1
00:00:01,960 --> 00:00:10,360
Speaker 1: R and B Money, Honey, we are thanks take volatility.

2
00:00:11,080 --> 00:00:14,040
Speaker 1: We are the authority on.

3
00:00:14,160 --> 00:00:18,800
Speaker 2: All things R and B, ladies and gentleman.

4
00:00:18,840 --> 00:00:23,119
Speaker 1: My name is Tank. This is the Army Money Podcast.

5
00:00:22,800 --> 00:00:31,400
Speaker 2: Authority on all things R and B. I'm talking cloth.

6
00:00:32,960 --> 00:00:44,240
Speaker 3: Talk, huh talking well versed, well studied, gifted.

7
00:00:45,600 --> 00:00:46,960
Speaker 2: Musicianship.

8
00:00:48,600 --> 00:00:52,800
Speaker 1: All the ship we grew up all huh.

9
00:00:53,159 --> 00:00:57,760
Speaker 2: Built into one young man, nice two piece.

10
00:00:58,440 --> 00:01:04,800
Speaker 1: Yeah, came in his shining to know executive producers, ship level.

11
00:01:10,920 --> 00:01:18,600
Speaker 2: What's up man? What's up? Purpose? Correct? Hey, the camp

12
00:01:18,640 --> 00:01:19,880
Speaker 2: presents other camp.

13
00:01:20,319 --> 00:01:24,039
Speaker 4: You know what I'm saying, man, watch bus.

14
00:01:24,200 --> 00:01:29,960
Speaker 2: You know I appreciate just pinking ring, just a case,

15
00:01:30,600 --> 00:01:33,160
Speaker 2: just a little, a little at mind. You know what

16
00:01:33,160 --> 00:01:36,560
Speaker 2: I'm saying, not too much, not too much to watch.

17
00:01:36,920 --> 00:01:39,240
Speaker 2: They're not selling that in the mall in the middle.

18
00:01:39,760 --> 00:01:42,959
Speaker 2: You know what I'm saying. Little right there at the keys.

19
00:01:45,520 --> 00:01:50,520
Speaker 1: Look custom man, your your your music, your gift has

20
00:01:50,600 --> 00:01:51,440
Speaker 1: made room for you.

21
00:01:51,520 --> 00:01:51,800
Speaker 2: Brother.

22
00:01:52,960 --> 00:01:54,560
Speaker 1: You know what I'm saying, Like it is, it is

23
00:01:54,640 --> 00:01:57,200
Speaker 1: made absolute room for you.

24
00:01:57,320 --> 00:01:57,520
Speaker 2: Man.

25
00:01:57,640 --> 00:02:05,240
Speaker 1: The conversation around you is always it's always.

26
00:02:04,920 --> 00:02:07,320
Speaker 2: An excellent one. God is good.

27
00:02:08,080 --> 00:02:11,960
Speaker 1: I mean, listen, God give it right. And it's up

28
00:02:12,000 --> 00:02:17,079
Speaker 1: to us to to be good stewards over that, and

29
00:02:17,120 --> 00:02:19,360
Speaker 1: be at the gift, and be at the relationships, and

30
00:02:19,400 --> 00:02:21,760
Speaker 1: be at all of those things. And so you you,

31
00:02:21,760 --> 00:02:25,040
Speaker 1: you've been a great steward over all that God has

32
00:02:25,080 --> 00:02:28,400
Speaker 1: given you, which is why he continues to give you.

33
00:02:27,120 --> 00:02:29,320
Speaker 2: Man, you understood what I'm saying.

34
00:02:29,400 --> 00:02:31,640
Speaker 1: So I could, I could, I could go into the script,

35
00:02:31,919 --> 00:02:34,160
Speaker 1: but I'm not gonna do that. I'm not gonna do that.

36
00:02:34,280 --> 00:02:37,720
Speaker 1: He has a pinky ring he got. We're gonna keep it.

37
00:02:38,000 --> 00:02:41,200
Speaker 1: We'll keep it, you know what I'm saying. We'll keep it.

38
00:02:41,680 --> 00:02:45,399
Speaker 1: But you you're doing a lot of I just got

39
00:02:45,680 --> 00:02:46,600
Speaker 1: I got on a record for.

40
00:02:46,600 --> 00:02:54,080
Speaker 2: You too, that camera talking to camera.

41
00:02:54,240 --> 00:03:00,240
Speaker 4: Man is coming soon soon, soon, soon, soon, says, So

42
00:03:00,600 --> 00:03:03,320
Speaker 4: what is the what is the title? So it's called

43
00:03:03,440 --> 00:03:08,920
Speaker 4: it's called it's called it's called the compilation album Volume

44
00:03:08,960 --> 00:03:11,200
Speaker 4: one value. I'm gonna do more than one volume, but

45
00:03:11,240 --> 00:03:13,640
Speaker 4: I'm gonna do more. I'm gonna do more, but just

46
00:03:13,680 --> 00:03:16,360
Speaker 4: the one volume is for right now. I'm a I'm

47
00:03:16,400 --> 00:03:19,880
Speaker 4: a I'm gonna start it off like that, uh compilation.

48
00:03:20,000 --> 00:03:21,600
Speaker 4: But you know my name is Campus, so I'm gonna

49
00:03:21,600 --> 00:03:26,280
Speaker 4: do campilation. So Man and and and Tank Bro, thank you.

50
00:03:26,880 --> 00:03:27,839
Speaker 4: I can't thank you enough.

51
00:03:28,040 --> 00:03:30,679
Speaker 1: You know, I love the song so much. I'm going

52
00:03:30,720 --> 00:03:34,640
Speaker 1: back and forth with human edits and like and do

53
00:03:35,240 --> 00:03:37,280
Speaker 1: the thing right here because it's a couple of d

54
00:03:37,360 --> 00:03:45,920
Speaker 1: B excise me t D he's just like half of

55
00:03:46,320 --> 00:03:50,920
Speaker 1: half a dB maybe three fourth Ruben just turned up one.

56
00:03:52,720 --> 00:03:54,120
Speaker 2: Do what the man says now.

57
00:03:54,680 --> 00:03:58,200
Speaker 1: And it's but it's like, I mean, we got that record,

58
00:03:58,280 --> 00:04:01,000
Speaker 1: which I think is gonna be be a man, which

59
00:04:01,080 --> 00:04:02,600
Speaker 1: I think it's just one of those.

60
00:04:02,520 --> 00:04:03,480
Speaker 2: Red always want to be.

61
00:04:04,040 --> 00:04:10,480
Speaker 4: And and you and you exactly you know what I'm saying,

62
00:04:10,480 --> 00:04:13,040
Speaker 4: Like it's never been done, and like that's what I'm

63
00:04:13,040 --> 00:04:14,520
Speaker 4: all about. It's like, you know, I'm just trying to

64
00:04:14,560 --> 00:04:18,000
Speaker 4: do things that haven't happened people don't think of, Like

65
00:04:18,080 --> 00:04:19,360
Speaker 4: this is going to shake the world up.

66
00:04:19,480 --> 00:04:21,080
Speaker 1: We're gonna go back to the beginning, right. But I

67
00:04:21,160 --> 00:04:23,200
Speaker 1: just want to I just want to. I just want

68
00:04:23,200 --> 00:04:26,560
Speaker 1: to just talk about this one space in particular, where

69
00:04:26,560 --> 00:04:28,080
Speaker 1: like we got a chance to work.

70
00:04:28,560 --> 00:04:29,600
Speaker 2: Like really work on.

71
00:04:32,120 --> 00:04:36,880
Speaker 1: During during the Love camp with Puff and we actually

72
00:04:36,920 --> 00:04:40,720
Speaker 1: got to like be in a room, yeah, and and

73
00:04:40,760 --> 00:04:47,159
Speaker 1: get active and you're you're very much you're You're a

74
00:04:47,240 --> 00:04:54,120
Speaker 1: producer in in any environment whether it be you sitting

75
00:04:54,120 --> 00:04:57,600
Speaker 1: in a room by yourself putting the magic magic together,

76
00:04:58,440 --> 00:05:03,799
Speaker 1: or on the spot if we need something like you're immediate,

77
00:05:04,839 --> 00:05:06,320
Speaker 1: you know what I'm saying, like and that that's a

78
00:05:06,360 --> 00:05:11,400
Speaker 1: different kind of gift to be dope on call. I

79
00:05:11,440 --> 00:05:13,320
Speaker 1: know a lot of great producers that need to be

80
00:05:13,320 --> 00:05:16,640
Speaker 1: in their own space, in their Oh they need their

81
00:05:16,680 --> 00:05:20,200
Speaker 1: own curtains and their own can damn like they need like,

82
00:05:20,279 --> 00:05:23,960
Speaker 1: they need their own ship. I everybody get out the room. Well,

83
00:05:24,080 --> 00:05:28,120
Speaker 1: I think can do this ship right. You're like this, yeah,

84
00:05:28,240 --> 00:05:39,799
Speaker 1: all right, you need and everything's cold. You just gotta

85
00:05:39,839 --> 00:05:43,440
Speaker 1: pick something that piece right there, just that piece and

86
00:05:43,480 --> 00:05:47,520
Speaker 1: then play that piece like thank you, thank.

87
00:05:47,400 --> 00:05:48,000
Speaker 2: You, thank you.

88
00:05:48,720 --> 00:05:51,680
Speaker 1: It takes one to know one, niggas. But listen, it's

89
00:05:51,800 --> 00:05:55,520
Speaker 1: it's it's it's rare. And you're the You're you're the

90
00:05:55,640 --> 00:05:58,599
Speaker 1: young you know what I'm saying, The young, Uh, the

91
00:05:58,680 --> 00:06:03,640
Speaker 1: young improvement, more improve version of what we did. Like nigga,

92
00:06:03,640 --> 00:06:07,400
Speaker 1: you're different. You get busy, you you get really really busy,

93
00:06:07,440 --> 00:06:10,960
Speaker 1: and it's hard for musicians to produce, which is the

94
00:06:11,000 --> 00:06:15,000
Speaker 1: other thing I was going into. You're really a musician, yes, yeah,

95
00:06:15,520 --> 00:06:19,760
Speaker 1: And it's tough to be a musician and a producer, right.

96
00:06:20,080 --> 00:06:22,320
Speaker 1: It's very tough because mostly producers are just called to

97
00:06:23,240 --> 00:06:25,920
Speaker 1: session to just play because they only need a little

98
00:06:25,960 --> 00:06:28,280
Speaker 1: bit of a musician depending on because.

99
00:06:28,040 --> 00:06:30,520
Speaker 2: They don't down right exactly.

100
00:06:30,520 --> 00:06:33,080
Speaker 4: No, there's an art to dialing down one hundred per yep.

101
00:06:33,279 --> 00:06:36,320
Speaker 4: I remember one time I was in I was in London.

102
00:06:36,400 --> 00:06:39,880
Speaker 4: I was working with Rihanna on the Rihanna We're Going

103
00:06:39,920 --> 00:06:42,560
Speaker 4: First Start. Yeah, that's that's you know what I'm saying.

104
00:06:42,600 --> 00:06:45,159
Speaker 4: You know, but I didn't get on that album, but

105
00:06:45,320 --> 00:06:47,120
Speaker 4: I was there, right, So I was there with the

106
00:06:47,160 --> 00:06:49,520
Speaker 4: camp and all of that, and like, you know, shout

107
00:06:49,520 --> 00:06:51,440
Speaker 4: out o mar Grant, you know what I'm saying. He pulled

108
00:06:51,440 --> 00:06:54,680
Speaker 4: me to the side like yo, hey, hey hey man, Like,

109
00:06:54,680 --> 00:06:56,839
Speaker 4: like I get it, you can play, but like you

110
00:06:57,120 --> 00:06:59,960
Speaker 4: like your tracks is too busy, Like they're too busy,

111
00:07:00,040 --> 00:07:03,120
Speaker 4: you like dollar down it's a little bit really So

112
00:07:03,200 --> 00:07:05,680
Speaker 4: from there I was like, hmm, okay, so maybe it's

113
00:07:05,680 --> 00:07:08,240
Speaker 4: not about all the cores and what you can fit

114
00:07:08,720 --> 00:07:11,280
Speaker 4: in three minutes and thirty seconds. It's about like the

115
00:07:11,320 --> 00:07:14,360
Speaker 4: feeling you can do from like maybe two or three yeah,

116
00:07:14,840 --> 00:07:18,160
Speaker 4: and captivating that same feeling. Like that was the key

117
00:07:18,160 --> 00:07:21,080
Speaker 4: for me. So you know, just doing that and just

118
00:07:22,240 --> 00:07:22,440
Speaker 4: you know what.

119
00:07:22,400 --> 00:07:26,480
Speaker 2: I'm saying, Yeah, that's great an R absolutely because now.

120
00:07:26,440 --> 00:07:29,640
Speaker 1: Look because people because and like as we talk about

121
00:07:29,680 --> 00:07:32,520
Speaker 1: what kind of was missing in the business, like an

122
00:07:32,600 --> 00:07:34,440
Speaker 1: rs don't necessarily know how.

123
00:07:34,360 --> 00:07:37,760
Speaker 2: To articulate it. No, they just say they like they.

124
00:07:37,600 --> 00:07:39,000
Speaker 1: Just said it, like someone I don't like that. But

125
00:07:39,080 --> 00:07:42,200
Speaker 1: for him to be able to say, your your bit,

126
00:07:42,400 --> 00:07:45,720
Speaker 1: your cords structure, yeah, it's a bit for him to

127
00:07:45,800 --> 00:07:47,680
Speaker 1: know you're stretching out a little too far.

128
00:07:48,400 --> 00:07:52,360
Speaker 2: This is not second Baptist. Don't shout out second Baptist.

129
00:07:52,480 --> 00:07:57,560
Speaker 1: Shout Baptist, Ye say second Baptist.

130
00:07:57,680 --> 00:08:02,800
Speaker 2: Yes, yes, yeah, I didn't make that album.

131
00:08:02,880 --> 00:08:06,720
Speaker 1: But you know, but the experience alone, though I'm sure, yeah,

132
00:08:07,080 --> 00:08:09,120
Speaker 1: prepped you for everything that.

133
00:08:11,320 --> 00:08:12,920
Speaker 4: You know now you need to give the meda you

134
00:08:12,960 --> 00:08:15,640
Speaker 4: know what I'm saying. So it's like everything happens for

135
00:08:15,680 --> 00:08:17,720
Speaker 4: a reason. So I'm happy that I get to you know,

136
00:08:17,760 --> 00:08:20,360
Speaker 4: I didn't let my ego say no like you mean, bro,

137
00:08:20,480 --> 00:08:21,280
Speaker 4: like I mean.

138
00:08:21,400 --> 00:08:25,000
Speaker 2: I let myself digest it, understand it, and apply.

139
00:08:24,760 --> 00:08:27,960
Speaker 5: It, because there's an ego to being that talented too, Absolutely,

140
00:08:28,040 --> 00:08:31,080
Speaker 5: especially musician talented, Like when you. You know, when you

141
00:08:31,120 --> 00:08:33,240
Speaker 5: can see it, you can you know what I mean, like,

142
00:08:33,320 --> 00:08:35,440
Speaker 5: and other people can't see it.

143
00:08:34,679 --> 00:08:36,080
Speaker 2: Yeah exactly.

144
00:08:36,200 --> 00:08:41,040
Speaker 5: In your mind, everyone is beneath you for for people

145
00:08:41,040 --> 00:08:44,679
Speaker 5: that are really talented as musicians, you know. And and

146
00:08:44,760 --> 00:08:46,240
Speaker 5: I sit on the other side of that because I

147
00:08:46,240 --> 00:08:49,000
Speaker 5: don't play. But I've had so many of those conversations,

148
00:08:49,320 --> 00:08:52,000
Speaker 5: and I'm like, you're just never you won't get it.

149
00:08:52,559 --> 00:08:54,839
Speaker 5: You're very talented, but you won't get it. You probably

150
00:08:54,880 --> 00:08:58,959
Speaker 5: will never have a hit record because your ego is.

151
00:08:58,920 --> 00:09:04,120
Speaker 2: In the way of someone telling you you're doing too much.

152
00:09:04,320 --> 00:09:05,680
Speaker 2: Yeah exactly.

153
00:09:06,280 --> 00:09:08,240
Speaker 5: You don't have to do all that because the average

154
00:09:08,240 --> 00:09:11,480
Speaker 5: person in the world don't understand. Most of them can't

155
00:09:11,520 --> 00:09:15,800
Speaker 5: find it'll see yeah, facts. So you have to be

156
00:09:15,840 --> 00:09:18,320
Speaker 5: able to meet people where they are musically and be

157
00:09:18,400 --> 00:09:21,280
Speaker 5: able to you know, lack of a better term, dumb

158
00:09:21,320 --> 00:09:21,680
Speaker 5: it down.

159
00:09:21,800 --> 00:09:25,600
Speaker 1: Yeah exactly. You know what taught me that, The NPC

160
00:09:27,000 --> 00:09:32,400
Speaker 1: sixty taught me that because I was trying to stretch

161
00:09:33,720 --> 00:09:39,000
Speaker 1: and and it wouldn't accept it. Yeah, it would cancel

162
00:09:39,040 --> 00:09:42,160
Speaker 1: out notes. Wow, I'll be doing too, I'll be doing

163
00:09:42,200 --> 00:09:44,600
Speaker 1: a lot on this track. Go to another track of strings,

164
00:09:44,720 --> 00:09:46,400
Speaker 1: do a lot on that track and go to another

165
00:09:46,440 --> 00:09:48,280
Speaker 1: track with like a sign lead and try to court

166
00:09:48,320 --> 00:09:52,040
Speaker 1: and all and stuff would be canceling out. It will

167
00:09:52,080 --> 00:09:54,920
Speaker 1: glitch out, yeah, And I'm like, why is it doing that?

168
00:09:55,800 --> 00:09:58,000
Speaker 1: And I got to think of the producer's name.

169
00:09:59,520 --> 00:10:00,000
Speaker 2: At the time.

170
00:10:00,160 --> 00:10:04,400
Speaker 1: He was producing for Tony Thompson. He was producing for Tony.

171
00:10:04,720 --> 00:10:09,960
Speaker 1: He produced a song Let's Go Nando La Business. He

172
00:10:10,040 --> 00:10:12,720
Speaker 1: produced that song and he was producing and I was like,

173
00:10:13,040 --> 00:10:16,360
Speaker 1: I know I'm colding in this, nigga, but this sounds crazy,

174
00:10:16,480 --> 00:10:20,319
Speaker 1: like what And he was like, are you doing too much?

