WEBVTT - INTERVIEW: Doechii Talks New Project, Kendrick's Praise, Bisexuality, Sobriety + More

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<v Speaker 1>Wake that ass up in the morning. The Breakfast Club.

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<v Speaker 2>Morning, everybody, It's d j en Vy, Jess Hilarious, Charlamagne

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<v Speaker 2>the gud.

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<v Speaker 3>We are the Breakfast Club.

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<v Speaker 2>And we got a special guest in the building that

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<v Speaker 2>came in here so delightfully right and nice.

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<v Speaker 1>Ladies lying, she was not lying. She was not lying.

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<v Speaker 2>Ladies and gentlemen, don't morning.

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<v Speaker 4>I'm great man.

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<v Speaker 5>It's feel good to see you because the last time

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<v Speaker 5>you was here, no label reps with you. But when

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<v Speaker 5>you see the whole label here with you, that's when

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<v Speaker 5>you know you're really doing good.

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<v Speaker 1>So congratulations, thank.

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<v Speaker 4>You, thank you so much. It has been a while.

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<v Speaker 4>I think last time I was talking about fighting, it

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<v Speaker 4>was it was a lot going on.

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<v Speaker 1>Did you get a call after that person call you?

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<v Speaker 4>Oh my god, they didn't call me. They didn't call me.

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<v Speaker 4>But it doesn't matter. We don't need to be.

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<v Speaker 1>It's not how much is life changed.

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<v Speaker 4>It's changed. I mean a lot. I've been NonStop, like

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<v Speaker 4>on the go. I've been really really busy in a

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<v Speaker 4>good way, performing a lot. I just got off tour,

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<v Speaker 4>which is incredible. Grammy nom. A lot of a lot

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<v Speaker 4>of things have been happening.

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<v Speaker 6>I feel good you receiving a hip Hop Disruptor Award.

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<v Speaker 4>Yeah, they just made that up.

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<v Speaker 1>You know.

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<v Speaker 4>It's when they got to make a name, they got

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<v Speaker 4>to make an award. It feels good. I mean, I'm

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<v Speaker 4>just like, wow, hip hop disruptor. That that resonates with

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<v Speaker 4>me heavily feels good.

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<v Speaker 1>Do you consider yourself just a rappertal?

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<v Speaker 4>I think an overall artist, but first a rapper for

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<v Speaker 4>sure from Tampa.

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<v Speaker 2>We're talking about artist from Tampa.

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<v Speaker 1>But sound is just different.

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<v Speaker 7>I don't I listened to it.

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<v Speaker 1>I don't know where she from.

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<v Speaker 6>She a galaxy is different. I will always say Spooky

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<v Speaker 6>Coochie is my favorite song. I know you talk about

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<v Speaker 6>Alligator bikes never, but like girl, that's my jam.

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<v Speaker 4>Thank you.

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<v Speaker 2>Yeah, let's talk about the name of the album. Yeah, mixtape.

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<v Speaker 2>It's mixtape album, mixtape, mixtape alligated byce never Heal. Why

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<v Speaker 2>is the name of that? And you talk about it

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<v Speaker 2>all the time? But this is a different people.

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<v Speaker 4>I know. I mean today, it's like it's about this

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<v Speaker 4>never ending cycle of life of you always have a

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<v Speaker 4>series of truths that you have to constantly come to

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<v Speaker 4>within yourself over and over again. It's about patterns. Essentially,

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<v Speaker 4>it's like when you get over one hurdle and you

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<v Speaker 4>you cool in, then you have another one to jump in,

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<v Speaker 4>and it's another one, And it's just about accepting that

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<v Speaker 4>there's always going to be more to discover about yourself.

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<v Speaker 4>There's always going to be more things to dislike about

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<v Speaker 4>yourself or like about yourself the more you go on

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<v Speaker 4>in life, and that's what it's about. Ultimately, you'll always

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<v Speaker 4>be wounded in some type of way and then you'll

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<v Speaker 4>always heal.

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<v Speaker 5>Well, when did when did you get by an alligator?

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<v Speaker 5>Cha even try to go to a hospital to see I.

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<v Speaker 4>Have never been bitten by an alligator. I would hope

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<v Speaker 4>that would never happen to me, but I'd be around

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<v Speaker 4>them all the time.

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<v Speaker 1>Temple or what came up with that?

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<v Speaker 5>Even that concept like just to even I don't know

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<v Speaker 5>what you call it a metaphor or whatever.

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<v Speaker 4>Yeah, I don't know. It really was deeply spiritual. It

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<v Speaker 4>just came to me, like I always had the name

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<v Speaker 4>before I even had a project put together. I was like,

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<v Speaker 4>one day I'm going to do a project. It's going

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<v Speaker 4>to be called Alligator Fights, Never Heal, and the music

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<v Speaker 4>will make sense with it. One day.

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<v Speaker 7>So you've been thought of this, yes, ma'am.

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<v Speaker 2>The you talking about changing and things that you like

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<v Speaker 2>about yourself and don't like about yourself. What did you

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<v Speaker 2>see that that you didn't like about yourself?

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<v Speaker 4>I think when I was creating this project, I was

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<v Speaker 4>always drunk, always drinking, always partying, and I couldn't recognize

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<v Speaker 4>myself at all because I wasn't really myself. I was intoxicated,

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<v Speaker 4>whether I'm smoking, I'm drinking or whatever, and I wasn't

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<v Speaker 4>liking the person that was reflecting back at me. And

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<v Speaker 4>I was like, Okay, I think it's time to like

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<v Speaker 4>sober up and I need to just get away from

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<v Speaker 4>people and figure out who am I right now? Because

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<v Speaker 4>I feel like I was carrying this version of myself

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<v Speaker 4>that I had been since I was like twenty twenty one,

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<v Speaker 4>you know what I mean, and it was no longer

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<v Speaker 4>serving who I was to become. And when it was

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<v Speaker 4>no longer serving me, I was like, Okay, let's make

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<v Speaker 4>a change. And I felt heavily inspired and I made

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<v Speaker 4>the album bout it being by the boom. I'm in

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<v Speaker 4>the data suit.

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<v Speaker 1>Know when did you get to that point? Because you

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<v Speaker 1>know in de Nihala is the river. You talk about

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<v Speaker 1>that a lot.

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<v Speaker 5>You talk about you know, being in I guess that

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<v Speaker 5>that that dark period, but you know, also being caught

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<v Speaker 5>up in the fast lane of being a rapper, so

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<v Speaker 5>you had to be lying to yourself for a while.

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<v Speaker 5>The name of denial is the river when you get

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<v Speaker 5>to the point where it was like, you know what,

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<v Speaker 5>I am kind of fucked up about it.

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<v Speaker 4>I don't think I was ever lying to myself. De

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<v Speaker 4>nihala is a river. I titled it that because I

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<v Speaker 4>was dealing with somebody who was lying to themselves. But anyways,

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<v Speaker 4>I came to that point when I realized that I

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<v Speaker 4>couldn't create music without drinking in the studio, and that

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<v Speaker 4>was my breaking point where I was like, oh, I

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<v Speaker 4>have truly forgotten the source of my creativity, the source

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<v Speaker 4>of who I am, and I'm looking for things outside

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<v Speaker 4>of me to be myself. That's weird.

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<v Speaker 1>Did did Wendy Williams influenced? Then?

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<v Speaker 4>I was yeah, that quote? Wow? Yeah, well you.

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<v Speaker 1>Was in a situation like that?

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<v Speaker 4>Yeah?

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<v Speaker 1>What wow? I mean twenty four real shocking. How do

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<v Speaker 1>you deal with that when a person that I mean that.

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<v Speaker 4>It's that was never the problem. I think the problem

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<v Speaker 4>was that you cheated on me. You all so could

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<v Speaker 4>have let me know upfront, you know which your style was.

