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Speaker 1: And this drink Chas motherfucking podcast. He's a legendary queen's rapper.

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Speaker 1: He's agree that's your boy in the or he's a

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Speaker 1: Miami hip hop pioneer up his d J e f N.

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Speaker 1: Together they drink it up with some of the biggest

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Speaker 1: players in the most professional, unprofessional podcast, and yet number

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Speaker 1: one source were drunk back drinkes. Mother is New Year's

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Speaker 1: Z That's time for drink Champ trick up for the

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Speaker 1: We had this thing where we wanted to represent ourselves

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Speaker 1: lyrically out of Miami. I just wanted to see and

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Speaker 1: face to face and let him know you're slim stopped

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Speaker 1: playing with me for the nor move. I said, yok,

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Speaker 1: you know, let's do this. So he took control over

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Speaker 1: all the studios and Electric labels so that the Warner

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Speaker 1: brother people could be listening to all these different tracks.

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Speaker 1: What I appreciate growing up in Florida, especially Miami, we

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Speaker 1: respected every area cold when it comes to music. All

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Speaker 1: of the windows was broken, the doors dripped off the hinges.

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Speaker 1: So I'm outside waiting and sticks his head out of

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Speaker 1: one of the broken windows, which I was like, yo,

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Speaker 1: nig you move, you gonna get yourself. I feel like

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Speaker 1: the hip hop scene and billy was created off of

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Speaker 1: what we thought it was in New York. Fucking product.

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Speaker 1: You want to drink? This thing has gotta budet. I

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Speaker 1: heard you. I just want to get money with yo.

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Speaker 1: What it good be? Holies? What sup? This is your boy?

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Speaker 1: And o R? What up is DJ E Fens and

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Speaker 1: this militated crazy walk crazy drink? Hey y'all, don't step

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Speaker 1: y'all little dame. That last time I was here a

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Speaker 1: little unconfortable and one camera one came little stool. Remember

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Speaker 1: I'm telling the video man, all right, you ready? Now?

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Speaker 1: An't time to my sleep? Kind of I need to

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Speaker 1: be like I want to be like, Yeah, we'll make

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Speaker 1: some looks. Watch let's what's the name of the award?

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Speaker 1: The National Film and Television A television A war but

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Speaker 1: in to drink Champs fashion. We're seeing one of our

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Speaker 1: friends to go pick up the war. We don't think

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Speaker 1: we're gonna win. By the way, we get a Saturday

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Speaker 1: night lost, so we didn't think we're gonna win. So

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Speaker 1: we're sitting our home jim Jimmy Kimbers against and our Holmie.

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Speaker 1: I'll try to know and our Homie actually goes there,

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Speaker 1: gets the award, and in to drink champs fashion, he

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Speaker 1: breaks the award getting into his uba. So he sent

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Speaker 1: the award to us. This is true drink championship, right man.

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Speaker 1: But no, it's not good ship you finish. Here's one

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Speaker 1: part of it. Here's the part that said national film

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Speaker 1: achieving broken. Right man, he's a party. I got it,

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Speaker 1: I got one. Who is it? Prince? I arrested these

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Speaker 1: prince as soon as you said princes. Everything got percouted

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Speaker 1: me right here. I'm just yeah, your story Now, I

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Speaker 1: don't know did he answered the phone, because I felt

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Speaker 1: like he answered like, hello, I'm checking. Prince friend was

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Speaker 1: low like hello, Okay, I saw it him because he

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Speaker 1: came to my UM I am album released party and

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Speaker 1: no Princess Prince. So was he flowing? He was? Okay?

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Speaker 1: He was, he was, and he had this bad joint

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Speaker 1: with him and I was like, yo, and then from

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Speaker 1: the last Dragon and I just you know, I said it.

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Speaker 1: I said it. I pulled the Nory move. I said, yo, look,

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Speaker 1: you know, let's do this say this song. And he

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Speaker 1: was like, you know, do you on your masters? So

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Speaker 1: when we get to to the session, we get the

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Speaker 1: session is set in stone. But when I get there,

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Speaker 1: like Quest is telling me like, yo, I'm sorry, I'm

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Speaker 1: like sorry about what? Like Yo, the session is still going,

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Speaker 1: but you know the God is here. I'm like, what

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Speaker 1: you mean to God? He's like Princess here. At the time,

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Speaker 1: Prince was in the studio and he was playing this

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Speaker 1: new album for Warners. Now this is I guess after

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Speaker 1: the whole Slave thing. I think he was back on

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Speaker 1: track with Warner Brothers and he had this new album

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Speaker 1: that Yeah, so he took control over all the studios

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Speaker 1: and Electric Lady so that the Warner brother people could

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Speaker 1: be listening to all these different tracks. I'm a Prince fan,

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Speaker 1: but as a man, I was fucking pissed. Basically, everybody

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Speaker 1: had a cousin that was from the Bronx, which everybody

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Speaker 1: probably lies cool with Flash or hurt Um, but it

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Speaker 1: was just like you would get these tapes. There would

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Speaker 1: be a hundred generation tapes of Tea Connection and the Fever,

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Speaker 1: and you would basically imagine what these parties were like.

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Speaker 1: You know, to me, it was thousands of people in

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Speaker 1: these parties and there was massive sound systems, and those

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Speaker 1: parties could have been in the room like this, but

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Speaker 1: it was just what you got and what you imagine.

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Speaker 1: But that that was it, you know, we um. I

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Speaker 1: feel like the hip hop scene in Philly was create

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Speaker 1: ate it off of what we thought it was in

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Speaker 1: New York. And I was going doing interviews for my

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Speaker 1: first and second album. The only two record from the

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Speaker 1: Songsball getting played on the radio was Juvenile hun you

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Speaker 1: Don't Know Now and Master P make him say uh,

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Speaker 1: and I think the who I think the baddest thing

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Speaker 1: ever came out of New York. M No disrespect the

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Speaker 1: Biggie or jay Z. They better never forget Dr Mix,

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Speaker 1: never forget so Dr Zeus. Chad Elliott goes, Yoe, you

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Speaker 1: like that all that hip hop? You know, because I'm

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Speaker 1: hip hop like, I can't help it. I love hip

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Speaker 1: hop and he identified it. He said, you should funk

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Speaker 1: with these guys up in Yonkers and Riders hadn't heard

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Speaker 1: of no He so he said, when we get off

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Speaker 1: the toll, I'm gonna plug you with why in this

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Speaker 1: rapper nicker named d M Max So he does that.

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Speaker 1: I go to fucking yak Is to meet them. The

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Speaker 1: first time I met he was in the Fun Up Projects.

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Speaker 1: I don't know if it was called slow burn or

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Speaker 1: whatever the projects up they called, but there was more

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Speaker 1: fucked up, like like when I went up there, it

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Speaker 1: was different from like left Frack or whatever it was.

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Speaker 1: It was like it felt like a country. You stay here,

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Speaker 1: niggas and don't move. So all of the windows was broken,

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Speaker 1: the doors dripped off the hinges. So I'm outside waiting

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Speaker 1: and sticks his head out of one of the broken windows,

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Speaker 1: which is I was like, yo, nigga, you move yourself. Yeah,

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Speaker 1: So I'm waiting sitting there, wait and you just see

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Speaker 1: X well, I mean out of second I was. But

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Speaker 1: he could cut himself easily, you know what I'm saying.

