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Speaker 1: The Nicky Glazer Podcast. Here's Nikki. Hello, here I am.

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Speaker 1: It's a Nicki Glazer podcast. I'm Nicki Lazer. This is

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Speaker 1: my new voice. Welcome to the show. I'm back fully

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Speaker 1: recovered and um yeah, happy to be back. I didn't

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Speaker 1: know it would be so soon, but it's here. And UM,

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Speaker 1: if you don't think I sound different, keep that opinion

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Speaker 1: to yourself. I don't want to hear it because I

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Speaker 1: spent dollars on this voice. And um, yeah, so it's back.

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Speaker 1: What do you think it doesn't sound any different? I know,

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Speaker 1: I know first of all, it sounds much worse out

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Speaker 1: of the gate. The tone, it's not it's not good.

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Speaker 1: He fixed my He did not fix my tone. It's

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Speaker 1: still going to be impatient and ornery. But there's a

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Speaker 1: brightness to the overall. Yes, No, I do hear a

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Speaker 1: little bit of a higher pitch. I really do. I

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Speaker 1: think it probably is closer to what your voice was originally. Yeah,

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Speaker 1: it's like when I first talked in the office the

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Speaker 1: other day. Yeah, I saw I was like, this is

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Speaker 1: what I sounded like in high school. Like it was

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Speaker 1: just like I have not heard this person for decades.

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Speaker 1: Is it weird? Hearing your voice after three weeks, does

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Speaker 1: it well? It was just weird hearing a new voice,

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Speaker 1: because this to me is I'm used to it right

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Speaker 1: now because I've heard it for four days now, three

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Speaker 1: days now, so I'm used to it. But um, but

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Speaker 1: especially in the speaker where you're hearing it back, no,

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Speaker 1: um no, because I feel like it's a little bit

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Speaker 1: like there are times like I can just if what

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Speaker 1: I describe it as is before I was driving a

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Speaker 1: car that like an old I can only picture. It's

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Speaker 1: like my old Mercedes in high school. It's like a

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Speaker 1: nineteen seventy seven and you push on the gas and

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Speaker 1: it would just take so long to go like room,

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Speaker 1: and then you could get to the spot that you want.

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Speaker 1: It's like the first time I drove a nice Alexis. Alexis,

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Speaker 1: I can't say Lexus. They gave you whatever you have.

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Speaker 1: Would you like to just to my tongue on both sides? Wait,

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Speaker 1: what would you like to use your new voice to

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Speaker 1: introduce our guest? Yes, I would love to. Um. Welcome

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Speaker 1: to the show. My best friend Um. You hear her

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Speaker 1: every time our show starts doing the podcast theme song.

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Speaker 1: She has a Patreon that you can support. She um

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Speaker 1: has music that you can support on Spotify. Her name

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Speaker 1: is on your Marina Welcome to the show. Anya. Hey guys,

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Speaker 1: hey girl, um On you heard my voice maybe first? Yeah,

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Speaker 1: I heard it. I have the voicemail. What's so It's like,

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Speaker 1: hey guys, it's Nikki Finny voice. I was like, this

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Speaker 1: is the Nikki I met in twelve when we became roommates. Yeah,

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Speaker 1: it was probably. It did sound that way, like I

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Speaker 1: can go back to hearing myself on Comedy Central, like

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Speaker 1: on my show Not Safe and it had not dropped yet,

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Speaker 1: but it just told you this. But you sound so

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Speaker 1: much like my favorite One of my favorite albums is

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Speaker 1: Liz Fair on iTunes originals talking about her songs. So

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Speaker 1: she does like a song and then we'll talk about

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Speaker 1: it and she has this clear, like sweet, malefluous voice

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Speaker 1: and it's like a SMR for me, And your voice

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Speaker 1: sounded like that. It was just like I expect you

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Speaker 1: to be Like I wrote, fucking run I wrote run Um,

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Speaker 1: I mean I can do a better onion, like I

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Speaker 1: can do a better on your now, like it's easy.

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Speaker 1: I want my my goal. When I first started talking

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Speaker 1: in the office, because they were filming me for the

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Speaker 1: Graham Ben Singer show, this show that's been following me

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Speaker 1: around through this process. He filmed me like going into

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Speaker 1: the surgery, doing interviews before it and then not during it,

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Speaker 1: but he was there. They were there. When I started

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Speaker 1: talking again, I wanted to go like, hi everyone, and

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Speaker 1: does everyone would be like what the fuck? Um? What

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Speaker 1: is it different? But it kind of did sound like that.

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Speaker 1: It was. So it's a little bit I talked too

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Speaker 1: much this weekend and it's just I'm not ready to

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Speaker 1: be talking as much as I have Ben. So it's

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Speaker 1: a little bit like horse today, which is a disappointment

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Speaker 1: because I wanted to debut. Wouldn't have it be different,

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Speaker 1: but it was the thing, is it like I like

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Speaker 1: I was giving the analogy for the car, It's like

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Speaker 1: it just you know, the first time you drive a

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Speaker 1: nice car and you just put you gently tap and

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Speaker 1: it just smoothly, like goes as fast as you want

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Speaker 1: to the car to go on the gas like it's

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Speaker 1: just so there's no effort behind it. So is there

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Speaker 1: a clearness in your throat when you talk or was

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Speaker 1: there something that was that you ever felt? No, you

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Speaker 1: don't feel anything. You don't feel like, um, there's no

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Speaker 1: nerves there, so there was no pain, you know, during

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Speaker 1: the surgery or anything. It's just what I feel is that.

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Speaker 1: And I'm gonna have to relearn how to speak because

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Speaker 1: I was giving, so I was pushing. I was driving

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Speaker 1: that old car, so I was constantly like shoving my

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Speaker 1: foot down on the gas for everything I said. There's

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Speaker 1: so much effort when you don't have a good voice

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Speaker 1: behind talking that in any time you you know, it's

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Speaker 1: just constant. You don't realize how much because it's all

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Speaker 1: you know, so you don't realize how much you're fucking

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Speaker 1: fighting to get uh sound out of your body. And

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Speaker 1: so I'm still doing that really hard, like I'm still

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Speaker 1: slamming on the gas and like I don't need to

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Speaker 1: like it just like comes out like it's just like there,

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Speaker 1: it's not. I don't have to search for it. I

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Speaker 1: don't have to dig for it and be like getting

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Speaker 1: ready for this. And in terms of singing, like I'm

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Speaker 1: not going to sing, but it is insane, Like I

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Speaker 1: can sing every Olivia Rodrigo song at the at the

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Speaker 1: you know, like what at the way she sings that

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Speaker 1: I usually when I play it on guitar. I have

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Speaker 1: to take it down like seven octaves. I'm not hitting

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Speaker 1: you every tailor every single Yeah, I can hit adele

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Speaker 1: notes like I can hit every note. There hasn't been

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Speaker 1: a note I cannot hit yet, And I'm not kidding you.

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Speaker 1: Before the first weekend you can talk, you're singing a well.

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Speaker 1: I was just like, you know, gently to myself, like

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Speaker 1: now I've been doing Pavarotti carry whistletone. I have so

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Speaker 1: many questions. Can anyone benefit from the surgery? You think

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Speaker 1: are just people who have had hemorrhaged chords? I mean

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Speaker 1: I think anyone, But it's you know, it's unless you

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Speaker 1: need it and want to like unless if you talk

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Speaker 1: for a living, yes, yes, Like is it like a

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Speaker 1: boat that collects barnacles and they just scraped the barnacles

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Speaker 1: off like as HPV. They look like when you look

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Speaker 1: at them on it's exactly that on you. When you

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Speaker 1: look at courts on the screen, they look like a

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Speaker 1: pair of jeans, like there's two sides to it, look

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Speaker 1: like jeans, and like my original chords look like cargo

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Speaker 1: pants that have a bunch of pockets stuffed with keys,

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Speaker 1: and like rocks all the way down your action. Yes,

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Speaker 1: and then we wait, what do I have pants? I

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Speaker 1: have this weird memory of like, you know, stuff in

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Speaker 1: my pants. What everyone's been dogging about it for a while. Well,

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Speaker 1: like I have a lot of stuff in their pants. Yeah,

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Speaker 1: like a guy that's like working as like backstage at

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Speaker 1: a music festival, like how much crap, Like a guy

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Speaker 1: that's like a roadie. That's his pants. And then my

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Speaker 1: chords now look like skinny jeans. They look like they're

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Speaker 1: going to like the Warp Tour in two thousand eight.

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Speaker 1: They are perfectly perfect, like straight lines on each side,

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Speaker 1: and so it's just and it looks like there was

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Speaker 1: no surgery. There's no like scars, there's nothing, and they

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Speaker 1: just look like like I was just gazing at them,

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Speaker 1: like they're so straight, because before they were all like

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Speaker 1: calloused and they looked like the Great Barrier Reef and

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Speaker 1: now they look like the Great Barrier Reef now, which

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Speaker 1: has nothing on it. But they don't use they don't

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Speaker 1: use knives, right, just lasers, they do, Yeah, they do both.

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Speaker 1: So they use lasers to fix all the hemorrhage. Yeah.

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Speaker 1: Well they look like little raptors, like like there's these

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Speaker 1: like little things that he would use that are millimeter

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Speaker 1: there's I mean on the screen it was um uh,

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Speaker 1: you know, magnified by like a hundred two hundred times.

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Speaker 1: But they use these tiny little things. And then yeah,

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Speaker 1: they pulled back the layers. They used to just cut

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Speaker 1: off the lesions and now they dissect the skin, lift

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Speaker 1: the first layer skin, go in and take out the

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Speaker 1: damage and then put the skin back on top. And

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Speaker 1: then that's why it has so long to um heal.

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Speaker 1: But maybe there's like a cheaper version you can get

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Speaker 1: if you don't have like there certainly is, but you

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Speaker 1: might have a voice like Julie Andrews, which is no

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Speaker 1: voice if you get that done. I mean that's the

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Speaker 1: way they used to get this. Guy invented this surgery

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Speaker 1: because they used to just cut them off. And so

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Speaker 1: he invented this kind of surgery because um, in high

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Speaker 1: school he got a job as he was like, uh,

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Speaker 1: he like worked with leather, sewing leather, and he like

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Speaker 1: used and he used he learned how to be ambidextrous,

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Speaker 1: because this surgery is impossible to do unless you can

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Speaker 1: use both your left and right hand the same way.

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Speaker 1: So because he did that leather work in high school,

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Speaker 1: he learned how to use both hands interdependently and and

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Speaker 1: you know together and um. And so he was able

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Speaker 1: to develop the surgery that you know, it's imperative that

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Speaker 1: you are able to use. But so it's like, if

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Speaker 1: you want to do the surgery, you got to learn

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Speaker 1: how to use your left hand. Um. Yeah. So he

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Speaker 1: learned how to do that in high school and then

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Speaker 1: from that he's like, I should be a surgeon because

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Speaker 1: I'm so his dad was a surgeon. So he went

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Speaker 1: to school and he wanted to. He was an E

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Speaker 1: N T. And then he was doing all cancer um surgeries, uh,

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Speaker 1: like you know, just taking cancer off of people's throats

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Speaker 1: and larynxes and all the things. And then he, yeah,

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Speaker 1: he started working with singers and I think was just like,

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Speaker 1: there's there's got to be another way. And then Julie

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Speaker 1: Andrew's got her voice really left up by a doctor

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Speaker 1: that kind of just went in and cut all the

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Speaker 1: stuff up and then she couldn't sing anymore. And he

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Speaker 1: it was one of his first you know, success stories,

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Speaker 1: that he repaired her voice and she can't you know,

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Speaker 1: sing like she used to, but she is able to work.

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Speaker 1: And she's like eighty nine or something now and wow,

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Speaker 1: your doctor repaired her botched surgery. My doctor reports every

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Speaker 1: single singer that you know, and like, my doctor has

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Speaker 1: touched and I can't say that. I can't tell you

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Speaker 1: all the names. I'm not getting you. Going to his

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Speaker 1: office is like walking into a planet. Hollywood's every single

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Speaker 1: every single chord he is touched and Crocker. And the

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Speaker 1: thing is, singers don't want to that they've had it done.

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Speaker 1: What's his name? Crocker? Jim Crocker, isn't it there's croche

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Speaker 1: um kind of saying that, um, what would you do?

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Speaker 1: What was his name? I feel like that was his name,

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Speaker 1: Joe Crocker, Crocker, Yeah, James Crocker. I don't know. Screaming

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Speaker 1: you you all being singers. How do you feel when

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Speaker 1: someone puts on the rasp, like it's not a real rasp?

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Speaker 1: I feel like a fake rasp? Is that wasn't fake?

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Speaker 1: His wasn't fake. He sounded like a trash can all

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Speaker 1: the time. But I'm talking, you know, like someone that

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Speaker 1: talks like this and then they start singing. They're like,

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Speaker 1: we've talked about this on the show. Everyone does, and

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Speaker 1: they have to choose how to like what they want

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Speaker 1: to sound like, so everything's kind of put on in

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Speaker 1: a in a way like no one even singings put on.

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Speaker 1: I mean no one naturally like talks like that, like

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Speaker 1: everything's put on. So I think that I guess the

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Speaker 1: extra put on. Have you come across raspy singers? I

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Speaker 1: did just watch Don't Look Back, which is so good

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Speaker 1: the Bob Dylan documentary. Have you guys seen that? M hmm,

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Speaker 1: I really liked you telling us about it on the

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Speaker 1: Girl's Chat. Highly recommend. It never changes, it goes by

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Speaker 1: so quickly he is this It's like that is kind

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Speaker 1: of how he talks. I always thought it was a

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Speaker 1: put on, but it's kind of Once you watch him

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Speaker 1: speak and then he goes into his singing, you're like,

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Speaker 1: it's not that different, and he's it's just such a

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Speaker 1: wild He's so young and so like full of I

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Speaker 1: don't know, like this weird energy, like he's fucking with

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Speaker 1: everybody that all the journalists that come into his room.

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Speaker 1: And then it just reminds me so much of Nikki

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Speaker 1: on tour and just people pulling you in so many

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Speaker 1: different directions, like hey, really quick in the green room,

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Speaker 1: can you meet my five sons? They are really the

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Speaker 1: real big fans, and you're going to come to our

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Speaker 1: cabin next time you're in town, and just this whole

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Speaker 1: rigor morrole you have to go through, I highly recommend you.

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Speaker 1: I just want to tell everyone right now, I will

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Speaker 1: never go to a second location with you after a show,

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Speaker 1: no matter who you are. I love meeting everyone. I'm

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Speaker 1: not kidding you. I love my fans. You guys are

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Speaker 1: normal people. I would be friends with you if it

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Speaker 1: was a different like we would be friends who hang out.

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Speaker 1: I have. I enjoy our conversations when we do the

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Speaker 1: meet and greets. I'm never gonna go stay at your house.

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Speaker 1: And some of you are like, well, who would ask

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Speaker 1: you to stay at their house? Who would ask you

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Speaker 1: to go to dinner before the show with strangers? The

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Speaker 1: venue owner or like the venue managers. So and you

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Speaker 1: know what, it's so sweet because there are comedians that

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Speaker 1: do do that because they're alcoholics and they need people

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Speaker 1: to drink with. Okay, so you're probably like, well, Bert

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Speaker 1: came over and drank with us before the show and

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Speaker 1: after the show. Yeah, I slept on our couch for

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Speaker 1: a year. Um, I'm never going to do that. And

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Speaker 1: it's not because I'm think I'm better than you, or

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Speaker 1: because I don't like you, or I don't think or

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Speaker 1: I wouldn't do that normally, if I lived in Boston

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Speaker 1: and we could be friends, I would. I just can't

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Speaker 1: when I'm on the road and it's just not going

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Speaker 1: to happen. So um uh you know, you know. The

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Speaker 1: one time I'll do it is if my friends are

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Speaker 1: going to get laid maybe from it, then I'll go

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Speaker 1: and I'll go. I will go to support you, to

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Speaker 1: go hang out with these girls. Will you open for

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Speaker 1: me at the bar after the show for like five minutes?

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Speaker 1: Like when I was on the road and it used

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Speaker 1: to be like you were single and your meal and stuff,

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Speaker 1: and I was. I would get sad when you guys

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Speaker 1: wouldn't invite me because I'm like, I want to do

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Speaker 1: you know this will help, Like I feel like these

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Speaker 1: girls know that we're not we would sleep with them all.

