WEBVTT - Episode 140 w/ DJ Marley Marl

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<v Speaker 1>And his Drink Chaps motherfucking podcast makes He's a legendary

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<v Speaker 1>queen's rapper. He's agreed, that's your boy in O R.

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<v Speaker 1>He's a Miami hip hop and mioneer up his dj

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<v Speaker 1>e FN. Together they drinking up with some of the

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<v Speaker 1>biggest players in the most professional unprofessional podcast and yet

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<v Speaker 1>number one sorts for drunk back drin chs motherfuckings New year' z,

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<v Speaker 1>that's time for drink Champs trick up motherfuck three. Would

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<v Speaker 1>a good be hopefully is with this two biship boy

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<v Speaker 1>in O R. What up is d j e FN

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<v Speaker 1>This motherfucker drink Chaps Harry, I'll make some right right now.

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<v Speaker 1>When you think of hip hop, you think of hip

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<v Speaker 1>hop royalty. You think of a guy who had a

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<v Speaker 1>record label back then, who had so many artists who broke,

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<v Speaker 1>so many artists, who who stood the test of times.

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<v Speaker 1>I heard through the grape vine that he might have

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<v Speaker 1>been the first one to sample who don't get We're

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<v Speaker 1>gonna get to that. I heard through the grape find

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<v Speaker 1>that he was the guy who discovered rock Kim. I

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<v Speaker 1>heard through the grape vine that this guy, this guy

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<v Speaker 1>has been countless. When you think of like the first

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<v Speaker 1>CEOs in the first you know what I'm saying, he

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<v Speaker 1>has to be up there with it. Like where you

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<v Speaker 1>see a black person together a company, the first time

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<v Speaker 1>we ever heard of a black person on a company,

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<v Speaker 1>a recollabor at this time at least. Um, if you

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<v Speaker 1>don't know who the hell we talked about, we talking

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<v Speaker 1>about motherfucker legendary Molly. So let me let me let

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<v Speaker 1>me just take it from the beginning. You don't want

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<v Speaker 1>rod um, Let's take it from the beginning of how

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<v Speaker 1>did you? How did you? How did you even like,

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<v Speaker 1>you know, come of course music fell in love? Basically

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<v Speaker 1>I was, you know, a DJ out there playing in

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<v Speaker 1>Queen's Bridge in the park. You know, we used to

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<v Speaker 1>do jams in the park and you know I was

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<v Speaker 1>dude in Queensbridge, coming out every weekend. So at that point,

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<v Speaker 1>one day I had the musician Cats coming. You know,

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<v Speaker 1>it was down one side. It was like around the

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<v Speaker 1>time when hip hop was just bubbling. So what really happened.

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<v Speaker 1>It was like I had the band plug into my system,

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<v Speaker 1>my boy Andre, and then the next day that the

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<v Speaker 1>musician started coming to my house. So I was ready

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<v Speaker 1>to DJ. Now I got the musician cats from the neighborhood,

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<v Speaker 1>liked everybody's that started coming into my house because I

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<v Speaker 1>had a big system, and and that's how I kind

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<v Speaker 1>of caught the bug to become more than just the DJ.

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<v Speaker 1>Because I was already at DJ. I went to be

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<v Speaker 1>that special DJ that had special powers. And when I

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<v Speaker 1>say special powers, is it means like special mixes, that

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<v Speaker 1>nobody got something special. And that's you know, that's when

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<v Speaker 1>I first caught the bug. So let me cause I

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<v Speaker 1>mean because um on Shan's record, he says, hip hop

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<v Speaker 1>started out in the park. He said, hip hop it

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<v Speaker 1>was set out in the dog it out on the door.

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<v Speaker 1>Before you said that, I said, I'm gonna tell you

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<v Speaker 1>a story about where we come from. So let's make

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<v Speaker 1>that clear. So this is like, this was our neighborhood

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<v Speaker 1>story that that it was a tape floating around the neighborhood.

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<v Speaker 1>And that's how the bridge got started from you know,

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<v Speaker 1>it was like a neighborhood tape. And you know, you know,

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<v Speaker 1>nobody was trying to say, yo, hip hop started, and

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<v Speaker 1>that from that record all we started hip hop. We said,

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<v Speaker 1>we're gonna tell you something about where we come from.

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<v Speaker 1>But who who are you guys looking up to at

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<v Speaker 1>that point in hip hop. Um, well, the only person

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<v Speaker 1>people was looking up to was probably cast from the

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<v Speaker 1>hood that we was able to see because you know,

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<v Speaker 1>nobody outside of the hood, not really, because you know,

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<v Speaker 1>I was really young, and so I was. I was

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<v Speaker 1>too young to go to see Bambardo when he came

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<v Speaker 1>to Queen's Bridge. So there was you know, that was

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<v Speaker 1>the other generation before me. But if you understand what

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<v Speaker 1>I'm talking about, so um I was, you know, I

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<v Speaker 1>was looking up to the cats in the neighbor, like

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<v Speaker 1>Dr Bob Lee, you know, like um, Jappie Jack, who's

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<v Speaker 1>on the record, you know what I mean. Gas My

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<v Speaker 1>brother Larry Lad was the DJ and the man, the

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<v Speaker 1>mastermind that put it all together, the electronical wizard. His

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<v Speaker 1>name was t Tom. Wasn't that the first record that

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<v Speaker 1>came from Queensbridge or not? Not? Not other records? Yeah,

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<v Speaker 1>you know what's funny about how hip hop sits with Queensbridge.

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<v Speaker 1>Before hip hop, there was like a whole disco era

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<v Speaker 1>out and there was a cast from Queensbridge, like the

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<v Speaker 1>Andre Booths, the Daryl Paynes, the Michael Bailey's. They had

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<v Speaker 1>records on the radio already Now, those was the Cats

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<v Speaker 1>that I was looking at. Maybe that's why I became

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<v Speaker 1>a producer, because I'm looking at these cats walking around

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<v Speaker 1>in the hood and they got records on the radio.

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<v Speaker 1>You know what I'm saying. Daryl Payne roll most of

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<v Speaker 1>all of every disco era song out thanks to you

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<v Speaker 1>and and stuff like that. Um, you know Andre Booth,

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<v Speaker 1>he had this beat his mind back in the day.

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<v Speaker 1>So you know, I'm walking around as a little kid

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<v Speaker 1>in Queensbridge. These cats got records on the radio already,

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<v Speaker 1>so I had I had like a a bo to

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<v Speaker 1>catch up to, if you know what I mean. Because

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<v Speaker 1>all the band Cats was already famous, it had records out.

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<v Speaker 1>So I was like, okay, all right, that's real good.

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<v Speaker 1>So what what what was your first record? You even

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<v Speaker 1>saying was successful? My first successful record, I would probably say,

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<v Speaker 1>Mom said, that's a huge record. That is a huge

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<v Speaker 1>That's what I'm trying to say, because with me, I've

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<v Speaker 1>been on both sides, and I've been in the beginning

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<v Speaker 1>of hip hop. We made, you know, we made a

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<v Speaker 1>lot of attempts to do things that that that's neighborhood favorites,

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<v Speaker 1>but it ain't generating publishing. What I'm saying so um,

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<v Speaker 1>I would say that was, you know, like a big

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<v Speaker 1>record for me, that Around Away Girl, that transcend. I

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<v Speaker 1>believe when I got to that point, Around the Girl,

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<v Speaker 1>I'm sorry, kid came out of me. I'm sorry. Queens right,

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<v Speaker 1>there's Queen Okay. But I say all that to say that,

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<v Speaker 1>you know, for me to even to rise up to

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<v Speaker 1>be able to make that record, it was all into

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<v Speaker 1>making I look at my whole earlier career was getting

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<v Speaker 1>me ready for something kind of big. I was just

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<v Speaker 1>you know, it was kind of sparring. I'm doing records,

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<v Speaker 1>we're making history, we're changing how people produce. But well,

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<v Speaker 1>you know, I just look at it for me, sparring

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<v Speaker 1>to get to something that you know, I needed to

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<v Speaker 1>get to to make an album like that with l

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<v Speaker 1>L you know, every track, if you know what I mean,

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<v Speaker 1>To make an album like that and to make it

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<v Speaker 1>successful and to be what it is and the sit

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<v Speaker 1>in people's minds and psychees like that, I had to

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<v Speaker 1>get ready for that. So every record I made up

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<v Speaker 1>to that point led up to that. Now in the

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<v Speaker 1>Chant movie, right you was actually producing in Queensbreak, So

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<v Speaker 1>that's what it was producing in Queen's where she walked by,

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<v Speaker 1>and you was was it was? It was, it was close,

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<v Speaker 1>it was, it was very close. Um, I didn't my

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<v Speaker 1>window and faced that way. But it was kind of

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<v Speaker 1>like that because I already knew she was like a

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<v Speaker 1>freestyle king and Queens was like her Shan Cat in

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<v Speaker 1>infinite And you know if a bunch of them used

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<v Speaker 1>to be just on the block freestyle and going that

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<v Speaker 1>blah blah blah blah, and then he used to always

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<v Speaker 1>have a crowd. Sometimes we walked through like, damn, this

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<v Speaker 1>little chick is killing these cats out here, you know

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<v Speaker 1>what I'm saying. So you know, one day I told,

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<v Speaker 1>you know, I had that that rock sand beat, and

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<v Speaker 1>you know, she had an idea to do something and

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<v Speaker 1>I've seen it that day. I was like, yo, blah

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<v Speaker 1>blah blah. She's like, yeh, I'm gonna put my clothes

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<v Speaker 1>in it, in the in the spend cycle else and

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<v Speaker 1>all that was real talk. She ran down the laundry

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<v Speaker 1>through it and the thing ran upstairs, did one take

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<v Speaker 1>and broke out, keep the work out of here. One take.

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<v Speaker 1>That was one take, and she did it. And now

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<v Speaker 1>that she she wasn't even taking it seriously didn't even know.

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<v Speaker 1>We didn't know. We didn't know because because she hadn't

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<v Speaker 1>done records yet to that point, I really really didn't

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<v Speaker 1>because most of my early joints was not supposed to

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<v Speaker 1>be records. Like I said, I want to be that

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<v Speaker 1>magical DJ with something special. So you know, my first

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<v Speaker 1>recording that I was working with before was um Sucker DJs.

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<v Speaker 1>I only did that because Sucker m season. I wanted

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<v Speaker 1>a special version that only I had play something special

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<v Speaker 1>with the chick talking about the Sucker DJs you know what,

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<v Speaker 1>and pumping me up. So I was like a dub plate.

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<v Speaker 1>You know, most of my earliest songs wasn't ever supposed

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<v Speaker 1>to be songs. They was supposed to be something special

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<v Speaker 1>for me, but the public grabbed onto it. Now, is

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<v Speaker 1>it true you just like discovered rock Kim. Um, I

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<v Speaker 1>wouldn't say I discovered rock Kim. Rock Kim came to

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<v Speaker 1>the crib with Eric B. Queensbridge. I was living on

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<v Speaker 1>twelve Street, you know, in that same apartment where we

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<v Speaker 1>did the Shante record. And I'm from Vernon side of Vernon,

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<v Speaker 1>but my sister had an apartment you know how Queensbridge is,

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<v Speaker 1>and she gave me the apartment. It was like the

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<v Speaker 1>rent was like a hundred a hundred n out a

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<v Speaker 1>hundred ten dollars a month, you know what I mean.

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<v Speaker 1>So I just like used to pay that for the

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<v Speaker 1>year and just you know, running for crib and you know,

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<v Speaker 1>have free electric City and yeah, and just you know,

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<v Speaker 1>just go in and just make joints. That was her

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<v Speaker 1>apartment and rock Kim came. Rock Kim came. No one

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<v Speaker 1>he knew who rock Him was. Now and now I

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<v Speaker 1>check this out now. At first, I believe Freddie Fox

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<v Speaker 1>was supposed to show up, bumpy knuckles, bumpy knuckles, and

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<v Speaker 1>he didn't show up. So we're looking at like, yo, Eric,

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<v Speaker 1>where's your man. He's like, no, I don't worry. I

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<v Speaker 1>got somebody coming to the mall. Blah blah blah and bang.

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<v Speaker 1>Then Rock Kim came. Now you got to think about it.

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<v Speaker 1>Now Rock Kim comes, and you know, Rock Kim wanted

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<v Speaker 1>to go slower. He went to Rome slow because you

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<v Speaker 1>got to think about it. Before he got to my house,

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<v Speaker 1>I was already like dabbling a little with Kane, dabbling

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<v Speaker 1>a little with g Rat So we were they wasn't

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<v Speaker 1>making what music and it wasn't signed to you at

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<v Speaker 1>that time. Kane and came after they got with the label.

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<v Speaker 1>But Kane was always business writer, so he was always

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<v Speaker 1>lurking around. He was always hanging around, you know what

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<v Speaker 1>I mean, you know what the easy he could make

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<v Speaker 1>sure if you get back to this point, you know,

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<v Speaker 1>the crazy thing is Bismarck is probably the only person

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<v Speaker 1>who was probably a front that he had a ghostwriter

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<v Speaker 1>him an easy eat and no one cared, right right,

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<v Speaker 1>So from the beginning, Kane was writing bis rhymes. That's

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<v Speaker 1>that's I mean, I think bis row was earlier stuff,

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<v Speaker 1>but the stuff that really makes sense. But you can

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<v Speaker 1>obviously tell even picking bookers, I didn't even think Kane

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<v Speaker 1>had like a personality like that, Like I don't think

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<v Speaker 1>he can't talking about it, talking about that. Yeah, you know,

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<v Speaker 1>Caine was came was, Kane was dope. You know. You

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<v Speaker 1>know we're gonna get into Cane in a minute, because

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<v Speaker 1>you asked me about Kane. He's definitely the one that

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<v Speaker 1>changed rap and and getting something crazy and it made

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<v Speaker 1>me better. They stay on rock him here, right because

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<v Speaker 1>so rock Him comes now. Isn't true that um every

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<v Speaker 1>be for president was actually the tragedies record. That was

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<v Speaker 1>actually a record called Stunt of the Block, but it

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<v Speaker 1>didn't have that baseline was the same drums. So what

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<v Speaker 1>I did, when you know, he had the idea to

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<v Speaker 1>use that I had, I was like, oh, made me

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<v Speaker 1>strip the track of Stunt of the Block and just

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<v Speaker 1>keep the drums and let's add and I played that

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<v Speaker 1>over and that became erb As President. Okay, so that's

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<v Speaker 1>all that comes to the crib. Yeah, Franky Fox was

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<v Speaker 1>supposed to be there, but yeah, we called something that day. Yeah,

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<v Speaker 1>we made My Melody first in Queen's My Melody way

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<v Speaker 1>in the living room in Queensbridge. Old Eric as President

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<v Speaker 1>was made in a living room in Queensbridge. Made her

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<v Speaker 1>you got a credit on the you gotta buy that

0:11:37.960 --> 0:11:41.520
<v Speaker 1>apartment and just make a studio of my dude. That's

0:11:41.720 --> 0:11:43.880
<v Speaker 1>great ship. I would have never thought. I would have

0:11:43.880 --> 0:11:46.000
<v Speaker 1>thought that was the one only record, like you and

0:11:46.120 --> 0:11:48.640
<v Speaker 1>Chante like. So there was other people coming to that

0:11:48.679 --> 0:11:50.679
<v Speaker 1>house and it was the house on twelve Street, just

0:11:50.720 --> 0:11:54.239
<v Speaker 1>the house on Street forty first for the first set.

0:11:54.960 --> 0:11:57.480
<v Speaker 1>That's fucking markets I'm trying to say now I'm having

0:11:57.600 --> 0:12:02.679
<v Speaker 1>lived in the next building. Compson was made across was

0:12:02.720 --> 0:12:06.120
<v Speaker 1>across cross. Hold on, hold up now, I'm sucked up. Now.

0:12:06.160 --> 0:12:08.240
<v Speaker 1>I feel like I don't even know my own childhood

0:12:08.320 --> 0:12:12.439
<v Speaker 1>right now, I'm so oh my god, it's Colone building

0:12:12.520 --> 0:12:14.959
<v Speaker 1>right here. Did you say in the building right before

0:12:15.040 --> 0:12:17.559
<v Speaker 1>having building? Right having room his head? I was the

0:12:17.559 --> 0:12:22.600
<v Speaker 1>building around that corner building straight across. Wow, and um

0:12:22.760 --> 0:12:27.319
<v Speaker 1>Jesus happening them was it was like kids were happening

0:12:27.520 --> 0:12:30.040
<v Speaker 1>his Actually his uncle used to be blasting the music

0:12:30.040 --> 0:12:33.160
<v Speaker 1>out there when it doesn't even having yet, you know

0:12:33.200 --> 0:12:36.000
<v Speaker 1>what I mean. And I used to battle. I'm playing

0:12:36.000 --> 0:12:38.240
<v Speaker 1>beats out there window. He's playing music, so I would

0:12:38.240 --> 0:12:41.400
<v Speaker 1>play last some time he would play. You know, so

0:12:41.440 --> 0:12:43.600
<v Speaker 1>what made you? What made you say? You know, let

0:12:43.600 --> 0:12:46.280
<v Speaker 1>me get out of the bridge, like because such as

0:12:46.280 --> 0:12:49.199
<v Speaker 1>these great things has happening still the projects. I got

0:12:49.200 --> 0:12:52.800
<v Speaker 1>a little too famous because people started like showing the

0:12:53.240 --> 0:12:57.400
<v Speaker 1>showing up, hanging out and you know, and and girls

0:12:57.440 --> 0:12:59.280
<v Speaker 1>was coming out there getting this treat and trying to

0:12:59.280 --> 0:13:00.880
<v Speaker 1>meet me. Was like, let me get out of here.

0:13:01.040 --> 0:13:05.559
<v Speaker 1>Somebody you want hell yeah, But you know, I had

0:13:05.640 --> 0:13:07.600
<v Speaker 1>I had to. I had to get up because you know,

0:13:07.679 --> 0:13:09.880
<v Speaker 1>started getting a little a little a little crazy with

0:13:09.960 --> 0:13:12.040
<v Speaker 1>me living out there. People used to be waiting in

0:13:12.120 --> 0:13:13.439
<v Speaker 1>front of the building for me to come home. It

0:13:13.559 --> 0:13:19.120
<v Speaker 1>was the very moment where you was like, this is it, Um,

0:13:19.160 --> 0:13:21.280
<v Speaker 1>that's a little man. I must sucking molly mall nigger.

0:13:24.840 --> 0:13:27.000
<v Speaker 1>What was that one moment when he was like when

0:13:27.040 --> 0:13:29.880
<v Speaker 1>he was like the moment came some some girl came

0:13:29.920 --> 0:13:33.200
<v Speaker 1>to Queensbridge. She must have really wasn't you know? She

0:13:33.240 --> 0:13:35.559
<v Speaker 1>wanted to meet me. She was like intrigued by me,

0:13:36.080 --> 0:13:39.120
<v Speaker 1>and you got the flat top of the time. I

0:13:39.120 --> 0:13:42.760
<v Speaker 1>just started making not you know, I never bought rings

0:13:42.760 --> 0:13:46.160
<v Speaker 1>and changing. Okay, okay, okay, I like cool had cars

0:13:46.160 --> 0:13:51.920
<v Speaker 1>and houses, Okay, okay, but um, a girl got really

0:13:52.280 --> 0:13:56.800
<v Speaker 1>like they really they disrespected this chick because she's trying

0:13:56.840 --> 0:13:59.080
<v Speaker 1>to meet me. She just came out there to meet me, Like, oh,

0:13:59.160 --> 0:14:01.600
<v Speaker 1>we could take you to but first you gotta do this.

0:14:01.720 --> 0:14:03.319
<v Speaker 1>Oh you gotta do this, you gotta do this. And

0:14:03.840 --> 0:14:05.360
<v Speaker 1>I started adding the story. I was like, yeo, I

0:14:05.400 --> 0:14:07.839
<v Speaker 1>gotta get out of it, because you know that could happen.

0:14:09.480 --> 0:14:11.520
<v Speaker 1>I could get blame. You know what I'm saying. She

0:14:11.600 --> 0:14:13.120
<v Speaker 1>came out there to meet me, and you know they

0:14:13.200 --> 0:14:16.520
<v Speaker 1>just did whatever, you know, let stiff her back then, stady.

0:14:16.640 --> 0:14:18.920
<v Speaker 1>So they just did whatever. And I heard I heard

0:14:18.920 --> 0:14:20.840
<v Speaker 1>about the story, and I was like, you know, I wanna,

0:14:21.160 --> 0:14:23.600
<v Speaker 1>I gotta, I gotta move right now because somebody could

0:14:23.600 --> 0:14:27.040
<v Speaker 1>get hurt right yearely was you know? It was? It

0:14:27.080 --> 0:14:29.440
<v Speaker 1>was crazy at that point. Did you what up? Drink Champs.

0:14:29.520 --> 0:14:33.200
<v Speaker 1>Army got a really dope company. Um, that's you know,

0:14:33.320 --> 0:14:37.000
<v Speaker 1>support and drink Champs. And I actually use this product myself.

0:14:37.480 --> 0:14:40.360
<v Speaker 1>The companies called Charlotte's Web. It's a broad spectrum hemp

0:14:40.400 --> 0:14:44.200
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0:14:44.240 --> 0:14:48.480
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0:14:49.040 --> 0:14:51.480
<v Speaker 1>helps support sleep cycles. That's what I'm using it for.

0:14:52.000 --> 0:14:54.800
<v Speaker 1>Definitely helps me from my sleep. Um. And you know

0:14:55.080 --> 0:14:57.160
<v Speaker 1>we have to say this. These statements have not been

0:14:57.160 --> 0:15:00.320
<v Speaker 1>evaluated by the Food and Drug Administration. This product is

0:15:00.360 --> 0:15:04.760
<v Speaker 1>not intended to diagnose, treat, cure, or prevent any disease.

0:15:05.640 --> 0:15:08.840
<v Speaker 1>And the reason why people trust this company's Charlotte's Web

0:15:09.480 --> 0:15:13.680
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<v Speaker 1>fifty hemp plants are tended by hand. The company is

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<v Speaker 1>driven by care. All products are free. Like we said

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<v Speaker 1>of pesticides, more than just cb D, Charlotte's Web extract

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<v Speaker 1>supplements contain many of other naturally occurring phyto compounds such

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0:15:46.080 --> 0:15:50.440
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<v Speaker 1>Charlotte's Web can plant the exact plants needed for specific

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0:16:23.080 --> 0:16:27.240
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0:16:27.320 --> 0:16:30.640
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0:16:35.120 --> 0:16:40.560
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0:16:40.720 --> 0:16:43.200
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0:16:43.200 --> 0:16:46.360
<v Speaker 1>It's a legal thing. These statements have not been valued

0:16:46.400 --> 0:16:48.880
<v Speaker 1>by the Food and Drug Administration. This product is not

0:16:48.920 --> 0:16:52.200
<v Speaker 1>intended to diagnose, treat, care, or prevent any disease. We

0:16:52.200 --> 0:16:55.800
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0:16:55.880 --> 0:16:58.760
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0:16:58.760 --> 0:17:02.080
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0:17:20.880 --> 0:17:24.399
<v Speaker 1>Again at c W hemp dot com and it entered

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<v Speaker 1>the code drink, d R I and K drink check

0:17:28.720 --> 0:17:32.080
<v Speaker 1>it out. Man c videos can change your life. Did

0:17:32.080 --> 0:17:34.679
<v Speaker 1>you always know Queen's Bridge was a special place? Because

0:17:34.880 --> 0:17:37.760
<v Speaker 1>everybody likes to think your hood is like like you know,

0:17:37.920 --> 0:17:40.720
<v Speaker 1>you like you like to think your hood is the

0:17:40.720 --> 0:17:43.040
<v Speaker 1>best hood in the world. The reality of it, everyone

0:17:43.200 --> 0:17:46.920
<v Speaker 1>around the world things like that when you actually thought

0:17:46.920 --> 0:17:49.000
<v Speaker 1>like that, and you guys made the bridge? Did you? Did?

0:17:49.000 --> 0:17:51.600
<v Speaker 1>You actually was really knowing that Queen's Bridge is one

0:17:51.600 --> 0:17:54.280
<v Speaker 1>of those most special places are I kind of felt

0:17:54.280 --> 0:17:58.920
<v Speaker 1>that there's something special because Queensbridge is set right across

0:17:58.960 --> 0:18:02.280
<v Speaker 1>from Manhattan. Damn, you can see you can see success

0:18:02.280 --> 0:18:04.160
<v Speaker 1>over there. You see the money, you can see the money.

0:18:04.560 --> 0:18:09.159
<v Speaker 1>You know, inspiration. My windows faced Manhattan when I was

0:18:09.200 --> 0:18:11.439
<v Speaker 1>a kid. They didn't face the hood. A lot of

0:18:11.480 --> 0:18:15.320
<v Speaker 1>my friends who's who's windows faced inside the hood didn't.

0:18:15.640 --> 0:18:18.600
<v Speaker 1>They didn't think about going over there. I saw the

0:18:18.680 --> 0:18:20.160
<v Speaker 1>lights of man Hat and I want to be over there.

0:18:20.160 --> 0:18:22.840
<v Speaker 1>What's what's what's going on over there? I want to

0:18:22.840 --> 0:18:25.280
<v Speaker 1>be over there. So my whole thing as a kid

0:18:25.359 --> 0:18:27.760
<v Speaker 1>was looking out the window because I lived on Burning

0:18:28.200 --> 0:18:32.120
<v Speaker 1>looking straight over the park High. Yeah. So I'm seeing

0:18:32.119 --> 0:18:34.840
<v Speaker 1>straight across past Roosevelt. I'm seeing the skyline and the

0:18:34.840 --> 0:18:36.680
<v Speaker 1>bridge going on the side. I want to be over

0:18:36.680 --> 0:18:39.199
<v Speaker 1>there with the lights. And it had inspired me to

0:18:39.240 --> 0:18:42.919
<v Speaker 1>run to them lights. That's that's that's crazy. That makes

0:18:46.720 --> 0:18:50.200
<v Speaker 1>so so I want to I want to dip back

0:18:50.200 --> 0:18:53.400
<v Speaker 1>into the box and movie a little bit. So, um,

0:18:53.520 --> 0:18:56.040
<v Speaker 1>when did you see did you have approval for anything

0:18:57.359 --> 0:19:00.560
<v Speaker 1>for her movie. She did. Her story was her story.

0:19:00.640 --> 0:19:02.440
<v Speaker 1>She know, she did her thing that was that was

0:19:02.640 --> 0:19:05.080
<v Speaker 1>strictly her story. I you know, I'm glad she was

0:19:05.119 --> 0:19:07.280
<v Speaker 1>able to tell her story because I didn't know it

0:19:07.320 --> 0:19:09.879
<v Speaker 1>was that deep like that. But I didn't know. But

0:19:10.000 --> 0:19:12.119
<v Speaker 1>I was dead like the other personal stuff, didn't know

0:19:12.680 --> 0:19:14.320
<v Speaker 1>the person stuff. I didn't know it was that deep.

0:19:14.720 --> 0:19:18.160
<v Speaker 1>So I'm glad she got to tell her story because

0:19:18.920 --> 0:19:21.800
<v Speaker 1>you know, you know, you survive abuse like that, That's

0:19:21.840 --> 0:19:24.040
<v Speaker 1>that's why you had that strong person. I didn't then

0:19:24.200 --> 0:19:26.440
<v Speaker 1>keep your face going, you know, with everybody else and

0:19:26.600 --> 0:19:28.480
<v Speaker 1>everything was going on and people looking up to you

0:19:28.680 --> 0:19:30.800
<v Speaker 1>in a way. So you know, I got a commented

0:19:30.880 --> 0:19:32.879
<v Speaker 1>for that, and she got to tell her story. That

0:19:32.920 --> 0:19:35.440
<v Speaker 1>opens the door for me to tell mine. People in

0:19:35.520 --> 0:19:39.040
<v Speaker 1>my mind yet, yeah, because this is one time I

0:19:39.080 --> 0:19:40.800
<v Speaker 1>think she's on toll she kind of trying to make

0:19:40.840 --> 0:19:46.840
<v Speaker 1>you look bad. Do you think, um, um, what was

0:19:46.840 --> 0:19:50.920
<v Speaker 1>that think? I think she uh, she was on tour

0:19:51.640 --> 0:19:54.560
<v Speaker 1>and they said that in the promoters and and the

0:19:54.600 --> 0:19:58.919
<v Speaker 1>man just stolen money. Yeah, and she's in the movie. Um,

0:19:59.040 --> 0:20:03.080
<v Speaker 1>so I'm she didn't make me look bad because I

0:20:03.240 --> 0:20:06.840
<v Speaker 1>steal the money. Right, I just stole the money, you know,

0:20:07.320 --> 0:20:10.560
<v Speaker 1>look like that back then, though, I mean it was

0:20:10.680 --> 0:20:12.520
<v Speaker 1>you we gotta think. We was like in the early

0:20:12.600 --> 0:20:14.800
<v Speaker 1>part of hip hop, so nobody knew what the hell

0:20:14.920 --> 0:20:17.680
<v Speaker 1>we are doing. Everybody's like, we're flying from the seat

0:20:17.680 --> 0:20:21.359
<v Speaker 1>of our pants. The next thing you know, she she

0:20:21.560 --> 0:20:25.080
<v Speaker 1>came to my house and recorded that freestyle. One tag

0:20:25.240 --> 0:20:28.639
<v Speaker 1>joined like to three weeks later, we're on private planes

0:20:28.640 --> 0:20:31.160
<v Speaker 1>going to do shows. Crazy, don't you know what I'm saying?

0:20:32.119 --> 0:20:34.199
<v Speaker 1>Three shows in three different states, so we need like

0:20:34.240 --> 0:20:37.800
<v Speaker 1>a private situation to move around that day. And it's

0:20:37.840 --> 0:20:41.760
<v Speaker 1>like like three weeks later, the three quartering the right, right, right,

0:20:42.440 --> 0:20:44.000
<v Speaker 1>So we didn't we don't know what the hell we

0:20:44.080 --> 0:20:48.000
<v Speaker 1>are just it got real popular, real quick because that

0:20:48.320 --> 0:20:49.960
<v Speaker 1>was like the like, I don't want to say the

0:20:49.960 --> 0:20:51.399
<v Speaker 1>beginning of the hip hop, but that was like the

0:20:52.359 --> 0:20:56.959
<v Speaker 1>stages of hip hop actually finding success, like and actually

0:20:57.119 --> 0:20:59.199
<v Speaker 1>starting to be on the raider because from there that

0:20:59.280 --> 0:21:02.960
<v Speaker 1>lets you on the radio. When Mr Master actually I

0:21:03.000 --> 0:21:06.120
<v Speaker 1>played her freestyle the rock Stand and Freestyle or Mr

0:21:06.160 --> 0:21:09.359
<v Speaker 1>Magic's w HBI show back in the day at one time,

0:21:10.040 --> 0:21:12.960
<v Speaker 1>and it was it was like a week before Christmas,

0:21:13.040 --> 0:21:16.119
<v Speaker 1>so it was just crazy that that the record company

0:21:16.160 --> 0:21:19.000
<v Speaker 1>that grabbed the record, they had records out by Christmas.

0:21:19.040 --> 0:21:21.720
<v Speaker 1>They had records out in seven days, all over the country.