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Speaker 1: And I met him and why and they brought me

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Speaker 1: an MPC sixty and was like, you know, produce, I

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Speaker 1: just had some ship on my chest. Okay, well it

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Speaker 1: was shot him man, Okay, okay, damn Charlemagne. I just

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Speaker 1: wanted to see and face to face and let him know,

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Speaker 1: you're slip. Stop playing with me. Respect me. You're disrespecting

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Speaker 1: my name. You're playing with me up here right, let's

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Speaker 1: respect on his name. We got respect on your name

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Speaker 1: over here that we got this name. So did you

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Speaker 1: know that was the most viewed, like, um, two minutes

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Speaker 1: and how viral that? Yeah, that was that was vil

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Speaker 1: That was vil like And I can tell you just

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Speaker 1: trying to keep you a composure. You know, you know

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Speaker 1: you can't trying to like nig have a nigga behind

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Speaker 1: the wall. But but you haven't talked to the media

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Speaker 1: since that's real ship you sat down with us. Try

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Speaker 1: not to, but you know, you a different culture. Bron

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Speaker 1: Queens was having a hard time right where NAS came

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Speaker 1: out with All Mattic. For those couple of years, it

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Speaker 1: was like it was cool because people it was like

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Speaker 1: we pooled ourselves. Listen, this is all new news to me.

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Speaker 1: I didn't know I had to get a coach, Sanna.

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Speaker 1: I've been telling niggas for years. Yeah, I just because

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Speaker 1: if big white Man offered me a million hours. You

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Speaker 1: don't know me how much you think I'm working so

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Speaker 1: in order for rapp or hip hop to grow and

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Speaker 1: had to grow outside of its for media base, right

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Speaker 1: and for it to get that big. It's now all inclusive.

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Speaker 1: So when you first heard hustling, every day I'm hustling,

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Speaker 1: and every day I'm hustling. Flattered, I get this. This

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Speaker 1: vand this piece of crap jump ye over and a

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Speaker 1: fifteen passenger and I stopped running up and down Guy

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Speaker 1: are Brew of Merrick Boulevard and Rockaway picking up people

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Speaker 1: for dollar the dollar. DrAk Arrest as a leader, he's

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Speaker 1: he's one of my favorite rappers ever. So when I

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Speaker 1: first when I was putting out the Automatic, it was

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Speaker 1: like almost two show k Arrest one. It was almost

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Speaker 1: that was part of my drive because I had to

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Speaker 1: because of what he had done, So I had to.

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Speaker 1: It was part of it was like, yo, look, Caress

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Speaker 1: were here, so you know, he's one of my favorites ever.

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Speaker 1: But never mind saying that it changed the course of

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Speaker 1: Queens or whatever changed the course of hip hop period.

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Speaker 1: It's like, did you even imagine that you would just changed,

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Speaker 1: like the evolution of hip hop, because it, to me,

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Speaker 1: it changed. It was a new era in hip hop

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Speaker 1: when Thematic came out. Yeah yeah, yeah. I mean we

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Speaker 1: had rock Him and we had we had lyrics, but

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Speaker 1: it just it felt different after Atmatic, I feel you,

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Speaker 1: it was like I had to represent. It was like

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Speaker 1: like Norri said that the pressure was on the Borough

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Speaker 1: and my projects, so it was like and then just

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Speaker 1: getting in the game. You had to have something to say.

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Speaker 1: So I definitely had to push it. Push it's the

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Speaker 1: penning hard because it's not. They never flew. They offered

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Speaker 1: me a deal with Jimmy Bean with a million dollars deal. Wow,

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Speaker 1: because he was already back in interscope already. Yeah, because

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Speaker 1: so this is the beginning. That was. That was the beginning.

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Speaker 1: They had Sugar and Puffy at that time. They say,

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Speaker 1: if you signed this deal with us, then we'll have

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Speaker 1: the South. We had the streets and I was in

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Speaker 1: there with s men seat. You know, she would like

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Speaker 1: take the million dollars. Yeah, my brother say take the

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Speaker 1: million dollars. I say, no, man, I'm gonna go get

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Speaker 1: some lunch. I told. I told Jimmy, I'm gonna get

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Speaker 1: some lunch. I come back. He said, if you don't

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Speaker 1: come back, you'll never get a deal in this time.

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Speaker 1: So I left me and See on the plane about

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Speaker 1: to fight. Were on Southwest Airlines. I ain't got no

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Speaker 1: what did you eat for lunch? You even pe Nutson

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Speaker 1: in the coach. You know what I'm saying, I'm next,

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Speaker 1: I'm next to seeing He he mad, because you want

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Speaker 1: to take the money, and it's gonna You know what

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Speaker 1: I'm saying. I'm like, bro, if this white man offered

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Speaker 1: me a million, is he don't know me? How much

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Speaker 1: you think I'm working? You know what I'm saying. And

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Speaker 1: that's that's when we just got quiet and said, man,

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Speaker 1: it's going back to the project and do what we

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Speaker 1: gotta new. And I just start selling CDs like the

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Speaker 1: Trunk of My Car. You want you to do MTV CRIZ.

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Speaker 1: I was like, all right, cool. They say, yo, we

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Speaker 1: we got a house that we would like to put

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Speaker 1: you and I was like, oh work, And I had

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Speaker 1: to think about that ship. My my brand was on

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Speaker 1: the line. And other time, how many goal albums you happen?

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Speaker 1: At this time, I think I had like four albums.

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Speaker 1: But just in the midst of that decision I had

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Speaker 1: to make a real, real executive decision on that uh

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Speaker 1: on that answer, And I said, you know what, now

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Speaker 1: I don't want to rent a house. I want you

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Speaker 1: all to come to my house. And they don't have

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Speaker 1: no idea where the funk they was coming to? Now

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Speaker 1: where was this house? That this house was a stat

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Speaker 1: neller And see what happened with no no, it was

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Speaker 1: this was like a real estate project. I was doing

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Speaker 1: this ship. So this was like my first little real

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Speaker 1: estate ship. I was like, I'm fixing, but I get

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Speaker 1: there staring and the because I had nowhere to go

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Speaker 1: true story and ship. Yeah yeah, I end up living that.

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Speaker 1: I didn't know where to go. So so these motherfuckers

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Speaker 1: showed up like a half hour early, trying to be

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Speaker 1: all cocky and ship at my door, you know, half

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Speaker 1: hour early, and they they came in my ship. It

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Speaker 1: was like, damn, this is where you're staying there for real.

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Speaker 1: I was like, yeah, this is where we're shooting that

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Speaker 1: for real. What what do you? What do you? What

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Speaker 1: do your stance on a culture vot? I never really

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Speaker 1: thought about I hate the word throwing around a lot,

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Speaker 1: but I never really gave it thought or what it

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Speaker 1: meant or this and that. Truthfully, you know what I mean.

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Speaker 1: There's so many people have different definitions for it. Um.

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Speaker 1: I mean, I don't really look at it or say

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Speaker 1: this person is a part of stealing the culture or

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Speaker 1: doing this to the culture, this and that. To me,

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Speaker 1: if the culture it's a match culture right now. So

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Speaker 1: in order for rap or hip hop to grow and

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Speaker 1: had to grow outside of it's a media base right,

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Speaker 1: and for it to get that big, it's now all inclusive. Right,

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Speaker 1: there's skating, basketball, this sock like everybody listens to the music.

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Speaker 1: That's why I grew so big. So to me, it's

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Speaker 1: just mash culture right now. So if somebody's taking advantage,

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Speaker 1: I don't think it's a color thing. It could be

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Speaker 1: a black person or white person. If that's the case.

