1 00:00:00,440 --> 00:00:03,680 Speaker 1: Wake that ass up in the morning. The Breakfast Club. 2 00:00:05,640 --> 00:00:09,360 Speaker 2: Morning, everybody, It's d j en Vy, Jess Hilarious, Charlamagne 3 00:00:09,400 --> 00:00:09,719 Speaker 2: the gud. 4 00:00:09,800 --> 00:00:10,960 Speaker 3: We are the Breakfast Club. 5 00:00:10,960 --> 00:00:12,800 Speaker 2: And we got a special guest in the building that 6 00:00:12,920 --> 00:00:15,920 Speaker 2: came in here so delightfully right and nice. 7 00:00:16,000 --> 00:00:19,760 Speaker 1: Ladies lying, she was not lying. She was not lying. 8 00:00:19,880 --> 00:00:23,400 Speaker 2: Ladies and gentlemen, don't morning. 9 00:00:23,560 --> 00:00:25,360 Speaker 4: I'm great man. 10 00:00:25,440 --> 00:00:28,640 Speaker 5: It's feel good to see you because the last time 11 00:00:28,680 --> 00:00:34,440 Speaker 5: you was here, no label reps with you. But when 12 00:00:34,440 --> 00:00:36,479 Speaker 5: you see the whole label here with you, that's when 13 00:00:36,520 --> 00:00:37,640 Speaker 5: you know you're really doing good. 14 00:00:37,720 --> 00:00:39,159 Speaker 1: So congratulations, thank. 15 00:00:39,040 --> 00:00:41,240 Speaker 4: You, thank you so much. It has been a while. 16 00:00:41,400 --> 00:00:44,680 Speaker 4: I think last time I was talking about fighting, it 17 00:00:44,800 --> 00:00:45,879 Speaker 4: was it was a lot going on. 18 00:00:46,000 --> 00:00:47,839 Speaker 1: Did you get a call after that person call you? 19 00:00:48,440 --> 00:00:51,920 Speaker 4: Oh my god, they didn't call me. They didn't call me. 20 00:00:52,479 --> 00:00:54,800 Speaker 4: But it doesn't matter. We don't need to be. 21 00:00:57,400 --> 00:00:59,480 Speaker 1: It's not how much is life changed. 22 00:00:59,760 --> 00:01:03,320 Speaker 4: It's changed. I mean a lot. I've been NonStop, like 23 00:01:03,400 --> 00:01:05,680 Speaker 4: on the go. I've been really really busy in a 24 00:01:05,720 --> 00:01:08,880 Speaker 4: good way, performing a lot. I just got off tour, 25 00:01:09,400 --> 00:01:15,360 Speaker 4: which is incredible. Grammy nom. A lot of a lot 26 00:01:15,440 --> 00:01:16,440 Speaker 4: of things have been happening. 27 00:01:16,520 --> 00:01:19,960 Speaker 6: I feel good you receiving a hip Hop Disruptor Award. 28 00:01:20,160 --> 00:01:22,800 Speaker 4: Yeah, they just made that up. 29 00:01:25,400 --> 00:01:25,679 Speaker 1: You know. 30 00:01:25,760 --> 00:01:28,120 Speaker 4: It's when they got to make a name, they got 31 00:01:28,120 --> 00:01:31,760 Speaker 4: to make an award. It feels good. I mean, I'm 32 00:01:31,840 --> 00:01:34,360 Speaker 4: just like, wow, hip hop disruptor. That that resonates with 33 00:01:34,400 --> 00:01:35,760 Speaker 4: me heavily feels good. 34 00:01:35,800 --> 00:01:37,200 Speaker 1: Do you consider yourself just a rappertal? 35 00:01:38,360 --> 00:01:42,480 Speaker 4: I think an overall artist, but first a rapper for 36 00:01:42,560 --> 00:01:43,800 Speaker 4: sure from Tampa. 37 00:01:44,200 --> 00:01:47,440 Speaker 2: We're talking about artist from Tampa. 38 00:01:47,480 --> 00:01:49,000 Speaker 1: But sound is just different. 39 00:01:49,920 --> 00:01:51,280 Speaker 7: I don't I listened to it. 40 00:01:51,320 --> 00:01:52,400 Speaker 1: I don't know where she from. 41 00:01:52,440 --> 00:01:56,040 Speaker 6: She a galaxy is different. I will always say Spooky 42 00:01:56,080 --> 00:01:59,120 Speaker 6: Coochie is my favorite song. I know you talk about 43 00:01:59,120 --> 00:02:02,440 Speaker 6: Alligator bikes never, but like girl, that's my jam. 44 00:02:02,560 --> 00:02:02,920 Speaker 4: Thank you. 45 00:02:03,400 --> 00:02:06,800 Speaker 2: Yeah, let's talk about the name of the album. Yeah, mixtape. 46 00:02:06,800 --> 00:02:10,720 Speaker 2: It's mixtape album, mixtape, mixtape alligated byce never Heal. Why 47 00:02:10,760 --> 00:02:13,080 Speaker 2: is the name of that? And you talk about it 48 00:02:13,080 --> 00:02:15,359 Speaker 2: all the time? But this is a different people. 49 00:02:15,400 --> 00:02:21,160 Speaker 4: I know. I mean today, it's like it's about this 50 00:02:21,680 --> 00:02:27,360 Speaker 4: never ending cycle of life of you always have a 51 00:02:27,400 --> 00:02:29,840 Speaker 4: series of truths that you have to constantly come to 52 00:02:30,720 --> 00:02:34,079 Speaker 4: within yourself over and over again. It's about patterns. Essentially, 53 00:02:36,200 --> 00:02:39,080 Speaker 4: it's like when you get over one hurdle and you 54 00:02:39,080 --> 00:02:41,480 Speaker 4: you cool in, then you have another one to jump in, 55 00:02:41,520 --> 00:02:43,720 Speaker 4: and it's another one, And it's just about accepting that 56 00:02:43,760 --> 00:02:46,000 Speaker 4: there's always going to be more to discover about yourself. 57 00:02:46,360 --> 00:02:49,120 Speaker 4: There's always going to be more things to dislike about 58 00:02:49,120 --> 00:02:52,280 Speaker 4: yourself or like about yourself the more you go on 59 00:02:52,320 --> 00:02:55,800 Speaker 4: in life, and that's what it's about. Ultimately, you'll always 60 00:02:55,840 --> 00:02:57,480 Speaker 4: be wounded in some type of way and then you'll 61 00:02:57,480 --> 00:02:58,080 Speaker 4: always heal. 62 00:02:58,520 --> 00:03:00,880 Speaker 5: Well, when did when did you get by an alligator? 63 00:03:01,160 --> 00:03:07,520 Speaker 5: Cha even try to go to a hospital to see I. 64 00:03:07,400 --> 00:03:10,600 Speaker 4: Have never been bitten by an alligator. I would hope 65 00:03:10,639 --> 00:03:12,200 Speaker 4: that would never happen to me, but I'd be around 66 00:03:12,280 --> 00:03:12,880 Speaker 4: them all the time. 67 00:03:13,480 --> 00:03:15,400 Speaker 1: Temple or what came up with that? 68 00:03:15,440 --> 00:03:18,320 Speaker 5: Even that concept like just to even I don't know 69 00:03:18,360 --> 00:03:20,000 Speaker 5: what you call it a metaphor or whatever. 70 00:03:20,080 --> 00:03:24,240 Speaker 4: Yeah, I don't know. It really was deeply spiritual. It 71 00:03:24,440 --> 00:03:27,119 Speaker 4: just came to me, like I always had the name 72 00:03:27,240 --> 00:03:30,680 Speaker 4: before I even had a project put together. I was like, 73 00:03:30,680 --> 00:03:32,000 Speaker 4: one day I'm going to do a project. It's going 74 00:03:32,040 --> 00:03:34,519 Speaker 4: to be called Alligator Fights, Never Heal, and the music 75 00:03:34,520 --> 00:03:36,240 Speaker 4: will make sense with it. One day. 76 00:03:36,480 --> 00:03:39,200 Speaker 7: So you've been thought of this, yes, ma'am. 77 00:03:39,400 --> 00:03:41,160 Speaker 2: The you talking about changing and things that you like 78 00:03:41,200 --> 00:03:43,440 Speaker 2: about yourself and don't like about yourself. What did you 79 00:03:43,480 --> 00:03:45,400 Speaker 2: see that that you didn't like about yourself? 