WEBVTT - Jimi Hendrix Episode 7: Stealing Trucks with Neil Young/Haunted by a Rolling Stone

0:00:00.080 --> 0:00:02.520
<v Speaker 1>The twenty seven Club is a production of I Heart

0:00:02.600 --> 0:00:07.640
<v Speaker 1>Radio and Double Elvis Media. Jimi Hendrix died at the

0:00:07.680 --> 0:00:10.719
<v Speaker 1>age of and he lived a life where every day

0:00:10.840 --> 0:00:13.640
<v Speaker 1>was unlike the day before. I can give you twenty

0:00:13.680 --> 0:00:17.040
<v Speaker 1>seven reasons why that statement is true. Three was his

0:00:17.120 --> 0:00:20.439
<v Speaker 1>magic number, the holy trinity of the power trio guitar,

0:00:20.680 --> 0:00:24.080
<v Speaker 1>bass drums that he would master briefly with the Jimi

0:00:24.120 --> 0:00:28.720
<v Speaker 1>Hendrix Experience and again with the Band of Gypsies. Fifteen

0:00:28.720 --> 0:00:30.639
<v Speaker 1>would be the number of miles that he'd ride and

0:00:30.640 --> 0:00:33.640
<v Speaker 1>a stolen truck with Neil Young to get to Woodstock

0:00:33.680 --> 0:00:36.519
<v Speaker 1>on time when they're playing landed at the wrong airport.

0:00:37.360 --> 0:00:39.840
<v Speaker 1>Another eight would be the number of hours the jury

0:00:39.840 --> 0:00:42.519
<v Speaker 1>in Toronto would deliberate in order to decide that the

0:00:42.560 --> 0:00:45.879
<v Speaker 1>world's greatest guitarist would spend the next decade of his

0:00:45.960 --> 0:00:49.640
<v Speaker 1>life behind bars. And one would be the number of

0:00:49.720 --> 0:00:52.400
<v Speaker 1>years he'd have left to live after Brian Jones was

0:00:52.440 --> 0:00:55.560
<v Speaker 1>found dead at the bottom of his swimming pool. All

0:00:55.600 --> 0:01:01.600
<v Speaker 1>totally on this our seventh episode of season one. Magic numbers,

0:01:01.680 --> 0:01:05.280
<v Speaker 1>stolen trucks, a dead rolling stone, and they always searching

0:01:05.400 --> 0:01:10.440
<v Speaker 1>Jimmie Hendricks. I'm Jake Brennan. And this is the seven o'clock.

0:01:43.440 --> 0:01:46.920
<v Speaker 1>Neil Young was searching for the helicopter, the helicopter man,

0:01:47.000 --> 0:01:50.480
<v Speaker 1>their own personal chopper, the Woodstock Express, the bird that

0:01:50.560 --> 0:01:53.520
<v Speaker 1>was going to get them from here to there? Where

0:01:53.520 --> 0:01:56.200
<v Speaker 1>the hell was that bird man? Neil stood on the

0:01:56.240 --> 0:01:59.920
<v Speaker 1>small regional airport tarmac, peppered with small charter jets like

0:02:00.040 --> 0:02:02.480
<v Speaker 1>the one he had just flown in, on the sun

0:02:02.640 --> 0:02:05.840
<v Speaker 1>beating down. He raised his flat hand to just above

0:02:05.880 --> 0:02:09.120
<v Speaker 1>his eyes to provide shade from the glare, his ruffle

0:02:09.200 --> 0:02:11.680
<v Speaker 1>dress shirts sticking out from the cough of his jacket.

0:02:12.280 --> 0:02:15.480
<v Speaker 1>Where the funk are they? New York, Vermont, fucking New Hampshire.

0:02:16.160 --> 0:02:18.920
<v Speaker 1>Damned if he knew the mescaline he had ingested on

0:02:18.960 --> 0:02:22.000
<v Speaker 1>the plane was coming alive now, which made everything crystal

0:02:22.120 --> 0:02:26.280
<v Speaker 1>clear and messed up all at once. Everything felt great,

0:02:26.320 --> 0:02:30.080
<v Speaker 1>everything did not feel great. Jimmie Hendricks stood next to Nielia,

0:02:30.480 --> 0:02:34.160
<v Speaker 1>similarly baffled and equally dosed, along with the other passengers

0:02:34.160 --> 0:02:37.800
<v Speaker 1>from their little plane, attorney Melvin Belli and Nil's manager

0:02:37.880 --> 0:02:43.080
<v Speaker 1>Elliott Roberts. Melvin, whose high profile clients included Jack Ruby

0:02:43.080 --> 0:02:46.600
<v Speaker 1>and the Rolling Stones, was clear headed and unencumbered. He

0:02:46.720 --> 0:02:49.960
<v Speaker 1>suggested the logical conclusion to their predicament. They have been

0:02:50.000 --> 0:02:52.720
<v Speaker 1>dropped off at the wrong airport. There was no Woodstock

0:02:52.760 --> 0:02:56.120
<v Speaker 1>helicopter coming to get them. Woodstock would have to start

0:02:56.160 --> 0:03:01.280
<v Speaker 1>without them, and they were screwed sort of. Oh man.

0:03:01.400 --> 0:03:03.840
<v Speaker 1>Jimmy laughed and looked at Neil. I was supposed to

0:03:03.840 --> 0:03:06.920
<v Speaker 1>go on first, just me and my guitar. He let

0:03:06.960 --> 0:03:09.800
<v Speaker 1>her repress giggle snort out from his mouth, and Neil,

0:03:09.840 --> 0:03:13.360
<v Speaker 1>at a giant belly laugh run free. It was true.

0:03:13.440 --> 0:03:17.320
<v Speaker 1>Woodstocks producer Michael Lang contracted Jimmy to open the three

0:03:17.400 --> 0:03:21.120
<v Speaker 1>day outdoor music festival with a surprise solo acoustic set

0:03:21.440 --> 0:03:24.320
<v Speaker 1>and then close it on Sunday night with an electric set,

0:03:25.240 --> 0:03:27.240
<v Speaker 1>and Jimmy was now the highest paid rock star in

0:03:27.240 --> 0:03:29.840
<v Speaker 1>the world. Here ago he was the highest paid performer

0:03:29.880 --> 0:03:33.480
<v Speaker 1>at Woodstock, much to Laying chagrin, laying at the cap

0:03:33.600 --> 0:03:36.440
<v Speaker 1>larger acts at fifteen grand due to a Favorite Nations

0:03:36.480 --> 0:03:39.800
<v Speaker 1>policy and Jimmy's hard as nails manager Michael Jeffrey was

0:03:39.840 --> 0:03:42.120
<v Speaker 1>having none of it. Jimmy would do it for fifty

0:03:42.120 --> 0:03:43.960
<v Speaker 1>grand and you know what else, His name would be

0:03:44.000 --> 0:03:47.480
<v Speaker 1>listed first on every print in Radiohead. His name would

0:03:47.480 --> 0:03:50.880
<v Speaker 1>be bigger than everyone else's. He'd headline the gig. It

0:03:51.080 --> 0:03:53.400
<v Speaker 1>was too much. Laying wanted Jimmy, but he couldn't meet

0:03:53.440 --> 0:03:56.400
<v Speaker 1>Jeffrey at fifty grand. So Laying and Jeffrey came to

0:03:56.440 --> 0:03:59.000
<v Speaker 1>an agreement that gave Jimmy the most money but didn't

0:03:59.000 --> 0:04:02.640
<v Speaker 1>break lanks for Jimmy would play two sets for fifteen

0:04:02.680 --> 0:04:05.520
<v Speaker 1>grand each, along with another couple of grand for expenses

0:04:06.200 --> 0:04:12.080
<v Speaker 1>plus grand tour deal. The thing was, Jimmy wasn't gonna

0:04:12.120 --> 0:04:14.480
<v Speaker 1>make the opening set. He didn't even know where he was.

