggas wouldn't believe if you leave

376
00:21:41,200 --> 00:21:43,879
Speaker 1: a house broke and you came out wrong a couple

377
00:21:43,880 --> 00:21:46,439
Speaker 1: of hundreds and they're facing, they'll be coming, not throne

378
00:21:46,720 --> 00:21:49,040
Speaker 1: in a game like the shirt with a whole got

379
00:21:49,040 --> 00:21:51,480
Speaker 1: it sold Moncas stored it so much cane. Now he

380
00:21:51,520 --> 00:21:53,920
Speaker 1: can't feeling no, and it cane is on his brain.

381
00:21:54,080 --> 00:21:56,359
Speaker 1: So I got his feelings gonna. I was kin in

382
00:21:56,400 --> 00:21:58,840
Speaker 1: this craze. T Let me hold the chrome. It was

383
00:21:58,920 --> 00:22:01,119
Speaker 1: going off the egg, so he put the safety on.

384
00:22:01,280 --> 00:22:03,600
Speaker 1: Plus I was always touching ship. They made my mama

385
00:22:03,640 --> 00:22:06,480
Speaker 1: take me on sick for all that payon. We draw

386
00:22:06,560 --> 00:22:09,160
Speaker 1: down on your just like Crayon, because I can never

387
00:22:09,240 --> 00:22:11,720
Speaker 1: go out like I'm cray Von black on Black who

388
00:22:11,880 --> 00:22:14,360
Speaker 1: called it sold them blank in a can front door

389
00:22:14,480 --> 00:22:17,520
Speaker 1: servants like a nigga selling a Von hauled up at

390
00:22:17,520 --> 00:22:20,800
Speaker 1: you standing on the stage, holes looking from the line,

391
00:22:21,160 --> 00:22:24,119
Speaker 1: trying to get saved to be leaked page. We just

392
00:22:24,160 --> 00:22:27,000
Speaker 1: wanted their slaves. I can feed there and broking tell

393
00:22:27,040 --> 00:22:30,560
Speaker 1: you where everything okay? Feeling like make all the haters

394
00:22:30,600 --> 00:22:34,160
Speaker 1: go away, DoD guy so wn't ride with th aways

395
00:22:34,440 --> 00:22:37,000
Speaker 1: that since they killed on the pain on Lord Way.

396
00:22:37,080 --> 00:22:39,639
Speaker 1: That's why I've been popping perks and going up before

397
00:22:39,840 --> 00:22:43,000
Speaker 1: day um play the streets like my enemies. I keep

398
00:22:43,040 --> 00:22:45,240
Speaker 1: them close. I talked to Wayne the other night. I

399
00:22:45,280 --> 00:22:47,600
Speaker 1: feel like I'm seeing ghosts when I'm like this, I

400
00:22:47,640 --> 00:22:49,960
Speaker 1: feel like I need to be left alone. I don't

401
00:22:49,960 --> 00:22:52,479
Speaker 1: want to talk so around answer when they hit my phone?

402
00:22:52,720 --> 00:22:55,720
Speaker 1: How having on my ground on we if my cold

403
00:22:55,760 --> 00:22:58,800
Speaker 1: on what? I'm the woman on Nigga one believe haven't

404
00:22:58,840 --> 00:23:02,200
Speaker 1: dropped and chatting feeling? Can you know Blee? I got PTSD.

405
00:23:02,359 --> 00:23:04,760
Speaker 1: I see my partner note Holts have been on this

406
00:23:04,920 --> 00:23:08,480
Speaker 1: cochem y'all. I've been fighting. You don't gotta ask me

407
00:23:08,560 --> 00:23:11,000
Speaker 1: if I got it because I keep see my dog

408
00:23:11,160 --> 00:23:13,639
Speaker 1: die and love my heart broken piece the ship that

409
00:23:13,720 --> 00:23:26,560
Speaker 1: I'd be doing. Man, I'm niggas one wouldlieve. Here Comes

410
00:23:26,600 --> 00:23:29,040
Speaker 1: to Break is produced by Double Elvis and partnership with

411
00:23:29,119 --> 00:23:32,800
Speaker 1: I Heart Radio. Executive produced by Deaf Jam Recordings. Executive

412
00:23:32,800 --> 00:23:36,159
Speaker 1: produced by and starring Asanti Black Is Ruben, produced by

413
00:23:36,240 --> 00:23:39,679
Speaker 1: Danielle Perkins, who plays Janelle b b cs is Marco

414
00:23:40,080 --> 00:23:43,680
Speaker 1: Christopher v Edwards as Dad, Raymie Cornell Is Mom and

415
00:23:43,760 --> 00:23:46,880
Speaker 1: Taylor Bettinson. Written by Taylor Bettinson and the Kia Hill

416
00:23:47,359 --> 00:23:51,600
Speaker 1: Artist interviews conducted by Nikia Hill, directed by Christopher V. Edwards,

417
00:23:52,080 --> 00:23:54,919
Speaker 1: mixed and edited by Matt ta Hainey, Sound recording by

418
00:23:55,000 --> 00:23:59,280
Speaker 1: Colin Fleming, Music Elements and production by Ryan's Breaker. Additional

419
00:23:59,280 --> 00:24:03,199
Speaker 1: production support by Jamie Dimons. Executive produced by Jake Brennan

420
00:24:03,280 --> 00:24:07,119
Speaker 1: and Grady Sadler for Double Elvis Special thanks to Orin Rosenbaum,

421
00:24:07,560 --> 00:24:12,200
Speaker 1: Shelby Shankman, Sarah Cowani and Jordian Gerrellic United Talent Agency,

422
00:24:12,480 --> 00:24:16,880
Speaker 1: Beck Media Marketing, Barack Muffett and Universal Music Group, Rich Isaacson,

423
00:24:17,200 --> 00:24:22,479
Speaker 1: lind Gonzalez, Charlene Thomas, Merrissa Pizarro, Gabriel To Serrierio, Jessica

424
00:24:22,600 --> 00:24:26,720
Speaker 1: Manarino and Narya Fleming at Deaf Jam Recordings and Conald Burn,

425
00:24:27,040 --> 00:24:30,800
Speaker 1: Carrie Lieberman, Will Pearson, Noel Brown and the entire I

426
00:24:30,920 --> 00:24:33,720
Speaker 1: Heeart Media team to hear bonus content, meet the cast,

427
00:24:33,880 --> 00:24:35,760
Speaker 1: and go behind the scenes of Here It Comes to Break.

428
00:24:35,960 --> 00:24:38,879
Speaker 1: Follow with Double Elvis on Instagram or visit Double Elvis

429
00:24:38,960 --> 00:25:00,600
Speaker 1: dot Com. Lever