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Speaker 1: But as long as I have my friends with me,

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Speaker 1: I will go. And as long as there's another purpose

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Speaker 1: there besides me being like having to entertain lutely, I'll go. Um,

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Speaker 1: but I'm not gonna go um to your favorite vegan

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Speaker 1: cafe before the show. I don't have time. I usually

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Speaker 1: here's how it goes. I usually fly in and about

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Speaker 1: like three around then is like after a day of travel,

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Speaker 1: we get in at like three, I have to start

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Speaker 1: getting ready at five thirty, so by the time I

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Speaker 1: get to my hotel it's usually four, and then I

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Speaker 1: don't have time to go to your favorite smoothie place

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Speaker 1: and get a vegan thing like. But it is sweet

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Speaker 1: when you recommend stuff because we do order food every

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Speaker 1: night from places. So if you do have recommendations for

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Speaker 1: good vegan places near a venue, please send those. But

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Speaker 1: some people are like, you gotta come to my cafe

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Speaker 1: and sometimes it's like my barbecue joint, And I'm like,

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Speaker 1: do you know me? Or did you watch one roast?

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Speaker 1: And is it by the is it by the venue?

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Speaker 1: You know it's six hours south of here. It's cool though,

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Speaker 1: like it's a cool vibe. I'm sure you'll dig it. Yes,

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Speaker 1: And I have like two friends I kind of know

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Speaker 1: who you are, so they'd love to meet you, but

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Speaker 1: know they don't like you at all, they hate you.

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Speaker 1: But I think that if you met them in person,

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Speaker 1: we could just funk with them a little bit. And also,

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Speaker 1: this is another popular request that I don't know why

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Speaker 1: people do it. I would never have guessed it was

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Speaker 1: a normal thing. No more asking to make videos for

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Speaker 1: your friend who didn't want to come where I where

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Speaker 1: I ship talk him and go you motherfucker, you didn't

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Speaker 1: come to the fucking show, You piece of ship, You

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Speaker 1: pour piece of ship who had to work because you

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Speaker 1: have a fucking daughter to support, Like you always want

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Speaker 1: me to roast your friend who couldn't afford to come

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Speaker 1: or who doesn't like me, And it's just I I

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Speaker 1: was reading this New Yorker article about Shane Gillis and

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Speaker 1: there's this one part where someone in it comes up

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Speaker 1: to him and ask them to make a video for

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Speaker 1: someone who didn't come to the show. And I was

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Speaker 1: so envious of Shane because he just goes, no, I'm

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Speaker 1: not gonna do that. I'm not gonna be mean, dear friend.

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Speaker 1: And I always take the bathe and I always make

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Speaker 1: the sucking video. And I know for a fact that

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Speaker 1: person's like, why is she so mad at me? Because

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Speaker 1: it's funny in theory that you are like for coming

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Speaker 1: from you to your friend, this would be funny, but

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Speaker 1: from your friend to your friend, from a person that

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Speaker 1: they probably do like and just couldn't make the time

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Speaker 1: or it wasn't important enough to spend the money. It's

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Speaker 1: just like aggressive and I'll never get that person to

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Speaker 1: like me again because it doesn't really it comes off

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Speaker 1: like the tone is not right. There's no real left

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Speaker 1: turn joke, just like it's one per meet and greet.

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Speaker 1: People ask me to do this, and you think that

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Speaker 1: you're a rose comedian. I think that's like where people

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Speaker 1: are coming from there, Like, you know, people are going

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Speaker 1: to think I'm such an asshole for saying all these things.

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Speaker 1: Please still ask me to do funny videos for like people,

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Speaker 1: and I'll just tell you, no, I'm not gonna be

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Speaker 1: like you, dumb piece. I'm not gonna roast you in

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Speaker 1: that moment. I'm just gonna say no. But I'm gonna

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Speaker 1: start saying no a little bit more. You got to

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Speaker 1: save these pipes. And with that, let's go to break

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Speaker 1: and we'll be back with more Andrew round all day

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Speaker 1: and night coming in, so welcome back to the show.

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Speaker 1: We're talking about bizarre fan requests. Do you guys have

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Speaker 1: any more trying to think like it's usually let's get

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Speaker 1: fucked up. After the show, they come up to you

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Speaker 1: and I think it's sad too, because I feel like

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Speaker 1: they have a whole idea of like, I'm gonna go

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Speaker 1: up to him, I'm gonna say I have weed and

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Speaker 1: maybe cocaine, and we get some beers and like they

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Speaker 1: probably thought about this maybe three days beforehand, to be

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Speaker 1: like and then he'll come out, We're gonna have the

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Speaker 1: best time ever. That's the kind of person he is.

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Speaker 1: He loves to get after it after the show. And

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Speaker 1: then I just see like a sadness sometimes in their

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Speaker 1: face when they're like, oh, you don't want to yeah,

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Speaker 1: fucking ruin your life tonight. Well they don't know you

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Speaker 1: that well then too, because you don't I mean, I

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Speaker 1: guess you do drink now, but you don't get like fucked.

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Speaker 1: But there are stories where they're like, yeah, dude, remember

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Speaker 1: when you fucking parbaty with Little John. Let's do that tonight.

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Speaker 1: But instead of like going to a strip club and stuff,

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Speaker 1: we'll just be at my house and we'll look at

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Speaker 1: each other in the a and do blow. And I'm like,

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Speaker 1: I'm good. I think I've gone to I've gone out

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Speaker 1: with fans before. I mean, I've been doing this twenty

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Speaker 1: years and so I have definitely ended up at people's

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Speaker 1: apartments and been attacked by their dogs and had Yeah,

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Speaker 1: this one girl's dog. Um, waitress at a comedy club

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Speaker 1: in Tampa. Her dog attacked me in the face. Was terrible. Yeah,

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Speaker 1: what he was like annoyed by me? Yeah, yeah, I

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Speaker 1: mean it wasn't I wasn't like bleeding or anything, but

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Speaker 1: it was because I narrowly dodged getting bit and she

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Speaker 1: like pulled him back, but it was like it could

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Speaker 1: have been a vicious attack, and I was like, oh God.

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Speaker 1: And then and this was before Uber, you know, like

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Speaker 1: this is two th five, six, seven eight. So I

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Speaker 1: would just be stuck at these places and drunk and yeah,

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Speaker 1: I used to hang out after shows and um, and

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Speaker 1: then it got to be the point where I was

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Speaker 1: a feature act, and I just felt like if I

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Speaker 1: went out with these people, they would just tell me

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Speaker 1: how good the headliner was. And I didn't want to

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Speaker 1: be around that, so I didn't. There was a time

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Speaker 1: where a window where I would have gone out with people,

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Speaker 1: but I just didn't want to hear how much I sucked,

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Speaker 1: and so I would avoid that. Really, so much of

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Speaker 1: my life is avoiding any kind of criticism. The other day,

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Speaker 1: Anya sent me a clip because I was asking for

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Speaker 1: I need to post more clips on Instagram and everything,

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Speaker 1: and I hate watching myself and so I was like,

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Speaker 1: asked on the girls chat that I have with, um

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Speaker 1: all the girls from Girls Trip. Um, you know all

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Speaker 1: the girls from the movie Girl's Trip. Who else is

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Speaker 1: in that movie? Jada Pinkett? Um? Oh she in that

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Speaker 1: was she like a bitchy white assistant or something? Yeah, okay,

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Speaker 1: she had a line that became a name you go

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Speaker 1: girl or something like that, like just cheesy white woman

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Speaker 1: saying girl girl. Um. But Anya and I was like,

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Speaker 1: if you guys ever come across a clip of mine

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Speaker 1: on YouTube that you think would be good on Instagram

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Speaker 1: where you just like tell me the time stamp of it,

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Speaker 1: so I know. And so Anya was like this one

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Speaker 1: seven minutes and I go to look at it, and

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Speaker 1: you know how, like usually on YouTube, if I'm watching

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Speaker 1: something of mine, I put up my hand so I

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Speaker 1: can't see any comments. I hide it, I cover the screen. Um.

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Speaker 1: But on the way I didn't because it was a compilation. Yeah,

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Speaker 1: I just like looking at my finger that doesn't have

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00:21:27,240 --> 00:21:32,159
Speaker 1: a ring on it yet, just like some Yeah, it

402
00:21:33,200 --> 00:21:36,879
Speaker 1: had a million videos of the same video sent to us.

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Speaker 1: Now I know of people, yeah, oh yeah, I've tried

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Speaker 1: the string. But the problem is this ring. I have

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Speaker 1: had a ring on my fingers over six months. Everyone,

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Speaker 1: October six will be seven months or no, October eight

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00:21:51,040 --> 00:21:55,040
Speaker 1: will be seven months. Um. Since f Way Island season finale,

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Speaker 1: that's the first time you will see it on my finger.

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Speaker 1: Um at the elimination ceremony. Um. It won't come off.

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Speaker 1: And I cannot do the string because it is has

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Speaker 1: sharp edges on the side. It's like a and so

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Speaker 1: that string catches on the edges. So that is I

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Speaker 1: really don't mind it. It's a part of me now.

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Speaker 1: I don't even want to get it off. I don't

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Speaker 1: even don't even send me solutions. I don't care. Um.

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Speaker 1: But I do have rings on my ring finger. I

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Speaker 1: have several because it's my most delicate finger. It is.

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Speaker 1: It fits the most rings. It's my favorite finger. It's

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Speaker 1: the prettiest finger I have, and it's the only finger

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Speaker 1: that fits a size I don't know, six or five

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Speaker 1: or whatever. These most of the rings I have are

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Speaker 1: these size and I think it's so rude finger use

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Speaker 1: that finger and that men won't flir with me if

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Speaker 1: I've got or you know what, they don't give a fuck.

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Speaker 1: Men don't give a funk if you're in a relationship.

426
00:22:47,560 --> 00:22:49,520
Speaker 1: I thought saying that I was in a relationship with

427
00:22:49,680 --> 00:22:53,399
Speaker 1: like take away a certain amount of attention I get

428
00:22:53,680 --> 00:22:58,960
Speaker 1: from male suitors. It doesn't, if anything, they come on stronger.

429
00:22:59,000 --> 00:23:03,240
Speaker 1: It's like because they vailable. You could be eight months pregnant.

430
00:23:03,280 --> 00:23:06,399
Speaker 1: The guys like, what are you doing? I don't know,

431
00:23:06,560 --> 00:23:10,960
Speaker 1: having a baby in a week. Wild. I still stand

432
00:23:10,960 --> 00:23:13,040
Speaker 1: by the fact that I can't really like post about

433
00:23:13,080 --> 00:23:16,240
Speaker 1: my boyfriend because I'll lose followers because that's how weird

434
00:23:16,280 --> 00:23:19,480
Speaker 1: men are. But knowing that they I have a boyfriend,

435
00:23:19,560 --> 00:23:22,399
Speaker 1: they still don't give a fuck. And and you know,

436
00:23:22,520 --> 00:23:25,800
Speaker 1: it's that is something that I actually Chris would probably

437
00:23:25,840 --> 00:23:28,520
Speaker 1: not like me to here to say this, but I

438
00:23:28,560 --> 00:23:31,080
Speaker 1: don't want to stop being desired by men just because

439
00:23:31,119 --> 00:23:33,720
Speaker 1: I'm unavailable. You cannot suck me, but I hope you

440
00:23:33,840 --> 00:23:36,879
Speaker 1: still try. It makes me feel pretty. I also really

441
00:23:36,920 --> 00:23:40,879
Speaker 1: care Chris. Yeah, I mean that's how way I feel

442
00:23:40,920 --> 00:23:45,879
Speaker 1: when people want to funk Chris, just people, groups of people, UM,

443
00:23:46,080 --> 00:23:49,199
Speaker 1: I feel. But what was I saying about you were

444
00:23:49,240 --> 00:23:52,560
Speaker 1: holding your hand up over them. So yeah, and then

445
00:23:52,960 --> 00:23:54,639
Speaker 1: so I didn't do that on this one because it

446
00:23:54,680 --> 00:23:56,640
Speaker 1: was a compilation, and so I thought it's like they'll

447
00:23:56,640 --> 00:23:59,400
Speaker 1: talk about someone else or I just wasn't on alert.

448
00:24:00,040 --> 00:24:04,000
Speaker 1: And of course the first fucking comment is I can't Uh,

449
00:24:04,440 --> 00:24:06,400
Speaker 1: I would have led the best life if I never

450
00:24:06,440 --> 00:24:09,879
Speaker 1: saw the second comic. And I'm like, who's this, who's

451
00:24:09,920 --> 00:24:12,240
Speaker 1: that person? I'm like, oh, poor Roy Wood, And I'm like, nope,

452
00:24:12,280 --> 00:24:16,000
Speaker 1: he's the first, Nikki is the second, and it's just

453
00:24:16,040 --> 00:24:18,639
Speaker 1: like kire. But here's the problem, because I talked to

454
00:24:18,720 --> 00:24:20,840
Speaker 1: Chris about it and he goes, that is such a

455
00:24:20,920 --> 00:24:23,400
Speaker 1: lame thing to say. It's such a classic internet thing.

456
00:24:23,480 --> 00:24:25,439
Speaker 1: It's almost like saying I don't like female comics, of

457
00:24:25,520 --> 00:24:27,800
Speaker 1: being like, I could have got my whole life without

458
00:24:27,880 --> 00:24:30,120
Speaker 1: seeing that because I was talking about my dog going

459
00:24:30,160 --> 00:24:32,080
Speaker 1: down on me. It's a hilarious bit, and my especially

460
00:24:32,119 --> 00:24:34,720
Speaker 1: the half hour or not the half hour, the stand up,

461
00:24:35,600 --> 00:24:37,520
Speaker 1: it's one of them. It's one of my favorites, and

462
00:24:37,520 --> 00:24:40,840
Speaker 1: it's all it's a layer. It's so funny and I

463
00:24:40,920 --> 00:24:43,040
Speaker 1: stand by it and you can hear my old voice

464
00:24:43,080 --> 00:24:47,760
Speaker 1: on that. Um. But Chris was like, it's just um,

465
00:24:47,800 --> 00:24:52,359
Speaker 1: it's it's it's just the lamest internet comment. That's like

466
00:24:52,400 --> 00:24:54,919
Speaker 1: saying like I can has cheeseburgers, Like, it's just like

467
00:24:54,960 --> 00:24:57,840
Speaker 1: such a classic thing people, right, and it means nothing?

468
00:24:57,840 --> 00:25:00,280
Speaker 1: And I go, the thing is it does mean so thing?

469
00:25:00,400 --> 00:25:03,000
Speaker 1: Because what it does And this happens to me too,

470
00:25:03,000 --> 00:25:05,040
Speaker 1: and I've talked about it before. When I watch a

471
00:25:05,040 --> 00:25:08,280
Speaker 1: YouTube video and I see the first pinned thing, the

472
00:25:08,320 --> 00:25:12,600
Speaker 1: most popular criticism of this, it affects how I view it.

473
00:25:12,880 --> 00:25:14,760
Speaker 1: So I'm going to go straight to that second person

474
00:25:14,800 --> 00:25:18,000
Speaker 1: and know this person I'm probably supposed to not like,

475
00:25:18,400 --> 00:25:20,159
Speaker 1: and whether or not that makes me want to like

476
00:25:20,240 --> 00:25:22,320
Speaker 1: them more, or whether it makes me it sets the

477
00:25:22,359 --> 00:25:24,720
Speaker 1: tone for how people should feel about you. This is

478
00:25:24,760 --> 00:25:28,920
Speaker 1: exactly why I am not partaking in um this thing

479
00:25:28,960 --> 00:25:31,760
Speaker 1: I got asked to do because it involves like a

480
00:25:31,760 --> 00:25:34,480
Speaker 1: lot of comics with a lot of fans that have

481
00:25:34,720 --> 00:25:37,639
Speaker 1: already probably don't like me, And although so badly I

482
00:25:37,680 --> 00:25:39,920
Speaker 1: want to be like accepted by those fans and want

483
00:25:39,960 --> 00:25:42,280
Speaker 1: those fans to like me, I turned it down because

484
00:25:42,280 --> 00:25:47,359
Speaker 1: I'm like, this is an opportunity for those those people

485
00:25:47,440 --> 00:25:50,320
Speaker 1: that they're fans of to make fun of me and

486
00:25:50,640 --> 00:25:52,680
Speaker 1: for them to set the tone of this is how

487
00:25:52,720 --> 00:25:55,199
Speaker 1: we talk about Nikki Glazer, this is how this is

488
00:25:55,280 --> 00:25:58,240
Speaker 1: how you're supposed to feel about her. And although we're

489
00:25:58,240 --> 00:26:01,240
Speaker 1: all buddies, this is how we really feel. And it's

490
00:26:01,240 --> 00:26:05,000
Speaker 1: just the be aware though, Like when don't you guys

491
00:26:05,040 --> 00:26:08,439
Speaker 1: feel that you're affected by like comments on things. I

492
00:26:08,480 --> 00:26:10,439
Speaker 1: look at comments on things to see how people are

493
00:26:10,440 --> 00:26:13,760
Speaker 1: feeling and it and whether even though I'm a strong

494
00:26:13,800 --> 00:26:16,200
Speaker 1: person and I know that I shouldn't be persuaded by

495
00:26:16,400 --> 00:26:19,040
Speaker 1: stuff like that, it does. It does make you look

496
00:26:19,080 --> 00:26:23,040
Speaker 1: at things differently. It ruins my life, like it depends

497
00:26:23,040 --> 00:26:25,399
Speaker 1: on the comment. No, I mean like looking at when

498
00:26:25,400 --> 00:26:27,639
Speaker 1: you watch an innocuous video and you read the comment,

499
00:26:28,240 --> 00:26:30,159
Speaker 1: It doesn't that affect how you kind of view that

500
00:26:30,240 --> 00:26:33,440
Speaker 1: video for sure, for sure. And I'll even watch something

501
00:26:33,480 --> 00:26:35,320
Speaker 1: that I like and then read a comment and go,

502
00:26:35,480 --> 00:26:40,600
Speaker 1: maybe I'm a fucking idiot, Like and you're smart, it's savvy,

503
00:26:40,800 --> 00:26:43,359
Speaker 1: so it's happening to you. It is. I saw a

504
00:26:43,359 --> 00:26:46,159
Speaker 1: movie last night and it made me realize how fucking

505
00:26:46,200 --> 00:26:48,200
Speaker 1: dumb people are because I want alone to a movie.