0:21:21.760 --> 0:21:24.080
<v Speaker 1>It was, it was, it was, it was. It was

0:21:24.160 --> 0:21:27.080
<v Speaker 1>like everything just messed up, right, if you know what

0:21:27.119 --> 0:21:29.880
<v Speaker 1>I mean, everything messed up. They ran with the cassette

0:21:29.960 --> 0:21:32.280
<v Speaker 1>we played from I didn't even mixed the record down

0:21:32.280 --> 0:21:34.879
<v Speaker 1>the master. I played check this out. I played it

0:21:34.960 --> 0:21:38.000
<v Speaker 1>on our show, and we recorded our show playing the

0:21:38.040 --> 0:21:40.560
<v Speaker 1>record and gave him that tape and they made the

0:21:40.600 --> 0:21:42.920
<v Speaker 1>records off that. So recording of the recording is the

0:21:42.960 --> 0:21:48.640
<v Speaker 1>wax recording from the radio wax. Yeah, that's why it goes,

0:21:48.680 --> 0:21:51.720
<v Speaker 1>Oh my goodness, because Magic was talking over it on

0:21:51.760 --> 0:21:54.600
<v Speaker 1>the radio, and the record came out like that, and

0:21:55.160 --> 0:21:58.040
<v Speaker 1>they got it out in seven days, and you know,

0:21:58.560 --> 0:22:00.680
<v Speaker 1>you know it probably did it probably there really well

0:22:00.760 --> 0:22:03.520
<v Speaker 1>because it was all over the place. Rat was new,

0:22:03.920 --> 0:22:06.399
<v Speaker 1>Rock Sand, Rock Sand was dope at the time. And

0:22:06.440 --> 0:22:08.840
<v Speaker 1>then here comes to female. You see how many other

0:22:08.880 --> 0:22:11.560
<v Speaker 1>records came out after that, trying to be rock Sand's whatever, whatever.

0:22:11.600 --> 0:22:13.879
<v Speaker 1>But it was already too late, if you know what

0:22:13.920 --> 0:22:17.919
<v Speaker 1>I mean. That's when I realized that that I had something,

0:22:18.640 --> 0:22:21.840
<v Speaker 1>Because if anybody was following like that. I was like, oh,

0:22:22.400 --> 0:22:27.160
<v Speaker 1>I gotta make more joints. They following, so I gotta

0:22:27.160 --> 0:22:29.720
<v Speaker 1>I gotta move on this. And that's when I really discovered.

0:22:29.720 --> 0:22:32.879
<v Speaker 1>With the success of that, I was like, wow, you know,

0:22:33.240 --> 0:22:36.600
<v Speaker 1>I started doing shows. You know when you know, we

0:22:36.640 --> 0:22:38.240
<v Speaker 1>came out, We came out Head and we came out

0:22:38.280 --> 0:22:41.440
<v Speaker 1>to Miami. You know, we all over the place with Seante.

0:22:41.920 --> 0:22:43.200
<v Speaker 1>You know, we used to have the little eight to

0:22:43.240 --> 0:22:46.360
<v Speaker 1>a drum machine and this is you know, this is before.

0:22:47.080 --> 0:22:50.440
<v Speaker 1>This is before Luke Scott Walker was doing um like

0:22:50.560 --> 0:22:53.320
<v Speaker 1>two Live Crew. This one he was like he had

0:22:53.840 --> 0:22:58.680
<v Speaker 1>the djst style DJs back in the marriage to that

0:22:58.760 --> 0:23:02.119
<v Speaker 1>was there was book Lie but the timeline don't know

0:23:02.760 --> 0:23:04.720
<v Speaker 1>if you you know what. So I came out with

0:23:04.760 --> 0:23:07.080
<v Speaker 1>an eight away and we had we put it on

0:23:07.119 --> 0:23:10.200
<v Speaker 1>some base because he used to have the girl style DJs.

0:23:10.440 --> 0:23:13.080
<v Speaker 1>He used to have a crazy system sounds. It was

0:23:13.960 --> 0:23:16.240
<v Speaker 1>so you you know that they used to have like

0:23:16.240 --> 0:23:20.920
<v Speaker 1>a warehouse was like a like a idea. It's like, look,

0:23:21.040 --> 0:23:23.520
<v Speaker 1>look before your famous. They used to throw these parties

0:23:23.560 --> 0:23:28.399
<v Speaker 1>girl style DJs and it was like big supermarkets, but

0:23:28.520 --> 0:23:30.720
<v Speaker 1>it was a club and they had these big, huge

0:23:30.720 --> 0:23:33.840
<v Speaker 1>sound systems, speakers as told you could see. So you know,

0:23:33.880 --> 0:23:35.640
<v Speaker 1>one day I went out there with my eight a weight.

0:23:36.600 --> 0:23:40.840
<v Speaker 1>She used to do her freestyle and you know, time

0:23:40.920 --> 0:23:45.080
<v Speaker 1>can't lie, Timeline can't lie people, do you straight up?

0:23:45.119 --> 0:23:46.600
<v Speaker 1>So I came out here with the eight o eight

0:23:46.920 --> 0:23:52.040
<v Speaker 1>put that ship on boom. Motherfucker's was like what the

0:23:52.520 --> 0:23:55.399
<v Speaker 1>everybody read it and look because he had the big system. Hey,

0:23:55.480 --> 0:23:59.560
<v Speaker 1>I'll come with an eight a week next thing. You know,

0:24:00.320 --> 0:24:03.800
<v Speaker 1>a few years later Miami got Base, so you know

0:24:03.840 --> 0:24:05.280
<v Speaker 1>I could I could have been when I brought the

0:24:05.280 --> 0:24:09.280
<v Speaker 1>base in Miami with the awight with back in the day,

0:24:09.840 --> 0:24:11.960
<v Speaker 1>because everybody ran to look and see what the hell

0:24:12.000 --> 0:24:15.320
<v Speaker 1>I was doing because they were just playing the records

0:24:15.320 --> 0:24:18.040
<v Speaker 1>they were. You came and played original records that played

0:24:18.080 --> 0:24:20.359
<v Speaker 1>the eight. You know, I brought the eight away drummers

0:24:20.560 --> 0:24:23.360
<v Speaker 1>drum Machine actually did it right there, plugged it into

0:24:23.440 --> 0:24:29.720
<v Speaker 1>their system and she was doing a freestyle and everybody's like,

0:24:29.760 --> 0:24:35.800
<v Speaker 1>what the fund is that? Oh ship? So how did

0:24:35.840 --> 0:24:39.640
<v Speaker 1>you meet bis Markey? Bisin? That's he was another person

0:24:39.680 --> 0:24:42.800
<v Speaker 1>that came out to Queensbridge to meet me, okay, and

0:24:42.840 --> 0:24:45.680
<v Speaker 1>so he hung out there for about a week and

0:24:45.800 --> 0:24:47.920
<v Speaker 1>Queen's h He just was hanging out. He was on

0:24:48.080 --> 0:24:51.000
<v Speaker 1>like you know, business was like, hey, well, youn't even

0:24:51.080 --> 0:25:01.080
<v Speaker 1>corded him, you did. Nobody beats the BIS. If I

0:25:01.119 --> 0:25:06.960
<v Speaker 1>gotta buy this apartment, somebody out what I'm saying. So yeah,

0:25:07.040 --> 0:25:08.960
<v Speaker 1>so he came in. He was like like that girl,

0:25:09.000 --> 0:25:10.359
<v Speaker 1>but he came out to the Queen. He came out

0:25:10.400 --> 0:25:12.440
<v Speaker 1>to the Queen's Bridge. But he was like a guy

0:25:12.600 --> 0:25:15.280
<v Speaker 1>hanging out. So he hung out on a twelve street. Yo,

0:25:15.359 --> 0:25:19.760
<v Speaker 1>were good. So you're hanging with them for a few

0:25:19.840 --> 0:25:23.120
<v Speaker 1>days that he go on this block. You're hanging with them,

0:25:23.560 --> 0:25:25.960
<v Speaker 1>just staying on the block overnight whatever. Next thing, you know,

0:25:26.080 --> 0:25:30.040
<v Speaker 1>like about the fourth day or fifth day, somebody said, yo,

0:25:30.400 --> 0:25:33.720
<v Speaker 1>nig in the hall with beatboxing, and I was like, yeah,

0:25:33.720 --> 0:25:35.800
<v Speaker 1>I want to hand no feedbox ass nigger right now.

0:25:36.320 --> 0:25:41.080
<v Speaker 1>Buffy's out dusk. Everybody you know, like it ain't a

0:25:41.200 --> 0:25:43.840
<v Speaker 1>room for that right now. It's like, yo, buddy nice.

0:25:44.160 --> 0:25:45.479
<v Speaker 1>I was like, all right, let me go see him

0:25:45.840 --> 0:25:53.240
<v Speaker 1>as soon that Ni could come in my house to mom.

0:25:53.720 --> 0:25:55.480
<v Speaker 1>He made a quick demo the next you know, that

0:25:55.720 --> 0:25:58.920
<v Speaker 1>very next day, which was make the music now now

0:25:59.440 --> 0:26:02.600
<v Speaker 1>now because Bis, like I always say I want to

0:26:02.640 --> 0:26:04.840
<v Speaker 1>play Bis in a movie, right, you know what I'm saying,

0:26:04.960 --> 0:26:07.480
<v Speaker 1>because he could he frum comedy like that's that's something

0:26:07.560 --> 0:26:09.520
<v Speaker 1>that I like, I admire about hip hop. I just

0:26:09.560 --> 0:26:12.600
<v Speaker 1>always felt like hip hop was so serious, like all

0:26:12.640 --> 0:26:14.600
<v Speaker 1>my videos are always like trying to do some type

0:26:14.640 --> 0:26:17.119
<v Speaker 1>of comedic did how did you know that about this?

0:26:17.440 --> 0:26:19.639
<v Speaker 1>Like did you or did you even know that? You

0:26:19.720 --> 0:26:22.560
<v Speaker 1>knew that? I recognized that when I saw him on

0:26:22.680 --> 0:26:26.360
<v Speaker 1>stage because he used to you know, when he once

0:26:26.400 --> 0:26:29.000
<v Speaker 1>he started working with Shant and they started doing little routines,

0:26:29.320 --> 0:26:33.080
<v Speaker 1>and I started saying, seeing he kind of nice, but

0:26:33.240 --> 0:26:35.840
<v Speaker 1>he he ain't rough like everybody else be working with

0:26:36.240 --> 0:26:38.439
<v Speaker 1>g Rapp, you know, g Rapper carry with the lyrics

0:26:38.760 --> 0:26:41.440
<v Speaker 1>back in them days, and even Shan was nice. Shan

0:26:41.600 --> 0:26:43.720
<v Speaker 1>was kind of nice back in the day, if you

0:26:43.760 --> 0:26:47.879
<v Speaker 1>know what I mean. So when Bis came this, he

0:26:48.040 --> 0:26:51.119
<v Speaker 1>had some fun. He like saying he was always joking

0:26:51.160 --> 0:26:53.960
<v Speaker 1>in the studio, so his rhymes we kind of never

0:26:54.080 --> 0:26:56.760
<v Speaker 1>took serious because he's kind of joking and laughing and

0:26:56.840 --> 0:26:59.359
<v Speaker 1>all that, and you know, so he started bringing the

0:27:00.240 --> 0:27:03.960
<v Speaker 1>comedic side out of us. So because because Kane wrote

0:27:04.320 --> 0:27:10.760
<v Speaker 1>nobody be the business. No, it was business. Um wait

0:27:10.840 --> 0:27:18.159
<v Speaker 1>for my movie and see like, yeah you know that,

0:27:18.560 --> 0:27:22.240
<v Speaker 1>so you because I do have the original demo somebody

0:27:22.280 --> 0:27:25.760
<v Speaker 1>else did years wait for the movie and see wow,

0:27:26.760 --> 0:27:30.120
<v Speaker 1>that's that's that's to be right about that. Actually, drink holly,

0:27:30.520 --> 0:27:32.920
<v Speaker 1>but throw it out there, my brother, you gotta have

0:27:32.960 --> 0:27:34.960
<v Speaker 1>a drink with us, a brother, come on, come on,

0:27:35.600 --> 0:27:39.600
<v Speaker 1>all right? So what else was it recorded in the

0:27:39.680 --> 0:27:42.040
<v Speaker 1>bridge before we move on? Of course? Of course the

0:27:42.080 --> 0:27:45.359
<v Speaker 1>bridge record was of course you know that Molly scratch

0:27:45.520 --> 0:27:47.960
<v Speaker 1>was recorded in the bridge. You know, of course we

0:27:48.040 --> 0:27:51.760
<v Speaker 1>know everybody's president. And my melody was made there, um

0:27:51.960 --> 0:27:55.920
<v Speaker 1>roxy and chante. The earlier, my earlier take it off

0:27:55.960 --> 0:28:02.080
<v Speaker 1>by spoon EG was made there. I made that there, yeah,

0:28:02.520 --> 0:28:05.840
<v Speaker 1>take it off by spoony G and what else? So

0:28:06.560 --> 0:28:08.520
<v Speaker 1>so those are yea my earlier records. How are you

0:28:08.560 --> 0:28:11.480
<v Speaker 1>guys recording the vocals? I had a four track with

0:28:11.760 --> 0:28:15.080
<v Speaker 1>with with a bullshit mike, with no a real four

0:28:15.160 --> 0:28:18.359
<v Speaker 1>track with the real Yeah. First, my Morley's Crash was

0:28:18.359 --> 0:28:20.879
<v Speaker 1>a four track of set. Because you know, I was

0:28:20.920 --> 0:28:22.920
<v Speaker 1>already sampling, I alread, knew how the sample, so I

0:28:23.040 --> 0:28:25.480
<v Speaker 1>was beating people already. I could add a two track

0:28:25.560 --> 0:28:28.200
<v Speaker 1>and still beat people because I was sampling and taking

0:28:28.200 --> 0:28:30.480
<v Speaker 1>the breaks. Nobody knew what the funk I was doing.

0:28:31.760 --> 0:28:35.680
<v Speaker 1>Did you? Did you you started sampling um for for

0:28:35.800 --> 0:28:39.760
<v Speaker 1>hip hop breaks? Um? I don't know if I if

0:28:39.800 --> 0:28:41.640
<v Speaker 1>I did or not. But I made that ship fun.

0:28:47.600 --> 0:28:49.400
<v Speaker 1>You know because my brother and the you know, the

0:28:49.480 --> 0:28:51.800
<v Speaker 1>High Fidelity crew from Queensbridge, they used to play a

0:28:51.800 --> 0:28:54.280
<v Speaker 1>lot of breaks. So far I was a DJ, so

0:28:54.560 --> 0:28:57.200
<v Speaker 1>I had access to the ship because my brother was

0:28:57.240 --> 0:28:59.440
<v Speaker 1>one of the DJs. We went to the service I

0:28:59.560 --> 0:29:01.880
<v Speaker 1>had that's to all the ship they was playing. So

0:29:02.040 --> 0:29:04.280
<v Speaker 1>you know, nobody used to Busin Beat was one of

0:29:04.360 --> 0:29:07.520
<v Speaker 1>the records that they used to rock as a breakbeat.

0:29:08.640 --> 0:29:10.920
<v Speaker 1>You give what I'm saying, fly like an eagle. That's

0:29:10.960 --> 0:29:13.120
<v Speaker 1>from that ship, you know what I'm saying. So I

0:29:13.200 --> 0:29:16.600
<v Speaker 1>would take elements from my brother and them records and

0:29:16.800 --> 0:29:19.320
<v Speaker 1>you know, make me seem older because it was shipped

0:29:19.360 --> 0:29:21.600
<v Speaker 1>that they used to rock before I was I was

0:29:21.640 --> 0:29:24.840
<v Speaker 1>able to get on. At what point is Jewice Crew

0:29:24.880 --> 0:29:27.400
<v Speaker 1>getting created all this? Now? Jewice Crew, you gotta think,

0:29:27.720 --> 0:29:30.440
<v Speaker 1>sir Juice is Mr Magic? A lot of people run

0:29:30.520 --> 0:29:32.320
<v Speaker 1>up to me and say Mr Magic, mally mall, but

0:29:32.360 --> 0:29:35.400
<v Speaker 1>they called me Mr Magic Molly Mall. That's two people.

0:29:35.920 --> 0:29:37.800
<v Speaker 1>A lot of people don't know. Mr Magic was the

0:29:37.880 --> 0:29:42.560
<v Speaker 1>first rap the first person to play rap period on

0:29:42.600 --> 0:29:46.720
<v Speaker 1>the radio and bring it and bring it mainstream compilations.

0:29:46.800 --> 0:29:48.600
<v Speaker 1>They used to come out right. He used to be

0:29:48.720 --> 0:29:50.720
<v Speaker 1>on late night, you know, playing the rap music, you

0:29:50.760 --> 0:29:53.760
<v Speaker 1>know when nobody was even caring about it, you know

0:29:53.800 --> 0:29:56.640
<v Speaker 1>what I mean. So he was the first rap DJ.

0:29:56.800 --> 0:29:58.760
<v Speaker 1>When he went to BLS, that's when I got with him.

0:29:59.040 --> 0:30:01.320
<v Speaker 1>I became an engineer all start May Marl with the

0:30:01.400 --> 0:30:08.360
<v Speaker 1>mixing gloves that I never wore. So, um, how did

0:30:08.400 --> 0:30:11.800
<v Speaker 1>you a sh Shannon is from the Bridge obviously shan

0:30:12.080 --> 0:30:16.640
<v Speaker 1>um chance actually from Brooklyn? What chance from? You are

0:30:16.760 --> 0:30:21.560
<v Speaker 1>killing my childhood? No chance from left Left fits left

0:30:21.560 --> 0:30:26.360
<v Speaker 1>Fits Boulevard or Leftts Avenue and in Brooklyn. But his

0:30:26.520 --> 0:30:30.880
<v Speaker 1>mom's his mom's father was was Graham's. You're gonna go

0:30:31.040 --> 0:30:33.440
<v Speaker 1>a lot of people's childhood. But no, no, no, but

0:30:33.680 --> 0:30:37.840
<v Speaker 1>that his grandfather lived in QB. So he's the frequent

0:30:37.920 --> 0:30:40.520
<v Speaker 1>and that thing started getting famous. He still started staying

0:30:40.560 --> 0:30:43.440
<v Speaker 1>with his grandfather. But you know, his first contract that

0:30:43.520 --> 0:30:46.800
<v Speaker 1>I got just says left fits Left its boulevard wow

0:30:48.400 --> 0:30:54.880
<v Speaker 1>from Brooklyn's Oh goddamn, Oh my god, I tell you

0:30:54.920 --> 0:31:00.880
<v Speaker 1>this may be the most important. I would have never

0:31:01.000 --> 0:31:02.440
<v Speaker 1>thought that. I would have never thought you would have

0:31:02.440 --> 0:31:05.960
<v Speaker 1>said that just for bick up pick up, bick up

0:31:06.000 --> 0:31:09.720
<v Speaker 1>ship happen. He did did red for the hood. You know,

0:31:09.960 --> 0:31:12.840
<v Speaker 1>you know he got our story told. So how does

0:31:12.920 --> 0:31:15.600
<v Speaker 1>that happen? Because this is this is a legendary record,

0:31:15.640 --> 0:31:18.800
<v Speaker 1>This is the this is the whenever you Queensbridge, they're

0:31:18.800 --> 0:31:23.239
<v Speaker 1>gonna play this record. What I'm saying, Bridge, you got

0:31:23.440 --> 0:31:26.160
<v Speaker 1>you got telling the story about naas they tell a

0:31:26.160 --> 0:31:28.600
<v Speaker 1>story about Mark. That's the first record they're gonna go to.

0:31:29.080 --> 0:31:31.520
<v Speaker 1>So how does this come about? Do you know you're

0:31:31.560 --> 0:31:34.520
<v Speaker 1>gonna make the anthem for your hood? For thirty fucking

0:31:34.600 --> 0:31:36.920
<v Speaker 1>years and not checked this out? It wasn't supposed to

0:31:36.960 --> 0:31:38.480
<v Speaker 1>be a record, Like I said, Nothing that I made

0:31:38.560 --> 0:31:41.440
<v Speaker 1>was supposed to be a record for you to play.

0:31:41.480 --> 0:31:44.400
<v Speaker 1>I was supposed to be intermission music for Queensbridge day

0:31:44.440 --> 0:31:47.440
<v Speaker 1>in the park that I could play in between the bands.

0:31:48.520 --> 0:31:52.800
<v Speaker 1>What so that was like that was like a Queen's

0:31:52.840 --> 0:31:56.560
<v Speaker 1>Bridge intermission record for us only. So I played it

0:31:56.600 --> 0:31:59.440
<v Speaker 1>in the park and I believe that, yes, somebody got

0:31:59.560 --> 0:32:02.760
<v Speaker 1>killed too. God bless the rest to day. I guess

0:32:03.240 --> 0:32:06.200
<v Speaker 1>little Hose eight from TENN Street, right, he got he got,

0:32:06.320 --> 0:32:09.360
<v Speaker 1>he got hit. But that's what it was. It was

0:32:09.400 --> 0:32:13.040
<v Speaker 1>intermission music, okay for in between because the bands was hot.

0:32:13.120 --> 0:32:16.520
<v Speaker 1>We wasn't nothing. The bands was the ship. Every the

0:32:16.600 --> 0:32:19.920
<v Speaker 1>record comes out. So what happens after the record is made?

0:32:19.960 --> 0:32:22.120
<v Speaker 1>Do you know? That's what I'm saying. You and she

0:32:22.160 --> 0:32:23.920
<v Speaker 1>ain't looking at each other like we got the anthem

0:32:24.000 --> 0:32:27.200
<v Speaker 1>for the Hood say, it's just the intermission, just intermissive intermission.

0:32:27.360 --> 0:32:30.120
<v Speaker 1>So and so we made it two years before the

0:32:30.200 --> 0:32:33.680
<v Speaker 1>public heard it. It was already floating around the Hood heavy.

0:32:34.240 --> 0:32:38.000
<v Speaker 1>My nephew leaked it out Fredo who leaked it out

0:32:38.080 --> 0:32:41.360
<v Speaker 1>to the Hood, and then like everybody had the tape.

0:32:41.400 --> 0:32:43.880
<v Speaker 1>I was like, damn. And then you know lawrenceon and

0:32:44.000 --> 0:32:46.800
<v Speaker 1>was doing beat biter. Uh. You know that's when Shamon's

0:32:46.800 --> 0:32:49.440
<v Speaker 1>going that LNG is like, yo, put that on, you

0:32:49.480 --> 0:32:52.400
<v Speaker 1>know from Philly, put that jump, Put that Joan on

0:32:52.480 --> 0:32:55.240
<v Speaker 1>the B side. Man, there ain't no record. That's some

0:32:55.280 --> 0:32:56.920
<v Speaker 1>ship we made in the house for Queen'sband's Day. What

0:32:56.960 --> 0:32:59.640
<v Speaker 1>you're talking about now? I put on the B side.

0:33:00.280 --> 0:33:02.120
<v Speaker 1>I was like, yeah, let's let it go. It's already

0:33:02.160 --> 0:33:05.600
<v Speaker 1>leaked out in the hood. Next thing you know, me

0:33:05.720 --> 0:33:09.760
<v Speaker 1>and Shan started doing crazy shows. You can you know,

0:33:09.920 --> 0:33:12.520
<v Speaker 1>you know, you know the reaction you get a hot joint.

0:33:12.560 --> 0:33:15.160
<v Speaker 1>Next thing you know, your show appeal start going up.

0:33:15.200 --> 0:33:18.000
<v Speaker 1>And that's why I knew that work. We started getting

0:33:18.000 --> 0:33:22.120
<v Speaker 1>crazy shows. So then you what do you what comes

0:33:22.160 --> 0:33:27.120
<v Speaker 1>out after this? Um, the Bridges Over or the South Bronx.

0:33:27.360 --> 0:33:31.959
<v Speaker 1>South Bronx came out. South Bronx came out because Magic

0:33:32.120 --> 0:33:34.720
<v Speaker 1>c Carross. One of them was that Power Play while

0:33:34.760 --> 0:33:37.640
<v Speaker 1>we I was recording Power Playing Queen. Yeah, that's where

0:33:37.640 --> 0:33:43.360
<v Speaker 1>they made Bridges Over. They made that ship in power

0:33:43.400 --> 0:33:47.719
<v Speaker 1>playoff you want to talk about in the Beatles, they

0:33:48.000 --> 0:33:52.200
<v Speaker 1>the Bridges over. They let me explain. Let's explain that

0:33:52.760 --> 0:33:56.480
<v Speaker 1>now were using the studio doing bite this. Okay, we

0:33:56.560 --> 0:33:59.920
<v Speaker 1>don't about South Bronx. We're talking about the Bridges Over. Right.

0:34:00.000 --> 0:34:10.200
<v Speaker 1>When we're talking about we're talking were gone now places

0:34:11.480 --> 0:34:18.080
<v Speaker 1>play studio right, Okay, I'm in I'm in the A

0:34:18.280 --> 0:34:20.960
<v Speaker 1>roomps in the b room. There was they was but

0:34:21.160 --> 0:34:26.160
<v Speaker 1>but checking because they wasn't even knowing nothing yet. The

0:34:26.280 --> 0:34:28.520
<v Speaker 1>just and they're making demos just putting their money up,

0:34:28.520 --> 0:34:31.680
<v Speaker 1>going in the lab getting me together. Now we we're

0:34:31.680 --> 0:34:34.839
<v Speaker 1>in the studio. You know, scotlar Rock comes in the room.

0:34:35.600 --> 0:34:37.880
<v Speaker 1>You know, Mr Magic please to meet you. Thank you,

0:34:38.120 --> 0:34:40.000
<v Speaker 1>you know, bah blah blah. Could you please come in

0:34:40.040 --> 0:34:42.160
<v Speaker 1>our room and listen to our ship and tell us

0:34:42.200 --> 0:34:45.920
<v Speaker 1>what you think? So you know, in my magic I'll

0:34:45.960 --> 0:34:49.520
<v Speaker 1>be in there later. Mr Magic was very unruly. He was.

0:34:49.600 --> 0:34:52.360
<v Speaker 1>He was really me and the motherfuckers. You know, God blesses,

0:34:52.440 --> 0:34:54.920
<v Speaker 1>you know, God blesses, godless so but you know he was.

0:34:55.200 --> 0:34:58.040
<v Speaker 1>He was one of them dudes that he was like, yeah,

0:34:58.200 --> 0:35:00.239
<v Speaker 1>if he didn't like you to tell you, oh, man,

0:35:00.280 --> 0:35:03.319
<v Speaker 1>what the fund is wrong with your head cutting? He's

0:35:03.360 --> 0:35:07.040
<v Speaker 1>like that, okay, okay, by the way, you did say

0:35:07.160 --> 0:35:09.400
<v Speaker 1>that the king. That's why the head went up. And

0:35:11.400 --> 0:35:14.880
<v Speaker 1>now now Mr Magic and your molly, now this is

0:35:15.000 --> 0:35:19.560
<v Speaker 1>you know, I'm just magic engineer, Dji. You gotta be

0:35:19.600 --> 0:35:22.200
<v Speaker 1>about it could be about seventeen eighteen or some ship.

0:35:22.840 --> 0:35:25.560
<v Speaker 1>I'm mad, mad skinny because I didn't make money yet,

0:35:27.239 --> 0:35:30.000
<v Speaker 1>you get what I'm saying. So I'm like anorexic. He's like,

0:35:30.040 --> 0:35:31.719
<v Speaker 1>you'll come with me, man in the room and listen

0:35:31.760 --> 0:35:34.560
<v Speaker 1>to the I was like, all right, bet let's go.

0:35:35.160 --> 0:35:38.239
<v Speaker 1>So now we're going the room. They put off some song.

0:35:39.080 --> 0:35:42.439
<v Speaker 1>They all going, they're jumping on crazy around the room.

0:35:44.080 --> 0:35:47.040
<v Speaker 1>Mr Magic looking around, he just goes over to the volume.

0:35:47.080 --> 0:35:49.120
<v Speaker 1>Now I'm turning that ship down now you know how

0:35:49.160 --> 0:35:52.160
<v Speaker 1>it is in the studio, and just get silent. He

0:35:52.239 --> 0:35:57.800
<v Speaker 1>looked there and said, Yo, that she is bullshite. And

0:36:00.000 --> 0:36:03.279
<v Speaker 1>because the whole cruise like a whole room full of motherfucker's,

0:36:03.320 --> 0:36:06.239
<v Speaker 1>it was just me and Magic and then they could

0:36:06.239 --> 0:36:08.960
<v Speaker 1>have just started squaring off if it was real like that,

0:36:09.160 --> 0:36:11.440
<v Speaker 1>but I guess it wasn't because that was a square

0:36:11.480 --> 0:36:17.040
<v Speaker 1>off moments it was. It was real disrespectful, Yo, that's bullshit.

0:36:18.200 --> 0:36:20.839
<v Speaker 1>He said, Yo, you wan't real hip hop. Mc shan

0:36:21.200 --> 0:36:25.279
<v Speaker 1>rock Sant Molly Maul, Mr Magic, Mick, get the funk

0:36:25.280 --> 0:36:27.480
<v Speaker 1>out of He just bumped out the room on these niggas.

0:36:28.760 --> 0:36:33.680
<v Speaker 1>What did you think of the record? Though? It wasn't

0:36:34.160 --> 0:36:36.320
<v Speaker 1>It wasn't what they It didn't It didn't have the

0:36:36.440 --> 0:36:39.160
<v Speaker 1>energy of what we made them come out with. It

0:36:39.320 --> 0:36:42.040
<v Speaker 1>was in South Bronx, if you know what I mean.

0:36:42.480 --> 0:36:45.879
<v Speaker 1>It wasn't nothing like the album They regrouped the ship.

0:36:46.400 --> 0:36:48.320
<v Speaker 1>They didn't play South Brons. That wasn't the record. No,

0:36:49.760 --> 0:36:55.359
<v Speaker 1>they ever come out. So you guys just magic nothing

0:36:55.400 --> 0:37:00.080
<v Speaker 1>that Mr Magic is from Brooklyn. I thought Brooklyn. He

0:37:00.200 --> 0:37:03.000
<v Speaker 1>moved to the Bronx. Okay, okay, okay. But then after

0:37:03.080 --> 0:37:06.680
<v Speaker 1>that that put that you know that ship now heat

0:37:06.719 --> 0:37:09.279
<v Speaker 1>this stuff like that. So everybody he said, and they

0:37:09.400 --> 0:37:13.920
<v Speaker 1>face they put on the record, m Rox and Shanta

0:37:14.040 --> 0:37:19.880
<v Speaker 1>is good for Mr. You know what I'm saying. Everybody

0:37:19.960 --> 0:37:24.759
<v Speaker 1>who he's putting their face, they might have made that

0:37:24.800 --> 0:37:27.480
<v Speaker 1>record that night. They could have got the fuel that

0:37:27.640 --> 0:37:30.080
<v Speaker 1>night they make it. Niggas got the bridge outman funk

0:37:30.160 --> 0:37:32.680
<v Speaker 1>that South bron So you know that could have fueled that.

0:37:32.880 --> 0:37:37.640
<v Speaker 1>But next thing I know, I heard South Bronx and

0:37:37.719 --> 0:37:41.640
<v Speaker 1>I'm like, I'm like, to be honest, I was like, Yo,

0:37:41.719 --> 0:37:44.200
<v Speaker 1>niggas ain't gonna believe these niggas, man, fuck them niggas.

0:37:44.440 --> 0:37:47.440
<v Speaker 1>That's that's how I felt about that first, Like nobody's

0:37:47.440 --> 0:37:49.680
<v Speaker 1>gonna leave the niggas man, because you know, number one,

0:37:49.719 --> 0:37:51.560
<v Speaker 1>we ain't say that. I don't think people was that

0:37:51.640 --> 0:37:54.080
<v Speaker 1>dumb kind of to believe that ship to believe what

0:37:54.320 --> 0:37:58.880
<v Speaker 1>that that that he said that we said the hip

0:37:58.920 --> 0:38:01.279
<v Speaker 1>hop started in Queen's Bridge, but we didn't say that ship.