0:04:14.680 --> 0:04:17.719
<v Speaker 1>His mind was elsewhere, anywhere but upstate New York. All

0:04:17.720 --> 0:04:20.359
<v Speaker 1>he could think about was the bust in Toronto, the

0:04:20.400 --> 0:04:24.360
<v Speaker 1>impending trial for heroin and hash possession. It was four

0:04:24.400 --> 0:04:27.279
<v Speaker 1>months away, and that almost made it worse. All this

0:04:27.400 --> 0:04:30.800
<v Speaker 1>waiting around and obsessing over every last detail. What he

0:04:30.839 --> 0:04:33.080
<v Speaker 1>could have done differently, what he should have done differently,

0:04:33.120 --> 0:04:35.280
<v Speaker 1>What could have happened to him? What would happen to

0:04:35.400 --> 0:04:37.640
<v Speaker 1>him this December, when you had to stare down years

0:04:37.680 --> 0:04:41.160
<v Speaker 1>in a Canadian prison, his fate in the hands of strangers.

0:04:42.480 --> 0:04:44.680
<v Speaker 1>Jimmy must have checked out for a moment, and the

0:04:44.760 --> 0:04:47.640
<v Speaker 1>mescaline was starting to take hold. After all, because when

0:04:47.640 --> 0:04:49.880
<v Speaker 1>he turned to look at Melvin. The attorney had taken

0:04:49.880 --> 0:04:51.919
<v Speaker 1>off his shirt. It was pouring a cannon beer on

0:04:51.960 --> 0:04:55.760
<v Speaker 1>his chest to facilitate the tanning process. The attorney yelled

0:04:55.800 --> 0:04:58.520
<v Speaker 1>at him from across the term ac and Jimmy rubbed

0:04:58.520 --> 0:05:01.000
<v Speaker 1>his eyes. It must be the must be the drugs.

0:05:01.520 --> 0:05:03.679
<v Speaker 1>Neil was at the driver's side door of a pickup

0:05:03.720 --> 0:05:07.880
<v Speaker 1>truck parked in the airport lot. Neil peaked inside, wide eyed,

0:05:08.160 --> 0:05:11.560
<v Speaker 1>and then tried the door. It opened. He hollered at

0:05:11.560 --> 0:05:13.720
<v Speaker 1>Elliott to keep an eye out, and then jumped in

0:05:13.800 --> 0:05:18.520
<v Speaker 1>the driver's seat. Worked his hands beneath the steering wheel. Clanks, clunks, bangs, booms,

0:05:18.520 --> 0:05:21.000
<v Speaker 1>The spark a couple of false starts, and the old

0:05:21.040 --> 0:05:25.040
<v Speaker 1>truck roared to life. Neil knew that soon, very soon,

0:05:25.400 --> 0:05:28.320
<v Speaker 1>they would be completely twisted, and there was no going back,

0:05:28.400 --> 0:05:30.640
<v Speaker 1>no time to rest. Get in. He hollowed to the

0:05:30.640 --> 0:05:33.640
<v Speaker 1>other three. Elliott, Melvin hopped in the cab with Neil

0:05:34.040 --> 0:05:35.839
<v Speaker 1>and Jimmy. Knew that the obvious thing to do, the

0:05:35.920 --> 0:05:37.800
<v Speaker 1>rational thing, was to jump on the hood of the

0:05:37.800 --> 0:05:40.000
<v Speaker 1>truck and hold on for dear life. Of course, it

0:05:40.200 --> 0:05:42.800
<v Speaker 1>was Neil put the truck in first gear and tore

0:05:42.839 --> 0:05:45.359
<v Speaker 1>out of the airport parking lot, with Jimmy's body swinging

0:05:45.400 --> 0:05:47.119
<v Speaker 1>from side to side on the hood of the truck.

0:05:47.480 --> 0:05:51.520
<v Speaker 1>Elliott laughed, Holy Jesus, Jimmy scream from the hood because

0:05:51.560 --> 0:05:54.760
<v Speaker 1>these goddamn animals, and he lay flat on his stomach,

0:05:54.960 --> 0:05:56.800
<v Speaker 1>his hands dug into the under side of the hood

0:05:56.839 --> 0:05:59.960
<v Speaker 1>near the windshield, holding on for dear life the sky.

0:06:00.000 --> 0:06:02.520
<v Speaker 1>I because the dark and huge bats to take into

0:06:02.520 --> 0:06:05.000
<v Speaker 1>the skies, diving all around the truck and nearly missing

0:06:05.080 --> 0:06:08.440
<v Speaker 1>Jimmy with each dramatic swoop. Man, this is the way

0:06:08.480 --> 0:06:10.719
<v Speaker 1>to travel in love and Holliday and reach for the

0:06:10.760 --> 0:06:13.880
<v Speaker 1>volume nod on the A M radio. He cranked tones

0:06:13.920 --> 0:06:16.280
<v Speaker 1>of the Fifth Dimensions, working on a groovy thing until

0:06:16.320 --> 0:06:20.320
<v Speaker 1>the speakers crackled. You feel good, Jimmy thought, you fool. Wait,

0:06:20.480 --> 0:06:23.840
<v Speaker 1>you see these goddamn bats. No point in mentioning. Poor

0:06:23.920 --> 0:06:29.520
<v Speaker 1>bastard will see them soon enough, Jimmy thought. Hired to

0:06:29.560 --> 0:06:32.640
<v Speaker 1>open Woodstock on Friday and close it out on Sunday night,

0:06:32.880 --> 0:06:36.200
<v Speaker 1>and Jimmy never made it for Friday's commitment, laying panicked

0:06:36.240 --> 0:06:39.040
<v Speaker 1>and persuaded Richie Havens to perform in his place, and

0:06:39.120 --> 0:06:42.279
<v Speaker 1>Richie killed it, and Jimmy wasn't exactly sure what time

0:06:42.320 --> 0:06:45.120
<v Speaker 1>he finally made it to old man Jaskar's farm, or

0:06:45.120 --> 0:06:46.960
<v Speaker 1>what day he made it, or how he made it,

0:06:47.000 --> 0:06:48.880
<v Speaker 1>for that matter, did he ride in the hood of

0:06:48.880 --> 0:06:52.520
<v Speaker 1>the truck the whole way there? Everything was running behind schedule,

0:06:52.800 --> 0:06:55.599
<v Speaker 1>set times were all screwed up. Bands would take to

0:06:55.640 --> 0:07:00.440
<v Speaker 1>the stage hours after their originally scheduled performance times after

0:07:00.520 --> 0:07:03.120
<v Speaker 1>waiting around in the mud and the rain drugs had

0:07:03.120 --> 0:07:05.880
<v Speaker 1>worn off, or maybe the drugs they didn't intend to take.

0:07:05.920 --> 0:07:08.839
<v Speaker 1>It started to kick in, and by the time Jimmy

0:07:08.880 --> 0:07:11.800
<v Speaker 1>took the stage with Gypsy Son and Rainbows, his new

0:07:11.840 --> 0:07:14.880
<v Speaker 1>band he had formed after the Experiences break up, the

0:07:14.920 --> 0:07:18.440
<v Speaker 1>Monday morning sun would be rising on a decimated Woodstock crowd.

0:07:19.120 --> 0:07:22.720
<v Speaker 1>Nearly half a million people would have already split. Jimmy

0:07:22.760 --> 0:07:25.240
<v Speaker 1>stepped on the makeshift stage, stuck in the middle of

0:07:25.280 --> 0:07:28.360
<v Speaker 1>the farm's backyard, more than ready to make a scene

0:07:28.800 --> 0:08:08.360
<v Speaker 1>or whoever would listen. M ros Payne was talking down

0:08:08.360 --> 0:08:10.200
<v Speaker 1>a kid in the trip tent when she heard it.

0:08:10.800 --> 0:08:15.640
<v Speaker 1>Fuzzy and phased out, metallic and shrill, familiar yet completely foreign.

0:08:16.440 --> 0:08:18.840
<v Speaker 1>She heard the first six notes of the National Anthem

0:08:18.920 --> 0:08:22.360
<v Speaker 1>ring out from the stage. It gave her pause. She

0:08:22.440 --> 0:08:26.080
<v Speaker 1>stopped talking. The sun had just come up over Jascar's

0:08:26.120 --> 0:08:29.440
<v Speaker 1>dairy farm, and would stock New York Times stood still.