506
00:26:48,240 --> 00:26:50,840
Speaker 1: I'm not gonna say what movie I saw, but the

507
00:26:50,880 --> 00:26:53,800
Speaker 1: people's enjoyment of this movie made me go, We're done.

508
00:26:54,640 --> 00:26:59,080
Speaker 1: There's no bar. People are stupid. It's it's like laughing

509
00:26:59,119 --> 00:27:02,200
Speaker 1: at like the most stupid. They were just enjoying things

510
00:27:02,280 --> 00:27:04,560
Speaker 1: in a way that and thinking this movie is great

511
00:27:04,600 --> 00:27:09,560
Speaker 1: in a way that I go, how when I'm not.

512
00:27:09,840 --> 00:27:13,000
Speaker 1: I don't want to talk about it, but like, I'm

513
00:27:13,040 --> 00:27:19,240
Speaker 1: just dumb that I'm just I'm so disappointed. I'm disappointed

514
00:27:19,240 --> 00:27:21,640
Speaker 1: in my fellow man. And I it makes me either

515
00:27:21,720 --> 00:27:25,199
Speaker 1: want to make movies and make TV too, because I

516
00:27:25,200 --> 00:27:29,080
Speaker 1: always look at things like Veep or The Wire or

517
00:27:29,560 --> 00:27:31,560
Speaker 1: Breaking Bad and I go, what's the point of me

518
00:27:31,640 --> 00:27:37,440
Speaker 1: making TV? I can never I can say with a surety,

519
00:27:37,720 --> 00:27:39,440
Speaker 1: I don't even know if that's the word. I will

520
00:27:39,480 --> 00:27:41,920
Speaker 1: never make it something as good as Veep comedically ever

521
00:27:42,160 --> 00:27:44,720
Speaker 1: and or thirty Rock. It's just out of my league.

522
00:27:44,920 --> 00:27:46,920
Speaker 1: And yes that took it took a village to make

523
00:27:46,920 --> 00:27:52,160
Speaker 1: those shows, but um but man, people just put out

524
00:27:52,280 --> 00:27:56,880
Speaker 1: crap and then everyone just it. I just how could

525
00:27:56,920 --> 00:28:01,920
Speaker 1: you make something? I don't know? I guess that holds

526
00:28:01,960 --> 00:28:03,960
Speaker 1: me back from making art because I'm like, it can't

527
00:28:03,960 --> 00:28:05,800
Speaker 1: be as good as that, So I won't make anything.

528
00:28:06,080 --> 00:28:09,800
Speaker 1: Whereas some people just go, I just wanted to. Yeah.

529
00:28:09,840 --> 00:28:13,200
Speaker 1: I feel like sometimes if I made something, it wouldn't

530
00:28:13,200 --> 00:28:15,920
Speaker 1: be that bad, but it also wouldn't be that good,

531
00:28:16,600 --> 00:28:19,520
Speaker 1: like that bad, So I'd be in the middle, which

532
00:28:19,800 --> 00:28:22,320
Speaker 1: I hate the middle. So the middle, I'm in the

533
00:28:22,320 --> 00:28:25,040
Speaker 1: middle with everything. And I'm like five nine and a half.

534
00:28:25,400 --> 00:28:29,160
Speaker 1: I'm just a little bit overweight. I'm in my hands

535
00:28:29,480 --> 00:28:33,560
Speaker 1: are just above small, like my cocks just above small.

536
00:28:33,840 --> 00:28:42,480
Speaker 1: My breath is okay, my teeth that's actually middle. I

537
00:28:42,520 --> 00:28:46,040
Speaker 1: want to be a fucking I don't know. I want

538
00:28:46,040 --> 00:28:49,400
Speaker 1: to be either six nine or three four. I hate

539
00:28:49,440 --> 00:28:53,440
Speaker 1: being a medium. I really do know. I am such

540
00:28:53,480 --> 00:28:56,200
Speaker 1: a medium as well. And people go, no, Nikki, you've

541
00:28:56,200 --> 00:28:59,600
Speaker 1: done all this stuff. It's because I just showed up

542
00:29:00,160 --> 00:29:05,560
Speaker 1: more than you guys did. That's what I did. I

543
00:29:05,680 --> 00:29:15,440
Speaker 1: was I don't like, wasn't working before, No, I wasn't.

544
00:29:15,640 --> 00:29:18,600
Speaker 1: I just I mean, yeah, so it was um now

545
00:29:18,640 --> 00:29:21,040
Speaker 1: I was enjoying it. Andrew, I like, you know, I know,

546
00:29:21,080 --> 00:29:25,040
Speaker 1: I'm I'm busting chopped. Really. Yeah. I think something can

547
00:29:25,120 --> 00:29:28,520
Speaker 1: be so bad it becomes extremely popular, and I don't

548
00:29:28,520 --> 00:29:30,560
Speaker 1: know what that is. I don't know. There's a certain

549
00:29:30,640 --> 00:29:32,920
Speaker 1: kind of bad that does very good, like watching like

550
00:29:33,000 --> 00:29:36,280
Speaker 1: Hallmark movies, you know, like people like crap. And I

551
00:29:36,360 --> 00:29:38,400
Speaker 1: understand that because I just go, oh, those people are

552
00:29:38,440 --> 00:29:44,080
Speaker 1: just stupid. People can't smart enough to enjoy something like Veep.

553
00:29:44,240 --> 00:29:45,960
Speaker 1: But there are people that are smart, that are smart

554
00:29:46,040 --> 00:29:49,200
Speaker 1: enough to get Veep that also enjoy like I watched.

555
00:29:50,040 --> 00:29:51,880
Speaker 1: I don't like to say because I work in the intraay,

556
00:29:51,920 --> 00:29:53,840
Speaker 1: I don't like to say the things that I don't like.

557
00:29:54,520 --> 00:29:57,600
Speaker 1: But man, it's just I'm watching rewatching Will and Grace

558
00:29:57,720 --> 00:30:02,440
Speaker 1: right now. I show is so fucking funny and so

559
00:30:02,480 --> 00:30:05,520
Speaker 1: well done. I'm rewatching UM. I watched the pilot of

560
00:30:05,520 --> 00:30:08,800
Speaker 1: Frasier last night. I cried at that, not cried, but

561
00:30:09,200 --> 00:30:11,520
Speaker 1: for me when I say cried, I've teared up at

562
00:30:11,560 --> 00:30:16,760
Speaker 1: the end. Um. Yeah, the pilot it is. I recommended

563
00:30:16,800 --> 00:30:20,040
Speaker 1: It's on Hulu. You guys. Well. This weekend I was

564
00:30:20,120 --> 00:30:25,360
Speaker 1: at UM my friend Greg Warren's comedy special in Lexington, Kentucky,

565
00:30:25,480 --> 00:30:28,040
Speaker 1: and he had one of his friends there, Mark Gross,

566
00:30:28,040 --> 00:30:32,840
Speaker 1: who is a showrunner for UM sitcoms and or Sorry,

567
00:30:32,840 --> 00:30:35,320
Speaker 1: head writer for a lot of sitcoms that you would

568
00:30:35,400 --> 00:30:37,520
Speaker 1: know and love, and he was talking to me about

569
00:30:37,520 --> 00:30:39,680
Speaker 1: developing something he's like, do you have any ideas you

570
00:30:39,720 --> 00:30:41,760
Speaker 1: know what, And I'm like, I don't know, and he goes,

571
00:30:42,200 --> 00:30:44,080
Speaker 1: I go, I was thinking about multi cam because multi

572
00:30:44,080 --> 00:30:47,000
Speaker 1: cam is I never wanted. By the way, single cam

573
00:30:47,040 --> 00:30:49,640
Speaker 1: is like, um, I don't know why I'm giving this example.

574
00:30:49,800 --> 00:30:52,160
Speaker 1: Dahmer or veep, you know, that's single cam, and then

575
00:30:52,240 --> 00:30:54,720
Speaker 1: multi cam is like Friends Frasier filmed in front of

576
00:30:54,720 --> 00:30:57,360
Speaker 1: a live studio audience, a big bang theory. That's multi cam.

577
00:30:57,400 --> 00:30:59,280
Speaker 1: And I never wanted to do multiicam because there's just

578
00:30:59,320 --> 00:31:01,640
Speaker 1: so cheese c and they're not real, you know, they

579
00:31:01,640 --> 00:31:05,840
Speaker 1: don't feel as real as um single cam. But then

580
00:31:05,880 --> 00:31:08,360
Speaker 1: I realized that multi caams are so much easier to

581
00:31:08,400 --> 00:31:10,720
Speaker 1: shoot because it's a live studio audience. You can't keep

582
00:31:10,760 --> 00:31:13,280
Speaker 1: them for seven hours, so you get in. It's like

583
00:31:13,320 --> 00:31:15,840
Speaker 1: doing a play you have, and it's good for stand

584
00:31:15,920 --> 00:31:18,560
Speaker 1: up because it's interaction with the audience, so it's fun.

585
00:31:18,600 --> 00:31:20,520
Speaker 1: And I'm like, oh, I would like, actually love to

586
00:31:20,520 --> 00:31:22,680
Speaker 1: do on multiicam, So I'm starting to think about ideas

587
00:31:22,680 --> 00:31:25,400
Speaker 1: for that. But I talked to him and I said, yeah,

588
00:31:25,400 --> 00:31:28,040
Speaker 1: I actually have some ideas, and I think that as

589
00:31:28,120 --> 00:31:29,920
Speaker 1: a life that I would want to do is being

590
00:31:29,960 --> 00:31:32,440
Speaker 1: on a multi caam and so, and I've been watching

591
00:31:32,440 --> 00:31:34,720
Speaker 1: Will and Grace again just naturally like kind of drawn

592
00:31:34,760 --> 00:31:38,400
Speaker 1: to him, friends, Seinfeld everything, and he goes watch I

593
00:31:38,440 --> 00:31:40,160
Speaker 1: was like, I gotta write a pilot though, and he

594
00:31:40,200 --> 00:31:44,240
Speaker 1: goes watch the Frasier pilot. It's the perfect pilot. It's

595
00:31:44,280 --> 00:31:46,080
Speaker 1: the and I so I watched it last night and

596
00:31:46,120 --> 00:31:49,239
Speaker 1: god damn it is it? Ever? It made me? It's you.

597
00:31:49,520 --> 00:31:52,000
Speaker 1: I bet you anything, you'll tear up. You should watch

598
00:31:52,040 --> 00:31:54,680
Speaker 1: it and tell us tomorrow. I think you can probably

599
00:31:54,720 --> 00:31:57,120
Speaker 1: read the script to that would help you. I feel

600
00:31:57,120 --> 00:32:01,360
Speaker 1: like one is the right one. I will pull up

601
00:32:01,360 --> 00:32:03,720
Speaker 1: an example and like, you know, try to match it

602
00:32:04,080 --> 00:32:06,360
Speaker 1: as in terms of scene length and stuff like that.

603
00:32:06,400 --> 00:32:08,080
Speaker 1: But I think I have an idea for one, and

604
00:32:08,120 --> 00:32:10,760
Speaker 1: I think I really want to do one, because do it,

605
00:32:10,760 --> 00:32:12,600
Speaker 1: it would be streamers and want with them now. And

606
00:32:12,640 --> 00:32:14,640
Speaker 1: you don't have to be squeaky clean anymore, so you

607
00:32:14,640 --> 00:32:17,160
Speaker 1: can be like, do a dirty show. I remember Louis

608
00:32:17,280 --> 00:32:20,200
Speaker 1: did what was his show, Lucky Louie. Lucky Louie was

609
00:32:20,440 --> 00:32:23,640
Speaker 1: was a multiicam that was dirty and which I really enjoyed.

610
00:32:23,720 --> 00:32:26,480
Speaker 1: Jim Norton was so funny in that that one dude

611
00:32:26,480 --> 00:32:29,800
Speaker 1: had always worked a seller who had Rick Shapiro was

612
00:32:30,000 --> 00:32:32,920
Speaker 1: on it. Ye, dude, that dude was I just remember

613
00:32:33,000 --> 00:32:36,680
Speaker 1: what he was monologue in it that. But that's what

614
00:32:36,800 --> 00:32:38,960
Speaker 1: I kind of can see from my show maybe that

615
00:32:39,000 --> 00:32:42,440
Speaker 1: you would maybe want to do something still like dark humor,

616
00:32:42,560 --> 00:32:45,880
Speaker 1: but like awesome multicam and you're like even friends in Seinfeld,

617
00:32:45,960 --> 00:32:48,800
Speaker 1: like I could do because it's so fun and like

618
00:32:49,280 --> 00:32:52,600
Speaker 1: just and I never really thought about the studio audience

619
00:32:52,600 --> 00:32:54,880
Speaker 1: and feeding off that. And that is why I've been like,

620
00:32:54,920 --> 00:32:57,320
Speaker 1: I don't want to do TV because TV is so boring.

621
00:32:57,360 --> 00:32:59,200
Speaker 1: You just wait around all day in a trailer and

622
00:32:59,200 --> 00:33:01,480
Speaker 1: then you the scene. By the time you actually get

623
00:33:01,520 --> 00:33:03,920
Speaker 1: the scene, it's like the last take and you're like,

624
00:33:04,000 --> 00:33:06,000
Speaker 1: oh god, are they going to even use that one?

625
00:33:06,040 --> 00:33:08,840
Speaker 1: It's just so then you need like a vision of

626
00:33:08,920 --> 00:33:11,240
Speaker 1: like where's this scene going to take place? Oh, we

627
00:33:11,280 --> 00:33:14,160
Speaker 1: gotta fucking lock down that whole boulevard or whatever. And

628
00:33:14,200 --> 00:33:16,880
Speaker 1: then but if it's just like oh, and they don't

629
00:33:16,920 --> 00:33:19,400
Speaker 1: give you feedback, like when you see they don't go

630
00:33:19,520 --> 00:33:21,280
Speaker 1: that was amazing because they just think you're an actor

631
00:33:21,320 --> 00:33:23,400
Speaker 1: who already knows you're amazing because most actors already do

632
00:33:23,440 --> 00:33:26,320
Speaker 1: think they're amazing. But I'm someone who constantly needs validation,

633
00:33:26,440 --> 00:33:30,520
Speaker 1: so having a studio audience would be incredible. I didn't

634
00:33:30,520 --> 00:33:32,400
Speaker 1: even think about that. Maybe you could just have silent

635
00:33:32,440 --> 00:33:37,880
Speaker 1: clappers on on set where it's like with golf, do

636
00:33:37,920 --> 00:33:39,320
Speaker 1: you feel that way? Do you ever hit a shot

637
00:33:39,320 --> 00:33:43,680
Speaker 1: and you're like someone, I'm so, I'm yes, I'm the

638
00:33:43,720 --> 00:33:46,320
Speaker 1: word I When I would serve with my step friends,

639
00:33:46,760 --> 00:33:49,720
Speaker 1: I'd catch a wave and then I'd ask everyone, people

640
00:33:49,720 --> 00:33:51,720
Speaker 1: that didn't even know me, did you see that? Did

641
00:33:51,760 --> 00:33:55,520
Speaker 1: you seem like you're such a fucking loser? I remember

642
00:33:55,520 --> 00:33:58,160
Speaker 1: I had a hit in like in like middle school.

643
00:33:58,200 --> 00:34:01,000
Speaker 1: I laid this guy out so good and no one

644
00:34:01,080 --> 00:34:04,760
Speaker 1: said anything but one father. Yeah. One father was driving

645
00:34:04,840 --> 00:34:08,319
Speaker 1: us home in football, and that was one of the

646
00:34:08,360 --> 00:34:10,399
Speaker 1: best hits I've ever seen. I go, yeah, so what

647
00:34:10,480 --> 00:34:12,439
Speaker 1: was the hit? Like what did it look like to you?

