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Speaker 1: Hey, everybody, welcome to wait bonus episode of I Saw

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Speaker 1: What You Did. My name is Millie to Jericho.

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Speaker 2: I'm Daniel Henderson. Was I supposed to do it like

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Speaker 2: a robot? Too?

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Speaker 1: No? I was like, please please ignore me if.

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Speaker 2: Possible, never is. What is up? What is up?

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Speaker 3: Oh?

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Speaker 1: Don't no, dude. I okay, I hope this is at

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Speaker 1: all interesting.

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Speaker 3: You know.

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Speaker 1: Sometimes I'm like, oh, I'm into my head so much

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Speaker 1: that I'm like, if I share this information with people,

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Speaker 1: will they think it's interesting? Will my friend Danielle Henderson

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Speaker 1: think it's interesting?

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Speaker 2: But you know, I will, I hope. So.

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Speaker 1: I mean, I don't know. So I discovered a musical artist.

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Speaker 2: Recently, at this late stage of life.

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Speaker 3: Okay, that's what I want to talk about.

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Speaker 1: Because as people might know, may not know, I mean,

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Speaker 1: I used to work in college radio. I was a

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Speaker 1: huge music person for a long time. Like I worked

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Speaker 1: in record stores and I was like a record store dude,

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Speaker 1: you know. And I pretty much like when I when

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Speaker 1: I can easily mark the period almost to the year

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Speaker 1: of when I stopped listening to new music, like completely,

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Speaker 1: like I just stopped having any knowledge of anything new.

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Speaker 1: And it was two thousand and two. And it was

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Speaker 1: when I graduated from college and I wasn't allowed to

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Speaker 1: work at the radio station anymore.

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Speaker 3: They're packing for you, yes, like they were like we

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Speaker 3: we you're.

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Speaker 1: Not allowed to come back and show after like get out.

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Speaker 1: So I but prior to this, prior to the graduation,

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Speaker 1: I was legit. I mean, I was a music director,

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Speaker 1: which required you to listen to so many fucking bands,

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Speaker 1: so many like we every week we had to like

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Speaker 1: submit our charts to CMJ or like the reporting services.

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Speaker 1: I was going, I was getting free tickets out to

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Speaker 1: ass I was going to like multiple concerts in the

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Speaker 1: same night. And when I was like at the radio

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Speaker 1: station was like when well, early on, when I when

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Speaker 1: I first started becoming a music director, I was like

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Speaker 1: the bands were Death Cab for Cutie and the Dismemment

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Speaker 1: Plan and Built a Spill and and then of course

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Speaker 1: you have stuff like Pavement and all those other bands

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Speaker 1: that had been around forever, but like at that time,

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Speaker 1: it was like that was kind of what was new,

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Speaker 1: like brand new. And then by the time I left,

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Speaker 1: of course it was the Strokes and the Yeah Yeah

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Speaker 1: yeahs and like LCD sound System, which I don't that

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Speaker 1: was like right as I was leaving, I missed them

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Speaker 1: whole train. But you know what I mean, it was

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Speaker 1: all that New York stuff that meet me in the

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Speaker 1: bathroom stuff, right, So that is truly the last time

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Speaker 1: that I was like, oh, I'm going to pay attention

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Speaker 1: to what's coming out, because I was just in the

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Speaker 1: world where it was part of my job to pay attention.

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Speaker 1: So like when I didn't have to, I completely fell off.

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Speaker 1: Like I was, like, I mean, I DJ'ed for maybe

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Speaker 1: about a year or two after I graduated, and you know,

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Speaker 1: there was a couple of things I remember from my

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Speaker 1: DJ days, but like, honestly, in the past, I don't know,

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Speaker 1: ten years, fifteen years, I just haven't really been paying

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Speaker 1: attention like at all.

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Speaker 2: That makes sense. I haven't really either.

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Speaker 1: Yeah, and I it's kind of shocking only for me,

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Speaker 1: only because I was just such a music person and

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Speaker 1: then it just I went in the complete opposite direction

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Speaker 1: and then what ended up happening, And really this is

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Speaker 1: I mean, this explains a lot about the fact that

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Speaker 1: I work at a classic movie network and all this stuff.

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Speaker 2: I'm just like old shit like, and I think that's

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Speaker 2: what happens.

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Speaker 3: It's like I stopped consuming a ton of new shit

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Speaker 3: because I started getting really interested in like, who are

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Speaker 3: the influences for these bands I liked, and kind of

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Speaker 3: going little retrograde, little backwards on that.

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Speaker 2: Yeah.

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Speaker 1: Yeah, And I have always found it more interesting to

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Speaker 1: go backwards than forwards. I just always have like I'm like, oh,

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Speaker 1: I'd rather like go and discover a band that I'd

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Speaker 1: never heard of from like the fifties, yeah or something,

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Speaker 1: versus finding out like who's the new you know, person

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Speaker 1: on the scene or whatever. And so yeah, at this point,

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Speaker 1: like unless I'm listening to rap and I don't even

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Speaker 1: really know a ton about new new rap. I only

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Speaker 1: know kind of like wrap from like five or six years. Oh,

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Speaker 1: I just don't know anything. And so it was this

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Speaker 1: moment where I was I was watching a.

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Speaker 3: TV show, Okay, I was gonna ask, because that is

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Speaker 3: how I the only way of finding new music nowadays

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Speaker 3: is I'm like, what's this song? Like an actual ancient

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Speaker 3: person where I'm like, oh, what's this song in this scene?

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Speaker 3: And then I'll like fucking soundclouded or whatever.

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Speaker 1: Yeah, it's exactly Shazamed Shazam Shazama, and I mean understand

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Speaker 1: that we come from a generation where a if you

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Speaker 1: if your song was on a TV show, it was

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Speaker 1: sus yep. But then to find out about it from

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Speaker 1: a TV show means you are sus. You're a Sus person.

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Speaker 1: And so I did that thing where I was watching

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Speaker 1: this TV show there was like a scene with like,

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Speaker 1: you know this song, and I was like, shazam, shazam,

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Speaker 1: I gotta pull out my app to find out what

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Speaker 1: song is. And then I truly thought it was Stevie Wonder,

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Speaker 1: that it was a guy singing. He sounded like Stevie Wader,

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Speaker 1: And I'm like, is this a Stevie Wonder song that

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Speaker 1: I've never heard before? This is so weird. And then

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Speaker 1: as it turns out, it's a fucking forty five year

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Speaker 1: old white guy from Oklahoma.

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Speaker 2: What James Blake?

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Speaker 3: No, James Blake is from England. Every time I hear

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Speaker 3: James Blake, I'm like, is that black guy? Know?

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Speaker 2: It's not?

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Speaker 3: Yeah?

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Speaker 1: See, I don't even think I know. I know who

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Speaker 1: James Blake is because our friend CHILEA. Sharp is obsessed

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Speaker 1: with him. He's like redhead? Is he a redhead?

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Speaker 2: I think he's brown hair, but he's like British.

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Speaker 3: Okay, yes, when he sounds like a soulful, southern, you know, American,

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Speaker 3: but he's like a British twenty year old.

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Speaker 1: Yes see that gets me a lot, Like I'm always like,

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Speaker 1: is this a Fats Waller, No, it's a ah, it

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Speaker 1: is a seventeen year old guy from Dublin or whatever,

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Speaker 1: and you're like, oh my god. But so anyway, to

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Speaker 1: this person his credit, he sounded just like Stevie Wonder

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Speaker 1: on the song that I heard, And I then went

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Speaker 1: to Spotify to do my research on my new my

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Speaker 1: new favorite song, and it was this guy named Jad McPherson.

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Speaker 3: Never heard of Yeah, I know you have or no

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Speaker 3: you have, no, I've never heard Yeah, yeah, I've never heard.

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Speaker 1: Of him either, Okay, and I'm like, who is this

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Speaker 1: bright young thing? Like, no, the guy is forty five,

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Speaker 1: so he's our age, which immediately was like that's awesome.

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Speaker 1: Like I don't know why I thought that was awesome.

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Speaker 3: I was like, he kicked aside his crutches like fucking

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Speaker 3: Bob Cratchit and made some music like good for him.

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Speaker 1: I was like, wow, they let somebody older than twenty

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Speaker 1: three make an album and and made it listenable. So

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Speaker 1: then then I just was like, you know, going down

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Speaker 1: the list of the Spotify albums that he had on there,

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Speaker 1: and they're fucking awesome, Like they're all very authentically like

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Speaker 1: rockabilly and soul sounding, Like it's very very authentic sounding,

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Speaker 1: to the point where I was like, wow, like how

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Speaker 1: do they do this? I am so stupid. I don't

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Speaker 1: know how anything works anymore.

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Speaker 2: And he has a lot of albums, not just one.

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Speaker 1: Okay, this is the thing that fucking really threw me.

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Speaker 4: He's been around for like decades what I know, and

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Speaker 4: his one of his albums was out in twenty eleven,

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Speaker 4: so that was over ten years ago.

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Speaker 1: And I'm like, literally, where the fuck have I been.

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Speaker 3: To? Like have not even heard his name, like not

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Speaker 3: even scroll through his name on a website or something.

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Speaker 1: No, And I truly I felt so bad about myself.

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Speaker 1: I was like, I don't know what happened to me

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Speaker 1: because I can't believe that I'm just discovering some artist

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Speaker 1: who is my age and he's been around for at

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Speaker 1: least ten years. And I'm like sitting there going like,

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Speaker 1: what happened to my life? What fucking happened to my life?

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Speaker 3: Well, here's here's where I say, be a little bit

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Speaker 3: easy on yourself, because I've had this conversation with myself too.

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Speaker 3: It was really easy. It's very easy to be into

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Speaker 3: music and kind of make it your whole world when

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Speaker 3: you're younger, because that is it takes a lot of

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Speaker 3: energy and time that we no longer have because we

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Speaker 3: have full time jobs. Like that is, you know, coming

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Speaker 3: home from school and like putting on a new record

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Speaker 3: or trading records with friends or whatever, like all of

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Speaker 3: that goes away. Like I can't even tell you the

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Speaker 3: last time I asked a friend like send me a

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Speaker 3: link to your new favorite song, or what are you

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Speaker 3: listening to?

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Speaker 2: Nowadays?

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Speaker 3: Like when I was younger, it happened all the time,

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Speaker 3: Like you'd be driving around with friends and be like,

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Speaker 3: what are.

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Speaker 2: We listening to?

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Speaker 3: It doesn't happen anymore. We're all in our cars alone,

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Speaker 3: we're not trading music. We are and we have full

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Speaker 3: time jobs. Like all the effort and energy I used

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Speaker 3: to put into finding new music in movies, it's just shifted.

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Speaker 3: And it's not like I almstoll have hobbies. I just

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Speaker 3: don't have that much time, you know what.

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Speaker 1: You know, what I think happens too, is I remember

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Speaker 1: this when I when I was growing up, when my

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Speaker 1: parents made the transition from music to talk radio, like

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Speaker 1: they stopped listening to albums and the you know music

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Speaker 1: like radio, like you know the local radio stations who

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Speaker 1: were playing the new jams, and they just started listening

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Speaker 1: to talk radio. And it was like in the forties.

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Speaker 1: I remember when they were in their forties and I

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Speaker 1: was like, why does my dad listen to like fucking

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Speaker 1: bullshit MPR talk radio stuff?

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Speaker 2: Why why's Dot Iamas on this car radio?

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Speaker 1: Why is fucking Rush Limbaugh or h and wins Yeah,

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Speaker 1: what's up?

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Speaker 2: Yeah?

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Speaker 1: Or like the other guy Neil Borts. Do you remember

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Speaker 1: maybe that was a Southern thing, but this is like

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Speaker 1: a guy Meal Boarts, who was also like a fucking

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Speaker 1: weird libertarian guy who was like on the talk radio

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Speaker 1: stations and everything. So but it was that thing where

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Speaker 1: I was like, oh, my parents now just listen to

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Speaker 1: people talking. So there's this moment where I think, well, okay,

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Speaker 1: so now that I'm that age, am I just listening

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Speaker 1: to podcasts and I'm not listening to music anymore.

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Speaker 3: That's a big part of it for me because now

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Speaker 3: we're at a point in our life where I'm like

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Speaker 3: I need information and I need to be soothed, and

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Speaker 3: music won't always do that for me, Like new music

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Speaker 3: doesn't always do that for me. Like sometimes I just

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Speaker 3: need the comfort of knowing what's going to be coming

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Speaker 3: into my ear holes.