80 00:03:45,760 --> 00:03:48,520 Speaker 4: I think when I was creating this project, I was 81 00:03:49,400 --> 00:03:53,840 Speaker 4: always drunk, always drinking, always partying, and I couldn't recognize 82 00:03:53,880 --> 00:04:00,840 Speaker 4: myself at all because I wasn't really myself. I was intoxicated, 83 00:04:00,840 --> 00:04:04,040 Speaker 4: whether I'm smoking, I'm drinking or whatever, and I wasn't 84 00:04:04,120 --> 00:04:06,840 Speaker 4: liking the person that was reflecting back at me. And 85 00:04:06,880 --> 00:04:09,280 Speaker 4: I was like, Okay, I think it's time to like 86 00:04:10,040 --> 00:04:12,920 Speaker 4: sober up and I need to just get away from 87 00:04:12,920 --> 00:04:16,880 Speaker 4: people and figure out who am I right now? Because 88 00:04:16,880 --> 00:04:19,040 Speaker 4: I feel like I was carrying this version of myself 89 00:04:19,080 --> 00:04:21,719 Speaker 4: that I had been since I was like twenty twenty one, 90 00:04:22,240 --> 00:04:23,680 Speaker 4: you know what I mean, and it was no longer 91 00:04:23,720 --> 00:04:27,640 Speaker 4: serving who I was to become. And when it was 92 00:04:27,680 --> 00:04:29,480 Speaker 4: no longer serving me, I was like, Okay, let's make 93 00:04:29,520 --> 00:04:32,800 Speaker 4: a change. And I felt heavily inspired and I made 94 00:04:32,839 --> 00:04:34,840 Speaker 4: the album bout it being by the boom. I'm in 95 00:04:34,920 --> 00:04:35,640 Speaker 4: the data suit. 96 00:04:35,839 --> 00:04:38,400 Speaker 1: Know when did you get to that point? Because you 97 00:04:38,400 --> 00:04:40,200 Speaker 1: know in de Nihala is the river. You talk about 98 00:04:40,400 --> 00:04:40,800 Speaker 1: that a lot. 99 00:04:40,839 --> 00:04:42,720 Speaker 5: You talk about you know, being in I guess that 100 00:04:42,960 --> 00:04:45,800 Speaker 5: that that dark period, but you know, also being caught 101 00:04:45,839 --> 00:04:47,520 Speaker 5: up in the fast lane of being a rapper, so 102 00:04:47,520 --> 00:04:49,360 Speaker 5: you had to be lying to yourself for a while. 103 00:04:49,400 --> 00:04:51,480 Speaker 5: The name of denial is the river when you get 104 00:04:51,480 --> 00:04:52,480 Speaker 5: to the point where it was like, you know what, 105 00:04:53,200 --> 00:04:54,640 Speaker 5: I am kind of fucked up about it. 106 00:04:56,400 --> 00:04:58,840 Speaker 4: I don't think I was ever lying to myself. De 107 00:04:58,920 --> 00:05:02,520 Speaker 4: nihala is a river. I titled it that because I 108 00:05:02,560 --> 00:05:08,000 Speaker 4: was dealing with somebody who was lying to themselves. But anyways, 109 00:05:08,440 --> 00:05:12,440 Speaker 4: I came to that point when I realized that I 110 00:05:12,440 --> 00:05:16,840 Speaker 4: couldn't create music without drinking in the studio, and that 111 00:05:17,000 --> 00:05:18,919 Speaker 4: was my breaking point where I was like, oh, I 112 00:05:19,000 --> 00:05:23,000 Speaker 4: have truly forgotten the source of my creativity, the source 113 00:05:23,080 --> 00:05:25,919 Speaker 4: of who I am, and I'm looking for things outside 114 00:05:25,960 --> 00:05:29,240 Speaker 4: of me to be myself. That's weird. 115 00:05:29,120 --> 00:05:30,599 Speaker 1: Did did Wendy Williams influenced? Then? 116 00:05:30,640 --> 00:05:36,360 Speaker 4: I was yeah, that quote? Wow? Yeah, well you. 117 00:05:36,320 --> 00:05:37,280 Speaker 1: Was in a situation like that? 118 00:05:38,560 --> 00:05:38,800 Speaker 4: Yeah? 119 00:05:39,200 --> 00:05:47,719 Speaker 1: What wow? I mean twenty four real shocking. How do 120 00:05:47,720 --> 00:05:51,480 Speaker 1: you deal with that when a person that I mean that. 121 00:05:53,240 --> 00:05:57,440 Speaker 4: It's that was never the problem. I think the problem 122 00:05:57,480 --> 00:06:00,360 Speaker 4: was that you cheated on me. You all so could 123 00:06:00,400 --> 00:06:03,320 Speaker 4: have let me know upfront, you know which your style was. 124 00:06:03,400 --> 00:06:07,480 Speaker 4: I'm bisexual, that's cool. I've dated bisexual man. 125 00:06:08,120 --> 00:06:09,960 Speaker 1: It's different, different when it's a man. 126 00:06:10,080 --> 00:06:14,039 Speaker 4: Let me know what it is upfront. Let me know 127 00:06:14,080 --> 00:06:15,960 Speaker 4: what it is upfront. I'll accept you for who you are. 128 00:06:16,000 --> 00:06:18,279 Speaker 4: It doesn't really matter. I think it's like cheating on 129 00:06:18,360 --> 00:06:20,920 Speaker 4: top of lying in secrecy about just who you are 130 00:06:21,200 --> 00:06:21,800 Speaker 4: as a person. 131 00:06:21,839 --> 00:06:23,760 Speaker 2: So you would have a problem dating or you dated 132 00:06:23,800 --> 00:06:25,360 Speaker 2: a bisexual man. 133 00:06:26,480 --> 00:06:28,480 Speaker 4: It's like, how can I be bisexual and then I'm 134 00:06:29,080 --> 00:06:32,320 Speaker 4: gonna not date somebody who else who's bisexual? Why because 135 00:06:32,320 --> 00:06:32,680 Speaker 4: he's a man. 136 00:06:32,720 --> 00:06:35,040 Speaker 2: Because people look at it different people people, people look 137 00:06:35,080 --> 00:06:38,719 Speaker 2: at it differently. It's in this world, it's okay for 138 00:06:38,800 --> 00:06:40,760 Speaker 2: another woman to be with another woman, but for a 139 00:06:40,760 --> 00:06:42,080 Speaker 2: man to be with another way, and people look at 140 00:06:42,120 --> 00:06:44,200 Speaker 2: that differently. In a bisexual relationship. 141 00:06:43,839 --> 00:06:47,680 Speaker 4: Now, absolutely not. It's I don't see it that way. 142 00:06:47,839 --> 00:06:51,880 Speaker 4: I really don't. I think that sexuality is fluid and 143 00:06:52,080 --> 00:06:53,200 Speaker 4: I really don't give it. 144 00:06:53,120 --> 00:06:56,599 Speaker 7: An because then that's contradicting it is, know what I mean? Yeah? 145 00:06:56,720 --> 00:06:58,440 Speaker 4: Yeah, How could I sit up here and be bisexual 146 00:06:58,440 --> 00:07:00,480 Speaker 4: and they'd be like, oh no, I can't girl. 147 00:07:00,600 --> 00:07:00,960 Speaker 7: Whatever. 148 00:07:01,080 --> 00:07:03,120 Speaker 6: So what's your relationship like now? Because I saw where 149 00:07:03,160 --> 00:07:04,040 Speaker 6: you said you have a girlfriend. 150 00:07:04,080 --> 00:07:05,839 Speaker 4: Now, yeah, it's wonderful. 151 00:07:08,000 --> 00:07:10,680 Speaker 1: Yeah she trust you. 152 00:07:09,880 --> 00:07:18,640 Speaker 4: Oh my god, yeah yes she does. 153 00:07:18,800 --> 00:07:20,560 Speaker 1: Okay, okay, okay. 154 00:07:21,080 --> 00:07:23,200 Speaker 5: I love the fact that you also named songs after 155 00:07:23,520 --> 00:07:25,000 Speaker 5: things that I love because I'm from the South. 156 00:07:25,160 --> 00:07:27,160 Speaker 4: You literally look like you just don't age. 157 00:07:27,280 --> 00:07:28,840 Speaker 1: You look fantastic about. 158 00:07:37,440 --> 00:07:40,080 Speaker 5: You were saying, well, no, you named you named the 159 00:07:40,160 --> 00:07:43,160 Speaker 5: songs after the things that I love, like boiled peanuts, yes, catfish, 160 00:07:44,600 --> 00:07:49,520 Speaker 5: Carolina Okay, talking about fireflies like what made you pay? 161 00:07:49,520 --> 00:07:50,480 Speaker 1: How muche to those things? 162 00:07:50,960 --> 00:07:53,000 Speaker 4: Just the little things that I like in Florida, the 163 00:07:53,040 --> 00:07:56,720 Speaker 4: little things that make up the swamp. Just things that I. 164 00:07:56,640 --> 00:07:58,880 Speaker 1: Think are cool, even bull frog. You've got to be 165 00:07:58,880 --> 00:07:59,840 Speaker 1: from the country to even though. 166 00:07:59,760 --> 00:08:01,880 Speaker 4: The Yeah I hate those things. 167 00:08:02,160 --> 00:08:03,880 Speaker 1: I'm the only hero what that is? 168 00:08:04,960 --> 00:08:05,640 Speaker 4: I've seen them? 169 00:08:05,840 --> 00:08:06,160 Speaker 1: Okay. 170 00:08:07,400 --> 00:08:09,800 Speaker 3: Yeah, you know you people in the South like the little. 171 00:08:11,320 --> 00:08:15,960 Speaker 1: Fireflies beautiful. 