648
00:34:12,600 --> 00:34:15,160
Speaker 1: And like I asked him like que and by the

649
00:34:15,239 --> 00:34:17,640
Speaker 1: end of it, he's like, I can't I hate this kid.

650
00:34:17,880 --> 00:34:20,080
Speaker 1: It's funny because you were aware at the time that

651
00:34:20,080 --> 00:34:22,440
Speaker 1: that was obnoxious, yet you couldn't help yourself because you

652
00:34:22,480 --> 00:34:24,960
Speaker 1: wouldn't remember unless you knew it was obnoxious because it

653
00:34:25,000 --> 00:34:27,360
Speaker 1: comes down to my dad not giving me enough credit,

654
00:34:27,440 --> 00:34:29,960
Speaker 1: and then if I got credit from an older man,

655
00:34:30,480 --> 00:34:34,880
Speaker 1: any old man. But yeah, I'm horrible at that needing validation.

656
00:34:35,200 --> 00:34:37,799
Speaker 1: I've gotten better, you know. I just do it because

657
00:34:37,800 --> 00:34:40,840
Speaker 1: I liked the progression of it, rather than like the

658
00:34:41,600 --> 00:34:44,760
Speaker 1: like a great job way to gonya. Do you seek

659
00:34:44,800 --> 00:34:46,600
Speaker 1: that as a musician, I mean you have to wait

660
00:34:46,600 --> 00:34:49,759
Speaker 1: for a whole song until the claps, and you get

661
00:34:49,760 --> 00:34:53,880
Speaker 1: claps no matter what. You get claps if you're performing,

662
00:34:53,960 --> 00:34:56,480
Speaker 1: but not at home struggling with a song. Like I've

663
00:34:56,480 --> 00:34:59,160
Speaker 1: been working on a song this weekend and I'm just like,

664
00:34:59,520 --> 00:35:02,080
Speaker 1: why do I do this? It is agony It is

665
00:35:02,160 --> 00:35:04,160
Speaker 1: just send it to me and I'll go, this is

666
00:35:04,200 --> 00:35:07,240
Speaker 1: amazing at you know, like I will when it's done.

667
00:35:07,280 --> 00:35:10,520
Speaker 1: But the process is like it's so grueling. It's like

668
00:35:11,000 --> 00:35:14,480
Speaker 1: for the first two days it's just like baby, baby,

669
00:35:14,520 --> 00:35:23,279
Speaker 1: baby steps. Like I took a shitty idea already. I

670
00:35:23,360 --> 00:35:25,319
Speaker 1: was like, now it's coming along, it's going to be good.

671
00:35:25,400 --> 00:35:27,480
Speaker 1: But the shitty thing I wasn't asking you about that.

672
00:35:27,560 --> 00:35:31,160
Speaker 1: It was hard. What do you do? Do you hum? First?

673
00:35:31,200 --> 00:35:34,840
Speaker 1: Do you start with a chorus. I had an idea

674
00:35:35,440 --> 00:35:37,719
Speaker 1: three months ago that I loved that I played with

675
00:35:37,960 --> 00:35:41,000
Speaker 1: and I was like, that's just so baroque and weirdly classical.

676
00:35:41,040 --> 00:35:42,840
Speaker 1: How can I make that into a song? And I

677
00:35:42,920 --> 00:35:45,319
Speaker 1: just put it away and then what does that mean?

678
00:35:45,360 --> 00:35:47,520
Speaker 1: What was the idea that made you go that's baroque? Like,

679
00:35:47,600 --> 00:35:50,040
Speaker 1: I couldn't think of anything that. It just sounds very

680
00:35:50,120 --> 00:35:54,640
Speaker 1: like it sounds old timy, It sounds like not like

681
00:35:54,719 --> 00:35:59,760
Speaker 1: I like a lot of my songs have this, like okay,

682
00:36:00,520 --> 00:36:05,920
Speaker 1: it's just like d D d D. It like sounds

683
00:36:06,000 --> 00:36:09,239
Speaker 1: like that. It's like a melody like that, and but

684
00:36:09,280 --> 00:36:13,279
Speaker 1: it results is that how so she has stuff like

685
00:36:13,320 --> 00:36:16,560
Speaker 1: that that makes me yeah? But um. Then I had

686
00:36:16,600 --> 00:36:18,560
Speaker 1: an idea and it's like kind of a wrap like

687
00:36:18,640 --> 00:36:20,759
Speaker 1: a hip hoppy not a rap, but like in the

688
00:36:20,800 --> 00:36:24,000
Speaker 1: sense that Fiona Apple sort of does rhythms like that.

689
00:36:24,080 --> 00:36:26,439
Speaker 1: So I'm kind of doing a song like that, like

690
00:36:26,680 --> 00:36:29,240
Speaker 1: my song shut Up, which is sort of like talkie singing.

691
00:36:29,640 --> 00:36:32,120
Speaker 1: And then I had the idea to put in like

692
00:36:32,200 --> 00:36:34,200
Speaker 1: the baroque thing fit right, and I was like, oh,

693
00:36:34,239 --> 00:36:36,799
Speaker 1: that's great, that's great for the chorus, so kind of

694
00:36:36,840 --> 00:36:42,000
Speaker 1: like leather tying those things together, like your surgeon leather

695
00:36:42,040 --> 00:36:45,080
Speaker 1: and your vocal chords um, and now it's like I

696
00:36:45,120 --> 00:36:46,680
Speaker 1: can see the light at the end of the tunnel.

697
00:36:46,680 --> 00:36:48,760
Speaker 1: But it took three days and I'm not done yet.

698
00:36:49,280 --> 00:36:51,480
Speaker 1: I don't know that it could be a songwriter because

699
00:36:51,520 --> 00:36:54,160
Speaker 1: of that. It's just I've been trying to write songs too,

700
00:36:54,239 --> 00:36:57,799
Speaker 1: and it's just I get bored after two minutes and

701
00:36:57,880 --> 00:37:01,319
Speaker 1: I feel accomplished at like writing one or coming up

702
00:37:01,320 --> 00:37:04,759
Speaker 1: with one, and then I it takes too long, and

703
00:37:04,840 --> 00:37:09,000
Speaker 1: comedy for me doesn't take long, and I just don't

704
00:37:09,000 --> 00:37:11,600
Speaker 1: know if I can do it. Yeah. I mean, when

705
00:37:11,640 --> 00:37:15,000
Speaker 1: you're writing jokes, you're not laboring over it, right, You're like, no,

706
00:37:15,480 --> 00:37:17,520
Speaker 1: I just I'm putting it. I just say something in

707
00:37:17,560 --> 00:37:20,200
Speaker 1: conversation that kind of makes you laugh harder than usual.

708
00:37:20,320 --> 00:37:23,720
Speaker 1: And then I surreptitiously take out my phone and jot

709
00:37:23,719 --> 00:37:27,120
Speaker 1: it down. And then a month later, I'm about to

710
00:37:27,160 --> 00:37:28,520
Speaker 1: go on stage and I'm like, I want to do

711
00:37:28,560 --> 00:37:30,360
Speaker 1: something new, and then I'll look at my note and

712
00:37:30,400 --> 00:37:35,200
Speaker 1: it will say chopstick Fiesta and I'll go oh, and

713
00:37:35,239 --> 00:37:37,880
Speaker 1: then I'll just walk on stage as I'm reading it.

714
00:37:37,920 --> 00:37:40,239
Speaker 1: I'm walking on stage, and then I'll say something on

715
00:37:40,320 --> 00:37:42,359
Speaker 1: stage and then it'll either work or won't, and then

716
00:37:42,400 --> 00:37:45,359
Speaker 1: over the course of seven sets it will become something

717
00:37:45,480 --> 00:37:46,880
Speaker 1: or it won't. But I will not look at it

718
00:37:46,960 --> 00:37:54,280
Speaker 1: or think about it outside of those seven sets even once. Yeah,

719
00:37:54,360 --> 00:37:55,960
Speaker 1: but they stay on my phone and then maybe a

720
00:37:56,040 --> 00:37:58,239
Speaker 1: year later, I'll bring my chopstick fista and try it

721
00:37:58,239 --> 00:38:01,080
Speaker 1: a different way to But it's not like intentional. It's

722
00:38:01,120 --> 00:38:04,040
Speaker 1: never like I literally just like scrolling my foot, bring

723
00:38:04,160 --> 00:38:05,880
Speaker 1: up my notes and just go and see where it

724
00:38:05,920 --> 00:38:09,640
Speaker 1: lands and stop and go okay. So I'll do something

725
00:38:09,640 --> 00:38:14,719
Speaker 1: from like months or years ago sometimes that um, it's

726
00:38:14,760 --> 00:38:18,160
Speaker 1: just such a slow way of working. It's so um lazy.

727
00:38:18,440 --> 00:38:23,719
Speaker 1: It's so lazy. And you do you feel like you

728
00:38:23,760 --> 00:38:28,320
Speaker 1: are doing comedy in service to others, Like when someone

729
00:38:28,360 --> 00:38:30,279
Speaker 1: comes up to you after a show and says, oh

730
00:38:30,320 --> 00:38:32,399
Speaker 1: my god, that meant so much to me, Like that,

731
00:38:32,920 --> 00:38:34,880
Speaker 1: like I finally feel like someone got me, or I

732
00:38:34,880 --> 00:38:37,719
Speaker 1: feel less shame about X, Y or Z because you've

733
00:38:37,760 --> 00:38:41,520
Speaker 1: talked about it. Is that part of why now I

734
00:38:41,560 --> 00:38:44,680
Speaker 1: do that now? Where I'm like, oh, this is something

735
00:38:44,719 --> 00:38:47,359
Speaker 1: that when people need to fucking know about this, this

736
00:38:47,440 --> 00:38:51,000
Speaker 1: is important. But um, I think initially, No, you just

737
00:38:51,080 --> 00:38:53,040
Speaker 1: do things that will people like me if I do

738
00:38:53,120 --> 00:38:56,680
Speaker 1: this right, Yeah, I don't know. I did. I did

739
00:38:56,680 --> 00:38:59,440
Speaker 1: shows all weekend. I didn't any joke that I do

740
00:38:59,600 --> 00:39:03,560
Speaker 1: that's not about me. It seems to always really fail,

741
00:39:03,960 --> 00:39:06,480
Speaker 1: like especially the first time I tell it, Like if

742
00:39:06,480 --> 00:39:09,839
Speaker 1: it's about a subject, I just you ever write something

743
00:39:09,880 --> 00:39:13,719
Speaker 1: You're like, this is funny, I know what? Yeah, Like

744
00:39:13,800 --> 00:39:17,040
Speaker 1: it's just like for someone that talks about subjects like

745
00:39:17,760 --> 00:39:20,359
Speaker 1: I'm talking about space, and like I had this whole

746
00:39:20,400 --> 00:39:23,319
Speaker 1: idea about space and I'm like, in the middle of

747
00:39:23,520 --> 00:39:27,040
Speaker 1: telling it, I go, I don't care about my opinion

748
00:39:27,120 --> 00:39:29,879
Speaker 1: on this, like while I'm saying it out loud, even

749
00:39:29,880 --> 00:39:33,680
Speaker 1: though I think it's funny. Yeah, that's true. I guess.

750
00:39:33,800 --> 00:39:35,480
Speaker 1: I know I didn't say that out loud. Maybe I

751
00:39:35,520 --> 00:39:37,800
Speaker 1: should say I don't care about Well, that was the

752
00:39:37,800 --> 00:39:41,600
Speaker 1: whole I don't care about what I'm talking about, Just

753
00:39:41,600 --> 00:39:46,640
Speaker 1: so you guys know, you know, I'm sorry. I'm listening

754
00:39:46,680 --> 00:39:49,480
Speaker 1: to you guys talk about like your creative process and

755
00:39:49,520 --> 00:39:53,359
Speaker 1: how it varies between the three of you, but like

756
00:39:53,440 --> 00:39:56,880
Speaker 1: the type of work that you put into it. And

757
00:39:56,920 --> 00:39:59,879
Speaker 1: then going back to what Nikki was saying about going

758
00:40:00,000 --> 00:40:02,360
Speaker 1: to the movie theater and wondering, like, why is the

759
00:40:02,400 --> 00:40:07,480
Speaker 1: audience liking this when it's so terrible? So I'm thinking,

760
00:40:07,480 --> 00:40:10,839
Speaker 1: and I'm wondering maybe instead of looking at like how

761
00:40:10,880 --> 00:40:14,600
Speaker 1: the audience ingests it, you look at like, well, what

762
00:40:14,760 --> 00:40:18,160
Speaker 1: is TV and Hollywood putting out right now? Is it

763
00:40:18,560 --> 00:40:21,520
Speaker 1: this like honest form of creativity or is it just

764
00:40:21,600 --> 00:40:26,799
Speaker 1: like a formula that gets people acting like mechanical robots

765
00:40:27,600 --> 00:40:31,919
Speaker 1: and reacting to it? Yeah, well, there that is a trick.

766
00:40:32,000 --> 00:40:36,920
Speaker 1: It's like they tell you when to laugh, so you know,

767
00:40:37,080 --> 00:40:41,160
Speaker 1: either with a laugh track in sitcoms or just the

768
00:40:41,200 --> 00:40:43,919
Speaker 1: way you can say something. I can deliver a line

769
00:40:44,520 --> 00:40:46,600
Speaker 1: and it does. If I do that, You're gonna laugh

770
00:40:46,600 --> 00:40:48,800
Speaker 1: a little bit longer because I'm going and there's a

771
00:40:48,880 --> 00:40:51,840
Speaker 1: bunch line, and so they can you can learn a cadence.

772
00:40:51,880 --> 00:40:56,360
Speaker 1: I just it. I guess our our styles kind of

773
00:40:56,360 --> 00:40:58,680
Speaker 1: fit like who we are. Like Anya is just much

774
00:40:58,719 --> 00:41:01,600
Speaker 1: more like she will fold a towel and like set

775
00:41:01,640 --> 00:41:05,080
Speaker 1: it down gently, like she's a slower person, So like

776
00:41:05,160 --> 00:41:08,200
Speaker 1: you can do slower things that take time, like you.

777
00:41:08,719 --> 00:41:11,960
Speaker 1: I could see you like baking too, and enjoying that

778
00:41:12,040 --> 00:41:16,040
Speaker 1: process of like a slow process whereas I'm like, why

779
00:41:16,040 --> 00:41:20,120
Speaker 1: would anyone ever bake anything? It's so all the ingredients

780
00:41:20,120 --> 00:41:21,959
Speaker 1: in the box, right, I mean when I smoked weed,

781
00:41:22,080 --> 00:41:24,359
Speaker 1: I would I would always just smoke out of a pipe.

782
00:41:24,360 --> 00:41:26,920
Speaker 1: When people would roll joints, I'm like, that's like the

783
00:41:26,960 --> 00:41:29,719
Speaker 1: oven of weed. I'm going to use the microwave. What

784
00:41:29,760 --> 00:41:32,880
Speaker 1: are you doing? I didn't use an oven until I

785
00:41:32,960 --> 00:41:35,920
Speaker 1: was like thirty two years old. Yeah, I'm not even kidding.

786
00:41:35,960 --> 00:41:38,560
Speaker 1: Maybe maybe later, right, I mean, I agree with you.

787
00:41:38,600 --> 00:41:41,160
Speaker 1: I never used an oven. I just don't like. I

788
00:41:41,200 --> 00:41:43,440
Speaker 1: don't like taking a long time. And I think that's

789
00:41:43,440 --> 00:41:46,560
Speaker 1: why I like comedy. It's just right away it's funny,

790
00:41:46,560 --> 00:41:48,879
Speaker 1: Like I know something funny right away, because the only

791
00:41:48,880 --> 00:41:50,600
Speaker 1: reason it ends up in my notebook is because it

792
00:41:50,640 --> 00:41:53,279
Speaker 1: already got a laugh. It wasn't. And I think that's

793
00:41:53,280 --> 00:41:56,239
Speaker 1: the difference between you writing about space is being like,

794
00:41:56,320 --> 00:41:58,359
Speaker 1: think I have an idea here, Like it didn't get

795
00:41:58,360 --> 00:42:00,759
Speaker 1: a laugh Initially you were just it was in your

796
00:42:00,800 --> 00:42:04,359
Speaker 1: head being like this could be funny, as opposed to Oh,

797
00:42:04,520 --> 00:42:06,440
Speaker 1: I said this to Brenna and she laughed, and then

798
00:42:06,440 --> 00:42:07,839
Speaker 1: I'm now I'm going to make something of it. So

799
00:42:08,280 --> 00:42:10,880
Speaker 1: I already know it's a win, yeah, I think. And

800
00:42:10,920 --> 00:42:13,480
Speaker 1: the initial thing was funny. I did say it out loud,

801
00:42:13,520 --> 00:42:16,080
Speaker 1: and then when I started to like expand on it

802
00:42:16,400 --> 00:42:18,880
Speaker 1: and like write about it and like compare it to

803
00:42:18,960 --> 00:42:21,960
Speaker 1: something else, then it just became like an analogy kind

804
00:42:21,960 --> 00:42:24,800
Speaker 1: of joke, or you try to become another comedian. I

805
00:42:24,840 --> 00:42:27,040
Speaker 1: don't do that all the time, where I'm like, how

806
00:42:27,080 --> 00:42:29,759
Speaker 1: would like Sam Morrill tell this joke? Or like I'm

807
00:42:29,800 --> 00:42:32,600
Speaker 1: watching a lot of Mark Norman, so I'm like, oh, well,

808
00:42:32,600 --> 00:42:35,520
Speaker 1: that would be like if I took a toothbrush and

809
00:42:35,560 --> 00:42:37,520
Speaker 1: I stuck it up my ass. And then it's like, well,

810
00:42:37,560 --> 00:42:41,880
Speaker 1: that's not the way I talk comedy, but I also

811
00:42:41,920 --> 00:42:45,839
Speaker 1: think that is the way. Not sorry about that. Um.