0:08:30.960 --> 0:08:33.000
<v Speaker 1>Ros had been calmly helping a young boy get through

0:08:33.040 --> 0:08:35.640
<v Speaker 1>a bad trip. He couldn't have been older than nineteen.

0:08:35.679 --> 0:08:38.440
<v Speaker 1>He had no shirt. It was lost, forever, swallowed by

0:08:38.440 --> 0:08:41.679
<v Speaker 1>the mud. Sometime after the rains came a sacrifice for

0:08:41.720 --> 0:08:45.240
<v Speaker 1>the gods of peace and love. His jeans were wet

0:08:45.280 --> 0:08:48.480
<v Speaker 1>and soiled with dirt, and the sweat from his forehead

0:08:48.480 --> 0:08:51.040
<v Speaker 1>seemed to jump over to the inside of his glasses,

0:08:51.679 --> 0:08:54.720
<v Speaker 1>which were all fogged up, and he panted, popped his

0:08:54.760 --> 0:08:58.400
<v Speaker 1>eyes with wide shook his head, muttered under his breath.

0:08:59.440 --> 0:09:01.800
<v Speaker 1>He had taken something, but couldn't tell Ros what it was.

0:09:02.360 --> 0:09:04.400
<v Speaker 1>Perhaps it was some of that brown acid that the

0:09:04.440 --> 0:09:07.720
<v Speaker 1>festival organizers kept warning the crowd about on the stage.

0:09:07.960 --> 0:09:14.439
<v Speaker 1>Stay away from the brown acid. Perhaps this kid didn't

0:09:14.440 --> 0:09:17.360
<v Speaker 1>hear the announcement and took him anyway that he would cry,

0:09:17.440 --> 0:09:20.000
<v Speaker 1>and then he'd shake with fear, and then he calmed

0:09:20.040 --> 0:09:22.199
<v Speaker 1>down and fell out about it, and then you go

0:09:22.320 --> 0:09:25.800
<v Speaker 1>through the cycle all over again. Roz sat with him,

0:09:25.880 --> 0:09:28.640
<v Speaker 1>kept talking with him, positive things, riding it out together.

0:09:28.720 --> 0:09:30.640
<v Speaker 1>You'd get through this bad trip and come out on

0:09:30.720 --> 0:09:33.640
<v Speaker 1>the other side. He had survived a weekend of heat

0:09:33.720 --> 0:09:37.040
<v Speaker 1>and rain, surrounded by hundreds of thousands of total strangers,

0:09:37.120 --> 0:09:39.520
<v Speaker 1>and surely he'd survive this. He would see, he would

0:09:39.520 --> 0:09:45.800
<v Speaker 1>be fine, just fine. Ros and the kid were one

0:09:45.840 --> 0:09:48.280
<v Speaker 1>of the many couples inside the trip tent, kids on

0:09:48.400 --> 0:09:50.880
<v Speaker 1>bad trips, side by side with the bad trip guides.

0:09:51.120 --> 0:09:54.199
<v Speaker 1>Woodstock producers had hired a team of doctors, nurses, and

0:09:54.280 --> 0:09:56.439
<v Speaker 1>e m t s to help over the weekend, but

0:09:56.559 --> 0:09:59.280
<v Speaker 1>a group of citizen volunteers had stepped in to deal

0:09:59.360 --> 0:10:04.000
<v Speaker 1>with bad trip rips, hallucinations, paranoia, anxiety. Instead of drugs.

0:10:04.080 --> 0:10:07.479
<v Speaker 1>To combat drugs, they'd use good old fashioned human interaction

0:10:07.760 --> 0:10:10.120
<v Speaker 1>and let the doctors deal with the foot lacerations and

0:10:10.160 --> 0:10:14.839
<v Speaker 1>the seizures and the asthma texts. They did this all

0:10:14.920 --> 0:10:20.199
<v Speaker 1>weekend freakouts each hour, twenty five bad trips each hour,

0:10:23.080 --> 0:10:26.320
<v Speaker 1>and by Monday morning, the Woodstock site was a filthy

0:10:26.360 --> 0:10:29.720
<v Speaker 1>ghost town. Only about forty thousand of the original half

0:10:29.760 --> 0:10:33.360
<v Speaker 1>million festival goers remained. Everyone had gone home to get

0:10:33.400 --> 0:10:35.319
<v Speaker 1>back to work, back to the real world, back to

0:10:35.400 --> 0:10:38.440
<v Speaker 1>their families, back to their lives, tuned out, turned off,

0:10:38.559 --> 0:10:43.720
<v Speaker 1>and dropped back into reality and the Monday morning, stragglers,

0:10:43.880 --> 0:10:46.240
<v Speaker 1>refusing to give up the dream, walked through the wreckage,

0:10:46.360 --> 0:10:49.839
<v Speaker 1>brushed their teeth, tens, umbrellas, shoes, and coke cans, all

0:10:49.920 --> 0:10:53.600
<v Speaker 1>pressed into the muddy earth and left for dead spent trash,

0:10:53.960 --> 0:10:58.640
<v Speaker 1>t shirts, condoms, watermelons, oranges, bras, mattress pads, maxi pads,

0:10:58.720 --> 0:11:02.719
<v Speaker 1>cigarette butts. A skeleton crew served up hot breakfast for

0:11:02.800 --> 0:11:05.160
<v Speaker 1>those who weren't passed out on the hoods of Sedan's

0:11:05.440 --> 0:11:07.400
<v Speaker 1>for those who weren't nodding off on the ground are

0:11:07.480 --> 0:11:10.839
<v Speaker 1>unknowingly coppying a serious, dangerous tan atop a blanket on

0:11:10.920 --> 0:11:14.960
<v Speaker 1>a sodden expanse of firm lamp Ros was there to help.

0:11:15.640 --> 0:11:18.800
<v Speaker 1>She showed up early before the music even began, help

0:11:18.880 --> 0:11:21.600
<v Speaker 1>set up. She loosened up fencing each day to allow

0:11:21.679 --> 0:11:25.199
<v Speaker 1>those without tickets to enter the festival grounds. And she

0:11:25.360 --> 0:11:28.640
<v Speaker 1>was tight with Abby Hoffman and the Hippies, political pranksters.

0:11:28.720 --> 0:11:32.480
<v Speaker 1>Sometimes their political pranks had unexpected results. Abby's face met

0:11:32.559 --> 0:11:34.520
<v Speaker 1>the business end of Pete Towns his guitar when he

0:11:34.520 --> 0:11:37.640
<v Speaker 1>attempted to interrupt the Who's confrontational set at five am

0:11:37.720 --> 0:11:42.080
<v Speaker 1>on Sunday morning, ros helped found which the women's International

0:11:42.280 --> 0:11:45.679
<v Speaker 1>terrorist Conspiracy from Hell to fight for social change and

0:11:45.840 --> 0:11:49.199
<v Speaker 1>rail against the patriarchy. She was at the Democratic National

0:11:49.280 --> 0:11:52.559
<v Speaker 1>Convention in Chicago, the Rank and Brigade Merge, anti War

0:11:52.720 --> 0:11:55.319
<v Speaker 1>rallies at the Pentagon. She was everywhere wherever there was

0:11:55.360 --> 0:11:57.960
<v Speaker 1>a fight, so hungry people could eat, Ros would be there.

0:11:59.040 --> 0:12:01.120
<v Speaker 1>Roz was far enough from the stage Monday morning that

0:12:01.200 --> 0:12:03.640
<v Speaker 1>she couldn't see Jimmie Hendricks flash of peace sign with

0:12:03.720 --> 0:12:06.920
<v Speaker 1>his hand after that first six note run. She couldn't

0:12:06.960 --> 0:12:09.520
<v Speaker 1>see his afro poofing out from the confines of his

0:12:09.600 --> 0:12:12.800
<v Speaker 1>red bandana, or the white fringe from his shirt danced

0:12:12.880 --> 0:12:15.480
<v Speaker 1>upon the top of his crushed velvet pants, or his

0:12:15.600 --> 0:12:18.719
<v Speaker 1>long flat hand, dirty fingernails and all squashed down on

0:12:18.800 --> 0:12:21.079
<v Speaker 1>a strats wimmy bar to make the sound drop like

0:12:21.200 --> 0:12:24.160
<v Speaker 1>an anvil one moment and soar like a fighter jet

0:12:24.240 --> 0:12:27.960
<v Speaker 1>the next. She did hear every note singed the human

0:12:28.080 --> 0:12:31.360
<v Speaker 1>morning air, every trill, every hammer on, every pull off.