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Speaker 2: Yeah that's gross, but you know what I mean.

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Speaker 1: Yeah, no, and it's it's like, I don't know, to me,

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Speaker 1: just feels like such a monumental task to discover new

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Speaker 1: music at this point, because there's no it's just been

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Speaker 1: so decentralized, right because it was like I I mean,

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Speaker 1: I'm not tooting my own horn here, but like you

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Speaker 1: know what, I worked at Album eighty eight, which is

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Speaker 1: the college radio station that I worked at, and you

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Speaker 1: know undergrad. I mean that it was one hundred thousand watts.

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Speaker 1: It was this really big, powerful college radio station, and

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Speaker 1: it was like the place where you just went and

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Speaker 1: listened to new bands, Like you just sat there listened

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Speaker 1: to it, and then like you know, wrote all the

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Speaker 1: stuff down that you needed to go buy and do

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Speaker 1: your research for. I mean, it was just such a

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Speaker 1: central place and even shit like watching like one hundred

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Speaker 1: and twenty minutes or like Alternative Nation on MTV, it

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Speaker 1: was like a place where you could reliably go and

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Speaker 1: be like, oh, here's like where all the cool stuff

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Speaker 1: is happening. I mean I feel like that shits callne

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Speaker 1: completely completely by the wayside. I mean, college radio doesn't

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Speaker 1: even there's so little college radio these days. They've all

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Speaker 1: been bought out by fucking corporations and shit. And you know,

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Speaker 1: I mean you've got like satellite radio, which I actually

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Speaker 1: do listen to once in a while, but it's like

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Speaker 1: it's been so commercialized, like it it's iHeartMedia. It's the

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Speaker 1: whole machine of radio exactly. And then just like now

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Speaker 1: they don't fucking give people record deals. Yeah, so people

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Speaker 1: are on SoundCloud, people are on YouTube making music, and

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Speaker 1: you're just like, well, how the fuck am I going

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Speaker 1: to find any of this? It's just too much.

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Speaker 2: I can't navigate SoundCloud? Are you fucking insane?

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Speaker 3: If I just go on there just to look, I

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Speaker 3: don't know what I'm looking at or listening to. I

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Speaker 3: need someone to send me a link directly and be like,

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Speaker 3: listen to this. I'm like, great, then I can be

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Speaker 3: on this site.

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Speaker 1: Yeah, And I mean, honestly, like maybe it is the

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Speaker 1: thing where you do have to watch a TV show

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Speaker 1: in order to find out about new music because it's like, well,

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Speaker 1: where the hell is all this stuff? There's so many things,

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Speaker 1: there aren't only a few places to find it. You know,

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Speaker 1: all of the old resources like record stores and college

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Speaker 1: radios dried up.

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Speaker 3: So that's I completely agree, and I think, don't take

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Speaker 3: it on yourself too much that it's you, because I

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Speaker 3: really do think that that is a big part of

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Speaker 3: how we discover music nowadays is so different and varied

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Speaker 3: and spread out.

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Speaker 2: That it's difficult to find.

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Speaker 3: So if I hear something on a TV show, I'm like,

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Speaker 3: thank god, somebody is playing a song that they put

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Speaker 3: in the effort. They know where to go to find

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Speaker 3: the cool shit, because I don't anymore.

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Speaker 1: Well, and to be completely honest with you, like so

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Speaker 1: when I went down the rabbit hole of figuring out

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Speaker 1: who JD. McPherson was, I feel bad he won't be

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Speaker 1: listening because this is a bonus episode. And he's like, what,

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Speaker 1: I'm forty five, I go off and do forty five

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Speaker 1: year old things.

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Speaker 3: I don't.

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Speaker 1: I don't pay attention to this.

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Speaker 2: He's winter rizing the doorframe or something.

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Speaker 1: But he so he did a cover recently of this

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Speaker 1: song that I love it's the song called It's Rating

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Speaker 1: by Irma Thomas. And Irma Thomas is a soul singer

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Speaker 1: from New Orleans, fucking unbelievable, one of my favorite artists

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Speaker 1: of all time, such a a handshake person like if

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Speaker 1: you like Irma Thomas, we will be friends. Yep, point

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Speaker 1: blank period. And so we covered her her song and

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Speaker 1: it was the song that was in uh Jim Jarmishes

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Speaker 1: Down by Law. I don't know if you saw that movie.

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Speaker 1: It's playing during the part where Roberto Benini is slow

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Speaker 1: dancing with his girlfriend.

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Speaker 2: Oh my goodness, yeah.

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Speaker 1: Yeah. So he covered that and he did it in

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Speaker 1: this super fucking cool, twin peaksy sounding kind of way, like, uh,

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Speaker 1: it sounds like that the Pink Room, like the song

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Speaker 1: from is It Firewalk with Me or whatever, Like it

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Speaker 1: just sounds like this spooky David Lynch meets Irma Thomas

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Speaker 1: and I was like, I want to be best friends

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Speaker 1: with this guy. How does this song?

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Speaker 3: Like?

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Speaker 1: Now, I'm just gonna have to support his music, and

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Speaker 1: and it just was felt so like, God, I'm such

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Speaker 1: an old person, Like what the fuck is wrong with me?

300
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Speaker 1: I'm like my new favorite band, I want to be

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Speaker 1: friends with my new favorite band.

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Speaker 3: I think it's exciting, and it brings back that feeling

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Speaker 3: of like this is somebody who gets me and gets it,

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Speaker 3: and I'm excited and like that's cool. And plus it's

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Speaker 3: kind of as as shameful or depressing as it can

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Speaker 3: be to be like, oh my god, this guy's are

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Speaker 3: making music for a decade.

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Speaker 2: Now you have like all those albums to go back through. Yeah,

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Speaker 2: it's great. You're gonna have new music to listen to

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Speaker 2: for a while. That's exciting.

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Speaker 1: Yeah, Like so that's my new discovery in the music world,

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Speaker 1: and it really is the only thing that I've listened to.

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Speaker 1: I mean, it's kind of strange, how now we you

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Speaker 1: and I watch so many movies for the podcast, and

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Speaker 1: I watch so many movies for my full time job.

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Speaker 1: Yeah that I'm like, I'm just always in the movie world,

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Speaker 1: Like I'm just and I really don't feel like I mean,

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Speaker 1: I barely have any bandwidth for much else, honestly. Yeah,

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Speaker 1: it's sad.

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Speaker 3: I think it's okay. I think it's just it's it's

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Speaker 3: the circle of life. It's the way life goes. But

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Speaker 3: I think it's I think it's okay because it really was.

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Speaker 3: When I think about like wow, like I just put

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Speaker 3: so much energy into like finding new bands to express

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Speaker 3: how I feel. It's also a a I don't know.

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Speaker 3: I just feel like it's kind of nice to be

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Speaker 3: in a place where I'm just using my time differently

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Speaker 3: and I have more to do and i have more

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Speaker 3: to focus on, and I'm more comfortable with myself, so

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Speaker 3: I'm not like I can express myself differently.

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Speaker 2: I don't need a song to do it for me.

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Speaker 3: And you know, it's kind of kind of nice to

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Speaker 3: be like, yeah, if I hear something new, great, If

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Speaker 3: not totally fine.

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Speaker 1: Do you remember being at the age like when you

336
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Speaker 1: were younger where you you knew somebody who didn't really

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Speaker 1: know new music, yes, and you were like, what the

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Speaker 1: hell hell is wrong with them? Like what are they?

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Speaker 4: Like?

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Speaker 2: They're like aliens?

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Speaker 1: Yes, I'm like, how did the how do I know them?

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Speaker 1: How do I know them? I remember at the time

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Speaker 1: like really like during the whole britpop era, you know

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Speaker 1: what I mean, and I was like, oh my god, Blur,

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Speaker 1: Pulp always is fucking all these new there's a new

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Speaker 1: britpop band every week, yeah, I swear, And I just

347
00:18:22,840 --> 00:18:25,760
Speaker 1: remember knowing this one god that would hang out with us,

348
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Speaker 1: and he you know, he and he liked something like

349
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Speaker 1: super fucking old, like he was like, oh, like I

350
00:18:34,119 --> 00:18:39,680
Speaker 1: love like Cab Callaway or something like something like completely insane.

351
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Speaker 1: Like it's like, you know, you don't fucking own Different

352
00:18:45,320 --> 00:18:48,080
Speaker 1: class by Pulp, Like that's the album of the summer.

353
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Speaker 1: Every fucking person I know owns that album and we

354
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Speaker 1: jam it on the rags and he's just like no,

355
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Speaker 1: I'm just really, I'm just into like Sarah Vaughan right now,

356
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Speaker 1: and I'm like, the fuck is wrong with this guy?

357
00:19:02,440 --> 00:19:04,800
Speaker 2: Like he was just cracked open out of a time capsule.

358
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Speaker 1: I know. I'm like, we were you underground, Like is

359
00:19:11,040 --> 00:19:15,760
Speaker 1: that Brendan Fraser movie. Ah, you came out and you

360
00:19:15,760 --> 00:19:18,400
Speaker 1: were like, oh, I guess people listen to britpop. I'm

361
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Speaker 1: still listening to like jazz standards or whatever.

362
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Speaker 2: Oh well.

363
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Speaker 3: That's also part of it for me is that like

364
00:19:24,920 --> 00:19:27,320
Speaker 3: I love classical music so and I don't know a

365
00:19:27,320 --> 00:19:30,840
Speaker 3: lot about it. So I'm just digging, digging in and like,

366
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Speaker 3: if I have free time to listen to music, I'm

367
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Speaker 3: gonna find out more about fucking Bach.

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Speaker 1: And that's the thing is that now that's fucking coolest

369
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Speaker 1: shit to me, Like, I'm like, oh god, there was

370
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Speaker 1: a guy at twenty two years old that was into

371
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Speaker 1: sarah Von in spite of everything, Like everybody was being

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Speaker 1: like everybody was making fun of this guy, and he

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Speaker 1: was in a Saravon.

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Speaker 2: What a cool dude, totally. Oh my god.

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Speaker 3: I had a friend when we were in school, when

376
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Speaker 3: I was in high school, and I had a friend who,

377
00:20:03,480 --> 00:20:06,880
Speaker 3: like her parents always listened to old records, and so

378
00:20:06,880 --> 00:20:10,600
Speaker 3: she was like thirteen and super into Billie Holiday and

379
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Speaker 3: like all those old jazz singers and in the same

380
00:20:14,960 --> 00:20:17,080
Speaker 3: way where she's like, I don't know anything new, I

381
00:20:17,119 --> 00:20:19,480
Speaker 3: have no idea what you're talking about, Like I'm only

382
00:20:19,520 --> 00:20:24,320
Speaker 3: listening to Billy Holliday and fucking Harlem Renaissance era, like

383
00:20:24,359 --> 00:20:27,119
Speaker 3: my parents' old records. And I'm like, I thought it

384
00:20:27,160 --> 00:20:29,639
Speaker 3: was cool then, but now I'm like she was above

385
00:20:29,640 --> 00:20:35,439
Speaker 3: and beyond cool. Yeah, like truly unique, truly into her

386
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Speaker 3: own thing, and I love it.

387
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Speaker 1: Yeah. Yeah, Well, thank you for making me feel a

388
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Speaker 1: little bit better about this, because I was truly shocked,

389
00:20:46,480 --> 00:20:50,520
Speaker 1: like I felt like such an old person that you know,

390
00:20:50,640 --> 00:20:54,160
Speaker 1: found one man that I really like, and then now

391
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Speaker 1: I'm just like I want to be friends with them?

392
00:20:57,119 --> 00:21:00,639
Speaker 1: Do I go to their Instagram and follow their rich Like,

393
00:21:00,640 --> 00:21:02,240
Speaker 1: I'm god, it's so depressing.

394
00:21:02,760 --> 00:21:05,320
Speaker 3: Yes, you follow their Instagram and then you see when

395
00:21:05,320 --> 00:21:08,080
Speaker 3: they're on tour, and then you go to a concert and.

396
00:21:08,720 --> 00:21:09,560
Speaker 2: That's how it happens.

397
00:21:09,600 --> 00:21:11,800
Speaker 3: That's that feeling like I wanted them to be to

398
00:21:12,000 --> 00:21:15,120
Speaker 3: know me because they already know me through their music.