812
00:42:45,880 --> 00:42:48,960
Speaker 1: I was just saying everyone has influences, and I swear

813
00:42:49,040 --> 00:42:52,920
Speaker 1: every artist that thinks they're ripping someone off they really aren't.

814
00:42:52,960 --> 00:42:55,719
Speaker 1: Like often Matt, my partner will be like, is this

815
00:42:55,800 --> 00:42:59,160
Speaker 1: a total rip off of whatever? Said? Partner? Because you're

816
00:42:59,200 --> 00:43:01,840
Speaker 1: older and you don't want to say fiance or boyfriend

817
00:43:01,880 --> 00:43:05,960
Speaker 1: gay because partner, I gotta say, we gotta quit partner

818
00:43:06,040 --> 00:43:11,200
Speaker 1: unless you're gay. No, I think that's data, Nick, No,

819
00:43:11,719 --> 00:43:14,719
Speaker 1: I don't. It's sending the when I hear someone say,

820
00:43:14,800 --> 00:43:17,240
Speaker 1: if people don't know who you are and you say partner,

821
00:43:17,320 --> 00:43:20,960
Speaker 1: I'm gonna assume gay. Baby. I was with you in

822
00:43:21,080 --> 00:43:23,879
Speaker 1: two thousand and ten, but now I have to say

823
00:43:23,960 --> 00:43:27,799
Speaker 1: no because everybody is partnered. But why don't you boyfriend?

824
00:43:28,880 --> 00:43:31,400
Speaker 1: I don't know. I can if I want, but I

825
00:43:31,440 --> 00:43:34,520
Speaker 1: feel too old to say boyfriend. And okay, so I'm

826
00:43:34,520 --> 00:43:36,560
Speaker 1: saying it's an old thing. It's about feeling like you

827
00:43:36,600 --> 00:43:40,640
Speaker 1: feel ridiculous. But yeah, I'm not trying to be don't

828
00:43:40,880 --> 00:43:46,160
Speaker 1: I'm a everyone I hate partner about but I just

829
00:43:46,320 --> 00:43:50,239
Speaker 1: love her. I love lover if you're trying to be

830
00:43:50,280 --> 00:43:53,560
Speaker 1: funny like lover is like your but partner unless you're

831
00:43:53,560 --> 00:43:56,319
Speaker 1: working on a law firm, or you're gay like that

832
00:43:56,440 --> 00:43:59,239
Speaker 1: is a way to tell people that you're or say

833
00:43:59,280 --> 00:44:01,359
Speaker 1: boyfriend if you're her girlfriend. If you get like But

834
00:44:01,560 --> 00:44:03,319
Speaker 1: when you hear what I think, I think it just

835
00:44:03,360 --> 00:44:06,840
Speaker 1: confuses people because then they go, oh, she's avoiding saying

836
00:44:06,920 --> 00:44:09,880
Speaker 1: that she's gay. But she's gay. I know, But I

837
00:44:09,920 --> 00:44:13,040
Speaker 1: think is that as this I'm with you, I don't

838
00:44:13,080 --> 00:44:18,040
Speaker 1: even like partner? What when she's other things that make

839
00:44:18,080 --> 00:44:29,719
Speaker 1: me think you're gay? Sorry, I'm wrecking. My boyfriend will

840
00:44:29,719 --> 00:44:32,480
Speaker 1: often try to imitate or he'll be like, I'm I

841
00:44:32,520 --> 00:44:35,799
Speaker 1: got influenced by such and such band. Is this a

842
00:44:35,840 --> 00:44:38,760
Speaker 1: total rip off of let's say, wise Blood or something.

843
00:44:38,800 --> 00:44:41,920
Speaker 1: And I'm like, I can't hear that influence at all

844
00:44:42,040 --> 00:44:44,480
Speaker 1: because it's coming through your voice and your guitar. So

845
00:44:44,600 --> 00:44:46,439
Speaker 1: just go with it. So I think if you think

846
00:44:46,440 --> 00:44:49,279
Speaker 1: you're imitating Mark Norman, I bet the results would be

847
00:44:49,320 --> 00:44:52,160
Speaker 1: great and not a rip off at all. And I

848
00:44:52,160 --> 00:44:54,160
Speaker 1: do think it's a good thing to do and that

849
00:44:54,400 --> 00:44:56,520
Speaker 1: you shouldn't avoid ripping off someone because as long as

850
00:44:56,520 --> 00:44:59,560
Speaker 1: you're not actually stealing their joke, it will take you

851
00:44:59,600 --> 00:45:02,279
Speaker 1: in a different direction, like you know, get you out

852
00:45:02,280 --> 00:45:04,680
Speaker 1: of your the way that you do every single joke

853
00:45:04,719 --> 00:45:06,960
Speaker 1: that you do, not you but like anyone, all right,

854
00:45:06,960 --> 00:45:08,600
Speaker 1: we gotta go to break. We'll come back with more

855
00:45:08,800 --> 00:45:16,479
Speaker 1: with my partners. Anya and Andrew appreciate it, and we're back. Um,

856
00:45:16,560 --> 00:45:21,080
Speaker 1: can we do a little bit of news any or Noah? Sure? Anya,

857
00:45:21,360 --> 00:45:26,439
Speaker 1: you guys both have allows with at the end. Andrew, Okay,

858
00:45:26,520 --> 00:45:33,840
Speaker 1: let's go through the knees quickly. He said, Ah, you

859
00:45:33,880 --> 00:45:37,720
Speaker 1: didn sayre alright, it's the news. Welcome to the news.

860
00:45:37,880 --> 00:45:41,919
Speaker 1: I'm Andrew Colin and it's you know what that means.

861
00:45:41,960 --> 00:45:44,040
Speaker 1: It's Monday. Hope you having all this well? Back to

862
00:45:44,080 --> 00:45:52,279
Speaker 1: you and Nyaya. Okay, did you guys know that when

863
00:45:52,280 --> 00:45:56,000
Speaker 1: you're stressed, a dog detects the chemical changes in your

864
00:45:56,040 --> 00:45:59,960
Speaker 1: body through your breath, and then the dog reflects your

865
00:46:00,080 --> 00:46:05,359
Speaker 1: state of mind. So dogs experience and emotional contagion and

866
00:46:05,480 --> 00:46:09,960
Speaker 1: mirror or reflect their owner's state of mind. It's so true.

867
00:46:10,000 --> 00:46:16,360
Speaker 1: Sometimes if I'm seeking Luigi's attention infection, I will mimic

868
00:46:17,200 --> 00:46:20,919
Speaker 1: being distressed, because whenever I'm crying or on the verge

869
00:46:20,960 --> 00:46:22,640
Speaker 1: of tears, he always kind of like gets out of

870
00:46:22,640 --> 00:46:24,960
Speaker 1: bed and looks at me like even if I'm just

871
00:46:25,000 --> 00:46:28,279
Speaker 1: like if I just go like, he'll he'll sense it.

872
00:46:28,360 --> 00:46:33,440
Speaker 1: So sometimes to get his affection, I will seems stressed,

873
00:46:34,120 --> 00:46:36,759
Speaker 1: and I'm stressed all the time, so I'm sure he's like,

874
00:46:37,320 --> 00:46:39,840
Speaker 1: you know, it's it's just it's hard to react to

875
00:46:39,880 --> 00:46:43,040
Speaker 1: something that's constantly so they're not The study found that

876
00:46:43,080 --> 00:46:46,760
Speaker 1: they're not really reading your body language. But when we're stressed,

877
00:46:46,800 --> 00:46:50,840
Speaker 1: there's some kind of chemical um that's excreted in our breath,

878
00:46:51,719 --> 00:46:54,759
Speaker 1: and the dogs smell that well, that's what I'm saying.

879
00:46:54,800 --> 00:46:57,040
Speaker 1: I feel like he can smell it from across the room.

880
00:46:57,239 --> 00:46:59,560
Speaker 1: Like might change because I I know that like dogs

881
00:46:59,600 --> 00:47:03,440
Speaker 1: can they there? I read about their smell this morning

882
00:47:03,440 --> 00:47:07,920
Speaker 1: and reading this, they have We have um six million

883
00:47:08,160 --> 00:47:11,160
Speaker 1: whatever receptors on our nose and they have three million.

884
00:47:11,280 --> 00:47:15,200
Speaker 1: And they can smell a droplet of a substance in

885
00:47:15,760 --> 00:47:20,040
Speaker 1: twenty Olympic sized swimming pools one droplet, whereas we could not,

886
00:47:20,160 --> 00:47:23,640
Speaker 1: you know so, And they also their noses. When we

887
00:47:23,680 --> 00:47:26,120
Speaker 1: smell something, air also comes in at the same time

888
00:47:26,200 --> 00:47:29,479
Speaker 1: we smell, but they block off in their nose. Air

889
00:47:29,600 --> 00:47:32,400
Speaker 1: and smell come from different places. So they're sucking in

890
00:47:32,560 --> 00:47:34,759
Speaker 1: air in one hole and then it blocks it off

891
00:47:34,760 --> 00:47:37,640
Speaker 1: and they get a roman another. And when we breathe out,

892
00:47:38,160 --> 00:47:40,320
Speaker 1: it's pushing all the air and the smell out, whereas

893
00:47:40,320 --> 00:47:43,839
Speaker 1: when they breathe out, it's circulating more back in. So

894
00:47:43,880 --> 00:47:50,040
Speaker 1: they I mean, it's insane. We don't even understand certain

895
00:47:50,120 --> 00:47:53,800
Speaker 1: senses on. Certain animals are so much better than humans,

896
00:47:54,480 --> 00:47:57,480
Speaker 1: yet they can't dominate them. Yeah, we dominate them, and

897
00:47:57,520 --> 00:48:00,560
Speaker 1: they can't like write a speech, you know what I mean.

898
00:48:00,920 --> 00:48:07,880
Speaker 1: Brains are made of peanuts, but their noses are unbelievable,

899
00:48:09,160 --> 00:48:12,200
Speaker 1: twitching around. They're like your tongue. Can you imagine your

900
00:48:12,239 --> 00:48:15,080
Speaker 1: morning breath to a dog? A dog has to be

901
00:48:15,120 --> 00:48:18,520
Speaker 1: like I fucking hate you said dogs hate? No, they

902
00:48:18,600 --> 00:48:25,640
Speaker 1: love stink sense jokes. Oh yeah, yeah, that was in

903
00:48:25,760 --> 00:48:28,319
Speaker 1: that same set I think where I said that when

904
00:48:28,320 --> 00:48:32,520
Speaker 1: you fart, it's like giving your dog an air treat.

905
00:48:34,000 --> 00:48:35,520
Speaker 1: I don't think I ever said it because it gross

906
00:48:35,520 --> 00:48:37,800
Speaker 1: people so much, but yeah, maybe that was. So a

907
00:48:37,920 --> 00:48:40,359
Speaker 1: dog likes to smell of ship because they go into

908
00:48:40,360 --> 00:48:43,440
Speaker 1: ship a lot. Well, yeah, it masks their own sense,

909
00:48:43,480 --> 00:48:45,600
Speaker 1: so it's good for their survival. They don't want to

910
00:48:45,640 --> 00:48:50,400
Speaker 1: be skilled by other predators. My dog will she sometimes

911
00:48:50,440 --> 00:48:53,239
Speaker 1: when I'll start crying, I'm like really ramping it up

912
00:48:53,280 --> 00:48:56,560
Speaker 1: for because I just I know she likes licking the

913
00:48:56,600 --> 00:48:58,680
Speaker 1: tears off my face. And yesterday I just let her

914
00:48:58,680 --> 00:49:01,960
Speaker 1: go to town and like my entire face because I

915
00:49:02,880 --> 00:49:09,600
Speaker 1: did wash her face immediately immediately. And also I think

916
00:49:09,600 --> 00:49:12,399
Speaker 1: she gets jealous. And can they say that dogs can

917
00:49:12,440 --> 00:49:15,839
Speaker 1: smell your pheromones? Because the second Matt will hug me

918
00:49:16,040 --> 00:49:18,680
Speaker 1: or kiss me in the kitchen, like she just shoves

919
00:49:18,719 --> 00:49:23,960
Speaker 1: her nose right into my pussy or my button. It's

920
00:49:24,040 --> 00:49:27,320
Speaker 1: so weird depending on I'm like, I'm getting, I'm getting

921
00:49:27,440 --> 00:49:34,000
Speaker 1: I'm getting double double trouble there. My ain is opens

922
00:49:34,320 --> 00:49:36,600
Speaker 1: when Yeah, it is weird when you have when you

923
00:49:36,680 --> 00:49:39,120
Speaker 1: copulate in front of your dog. Know when to break

924
00:49:39,239 --> 00:49:41,359
Speaker 1: up with Matt when she doesn't run up to your

925
00:49:41,440 --> 00:49:44,040
Speaker 1: vagina because you're gonna know that you don't feel the

926
00:49:44,080 --> 00:49:49,680
Speaker 1: same way. Yeah, he's going to be like, do you

927
00:49:49,719 --> 00:49:52,880
Speaker 1: not love me anymore? Do I not pling you on

928
00:49:52,960 --> 00:50:00,319
Speaker 1: any smell? Yeah? Apparently dogs hate our like they really

929
00:50:00,320 --> 00:50:06,560
Speaker 1: resent us for deodorant and perfumes and just define Yeah,

930
00:50:06,719 --> 00:50:10,520
Speaker 1: so you're really I mean this weekend on the Girl's Chat,

931
00:50:10,560 --> 00:50:13,719
Speaker 1: I was horrified by a thread of things that got

932
00:50:13,719 --> 00:50:21,920
Speaker 1: revealed about dogs. Can you just no, no no. My friends,

933
00:50:22,120 --> 00:50:25,040
Speaker 1: her dog ate her poop this weekend because she had

934
00:50:25,040 --> 00:50:27,239
Speaker 1: to poop in her yard because she was locked out

935
00:50:27,239 --> 00:50:30,480
Speaker 1: of a house, and then her dog ate her ship,

936
00:50:31,000 --> 00:50:33,319
Speaker 1: And I have to say that if my dog ate

937
00:50:33,400 --> 00:50:35,160
Speaker 1: my I have no problem with pooping in the yard.

938
00:50:35,200 --> 00:50:37,319
Speaker 1: All that checks out. She had no other option. She

939
00:50:37,400 --> 00:50:39,880
Speaker 1: was in like Colorado in the sucking Boonies, and she

940
00:50:39,960 --> 00:50:41,600
Speaker 1: was locked out of her parents house that had this

941
00:50:41,800 --> 00:50:43,680
Speaker 1: coat on it, so she had to poop in the yard.

942
00:50:43,840 --> 00:50:46,719
Speaker 1: The dogs ate the poop. I would say though that

943
00:50:46,800 --> 00:50:50,279
Speaker 1: I would have to. I would probably not interact with

944
00:50:50,400 --> 00:50:53,480
Speaker 1: Luigi for a month after that if I knew he

945
00:50:53,760 --> 00:50:56,840
Speaker 1: gobbled my ship because you're too turned on. Yeah, I

946
00:50:56,840 --> 00:51:03,839
Speaker 1: couldn't morny. I would be jealous talk about how did

947
00:51:03,920 --> 00:51:06,759
Speaker 1: she like lighthearted about it and mean like, oh, that's

948
00:51:06,760 --> 00:51:09,680
Speaker 1: so funny. And I was seriously like, you need to

949
00:51:09,680 --> 00:51:16,560
Speaker 1: put that dog downe depending on your diet, do it

950
00:51:16,640 --> 00:51:18,680
Speaker 1: or not. Of course they would do it, but I don't.