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Speaker 1: To say, if they're a culture vote, you're not. Yeah,

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Speaker 1: that's true. What do you what do you think about

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Speaker 1: that word? I mean, I agree with what you're saying.

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Speaker 1: I think it's just complicated, like it's just who determines

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Speaker 1: who is the cultural vote, right, because I mean you

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Speaker 1: have to go into that person history where they come from.

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Speaker 1: You don't know what their life entails that that makes

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Speaker 1: them a part of the culture or not. Right, that's true.

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Speaker 1: I mean it's true what you're thinking, or I have

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Speaker 1: no idea to tell you the truth. Because, um, if

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Speaker 1: a person comes from outside of our culture quote unquote,

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Speaker 1: and and it's just as dedicated as me, then I

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Speaker 1: gotta I gotta show some love, like as a person

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Speaker 1: kind of made me. You know, I don't want to

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Speaker 1: say because I don't want to like selfish myself out

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Speaker 1: and say like, well, if a person made me a

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Speaker 1: certain amount of money or put me in the position,

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Speaker 1: then you know, how could it be a coaching moot?

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Speaker 1: I just don't. I don't. I don't really get it.

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Speaker 1: I don't really know you know what I mean. So um,

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Speaker 1: I try to, but I'm trying to be enlightened, like

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Speaker 1: to even maybe maybe people have to differentiate business and culture.

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Speaker 1: That's where it gets money. Because if that's the case,

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Speaker 1: you you could be from you could be from reggae

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Speaker 1: thrown and coming and doing hip hop and that's desidered

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Speaker 1: you know, being a coaching vot. It's a gap, commercial gap,

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Speaker 1: but it's good, right is that the first like and

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Speaker 1: he said in it for us by us on the moat?

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Speaker 1: So it was that the first time like foodbull got

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Speaker 1: national recognition. We had already had a little bit of

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Speaker 1: national recognition because I think a couple of people of

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Speaker 1: warning on their videos videos um you said, odib Mr

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Speaker 1: Jones okay okay um who else method Man and a

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Speaker 1: couple of people already wanted brand Nubian. So so they

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Speaker 1: had already when they wore an ice cream video and

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Speaker 1: a lot of a couple of other things. And I

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Speaker 1: think l A Warden the Hey Love video, He's sitting

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Speaker 1: on the rock and queens. So when you first heard

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Speaker 1: hustling every day, I'm hustling every day. I'm hustling flattered, flattered,

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Speaker 1: and hot. You said that's hot, he said, okay, alright, cool,

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Speaker 1: flattering and flatter at the same time. So I don't

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Speaker 1: really know how to feel about this thing that's dope.

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Speaker 1: So I get on the phone. I started calling people

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Speaker 1: in who know this story, you know, because I still

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Speaker 1: got my music. You know, I found Alcoholics while I

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Speaker 1: was in prison. But wait, the group the Alcoholics, Yeah,

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Speaker 1: it's got signed. Wait hold on, because your baby's go backwards?

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Speaker 1: How did you go out with that? Whoa started like yoga?

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Speaker 1: Yeah started the backward? How did you start that? Um?

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Speaker 1: I love this name called Stop Sound. Uh as a DJ,

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Speaker 1: like I just want you know. My mother was from

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Speaker 1: the country Waynesburro, Georgia. She always was saying, my house,

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Speaker 1: you know you better like eat up everything in your plate,

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Speaker 1: like take that bread and stop up the syrup. So

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Speaker 1: Sound was like I was a DJ, blin all these

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Speaker 1: sounds and stop up all these sounds. The DJ. So

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Speaker 1: when I started back towards trying to be an MC.

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Speaker 1: I just turned everything backwards. Pass stop became past, you know,

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Speaker 1: sound became done. You know what I'm saying, God damn it.

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Speaker 1: I said it's gonna be no limit to my success.

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Speaker 1: I named myself master because I'm a master what I do.

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Speaker 1: But what's the difference between like Freeway taking the name,

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Speaker 1: Rick Ross taking the name because between them both they

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Speaker 1: got both of you. You know they're not the only ones.

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Speaker 1: We got Rich out of out of Kansas City, free Rich.

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Speaker 1: Oh you ain't never heard of rich? Damn? I told

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Speaker 1: that one went over my head. Rich Rich is hard Okay, Okay,

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Speaker 1: like Kansas City s Goyd Okay, the Bay Area I think,

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Speaker 1: I think, I think that hard. I go to Kansas City.

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Speaker 1: He set it out, but they set it out for you. Okay,

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Speaker 1: what was your first name? I see my first rap

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Speaker 1: name was empty Yahoo with the ball to being not good,

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Speaker 1: not good. But I knew it was, I saying, I

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Speaker 1: I c yeah, just I told you you had us

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Speaker 1: in You know what the are you talking about? That story?

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Speaker 1: Y'all out like a light switch, like a like switch.

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Speaker 1: Nobody was like Stephan Maulberry, who in the cloth with

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Speaker 1: all the at your feet, make you do the Paul

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Speaker 1: dash to affection. I got it made special, I got

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Speaker 1: it made start out the highest time. I'm not a

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Speaker 1: fort the reaking, but I'm speaking so that you know,

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Speaker 1: so I understand. I got to give the speech. So

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Speaker 1: it's the blessing. Listen to the teach Let me tell

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Speaker 1: you my first roup. I said, um, when I was six.

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Speaker 1: I don't give a funk because when I was six,

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Speaker 1: I did a stick up in my Tnker truck. Oh yeah,

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Speaker 1: that's one of my first. My ship was called down

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Speaker 1: with Me, Down with Me, it is what you need

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Speaker 1: to be chilling and cooler. If now you just hissed

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Speaker 1: the ring literally expression this because I'm the best thing.

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Speaker 1: I'm blowing over and then I'll blow you a kid away,

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Speaker 1: it would it had no choice but to be the

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Speaker 1: illest album because these three niggas would have been going

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Speaker 1: at each other, and they would have been in that

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Speaker 1: imagining that studio, in that Swiss beat to that guy.

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Speaker 1: He that beat is in his flaming. You know. Jay

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Speaker 1: would be over the concer because you don't write right,

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Speaker 1: so he's on X would be at the fucking ship

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Speaker 1: animated at the board jas over there because John stopped

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00:21:33,359 --> 00:21:35,399
Speaker 1: writing once he picked up the ship. He picked it

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Speaker 1: up from home and John would be over there and

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Speaker 1: trust me, they would have been spitting. Was going through it.

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Speaker 1: One night, one night I was in the studio with him.

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Speaker 1: He just got yeah, he's listen, didn't tell My first

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Speaker 1: experience was Jay, it's time to build the Maderantimo record.

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Speaker 1: And Jay's this staff because I'm letting X who done

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Speaker 1: his verse already, He's like, and this was my whole

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Speaker 1: life in the next like five seven years, Yo, you're

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Speaker 1: gonna you want extra clothes. And at that point in

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Speaker 1: hip hop, whoever closed. So I'm like, I like his energy,

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Speaker 1: peeling niggas caps like go oranges hit him in the

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Speaker 1: head with two performing ches. I'm a grimy niggas and

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Speaker 1: what like you know what I'm saying this niggas? I said, Yo,

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Speaker 1: I like his energy on it? Ja, Yo, stop the music.

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Speaker 1: You think he's better than me? I'll realize what I

354
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Speaker 1: dealt with with these three niggas, Yo, Yo, not got

355
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Speaker 1: your stop hold on? Do you think he's better than me?