399
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Speaker 1: Well, I I pretty much don't follow. I try not

400
00:21:20,119 --> 00:21:22,600
Speaker 1: to follow famous people on Instagram because I feel like

401
00:21:22,640 --> 00:21:27,160
Speaker 1: it's just a one way ticket to disappointment Ville and

402
00:21:27,320 --> 00:21:31,639
Speaker 1: Cancel Town, like it just is. But I'm following this

403
00:21:31,720 --> 00:21:34,840
Speaker 1: guy now, I'm like, he made it. He's the one

404
00:21:35,000 --> 00:21:36,120
Speaker 1: man that I follow.

405
00:21:37,040 --> 00:21:39,640
Speaker 3: I think it's even cooler that it's that it's selective,

406
00:21:39,760 --> 00:21:40,920
Speaker 3: but yeah, get into him.

407
00:21:41,040 --> 00:21:41,840
Speaker 2: Don't feel old.

408
00:21:41,880 --> 00:21:44,240
Speaker 3: This is like it's hard to find anything new now,

409
00:21:44,359 --> 00:21:46,359
Speaker 3: new TV show. Do you know how many fucking TV

410
00:21:46,359 --> 00:21:46,920
Speaker 3: shows there.

411
00:21:46,800 --> 00:21:49,560
Speaker 1: Are right now? Dude? It's too much.

412
00:21:49,960 --> 00:21:52,240
Speaker 3: It's like so much is out there, so much music,

413
00:21:52,280 --> 00:21:53,840
Speaker 3: so much TV. And on the one hand, you're like,

414
00:21:53,880 --> 00:21:56,000
Speaker 3: this is great. People have opportunities to put their stuff

415
00:21:56,000 --> 00:21:58,840
Speaker 3: out all over the place, but it requires so much

416
00:21:58,840 --> 00:22:01,040
Speaker 3: more attention and energy. We ever had to give this

417
00:22:01,080 --> 00:22:01,639
Speaker 3: shit before.

418
00:22:02,440 --> 00:22:05,439
Speaker 1: I know, I know because like I said, it's it

419
00:22:05,640 --> 00:22:11,960
Speaker 1: feels like there's been a decentualization of media. So now

420
00:22:11,960 --> 00:22:15,399
Speaker 1: it's just scattered everywhere and there's so many places to

421
00:22:15,520 --> 00:22:18,480
Speaker 1: access content and blah blah blah blah. The fact that

422
00:22:18,520 --> 00:22:20,960
Speaker 1: we're calling it content now is insane.

423
00:22:21,080 --> 00:22:21,679
Speaker 2: Yeah.

424
00:22:21,720 --> 00:22:24,040
Speaker 1: So it's just too much. It's like too much, too

425
00:22:24,119 --> 00:22:26,960
Speaker 1: much stuff out there to keep up with. And at

426
00:22:26,960 --> 00:22:31,320
Speaker 1: this point, really for me, it's going like I'm mostly

427
00:22:31,440 --> 00:22:33,960
Speaker 1: I'm mostly paying attention or I'm paying attention to the

428
00:22:34,000 --> 00:22:36,800
Speaker 1: most movies, then TV, then.

429
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Speaker 3: Music, agree same same, And it's just revel of the

430
00:22:42,040 --> 00:22:45,000
Speaker 3: fact that you found someone new it might not happen

431
00:22:45,040 --> 00:22:46,640
Speaker 3: again for another ten years.

432
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Speaker 2: To just be thrilled.

433
00:22:50,960 --> 00:22:52,639
Speaker 3: You have all these albums to dig back there and

434
00:22:52,640 --> 00:22:54,000
Speaker 3: I'm gonna listen to that's great.

435
00:22:54,840 --> 00:22:59,520
Speaker 1: Yeah, And ironically he sounds old. He sounds like he

436
00:22:59,640 --> 00:23:02,399
Speaker 1: sounds like fuck. I mean, he made an entire like

437
00:23:02,640 --> 00:23:07,159
Speaker 1: jump blues ish album and I'm like, Okay, so I

438
00:23:07,200 --> 00:23:09,840
Speaker 1: discovered a new artist who sounds like he made music

439
00:23:09,840 --> 00:23:12,680
Speaker 1: in the nineteen forties. Okay, Like I guess that's my thing.

440
00:23:12,760 --> 00:23:15,840
Speaker 2: I mean, the perfect mix, it's the perfect mix for you, one.

441
00:23:15,840 --> 00:23:21,120
Speaker 1: Hundred one hundred percent of shit. Okay, speaking of my shit, Yes,

442
00:23:22,480 --> 00:23:25,680
Speaker 1: we have a mail bag of the Eslaus a bonus.

443
00:23:26,040 --> 00:23:32,200
Speaker 1: Oh boy, And I just have to say this email

444
00:23:32,280 --> 00:23:35,240
Speaker 1: that we got, I want to read it. I'm just

445
00:23:35,240 --> 00:23:37,719
Speaker 1: gonna say it. Can I read it? It is? Of

446
00:23:37,800 --> 00:23:43,119
Speaker 1: course it is dialing dialing your number directly.

447
00:23:43,800 --> 00:23:50,480
Speaker 3: This email has read me for filth and I'm totally

448
00:23:50,480 --> 00:23:53,720
Speaker 3: okay with it. Oh my god.

449
00:23:54,440 --> 00:23:59,200
Speaker 1: I mean, this is a thought experiment from fucking heaven, honestly,

450
00:24:00,560 --> 00:24:03,200
Speaker 1: and I and You're like, I mean, I could take

451
00:24:03,200 --> 00:24:06,080
Speaker 1: a crack at it, but honestly, I want you. It

452
00:24:06,160 --> 00:24:08,000
Speaker 1: is all you. The stage is yours.

453
00:24:08,480 --> 00:24:09,359
Speaker 2: You got to answer too.

454
00:24:09,720 --> 00:24:15,880
Speaker 1: Oh okay, I'll answer, but I it is. We're gonna

455
00:24:15,920 --> 00:24:17,159
Speaker 1: I'm just gonna read it. How about that?

456
00:24:17,760 --> 00:24:18,280
Speaker 2: Go for it.

457
00:24:18,480 --> 00:24:21,240
Speaker 1: This is an email from Jessica. She uses she her pronouns.

458
00:24:21,920 --> 00:24:29,000
Speaker 1: It's called FMK I swyd classics, Hi, I s WID crew.

459
00:24:29,800 --> 00:24:32,119
Speaker 1: I love your podcast. I can't stop listening to my

460
00:24:32,160 --> 00:24:35,520
Speaker 1: favorite episodes on repeat. I even introduce your podcast to

461
00:24:35,560 --> 00:24:37,640
Speaker 1: my family on a road trip this summer and they

462
00:24:37,720 --> 00:24:41,760
Speaker 1: loved it too. Anyway, onto the fuck Mary Kill. We've

463
00:24:41,800 --> 00:24:44,879
Speaker 1: all been waiting for. Can't wait to hear your answers

464
00:24:44,880 --> 00:24:48,639
Speaker 1: in a bonus episode someday hopefully. Obviously, these are based

465
00:24:48,640 --> 00:24:51,520
Speaker 1: on things Daniellis send the past. All the best to

466
00:24:51,560 --> 00:24:54,360
Speaker 1: you as we approach the holiday season. Much love, Jessica.

467
00:24:55,320 --> 00:24:58,920
Speaker 1: Are you ready for this epic FMK? Danny, I'm fucking

468
00:24:59,000 --> 00:25:06,959
Speaker 1: ready from Jessica. The FMK is this fuck Mary Kill,

469
00:25:07,240 --> 00:25:15,919
Speaker 1: Gregory Pecks destroyed, Dick, Kevin Klein's ruined life, and Robert

470
00:25:16,040 --> 00:25:17,479
Speaker 1: Mitcham's butthole eyes.

471
00:25:22,560 --> 00:25:25,639
Speaker 3: When I read this, I could not stop laughing for

472
00:25:25,680 --> 00:25:31,600
Speaker 3: about twenty minutes. Ah could not stop laughing. Immediately sent

473
00:25:31,640 --> 00:25:36,920
Speaker 3: it to you and Casey in the slack. Yeah, I

474
00:25:36,680 --> 00:25:39,960
Speaker 3: am bary. I mean to have this be my legacy.

475
00:25:41,240 --> 00:25:46,600
Speaker 3: It's something else and these are considered classics.

476
00:25:46,920 --> 00:25:51,679
Speaker 2: Is a whole other level. But I did indeed say it,

477
00:25:51,720 --> 00:25:52,719
Speaker 2: so I'll own it.

478
00:25:53,440 --> 00:25:56,920
Speaker 1: I laughed very hard when I got we saw this too.

479
00:25:57,440 --> 00:25:59,359
Speaker 1: I have to know, I mean, I want you to

480
00:25:59,440 --> 00:26:01,600
Speaker 1: talk it out. I want you to know.

481
00:26:01,760 --> 00:26:04,080
Speaker 2: I'm gonna have to I am going to have to

482
00:26:04,440 --> 00:26:04,760
Speaker 2: show you.

483
00:26:05,680 --> 00:26:05,960
Speaker 1: Show you.

484
00:26:06,160 --> 00:26:12,879
Speaker 3: Also, Jessica very hilariously included the little trademark symbol after.

485
00:26:13,840 --> 00:26:21,200
Speaker 2: After all of these, which kills me. Oh boy, Okay,

486
00:26:21,280 --> 00:26:22,639
Speaker 2: let's get into it.

487
00:26:23,240 --> 00:26:29,639
Speaker 3: Okay, I am going to fuck Kevin Klein's ruined life

488
00:26:29,680 --> 00:26:30,840
Speaker 3: for this simple reason.

489
00:26:32,600 --> 00:26:34,880
Speaker 2: If I am part of ruining.

490
00:26:34,560 --> 00:26:39,679
Speaker 3: A decades long, solid marriage with a wonderful woman and

491
00:26:39,800 --> 00:26:42,439
Speaker 3: you have children, I cannot hang.

492
00:26:42,320 --> 00:26:45,560
Speaker 2: Around for the fallout. Oh sure, I got a fucking run.

493
00:26:46,040 --> 00:26:48,160
Speaker 1: Yeah, makes sense.

494
00:26:48,760 --> 00:26:52,439
Speaker 3: So I'm just gonna fuck Kevin Klein's ruined life and

495
00:26:52,520 --> 00:26:53,840
Speaker 3: get the hell out of there. I don't want to

496
00:26:53,880 --> 00:26:56,720
Speaker 3: be part of any kind of you know, I don't

497
00:26:56,720 --> 00:26:57,240
Speaker 3: want to get.

498
00:26:57,119 --> 00:27:01,919
Speaker 2: Messages from Phoebe Kate's. I don't want to get I

499
00:27:01,960 --> 00:27:03,160
Speaker 2: just want to get the hell out of there.

500
00:27:04,119 --> 00:27:10,640
Speaker 3: I am going to marry Gregory Peck's destroyed dick because

501
00:27:10,680 --> 00:27:13,040
Speaker 3: I put the hurt in on that dude.

502
00:27:13,040 --> 00:27:14,359
Speaker 2: That I would have wanted to.

503
00:27:14,720 --> 00:27:19,359
Speaker 3: I would have no choice but to care for him afterwards.

504
00:27:20,200 --> 00:27:21,960
Speaker 3: The least I could do would be like cook him

505
00:27:21,960 --> 00:27:25,360
Speaker 3: a meal, bay a bill, like I'll pay the electricity bill.

506
00:27:25,400 --> 00:27:29,200
Speaker 2: Don't worry about it, you just recuperate. So I'm gonna

507
00:27:29,240 --> 00:27:31,640
Speaker 2: marry Gregory Pecks destroyed dick.

508
00:27:32,160 --> 00:27:35,800
Speaker 3: Wow, And you know I'm killing Robert Mitcham's buttthole.

509
00:27:36,600 --> 00:27:39,240
Speaker 1: I saw that coming from a fucking million miles away.

510
00:27:41,760 --> 00:27:45,399
Speaker 3: That dude was a creep. He played creepy. He's a

511
00:27:45,440 --> 00:27:48,080
Speaker 3: creep Lifetime Achievement Award. He played creepy. Fucking rolls all

512
00:27:48,080 --> 00:27:52,440
Speaker 3: the time. I cannot look at that face in any

513
00:27:52,520 --> 00:27:54,600
Speaker 3: kind of sexual or marital situation.

514
00:27:56,040 --> 00:28:01,360
Speaker 1: Wow, Wow, this is I don't even know what to say.