0:12:31.480 --> 0:12:33.880
<v Speaker 1>The guitar was not a guitar. The national anthem was

0:12:33.920 --> 0:12:36.720
<v Speaker 1>not the national anthem. It was all new. She had

0:12:36.760 --> 0:12:38.800
<v Speaker 1>never heard a guitar. Before this moment, never heard the

0:12:38.800 --> 0:12:42.959
<v Speaker 1>Star Spangled Banner. Before this moment, ros fought authority. She

0:12:43.120 --> 0:12:47.240
<v Speaker 1>clawed at the establishment champion, the underdog marched for social justice,

0:12:47.320 --> 0:12:51.320
<v Speaker 1>demanded change, orchestrated movement. She didn't follow leaders or watched

0:12:51.360 --> 0:12:54.600
<v Speaker 1>the barking meters. The Star Spangled Banner was the theme

0:12:54.679 --> 0:12:58.640
<v Speaker 1>song of American jingoism, of blind nationalism, of football games.

0:12:59.080 --> 0:13:03.360
<v Speaker 1>But not today, never again, Now the song was hers.

0:13:05.440 --> 0:13:08.840
<v Speaker 1>Woodstock was the debut of Gypsy Son and Rainbows, Jimmy's

0:13:08.880 --> 0:13:12.520
<v Speaker 1>new thing. The Experience were no more disbanded. At the

0:13:12.559 --> 0:13:15.120
<v Speaker 1>height of their powers, there was a change in the wind,

0:13:15.160 --> 0:13:17.880
<v Speaker 1>and Jimmy blew along with it. He kept Mitch Mitchell

0:13:17.960 --> 0:13:20.520
<v Speaker 1>on drums, but replaced Old Redding with his old army

0:13:20.559 --> 0:13:24.439
<v Speaker 1>buddy Billy Cox. Another old friend and Nashville cat, Larry

0:13:24.520 --> 0:13:27.160
<v Speaker 1>Lee was on guitar, and the group was rounded out

0:13:27.200 --> 0:13:31.400
<v Speaker 1>by two percussion players, Jerry Vellis and Jima Sultan. And

0:13:31.520 --> 0:13:34.199
<v Speaker 1>Jimmy held rehearsals for the group at Michael Jeffrey's rented

0:13:34.280 --> 0:13:37.839
<v Speaker 1>house and show can, conveniently just down the road from Woodstock,

0:13:38.320 --> 0:13:40.880
<v Speaker 1>a mansion made of stone with eight bedrooms and ten

0:13:41.000 --> 0:13:44.040
<v Speaker 1>acres of land, a horse stable in a pool, and

0:13:44.120 --> 0:13:46.800
<v Speaker 1>Jeffrey let Jimmy stay there, and the cook and housekeeper

0:13:46.880 --> 0:13:48.959
<v Speaker 1>Jeffrey hired to keep Jimmy happy. It was just the

0:13:49.040 --> 0:13:53.920
<v Speaker 1>cherry on top. The band got to Woodstock on Sunday

0:13:53.960 --> 0:13:56.800
<v Speaker 1>and they waited and then waited some more, and the

0:13:56.960 --> 0:13:59.400
<v Speaker 1>day saw sets from Joe Cocker and Country Joe and

0:13:59.480 --> 0:14:01.559
<v Speaker 1>the Fish, and the night rolled on and it was

0:14:01.640 --> 0:14:04.520
<v Speaker 1>the band Crosby Stills, Nash and Young and Shanna Now

0:14:05.559 --> 0:14:08.599
<v Speaker 1>bands took the stage hours later than originally scheduled, and

0:14:08.679 --> 0:14:11.600
<v Speaker 1>they hung around in the mud and rain, waiting, drugs

0:14:11.679 --> 0:14:16.000
<v Speaker 1>wearing off, waiting, drugs kicking in, waiting day turn tonight, waiting.

0:14:17.120 --> 0:14:19.960
<v Speaker 1>The festival organizers offered Jimmy and the eleven pm slot

0:14:20.040 --> 0:14:24.680
<v Speaker 1>on Sunday night. Michael Jeffrey refused. Jimmy Hendrix was closing

0:14:24.720 --> 0:14:27.520
<v Speaker 1>out Woodstock. He would be the last sound from the stage.

0:14:27.720 --> 0:14:30.240
<v Speaker 1>He'd have the last say. Jeffrey could give a rat's

0:14:30.240 --> 0:14:33.840
<v Speaker 1>ass what time that was. Jimmy collapsed off stage when

0:14:33.880 --> 0:14:37.080
<v Speaker 1>a set was over, slept for days, and the two

0:14:37.120 --> 0:14:39.240
<v Speaker 1>hours set was one of his longest, full of highs

0:14:39.280 --> 0:14:41.160
<v Speaker 1>and lows, and when it was all said and done.

0:14:41.240 --> 0:14:45.280
<v Speaker 1>Jimmy was just spent. It wasn't just Woodstock, wasn't just

0:14:45.400 --> 0:14:48.000
<v Speaker 1>the hot and sweaty throngs, the mud, the drugs, the

0:14:48.040 --> 0:14:51.480
<v Speaker 1>herculean amounts of patients took simply to endure the weekend,

0:14:51.560 --> 0:14:54.720
<v Speaker 1>to wait around. It was the way the other kind

0:14:54.760 --> 0:14:57.520
<v Speaker 1>of week w e I g h T. The band

0:14:57.560 --> 0:15:00.080
<v Speaker 1>had just sung about it a few hours earlier. Was

0:15:00.120 --> 0:15:02.600
<v Speaker 1>feeling about half past dead, the weight of it all.

0:15:03.400 --> 0:15:06.160
<v Speaker 1>One band was ending, another band was beginning. One of

0:15:06.240 --> 0:15:08.920
<v Speaker 1>his manager's chas Chandler out of the picture, while the other,

0:15:08.960 --> 0:15:11.600
<v Speaker 1>Michael Jeffrey, was making moves to as certain more controlled

0:15:12.800 --> 0:15:15.800
<v Speaker 1>and above all the weight of this Toronto thing, the

0:15:15.880 --> 0:15:18.720
<v Speaker 1>drug bust. When he cleared his mind of all the

0:15:18.760 --> 0:15:21.240
<v Speaker 1>other worries, the looming trial would pop into his brain

0:15:21.360 --> 0:15:24.560
<v Speaker 1>and stress him out. What a drag. If only he

0:15:24.600 --> 0:15:26.840
<v Speaker 1>could predict exactly what would happen when he walked into

0:15:26.920 --> 0:15:29.320
<v Speaker 1>that courtroom in a few months, when he sat in

0:15:29.400 --> 0:15:31.760
<v Speaker 1>the hot seat with the judge and jury in the

0:15:31.840 --> 0:15:36.320
<v Speaker 1>eyes and pleaded innocence. We'll be right back after this

0:15:36.520 --> 0:15:41.800
<v Speaker 1>word we were. Jimmie Hendricks was looking for an indication

0:15:41.880 --> 0:15:44.800
<v Speaker 1>that the jury had reached a verdict. Even better, they

0:15:44.840 --> 0:15:48.200
<v Speaker 1>had reached a good verdict, a fair verdict. A glimmer

0:15:48.440 --> 0:15:50.560
<v Speaker 1>and when he closed his eyes and envisioned what would

0:15:50.600 --> 0:15:54.080
<v Speaker 1>happen after the collective of white shirted Canadians returned to

0:15:54.160 --> 0:15:56.960
<v Speaker 1>the courtroom, it didn't involve jumping out of the frying

0:15:57.040 --> 0:16:00.360
<v Speaker 1>pan and into the fire, And it most certainly involved

0:16:00.360 --> 0:16:02.120
<v Speaker 1>getting out of the hot seat and walking out of

0:16:02.160 --> 0:16:04.720
<v Speaker 1>the courtroom door as a free man, of vindicated man,

0:16:05.400 --> 0:16:07.160
<v Speaker 1>man who no longer had the weight of this trial

0:16:07.320 --> 0:16:11.120
<v Speaker 1>clinging to his back, weighing down on him, privately consuming him.