172 00:08:17,040 --> 00:08:19,200 Speaker 5: But you're showing off your white side. Don't want to 173 00:08:19,240 --> 00:08:23,160 Speaker 5: hear you say, nigga no more. Speaking of that, Drick 174 00:08:23,200 --> 00:08:24,120 Speaker 5: sand you the hardest up. 175 00:08:24,200 --> 00:08:27,640 Speaker 4: He did make you feel that was great. It's Kendrick. 176 00:08:27,720 --> 00:08:28,200 Speaker 4: I was like, I do. 177 00:08:29,240 --> 00:08:29,480 Speaker 1: Yeah. 178 00:08:30,000 --> 00:08:34,000 Speaker 4: He didn't say she hard he said the hardest out period. 179 00:08:34,880 --> 00:08:37,600 Speaker 4: What a period? And men don't even be using periods, 180 00:08:39,559 --> 00:08:42,000 Speaker 4: So that's. 181 00:08:40,559 --> 00:08:41,920 Speaker 3: A big these niggas. 182 00:08:44,320 --> 00:08:47,560 Speaker 1: Has he given you that validation off off offline. 183 00:08:47,080 --> 00:08:50,160 Speaker 4: Too, like just we've actually never met in person, I haven't. 184 00:08:50,240 --> 00:08:52,760 Speaker 4: I haven't met him in person yet, but he has 185 00:08:52,880 --> 00:08:55,719 Speaker 4: given me my props publicly, which is incredible stoke and 186 00:08:55,800 --> 00:08:57,320 Speaker 4: the day I meet him, chill. 187 00:08:58,000 --> 00:08:59,840 Speaker 1: It's going to be a really good You'll spoke before that. 188 00:09:00,000 --> 00:09:03,439 Speaker 1: But so you've never even I've never met Kendrick, never 189 00:09:03,440 --> 00:09:04,960 Speaker 1: met him, never spoke to him on nothing. He just 190 00:09:05,040 --> 00:09:07,600 Speaker 1: randomly post posted, Wow, you. 191 00:09:07,520 --> 00:09:10,680 Speaker 6: Were signed to t TD for four years and you 192 00:09:10,720 --> 00:09:13,480 Speaker 6: didn't drop You didn't drop anything with him. 193 00:09:14,800 --> 00:09:19,200 Speaker 4: It took me a really, really long time to figure 194 00:09:19,200 --> 00:09:21,240 Speaker 4: out the direction of where I wanted to go with 195 00:09:21,280 --> 00:09:26,400 Speaker 4: my music. And I think that we were dropping singles 196 00:09:26,640 --> 00:09:30,360 Speaker 4: and it's like it had time had been, time had 197 00:09:30,400 --> 00:09:33,880 Speaker 4: gone by, and I was trying to discover who I 198 00:09:34,040 --> 00:09:37,360 Speaker 4: was musically through singles and I couldn't discover that through 199 00:09:37,840 --> 00:09:40,520 Speaker 4: a full body project. And I was like, I need 200 00:09:40,520 --> 00:09:42,960 Speaker 4: to drop a mixtape and get something out so that 201 00:09:43,000 --> 00:09:46,120 Speaker 4: I can have a project to measure up to. You know, 202 00:09:46,160 --> 00:09:48,160 Speaker 4: you have artists that are single artists and then you 203 00:09:48,160 --> 00:09:51,320 Speaker 4: have artists that are like conceptual album artists. And I 204 00:09:51,360 --> 00:09:53,760 Speaker 4: think that I'm that type of artist. And I couldn't 205 00:09:53,800 --> 00:09:56,920 Speaker 4: see that because I had never dropped a project before. 206 00:09:57,120 --> 00:09:59,640 Speaker 4: So it's like four years went by, I got ten singles. 207 00:09:59,679 --> 00:10:03,440 Speaker 4: I was like, listen, we gotta let something go as 208 00:10:03,440 --> 00:10:04,280 Speaker 4: soon as possible. 209 00:10:04,960 --> 00:10:07,920 Speaker 1: But yeah, was that fight was topping Punch like against. 210 00:10:07,600 --> 00:10:10,720 Speaker 4: It or no, I don't think that I actually don't 211 00:10:10,720 --> 00:10:14,800 Speaker 4: work with Punch, but okay, but no, it's not that 212 00:10:14,840 --> 00:10:17,079 Speaker 4: they were against it. It was just a lot of 213 00:10:17,720 --> 00:10:20,520 Speaker 4: back and forth about what it is that I wanted 214 00:10:20,559 --> 00:10:24,840 Speaker 4: to say, and do we do we want to go 215 00:10:24,880 --> 00:10:27,000 Speaker 4: this direction? Do we want to go that direction? Do 216 00:10:27,040 --> 00:10:29,280 Speaker 4: I want pop? Do I want? What type of artists 217 00:10:29,280 --> 00:10:30,920 Speaker 4: do I want to be? And it took me a 218 00:10:30,960 --> 00:10:32,560 Speaker 4: minute to kind of figure that out. 219 00:10:32,880 --> 00:10:34,679 Speaker 1: How big is TD that you don't work with Punch? 220 00:10:35,480 --> 00:10:38,840 Speaker 4: I mean Punch is heavily in with Scissa, and I 221 00:10:38,840 --> 00:10:43,440 Speaker 4: mean Siss' is a global superstar. She's busy, So yeah, 222 00:10:43,480 --> 00:10:47,280 Speaker 4: that's my girl, that's my girl. She's incredible When you're creating. 223 00:10:47,320 --> 00:10:50,240 Speaker 1: It's just you in the studio like yeah, wow. 224 00:10:50,440 --> 00:10:52,600 Speaker 4: Yeah, that's even I don't like anybody in the studio 225 00:10:52,600 --> 00:10:52,880 Speaker 4: about it. 226 00:10:53,080 --> 00:10:55,360 Speaker 2: Not as there's rumors that you know, you haven't met Kendrick, 227 00:10:55,400 --> 00:10:57,240 Speaker 2: but there's rumors that you're going to be meeting him 228 00:10:57,280 --> 00:10:59,760 Speaker 2: soon because they said that you possibly are going out 229 00:10:59,760 --> 00:11:00,840 Speaker 2: on two with Kendrick. 230 00:11:00,920 --> 00:11:01,880 Speaker 3: Is is any truth to that? 231 00:11:06,280 --> 00:11:11,240 Speaker 1: You can lie about everything else, but you can't keep that, y'all. 232 00:11:11,240 --> 00:11:13,360 Speaker 4: Please, I have not met Kendrick. I don't know what 233 00:11:13,559 --> 00:11:16,120 Speaker 4: Kendrick has of his sleeve. I don't know what's to come. 234 00:11:16,160 --> 00:11:19,000 Speaker 4: But I know that I am prepared to receive any 235 00:11:19,040 --> 00:11:22,640 Speaker 4: opportunity that comes my way. But truly, I have no 236 00:11:22,720 --> 00:11:23,360 Speaker 4: idea I. 237 00:11:23,320 --> 00:11:25,400 Speaker 1: Heard you on his deluxe album or the next project. 238 00:11:25,679 --> 00:11:28,679 Speaker 4: I'm sorry how I'm on it. I ain't never even 239 00:11:28,760 --> 00:11:30,400 Speaker 4: met him. I don't know. 240 00:11:30,559 --> 00:11:33,280 Speaker 3: You can send records back and forth I have. 241 00:11:33,559 --> 00:11:36,640 Speaker 4: I have no idea what he has sleeve. I don't 242 00:11:36,679 --> 00:11:37,360 Speaker 4: know what's going on. 243 00:11:37,400 --> 00:11:38,480 Speaker 7: You're going to the super Bowl. 244 00:11:40,800 --> 00:11:42,480 Speaker 3: I don't know you're performing at the super Bowl. 245 00:11:42,840 --> 00:11:44,640 Speaker 4: I have no idea what is going on. 246 00:11:46,679 --> 00:11:49,760 Speaker 5: I love your song Bloom Too, and you talk about 247 00:11:49,840 --> 00:11:52,760 Speaker 5: you know, constantly neglecting important aspects of your life, like 248 00:11:52,840 --> 00:11:54,600 Speaker 5: checking on your family, making time for yourself. 249 00:11:54,640 --> 00:11:55,839 Speaker 1: You've only gotten more busy. 250 00:11:56,240 --> 00:11:58,360 Speaker 5: You know, you're only getting more money, So how are you, 251 00:11:58,360 --> 00:11:59,880 Speaker 5: you know, balancing those things now? 252 00:12:00,600 --> 00:12:03,559 Speaker 4: I am balancing them. Listen. I use D and D 253 00:12:03,640 --> 00:12:06,080 Speaker 4: to the fullest of my potential. When I'm off work, 254 00:12:06,080 --> 00:12:08,960 Speaker 4: I am truly off work. That's how I have my balance. 