951
00:51:19,440 --> 00:51:22,759
Speaker 1: I would not keep that dog in my house afterwards.

952
00:51:22,800 --> 00:51:25,120
Speaker 1: I don't know what I's not going to be. You're

953
00:51:25,160 --> 00:51:29,719
Speaker 1: not going to be in your house? What? I just

954
00:51:29,760 --> 00:51:32,880
Speaker 1: don't want his ship mouth that, like, you haven't the

955
00:51:33,080 --> 00:51:36,120
Speaker 1: teeth with What if you're sitting in your front yard

956
00:51:36,160 --> 00:51:38,120
Speaker 1: you don't have a dog, but you'll still make out

957
00:51:38,120 --> 00:51:43,680
Speaker 1: with your boyfriend. My boyfriend does not do that. I'm

958
00:51:43,719 --> 00:51:47,600
Speaker 1: just okay, well, I'm saying would not. Absolutely would not.

959
00:51:51,400 --> 00:51:54,040
Speaker 1: But I said the chat was just like that's hilarious.

960
00:51:54,040 --> 00:51:58,400
Speaker 1: Oh you're like anti shaming? What is this? Like? I

961
00:51:58,440 --> 00:52:01,319
Speaker 1: thought you were not into people shaming themselves so I

962
00:52:01,400 --> 00:52:03,640
Speaker 1: let my dog eat my poop when I was eight.

963
00:52:04,400 --> 00:52:07,800
Speaker 1: That's different, but that that's different because you were eight,

964
00:52:08,320 --> 00:52:13,439
Speaker 1: But don't understand being an adult woman that her dog

965
00:52:13,600 --> 00:52:16,040
Speaker 1: ate her ship. And then like I wonder if she

966
00:52:16,160 --> 00:52:18,200
Speaker 1: even let her dog back in the car with her

967
00:52:18,440 --> 00:52:21,439
Speaker 1: or like, well, she was horrified. She was like, I'm

968
00:52:21,480 --> 00:52:24,080
Speaker 1: disgusted with this dog. I was horrified. She tried to

969
00:52:24,120 --> 00:52:26,080
Speaker 1: get rid of it, and then I think he went

970
00:52:26,160 --> 00:52:28,560
Speaker 1: for more. She was like, what are you doing? Like

971
00:52:28,640 --> 00:52:31,319
Speaker 1: she she was in dire straits, and she goes, what

972
00:52:31,360 --> 00:52:41,680
Speaker 1: did he eat? Popcorn? What was in there? Right? She

973
00:52:41,760 --> 00:52:46,960
Speaker 1: probab dog food? What do you think? She really tested

974
00:52:47,000 --> 00:52:50,680
Speaker 1: my boundaries of like I I when my dog eat

975
00:52:50,880 --> 00:52:53,320
Speaker 1: like my dogs. First of all, I've never seen my

976
00:52:53,360 --> 00:52:56,480
Speaker 1: dog eat ship. They sniff it, but I've never seen

977
00:52:56,680 --> 00:52:58,080
Speaker 1: and I know that's a normal thing for dogs to do.

978
00:52:58,120 --> 00:52:59,600
Speaker 1: I don't think my dogs are better than your dogs,

979
00:52:59,600 --> 00:53:01,920
Speaker 1: but my dog don't eat ship. I've never had a

980
00:53:01,960 --> 00:53:03,680
Speaker 1: dog that eat ship. I've never seen it happen. I

981
00:53:03,719 --> 00:53:05,680
Speaker 1: do know that they smell other dogsh it, and I

982
00:53:05,719 --> 00:53:07,680
Speaker 1: do not allow them to because I heard that their

983
00:53:07,719 --> 00:53:09,880
Speaker 1: nose can suck up worms and that's a wave if

984
00:53:09,920 --> 00:53:16,040
Speaker 1: it was yours, they would in a second they love you. Um,

985
00:53:16,080 --> 00:53:18,040
Speaker 1: they would smell it and maybe trying to lick it

986
00:53:18,160 --> 00:53:20,440
Speaker 1: or something. But I've never seen them try to eat ship.

987
00:53:20,480 --> 00:53:22,080
Speaker 1: I have to say, Like, and sometimes I've been on

988
00:53:22,080 --> 00:53:24,120
Speaker 1: my phone and haven't been paying attention and they're sniffing

989
00:53:24,120 --> 00:53:26,200
Speaker 1: a place for a while. They don't go to eat

990
00:53:26,239 --> 00:53:29,200
Speaker 1: the ship. All I know is when it happened to me,

991
00:53:29,280 --> 00:53:32,840
Speaker 1: I was shocked to Yeah, I wonder if it tastes

992
00:53:32,840 --> 00:53:35,759
Speaker 1: like caviare to them, Like it's like human shit, Like

993
00:53:36,920 --> 00:53:39,959
Speaker 1: it must be delicious to them. I have no there's

994
00:53:39,960 --> 00:53:42,919
Speaker 1: no judgment on them doing it. I'm just saying I

995
00:53:42,960 --> 00:53:44,759
Speaker 1: would have a hard time letting that dog back in

996
00:53:44,840 --> 00:53:50,440
Speaker 1: my own Yeah, I really would. Um, it would all

997
00:53:50,520 --> 00:53:57,560
Speaker 1: right be several days, okay several. Taylor Swift says her

998
00:53:57,600 --> 00:54:00,960
Speaker 1: new song anti Hero confronts the things I Hate about

999
00:54:01,000 --> 00:54:05,400
Speaker 1: myself and the latest Midnight's Mayhem with Me post. Swift

1000
00:54:05,480 --> 00:54:08,359
Speaker 1: said that she struggles a lot with the idea that

1001
00:54:08,560 --> 00:54:13,719
Speaker 1: life has become unmag unmanageably sized, and says that she

1002
00:54:13,760 --> 00:54:16,240
Speaker 1: struggles with the idea of not feeling like a person

1003
00:54:18,239 --> 00:54:20,640
Speaker 1: I know I would I would feel that it's nice

1004
00:54:20,680 --> 00:54:24,640
Speaker 1: to hear that she struggles like we all do. And

1005
00:54:24,680 --> 00:54:26,439
Speaker 1: she even said in this thing. So she's been doing

1006
00:54:26,440 --> 00:54:29,719
Speaker 1: this thing ahead of her release of Midnights, which is

1007
00:54:29,760 --> 00:54:33,560
Speaker 1: coming October twenty one. I believe that she's been doing

1008
00:54:33,560 --> 00:54:36,920
Speaker 1: this thing every couple of days where she um spins

1009
00:54:36,920 --> 00:54:40,839
Speaker 1: this like um little cage of all these little ping

1010
00:54:40,880 --> 00:54:43,120
Speaker 1: pong balls and they each have a track number on it,

1011
00:54:43,160 --> 00:54:45,080
Speaker 1: and then she reveals the name of the track, the

1012
00:54:45,160 --> 00:54:47,040
Speaker 1: name of the song, and to Swifties, this is a

1013
00:54:47,160 --> 00:54:49,040
Speaker 1: huge deal just to know the name of a song,

1014
00:54:49,120 --> 00:54:52,759
Speaker 1: because we just get excited about this dumb ship. And

1015
00:54:52,800 --> 00:54:54,520
Speaker 1: then last night for the first time, she did track

1016
00:54:54,600 --> 00:54:56,960
Speaker 1: three and it was called anti Hero. And then she

1017
00:54:57,560 --> 00:55:01,319
Speaker 1: put on a real on Instagram that was this an

1018
00:55:01,440 --> 00:55:03,640
Speaker 1: interview she did about the song and to Hero and

1019
00:55:03,680 --> 00:55:07,400
Speaker 1: it's about all of her insecurities and how yeah, what

1020
00:55:07,400 --> 00:55:09,680
Speaker 1: what you know? Noah just said it was hard to

1021
00:55:09,680 --> 00:55:11,600
Speaker 1: hear her say what I hate about myself because I

1022
00:55:11,640 --> 00:55:15,360
Speaker 1: was just like, really, I mean, I can't wait for

1023
00:55:15,400 --> 00:55:20,120
Speaker 1: the song to find out, but um, I'm I'm surprised.

1024
00:55:20,400 --> 00:55:22,760
Speaker 1: I'm glad she's putting it out there because I think everyone,

1025
00:55:22,760 --> 00:55:26,239
Speaker 1: no matter how perfect they are, does hate things about themselves,

1026
00:55:26,719 --> 00:55:28,160
Speaker 1: And also I feel like when you get to a

1027
00:55:28,200 --> 00:55:30,560
Speaker 1: certain level, you're not supposed to say you hate anything

1028
00:55:30,560 --> 00:55:32,799
Speaker 1: about yourself, even if you do, because you're setting an

1029
00:55:32,800 --> 00:55:37,120
Speaker 1: example for young women not to hate themselves. And I

1030
00:55:37,120 --> 00:55:41,600
Speaker 1: have always said fuck that, So I'm glad to hear that. Um.

1031
00:55:41,680 --> 00:55:45,560
Speaker 1: But I also I like how like kind of just

1032
00:55:46,480 --> 00:55:49,200
Speaker 1: she's usually so poised and every word that she picks

1033
00:55:49,280 --> 00:55:51,160
Speaker 1: is already pre written, Like we've heard her do the

1034
00:55:51,239 --> 00:55:53,040
Speaker 1: n y U speech, We've heard her give like kind

1035
00:55:53,080 --> 00:55:55,880
Speaker 1: of acceptance speeches for different awards recently, and it's all

1036
00:55:55,920 --> 00:55:58,239
Speaker 1: been very scripted. So it's nice to see this little

1037
00:55:58,239 --> 00:55:59,839
Speaker 1: interview with her where she was kind of just like

1038
00:56:00,640 --> 00:56:02,279
Speaker 1: shooting from the hip. You could tell she was kind

1039
00:56:02,280 --> 00:56:04,080
Speaker 1: of just like, I don't know, it's just I really

1040
00:56:04,120 --> 00:56:06,600
Speaker 1: liked the song and it's very honest, and I'm like,

1041
00:56:06,640 --> 00:56:08,640
Speaker 1: oh my god, if you're saying this song is honest,

1042
00:56:08,640 --> 00:56:10,319
Speaker 1: what are we going to get. I'm so excited about

1043
00:56:10,320 --> 00:56:12,480
Speaker 1: this album. It's all songs that she wrote in the

1044
00:56:12,480 --> 00:56:14,840
Speaker 1: middle of the night when she couldn't sleep on you.

1045
00:56:14,960 --> 00:56:16,279
Speaker 1: Have you ever written a song in the middle of

1046
00:56:16,320 --> 00:56:17,960
Speaker 1: the night when you can't sleep, like woken up and

1047
00:56:17,960 --> 00:56:20,879
Speaker 1: been like, I have to get this song out. Oh

1048
00:56:20,960 --> 00:56:23,640
Speaker 1: I wish I've had song ideas come to me and

1049
00:56:23,719 --> 00:56:25,960
Speaker 1: dreams and I'll record them into a voice memo. It's

1050
00:56:26,000 --> 00:56:28,359
Speaker 1: been a while since I've done that, like a year

1051
00:56:28,400 --> 00:56:30,200
Speaker 1: and a half. But no, I've never written a song

1052
00:56:30,320 --> 00:56:33,000
Speaker 1: fully in my sleep. I have written one song called

1053
00:56:33,040 --> 00:56:37,080
Speaker 1: go to Bed, went out of an insomnia moment that's

1054
00:56:37,239 --> 00:56:41,239
Speaker 1: actually in the middle of the night. But that's exciting.

1055
00:56:41,400 --> 00:56:45,080
Speaker 1: Do you think her her saying that she's human like

1056
00:56:45,160 --> 00:56:48,640
Speaker 1: the rest of us and struggling is also premeditated because

1057
00:56:48,640 --> 00:56:51,719
Speaker 1: she's such a savvy businesswoman, or do you everything she

1058
00:56:51,800 --> 00:56:54,879
Speaker 1: does she knows what she's doing. But this felt very

1059
00:56:54,960 --> 00:56:57,040
Speaker 1: casual to me. The way she was talking felt like

1060
00:56:57,080 --> 00:56:59,400
Speaker 1: she was doing almost like a podcast, like she didn't

1061
00:56:59,400 --> 00:57:01,200
Speaker 1: really know where the sentence was going to go, and

1062
00:57:01,239 --> 00:57:05,800
Speaker 1: she was choosing great words because she's just amazing and smart.

1063
00:57:05,920 --> 00:57:10,120
Speaker 1: But um, I really liked that she said, um what

1064
00:57:10,200 --> 00:57:12,960
Speaker 1: was the part that was my favorite? Oh, I was

1065
00:57:13,000 --> 00:57:16,560
Speaker 1: just gonna say it. She said, um, my life has

1066
00:57:16,600 --> 00:57:21,240
Speaker 1: become um, yeah, unmanageably sized, instead of being like bragging,

1067
00:57:21,280 --> 00:57:23,240
Speaker 1: being like it's so big. Oh, At one point, she

1068
00:57:23,280 --> 00:57:25,560
Speaker 1: goes and by the way, don't feel sorry for me, please.

1069
00:57:25,600 --> 00:57:28,240
Speaker 1: It's not like when I went like, don't please, no pity,

1070
00:57:28,320 --> 00:57:30,960
Speaker 1: like she didn't want anyone. She needed to say that too,

1071
00:57:31,000 --> 00:57:33,840
Speaker 1: because she's like to hear someone complain about like I

1072
00:57:33,880 --> 00:57:36,640
Speaker 1: hate my life when your Taylor Swift, it's it's hard

1073
00:57:36,680 --> 00:57:41,360
Speaker 1: to hear this like for even saying that, like of

1074
00:57:41,400 --> 00:57:46,720
Speaker 1: being like oh, like giving like a like a disclosure

1075
00:57:46,840 --> 00:57:48,880
Speaker 1: before like I know this is gonna you know what

1076
00:57:48,960 --> 00:57:51,080
Speaker 1: I mean. But she did it though. If you watch it,

1077
00:57:51,080 --> 00:57:53,360
Speaker 1: it's so masterfully done. You can't be mad at her.

1078
00:57:53,480 --> 00:57:56,640
Speaker 1: She's just adorable. She's sweet. Um. I cannot wait for

1079
00:57:56,680 --> 00:57:59,560
Speaker 1: this album. I am resentful of how much she puts

1080
00:57:59,560 --> 00:58:03,800
Speaker 1: out and how constantly she is working and writing, and

1081
00:58:03,920 --> 00:58:07,280
Speaker 1: I'm just so I just can't believe. I know, I

1082
00:58:07,360 --> 00:58:11,840
Speaker 1: wonder does she have time for a relationship. I think so.

1083
00:58:12,040 --> 00:58:15,720
Speaker 1: She seems happy. I think she. I would love to

1084
00:58:15,760 --> 00:58:18,200
Speaker 1: see a day in her life, like how she manages

1085
00:58:18,240 --> 00:58:20,400
Speaker 1: a day off. I mean, that's the stuff. That's why

1086
00:58:20,400 --> 00:58:21,560
Speaker 1: I want to be friends with her. I just want

1087
00:58:21,560 --> 00:58:26,680
Speaker 1: to see how she manages her life. And she bakes

1088
00:58:26,720 --> 00:58:30,240
Speaker 1: a lot, I know, and like cooking and stuff, and

1089
00:58:30,280 --> 00:58:35,360
Speaker 1: she's just like like decorating and she's taught, but she's

1090
00:58:35,400 --> 00:58:38,520
Speaker 1: not doing a million podcast she's not doing there's a

1091
00:58:38,520 --> 00:58:40,560
Speaker 1: lot of things she's not doing where she probably has

1092
00:58:40,600 --> 00:58:42,760
Speaker 1: a decent amount of time for I went through three

1093
00:58:42,800 --> 00:58:45,640
Speaker 1: weeks without doing any podcast or doing anything, and I

1094
00:58:45,640 --> 00:58:49,040
Speaker 1: did not write an area song or a joke or anything.

1095
00:58:49,080 --> 00:58:51,480
Speaker 1: I mean, it was just like with a free time.