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<v Speaker 4>I'm bisexual, that's cool. I've dated bisexual man.

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<v Speaker 1>It's different, different when it's a man.

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<v Speaker 4>Let me know what it is upfront. Let me know

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<v Speaker 4>what it is upfront. I'll accept you for who you are.

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<v Speaker 4>It doesn't really matter. I think it's like cheating on

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<v Speaker 4>top of lying in secrecy about just who you are

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<v Speaker 4>as a person.

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<v Speaker 2>So you would have a problem dating or you dated

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<v Speaker 2>a bisexual man.

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<v Speaker 4>It's like, how can I be bisexual and then I'm

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<v Speaker 4>gonna not date somebody who else who's bisexual? Why because

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<v Speaker 4>he's a man.

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<v Speaker 2>Because people look at it different people people, people look

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<v Speaker 2>at it differently. It's in this world, it's okay for

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<v Speaker 2>another woman to be with another woman, but for a

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<v Speaker 2>man to be with another way, and people look at

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<v Speaker 2>that differently. In a bisexual relationship.

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<v Speaker 4>Now, absolutely not. It's I don't see it that way.

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<v Speaker 4>I really don't. I think that sexuality is fluid and

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<v Speaker 4>I really don't give it.

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<v Speaker 7>An because then that's contradicting it is, know what I mean? Yeah?

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<v Speaker 4>Yeah, How could I sit up here and be bisexual

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<v Speaker 4>and they'd be like, oh no, I can't girl.

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<v Speaker 7>Whatever.

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<v Speaker 6>So what's your relationship like now? Because I saw where

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<v Speaker 6>you said you have a girlfriend.

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<v Speaker 4>Now, yeah, it's wonderful.

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<v Speaker 1>Yeah she trust you.

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<v Speaker 4>Oh my god, yeah yes she does.

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<v Speaker 1>Okay, okay, okay.

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<v Speaker 5>I love the fact that you also named songs after

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<v Speaker 5>things that I love because I'm from the South.

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<v Speaker 4>You literally look like you just don't age.

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<v Speaker 1>You look fantastic about.

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<v Speaker 5>You were saying, well, no, you named you named the

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<v Speaker 5>songs after the things that I love, like boiled peanuts, yes, catfish,

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<v Speaker 5>Carolina Okay, talking about fireflies like what made you pay?

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<v Speaker 1>How muche to those things?

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<v Speaker 4>Just the little things that I like in Florida, the

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<v Speaker 4>little things that make up the swamp. Just things that I.

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<v Speaker 1>Think are cool, even bull frog. You've got to be

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<v Speaker 1>from the country to even though.

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<v Speaker 4>The Yeah I hate those things.

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<v Speaker 1>I'm the only hero what that is?

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<v Speaker 4>I've seen them?

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<v Speaker 1>Okay.

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<v Speaker 3>Yeah, you know you people in the South like the little.

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<v Speaker 1>Fireflies beautiful.

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<v Speaker 5>But you're showing off your white side. Don't want to

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<v Speaker 5>hear you say, nigga no more. Speaking of that, Drick

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<v Speaker 5>sand you the hardest up.

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<v Speaker 4>He did make you feel that was great. It's Kendrick.

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<v Speaker 4>I was like, I do.

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<v Speaker 1>Yeah.

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<v Speaker 4>He didn't say she hard he said the hardest out period.

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<v Speaker 4>What a period? And men don't even be using periods,

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<v Speaker 4>So that's.

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<v Speaker 3>A big these niggas.

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<v Speaker 1>Has he given you that validation off off offline.

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<v Speaker 4>Too, like just we've actually never met in person, I haven't.

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<v Speaker 4>I haven't met him in person yet, but he has

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<v Speaker 4>given me my props publicly, which is incredible stoke and

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<v Speaker 4>the day I meet him, chill.

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<v Speaker 1>It's going to be a really good You'll spoke before that.

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<v Speaker 1>But so you've never even I've never met Kendrick, never

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<v Speaker 1>met him, never spoke to him on nothing. He just

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<v Speaker 1>randomly post posted, Wow, you.

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<v Speaker 6>Were signed to t TD for four years and you

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<v Speaker 6>didn't drop You didn't drop anything with him.

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<v Speaker 4>It took me a really, really long time to figure

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<v Speaker 4>out the direction of where I wanted to go with

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<v Speaker 4>my music. And I think that we were dropping singles

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<v Speaker 4>and it's like it had time had been, time had

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<v Speaker 4>gone by, and I was trying to discover who I

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<v Speaker 4>was musically through singles and I couldn't discover that through

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<v Speaker 4>a full body project. And I was like, I need

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<v Speaker 4>to drop a mixtape and get something out so that

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<v Speaker 4>I can have a project to measure up to. You know,

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<v Speaker 4>you have artists that are single artists and then you

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<v Speaker 4>have artists that are like conceptual album artists. And I

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<v Speaker 4>think that I'm that type of artist. And I couldn't

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<v Speaker 4>see that because I had never dropped a project before.

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<v Speaker 4>So it's like four years went by, I got ten singles.

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<v Speaker 4>I was like, listen, we gotta let something go as

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<v Speaker 4>soon as possible.

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<v Speaker 1>But yeah, was that fight was topping Punch like against.

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<v Speaker 4>It or no, I don't think that I actually don't

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<v Speaker 4>work with Punch, but okay, but no, it's not that

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<v Speaker 4>they were against it. It was just a lot of

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<v Speaker 4>back and forth about what it is that I wanted

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<v Speaker 4>to say, and do we do we want to go

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<v Speaker 4>this direction? Do we want to go that direction? Do

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<v Speaker 4>I want pop? Do I want? What type of artists

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<v Speaker 4>do I want to be? And it took me a

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<v Speaker 4>minute to kind of figure that out.

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<v Speaker 1>How big is TD that you don't work with Punch?

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<v Speaker 4>I mean Punch is heavily in with Scissa, and I

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<v Speaker 4>mean Siss' is a global superstar. She's busy, So yeah,

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<v Speaker 4>that's my girl, that's my girl. She's incredible When you're creating.

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<v Speaker 1>It's just you in the studio like yeah, wow.

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<v Speaker 4>Yeah, that's even I don't like anybody in the studio

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<v Speaker 4>about it.

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<v Speaker 2>Not as there's rumors that you know, you haven't met Kendrick,

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<v Speaker 2>but there's rumors that you're going to be meeting him

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<v Speaker 2>soon because they said that you possibly are going out

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<v Speaker 2>on two with Kendrick.

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<v Speaker 3>Is is any truth to that?

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<v Speaker 1>You can lie about everything else, but you can't keep that, y'all.

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<v Speaker 4>Please, I have not met Kendrick. I don't know what

0:11:13.559 --> 0:11:16.120
<v Speaker 4>Kendrick has of his sleeve. I don't know what's to come.

0:11:16.160 --> 0:11:19.000
<v Speaker 4>But I know that I am prepared to receive any

0:11:19.040 --> 0:11:22.640
<v Speaker 4>opportunity that comes my way. But truly, I have no

0:11:22.720 --> 0:11:23.360
<v Speaker 4>idea I.

0:11:23.320 --> 0:11:25.400
<v Speaker 1>Heard you on his deluxe album or the next project.

0:11:25.679 --> 0:11:28.679
<v Speaker 4>I'm sorry how I'm on it. I ain't never even

0:11:28.760 --> 0:11:30.400
<v Speaker 4>met him. I don't know.

0:11:30.559 --> 0:11:33.280
<v Speaker 3>You can send records back and forth I have.

0:11:33.559 --> 0:11:36.640
<v Speaker 4>I have no idea what he has sleeve. I don't

0:11:36.679 --> 0:11:37.360
<v Speaker 4>know what's going on.