255 00:12:09,000 --> 00:12:10,880 Speaker 4: When I have my me time, that's my me time. 256 00:12:11,400 --> 00:12:14,520 Speaker 4: And if I need three days where it's nothing and nobody, 257 00:12:14,679 --> 00:12:17,199 Speaker 4: I'm going to take that time. So that's how I 258 00:12:17,280 --> 00:12:19,600 Speaker 4: keep my balance. It's just shutting everybody out when I 259 00:12:19,640 --> 00:12:20,640 Speaker 4: need me time. 260 00:12:20,840 --> 00:12:24,400 Speaker 5: As family gotten more aggressive, because aggressive I meaning you're 261 00:12:24,440 --> 00:12:27,000 Speaker 5: more visible now, Like people see you now, a lot 262 00:12:27,000 --> 00:12:29,679 Speaker 5: of people talking about you, and you know sometimes they 263 00:12:29,679 --> 00:12:30,880 Speaker 5: think that you got more than you got. 264 00:12:30,920 --> 00:12:32,360 Speaker 4: People's families get aggressive. 265 00:12:32,600 --> 00:12:34,280 Speaker 1: Oh yeah, like let me get it. We used to 266 00:12:34,280 --> 00:12:35,720 Speaker 1: be on holidays. 267 00:12:37,720 --> 00:12:40,560 Speaker 4: Nah, not my family. Not my family where our family 268 00:12:40,679 --> 00:12:43,079 Speaker 4: is very very supportive of me. They hold me down 269 00:12:43,280 --> 00:12:45,720 Speaker 4: like big time. I was just at my Tempa show. 270 00:12:46,040 --> 00:12:49,080 Speaker 4: My entire family came, like half my family was the 271 00:12:49,120 --> 00:12:51,560 Speaker 4: goddamn audience. I was like, y'all are pushing my fans 272 00:12:51,960 --> 00:12:52,560 Speaker 4: out the way. 273 00:12:52,720 --> 00:12:55,360 Speaker 6: So nah, digit label really tell you have to put 274 00:12:55,360 --> 00:12:56,800 Speaker 6: out so much rap back to back? 275 00:12:57,880 --> 00:12:59,480 Speaker 7: Who said that online? 276 00:12:59,520 --> 00:13:03,320 Speaker 6: There's a bunch of yeah wrapped to wrap back to 277 00:13:03,400 --> 00:13:05,199 Speaker 6: like you know, not to put out so much wrap 278 00:13:05,280 --> 00:13:06,079 Speaker 6: back to back like that? 279 00:13:07,520 --> 00:13:10,840 Speaker 7: Yeah so much? Yeah? No, didn't people be lying? 280 00:13:11,920 --> 00:13:13,240 Speaker 4: Why did they not want me to wrap? 281 00:13:13,520 --> 00:13:15,719 Speaker 7: That's the point. I don't know. I just I seen it. 282 00:13:15,760 --> 00:13:16,840 Speaker 7: I wanted to hear from your mouth. 283 00:13:17,000 --> 00:13:20,240 Speaker 1: Yeah no, do you still have a Nissan Altimore? 284 00:13:21,679 --> 00:13:24,760 Speaker 4: No? No, but it's crazy. I actually just I got 285 00:13:24,840 --> 00:13:27,640 Speaker 4: rid of it. The video that we shot that was 286 00:13:27,679 --> 00:13:28,480 Speaker 4: when I got rid of it. 287 00:13:28,520 --> 00:13:29,520 Speaker 1: Why would you get rid of it? 288 00:13:29,559 --> 00:13:32,440 Speaker 4: That was the first car that the label got me. 289 00:13:32,440 --> 00:13:36,000 Speaker 4: When I first got here, I didn't have a cardisan Ultimate. 290 00:13:36,080 --> 00:13:36,559 Speaker 3: When you got to. 291 00:13:37,760 --> 00:13:43,360 Speaker 4: You got you didn't buy me, you said, gave me. 292 00:13:47,400 --> 00:13:49,400 Speaker 4: I didn't have a car, I have no money. It 293 00:13:49,480 --> 00:13:51,040 Speaker 4: was like, look a little lady, you need to take it. 294 00:13:51,240 --> 00:13:54,600 Speaker 4: You gotta crawl for your balls. Gave me a Nissan. 295 00:13:54,640 --> 00:14:02,920 Speaker 4: I crashed it. It was horrible drive. No, I had 296 00:14:02,920 --> 00:14:05,000 Speaker 4: never had a car before either, and I didn't drive. 297 00:14:05,679 --> 00:14:08,320 Speaker 1: So wait a minute, come on, explain this to me again. 298 00:14:08,440 --> 00:14:10,360 Speaker 4: When I before I got. I never had a car 299 00:14:10,400 --> 00:14:14,160 Speaker 4: before and I didn't drive, so I came here and 300 00:14:14,200 --> 00:14:15,360 Speaker 4: I was like, I need to learn how to drive, 301 00:14:15,400 --> 00:14:16,760 Speaker 4: and I need a car. I need to get around. 302 00:14:16,880 --> 00:14:19,320 Speaker 4: So they were like, here, you can just try your 303 00:14:19,320 --> 00:14:20,120 Speaker 4: best with this one. 304 00:14:20,200 --> 00:14:20,960 Speaker 1: Did you have a license? 305 00:14:20,960 --> 00:14:22,840 Speaker 4: It was horrible. I did have a license, but I 306 00:14:22,880 --> 00:14:23,520 Speaker 4: didn't drive. 307 00:14:23,640 --> 00:14:24,720 Speaker 3: How did you crash in New York? 308 00:14:25,000 --> 00:14:26,120 Speaker 4: What you mean New York? 309 00:14:26,240 --> 00:14:28,320 Speaker 1: From the country. It was a coaching shop when I 310 00:14:28,320 --> 00:14:30,160 Speaker 1: first started driving. L A l A. 311 00:14:30,240 --> 00:14:34,440 Speaker 4: Okay, L A L A is stressful driving. It's too much. 312 00:14:34,520 --> 00:14:36,800 Speaker 4: I get anxiety even to this day. I don't drive. 313 00:14:36,880 --> 00:14:38,760 Speaker 4: It's too much. But yeah, I wrecked the car. It 314 00:14:38,840 --> 00:14:39,400 Speaker 4: is horrible. 315 00:14:40,120 --> 00:14:42,120 Speaker 6: No, look, no, they said they didn't want a ton 316 00:14:42,160 --> 00:14:44,800 Speaker 6: of hard rap songs back to bag, like they wanted 317 00:14:44,800 --> 00:14:45,800 Speaker 6: you to spread them out. 318 00:14:46,440 --> 00:14:52,000 Speaker 2: Just like this is what they're saying. 319 00:14:52,400 --> 00:14:56,560 Speaker 4: So all right, So she said no, No, CD is 320 00:14:56,600 --> 00:14:58,840 Speaker 4: gonna always push me and want me to wrap like 321 00:14:59,160 --> 00:15:01,120 Speaker 4: that's the horror of the label. 322 00:15:01,720 --> 00:15:04,040 Speaker 1: On the song he's on. Ultimately, you say she's munching 323 00:15:04,080 --> 00:15:09,080 Speaker 1: on the box while she watching Hulu. Absolutely, so who's 324 00:15:09,320 --> 00:15:10,680 Speaker 1: you know? I'm old? 325 00:15:10,720 --> 00:15:12,160 Speaker 5: So you gotta school me when you say she you're 326 00:15:12,160 --> 00:15:15,160 Speaker 5: talking about she's munching the box while she watching Hulu? 327 00:15:15,200 --> 00:15:16,560 Speaker 1: But is she watching Hulu? Is you? 328 00:15:17,080 --> 00:15:18,040 Speaker 3: It could be more than two greats. 329 00:15:18,040 --> 00:15:19,560 Speaker 4: It could be yeah, you never know. You don't know 330 00:15:19,560 --> 00:15:22,040 Speaker 4: what's going on. It's a lot of girls in there. 331 00:15:22,160 --> 00:15:23,800 Speaker 4: It could be two, it could be three. It could 332 00:15:23,840 --> 00:15:25,040 Speaker 4: be six because. 333 00:15:24,840 --> 00:15:26,480 Speaker 1: If she's watching Hulu, how she watching the box at 334 00:15:26,520 --> 00:15:26,920 Speaker 1: the same time. 335 00:15:26,960 --> 00:15:27,520 Speaker 3: It could be one. 336 00:15:27,760 --> 00:15:28,520 Speaker 1: You gotta focus. 337 00:15:29,320 --> 00:15:30,200 Speaker 4: That's not true. 338 00:15:30,680 --> 00:15:32,080 Speaker 1: Well, she's terrible at her job. 339 00:15:32,240 --> 00:15:33,640 Speaker 4: Women can multitask. 340 00:15:33,760 --> 00:15:35,360 Speaker 7: You got to do a visual for this song. 341 00:15:39,680 --> 00:15:42,800 Speaker 4: You can multitask. It would be surprised what can go 342 00:15:42,840 --> 00:15:45,480 Speaker 4: down in these lesbian relationships. You can do a lot. 343 00:15:45,600 --> 00:15:49,800 Speaker 4: You could save world hunger and still eat the box 344 00:15:49,840 --> 00:15:50,600 Speaker 4: at the same time. 345 00:15:50,880 --> 00:15:57,960 Speaker 1: That, y'all world not just interesting. 