175
00:10:20,720 --> 00:10:22,400
Speaker 1: That's not how you That's not how you do that.

176
00:10:23,160 --> 00:10:25,240
Speaker 1: And I just and I just remember sitting just trying

177
00:10:25,240 --> 00:10:29,199
Speaker 1: to figure out how to pull it out of Antioch

178
00:10:29,240 --> 00:10:33,040
Speaker 1: Baptist Church and get it to fit into this in

179
00:10:33,160 --> 00:10:37,800
Speaker 1: PC sixty And that was my trial and in like

180
00:10:38,040 --> 00:10:42,080
Speaker 1: being super simple, and then another and then another lesson

181
00:10:42,280 --> 00:10:42,800
Speaker 1: listening to R.

182
00:10:42,880 --> 00:10:47,080
Speaker 2: Kelly Yeah, facts, yeah, facts, listen to Kelly. I was

183
00:10:47,080 --> 00:10:50,160
Speaker 2: like he simplified all of it and killed it.

184
00:10:50,160 --> 00:10:54,600
Speaker 1: It was but it was like the marriage of everything

185
00:10:55,360 --> 00:11:01,160
Speaker 1: is what made those songs crazy. It wasn't one standalone thing,

186
00:11:01,240 --> 00:11:04,240
Speaker 1: it was all of it. You know what I'm saying.

187
00:11:04,640 --> 00:11:06,959
Speaker 1: It's like it's like, I'm not gonna play right it.

188
00:11:07,040 --> 00:11:11,240
Speaker 1: But but doom doom doom, doom doom doom yeah, m

189
00:11:11,760 --> 00:11:16,480
Speaker 1: doom boom doom doom doom doom Yeah. Simple, we're not

190
00:11:16,480 --> 00:11:18,959
Speaker 1: gonna play in a regular life. No, we're not playing.

191
00:11:18,960 --> 00:11:22,400
Speaker 1: We're never doing We're never doing that. That idea. I

192
00:11:22,440 --> 00:11:24,240
Speaker 1: was doing that when I was seven. I'm never gonna

193
00:11:24,360 --> 00:11:27,240
Speaker 1: I'm going back there, never going back there. But all

194
00:11:27,280 --> 00:11:30,920
Speaker 1: of that to get ship, this ship, ship, all that

195
00:11:31,040 --> 00:11:35,120
Speaker 1: together at the same time. It was like magical, crazy, crazy,

196
00:11:36,280 --> 00:11:39,200
Speaker 1: and that's what made me produce do Maybe I deserve

197
00:11:39,240 --> 00:11:40,000
Speaker 1: the way I did it.

198
00:11:42,640 --> 00:11:44,920
Speaker 2: Chasing after Him one of the greatest R and B

199
00:11:45,480 --> 00:11:47,880
Speaker 2: songs ever. I appreciate that.

200
00:11:48,120 --> 00:11:52,320
Speaker 1: But but but not one, but not one standalone thing

201
00:11:52,480 --> 00:11:57,360
Speaker 1: that nobody can do, not nothing on like you take

202
00:11:57,400 --> 00:11:59,640
Speaker 1: either one of those things, whether it be the pan piano,

203
00:12:00,000 --> 00:12:02,440
Speaker 1: whether it be the stick, whether it be the melody, whatever.

204
00:12:02,559 --> 00:12:04,960
Speaker 1: Only thing that was unique to it was the story

205
00:12:05,000 --> 00:12:08,640
Speaker 1: that it was personal to me. Outside of that, none

206
00:12:08,640 --> 00:12:13,760
Speaker 1: of nothing, none of those things separated were blowing you away.

207
00:12:14,160 --> 00:12:16,720
Speaker 1: I wouldn't have saying maybe I deserve to you just

208
00:12:16,760 --> 00:12:20,400
Speaker 1: by itself acapelling anybody. Oh yeah, yeah, you would have

209
00:12:20,400 --> 00:12:23,200
Speaker 1: said that, no, but all of them together.

210
00:12:24,720 --> 00:12:26,480
Speaker 2: But and then it came from you, right.

211
00:12:26,360 --> 00:12:30,000
Speaker 1: Well, that's the that's the the personal life, the personalized

212
00:12:30,040 --> 00:12:32,520
Speaker 1: part of it, to where it like my story then

213
00:12:32,559 --> 00:12:33,800
Speaker 1: became everybody else's.

214
00:12:33,559 --> 00:12:34,599
Speaker 2: Story, right, you know.

215
00:12:35,360 --> 00:12:37,199
Speaker 5: But then going into what we were talking about as

216
00:12:37,200 --> 00:12:41,720
Speaker 5: far as like the whole everyone is beneath me a musician,

217
00:12:42,520 --> 00:12:45,240
Speaker 5: I had a homeboy that was like that mhm church

218
00:12:45,559 --> 00:12:47,880
Speaker 5: church guy. And I remember the first time, I think

219
00:12:47,920 --> 00:12:49,480
Speaker 5: me and you talked about it. First time I had

220
00:12:49,520 --> 00:12:53,720
Speaker 5: mentioned Tank to him, he brushed Tank off this years ago.

221
00:12:54,240 --> 00:12:56,120
Speaker 5: We just talked about you know, music gouts out and all,

222
00:12:56,160 --> 00:12:57,679
Speaker 5: you know, different stuff. And I'm like, man, that dude

223
00:12:57,880 --> 00:13:00,760
Speaker 5: two voices dope, like he got you know what I'm saying, Like,

224
00:13:00,840 --> 00:13:02,600
Speaker 5: you know, this music is cool. He kind of like

225
00:13:02,600 --> 00:13:06,480
Speaker 5: a regular church you know tenor you know, it's it's

226
00:13:06,480 --> 00:13:10,920
Speaker 5: a million of him in church. I didn't grow up

227
00:13:10,920 --> 00:13:16,880
Speaker 5: in church, so I'm like, damn for real, all right,

228
00:13:17,480 --> 00:13:23,960
Speaker 5: But now it makes sense because with you scaling down

229
00:13:23,960 --> 00:13:27,040
Speaker 5: and you not you know, throwing everything, throwing the kitchen

230
00:13:27,080 --> 00:13:31,360
Speaker 5: stove at everything, and every song on that side of it.

231
00:13:31,559 --> 00:13:36,240
Speaker 2: You're basic Yeah, you're basic, and it's.

232
00:13:36,120 --> 00:13:38,320
Speaker 5: A trip to Now how you know where we have

233
00:13:38,400 --> 00:13:41,079
Speaker 5: our conversations from the music side and the musician side

234
00:13:41,120 --> 00:13:43,560
Speaker 5: and singers and all these other things, and how you

235
00:13:43,600 --> 00:13:46,400
Speaker 5: know how the church sees it, how the you know

236
00:13:46,440 --> 00:13:48,560
Speaker 5: what I mean, because those is the real musicians, y'all,

237
00:13:48,640 --> 00:13:52,840
Speaker 5: the real guy. What y'all doing in there? Yeah, that's unreal,

238
00:13:53,240 --> 00:13:53,840
Speaker 5: It's unreal.

239
00:13:53,880 --> 00:13:54,520
Speaker 2: You know what I'm saying.

240
00:13:54,559 --> 00:13:57,000
Speaker 5: Obviously it comes from God. You know what I'm saying, y'all,

241
00:13:57,320 --> 00:14:00,600
Speaker 5: y'all raised up in something different. But a lot of

242
00:14:00,600 --> 00:14:04,839
Speaker 5: those guys don't understand that to make it digestible for

243
00:14:04,960 --> 00:14:05,440
Speaker 5: the world.

244
00:14:06,320 --> 00:14:07,120
Speaker 2: It can't be that.

245
00:14:07,360 --> 00:14:10,320
Speaker 4: Can't be that, because if it is that, you're going

246
00:14:10,400 --> 00:14:14,200
Speaker 4: to get through a hundred dollars a Sunday. Yeah, I

247
00:14:14,200 --> 00:14:17,680
Speaker 4: started off of like one hundred and and I was

248
00:14:17,720 --> 00:14:18,800
Speaker 4: like thirteen fourteen.

249
00:14:18,880 --> 00:14:21,840
Speaker 2: I started at twenty five, started off at twenty five

250
00:14:21,840 --> 00:14:24,120
Speaker 2: dollars a week? Did you did you? Did you do rehearsals?

251
00:14:24,120 --> 00:14:26,920
Speaker 2: Did you do herse? Everything? I did every five dollars

252
00:14:26,960 --> 00:14:30,080
Speaker 2: ever wrote songs twenty five Okay, I wasn't. I wasn't.

253
00:14:30,080 --> 00:14:33,320
Speaker 2: I was a small sess, small sess. You were singing

254
00:14:33,320 --> 00:14:35,040
Speaker 2: and playing you singing and playing the same.

255
00:14:36,200 --> 00:14:38,480
Speaker 1: I was doing every I was baby John p King

256
00:14:39,560 --> 00:14:46,960
Speaker 1: John Junior, all love it. And then and then I

257
00:14:46,960 --> 00:14:49,920
Speaker 1: played the drums on the drums too.

258
00:14:52,120 --> 00:14:54,400
Speaker 2: I was the I was church. I was church musician

259
00:14:54,440 --> 00:14:57,680
Speaker 2: one man. Hey, yeah yeah, whatever was ne what it

260
00:14:57,880 --> 00:14:59,760
Speaker 2: was working you out for twenty five?

261
00:14:59,760 --> 00:15:02,080
Speaker 1: What all the way? So let's go back there.

262
00:15:02,920 --> 00:15:06,960
Speaker 2: Yeah, that's a great segue. Let's go back to the beginning. Started. Yes,

263
00:15:07,280 --> 00:15:09,440
Speaker 2: d J, what were they calling you in church? I

264
00:15:09,440 --> 00:15:11,240
Speaker 2: mean it was it was calling me because like so

265
00:15:11,320 --> 00:15:14,040
Speaker 2: like DJ, because what's your real name? My real name is.

266
00:15:14,080 --> 00:15:16,320
Speaker 6: Darryl Okay, so is it dar because that's the rail?

267
00:15:16,560 --> 00:15:19,720
Speaker 2: Yeah? So what though?

268
00:15:19,760 --> 00:15:25,080
Speaker 4: Yeah, yeah, yeah, you'll never get exactly crazy he set

269
00:15:25,120 --> 00:15:25,560
Speaker 4: the tour up.

270
00:15:28,640 --> 00:15:34,000
Speaker 2: Oh my god, you got the wild spelling like you

271
00:15:34,080 --> 00:15:35,320
Speaker 2: got Yeah, I got.

272
00:15:35,240 --> 00:15:37,080
Speaker 4: A crazy spell him like it's like a very unique

273
00:15:37,200 --> 00:15:39,320
Speaker 4: like you're never like I'll be like, yo, I bet

274
00:15:39,320 --> 00:15:42,520
Speaker 4: you fight. I will never guess from my name, you know,

275
00:15:43,160 --> 00:15:45,760
Speaker 4: all right, So so so I'll give you d a R.

276
00:15:47,200 --> 00:15:51,520
Speaker 2: And then why Nope, it's gotta be a wife somewhere.

277
00:15:51,720 --> 00:15:54,600
Speaker 4: Yes, the wise after the leady that you respect, No,

278
00:15:55,120 --> 00:15:59,520
Speaker 4: I you have you have a silent you, because that's

279
00:15:59,520 --> 00:15:59,960
Speaker 4: what you just say.

280
00:16:00,360 --> 00:16:09,240
Speaker 2: You are. Hey, why why h O d A R H.

281
00:16:09,320 --> 00:16:17,040
Speaker 1: Yeah the emphasis just walk in this thing.

282
00:16:17,440 --> 00:16:19,760
Speaker 5: And if your name is d J, that means your

283
00:16:19,840 --> 00:16:24,400
Speaker 5: daddy's name is Yeah, that's right, that's right.

284
00:16:26,480 --> 00:16:32,000
Speaker 6: Ye Like yeah, they're gonna have something different with that.

285
00:16:32,880 --> 00:16:33,680
Speaker 2: I'm like all right.

286
00:16:33,800 --> 00:16:36,840
Speaker 4: I mean but like my mom wanted to name me Demetrius,

287
00:16:37,200 --> 00:16:38,680
Speaker 4: so I'm like, no, no, no, I'm gonna take Darryl.

288
00:16:38,760 --> 00:16:43,960
Speaker 2: That was cool. If you get yeah, oh my god, Trius. No,

289
00:16:45,880 --> 00:16:50,080
Speaker 2: all the Demetrious is out there. You know what I'm saying,

290
00:16:50,120 --> 00:16:54,320
Speaker 2: Like Paul, then yeah, name is me?

291
00:16:54,640 --> 00:17:07,760
Speaker 7: Like no, definitely not road O Jesus, I would.

292
00:17:07,560 --> 00:17:10,760
Speaker 1: Never call a nigga the name of Dimitrius what you

293
00:17:10,800 --> 00:17:11,480
Speaker 1: just said, I.

294
00:17:12,760 --> 00:17:16,040
Speaker 2: Will never nigga? Can I run up now? Just call me? No, No,

295
00:17:17,880 --> 00:17:18,280
Speaker 2: you are.

296
00:17:20,000 --> 00:17:26,880
Speaker 1: The whole name I call you. So obviously starting the church,

297
00:17:27,359 --> 00:17:29,480
Speaker 1: and when was the first time somebody said to you,

298
00:17:31,280 --> 00:17:33,600
Speaker 1: I said to you, said said to the senior, I

299
00:17:33,760 --> 00:17:36,160
Speaker 1: said that boy right there, special man.

300
00:17:36,600 --> 00:17:39,800
Speaker 4: So you know, growing up in church, it was it

301
00:17:39,920 --> 00:17:44,240
Speaker 4: was every Saturday we had we had service. And then

302
00:17:44,280 --> 00:17:48,320
Speaker 4: this is before I was playing on Sundays, you know,

303
00:17:48,560 --> 00:17:50,840
Speaker 4: for money, because in my church, I was playing for

304
00:17:50,920 --> 00:17:51,840
Speaker 4: free for the love.

305
00:17:52,119 --> 00:17:52,639
Speaker 2: Yeah, it was.

306
00:17:52,680 --> 00:17:55,639
Speaker 4: It was my offering back to God, so you know

307
00:17:55,720 --> 00:17:57,280
Speaker 4: it was it was just all right, cool, you know,

308
00:17:57,320 --> 00:18:00,360
Speaker 4: it's all good. So my father was singing church, so

309
00:18:00,760 --> 00:18:03,000
Speaker 4: he made me play the piano. Him and my grandmother.

310
00:18:03,040 --> 00:18:06,639
Speaker 4: They made me do lessons. They made me get lessons,

311
00:18:06,680 --> 00:18:09,719
Speaker 4: and I hated playing bro the beginning. I hated the piano.

312
00:18:09,760 --> 00:18:11,840
Speaker 2: Bron did you learn how to read?

313
00:18:11,880 --> 00:18:14,240
Speaker 4: They wanted me to learn how to read and play

314
00:18:14,280 --> 00:18:16,760
Speaker 4: because my grandmother was she is, i mean still living

315
00:18:16,800 --> 00:18:19,879
Speaker 4: a phenomenal singer. I mean she's crazy, like I mean

316
00:18:19,920 --> 00:18:21,520
Speaker 4: like Ella Fitzgerald type crazy.

317
00:18:21,640 --> 00:18:21,840
Speaker 2: Wow.

318
00:18:21,880 --> 00:18:24,199
Speaker 4: And then my father he can sing too, like they

319
00:18:24,280 --> 00:18:26,840
Speaker 4: was calling him like baby Michael Jackson, you know, like

320
00:18:26,840 --> 00:18:28,720
Speaker 4: when he was younger, at Jackson five and all that,

321
00:18:29,240 --> 00:18:31,280
Speaker 4: he'll like go around with his little group like you know,

322
00:18:31,440 --> 00:18:35,080
Speaker 4: like try State Area, go crazy, had everybody going crazy,

323
00:18:35,200 --> 00:18:37,600
Speaker 4: or plays the guitar all of that. So he wanted

324
00:18:37,640 --> 00:18:39,679
Speaker 4: me to you know, following the footsteps and all of that.

325
00:18:39,800 --> 00:18:43,439
Speaker 4: So you know, I'm six, I hated, you know, but

326
00:18:43,560 --> 00:18:46,640
Speaker 4: I still, for whatever reason, still you know, stuck with

327
00:18:46,720 --> 00:18:49,280
Speaker 4: you. You know what I'm saying, so like seven eight nine,

328
00:18:49,440 --> 00:18:52,880
Speaker 4: like I'm getting nice around ten No, like ten eleven.

329
00:18:52,640 --> 00:18:55,120
Speaker 1: You're you're taking lessons but still playing.

330
00:18:55,480 --> 00:18:57,440
Speaker 2: Yep, still playing. So like I'm learning both ways.

331
00:18:57,720 --> 00:19:00,320
Speaker 4: I'm learning like Mozart and Beethoven, you know what I'm

332
00:19:00,320 --> 00:19:02,719
Speaker 4: saying during the week, and then like on Saturday, bro

333
00:19:02,800 --> 00:19:04,879
Speaker 4: It's John p Key has a call walker Donnie m

334
00:19:04,960 --> 00:19:06,920
Speaker 4: cirk and Frad Handon commissioned the Whinings.

335
00:19:06,960 --> 00:19:08,080
Speaker 2: You get me, you feel me.

336
00:19:08,119 --> 00:19:10,600
Speaker 4: I'm like, oh, I'm getting I'm getting both at the

337
00:19:10,600 --> 00:19:11,040
Speaker 4: same time.

338
00:19:11,080 --> 00:19:12,680
Speaker 2: Okay, God, I'll see you outside.

339
00:19:13,280 --> 00:19:15,680
Speaker 4: And then you know, he would sing solos in church

340
00:19:15,720 --> 00:19:18,080
Speaker 4: and then like this' one particular time, I might have

341
00:19:18,119 --> 00:19:22,360
Speaker 4: been about thirteen maybe fourteen, and like I followed him

342
00:19:22,359 --> 00:19:25,240
Speaker 4: like he was singing, like I forget what song it was,

343
00:19:25,280 --> 00:19:27,560
Speaker 4: but like a him and I followed him and this

344
00:19:27,680 --> 00:19:29,199
Speaker 4: was the first time, like he was like, you know,

345
00:19:29,920 --> 00:19:32,400
Speaker 4: my son, Like you did a good job following me tonight.