515
00:28:01,359 --> 00:28:05,600
Speaker 1: I'm completely speechless because this was like this, this was

516
00:28:05,640 --> 00:28:08,159
Speaker 1: so specific to you, and to now have to do

517
00:28:08,200 --> 00:28:15,000
Speaker 1: an FMK yeah on your classics is so amazing. Like

518
00:28:15,000 --> 00:28:17,240
Speaker 1: I'm just like, yeah, you're gonna have to sit there

519
00:28:17,240 --> 00:28:21,679
Speaker 1: and show your work process all this information, and it

520
00:28:21,720 --> 00:28:24,520
Speaker 1: came out kind of I kind of expected it to

521
00:28:24,560 --> 00:28:25,000
Speaker 1: be honest.

522
00:28:25,080 --> 00:28:30,520
Speaker 3: Definitely, the butthole eyes, for those butthole eyes got to go.

523
00:28:31,080 --> 00:28:32,520
Speaker 2: Yeah, yeah, I.

524
00:28:32,440 --> 00:28:34,920
Speaker 3: Can't spend a lifetime with those in any or even

525
00:28:34,960 --> 00:28:37,160
Speaker 3: five minutes with those, and I might I might lose.

526
00:28:37,200 --> 00:28:40,600
Speaker 3: I might lose in trying to kill Robert mitchmd's butthhole eyes,

527
00:28:43,480 --> 00:28:44,640
Speaker 3: but I'm going to try it.

528
00:28:45,360 --> 00:28:47,280
Speaker 1: Yeah, no doubt, no doubt.

529
00:28:47,320 --> 00:28:51,760
Speaker 3: Now, I truly don't know where you land on this scale.

530
00:28:51,880 --> 00:28:53,360
Speaker 3: So this is going to be interesting.

531
00:28:54,200 --> 00:28:56,920
Speaker 1: Yeah, I might have to rock you.

532
00:28:56,440 --> 00:28:59,360
Speaker 2: Girl, you do like to throw a curveball?

533
00:29:00,320 --> 00:29:02,960
Speaker 1: I do? I do well. Listen, this is right off

534
00:29:03,000 --> 00:29:06,720
Speaker 1: the rip. I'm this is good instinct going on good.

535
00:29:08,120 --> 00:29:10,920
Speaker 1: I'm gonna fuck Robert Mitcham's butthole eyes. I'm just saying

536
00:29:11,000 --> 00:29:19,680
Speaker 1: what I know what I look, Robert Mitcham knows how

537
00:29:19,720 --> 00:29:26,880
Speaker 1: to fucking party like he He's fucking getting you high.

538
00:29:27,080 --> 00:29:29,840
Speaker 1: You're gonna have a great night listening to Calypso music.

539
00:29:30,400 --> 00:29:39,080
Speaker 2: I am scandalized. You're fucking those butthole eyes.

540
00:29:42,080 --> 00:29:45,400
Speaker 1: I'm just saying for a good time called butthole eyes.

541
00:29:45,520 --> 00:29:50,120
Speaker 1: You know what I'm saying. That's it. Not not a

542
00:29:50,160 --> 00:29:53,720
Speaker 1: life partner, obviously. I just think he'd be fun. He'd

543
00:29:53,720 --> 00:29:58,440
Speaker 1: be a fun, fun, fun, fucking night. So that's the

544
00:29:58,600 --> 00:30:03,520
Speaker 1: f for sure. Now I'm gonna marry. I'm gonna marry you. Ready,

545
00:30:04,360 --> 00:30:08,520
Speaker 1: I'm gonna marry Kevin Klein's ruined life. What I am

546
00:30:09,120 --> 00:30:10,760
Speaker 1: I see a long term potential.

547
00:30:13,720 --> 00:30:15,320
Speaker 2: Look, the proof is in the pudding.

548
00:30:15,560 --> 00:30:18,719
Speaker 1: Proof is and also isn't Phoebe Kate's like half Filipino

549
00:30:18,880 --> 00:30:21,800
Speaker 1: or something we get Can we get a researcher to

550
00:30:21,920 --> 00:30:24,640
Speaker 1: figure this out. I feel like she's no, she is.

551
00:30:24,680 --> 00:30:28,280
Speaker 3: I believe you're thinking of like a just a swap,

552
00:30:29,080 --> 00:30:30,760
Speaker 3: like you just show up and he'll be like, yep,

553
00:30:30,960 --> 00:30:32,240
Speaker 3: you're phoebe right.

554
00:30:32,560 --> 00:30:36,280
Speaker 1: I mean I'm like, well, maybe I got a shot

555
00:30:36,400 --> 00:30:39,560
Speaker 1: because it's a little bit of what he already knows.

556
00:30:39,880 --> 00:30:44,920
Speaker 3: To be honest, he knows he's eating lumpia. He knows

557
00:30:44,920 --> 00:30:46,120
Speaker 3: what's up exactly.

558
00:30:46,160 --> 00:30:48,800
Speaker 1: He knows what the fuck is up. He's definitely raised

559
00:30:48,880 --> 00:30:52,400
Speaker 1: on some peanock bet, if you know what I'm saying.

560
00:30:52,480 --> 00:30:55,640
Speaker 1: But here's the thing about Kevin Klein too, Like it

561
00:30:55,720 --> 00:30:59,240
Speaker 1: wasn't like I honestly like what really sold me on

562
00:30:59,360 --> 00:31:02,760
Speaker 1: Kevin Kline And it's just such a throwaway moment. But

563
00:31:03,480 --> 00:31:06,240
Speaker 1: there's a on the on the DVD or the blue

564
00:31:06,320 --> 00:31:10,640
Speaker 1: ray of The Big Chill, there's like some supplement where

565
00:31:11,560 --> 00:31:15,520
Speaker 1: there's like a reunion and Kevin Klein is there and

566
00:31:15,560 --> 00:31:17,240
Speaker 1: you know it just from like ten years ago, so

567
00:31:17,280 --> 00:31:20,920
Speaker 1: obviously he's like much older, and he's just hamming it

568
00:31:21,000 --> 00:31:24,360
Speaker 1: up on stage, like he gets announced from the backstage

569
00:31:24,400 --> 00:31:27,080
Speaker 1: and he comes across the stage and it's like you know,

570
00:31:27,240 --> 00:31:30,200
Speaker 1: at I don't know, it's like the New Yorker Festival

571
00:31:30,280 --> 00:31:32,959
Speaker 1: or something. It's like this very like esteemed place, and

572
00:31:33,000 --> 00:31:36,000
Speaker 1: he comes out and he like sits down and starts

573
00:31:36,040 --> 00:31:38,040
Speaker 1: talking on his cell phone. Like he pulls his cell

574
00:31:38,080 --> 00:31:39,800
Speaker 1: phone on and just like starts taking phone calls. And

575
00:31:39,840 --> 00:31:42,080
Speaker 1: I just thought, dude, that's so fucking funny.

576
00:31:42,600 --> 00:31:43,600
Speaker 2: He's very funny.

577
00:31:43,960 --> 00:31:45,920
Speaker 1: Yes, And then for some reason, it was in that

578
00:31:46,000 --> 00:31:49,440
Speaker 1: moment that I was like, I could live with this guy. Like,

579
00:31:49,480 --> 00:31:51,960
Speaker 1: I get it, I could grow old with this guy,

580
00:31:52,120 --> 00:31:52,880
Speaker 1: if you know what I mean.

581
00:31:53,560 --> 00:31:57,960
Speaker 3: So, but that means you're killing Gregory picks destroy dick.

582
00:31:58,480 --> 00:32:04,880
Speaker 1: Look I I I'm not thrilled to do it. But

583
00:32:05,000 --> 00:32:09,360
Speaker 1: I also I have seen Duel in the Sun and

584
00:32:09,400 --> 00:32:11,480
Speaker 1: he's such a He's such a dick in that movie,

585
00:32:11,560 --> 00:32:14,120
Speaker 1: even though he's kind of hot in that movie too.

586
00:32:14,440 --> 00:32:18,160
Speaker 3: He's you're saying, the Gregory Peck is a dick in

587
00:32:18,280 --> 00:32:25,720
Speaker 3: one movie, and you're gonna fuck Robert Mitchum's butthole eyes, who.

588
00:32:25,600 --> 00:32:27,760
Speaker 2: Is a creep in every fucking movie.

589
00:32:31,120 --> 00:32:37,600
Speaker 1: Look, I have my reasons, right, my Gregory Peck. I

590
00:32:37,920 --> 00:32:41,120
Speaker 1: feel like he when he was young, when he was

591
00:32:41,160 --> 00:32:46,120
Speaker 1: like in his young Roles Haney definitely, honey, Gentlemen's agreement.

592
00:32:46,240 --> 00:32:51,080
Speaker 1: Fucking Duel in the Sun yes, like we we stand

593
00:32:51,160 --> 00:32:56,400
Speaker 1: a hot, black haired, high ass dude. But then something happened.

594
00:32:56,920 --> 00:33:01,880
Speaker 1: It was it was around the fucking the damn Atticus

595
00:33:01,920 --> 00:33:04,880
Speaker 1: Finch times where he just went from like hot guy

596
00:33:05,000 --> 00:33:07,000
Speaker 1: to like elder statesman.

597
00:33:07,640 --> 00:33:10,480
Speaker 2: Yeah, he kind of became.

598
00:33:10,160 --> 00:33:17,080
Speaker 1: A saint or something. He just became too like reverend

599
00:33:17,200 --> 00:33:19,200
Speaker 1: or something like that. So I just thought, you know what, like,

600
00:33:20,560 --> 00:33:23,360
Speaker 1: I can't fuck that guy. He's gonna have to be killed.

601
00:33:24,360 --> 00:33:26,120
Speaker 2: I have to kill the elder statesman.

602
00:33:27,480 --> 00:33:31,520
Speaker 3: I cannot fuck or marry that nice man with morals

603
00:33:31,800 --> 00:33:35,800
Speaker 3: and values. I had to fuck that creep over there,

604
00:33:36,360 --> 00:33:38,600
Speaker 3: who's been in a movie, every murder movie he's in.

605
00:33:38,680 --> 00:33:41,000
Speaker 3: He's like, I murdered a kid. I want to murder

606
00:33:41,040 --> 00:33:41,480
Speaker 3: a kid.

607
00:33:41,760 --> 00:33:44,200
Speaker 2: I'm trying to murder or rape your wife.

608
00:33:44,640 --> 00:33:49,840
Speaker 3: I wanna fuck that guy and get rid of this

609
00:33:50,040 --> 00:33:55,520
Speaker 3: nice old man who's aging gracefully. I see it. I

610
00:33:55,560 --> 00:33:56,000
Speaker 3: get you.

611
00:33:57,120 --> 00:33:58,840
Speaker 1: We're pausing for a second. I need to go call

612
00:33:58,880 --> 00:33:59,920
Speaker 1: my therapist again.

613
00:34:01,280 --> 00:34:04,120
Speaker 2: Everyone every FMK, I swear new level.

614
00:34:05,000 --> 00:34:09,480
Speaker 1: There's so much that is revealed about my shitty brain. Well, listen,

615
00:34:09,560 --> 00:34:15,320
Speaker 1: I appreciated that thought experiment. Like I said, Jessica, you

616
00:34:15,400 --> 00:34:17,680
Speaker 1: knocked it out of the park. You couldn't have picked

617
00:34:17,719 --> 00:34:21,680
Speaker 1: a better FMK for Danielle specifically.

618
00:34:21,600 --> 00:34:24,359
Speaker 2: And clearly for you. We've learned a lot.

619
00:34:25,200 --> 00:34:26,480
Speaker 1: We have learnt a lot.

620
00:34:27,680 --> 00:34:30,760
Speaker 3: Oh shit, that was a joy. I will never stop

621
00:34:30,800 --> 00:34:32,799
Speaker 3: laughing about that. I want to get one of those shirts,

622
00:34:32,840 --> 00:34:34,480
Speaker 3: you know, the shirts that have the names where it's

623
00:34:34,520 --> 00:34:38,080
Speaker 3: like Bob and Trey and Teresa and this. I'm gonna

624
00:34:38,080 --> 00:34:40,560
Speaker 3: get one that's just like Gregory Begss, Troy Dick and

625
00:34:40,640 --> 00:34:44,080
Speaker 3: Chemic Glines were in Life and Robert Mitchum's but whole eyes.

626
00:34:45,400 --> 00:34:49,239
Speaker 1: Why are we pitching this to our our bosses right now?

627
00:34:49,239 --> 00:34:49,520
Speaker 4: Come on?