0:38:01.800 --> 0:38:03.960
<v Speaker 1>I'm like, I think we didn't even say that. I

0:38:04.120 --> 0:38:06.000
<v Speaker 1>like when people smarter than that, they ain't gonna believe

0:38:06.000 --> 0:38:08.759
<v Speaker 1>that dumb ship because we never said that. Who's gonna

0:38:08.760 --> 0:38:11.960
<v Speaker 1>believe this dude. The next thing, you know, that ship

0:38:12.000 --> 0:38:14.120
<v Speaker 1>became a hit. I'm like, that made me think that

0:38:14.400 --> 0:38:21.319
<v Speaker 1>damn that niggas is like kind of slow, especially at

0:38:21.360 --> 0:38:24.160
<v Speaker 1>that time. I made me really think that. I was like, Yo, yeah,

0:38:24.760 --> 0:38:27.160
<v Speaker 1>but you know, it's it's all good because you know,

0:38:28.719 --> 0:38:31.400
<v Speaker 1>we need to teach you in hip hop was history

0:38:31.560 --> 0:38:34.280
<v Speaker 1>and I'm glad we made history. But in the beginning,

0:38:34.320 --> 0:38:36.640
<v Speaker 1>I was like, I didn't think nobody was gonna believe

0:38:36.680 --> 0:38:40.520
<v Speaker 1>that ship because we never said that. And so so

0:38:40.719 --> 0:38:42.520
<v Speaker 1>Shan like, Yo, let's let's go back in the lab

0:38:42.600 --> 0:38:44.919
<v Speaker 1>and let's go make um kill that, you know, which

0:38:44.960 --> 0:38:47.360
<v Speaker 1>I believe should have been like a three verse record

0:38:47.880 --> 0:38:50.319
<v Speaker 1>or maybe two verses because it's first two verses out

0:38:50.400 --> 0:38:52.360
<v Speaker 1>in the track is the track was kind of dope.

0:38:52.560 --> 0:38:55.759
<v Speaker 1>Then they came back with the bridges over which you know,

0:38:55.880 --> 0:38:59.520
<v Speaker 1>it's just crazy. What's crazy? And so that day we

0:38:59.680 --> 0:39:03.600
<v Speaker 1>rushed at the studio, magic distem. I leave my drum reel,

0:39:06.640 --> 0:39:10.480
<v Speaker 1>My my my magical drum reel that made Eric Reas president,

0:39:10.719 --> 0:39:13.799
<v Speaker 1>that made nobody beat the bills, that made me go ship.

0:39:16.560 --> 0:39:20.880
<v Speaker 1>They take the box, they shake the drum reel, and

0:39:20.960 --> 0:39:24.719
<v Speaker 1>that's the drum drum bridges over because you stop one

0:39:24.840 --> 0:39:32.839
<v Speaker 1>number on the seats. Well, they took my drum, saying yeah,

0:39:33.480 --> 0:39:38.919
<v Speaker 1>that's why that is so Fun's like, it's my that's

0:39:39.040 --> 0:39:43.799
<v Speaker 1>my That's why they collin and say, yo, we took

0:39:43.800 --> 0:39:47.359
<v Speaker 1>it from Eric Begs president. That's my ship. That's why

0:39:47.400 --> 0:39:51.839
<v Speaker 1>I said, so motherfucking funky. I don't think carris One

0:39:51.920 --> 0:39:54.560
<v Speaker 1>told us that part. Now. I don't think that's gonna

0:39:54.560 --> 0:39:57.520
<v Speaker 1>be the most important. I don't even tell y'all some more.

0:39:57.600 --> 0:40:02.520
<v Speaker 1>I think he like the book drinking you left that.

0:40:03.800 --> 0:40:07.799
<v Speaker 1>So so the bridges over actually comes out, you said

0:40:08.080 --> 0:40:10.800
<v Speaker 1>you don't believe it. But what was what was like

0:40:10.880 --> 0:40:13.520
<v Speaker 1>the biggest blacklash for that, Like was it a moment

0:40:13.600 --> 0:40:17.239
<v Speaker 1>where you where you felt uncomfortable, like because serious I

0:40:17.360 --> 0:40:20.040
<v Speaker 1>wasn't working with them change when did chores with them

0:40:20.120 --> 0:40:23.000
<v Speaker 1>and make commercials and all that. I was not later

0:40:23.840 --> 0:40:25.799
<v Speaker 1>during that time period. That was a little after because

0:40:25.800 --> 0:40:28.000
<v Speaker 1>remember they had a sprite commercial actually have been a

0:40:28.000 --> 0:40:29.960
<v Speaker 1>sprite commercial. I was like, no, I ain't working with that, man,

0:40:30.040 --> 0:40:33.320
<v Speaker 1>y'all go get that, y'all go do that, because you know,

0:40:33.440 --> 0:40:35.480
<v Speaker 1>I was like, I wasn't working with them for for

0:40:35.760 --> 0:40:37.600
<v Speaker 1>years and years. I ain't. I ain't work with all that.

0:40:37.600 --> 0:40:39.960
<v Speaker 1>I was like, I didn't. I wouldn't start producing g

0:40:40.200 --> 0:40:43.520
<v Speaker 1>Rap to get what I'm saying, g Rap and King,

0:40:43.640 --> 0:40:47.560
<v Speaker 1>I just went to the next, next, next level ship.

0:40:48.200 --> 0:40:50.080
<v Speaker 1>But you know, I never I never want to make

0:40:50.160 --> 0:40:51.640
<v Speaker 1>money with it. I was like, man, go ahead with

0:40:51.680 --> 0:40:54.160
<v Speaker 1>it that. I don't want to be no commercials, none

0:40:54.160 --> 0:40:56.400
<v Speaker 1>of that bulls. What was it a time where you you,

0:40:56.640 --> 0:40:59.120
<v Speaker 1>you like, felt shaky because you know, like when a

0:40:59.200 --> 0:41:02.239
<v Speaker 1>person they like most of the times when you have

0:41:02.400 --> 0:41:05.040
<v Speaker 1>good battles, like real good battles, they'll say that once

0:41:05.120 --> 0:41:08.000
<v Speaker 1>a person leave, the other guys finished. Like it was

0:41:08.360 --> 0:41:10.000
<v Speaker 1>at a time you felt like that because of that

0:41:10.080 --> 0:41:13.799
<v Speaker 1>record or though nah, I felt that I had more

0:41:13.840 --> 0:41:16.680
<v Speaker 1>in the bag because he was producing. I was like

0:41:16.960 --> 0:41:19.360
<v Speaker 1>I had more in the bag. You know, I was

0:41:19.400 --> 0:41:21.560
<v Speaker 1>already working with g Rapp already he was like on

0:41:21.640 --> 0:41:25.480
<v Speaker 1>the low. We probably had a demo already, if you

0:41:25.560 --> 0:41:28.200
<v Speaker 1>know what I'm saying. So I was already on on,

0:41:28.440 --> 0:41:30.759
<v Speaker 1>you know, and then King was hanging around, you know

0:41:30.840 --> 0:41:33.080
<v Speaker 1>what I'm saying. So I was like on the next

0:41:33.160 --> 0:41:35.920
<v Speaker 1>phase already. So I let let that one, Let that

0:41:36.040 --> 0:41:38.200
<v Speaker 1>one go to where it was going. How are you

0:41:38.239 --> 0:41:40.400
<v Speaker 1>now with care? We made that album when it was

0:41:40.440 --> 0:41:42.839
<v Speaker 1>a big, biggest selling that we made Hip Poplars. It's

0:41:42.880 --> 0:41:45.600
<v Speaker 1>one of the biggest sellers. That's one of his biggest sellers.

0:41:45.800 --> 0:41:48.680
<v Speaker 1>You know, that was years after because I only did

0:41:48.760 --> 0:41:53.120
<v Speaker 1>that because I I read his bio because for years

0:41:53.520 --> 0:41:55.840
<v Speaker 1>I didn't you know, I forgot about these nicks in

0:41:55.880 --> 0:41:59.239
<v Speaker 1>the studio that day, that Magic you know what I'm saying,

0:41:59.360 --> 0:42:00.960
<v Speaker 1>He used to this the main people. It was like

0:42:01.040 --> 0:42:04.560
<v Speaker 1>this so so regular. I don't remember the disease niggas

0:42:04.600 --> 0:42:06.640
<v Speaker 1>at power Play for we got read his bio and

0:42:06.719 --> 0:42:09.080
<v Speaker 1>it said it in his bio Mr. Magic power Play,

0:42:09.080 --> 0:42:14.600
<v Speaker 1>and I was like, remember that day. So for years,

0:42:14.719 --> 0:42:16.000
<v Speaker 1>all of the years, I didn't know why they were

0:42:16.040 --> 0:42:18.319
<v Speaker 1>so mad at us. I was like, you think it's

0:42:18.320 --> 0:42:21.239
<v Speaker 1>mad at us man, we're killing ship out here, but yeah,

0:42:21.280 --> 0:42:24.920
<v Speaker 1>we're changing the game. You're mad at you know what?

0:42:24.960 --> 0:42:27.760
<v Speaker 1>I'm saying, so I never sucked with them what they're

0:42:27.840 --> 0:42:30.560
<v Speaker 1>mad at. We were slaying the game. You get what

0:42:30.600 --> 0:42:33.799
<v Speaker 1>I'm saying. So I never understood so once I saw

0:42:33.920 --> 0:42:38.160
<v Speaker 1>that years later, oh that was them dudes. Now it

0:42:38.239 --> 0:42:41.120
<v Speaker 1>all makes sense. I saw Chris one day, I was like, yo, Chris,

0:42:41.160 --> 0:42:43.200
<v Speaker 1>I didn't know you then that time in the studio

0:42:43.840 --> 0:42:46.279
<v Speaker 1>me and started laughing about it. I said, yo, man,

0:42:46.320 --> 0:42:48.040
<v Speaker 1>we should do something. And then we worked around and

0:42:48.200 --> 0:42:51.160
<v Speaker 1>you know, did that album. But that's how that all happened.

0:42:51.280 --> 0:42:53.480
<v Speaker 1>But you know, I wasn't working with none of that

0:42:53.520 --> 0:42:56.520
<v Speaker 1>ship back in it. I took it very serious. I

0:42:56.600 --> 0:43:00.400
<v Speaker 1>took that ship verning verning bull of our serious. What

0:43:00.480 --> 0:43:02.200
<v Speaker 1>was it the room was that just Ice came to

0:43:02.320 --> 0:43:06.000
<v Speaker 1>Queensbridge one day. I don't know, okay, I don't know

0:43:07.000 --> 0:43:09.239
<v Speaker 1>anybody could come to Queensbridge come about in the morning

0:43:09.320 --> 0:43:14.799
<v Speaker 1>time ten am, yeah yeah, yea, yeah yeah yeah yeah

0:43:15.560 --> 0:43:19.880
<v Speaker 1>yeah yeah. You know, you know, nobody's gonna go starting

0:43:19.880 --> 0:43:22.759
<v Speaker 1>because I always thought that the beef was like respected,

0:43:22.840 --> 0:43:25.879
<v Speaker 1>like I always thought like like like like she had

0:43:26.000 --> 0:43:29.640
<v Speaker 1>new what it was and care rest knew what it was.

0:43:29.760 --> 0:43:33.520
<v Speaker 1>So they said it. That's how it ended up. That's

0:43:33.560 --> 0:43:36.200
<v Speaker 1>how it ended up. But because they started doing shows together,

0:43:36.560 --> 0:43:39.640
<v Speaker 1>they started doing the commercials and doing a lot of stuff.

0:43:39.680 --> 0:43:41.600
<v Speaker 1>But to get it, it was none of that. Um No,

0:43:42.080 --> 0:43:44.040
<v Speaker 1>I wasn't working with it. But I never sucked with

0:43:44.120 --> 0:43:46.160
<v Speaker 1>it at all. I never you think you think it

0:43:46.200 --> 0:43:48.279
<v Speaker 1>would you would have like it would have been violence

0:43:48.360 --> 0:43:54.160
<v Speaker 1>if you would have like Queens. Yeah, you know what

0:43:54.200 --> 0:43:58.200
<v Speaker 1>I'm saying, it's crazy. I'm glad. I'm glad. I'm glad.

0:43:58.239 --> 0:44:01.000
<v Speaker 1>We gotta. I don't think we watching over Juice Crew

0:44:01.120 --> 0:44:05.480
<v Speaker 1>like like like the like the Marvel Comics of hip hop.

0:44:05.920 --> 0:44:10.080
<v Speaker 1>I think Juice Crew was like like like like the

0:44:10.160 --> 0:44:12.040
<v Speaker 1>epitome of like with the firm was supposed to be

0:44:12.239 --> 0:44:14.800
<v Speaker 1>and like these other like certain things it is supposed

0:44:14.840 --> 0:44:16.680
<v Speaker 1>to be. Uh, But the Juice Crew was the first.

0:44:17.400 --> 0:44:19.960
<v Speaker 1>Was definitely the crew blue print. It was a blueprint

0:44:20.040 --> 0:44:22.480
<v Speaker 1>for what was next to come. Even Coach Chilling was

0:44:22.480 --> 0:44:25.480
<v Speaker 1>a blueprint for like bad Boy and Cash. And I

0:44:25.560 --> 0:44:27.920
<v Speaker 1>didn't own Coach Chill and I was a staff that

0:44:28.000 --> 0:44:31.400
<v Speaker 1>was an owner coll I was a staff producer. I

0:44:31.480 --> 0:44:36.640
<v Speaker 1>always took you old. Let me tell you what my

0:44:36.760 --> 0:44:38.680
<v Speaker 1>first my first job of Coach Chilling, I was a

0:44:38.719 --> 0:44:42.480
<v Speaker 1>staff producer so they would have I will pop up

0:44:42.480 --> 0:44:44.000
<v Speaker 1>with the artists and go in the studio. I was

0:44:44.080 --> 0:44:46.960
<v Speaker 1>making sixty five thousand a year the first first year.

0:44:47.520 --> 0:44:49.279
<v Speaker 1>Then when we got with Warner Bros. Started making two

0:44:49.360 --> 0:44:52.120
<v Speaker 1>hundred thousand hours a year. But I still lived in

0:44:52.120 --> 0:44:54.640
<v Speaker 1>the Queensbridge making two two hundred thousand dollars a year

0:44:55.080 --> 0:44:58.080
<v Speaker 1>and my rent was like a hundred fifty dollars. I

0:44:58.160 --> 0:45:04.400
<v Speaker 1>had to get I had to get the funk. I

0:45:04.560 --> 0:45:07.759
<v Speaker 1>had to get the bad man. I paid the rent

0:45:07.800 --> 0:45:18.280
<v Speaker 1>for like twenty years and she so um. You started

0:45:18.360 --> 0:45:22.879
<v Speaker 1>working after Sha, after Sean Tate. Is that when Big

0:45:22.960 --> 0:45:26.480
<v Speaker 1>Daddy came come to the rap Rap co Gi rat

0:45:27.200 --> 0:45:31.200
<v Speaker 1>rappers from Corona Corona slash left right and need the

0:45:31.280 --> 0:45:33.319
<v Speaker 1>left rock a little while I'm big, I'm gonna big

0:45:33.400 --> 0:45:36.960
<v Speaker 1>it up in my building. I think I believe right. Yeah.

0:45:37.440 --> 0:45:39.200
<v Speaker 1>Ce Polo used to go to school with me. I

0:45:39.600 --> 0:45:41.880
<v Speaker 1>go the wild ass schools because I never When I

0:45:42.040 --> 0:45:43.920
<v Speaker 1>was in school, they kicked me out of every school

0:45:44.080 --> 0:45:46.799
<v Speaker 1>period because I was, you know, robbing everybody. You would

0:45:46.840 --> 0:45:49.000
<v Speaker 1>never think that, but I was the nigga robbing niggas

0:45:49.600 --> 0:45:52.239
<v Speaker 1>you know I was. I was so nice I could

0:45:52.280 --> 0:45:54.520
<v Speaker 1>go in the closet in school and go up in

0:45:54.560 --> 0:45:57.160
<v Speaker 1>the event and come down to another classroom and go

0:45:57.280 --> 0:46:01.200
<v Speaker 1>through their pocket. I was nice with it, spider Man,

0:46:03.960 --> 0:46:07.440
<v Speaker 1>Spider Man, what I'm saying, I told you the MARLP.

0:46:08.000 --> 0:46:10.360
<v Speaker 1>So so from that, they kicked me at at like

0:46:10.480 --> 0:46:12.600
<v Speaker 1>regular schools. In like fifth grade, I had to go

0:46:12.680 --> 0:46:15.480
<v Speaker 1>to like six hundred schools. It's like junior jail type

0:46:17.040 --> 0:46:19.960
<v Speaker 1>rich Wood. I went to school. I went to PS four.

0:46:20.680 --> 0:46:25.600
<v Speaker 1>You know, there's nobody alive from that school where nobody's alive,

0:46:26.160 --> 0:46:29.160
<v Speaker 1>damn there. But um, you know, and I went there

0:46:29.200 --> 0:46:32.400
<v Speaker 1>and you know, and I met Polo. Polo was in

0:46:32.480 --> 0:46:36.040
<v Speaker 1>my class. So you know, after I got famous, me

0:46:36.160 --> 0:46:38.359
<v Speaker 1>and Polo stayed cool and I was like, yo, man

0:46:38.800 --> 0:46:40.960
<v Speaker 1>make a group or something. Man through something and get

0:46:41.000 --> 0:46:43.719
<v Speaker 1>a wrapper. And I told him, get a rapper, you know,

0:46:43.920 --> 0:46:46.160
<v Speaker 1>I I rock with you, Shi, And he had his

0:46:46.239 --> 0:46:50.080
<v Speaker 1>new dude, the Frosty Freeze. First, that was his first rapper.

0:46:50.120 --> 0:46:53.080
<v Speaker 1>They made a record called Polo Polo whatever, and then

0:46:53.120 --> 0:46:54.799
<v Speaker 1>you know it was whatever. He went to jail. He's

0:46:54.800 --> 0:46:58.279
<v Speaker 1>still in jail to this day. I did. But but

0:46:58.520 --> 0:47:01.279
<v Speaker 1>then he got g rap up do dude was you know.

0:47:01.440 --> 0:47:06.040
<v Speaker 1>Then that's when the whole my whole production started changing

0:47:06.080 --> 0:47:08.759
<v Speaker 1>because g Rapp now g Rappers on some different ship.

0:47:10.400 --> 0:47:13.480
<v Speaker 1>That's when I started, you know, sampling up the it's

0:47:13.520 --> 0:47:17.920
<v Speaker 1>a demo ship, the drumming ship before everybody, because you know,

0:47:18.040 --> 0:47:21.760
<v Speaker 1>he was on that gangster ship early, I mean early

0:47:22.920 --> 0:47:26.360
<v Speaker 1>before I've ever heard it anywhere else. I wasn't always

0:47:26.400 --> 0:47:29.440
<v Speaker 1>hearing g Rapper telling little gangster stories and street stories

0:47:29.520 --> 0:47:32.600
<v Speaker 1>and ship. So that's where you know, I was tarking

0:47:32.640 --> 0:47:36.880
<v Speaker 1>with him. And then and then then we moved moved up.

0:47:36.920 --> 0:47:40.080
<v Speaker 1>From then we started, you know, bis then we started

0:47:40.120 --> 0:47:45.480
<v Speaker 1>doing um, you know Kane Kane. What came was this

0:47:45.800 --> 0:47:48.080
<v Speaker 1>is this hoo flat top gules and eight nine came

0:47:49.440 --> 0:47:53.160
<v Speaker 1>this Who's after not someone talking about he's talking about

0:47:53.239 --> 0:47:56.680
<v Speaker 1>he's business writer and I didn't believe him. Kane talking

0:47:56.680 --> 0:48:01.200
<v Speaker 1>about went to fast. He first in the afro. He

0:48:01.280 --> 0:48:05.399
<v Speaker 1>didn't have the high top figure. Okay, so queeze breast

0:48:05.440 --> 0:48:07.600
<v Speaker 1>down and I just want to move to the story. Okay, okay,

0:48:07.880 --> 0:48:09.960
<v Speaker 1>started you move people to the story. You just moved

0:48:10.040 --> 0:48:14.560
<v Speaker 1>right on the block. I mean the story. I'll tell

0:48:14.560 --> 0:48:17.520
<v Speaker 1>you a funny story. But I got my first got somebody.

0:48:17.560 --> 0:48:20.759
<v Speaker 1>I moved right to conroll I the same exact things

0:48:22.560 --> 0:48:28.640
<v Speaker 1>and townhouse. Yeah, I think it's like, think I can

0:48:28.680 --> 0:48:31.080
<v Speaker 1>still see you there. What do you mean it was

0:48:31.120 --> 0:48:33.160
<v Speaker 1>a town Oh you have the town. You have a

0:48:33.239 --> 0:48:35.800
<v Speaker 1>town looked like a townhouse. It was just still a

0:48:35.840 --> 0:48:40.600
<v Speaker 1>regular forment. So you moved to a story. Yeah. And

0:48:41.280 --> 0:48:45.200
<v Speaker 1>now now now business ly, some some Afro looking stick

0:48:45.280 --> 0:48:48.120
<v Speaker 1>up nigga knocking on my door talking about yo, I

0:48:48.280 --> 0:48:55.440
<v Speaker 1>write for bids. I'm like, you know, the burner right here,

0:48:56.760 --> 0:48:59.800
<v Speaker 1>man got the door halfway open and ship. I'm like,

0:49:01.320 --> 0:49:03.560
<v Speaker 1>if you write for them, tell me something that didn't

0:49:03.600 --> 0:49:05.560
<v Speaker 1>come out yet, and he told me one of the

0:49:05.680 --> 0:49:09.279
<v Speaker 1>round was opened the door, come in and ship. Yeah,

0:49:09.680 --> 0:49:11.800
<v Speaker 1>I write for bids. And he's late. I'll had this

0:49:11.880 --> 0:49:15.359
<v Speaker 1>for him for today. So we're sitting there. He's like, yo,

0:49:15.480 --> 0:49:18.160
<v Speaker 1>you know, I want to see our sound on tape.

0:49:19.880 --> 0:49:22.320
<v Speaker 1>Because he wasn't trying to be I mean, like you

0:49:22.480 --> 0:49:23.920
<v Speaker 1>just want to be right. He was. He was a

0:49:24.000 --> 0:49:28.200
<v Speaker 1>rapper already. He was dope, but he wasn't really flexing

0:49:28.239 --> 0:49:30.680
<v Speaker 1>to us that he was a rapper because their whole

0:49:30.719 --> 0:49:34.399
<v Speaker 1>thing was let bids get on first, and he's gonna

0:49:34.440 --> 0:49:36.759
<v Speaker 1>open the door for everybody. You know what I'm saying.

0:49:36.800 --> 0:49:39.280
<v Speaker 1>So he was, you know, he just wasn't doing protocol

0:49:39.680 --> 0:49:42.759
<v Speaker 1>and he's like, yo, you know, yeah, you know, but

0:49:42.920 --> 0:49:45.320
<v Speaker 1>but he was in the room, in the room and

0:49:45.400 --> 0:49:47.960
<v Speaker 1>he's like, yo, you know, I always want to see

0:49:48.000 --> 0:49:50.319
<v Speaker 1>our sound on this joint. He said, you know, I'll

0:49:50.360 --> 0:49:52.359
<v Speaker 1>take you there. And I whipped it up real quick.

0:49:53.320 --> 0:49:55.160
<v Speaker 1>I mean, that was the first, the first recording I

0:49:55.200 --> 0:49:57.239
<v Speaker 1>haven't made with him. While we was waiting for bids,

0:49:57.640 --> 0:50:00.399
<v Speaker 1>you may, I'll take you there, his first, his first record. Ah,

0:50:01.280 --> 0:50:04.000
<v Speaker 1>and you know, and I went to the record company like, yo,

0:50:04.239 --> 0:50:07.040
<v Speaker 1>business writer, is this ship he needs to come out.

0:50:07.320 --> 0:50:09.759
<v Speaker 1>They're like, no, man, he's the writer. They was, they

0:50:09.840 --> 0:50:13.239
<v Speaker 1>was trying to front back Seat King. Yeah, they're trying

0:50:13.280 --> 0:50:15.440
<v Speaker 1>to front at first, Like so you know what I

0:50:15.480 --> 0:50:18.880
<v Speaker 1>would do with Kane just record ship around everybody because

0:50:18.880 --> 0:50:20.480
<v Speaker 1>coming to the studio when so and so it's gonna

0:50:20.480 --> 0:50:22.359
<v Speaker 1>show up, you can't come to the lab blah blah.

0:50:22.560 --> 0:50:24.880
<v Speaker 1>So we started doing his album kind of behind the scenes.

0:50:25.560 --> 0:50:28.640
<v Speaker 1>But the first the record company they fronted on Kane,

0:50:28.880 --> 0:50:33.320
<v Speaker 1>they say, that's business writer, you ain't no rapper. But

0:50:33.400 --> 0:50:35.160
<v Speaker 1>they didn't hear him. I did. I'm like you know

0:50:35.320 --> 0:50:38.960
<v Speaker 1>that nigga nice, that nigga, that nigga nice enough to

0:50:39.000 --> 0:50:43.759
<v Speaker 1>come back later and change the motherfucking games. So so

0:50:44.239 --> 0:50:47.800
<v Speaker 1>so you but he's not so he's coming up. So

0:50:47.840 --> 0:50:51.239
<v Speaker 1>when was it with the Afro with the Africa and

0:50:51.320 --> 0:50:54.279
<v Speaker 1>you told him, you said Magic told him. Magic was like, Yo,

0:50:54.520 --> 0:50:57.359
<v Speaker 1>you ain't getting on stage represent for us with your

0:50:57.400 --> 0:51:05.120
<v Speaker 1>head like that ship. You ain't getting on stage represented

0:51:05.200 --> 0:51:08.160
<v Speaker 1>Juice Coup with your ship like that. And then I

0:51:08.239 --> 0:51:10.279
<v Speaker 1>think that's when that Hot Top Faith pop back with

0:51:10.320 --> 0:51:15.759
<v Speaker 1>the Hot Top Faith. So you got to see k

0:51:16.040 --> 0:51:18.680
<v Speaker 1>go from like come up, we know that to to

0:51:19.040 --> 0:51:22.279
<v Speaker 1>because at one point Kme was like like jay Z,

0:51:22.680 --> 0:51:26.000
<v Speaker 1>like of now time, how did you? How did how

0:51:26.040 --> 0:51:28.560
<v Speaker 1>did that feel like? Getting to see that process? Um,

0:51:28.760 --> 0:51:31.560
<v Speaker 1>it was really good because at that point that's when

0:51:32.160 --> 0:51:35.799
<v Speaker 1>Kane changed rap. After Rule Rapp was never to sell

0:51:35.880 --> 0:51:38.440
<v Speaker 1>him again. It was never the same to break that

0:51:38.480 --> 0:51:41.840
<v Speaker 1>down for us, you know because before Rual, before I

0:51:41.920 --> 0:51:44.160
<v Speaker 1>made that record Rule with Big Daddy Can, everybody was

0:51:44.239 --> 0:51:51.640
<v Speaker 1>whopping the can. You know all the records, records, you

0:51:51.680 --> 0:51:55.359
<v Speaker 1>couldn't walk to roar. That was that ship that made

0:51:55.400 --> 0:51:58.960
<v Speaker 1>your face got who the funk is that? After that

0:51:59.480 --> 0:52:04.200
<v Speaker 1>for two years straight. Ror had to be the last

0:52:04.239 --> 0:52:06.880
<v Speaker 1>record played in the club, in the club at the

0:52:07.080 --> 0:52:08.600
<v Speaker 1>end of the night, because you can't play nothing after

0:52:08.680 --> 0:52:10.960
<v Speaker 1>it was so dope. People had to catch up to that,

0:52:12.800 --> 0:52:14.399
<v Speaker 1>you get what I'm saying. So when rock Kim first

0:52:14.440 --> 0:52:17.120
<v Speaker 1>came to my house, you know Rock Kim, you know,

0:52:17.520 --> 0:52:19.520
<v Speaker 1>I saw an interview where he said, Molly trying to

0:52:19.600 --> 0:52:21.920
<v Speaker 1>change my style. I didn't try to change the styles,

0:52:21.960 --> 0:52:23.839
<v Speaker 1>trying to bring him to where where it was going,

0:52:24.160 --> 0:52:28.200
<v Speaker 1>because eventually he went there. Anyway, you get what I'm saying.

0:52:28.200 --> 0:52:31.319
<v Speaker 1>The first record was my melody. Then everybody's president took

0:52:31.320 --> 0:52:33.680
<v Speaker 1>a little faster, do you know what I'm saying. But

0:52:34.400 --> 0:52:37.480
<v Speaker 1>my my initial idea when I first heard rock Kim

0:52:38.320 --> 0:52:42.839
<v Speaker 1>was to speed because because King was doing one thirty

0:52:42.920 --> 0:52:45.520
<v Speaker 1>something already. You know what I'm saying. King was already

0:52:45.760 --> 0:52:49.880
<v Speaker 1>speeding there. He was already speeding, He was already rhyming

0:52:49.920 --> 0:52:53.400
<v Speaker 1>off of fast beats. So and then later on in

0:52:53.520 --> 0:52:55.840
<v Speaker 1>rock kim career, I let the rhythm hit him so

0:52:56.120 --> 0:53:02.840
<v Speaker 1>so song. So everything's fast because Kane came made he

0:53:03.200 --> 0:53:06.520
<v Speaker 1>can change the game with rur that was it. Nobody

0:53:06.560 --> 0:53:09.560
<v Speaker 1>couldn't make White records and no more it was. It

0:53:09.640 --> 0:53:12.720
<v Speaker 1>was already public enemy came out speeding, l I was speeding.

0:53:13.120 --> 0:53:17.520
<v Speaker 1>Everybody was speeding because Kane took the tempo. Came a

0:53:17.640 --> 0:53:22.279
<v Speaker 1>motherfucker's want to quit. I know, I know, motherfucker's come

0:53:22.360 --> 0:53:25.319
<v Speaker 1>to me that that that that nigga's loved saying. When

0:53:25.360 --> 0:53:28.399
<v Speaker 1>I first heard motherfucking came, I was I was going

0:53:28.520 --> 0:53:32.080
<v Speaker 1>to quit because that nigga was nice. He changed the

0:53:32.120 --> 0:53:35.319
<v Speaker 1>motherfucking game and he was smooth with it. Then once

0:53:35.360 --> 0:53:40.120
<v Speaker 1>the bitches started liking him, it was over. But you

0:53:40.160 --> 0:53:42.560
<v Speaker 1>know what I'm saying, it was over. And then he

0:53:42.680 --> 0:53:46.200
<v Speaker 1>did the Madonna and he want pop. He moved out

0:53:46.200 --> 0:53:48.840
<v Speaker 1>to l A. You know, you know we had to

0:53:48.880 --> 0:53:52.560
<v Speaker 1>excuse that hold out to l A. But you know

0:53:53.080 --> 0:53:55.279
<v Speaker 1>sometimes you know, like like we was pioneership, didn't know

0:53:55.280 --> 0:53:58.360
<v Speaker 1>what he's getting into it. But you know, you know

0:53:58.560 --> 0:54:01.280
<v Speaker 1>he got he got Hollywood and you did the Hollywood

0:54:01.560 --> 0:54:03.520
<v Speaker 1>Hollywood and definitely do you ever look at this new

0:54:03.600 --> 0:54:07.160
<v Speaker 1>generation to be disgusted? No, I look at it as evolution, bro.

0:54:07.840 --> 0:54:10.239
<v Speaker 1>I can't evolution is a good way or evolution? And

0:54:11.280 --> 0:54:13.480
<v Speaker 1>was we evolution in a good way? You get what

0:54:13.520 --> 0:54:15.640
<v Speaker 1>I'm saying. Get the people who don't like what the

0:54:15.719 --> 0:54:18.759
<v Speaker 1>young kids is doing. You're too old. You know what

0:54:18.800 --> 0:54:20.520
<v Speaker 1>I'm saying, because when I fell in love with what

0:54:20.600 --> 0:54:23.080
<v Speaker 1>I was doing, I was about eighteen years old. So

0:54:23.400 --> 0:54:26.000
<v Speaker 1>whoever's eighteen years old? Pythone love what they're doing right now.