346
00:19:32,480 --> 00:19:34,680
Speaker 2: I was like, wow, this is crazy.

347
00:19:34,800 --> 00:19:38,240
Speaker 4: Yeah, yeah, cool, I've been waiting, valid you know what

348
00:19:38,240 --> 00:19:40,159
Speaker 4: I'm saying, Pops. I'm like, all right, cool, you know,

349
00:19:40,160 --> 00:19:43,480
Speaker 4: all right, cool, I'm flowing now I understand it now

350
00:19:43,520 --> 00:19:46,000
Speaker 4: and then from there on, like he was showing me,

351
00:19:46,160 --> 00:19:48,320
Speaker 4: like like waking me up in the middle of the night,

352
00:19:48,400 --> 00:19:50,760
Speaker 4: like playing me Earth when the fire, you know, playing me.

353
00:19:51,240 --> 00:19:52,640
Speaker 2: You get some R and B T. Yeah, oh yeah,

354
00:19:52,640 --> 00:19:54,720
Speaker 2: I'm getting all that. Oh yeah, ohio players.

355
00:19:54,960 --> 00:19:56,720
Speaker 4: You know what I'm saying, Like, you know, Parliament, like

356
00:19:56,760 --> 00:19:58,880
Speaker 4: you know, he loved Parliament, he loved Earth win the Fire.

357
00:19:59,200 --> 00:20:01,040
Speaker 4: Then on the Gospel Saw you know he'll play me

358
00:20:01,119 --> 00:20:05,040
Speaker 4: Darryl Coley, Yeah, the Whinings Commission. It's like, you know,

359
00:20:05,080 --> 00:20:06,760
Speaker 4: it just shaped my R and B to like what

360
00:20:06,800 --> 00:20:07,600
Speaker 4: it is right now.

361
00:20:07,640 --> 00:20:11,119
Speaker 2: So like you know, I got your home was music

362
00:20:11,119 --> 00:20:13,560
Speaker 2: school hundred. It was beautiful.

363
00:20:13,600 --> 00:20:16,199
Speaker 1: Are you still at thirteen fourteen still taking music lessons?

364
00:20:16,280 --> 00:20:18,920
Speaker 2: No, I stopped around thirteen.

365
00:20:19,119 --> 00:20:20,840
Speaker 1: But you went from six to thirteen.

366
00:20:20,960 --> 00:20:24,080
Speaker 4: Yeah, lessons every day, I mean every every Monday. IMN

367
00:20:24,080 --> 00:20:28,480
Speaker 4: sorry yeah yeah. And you're taking piano, just piano, yep,

368
00:20:28,560 --> 00:20:29,040
Speaker 4: this piano.

369
00:20:29,160 --> 00:20:32,960
Speaker 2: Do you still read now? A little? Like not as much,

370
00:20:33,040 --> 00:20:33,520
Speaker 2: but like but.

371
00:20:33,560 --> 00:20:36,880
Speaker 1: It developed something different in your in your movement.

372
00:20:36,640 --> 00:20:39,120
Speaker 2: Yeah, for sure. In my fingering, like you know.

373
00:20:39,480 --> 00:20:41,000
Speaker 1: You can you can do a lot more with your

374
00:20:41,040 --> 00:20:41,600
Speaker 1: pinky than.

375
00:20:42,880 --> 00:20:44,320
Speaker 2: And then my stretch is crazy too.

376
00:20:44,480 --> 00:20:57,119
Speaker 1: Yeah, yeah, music, make sure this has nothing to do

377
00:20:58,600 --> 00:20:59,200
Speaker 1: a musician.

378
00:21:01,040 --> 00:21:06,200
Speaker 2: Damn foods man. Hey he's a our adults. Okay, I'm sorry.

379
00:21:09,040 --> 00:21:13,520
Speaker 1: Sometimes so so Pops gives you, gives you the Pops

380
00:21:13,520 --> 00:21:16,280
Speaker 1: gives you the staff of approval. You did well tonight.

381
00:21:16,520 --> 00:21:19,359
Speaker 1: I was like, welcome, we welcome, welcome to the fold.

382
00:21:19,400 --> 00:21:21,560
Speaker 4: Let's go to the studio. So we go to the studio,

383
00:21:21,880 --> 00:21:23,399
Speaker 4: to the studio. Yah, yeah, my first time going to

384
00:21:23,480 --> 00:21:23,879
Speaker 4: the studios.

385
00:21:23,920 --> 00:21:24,040
Speaker 1: You know.

386
00:21:24,040 --> 00:21:25,520
Speaker 4: It was with him and he was like all right,

387
00:21:26,040 --> 00:21:28,720
Speaker 4: you ready for the studio now. So I go to

388
00:21:28,760 --> 00:21:31,560
Speaker 4: the studio with him. It was a spot like I

389
00:21:31,600 --> 00:21:33,520
Speaker 4: think it was in brigand teen. It might have been

390
00:21:34,600 --> 00:21:37,760
Speaker 4: ten minutes. So okay, So I'm from So I'm from

391
00:21:37,800 --> 00:21:40,320
Speaker 4: May's Land in New Jersey, which is like twenty minutes

392
00:21:40,359 --> 00:21:42,760
Speaker 4: from Atlantic City. But if I say I'm from is

393
00:21:42,840 --> 00:21:46,200
Speaker 4: landing who works mays Land? So I say Atlantic City

394
00:21:46,240 --> 00:21:47,879
Speaker 4: because I was there all the time anyway, So it

395
00:21:47,920 --> 00:21:49,680
Speaker 4: was like that was like my like my home too.

396
00:21:49,680 --> 00:21:53,439
Speaker 4: I ain't lying for real, So you know, Atlantic City.

397
00:21:53,840 --> 00:21:57,479
Speaker 4: So from Atlantic City you have like different little like

398
00:21:57,560 --> 00:22:01,600
Speaker 4: off little islands, little Strongs or whatever. Brigantine Margate you

399
00:22:01,600 --> 00:22:06,080
Speaker 4: got Ventnor, so Brigantine was like ten minutes from Atlantic City, Okay,

400
00:22:06,080 --> 00:22:07,919
Speaker 4: so like that's what the studio was at. So he's like,

401
00:22:07,920 --> 00:22:11,400
Speaker 4: you know what you know, like you know, you did good.

402
00:22:11,680 --> 00:22:13,560
Speaker 4: Let's let's go. Let's let's let's see what you got.

403
00:22:13,560 --> 00:22:15,960
Speaker 4: So we had these songs. He had these songs, and

404
00:22:15,960 --> 00:22:17,879
Speaker 4: like he needed like music, so he would just like

405
00:22:18,040 --> 00:22:21,040
Speaker 4: pop songs, yeah, my pop pause artists. Yeah, but like

406
00:22:21,119 --> 00:22:24,040
Speaker 4: he just didn't have an out. He didn't have the

407
00:22:24,160 --> 00:22:27,600
Speaker 4: producer to take him there. So he was waiting on

408
00:22:27,640 --> 00:22:28,400
Speaker 4: me then.

409
00:22:28,720 --> 00:22:31,200
Speaker 2: Like now that I'm saying, I understand it now.

410
00:22:31,080 --> 00:22:33,680
Speaker 4: Because like he didn't have it before because if he did,

411
00:22:33,720 --> 00:22:34,960
Speaker 4: he would have been gone.

412
00:22:35,320 --> 00:22:37,280
Speaker 5: So like now I wonder if your daddy got like

413
00:22:37,320 --> 00:22:39,920
Speaker 5: a villain story have a nigga who didn't give him

414
00:22:39,920 --> 00:22:40,200
Speaker 5: a track?

415
00:22:42,359 --> 00:22:46,600
Speaker 2: Yeah, twelve years yeah, worry about it. My son, little direct,

416
00:22:47,640 --> 00:22:54,560
Speaker 2: little little dehurls could be colder, watch your back. Yeah.

417
00:22:55,040 --> 00:23:12,760
Speaker 5: So I's got you and you about thirteen, Well I'm.

418
00:23:12,680 --> 00:23:14,760
Speaker 2: About yeah, I'm about twelve thirteen.

419
00:23:14,800 --> 00:23:18,560
Speaker 4: I'm so like probably twelve, maybe eleven eleven, probably between

420
00:23:18,600 --> 00:23:23,919
Speaker 4: eleven thirteen, because like fourteen I got my first, like

421
00:23:24,000 --> 00:23:27,719
Speaker 4: you know, my official professional like studio equipment and all

422
00:23:27,720 --> 00:23:27,919
Speaker 4: of that.

423
00:23:27,920 --> 00:23:30,000
Speaker 2: Then my first placement was at fifteen.

424
00:23:31,400 --> 00:23:35,800
Speaker 4: Yea, yeah, so I'm sorry. I didn't mean to go

425
00:23:36,040 --> 00:23:38,840
Speaker 4: there control but yeah, so like you know, like I'm

426
00:23:38,880 --> 00:23:41,240
Speaker 4: making beasts from my dad, like you know, everything's live.

427
00:23:41,240 --> 00:23:43,480
Speaker 2: I don't know what I'm doing. He's teaching me how.

428
00:23:43,359 --> 00:23:45,480
Speaker 4: To like play the organ as far as like like

429
00:23:45,560 --> 00:23:47,439
Speaker 4: the fields and like, you know, because piano, you know,

430
00:23:47,480 --> 00:23:49,480
Speaker 4: like you could play at Choppie, Yeah, but in an

431
00:23:49,560 --> 00:23:51,679
Speaker 4: organ it's kind of like smooth and all that, like

432
00:23:51,760 --> 00:23:54,159
Speaker 4: butter So it's like he was like guiding me with that.

433
00:23:54,320 --> 00:23:56,120
Speaker 4: So you know, it was you know, trial and error,

434
00:23:56,119 --> 00:23:59,560
Speaker 4: but like more than anything like that father son moment

435
00:24:00,280 --> 00:24:01,120
Speaker 4: was amazing.

436
00:24:01,640 --> 00:24:05,600
Speaker 2: It was sound amazed. It was incredible. Bro. So so yeah,

437
00:24:06,400 --> 00:24:08,040
Speaker 2: so you start producing.

438
00:24:09,280 --> 00:24:12,040
Speaker 1: And get your real piece of what what was your

439
00:24:12,080 --> 00:24:13,400
Speaker 1: first real piece of equipment?

440
00:24:13,920 --> 00:24:15,960
Speaker 2: All right? Cool? Yeah, so I might have been I

441
00:24:15,960 --> 00:24:18,720
Speaker 2: think I was like fourteen fifteen at the time.

442
00:24:19,640 --> 00:24:24,800
Speaker 4: Uh I got my first it was it was I

443
00:24:24,800 --> 00:24:27,000
Speaker 4: mean I was always like from the beginning, it was

444
00:24:27,040 --> 00:24:30,919
Speaker 4: always fl studios. So I got that on the on

445
00:24:31,000 --> 00:24:33,600
Speaker 4: the on the not the laptop, but like a hard

446
00:24:33,840 --> 00:24:36,000
Speaker 4: like a like a computer like with with the like

447
00:24:36,040 --> 00:24:38,119
Speaker 4: the monitor and all of that. So like I already

448
00:24:38,119 --> 00:24:41,760
Speaker 4: had fl installed. I had like some little like saying

449
00:24:41,840 --> 00:24:45,719
Speaker 4: song us like Samson sam s O N speakers or whatever.

450
00:24:45,840 --> 00:24:49,040
Speaker 4: You had a little and audio controller had all the

451
00:24:49,160 --> 00:24:51,240
Speaker 4: sounds in the world though, but you know, I'm fifteen.

452
00:24:51,280 --> 00:24:52,360
Speaker 2: I'm trying to just figure it out.

453
00:24:52,640 --> 00:24:54,399
Speaker 4: I had a partner at the time, you know, that

454
00:24:54,520 --> 00:24:56,560
Speaker 4: was helping me make beats and all of that. His

455
00:24:56,680 --> 00:25:00,240
Speaker 4: name is Infinity Crazy crazy crazy and to get other

456
00:25:00,400 --> 00:25:02,760
Speaker 4: you know, we make a beat because I was already

457
00:25:02,760 --> 00:25:05,800
Speaker 4: making beats. But I will always send it to him.

458
00:25:06,160 --> 00:25:09,040
Speaker 4: I'm in school, I'll do my homework. I'm like a freshman, sophomore,

459
00:25:09,080 --> 00:25:11,200
Speaker 4: you know, junior in high school, and I'm I'm making beats.

460
00:25:11,240 --> 00:25:15,000
Speaker 4: But like this is at at this time the industry

461
00:25:15,119 --> 00:25:18,120
Speaker 4: like where like how like when it was crazy it

462
00:25:18,160 --> 00:25:21,520
Speaker 4: was at this time it was crazy in Atlanta, Like

463
00:25:21,560 --> 00:25:24,560
Speaker 4: it was popular Atlanta. Oh four oh five of us

464
00:25:25,040 --> 00:25:27,080
Speaker 4: or six, like you know, it was going nuts, bro.

465
00:25:27,200 --> 00:25:29,800
Speaker 4: So like that's where he was living. So like I'm

466
00:25:29,880 --> 00:25:32,040
Speaker 4: I'm I'm making beats, you know what I'm saying, like

467
00:25:32,080 --> 00:25:33,719
Speaker 4: sending to him, Like yo, what you think? What you

468
00:25:33,720 --> 00:25:35,720
Speaker 4: think he's turning to rite, you know, back around to

469
00:25:35,800 --> 00:25:37,840
Speaker 4: me and adding adding things or whatever like that.

470
00:25:38,480 --> 00:25:39,600
Speaker 2: Fifteen, I got my.

471
00:25:39,560 --> 00:25:43,560
Speaker 4: First placement with Bawana Marion from the crib though I

472
00:25:43,600 --> 00:25:45,880
Speaker 4: was at the crib making beats, going back and forth

473
00:25:45,880 --> 00:25:46,800
Speaker 4: with him with ideas.

474
00:25:46,920 --> 00:25:52,040
Speaker 2: So I'm going face off album. I did hood Star

475
00:25:52,600 --> 00:25:55,960
Speaker 2: really yeah ship yeah yeah yeah, me and Infinity. He

476
00:25:56,040 --> 00:25:58,320
Speaker 2: did a headstar Bro. So now I'm sick. We do

477
00:25:58,480 --> 00:26:01,359
Speaker 2: not the Infinity we know? Right? Yeah? White yes, white

478
00:26:01,440 --> 00:26:06,719
Speaker 2: and finished playing with me. What's something god? Yeah?

479
00:26:06,760 --> 00:26:10,440
Speaker 4: Yeah together we were a production. Due man, Bro, where

480
00:26:10,440 --> 00:26:11,160
Speaker 4: are you at.

481
00:26:14,600 --> 00:26:14,719
Speaker 2: Now?

482
00:26:14,840 --> 00:26:17,200
Speaker 4: But like I talked to him for time of time? Man,

483
00:26:17,280 --> 00:26:22,000
Speaker 4: good guy, good, super good to us. Yeah, amazing, yeah yeah,

484
00:26:22,040 --> 00:26:27,359
Speaker 4: beautiful man, beautiful. First placement ever bro at fifteen. You know,

485
00:26:27,440 --> 00:26:29,480
Speaker 4: so I'm going to school. You know, I'm a junior

486
00:26:29,600 --> 00:26:33,360
Speaker 4: high school with a gold plaque, walking around like I won.

487
00:26:33,720 --> 00:26:36,719
Speaker 4: Like I'm like, I'm you know you little Javonte Davis.

488
00:26:36,760 --> 00:26:40,240
Speaker 4: You did it, yeah.

489
00:26:39,080 --> 00:26:42,439
Speaker 2: Walking around I got the plaque. Yeah, you took the practice,

490
00:26:42,480 --> 00:26:45,199
Speaker 2: you took the actual pact school. So guess what my

491
00:26:45,280 --> 00:26:46,080
Speaker 2: name is? DJ right?

492
00:26:46,119 --> 00:26:48,120
Speaker 4: So like look so so DJ right be going back.

493
00:26:48,880 --> 00:26:51,400
Speaker 4: DJ is like if you know me, you can call

494
00:26:51,440 --> 00:26:51,920
Speaker 4: me DJ.

495
00:26:52,080 --> 00:26:52,640
Speaker 2: You know what I'm saying.

496
00:26:52,920 --> 00:26:55,520
Speaker 4: Like, but like people like in the industry, they'll call

497
00:26:55,560 --> 00:26:57,679
Speaker 4: me DJ Camper because like they think, like, you know,

498
00:26:57,720 --> 00:27:00,119
Speaker 4: I'm a DJ or whatever. And it's like, but the

499
00:27:00,119 --> 00:27:03,080
Speaker 4: ones that know me, you know me family, family did

500
00:27:03,240 --> 00:27:05,399
Speaker 4: camper all day long. But it's like to like people

501
00:27:05,440 --> 00:27:07,840
Speaker 4: that like don't, like they just outside looking in this.

502
00:27:07,960 --> 00:27:12,840
Speaker 2: It's just camper. Uh. I'm trying to figure out why

503
00:27:12,840 --> 00:27:14,400
Speaker 2: I said all of that just now because you took

504
00:27:14,440 --> 00:27:15,119
Speaker 2: the black to school.

505
00:27:15,160 --> 00:27:20,640
Speaker 4: Okay, So DJ at the time, Little Wayne had a

506
00:27:20,640 --> 00:27:21,879
Speaker 4: song called.

507
00:27:21,880 --> 00:27:28,840
Speaker 2: God This turned himself into the song. Yeah light lean back, like, bro,

508
00:27:29,280 --> 00:27:31,600
Speaker 2: I'm just taking He thought he was doing it. He

509
00:27:32,480 --> 00:27:35,880
Speaker 2: was doing it, doing it take a pall.

510
00:27:36,080 --> 00:27:39,119
Speaker 6: But no the little WAYE know you.

511
00:27:38,400 --> 00:27:43,200
Speaker 4: No, not yet, not yet, not yet, man, I can't

512
00:27:43,200 --> 00:27:43,919
Speaker 4: wait to work with him.

513
00:27:44,160 --> 00:27:48,119
Speaker 2: Yeah yeah, top five time for me all of that.

514
00:27:48,480 --> 00:27:49,000
Speaker 2: So man.

515
00:27:49,080 --> 00:27:50,879
Speaker 4: So like it's like, you know, because school starts to

516
00:27:51,000 --> 00:27:53,720
Speaker 4: like seventh fifty, like eight oh five or something.

517
00:27:53,760 --> 00:27:55,040
Speaker 2: Bro. So like we in school.