0:11:37.400 --> 0:11:38.480
<v Speaker 7>You're going to the super Bowl.

0:11:40.800 --> 0:11:42.480
<v Speaker 3>I don't know you're performing at the super Bowl.

0:11:42.840 --> 0:11:44.640
<v Speaker 4>I have no idea what is going on.

0:11:46.679 --> 0:11:49.760
<v Speaker 5>I love your song Bloom Too, and you talk about

0:11:49.840 --> 0:11:52.760
<v Speaker 5>you know, constantly neglecting important aspects of your life, like

0:11:52.840 --> 0:11:54.600
<v Speaker 5>checking on your family, making time for yourself.

0:11:54.640 --> 0:11:55.839
<v Speaker 1>You've only gotten more busy.

0:11:56.240 --> 0:11:58.360
<v Speaker 5>You know, you're only getting more money, So how are you,

0:11:58.360 --> 0:11:59.880
<v Speaker 5>you know, balancing those things now?

0:12:00.600 --> 0:12:03.559
<v Speaker 4>I am balancing them. Listen. I use D and D

0:12:03.640 --> 0:12:06.080
<v Speaker 4>to the fullest of my potential. When I'm off work,

0:12:06.080 --> 0:12:08.960
<v Speaker 4>I am truly off work. That's how I have my balance.

0:12:09.000 --> 0:12:10.880
<v Speaker 4>When I have my me time, that's my me time.

0:12:11.400 --> 0:12:14.520
<v Speaker 4>And if I need three days where it's nothing and nobody,

0:12:14.679 --> 0:12:17.199
<v Speaker 4>I'm going to take that time. So that's how I

0:12:17.280 --> 0:12:19.600
<v Speaker 4>keep my balance. It's just shutting everybody out when I

0:12:19.640 --> 0:12:20.640
<v Speaker 4>need me time.

0:12:20.840 --> 0:12:24.400
<v Speaker 5>As family gotten more aggressive, because aggressive I meaning you're

0:12:24.440 --> 0:12:27.000
<v Speaker 5>more visible now, Like people see you now, a lot

0:12:27.000 --> 0:12:29.679
<v Speaker 5>of people talking about you, and you know sometimes they

0:12:29.679 --> 0:12:30.880
<v Speaker 5>think that you got more than you got.

0:12:30.920 --> 0:12:32.360
<v Speaker 4>People's families get aggressive.

0:12:32.600 --> 0:12:34.280
<v Speaker 1>Oh yeah, like let me get it. We used to

0:12:34.280 --> 0:12:35.720
<v Speaker 1>be on holidays.

0:12:37.720 --> 0:12:40.560
<v Speaker 4>Nah, not my family. Not my family where our family

0:12:40.679 --> 0:12:43.079
<v Speaker 4>is very very supportive of me. They hold me down

0:12:43.280 --> 0:12:45.720
<v Speaker 4>like big time. I was just at my Tempa show.

0:12:46.040 --> 0:12:49.080
<v Speaker 4>My entire family came, like half my family was the

0:12:49.120 --> 0:12:51.560
<v Speaker 4>goddamn audience. I was like, y'all are pushing my fans

0:12:51.960 --> 0:12:52.560
<v Speaker 4>out the way.

0:12:52.720 --> 0:12:55.360
<v Speaker 6>So nah, digit label really tell you have to put

0:12:55.360 --> 0:12:56.800
<v Speaker 6>out so much rap back to back?

0:12:57.880 --> 0:12:59.480
<v Speaker 7>Who said that online?

0:12:59.520 --> 0:13:03.320
<v Speaker 6>There's a bunch of yeah wrapped to wrap back to

0:13:03.400 --> 0:13:05.199
<v Speaker 6>like you know, not to put out so much wrap

0:13:05.280 --> 0:13:06.079
<v Speaker 6>back to back like that?

0:13:07.520 --> 0:13:10.840
<v Speaker 7>Yeah so much? Yeah? No, didn't people be lying?

0:13:11.920 --> 0:13:13.240
<v Speaker 4>Why did they not want me to wrap?

0:13:13.520 --> 0:13:15.719
<v Speaker 7>That's the point. I don't know. I just I seen it.

0:13:15.760 --> 0:13:16.840
<v Speaker 7>I wanted to hear from your mouth.

0:13:17.000 --> 0:13:20.240
<v Speaker 1>Yeah no, do you still have a Nissan Altimore?

0:13:21.679 --> 0:13:24.760
<v Speaker 4>No? No, but it's crazy. I actually just I got

0:13:24.840 --> 0:13:27.640
<v Speaker 4>rid of it. The video that we shot that was

0:13:27.679 --> 0:13:28.480
<v Speaker 4>when I got rid of it.

0:13:28.520 --> 0:13:29.520
<v Speaker 1>Why would you get rid of it?

0:13:29.559 --> 0:13:32.440
<v Speaker 4>That was the first car that the label got me.

0:13:32.440 --> 0:13:36.000
<v Speaker 4>When I first got here, I didn't have a cardisan Ultimate.

0:13:36.080 --> 0:13:36.559
<v Speaker 3>When you got to.

0:13:37.760 --> 0:13:43.360
<v Speaker 4>You got you didn't buy me, you said, gave me.

0:13:47.400 --> 0:13:49.400
<v Speaker 4>I didn't have a car, I have no money. It

0:13:49.480 --> 0:13:51.040
<v Speaker 4>was like, look a little lady, you need to take it.

0:13:51.240 --> 0:13:54.600
<v Speaker 4>You gotta crawl for your balls. Gave me a Nissan.

0:13:54.640 --> 0:14:02.920
<v Speaker 4>I crashed it. It was horrible drive. No, I had

0:14:02.920 --> 0:14:05.000
<v Speaker 4>never had a car before either, and I didn't drive.

0:14:05.679 --> 0:14:08.320
<v Speaker 1>So wait a minute, come on, explain this to me again.

0:14:08.440 --> 0:14:10.360
<v Speaker 4>When I before I got. I never had a car

0:14:10.400 --> 0:14:14.160
<v Speaker 4>before and I didn't drive, so I came here and

0:14:14.200 --> 0:14:15.360
<v Speaker 4>I was like, I need to learn how to drive,

0:14:15.400 --> 0:14:16.760
<v Speaker 4>and I need a car. I need to get around.

0:14:16.880 --> 0:14:19.320
<v Speaker 4>So they were like, here, you can just try your

0:14:19.320 --> 0:14:20.120
<v Speaker 4>best with this one.

0:14:20.200 --> 0:14:20.960
<v Speaker 1>Did you have a license?

0:14:20.960 --> 0:14:22.840
<v Speaker 4>It was horrible. I did have a license, but I

0:14:22.880 --> 0:14:23.520
<v Speaker 4>didn't drive.

0:14:23.640 --> 0:14:24.720
<v Speaker 3>How did you crash in New York?

0:14:25.000 --> 0:14:26.120
<v Speaker 4>What you mean New York?

0:14:26.240 --> 0:14:28.320
<v Speaker 1>From the country. It was a coaching shop when I

0:14:28.320 --> 0:14:30.160
<v Speaker 1>first started driving. L A l A.

0:14:30.240 --> 0:14:34.440
<v Speaker 4>Okay, L A L A is stressful driving. It's too much.

0:14:34.520 --> 0:14:36.800
<v Speaker 4>I get anxiety even to this day. I don't drive.

0:14:36.880 --> 0:14:38.760
<v Speaker 4>It's too much. But yeah, I wrecked the car. It

0:14:38.840 --> 0:14:39.400
<v Speaker 4>is horrible.

0:14:40.120 --> 0:14:42.120
<v Speaker 6>No, look, no, they said they didn't want a ton

0:14:42.160 --> 0:14:44.800
<v Speaker 6>of hard rap songs back to bag, like they wanted

0:14:44.800 --> 0:14:45.800
<v Speaker 6>you to spread them out.