0:16:12.160 --> 0:16:14.320
<v Speaker 1>It had been hours since the jury had left to

0:16:14.360 --> 0:16:17.280
<v Speaker 1>talk amongst themselves decide the fate of the most famous

0:16:17.400 --> 0:16:20.000
<v Speaker 1>rock star in the world. And Jimmy sat on a

0:16:20.080 --> 0:16:23.080
<v Speaker 1>bench in the lobby outside the Toronto courtroom, decked out

0:16:23.120 --> 0:16:27.520
<v Speaker 1>in a square suit, blue blazer, gray pants. This Toronto

0:16:27.600 --> 0:16:31.400
<v Speaker 1>defense attorney, John O. Driscoll sat by his side. Jazz

0:16:31.520 --> 0:16:33.880
<v Speaker 1>Chandler paced back and forth like he was the bouncer

0:16:34.000 --> 0:16:37.120
<v Speaker 1>for this party of two, holding their own quiet, meditative

0:16:37.200 --> 0:16:42.200
<v Speaker 1>session a very exclusive bench prison. Ten years he'd read

0:16:42.200 --> 0:16:44.480
<v Speaker 1>about a dealer bringing a quarter million dollars of grass

0:16:44.520 --> 0:16:47.160
<v Speaker 1>and a Canada from Africa around the time he was arrested,

0:16:47.400 --> 0:16:50.920
<v Speaker 1>and that dude just got fourteen years. Oh. Driscoll assured

0:16:51.000 --> 0:16:54.200
<v Speaker 1>Jimmy that it wouldn't go that part. Still, it wouldn't

0:16:54.200 --> 0:16:57.160
<v Speaker 1>shock anyone if the twelve clean cut male jurors wanted

0:16:57.160 --> 0:17:00.840
<v Speaker 1>to make an example out of Jimmy Hendricks Wilts flower powers,

0:17:00.880 --> 0:17:03.200
<v Speaker 1>so to speak, give his hippie dippy fantasies a big

0:17:03.280 --> 0:17:07.440
<v Speaker 1>old dollp of normalized mainstream defiance. If they weren't twelve

0:17:07.480 --> 0:17:09.600
<v Speaker 1>angry men, they were still twelve men with the power

0:17:09.640 --> 0:17:13.040
<v Speaker 1>to make whatever decision they deemed fit. And the Crown

0:17:13.080 --> 0:17:15.359
<v Speaker 1>Attorney had put the cops who arrested Jimmy on the

0:17:15.440 --> 0:17:18.520
<v Speaker 1>stand and drove this point home. You should have seen

0:17:18.600 --> 0:17:21.040
<v Speaker 1>these guys the experience. When they got out the plane,

0:17:21.080 --> 0:17:23.560
<v Speaker 1>they didn't look like anybody else. You got a plane

0:17:23.640 --> 0:17:25.680
<v Speaker 1>full of normal look at folk. They got slacks, it

0:17:25.760 --> 0:17:28.720
<v Speaker 1>fitted shirts and the light and then these three moonbats

0:17:28.760 --> 0:17:31.800
<v Speaker 1>pull up the rear with the chikis and sandals, beads everywhere,

0:17:31.960 --> 0:17:35.040
<v Speaker 1>chewing gum like cow and it's cut this one guy

0:17:35.160 --> 0:17:37.239
<v Speaker 1>is wearing his hair all poofed out like a black man,

0:17:37.359 --> 0:17:40.160
<v Speaker 1>but he's white, and they're gonna dress like some bohemians

0:17:40.200 --> 0:17:42.320
<v Speaker 1>with something to hide. We're going to treat him the same.

0:17:42.680 --> 0:17:44.399
<v Speaker 1>And they were asking for it. And the proof is

0:17:44.440 --> 0:17:46.960
<v Speaker 1>in the pudding. And the guy had drugs in his bag.

0:17:47.320 --> 0:17:52.439
<v Speaker 1>Open and shut. Jimmy didn't deny that there were drugs

0:17:52.520 --> 0:17:54.960
<v Speaker 1>in his bag. When he went through customs in Toronto,

0:17:55.400 --> 0:17:58.200
<v Speaker 1>he denied that they were his. And Jimmy sat on

0:17:58.320 --> 0:18:01.720
<v Speaker 1>the stand, raised his right hands solemnly swore. He recalled

0:18:01.760 --> 0:18:04.040
<v Speaker 1>a girl he met in Los Angeles, Swallow on tour.

0:18:04.640 --> 0:18:07.240
<v Speaker 1>She gave him something and when he complained about a headache,

0:18:07.520 --> 0:18:10.080
<v Speaker 1>he said it was Bromo seltzer. He stucked it into

0:18:10.160 --> 0:18:13.120
<v Speaker 1>his pocket thanks to take it. Then he was really

0:18:13.160 --> 0:18:16.080
<v Speaker 1>just being polite. Strange ship from a stranger that was

0:18:16.160 --> 0:18:18.000
<v Speaker 1>going in his pocket now would be dealt without a

0:18:18.040 --> 0:18:20.879
<v Speaker 1>later time, and that was a problem with the future Jimmy.

0:18:21.200 --> 0:18:23.520
<v Speaker 1>And then he probably forgot about it. He couldn't say

0:18:23.560 --> 0:18:25.760
<v Speaker 1>where it might have ended up. It must have been

0:18:25.800 --> 0:18:28.360
<v Speaker 1>the vial with the heroin packets. He just didn't look

0:18:28.400 --> 0:18:32.840
<v Speaker 1>closely at it. He was giving random ship all the time, clothes, scars,

0:18:32.960 --> 0:18:36.639
<v Speaker 1>love letters, instruments, teddy bears, hash brownies, pot cookies, tabs,

0:18:36.680 --> 0:18:39.119
<v Speaker 1>and joints and bottles. Only half the time did he

0:18:39.160 --> 0:18:42.000
<v Speaker 1>actually stopped to see what it was, and the defense

0:18:42.080 --> 0:18:44.399
<v Speaker 1>put Sharon Lawrence on the standing back up the story,

0:18:44.800 --> 0:18:47.640
<v Speaker 1>a United Press International journalist, Sharon was at the same

0:18:47.720 --> 0:18:50.560
<v Speaker 1>party and saw the girl give Jimmy something, and they

0:18:50.600 --> 0:18:53.000
<v Speaker 1>put Chaz on the stand and he explained how one

0:18:53.040 --> 0:18:55.600
<v Speaker 1>of the main rules backstage was to never eat anything

0:18:55.680 --> 0:18:58.520
<v Speaker 1>that was brought in by a fan. Maybe you'd enjoy

0:18:58.640 --> 0:19:01.120
<v Speaker 1>some delicious cake, or maybe you get sick, or maybe

0:19:01.119 --> 0:19:03.720
<v Speaker 1>you get high poisoned dead, or maybe you get arrested.

0:19:04.600 --> 0:19:07.600
<v Speaker 1>Jimmy was open and honest about drugs. More or less,

0:19:08.280 --> 0:19:10.119
<v Speaker 1>his answers in the hot seat were the kinds of

0:19:10.200 --> 0:19:12.280
<v Speaker 1>answers you give to the doctor. When asked how many

0:19:12.359 --> 0:19:15.879
<v Speaker 1>drinks a day you have? You know, on average? How

0:19:15.960 --> 0:19:19.080
<v Speaker 1>often have you used cocaine? Twice? Jimmy said, how often

0:19:19.119 --> 0:19:22.399
<v Speaker 1>have you dropped LSD four or five times? Have you

0:19:22.440 --> 0:19:27.840
<v Speaker 1>smoked marijuana and hashish? Yeah? Have you ever taken heroin before? No, sir,

0:19:28.200 --> 0:19:30.679
<v Speaker 1>But what about drugs? Do you still like to take drugs?

0:19:31.600 --> 0:19:34.560
<v Speaker 1>I feel I about coron it he had outgrown it.