518
00:27:55,760 --> 00:27:58,560
Speaker 4: My first period is Jim so you know I ball

519
00:27:58,640 --> 00:27:59,920
Speaker 4: on him of course, you know how we do, bro,

520
00:28:00,280 --> 00:28:02,520
Speaker 4: And then then and then the second period we gotta

521
00:28:02,600 --> 00:28:06,119
Speaker 4: walk in the halls and like my class is like

522
00:28:06,320 --> 00:28:07,880
Speaker 4: probably Like I was like where like.

523
00:28:07,840 --> 00:28:10,000
Speaker 2: The street is at so we have to walk far,

524
00:28:10,280 --> 00:28:11,920
Speaker 2: so at least like a three minute walk. Bro.

525
00:28:12,280 --> 00:28:14,640
Speaker 4: I had my dude, I said, yo, look Pauls not

526
00:28:14,640 --> 00:28:16,679
Speaker 4: not my dude, but like you know my boy. And

527
00:28:16,720 --> 00:28:18,760
Speaker 4: I'm like, yo, bro, he got your speaker right, had

528
00:28:18,800 --> 00:28:22,600
Speaker 4: a big old like like boom box bro, like one

529
00:28:22,600 --> 00:28:23,760
Speaker 4: of them joints. She was like you put on your

530
00:28:24,240 --> 00:28:30,439
Speaker 4: shoulder bro boom boom boom boom boom boom boom boom boom.

531
00:28:30,640 --> 00:28:32,960
Speaker 2: You walked through with Yes, I'm like, how you doing?

532
00:28:34,000 --> 00:28:37,760
Speaker 2: How you doing? Way? How you doing? I can see

533
00:28:37,800 --> 00:28:44,480
Speaker 2: it days my d day. Bro.

534
00:28:45,360 --> 00:28:48,680
Speaker 4: He was looking at me like yo, I'm like yo, man,

535
00:28:48,760 --> 00:28:49,600
Speaker 4: did you see this coat?

536
00:28:50,360 --> 00:28:52,000
Speaker 2: It was like you see what's going on right now?

537
00:28:52,160 --> 00:28:53,360
Speaker 2: Like they was just.

538
00:28:53,240 --> 00:28:55,880
Speaker 5: Like all right, like I never saw it before the

539
00:28:55,920 --> 00:28:59,760
Speaker 5: other part this is what I you know mean, did

540
00:28:59,760 --> 00:29:00,800
Speaker 5: you get pay for the record?

541
00:29:01,080 --> 00:29:03,840
Speaker 2: Yeah? Well okay your first place? What do you what

542
00:29:03,840 --> 00:29:05,520
Speaker 2: do you get for your first place? Do you remember?

543
00:29:06,320 --> 00:29:09,040
Speaker 4: I think I think they was calling us back then,

544
00:29:09,320 --> 00:29:10,720
Speaker 4: me and me and me and me and.

545
00:29:11,160 --> 00:29:13,720
Speaker 2: Like you was called full scale like that was our name.

546
00:29:15,280 --> 00:29:17,920
Speaker 2: They was calling. They was calling but every but obviously

547
00:29:17,960 --> 00:29:19,720
Speaker 2: it was it was his rate.

548
00:29:20,360 --> 00:29:25,680
Speaker 4: Okay, okay, because he did his leverage was he did, uh,

549
00:29:26,080 --> 00:29:27,160
Speaker 4: please take me.

550
00:29:29,160 --> 00:29:36,760
Speaker 2: As I am like, dang, yeah, you're going crazy.

551
00:29:36,800 --> 00:29:38,560
Speaker 4: So like, you know, like he was all right, you

552
00:29:38,600 --> 00:29:40,480
Speaker 4: know I got that. You know my feed right now,

553
00:29:40,600 --> 00:29:44,239
Speaker 4: you know it's seventeen five. So they was calling him

554
00:29:44,240 --> 00:29:45,360
Speaker 4: mister seventeen five.

555
00:29:46,760 --> 00:29:50,360
Speaker 2: You know, seventeen probably nice. I like that. Y'all got

556
00:29:50,360 --> 00:29:52,840
Speaker 2: seventeen five for we split that, bro. Let me tell

557
00:29:52,840 --> 00:29:55,120
Speaker 2: you got eighty seven. Yeah, you know my first as

558
00:29:55,160 --> 00:29:56,160
Speaker 2: a fifteen year old.

559
00:29:56,080 --> 00:29:59,560
Speaker 1: My fifteen year old, my first placement when I got

560
00:29:59,600 --> 00:30:05,600
Speaker 1: to l with two artists that never came out, but right,

561
00:30:06,440 --> 00:30:11,920
Speaker 1: seventeen five apiece, So you were seventeen I was seventeen five.

562
00:30:14,240 --> 00:30:19,280
Speaker 1: That was the number because sometime, you know, whole numbers

563
00:30:19,280 --> 00:30:22,880
Speaker 1: circulating the industry, where like an industry standard for like

564
00:30:23,000 --> 00:30:25,240
Speaker 1: you know, intro guys, guys who've done a little bit,

565
00:30:25,400 --> 00:30:29,120
Speaker 1: like everybody will stay around a number. Seventeen five must

566
00:30:29,120 --> 00:30:30,040
Speaker 1: have been the number.

567
00:30:30,240 --> 00:30:31,840
Speaker 2: It must have been the number. It must have been

568
00:30:31,880 --> 00:30:33,640
Speaker 2: like the just circulate the standard.

569
00:30:33,720 --> 00:30:35,840
Speaker 5: But get you got you got to split that with

570
00:30:35,880 --> 00:30:40,160
Speaker 5: somebody at fifteen, crazy crazy what did you buy?

571
00:30:40,520 --> 00:30:41,000
Speaker 2: What did you buy?

572
00:30:41,400 --> 00:30:45,080
Speaker 5: I got that coat that you told Yeah, your coat.

573
00:30:46,600 --> 00:30:49,040
Speaker 2: I think I think I got my mom a little

574
00:30:49,120 --> 00:30:52,080
Speaker 2: a little jeep with that. Yeah you know what say?

575
00:30:52,440 --> 00:30:54,240
Speaker 4: Yeah, like you know, like, oh yeah, I made sure

576
00:30:54,280 --> 00:30:56,400
Speaker 4: my family was straight. I always do that when I

577
00:30:56,440 --> 00:31:00,719
Speaker 4: get bread. Yeah, you know, like that's that's mandatory. I

578
00:31:00,760 --> 00:31:03,320
Speaker 4: am a girl at the time, I was just chilling

579
00:31:03,360 --> 00:31:04,120
Speaker 4: like I was fifteen.

580
00:31:04,200 --> 00:31:06,440
Speaker 2: Yeah, did you get the girl by the time you

581
00:31:06,480 --> 00:31:07,200
Speaker 2: made it through the hall?

582
00:31:09,280 --> 00:31:11,040
Speaker 4: I mean no, they was just probably they were just

583
00:31:11,080 --> 00:31:13,640
Speaker 4: so like like just could believe.

584
00:31:14,200 --> 00:31:16,200
Speaker 2: Yeah, like they were stuck like damn, like yo, who

585
00:31:16,280 --> 00:31:17,160
Speaker 2: like who? Like who is this?

586
00:31:17,280 --> 00:31:20,000
Speaker 5: I'm like yeah, Like no, So nobody really knew you

587
00:31:20,040 --> 00:31:22,320
Speaker 5: were producing and that type of stuff at school.

588
00:31:22,520 --> 00:31:25,120
Speaker 4: No, No, like they didn't know. They didn't know I

589
00:31:25,200 --> 00:31:27,880
Speaker 4: was doing it at that magnitude. They knew that I

590
00:31:28,000 --> 00:31:31,560
Speaker 4: was talented. I was the type of person and you

591
00:31:31,600 --> 00:31:33,160
Speaker 4: know when I go on tour, when I do my

592
00:31:33,160 --> 00:31:35,600
Speaker 4: shows and stuff, I still may be like incorporated somehow,

593
00:31:35,640 --> 00:31:39,280
Speaker 4: but like uh me, like like okay, like what's your

594
00:31:39,280 --> 00:31:40,160
Speaker 4: favorite song right now?

595
00:31:40,440 --> 00:31:40,840
Speaker 2: Whatever?

596
00:31:40,960 --> 00:31:43,680
Speaker 4: Like like gi it out, let's say it. Or then

597
00:31:43,880 --> 00:31:46,560
Speaker 4: but it's play on the spot. Ye works every time.

598
00:31:46,640 --> 00:31:48,520
Speaker 4: It's like, oh man, it's crazy okay. And then like

599
00:31:48,560 --> 00:31:50,560
Speaker 4: sometimes like they might stump me because I might not.

600
00:31:50,520 --> 00:31:52,480
Speaker 2: Know the song. And then I'm like, you know what,

601
00:31:52,560 --> 00:31:54,000
Speaker 2: let me hear it, let's play it, and then I'll

602
00:31:54,040 --> 00:32:04,720
Speaker 2: just pick it up, like what else? What else? So hey,

603
00:32:04,800 --> 00:32:08,360
Speaker 2: you know it's it's it's fun man, you know so.

604
00:32:07,920 --> 00:32:10,880
Speaker 1: So so what is the next move? Are cracking? Y'all

605
00:32:10,920 --> 00:32:12,520
Speaker 1: got your placement? What is the next moment?

606
00:32:12,600 --> 00:32:13,360
Speaker 2: Yeah, let me cracking.

607
00:32:13,400 --> 00:32:14,920
Speaker 4: And then like we did some more stuff, like we

608
00:32:14,920 --> 00:32:17,160
Speaker 4: did some stuff for Raven Simone. You know, she was

609
00:32:17,600 --> 00:32:20,160
Speaker 4: shout the Raven you know what I'm saying, Like that

610
00:32:20,280 --> 00:32:22,160
Speaker 4: was a beautiful moment. And then you know, we did

611
00:32:22,200 --> 00:32:27,320
Speaker 4: some stuff for CHINGI saying, like we called a crazy

612
00:32:27,360 --> 00:32:30,440
Speaker 4: one with the Backstreet Boys that was crazy up on

613
00:32:30,560 --> 00:32:33,280
Speaker 4: This is Us album. No, I'm seventeen at the time,

614
00:32:34,040 --> 00:32:37,480
Speaker 4: and then I got the call from r Kelly, from

615
00:32:37,600 --> 00:32:38,480
Speaker 4: Robert himself.

616
00:32:39,320 --> 00:32:40,840
Speaker 2: I'm seventeen, I'm a junior.

617
00:32:41,240 --> 00:32:44,000
Speaker 4: I'm living with my mom and my you know, like

618
00:32:44,040 --> 00:32:46,400
Speaker 4: my whole family. I'm at the crib, I'm making beats,

619
00:32:46,440 --> 00:32:49,880
Speaker 4: I'm sending beats to Infinity like yo, He's like yo,

620
00:32:50,400 --> 00:32:52,200
Speaker 4: you know, you know are looking for some joints.

621
00:32:52,200 --> 00:32:52,880
Speaker 2: You know what I'm saying. You know.

622
00:32:52,960 --> 00:32:55,240
Speaker 4: Claude Kelly he down there killing it right now. This

623
00:32:55,280 --> 00:32:57,000
Speaker 4: is when Clark Kelly was on his running back in

624
00:32:57,280 --> 00:33:01,920
Speaker 4: seven o eight shot the claud and they like, yo,

625
00:33:02,680 --> 00:33:04,440
Speaker 4: like yo, you got some tracks, bro, I had some

626
00:33:04,600 --> 00:33:07,880
Speaker 4: crazy tracks. I'm like, man, heck yeah, like we out

627
00:33:07,920 --> 00:33:09,560
Speaker 4: saw like you know, I got you Sola. I sent

628
00:33:09,600 --> 00:33:12,960
Speaker 4: the pack through hit me back, me back, and was

629
00:33:13,000 --> 00:33:15,680
Speaker 4: like yo, yeah, no, like he chose this one.

630
00:33:15,760 --> 00:33:16,600
Speaker 2: He chose that one.

631
00:33:16,640 --> 00:33:20,040
Speaker 4: So like seventeen years old, did a song Clark Kelly

632
00:33:20,040 --> 00:33:25,560
Speaker 4: wrote it is called Echo Echoes the song everybody was

633
00:33:25,560 --> 00:33:27,160
Speaker 4: going crazy at the time like that was.

634
00:33:27,520 --> 00:33:28,920
Speaker 2: It was a crazy song.

635
00:33:28,840 --> 00:33:31,960
Speaker 4: For him at the time, especially like you know, with

636
00:33:32,000 --> 00:33:33,120
Speaker 4: Claud writing it and all of that.

637
00:33:33,160 --> 00:33:33,400
Speaker 2: It was.

638
00:33:33,440 --> 00:33:36,400
Speaker 4: It was it was fire and then but that one

639
00:33:36,440 --> 00:33:39,360
Speaker 4: I did by myself and then the other one banging

640
00:33:39,360 --> 00:33:40,440
Speaker 4: the headboards is what I did.

641
00:33:40,480 --> 00:33:43,000
Speaker 2: You know, me and Infinity did that together. Also.

642
00:33:43,120 --> 00:33:46,960
Speaker 4: Claud Kelly wrote that as well. I was just like, man,

643
00:33:47,000 --> 00:33:51,280
Speaker 4: this is crazy place. Oh raw, I'm not even eighteen.

644
00:33:52,000 --> 00:33:54,960
Speaker 4: All right, cool? God, what's next? You know what I mean,

645
00:33:55,080 --> 00:33:57,080
Speaker 4: I'm ready to go. I'm getting ready to graduate. So

646
00:33:57,120 --> 00:33:58,400
Speaker 4: after I graduated.

647
00:33:58,120 --> 00:34:00,240
Speaker 2: All this, he said, I'm getting ready to graduate. Yeah,

648
00:34:00,280 --> 00:34:01,360
Speaker 2: I'm still like graduating.

649
00:34:01,480 --> 00:34:04,800
Speaker 4: Still I graduated. That bro still playing on Sundays. You

650
00:34:04,800 --> 00:34:06,480
Speaker 4: know what I'm saying, you know, going to prom you,

651
00:34:06,480 --> 00:34:08,680
Speaker 4: I'm saying, you know, like rented the soup?

652
00:34:08,840 --> 00:34:09,640
Speaker 2: You got bad?

653
00:34:09,920 --> 00:34:10,160
Speaker 1: Yeah?

654
00:34:10,280 --> 00:34:13,520
Speaker 2: You know you got a bank account? Yeah? You know, Hey, man,

655
00:34:14,120 --> 00:34:16,399
Speaker 2: God is good. You know what are you?

656
00:34:16,480 --> 00:34:21,000
Speaker 5: Are you being under eighteen? Are you able to touch

657
00:34:21,040 --> 00:34:21,560
Speaker 5: your money?

658
00:34:22,160 --> 00:34:24,279
Speaker 2: Oh? Yeah, it's coming to you. Yeah, because you know,

659
00:34:24,360 --> 00:34:25,080
Speaker 2: obviously you're not.

660
00:34:25,160 --> 00:34:27,080
Speaker 5: It's not like you're an actor or you wouldn't sign

661
00:34:27,200 --> 00:34:30,080
Speaker 5: some record deal. Even it's like you're an independent contract.

662
00:34:30,120 --> 00:34:30,800
Speaker 2: You're a producer.

663
00:34:31,080 --> 00:34:35,839
Speaker 5: So it's not like somebody's overseeing your money or if

664
00:34:35,840 --> 00:34:36,719
Speaker 5: it's going to get to you.

665
00:34:36,800 --> 00:34:38,040
Speaker 2: So you can get into your.

666
00:34:37,920 --> 00:34:41,520
Speaker 5: Money from the rip, Yeah, from the rip eighty seven fifty,

667
00:34:42,200 --> 00:34:44,960
Speaker 5: getting your first place when that comes to you and

668
00:34:45,000 --> 00:34:47,239
Speaker 5: your parents, let you div it up however you want to.

669
00:34:47,600 --> 00:34:49,719
Speaker 2: Definitely, that's yeah, for sure.

670
00:34:49,800 --> 00:34:52,080
Speaker 4: Yeah, there's letting me, you know, be grown, let me

671
00:34:52,160 --> 00:34:54,200
Speaker 4: learn my my lessons early. You know what I'm saying.

672
00:34:54,200 --> 00:34:55,960
Speaker 4: From now, thirty three. You know, I never do what

673
00:34:56,040 --> 00:34:59,040
Speaker 4: I know did then. But it's beautiful because like they

674
00:34:59,160 --> 00:35:01,160
Speaker 4: they knew all. I want to do what's helped them anyway,

675
00:35:01,400 --> 00:35:02,919
Speaker 4: you know what I'm saying, Like you know my mom,

676
00:35:03,320 --> 00:35:06,440
Speaker 4: you know it was one time she was crazy, bro,

677
00:35:06,560 --> 00:35:08,759
Speaker 4: like a check came right in the niggad time. Like

678
00:35:08,800 --> 00:35:11,000
Speaker 4: my mom, she was hot in the van because I

679
00:35:11,040 --> 00:35:13,200
Speaker 4: was about to get repoll or whatever, so she had

680
00:35:13,200 --> 00:35:15,040
Speaker 4: the money to get it, but she's waiting for a

681
00:35:15,120 --> 00:35:15,600
Speaker 4: check or whatever.

682
00:35:15,560 --> 00:35:17,440
Speaker 2: I don't know when it was gonna come. And then

683
00:35:17,480 --> 00:35:18,200
Speaker 2: they took the van.

684
00:35:18,280 --> 00:35:20,279
Speaker 4: They finally found the van, took the van, and then

685
00:35:20,320 --> 00:35:23,000
Speaker 4: the next the next day she was crying that day.

686
00:35:23,160 --> 00:35:25,160
Speaker 4: Next day I got a check. I'm like, oh yeah,

687
00:35:25,200 --> 00:35:28,359
Speaker 4: let's go, let's go buy a car boom. Don't worry

688
00:35:28,400 --> 00:35:29,360
Speaker 4: about that. What's next.

689
00:35:29,800 --> 00:35:31,600
Speaker 2: So it's like, you know, you be faithful over a

690
00:35:31,600 --> 00:35:38,920
Speaker 2: few things. Talk to talk or many talk to what

691
00:35:38,960 --> 00:35:40,960
Speaker 2: I'm saying, I ain't playing.

692
00:35:43,160 --> 00:35:49,719
Speaker 4: R and B money, Yeah yeah, that's literally yeah, facts

693
00:35:49,760 --> 00:35:51,480
Speaker 4: like doing what we love and love what we're doing.