356
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Speaker 1: This is Jay? And then Jay shipped on him. Do

357
00:22:53,080 --> 00:22:57,560
Speaker 1: you listening to this time to build funk. What the

358
00:22:57,640 --> 00:23:02,200
Speaker 1: next nigga done me? No? Preak wise, did you feel

359
00:23:02,240 --> 00:23:04,879
Speaker 1: it was better than I don't know why, but that

360
00:23:04,960 --> 00:23:09,080
Speaker 1: crescent came up so much like like like I would

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Speaker 1: imagine competition wise, you guys are true and see you

362
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Speaker 1: would feel you're better than the next one. To be

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Speaker 1: totally honest, I felt like we were. We also called

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Speaker 1: ourselves the X Men, you know what I mean, so

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Speaker 1: all of us collectively, Yeah, we we did. We did

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Speaker 1: a g Q photo spread as the X Men. And

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Speaker 1: I'm saying, um, and that's to say that everybody is

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Speaker 1: signified by their own special and unique power, you know.

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Speaker 1: Not break Away is like I was, I made up

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Speaker 1: some ship. I was, I was whoever and I was like,

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Speaker 1: you know, but I was powerful though now but not

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Speaker 1: so like it wasn't that kind of competition. We felt

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Speaker 1: like we were. We were supporting each other, like you

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Speaker 1: know what I mean, Like it was a real family

375
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Speaker 1: vibe Me and Drag all the way back to the

376
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Speaker 1: third grade, man, like we all a lot of us,

377
00:24:02,520 --> 00:24:04,440
Speaker 1: A few of us know each other longer, like that's

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Speaker 1: probably one of the longer relationships in the entire Dunget family.

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Speaker 1: But then again, I grew with Temo. He's a little

380
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Speaker 1: bit of us strewed over from me. And I'm saying,

381
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Speaker 1: like he's three years older than me. But you know,

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Speaker 1: he graduated with my sister, So I had always seen him,

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Speaker 1: you know, all my whole life, you know, but no,

384
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Speaker 1: man like, it was never that kind of competition. But

385
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Speaker 1: you know, I will say this for the record, killing

386
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Speaker 1: Mike if you're mentioning him and he's a he's a

387
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Speaker 1: real grade. I'm seeing my opinion and I'm saying, you're

388
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Speaker 1: feeling a lot of people's opinions. Great person over all around.

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Speaker 1: But um. He said in the g Q interview that

390
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Speaker 1: he thought I was the best side of the Dungeon family.

391
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Speaker 1: Did you know that? KP. Yeah, he said that. So

392
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Speaker 1: that's him. You're probably at the end of you ask him.

393
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Speaker 1: But I never thought like that. I just when I

394
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Speaker 1: think about family, when I think about crew, I just

395
00:24:44,280 --> 00:24:45,960
Speaker 1: come to play my position, you know what I'm saying,

396
00:24:46,000 --> 00:24:47,720
Speaker 1: Like you played to my strength, you know what I mean. Like,

397
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Speaker 1: so I'm just here to be a soldier for it.

398
00:24:49,840 --> 00:25:00,639
Speaker 1: That's it. But it's the same think it's a instore,

399
00:25:00,640 --> 00:25:02,600
Speaker 1: goddamn it. I just think you fiving in that field

400
00:25:02,680 --> 00:25:09,320
Speaker 1: jump and we just stuck with it, kept it. Goddamnit

401
00:25:09,440 --> 00:25:14,000
Speaker 1: got that you're still open up champaign but so so goddamn.

402
00:25:14,040 --> 00:25:16,120
Speaker 1: I don't wait to start. I told you stop. Dam

403
00:25:17,440 --> 00:25:20,439
Speaker 1: just a red man anyway, hold on, So I'm supposed

404
00:25:20,440 --> 00:25:22,840
Speaker 1: to take it, don't Yeah, yeah, yeah, I'm supposed to

405
00:25:22,840 --> 00:25:25,440
Speaker 1: take a drink, take a simple let me let me

406
00:25:25,480 --> 00:25:30,840
Speaker 1: pray about because I take a drinking. Champaign is cool.

407
00:25:30,880 --> 00:25:33,720
Speaker 1: It's cool. It's champaigne champagne. Do this for my niggers.

408
00:25:33,720 --> 00:25:54,639
Speaker 1: All right, that's like a little man. It's just we're

409
00:25:54,640 --> 00:25:56,920
Speaker 1: gonna do today. We start the way trip daddy. Goddamn it.

410
00:26:05,240 --> 00:26:09,159
Speaker 1: That didn't taste like et boody at all. Man, How

411
00:26:09,200 --> 00:26:27,040
Speaker 1: do you escape the bullshot? Okay, Solot terrible man, You're legend.

412
00:26:27,160 --> 00:26:28,920
Speaker 1: Thank you, gonna be so much to hip hop. We

413
00:26:28,960 --> 00:26:47,760
Speaker 1: want to tell you to your faith. It's always the

414
00:26:47,840 --> 00:26:51,760
Speaker 1: conversation was always good, The moments were always cool. Should

415
00:26:51,800 --> 00:26:55,840
Speaker 1: we make some lois for that? Like a week later,

416
00:26:56,000 --> 00:26:58,600
Speaker 1: Snoop Carming was like, hey, snapping you you know we're

417
00:26:58,680 --> 00:27:03,600
Speaker 1: using that as a single. I put it against well,

418
00:27:03,640 --> 00:27:05,200
Speaker 1: we didn't know who Jay was at the time. I

419
00:27:05,280 --> 00:27:08,800
Speaker 1: just put it up. If the deal had that went right,

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00:27:09,280 --> 00:27:14,000
Speaker 1: I would have been on end game. Anybody I ever

421
00:27:14,080 --> 00:27:19,040
Speaker 1: put in a movie or anybody I I ain't gonna

422
00:27:19,080 --> 00:27:22,159
Speaker 1: lie like every other day you were like Vegas or

423
00:27:22,280 --> 00:27:25,560
Speaker 1: somewhere like you you have a platinum agent or is

424
00:27:25,640 --> 00:27:28,800
Speaker 1: that is that? That is that your no, you gotta relax.

425
00:27:35,480 --> 00:27:37,920
Speaker 1: Was kind of really a collective. It was collective. It

426
00:27:38,000 --> 00:27:40,119
Speaker 1: was connective. So like it was, it was such a

427
00:27:40,200 --> 00:27:43,399
Speaker 1: strong entity and a strong presence of namesakeing the see that,

428
00:27:43,600 --> 00:27:45,560
Speaker 1: you know what I mean, Like it was natural for

429
00:27:45,600 --> 00:27:47,520
Speaker 1: everybody to kind of assume it, you know, like because

430
00:27:47,520 --> 00:27:50,920
Speaker 1: of the association, you know what I'm saying, um, you know,

431
00:27:50,960 --> 00:27:52,840
Speaker 1: and everybody was kind of coming from different places, you

432
00:27:52,880 --> 00:27:55,240
Speaker 1: know what I mean. Andre and Twine, like you know

433
00:27:56,040 --> 00:27:58,920
Speaker 1: Antoine is it's big Boy's real name. You know, we

434
00:27:59,000 --> 00:28:03,080
Speaker 1: went to school that let me, let me try to,

435
00:28:03,119 --> 00:28:05,119
Speaker 1: let me try to just pace myself. I'm excited to

436
00:28:05,160 --> 00:28:10,840
Speaker 1: be like you one of my favorite artist, you know.