1096
00:58:51,560 --> 00:58:53,800
Speaker 1: I do not like free time. And I was stand

1097
00:58:53,800 --> 00:58:55,360
Speaker 1: by that the rest of my life. I just got

1098
00:58:55,400 --> 00:58:57,320
Speaker 1: three weeks of it, and I did not like it

1099
00:58:59,240 --> 00:59:02,560
Speaker 1: so much. Reading and you seem to be doing a

1100
00:59:02,600 --> 00:59:08,680
Speaker 1: lot of stuff like you're enjoying everything. Oh, and you

1101
00:59:08,720 --> 00:59:11,000
Speaker 1: wanted to be off your device. No, I mean like

1102
00:59:11,040 --> 00:59:13,720
Speaker 1: I never like sit in a chair with an overhead

1103
00:59:13,800 --> 00:59:17,920
Speaker 1: light over my book. It's it's me in bed, bundled

1104
00:59:17,960 --> 00:59:23,160
Speaker 1: and sixty two degree like my air conditioning blasting me,

1105
00:59:23,240 --> 00:59:25,960
Speaker 1: bundled over the covers in the dark at three o'clock

1106
00:59:26,000 --> 00:59:29,160
Speaker 1: in the afternoon, when it is beautiful, like seventy seven degrees,

1107
00:59:29,400 --> 00:59:31,920
Speaker 1: gorgeous day, the nicest day of the year, and I'm

1108
00:59:31,960 --> 00:59:35,320
Speaker 1: in my room in the dark with the blackout curtains drawn,

1109
00:59:35,640 --> 00:59:41,680
Speaker 1: reading a book. About, you know, because relatively comfortable except

1110
00:59:41,720 --> 00:59:46,320
Speaker 1: for the content. Yeah, well, I don't know, or like

1111
00:59:46,400 --> 00:59:49,920
Speaker 1: I'm on Reddit, which you know might seem stupid, but

1112
00:59:50,240 --> 00:59:53,240
Speaker 1: I'm usually reading about interesting things that I care about.

1113
00:59:53,280 --> 00:59:56,800
Speaker 1: So I don't know. Because anything that feels good or

1114
00:59:56,920 --> 01:00:01,600
Speaker 1: feels like the act of someone who's depressed feels guilty.

1115
01:00:01,880 --> 01:00:04,600
Speaker 1: You know, like if you're not enjoying the weather, you

1116
01:00:04,680 --> 01:00:06,840
Speaker 1: are a bad person. It's the nicest week of a

1117
01:00:06,960 --> 01:00:10,680
Speaker 1: year and you're inside. What the funk is wrong with you?

1118
01:00:10,760 --> 01:00:13,520
Speaker 1: Don't you understand it? What do you do when you

1119
01:00:13,560 --> 01:00:15,320
Speaker 1: have nothing to do? I know you golf, but like,

1120
01:00:15,360 --> 01:00:18,160
Speaker 1: what do you do if there's no golfing and you

1121
01:00:18,400 --> 01:00:21,160
Speaker 1: you just have the afternoon and there's no podcast to do,

1122
01:00:21,480 --> 01:00:24,600
Speaker 1: there's no cleaning to be done, there's no cooking to

1123
01:00:24,680 --> 01:00:26,800
Speaker 1: be done, there's no meal prep. What the funk do

1124
01:00:26,880 --> 01:00:32,200
Speaker 1: you guys do? There's always something like what what what

1125
01:00:32,240 --> 01:00:37,640
Speaker 1: do you do? Andrew? I did buy a book. I

1126
01:00:37,680 --> 01:00:39,840
Speaker 1: bought a book. I started reading it. It's the Life

1127
01:00:39,840 --> 01:00:44,160
Speaker 1: of Leonardo da Vinci. What made you do that? I

1128
01:00:44,200 --> 01:00:47,040
Speaker 1: went to a bookstore and I felt like, I don't know,

1129
01:00:47,120 --> 01:00:49,080
Speaker 1: I missed the feeling of a book in my hand.

1130
01:00:49,120 --> 01:00:52,440
Speaker 1: But what made you choose that book? Um, because I

1131
01:00:52,520 --> 01:00:56,000
Speaker 1: read this guy I forget the name of the author,

1132
01:00:56,040 --> 01:00:58,919
Speaker 1: but he wrote to Steve Jobs biography. Oh yeah, Walter

1133
01:00:59,000 --> 01:01:02,880
Speaker 1: Isaacson Wilson. And I really enjoyed that. And I really

1134
01:01:02,920 --> 01:01:05,880
Speaker 1: like Leonard eventually for the first seventy pages and then

1135
01:01:05,880 --> 01:01:08,680
Speaker 1: it starts getting into the technical things of how he paints,

1136
01:01:08,720 --> 01:01:12,600
Speaker 1: and then and then you start having to reread everything.

1137
01:01:12,920 --> 01:01:15,520
Speaker 1: I just like, give me a simple story that he

1138
01:01:15,600 --> 01:01:18,080
Speaker 1: went to the farm and then he moved to the

1139
01:01:18,160 --> 01:01:21,480
Speaker 1: big city and the big city was scary for Leonardo,

1140
01:01:21,560 --> 01:01:24,720
Speaker 1: but he started drawing with Penn and then and that's

1141
01:01:24,760 --> 01:01:26,600
Speaker 1: good for me. And I'm like, I know the story

1142
01:01:26,600 --> 01:01:29,040
Speaker 1: of Leonardo eventually. I don't need to know, Like you

1143
01:01:29,040 --> 01:01:32,760
Speaker 1: could tell it's Leonardo by the landscape of the cloud

1144
01:01:32,880 --> 01:01:36,760
Speaker 1: and how I have tried to keep John Steinbeck's East

1145
01:01:36,760 --> 01:01:39,880
Speaker 1: of Eden so many fucking times because on the reddit

1146
01:01:39,920 --> 01:01:43,200
Speaker 1: subreddit books, it's always listed as the number one best

1147
01:01:43,200 --> 01:01:48,000
Speaker 1: book of all time, Like people love. What's so hard

1148
01:01:48,120 --> 01:01:53,600
Speaker 1: I have to hear about the fucking geography of the uh,

1149
01:01:53,880 --> 01:01:58,920
Speaker 1: you know, northern California valley and the escapes and the

1150
01:01:58,960 --> 01:02:01,800
Speaker 1: mountains and the aslands and the wet lands and the

1151
01:02:01,880 --> 01:02:05,480
Speaker 1: deltas and the it goes on. So I cannot get

1152
01:02:05,520 --> 01:02:08,040
Speaker 1: past the first three pages because I'm so I don't

1153
01:02:08,080 --> 01:02:10,600
Speaker 1: want to hear about clouds. I don't need to describing

1154
01:02:15,800 --> 01:02:20,919
Speaker 1: I stand a description of the topography in a fucking book.

1155
01:02:21,000 --> 01:02:23,160
Speaker 1: I don't want to hear about what the shingles on

1156
01:02:23,200 --> 01:02:25,040
Speaker 1: the roof look like. I don't want to hear about

1157
01:02:25,080 --> 01:02:29,080
Speaker 1: what the the sconces or the the gate like. If

1158
01:02:29,080 --> 01:02:31,800
Speaker 1: you're describing a scene, just tell me the type of house,

1159
01:02:32,040 --> 01:02:34,360
Speaker 1: tell me the type of neighborhood, and get on with

1160
01:02:34,400 --> 01:02:37,840
Speaker 1: the fucking story. By the way, make your books three chapters.

1161
01:02:38,120 --> 01:02:41,240
Speaker 1: I don't need in the first four pages, and you

1162
01:02:41,320 --> 01:02:47,200
Speaker 1: got me hooked chapter seven there, like we need the

1163
01:02:47,240 --> 01:02:51,120
Speaker 1: eighty thousand words or we're not paying you. I am

1164
01:02:51,200 --> 01:02:55,000
Speaker 1: tired of people recommending books that make them seem smart.

1165
01:02:55,240 --> 01:02:58,680
Speaker 1: Stop it. Just tell me what you actually like to read,

1166
01:02:58,680 --> 01:03:02,240
Speaker 1: which is something that actually was written recently and does

1167
01:03:02,280 --> 01:03:06,720
Speaker 1: not describe a bucolic field or like Sea Escape. I'm

1168
01:03:06,760 --> 01:03:09,160
Speaker 1: so tired every book reads like The Old Man in

1169
01:03:09,240 --> 01:03:11,920
Speaker 1: the Sea, and I know that's book to read. That's

1170
01:03:11,960 --> 01:03:14,919
Speaker 1: actually an easy book to read. I've read that one

1171
01:03:15,120 --> 01:03:21,440
Speaker 1: that wasn't actually easy final thoughts. You could do that

1172
01:03:21,480 --> 01:03:25,040
Speaker 1: one catches the fish. Um, let's do a quick with

1173
01:03:25,080 --> 01:03:29,920
Speaker 1: top one bottom one. Um, this category today is old

1174
01:03:29,920 --> 01:03:34,240
Speaker 1: technology old technology top one, bottom one. Let's start with

1175
01:03:34,320 --> 01:03:38,160
Speaker 1: bottom worst old technology. Andrew right, I thought we were

1176
01:03:38,160 --> 01:03:43,880
Speaker 1: gonna start. Okay, uh, you go first. Sorry, old technology

1177
01:03:44,080 --> 01:03:49,920
Speaker 1: speaking spell. Yes, that was a boring thing, but it

1178
01:03:50,000 --> 01:03:53,680
Speaker 1: was kind of like the you don't like it. I

1179
01:03:53,720 --> 01:03:55,520
Speaker 1: don't know. I couldn't think of when it was cool

1180
01:03:55,560 --> 01:03:57,880
Speaker 1: for the time. But they could have done better, couldn't

1181
01:03:57,880 --> 01:04:00,920
Speaker 1: they have. I mean, it's just a little boring and

1182
01:04:01,040 --> 01:04:03,200
Speaker 1: it took forever, but it was red. I like the

1183
01:04:03,320 --> 01:04:05,160
Speaker 1: handle on it though, that you could walk around with

1184
01:04:05,200 --> 01:04:08,440
Speaker 1: it and yeah, you're typing things in and I went

1185
01:04:08,520 --> 01:04:11,000
Speaker 1: on it was pretty much like my robot voice. Yeah,

1186
01:04:11,840 --> 01:04:17,880
Speaker 1: um noah, your least favorite. Um the palm Pilot. You

1187
01:04:17,880 --> 01:04:23,360
Speaker 1: guys remember that, oh pilot? I never had sideways? Did

1188
01:04:23,360 --> 01:04:26,440
Speaker 1: that open sideways? Know? That one was that was cool

1189
01:04:26,440 --> 01:04:31,120
Speaker 1: though the we the palm Pilot had a pen. It

1190
01:04:31,200 --> 01:04:33,240
Speaker 1: was for like people. I thought they were doing business.

1191
01:04:33,800 --> 01:04:37,160
Speaker 1: It was so do their best. Um worre a sound

1192
01:04:37,320 --> 01:04:40,880
Speaker 1: of someone typing on a palm pilot. A palm pilot

1193
01:04:40,960 --> 01:04:49,520
Speaker 1: with your mouth. That's good. That was not it sounds

1194
01:04:49,520 --> 01:04:54,959
Speaker 1: like a typewriter. Here's one. It sounds like a mouse.

1195
01:04:54,960 --> 01:05:00,080
Speaker 1: Eat a little mouse. The mouse was in law of

1196
01:05:00,960 --> 01:05:06,560
Speaker 1: smelling another mouse. Okay, vile. I never used them, but

1197
01:05:06,760 --> 01:05:10,120
Speaker 1: um they were recently like became extinct. I think just recently.

1198
01:05:10,160 --> 01:05:12,080
Speaker 1: It was like the last palm vilet or not palm

1199
01:05:12,120 --> 01:05:18,000
Speaker 1: vilet um BlackBerry is the one. I was thinking, my

1200
01:05:18,080 --> 01:05:21,360
Speaker 1: uncle Dennistar is a little clickier. Uh that maybe that's

1201
01:05:21,400 --> 01:05:25,080
Speaker 1: what I was doing, the impression of um that makes sense. Now.

1202
01:05:25,560 --> 01:05:28,240
Speaker 1: Um my least favorite old technology because I googled old

1203
01:05:28,280 --> 01:05:31,760
Speaker 1: technology just to same list, and this is what I

1204
01:05:31,840 --> 01:05:34,440
Speaker 1: learned about just now, and it is by far the worst.

1205
01:05:34,560 --> 01:05:37,760
Speaker 1: It's called the bathing machine. The bathing machine was a

1206
01:05:37,760 --> 01:05:41,320
Speaker 1: device popular from the eighteenth century until the early twentieth century.

1207
01:05:41,600 --> 01:05:44,600
Speaker 1: It would allow people to change into their swimwear while

1208
01:05:44,600 --> 01:05:47,400
Speaker 1: on the beach. So women would go in, they would

1209
01:05:47,440 --> 01:05:50,840
Speaker 1: take off their petticoats and their dresses and everything, and

1210
01:05:50,880 --> 01:05:54,360
Speaker 1: then they would change into their swimwear, which was essentially

1211
01:05:54,360 --> 01:05:58,160
Speaker 1: like a onesie, a giant onesie, still very covered up,

1212
01:05:58,360 --> 01:06:00,520
Speaker 1: and then because it was so embared, seemed to like

1213
01:06:00,520 --> 01:06:03,960
Speaker 1: walk into the water. The thing would then this big,

1214
01:06:04,040 --> 01:06:06,960
Speaker 1: you know, outhouse type thing would be rolled into the

1215
01:06:07,000 --> 01:06:09,880
Speaker 1: sea and then you would get out of it in

1216
01:06:09,960 --> 01:06:12,840
Speaker 1: the sea, and then it would come back onto them.

1217
01:06:13,960 --> 01:06:17,120
Speaker 1: Just all because about um to hide women's bodies and

1218
01:06:17,640 --> 01:06:20,400
Speaker 1: men were allowed to swim nude and women had to

1219
01:06:20,440 --> 01:06:22,800
Speaker 1: get in this funny bathing machine they needed like a

1220
01:06:22,880 --> 01:06:26,040
Speaker 1: submarine essentially. Yeah, I mean how much would something like

1221
01:06:26,040 --> 01:06:29,919
Speaker 1: that cost back then? You'd pay that seems extremely expensive. Well,

1222
01:06:29,920 --> 01:06:33,080
Speaker 1: it was like every beach had one. Beaches were very

1223
01:06:33,120 --> 01:06:36,080
Speaker 1: crowded back in it, especially like in the Northeast and stuff. Yeah,

1224
01:06:36,160 --> 01:06:38,720
Speaker 1: they're like thousands of people on the beach because it

1225
01:06:38,800 --> 01:06:42,560
Speaker 1: was like hot, no a c there was nothing to do. Yeah,

1226
01:06:42,600 --> 01:06:45,000
Speaker 1: there was no TikTok. I love that. I love when

1227
01:06:45,120 --> 01:06:49,640
Speaker 1: you when one time when I was at Daniel Boone's home,

1228
01:06:49,960 --> 01:06:51,760
Speaker 1: like touring it with my parents on some kind of

1229
01:06:51,840 --> 01:06:54,640
Speaker 1: road trip. The one was like, well Daniel Boone didn't

1230
01:06:54,680 --> 01:06:58,760
Speaker 1: have Nintendo, now did he? He didn't have TV. So

1231
01:06:58,840 --> 01:07:01,320
Speaker 1: she went through every technology he didn't have to really

1232
01:07:01,360 --> 01:07:04,080
Speaker 1: like drive it home. We were like, okay, we get it.

1233
01:07:04,160 --> 01:07:07,000
Speaker 1: Well again, I did a I did a report on Daniel.

1234
01:07:07,080 --> 01:07:09,560
Speaker 1: That's a weird Daniel Boone, like where you remember you

1235
01:07:09,760 --> 01:07:11,400
Speaker 1: pretend to be Did you ever have to do something

1236
01:07:11,400 --> 01:07:15,520
Speaker 1: where you have to be frozen all day? As that

1237
01:07:15,800 --> 01:07:23,880
Speaker 1: so that my uncle made me like frozen, and no

1238
01:07:24,000 --> 01:07:25,440
Speaker 1: I did. I had to wear one of those the

1239
01:07:25,520 --> 01:07:28,040
Speaker 1: raccoon hats or whatever. That's cool, And I was a

1240
01:07:28,120 --> 01:07:31,920
Speaker 1: Daniel Boon for a day. Should you were frozen? Didn't

1241
01:07:31,920 --> 01:07:33,920
Speaker 1: fight in Texas? Yeah, you just had to stayd He

1242
01:07:34,000 --> 01:07:36,240
Speaker 1: was a frontiersman, I believe. I don't really remember. I

1243
01:07:36,240 --> 01:07:39,000
Speaker 1: know we didn't play to Nintendo my bottom one. I

1244
01:07:39,040 --> 01:07:41,240
Speaker 1: know it's at the time it was great, but it

1245
01:07:41,320 --> 01:07:43,959
Speaker 1: wasn't that. The tape player, I guess at the time

1246
01:07:44,080 --> 01:07:49,040
Speaker 1: was great, but now like VCR, no like tapes like yeah,

1247
01:07:49,440 --> 01:07:54,600
Speaker 1: I just I just remember so cute now how like um,

1248
01:07:54,640 --> 01:07:57,160
Speaker 1: Because I didn't take care of my things, I wouldn't

1249
01:07:57,200 --> 01:08:00,200
Speaker 1: put it the tape, the ship would always come out

1250
01:08:00,200 --> 01:08:02,120
Speaker 1: and I have to rewind it in with a pencil

1251
01:08:02,200 --> 01:08:03,720
Speaker 1: and I never did it well, and then the music

1252
01:08:03,760 --> 01:08:06,400
Speaker 1: wouldn't sound good. And then you have to go through

1253
01:08:06,440 --> 01:08:08,880
Speaker 1: fifteen songs to find one song because it didn't tell

1254
01:08:08,920 --> 01:08:11,800
Speaker 1: you figure out where you were in a tape. Yeah,

1255
01:08:11,960 --> 01:08:13,720
Speaker 1: but you know what I do like about a tape player.