0:19:35.040 --> 0:19:37.120
<v Speaker 1>If it would please the court. If the judge wanted

0:19:37.119 --> 0:19:38.879
<v Speaker 1>to hear him say he didn't do drugs anymore, then

0:19:38.960 --> 0:19:41.800
<v Speaker 1>that's what he'd say. The public at the time was

0:19:41.960 --> 0:19:44.359
<v Speaker 1>blissfully ignorant when it came to what went on behind

0:19:44.440 --> 0:19:46.800
<v Speaker 1>the closed doors of rock stars. Even in the case

0:19:46.880 --> 0:19:50.320
<v Speaker 1>of a wild and crazy artist like Jimmie Hendricks. They

0:19:50.359 --> 0:19:53.400
<v Speaker 1>saw the Paisley Prince and the psychedelic swirls, and heard

0:19:53.480 --> 0:19:56.479
<v Speaker 1>the strangeness spilling from his records. They could draw their

0:19:56.560 --> 0:20:00.480
<v Speaker 1>own conclusions. The noisy suggestions and tracks like the Gods

0:20:00.560 --> 0:20:03.560
<v Speaker 1>Made Love e XP and if six were nine were

0:20:03.880 --> 0:20:07.760
<v Speaker 1>far from sober, that was for sure. But suspicions and

0:20:07.880 --> 0:20:12.320
<v Speaker 1>hunches aside. How little they actually knew. Even Jimmy's arrest

0:20:12.359 --> 0:20:15.000
<v Speaker 1>had been kept a secret swept under the carpet. When

0:20:15.080 --> 0:20:17.440
<v Speaker 1>Jimmy was now by the mountains at the Toronto Airport,

0:20:17.560 --> 0:20:20.280
<v Speaker 1>his press agent, Michael Goldstein, didn't let the story hit

0:20:20.320 --> 0:20:24.280
<v Speaker 1>the wires. He wasted no time. Goldstein picked up his

0:20:24.359 --> 0:20:26.680
<v Speaker 1>phone and got the Associated Press editor on the horn.

0:20:26.920 --> 0:20:29.760
<v Speaker 1>Played him like a fiddle, easy target. Look the other

0:20:29.800 --> 0:20:32.520
<v Speaker 1>way on this Toronto thing. Okay, it's all trumped up anyhow.

0:20:32.600 --> 0:20:34.880
<v Speaker 1>The Monty's met the band as they walked off the plane.

0:20:34.920 --> 0:20:37.199
<v Speaker 1>They never do that, and Jimmy was fucking set up. Man.

0:20:37.480 --> 0:20:40.240
<v Speaker 1>He'll beat it. He'll licked these charges easily and move on.

0:20:40.440 --> 0:20:43.159
<v Speaker 1>No one ever remember it happened in here for your troubles.

0:20:43.280 --> 0:20:45.480
<v Speaker 1>I'm having a case. The liquor dropped off. What's your

0:20:45.520 --> 0:20:48.040
<v Speaker 1>favorite brand again? You're a bourbon guy, right? Did I

0:20:48.080 --> 0:20:50.879
<v Speaker 1>go to your house or to the augets? The story

0:20:51.000 --> 0:20:54.160
<v Speaker 1>oozed out just as Goldstein had planned. In its review

0:20:54.160 --> 0:20:57.119
<v Speaker 1>of Jimmy's Mapelief Garden Show, The Toronto Star buried a

0:20:57.200 --> 0:20:59.240
<v Speaker 1>reference to his being out on bail in the middle

0:20:59.280 --> 0:21:01.320
<v Speaker 1>of the sentence. And when the full account of the

0:21:01.359 --> 0:21:03.640
<v Speaker 1>bus finally did make the press, it was a month later,

0:21:03.720 --> 0:21:05.640
<v Speaker 1>and it was in the pages of a sympathetic Rolling

0:21:05.680 --> 0:21:09.639
<v Speaker 1>Stone magazine. Richie Yorke and Ben functorres didn't confirm what

0:21:09.760 --> 0:21:12.240
<v Speaker 1>the drug was in their article, only what it was

0:21:12.280 --> 0:21:15.560
<v Speaker 1>suspected to be, and they wrote about conservative Toronto in

0:21:15.640 --> 0:21:20.400
<v Speaker 1>a very public display of humiliation by the Canadian authorities. Yet,

0:21:20.480 --> 0:21:24.520
<v Speaker 1>despite their solidarity, they all speculated the years of jail

0:21:24.600 --> 0:21:29.520
<v Speaker 1>time was a real possibility. Jimmy's pulse went through the

0:21:29.600 --> 0:21:31.600
<v Speaker 1>roof when it was announced that the jury had reached

0:21:31.640 --> 0:21:35.760
<v Speaker 1>a verdict. He sat his hands clasped together, a giant

0:21:35.800 --> 0:21:38.760
<v Speaker 1>turquoise bracelet, rattling against the table every time he'd wring

0:21:38.840 --> 0:21:42.720
<v Speaker 1>his hands. The courtroom was full of young kids, Hendricks,

0:21:42.760 --> 0:21:47.439
<v Speaker 1>fans eager to see their hero walk out or freeman. Outside,

0:21:47.520 --> 0:21:51.400
<v Speaker 1>wet snowflakes fell, and the twelve White Shirts entered the courtroom,

0:21:51.640 --> 0:21:54.639
<v Speaker 1>along with the judge, whose gaudy powdered wig was regal

0:21:54.720 --> 0:21:58.200
<v Speaker 1>overkilled to the max, a long distant salute to the motherland.

0:21:59.040 --> 0:22:01.800
<v Speaker 1>It reminded Jimmy of London of all the swinging, Vaudevillian

0:22:01.880 --> 0:22:05.960
<v Speaker 1>inspired fashion that was desperately missing inside this drab courtroom.

0:22:06.680 --> 0:22:13.159
<v Speaker 1>And then the verdict not guilty on both counts. The

0:22:13.240 --> 0:22:16.440
<v Speaker 1>fans in the courtroom stood and cheered. The snowfall picked

0:22:16.480 --> 0:22:19.640
<v Speaker 1>up outside, and Jimmy walked out of the courthouse, splashed

0:22:19.640 --> 0:22:21.760
<v Speaker 1>a peace sign with his fingers. Remembered how good a

0:22:21.840 --> 0:22:24.280
<v Speaker 1>big ear to ear grin could feel. Got on a

0:22:24.359 --> 0:22:26.760
<v Speaker 1>plane to New York, fat joint of how she she

0:22:26.920 --> 0:22:30.760
<v Speaker 1>waited him. It wasn't gonna smoke itself. I gotta keep moving.

0:22:31.040 --> 0:22:34.600
<v Speaker 1>Blues fallen down like hell on the plane back to

0:22:34.640 --> 0:22:37.240
<v Speaker 1>New York. Tommy watched an older couple play a game

0:22:37.280 --> 0:22:40.640
<v Speaker 1>of cribbage across the aisle, and the way of Toronto

0:22:40.720 --> 0:22:45.040
<v Speaker 1>had been lifted, but his mind was still worried. And

0:22:45.160 --> 0:22:47.280
<v Speaker 1>just because this one hurdle was clear, it didn't mean

0:22:47.320 --> 0:22:50.920
<v Speaker 1>there weren't other hurdles left to face, bigger hurdles, bigger problems.

0:22:52.280 --> 0:22:55.159
<v Speaker 1>And he watched the couple count the crib the cards

0:22:55.200 --> 0:22:57.920
<v Speaker 1>shuffling in their hands, and he thought a tarot current,

0:22:58.880 --> 0:23:02.440
<v Speaker 1>tarot card reading, and the rock earlier that year, a

0:23:02.560 --> 0:23:06.320
<v Speaker 1>premonition come to life. He tried to suppress it, ignore him.