628
00:34:50,160 --> 00:34:53,319
Speaker 3: Oh, because we're already ten steps ahead on legal Like

629
00:34:53,360 --> 00:34:55,080
Speaker 3: we know they're gonna be like you cannot even put

630
00:34:55,080 --> 00:34:58,600
Speaker 3: their names on merch let alone. What you vile shit

631
00:34:58,680 --> 00:34:59,719
Speaker 3: you want to say about them?

632
00:35:00,200 --> 00:35:03,480
Speaker 1: Well, I'm gonna write it in sharpie on a T shirt.

633
00:35:03,480 --> 00:35:06,480
Speaker 1: I'm gonna like a bootleg shirt for you, like I'm

634
00:35:06,520 --> 00:35:09,279
Speaker 1: outside of a concert trying to sell you something like,

635
00:35:09,320 --> 00:35:11,040
Speaker 1: I'll just make you that shirt and send it to

636
00:35:11,080 --> 00:35:11,520
Speaker 1: your house.

637
00:35:11,960 --> 00:35:14,360
Speaker 3: I would wear it every day in my life. Make three,

638
00:35:14,600 --> 00:35:16,440
Speaker 3: I would wear it every day.

639
00:35:17,600 --> 00:35:18,719
Speaker 2: Jessica, you killed it.

640
00:35:18,760 --> 00:35:21,120
Speaker 3: Thank you so much, for listening, making your family listen.

641
00:35:23,640 --> 00:35:25,840
Speaker 3: I just adore that email. Thank you so much for

642
00:35:25,880 --> 00:35:28,520
Speaker 3: writing in. We got another one.

643
00:35:28,920 --> 00:35:30,359
Speaker 1: Oh, okay, I got another one.

644
00:35:30,400 --> 00:35:32,440
Speaker 3: It's a I'm going to tell you what it's about.

645
00:35:32,440 --> 00:35:35,920
Speaker 3: But the email is from Sarah who uses she her pronouns,

646
00:35:36,719 --> 00:35:39,320
Speaker 3: and the subject is appendectomy friends.

647
00:35:40,320 --> 00:35:40,960
Speaker 2: Hi, ladies.

648
00:35:41,640 --> 00:35:44,040
Speaker 3: This email is going to be short and sweet and

649
00:35:44,080 --> 00:35:46,440
Speaker 3: sent to you slightly loopy from the pain drugs.

650
00:35:46,440 --> 00:35:46,719
Speaker 2: I'm on.

651
00:35:47,920 --> 00:35:50,480
Speaker 3: I had to have an emergency appendect tom me last night.

652
00:35:50,800 --> 00:35:53,440
Speaker 3: But you wonderful, beautiful women have kept me company via

653
00:35:53,560 --> 00:35:56,680
Speaker 3: old episodes of the pod all through the night, both

654
00:35:56,719 --> 00:35:59,400
Speaker 3: waiting to be seen in the er and during recovery,

655
00:35:59,600 --> 00:36:01,560
Speaker 3: to the point I had to borrow a phone charger

656
00:36:01,600 --> 00:36:05,040
Speaker 3: from a nurse. I just want to say I appreciate

657
00:36:05,080 --> 00:36:08,040
Speaker 3: your friendship, your laughter, and your soothing voices keeping me

658
00:36:08,120 --> 00:36:10,440
Speaker 3: company in the night till I was able to get

659
00:36:10,440 --> 00:36:13,080
Speaker 3: home to my cats. It also kept me going through

660
00:36:13,080 --> 00:36:15,840
Speaker 3: the anxiety that this will fuck up my scheduled tubal

661
00:36:15,920 --> 00:36:19,120
Speaker 3: ligation surgery at the beginning of November. But here's hoping. No.

662
00:36:20,120 --> 00:36:23,000
Speaker 3: I have no kids, I'm twenty nine, and they still

663
00:36:23,040 --> 00:36:26,920
Speaker 3: said yes, Yay Canada. But also female reproductive rights are

664
00:36:27,000 --> 00:36:33,440
Speaker 3: human rights. Bonus FMK. That is probably fueled by morphine,

665
00:36:33,600 --> 00:36:37,319
Speaker 3: hospital food, egg based funeral food that's been sitting out

666
00:36:37,320 --> 00:36:41,080
Speaker 3: all day, boiled over cooked chicken with zero seasoning.

667
00:36:42,000 --> 00:36:42,640
Speaker 2: Love you both.

668
00:36:42,800 --> 00:36:44,799
Speaker 3: I think that was more ramble than I thought, but

669
00:36:44,840 --> 00:36:46,520
Speaker 3: I'm blaming the drugs Sarah.

670
00:36:46,560 --> 00:36:47,200
Speaker 2: Sarah, I'm so.

671
00:36:47,200 --> 00:36:50,239
Speaker 3: Glad that you are okay, that you could have your

672
00:36:50,280 --> 00:36:52,600
Speaker 3: scheduled surgery, that you could make that choice if it

673
00:36:52,640 --> 00:36:55,720
Speaker 3: is a choice, and that you live in a place

674
00:36:55,760 --> 00:36:59,440
Speaker 3: that allows you to be ill and get what the

675
00:36:59,440 --> 00:37:02,719
Speaker 3: help you need and then recover. That is strangely not

676
00:37:02,800 --> 00:37:04,640
Speaker 3: the case for a lot of a lot of us

677
00:37:04,640 --> 00:37:07,040
Speaker 3: in the countries we live in. And that we kept

678
00:37:07,040 --> 00:37:09,360
Speaker 3: you company at all is fantastic. And please thank that

679
00:37:09,480 --> 00:37:11,920
Speaker 3: nurse for giving you her charger. That is important. When

680
00:37:11,960 --> 00:37:15,720
Speaker 3: you have an emergency appendectomy, you don't you don't expect

681
00:37:15,719 --> 00:37:17,359
Speaker 3: to have your phone fully charged all day. You didn't

682
00:37:17,360 --> 00:37:18,680
Speaker 3: know you were going to be doing that that night.

683
00:37:19,960 --> 00:37:21,920
Speaker 3: So I'm just glad you are right, and that you

684
00:37:21,960 --> 00:37:24,239
Speaker 3: that we were able to help help you in any

685
00:37:24,280 --> 00:37:25,680
Speaker 3: way and keep you company.

686
00:37:25,880 --> 00:37:26,680
Speaker 2: Thank you so much.

687
00:37:27,760 --> 00:37:31,400
Speaker 1: Yeah, this touched me obviously very personally, because I have

688
00:37:31,480 --> 00:37:34,440
Speaker 1: been in hospitals before, and I definitely know what you

689
00:37:34,520 --> 00:37:40,160
Speaker 1: mean about wanting to not freak out about what's going

690
00:37:40,200 --> 00:37:43,200
Speaker 1: on and wanting to listen to things that are comforting

691
00:37:43,239 --> 00:37:47,319
Speaker 1: or watch things that are comforting, whatever it is. So

692
00:37:47,480 --> 00:37:52,279
Speaker 1: I appreciate. I'm very touched that you turn to us

693
00:37:52,400 --> 00:37:56,600
Speaker 1: in your moment of you know, stress and uncertainty and

694
00:37:56,719 --> 00:37:57,640
Speaker 1: pain and all that stuff.

695
00:37:57,760 --> 00:37:58,560
Speaker 2: Thank thank you.

696
00:37:58,640 --> 00:38:01,400
Speaker 1: That means a lot to us. Now let's get to

697
00:38:01,440 --> 00:38:07,000
Speaker 1: this FMK, because oh my.

698
00:38:07,040 --> 00:38:11,640
Speaker 2: God, yeah, you gotta go first. This is a good

699
00:38:11,680 --> 00:38:13,560
Speaker 2: I love a morphine fueled f MK.

700
00:38:15,160 --> 00:38:21,560
Speaker 1: Okay, I'm I'm gonna shock in awe. I'm gonna fuck

701
00:38:21,680 --> 00:38:24,040
Speaker 1: egg based funeral food that's been sitting out all day.

702
00:38:24,480 --> 00:38:30,000
Speaker 1: Good lord, because I kind of love egg based appetizers,

703
00:38:30,000 --> 00:38:34,319
Speaker 1: like I fucking love deviled eggs. I'm assuming that's what's

704
00:38:34,360 --> 00:38:35,760
Speaker 1: happening at.

705
00:38:35,560 --> 00:38:39,200
Speaker 3: This funeral in salads, lots of lots of egg salads,

706
00:38:39,239 --> 00:38:40,160
Speaker 3: egg based salads.

707
00:38:40,440 --> 00:38:46,000
Speaker 1: Yes. I love kishes like little mini kishas for tatas

708
00:38:46,080 --> 00:38:48,600
Speaker 1: if that if that is being served at a funeral.

709
00:38:48,640 --> 00:38:49,560
Speaker 2: Funeral.

710
00:38:50,040 --> 00:38:54,040
Speaker 1: Yeah, A huge fan of eggs, like kind of like

711
00:38:55,719 --> 00:38:58,840
Speaker 1: kind of obsessed with eggs, to be honest, it doesn't

712
00:38:58,960 --> 00:39:01,719
Speaker 1: like I I don't want to say I would fuck

713
00:39:01,800 --> 00:39:04,160
Speaker 1: eggs if I had the shot, but I'm just saying that, Like,

714
00:39:04,760 --> 00:39:08,759
Speaker 1: my passion for eggs is extreme, so I would fuck that.

715
00:39:08,880 --> 00:39:10,720
Speaker 1: I would fuck these egg based foods.

716
00:39:11,400 --> 00:39:12,960
Speaker 3: I don't want to say that I want to fuck eggs,

717
00:39:13,000 --> 00:39:15,279
Speaker 3: but I want to fuckgg But.

718
00:39:15,280 --> 00:39:19,040
Speaker 1: I'd fuck eggs if I could. If eggs were if

719
00:39:19,040 --> 00:39:21,719
Speaker 1: eggs were a hottie walking down the street.

720
00:39:23,880 --> 00:39:26,280
Speaker 2: An egg with Kevin Klein's big chill legs.

721
00:39:26,760 --> 00:39:32,319
Speaker 1: Yeah, exactly exactly. Now, I would marry hospital food. And

722
00:39:32,400 --> 00:39:36,600
Speaker 1: I think simply because of that cookie that we've talked about,

723
00:39:36,600 --> 00:39:40,480
Speaker 1: a cedar sin I that fucking cookie, Like I'm on

724
00:39:40,600 --> 00:39:46,439
Speaker 1: record as trying to get that cookie outside of being admitted, yep,

725
00:39:47,280 --> 00:39:50,319
Speaker 1: And to be honest, And I don't know if it's

726
00:39:50,320 --> 00:39:52,239
Speaker 1: because when I was in the hospital, I did not

727
00:39:52,480 --> 00:39:55,720
Speaker 1: eat literally any food for about a week and a half.

728
00:39:56,160 --> 00:39:59,040
Speaker 1: So what I got to eat food, I was like,

729
00:39:59,200 --> 00:40:02,680
Speaker 1: this is delicious, Like I must have been like, I

730
00:40:02,719 --> 00:40:04,680
Speaker 1: was like, yes, give me those juice boxes, give me

731
00:40:04,680 --> 00:40:09,320
Speaker 1: those fucking weird Italian ice things. Give me the fucking frittatas,

732
00:40:09,440 --> 00:40:12,880
Speaker 1: the egg based fritata things, the cookie. So I was like,

733
00:40:13,680 --> 00:40:15,400
Speaker 1: this ain't bad, to be honest.

734
00:40:15,800 --> 00:40:21,520
Speaker 3: So you're like, I've been denied food for so long. Yeah,

735
00:40:21,719 --> 00:40:23,840
Speaker 3: this is all right, Yeah, this is not bad.

736
00:40:24,120 --> 00:40:27,880
Speaker 1: And of course, you know my experience in the hospitals

737
00:40:27,920 --> 00:40:30,640
Speaker 1: at Cedars, which is a fancy fucking la hospital, and

738
00:40:30,680 --> 00:40:32,040
Speaker 1: like I said that maybe the food's a little bit

739
00:40:32,040 --> 00:40:35,719
Speaker 1: better there, So I'd marry the hospital food obviously, and

740
00:40:35,760 --> 00:40:40,400
Speaker 1: then I would fucking kill boiled chicken with no seasoning.

741
00:40:40,840 --> 00:40:44,360
Speaker 1: Oh my god, I can't think of anything worse.

742
00:40:44,520 --> 00:40:48,600
Speaker 3: Now, this is truly truly shocking, considering that you have

743
00:40:48,760 --> 00:40:51,440
Speaker 3: revealed to the pod that on your way to the

744
00:40:51,480 --> 00:40:56,400
Speaker 3: gym sometimes you are just bare knuckling a grilled chicken breast,

745
00:40:57,080 --> 00:40:58,000
Speaker 3: but you gotta.