0:14:46.440 --> 0:14:52.000
<v Speaker 2>Just like this is what they're saying.

0:14:52.400 --> 0:14:56.560
<v Speaker 4>So all right, So she said no, No, CD is

0:14:56.600 --> 0:14:58.840
<v Speaker 4>gonna always push me and want me to wrap like

0:14:59.160 --> 0:15:01.120
<v Speaker 4>that's the horror of the label.

0:15:01.720 --> 0:15:04.040
<v Speaker 1>On the song he's on. Ultimately, you say she's munching

0:15:04.080 --> 0:15:09.080
<v Speaker 1>on the box while she watching Hulu. Absolutely, so who's

0:15:09.320 --> 0:15:10.680
<v Speaker 1>you know? I'm old?

0:15:10.720 --> 0:15:12.160
<v Speaker 5>So you gotta school me when you say she you're

0:15:12.160 --> 0:15:15.160
<v Speaker 5>talking about she's munching the box while she watching Hulu?

0:15:15.200 --> 0:15:16.560
<v Speaker 1>But is she watching Hulu? Is you?

0:15:17.080 --> 0:15:18.040
<v Speaker 3>It could be more than two greats.

0:15:18.040 --> 0:15:19.560
<v Speaker 4>It could be yeah, you never know. You don't know

0:15:19.560 --> 0:15:22.040
<v Speaker 4>what's going on. It's a lot of girls in there.

0:15:22.160 --> 0:15:23.800
<v Speaker 4>It could be two, it could be three. It could

0:15:23.840 --> 0:15:25.040
<v Speaker 4>be six because.

0:15:24.840 --> 0:15:26.480
<v Speaker 1>If she's watching Hulu, how she watching the box at

0:15:26.520 --> 0:15:26.920
<v Speaker 1>the same time.

0:15:26.960 --> 0:15:27.520
<v Speaker 3>It could be one.

0:15:27.760 --> 0:15:28.520
<v Speaker 1>You gotta focus.

0:15:29.320 --> 0:15:30.200
<v Speaker 4>That's not true.

0:15:30.680 --> 0:15:32.080
<v Speaker 1>Well, she's terrible at her job.

0:15:32.240 --> 0:15:33.640
<v Speaker 4>Women can multitask.

0:15:33.760 --> 0:15:35.360
<v Speaker 7>You got to do a visual for this song.

0:15:39.680 --> 0:15:42.800
<v Speaker 4>You can multitask. It would be surprised what can go

0:15:42.840 --> 0:15:45.480
<v Speaker 4>down in these lesbian relationships. You can do a lot.

0:15:45.600 --> 0:15:49.800
<v Speaker 4>You could save world hunger and still eat the box

0:15:49.840 --> 0:15:50.600
<v Speaker 4>at the same time.

0:15:50.880 --> 0:15:57.960
<v Speaker 1>That, y'all world not just interesting.

0:15:58.040 --> 0:15:59.400
<v Speaker 5>That's why I said I love the titles of your

0:15:59.400 --> 0:16:02.960
<v Speaker 5>songs because it's like it's clearly just a feeling, right

0:16:03.000 --> 0:16:05.000
<v Speaker 5>Like you write these records and you're like, what does this.

0:16:05.000 --> 0:16:07.080
<v Speaker 1>Record feel like? Yeah, this record feels like a Nis

0:16:07.080 --> 0:16:10.240
<v Speaker 1>song Ultimore. Mm hm, it does.

0:16:10.360 --> 0:16:12.400
<v Speaker 4>I was like, because that record, to me, it feels

0:16:12.400 --> 0:16:14.560
<v Speaker 4>like when you like freestyling with your girls and you're

0:16:14.560 --> 0:16:16.720
<v Speaker 4>just smoking in the car and y'all freestyling, That's what

0:16:16.760 --> 0:16:17.360
<v Speaker 4>it gives me.

0:16:17.920 --> 0:16:20.120
<v Speaker 5>I also wanted to with TD, was there ever, Like

0:16:21.000 --> 0:16:22.480
<v Speaker 5>I don't want to say push back, but it's like

0:16:22.640 --> 0:16:24.640
<v Speaker 5>they have a scissor right, So it's like if you

0:16:24.760 --> 0:16:26.960
<v Speaker 5>started when you do like to sing sometimes, do they

0:16:27.000 --> 0:16:28.880
<v Speaker 5>ever discourage you from doing that?

0:16:28.920 --> 0:16:29.680
<v Speaker 1>Like no, just stick to you.

0:16:30.680 --> 0:16:34.840
<v Speaker 4>Never they don't. My label does not bother me in

0:16:34.960 --> 0:16:38.000
<v Speaker 4>the studio, Like I don't like people in the studio

0:16:38.080 --> 0:16:41.040
<v Speaker 4>with me. I like to record alone. I'm by myself,

0:16:41.480 --> 0:16:45.280
<v Speaker 4>nobody's interrupting me. It's just like, do your think I sing?

0:16:45.360 --> 0:16:48.440
<v Speaker 4>I sing? I got what it is. That's nothing. That's

0:16:48.480 --> 0:16:49.960
<v Speaker 4>a full singing song. It's no rap on.

0:16:49.960 --> 0:16:52.720
<v Speaker 1>There, like whatever the reason I asked on Boombab, like

0:16:52.720 --> 0:16:53.800
<v Speaker 1>I just I just can't sing.

0:16:53.600 --> 0:16:56.880
<v Speaker 4>A little bit no, because literally I felt like with Boombab,

0:16:57.040 --> 0:17:00.840
<v Speaker 4>it was like I'm internalizing all of the chatter that

0:17:00.880 --> 0:17:08.400
<v Speaker 4>I'm getting from fans, from haters, from major label, from

0:17:08.760 --> 0:17:11.840
<v Speaker 4>the guys like oh yeah, we really like when you rap, now,

0:17:11.840 --> 0:17:14.040
<v Speaker 4>we really like when you sing. She should keep doing

0:17:14.040 --> 0:17:15.960
<v Speaker 4>the pops, she should keep doing this. And I was

0:17:16.040 --> 0:17:19.960
<v Speaker 4>just too focused on what everybody else wanted for DOCI

0:17:20.119 --> 0:17:23.080
<v Speaker 4>versus what do wanted for? Is that a diamond tester?

0:17:23.520 --> 0:17:30.240
<v Speaker 1>Yes? Yeah, right, what's scary?

0:17:31.440 --> 0:17:34.960
<v Speaker 4>That's got to be some form of bullying check my

0:17:35.040 --> 0:17:37.440
<v Speaker 4>ring day crazy.

0:17:37.880 --> 0:17:38.679
<v Speaker 3>I wanted to ask to you.

0:17:43.720 --> 0:17:43.880
<v Speaker 1>Now.

0:17:43.880 --> 0:17:45.919
<v Speaker 2>You talked earlier about you know, you were drinking and

0:17:45.960 --> 0:17:48.800
<v Speaker 2>you're using drugs and alcohol as a crutch right when performing?

0:17:49.280 --> 0:17:51.919
<v Speaker 2>Were you nervous about doing this project not drinking? Like

0:17:52.040 --> 0:17:53.520
<v Speaker 2>is it gonna cut? Am I gonna sound the same?

0:17:53.560 --> 0:17:54.560
<v Speaker 2>I'm gonna sound good.

0:17:54.760 --> 0:17:57.560
<v Speaker 4>I was terrified. I was terrified because I was like,

0:17:58.320 --> 0:18:01.560
<v Speaker 4>I don't know if people want to hear these dark topics.

0:18:01.680 --> 0:18:03.680
<v Speaker 4>I don't know if anybody wants to hear this right now.