0:23:07.040 --> 0:23:10.119
<v Speaker 1>That feeling came back, and that feeling that's settled in

0:23:10.480 --> 0:23:14.320
<v Speaker 1>it made itself known. His days were numbered and he

0:23:14.359 --> 0:23:51.280
<v Speaker 1>would die soon. He knew it. Jimmie Hendricks was dreaming

0:23:51.359 --> 0:23:55.600
<v Speaker 1>of Brian Jones, his dirty blonde mop top obscuring half

0:23:55.640 --> 0:24:00.360
<v Speaker 1>of his face, his smile, hesitant, patient, his stone eyes

0:24:00.760 --> 0:24:04.600
<v Speaker 1>swimming with kindness and with something wicked too, The duality

0:24:04.640 --> 0:24:09.040
<v Speaker 1>of a rolling stone and the dream. Brian was shouting

0:24:09.080 --> 0:24:13.600
<v Speaker 1>at Jimmy, waving out, warning him something didn't feel quite right.

0:24:17.720 --> 0:24:20.359
<v Speaker 1>Jimmy woke up in his bed before the dream could finish,

0:24:20.960 --> 0:24:24.600
<v Speaker 1>he sat straight up, gasped, and got his bearings. He

0:24:24.720 --> 0:24:27.959
<v Speaker 1>was alone in his hotel room in Morocco, to be precise,

0:24:28.040 --> 0:24:31.280
<v Speaker 1>on the Atlantic coast of North Africa. Tapestries hung on

0:24:31.320 --> 0:24:33.360
<v Speaker 1>the walls and dangled from the top of the bed.

0:24:34.560 --> 0:24:38.280
<v Speaker 1>The dream felt so real, Brian felt so real that

0:24:38.400 --> 0:24:40.560
<v Speaker 1>it couldn't be. Brian had been found dead at the

0:24:40.600 --> 0:24:43.159
<v Speaker 1>bottom of his swimming pool only a few weeks before.

0:24:44.600 --> 0:24:50.280
<v Speaker 1>He was just Jimmy and Brian were musical brothers, fashion brothers.

0:24:50.680 --> 0:24:52.879
<v Speaker 1>Brian was the one who introduced Jimmy to the crowd

0:24:52.920 --> 0:24:55.560
<v Speaker 1>at the Monterey Pop Festival, his first show with the

0:24:55.680 --> 0:25:00.600
<v Speaker 1>experience in America. Brian's death hit him hard to have

0:25:00.760 --> 0:25:03.400
<v Speaker 1>someone that close to him, a soul brother from another mother,

0:25:03.520 --> 0:25:07.000
<v Speaker 1>gone so quickly and at such a young age. Brian

0:25:07.119 --> 0:25:10.639
<v Speaker 1>had been transitioning, just like Jimmy, moving away from the

0:25:10.760 --> 0:25:14.520
<v Speaker 1>rolling stones and looking to start something new. Some would

0:25:14.560 --> 0:25:18.280
<v Speaker 1>call it a reburn, a change, and now he was

0:25:18.359 --> 0:25:21.560
<v Speaker 1>gone in an instant, in the amount of time it

0:25:21.640 --> 0:25:24.200
<v Speaker 1>takes to jump into a pool. A snap of the fingers,

0:25:25.000 --> 0:25:27.920
<v Speaker 1>and Jimmy rubbed his eyes, still having a hard time

0:25:28.000 --> 0:25:31.200
<v Speaker 1>believing Brian was gone, still having a hard time that

0:25:31.320 --> 0:25:35.439
<v Speaker 1>the Brian and his dream wasn't real, and the hanging

0:25:35.560 --> 0:25:38.120
<v Speaker 1>tapestry that ran along the edge of the bed started

0:25:38.160 --> 0:25:41.359
<v Speaker 1>to wave a breeze maybe, but Jimmy had closed the

0:25:41.359 --> 0:25:45.200
<v Speaker 1>window before he had fallen asleep, and the patterned fabric fluttered,

0:25:45.520 --> 0:25:49.280
<v Speaker 1>waved again, swayed dramatically, and then there was a hand

0:25:49.359 --> 0:25:53.000
<v Speaker 1>on the tapestry, pulling the tapestry aside. The hand was

0:25:53.119 --> 0:25:57.720
<v Speaker 1>ashen smoky, translucent. Jimmy jumped from the hand, pulled the

0:25:57.760 --> 0:25:59.960
<v Speaker 1>tapestry down the length of the bed and revealed Brian

0:26:00.040 --> 0:26:01.760
<v Speaker 1>and jone and sitting on the corner of the bed,

0:26:01.880 --> 0:26:06.639
<v Speaker 1>just a few feet away from Jimmy's legs. Brian sat there, silent,

0:26:07.119 --> 0:26:10.040
<v Speaker 1>smoking a cigarette, right leg crossed on top of his

0:26:10.160 --> 0:26:14.000
<v Speaker 1>left leg, Chelsea boots oversized scarf with the smoky whists

0:26:14.040 --> 0:26:16.120
<v Speaker 1>from the end of his cigarette wafted into the air,

0:26:16.600 --> 0:26:19.280
<v Speaker 1>as did the rest of him, his whole body like

0:26:19.440 --> 0:26:22.880
<v Speaker 1>one big haze of tobacco smoke, gray and half formed

0:26:22.920 --> 0:26:26.720
<v Speaker 1>and about to blow away. Jimmy couldn't move, couldn't speak.

0:26:27.359 --> 0:26:30.800
<v Speaker 1>Brian started slowly motioning towards Jimmy like he had in

0:26:30.880 --> 0:26:33.640
<v Speaker 1>the dream, waving his arms. He wanted him to leave,

0:26:33.800 --> 0:26:37.160
<v Speaker 1>to go somewhere else, to avoid something. And then as

0:26:37.200 --> 0:26:41.200
<v Speaker 1>he continued to wave his arms, he disappeared into thin air,

0:26:41.359 --> 0:26:45.560
<v Speaker 1>just blew away. The smoky haze dissipated, the tapestry slipped

0:26:45.560 --> 0:26:49.520
<v Speaker 1>back into its hanging position, and Brian Jones was gone.

0:26:54.520 --> 0:26:56.720
<v Speaker 1>Jimmy had taken some friends up on a last minute

0:26:56.720 --> 0:27:00.760
<v Speaker 1>invitation to visit Morocco in the summer. N It so

0:27:01.000 --> 0:27:04.080
<v Speaker 1>last minute, actually, that he ditched Gypsy's son and Rainbows

0:27:04.119 --> 0:27:06.520
<v Speaker 1>as they rehearsed for woodstock without so much as it

0:27:06.560 --> 0:27:10.280
<v Speaker 1>could bye. His friend Dearing, how trust fund kid and

0:27:10.440 --> 0:27:14.440
<v Speaker 1>heir to the Deering's family international harvester Fortune, invited him

0:27:14.440 --> 0:27:17.480
<v Speaker 1>on a jaunt to North Africa, and their friends Collette

0:27:17.520 --> 0:27:20.200
<v Speaker 1>and Stella were waiting for them. Carpe A d M

0:27:20.320 --> 0:27:23.399
<v Speaker 1>was Deering's bag. Sure, Jimmy thought, why the Hell'm not

0:27:25.040 --> 0:27:28.320
<v Speaker 1>in Morocco. Jimmy let it all hang out. He could

0:27:28.320 --> 0:27:30.320
<v Speaker 1>be whoever he wanted to be. He could be himself

0:27:30.440 --> 0:27:33.480
<v Speaker 1>completely anonymous, a black American man in Africa for the

0:27:33.520 --> 0:27:36.400
<v Speaker 1>first time in his life, tapping into a new yet

0:27:36.480 --> 0:27:40.280
<v Speaker 1>familiar culture, new aesthetic, breathing new air on a new

0:27:40.440 --> 0:27:43.680
<v Speaker 1>strip of Atlantic coastline. The most famous rock star in

0:27:43.760 --> 0:27:46.920
<v Speaker 1>the world, just another nameless face on the street, driving

0:27:46.960 --> 0:27:49.480
<v Speaker 1>a beat up chrystler through the desert, blending in with

0:27:49.560 --> 0:27:52.800
<v Speaker 1>the crowds along the faded blue and white architecture, A

0:27:52.880 --> 0:27:57.160
<v Speaker 1>blissful nobody. It was the only real vacation he ever took,

0:27:57.560 --> 0:28:00.359
<v Speaker 1>and he needed it. He was thinking about the pending

0:28:00.400 --> 0:28:04.439
<v Speaker 1>trial in Toronto, about rehearsing to a woodstock. He couldn't

0:28:04.480 --> 0:28:07.159
<v Speaker 1>get Brian Jones out of his head. He walked the

0:28:07.200 --> 0:28:10.480
<v Speaker 1>streets in Morocco and saw Brian's face in the vendor's faces,

0:28:10.600 --> 0:28:13.359
<v Speaker 1>and saw his mop top shag bounce along ahead in

0:28:13.400 --> 0:28:17.400
<v Speaker 1>the crowd. He had thought about dying lately, premonitions, feelings,

0:28:17.960 --> 0:28:20.879
<v Speaker 1>and this cloud of uncertainty would envelop him out of nowhere,

0:28:20.960 --> 0:28:24.280
<v Speaker 1>an unshakable feeling his time was limited. He could feel it.