746
00:40:57,760 --> 00:41:02,080
Speaker 1: Put like salt and pepper, bear min not onion and

747
00:41:02,120 --> 00:41:07,040
Speaker 1: garlic powder all that shit. I mean shit like no seasoning.

748
00:41:07,560 --> 00:41:10,520
Speaker 1: No seasoning is so awful.

749
00:41:11,120 --> 00:41:17,200
Speaker 3: Yeah, it's pretty brutal. And chicken in general is boiled

750
00:41:17,640 --> 00:41:19,760
Speaker 3: over cooked chicken, Like if you ever made chicken salad

751
00:41:19,800 --> 00:41:22,400
Speaker 3: at home, and you know, usually like when I make

752
00:41:22,440 --> 00:41:25,600
Speaker 3: chicken salad, boil the chicken because it keeps it kind

753
00:41:25,640 --> 00:41:27,759
Speaker 3: of juicy, and then you shred it and do your

754
00:41:27,800 --> 00:41:30,040
Speaker 3: thing with it, and every once in a while just

755
00:41:30,080 --> 00:41:31,040
Speaker 3: take a pinch and eat it.

756
00:41:31,080 --> 00:41:32,919
Speaker 2: And it's like I want to die. It's like why

757
00:41:32,920 --> 00:41:35,759
Speaker 2: did I do that? Why did I do that?

758
00:41:35,960 --> 00:41:38,200
Speaker 3: And this is coming from someone who when I was

759
00:41:38,239 --> 00:41:41,080
Speaker 3: a kid, whenever my grandma or mom made meat loaf,

760
00:41:41,560 --> 00:41:43,719
Speaker 3: they had the same green tupperware bowl they used for

761
00:41:43,760 --> 00:41:46,600
Speaker 3: fucking ever, like the size of a goddamn salt like

762
00:41:46,880 --> 00:41:49,360
Speaker 3: flying saucer, and they put the meat in the egg

763
00:41:49,440 --> 00:41:51,439
Speaker 3: and all the stuff. And I would constantly take little

764
00:41:51,480 --> 00:41:54,960
Speaker 3: pinches of the raw meat and eat it because it

765
00:41:54,960 --> 00:41:57,120
Speaker 3: tastes so delicious with all the spices in it.

766
00:41:58,040 --> 00:42:00,640
Speaker 2: But plain cooked chicken can go the hell.

767
00:42:01,560 --> 00:42:09,799
Speaker 1: I truly believe that chicken is the blandest meat, Like yeah,

768
00:42:09,880 --> 00:42:12,400
Speaker 1: if you don't season it, Like I'll even eat a

769
00:42:12,480 --> 00:42:17,160
Speaker 1: steak without anything on it before, I'd eat chicken without

770
00:42:17,280 --> 00:42:21,840
Speaker 1: any seasoning. And it's speaking of Chilewa or French Ja.

771
00:42:22,000 --> 00:42:24,120
Speaker 1: She has a podcast called The War Report, and I

772
00:42:24,120 --> 00:42:26,040
Speaker 1: remember there was an episode a long time ago where

773
00:42:26,040 --> 00:42:29,120
Speaker 1: they were talking about because her co host I think

774
00:42:29,239 --> 00:42:33,200
Speaker 1: is Dominican or I think he's Dominican, but they were

775
00:42:33,200 --> 00:42:35,600
Speaker 1: talking about having to go to white people's houses when

776
00:42:35,600 --> 00:42:38,200
Speaker 1: they were kids, and the white people like prepared the

777
00:42:38,320 --> 00:42:43,000
Speaker 1: chicken these like really boring ways with like no adobo seasoning, no,

778
00:42:43,000 --> 00:42:45,440
Speaker 1: no jerk, none of that, and like they were like

779
00:42:45,920 --> 00:42:48,960
Speaker 1: be like I can't go and eat this white people

780
00:42:49,120 --> 00:42:52,960
Speaker 1: chicken with no seasoning, like and it cracked me up

781
00:42:53,360 --> 00:42:55,719
Speaker 1: because I was like, oh my god, I can't imagine

782
00:42:55,960 --> 00:43:00,720
Speaker 1: chicken being unseasoned, and like, yeah, I know, very to kill,

783
00:43:00,920 --> 00:43:02,040
Speaker 1: no question.

784
00:43:04,200 --> 00:43:05,600
Speaker 3: I went back to college when I was thirty, so

785
00:43:05,600 --> 00:43:07,319
Speaker 3: I did my study of broad semester when I was

786
00:43:07,360 --> 00:43:09,000
Speaker 3: thirty two, and I went to the UK, and it

787
00:43:09,120 --> 00:43:11,600
Speaker 3: still counted a study abroad because Hello America.

788
00:43:12,080 --> 00:43:13,799
Speaker 2: Yeah. And I remember.

789
00:43:13,520 --> 00:43:17,160
Speaker 3: Being rocked to my fucking core the first time I

790
00:43:17,200 --> 00:43:20,440
Speaker 3: tried to eat at the cafeteria for the dorm I

791
00:43:20,560 --> 00:43:23,920
Speaker 3: was in, and it was during fresher's week, and I'm like,

792
00:43:23,920 --> 00:43:26,919
Speaker 3: I'll just go eat where everyone's eating. And I went

793
00:43:28,120 --> 00:43:31,080
Speaker 3: and I saw they had barbecue chicken, and I was like, oh, this.

794
00:43:31,040 --> 00:43:31,520
Speaker 2: Will be tight.

795
00:43:32,200 --> 00:43:36,919
Speaker 3: And I am not exaggerating one bit when I tell

796
00:43:36,960 --> 00:43:42,560
Speaker 3: you I was looking at some incredibly boiled and then

797
00:43:42,640 --> 00:43:46,320
Speaker 3: maybe fried chicken like they kind of seared the outside

798
00:43:46,360 --> 00:43:51,640
Speaker 3: to get some crispiness on it with ketchup. The sauce

799
00:43:51,880 --> 00:43:56,040
Speaker 3: was straight ketchup, and I almost started a war. I'm like,

800
00:43:56,080 --> 00:44:01,440
Speaker 3: this is why y'all are always at war. This is

801
00:44:01,480 --> 00:44:03,600
Speaker 3: why in those early days people were like, you cannot

802
00:44:03,600 --> 00:44:04,600
Speaker 3: come for our spices.

803
00:44:04,800 --> 00:44:06,719
Speaker 2: We know what you're gonna do with them.

804
00:44:07,200 --> 00:44:10,279
Speaker 1: That's why they were colonizers. They were like, we got

805
00:44:10,320 --> 00:44:12,440
Speaker 1: nothing here. We're gonna have to go invade all these

806
00:44:12,480 --> 00:44:15,440
Speaker 1: other countries and figure out how they do it. Like

807
00:44:15,560 --> 00:44:19,720
Speaker 1: absolutely gross, I can't even Oh my god, ketchup, no

808
00:44:20,000 --> 00:44:21,440
Speaker 1: fucking ketchup.

809
00:44:21,480 --> 00:44:23,920
Speaker 3: And I was like, guess what not only am I

810
00:44:24,000 --> 00:44:25,520
Speaker 3: moving out of this dorm And I'm like, you need

811
00:44:25,560 --> 00:44:27,160
Speaker 3: to put me with some adults. And they put me

812
00:44:27,200 --> 00:44:31,080
Speaker 3: in like the adult grad student apartment dorms, and I

813
00:44:31,239 --> 00:44:33,239
Speaker 3: just made I ate on my own. I'm like, I

814
00:44:33,280 --> 00:44:35,759
Speaker 3: will find my own fucking way. And I would go

815
00:44:35,800 --> 00:44:39,239
Speaker 3: to the store. I had a little refrigerator and we

816
00:44:39,280 --> 00:44:43,920
Speaker 3: had a little shared kitchen, and one of my like

817
00:44:43,960 --> 00:44:45,880
Speaker 3: apartment mates, like if someone else who lived in the

818
00:44:45,880 --> 00:44:49,280
Speaker 3: building was from Italy and he made risotto all the time,

819
00:44:50,000 --> 00:44:52,920
Speaker 3: and we just like had good food all over the

820
00:44:52,920 --> 00:44:56,640
Speaker 3: place that had no chicken covered in ketchup.

821
00:44:57,960 --> 00:44:58,759
Speaker 2: I don't know how you do it.

822
00:44:58,800 --> 00:45:01,040
Speaker 3: I think they just assume like everyone's going to be drunk,

823
00:45:01,120 --> 00:45:03,240
Speaker 3: so nobody's going to be paying attention because.

824
00:45:03,000 --> 00:45:04,200
Speaker 2: They can drink at eighteen there.

825
00:45:05,000 --> 00:45:09,560
Speaker 3: Yeah, and it was a travesty, but I will say

826
00:45:10,200 --> 00:45:13,640
Speaker 3: my FMK looks very familiar to yours. I'm absolutely killing

827
00:45:14,000 --> 00:45:17,520
Speaker 3: boiled over cooked chicken with no ah, my girl.

828
00:45:17,719 --> 00:45:21,520
Speaker 2: I can't handle it for a second. Oh way, And

829
00:45:21,640 --> 00:45:23,919
Speaker 2: I'm gonna marry.

830
00:45:23,960 --> 00:45:27,239
Speaker 3: I'm gonna it's a little bit different. I'm going to

831
00:45:27,360 --> 00:45:31,919
Speaker 3: fuck hospital food just because I have had some good

832
00:45:31,960 --> 00:45:35,960
Speaker 3: experiences to the hospital food, but it's so situational that

833
00:45:36,000 --> 00:45:37,600
Speaker 3: I can't marry it and just be in it for

834
00:45:37,640 --> 00:45:41,359
Speaker 3: the long term without harrowing, like what hospital I'm in.

835
00:45:41,760 --> 00:45:45,840
Speaker 3: But I have a friend who lives locally and she

836
00:45:46,120 --> 00:45:49,000
Speaker 3: is the cook for the hospital, Like she runs the

837
00:45:49,080 --> 00:45:53,040
Speaker 3: kitchens for the hospitals in this area, and she's a

838
00:45:53,080 --> 00:45:56,800
Speaker 3: fucking incredible cook. Like they eat better than I ever eat.

839
00:45:57,040 --> 00:45:57,200
Speaker 1: Hell.

840
00:45:57,320 --> 00:45:58,560
Speaker 2: Yeah, So I'm like.

841
00:45:58,760 --> 00:46:01,399
Speaker 3: That I could fuck with literally fuck like, I will

842
00:46:01,440 --> 00:46:04,280
Speaker 3: fuck that because I don't know if I'm gonna marry

843
00:46:04,280 --> 00:46:07,520
Speaker 3: some rural hospital with no seasoning.

844
00:46:08,120 --> 00:46:12,160
Speaker 2: Oh god, kind of jello based delights.

845
00:46:12,440 --> 00:46:14,480
Speaker 1: Oh my god, delights.

846
00:46:15,320 --> 00:46:19,960
Speaker 3: I can't do it. But that means I'm fucking marrying.

847
00:46:20,719 --> 00:46:23,000
Speaker 3: Let me let me make that clearer. I'm going to

848
00:46:23,239 --> 00:46:26,319
Speaker 3: marry fucking egg based funeral food that's been sitting out

849
00:46:26,360 --> 00:46:28,920
Speaker 3: all day, which I know will give me the trots.

850
00:46:28,960 --> 00:46:32,520
Speaker 3: But that's why I'm marrying it, because if I have

851
00:46:32,640 --> 00:46:35,560
Speaker 3: to live with that, you're gonna have to clean up

852
00:46:35,600 --> 00:46:41,320
Speaker 3: after me. Every e Coli laced bite.

853
00:46:41,640 --> 00:46:43,760
Speaker 2: You better be there with a bucket and a mop.

854
00:46:46,320 --> 00:46:48,359
Speaker 2: It's a whole different iteration of.

855
00:46:48,320 --> 00:46:52,080
Speaker 3: That WAP song, you know, a bucket and a mop,

856
00:46:52,719 --> 00:46:57,520
Speaker 3: other end, other fucking end of I'm eating some eggs

857
00:46:57,520 --> 00:47:00,080
Speaker 3: that I'm sitting out in the sun, just waiting to

858
00:47:00,200 --> 00:47:01,800
Speaker 3: ruin the bacteria in your body.