694
00:35:52,040 --> 00:35:52,680
Speaker 2: Beautiful thing.

695
00:35:52,760 --> 00:35:58,960
Speaker 5: Yeah yeah, because that's in a sense, that's our that's

696
00:35:59,040 --> 00:36:02,239
Speaker 5: us getting drafted. Yes, that is our draft. You know,

697
00:36:02,280 --> 00:36:05,120
Speaker 5: I mean our first check, you know what I mean,

698
00:36:05,160 --> 00:36:07,600
Speaker 5: Like we become when you become a professional in this thing,

699
00:36:07,719 --> 00:36:12,239
Speaker 5: like when you literally are getting royalties. Are a producer's

700
00:36:12,320 --> 00:36:13,120
Speaker 5: check or an advance?

701
00:36:13,200 --> 00:36:13,719
Speaker 2: You know what I mean?

702
00:36:13,760 --> 00:36:16,719
Speaker 5: These are you know, it's equivalent, you know what I mean.

703
00:36:16,760 --> 00:36:18,680
Speaker 5: So being able to just say, you know, mill, let's

704
00:36:18,719 --> 00:36:19,160
Speaker 5: go get this.

705
00:36:19,120 --> 00:36:23,480
Speaker 1: Cars, nothing more beautiful, nothing that's insane, right, So listen,

706
00:36:23,800 --> 00:36:30,960
Speaker 1: she got you buying cars, you know, Backstreet Boys, Kelly,

707
00:36:31,080 --> 00:36:36,000
Speaker 1: like all before graduate, before graduation. I mean, yeah, your

708
00:36:36,719 --> 00:36:44,080
Speaker 1: discography is getting extensive at a very young age. I mean,

709
00:36:44,800 --> 00:36:47,920
Speaker 1: what is next after that? You graduated high school? And

710
00:36:47,960 --> 00:36:49,160
Speaker 1: what is your first move?

711
00:36:50,160 --> 00:36:52,479
Speaker 2: I go to Atlanta. As soon as you get about

712
00:36:53,080 --> 00:36:53,960
Speaker 2: you get right into it.

713
00:36:54,040 --> 00:36:56,200
Speaker 4: Yeah, yeah, I had like it was like project graduation.

714
00:36:56,440 --> 00:36:58,800
Speaker 4: It's like a thing they like the kids do and

715
00:36:58,960 --> 00:37:02,400
Speaker 4: after the graduation, it's a party. So we we partied

716
00:37:02,400 --> 00:37:04,960
Speaker 4: like it's nineteen ninety nine. Free chick fil A sandwiches.

717
00:37:05,000 --> 00:37:06,680
Speaker 4: You know what I'm saying, you guys to do that, yeah,

718
00:37:07,840 --> 00:37:10,520
Speaker 4: free chick A talking about it was crazy chick fil A.

719
00:37:10,920 --> 00:37:15,200
Speaker 1: Yeah, shout out chick a jingle let me tell you Ready,

720
00:37:15,400 --> 00:37:18,960
Speaker 1: produced by Kept save by R and B money.

721
00:37:18,960 --> 00:37:23,640
Speaker 4: You know, I'm talking about closed on Sundays, gonna pay YouTube.

722
00:37:26,239 --> 00:37:28,600
Speaker 1: They see our hearts, they know they don't want to

723
00:37:30,920 --> 00:37:32,879
Speaker 1: so you hear hot Atlanta Ya.

724
00:37:32,880 --> 00:37:36,960
Speaker 2: Two thousand and eight, eighteen eighteen yearseduces. You know what

725
00:37:36,960 --> 00:37:37,359
Speaker 2: I'm saying.

726
00:37:37,360 --> 00:37:41,080
Speaker 4: Oh Chris High School, you know, fucking pride. Hey, I'm

727
00:37:41,080 --> 00:37:44,120
Speaker 4: in Atlanta now, you know, goodbye mom. You know it

728
00:37:44,200 --> 00:37:45,839
Speaker 4: was crazy because it was like, you know, like help

729
00:37:45,880 --> 00:37:49,080
Speaker 4: my mom, how there? It's my first first time away

730
00:37:49,080 --> 00:37:49,640
Speaker 4: from the crib.

731
00:37:49,800 --> 00:37:51,040
Speaker 2: You know, never left.

732
00:37:51,080 --> 00:37:53,319
Speaker 4: Oh no, I never left, not by myself, not for that.

733
00:37:53,600 --> 00:37:57,759
Speaker 4: Like I mean I would go like spring break, you know,

734
00:37:57,880 --> 00:38:02,520
Speaker 4: like uh like Christmas breakings, all of that type of stuff.

735
00:38:02,880 --> 00:38:05,880
Speaker 4: Like I would go to Atlanta to work for the weekend,

736
00:38:06,200 --> 00:38:09,160
Speaker 4: come back, but like this time, I'm going for like

737
00:38:09,239 --> 00:38:10,240
Speaker 4: at least the summer.

738
00:38:10,400 --> 00:38:11,920
Speaker 2: Did you find a place before you went?

739
00:38:12,680 --> 00:38:15,360
Speaker 4: Yeah, I was either staying with Infinity or my manager

740
00:38:15,400 --> 00:38:16,879
Speaker 4: at the time, Like she said, I can just crash

741
00:38:16,920 --> 00:38:19,120
Speaker 4: at her apartment because she had an extra apartment there.

742
00:38:19,160 --> 00:38:21,560
Speaker 2: So like either way, I was good. Yeah. Shout out

743
00:38:21,560 --> 00:38:23,160
Speaker 2: to Lana Night as my first manager.

744
00:38:26,520 --> 00:38:29,359
Speaker 6: First manager, my first.

745
00:38:29,280 --> 00:38:33,520
Speaker 2: Yeah man had taught me a lot taught me a lot.

746
00:38:33,600 --> 00:38:36,080
Speaker 2: That's crazy. Yep. So I was there for the summer,

747
00:38:37,000 --> 00:38:39,239
Speaker 2: and man, I was just getting to it, like we

748
00:38:39,239 --> 00:38:40,160
Speaker 2: were just getting.

749
00:38:39,880 --> 00:38:42,280
Speaker 4: To it every day every day, like it was crazy,

750
00:38:42,320 --> 00:38:43,960
Speaker 4: like studio, Wili House.

751
00:38:44,120 --> 00:38:45,080
Speaker 2: Have a spot studio.

752
00:38:45,560 --> 00:38:48,920
Speaker 4: Yeah, we were working at the Artist Factory. So I'm

753
00:38:49,000 --> 00:38:53,120
Speaker 4: running into p J. Morton like I'm running into rock City,

754
00:38:53,239 --> 00:38:58,040
Speaker 4: you know, to Tron, like I'm running into like uh Javan,

755
00:38:59,120 --> 00:39:01,319
Speaker 4: I'm seeing him. His room was next door to mine.

756
00:39:01,360 --> 00:39:05,080
Speaker 4: I'm like, man, this dude is so crazy. Like every

757
00:39:05,200 --> 00:39:07,000
Speaker 4: day I'm like, I'm like, what's up?

758
00:39:07,040 --> 00:39:08,360
Speaker 2: What you want to do? Like me and him was

759
00:39:08,400 --> 00:39:09,120
Speaker 2: spare all the time.

760
00:39:09,200 --> 00:39:12,360
Speaker 4: It was amazing Tasio mad scientists, you know, like he

761
00:39:12,480 --> 00:39:13,480
Speaker 4: was a crazy producer.

762
00:39:13,640 --> 00:39:16,279
Speaker 2: Yeah, man, like it was on fire back then. I was.

763
00:39:16,440 --> 00:39:18,080
Speaker 2: I'm I'm amongst all of.

764
00:39:18,040 --> 00:39:20,800
Speaker 4: This as a rookie, like all right, eighteen years old, eighteen,

765
00:39:21,360 --> 00:39:24,600
Speaker 4: like like fresh, like what we're doing. So, you know,

766
00:39:24,680 --> 00:39:27,200
Speaker 4: I was just grinding it out and just seeing, you know,

767
00:39:27,360 --> 00:39:28,680
Speaker 4: like you know, what was shaped from it?

768
00:39:29,760 --> 00:39:31,640
Speaker 2: What was the first thing to ship When I'm trying

769
00:39:31,680 --> 00:39:34,720
Speaker 2: to remember, I'm trying to remember, trying to remember out.

770
00:39:34,560 --> 00:39:39,360
Speaker 4: There, out there, honestly, bro, like we did a whole

771
00:39:39,360 --> 00:39:45,080
Speaker 4: bunch of music out there, but like nothing really like

772
00:39:45,200 --> 00:39:47,799
Speaker 4: popped off, like like like I didn't get no like

773
00:39:47,880 --> 00:39:49,000
Speaker 4: singles or nothing like that.

774
00:39:49,040 --> 00:39:50,959
Speaker 2: Maybe some album cuts, you know what I'm saying.

775
00:39:51,040 --> 00:39:53,279
Speaker 4: Like, but I was, I was in with everybody, but

776
00:39:53,360 --> 00:39:56,719
Speaker 4: like you know, like nothing was like actually sticking.

777
00:39:56,920 --> 00:39:59,239
Speaker 2: Yeah, exactly, it was. It was when you look back

778
00:39:59,280 --> 00:40:00,680
Speaker 2: at it now though, mm hmmm.

779
00:40:01,080 --> 00:40:04,600
Speaker 5: Why do you think that as a seasoned producer, do

780
00:40:04,640 --> 00:40:06,160
Speaker 5: you not do you feel like you maybe you weren't

781
00:40:06,160 --> 00:40:06,640
Speaker 5: ready yet?

782
00:40:09,160 --> 00:40:12,439
Speaker 4: Yeah, I mean yeah, I feel like okay, yeah I don't.

783
00:40:12,600 --> 00:40:14,719
Speaker 4: I feel like no.

784
00:40:15,200 --> 00:40:18,879
Speaker 2: I'm ready now, like I'm doubt oh man.

785
00:40:19,120 --> 00:40:21,640
Speaker 1: But just looking at back looking from your side now.

786
00:40:21,560 --> 00:40:22,879
Speaker 2: Yeah back yeah, so back then.

787
00:40:23,320 --> 00:40:25,120
Speaker 4: The reason why I say that because I know the

788
00:40:25,120 --> 00:40:27,480
Speaker 4: feeling now being ready and like back then, like it

789
00:40:27,560 --> 00:40:30,600
Speaker 4: was a whole different, completely different ball game, and I

790
00:40:30,640 --> 00:40:32,680
Speaker 4: was trying to figure out what the sound was and

791
00:40:32,719 --> 00:40:34,680
Speaker 4: how to perfect my sound back then.

792
00:40:35,160 --> 00:40:36,480
Speaker 2: Back then, it's a whole.

793
00:40:36,239 --> 00:40:39,800
Speaker 4: Bunch of pop stuff for on the floor type of stuff,

794
00:40:39,800 --> 00:40:41,400
Speaker 4: so like you have to find.

795
00:40:41,120 --> 00:40:42,879
Speaker 2: The right Yeah.

796
00:40:43,000 --> 00:40:45,759
Speaker 5: I watched so many dope R and B producers chase

797
00:40:45,840 --> 00:40:50,920
Speaker 5: that bag. Yeah, that imaginary bag because that bag wasn't there.

798
00:40:50,920 --> 00:40:54,359
Speaker 5: For everyone watched a lot of these people shift their

799
00:40:54,400 --> 00:40:57,480
Speaker 5: whole sound, who are really talented in their space.

800
00:40:57,920 --> 00:41:02,360
Speaker 2: Chase, they was banging on that Chase Bro Danger Tim.

801
00:41:02,680 --> 00:41:06,680
Speaker 2: They understood it, black eyed p what it was.

802
00:41:06,840 --> 00:41:09,000
Speaker 1: But it was so heavy. It was like, well, I

803
00:41:09,040 --> 00:41:13,360
Speaker 1: am Stargates, Stargate. It was like I want to taste

804
00:41:13,400 --> 00:41:15,440
Speaker 1: people that people just wanted to wet their bigs. But

805
00:41:15,520 --> 00:41:18,840
Speaker 1: it was just it was a far run. Yeah, you

806
00:41:18,920 --> 00:41:20,000
Speaker 1: have to run far to get that.

807
00:41:20,280 --> 00:41:21,040
Speaker 2: Yeah. Yeah.

808
00:41:21,760 --> 00:41:23,640
Speaker 4: Every time we had a meeting, a label meeting with

809
00:41:23,680 --> 00:41:27,520
Speaker 4: an R Forwards, they would always say four on the floor,

810
00:41:28,800 --> 00:41:30,719
Speaker 4: four on the floor, on the floor. So every time

811
00:41:30,760 --> 00:41:33,320
Speaker 4: we make a beat that's full on the floor like nothing,

812
00:41:33,520 --> 00:41:34,400
Speaker 4: like nothing.

813
00:41:34,239 --> 00:41:35,000
Speaker 2: Was like sticking.

814
00:41:35,040 --> 00:41:36,879
Speaker 4: So I'm like, man, what is it? I'm like man,

815
00:41:37,120 --> 00:41:39,239
Speaker 4: So I would just go to the studio and just

816
00:41:39,280 --> 00:41:40,719
Speaker 4: do what I love. I would just make beats how

817
00:41:40,760 --> 00:41:42,439
Speaker 4: I want to make beats and like y'all just falling

818
00:41:42,440 --> 00:41:45,640
Speaker 4: along like you know, and then whatever happens happens. But

819
00:41:45,680 --> 00:41:47,480
Speaker 4: like you know, I wasn't. I didn't really get a

820
00:41:47,480 --> 00:41:51,120
Speaker 4: lot that I can remember a lot of success didn't

821
00:41:51,160 --> 00:41:53,880
Speaker 4: really just a lot of lessons and a lot of learning.

822
00:41:54,080 --> 00:41:59,720
Speaker 2: And yes, during that time, I was playing at churches.

823
00:42:00,040 --> 00:42:04,799
Speaker 4: I found the church a church, musicians church, and then

824
00:42:04,880 --> 00:42:06,759
Speaker 4: like we did a song for like you know, some

825
00:42:07,000 --> 00:42:10,480
Speaker 4: like like indie artists out there, you know, like you know,

826
00:42:10,640 --> 00:42:13,680
Speaker 4: like we were getting checks, but like it wasn't like

827
00:42:14,480 --> 00:42:16,920
Speaker 4: making them last. Yes, making them last and you know,

828
00:42:16,960 --> 00:42:19,080
Speaker 4: helping paying rent and all of that type of stuff,

829
00:42:19,080 --> 00:42:22,480
Speaker 4: and you know, just trying to just figure it out where.

830
00:42:22,280 --> 00:42:25,880
Speaker 1: You you know, because you said Atlanta, you know, I

831
00:42:26,239 --> 00:42:27,480
Speaker 1: know what he wanted. I know a lot about it

832
00:42:27,640 --> 00:42:30,560
Speaker 1: where you were. You're having a good time.

833
00:42:31,680 --> 00:42:33,080
Speaker 2: Because she was only eighteen too.

834
00:42:33,800 --> 00:42:36,399
Speaker 4: So like this is when three hundred the Bowling Alley

835
00:42:36,560 --> 00:42:38,760
Speaker 4: was popping back then, I think it was called three hundred,

836
00:42:40,040 --> 00:42:42,600
Speaker 4: and like they had like I mean it was like

837
00:42:42,880 --> 00:42:45,399
Speaker 4: parties every weekend. Like it was like you was able

838
00:42:45,440 --> 00:42:48,560
Speaker 4: to get into that kind of kind of because I

839
00:42:48,600 --> 00:42:50,719
Speaker 4: was I mean like the parties, yeah, but like the

840
00:42:50,800 --> 00:42:53,120
Speaker 4: clubs I couldn't really get into because I was eighteen

841
00:42:53,200 --> 00:42:56,560
Speaker 4: and I wasn't really drinking like that then. So it

842
00:42:56,680 --> 00:42:58,920
Speaker 4: was like I was like just like the cool church

843
00:42:59,000 --> 00:43:01,040
Speaker 4: kid that you know. I was happy to be here.

844
00:43:01,640 --> 00:43:03,560
Speaker 4: I was smoking I.

845
00:43:03,560 --> 00:43:04,040
Speaker 2: Know where you were.

846
00:43:04,680 --> 00:43:07,680
Speaker 4: I'm like, d girls is nice. Yeah, what I'm saying, like,

847
00:43:07,719 --> 00:43:10,359
Speaker 4: you know, nice scenery, good food. I was that type

848
00:43:10,360 --> 00:43:10,720
Speaker 4: of person.

849
00:43:10,800 --> 00:43:13,600
Speaker 2: Yeah, yeah, he was actually enjoying the city. Yeah, I

850
00:43:13,640 --> 00:43:14,120
Speaker 2: was enjoying it.

851
00:43:14,400 --> 00:43:16,080
Speaker 1: If I was eighteen, I probably I would have been

852
00:43:16,120 --> 00:43:16,359
Speaker 1: the same.

853
00:43:16,520 --> 00:43:17,960
Speaker 2: Yeah, you would have figured out a way to sneak

854
00:43:18,040 --> 00:43:21,560
Speaker 2: no way. No, I didn't even had a drink yet. Yeah,

855
00:43:21,600 --> 00:43:22,399
Speaker 2: she was still at home.

856
00:43:22,719 --> 00:43:24,879
Speaker 1: I'm still at home too, what I mean even you.

857
00:43:24,800 --> 00:43:26,120
Speaker 2: Hadn't gotten to Atlanta yet.

858
00:43:26,280 --> 00:43:29,000
Speaker 1: No, No, I ain't got I mean, but I was

859
00:43:29,040 --> 00:43:31,319
Speaker 1: in my in my mind and my spirit. I was

860
00:43:31,360 --> 00:43:32,920
Speaker 1: still in the same place he was. I would have

861
00:43:32,920 --> 00:43:34,280
Speaker 1: went to Atlanta, found a church.

862
00:43:34,840 --> 00:43:38,080
Speaker 2: Every night at eighteen, I didn't know what club. Every night.

863
00:43:39,360 --> 00:43:41,920
Speaker 6: Every night we called it the office. We would go

864
00:43:42,080 --> 00:43:42,760
Speaker 6: the strip club.

865
00:43:44,440 --> 00:43:46,840
Speaker 5: We would look around because I ain't had no money,

866
00:43:47,360 --> 00:43:50,799
Speaker 5: look around, and I write songs about what I thought

867
00:43:50,880 --> 00:43:51,520
Speaker 5: I saw.