437
00:28:11,720 --> 00:28:14,720
Speaker 1: And to me, that's dope, and that's coming from that's

438
00:28:14,760 --> 00:28:17,680
Speaker 1: coming from a legend. You know, that's dope. And to me,

439
00:28:18,000 --> 00:28:20,960
Speaker 1: that's the entire purpose of it. Because if you're not

440
00:28:21,119 --> 00:28:25,280
Speaker 1: gonna be here to do some great things here. You

441
00:28:25,320 --> 00:28:27,520
Speaker 1: know what I'm saying, Because if you're gonna be somebody

442
00:28:27,640 --> 00:28:31,080
Speaker 1: that's just kicking it and cool with niggas and getting

443
00:28:31,160 --> 00:28:35,800
Speaker 1: beach to do ship, just chill, just sit back, far back,

444
00:28:36,320 --> 00:28:39,360
Speaker 1: go hang out and check of burgers and self and

445
00:28:43,120 --> 00:28:46,000
Speaker 1: why not it's not please? Is this absolutely okay? And

446
00:28:46,120 --> 00:28:49,200
Speaker 1: so and so I think as you said, it came

447
00:28:49,240 --> 00:28:56,160
Speaker 1: to my mind. Yeah, so so then UM, a couple

448
00:28:56,160 --> 00:28:58,560
Speaker 1: of minutes later, Drake called me. You tell me, you

449
00:28:58,640 --> 00:29:00,960
Speaker 1: know he had echo sound you want to come through

450
00:29:01,160 --> 00:29:04,480
Speaker 1: you know see what you got? I think, I just

451
00:29:04,880 --> 00:29:06,440
Speaker 1: I think the phone was still in the air, and

452
00:29:06,520 --> 00:29:10,160
Speaker 1: when I was already at the door was already moving.

453
00:29:10,720 --> 00:29:14,239
Speaker 1: And so I ended up going to the studio. Uh.

454
00:29:14,400 --> 00:29:17,000
Speaker 1: It took me by fifteen minutes to write that, and

455
00:29:17,160 --> 00:29:19,920
Speaker 1: then UM, I laid it and then I shook his

456
00:29:20,040 --> 00:29:23,560
Speaker 1: hand and I thank you for the opportunity. I didn't

457
00:29:23,560 --> 00:29:25,960
Speaker 1: ask for who I should sit in an invoice too.

458
00:29:26,120 --> 00:29:28,960
Speaker 1: I didn't ask, you know what the publisher and the year.

459
00:29:29,040 --> 00:29:30,960
Speaker 1: I didn't ask what the split. I didn't give fun.

460
00:29:31,280 --> 00:29:34,800
Speaker 1: Thank you, Dr Dre. I appreciate it. Yeah, he said

461
00:29:34,840 --> 00:29:37,880
Speaker 1: it was for top Dog this for for for Snoop's

462
00:29:37,880 --> 00:29:42,080
Speaker 1: album Thank You for the Opportunity. Boom uh. Like a

463
00:29:42,160 --> 00:29:44,640
Speaker 1: week later, you know, a couple of weeks later, Snoop

464
00:29:44,640 --> 00:29:47,520
Speaker 1: comedies like age Nephew. You know we're using that as

465
00:29:47,560 --> 00:29:52,200
Speaker 1: a singer. But I was like, my life is about

466
00:29:52,200 --> 00:29:57,280
Speaker 1: to change. Hit him up, comes out? Oh Dog Pound

467
00:29:57,360 --> 00:30:01,720
Speaker 1: comes to New York, right. And then this rumor that

468
00:30:01,880 --> 00:30:04,800
Speaker 1: Biggie Smalls called the radio stage. No, that's not a rumor.

469
00:30:04,840 --> 00:30:07,640
Speaker 1: That's actually true. It's just no one has proof for this. Oh,

470
00:30:07,680 --> 00:30:10,440
Speaker 1: it's on the internet somewhere for sure. And this this

471
00:30:10,640 --> 00:30:13,080
Speaker 1: was on your show, correct, it was actually I mean

472
00:30:13,120 --> 00:30:15,080
Speaker 1: I was at that time. I used to run flexis Board,

473
00:30:15,120 --> 00:30:17,040
Speaker 1: so I would be in the studio reflex but really

474
00:30:17,120 --> 00:30:19,840
Speaker 1: with flexib show. You know. The reason why this this important,

475
00:30:19,840 --> 00:30:22,720
Speaker 1: this this phone call is important is because this is

476
00:30:22,800 --> 00:30:25,400
Speaker 1: actually the first time we get to see big stand

477
00:30:25,520 --> 00:30:30,080
Speaker 1: up for something like for the most part, Um, have

478
00:30:30,240 --> 00:30:34,800
Speaker 1: you ever had Snoop on? Yes, Snoop remembers all of

479
00:30:34,840 --> 00:30:38,000
Speaker 1: this like word for word, and I have Snoop and

480
00:30:38,040 --> 00:30:40,400
Speaker 1: I have had many conversations about this because I always

481
00:30:40,680 --> 00:30:44,120
Speaker 1: dissected like that, because I always thought Snoop you know,

482
00:30:44,160 --> 00:30:47,640
Speaker 1: Snoop and I have a little weird thing because that's

483
00:30:47,640 --> 00:30:50,320
Speaker 1: when they were doing New York, New York the video, right,

484
00:30:50,560 --> 00:30:53,000
Speaker 1: So Snoop remembers all of that very clearly, remembers the

485
00:30:53,040 --> 00:30:55,200
Speaker 1: Big call. He remembers old people ran down here but

486
00:30:55,320 --> 00:30:57,760
Speaker 1: described that to us for people who don't know because

487
00:30:58,280 --> 00:31:02,040
Speaker 1: so Big, you course flex yeah he was on the

488
00:31:02,200 --> 00:31:04,360
Speaker 1: but but people have to realize it wasn't like he

489
00:31:04,520 --> 00:31:06,360
Speaker 1: called him to tell him about the You know, Big

490
00:31:06,360 --> 00:31:08,600
Speaker 1: would often call into the radio. You know. So that

491
00:31:08,800 --> 00:31:11,880
Speaker 1: night it was like, yo, they're shooting this video in Brooklyn,

492
00:31:12,000 --> 00:31:14,200
Speaker 1: like Brooklyn stand up. It was something to that fact.

493
00:31:14,320 --> 00:31:15,720
Speaker 1: It was like, but that was it. It was like

494
00:31:15,800 --> 00:31:18,440
Speaker 1: a Brooklyn stand up. It was it was a sign.

495
00:31:18,560 --> 00:31:21,000
Speaker 1: It was that's a Snoop said. Sloop says, that's very clear.

496
00:31:21,040 --> 00:31:29,720
Speaker 1: There's nothing that direction. Then it got shut up. They said,

497
00:31:32,560 --> 00:31:37,560
Speaker 1: um it was that was the talk. So that was

498
00:31:37,640 --> 00:31:40,760
Speaker 1: a talk. I just I couldn't believe he said it. So, um,

499
00:31:41,120 --> 00:31:45,760
Speaker 1: it's over the album cover because Biggie I had a

500
00:31:46,000 --> 00:31:49,320
Speaker 1: picture of young me on the cover and then Notorious

501
00:31:49,400 --> 00:31:52,040
Speaker 1: b I g resct in Peace had a picture of

502
00:31:52,120 --> 00:31:54,160
Speaker 1: a baby that was calling to be him supposed to

503
00:31:54,200 --> 00:31:57,320
Speaker 1: be him, so of course people started comparing it because

504
00:31:57,360 --> 00:31:59,720
Speaker 1: they was comparing us anyway. So then the album cover

505
00:31:59,840 --> 00:32:02,400
Speaker 1: came and it was like, oh, so Go said it.