1256
01:08:13,760 --> 01:08:17,000
Speaker 1: I do like I missed the sound of plastic closing

1257
01:08:17,320 --> 01:08:21,479
Speaker 1: like that, like that just that like she is working

1258
01:08:21,600 --> 01:08:25,320
Speaker 1: or like even I'm a multiple disc player, like an

1259
01:08:25,360 --> 01:08:27,000
Speaker 1: old CD player that would do like five and be

1260
01:08:27,040 --> 01:08:39,960
Speaker 1: like eem it was so good. And remember when you

1261
01:08:40,000 --> 01:08:42,960
Speaker 1: go remember when we go into the old theaters and

1262
01:08:43,200 --> 01:08:46,000
Speaker 1: they have those like I mean that's before our time,

1263
01:08:46,040 --> 01:08:48,720
Speaker 1: but like you have to be really strong to like

1264
01:08:48,800 --> 01:08:53,360
Speaker 1: work in electronics and everything like was like you're like

1265
01:08:53,400 --> 01:08:58,280
Speaker 1: the big metal like like bars like projector pluck with

1266
01:08:58,320 --> 01:09:00,800
Speaker 1: the lights and everything. You were seen that in the

1267
01:09:00,840 --> 01:09:04,120
Speaker 1: back of the theaters, like the old school things that

1268
01:09:04,640 --> 01:09:07,400
Speaker 1: teenager press and play. That's what it was. Are you

1269
01:09:07,520 --> 01:09:13,480
Speaker 1: talking about like for theatrical productions or for films theatrical productions?

1270
01:09:13,520 --> 01:09:16,080
Speaker 1: Oh yeah, he's talking about like lights and the whole

1271
01:09:18,439 --> 01:09:23,799
Speaker 1: just like every sounds yeah too, everything's quiet now, everything silent.

1272
01:09:23,880 --> 01:09:29,280
Speaker 1: I do like keyboard sounds out satisfying. Top one, Top one.

1273
01:09:31,120 --> 01:09:33,439
Speaker 1: I want to switch my answers now. I think speaking

1274
01:09:33,520 --> 01:09:36,320
Speaker 1: spell was the top thing ever and my worst thing

1275
01:09:36,360 --> 01:09:40,000
Speaker 1: has disposable cameras. But I can't decide if I'm not.

1276
01:09:41,439 --> 01:09:44,479
Speaker 1: I love the wine, the sound of the wind, and

1277
01:09:44,520 --> 01:09:46,760
Speaker 1: the sound of the when you would turn on the

1278
01:09:46,760 --> 01:09:50,400
Speaker 1: flash and go like like a hyper sound that your

1279
01:09:50,439 --> 01:09:52,680
Speaker 1: dog can be here. So good at these things. I

1280
01:09:52,720 --> 01:09:55,320
Speaker 1: forgot about that. And the click when you hit the

1281
01:09:55,400 --> 01:09:58,880
Speaker 1: thing it's like and then you would only you would

1282
01:09:58,920 --> 01:10:01,280
Speaker 1: see it, like the number, or when you didn't when

1283
01:10:01,280 --> 01:10:03,640
Speaker 1: you had like four left, but that last sometimes you

1284
01:10:03,640 --> 01:10:07,360
Speaker 1: would be like, do I have one lad? And then

1285
01:10:07,360 --> 01:10:11,400
Speaker 1: you would know what it wouldn't stop binding and like walgreens.

1286
01:10:11,439 --> 01:10:13,439
Speaker 1: And then a week later you had your memories and

1287
01:10:13,520 --> 01:10:16,760
Speaker 1: a envelope and it was about three good pictures and

1288
01:10:16,760 --> 01:10:20,760
Speaker 1: the rest were just nightmare, just like like you were

1289
01:10:20,760 --> 01:10:26,720
Speaker 1: taking pictures of space. It was trying to take a

1290
01:10:26,760 --> 01:10:31,960
Speaker 1: photo of the moon now with our phones. Oh my god. Yes, um, yeah,

1291
01:10:31,960 --> 01:10:34,120
Speaker 1: I got nostalgic for it because I saw a picture

1292
01:10:34,160 --> 01:10:38,000
Speaker 1: of Kate Moss and Pete Doherty or Dockerty or however

1293
01:10:38,000 --> 01:10:39,800
Speaker 1: you say his name from the Libertines and they were

1294
01:10:39,840 --> 01:10:43,800
Speaker 1: walking around like fifteen years ago and she's clutching a

1295
01:10:43,880 --> 01:10:47,280
Speaker 1: packet of cigarettes and a digital camera or a disposable

1296
01:10:47,320 --> 01:10:50,840
Speaker 1: camera nineties, and it was probably twenty five years ago.

1297
01:10:51,920 --> 01:10:56,080
Speaker 1: Yeah right, yeah, I know everything we have to you

1298
01:10:56,120 --> 01:10:59,400
Speaker 1: have to update all of Like I recently realized I

1299
01:10:59,439 --> 01:11:01,880
Speaker 1: had to update my like ten years ago. I need

1300
01:11:01,880 --> 01:11:04,360
Speaker 1: to just go it's it's probably fifteen and now my

1301
01:11:04,520 --> 01:11:07,360
Speaker 1: fifteen is now twenty about every so often you've got

1302
01:11:07,360 --> 01:11:10,720
Speaker 1: to make that updates. Angry is when people go, do

1303
01:11:10,800 --> 01:11:15,040
Speaker 1: you know that nineteen was closer than nineteen eighty than

1304
01:11:15,120 --> 01:11:17,840
Speaker 1: we are now? And I'm like, fuck you, dude, I

1305
01:11:17,880 --> 01:11:23,400
Speaker 1: don't because it does tomorrow. I know. I know. That

1306
01:11:23,439 --> 01:11:26,320
Speaker 1: really bothers me too. I thought you were going to say,

1307
01:11:26,320 --> 01:11:31,360
Speaker 1: like who cares? But the thing is really significant is

1308
01:11:31,439 --> 01:11:40,120
Speaker 1: closed like Woodstock was closer to nineteen, Like there's things

1309
01:11:40,160 --> 01:11:46,439
Speaker 1: that like nineteen sixty nine was closer to today would

1310
01:11:46,479 --> 01:11:51,760
Speaker 1: be to nineteen. So whatever, Yeah, obviously whatever, whatever forty years.

1311
01:11:52,200 --> 01:11:54,640
Speaker 1: That's the point is in nineties, you would look at

1312
01:11:54,640 --> 01:11:57,280
Speaker 1: the sixties like whoa way back then, But now the

1313
01:11:57,360 --> 01:12:00,599
Speaker 1: nineties are what the sixties were to that time to us,

1314
01:12:00,680 --> 01:12:03,120
Speaker 1: and it's like, oh my god, the sixties and the

1315
01:12:03,200 --> 01:12:06,880
Speaker 1: nineties was like a century ago, and now the nineties

1316
01:12:07,240 --> 01:12:11,120
Speaker 1: to us. About World War Two in the nineties that

1317
01:12:11,160 --> 01:12:15,439
Speaker 1: would be about like kids learning about the first Iraqi War.

1318
01:12:15,600 --> 01:12:20,160
Speaker 1: Now like that's how that's fucking weird. Anyways, al Right,

1319
01:12:20,240 --> 01:12:24,200
Speaker 1: my number one thing is the high school or middle

1320
01:12:24,200 --> 01:12:31,120
Speaker 1: school or you know whatever school um projector screen they'd

1321
01:12:31,200 --> 01:12:33,720
Speaker 1: roll that out that lights would come down. I would

1322
01:12:33,760 --> 01:12:36,200
Speaker 1: get a s MR. I would almost fall asleep every

1323
01:12:36,200 --> 01:12:38,040
Speaker 1: single time. I would be having to fight sleeping the

1324
01:12:38,160 --> 01:12:40,479
Speaker 1: entire time. But then the pens would come out, and

1325
01:12:40,520 --> 01:12:42,680
Speaker 1: sometimes the pens would be terrible. But when there's a

1326
01:12:42,680 --> 01:12:45,000
Speaker 1: fresh batch of pens, and the way they would write

1327
01:12:45,000 --> 01:12:46,800
Speaker 1: on that thing, and the way that you could watch

1328
01:12:46,840 --> 01:12:50,320
Speaker 1: your teacher's handwriting, which was very exciting. There's just something

1329
01:12:50,400 --> 01:12:53,479
Speaker 1: so soothing about that. I miss it so much. And yeah,

1330
01:12:53,560 --> 01:12:55,920
Speaker 1: that was my probably favorite technology a lot of times

1331
01:12:55,920 --> 01:12:58,000
Speaker 1: when that came out. That's probably going to be a

1332
01:12:58,040 --> 01:12:59,920
Speaker 1: substitute teacher. And you know, you don't have to fight,

1333
01:13:00,040 --> 01:13:02,439
Speaker 1: can listen to really do anything. Yeah, because they can't

1334
01:13:02,479 --> 01:13:05,320
Speaker 1: call on you in the dark. It's like you're protected

1335
01:13:05,760 --> 01:13:07,280
Speaker 1: in the dark. No one's going to bully you in

1336
01:13:07,280 --> 01:13:09,680
Speaker 1: the dark, Like it's it's you in your room when

1337
01:13:09,720 --> 01:13:13,719
Speaker 1: it's seventy degrees when you would get dark in the room,

1338
01:13:13,760 --> 01:13:15,679
Speaker 1: and then the projector and then the sound of the pens.

1339
01:13:15,720 --> 01:13:19,880
Speaker 1: It was all very a smr chalk to I love choco.

1340
01:13:19,920 --> 01:13:23,000
Speaker 1: Though I was a lefty, I'd get chalk on my hand,

1341
01:13:23,360 --> 01:13:27,320
Speaker 1: you know. I just make you a gymnast. Yeah, it's

1342
01:13:27,320 --> 01:13:29,960
Speaker 1: like a little gymnast that never quit. My top one

1343
01:13:30,040 --> 01:13:34,040
Speaker 1: would be, Um, I think home phone when we just

1344
01:13:34,120 --> 01:13:37,880
Speaker 1: had home phones, because then you could get away. You

1345
01:13:37,920 --> 01:13:40,720
Speaker 1: could just say hey, I wasn't home, Like sorry, I

1346
01:13:40,840 --> 01:13:44,679
Speaker 1: couldn't like there was the easiest excuse ever to get

1347
01:13:44,680 --> 01:13:46,960
Speaker 1: out of anything. But if you I was thinking about that,

1348
01:13:47,760 --> 01:13:50,760
Speaker 1: you wouldn't give up. How convenient it is to get

1349
01:13:50,760 --> 01:13:54,519
Speaker 1: in touch with someone now for the ability to not

1350
01:13:55,200 --> 01:13:57,760
Speaker 1: to dodge someone, and there was answering machine. I was

1351
01:13:57,800 --> 01:14:01,000
Speaker 1: also thinking, I did more stalkers drive by your house

1352
01:14:01,760 --> 01:14:03,880
Speaker 1: to check to see if you're a home Yes, but

1353
01:14:03,920 --> 01:14:07,040
Speaker 1: they can find you now pretty easy too, because everything's

1354
01:14:07,040 --> 01:14:10,639
Speaker 1: so connected. So what's scarier the fact that they could

1355
01:14:11,120 --> 01:14:14,599
Speaker 1: get to you now because your locations everywhere, or back

1356
01:14:14,600 --> 01:14:17,120
Speaker 1: then when they could just drive your house, you know

1357
01:14:17,160 --> 01:14:18,920
Speaker 1: what I mean, or when they had to drive by

1358
01:14:19,280 --> 01:14:21,680
Speaker 1: where they had to drive they can just happen to

1359
01:14:21,720 --> 01:14:25,160
Speaker 1: your ring camera. Um, no ah, real quick, what's your favorite.

1360
01:14:26,120 --> 01:14:29,639
Speaker 1: My favorite is actually uh Andrew's bottom, which is the

1361
01:14:29,720 --> 01:14:34,040
Speaker 1: tape recorder the like, especially when it became portable, because

1362
01:14:34,080 --> 01:14:36,320
Speaker 1: my friend and I we would take that thing everywhere

1363
01:14:36,720 --> 01:14:40,160
Speaker 1: and we would record these like documentaries, and then every

1364
01:14:40,200 --> 01:14:42,400
Speaker 1: year we would go back and listen to them and like,

1365
01:14:42,840 --> 01:14:47,360
Speaker 1: hear how tiny our voices sounded, and just remember conspiracies

1366
01:14:47,360 --> 01:14:50,040
Speaker 1: from school, or we would pretend to do talk shows

1367
01:14:50,080 --> 01:14:54,760
Speaker 1: on them and stuff. So your Wow, yeah, you were

1368
01:14:54,800 --> 01:14:59,800
Speaker 1: a podcasting broadcaster. Oh my god, do you have those sense?

1369
01:15:00,040 --> 01:15:02,080
Speaker 1: You gotta play him? I mean I have, but I

1370
01:15:02,080 --> 01:15:06,439
Speaker 1: don't have a tape player. Can't find a tape player anywhere. Um.

1371
01:15:07,080 --> 01:15:08,840
Speaker 1: My favorite toy as a kid, it reminded me of

1372
01:15:08,920 --> 01:15:11,320
Speaker 1: that was the yak back and you could talk into

1373
01:15:11,320 --> 01:15:13,360
Speaker 1: it and then it would do it backwards and you

1374
01:15:13,360 --> 01:15:15,280
Speaker 1: could learn how to say things backwards, and then you

1375
01:15:15,280 --> 01:15:17,000
Speaker 1: would say it backwards and then play backwards and it

1376
01:15:17,040 --> 01:15:19,280
Speaker 1: would sound I still know how to say my name

1377
01:15:19,360 --> 01:15:24,519
Speaker 1: backwards or as lag e can or as lag egan

1378
01:15:25,600 --> 01:15:29,960
Speaker 1: or leg become a millionaire? You think that ya back? No,

1379
01:15:30,080 --> 01:15:32,960
Speaker 1: because they're not still around. Yeah, what a weird invention.

1380
01:15:33,120 --> 01:15:35,080
Speaker 1: They were awesome. I'm sure there's some kind of app

1381
01:15:35,120 --> 01:15:38,520
Speaker 1: that does the same thing. But they were so fund

1382
01:15:38,560 --> 01:15:45,840
Speaker 1: of the signing off know, because you would have It's

1383
01:15:46,160 --> 01:15:48,559
Speaker 1: it's not just like reading them backwards, you know. It's

1384
01:15:48,560 --> 01:15:52,519
Speaker 1: like the sound anywhere and yeah, wait is an yours?

1385
01:15:53,280 --> 01:15:56,080
Speaker 1: I just made it up. It sounds like that sounds

1386
01:15:56,080 --> 01:16:00,879
Speaker 1: pretty close. I think there's someone that can actually app nidlock.

1387
01:16:00,960 --> 01:16:06,280
Speaker 1: We're because Colin. If you're taking Collin, it would be

1388
01:16:08,760 --> 01:16:11,200
Speaker 1: that's how you say it backwards, if you're reading it backwards.

1389
01:16:11,400 --> 01:16:13,880
Speaker 1: But the sound is a lot different than what you

1390
01:16:13,880 --> 01:16:17,800
Speaker 1: would be reading because rez Lag is not it was

1391
01:16:17,880 --> 01:16:21,080
Speaker 1: LaGG Agan, it was something. It sounds like an alien talking.

1392
01:16:21,160 --> 01:16:22,800
Speaker 1: It's so weird. All right, we gotta go. Thank you

1393
01:16:22,800 --> 01:16:24,639
Speaker 1: guys for listening to the show. We'll be back tomorrow

1394
01:16:24,640 --> 01:16:26,960
Speaker 1: with more show. We're back, Baby, we're back. Thank you

1395
01:16:27,000 --> 01:16:29,599
Speaker 1: so much, Annia for being here. Uh, don't be cool.

1396
01:16:29,760 --> 01:16:37,559
Speaker 1: And Jack, you're doing Jack backwards, Jack back