0:18:04.000 --> 0:18:06.479
<v Speaker 4>I feel like there was a period in music where

0:18:07.119 --> 0:18:10.840
<v Speaker 4>everybody was like, shut up with that conscious Don't nobody

0:18:10.880 --> 0:18:12.280
<v Speaker 4>want to hear all that? People just want to have fun.

0:18:12.359 --> 0:18:14.120
<v Speaker 4>Right now we got out of COVID, don't nobody want

0:18:14.119 --> 0:18:16.360
<v Speaker 4>to be sad da? And I was like, I don't

0:18:16.359 --> 0:18:18.240
<v Speaker 4>want my fans to listen to my music and be sad.

0:18:18.280 --> 0:18:22.040
<v Speaker 4>I want them to feel good about themselves. But it's

0:18:22.080 --> 0:18:25.280
<v Speaker 4>also like, if I'm I have to make music for

0:18:25.359 --> 0:18:30.600
<v Speaker 4>therapy for myself, otherwise I'm doing it for the wrong reasons.

0:18:30.880 --> 0:18:34.040
<v Speaker 4>And then I was like, well, this is my truth.

0:18:34.080 --> 0:18:35.600
<v Speaker 4>This is where I am in my life right now.

0:18:35.720 --> 0:18:37.399
<v Speaker 4>Somebody else got to be dealing with this shit too,

0:18:37.440 --> 0:18:39.560
<v Speaker 4>And even if they not, I don't give a fuck.

0:18:39.640 --> 0:18:41.240
<v Speaker 2>What became a new crutch? Or if there is a

0:18:41.280 --> 0:18:43.439
<v Speaker 2>new crutch, like usually people get rid of drinking and

0:18:43.480 --> 0:18:45.879
<v Speaker 2>they smoke, or they give rid of smoke and they

0:18:45.880 --> 0:18:48.480
<v Speaker 2>start having sex, or they watched this, like, what what's

0:18:48.520 --> 0:18:52.040
<v Speaker 2>the new crutch? If there is one, knock it off?

0:18:54.119 --> 0:18:58.080
<v Speaker 4>I think the new crutch is music. I am. I

0:18:58.200 --> 0:19:01.760
<v Speaker 4>don't vape, I don't smoke. I don't do noneing at

0:19:01.840 --> 0:19:03.840
<v Speaker 4>least right now in this season in my life. Because

0:19:04.520 --> 0:19:06.399
<v Speaker 4>what works for me now is what works for me now.

0:19:06.840 --> 0:19:08.840
<v Speaker 4>I might run right back to the bottle when I

0:19:08.880 --> 0:19:13.359
<v Speaker 4>turn thirty, who knows, and that's my business. But I

0:19:13.400 --> 0:19:16.159
<v Speaker 4>think that this serves me and my new crutch is

0:19:16.240 --> 0:19:19.399
<v Speaker 4>just my music and sobriety. It feels better to be

0:19:19.440 --> 0:19:20.080
<v Speaker 4>sober right.

0:19:20.000 --> 0:19:20.720
<v Speaker 1>Now, gotcha.

0:19:20.920 --> 0:19:23.040
<v Speaker 5>I don't think your generation knows how courageous y'all are.

0:19:23.080 --> 0:19:24.719
<v Speaker 5>And what I mean by that is it's like, you know,

0:19:25.280 --> 0:19:28.080
<v Speaker 5>for us, we weren't talking about mental health. We weren't

0:19:28.119 --> 0:19:30.639
<v Speaker 5>talking about anxiety. We weren't talking about depression. But you know,

0:19:30.800 --> 0:19:33.200
<v Speaker 5>you get older, you start doing the work on yourself.

0:19:33.240 --> 0:19:35.480
<v Speaker 5>We didn't have nobody providing no soundtracks for us, but

0:19:35.520 --> 0:19:37.679
<v Speaker 5>it's like now it's the you, it's the Kindred, it's

0:19:37.760 --> 0:19:40.000
<v Speaker 5>just the rhapsodies, like y'all are not afraid to put

0:19:40.040 --> 0:19:41.080
<v Speaker 5>that type of stuff.

0:19:40.800 --> 0:19:41.879
<v Speaker 1>In y'all in your music.

0:19:42.200 --> 0:19:44.159
<v Speaker 4>Yeah, I think that it's important too. I feel like,

0:19:44.280 --> 0:19:48.240
<v Speaker 4>especially in hip hop right now, it should be reflecting

0:19:48.480 --> 0:19:51.199
<v Speaker 4>real life situations and real things that are going on.

0:19:51.320 --> 0:19:57.400
<v Speaker 4>I feel like there is a overload of distractions and

0:19:57.840 --> 0:20:01.159
<v Speaker 4>materialism and things like that. We need to balance it

0:20:01.240 --> 0:20:04.919
<v Speaker 4>with that heart and that consciousness and a self awareness.

0:20:05.040 --> 0:20:07.760
<v Speaker 4>And that's what I'm contributing right now. I'm gonna be

0:20:07.800 --> 0:20:08.920
<v Speaker 4>popping ass soon though.

0:20:09.040 --> 0:20:12.600
<v Speaker 1>So you say that what was that song on m pah?

0:20:12.720 --> 0:20:14.280
<v Speaker 1>You say I could. I could give them the consciouship,

0:20:14.280 --> 0:20:14.719
<v Speaker 1>but I'm too bad.

0:20:16.960 --> 0:20:20.760
<v Speaker 4>It's like, there's so many layers to me as a woman,

0:20:20.800 --> 0:20:23.400
<v Speaker 4>and I'm going to express them all all the time.

0:20:23.440 --> 0:20:25.239
<v Speaker 4>I'm never gonna box myself in, like, oh, I'm only

0:20:25.280 --> 0:20:26.720
<v Speaker 4>going to talk about this, I'm only gonna writ this

0:20:26.720 --> 0:20:28.760
<v Speaker 4>is real rap. Because you talk about that that's not true.

0:20:29.440 --> 0:20:31.119
<v Speaker 4>I just think that I'm telling my truth right now,

0:20:31.119 --> 0:20:33.400
<v Speaker 4>and this is my truth, but I'm not righteous.

0:20:34.680 --> 0:20:38.520
<v Speaker 1>Lock it well, the unity of life is righteousness and ratchettess. Oh,

0:20:40.240 --> 0:20:43.240
<v Speaker 1>it's the perfect balance, the perfect balance.

0:20:43.320 --> 0:20:45.480
<v Speaker 6>Like that, you got anybody you want to collaborate with?

0:20:45.960 --> 0:20:47.760
<v Speaker 6>Like you just dream.

0:20:49.680 --> 0:20:51.960
<v Speaker 1>Right now about nothing going on?

0:20:52.560 --> 0:20:55.639
<v Speaker 4>No, No, I think that I've gotten all my collaborations

0:20:55.640 --> 0:20:57.600
<v Speaker 4>that I want. That Tyler one really did it for me.

0:20:57.680 --> 0:20:59.639
<v Speaker 4>That was like top of my list. I have always

0:20:59.640 --> 0:21:03.040
<v Speaker 4>wanted to collaborate with Tyler the Creator. I have my

0:21:03.080 --> 0:21:08.280
<v Speaker 4>collab Oh, Beyonce and Kendrick Lamar top collaborations. Other than that,

0:21:08.560 --> 0:21:09.480
<v Speaker 4>I'm cooling.

0:21:09.640 --> 0:21:10.800
<v Speaker 1>Gave you she listed you.

0:21:11.800 --> 0:21:13.000
<v Speaker 4>That was crazy.

0:21:13.880 --> 0:21:14.520
<v Speaker 1>Have you met her?

0:21:14.760 --> 0:21:20.600
<v Speaker 4>I haven't anybody.

0:21:21.720 --> 0:21:22.920
<v Speaker 7>But you.