0:54:26.120 --> 0:54:29.319
<v Speaker 1>And that's that ship. Niggas in their forties and fifties. Man,

0:54:29.360 --> 0:54:31.080
<v Speaker 1>shut the funk up, man, that these niggas do it.

0:54:31.120 --> 0:54:39.800
<v Speaker 1>These niggas did it kids, because did you stay honest?

0:54:40.360 --> 0:54:43.040
<v Speaker 1>I'm sure when I came out with some sampling niggas

0:54:43.080 --> 0:54:46.399
<v Speaker 1>like there ain't music? Is he doing what I'm saying?

0:54:46.880 --> 0:54:49.440
<v Speaker 1>Everybody's like, man, funk that that ain't music. The musicians

0:54:49.480 --> 0:54:53.040
<v Speaker 1>was mad at me. I'm sampling you, musician, niggas. Now,

0:54:53.520 --> 0:54:56.600
<v Speaker 1>I got a button to press. But what table is

0:54:56.600 --> 0:54:59.239
<v Speaker 1>probably saying the same thing about us exactly, you know

0:54:59.280 --> 0:55:01.759
<v Speaker 1>what I'm saying. So I'll just call an evolution. Man.

0:55:01.840 --> 0:55:03.960
<v Speaker 1>Let these little niggas do what they do. Man, if

0:55:04.000 --> 0:55:06.960
<v Speaker 1>they want to mumble, mumble on, niggas fun that do

0:55:07.160 --> 0:55:11.040
<v Speaker 1>that ship. If that's what they want to hear, go ahead, ship.

0:55:11.640 --> 0:55:13.920
<v Speaker 1>I told niggas around and where you you ain't mumbling

0:55:14.239 --> 0:55:18.560
<v Speaker 1>niggas ain't trying to even hear you, ain't trying to

0:55:18.560 --> 0:55:22.000
<v Speaker 1>get you better. Get your mumblong. Let me tell you that,

0:55:28.920 --> 0:55:32.840
<v Speaker 1>get your mumblong. Niggas gett paid right in private jets.

0:55:33.360 --> 0:55:38.960
<v Speaker 1>That's very true mumbling. Now, come on, bro Wally, how

0:55:39.080 --> 0:55:43.280
<v Speaker 1>the hell did you miss Knaves? How you the inside?

0:55:44.280 --> 0:55:46.320
<v Speaker 1>You know what the funny ship about Nas with me

0:55:46.400 --> 0:55:49.960
<v Speaker 1>with Queen's Bridge. I never knew Nas run. He never

0:55:50.080 --> 0:55:52.280
<v Speaker 1>came to me. He would always stand on the side

0:55:52.320 --> 0:55:55.200
<v Speaker 1>and watch. So you're saying, like that ship in the

0:55:56.000 --> 0:55:59.320
<v Speaker 1>album the rock Shan movie is like, I don't remember

0:55:59.400 --> 0:56:01.440
<v Speaker 1>he Ryan for he was sucking. I mean he was

0:56:01.520 --> 0:56:03.520
<v Speaker 1>sucking with Hub like that. Because of Seante was a

0:56:03.520 --> 0:56:05.759
<v Speaker 1>street girl, so she knew everybody all over the hood

0:56:05.840 --> 0:56:09.440
<v Speaker 1>of course. But Nas never stepped to me because I

0:56:09.560 --> 0:56:15.000
<v Speaker 1>had co Omega. Co Omega had sex, drugs, bitches and

0:56:15.080 --> 0:56:18.200
<v Speaker 1>money song out in the hood. Yeah you know listen, um,

0:56:18.840 --> 0:56:21.239
<v Speaker 1>I heard it called Mega first, like he was the

0:56:21.320 --> 0:56:25.240
<v Speaker 1>first like guy heard from Queensan's like underground of course prior.

0:56:25.400 --> 0:56:27.840
<v Speaker 1>But that's that's why, that's why NS probably never stepped

0:56:27.880 --> 0:56:30.480
<v Speaker 1>to me, because I already had Mega Mega was working

0:56:30.520 --> 0:56:35.000
<v Speaker 1>with me but he kept going to jail. Yeah, let's say, damn,

0:56:37.080 --> 0:56:39.160
<v Speaker 1>Mega kept going the jail. I remember that. You know,

0:56:39.640 --> 0:56:42.440
<v Speaker 1>even you know, even with Percy tragedy back in the day,

0:56:42.719 --> 0:56:44.839
<v Speaker 1>you know, you still live on my block. He went

0:56:44.920 --> 0:56:46.600
<v Speaker 1>to he went to he went to jail, and I

0:56:46.640 --> 0:56:48.440
<v Speaker 1>didn't control so you know, I made sure he came

0:56:48.480 --> 0:56:50.800
<v Speaker 1>over the money. You get what I'm saying. So you know,

0:56:51.000 --> 0:56:54.919
<v Speaker 1>all right, boom, but you know, him and Mega kept

0:56:54.960 --> 0:56:58.120
<v Speaker 1>going to jail, so I couldn't really get it how

0:56:58.160 --> 0:57:00.160
<v Speaker 1>I needed to be because they would come home, them

0:57:00.560 --> 0:57:02.520
<v Speaker 1>make some hot ship. Next thing, you know, they're going

0:57:02.640 --> 0:57:05.320
<v Speaker 1>for a minute. I'm like, damn, what then are we

0:57:05.360 --> 0:57:07.240
<v Speaker 1>supposed to be doing? Why are you going for a minute?

0:57:07.719 --> 0:57:10.160
<v Speaker 1>You know what I'm saying. Mega Mega had sex, drugs,

0:57:10.200 --> 0:57:12.320
<v Speaker 1>bitches and money. That was some song. He made it

0:57:12.360 --> 0:57:16.760
<v Speaker 1>in Queen's Bridge before anybody was on that ship now.

0:57:16.960 --> 0:57:19.960
<v Speaker 1>But he went to jail. Yo, man going away. We're

0:57:20.000 --> 0:57:21.600
<v Speaker 1>in the studio. You know I'm going away next week.

0:57:21.600 --> 0:57:24.360
<v Speaker 1>You're going where you're going. I'm going to jail. I

0:57:24.400 --> 0:57:27.080
<v Speaker 1>gotta do like three points, so like what the fund

0:57:27.160 --> 0:57:30.560
<v Speaker 1>is talking about, I gotta do like three three three,

0:57:30.640 --> 0:57:33.240
<v Speaker 1>maybe four or five whatever I'm like, come on, bro.

0:57:33.560 --> 0:57:37.120
<v Speaker 1>So that's why you know, with nas nas never really

0:57:37.160 --> 0:57:39.880
<v Speaker 1>stepped to me because that street ship he was doing

0:57:39.960 --> 0:57:43.600
<v Speaker 1>already already had those dudes and certified cats fund the hood.

0:57:44.520 --> 0:57:46.720
<v Speaker 1>You know, I already had Mega and and you know

0:57:46.840 --> 0:57:50.360
<v Speaker 1>the second verse on Live Motivator, that's the blueprint of

0:57:50.400 --> 0:57:53.840
<v Speaker 1>Queen's Bridge. You know, anybody that's here my voice, go

0:57:53.960 --> 0:57:58.120
<v Speaker 1>listen to the second verse of Live Motivator, and that's

0:57:58.160 --> 0:58:03.480
<v Speaker 1>the blueprint of of what was the yet to come. Right,

0:58:03.840 --> 0:58:08.720
<v Speaker 1>you have you have a regretted you're not step into Nas. No, no, no,

0:58:08.880 --> 0:58:11.400
<v Speaker 1>because I understood what it was when they came to

0:58:11.480 --> 0:58:14.080
<v Speaker 1>getting OS. What do you mean like, you know, when

0:58:14.120 --> 0:58:16.200
<v Speaker 1>the industry came to getting OS, I understood what it was.

0:58:16.440 --> 0:58:19.880
<v Speaker 1>You understood understood they needed him. You know what I'm saying.

0:58:19.880 --> 0:58:22.760
<v Speaker 1>They needed representative from Queensbridge, the place I made hot.

0:58:23.240 --> 0:58:26.240
<v Speaker 1>But even with MOB, the MOB, I understood what it

0:58:26.360 --> 0:58:29.760
<v Speaker 1>was all about. They needed part of that, you know

0:58:29.800 --> 0:58:32.480
<v Speaker 1>what I'm saying. And that was the next generation of it.

0:58:32.600 --> 0:58:36.560
<v Speaker 1>So you know, by that point, but I think by

0:58:36.640 --> 0:58:38.680
<v Speaker 1>time nas Can, I was already probably working with LLL,

0:58:39.280 --> 0:58:41.400
<v Speaker 1>so I was it was something different going on in

0:58:41.520 --> 0:58:46.440
<v Speaker 1>my life. Okay, looking the role the mockers all that

0:58:46.840 --> 0:58:50.880
<v Speaker 1>we got a ball ball goddamn it. So um yeah,

0:58:50.920 --> 0:58:53.200
<v Speaker 1>so you need that. I thought I thought that was

0:58:53.440 --> 0:58:55.920
<v Speaker 1>something you was just said you wish you was a

0:58:56.000 --> 0:58:58.760
<v Speaker 1>part of. I mean, I wish you would have produced

0:58:58.800 --> 0:59:01.680
<v Speaker 1>one of the records on the first Feel Matter. Yeah, okay,

0:59:01.840 --> 0:59:05.160
<v Speaker 1>but you know me, but I'll do all albums, that's all,

0:59:05.280 --> 0:59:07.760
<v Speaker 1>you know what I'm saying. And the first mob the

0:59:08.040 --> 0:59:10.960
<v Speaker 1>premiere was the one that that executive produced, that one right,

0:59:11.040 --> 0:59:13.640
<v Speaker 1>the hit Him on the Back project alway, yeah, the

0:59:13.720 --> 0:59:17.240
<v Speaker 1>earliest first first, that first one before who executive produced it?

0:59:17.360 --> 0:59:20.560
<v Speaker 1>You know it's premiere premiere was involved in that project. Okay,

0:59:20.800 --> 0:59:25.000
<v Speaker 1>And how about that mom, Mom? I mean I understood

0:59:25.040 --> 0:59:28.480
<v Speaker 1>what it was with Chris Lightning and then Rick Gardless today.

0:59:28.720 --> 0:59:31.040
<v Speaker 1>I understood that they needed a piece of that Queensbridge

0:59:31.680 --> 0:59:35.160
<v Speaker 1>Queenemans was bubbling at that point, you know, they needed

0:59:35.200 --> 0:59:37.520
<v Speaker 1>any So I get it completely. I already know what

0:59:37.640 --> 0:59:40.680
<v Speaker 1>it is. The spot was hot. The spot was hot. Baby.

0:59:41.920 --> 0:59:44.600
<v Speaker 1>It's interesting because me being from left Rack and me

0:59:44.800 --> 0:59:48.120
<v Speaker 1>hearing like you and Trash having turmorial, right, and then

0:59:48.760 --> 0:59:51.080
<v Speaker 1>me being a part of We had a record called

0:59:51.200 --> 0:59:52.680
<v Speaker 1>l A l A and he was it was the

0:59:52.720 --> 0:59:55.640
<v Speaker 1>first person he thought it was you, and that was like,

0:59:55.760 --> 0:59:57.720
<v Speaker 1>it was weird because I always thought you I had

0:59:57.760 --> 1:00:00.320
<v Speaker 1>like some type of thing, and he came to you

1:00:00.800 --> 1:00:03.320
<v Speaker 1>and it was it was actually like dope to see

1:00:03.440 --> 1:00:05.400
<v Speaker 1>It was dope to see grown men and the boy

1:00:05.560 --> 1:00:08.600
<v Speaker 1>was dope. Didn't even do that project? Man, did you know?

1:00:09.960 --> 1:00:12.360
<v Speaker 1>Did you ever think that if tragedy never met me,

1:00:13.040 --> 1:00:15.360
<v Speaker 1>if we don't be sitting here right now, just exactly

1:00:15.400 --> 1:00:19.040
<v Speaker 1>what I'm saying. That's exactly what I'm saying. Trash put

1:00:19.120 --> 1:00:21.919
<v Speaker 1>me on. You put trag on, so in a way,

1:00:23.040 --> 1:00:25.120
<v Speaker 1>if you was not, if you don't exist, I might

1:00:25.200 --> 1:00:27.800
<v Speaker 1>love it. We might not be sitting here. You put

1:00:27.840 --> 1:00:30.520
<v Speaker 1>him on his intelligent hold. At that point he was

1:00:30.560 --> 1:00:33.400
<v Speaker 1>the super kid. Before in telling him he was the

1:00:33.440 --> 1:00:35.600
<v Speaker 1>super kid, I didn't know the story. The super kid

1:00:36.280 --> 1:00:39.480
<v Speaker 1>woke up one morning, turn your radio, world couldn't sing

1:00:39.560 --> 1:00:43.400
<v Speaker 1>your mama, and your brother was gone. The tragedy won't

1:00:43.440 --> 1:00:48.360
<v Speaker 1>happened to me. Yeah, I got his name from that record.

1:00:48.920 --> 1:00:51.440
<v Speaker 1>People start calling me tragic because of that record, and

1:00:51.480 --> 1:00:53.560
<v Speaker 1>he just marn with it. Yo, I'm rocking with that

1:00:53.640 --> 1:00:55.880
<v Speaker 1>I'm tragic. So that's how he used to make records

1:00:55.920 --> 1:00:57.520
<v Speaker 1>back then, used to make it and throw it out,

1:00:58.160 --> 1:01:00.560
<v Speaker 1>just make them wow. And I used to be like

1:01:00.640 --> 1:01:03.400
<v Speaker 1>the radio radio DJ for magic, so you know, I

1:01:03.480 --> 1:01:06.480
<v Speaker 1>was able to use it as a promo first and

1:01:06.600 --> 1:01:10.360
<v Speaker 1>then watch it go. So how did you link up

1:01:10.400 --> 1:01:12.320
<v Speaker 1>with trash? How did you even he He's from the

1:01:12.360 --> 1:01:16.080
<v Speaker 1>block like Craig Craiggs from my building. Craig from my

1:01:16.160 --> 1:01:20.320
<v Speaker 1>building in Queensbridge. Tragedy was the little little dude that

1:01:20.400 --> 1:01:22.360
<v Speaker 1>lived on the block on the first floor. They used

1:01:22.400 --> 1:01:24.320
<v Speaker 1>to jump out the window and go to the park jams,

1:01:24.800 --> 1:01:26.680
<v Speaker 1>you know what I'm saying. You know, we all grew

1:01:26.720 --> 1:01:28.680
<v Speaker 1>up on the same block, so we all knew each other.

1:01:28.720 --> 1:01:31.360
<v Speaker 1>I knew his mom's step pops. It's like, you know,

1:01:31.680 --> 1:01:35.360
<v Speaker 1>everybody's on the same block, so you know. And they

1:01:35.400 --> 1:01:37.920
<v Speaker 1>started getting warm and they started running, and I was like, yo,

1:01:38.080 --> 1:01:41.080
<v Speaker 1>let's let's go make something, you know, And and the

1:01:41.120 --> 1:01:43.880
<v Speaker 1>funny ship contract was sucked up. Back then, we did

1:01:43.920 --> 1:01:45.800
<v Speaker 1>a lot of ship and just got paid that one time.

1:01:46.200 --> 1:01:49.840
<v Speaker 1>But that's part of what it was, if you understand.

1:01:51.320 --> 1:01:57.440
<v Speaker 1>So um Master's right Master as poet U s a

1:01:58.600 --> 1:02:03.160
<v Speaker 1>the U s a skating ring contest. That's the Jackson Heights. Yeah,

1:02:03.360 --> 1:02:06.920
<v Speaker 1>it's skating ranking Jackson Heights. He wont he won the

1:02:07.000 --> 1:02:09.320
<v Speaker 1>skating ring contest to go in the studio with me,

1:02:09.960 --> 1:02:12.080
<v Speaker 1>so we made one record. But he was nice. I

1:02:12.160 --> 1:02:14.760
<v Speaker 1>was like, you know, he was really nice. He was

1:02:15.000 --> 1:02:17.840
<v Speaker 1>too nice to be where he was at if you're

1:02:17.840 --> 1:02:20.720
<v Speaker 1>asking me, I feel bad for his situation with with

1:02:20.880 --> 1:02:23.600
<v Speaker 1>Cold Chilling because he was too nice and they didn't know.

1:02:24.760 --> 1:02:27.600
<v Speaker 1>You know what I'm saying, because the chilling is the

1:02:27.680 --> 1:02:33.520
<v Speaker 1>stars is Kane, right, it's g rap Right, was good

1:02:33.520 --> 1:02:38.440
<v Speaker 1>and exchanged the old juice creus there, But so he

1:02:38.600 --> 1:02:41.680
<v Speaker 1>came after everybody was popping and they couldn't really see

1:02:41.720 --> 1:02:45.200
<v Speaker 1>what he was bringing. It was later when Mass States incorporate, right,

1:02:45.480 --> 1:02:48.880
<v Speaker 1>that was the loser. Yeah, that's when it really that's

1:02:48.880 --> 1:02:51.560
<v Speaker 1>when he popped off. I always felt ace that he

1:02:51.600 --> 1:02:54.600
<v Speaker 1>had something special, but it was just too crowded up

1:02:54.640 --> 1:02:57.160
<v Speaker 1>there at that minute. A lot of turmoor what was

1:02:57.200 --> 1:02:59.560
<v Speaker 1>going on, a lot of that bullshit was going on.

1:03:00.360 --> 1:03:03.080
<v Speaker 1>That was you're working with before track masters or or

1:03:03.120 --> 1:03:06.880
<v Speaker 1>after truck masters, just before was before? Yeah, Yeah, they

1:03:06.960 --> 1:03:10.040
<v Speaker 1>try to they try to re light that fire when

1:03:10.080 --> 1:03:12.840
<v Speaker 1>they put them with with them thinking that they can

1:03:12.880 --> 1:03:17.320
<v Speaker 1>do what I do, even though he's just using all

1:03:17.400 --> 1:03:21.760
<v Speaker 1>my samples back anyway, we were sampling you back. Yeah. Yeah,

1:03:22.360 --> 1:03:25.040
<v Speaker 1>That's why I'm glad I publish him because jay Z

1:03:25.160 --> 1:03:27.720
<v Speaker 1>and Maya joint they made put my daughter through school

1:03:35.200 --> 1:03:41.160
<v Speaker 1>track masters. Jennifer appreciates that when when the person does

1:03:41.200 --> 1:03:45.440
<v Speaker 1>sample you, is it is it? Is it honor or?

1:03:45.720 --> 1:03:47.560
<v Speaker 1>Like how do you feel? How do you feel about that?

1:03:47.880 --> 1:03:49.880
<v Speaker 1>But first they better make a hit because we're trying

1:03:49.880 --> 1:03:52.080
<v Speaker 1>to make money if you sample me, but I'm sample

1:03:52.160 --> 1:03:55.200
<v Speaker 1>me on the flops. But you know, um, a lot

1:03:55.240 --> 1:03:57.720
<v Speaker 1>of people don't know that that that song thorough flu

1:03:58.080 --> 1:04:02.200
<v Speaker 1>can't the young nigga get money? Need moore? Kanye Kanye

1:04:02.280 --> 1:04:06.680
<v Speaker 1>saying my life. People don't know, people don't know on

1:04:06.880 --> 1:04:10.959
<v Speaker 1>thorough Flute. Yeah, you know, Candi, young nigga get money.

1:04:11.440 --> 1:04:14.360
<v Speaker 1>But remember L said that on the record too. So

1:04:14.680 --> 1:04:17.040
<v Speaker 1>we owned a lot of that record, the Kanye record,

1:04:17.640 --> 1:04:19.200
<v Speaker 1>and it came at a time when she was a

1:04:19.240 --> 1:04:22.160
<v Speaker 1>little funky for me and it really changed my life.

1:04:22.200 --> 1:04:24.320
<v Speaker 1>I gotta like, thank you, Kanye, because I kind of

1:04:24.400 --> 1:04:26.680
<v Speaker 1>changed my life. And don't know, but when you made

1:04:26.760 --> 1:04:30.120
<v Speaker 1>that record. It's dope. It made so much motherfucking money

1:04:31.000 --> 1:04:34.320
<v Speaker 1>that it was a life changer, Let's know what I mean.

1:04:34.520 --> 1:04:37.080
<v Speaker 1>And and I'm I'm wanted to thank him for that.

1:04:37.120 --> 1:04:39.320
<v Speaker 1>You know, he probably don't know, but you know I should.

1:04:39.400 --> 1:04:40.800
<v Speaker 1>You know, we have our ups and that out of

1:04:40.960 --> 1:04:43.000
<v Speaker 1>downs and loss, so you know, it was it was

1:04:43.040 --> 1:04:45.640
<v Speaker 1>on a down down with Spiral and one day I

1:04:45.720 --> 1:04:48.160
<v Speaker 1>got a calls and we went to the clear thorough flute.

1:04:48.400 --> 1:04:50.000
<v Speaker 1>You're a writer around. I'm like, what you're talking about,

1:04:52.360 --> 1:04:54.640
<v Speaker 1>Kanye is gonna do it on Soul Training tomorrow. You

1:04:54.920 --> 1:04:57.440
<v Speaker 1>need to prove it. What are you talking about? I

1:04:57.840 --> 1:05:00.320
<v Speaker 1>never ain't got nothing to do with that song. Now.

1:05:00.320 --> 1:05:01.960
<v Speaker 1>I listened to it and I didn't catch it, and

1:05:02.000 --> 1:05:03.800
<v Speaker 1>I looked under as Captain showed me, as it right

1:05:03.960 --> 1:05:06.520
<v Speaker 1>for you to not catch it. I didn't catch that ship.

1:05:06.880 --> 1:05:10.360
<v Speaker 1>And that ship was popping for like two summers when

1:05:10.360 --> 1:05:12.200
<v Speaker 1>I was here in that ship for two straight summers

1:05:12.440 --> 1:05:16.360
<v Speaker 1>popped into it and everything not knowing but Joe by

1:05:16.400 --> 1:05:19.160
<v Speaker 1>the time, you know, by the time anything tallied up

1:05:19.400 --> 1:05:22.960
<v Speaker 1>and everything came around and the publishing popped, it was.

1:05:23.200 --> 1:05:24.800
<v Speaker 1>It was life changing. Were you ever on the other

1:05:24.880 --> 1:05:30.720
<v Speaker 1>side of that issue about sampling. Um, yeah, I got

1:05:30.800 --> 1:05:32.800
<v Speaker 1>sued on four A Round Away Girl and Peace the

1:05:32.800 --> 1:05:35.680
<v Speaker 1>President on a Round Away Girl, And the asshole that

1:05:35.760 --> 1:05:41.080
<v Speaker 1>sued me gave me the record, but he went back

1:05:41.400 --> 1:05:43.880
<v Speaker 1>and brought the rights to it. After that sampled and

1:05:43.960 --> 1:05:45.920
<v Speaker 1>put it on all these hits and then sued me.

1:05:48.280 --> 1:05:51.080
<v Speaker 1>You're getting no pub I ain't gonna say your name, okay.

1:05:51.160 --> 1:05:54.080
<v Speaker 1>Cool Dayly was the one that caught like. That's when

1:05:54.120 --> 1:05:57.680
<v Speaker 1>that whole sampling thing started, right there is markis Mark

1:05:57.880 --> 1:06:02.480
<v Speaker 1>was the first sampling case that that that somebody one

1:06:02.600 --> 1:06:06.360
<v Speaker 1>for sampling. It was given or Sullivant alone again naturally,

1:06:07.000 --> 1:06:11.360
<v Speaker 1>and he used it on on his record and he

1:06:11.480 --> 1:06:15.000
<v Speaker 1>got sued. And that's when Olilois realized you can sue

1:06:15.040 --> 1:06:18.720
<v Speaker 1>for sanding the whole other business. Then everybody started coming

1:06:18.760 --> 1:06:22.240
<v Speaker 1>out suing everybody but bis Monkey that you know, after

1:06:22.280 --> 1:06:25.720
<v Speaker 1>I stopped producing everybody for Coach Chilling, they started trying

1:06:25.760 --> 1:06:29.480
<v Speaker 1>to replicate what I was doing for them. But they

1:06:29.640 --> 1:06:31.920
<v Speaker 1>you know, sampling when I used to sample, used to

1:06:31.920 --> 1:06:34.400
<v Speaker 1>be kicking snares high hat and I'm making my own beats,

1:06:34.680 --> 1:06:37.360
<v Speaker 1>making my own sort out of it. I wasn't looping

1:06:37.600 --> 1:06:39.440
<v Speaker 1>like half of the records and stuff like that, and

1:06:39.800 --> 1:06:43.200
<v Speaker 1>acting like I produced something. You're just taking sounds, taking

1:06:43.280 --> 1:06:45.720
<v Speaker 1>sounds and manipulating the sounds and making my own patterns

1:06:46.000 --> 1:06:49.640
<v Speaker 1>and putting stuff over it. That's how I started sampling.

1:06:51.200 --> 1:06:54.360
<v Speaker 1>Maybe I'm to be honest, maybe I'm the first person

1:06:54.440 --> 1:07:03.560
<v Speaker 1>to chop up a beat, m another fucking to make

1:07:03.600 --> 1:07:06.160
<v Speaker 1>it unrecognizable, to make you Now, to make my own

1:07:06.720 --> 1:07:08.240
<v Speaker 1>soup out of it. I could take a kick of

1:07:08.280 --> 1:07:11.280
<v Speaker 1>snare and put my own pattern at it, you know,

1:07:11.480 --> 1:07:14.640
<v Speaker 1>like like Araby as president, like nobody beast the biz

1:07:15.240 --> 1:07:17.680
<v Speaker 1>and those are that's in Peace the President. But I'm

1:07:17.680 --> 1:07:20.200
<v Speaker 1>making my own beat out of that sound. So I'm

1:07:20.280 --> 1:07:23.360
<v Speaker 1>the first to do that. And Peace the President's the

1:07:23.400 --> 1:07:26.400
<v Speaker 1>tragedy record, that's arrest the President's tragedy. Arrest the President

1:07:26.560 --> 1:07:29.840
<v Speaker 1>was on tragedy record later on what kind of flat

1:07:29.920 --> 1:07:32.000
<v Speaker 1>did you? How you see you back then? Because we

1:07:32.520 --> 1:07:34.760
<v Speaker 1>make an arrest the president? Right now? What is making

1:07:34.800 --> 1:07:37.880
<v Speaker 1>fake Donald Trump songs and left and right right? But

1:07:38.000 --> 1:07:43.000
<v Speaker 1>back then, Yeah, but back then he had a few visits. Yeah, superservice. Yeah,

1:07:43.000 --> 1:07:46.560
<v Speaker 1>he he probably had a few visits. Wow him personally,

1:07:46.720 --> 1:07:50.040
<v Speaker 1>you gotta ask him he told me a story or

1:07:50.080 --> 1:07:53.320
<v Speaker 1>two about he had a visitor to h and this

1:07:53.440 --> 1:07:55.240
<v Speaker 1>is when hip hop because now I remember we had

1:07:55.320 --> 1:07:58.160
<v Speaker 1>fun the police from n w A. So now he's saying,

1:07:58.320 --> 1:08:03.840
<v Speaker 1>arrest the residents and you produced this correct. So yeah,

1:08:04.160 --> 1:08:09.760
<v Speaker 1>so the backlash so you you didn't get nothing? Okay, alright, cool,

1:08:09.800 --> 1:08:17.719
<v Speaker 1>Well God better make sure. Yeah, scary moments, how because

1:08:17.760 --> 1:08:20.160
<v Speaker 1>we live in a scary time right now? Real, cl

1:08:20.760 --> 1:08:23.960
<v Speaker 1>real crazy? What yeah? What is what is the craziest

1:08:24.000 --> 1:08:26.519
<v Speaker 1>thing that you saw that said, man, I gotta fall back?

1:08:26.960 --> 1:08:30.960
<v Speaker 1>This is we we out of line. The craziest thing

1:08:31.000 --> 1:08:37.880
<v Speaker 1>I've seen. It's how and you know, it's how certain

1:08:38.880 --> 1:08:42.960
<v Speaker 1>entities and people want to keep our people stupid, if

1:08:43.000 --> 1:08:44.960
<v Speaker 1>you know what I mean. So that's like black falling

1:08:45.000 --> 1:08:46.760
<v Speaker 1>type of stuff. No, no, no, they want to keep

1:08:46.800 --> 1:08:50.280
<v Speaker 1>you know, like kind of like keep it where you

1:08:50.360 --> 1:08:52.479
<v Speaker 1>don't have to be intelligent to make a lot of money,

1:08:53.120 --> 1:08:55.559
<v Speaker 1>keep us, you know, make people have to stoop down

1:08:56.439 --> 1:09:01.639
<v Speaker 1>to go back and be vert. Get about streaming. Streaming

1:09:01.680 --> 1:09:03.360
<v Speaker 1>is the ship is just the new. It's the new,

1:09:03.640 --> 1:09:06.320
<v Speaker 1>you know, it's the new money making now as opposed

1:09:06.360 --> 1:09:11.400
<v Speaker 1>to you, you know, buying my record and buying my property.

1:09:11.560 --> 1:09:13.400
<v Speaker 1>Now you can stream it. Now I can still make money.

1:09:13.960 --> 1:09:15.960
<v Speaker 1>The more streams you make, the more money you make.

1:09:16.080 --> 1:09:18.400
<v Speaker 1>But you don't have to actually Downlottle wild right, keep

1:09:18.439 --> 1:09:22.360
<v Speaker 1>listening to it and it can spread. Like streaming. Streaming

1:09:22.439 --> 1:09:24.479
<v Speaker 1>was good. They had to do that. They had to

1:09:24.520 --> 1:09:28.000
<v Speaker 1>get ahold of this digital. It was out of control first.

1:09:28.080 --> 1:09:30.599
<v Speaker 1>But when c these first came and started getting digital

1:09:30.640 --> 1:09:34.200
<v Speaker 1>and MP three's and the napster. Yeah, they were saying

1:09:34.280 --> 1:09:36.800
<v Speaker 1>CDs was like the like the most expensive ship, and

1:09:36.880 --> 1:09:39.160
<v Speaker 1>the labels were disrespectful with CDs the way they were

1:09:39.200 --> 1:09:42.479
<v Speaker 1>overcharging for what it was causing them. But when digital

1:09:42.600 --> 1:09:45.640
<v Speaker 1>came out, that was that's when everything stuff. They had

1:09:45.680 --> 1:09:47.680
<v Speaker 1>to learn how to control that. Now, streaming is the

1:09:47.720 --> 1:09:50.519
<v Speaker 1>way to control it because if you're streaming it from

1:09:50.560 --> 1:09:54.519
<v Speaker 1>a site that's generating money now advertising for them that

1:09:54.560 --> 1:09:57.519
<v Speaker 1>they got to pay because you're looking at these artists

1:09:57.640 --> 1:10:01.240
<v Speaker 1>right now, they don't care about sales. They don't care

1:10:01.800 --> 1:10:04.400
<v Speaker 1>They had money off streams, and that's what it turned into.