868
00:43:53,680 --> 00:43:55,959
Speaker 6: What it could possibly be.

869
00:43:55,960 --> 00:43:57,719
Speaker 5: Because I was never that I'm in love with the

870
00:43:57,719 --> 00:43:59,600
Speaker 5: stripper guy. I wasn't, you know, I mean, I I was.

871
00:43:59,880 --> 00:44:00,640
Speaker 5: I loved it.

872
00:44:01,600 --> 00:44:02,719
Speaker 2: I was never that guy.

873
00:44:02,960 --> 00:44:05,440
Speaker 6: But I you know, I love the body of a woman.

874
00:44:05,600 --> 00:44:08,000
Speaker 2: Yeah for that, you know, what I mean.

875
00:44:08,040 --> 00:44:11,680
Speaker 5: So for me being eighteen years old, and that's like

876
00:44:11,719 --> 00:44:15,160
Speaker 5: the one thing you can get into. They'll let you

877
00:44:15,239 --> 00:44:16,600
Speaker 5: in the strip club, at least in LA. I don't

878
00:44:16,600 --> 00:44:18,719
Speaker 5: know about nowhere else. When I first came to La,

879
00:44:19,280 --> 00:44:22,640
Speaker 5: like it's eighteen years old, Like I go, that's the

880
00:44:22,680 --> 00:44:23,680
Speaker 5: club I can get into.

881
00:44:24,040 --> 00:44:27,520
Speaker 2: I hold to where every night I need this twenty

882
00:44:27,560 --> 00:44:28,320
Speaker 2: dollars to get.

883
00:44:28,200 --> 00:44:30,880
Speaker 5: Me in, and then I'm going to meet the girls

884
00:44:30,880 --> 00:44:32,600
Speaker 5: that work there and they're.

885
00:44:32,400 --> 00:44:33,040
Speaker 2: Gonna let me in.

886
00:44:33,120 --> 00:44:36,040
Speaker 5: I'm going to get in somehow, you know what I mean. So, yeah,

887
00:44:36,120 --> 00:44:38,719
Speaker 5: I wrote a lot of songs. Yeah, a lot of songs.

888
00:44:38,920 --> 00:44:41,640
Speaker 2: Yes, So how long did you say that? Just for

889
00:44:41,719 --> 00:44:44,880
Speaker 2: the summer? I think? And then you didn't fully move? No, No,

890
00:44:45,080 --> 00:44:46,280
Speaker 2: I went back, and then.

891
00:44:48,440 --> 00:44:50,600
Speaker 4: I was just being led to go to like in

892
00:44:50,640 --> 00:44:52,520
Speaker 4: a different direction as far as like you know, I

893
00:44:52,560 --> 00:44:55,439
Speaker 4: was growing, and I was just like, man, all right, cool,

894
00:44:55,480 --> 00:44:57,280
Speaker 4: you know, maybe I can just you know, like branch

895
00:44:57,320 --> 00:44:58,560
Speaker 4: off and like just fly solo.

896
00:44:58,840 --> 00:45:00,759
Speaker 2: So like that's what I did from that point on.

897
00:45:00,840 --> 00:45:02,919
Speaker 2: When I got back.

898
00:45:03,239 --> 00:45:05,040
Speaker 4: Yeah, yeah, yeah, when I got back, So I'm like,

899
00:45:05,120 --> 00:45:06,960
Speaker 4: you know, I was like yo, but you know, I

900
00:45:07,040 --> 00:45:08,880
Speaker 4: holler at you if I need any questions or whatever,

901
00:45:09,040 --> 00:45:11,080
Speaker 4: like you know, sounds like you know, you're like you

902
00:45:11,120 --> 00:45:13,879
Speaker 4: used toll my boys. So it's all good today day, Yeah, yep,

903
00:45:14,040 --> 00:45:15,600
Speaker 4: it was time to move on, but it was like

904
00:45:15,600 --> 00:45:17,239
Speaker 4: to this day, like you know, we're still friends in

905
00:45:17,239 --> 00:45:18,000
Speaker 4: that's dope.

906
00:45:18,600 --> 00:45:21,080
Speaker 2: So I go home, man, you know, I'm just like,

907
00:45:21,160 --> 00:45:22,080
Speaker 2: all right, God, what's up?

908
00:45:22,280 --> 00:45:24,200
Speaker 4: You know, like like where we at, what we're doing

909
00:45:24,200 --> 00:45:27,960
Speaker 4: because I was trying to figure out new management all

910
00:45:27,960 --> 00:45:29,839
Speaker 4: of that type of stuff. So you know, so I'm

911
00:45:29,880 --> 00:45:33,320
Speaker 4: by myself and then now I'll run into a guy

912
00:45:33,520 --> 00:45:37,920
Speaker 4: by the name of tyro Bing. Tyro Bing was a

913
00:45:37,960 --> 00:45:42,719
Speaker 4: part of eight seventy two Corner Boys Yeah back yeah,

914
00:45:42,920 --> 00:45:45,920
Speaker 4: and he's from Atlantic City. So like he took me

915
00:45:46,000 --> 00:45:47,560
Speaker 4: under the wing and he was just like, you know,

916
00:45:47,680 --> 00:45:49,319
Speaker 4: like this is what it is, this is what it's not.

917
00:45:49,480 --> 00:45:51,280
Speaker 4: You know what I'm saying, Like, you know, showed me around,

918
00:45:51,320 --> 00:45:53,720
Speaker 4: like showed me the ropes because like, you know, he

919
00:45:54,040 --> 00:45:55,920
Speaker 4: moved to Atlanta as well, so like you know, like

920
00:45:55,960 --> 00:45:57,600
Speaker 4: he knew it and all of that. So you know,

921
00:45:57,719 --> 00:45:59,600
Speaker 4: every time I would go to Atlanta at that time,

922
00:45:59,640 --> 00:46:01,480
Speaker 4: I would you know, hang out with him, be with him,

923
00:46:01,520 --> 00:46:03,560
Speaker 4: and he'll show me, you know things, and so like,

924
00:46:03,600 --> 00:46:08,240
Speaker 4: you know, I signed with them with him a seventy

925
00:46:08,280 --> 00:46:11,680
Speaker 4: two Entertainment and you know, he was managing me and

926
00:46:11,920 --> 00:46:13,279
Speaker 4: all of that, and you know, he was trying to

927
00:46:13,320 --> 00:46:17,120
Speaker 4: just figure out, you know, like the next big move

928
00:46:17,160 --> 00:46:19,440
Speaker 4: for me. At the time, he had tiny Sha Kelly,

929
00:46:19,840 --> 00:46:22,000
Speaker 4: so I was working on her a lot. And you know,

930
00:46:23,280 --> 00:46:26,200
Speaker 4: my first time going to LA I think was I

931
00:46:26,239 --> 00:46:29,320
Speaker 4: think I might have been eighteen nineteen.

932
00:46:29,400 --> 00:46:30,239
Speaker 2: And when I went, like.

933
00:46:30,239 --> 00:46:33,200
Speaker 4: It was just so like it was just like so

934
00:46:33,400 --> 00:46:36,000
Speaker 4: new for me, like, oh my god, like what's all

935
00:46:36,040 --> 00:46:37,759
Speaker 4: of this? And I was with Tyrrell and I was

936
00:46:37,800 --> 00:46:40,759
Speaker 4: with Tinyia Kelly, so like, you know, I'm going with

937
00:46:40,800 --> 00:46:44,759
Speaker 4: her to the spot, pick up her check. You know,

938
00:46:44,760 --> 00:46:46,600
Speaker 4: I'm saying, she goes to a rehearsal. I'm like the

939
00:46:46,640 --> 00:46:49,360
Speaker 4: whole artist life and all that. It was dope.

940
00:46:50,560 --> 00:46:52,520
Speaker 2: So you know, being with him was cool, like it

941
00:46:52,560 --> 00:46:54,320
Speaker 2: was a great experience.

942
00:46:53,760 --> 00:46:55,759
Speaker 4: And you know, like from the crib, you know, I

943
00:46:55,800 --> 00:46:58,680
Speaker 4: definitely was like, man, like this is a dope person

944
00:46:58,719 --> 00:47:00,480
Speaker 4: to be around to learn a game from, you know what

945
00:47:00,520 --> 00:47:03,359
Speaker 4: I'm saying. And then that ren its course, and then

946
00:47:03,360 --> 00:47:06,000
Speaker 4: I was trying to figure out what I was trying

947
00:47:06,040 --> 00:47:06,840
Speaker 4: to do after.

948
00:47:06,719 --> 00:47:20,080
Speaker 5: That you would like to go to for the female

949
00:47:20,440 --> 00:47:21,319
Speaker 5: R and B artists too.

950
00:47:22,200 --> 00:47:26,760
Speaker 2: I mean you've Mary J. Blige when Rian Carey her.

951
00:47:26,960 --> 00:47:29,279
Speaker 1: Her is, let's stop at her, Let's stop okay, let's

952
00:47:29,280 --> 00:47:32,359
Speaker 1: stop right there. You stop there, okay, because you ep

953
00:47:32,640 --> 00:47:36,680
Speaker 1: on that. Yeah, he's e a few, it's not just

954
00:47:36,880 --> 00:47:39,480
Speaker 1: stop there. Yeah, okay, okay, okay, let's let's get there.

955
00:47:39,560 --> 00:47:43,279
Speaker 2: Let's get there because those are muscle listens. Yeah yeah, yeah, yeah,

956
00:47:43,320 --> 00:47:43,759
Speaker 2: yeah yeah.

957
00:47:44,560 --> 00:47:47,920
Speaker 1: If you are if you are an R and B fan, mhmm,

958
00:47:48,320 --> 00:47:52,839
Speaker 1: and you don't have her Volume one, Volume two in

959
00:47:52,880 --> 00:47:55,520
Speaker 1: your playlist in your playlist first.

960
00:47:55,280 --> 00:47:59,040
Speaker 5: EP to ever win a Grammy in my that I

961
00:47:59,080 --> 00:48:00,920
Speaker 5: know of. I could be wrong.

962
00:48:01,840 --> 00:48:06,960
Speaker 1: I don't trust your ear, your R and B conversation,

963
00:48:07,719 --> 00:48:08,320
Speaker 1: I don't trust.

964
00:48:08,320 --> 00:48:10,560
Speaker 2: I don't trust it about you. It's R and B.

965
00:48:11,160 --> 00:48:14,120
Speaker 1: If you don't have those two projects real.

966
00:48:14,440 --> 00:48:18,920
Speaker 2: That's real. Stop arguing with tanking the comments.

967
00:48:18,960 --> 00:48:20,879
Speaker 1: If you don't have what I'm saying, if you don't

968
00:48:20,920 --> 00:48:24,320
Speaker 1: have those, you can't argue with me in the comments.

969
00:48:26,440 --> 00:48:31,319
Speaker 2: Exactly it is, Oh yeah, so how did I how to?

970
00:48:31,600 --> 00:48:33,439
Speaker 2: How did what does that start? What does that start?

971
00:48:33,480 --> 00:48:33,560
Speaker 1: Like?

972
00:48:33,560 --> 00:48:41,240
Speaker 2: How do relationship. So uh, shout out to Jeff Robinson.

973
00:48:41,520 --> 00:48:46,200
Speaker 2: You know what I'm saying, you know what I mean. Yeah, yeah,

974
00:48:46,280 --> 00:48:46,840
Speaker 2: like the guru.

975
00:48:47,520 --> 00:48:49,319
Speaker 4: You know, like if he ain't gonna do anything, man,

976
00:48:49,320 --> 00:48:51,680
Speaker 4: he gonna put a play together, like you know. So

977
00:48:51,719 --> 00:48:55,160
Speaker 4: he hit my manager at the time, Natalie and and

978
00:48:55,200 --> 00:48:57,200
Speaker 4: it was like, yo, yeah, we gotta get Camper. You know,

979
00:48:57,400 --> 00:49:00,200
Speaker 4: you gotta get Camper down to the studio, man know

980
00:49:00,200 --> 00:49:02,319
Speaker 4: in New York. You know, we gotta have him pull up.

981
00:49:02,560 --> 00:49:04,759
Speaker 4: Like all right, cool, come cool. You know I got

982
00:49:04,760 --> 00:49:08,120
Speaker 4: this young girl, you know, Gabby, you know, Gabby Wilson.

983
00:49:08,200 --> 00:49:09,719
Speaker 4: You know, like be trying to figure it out with

984
00:49:09,800 --> 00:49:11,520
Speaker 4: her and all of that, and you know, I guess

985
00:49:11,560 --> 00:49:13,440
Speaker 4: they tried to work with other producers and all of

986
00:49:13,480 --> 00:49:16,520
Speaker 4: that and nothing really Like I'm like, all right, cool,

987
00:49:16,560 --> 00:49:18,680
Speaker 4: you know if I like her, then you know, like

988
00:49:18,960 --> 00:49:22,759
Speaker 4: we'll see you know. So at the time, I'm still

989
00:49:22,800 --> 00:49:25,680
Speaker 4: living in Jersey, so like, you know, I ain't driving

990
00:49:25,719 --> 00:49:28,040
Speaker 4: to New York. So I hopped on the Greyhound. It's

991
00:49:28,080 --> 00:49:31,680
Speaker 4: like twenty five dollars, two and.

992
00:49:31,600 --> 00:49:33,399
Speaker 2: A half hours. You're there, boom. You know what I'm saying.

993
00:49:33,400 --> 00:49:34,880
Speaker 4: So, you know, I'm trying to figure it out, you know,

994
00:49:34,920 --> 00:49:36,600
Speaker 4: because I'm still trying to make money. I'm still trying

995
00:49:36,640 --> 00:49:38,320
Speaker 4: to like you know, like catch a like catch a

996
00:49:38,440 --> 00:49:41,360
Speaker 4: break like for real at this point because it's like,

997
00:49:41,440 --> 00:49:43,120
Speaker 4: you know, I had to deal but like that, that

998
00:49:43,200 --> 00:49:47,920
Speaker 4: money was so.

999
00:49:46,520 --> 00:49:48,919
Speaker 2: Still waiting for the next time. Yah, oh my god. Right,

1000
00:49:48,960 --> 00:49:50,840
Speaker 2: but already feel the require.

1001
00:49:51,360 --> 00:49:55,160
Speaker 4: I mean only otis every every week exactly what we're

1002
00:49:55,160 --> 00:49:59,439
Speaker 4: talking about, right there, Get back to work. Yeah, okay, cool?

1003
00:49:59,480 --> 00:50:01,200
Speaker 4: So now a right cool? So now I'm head to

1004
00:50:01,239 --> 00:50:03,880
Speaker 4: New York. I'm going to New York. I meet up

1005
00:50:03,920 --> 00:50:11,360
Speaker 4: with her instant, instant, instantly blown away, playing playing, singing,

1006
00:50:11,560 --> 00:50:13,960
Speaker 4: and I'm just like, man, oh yeah, no, she crazy,

1007
00:50:14,000 --> 00:50:17,279
Speaker 4: she got it. Where do we start? Matter of fact,

1008
00:50:17,320 --> 00:50:19,239
Speaker 4: y'a could leave a room. We can start now, right.

1009
00:50:19,640 --> 00:50:20,560
Speaker 4: So we just started.

1010
00:50:20,560 --> 00:50:20,719
Speaker 2: Bro.

1011
00:50:21,000 --> 00:50:22,759
Speaker 4: She had like this idea on a piano, you know

1012
00:50:22,800 --> 00:50:26,920
Speaker 4: what I'm saying, like these four core passes. I played

1013
00:50:26,920 --> 00:50:28,600
Speaker 4: them how she wanted me to, you know what I'm saying,

1014
00:50:28,680 --> 00:50:31,360
Speaker 4: and then I put the beat behind it. You know,

1015
00:50:32,080 --> 00:50:34,439
Speaker 4: that song was called Losing. That was the first song

1016
00:50:34,560 --> 00:50:38,239
Speaker 4: we ever did, losing, the first record, Yeah, Losing, and

1017
00:50:38,280 --> 00:50:39,480
Speaker 4: that's on Value one.

1018
00:50:40,040 --> 00:50:40,640
Speaker 2: I know the record.

1019
00:50:40,640 --> 00:50:42,200
Speaker 6: That's why I asked you that way. I'm like, yo,

1020
00:50:42,320 --> 00:50:43,440
Speaker 6: that's the first record.

1021
00:50:43,840 --> 00:50:44,880
Speaker 2: Came on, so crazy.

1022
00:50:44,880 --> 00:50:49,200
Speaker 4: I'm just like, man, like yo, her melodies her deliverance,

1023
00:50:49,320 --> 00:50:52,000
Speaker 4: Like you know, we just had a real conversation like

1024
00:50:52,040 --> 00:50:54,560
Speaker 4: it just like yo, like what can we do that

1025
00:50:54,640 --> 00:50:57,319
Speaker 4: hasn't been done? Like what can we do that can

1026
00:50:57,360 --> 00:51:00,839
Speaker 4: shock in awe? Like what can we do to make

1027
00:51:00,880 --> 00:51:02,200
Speaker 4: that change and to make that stay?

1028
00:51:02,239 --> 00:51:04,080
Speaker 2: What year is this?

1029
00:51:04,080 --> 00:51:07,080
Speaker 4: This is like twenty man, this might be like twenty thirteen,

1030
00:51:07,760 --> 00:51:12,759
Speaker 4: twenty fourteen. Wow, yeah at the time, and like and yeah,

1031
00:51:12,880 --> 00:51:14,839
Speaker 4: so like you know, it started with losing and then

1032
00:51:14,920 --> 00:51:17,560
Speaker 4: like you know, she wanted to work every day. So

1033
00:51:17,600 --> 00:51:19,480
Speaker 4: like I was in New York at least like three

1034
00:51:19,520 --> 00:51:22,520
Speaker 4: teens four times twenty fourteen, twenty thirteen.

1035
00:51:22,440 --> 00:51:25,279
Speaker 2: Twenty fourteen, because it didn't come out to twenty sixteen. Okay, yeah, yup.

1036
00:51:25,320 --> 00:51:26,120
Speaker 2: So we've been at it.

1037
00:51:26,200 --> 00:51:28,720
Speaker 4: We've been trying to figure out how to like market

1038
00:51:28,760 --> 00:51:31,040
Speaker 4: her and how her rebrand could be.

1039
00:51:31,120 --> 00:51:33,480
Speaker 2: And that was a whole Jeff Robinson because they even

1040
00:51:33,680 --> 00:51:37,439
Speaker 2: were they even calling Gabby her at that point.