0:21:22.280 --> 0:21:25.960
<v Speaker 6>You were You performed in La for Renaissance, right, I did,

0:21:26.200 --> 0:21:27.960
<v Speaker 6>and you Okay, you just still didn't get to meet her.

0:21:28.000 --> 0:21:30.800
<v Speaker 7>But yeah, because I heard a lot about your performance.

0:21:30.840 --> 0:21:32.199
<v Speaker 6>It was lit and everything, and I told you were

0:21:32.240 --> 0:21:33.440
<v Speaker 6>even popping bottles in the back.

0:21:33.560 --> 0:21:37.680
<v Speaker 5>Okay, what time did you go on that you didn't meet?

0:21:38.960 --> 0:21:41.680
<v Speaker 4>We got that opportunity kind of last minute. I think

0:21:41.720 --> 0:21:43.480
<v Speaker 4>it may have. I found out what a day or

0:21:43.520 --> 0:21:47.800
<v Speaker 4>two days before the show or something and again Global Superstars,

0:21:47.960 --> 0:21:50.680
<v Speaker 4>super busy woman. She has her children with her on tour.

0:21:51.400 --> 0:21:53.560
<v Speaker 4>She don't have time like you know what I mean?

0:21:53.920 --> 0:21:56.440
<v Speaker 4>But I think in the when it's the right time,

0:21:56.520 --> 0:21:57.240
<v Speaker 4>we'll meet each other.

0:21:57.520 --> 0:22:02.000
<v Speaker 1>Is that recognition and validation mean anything new from Beyonce?

0:22:02.200 --> 0:22:08.840
<v Speaker 4>Absolutely? Absolutely. I trust her to pick the best talent

0:22:08.920 --> 0:22:11.919
<v Speaker 4>and the best people that she's she surrounds herself with.

0:22:11.960 --> 0:22:17.119
<v Speaker 4>When I went and I opened up her production team, flawless,

0:22:17.160 --> 0:22:20.399
<v Speaker 4>her team was incredible, So I knew her inviting me

0:22:21.320 --> 0:22:24.200
<v Speaker 4>was validation that I'm doing something right and I'm performing

0:22:24.240 --> 0:22:26.480
<v Speaker 4>to some level of excellence, which was incredible.

0:22:26.880 --> 0:22:28.840
<v Speaker 1>How do you deal with your your anxiety now?

0:22:28.880 --> 0:22:31.119
<v Speaker 5>Because you know the crowd's only gonna get bigger, a

0:22:31.119 --> 0:22:33.080
<v Speaker 5>lot more eyeballs on you. And you know, sometimes when

0:22:33.080 --> 0:22:34.600
<v Speaker 5>I see you out, it feels like, I guess that's

0:22:34.600 --> 0:22:35.240
<v Speaker 5>your bodyguard.

0:22:35.440 --> 0:22:38.000
<v Speaker 1>You always look like you're always holding his hand. Is

0:22:38.000 --> 0:22:38.320
<v Speaker 1>that like.

0:22:39.840 --> 0:22:42.639
<v Speaker 4>I just don't like people too close to me, And

0:22:43.640 --> 0:22:45.639
<v Speaker 4>that's all I think. I just hold his hand so

0:22:45.680 --> 0:22:47.959
<v Speaker 4>that we can move through the crowd, because sometimes you

0:22:47.960 --> 0:22:48.880
<v Speaker 4>could just check.

0:22:49.960 --> 0:22:51.560
<v Speaker 5>Yeah, So what are you doing to just deal with

0:22:51.560 --> 0:22:53.880
<v Speaker 5>the anxiety in general, like before you hit the stage.

0:22:54.240 --> 0:22:56.280
<v Speaker 4>I don't feel any anxiety when I'm on stage and

0:22:56.359 --> 0:23:00.199
<v Speaker 4>when I'm at shows or I like this environment, like

0:23:00.640 --> 0:23:05.600
<v Speaker 4>my job with it. Yeah, what about interviews, he interviews.

0:23:09.640 --> 0:23:13.560
<v Speaker 4>I'm just kidding. I like interviews. This interview, however, made

0:23:13.640 --> 0:23:17.280
<v Speaker 4>a little I was like, I don't know, unpredictable. Yeah,

0:23:17.359 --> 0:23:19.240
<v Speaker 4>you're a little unpredicted on the.

0:23:19.280 --> 0:23:20.720
<v Speaker 3>Last time you said we had a great time.

0:23:20.920 --> 0:23:23.000
<v Speaker 4>It was great. It was great, But I was like,

0:23:23.080 --> 0:23:24.439
<v Speaker 4>I don't I don't know, you know, I don't know

0:23:24.440 --> 0:23:26.159
<v Speaker 4>what type of headspace he's gonna be on. You know,

0:23:28.960 --> 0:23:30.679
<v Speaker 4>I don't know what he's gonna be with it, but

0:23:30.800 --> 0:23:31.400
<v Speaker 4>I feel.

0:23:31.160 --> 0:23:31.800
<v Speaker 3>That every morning.

0:23:34.440 --> 0:23:37.720
<v Speaker 5>Top Dog said that alligated never hear uh. He said

0:23:37.720 --> 0:23:39.639
<v Speaker 5>it had the same vibe as Section eighty.

0:23:39.960 --> 0:23:41.800
<v Speaker 4>He did say that. He said he had the same

0:23:41.840 --> 0:23:45.200
<v Speaker 4>feeling that he did when Kendrick drops Section.

0:23:45.000 --> 0:23:47.879
<v Speaker 1>Eighty, meaning like this is this is our next superstuff.

0:23:48.640 --> 0:23:49.640
<v Speaker 4>I won't speak for him.

0:23:50.320 --> 0:23:51.639
<v Speaker 1>I told him that though he sent me.

0:23:52.000 --> 0:23:54.080
<v Speaker 5>He sent me the album Wow, like a while before

0:23:54.080 --> 0:23:55.960
<v Speaker 5>it came out, and I was just like, what do you.

0:23:55.880 --> 0:23:56.320
<v Speaker 4>Think about it?

0:23:56.520 --> 0:23:58.399
<v Speaker 1>I said, She's I was on talking about it.

0:23:58.440 --> 0:24:00.560
<v Speaker 5>I was like, yeah, I heard she out of here

0:24:00.640 --> 0:24:03.000
<v Speaker 5>like like I literally was like, Yo, she's out of here,

0:24:03.119 --> 0:24:04.080
<v Speaker 5>like thank you.

0:24:04.240 --> 0:24:06.919
<v Speaker 1>She got to give you all the time.

0:24:07.400 --> 0:24:09.280
<v Speaker 4>And I want to say thank you, Jess, because you do.

0:24:09.320 --> 0:24:12.240
<v Speaker 4>You always give me my props. Everything that you have

0:24:12.359 --> 0:24:15.199
<v Speaker 4>said about me is just you always seen me, and

0:24:15.240 --> 0:24:18.560
<v Speaker 4>I really appreciate it. Even before all the hype, you

0:24:18.760 --> 0:24:19.160
<v Speaker 4>was like.

0:24:21.320 --> 0:24:22.840
<v Speaker 1>And she loved that stanky Poochie record.

0:24:22.880 --> 0:24:27.639
<v Speaker 6>First of all, it's not a stinky stanky poo is

0:24:27.680 --> 0:24:28.399
<v Speaker 6>on the first one the.

0:24:30.000 --> 0:24:34.720
<v Speaker 1>Record on the new thank.

0:24:34.560 --> 0:24:36.360
<v Speaker 4>Yes, that's a real Southern thing.

0:24:36.840 --> 0:24:38.760
<v Speaker 7>You thankful.

0:24:40.680 --> 0:24:42.640
<v Speaker 1>Is it true that you completed this project a month before?