346 00:15:58,040 --> 00:15:59,400 Speaker 5: That's why I said I love the titles of your 347 00:15:59,400 --> 00:16:02,960 Speaker 5: songs because it's like it's clearly just a feeling, right 348 00:16:03,000 --> 00:16:05,000 Speaker 5: Like you write these records and you're like, what does this. 349 00:16:05,000 --> 00:16:07,080 Speaker 1: Record feel like? Yeah, this record feels like a Nis 350 00:16:07,080 --> 00:16:10,240 Speaker 1: song Ultimore. Mm hm, it does. 351 00:16:10,360 --> 00:16:12,400 Speaker 4: I was like, because that record, to me, it feels 352 00:16:12,400 --> 00:16:14,560 Speaker 4: like when you like freestyling with your girls and you're 353 00:16:14,560 --> 00:16:16,720 Speaker 4: just smoking in the car and y'all freestyling, That's what 354 00:16:16,760 --> 00:16:17,360 Speaker 4: it gives me. 355 00:16:17,920 --> 00:16:20,120 Speaker 5: I also wanted to with TD, was there ever, Like 356 00:16:21,000 --> 00:16:22,480 Speaker 5: I don't want to say push back, but it's like 357 00:16:22,640 --> 00:16:24,640 Speaker 5: they have a scissor right, So it's like if you 358 00:16:24,760 --> 00:16:26,960 Speaker 5: started when you do like to sing sometimes, do they 359 00:16:27,000 --> 00:16:28,880 Speaker 5: ever discourage you from doing that? 360 00:16:28,920 --> 00:16:29,680 Speaker 1: Like no, just stick to you. 361 00:16:30,680 --> 00:16:34,840 Speaker 4: Never they don't. My label does not bother me in 362 00:16:34,960 --> 00:16:38,000 Speaker 4: the studio, Like I don't like people in the studio 363 00:16:38,080 --> 00:16:41,040 Speaker 4: with me. I like to record alone. I'm by myself, 364 00:16:41,480 --> 00:16:45,280 Speaker 4: nobody's interrupting me. It's just like, do your think I sing? 365 00:16:45,360 --> 00:16:48,440 Speaker 4: I sing? I got what it is. That's nothing. That's 366 00:16:48,480 --> 00:16:49,960 Speaker 4: a full singing song. It's no rap on. 367 00:16:49,960 --> 00:16:52,720 Speaker 1: There, like whatever the reason I asked on Boombab, like 368 00:16:52,720 --> 00:16:53,800 Speaker 1: I just I just can't sing. 369 00:16:53,600 --> 00:16:56,880 Speaker 4: A little bit no, because literally I felt like with Boombab, 370 00:16:57,040 --> 00:17:00,840 Speaker 4: it was like I'm internalizing all of the chatter that 371 00:17:00,880 --> 00:17:08,400 Speaker 4: I'm getting from fans, from haters, from major label, from 372 00:17:08,760 --> 00:17:11,840 Speaker 4: the guys like oh yeah, we really like when you rap, now, 373 00:17:11,840 --> 00:17:14,040 Speaker 4: we really like when you sing. She should keep doing 374 00:17:14,040 --> 00:17:15,960 Speaker 4: the pops, she should keep doing this. And I was 375 00:17:16,040 --> 00:17:19,960 Speaker 4: just too focused on what everybody else wanted for DOCI 376 00:17:20,119 --> 00:17:23,080 Speaker 4: versus what do wanted for? Is that a diamond tester? 377 00:17:23,520 --> 00:17:30,240 Speaker 1: Yes? Yeah, right, what's scary? 378 00:17:31,440 --> 00:17:34,960 Speaker 4: That's got to be some form of bullying check my 379 00:17:35,040 --> 00:17:37,440 Speaker 4: ring day crazy. 380 00:17:37,880 --> 00:17:38,679 Speaker 3: I wanted to ask to you. 381 00:17:43,720 --> 00:17:43,880 Speaker 1: Now. 382 00:17:43,880 --> 00:17:45,919 Speaker 2: You talked earlier about you know, you were drinking and 383 00:17:45,960 --> 00:17:48,800 Speaker 2: you're using drugs and alcohol as a crutch right when performing? 384 00:17:49,280 --> 00:17:51,919 Speaker 2: Were you nervous about doing this project not drinking? Like 385 00:17:52,040 --> 00:17:53,520 Speaker 2: is it gonna cut? Am I gonna sound the same? 386 00:17:53,560 --> 00:17:54,560 Speaker 2: I'm gonna sound good. 387 00:17:54,760 --> 00:17:57,560 Speaker 4: I was terrified. I was terrified because I was like, 388 00:17:58,320 --> 00:18:01,560 Speaker 4: I don't know if people want to hear these dark topics. 389 00:18:01,680 --> 00:18:03,680 Speaker 4: I don't know if anybody wants to hear this right now. 390 00:18:04,000 --> 00:18:06,479 Speaker 4: I feel like there was a period in music where 391 00:18:07,119 --> 00:18:10,840 Speaker 4: everybody was like, shut up with that conscious Don't nobody 392 00:18:10,880 --> 00:18:12,280 Speaker 4: want to hear all that? People just want to have fun. 393 00:18:12,359 --> 00:18:14,120 Speaker 4: Right now we got out of COVID, don't nobody want 394 00:18:14,119 --> 00:18:16,360 Speaker 4: to be sad da? And I was like, I don't 395 00:18:16,359 --> 00:18:18,240 Speaker 4: want my fans to listen to my music and be sad. 396 00:18:18,280 --> 00:18:22,040 Speaker 4: I want them to feel good about themselves. But it's 397 00:18:22,080 --> 00:18:25,280 Speaker 4: also like, if I'm I have to make music for 398 00:18:25,359 --> 00:18:30,600 Speaker 4: therapy for myself, otherwise I'm doing it for the wrong reasons. 399 00:18:30,880 --> 00:18:34,040 Speaker 4: And then I was like, well, this is my truth. 400 00:18:34,080 --> 00:18:35,600 Speaker 4: This is where I am in my life right now. 401 00:18:35,720 --> 00:18:37,399 Speaker 4: Somebody else got to be dealing with this shit too, 402 00:18:37,440 --> 00:18:39,560 Speaker 4: And even if they not, I don't give a fuck. 403 00:18:39,640 --> 00:18:41,240 Speaker 2: What became a new crutch? Or if there is a 404 00:18:41,280 --> 00:18:43,439 Speaker 2: new crutch, like usually people get rid of drinking and 405 00:18:43,480 --> 00:18:45,879 Speaker 2: they smoke, or they give rid of smoke and they 406 00:18:45,880 --> 00:18:48,480 Speaker 2: start having sex, or they watched this, like, what what's 407 00:18:48,520 --> 00:18:52,040 Speaker 2: the new crutch? If there is one, knock it off? 408 00:18:54,119 --> 00:18:58,080 Speaker 4: I think the new crutch is music. I am. I 409 00:18:58,200 --> 00:19:01,760 Speaker 4: don't vape, I don't smoke. I don't do noneing at 410 00:19:01,840 --> 00:19:03,840 Speaker 4: least right now in this season in my life. Because 411 00:19:04,520 --> 00:19:06,399 Speaker 4: what works for me now is what works for me now. 412 00:19:06,840 --> 00:19:08,840 Speaker 4: I might run right back to the bottle when I 413 00:19:08,880 --> 00:19:13,359 Speaker 4: turn thirty, who knows, and that's my business. But I 414 00:19:13,400 --> 00:19:16,159 Speaker 4: think that this serves me and my new crutch is 415 00:19:16,240 --> 00:19:19,399 Speaker 4: just my music and sobriety. It feels better to be 416 00:19:19,440 --> 00:19:20,080 Speaker 4: sober right. 417 00:19:20,000 --> 00:19:20,720 Speaker 1: Now, gotcha. 418 00:19:20,920 --> 00:19:23,040 Speaker 5: I don't think your generation knows how courageous y'all are. 419 00:19:23,080 --> 00:19:24,719 Speaker 5: And what I mean by that is it's like, you know, 420 00:19:25,280 --> 00:19:28,080 Speaker 5: for us, we weren't talking about mental health. We weren't 421 00:19:28,119 --> 00:19:30,639 Speaker 5: talking about anxiety. We weren't talking about depression. But you know, 422 00:19:30,800 --> 00:19:33,200 Speaker 5: you get older, you start doing the work on yourself. 423 00:19:33,240 --> 00:19:35,480 Speaker 5: We didn't have nobody providing no soundtracks for us, but 424 00:19:35,520 --> 00:19:37,679 Speaker 5: it's like now it's the you, it's the Kindred, it's 425 00:19:37,760 --> 00:19:40,000 Speaker 5: just the rhapsodies, like y'all are not afraid to put 426 00:19:40,040 --> 00:19:41,080 Speaker 5: that type of stuff. 427 00:19:40,800 --> 00:19:41,879 Speaker 1: In y'all in your music. 