1:10:04.720 --> 1:10:07.080
<v Speaker 1>The industry had to figure out how to make money

1:10:07.120 --> 1:10:10.280
<v Speaker 1>off for digital because they was losing in the beginning. Yeah,

1:10:10.600 --> 1:10:14.160
<v Speaker 1>that's real talk. So now you're kind of log it

1:10:14.400 --> 1:10:17.280
<v Speaker 1>is that. Yeah, all your kind of you do you

1:10:17.400 --> 1:10:22.800
<v Speaker 1>get like stream um some of the stuff um, the

1:10:23.160 --> 1:10:26.759
<v Speaker 1>later successful stuff, Yeah, because a lot of my earliest

1:10:26.760 --> 1:10:29.280
<v Speaker 1>stuff was just what it is. Just it wasn't even

1:10:29.600 --> 1:10:32.160
<v Speaker 1>even at the contract. And yeah, digital you know, to

1:10:32.200 --> 1:10:36.599
<v Speaker 1>be honest, digital was never nobody nobody contract digital. Yeah,

1:10:36.640 --> 1:10:39.080
<v Speaker 1>there wasn't nobody. It was all physical. I was wondering

1:10:39.120 --> 1:10:43.759
<v Speaker 1>when the hardest was. I was wondering when the industry message,

1:10:43.920 --> 1:10:46.880
<v Speaker 1>when the industry was going to sue for for digital rights,

1:10:46.920 --> 1:10:50.400
<v Speaker 1>because as artists, we never signed for this. Y'all just

1:10:50.479 --> 1:10:54.559
<v Speaker 1>took it there Chuck d Suit University and one Chucky

1:10:54.680 --> 1:10:57.040
<v Speaker 1>was killing with internet radio early on. He was always

1:10:57.080 --> 1:11:00.800
<v Speaker 1>ahead of the curve. But everybody signed contracts and didn't

1:11:00.800 --> 1:11:04.040
<v Speaker 1>sign for streaming and didn't sign for digital. It wasn't

1:11:04.040 --> 1:11:07.560
<v Speaker 1>and it made that concept and want to pay you

1:11:07.600 --> 1:11:10.439
<v Speaker 1>what they want to pay you. Do you know what

1:11:10.479 --> 1:11:12.160
<v Speaker 1>I'm saying. They just want to give you what they

1:11:12.240 --> 1:11:15.320
<v Speaker 1>want to give you. It's probably not what we deserve

1:11:15.760 --> 1:11:19.200
<v Speaker 1>because sales probably was more. We probably get like three

1:11:19.280 --> 1:11:24.200
<v Speaker 1>point two percent of opinion every stream when we was

1:11:24.200 --> 1:11:28.439
<v Speaker 1>getting twelve percent or nothing before. All right, do you

1:11:28.479 --> 1:11:30.679
<v Speaker 1>get what I'm saying. So we could be getting less,

1:11:31.040 --> 1:11:33.439
<v Speaker 1>but it's just what it is. I was wondering when

1:11:33.439 --> 1:11:36.679
<v Speaker 1>the artist was gonna step up to that. Yeah, I swell,

1:11:37.160 --> 1:11:43.080
<v Speaker 1>we got we got we gotta do that. Not a symphathy. Yeah, man,

1:11:45.080 --> 1:11:46.840
<v Speaker 1>I need to fall back and just tell me how

1:11:46.920 --> 1:11:50.439
<v Speaker 1>the hell is happening? H You know on my album

1:11:50.520 --> 1:11:53.360
<v Speaker 1>cover you see us that the UM the jet and

1:11:53.439 --> 1:11:56.000
<v Speaker 1>led Jet. I thought that was up t the borough early. Um,

1:11:56.320 --> 1:11:58.639
<v Speaker 1>was you the first to do that clear port? No doubt,

1:11:58.760 --> 1:12:05.360
<v Speaker 1>not some art. We broke the mother fucking plan port

1:12:05.640 --> 1:12:12.880
<v Speaker 1>and the clear point and that's clear point. Okay, Okay,

1:12:18.800 --> 1:12:23.960
<v Speaker 1>Now that day came. You know, before that day, Kane

1:12:24.000 --> 1:12:26.720
<v Speaker 1>and g Rat made a freestyle off of Ror where

1:12:26.760 --> 1:12:28.439
<v Speaker 1>it was going back to back and it went all

1:12:28.439 --> 1:12:29.800
<v Speaker 1>the way out. It was it was like some some

1:12:29.880 --> 1:12:31.760
<v Speaker 1>of I played on the radio like a few times,

1:12:31.800 --> 1:12:33.560
<v Speaker 1>but everybody was getting excited. If you got this, you

1:12:33.600 --> 1:12:36.400
<v Speaker 1>got this in all carves, I'll do it. We could

1:12:36.400 --> 1:12:41.160
<v Speaker 1>we drink chance dot com. So what happened after we

1:12:41.240 --> 1:12:44.320
<v Speaker 1>made that um that photo shoot in front of the

1:12:44.320 --> 1:12:48.200
<v Speaker 1>airplane and led yet and all that, and so Kane

1:12:48.240 --> 1:12:49.720
<v Speaker 1>was like, yo, let's go make a record, and I

1:12:49.840 --> 1:12:51.840
<v Speaker 1>was like, bad, let's let's recreate that thing y'all did

1:12:51.880 --> 1:12:56.120
<v Speaker 1>off ror, but everybody was with us. So we went

1:12:56.200 --> 1:12:59.639
<v Speaker 1>back to We went to um the story that was made,

1:12:59.680 --> 1:13:02.200
<v Speaker 1>the story it since and so god, I mean the

1:13:02.240 --> 1:13:05.600
<v Speaker 1>story of projects, not story project, the story apartment. And

1:13:06.439 --> 1:13:08.840
<v Speaker 1>so when we get there, Master eight was there because

1:13:08.840 --> 1:13:13.160
<v Speaker 1>he's on the album. UM Shim was like, yo, I'll

1:13:13.160 --> 1:13:17.760
<v Speaker 1>meet your LA's album right, yeah, my control album. I

1:13:17.880 --> 1:13:20.280
<v Speaker 1>mean the leg at get the back of it. So

1:13:20.439 --> 1:13:23.639
<v Speaker 1>now we're go and make that record. Now, nobody wants

1:13:23.680 --> 1:13:26.519
<v Speaker 1>to run first, so let I said, let me put

1:13:26.600 --> 1:13:28.559
<v Speaker 1>Master Ace on it just to fill up the space

1:13:28.560 --> 1:13:30.360
<v Speaker 1>because he wasn't gonna be on the rect because the

1:13:30.360 --> 1:13:32.639
<v Speaker 1>person at the end of that time was the hot

1:13:33.040 --> 1:13:36.920
<v Speaker 1>hot So nobody first said, I don't care whose first,

1:13:38.320 --> 1:13:40.200
<v Speaker 1>because you're seeing that talking about I don't want to

1:13:40.240 --> 1:13:43.679
<v Speaker 1>be first, I don't want nig I don't care first last.

1:13:43.760 --> 1:13:52.200
<v Speaker 1>Y'all just listening closely and was trying to do what

1:13:52.280 --> 1:13:55.639
<v Speaker 1>I did that was a kipper. Everybody heard his rhymes

1:13:55.680 --> 1:13:59.720
<v Speaker 1>like all ship this this new nigga, this new nigga, dude.

1:14:00.040 --> 1:14:02.800
<v Speaker 1>The nobody didn't want to be on the record. With

1:14:02.880 --> 1:14:06.920
<v Speaker 1>that nigger. That's probably why she didn't show what because

1:14:07.080 --> 1:14:09.720
<v Speaker 1>we're supposed to be in Shamon was gonna come to that.

1:14:09.840 --> 1:14:11.960
<v Speaker 1>He was gonna be on that record, you know what

1:14:12.000 --> 1:14:15.599
<v Speaker 1>I'm saying. So he got on. He killed it. Everybody's

1:14:15.600 --> 1:14:19.280
<v Speaker 1>looking at him like, oh ship. Everybody got heavy in

1:14:19.360 --> 1:14:22.360
<v Speaker 1>the panic, got quiet, seeg Wrap over there. You see

1:14:22.439 --> 1:14:25.400
<v Speaker 1>motherfucking Cane over there. And then then Craig g did

1:14:25.479 --> 1:14:28.000
<v Speaker 1>his part, which was hot, and then all of a sudden,

1:14:28.640 --> 1:14:30.920
<v Speaker 1>they're looking at you all, who's gonna go? Who's gonna go?

1:14:31.360 --> 1:14:33.639
<v Speaker 1>They don't. They all get about who's gonna go first?

1:14:34.439 --> 1:14:36.920
<v Speaker 1>Man g Rap gets on and wraps all the way

1:14:36.920 --> 1:14:39.720
<v Speaker 1>to the end of the beat. He didn't give Kane

1:14:39.760 --> 1:14:45.920
<v Speaker 1>no space before I happened. I had to cut the

1:14:46.040 --> 1:14:49.600
<v Speaker 1>wraps part down and then give Kane some space. But

1:14:49.760 --> 1:14:51.760
<v Speaker 1>they can't say right there with the wrap, just went

1:14:53.360 --> 1:14:55.080
<v Speaker 1>looking at each other like if they had. They always

1:14:55.120 --> 1:14:59.120
<v Speaker 1>had like a ill inside competition going on, and I

1:14:59.240 --> 1:15:02.000
<v Speaker 1>loved it. Felt like all three of them, like g Rack,

1:15:02.439 --> 1:15:05.280
<v Speaker 1>Kine and Rock him, I felt like it was always

1:15:05.320 --> 1:15:08.000
<v Speaker 1>a secret. Let me explain something to you about the

1:15:08.080 --> 1:15:11.760
<v Speaker 1>whole creation of Eric B and Rock kim Okay. I

1:15:11.920 --> 1:15:17.439
<v Speaker 1>was introduced to Eric by Polo, So I'm trying to

1:15:17.439 --> 1:15:21.320
<v Speaker 1>say that the Corona so so where it was Eric

1:15:21.400 --> 1:15:26.000
<v Speaker 1>b was hanging around with Polo with us first, right,

1:15:26.680 --> 1:15:30.080
<v Speaker 1>so he saw a Polo get with g Rat and

1:15:30.160 --> 1:15:32.720
<v Speaker 1>make a group. He's like, I think I could do

1:15:32.800 --> 1:15:35.320
<v Speaker 1>this ship too. Wait wait, so g rap came before

1:15:35.520 --> 1:15:40.040
<v Speaker 1>came Kim rock him. Yeah, I always start rock him

1:15:40.479 --> 1:15:43.720
<v Speaker 1>and then and no talk of ever rock him being

1:15:43.760 --> 1:15:46.840
<v Speaker 1>a part of Juice Crew. No, because that's all I

1:15:46.880 --> 1:15:48.840
<v Speaker 1>can think about what you keep talking about all. You

1:15:48.880 --> 1:15:51.599
<v Speaker 1>know what's crazy when when I when we first made

1:15:51.640 --> 1:15:55.160
<v Speaker 1>My Melody and Everybody's President, I think the Verybody's President day.

1:15:55.560 --> 1:15:58.479
<v Speaker 1>I gave them like demo mixes. I was like, I'm

1:15:58.479 --> 1:16:00.240
<v Speaker 1>gonna mix this next week so to make a copy

1:16:00.240 --> 1:16:02.960
<v Speaker 1>of what y'all guy? And that was the record. It's

1:16:03.000 --> 1:16:06.800
<v Speaker 1>all sloppy. Ship was all loud, but it was the ship. Ship.

1:16:07.680 --> 1:16:11.120
<v Speaker 1>She's like vocals going, U'm riding Vocal's live. You know,

1:16:11.280 --> 1:16:13.360
<v Speaker 1>she's all loud coming out of nowhere at the end

1:16:13.400 --> 1:16:16.639
<v Speaker 1>of the records and ship. But that was the record,

1:16:17.200 --> 1:16:19.880
<v Speaker 1>and that's what people loved. And but I'm telling you,

1:16:20.240 --> 1:16:25.439
<v Speaker 1>I don't think if if if Eric B wasn't hanging

1:16:25.439 --> 1:16:28.519
<v Speaker 1>around Polo, he probably would have got the idea to

1:16:28.720 --> 1:16:32.519
<v Speaker 1>do a group m because he saw a polo do

1:16:32.640 --> 1:16:35.000
<v Speaker 1>it so easily with us. He's like, Yo, fun that

1:16:35.120 --> 1:16:37.439
<v Speaker 1>everybody coming up there and becoming stars. I could I

1:16:37.479 --> 1:16:40.000
<v Speaker 1>could make a rapper come up here too, Yo, could

1:16:40.040 --> 1:16:42.240
<v Speaker 1>we get the studio tomorrow? I got someone still coming in.

1:16:42.240 --> 1:16:44.000
<v Speaker 1>And that's how it kind of happened. He was hanging

1:16:44.040 --> 1:16:48.679
<v Speaker 1>around Polo first, all right, Polo kind of like popped

1:16:48.720 --> 1:16:51.120
<v Speaker 1>it for him. When you first seen rock Kim, did

1:16:51.160 --> 1:16:53.680
<v Speaker 1>you did you think he was good? Because Rock Kim

1:16:54.040 --> 1:16:56.760
<v Speaker 1>I heard you say can change rap earlier. Rock Kim

1:16:56.880 --> 1:17:00.120
<v Speaker 1>changed rap too because he came. Definitely, he definitely he

1:17:00.600 --> 1:17:03.599
<v Speaker 1>had a dope tune. When I first heard his tune,

1:17:03.640 --> 1:17:06.600
<v Speaker 1>I knew it was off the motherfucking change and I

1:17:06.680 --> 1:17:09.400
<v Speaker 1>had a bullshit Mica and he still was dope, so

1:17:09.439 --> 1:17:12.280
<v Speaker 1>I already knew just this motherfucker nice right here. It's

1:17:12.320 --> 1:17:15.840
<v Speaker 1>something something different about his word play. I always knew

1:17:15.880 --> 1:17:18.200
<v Speaker 1>he had wordplay, but if you know what I mean,

1:17:19.280 --> 1:17:20.920
<v Speaker 1>he always had wordplay. And as soon as I heard

1:17:20.960 --> 1:17:23.000
<v Speaker 1>it from the top or this cat wasn't that he

1:17:23.040 --> 1:17:25.600
<v Speaker 1>didn't curse right, and he didn't curse too, and it

1:17:25.680 --> 1:17:29.160
<v Speaker 1>was hard motherfucker. I never really peeped. He didn't curse.

1:17:29.400 --> 1:17:32.760
<v Speaker 1>He never really curse. Curse word. Yeah, you wouldn't think

1:17:32.800 --> 1:17:41.000
<v Speaker 1>that that that's real talk. What Chad was really fucked up?

1:17:41.120 --> 1:17:43.519
<v Speaker 1>Right now? I was thinking all I mean, yeah, he

1:17:43.640 --> 1:17:47.280
<v Speaker 1>was just dope. Yeah, he had wordplay, work playing and flow.

1:17:47.760 --> 1:17:49.639
<v Speaker 1>When you heard nas that he remind you a rock

1:17:50.760 --> 1:17:54.599
<v Speaker 1>first time you heard nas, because that's what everybody said,

1:17:54.640 --> 1:17:57.680
<v Speaker 1>you know, the first time I heard Nash. I think

1:17:57.720 --> 1:18:00.800
<v Speaker 1>it was an't hard to tell and was the first time.

1:18:01.600 --> 1:18:05.960
<v Speaker 1>If I have the time, I hadn't want the barbecue first. Yeah,

1:18:06.120 --> 1:18:08.080
<v Speaker 1>that's when everybody's like, yore the kid from from the

1:18:08.200 --> 1:18:10.479
<v Speaker 1>from the forties side and back to the Brilligate wasn't before.

1:18:11.160 --> 1:18:13.439
<v Speaker 1>I don't think I maybe I didn't pay attention to

1:18:13.520 --> 1:18:15.080
<v Speaker 1>it like that. You at to get too much money

1:18:15.120 --> 1:18:18.519
<v Speaker 1>at that time. Yeah, he was out there killing. Yeah,

1:18:18.520 --> 1:18:20.200
<v Speaker 1>I could have could have missed that one. Bro. By

1:18:20.200 --> 1:18:23.840
<v Speaker 1>the time the barbecue came out, that's when that was like, Oh,

1:18:24.640 --> 1:18:27.360
<v Speaker 1>I went to jail for snuffing Jesus when I was twelve.

1:18:27.439 --> 1:18:31.240
<v Speaker 1>I went to help with stuffing. Jesus Jesus when when

1:18:31.280 --> 1:18:33.720
<v Speaker 1>I heard him say that ship, because I was like

1:18:34.040 --> 1:18:37.600
<v Speaker 1>this niggaid, my architect was so proud of twelve I

1:18:37.640 --> 1:18:40.680
<v Speaker 1>went to help us. I was like, God, this is

1:18:40.680 --> 1:18:43.360
<v Speaker 1>how you fucking found back my da. I was so

1:18:43.479 --> 1:18:46.639
<v Speaker 1>proud of my fucking hood. I was like, good man,

1:18:47.439 --> 1:18:50.840
<v Speaker 1>that ship was so dope. Gotta be proud, Yeah, you

1:18:50.880 --> 1:18:54.400
<v Speaker 1>gotta be proud. Uh this these new kids from from

1:18:54.520 --> 1:18:58.479
<v Speaker 1>Queen's Bridge right now Jay Rosette, So I just look

1:18:58.520 --> 1:19:00.720
<v Speaker 1>out for him and shoot. Uh. I like his little

1:19:00.760 --> 1:19:03.760
<v Speaker 1>movement that he got to my people from laft Flack

1:19:03.840 --> 1:19:07.679
<v Speaker 1>block game. But um so, what's your favorite ror and music?

1:19:08.479 --> 1:19:15.840
<v Speaker 1>My favorite era it has to be like like like

1:19:15.960 --> 1:19:19.360
<v Speaker 1>the Eric Bist President era, like eighty I would say

1:19:19.439 --> 1:19:22.720
<v Speaker 1>eighties six to eighty nine or eighty eight six to

1:19:22.800 --> 1:19:25.880
<v Speaker 1>eighty eight was something. It was like something special, was

1:19:26.280 --> 1:19:29.639
<v Speaker 1>like special albums came out at that time. It just shifted.

1:19:29.800 --> 1:19:32.240
<v Speaker 1>It was definitely a shifted. It was. It was a shift.

1:19:32.680 --> 1:19:34.840
<v Speaker 1>It was more sample heavy because I haven't told everybody

1:19:34.880 --> 1:19:39.599
<v Speaker 1>with how to make records literally change. Everybody got better.

1:19:40.280 --> 1:19:43.519
<v Speaker 1>You know what I'm saying. You have people digging, digging

1:19:43.600 --> 1:19:45.920
<v Speaker 1>for shifting. You know, you use that, I'm going to

1:19:46.040 --> 1:19:49.000
<v Speaker 1>use this, you know what I'm saying. That was such

1:19:49.040 --> 1:19:51.200
<v Speaker 1>a great time right there. They'll probably would never be

1:19:51.320 --> 1:19:54.840
<v Speaker 1>like that ever again for the music, and that was

1:19:54.960 --> 1:19:58.720
<v Speaker 1>such a pinnacle point of everything we love and it

1:19:58.800 --> 1:20:01.760
<v Speaker 1>won't go away when you're working right now around the world.

1:20:01.840 --> 1:20:04.760
<v Speaker 1>DJ and't just playing that ship playing I don't know,

1:20:04.840 --> 1:20:07.240
<v Speaker 1>but talking about that era, what did you guys think

1:20:07.240 --> 1:20:08.800
<v Speaker 1>about what was going on the West coast at that

1:20:08.880 --> 1:20:12.000
<v Speaker 1>exact same time, Um Easy and n w and all

1:20:12.000 --> 1:20:14.040
<v Speaker 1>of them coming up. I remember the first time I

1:20:14.160 --> 1:20:17.760
<v Speaker 1>ever heard a motherfucker n w A record, Ice Tea

1:20:17.920 --> 1:20:20.000
<v Speaker 1>was already out too, and I think it was the

1:20:20.040 --> 1:20:23.439
<v Speaker 1>first compilation they put when they all standing standing in behind.

1:20:23.479 --> 1:20:26.080
<v Speaker 1>It was like an n w A album and they

1:20:26.120 --> 1:20:28.439
<v Speaker 1>all standing behind some warehouse with the feel of first

1:20:28.479 --> 1:20:33.439
<v Speaker 1>crew with everybody that was like, what was that that was?

1:20:34.200 --> 1:20:36.000
<v Speaker 1>I mean they ended up putting that out afterwards. It

1:20:36.120 --> 1:20:37.760
<v Speaker 1>was like a n w A in the family or

1:20:37.760 --> 1:20:41.320
<v Speaker 1>something like that. Right, Yeah. I remember when I first

1:20:41.360 --> 1:20:43.240
<v Speaker 1>heard a shoot off the Craig g put me up

1:20:43.280 --> 1:20:45.880
<v Speaker 1>on them. Craig was like, now I'm I'm a guy

1:20:45.960 --> 1:20:49.040
<v Speaker 1>to make records. I'm on the radio, I'm ready to

1:20:49.040 --> 1:20:51.880
<v Speaker 1>make it hit records, and we're not cursing this ship.

1:20:52.160 --> 1:20:55.720
<v Speaker 1>But when I heard these niggas, motherfuck this, I was like,

1:20:59.080 --> 1:21:02.280
<v Speaker 1>this is some crazy easy ship right here. But I

1:21:02.439 --> 1:21:05.360
<v Speaker 1>knew it because every every other rapper was. It was

1:21:05.400 --> 1:21:09.439
<v Speaker 1>too clean. The mother was like, man, fuck y'all, funk everything.

1:21:09.600 --> 1:21:13.400
<v Speaker 1>Fuck this, fuck that, fuck your mother. I see coming

1:21:13.439 --> 1:21:19.800
<v Speaker 1>before them. Yeah yeah, Iced he was out, but he

1:21:19.960 --> 1:21:22.080
<v Speaker 1>wasn't as roar as at that time. I mean he

1:21:22.160 --> 1:21:24.439
<v Speaker 1>was doing this thing. I think what caught me with

1:21:24.560 --> 1:21:28.080
<v Speaker 1>them was they beats. I wasn't into the earlier Iced

1:21:28.120 --> 1:21:31.040
<v Speaker 1>Tea stuff because of the music wasn't It wasn't kind

1:21:31.080 --> 1:21:33.120
<v Speaker 1>of like where we was at. Kind of it was

1:21:33.160 --> 1:21:35.479
<v Speaker 1>like on the West Coast vibe. So I kind of

1:21:35.560 --> 1:21:37.960
<v Speaker 1>kind of missed it a little. So it was Drake's production.

1:21:38.160 --> 1:21:41.200
<v Speaker 1>Drake's production. Yeah, it was his drums. Crazy. He was

1:21:41.280 --> 1:21:45.760
<v Speaker 1>newpooth beats and chopping ship and had band motherfucker's playing

1:21:45.800 --> 1:21:51.120
<v Speaker 1>guitarest ship. I was like, god, damn, these motherfucker's is

1:21:51.240 --> 1:21:54.280
<v Speaker 1>saying something. It was the ship to me, but I

1:21:54.439 --> 1:21:56.120
<v Speaker 1>was stuck. I was like, yea, when I first heard

1:21:56.200 --> 1:21:59.120
<v Speaker 1>this ship, I was like, Man, this motherfucker's just doing

1:21:59.439 --> 1:22:02.600
<v Speaker 1>doing it and realized I realized how regional rat was

1:22:02.960 --> 1:22:06.639
<v Speaker 1>gonna be at that point because we could have cared

1:22:06.720 --> 1:22:11.559
<v Speaker 1>less what they was talking about, but out there they

1:22:11.720 --> 1:22:13.960
<v Speaker 1>kid less what they was talking about. They could have

1:22:14.000 --> 1:22:17.080
<v Speaker 1>cared less. But what then we just talking about because

1:22:17.120 --> 1:22:18.960
<v Speaker 1>they had their own language. And that's what I've seen.

1:22:18.960 --> 1:22:21.920
<v Speaker 1>It happened to rap. I go to different countries. You know,

1:22:22.600 --> 1:22:25.240
<v Speaker 1>it's sucking people rapping in every fucking language, which is

1:22:25.320 --> 1:22:29.800
<v Speaker 1>possible right now, you know what I'm saying, there's always

1:22:29.840 --> 1:22:32.600
<v Speaker 1>something open up MC or DJ for me. Whenever I

1:22:32.680 --> 1:22:35.320
<v Speaker 1>go to any country or whatever, they're wrapping in their language.

1:22:35.600 --> 1:22:37.840
<v Speaker 1>And I'm seeing the progression all over the world and

1:22:38.000 --> 1:22:40.559
<v Speaker 1>every part of every part of the world, every corner.

1:22:42.360 --> 1:22:43.880
<v Speaker 1>And I would have never thought it would be like

1:22:44.000 --> 1:22:47.599
<v Speaker 1>that sitting in my Queen's Bridge department making ship. Would

1:22:47.800 --> 1:22:50.559
<v Speaker 1>I never thought it would be like that. That's crazy,

1:22:51.040 --> 1:22:54.280
<v Speaker 1>That's a beautiful thing. Man. Hip hop savings got different

1:22:58.120 --> 1:23:05.240
<v Speaker 1>says lives saves lives. So how did you link back

1:23:05.320 --> 1:23:09.960
<v Speaker 1>up like l L because you wasn't one of them

1:23:09.960 --> 1:23:12.120
<v Speaker 1>in the beginning, Right in the beginning of it was

1:23:12.240 --> 1:23:15.200
<v Speaker 1>much drivers before Brian. He was going to Jim, we

1:23:15.280 --> 1:23:17.120
<v Speaker 1>may we may beat by that. Remember that's why you

1:23:17.160 --> 1:23:19.880
<v Speaker 1>said trying to take Uh yeah, because we got mad

1:23:19.960 --> 1:23:23.040
<v Speaker 1>because you know, the rock the Bell's remake sound like

1:23:23.360 --> 1:23:26.040
<v Speaker 1>Molly's scratch. So we was you know, we're young. Uh

1:23:26.400 --> 1:23:28.600
<v Speaker 1>didn't give a funk going like yo, man, funk that.

1:23:30.160 --> 1:23:32.760
<v Speaker 1>You know what I'm saying. But then you know later on,

1:23:33.880 --> 1:23:37.120
<v Speaker 1>you know El from Queen's know what I'm saying. You know.

1:23:37.200 --> 1:23:41.400
<v Speaker 1>The funny shing about L with me is my aunt,

1:23:41.760 --> 1:23:50.760
<v Speaker 1>my father's sister H raised his wife. Uh like my

1:23:50.880 --> 1:23:55.040
<v Speaker 1>father's sister was um Simon's um moms when she was

1:23:55.080 --> 1:23:58.800
<v Speaker 1>alive of her best friend and Simone's mom passed, and

1:23:58.960 --> 1:24:01.960
<v Speaker 1>my my aunt like, Yo to my best friend, I'm

1:24:01.960 --> 1:24:03.920
<v Speaker 1>gonna take care of you. I'm gonna buy bye bye.

1:24:04.120 --> 1:24:07.280
<v Speaker 1>And I never knew that. Wow. And later on and

1:24:07.360 --> 1:24:08.960
<v Speaker 1>like me and l L kind of found out. That's

1:24:08.960 --> 1:24:11.040
<v Speaker 1>why we got kind of type because we're talking about

1:24:11.439 --> 1:24:13.720
<v Speaker 1>He said, Yo, you know Peggy, but I said, yeah,

1:24:13.720 --> 1:24:18.080
<v Speaker 1>I got Aunt Peggy seven degrees. It's crazy. It was

1:24:18.160 --> 1:24:20.160
<v Speaker 1>crazy because he said something about Aunt Peggy one day

1:24:20.160 --> 1:24:22.080
<v Speaker 1>and I was like sho, I got a aunt Peggy.

1:24:23.840 --> 1:24:26.439
<v Speaker 1>I was joking, but joking me, it's the same same person.

1:24:26.520 --> 1:24:30.160
<v Speaker 1>Everybody called h and you know, and you know she

1:24:30.240 --> 1:24:32.679
<v Speaker 1>used to she she used to work with his family

1:24:33.800 --> 1:24:35.720
<v Speaker 1>even as the kids was growing up. And you know,

1:24:35.800 --> 1:24:41.280
<v Speaker 1>we we never knew that that that we was that close. Wow, Yeah,

1:24:41.360 --> 1:24:45.160
<v Speaker 1>that's that was that's my my father's sister. You know,

1:24:45.280 --> 1:24:49.000
<v Speaker 1>she lived in Jamaica. I lived in Queensbridge. I didn't

1:24:49.000 --> 1:24:51.360
<v Speaker 1>you know, I didn't know that that's what she was doing,

1:24:51.439 --> 1:24:54.839
<v Speaker 1>but it was. It's weird. So after that, then musically

1:24:54.920 --> 1:24:58.120
<v Speaker 1>we got together. It was insane, you know what I'm saying.

1:24:58.680 --> 1:25:01.680
<v Speaker 1>And you know, we this went out to the who

1:25:01.760 --> 1:25:04.439
<v Speaker 1>whole album you did together? Which one was it? The

1:25:04.520 --> 1:25:10.200
<v Speaker 1>whole album? The whole album? Every every Reavy record? Which

1:25:10.280 --> 1:25:13.960
<v Speaker 1>which album was this? And that was going at um

1:25:14.800 --> 1:25:18.080
<v Speaker 1>Kumodou to the Break of Dawn was actually going at

1:25:18.920 --> 1:25:23.439
<v Speaker 1>Kumo d iced Tea and hammer. Everybody was going to

1:25:23.479 --> 1:25:27.920
<v Speaker 1>hammer al from now looking back at that time, yeah,

1:25:27.920 --> 1:25:30.120
<v Speaker 1>everybody was going at him. But a lot of people

1:25:30.160 --> 1:25:32.679
<v Speaker 1>is mad because he made a lot of paper. Yeah,

1:25:32.760 --> 1:25:34.760
<v Speaker 1>so you know that's a good thing, and it wasn't

1:25:34.800 --> 1:25:37.360
<v Speaker 1>considered real hip hop. But you know it's that was

1:25:37.400 --> 1:25:40.760
<v Speaker 1>the beginning of of that. That shouldn't let everybody see

1:25:41.160 --> 1:25:43.200
<v Speaker 1>what records they should be making, because that's where it

1:25:43.200 --> 1:25:45.760
<v Speaker 1>went anyway, every everybody went pop. That's where hip hop

1:25:45.880 --> 1:25:49.160
<v Speaker 1>is at right now. Exactly what Hammler was doing is

1:25:49.200 --> 1:25:56.600
<v Speaker 1>what mumbled rapids right now, He's right mumble. You know,

1:25:57.200 --> 1:25:59.320
<v Speaker 1>it's the same place I go. I go to. You know,

1:25:59.360 --> 1:26:02.080
<v Speaker 1>I start much a Future concert. Before I was like

1:26:02.160 --> 1:26:04.960
<v Speaker 1>saying to myself, twenty years ago, this would have been

1:26:04.960 --> 1:26:08.320
<v Speaker 1>a rock concert. Yeah, the same people in the audience,

1:26:08.720 --> 1:26:11.639
<v Speaker 1>the same people on somebody's show. This the same blah

1:26:11.680 --> 1:26:14.160
<v Speaker 1>blah blah. I'm seeing anybody out there. I'm like, twenty

1:26:14.240 --> 1:26:16.160
<v Speaker 1>years ago, this would have been a rock concert. So

1:26:16.240 --> 1:26:20.000
<v Speaker 1>I see how rap took that spot. So that's how

1:26:20.120 --> 1:26:22.439
<v Speaker 1>hamming Ship was back in the day. This ship was

1:26:22.840 --> 1:26:26.280
<v Speaker 1>a rock concert, you know, before they was doing it.

1:26:27.120 --> 1:26:29.519
<v Speaker 1>You know, he had hundreds of people on stage dance.

1:26:29.600 --> 1:26:32.519
<v Speaker 1>It was like a big production. That's that's a rock concert,

1:26:32.720 --> 1:26:34.960
<v Speaker 1>just killing it, you know, And that's what these you know,

1:26:35.360 --> 1:26:37.720
<v Speaker 1>you know, I went to Future show all and a

1:26:37.840 --> 1:26:41.719
<v Speaker 1>half motherfucker's was losing their mind straight to Eavery record.

1:26:42.040 --> 1:26:44.479
<v Speaker 1>He's just doing half of versus and the crowd doing

1:26:44.520 --> 1:26:47.120
<v Speaker 1>the rest. But you know, that was one of the

1:26:47.160 --> 1:26:50.240
<v Speaker 1>most intense times I've ever seen. I'm a fan. I

1:26:50.320 --> 1:26:52.400
<v Speaker 1>gotta get it because I got yes, so I can't hate.