0:24:42.680 --> 0:24:43.080
<v Speaker 1>It was really?

0:24:43.119 --> 0:24:43.719
<v Speaker 7>Absolutely?

0:24:44.920 --> 0:24:46.240
<v Speaker 1>Yeah. All it took.

0:24:46.440 --> 0:24:48.639
<v Speaker 4>I needed it. It was something in my spirit that

0:24:48.720 --> 0:24:51.040
<v Speaker 4>was like, you need to drop this this project now.

0:24:51.080 --> 0:24:52.880
<v Speaker 4>If you don't drop this project now, you're gonna miss

0:24:52.920 --> 0:24:54.560
<v Speaker 4>the mark. And I was like, I got to get

0:24:54.600 --> 0:24:57.640
<v Speaker 4>this out right now. I don't know why, but God

0:24:57.760 --> 0:24:59.680
<v Speaker 4>was just tugging on my spirit like it's time to go.

0:25:00.000 --> 0:25:00.439
<v Speaker 1>I love that.

0:25:00.600 --> 0:25:00.840
<v Speaker 7>Yeah.

0:25:01.000 --> 0:25:03.199
<v Speaker 5>How often do you and that's a stupid question, but

0:25:03.200 --> 0:25:04.679
<v Speaker 5>how often do you listen to the spirit of God?

0:25:04.680 --> 0:25:06.480
<v Speaker 1>Because sometimes God to tell you the move and we

0:25:06.520 --> 0:25:07.000
<v Speaker 1>don't move.

0:25:12.040 --> 0:25:15.679
<v Speaker 4>I only I'm only not listening to the spirit of

0:25:15.720 --> 0:25:21.760
<v Speaker 4>God when I am distracted internally. That's why I keep

0:25:21.800 --> 0:25:25.760
<v Speaker 4>telling you all this sobriety thing. I hear from God

0:25:25.880 --> 0:25:28.920
<v Speaker 4>better when I'm sober and I'm clear minded. So it's

0:25:28.960 --> 0:25:31.920
<v Speaker 4>like I only veer off of that when I distract

0:25:32.000 --> 0:25:35.679
<v Speaker 4>myself with other things outside of me.

0:25:35.920 --> 0:25:39.879
<v Speaker 5>And sometimes those other things are people humans know that

0:25:40.080 --> 0:25:53.600
<v Speaker 5>are with you. When you're watching Hulu made.

0:25:48.119 --> 0:25:50.240
<v Speaker 2>How doesn't feel when when you talk about all the

0:25:50.560 --> 0:25:52.840
<v Speaker 2>albums that came out this year and they talk about

0:25:52.840 --> 0:25:55.000
<v Speaker 2>yours as being one of the top five of the best.

0:25:55.040 --> 0:25:58.159
<v Speaker 2>Way they talk about Kendrick's album, your album, what some

0:25:58.200 --> 0:26:00.600
<v Speaker 2>of the other albums you named this week? When you're

0:26:00.600 --> 0:26:02.240
<v Speaker 2>talking about the albums came in and her albums like

0:26:02.240 --> 0:26:03.920
<v Speaker 2>top five of the best albums that came out this

0:26:04.000 --> 0:26:08.159
<v Speaker 2>year globally on the top of those lists. When it

0:26:08.160 --> 0:26:10.000
<v Speaker 2>comes to putting out music, because that's what you do

0:26:10.000 --> 0:26:11.439
<v Speaker 2>it for. You want people to receive it. Well, So

0:26:11.440 --> 0:26:12.200
<v Speaker 2>how does that feel?

0:26:12.320 --> 0:26:16.800
<v Speaker 4>Yeah, it feels like they're accurate, They're right, it should

0:26:16.840 --> 0:26:18.480
<v Speaker 4>be there. It feels really really good.

0:26:18.520 --> 0:26:21.000
<v Speaker 2>They ever feel a moment of they didn't understand it

0:26:21.080 --> 0:26:22.600
<v Speaker 2>first and now people are starting to get it.

0:26:24.240 --> 0:26:27.240
<v Speaker 4>I think people are still kind of trying to get it. Yeah, still.

0:26:28.680 --> 0:26:29.080
<v Speaker 1>I don't know.

0:26:29.200 --> 0:26:33.240
<v Speaker 4>Yeah, I've kind of felt like niche at first, Like

0:26:33.480 --> 0:26:35.640
<v Speaker 4>I think people are just kind of like, what's what's

0:26:35.680 --> 0:26:39.280
<v Speaker 4>her vibe? What's going on? She's an underwear she's rapping

0:26:39.280 --> 0:26:42.240
<v Speaker 4>about this. I don't really get the girls tape on

0:26:42.320 --> 0:26:45.240
<v Speaker 4>her face and they're trying to figure it out. I

0:26:45.240 --> 0:26:45.640
<v Speaker 4>don't know.

0:26:46.560 --> 0:26:49.600
<v Speaker 6>But you do this thing like you you capture somebody's attention.

0:26:49.680 --> 0:26:51.359
<v Speaker 6>You make people want to pay attention more, because that

0:26:51.440 --> 0:26:53.560
<v Speaker 6>that's how I got onto you. I'm like, dang, like

0:26:53.560 --> 0:26:54.120
<v Speaker 6>what is this?

0:26:54.240 --> 0:26:54.359
<v Speaker 4>Like?

0:26:54.400 --> 0:26:55.439
<v Speaker 7>You know, you are different.

0:26:55.480 --> 0:26:56.240
<v Speaker 4>That's why I.

0:26:56.240 --> 0:26:57.760
<v Speaker 7>Didn't know you were from Tampa till he just was

0:26:57.800 --> 0:26:58.040
<v Speaker 7>saying it.

0:26:58.040 --> 0:27:00.520
<v Speaker 6>Because you can't put you in a specific place like

0:27:00.600 --> 0:27:06.359
<v Speaker 6>you know, and then your projects before nothing sounds like

0:27:06.480 --> 0:27:09.640
<v Speaker 6>the previous one like you. You offer so many different

0:27:09.720 --> 0:27:13.120
<v Speaker 6>like a variety of sounds. So I think the fact

0:27:13.160 --> 0:27:15.160
<v Speaker 6>that they're trying to catch on that's still good as

0:27:15.160 --> 0:27:16.440
<v Speaker 6>what you want because you don't fall in the box

0:27:16.440 --> 0:27:17.120
<v Speaker 6>with nobody else.

0:27:17.280 --> 0:27:20.800
<v Speaker 4>Yeah, yeah, I think that it alien. They have to

0:27:20.880 --> 0:27:23.480
<v Speaker 4>like you have to digest it, and I think you

0:27:23.600 --> 0:27:27.359
<v Speaker 4>need context, because you'll listen to one song, but then

0:27:27.400 --> 0:27:29.359
<v Speaker 4>you'll listen to another, and it's like when you listen

0:27:29.400 --> 0:27:31.760
<v Speaker 4>to the full project. I think it comes together for people.

0:27:31.920 --> 0:27:33.080
<v Speaker 4>You kind of got to dive in a song.

0:27:34.000 --> 0:27:40.160
<v Speaker 5>Yeah, so I think it's dope that they can't put

0:27:40.200 --> 0:27:41.639
<v Speaker 5>you in a box though, Like if you just to

0:27:41.640 --> 0:27:43.919
<v Speaker 5>a song like all the Ego or Nissan Altima, you like,

0:27:44.000 --> 0:27:44.640
<v Speaker 5>what is this?

0:27:44.920 --> 0:27:45.479
<v Speaker 1>Who is this?

0:27:45.720 --> 0:27:48.600
<v Speaker 5>I think it's just hard for people because in order

0:27:48.640 --> 0:27:50.719
<v Speaker 5>to get an understanding, you have to say, oh, well,

0:27:50.760 --> 0:27:52.800
<v Speaker 5>you know, she sounds like this and she sounds like that.