859
00:47:03,600 --> 00:47:06,280
Speaker 1: Listen, there is something that I have figured out about

860
00:47:06,320 --> 00:47:08,959
Speaker 1: you through the course of all these fmks that we've done,

861
00:47:09,560 --> 00:47:16,200
Speaker 1: which is that you the marriage is you assume. You

862
00:47:16,400 --> 00:47:20,160
Speaker 1: just assume that there's gonna be some bullshit with every marriage.

863
00:47:20,320 --> 00:47:28,040
Speaker 1: Everything be fucking be it Freddy Krueger or whatever, like,

864
00:47:28,080 --> 00:47:31,640
Speaker 1: whoever you've picked. You're like, there's gonna be some bullshit.

865
00:47:31,680 --> 00:47:33,920
Speaker 1: But here's how I'm gonna play it. This guy works

866
00:47:34,000 --> 00:47:35,719
Speaker 1: late at night and I don't have to be there

867
00:47:35,800 --> 00:47:40,400
Speaker 1: when he's like, these eggs are gonna give you the runs,

868
00:47:40,480 --> 00:47:42,319
Speaker 1: but somebody's gonna clean up for me.

869
00:47:42,719 --> 00:47:46,240
Speaker 3: Listen, Divorce has ruined me. Divorce is hard. I've seen

870
00:47:46,280 --> 00:47:47,440
Speaker 3: some things now.

871
00:47:47,480 --> 00:47:50,560
Speaker 2: And I'm like, I don't know. I don't know about

872
00:47:50,600 --> 00:47:51,760
Speaker 2: marriage in general.

873
00:47:53,080 --> 00:47:56,000
Speaker 3: Yeah, so if I'm gonna consider it, even in a

874
00:47:56,239 --> 00:48:00,680
Speaker 3: joking way, I'm bringing reality to it every time. Yeah,

875
00:48:00,719 --> 00:48:04,600
Speaker 3: people think marriage is like fucking Bridgerton, and it is not.

876
00:48:05,400 --> 00:48:07,920
Speaker 3: Marriage is like, oh my god, you fucking peed down

877
00:48:07,920 --> 00:48:09,680
Speaker 3: the side of the toilet like you're five years old.

878
00:48:09,680 --> 00:48:10,759
Speaker 2: Why don't you clean that up?

879
00:48:12,120 --> 00:48:14,160
Speaker 3: That's the kind of shit you now have to have conversation,

880
00:48:14,400 --> 00:48:17,120
Speaker 3: not just a little talk, a whole conversation about.

881
00:48:17,480 --> 00:48:19,319
Speaker 2: Yeah, that's how you spend your time. That's why.

882
00:48:19,320 --> 00:48:21,320
Speaker 3: That's why you're not out here listening to new music,

883
00:48:21,760 --> 00:48:24,200
Speaker 3: because you're fighting with some dude in your house about

884
00:48:24,200 --> 00:48:29,000
Speaker 3: how grossy it is all the time. Like maybe you

885
00:48:29,000 --> 00:48:31,640
Speaker 3: don't stuff your fucking cookie rappers in the couch like

886
00:48:31,680 --> 00:48:35,440
Speaker 3: you're twenty years old. You live with an adult now, Yeah,

887
00:48:35,640 --> 00:48:39,000
Speaker 3: put that shit in the garbage. Marriage will change you.

888
00:48:39,120 --> 00:48:42,279
Speaker 3: I've seen some shit. I'm coming at the m part

889
00:48:42,280 --> 00:48:47,280
Speaker 3: of this game with like a war Veterans memory.

890
00:48:47,760 --> 00:48:52,000
Speaker 1: Yeah, it's just interesting. It's just very deeply interesting to me.

891
00:48:52,440 --> 00:48:56,640
Speaker 1: How you how you've rationalized these ever since we started

892
00:48:56,640 --> 00:49:01,080
Speaker 1: doing them. And look, Sarah, I know you said it

893
00:49:01,120 --> 00:49:03,719
Speaker 1: was the morphine, but this is actually fucking dope. Like

894
00:49:03,920 --> 00:49:09,560
Speaker 1: this was a great FMK and we hope you feel better.

895
00:49:09,719 --> 00:49:12,200
Speaker 3: Absolutely, please keep us posted and if this is you

896
00:49:12,239 --> 00:49:14,719
Speaker 3: on morphine, feel free to send us any FMK when

897
00:49:14,760 --> 00:49:16,759
Speaker 3: you're lucid, because that is hilarious.

898
00:49:17,120 --> 00:49:21,040
Speaker 1: Yeah, that was like truly psychedelic. I have to say,

899
00:49:21,320 --> 00:49:23,040
Speaker 1: do we have time for one more? Or what do

900
00:49:23,040 --> 00:49:23,319
Speaker 1: you think?

901
00:49:23,320 --> 00:49:23,719
Speaker 2: I think?

902
00:49:23,840 --> 00:49:30,080
Speaker 1: So hmm, oh, this is just in time for hallouen.

903
00:49:33,000 --> 00:49:38,239
Speaker 1: It's a Halloween double feature question from KT with they

904
00:49:38,280 --> 00:49:44,000
Speaker 1: then pronouns so KT writes, Hello, Millie and Danielle. I

905
00:49:44,040 --> 00:49:46,960
Speaker 1: have a question for y'all this Halloween season. I was

906
00:49:47,000 --> 00:49:49,000
Speaker 1: wanting to choose some double features for my friends and

907
00:49:49,040 --> 00:49:51,279
Speaker 1: not to watch. I was having such a hard time

908
00:49:51,360 --> 00:49:55,040
Speaker 1: choosing movies that complimented each other. A double feature is

909
00:49:55,080 --> 00:49:58,719
Speaker 1: sometimes a lot to ask from people, and I want

910
00:49:58,719 --> 00:50:02,160
Speaker 1: to keep them engaged exhausted, especially since the movies are

911
00:50:02,200 --> 00:50:05,600
Speaker 1: going to be mostly on the scary slash intense side.

912
00:50:05,960 --> 00:50:09,480
Speaker 1: My question is when picking double features, do you lean

913
00:50:09,520 --> 00:50:13,479
Speaker 1: towards thematic as in their both monster movies or both

914
00:50:13,560 --> 00:50:17,319
Speaker 1: paranormal movies and program two potentially really intense movies, or

915
00:50:17,320 --> 00:50:19,560
Speaker 1: do you program two movies with some much different moods

916
00:50:19,920 --> 00:50:23,040
Speaker 1: to create more of a balance and not overwhelm the viewer.

917
00:50:23,480 --> 00:50:25,200
Speaker 1: I know why I'm overthinking this, but I would love

918
00:50:25,200 --> 00:50:26,720
Speaker 1: to hear how you might choose a pair of films

919
00:50:26,760 --> 00:50:29,960
Speaker 1: that are scarier. Do you consider who is coming? Do

920
00:50:30,000 --> 00:50:31,680
Speaker 1: you just stay true to your desires of what you

921
00:50:31,719 --> 00:50:33,400
Speaker 1: want to get from the films and hope everyone is

922
00:50:33,440 --> 00:50:36,160
Speaker 1: on board when they choose to come. I am so

923
00:50:36,280 --> 00:50:38,480
Speaker 1: grateful to listen to your podcast and hear two people

924
00:50:38,480 --> 00:50:39,880
Speaker 1: talk about movies the way.

925
00:50:39,719 --> 00:50:40,880
Speaker 2: I think about movies.

926
00:50:41,239 --> 00:50:43,520
Speaker 1: I love your take on movies and the questions that

927
00:50:43,560 --> 00:50:46,279
Speaker 1: come up for y'all. Your bonus episodes have been hitting

928
00:50:46,360 --> 00:50:49,720
Speaker 1: hard lately in a good way, as your discussions about

929
00:50:49,719 --> 00:50:52,600
Speaker 1: social media and also gray Goo are things I think

930
00:50:52,640 --> 00:50:56,000
Speaker 1: about on a regular basis. So thank you for making

931
00:50:56,040 --> 00:50:58,280
Speaker 1: me feel seen and for filling me with joy and laughter,

932
00:50:59,080 --> 00:50:59,640
Speaker 1: with care.

933
00:51:00,239 --> 00:51:04,440
Speaker 3: K t oh Kat great questions in here. They are

934
00:51:04,480 --> 00:51:09,880
Speaker 3: really asking some great questions and it helps me instead

935
00:51:09,920 --> 00:51:11,680
Speaker 3: of giving you like, oh, here are some movies you

936
00:51:11,680 --> 00:51:15,080
Speaker 3: could use, which I still will do. I like the

937
00:51:15,120 --> 00:51:17,680
Speaker 3: way that you're thinking about how to put together a

938
00:51:17,760 --> 00:51:20,120
Speaker 3: double feature, but I think a lot of it depends

939
00:51:20,160 --> 00:51:23,000
Speaker 3: on who the audience is. So if these are all friends,

940
00:51:23,040 --> 00:51:25,040
Speaker 3: all people you know, all people you have like an

941
00:51:25,160 --> 00:51:28,080
Speaker 3: established relationship with, I say you can go book. You

942
00:51:28,120 --> 00:51:29,719
Speaker 3: can be like, here's what I want to watch for

943
00:51:29,800 --> 00:51:31,200
Speaker 3: these two, and I know we're going to have a

944
00:51:31,200 --> 00:51:34,640
Speaker 3: good time because you know, y'all are as crazy as

945
00:51:34,680 --> 00:51:36,839
Speaker 3: I am, or you guys are just like way into

946
00:51:36,840 --> 00:51:39,360
Speaker 3: this stuff, or I know I can rock your world.

947
00:51:39,360 --> 00:51:41,879
Speaker 3: So if it's a good group of friends, I say,

948
00:51:42,080 --> 00:51:44,360
Speaker 3: go with what you want and then have fun talking

949
00:51:44,360 --> 00:51:48,440
Speaker 3: about it after. If it's a mixed crowd, You're right,

950
00:51:48,520 --> 00:51:50,120
Speaker 3: that is kind of hard to like, you know, if

951
00:51:50,120 --> 00:51:52,759
Speaker 3: you have people bring in their partners or like you're

952
00:51:52,760 --> 00:51:56,040
Speaker 3: doing this in like a more wide reaching way, like

953
00:51:56,080 --> 00:52:01,360
Speaker 3: a bigger party, I would say to balance it with

954
00:52:02,160 --> 00:52:04,680
Speaker 3: a lighter movie and a classic.

955
00:52:04,800 --> 00:52:07,279
Speaker 2: So, for example, you could do.

956
00:52:08,600 --> 00:52:12,640
Speaker 3: A like an Attack the Block, which is not necessarily

957
00:52:12,640 --> 00:52:15,399
Speaker 3: a Halloween movie, but it's a scarier film, but it's

958
00:52:15,520 --> 00:52:18,480
Speaker 3: actually very funny and kind of up to date and

959
00:52:18,600 --> 00:52:22,480
Speaker 3: kind of just more slice of life.

960
00:52:23,200 --> 00:52:24,480
Speaker 2: And then I would balance it with.

961
00:52:24,360 --> 00:52:26,560
Speaker 3: Like like a Creature from the Black Lagoon or a

962
00:52:26,600 --> 00:52:29,320
Speaker 3: movie that people have heard of but haven't really seen before,

963
00:52:30,320 --> 00:52:32,320
Speaker 3: because a lot of people have heard of the classics,

964
00:52:32,320 --> 00:52:34,279
Speaker 3: but they haven't actually seen the classics.

965
00:52:34,920 --> 00:52:36,080
Speaker 2: So I think you can kind.

966
00:52:35,920 --> 00:52:37,920
Speaker 3: Of get a good mix if you're just thinking like

967
00:52:38,000 --> 00:52:41,680
Speaker 3: funny and light and a little bit more of like, oh,

968
00:52:41,719 --> 00:52:44,040
Speaker 3: I always heard about this, but I never saw and

969
00:52:44,120 --> 00:52:47,839
Speaker 3: now I understand that part that people reference. So that's

970
00:52:47,880 --> 00:52:49,480
Speaker 3: my gut instinct for this.