1041
00:51:37,560 --> 00:51:39,960
Speaker 4: No, I was still Gab. She was You're still Gabby

1042
00:51:39,960 --> 00:51:41,600
Speaker 4: Wilson performing at SOOBS.

1043
00:51:42,280 --> 00:51:45,399
Speaker 5: Yeah, excuse me, and because that's what I was familiar with. Yeah,

1044
00:51:45,400 --> 00:51:48,000
Speaker 5: and obviously she's from the Bay, so I only knew

1045
00:51:48,000 --> 00:51:50,720
Speaker 5: her as I knew super talented young girl from the Bay,

1046
00:51:50,920 --> 00:51:51,520
Speaker 5: Gabby Wilson.

1047
00:51:51,960 --> 00:51:54,640
Speaker 2: I knew crazy yup, very talented.

1048
00:51:54,760 --> 00:51:56,560
Speaker 4: She just needed, like you know, that's just just that

1049
00:51:56,680 --> 00:51:58,759
Speaker 4: hedge of protection around her to really like take it

1050
00:51:58,800 --> 00:52:01,560
Speaker 4: there musically and have that like that marriage with someone

1051
00:52:01,600 --> 00:52:04,319
Speaker 4: that could really like like take her there, you know.

1052
00:52:04,280 --> 00:52:04,759
Speaker 2: What I'm saying.

1053
00:52:04,800 --> 00:52:08,160
Speaker 4: And like and we were like a matchmate of heaven

1054
00:52:08,560 --> 00:52:10,359
Speaker 4: at that time. It's like we couldn't do no wrong.

1055
00:52:10,360 --> 00:52:13,520
Speaker 4: We pumped out everything like say it again, way for all.

1056
00:52:13,560 --> 00:52:15,440
Speaker 4: That was like almost every other day, like it was

1057
00:52:15,480 --> 00:52:19,160
Speaker 4: a hit. That's chemistry to this day unmatched. It's like

1058
00:52:19,200 --> 00:52:22,879
Speaker 4: where you at you went in crazy?

1059
00:52:22,960 --> 00:52:25,880
Speaker 2: Yeah, man, you were heard Jimmy jam and Terry Lewis,

1060
00:52:25,960 --> 00:52:28,640
Speaker 2: Yeah you are yeah to me way yeah.

1061
00:52:28,719 --> 00:52:32,240
Speaker 6: To this day, it's a full locking yeah going towhere.

1062
00:52:32,760 --> 00:52:36,960
Speaker 1: That went crazy all right, camp brother, you know you

1063
00:52:37,000 --> 00:52:39,759
Speaker 1: hey man, you turning your he's turning your sounds on

1064
00:52:40,320 --> 00:52:40,719
Speaker 1: you too.

1065
00:52:41,680 --> 00:52:50,160
Speaker 2: You're doing man flat flas just enough to you know

1066
00:52:50,200 --> 00:52:50,560
Speaker 2: what I'm saying.

1067
00:52:53,400 --> 00:53:05,800
Speaker 4: I got twenty five yeah, yeah, yeah, yeah, come Onrrold.

1068
00:53:04,800 --> 00:53:12,040
Speaker 2: Yes, SIRT, d J, H y M. Camper.

1069
00:53:14,160 --> 00:53:17,640
Speaker 1: You've had your share of taking keys musical influences.

1070
00:53:17,719 --> 00:53:26,880
Speaker 2: Yes, talk about it. And we want to hear about

1071
00:53:26,880 --> 00:53:36,640
Speaker 2: your top five, your top.

1072
00:53:36,480 --> 00:53:41,320
Speaker 5: Five, top five, top.

1073
00:53:40,680 --> 00:53:48,160
Speaker 1: Five, your top five rm DS single.

1074
00:53:50,840 --> 00:53:55,440
Speaker 2: And song? Did Camper?

1075
00:53:56,400 --> 00:53:56,800
Speaker 5: Hella?

1076
00:53:57,080 --> 00:53:57,920
Speaker 2: He has?

1077
00:53:58,360 --> 00:54:06,960
Speaker 1: I promise you, he's he's done, he's gone, he's.

1078
00:54:06,560 --> 00:54:11,160
Speaker 2: Yes, whoa yeah who Now.

1079
00:54:18,840 --> 00:54:20,320
Speaker 5: Your top.

1080
00:54:22,600 --> 00:54:34,880
Speaker 2: Five sounds so so for don't you agree? Don't you agree?

1081
00:54:35,160 --> 00:54:37,960
Speaker 2: And the T D flat TJ Camper talk to me.

1082
00:54:39,960 --> 00:54:48,920
Speaker 1: Your top five R and B artists detter live back then,

1083
00:54:49,000 --> 00:54:53,359
Speaker 1: now come on with it, Come on, you make the call.

1084
00:54:54,120 --> 00:54:57,320
Speaker 2: But she only got five, you only got five? Five sinkle,

1085
00:54:57,360 --> 00:55:03,799
Speaker 2: my friend a sinkle Sinkle. All right, bet Minnie Houston, start.

1086
00:55:03,560 --> 00:55:06,640
Speaker 6: There, We're gonna start and start there, starting.

1087
00:55:08,160 --> 00:55:11,000
Speaker 4: And Jersey strong again strong, but we could stay at

1088
00:55:11,000 --> 00:55:13,479
Speaker 4: Whitney another Jersey queen, Lauren Hill?

1089
00:55:13,800 --> 00:55:16,799
Speaker 2: Why not? You're acting up?

1090
00:55:19,040 --> 00:55:25,960
Speaker 4: Can Stevie Wonder? Brandy Michael Jackson?

1091
00:55:26,239 --> 00:55:26,640
Speaker 2: Why not?

1092
00:55:27,760 --> 00:55:28,080
Speaker 4: Come on?

1093
00:55:28,200 --> 00:55:28,920
Speaker 2: Man? Why not?

1094
00:55:29,719 --> 00:55:32,720
Speaker 1: Your top five R and B songs?

1095
00:55:33,440 --> 00:55:39,360
Speaker 2: All right? As we lay wow, I know you was playing.

1096
00:55:39,840 --> 00:55:41,040
Speaker 2: I forgot about.

1097
00:55:40,800 --> 00:55:44,200
Speaker 5: Tomorrow as we were he came up here in that

1098
00:55:44,320 --> 00:55:46,400
Speaker 5: purple correct.

1099
00:55:46,960 --> 00:55:53,120
Speaker 2: Yeah, nigga, you just be up with that. Lay my god,

1100
00:55:53,200 --> 00:55:59,439
Speaker 2: what a song. What a song, Drew Hill, I love you?

1101
00:56:03,400 --> 00:56:08,560
Speaker 2: Oh yeah. At first I'm like, wait, I love you,

1102
00:56:09,280 --> 00:56:10,960
Speaker 2: oh my god, exactly.

1103
00:56:11,600 --> 00:56:17,200
Speaker 6: That's that song is cold? What that's first album?

1104
00:56:17,200 --> 00:56:22,400
Speaker 2: Man? Is that first album? That's the first album. I

1105
00:56:22,440 --> 00:56:27,880
Speaker 2: don't know, bro, Sierra promise.

1106
00:56:28,320 --> 00:56:33,960
Speaker 4: Really great record. Wow, yeah that's going here. That's the

1107
00:56:33,960 --> 00:56:39,200
Speaker 4: Elvis man that the production, the bridge like and like

1108
00:56:39,400 --> 00:56:40,239
Speaker 4: you know, and like.

1109
00:56:40,719 --> 00:56:42,960
Speaker 6: The black Elvis, yeah, the black.

1110
00:56:42,719 --> 00:56:47,440
Speaker 4: One, because that bridge was different. Only black Elves could

1111
00:56:47,440 --> 00:56:53,440
Speaker 4: do that bridge that in that top box. Now, Like

1112
00:56:53,600 --> 00:56:59,359
Speaker 4: I was like, dang, you don't know my name? Elicia, Yeah,

1113
00:56:59,440 --> 00:57:03,680
Speaker 4: come on her, Lily yeah, Lily. Big Brother every book

1114
00:57:03,840 --> 00:57:07,160
Speaker 4: under the son Harrid, he read everybody, He's read it.

1115
00:57:07,680 --> 00:57:09,640
Speaker 2: You know, he's gonna send me everything. You know. I

1116
00:57:09,680 --> 00:57:10,239
Speaker 2: love Big Bro.

1117
00:57:10,560 --> 00:57:18,240
Speaker 4: What I'm saying, Superstar Usher yeah, Ryan Toby Yeah, Ryan

1118
00:57:18,280 --> 00:57:21,080
Speaker 4: Toby Bro, Ryan Toby Yeah.

1119
00:57:21,800 --> 00:57:23,360
Speaker 2: Crazy yeah, Drama.

1120
00:57:24,960 --> 00:57:29,960
Speaker 4: Down Philly, my Philly brother going crazy like that super

1121
00:57:30,000 --> 00:57:34,360
Speaker 4: Crazy man man. Yeah, it just hit home, you know

1122
00:57:34,360 --> 00:57:38,280
Speaker 4: what I'm saying, Like like the bridge, like the.

1123
00:57:38,360 --> 00:57:41,000
Speaker 2: Challenge, yeah, like you know, what I'm saying all that.

1124
00:57:42,000 --> 00:57:44,880
Speaker 1: We're gonna make your R and B vultron. Okay, you're

1125
00:57:44,880 --> 00:57:48,240
Speaker 1: going to make a super artist. We want to know

1126
00:57:48,240 --> 00:57:51,560
Speaker 1: where you're going to get the vocal from, the performance style,

1127
00:57:51,680 --> 00:57:55,960
Speaker 1: from the styling from and the passion the heart.

1128
00:57:55,720 --> 00:57:56,440
Speaker 2: Of the artists.

1129
00:57:56,640 --> 00:58:00,600
Speaker 1: Anybody, I can anybody, anybody. So if you're gonna name

1130
00:58:00,640 --> 00:58:03,160
Speaker 1: one artist to put on your super R and B

1131
00:58:03,320 --> 00:58:06,400
Speaker 1: artists would vote, where you gonna get that vocal from the.

1132
00:58:06,560 --> 00:58:10,040
Speaker 2: Voice has to be Whitney Houston. We're going there.

1133
00:58:10,600 --> 00:58:13,000
Speaker 4: We're going to dance with everybody, not just somebody. We

1134
00:58:13,120 --> 00:58:17,000
Speaker 4: dance with everyone. Performance style, performer style on that stage.

1135
00:58:17,040 --> 00:58:21,360
Speaker 4: Michael Jackson, why not? Yeah, the styling of the artist

1136
00:58:21,440 --> 00:58:27,800
Speaker 4: that dripped. Who put that on with artists? Yeah yeah, yeah, yeah,

1137
00:58:27,920 --> 00:58:29,400
Speaker 4: yeah yeah yeah.

1138
00:58:29,880 --> 00:58:35,439
Speaker 1: Stadium, stadium close, you know yeah and they mind yeah

1139
00:58:35,960 --> 00:58:37,720
Speaker 1: yeah yeah yeah yeah.

1140
00:58:38,200 --> 00:58:48,320
Speaker 2: Ain't nobody else with me me? That's crazy? Like this game? Uh,

1141
00:58:48,840 --> 00:58:51,920
Speaker 2: I like it. I like it. I like it. Who

1142
00:58:52,000 --> 00:58:53,640
Speaker 2: get the passion of the artists from the heart of

1143
00:58:53,640 --> 00:58:58,960
Speaker 2: the artists? Hm hmmm, who mean it? Beyonce mm hmm.

1144
00:58:59,480 --> 00:59:04,760
Speaker 2: Everywhere she made it when she gets on on that stage. Sure,

1145
00:59:04,800 --> 00:59:06,120
Speaker 2: it's a different type of passion.

1146
00:59:06,440 --> 00:59:09,560
Speaker 1: She's gonna make sure you know one hundred of these.

1147
00:59:10,000 --> 00:59:14,760
Speaker 1: These were fourteen hour rehearse like, yes, exactly, one hundred percent.

1148
00:59:15,880 --> 00:59:23,000
Speaker 4: Yeah, easy, easy, easy, this whole thing. Yeah, this is

1149
00:59:23,040 --> 00:59:26,440
Speaker 4: the coffee to understand what happens to six cups of

1150
00:59:26,440 --> 00:59:27,080
Speaker 4: coffee too?

1151
00:59:27,240 --> 00:59:31,400
Speaker 2: One hundred percent no sleep, yeah none, that's great. You

1152
00:59:31,400 --> 00:59:33,600
Speaker 2: did well. I love it well. And he's going back

1153
00:59:33,600 --> 00:59:37,080
Speaker 2: to the piano that was on my brother. What I'm

1154
00:59:37,080 --> 00:59:40,000
Speaker 2: saying with the lights up, it's not every day this happens. Man.

1155
00:59:40,120 --> 00:59:44,600
Speaker 2: You know I'm sucking and all that. Come on, talk

1156
00:59:44,640 --> 00:59:45,880
Speaker 2: to me. I heard that too with the head.

1157
00:59:46,120 --> 00:59:48,520
Speaker 5: Yeah, you don't have a dimmer on your side of Yeah,

1158
00:59:53,840 --> 00:59:54,800
Speaker 5: we ain't going with this thing.

1159
00:59:56,520 --> 01:00:01,800
Speaker 1: Come on, I'm saying no name time, no names, saying

1160
01:00:01,840 --> 01:00:03,840
Speaker 1: no names.

1161
01:00:04,040 --> 01:00:12,240
Speaker 2: He was what you did, you don't say I ain't

1162
01:00:12,280 --> 01:00:24,960
Speaker 2: saying no names. Yeah, yeah, you showing out.

1163
01:00:26,760 --> 01:00:32,920
Speaker 8: Catching it man, man, no names, tell them, tell the

1164
01:00:33,040 --> 01:00:39,760
Speaker 8: roots story, funnier, fucked up, funny and fucked up, the

1165
01:00:39,920 --> 01:00:41,160
Speaker 8: travels d J.

1166
01:00:41,400 --> 01:00:45,360
Speaker 2: Campber and this music thing that we got. Man, we

1167
01:00:45,480 --> 01:00:46,240
Speaker 2: know you didn't.

1168
01:00:46,000 --> 01:00:49,360
Speaker 5: Seen it and done it and experienced it and witnessed it.

1169
01:00:50,920 --> 01:00:56,840
Speaker 5: But the one thing that DJ Camper cannot do. It's

1170
01:00:56,920 --> 01:01:04,600
Speaker 5: saying no names. D J Camper, stay focused, hear me,

1171
01:01:05,520 --> 01:01:07,720
Speaker 5: Go go turn on some Marven, get you some shot.

1172
01:01:10,320 --> 01:01:12,040
Speaker 5: If you really trying, if you're really trying to get

1173
01:01:12,040 --> 01:01:14,400
Speaker 5: into it, if you want to, if you want to,

1174
01:01:14,520 --> 01:01:17,959
Speaker 5: if you want a number one. Yeah, this you should

1175
01:01:17,960 --> 01:01:22,440
Speaker 5: probably go do. But make sure you don't say no name.

1176
01:01:23,480 --> 01:01:25,680
Speaker 5: Come on, my brother, I'll keep it.

1177
01:01:25,760 --> 01:01:28,240
Speaker 2: Cute man. You know what I'm saying. I see you.

1178
01:01:28,240 --> 01:01:30,919
Speaker 2: You know what I'm see you keep it. I'm gonna

1179
01:01:30,960 --> 01:01:33,280
Speaker 2: keep it. Come on, come on, but.

1180
01:01:34,840 --> 01:01:37,000
Speaker 4: I ain't gonna say no names. You know what I'm saying.

1181
01:01:37,960 --> 01:01:42,240
Speaker 4: I'm I'm I get invited to this session. It's my

1182
01:01:42,360 --> 01:01:45,520
Speaker 4: session though, but like it's another producer and an artist.

1183
01:01:45,600 --> 01:01:47,720
Speaker 4: So like they told me at the start time, what's

1184
01:01:47,760 --> 01:01:52,600
Speaker 4: gonna be. Like, let's say it was three o'clock, three pm.

1185
01:01:52,880 --> 01:01:55,000
Speaker 2: It's in New York. You know, I'm coming from Atlantic

1186
01:01:55,040 --> 01:01:56,760
Speaker 2: City on the bus again.

1187
01:01:56,960 --> 01:01:59,240
Speaker 4: You was really hopping to right, yeah, because bro, like

1188
01:01:59,280 --> 01:02:04,680
Speaker 4: there's no there's no studios of course, studios in Lang City,

1189
01:02:05,160 --> 01:02:07,760
Speaker 4: you know, and you gotta go to Philly, which is

1190
01:02:07,800 --> 01:02:10,479
Speaker 4: forty five minutes away to record. But if they don't

1191
01:02:10,560 --> 01:02:13,280
Speaker 4: want to come to Philly. You gotta go to New

1192
01:02:13,400 --> 01:02:16,440
Speaker 4: York and y see, you have Midtown. You gotta forty

1193
01:02:16,440 --> 01:02:18,080
Speaker 4: second Street right there.

1194
01:02:18,320 --> 01:02:20,160
Speaker 2: Figure it out, and yeah, figure it out. And that's

1195
01:02:20,160 --> 01:02:20,520
Speaker 2: what I did.

1196
01:02:20,560 --> 01:02:23,000
Speaker 4: I will hop on the ground, you know what I'm saying,

1197
01:02:23,000 --> 01:02:24,760
Speaker 4: And I would just I will go up and do

1198
01:02:24,800 --> 01:02:26,320
Speaker 4: my sessions and now I will come back home.

1199
01:02:27,000 --> 01:02:28,800
Speaker 2: So the start time was three o'clock.

1200
01:02:29,320 --> 01:02:31,720
Speaker 4: I get there. You know what I'm saying. I'm waiting.

1201
01:02:32,960 --> 01:02:35,800
Speaker 4: I'm waiting like the engineers there. You know what I'm saying.

1202
01:02:35,840 --> 01:02:40,600
Speaker 4: You know it's four o'clock. My god, cool, I wait.

1203
01:02:41,280 --> 01:02:42,960
Speaker 4: I'm hungry. I'm like, but I don't want to leave

1204
01:02:42,960 --> 01:02:44,760
Speaker 4: you because you know, they can walk in any minute,

1205
01:02:44,760 --> 01:02:49,600
Speaker 4: because it started at three o'clock, five o'clock, come around

1206
01:02:50,160 --> 01:02:53,880
Speaker 4: six o'clock seven, I'm still sitting there.