506
00:32:02,480 --> 00:32:05,560
Speaker 1: I said, uh, it's straight blood sport out here. It's

507
00:32:05,640 --> 00:32:11,440
Speaker 1: war absolutely when Go said that ship on a raised tape,

508
00:32:12,480 --> 00:32:16,120
Speaker 1: oh that was crazy. That was crazy, man, because because

509
00:32:16,160 --> 00:32:19,160
Speaker 1: it was something after that, I think puff Big called me.

510
00:32:21,200 --> 00:32:23,440
Speaker 1: You've never heard this story? Now? Yeah, Big call me

511
00:32:23,560 --> 00:32:31,240
Speaker 1: and he's like, yo, fucking with the wound niggers. You

512
00:32:31,320 --> 00:32:34,640
Speaker 1: knew they said that ship. And he was like, Yo,

513
00:32:35,160 --> 00:32:37,360
Speaker 1: that's how you feel away, bro, because me and him

514
00:32:37,440 --> 00:32:39,719
Speaker 1: was tight, so we you know. I was like, yo,

515
00:32:39,880 --> 00:32:44,560
Speaker 1: I mean that's cool. Ghost faces, ghost Face, it's no

516
00:32:44,760 --> 00:32:47,600
Speaker 1: love loss. I didn't know he's gonna say this ship,

517
00:32:47,720 --> 00:32:50,800
Speaker 1: and he was just he was a little disappointed because

518
00:32:50,840 --> 00:32:52,800
Speaker 1: he wasn't trying to bite off my ship. No, no,

519
00:32:53,200 --> 00:32:57,200
Speaker 1: just just in general because he wasn't coming at it

520
00:32:57,280 --> 00:32:58,960
Speaker 1: like that. Because if you listen to this album he

521
00:32:59,120 --> 00:33:01,680
Speaker 1: rapped from, can You Tell? The whole story is so

522
00:33:02,360 --> 00:33:04,280
Speaker 1: I never I didn't look I didn't look at like

523
00:33:04,560 --> 00:33:06,040
Speaker 1: like I didn't look at it like that. It was

524
00:33:06,120 --> 00:33:08,920
Speaker 1: just competition at that time. So at that time, I

525
00:33:09,080 --> 00:33:11,520
Speaker 1: was like I was riding with that a little bit

526
00:33:11,640 --> 00:33:15,120
Speaker 1: because it was competition, so it's just one for me.

527
00:33:15,320 --> 00:33:17,640
Speaker 1: Like you said, there was an exclusive spot to be at,

528
00:33:17,880 --> 00:33:21,040
Speaker 1: and uh like definitely, I'm you know, me and Biggie

529
00:33:21,160 --> 00:33:23,800
Speaker 1: definitely kicked it out there plenty of times. Like Biggie

530
00:33:23,880 --> 00:33:26,600
Speaker 1: used to be out there all the times, and I

531
00:33:26,800 --> 00:33:28,719
Speaker 1: used to know when he was out there because if

532
00:33:28,760 --> 00:33:32,440
Speaker 1: I pulled up and it was like champagne bottles lined up, Yeah,

533
00:33:32,480 --> 00:33:35,360
Speaker 1: he was up there. Okay, top three ever? You know

534
00:33:35,720 --> 00:33:38,440
Speaker 1: to me, he's you know, you got Richard Eddie and

535
00:33:38,640 --> 00:33:42,000
Speaker 1: Damon Red Foxes. Aren't you named after Red fox Is

536
00:33:42,000 --> 00:34:00,840
Speaker 1: in your middle name? First Foxes? You make me better?

537
00:34:01,520 --> 00:34:04,480
Speaker 1: That was Hole was the record. Yeah, I think they

538
00:34:04,600 --> 00:34:06,120
Speaker 1: made it for a whole, but I think it was

539
00:34:06,240 --> 00:34:12,360
Speaker 1: too girly for Hole. So he now here's another sneaky

540
00:34:12,400 --> 00:34:15,520
Speaker 1: thing behind that. S I'm getting it out. Let's go.

541
00:34:15,760 --> 00:34:20,920
Speaker 1: Eve had the record. Yeah, Timberland made the joint and

542
00:34:21,000 --> 00:34:25,160
Speaker 1: she had a whole different record, Make me Better for Eve,

543
00:34:25,200 --> 00:34:27,560
Speaker 1: I'm not sure if that fit for it. It wasn't

544
00:34:27,560 --> 00:34:30,120
Speaker 1: make me better, it was make me better. It wasn't

545
00:34:30,160 --> 00:34:31,879
Speaker 1: win the hook and on. She had a whole another

546
00:34:31,960 --> 00:34:33,879
Speaker 1: song she had to beat from Timerland and she made

547
00:34:33,920 --> 00:34:36,399
Speaker 1: a whole different song to it. So when we're about

548
00:34:36,440 --> 00:34:38,960
Speaker 1: to put it out, wend Timberland like, hold up, I

549
00:34:39,080 --> 00:34:43,200
Speaker 1: think I get that beat the eve Eve got. We're

550
00:34:43,280 --> 00:34:45,920
Speaker 1: like what, so we hit Eve up. But she was

551
00:34:45,960 --> 00:34:48,480
Speaker 1: cool while she said she said truthfully like it's it

552
00:34:48,600 --> 00:34:50,640
Speaker 1: was a single for us, this is this is a goal.

553
00:34:51,760 --> 00:34:53,680
Speaker 1: But for her, she said it was like an album cut.

554
00:34:53,920 --> 00:34:55,840
Speaker 1: She didn't really know, and she just you know, we

555
00:34:55,920 --> 00:34:58,279
Speaker 1: went to dinner and she was like, yeah, y'all had

556
00:34:58,320 --> 00:35:22,440
Speaker 1: a record and it's all good. I don't like the segregation.

557
00:35:23,000 --> 00:35:25,160
Speaker 1: I don't like it, you know what I'm saying, the

558
00:35:25,239 --> 00:35:28,320
Speaker 1: old hip hop the new hip hop. Yo, we like

559
00:35:28,480 --> 00:35:31,640
Speaker 1: our old ship. You know, we agmatic niggas, you know

560
00:35:31,640 --> 00:35:34,000
Speaker 1: what I'm saying. A little baby album right, But like

561
00:35:34,120 --> 00:35:38,400
Speaker 1: the young generation is xxax and like that. But we

562
00:35:38,560 --> 00:35:42,440
Speaker 1: should all be together. We could like one music a

563
00:35:42,600 --> 00:35:45,800
Speaker 1: different era music more than the other. But I I

564
00:35:45,960 --> 00:35:48,799
Speaker 1: love the young nigga's ship. It's not that God, it's

565
00:35:48,880 --> 00:35:53,240
Speaker 1: not that I gotta interrupt you. I think the younger

566
00:35:53,480 --> 00:35:59,400
Speaker 1: dudes think that we're corny. I'm just the younger dudes

567
00:35:59,520 --> 00:36:02,839
Speaker 1: think that we're corny because we don't funk with them

568
00:36:03,040 --> 00:36:05,759
Speaker 1: and we don't think they could spit or we don't

569
00:36:05,760 --> 00:36:09,640
Speaker 1: think that it's just a division and miss the fucking drink.