428 00:19:42,200 --> 00:19:44,159 Speaker 4: Yeah, I think that it's important too. I feel like, 429 00:19:44,280 --> 00:19:48,240 Speaker 4: especially in hip hop right now, it should be reflecting 430 00:19:48,480 --> 00:19:51,199 Speaker 4: real life situations and real things that are going on. 431 00:19:51,320 --> 00:19:57,400 Speaker 4: I feel like there is a overload of distractions and 432 00:19:57,840 --> 00:20:01,159 Speaker 4: materialism and things like that. We need to balance it 433 00:20:01,240 --> 00:20:04,919 Speaker 4: with that heart and that consciousness and a self awareness. 434 00:20:05,040 --> 00:20:07,760 Speaker 4: And that's what I'm contributing right now. I'm gonna be 435 00:20:07,800 --> 00:20:08,920 Speaker 4: popping ass soon though. 436 00:20:09,040 --> 00:20:12,600 Speaker 1: So you say that what was that song on m pah? 437 00:20:12,720 --> 00:20:14,280 Speaker 1: You say I could. I could give them the consciouship, 438 00:20:14,280 --> 00:20:14,719 Speaker 1: but I'm too bad. 439 00:20:16,960 --> 00:20:20,760 Speaker 4: It's like, there's so many layers to me as a woman, 440 00:20:20,800 --> 00:20:23,400 Speaker 4: and I'm going to express them all all the time. 441 00:20:23,440 --> 00:20:25,239 Speaker 4: I'm never gonna box myself in, like, oh, I'm only 442 00:20:25,280 --> 00:20:26,720 Speaker 4: going to talk about this, I'm only gonna writ this 443 00:20:26,720 --> 00:20:28,760 Speaker 4: is real rap. Because you talk about that that's not true. 444 00:20:29,440 --> 00:20:31,119 Speaker 4: I just think that I'm telling my truth right now, 445 00:20:31,119 --> 00:20:33,400 Speaker 4: and this is my truth, but I'm not righteous. 446 00:20:34,680 --> 00:20:38,520 Speaker 1: Lock it well, the unity of life is righteousness and ratchettess. Oh, 447 00:20:40,240 --> 00:20:43,240 Speaker 1: it's the perfect balance, the perfect balance. 448 00:20:43,320 --> 00:20:45,480 Speaker 6: Like that, you got anybody you want to collaborate with? 449 00:20:45,960 --> 00:20:47,760 Speaker 6: Like you just dream. 450 00:20:49,680 --> 00:20:51,960 Speaker 1: Right now about nothing going on? 451 00:20:52,560 --> 00:20:55,639 Speaker 4: No, No, I think that I've gotten all my collaborations 452 00:20:55,640 --> 00:20:57,600 Speaker 4: that I want. That Tyler one really did it for me. 453 00:20:57,680 --> 00:20:59,639 Speaker 4: That was like top of my list. I have always 454 00:20:59,640 --> 00:21:03,040 Speaker 4: wanted to collaborate with Tyler the Creator. I have my 455 00:21:03,080 --> 00:21:08,280 Speaker 4: collab Oh, Beyonce and Kendrick Lamar top collaborations. Other than that, 456 00:21:08,560 --> 00:21:09,480 Speaker 4: I'm cooling. 457 00:21:09,640 --> 00:21:10,800 Speaker 1: Gave you she listed you. 458 00:21:11,800 --> 00:21:13,000 Speaker 4: That was crazy. 459 00:21:13,880 --> 00:21:14,520 Speaker 1: Have you met her? 460 00:21:14,760 --> 00:21:20,600 Speaker 4: I haven't anybody. 461 00:21:21,720 --> 00:21:22,920 Speaker 7: But you. 462 00:21:22,280 --> 00:21:25,960 Speaker 6: You were You performed in La for Renaissance, right, I did, 463 00:21:26,200 --> 00:21:27,960 Speaker 6: and you Okay, you just still didn't get to meet her. 464 00:21:28,000 --> 00:21:30,800 Speaker 7: But yeah, because I heard a lot about your performance. 465 00:21:30,840 --> 00:21:32,199 Speaker 6: It was lit and everything, and I told you were 466 00:21:32,240 --> 00:21:33,440 Speaker 6: even popping bottles in the back. 467 00:21:33,560 --> 00:21:37,680 Speaker 5: Okay, what time did you go on that you didn't meet? 468 00:21:38,960 --> 00:21:41,680 Speaker 4: We got that opportunity kind of last minute. I think 469 00:21:41,720 --> 00:21:43,480 Speaker 4: it may have. I found out what a day or 470 00:21:43,520 --> 00:21:47,800 Speaker 4: two days before the show or something and again Global Superstars, 471 00:21:47,960 --> 00:21:50,680 Speaker 4: super busy woman. She has her children with her on tour. 472 00:21:51,400 --> 00:21:53,560 Speaker 4: She don't have time like you know what I mean? 473 00:21:53,920 --> 00:21:56,440 Speaker 4: But I think in the when it's the right time, 474 00:21:56,520 --> 00:21:57,240 Speaker 4: we'll meet each other. 475 00:21:57,520 --> 00:22:02,000 Speaker 1: Is that recognition and validation mean anything new from Beyonce? 476 00:22:02,200 --> 00:22:08,840 Speaker 4: Absolutely? Absolutely. I trust her to pick the best talent 477 00:22:08,920 --> 00:22:11,919 Speaker 4: and the best people that she's she surrounds herself with. 478 00:22:11,960 --> 00:22:17,119 Speaker 4: When I went and I opened up her production team, flawless, 479 00:22:17,160 --> 00:22:20,399 Speaker 4: her team was incredible, So I knew her inviting me 480 00:22:21,320 --> 00:22:24,200 Speaker 4: was validation that I'm doing something right and I'm performing 481 00:22:24,240 --> 00:22:26,480 Speaker 4: to some level of excellence, which was incredible. 482 00:22:26,880 --> 00:22:28,840 Speaker 1: How do you deal with your your anxiety now? 483 00:22:28,880 --> 00:22:31,119 Speaker 5: Because you know the crowd's only gonna get bigger, a 484 00:22:31,119 --> 00:22:33,080 Speaker 5: lot more eyeballs on you. And you know, sometimes when 485 00:22:33,080 --> 00:22:34,600 Speaker 5: I see you out, it feels like, I guess that's 486 00:22:34,600 --> 00:22:35,240 Speaker 5: your bodyguard. 487 00:22:35,440 --> 00:22:38,000 Speaker 1: You always look like you're always holding his hand. Is 488 00:22:38,000 --> 00:22:38,320 Speaker 1: that like. 489 00:22:39,840 --> 00:22:42,639 Speaker 4: I just don't like people too close to me, And 490 00:22:43,640 --> 00:22:45,639 Speaker 4: that's all I think. I just hold his hand so 491 00:22:45,680 --> 00:22:47,959 Speaker 4: that we can move through the crowd, because sometimes you 492 00:22:47,960 --> 00:22:48,880 Speaker 4: could just check. 493 00:22:49,960 --> 00:22:51,560 Speaker 5: Yeah, So what are you doing to just deal with 494 00:22:51,560 --> 00:22:53,880 Speaker 5: the anxiety in general, like before you hit the stage. 495 00:22:54,240 --> 00:22:56,280 Speaker 4: I don't feel any anxiety when I'm on stage and 496 00:22:56,359 --> 00:23:00,199 Speaker 4: when I'm at shows or I like this environment, like 497 00:23:00,640 --> 00:23:05,600 Speaker 4: my job with it. Yeah, what about interviews, he interviews. 498 00:23:09,640 --> 00:23:13,560 Speaker 4: I'm just kidding. I like interviews. This interview, however, made 499 00:23:13,640 --> 00:23:17,280 Speaker 4: a little I was like, I don't know, unpredictable. Yeah, 500 00:23:17,359 --> 00:23:19,240 Speaker 4: you're a little unpredicted on the. 501 00:23:19,280 --> 00:23:20,720 Speaker 3: Last time you said we had a great time. 502 00:23:20,920 --> 00:23:23,000 Speaker 4: It was great. It was great, But I was like, 503 00:23:23,080 --> 00:23:24,439 Speaker 4: I don't I don't know, you know, I don't know 504 00:23:24,440 --> 00:23:26,159 Speaker 4: what type of headspace he's gonna be on. You know, 505 00:23:28,960 --> 00:23:30,679 Speaker 4: I don't know what he's gonna be with it, but 506 00:23:30,800 --> 00:23:31,400 Speaker 4: I feel. 507 00:23:31,160 --> 00:23:31,800 Speaker 3: That every morning. 508 00:23:34,440 --> 00:23:37,720 Speaker 5: Top Dog said that alligated never hear uh. He said 509 00:23:37,720 --> 00:23:39,639 Speaker 5: it had the same vibe as Section eighty. 510 00:23:39,960 --> 00:23:41,800 Speaker 4: He did say that. He said he had the same 511 00:23:41,840 --> 00:23:45,200 Speaker 4: feeling that he did when Kendrick drops Section. 