0:27:52.840 --> 0:27:54.439
<v Speaker 1>So people know what they expect. But I think not

0:27:54.560 --> 0:27:56.080
<v Speaker 1>knowing what they expect is even better.

0:27:56.280 --> 0:27:59.520
<v Speaker 4>Yeah, I agree. I think that my goal is to,

0:27:59.800 --> 0:28:03.040
<v Speaker 4>if e mentally, just be in my own lane, my

0:28:03.119 --> 0:28:06.000
<v Speaker 4>own thing. It's kind of like what I admired about

0:28:06.240 --> 0:28:09.119
<v Speaker 4>Missy Elliott when she came out. It was like Missy

0:28:09.200 --> 0:28:11.840
<v Speaker 4>Elliott rapped and sing, but she wrapped in a way

0:28:11.840 --> 0:28:14.440
<v Speaker 4>that was just she's just Missy, you know what I mean?

0:28:15.080 --> 0:28:17.600
<v Speaker 4>She kind of like separated herself, and I think that's

0:28:17.600 --> 0:28:17.920
<v Speaker 4>the goal.

0:28:18.119 --> 0:28:21.000
<v Speaker 5>What type of conversations is Dolt you're having with herself nowadays?

0:28:21.440 --> 0:28:23.600
<v Speaker 1>Are you? Are you Are you safe with yourself?

0:28:23.880 --> 0:28:26.320
<v Speaker 4>I am. A lot of the conversations that I'm having

0:28:26.880 --> 0:28:30.240
<v Speaker 4>is I'm trying to.

0:28:34.760 --> 0:28:35.880
<v Speaker 1>Say the right thing in interviews.

0:28:38.160 --> 0:28:42.960
<v Speaker 4>No, I find myself. I'm trying to ground myself right now.

0:28:43.360 --> 0:28:46.320
<v Speaker 4>It's kind of like a lot of things are happening

0:28:46.360 --> 0:28:48.200
<v Speaker 4>at once, and that happened to me when I first

0:28:48.200 --> 0:28:51.440
<v Speaker 4>got signed, and it overwhelmed me, and I'm trying to

0:28:51.520 --> 0:28:55.000
<v Speaker 4>learn from that and ground myself. I feel like I'm

0:28:55.080 --> 0:28:58.600
<v Speaker 4>walking on a cloud, like on air, and I need

0:28:58.640 --> 0:29:02.560
<v Speaker 4>to ground myself constantly, be like, Okay, calm down, you're safe.

0:29:02.840 --> 0:29:05.280
<v Speaker 4>Good things are happening, and because good things are happening,

0:29:05.320 --> 0:29:07.080
<v Speaker 4>it doesn't mean that something bad is going to happen.

0:29:07.520 --> 0:29:10.720
<v Speaker 4>This is okay. And that's what I'm practicing.

0:29:10.920 --> 0:29:13.560
<v Speaker 5>How do you practice your mistakes nowadays?

0:29:13.600 --> 0:29:19.600
<v Speaker 4>Through my music and through honesty and admitting that I

0:29:19.640 --> 0:29:22.240
<v Speaker 4>made a damn mistake and then talking about it in

0:29:22.320 --> 0:29:25.520
<v Speaker 4>my music. I don't like secrets. Yeah, and I have

0:29:25.560 --> 0:29:28.840
<v Speaker 4>to tell my business on WAX. I don't know.

0:29:29.400 --> 0:29:31.760
<v Speaker 7>Have you a a Zalia Bank spoke since.

0:29:31.560 --> 0:29:36.320
<v Speaker 6>The last Yeah, it seems like you ain't even wanted

0:29:36.320 --> 0:29:38.600
<v Speaker 6>to be beef because it's like nah, but I know

0:29:38.680 --> 0:29:40.160
<v Speaker 6>that's like what.

0:29:40.160 --> 0:29:42.680
<v Speaker 4>Yeah, it's like, yeah, it's whatever. You know.

0:29:43.560 --> 0:29:44.600
<v Speaker 7>Now back to what I was saying.

0:29:44.840 --> 0:29:50.000
<v Speaker 6>They were saying that crazy, I.

0:29:50.000 --> 0:29:50.720
<v Speaker 7>Don't worry about it.

0:29:51.080 --> 0:29:53.000
<v Speaker 4>Have you met Yeah, of.

0:29:52.960 --> 0:29:59.760
<v Speaker 1>Course, I don't say of course just on stage flog now, Okay,

0:29:59.760 --> 0:30:01.720
<v Speaker 1>because coninued, she seems like the type of person that

0:30:01.760 --> 0:30:06.240
<v Speaker 1>you could talk to because y'all have had a similar trajectory.

0:30:06.240 --> 0:30:08.720
<v Speaker 1>It's something. It's really. The reason I say that is

0:30:08.720 --> 0:30:10.840
<v Speaker 1>because I love the way TD does it with their artists.

0:30:10.840 --> 0:30:12.560
<v Speaker 5>I know it may seem frustrating to the artists, but

0:30:12.680 --> 0:30:14.400
<v Speaker 5>it feels like they're one of the last few people

0:30:14.440 --> 0:30:17.640
<v Speaker 5>who actually do artists development. So you watch these people

0:30:18.360 --> 0:30:21.640
<v Speaker 5>grow and then become these big superstars. So she seems

0:30:21.640 --> 0:30:22.960
<v Speaker 5>like the type of person you could talk to about

0:30:22.960 --> 0:30:24.440
<v Speaker 5>everything you're experiencing.

0:30:24.440 --> 0:30:26.800
<v Speaker 4>That absolutely, I could call her and I could talk

0:30:26.800 --> 0:30:29.000
<v Speaker 4>to her about the simplest things. I could call her

0:30:29.040 --> 0:30:36.560
<v Speaker 4>and be like, I'm having an existential crisis. So it

0:30:36.600 --> 0:30:39.800
<v Speaker 4>feels good to just know that, like, I still can't

0:30:39.800 --> 0:30:41.760
<v Speaker 4>do that, and she knows she can do the same

0:30:41.800 --> 0:30:42.800
<v Speaker 4>with me, which is fire.

0:30:43.400 --> 0:30:45.640
<v Speaker 1>We know she is busy, that's right. Well, they told

0:30:45.640 --> 0:30:47.080
<v Speaker 1>her she had to be out here at a certain time.

0:30:47.200 --> 0:30:48.440
<v Speaker 3>Let's let's play joint off.

0:30:48.640 --> 0:30:53.120
<v Speaker 4>What you want to hear, I want to hear GTFO TFO.

0:30:53.800 --> 0:30:55.560
<v Speaker 3>Let's get into it right now, and we appreciate you.

0:30:55.680 --> 0:31:00.479
<v Speaker 1>How that name cut fetish? Yeah, okay, have been out

0:31:00.640 --> 0:31:01.880
<v Speaker 1>sin Man.

0:31:02.000 --> 0:31:02.600
<v Speaker 4>She's so fine.

0:31:02.640 --> 0:31:04.240
<v Speaker 1>It could have been cool to fetich.

0:31:07.280 --> 0:31:07.720
<v Speaker 3>Could have been.

0:31:11.320 --> 0:31:13.000
<v Speaker 4>Y'all. Check out Club Fetis. Shout out to her. I'm

0:31:13.000 --> 0:31:14.760
<v Speaker 4>gonna give her a spotlight in her moment. Check out

0:31:14.760 --> 0:31:15.800
<v Speaker 4>her music. She's really dope.

0:31:16.320 --> 0:31:19.080
<v Speaker 3>Ladies and gentlemen, It's Doughchi. It's the Breakfast Club. Good morning.

0:31:19.560 --> 0:31:22.760
<v Speaker 1>Wake that ass up in the morning. The Breakfast Club.