1207
01:02:54,280 --> 01:02:55,200
Speaker 2: Getting disrespectful.

1208
01:02:55,520 --> 01:02:56,160
Speaker 1: Are you hungry?

1209
01:02:56,920 --> 01:02:59,720
Speaker 2: You haven't eaten? Starving gay bro? Yeah I have.

1210
01:03:00,240 --> 01:03:01,600
Speaker 4: I don't want to lead because if I lead, I

1211
01:03:01,640 --> 01:03:04,240
Speaker 4: don't want to like miss the opportunity because I was

1212
01:03:04,280 --> 01:03:06,120
Speaker 4: still like it was that time where I was still

1213
01:03:06,160 --> 01:03:09,920
Speaker 4: trying to like, you know, like get acquainted and improve myself,

1214
01:03:10,200 --> 01:03:12,120
Speaker 4: like be accountable and.

1215
01:03:12,080 --> 01:03:13,040
Speaker 2: All of that yeah.

1216
01:03:13,160 --> 01:03:16,360
Speaker 4: I was like, sir, yes, sir, like I'm awake, And

1217
01:03:17,040 --> 01:03:21,640
Speaker 4: six o'clock came, seven, six o'clock came. You know what

1218
01:03:21,640 --> 01:03:28,000
Speaker 4: I'm saying, people in the back. Seven pm came, eight pm,

1219
01:03:28,120 --> 01:03:31,760
Speaker 4: nine o'clock. I'm bro. I'm like, I don't know why

1220
01:03:31,760 --> 01:03:34,320
Speaker 4: it didn't dawned me to like just make music, you

1221
01:03:34,320 --> 01:03:36,440
Speaker 4: know what I'm saying. But I would, you know, because

1222
01:03:36,480 --> 01:03:38,640
Speaker 4: like I wasn't leading the session, so I was like

1223
01:03:39,240 --> 01:03:41,960
Speaker 4: I was more so like the key player, but like

1224
01:03:42,040 --> 01:03:44,160
Speaker 4: I had my laptop with me too, just in case,

1225
01:03:44,240 --> 01:03:45,960
Speaker 4: like you know, they wanted some drum stuff, but like

1226
01:03:46,720 --> 01:03:49,960
Speaker 4: just in case, I was prepared for whatever. So like

1227
01:03:50,280 --> 01:03:55,800
Speaker 4: maybe around like ten thirty, bro artist walks in, the

1228
01:03:55,840 --> 01:03:58,680
Speaker 4: producer walks in. They got food with them, like they

1229
01:03:58,800 --> 01:04:01,680
Speaker 4: went to a restaurant, all type of cheese cakes and

1230
01:04:02,360 --> 01:04:06,240
Speaker 4: over yo like vanilla flavorite like cupcake, ice cream and

1231
01:04:06,280 --> 01:04:11,320
Speaker 4: cookies and stuff and like for them, for them, I'm

1232
01:04:11,320 --> 01:04:15,240
Speaker 4: still sitting there. They walking in, they playing, they playing music.

1233
01:04:15,360 --> 01:04:17,080
Speaker 4: She hops in the booth.

1234
01:04:17,320 --> 01:04:19,800
Speaker 2: They laughing for like ten fifteen minutes. Oh before like

1235
01:04:19,840 --> 01:04:21,640
Speaker 2: they walked in, like oh hey, what's up? Like you

1236
01:04:21,680 --> 01:04:24,280
Speaker 2: know how you they did speak to you they spoke okay,

1237
01:04:24,280 --> 01:04:27,439
Speaker 2: but that was it. It wasn't like sorry, I'm late,

1238
01:04:28,600 --> 01:04:31,120
Speaker 2: I've been you know, it wasn't any of that. It

1239
01:04:31,240 --> 01:04:33,760
Speaker 2: was like, you know, they was like, would you hear.

1240
01:04:35,760 --> 01:04:39,880
Speaker 6: When did you get here? Hey last year? Like what

1241
01:04:39,960 --> 01:04:40,400
Speaker 6: you mean?

1242
01:04:40,760 --> 01:04:42,400
Speaker 4: So I was like, I was, here's three o'clock. Oh

1243
01:04:42,480 --> 01:04:45,520
Speaker 4: my god, I'm so sorry, like all of that. My god,

1244
01:04:45,560 --> 01:04:48,720
Speaker 4: it's cool. She hopping in a booth, she doing a

1245
01:04:48,840 --> 01:04:53,360
Speaker 4: song to a previous session that has nothing to do

1246
01:04:53,440 --> 01:04:59,280
Speaker 4: with me, And I'm like, oh man, so I'm basically

1247
01:04:59,320 --> 01:05:03,000
Speaker 4: just out here, not doing anything, not even working on

1248
01:05:03,040 --> 01:05:07,880
Speaker 4: a song, not even like participating. Like so like that

1249
01:05:08,000 --> 01:05:10,520
Speaker 4: was like a dam that's fucked up type of story.

1250
01:05:10,720 --> 01:05:12,439
Speaker 4: You know, you just have to get on the bus

1251
01:05:12,440 --> 01:05:12,760
Speaker 4: and go.

1252
01:05:12,920 --> 01:05:15,200
Speaker 2: And I went home. I went home that night. On

1253
01:05:15,240 --> 01:05:15,800
Speaker 2: the next day.

1254
01:05:15,920 --> 01:05:19,200
Speaker 4: Yeah, just still sitting there like nothing like waiting for

1255
01:05:19,400 --> 01:05:22,400
Speaker 4: like the coach should be like it's time.

1256
01:05:22,480 --> 01:05:26,040
Speaker 2: Yeah, none of that happened. So I was just they're

1257
01:05:26,160 --> 01:05:29,240
Speaker 2: still hungry. Never time. Yeah. They didn't ask you if

1258
01:05:29,280 --> 01:05:30,120
Speaker 2: you want something an.

1259
01:05:30,120 --> 01:05:33,920
Speaker 4: Nothing, Nope, didn't ask you for my opinion, not not

1260
01:05:33,920 --> 01:05:37,800
Speaker 4: not not not not no beats, not not nothing, not.

1261
01:05:37,920 --> 01:05:39,880
Speaker 2: Anything, not even was it even his track.

1262
01:05:40,800 --> 01:05:43,640
Speaker 4: Yeah, it was his track, Like he could have definitely

1263
01:05:43,760 --> 01:05:48,040
Speaker 4: was like he could have definitely like yo like something, yeah,

1264
01:05:48,360 --> 01:05:50,080
Speaker 4: something like you know what I'm saying like that the

1265
01:05:50,120 --> 01:05:52,120
Speaker 4: song was cool, Like I don't know what the song

1266
01:05:52,160 --> 01:05:53,600
Speaker 4: came out to this day, you know what I'm saying.

1267
01:05:53,640 --> 01:05:56,920
Speaker 4: But it's like you could have been like yo, like

1268
01:05:57,040 --> 01:06:00,439
Speaker 4: you know there, yeah, yeah, yeah, yeah, I can came

1269
01:06:00,480 --> 01:06:01,560
Speaker 4: for them.

1270
01:06:01,840 --> 01:06:04,160
Speaker 2: Did you ever know you? Did you ever work with them? Again?

1271
01:06:06,680 --> 01:06:07,840
Speaker 2: I don't, I don't. I don't think.

1272
01:06:07,840 --> 01:06:11,600
Speaker 4: So it's crazy because we had success with her prior

1273
01:06:11,640 --> 01:06:14,960
Speaker 4: because she did a single and it went crazy and

1274
01:06:15,000 --> 01:06:19,160
Speaker 4: then to get back in and to get back in

1275
01:06:19,320 --> 01:06:21,600
Speaker 4: yeah like they they yeah it went like that.

1276
01:06:21,760 --> 01:06:23,800
Speaker 2: I'm like, I don't understand. How's it going like that?

1277
01:06:23,960 --> 01:06:25,000
Speaker 2: I don't. I don't get it.

1278
01:06:25,280 --> 01:06:27,600
Speaker 4: So yeah, that was kind of crazy, bro, Like I

1279
01:06:27,600 --> 01:06:29,320
Speaker 4: could have been home, you know what I'm saying. Chilling,

1280
01:06:29,840 --> 01:06:32,040
Speaker 4: But like I wasted my time like that people time

1281
01:06:32,120 --> 01:06:34,000
Speaker 4: I was young, you know, I mean, so I was like,

1282
01:06:34,360 --> 01:06:36,000
Speaker 4: you know, I guess this is part of rolling with

1283
01:06:36,040 --> 01:06:37,919
Speaker 4: the punches, but like, yeah, I waited for like eight

1284
01:06:37,960 --> 01:06:41,959
Speaker 4: hours in that studio, not doing the god dang thing, but.

1285
01:06:41,880 --> 01:06:44,480
Speaker 5: The flip side of that too, though, Is that in

1286
01:06:44,520 --> 01:06:46,640
Speaker 5: your position now, you would never do that anymore?

1287
01:06:46,680 --> 01:06:49,120
Speaker 2: I would never Yeah, I would never do it. Yeah. Yeah,

1288
01:06:49,280 --> 01:06:51,000
Speaker 2: you would never do that to something Yeah no, no, no,

1289
01:06:51,000 --> 01:06:54,000
Speaker 2: no no, because and you're in the lead position now.

1290
01:06:54,240 --> 01:06:59,880
Speaker 5: Yeah, but that is what we ultimately have to do. Yeah,

1291
01:07:00,720 --> 01:07:03,600
Speaker 5: stay in this thing, become who we need to become,

1292
01:07:04,200 --> 01:07:05,080
Speaker 5: and then change how.

1293
01:07:05,000 --> 01:07:09,720
Speaker 2: It goes facts. That's it, Yeah, exactly, that's that's that's it, bro.

1294
01:07:09,800 --> 01:07:11,880
Speaker 2: You know what I mean. Treat people better. Yeah, you

1295
01:07:11,920 --> 01:07:15,200
Speaker 2: know what I mean. You know, and you know it did.

1296
01:07:17,720 --> 01:07:21,120
Speaker 2: It has to become fuel. Yeah, exactly, it's all it's

1297
01:07:21,160 --> 01:07:22,240
Speaker 2: been to look at it.

1298
01:07:22,640 --> 01:07:25,040
Speaker 4: It's all it's been all these years, and I'm I'm

1299
01:07:25,080 --> 01:07:28,400
Speaker 4: just ready to, like, you know, light that torch up

1300
01:07:29,120 --> 01:07:31,000
Speaker 4: and go crazy like the fire is now.

1301
01:07:30,960 --> 01:07:33,960
Speaker 2: Like about to say you you going crazy? I feel

1302
01:07:34,000 --> 01:07:35,760
Speaker 2: like Kobe though, like job being finished.

1303
01:07:37,120 --> 01:07:39,640
Speaker 4: I'm ready for it all. Like whoever wants this, you

1304
01:07:39,640 --> 01:07:41,320
Speaker 4: know what I'm saying. I'm looking at that camp right here.

1305
01:07:41,600 --> 01:07:42,320
Speaker 4: Come to the camp.

1306
01:07:42,640 --> 01:07:44,880
Speaker 2: Come to the camp. It's time.

1307
01:07:45,000 --> 01:07:48,840
Speaker 1: Come to the camp. Give whatever you need it, camp it,

1308
01:07:48,920 --> 01:07:49,880
Speaker 1: come on, I love it.

1309
01:07:50,680 --> 01:07:55,320
Speaker 2: Yeah. They camp Overnight Summer Camp summer camp. You know

1310
01:07:55,320 --> 01:07:55,800
Speaker 2: what's crazy?

1311
01:07:55,840 --> 01:07:58,040
Speaker 4: So yo, So all right, so I'm I'm I'm doing

1312
01:07:58,080 --> 01:08:01,720
Speaker 4: my first, uh my first festival back in Atlantic City

1313
01:08:01,760 --> 01:08:04,560
Speaker 4: on giving Back. It's gonna be needed for Atlantic City.

1314
01:08:04,600 --> 01:08:05,640
Speaker 4: It's gonna be so beautiful.

1315
01:08:05,680 --> 01:08:08,919
Speaker 2: Man. I definitely need you out of that summer camp

1316
01:08:09,840 --> 01:08:12,480
Speaker 2: you're doing. You're doing it this summer next we send

1317
01:08:12,480 --> 01:08:16,479
Speaker 2: it up. Appreciate you can.

1318
01:08:16,360 --> 01:08:21,720
Speaker 1: Catch us as summer camp next Summer City. Guess sir,

1319
01:08:21,960 --> 01:08:22,719
Speaker 1: that's how it's.

1320
01:08:22,560 --> 01:08:31,439
Speaker 2: Done, Yes, sir, the authority uh d J.

1321
01:08:31,640 --> 01:08:38,240
Speaker 1: Camper Man. You're killing you are No, you're you're you're

1322
01:08:38,280 --> 01:08:40,680
Speaker 1: You're a monster, bro, Thank you man. And that's not

1323
01:08:40,840 --> 01:08:44,920
Speaker 1: like you know, you're not an industry monster like you know,

1324
01:08:45,040 --> 01:08:50,120
Speaker 1: the the the you you are now able to you know,

1325
01:08:50,280 --> 01:08:53,200
Speaker 1: to stunt and poke your chest out, you know, based

1326
01:08:53,240 --> 01:08:56,640
Speaker 1: on the success that you've had in the industry, but

1327
01:08:57,400 --> 01:09:01,519
Speaker 1: outside of that, before of that even took place, you

1328
01:09:01,520 --> 01:09:06,479
Speaker 1: we're a monster. Yeah, yeah, monster of a talent, monster

1329
01:09:06,520 --> 01:09:09,800
Speaker 1: of a human being. Always always good energy, the same

1330
01:09:09,840 --> 01:09:11,240
Speaker 1: good energy every time.

1331
01:09:11,600 --> 01:09:13,600
Speaker 2: We just laugh every time we see you. Every just

1332
01:09:13,640 --> 01:09:16,720
Speaker 2: smile and laugh on everything, no matter where we are,

1333
01:09:16,840 --> 01:09:17,320
Speaker 2: don't matter.

1334
01:09:17,880 --> 01:09:19,679
Speaker 1: To find a joke in you know what I'm saying,

1335
01:09:19,720 --> 01:09:21,519
Speaker 1: like or find the church in it. You know what

1336
01:09:21,520 --> 01:09:24,519
Speaker 1: I'm saying right right, It's always been that, man, And

1337
01:09:24,520 --> 01:09:29,639
Speaker 1: and you know we are on this good guys finished

1338
01:09:29,680 --> 01:09:31,000
Speaker 1: first kind of thing.

1339
01:09:31,479 --> 01:09:32,360
Speaker 2: That's what we're on now.

1340
01:09:32,400 --> 01:09:34,760
Speaker 5: I'm proud of you, bro, Yeah, I'm proud of I mean,

1341
01:09:34,760 --> 01:09:35,800
Speaker 5: the first time I met you, I didn't know you

1342
01:09:35,920 --> 01:09:36,280
Speaker 5: a producer.

1343
01:09:36,360 --> 01:09:39,360
Speaker 2: Yeah, I met you right at the fake at the

1344
01:09:39,360 --> 01:09:42,479
Speaker 2: fake fake work run. I'm just like, I like it.

1345
01:09:42,720 --> 01:09:45,720
Speaker 5: The nigga crazy keeps shooting the ball from half court.

1346
01:09:45,800 --> 01:09:47,439
Speaker 5: That damn mom, I'm gonna do that, bro, And he

1347
01:09:47,520 --> 01:09:48,320
Speaker 5: made a couple of them.

1348
01:09:49,240 --> 01:09:52,280
Speaker 2: You know, I like it. A crazy nigga to shoot

1349
01:09:52,280 --> 01:09:54,080
Speaker 2: from there, but I like it. I got it.

1350
01:09:56,439 --> 01:09:59,160
Speaker 5: But I'm seriously I'm proud of you than you what

1351
01:09:59,280 --> 01:10:00,680
Speaker 5: you've done and how you've done it.

1352
01:10:01,040 --> 01:10:01,880
Speaker 2: Yeah, you know what I mean.

1353
01:10:01,920 --> 01:10:03,759
Speaker 5: You you went about it in a in a really

1354
01:10:03,760 --> 01:10:07,400
Speaker 5: cool way. You don't hear nobody speaking your name and

1355
01:10:07,520 --> 01:10:11,040
Speaker 5: nothing but positive ways, thank God, man. And that's how

1356
01:10:11,080 --> 01:10:12,400
Speaker 5: we're supposed to move in this thing.

1357
01:10:12,720 --> 01:10:16,640
Speaker 4: And coming from yr is one of the best uh

1358
01:10:16,880 --> 01:10:19,559
Speaker 4: compliments and words that I can get. And I really

1359
01:10:19,600 --> 01:10:24,000
Speaker 4: appreciate that about y'all for life, man, you definitely.

1360
01:10:24,280 --> 01:10:25,760
Speaker 2: Yeah campellation.

1361
01:10:26,880 --> 01:10:30,759
Speaker 4: Away the way. Yeah, ladies and gentlemen.

1362
01:10:32,280 --> 01:10:36,120
Speaker 1: Valentine and this is the only money podcast authority on all.

1363
01:10:36,000 --> 01:10:36,960
Speaker 2: Things R and B.

1364
01:10:37,400 --> 01:10:43,920
Speaker 1: Yes, and you are you are only witnessing the beginning

1365
01:10:44,080 --> 01:10:49,880
Speaker 1: of what is going to be a masterful career and

1366
01:10:50,120 --> 01:11:00,200
Speaker 1: meaning for success. Keep going DJ campon Yeah Money.

1367
01:11:00,400 --> 01:11:02,200
Speaker 5: R and B Money is a production of the Black

1368
01:11:02,200 --> 01:11:03,639
Speaker 5: Effect Podcast Network.

1369
01:11:04,000 --> 01:11:09,480
Speaker 2: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

1370
01:11:09,600 --> 01:11:11,719
Speaker 2: or wherever you listen to your favorite shows.

1371
01:11:12,200 --> 01:11:15,280
Speaker 5: Don't forget to subscribe to and rate our show, and

1372
01:11:15,360 --> 01:11:17,880
Speaker 5: you can connect with us on social media at j

1373
01:11:18,120 --> 01:11:22,120
Speaker 5: Valentine and at the Real Tank. For the extended episode,

1374
01:11:22,200 --> 01:11:26,400
Speaker 5: subscribe to YouTube dot com or slash R and B

1375
01:11:26,520 --> 01:11:26,840
Speaker 5: Money