1:26:52.560 --> 1:26:54.799
<v Speaker 1>Can't hate these young kids, man. But as a producer,

1:26:54.840 --> 1:26:56.800
<v Speaker 1>you think you could contribute to that or would you

1:26:56.840 --> 1:26:59.679
<v Speaker 1>stick to what you think you're laying invent my wheel?

1:27:00.400 --> 1:27:03.240
<v Speaker 1>You wouldn't. I wouldn't. I wouldn't. I wouldn't. I wouldn't

1:27:03.240 --> 1:27:05.200
<v Speaker 1>do it. And I feel like there's room now it

1:27:05.400 --> 1:27:07.639
<v Speaker 1>is for everybody to be in their own If anything,

1:27:07.760 --> 1:27:09.200
<v Speaker 1>I would, I would do more E d M. It's

1:27:09.280 --> 1:27:12.439
<v Speaker 1>something E d M. Really yeah, something like that as

1:27:12.479 --> 1:27:17.360
<v Speaker 1>opposed to you know, trapp y'all do YO do? Before

1:27:17.439 --> 1:27:21.240
<v Speaker 1>I started making hip hop, I was making electronic music anyway.

1:27:21.640 --> 1:27:23.920
<v Speaker 1>That's why I had the edge over everybody because I

1:27:24.040 --> 1:27:28.120
<v Speaker 1>was already tech savvy. I was working off the Baker dude.

1:27:28.320 --> 1:27:33.960
<v Speaker 1>Come on, man, they was making a i OU Planet Rock,

1:27:34.160 --> 1:27:37.160
<v Speaker 1>all these electronic beats and you know AI O use

1:27:37.240 --> 1:27:40.679
<v Speaker 1>a sample. I was. I was an intern watching these dudes.

1:27:41.680 --> 1:27:44.200
<v Speaker 1>So what I did is I saw what they was

1:27:44.240 --> 1:27:47.360
<v Speaker 1>doing with these vocals and putting vocal samples. I'm like, yeah,

1:27:47.360 --> 1:27:49.720
<v Speaker 1>I could put hip hop and that ship. I could

1:27:49.760 --> 1:27:52.240
<v Speaker 1>put my favorite sniff and play it to a beat

1:27:53.720 --> 1:27:58.160
<v Speaker 1>while nobody knew what the fun was going on. And

1:27:58.200 --> 1:27:59.600
<v Speaker 1>that's why I was able to add the edge on

1:27:59.640 --> 1:28:02.920
<v Speaker 1>everybody because I worked at Unique Studios and they was

1:28:03.000 --> 1:28:06.000
<v Speaker 1>ahead of heavy fucking body. Unique Studios in my hand,

1:28:06.120 --> 1:28:08.760
<v Speaker 1>yeah yeah, there was ahead of every motherfucking body. I

1:28:08.880 --> 1:28:14.120
<v Speaker 1>like technology seven. Yeah, yeah, that was. I was a intern.

1:28:14.200 --> 1:28:16.800
<v Speaker 1>That's why I started out. That's why I sampled my first.

1:28:17.080 --> 1:28:21.320
<v Speaker 1>That's why I discovered sampling Unique Studio at Unique because

1:28:21.320 --> 1:28:24.320
<v Speaker 1>I was doing something else and the tragedy bought us

1:28:24.320 --> 1:28:26.720
<v Speaker 1>there for or report the album, right, So I was

1:28:26.880 --> 1:28:29.120
<v Speaker 1>I was playing, I was sampling something else and the

1:28:29.120 --> 1:28:30.639
<v Speaker 1>snare went in there and I started playing the snail

1:28:30.720 --> 1:28:33.920
<v Speaker 1>the bat. I said, you'll turn this that bullshit snare down.

1:28:34.200 --> 1:28:36.760
<v Speaker 1>I started playing my ship and I started thinking. I

1:28:36.840 --> 1:28:40.880
<v Speaker 1>was like, oh, ship, I can take any kick, any

1:28:41.000 --> 1:28:43.439
<v Speaker 1>snaire from any hot back. And I got home that

1:28:43.800 --> 1:28:48.240
<v Speaker 1>that's proven already, and make beat. Nobody was thinking about

1:28:48.240 --> 1:28:52.040
<v Speaker 1>that ship. All the favorite breakbeats to everybody would go

1:28:52.080 --> 1:28:55.559
<v Speaker 1>crazy to in piece the President was the hottest record

1:28:55.640 --> 1:29:03.000
<v Speaker 1>for any DC to play for years, and you know,

1:29:03.120 --> 1:29:05.640
<v Speaker 1>put that shirt on the record. Every record that I

1:29:05.760 --> 1:29:08.040
<v Speaker 1>have a sample those drums was a hit. Every record

1:29:08.040 --> 1:29:10.599
<v Speaker 1>that ever used that was a hit because your brain

1:29:10.800 --> 1:29:15.160
<v Speaker 1>likes it already. Mm hmm. It's it's a science. It's

1:29:15.200 --> 1:29:17.320
<v Speaker 1>like the music that's out. Why do you think every

1:29:17.400 --> 1:29:19.920
<v Speaker 1>beat sounds the same because your brain likes it. Yeah,

1:29:20.520 --> 1:29:25.400
<v Speaker 1>it's the same drums, even the vocals, the melodies right there,

1:29:25.560 --> 1:29:28.760
<v Speaker 1>because your brain likes it already. It's like it's you

1:29:28.840 --> 1:29:31.080
<v Speaker 1>know what, It's almost like a chef. If he knows

1:29:31.120 --> 1:29:33.559
<v Speaker 1>what you like, he could add those ingredients to everything

1:29:33.640 --> 1:29:36.080
<v Speaker 1>he cooks for you, and you're gonna love everything he does.

1:29:36.840 --> 1:29:44.280
<v Speaker 1>It's the same ship. That's ill. It's a science. That's

1:29:44.320 --> 1:29:55.240
<v Speaker 1>as one of the most important shows, y'all like me, right,

1:29:56.920 --> 1:29:59.960
<v Speaker 1>I got friends. His name is Scott starts right, Scott

1:30:00.080 --> 1:30:03.000
<v Speaker 1>store shot one time was one of the hottest producers.

1:30:03.040 --> 1:30:06.759
<v Speaker 1>I've seen him literally be outside with a cheese line

1:30:06.840 --> 1:30:11.879
<v Speaker 1>outside his door. You at one point, well, the only

1:30:12.200 --> 1:30:15.120
<v Speaker 1>mother fuck up you had, like you wanted to hit record,

1:30:15.520 --> 1:30:20.320
<v Speaker 1>you had to see I imagine your cheese lines was crazy.

1:30:20.680 --> 1:30:23.360
<v Speaker 1>I don't know that. This is surprisingly the people that

1:30:23.439 --> 1:30:26.160
<v Speaker 1>came to my house. Bro. Back in the days, you'd

1:30:26.160 --> 1:30:29.200
<v Speaker 1>be so surprised. Bro, let's let's get something. You know.

1:30:29.320 --> 1:30:33.280
<v Speaker 1>It was. It was crazy. Um to this day you

1:30:33.360 --> 1:30:34.800
<v Speaker 1>still like work in your house, like you got your

1:30:34.840 --> 1:30:40.559
<v Speaker 1>own studio that worked for you your whole life. By changing. Yeah,

1:30:40.680 --> 1:30:42.080
<v Speaker 1>you know, it was a point where I could have

1:30:42.479 --> 1:30:45.880
<v Speaker 1>brought a big, multimillion dollar mansion or in s to sell,

1:30:46.240 --> 1:30:47.640
<v Speaker 1>but I wanted to get I wanted to get that

1:30:47.760 --> 1:30:51.840
<v Speaker 1>sellstead you have that in the crib not no more.

1:30:53.040 --> 1:30:56.000
<v Speaker 1>But that was probably one of the first people to

1:30:56.080 --> 1:30:59.760
<v Speaker 1>get word of crib because I felt it was gonna

1:30:59.800 --> 1:31:01.320
<v Speaker 1>make money back. You know. I mean to me, I

1:31:01.360 --> 1:31:07.080
<v Speaker 1>ain't buying the gold chains and stupid boards. Yeah yeah,

1:31:07.120 --> 1:31:10.840
<v Speaker 1>power play having a big one. So I was always

1:31:10.920 --> 1:31:13.439
<v Speaker 1>into buying equipment because I knew it was. It was like,

1:31:13.520 --> 1:31:15.920
<v Speaker 1>it's like drug money I got, I gotta re up.

1:31:16.280 --> 1:31:17.920
<v Speaker 1>I'm going to do to get better money. I gotta

1:31:17.920 --> 1:31:20.120
<v Speaker 1>get better equipment, but I gotta get the best ship

1:31:20.200 --> 1:31:25.160
<v Speaker 1>on the block. So instead of buying fabulous stuff, I

1:31:25.200 --> 1:31:31.280
<v Speaker 1>would now in demand demand. You were like, I remember,

1:31:31.320 --> 1:31:32.880
<v Speaker 1>like I should have go I was young, and I

1:31:33.000 --> 1:31:35.679
<v Speaker 1>remember it like I knew if you had a hit record,

1:31:35.760 --> 1:31:38.200
<v Speaker 1>you need it had to be produced by volleyball. Like

1:31:38.280 --> 1:31:41.080
<v Speaker 1>how crazy was it? It was insane. I mean I

1:31:41.160 --> 1:31:44.840
<v Speaker 1>was doing mixes for prints, Shakakoda was coming at there,

1:31:44.920 --> 1:31:47.880
<v Speaker 1>was coming at me all over. Um. One time he

1:31:47.920 --> 1:31:51.240
<v Speaker 1>even wanted me to produce the Beastie Boys. Wow, that

1:31:51.280 --> 1:31:53.720
<v Speaker 1>would have been that wouldn't do crazy, That would have

1:31:53.760 --> 1:31:59.080
<v Speaker 1>been crazy. But I was kind of like I would

1:31:59.120 --> 1:32:01.200
<v Speaker 1>kind of like want to say at the culture for

1:32:01.479 --> 1:32:04.040
<v Speaker 1>what it was. I never thought that. I mean, I

1:32:04.200 --> 1:32:08.439
<v Speaker 1>dugged them, but I didn't think that they was what

1:32:08.560 --> 1:32:11.560
<v Speaker 1>I was doing, if you know what I mean. You know,

1:32:11.640 --> 1:32:15.160
<v Speaker 1>I had rough, rough fast niggers on the beats. We

1:32:15.320 --> 1:32:18.680
<v Speaker 1>wasn't joking, so you know, but it probably would have

1:32:18.720 --> 1:32:21.160
<v Speaker 1>been different. I think it would have been. I would

1:32:21.160 --> 1:32:23.880
<v Speaker 1>have gave my hot beat did what they did now

1:32:24.000 --> 1:32:26.680
<v Speaker 1>I see it, but back then then see it like

1:32:26.760 --> 1:32:28.639
<v Speaker 1>I didn't see. I was trying to, you know, keep

1:32:28.760 --> 1:32:31.560
<v Speaker 1>keep wrapped hard and keep it true to what it was,

1:32:31.920 --> 1:32:36.320
<v Speaker 1>because it seem they were clown. Yeah. Yeah, but you

1:32:36.360 --> 1:32:39.080
<v Speaker 1>know they think they think, you know, godarsted when they passed,

1:32:39.640 --> 1:32:42.240
<v Speaker 1>but you know they did they think but I believe

1:32:42.360 --> 1:32:45.920
<v Speaker 1>that I didn't. I didn't produce them because I thought

1:32:45.960 --> 1:32:49.719
<v Speaker 1>they was clowning what we was doing. Kind of, I didn't.

1:32:49.720 --> 1:32:55.880
<v Speaker 1>I didn't see that that too. It would that that

1:32:56.000 --> 1:32:59.240
<v Speaker 1>would be the suburbs way in if you know what

1:32:59.320 --> 1:33:02.920
<v Speaker 1>I mean, I didn't I didn't catch that is anything

1:33:02.960 --> 1:33:08.280
<v Speaker 1>you ever regret. I regret not producing Michael Jackson, you

1:33:08.439 --> 1:33:12.160
<v Speaker 1>had the opportunity. No, I regret not producing. That's that's

1:33:12.160 --> 1:33:16.439
<v Speaker 1>what I regret not producing that. Yeah about you set

1:33:16.520 --> 1:33:19.479
<v Speaker 1>us up? Regret that Ye just set us up, all

1:33:19.520 --> 1:33:24.400
<v Speaker 1>of our hearts all my favorite group, God, God, God

1:33:24.520 --> 1:33:26.479
<v Speaker 1>was my favorite group back in the day. I don't

1:33:26.479 --> 1:33:28.760
<v Speaker 1>know why God was one of my favorite groups. But

1:33:28.840 --> 1:33:30.240
<v Speaker 1>you you got a chance to work with them, and

1:33:30.520 --> 1:33:34.679
<v Speaker 1>you did. Um. Now I wish, I wish I would

1:33:34.720 --> 1:33:39.080
<v Speaker 1>have heard tell a story only right, and we want

1:33:39.120 --> 1:33:42.080
<v Speaker 1>to talk about the story with the phrasing of the

1:33:42.160 --> 1:33:44.599
<v Speaker 1>new Jack swing. You know a lot of people think

1:33:44.640 --> 1:33:48.479
<v Speaker 1>that Teddy Riley kind of invented new Jack swing. But

1:33:49.240 --> 1:33:51.960
<v Speaker 1>me and Heavy D was making records and he was

1:33:51.960 --> 1:33:54.360
<v Speaker 1>always talking about his new Now he's always talking about

1:33:54.400 --> 1:33:58.000
<v Speaker 1>swing beats. My swing beats, my swing beats, my swing

1:33:58.080 --> 1:34:01.200
<v Speaker 1>beach that's before Teddy role even guy got what uptown

1:34:02.120 --> 1:34:04.160
<v Speaker 1>if you know what I mean. So he's talking about

1:34:04.160 --> 1:34:07.240
<v Speaker 1>his swing beats. So somebody put new Jack on the

1:34:07.280 --> 1:34:09.800
<v Speaker 1>beginning of the swing beats and now that they they

1:34:09.880 --> 1:34:12.840
<v Speaker 1>formed a whole new way of making it's music. But

1:34:13.760 --> 1:34:17.680
<v Speaker 1>it's the form of the man Heavy D started. So

1:34:18.360 --> 1:34:20.720
<v Speaker 1>you know, I wasn't ready at uptown earlier in the

1:34:20.840 --> 1:34:25.599
<v Speaker 1>game making swing beats for Heavy D. See people collide,

1:34:25.760 --> 1:34:29.120
<v Speaker 1>but the timeline doesn't lie on records. Go back to

1:34:29.200 --> 1:34:32.400
<v Speaker 1>the early Heavy D records with me. Before uptown was

1:34:33.000 --> 1:34:36.320
<v Speaker 1>new Jack swing. He's talking about his swing beats that

1:34:36.439 --> 1:34:39.960
<v Speaker 1>I produced. But what specifically makes something New Jack swing? Um,

1:34:40.200 --> 1:34:42.559
<v Speaker 1>it's just it was. It was. It was a timing.

1:34:44.280 --> 1:34:48.360
<v Speaker 1>It's like one two want to want to? That's the

1:34:48.400 --> 1:34:53.080
<v Speaker 1>new Jack swing. Regular was one two one two Jack.

1:34:53.680 --> 1:35:01.040
<v Speaker 1>That's like crackhead music. Basically that ass. You gotta think

1:35:01.520 --> 1:35:06.960
<v Speaker 1>crack has used to dance good to Jack tell the

1:35:07.000 --> 1:35:16.720
<v Speaker 1>truth but hooks in the eighties. But the mother to

1:35:16.800 --> 1:35:21.040
<v Speaker 1>say that that was to say how how much cocaine

1:35:21.280 --> 1:35:24.000
<v Speaker 1>crack effect? Because that was that was that's when it

1:35:24.120 --> 1:35:27.760
<v Speaker 1>invented all the records about crack and all that is

1:35:27.800 --> 1:35:30.840
<v Speaker 1>about that error. So how much was that affected you? Like,

1:35:31.560 --> 1:35:34.360
<v Speaker 1>I'm lucky for me. I mean lucky for me. I

1:35:34.439 --> 1:35:37.080
<v Speaker 1>mean I thank God for this day. One day I

1:35:37.160 --> 1:35:41.439
<v Speaker 1>tried to crack. It didn't work. Wait what it didn't

1:35:41.439 --> 1:35:44.760
<v Speaker 1>come Yeah, it didn't work. Was getting high and us

1:35:44.840 --> 1:35:46.680
<v Speaker 1>all in the place. I'm like, yo, check it out.

1:35:47.560 --> 1:35:50.160
<v Speaker 1>So the glass maybe had air in it, so air

1:35:50.280 --> 1:35:53.040
<v Speaker 1>came in instead of cracking. And I was like, oh man,

1:35:53.120 --> 1:35:56.760
<v Speaker 1>she is whack. Ain't y'all do that? Give me the week?

1:35:57.560 --> 1:35:59.639
<v Speaker 1>You know what? I'm saying that back in back that time.

1:35:59.720 --> 1:36:03.479
<v Speaker 1>So God save my life by making the air come through. Nothing,

1:36:03.840 --> 1:36:05.719
<v Speaker 1>because I see too many people that the air didn't

1:36:05.760 --> 1:36:08.679
<v Speaker 1>come through, but they're not the same. How many people

1:36:08.720 --> 1:36:12.680
<v Speaker 1>you see get high? I mean you just throw it

1:36:12.720 --> 1:36:17.599
<v Speaker 1>out there. I've seen superstar artists get high. I don't worry.

1:36:17.680 --> 1:36:24.639
<v Speaker 1>No one listens to us small. I want to Rick James.

1:36:26.479 --> 1:36:28.560
<v Speaker 1>That's how not the man was. James wanted me to

1:36:28.640 --> 1:36:31.479
<v Speaker 1>do something with him, so that up in there and

1:36:31.880 --> 1:36:34.200
<v Speaker 1>I'm like, okay, I'm at Rick James house. I'm not

1:36:34.240 --> 1:36:36.160
<v Speaker 1>gonna lie. I might have got hime with James my day.

1:36:36.280 --> 1:36:45.880
<v Speaker 1>I'm ready to us today I gotta do one time

1:36:46.400 --> 1:36:52.479
<v Speaker 1>Mr Mr p Funk himself, George George Clinton. He's like, yeah,

1:36:52.479 --> 1:36:55.280
<v Speaker 1>we're going to pray. He does everything not one day.

1:36:55.280 --> 1:36:57.160
<v Speaker 1>I was like, wait, he said we're going to pray.

1:36:58.000 --> 1:36:59.920
<v Speaker 1>What that means? It sounds scared with us. Let's go

1:37:00.000 --> 1:37:02.640
<v Speaker 1>in the room and pray. When they're talking about praying that,

1:37:02.800 --> 1:37:04.960
<v Speaker 1>you know, they was doing their thing, and I was tempted.

1:37:05.000 --> 1:37:06.320
<v Speaker 1>I was like, damn, this is like this would go

1:37:06.400 --> 1:37:08.679
<v Speaker 1>down in my It's like a bucket list. I took

1:37:08.720 --> 1:37:11.760
<v Speaker 1>a hit with this mother anybody right, I took a

1:37:11.840 --> 1:37:13.680
<v Speaker 1>fucking head with him, and you know it would have

1:37:13.720 --> 1:37:15.400
<v Speaker 1>been a bucking this. I didn't do it, but I

1:37:15.520 --> 1:37:18.840
<v Speaker 1>was really thinking about it. No, there was there was,

1:37:18.880 --> 1:37:22.240
<v Speaker 1>you know, doing whatever they or whatever they. I was

1:37:22.280 --> 1:37:23.639
<v Speaker 1>tempted to do it with it, just so I could

1:37:23.640 --> 1:37:26.960
<v Speaker 1>say in my mind, George hot that George motherfucking Clinton,

1:37:27.960 --> 1:37:32.960
<v Speaker 1>not Bill George. That's all I was, you know, I

1:37:33.080 --> 1:37:35.400
<v Speaker 1>was tempted. But if thing happened, because that was that

1:37:35.479 --> 1:37:38.400
<v Speaker 1>was that was like an ill time like like like

1:37:38.640 --> 1:37:41.880
<v Speaker 1>like that was like the first like like drug epidemic era,

1:37:42.120 --> 1:37:44.200
<v Speaker 1>like you got to see you got to see hip

1:37:44.240 --> 1:37:46.920
<v Speaker 1>hop go from happy to then you just have to

1:37:47.000 --> 1:37:48.880
<v Speaker 1>hear these records. Maybe that was one of the reasons

1:37:48.920 --> 1:37:51.840
<v Speaker 1>I had to lead a too, because it became like

1:37:53.040 --> 1:37:55.360
<v Speaker 1>like at night, it was like night nightey living bass

1:37:55.439 --> 1:37:58.600
<v Speaker 1>heads because like now we used to crackheads, but this

1:37:58.720 --> 1:38:03.320
<v Speaker 1>is the original crackhead. It's the ringing era. Yeah, when

1:38:03.360 --> 1:38:05.960
<v Speaker 1>the block block was dark and you see people just

1:38:06.040 --> 1:38:10.559
<v Speaker 1>walking like zombies. Because I'm forty I'll be forty one

1:38:11.000 --> 1:38:13.799
<v Speaker 1>this year, and I remember cocaine was like a classic

1:38:13.920 --> 1:38:18.120
<v Speaker 1>drug and then crack actually at first was like the cool,

1:38:18.560 --> 1:38:20.519
<v Speaker 1>cheap way to get to that. It was a cheap

1:38:20.560 --> 1:38:24.320
<v Speaker 1>way to hit. And then like so you remember like

1:38:24.439 --> 1:38:27.479
<v Speaker 1>the cocaine raw as opposed to the crack arrab like

1:38:27.960 --> 1:38:29.960
<v Speaker 1>because you know, because the cocaine niggers over there over

1:38:30.040 --> 1:38:39.639
<v Speaker 1>there like cocaine me cousin, my cousin, Burrows and Kiddle.

1:38:41.080 --> 1:38:46.240
<v Speaker 1>He says he's down the clucaine. Listen. We've been trying

1:38:46.280 --> 1:38:52.800
<v Speaker 1>to tell you for years. Boris is down, but he's

1:38:52.880 --> 1:39:00.720
<v Speaker 1>not on that ship. Yes, Slippers is down. When listen, yo,

1:39:00.880 --> 1:39:02.960
<v Speaker 1>that's why he'd be swaying like that. Like man, I'm

1:39:03.000 --> 1:39:05.680
<v Speaker 1>just telling you that pay attention to your friend I'm

1:39:05.720 --> 1:39:10.559
<v Speaker 1>just staring out there. Basically the cocaine in the Remember,

1:39:11.080 --> 1:39:13.840
<v Speaker 1>because in the cocaine era, I wasn't really famous yet.

1:39:14.439 --> 1:39:19.519
<v Speaker 1>I was still playing in in smitties after hours queens.

1:39:20.200 --> 1:39:22.599
<v Speaker 1>It would be after hours. The number of spot man

1:39:22.760 --> 1:39:26.560
<v Speaker 1>um um. It's not cheeking the pall. The pub was

1:39:26.640 --> 1:39:29.320
<v Speaker 1>down the street. Okay, he's going to block the competition. Okay,

1:39:29.640 --> 1:39:32.800
<v Speaker 1>yeah cool. You know, in the in the cocaine era,

1:39:33.080 --> 1:39:35.920
<v Speaker 1>I used to be like a DJ and clubs. And

1:39:35.960 --> 1:39:39.759
<v Speaker 1>then once I started getting famous, then the climate started changing.

1:39:39.800 --> 1:39:42.880
<v Speaker 1>A little crack started coming out. Then the wools and

1:39:43.040 --> 1:39:45.800
<v Speaker 1>started smoking rundies and ship you know what I'm saying.

1:39:46.120 --> 1:39:48.519
<v Speaker 1>So and then and the baddest chicken on the on

1:39:48.640 --> 1:39:50.639
<v Speaker 1>your block that never gave you no ask was giving

1:39:50.680 --> 1:39:54.679
<v Speaker 1>out ask for nothing. That's from that changed like a dirty.

1:39:54.880 --> 1:39:57.840
<v Speaker 1>There's a dirty. It's a dirty. You were describing to

1:39:57.880 --> 1:40:02.080
<v Speaker 1>people with the dirtiest smoking the talk to the people.

1:40:02.479 --> 1:40:09.400
<v Speaker 1>I mean, the Hayes can tell us better. That's a dirty.

1:40:09.439 --> 1:40:18.760
<v Speaker 1>He just smoking. It's smoking powder, Yeah, smoking powder. We

1:40:18.920 --> 1:40:21.639
<v Speaker 1>went in New York round me and powder in Miami,

1:40:22.160 --> 1:40:25.519
<v Speaker 1>which smoking a dirty dirty, yes, But in New Yorker,

1:40:25.560 --> 1:40:30.280
<v Speaker 1>who was weed and Cracked made my eyes bleed. See,

1:40:30.680 --> 1:40:38.719
<v Speaker 1>we didn't go that's what he said. That's what facking

1:40:38.760 --> 1:40:40.639
<v Speaker 1>weed made my eyes bleed. That's what he's talking about

1:40:40.680 --> 1:40:42.960
<v Speaker 1>the moves because there was a whole error of that.

1:40:44.080 --> 1:40:47.160
<v Speaker 1>It was a whole error, and you know it was rampid.

1:40:47.520 --> 1:40:50.799
<v Speaker 1>You know. To be honest, when I was seeing everybody

1:40:50.840 --> 1:40:53.160
<v Speaker 1>get high, I had to get away from that. That's

1:40:53.160 --> 1:40:55.519
<v Speaker 1>why I moved up stick. That's why I moved to

1:40:55.560 --> 1:40:57.880
<v Speaker 1>where I moved. I'm a corner with you up there.

1:40:57.920 --> 1:41:01.599
<v Speaker 1>You you came up to the spot, you know. Um,

1:41:01.920 --> 1:41:03.920
<v Speaker 1>that's why I moved. I went to get away from

1:41:03.960 --> 1:41:07.559
<v Speaker 1>everybody getting high. It was like too much for me. Wow,

1:41:08.120 --> 1:41:09.840
<v Speaker 1>mother focker's thought they could just come to my house,

1:41:10.840 --> 1:41:13.479
<v Speaker 1>and you know, I had the studio just show up

1:41:13.880 --> 1:41:15.720
<v Speaker 1>and think you're gonna come there and start getting high.

1:41:15.840 --> 1:41:17.800
<v Speaker 1>So let me just describe, Let me describe this. They

1:41:17.880 --> 1:41:21.080
<v Speaker 1>just get this glass fights, correct, because this has got

1:41:21.160 --> 1:41:26.599
<v Speaker 1>to be looking crazy smoking crap. Yeah, I mean you're

1:41:26.600 --> 1:41:29.599
<v Speaker 1>talking about hitting first. Once Crack came in, they got

1:41:29.640 --> 1:41:32.439
<v Speaker 1>a little got a little crazy. Mockers just thought they

1:41:32.479 --> 1:41:34.560
<v Speaker 1>could just you know, it was like it was like

1:41:34.720 --> 1:41:45.840
<v Speaker 1>recreational at one point this episode st this so we

1:41:45.960 --> 1:41:48.479
<v Speaker 1>still was making his and still came to bring out

1:41:48.479 --> 1:41:51.360
<v Speaker 1>the sun of this bitch. What's the hint that was

1:41:51.439 --> 1:41:58.600
<v Speaker 1>made crack cocaine that was around We need to know

1:41:59.560 --> 1:42:04.880
<v Speaker 1>drink as we love story just saying on drugs. I

1:42:04.920 --> 1:42:07.479
<v Speaker 1>could tell you one of the artists came to my house.

1:42:08.560 --> 1:42:11.920
<v Speaker 1>You see so much coke. I found him in the

1:42:12.000 --> 1:42:16.920
<v Speaker 1>bathroom spoil the funk out. He went to the hospital

1:42:16.960 --> 1:42:18.840
<v Speaker 1>and got an operation. Not just leave it at no

1:42:18.920 --> 1:42:23.080
<v Speaker 1>record was I'll leave it at that, and it's one

1:42:23.120 --> 1:42:26.360
<v Speaker 1>of your favorite artists. Oh, I just leave it at

1:42:26.960 --> 1:42:29.200
<v Speaker 1>wait for the movie, Wait for My bad Dad. I

1:42:32.160 --> 1:42:43.600
<v Speaker 1>don't know. And that you know that famous freestyle is

1:42:44.000 --> 1:42:47.680
<v Speaker 1>Kane jay Z. I think pos in it? Were you there?

1:42:47.960 --> 1:42:52.000
<v Speaker 1>I'm not not that we're Brooklyn at freestyle. That was crazy. Yeah,

1:42:52.000 --> 1:42:55.080
<v Speaker 1>that was crazy. Mr C. Actually he recorded that. That's

1:42:55.160 --> 1:42:58.160
<v Speaker 1>his record. That's his recording. He was recorded that live,

1:42:58.360 --> 1:43:00.800
<v Speaker 1>right He recorded it live and wanted to be for them.

1:43:01.360 --> 1:43:05.439
<v Speaker 1>And you know that's another history making moment right there.

1:43:05.520 --> 1:43:08.519
<v Speaker 1>You know, who would think that Mr C would even

1:43:08.600 --> 1:43:11.479
<v Speaker 1>discover Biggie if you know what I mean. That's like

1:43:11.760 --> 1:43:14.000
<v Speaker 1>that's part of the tree. Too part of your tree

1:43:14.120 --> 1:43:17.559
<v Speaker 1>of course, of course, you know, and you know, Viggie

1:43:17.640 --> 1:43:21.920
<v Speaker 1>was incredible. Biggie was one of the dopest, dopest rappers

1:43:22.320 --> 1:43:25.680
<v Speaker 1>that could cling on a beat better than anybody. I mean,

1:43:25.800 --> 1:43:28.360
<v Speaker 1>I do magic with other artists to make them be

1:43:28.439 --> 1:43:31.679
<v Speaker 1>on the beat. Big shot you out, of course, of course.

1:43:31.720 --> 1:43:34.160
<v Speaker 1>And I didn't know what that meant when he first

1:43:34.200 --> 1:43:37.920
<v Speaker 1>did it. I didn't know that thirty years later it

1:43:37.960 --> 1:43:41.519
<v Speaker 1>would still mean something to what it would mean because

1:43:41.920 --> 1:43:45.000
<v Speaker 1>that put me into a whole another generation. And the

1:43:45.040 --> 1:43:48.599
<v Speaker 1>record just keeps playing anyway. It's plays every day somewhere,

1:43:49.520 --> 1:43:52.280
<v Speaker 1>and you know, people may not have known about my

1:43:52.680 --> 1:43:55.439
<v Speaker 1>production or what I've done for hip hop, or who

1:43:55.560 --> 1:43:57.880
<v Speaker 1>I brought out or who I discovered or nothing. They

1:43:58.000 --> 1:44:00.080
<v Speaker 1>just know Biggie mentioned my name on the record that

1:44:00.160 --> 1:44:03.320
<v Speaker 1>they keep hearing. So I didn't know the significance of that.

1:44:04.520 --> 1:44:06.360
<v Speaker 1>I kind of slept on it at first. We said,

1:44:06.400 --> 1:44:08.160
<v Speaker 1>should he said my name, that's cool, blah blah blah.