512 00:23:45,000 --> 00:23:47,879 Speaker 1: Eighty, meaning like this is this is our next superstuff. 513 00:23:48,640 --> 00:23:49,640 Speaker 4: I won't speak for him. 514 00:23:50,320 --> 00:23:51,639 Speaker 1: I told him that though he sent me. 515 00:23:52,000 --> 00:23:54,080 Speaker 5: He sent me the album Wow, like a while before 516 00:23:54,080 --> 00:23:55,960 Speaker 5: it came out, and I was just like, what do you. 517 00:23:55,880 --> 00:23:56,320 Speaker 4: Think about it? 518 00:23:56,520 --> 00:23:58,399 Speaker 1: I said, She's I was on talking about it. 519 00:23:58,440 --> 00:24:00,560 Speaker 5: I was like, yeah, I heard she out of here 520 00:24:00,640 --> 00:24:03,000 Speaker 5: like like I literally was like, Yo, she's out of here, 521 00:24:03,119 --> 00:24:04,080 Speaker 5: like thank you. 522 00:24:04,240 --> 00:24:06,919 Speaker 1: She got to give you all the time. 523 00:24:07,400 --> 00:24:09,280 Speaker 4: And I want to say thank you, Jess, because you do. 524 00:24:09,320 --> 00:24:12,240 Speaker 4: You always give me my props. Everything that you have 525 00:24:12,359 --> 00:24:15,199 Speaker 4: said about me is just you always seen me, and 526 00:24:15,240 --> 00:24:18,560 Speaker 4: I really appreciate it. Even before all the hype, you 527 00:24:18,760 --> 00:24:19,160 Speaker 4: was like. 528 00:24:21,320 --> 00:24:22,840 Speaker 1: And she loved that stanky Poochie record. 529 00:24:22,880 --> 00:24:27,639 Speaker 6: First of all, it's not a stinky stanky poo is 530 00:24:27,680 --> 00:24:28,399 Speaker 6: on the first one the. 531 00:24:30,000 --> 00:24:34,720 Speaker 1: Record on the new thank. 532 00:24:34,560 --> 00:24:36,360 Speaker 4: Yes, that's a real Southern thing. 533 00:24:36,840 --> 00:24:38,760 Speaker 7: You thankful. 534 00:24:40,680 --> 00:24:42,640 Speaker 1: Is it true that you completed this project a month before? 535 00:24:42,680 --> 00:24:43,080 Speaker 1: It was really? 536 00:24:43,119 --> 00:24:43,719 Speaker 7: Absolutely? 537 00:24:44,920 --> 00:24:46,240 Speaker 1: Yeah. All it took. 538 00:24:46,440 --> 00:24:48,639 Speaker 4: I needed it. It was something in my spirit that 539 00:24:48,720 --> 00:24:51,040 Speaker 4: was like, you need to drop this this project now. 540 00:24:51,080 --> 00:24:52,880 Speaker 4: If you don't drop this project now, you're gonna miss 541 00:24:52,920 --> 00:24:54,560 Speaker 4: the mark. And I was like, I got to get 542 00:24:54,600 --> 00:24:57,640 Speaker 4: this out right now. I don't know why, but God 543 00:24:57,760 --> 00:24:59,680 Speaker 4: was just tugging on my spirit like it's time to go. 544 00:25:00,000 --> 00:25:00,439 Speaker 1: I love that. 545 00:25:00,600 --> 00:25:00,840 Speaker 7: Yeah. 546 00:25:01,000 --> 00:25:03,199 Speaker 5: How often do you and that's a stupid question, but 547 00:25:03,200 --> 00:25:04,679 Speaker 5: how often do you listen to the spirit of God? 548 00:25:04,680 --> 00:25:06,480 Speaker 1: Because sometimes God to tell you the move and we 549 00:25:06,520 --> 00:25:07,000 Speaker 1: don't move. 550 00:25:12,040 --> 00:25:15,679 Speaker 4: I only I'm only not listening to the spirit of 551 00:25:15,720 --> 00:25:21,760 Speaker 4: God when I am distracted internally. That's why I keep 552 00:25:21,800 --> 00:25:25,760 Speaker 4: telling you all this sobriety thing. I hear from God 553 00:25:25,880 --> 00:25:28,920 Speaker 4: better when I'm sober and I'm clear minded. So it's 554 00:25:28,960 --> 00:25:31,920 Speaker 4: like I only veer off of that when I distract 555 00:25:32,000 --> 00:25:35,679 Speaker 4: myself with other things outside of me. 556 00:25:35,920 --> 00:25:39,879 Speaker 5: And sometimes those other things are people humans know that 557 00:25:40,080 --> 00:25:53,600 Speaker 5: are with you. When you're watching Hulu made. 558 00:25:48,119 --> 00:25:50,240 Speaker 2: How doesn't feel when when you talk about all the 559 00:25:50,560 --> 00:25:52,840 Speaker 2: albums that came out this year and they talk about 560 00:25:52,840 --> 00:25:55,000 Speaker 2: yours as being one of the top five of the best. 561 00:25:55,040 --> 00:25:58,159 Speaker 2: Way they talk about Kendrick's album, your album, what some 562 00:25:58,200 --> 00:26:00,600 Speaker 2: of the other albums you named this week? When you're 563 00:26:00,600 --> 00:26:02,240 Speaker 2: talking about the albums came in and her albums like 564 00:26:02,240 --> 00:26:03,920 Speaker 2: top five of the best albums that came out this 565 00:26:04,000 --> 00:26:08,159 Speaker 2: year globally on the top of those lists. When it 566 00:26:08,160 --> 00:26:10,000 Speaker 2: comes to putting out music, because that's what you do 567 00:26:10,000 --> 00:26:11,439 Speaker 2: it for. You want people to receive it. Well, So 568 00:26:11,440 --> 00:26:12,200 Speaker 2: how does that feel? 569 00:26:12,320 --> 00:26:16,800 Speaker 4: Yeah, it feels like they're accurate, They're right, it should 570 00:26:16,840 --> 00:26:18,480 Speaker 4: be there. It feels really really good. 571 00:26:18,520 --> 00:26:21,000 Speaker 2: They ever feel a moment of they didn't understand it 572 00:26:21,080 --> 00:26:22,600 Speaker 2: first and now people are starting to get it. 573 00:26:24,240 --> 00:26:27,240 Speaker 4: I think people are still kind of trying to get it. Yeah, still. 574 00:26:28,680 --> 00:26:29,080 Speaker 1: I don't know. 575 00:26:29,200 --> 00:26:33,240 Speaker 4: Yeah, I've kind of felt like niche at first, Like 576 00:26:33,480 --> 00:26:35,640 Speaker 4: I think people are just kind of like, what's what's 577 00:26:35,680 --> 00:26:39,280 Speaker 4: her vibe? What's going on? She's an underwear she's rapping 578 00:26:39,280 --> 00:26:42,240 Speaker 4: about this. I don't really get the girls tape on 579 00:26:42,320 --> 00:26:45,240 Speaker 4: her face and they're trying to figure it out. I 580 00:26:45,240 --> 00:26:45,640 Speaker 4: don't know. 581 00:26:46,560 --> 00:26:49,600 Speaker 6: But you do this thing like you you capture somebody's attention. 582 00:26:49,680 --> 00:26:51,359 Speaker 6: You make people want to pay attention more, because that 583 00:26:51,440 --> 00:26:53,560 Speaker 6: that's how I got onto you. I'm like, dang, like 584 00:26:53,560 --> 00:26:54,120 Speaker 6: what is this? 585 00:26:54,240 --> 00:26:54,359 Speaker 4: Like? 586 00:26:54,400 --> 00:26:55,439 Speaker 7: You know, you are different. 587 00:26:55,480 --> 00:26:56,240 Speaker 4: That's why I. 588 00:26:56,240 --> 00:26:57,760 Speaker 7: Didn't know you were from Tampa till he just was 589 00:26:57,800 --> 00:26:58,040 Speaker 7: saying it. 590 00:26:58,040 --> 00:27:00,520 Speaker 6: Because you can't put you in a specific place like 591 00:27:00,600 --> 00:27:06,359 Speaker 6: you know, and then your projects before nothing sounds like 592 00:27:06,480 --> 00:27:09,640 Speaker 6: the previous one like you. You offer so many different 593 00:27:09,720 --> 00:27:13,120 Speaker 6: like a variety of sounds. So I think the fact 594 00:27:13,160 --> 00:27:15,160 Speaker 6: that they're trying to catch on that's still good as 595 00:27:15,160 --> 00:27:16,440 Speaker 6: what you want because you don't fall in the box 596 00:27:16,440 --> 00:27:17,120 Speaker 6: with nobody else. 597 00:27:17,280 --> 00:27:20,800 Speaker 4: Yeah, yeah, I think that it alien. They have to 598 00:27:20,880 --> 00:27:23,480 Speaker 4: like you have to digest it, and I think you 599 00:27:23,600 --> 00:27:27,359 Speaker 4: need context, because you'll listen to one song, but then 600 00:27:27,400 --> 00:27:29,359 Speaker 4: you'll listen to another, and it's like when you listen 601 00:27:29,400 --> 00:27:31,760 Speaker 4: to the full project. I think it comes together for people. 