971
00:52:50,880 --> 00:52:55,799
Speaker 1: Yeah, I mean, honestly, I don't know. I'm trying to

972
00:52:56,080 --> 00:52:59,280
Speaker 1: turn off my like programmer brain a little bit, because

973
00:53:00,080 --> 00:53:03,480
Speaker 1: if you're amongst friends, I agree, it's a different ballgame, right,

974
00:53:04,040 --> 00:53:07,040
Speaker 1: because what we do is for we just kind of

975
00:53:07,040 --> 00:53:10,359
Speaker 1: do our own thing, and when we pick themes, it's

976
00:53:10,440 --> 00:53:14,680
Speaker 1: usually based on a joke, so, you know, a joke

977
00:53:14,800 --> 00:53:16,880
Speaker 1: or is just something we really want to interrograte, like

978
00:53:16,920 --> 00:53:19,920
Speaker 1: a concept or something, and then we find the movies

979
00:53:20,120 --> 00:53:23,120
Speaker 1: you know that fit that or whatever. And I've done

980
00:53:23,120 --> 00:53:25,680
Speaker 1: it all kinds of ways. All throughout my career. But

981
00:53:26,640 --> 00:53:28,279
Speaker 1: I think when you're amongst friends, and I think with

982
00:53:28,360 --> 00:53:30,279
Speaker 1: horror too, if you don't want to like really like

983
00:53:32,400 --> 00:53:34,799
Speaker 1: really freak people out or something, I don't know, go

984
00:53:34,840 --> 00:53:37,839
Speaker 1: by actor, go by director. That's just real easy way

985
00:53:37,880 --> 00:53:40,359
Speaker 1: to do a double feature. Like you could even do

986
00:53:40,400 --> 00:53:43,719
Speaker 1: something like if you did somebody like Brianda Palmer. You

987
00:53:43,760 --> 00:53:46,759
Speaker 1: could do carry but then do maybe I don't know,

988
00:53:46,800 --> 00:53:48,839
Speaker 1: Phantom of the Paradise. That's not I mean, that's kind

989
00:53:48,840 --> 00:53:51,839
Speaker 1: of you know, something's it's a musical, but it's also

990
00:53:52,000 --> 00:53:56,319
Speaker 1: like weird, and or you could do like Blowout or

991
00:53:56,320 --> 00:53:59,000
Speaker 1: something I don't know, Like you could pick like especially

992
00:53:59,000 --> 00:54:02,200
Speaker 1: directors that have made a lot of films, like you

993
00:54:02,239 --> 00:54:06,120
Speaker 1: could pick something that's scarier and less scary, or do

994
00:54:06,239 --> 00:54:10,400
Speaker 1: like an actor, do you know, Like I don't know

995
00:54:10,440 --> 00:54:14,279
Speaker 1: why I was thinking Harry Conic Junior. I guess maybe

996
00:54:14,320 --> 00:54:15,960
Speaker 1: we have him on the brain or something.

997
00:54:17,000 --> 00:54:18,920
Speaker 3: Little Man Tate is terrifying if you look at it

998
00:54:18,920 --> 00:54:20,760
Speaker 3: from a little kid's perspective, right.

999
00:54:20,640 --> 00:54:23,520
Speaker 1: Well, you can do so. I would do Little Man Tate,

1000
00:54:24,080 --> 00:54:26,279
Speaker 1: which is now a horror movie because Daniel just said it,

1001
00:54:26,840 --> 00:54:31,520
Speaker 1: and Copycat, which is an actual horror movie or a

1002
00:54:31,520 --> 00:54:34,600
Speaker 1: thriller and it's scary and weird as fuck and Harry

1003
00:54:34,640 --> 00:54:39,399
Speaker 1: Conic Junior goes dark, so you know something like that.

1004
00:54:39,560 --> 00:54:41,359
Speaker 1: I mean, I don't know, you know, like I think

1005
00:54:41,400 --> 00:54:45,680
Speaker 1: it's that would just be really easy, especially amongst friends,

1006
00:54:45,760 --> 00:54:49,120
Speaker 1: because you know, you don't really want to piss off.

1007
00:54:48,960 --> 00:54:51,920
Speaker 2: Your friends, right, And I think I agree.

1008
00:54:51,920 --> 00:54:53,400
Speaker 3: And I think if it is a group of friends

1009
00:54:53,480 --> 00:54:55,319
Speaker 3: or someone, a group of people that you at least

1010
00:54:55,360 --> 00:54:58,600
Speaker 3: feel comfortable with, then I think they can ask. Or

1011
00:54:58,640 --> 00:55:01,600
Speaker 3: I would wonder if Katie, if you feel comfortable asking

1012
00:55:02,120 --> 00:55:05,200
Speaker 3: before the party, Like, Hey, I'm gonna pick some double

1013
00:55:05,440 --> 00:55:08,000
Speaker 3: we're doing a double feature on a scale of like.

1014
00:55:08,040 --> 00:55:11,880
Speaker 2: One to five. How much do you enjoy gore or

1015
00:55:12,040 --> 00:55:13,640
Speaker 2: blood or do.

1016
00:55:13,640 --> 00:55:16,000
Speaker 3: You have any kind of like passing out illness when

1017
00:55:16,040 --> 00:55:18,200
Speaker 3: you see teeth coming out of a head or something

1018
00:55:18,239 --> 00:55:21,200
Speaker 3: like that. You can just ask, you know, hey, what's

1019
00:55:21,239 --> 00:55:23,000
Speaker 3: your level of like what's your comfort level?

1020
00:55:23,800 --> 00:55:25,120
Speaker 2: And kind of pick to that.

1021
00:55:27,000 --> 00:55:29,200
Speaker 1: Yeah, oh god, I'll tell you right now. I have

1022
00:55:29,320 --> 00:55:32,919
Speaker 1: friends that are like really into Google surveys, Like they'll

1023
00:55:32,920 --> 00:55:37,759
Speaker 1: send a Google survey for any fucking thing. They're like, hey,

1024
00:55:37,800 --> 00:55:41,279
Speaker 1: can you wait weigh in on this Google survey real quick, Like,

1025
00:55:41,719 --> 00:55:44,279
Speaker 1: I'm having dinner, We're having some folks over for dinner.

1026
00:55:44,320 --> 00:55:47,560
Speaker 1: I'm like, damn, you created a fucking survey. Just figure

1027
00:55:47,800 --> 00:55:50,560
Speaker 1: figure shit out amongst your friends. Shit works. It's a

1028
00:55:50,600 --> 00:55:51,960
Speaker 1: good way to keep things organized.

1029
00:55:53,400 --> 00:55:56,200
Speaker 3: So also, if you're gonna send me a survey about dinner,

1030
00:55:56,200 --> 00:55:58,160
Speaker 3: you better be inviting me to that dinner. Oh right,

1031
00:55:58,840 --> 00:56:00,960
Speaker 3: I'm not gonna just hell, you have a great party

1032
00:56:00,960 --> 00:56:01,799
Speaker 3: that I'm not a part of.

1033
00:56:03,440 --> 00:56:08,440
Speaker 1: Question one, say I had a party and you were

1034
00:56:08,480 --> 00:56:13,520
Speaker 1: out of town or busy, what would you want to eat?

1035
00:56:14,239 --> 00:56:15,360
Speaker 2: I'm scheduling a party.

1036
00:56:15,400 --> 00:56:17,960
Speaker 3: Let's just say, for example, for example, I'm scheduling a

1037
00:56:17,960 --> 00:56:22,520
Speaker 3: party when I know you won't be here. Yeah, get

1038
00:56:22,560 --> 00:56:24,640
Speaker 3: on that Google survey and be like you know and

1039
00:56:24,719 --> 00:56:28,400
Speaker 3: give movie examples. Be like, hey, which of these do

1040
00:56:28,480 --> 00:56:32,840
Speaker 3: you find the scariest, the Great pump It's the Great Pumpkin,

1041
00:56:32,920 --> 00:56:43,000
Speaker 3: Charlie Brown, audition, or likeitary like, send out that survey

1042
00:56:43,000 --> 00:56:44,759
Speaker 3: and get just get it. You don't have to let

1043
00:56:44,800 --> 00:56:46,480
Speaker 3: them pick the movies, but just so that you can

1044
00:56:46,520 --> 00:56:50,560
Speaker 3: get a feel kt for like what they what they

1045
00:56:50,640 --> 00:56:51,160
Speaker 3: might want.

1046
00:56:51,000 --> 00:56:54,920
Speaker 1: To watch exactly exactly. It's a you know, asking is

1047
00:56:55,280 --> 00:56:59,960
Speaker 1: a is a good move if you're unsure so, but honestly,

1048
00:57:00,120 --> 00:57:05,200
Speaker 1: thanks for that, Kat, really great question. We got good

1049
00:57:05,280 --> 00:57:07,799
Speaker 1: questions this week, thanks to everybody that wrote in. If

1050
00:57:07,800 --> 00:57:10,640
Speaker 1: you want to write into us, we're at I Saw

1051
00:57:10,640 --> 00:57:12,880
Speaker 1: What You Did Pod at gmail dot com.

1052
00:57:12,920 --> 00:57:14,759
Speaker 3: And you can find us on our social media at

1053
00:57:14,800 --> 00:57:19,760
Speaker 3: I Saw Pod on Instagram and Twitter. Yes, yes, send us,

1054
00:57:20,000 --> 00:57:21,840
Speaker 3: send us those questions we've got. We still have a

1055
00:57:21,880 --> 00:57:24,040
Speaker 3: PO box you can mail stuff in if you go

1056
00:57:24,040 --> 00:57:27,160
Speaker 3: to the Instagram account. The PO box is in our

1057
00:57:27,200 --> 00:57:27,800
Speaker 3: link tree.

1058
00:57:28,600 --> 00:57:30,200
Speaker 2: And these questions have been great.

1059
00:57:30,200 --> 00:57:32,680
Speaker 3: We've been getting great questions for a while and I

1060
00:57:32,720 --> 00:57:35,120
Speaker 3: think that it's been helping us also.

1061
00:57:35,680 --> 00:57:37,840
Speaker 2: Because you never know when we're going to pick one

1062
00:57:37,880 --> 00:57:39,680
Speaker 2: of your questions for a guest.

1063
00:57:40,280 --> 00:57:42,680
Speaker 1: Oh, I know, And it's like we've been doing that

1064
00:57:43,160 --> 00:57:46,760
Speaker 1: quite a bit lately. Pop it over to the main feed, baby,

1065
00:57:47,920 --> 00:57:48,880
Speaker 1: send them on in.

1066
00:57:49,560 --> 00:57:52,080
Speaker 3: Oh, I love this. This makes me laugh so hard.

1067
00:57:52,280 --> 00:57:54,440
Speaker 3: Thank you so much for listening to us. But Millie,

1068
00:57:54,440 --> 00:57:55,640
Speaker 3: thank you for doing this with me.

1069
00:57:55,800 --> 00:57:56,400
Speaker 2: This is great.

1070
00:57:56,880 --> 00:58:00,000
Speaker 1: Always a fucking pleasure doing this podcast with you girls.

1071
00:58:01,760 --> 00:58:02,439
Speaker 1: See y'all later.

1072
00:58:02,560 --> 00:58:05,520
Speaker 2: Is that the new JD McPherson try, Yes, it is.

1073
00:58:07,000 --> 00:58:13,240
Speaker 1: It's listen. JD call me collaboration. Well, let's do it.

1074
00:58:13,320 --> 00:58:17,360
Speaker 3: Let's do a tour, fall tour, Come on, babe, collaboration

1075
00:58:17,640 --> 00:58:22,240
Speaker 3: or lifelong friendship, whatever you prefer.

1076
00:58:21,760 --> 00:58:25,160
Speaker 1: I actually prefer the friendship. I'm a terrible singer, so.

1077
00:58:29,440 --> 00:58:31,800
Speaker 3: Well, until next time, y'all, thank you so much for

1078
00:58:31,840 --> 00:58:35,200
Speaker 3: subscribing to Wondering Plus and listening to us on our bonuses.

1079
00:58:35,920 --> 00:58:40,120
Speaker 1: We love you bye.

1080
00:58:44,280 --> 00:58:47,000
Speaker 3: This has been an exactly right production, produced and mixed

1081
00:58:47,040 --> 00:58:50,120
Speaker 3: by Casey O'Brien. Our theme song is by Tom bry Fogel,

1082
00:58:50,440 --> 00:58:54,200
Speaker 3: artwork by Garrett Ross. Our executive producers are Georgia Hartstart

1083
00:58:54,240 --> 00:58:56,840
Speaker 3: Caring Til Garrett and Daniel Kramer. You can follow us

1084
00:58:56,880 --> 00:58:59,800
Speaker 3: on Instagram and Twitter at I Saw Pod, and you

1085
00:58:59,800 --> 00:59:02,040
Speaker 3: can email us at I Saw What You Did Pod

1086
00:59:02,160 --> 00:59:02,760
Speaker 3: at gmail