570
00:36:09,719 --> 00:36:14,600
Speaker 1: Chance is you could help funk with him. I think

571
00:36:14,640 --> 00:36:18,000
Speaker 1: there's a level of hip hop that does not belong

572
00:36:18,080 --> 00:36:22,239
Speaker 1: to hip hop and like subgenre type stuff. Well, just

573
00:36:23,239 --> 00:36:27,160
Speaker 1: you know what, I don't believe that. I don't believe

574
00:36:27,239 --> 00:36:30,640
Speaker 1: that a lot of the commercial hip hop that's on

575
00:36:30,760 --> 00:36:34,840
Speaker 1: the radio is picked by the fans a certain label,

576
00:36:35,000 --> 00:36:37,680
Speaker 1: which is Tommy Boy Records, which I was signed to

577
00:36:37,840 --> 00:36:40,640
Speaker 1: at one point as well. And I've I've made how

578
00:36:40,800 --> 00:36:43,960
Speaker 1: I uh stand. I said, funk Tommy Boy. The niggas

579
00:36:44,040 --> 00:36:46,520
Speaker 1: just suck. It was very elegant. It was a very

580
00:36:46,600 --> 00:36:52,440
Speaker 1: elegant statement for what sports on myself. But when I

581
00:36:52,560 --> 00:36:55,120
Speaker 1: heard that, the fact that they wanted to take your

582
00:36:55,200 --> 00:37:02,399
Speaker 1: catalog and we distributed it at a rate of temper cent,

583
00:37:02,440 --> 00:37:04,680
Speaker 1: and that temper sent would be split between the three

584
00:37:04,760 --> 00:37:10,880
Speaker 1: of y'all, he presented an option, the option we spoke

585
00:37:10,960 --> 00:37:14,920
Speaker 1: about that we felt was unfavorable. It was either we

586
00:37:15,080 --> 00:37:18,200
Speaker 1: do this if we didn't respond at a certain time,

587
00:37:18,760 --> 00:37:23,520
Speaker 1: then he would resort back to original contracts, which was

588
00:37:23,960 --> 00:37:28,520
Speaker 1: contracts we signed from one. So we responded, We responded

589
00:37:28,600 --> 00:37:31,600
Speaker 1: and saying that, you know, we responded like we were

590
00:37:31,600 --> 00:37:35,560
Speaker 1: supposed Yeah, so it was supposed to then go from there,

591
00:37:35,640 --> 00:37:38,480
Speaker 1: but we didn't really get any communication going until the

592
00:37:38,560 --> 00:37:42,839
Speaker 1: final hour. No one gave a shit about hip hop

593
00:37:43,200 --> 00:37:45,799
Speaker 1: until they realized that hip hop was making money. When

594
00:37:45,880 --> 00:37:49,239
Speaker 1: we boycotted the Grammys, it was because you wanted to

595
00:37:49,280 --> 00:37:51,800
Speaker 1: put it on television or you wanted to exploit it

596
00:37:51,880 --> 00:37:54,200
Speaker 1: on television, but you didn't want to show the category.

597
00:37:54,239 --> 00:37:59,880
Speaker 1: And I'm like, wait a minute, hip hop was all

598
00:38:00,000 --> 00:38:01,360
Speaker 1: to believe. I want to say this might have been

599
00:38:01,719 --> 00:38:06,840
Speaker 1: eight arguably the top three music genre in the world.

600
00:38:08,080 --> 00:38:12,560
Speaker 1: If you got nine country and Western categories that you're televising,

601
00:38:13,080 --> 00:38:16,000
Speaker 1: then you're gonna televise one of these hip hop categories

602
00:38:16,880 --> 00:38:19,919
Speaker 1: because on the scale, it should be up there, every

603
00:38:20,040 --> 00:38:23,279
Speaker 1: hip hop category and should be up there based off

604
00:38:23,360 --> 00:38:26,120
Speaker 1: of the level of the music. And so for them

605
00:38:26,160 --> 00:38:28,239
Speaker 1: to kind of disrespect it, and this was at a

606
00:38:28,280 --> 00:38:31,359
Speaker 1: point in time that you had radio and talk show

607
00:38:31,440 --> 00:38:34,759
Speaker 1: hosts that were blatantly saying hip hop is a fat

608
00:38:34,880 --> 00:38:42,400
Speaker 1: it's so together you boycotted the dam him? Did it

609
00:38:42,480 --> 00:38:46,360
Speaker 1: after you describe? We were just you know, we got together,

610
00:38:46,440 --> 00:38:49,040
Speaker 1: Salt and Pepper, everybody who was nominated, and we were

611
00:38:49,120 --> 00:38:51,279
Speaker 1: just like, we're not going. We're gonna go to all

612
00:38:51,320 --> 00:38:54,160
Speaker 1: of the functions and we're gonna talk about why we're

613
00:38:54,280 --> 00:38:57,000
Speaker 1: not going because they not only were we nominated, but

614
00:38:57,040 --> 00:38:59,560
Speaker 1: they wanted me and Will to perform. So we were

615
00:38:59,640 --> 00:39:02,719
Speaker 1: like and understand at that time saying no, you don't

616
00:39:02,719 --> 00:39:04,319
Speaker 1: know if this is the kiss of death, Like, are

617
00:39:04,360 --> 00:39:07,000
Speaker 1: you in a position to say something that they're just

618
00:39:07,080 --> 00:39:10,359
Speaker 1: gonna say? You know, but everybody kind of band together. Um,

619
00:39:11,040 --> 00:39:14,840
Speaker 1: and that's why, you know, hip hop has kind of

620
00:39:15,280 --> 00:39:18,040
Speaker 1: for a while kind of gotten to be a staple

621
00:39:18,080 --> 00:39:21,759
Speaker 1: in the grand I'm a fast forward. One of my

622
00:39:21,880 --> 00:39:25,040
Speaker 1: best friends is riding over red Man's sisters. Where was

623
00:39:25,080 --> 00:39:27,120
Speaker 1: my boyfriend when I was in the ninth grade? I

624
00:39:27,200 --> 00:39:29,680
Speaker 1: had faith on the show? Oh yes, And she said,

625
00:39:29,719 --> 00:39:33,120
Speaker 1: y'all datd you were her first, like official boyfriend. Well

626
00:39:33,160 --> 00:39:36,560
Speaker 1: did he say boyfriend or friends? She said boyfriend? And

627
00:39:36,680 --> 00:39:41,040
Speaker 1: then yeah, yeah earlier he was a drummer in the church. Yeah. Yeah,

628
00:39:41,120 --> 00:39:43,200
Speaker 1: she's sung in the church too. You know what's funny.

629
00:39:43,680 --> 00:39:49,480
Speaker 1: Um No, Faith was the first woman. I've never said it.

630
00:39:49,760 --> 00:39:52,799
Speaker 1: First Faith was the first woman my mother caught us

631
00:39:52,800 --> 00:40:02,040
Speaker 1: in the band with. She was the first woman my

632
00:40:02,160 --> 00:40:04,160
Speaker 1: mother caught us where she was. My mother came in

633
00:40:04,239 --> 00:40:08,760
Speaker 1: there when she was like, get your motherfucking answers about

634
00:40:08,880 --> 00:40:12,400
Speaker 1: my goddamn room. But that was my love though. That

635
00:40:12,560 --> 00:40:17,320
Speaker 1: was that was waving too. So that was that was

636
00:40:17,360 --> 00:40:23,400
Speaker 1: like legalized, like certain how they got common law marriages,

637
00:40:24,160 --> 00:40:26,840
Speaker 1: like like the side nigga you want to legalize, like

638
00:40:27,440 --> 00:40:31,439
Speaker 1: sh nigga, Like if I catch your chin, I'm at

639
00:40:31,760 --> 00:40:34,120
Speaker 1: your nigga and be like hey, chicken out, I girl

640
00:40:34,320 --> 00:40:39,919
Speaker 1: tripping like girl tripping. I know you've been paying the being.