602 00:27:31,920 --> 00:27:33,080 Speaker 4: You kind of got to dive in a song. 603 00:27:34,000 --> 00:27:40,160 Speaker 5: Yeah, so I think it's dope that they can't put 604 00:27:40,200 --> 00:27:41,639 Speaker 5: you in a box though, Like if you just to 605 00:27:41,640 --> 00:27:43,919 Speaker 5: a song like all the Ego or Nissan Altima, you like, 606 00:27:44,000 --> 00:27:44,640 Speaker 5: what is this? 607 00:27:44,920 --> 00:27:45,479 Speaker 1: Who is this? 608 00:27:45,720 --> 00:27:48,600 Speaker 5: I think it's just hard for people because in order 609 00:27:48,640 --> 00:27:50,719 Speaker 5: to get an understanding, you have to say, oh, well, 610 00:27:50,760 --> 00:27:52,800 Speaker 5: you know, she sounds like this and she sounds like that. 611 00:27:52,840 --> 00:27:54,439 Speaker 1: So people know what they expect. But I think not 612 00:27:54,560 --> 00:27:56,080 Speaker 1: knowing what they expect is even better. 613 00:27:56,280 --> 00:27:59,520 Speaker 4: Yeah, I agree. I think that my goal is to, 614 00:27:59,800 --> 00:28:03,040 Speaker 4: if e mentally, just be in my own lane, my 615 00:28:03,119 --> 00:28:06,000 Speaker 4: own thing. It's kind of like what I admired about 616 00:28:06,240 --> 00:28:09,119 Speaker 4: Missy Elliott when she came out. It was like Missy 617 00:28:09,200 --> 00:28:11,840 Speaker 4: Elliott rapped and sing, but she wrapped in a way 618 00:28:11,840 --> 00:28:14,440 Speaker 4: that was just she's just Missy, you know what I mean? 619 00:28:15,080 --> 00:28:17,600 Speaker 4: She kind of like separated herself, and I think that's 620 00:28:17,600 --> 00:28:17,920 Speaker 4: the goal. 621 00:28:18,119 --> 00:28:21,000 Speaker 5: What type of conversations is Dolt you're having with herself nowadays? 622 00:28:21,440 --> 00:28:23,600 Speaker 1: Are you? Are you Are you safe with yourself? 623 00:28:23,880 --> 00:28:26,320 Speaker 4: I am. A lot of the conversations that I'm having 624 00:28:26,880 --> 00:28:30,240 Speaker 4: is I'm trying to. 625 00:28:34,760 --> 00:28:35,880 Speaker 1: Say the right thing in interviews. 626 00:28:38,160 --> 00:28:42,960 Speaker 4: No, I find myself. I'm trying to ground myself right now. 627 00:28:43,360 --> 00:28:46,320 Speaker 4: It's kind of like a lot of things are happening 628 00:28:46,360 --> 00:28:48,200 Speaker 4: at once, and that happened to me when I first 629 00:28:48,200 --> 00:28:51,440 Speaker 4: got signed, and it overwhelmed me, and I'm trying to 630 00:28:51,520 --> 00:28:55,000 Speaker 4: learn from that and ground myself. I feel like I'm 631 00:28:55,080 --> 00:28:58,600 Speaker 4: walking on a cloud, like on air, and I need 632 00:28:58,640 --> 00:29:02,560 Speaker 4: to ground myself constantly, be like, Okay, calm down, you're safe. 633 00:29:02,840 --> 00:29:05,280 Speaker 4: Good things are happening, and because good things are happening, 634 00:29:05,320 --> 00:29:07,080 Speaker 4: it doesn't mean that something bad is going to happen. 635 00:29:07,520 --> 00:29:10,720 Speaker 4: This is okay. And that's what I'm practicing. 636 00:29:10,920 --> 00:29:13,560 Speaker 5: How do you practice your mistakes nowadays? 637 00:29:13,600 --> 00:29:19,600 Speaker 4: Through my music and through honesty and admitting that I 638 00:29:19,640 --> 00:29:22,240 Speaker 4: made a damn mistake and then talking about it in 639 00:29:22,320 --> 00:29:25,520 Speaker 4: my music. I don't like secrets. Yeah, and I have 640 00:29:25,560 --> 00:29:28,840 Speaker 4: to tell my business on WAX. I don't know. 641 00:29:29,400 --> 00:29:31,760 Speaker 7: Have you a a Zalia Bank spoke since. 642 00:29:31,560 --> 00:29:36,320 Speaker 6: The last Yeah, it seems like you ain't even wanted 643 00:29:36,320 --> 00:29:38,600 Speaker 6: to be beef because it's like nah, but I know 644 00:29:38,680 --> 00:29:40,160 Speaker 6: that's like what. 645 00:29:40,160 --> 00:29:42,680 Speaker 4: Yeah, it's like, yeah, it's whatever. You know. 646 00:29:43,560 --> 00:29:44,600 Speaker 7: Now back to what I was saying. 647 00:29:44,840 --> 00:29:50,000 Speaker 6: They were saying that crazy, I. 648 00:29:50,000 --> 00:29:50,720 Speaker 7: Don't worry about it. 649 00:29:51,080 --> 00:29:53,000 Speaker 4: Have you met Yeah, of. 650 00:29:52,960 --> 00:29:59,760 Speaker 1: Course, I don't say of course just on stage flog now, Okay, 651 00:29:59,760 --> 00:30:01,720 Speaker 1: because coninued, she seems like the type of person that 652 00:30:01,760 --> 00:30:06,240 Speaker 1: you could talk to because y'all have had a similar trajectory. 653 00:30:06,240 --> 00:30:08,720 Speaker 1: It's something. It's really. The reason I say that is 654 00:30:08,720 --> 00:30:10,840 Speaker 1: because I love the way TD does it with their artists. 655 00:30:10,840 --> 00:30:12,560 Speaker 5: I know it may seem frustrating to the artists, but 656 00:30:12,680 --> 00:30:14,400 Speaker 5: it feels like they're one of the last few people 657 00:30:14,440 --> 00:30:17,640 Speaker 5: who actually do artists development. So you watch these people 658 00:30:18,360 --> 00:30:21,640 Speaker 5: grow and then become these big superstars. So she seems 659 00:30:21,640 --> 00:30:22,960 Speaker 5: like the type of person you could talk to about 660 00:30:22,960 --> 00:30:24,440 Speaker 5: everything you're experiencing. 661 00:30:24,440 --> 00:30:26,800 Speaker 4: That absolutely, I could call her and I could talk 662 00:30:26,800 --> 00:30:29,000 Speaker 4: to her about the simplest things. I could call her 663 00:30:29,040 --> 00:30:36,560 Speaker 4: and be like, I'm having an existential crisis. So it 664 00:30:36,600 --> 00:30:39,800 Speaker 4: feels good to just know that, like, I still can't 665 00:30:39,800 --> 00:30:41,760 Speaker 4: do that, and she knows she can do the same 666 00:30:41,800 --> 00:30:42,800 Speaker 4: with me, which is fire. 667 00:30:43,400 --> 00:30:45,640 Speaker 1: We know she is busy, that's right. Well, they told 668 00:30:45,640 --> 00:30:47,080 Speaker 1: her she had to be out here at a certain time. 669 00:30:47,200 --> 00:30:48,440 Speaker 3: Let's let's play joint off. 670 00:30:48,640 --> 00:30:53,120 Speaker 4: What you want to hear, I want to hear GTFO TFO. 671 00:30:53,800 --> 00:30:55,560 Speaker 3: Let's get into it right now, and we appreciate you. 672 00:30:55,680 --> 00:31:00,479 Speaker 1: How that name cut fetish? Yeah, okay, have been out 673 00:31:00,640 --> 00:31:01,880 Speaker 1: sin Man. 674 00:31:02,000 --> 00:31:02,600 Speaker 4: She's so fine. 675 00:31:02,640 --> 00:31:04,240 Speaker 1: It could have been cool to fetich. 676 00:31:07,280 --> 00:31:07,720 Speaker 3: Could have been. 677 00:31:11,320 --> 00:31:13,000 Speaker 4: Y'all. Check out Club Fetis. Shout out to her. I'm 678 00:31:13,000 --> 00:31:14,760 Speaker 4: gonna give her a spotlight in her moment. Check out 679 00:31:14,760 --> 00:31:15,800 Speaker 4: her music. She's really dope. 680 00:31:16,320 --> 00:31:19,080 Speaker 3: Ladies and gentlemen, It's Doughchi. It's the Breakfast Club. Good morning. 681 00:31:19,560 --> 00:31:22,760 Speaker 1: Wake that ass up in the morning. The Breakfast Club.