1:44:08.400 --> 1:44:13.400
<v Speaker 1>But where he says it, Molly More, it's kind of

1:44:13.479 --> 1:44:17.160
<v Speaker 1>like Jappie jap on the bridge, Jappie jap d you

1:44:17.200 --> 1:44:18.760
<v Speaker 1>know what I'm saying. It's like at a Pinnacle Point,

1:44:19.240 --> 1:44:21.960
<v Speaker 1>and I didn't know the significance of Biggie shouting me

1:44:22.000 --> 1:44:23.720
<v Speaker 1>out on that wreck and how important it would be

1:44:24.680 --> 1:44:29.560
<v Speaker 1>to me. I didn't really realize the tree that that

1:44:29.880 --> 1:44:33.840
<v Speaker 1>that the connection through Mr C. Think Daddy can choose

1:44:33.880 --> 1:44:37.680
<v Speaker 1>crew Biggie. Do you know what I'm saying. It's it's

1:44:37.720 --> 1:44:40.760
<v Speaker 1>almost like that if I didn't meet, if I didn't

1:44:40.760 --> 1:44:43.400
<v Speaker 1>meet Mr C, would there be a Biggie mm hm

1:44:45.400 --> 1:44:51.840
<v Speaker 1>m m Because Mr C put Cane, came put big

1:44:53.400 --> 1:44:57.800
<v Speaker 1>See what's King's d J? Yeah? Right, so then and

1:44:57.920 --> 1:45:03.720
<v Speaker 1>and then that yeah, that gave you you know, that

1:45:03.840 --> 1:45:07.840
<v Speaker 1>gave him cloud. So you know what they have been

1:45:07.920 --> 1:45:12.280
<v Speaker 1>with We don't know. I mean, there's possibly a lot

1:45:12.320 --> 1:45:14.080
<v Speaker 1>of people you don't know that got inspired off of

1:45:14.120 --> 1:45:17.439
<v Speaker 1>everything you did that you may not know that direct

1:45:17.960 --> 1:45:22.920
<v Speaker 1>direct a correct retreat match. Is there any artist that

1:45:23.000 --> 1:45:27.240
<v Speaker 1>ever came to you that you fronted on like you

1:45:27.600 --> 1:45:29.439
<v Speaker 1>didn't see that there was a star and then later

1:45:29.520 --> 1:45:31.040
<v Speaker 1>on became a star and he was like, damn, I

1:45:31.120 --> 1:45:33.840
<v Speaker 1>fucked up. You know what's funny and glad you say

1:45:33.880 --> 1:45:41.600
<v Speaker 1>that because jay z n Jason used to be with

1:45:41.720 --> 1:45:44.880
<v Speaker 1>Kane all the time, you know what I mean? So

1:45:45.400 --> 1:45:50.840
<v Speaker 1>I did a remix with with um Shy and jay Z.

1:45:51.680 --> 1:45:54.680
<v Speaker 1>So jay Z was up at my house right. So

1:45:55.640 --> 1:45:57.600
<v Speaker 1>jay Z came into the crib just like when I

1:45:57.720 --> 1:45:59.800
<v Speaker 1>you know, I thought I was my first time meeting

1:45:59.840 --> 1:46:02.720
<v Speaker 1>and and I said, oh, what's up, nice to meet you.

1:46:03.280 --> 1:46:07.559
<v Speaker 1>I want I wanted to go like this this is um.

1:46:08.200 --> 1:46:10.400
<v Speaker 1>This is not just when it started to leave, just

1:46:10.439 --> 1:46:13.680
<v Speaker 1>when it started prom I did um just just when

1:46:13.760 --> 1:46:16.080
<v Speaker 1>Rocket Fell started rocking and he was able to get

1:46:16.479 --> 1:46:18.320
<v Speaker 1>he was able to hire him to get on records.

1:46:18.720 --> 1:46:20.200
<v Speaker 1>You know what I'm saying. It's like just just when

1:46:20.240 --> 1:46:25.560
<v Speaker 1>it was coming maybe ye around that time. So he

1:46:25.680 --> 1:46:29.160
<v Speaker 1>comes to the crib right, I said, so nice to

1:46:29.200 --> 1:46:30.880
<v Speaker 1>meet you, by by He said, Yo, man, you met

1:46:30.920 --> 1:46:36.559
<v Speaker 1>me before. Man, I've been here before. I still right

1:46:36.680 --> 1:46:40.400
<v Speaker 1>here when King was doing soon so soon. So that

1:46:40.479 --> 1:46:45.120
<v Speaker 1>ship sucked me up. Wow, that ship sucked me up.

1:46:45.200 --> 1:46:48.519
<v Speaker 1>That came was at the creber. I mean that that. Yeah,

1:46:48.880 --> 1:46:52.200
<v Speaker 1>jay Z was at the crib. We came from maybe

1:46:52.240 --> 1:46:54.400
<v Speaker 1>Young Gifted the Black or something one of them joints,

1:46:55.800 --> 1:46:59.479
<v Speaker 1>you know what I mean. So I would like to

1:46:59.560 --> 1:47:02.720
<v Speaker 1>know he was a rapper then, but I didn't know.

1:47:04.520 --> 1:47:07.280
<v Speaker 1>But that's like one of those stories like I wouldn't.

1:47:08.160 --> 1:47:11.120
<v Speaker 1>I wouldn't. I wouldn't have its that bold if I

1:47:11.160 --> 1:47:14.880
<v Speaker 1>knew he was a rapper. Okay, So I didn't want

1:47:14.880 --> 1:47:16.720
<v Speaker 1>to ask you what's your favorite artists? Because I know

1:47:17.600 --> 1:47:20.360
<v Speaker 1>I want to ask you, lose you your favorite hip

1:47:20.400 --> 1:47:28.320
<v Speaker 1>hop artists? Who's your favorite hands down number one overall?

1:47:29.439 --> 1:47:33.439
<v Speaker 1>If you had to pick one artist, just one, full package,

1:47:33.800 --> 1:47:39.280
<v Speaker 1>full package, just one, whether it's to work with or

1:47:39.320 --> 1:47:46.240
<v Speaker 1>whether it's to to listen to. Um, Yeah, let's go

1:47:46.360 --> 1:47:49.400
<v Speaker 1>back to that one. I'm thinking about that little it's

1:47:49.439 --> 1:47:53.160
<v Speaker 1>my all time the overall artists who got it. But

1:47:53.800 --> 1:47:56.200
<v Speaker 1>I mean to be honest, opened a lot of doors

1:47:56.560 --> 1:48:00.160
<v Speaker 1>for me production wise, and it was more than just

1:48:00.320 --> 1:48:02.800
<v Speaker 1>making a beat for somebody to rhyme. More could have

1:48:02.880 --> 1:48:05.960
<v Speaker 1>been Kane, you know, because I've seen him a form

1:48:06.040 --> 1:48:08.360
<v Speaker 1>into what it was. We're just doing hardcore ship first.

1:48:08.640 --> 1:48:11.040
<v Speaker 1>Then then the ladies started liking him, the female started

1:48:11.080 --> 1:48:14.280
<v Speaker 1>liking him, and then it just switched. He started you know,

1:48:15.000 --> 1:48:17.479
<v Speaker 1>it changed it to something different. And I said, you know,

1:48:18.040 --> 1:48:21.120
<v Speaker 1>and it made me grow as a producer. But you know,

1:48:21.760 --> 1:48:25.759
<v Speaker 1>came change. He changed me as a producer because before

1:48:25.840 --> 1:48:28.920
<v Speaker 1>that I was just giving people whatever I want them

1:48:28.960 --> 1:48:33.160
<v Speaker 1>to have with the Juice Crew here year you got

1:48:33.360 --> 1:48:35.479
<v Speaker 1>that ship, Oh Chanta, you can get that. You cant

1:48:35.520 --> 1:48:38.800
<v Speaker 1>have that. You got that. Kane was different. So you're

1:48:38.800 --> 1:48:41.679
<v Speaker 1>saying right now, if God said, listen, Marl, you're gonna

1:48:41.680 --> 1:48:43.599
<v Speaker 1>be straight for the rest of your life, you got

1:48:43.720 --> 1:48:47.760
<v Speaker 1>one beat to produce for one artist. I already know

1:48:47.840 --> 1:48:49.439
<v Speaker 1>what ha to be right now. Who would have to

1:48:49.479 --> 1:48:53.200
<v Speaker 1>be talk lu goddamn it makes him more would like

1:48:58.240 --> 1:49:00.760
<v Speaker 1>I'm saying, you know, but so gonna say, listen, this

1:49:00.840 --> 1:49:02.280
<v Speaker 1>is the little last bit you can make it in

1:49:02.280 --> 1:49:03.920
<v Speaker 1>the world. You're going straight for the rest of your life.

1:49:04.560 --> 1:49:09.000
<v Speaker 1>But he did that already. This is it. You'll get

1:49:09.080 --> 1:49:12.120
<v Speaker 1>one last That's what happened, and you will give it

1:49:12.200 --> 1:49:14.360
<v Speaker 1>to you will give it to al Yeah, and that

1:49:14.800 --> 1:49:17.080
<v Speaker 1>kind of happened already because I don't believe how we're

1:49:17.120 --> 1:49:20.120
<v Speaker 1>living off that. Soon. You don't believe it's good. It's

1:49:20.120 --> 1:49:21.800
<v Speaker 1>gonna be on the Chase. It's gonna be on Chase

1:49:21.880 --> 1:49:27.280
<v Speaker 1>commercial um for the next few months. Right. But you

1:49:27.360 --> 1:49:32.439
<v Speaker 1>know Deadpool too, Wow, wow, working on the soundtrack for

1:49:32.560 --> 1:49:39.160
<v Speaker 1>Deadpool three. Possibly, Come on, bro, you know you believe

1:49:39.200 --> 1:49:46.080
<v Speaker 1>where that that little angle got me. It's it's really different.

1:49:46.479 --> 1:49:49.800
<v Speaker 1>It's beautiful thing. It's beautiful, beautiful, beautiful. Hip Hop saves lives,

1:49:49.960 --> 1:49:56.680
<v Speaker 1>hip Hop say his last real hip hop says, is

1:49:56.720 --> 1:50:00.280
<v Speaker 1>it is there anything? Um, you will want to like

1:50:00.360 --> 1:50:03.000
<v Speaker 1>you feel like you got left in the game. Um,

1:50:03.120 --> 1:50:07.080
<v Speaker 1>the game could be the game in the game. For me,

1:50:07.400 --> 1:50:10.640
<v Speaker 1>the game is lane. I'm doing something different, but the

1:50:10.760 --> 1:50:14.280
<v Speaker 1>game is like go ahead, you know, um what I

1:50:14.320 --> 1:50:17.920
<v Speaker 1>would like to do. Any music supervisors checking this out,

1:50:18.040 --> 1:50:19.719
<v Speaker 1>you know, I want to I want to score movies.

1:50:20.520 --> 1:50:23.519
<v Speaker 1>You know. I scored like a few scenes for Biggie's movie.

1:50:23.800 --> 1:50:26.479
<v Speaker 1>But um, as you can tell, you know, they had

1:50:26.800 --> 1:50:29.160
<v Speaker 1>had me and missed me. They let me actually do it.

1:50:29.520 --> 1:50:33.160
<v Speaker 1>But um, even in Pops movie, I had like a

1:50:33.280 --> 1:50:35.240
<v Speaker 1>scene or two that we did it for. So I

1:50:35.280 --> 1:50:39.120
<v Speaker 1>would rather get into doing scenes for movies and making

1:50:39.280 --> 1:50:42.840
<v Speaker 1>stuff for movies and theatrical or something like that. I mean,

1:50:42.920 --> 1:50:45.439
<v Speaker 1>the music is good. I'm good with the pub pub

1:50:45.600 --> 1:50:48.360
<v Speaker 1>right now. The public. The public is good, Okay, I

1:50:48.439 --> 1:50:51.240
<v Speaker 1>mean the public. I mean, my earlier records don't really

1:50:51.280 --> 1:50:54.560
<v Speaker 1>make pub but you know the popular ones do and

1:50:54.920 --> 1:50:58.280
<v Speaker 1>it's pretty good. It's it's good. It's like we don't

1:50:58.280 --> 1:51:01.120
<v Speaker 1>have four oh one K and pop. But if you

1:51:01.160 --> 1:51:06.800
<v Speaker 1>got your should to be honest, publishing is that I

1:51:06.960 --> 1:51:09.160
<v Speaker 1>just didn't get your ship. You could get a good

1:51:09.240 --> 1:51:12.240
<v Speaker 1>record and then you you'd be surprised. Yeah, it's very

1:51:12.240 --> 1:51:16.000
<v Speaker 1>because it's almost you know, it's crazy, because to be honest,

1:51:16.040 --> 1:51:17.880
<v Speaker 1>if Kanye didn't do that and I didn't have pop,

1:51:18.439 --> 1:51:21.439
<v Speaker 1>it would be a whole different story. If you understand

1:51:21.439 --> 1:51:25.400
<v Speaker 1>what I'm saying, it's different. It's a different story. Pup

1:51:25.560 --> 1:51:28.559
<v Speaker 1>is important. Anybody out there even wanted to make records,

1:51:29.000 --> 1:51:33.080
<v Speaker 1>make hit records. Okay, mother, we gotta take off a shot.

1:51:33.160 --> 1:51:38.080
<v Speaker 1>Tiger bonus the tradition on the show it's got sorry

1:51:38.240 --> 1:51:40.760
<v Speaker 1>for like this is the second quarter we're gonna do.

1:51:40.880 --> 1:51:44.439
<v Speaker 1>It's not a lot. You know. What's so terrible I've

1:51:44.479 --> 1:51:47.720
<v Speaker 1>wished because Tiger doesn't not go with the one does

1:51:48.479 --> 1:51:50.920
<v Speaker 1>it doesn't know anything though, It doesn't go with the

1:51:51.000 --> 1:51:54.080
<v Speaker 1>one just bust it down? Were bust it? Yeah? Yeah,

1:51:54.120 --> 1:51:58.920
<v Speaker 1>I appreciate yours. I think it was well overdue though,

1:51:58.920 --> 1:52:00.920
<v Speaker 1>because you know, yeah, I seen a lot of you know,

1:52:00.960 --> 1:52:04.040
<v Speaker 1>there's a lot of misconceptions about Molly mall out there

1:52:04.439 --> 1:52:06.639
<v Speaker 1>for years, for years, I've been just letting people yap

1:52:06.760 --> 1:52:09.000
<v Speaker 1>and talking. So we quite dude sitting in the back,

1:52:09.400 --> 1:52:11.519
<v Speaker 1>we're just watching it. But we got was one of

1:52:11.600 --> 1:52:15.439
<v Speaker 1>the misconceptions of Marty Mall that you think that happens

1:52:15.479 --> 1:52:19.920
<v Speaker 1>out here. Um. One of the misconceptions, because one everybody

1:52:19.960 --> 1:52:23.720
<v Speaker 1>always thought you on cold chilling. Yeah, anything that was

1:52:24.000 --> 1:52:27.200
<v Speaker 1>was cold chilling, blamed like they always blame. The misconception

1:52:27.400 --> 1:52:29.559
<v Speaker 1>is any artist that ever said, oh, Molly didn't make

1:52:29.600 --> 1:52:31.280
<v Speaker 1>that record, and then they went on to do records

1:52:31.400 --> 1:52:33.519
<v Speaker 1>later and it never sounds like what we did together.

1:52:33.880 --> 1:52:38.160
<v Speaker 1>M That's all I can say. All right, so this

1:52:38.240 --> 1:53:01.679
<v Speaker 1>is out of I like that. She was good. Yeah,

1:53:01.960 --> 1:53:05.040
<v Speaker 1>never get used to bet yourf put the flame right here,

1:53:05.120 --> 1:53:10.280
<v Speaker 1>come out. So how was it being in the game

1:53:11.080 --> 1:53:14.720
<v Speaker 1>back then? You know, you guys, because the people before you,

1:53:17.320 --> 1:53:22.800
<v Speaker 1>the Mellie males, the busy mens, the peers. I'm not

1:53:23.320 --> 1:53:26.040
<v Speaker 1>but what you can see yourself a godfather because the

1:53:26.120 --> 1:53:33.759
<v Speaker 1>father comes us said father, I've had a game changes.

1:53:34.479 --> 1:53:39.479
<v Speaker 1>But that is but the pioneerzs the guys that came

1:53:39.479 --> 1:53:46.000
<v Speaker 1>to America first and sloughtered the Indians. But we we

1:53:46.040 --> 1:53:48.960
<v Speaker 1>didn't have to do that. They came to the architects

1:53:50.960 --> 1:53:53.840
<v Speaker 1>because because like you said, like you guys were the

1:53:53.920 --> 1:53:57.519
<v Speaker 1>first like um, he's uh private jets and showing like

1:53:57.560 --> 1:54:00.960
<v Speaker 1>that as opposed to other people was before who was

1:54:01.040 --> 1:54:04.080
<v Speaker 1>like like they didn't really they said they didn't make money,

1:54:04.960 --> 1:54:07.519
<v Speaker 1>you know, and it was like this is really good though.

1:54:07.800 --> 1:54:12.640
<v Speaker 1>They looked at the cause and and you know, I

1:54:12.720 --> 1:54:14.720
<v Speaker 1>feel like you got your era. You guys are the

1:54:15.160 --> 1:54:18.280
<v Speaker 1>architects of modern hip hop or became modern. Hi the

1:54:18.479 --> 1:54:26.439
<v Speaker 1>change that's going like that because you're right, you know

1:54:26.600 --> 1:54:28.840
<v Speaker 1>they ain't seen niggas at tinter Borrow on two weekends,

1:54:29.520 --> 1:54:32.080
<v Speaker 1>right right, That's that's that's the real talk. That's real.

1:54:32.200 --> 1:54:34.080
<v Speaker 1>And who for those wasn't y'all don't know what tinter burrows.

1:54:34.120 --> 1:54:36.720
<v Speaker 1>That's the private airport. Yes you know what. It's the

1:54:36.760 --> 1:54:40.600
<v Speaker 1>clear port clip board, yes, clear port. You know what

1:54:40.720 --> 1:54:44.000
<v Speaker 1>I mean. So so we you know, we opened that up. Derek,

1:54:44.040 --> 1:54:45.360
<v Speaker 1>I feel like you want to come over here, brother,

1:54:49.480 --> 1:54:57.800
<v Speaker 1>my cousin, Dirk Deck. That's Jacks. That man. He's a legend.

1:54:57.840 --> 1:55:00.840
<v Speaker 1>He's a legend, man, motherfucker. And you're a legend, law

1:55:01.840 --> 1:55:09.720
<v Speaker 1>And that is what I want. When they tell you,

1:55:11.760 --> 1:55:14.880
<v Speaker 1>let me just tell your mother we hear everybody to

1:55:14.920 --> 1:55:17.320
<v Speaker 1>give our legends they flowers because so many people like,

1:55:17.840 --> 1:55:20.360
<v Speaker 1>we want to give these people they flowers when they

1:55:20.400 --> 1:55:23.440
<v Speaker 1>can smell them, they treats when they hell them, they

1:55:23.520 --> 1:55:25.160
<v Speaker 1>thought so when they could think them, and their drinks

1:55:25.160 --> 1:55:27.840
<v Speaker 1>where they can drink them. So many people want to

1:55:27.880 --> 1:55:30.280
<v Speaker 1>celebrate a hip hop legend. I look at it. It's like,

1:55:30.720 --> 1:55:33.560
<v Speaker 1>you know what, these people need their flowers while they're here.

1:55:33.720 --> 1:55:35.520
<v Speaker 1>You know what I'm saying. Okay, this is the reason

1:55:35.600 --> 1:55:38.720
<v Speaker 1>why people give up the love on the live. No

1:55:38.840 --> 1:55:40.520
<v Speaker 1>way for me to die and say I was the greatest.

1:55:40.640 --> 1:55:43.080
<v Speaker 1>Yeah yeah man. And it's your home where you're welcome

1:55:43.120 --> 1:55:49.400
<v Speaker 1>and anybody doing it. I'm that's all we created this show.

1:55:50.360 --> 1:55:52.120
<v Speaker 1>You come up with your movie or your book first,

1:55:52.120 --> 1:55:55.400
<v Speaker 1>because I got a little confused. But I'm working on

1:55:55.480 --> 1:55:57.920
<v Speaker 1>the book to become a movie. But let me just

1:55:58.000 --> 1:56:01.120
<v Speaker 1>tell you it's the jew is it the Juice Crew

1:56:01.320 --> 1:56:03.880
<v Speaker 1>movie that us you should come with first. I'm gonna

1:56:03.880 --> 1:56:08.160
<v Speaker 1>be honest, that's ill. That's the story that the Juice Crew. Like,

1:56:08.280 --> 1:56:11.160
<v Speaker 1>I'm just telling you, it's that introduces the Juice Crew

1:56:11.240 --> 1:56:16.120
<v Speaker 1>movie might make more sense. I'm doing all like, like

1:56:16.320 --> 1:56:18.240
<v Speaker 1>that's gonna mess with n w A because you know

1:56:18.400 --> 1:56:21.920
<v Speaker 1>why everybody's still here. The movies that were the people

1:56:21.960 --> 1:56:24.120
<v Speaker 1>that are still here is always gonna be the best movies.

1:56:24.200 --> 1:56:26.640
<v Speaker 1>That's why I would saying, you know, you know, go

1:56:26.720 --> 1:56:29.160
<v Speaker 1>to that. And then I introduced the malim just I

1:56:29.200 --> 1:56:31.520
<v Speaker 1>don't know. I'm just just a real fan, like this

1:56:31.600 --> 1:56:33.880
<v Speaker 1>is a real fan and the fan mode. You know

1:56:33.960 --> 1:56:35.800
<v Speaker 1>what I wanted to do. I want to do my

1:56:35.960 --> 1:56:38.800
<v Speaker 1>perspective of what I the way I've seen everything. But

1:56:38.960 --> 1:56:41.320
<v Speaker 1>your movie could be called the Juice Crew, right, it

1:56:41.400 --> 1:56:45.920
<v Speaker 1>could be you. I want my movie to be through

1:56:46.000 --> 1:56:48.800
<v Speaker 1>my eyes, why everything was happening, what I was thinking,

1:56:49.080 --> 1:56:52.320
<v Speaker 1>what I was seeing, what I was saying, what everything means.

1:56:52.680 --> 1:56:54.920
<v Speaker 1>You think about it, You're the first riser, like the

1:56:55.000 --> 1:56:58.680
<v Speaker 1>first Daddy, You're the first, you know, the first everybody

1:56:58.760 --> 1:57:02.440
<v Speaker 1>who like has the first WU tank type of that ship.

1:57:02.560 --> 1:57:05.480
<v Speaker 1>That ship came from you, Like, I'm proud that I'm

1:57:05.480 --> 1:57:07.520
<v Speaker 1>from Queens, you know what I'm saying, because and I'm

1:57:07.560 --> 1:57:10.280
<v Speaker 1>proud of that. So you gotta capture that ship. You

1:57:10.440 --> 1:57:13.000
<v Speaker 1>know that Queen. I ain't gonna lie. I'm gonna be honest.

1:57:13.200 --> 1:57:15.880
<v Speaker 1>We're living so much of a dumb era. That. I

1:57:15.920 --> 1:57:18.160
<v Speaker 1>don't know if you shouldn't drop the book first. The

1:57:18.240 --> 1:57:21.560
<v Speaker 1>movie might have to come first because they thinks they

1:57:21.720 --> 1:57:26.320
<v Speaker 1>read it. I'm just telling you he's thinking pros, he's thinking,

1:57:27.240 --> 1:57:30.320
<v Speaker 1>he's thinking so herod out here. That's my cousins out

1:57:30.360 --> 1:57:35.920
<v Speaker 1>here in cocaine on the tables like this is it.

1:57:36.440 --> 1:57:45.760
<v Speaker 1>I'm getting there, my wrestler friend from from Baro. I'm

1:57:45.800 --> 1:57:48.600
<v Speaker 1>just saying it's easier because he thinks dumb in this

1:57:48.760 --> 1:57:53.840
<v Speaker 1>generation might be easier. I'm sorry, I love you. Get

1:57:53.920 --> 1:58:00.040
<v Speaker 1>my audio voe again ready too high audioboo audiobook and

1:58:01.000 --> 1:58:03.520
<v Speaker 1>give them a visual because these niggas is like they're

1:58:03.560 --> 1:58:05.120
<v Speaker 1>gonna be like that. I ain't gonna I don't want

1:58:05.480 --> 1:58:07.400
<v Speaker 1>a vote right now. I don't know. My thing is

1:58:07.440 --> 1:58:10.000
<v Speaker 1>just dumb. The niggas that fun with me. I don't

1:58:10.040 --> 1:58:11.920
<v Speaker 1>know that. I'm just throwing it out there. I don't

1:58:11.960 --> 1:58:16.080
<v Speaker 1>saying it first to make sure it's it's complete, right. Yeah,

1:58:16.880 --> 1:58:20.280
<v Speaker 1>it's gonna be honest. Movie, the movie gotta be. You

1:58:20.280 --> 1:58:22.200
<v Speaker 1>gotta answer the show. I'll tell you gonna go right

1:58:22.280 --> 1:58:24.560
<v Speaker 1>with that boy. I'm just telling you that it's easier

1:58:24.600 --> 1:58:29.120
<v Speaker 1>to go. You got favorite and the youth or the

1:58:29.240 --> 1:58:32.520
<v Speaker 1>niggas that funk with us, the niggas that funk with us.

1:58:32.520 --> 1:58:37.240
<v Speaker 1>It's not very smart. I like them. I like, man,

1:58:37.640 --> 1:58:44.840
<v Speaker 1>we're talking like you what, I know exactly who they are.

1:58:45.160 --> 1:58:48.840
<v Speaker 1>I don't think going with it many. I know you. Yeah,

1:58:48.880 --> 1:58:54.800
<v Speaker 1>I'm sorry. I went to ive that. So you've done everything?

1:58:55.720 --> 1:58:59.760
<v Speaker 1>Uh uh? What do you think about other other producers?

1:58:59.760 --> 1:59:01.800
<v Speaker 1>Like and who was the first person that you saw

1:59:02.000 --> 1:59:04.320
<v Speaker 1>like that? You said, Dad, he took my blueprint, but

1:59:04.440 --> 1:59:06.080
<v Speaker 1>in a good way, like you know, like like the

1:59:06.400 --> 1:59:10.960
<v Speaker 1>next I say, Premier ain't premiere because he personally told me.

1:59:11.000 --> 1:59:13.200
<v Speaker 1>He said, yo, nobody beats the bills. Was kind of

1:59:13.240 --> 1:59:17.200
<v Speaker 1>like my blueprint because you scratched, you cut a hook

1:59:17.400 --> 1:59:22.240
<v Speaker 1>from different parts. So Fresh speaks bis Monkey the Star

1:59:22.400 --> 1:59:25.760
<v Speaker 1>to show he's bus mokey, so Fresh you know what

1:59:25.800 --> 1:59:28.480
<v Speaker 1>I'm saying. And I took different parts and was cutting.

1:59:29.000 --> 1:59:32.040
<v Speaker 1>I cut the hook and he was like, that was

1:59:32.120 --> 1:59:36.640
<v Speaker 1>my blueprint. Oh now he's saying, it makes sense, you know.

1:59:36.760 --> 1:59:38.680
<v Speaker 1>And then the other than that was he cut the samples,

1:59:38.720 --> 1:59:41.400
<v Speaker 1>like the samples like right, he would scratch the samples

1:59:41.920 --> 1:59:44.000
<v Speaker 1>to make the hook, and you know, and he said

1:59:44.040 --> 1:59:45.680
<v Speaker 1>he said he first heard that or nobody beats the

1:59:45.720 --> 1:59:49.879
<v Speaker 1>BIS and I'm like, Okay, that's a that's a big honor. Secondly,

1:59:50.480 --> 1:59:54.840
<v Speaker 1>I would say, um, p Rock, I mean p Rock,

1:59:56.120 --> 1:59:59.480
<v Speaker 1>I mean the way he took sampling on on on

1:59:59.840 --> 2:00:02.160
<v Speaker 1>the your machine and equipment that he was using was incredible.

2:00:03.360 --> 2:00:05.160
<v Speaker 1>And the things he was able to do off of

2:00:05.200 --> 2:00:10.120
<v Speaker 1>those little five seven seconds it became incredible. By speeding

2:00:10.160 --> 2:00:12.520
<v Speaker 1>the record up, putting it in fast, and then slowing

2:00:12.560 --> 2:00:15.480
<v Speaker 1>it down getting more sample time. I never thought of that.

2:00:16.120 --> 2:00:19.040
<v Speaker 1>That's almost as dope as Flash with the back spin

2:00:19.440 --> 2:00:23.440
<v Speaker 1>on three revolutions for you know, three level revolutions forward,

2:00:23.560 --> 2:00:27.880
<v Speaker 1>three level revolutions backwards. That's genus. Instead of picking the

2:00:27.960 --> 2:00:31.960
<v Speaker 1>needle up and and and recording it fast and small

2:00:32.040 --> 2:00:36.880
<v Speaker 1>sampling time and then slowing it down, that's genius right there.

2:00:37.320 --> 2:00:40.680
<v Speaker 1>Nobody gives him his credit for that. The last record

2:00:40.760 --> 2:00:42.920
<v Speaker 1>you could produce that you you could be a part

2:00:43.000 --> 2:00:45.840
<v Speaker 1>of that. You you're not gonna produce. You got one

2:00:46.080 --> 2:00:53.160
<v Speaker 1>producer to high hoos y mall get to do it.

2:00:53.320 --> 2:00:58.840
<v Speaker 1>The last b would mix it. Kanye, I thought you

2:00:58.880 --> 2:01:04.200
<v Speaker 1>were gonna say that here, man, he's dope. You know

2:01:04.280 --> 2:01:07.120
<v Speaker 1>what you got? You got overlooked like the last year.

2:01:07.720 --> 2:01:12.280
<v Speaker 1>That's dope. But because but but you know it's production

2:01:12.360 --> 2:01:15.880
<v Speaker 1>and and what he did with sampleman and then started

2:01:15.920 --> 2:01:22.440
<v Speaker 1>pitching things up and can you say, yeah, it's super.

2:01:24.240 --> 2:01:27.360
<v Speaker 1>He took that ship out of this world from what

2:01:27.480 --> 2:01:29.960
<v Speaker 1>I started, if you know what I mean. I brought

2:01:30.000 --> 2:01:32.160
<v Speaker 1>her heir, he brought it hair. Wait what are we

2:01:32.240 --> 2:01:36.720
<v Speaker 1>talking about their fluid again? In the flu so what

2:01:36.840 --> 2:01:39.320
<v Speaker 1>did you just think? I'm so I didn't will be

2:01:39.440 --> 2:01:41.920
<v Speaker 1>that person that makes that last final record for me

2:01:42.680 --> 2:01:45.160
<v Speaker 1>if it was ever to be made, Wow, I would

2:01:45.280 --> 2:01:46.960
<v Speaker 1>let let him do it and I'll mix it down.

2:01:47.120 --> 2:01:50.440
<v Speaker 1>That's gonna happen now for drink champions happen, not his

2:01:50.560 --> 2:01:57.320
<v Speaker 1>last wack. This and this new generation. Who is a

2:01:57.400 --> 2:02:03.760
<v Speaker 1>person that you would work with a new generation the

2:02:03.840 --> 2:02:08.640
<v Speaker 1>future future? Quick? I hear you with Kendricks to Ke Kendrick,

2:02:09.720 --> 2:02:13.880
<v Speaker 1>Ja Cole easy to j Ken already I would lace

2:02:15.480 --> 2:02:17.880
<v Speaker 1>righte at least that would be ho ship. I want

2:02:17.920 --> 2:02:27.480
<v Speaker 1>to I want to do CNN David History. Yeah, yeah,

2:02:27.520 --> 2:02:29.680
<v Speaker 1>you know, we gotta talk about Rker's Allen. That's what

2:02:29.760 --> 2:02:32.120
<v Speaker 1>I'm saying, because um, I just want I want, I

2:02:32.160 --> 2:02:36.840
<v Speaker 1>just want the fans to know. Um how much of

2:02:36.880 --> 2:02:39.280
<v Speaker 1>a fan I am of you, and what you was

2:02:39.360 --> 2:02:41.720
<v Speaker 1>doing is you know, he was living at a time

2:02:41.760 --> 2:02:43.920
<v Speaker 1>where I could have sampled the record and I could

2:02:43.920 --> 2:02:45.960
<v Speaker 1>have still paid you just from sampling the record, but

2:02:46.040 --> 2:02:48.440
<v Speaker 1>I didn't want to do that. I actually wanted to

2:02:48.480 --> 2:02:51.040
<v Speaker 1>go back in the studio. I wanted to recreate it,

2:02:51.120 --> 2:02:53.280
<v Speaker 1>and I had g Rap. I did. We did everything.