0:28:24.359 --> 0:28:28.080
<v Speaker 1>He wouldn't live to be thirty. He knew it. Collette,

0:28:28.200 --> 0:28:31.800
<v Speaker 1>Jimmy's friend Morocco. Her grandfather was a local tribal leader

0:28:31.840 --> 0:28:34.760
<v Speaker 1>and his new wife a clairvoyant who worked for the king,

0:28:35.480 --> 0:28:37.399
<v Speaker 1>and she asked if Colette and a group of friends

0:28:37.440 --> 0:28:40.440
<v Speaker 1>that Jimmy included. Of course, wanted to have their cards read.

0:28:41.600 --> 0:28:44.160
<v Speaker 1>She ran her hands along the lines of Jimmy's face.

0:28:44.800 --> 0:28:47.840
<v Speaker 1>She wanted to see more, and she'd read him first.

0:28:50.280 --> 0:28:52.640
<v Speaker 1>The group sat at a table in the hotel Dayle.

0:28:53.480 --> 0:28:57.280
<v Speaker 1>Collette offered to translate, as the clairvoyant wife only spoke French,

0:28:57.880 --> 0:29:01.560
<v Speaker 1>and she wore a bright scarf patterns, beads galore. It

0:29:01.680 --> 0:29:04.720
<v Speaker 1>was like a neon day dream of Jimmy's preferred fashion ideal,

0:29:05.120 --> 0:29:08.560
<v Speaker 1>A kindred spirit, no doubt. The first Taro card she

0:29:08.680 --> 0:29:12.600
<v Speaker 1>drew from her deck was simple, innocuous. The Star card

0:29:13.080 --> 0:29:16.440
<v Speaker 1>a silhouetted naked woman pouring water into a stream. Very

0:29:16.520 --> 0:29:20.880
<v Speaker 1>athena esque or was it aphrodite, didn't matter, A beautiful goddess,

0:29:21.160 --> 0:29:23.800
<v Speaker 1>a giant star in the sky above her, surrounded by

0:29:23.840 --> 0:29:28.280
<v Speaker 1>galaxies other worlds. The clairvoyant rattled off a sentence or

0:29:28.320 --> 0:29:31.240
<v Speaker 1>two in French, and Colette laughed and nodded her head.

0:29:32.040 --> 0:29:34.400
<v Speaker 1>She lightly patted Jimmy's arm, as if to indicate that

0:29:34.600 --> 0:29:38.440
<v Speaker 1>everything was all right so far. Then the clairvoyant flipped over.

0:29:38.520 --> 0:29:42.360
<v Speaker 1>The second card slapped onto the table, face up. The

0:29:42.520 --> 0:29:46.000
<v Speaker 1>Death card, A figure on a white horse, A skeletal

0:29:46.080 --> 0:29:50.000
<v Speaker 1>figure wrapped in medieval armor, bodies at the horse's feet,

0:29:50.280 --> 0:29:54.320
<v Speaker 1>the sun rising on the distant horizon. Jimmy's eyes went wide,

0:29:54.600 --> 0:29:58.000
<v Speaker 1>his mouth gaping. The head of the skeleton was Brian

0:29:58.120 --> 0:30:01.200
<v Speaker 1>Jones's head. Brian Joe was on the card. He was

0:30:01.360 --> 0:30:05.560
<v Speaker 1>riding that medieval death horse. Bryan Jones was death. And

0:30:05.640 --> 0:30:08.160
<v Speaker 1>Jimmy stood up quickly from the table, gasping for air.

0:30:08.560 --> 0:30:11.600
<v Speaker 1>His knees knocked against the table's leg and the cards scattered.

0:30:11.880 --> 0:30:16.200
<v Speaker 1>He got himself outside. He needed air. He stood there

0:30:16.400 --> 0:30:19.280
<v Speaker 1>outside a hotel in the North African desert and spoke

0:30:19.400 --> 0:30:23.240
<v Speaker 1>softly at the warm night towards the ocean, whispering, I'm

0:30:23.280 --> 0:30:42.280
<v Speaker 1>gonna die. I'm Jake Brennan and This Club. Seven Club

0:30:42.400 --> 0:30:45.600
<v Speaker 1>is scored and co written by me Jake Brennan. Zeth

0:30:45.680 --> 0:30:48.840
<v Speaker 1>Lundy is the lead writer, editor and co producer. The

0:30:49.520 --> 0:30:52.880
<v Speaker 1>Club is mixed and engineered by Sean Klein and Matt Bowden,

0:30:53.200 --> 0:30:55.920
<v Speaker 1>both of whom led their considerable music talent to the

0:30:56.040 --> 0:30:59.400
<v Speaker 1>scoring of this series, as well additional music and score

0:30:59.440 --> 0:31:03.120
<v Speaker 1>elements Ryan Spreaker. The twenty seven Club is produced by

0:31:03.200 --> 0:31:07.360
<v Speaker 1>myself for Double Elvis in partnership I Heart Radio. Sources

0:31:07.440 --> 0:31:10.240
<v Speaker 1>for this episode are available at Double Elvis dot com

0:31:10.360 --> 0:31:13.600
<v Speaker 1>on the twenty seven Club series page. The twenty seven

0:31:13.640 --> 0:31:17.280
<v Speaker 1>Club is released weekly every Thursday. Season one future is

0:31:17.360 --> 0:31:20.760
<v Speaker 1>twelve episodes on Jimmy Hendrickson. Season two will feature twelve

0:31:20.840 --> 0:31:23.840
<v Speaker 1>episodes on Jim Morrison. If you like what you hear,

0:31:23.960 --> 0:31:26.120
<v Speaker 1>please be sure to subscribe to the twenty seven Called

0:31:26.200 --> 0:31:29.040
<v Speaker 1>on Apple podcast, the I Heart Radio app, or wherever

0:31:29.160 --> 0:31:31.400
<v Speaker 1>you get podcasts, and if you'd like to win a

0:31:31.480 --> 0:31:34.440
<v Speaker 1>free twenty seven Club post or designed by the man himself,

0:31:34.600 --> 0:31:37.560
<v Speaker 1>Nick Gonzalez, then leave a review for twenty seven Club

0:31:37.640 --> 0:31:41.560
<v Speaker 1>on Apple Podcasts or hashtag subscribe to twenty seven Club

0:31:41.680 --> 0:31:44.800
<v Speaker 1>on social media and we'll pick two winners each week

0:31:45.040 --> 0:31:48.120
<v Speaker 1>and announce them on the Double Elvis Instagram page that's

0:31:48.200 --> 0:31:50.440
<v Speaker 1>at Double Elvis. You're gonna want to give you that

0:31:50.520 --> 0:31:52.920
<v Speaker 1>a fallow, so we'll get out there and please spread

0:31:52.920 --> 0:31:55.720
<v Speaker 1>the word about the twenty seven As always, you can

0:31:55.760 --> 0:31:58.000
<v Speaker 1>find me blabbing about other crazy rock stars on my

0:31:58.080 --> 0:32:00.800
<v Speaker 1>other podcast, Disgrace Land, and you can talk to me

0:32:00.920 --> 0:32:04.640
<v Speaker 1>per usual on Instagram and Twitter at Space lam pod,

0:32:05.200 --> 0:32:07.120
<v Speaker 1>one way or another. I hope to be talking to

0:32:07.160 --> 0:32:18.560
<v Speaker 1>you suit. Let's tell that yeah, what's up for your ears,