641
00:40:40,480 --> 00:40:44,440
Speaker 1: I had to making sure she had money in and

642
00:40:44,520 --> 00:40:47,000
Speaker 1: when you be busy with your other girl, I'd be

643
00:40:47,120 --> 00:40:49,719
Speaker 1: there for her. And now she with another dude like

644
00:40:50,200 --> 00:40:52,680
Speaker 1: she I'm your shin. You need to listen to your

645
00:40:52,719 --> 00:40:59,800
Speaker 1: side and your husband. Legally, we need to have some

646
00:41:00,040 --> 00:41:04,719
Speaker 1: kind of what exactly went wrong with you and a

647
00:41:04,800 --> 00:41:10,480
Speaker 1: shot I got. I need to hear this. They've never

648
00:41:10,560 --> 00:41:13,640
Speaker 1: heard this. It was a real thing meeting because yeah,

649
00:41:13,640 --> 00:41:15,960
Speaker 1: because you let me see you know, let me tell you,

650
00:41:16,080 --> 00:41:18,600
Speaker 1: let me tell you something before we continue. You know

651
00:41:18,640 --> 00:41:22,279
Speaker 1: what BJ right? I told b J said, y'all, what

652
00:41:22,440 --> 00:41:24,719
Speaker 1: the funk she wants me to say? She wants me

653
00:41:24,800 --> 00:41:29,480
Speaker 1: to lie because she'll get it on hand. She'll get

654
00:41:29,520 --> 00:41:32,000
Speaker 1: on hand. She'll probably listen, she'll get on hand if

655
00:41:32,040 --> 00:41:34,400
Speaker 1: you had on drink Champs or whatever, she'll probably like,

656
00:41:34,440 --> 00:41:38,080
Speaker 1: I never fun with gotty and she'll I'm not gonna

657
00:41:38,120 --> 00:41:40,239
Speaker 1: do that. I'm like, but I'm giving to you really

658
00:41:40,320 --> 00:41:44,439
Speaker 1: like me and Hunt? Dare I say it was in love?

659
00:41:45,160 --> 00:41:50,000
Speaker 1: What would you call a situation where but wasn't complicated

660
00:41:50,000 --> 00:41:55,560
Speaker 1: because of the Absolutely it was complicated with you. Let

661
00:41:55,600 --> 00:42:00,320
Speaker 1: me ask you. So at one point boy Brown was like,

662
00:42:00,520 --> 00:42:04,080
Speaker 1: your lady, Yeah, we were kicking up. Were kicking at

663
00:42:04,120 --> 00:42:07,400
Speaker 1: one time at one point yeah. So was that like

664
00:42:09,080 --> 00:42:11,960
Speaker 1: like he was gonna move forward or no? The most

665
00:42:12,040 --> 00:42:14,279
Speaker 1: definitely were kicking and you know we had a good time.

666
00:42:15,040 --> 00:42:17,960
Speaker 1: It was always yeah, it's most definitely. It's always. The

667
00:42:18,040 --> 00:42:22,000
Speaker 1: conversations was always good. The moments were always cool. Should

668
00:42:22,040 --> 00:42:32,680
Speaker 1: we make some noise for that? Like, come on, man,

669
00:42:33,360 --> 00:42:41,200
Speaker 1: we made a culture, niggas, the minorities, we made this

670
00:42:41,400 --> 00:42:45,880
Speaker 1: culture and fucking holds a billionaire dreys a billionaire. Did

671
00:42:45,960 --> 00:42:50,200
Speaker 1: he's a billionaire? Kanye, Come on, man, I don't like

672
00:42:50,360 --> 00:42:53,759
Speaker 1: the segregation. I don't like it, you know what I'm saying,

673
00:42:53,840 --> 00:42:56,160
Speaker 1: The old hip hop the new hip hop. I wouldn't

674
00:42:56,160 --> 00:42:58,399
Speaker 1: be a boss if I wouldn't first and foremost give

675
00:42:58,440 --> 00:43:00,680
Speaker 1: it up to the ones they came before that. I

676
00:43:00,840 --> 00:43:03,279
Speaker 1: was able to absorb some game from you know what

677
00:43:03,360 --> 00:43:06,200
Speaker 1: I'm saying. That was Luke Scott Walker, you know what

678
00:43:06,320 --> 00:43:11,719
Speaker 1: I mean. The jay Z's Daddy's and the list go on.

679
00:43:11,880 --> 00:43:14,680
Speaker 1: You know what i mean, Ja Princes, The list goes

680
00:43:14,719 --> 00:43:16,279
Speaker 1: on and on. But you know, I took my time

681
00:43:16,320 --> 00:43:18,760
Speaker 1: to get here, and I just made sure I building

682
00:43:18,840 --> 00:43:21,600
Speaker 1: truthp on with the team. I'm proud of you, my brother,

683
00:43:21,960 --> 00:43:25,560
Speaker 1: Thank you for doing what you do. Continue, list Let's

684
00:43:25,640 --> 00:43:29,520
Speaker 1: keep building, you know, listen, not forget about the next generation.

685
00:43:29,840 --> 00:43:31,480
Speaker 1: And the only way we're gonna keep this going is

686
00:43:31,560 --> 00:43:34,400
Speaker 1: we have to do it is us helping us. And

687
00:43:34,520 --> 00:43:37,319
Speaker 1: so I'm proud of what you're doing, taking your time,

688
00:43:37,560 --> 00:43:40,640
Speaker 1: bringing brothers together. You know what I'm saying. I feel

689
00:43:40,680 --> 00:43:43,719
Speaker 1: like everything happens and guards time, you know what I'm saying,

690
00:43:43,760 --> 00:43:46,080
Speaker 1: And this this is something that needed to happen. You

691
00:43:46,120 --> 00:43:49,800
Speaker 1: know what I'm saying. God damn it, this ship is

692
00:43:49,880 --> 00:44:29,560
Speaker 1: sucking me up. Yeah. Thanks for joining us for another

693
00:44:29,600 --> 00:44:32,160
Speaker 1: episode of Drink Champs, hosted by Yours truly, d J

694
00:44:32,360 --> 00:44:34,680
Speaker 1: e f N and n O R E. Please make

695
00:44:34,680 --> 00:44:36,960
Speaker 1: sure to follow us on all our socials. Let's add

696
00:44:37,000 --> 00:44:40,520
Speaker 1: drink Champs across all platforms at the real Noriegon. I

697
00:44:40,680 --> 00:44:44,360
Speaker 1: g at Noriega on Twitter, mine is at Who's Crazy

698
00:44:44,520 --> 00:44:47,440
Speaker 1: on I g at d J e f N on Twitter,

699
00:44:47,800 --> 00:44:50,360
Speaker 1: and most importantly, stay up to date with the latest releases,

700
00:44:50,760 --> 00:44:53,919
Speaker 1: news and merch by going to drink champs dot com.

701
00:45:00,480 --> 00:45:01,719
Speaker 1: Even y