2:02:53.400 --> 2:02:55.200
<v Speaker 1>I don't remember g Rap came to the crib that

2:02:55.320 --> 2:02:58.240
<v Speaker 1>day or if he came later, but I came, I

2:02:58.320 --> 2:03:01.960
<v Speaker 1>went in with you. Is this h I was. We

2:03:02.080 --> 2:03:04.480
<v Speaker 1>did it correctly. You know, it's so weird to me

2:03:04.560 --> 2:03:06.880
<v Speaker 1>and him. We did a lot of records together, but

2:03:07.000 --> 2:03:10.960
<v Speaker 1>we didn't work together a lot until then. Who you know,

2:03:11.160 --> 2:03:13.640
<v Speaker 1>me and you. Okay, you get a lot of records together.

2:03:13.760 --> 2:03:16.360
<v Speaker 1>Like I was like remixing this for y'all, do this,

2:03:16.520 --> 2:03:18.840
<v Speaker 1>and this is me on my own right. But now

2:03:19.360 --> 2:03:21.680
<v Speaker 1>he came back, He's like, yo, I got this check

2:03:21.760 --> 2:03:23.880
<v Speaker 1>for you. You know, it's the crazy ship. I gotta

2:03:23.920 --> 2:03:26.320
<v Speaker 1>say before I get up out of here. A lot

2:03:26.360 --> 2:03:29.080
<v Speaker 1>of motherfucker's I put on. The niggas never cut me

2:03:29.160 --> 2:03:35.160
<v Speaker 1>a check when they got on. Bitch, ask niggas a

2:03:35.200 --> 2:03:39.240
<v Speaker 1>lot of motherfuckers I put the funk on, and you know,

2:03:39.320 --> 2:03:41.760
<v Speaker 1>they got they got any position and they act like

2:03:41.880 --> 2:03:44.000
<v Speaker 1>you know, the niggas never cut me a motherfucker check,

2:03:44.080 --> 2:03:51.400
<v Speaker 1>so funck y'all n get love with that. He got

2:03:51.440 --> 2:03:54.920
<v Speaker 1>in position that came back with the check, and I

2:03:55.000 --> 2:03:59.760
<v Speaker 1>saw niggas want classic because I loved breakers. I was

2:03:59.800 --> 2:04:01.720
<v Speaker 1>so much and when I went into the research and

2:04:01.760 --> 2:04:03.680
<v Speaker 1>it's like, yo, it was you Andy Wrap. I wanted

2:04:03.680 --> 2:04:05.600
<v Speaker 1>to be honest with you both. You know what I'm saying.

2:04:05.640 --> 2:04:07.840
<v Speaker 1>So I got in a position to do do such

2:04:08.120 --> 2:04:09.400
<v Speaker 1>and I wanted to do it. I wanted to do

2:04:09.440 --> 2:04:10.840
<v Speaker 1>it on my own too, because a lot of times

2:04:10.880 --> 2:04:13.680
<v Speaker 1>we worked before it was through trash and I wanted

2:04:13.680 --> 2:04:15.360
<v Speaker 1>you to know, like I cool, it was kind of

2:04:15.440 --> 2:04:17.720
<v Speaker 1>limited to Yeah, it was because he wasn't around a lot.

2:04:17.920 --> 2:04:22.320
<v Speaker 1>Yeah it was around. No, no, no, no about I

2:04:22.440 --> 2:04:25.040
<v Speaker 1>wasn't Yeah, I wasn't there. Yea, he wasn't. It didn't

2:04:25.040 --> 2:04:27.480
<v Speaker 1>invite me to that session. I've been taking that personal

2:04:27.560 --> 2:04:32.360
<v Speaker 1>for years. Don't worry about that. It's not your big

2:04:32.400 --> 2:04:33.640
<v Speaker 1>thing up. You know, I love him. I speak to

2:04:33.680 --> 2:04:35.640
<v Speaker 1>Compone all the time. Trash, you know what's going on,

2:04:36.120 --> 2:04:39.200
<v Speaker 1>and yeah, man, I just love the history. I just

2:04:39.280 --> 2:04:41.320
<v Speaker 1>love what you did tonight, man, you know, because a

2:04:41.360 --> 2:04:43.120
<v Speaker 1>lot of people don't hear you talk. A lot of people,

2:04:43.600 --> 2:04:49.120
<v Speaker 1>you know, I'd be silent, man, you just watching these mothers. Yeah,

2:04:49.200 --> 2:04:51.000
<v Speaker 1>but we live in the day at the time. If

2:04:51.280 --> 2:04:53.960
<v Speaker 1>if if you don't actually say, like, if it ain't

2:04:54.000 --> 2:04:56.120
<v Speaker 1>on camera, it didn't even happen. That's why I'm head.

2:04:56.320 --> 2:04:59.600
<v Speaker 1>I'm saying it ain't happen. So well, you got this platform,

2:04:59.720 --> 2:05:06.440
<v Speaker 1>yes man, madness like so many people like I just

2:05:06.600 --> 2:05:08.760
<v Speaker 1>I just think that that's a disrespect to our culture

2:05:08.800 --> 2:05:13.880
<v Speaker 1>when people like the wine listen, listen, one is not

2:05:14.040 --> 2:05:17.400
<v Speaker 1>good unless the ages. You understand what I'm saying, Like,

2:05:17.800 --> 2:05:19.880
<v Speaker 1>we can make a wine right now that is gonna

2:05:19.880 --> 2:05:21.640
<v Speaker 1>be full of sugar, It's gonna be full or whatever.

2:05:22.000 --> 2:05:24.760
<v Speaker 1>But let let's just sit around for ten days, you know,

2:05:24.920 --> 2:05:26.720
<v Speaker 1>and then do that and then you you get to

2:05:26.720 --> 2:05:29.720
<v Speaker 1>see an age and there's no platform for that for

2:05:29.920 --> 2:05:33.000
<v Speaker 1>our culture. So me and my my, my, my friend

2:05:33.120 --> 2:05:35.360
<v Speaker 1>right here, we sat here and said, you know what,

2:05:35.640 --> 2:05:37.760
<v Speaker 1>let's just and we're gonna do it like that. We

2:05:37.840 --> 2:05:40.000
<v Speaker 1>want to salute our legends. We want to salute the

2:05:40.040 --> 2:05:42.520
<v Speaker 1>people that who has been seasoned who's been here for

2:05:42.640 --> 2:05:45.440
<v Speaker 1>twenty years and still the test of time, it's still here.

2:05:45.800 --> 2:05:50.160
<v Speaker 1>And every other culture in the world salutes their legends

2:05:50.200 --> 2:05:53.080
<v Speaker 1>at this time, at this point, Why the fun are

2:05:53.200 --> 2:05:58.800
<v Speaker 1>we the only culture that it says, Okay, you got y'all,

2:05:58.800 --> 2:06:01.920
<v Speaker 1>got y'all, you got up. You know the radio stations

2:06:01.920 --> 2:06:04.120
<v Speaker 1>and all that, but this is our platform that we

2:06:04.240 --> 2:06:06.640
<v Speaker 1>want to salute our motherfucker legends, you know what I'm saying,

2:06:12.760 --> 2:06:14.600
<v Speaker 1>And we don't want to do it. Why they come

2:06:14.640 --> 2:06:16.760
<v Speaker 1>on when people is that that's not let's do it

2:06:16.880 --> 2:06:19.800
<v Speaker 1>in your face. You know that you're on the way

2:06:19.800 --> 2:06:22.360
<v Speaker 1>to cats getting the casket before you telling me what

2:06:22.520 --> 2:06:25.880
<v Speaker 1>it is, because you know, sometimes in life, to be honest,

2:06:26.040 --> 2:06:28.480
<v Speaker 1>I'm gonna tell you what the most dishearteness thing is

2:06:28.520 --> 2:06:34.000
<v Speaker 1>about the whole industry that I feel is discredit somebody.

2:06:34.200 --> 2:06:36.360
<v Speaker 1>You know, you put in work, you change the game,

2:06:36.440 --> 2:06:39.360
<v Speaker 1>and somebody's gonna trying to discredit what you're doing and

2:06:39.520 --> 2:06:43.960
<v Speaker 1>going with it histor ahead and history around. You know,

2:06:44.400 --> 2:06:46.240
<v Speaker 1>you don't be seeing you don't be seeing me on

2:06:46.520 --> 2:06:48.720
<v Speaker 1>all these awards shows and all that like you should,

2:06:49.560 --> 2:06:54.440
<v Speaker 1>because somewhere somebody's trying to write around me. That's why

2:06:54.560 --> 2:06:56.520
<v Speaker 1>my story got to be told. That's why I appreciate

2:06:56.760 --> 2:06:59.760
<v Speaker 1>you guys doing what you do, but I appreciate this platform.

2:07:00.920 --> 2:07:03.200
<v Speaker 1>Know your story should be told. It has to be told.

2:07:04.040 --> 2:07:06.600
<v Speaker 1>It's what I mean, Um, you know, me just even

2:07:06.640 --> 2:07:08.760
<v Speaker 1>seeing that this is just a little rock said thing

2:07:09.200 --> 2:07:12.680
<v Speaker 1>and then me knowing I'm just saying, uh, it's just so,

2:07:13.000 --> 2:07:15.680
<v Speaker 1>it's just so much that needs to be I'm saying

2:07:15.680 --> 2:07:18.320
<v Speaker 1>everything you said to me just now. I saw it visually,

2:07:18.880 --> 2:07:21.240
<v Speaker 1>like I literally saw it, like when you said you're

2:07:21.320 --> 2:07:25.800
<v Speaker 1>just the Queen's Bridge Department alone, just on those records,

2:07:25.920 --> 2:07:28.200
<v Speaker 1>like if you're a hip hop storian, and you know

2:07:28.360 --> 2:07:31.320
<v Speaker 1>those records that you just said, and you mentioned that's

2:07:31.480 --> 2:07:34.000
<v Speaker 1>that alone is a movie. Bro. No, that that alone

2:07:34.160 --> 2:07:38.160
<v Speaker 1>is crazy because no one would never know this. You

2:07:38.200 --> 2:07:41.840
<v Speaker 1>know what I'm saying. Every everyone everyone thinks that a

2:07:42.000 --> 2:07:45.760
<v Speaker 1>hit record is playing, you know, sixteen months in advance.

2:07:46.000 --> 2:07:47.640
<v Speaker 1>A lot of people don't know. It's just it's the

2:07:47.720 --> 2:07:50.040
<v Speaker 1>spirit of the moment of the time. And that was

2:07:50.080 --> 2:07:52.320
<v Speaker 1>the testament of what you just said and the craziness.

2:07:52.560 --> 2:07:55.360
<v Speaker 1>A lot of artists don't even know why they're famous,

2:07:56.760 --> 2:07:58.520
<v Speaker 1>and that's the truth. They don't know why the fun

2:07:58.640 --> 2:08:00.800
<v Speaker 1>they're famous. They think they put out of high record,

2:08:01.560 --> 2:08:04.680
<v Speaker 1>but motherfucker used the promotion of the month and and

2:08:04.920 --> 2:08:07.480
<v Speaker 1>and it clicked. People started to like it. Because the

2:08:07.560 --> 2:08:09.960
<v Speaker 1>next month he wasn't the promotion of the month, somebody

2:08:10.000 --> 2:08:11.840
<v Speaker 1>else was, and the next record didn't work the way

2:08:11.920 --> 2:08:14.280
<v Speaker 1>that mean did. So a lot of artists don't even

2:08:14.320 --> 2:08:18.240
<v Speaker 1>realize why the funk they famous, because you know how

2:08:18.280 --> 2:08:22.400
<v Speaker 1>record companies work when we promote this week, but I

2:08:22.400 --> 2:08:24.560
<v Speaker 1>don't give a funk with this artist guy we promoting him.

2:08:25.560 --> 2:08:27.640
<v Speaker 1>And you know, a lot of people don't realize that

2:08:27.760 --> 2:08:30.480
<v Speaker 1>they happen to be in that matrix at the minute,

2:08:30.560 --> 2:08:33.600
<v Speaker 1>because I've seen too many superstars try to make records

2:08:33.720 --> 2:08:36.240
<v Speaker 1>not in the matrix and it doesn't work. I know

2:08:36.320 --> 2:08:40.720
<v Speaker 1>why exactly every record, every successful record I ever made,

2:08:40.760 --> 2:08:44.440
<v Speaker 1>I know why it worked. There's certain elements you need

2:08:45.120 --> 2:08:46.600
<v Speaker 1>to make it work. That's maybe that's why I won't

2:08:46.640 --> 2:08:50.600
<v Speaker 1>make records now, because there's certain elements you need. And

2:08:50.720 --> 2:08:54.200
<v Speaker 1>now it's algorithms right that too, but you know, a

2:08:54.280 --> 2:08:59.040
<v Speaker 1>certain elements you need. You know, artists need the ability

2:08:59.120 --> 2:09:02.960
<v Speaker 1>to make people want to be then unlike them. I

2:09:03.080 --> 2:09:04.960
<v Speaker 1>like what he's wearing. I want to wear that. You

2:09:05.000 --> 2:09:06.960
<v Speaker 1>know what I'm saying. It's not just a record no more.

2:09:07.840 --> 2:09:10.120
<v Speaker 1>It's a little more to it. Anybody can make a

2:09:10.200 --> 2:09:12.720
<v Speaker 1>high record, but do you have the ability to make

2:09:12.800 --> 2:09:16.360
<v Speaker 1>people like you? Do you have that energy to pull

2:09:16.440 --> 2:09:19.320
<v Speaker 1>him in? Even if you make wax ship? Why do

2:09:19.440 --> 2:09:23.040
<v Speaker 1>people like Drake He ain't the best in the world,

2:09:23.920 --> 2:09:27.920
<v Speaker 1>but he has an energy that pulls you in. Why

2:09:28.000 --> 2:09:30.640
<v Speaker 1>do people like Kanye or jay Z or what whoever?

2:09:31.280 --> 2:09:33.640
<v Speaker 1>It's not the music. They have an energy that pulls

2:09:33.800 --> 2:09:38.040
<v Speaker 1>the people in. So it's more than the music. People

2:09:38.080 --> 2:09:41.280
<v Speaker 1>got to realize that it's more than music and kind

2:09:41.320 --> 2:09:44.440
<v Speaker 1>of always been more to music. Yeah, yeah, you know,

2:09:44.520 --> 2:09:46.560
<v Speaker 1>if you if you that fly cat, everybody want to

2:09:46.760 --> 2:09:48.480
<v Speaker 1>dress like him, look like and where what you're wear

2:09:48.640 --> 2:09:52.000
<v Speaker 1>like Quam Quam wasn't the illness, but when you're seeing

2:09:52.120 --> 2:09:54.320
<v Speaker 1>qualm with that poker dots, I wouldn't got a poke

2:09:54.320 --> 2:09:58.560
<v Speaker 1>a dot shirt. There you go, hold on little that

2:09:58.720 --> 2:10:06.000
<v Speaker 1>left right, Definitely, I have sixty one that's it. Took

2:10:06.040 --> 2:10:12.880
<v Speaker 1>it off, came back so um. But basically that's what

2:10:13.000 --> 2:10:16.840
<v Speaker 1>it is. You know, it's there's a magic, there's music,

2:10:17.480 --> 2:10:20.560
<v Speaker 1>and there's there's also that that energy to pull people in,

2:10:21.600 --> 2:10:23.880
<v Speaker 1>if you know what I mean, certain certain artists have it.

2:10:24.080 --> 2:10:27.520
<v Speaker 1>Certain people have that. You know, people watch this because

2:10:27.680 --> 2:10:30.280
<v Speaker 1>you have that. You know, I want to hear what

2:10:30.320 --> 2:10:32.800
<v Speaker 1>the fun that, nigga? We're gonna say that. Look you

2:10:32.840 --> 2:10:34.960
<v Speaker 1>know what I'm saying. I wouldn't hear that ship. So

2:10:35.240 --> 2:10:37.760
<v Speaker 1>you're pulling them in, y'all pulling them in. So there's

2:10:37.760 --> 2:10:40.120
<v Speaker 1>a certain energy. It's more than what you do. It's

2:10:40.160 --> 2:10:43.000
<v Speaker 1>that energy to be able to pull people in, because

2:10:43.280 --> 2:10:45.000
<v Speaker 1>anybody could do this. But if you don't have the

2:10:45.120 --> 2:10:49.600
<v Speaker 1>energy to make people want to love, fuck you. And

2:10:49.720 --> 2:10:52.400
<v Speaker 1>that's the that's the basic. That's that's just how it is.

2:10:53.680 --> 2:11:02.080
<v Speaker 1>Is there anything Yeah? Is there anything you would want

2:11:02.080 --> 2:11:06.920
<v Speaker 1>to do over anything? I would like to do over whatever?

2:11:07.040 --> 2:11:11.400
<v Speaker 1>When I would do over anything, I would like to

2:11:11.480 --> 2:11:16.280
<v Speaker 1>make kill that noise over damn? What would you do

2:11:16.400 --> 2:11:19.360
<v Speaker 1>differently on that? Yeah? I probably would use different drums.

2:11:19.960 --> 2:11:21.760
<v Speaker 1>I probably use the drums that we just winning on

2:11:22.600 --> 2:11:28.080
<v Speaker 1>because they went with my drums the same way. So

2:11:28.160 --> 2:11:32.080
<v Speaker 1>I would probably would make kill that noise with in

2:11:32.200 --> 2:11:35.800
<v Speaker 1>peace the President drums the same way they did with

2:11:35.880 --> 2:11:39.080
<v Speaker 1>bridges over. That's what that's what I would would do

2:11:40.040 --> 2:11:42.800
<v Speaker 1>if I could turn back the hands of time. Because recently,

2:11:43.200 --> 2:11:46.240
<v Speaker 1>you know, me and Shan got together. We we redid

2:11:47.440 --> 2:11:51.480
<v Speaker 1>the bridge and um and um kill that noise over well,

2:11:51.680 --> 2:11:53.840
<v Speaker 1>you know for movies and stuff. You know, we made

2:11:53.880 --> 2:11:56.800
<v Speaker 1>new masters. We got back together. I got the original

2:11:56.880 --> 2:11:59.000
<v Speaker 1>samples that I use, and we re chopped everything up

2:11:59.040 --> 2:12:01.480
<v Speaker 1>and he did his vocals over wow, and and then

2:12:01.520 --> 2:12:04.840
<v Speaker 1>I was sitting back, would would kill that noise? And

2:12:04.920 --> 2:12:08.880
<v Speaker 1>I swipched, I switched the drums up. I put in

2:12:08.920 --> 2:12:11.720
<v Speaker 1>piece to president drums and kill that noise. That ship

2:12:11.840 --> 2:12:14.000
<v Speaker 1>was so motherfucking hot. I was like, yeah, this is

2:12:14.040 --> 2:12:18.200
<v Speaker 1>what I should have didn't begin. But I had so

2:12:18.360 --> 2:12:20.600
<v Speaker 1>much stuff that I didn't rely on my old sound

2:12:21.600 --> 2:12:24.080
<v Speaker 1>like that because I was moving on. And but but

2:12:24.160 --> 2:12:26.960
<v Speaker 1>I wish I would have used those drums. Don't kill

2:12:27.040 --> 2:12:30.160
<v Speaker 1>that noise. Do you feel like y'all y'all lost that battle. Well,

2:12:30.720 --> 2:12:33.760
<v Speaker 1>I feel that people stupid as health were believing in

2:12:33.800 --> 2:12:37.840
<v Speaker 1>them because we never said that and for the record,

2:12:37.960 --> 2:12:40.640
<v Speaker 1>never said hip hop. They never said that hip hop

2:12:40.680 --> 2:12:43.960
<v Speaker 1>started in Queensbury. So I feel like people got bamboozo

2:12:45.480 --> 2:12:47.440
<v Speaker 1>but you know, so good. So that was like the

2:12:47.520 --> 2:12:55.720
<v Speaker 1>first trolling. Yeah, like the first smart on that part. Yeah,

2:12:55.840 --> 2:12:58.440
<v Speaker 1>don't do that because they you know, it's it's like

2:12:58.960 --> 2:13:02.840
<v Speaker 1>they preyed upon people stupidness. At that point, it looked

2:13:02.840 --> 2:13:05.480
<v Speaker 1>like that if it's on record and strength, right, if

2:13:05.480 --> 2:13:07.680
<v Speaker 1>they played on the stupidness of are you believing in

2:13:07.760 --> 2:13:11.880
<v Speaker 1>that ship because we never said it? It's like somebody like, yo,

2:13:12.360 --> 2:13:14.520
<v Speaker 1>you know, somebody like somebody said you said something. You

2:13:14.600 --> 2:13:17.360
<v Speaker 1>know you ain't say it. But you know, whoever gets

2:13:17.400 --> 2:13:20.240
<v Speaker 1>over in man, may people may believe that ship. But

2:13:20.640 --> 2:13:23.400
<v Speaker 1>if you don't say nothing. Now where was your at

2:13:23.840 --> 2:13:27.200
<v Speaker 1>where you found out? Prodigy just pass it? Oh? Man?

2:13:30.680 --> 2:13:33.400
<v Speaker 1>I think I was in Japan. Uh, Yeah, I was

2:13:33.440 --> 2:13:36.160
<v Speaker 1>in Japan. You know, if you know, I'll go overseas

2:13:36.160 --> 2:13:40.480
<v Speaker 1>a lot um. And I always checked, you know, the internet.

2:13:40.480 --> 2:13:42.720
<v Speaker 1>When I wake up and I saw it, I was like, Yo,

2:13:42.880 --> 2:13:46.520
<v Speaker 1>get the funk out there because because the weirdnesses I

2:13:46.600 --> 2:13:49.680
<v Speaker 1>had just hid in the work with the XPG a

2:13:49.760 --> 2:13:54.080
<v Speaker 1>few days before a few days before he passed. I

2:13:54.120 --> 2:13:55.960
<v Speaker 1>think the show before he went to I think he

2:13:55.960 --> 2:13:58.720
<v Speaker 1>went to Vegas. That show before Vegas, he was with us,

2:13:59.000 --> 2:14:04.760
<v Speaker 1>he XPG uh and and we were taking pictures laughing

2:14:05.160 --> 2:14:07.760
<v Speaker 1>joking blah blah blah. And after they did that, down

2:14:07.800 --> 2:14:10.040
<v Speaker 1>went to Japan and then they went to where they

2:14:10.160 --> 2:14:12.560
<v Speaker 1>was gone, and then I saw it was like so

2:14:12.680 --> 2:14:14.920
<v Speaker 1>crazy because we I just two pictures would do but

2:14:15.680 --> 2:14:18.600
<v Speaker 1>like two days before. But it was crazy to me,

2:14:19.240 --> 2:14:24.840
<v Speaker 1>that was crazy, and I felt that he won't be

2:14:24.920 --> 2:14:29.560
<v Speaker 1>the last one. That's more, you know, you know, it's

2:14:29.560 --> 2:14:32.160
<v Speaker 1>there's more. People are gonna pass. We don't live forever.

2:14:33.360 --> 2:14:37.200
<v Speaker 1>And you know the good thing about you know, hip

2:14:37.240 --> 2:14:39.720
<v Speaker 1>hop and being an artist, it's whatever you do when

2:14:39.760 --> 2:14:43.840
<v Speaker 1>you're alive, it lives longer than you You know, we

2:14:43.960 --> 2:14:46.160
<v Speaker 1>won't be here no more. When people still be playing

2:14:46.200 --> 2:14:50.320
<v Speaker 1>our music, still talking. You know, we're still live after

2:14:50.440 --> 2:14:53.000
<v Speaker 1>we're not here. And that's the one of the benefits

2:14:53.040 --> 2:14:56.000
<v Speaker 1>of being an artist. And you know, it was kind

2:14:56.040 --> 2:14:59.560
<v Speaker 1>of sad because because I just was with dude, I

2:14:59.680 --> 2:15:03.880
<v Speaker 1>just win, just just was with him like two days

2:15:04.360 --> 2:15:10.280
<v Speaker 1>before everything happened. God bless him, God bless him family.

2:15:10.920 --> 2:15:19.080
<v Speaker 1>That's the Peace Prodigy. Yes, we still keep making them beats.

2:15:19.160 --> 2:15:22.120
<v Speaker 1>We need you out here for Yeah, that's what I'm saying. Yeah, man,

2:15:22.280 --> 2:15:24.040
<v Speaker 1>you know we don't let it, don't let it slow

2:15:24.080 --> 2:15:27.000
<v Speaker 1>you down. You know what I mean when um, now

2:15:27.040 --> 2:15:30.880
<v Speaker 1>as did the bridges over the bridge, I'm not over

2:15:30.920 --> 2:15:36.280
<v Speaker 1>skipped to the bridge? Uh? What was it? He had

2:15:36.360 --> 2:15:38.760
<v Speaker 1>put all the artists from Queen's Bridge on there? Okay

2:15:39.160 --> 2:15:42.040
<v Speaker 1>remember that? Did uh? Did you do to be or no?

2:15:42.280 --> 2:15:45.640
<v Speaker 1>He just sampled it? Um? I think was it l

2:15:45.680 --> 2:15:47.920
<v Speaker 1>E s? I think maybe somebody else made the beat.

2:15:47.960 --> 2:15:50.320
<v Speaker 1>But I was on the record. I was on the intro. Okay, cool,

2:15:50.400 --> 2:15:52.560
<v Speaker 1>that's what happened. I was. I was part of that, right,

2:15:52.600 --> 2:15:54.600
<v Speaker 1>I was part of ms been looking out, I got

2:15:54.640 --> 2:15:56.640
<v Speaker 1>in front. But you know what I mean, we're from

2:15:56.720 --> 2:15:59.000
<v Speaker 1>two different errors. But you know he always look out,

2:15:59.680 --> 2:16:01.680
<v Speaker 1>you know what saying? Always and you always show love

2:16:02.160 --> 2:16:04.680
<v Speaker 1>every time I see him, So you know, you know,

2:16:04.800 --> 2:16:07.840
<v Speaker 1>like I said, when the torch was passed, they did

2:16:07.880 --> 2:16:10.920
<v Speaker 1>a great job with it. What I'm saying beautiful with

2:16:11.000 --> 2:16:13.240
<v Speaker 1>the music business. With me, I'm not thinking about it.

2:16:14.120 --> 2:16:17.760
<v Speaker 1>I'm on. I'm on technology right now. I got technology

2:16:17.800 --> 2:16:20.000
<v Speaker 1>that's going to change the world. What you mean, come

2:16:20.040 --> 2:16:25.240
<v Speaker 1>on talking changed the world that Steve Joy thinking about? Yet?

2:16:25.680 --> 2:16:30.440
<v Speaker 1>You know man, that of the average with music in life.

2:16:31.240 --> 2:16:36.280
<v Speaker 1>H m h, I got the answer. Cat, you have

2:16:36.400 --> 2:16:43.119
<v Speaker 1>some information? Yeah, yeah, panted, but you know we're working

2:16:43.160 --> 2:16:45.520
<v Speaker 1>on some technology right now. Well do your thing, man,

2:16:45.680 --> 2:16:48.120
<v Speaker 1>do the thing. I can think about putting hip hop

2:16:48.200 --> 2:16:52.160
<v Speaker 1>and it goddamn machine and changed to change hip hop.

2:16:52.440 --> 2:16:54.320
<v Speaker 1>I could do a lot of other things. Well, hell

2:16:54.400 --> 2:16:57.200
<v Speaker 1>you you know what I'm saying. Hell yeah. See me personally, man,

2:16:57.280 --> 2:16:59.520
<v Speaker 1>you know I'm on the quest to have hip hop

2:16:59.600 --> 2:17:03.199
<v Speaker 1>control all aspects of media. Like to me, I don't

2:17:03.280 --> 2:17:05.720
<v Speaker 1>think that if we should wake up in the morning

2:17:06.080 --> 2:17:08.160
<v Speaker 1>and we want to watch a sports show, I think

2:17:08.200 --> 2:17:11.160
<v Speaker 1>that sports shows to be hosted by Jada Kiss. I

2:17:11.240 --> 2:17:13.680
<v Speaker 1>think whenever we want to go watch a weather show,

2:17:14.160 --> 2:17:17.440
<v Speaker 1>that ship should be hosted by Kim Jones. That's what

2:17:17.560 --> 2:17:19.480
<v Speaker 1>I think. You know what I'm saying, Like, yeah, so

2:17:20.000 --> 2:17:21.880
<v Speaker 1>I want to That's why I'm doing this because I

2:17:21.959 --> 2:17:24.640
<v Speaker 1>just feel like hip hop it's about time we control

2:17:24.680 --> 2:17:26.959
<v Speaker 1>all media. And what I mean by that because hip

2:17:27.000 --> 2:17:29.879
<v Speaker 1>hop is his own race. It's not I ain't talking

2:17:29.959 --> 2:17:32.320
<v Speaker 1>the black white I'm talking about hip hop and hip hop.

2:17:32.640 --> 2:17:34.160
<v Speaker 1>So this is the reason why we're doing you know

2:17:34.200 --> 2:17:36.560
<v Speaker 1>what I mean, And we're haven't a goddamn fun doing it.

2:17:37.000 --> 2:17:39.560
<v Speaker 1>We want to respect people like you and continue to

2:17:39.640 --> 2:17:41.920
<v Speaker 1>respect people like you let you know you got this outlet.

2:17:42.200 --> 2:17:44.480
<v Speaker 1>It's why the funk open and this is drink chance,

2:17:44.520 --> 2:17:52.080
<v Speaker 1>motherfucking pop. I feel like you got. I feel like

2:17:52.120 --> 2:17:54.480
<v Speaker 1>you got one more thing you want to say. If

2:17:54.520 --> 2:17:56.120
<v Speaker 1>anybody want to get in talk with me, that's um

2:17:56.280 --> 2:18:00.320
<v Speaker 1>at Molly skills okay on Instagram, Okay, DJ all him

2:18:00.360 --> 2:18:02.120
<v Speaker 1>all and you know Facebook stuff. You know if I

2:18:02.200 --> 2:18:04.560
<v Speaker 1>have all these skills on Instagram and and Twitter, you

2:18:04.600 --> 2:18:06.720
<v Speaker 1>know what I mean? That your boy ship, you know

2:18:06.760 --> 2:18:09.240
<v Speaker 1>what I'm saying. And he investors that want to get

2:18:09.480 --> 2:18:11.240
<v Speaker 1>some real money get at me because I got that

2:18:11.320 --> 2:18:17.000
<v Speaker 1>technology for that ass absolutely sign that um nondisclosure. You

2:18:17.080 --> 2:18:19.360
<v Speaker 1>know we're up on that, but you know we're there.

2:18:19.800 --> 2:18:22.160
<v Speaker 1>That's what I do, man. The music, the music thing

2:18:22.240 --> 2:18:24.360
<v Speaker 1>is gonna be what it's gonna be. Let these young

2:18:24.440 --> 2:18:26.560
<v Speaker 1>kids do what the funk they want to do, because

2:18:27.680 --> 2:18:30.720
<v Speaker 1>that's how I feel, to nothing, to doing nothing, to

2:18:30.720 --> 2:18:32.560
<v Speaker 1>do what the funk they want to do, because it's

2:18:32.560 --> 2:18:35.760
<v Speaker 1>only evolution, you know what I mean. And let's have

2:18:35.800 --> 2:18:38.560
<v Speaker 1>a good day, that's all it is, and think freely.

2:18:38.680 --> 2:19:07.680
<v Speaker 1>That's real talk to drop from yeah s